Video

Snap Sounds: Arnaud Fleurent-Didier

John Elberling
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Snap Sounds: Arnaud Fleurent-Didier

ARNAUD FLEURENT-DIDIER
La Reproduction
(Columbia/Sony Music)

If you’re a lover of chanson-tinged pop and you found Benjamin Biolay’s recent double-LP a letdown, then there’s bittersweet relief to be found in this song collection, which covers similarly vast instrumental terrain with an ease that the ostentatious Biolay didn’t manage. Fleurent-Didier reminds me a bit of Gerard Manset, but not quite as brooding — there’s modernity and whimsy to his compositions and vocal delivery. The interplay between vulnerable voice, acoustic guitar, piano, electronics, and orchestration in “Reproductions” is flat-out gorgeous. The Contempt-inflected music video for that song is one of the best I’ve seen in quite a while. Totally, tenderly, tragically, after the jump.

ARNAUD FLEURENT-DIDIER, “Reproductions”:

http://www.youtube.com/watch?v=2LFHL2KbJzU

WonderCon: Local legends

Andrew Lam
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All photos by Luis Allen

Sure, the glitz and glamour of the big labels, with their video game consoles and upcoming movie tie-ins, were enticing at WonderCon (check out yesterday’s post for more costume awesomeness and our sociology nerd analysis of the convention). But of course, this being San Francisco and this being the Guardian, we found the “small press” aisles of the convention a little more enticing. Below, three of our favorite independent comic projects from around California.

Age Scott: 

When he was but a young thing in the East Bay, Age Scott’s teacher assigned him his final in comic book form, trying his best to get Scott interested in schoolwork. “I asked him what it had to be about, and he said ‘whatever you want.’” He wound up making a seven page book about a hip-hop mouse, his classmates started asking him for copies, and Scott realized that this whole comic book thing could work for him. 

Fast forward twenty years, Scott is still making it work. A self-dubbed “raptoonist,” at WonderCon he was hawking a series of titles about his characters Won and Phil, “hip-hop heroes.” I checked out Won and Phil: Dedicated to the Rap Generation, which turned out to be a choose your own adventure story, wherein the reader gets to decide the duo’s journey throughout the game. Sign with Death Row, Wu Tang, or Rocafella? Follow Old Dirty Bastard when the cops bust into the studio or hang back? Have beef with other emcees, wind up in the mental hospital, side with Jay-Z or Damon Dash? It’s all in there. 

Emily C. Martin: 

She had me at “fish people,” the hoodie-wearing gang of squat fish-men that show up halfway through Emily C. Martin’s SF-based graphic novel adventure, Otherkinds. “They’re in an antagonist role in this story,” Martin tells us. “But eventually I want them to be protagonists.” The fish men steal a nautilus from Steinhart Aquarium, and “imply a connection with a huge under-Atlantis beast,” says the Sonoma County comic artist, who includes an illustrated guide at the back of the book that talks about each of the fishmen’s real-life aquatic counterparts. I love the fishmen so much that their good-evil status doesn’t concern me, and briefly consider buying one of the buttons with the characters that Martin was displaying on her table. 

Chula Vista High Tech High Graphic Novel Project: 

Tucked away in the Moscone Center’s labyrinth network of halls and conference rooms, we stumbled across a panel of young men and women who were using comics to connect with their community. Students from a charter school in the San Diego area had started making comics and holding classes in the art for younger kids. The group produces full-length graphic novels with names like La Sombra de America and Wings of Freedom that benefit youth programs and organizations that help build community across the border. The Chula Vista kids were all wearing black buttondowns, they had the funniest PowerPoint presentation of the conference (as far as I’m concerned) and most importantly, these wonderkids are using their powers for good.

 

Hare-raising

Andrew Lam
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Hare-raising

MUSIC This I know, having heard the name discussed in hushed yet excited tones among ecstatic ex-hardcore kids, having taken in all of two Lightning Bolt shows by Brians Chippendale and Gibson since Ride the Skies (Load, 2001). Having felt the gale-force winds of their live fury while swapping sweat with pinballing strangers. Having tasted the salad and found it delightful. Having waited with anticipation for their next show in the Bay Area—this time the night before they play Coachella.

Lightning Bolt’s most recent album, Earthly Delights (Load, 2009), is just as majestically noisy — and chock-full of wonder — as their seeming-career-best Hypermagic Mountain (Load, 2005). The time is right to share some truths about the dynamic duo.

 

DRUMMER-VOCALIST BRIAN CHIPPENDALE LIKES HIS FRIENDS FURRY.

“Mustard ran off, Weird appeared out of nowhere. Omni died,” says Chippendale of his Fort Thunder felines, driving the van and deep into the weeds of Peter Glantz and Nick Noe’s 2002s documentary, Lightning Bolt: The Power of Salad [and writ small like an afterthought] & Milkshakes. “Calico is too stupid to leave. Warlord ran off …” The talented cartoonist then goes on to recount the sad end of a pet rabbit, which broke its neck playing around metal. Seeing it bare its teeth, arch its back, and let lose a hair-(or hare-)raising “death scream,” Chippendale was forced to put it out of its misery with a sledgehammer. “Aw, I can’t believe I did that,” he says. “I love animals! Better than people, animals.”

Unless Lightning Bolt is playing, freakishly, on a stage, you must make the effort to get up close — or find a rafter or pole to dangle from.

I first saw ’em around ’03 when they played the Verdi Club, the old-folks rec hall near that sketchy patch of Bryant Street where working gals like to service their johns curbside. I wasn’t one of the lucky dozen or so standing right next to the twosome on the floor, so I wasn’t able to see much, even when I climbed up on a rickety metal folding chair to get a glimpse of sock-monkey-ish-masked Chippendale, looking like a mad drummer from the island of lost toys.

I fared better at Lobot Gallery in 2007, when I used all my best pit skills to wiggle up to the front for the first couple songs, risking a broken nose to get my fill of Lightning Bolt’s unforgettable way with Sabbath-style volume and Phillip Glass-style repetition, primal rambunctiousness and raw poetry. Certainly they’re the fiercest bass-and-drum duo ever to step into the formidable footwear of Ruins and godheadSilo, but has there ever been another hardcore or noise combo that has fully tapped the melodic and textural possibilities buried within a full-force blast beat?

 

BASSIST BRIAN GIBSON WORKS FOR VIDEO GAME COMPANY HARMONIX AS THE LEAD ARTIST ON GAMES SUCH AS ROCK BAND.

“I wish more of my projects were pure recreation,” the Rhode Island School of Design-schooled painter told Motherboard.tv. “I just get caught up in this sort of addiction to doing art and music stuff, but it would nice to be just fishing or exercising or drag racing.

So much of what I do is about me being deeply obsessed with projects and being alienated from communities and wanting to do something different.”

Don’t worry about missing the companion cassette that once went with Lightning Bolt’s “yellow album” debut — the CD includes the enthralling 30-minute noise epic “Zone.”

You also get the funny intro to “Caught Deep in the Zone,” in which a Euro-accented fellow warns, “Next time you go and buy a record and you think you’re all alternative and groovy — and everyone is into the alternative charts — remember it’s just like the other side, just a bit stranger.” Cue an onslaught of feedback-wracked, crunching skree: the death scream of Godzilla as lizard flesh is wrenched from bone.

 

ONE OF THE BEST LIGHTNING BOLT VIDEOS: PAPER RAD’S “13 MONSTERS.”

This ode to terrifyingly cute cartoon imagery, à la headless, bass-playing hot-pink tigers, opens with Gumby comforting a distraught Goo, who sobs, “There were 13 of them …” 

LIGHTNING BOLT

With T.I.T.S. and High Castle

Wed./13, 8 p.m., $10

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

Acid-washed terror

Andrew Lam
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Acid-washed terror

RETRO GORE With the upcoming release of Scream 4 — the overlong-awaited latest in a series riffing on 1980s slasher clichés — it feels like a good moment to review the source material, which is to say the deadly spawn of Halloween (1978) and Friday the 13th (1980). Issued at the heyday of the direct-to-video market, those films’ myriad cheap-and-cheaper knockoffs explored the full range of variably amateur charm.

Two years ago Ti West made a very nice homage in The House of the Devil, a babysitter-in-peril thriller that was slick and canny enough to get an actual theatrical release. No such thing is risked by Drew Rosas’ Blood Junkie, a new DVD release from Troma — the company so indiscriminate it can’t help but release a good movie once in a while. (Still, it should dial down its contempt: Lloyd Kaufman’s recycled all-purpose introduction suggests any movie might be better than the one you’re about to watch.) This dead-on parody of no-budget VHS horror circa 1987 (according to its website, Blood Junkie was “shot in Wisconsin for $7,000”) is a sleeper and a keeper for anyone who covets the worst of Reagan decade style.

Mulleted Craig (Nick Sommer) and fellow pencil-‘stached buddy Teddy (Mike Johnston) are on the prowl for chicks, a quest answered when they meet high school best friends Rachel (tube-topped Emily Treolo) and Laura (feather-haired, four-eyed Sarah Luther), who has just come into a big $35 booze budget left as grocery money by traveling parents for her insect-tormenting brainiac little bro Andy (Brady Cohen). The attraction is irresistible; Teddy alone sports a lime-green tiger-striped T, denim vest, and acid-washed jeans. Babe magnet!

Anyway, this quartet plus imp go camping near an abandoned chemical plant. Bad things happen, thanks to a killer of extremely vague identity and motivation. Which is just as it should be.

With its dweezly synth score, post-synched dialogue, lowbrow FX, fake aerobics workouts, and pseudo-age-streaked “film” stock, Blood Junkie is pure retro-flavva’d silliness. One nice touch is the male protagonists’ bromantic frisson — played as a joke, albeit so persistently that Craig’s offhand mid-wrestle “I seriously want you, man” feels like a naked confession. 

 

Music Listings

Maria Poblet
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Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 6

ROCK/BLUES/HIP-HOP

Ani DiFranco Fillmore. 8pm, $33.50.

Fences, Rin Tin Tiger, Passenger and Pilot Rickshaw Stop. 8pm, $10.

Emma Jean Foster and Glide Gospel 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Aaron Glass and friends, Mowgli’s, Sufis Elbo Room. 9pm, $8.

A Rocket to the Moon, Valencia, Anarbor, Runner Runner Bottom of the Hill. 7pm, $15.

Spider Heart Submission, 2183 Mission, SF; www.sf-submission.com. 10pm, $5.

JAZZ/NEW MUSIC

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Michael Parsons Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Denise Perrier Rrazz Room. 8pm, $30.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St., SF; (415) 643-3558. 10pm, $3. Soul, funk, swing, and rare grooves with residents Dr. Musco and DJB.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 7

ROCK/BLUES/HIP-HOP

Dark Star Orchestra Great American Music Hall. 9pm, $35.

Dodos, Reading Rainbow Fillmore. 8pm, $18.50.

Futur Skullz, Blown to Bits, Trouble Kidz, Born Uglies Eagle Tavern. 9:30pm, $7.

Heavy Metal Kings, Danny Diablo Slim’s. 8:30pm, $18.

Hydrophonic, Burn River Burn, Electric Shepherd Bottom of the Hill. 9pm, $8.

Loto Ball, Moira Scar, Tunnel Hemlock Tavern. 9pm, $7.

Peelander-Z, Anamanaguchi, Glowing Stars DNA Lounge. 8pm, $16.

Ron Sexsmith, Caitlin Rose Café Du Nord. 9pm, $16.

“Shock and Roll Therapy” Stud. 8pm, free. With Havarti Party, Poor Sons, Narooma, and Cool Ghouls.

Society 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Sounds, K.Flay, DJ Aaron Axelsen, Miles the DJ Rickshaw Stop. 9pm, $14.

Tycho, Inu, Soma FM DJs Independent. 8pm, $20. SOMA FM 11th anniversary party.

JAZZ/NEW MUSIC

“Activating the Medium XIV: Radio: Chapter One” San Francisco Museum of Modern Art, 151 Third St, SF; www.sfmoma.org. 7pm, $10. With Richard Garet and Jim Haynes and Allison Holt.

Raul Midion Yoshi’s San Francisco. 8pm, $28.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Bill Monroe Tribute Band Atlas Café. 8-10pm, free.

Chris Milam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Rafael and Ingrid Red Poppy Art House. 7pm, $12.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Culture Corner Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Roots reggae, dub, rocksteady, and classic dancehall with DJ Tomas’ Bunny Wailer and Big Youth Birthday Celebration.

