Water

Editor’s Notes

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Tredmond@sfbg.com

I’m really glad that you can watch the state Legislature on streaming video, because it gave me something to do Friday night. For a couple of hours, I sat there transfixed, flicking from the Assembly channel to the Senate channel, as the exhausted and somewhat punchy leaders of our state government blazed through about 100 different bills.

I think my favorite moment was when the Assembly Republicans tried to derail AB 962, a bill by Assembly Member Kevin De Leon (D-Los Angeles) that bans the sale of mail-order ammunition. De Leon tried to explain how reasonable the measure is — you can still order ammo on the Internet, but it has to be delivered to a licensed gun store, someplace where a clerk can check to make sure you’re over 18 and not a felon. He spoke of teenagers in his district ordering thousands of rounds of deadly bullets and getting them delivered to their doorsteps.

But oh my, the GOP was outraged. One Assembly Member announced that this was a violation of the Second Amendment and started chanting "let my people go." Another described a letter she received from a senior citizen who apparently had trouble getting around but needed a thousand rounds of live ammo for a "cowboy reenactment." The guy can’t drive to a gun store, but he can shoot live bullets at other old cowboys? What a great country.

At any rate, the Assembly passed the bill, with the minimum 41 votes, and the governor will now get to decide once again if he’s with the gun nuts or reasonable law enforcement.

I was a little worried that the modest prison reform bill would fail. Barely enough Assembly Democrats supported it, and some of the more liberal state Senators said it didn’t go far enough. Which it didn’t, and it doesn’t, and it’s at best a weak plan that could lead to the release of 17,000 nonviolent inmates. But the heart of the original bill, which called for a commission to review the state’s insane and often arbitrary sentencing policies, died. And some Assembly Democrats — including San Francisco’s Fiona Ma — refused to support a proposal to release more inmates to alternative custody, including home detention with electronic monitoring. So an alternative-release bill never made it to the floor.

That means the state is at least $200 million short of the cuts it needs to make in the prison system to balance the budget — cuts that were already included in the fiscal plan approved this summer. And California is still out of compliance with the federal courts, which have ordered the state to release some 40,000 inmates.

Something’s got to give.

The water system isn’t getting any better, either. The five key water bills failed to get approval, so it appears the Legislature will be coming back for a special session on water. Maybe one on education, too. Maybe more prison reform will come up in those sessions. Maybe Fiona Ma will realize that unlike some moderate Dems, she runs no risk of losing reelection over prison releases and can vote the right way next time.

And maybe Tantalus will get to eat some apples. Last I heard, he was still hungry.

The Legislature’s all-nighter fails

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The state Legislature wrapped up its session around 7 a.m. Saturday, after officially stopping the clock on the midnight deadline and pretending it wasn’t the next day yet until 120 elected officials endured a sleepless night and a lot of critical work didn’t get done. The really bad all-nighters in college were the ones when you felt like hell the next day and didn’t finish the term paper anyway.

There’s a pretty good roundup here and hereon a couple of the bills.

It’s remarkable: Governor Schwarzenegger is going to veto the very bill he initially proposed. He’s going to sign a prison reform bill that doesn’t even come close to doing what he agrees has to be done to cut prison costs. And unless he calls a special session of the Legislature to deal with water issues, there will be nothing to stave off the near-collapse of the Bay/Delta estuary.

Meanwhile, of course, the Republicans refused to back down and approve a tiny $16 million allocation to save domestic violence sheters (which literally save lives).

At least the Senate refused to exempt a bizarre sports stadium plan in Southern California from CEQA; it looked for a while there as if the legislators were going to cut a huge hole in the state’s landmark environmental law just to please a billionaire.

Hell of a session. Can’t wait for the fall.

Ici, here’s your favorite new ice cream joint

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By Kimberly Chun

Revelation time: a woman cannot live by Bi-Rite Creamery alone.

And along comes Ici, the Francophile’s wet, creamy dream over in Rockridge, right off Ashby. I checked out this lovely, tiled, Gallic-flavored spot recently, on a steamy, humid day – the kind that Bay Area types are never prepared for, sending us scurrying in vain for air-conditioning. The line wound out the door and snaked down the street, but it moved surprisingly quickly. Efficiency and beauty – who could ask for anything more?

Inside what is probably the most stylish and attractive ice cream shop in the Bay, were baked alaskas, bombes, ice cream sandwiches, and an ultra-tempting counter of treats and marbled homemade cones. A gold star for the nice, icy pitcher of sparkling water to sip while you wait.

But, man, it was the ice cream – kitted out in unique flavors – that swayed us and slayed us: verbena, sweet corn and chili, Earl Gray, hazelnut praline, raspberry verbena, pluot sorbet. (Pictured, a shot of mint fudge with burnt caramel sauce.) If I were you, I’d get two delectable scoops in a cone that comes with a truly delish little surprise of a chocolate tip. You’ve been warned: incoming deliciousness, Ici.

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ICI
2948 College, Berk.
(510) 665-6054

Lawns to highrises

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rebeccab@sfbg.com

When Aaron Goodman walks the grounds at Parkmerced, a sprawling apartment complex spanning about 116 acres in southwestern San Francisco, he picks up on details that might escape the notice of a casual observer. A gregarious tour guide, he chatters on enthusiastically about the unique design elements of an entryway or townhouse facade, the curve of a knee-high brick wall defining the slope of a courtyard, the simple elegance of a tiered planter or classic window frame, or the spacious feel of a breezeway that opens onto shared grassy space encircled by backyard terraces. "No two courtyards are alike," Goodman says. "Each one is like a little vignette."

An architect who lives in a rental unit in one of Parkmerced’s towers, Goodman is on a mission to document the complex’s 1940s-era courtyard landscapes — but he’s racing against the clock. Landscape and carpentry crews are constantly rearranging things before he can get to them, he says — and those piecemeal cosmetic changes are nothing in comparison with what’s coming.

A total overhaul has been proposed for Parkmerced. The low-rise town houses would be razed, the landscape drastically altered, and an additional 5,665 housing units constructed, nearly tripling the number of residents that can be accommodated.

Goodman regards the plan as a "total tear-down," an affront to the work of the influential landscape architect who designed the grounds, and a terrible waste.

But Skidmore, Owens and Merrill, the internationally renowned architecture firm hired by the owner, a real-estate investment group called Parkmerced Investors LLC, describes the future Parkmerced as a cutting-edge eco-neighborhood that would provide the city with desperately needed rental housing. "This will be the largest sustainable revitalization project on the West Coast — perhaps in the entire nation," says Craig Hartman, the principal architect. "Our goal is to create an international model of environmentally sustainable urban living, and all our decisions are being made in that context."

A development of this scale would fundamentally change the feel of an entire San Francisco neighborhood. It’s also, potentially, a case study in one of the most complex urban planning problems of our time.

"This is the kind of problem that America is going to be faced with over and over in the coming decades," Gabriel Metcalf, executive director of the San Francisco Planning and Urban Research Association, told us. "It’s this question of how do we retrofit suburbia?"

Parkmerced is one of many similar areas developed after World War II, "when people hated cities," Metcalf said, "when the idea was that everybody would drive everywhere, and it was a sort of new town in town. It’s a period piece. It’s from a time when people were trying to escape density and traditional Victorian patterns like in the Tenderloin or SoMa or North Beach — [instead], you would have big lawns, and it would look very suburban."

But that model, most environmentalists and planner agree, isn’t sustainable. And activists say that the western part of the city, which has always resisted density, will have to accept more residents in the coming years.

But a development of this size and magnitude, driven by a profit-seeking real-estate operation, creates all sorts of other problems, including potential traffic disasters on the nightmare called 19th Avenue. And while much of the new housing will be rental and some will be affordable, it raises the question: is this the sort of new housing the city needs?

TOO MUCH WATER


The plans for Parkmerced are bold, and the construction timeline spans 15 to 20 years. The 11 towers on the site, which account for about half the 3,000-unit housing stock, would remain standing, while the low-scale apartment dwellings would be demolished to make way for a mix of taller buildings, including 11 new towers at about the same height. Once the project is complete, Parkmerced would have a total of nearly 8,900 housing units, with a mix of rental and for-sale properties.

"Our plan for Parkmerced will directly address the city’s housing shortage for households at all income levels," Hartman told the Guardian, adding that existing rental units would be preserved, and the project would comply with the city’s affordable-housing requirements. The city typically requires about 15 percent affordability, which would mean about 850 new below-market units — and 4,800 at market rate.

And while the complex was originally designed for middle-class families, the owners have been targeting San Francisco State University students — who typically have their parents co-sign the leases and who don’t present a rent-control issue, since they don’t stay long.

Sustainability and energy-efficiency are underpinnings of the project, according to Hartman. The poorly insulated garden apartments are moisture-ridden and inefficient, he said, and the entire neighborhood layout reflects the car-centric mentality of a bygone era. The landscape also poses a problem. "Maintaining the expansive lawns … requires the application of tons of fertilizer and wastes millions of gallons of drinking water annually. In fact, actual metering shows the consumption of 55 million gallons of potable water per year — just for irrigation."

Parkmerced residents would use 60 percent less energy and water per capita than they do now, according to Hartman, through efficiency improvements and investments in renewable energy sources. Plans also call for an organic farm and a network of bike paths. A storm-water management system would naturally filter runoff and use it to recharge Lake Merced, which has been seeping lower in recent years.

The developers hope to re-route the Muni M line through the complex to make transit more accessible. New retail would eliminate the need to drive somewhere for something as simple as a quart of milk.

"To me what’s most exciting about this is, if they get it right, it’s actually taking an area that right now generates a ton of car trips, and making it walkable," Metcalf said.

But Goodman and others have suggested that Parkmerced should be designated as a landmark, which would hamper development plans, precisely because its character is reminiscent of that postwar era. A draft report issued by Page & Turnbull, a historic-architecture firm, found that Parkmerced would be eligible for designation as a historic district on the California and national registers of historic places.

It was built in the 1940s by Metropolitan Life Insurance Co. as part of a government-supported effort to supply housing for the middle-class and families of servicemembers. The "courtyard vignettes" bear the mark of Thomas Dolliver Church, regarded as the founding father of the modern movement in landscape design.

"It was Church’s biggest public project," notes Inge Horton, an architect and former regional planner with the San Francisco Planning Department who completed an historic assessment of Parkmerced for Docomomo, the International Committee for Documentation and Conservation of Buildings, Sites and Neighborhoods of the Modern Movement. Horton has mixed feelings about the proposed development. "It is one of these things where the developer or owner proposes to tear down all the low-rise buildings and put up a high-rise and make it a little bit green," Horton said. "Sorry to be so cynical."

Goodman wonders just what’s so sustainable about demolishing buildings that the owners have just sunk millions of dollars into for fix-ups and cosmetic repairs. "When you look at the overall site, it’s a functioning community — and it’s essential housing," he says, wondering why it can’t be reused and expanded," he says.

Hartman says he views the site "as an architect," and finds it to be incongruous with San Francisco’s character. "To be frank, the architecture is unworthy of this extraordinary site," he says. Instead, he sees potential for what it could be: a pioneering example of a green neighborhood that uses urban density to meet the challenge of climate change.

MOVING OUT


At a public meeting held in June to discuss the future plans, residents shared their anxiety about being forced to move. Some tenants, particularly seniors, have lived there for decades in rent-controlled units. Parkmerced Investors has promised that those residents would be able to maintain their current rents in brand new, comparatively sized apartments. But Goodman points out that many would lose their meticulously cared-for garden plots and be forced to adapt to life in a high-rise instead.

About half the tenants are college students who attend San Francisco State, which lies adjacent to Parkmerced. District 7 Sup. Sean Elsbernd, who represents the neighborhood, told the Guardian that he often receives complaints from his constituents about "keggers" that go on until the wee morning hours.

"Parkmerced is such a fascinating societal study," Elsbernd noted. "You’ve got a lot of folks who’ve been there since it was built, but really the vast majority now are students at San Francisco State who are so transient and really aren’t terribly invested in the neighborhood."

Elsbernd said he also shares a different concern, which came across at the meeting loud and clear: traffic. Although development plans emphasize cycling, Muni access, and a shuttle that would carry passengers to the Daly City BART, the redesign would come with a grand total of more than 11,000 on-street and off-street parking spaces. And it’s situated along the 19th Avenue corridor, which is already notorious for traffic snarls (and for pedestrian deaths). Some fear the combination of two new developments would fuel perpetual, dangerous gridlock.

"At minimum, we’re talking 5,000 additional vehicular trips a day," said Calvin Welch, a longtime affordable housing activist. "You couldn’t build housing further from where people work if you tried." Welch regards the smart-growth school of thought, enthusiastically endorsed by SPUR, with skepticism. The pitfall, he says, is "allowing high-density development in transit-oriented neighborhoods … and then finding out that people drive."

On the other hand, Welch said, market-rate rental housing is much more affordable than market-rate condominiums, so Parkmerced will provide a service compared to the condos that are pricing so many middle-class families out of San Francisco. And the eastern half of the city has had its share of new residential development, so building new rental units in the western half might be an appropriate counterbalance.
Goodman said he has his own vision for Parkmerced, which would employ adaptive reuse of the existing structures and ensure truly affordable housing for people of modest means. "If I had money and tons of land and all the power in the world, I’d do it a completely different way," he says. "But I don’t. I’m a tenant living on site."

The harshest cut

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news@sfbg.com

"I wake up at night at 3:30, hearing the logging trucks and knowing what’s happening," Susan Robinson complains. "It makes me sick."

Robinson lives just off State Route 4 in Arnold, a Calaveras County community perched on the western slope of the Sierra.

For the past nine years, this feisty retiree has been clamoring to get Sierra Pacific Industries, California’s leading timber company, to stop clear-cutting the forest. "I’m the daughter of a forester myself. I am not anti-logging," she told us. "Of course, SPI should be able to log its land. But it shouldn’t have the right to obliterate everything."

A decade ago, logging and forestry practices in the Sierra were big news. Media reports, protests, and legislative action focused on SPI’s practice of slicing through entire large tracts of land, hacking down every tree, bush, and seedling and leaving nothing but devastation behind.

But most of the news media have long since moved on to other issues — and the clear-cutting continues. If anything, the pace at which SPI is felling the forest has hastened since the intensive logging controversies grabbed headlines in the 1990s.

"When I recently read the June 2000 issue of the Guardian exposing SPI’s activities in the Sierra, I was pained because I thought, ‘Wow! This could have been written yesterday,’" said Marily Woodhouse, a Sierra Club organizer in Shasta County.

It’s not as if nothing has changed under the Sierra sun. Some timber companies have adopted more responsible practices. But SPI is still a major problem. And as the largest private landowner in the state, its footprint is huge. Conservation activists have been exploring new opposition tactics while maintaining their diligent efforts on the legislative, legal, and educational fronts.

Susan Robinson and the other members of the Ebbetts Pass Forest Watch often take visitors to tour the backcountry roads and see the damage for themselves. On Winton Road, plots managed by SPI are adjacent to the Stanislaus National Forest, which is administered by the U.S. Forest Service — and the contrast is staggering.

Patches SPI harvested two years ago are still bare due to herbicide spraying. Between stumps, 10-inch-long replanted ponderosa pines may poke their frail limbs out of the churned soil, but there’s nothing left on a 20-acre lot for deer, bobcats, raccoons, or woodpeckers to eat, rest on, or breed in. No bees pollinating. No chickarees denning. It will take decades for the seedlings to reach maturity.

On the opposite side of the gravel road, on Forest Service land, sugar pines, ponderosa pines, lodgepole pines, incense cedars, oaks, and white firs of different ages shelter ferns, mushrooms, and berry plants. The forest has been thinned to reduce fire hazard, but it has not been converted to a monoculture tree farm.

"What grows back after you clear-cut is a plantation," said Doug Bevington of Environment Now. "A forest is not simply a collection of trees. What makes a forest a vibrant ecosystem is its diversity, having different species and different ages. And it’s the diversity of the forest that creates the habitat to support more species of life."

CLEAR-CUT FRENZY


You don’t need to travel to the Sierra to get the picture — connecting to Google Earth will suffice. Zoom into Arnold and levitate above Highway 4. Beyond the lush forest "beauty strips," the landscape looks like a moth-eaten blanket of evergreens.

Over the past 10 years, SPI has clear-cut 18 square miles in Calaveras County alone. (Clear-cut also includes slightly more moderate logging techniques that leave few trees and snags remaining on an otherwise desert-like tract.)

State records show that between 1996 and 2006 SPI clear-cut 270,000 acres of forests and dumped 335,000 pounds of herbicide into the soil. That’s roughly 420 square miles of scalped woodland. SPI isn’t the only timber company clear-cutting in this state, it just happens to be the most zealous. And it owns 1.7 million acres.

Proponents and opponents of clear-cutting agree on one point: it’s the most productive and the cheapest way to grow timber. But environmentalists say the ecosystems pay a heavy price for the practice.

Mark Pawlicki, SPI’s director of government affairs, told us that the company meets the standards set by the state’s Forest Practice Rules, and that Californian clear-cutting regulations are the strictest in the country. California allows 20 acre cuts; in Washington, the denuded area can reach 240 acres.

Timber harvest plans are not only reviewed the California Department of Forestry and Fire Protection (CAL FIRE), but also by the California Department of Fish and Game, the Regional Water Quality Control Board, and the California Geological Survey. Recently, SPI has even started to replant its clear-cuts with two or three different tree species.

