Upcoming

Lit: Rediscovering Philip Lamantia

0

An upcoming article will feature Tau by Philip Lamantia and Journey to the End by John Hoffman (City Lights, 138 pages, $12.95), the latest — and 59th — volume in City Lights’ Pocket Poets Series, edited by poet, hip-hop devotee and Guardian contributor Garrett Caples. For now, I’d like to get the word out, if it ain’t too late, about a reading and book party this Sunday. Caples hosts the event, which justifiably celebrates the publication of the lost second book by the influential surrealist Lamantia, who in turn was devoted to the writing of the comparatively obscure Hoffman, who died at the age of 25. Here’s the info, and after the jump, a choice Hoffman poem from the book.

Sun./25, 5 p.m., free
City Lights Books
261 Columbus, SF
(415) 362-8193

tau.jpg

Sun City Girls still shine

0

PREVIEW When Sun City Girls drummer Charles Gocher died of cancer last year, it was a shock to fans of the long-running band. The group hadn’t publicized his illness, and they seemed to be as active as ever during the few years prior to this sad, surprising news. Following Gocher’s death, the remaining members — brothers Alan and Rick Bishop — immediately disbanded the group, which had the same three-piece lineup since 1981. Along with their current nationwide tour, Alan and Richard Bishop’s The Brothers Unconnected: A Tribute to Charles Gocher and Sun City Girls (Abduction) is meant to close the book on this influential, inspiring, and sometimes maddening ensemble.

No one will ever accuse the Sun City Girls of being predictable or easily accessible. They were probably best known for their various fusions of psych-rock with influences from the Middle East (the Bishops are half-Lebanese), India, and Southeast Asia. But part of their charm was their willingness to do anything they felt like: a movie soundtrack, a radio play, or an album of trashy 1970s rock covers. With all that in mind, the tour-only The Brothers Unconnected is the most concise, approachable summary of the vast SCG catalog you’re likely to find. It showcases the Bishops together on acoustic guitar and vocals, live in the studio, doing renditions of some of their "hits." There is plenty of black humor, with Rick doing his best Gocher impression on the ornery "Ballad of (D)anger," and Alan hilariously handling "Six Kids of Mine," a song about strangling a gaggle of crying children in order to get some sleep. There are also moments of unadorned beauty on par with anything they’ve done: the mysterious, gently flowing "Cruel and Thin" and a handful of tunes from 1990’s Torch of the Mystics (Majora), including dramatic spaghetti-western anthem, "The Shining Path," and the sunny, raga-like "Space Prophet Dogon." If this disc is any indication of what their upcoming show at Slim’s will sound like, then it’s a must-see for anyone interested in this legendary group.

ALAN BISHOP AND RICHARD BISHOP PRESENT "THE BROTHERS UNCONNECTED" With Neung Phak. Wed/21, 8 p.m., $16–$18. Slim’s, 333 11th St., SF. (415) 522-0333, www.slims-sf.com

Do you know the way to Jose James?

0

josejames.jpg

The Dreamer by Jose James is one of those rare debut recordings that is going to grow in popularity due to people’s genuine love for it rather than paid-for hype about James being a major talent. No doubt about it, James is talented, and in a manner not so common these days. James isn’t getting a Clive Davis kind of hype; his album’s on Gilles Peterson’s label Brownswood. Those trappings hint at a type of acid-jazz shallowness that the instrumentation sometimes skates near but generally averts. As for James, he’s a vocalist who loves the music of Pharoah Sanders. There should be more singers like him.

The video for James’s version of Freestyle Fellowship’s “Park Bench People” is an unaffected extension of the track’s lyric. This version of the track is abbreviated, and the song itself doesn’t vie for my favorite moment on The Dreamer. The two songs I keep returning to are the title track and “Winter Wind,” where James’s tenor reaches its highest (almost young Jimmy Scott-like) androgynous realms and also the moments when his phrasing is most reflective and measured. Both of those ballads are lovely, suggestive of a 21st century Gil Scott-Heron (though James has yet to touch Scott-Heron’s political profundity) or at least the spirit of Jeff Buckley. Calling all bookers: I don’t see San Francisco or Oakland on James’s list of upcoming tour dates.


Jose James, “Park Bench People”

Leno, Migden, or Nation? Vote now

0

banner.jpg

Anxiously counting down the weeks until the June election? Visit our new Election Center to listen to candidate interviews and vote for your favored State Senate District 3 hopeful there and on this blog to the right. We want to know what you think!

Also visit our Endorsements Page for our take on the upcoming races.

The Bike Issue: Behind the pack

0

Also in this issue:

>>10 things Bay Area cyclists should know

>>Don’t Stop: Bike lessons from Idaho

› steve@sfbg.com

There’s a strange dichotomy facing bicycling in San Francisco, and it’s spelled out in the San Francisco Municipal Transportation Agency’s "2007 Citywide Bicycle Counts Report," which features a cover photo of Mayor Gavin Newsom and me pedaling up Market Street together on Bike to Work Day two years ago.

That photo, its context, and the information contained in the report tell the story of a city that at one time set the pace for facilitating bicycling as a viable alternative to the automobile. But that city has been passed up since then by cities such as Chicago, New York, Washington DC, Seattle, and Portland, Ore.

San Francisco still has a higher per-capita rate of bicycle use than any major city in the United States, and that number has been steadily rising in recent years, even as construction of new bike facilities has stalled. The report’s survey found a 15 percent increase since the first official bicycle count was conducted in 2006.

"This increase is especially significant when viewed in light of the injunction against the City’s Bicycle Plan. This injunction has stopped the City from installing any new bicycle facilities since June 2006. Despite a lack of improvement or additions to the City’s bicycle route network, cycling use in San Francisco appears to be increasing," the report read.

It’ll take at least another year for city officials to wrap up the environmental studies on the 56 proposed bike projects and get Judge Peter Busch to lift the injunction (see "Stationary biking," 5/16/07). But it’s still an open question whether San Francisco’s three-year hiatus will be followed by the rapid installation of new bike lanes and other facilities.

City officials express confidence, and there are some hopeful signs. Newsom has been focused on environmental initiatives, the MTA has beefed up its bike staff from six full-time slots to nine, advocacy groups like San Francisco Bicycle Coalition are at the peak of their numbers and influence, and all involved say promoting bicycling is a cheap, effective way of reducing greenhouse gas emissions, air pollution, and traffic congestion.

"I’d be very surprised if, within six months after the injunction being lifted, we don’t see a record number of bike lanes striped," said MTA spokesperson Judson True.

Yet there are still political barriers to overcome in a city where cars are the dominant transportation option — and the first barrier is Mayor Newsom. He has yet to show a willingness to back his green rhetoric with policies that actually take space from cars, which many of the bike lane projects will entail.

"I think we have seen this mayor talk big on some environmental problems, but I’ve been disappointed that on transportation, that thinking hasn’t been turned into action yet," said SFBC executive director Leah Shahum, whom Newsom appointed to the MTA board but then removed earlier this year before her term expired, a sign of the complex and largely adversarial relationship between the mayor and bicyclists.

Newsom has been able to avoid tough decisions on bikes and cars for the past two years because of the injunction and the wait for Muni and traffic congestion studies, which are being released throughout 2008. But that’s about to change with the court’s ban on new bike projects slated to end next year. So will Newsom, who may be running for governor at the time, be willing to make controversial decisions that back up all his green talk? It’s an open question.

The common denominator in all the cities that have pedaled past San Francisco in recent years is that they’ve had strong mayors who have embraced cycling and partnered with bike advocates to change the rules of the road, often contracting them to work directly on projects.

"We’re poised for it, but will we act on it?" Shahum said of the potential for a bike boom in San Francisco. "It’s going to be a real test next summer and I think the mayor’s role is crucial."

THE GREEN BUG


Like many big city mayors, Newsom has become enamored of all things green at the same time that he’s trying to manage an overtaxed transportation system. He is pushing for Muni improvements and has voiced support for congestion pricing initiatives that could make driving a car more expensive.

"This trend of big city mayors focused on transportation to deal with environmental problems is spreading, and I think Newsom has caught that bug," Shahum said.

SFBC and other groups have been meeting regularly with Wade Crowfoot, the mayor’s new director of climate change initiatives, to push the bike plan work forward, create an aggressive implementation strategy, and craft new initiatives like the recently unveiled "Healthways" proposal to close down the Embarcadero to cars on summer Sunday mornings, an idea borrowed from Bogotá, Colombia.

It’s a sea change from that ride I took with Newsom two years ago, three days after he vetoed Healthy Saturdays, which would have created another day of car-free roads in Golden Gate Park. He labeled the bike advocates as "divisive," and told me his veto decision was influenced by "people in the neighborhoods who just came out in force in ways that, frankly, I didn’t expect."

Those feelings, held by the half of San Franciscans who use a car as their primary mode of transportation, haven’t gone away. Newsom’s advisers and the MTA staffers working on the Bike Plan acknowledge the political challenges in completing the bike network, which advocates say is an important prerequisite for convincing more people that cycling is a safe, attractive option.

I asked Oliver Gajda, who is leading the MTA’s bike team, whether the 56 projects he’s now working on would be queued up and ready to build once the injunction is lifted. While the technical work will be done, he said that most projects still will require lots of community meetings and negotiations.

"Some of the projects will take a couple years of work with the community, and some will take less," Gajda said. "When you discuss the potential of removing lanes or parking spots, there are lots of different interests in San Francisco that have concerns."

That’s where the rubber meets the road. Yes, everyone wants to see more cycling in San Francisco — Newsom two years ago even set the goal of 10 percent of all vehicle trips being made by bicycle by 2010, a goal that nobody interviewed for this article thinks the city will meet — but is the city willing to take space from cars?

"The public priorities are already correct, but we need political leadership to implement those priorities even when there’s opposition," said Dave Snyder, transportation policy director with the San Francisco Planning Urban Research Association.

Crowfoot said Newsom is committed to creating better alternatives to the automobile.

"The mayor is fully supportive of expanding the bike network and that will involve tradeoffs," Crowfoot said, acknowledging that some projects involve losing lanes or parking spaces to close the bike network’s most dangerous gaps. "To the extent that the bike network continues to be a patchwork, people won’t get on bikes."

But the mayor also has been fully supportive of the Transit Effectiveness Project’s proposal to reform Muni, even though he recently suggested opposition to proposed parking fine increases might mean that some TEP proposals need to be scaled back.

Skeptics also note that Newsom removed Shahum from the MTA and has appointed no one else with connections to the bicycling community since then, even though that body has sweeping new authority under last year’s Proposition A to implement the bike plan and make decisions about which transportation modes get priority and funding.

"I’m pushing for that, and we’ll see what happens," Crowfoot said of his efforts to get a complete bike network going during the Newsom administration’s reign, acknowledging that, "the proof is in the pudding."

ZERO-SUM GAME


San Francisco’s strong bicycle advocacy culture, the creation of lots of new bike lanes between 2000 and 2004, and innovations like Critical Mass and the sharrow (a painted arrow on the road indicating where bikes should safely ride) made this city a leader in the bicycling movement.

Yet it is only in the last few years, when San Franciscans have been sidelined by the injunction, that the movement really gained mainstream political acceptance and begun to make inroads into the dominant car culture of the United States, slowly and belatedly following the lead of European cities like Amsterdam and Copenhagen.

"Interest in bike-friendly policies is surging, along with the growing number of adults who are riding more. Moreover, the movers and shakers of the biking scene are often smart, always passionate, and they believe strongly in what they are doing. Even when such groups are in the minority, they often enjoy significant political success, and they should never be discounted," J. Harry Wray, a political science professor from DePaul University in Chicago, argues in his new book Pedal Power: The Quiet Rise of the Bicycle in American Public Life (Paradigm, 2008).

Jeffrey Miller, executive director of Thunderhead Alliance, a national umbrella organization supporting regional bicycle advocacy groups, told us he’s pleased with the movement’s progress in recent years.

"There’s been an awakening by the decision-makers in both government and businesses that bicycling and walking can solve a lot of the environmental problems we’re facing," Miller said.

He cited Portland, Ore., Chicago, Seattle, Washington DC, and New York as the cities leading the way in prioritizing bicycling and creating systems that encourage the use of bikes, and said he was sad to see the setbacks in San Francisco.

"But advocates in each of those cities will say there’s so much more work to be done," Miller said.

Most of that work centers on changing how drivers and planners think about cities, and especially with those who see the competition for space as a zero-sum game. Miller noted that it’s good for motorists when more people are encouraged to opt for alternate forms of transportation.

"If you just get 10 to 20 percent of the drivers to use those other modes, it frees the freeways up for cars as well," Miller said. "I don’t see why we go out of our way to favor cars over every other form of transportation."

Like many advocates, he said a strong and consistently supportive mayor is crucial to change the priorities in cities.

"We have an executive leader in Mayor Daley who believes strongly that the bicycle is a big part of the solution to our environmental problems," said Rob Sadowsky, director of the Chicagoland Bicycle Federation.