Diapers, Binkies, and Friends Knockout. 9:30pm, free. Dad-to-be Jamie Jams spins baby-themed jams with DJs Stab Master Arson and DJ Eli Glad.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout, 2600 16th St, SF; www.fringesf.com. 9pm, $2. Indie music video dance party with subOctave and Blondie K, plus guest DJ Candy.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Wolfgang Gartner Ruby Skye. 9pm, $25.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

FRIDAY 8

ROCK/BLUES/HIP-HOP

Bryan Adams Warfield. 9pm, $25-85.

Akron/Family, Delicate Steve, Honeymoon, DJ Britt Govea Independent. 9pm, $15.

Buxter Hoot’n, Devotionals, Nick Jaina Café Du Nord. 9:30pm, $10.

Danielson, Battlehooch, Half-handed Cloud Bottom of the Hill. 10pm, $13.

Dark Star Orchestra Great American Music Hall. 9pm, $35.

Fiver Brown and the Good Sinners 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Larry Graham and Graham Central Station Yoshi’s San Francisco. 8 and 10pm, $30-38.

Hillside Fire, Narwhal Brigade, Ayurveda, Sandy Greenfield Band Kimo’s. 9pm.

Hot Lunch, Blank Stares, Pre-Legendary and the Dreamers Hemlock Tavern. 9:30pm, $7.

Mantles, Wrong Words, Lenz, Wet Illustrated Knockout. 9pm, $7.

Or the Whale, Chamberlin, Steve Taylor Rickshaw Stop. 8:30pm, $12.

Protest the Hero, Maylene and the Sons of Disaster, TesseracT Slim’s. 8:30pm, $17.

Volbeat, Damned Things Fillmore. 7pm, $22.50.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Empty Space Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Madeleine Peyroux Palace of Fine Arts, 3301 Lyon, SF; www.sfjazz.org. 8pm, $30-75.

Redshift, Rootstock Community Music Center, 544 Capp, SF; www.sfcmc.org. 8pm, $10.

FOLK/WORLD/COUNTRY

“Cowpokes, Gunslingers, and Outlaw Country” Red Devil Lounge. 9pm, $12. With Good Luck Thrift Store Outfit, Whisky Richards, Tiny Television, and Preservation.

Tito y Su Son De Cuba Quinteto Red Poppy Art House. 8pm, $12-15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bass Time Continuum Session 4 Club Six. 9pm, $5. With Lotus Drops, Energy Alchemist, Bitch Plz, Benito, and Mr. Rise.

Blow Up DNA Lounge. 10pm, $10-15. “Miss Blow Up USA Pageant” with Jeffrey Paradise.

Cartagena! CD release party   Elbo Room. 10pm, $5. Cumbia with DJs Beto, Vinnie Esparza, and B. Cause.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fo’ Sho! Fridays Madrone Art Bar. 10pm, $5. DJs Kung Fu Chris and Makossa spin rare grooves, soul, funk, and hip-hop classics.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 9

ROCK/BLUES/HIP-HOP

Jeff Beck, Imelda May Fillmore. 8pm, $75.

Danger Babes 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Dark Star Orchestra Great American Music Hall. 9pm, $35.

Deskonocidos, Criaturas, Needles, Ruleta Rusa Knockout. 10pm, $7.

Funk Bros Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Larry Graham and Graham Central Station Yoshi’s San Francisco. 8 and 10pm, $38.

Jesse Morris and the Man Cougars Riptide Bar. 9pm, free.

Papercuts, Banjo or Freakout Café Du Nord. 9:30pm, $14.

Pollux, Bonnie Dune, Lite Brite Bottom of the Hill. 10pm, $12.

Rise Against, Bad Religion, Four Year Strong Bill Graham Civic Auditorium, 99 Grove, SF; www.ticketmaster.com. 7:30pm, $32.50.

Shearing Pinx, Continues, Victory and Associates Hemlock Tavern. 9:30pm, $7.

Submarines, Nik Freitas Slim’s. 9pm, $16.

FOLK/WORLD/COUNTRY

Hypnotist Collectors, Shareef Ali and the Radical Folksonomy, Fancy Dan Band, Slow Motion Cowboys Hotel Utah. 8pm, $8.

Mamacoatl Red Poppy Art House. 8pm, $15.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF: Halloween in April DNA Lounge. 9pm, $6-12. Who says Halloween only comes once a year? Mash it up with DJs Adrian and Mysterious D, guest Faroff, and more.

Club Gossip Cat Club. 9pm, $5-8. Pay tribute to Janet Jackson and other 80s ladies at this party guest-hosted by the Bay Area Flash Mob.

New Wave City New Order Tribute Mezzanine. 9pm, $7-12. Celebrate “Blue Monday” on a Saturday with DJ Shindog, guest Andy T, and more.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spotlight Siberia, 314 11th St, SF; (415) 552-2100. 10pm. With DJs Slowpoke, Double Impact, and Moe1.

Tormenta Tropical Elbo Room. 10pm. Electro cumbia with Chancha Via Circuito, El G, and DJs Shawn Reynaldo and Oro 11.

SUNDAY 10

ROCK/BLUES/HIP-HOP

Band of Heathens Slim’s. 7:30pm, $15.

Let the Night Roar, Pigs Hemlock Tavern. 9pm, $6.

G. Love and Special Sauce, Belle Brigade Fillmore. 8pm, $25.

Mark Growden and His Tucson String Band, Conspiracy of Venus Amnesia. 9pm, $10.

John Mellencamp Warfield. 7pm, $49.50-130.

Sleepytime Gorilla Museum, Now You, Listo Independent. 8pm, $18.

Whiskerman, 7 Orange ABC, Magic Leaves Bottom of the Hill. 9pm, $8.

David Wilcox Yoshi’s San Francisco. 7pm, $25.

JAZZ/NEW MUSIC

Assad Brothers Palace of Fine Arts, 3301 Lyon, SF; www.sfjazz.org. 7pm, $25-60.

John Santos Bliss Bar, 4026 24th St., SF; www.blissbarsf.com. 4:30pm, $10.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Family Folk Explosion Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Jenny Lynn and Her Gone Daddies Thee Parkside. 4pm, free.

“San Francisco Festival of the Mandolins” Croatian American Cultural Center, 60 Onondaga, SF; www.croatianamericanweb.org. 10am-5pm, $15.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death. Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Adam Twelve.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 11

ROCK/BLUES/HIP-HOP

Elephant and Castle, Pixel Memory, Butterfly Bones Elbo Room. 9pm, $5.

Moon Duo, Royal Baths, Lilac Bottom of the Hill. 9pm, $10.

Scala and Kolacny Brothers Independent. 8pm, $25.

JAZZ/NEW MUSIC

Broun Fellinis Yoshi’s San Francisco. 8pm, $25.

Lavay Smith Orbit Room, 1900 Market, SF; (415) 252-9525. 7-10pm, free.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 12

ROCK/BLUES/HIP-HOP

Olof Arnalds Café Du Nord. 9:30pm, $15.

Amee Chapman, Jenny Kerr, Sugarplums Club Waziema, 543 Divisadero, SF; (415) 356-6641. 8pm, free.

Ms. Lauryn Hill Warfield. 8pm, $59.50-90.

Omar Rodriguez Lopez Group, Zachs Marquise Great American Music Hall. 8pm, $21.

Haroula Rose, TD Lind Hotel Utah. 8pm, $8.

Rural Alberta Advantage, Lord Huron, Vandella Bottom of the Hill. 9pm, $14.

Scala and Kolacny Brothers Independent. 8pm, $25.

Sydney Ducks, Something Fierce Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Boomtown Little Baobab, 3388 19th St, SF; www.bissapbaobab.com. 9pm, free. DJ Mundi spins roots, ragga, dancehall, and more.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

 

Lookin’ forward to the weekend: Berkeley Art Museum faces a “Pigeon” invasion

John Elberling
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Lookin’ forward to the weekend: Berkeley Art Museum faces a “Pigeon” invasion

The “L@te: Friday Nights at BAM/PFA” series has brought some great programs since its inception, and this Friday’s promises to be one of them. Programmed by Betty Nguyen, “Pigeon Dealers” includes a DJ set (by artist Dave Muller) as well as stand up comedy (by Chris Thayer) and Motorik sounds (by Bronze), but my chief reason for going is the rare chance to see some of David Enos’s movies projected large. In the years since his time with the 2005 Goldie-winning Edinburgh Castle Film Night crew, Enos has continued to create unique and at times alchemically uncanny short video works while also making paintings and music. He’s one of the best artists in the Bay Area today. Check out his spookily superb mystery Hidden Host after the jump.

David Enos, Hidden Host:
http://www.youtube.com/watch?v=CfJFtSVYPG8

 

L@TE: PIGEON DEALERS
Fri/8, 7:30 p.m.; $7 (free for students and members)
Berkeley Art Museum, Gallery B
2626 Bancroft Way, Berk
(510) 642-0808
www.bampfa.berkeley.edu

Fist Fam hits the Bay

Andrew Lam
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3

In the music video for rap collective Fist Fam‘s song “Posted,” emcee Philo stands on a Columbus Avenue median, the Transamerica Pyramid pointing into the sky behind the North Carolinan, traffic whizzing by on either side of him. “I’m posted in the middle of the street/And we don’t even look right/But I got that million dollar mouthpiece/So we gon’ be allright,” he sings, at home in his new city. 

It’s an apt portrayal of the group of back-home friends from Asheville who seem set on taking the music they grew up with to the ears of the Bay. Fist Fam’s latest album release, also called Posted, is straight up, laid back, “psychedelic country rap tunes,” so dubbed by Philo and producer Al Lover, who are sitting with me outside Farley’s on a gorgeous Potrero Hill morning.

The boys grew up in the embrace of early ’90s hip-hop: Goodie Mob, UGK. Their tunes still have that Southern feel, but the layering of soul samples and front porch hooks (see: the sunshine feel of “Drinkin’,” a track the group just shot a video for on Philo’s family’s Appalachian farm) betray a citified knowledge of sound. 

The group’s trickle west was led by Philo, who established connections with the SF music community that made everyone else feel at home upon their arrival. But. “I didn’t have a safety net!” Philo says. “I had a backpack and $400. Back in the Gold Rush of ’05…” he trails off in an old man voice, his San Francisco debut having already achieved mythic status. He’s urged to share more of the legend. “My first move? I went to a bar in the Sunset, got a quesadilla at Gordo’s and tried to fandangle a place to sleep.”

Did the crew run into any funny business? Hey, a lot of people have funny perceptions about Southerners out here. “But we have funny perceptions about West Coasters – and they’re all true, by the way,” Lover teases. 

But with a ready-made, tightly-knit clan like theirs, there’s really no need for Fist Fam to sweat whatever still exists of regional stereotypes. This is how they record an album: they’ll set up shop in someone’s house (Philo has been building studio space since he was a teenager and says with the techonology available today, he can do it pretty much anywhere — and besides “we’re not going for a super clean sound”). Alcohol is usually involved. Budweiser is the group’s beer of choice – the two have stories about earning the king of beers for catching fireflies when they were little, a story that sounds adorably Southern to this West Coaster. 

Back to recording: there’s usually a fair amount of bickering. “A lot of us have known each other since high school,” Philo says. “We really are the Fist Fam — and I think that’s why we work. A lot of people are afraid to hurt each other’s feelings — ” Lover picks up the thread: “but we like it.”

“You gotta be chaotic to produce something,” Lover continues, conceding that for Posted, the group took a slightly more structured approach – he produced all of the beats and told people which songs they’d be on. Lover got some attention earlier this year for an electronic remix he did of the recently departed blues surrealist Captain Beefheart, but his favorite palettes to work from are old R&B songs. He’s also been doing work with contemporary beats, mixing Fist Fam over the music of Ty Segall and Thee Oh Sees. “Why use the old stuff when you have all these things going on now?” Added bonus: by using the tracks, Lover can cross-promote and strengthen connections with the psychedelic garage scene where the group sometimes find itself in the city.

Talking about the range of sound that Posted is built on takes me back to the image of Philo swinging his arms around, un-fuckwithable despite the North Beach traffic dashing around him. Sure, they’ve still got their twang, but you can’t quite see these boys doing what they do if they were still in Asheville. South comes to San Fran, welcome y’all. 

