Upcoming

Appetite: Beer-battered rings, French on the fly, and a chef bacchanal

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Oh yes, there shall be chef: SF Chef. Food. Wine. period.

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EVENTS

August 6-9: SF Chefs.Food.Wine (calling food, wine and spirits lovers)
Start saving pennies, mark your calendar and buy your tickets now for an unparalleled event coming up in August I’m quite excited about, the first of its kind in our fair city. SF Chefs.Food.Wine is going to be a Pebble Beach/Aspen Food and Wine Classic- reminiscent event but right in an urban city center at a fraction of the price (though you’ll still shell out $150 for a one-day pass). Union Square will be turned into a sea of tents housing not only Bay Area food, wine, beer, and spirits vendors offering day-long tastings (beer garden, cocktail samplings, wine tasting, food), but each day offers over 20 sessions/panels/classes appealing to food, wine and spirits cognoscenti and uninitiated appreciators alike.

An example of just a few sessions over three days:
FOOD – "Haute vs. Bistro" cooking demo from Hubert Keller (Fleur de Lys) and Roland Passot (La Folie); "Heirloom Tomatoes" with Gary Danko and Joanne Weir; interviews with cooking luminaries and authors like Martin Yan, Joyce Goldstein, Georgeanne Brennan; a cooking competition between Jamie Lauren (Top Chef/Absinthe) and Chris Cosentino (Incanto/Iron Chef America).
SPIRITS/COCKTAILS – "Green Cocktails" with Scott Beattie (author of Artisanal Cocktails), H. Joseph Ehrmann (Elixir) and Thad Vogler (Bar Agricole); "Agave Academy" with Rebecca Chapa (Tannin Management) and Julio Bermejo (Tommy’s).
WINE – "Raid the Cellar" with Rajat Parr (Michael Mina restaurants) and Larry Stone MS (Rubicon Estate); "Sparkling Personality" with sparkling wine masters from Schramsberg Vineyards, Domaine Carneros and Roederer Estate.

These are just a few examples… there are sessions on chocolate, sushi, oysters, cheese, eggs, making the perfect coffee, beer brewing, trends in wine and spirits, marketing, design and service, food reviewing and everything of interest to those who love food and drink.

Evenings are equally enticing: the Opening Reception highlights Rising Star Chefs and Bar Stars from the SF Chronicle’s last five years of winners, as well as an advance screening of Julie and Julia, the highly anticipated Meryl Streep film. Galas run nightly, like a Pacific Rim feast from Charles Phan, Martin Yan and Arnold Eric Wong; an LBGT culinary gala at Orson with Elizabeth Falkner, Emily Wines, Harry Denton; American Culinary Pioneers Awards given to Joyce Goldstein, Judy Rodgers, Patricia Unterman, Emily Luchetti, Patrick O’Connell; a dinner honoring Master Sommelier, Larry Stone; a bluesy rock party from chefs with musical ties.

Convinced yet? The hard part now is choosing which events, days and sessions to splurge on. This surely creates a problem when your choices are this good and plentiful. Go online and take a look at the line-up and whether you’re a cocktail hound, wine imbiber, beer brewer or food fanatic, you’ll want to be a part of this momentous event.

$40-250 (discounts for Visa Signature card holders)
August 6-9
www.sfchefsfoodwine.com

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NEW OPENINGS

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Spencer on the Go!
Maybe the food cart mania is getting to you, or, like the rest of us, you’re ever thrilled to find gourmet food on-the-cheap popping up around town. Well, here’s one we haven’t seen before. Laurent Katgely, Chez Spencer’s talented chef, launched Spencer on the Go! last Thursday night outside of Terroir wine bar, offering fine French fare from a shiny, converted taco truck with Spencer’s chic logo on the side. It was a long wait for food debut night, and Frog Legs and Curry were sadly sold out by the time I got there, but I hear waits have already improved, the crowd was friendly and festive, and I dig the Grilled Sweetbreads and amazingly addictive Escargot Puffs (escargot, breaded and on a stick)! With a menu all under $9, pair French snacks with Perrier and cookies or take it across the street to Terroir and order a glass of wine. Watch for the truck to soon be at Tuesday and (upcoming food cart-centric) Thursday farmers markets at the Ferry Building. It’s the bon vivant’s ideal "fast food".
6pm-12am
Thursday-Saturday