The scientific community recognizes that clear-cutting has greater ecological impacts than any other harvesting method. Such radical treatment may be the only way to salvage logs from woods killed by insects or fire. And the industry is forced to mitigate some of the impacts — buffer zones, for instance, are required for waterways supporting aquatic life.

But that’s not enough: the tiny tributaries feeding the waterways aren’t protected, so sediment and debris can end up in the protected streams, affecting water quality, fish species, and amphibians. The water cycle is inevitably disrupted, with snowpack melting earlier in the season and rainfall running off the naked slopes. The fragmentation of the forest displaces animals that move around for their living, putting pressure on surrounding lands.

Environmental organizations are also concerned about exacerbation of climate change.

In national forests, clear-cutting has been phased out for more than a decade. Members of Ebbetts Pass Forest Watch wonder why the state can’t make the same rules for private loggers.

"I do reckon that private companies have to make profits," said Forest Watch activist Addie Jacobson. "But we do see companies like Collins Pine harvest timber in a way that all of us are happy with yet make some profit."

GREEN WOOD


Collins Pine has been managing 94,000 acres of timberland in Plumas and Tehama counties since 1941. It primarily uses selective cutting, where only certain trees are sparsely removed. Chief forester Jay Francis says that after a month, you can hardly tell a logged area from a pristine one.

"Our owners do not want us to do anything that compromises the values of our Sierra mixed-conifer forest, whether its wildlife, clean water, recreation, esthetics," he told us. "So we do a very minor amount of clear-cutting. In fact, we just turned in a plan for a 15-acre clear-cut for health reasons. We have an infestation of root-rots in an area. That’s probably the first clear-cut we’ve done in 50 years."

Those cuts are less than six acres wide, meeting the rules of the Forest Stewardship Council (FSC), an international organization that certifies sustainable forest management. Since its inception in 1993, FSC has developed standards to accommodate the commercial, social, and environmental values of forestland. It has the backing of the world’s leading environmental groups, including Greenpeace and the World Wildlife Fund. Consumers can rely on its label to buy environmentally and socially responsible wood products.

Collins Pine was the first privately held logging company in North America to receive FSC certification, in 1993. There are now 22 certified companies.

Gary Dodge, director of science at FSC U.S., contrasted FSC’s approach to wildlife with CAL FIRE’s, which only protects state-listed endangered species. "We also believe that it’s the role of the forest to prevent common species from becoming rare, or prevent rare species from becoming extinct," he said.

In the iconic North Coast redwoods of Mendocino County, the Mendocino Redwood Company has taken its cue from Collins Pine. In 1998, MRC took over 228,800 acres from the environmental villain Louisiana Pacific. From the start, MRC managers stated that they aimed for the business to be a good steward and a successful business. The company received FSC certification in 2000.

"There are a lot of models for what it means to be a successful business, but there are fewer for what it means to be a steward of the land," Sandy Dean, chairman of MRC, told us. "We think quite literally that it is to leave it better than we found it. It includes a reduction in the level of harvest, the elimination of clear-cutting, and the adoption of a specific policy to protect old-growth trees."

SPI is not impressed by this trend. "By and large, the companies that exclusively use selective logging just have a different objective than we do," Pawlicki said. "They’re not growing as much timber as we are."

SPI, nevertheless, is also using the buzz-word sustainability. According to Pawlicki, the state of California requires timber companies to be sustainable anyway. "You can’t cut more than you grow under California law." Jumping on the green-building bandwagon, SPI has also sought certification — with an organization called the Sustainable Forest Initiative that is not recognized by the LEED green building rating system.

NEW BATTLEGROUNDS


These days, conservation activists are trying out new strategies to compel SPI to straighten up its act. ForestEthics’ Save the Sierra campaign aims at protecting forests using the market as a weapon. "The average person may not have heard of SPI," said activist Joshua Buswell Charkow, "but they know its clients: Home Depot, Lowe’s, Kolbe & Kolbe [Millwork Company].

Some environmental groups still resort to litigation. "I’m not too optimistic to think that the industry will reform itself," said Brendan Cummings from the Center for Biological Diversity.

The center recently filed three lawsuits against CAL FIRE for approving timber harvest plans without properly analyzing the greenhouse gas emissions from each specific project. Instead, the agency accepted SPI’s broad assertion that growing its tree plantation over the next 100 years would offset the immediate carbon release caused by plowing the soil and burning the slash. But even if that’s true, the nature of the climate crisis is such that we need to curb emissions right now, said Cummings. In response, SPI withdrew its plans.

Concerned Sierra citizens are also challenging logging plans in the courts. In Shasta County, Marily Woodhouse has been opposing a plan to clear-cut 809 acres in the vicinity of the Digger Creek that flows through her town of Manton for fear it will disrupt an already heavily logged watershed. The Battle Creek Alliance, the coalition she helped form, filed suit in January 2008. "What happens if they drop a plan? Eventually they come back again," she said.

"The lawsuits do slow things down. But the fact is, [the loggers are] never going away."

Past experience has taught activists to be wary. Ten years ago, when SPI’s frenetic activity first came under public scrutiny, rallies and media coverage curtailed the timber giants’ greed. Yuba Valley residents led a protest against a plan to scrape 171 acres along the banks of the South Yuba River. And farther South, locals from Arnold faced with an 884-acre clear-cut launched Ebbetts Pass Forest Watch. SPI kept a low profile for a while, even declaring to the press it would scale back clear-cutting in Calaveras County — only to redouble its practices a few months down the road.

The Yuba River site has been spared, thanks to the intervention of the Trust for Public Land, which has been able to purchase 110,000 acres from SPI. Those parcels, also located in the Tahoe region and Humboldt County, were transferred to public ownership for conservation.

On the policy front, Forests Forever has been leading the charge for 20 years. The lobbying group has sponsored three initiatives in Sacramento to ban or further restrict clear-cutting. The last bill was killed by the Assembly Natural Resources Committee in April 2008.

"There’s a lingering sense that logging is still an economic driver in the state," said Forests Forever executive director Paul Hughes. "But tourism and retirement, which depend on healthy forests, actually contribute more to the economy."

Skeptics say that 80 percent of the wood used in California comes from Washington and Oregon or from the Canadian provinces of British Columbia and Alberta, where clear-cutting is the norm anyway. But as Hughes put it, "You’ve got to start somewhere to fight this abomination."

Psychic Dream Astrology

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Mercury is still retrograde, so make sure you’re being clear in all communications.

ARIES

March 21-April 19

Not only is Mercury — astrological ruler of texts, e-mail, chats, and processing of all kinds — retrograde this week, but it’s moonwalking in your opposing sign. This may put you in a bad bargaining position, Aries. Turn that lemon into lemonade by cutting problems off at the pass. Be super honest, direct, and to the point.

TAURUS

April 20-May 20

Your inner child wanted to watch a movie that your inner parent knew would be too scary, but your inner child begged and got its way. Now your inner parent is disgruntled because it has to take care of an inner child who’s scared of her own shadow! Have better boundaries with yourself so that you avoid the problems you see coming from a mile away.

GEMINI

May 21-June 21

You are so Goldilocks right now! You’re on the fence about how much pressure is too much or just right. The time is right for you to be assertive, sweet heart. Step out and firmly stake your claims, just don’t get too aggressive and entitled about it. If your ego is out of balance, those bears are gonna have one delicious Gemini soup.

CANCER

June 22-July 22

Your emotions are like so many newfangled roller-coasters — they move way too fast and throw you l upside down and all around. It makes your intuition get stomach sick, and thus unreliable. This week avoid the coasters, bumper cars, and teacups, and opt instead for a Ferris wheel. Take it slow and look at things from as many angles as you can.

LEO

July 23-Aug. 22

Leo, you have got to do something about your anxiety levels. But just any old thing will won’t do. This is not the time for brash or impulsive action, no matter how desperate you may feel. Stop whatever you’re doing before you try to fix things. Ask for support from your peeps and then slow down enough to receive it.

VIRGO

Aug. 23-Sept. 22

Being controlling doesn’t actually give you any control, Virgo. Taking responsibility for your needs is totally tubular, but doesn’t promise you any rewards. Put your best out there without stipulations about what needs to happen in order for you to continue being your awesomest. Take care of yourself because it will make you a better person.

LIBRA

Sept. 23-Oct. 22

Coping with loss and disappointment is not easy for any sign, but you like to keep things pleasant, which is tough going when you’re bummin’ hard. Look at what’s got you twisted in your relationships vs. what you are projecting onto them. This week is triggering some old patterns so that you can see your part in them and start some healing.

SCORPIO

Oct. 23-Nov. 21

Feeling lonely and being alone are two separate things, Scorp. Get real about where you’re at with your people. There’s nothing wrong with letting yourself feel lonely if that’s what’s real for you, but don’t convince yourself that you are hopelessly without recourse just because you feel hopeless. Acknowledge your options even if you won’t exercise them.

SAGITTARIUS

Nov. 22-Dec. 21

There are more ways things can go than either awesome or crapola. Allow yourself to reserve judgment until you have a clearer vision of what’s going on. The weight of the world is a heavy load on your weary shoulders, pal. Allow your life to develop as you make room to adjust to the many changes you are going through.

CAPRICORN

Dec. 22-Jan. 19

Your past is a powerful teacher, and it would behoove you to study it carefully. Blaming yourself for problems is a waste of energy: even if you’re at fault, blame is a game with no winners. Look at who you once were and who you are now, and make sure you like the souped-up autumnal ’09 you. Whatever does not please you is your homework!

AQUARIUS

Jan. 20-Feb. 18

You need a good book, a cozy comforter, and some quality time with a sexy Water Bearer named you. Problem is, your ego is on a bender and wants lots of praise and candy and parties. Take inspiration from your fellow Aquarians — channel your inner Audre Lorde and leave your inner Paris Hilton at Le Cirque for the week.

PISCES

Feb. 19-March 20

Hope is a beautiful thing, and a positive attitude can go a long way in making good things come to fruition. This week, stay optimistic as you wrestle through Mercury retrograde to be the best communicator you can be. You are ready to speak your piece in some situation you have been (wisely) biding your time in. Stay level-headed and to the point. *

Jessica Lanyadoo has been a psychic dreamer for 15 years. Check out her Web site at www.lovelanyadoo.com or contact her for an astrology or intuitive reading at (415) 336-8354 or dreamyastrology@gmail.com

BART’s even weaker legislation

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By Wendi Jonassen and Tim Redmond

There’s a move in Sacramento to authorize BART to put its relatively weak police oversight process into action — but the legislation is even weaker than BART’s cautious plan.

The BART Board approved a plan this summer, but can’t enact it without the state. BART was created by the Legislature as a special district, and lacks the power to create a police-oversight agency.
Assembly member Sandre Swanson (D-East Bay), is trying to get legislation through — but there are a few major problems. For one thing, at the insistence of the police-lobbying group PORAC, the legislation at this point doesn’t allow the elected BART Board to overrule the police chief on discipline.

So the elected officials who run the agency will have no authority over rogue cops. That’s insane.

The other problem is that the legislative session is almost over – and the only way Swanson can pull this off is through a legislative maneuver. He tried to take existing bills that have been through both Assembly and Senate committees and “gut and strip” – that is, replace all the existing language with new language. But he couldn’t pull that off.

Now he has to ask for waivers and exceptions so a bill can be heard by the end of the legislative year. According to him, “this is almost nearly impossible. It is essentially trying to get six months of work done in two weeks.”

And Tom Ammiano, who has his own, much stronger bill to mandate civilian oversight for the BART police, isn’t going to support the Swanson effort. He wants the best model rather than pushing a weak bill forward, says Quintin Mecke, his press secretary.

Swanson wants to move forward with the parts of the BART plan that everyone agrees on: The creation of a police auditor and a citizen review mechanism.

He remains optimistic that one way or another, there will be a bill containing both the police auditor and a citizen review board sometime this week.

When asked about the claim that the bill is highly water-down, Swanson responded by saying this claim, “misses clear understanding of the legislative process.”

Essentially, Swanson wants to leave the weak portions of the bill to possible future amendments and more bills. The idea is to get at least something passed this year, with the goal of coming back later to strengthen it.

But with the power of the police lobby, it’s possible that a weak, watered-down bill will pass – and never get improved. That’s the worst possible option.

Desperate measures?

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sarah@sfbg.com

A proposal to open the first desalination plant on the San Francisco Bay inched forward Aug. 18 when the Marin Municipal Water District (MMWD) board voted 4-0 to build a facility that would convert 5 million gallons of seawater a day into fresh drinking water.

It’s the latest chapter in a saga that has pit environmentalists, who see the plant as too energy intensive, against business and development interests, which fear the district is going to run out of water.

The plant, which is planned for a seven-acre shoreline plot in San Rafael and could be up and running by 2014, would cost an estimated $105 million to build and another $3 million to $4 million a year to operate. MMWD says it will fund the project using bonds and a $3 to $5 increase in monthly water bills.

MMWD Board President David Behar and directors Larry Russell, Cynthia Koehler, and Jack Gibson also approved $400,000 to cover permits and design construction of the new facility

The Aug. 18 vote took place with the five-member MMWD board short a director (former Board President Alex Forman died July 9). And it came after hours of public comment, with opponents arguing that desalination is too expensive, detrimental to marine life, and will release climate-changing gases.

"When you look at the bigger picture, it makes no sense," said Mark Schlosberg, California Director for the Washington, D.C.-based Food & Water Watch, an environmental advocacy group.

In June, Food & Water Watch’s James Frye released a report titled "Sustaining Our Water Future," which argues that MMWD could meet its future water needs by intensifying conservation measures and improving reservoir operations. Frye’s report also indicated that the water district overestimated its expected water shortfall because it based its calculations on high-use years.

But MMWD’s general manager Paul Helliker contends the report was not realistic. "They are talking about everyone, business and homeowners, cutting landscape water use by 40 percent. That’s a phenomenal cut," Helliker told the Marin Independent Journal at the time.

Others see desalination as a drought-proof way to satisfy projected population and economic growth.

"We’re concerned about bringing supply and demand into balance," Hal Brown, president of the Marin County Board of Supervisors, said during public comment.

"Under a severe drought, the economy will be impacted tremendously," said Bill Scott, business manager of the Marin Building Trades Council.

When the board ultimately voted to green-light the next steps in the desalination plant building process, they noted that they will explore the use of alternative renewable energy sources, including solar, wind, wave/tidal, or landfill gas, to power the plant. They also pointed out that when the next drought hits, Marin won’t be able to build emergency pipelines and negotiate for more water from the Russian River, which is what the county did during previous droughts.

Today, Marin County relies on seven small local reservoirs. The district contends that the new facility will be insurance against longer dry spells, which are anticipated due to global warming.

"This has been hard," Board member Cynthia Koehler acknowledged, addressing the riled-up crowd and noting that the district still has "a number of off-ramps."

The MMWD is already on the vanguard of conservation statewide, Koehler noted, observing that no water district achieves its conservation goals. "So I don’t think six years is rushing," he said.

"We will not build a desalination plant without the need," MMWD director Larry Russell told the crowd. "We are not fast-tracking this. But if a drought comes, we will."

"I’d be lying if I said I have no concerns about de-sal, starting with the energy," MMWD director Jack Gibson told the agitated crowd. "So, why am I not there with you? I view it as being prepared."

Recalling how attitudes changed overnight when the drought hit in 1976 and 1977, Gibson added, "If we have a serious water crisis, people are going to be clamoring for water. My concern is that the Russian River, as a fish habitat, will be gone."

With four of five seats up for election in November 2010 election, the composition of the board could change dramatically before the desalination plant’s fate is sealed.

The water wars

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rebeccab@sfbg.com

When arch-conservative Fox News host Sean Hannity decided to weigh in recently on the contentious — and immensely complicated — issue of California water policy, here’s how he summed it up: "Farmers in California are losing their crops, their land, and their livelihood — all because of a two-inch fish!"

Television viewers were treated to scenes of the Central Valley, showing a lush field of crops — followed by a dusty, withered almond orchard that has been cut off from water exports from the Sacramento-San Joaquin Delta. A news anchor informed viewers that the nation’s most productive agricultural lands were "threatened by a small, harmless-looking minnow called the Delta smelt."

Because a federal judge ordered cutbacks in the amount of water shipped from the Sacramento-San Joaquin Delta to farms in the valley, a farmer explained on camera, growers have fallen on hard times. After showing a long line stretching around a food bank in the tiny agricultural town of Mendota, the newscasters concluded: "It’s fish versus families, and [the government is] choosing the fish."

It’s a dramatic portrayal, and the poor farm laborers who are out of work are truly struggling. But it isn’t the fault of a fish.

The state Legislature is now struggling with a series of bills to address a problem that sometimes seems to defy political solution, while agricultural interests — which consume the lion’s share of the state’s water supply — are campaigning aggressively to secure even more water for irrigation.
But while the political forces battle, an environmental nightmare is being created in the Delta. Years of massive water diversions are putting the San Francisco Bay-Delta Estuary at risk. Massive projects that take freshwater from the delta appear linked to declines in bay and delta fisheries, threatening not just endangered species but California’s salmon fishing industry, which lost more than $250 million last year as a result of declining salmon runs.

499-coverchart.jpg
Delta exports (at left) have increased in recent years, while returning Chinook salmon populations have declined at the end of a three-year spawning cycle. Graph created using data from Porgans & Associates

Meanwhile, climate models predict that California’s tug-of-war over water will only get uglier as the state is hit with more frequent droughts. As lawmakers scramble to find a solution to the state’s water woes, the challenge isn’t just to balance the needs of families and fish — it’s to steer an increasingly crowded state toward smarter management of shrinking water resources.
"It all comes down to climate change," Lt. Gov. John Garamendi noted in a recent interview with the Guardian. "Everything we know about water in California is going to dramatically change."