Fist Fam-Boac album release concert

feat. Trunk Drank

Fri/8 9 p.m., $10

Rasselas Jazz Club 

(415) 346-8696

www.thefistfam.com

Take back the knit

Jesse Hawthorne Ficks
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0
Take back the knit

caitlin@sfbg.com

STREETWISE The dinosaur outside my library makes my day. Someone knit a little green bike rack cozy with floppy yellow spikes, right next to the rack that now has a custom-sized, rainbow-colored, beaded sweater. Indeed, the whole neighborhood has been knit-tagged — the stretch of Divisadero between Post and California streets has nary a rack that hasn’t been dressed against the spring chills.

The woman who answered the phone at Atelier Yarns, the knitting store down the block on Divisadero, didn’t know who had done the pieces, which is not to say they’d gone unnoticed. “They’re really good,” she said. “I wish I knew who had done them.”

Digging further, I fell into the deep abyss of Internet craft blogs and found that the Western Addition isn’t the only place where knit is joining the textures of the concrete jungle. Across the world, “yarn bombing” groups have sprung up. Last year, a group altered the Oakland-Berkeley border’s controversial “Here There” statues, knitting a colorful cozy over the T in “There” that renders the words equal, symbolically erasing the hierarchical positioning of the two bergs. There have been knitted seat covers on Philly’s Blue line subway and a knitted tank cover in shades of Pepto-Bismol pink in Copenhagen — not to mention jauntily decorated stop signs, trees, and railings the world over.

Magda Sayeg, a.k.a. PolyCotn, is generally regarded as the mother of this peaceful barrage. So I called her to find out why she — and now the rest of the world — yarn bombs.

It all started seven years ago with a knit cover for the doorknob of her Houston art studio. “It was about me making my door-handle pretty,” she remembers. Then she knitted a cover for a stop sign, which attracted lots of attention. “People would get out of the car, take pictures, scratch their head.”

She did more pieces. She formed a yarn bomb collective called “Knitta Please.” Since then, Sayeg has knitted everything from a riotously rainbow cover on a Mexico City bus to a powder pink coat for a single stone on the Wall of China.

Sayeg’s work makes knitting, once a private activity, part of the public domain. “You’re taking something so traditional and homey and placing it in an environment — graffiti art, it’s so male-dominated.”

Which is not to say that she doesn’t locate yarn bombing inside the tradition of street art. “I identify with the street artists more than the knitters,” Sayeg says, remembering the first time she saw the moaning cartoon faces of a gallery show by seminal SF street artist Barry McGee. “That really rocked my perception of what street art was. You could say [the yarn bombing] story started there.”

Like “traditional” street artists, Sayeg uses her creations to make her mark on her physical surroundings. She loves tagging the redundant bits of the urban landscape, like street posts whose signs have been removed and rendered useless. “It’s a visual pollution that we just accept. There’s no reason why we shouldn’t cover up something that’s not needed.” She pointed to the 3-D video game sprites of Space Invader and moss graffiti artists like Edina Tokodi as others who “are putting the can down” in the street art world.

But Sayeg also likes how yarn bombing questions the assumptions of what knitting is, which brings us to the question of the genre’s feminist interpretation. Though there are certainly male yarn bombers, you can’t deny that this kind of functional art, and craft in general, has historically been thought of as “women’s work” — and has had its worth denigrated and minimized as such. With yarn bombing, “there’s something there that might make people uncomfortable. An edge to something that never seems edgy. Like we’re supposed to be making sweaters and socks,” Sayeg says.

That stereotype has been turned on its head by craft activism, a form of protest that has its modern day roots in the 1980s and ’90s peace demonstrations at Greenham Common Royal Air Force base in England, where the U.S. military installed cruise missiles in 1981. Women gathered around the cyclone fencing at the base, stuffing its grid with knitted objects and hoisting handmade signs that read “Women’s Struggle Won The Vote, Now Let’s Use It For Disarmament.”

More recently, as Kirsty Robertson recounts in an essay in Extra/Ordinary (Duke University Press, 306 p., $24.95), the Revolutionary Knitting Circle held a “knit-in” at the 2002 G-8 summit in Alberta, Canada. Betsy Greer — who has a day job as an anti-sweatshop activist and also wrote an essay in Extra/Ordinary — coined the term “craftivism” to describe efforts similar to her own antiwar cross-stitch art. In Greer’s words, craftivism is “about using what you can to express your feelings outward in a visual manner without yelling or placard-waving. It was about channeling that anger in a productive and even loving way.”

Which is not to say that all urban crafters — as I’ve come to think of the men and women reclaiming textile and other forms of craft in a modern setting — are explicitly political. I was reminded of Sayeg’s desire to subvert the masculine face of street art when I visited the SoMa studio of Amy Ahlstrom, a San Francisco textile artist who is taking images from the walls of cities and translating them into painstakingly crafted quilts.

Ahlstrom, who has made her own clothes since her Molly Ringwald childhood, started quilting as an art student in 1991. She had a successful career in comic art and returned to stitching in 2005. “To me, this is a very natural thing,” she says, surrounded by her eye-popping creations hanging on stark white walls. “This was the most unique way I could speak to the world.”

Living in the Mission, Ahlstrom found the neighborhood’s murals, street signs, and tags an integral part of her city life. She began photographing them and was struck by an urge to alter their context. “I saw this tag and thought, ‘Wouldn’t that be funny in gingham?’ “

Like a textile DJ, she cut and sewed patterns made from the digital images she had captured into textured Dupioni silk. Now she’s working on a series of pieces dedicated to the visual cues of specific neighborhoods. Her SoMa quilt contains depictions of furniture leaping from public art installation “Defenestration”‘s decrepit Sixth Street building, Jeremy Novy’s ubiquitous stenciled koi, and the neon signs of Holy Cow and Brainwash. She’s not the only artist to harness the power of the quilt — Ben Venom is another SF quilter who creates heavy metal motifs from old band shirts (his “Listen to Heavy Metal While You Sleep!” skull-cross design is a Guardian staff favorite).

Ahlstrom brings the street to textile and the yarn bombers bring their textiles to the street, but they all work to the same end. Though Ahlstrom’s pieces will sell for hundreds of dollars and hang like the gallery pieces that they are, she creates them with the intention of breaking down the art world stipulation that craft cannot be art.

She cites the Gee’s Bend quilts as one inspiration for her work. Gee’s Bend is a small Alabama River community whose women inhabitants came together to have their quilts exhibited by the Houston Museum of Fine Arts in 2002, to great critical acclaim. In contrast to previous exhibitions, the quilts were not divorced from their functional use — museum literature placed the stories of Gee’s Bend quilters front and center in an attempt to highlight how the beauty of their geometric patterns was accentuated, not diminished, by their status as household objects.

So what did the gentle crafter of my beloved dinosaur have in mind when she or he looped that clover green around the bike rack? You’d have to ask the knitter — but at the very least, they’ve made their presence known.

The world Maclaine made

Jesse Hawthorne Ficks
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2
The world Maclaine made

arts@sfbg.com

FILM For a biographical abstract of Christopher Maclaine, try the famous first lines of Allen Ginsberg’s Howl. For greater precision, observe poet David Meltzer’s letter to film historian P. Adams Sitney (reproduced in Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000): “Poet, filmmaker, stand-up comic, bagpiper, chaser of mysteries.” Meltzer’s letter continues, “In the mid-’60s sacrificed his nervous system to methedrine.” Stan Brakhage wrote of Maclaine, “He courted madness and he finally got it.” Before he did, he completed four films, the first of which — his preemptive magnum opus, The End (1953) — flattened a very young Brakhage at its infamous Art in Cinema premiere. Sixty-seven years after the museum crowd balked at Maclaine’s celluloid testament, the film is back at the San Francisco Museum of Modern Art.

We still haven’t found the categories that will contain Maclaine’s non-sync film of revelations: a found-footage narrative composed of original materials; a lettrist pulp fiction; a proto-punk murder ballad radioed to the void; a hipster “duck and cover” drill with time enough for Beethoven and Bartok. Like Sunset Blvd. (1950), The End is narrated from beyond the grave — only this voice (Maclaine’s) speaks behind nuclear holocaust rather than mere murder. First thing, we see the mushroom cloud (annihilation was in the air: America had recently tested the hydrogen bomb in the Pacific). Maclaine insinuates us over extended black leader: “Soon we shall meet the cast. Observe them well. See if they are not yourselves. And if you find none of them to be so, then insert yourself into this revue.” The cast, he explains, were his friends: “They all have stories. We shall be able to learn a little about each of them before our time runs out.”

The following 30 minutes snakes through six sections and four clearly identified characters. Though the cast is unwitting of the coming apocalypse, they are not innocent of its destructive energies. Before the blast, two die by their own hand and one on the wrong side of a stranger’s gun. The fourth, an innocent poet in a cruel world (played by Wilder Bentley II, who will be in attendance for the Thurs., March 31 screening), seeks redemption as a leper. They are all on the run from America — each “couldn’t face the 20th century.” Maclaine’s montage scatters images from the different mini-narratives and pulls together a mash of insert motifs that function as another layer of poetic commentary — a lyrical compliment to the voice-over’s epic address.

The cubist construction of these episodes is such that you would know a bomb had gone off even if you hadn’t seen the mushroom cloud. Scholar J.J. Murphy helpfully suggests Charlie Parker’s phrasing as a possible influence on Maclaine’s frenzied cutting, though the North Beach Scotsman also seems to anticipate the rhythms of Blank Generations to come. There are many jolting connections throughout The End, some delightfully unforeseen (the Powell Street trolley turnaround next to a gun barrel’s spin) and others simply damning (dramatization of a suicide’s collapse intertwined with documentary footage of a homeless man flat on the street). The montage reaches its zenith in the film’s closing moments, when a tumble of images registering sexual release and last-gasp poignancy are set to “Ode to Joy” as final shards of the known world.

It’s hard to fathom The End‘s originality now that so many of its techniques have become familiar avant-garde strategies. At the time, most experimental films strove for self-conscious lyricism, drawing on abstraction, silence, and psychosexual expressionism to articulate a space outside society. Maclaine dramatizes the break, never more explicitly than when he directly addresses the audience (“The person next to you is a leper!”) With its strong conviction that death itself has changed, The End is often discussed as an expression of atomic-age nihilism. Even more radical is the way Maclaine channels what was then still a new mode of address: the live television feed, which Sen. Joe McCarthy was just then exploiting in his Voice of America hearings. A decade before Marshall McLuhan’s Understanding Media, Maclaine intuits the connections between medium and message — the mushroom cloud and television being two sides of the same terrifying totality.

Maclaine made only three short films after The End, all of which will be shown Thursday night: The Man Who Invented Gold (1957), Beat (1958), and Scotch Hop (1959). None of these match The End‘s x-ray vision, although The Man Who Invented Gold and Beat both unfold the same vivid imagination of the San Francisco terrain. Scotch Hop is something different and, on first viewing, my favorite of the later works: the Scotsman’s equivalent of Olympia (1938), with low angles and slow motion placing bagpipers, log-throwers, and fiercely proud dancers on a heroic plain. Brakhage claims it a masterpiece in his poignant remembrance of Maclaine in his book Film at Wit’s End, but there’s little doubt that The End had the more profound impact on his own filmmaking — specifically in the way it demonstrated the liberating effects of a film grammar built of “mistakes.”

Meanwhile, the search for Maclaine continues in a serial analysis of The End on SFMOMA’s Open Space blog by filmmaker and projectionist Brecht Andersch in collaboration with Hell on Frisco Bay blogger Brian Darr. As of this writing, “The The End Tour” has reached its 15th installment. All together, it constitutes a supremely dedicated work of media archaeology, and one of the liveliest works of film criticism I’ve encountered in some time. Andersch and Darr’s spirited dissection of the film’s psychogeographic dynamics has illuminated the film’s subliminal operations as well as its creative mapping of the local landscape. Most remarkable is their discovery that a prominent patch of graffiti (“PRAY”) that appears in the film is still tattooed on a China Beach wall — as if Maclaine’s imagined nuclear blast fixed it there for all time.

IN SEARCH OF CHRISTOPHER MACLAINE: MAN, ARTIST, LEGEND

Thurs/31, 7 p.m., $10

San Francisco Museum of Modern Art

151 Third St., SF

(415) 357-4000

www.sfmoma.org

 

Music Listings

Maria Poblet
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0

Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 30

ROCK/BLUES/HIP-HOP

B Foundation, Katastro, Jahlectrik Bottom of the Hill. 9pm, $10.

Careerers, Le Mutant, Marmalade Mountain Hemlock Tavern. 9pm, $6.