"We have an incredible partnership with the city," he said, noting that the organization often works directly on city contracts to create more bicycle facilities, something that happens in other bike-friendly cities like Portland and New York. But it doesn’t happen much in San Francisco.

"There’s a real sense that we’ve turned a critical corner and things that we’re been fighting for, for years now, are in sight," said Paul Steely White, executive director of Transportation Alternatives in New York. "In the last year, there have been some significant policy advances."

Like Mayor Daley in Chicago, New York Mayor Michael Bloomberg has become a vocal advocate of green transportation alternatives and has been willing to stand firm against displaced drivers.

"Anything you give to cyclists is basically taken away from automobiles," White said, adding that New York officials "have not shied away from taking parking away, or even a lane on Ninth Avenue. And that shows how serious they are."

The problem isn’t just San Francisco’s, but California’s as well. It is the state’s decades-old California Environmental Quality Act that was used to stall the Bike Plan and make bike projects so cumbersome. Sadowsky said bike projects in Chicago are relatively easy to implement, with little in the way of hearings or environmental studies needed.

Oregon laws also helped make Portland a national leader, with a requirement that all new road construction include bike lanes, paid for with state funds. Yet here in the small, 49-mile square that is San Francisco, with ideal weather and a deeply ingrained bike community, many say the city could be on the verge of regaining its leadership role in the bicycle policy.

A poll conducted in November 2007 by David Binder Research found that 5 percent of residents use a bicycle as their main mode of transportation, and that 16 percent of San Franciscans ride a bike at least once a week. Even more encouraging is the fact that most reasons cited for not biking — not enough bike lanes or parking, bad roads, feeling threatened by cars — are all things that can be addressed by smart bike policies.

"If it’s going to happen anywhere, it’s going to happen in San Francisco — as far as making more bicycling a reality," Gajda told us. "I really feel like we’re poised after the injunction to take it to the next level."

GET INVOLVED

The SFMTA has a series of upcoming workshops on the city’s Bike Plan and network:

Central Neighborhoods May 21, 6–7:30 p.m., SoMa Recreation Center Auditorium, 270 Sixth St.

Southeastern Neighborhoods May 22, 6–7:30 p.m., Bayview Anna E. Warden Branch Library, 5075 Third St.

Western Neighborhoods June 3, 6–7:30 p.m., Sunset Recreation Center Auditorium, 2201 Lawton.

Northern Neighborhoods June 4, 6–7:30 p.m., Golden Gate Valley Branch Library, 1801 Green.

BIKE TO WORK DAY, MAY 15

Biking is easier and more fun than many people realize, so Bike to Work Day is the perfect excuse to try it on for size. There will be energizer stations all over town for goodies and encouragement, and lots of fellow cyclists on the road for moral support, including group rides leaving 11 different neighborhoods at 7:30 a.m. After work, swing by the SFBC’s Bike Away from Work party from 6–10 p.m. at the Rickshaw Stop, 155 Fell St. For more details, visit http://www.sfbike.org/

No peace, no work

0

› news@sfbg.com

Workers, students, immigrants, and antiwar activists came together in historic fashion on May Day in San Francisco, but it was hard to tell from the next day’s mainstream media coverage, which adopted its usual cynical view of the growing movement to end the war in Iraq.

Sure, there were articles in newspapers from the San Francisco Chronicle to the New York Times about how the International Longshore and Warehouse Union shut down all 29 West Coast ports for the day, with far more than 10,000 workers defying both their employers and the national union leadership to skip work.

But each article missed the main point: this was the first time in American history that such a massive job action was called to protest a war.

“In this country, dock workers have never stopped work to stop a war,” Jack Heyman, the ILWU executive board member and Oakland Port worker who spearheaded the effort, told the Guardian.

The ILWU’s “No Peace, No Work” campaign and simultaneous worker-led shutdowns of the Iraqi ports of Umm Qasr and Khor Al Zubair are part of a broader effort, called US Labor Against the War, that labor scholars agree is something new to the political landscape of this country.

Steven Pitts, labor policy specialist at UC Berkeley’s Labor Center, told the Guardian the effort was significant: “It wasn’t simply a little crew of San Francisco radicals. It has a breadth that has spread out across the country.”

In fact, USLAW has about 200 union locals and affiliates with a detailed policy platform that calls for ending war funding, redirecting resources from the military to domestic needs, and boosting workers’ rights — including those of immigrants, who staged an afternoon march in San Francisco following the ILWU’s morning event.

Traditionally labor unions have been big supporters of US wars. But Pitts said the feelings of rank-and-file workers have always been more complex than the old “hard hats vs. hippies” stories from the Vietnam era might indicate.

Blue-collar workers have always been skeptical of war, Howard Zinn, a history professor and author of the seminal book A People’s History of the United States (HarperCollins, 1980), told the Guardian.

“Working people were against the [Vietnam] War in greater percentages than professionals,” Zinn told us, referring to polling data from the time. “There is always a tendency of organizations to be more conservative than their rank and file.”

This time, union members and the public as a whole have more aggressively pushed their opposition to the Iraq War, winning antiwar resolutions among the biggest unions in the country and in hundreds of US cities and counties.

“I think it’s a reflection of how far the nation as a whole has come in our anger at the continuation of this war,” Zinn told us.

The media coverage of the May Day event belittled its significance, noting that missing one day of work had little practical impact to the economy or war machine, while playing up comments by spokespeople for the Pacific Maritime Association and National Retail Federation that the strike was insignificant and perhaps more aimed at upcoming contract talks than the war.

Heyman wasn’t happy about that bias.

The strike “was totally for moral, political, and social reasons. It had nothing to do with the contract,” Heyman told us.

A big factor for the ILWU was the newfound solidarity between dock workers in the United States and those in Iraq, who were prohibited from organizing in 1987 by the Baathist regime, an edict that the US has continued to enforce.

The Iraqi dock workers issued a May Day statement that detailed the horrors of their situation: “Five years of invasion, war, and occupation have brought nothing but death, destruction, misery, and suffering to our people.”

In fact, the banner leading the ILWU procession down the Embarcadero and into Justin Herman Plaza in San Francisco read, “An injury to one is an injury to all.” That theme of solidarity — among all workers, American and Iraqi, legal and illegal — was laced through all the speeches of the day.

Joining labor leaders on the podium were antiwar movement stalwarts such as Cindy Sheehan, who is running an independent campaign to unseat Speaker of the House Nancy Pelosi, now a target of the movement for continuing to fund the war.

“Nancy Pelosi wants to give George [W.] Bush more money [for the Iraq War] than he even asked for,” Sheehan said, drawing a loud, sustained “boo!” from the crowd. At the afternoon rallies at Dolores Park and Civic Center Plaza, which focused on immigration issues, the war was also a big target, with signs such as “Stop the ICE raids, Stop the War,” and “Si se puede, the workers struggle has no borders.”

Even for protest-happy San Francisco, it was an unusually spirited May Day, with more than 1,000 people appearing at each of the four main rallies and two big marches. There were lots of smaller actions as well, including demonstrations at the ICE offices and Marine recruiting center, and activists from the Freedom From Oil Campaign disrupting a Commonwealth Club speech by General Motors CEO Rick Wagoner.

But it was the port shutdown that was unique. Annually the 29 West Coast ports process 368 million tons of goods, averaging more than 1 million tons a day moved by 15,000 registered ILWU workers and a number of other “casuals.” Eight percent of that comes in and out of Oakland, but West Coast trade affects business throughout the country — as many as 8 million other workers come in contact with some aspect of that trade.

Mike Zampa, spokesperson for APL — the eighth-largest container shipping company in the world, with ports in Oakland, Los Angeles, and Seattle — told us, “Over a long period of time a shutdown like this does have an impact on the US economy.”

More port shutdowns are possible, Heyman said. But he hopes the action inspires other workers and activists to increase the pressure for an end to the war.

“We are taking action to swing the pendulum back the other way,” Heyman told us during the march. “We are stopping work to stop the war.”

Talking ’bout pop

0

› a&eletters@sfbg.com

Ah, to be young and in love. Or out of love, for that matter. Or maybe even charting the leaps and wobbles of the heart up and down the romantic continuum, wondering all the while if this romance thing ever gets any easier. The drama, the pure blazing surge and spark of it all. Every smile, every stumble, every stuttered confession and misinterpreted admission consumes the entire universe with its deafening acknowledgment of what you knew all along: each emotional episode between you and your special one is the most earth-shattering event in all of human history.

Therein lies the pulsing, burning, white-hot core of any good old-fashioned no-nonsense pop song. It’s no secret. Take a trawl through the annals of ear-sticking melodies and you’ll follow Cupid’s arrow, soaring in a straight line from the Brill Building to the Beatles all the way to Natalie Portman’s starry-eyed assertion, "The Shins will change your life," in Garden State (2004). Follow that arrow a bit further, and you’ll find your heart racing to the love-is-all indie-pop of Berkeley’s Morning Benders.

The Morning Benders, “Waiting for a War”

The quartet’s debut, Talking Through Tin Cans (+1), chronicles the highs and lows of young romance in exuberant three-minute bursts bubbling with guitar jangles and winsome harmonies. Largely indebted to the sunny sounds of 1960s songwriting, the Morning Benders craft teenage anthems dedicated to the giddy wonders and tongue-tied stammers of the heart. Recalling moments of the Shins and Sloan in its indebtedness to classic pop, Talking is a remarkably confident debut, especially for a bunch of guys barely in their 20s.

"It’s the stuff we were raised on," says vocalist-songwriter Chris Chu of the Phil Spector, Beach Boys, and Beatles references that appear so boyishly and exhilaratingly updated on Talking. Chu, along with drummer Julian Harmon, met me at the Mission District studio where the disc was recorded. Sitting across from me, both positively vibrate with youthful optimism and boundless enthusiasm, not just for their latest accomplishment but for music in general.

For all of their cheeky grins and waggish humor, this is a band that takes its work seriously: during the past two years, the Morning Benders self-released two EPs (2006’s Loose Change and 2007’s Boarded Doors) and played extensively in the Bay Area, opening for everyone from Yo La Tengo to MGMT. While Chu was rushing to finish his degree at the University of California at Berkeley — "school was getting in the way of what I really wanted to do," he confesses — he orchestrated a work/share arrangement with the studio, thus learning the ropes of engineering and production. It was time well spent, as evidenced by the Chu’s thoughtful reappropriation of the group’s beloved decade on Talking. Throw in the bonus of an upcoming nationwide tour as the openers for the Kooks, and we’ve got pretty compelling proof that the Morning Benders carry much more spark than their layabout moniker implies.

Speaking of sparks, Talking creates plenty of them, thanks largely to Chu’s impressive whisper-to-yelp acrobatics and Joe Ferrell’s frisky guitar work. "Loose Change," with its soaring, sweet-release cries of "Why can’t you say what you mean?" over Harmon’s and bassist Tom Or’s rumbling, tumbling rhythm, will surely connect with fans of the Shins, while the melancholic double-punch of "Wasted Time" and "Chasing a Ghost" bristle with guitar bluster worthy of Built to Spill. Mostly, though, the disc revels in the sweeping melodrama of young love with playful arrangements laden with tambourines, piano twinkles, and room-warming organ whirs.

"We were listening to Dylan’s Highway 61 Revisited [Columbia, 1965] a lot at the time," Harmon explains of the homage, and the addition lends tremendous intimacy to the confident cover with which Chu frequently masks vulnerable confessions. "Patient Patient," for example — a fetching doctor-prescribing-love metaphor sprung along by a boing-boing rhythm — pairs soulful Rhodes with earnest pleas of "All it takes is a little commitment / I’m a patient patient." Then there’s the elegantly understated "Crosseyed," a simple construction of strummed guitars and tambourine in which Chu ruefully observes that "our empty promises keep us from bearing our hearts" over the subtlest black-and-white-keyed sighs of agreement.

The kicker, of course, is being able to make all these admissions of weakness and fess-ups of lovesick anxiety connect with listeners — and the Morning Benders have done exactly that, having amassed a devoted following in relatively little time. Mercifully, with so much else in the world constantly in flux, there’s still comfort to be taken in tightly written, hook-loaded pop songs. And personally, I can think of few acts better prepared to provide the comforting than this outfit.

THE MORNING BENDERS

Tues/6, 7 p.m., free

Virgin

2 Stockton, SF

(415) 397-4525

www.virginmegamagazine.com

Also May 9, 9 p.m., call for price

330 Ritch

330 Ritch, SF

(415) 541-9574

www.mrrobotopresents.com

Do you know the way to Plug?

0

"Honestly, I’ve found a lot more talent in San Jose than I have up here in the city." Plug Label boss, MC, and producer Kero One (né Mike Kim) isn’t afraid to call it as he sees it from his San Francisco studio. At the top of the list of South Bay talent sits kindred SF transplant King Most, a producer and DJ otherwise known as Patrick Diaz, whose palette ranges from this year’s Genius Music mixtape, built from rare tracks by mainstream producers like Kanye West, Timbaland, and the Neptunes, to his upcoming Kingstrumentals album, which promises to honor influences as diverse as Alex Attias’ broken beats and Donald Byrd’s jazz fusion.