415-864-2191
http://spenceronthego.com

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Urban Burger
It’s time for a new burger joint on Valencia near 16th, Urban Burger opened last week in the tiny, former Yum Yum House space, now brightly painted sporting white leather stools, orange walls, and playful signs with phrases like "Nice Buns". Besides build-your-own burger options, there’s a list of ten hefty special burgers like a Breakfast Burger loaded with cheese, bacon, fried egg and fries (yep, all together), Mission Heat, with chilies, pepper jack and chipotle, or a Cubano with grilled ham and swiss. Opening day, I enjoyed the Buffalo version with blue cheese and hot sauce. Want it a bit lighter? Choose turkey, gardenburger, or Portabella mushroom instead of beef. But if you’re downing a hearty burger, why not pair it with a Mitchell’s milkshake and beer-battered onion rings?
581 Valencia Street
415-551-2483
http://urbanburgersf.com

Supervisors fail to reject MTA’s “cars first” budget

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Board President David Chiu and Sup. Sophie Maxwell joined their more conservative colleagues–Sups.Michela Alioto-Pier, Carmen Chu, Bevan Dufty an Sean Elsbernd–today in voting not to reject the Municipal Transportation Authority’s 2009-10 budget.

As a result, proposed fare increases and service cuts To MUNI will go ahead. And so far there are only verbal promises from MTA executive director Nat Ford that his agency will examine the feasibility of extending parking meter hours in the city’s downtown core, even though the MTA is facing 10 million to $15 million deficit-thanks to the state’s ongoing budget mess and as yet unresolved union negotiations,

Here’s hoping the progressives on the Board find a way to keep it together during the upcoming battle over the Mayor’s budget, which is due next Monday, June 1.

It’s so Chevwrong

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Reports are sketchy, but it looks as if San Francisco got hit by a new crop of subvertisements last night, this time parodying Chevron’s latest ad campaign, which critics have panned as a bunch of greenwashing.

Viewed up close and personal, the above ad that some hot glue artists slapped onto Sandra Bullocks’ buttocks reads, “I will try not to get cancer,”as it targets Chevron’s refinery in Richmond and encourages the curious to visit truecostofchevron.com.

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Also targeted are Chevron’s activities in Burma, Ecuador, Kazakhastan, Iraq and Nigeria. The action appears aimed at Chevron’s upcoming May 27 shareholder meeting and you can read an “alternative” report at the truecostofchevron.com.

Editor’s Notes

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Tredmond@sfbg.com

It was not what you’d call a banner day in the big leagues. On May 12, the progressives — who celebrated sweeping victories in last fall’s election — lost three significant battles, leaving me more than a little nervous about the upcoming epic fight over Mayor Newsom’s 2009-10 budget.

In separate votes, with different members going the wrong way each time, the Board of Supervisors sided with Newsom on a private deal to build a solar-power project in the Sunset District, then approved his Muni service cuts and fare hikes.

And while the final Muni vote was going on at City Hall, the School Board was meeting nearby and voting to restore a military recruiting program to the public high schools.

This is not what any of us had in mind during last fall’s campaigns.

The vote to approve the Recurrent Energy project came early in the day and left me shaking my head. The idea was fine — build solar panels on the Sunset Reservoir — but the contract the mayor’s Public Utilities Commission put forth was full of serious problems. For starters, nobody was ever able to explain why the city never looked seriously at a way to build the project itself instead of giving the land to a private, for-profit company that will charge very high rates for the power. It was the kind of deal you’d expect the fiscal conservatives to wince at, but no: Sean Elsbernd was all in favor.

That left Ross Mirkarimi and David Campos to raise the questions about this use of public resources and public money. The problems should have been hammered out in committee, and the deal amended before it ever came to the board. But to my surprise, John Avalos voted with Carmen Chu to pass it out of Budget and Finance.

Then, again to my surprise, Eric Mar broke with the progressive bloc and sided with the Newsom camp to approve the thing.

I wasn’t thrilled with the outcome, but you can’t win ’em all — and I figured that at least the Muni fare hikes were going down. After all, Board President David Chiu had done an outstanding job of challenging Muni on its assumptions and its spending on plans, and was leading the charge to reject the budget. Six other supervisors signed on to his move.