DOM, Heavy Hawaii, Melted Toys, EpicSauce.com DJs Rickshaw Stop. 8pm, $10.

Ari Hest, Rosi Golan Café Du Nord. 8pm, $15.

Katchafire, Tomorrows Bad Seeds Independent. 9pm, $20.

Weapons of the Future, Tokyo Raid, Knives Knockout. 10pm, $6.

Mary Wilson Yoshi’s San Francisco. 8pm, $35.

Mitch Woods Biscuits and Blues. 8pm, $15.

Zodiac Death Valley, Preteen, Mata Leon Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

Cat’s Corner Savanna Jazz. 9pm, $10.

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Guerrilla Cabaret with Tom Shaw Trio Martuni’s, Four Valencia, SF; www.dragatmartunis.com. 7pm.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Michael Parsons Trio Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

FOLK/WORLD/COUNTRY

Stevie Coyle Bazaar Café, 5927 California, SF; (415) 831-5620. 7pm.

Rose’s Pawn Shop, All My Pretty Ones Red Devil Lounge. 8pm, $6.

Matthew Santos, Chi McClean, Chris Gelbuda Hotel Utah. 8pm, $10.

David Wagner Café Royale, 800 Post, SF; www.caferoyale-sf.com. 8pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St., SF; (415) 643-3558. 10pm, $3. Soul, funk, swing, and rare grooves with residents Dr. Musco and DJB.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; www.vesselsf.com. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Salem, Water Borders, Whitch, Disco Shawn 103 Harriet, 1015 Folsom, SF; www.1015.com. 8pm, $10.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 31

ROCK/BLUES/HIP-HOP

Alabama Mike Biscuits and Blues. 8 and 10pm, $15.

B-Stars Amnesia. 9pm, $5.

Dreamdate, Touch-Me-Nots, Elvis Christ Knockout. 9:30pm, $6.

Dreamdate, Touch-Me-Nots, Elvis Christ Knockout. 9:30pm, $6.

Frail Amoeba, 1855 Haight, SF; www.amoeba.com. 6pm, free.

Doug E. Fresh Yoshi’s San Francisco. 8 and 10pm, $20-26.

Brendan James and Matt White, Lauren Pritchard Red Devil Lounge. 8pm, $12.

Kem, Timothy Bloom Warfield. 8pm, $49.50-69.50.

Koalacaust, Steel Tigers of Death, King City Thee Parkside. 9pm, $7.

Travie McCoy, Donnis, Black Cards, XV, Bad Rabbits Slim’s. 7:30pm, $18.

Route 66 Players Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Southeast Engine, Pancho-san, Tommy Carns Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Dominique Leone, Meotar, Headshear Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 9pm.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Pascal Bokar Band and Alan Benzie’s Berklee College of Music Band Savanna Jazz. 7:30pm, $10.

Stompy Jones Top of the Mark. 7:30pm, $10.

“Tingel Tangel Club: Three Year Anniversary Party” Café Du Nord. 9pm, $16-20. Cabaret with Ann Magnuson and Kristian Hoffman, Uni and Her Ukelele, Scotty the Blue Bunny, and more.

FOLK/WORLD/COUNTRY

Bluegrass and old-time jam Atlas Café. 8-10pm, free.

Prince Royce Regency Ballroom. 8pm, $38.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

Bag Raiders, DJs Aaron Axelsen, Omar, and KidHack Rickshaw Stop. 9:30pm.

Base Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10. With Roger Sanchez.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

Wax Candy Showdown, 10 Sixth St, SF; www.showdownsf.com. 9pm, free. Disco, funk, house, and techno with Sergio, the Worker, André Lucero, and Travis Dalton.

FRIDAY 1

ROCK/BLUES/HIP-HOP

Ashford and Simpson Rrazz Room. 8pm, $55.

Seth Augustus Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Ben, Ian, and Tom of Gomez Swedish American Hall (upstairs from Café Du Nord). 8pm, $25.

Books on Tape, Downer Party, Nero Nava Bottom of the Hill. 10pm, $10.

De La Soul Yoshi’s San Francisco. 8 and 10pm, $45.

Galactic, Cyril Neville, Corey Henry and Rebirth Brass Band Fillmore. 9pm, $29.50.

Last Nova, Untied, Fever Charm, Distorted Harmony, Amply Hostile Slim’s. 7:30pm, $15.

Lenka, Greg Laswell Rickshaw Stop. 8:30pm, $14.

Stung, Petty Theft Café Du Nord. 9:30pm, $15.

“Thee Parkside Anniversary Party” Thee Parkside. 9pm, free. With Glen Meadmore and His Hot Horny Born Again Revue.

Walken, Lozen, Dog Shredder, Pins of Light Hemlock Tavern. 9:30pm, $8.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

FOLK/WORLD/COUNTRY

BeauSoliel aves Michael Doucet Great American Music Hall. 8pm, $25.

Head for the Hills Boom Boom Room. 9:30pm, $10.

Rupa and the April Fishes, Rumen Sali Shopov and the Soul of the Mahala, Sani Rifati and Mahala Blaster, DJ Zeljko Independent. 9pm, $20.

Tony Ybarra and Sonido Moreno Red Poppy Art House. 8pm, $10-15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Aural Fixation with Kool Keith Club Six. 9pm, $15. Plus DJ Godfather, Dials, Prince Zammy, and Ryury.

DJ Scott Cams Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, $10.

ESL Music Showcase Public Works, 161 Erie, SF; www.publicsf.com. 10pm, $15. With Rob Garza, Ancient Astronauts, and Afrolicious DJs.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Mix-Up! 540 Club, 540 Clement, SF; www.540-club.com. 10pm, free. DJ Ben Abstrakt plays indie, new wave, dance, and more.

Oldies Night Knockout. 9pm, $2-4. Doo-wop, one-hit wonders, and soul with DJs Primo, Daniel, and Lost Cat.

120 Minutes Elbo Room. 10pm, $5-10. Witch house with DJs oOoOO, Whitch, Nako, and White Ring.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Strangelove Cat Club. 9:30pm, $6. Goth, industrial, and plenty of surprises with DJs Tomas Diablo, Melting Girl, Mitch, and more.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 2

ROCK/BLUES/HIP-HOP

American Steel, Yi, Cat Party, Hanalei Thee Parkside. 9:30pm, $12.

Ashford and Simpson Rrazz Room. 7 and 9:30pm, $55.

Baseball Project, Minus 5, Steve Wynn Slim’s. 9pm, $17.

Big Bang Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

De La Soul Yoshi’s San Francisco. 8 and 10pm, $45.

Doormats, Daisy Chain Thee Parkside. 3pm, free.

Galactic, Cyril Neville, Corey Henry and Rebirth Brass Band Fillmore. 9pm, $29.50.

Hunx and His Punx, Shannon and the Clams, Grass Widow Bottom of the Hill. 10pm, $10.

Ivan Neville’s Dumpstaphunk, Zigaboo Modeliste and the New Aahkesstra Independent. 9pm, $22.

Nibblers Shine SF, 1337 Mission, SF; www.shinesf.com. 9pm.

Sex With No Hands Ireland’s 32. 10pm, free.

Trophy Fire, I Was Totally Destroying It, Glass Trains Hemlock Tavern. 9:30pm, $7.

JAZZ/NEW MUSIC

Marcus Shelby Trio Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 11am, $5-15.

John Santos Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $19-60.

FOLK/WORLD/COUNTRY

“Americana Jukebox” Plough and Stars. 9:30pm, $6-10. With Hang Jones and Susan James.

Hot Buttered Rum String Band with guests Great American Music Hall. 8pm, $21.

Lee MacDougall Elbo Room. 6-9pm, $10.

Belle Monroe and her Brewglass Boys, California Honeydrops, Windy Hill Bluegrass Band Café Du Nord. 9pm, $12.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bardot A Go Go’s Serge Gainsbourg Birthday Dance Party Rickshaw Stop. 9pm, $10. French pop.

Bootie SF DNA Lounge. 9pm, $6-12. Mash-ups.

Bridge 2 MIghty. 10pm, $10. Eclectic dance music with Deekline, Udachi, and Qdup Foundation.

Debaser Knockout. 9pm, $5. Fly your flannel at this 90s alternative party with DJ Jamie Jams and EmDee.

DJ Duserock Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, $10.

HeroesNHunks Truck, 1900 Folsom, SF; (415) 252-0306. 6pm. Superhero-themed party with an XXX twist.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip-hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Mount Kimble, Shigeto, Matthew David Mezzanine. 9pm, $15.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Saturday Night Soul Party Elbo Room. 10pm, $10. Soul with DJs Lucky, Phengren Oswald, and Paul Paul.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 3

ROCK/BLUES/HIP-HOP

Ashford and Simpson Rrazz Room. 7pm, $55.

A Day to Remember, Bring Me the Horizon, We Came as Romans, Pierce the Veil Warfield. 7pm, $27.

Ferraby Lionheart, Henry Wolfe, Charlie Wadhams Café Du Nord. 8pm, $12.

Gears, Controllers, Poop Hemlock Tavern. 8:30pm, $10.

Helmet, Saint Vitus, Crowbar, Kylesa, Red Fang, Howl, Atlas Moth Mezzanine. 8pm, $25.

Middle Brother, Blake Mills Independent. 8pm, $20.

Dorian Wood Viracocha, 998 Valencia, SF; (415) 374-7048. 8pm.

Young Prisms Knockout. 9pm, $6.

JAZZ/NEW MUSIC

Daria Bliss Bar, 4026 24th St., SF; www.blissbarsf.com. 4:30pm, $10.

Swing-out Sundays Milk Bar. 9pm, $7-15. With beginner swing lessons.

“Switchboard Music Festival” Brava Theater, 2781 24th St, SF; www.switchboardmusic.com. 2-10pm, $15-40. Marathon concert with Birds and Batteries, Causing a Tiger, Loren Chasse, Genie, Gojogo, and more.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Family Folk Explosion Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Gentry Bronson, Rachel Efron, Kate Isenberg Yoshi’s San Francisco Lounge. 8pm, $7.

Dang Show Yoshi’s San Francisco. 7pm, $35.

Slow Poisoner, Naked and Shameless Thee Parkside. 4pm, free.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Dub Mission Elbo Room. 9pm, $7. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Kush Arora.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 4

ROCK/BLUES/HIP-HOP

Saturn, KaeRo, Zutra El Rio. 7pm, $7.

Seasick Steve Slim’s. 7:30pm, $15.

Witchburn, Betty White Hemlock Tavern. 6pm, $5.

JAZZ/NEW MUSIC

Phil Manley, Sean Smith, Ava Mendoza Elbo Room. 9pm, $10.

Lavay Smith Orbit Room, 1900 Market, SF; (415) 252-9525. 7-10pm, free.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 5

ROCK/BLUES/HIP-HOP

Sarah Allner, Brian Weeber El Rio. 7pm, free.

Ryan Bisio, Gwyneth and Monko, Ben Jordan Hotel Utah. 8pm, $10.

Erin Brazill and the Brazillionaires, Annie Bacon and Her Oshen, Love Axe Bottom of the Hill. 8:30pm, $8.

British Sea Power, A Classic Education, Sporting Life Independent. 8pm, $16.

Crackerjack Highway, Fulton and 44th Rickshaw Stop. 7pm, $12. Benefit for Boys Hope Girls Hope of San Francisco.

Das Butcher, Rodney J. Cooper, Chronox Hemlock Tavern. 9pm, $5.

Donion, Outlaws and Preachers 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Giant Panda Guerilla Dub Squad, Kevin Kinsella Café Du Nord. 9pm, $12.

Talib Kweli Fillmore. 8pm, $28.50.

Sydney Ducks, Face the Rail, Go Time, DJ Mackiveli, DJ Taypoleon Knockout. 8:30pm, $5.

Yeallow, Secret Secretaries, General Bye Bye, Interchangeable Hearts Kimo’s. 9pm.

Pete Yorn, Ben Kweller, Wellspring Regency Ballroom. 8pm, $30.

DANCE CLUBS

Benefit for Capoeira Brasil Elbo Room. 9pm, $5. Brazilian dance hits, samba, and more with DJs Dion and Kwala.

Boomtown Little Baobab, 3388 19th St, SF; www.bissapbaobab.com. 9pm, free. DJ Mundi spins roots, ragga, dancehall, and more.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house

 

Rep Clock

Maria Poblet
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0

Schedules are for Wed/30–Tues/5 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Other Cinema:” April Fool’s special with books and films about pranksters, Sat, 8:30.