Kero sees the foundation for King Most’s talent in the knowledge gleaned from a ridiculously large record collection. "I remember going to his house and he’d have records in the bathroom, in the hallway, in the garage. You’d open the fridge and a record would fall down from the top. Production-wise, he has all the chops, the samples, and he knows how to work it."

Party people regularly get a chance to hear selections at Uptempo’s How We Keeps It, a monthly gig that finds King Most and Kero One rocking electro, disco, and a little hip-hop at the Madrone Lounge. Some fans of Kero’s debut, Windmills of the Soul (Plug, 2006), which mined a solidly jazzy hip-hop vein, might be surprised to hear a house set when he’s behind the decks. But the sprightlier pace and broader range of genres reflect the direction Plug Label is heading with its upcoming releases.

This year will see albums from Greentea, Kero, and King Most, all designed to cause consternation among record store clerks who have to decide where to file music that swerves between hip-hop, disco, Latin, and electro. Reflecting the listening journey that he and King Most have made over the years, Kero says he wants to blur the lines. "One of my biggest goals is to turn heads and open eyes for people who are not just into hip-hop. I wanted to make an album for someone who used to be into hip-hop and now is into something else to go back and say, "Oh, I can listen to this."

KING MOST AND KERO ONE

Fri/25, 10 p.m., $10

Pink

2925 16th St., SF

(415) 431-8889

www.pinksf.com

SFIFF: Critic’s choice

0

› a&eletters@sfbg.com

SFIFF J. Hoberman — trenchant weekly critic, book author, programmer, teacher — is celebrating his 30th year at the Village Voice, an unheard-of stretch for a film writer. (Pauline Kael’s famous tenure at the New Yorker lasted 23 years.) Freshly garlanded with a three-week program at the Brooklyn Academy of Music and an Anthology Film Archive screening of his early forays in experimental filmmaking, Hoberman continues his prize tour with this year’s Mel Novikoff Award.

The recent programs at BAM and Anthology highlight attributes that made Hoberman an essential buttress against the sycophantic rivalries flowing from Kael’s 1960s showdowns with Andrew Sarris. Over the phone from his New York office, Hoberman told me about his early days at the Voice: "I created a beat of things the other critics weren’t particularly interested in, and that took in a lot of stuff. Originally they had brought me on to write about avant-garde and experimental film, but pretty soon I was writing about documentary, animation, revival series, foreign films that weren’t from France … all kinds of things."

Hoberman’s BAM program was accordingly unwieldy, covering Andrei Rublev (1969) and Assault on Precinct 13 (1976), Ernie Gehr and Martin Scorsese. Cinephilia Hoberman-style seems to be everywhere at once, encompassing Looney Tunes, No Wave New York, Jeanne Dielman (1975) and Yiddish cinema. It’s eclecticism with a program, matched by a willingness to chase the rabbit down its hole — but never at the expense of analytical rigor.

Although Hoberman is a professed admirer of the puzzling jazz in Manny Farber’s criticism, his prose is solidly explicatory and instructive. He knows how to open a discussion: "In its tireless attempts to mean everything to everyone and empirical willingness to try anything once, the American culture industry intermittently generates its own precursors, parallels, and analogues to local or European avant-gardism." He’s an apt profiler: "Pain and Fear — and the convulsive desire for public recognition — are Scorsese’s meat." And he’s not afraid to take a stand, as with a recent rave for David Cronenberg’s Eastern Promises (2007): "From Videodrome (1983) through A History of Violence (2005), neither Scorsese nor Spielberg, and not even David Lynch, has enjoyed a comparable run."

He’s also an accomplished facilitator of Jean-Luc Godard’s idea that the history of cinema is synchronous with the history of the 20th century. We can count on Hoberman to connect Terror’s Advocate (2007) with La Chinoise (1967), to draw a line from a prescient film like A Face in the Crowd (1957) to Watergate and Nashville (1975). When his interests come together — as with an appreciation of Southland Tales‘ (2007) avant-gardism, midnight movie appeal, and socio-political currency — sparks still fly. Talking about an upcoming "prequel" he’s penning to his 2005 decoupage of ’60s cinema, The Dream Life (New Press), Hoberman muses, "I think that now, or at least since [Ronald] Reagan, it’s sort of customary to see movies as political scenarios." To the extent that this is true, Hoberman is due significant credit — his meditations on that movie-land president, for one, are as adroit as that of any policy wonk.

Historical markers notwithstanding, Hoberman’s film selection for his special night is likely the most unabashedly sensuous movie not starring Asia Argento to play this year’s festival. Spanish director José Luis Guerín described In the City of Sylvia (2007) as a "simple" film at last fall’s Vancouver International Film Festival, and it certainly does offer a distilled vision of cinematic paradise: gazing and grazing faces, old Strasbourg, and a slow stitch of sound and image.

Our inlet to Sylvia is a whiskered young man, haunting the city at a dreamy remove. He sits in an outdoor café with his notebook, sketching the faces of radiant women while Guerín orchestrates fractal cutting, multilevel staging of faces, and intricately gradated sound design into a sun-dappled symphony. After changing seats, the dreamer recognizes a woman sitting behind a pane of glass. She leaves and he follows, locked in an ambiguous reverie inscribed with resonant detail and sweet ambiguity.

Sylvia fulfills the cinephile’s dream of disembodiment. "It’s a narrative that comes organically from the fact of making the movie rather than dramatizing a story situation," Hoberman opines. "There’s a real love of cinema, the process of it." Each of the film’s handful of extended passages is distinct in its precise design, but this blissful lucidity Hoberman describes is Sylvia‘s central melody and romance.

Late in Guerín’s film, after a yearning bar scene set to Blondie’s "Heart of Glass," the young man sits at a tram stop, considering the waiting women and rushing window reflections for some clue as to his own loss. In a virtuosic eliding glimpse of a passing bus, Guerín dissolves the sounds and images of shots already superimposed by the panes of glass. A quick succession of several more multi-tiered, unexpectedly conversant portraits of women ("Elles," the dreamer notes in his book) finally lands on a mesmerizing rear-angle of a woman’s hair blowing wildly in the wind. The young man can’t put pencil to paper. He’s as enamored as we are with this siren song from what the director calls "the continent of cinema," a place J. Hoberman knows all too well.

AN EVENING WITH J. HOBERMAN (includes screening of In the City of Sylvia), Sun/27, 6 p.m., Sundance Kabuki

IN THE CITY OF SYLVIA Tues/29, 4 p.m., Kabuki; May 2, 9 p.m., Kabuki


>SFBG goes to SFIFF 51: our deluxe guide

The SEIU strikes back

0

› jesse@sfbg.com

The Rhode Island Street headquarters for Local 1021 of the giant Service Employees International Union (SEIU) had several surprise visitors April 14. First, International President Andy Stern arrived from Washington DC to speak with the local’s executive board.

Then, after word of Stern’s last minute appearance got out, a group of 20 activists from Oakland–based SEIU affiliate United Healthcare Workers West (UHW) attempted to enter the building and confront Stern about what they perceive to be his anti-democratic administration. They were barred from the meeting. When the Guardian attempted to gain entrance, we were twice escorted to the exit by 1021 staffers. A source inside the union said Stern left through a back door during lunchtime.

Stern’s visit and the dissidents’ foiled attempt to meet him reflect the high level of tension inside SEIU these days. As it prepares to vote on several democratic reform measures at a convention in early June, internal fault lines have split the 1.9 million-member union.

As we reported last week ("Hard Labor," 4/9/08) Stern loyalists have pushed the boundaries of union rules, and perhaps even federal law, to beat back the slate of reforms championed by UHW’s dissident leader, Sal Rosselli.

Now, in response to our reporting and to Rosselli’s movement, leaders inside the labor giant apparently have gone into full damage-control mode.

In fact, an election committee that appears to have been hand-picked by Local 1021’s president already rejected an internal complaint about the election process — and critics are calling foul.

WHO’S A MEMBER?


Two weeks ago, the Guardian reported on a controversial batch of e-mails among SEIU officials. Calling themselves the "salsa team," high-level union staffers — including Damita Davis-Howard, whom Stern appointed as president of 1021, as well as Josie Mooney, a Stern assistant — swapped campaign strategy and exchanged anti-Rosselli talking points during an election to select delegates to the upcoming convention.

On April 4, more than a dozen union members lodged a formal complaint with the organization’s local election committee. The complaint charged that the salsa team’s missives broke union rules against staff involvement in elections. Soon afterward, lawyers representing Rosselli’s union filed suit against Stern and the SEIU — alleging, among other things, that SEIU "officers, employees, and allies" interfered with delegate elections in violation of federal labor law.

While the lawsuit will not see a courtroom for some time, it didn’t take long for the union committee to rule against the members’ complaint. In a memo dated the following Monday, April 7, and obtained by the Guardian, the nine-member body reported to the union’s International Secretary-Treasurer that "the staff (directors and others) named in the challenge are members of Local 1021 and therefore have the same right as all other members" to participate in the election.

The distinction is key: union rules strictly forbid paid staffers from interfering in elections by members. And supporters of union democracy insist that a central tenet of their movement are the notions that staffers work for the membership — and that the members, not the staff, determine union policy (See Opinion, page 7).

The outcome is important not only to the union but to progressive politics in San Francisco. Local 1021 (and Local 790, the San Francisco chapter that predates it) has played a major role in supporting progressive causes and candidates.

The committee’s ruling, and the speed with which it reached its decision, outraged many inside the union. A number of 1021 staffers who declined to be identified for fear of reprisal called the memo "bullshit" when asked to comment.

Union member Maria Guillen, one of the members who signed the complaint, told us that the salsa team’s actions and their exoneration by the election committee "go against the spirit of union democracy." Guillen went on to challenge the assertion that union staff, especially top management like Mooney and Davis-Howard, have the same rights as rank and file members when it comes to campaigning in union elections.

"None of the executive board members I’ve spoken to can recall voting on that. Who had the authority to permit that? … To think that folks with all the resources and all the connections are working against us, it breaks my heart."

The makeup of the committee also raises conflict of interest issues.

According to the provisional bylaws for Local 1021, which were enacted after it was formed in early 2007 by merging 10 separate Northern California locals, 1021’s appointed president Damita Davis-Howard has control "in creating committees and naming members to such committees." Several sources inside the union told us she used this power to select the members of the election committee that apparently ruled on whether she herself broke union rules.

Davis-Howard did not return calls for comment and our attempts to reach committee chair Cassandra Burdick through staff at Local 1021 were unsuccessful.

SEIU international spokesperson Andy McDonald could not confirm whether Davis-Howard had in fact named the election committee members to their positions

ROUGH STUFF


In another indication of just how radioactive SEIU’s internal dissension has become, numerous Democratic politicians and party officials in California recently received a letter signed by five presidents of SEIU locals around the state, including Davis-Howard. The letter, obtained by the Guardian and dated April 2 — the day after we broke the salsa team story — seeks to reassure party members that the union will clean its own house. It also appears to warn the state’s political leaders not to choose sides between Rosselli and Stern.

With millions of dollars in its coffers, SEIU is a prime source of campaign cash for politicians.

"We have a democratic process for resolving our internal differences," the letter reads. "In fact, our members will debate and set the course of our union at our convention in June. We hope that you will respect the right of our members to decide for themselves the direction of their union and avoid involvement in our internal affairs."

SEIU’s alleged hardball tactics have extended beyond its internal conflict in recent weeks. The union has been feuding with the California Nurses Association over allegations that the nurses’ union has been attempting to woo SEIU members into switching to the competing union.

Last week, several CNA board members in Southern California claimed that SEIU staffers showed up at their doors and confronted them. SEIU confirmed that it’s sending people to CNA members’ houses, but said there was no intimidation. And last weekend, a large crowd of SEIU members allegedly stormed a convention in Michigan put on by the magazine Labor Notes. A press release from CNA claimed several people were injured and that numerous CNA officials had to flee "out the back of the hall for their safety."

SEIU’s Lynda Tran confirmed that "things got a little rough" when a group of SEIU members and staff attempted to confront a CNA official. "Folks from both sides got injured," she added.

Labor activist and author Herman Benson, of the Association for Union Democracy in New York, told the Guardian that the divisions within SEIU, and its conflicts with other unions, are nothing new in the labor movement. For nearly as long as unions have existed, he said, power struggles have taken place among union brass. "Any incumbency has enormous weapons at its disposal."

Benson praised Stern for his efforts in recruiting new members for SEIU. As the rest of organized labor has continued to decline in America, Stern’s shop has brought in nearly 1 million new members. But Benson took issue with what he perceived as intolerance for dissent within his ranks.

"Stern has a vision of an almost militarized bureaucratic labor movement … but if you can’t have criticism before your international convention, when can you have it?"