Then the backroom talks started — right in the middle of the board meeting. The Mayor’s Office offered a few tidbits, but insisted that the fare hikes and service cuts had to be passed or the entire city budget would be out of whack. And to my surprise, in the end, Chiu blinked. He voted to table his own resolution, effectively approving the Muni plan.

What was missing in all of this, I think, was visible progressive leadership. Chiu has done some good things, but he’s still very new — and in this case, he didn’t stand up to the mayor. I think that’s partially experience, learning how Newsom plays the game and realizing that you can’t let him threaten you or push you around, that compromise is fine and open communications are great, but that in the end, the supervisors have to call their own shots.

And there’s nobody else on this board stepping into that role right now.

The progressive majority on the board is fractious, but that’s always going to be the case. The reason there’s no left-wing "machine" in San Francisco, and never will be, is that people on the left are always too independent and too unwilling to be herded. There’s still room, though — and now, a desperate need — for leadership, for someone who can be the majority whip and make sure the six votes are there when we need them.

If the progressives can’t stick together on Newsom’s budget, it’s going to be a long, and painful, year.

I wish Mark Sanchez had decided to stay on the School Board instead of running for supervisor. He would have been re-elected, and either Jill Wynns or Rachel Norton would have lost, and this whole JROTC fiasco would never have happened.

There are plenty of problems in the schools, plenty of issues for the board to work on, and with the deep budget problems, it’s going to be important for the members to work together. The decision by Wynns and Norton to dredge up a done issue and drag it back before the board was needless and wrong.

I’m way against JROTC in the schools, but even some of the people who ended up supporting it — like board member Norman Yee — never wanted to see it back before the board again. Now we’re going to be fighting over this for months to come. There may be litigation, and it didn’t need to happen.

Now any hope of finding an alternative leadership program that doesn’t involve the military is gone for at least the next two years, and we’re stuck with the Army as part of our high school curriculum.

Not a banner day, folks. Not a banner day. *

Reels and (two) wheels

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What’s a "bike movie?" If you immediately thought of Breaking Away (1979), two upcoming events suggest that your definition is li’l old-fashioned. First up: the Disposable Film Festival is hosting a "Bike-In" outdoor screening. Pedal over and enjoy a selection of films (with an emphasis on bike themes) culled from DFFs past; an after-party celebrates the release of the Guardian‘s Bike to Work issue.

San Franciscans Eric Slatkin and Carlton Evans founded the fest in 2007 to highlight so-called disposable films — "any film made on these alternative devices we’ve seen cropping up in the past few years: cell phones, web cams, point-and-shoot cameras, one-time use video cameras, pocket cams," Slatkin said. "They really democratize the idea of not just filmmaking, but of a filmmaker."

The spirit of the festival lends itself to a bike-in screening. "The core of the DFF is a real DIY aesthetic," Evans said. "I think there’s a similar kind of aesthetic in the biking community in San Francisco. I bike all over the city, and I’m always navigating the city in a way where I’m having to overcome obstacles. You just sort of take on these challenges and come up with your own solutions."

Brendt Barbur, director of the New York City-based Bicycle Film Festival (now in its ninth year, it travels to San Francisco this summer), would likely agree with this comparison. The BFF showcases experimental films, music videos, documentaries, and more, with tie-in art exhibits and live music shows, but it’s powered by the creative energy of everyday cyclists.

"Technology has given the bike movement a tool to express themselves," he said from BFF headquarters in NYC. "That DIY spirit runs through the festival. A lot of people — maybe they’re graphic designers or bike messengers — have something to say, and cameras are now accessible to a lot of folks. Those little gems they produce are, a lot of times, the most popular movies at the festival."

DISPOSABLE FILM FESTIVAL: BIKE-IN

Wed/13, 8 p.m., free

Outside the Good Hotel, 112 Seventh St., SF

www.disposablefilmfest.com

BICYCLE FILM FESTIVAL

July 14-19

www.bicyclefilmfestival.com

On the rise

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a&eletters@sfbg.com

Even when times are shaky in San Francisco, it’s a fine time to head to PlayGround. At the upcoming 13th annual Best of PlayGround festival — which rides into the Thick House on steadily mounting popularity for an unprecedented four-week run beginning May 7 — a ticket will get you a lot of theater, in terms of quantity, quality, and novelty.

