Water

A walk with L.A.

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CHEAP EATS For a while there I was running the airport shuttle and it was like the old days when I drove a van. One day I picked up my North Carolina sister L.A. and her husband, and the next, for example, I was dropping off Crawdad’s whole family. This was at an ungodly hour, like 6 a.m.

Knowing that L.A., an early bird to begin with, would be lagging some serious jet, I called her cell phone. They were sleeping at my nephew’s flat, their son’s flat, South of Market. It was 6:15, Saturday.

“Come on by,” L.A. said, not the faintest trace of sleep in her voice. So I did. I came by and picked her up, and we left the boys a-snoring and drove around and about and up and down and across, just generally drawing a big X over 2009 in San Francisco, and wondering about breakfast.

The thing about this particular sister is that she doesn’t seem to necessarily need to be always exactly eating. In other ways, though, we are a lot alike. For example, we have the same mom and dad. For another, our hair and noses are somewhat sorta similar.

L.A. is my favorite kind of vegetarian: the kind who eats bacon. But you have to talk her into it. All in all, she would rather go for a walk. I personally need some coffee at least, if not a full-on breakfast, before I can move about in any kind of consistently vertical fashion. My sister not only doesn’t need coffee, she doesn’t drink it. In short, I didn’t know what to do with her.

So I pointed us toward Glen Park, where we would walk, but drove real slow, hoping hard that a restaurant would open before we got there. Or a coffee house.

I wasn’t thinking about donuts …

And then there they were. There it was, on 24th Street between Hampshire and York, and miraculously the clock struck 7 a.m.. I had forgotten all about Dynamo. Alice Shaw the Person told me about it months or maybe years ago. And here it was, the home of bacon maple apple donuts, flipping on the lights, so to speak, exactly as we were driving almost aimlessly by.

I pulled over abruptly into one of 7,000 available parking spots, and then backed up into another one.

“Bacon donuts,” I explained.

“What?” said my vegetarianish caffeine-free sister. Did I mention she doesn’t eat sugar?

“Coffee,” I said. “Do you want to wait in the car?”

She didn’t. We went up to the sidewalk window and I ordered a coffee and a donut. A bacon donut, of course. Know how much it costs?

Three dollars. That’s just for the donut. With coffee, it was something like $5, which is more than most full-on meals cost where my sister lives.

She ordered a cup of hot water.

There’s one row of tables inside the place, and the tables have flowers on them. It’s a donut shop. There are flowers on the tables. My sister, who is older than me by three years, sat with her back to the wall, watching the bakers work the dough across the counter. They were young and cheerful and listening to good music.

I could almost actually see every single thing in my big sister’s brain shifting, resettling, jiggling into whole new places. It seemed like a good time to ask: “Do you want a bite?”

She didn’t say no, or yes. She sat there, her mouth a little bit open. Sugar gives her yeast infections. She had already told me this.

I sunk my teeth into my $3 bacon-grease-sautéed apple donut, glazed with maple and stuck with crumbled bacon. It’s not a big breakfast. It was already half-gone, but I love my sister, so I held the remaining half-donut to her, and she took it. And she took a bite.

And you could see that she was in immediate heaven, her eyebrows joining her hairline, and her hand reaching for her purse.

“Let’s get another one,” she said.

And we did. And Glen Park was beautiful. *

DYNAMO DONUTS

Tue. –Sat., 7 a.m.–5 p.m.; Sun., 9 a.m.–4 p.m.

2760 24th St., SF

(415) 920-1978

No alcohol

Cash only

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

New Year’s relief

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SONIC REDUCER Ah, if only one could give the gift of foresight, how many of us would just throw in the towel, ditch the bitching squeeze, and descend into a netherworld of never-again when faced with the prospect of a dubious New Year’s Eve celebration? Oh, the effing pressure to perform, to live it up and to have a ball, especially when booting out a good-riddance-already year like ’09.

Yet who wants to send it out with a whine rather than on a note of sublime? Who wants to crash to the curb rather than kicking it with joyful liberation and libation? Not I, La Reducer. So let me take the effort out of the forced merriment, remove the angst from the party ranks: here’s the best New Year’s Eve plan for everyone — no matter how magnificent or misguided, buttoned-up or taste-challenged they may be. Pick your NYE poison — then take two Advil and drink a big glass of water before you pass out during the warmed-over breakfast buffet the following morning, at the start of a new decade.

For my keeping-it-casual soul music maestro with a taste for the live jammies The Roots keep their distance from that adorable but far-too-desperate-to-please Jimmy Fallon for NYE and break out the deep originals, assisted by the sprawling SoCal Orgone, at this “sneakers required” beatdown. 9 p.m., $72–$95. Warfield, 982 Market, SF. www.goldenvoice.com

For our favorite mulleted hesherette, forever in acid-washed blue jeans Jump on your bad motor scooter — Montrose is totally bringing some rock candy to Avalon, the same Silly-con nightspot that came through with Y&T last year. With Voyeur and Terry Lauderdale. 8 p.m. doors, $35 advance. 777 Lawrence Expressway, Santa Clara. www.liveatavalon.com

For your too-cool coworker with the asymmetrical crop and the skinniest jeggings on the block Too hep to 12 step? Glass Candy’s nouveau disco darlings Ida No and Johnny Jewel make you wanna strive for the next level in awesome. With Desire. 9 p.m., $45. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

For that shy, retiring indie-rock cutie-pie with a sweetly sunken chest and a song in his heart His fave local indie rockers Morning Benders just signed onto Rough Trade for their next long-player, Big Echo. Time is now to trip on the new songs. With Miniature Tigers and A B and the Sea. 10 p.m., $20. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

For my vintage Bettie Page still mourning the passing of the lindy-hop revival Lee Presson and the Nails keep the antics on edge, alongside veteran Southland stompers Big Sandy and His Fly-Rite Boys. And we’ll all wanna get a gander of the infamous Girl in the Fishbowl. With Project: Pimento and the Cottontails. 8 p.m. doors, $60. Bimbo’s 365 Club, 1025 Columbus, SF. www.bimbos365club.com

For our indie hip-hop homes with a penchant for a smoking party Devin the Dude wants to put you at ease and bring you home in one piece — blunts and brews intact. 9 p.m., $20. Shattuck Down Low, 2284 Shattuck, Berk. www.shattuckdownlow.com

For that indie kid with a wild streak and a secret love of FM radio Local up-and-comers Audrye Sessions might be just the ticket to check out, while Hottub bid y’all to jump in and test its waters. With Soft White Sixties and Manatee. 9 p.m., $12–$15. Uptown, 1928 Telegraph, Oakl. www.uptownnightclub.com

For your art-jam darling with a proggish spirit Chop-chop to the multitalented NorCal player Les Claypool. 9 p.m., $59.50. Fillmore, 1805 Geary, SF. www.livenation.com

For my Southern crust-vamp with a pointy-toed bootie in both the burner and retro-gypsy camps Squirrel Nut Zippers skirt the definable before sinking teensy-tiny incisors into a kind of bluesy cabaret. With Steve Soto and the Twisted Hearts. 9:30 p.m., $65. Café du Nord, 2170 Market, SF. www.cafedunord.com

For that up-for-anything music fan in the mood to shake his milky bottom line You’re down with anything, as long as it’s got a groove or a bit of blue-eyed soul — so get thee to Bay-bred Brett Dennen, A.L.O., and SambaDA, all determined to get the party ‘tarded. 8 p.m., $40–$50. Fox Theater, 1807 Telegraph, Oakl. www.apeconcerts.com

Eleventh-hour shopping

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Some years, you’ve got it all together. You finished your holiday shopping by Thanksgiving, decorated your tree before most people got around to buying one, and finished the prep for your Christmas Eve dinner a full 12 hours before you needed to start cooking. But this is not that year. Whatever the reason — extra-long hours at work (or perhaps extra-tall glasses of nog) — the holidays seem to have crept up on you this season. Now you’re only days away from the big gift-exchange bonanza and you have yet to acquire anything to give. Don’t fret! You don’t have to show up empty-handed or, worse, with a haphazard assortment of “gifts” pulled from the aisles of the 24-hour grocery store on the way to your mom’s house. We’ve compiled a list of shopping destinations that are open Christmas Eve (and, in rare cases, on Christmas Day) with offerings that don’t scream “last resort.” As for not getting so drunk at dinner that you tell your brother what you really think of his wife? For that, you’re on your own.

BEAT MUSEUM

Nothing says “San Francisco” like a classic beat-era beret, Charles Bukowski poster, or limited-edition Grateful Dead autograph. Get ’em all at this North Beach locale.

540 Broadway, SF. Christmas Eve, 10 am.–7 p.m.; (415) 399-9626, www.kerouac.com

CLIFF’S VARIETY

At this Castro District hardware store, you’ll find everything from nuts and bolts to napkin rings and boas.

479 Castro, SF. Christmas Eve, 8:30 a.m.–6:30 p.m.; (415) 431-5365; www.cliffsvariety.com

COLLAGE GALLERY

Delisa Sage is owner and curator of this charming Potrero Hill shop, which features a mix of vintage and locally-made items with a focus on female designers and handmade objects.

1345 18th St., SF. Christmas Eve, 11 a.m.–5 p.m. (415) 282-4401, www.collage-gallery.com

COMMUNITY THRIFT

Known for reasonable prices, good organization, and a diverse selection of used and vintage items, this Mission District second-hand store also is beloved for donating proceeds to a roster of more than 200 local nonprofits. Also? The $1 rack. ‘Nuff said. (Rather than regifting, why not donate your castoffs here?)

623 Valencia, SF. Christmas Eve, 10 a.m.–3 p.m.; (415) 861-4910, www.communitythriftsf.org

CURRENTS

The perfect spot for soaps, aromatherapy products, and adorable bath-time accessories for adults (novelty hot water bottles shaped like fish!) and kids (terry-cloth slippers shaped like little pigs!), this Valencia boutique also stocks a variety of packaged options for fast, easy selection.

911 Valencia, SF. Christmas Eve, 10 a.m.–6 p.m.; (415) 648-2015, www.currentssf.com

EMBARCADERO CENTER

Though we usually try to stay away from anything resembling a mall this time of year, we can’t help but want to support the local businesses that have outposts at Embarcadero Center, especially Ambassador Toys, the SF institution famous for its creative and well-made toys, and On the Fly, where you can spoil the man in your life with T-shirts, shaving sets, and cufflinks.

FABRIC8

Possibly the coolest shop in the Mission District, Fabric8 specializes in unusual gifts made and designed by local artists.

3318 22nd St., SF. Christmas Eve, 11 a.m.–5 p.m.; (415) 647-5888, www.fabric8.com

HEARTFELT

You’ll find just about anything under the exposed beams of this Bernal Heights store: picture frames, stationery, organic cotton baby jumpers, candles, and much more.

436 Cortland, SF. Christmas Eve, call for hours; (415) 648-1380, www.heartfeltsf.com

KID ROBOT

Delight collectors big and small with limited-edition toys from this hipster enclave in the Haight.

1512 Haight, SF. Christmas Eve, 11 a.m.–5:30 p.m.; (415) 487-9000, www.kidrobot.com

PEKING BAZAAR

You can’t beat the hours at this emporium of gifts in Chinatown. Many of the store’s bagatelles come in beautiful silks: totes and wallets, lanterns and pillows, kimonos for him and her. It also specializes in iron tea sets and houses a large jewelry section.

826-832 Grant, SF. Christmas Eve and Christmas Day, 10 a.m.–10 p.m.; (415) 982-9847, www.pekingbazaar.com

THERAPY

The Mission District retailer has cozy sweaters, handsome leather-band watches, and purses in a variety of shapes, sizes, and prices. And though it’s closed Christmas Eve, the shop will be wide open Christmas Day — and hosting a sale with everything starting at 20 percent off.

541 Valencia, SF. Christmas Day, 11 a.m.–8 p.m. (415) 265-9758

Digging

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SUPER EGO This time of year, everyone’s showering their Top 10 lists down upon an eager, listless world. I’ll get to mine just as soon as I finish this bottomless pomosa, but I want to give a special shoutout to a couple recent local releases I’ve been digging that may have slipped past your Beatport. (Remember to always use a water-based lubricant with digital. Safety first!)

The first is the absolutely lovely Brick by Brick (Nightlight) by Alland Byallo which sounds excellent either on the dance floor or on a rainy Monday, chilling as you attempt to pour some bottomless pomosa into a giant thermos in your backpack without the waitress seeing, like I am now. As the title suggests, this is a minimal-techish release, building up numbers with a very limited set of elements. Those elements are impeccably produced snatches of sound that propel each track forward with an unfussy chug and even a few flashes of wry humor. Standout tracks like “Bebring” and “Casual Sax” break the minimal mold by giving us some good ol’ funk.

Also yummy: the recently released An-ten-nae Presents Acid Crunk Vol 2 (Muti) acts as a superb compendium of the still intriguing if increasingly in-jokey glitch hop sound. The mysterious An-ten-nae splits his time between L.A. and the Bay, spinning and promoting up a storm, and here he’s gathered a whirl of big names like Marty Party and ill.gates to follow up his first EP. Many seem on their best behavior, but tracks like Akira Kiteshi’s “Ulysses” and Robot Koch’s “Hard to Find” are more than just wobbly punchlines.

OK, my bottomless stocking’s full — let’s go find a party.

CHRISTMAS DAY COSTUME CALAMITY

At first I was going to write “Just try saying ‘Christmas Day Costume Calamity’ real fast three times,” but then I tried it and I could! Yay! The medication still works. A whole bunch of party kids staying in town for the holiday — Richie Panic, Kirin Rider, Willie Maze, Similak Chyld, more — are taking that whole Nightmare Before Christmas mashup seriously and throwing another Halloween for Noel. (Noelloween?) You don’t have to dress as Santa, just dress as something and rock out.

