War

No borders!

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For all the criticism we could justifiably plop down on the mighty feet of globalization, perhaps one of the few upsides worth positing as the world keeps shrinking is that cross-cultural exchange in the arts is at an all-time high. Purists can grumble at the arrival of the "world music" phenomenon and even accuse some of its Western practitioners of engaging in Colonialism 2.0, but how about a counter-argument: hasn’t the rise of the global groove fostered a greater understanding between cultures? Isn’t this what Bob Marley meant when he sang "One World, One Love"?

Singer-songwriter Rupa Marya makes a compelling case for such counter-arguments as the leader of local — but thoroughly global — culture-jumping, genre-colliding fusionists Rupa and the April Fishes. Switching gracefully between English, French, Spanish, and Hindi vocals while leading her bandmates on breathless journeys from Parisian chanson to Indian ragas, Marya offers a thrilling vision of globalization-gone-good. On their debut, XtraOrdinary rendition — originally self-issued but recently remastered and rereleased by Cumbancha — the nature of boundaries is called into question, not just in terms of nations but also in terms of musical traditions. By drawing upon so many influences — in addition to the aforementioned, we can also add Latin alternative, polka, Romani dance, tango, and American folk into the mix — they share the same mix-it-up mettle as such intrepid travelers as Manu Chao. Hardcore traditionalists they are not.

Over lunch at a Castro teahouse, Marya expresses her dual embrace of and resistance to the oft-used world music tag applied to her band’s sound. "Someone at the label came up with ‘global agit-pop’ — I kind of like that," she offers, chuckling. "’World music’ sounds meaningless, whereas at least ‘global’ is more inviting, more inclusive, to me. After all, we are playing music from all over the world! Really, though, ‘folk music’ makes the most sense to me."

Certainly the folk description does ring true. Their sound sports a distinctly populist bent, and the bulk of the songs originally started off as solo compositions — Marya alone on her acoustic guitar. Peel away the Left Bank accordion waltzes and the sweltering trumpet fanfares, and at their core these are singer-songwriter compositions designed to inspire, motivate, and comfort. This singularly folksy concept — the healing capacity of music — segues with Marya’s other profession, as a doctor. Having deftly orchestrated a schedule that allows her to concentrate on music for part of the year and on her medical practice for the other, she has realized that the seemingly disparate careers are ultimately compatible. "I’ve definitely seen how my work in one setting inspires what I do in the other," she says. "My drive to help and empower my patients often finds its way into my songwriting."

Yet the music goes beyond healing balms. EXtraOrdinary rendition‘s title should be a tip-off that Marya knows how to lead a battle cry: it refers to the torture-by-proxy tactics employed by the current administration in its so-called War on Terror. The ensemble is also passionate about raising awareness of the dubious acts perpetrated by our government in its other ongoing fixation: the US-Mexico border. "Poder," for example — a rousing Spanish-language thumper peppered by clicking castanets and a sprightly trumpet melody — meditates on the arbitrary essence of borders. "In spite of this border," Marya sings, "life is like water / It must run."

The songwriter became acutely political aware at an early age. Marya was born and raised in the Bay Area, but at age 10, moved with her family to the south of France, where she lived for a few years before returning home. The experience left a lasting impression: in addition to cultivating a love for Gallic culture, the relocation brought up issues of cultural identity and prejudice. As someone of Punjabi Indian heritage in a country with relatively few South Asians but sizable populations of largely marginalized Roma and Arab immigrants, Marya found herself on the receiving end of plenty of preconceived notions: "It was then that I began thinking more about race, about inequality, about people treating each other differently over such things. About people creating borders between each other."

Asked about the significance of borders to the band’s platform, Marya observes: "You know, I think the best comments we can get from listeners are when they tell us, ‘When I hear your stuff, I don’t know where I am.’ That’s exactly what we’re trying to do here. We want to get rid of time and space! We want them to be lost for a little while. No borders!" It’s a feat the two-year-old group — which includes Marcus Cohen on trumpet, Isabel Douglass on accordion, Aaron Kierbel on drums, Safa Shokrai on upright bass, and Pawel Walerowski on cello — manages to pull off seamlessly, whether by pairing French tales of longing with a sultry Southwestern desert groove ("La Pecheuse") or evoking sepia-toned photos of ships and sailors in a swaying folk ballad ("Wishful Thinking").

Such versatility is vital to a defiantly non-purist point of view. "This is deliberately a mélange, a smashing of things and ideas. In order to impart a feeling of freshness — and hopefully create a little confusion along the way — we don’t want to simply do what’s expected," Marya explains. "That’s what’s so great about being here in San Francisco, why we identify so closely with here. This city encourages people to get rid of their mental borders." As Rupa and the April Fishes hit the Outside Lands stage this week, their message will surely connect with a new batch of listeners, with new sets of eyes and ears willing to temporarily lose themselves among the tangos and the waltzes.

Rupa and the April Fishes play at 1:40 p.m., Sat/23, at Outside Lands Panhandle stage, Speedway Meadow.

Pelosi backs Bush on Iran

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OPINION Has Nancy Pelosi signed off on the George W. Bush administration’s covert CIA operations in Iran? Yes, according to Seymour Hersh’s July 14 New Yorker article, "Preparing the Battlefield." Late last year, the White House submitted a Presidential Finding, a highly classified document signed by the president, to be cleared with the leaders and ranking intelligence committee members of both parties in both branches of Congress — a group that, by dint of her position as Speaker of the House, includes Pelosi.

According to a Hersh source, "Although some legislators were troubled by aspects of the Finding … the funding for the escalation was approved" — noting that congressional leaders authorized up to $400 million for increased efforts to destabilize Iran’s government.

When some Democrats became uncomfortable with the prospect of approving "potential defensive lethal action by US operatives in Iran," they conferred with CIA Director Michael V. Hayden who, Hersh writes, "reassured the legislators that the language did nothing more than provide authority for Special Forces operatives on the ground in Iran to shoot their way out if they faced capture or harm."

Nothing more than to shoot their way out? If President Bush were to reveal evidence of Iranian agents dropped into this country and authorized to kill Americans, we can well imagine Pelosi speaking forcefully about the outrage she and the House delegation would feel about such an egregious breach of our sovereignty. But how in the world does the representative of perhaps the most antiwar city in the country sign off on the United States doing this to another nation?

Then there’s the question of whom we’re funding. According to a former Middle East CIA operative, one beneficiary, the Baluchis, a Sunni Muslim group in the majority Shiite country, are "fundamentalists … you can also describe … as Al Qaeda." Another, Mujahideen-e-Khalq, has been on the State Department terrorist list for more than 10 years.

That the Bush White House would resort to arming known enemies in its frantic effort to create new ones is bad. Democrats signing off on it is even worse. But the fact that a representative from San Francisco, a city that has time and again demonstrated its opposition to these sorts of policies, might approve them is about as gross a distortion of the public will as you’re likely to find.

Hersh quotes an aide to one of the four Democrats notified of the Finding predictably arguing that it was "just that — notification, and not a sign-off on activities." But he accurately points out that Congress "has the power to withhold funding for any government operation," but chose not to.

The burden of persuading Nancy Pelosi that the Democratic Party should not approve such policies may lie primarily with her House colleagues. But if she, or they, think that this is what the Speaker needs to do, then she needs to leave that job behind — because funding a covert war in Iran simply does not represent the interests or the will of California’s 8th Congressional District.

Tom Gallagher

Tom Gallagher is a former Massachusetts state legislator who lives in San Francisco.

Clean Energy Act makes ballot

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GREEN CITY The San Francisco Clean Energy Act isn’t the only charter amendment on the November ballot, but it’s already shaping up to be the political lightning rod of this fall’s election.

Pacific Gas & Electric Co. sent out mailers opposing the measure even before the Board of Supervisors voted 7-4 on July 22 to place it on the Nov. 4 ballot. Mayor Gavin Newsom also announced his opposition to the act moments after Assemblymember Mark Leno, former San Francisco Public Utilities Commission General Manager Susan Leal, and a cadre of progressive supervisors announced their support for it on the steps of City Hall.

Authored by Sups. Ross Mirkarimi and Aaron Peskin, the Clean Energy Act requires San Francisco to fulfill 51 percent of its electricity needs through renewable sources by 2017. That requirement rises to 75 percent by 2030, and to 100 percent, “or the greatest amount technologically feasible or practicable,” by 2040.

The SF Clean Energy Act also mandates that a feasibility study be undertaken to look at the best way to provide clean, green energy, which could lead to PG&E losing its stranglehold on energy if the study finds public power to be the best option.

Explaining the importance of mandating a feasibility study, Mirkarimi said, “Otherwise PG&E has a monopoly here until the planet dies.”

Supporters say it is important for San Francisco to set up a model that others can follow. “As goes San Francisco, so goes the state of California, and so goes the nation,” Peskin said at the July 22 rally, just before the Board voted to place the act on the ballot. “This is a time when people can change the destiny of the planet.”

Moments after that rally ended, Mayor Newsom took a minute to explain his opposition.

“We have other things we should be focusing on,” Newsom told reporters at a press conference at the War Memorial Building to announce housing bonds for veterans. “Let’s call it what it is. It’s a power takeover of PG&E,” he said.

But the elected officials and myriad organizations who showed up at City Hall to support the Clean Energy Act say that public vs. private power is not the main issue.

“The public power considerations have been drafted in a thoughtful and reasonable way,” Leno told the crowd. “It would involve study after study after study, and testimony from experts.”

Leno noted that 42 million Americans have public power, and if San Francisco did turn to public power, it would be embracing something as American as mom and apple pie. “Unlike their private power company counterparts, public power systems serve only one constituency: their customers,” Leno said.

Sup. Gerardo Sandoval opined that government is better able to assume renewable energy risks. “The private industry is not going to take that risk,” Sandoval said. “It’s always going to take the cheap way out, which is fossil fuels.

Others warned the audience not to be swayed by PG&E’s anti–Clean Energy campaign, which Newsom’s chief political consultant Eric Jaye is working on.

“This is not some crazy takeover scheme,” Leal said. “It’s about protecting the environment and the rights of San Franciscans and their rate payers.”

The Clean Energy Act has been endorsed by the Sierra Club, San Francisco Tomorrow, ACORN, the San Francisco Green Party, the League of Young Voters, Green Action for Health and Environmental Justice, the San Francisco Green Party, and the Ella Baker Center for Human Rights.

Mark Sanchez, president of the San Francisco Board of Education and a supervisorial candidate in District 9, described showing “An Inconvenient Truth” to the eighth-grade science class he teaches. “What can I say to my kids — we don’t have the policies in place to mitigate the damage they see?”

The Sierra Club’s John Rizzo noted, “This act insures that San Francisco is at the center of this economy. Not in Japan, China, or Germany. It will be here.”

Aliza Wasserman of the League of Young Voters stated that “PG&E is not investing $1 in renewable energy beyond state mandates, and they lobby against measures to raise those mandates.”

Editor’s Notes

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› tredmond@sfbg.com

It’s not an easy time to be celebrating. The Bush administration has driven the economy into the toilet. After more than five years, the nation is still fighting a foolish, unnecessary war in Iraq. Unemployment is rising, and so is the cost of living.

But it’s also been a banner year for grassroots democracy. Barack Obama, the antiwar candidate, the upstart, took on and defeated the vaunted Clinton operation, and did it in large part with little pieces. He raised millions from small donors and mobilized activists on the ground in a way we haven’t seen in too many years.

And that energy is alive and well in San Francisco. The city that defied Washington and forced the legalization of same-sex marriage, the city that remains the heart of the antiwar movement, will be leading the way toward a more sustainable energy policy this fall. District supervisorial campaigns are well underway, with the mobilizations and energy coming not from big campaign donors and powerful interests but from ordinary people who live here and care about their community.