BIG UMBRELLA STUDIOS 906 1/2 Divisadero, SF; www.bigumbrellastudios.com. $1. “This is No Joke: These Movies Were Really Made:” •The Room (Wiseau, 2003), and Troll 2 (Fragasso, 1990), Fri, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. “Sing-a-long:” The Wizard of Oz (Fleming, 1939), Wed-Thurs, 7 (also Wed, 2). •Pee-Wee’s Big Adventure (Burton, 1985), Thurs, 7:30, and Edward Scissorhands (Burton, 1990), Thurs, 9:20. The African Queen (Huston, 1951), Sat-Sun, 2, 4:30, 7, 9:20.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-15. Certified Copy (Kiarostami, 2010), Wed-Thurs, call for times. Phil Ochs: There But For Fortune (Bowser, 2010) Wed-Thurs, call for times. Winter in Wartime (Koolhoven, 2009), call for dates and times. The Storm That Swept Mexico (Teles and Ragin, 2011), Thurs, 7. Trophy Wife (Ozon, 2010), April 1-7, call for times.

GOETHE-INSTITUT SAN FRANCISCO 530 Bush, SF; (415) 263-8760. $7. “From the Wild West to Outer Space: East German Films:” Hot Summer (Hasler, 1968), Thurs, 7.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. “Re-Imagining Gaza,” short films produced by Palestinian youth, Wed, 7.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: French Twist:” Irma Vep (Assayas, 1996), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Film 50: History of Cinema: Fantasy Films and Realms of Enchantment:” The City of Lost Children (Jeunet and Caro, 1995), Wed, 3:10. “Radical Light: Alternative Film and Video in the San Francisco Bay Area:” “Different Tongues: Film in Dialogue With Music, Literature, and Dance,” Wed, 7:30; “Preserving the Avant-Garde at PFA,” Sun, 3. “Behind the Scenes: The Art and Craft of Cinema: Patricia Woodbridge on Art Direction:” “Lecture by Patricia Woodbridge” followed by I Am Legend (Lawrence, 2007), Thurs, 7; Shutter Island (Scorsese, 2010), Sun, 5:30. “Under the Skin: The Films of Claire Denis:” Beau travail (Denis, 1999), Fri, 7; Trouble Every Day (Denis, 2001), Fri, 8:30; Wings of Desire (Wenders, 1988), Sat, 8:30. “Afterimage: Filmmakers and Critics in Conversation: Patricio Guzmán with Jorge Ruffinelli:” Salvador Allende (Guzmán, 2004), Sat, 6:30.

PARAMOUNT 2025 Broadway, Oakl; 1-800-745-3000, www.ticketmaster.com. $5. Pillow Talk (Gordon, 1959), Fri, 8.

RED VIC 1727 Haight, SF; (415) 668-3994; www.redvicmoviehouse.com. $6-10. The Mystery of Kaspar Hauser (Herzog, 1974), Wed, 2, 7, 9:20. Kaboom (Araki, 2010), Thurs-Sat, 7:15, 9:15 (also Sat, 2, 4). Black Swan (Aronofsky, 2010), Sun-Mon, 7, 9:20 (also Sun, 2, 4:15). The Housemaid (Im, 2010), April 5-6, 7:15, 9:20 (also April 6, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Queen of the Sun: What Are the Bees Telling Us? (Siegel, 2010), Wed-Thurs, 7, 8:45. “Men and Machine Guns:” Ninja Turf (Park, 1985), Fri, 7:30; Miami Connection (Park, 1987), Fri, 9:15. Orgasm, Inc. (Canner, 2009), April 1-7, 6:45, 8:30, 10 (no 8:30 show Sun/3; also Sat-Sun, 1:30, 3:15, and 5).

SAN FRANCISCO MUSEUM OF MODERN ART 151 Third St., SF; www.sfmoma.org. $10. “San Francisco Cinematheque:” “Radical Light: In Search of Christopher Maclaine: Man, Artist, Legend,” Thurs, 7.

SAN FRANCISCO MAIN LIBRARY 100 Larkin, SF; www.sfpl.org. Free. Bicycle Bride (Zee, 2010), Sun, 2.

VORTEX ROOM 1082 Howard, SF; www.myspace.com/thevortexroom. $5 donation. “Thursday Film Cult:” •Some Girls Do (Thomas, 1969), Thurs, 9, and The President’s Analyst (Flicker, 1967), Thurs, 11. YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Human Rights Watch Film Festival:” In the Land of the Free (Jean, 2009), Thurs, 7:30. “Iran Beyond Censorship:” Close-Up (Kiarostami), Fri-Sat, 7:30; Crimson Gold (Panahi, 2003), Sun, 2; White Meadows (Rasoulof, 2009), Sun, 4. “San Francisco Cinematheque:” “Two Together One: Stanton Kaye and Jim McBride,” Fri, 7; “Two Together Two,” Sat, 7. These events, $10. “Fearless: Chinese Independent Documentaries:” Karamay (Xu, 2010), Sun, 1.<\!s>*

5 Things: March 29, 2011

Andrew Lam
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3

>>EYES OUT FOR LIL’ ONES What does a San Francisco look like where everyone is safe to ride their bikes? Well, a lot like next Thursday, April 7, we hope. That’s the day that 3,000 (at least) schoolkiddos will be hopping their two-wheelers to over 40 different schools. The San Francisco Safe Routes to School program is still looking for volunteer bike chaperones and mechanics to help families for the day, who wants to put on their teacher’s hat?


Betabrand’s Greed Pants: but one of many ways to support your local manufacturers

>>MADE YOU LOOK What do a Dogpatch bike bag factory, a fancy men’s shirt maker, SF’s biggest beer brand, and a socially-conscious print shop have in common? They’re all members of SFMade, a business association comprised of companies that manufacture their goodies inside city limits. Need to know more? The NYT gave them a sterling writeup in the op-ed section this past Sunday. 

>>SKOOL SOMEBODY East Bay Free Skool‘s starting a newsletter for adherents to its circus skill-sharing-Spanish learning-urban studying sessions for the shallow-pocketed, yet deserving-of-education masses. And the skool longs for your voice to be represented within its Xeroxed reams! Holler at eastbayfs@gmail.com if you’ve got a tale to tell from a class you’ve gone to/taught at, submissions due by Friday, April 1. 

>>LISTEN UP SLACKERS SF’s own Jenny Blake, a Career Development Program Manager at Google – something like an internal cheerleader and guidance counselor for the Google masses – launches her book today, Life After College: The Complete Guide to Getting What You Want. Check out her blog to glower at the hundreds of pics in which Blake looks consistently clean and well-fed (something many of us post-collegiate-types still strive for), or simply check out her promo video – it’s filmed in front of the Bay Bridge, and there are some nice birds in the background. 

>>GETTING STOKED FOR TOMORROW’S PET ISSUE After our slow loris scare yesterday we’re all on edge of the abuse of animals in adorable videos, but this one seems okay:

Dogboarding from DANIELS on Vimeo.

5 Things: March 28, 2011

Andrew Lam
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0
5 Things: March 28, 2011

>>AS IF WE WEREN’T ALREADY DISTURBED BY THE TIME WE SPEND WATCHING ANIMAL VIDEOS News broke last week that the slow loris is being poorly served indeed by its onslaught of Youtube celebrity. The poor little guys, native to Southeast and South Asia, are being illegally trafficked due to their increasing popularity as pets, leading to infection-causing teeth removals and other forms of abuse. Sickeningly enough, some of the web’s fave videos (like this one and this one) are actually shown to be footage of hurt animals. Ugh.

>>GETTING CHASED Divisadero neighbors and anti-bankists (or at least anti-other people’s bankists)  are still down on the idea of Chase Bank locating a branch at the corner of Divisadero and Oak streets. Banktivists showed up at an Appeals Board meeting March 16 to air their gripes, along with a contingent of neighbors and others who would rather see a bank branch than the grubby-window eyesore that has reined since Martini Cleaners vacated almost four years ago.  The two businesses everyone liked – Country Cheese and Five Star Truffles (now in the Castro) – are already gone, which leaves one looming question about what Chase will bring: will the Wells Fargo ATM at the back of the building have to go, or do financiers of a feather flock together? 

>>GOT PLANS TOMORROW NIGHT? You can meet us at the Lex for penny shots (yes, that means shots of liquor for one red cent) from 8:45-9 p.m., just like every other Tuesday. From 9-10 p.m. it’s two-for-one beers and mixed drinks. Penny shots: the perfect time to get wasted and talk about Abe Lincoln.

>>BARGAIN UP P-Kok on Haight Street is closing. But wait — P-Kok on Haight Street is not closing. And — P-Kok on Haight Street is opening! All true truths. Let us explain. P-Kok No. 1, at 791 Haight Street, is indeed closing, but P-Kok No. 2, the one across the street with the sauna and wild spa nights at 776 Haight, is staying open. And P-Kok No. 3, is moving uptown (well, the Upper Haight, anyway) to Haight and Masonic. So don’t worry. But do get over to 791 for some remarkable deals. The store slashed prices 50 percent to 70 percent and P-Kok’s  clothes, jewelry, stockings, scarves, hats, boas, etc. have always been high on the fun-and-sexy-o-meter. Together, we can clean the place.

>>KILLING US We’re already begun sensei training with neo-soulman Aloe Blacc – gotta pick up those rubber-limbed dance moves – but only because the kid in this video was unavailable.

 

The Performant: Any way you want it

Jesse Hawthorne Ficks
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0
The Performant: Any way you want it

Bad hair days gone wild at Rock of Ages
 
That distance makes the heart grow fonder does go a long way in explaining the recent resurgence of hair metal. Somehow despite all better judgment, a spangled veil of wistful nostalgia has fluttered over that particular genre of music you probably loathed when you had to listen to it blaring non-stop from every corporate rock station in the nation [or while guys in eyeliner and leopard tights were beating you up in high school for being a flannel-wearing, Smiths-loving faggot -ED.].

But nowadays stone-washed denim is the new sepia-tone, and don’t think the canny producers of the touring, glam-rock “jukebox musical” Rock of Ages don’t know it. Any show where scantily-clad beauties hand out custom-made lighters at the door (ok, little flashlights) to hold up at the appropriate moments, that is to say every five minutes, is staged quite emphatically to push your most embarrassingly sentimental buttons. But it’s such an eagerly goofy emphasis that you can’t really resent the blatant manipulation. You’ll probably even wind up singing along.


 Full of ear-worms and eye-candy, Rock of Ages has a classic “busbo/ aspiring rock star” meets “cocktail-waitress-stripper-actress waiting for a break” storyline straight out of an MTV music video on heavy rotation. I almost expected Beavis and Butthead to show up during the finale and give it their classic “this rocks/this sucks” treatment before heading over to Burger World to set things on fire. What rocked: the hard-working live band conducted by keyboard player Brandon Ethridge and not so subtly dominated by lead guitarist Chris Cicchino, the gleefully tacky Sunset Strip aesthetic that permeated every designer’s work from crimped wigs to paraphernalia-covered stage wings, the endless stream of frighteningly familiar songs you can barely even find in karaoke joints anymore—“Sister Christian,” “We’re not Gonna Take it,” “Cum on Feel the Noize,” “Every Rose has its Thorn”.

What sucked is what sucked back in the 1980s, namely where’re all the ladies at? Out of 30 songs, only Joan Jett and Pat Benetar (plus a smidge of Lita Ford) represented the women-in-rock, and most of the female cast members didn’t even get so much as a character name or a few good laugh lines, but instead got to settle for lap-dancing like they meant it. Couldn’t they have snuck just one Wendy O. Williams riff in there? And though Constantine Maroulis as Drew played one of the most sweetly affable lead roles in any musical since Seymour of “Little Shop of Horrors,” and has a great set of rock pipes to boot, I was reminded of the quote about Ginger Rogers doing everything Fred Astaire did “backwards and in high heels” when Elicia MacKenzie as Sherrie took the stage and belts out a show-stopping “High Enough,” by Damn Yankees. A good girl gone bad never sounded better.
 
Still, you can’t necessarily blame the boys that there just weren’t very many girl bands playing unapologetic cock rock back in the day, and not every nostalgia trip has to pack along a roadmap to political correctness. Like the proverbial fountain of youth, Rock of Ages has the magical ability to turn its audience into a pack of fourteen year-olds on an ephedrine-and-Aqua Net binge, which sounds pretty heinous, but somehow manages to be totally awesome instead.
 