Dec 25, 10 p.m.–4 a.m., free. Som, 2925 16th St., SF. www.som-bar.com

STEVE FABUS

Direct from the past but wholly of the knees-deep-in-disco-revival present — and looking amazing, might I add — Steve Fabus, one of the city’s most admired DJs from some of San Francisco’s most storied clubs (including the Trocadero Transfer) joins the younger generation of groove-heads at the very fun Go Bang!

Sat/26, 9 p.m.late, $5. Deco Lounge, 510 Larkin, SF. www.decosf.com

FLOW THE FUNK

Vinyl. It is back. And not just in that fetishy backlash way where some people just hate everything new so they pretend nothing after 1995 happened. Avant-techno musicians like the Durian Brothers are wringing crazy textures from “prepared” turntables, much like composer John Cage did from prepared pianos in the 1940s. Underground dance music artists have released a flood of colored-vinyl rarities to increase their PR potential. And, on the more fun side of things, all-vinyl nights have taken off at such DJ-nurturing places as Triple Crown. Appropriate, then, that DJ M3, Triple Crown’s commander-in-chief, would be pulling out an all-vinyl marathon session from his bag of tricks at the new flapper-styley Eve. Five hours, no digital, all free.

Sat/26, 9 p.m., free. Eve, 575 Howard, SF. www.eveloungesf.com

FLOOR SCORE

Next week I’ll be laying down some New Year’s Eve party picks — and probably laying down a little myself in preparation. Bring Momma a little cocktail and a big Australian before her nap, sweetie. But not the toothy, manscaped kind. What? Impossible? Sheesh, just make him Italian, then. Somebody please take the clippers away from Down Under. Anyway, everyone knows that it’s actually the ability to party all the way through New Year’s Day that separates the hot wings from the boneless. Dragging yourself across the finish line (resolutions!) won’t be too hard this year, with promoter Ryan Robles’ Floor Score waiting at the front end of 2k10. Although queer-oriented, this party has enough going for all persuasions, including DJ Pee Play from Honey Soundsystem and Gemini Disco’s Nicky B. ringing in the future.

Jan. 1, 10 p.m.–4 a.m., $6. Siberia, 314 11th St., SF.

STOMPY + SUNSET

Another New Year’s Day secret, only for the sexy (and possibly addicted) people — this 12-hour rager from classic SF techno-house crews Stompy and Sunset. The frankly amazing Stanley Frank of Chilidog kicks things off with some sublime rare-cuts wackiness. Charles Webster from the U.K. headlines. Galen, Solar, Taj, and tons more join in. You make sure to carry some concealer in your purse.

Jan. 1, 2 p.m.–2 a.m., $10/$20. Cafe Cocomo, 650 Indiana, SF. www.pacificsound.net

Curtain calls

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THEATER Up to around 8:30 p.m. on Dec. 12, Thrillpeddlers were having a very good year. One of 2009’s Goldie recipients, the city’s connoisseurs of Grand Guignol–style fresh flesh were riding a remarkable wave of success with their inspired revival of Pearls over Shanghai, by San Francisco’s storied Cockettes, when an altogether different current overtook them.

No doubt the vicious cold snap of those days had something to do with it, but sources report that a 100-year-old water main located just outside the front door of the Hypnodrome — Thrillpeddlers’ rumored-to-be-haunted haunt at 10th and Division streets — let loose some 2 million gallons of water, the bulk of which burst into the packed theater in a two-foot high crest that inundated the stage smack in the middle of actor and artistic director Russell Blackwood’s exquisite tap number, “Cruising.” Cast and audience members alike scurried through one of those evacuations they’re always vaguely referring to by law just prior to curtain or takeoff. In this case, escape was made through the back dressing room, where SF firemen heroically carried audience members and heavily tarted-up actors to safety as the power was cut, owing to the very real danger of electric shock. I’m happy to report that the piano was saved, thanks to quick coordination of hands from both sides of the footlights, but clearly there’s a very soggy theater to deal with, so more than ever your prayers, and much better yet your patronage, should be directed toward the intrepid Thrillpeddlers. (Shows resume Jan. 1.)

Now this just goes to show that, one, I’m never there on the best night. And, two, the year ain’t over until it’s over. So let’s say this year-end wrap up, while it tries to take in all sides, is necessarily partial and provisional.

On the bright side:

Skylight at Ashby Stage. David Hare’s play dexterously puts the nuts and bolts of modern politics into modern romance like no other, but it came to life in director Patrick Dooley’s production for Shotgun Players better than I could have hoped were I coughing up three figures for a Broadway ticket. Leads Emily Jordan and John Mercer were startlingly good.

Killing My Lobster’s Pure Shock Value at the Exit. Odds were against them in producing their second full-length play, if only because the first, Peter Sinn Nachtrieb’s Hunter Gatherers, was so strong. But KML pulled it off.

Jericho Road Improvement Association at Phoenix Theatre. Hella Fresh Theater’s strong debut was a solid production of writer-director John Rosenberg’s West Oakland tale, a neighborhood story that navigated the complexities of history, race, and social roles with intelligence and real dramatic force. Sadly for us, Hella Fresh has freshly relocated east to Philly, but they contributed to a memorable year.

On the dark side:

Thom Pain (based on nothing) at Exit on Taylor. Cutting Ball’s strong local premiere of Will Eno’s broodingly sardonic off-Broadway hit featured an exceptionally fearless and intimidating solo turn by actor Jonathan Bock.

The Lieutenant of Inishmore at Berkeley Rep. Maybe this belongs on the light side. It depends how you take to a stage strewn with sawed off limbs and cat brains, all awash in veritable barrels of blood. I found it amusing.

The Creature at Thick House. Trevor Allen’s appealingly shrewd adaptation of Mary Shelley’s Frankenstein began as a podcast but, under director Rob Melrose and a great design team, blossomed into a supple, protean piece of live theater. The three-person cast was very strong, but James Carpenter’s beautifully wrought performance in the title role managed to surprise even those who know he’s one of the top actors on Bay Area stages.

The Walworth Farce at UC Berkeley’s Zellerbach. Leading Irish playwright Enda Walsh’s darkly hilarious, structurally ingenious, and all-around exhilarating play was more like farcical tragedy, or tragical farcity, which is to say something very fresh and gripping. Druid Ireland matched it perfectly in their incredibly deft and intelligent production.

On the right side:

SF Mime Troupe’s Too Big to Fail. “Right” isn’t the best adjective to stick in front of the Mime Troupe, but as free-theater-in-the-park hell-raisers for 50 years and counting you know whose side they’re on. Anniversary events continue through the New Year (sfmt.org).

On the tight side:

Fat Pig at Aurora Theatre. Aurora’s production of Neil LaBute’s play had a very strong ensemble going for it. There were others too this year, some of the most memorable including casts of Jack Goes Boating (also at Aurora), In the Next Room, or the vibrator play (Berkeley Rep), The Model Apartment (Traveling Jewish Theater), This World in a Woman’s Hands (Shotgun Players); Old Times (TheatreFIRST), and two exceptional ensembles courtesy of Off-Broadway West in The Homecoming and A View from the Bridge, respectively.

On the hype side:

American Idiot at Berkeley Rep. Actual satisfaction with Michael Mayer (Spring Awakening) and Green Day’s Broadway-bound behemoth proved inversely proportional to the hype. (Among new musicals about American 20-somethings, the real McCoy was up the hill at UC Berkeley in the premiere of Joe Goode’s Dead Boys.)

Also, Spamalot. Rhymed with everything but laughed-a-lot.

On the south side:

Ghosts of the River at Brava. The second collaboration between playwright Octavio Solis and director Larry Reed’s Shadowlight Productions, a set of immigrant ghost tales set along the Rio Grande, was as aesthetically unique and engaging as it was humane and thought provoking.

Also from the Mission District: Theatre Rhinoceros vacated its space on 16th Street after god knows how long to wander itinerant for a while. They are still very much around and active, though (therhino.org).

And from Intersection for the Arts came word of the tragic loss of a large and unique talent: actor and Campo Santo cofounder Luis Saguar, gone at 52. Saguar was an integral and always fascinating part of some exceptional theater history, and you never saw another actor quite like him. To help the family he leaves behind, donations are being accepted through Intersection for the Arts (www.theintersection.org/luis/).

We’re all in this together

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Text by Sarah Phelan

“The disaster is already in progress, but we have it in our power to end this injustice,”
Desmond Tutu, COP15

So begins the email that Green for All’s Phaedra Ellis-Lamkins sent from Copenhagen at 3 a.m–a message that sums up the climate change-driven disaster that everyone is facing, even if they haven’t admitted it, yet.

“This city is filled with people who face the consequences of global warming every day,” she continues. “Families who watched their homes fall into the water, farmers who can no longer harvest because of drought, and those whose peaceful countries are now preparing for unrest because they are losing their natural resources. These are the victims of global warming; debating whether the crisis is “real” denies their human experience, and that of millions of people like them around the world.”

“We elected Barack Obama, who promised a clean-energy economy that would restore our economic power and affirm our place as part of a global community,” she observes, as she urges folks to get off the fence and ask Obama to sign a strong climate agreement in Copenhagen.. “He left no doubt that global warming was real and was a threat to our existence, and he vowed to lead the charge to solve it.”

“A year later, we are again at a crossroads,” she concludes.” Last year’s election was not the end of the mission. We will reach the end only when we have translated our values and promise into action. Hope is not enough. It must become change.”

I like the sentiment–and it reminds me that I have to stop getting annoyed with the folks who want to blame Obama for everything, and start refocusing on doing whatever I can to make change happen. And the good news is…there is so much that I can do.

To see how climate change stands to impact the local community click here.

Appetite: A drink-lover’s holiday

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By Virginia Miller of www.theperfectspotsf.com. View her last installment here.

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HOLIDAY PUNCH RECIPES
One of the best ways to supply fine drink to a party or gathering is with a classic punch bowl: make it in large batches for stress-less imbibing. We look to our local bartender greats for some unusual recipes using Brazilian cachaca or classic genever gin.

Honey Spiced Punch 
Erick Castro, Rickhouse, San Francisco

1 Cup Leblon Cachaca 
1/2 Cup Appleton V/X 
1/2 Cup Velvet Falernum 
1 Cup Lemon 
1/4 Cup Honey Syrup 
1/4 Cup Simple Syrup 
8 Dashes Angostura 
10 oz. Sparkling Water
Garnish with cinnamon, orange wheels and a sprig of mint.

Some kind of mastodon

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Guardian illustration of Mastodon’s Brent Hinds, Dimebag Darrell, and Metallica’s Lars Ulrich by Matt Furie and Aiyana Udesen

DECADE IN MUSIC When Limp Bizkit took the stage at Woodstock ’99, its sophomore album, Significant Other (Interscope/MCA), had been in stores for a month, debuting at No. 1 on the Billboard charts. For a group whose previous apex was the metaphorical perfection of its "band emerges from giant toilet" set design at the ’98 Ozzfest, this was a huge accomplishment. The album would go on to sell more than 16 million copies.

Despite this gargantuan haul, something changed forever that night in Rome, N.Y. Having whipped the crowd into a frenzy while performing the band’s hit single "Break Stuff," Limp Bizkit singer Fred Durst bore the brunt of the criticism in the aftermath of a concert that devolved into chaos, arson, and rape. The justice of these allegations was dubious, but the damage had been done. The red-capped rap-rocker and his band never recovered, and a new decade began, one that had no time for Chocolate Starfish and the Hot Dog Flavored Water (Interscope), or the entire genre of "nü metal," which had begun an inescapable demise, coughing out System of a Down’s bizarre masterpiece Toxicity (American) in 2001 like the final contrition of a dying sinner.

Having survived the deteriorated septums of the 1980s and the deteriorated JNCO hemlines of the 1990s, metal was finally afforded a fresh start. There was an explosion of post-hardcore and "screamo" artists, of varying quality. European imports that had weathered the U.S.’s fallow period enjoyed new-found appreciation; the Gothenburg death metal sound stormed across the Atlantic, though it was soon to be done to, well, death by a crop of Second World imitators. Seeds were also sown in these early years for two trends that would suffuse the decade to come. The release in 2002 of Isis’ Oceanic (Ipecac) and Killswitch Engage’s The End of Heartache (Roadrunner) fomented an explosion of glacial, Neurosis-inspired instrumental "post-metal" on the one hand, and mall-friendly, screaming-to-crooning metalcore on the other.

Tragedy struck in 2004, and metal fans reeled as they learned that Damageplan guitarist "Dimebag" Darrell Abbott had been shot and killed while performing at a Columbus, Ohio, nightclub. The Texan’s groundbreaking sounds had given many a headbanger hope during the nü metal years. And though the breakup of Abbott’s band Pantera in 2003 had been a heavy blow, the senseless crime perpetrated by schizophrenic ex-Marine Nathan Gale (who killed four in total) threw an entire musical community into mourning. The untimely death of one of the genre’s true geniuses will be a unmistakable blot on the decade when the historical long view is taken.

While the wounds of a recent passing were still healing, multi-putf8um Bay Area thrashers Metallica picked at older scars, releasing the introspective documentary Some Kind of Monster (2004), to critical acclaim. An unfettered look at a band with more than 20 years of emotional baggage to work through, the film was unswervingly painful to watch. Nevertheless, the publicly humiliating therapy proved effective, and Metallica emerged with more purpose than it had mustered in years. It is matched in its renewed vigor by a growing crop of classic metal bands that have staggered out of the ’90s with new tours, new albums, reunited lineups, and a new generation of fans, including their Bay Area peers Testament, Exodus, and Death Angel.