Critics say the bills in Sacramento are, at best, a duct-tape-and-baling-wire solution to a problem that could define the state’s economy and environment in the coming decades. "The bills … have been slapped together in such a slapdash way that it’s reminiscent of energy deregulation," said Nick Di Croce, lead author of "California Water Solutions Now," a report produced by the Environmental Water Caucus.

As things stand, much of the problem is inherent in the system. The pumps that export water out of the delta regularly pulverize federally threatened and endangered fish, yet the government agencies that operate them are rarely held accountable. The agency that is supposed to monitor and protect the health of the San Francisco Bay and the fragile delta ecosystem also gets 80 percent of its budget from water sales. And the state water projects regularly promise more water than they can deliver.

THE GREAT SUCKING SOUND

California’s water wars stem from a tricky dilemma: two-thirds of the precipitation falls in the north, while two-thirds of the people live in the drier south. The delta, located primarily in Sacramento and San Joaquin counties, is the heart of the state’s water supply, where the freshwater flows of the Sacramento and San Joaquin rivers and vein-like tributaries converge. It boasts the largest estuary on the west coast of North and South America, providing critical habitat for at least a dozen threatened or endangered species including salmon, smelt, splittail, sturgeon, and others.

The delta is also like a superhighway interchange of water for the state. Two vast plumbing networks — the Central Valley Project, operated by the U.S. Bureau of Reclamation, and the State Water Project, operated by the Department of Water Resources — transport water from delta pumping stations to cities and agricultural operations across the state.

Roughly 5.7 million acre-feet of water was exported annually from the delta in recent years, a high that many environmentalists say is unsustainable. (An acre-foot, or 325,853 gallons, is the amount that covers an acre one-foot deep.) Before the Central Valley Project was constructed in the 1930s, only 4.7 million acres of farmland were irrigated statewide. By 1997, the acres of thirsty cropland had climbed to 8.9 million, converting many areas that were once barren desert into lush green fields. Agribusiness dominates the sector, with some farming operations like agricultural empires, spanning tens of thousands of acres.

As cropland has expanded, so has agriculture’s demand for water. State and federal agencies sell delta water by issuing contracts to water districts, and the water is priced substantially lower for agricultural use. A report issued by the Natural Resources Defense Council suggests that delta water allocation has traditionally gone something like this: "Corporate and agricultural interests demanded more and more water, and the state and federal agencies let them have it."

No one can say just how much rain will fall from the sky in a given year, so stipulations were written into the water contracts to deal with allocation during times of water shortage. Depending on a district’s water rights — a status determined by a combination of seniority and a hierarchy of uses — it may get 100 percent of the amount promised on paper during a dry year, or a mere fraction of it.

But the districts continue to promise water to farmers, and the state continues to promise water to the districts.

This latest round of water wars is exacerbated by the drought, which has sapped water supply in California for three years in a row. The dry spell has led to cutbacks in delta water exports, affecting farms throughout the Central Valley and sending unemployment rates up. The drought was responsible for two-thirds of the roughly 1.6 million acre-feet shortfall in water exports, and the remaining third was withheld by federal court order to protect the endangered Delta smelt.

Making matters worse, many growers in water-deprived places like the Westlands Water District, in the Central Valley between Coalinga and San Joaquin, have recently shifted to permanent crops like almonds and pistachios instead of annual crops that might be more adaptable to unpredictable irrigation supply from year to year. It’s a bad time for the San Joaquin Valley to take a hit. The region is already plagued with high rates of unemployment from a loss in construction work, foreclosure, and other effects of the economic downturn.

HELL IN A HANDBASKET

State Sen. Joe Simitian (D-Palo Alto) put the dilemma simply: "The question is, how do you ensure that two-thirds of the state has a reliable supply of clean water while at the same time acknowledging and addressing the fact that from an environmental standpoint, the delta’s gone to hell in a handbasket over the last five years?" Simitian has taken a leadership role in crafting legislation to reform the broken system.

"I just think that things have come together at this particular time to suggest that there ought to be a sense of urgency about all of this," Simitian added during a recent conversation with the Guardian. "But I worry that inaction is always the default mechanism, and in a conversation such as this one, I don’t think we can afford inaction very much longer."
Right now five bills are pending in Sacramento. Backers say they strive to meet two "co-equal goals" that in the past have proven to be at odds: more reliable delta water deliveries, and a restored delta ecosystem. Simitian’s bill would create a Delta Stewardship Council, a powerful body authorized to approve spending for a new system for moving water through the delta that could include a new version of the much-maligned peripheral canal, a hydraulic bypass diverting freshwater from the Sacramento River around the brackish delta to ship south.

A bill introduced by Assembly Member Jared Huffman (D-San Rafael), who heads the water committee, would require a 20 percent reduction in statewide urban per capita water use by 2020. Other objectives in the legislation are to firm up ecological protections for the delta, reevaluate the state’s system of water rights, and establish new water-use reporting requirements.

"Is there a win-win here? I think there is," Simitian told us. "But only if you look at this from sort of a big-picture, comprehensive standpoint, which is why we’ve got five different bills that seek to make sure there’s a balancing of interests. One of the things we’ve talked about was the co-equal goals of a reliable supply of clean water with delta restoration. And that’s going to require not looking at any one of these issues in isolation, but taking it all together."

Gov. Arnold Schwarzenegger has made it clear that he believes building a peripheral canal is the best plan. Variations of this idea have been proposed since the 1940s, but in 1982, Californians voted it down at the ballot (with an overwhelming majority of Northern Californians voting no).

Some groups perceive this as a water grab for Southern California and agribusiness, and delta interests say it would cripple both delta agriculture and the estuary by increasing salinity levels from seawater and preventing the delta from being flushed out by natural freshwater flows. Cost estimates for that project range from $10 billion to $40 billion.

Schwarzenegger has also threatened to veto any package proposed by the Democrat-controlled Legislature that doesn’t include bonds for new dams (in their current form, the bills do not). A bond bill would require a two-thirds majority, while the proposed water bills would only need a simple majority vote to pass.

"I think it’s helpful for the governor to weigh in and share his opinions," Simitian noted cautiously. "However, I did not think it was helpful for the governor to simply draw a line in the sand."

The proposals are being met with skepticism from all sides. Many environmentalists who’ve gone to battle over water policy issues for years have little faith, saying the proposed Delta Stewardship Council would cater to the governor’s agenda because he would have the power to appoint four out of seven members. They’re concerned that environmental issues will play second fiddle as plans are hatched.

Lloyd Carter, an environmentalist who grew up on a raisin farm in the Central Valley, is suspicious the policy will be weighted toward agricultural interests. "What’s most useful is to think of water as cash," Carter told us. "It starts out as cash in the public treasury, and one little segment goes in and scoops out as much as it can. Agriculture accounts for less than 5 percent of the state’s economy and they use 80 percent of the water."

Agricultural interests and the water districts that serve them, not surprisingly, view water cutbacks as a signal of government failure and are hard-pressed to go along with anything that doesn’t include provisions for new dams and a canal. Rather than recognize limits in the amount of available water, they want new projects that will increase the supply.

The Latino Water Coalition, an organization backed by agribusiness that has put together marches and rallies to protest the water cutbacks, is critical of the proposed package of bills because they say it doesn’t go far enough. "For years there’s been committee after committee, board after board. If the best that the legislature can do is propose a new committee, how can that be a good solution?" asked Mario Santoyo, technical adviser to the coalition. "There are people who don’t have jobs, there’s food that’s not being grown. It’s a human rights issue. There has to be a solution, and it has to be real."

Sarah Woolf, media spokesperson for the Westlands Water District, which is among the most vocal advocates for agricultural water, echoed Santoyo’s view. "If you do not have above-ground and below-ground storage and a peripheral canal, then you don’t have a solution," she told the Guardian. "There’s no point in passing legislation that doesn’t solve the whole problem."

But of course, when there’s not enough water to go around, building more dams and canals isn’t going to solve the whole problem, either.

SELLING WATER THAT ISN’T THERE

Patrick Porgans, a Sacramento-based water policy expert, is critical of the proposed package of bills for a very different reason. "We can’t expect the very government that created the problem to solve the problem, because they are the problem," he says.

Porgans arrived at the Guardian office not long ago dressed in a salmon-colored suit with matching snakeskin belt and shoes. The rail-thin 63-year old walks with a bit of a fragile step, but once he gets talking about water, he’s a bundle of uncontrollable energy. For more than two hours, he held a pair of reporters in thrall as he unpacked and held up big armloads of charts, color-coded graphs, and government documents.

It’s just a sampling from what Porgans calls his "database," and he’s got photos: a storage space piled to the ceiling with file boxes containing thousands of pages of documents. This is his life’s work, and it’s easy to wonder how he even has time to eat and sleep.

In the wake of the 1987-92 drought, his consulting firm, Porgans & Associates, publicized the fact that the Central Valley Project and the State Water Project had pumped more water out of the delta during the dry spell than at any other time in their history of operation. The firm is now suing the government for vioutf8g the Endangered Species Act.

Ask Porgans, and he will tell you that "the peripheral canal is a peripheral issue" because it couldn’t possibly address the underlying shortcomings of the water-policy system itself. He pointed out that 80 percent of DWR’s operating budget is derived from water contracts, and noted that many top officials in water-project agencies arrive through a revolving door from the water districts themselves. There’s a conflict of interest, he said, because the agencies are in charge of both selling off delta water and acting as the stewards of the estuary, a natural resource owned by everyone.

Then there’s the underlying problem of the government having sold off contracts for more water than it could actually deliver, a point Porgans highlighted in his notice of intent to sue. In the years following a drought that struck California in the late 1970s, plans were made to expand water storage for the State Water Project — but they fell through at the last minute. Unfortunately, the limited capacity didn’t slow the sale of water contracts.

From 2001 to 2006 alone, the U.S. Bureau of Reclamation signed more than 170 long-term contracts with water districts around the state, promising to increase significantly water deliveries from the Central Valley Project for the next 25 to 40 years.

"Basically, they oversold the project," said Zeke Grader, executive director of the Pacific Coast Federation of Fishermen’s Associations. "We had all these contracts to deliver all this water, but nobody looked to see how much water there was. More importantly, they didn’t look at the minimums that would be needed to protect the delta."

"The shortages are inherent in the project," Porgans said. A court opinion issued by California’s third appellate district court in 2000, plucked from his database, underscores this point. "DWR forthrightly admits that ‘the State Water Project (SWP) does not have the storage facilities, delivery capabilities, or the water supplies necessary to deliver full amounts of entitlement water,’" Judge Cecily Bond noted, citing a DWR bulletin. "There is then no question that the SWP cannot deliver all the water to which contractors are entitled under the original contracts. It does not appear that SWP has ever had that ability."

Grader puts the blame directly on the water districts. The growers, he said, are "innocent third parties affected by the actions of water districts that should’ve known better" because the water contracts specified from the beginning that there would be less water available during times of water shortage.

"We have nothing but empathy for farm workers who are unemployed," said Barbara Barrigan-Parrilla, executive director of Restore the Delta, a 501(c)3 nonprofit representing delta farmers, fishermen, and environmentalists. "But their leadership told them, go ahead and do it. We’ll get you the water."

Farmers have organized rallies and marches to protest the water cutbacks, angrily putting the endangered delta smelt at the front and center of its campaign. A band of farmers traveled up to San Francisco in recent months, chanting "turn on the pumps!" outside Nancy Pelosi’s San Francisco Federal Building office.

Rep. Devin Nunes, a Republican who represents Tulare County and parts of Fresno County, unsuccessfully tried to convince Congress to waive Endangered Species Act requirements to forego protection of the delta smelt and restore irrigation for struggling farmers. (Nunes even attended a Congressional hearing toting a goldfish bowl containing minnows to play up the fish-vs.-families mummery.) The Latino Water Coalition has been particularly vocal, getting airtime on Fox News and publicly appearing with Gov. Schwarzenegger to call for construction of new dams and a canal to ensure a more reliable water supply.

Carter, the environmentalist watching it all unfold from Fresno, shakes his head at the display. If their campaign is successful, he told us, the state will wind up embarking on expensive infrastructure projects that serve an agribusiness agenda at Northern California’s expense. "There’s a sense of entitlement down here," he said. "They say it’s ‘our water.’ But the rivers in California belong to all the people."

DEAD FISH

A series of studies, court decisions, and a Blue Ribbon Delta Vision Task Force convened by the governor have all found that massive water exports out of the delta pose a tremendous environmental problem, and the delta smelt is a mere indicator of the trouble. Failing to ensure adequate freshwater flows through the delta could spell doom for California salmon runs and sound a death knell for the San Francisco Bay-Delta Estuary. And many contend that building a peripheral canal would be the quickest route to the delta’s demise.

According to data Porgans & Associates has collected, excessive delta water exports are aligned with salmon-population nosedives. The numbers tell a tale: high water exports correlate with dramatic decreases in salmon returns after the fish’s three-year spawning cycle. Conversely, fish populations bounce back following years of reduced pumping.

Delta water exports reached an all-time high of 6.7 million acre-feet in 2005, and three years later, the salmon returns were so low that the commercial salmon harvest was cancelled for the first time. It happened again this year.

While Westlands farmers bemoan what they call a "man-made drought," they’re not the only ones facing job loss due to delta water issues — an estimated $255 million was lost last year as a result of low salmon returns, according to California Department of Fish and Game estimates. A report from the Pacific Institute, an Oakland-based environmental research group, estimates puts farm losses due to water shortages at $245 million as of midsummer 2008.

"This closure is among the nation’s worst man-made fisheries disasters," an NRDC report notes. "It is on par with the loss of Atlantic cod fishery, and its economic impact for the fishing industry is comparable to the losses that followed the Exxon Valdez oil spill."

It’s said that California salmon were so plentiful 70 years ago that farmers plucked them from waterways with pitchforks. Now biologists say those salmon runs that haven’t already been listed as threatened or endangered are in a losing battle with worsening water quality and massive water pumps in the Delta.

An estimated 90,000 juvenile salmon die prematurely each year by being sucked into the heavy-duty pumps, according to a U.S. Bureau of Reclamation and Department of Water Resources study. Sometimes the pumping levels are so high it reverses river flows, causing salmon to swim upstream instead of out to sea. "If you or I go out and shoot an eagle, we’ll go to jail," said Barrigan-Parrilla, from Restore the Delta. "But DWR has no accountability to the Endangered Species Act — they’re grinding up fish."

The salmon also suffer from poor water quality, which environmentalists say is a consequence of the voluminous freshwater diversions. If the freshwater isn’t available to flush out the ecosystem, the negative effects of toxins and pollutants discharged into the Delta are amplified, and the water gets warmer, dirtier, and saltier. The ramifications of salmon decline can ripple along the food chain, putting even southern resident killer whales, which feed heavily on Sacramento River salmon in the ocean, at risk.

The impacts of freshwater diversions aren’t limited to the region’s ecology: delta agriculture is taking a hit, too. The construction of a peripheral canal would "destroy the estuary and shift economic problems from one geographic location to another," said Barrigan-Parrilla. "Agriculture in the southern delta would not make it." South delta farmers have already had to contend with increasing levels of salinity due to the massive freshwater diversions, she says. A homegrown bean festival held every year in Tracy has had to resort to purchasing beans, she told us, because it’s become too salty to grow them.

"The estimates are $10 to $40 billion to build a canal," Barrigan-Parrilla said with a note of disbelief. "We’re going to spend that much money on a project when we have just gutted education and welfare?"

As Sacramento lawmakers pull at the threads of this tightly-wound knot, looming uncertainties are waiting in the wings. For one, the delta’s network of 1,100 miles of earthen levees is under increasing strain due to its age, making it susceptible to failure. In fact, some say a peripheral canal could help prevent levee failure. Meanwhile, climate change is a challenge that can’t be ignored because it will affect overall water supply even as the state’s population continues to climb.

"The science makes it increasingly clear that the current system is unsustainable, Simitian said. The scientists are telling us there’s a two out of three chance that in the next 50 years the whole system will collapse, and that serves neither the delta well nor the two-thirds of the state that relies on delta water." Simitian doesn’t endorse the canal, but told us that the system of water conveyance needs to be changed.

Doug Obegi, staff attorney for the Natural Resources Defense Council, told us that thinking about water supply is just as important as thinking about how to move it around. He pointed out that some Colorado River dams just aren’t filling up anymore. If you build a new dam without managing the water supply, he said, "you have a big hunk of concrete that just isn’t doing anything."

Climate change will reduce the Sierra snowpack, an important natural reservoir, anywhere from 15 percent to 60 percent, according to the Department of Water Resources. The warmer air temperatures will also shift the runoff flows to earlier in the year, making major adjustments necessary. Climate change models also predict worsening drought. Water shortages worse than those caused by the 1977 drought could occur in one out of every six to eight years by 2050, and one out of every three to four years by 2100, according to the department’s study. The change in weather patterns will also increase the likelihood of floods.

Rising sea levels will also bring more saline ocean water into the delta, making it necessary to inject more freshwater into the system to maintain water quality and protect native species.

All told, climate change is expected to reduce overall delta water exports from 7 percent to 10 percent by 2050, and 21 percent to 25 percent by the end of the century — a heavy toll that can’t be managed without smarter water management.

Pending water shortages can be addressed in part with what NRDC calls California’s "virtual river," Obegi said, an aggressive system of water efficiency, waste-water recycling, groundwater cleanup and storm-water management that could yield a potential 7 million acre-feet per year.