Since 1996, the annual festival has drawn from the best work presented in PlayGround’s signature short play contests — a monthly challenge (from October through March) to develop a 10-minute script in four days around a given theme ("When Pigs Fly" served one time), with winning scripts getting staged readings by leading Bay Area acting and directing talent in Monday Night performances at Berkeley Repertory Theater. The festival, meanwhile, gives the cream of the yearly crop (those earning PlayGround’s Emerging Playwright Award) fully staged productions, again with the collaboration of the finest Bay Area directors, actors, and designers.

This unusual mix of fresh, untested (or just emerging) talent on the page and seasoned professionals on and off the stage means there’s really nothing else quite like it in Bay Area theaters, and it remains a crowd-pleaser. Attendance at Monday Night performances broke all records this year, notes artistic director Jim Kleinmann, who founded PlayGround in 1994 with colleagues Brighde Mullins and Denise Shama.

But it’s also been a marked success in the underlying mission of developing new theatrical voices and strengthening the theater community as a whole in the Bay Area. (A recent Theatre Bay Area Magazine article listing the region’s 13 top emerging playwrights included no less than eight PlayGround alumni.) Kleinmann says the inspiration for PlayGround came from a playwriting exercise developed by his old teacher at Brown University, renowned playwright Paula Vogel, but has steadily expanded to include several commissions for full-length work from PlayGround writers. This year’s five commission winners will have their work presented in staged readings as part of the festival. The thrust throughout has been to nurture craft in the context of encouraging ties between new and seasoned theater makers.

"It certainly has evolved," Kleinmann says. "As the number of writers increased over time and the writers started to have longer-term relationships with PlayGround a couple of years into the Monday Night format, we added the festival, [which] became a really important showcase." These festival playwrights would have their works published too in a PlayGround anthology, making them available to readers and theater companies elsewhere. Still, a few years later Kleinmann and colleagues began work on new avenues of support.

"We’d always hoped that if we could discover these writers and worked to nurture them, midsize theaters would take them under their wings," he says. "That wasn’t happening as quickly as we might have hoped. So we found there was a need to bring writers to another level [with the commissions], where they would be able to be supported in their full-length work."

It’s a formula that has paid off with writers and audiences for more than a decade. Among the other enticements of new work in this format, there’s a serious vicarious thrill that goes with seeing actors of the caliber of a Stacy Ross or Jim Carpenter, under direction of a Barbara Oliver or Chris Smith, assay work by a gifted but still-developing or even unknown voice. In addition, "there’s no question it creates a dialogue about their work and [the actors and directors] become champions for their work," Kleinmann says. "What you [end up having] is a stronger community."

"BEST OF PLAYGROUND FESTIVAL"

May 7–31 Thu–Sat, 8 p.m.; Sun, 7 p.m., $28-$40

Thick House, 1695 18th St, SF

(415) 401-8081, www.playground-sf.org

Peepshow: Art House Sluts

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Each week Justin Juul highlights a rad upcoming local sexy event

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Who: Madison Young is a local porn star who also directs films, makes art, teaches sex classes, and co-owns the coolest “feminist, tranny, queer” art gallery/performance space thing in the whole entire world. It’s called Femina Potens Art Gallery and it’s the best place to visit in SF if you’re looking to balance out your interest in smut with your love of paintings and sculptures and stuff. If you read SEX SF regularly, you probably already know about Femina Potens and you probably go there at least twice a week. But if you’ve somehow missed the boat, go right now. Girls who are boys who want boys to be girls who do boys like they’re girls who do girls like they’re boys flock to FP daily and nightly to stare at sexy paintings, watch dirty movies, and talk about art.

Home run

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In American Hwangap, Lloyd Suh’s charmingly witty and gently woebegone world premiere, hwangap — the momentous 60th birthday marking completion of the astrological life cycle in Korean tradition — is occasion for a fresh start for Min Suk (an irresistibly expansive Keone Young), a former engineer and disenchanted immigrant returning home to his Texas-raised Korean American family 15 years after abandoning them and fleeing back to the old country. Of course, it’s not so easy to go home again.

Oldest son David (a razor-sharp Ryun Yu), the New York investment banker whose roiling inner turmoil takes the form of hilarious sangfroid, stays perpetually perched on the phone. Daughter Esther (a potent Angela Lin) vents her rage at her father soon after fetching him from the airport. Only youngest son Ralph (Jon Norman Schneider) seems suitably excited about the upcoming celebration, but then he’s over 30 and still living like a preteen in his mother’s basement. And while ex-wife Mary (a gracefully assured Jodi Long) musters a generous and forgiving mood, she is no longer the docile hausfrau Min Suk once knew. For his part, Min Suk remains determined to somehow win back their affection, persevering with sharp-witted good nature and newfound humility, even as it leads him literally up the backyard tree.