These graying warriors have been introduced to younger audiences by a proliferation of national package tours, which bundle large stables of artists to appeal to the widest possible audiences, leading in turn to widespread temporal and subgeneric cross-pollination. The venerable Ozzfest franchise led the charge before succumbing to economic privation, though not before a 2005 spat between the members of Iron Maiden and Ozzy Osbourne’s wife-cum-manager Sharon culminated in the indefatigable Irons being hassled onstage by her egg-throwing minions.

The release of Guitar Hero II (Harmonix/RedOctane/Activision) in 2006 was similarly instrumental in the revitalization of metal and guitar-driven music more generally. Though the first installment sold well, it was the sequel that ushered in the phenomenon as we know it today, and an unimpeachable track list opened the ears of the video-gaming public to a world of distorted possibility. It was as adept at resurrecting older artists as it was at breaking younger ones, and metal mainstays like Mastodon and the Sword owe the tastemakers at Harmonix a debt of thanks.

Mastodon’s rise to prominence as America’s premier young metal band marks a fitting end to this decade of destruction. Raised on ’70s prog, ’80s thrash, and the hardscrabble underground music of the ’90s, its music is as aggressively technical and high-brow as Limp Bizkit’s was simple and mookish. 2003’s Leviathan (Relapse) and follow-ups Blood Mountain (Relapse, 2006) and Crack the Skye (Relapse, 2009) encapsulate an era hungry for music that is simultaneously heavy, challenging, and as ambitious as the output of metal’s resurrected masters. Now we must await the riffs of this century’s teenage years.

You ought-sa know

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FEBRUARY 2000

Christina Aguilera defeats Britney Spears in the Battle of the Midriff-Baring Blondes (i.e., wins the Best New Artist Grammy). The first words of her acceptance speech are "Oh my god, you guys!"

APRIL 2000

Pop goes the world: ‘N SYNC sells 2.4 million copies of No Strings Attached (Jive) in its first week of release, a sales record which still stands. To date it has sold over 15 million copies.

Metallica files suit against Napster, accusing internet pirates of stealing their booty — er, royalties.

Pop goes the world, part two: Britney Spears releases Oops! … I Did It Again (Jive). Album title will take on extra meaning in 2004, when Spears takes the vows twice in a single year (her first marriage is annulled after 55 hours; her second produces a pair of sons in quick succession).

MAY 2000

Eminem releases The Marshall Mathers LP (Aftermath). Two years later, he picks up a Best Song Oscar for "Lose Yourself," the theme from his critically-acclaimed 8 Mile. Eminem’s cinematic success was not to be repeated by his otherwise successful protégé, 50 Cent (see: 2005’s dismal Get Rich or Die Tryin’).

OCTOBER 2000

Chocolate Starfish and the Hot Dog Flavored Water (Interscope) drops; it’s an early contender for worst album title of the decade. Related: "Limp Bizkit" is probably the worst band name of all time.

FEBRUARY 2001

Jennifer Lopez has the number one album (Epic’s J.Lo) and movie (The Wedding Planner) in the country. Media frenzy peaked with Bennifer fever (2002) and national-punchline Gigli (2003).

JULY 2001

Mariah Carey’s downward spiral begins, including a bizarre appearance on MTV’s Total Request Live and the ill-timed release of Glitter, soon after the September 11 attacks. Carey later reclaimed her pop-diva throne with 2005’s The Emancipation of Mimi (Island).

AUGUST 2001

Aaliyah dies in a Bahamas plane crash.

SEPTEMBER 2001

America: A Tribute to Heroes airs on all major networks. It’s the first in a series of concerts featuring big-name performers that would crop up after every major disaster throughout the decade, including the Indonesian tsunami, Hurricane Katrina, and the death of Michael Jackson.

APRIL 2002

Lisa "Left Eye" Lopes dies in a car crash in Honduras.

JUNE 2002

R. Kelly is charged with having sex with a minor after a certain videotape goes viral. "Trapped in the Closet," his 22-part 2005 "hip-hopera," proves even more fascinating.

SEPTEMBER 2002

Kelly Clarkson wins the first season of the hugely popular talent contest American Idol. In Clarkson’s wake: pop stardom, fellow success stories like Carrie Underwood (and failures — anyone seen Taylor Hicks lately?), a zillion rip-off competition shows, a thousand moments of zen with Paula Abdul, and the baffling "Claymate" phenomenon.

NOVEMBER 2002

Michael Jackson. Blanket. Balcony.

DECEMBER 2002

Whitney Houston informs Diane Sawyer that "crack is wack."

FEBRUARY 2003

Famed producer and legendary oddball Phil Spector arrested after a woman he’d just met, actress Lana Clarkson, is shot to death in his mansion. In 2009, after two trials (the first ended in a mistrial), he’s found guilty of second-degree murder.

At a Rhode Island nightclub, 100 people are killed when a fire breaks out during a Great White concert.

MARCH 2003

On the eve of the Iraq War, Dixie Chick, Texan, and American hero Natalie Maines informs a British crowd: "We’re ashamed that the President of the United States is from Texas." Backlash, and a feud with uber-patriotic fellow country star Toby Keith — who had a 2002 hit with "Courtesy of the Red, White, and Blue (The Angry American)" — ensues.

AUGUST 2003

Madonna smooches Britney Spears and Christina Aguilera onstage at the MTV Video Music Awards. Oh my god, you guys!

SEPTEMBER 2003

Johnny Cash goes to meet the Ghost Riders in the Sky. Two years after his death, Walk the Line gives him Hollywood biopic treatment; Reese Witherspoon picks up an Oscar for portraying June Carter, who died just months before her husband.

NOVEMBER 2003

Michael Jackson is arrested for child molestation, not long after the broadcast of Martin Bashir’s fairly skeevy Living with Michael Jackson interviews.

Newlyweds: Nick and Jessica debuts. (Spoiler: they get divorced in 2006!)

FEBRUARY 2004

Janet Jackson. Superbowl. Boob.

JUNE 2004

Dave Chappelle’s Lil John imitation became the imitation you loved to imitate. Whuuut?

AUGUST 2004

Look out, brah! A bus belonging to the Dave Matthews Band dumps 800 pounds of shit off a Chicago bridge and onto a tour boat.

OCTOBER 2004

Ashlee Simpson pulls a Milli Vanilli on Saturday Night Live.

DECEMBER 2004

Heavy metal guitarist Dimebag Darrell shot to death while performing in Columbus, Ohio.

FEBRUARY 2005

YouTube is born.

JUNE 2005

Michael Jackson found not guilty. Dove Lady celebrates.

SEPTEMBER 2005

"George Bush doesn’t care about black people." — Kanye West, during NBC’s live "Concert for Hurricane Relief."

JANUARY 2006

High School Musical airs. Sequels, worldwide fame for even lesser cast members, and nude photo scandals await.

MARCH 2006

Three 6 Mafia win an Oscar for Hustle and Flow jam "It’s Hard Out Here for a Pimp," which they perform live at the ceremony as fossilized Academy members gape in confusion.

JUNE 2006

Over a quarter of a million people download "Hips Don’t Lie" in its first week online, despite the fact that the Shakira track is so utterly inescapable it’s incredible anyone would choose to listen to it during any spare moments when it wasn’t playing already.

OCTOBER 2006

Amy Winehouse releases Back to Black (Island Records); the would-be retro pop queen’s career screeches to a halt after various addictions take hold. For the next few years, Winehouse’s downfall is gleefully chronicled and circulated by paparazzi worldwide.

FEBRUARY 2007

American Idol also-ran Jennifer Hudson wins an Oscar for her supporting performance in Dreamgirls. The gracious Hudson somehow keeps the phrase "In your face, Simon!" out of her acceptance speech.

Britney Spears. Clippers. Hair. (Chris. Crocker.)

JUNE 2007

The Sopranos airs its last episode. Journey’s "Don’t Stop Believin" becomes a new-old sensation.

OCTOBER 2007

Radiohead self-release In Rainbows, allowing customers to determine their own price for the album’s download.

DECEMBER 2007

Jamie Lynn Spears, 16-year-old sister of Britney, announces she’s knocked up. Oh my god, you guys!

APRIL 2008

Miley Cyrus lets Annie Leibovitz take a vaguely smutty photo of her for Vanity Fair.

AUGUST 2008

Stefani Joanne Angelina Germanotta, a.k.a. Lady Gaga, releases The Fame (Interscope). Pop domination imminent.

SEPTEMBER 2008

Blink-182 drummer Travis Barker and Adam "DJ AM" Goldstein are the sole survivors of a small plane crash in South Carolina. Goldstein is found dead in August 2009, leading to more than one tasteless Final Destination joke.

NOVEMBER 2008

Long-gestating, near-mythical Guns N’ Roses album Chinese Democracy (Geffen) finally drops. World shrugs, admits they’ll always prefer Appetite for Destruction (Geffen) no matter what Axl does from here on out.

FEBRUARY 2009

Christian Bale’s angry rant at a crew member on the set of Terminator: Salvation becomes an Internet sensation. A dance remix follows almost instantaneously. "What don’t you fucking understand?"

Chris Brown beats up then-girlfriend Rihanna. He pleads guilty in August; as part of his sentence, he must stay 100 yards away from Rihanna (10 yards at public events) for five years.

JUNE 2009

Michael Jackson dies.

SEPTEMBER 2009

Berkeley Repertory Theater premieres American Idiot, a musical based on the 2004 Green Day album.

"Taylor, I’m really happy for you, and I’m gonna let you finish, but Beyoncé had one of the best videos of all time." — Kanye West, MTV Video Music Awards. This is the only interesting thing that has ever happened to Taylor Swift.

The human right to water

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rebeccab@sfbg.com

At a recent San Francisco conference in a plush downtown hotel packed with big-business representatives, venture capitalists, and public relations practitioners, some insiders from high-profile multinational beverage corporations spoke about the moments they realized how crucial water is as a resource.

For Harry Ott, who formerly worked for the Coca-Cola Company, the epiphany struck in 1998 when he arrived at a Coke bottling plant in Darussalam, Tanzania for a routine inspection.

"When we walked into the plant … I noticed that there was no one there," Ott explained in a careful, Southern-accented voice. "And I said to the plant manager there, ‘Is it a holiday? Did I mess up in scheduling this?’ And he said, ‘No, we had a real severe outbreak of amoebic dysentery and all the employees have been affected by it.’ At that moment it really brought it home to me … every human should have access to clean water and sanitation to be able to maintain a healthy lifestyle."

But then Ott seemed to disavow this last statement, which implied support for what water rights activists have been pushing for: an inalienable right to clean drinking water, unmediated by corporations. As he told the crowd, "I don’t necessarily agree with the term ‘human right to water,’ because then the lawyers jump in here … and become rich off of this back-and-forth, knocking-heads process."

For corporations and advocacy groups alike, defining a human right to water is more than just a legal battle or academic exercise. As bottled-water companies weather mounting criticism for depleting aquifers to sustain profits and nongovernmental organizations point to the pitfalls of water privatization, control of the ultimate life-sustaining resource is becoming an increasingly important issue.

Widespread industrial contamination means less potable water to go around — particularly in developing countries, but in parts of California too — and intensifying drought due to climatic change means water scarcity is becoming a bigger problem. Water issues now represent a big financial risk for multinational companies and the top priority for communities that depend upon groundwater for their survival, so battle lines have been drawn for a struggle that is a matter of survival.

The second annual Corporate Water Footprinting conference, part of a corporate conference series called Action for Sustainable America, cost approximately $2,000 to attend. Unlike last year, when conference organizers denied press passes to both the Guardian and the San Francisco Chronicle, they opted to allow reporters in this time — perhaps as a show of goodwill after being publicly critiqued for a lack of transparency (see "Tap dreams," 12/10/08). The event was held at Le Meridien, a swank Financial District hotel, and was attended by businesspeople from a variety of high-profile companies.

Representatives from Coca-Cola, PepsiCo, and Nestle portrayed their respective corporations as model stewards of the environment, the opposite of the bad raps they’ve been branded with by social justice advocates, who complain that these corporate entities are responsible for exacerbating water shortages in drought-prone areas. Rather than profit-driven behemoths sapping communities of a critical resource, the spokespeople described their companies as environmentally-minded leaders acutely aware of the widespread lack of access to clean water and actively trying to hatch solutions to alleviate it.

Dan Bena, director of sustainability, health, safety and environment for PepsiCo International, kicked off with a presentation about how an estimated 1.5 billion impoverished people living in developing countries worldwide lack access to safe drinking water. Showing images of African children swimming naked in a river, he stressed the frequently repeated statistic that once every 15 seconds, another child in the developing world perishes from waterborne illness.

To hear Bena tell it, PepsiCo is emerging as a corporate trailblazer in protecting people from such a fate. In addition to its conservation efforts, it has donated to an organization that provides microloans to families for small-scale water infrastructure projects, he said. And at the urging of one of its shareholders, it recently agreed to sign a commitment supporting "the human right to water."

But when asked whether PepsiCo, the parent company of Aquafina, has a strategy for reducing the widespread use of bottled water — a flashpoint for environmentalists because it taxes aquifers, requires extensive shipping, and uses tons of plastic to produce — Bena didn’t have a straight answer. "We are evaluating it, but I can’t tell you," he said. "The critics are certainly very strong, but we think that people, by and large, want the convenience that bottled water provides."

In San Francisco, some of the beverage companies’ harshest critics organized a counter-conference to the 2008 Corporate Water Footprinting conference. This year, one of the counter-conference participants was seated on the same panel with Bena and the former Coca-Cola representative.