As for agriculture, the 800-pound gorilla of water consumption in the state, there’s plenty of room for improvement. A report by the Pacific Institute estimates that annual agricultural water savings — with a combination of strategies like smarter irrigation management, modest crop shifting, and more efficient technology — could save up to 3.4 million acre-feet of water per year. The study strongly recommends avoiding expensive infrastructure projects that will burden taxpayers when the state has more budget-friendly options like targeted conservation and efficiency.

It won’t happen without the political will, however. During a discussion about the bills that are currently being debated in Sacramento, Barrigan-Parrilla said she fears the delta will lose out in the end. It’s hard for her to swallow the whole concept of "co-equal goals," she says, because it amounts to putting the environment, which is owned collectively, on equal footing with the interests of a small group of people who consume the vast amount of the state’s water supply.

"It just doesn’t make sense to me," she says. "You can’t have a reliable water supply unless you take care of the environment first."

Editor’s Notes

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Tredmond@sfbg.com

The governor of California loves to talk about the state "living within its means." That, of course, means cutting education funding, closing state parks, stealing money from cities, wiping out hundreds of social programs, and never, ever, raising any taxes.

He has a different line on water.

The state’s economy is in a severe downturn, but California itself is far from broke. This is still a wealthy state. Between the big businesses and the rich individuals, there’s actually plenty of money in the overall economy to pay for schools and colleges and parks and health care. Defining our "means" as a level of spending that’s possible without raising taxes is a purely political decision that has nothing to do with economic reality. In fact, the California economy would be a lot better off today if Gov. Schwarzenegger hadn’t cut the vehicle license fee the day he took office. (Remember: public-sector jobs are just as legitimate a source of employment as private-sector jobs, and government spending is an excellent way to stimulate private growth.)

Freshwater, on the other hand, really is a finite resource. There’s only a certain amount of rain that falls on the state every year, only a certain amount of snowpack that melts in the spring, only a limited amount that can be stored in reservoirs. You can’t raise new water the way you can raise new revenue; even building new dams just takes water that would have gone downstream and holds it for another purpose.

The state’s freshwater has to meet a lot of demands. Farmers rely on it to irrigate crops — some of them crazy, unsustainable crops — in what is naturally a dry Serengeti. Giant cities and suburbs in the southern part of the state rely on it to fill swimming pools and water lawns. Most of the 38 million people who live in this state rely on precipitation runoff for their drinking water.

And if too much water from Northern California gets diverted before it reaches the Sacramento-San Joaquin Delta, then the complex, fragile ecosystem of the delta and the bay gets badly, maybe irreparably, damaged. And that has wide-reaching consequences (including the collapse of fisheries worth $250 million a year).

And yet, as Rebecca Bowe points out in this week’s cover story, the governor refuses to live within our hydrologic means.

It’s insane what’s been happening with the state’s water. Every year the Department of Water Resources offers to sell more water than the state actually has. In the severe drought of the early 1990s, water diversions from the delta were at record levels. In the current drought, diversions remain high. And that, the numbers suggest, is directly affecting fishing stocks. At this rate, there won’t be any salmon left in the delta in a few years. And that’s before the full impacts of global warming (and the likely decline in freshwater) play out.

Schwarzenegger’s solution: build more dams and a new canal to take more fresh water away from the delta.

The state Legislature is wrestling with a new water policy, and five bills are making the rounds. Some areas are getting desperate and trying what not long ago were considered nutty ideas — Marin County, for example, now wants to build a desalination plant, an expensive and energy-intensive way to get freshwater from the bay.

What nobody seems to want to say is that California, particularly the big agricultural operations in the Central Valley, simply waste too much water. The conservatives in the state capitol don’t believe in conservation.

Any serious Legislative plan has to start with a few fundamental facts. Freshwater flowing into the delta and out through the bay is not a wasted resource; the delta needs a lot more water than it’s currently getting to survive as an ecosystem. If that means the big water districts have to tell their clients to cut back on water use — using proven conservation methods and possibly switching to less water-intensive crops — then that’s a reality we’re going to have to live with. And more dams, canals, and pumping projects will just shift the problems from one part of the state to another.

California can survive on the water it has — if we stop the insanity.

Psychic Dream Astrology

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It’s not right to be warm with people only when they give you what you want or to feel good about your outfit only if you get compliments.

Sept. 1-8

Mercury goes retrograde Sept. 7, so remember to dot your i’s and cross those t’s!

ARIES

March 21-April 19

Strive to find the balance between taking responsibility for things and taking charge of them. You are going through major transitions that demand your constant attention, Aries, and if you are willing to be humble enough to recognize what you can’t change, you’ll be able to get to what you can. Be humane and not an attention ho this week.

TAURUS

April 20-May 20

What’s so frustrating is that you just don’t know what you want, Taurus. Sure, you know what you think you want, but then there are these parts of you that keep undermining your good sense with their own agenda. Get a look at the ways you’re self-sabotaging by clarifying what it is that you’re really after. No need to bring all that junk to your shrink, just cut it out.

GEMINI

May 21-June 21

Ground control, it’s Major Gem. Commence your countdown, engines on (you know the song). Everyone knows you can get all spaced out and spazzy, its part of your sparkle charm. This week get in touch with your ground, the real nuts and bolts of what fuels your engine. Things are apt to start spinning way out of your control if you don’t.

CANCER

June 22-July 22

When mercury goes retrograde it’s a rough time to keep the lines of communication clear. This week is likely to find you trying to put a positive spin on things you’re just not sure are all that. Find the best in your situations without glossing over what is still missing from them. Avoid speaking up until you know exactly what you need to say, Crabcakes.

LEO

July 23-Aug. 22

It’s time to get off your durn keister and cut through the crap, Sunshine! You’ve been wallowing in discontent for too long now and you need to make some healthy choices. Don’t be scared of change, ’cause you need it right now! Stand firm for the life you want and be willing to do whatever is necessary to make it happen.

VIRGO

Aug. 23-Sept. 22

Sometimes you’ve gotta fight for peace, man. In order to get the kind of quality of life you’re looking for, you are going to need to take some chances and have some changes of heart. Find the stability in the chaos of growth by looking at the big picture. Getting mired in the details will make you miss the point of all this excitement and lose your way.

LIBRA

Sept. 23-Oct. 22

Being independent doesn’t mean being lonely, and being free doesn’t allow you to wander the streets without any obligations. You have much to learn about understanding the parameters of your autonomy this week. Maintaining your uniqueness shouldn’t interrupt your closest relationships — if it is, you’re doing something wrong.

SCORPIO

Oct. 23-Nov. 21

Don’t get too comfortable, Scorpio, because you’ve only just begun! This week take stock of all the things you’ve been working on. It may have been feeling like you were treading water for some time, but things have finally started to come together. Don’t rest on your laurels. Enjoy your current progress, but keep on keepin’ on.

SAGITTARIUS

Nov. 22-Dec. 21

Your attitude can help you out or hold you back, Sag. Don’t let fearfulness and your resistance to letting go stop you from seeing all the good that is inherent in the changes before you. See if you can get grateful for what you do have and hopeful for what’s yet to come! Put out the good vibes you want to receive for best results.

CAPRICORN

Dec. 22-Jan. 19

It’s not right to be warm with people only when they give you what you want or to feel good about your outfit only if you get compliments on it. You’ve got to have more belief in yourself, Cap. Develop a greater willingness to stay emotionally present, even through the hard stuff. Don’t go through the motions, even if that means slowing down your progress.

AQUARIUS

Jan. 20-Feb. 18

A little bit of fear makes a person cautious and that’s not all bad. Too much worry, à la you right now, makes everything and everyone a suspect, and that’s no way to live. Be brave, badass, and beautiful this week as you proactively make shit happen. Trust yourself to make good enough calls so you can trust what’s going on around you.

PISCES

Feb. 19-March 20

Get excited enough about something, and feel compelled to act on it, Pisces. Whether it’s a social activity or some major life revision, it’s your time to boldly go where you’ve never gone before. Just don’t be a selfish fish, and make sure you don’t alienate your supporting cast in your enthusiasm. *

Jessica Lanyard has been a psychic dreamer for 15 years. Check out her Web site at www.lovelanyadoo.com or contact her for an astrology or intuitive reading at (415) 336-8354 or dreamyastrology@gmail.com.

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 26

ROCK/BLUES/HIP-HOP

Tia Carroll Biscuits and Blues. 8pm, $15.

Carta, Shuteye Unison, Form and Fate Bottom of the Hill. 9pm, $8.

Casy and Brian, Bad Friends, Dadfag, Ornithology Thee Parkside. 8pm, $7.

David Thorton Blues Band Rasselas Jazz. 8pm, free.

Dodos, Spencey Dude and the Doodles Rickshaw Stop. 9pm, $10.

Dredg, RX Bandits, As Tall As Lions Fillmore. 7:30pm, $20.

Funeral Pyre, Early Graves, Elitist, Cestus, DJ Rob Metal Annie’s Social Club. 8pm, $7.

Middle Distance Runner, Aushua Hotel Utah. 9pm, $8.

Goh Nakamura, Tomo Nakayama, Odessa Chen Café du Nord. 8pm, $10.

100 Suns, Circle of Eyes Tyrant Hemlock Tavern. 9pm, $6.

Phenomenal Handclap Band, Bart Davenport, Tempo No Temp Knockout. 9pm, $7.

JAZZ/NEW MUSIC

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

"Marcus Shelby Jazz Jam" Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Les Nubians Yoshi’s San Francisco. 8 and 10pm, $26.

Odes Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Jon Bennett Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Leigh Gregory Plough and Stars. 9pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Omar, Nako, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Lonestar Sound, Young Fyah, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 27

ROCK/BLUES/HIP-HOP

Akron/Family, Howlin’ Rain Rickshaw Stop. 9pm, $10.

Shane Dwight Biscuits and Blues. 8pm, $15.

Fresh and Onlys, Box Elders Knockout. 10pm.

Goddamn Gallows, Frankenstein L.I.V.S., Mutilators, Horror X Annie’s Social Club. 8pm, $7.

Have Heart, Ceremony, Cruel Hand, Shipwreck, Bitter End Thee Parkside. 8:30pm, $12.

20 Minute Loop, Famous, Billy and Dolly Café du Nord. 9pm, $10.

Rats, Back CCs, Pipsqueak Hemlock Tavern. 9pm, $6.

Sex Type Thing Red Devil Lounge. 9pm, $10.

"Weezer Tribute Show" Bottom of the Hill. 9pm, $10. With Trophy Fire, Judgement Day, Matches, and Silian Rail.

JAZZ/NEW MUSIC

Al Coster Trio and jam Savanna Jazz. 8pm, $5.

Beep! Trio Red Poppy Art House. 8pm, $10-15.

Nathan Clevanger Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Lloyd Gregory Shanghai 1930. 7pm.

Michael Gold Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Paul Kimura Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

"New Frequencies @ YBCA: Musicians Respond to Wallworks" Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. 6pm, free with gallery admission ($5-7). With Chris Brown/Mason Bates and David Arend Duo.

Les Nubians Yoshi’s San Francisco. 8 and 10pm, $26.

Stompy Jones Top of the Mark. 7:30pm, $10.

Tri-Cornered Tent Show, AnyWhen Ensemble Luggage Store Gallery, 1007 Market, SF; www.luggagestoregallery.org. 8pm.

FOLK/WORLD/COUNTRY

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Dunes El Rio. 9:45pm, $5. A North African Dance Band.

Flamenco Thursday Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30; $12. With Carola Zertuche and Company.

"Roots and Ruckus" Hotel Utah. 8pm, $6. With Chloe Makes Music, Samuel Doores, Alynda Lee, Feral Foster, Willy Gantrim.

Tipsy House Plough and Stars. 9pm, free.

Trainwreck Riders, Kerosene Kondors, Autumn Sky Amnesia. 9pm, $8.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Bingotopia Knockout. 7:30-9:30pm, free. Play for drinks, dignity, and dorky prizes with host Lady Stacy Pants.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Toppa Top Thursdays Club Six. 9pm, $5. Jah Warrior, Jah Yzer, I-Vier, and Irie Dole spin the reggae jams for your maximum irie-ness.

FRIDAY 28

ROCK/BLUES/HIP-HOP

ALO, Counter Clarkwise, Newfangled Wasteland Mezzanine. 10pm, $20.

Five Eyed Hand Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 10pm, $10.

Good Enough for Good Times Boom Boom Room. 10pm, $15.

*Hammers of Misfortune, Ludicra, Amber Asylum, DJ Rob Metal Great American Music Hall. 9pm, $14.

Insomniacs Biscuits and Blues. 8 and 10pm, $20.

DJ Lebowitz Madrone. 6-9pm, free.

Limbeck, Stitch Up, Mini Mansions Bottom of the Hill. 10pm, $12.

LuckyIAm and Scarub with Conscious Souls, Xienhow, Enzyme Dynamite, Tantrum vs. Fredo Elbo Room. 10pm, $15.

Marilyn Manson Warfield. 9pm, $51.50-71.50.

Mayyors, Lamps, Christmas Island, Wounded Lion Hemlock Tavern. 9:30pm, $8.

"Outside Lands Music and Arts Festival" Golden Gate Park, SF; www.ticketmaster.com. 1pm, $95-595. With Pearl Jam, Incubus, Thievery Corporation, Tom Jones, and more.

Joe Pernice, John Cunningham Café du Nord. 7:30pm, $15.

*Personal and the Pizzas, No Bunny, Ultra Twist, Pipsqueak Annie’s Social Club. 10pm, $7.

Street Sweeper Social Club Independent. 10pm, $25.

2Me Ireland’s 32. 10pm, $5.

Velvet Teen, Ghost, Drowning With Our Anchors, For.The.Win. Thee Parkside. 9pm, $10.

Yellow Dress, Foxtails Brigade Artists’ Television Access, 992 Valencia, SF; www.atasite.org. 8pm, $6.

Wave Array, Goodbye Nautilus Café du Nord. 10pm, $10.

BAY AREA

R. Kelly, Keyshia Cole, Plies, New Boyz, Dorrough Music Oracle Arena, 7000 Coliseum Wy, Oakl; www.ticketmaster.com. 7:30pm.

Turbonegra, Death Valley High, Distance From Shelter, Loudness of the Brethren Uptown. 9pm, $8.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Equinox Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; 771-6800. 8pm, free.

Mint Condition Yoshi’s San Francisco. 8 and 10pm, $35.

Susanna Smith and band Savanna Jazz. 8pm, $8.

Terry Disley Experience Shanghai 1930. 7:30pm.

FOLK/WORLD/COUNTRY

Seth Augustus Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30; $15. With Fito Reinoso, and Eddie and Gabriel Navia, and utf8 dancing Buena Vista style.

Culann’s Hounds Plough and Stars. 9pm.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Tippy Canoe SoCha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Go Bang! Deco SF, 510 Larkin St; (415) 346-2025. 10pm, $5. Recreating the diversity and freedom of the 70’s/ 80’s disco nightlife with DJs Eddy Bauer, Flight, Nicky B., Sergio and more.

High Times in Low Places Slim’s. 9pm, $20. With Opio and Pep Love, Aesop and Bicasso, DJ Fresh Cambo, Understudies, JB Nimble, Venture Capitalists, Poe Jangles and Ro Knew Influence, and DJ Ren the Vinyl Archaeologist.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

Lucky Road Amnesia. 9pm, $6-10. Balkan, Bangra, Latin, and Gypsy party with DJ Sister Kate.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Mob Life Rock-It Room. 10pm, $15. With Yukmouth, Gr and Phee and Rhyson Hall, Hugh E MC, and more.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. Teen beat, twisters, and surf rock with DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 29

ROCK/BLUES/HIP-HOP

GG Amos and the GG3 Riptide. 9pm, free.

Blue Sky Black Death, Boy Eats Drum Machine, Boy in Static Bottom of the Hill. 10pm, $10.

*Boxcar Saints, Kira Lynn Cain Make-Out Room. 7:30pm, $7.

*Calexico, Sergio Mendoza y La Orkesta Independent. 10pm, $25.

*Clipse Mighty. 8pm.

Quinn Deveaux Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dirtbombs, Sermon, Ty Segall Rickshaw Stop. 10pm, $10.

Eric Friedmann and the Lucky Rubes, Highway Robbers, Small Change Romeos Hotel Utah. 9pm, $8.

Good Enough for Good Times Boom Boom Room. 10pm, $15.

Heavy Hindenberg, Mongoloid, Sex Presleys El Rio. 10pm, $7.

John Lee Hooker, Jr. Biscuits and Blues. 8 and 10pm, $22.

Monsters of Accordion feat. Jason Webley, Stevhen Iancu, Mark Growden, Geoff Berner,

Eric Stern Slim’s. 8pm, $13.

Mt. Vicious, Ifihadahifi, Pegataur Hemlock Tavern. 9:30pm, $6.

Conor Oberst and the Mystic Valley Band Mezzanine. 10pm, $25.

Olehole, Anchor, Atom Age Thee Parkside. 9pm, $6.

"Outside Lands Music and Arts Festival" Golden Gate Park, SF; www.ticketmaster.com. Noon, $95-595. With Dave Matthews Band, Black Eyed Peas, Mars Volta, Jason Mraz, and more.

Rancho Deluxe, Cowlicks, 49 Special Café du Nord. 8pm, $15.

SF Blaze Crew Paradise Lounge. 10pm, $10-12.

Short Fuse, Deadringers, Tyrannosaurus Christ Thee Parkside. 3pm, free.

Slender, Trevor Childs and the Beholders, Corruptors Annie’s Social Club. 9pm, $7.