That’s the spirit we celebrate in this Best of the Bay issue.

There’s a lot more democracy in our selections this year — more selections and ideas from our readers, more input from our community. Our cover art and the illustrations inside reflect the activist traditions and inspirations of this city.

It’s bleak out there in America, but hope lives in places like San Francisco. And that’s a great reason to be proud of all that is the Best of the Bay.

Realism about Russia

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Here is the first column in a series we will be running from Project Syndicate. Project Syndicate is an international association of newspapers devoted to bringing distinguished voices from across the world to local audiences everywhere, strengthening the independence of printed media in transition and developing countries and upgrading their journalistic, editorial, and business capacities. To learn more about Project Syndicate visit: www.project-syndicate.org/

Realism about Russia

By Joschka Fischer

BERLIN – Russia’s strategy to revise the post-Soviet order in what it calls its “near abroad” will be pursued with even more perseverance following its victory over Georgia. Europe should have no illusions about this and should begin to prepare itself. But, as the European Union ponders what to do, cold realism, not hysterical overreaction, is in order.

Unfortunately, equating the current situation in the Caucasus with the Soviet Union’s invasion of Czechoslovakia in 1968 does not attest to this kind of realism. Neither the West nor NATO constitutes the decisive strategic threat facing Russia, which comes from the Islamic South and from the Far East, in particular the emerging superpower, China. Moreover, Russia’s strength is in no way comparable to that of the former Soviet Union.

Indeed, demographically, Russia is undergoing a dramatic decline. Apart from commodity exports, it has little to offer to the global economy.

Notwithstanding booming oil and gas revenues, its infrastructure remains underdeveloped, and successful economic modernization is a long way off. Likewise, its political and legal system is authoritarian, and its numerous minority problems remain unsolved. As a result, Russia’s current challenging of the territorial integrity of Georgia might prove to be a grave error in the not-so-distant future.

Given this structural weakness, the idea of a new Cold War is misleading. The Cold War was an endurance race between two similarly strong rivals, the weaker of which eventually had to give up. Russia does not have the capacity to wage another struggle of that type. Nevertheless, as a restored great power, the new Russia will for the time being attempt to ride in the slipstream of other great powers for as long as doing so coincides with its possibilities and interests; it will concentrate on its own sphere of influence and on its role as a global energy power; and it will otherwise make use of its opportunities on a global scale to limit America’s power. But it will not be able to seriously challenge the United States – or looking towards the future, China – in ways that the Soviet Union once did.

It is now clear that in the future, Russia will once again pursue its vital interests with military force – particularly in its “near abroad.” But Europe must never accept a renewal of Russian great power politics, which operates according to the idea that might makes right. Indeed, it is here that Russia’s renewed confrontation with the West begins, because the new Europe is based on the principle of the inviolability of boundaries, peaceful conflict resolution, and the rule of law, so to forgo this principle for the benefit of imperial zones of influence would amount to self-abandonment. Further eastward expansion of NATO, however, will be possible only against fierce Russian resistance. Nor will this kind of policy in any way create more security, because it entails making promises that won’t be kept in an emergency – as we now see in Georgia.

For too long, the West has ignored Russia’s recovery of strength and was not prepared to accept the consequences. But not only Russia has changed; so has the entire world. America’s neo-conservatives have wasted a large part of their country’s power and moral authority in an unnecessary war in Iraq, willfully weakening the only global Western power. China, India, Brazil, Russia, and the Persian Gulf today are the world economy’s new growth centers and will soon be centers of power to be reckoned with. In view of these realities, the threat of exclusion from the G8 doesn’t really feel earth shattering to Russia. Europe’s disunity and impotence underline this image of a West that has partially lost touch with geo-political realities.

The response to the return of Russia’s imperial great power politics has nothing to do with punishing Russia, and a lot to do with establishing innately Western – especially European – positions of power. This requires several measures:

• a new political dynamism vis-à-vis Turkey to link this country, one crucial for European security, permanently to Europe;

• putting a stop to Moscow’s divide-and-conquer politics by adopting a common EU energy policy;

• a serious initiative for strengthening Europe’s defense capabilities;

• a greater EU commitment to Ukraine to safeguard its independence;

• a greater freedom of travel for all the EU’s Eastern neighbors.

All of this, and much more, is needed to send a clear signal to Russia that Europe is unwilling to stand idly by as it returns to great power politics.

Presumably, none of this will happen, and it is precisely such inaction that is, in large part, the cause of Russia’s strength and Europe’s weakness. At the same time, however, one shouldn’t lose sight of the joint interests linking Russia and the West. Cooperative relations should be maintained as far as possible.

It is blatantly obvious that for Russia’s elites, weakness and cooperation are mutually exclusive. Therefore, whoever wants cooperation with Russia – which is in Europe’s interest – must be strong. That is the lesson from the violence in the Caucasus that Europe must urgently take to heart.

Joschka Fischer, Germany’s Foreign Minister and Vice Chancellor from 1998 to 2005, led Germany’s Green Party for nearly 20 years.

Copyright: Project Syndicate/Institute for Human Sciences, 2008.
www.project-syndicate.org

Hitting the Bullseye: a young person’s guide to safe shoot-’em-ups

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A selection of firearms at the Bullseye Indoor Shooting Range.

By Ian Ferguson

Fast approaching my 21st birthday, I realized that I had yet to shoot a real gun – unthinkable for an amendment-abiding American patriot. Each year’s 30,000 firearm-related deaths in the United States aside, when Bruce Willis knocks that gun from the hostage-taker’s hand and it skitters across the floor to stop at my feet, I had better be able to shoot it well. Imagine how much the other hostages would hate you if you messed that one up. So I drove out to Bullseye Indoor Shooting Range in San Rafael for an hour on the range.

I’ve a few excuses for having never shot a gun: my parents. As long as I lived under their roof, their patience topped out at Nerf. There’s also my homecounty, Marin – for all its open spaces it doesn’t much tolerate guns, probably because if you fire into what appears to be open space, nine times out of 10 you’ll shoot out the window of some hedge fund manager’s house nestled invisibly among forest and hill. And there’s my wallet: shooting isn’t cheap. This trip left a hole in it as large as any in the targets. Maybe that’s why the war costs so much…wait, nope, forgot about Blackwater.

Located in the warehouse district of San Rafael, Bullseye’s range fits into an unassuming, gray, single-story concrete shell of a building. (I have no idea how they keep the bullets from ricocheting around the inner walls, or piercing through them.) Inside, guns and targets line the walls as the mostly male, mostly crew-cut, mostly Army-fit staff signs shooters in from behind a glass display case. On a backpack leaning against the cash register I noticed two patches: an American flag and a military patch reading “Pork-Eating Crusaders.”

Ultimate Kink Surrender (NSFW)

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The wrestlers in action.

I ride my bicycle past the Armory just about everyday and I’ve always wanted to get inside for a tour, particularly since this magnificent, historically significant building was purchased by fetish porn purveyor Kink.com. So when the company invited me to attend Friday night’s taping of its Ultimate Surrender erotic wrestling matches, I couldn’t resist.

It might have been the weirdest event I’ve ever covered, except for the fact that it seemed so, well, normal. Only in super freaky San Francisco do we take in stride hardcore, kinky porn being made in a building once used as the staging ground for soldiers headed to war and National Guard troops suppressing local labor and social justice movement actions.

Attendees (mostly invited journalists and Kink subscribers) were treated to an open bar and got a chance to mix and mingle with the four young women who participated in this three-round tag team wrestling match, all porn actresses with an athletic side, all very sweet and charming and fairly matter-of-fact about the spectacle in which they starred.

Dictators and disarmament: This week’s cover

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Here at the hyper-local Bay Guardian, we don’t get to write about international organized crime all too often, but it’s something we truly enjoy studying when we’re off the clock. Thankfully, we were able to hoodwink our editors into allowing us to examine the subject during precious work time for this week’s cover story. Suckers.

For those of you who appreciated our profile of human rights investigator Kathi Austin, we’ve got a wealth of additional material below for you to check out, some of it great stuff we hated having to pull from the story due to space constraints and some of it links to other highly informative stories and academic studies on small-arms proliferation in the developing world.

As for Victor Bout’s arrest earlier this year in Thailand, the Russian government has reportedly worked behind the scenes to have him delivered back to Moscow. But Washington’s relatively new attorney general, Michael Mukasey, emerged from meetings during a recent trip to Bangkok declaring that the case for his extradition was “very strong,” according to press accounts. Bout has an extradition hearing in Thailand on July 28.

He fled to Moscow several years ago, probably in 2002, evading an Interpol arrest warrant in the process. Russia doesn’t have an extradition treaty with the United States, but leaving his safe confines in Moscow and heading to Thailand made him vulnerable to the arrest that occurred in February.

A photo of the arms tycoon from Agence France-Presse – one of the few seen publicly – quickly circled the globe after his capture and showed Bout dressed in a polo shirt and moustache with trim, nut-brown hair. Two massive arms are stuffed into a pair of handcuffs as he glowers at the camera and his considerable size dwarfs the Thai policemen walking next to him.

We first learned about Austin’s pursuit of Bout after reading the definitive book on him published last year by two American journalists, Merchant of Death: Money, Guns, Planes, and the Man Who Makes War Possible. The co-authors are Douglas Farah, a former West African bureau chief for the Washington Post, and Stephen Braun, a national correspondent for the Los Angeles Times. The duo thanks Austin for opening up her files during their research for the book, and Merchant of Death is a must-read for anyone interested in human rights and disarmament.

More after the jump.


Lord of War, 2005

Testimonies

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Italy seldom figures much in Holocaust studies, as its Jewish population was relatively small (just under 50,000) and only about one-fifth failed to survive the war — even after far more anti-Semitic German occupiers and policies wrested power from Benito Mussolini in 1943.

But statistically limited evil is still evil. Italian (even papal) complicity in crimes against Jewry has weighed more heavily on the national conscience lately, if a recent spate of meditations on the subject in various media is any indication. This year’s San Francisco Jewish Film Festival, the 28th, includes a program of films devoted to the subject. Titled "Italian Jews During Fascism," it presents a mix of documentary, historical drama, and contemporary fiction.

As elsewhere, the history of Jews in Italy has run a gamut from bad to worse to tolerable and back again. Propelled by basic racism as well as that "Christ-killer" concept favored by early Biblical-text revisionists and Mel Gibson, sacred and secular powers-that-were targeted Italian Jews (among others) during the Crusades and the Inquisition, then literally walled up their Roman populace in a ghetto for 300 years. By the time the extreme ghettoization was abolished, in the mid-19th century, Italian Jews (at least outside Rome) were fairly well integrated into society. They certainly were by 1938, when Mussolini announced a slew of anti-Semitic laws after years of appearing indifferent to Hitler’s particular racial obsession. ("Il Duce" hadn’t been impressed with the Nazis until his own empire-building ambitions required an alliance.)

Italian Jews were abruptly barred from serving in the military, and from attending or working at schools and universities. Thousands lost their jobs due to knee-jerk reactions from employers anxious to toe the repressive party line. These hard times got much worse when the weakened nation ceded primary control to the Nazis, and "Il Duce" became a mere figurehead for the "Republic of Salo." Mussolini rubber-stamped the mass arrest of Jews, mostly in the occupied north. Nearly 7,000 were shipped off to concentration camps. The question of what ordinary Italians — let alone the Vatican — did to oppose this murderous sweep remains a blot on the country’s 20th-century history.