Mothers of invention

0

In spite of music culture’s constant craving for new waves and next-big-things, there are always those bands that do not hew to any marketable bubble, the ones that skew the trends and equations of rock chronologies with their sui generis melds. After several albums of high-flying concepts, sheet music-necessitating technique, and stylistic miscegenation, Dave Longstreth’s Dirty Projectors have firmly established themselves as such a group.

First conceived in New Haven, Conn., Longstreth’s namesake went through many permutations before settling in Brooklyn as an elemental two guitars-bass-drums quartet. The current grouping plays the leader’s chamber-rock compositions with fire and finesse. Bassist Angel Deradoorian and guitarist Amber Coffman’s double-helix backup vocals leave Longstreth free to float his quivering voice and slash at his thin, West African–kissed guitar lines as if they were exclamations. Hypertuned and aerobic, a Dirty Projectors concert is a bold tonic of intellectualism and adrenaline.

I try to say as much to Longstreth when I catch him on the phone in Brooklyn, and he muses, "I kind of like feeling that that’s a component of the feeling of the music … [that] tension of the relatedness, or unrelatedness, of what our mouths are doing and what our fingers are doing." All of Longstreth’s Dirty Projectors records are accordingly stretchy, though last year’s Rise Above (Dead Oceans) is probably the most cohesive formulation of the project’s intrinsic push-pull. The back story, well trod by now, is that Longstreth recovered a cassette case for Black Flag’s hardcore LP, Damaged (SST, 1984), without the actual tape, and in a flight of Borgesian invention, set out on writing songs refracted by his memory of the original album.

Longstreth has indulged similarly sly threads before — 2005’s The Getty Address (Western Vinyl) had something to do with Don Henley — though hardcore pieties meant Rise Above received more scrutiny than usual. "We got some really amazing hate mail on our MySpace page," Longstreth says, laughing. Hardly a straightforward tribute, Rise Above references the essential "no" of Black Flag’s attack in both music and lyric, but inscribes the songs with double-consciousness and complexity rather than Greg Ginn’s brute strength.

Syrupy strings introduce a snaky, sweet guitar line and a dirty disco bottom. Thundering female and male choruses overhang Longstreth’s echoing verse before launching off for an oasis of backwards guitars and cymbals. This all happens a couple of minutes into "No More." Longstreth may think in fragments, but the resulting sound is one of passion, not math. His hot-blooded appreciation of pop and R&B — he mentions T-Pain and Chris Brown as two current interests — doesn’t come with a smirk. Though these elements are mostly cloaked in convolution on Dirty Projectors recordings, Longstreth occasionally offers a more unobstructed view of his visionary soul music. The title track of Rise Above sounds almost newborn in its plaintive wail, and the same can be said for older tracks like "Not Having Found" from The Getty Address and "Unmoved" from Slaves’ Graves and Ballads (Western Vinyl, 2004).

With all the rehashing of post-punk over the last several years, it’s hard to imagine a more eloquent last word on the subject than Rise Above. When Longstreth looked back on an earlier era, it wasn’t to revive something: it was to let it go, and then keep right on pushing ahead. When I ask Longstreth what he’s been up to, he tells me he’s been busy working through new material with the band for their upcoming tour. "The music’s written with [them] in mind," he explains. "It’s the first stuff I’ve done that’s been like that."

DIRTY PROJECTORS

With No Kids and Rafter

Fri/11, 9 p.m., $13

Independent

628 Divisadero, SF

(415) 771-1422

www.theindependentsf.com

A less perfect union

0

› jesse@sfbg.com

By nearly every measure, the Service Employees International Union has become a juggernaut. As the rest of organized labor has seen its share of the American workforce continue to dwindle, SEIU has brought in some 800,000 new dues-paying members in recent years. With the Democratic Party taking over Congress in 2006, the 1.9 million-member organization, rich with campaign funds, wields enormous political clout, and it will only become more formidable if Hillary Clinton or Barack Obama wins the White House in November.

But all is not well inside the labor giant. Andy Stern, the union’s president, has pushed hard for merging and consolidating local chapters into larger operations — and many SEIU members, especially here on the West Coast, say that’s turning the union into a top-down autocracy in which Stern loyalists wield undue influence and meddling officials from Washington, DC squelch dissent.

And now, the Guardian has learned, Stern operatives are using their money and organizing clout in a hard-hitting campaign — not to force an employer to the table or to toss out an anti-union politician, but to discredit another labor leader.

The campaign is part of a bruising power struggle between Stern and dissident local leader Sal Rosselli, who runs the Oakland-based SEIU affiliate United Health Care Workers West. In the past few months, union insiders say, SEIU officials, including a senior assistant to Stern, set up what one leader called a "skunk team" to undermine Rosselli’s efforts at winning key union delegate elections. At one point, the team — which involved a political consulting firm linked to big downtown businesses — discussed an opposition research file compiled on Rosselli by a health-care giant his union was fighting

And leading up to the delegate elections last month, SEIU staffers worked to promote Stern-supporting candidates, possibly in violation of union rules, while actively discouraging other union employees from campaigning. That’s led to a formal complaint alleging improper involvement by Stern’s staff in a local union election.

EMERGING TENSIONS


In 2005, Thomas Dewar went to work as a press secretary at Local 790, formerly SEIU’s biggest San Francisco outlet, which represented approximately 30,000 workers, most of them public employees. Local 790 was among the most politically progressive union shops in the country, supporting left-leaning candidates for office and progressive causes like public power. In early 2007, Andy Stern initiated a merger of 790 with nine other regional locals. The move was part of a larger consolidation in the state that saw the number of California union affiliates reduced by nearly half.

The new Northern California superlocal was dubbed 1021, as in "10 to one." Local 1021 has continued 790’s liberal activism. But right after the merger was finalized, Dewar and other sources told the Guardian, the atmosphere around the union changed for the worse.

"A lot of members had anxiety," Dewar recounted. Most troubling, he said, was the insertion of Stern appointees into leadership positions, including current president Damita Davis-Howard. "Members were upset. They saw co-workers whom they had elected unilaterally removed by a guy in DC and replaced by his handpicked appointments."

Ed Kinchley, a Local 1021 member who was appointed by Stern to the local’s executive board after the consolidation, shared Dewar’s memory of the tensions. "You had 10 different locals with 10 different ways of doing things. It’s difficult to merge all of that. A lot of people who had been elected to leadership positions were removed."

Dewar told us he struggled to adjust to his new working environment. But after his initial misgivings, he said he devoted himself to backing Stern’s vision for the combined local: "We were told over and over that change is hard. So I decided to give it an honest shot." Dewar said he worked to get good press for 1021 and to build Davis-Howard’s profile.

But early this year, tensions between Rosselli and Stern flared — and according to Dewar, top staffers at 1021 began to focus more and more of their attention on the feud.

"They were freaking out about Sal," he said.

Enraged at what he considered International meddling in the affairs of his Oakland-based local, United Healthcare Workers West, Rosselli resigned from SEIU’s executive committee in early February. He also began championing a "Platform for Change" to be voted on at the upcoming SEIU convention in June. Among other things, the Rosselli-backed slate of reforms would give local union outlets more say in proposed mergers and collective bargaining agreements. The platform, if approved, would also scrap the current delegate system for electing International officials and replace it with a one-member, one-vote structure.

According to Dewar’s account and to evidence obtained by the Guardian, top SEIU officials have been working overtime to counter Rosselli — even pushing the boundaries of the union’s own rules and colluding with political consultants who have often opposed organized labor.

‘THE ANTI-CHRIST’


In early March, Dewar said that in early March, Josie Mooney, a former Local 790 president who is now a top assistant to Stern, approached him about joining what she characterized as a "skunk team that Andy and I are putting together." Dewar recalls Mooney telling him that the purpose of the team was to counter Rosselli’s increasing popularity with the rank and file, and to sink Rosselli’s platform for the convention.

Dewar told us that Mooney asked him to join the skunk team during a brunch meeting at the Fog City Diner in early March. An e-mail exchange he shared with us shows that he and Mooney discussed having brunch at the diner on March 1.

Mooney did not return numerous calls for comment and, through an SEIU spokesperson, she declined to speak for this article. But Dewar told us Mooney promised him at the brunch that his assistance in her efforts would win him positive attention from Stern. The team, she reportedly told him, was directly authorized by Stern and "that resources would not be a problem."

Dewar said he vacillated about joining the team, torn about aiding what he considered to be an internal union smear squad. "In 1021, we’re conditioned to think that Sal Rosselli is the anti-Christ," Dewar told us. "But even still, he was still a part of the same union." A March 4 e-mail from Mooney’s SEIU e-mail account to Dewar shows her urging Dewar to make up his mind: "You have to give me your commitment. I am (as we speak) selling you at the highest levels. Don’t blow that :)."

Dewar eventually agreed to join Mooney, Tom DeBruin — an elected vice president of SEIU International — and someone Dewar said Mooney referred to as the team’s "silent partner" for a dinner meeting.

E-mails from Mooney and other attendees show that the meeting took place March 10 at Oliveto Restaurant in Oakland.

Mooney’s "silent partner" turned out to be Mark Mosher, of the enormously successful San Francisco consulting firm, Barnes, Mosher, Whitehurst, Lauter, and Partners (BMWL). John Whitehurst, another of the firm’s partners, also attended the dinner.

BMWL has worked for the SEIU since 2001. But its client roster also included Sutter Health and the Committee on Jobs. Both organizations have less-than-stellar reputations among organized labor. Nurses at 10 Bay Area Sutter hospitals recently walked off the job for a 10-day strike. The Committee on Jobs is one of the largest lobbying organizations for downtown San Francisco business interests and has fought against numerous union causes. Mosher told the Guardian by phone that, as of November of last year, the Committee is no longer a BMWL client.

THE ROSSELLI FILE


Dewar claims Sal Rosselli was the central topic of conversation at the dinner. At one point, he says, the participants discussed an "oppo research" file on Rosselli compiled by Sutter Health. The hospital giant has clashed repeatedly with Rosselli and apparently had sought to dig up dirt on him.

Whitehurst worked for Sutter in the 1990s. His efforts for the hospital chain during a ballot campaign in 1997 earned him a place on the California Labor Federation’s "do not patronize" list.

Mosher confirmed by phone that Rosselli’s file at Sutter did in fact come up at Oliveto that evening. But he said Dewar "baited" him and Whitehurst into discussing it. Furthermore, he said, Whitehurst reported that Rosselli’s file was "clean."

In fact, a March 12, 2008 e-mail from Dewar to Mosher suggests that the team focus on Rosselli’s "hypocrisy" and states, "Have we approached anyone at Sutter re: dirt on Sal? Have we been able to peek into their oppo file?"

Later that day Mosher replied, "John Whitehurst read Sutter’s whole oppo file on Sal in 1997." In a follow-up message, Mosher writes that the file "really supports the idea that he’s not motivated by money."

DeBruin did not return calls for comment. Kami Lloyd, communications coordinator for Sutter, disputed whether the oppo file even existed: "To my knowledge," she told us, "no such file exists at Sutter Health."

Reached for comment, Rosselli reacted angrily to news of the alleged "skunk team" and the fact that a research file on him, compiled by a corporation perceived to be anti-union, was being discussed among SEIU officials. "It’s shocking. It’s treasonous. For Andy Stern to be using our members’ dues money to finance [a smear] campaign against his own members in United Healthcare Workers, it’s fundamentally anti-union."

Mosher defended his firm’s involvement with SEIU. He told us that he and Whitehurst were "not brought on board to do negative things against Sal Rosselli." Instead, he said their mission has been to help tout the union’s accomplishments as it prepares to hold its convention from June 1-4 in Puerto Rico.

SEIU spokesman Andy McDonald echoed Mosher’s description of the firm’s duties. Both Mosher and McDonald brought up the fact that Whitehurst has also worked for Rosselli’s UHW union.

UHW’s Paul Kumar confirmed that Whitehurst is currently "on our payroll" to assist in a dispute against Sutter Health — the very company Whitehurst worked for in the 1990s and the same source that provided him with access to Rosselli’s research file. "These guys [BMWL] claim they are trying to reinvent themselves," Kumar said. "But to be on our payroll and to engage directly in executing a dirty tricks program … is about the most blatant violation of professional ethics I can imagine."

Whitehurst did not return calls for comment.

Dewar claimed he urged Mooney and the other attendees of the March 10 dinner to consider "appropriating" Rosselli’s democratic reforms. "The members would all wildly support it. And that way, if the International co-opted Rosselli’s ideas, then [the internal conflict] really would be about this clash of personalities, Rosselli versus Stern, instead of ideas." According to Dewar, Mosher and Whitehurst were receptive to the proposal to co-opt Rosselli’s initiatives, but that "Josie nixed it."

When we asked Mosher if he remembered this exchange from the meeting, he said his memory was "hazy" and that "a lot was being discussed that night."

Although Dewar was, by his own account, an active participant in the skunk team, he says he started to have second thoughts. The dinner at Oliveto, Dewar said, and the discussion of Sutter’s file on Rosselli, "made me want to take a shower … the cynicism I was exposed to was toxic."