2Me Ireland’s 32. 10pm, $5.

BAY AREA

*Death Angel, Skinlab, Kaos Uptown. 9pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Big B. and His Snakeoil Survivors Verdi Club, 2424 Mariposa, SF; www.tuesdaynightjump.com. 8:30pm, $10.

"Bird and Beckett Bash" Miraloma Clubhouse, 350 O’Shaughnessy, SF; (415) 586-3733. 1pm, $10. With Jimmy Ryan Trio, 77 El Deora, Woe Legion, Chuck Peterson Quintet, Jonathan Richman, and more.

Pascal Bokar and band Savanna Jazz. 8pm, $5.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Jessica Johnson Shanghai 1930. 7:30pm.

Mint Condition Yoshi’s San Francisco. 8 and 10pm, $35.

Ricardo Scales Top of the Mark. 9pm, $10.

FOLK/WORLD/COUNTRY

Candela Ramp Restaurant, 855 Terry Francois, SF; (415) 621-2378. 5pm.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $12.

Jordan Carp Caffe Trieste, 1667 Market, SF; (415) 551-1000. 7:30pm, $10.

Toshio Hirano Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Erston Pearcy Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Ashley Rains Plough and Stars. 9pm.

Sean Smith Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Wholphin DVD Release Party Amnesia. 9pm, $7-10. With live music performances by Jeff Manson and the Lonesome Heroes, and Wholphin DVD magazine screening.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx. Colombia y Panama Elbo Room. 10pm, $5. Cumbia and Latin with DJs Beto, Vinnie Esparza, and Vanka.

Debaser Knockout. 9pm-2am, $5. Hip-hop from the 90s with DJs Jamie Jams, Emdee, and Stab Master Arson.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Keys N Krates Club Six. 9pm, $10. With DJs Franchise, Sake1, and Double A spinning hip hop.

Knocked Up Knockout. 6-9pm, free. With DJ Touchy Feely.

Minimal Dose Jelly’s at Pier 50, 295 Francois, SF; (650) 533-9048. 10pm, $20. With a live performance by Seuil and DJs Alland Byallo, Clint Stewart, and J. Philip spinning techno and house.

TekAndHaus Anu, 43 6th St., SF; (415) 543-3505. 10pm, $5. With DJ Zenith and special guest Brett Johnson spinning house and techno.

Villainy DNA Lounge. 9pm, $10. DJs Party Ben, Tomas Diablo, Dangerous Dan, and Donimo spinning electro, dance, new wave, and indie.

SUNDAY 30

ROCK/BLUES/HIP-HOP

Chris "Kid" Anderson Biscuits and Blues. 8pm, $15.

Alyse Black, Aly Tadros Retox Lounge. 8pm.

George Clinton and Parliament Funkadelic Regency Ballroom. 9pm, $42.50.

Cuban Cowboys, Cordero, Carne Cruda Café du Nord. 7:30pm, $12.

Dungen, Woods, Kurt Vile Bottom of the Hill. 8pm, $14.

Gang Gang Dance, Ariel Pink, Amanda Blank Rickshaw Stop. 9pm, $10.

*"Grind for the Green" Yerba Buena Gardens, Fourth St at Mission; www.grindforthegreen.com. Noon-4pm, free. With Dead Prez, Mistah F.A.B., Fiyawata, and more.

"Indie Abundance Tour" El Rio. 1pm. With Chantelle Tibbs, Deborah Crooks, and Emily Bonn.

Mike Dillon’s GoGo Jungle Boom Boom Room. 10pm, $10.

Minus Five, Baseball Project and Steve Wynn IV Great American Music Hall. 8pm, $16.

*Os Mutantes, Extra Golden Independent. 9pm, $25.

"Outside Lands Music and Arts Festival" Golden Gate Park, SF; www.ticketmaster.com. Noon, $95-595. With Tenacious D, M.I.A., Ween, Modest Mouse, and more.

Space Waves, Dreamtiger, Heavy Water Experiments Hemlock Tavern. 9pm, $6.

JAZZ/NEW MUSIC

Lucid Lovers Harris’ Restaurant, 2100 Van Ness, SF; (415) 673-1888. 6:30pm.

Mint Condition Yoshi’s San Francisco. 8pm, $35.

Savanna Jazz Trio and jam Savanna Jazz. 7:30pm, $5.

FOLK/WORLD/COUNTRY

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $12. With Eddy Navia and Sukay.

Forro Brazuca Ramp Restaurant, 855 Terry Francois, SF; (415) 621-2378. 5pm.

Jack Gilder, Kevin Bemhagen, Richard Mandel, and friends Plough and Stars. 9pm, free.

Salsa Sunday El Rio. 4:15pm, $8. With Mazacote.

Uptones, Coup De Ska Amnesia. 8pm, $7-10.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep and guests Maga Bo and DJ Chicus.

45Club the Funky Side of Soul Knockout. 10pm, free. With dX the Funky Granpaw, Dirty Dishes, and English Steve.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 31

ROCK/BLUES/HIP-HOP

Quinn Deveaux and the Blut Beat Review, Con Brio, Dirty Boots El Rio. 8pm, $5.

Indianna Hale, Old Believers, Red River Hemlock Tavern. 7pm, $6.

JAZZ/NEW MUSIC

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Quartet San Francisco Yoshi’s San Francisco. 8pm, $14.

FOLK/WORLD/COUNTRY

Gino Napoli Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Paulo Presotto and the Ziriguidum Orkestra, Tribaletricos Elbo Room. 9pm, $7.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Goes All Night Knockout. 7pm-2am, free. With host Deadbeat.

Mainroom Mondays Annie’s Social Club. 9pm, free. Live the dream: karaoke on Annie’s stage and pretend you’re Jello Biafra.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Punk Rock Sideshow Hemlock Tavern. 10pm, free. With DJ Tragic and Duchess of Hazard.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 1

ROCK/BLUES/HIP-HOP

Bridge, Allofasudden Boom Boom Room. 9:30pm, $8.

Casualties, Krum Bums, Mouth Sewn Shut, Static Thought Thee Parkside. 8pm, $12.

DeatHat, Peculiar Pretzelmen, Corpus Callosum Hemlock Tavern. 9pm, $7.

Tim Easton, Brandi Shearer Café du Nord. 8pm, $12.

*MDC, Poison Control, Bum City Saints Knockout. 10pm, free.

Duke Robillard Biscuits and Blues. 8 and 10pm, $20.

Smile Brigade, Bunny Numpkins and the Kill Blow Up Reaction Kimo’s. 9pm.

JAZZ/NEW MUSIC

Dave Parker Quintet Rasselas Jazz. 8pm.

Everest Yoshi’s San Francisco. 8pm, $14.

Ricardo Scales Top of the Mark. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Mucho Axe, Fogo Na Roupa Elbo Room. 9pm, $7.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck, Taypoleon, and D-Runk.

Drunken Monkey Annie’s Social Club. 9pm-2am, free. Rock ‘n’ roll for inebriated primates like you.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Womanizer Bar on Church. 9pm. With DJ Nuxx. *

The Corner

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paulr@sfbg.com

For the evolution-minded, the past is a living presence, and such all-American phrases as "start from scratch" or "clean-sheet design" cause anxiety. In our culture of disposability and revolution, the past is about as attractive as a worn-out razor blade — and we know what happens to them. So to find a new restaurant that simultaneously manages to be contemporary yet respectful of the past gives quiet delight. The restaurant is the Corner; it opened last spring and is indeed right at the corner of 18th and Mission streets, adjoining its older sibling, Weird Fish.

The Corner is better-looking than Weird Fish, which is by no means homely. Both are boxy and tall, but the Corner has a cozy mezzanine that not only looks upon the bustling bar below (part of the place’s identity is as a wine bar) but at the long south wall, a piecework of glass blocks, transom windows, and tall drapes through which the deepening twilight filters. There is even sidewalk seating for the al fresco-minded — brushed-aluminum tables nestled against an Art Deco exterior of black glazed-ceramic tiles that look original to the building (once a Chinese grocery) — or for those who find the noisiness of close quarters indoors to be intrusive. Like me. The mezzanine has the feel of a private room, but it can get nearly as loud up there as on the main floor. You’re not quite on the balcony of the Saint, circa 1980, but close.

The food is the sort you could eat every day, an assortment of Cal-Ital dishes prepared with a light touch. Restaurant food can be debilitating — too many calories, too much attention-seeking — so to find a restaurant whose cooking navigates the tricky passage between humble or indifferent on the one hand and grandiose on the other is a gift. The Corner’s style has an obvious root in the accomplished home kitchen, but the techniques are sharper, the effects intensified. These are among the major reasons for going out to eat in the first place.

And prices, it must be said, are astonishingly moderate for what you get. I’ve had plenty of cauliflower soups in recent years, but at most places even a cup would cost you more than $3.95. Here it buys you a broad bowl, and the cauliflower is purple, and the base of the soup is deep and rich — beef stock? Vegetarians would scream, of course, but using beef stock is the sort of simple touch that can subtly enhance certain dishes.

No one would mistake the Corner for a vegetarian restaurant. The menu includes a gratifying plate of charcuterie ($10), with sizzling coins of andouille sausage, slices of salami, and tissue-like sheets of coppa and prosciutto. This is a meaty array, and there is surprisingly little in the way of filler beyond a dab of mustard, a few bread rounds, and a small heap of pickled-onion shreds.

There’s also a wonderful leg (and thigh) of Muscovy duck ($10.95), given a bewitching, vaguely oriental treatment of star anise and Turkish dates, and a similar section of chicken ($9.95), herb-roasted, with goat cheese worked under the skin in place of butter. I wouldn’t have expected this substitution to succeed, mainly because goat cheese can be sharp and bossy, but under the spell of the heat, all the parts seemed to melt into a harmony.

Also ruled by the spirit of harmony (and even veganism!) was a plate of bruschetta ($5.95): toasts adorned with almost indecently ripe red tomatoes, basil, garlic, and olive oil. This venerable combination is about as Italian as Italian gets; it needs no improvement and can’t be improved upon. The mac and cheese ($3.95), on the other hand, could have used a tweak or two. It was served in what looked like a small paella pan, so we award a point there for presentation, but it was seriously undersalted and, even when brought up to salt snuff, didn’t distinguish itself. Given the renaissance in restaurant mac ‘n’ cheese in recent years, often involving the use of such premium cheeses as Gruyère, the Corner’s version was curiously disappointing.

The comfort-food redeemer turned out to be a cherry crumble ($5), made with seasonal sour cherries that had been judiciously handled: sweetened just enough to qualify them as a dessert, and baked just enough so they didn’t lose their shape or texture. The bits of pastry added crunch interest, with a softening pillow of whipped cream on top. The crumble was served in a vessel that resembled a coffee cup with no handle, and this turned out to be just the right size for sharing by two people: several ample bites each, and done. Beautiful.

Servers have a lot of ground to cover — up and down stairs, in and out doors — and they do it ably. Water glasses are reliably refilled, and plates come and go in a smooth rhythm. And how about a not-small glass of good tempranillo for $5? Even plonk costs more than that now at most places, while glasses of better wine often run near or over $10. I have been patiently awaiting a revolution on this matter; could the Corner’s $5 tempranillo be the shot heard ’round the city?

THE CORNER

Dinner: Mon.–Thurs., 4 p.m. midnight;

Fri.–Sat., 4 p.m.–1 a.m.

2199 Mission, SF

(415) 875-9258

www.thecornersf.com

Beer and wine

MC/V

Noisy

Wheelchair accessible

Theater You Can Eat

0

PREVIEW For me, the next-best pleasures to actually eating food are reading about food (Laura Esquival’s Like Water for Chocolate), watching movies about food (Juzo Itami’s 1985 Tampopo), and singing about food (Millie Small’s My Boy Lollipop). Now I’ve found another option, and that is to watch theater about food. If this sounds as appetizing to you as it does to me, check out Theater You Can Eat. The People’s Theatre presents John Robinson’s world premiere of a play that examines how what we put in our mouths can affect our souls, minds, and the way we interact with one another. Served as a multicourse meal, the play consists of four humorous narratives that surround specific foods: coffee, salad, ceviche, and chocolate. The first, Wake Up Cup, explores how the rules of social protocol can be broken when a person is deprived of the essential morning caffeine (don’t we all know a little something about this?). In another called The Toss Up, Chef Lola finds out if food can trigger unpleasant memories when she enters her salad into a contest her ex-lover is judging. Theater You Can Eat is appropriately served up at Peña Pachamama, a Bolivian raw food restaurant in San Francisco’s North Beach. For a full experience, theatergoers can either purchase a tapas or dinner ticket with the play.

THEATER YOU CAN EAT Through Sept. 6. Fri, 7 p.m.; Sun, 5:30 p.m., $19.95–$39.95. Peña Pachamama, 1630 Powell, SF. (415) 259-1623, www.thepeoplestheatre.com

Hotel workers strife returns to SF

1

By Steven T. Jones
Gavin-Newsom-Picket27oct04.jpg
Image from SF Chronicle

San Francisco hotel workers plan to demonstrate in the streets tomorrow afternoon, the day that UNITE-HERE Local 2’s contracts with the major San Francisco hotels expire, launching what could well be another pitched labor battle with larger political implications.

In 2004, shortly after Gavin Newsom became mayor, a standoff between the union and the coalition of corporations that own the city’s biggest hotels resulted in strikes and lockouts that were San Francisco’s most significant labor fights of the new century. Newsom tried to mediate the conflict and when the hotels (which had back him for mayor) defied his demand to end the lockout, he walked the picket line with workers.

That moment and Newsom’s decision to issue marriage licenses to same-sex couples that same year were arguably the high water marks for his standing with progressives. After that, he checked out, moved to the right, and began to pursue celebrity and the governor’s office.

Now, with hotels apparently using the economic downturn as an excuse to cut their workers’ numbers and benefits, the union gearing up for the fight of its life, and Newsom more focused on running for office than city business, this one might just get ugly. The fun begins at 4 p.m., near the Four Seasons Hotel, Market between 3rd and 4th streets.

Sailing into the plastic vortex

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rebeccab@sfbg.com

GREEN CITY If a plastic soft drink bottle got tossed into the San Francisco Bay and swept out under the Golden Gate, it might end up in the massive junkyard-at-sea that swirls through a current known as the North Pacific Subtropical Gyre.

Nicknamed the Plastic Vortex, this massive collection of marine debris circulating in a remote area northeast of Hawaii is a sort of watery graveyard for all manner of human refuse. The ocean churns the waste, disintegrating the debris into bits and turning it into something more like plastic soup than a buoyant mass. Ocean experts say it’s a very big problem — the gyre is about twice the size of Texas and taking in more garbage all the time — and is only getting bigger.

This gigantic manmade mess — which exists in international waters not regulated by any particular governmental body — presents a slew of difficult questions. What long-term effects is it having on the marine ecosystem? Is there any way to clean it up? Are minuscule plastic particles and their hitchhiker toxins circulating back to people’s dinner plates via bioaccumulation?

These are just a few of the mysteries that a crew of researchers hope to unravel during an ocean voyage called Project Kaisei. The Kaisei (Japanese for “ocean planet”) is a 151-foot brigantine that sailed out of the San Francisco Bay Aug. 4 for a month-long venture into the plastic vortex.

The tall ship, the second of two research vessels commissioned for Project Kaisei, is operated by the Ocean Voyages Institute, a Sausalito-based nonprofit. Its counterpart, the New Horizon, is operated by the Scripps Institute for Oceanography and departed several days earlier from Southern California.

Project Kaisei spokesperson Ryan Yerkey describes the mission as a multipronged effort. Scientists’ first goal is to get a “snapshot” of the effects the garbage is having on the marine ecosystem. “These materials, they never really dissolve,” Yerkey explains. “They don’t just become part of the ocean. They break down at different degrees. Things like a plastic bag — it breaks down in the heat, and the sun and the water. And a lot of this stuff is so minute that it’s getting ingested by fish.”

Project Kaisei researchers will also test various technologies that might help them chart a course for cleanup. One idea — using reprocessing technology that has never been tested at sea — is to convert the marine debris from trash to fuel. “We’re testing the various reclamation and harvesting technologies,” Yerkey explains. “We’d love to be able to get that technology onboard our future vessels out there so they would be able to fuel future missions with the very trash they’re collecting.” The third goal will be to educate the public about preventive actions like recycling, since an estimated 80 percent of marine debris originates on land.

Algalita, a Long Beach-based marine research foundation, has conducted eight voyages in a 50-foot catamaran to study the Pacific Gyre. “Last year, in February, we were doing a night trawl — that’s when a lot of the marine life come up to feed,” explains Marieta Francis, executive director of Algalita. “We caught hundreds of these small, six-inch fish, so we thought this was the perfect opportunity to study them. And one of those little fish had 84 pieces of plastic in its stomach.”

Over the course of a decade, Algalita has taken hundreds of water samples from the gyre — and not a single one was plastic-free. There are believed to be two giant garbage patches in the Pacific, but the scope of the problem is only beginning to be understood, Francis says. “Now we feel, along with other researchers and even [the National Oceanic and Atmospheric Administration] that there are not two distinct patches, and that in between the two areas where it seems to be accumulating, there is sort of a superhighway that’s also collecting the debris.”

The Project Kaisei team appears to be embracing what its Web site calls “the biggest clean up Earth has ever witnessed.”

‘Can I buy your park?’

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sarah@sfbg.com

Saul Bloom, executive director of Arc Ecology, recently donned his best suit and a sandwich-board saying "Can I buy your park?" then headed to some of the city’s most popular open spaces: Dolores Park, Golden Gate Park, Crissy Field, and Ocean Beach.