The Jewish Film Festival’s quartet of related features offer various perspectives on these events. Most direct is Mimmo Calopresti’s 2006 documentary Volevo Solo Vivere (I only wanted to live), a compilation of latter-day testimonies assembled from interviews recorded for Steven Spielberg’s Shoah Foundation. Focusing on survivors (mostly female) of Auschwitz who were between the ages of four and 30 at the time, it provides first-person stories that range from poignant to hair-raising. Meeting a life love on the train en route to the camp, enduring Mengele’s "medical experiments," being forced to walk one’s father to the gas chamber. These precise recollections are illustrated not just by brutally familiar footage of starved prisoners and piled corpses, but also by earlier photo-album glimpses of family life.

Dubbed "the Italian Schindler" when his deeds first won recognition, Giorgio Perlasca was a Paduan former soldier and disillusioned ex-Fascist working abroad to procure supplies for the Hungarian army in Axis-occupied 1944 Hungary. Posing as a Spanish diplomat, he bullied and bluffed his way into rescuing and hiding thousands of Budapest Jews despite a Nazi policy of deportation and extermination. This extraordinary tale is dramatized in Perlasca: An Italian Hero. With an Ennio Morricone score and Luca Zingaretti in the title role, Alberto Negrin’s 2001 made-for-TV film is compelling. Yet it’s also overworked, painting Perlasca as a one-dimensional superhero — albeit a balding and pudgy one. The result lands somewhere between the harshness of Schindler’s List (1993), the hysterical melodrama of Black Book (2006), and the maudlin treacle of Life Is Beautiful (1997).

A fascinating footnote, the 2007 hour-long documentary Tulip Time: The Rise and Fall of the Trio Lescano tells the story of three Dutch sisters who became enormously popular in Italy as harmonizing swing vocalists. Mussolini was a fan, though even that couldn’t save them from abrupt career termination and poverty once their Jewish background was discovered. The 2003 novelistic drama Facing Windows, which had a theatrical release, finds Turkish Italian director Ferzan Ozpetek departing somewhat from his usual gay themes. Giovanna Mezzogiorno stars as an unhappy working-class Roman woman whose husband brings home a disoriented older man (the late Massimo Girotti, a screen veteran since 1940) who turns out to have concentration camp numbers on his arm. *

SAN FRANCISCO JEWISH FILM FESTIVAL

The 28th San Francisco Jewish Film Festival runs July 24–Aug. 11 at the Castro Theatre, 429 Castro, SF; Roda Theatre, 2025 Addison, Berk.; CineArts @ Palo Alto Square, 3000 El Camino Real, bldg 6, Palo Alto; and the Smith Rafael Film Center, 1118 Fourth St., San Rafael. Tickets (most shows $12) and additional information are available at www.sfjff.org

Letters

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PARTY PROMOTERS


The following two comments appeared with a July 21 posting to SFBG’s Politics blog, "DCCC vote: Does Peskin have it?"

We need a strong leader in our local Democratic Party that will call out our elected leaders on their BS. For example, [Nancy] Pelosi and her continued "do nothing but throw more monies at the war" approach. I have sat by and watched the DCCC leaders do nothing but carry the party line toward the right. It’s time for a change and to bring our party back to the left. Chris Daly would be the best one to make that happen, but unfortunately he is backing Peskin for that. I trust Chris, so I will have to go along with it for now. In 2010 you will have a chance to put your name on the next DCCC race if you don’t like how things are going.

Jerry Jarvis

Sup. Daly, never a fan of your brand of politics. I believe that San Franciscans will for years be harmed if your friend and colleague Sup. Peskin is elected chair of DCCC.

You will see my letter in this week’s Bay Area Reporter quoting both you and Mr. Peskin on your intent to change the way things are done on the DCCC and how you’re being termed off the Board of Supervisors seems to have energized you to find new ways to continue legisutf8g from beyond City Hall.

I fear for everyday San Franciscans, I fear for your children, I fear for businesses (who will pay taxes to support all that you and Sup. Peskin want to do?), and I fear for the survival of a united San Francisco.

Similar to the recent Leno vs. Migden race, I am deeply dismayed at the vitriol and partisan nature this race has taken.

Mark Murphy

WHAT IS JEWISH MUSIC?


The following comment appeared with a July 15 posting to SFBG’s Noise blog, "Shining a light on Diamond Days ’08 music fest."

Heeb magazine repeatedly demonstrates that it is pretty clueless when it comes to Jewish culture outside of a narrow set of tired shticks. When [publisher Josh] Neuman comments that "Jewish music" is "a murky moniker that generally signifies some sort of backwards gaze at a mythical, ‘authentic’ past," he’s demonstrating that he has no idea what’s going on in the Jewish music scene. Jewish music has never been so forward-looking as it is now. There are artists all over the country (and world) exploring what Jewish music can become. They are, with no more lofty goal than making great music, creating a new American Jewish culture that is as vibrant as anything that has come before. But Heeb hasn’t noticed and isn’t interested. In Heeb‘s world, being Jewish is nothing more than wearing a hip "tribe" T-shirt while laughing at your grandparents. Who’s looking backward?

Jack Zaint

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What the candidates need to tell us

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EDITORIAL The traditional kick-off date for fall campaigns is Labor Day, but in San Francisco, the candidates for supervisor have been in full campaign mode for months now, and some of the races are beginning to take shape. As political groups start making endorsements, it’s worth looking at what’s at stake here — and what the candidates ought to be talking about.

For starters, it’s going to be a crowded fall ballot, and there’s the potential for a broad progressive coalition to come together around a clear agenda for the future. Among the proposals headed for the ballot are an affordable housing plan, a green energy and public power measure, two new tax plans that focus on bringing in revenue from the wealthy, and a huge bond act to rebuild San Francisco General Hospital. All of the progressive candidates should be backing those measures and working together for their passage.

But the candidates also need to offer long-term solutions to the serious problems facing San Francisco. This is a city under enormous pressure, and unless some dramatic policy changes take place, San Francisco will continue its rapid slide toward becoming a city of and for the very rich.

A few items that ought to be on every progressive candidate’s platform:

<\!s>The city’s energy future. The fall ballot measure, the Clean Energy Act, will lay the groundwork for a sustainable local energy policy, although the supervisors will have to aggressively push the key element: creating a city-run electric utility. As long as Pacific Gas and Electric Co. controls the local grid, San Francisco will never meet its environmental goals. Rates will remain high, conservation will be an afterthought, and PG&E will resist any type of renewable program it doesn’t control. The candidates need to make clear that they’re committed to a full-scale public power system and tell us how they will move the goals of the Clean Energy Act forward.

<\!s>The housing crisis. San Francisco’s housing policy today is utter insanity. If it continues, the city in 10 years will look nothing like it does now. The middle class will be gone. Families with kids will be a vanishing species. Tens of thousands of people who work in this city — and keep its economy going — will be forced to live far away. Fancy new towers filled with millionaires will destroy entire neighborhoods and displace the city’s remaining blue-collar jobs.

The affordable housing ballot measure is a good first step, but much more is needed. Solutions aren’t easy, but they start with one premise: the city doesn’t need any more housing for the rich. Affordable-housing programs that set aside, say, 20 percent of new units for non-millionaires are a losing game because they accept as reality the prospect of a city where 80 percent of the residents are millionaires.

San Francisco needs a comprehensive policy that forces the city to meet its General Plan goals, which call for 64 percent of all new housing to be available at below-market rates. We need to hear how the candidates would make that happen.

**The structural budget deficit. San Francisco is a wealthy city, but there’s never enough money in the budget for the level of services residents want and need. With the exception of the rare boom years, the city has always had a revenue shortfall. Sup. Aaron Peskin’s two tax measures could bring in another $50 million per year — no chump change by any means. But the city needs about $200 million more per year to make the numbers balance. The candidates need to talk about where that will come from.

**The Muni meltdown. You can’t have a transit-first policy without effective transit, and Muni’s in trouble. Budget cuts are a big part of the problem, but the city needs a modern transit program — and that’s barely even on the drawing board. How are the candidates going to fix one of the city’s most important services? Will the candidates support the long-overdue completion of the city’s bicycle network and other bold efforts to decrease reliance on the automobile?

**The war on fun. As the city gets richer, it gets more uptight. Street fairs are under attack. Clubs are facing police crackdowns. Permit fees and red tape are making it almost impossible to hold events in Golden Gate Park. Sup. Ross Mirkarimi has a ballot measure to make some of the permitting easier, but what are the candidates going to do to end the Gavin Newsom–era attack on arts and entertainment?

There’s much more: The police aren’t solving homicides. Small businesses feel utterly ignored by City Hall. The Planning Department is run by developers. The list goes on. And the next Board of Supervisors will need to address all those issues. Over the next few months, the candidates that want the progressive vote need to give us some clear explanations of where they stand.

Hunting the lord of war

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› gwschulz@sfbg.com

Accused illegal arms dealer Victor Bout’s long-awaited arrest by Thai police officers March 5 was an important victory against unchecked human rights abuses around the world, and a personal vindication for the San Francisco woman who helped bring Bout to international attention.

Bout arrived at the luxurious Sofitel Hotel in Bangkok believing he was to meet with two senior leaders of the Marxist guerrilla army known as the Revolutionary Armed Forces of Colombia, or FARC. The men, it turned out, were paid informants operating on behalf of US drug enforcement officials.

Through an associate, the 41-year-old Bout allegedly promised to sell the duo large quantities of weapons to continue FARC’s decades-old insurgency against the Colombian government. According to an April federal grand jury indictment filed in New York, the arms included surface-to-air missiles, AK-47s, C-4 explosives, land mines, and even people to help train FARC soldiers in using the weapons.

Among those most relieved — and surprised — at the arrest was a relentlessly determined human rights investigator who lives in San Francisco. Kathi Lynn Austin, 48, has been pursuing the notorious trafficker and war profiteer for more than a decade.

Bout, a former USSR Air Force officer, is widely reputed to be one of the world’s most active criminal arms dealers, perhaps best known for his spectral presence on the African continent. There, he cultivated professional relationships with its litany of brutal dictators and helped fuel some of the most appalling human rights tragedies of the last century.

Austin and other investigators, as well as journalists and law enforcement officials in several countries, say that Bout expertly structured a business empire of shell companies, dubiously licensed cargo planes, and endless arms accumulations from former Soviet stockpiles — all of which were intended to minimize evidence linking his name to illegal weapons dealing.

But the work Austin did to penetrate that shell and expose Bout was so notable and dramatic that Paramount Pictures announced in December 2007 that superstar Angelina Jolie would play her in a drama inspired by Bout’s infamous career.

It’s a stunning achievement for someone who 15 years ago struggled to convince even her colleagues in the human rights community that the end of the Cold War and the globalization of organized crime made nonstate actors like Bout as much of a threat to peace as the tyrannical governments they’d been naming and shaming for years.

"A human rights violation is considered a violation that is carried out by a state actor," Austin told the Guardian. "We were trying to change the whole field of human rights to philosophically say we should be going after these private perpetrators as well."

Austin has helped document Bout’s convoluted network since about 1994, first as a consultant for Human Rights Watch and later as arms and conflict director for the Washington, DC–based Fund for Peace, for which she maintained a San Francisco office, before eventually working for the United Nations.

After returning to San Francisco in June from an 18-month UN mission in East Timor, Austin agreed to talk about her investigations of Bout over several hours of interviews near the North Beach apartment where she’s been holed up writing material for the Paramount script.

Seeing Austin in a crowded coffee shop with clear features and wide, earnest eyes, it’s not easy to imagine her charging through the world’s hellholes: Rwanda, Sierra Leone, Liberia, the Democratic Republic of the Congo, Angola, and other African conflict zones where the UN has imposed longstanding but ineffective arms embargos.