Mark Schlosberg, California director of Food & Water Watch, made it clear that he views the human right to water through a very different lens than the other panelists. "The ‘human right to water’ is not a concept for corporations to implement," Schlosberg said, relaying what was perhaps an unpopular message to a tough crowd. "Just as free speech is not a concept for corporations to implement. The human right to water is a concept which says that nobody should be denied access to clean water for basic human needs. It’s not a question of whether or not a corporation wants to adhere to that. It’s the responsibility of governments to create laws, and of corporations to follow laws. I don’t think that the basic human right to water … is alienable, just like certain constitutional rights are also inalienable and can’t be contracted away."

Speaking by phone several days later from New Delhi, India, Amit Srivastava, executive director of the India Resource Center, explained his perspective on the human right to water: "For us, the right to water means the community has control over its water resources. It is our fundamental human right to live free of pollution of water." As for PepsiCo’s efforts, "It sounds all good, but what is the reality on the ground?"

Srivastava, the driver behind the counter-conference to last year’s Corporate Water Footprinting Conference, spends half the year in India working in rural agrarian villages, where he says the impacts of Coca-Cola’s operations are hugely detrimental to people’s interests. PepsiCo has caused its share problems in India too, Srivastava said.

"Seventy percent of Indians make a living with agriculture," he explained. "They rely on groundwater — the same groundwater Coca-Cola uses to meet its production needs." Tens of thousands of farmers have been affected by a dearth of water in communities where Coca-Cola plants are sited, he says, and many have also been adversely affected by water contamination linked to the manufacturing facilities. As water becomes scarce, crops dry out and women must walk farther away to haul fresh water back home.

On Nov. 30, Srivastava said the India Resource Center helped bring 1,000 people out to a rally against Coca-Cola. "We’ve launched an international campaign to hold Coca-Cola accountable," he said, explaining that the goal is to "apply market pressure for the abuses they continue to commit in India."

Of particular concern is the village of Kala Dera, located in an area that was identified as a water-stressed region more than a decade ago, Srivastava said. Nonetheless, the construction of a new Coke bottling plant forged ahead there in 2000. A severe drought plagued the region this year, and Kala Dera experienced the sharpest drop in groundwater levels ever recorded, according to Srivastava. "When the rains didn’t come, the crops failed, and there was a sharp increase in the use of groundwater," he said. "For all its talk, Coca-Cola continued to mine for water, even as the community did not have ready access."

According to Denise Knight, a Coca-Cola Company representative who spoke at the Corporate Water Footprinting Conference, the multinational giant uses a total of 313 billion liters of water annually to produce 129 billion liters of soft drinks, juice, water, and other beverages.

Knight said Coca-Cola is committed to "replenish" the places it operates by returning the equivalent of the water it uses to communities and water bodies. Trumpeting a splashy green catchphrase, "Water Neutrality," Knight acknowledged that the term itself might be somewhat misleading because, "as our business grows, no matter how efficient we are, we’ll still use more water." This program essentially consists of making it a goal to live up to its self-guided wastewater treatment standards (wastewater is treated in 80 percent of its 1,000 facilities, Knight noted), stepping up conservation efforts and funding small-scale projects like rainwater harvesting.

Knight couched it in terms of fiduciary responsibility: in the past decade, Coca-Cola’s Securities and Exchange Commission filings have listed water shortages and poor water quality as financial risks to company profits. A third area of risk for the company is public perception, an uphill battle in India.

Srivastava summed up his opinion of Coca-Cola’s "Water Neutrality" pitch as "hogwash." In reality, the company is extracting clean, drinkable water from poor communities that need it, leaving behind processed wastewater that people can’t drink and calling it "neutral."
"It really is lies dreamed up by their PR department," he said. "They’re trying to suggest that Coca-Cola has no impact whatsoever on water resources. This is outrageous."
Srivastava said the conference is essentially a scam. "We see the Corporate Water Footprinting conference as nothing more than a greenwashing effort by companies that are the biggest abusers of water. We see it as just you guys in suits and ties. The communities that are suffering as a result, their voices are never there."

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 16

ROCK/BLUES/HIP-HOP

"Blue Bear School of Music Band Showcase" Café du Nord. 7:30pm, $12-20.

Geographer, Northern Key, DJ Elise, DJ Jacob Fury Harlot, 46 Minna, SF; www.tricycle-records.com. 9pm, $5.

Brian Glaze and the Night Shift, Dreamdate, Carletta Sue Kay Hemlock. 9pm, $6.

Heeldraggers, 49 Special Hotel Utah. 8pm, $8.

Misisipi Rider, Media Male, Geneva Pop Annie’s Social Club. 8pm, $6.

Provisionals, Worker Bee, Echo Location El Rio. 8pm, $5.

Rural Alberta Advantage, Shaky Hands, Sonny and the Sunsets Bottom of the Hill. 9pm, $10.

Adam H. Stephens, Two Sheds, Honey Rickshaw Stop. 8pm, $10.

Zodiac Death Valley, In the Dust, Groggs Elbo Room. 9pm, $6.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Pete Levin.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

Charlie Hunter Yoshi’s San Francisco. 8 and 10pm, $16-20.

Le Jazz Hot Hotel Rex, 562 Sutter, SF; (415) 398-6449. 6:30pm, $20.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Rolando Morales Biscuits and Blues. 8pm, $15.

Somerville and Keehan Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 17

ROCK/BLUES/HIP-HOP

Ambience, Ben Henderson, Cloud Archive Bottom of the Hill. 9pm, $8.

Blisses B, Bryn Loosley and the Back Pages, Tyler Matthew Smith Hotel Utah. 9pm, $6.

Noise/Experimental Night Amnesia. 9pm, $6. With Death Sentence Panda, San Francisco Water Cooler, Steve Reich’s Marimba Phase with David Douglass and William Winant, and Butterclaw.

Katie Garibaldi, Sandy Greenfield, Vice Grant and Green. 9pm, free.

John Németh Biscuits and Blues. 8pm, $18.

Officer Down, Street Justice Annie’s Social Club. 8pm, $7.

Sabertooth Zombie, Dcoi, Pullout, A Better Hope Foundation Thee Parkside. 9pm, $7.

Scrabbel, Seventeen Evergreen, Amores Vigilantes, DJ Neil Martinson Café du Nord. 9pm, $10.

Top Critters, Christmas G, La Corde Hemlock Tavern. 9pm, $6.

El Vez, Los Straitjackets Independent. 8pm, $20.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 8pm, $42.50-47.50.

Charlie Hunter Yoshi’s San Francisco. 8 and 10pm, $16-20.

Le Jazz Hot Shanghai 1930. 7pm, free.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Aoede, Ziva Hadar Duboce Park Café, 2 Sanchez, SF; (415) 621-1108. 7:30pm, free.

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Mission 3 Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with BaconMonkey, Netik, Mario Muse, and Unit 77.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Nightvision Harlot, 46 Minna, SF; (415) 777-1077. 9:30pm, $10. DJs Danny Daze, Franky Boissy, and more spinning house, electro, hip hop, funk, and more.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 18

ROCK/BLUES/HIP-HOP

Frank Bey Biscuits and Blues. 8 and 10pm, $22.

*Black Cobra, Fucking Wrath, Moses, Pins of Light, DJ Rob Metal Annie’s Social Club. 8:30pm, $8.

*Death Angel Slim’s. 9pm, $22.

Diego’s Umbrella, Superadventure Club, Gow to Win at Life Elbo Room. 9pm, $8.

Lady Genius, FOMA, Ian Fayes Hemlock Tavern. 9pm, $7.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Moonlight Orchestra, Montana 1948, Blue Rabbit Bottom of the Hill. 9:30pm, $10.

Mother Hips, Dawes, Parson Red Heads Great American Music Hall. 8:30pm, $20.

Lee "Scratch" Perry, Revival Sound System Independent. 9pm, $25.

Pink Mountain, T.I.T.S., Arrington De Dionyso, Work, Pink Canoes, Al Qaeda, Seven Lies About Girls Café du Nord. 8pm, free.

Steve Kimock Crazy Engine Fillmore. 9pm, $25.

Strange Angel Blues Band Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

El Ten Eleven, Sixteens, Choke Thee Parkside. 9pm, $7.

Yellow Dress, Quite Polite, Danger Babes Hotel Utah. 9pm, $6.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

"Brian Culbertson’s A Soulful Christmas" Yoshi’s San Francisco. 8 and 10pm, $28-35.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 8pm, $42.50-47.50.

Le Jazz Hot Mechanics’ Institute, 57 Post, SF; (415) 393-0100. 7:30pm, $18.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Regina Pontillo Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Terry Disley Experience Shanghai 1930. 7:30pm, free.

FOLK/WORLD/COUNTRY

Annie Bacon’s Folk Opera Kaleidoscope, 3109 24th St., SF; www.kaleidoscopefreespeechzone.com. 8pm, $5.

Bluegrass Bonanza Plough and Stars. 9pm.

Erin Brazil Live with special guests Dolores Park Café. 7:30pm, free.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Deathmas Ball Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $5. With DJs voodoo, Purgatory, and Starr spinning goth, industrial, deathrock, glam, and eighties.

Deep Fried Butter, 354 11th St., SF; (415) 863-5964. DJs jaybee, David Justin, and Dean Manning spinning indie, dance rock, electronica, funk, hip hop, and more.

Dubstep Holiday Party Club Six. 9pm. With DJs Matty G, Pawn, Ultra Violet, Roommate, and Ntrld.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Hellatight Amnesia. 9pm, $5. With DJs Asti Spumante and Vinnie Esparza spinning 80’s, soul, hip hop, and disco.

Hubba Hubba Revue DNA Lounge. 9pm, $10-15. With Meshugga Beach Party and burlesque performances.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

SATURDAY 19

ROCK/BLUES/HIP-HOP

Armada, Narwhal Brigade, Midnight Sun Hotel Utah. 9pm, $8.

Elvin Bishop Biscuits and Blues. 8 and 10pm, $35.

Corruptors, Spittin Cobras, It’s Casual, Euphoric Pork Annie’s Social Club. 9pm, $7.

John Freman Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Hepcat, Ron Silva and the Monarchs, DJ Selector Kirk Slim’s. 9pm, $23.

Rickie Lee Jones Fillmore. 9pm, $36.50.

Maniacal Rejects, Bullet 66, United Defiance Thee Parkside. 3pm, free.

Mother Hips, Or the Whale, Dave Gleason and the Golden Cadillacs Great American Music Hall. 8:30pm, $20.

Mushrooms, windy-gap Retox Lounge. 9pm, $7.

"Nat Keefe Concert Carnival" Independent. 9pm, $20-35. With Dave Brogran, Trevor Garrod, Fred Torphy, and more.

"Pirate Cat Radio Holiday Party and Fundraiser" Thee Parkside. 9pm, $8. With Persephone’s Bees, HeWhoCannotBeNamed and the Human Terrorist, Dirty Santas, Phantom Jets, and more.

Stomacher, Mata Leon, Halfway Bottom of the Hill. 10pm, $10.

Swann Danger, Guitar vs. Gravity, 2:Frail Hemlock Tavern. 9pm, $7.

Robin Thicke, Ryan Leslie and Laura Izibor Warfield. 8pm, $45.50-62.50.

Turbonegra, Minks, Remones El Rio. 9pm, $7.

Winter Fresh Club Six. 9pm, $10. Live R&B, soul, and hip hop with Sierra Makai, Donte Robinson, Love You Down Band, and more.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

"Brian Culbertson’s A Soulful Christmas" Yoshi’s San Francisco. 8 and 10pm, $35.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 7 and 9:30pm, $42.50-47.50.

"Jazz Jam Session with Uptime Jazz Group" Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.

Lisa Lindsley Shanghai 1930. 7:30pm, free.

Ricardo Scales Top of the Mark. 9pm, $15.

Lavay Smith and Her Red Hot Skillet Lickers Café du Nord. 9pm, $15.

Tin Cup Serenade Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

Bob Bradshaw Band Plough and Stars. 9pm.

Halau O Keikiali’I Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 7:30pm, $19.95.

Pulama Hukilau, 5 Masonic, SF; (415) 921-6242. 8pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Christmas by Okay-Hole Amnesia. 10pm, $4.

Cock Fight Underground SF. 9pm, $6. Locker room antics galore with electro-spinning DJs Earworm and Matt Hite and hostess Hugz Bunny.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Saturday Night Live Fat City, 314 11th St; selfmade2c@yahoo.com. 10:30pm.

Saturday Night Soul Party Elbo Room. 10pm, $10. With DJs Lucky, Phengren Oswald, and Paul Paul spinning 60s soul on 45s.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Surefire Sound Triple Crown. 10pm, $10. With DJs Vaccine, DJG, and Comma spinning dubstep.

TekAndHaus Anu, 43 6th St., SF; (415) 543-3505. 10pm, free. With DJs Adnan Sharif, Kuze, and Zenith spinning house, techno, and tech house.

Trannyshack DNA Lounge. 10pm, $20. Heklina and Peaches Christ co-host the 11th annual Trannyshack Star Search Competition.

SUNDAY 20

ROCK/BLUES/HIP-HOP

"Battle of the Bands" DNA Lounge. 5:30pm, $12. With Dead Immortal, Subtones, Defying Truth, Zutra, and more.

Brian Setzer Orchestra Warfield. 8pm, $55-69.50.

Ben Deignan, Austin Hartley Leonard Grant and Green. 9pm, free.

Molloy Family Album, Devotionals, Passenger and Pilot Hemlock Tavern. 9pm, $6.

Papa M, Jason Simon, Brookhaven Café du Nord. 8pm, $12.

Brittany Shane Mojito. 9:30pm, free.

T-Wrex and the Primitive Rhythm Maggie McGarry’s, 1353 Grant, SF; (415) 399-9020. 9pm, free.