Through April 9
Curran Theatre
445 Geary, SF
$30-$99
(888) 746-1799
www.shnsf.com

Fruits of labor

Jesse Hawthorne Ficks
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0
Fruits of labor

arts@sfbg.com

FILM One of the first things cinema learned to say was “you are there.” The Lumières sent their lightweight cameras around the world and were soon able to transport their Parisian audience to remote settings — a fine flexing of industrial capitalism. If Werner Herzog used to have the market on art-cinema primitivism cornered, the recent films making up the “First Person Rural” series at the Pacific Film Archive take a different tack, disavowing outlandish narratives of madness and expedition for reality-hungry visions of work and rough beauty. As a group, they privilege phenomenal experience to exposition; affective texture to intelligibility; nonverbal utterance to patent explication. They often seem more in line with epic poetry than documentary realism.

Argentine director Lisandro Alonso’s stoic debut La Libertad (2001) led the way to many of the decade’s shorn agricultural narratives. To begin, we watch a young man work a tree into lumber and eat and nap in a lean-to a few shades rougher than Thoreau’s Walden. In the film’s second half, the man turns his labor into capital, transporting, selling, and spending before returning to camp to eat a freshly caught armadillo as lightning flashes in the distance. The slow time of the man’s routines defines the temporality of the film, and Alonso’s bold compositions in turn monumentalize the man’s tasks. What to make of this aesthetic surplus of the man’s labor remains an open question.

The issue of poetic license is even more pressing in Agrarian Utopia (2009), a work of social (hyper) realism focused on a family of Thai subsistence farmers. In contrast to their crushing penury is the rich HD cinematography: every grain of rice and droplet of water makes its stunning mark. Hitching scripted social drama to a loose documentary style joining scenes, director Urophong Raksasad proposes three possible utopic frameworks for the farming family: urban demonstrations calling for political reform, a hippie neighbor’s sustainable farming practices, and the ecstatic vision of the camera itself. The limitations of the first two should give us pause over the third; this is the rare film about poverty that doesn’t imagine its lyricism as a redemptive force.

There’s no question of any kind of utopia in Eugenio Polgovsky’s Tropic of Cancer (2004), a video report from the Mexican desert that’s bruising and cunning in equal measure. Polgovsky shows us the hard lives of peasants who scour the arid landscape for (unfriendly) critters they can sell alongside a godforsaken highway. Their middle-class customers seem primarily concerned with animals’ living conditions — one of many bitter ironies registered in Polgovsky’s sharply assertive montage.

Strong as it is, Tropic of Cancer doesn’t cry out for repeat viewings — not the case with Sweetgrass (2010) and Alamar (2009), both among the finest films of recent years. With Sweetgrass especially, it’s only after you’ve surrendered to its sensory richness as a recording (the multichannel sound mix combines with the physical camerawork for a nearly Whitmanesque extension of perception) that you can begin to digest its cross-purposed contemplation of the final sheep drive across a mountainous western-mythic landscape.

Writing about Jean-François Millet’s peasant subjects, the critic John Berger observed that the French painter’s personal nostalgia extended to history: “Most of what he knew about peasants was that they were reduced to a brutal existence, especially the men. He sensed, it seems to me, two things which, at the time, few others foresaw: that the poverty of the city and its suburbs; and that the market created by industrialization, to which the peasantry was being sacrificed, might one day entail the loss of all sense of history.” The “First Person Rural” films mark this loss with immersion, and in so doing leave us with the lingering sense that it is we and not the films’ subjects who are “out of time.”

“FIRST PERSON RURAL: THE NEW NONFICTION”

March 26–April 27, $5.50–$9.50

Pacific Film Archive

2575 Bancroft, Berk.

(510) 642-5249

www.bampfa.berkeley.edu

Satisfying crunch

Jesse Hawthorne Ficks
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1
Satisfying crunch

arts@sfbg.com

MUSIC For three nights, Burger Boogaloo is going to sate the appetites of Bay Area garage fiends with a hunger for rock. It makes perfect sense that the weekend event is building to a Sunday night finale involving Midnite Snaxx. Sharing the stage with Nobunny, as well as Shannon Shaw’s side project, Egg Tooth, the Snaxx bring a skilled chef’s resume to the bill: Tina Lucchesi, a hairstylist at Down at Lulu’s by day, has blasted amps in bands such as the Bobbyteens and Trashwomen, while Dulcinea Gonzalez, who does time at the Guardian while the sun is out, was a member of the Loudmouths. (Bassist Renee Leal of the LaTeenos completes the trio.) I recently caught up with guitarist-vocalist Gonzalez and drummer Lucchesi.

SFBG You two are garage rock veterans. How do you feel about the Bay Area garage scene right now?

Tina Lucchesi It’s different now, for sure. It’s younger.

Dulcinea Gonzalez I’m happy to be playing music. We haven’t lost our lust for rock ‘n’ roll.

SFBG One of your songs is “October Nights.” What’s special about that time of year?

DG October is when Budget Rock is happening. We tend to party hard, and the weather tends to be better. [The song’s] a celebration of rock ‘n’ roll and living in the Bay Area.

TL It’s Rocktober!

DG Tina wants us to have a record cover where we’re werewolves, like Ozzy Osbourne [on the cover of Bark at the Moon].

SFBG Are there any looks you have in mind for upcoming shows or photos?

DG Don’t give Tina any ideas, she loves to dress up. We had taco suits for Halloween. We hope to do a video soon where we can express our funnier side.

TL This is a T-shirt, tennis shoes, leather jacket kind of band, which is good. It’s cas.

SFBG Why do you think there’s such a connection between garage rock and food, especially in the Bay Area, with bands like yours and Personal and the Pizzas, and labels like Burger Records?

DG I guess it has to do with wanting satisfaction right away. We like our music a little dirty, sleazy, fun, and poppy, and those kinds of foods are the same way — a guilty pleasure.

SFBG What are some of Midnite Snaxx’s favorite snacks?

TL Probably nachos — the vegetarian nachos from [Taqueria] Cancun, with cheese. The midnight buffet that drunkenly happens at my house dips into anything in the fridge.

DG Pizza from Lanesplitter’s. We’ve had some terrible, terrible Taco Bell runs after practice and going to the Avenue.

TL Sometimes we get healthy and go eat sushi at Koryo because they’re open until 3 a.m.

DG That’s when we just got paid.

TL They have half-off specials now. [laughs]

SFBG What’s on the Midnight Snaxx menu, recording and release-wise?

DG We put out our first single on Raw Deluxe. Our next single is on Total Punk Records, an offshoot of Floridas Dying. It comes out in May. Then we have big plans to record our LP for Red Lounge Records in Germany, which will be out in the summer.

SFBG How did you wind up on a German label?

DG This guy [Martin Christoph of Red Lounge] follows a lot of the bands that Tina’s been in and he knew one of my past bands, and he liked the rawness of our recordings. We’re stoked. Hopefully this means we get to go to Europe.

TL Time for schnitzel and beer [laughs].

DG Jason Testasecca from Nobunny is recording the album at Tina’s house.

SFBG Is there anything that people should expect from Midnite Snaxx at your Burger Fest show?

DG Tina, what are you gonna do?

TL They should expect a full-blast snack attack all over their faces.

BURGER BOOGALOO

Fri/25–Sun/27, $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

burgerrecords.webs.com

www.theeparkside.com 

 

Our weekly Picks: March 23-29, 2011

Jesse Hawthorne Ficks
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THURSDAY 24

MUSIC

Music For Animals

The catchy tunes of the self-proclaimed “cult” Music For Animals — San Francisco quartet Nick Bray (guitar), Jay Martinovich (vocals), Eli Meyskens (bass guitar), and Ryan Malley (drums) — evoke 1980s classic pop rock while simultaneously embodying the twee music of the here-and-now. While comparisons have been drawn to other electropop acts like the Killers and Kaiser Chiefs, Music for Animals’ neon-retro fans have embraced the band as its own indie rock entity. Its high-energy shows can include wacky antics, making for a perfect opportunity to bust a move. Join the cult! (Jen Verzosa)

With Foreign Resort and Matinees

9 p.m., $8

Hemlock Tavern

1131 Polk, SF

www.hemlocktavern.com

 

FILM

Disposable Film Festival

Hollywood churns out a huge number of what you might call disposable films (Drive Angry 3D: use once and destroy). San Francisco’s Disposable Film Festival applies the adjective instead to the technology used to create each of its entries: readily available and often handheld devices like cell phones, point-and-shoot cameras, webcams, and so on. Celebrate the all-access-ness of 21st century filmmaking by checking out tonight’s always-popular competitive shorts program; weekend events include an industry panel entitled “How to Become A Disposable De Palma,” a spotlight on filmmaker Christopher McManus, a concert and workshop with YouTube music-video darlings Pomplamoose, and more. (Cheryl Eddy)

Through Sun/27

Competitive shorts night tonight, 8 p.m., $12

Castro Theatre

429 Castro, SF

www.disposablefilmfest.com

 

EVENT

Neil Strauss

I’m not sure what I like most about Neil Strauss. A six-time New York Times best-selling author and contributing editor at Rolling Stone, he coauthored memoirs with Jenna Jameson and Mötley Crüe. He lived with Dave Navarro for a year and went undercover in the “seduction community” to write about pick-up artists. He was in Beck’s gloriously goofy “Sexx Laws” video. His new book of celebrity chatter, Everyone Loves You When You’re Dead: Journeys Into Fame and Madness, features pop culture personalities from Britney Spears to Stephen Colbert. But his 227 “moments of truth” aren’t in-depth, traditional Q&A pieces. Instead, Strauss wove together the most intriguing few minutes of each interview. Huh? How? Ask him yourself. (Kat Renz)

7:30 p.m., free

Booksmith

1644 Haight, SF

(415) 863-8688

www.booksmith.com

 

MUSIC

Phantom Kicks

Taking after the Grizzly Bear-meets-Radiohead, now-disbanded Raised By Robots, the San Francisco-based trio of Tanner Pikop (guitar-vocals-keyboard), Phil Pristia (guitar-vocals), and Mike Rieger (drums) — better known as Phantom Kicks — is experimental, ethereal post-punk born of white space à la the xx. Even without an album, Phantom Kicks’ eerie electro pop has garnered notoriety throughout the Bay Area after gigs at numerous local venues and festivals, sharing the bill with other local indie greats like My First Earthquake, the Dont’s, Skeletal System, and Sunbeam Rd. And its days as a live-only entity are soon to end: Phantom Kicks’ debut EP, Tectonics, is due in April. (Verzosa)

With Adventure and Exray’s

8 p.m., $6

Milk Bar

1840 Haight, SF

www.milksf.com

 

FILM

San Francisco Dance Film Festival

Now in its second year, the San Francisco Dance Film Festival, presented by Motion Pictures and the Ninth Street Independent Film Center, features three evenings of screenings as well as workshops on shooting and editing dance footage. In addition to selections of work by local and international dance filmmakers, Friday night’s lineup includes the San Francisco premiere of NY Export: Opus Jazz, a reimagining of Jerome Robbins’ 1958 “ballet in sneakers” danced by members of the New York City Ballet. This is the first return of Robbins’ choreography to the streets of New York City since the 1961 movie version of West Side Story. (Julie Potter)

Through Sat/26

6:30, 8, and 9:15 p.m., $10

Ninth Street Independent Film Center

145 Ninth St., SF

(415) 625-6100

www.sfdancefilmfest.org

 

FRIDAY 25

PERFORMANCE

Free: Voices from Beyond the Curbside

Destiny Arts Center in Oakland has been around so long — it was founded in 1988 — that you tend to take it for granted. Better stop doing that, especially in this climate of shrinking resources for socially-engaged arts programs. Destiny provides a safe place, activities, and role models during after school, weekend, and summer programs. Students ages three to 18 learn martial arts, dance (modern, hip-hop, and aerial), theater, self-defense, and conflict resolution. All these elements come into play one more time during this year’s Destiny Youth Company’s big-time production at Laney College. Created by the students with the guidance of adult artist-teachers, Free explores concepts of personal and social freedom (and the lack thereof). The program also features documentary filmmaker David Collier’s video of the process that made Free possible. (Rita Felciano)

Through April 3

Fri.–Sat., 7:30 p.m. (also April 2–3, 2 p.m.), $6–$25

Laney College

900 Fallon, Oakl.

1-800-838-3006

www.brownpapertickets.com

 