The work of Austin and others repeatedly helped show that death and destruction could continue indefinitely for the right price paid to savvy arms brokers like Bout, while the United States failed to regard the plight of civilian populations across Africa as vital to its interests.

As the world would learn in 2004, even the US military relied on Bout’s planes to conveniently bring its partially privatized war machine down on Iraq, making this story about more than just Bout and his pursuers.

Following Bout’s arrest in Thailand, federal prosecutors here charged him with conspiring to kill US nationals and attempting to illegally acquire anti-aircraft missiles.

In 1997 the United States designated FARC a terrorist group for kidnapping and murdering American citizens in Colombia. US officials also consider Colombia the globe’s largest supplier of cocaine, a trade that’s kept the leftist rebels afloat.

Bout allegedly told DEA informants that an ongoing, violent campaign by the FARC to counter America’s cocaine fumigation efforts in Colombia was his fight, too, and that he could supply the guerrillas with everything they needed.

Days after this story goes to press, however, he’s due for a court hearing in Bangkok, where a judge will decide whether to extradite him to the United States. That means Bout could face a criminal trial on American soil. To Austin, that’s long overdue. She had lost hope that her country would subdue a top-tier enabler of gross human rights violations. A secret sting operation led by American narcotics agents was the last thing Austin believed would lead to Bout’s capture — and for good reason.

She first became aware of his name in 1994, shortly after witnessing one of the brightest moments in contemporary African history. On April 24 of that year, Austin stood near the polling station as Nelson Mandela, a political prisoner of 27 years, marked his ballot in South Africa’s first fully democratic election. She’d been invited to attend after working as a researcher in the Natal province documenting political violence and the apartheid government’s desperate attempts to preserve decades of white control through upheaval and destabilization. No one was sure Mandela would reach the ballot box.

"We got up at three, four in the morning to load a bus," Austin recalls. "Nobody told us exactly where it was. We had to go under cover of darkness. When we got there, he voted just after the sun came up."

The inauguration party weeks later spilled out everywhere in Johannesburg. Austin mingled with foreign journalists and drank champagne. But one of the greatest parties of the century turned glum as vague reports mounted describing trouble in a nearby country, one smaller than Maryland and at the time unknown to most Americans: Rwanda.

"Nothing was really clear. It was all very ambiguous," Austin remembers. "We just kept hearing these reports that 10 Belgian peacekeepers had been killed and the UN was pulling out and people were dying on a massive scale."

The Rwandan genocide would become one of the greatest human atrocities since the Holocaust as extremists from the ethnic Hutu majority massacred at least 800,000 minority Tutsis and Hutu moderates with gruesome efficiency while the world stood by.

As details emerged, Austin raised money in the United States and worked to get to the beleaguered African nation as soon as possible. Meanwhile, a Tutsi-led military offensive defeated the Hutu Power government in the capital city of Kigali by July 1994 and supposedly ended the genocide. But as Austin and others would learn, the violence was far from over.

Hundreds of thousands of refugees streamed toward the eastern border of neighboring Zaire, among them the perpetrators of the genocide. Hidden inside refugee camps, Hutu militias renewed their strength and began amassing weapon caches with the quiet support of Zairian dictator Mobutu Sese Seko.

Austin fearlessly penetrated the militia encampments, persuading exiled Hutu military leaders to disclose how they had obtained antitank grenades and high-caliber ammunition. The list included Col. Théoneste Bagosora, considered to be a chief architect of the genocide. Her trick? Austin told them she was a researcher for the neutral-sounding Institute of Policy Studies — which was technically true — and simply needed to hear their side of the story.

"It was a really treacherous place to be," Austin said. "At the time I appeared young, nonthreatening. I didn’t often say I was with Human Rights Watch…. In any kind of organization, people are motivated by many different things. You find those sources that for some reason or another want to help out or are so ego-driven they don’t think that any information they give to you is going to be used somehow against them."

She also interviewed members of flight crews who gave her information on cargo companies hired by the Mobutu government to secretly supply its Hutu allies with weapons by falsifying official flight plans and end-user certificates, key legal requisites designed to curtail transnational arms shipments.

According to her later Human Rights Watch report, "The militias in these camps have taken control of food distribution, engage in theft, prevent the repatriation of refugees through attacks and intimidation, carry out vigilante killings and mutilations of persons suspected of crimes or of disloyalty … and actively launch cross-border raids."

What didn’t make sense was how the suspected ringleaders of the genocide could obtain weapons despite the return of peacekeepers to the area and an arms embargo on Rwanda imposed by the UN.

CIA investigators later discovered that planes belonging to Bout were involved in supplying the outlaw Hutus, according to Douglas Farah and Stephen Braun’s definitive book on Bout, Merchant of Death: Money, Guns, Planes, and the Man Who Makes War Possible (Wiley, 2007).

Austin also came to that conclusion by the end of an eight-month fact-finding trip to the region carried out in 1994 and 1995. Her findings for Human Rights Watch helped propel her to international notoriety as more NGOs focused on illegal arms flows coming from private brokers.

"The Rwandan genocide was really the watershed, for me and for Bout," Austin said. "In the early years, he’s building his empire and I’m beginning to narrow what I want to investigate. I was becoming more and more convinced that in all the wars I was looking at, it was logistics. It was all about who could bring in the guns, the fuel — keep the war going."

Back then, Bout was still a bit player among many weapons suppliers working on the continent, according to Austin. But he soon did something that would significantly boost his career and help make him what another Bout pursuer once described as "the McDonald’s of arms trafficking." He switched sides and helped the new post-genocide Rwandan leadership topple the neighboring Zairian presidency of Mobutu, Bout’s own longtime client.

Zaire is known today as the Democratic Republic of the Congo. Bout would make yet more money years later aiding another warlord who attempted a violent coup inside the country, Jean-Pierre Bemba. The International Criminal Court last month charged Bemba with mass brutality and rape committed against civilians between 2002 and 2003.

"He [Bout] has no loyalty," a Bout associate told Merchant of Death authors in 2006. "His loyalty is to his balls, his sweet ass, and maybe his wallet."

Probably Bout’s most cynical move occurred in Afghanistan. At the start of his career, in the early 1990s, he allegedly maintained an intimate business relationship with commanders of the Northern Alliance, the tribal army that fought Taliban extremists for years until gaining power in Afghanistan with US help following the Sept. 11 terrorist attacks.

US officials began openly acknowledging in 2005 that Bout earned as much as $50 million also furnishing the Taliban with military equipment during its reign over the country.

Austin’s upbringing is the antithesis of what one might expect from an international human rights investigator. The oldest of five kids, she played guitar in a country-and-western band with the rest of her siblings, embarking on tours throughout the South from their home in Richmond, Va.

"We would play for people who had no money," she said. "We’d camp out for three days just to give them some music."

In the ’60s , the family of Baptists played at small African American churches during the climax of Southern segregation and against the backdrop of racist terror. They defied the neighbors and invited black friends over for dinner or socialized with them publicly. The Austins were largely apolitical, but Kathi says her parents insisted on human decency and encouraged a basic sense of justice and rebellion.

Her exposure to the destitution of many formerly enslaved black families in the South translated seamlessly in her own mind to Africa, a continent that fascinated her. But her understanding of the continent was limited.

"I just wanted to go save Africa one day. It was what I said I wanted to do with my life when I was really young…. I had this kind of missionary zeal, this very naïve, humane impulse."

Few people in her family considered going to college, but Austin hungered for academic achievement, securing a scholarship to the University of Virginia in the late ’70s.

Civil rights turmoil at the school politicized her and transformed her deeply. A model Organization for African Unity held for college students each year at Howard University in Washington, DC had the greatest impact. She attended it devotedly for several years. After competitive debates, politicians, professors, and other experts would speak to the students about Africa’s colonialist history and the anti-Apartheid movement.

"I really began to understand a lot of the underpinnings of what was going on with the African liberation movement in South Africa," she said. "I became engrossed in it and learned a lot intellectually and got a good sense of what I thought."

Austin began to zero in on the Ronald Reagan administration’s agenda of undermining Soviet communist influence in the region. The United States covertly backed the UNITA rebels in Angola against a communist-led liberation movement there, and continued to support the white-dominated and separatist apartheid regime of South Africa.

She wanted to investigate the unsavory relationships Reagan’s White House had developed on the African continent in its crusade to defeat communism during the Cold War. But Austin was aware of only two think tanks in the capital that examined such issues and had a reputation for attracting left-leaning luminaries. One was the nonprofit National Security Archive, a repository of declassified intelligence and foreign policy documents obtained largely through Freedom of Information Act requests.

Headquartered at George Washington University, lawmakers concerned about US covert activities abroad and some of the nation’s best-known journalists, including New Yorker writer Seymour Hersh, palled around at the independent, nongovernmental research library after it was founded in 1985 by a group of muckracking reporters and scholars.

Austin’s internship there in 1988 created a new realm of possibility — solo investigations — and sparked an interest in following the intricate paper trails that accompanied her growing knowledge of Africa’s geopolitical landscape, frequent outbreaks of low-intensity conflicts, and evasive weapons procurers.

But she still had never been to Africa. "That was my big ambition," she said. "If there’s anything about me it’s that I’ve got to see for myself."

As her ties to Washington expanded, she joined a World Bank urban rehabilitation team, writing political and economic background reports on Angola in 1989, believing she could make a difference inside the ill-reputed lender to developing countries.

She didn’t, but it was enough to give her first contact. After that trip to Angola, Austin used her savings to stay behind, joining a UN mission overseeing the withdrawal of Cuban troops above the 19th parallel, who were there as a result of Angola’s years-long civil war. She later went to Mozambique on a MacArthur Foundation grant and interviewed private mercenaries operating there for a report called "Invisible Crimes" that included a simple investigative formula she would employ for years to come: What’s wrong? And who’s doing it?

"Through the years, you realize just what kind of danger she’s in," her sister, Cindi Adkins, said from Virginia. "We would go days, weeks, months without hearing from her. My mom would say, ‘We have to call the Red Cross and see if we can find out that she’s okay.’<0x2009>"

Wanting to escape Washington culture, she moved to North Beach in 1997 after becoming entranced by San Francisco’s slower pace. Between missions, she’d spend full days at Caffe Sapore on Lombard Street writing a book about arms trafficking she’s still working on today.

Stanford University’s Center for African Studies invited her to become a visiting scholar for a year, researching arms proliferation and lecturing students, while the Goldman School of Public Policy at the University of California, Berkeley, did the same thing shortly afterward.

But the San Francisco–based Ploughshares Fund became one of Austin’s biggest supporters, helping her finance the creation of a local arms and conflict office for the Fund for Peace, an antiwar think tank in Washington.

"At that time, one of the areas we did a lot of funding in was the control of small arms and light weapons," said Deborah Bain, Ploughshares’ communications director. "Kathi was someone who did a lot of very courageous work tracking arms flows around the world. We were very impressed with the work she was doing and the kinds of results she was getting."

By then the UN had grown to understand the need for knowledgeable people on the ground who could travel across various war-torn African countries and gather evidence on who was vioutf8g arms embargos and how they were doing it. In the coming years, Austin served as a consultant and official expert on panels that investigated sanctions violations in Liberia, the Congo, Uganda, Burundi, Sudan, and Sierra Leone with teams of other human rights investigators who’d long followed Bout’s operations.

Her ex-boyfriend, Todd Ewing, a foreign economic development specialist and Bay Area native who began dating her in East Africa during the ’90s, described Austin as intense and ambitious. While his own blonde hair and six-foot frame made him conspicuous in the region, he said Austin’s "big brown eyes" and polite manner enabled her to slyly convince gritty characters to talk.