Vienna Teng and Alex Wong Independent. 5 and 8pm, $25.

JAZZ/NEW MUSIC

"Brian Culbertson’s A Soulful Christmas" Yoshi’s San Francisco. 7 and 9pm, $28-35.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 7pm, $42.50-47.50.

Smith Jazz Revolution Café, 3248 22nd St, SF; (415) 642-0474. 3-5pm, free.

Zanza Trio, Ana Carbatti, Tammy Hall, Michaelle Goerlitz Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

FOLK/WORLD/COUNTRY

Gabriel and Ari Peña Pachamama, upstairs, 1630 Powell, SF; (415) 751-6090. 7:30pm, $8-10.

Jack Gilder, Kevin Bemhagen, Richard Mandel, and friends Plough and Stars. 9pm.

Poontones Thee Parkside. 4pm, free.

Ramana Viera Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 7pm, $20.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep, Maneesh the Twister, and guess Spliff Skankin’.

Holiday T-Dance Ruby Skye, 420 Mason, SF; www.freshsf.com. 4pm, $25. With DJ and producer Phil B.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 21

ROCK/BLUES/HIP-HOP

Jim Campilongo Make-Out Room. 8pm, $15.

Bart Davenport, Persephone’s Bees, Aerosols, Love Dimension, Antonette Groroch Knockout. 9pm.

JAZZ/NEW MUSIC

Nick Culp Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

"Jazz at the Rrazz" Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399. 8pm, $25. With the Mike Greensill Trio featuring guest Bruce Forman.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Larry Vukovich and the New Blue Balkan Ensemble Yoshi’s San Francisco. 8pm, $16.

FOLK/WORLD/COUNTRY

Homespun Rowdy Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with DJs Decay, Joe Radio, and Melting Girl.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 22

ROCK/BLUES/HIP-HOP

Bob Hill Band Slim’s. 8pm, $15.

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

Lord Loves a Working Man Bottom of the Hill. 9pm, $8.

Zoo, Deeper, Mighty Russian Winter, Jason Mkey Hemlock Tavern. 9pm, $6.

FOLK/WORLD/COUNTRY

Asalto Navideno featuring Saboricua, DJ Sonido Diablo Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Graham Connah Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dave Parker Quintet Rasselas Jazz. 8pm.

Euliptian Quartet Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Gyan Riley Trio Yoshi’s San Francisco. 8pm, $14.

Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck and Yule Be Sorry.

Drunken Monkey Lounge Annie’s Social Club. 9pm, free. Shot specials and punk rock karaoke in the back room.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Coastal Commission denies enviros’ request to yank desalination plant permit

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By Rebecca Bowe

A coalition of environmental organizations argued yesterday that a permit issued to Poseidon Resources to build a massive desalination plant near San Diego should be revoked, because the company failed to provide complete information to California Coastal Commission staff.

At a CCC meeting held in the San Francisco Board of Supervisors Chambers in City Hall yesterday, commissioners listened as advocates from the Surfrider Foundation, San Diego Coastkeeper, and the Coastal Environmental Rights Foundation, who filed the request for permit revocation, argued that Poseidon purposely tried to mislead CCC staff by submitting incomplete and inaccurate information about technical aspects of its desalination facility.

The CCC granted Poseidon its permit in November of 2007. The 50 million gallon-per- day facility, which is under construction, has drawn sharp criticism statewide from labor and environment groups who argue that the expensive, highly energy intensive plant would contribute to higher greenhouse gas emissions and do nothing to encourage water-conservation efforts. Concerns have also been raised about the harm it could do to the marine ecosystem and the high price tag for tap water cycled first through a power-plant cooling system, and then through the desalination process.

Gov. Arnold Schwarzenegger supports the construction of the facility as a reliable water source for arid Southern California, and his representatives were in attendance at yesterday’s meeting. Last month, the Metropolitan Water District agreed to subsidize costs for the privately owned and operated plant, and Poseidon will go before the state’s Debt Limit Allocation Committee (which consists of Schwarzenegger, the state controller, and the state treasurer) to request tax-exempt bond status in mid-January.

San Francisco Sup. Ross Mirkarimi, who sits on the Coastal Commission, argued in favor of pulling the permit, saying it represented “a proper juncture for us to revisit the issue” and warned that the highly controversial project might be “rife with procedural and structural errors.”

Events Listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 9

Celebrating Greenaction Greenaction, Suite 712, 1095 Market, SF; (415) 248-5010. 5:30pm, donations appreciated. Celebrate 12 years of fighting for environmental justice with Greenaction at this party to honor community leaders and environmentally progressive San Francisco Supervisors.

THURSDAY 10

Glass of Water Modern Times Bookstore, 888 Valencia, SF; (415) 282-9246. 7pm, free. Hear Chicano poet, writer, and activist discuss his first novel, A Glass of Water.

Good Vibes Personal Shoppers Good Vibrations, 1620 Polk, SF; (415) 345-0400, and 603 Valencia, SF; (415) 522-5460. Thurs.-Sat. 6-9pm, free. Heat up the holidays and let the Good Vibrations on-hand experts help you pick out the perfect gift for everyone on your list, with complimentary wine and chocolates to get you in the mood.

Historic Libations California Historical Society Museum, 678 Mission, SF; (415) 357-1848. 6pm, $50. Try some historic cocktails, like the Boothby, Martinez, Gibson, or Pisco Sour, while learning about the history of mixed drinks and sampling hors d’oeurves. Guests receive a complimentary copy of Anchor Distilling Co. new edition of Cocktail Boothby’s American Bartender.

SF Wine Showcase Crushpad, 2573 3rd St., SF; www.sfwineassociation.com. 5:30pm, $25. Enjoy tastings from 20 boutique wineries that are part of the San Francisco Wine Association and find out what it means to be a high-end urban winery.

FRIDAY 11

Roots of Resistance Intertribal Friendship House, 523 International, Oak.; (510) 836-1955. 7pm, donations welcome. Attend this cultural holiday market and showcase of local artisans and enjoy art, performances, dance, drum, food, and solidarity.

SATURDAY 12

Bazaar Bizarre San Francisco County Fair Building, Golden Gate Park, SF; (415) 519-8527. Sat.-Sun. Noon-6pm, $2. Attend this indie craft show featuring artists and designers from across the country showcasing their DIY, hand-made goods. Half the proceeds from the door go to benefit San Francisco Arts Education programs.

Holiday Leather Brunch Edge Bar, 4149 18th St., SF; (415) 867-5004. 11am, $20. Enjoy bottomless mimosas, bloody marys, food, entertainment, and an auction at this 13th annual leather brunch to benefit the Positive Resource Center.

BAY AREA

Gay Elephants Humanist Hall, 390 27th St., Oak.; (510) 681- 9740. 6pm, $10. Check out this Ganesha Gala and learn to wear a Sari from a drag queen, take a Bollywood dance lesson, discuss ways to travel in India gayly, see Indian movies and more. Proceeds go to Jhilik, a school for tribal kids in India affiliated with Swanirvar.

Latkes and Beer Saul’s Restaurant and Deli, 1475 Shattuck, Berk.; (510) 848-DELI. Sat.-Sun. 11am, free. Take home latkes by the dozen or just nosh on some of these authentic potato pancakes while enjoying local microbrews.

Palestinian Crafts Sale St. John’s Church, 2727 College, Berk.; www.mecaforpeace.org. Noon, free. Help support the Middle East Children’s Alliance while enjoying Middle Eastern food and music and shopping for Palestinian embroidery, hand-blown glassware, ceramics, olive oil, textiles, and more.

Telegraph Holiday Fair Telegraph between Bancroft and Dwight, Berk; www.telegraphfair.com. Sat.- Sun. 11am-6pm, free. Join in the community cheer at this holiday street fair featuring fine art and gift items made by Northern California artists, music, and food vendors. Fair will continue Dec. 19-20, and Dec. 23-24.

SUNDAY 13

Perez Hilton Borders, 400 Post, SF; (415) 399-1633. 2pm, free. Get your brand new autographed copy of Perez Hilton’s new book Perez Hilton’s True Bloggywood Stories, which includes the best gossip of 2009, celebrity interviews, and "Perezzie" awards. Paparazzi encouraged.

Kimochi’s Silver Bells St. Mary’s Cathedral, 1111 Gough, SF; (415) 931-2294. 10am, free. Help support Kimochi’s programs and services for seniors at this unique, budget-friendly Asian and Pacific Island inspired arts and crafts fair featuring jewelry, stationary, ornaments, artwork, candles, and more.

MONDAY 14

Doctors Without Borders Century 9 San Francisco Centre, 5th floor, 845 Market, SF; (415) 538-8422. 8pm, $15. Get a first hand look at the field operations of Doctors Without Borders, a Nobel Peace Prize winning organization, in this documentary that follows frontline aid workers to the war-torn Congo and post-conflict Liberia. This one night only screening will be accompanied by a satellite broadcasted live panel discussion with workers and journalists, moderated by Elizabeth Vargas.

TUESDAY 15

Eating to Save the Earth San Francisco Public Library, 100 Larkin, SF; (415) 557-4400. 6pm, free. Join Linda Riebel, author of Eating to Save the Earth: Food Choices for a Healthy Planet¸ in a lively discussion on the ways omnivores, vegetarians, singles, and families can make environmentally responsible food choices.

Holiday snowjob

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sarah@sfbg.com

Shortly before Thanksgiving, San Francisco city officials announced that the draft environmental impact report for Lennar Corp.’s massive Hunters Point Shipyard-Candlestick Point redevelopment proposal was finally available, and that the public has 45 days — until Dec. 28 — to read and comment on the 4,400-page document.

Envisioned to include more than 10,000 homes (most of them market-rate condos) spread over 708 acres in southeast San Francisco, the project — whose vague outlines city voters affirmed by approving Prop. G in June 2008 — is the centerpiece of the city’s housing strategy for the next 25 years.

At a Nov. 5 presentation, Michael Cohen, Mayor Gavin Newsom’s top economic advisor, told the city’s Planning Commission that the DEIR was a "milestone." But critics warn that this milestone could become a millstone around the city’s neck if it fails to extend the DEIR review period, as a coalition of environmental groups and a state agency are requesting. Cohen did not return repeated calls for this story.

These groups are concerned that the city of San Francisco, Lennar’s partner in this billion-dollar deal, is trying to rush through a controversial project before anyone can review its details. Forty-five days is the minimum required under California Environmental Quality Act guidelines for a project that also needs to be reviewed by state agencies and the groups want the deadline extended to mid-February.

The southeast sector has historically been home to low-income communities of color, and fears are running high that this project will continue the destructive, gentrifying legacy of the San Francisco Redevelopment Agency, which shares lead agency responsibilities for this project with the Planning Department.

After Redevelopment Agency projects in Western Addition and Yerba Buena displaced much of San Francisco’s African American population, there is concern that if this project isn’t carefully considered, it could finish the job in the remaining parts of town with significant black populations: Bayview and Hunters Point, which are both in the plan area.

"People would have to read 130-plus pages per day since the DEIR’s release to complete it by the first public hearing," said Kristine Enea, who sits on the board of the India Basin Neighborhood Association and is a candidate in the 2010 race to replace termed-out District 10 Sup. Sophie Maxwell.

Downloadable at the Planning Department’s Web site, the Shipyard-Candlestick DEIR envisions an influx of 24,465 new residents and the possible building of a new 49ers stadium on a site that is radiologically contaminated, seismically vulnerable, and will undoubtedly be adversely affected by climate change-induced sea level rise.

As such, it requires significant chunks of time to digest and comment on — something folks are urged to do at two public hearings in mid-December or in writing by Dec. 28.

"The timeline is incredibly short," Arc Ecology’s executive director Saul Bloom told us. So a coalition that includes Bloom, Enea, Arc Ecology, the Urban Strategies Council, the Sierra Club, the California Native Plant Society, and the Potrero Hill Democratic Club is urging Mayor Gavin Newsom to extend the DEIR public review period to 90 days.

"We believe that a public review period totaling 90 days ending on Feb. 12, 2010 is necessary and of appropriate length for the public and our organizations to review, discuss, and comment on this complicated tome," the coalition wrote in a Dec. 7 letter.

Also seeking a time extension is the San Francisco Bay Conservation and Development Commission (BCDC), a state agency charged with reviewing large projects that may impact the bay, although the agency did sign onto the coalition’s letter. BCDC studies project that much of the project area could be inundated with rising water levels caused by global warming.

Technically, the lead agencies have the authority to extend EIR comment periods, but because they are controlled by mayoral appointees, the coalition is appealing to Newsom. The coalition letter notes that the project will nearly double the population of Bayview-Hunters Point, and that the newly released DEIR was nearly two years in the making.

"The city’s project staff reasonably took the time to provide what in their opinion is an adequate review of the project," the coalition wrote. "The public similarly deserves 12 weeks to examine and comment on your work."

City officials have been patient with Lennar, recently granting the company a six-month delay in construction of housing at Phase 1 of the development, which sits at Parcel A of the shipyard. As a result, construction for Phase 2 is not expected to start until 2015 and continue until about 2035.

So coalition members say at 45-day delay isn’t asking much. The letter makes clear that the coalition isn’t opposed to the project or Newsom’s administration, but that its members expect "public engagement and transparency in government."

"It is our view that a 45-day public review period for a document as complex and lengthy as the DEIR is simply inadequate under any circumstances," the coalition wrote, adding that the document’s release over the Thanksgiving, Christmas, Kwanza, and Hanukkah holidays is "particularly troubling." By contrast, Santa Clara Countyoffered an extended comment period for its DEIR on its proposed new 49ers stadium.