Bloom’s quest? Pose as a developer and videotape reactions to a fictitious proposal to sell 25 percent of the parks for housing, a ruse designed to illuminate how the city and its master developer, Lennar Corp., have never been nearly that honest about their plan to get the state to sell 25 percent of Candlestick Point State Recreation Area so Lennar can build luxury condos on prime waterfront parklands.

Predictably, responses to Bloom’s poll were mainly negative, occasionally violent. "A couple of people tried to clock me over the head," Bloom recalled. "They got aggressive. They said ‘You’re an asshole, man.’ But the predominant reaction was ‘I love my park.’ People asked, ‘Why do you want to sell them?’ They feel there’s not enough open space."

Perhaps the most chilling response came when Bloom told folks about the city’s actual plan to build condos at Candlestick Point SRA in the Bayview District. "Their response was, ‘Oh, it’s in the Bayview? Who cares?’" said Bloom, who fears that apparent indifference to the plight of the Bayview may explain why the city and Lennar see Candlestick Point SRA as a development opportunity.

Arc isn’t the only group accusing Lennar and the city of not properly informing the public that a vote for Proposition G, which was billed as the "clean-up the shipyard initiative" during the June 2008 election, was also a vote to push Senate Bill 792, state tidelands legislation that authorizes the Candlestick Point sell-off.

Introduced by State Sen. Mark Leno in February, SB 792 has since been amended and approved by the full Senate and is currently scheduled for a hearing by the Assembly Appropriations Committee Aug. 19. Passage by the committee is virtually certain, given that it only delays legislation based on fiscal impacts.

But even some Prop. G supporters, including Bloom, are now raising questions about the deal.

San Francisco’s Park, Recreation, and Open Space Advisory Committee (PROSAC) unanimously approved a resolution recommending that the city’s Recreation and Park Commission and the sponsor of SB 792 require both the city and Lennar to "provide detailed accounting of the park and open space acreage in the Candlestick Project." The committee asks that no net open space in the region be lost in the transfer.

PROSAC claims it was in the dark about the deal and asked those who pushed Prop. G to "provide documentation of when PROSAC and any other relevant advisory committees were informed of the intention to purchase state parkland for the Candlestick Project." So far Lennar and the city have pointed to conceptual maps and a couple of notices of public meetings as evidence that the public was adequately informed before voting.

But according to Bloom, who studies the maps and attends the meetings, "There really is not anything other than two graphics, neither of which call out the alteration to the park boundary. You’d really have to know what you were looking for. And why would the city’s own advisory committee be asking Lennar and the city for information if they were in fact told of this plan?"

Adding fuel to the fire is a July 21 resolution by Sups. Chris Daly and John Avalos, which argues that it should be official policy of San Francisco to oppose SB 792 in its current form and remind city lobbyist Lynn Suter "to accurately represent the City and County of San Francisco policy in Sacramento."

The resolution has been assigned to the board’s Land Use Committee and likely won’t be heard until September. It contends that SB 792 is "premature and preempts the process for public input and environmental assessment since the environmental impact reports for the proposed development on Candlestick Point and the Hunters Point Shipyard will not be released until the fall of 2009."

Noting that the state "purchased this beautiful waterfront parkland for $10 million in 1977," Daly and Avalos assert that "this land represents a valuable and irreplaceable asset to the state of California that should not be disposed of for private development."

The resolution notes that many people oppose the transfer "because of the impact of environmental racism caused by selling a clean park to a private developer for condominium construction denying Bayview Hunters Point residents equal access to healthy open space as is enjoyed by other neighborhoods in San Francisco."

As Daly told the Guardian, "Everyone wants the shipyard site cleaned up, development that works for the community, and real open space opportunities on the shoreline. And Prop. G was billed as doing this, which led to a division of people who believed Lennar and those who didn’t."

As a result, Daly said, people like Saul Bloom, who supported Prop. G, are coming out against SB 792. "So now, it seems, the skeptics are right," Daly said. "A lot of promises have been made. But unless you get them in writing, and have an insurance policy, Lennar is not delivering."

But Lennar Communities of California, the developer’s major political action committee, seems to be delivering when it comes to advocating for the park sell-off. In the second quarter of this year, Lennar more than doubled its spending on lobbying, including on SB 792. And Aug. 3, it alerted its Prop. G supporters that help is needed "passing SB 792 through the California State Legislature."

The e-mail blast claims that SB 792 is "straightforward and necessary legislation that reconfigures the state park boundaries at Candlestick Point and exchanges under-utilized land (most of it dirt, rubble, and a parking lot) for tens of millions of dollars of needed new improvements to the state park and a steady stream of dedicated funding to operate and maintain the improved park and open space."

But recently, there has been talk of an SB 792 compromise. According to insiders, the city and Lennar are willing to concede 20 acres of the contested 42-acres of park, although the developer insists it needs to build hundreds of condos (of which only 15 percent will be below market rate) on the 22 remaining acres of state park land if its entire 700-acre development is to pencil out.

Privately, environmental advocates say they may be unable to stop the land grab. And they worry that seven of the 20 acres Lennar is prepared to concede could be inundated by rising seas caused by global warming, as shown in a 2007 study by engineering firm Moffat & Nichol. It would be an ironic fate given Mayor Gavin Newsom’s July 30 announcement of a proposed United Nations center focused on climate change and green technology as part of Lennar’s project.

The Sierra Club opposes selling state parklands, building a bridge over Yosemite Slough, and capping a radiologically-affected dump on the shipyard’s Parcel E2. But the club does not oppose Lennar’s entire redevelopment plan. Arthur Feinstein, the group’s local representative, said, "We’re interested in saving as much land as possible. We are pushing to save the park’s grasslands. It’s existing habitat."

Noting that some amendments to SB 792 have been made, including removing proposed exchanges of parklands for shipyard land, Feinstein said that "there’s now a map that defines the project and no longer carries shipyard land."

Michael Cohen, Newsom’s chief economic adviser, said, "At Leno’s request, we’ve made amendments to address concerns, including taking steps to ensure there is no adverse impact on wildlife habitat."

Cohen called Newsom’s United Nations Climate Center "the perfect institution" for the entire redevelopment project, since it provides the shipyard with a green technology anchor. Cohen said he was unaware of the study showing the area could be flooded by global warming.

"But no one disagrees," Cohen continued, "that the state park will benefit from infrastructure and much needed capital for operations and maintenance."

Leno told the Guardian that his goal is to arrive at the best possible bill. "At the request of the opposition, we did amend the bill so that land at Hunters Point Shipyard won’t be part of any exchange," Leno said. "But it is conceivable that once the cleanup is completed, there could be a gift from the city to the State Parks Commission."

Leno said he hadn’t seen the flood map and joked, "If someone thinks they know exactly where the water is going to stop, they can place some bets now."

Assuming a more serious tone, Leno added that "the entire park system is under threat." He recalled how Gov. Arnold Schwarzenegger proposed to eliminate all General Fund money for parks and said, "We fought back and were able to restore most of the money."

But with the state’s ongoing fiscal woes and political stalemate, "Anyone who believes CPRSA is going to be open and funded indefinitely is not thinking clearly … so this deal has the potential for being an opportunity for our taking responsibility for the future of our state park system."

As currently drafted, SB 792 provides millions for improvements and $700,000 annually for operations and maintenance, Leno explained. "So I’m trying to make a bad situation better in a way that brings along this bill’s opponents so that they see that they are being taken seriously."

New Tsing Tao

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paulr@sfbg.com

The shock of the new can involve dazzlement, yes, but that’s not inevitable. Sometimes the new doesn’t seem all that different from the old, and the shock mainly has to do with how little things have actually changed. In our hyperaccelerated culture of progress, new means better, so the word gets deployed a lot, like bait on a fisherman’s hook, without necessarily signifying much. I never saw an old Tsing Tao restaurant and don’t even know if there was one, but the four-year-old New Tsing Tao in West Portal has the lived-in look of one’s favorite pair of weekend shoes — old Wallabies, maybe, or maybe duck boots, since West Portal can be damp, drizzly, and drippy, and certainly has been this summer.

New Tsing Tao does have its newish qualities, mostly the line of bulbous, science-fiction-red halogen lamps that dangle on long cords from the ceiling. Their racy glow suggests a bordello, starship, or hipster club. Pretty much everything else suggests a friendly neighborhood Chinese restaurant, including the rather worn-looking burgundy-colored carpeting on the floor and a long mural depicting (presumably Chinese) mountains in winter along one of the walls. Carpeting isn’t much favored these days by edgy restaurant designers, who seem to have given their love to various hard and glossy surfaces, but it remains useful as a damper of noise. You can hear yourself think inside New Tsing Tao, and you can hear what the person across the table is saying, too. Maybe ordering another Tsing Tao.

The food is rather classic San Francisco neighborhood Chinese food, the kind we tend to take for granted unless something goes wrong: a delivery gets messed up or the place goes out of business. Servings are large, prices are modest, and service is well-practiced and cheery in its way. The location — on a bendy stretch of Ulloa Street off the main drag — also offers a subtle charm; it’s a village within a village, without the drama of streetcars pacing back and forth like caged animals.

If drama you nonetheless must have, you might like the sizzling rice soup ($5.95 for the smallest size), which features a brick of toasted rice that resembles a Rice Krispie bar and hisses and sizzles fabulously when tossed into the broth. The rice is a diva, simultaneously giving value for money (including entertainment value) while overwhelming the rest of the soup’s players, a troupe of worthy character actors including chicken, prawns, peas, water chestnuts, and straw mushrooms.

The menu includes many standards, including potstickers ($5.95 for a clutch) — they are chubby — and mu-shi pork ($8.50), bits of meat and shredded napa cabbage ready to be spooned into rice pancakes with some hoisin sauce. If I’ve ever had bad versions of either of these dishes, I can’t remember them, and New Tsing Tao’s are just what one expects. In restaurants, we tend to like what we expect. The menu is vegetarian-friendly; the potstickers can be had in meatless guise, as can hot and sour soup ($5.50), which is rich in tofu splinters to make up the flesh deficit. (The meat version costs a little more, $5.95.)

Twice-cooked pork ($6.75 at lunch), although alluringly described as "hot," did leave me slightly disappointed. The meat was a little tough, the sauce tasted mostly of soy, and the promised heat was little in evidence. Some of the better stir-fry dishes are to be found under the aegis of "chef’s specialties." These include a preparation called Phoenix Dragon ($10.50), an everything-under-the-sun cornucopia of shrimp and shredded chicken breast tossed with snow peas, baby corn, straw mushrooms, and water chestnuts. If you could only have one dish from the menu, you would probably be pleased with this one.

I also admired the orange beef ($8.95), in part because it was spicy enough to satisfy the menu card’s "hot" claim, and — more important — because the meat was not crisp-fried or deep-fried, just quickly turned in a hot wok so that it remained supple and juicy. Deep-frying has its charms, crispiness being one of them, but it can seem perversely out of place in Chinese cooking, which places so much emphasis on gently handled vegetables. Fresh vegetables are crisp the way nature intended.

The main dishes are generally served with a sizable ration of white rice. You are asked if you want it, which means it’s possible in theory to opt out, but it has a tendency to turn up anyway, and accumulates like piles of snow left by plows, massive and indistinct. The casual wastefulness of this bothers me — not at New Tsing Tao in particular but as a wider phenomenon in Chinese restaurants. In a straitened era when even the flow of junk mail has diminished, this might be a moment to revisit the white rice glut in Chinese restaurants — a time (as Lincoln put it in quite a different context) to think anew. *

NEW TSING TAO

Sun.–Mon, Wed.–Thurs., 11 a.m.–9:30 p.m.;

Fri.–Sat., 11 a.m.–10 p.m.

811 Ulloa, SF

(415) 566-9559

www.newtsingtaorestaurant.com

Beer and wine

AE/DS/MC/V

Not noisy

Wheelchair accessible

Saved!

0

a&eletters@sfbg.com

PHOTO ISSUE Take Me to the Water (Dust-to-Digital, 96 pages, $32.50) is an eccentric archive, under the same bewildering sign as Harry Smith’s epochal Anthology of American Folk Music (1952). It comprises both a book (75 sepia plates of full immersion baptism scenes performed in nature) and accompanying CD in the same vein as Dust-to-Digital’s earlier ark of covenants, Goodbye, Babylon (2003). But the beautifully reproduced photographs are what make it worthwhile.

They were made at a time when photography was reserved for occasion (one shudders to think of the contemporaneous rage for photographs of lynching scenes). A photograph, like a baptism, was something you dressed up for. In many images here, figures stare down the camera, distracted from the spectacle at hand. One atypical shot looks as if it was snapped under cover of trees: we peer through shrubs at a minister and convert, rippling the water alone.

There is always a danger of mystifying the past with ephemeral evidence this gorgeous, but it would be foolhardy to think the invocatory power of these photographs is purely the invention of contemporary eyes — if anything, the images restore the spiritual sense in which photography is called a medium. The believers are transfigured by God’s light, the photograph by the world’s.

The cameraperson typically shoots from an opposite bank, offering a broad scene. Crowds are in the dozens, if not hundreds, draping bridges and packing every jut of land. The principle pictorial advantage of this framing is the emphasis it places on the water’s reflection. The reverse image coasting the water’s surface rhymes with the one produced by the camera’s lens. More immediately, this reflection gives the impression of ghosts. In his introduction, Luc Sante makes the point that many of these sites were so used for generations, and therefore "accrued layers of association and sentiment." Ghosts were to be expected.

Because the scope of the photographs frequently exceed the camera’s depth of field, surrounding space buckles to the distant baptism’s sharp focus. Time itself seems to bend around this point of clarity and calm. The person being baptized is most deeply submerged, making their reflections the clearest ones. Much of what the photographs communicate, then, is the way these baptisms were both public events and private passages. The individual is simultaneously a part of and apart from the community, in the same way death is to life.

Nearly all those pictured in Take Me to the Water have since crossed to the other side — the passage of time is there in the splotches and creases. The poignancy of these imperfections is that they remind us that the photographs belonged to people, as mementos. In one, a pen marking indicates one of many figures in the water — someone’s relation. Beauty balancing the ordinary and sublime is a strange gift indeed. The wonder isn’t that these photographs survived, but that they existed in the first place.

Lords of drift and discovery

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The drift. In 2006, Scott Walker used that phrase as an album title. It’s an apt tag for music of the electronic and digital eras. As inferred by another idiosyncratic singer and surfer of the vanguard, Chelonis R. Jones, electronic sound is dislocated sound. And only through its drift — the drift — does one happen upon a discovery.

Here are some lords of drift and discovery. These five electronic musicians are innovators, even inventors. They’ve been around for decades, but like sound waves echoing back from deep space, their older recordings have returned to reach new listeners. Monoton is a Kraftwerk the masses don’t know about. The meditative sounds of J.D. Emmanuel are inspiring musicians who weren’t even born when he was creating tape loops. Time is only just now catching up with Bernard Szajner’s conceptual and compositional talent. Cluster continues to unite and fragment in studios and on stereos and stages. And like a ghost from a pop memory that never quite formed, Riechmann floats into this past-haunted present moment to deliver a chilly kiss.

The drift? Catch it. (Johnny Ray Huston)

———-

459-monoton.jpg

MONOTON Modern music has its share of accidental holy grails — the heretofore-undiscovered missing artistic link; the crate-digger’s trade secret; the record that launched a thousand unknowing imitators. Somehow these records make the most overworked clichés seem like fresh descriptors. So I am willing to stand by my hyperbolic claim that the records Austrian multimedia theorist, researcher, and artist Konrad Becker released in the early 1980s as Monoton are some of the best electronic music albums you’ve probably never heard.

Such was the consensus of British canon-building screed The Wire almost 10 years ago when they nominated Monoton’s 1982 limited release album Monotonprodukt 07 as one of its "100 records that set the world on fire (when no one was listening)." Now, thanks to a steady stream of reissues on Canadian experimental electronic imprint Oral — starting with Monotonprodukt 07 in 2003 — it is easier to hear why.

Like the glistening streets in a film noir, there is an aura of mystery — even menace — to the song-sketches Becker crafts from his relatively simple palette of dubbed-out drum machines, five note arpegiated bass lines, and reedy synth drones, all slicked with reverb. Monoton’s sound is wholly self-contained, yet it is not hard to hear strains of electronic music’s divergent future paths — Basic Channel’s heroin techno, Raster Norton’s tonal asceticism, Pole’s digital dub washes — even as it slips in air kisses to contemporaries like Throbbing Gristle, Cluster, and Brian Eno.

As with many other great musical experiments, Monoton was born from frustration: "Nobody else was doing this kind of thing," Becker explains via e-mail, "So if I wanted to spin something like that on a record player, I would have to do it myself." Working with admittedly "low-end equipment" — borrowed synths and a 4-track — Becker started making music that was "not ‘composed,’ but deciphered from nature, like Fibonacci numbers, pi, Feigenbaum, etc. [These are] embedded physical or natural constants with values and proportions that can be expressed in frequencies." The titles of many Monoton tracks ("Soundsequence," "Squared Roots", "p") are matter-of-fact explanations for their stochastic origins.

But the records were only one part of Becker’s larger project researching synesthetic experiences and the psychoacoustic properties of music. He’s put together several site-specific multimedia installations in spaces like underground medieval chapels and blackened tunnels covered in fluorescent paint. It’s a testament to his preternaturally prescient aesthetic that his decades-old comments about "building acoustic spaces" and "treating sound in an architectural way" could have been pulled from any number of recent interviews with drone-metal act Sunn O))).