"Her MO at that time would be to just disappear for months [on fact-finding trips]," Ewing said. "I always liked to describe her as a sort of spy for the good guys."

Observers say that history handed the equally ambitious Victor Bout a perfect storm in 1991 at just 24 — an age when many Americans are looking for their first post-collegiate job.

The Soviet empire dissolved that year, ending the Cold War between Russia and the United States. Economic globalization expanded and gave every creative entrepreneur with good connections, criminal or legit, a chance to make a fortune. Aging Cold Warriors in the Beltway during the Bill Clinton era and later in George W. Bush’s cabinet maintained a stark binary ideological view of the world and failed to take seriously the growing threat posed by transnational criminals who had exchanged ideology for profit.

After the Berlin wall fell, corrupt Russian oligarchs infamously plundered the country’s assets as they were privatized following years of state control. Some robbed Russia’s rich oil reserves. Bout sought its military installations and airfields containing rows of cheaply available and unused commercial planes, all essentially abandoned by the central government.

Profiles of Bout put him in Angola — and possibly Mozambique — working as a translator for Russian peacekeepers when the Soviet Union broke up. US officials say Victor Anatolijevitch Bout was born in Dushanbe, Tajikistan, a deeply impoverished former Soviet state, and speaks several languages.

Bout told the New York Times in a rare 2003 interview that he purchased three Antonov aircraft for next to nothing in 1992 and used them to exploit a gap in the transit market, at first ferrying innocuous cargo like flowers from South Africa to the Middle East.

But the mogul quickly fostered connections to old Eastern bloc manufacturing and storage facilities in places like the Ukraine and Bulgaria, which were filled with AK-47s — ubiquitous in the developing world — ammunition, tanks, helicopters, and other military equipment.

Over time, investigators say he erected a complex web of cargo and airline companies designed to throw off suspicion. If one firm faced too much attention from aviation authorities, another was created to hold the assets. Otherwise, bribery, fraud, and forged documents were used, according to a report on Bout created by the US Treasury Department. In many African countries, aviation regulations are weak and international law is rarely enforced.

"Unless confronted with documentary evidence to the contrary, Bout’s associates consistently deny any involvement with Bout himself or playing any role in arms trafficking," the treasury report from 2005 reads.

US officials believed by then that he controlled the largest private fleet of Soviet-era aircraft in the world and employed hundreds of people, overseen partly from a nerve center in the United Arab Emirates, at the time a fast-growing and highly unregulated intercontinental transportation hub east of Saudi Arabia.

The Treasury report and other investigations say Bout became a confidante of the Liberian dictator Charles Taylor, supplying him with gunships and missile launchers. Taylor is currently on trial in the Hague for directing horrifying atrocities in neighboring Sierra Leone, ranging from widespread and extreme sexual violence to drugging and forcing children into combat.

When treasury officials here finally moved to seize Bout’s assets and bar Americans from doing business with him in 2004, they concluded that he had received diamonds extracted from Sierra Leone in exchange for supplying arms to Taylor.

That year saw one of Austin’s boldest attempts to confront the trafficking of illicit goods, on an airport tarmac in the Democratic Republic of the Congo, at that time under its own arms embargo. A UN team Austin worked with uncovered piles of questionable registration records during a surprise inspection of two dozen planes, some of which fit Bout’s profile, as their Russian crews stood by, annoyed.

"I only told one or two high-ranking UN officials to get their permission, so we could be sure it didn’t get leaked out," Austin said. "None of the people involved in the actual inspection knew about it until that morning…. I’m still surprised it was so effective. I’m not sure it would work again."

International aviation rules require pilots to maintain several different types of documents, but the group found that 21 planes had invalid registration papers, two had false airworthiness certificates, and three had no insurance to speak of — telltale signs of smuggling. The group determined that weapons in the area were being exchanged for illegally mined columbite-tantalite, or coltan, a valuable mineral contained in some modern electronic devices such as cell phones.

The revelation led the UN Security Council to place Douglas Mpamo, a prominent alleged Bout manager in the region, on the DRC sanctions list, along with a pair of well-known Bout subsidiaries. With Austin’s help, another reputed top Bout lieutenant named Dimitri Popov made a similar security watch list in the United States.

Meanwhile lower-level bureaucrats in the US State and Treasury departments collected evidence on Bout for years, assisted by Austin, who occasionally met with them to relay information she had gathered on fact-finding missions. She testified to Congress about the proliferation of small arms, too, but after Sept. 11, the White House drifted away from a growing campaign to stop Bout.

"I don’t think the Bush administration should get any credit for the fact that Victor Bout was arrested," Austin said. "I think it has to do with the DEA being insulated from the policy influences of the administration. They kept the case so secret they were able to succeed. In the past, once it became an interagency issue or problem, bureaucratic inertia and turf wars entered in and always raised some obstacle to the actual pursuit of Bout."

Eventually, that bureaucratic inertia began to look like something far more shameful.

On April 26, 2005, several state and federal law enforcement agencies including the FBI, IRS, and Dallas Police Department, raided two homes and an office in Richardson, Texas, looking for evidence that Bout’s tentacles had reached the United States.

The properties belonged to a Syrian-born American citizen named Richard Chichakli, who had served in an aviation regiment of the US Army during the first Gulf War. After being discharged in 1993, Chichakli helped create a free trade zone in the United Arab Emirates.

That’s where Chichakli likely first met Bout. Chichakli later returned to the US and became licensed as an accountant and an expert in military contracting. Officials found records showing that the 49-year-old Chichakli had created American companies connected to Bout.

Also discovered during the raid were wire transfer statements showing hundreds of thousands of dollars at a time moving from Bout-connected companies in the UAE to Chichakli in Texas, and credit card invoices managed by Chichakli listing Bout’s lavish purchases at businesses serving the nouveau riche of Moscow.

The raids were the result of a July 2004 executive order signed by President Bush — who, facing pressure from the UN, authorized the raids and prohibited Americans from doing business with Bout due to his connections to Taylor in Liberia.

The White House’s action came years after Austin and other investigators compiled their own research on Bout’s role in arming African warlords. Thirty companies and four individuals were added to a blocking order as a result. Federal court records from the case include extensive references to UN reports on Bout, including some Austin worked on, like one citing witnesses who saw a Bout-connected plane transporting large volumes of arms and ammunition through a Congolese airport between February and May 2004. Something was finally being done, or so it seemed.

But Austin and her colleagues were furious to learn that the US Defense Department hired Bout’s vast air armada with taxpayer money nearly 200 times in 2004 alone to ferry supplies and construction materials into Baghdad after the start of the Iraq war.

Merchant of Death co-author Braun, a Los Angeles Times national correspondent, reported for the paper in December 2004 that two well-established Bout companies, Air Bas and Irbis, had contracted with the US Air Force and Army as well as private companies like FedEx and Kellogg Brown & Root, the much-maligned former Halliburton subsidiary. The State Department had circulated a list of Bout companies warning its officials not to use them, Braun wrote, but the Pentagon made no similar effort.

A fuel purchase agreement included in Chichakli’s court file shows that the Defense Department used Air Bas "for official government purposes" just nine days after Wisconsin Democratic Sen. Russ Feingold questioned top defense officials, including then–Deputy Secretary of Defense Paul Wolfowitz, about such contracts. But Wolfowitz didn’t acknowledge what he eventually characterized as the "inadvertent" use of Bout’s planes for Feingold until months later.

When Austin delved into the issue in 2005 with fellow Merchant of Death author Farah, a former West African bureau chief for the Washington Post, the pair obtained new information for an article in the New Republic showing that the US military also used Bout-controlled companies during a four-month period in 2005, long after the "inadvertent" contracting had first been publicized.

The discoveries were a major letdown for Austin. She’s discussing with some NGOs the possibility of suing the federal government for vioutf8g its own presidential executive order. But Austin knows that even if Bout lands in a US prison for life, there will be someone else to take his place. It’s already happening, she says. As dark as it sounds, Austin will never have to go without a job.

"I’ve seen so much of the same thing go on year after year," Austin said. "You just have to take it in stride and keep coming back punching and hitting. That’s just the nature of the beast, the nature of the work that I do. You just have to keep going."

Tough love for the McCain campaign

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By Bruce B. Brugmann

A tip of the Potrero Hill martini glass to Bob Scheer for his superb column in the Chronicle outlining the damming role of former Senator Phil Gramm as Senator John McCain’s campaign co-chair. And a tip of the Potrero Hill martini glass to the Chronicle for running this excellent column and for his column regularly from Creators Syndicate. Key question: Why does it take Scheer, a columnist not on the campaign trail, to lay out this critical line on Gramm and his Senate leadership as chair of the powerful senate banking committee to engineer “passage of legislation that effectively ended the major regulatory restraints applied to the financial industry in response to the Great Depression.”

Scheer raises the critical question for McCain and the Republicans:

“Why in the world would you designate as your key economic adviser someone who left the Senate to become an officer of the UBS bank that is at the very center of this mess, a former senator who not only secured highly paid employment with a banking giant that benefited from legislation he helped pass, but who then lobbied Congress for even more of the deregulatory breaks that got the bank into such deep trouble?”

Another question for the rest of the mainstream media: Why does it take Scheer, former Ramparts editor who did the pioneering stories on the origin of the Vietnam War, to raise these obvious questions that ought to have been investigated and dramatized about McCain rather than the daily minutia that keeps popping up on the cable and TV shows and in the daily newspapers? Why isn’t an authentic, liberal, political reporter asked to appear on any of the talk shows or on any programs commenting on the campaign? B3

Click here to read, How about ‘tough love’ for bankers? by Robert Scheer.

You’re going to myth me

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You don’t need to pick up all the subtleties of Berkeley-born Iranian American artist Ala Ebtekar’s work to appreciate the resonant beauty of, for instance, The Ascension II (2007), and its angelic, part-griffin, semi-human, quasi-Homa messenger drawn from Persian mythology, winging across reams of Farsi as assorted readers’ delicate notes intricately lace the printed manuscript. But it helps to know that the iconography of that winged messenger reaches back 5,000 years to a pre-Islamic Iran, was eventually appropriated in depictions of Ayatollah Khomeini, and that the angels with keys dangling from their necks, surrounding the wary mythical creature, refer to the child soldiers enlisted during the Iran-Iraq War (1980–88) to run across battlefields and detect land mines. "They’d give these kids these keys to heaven," explains Ebtekar at his Palo Alto studio near Stanford University, where he received his MFA. "It’s like, ‘Whoa!’ That’s a certain kind of mythology, but it’s tapping into something apocalyptic."

And you don’t need to know the specifics of aerospace design to appreciate the watercolor, acrylic, and ink jets tearing across script in The Breeze of Time (2002): they happen to be the exact ones used in the Iran-Iraq War. Ebtekar is aware that viewers bring their own connections to the work. "Yeah, I was doing this stuff before 9/11, in school, on book pages, and then 9/11 happened and I stopped. I thought, there’s no way I can do this," he recalls. Much of his work tied in directly with the Iran-Iraq War, a part of his own personal mythology, and the reason his activist Iranian parents remained in the States. "I was very much tapped into those older stories and histories. But then they announced the [Iraq] war, and I thought, actually, if there’s any time to do it, it’s more important to do it now than not."

The urgency of the present continues to call to Ebtekar, who draws from his studies in Iran of the refined art of Persian miniature painting and the less-known, more visceral field of coffeehouse painting for his works, which range from the aforementioned pieces that play off rich layers of text and imagery — and Iranian poetry and history — to large-scale graphite drawings that superimpose the outlines of Iranian wrestlers — current street-level mythological heroes — with hip-hop figures culled from Ebtekar’s music-obsessed youth, one spent DJing at parties and interning as a hip-hop DJ at KALX 90.7 FM.