Magic Theatre and new artistic director Loretta Greco hit this one out of the park. Suh’s American Hwangap is a fresh, heartfelt and very funny family drama whose Shepard-esque themes and setting come underscored by passing slide-guitar licks and Erik Flatmo’s delicately whimsical scenic design, which gives just the right lift to the comically bent realism in director Trip Cullman’s production.

AMERICAN HWANGAP

Wed/29-Sat/2, 8 p.m.; Sun/3, 2:30 and 7 p.m., $45-$75

Magic Theatre, Fort Mason Center, Marina at Laguna, SF

(415) 441-8822

Peepshow: The Masturbate-A-Thon cometh

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Each week Justin Juul highlights a rad upcoming local sexy event

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Who: Last year, a Japanese man named Mr. Masanobu Sato came to San Francisco and masturbated in public for nearly ten hours straight. Had he done this in any other city, he might have been thrown in jail or at least laughed at relentlessly. But this is the sexiest place on earth so Mr. Sato got a gold medal instead. He also got a lot of media attention for the toy company he works for, Tenga, Japan’s premier manufacturer of disposable and reusable wank cups. Obviously, becoming a world champion has done wonders for Sato’s career (sales are up, employee-of-the-month certificates are hanging, etc) and so he has no choice but to defend his record. That’s why he’ll *probably be coming back to our city again this year for The Center for Sex and Culture’s annual Masturbate-a-thon. Join Mr. Masanobu Sato, Sister Roma, Fellatio Brown, Dr. Carol Queen, and other famous wankers as they play with their junk in the name sex positivism. Exhibitionists, porn-addicts, and totally normal people like you and me are encouraged to ogle, vote, and even participate in this year’s exhibition/contest.

The Bay’s Grass Widow sounds out mesmerizing shapes

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By Michael Harkin

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Grass Widow‘s harmonious post-punk tension is fostered below SF street level, in a former meat locker containing, among other things, a very charming quilt with the band’s name patched into it. In anticipation of an impending record release — the band plays Thursday at ATA — I met there with bass player Hannah Lew and drummer Lillian Maring (guitarist and trumpet player Raven Mahon was overseas), who, although living far apart — Maring is on the East Coast at present — were clearly very happy to be together.

"It’s not like there are any dispensable characters," explains Lew. After the dissolution of Shitstorm, Lew’s former band with Mahon, the two started playing together in 2007 with Maring, who was in the city for the summer from Washington state. Though Maring went back up north for a bit, she says she quickly returned and the trio "got really serious" — serious enough to tour the U.S. the following summer after cranking out a wonderful demo CD-R/ cassette that makes up most of their upcoming self-titled 12-inch on the local Make a Mess label.

NorCal nuggets

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a&eletters@sfbg.com

SONIC REDUCER Now playing: Locals Only II (see part one here). You can’t stop it from happening, even if you crumble to the ground like Keanu, fire your pistol in the air, and scream, "Nooo!" NorCal bands gotta make some noise, Bay-bies.

Hey, what gives? The Fresh and Onlys promised to release their self-titled Castle Face debut in May, yet last week I spied the CD, prominently displayed, twinkling brightly on an Amoeba Music endcap. Could it be an inside job, being that Fresh and Onlys Tim Cohen and Shayde Sartin have passed through the store’s payroll? Whatev, Kev, be happy it’s there, polishing off rough gems like "Endless Love": "Why don’t we live forever /inside this little mirror /so that your eyes and my nose /and your ears and my mouth /and your chin and my beard /they all fit together? / Na-na-na-na-na-na-na!"

Just as you turn to dismiss "Endless Love" as another joke song — albeit one tuned to a staticky channel of surf and ’60s-style garage rock by way of Flying Nun novitiates and Jonathan Richman’s post-punk pop naifs — the group unleashes a mini-nugget of "A Man Needs a Maid" wisdom: "Don’t you know you gotta give yourself / to get somebody else." Happily tucked into an echo chamber of passion-first rock ‘n’ roll, and armed against the apocalypse with a here-to-help sincerity that could stand the test of time ("The Mind Is Happy." "Feelings in My Heart"), the Fresh and Onlys pull off the seemingly impossible: discovering a clunky sweetness and lo-fi grace in a very singular rock primitivo.