One week later, he sent Mooney an e-mail informing her that, "Today’s my last day at SEIU … the circular firing squads that are now forming in the local and in SEIU nationally have left me jaded, stressed out, and depressed."

SEIU’s McDonald denied that the skunk team exists, or ever existed. He added that "the meeting [at Oliveto] was about talking about how [Mosher] could help SEIU communicate our message … within the context of the misinformation campaign being spread by Sal Rosselli and UHW’s leaders."

OUTSIDE INFLUENCE


The rancor between Rosselli and Stern has reached a boiling point in recent weeks. In compiling this story, we had to wade through reams of documents and endure long expatiations from officials and press flaks about the sins of the other side. Both factions have constructed slick, professional-looking Web sites to question the probity of their rivals, and both have coined kitschy names for their respective policy initiatives. The SEIU has countered Rosselli’s "Platform for Change" with what union leaders call a "Justice for All" platform.

But the internecine struggle may have driven Josie Mooney and other high-level SEIU staffers to do much more than vent about Rosselli or seek dirt on him from political consultants. E-mails obtained by the Guardian suggest that she and other SEIU officials worked to influence an important local delegate election last month — possibly in violation of union rules — and, some union members now allege, in violation of federal law.

Delegates selected in the election will attend the union’s international convention in June and will decide between the Rosselli’s "Change" and Stern’s "Justice" platforms. The outcome of that vote, and others like it, will shape the mammoth labor organization’s future for years to come. And the e-mails appear to show a concerted effort by Mooney and Stern loyalists to ensure that Rosselli’s dissidents don’t stack the convention and push through their set of reforms.

Referring to themselves in the e-mails as the "Salsa Team," SEIU staffers discussed strategy and coordinated campaign activity for the delegate election with high-ranking union officials like Mooney and Damita Davis-Howard, the president of Local 1021, the e-mails show. In a formal complaint, some members charge that these activities violated Local 1021’s Election Rules and Procedures — specifically Rule 18, which states that "while in the performance of their duties, union staff shall remain uninvolved and neutral in relation to candidate endorsements and all election activities."

While Rule 18 does not specifically spell out when union staff can advocate for candidates, other than proscribing such activities "while in performance of their duties," the e-mails in our possession are date- and time-stamped, and at least one was sent during normal business hours. Furthermore, the Guardian has obtained an internal memo from Local 1021 official (and apparent Salsa Team member) Patti Tamura in which she warned union staffers that the phrase "’performance of their duties’ goes beyond [Monday through Friday] and 9-5p."

One Local 1021 official who asked not to be identified told us that Tamura’s memo appeared to be a clear message that staff should stay completely out of the election. "They made it perfectly clear to the lower staff that your employment doesn’t stop [after hours]; you’re still staff. That means you don’t get involved. But now it turns out they themselves were doing it. That’s a double standard … it’s certainly not right."

The messages between Salsa Team members show them actively working to recruit potential delegates sympathetic to Stern’s platform and to aid Davis-Howard in her bid to represent the union at the June convention. One missive, dated Feb. 18, which appears to come from the personal e-mail account of Local 1021 employee Jano Oscherwitz and was sent to what appear to be the personal accounts of Tamura and Mooney, requests that a "message for Damita" be drafted.

A forwarded e-mail from that same day, from Oscherwitz to what appear to be personal e-mail accounts for Tamura, fellow 1021 staffer Gilda Valdez, and "Damita" includes a "Draft Message" with bulleted talking points, apparently for Davis-Howard to use as she "Collect[s] Signatures on Commitment Cards."

"Commitment cards" refers to pledges from union members to support certain delegates.

The e-mails go beyond merely aiding Davis-Howard and other Stern-backed candidates. They also include detailed strategy for opposing Rosselli and countering his message. A March 5 Salsa Team message includes an attached document with several talking points critical of the dissident leader. In the body of the e-mail, SEIU staffer Gilda Valdez advises Davis-Howard, Mooney, 1021 Chief of Staff Marion Steeg, and others to "Memorize the points in talking to folks." Valdez goes on to say in the e-mail that she "will be calling … about your assignments."

Reached for comment, Davis-Howard confirmed that the AOL e-mail account listed as "Damita" was hers. But she claimed no knowledge of the Salsa Team or the messages sent to her. "If you’re saying those e-mails went to my home computer, who knows if I ever even got them?"

Davis-Howard bristled at the suggestion that the Salsa Team’s activities violated union rules. "Are you trying to tell me that I can never campaign? Does it [Rule 18] say that I have to be neutral and uninvolved 24 hours a day?"

Calls to Mooney, Oscherwitz, Valdez, and Tamura were not returned. Through an SEIU spokesman, Mooney declined to comment.

A BAD AFTERTASTE


On April 4, three days after the Guardian first reported on the Salsa Team e-mails on our Web site, Sanchez and several other 1021 officials filed a formal complaint with the union’s election committee. In the complaint, they accuse Davis-Howard and the other team members of vioutf8g Rules 10 and 18 of the union’s election codes. Rule 10 forbids "the use of union and employer funds … to support any candidate."

Local 1021 executive board member and Stern appointee Ed Kinchley authored part of the complaint. According to the text, which was obtained by the Guardian, Kinchley wrote, "While telling other staff that they may be fired for any intervention in this election, Ms. Davis-Howard and the others involved secretly did exactly what they told other staff they were forbidden from doing."

The complaint was signed by 16 Local 1021 officials, including numerous members of the local’s executive board. It called on the election committee to remove Davis-Howard "from the elected Delegate list" and to bar Salsa Team members from attending the convention in June.

The issue also has landed in federal court, where UHW was expected to file against Stern and other SEIU officials, alleging interference in delegate elections.

More cynical sources both inside and outside SEIU told us they believe the Rosselli-Stern feud boils down to one thing: power — either holding onto or expanding it. But labor scholar and former Local 790 member Paul Johnston had a more nuanced perspective.

Johnston, who taught at Yale and, until recently, worked for the Monterey Bay Labor Council, told us he admired both leaders and the work each has done on behalf of the larger union. Calling the current strife "a huge can of worms," he added, "These are questions of principle and there are good ideas on both sides."

Stern’s push to increase the union’s bargaining and political clout through more consolidation, Johnston went on, "has some very positive aspects to it…. In the old days, many of these kind of mergers were done for purely political power. The mergers being conducted today [at Stern’s direction] are primarily strategic, though. But there are some power issues that inevitably arise." On the other hand, he said, Rosselli’s UHW, "is a dynamic organizing union that has [its] own issues."

Off to Caracas!

0

By Bruce B. Brugmann

Last November, as attentive readers of this blog will remember, I was declared non grata (not welcome) in Caracas, Venezuela, on a special mission of the Inter American Press Association (IAPA) to check on President Hugo Chavez’s accelerating crackdown on the news media.

We had been invited to come by the Venezuelan press who had hoped our mission would put international pressure on Chavez to guarantee press freedom during the upcoming referendum giving Chavez a lifetime presidency. On the first morning, our delegation found Chavez had declared us all non grata in a half-page advertisement from the Venezuelan National Assembly, in the big morning Caracas daily paper El Universal.

Today, as I prepare to fly out tomorrow for the spring IAPA assembly in Caracas this weekend,
I find that I am a “media terrorist.” Chavez has scheduled a counter convention close to our hotel called a “Latin American Meeting Against Media Terrorism.” Over the weekend, Chavez announced, Caracas “will be converted into the world capital of the struggle against media terrorism. It is necessary to discuss themes such as this,” Chavez said, “since media terrorism utilizes the means of communication–radio, press, television, to generate war, violence, fear and anxiety in our peoples.”

Well, we must have done some good last time around on our November mission. Chavez lost the election, even though the countryside and the airwaves were covered with his pictures and campaign slogans. This time around, things may be just as newsworthy. I’ll keep you posted. B3

Click here to read about IAPA’s Nov. 17 mission to Caracas.

Oh, to be in three places at once

0

simplyuniquenails.jpg
Simply Unique really is.

I’ve had a fantastic 24 hours: mani-pedis with my best friend from L.A. at Simply Unique on 14th Street (fab!) followed by a delicious Senagalese dinner at Bissap Baobab and a giggly slumber party – all to celebrate her engagement and my upcoming 30th birthday (I know.) The only thing that would’ve been better is if we’d somehow also been able to make it to the Buffy Reunion in L.A. and the National Conference for the Popular Culture and American Culture Association here in the Bay. Joss Whedon for dessert, lectures on Eating Disorders in US Weekly and the history of the coolness of motorcycles for breakfast, with my BF sandwiched between? Even more awesomeness.

032108_buffygirls.jpg
Buffy is the new blog.

Everlasting fantastical: Mike Davis’s twisted dreamworlds

0

By Vanessa Carr

davisegga.jpg
“Egg”

If you’ve ever seen the strange monsters and fantasies of the bizarre 16th Dutch painter Hieronymus Bosch and thought, “Man! I wish that guy could have given me a tattoo” — well, you might still have your chance with San Francisco tattoo artist and painter Mike Davis.

davisflyera.jpg

In addition to owning San Francisco’s Everlasting Tattoo, Davis is a self-taught painter whose oil painting seem plucked from another time. The inhabitants of the fantastical world he’s created are insects, crustaceans, snakes, birds, scorpions, eggs, fruit-bearing trees, trumpets, birdhouses on fire, the classic dripping ear, and draped figures.

davisjuxtapoza.jpg

“We show Mike not only because he is a phenomenal painter, but because no one else is doing what he is doing,” says White Walls Gallery owner Justin Giarla.

Davis’ first solo show, “Solo Flight,” opened this past weekend runs through April 12 at the White Walls Gallery, featuring 24 paintings and drawings from his upcoming book, Blind Man’s Journey.

White Walls Gallery, 835 Larkin, SF. 415-931-1500, www.whitewallssf.com

Where’s Otto?

0

>a&eletters@sfbg.com

ISBN REAL Graphic novels, obviously, aren’t just movies with a lot of missing frames. In the hands of artists like David B. or Craig Thompson, the elastic potential of their subjects, and of the panels that hold them, is realized in a manner entirely at odds with the medium of film.

From the perspective of screenwriters, however — particularly ones beaten repeatedly over the head with the knotty stick of the studio system — that’s nothing that can’t be worked out over a cup of coffee. More and more frustrated writers and directors are reviving their dead film and television projects in the form of comics and graphic novels, either as a last, affordable option or as a way of seeing an original vision make it through the production process intact. Joss Whedon could follow his and not the WB’s muse with the illustrated-only eighth season of Buffy the Vampire Slayer, and certainly no one was knocking down Richard Kelly’s door to film the six-part prequel to Southland Tales.

Alex Cox, writer and director of the 1984 cult classic Repo Man, also has seen the light. His sequel to that film, Waldo’s Hawaiian Holiday (Gestalt Publishing, 164 pages, $19.95), is finally coming out, after more than a decade in the drawer, as a graphic novel. The script, written for the screen in the mid-1990s, was presented unsuccessfully to Universal and then later was the source material for an unfinished independent venture. So Cox posted the screenplay on his Web site, as well as dozens of others he has written or cowritten, with the open offer of a yearlong license to anyone interested in making a film.

Comics artist Chris Bones responded with a graphic novel proposal. The finished version, with artistic contributions by Justin Randall, is a richly drawn and smartly assembled festival of scuzz.

Waldo, as one might expect, answers the questions Repo Man raised with equivocation and deferment, and adds a couple of revelations that are quite cool if I understand them right.

You’ll recall that Repo Man left our hero, Otto, as he was shooting off into space in a glowing green 1964 Chevy Malibu. What we are kinda informed of right off the bat in the sequel is that Otto, now calling himself Waldo (presumably in a legal sidestep), has come back from a 10-year stint on Mars, maybe, though he thinks he’s only been gone for the night. Expecting to find his numskull parents where he left them on the couch, he shows up at their door only to discover he owes rent to a couple of bachelors (one "confirmed") now living there in meticulously rendered squalor.

Waldo more or less shrugs off his situation and proceeds to hop from one doomed job to the next, each of them overseen by the same mysterious man, though under different names. All the while, he abuses the trusting nature of the Russian Shopping Network and makes several attempts to use free tickets to Hawaii he earned by sitting through a real estate pitch. (I’m still not sure what was glowing in the Malibu’s trunk in Cox’s movie.)

Of course, there are more aliens and whatnot, but the strangest thing is Otto-now-Waldo’s change in temperament. The edgy, snotty Emilio Estevez of Repo Man is nowhere in sight. Waldo is a gentle, courteous kind of punk who says things like, "I’ll just redouble my efforts … buy a printer, get these job applications out, find another job ASAP." Waldo must have learned the word "redouble" in space, where he also picked up a considered cheeriness that could have been mistaken for maturity if it weren’t so apparent that Cox is up to something.