Becker’s tireless curiosity continues to yield interdisciplinary projects that look and listen to the future. As the current director of the Orwellian-sounding "cultural intelligence providers" Institute for New Culture Technologies and the World-Information Institute, he has less time for sound-based performances. But the remastering and reissuing of his early, quietly pioneering musical work ensures that Monoton will keep setting the world ablaze, one listener at a time. (Matt Sussman)

————

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J.D. EMMANUEL Over the course of 40 years, the sun has risen and set and risen again within the music of J.D. Emmanuel. "I was talking to a buddy before Christmas," the man says on the phone from Houston, where he lives. "I realized that I started making music in August of 1979, and my last piece of music that I ever created was in August of 1999. I don’t know why there is a 20-year cycle."

Now, in August 2009, adventurous listeners can bask in the slo-mo beauty and consistent warmth of Solid Dawn: Electronic Works 1979-1982 (Kvist), a collection of Emmanuel tracks accompanied by gorgeous sunrise and sunset photos, another one of his specialties. Over the course of a few decades, customer service workshop gigs kept Emmanuel on the road and in the air — he estimates he has logged 1.5 million miles. "If I was seated by a window, I’d take out my camera and see if I could find something fun," he says, with characteristic lack of pretense. "I was very fortunate to see a lot of beautiful things from six, seven, (laughs) eight miles high."

And we are fortunate that he took pictures, and even more lucky that he’s created the sonic equivalent of natural wonders — songs like Solid Dawn‘s "Sunrise Over Galveston Bay," a water-swept and windblown chime dream that makes reference to Emmanuel’s childhood surroundings in its title. Personal and universal wonder is at the core of Emmenuel’s meditative outlook. "For whatever reason, when I was a little kid, around eight or nine, I discovered how fun it was to put myself into an altered or dream state," he remembers. "I would go into my grandmother’s bedroom, close the curtains to make the room as dark as possible, turn on the air conditioner and just lay down. I’d take these one hour naps that were just delightful — little trips."

The second sunrise of Emmenuel’s musical career began when his second LP and favorite recording, 1982’s Wizards, was reissued a few years ago. It’s already out of print and rare once again, but Solid Dawn offers more than a glimmer of its powerfully elemental and yet understated pull, a magnetism that has influenced the sound of recent artists such as White Rainbow. The ingredients can be reduced to instrumental gear: a Crumar Traveler 1 organ, an Echoplex, a Pro-One and Yamaha K-20 synthesizers, and a Tascam 40-4 reel deck. They can be traced to influences ranging from "Gomper" off the Rolling Stones’ Their Satanic Majesties Request (Decca, 1967) to Roedelius and Tangerine Dream tracks heard on a radio show by Houston radio DJ Margie Glaser. But ultimately, the source is Emmanuel. His music has a unique sense of being. It’s also warmer than German electronic music of the era. Must be that Texas sun. (Johnny Ray Huston)

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BERNARD SZAJNER Somewhere between Brian Eno and Marcel Duchamp rests Bernard Szajner (pronounced shy-nerr). The elusive French electronic sound innovator and visual artist has always been living in the future. After creating a Syeringe or laser harp (an instrument where light triggers sound) in the 1970s, he put out five albums between 1979 and 1983, then left the music scene unexpectedly. Now two of those albums — 1980’s Some Deaths Take Forever and 1981’s Superficial Music — have been digitally remastered and reissued (with bonus tracks) by James Nice’s legendary U.K.-based label, LTM Recordings.

"I never left the music scene," Szajner says via e-mail from Paris, where he’s been getting very little sleep while preparing for a solo exhibition "Back to the cave" at Galerie Taiss. "I just decided that I had to become ‘invisible.’ In the same way, I never left the visual art scene. I just felt that I had to work for a few years … before reappearing."

The installations at Taiss will start with a huge sculpture, Mother, that begins visitors’ ascent from light on the first floor into darkness on the third. The overlapping M’s could be seen as an experimental musical score for light. Whether working in sound or vision (he sees the two "forces" creating a "third force that is stronger than any one of the two"), Szajner’s genius is in making the act of storytelling as relevant as the story itself. The reissues both present journeys. Some Deaths Take Forever‘s layers of synths and distortion eventually reach a celestial, radio-frequency climax. Superficial Music is literally a half-speed, backward journey through his first album, Visions of Dune , followed by a metallic triptych called Oswiecim, the Polish name for Auschwitz. Szajner’s parents were Polish Jews who came to France via Germany, and Superficial Music was partly an effort to evoke the "impressions and sensations of my parents’ storytelling."

When these albums were first heard, Szajner notes, "they appeared strange to most listeners. It took some 20 years to discover that my music might be of interest." Was it hard to come back to a musical landscape where digital music-making software had proliferated? "My opinion is irrelevant because the proliferation is inevitable," he writes. "When I became visible again, I had to cope with an entirely new problem: how does a ‘cult musician’ — like I am supposed to be — get in touch with labels when they receive about 500 demos a week?"

Szajner donated his old synths to an art school some time ago, and he now uses computers just like everybody else (although he claims not to listen to music: "I never, really never, listen to any music, not even my own once it is finished"). Labels eventually started contacting him, asking about reissues. "I chose LTM because it is the most serious proponent of my genre," he says.

An argument for the abolition of torture and the death penalty, Some Deaths Take Forever slowly coheres in the mind. As Szajner puts it in the liner notes/art: "Terms of reality /New body form /The difference is not all that great." Life, after all, is not essentially political. How can you argue with emptiness? (Ari Messer)

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CLUSTER Cluster is known to the German state as Hans-Joachim Roedelius and Dieter Moebius. Roedelius, 74, and Moebius, 65, are elder statesmen of electronic music and appropriately dignified in their old age. When I saw them at the Great American Music Hall in May 2008, they performed behind glasses of white wine, much as I imagine they’ve always done. But the whooshing, cartilage-shaking sounds emanating from the sound system bore only a passing resemblance to the intricately sequenced music they are best known for. Whether you hear prime-era records like Zuckerzeit (Brain, 1974) or Soweisoso (Sky, 1976) as krautrock, protoambient, kosmische, or plain electronic, the duo knew how to build bridges. Thirty-eight years after their beginnings as Cluster — an early incarnation of the band, spelled with a "K," included Conrad Schnitzler and formed two years earlier — the band has just released Qua (Nepenthe), a record whose surface strangeness reveals a band plunging again into the primordial waters they tested with their debut.

Pioneer status is always shaky — krautrock reissues in particular seem to be coming fast and thick. Still, Cluster (Philips, titled Cluster 71 for Water’s 2006 reissue) is more than an assemblage of cleverly processed sounds (few synthesizers were used), it’s a successful stab at a new language — one that incorporates academic experiments and pop music textures but doesn’t really belong in the company of other records. From their sophomore album, Cluster II (Brain, 1972) through 1979’s Grosses Wasser (Sky) Moebius and Roedelius structured their early experimentation by splitting the difference between the former’s ambient washes of sound and the latter’s baroque and whimsical sense of melody. Counting contemporary releases in collaboration with Neu!’s Michael Rother (as Harmonia) and Brian Eno, these dudes broke a lot of ground in their first decade of existence.

Zuckerzeit‘s "Hollywood" is a good summary of what synth/loop questers like Arp or White Rainbow draw from the band’s working methods: percussion is built around an unquantized loop, giving the woody guitar burps that ride above a tumbling momentum and the icy euro synths that bleed down from higher frequencies a strange tilt. Look close enough and you can’t miss the gaps that let the warmth in. Despite the obvious futurism of their work, Cluster were also secret classicists — Michael Rother’s solo work of the same period, or the Berlin techno that followed in its wake, appear like cold, rationalized Le Corbusier edifices compared to Cluster’s rambling sense of space.
What Qua drives home is the sense that while Cluster never comes across as mechanized, neither does it come across as particularly hospitable. The straight lines of Rother’s music or the subperceptual, soft contours of Eno’s still give a sense of movement toward a better, more human world — naturally so, considering these were some of the principals of early new age. With the exception of album closer "Imtrerion," billowy and warm like the coda to some forgotten shoegaze record, most of Qua is made up of sketches that skew toward the dark and circular — the downtempo time-warp of "Na Ernel" is more Bristol than Berlin. Although the album is filled with miniatures, it’s probably the closest in feel to the formless expanses of their debut. Possibly, the band’s returning to where it started because few of the people it has influenced have done the same. Just as likely, they’re far enough ahead of the competition to be standing behind them. (Brandon Bussolini)

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RIECHMANN When he powdered his face a morbid, ghostly white for the cover of his debut solo album Wunderbar (Sky, 1978), how could Wolfgang Riechmann know that he would soon be dead, the victim of a knife attack? This tragic irony is at the core of Riechmann’s story, a little-known one that may attain cult status thanks to Wunderbar‘s reissue 31 years later.
Riechmann the solo artist deserves a cult following for Wunderbar‘s title track alone, a stately and slightly mischievous instrumental track for a movie never made. Somewhere between Ennio Morricone’s whistling spaghetti western rallying calls and Joe Meek’s merry and slightly maniacal anthems for satellites and new worlds of the imagination, "Wunderbar" gallops and lopes, and then floats — better yet, drifts — into orbit. It is glacial, yet seductive.
Listening to Riechmann’s sole solo effort, it’s impossible not to ponder what might have been. If his suave corpse pallor seems to arrive in the wake of Kraftwerk’s automaton image, right down to similarly slicked-back hair, it also prefigures Gary Numan’s android routine. A peer of Michael Rother’s, Riechmann possessed Rother’s gift for instrumental grace. A series of green glowing transmissions from an alien planet, alternately alluring and slightly sinister, Wunderbar calls to mind Rother’s Fernwarme (Water, 1982) — except it arrived four years earlier.
Who was Wolfgang Riechmann, and what exactly happened to him one fatal night? These questions lurk behind the photo of Riechmann’s painted face on Wunderbar‘s cover, with a dearth of text providing any solid answers. Perhaps we’ll know more as the album’s reputation is revived, and canny journalists ask the likes of Rother about a one-time peer. Lords of drift and discovery float in from the past and float out toward the future. (Huston)

The algae solution

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The San Francisco Bay may soon host a dramatic new environmental project that backers say could solve three problems at once: clean wastewater, remove carbon from the atmosphere, and produce biodiesel fuel. Yet it’s gotten remarkably little attention.

"For the most part, people are just ignoring me," says Jonathan Trent, a researcher at NASA Ames Research Center at Moffett Field, who is one of the driving forces behind the project.

The new technology Trent and his colleagues have created is called OMEGA (Off-shore Membrane Enclosures for Growing Algae). The idea is to grow large colonies of freshwater algae in what amounts to large plastic bags floating in the bay.

Wastewater from local sewage plants and carbon sequestered from power plants would provide food for the algae, which then produce oxygen and freshwater along with an oil that can be refined into fuel.

The OMEGAs are giant semi-permeable membranes; the design allows freshwater in but keeps saltwater out.

Using algae for biofuel isn’t new — there are a number of algae farms on land. But they require large amounts of real estate and fresh water and enough electricity to keep the water moving.

In this case, light from the sun provides the energy, and the motion of the waves stirs the algae around.

Trent is looking at ways to collect the freshwater that gets released by the OMEGAs — potentially another major breakthrough for a state desperately short of water.

Trent has shopped his project all over the world and many countries have showed interest, but he believes San Francisco is the perfect fit. "The people of San Francisco really have an enlightened attitude and are aware that something needs to be done to fix the problems we’ve created," he told us. "It’s a great place to demonstrate to the world that this is a feasible technology."

The OMEGA project still faces political hurdles. Trent recently survived an internal audit. And U.S. Rep. Bart Gordon (D-Tenn.) has been critical of federal spending for biofuel projects.

But the scientist isn’t discouraged. "Actually I’m glad we have been audited," he said. "I’ve been able to get attention and show that not only does our system not use water, it actually produces clean water."

On July 29 the project received approval for an $800,000 grant from the California Energy Commission. According to Trent, the approval for the grant was ready for approval months earlier, but Gov. Arnold Schwarzenegger wanted to put it on hold because of the budget crisis.

The CEC grant is coming just in time. A previous grant, from Google, was due to run out at the end of September. "We’re optimistic that if people see that the CEC has invested, maybe others will want to invest," Trent said. "But we need more than just financial resources — we need brain power as well. The next step is to find engineers to really make this a workable option."

Trent would like to get a working model up and running within the next 18 months and hopes to see a full-scale operation in place in five years.

San Francisco may be the first city to host OMEGA. San Francisco Public Utilities Commission staffers have met with Trent and are cautiously optimistic. "Although it is just at the preliminary stages of discussion, it doesn’t dampen our excitement about the project," said Tyrone Jue, spokesperson for the SFPUC. "We have to know what good we will get out of it and if it is feasible in this area."

Environmentalists caution that it’s far from a perfect solution to the planet’s problems. Sierra Club staffer John Rizzo notes that "biofuels themselves are not a good solution. It’s a good bridge, but they are still burned and create carbons that are bad for the planet." In the short term, however, it sure beats drilling for oil off the California coast.

The Moss Room

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paulr@sfbg.com

The basement restaurant is an odd duck — odder still if the basement is in a museum in a relatively remote park. Yes, my 16-ton hints do pertain to the Moss Room, the venture orchestrated by Loretta Keller and Charles Phan that opened last fall in a subterranean sector of the new Academy of Sciences building in Golden Gate Park.

A word, if I may, about that building, which faces its nemesis, the DeYoung Museum, across the concourse the way Minas Tirith faced Minas Morgul in The Lord of the Rings: one fair, the other sordid. The Academy of Sciences building is, for me, the far superior design because it subtly but unmistakably refers to its predecessor and because, with its expanses of glass and filaments of steel, it sits in its sylvan setting far more lightly. It does not imperially impose itself on its surroundings. Also, it has the Moss Room.

Strange to say, but the restaurants the Moss Room most resembles are both downtown, where the Academy should have been moved. One is Shanghai 1930, a similarly elegant basement, like a lavish bunker. The other is Bix, above ground but with underwaterish light and a bold staircase. At Bix, the staircase rises to a mezzanine; at the Moss Room, it descends from a cafeteria to the subterranean sanctum and adjoins a channel-like aquarium and a wall garden.

These design details suggest the restaurant’s commitment to sustainability, and as weary as sometimes one grows in using that word, it’s probably worth repeating with respect to a place that is inside a science museum in the middle of a large urban park. If any restaurant should be attentive to food’s ecological dimension, it should be the Moss Room. And it is, with the passion extending all the way to the wine list, which is organized under the rubrics "organic," "biodynamic," and "sustainable."

The Moss Room’s look doesn’t suggest its kinship to Keller’s other restaurants, Bizou and Coco500. The former was like the best restaurant in a quaint Provençal town, while the latter offers a slightly deracinated spareness meant to appeal to urban youth. The food, though, is another matter. Keller has long been a leading exponent of a cooking style I associate closely with Zuni Café: the cuisine of Italy and the south of France, fluffed and freshened. We could call this style "rustic" or "lusty," to use two clichés much favored in a certain cliché-choked competing venue — but let’s not. How about "lustic"? Or perhaps "lustique"?

Because the Moss Room, despite being below the water line, is a more elegant venue than either Bizou or Coco500 — a carpeted hush, dim lighting, high ceilings, the zen spectacle of drifting aquarium fish and herbs growing from the wall above them — there is a certain tension about the food. Should it be elegant or lustic? Can it be both? When you try to be both, you risk being neither.

The small plates reflect a certain restlessness. They range from a humble plate of hummus and pita bread ($10) — glistening like naan — embellished with roasted red-pepper and manouri cheese, to the more elaborate batter-fried squash blossoms ($9) zipped up with goat cheese, mint, and roasted-garlic aioli.

A bowl of corn chowder ($8) did strike me as quite Kelleresque. The corn came from Brentwood, and the chowder was made with chicken and shrimp stocks, along with bits of bacon for deeper flavor. Summer corn is famously sweet, of course, and shrimp stock can intensify this effect. So can under-salting. Luckily, fate provided us a small bowl of sea salt.

Equally Kelleresque was a bowl of squid-ink spaghetti ($12) tossed with a meaty mix of squid and sun-dried tomatoes sharpened with chili flakes and what the menu called "herbs." This dish was visually striking, with the zinfandel-colored strings of pasta looking like a clump of kelp, and its flavors glowed with a steady dark heat.

I caught a milder wave of the same effect with the local albacore ($26), a pair of seared chunks looking like roulades embedded on a textured carpet of roasted eggplant shreds and tomato quarters, with a pale green purée of summer squash piped around the perimeter. Albacore is wildly underrated and is worth searching out.

As for salmon: I like it but don’t love it, and when our server explained that the wild Alaskan version ($23) consisted not of a filet but of flaked flesh tossed with English-pea cavatelli and a north African blend of radish, mint, and preserved lemon, I silently cheered. Salmon can be overbearing and rich, but here the kitchen induced it to cooperate with its platemates.

Speaking of platemates: Greg’s cookie plate ($9) offers a petit-fours-like array of tiny treats. It’s ideal for sharing, and you get lots of bites with not much heft. For the heft-minded: a roasted-peach tart ($9), accompanied by a lump of crème fraîche custard and grainy peach sorbet. Close your eyes and think of the Stairmaster.