"Snap back like a bungee chord — Lord!" Watch yourself, Raw Deluxe. The Bay Area group’s flow is as satisfyingly smooth and substantive as classic Del tha Funkee Homosapien times three on "Can You Spend It," off its new Raw Communication (Reel Deal). MCs Lexxx Luthor and Mic Blake of Alphabet Soup and Soulati of Felonious are unstoppable and at the top of a mix that showcases the sheer delight of word-slingers riding the exact same wavelength. There’s nothing particularly uncooked about the smokily intoxicating old-school jazz-funk gumbo on Raw Deluxe’s third long-player: keyboardist Matt Fleming, saxophonist Tony Jurado, bassist Christ Arenas, and drummer Chris Spano are on point on "Something to Build Upon" — a celebration of the band’s actual music-making process — which would chart in a better world and provide the foundation for a more maximalist hip-hop.

On the post-rock-cum-math side of the spectrum is the far-too-scarce From Monuments to Masses, now SF-NYC bicoastal and back with a new mostly instrumental full-length, On Little Known Frequencies (Dim Mak), possibly the most powerful recording yet by Francis Choung, Matthew Solberg, and Sergio Robledo-Maderazo. Mars Volta and Minus the Bear — MTB keyboardist Matt Bayles coproduced, engineered, and mixed the disc — are obvious referents. though neither band finds its voice via fragments of sampled dialogue like FMTM does, as if tapping directly into the culture’s transmissions. Almost monochromatic in its clear-eyed devotion to alt-rock propulsion, FMTM’s music has the closed-circle urgency and internal fury of a sonic dialectic. Are these frequencies to be plumbed with increased frequency?

THE FRESH AND ONLYS

Thurs/23, 10 p.m., $5

Knockout

3223 Mission, SF

www.theknockoutsf.com

RAW DELUXE

Fri/24, 10 p.m., $10

Club Six

60 Sixth St., SF

www.clubsix1.com

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UPCOMING:

FLIPPER

The punk legends are turning over a new leaf in honor of their new 4 Men With Beards vinyl reissues, including 1982’s Generic Flipper. The battle continues with Flipper’s new Love/Fight albums on May 19. Fri/24, 6 p.m., free. Amoeba, 2455 Telegraph, Berkeley. www.amoeba.com. Also Sat/25, 9 pm $10. El Rio, 3158 Mission, SF. www.elriosf.com

AUTOLUX

The L.A. combo veers toward the dark, detuned, and deliciously distorted, judging from the music released from its long-awaited, forthcoming second disc, Transit Transit. With Odawas and Mini Mansions. Sat/25, 9 p.m., $18. Great American Music Hall, 859 O’Farrell, SF. www.gamh.com

THE GROUCH AND ELIGH

Is three the magic number for the West Coast indie MCs? Check for lofty concepts on the new Say G&E (Legendary). With Exile and DJ Day and Afro Classics. Sat/25, 9 p.m., $18. Slim’s, 333 11th St., SF. www.slims-sf.com. Also Mon/27, 6 p.m., free. Amoeba, 1855 Haight, SF. www.amoeba.com

Grass Widow

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PREVIEW Grass Widow’s harmonious post-punk tension is fostered below SF street level, in a former meat locker containing, among other things, a very charming quilt with the band’s name patched into it. In anticipation of an impending record release, I met there with bass player Hannah Lew and drummer Lillian Maring (guitarist and trumpet player Raven Mahon was overseas), who, although living far apart — Maring is on the East Coast at present — were clearly very happy to be together.

"It’s not like there are any dispensable characters," explains Lew. After the dissolution of Shitstorm, Lew’s former band with Mahon, the two started playing together in 2007 with Maring, who was in the city for the summer from Washington state. Though Maring went back up north for a bit, she says she quickly returned and the trio "got really serious" — serious enough to tour the U.S. the following summer after cranking out a wonderful demo CD-R/ cassette that makes up most of their upcoming self-titled 12-inch on the local Make a Mess label.