It helps to know that Cox is not one to shy away from the polemical, particularly at the expense of economic imperialism. The introduction to X-Films: True Confessions of a Radical Filmmaker (Soft Skull Press, 304 pages, $17.95), an upcoming book about his experiences as a filmmaker, is only a few angry pen strokes shy of a screed, and his 1987 film Walker lampooned — not very elegantly, really — the 19th-century American mercenary William Walker’s overthrow of the Nicaraguan government. Amongst Cox’s movies, Three Businessmen, a 1998 love child of the gospel according to Luke and Luis Buñuel’s The Discreet Charm of the Bourgeoisie (1972), presents the closest echoes of Waldo. Its characters share Waldo’s aimless, profligate compliance with the dictates of modern capitalism.

And that’s really what Waldo’s Hawaiian Adventure is about, probably.

Would you finance that movie?

Resistance is futile — or is it?

0

It was a time without precedent in American history. The commander-in-chief voiced his intention to take the country to war — a voluntary, preemptive war with no clear catalyst, no faraway invasion or Pearl Harbor or sinking of the Maine and millions of people shouted their opposition. With plenty of time to avert war, the protesters warned the invasion would be a costly disaster.

They were right. And it didn’t matter.

The war in Iraq was a test of our democratic ideals. It was a test that this country failed, a failure that has been felt by the people of the United States, Iraq, and elsewhere for the last five years. For many, the refusal of the US government to heed the demands of its citizens left them disillusioned and disempowered.

But others say it sparked a political change that woke up an apathetic citizenry, pulled the Democratic Party back to the left, and may have averted war with Iran.

It’s certainly arguable that the presidential campaign of Barack Obama owes its energy and success in part to the antiwar movement — and if Obama wins, he will be the first president in a long time who took office thanks to the support of a strong grassroots progressive movement.

Nowhere was the clash of people power and government will more acute than on the streets of San Francisco, where a series of massive marches, some drawing nearly 100,000 people, filled the streets prior to the invasion of Iraq on March 19, 2003. The onset of war led protesters to effectively shut down the city, resulting in about 2,300 arrests and millions of dollars in costs to the city.

President George W. Bush dismissed the protests, of course, but he wasn’t the only one. Political leaders such as Rep. Nancy Pelosi, then-Mayor Willie Brown and soon-to-be Mayor Gavin Newsom (who didn’t attend any of the marches, unlike progressives on the Board of Supervisors) condemned the peace movement for hurting an innocent city. But with the “battle for San Francisco” making international news, the protesters were more concerned with the global audience.

A month earlier, on the weekend of Feb. 15 and 16, there were coordinated protests against the impending war in about 800 cities around the world, drawing around 10 million people. The peace march in Rome included about 3 million people, earning a listing in the Guinness Book of World Records as the largest anti-war rally in history. People have never made such a loud and clear statement against an incipient war.

Beyond the numbers, the antiwar movement was also right. On every major issue and prediction, the messages from the street proved correct while those from the White House were wrong. The US wasn’t welcomed as liberators. There were no weapons of mass destruction. Iraq after the invasion isn’t a stable democracy or shining beacon to anyone but the new generation of jihadis Bush created.

We can blame a hard-headed president, ineffectual opposition party, failure of the national media, or the national climate of fear following Sept. 11. But rather than refighting that lost battle, now is the time to gain perspective on the events of five years ago and determine what it means for democracy and the post-Bush national agenda.

 

TO THE STREETS

There were two main umbrella groups organizing protests before the war: Direct Action to Stop the War (DASW) and International ANSWER (Act Now to Stop War and End Racism). ANSWER has remained active and DASW has recently been reconstituted for the fifth anniversary of the war, using direct action in San Francisco as well as other urban centers and outposts like Chevron’s refinery in Richmond, which has reportedly been processing Iraqi oil.

“With the fifth anniversary coming up, we’re going back to direct action on the streets,” said Henry Norr of DASW. “But I don’t have any illusions that it’s going to be like it was five years ago.”

The maddening march to an ill-advised war created a political dynamic in which a broad cross-section of Americans was willing to hit the streets.

“We had a wonderfully diverse group of people, from soccer moms to anarchists,” said Mary Bull, who cofounded DASW, a collective of various affinity groups and concerned individuals formed in October of 2002 as Bush started beating the drums of war.

It was a group fiercely determined to prevent the war — and really believed that was possible. In fact, Bull recalls how she and other members of the group burst out crying at one meeting when a key activist said the war was going to happen.

Richard Becker, who cofounded ANSWER and serves as its West Coast coordinator, said that in the summer of 2002, “we came to the conclusion that [the war] was going to happen.” The group called its first big protest for Sept. 15, 2002, and another one two weeks later. But the movement really exploded on Oct. 26 when almost 100,000 people took to Market Street, much of it a spontaneous popular uprising.

“We were overwhelmed,” Becker said. “We were in a perpetual state of mobilization to keep up with what was going on. But then it didn’t stop the war.”

Did he think they could?

“I think a lot of people thought maybe it was possible to stop it. And we thought maybe it was possible to stop it,” Becker said.

The high point, according to Becker and Norr, was Feb. 17, 2003, when the New York Times ran a front page analysis piece entitled “A new power in the streets” that claimed “the huge anti-war demonstrations around the world this weekend are reminders that there may still be two superpowers on the planet: the United States and world public opinion.” But then Colin Powell went to the United Nations to argue for the invasion, and the Democrats in Congress did nothing, and it became clear war was coming.

Norr stayed out there protesting, being arrested several times and even shot in the leg by Oakland police with a rubber bullet during a protest at the Oakland docks. And he thinks some good came from the experience.

“The lesson for people is the political and economic elites are committed to preserving and extending empire. And they basically say as much in their own writing,” Norr said. “Wars are not anomalies.”

Despite being a frustrating and depressing exercise, most saw benefits to the failed movement. “People got an incredible education about how the system really worked,” Becker said. “Building a movement is mostly about a series of setbacks.”

Medea Benjamin, cofounder of both Global Exchange and CodePink and fixture of the anti-establishment peace movement for years, was upbeat about the protests. “We did our job as citizens. We did what we were supposed to do: organize, get people to take action, get people onto the streets,” she said. “We did everything we could think of.

“What you take from it is we don’t have a very well-developed democracy because the people spoke and the government didn’t listen.”

25war2_Lars1.jpg The ever-evolving “Democracy Wall” on Valencia Street, March 2003, helped stir up debate (Photo by Lars Howlett)

 

FACING ARREST

The collective action of five years ago starts with a series of personal stories — tens of thousands of them — so let me briefly begin with mine.

My arrival in San Francisco was closely tied to the march to war. I was living in Sacramento and working as the news editor of the Sacramento News & Review when Bush began his saber rattling against Saddam Hussein, but by the end of 2002 I had a falling out with my boss and found myself jobless.

Like most Northern Californians who opposed the war, I came to San Francisco on Jan. 18 to make my voice heard and experienced a bit of serendipity on my way to Justin Herman Plaza: while reading the Guardian on Muni, I saw their advertisement for a city editor, a job that was ideal for me at a paper I’ve always loved. Needless to say, it was a great day, empowering and full of possibilities.

Less than two months later I was on the job, and on the second week of that job I was back on the turbulent streets of San Francisco, part of a Guardian team covering the eruption of this city on the first full day of war. When I stepped off the cable car just after 7 a.m., people were streaming up Market Street and I joined them.

When a large group stopped at the intersection of Market and Beale, I stopped too, taking notes and bearing witness to this historic, exciting event. I had a press pass issued by the California Highway Patrol that allowed me to cross police lines, so when police in riot gear surrounded us and threatened arrest, I held my ground with 100 or so protesters.

After interviewing about a dozen people about why they were there and that they hoped to accomplish (see “On the bus: Journalists, lawyers, four-year-olds — the cops were ready to bust anyone Thursday morning“), I was arrested with the others and taken to a makeshift jail and processing center at Pier 27 (no charges were filed in my case, and charges against all of the 2,300 people arrested here in those first few days of the war were later dropped).

I recently tracked down a few of the people who appeared in my article, including Daphne and Ross Miller, who were at the center of the most interesting drama to play out during our standoff with the police. She’s a family practice physician, he’s an architect, and they live in Diamond Heights with their two children, Emet, who is almost 9, and Arlen, 12, who was away on vacation when the war began.

“We were genuinely shocked that the war started,” Ross told me. “We were at some of the earlier protests and really thought there was no way [Bush] could do it.”

They woke up March 20, 2003, to news that the war had begun and immediately walked to the BART station with Emet and rode to the Embarcadero station, not really planning for the day ahead but just knowing that they had to make themselves heard.

“We were pissed as hell. I don’t think I’ve ever been so angry in my life,” Daphne said.

They quickly came up with a plan. “We basically decided that if anyone was going to be arrested, it was going to be Ross and I’d stay with Emet. But it didn’t end up that way and I ended up in the arrest circle.”

Daphne had their house keys and threw them over the police line to Ross at one point. A photographer in the circle had gotten shots of a man named Roman Fliegel being roughed up by police as they pulled him off his bicycle, which was towing a trailer with a sound system, and decided to throw his backpack with camera gear out as well. When Ross — who had four-year-old Emet on his shoulders — caught it and refused police orders to give it to them, police grabbed Emet and roughly arrested Ross, leaving a gash on his forehead.

“Rage surged through the crowd, and it seemed as if things might get ugly, but the police kept a tight lid on the situation, using their clubs to shove back protesters who had moved forward,” I wrote at the time.

Emet was delivered into the circle with Daphne as the arrests continued, many quite rough. “At that point, as a mom, I had to exercise the most restraint ever,” said Daphne, who was angry about the situation but fearful about what she was exposing her son to. “Please, don’t let any violence happen here,” she pleaded with the crowd. Eventually, commanders on the scene let the mother and child go.

“The officer who let me go said that if he saw me again out there, he would call Child Protective Services on me,” Daphne said. But two days later, still brimming with outrage at her country’s actions, she ditched a downtown medical conference to rejoin the street protests, this time solo.

The couple say they’ve lost friendships over the war and have become more engaged with politics, coming to believe that Bush and the neocons are malevolent figures who knew how badly the war would go and did it anyway to establish a large, permanent military base in Iraq.

“Since that day, we’ve been far more active,” Ross said. “We realized you can’t just trust the system. You have to push.”

But that determination was mixed with feelings of disempowerment and depression. They attended some of the protests that following year, but the couple — like most people — just stopped going at some point because they seemed so futile.

“There was a horrible sense of resignation and a genuine depression that followed,” Ross told me.

The nadir was when Bush was reelected and they considered leaving the country. But then, Ross said, “we decided we’re not just going to run away and we’re not going to accept this.” Looking back, even with the scare over Emet, they express no regrets.

“It was the right thing to do because it was the wrong war to have. I’d do it again and again and again if I had to,” Ross said

They’re guardedly hopeful that Barack Obama could begin to turn things around if he’s elected. “I think the right president can at least start to dismantle this,” Daphne said. “I think thousands of people marching in the streets is something he would listen to.”

25war3_Charles1.jpg A die-in on the streets of San Francisco in March 2007 marked the fourth anniversary of the invasion (Photo by Charles Russo)

 

WITNESS TO HISTORY

Covering the peace movement in those early days was a heady experience, like reporting on a revolutionary uprising or working in a foreign country where the people are organized and active enough to be able to shut down society and brave enough to risk bodily injury for their beliefs.

I was at the founding meeting of CodePink — which became the most effective group at personally confronting the warmongers and keeping the war in the public eye — one evening at Muddy Waters in the Mission District shortly after the war started.

Looking back, Benjamin rattled off a long list of the alliances the group built — with labor, churches, businesses, and a wide array of social movements — and creative actions intended to build and demonstrate popular support for ending the war.

“We’ve done so many things and what did we get? We got a surge,” she said. “It shows the crisis in our democracy, the crisis of the two-party system, the crisis of a dysfunctional opposition party.”

Yet she said the peace movement has been remarkably successful in convincing the public that the war was a mistake and that it’s time for the troops to come home, even if the Democrats have been slow to respond to that shift.

“The progress we’ve made is turning around public opinion and that’s going to play a big role in the upcoming elections,” she said. For Norr, the role of the news media is a particular sore spot. He was a technology reporter for the San Francisco Chronicle who called in sick on the first full day of war and was arrested on Market Street with his wife and daughter, resulting in suspension by editor Phil Bronstein for his actions.

I wrote several stories on the issue, which culminated in Norr being fired and Bronstein unilaterally banning Chron employees from peace protests. I even borrowed CodePink’s guerilla tactics when Bronstein repeatedly refused to return my calls or address why he had singled out antiwar protesters for uniquely punitive treatment. I confronted him during a speech he gave at the Commonwealth Club (see “Lies and half-truths,” 5/7/03). That was the tenor of the times: we were all tired of being lied to and we decided to push back.

Norr was particularly frustrated with his own paper’s reporting of the war and started sending articles by the foreign press to his paper’s news desk, trying to wake his colleagues up to the pro-war propaganda being passed off as journalism in this country.

He was also disappointed with the country and with the Chronicle — both the management and his fellow reporters, who did little to support him — but the experience caused him to return to his roots as a progressive activist.