"By releasing a six volume, 4,400 page document a week and a half before Thanksgiving, you have demanded that the public and community based organizations choose between civic duty, prearranged vacation time, and obligations to family and faith," the coalition wrote, noting that the city effectively shortened even this prep time to 25 days by holding public hearings one month after the DEIR’s release.

Unlike Prop. G or previous discussion about Phase 1 of the project, the coalition reminded Newsom that an EIR is an administrative decision document, and the DEIR is the part of the approval process where ideas become concrete plans to be approved in a lawful process. "Transparency in government is not just a matter of letting the public see information," the coalition observe in the letter. "The capacity to act on what one sees is critical to transparency and the length of the look has a direct effect on the quality of observation."

Or as Bloom warned the Guardian, the current 45-day review period will likely result in a polarized dialogue. "It will lead to the squeezing out of any of the middle-of-the road perspective from folks who are not opposed to development but think the proposed project could be better," Bloom warned. "And if that happens, no modifications will be possible."

The DEIR will be the subject of two public hearings: Dec. 15 at 4 p.m. in City Hall Room 416 by the Redevelopment Agency and Dec. 17 at 1:30 p.m. in City Hall Room 400 by the Planning Commission.

Don’t rush the Candlestick EIR

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EDITORIAL The Candlestick Point redevelopment project is by far the biggest land-use decision facing San Francisco today, and one of the most significant in the city’s modern history. The project, sponsored by Lennar Corp., would bring 10,500 housing units and 24,000 additional residents to the area. Those residents would need new schools, playgrounds, open space, and transportation systems. Industrial and commercial development would create some 3,500 permanent jobs, and those people would need ways to get to work. Plans calls for new roadways, including a bridge over the fragile Yosemite Slough. The 708-acre site includes areas with significant toxic waste issues.

It’s no surprise that the draft environmental impact report on the project weighs in at 4,400 pages. It took two years to review the land use, transportation, air quality, water quality, population, employment, noise, hazardous materials, and other potential issues.

And now the Planning Department and Redevelopment Agency wants all public comment to be completed in a 45-day period that includes the winter holidays. That’s crazy – and it’s a sign that the city just wants to rush this project through without adequate oversight, review, or discussion.

The EIR in a project this size is a major political battleground. It’s one of the few times that the Planning Commission and Board of Supervisors will get to weigh in on the entire project and look at its local and citywide impacts. It’s quite possibly the only time prior to construction when the economic, social, and environmental issues around the project will get widespread public discussion.

And anyone who reads these reports on a regular basis can tell you that they’re thick, dense, tough to follow, and filled with minute details and arcana that add up to very big policy decisions. Among the most pressing issues:

• The housing mix. The city’s own General Plan notes that almost two-thirds of all new housing built in San Francisco needs to be available at below-market rates. Lennar won’t even meet half that target. So the project would create an even greater unmet demand for affordable housing — something the EIR, at least on first read, glosses over. The report refers to “a broad range of housing options of varying sizes, types, and levels of affordability [that would] be developed at Candlestick Point” and states that “such housing would be in close proximity to the jobs provided by the project, [so] it is likely that future employees at Candlestick Point would seek housing at the project site prior to searching for housing in the surrounding Bayview-Hunters Point neighborhood. However, if future employees did seek housing elsewhere in the neighborhood, the effects would not be adverse.”

Actually, if comparatively well-paid employees at the project’s research and development facilities decided to move into the existing Hunters Point/Bayview neighborhood, it would almost certainly drive up housing prices, displacing existing residents.

• Transportation options. The project projects significant improvements in Muni service — but doesn’t say how the city will pay for them. There’s a sizable focus on cars — the EIR estimates the project will need more than 21,000 parking spaces. That’s a lot more cars on the streets of the city, a lot more traffic in the southeast — and a direct clash with the city’s transit-first policies.

• What jobs, and for whom? The 3,500 permanent jobs that would be created are badly needed in that neighborhood, which has the highest unemployment rate in the city. But a comprehensive labor pool study, and a discussion of how existing residents will be trained for projected jobs, appears to be missing from the EIR.

• Hazardous materials. The EIR broadly proclaims that “construction activities associated with the project would not result in a human health risk involving the disturbance of naturally occurring asbestos, demolition of buildings that could contain hazardous substances in building materials, or possible disturbance of contaminated soils or groundwater within one-quarter mile of an existing school.” That is — at the very least — a matter of some dispute.

There’s lots more – 4,400 pages more – and if the approval process is going to be anything other than an utter farce, the Planning and Redevelopment directors need to extend the public comment period for at least another 45 days. *

Alerts

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Alerts@sfbg.com

THURSDAY, DEC. 10

Berkeley Critical Mass
Help to promote different modes of transportation during this critical time of Global Warming and Oil wars at this community bicycle protest and celebration that takes over the streets of Berkeley.
6 p.m., free
Meet at Downtown Berkeley BART station
Shattuck between Allston and Addison, Berk.
Zacharyrunningwolf@yahoo.com

Terra Madre Day
Celebrate Slow Food’s 20th anniversary by taking part in a worldwide “eat local” effort that aims to link chefs, artisans, and regular people. Coordinate your own event, join in with other people in your community, or just eat local in solidarity.
All day, free
San Francisco Bay Area and countries around the globe
www.slowfoodssanfrancisco.com

FRIDAY, DEC. 11

Health Forum
Learn more about single-payer health care at this screening of two short videos on the national single-payer plan, HR 676, which is being supported by many progressive leaders, and California’s SB810, which passed the state Legislature twice, only to be vetoed by the governor.
2 p.m., free
Community Room
1501 Blake, Berk.
revdecker@msn.com

Velo Vigil
Rally to support cycling on the eve of the U.S.’s participation in the U.N. Climate Conference in Copenhagen this month. Cyclists will circle the Oakland Federal Building to create a swarm of LED lights, while pedestrians congregate in front of the building. Bring as many LED lights as possible.
6 p.m., free
Oakland Federal Building
1301 Clay, Oak.
www.350.org/node/13135

SATURDAY, DEC. 12

“Anti-Capitalist, Anti-Consumption Christmas”
Take part in this theater workshop and performance with the San Francisco Mime Troupe. Class begins by collecting impressions and images among holiday shoppers, then returns to the YBCA to create characters, costumes, speeches, and actions for a procession that takes the show back to the streets of downtown for holiday shoppers to enjoy.
12:30 p.m., $15
Yerba Buena Center for the Arts
YAAW Lounge
701 Mission, SF
(415) 978-2787

Art as Propaganda
Discuss tactics for making effective banners for demonstrations and community spaces with artist Hannah Blair. Blair will teach sketching designs with gouache paint and coming up with powerful messages and images. More work sessions will be available to gear up for the Bay Area Coalition for Our Reproductive Rights day of action Jan. 23, 2010.
2 p.m., free
Radical Women
625 Larkin, Suite 202, SF
(415) 864-0778

Rainwater Harvesting
Learn more about rainwater harvesting options in an urban area and hands-on skills for working with rain barrels just in time for our winter rains. Harvesting can be as simple as placing a barrel under your drain spout or using tanks and pumps to route water inside for toilet flushing.
10 a.m., $15
Garden for the Environment
Seventh Ave., SF
(415) 731-5627

“That’s Why We Don’t Eat Animals”
Attend this vegan book-signing and ice cream social with children’s author and illustrator Ruby Roth. The event is designed to encourage children to think about the emotional lives of animals, factory farming, the environment, and endangered species in relation to the food we eat.
1 p.m., free
Café Gratitude
1730 Shattuck, Berk.
(510) 725-4418

TUESDAY, DEC. 15

Protest AIPAC
Challenge and confront the American Israel Public Affairs Committee (AIPAC), which supports Israel’s hawkish policies toward Palestine, at their annual dinner.
5 p.m., free
Hilton Hotel
333 O’Farrell, SF
stopaipac.org/sfprotest200

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alerts@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Stage listings

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Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

The 39 Steps Curran Theater, 1192 Market; 551-2020, www.shnsf.com. $35-$80. Previews Wed/9. Runs Tues, 8pm; Wed, 2 and 8pm; Thurs, 8pm; Fri, -Sat, 2 and 8pm; Sun, 2pm. Through Jan 3. The SHN Best of Broadway series kicks off with Alfred Hitchcock’s Tony Award-winning whodunit comedy.

Cinderella African American Art and Culture Complex, 762 Fulton; (800) 8383-3006, www.african-americanshakes.org. $20-$30. Previews Thurs/10. Opens Fri/11. Runs Sat/13, 3 and 8pm; Sun, 3pm; Dec 19, 8pm. Through Dec 27. The African-American Shakespeare Company presents an enchanting production of the classic fairytale, re-set on the bayous of Louisiana.

Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Previews Wed/8-Fri/11. Opens Sat/12. Runs Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.

Fun-derful Holidaze The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$12. Opens Sat/12-Sun/13. Runs Sat-Sun, 2pm. Through Jan 3. The Marsh presents Unique Derique in a fun-filled feast of frivolity for all ages.

Katya’s Holiday Spectacular New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$32. Previews Wed/9-Thurs/10. Opens Fri/11. Runs various days, 8pm, through Jan 2. NCTC presents a special winter cabaret starring Katya Smirnoff-Skyy.

BAY AREA

Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Opens Wed/9. Runs Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. Berkeley Rep presents Victoria Thierree Chaplin’s dazzling display of stage illusion.

The Coverlettes Cover Christmas Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $25-$28. Opens Tues/15. Runs Mon-Sat, 8pm; Sun, 7pm. Through Dec 27. Aurora Theatre Company rocks the holiday season in the style of 1960’s girl groups.

The Stone Wife Berkeley City Club, 2315 Durant, Berk; 730-2901. $15-$20. Opens Fri/11. Runs Fri-Sat, 8pm; Sun, 6pm. Through Dec 20. The Berkeley City Club presents this award-winning play written and directed by Helen Pau.

ONGOING

Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.

Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Thurs-Sat, 8pm. Through Dec 19. No Nude Men Productions presents the end-of-the-world premiere of sketchy comedy veteran Wylie Herman’s first full length play.

The Bright River Climate Theater, 285 9th St; (800) 838-3006, thebrightriver.com. $15-$25. Runs Thurs-Sat, 8pm; Sun, 7pm. Through Dec 27. Climate presents this mesmerizing hip-hop retelling of Dante’s Inferno by Tim Brarsky.

A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.

Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.

*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play, making its local premiere at the Marsh after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is “be yourself”—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: “I just thought he was really into hats.” But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future “somebody.” (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs/10 and Sat/12, 8pm. An American woman of Palestinian descent, San Francisco actor Jennifer Jajeh grew up with a kind of double consciousness familiar to many minorities. But hers—conflated and charged with the history and politics of the Middle East—arguably carried a particular burden. Addressing her largely non–Middle Eastern audience in a good-natured tone of knowing tolerance, the first half of her autobiographical comedy-drama, set in the U.S., evokes an American teen badgered by unwelcome difference but canny about coping with it. The second, set in her ancestral home of Ramallah, is a journey of self-discovery and a political awakening at once. The fairly familiar dramatic arc comes peppered with some unexpected asides—and director W. Kamau Bell nicely exploits the show’s potential for enlightening irreverence (one of the cleverer conceits involves a “telepathic Q&A” with the audience, premised on the predictable questions lobbed at anyone identifying with “the other”). The play is decidedly not a history lesson on the colonial project known as “the Israeli-Palestinian conflict” or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)

I SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.

Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Wed/9, 7pm; Thurs/10-Fri/11, 8pm; Sat/12, 6pm; Sun/13, 3pm. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.

Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.

The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs/10, 8pm; Sat/12, 5pm. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. The U.S. premiere of Cirque du Soleil’s latest extravaganza, written and directed by Deborah Colker, dependably sports several fine acts enmeshed in a visually buzzing insect theme. Highlights include a delighting set of juggling ants, twirling huge wedges of kiwi with their synchronized tootsies, very adorable and almost unbelievably deft; a mesmerizing and freely romantic airborne “Spanish Web” duet; and a spider traversing a “slackwire” web with jaw-dropping strength, balance and agility. The whisper-thin plot, thin even by Cirque standards, is nearly summed up in the title (Portuguese for “egg”). A very large “ovo” takes up most of the stage as the audience enters the tent. This is miraculously replaced in a flash by a smaller, though still ample one lugged around by one of three clowns (by the standards of past years, not a very inspired or absorbing bunch these three), and then snatched away amid a throng of insect types. An endoplasmic reticulum, or something, hovers a floor or two high toward the back of the stage, where the live band churns the familiar trans-inducing Euro-beats. The baseline entertainment value is solid, though the usual high jinx and overall charm are at somewhat lower ebb compared with recent years. (Avila)

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat/12, 10:30pm; Sun/13, 4pm. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.

Rabbi Sam The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $25-$50. Sat/12, 8pm. Charlie Varons’ runaway hit show returns to the Marsh.

“ReOrient 2009” Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs/10-Sat/12, 8pm; Sun/13, 5pm. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.

Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Shanghai San Francisco One Telegraph Hill; 1-877-384-7843, www.shanghaisanfrancisco.com. $40. Sat, 1pm. Ongoing. To be Shanghaied: “to be kidnapped for compulsory service aboard a ship&ldots;to be induced or compelled to do something, especially by fraud or force”. Once the scene of many an “involuntary” job interview, San Francisco’s Barbary Coast is now the staging ground for Shanghai San Francisco, a performance piece slash improv slash scavenger hunt through the still-beating hearts of North Beach and Chinatown, to the edge of the Tendernob. Beginning at the base of Coit Tower, participants meet the first of several characters who set up the action and dispense clues, before sending the audience off on a self-paced jaunt through the aforementioned neighborhoods, induced and compelled (though not by force) to search for a kidnapped member of the revived San Francisco Committee of Vigilance. It’s a fine notion and a fun stroll on a sunny afternoon, but ultimately succeeds far better as a walking tour than as theatre. Because the actors are spread rather thinly on the ground, they’re unable to take better advantage of their superior vantage by stalking groups a little more closely, staging distractions along the way, and generally engaging the audience as such a little more frequently. But since Shanghai San Francisco is a constantly evolving project, maybe next time they’ll do just that. (Gluckstern)

She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.