ROCK

Vastum

Vastum, from the Latin vastus: immense. Empty. Wasted. It’s easy to feel that way bumbling home from a dime-a-dozen metal show — depthless, bored, and boozed. But the three times I’ve seen Vastum, I almost pissed myself with joy: my fingers can form horns again, my head bangs rather than bobbles, my tired faith is revived. With members from two stalwart San Francisco bands, Saros and Acephalix, the five-piece delivers precision death metal with a little punk, classically fast and aggressive with none of the cheesiness often befalling the genre. The venue’s a gem, too: an all-ages Oakland warehouse run by an old-school artist and a gargantuan raptor. (Renz)

With Embers, Atriarch, and Headless Lizzy and Her Icebox Pussy

9 p.m., $6

First Church of the Buzzard

2601 Adeline, Oakland

Facebook: Vastum

 

MUSIC

Wye Oak

Rock duos tend to strive toward sounding greater than their parts. Wye Oak, composed of Baltimore-based musicians Jenn Wasner and Andy Stack, are no exception. Rather than pure bombast, the two play into the contradiction of expectations on almost every track. Wasner’s guitar and lyricism are the initial focus, typically heavily folk-influenced backed by true multi-instrumentalist Stack, who plays drums and keyboard at the same time. As the melodic verses build into the explosive choruses, so do the 1990s alternative rock influences, recalling Yo La Tengo, Sonic Youth, and My Bloody Valentine. It’s an attention-grabbing effect and in a smaller venue should be impossible to ignore. (Ryan Prendiville)

With Callers and Sands

10 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

 

SATURDAY 26

DANCE

“Pilot 58: Fight or Flight”

It may not take a village to produce a dance concert, but a collective of choreographers sure makes the process more creative and exciting. Or at least that’s the lesson gleaned from the participants in Pilot, ODC’s self-producing incubator that selects six dance artists to work together on a shared bill. Known as a springboard for emerging choreographers, Pilot showcases new and under-the-radar dance from fresh choreographic voices: Raisa Punkki, Byb Chanel Bibene, Bianca Cabrera, Katharine Hawthorne, Ashley Johnson, and Erica Jeffrey. Arriving at choreography through notably different experiences, the evening brings a host of ideas to the table, from moving light sources to little dance cartoons. (Potter)

Sat/26–Sun/27, 8 p.m. (also Sun/27, 4 p.m.), $12

ODC Studio B

351 Shotwell, SF

(415) 863-6606

www.odcdance.org

 

SUNDAY 27

MUSIC

Rotting Christ

Though not as famed as other loci of Lucifer, Greece has a long and distinguished black metal history. Delightfully named Rotting Christ was founded in 1987 by brothers Sakis and Themis Tolis, who have been plying their blast-beaten trade ever since, much to the dismay of born-again Christian headbanger Dave Mustaine of Megadeth, who refused to play at a Greek music festival once he learned that Rotting Christ was on the bill. The hellbound Hellenic quartet is joined on its current tour by cult favorites Melechesh, a “Mesopotamian” metal band — composed of Israeli expatriates based in Amsterdam — whose distinctive sound combines razor-wire riffing with idiosyncratic Middle Eastern harmonies and rhythms. On a more somber note, this show will be the last promoted by Shawn “Whore for Satan” Phillips, whose retirement will be a deeply-felt loss for metal, both in San Francisco and elsewhere. (Ben Richardson)

With Melechesh, Hate, Abigail Williams, and Lecherous Nocturne

7:30 p.m., $25

DNA Lounge

375 11th St., SF

(415) 626-1409

www.dnalounge.com

 

MONDAY 28

MUSIC

Röyksopp

Fame can go in divergent ways. For Norwegian electronic duo Röyksopp, the breakthrough was “Remind Me,” a catchy 2002 cut featuring vocals from Kings of Convenience’s Erlend Øye. In the U.K. it picked up Best Video at the Europe Music Awards that year. In the U.S., however, a version of the song is associated with a Geico commercial featuring a caveman. Look past that though, as the pair of musicians have otherwise proven themselves as standouts on the electronic scene, releasing ethereal downtempo compositions. Live, their performances are more amped up and free-ranging, involving unexpected covers like Queens of the Stone Age’s “Go With The Flow.” (Prendiville)

With Jon Hopkins

8 p.m., $30

Regency Ballroom

1300 Van Ness, SF

1-800-745-3000

www.theregencyballroom.com


TUESDAY 29

DANCE

Alvin Ailey American Dance Theater

Under the directorship of Judith Jamison, Alvin Ailey American Dance Theater became the country’s most popular dance troupe, with an impressive infrastructure and a $3 million budget. Now it will be up to Robert Battle, its new artistic director, to build a repertoire that matches the troupe’s organizational achievements. His appointment was something of a surprise; he never danced with Ailey and, at 37. he is young to assume that kind of responsibility. (Jamison was 43). Programs A and C on this year’s Zellerbach schedule each feature one of his choreographies. Whatever he does in terms of programming, he is not likely to offer fewer glimpses of Revelations, the company’s bread and butter. But how about presenting it with live music? The Bay Area has some excellent gospel choirs. (Felciano)

March 29–April 2, 8 p.m. (also April 2, 2 p.m.);

April 3, 3 p.m., $34–$62

8 p.m., $34–$62

Zellerbach Hall

Bancroft at Telegraph, Berk.

(510) 642-9988

www.calperformances.org 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Harmonic canons

Jesse Hawthorne Ficks
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Harmonic canons

THEATER A gorgeous clutter of instruments fills the stage at Z Space/Theater Artaud this week, and audiences, after an eye- and earful of Schick Machine, are invited to go up and play them, too. A musical background is unnecessary: Nothing on stage likely resembles anything you grew up practicing, and anyway all that’s called for is a little rhythm. The show itself gives you a healthy dose, amid a wonderfully designed, gently madcap, almost cosmological musing on the nature and origins of rhythm as well as our yearning embrace of it (and vice versa).

The Paul Dresher Ensemble’s Schick Machine — a collaboration with, among others, writer/director Rinde Eckert — gives the stage over to master percussionist and contemporary music veteran Steven Schick. In the character of musical inventor Laszlo Klangfarben, Schick wanders around a garden playground laboratory of ingeniously crafted percussive and stringed instruments (composer Dresher’s fanciful yet practicable inventions), against a video backdrop evocative of everything from superstrings to abstract expressionist painting to architectural blueprints and scientific scribblings. The instruments of wood and steel form elegant ridges, playful spirals, majestic fans, Ferris wheel–like magic circles, and sonic tulip patches — a kind of Eden for a lone but rarely lonesome madman. Schick’s balding head and glasses compliment the mad scientist look, though his outfit — a high blue apron over white shirt and thin tie — calls to mind an old fashioned small-town grocer.

The thinly-sketched narrative is an excuse for a quiet and contemplative piece of theater, though great explosions of rhythm are mixed in with the goofy humor and crisp, enrapturing visual aesthetic. At the center of it all, the piece suggests, is a single heartbeat.

 

LADY GREY AND OTHERS

Will Eno’s plays (or at least the half-dozen I’ve seen and/or read) tend toward being tongue-in-cheek questions about the relevance of theater, whether as an art form, a social undertaking, or a compliment to dining out. Self-consciousness is both a conceit and strategy here, the basis for playing with inherited forms and conventions as well as an unevenly successful but sometimes rich brand of humor. The best plays not only win laughs but some pang of recognition, through a deft balancing of the profound and the banal. The less successful plays devolve into pretentiousness and sentimentality. In any case, the idea that the traditional theatrical stage is being overturned can only be indulged if you consider a pretty small section of it.

In Cutting Ball Theater’s presentation of Will Eno’s Lady Grey (in ever lower light) and other plays it’s those inconspicuous “other plays” that are most worth seeing. Lady Grey, like the title suggests, is a shadow of former glory, to wit, Eno’s 2004 breakthrough play, Thom Pain (based on nothing), whose structure — up to and including the title itself — provides the template for this play. Cutting Ball had deserved success with Thom Pain, thanks to actor Jonathan Bock, playing no small part but a big and lonely one: the angry, tortured, sarcastic young man who single-handedly holds the audience hostage for an hour or so, assailing it with words, suspect memories, and bold staring contests.

Lady Grey calls for a similar fearlessness and fierceness, depositing onstage something like a female version of Thom Pain to accost and cajole the “audience” (here too much a written idea of one to avoid those scare quotes) across the fourth wall. In the title and only role, Danielle O’Hare, as directed by Cutting Ball’s Rob Melrose, was inconsistent if occasionally beguiling, rarely seeming to step out from behind the text, or rather to completely own its conceit of not being a text. But Melrose and O’Hare, who have done memorable work together in the past, are also essaying a less inspired play. Grey adds up to a hit-and-miss series of one-liners, not a very compelling total.

The other two short plays that make up the fairly brisk evening prove more rewarding. Intermission, which opens directly after one, is an amusing and almost wise desultory conversation between an older couple (Gwyneth Richards and David Sinaiko), and a younger one (Galen Murphy-Hoffman and O’Hare), during the intermission of a seemingly tedious play about life and death. Melrose gets superbly dry performances from his cast, doing full justice to this light but cunning little play riffing on theater’s capacity for channeling yearning, regret, and blank obliviousness.

Cutting Ball regular Sinaiko then returns for the archly histrionic monologue Mr. Theatre Comes Home Different, a piece that the actor — playing an actor reveling in a state of decidedly Eno-esque self-consciousness — rocks with utter conviction. It’s a high note to end on and, for all the seeming ambivalence and sentiment in this slice of Eno’s oeuvre, went perfectly well with dinner.

SCHICK MACHINE

Through Sun/27, $10–$20

Z Space

450 Florida, SF

(800) 838-3006

www.brownpapertickets.com

LADY GREY (IN EVER LOWER LIGHT)

Through April 10, $15–$50

EXIT on Taylor

277 Taylor, SF

(800) 838-3006

www.brownpapertickets.com

Music Listings

Maria Poblet
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Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 23

ROCK/BLUES/HIP-HOP

Antonionian, Doseone, Jel Rickshaw Stop. 8pm, $10.

Burmese, Vaz, Rabbits Knockout. 9pm, $6.

Esben and the Witch, Julianna Barwick, Hungry Kids of Hungary Bottom of the Hill. 9pm, $10.

Otis Heat, Diamond Light, Caldecott Hotel Utah. 9pm, $8.

Theophilus London, Alexander Spit, The 87 Stick Up Kids, C Plus and Duckworth 330 Ritch. 9pm, $17.

Tecumseh, Derek Moneypenny, Opera Mort, Caldera Lakes Hemlock Tavern. 9pm, $7.

Wakey! Wakey!, All Smiles Café Du Nord. 8:30pm, $12.

JAZZ/NEW MUSIC

Alfredo Rodriguez Trio Yoshi’s San Francisco. 8 and 10pm, $10-18.

Cat’s Corner with Christine and Nathan Savanna Jazz. 9pm, $10.

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Green, Through the Roots, Thrive Great American Music Hall. 9pm, $13.

Matt Turk Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St., SF; (415) 643-3558. 10pm, $3. Soul, funk, swing, and rare grooves with residents Dr. Musco, DJB.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Club Shutter Elbo Room. 9pm, $5. Goth with DJs Nako, Omar, and Justin.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 24

ROCK/BLUES/HIP-HOP

Acid Mothers Temple & The Melting Paraiso U.F.O., Shilpa Ray & Her Happy Hookers Bottom of the Hill. 9:30pm, $12.

Blind Willies Blue Macaw, 2565 Mission, SF; (415) 920-0577. 8pm.

Curious Mystery, Greg Ashley, Zoobombs Knockout. 9:30pm, $6.

Quinn Deveaux Amnesia. 9pm, $5.

Dispirit, Atriarch, Alaric El Rio. 8pm, $8.

Shane Dwight Biscuits and Blues. 8 and 10pm, $15.

Liam Finn, Luyas Independent. 8pm, $15.

Flexx Bronco, Spittin’ Cobras, Hewhocannotbenamed, Crawler Thee Parkside. 9pm, $8.

Kids of 88, Art vs. Science Rickshaw Stop. 9pm, $10-20.

Music for Animals, Foreign Resort, Matinees Hemlock Tavern. 9pm, $7.

Naughty By Nature Yoshi’s San Francisco. 8pm, $38.

Sky Parade, Grand Atlantic, Parties, Modern Day Sunshine Hotel Utah. 8pm, $8.

Soul Man Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Toro Y Moi, Braids, Cloud Nothings Great American Music Hall. 7:30pm, $15.