“The war and losing the job and everything brought an abrupt end to my consumerist phase and dumped me back into the world of being an activist,” said Norr, who serves on the KPFA 94.1 FM local station board and has made three recent trips to the Palestinian territories while working with the International Solidarity Movement.

Benjamin said Americans shouldn’t expect the next president to end the war — not without lots of pressure from a renewed and vocal peace movement. “This is the time to set the stage for the post-Bush agenda,” Benjamin said. “Don’t put your hopes in Barack Obama in getting us out of Iraq. Put your hopes in the people.”

25war4_Lane1.jpg A rally and nonviolent direct action at the Richmond refinery targeted Chevron on March 15 (Photo by Lane Hartwell)

 

THE AFTERMATH

The San Francisco Police Department, which spent more than $2 million on overtime costs responding to peace protests between March 15 and April 16, 2003, generally behaved with restraint and professionalism, but there were several exceptions.

The most costly and disturbing incident came when Officer Anthony Nelson began aggressively swinging his long riot baton at protesters, badly shattering the arm of peaceful protester Linda K. Vaccarezza, who suffered a permanent disability in her career as a court reporter.

Nelson’s incident report falsely stated that Vaccarezza had threatened him with a sign attached to a solid pole, but video of the incident later clearly showed there was no pole and that she was retreating when he teed off on her (see “The home front,” 05/19/04).

Vaccarezza received an $835,000 settlement from the city in November of 2004. On Oct. 5, 2005, two and a half years after the incident, SFPD fired Nelson for lying about what happened that day, and the City Attorney’s Office has been successfully fighting Nelson’s appeals in court ever since, putting in more than $100,000 in attorney time and costs into the Nelson and Vaccarezza cases.

The other significant ongoing litigation from the antiwar protests involved Mary Bull, who was arrested during an early protest for pouring fake blood in front of the entrance to Chevron’s San Francisco office before being allegedly strip searched and left naked in her San Francisco Jail cell for 36 hours.

Ironically, Bull was among those who brought a successful class action lawsuit against Sacramento County after she and others protesting a logging plan were strip searched, setting a precedent and led most counties to reform their strip-search policies. She used her share of the $15 million judgment to buy an organic permaculture farm in Sebastopol.

Her San Francisco case, in which Bull won a multimillion-dollar judgment, is still under appeal and now in mediation. Bull said the protests five years ago did make a difference, something she tells those who fret about its apparent failure. “I tell them to look at what issues the candidates are talking about now and I thank them for protesting then.”

“Even though we had millions throughout the world, we were sort of blocked, but now we’re regaining that momentum,” Melodie Barclay, a massage therapist who was also arrested with me on the first day of the war, told me recently. “We can’t judge it by the fact that we didn’t get the momentum we wanted.”

Norr started his antiwar activism working with Students for a Democratic Society in Boston, protesting the Vietnam War, which he said shares many similarities with the current situation, for good or for ill. He said that people tend to forget that while the protests then were huge and helped end the war, the movement did wane after Nixon ended the draft and substituted massive aerial bombardment for boots on the ground.

“The protests dropped off considerably,” he said. “A lot of the things that drove people to take risks in the late ’60s had faded by the early ’70s.”

He thinks the current administration learned a lesson from those days: it’s easier to maintain a war effort if the average citizen isn’t affected.

But there are other factors as well keeping a lid on the antiwar outrage.

“The culture has changed too. Young people are oversaddled with debt. People in schools seem to be docile. The culture as a whole seems to be more individualist and consumerist,” Norr said.

Yet some young people have woken up and many of them are funneling their energies into a peace group that was formed in the summer of 2005: World Can’t Wait, as in: the world can’t wait for the end of Bush’s second term before we change our direction and leadership.

“We don’t just want them gone, we need to repudiate their program,” said Giovanni Jackson, a 26-year-old WCW student organizer. “If we’re going to change anything, we need the youth.”

Jackson was at WCW’s founding convention in New York City, which came just as New Orleans was being flooded and then essentially abandoned by the federal government.

“When [Kerry] lost, people felt demoralized and World Can’t Wait kind of stepped into that situation,” Jackson said. “There was a lot of demoralization in the antiwar movement at that time.”

The group organized protests and student walkouts on Nov. 2, 2005.

“Everyone has their moments of doubt,” he said, “but I’m motivated by the crimes we see everyday.”

 

THE LESSONS

One of the biggest barriers to galvanizing people and turning the fifth anniversary of the war into something that might make a difference is the presidential election, which is diverting the energy of many potential protesters — and at the same time, offering some hope that a new president may lead to peace.

After all, every single one of the Democratic presidential candidates has promised to withdraw troops from Iraq, with varying timelines and numbers of US personnel left behind. And with enough encouragement, they might be willing to help change the status quo.

Many of the activists who volunteered their time and money to help move the Obama campaign into its front-runner position came out of the antiwar movement, and Obama’s strong stand against the war has been a key factor in his popularity.

Becker and some other activists don’t have much faith that a change in presidents will change the course in Iraq, although he agrees that much of the energy now surrounding Barack Obama derives directly from the antiwar movement.

“There’s been a huge upsurge of hope for Obama and that he might bring about the kind of change we need,” Bull said, adding that she doesn’t share that hope, believing the only path to peace is to pressure Obama and other leaders to commit to more progressive positions.

Norr said, “On one level, people have illusions about the power of peaceful protests. People believe in democracy, as well they should. We feel like the rulers should be paying attention to public opinion.

“It’s a remarkable story how broadly and quickly the American people have turned against the war. Public opinion was certainly ahead of the Democrats.”

And people will only grow more disenchanted with Iraq and its multitude of costs. “The people here are paying for this war, and everyday we have new stories about health clinics being shut down,” Becker said.

Becker was amazed last March as massive demonstrations for immigrant rights seemed to explode out of nowhere. “We think there will be more things like that,” he said.

Because after five years of organizing communities to resist the military-industrial complex’s plans, Becker thinks there’s been some visible progress.

“There isn’t a town or hamlet in the US that doesn’t have activism going on, but you wouldn’t know it from the corporate media,” Becker said. “It’s a mistake for people to feel discouraged.”

Migden: $350,000 fine for campaign finance violations

0

By JB Powell

Word has just come down from the Fair Political Practices Commission (FPPC) that State Sen. Carole Migden and her campaign have agreed to pay $350,000 in fines for 89 different campaign finance violations.

Many the violations have to do with failures to itemize credit-card expenditures. Last July, Assemblymember Mark Leno, who is running against Migden, lodged a formal complaint about that spending.

But it appears that FPPC investigators found numerous other violations, above and beyond Leno’s allegations – including several improper transfers from old committees. Exhibit 2, posted on the commission’s website, states that Migden, her campaign aide Eric Potashner, and her volunteer treasurer, Roger Sanders, twice “failed to timely report receipt” of transfers from Migden’s now defunct Leadership Committee.

The violations relating to fund transfers are especially significant because Migden is currently suing the FPPC to free up nearly $1 million in cash the commission says she improperly transferred from an old campaign account. As we report in the upcoming issue, (“Migden sues the FPPC”) commissioners barred Migden from spending that cash last October. In a public statement issued just after Migden filed her suit in federal court, commission chair Ross Johnson asserted that Migden had already spent “nearly $400,000” of that money. That could mean even more penalties for the embattled senator, as the current settlement announced today does not pertain to the cash in question.

In addition to spending hundreds of thousands of dollars on campaign credit cards without itemizing the expenditures, Counts 57-65 of Exhibit 2 show that her campaign has now admitted to failing to account adequately for more than $300,000 spent between 2005 and 2007.

Counts 81-88 might be the most eye-raising – they detail how Migden and her aide Potashner spent large sums of campaign money for “Personal Use.” From the settlement: “Respondents admit, and corresponding records indicate, that expenditures by the 2008 Senate Committee totaling $16,317.91 were neither reasonably nor directly related to a political, legislative, or governmental purpose. Instead, these expenditures conferred a substantial personal benefit on Respondents Migden and Potashner.”

Neither Migden nor her attorney could immediately be reached for comment.

FPPC commissioners will meet Thursday, March 20, in an emergency session to vote on whether to approve the settlement agreement. As for Migden’s lawsuit, a hearing is scheduled for April 1st in the US District Court.

UPDATE: Reached for comment later, Migden’s attorney, James Harrison, told us that “in several instances [Migden and Potashner] took out the wrong credit card” when making personal purchases. He said they both reimbursed the campaign for the misused funds.

Harrison also pointed to passages in the settlement documents that show that Migden herself, not Leno, brought these matters to the attention of regulators last year. Leno has been taking credit in recent weeks for exposing Migden’s credit card violations in a complaint he filed last August. But in the conclusion to Exhibit 2, FPPC staff state that Migden “self-reported” her problems after previous FPPC fines prompted her to conduct an audit of her books.

“This is a textbook example of how we want a public official to act.” Harrison argued. “Sen. Migden identified a problem and she worked diligently with the FPPC to resolve it … She’s standing up and taking responsibility.”

PG&E’s Green War Chest?

0

Greetings, Californians for a Clean Energy Future! Welcome to the fold of innocuous sounding, pseudo-environmental political front groups. This one is brought to us by our buddies over at Pacific Gas and Electric Co.

The group, which doesn’t seem to have a Web site or any other physical manifestation outside of filings with the California Secretary of State, already has $340,000 ready and waiting for the upcoming election cycle. According to a Secretary of State spokesperson, the group was born on Dec. 21, 2007. The only contact is the law firm Nielsen Merksamer, which has a history of teaming up with PG&E to break the law for political gain.

So far, they haven’t spent a cent — all of which were dumped into the committee by PG&E in three lump sums. Wonder what they’re going to spend all that money on? Since it’s calling itself a “coalition of environmentalists, taxpayers, and Pacific Gas and Electric Company,” it could go for or against nearly anything — including boosting Prop 98 on this June’s ballot. If passed, the measure would kill rent control and make it illegal for governments to use eminent domain to seize utility infrastructure and use it to provide the services themselves, an idea San Francisco has considered in the past and Stockton is currently pursuing.

Hope Mohr Dance

0

PREVIEW After training in ballet, San Francisco native Hope Mohr moved to New York City, where she danced with Lucinda Childs and Douglas Dunn before spending four seasons with the Trisha Brown Dance Company. After eight years, she decided that she could continue her career back in her hometown. Significantly, upon returning in 2005, she joined the company of Margaret Jenkins, who had also left the Big Apple to resettle in her Bay Area stomping grounds more than 30 years ago. Even then, however, Mohr knew that she would eventually want her own group. This upcoming concert is the debut of her newly formed Hope Mohr Dance troupe, in which she’ll present four pieces with 13 dancers. Of key interest is her 2007 collaboration with video artist Douglas Rosenberg, Under the Skin, a commissioned work from Stanford University that grew out of a series of workshops Mohr conducted with breast cancer survivors. Five trained dancers and three survivors perform together in the piece. When Bill T. Jones created his 1994 Still Here, conceived on a similar premise, it raised a firestorm of criticism about so-called "victim art." Mohr is confident that the fertile tension between the subject matter and the dance’s formal demands has allowed her to create a work that stands on its artistic merits. The other three pieces, Moments of Being (a premiere), Elision, and more awake than dreaming, are non-narrative investigations of what gave Mohr’s debut program its title, "Let the Body Speak."

HOPE MOHR DANCE Fri/14-Sun/16, 8 p.m. Dance Mission Theater, 3316 24th St, SF. $18. (415) 273-4633

Bombs — and bongs — away!

0

Our coverage of the 26th San Francisco International Asian American Film Festival kicks off with Marke B writing about Harold and Kumar Escape from Guantanamo Bay, a sequel which offers a refreshing change from the stodgy fare that usually receives special presentations from less imaginative festivals. Marke asks star John Cho and screenwriters Jon Hurwitz and Hayden Schlossberg to pass though the bullshit detector, and they irreverently oblige. Elsewhere, Kimberly Chun surveys the influence of the late Edward Yang, one of the fathers of modern Taiwanese cinema, not that the Academy of Motion Picture Arts and Sciences – which recently left him out of their annual “In Memoriam” montage – would know. I take a look at Brillante Mendoza, whose brief directorial career to date is adding energy and variety to many-faceted CineManila activity. Keep an eye out for an upcoming interview with Mendoza in Pixel Vision, and check our short reviews of other SFIAAFF — now, that’s an acronym — features. (Johnny Ray Huston)

>> Multiculti cock-meat sandwich
Harold and Kumar Escape from Guantanamo Bay and invade the San Francisco International Asian American Film Festival
By Marke B.

>> Are you lonesome tonight?
Edward Yang searches for the personal amid the street gangs of Silicon Island
By Kimberly Chun

>> Manila: the drama
Brillante Mendoza looks at the costs of human lives
By Johnny Ray Huston

>> Take one
A quick guide to some Asian American Fest features

THE SAN FRANCISCO INTERNATIONAL ASIAN AMERICAN FILM FESTIVAL runs March 13-23 at the Castro Theatre, 429 Castro, SF; Kabuki Cinemas, 1881 Post, SF; Clay Theater, 2261 Fillmore, SF; Pacific Film Archive, 2757 Bancroft, Berk; and Camera 12 Cinemas, 201 South Second St., San Jose. For tickets (most shows $10) and more information, go to www.asianamericanmedia.org.