As we listen to classic tracks by his mother’s pop idol, Iranian diva Googoosh, and scope out images of strongmen striking poses in a zurkhaneh (house of strength), juxtaposed with aerodynamic break-dancers in his studio — aptly situated over a downtown Palo Alto coffeehouse and crammed with art supplies, books, cassettes, vinyl, and a Tehrangeles T-shirt Ebtekar made for the 2006 California Biennial — it’s clear the artist’s pop interests still find a way to light: witness the 2004 Intersection for the Arts show that saw Ebtekar pairing a white-washed Iranian coffeehouse installation with shoes sporting fat laces fashioned from ornate Persian textile. "Bay Area Now 5" will find him combining his two approaches with a piece that layers ancient and modern-day warriors in a ghostly epic that looks backward and forward — a gesture familiar to Ebtekar, who rolls his eyes over John McCain’s comment on recent cigarette exports to Iran — "Maybe that’s a way of killing them" — and is currently teaching art at UC Berkeley in preparation for his dream. By 2011, he wants to start an art foundation and school in Iran.

After the US presidential election, Ebtekar hopes he can make it happen. First, he says, "there needs to be more diplomacy. In Iran, there’s this thing about nostalgia. You had such a great empire in the past — how do you move forward?" As a Bay Area 18-year-old who fell in love with Iran when he studied art there in 1997, he’ll be able to synthesize the past and future, bringing his ancestral mythology back to the old country in new forms. "It’s like having these multiple identities and being able to tap into this side of you and that side of you," Ebtekar explains. "They’re not clashing, you know what I mean. They’re rocking it full force."

Campaign pain?

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November’s presidential election already looms on the horizon like a herpes outbreak, promising nothing so much as a painful, shame-filled denouement to a drunken and ill-conceived flirtation with someone you thought you knew. So it’s refreshing that the San Francisco Mime Troupe’s seasonal offering of free, rabble-rousing political theater is an election-year special in which the opposing candidates from the two monopolizing parties are conspicuously absent. Instead, Red State, which opened by tradition July 4 in Dolores Park, focuses on the screwed-if-you-do/screwed-if-you-don’t quandary of voting itself, and does so with populist gusto tinged with a reddish hue — a thematic color imbuing everything from the design scheme to the pointedly funny dialogue’s New Deal–style social-democratic slant. It also reflects the rising blood pressure that results from underlying but palpable frustration and outrage.

Reclaiming red from the dusty color wheel of history, Mime Troupe head writer Michael Gene Sullivan’s smart and consistently funny script — brilliantly delivered by a uniformly sharp and charismatic cast and fueled by composer–band leader Pat Moran’s eclectic set of apt and catchy songs — posits FDR’s small-town America as marooned at Francis Fukuyama’s end of history. Set in a puny Kansas ‘burb named Bluebird, Red State casts November’s "Countdown to Armageddon" (as the play’s CNN reporter colorfully advertises his network’s election coverage) in the screwball style of Depression-era comedies as Bluebird becomes the unlikely tiebreaker in an electoral dead heat.

Suddenly the nation’s eyes are riveted on an otherwise microscopic microcosm of average American life at the beginning of the 21st century. This focus on the lives of the town’s humble and much abused citizens throws everyone for a loop, not least the government’s smarmy and ambitious election official (Velina Brown), who is so obsessed with thoughts of a cush Washington, DC-based promotion that she has difficulty remembering which state she’s even in.

For its part, Bluebird feels like a town under siege, but just who the enemy is remains initially hard for the inhabitants to fathom, or agree on, anyway. Is it the wrath of God? The communists? It all depends on whom you ask among the locals, a population whose representative eccentrics include a God-fearing, Jesus-toting fundamentalist (Noah James Butler, bearing cross and life-size Christ) and a rabid (and equally anachronistic) anticommunist named Eugene (Robert Ernst).

What is clear enough is that jobs have dried up (the local pencil factory — the onetime pride of the town, which liked to promote itself as "the Number 2 pencil capital of North Central Kansas" — just relocated to the cheap labor environs of Uzbekistan), public services have dwindled to nil, and the dilapidated sidewalks and roads are a physical menace (nearly undoing a local soldier, played by Adrian C. Mejia, who’s just returned in one piece from Afghanistan).

If that wasn’t enough, the town’s only electronic voting machine is on the fritz. But this little debacle, in the context of an electoral tie, ends up being an opportunity that gets the town thinking and the earth trembling beneath Washington, DC. Deciding to withhold their votes until the proper share of their tax dollars gets re-diverted back to their community where it belongs, and away from endless war-making and corporate welfare, Bluebird manages (in the most unlikely but coruscating of Capra-esque scenarios) to hold a corrupt and hubristic system at bay, spotlighting the government–big business alliance that for decades has fleeced towns like Bluebird of their taxes, able-bodied military-age youth, and everything else not nailed down. Or so to speak: before the town turns the tables on the system, even Bluebird’s fundamentalist is driven in desperation to ask the Antiques Roadshow host, "How much for Jeezus?"

RED STATE

Through Sept 28, free

Various Northern California locations

Visit www.sfmt.org for schedule

Sports: The Giants’ quiet hex

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eddie.jpg
Eddie Grant, swinging from the heels in the pre-hex days

By A.J. Hayes

When compared to other noted sports hexes – notably, the Chicago’s “Billy Goat Jinx” and Boston’s now squelched “Curse of the Bambino” – the San Francisco-directed “Plague of the Plaque” falls short of the fences in terms of romantic heft.

The mysterious malediction is not centered around a larger-than-life superstar who was peddled to a rival club to help finance a Broadway play, nor does it have anything to do with a rogue farm animal that was ejected from Wrigley Field during the 1945 World Series for behaving and smelling like an, er, rogue farm animal.

No, the protagonist in this whammy was a gaunt infielder turned World War I hero named Eddie Grant, who only managed to hit his weight in 10 big league seasons because he was so darned skinny.

But if you’re inclined to believe in the sporting spirits, or you think “Field of Dreams” was a pseudo-documentary, you just might buy into the “Plague of the Plaque,” AKA “Eddie’s Affliction.”

Sound in the balance

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"Anger is an energy," sang John Lydon in the Public Image Ltd. tune "Rise." San Francisco electronic artist Kush Arora harnesses a similar combustible force in his live shows and on the three full-length recordings that have made him an established club fixture and touring act. "I try to do something different with music and express the frustrations of the youth in this country," says the affable 26-year-old Haight District resident, who performs with Chicago’s MC Zulu July 13 at Dub Mission.

Arora’s ragga-techno fusions have struck a chord with audiences from the Bay Area to New York, while monthly hybrid live/DJ sets at Club Six’s Surya Dub night have earned him a broad audience that includes dubstep heads, bhangra fans, experimental electronic admirers, and grime listeners. It makes sense as the former Montessori School teacher has always balanced different cultures.

Born in San Leandro and educated in Orinda’s leafy suburbs, Arora ingested death metal, punk, and experimental-industrial sounds, as well as his family’s Indian and Punjab music, learning traditional instruments like the single-stringed tumbi and algoze flute. His music experience increased after interning at his uncle Aman Batra’s Manhattan hip-hop studio Sound Illusions, and later working for sound-editing software company Arboretum Systems.

In high school he formed an experimental band called Involution, which he helmed for six years before launching his solo noise project Clairaudience in the early ’00s. But it was while attending a 14-month audio recording course at Emeryville’s Ex’Pressions that he learned a signature skill: recording live vocals. "When I was writing songs for my first album [2004’s Underwater Jihad (Record Label/Kush Arora Productions)], I wasn’t impressed with my own work or where electronic music was at the time. It wasn’t badass enough," explains Arora, who also felt there was a lack of high quality, vocal-based dance music in the Bay.

Soon Arora contacted and tracked stateside Punjabi singers and ragga MCs, including Chicago’s MC Zulu, Trinidad’s Juakali, Jamaica’s N4SA, Los Angeles’ Wiseproof, and San Jose’s Sukh and Sultan. "I wanted to work with people who were dangerous and different, especially vocalists who didn’t fall into their music’s niche or category," Arora says of the often confrontational and political artists he’s recorded on full-lengths like 2006’s Bhang Ragga and 2007’s From Brooklyn to SF, both released on his Kush Arora Productions imprint. The albums brought club bookings far and near.

Over the past several years Arora has played large Indian gatherings, small IDM shows, underground warehouse events, raves, and the monthly Non-Stop Bhangra party in San Francisco. His performance breakthrough happened in 2006 at DJ Sep’s weekly Sunday-night reggae party at the Elbo Room, Dub Mission. "That changed my whole presence in the city," he says.

Arora believes his family’s roots in the often-volatile Punjab region between India and Pakistan breathes through his music. "That’s why I like bhangra. It has an element of aggression and sadness," he reflects, acknowledging that those also are traits he looks for in his vocal collaborations. "The artists I work with have a real tug-of-war between good and evil in their lives. My music is their redemption and my redemption in a fateful balance." *

KUSH ARORA

Dub Mission on Sundays, 9 p.m., $6

(Arora and MC Zulu on July 13, $7)

Elbo Room

647 Valencia, SF

www.dubmissionsf.com

The Fourth of July in Rock Rapids, Iowa, 1940-53

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The good old days in Rock Rapids, Iowa,
the Fourth of July, l940-53

By Bruce B. Brugmann

(Note: In July of l972, when the Guardian was short a Fourth of July story, I sat down and cranked out this one for the front page on my trusty Royal Typewriter. I now reprint it each year on the Bruce blog, with some San Francisco updates and postscripts.)

Back where I come from, a small town beneath a tall standpipe in northwestern Iowa, the Fourth of July was the best day of a long, hot summer.

The Fourth came after YMCA camp and Scout camp and church camp, but before the older boys had to worry about getting into shape for football. It was welcome relief from the scalding, 100-degree heat in a town without a swimming pool and whose swimming holes at Scout Island were usually dried up by early July. But best of all, it had the kind of excitement that began building weeks in advance.

The calm of the summer dawn and the cooing of the mourning doves on the telephone wires would be broken early on July Fourth: The Creglow boys would be up by 7 a.m. and out on the lawn shooting off their arsenal of firecrackers. They were older and had somehow sent their agents by car across the state line and into South Dakota where, not far above the highway curves of Larchwood, you could legally buy fireworks at roadside stands.

Ted Fisch, Jim Ramsey, Wiener Winters, the Cook boys, Hermie Casjens, Jerry Prahl, and the rest of the neighborhood would race of their houses to catch the action. Some of them had cajoled firecrackers from their parents or bartered from the older boys in the neighborhood: some torpedoes (the kind you smashed against the sidewalk); lots of 2 and 3-inchers, occasionally the granddaddy of them all, the cherry bomb (the really explosive firecracker, stubby, cherry red, with a wick sticking up menacingly from its middle; the kind of firecracker you’d gladly trade away your best set of Submariner comics for).

Ah, the cherry bomb. It was a microcosm of excitement and mischief and good fun. Bob Creglow, the most resourceful of the Creglow boys, would take a cherry bomb, set it beneath a tin can on a porch, light the fuse, then head for the lilac bushes behind the barn.

“The trick,” he would say, imparting wisdom of the highest order, “is to place the can on a wood porch with a wood roof. Then it will hit the top of the porch, bang, then the bottom of the porch, bang. That’s how you get the biggest clatter.”