JAZZ/NEW MUSIC

Derek Smith Latin Jazz Band and director Dee Spencer SFSU Jazz Bands Savanna Jazz. 7:30pm, $10.

Jane Monheit SF Conservatory of Music, 50 Oak, SF; www.sfjazz.org. 7:30pm, $30-50.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Paul Drescher Ensemble 25th Anniversary Z Space, 450 Florida, SF; www.brownpapertickets.org. 7pm, $20.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Kris Delmhorst Café Du Nord. 8pm, $18.

JimBo Trout and the Fishpeople Atlas Café. 8-10pm, free.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Gigantic Beauty Bar. 9pm, free. With DJs Eli Glad, Greg J, and White Mike spinning indie, rock, disco, and soul.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

FRIDAY 25

ROCK/BLUES/HIP-HOP

Beats Antique Fillmore. 9pm, $20.

Bruises, Hold Me Luke Allen, Eighteen Individual Eyes El Rio. 9pm, $5.

Elle Nino, Club Crasherz, Double Duchess Hotel Utah. 9pm, $8.

Good Charlotte, This Century Regency Ballroom. 8pm, $28.

Hot Panda, Twinks, Watch It Sparkle Hemlock Tavern. 9:30pm, $7.

Candye Kane Biscuits and Blues. 8 and 10pm, $20.

King Tuff, Personal and the Pizzas, Rantouls, Wrong Words, King Lollipop Thee Parkside. 9pm, $10.

Ed Kowalczyk Yoshi’s San Francisco. 8pm, $30.

James Lanman and the Good Hurt, Mark Sexton Band, Dylan Cannon Café Du Nord. 9pm, $10.

Men, Lady Tragik, Katastrophe Rickshaw Stop. 8:30pm, $12.

Saw Doctors, AM Taxi Slim’s. 8pm, $24.

Smoking Popes, New Trust, Hot Toddies Great American Music Hall. 9pm, $15.

Taj Mahal, Lady Bianca Independent. 9pm, $40.

Wye Oak, Callers, Sands Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Lacemaking: Katy Stephan with the Nice Guy Trio Red Poppy Art House. 8pm, $12-20.

Paul Drescher Ensemble 25th Anniversary Z Space, 450 Florida, SF; www.brownpapertickets.org. 8pm, $20.

Marlina Teich Savanna Jazz. 7:30pm, $8.

Adam Theis and the Jazz Mafia String Quartet Swedish American Hall (upstairs from Café Du Nord). 8pm, $25.

Tin Cup Serenade Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

FOLK/WORLD/COUNTRY

Albino!, Mark Edwards, DJ Spincycle Elbo Roon. 10pm, $10.

Baxtalo Drom Amnesia. 9pm, $7-10.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Cityfox Showcase Public Works, 161 Erie, SF; www.cityfox.eventbrite.com. 9pm. With Digitaline, Lee Jones, James What?, and more spinning deep house and techno.

Debaser 111 Minna. 9pm, $5. The 90s party celebrates its third anniversary with a Fugazi cover band and DJs Jamie Jams, Emdee, and Stab Master Arson.

Duniya Dancehall Blue Macaw, 2565 Mission, SF; (415) 920-0577. 10pm, $10. With live performances by Duniya Drum and Dance Co. and DJs dub Snakr and Juan Data spinning bhangra, bollywood, dancehall, African, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Hubba Hubba Revue: The 90s Show DNA Lounge. 9pm, $10-15. Burlesque plus DJs spinning 90s jams.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kial, Tom No Thing, Megalodon, and Zapruderpedro spinning dubstep, reggae, and electro.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Soul Rebel Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free.

Spindig Happy Hour Knockout. 6-9pm, free. With Ryan Poulsen, Joe Bank$, and Stef playing rap, punk, and everything in between.

Teenage Dance Craze: The Number One Twisting Party in the Universe Knockout. 10pm, $4. Surf, garage, soul, and more with Russell Quan and dX the Funky Granpaw.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 26

ROCK/BLUES/HIP-HOP

Appleseed Cast, Muscle Worship Great American Music Hall. 9pm, $15.

Beautiful Losers Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Blue Roan Filly, Pie Crust Promises, Steel Hotcakes El Rio. 9pm, $7.

Davila 666, Mean Jeans, Biters, Booze Thee Parkside. 9pm, $10.

Ha Ha Tonka, Hoots and Hellmouth, Devil’s Own Hotel Utah. 9pm, $10.

“Jason Becker’s Not Dead Yet Festival” Slim’s. 9pm, $25. With Joe Satriani, Richie Kotzen, Steve Lukather, Kehoe Nation, Flametal, Vinnie Moore, and Michael Lee Firkins.

Lost Coves, Bambi Killers, Chapter 24 Hemlock Tavern. 5pm, $6.

Narooma, Aimless Never Miss, We Be the Echo, Form and Fate Submission, 2183 Mission, SF; www.sf-submission.com. 7:30pm, $6.

O’Death, Arann Harris and the Farm Band, Helado Negro Independent. 9pm, $12.

Parson Red Heads, Jean Marie, Laguna Hemlock Tavern. 9:30pm, $8.

Say Hi!, Yellow Ostrich, Blair Bottom of the Hill. 10pm, $14.

Sheila E. Yoshi’s San Francisco. 8 and 10pm, $35.

Earl Thomas Biscuits and Blues. 8 and 10pm, $22.

Totally Enormous Extinct Dinosaurs, Beni Rickshaw Stop. 9pm, $12.50.

Traditional Fools, Audacity, Culture Kids, Underground Railroad to Candyland, Skumby and the Disney Dads, Shrouds Thee Parkside. 2pm, $10.

Voodoo Fix, Sara Payah, Con Brio Amnesia. 8pm, $7-10.

JAZZ/NEW MUSIC

Gina Harris and Torbie Phillips Savanna Jazz. 7:30pm, $8.

Paul Drescher Ensemble 25th Anniversary Z Space, 450 Florida, SF; www.brownpapertickets.org. 2 and 8pm, $20.

Alex Pinto Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Jake Shimabukuro Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 7 and 9pm, $30-75.

Lavay Smith and Her Red Hot Skillet Lickers Red Poppy Art House. 7:30 and 9pm, $12-20.

FOLK/WORLD/COUNTRY

Mijo de la Palma Mission Cultural Center Theater, 2868 Mission, SF; www.missionculturalcenter.org. 7:30pm, $12-15.

Mucho Axé 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9:30pm.

Nada Brahma Music Ensemble Om Shan Tea, 233 14th St., SF; 1-888-747-8327. 7pm, $10-20.

Corey Allen Porter, Seth Augustus, Handlebars and Kindle Make-Out Room. 7:30pm, $7.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF: Titus Jones DNA Lounge. 9pm, $8-15. Mash-ups.

4OneFunktion Elbo Room. 10pm, $8-10. Hip-hop and funk with DJ Numark, F.A.M.E., and DJs Platurn, J. Boogie, and B. Cause.

Go Bang! Deco Lounge, 510 Larkin, SF; www.gobangsf.com. 9pm, $5. Atomic dancefloor disco action with special guest Tim Zawada, plus residents Steve Fabus, Stanley Frank, Tres Lingerie, and Sergio.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip-hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Lonely Teardrops Knockout. 10pm. Rockabilly with Daniel and dX theFunky Gran Paw.

Open Forum Madrone Art Bar. 9pm, $5. Pam the Funkstress and DJ BackSide spin 80s, 90s, hip-hop, funk, and more.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, Tesfa, Serg, and Fuze spinning dancehall and reggae.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Temptation Cat Club. 9:30pm, $7. Video dance explosion with DJs Dangerous Dan, Skip, Ryan B spinning 80s and new wave, and guests Blondie K and subOctave spinning indie.

SUNDAY 27

ROCK/BLUES/HIP-HOP

“AP Tour” Regency Ballroom. 5:30pm, $18. With Black Veil Brides, Destroy Rebuild Until God Shows, I See Stars, VersaEmerge, and Conditions.

David Dondero, Franz Nicolay, Boats Hemlock Tavern. 9pm, $8.

Lloyd Gregory Biscuits and Blues. 8 and 10pm, $15.

Jeff Jones Band Boom Boom Room. 9:30pm, free.

Miniature Tigers, Pepper Rabbit, Cannons and Clouds Rickshaw Stop. 8pm, $10.

Mo’Some Tonebender, Lolita No. 18, Zukunashi, Hystoic Vein, Josy Independent. 8pm, $15.

Jay Nash, Joey Ryan and Kenneth Pattengale Café Du Nord. 8pm, $10.

Nobunny, Apache, Wild Thing, Midnite Snaxxx, Egg Tooth Thee Parkside. 8pm, $10.

Ready Set, Allstar Weekend, Downtown Fiction, We Are the In Slim’s. 6:30pm, $16.

Rotting Christ, Melechesh, Hate, Abigail Williams, Lecherous Nocture DNA Lounge. 7:30pm, $25.

She Rides, Bully, Dcoi Submission, 2183 Mission, SF; www.sf-submission.com. 7:30pm, $5.

Sharon Van Etten, Little Scream, Colossal Yes Bottom of the Hill. 9pm, $12.

Erica Von Vokyrie vs. Honey Mahogany Martuni’s, 4 Valencia, SF; www.dragatmartunis.com. 7pm, $5.

JAZZ/NEW MUSIC

Frank Jackson, Larry Vuckovich, Al Obidinski Bliss Bar, 4026 24th St., SF; www.blissbarsf.com. 4:30pm, $10.

Little Brown Brother Band Savanna Jazz. 7:30pm, $5.

Paul Drescher Ensemble 25th Anniversary Z Space, 450 Florida, SF; www.brownpapertickets.org. 2 and 7pm, $20.

Swing-out Sundays Milk Bar. 9pm, $3-15. With beginner swing lessons.

Irma Thomas Palace of Fine Arts, 3301 Lyon, SF; www.sfjazz.org. 7pm, $25-60.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Beyond the Pale, Orkestar Sali Amnesia. 9pm, $10.

Family Folk Explosion Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8pm, free.

Ray Martinez and Salsa Jazz Project El Rio. 4-8pm, $8.

Old Man Markley, Filthy Thieving Bastards, Cooper McBean Thee Parkside. 3pm, $10.

Abigail Washburn Yoshi’s San Francisco. 7pm, $18.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest DJG.

45 Club: 100 Years of Funky Soul Records Knockout. 10pm, free. With English Steve and dX the Funky Gran Paw.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 28

ROCK/BLUES/HIP-HOP

B and Not B, She’s, I Hate You Just Kidding Knockout. 9pm, $7.

Crosby and Nash Warfield. 8pm, $43.50-60.50.

Endroit, Mahgeetah, Add Moss Elbo Room. 9pm, $5.

Le Mutant, Tank Attack, Arms N Legs, Black Stool El Rio. 7pm, $5.

Royskopp, Jon Hopkins Regency Ballroom. 8pm, $32.

She Wants Revenge, Californian Independent. 8pm, $25.

“Under Raps” Showdown, 10 Sixth St., SF; www.bposmusic.us. 9pm. Hip-hop open mic hosted by Mantis One and Big Shawn.

JAZZ/NEW MUSIC

“Earplay: Sound Tangents” Herbst Theater, 401 Van Ness, SF; (415) 392-4400. 7:30pm, $10-20. Works by John Cage, Elliott Carter, and more.

Lisa Mezzacappa’s Bait and Switch Yoshi’s San Francisco. 8pm, $15.

Lavay Smith Orbit Room, 1900 Market, SF; (415) 252-9525. 7-10pm, free.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 29

ROCK/BLUES/HIP-HOP

Endemics, Uzi Rash, American Splits, Broken Water Knockout. 9pm, $5.

Greenflash El Rio. 7pm, free.

Guitar vs. Gravity, Control-R, Cleve-Land, DJ Culture Shizzam Elbo Room. 9pm, free.

Katchafire, Tomorrows Bad Seeds Independent. 8:30pm, $20.

Mallard, Sugar Sugar Sugar, Will Ivy Hemlock Tavern. 9pm, $6.

Parlotones, Imagine Dragons, Ivan and Alyosha Bottom of the Hill. 9pm, $10.

Rebecca Roudman Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Uh Huh Her, Diamonds Under Fire Great American Music Hall. 8pm, $21.

Mary Wilson Yoshi’s San Francisco. 8pm, $35.

DANCE CLUBS

Boomtown Little Baobab, 3388 19th St, SF; (415) 643-3558. 9pm, free. DJ Mundi spins roots, ragga, dancehall, and more.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.<\! * *

 

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