Keeping it raw

0

› kimberly@sfbg.com

SONIC REDUCER Who took the sex outta my rock ‘n’ roll? You gotta wonder, watching the Virgins — looking all of 12, collectively, and working the style and charisma of boys whose mothers still dress them — who played a Noise Pop show March 1 at Mezzanine. Sure, the New York City combo can write a good song — far better than those by the old-enough-to-know-better Gutter Twins, who were messing with almost two-decades-old, decayed grunge tropes across town at Bimbo’s 365 Club that same night. But they weren’t kidding when it came to picking a name: far be it from the Virgins to be mentally undressed. They looked like they were safely tucked into fresh, clean underwear — no holes bitten through by groupies — much like those other hotties in prep clothing, Vampire Weekend.

Where to find lusty, lascivious pop? Even Mariah Carey is giving brain cells top billing with her upcoming album, E=MC2 (Island). When it comes to the once-squeaky-clean Jacksons, "Don’t go there" Michael tops "Yeah, that’s sexy, sexy, sexy" Janet with his 25-year-old classic Thriller (Sony) — despite the former’s hopes in picking up where Control (A&M, 1986) left off by focusing on the dance floor with her likable, pillow-talking Discipline (Island). Sex? There are no bejeweled nipples in sight — and as for Jacko, the gloves are off and Neverland Ranch has been foreclosed. And the Vampires and Virgins definitely aren’t providing any.

Perhaps it’s time to turn to more wholesome pleasures like, say, jogging. Yoni Wolf of Why? — a self-proclaimed member of the Bronson Pinchot Fan Club, Anticon stalwart, and stealth heart-rate-raiser — will turn you around. "I can tell you right now, if you don’t know the power of endorphins, it’s a beautiful, wonderful thing," raves Wolf, 28, on the line from his Oakland abode. "I’ve never been a jock because I’m not coordinated. But to jog, you just have to move your legs around. You don’t need to catch a ball or hold a ball and get knocked down. I don’t even remember why I started doing this — probably ’cause I got a little gut and I gotta knock this off. Yeah, eat a midnight snack … "

Yep, it’s funny how passion plays out. Why?’s new disc, Alopecia (Anticon), returns to the lost love pined over on Why?’s last album, the breaking-through-after-breaking-up Elephant Eyelash (Anticon, 2005), and settles happily into its own sense of resignation — or as Wolf puts it, "hopeful frustration" — about that girlfriend and about life. Honestly, Wolf bedazzles with bared-belly, gutsy rhymes about jerking off in museums, "blowing kisses to disinterested bitches," a childhood fear of that ShowBiz Pizza bear, "eating pussy for new fans," "sucking dick for drink tickets at my cousin’s bar mitzvah," and "using Purell till my hands bleed and swell" — and that’s just in one track ("Good Friday").

Working with Why? cohorts — brother Josiah and Doug McDiarmid — as well as Fog’s Andrew Broder, Mark Erickson, Thee More Shallows’ D. Kessler, and ex-Beulah-ite Eli Crews, Wolf has stripped off the stray mustaches he’s been hiding behind to fully expose his pungent, punchy, stream-of-consciousness rhymes. Highly specific, yes; weirdly sexy, uh-huh — right down to the CD title, named for the mysterious disorder in which hair follicles halt production.

"You don’t suffer from alopecia?" I venture.

"What are you trying to say, I’m hairy?" jokes Wolf. "I’m a monkey? I actually suffered from it for a minute — on my penis."

Nah, nah, nah, the vocalist actually had a coin-size patch of affected skin for two years: "I have a theory why mine started happening — the hand of god came down and touched me on this one spot — no, I stepped on a bottle in a river and I got some sort of infection." It lingered throughout the period that Why? wrote, recorded, and mixed the new full-length, like an uninvited sweetheart. "It was looming and ominous and weird. At first I thought it was a fucking STD," Wolf says.

Slug of Atmosphere ended up setting him straight at a show in Baton Rouge, La., Wolf continues, and in the end, the bald patch "symbolized that period of my life for me, the creation of this record. For me, it was this little patch of honest skin: honest flesh with no covering or pretenses of an attempt to cover itself up, a little patch of baby skin that was really soft. That’s what I was thinking, a return to the raw." Oh, and it’s a tad sexy: "It’s a pretty word," Wolf adds. "It sounds like a flower." *

WHY?

With Dose One, Cryptacize, and DJ Odd Nosdam and DJ Jel

Thurs/6, 9 p.m., $13

Great American Music Hall

859 O’Farrell, SF

www.gamh.com

DOING DAMAGE

MINMAE


The Portland indie-psych outfit love them some land of the dead — and some Robotech. Thurs/6, 9 p.m., $6. Hotel Utah, 500 Fourth St., SF. www.thehotelutahsaloon.com

WILDILDLIFE


SF’s Crucial Blast ambassadors resurrect classic rock, post-punk, and sludge for giggles. With Old Time Relijun and Tea Elles. Thurs/6, 9:30 p.m., $8. Hemlock Tavern, 1131 Polk, SF. www.hemlocktavern.com

HEAVENLY STATES


Libya rocks — thanks to the Bay’s Heavenly States, who invest a whole lotta soul into their forthcoming Delayer (Rebel Group). With Citay. Fri/7, 9 p.m., $12. Independent, 628 Divisadero, SF. www.theindependentsf.com

XNOBBQX AND TOMES


The atonal Aussie Siltbreezers eschew bone meat, instead cutting to the ‘core with militant vegan deconstructo-noise. Opening as Tomes, Loren Chasse and Glenn Donaldson delve into the dark, dank folk flip of Thuja. With Curse of the Birthmark. Sat/8, 9:30 p.m., $7. Hemlock Tavern, 1131 Polk, SF.

Spundae 15-Year Anniversary

0

PREVIEW When they founded Spundae in 1993, Peter Beckers and Guiv Naimi pioneered America’s electronic superclub a full two years before New York’s legendary (and sadly departed) Twilo. The duo managed to mix distinguished San Francisco talent — Jerry Bonham, Jondi and Spesh, Alain Octavo, Scott Carelli — with international superstars such as Pete Tong, Felix da Housecat, DJ Tiesto, Armin van Buuren, and Christopher Lawrence. After all the downs (a partnership-turned-rivalry with UK superclub Godskitchen, a stalled record label) and ups (an offshoot in Los Angeles, a partnership with luxurious Ruby Skye, international acclaim), Spundae stands firm as a distinctly American dance music bastion. Sasha and Digweed’s upcoming stop in late April demonstrates Spundae’s undiminished drawing power.

To celebrate 15 years of success, Spundae attracts (what else?) local and international talent for a two-day celebration. Qoöl masterminds Jondi and Spesh prepare the opening course of progressive house on Thursday, setting the table for two young coheadliners: Canadian Deadmau5, who creates a signature sound by pouring energy into coolly-synthed numbers and epic electro productions; and Brit James Zabiela, who combines glitchy effects and acid bass lines with nuanced drum patterns that betray a leaning toward intricate, sound-warping gear.

San Francisco takes the stage Friday, as longtime Spundae resident Alain Octavo and promoter extraordinaire Dr. Syd Gris fill the floors early with house and progressive trance. Reigning "Best American DJs" Josh Gabriel and Dave Dresden blend popular rock remixes, euphoric vocal tracks, and grittier, techno-based projections into a four-hour headlining set sure to showcase why they’ve become international favorites.

SPUNDAE 15-YEAR ANNIVERSARY Thurs/6, 9 p.m.–2 a.m., with James Zabiela, DeadMau5, and Jondi

and Spesh, $15; Fri/7, 9 p.m.–4 a.m., with Josh Gabriel and Dave Dresden, Syd Gris, and Alain Octavio,

$20 ($30 for both days). Ruby Skye, 420 Mason, SF. (415) 693-0777, www.spundae.com

SFIAAFF: Multiculti cock-meat sandwich

0

› superego@sfbg.com

When we last left crazy-ass Kumar (Kal Penn) and his more straitlaced college pal Harold (John Cho), at the end of the 2005 stoner epic Harold and Kumar Go to White Castle, they’d just victoriously satiated their munchies with enough sliders to block a rhino’s colon. That movie was a classic bong-wielding buddy road-trip flick — Question: How long does it take two potheads to get to a drive-through? Answer: Neil Patrick Harris on ecstasy — that was improbably hailed by serious critics as a multicultural breakthrough. Kumar is Indian American and Harold Asian American, a combination of lead ethnicities that was new to the American mainstream. And even though lineage figures little in the characters’ daily realities, Harold’s and Kumar’s difference from the cartoonish honky inbreds and skinheads (and candid others of color) that exist beyond their postmillennial collegiate bubble — and who often mistake them for Arabs — fuels the plot. Dude, where’s my kufi?

White Castle screenwriters Jon Hurwitz and Hayden Schlossberg giddily foreground the first movie’s subtext in their follow-up (which they also directed), Harold and Kumar Escape from Guantánamo Bay, a special presentation at this year’s San Francisco Asian American Film Festival. Mistaken for terrorists when they’re caught with a "smokeless bong" on a flight to Amsterdam, weed capital of the world, our hapless heroes ("North Korea and al-Qaeda working together," gloats their bumbling FBI nemesis) are imprisoned in Gitmo. After being presented with a jailer’s massive "cock-meat sandwich" — "I’ve never sucked dick before," quips Kumar. "I bet it sucks dick!" — and submitted to various tortures, they eventually escape, crashing a "bottomless" hot tub party, impersonating Crockett and Tubbs from Miami Vice, and lighting up with George W. Bush himself. No shit.

I caught up with Hurwitz, Schlossberg, and actor Cho — a surprisingly intellectual type who studied English at UC Berkeley — as they prepared to promote the new movie at wacky comics convention WonderCon.

SFBG For Arab Americans like me, this movie is like a nightmare come true. People gasp whenever I stand up on an airplane, and 9 times out of 10 I’m the one who’s pulled over for "random" searches. I know that Indian Americans often experience similar treatment. But Harold and Kumar Escape from Guantánamo Bay seems revolutionary in that it expands that situation to include the feelings of Asian Americans, and it’s playing at the [SF International] Asian American Film Fest. Do you think Asian Americans relate?

JOHN CHO I would assume that every immigrant group has their own bag of individual problems. I don’t know if Asian Americans get hassled at the airport — maybe they do. Traveling with Kal on the publicity tour for the first film, I got to see firsthand how he was treated — and that’s real; he was patted down all the time. We were traveling together, and he’s the one that got pulled aside. I’m really happy that the film’s playing at the festival. I feared that Asian Americans wouldn’t accept this movie — the subject matter isn’t discussed much in the community — but it seems that the programmers feel they will.

SFBG Not to state the obvious here, but Jon and Hayden, you’re a couple of white guys. I’m wondering if these scripts come from your own experiences, or if you do a lot of research?

JON HURWITZ We’re white guys, but we’re Jews. So we’re already a minority subset, but I don’t really know if that plays into it. We’ve always had a large group of multicultural friends and been able to observe and have conversations with people with different points of view. As a writer and director you’re just hoping to put something out there that’s new. Something with Asian American and Indian American leads was something that hadn’t been done in the way that we were doing it. We felt that we had enough perspective as huge fans of comedy to pull it off.

HAYDEN SCHLOSSBERG We didn’t set out to make this big statement, although I have to say when we looked at the first one when it was done, we said, "Wow, this is so much better than we thought." It went way beyond the fart jokes, weed humor, and nudity that we love to put up on-screen. But it’s really just a classic comedy trope. Two guys, a baggie, a voyage. . . . It was the right time to have someone finally throw ethnicity into the mix. The script took off from there. The only question now is, where else can we take this? Harold and Kumar Fly the Space Shuttle?

JC And the focus is always on being funny first. The characters’ races are almost secondary. I find that so refreshing because a lot of Asian American cinema is just about being Asian American, how hard it is. Not to denigrate anyone’s work, but those movies get really repetitive, and fewer people want to see them.

SFBG Speaking of space — John, you’re about to be mobbed at WonderCon because you’ve accepted the role of Mr. Sulu in the upcoming Star Trek film. Following in actor George Takei’s footsteps must feel huge.

JC I’m delighted. As a kid it meant so much to me to see an Asian American on television and say, "Whoa! He’s not wearing a cone-shaped hat or teaching kung fu!" It was very important, a legacy that I desperately wanted to be a part of, and something I feel my work on the Harold and Kumar movies pays tribute to. Now Asian Americans can be stoners too.

HAROLD AND KUMAR ESCAPE FROM GUANTANAMO BAY

Sat/15, 9:15 p.m.

Castro Theatre

429 Castro, SF

(415) 621-6120

>> Complete Asian American Film Fest coverage