Under the Gypsy Moon Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through Jan 1. Teatro ZinZanni presents a bewitching evening of European cabaret, cirque, theatrical spectacle, and original live music, blended with a five-course gourmet dinner.

Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Dec 19. Before throwing around terms like “dysfunctional, bi-polar, codependent,” to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, “slim-hipped” wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)

BAY AREA

*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Wed/9-Sat/12, 8pm; Sun/13, 2 and 7pm. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty: the terrible difficulty of being good when it means going decidedly against the values and opinions of your peers. Aurora Theatre’s current production makes the point with satirical flair and insight, animated by a faultless ensemble directed with snap and fire by Barbara Damashek. A conventionally handsome businessman named Tom (a brilliantly canny, vulnerable and sympathetic Jud Williford) falls for a bright, beautiful woman of more than average size named Helen (Liliane Klein, radiantly reprising the role after a production for Boston’s Speakeasy Stage). It’s the most important relationship either has had. Alone together they’re very happy. At work, however, Tom contends with relentless pressure from his coworkers, Carter (a penetrating Peter Ruocco, savoring the sadism of the locker room) and onetime dating partner Jeannie (Alexandra Creighton, devastatingly sharp at being semi-hinged). As ambivalent as Tom is about both, he feebly attempts to hide his new love from them. The separation of public and private selves leads to conflict, and the plot will turn on how Tom resolves it. Needless to say, the title’s inherent viciousness points not at Helen—by far the most advanced personality on stage—but at those who would intone the phrase as well as those, like Tom, who tacitly let it work its dark magic. (Avila)

*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs/10-Sat/12, 8pm. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. The 75-minute comedy mingles three separate subplots among a group of friends, all refracted through a mysterious lingerie shop run by an affable, somewhat impish tailor (Jai Sahai) offering new skins for exploring inner selves. There’s the spoiled rich-girl (Marissa Keltie) horrified to discover her perfect fiancé’s (Timothy Redmond) secret penchant for donning feminine undergarments; a pair of best friends (Cindy Im and Elissa Dunn) who fall out over the sexy no-English matador-type (Roy Landaverde) one brings home from a Spanish holiday; and there’s an African American woman (Leontyne Mbele-Mbong) who goes on an African safari as the logical extension of her obsession with guns. Briskly but shrewdly directed by Melissa Hillman, the agreeable cast knows what to do with Yockey’s well-honed, true-to-life repartee. The play has a touch of the magical dimension familiar to audiences who saw Skin or Octopus (both produced by Encore Theatre) but it operates here in a less self-conscious, more lighthearted way, while still nicely augmenting the subtly related themes of animal-lust, competition, self-image and possession cleverly at work under the frilly, scanty surface. (Avila)

“Shakes ‘Super’ Intensive + Bronte Series” Berkeley Unitarian Fellowship, 1924 Cedar, Berk; (510) 275-3871. $8. Mon/14, 7:30pm. Subterranean Shakespeare presents weekly staged readings of classic Shakespeare plays, followed by a staged reading of Jon O’Keefe’s complete play about the Bronte sisters.

*The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.

DANCE

“Dance Along Nutcracker” Yerba Buena Center for the Arts Forum, 701 Mission; 978-2787, www.dancealongnutcracker.org. Sat, 2:30 and 7pm; Sun, 11am and 3pm. $16-$50. The San Francisco Lesbian/Gay Freedom Band plays at this family-friendly holiday show, featuring performances interspersed with audience dancing.

“Double Dance Bill” ODC Dance Commons, 351 Shotwell; www.odctheater.org. Sat-Sun, 8pm. $15-$18. ODC Theater presents world and local premieres by Kate Weare Company and project agora.

“Fiesta Flamenca” Baobab Village, 3372 19th St; 970-0362, www.latania-flamenco.com. Sun, 7:30pm. $15. Bollyhood Café presents this monthly evening with La Tania and Cuadro Aljibe, Roberto Zamora, and Roberto Aguilar.

Funsch Dance Experience Legion of Honor, 34th Ave and Clement; 902-5371, www.funschdance.org. Sun, 4pm. The nine dancers of Christy Funsch’s company present Funsch Solos Volume II: Water Solos, performances that take place outside around the water fountain.

“Lightning Never Strikes the Same Place Twice” SOMArts Cultural Center, 934 Brannan; www.sffs.org. Sat-Sun, 8pm. $15-$18. San Francisco Film Society presents the KinoTek program Catherine Galasso, a multimedia dance, theater, and projected video performance.

Lily Cai Dance Company Cowell Theater, Fort Mason Center; 345-7575, www.fortmason.org. Thurs, 8pm. $28-$35. The dance company and Melody of China present an evening of contemporary dance and music.

“A Queer 20th Anniversary” Locations vary. www.circozero.org. Various days and times, Dec. 9 – Jan. 31. Zero Performance presents a retrospective of two seminal pieces performed by Keith Hennessy and company, including a restaging of Saliva at the original site under a freeway South of Market.

Mark Foehringer Dance Project/SF Zeum Theater, 221 Fourth St; 433-1235, www.tixbayarea.org. Dec 12, 13, 19, and 20, 11am and 2pm. $25. The dance project presents a unique rendition of The Nutcracker at Zeum, featuring the Magik*Magik Orchestra performing live.

Presidio Dance Theatre Junior Company Palace of Fine Arts Theatre, 3301 Lyon; www.presidiodance.org. Sun, 3pm. $35-$100. Sherene Melania presents the company’s annual benefit holiday show.

“The Revolutionary Nutcracker Sweetie” Brava Theater, 2781 24th St; 273-4633, www.dancemission.com. Sat, 2 and 7pm; Sun, 2 and 6pm. Dance Brigade’s Dance Mission Theater’s Youth Program takes Clara on a magical journey with the Freedom Fighting Nutcracker.

“The Velveteen Rabbit” Novellus Theater, Yerba Buena Center for the Arts, 700 Howard; 978-2787, www.ybca.org. Through Sun. $10-$45. This year’s installment of a favorite Bay Area holiday tradition features dancing by ODC/Dance, recorded narration by Geoff Hoyle, design by Brian Wildsmith, and a musical score by Benjamin Britten.

BAY AREA

“The Hard Nut” Zellerbach Hall, UC Berkeley, Berk; cpinfo.berkeley.edu. Days and times vary, Dec 11-20. $36-$62. Mark Morris Dance Group and Berkeley Symphony Orchestra present this retelling of The Nutcracker.

PERFORMANCE

“All of Me” Marines Memorial Theatre, 609 Sutter; 771-6900, www.marinesmemorialtheatre.com. Fri-Sat, 8pm. $47.50-$77.50. Linda Eder kicks off the Rrazz Concert Series with an evening of signature songs and holiday favorites.

“Amahl and the Night Visitors” Community Music Center, 544 Capp; 826-8670. Sun, 11:30am. Free. The Ina Chalis Opera Ensemble presents this one-hour family-friendly Christmas opera by Gian-Carlo Menotti.

“Bijou” Martuni’s, Four Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. An eclectic weekly cabaret.

On Broadway Dinner Theater 435 Broadway; 291-0333, www.broadwaystudios.com. Thurs-Sat, 7pm. Ongoing. SF’s most talented singers, artists, and performers combine interactive shows with dining and dessert.

“A Cathedral Christmas” Grace Cathedral, 1100 California; 392-4400, www.cityboxoffice.com. Sat-Sun, 3pm; Dec 21, 7pm. Through Dec 21. $15-$50. Celebrate the season with the Choir of Men and boys with orchestra, featuring their signature performances of favorite carols, along with sacred masterpieces and yuletide classics.

“A Chanticleer Christmas” St. Ignatius Church, 650 Parker; 392-4400, www.chanticleer.org. Sun, 8pm. Check Web for ticket prices. Also performances Sat in Oakland, Tues in Petaluma, Wed in Berkeley, and Dec 19 in San Francisco. The internationally renowned 12-man a cappella singing ensemble returns home with its critically acclaimed holiday concert.

“A Christmas Memory” Theatre Artaud, 450 Florida; 552-4100, www.therhino.org. Mon, 7pm. Check Web for price. Theatre Rhinoceros in collaboration with Word-for-Word presents Truman Capote’s humorous and heart-breaking tale.

“Cora’s Holiday Hotpad” EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. Thurs-Sat, 8pm. $15-$20. EXIT Theatre’s writer/performer-in-residence Sean Owens returns as Cora Values.

“An Evening with Lucie Arnaz” Rrazz Room, Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com. Wed-Sun, 7pm. $45-$50. The daughter of Lucille Ball and Desi Arnaz brings her new show to SF.

Full Spectrum Improvisation The Marsh, 1062 Valencia; 564-4115, www.themarsh.org. Tues, 7:30pm. $10-$15. Lucky Dog Theatre performs in its ongoing series of spontaneous theatre shows.

“Ghosts Walks” Yerba Buena Center for the Arts Forum, 701 Mission; www.ybca.org. Thurs, 7:30pm. Free. As part of the San Francisco Mime Troupe 50th Anniversary Exhibition Birthday Bash, the mime troupe will revive Ghosts, seen only once at the December 1981 opening of the Moscone Center.

“The Greatest Bubble Show on Earth” The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$10. Dec 13, 20, and 27, 11am. The Marsh Presents Louis Pearl, the Amazing Bubble Man, in this fun show suitable for all ages.

“Mission Dolores Basilica Choir’s 18th Candlelight Christmas Concert” Mission Dolores Basilica, 3321 16th St; 621-8203, www.missiondolores.org. Sun, 5pm. $15-$25. The choir will perform a stirring and inspiring experience that promises to be the perfect way to usher in the season.

“Monday Night ForePlays” Studio250, Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. Through Dec 21. $20. PinaoFight’s female-driven variety show extends into December with new sketches, dance numbers, and musical performances.

New Zealand Choir and Orchestra St. Mary’s Cathedral, 1111 Gough; 567-2020 ext 213, www.cathedral.org.nz. Tues, 7:30pm. 50 members of the Choir and Orchestra of the Cathedral of the Blessed Sacrament, Christchurch, New Zealand, will present Part One of Handel’s Messiah.

“Nocturnal Butterflies” Z Space at Theater Artaud, 450 Florida; (434) 535-2896, www.avykproductions.com. Thurs-Sat, 8pm. Check Web for price. Erika Tsimbrovsky/Avy K Productions presents this multimedia dance performance dedicated to Vaslav Nijinsky.

“The Whirling Dervishes” Palace of Fine Arts Theatre, 3301 Lyon; 563-6504, www.palaceoffinearts.org. Fri, 8pm. $25-$45. California Institute of Integral Studies presents these master musicians from Turkey led by Jelaleddin Loras.

“Tony and Tina’s Wedding” Hornblowre Cruises. 788-8866, www.hornblower.com. $25-$129. Fri, 7:30pm. Hornblower hosts the popular Italian-wedding themed dinner theater show.

BAY AREA

Cantare Con Vivo Merritt College Student Lounge, 12500 Campus Drive, Oakl; www.cantareconvivo.org. Sat, 5 and 7:30pm. $50. The 23-voice Cantare Chamber Ensemble will present an array of Christmas art songs, soothing lullabies, and festive carols while listeners enjoy a catered dinner by candlelight.

“The Christmas Revels” Scottis Rite Theater, 1547 Lakeside, Oakl; (510) 452-8800, www.calrevels.org. Fri, 7:30pm; Sat-Sun, 1 and 5pm. Through Dec 20. $12-$50. Experience the music, dance, and folklore of 19th century Bavaria with this beloved Bay Area holiday tradition.

“Clerestory: Cancion de Navidad” St. Mark’s Episcopal Church, 2300 Bancroft, Berk; clerestory.org. Sat, 8pm. (Also Sun in SF). $10-$17. The Bay Area’s acclaimed male vocal ensemble performs festive Christmas songs and familiar carols from Spain and the Americas.

“Hubba Hubba Revue” Uptown, 1928 Telegraph, Oakl; www.hubbahubbarevue.com. Mon, 10pm. Ongoing. $5. Scantily clad ladies shake their stuff at this weekly burlesque showcase.

“Let Us Break Bread Together” Paramount Theatre, 2025 Broadway, Oakl; (510) 836-1981, www.oebs.org. Sun, 4pm. $10-$40. Oakland East Bay Symphony presents its annual holiday concert.

“Old Chestnuts, New Fire!” St. Paul’s Episcopal Church, 114 Montecito, Oakl; 979-5779, www.stpaulsoakland.org. Sun, 4pm. $19-$30. San Francisco Choral Artists present a tantalizing alternative to traditional December choral concerts.

“Special Centennial Christmas Concert” First Church of Christ, Scientist, 2619 Dwight, Berk; www.1stchurchberkeley.org. Sun, 2:30pm. Free. Organist William Ludtke, three soloists, the chamber choir, and hand bell quartet will celebrate Bernard Maybeck’s masterpiece church building with a full scale Christmas concert.

“Traditional Marimba” La Pena Cultural Center, 3105 Shattuck, Berk; (510) 849-2568, www.anaitmar.com. Sat, 7:30pm. $12-$15. Singer Ana Nitmar and Guatemalan Folkoric Dance Groups perform traditional marimba music at this event also featuring a nativity scene exhibit and holiday drinks.

COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

“Big City Improv” Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of “Whose Line Is It Anyway?”

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing.

Cobbs 915 Columbus; 928-4320. Fri-Sat, 8 and 10:15pm. $22.50. Featuring Greg Giraldo from “Friday Night Stand-Up” and “Root of All Evil.”

“Comedy Master Series” Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

“Comedy on the Square” SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm, through Dec. Tony Sparks and Frisco Fred host this weekly stand-up comedy showcase.

“Comedy Returns” El Rio, 3158 Mission; www.koshercomedy.com. Mon, 8pm. $7-$20. Comedian/comedy producer Lisa Geduldig presents this weekly multicultural, multi-everything comedy show.

Danny Dechi & Friends Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Ongoing. Free.

“Improv Society” Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Check Website for times and prices.

Purple Onion 140 Columbus; 1-800-838-3006, www.purpleonionlive.com. Call for days and times.

Rrazz Room Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com."

“Raw Stand-up Project” SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. “Scott Capurro” SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. Sun, 7:30pm. $20. The stand up comic and star of She Stoops to Comedy presents this one-night-only event.

BAY AREA “Bill Santiago’s The Immaculate Big Bang” La Pena Cultural Center, 3105 Shattuck, Berk; www.billsantiago.com. Fri, 8pm. $10-$12. Comedian Bill Santiago goes in search of God. “Comedy Off Broadway Oakland” Washington Inn, 495 10th St, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week. SPOKEN WORD Anselm Berrigan with Norma Cole City Lights Bookstore, 261 Columbus; 362-1901, www.citylights.com. Thurs, 7pm. The poet will read from Free Cell. “Does the Secret Mind Whisper” Koret Auditorium, 100 Larkin. Sun, 1pm. Free. Justin Desmangles hosts a celebration of the life, mission, and legacy of poet Bob Kaufman. Writers with Drinks Make-Out Room, 3225 22nd St; www.writerswithdrinks.com. Sat, 7:30pm. $3-$5. Charlie Jane Anders hosts this monthly event, this time featuring Dan Fante, Joshua Mohr, Mark Coggins, Mollena Williams, and Seanan McGuire.

Resnick and the Light Brown Apple Moth (LBAM)

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Text by Sarah Phelan

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When I read Lance Williams’ article about a corporate farmer who used his political connections to try and influence the Delta water wars debate, the corporate farmer’s name sounded familiar. So, I checked– and sure enough, Stewart Resnick’s name popped up, only this time in an article that I wrote about the contentious, controversial and ongoing fight about how best to control the Light Brown Apple Moth--and whether the aerial spraying of urban areas with a moth pheromone was ever really necessary.

As the Guardian article about the LBAM debate noted, “Critics of the state’s pheromone spraying program observe that Suterra LLC, which manufactured the spray used over Santa Cruz and Monterey counties, refused to release the full ingredients until it was sued — and Gov. Arnold Schwarzenegger demanded immediate full disclosure.”

The article also observed that, “These same critics also note that Schwarzenegger, who continues to support CDFA’s LBAM-eradication program, received $144,600 in campaign contributions from Los Angeles–based Roll International owners Stewart and Lynda Resnick (my bold), who control Suterra, Fiji Water, Paramount Agribusiness, and the Franklin Mint.”

“Records show the Resnicks donate broadly, mostly to Democrats — including the gubernatorial campaigns of Steve Westly and Phil Angelides, and US Sens. Hillary Clinton, John Edwards, and Barack Obama — with a lesser-size donation to Republican presidential front-runner John McCain, proving they play both sides of the fence,” the Guardian’s article concludes.

And as William’s recent article notes, “Underpinning [the Resnicks’] fortune is agribusiness – 70,000 acres of pistachios and almonds, 48,000 acres of citrus and pomegranates – most of it in Kern County at the south end of the San Joaquin Valley, and all requiring irrigation to survive.”

In other words, the Resnicks’ agribusiness empire could be negatively impacted if other countries refused to import their produce, because of LBAM-related fears, even if those fears were unfounded.. Conversely, the Resnicks’ business interests stood to gain if the state mandated the widespread aerial spraying of a synthetic pheromone by a company (Suterra) that the Resnicks controlled.

I’m not saying that’s why the state ended up pushing its controversial aerial spraying plan, until public pressure stopped that plan in its tracks, but it sure is an interesting question

Editorial: Don’t rush the Candlestick EIR

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The city wants to rush the massive Candlestick Point Redevelopment Project through during the holiday season without adequate oversight, review, or discussion. It needs to extend the public comment period for at least another 45 days.

The Candlestick Point redevelopment project is by far the biggest land-use decision facing San Francisco today, and one of the most significant in the city’s modern history. The project, sponsored by Lennar Corp., would bring 10,500 housing units and 24,000 additional residents to the area. Those residents would need new schools, playgrounds, open space, and transportation systems. Industrial and commercial development would create some 3,500 permanent jobs, and those people would need ways to get to work. Plans calls for new roadways, including a bridge over the fragile Yosemite Slough. The 708-acre site includes areas with significant toxic waste issues.

It’s no surprise that the draft environmental impact report on the project weighs in at 4,400 pages. It took two years to review the land use, transportation, air quality, water quality, population, employment, noise, hazardous materials, and other potential issues.

Live Shots: Timmy Mezzy, Maggie McGarry’s, 12/3/09

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Text and photos by Ariel Soto

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I have a new favorite song and I need to share it with all of you. It’s about bubbly water and it’s by the band Timmy Mezzy … and it’s amazing.

Timmy Mezzy, hailing from The Sunset District of San Francisco, have other musical delights, such as love songs dedicated to ice cream and a tune about having nothing to do at all. The five piece combo rocked Maggie McGarry’s in North Beach on Thursday night to a thoroughly enthused crowd, peppered with obvious groupies who sang along to Bubbly Water and boogied across the tiny dance floor late into the evening. These guys have got something going, so check out their next show, because their music makes me happy and want to smile and I know it’ll make you all bubbly too.

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They were expendable

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“Camera movement” doesn’t even begin to describe the orchestral coordination of tracks, pans, tilts, zooms, and compositional dimensionality comprising Miklós Jancsó’s boldly vertiginous 10-minute takes. The Pacific Film Archive screens a quartet of the Hungarian director’s influential but rarely shown films from the late 1960s and early ’70s, each a kinesthetic rumination on the awful coordinates of martial law — and perhaps the closest cinema has ever come to the epic poetry of The Iliad.
Raymond Durgnat’s account of Jancsó’s “calligraphic” camerawork helps distinguish the director’s style from formalist theorizations of the long take. From Touch of Evil (1958) to Children of Men (2006), thrilling tracking shots have come to stand as the summit of cinema’s realist plenitude. With Janscó, like Stanley Kubrick, omniscience itself is held in doubt. In The Round-Up (1966), a distressing parable of interrogation set during an 1848 campaign against insurgent outlaws, Jancsó’s free-floating camera paradoxically registers the blinkered confusion of imprisonment. The volatility of view calls attention to the partiality of witnessing. Simultaneously, the repetitive movements of degradation and violence signal a repertoire of human evil surpassing any single individual, nation, or war.
In Jancsó’s dialectical form, a Marxist apprehension of the enduring structures of power jostles against the individual’s frightened namelessness. As with Jean Renoir, the long take is not at odds with montage’s multiplication of meaning. Take the first scene after the opening titles of The Red and the White (1967). The camera glides after two Bolsheviks in flight from the counterrevolutionaries — slowly, as if in foreknowledge of the coming reversal. As they wade into a narrow river (the geography of the scene bears curious resemblance to one in 2007’s No Country for Old Men), the composition opens up terrain where another band of cavalrymen are mounting a charge. The two men beat a retreat, and now the recessing camera leads them on. One man hides behind a tree, becoming a surrogate for our own position; the other is not so lucky. An ushanka-clad counterrevolutionary soldier bullies the Bolshevik into the shallow water. The shot cues the man’s final movement: like a felled tree he topples into the drink, the first of many searing images worthy of Goya’s The Disasters of War.
Unlike most combat films, time does not bend to the casualties of war in this scene. The shot proceeds after the man is shot, the seconds flowing over crime and banality alike. You can watch one of these films a dozen times having only seen it once.
Jancsó’s durational use of Cinemascope means that actors cover a lot of physical ground in his shots. The cracked Martian expanse of the Hungarian steppe is their mortal stage, a no-place that pictorially undoes the idea of historical setting. Jancsó’s early films are often linked to the crushed Hungarian Revolution of 1956, but in truth they offer no such comfort of specificity. To the contrary, the films demonstrate how state-sanctioned violence vanquishes particularization, making them more relevant to our Guantanamo-Abu Ghraib era than anything coming to a theater near you.
It was only while watching Red Psalm (1972) that I realized the utopic possibilities of Jancsó’s reanimation of historical space. The film, composed of 28 shots in Van Gogh color, stages a late 19th century confrontation between peasant socialists and nationalist conservatives as a series of concentric rings in which the Marxist call for an alternative course of history is richly imagined, if still damned. Twelve-minute takes notwithstanding, any talk of “real time” in such film is preposterous. Serge Bozon’s 2007 film La France broached a similarly musical vision of armed struggle, but Jancsó’s swirling analysis of fate, theatre, ritual, song, idealism, God, grain, and horror is something uniquely sublime.

FOUR BY HUNGARIAN MASTER MIKLÓS JANCSÓ
Dec. 5–18, $5.50–$9.50
Pacific Film Archive
2757 Bancroft, Berk.
(510) 642-5249
www.bampfa.berkeley.edu

Editor’s Notes

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The people aren’t that weird in Oregon. They drink the same coffee we do, and the same beer, and they’re just as surprised as we are that a team from the land of Beavers and Ducks will be playing in the Rose Bowl. It rains a lot, so they don’t worry about water the way we do — in some places, you can actually take a shower with an old-fashioned spigot that pours an unconstrained and luxurious flow that would be illegal in most of California — but generally speaking, it’s not like an alien territory.
But the Oregon government took a radically different approach to the state’s budget problems over the summer. The governor and the Legislature passed measures to raise taxes on households with incomes of more than $260,000 a year and corporations with profits of more than $10 million. The bills also cut taxes on unemployment benefits. The deal would bring in $737 million and avoid deep cuts in essential public services.
Of course, some things don’t stop at state lines: antitax activists have forced a referendum on the new taxes, and in January, in a vote-by-mail ballot, Oregonians will decide whether to reject the tax plan. The newspapers are full of discussions on the impact, and the message is clear: Scrap the taxes and teachers will face layoffs, schools will face serious problems, and other public services will suffer.
I was up visiting over Thanksgiving, and I asked a friend what he thought would happen. He was pretty confident that the taxes would be retained: “I don’t know anyone who makes more than $260,000 a year.”
Of course, they don’t have a two-thirds majority requirement to raise taxes — and while Republicans all over have become little more than obstructionist troglodytes, Oregon Republicans haven’t all signed the “no-new-taxes” pledge required of every GOP legislator in California.
Even so, you have to wonder: Why can’t we do that here?
The answer, I think, is that we can — not necessarily on a statewide level (where anything progressive seems almost impossible today) but right here at home in San Francisco.
A poll commissioned by SEIU Local 1021, which came out while I was away, showed that a majority of San Francisco voters would support a broad range of new taxes, from a five-cent-a-drink tax on alcoholic beverages to a $10 a car tax on motor vehicles to an increase in the hotel tax. The poll didn’t ask about a tax on incomes of more than $260,000, but I bet the results would be about the same.
So what’s headed for the June ballot? Well, at this point all I hear is that the mayor wants to fund the expansion of Moscone Center with $140 million in revenue bonds — and might want to designate a hike in the hotel tax to pay for it. That’s a great way to set priorities — the health care system is in total collapse, Muni lines are getting shut down … and we’re going to use new tax revenue for a convention center expansion.
This comes just after the mayor announced he wasn’t going to spend the money to save critical public health services. Perhaps he’ll find some spiritual guidance on his trip to India.

Ecosexual: F*cking Machine seeks deflowerment

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Juliette Tang continues her indepth look at local ecosexuals

Martin Cooper, an overachieving SFSU graduate with a background in art and engineering, created a provocative device earlier this year for his senior art project called “The Mean Green Fucking Machine”. He received an A in the class.

A fucking machine in the tradition of those at Kink.com, the Mean Green Fucking Machine is over 9-feet in height and is powered by a water wheel. An interesting aspect of this machine that cannot be ignored is the water requirement, but while this might be perceived as a limitation, Cooper (as well as I) believe this specificity might attract a while new clientele: the kind of person who is drawn to the aquatic element and its relation to the pleasures of torture. Underwater sex has its fans, and some might find use for this machine as a way to fulfill latent waterboarding fantasies. Just a thought.

Cooper is careful to admit that the machine isn’t wholly green — it wastes the water it’s powered by — but he states that improvements will be made on subsequent creations. According to his artist statement, “…sporting an 8 inch realistic dildo, and spraying water eight feet in every direction, it is a spectacle that cannot be ignored. It cannot help but spark the imagination of its viewer, confronting them with their own views on sexuality, whether they are titillated or repulsed by what they see.” Having seen this behemoth in person, I attest that these photos do the machine no justice. Cooper’s machine conjures images of medieval dungeons, kitschy steampunk gizmos, and the handiwork of my favorite Marvel Comics’ character, the Tinkerer. It’s looms but, perhaps because it’s rendered from bicycle parts, it isn’t intimidating. To me, this is a good thing; if any fucking machine could be cute, this would be it.

Sadly, Cooper’s toy is a virgin at present, but its creator is receptive to the idea of deflowerment. Are there any takers out there? Will someone, anyone, please sxually compromise this toy?

Check out a video of the Green Machine in action here.