So I trudged off to the Linkenheil house, the nearest front porch suitable for cherry bombing, to try my hand at small-town demolition. Bang went the firecracker. Bang went the can on the roof. Bang went the can on the floor. Bang went the screen door as Karl Linkenheil roared out in a sweat, and I lit out for the lilacs behind the barn with my dog, Oscar.

It was glorious stuff – not to be outdone for years, I found out later, until the Halloween eve in high school when Dave Dietz, Ted Fisch, Ken Roach, Bob Babl, and rest of the Hermie Casjens gang and I made the big time and twice pushed a boxcar loaded with lumber across Main Street and blocked it for hours. But that’s another story in my Halloween blog of last year.

Shooting off fireworks was, of course, illegal in Rock Rapids, but Chief of Police Del Woodburn and later Elmer “Shinny” Sheneberger used to lay low on the Fourth. I don’t recall ever seeing them about in our neighborhood and I don’t think they ever arrested anybody, although each year the Rock Rapids Reporter would carry vague warnings about everybody cooperating to have “a safe and sane Fourth of July.”

Perhaps it was just too dangerous for them to start making firecracker arrests on the Fourth – on the same principle, I guess, that it was dangerous to do too much about the swashbuckling on Halloween or start running down dogs without leashes (Mayor Earl Fisher used to run on the platform that, as long as he was in office, no dog in town would have to be leashed. The neighborhood consensus was that Fisher’s dog, a big, boisterous boxer, was one of the few that ought to be leashed).

We handled the cherry bombs and other fireworks in our possession with extreme care and cultivation; I can’t remember a single mishap. Yet, even then, the handwriting was on the wall. There was talk of cutting off the fireworks supply in South Dakota because it was dangerous for young boys. Pretty soon, they did cut off the cherry bomb traffic and about all that was left, when I came back from college and the Roger boys had replaced the Creglow boys next door, was little stuff appropriately called ladyfingers.

Fireworks are dangerous, our parents would say, and each year they would dust off the old chestnut about the drugstore in Spencer that had a big stock of fireworks and they caught fire one night and much of the downtown went up in a spectacular shower of roman candles and sparkling fountains.

The story was hard to pin down, and seemed to get more gruesome every year – but, we were told, this was why Iowa banned fireworks years before, why they were so dangerous and why little boys shouldn’t be setting them off. The story, of course, never made quite the intended impression; we just wished we’d been on the scene.
My grandfather was the town druggist (Brugmann’s Drugstore, “where drugs and gold are fairly sold,” since 1902) and he said he knew the Spencer druggist personally. Fireworks put him out of business and into the poorhouse, he’d say, and walk away shaking his head.

In any event, firecrackers weren’t much of an issue past noon – the Fourth celebration at the fairgrounds was getting underway and there was too much else to do. Appropriately, the celebration was sponsored by the Rex Strait post of the American Legion (Strait, so the story went, was the first boy from Rock Rapids to die on foreign soil during World War I); the legionnaires were a bunch of good guys from the cleaners and the feed store and the bank who sponsored the American Legion baseball team each summer.

There was always a big carnival, with a ferris wheel somewhere in the center for the kids, a bingo stand for the elders, a booth where the ladies from the Methodist Church sold homemade baked goods, sometimes a hootchy dancer or two, and a couple of dank watering holes beneath the grandstand where the VFW and the Legion sold Grainbelt and Hamms at 30¢ a bottle to anybody who looked of age.

Later on, when the farmboys came in from George and Alvord, there was lots of pushing and shoving, and a fist fight or two.

In front of the grandstand, out in the dust and the sun, would come a succession of shows that made the summer rounds of the little towns. One year it would be Joey Chitwood and his daredevil drivers. (The announcer always fascinated me: “Here he comes, folks, rounding the far turn…he is doing a great job out there tonight…let’s give him a big, big hand as he pulls up in front on the grandstand…”)

Another year it would be harness racing and Mr. Hardy, our local trainer from Doon, would be in his moment of glory. Another year it was tag team wrestling and a couple of barrel-chested goons from Omaha, playing the mean heavies and rabbit-punching their opponents from the back, would provoke roars of disgust from the grandstand. ( The biggest barrel-chest would lean back on the ropes, looking menacingly at the crowd and yell, “ Aw, you dumb farmers. What the hell do you know anyway?” And the grandstand would roar back in glee.)

One year, Cedric Adams, the Herb Caen of Minneapolis and the Star-Tribune, would tour the provinces as the emcee of a variety show. “It’s great to be in Rock Rapids,” he would say expansively, “because it’s always been known as the ‘Gateway to Magnolia.” (Magnolia, he didn’t need to say, was a little town just over the state line in Minnesota which was known throughout the territory for its liquor-by-the-drink roadhouses. It was also Cedric Adams’ hometown: his “Sackamenna.”) Adams kissed each girl (soundly) who came on the platform to perform and, at the end, hushed the crowd for his radio broadcast to the big city “direct from the stage of the Lyon County Fairgrounds in Rock Rapids, Iowa.”

For a couple of years, when Rock Rapids had a “town team,” and a couple of imported left-handed pitchers named Peewee Wenger and Karl Kletschke, we would have some rousing baseball games with the best semi-pro team around, Larchwood and its gang of Snyder brothers: Barney the eldest at shortstop, Jimmy the youngest at third base, John in center field, Paul in left field, another Snyder behind the plate and a couple on the bench. They were as tough as they came in Iowa baseball.

I can remember it as if it were yesterday at Candlestick, the 1948 game with the Snyders of Larchwood. Peewee Wenger, a gawky, 17-year-old kid right off a high school team, was pitching for Rock Rapids and holding down the Snyder artillery in splendid fashion. Inning after inning he went on, nursing a small lead, mastering one tough Larchwood batter after another, with a blistering fastball and a curve that sliced wickedly into the bat handles of the right-handed Larchwood line-up.

Then the cagey Barney Snyder laid a slow bunt down the third base line. Wenger stumbled, lurched, almost fell getting to the ball, then toppled off balance again, stood helplessly holding the ball. He couldn’t make the throw to first. Barney was safe, cocky and firing insults like machine gun bullets at Peewee from first base.

Peewee, visibly shaken, went back to the mound. He pitched, the next Larchwood batter bunted, this time down the first base line. Peewee lurched for the ball, but couldn’t come up with it. A couple more bunts, a shot through the pitcher’s mound, more bunts and Peewee was out. He could pitch, but, alas, he was too clumsy to field. In came Bill Jammer, now in his late 30’s, but in his day the man who beat the University of Iowa while pitching at a small college called Simpson.

Now he was pitching on guts and beer, a combination good enough for many teams and on good days even to take on the Snyders. Jammer did well for a couple of innings, then he let two men on base, then came a close call at the plate. Jammer got mad. Both teams were off the bench and onto the field and, as Fred Roach wrote in the Rock Rapids Reporter, “fisticuffs erupted at home plate.” When the dust cleared, Jammer has a broken jaw, and for the next two weeks had to drink his soup through a straw at the Joy Lunch. John Snyder, it was said later, came all the way in from center field to throw the punch, but nobody knew for sure and he stayed in the game. I can’t remember the score or who won the game, but I remember it as the best Fourth ever.

At dusk, the people moved out on their porches or put up folding chairs on the lawn. Those who didn’t have a good view drove out to the New Addition or parked out near Mark Curtis’ place or along the river roads that snaked out to the five-mile bridge and Virgil Hasche’s place.

A hush came over the town. Fireflies started flickering in the river bottom and, along about 8:30, the first puff of smoke rose above the fairgrounds and an aerial bomb whistled into the heavens. BOOM! And the town shook as if hit by a clap of thunder.

Then the three-tiered sky bombs – pink, yellow, white, puff, puff, puff. The Niagara Falls and a gush of white sparks.

Then, in sudden fury, a dazzling display of sizzling comets and aerial bombs and star clusters that arched high, hung for a full breath and descended in a cascade of sparks that floated harmlessly over the meadows and cornfields. At the end, the flag – red, white and blue – would burst forth on the ground as the All-American finale in the darkest of the dark summer nights. On cue, the cheers rolled out from the grandstand and the cars honked from the high ground and the people trundled up their lawn chairs and everybody headed for home.

Well, I live in San Francisco now, and I drive to Daly City with my son, Danny, to buy some anemic stuff in gaudy yellow and blue wrapping and I try unsuccessfully each year to get through the fog or the traffic to see the fireworks at Candlestick. But I feel better knowing that, back where I come from, everybody in town will be on their porches and on the backroads on the evening of the Fourth to watch the fireworks and that, somewhere in town, a little boy will put a big firecracker under a tin can on a wood porch, then light out for the lilacs behind the barn.

P.S. Our family moved in l965 from Daly City to a house in the West Portal area of San Francisco. There are, I assure you, few visible fireworks in that neighborhood. However, down where we work at the Guardian building at the bottom of Potrero Hill, the professional and amateur action is spectacular.

From the roof of our building at 135 Mississippi, and from any Potrero Hill height, you can see the fireworks in several directions: the waterfront fireworks in the city, fireworks on the Marin side of the Golden Gate bridge, fireworks at several points in the East Bay, fireworks along the Peninsula coast line.

And for the amateur action, parents with kids, kids of all ages, spectators in cars and on foot, congregate after dusk along Terry Francois Boulevard in San Francisco along the shoreline between the Giants ballpark and Kellys Mission Rock restaurant.
The action is informal but fiery and furious: cherry bombs, clusters, spinning wheels, high flying arcs, whizzers of all shapes and sizes. The cops are quite civilized and patrol the perimeter but don’t bother anybody. I go every year. I think it’s the best show in town. B3.

Tom Morello makes some noise for Cindy Sheehan this weekend

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The Nightwatchman in the film Berkeley.

This just in for Rage Against the Machine guitarist Tom Morello‘s people:

“Tom Morello’s solo project and alter ego, the Nightwatchman, will play a San Francisco benefit for anti-war activist Cindy Sheehan, best known for her extended demonstration at a camp outside President George W. Bush’s Texas ranch. Sheehan’s son, Casey was killed during his service in the Iraq War on April 4, 2004.

“Says Morello, ‘I have never publicly endorsed any political candidate until now. It is an honor to perform at Cindy Sheehan’s fundraising event because I strongly believe she is the kind of uncompromising righteous voice for justice that this country so desperately needs. Her unwavering commitment to peace and human rights as well as her intelligence and fortitude are inspiring and stand in dramatic contrast to the lame parade of mealy-mouthed sell-outs and red state war-mongers we are normally forced to choose between.’

“Morello will headline the fundraising show for Sheehan at San Francisco’s Fat City on Saturday, June 28, alongside Malcontent, an acoustic performance by Travis Bilenski, and a reading by Eric Victorino.


Raging with RATM: “Bulls on Parade.”

Asunder

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PREVIEW Listening to Asunder is freaking me out. It’s the middle of the night, the moon is full, and I was barely paying attention to the plodding funereal doom. That is, until I glimpsed a foreign movement from the corner of my eye and, sensing a phantasmic force, my heart plummeted into my guts. If John Gossard’s eerie chants, likely effective at summoning Lucifer from the bowels of a very cold hell, didn’t raise ghosts previously unheard from in my creaky Victorian, what did?

It’s no secret if you’re even passingly attuned to local music happenings — or ever pick up this paper — that the doom-death community on both sides of the Bay is close-knit and as prolific as a war graveyard at the height of collateral damage. But Asunder just might be the darkest, dreariest, and most melodically melancholy of them all. But it’s too simple to relegate their metal dirges to the staid realm of the glacial and miserable; Asunder begs the question, "Can doom be dynamic?" and answers in the affirmative. Patience and subtlety, reverence and yes, the spiritual, are conjured in equal parts by down-tuned strings and minor keys. When their sophomore release, 2006’s Works Will Come Undone (Profound Lore Records) — produced by the East Bay’s esteemed Billy Anderson (High on Fire, Saros) — filled 72 minutes and 45 seconds with two epic tracks, it was risky but the foursome added enough slow complexity to make it work. Let their chilling arrangements and a newly upgraded sound system tempt your ghosts at the Oakland Metro Opera’s grand reopening.