<\!s>Le boo-boo: In a recent piece about Bistro St. Germain (July 22) I described Paris’ Faubourg St. Germain as being on the Right Bank of the Seine. Well, no, it’s actually on the Left Bank. *

THE MOSS ROOM

Mon.–Tues., 11 a.m.–2:30 p.m.;

Wed.–Sun., 11 a.m.–10 p.m.

55 Music Concourse (in the California Academy of Sciences, Golden Gate Park), SF

(415) 876-6121

www.themossroom.com

Wine and beer

Not noisy

AE/DC/DS/MC/V

Wheelchair accessible

Best of the Bay 2009: Sports and Outdoors

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Editors Picks: Outdoors and Sports

BEST "HOLY SH*T!"

Although it has only been a mere season and a half since Barry Bonds went loudly into a toxic sunset, the San Francisco Giants have already refocused with a formidable team of unlikely upstarts that boasts one of the best records in the National League. Built around a colorful but humble lineup of players with nicknames like the Freak, Big Unit, and Kung Fu Panda, the current Giants roster is everything that Bonds was not — egoless, team-oriented, and free of baggage. And just as the Tim Lincecum-<\d>led pitching staff was shaping up as the team’s best asset for a successful playoff bid, along comes 26-year-old left-hander Jonathan Sanchez, from a demotion in the bullpen, to throw a masterpiece of a pitching performance. The Sanchez no-hitter against the Padres on July 10 was the team’s first since 1976. It provided an up-from-the-ashes victory that invoked tremendous optimism for the future, to the point where you can already hear it, clear with conviction and confidence: "Beat L.A.! Beat L.A.!"

BEST KID-FRIENDLY SUICIDE RUN

Never underestimate the urge — especially in somber, grizzle-haired grown-ups and perfectly sensible adults — to jam shiny, decal-stickered helmets on one’s head before shrieking downhill in plastic toy vehicles, playfully jockeying with others all the way to the bottom. Having just completed its triumphant ninth annual run this past Easter, the annual Bring Your Own Big Wheel race is spastic, daredevil fun. Any form of transport is legal, as long as it’s human-powered and about a third your size. Past races have seen some imaginative entries: office chairs figured in one racer’s wobbly run, while others constructed iffy rides from wood planks, masking tape, and a few ingeniously placed nails. Outlandish costumes never hurt, either: Big Bird, bunnies, and aliens run rampant. Once held on Lombard Street, the event now careens down Potrero Hill’s twistier Vermont Street. The only thing you can’t bring is alcohol. Shucks.

www.jonbrumit.com/byobw

BEST WORKOUT WITH A TWIST

Is it wrong to be kind of turned on by the Victorian-bondage-looking machines at San Francisco Gyrotonic? Even the word "Gyrotonic" makes us gyrate suggestively in our minds. (Pervs!) Intimately connected to the dance community, the Gyrotonic exercise program is an intriguing new approach to working out. The Gyrotonic Expansion System was invented in the 1950s by ballet dancer Juliu Horvath after an Achilles injury left him unable to dance. The workout uses a contraption with raised pulleys, similar to a Pilates machine, but moves your joints in a circular rather than linear motion, training the body to be more flexible. Classes are taught by former ballerinas who’ve danced in companies such as the San Francisco Ballet, New York’s School of American Ballet, the Metropolitan Opera’s American Ballet Theatre, and San Francisco’s Alonzo King’s LINES. In terms of dance workouts, nothing could be further from Billy Blanks’ Tae Bo. The studio attracts a fleet of nimble, limber dance-types, but beginners should not be intimidated, nor overexcited.

26 Seventh St. # 4, SF. (415) 863-3719, www.sfgyrotonic.com

BEST YO-YO WHAT’S UP

If we’ve learned anything from the most recent technological revolution, it’s that nerds are way cooler than we thought they were. "I’m a music nerd," people will proudly say, or "I’m an art nerd." Identifying as a nerd grants substantial cultural capital — and not just in a lame hipster sense, like when people wear glasses without lenses or pretend to appreciate B-movies. Skateboarders, cyclists, and gamers are good examples of this phenomenon, but none of these subcultures has a more nonconformist, fuck-you attitude than that of the gonzo yo-yo enthusiast. It’s true that yo-yo champion David Capurro and the other members of his local club, the Spin Doctors, probably spend their weekends practicing barrel rolls and smashers instead of drinking, dancing, and posing. But, well, come on, that shit’s for nerds. Cool people have better things to do … like winning tournaments, inventing new tricks, and traveling the world to battle other crews.

www.spindox.org

BEST WAY TO GET BLOWN AWAY

Perhaps you’ve seen kiteboarders skimming across the water like wakeboarders and flittering aloft, gliding like skydivers. If you’ve yearned to partake in the strange but intriguing sport of kiteboarding, but didn’t know where to start, look no further than Boardsports School and Shop. With three locations and plenty of certified instructors, it’s the most facilitative wind and board shop on the bay. Whether it’s kitesurfing, windsurfing, kiteboarding on land, or even stand-up paddle boarding, the staff can help you find what you’re after (don’t be put off by the dude-bro locutions) and teach you how to catch some major air safely. Boardsports has exclusive teaching rights in two of the bay’s best beginner spots, Alameda’s Crown Beach and Coyote Point in San Mateo, and offers lessons for first-time kite flyers or can arrange pro instruction for experienced boarders looking to push their skills to the next level. Boardsports also offers tidy deals on kite packages and equipment to help you lift off without lifting your wallet.

(415) 385-1224, www.boardsportsschool.com

BEST WET PUCKS

The Brits have started some internationally contagious sports, like football (soccer) and cricket. Now underwater hockey, which English divers created in the 1950s, is grabbing Americans’ attention. Locals are quickly jumping into the game with the San Francisco Underwater Hockey club. If you like swimming, dip your toes in new water and give it a shot. Sean Avent of the San Francisco Sea Lions club team explains its appeal: "Holding your breath, wearing a Speedo, and swimming after a lead puck on the bottom of a swimming pool is no more obtuse than trying to pummel a guy who is carrying a pigskin ball and armored in high-tech plastic. People, in general, are just more familiar with the latter of the two obtuse sports. And the first is just way more fun." Pay $4 at the door of one of the games to try it out, or join the club and play in the Presidio or Bayview pools at a low cost.

www.underwater-society.org/uwhockey/sanfran

BEST YOGA WITH THE FISHES

Million Fishes Gallery, one of our favorite artist collectives in San Francisco, isn’t just an awesome place to see great exhibits by a revolving door of local artists and to catch raging late-night shows featuring bands like Jonas Reinhardt, Erase Errata, Tussle, and Lemonade. It also provides an effective and inexpensive way to get your rejuvenating twice-weekly yoga fix. Instructor Beth Hurley teaches a 90-minute vinyasa yoga class from 6:30 to 8 p.m. on Tuesdays and Thursdays at the gallery’s yoga studio (yeah, this artist space comes with its own yoga studio) that draws a nice mix of artists, Mission locals, yoga enthusiasts, and those who see the benefit in working out before hitting up El Metate next door. Hurley’s sessions are $7 to $11, which firmly places them among the least expensive yoga classes in San Francisco, and safeguards you from having to deal with yuppie yogis in head-to-toe Lululemon.

2829 23rd St., SF. www.millionfishes.com

BEST EYE-WATERING MEMORABILIA

Mission restaurateur Scott Youkilis has turned out quality American fare at Maverick for a few years now, while his brother Kevin continues to play at an MVP pace for the Boston Red Sox. Scott bottles a great homemade hot sauce; Kevin hits two-out home runs in the bottom of the ninth against the New York Yankees. Could there possibly be a way to merge these exceptional fraternal talents? Voilà: Youk’s Hot Sauce, a condiment that attempts to bottle the potency of Kevin’s hitting abilities with the flavor of Scott’s Southern-tinged cuisine. Available at Maverick or online, bottles go for $10 each, or $25 with Kevin’s autograph, and portions of all proceeds go to Kevin’s charity, Youk’s Hits for Kids. It’s a hot souvenir from a future Hall of Famer for the legions of Red Sox fans that make the Bay Area their home away from Fenway.

3316 17th St., SF. (415) 863-3061, www.sfmaverick.com, www.youkshotsauce.com

BEST NATIVE WORKOUT

When it comes to getting in shape, it’s almost a crime to have a gym membership in San Francisco. We live in the almost perpetually golden state of California, not Wisconsin in the third week of January. So get the hell outside and tackle some hills or run along the beaches. Better yet, do both with the Baker Beach Sand Ladder. Long known to local triathletes as an endurance-crushing beast, the sand ladder is 400 sheer steps of pulse-pounding "I think I’m gonna die" workout, set against the spectacular backdrop of the Pacfic Ocean flowing into the Golden Gate. Minus the cardiac arrest, it sure beats the fluorescent lighting, smelly funk, and steroidal carnival music of your local gym. The simple fact of the matter is that when you can run nonstop to the top of the sand ladder you’re officially in good shape. And best of all, it’s free.

25th Ave. and El Camino del Mar, SF. www.nps.gov

BEST BITCH-SLAP FOR THE ENVIRONMENT

Chevron has always been one of the Bay Area’s more vile corporations, whether it’s lobbying aggressively against global warming legislation or polluting communities from Richmond to Ecuador, all the while greenwashing its image with warm and fuzzy (and highly deceptive) advertising campaigns. That’s why we love to see groups such as the rainforest-protecting Amazon Watch and its anti-Chevron allies giving a little something back. Before this year’s Chevron shareholders meeting in San Francisco, activists plastered fake Chevron ads ("I will not complain about my asthma" and "I will give my baby contaminated water") all over the city and staged creative protests outside the event. Ditto when Chevron CEO David O’Reilly spoke at the Commonwealth Club in May, sending Chevron goons into a paranoid frenzy. Amazon Watch and other groups are winning some key battles — voters recently approved steep tax increases on Chevron’s Richmond refinery, and a judge rejected plans to expand the facility. To which we can only say, "Hit ’em again!"

www.amazonwatch.org

BEST PUBLIC ACOUSTIC COCOON

Ear-piercing squeals, gut-rumbling skronks, the occasional wet fart sound — these are the unfortunate hallmarks of beginning brass instrumentalists. Those living in a city as dense and sensitive as our own have it rough when they want to work out their kinks: neighbors who sleep during the day or get up early yell at them, passersby take none too kindly to the squawking on busy sidewalks, and soundproofed studio space is economically out of reach. For all who need a place to practice, there’s the blessing of the Conservatory Drive tunnel, which passes under John F. Kennedy Drive in Golden Gate Park. An array of practicing jazz combos and amateur tooters take up residence at the tunnel’s entrance during the day, providing entertainment to nearby Conservatory of Flowers visitors. The tunnel actually seems to crave music pouring into and echoing through its abyss — it forms a protective acoustic cocoon around performers that amplifies mellifluous passages and somehow blurs out less felicitous ones. Spontaneous jam sessions are common, so don’t sit on the grass — pick up your brass.

Conservatory Dr. and John F. Kennedy Dr., Golden Gate Park, SF

BEST MOUSETRAP FOR MINOTAURS

Little-known and charmingly miniscule, the Eagle Point Labyrinth is a jumble of twisty turns perched on the lip of a cliff near an offshoot of Lands End Trail. To reach it, you must set out with a compass in hand, hope in your heart, and fingers crossed. The labyrinth, one of three outdoor mazes known to exist in San Francisco, is a mysterious wonder that has so far avoided being marked on any map (although it can be glimpsed via a Google satellite image for those too faint to blindly wander in search of it). The superlative views it affords of the Golden Gate certainly justify hiking, sometimes panicked, through yards of unpruned foliage. The stone-heaped maze is handmade, and while we speculate about its mysterious origins — a mousetrap for Minotaurs, perhaps? — we can’t help but appreciate the karmic offerings of those who have reached the center before us, leaving a small pile of baubles. Mythic etiquette mandates you scoop up one of these and leave something of your own behind.

Lands End, Sutro Heights Park, SF.

BEST COMMUNITY STRETCH

Yearning to try yoga but needing to stretch your dollar? Every Monday through Thursday from 7:45 p.m. to 9:15 p.m., YogaKula packs its San Francisco location with eager newcomers for its affordable community class, available on a sliding scale ($8 to $16). Especially lively are the Monday and Wednesday classes with quirky and entertaining instructor Skeeter Barker, who offers genuine, palatable optimism and inspiration along with some much-needed recentering. Barker is an inspirational teacher who, as her Web profile says, "welcomes you to your mat, however you find yourself there." Along with the community classes, YogaKula offers Anusara, a therapeutic style of yoga, in addition to a variety of other wellness practices. Its two locations — one at 16th Street and Mission, and one in North Berkeley — offer courses in yoga training, yoga philosophy, specialized workshops, Pilates, massage, and one-on-one yoga instruction.

3030A 16th St., SF. (415) 934-0000; 1700 Shattuck, Berk. (510) 486-0264, www.yogakula.com

BEST PLACE TO HIDE A JET

To be precise, the best place to hide a jet is behind Door 14 on the Alameda Naval Air Station. While many of the buildings on the former military base have been converted to civilian uses, such as sports clubs and distilleries, some continue to serve military functions, like storing the jet that used to be on display at the base’s portside entrance (until high winds blew it off its pedestal two winters ago). The naval station is also the perfect place to hide domesticated bunnies. A herd of them live in and around a tumbledown shed opposite the Port of Oakland. Then there are the jackrabbits, which flash across the base’s open spaces at night, hind legs glinting in the moonlight. It’s easy to miss the flock of black-crowned night herons, which pose one-legged every winter on the lawns of "The Great Whites"-<\d>houses where the naval officers once lived. But who could forget the hawk that roosts atop the Hangar One distillery and periodically swoops to grab a tasty, unsuspecting victim off the otherwise empty runways where The Matrix Reloaded was shot?

1190 W. Tower, Alameda

BEST PUTT-PUTT ON THE ‘CIDE

Since 1998, Cyclecide has been enchanting — and sometimes scaring — audiences with its punk rock-<\d>inspired, pedal-powered mayhem. But after 11 years of taking its bicycle-themed carnival rides, rodeo games, and live band to places like Coachella, Tour de Fat, and Multnomah County Bike Fair, the bicycle club is putting down roots, or rather, fake grass. This year the crew famous for tall bikes, bicycle jousting, and denim jackets with a cackling clown on the back is building Funland, an 18-hole mini golf course in the Bayview. Though sure to be fun for the whole family, rest assured that Funland will retain all of Cyclecide’s boundary-pushing humor and lo-fi sensibility. Yes, there will be a replica of the Golden Gate Bridge built by master welder Jay Broemmel, but you can also putt through Closeupofmyass, a landscape of rubber tubes springing from brown Astroturf. What else would you expect from a crew whose interests are "bikes, beer, and building stuff"?

www.cyclecide.com

BEST NO FRILLS FIRST AID

It’s nice for big companies to notice that women buy things other than cleaning supplies and facial cream. But do they have to make everything targeted toward the female demographic so freakin’ floral and pink and cloyingly girlie? Adventure Medical Kits — the Oakland-based company famous in sports circles for outfitting everyone from backcountry skiers to weekend car-campers with durable, complete first-aid packages — says a resounding no. Its women’s edition outdoor medical kit comes jam-packed with all the fixings adventurous boys get — wound care materials, mini tweezers, insect-bite salve, a variety of medications, and a first-aid booklet — plus a couple things only ladies need, like tampons, leak-safe tampon bags, menstrual relief meds, and compact expands-in-water disposable towels. And it’s all packaged in a sporty blue nylon bag that weighs less than a pound. No lipstick? No diet pills? No frilly, lacy case made to look like a purse or a bra or a tiny dog? We’re buying it.

www.adventuremedicalkits.com

BEST PLACE TO GET ROLLIN’

When one thinks of skate shops these days, one’s thoughts travel naturally to wicked Bloodwizard decks, Heartless Creeper wheels, and Venture trucks — everything you’d need to trick out your board before you cruise to Potrero de Sol. All those goodies are available at Cruz Skate Shop, as well as Lowcard tees, recycled skateboard earrings, Protec helmets, and much more. But boarding is boring. You’ve done it since you were 13. Isn’t it time to ditch that deck and take up a real sport like, say, roller skating? Hell, yes. And Cruz has everything you need to get started down that sparkly, disco-bumpy Yellow Brick Road to eight-wheelin’ Oz. From the fiercest derby-ready model to mudflap girl bootie shorts, this store will kit you up in the best way for your Sunday afternoon Golden Gate Park debut. We’re partial to the Sure-Grip Rock Flame set of wheels with, you guessed it, pink flames streaming up the toes. But an enticing array of more professional-looking speed skates is available, as is a knowledgeable staff to get you rollin’.

3165 Mission, SF. (415) 285-8833, www.cruzskateshop.com

BEST OF THE BAY ON THE BAY

If you’re looking to get on the water without getting wet, Ruby Sailing is an affordable option for you and your friends to get a taste of adventure. The Ruby sailboat has been taking guests around the bay for 25 years. For just $40 per person, owner and operator Captain Josh Pryor will lead you on a two and a half hour tour of the bay, passing Alcatraz and looping around Sausalito. Snacks are provided, and the skipper sells wine and beer by the glass for cheap. The Ruby is also available for fishing expeditions, including poles, bait, and tackle; for private parties up to 30 guests; for weddings; and even for funerals at sea. And since the boat boards at the Ramp restaurant on the Dogpatch waterfront, you’re covered for pre- and post-splash food and drink, if you have the stomach. No prior sailing experience is required, but, in the words of the skipper, "no two trips are the same," so be ready to hang on.

855 Terry Francois, SF. (415) 272-0631, www.rubysailing.com

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