ASUNDER With Trees, Necrite, Skin Horse, and DJ Bad Jew. Fri/27, 8 p.m., $8. Oakland Metro Opera House, 630 Third St., Oakl. (510) 763-1146, www.oaklandmetro.org


Asunder with Trouble and Mammatus. Wed/9, 8pm, $16-$18, Slim’s, www.slims-sf.com

Tim Russert – an alternative view

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By Bruce B. Brugmann

I started cringing early on when the floodtide of eulogies came in for Tim Russert. I cringed because NBC and MSNBC forgot about journalism and went instead for self-reverence to the maximum. And I cringed because so many politicians came forward so quickly to praise him so glowingly and NPC was so happy to run them. And I cringed because all of this once again made the point so dramatically about the incestuous relationship between the press and the political establishment inside the Beltway in Washington, D.C.

I liked Tim Russert, NBC’s Meet the Press anchor and Washington bureau chief. I realized that he had taken a moribund television news program and transformed it with his personality and ability into the premiere Washington television news program. And I liked the fact that he volunteered to cover the presidential primaries and provided some zest and insights.

But there were many things I didn’t like about Russert’s approach to journalism, most notably the fact that the Bush administration loudly claimed it used his Sunday morning show as its favorite to promote its war in Iraq and that Russert never properly challenged them. “In reality, Meet the Press was the venue for some of the White House’s most audacious lies about the Iraq War–most of which went unchallenged by Russert,” according to an excellent critique of Russert by the media organization Fairness & Accuracy In Reporting…

“Recalling such softball questioning, it’s easy to believe the advice that Cheney press aide Cathie Martin says she gave when the Bush administration had to respond to charges that it manipulated pre-Iraq War intelligence: ‘I suggested we put the vice president on Meet the Press, which was the tactic we often used,’ she said (Salon, l/26/07). ‘It’s our best format.'”

Russert also demonstrated the problem with Beltway access. He had access to the politicians and political establishment for his shows but he refused to use his powers of access for critics of the war and people outside the political establishment.
FAIR pointed out that in Bill Moyers’s documentary “Buying the War” (PBS, 4/25/07), Russert said he wished that dissenting sources would have contacted him: “My concern then was, is that there were concerns expressed by other government officials. And to this day, I wish my phone had rung, or I had access to them.” Of course, as FAIR noted, “any journalist could have found such sources–and few critics of the war would have passed up an opportunity to air their views on such a prominent media platform.” Why didn’t he have access to Noam Chomsky, Howard Zinn, the authors of Project Censored stories, or the director of Project Censored, the Nation people, Frank Rich at the New York Times, or other major war critics who, among other things, weren’t lying and happened to be proven right on their positions against the war, the occupation, and the surge?

FAIR quoted Russert as saying that the White House claims “were judgments, and there was no way at that time to say, ‘You’re wrong. How could you possibly say that? You’re lying.’ That’s just not the style of Meet the Press, nor I think the style of good journalism, but we now have a permanent record as to the judgments believed by the Bush administration going into the war and you can look at them three years later and decide whether they were correct or not.'”

Well, as FAIR concludes, “there are journalists who examine the claims made by politicians at the time they make them, and some were doing just that with the assertions Bush Administration officials used to justify the invasion of Iraq (Extra!3-4/06). Had a journalist with the prominence of Tim Russert done so, it’s possible that the debate could have had an entirely different outcome.”

The example I like to use is that the Guardian, and many other alternative newspapers and voices, with no special sources in Washington or Iraq, could figure out that this was the wrong war at the wrong time for the wrong reasons and opposed it strongly and continuously from the very beginning. Why couldn’t Russert, the White House press corps, and the mainstream media figure this out, the biggest foreign policy blunder in U..S. history?
The coverage of his death gives us a clue. B3


Click here
for the FAIR blog, Remembering Russert: What media eulogies remember–and forget.

Click here to read the Orlando Sentinel blog, The Tim Russert coverage: one of the most embarrassing chapters in television journalism.

In on the Outside: Howlin Rain, the Walkmen, Toot and the Maytals added to Outside Lands fest lineup

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howlinrain.jpg
Howl on, Howlin Rain – at Outside Lands.

This in from the publicists of Outside Lands Music and Arts Festival, the first annual ticketed large-scale multi-stage event in Golden Gate Park. (A portion of every ticket sold will directly benefit Golden Gate Park):

“Outside Lands Music and Arts Festival is proud to announce new additions to the already-stellar line-up for the first inaugural event. Howlin Rain, The Dynamites, and Carney are rounding out Friday, Aug. 22. The Walkmen, Abigail Washburn and the Sparrow Quartet featuring Bela Fleck, and Everest have been added to Saturday, Aug. 23. Toots and the Maytals, Rogue Wave, Mike Gordon, and Vienna Teng have been added to Sunday, Aug. 24.

“The multifaceted, three-day festival will take place in San Francisco’s historic Golden Gate Park on Aug. 22-24, 2008. Radiohead, Tom Petty and the Heartbreakers, and Jack Johnson will headline the event. Tickets for the Outside Lands Music and Arts Festival are available for purchase at www.SFOutsidelands.com.

“The updated schedule for each day is as follows:”

Friday, Aug. 22 (first band is on at 5 p.m.)
Radiohead
Beck
Manu Chao
The Black Keys
Cold War Kids
Steel Pulse
Black Mountain
The Felice Brothers
Howlin Rain
The Dynamites
Carney

Saturday, August 23 (first band is on at 1 p.m.)
Tom Petty and the Heartbreakers
Ben Harper and the Innocent Criminals
Primus
Steve Winwood
Lupe Fiasco
Café Tacvba
Regina Spektor
Galactic’s Crescent City Soul Krewe featuring Dirty Dozen Horns
M. Ward
Devendra Banhart
Matt Nathanson
Two Gallants
Dredg
Abigail Washburn and the Sparrow Quartet featuring Bela Fleck
The Walkmen
Sidestepper
Kaki King
The Coup
Donavon Frankenreiter
Nellie McKay
Goapele
Sean Hayes
Rupa and the April Fishes
Everest

Sunday, Aug. 24 (first band is on at 1 p.m.)
Jack Johnson
Wilco
Widespread Panic
Rodrigo y Gabriela
Broken Social Scene
Andrew Bird
Sharon Jones and the Dap-Kings
Drive-By Truckers
Toots and the Maytals
Stars
Rogue Wave
ALO
Jackie Greene
Mike Gordan
The Cool Kids
Grace Potter and the Nocturnals
Little Brother
Bon Iver
The Mother Hips
Nicole Atkins and the Sea
K’naan
Back Door Slam
Culver City Dub Collective

Humanize humanity! Theatre of the Oppressed workshop

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TO Tree English 400.jpg

A two-day Theatre of the Oppressed workshop is coming to the Bay Area in July. It’s open to anyone interested in learning how to use theatre as a way to get people to understand and care about social, environmental, and political justice issues. It’s been used in prisons, schools, war zones, rural villages, and urban streets. Founded in 1970 in Brazil by Augusto Boal, it’s now an international movement. There’s a short but sweet history of it here.

In short, it’s pretty frickin’ cool.

Details and how to apply in the jump.

No free lunch

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› andrea@altsexcolumn.com

Dear Readers:

Have you ever read Geek Love (Random House, 1983) by Katherine Dunn? It’s a love it/hate it kind of thing that was very popular among a certain segment (now called "hipsters," I guess) and it begins, unforgettably, "When your mama was the geek, my dreamlets … " Don’t ask me why, but I’m having an apparently irresistible urge to call you, the readers, "my dreamlets" today. So:

My Dreamlets:

This is not good news, but neither is it as dismal as it might first appear. Have you heard the latest about human papillomavirus (warts) and throat cancer? Did it disappear with unseemly haste from such headlines as it made, or am I just overly sensitive to the way news that interests us (for some value of "us") never seems to get as much play as news that interests them?

It ought to come as no surprise that HPV can cause throat cancers if you use your throat receptively for sex, same as it does with cervixes and anuses (did you know that "What is the plural of anus?" is quite a popular topic of Webular discussion?). But it’s only been in the past few years that researchers have established a clear link. What’s even newer is the epidemiology: who is getting it and how. What we now know is that there has been an upsurge in throat cancers (6,000 cases a year and an annual increase of up to 10 percent in men younger than 60), and that most of the cases in these younger patients can be ascribed to HPV. Cancers caused by HPV can hang around for decades before making themselves known, and these recent cases are thought to have been incubating since as far back as the late 1960s and ’70s. What else were people doing in the late ’60s and ’70s? What year did Deep Throat come out, again?

I have been known to roll my eyes at the idea that the boomers invented sex as we know it. "There are only so many possible combinations of body parts," I’ll say. "Do you really think nobody thought to put that in their mouths until sometime after World War II?" It’s actually true, though — as far as we can tell from what research we have — that oral sex became madly more common some time, yes, after World War II. Before that it was obviously well-known (and popularly blamed on the French), but it really wasn’t ubiquitous, as it is now. And those who did indulge probably did so with far fewer partners. Especially during that one brief shining moment between the dawn of the sexual revolution and the appearance first of herpes and then of course, AIDS, people really did put that in their mouths a whole lot more than they had previously. It seemed like a good idea at the time.

So OK, now what? Well, we have to admit that oral sex, especially on men, is not necessarily safe sex. And while this is not the first time that the blow job’s sacred status as the Safe Hot Thing has been challenged, it is probably the most serious. Not only does HIV really not pass readily through oral sex, it is itself quite rare. HPV is as common as dirt.

So — panic? I think not yet. These new cancers are nowhere near as common as you’d expect if HPV infections just automatically turned into cancers 30 years after your sluttiest year at college. It’s estimated that at least 50 percent of Americans have been infected at some point. The CDC itself uses that "at some point" to mean that many — indeed probably most — people infected at some point simply clear it from their systems at some other point. These people will not get cancer, and only a small percentage of the remaining, non-clearing cases will.

Meanwhile, you know that vaccine some people are agitating against giving to little girls — just in case the admission that one day they will be sexually active ends up making that day come sooner than they’d like? It doesn’t only work on little girls. That’s just the suggested target group right now, for a number of purely sociological reasons. It was extensively tested on young women and the maker, Merck, hopes to begin testing in males this year. If it works for men too, there’s no reason we can’t begin to eradicate the entire class: HPV-caused cancers of the throat, cervix, penis, anus, and other mucus-membraney places where people have been putting things.

Not that this is great news for people who have been infected, not cleared the infection, and could go on to develop cancer. We have no routine test yet. The pretty-good news seems to be that throat cancers caused by HPV are more curable than their non-HPV counterparts. And my advice, my dreamlets? Well, I really hate to say this, or even think it, but it may be time to start thinking about condoms, at least if we’re planning to become raging blow-job queens anytime in the near future. I know! I’m sorry!

Love,

Andrea


Andrea is home with the kids and going stir-crazy. Write her a letter! Ask her a question! Send her your tedious e-mail forwards! On second thought, don’t do that. Just ask her a question.

Andrea is also teaching two classes: "You’ve Really Got Your Hands Full" — a realistic look at having twins — at Birthways in Berkeley, and "Is There Sex After Motherhood?" at Day One Center in San Francisco and other venues.