Grass Widow artfully molds anxiety, love, and sturdy musicianship into a mesmerizing shape — a sound in which haunted beauty is tempered alternately by pain and, as Lew puts it, "the cathartic experience of playing the song itself." The group’s three-part harmonies are intricate, with an incidental, spoken quality. Imagine a darker shade of the Raincoats, with minimal, vocal harmony-centric arrangements — really terrific stuff.

A seven-inch EP is projected for summer release through Cape Shok, and Grass Widow has been making short films, some of which will be screened at the record release show. "So much of it is about survival and friendship that we’re not gonna quit," Maring said. "It’s a reason to live."

GRASS WIDOW With Ty Segall. Thurs/23, 8 p.m., $5. Artists’ Television Access, 992 Valencia, SF. (415) 864-3890. www.atasite.org>.

Metal militia

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Guitar Hero: Metallica

(Neversoft, Xbox 360, PS3; Budcat Creations, Wii, PS2)

GAMER Metallica were recently inducted into the Rock and Roll Hall of Fame, which they surely had in mind while writing their 1983 debut album Kill ‘Em All (Megaforce). Back in the spotlight and riding high on the release of 2008’s Death Magnetic (Warner Bros), which many have optimistically heralded as a return to form, the Bay Area’s most famous thrash band returned to store shelves this spring with Guitar Hero: Metallica. The latest in a burgeoning string of rock ‘n’ roll rhythm titles, the game is the second to focus on an individual artist, following on the heels of Guitar Hero: Aerosmith but predating the upcoming Beatles collaboration with Guitar Hero competitors Rock Band.

The game’s catalog spans 49 songs, incorporating 28 Metallica master recordings from all phases of their career, in addition to 21 hand-picked songs by band-approved rockers like King Diamond and Kyuss. Its now-familiar format enables four people to get together on drums, bass, guitar, and vocals, following candy-colored prompts onscreen to crank out high-voltage facsimiles of classics like "Hit the Lights" and "Master of Puppets."

The band appears in the game as motion-captured metal titans, and Neversoft’s animators render them right down to the mole on Kirk Hammett’s face. Songs are performed in the venues of Metallica lore, including their legendary 1991 concert at Moscow’s Tushino Airfield, where a free show drew a million-odd frenzied Muscovite headbangers. A profusion of pyro onscreen does make you worry a little bit for the health of pixelated James Hetfield.

The intricate, speedy compositions are not for the faint of heart. And while beginners are afforded introductory difficulties to hone their skills, Guitar Hero vets will be surprised by the challenges they face, including double kick pedal support for the drumset. Stumbling blocks aside, Metallica’s music is rife with satisfying riffs, and recreating Lars Ulrich’s heavy-handed drum fills or the bands rapid-fire thrash is laden with lots of ineffable plastic-instrument delight.

If you like metal, and Guitar Hero, the game is a must buy. If you’re into the former, but not the latter, you might be surprised at the way the deceptively simple transcription enables a deeper enjoyment of the music. Conversely, if your fingers are already toughened by those five magical buttons but you don’t care for Metallica, you might just change your tune once you’ve nailed the guitar solo in "Orion." If you don’t like either, why didn’t you just skip to the next page?

Shades of green

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sarah@sfbg.com

When President Barack Obama signed the American Reinvestment and Recovery Act in mid-February, folks across the country were hopeful that the $787 billion stimulus package would help preserve and create decent jobs in their communities.

And in mid-March, when the Obama administration announced that Bay Area social justice activist Van Jones was joining the White House Council on Environmental Quality, advocates for green jobs took it as a sign that Obama shares Jones’ belief that we can fix our nation’s two biggest problems — excessive greenhouse gas production and not enough good jobs for the working class — by creating a green-collar economy.

Jones cofounded Oakland’s Ella Baker Center for Human Rights, which opposes police abuse and promotes alternatives to incarceration, and founded Oakland’s Green for All, which aims to create green-collar jobs in low-income communities. He defines a green-collar job as "a family-supporting, career-track job that directly contributes to preserving or enhancing environmental quality."

"Think of them as the 2.0 version of old-fashioned blue-collar jobs, upgraded to respect the Earth and meet the environmental challenges of today," Jones wrote in his New York Times bestseller The Green Collar Economy: How One Solution Can Fix Our Two Biggest Problems (HarperOne, 2008).

But is Jones’ definition codified into Obama’s Recovery Act? And in San Francisco, where Mayor Gavin Newsom speaks incessantly about green jobs and regularly praises Jones, will the jobs we create be for the people who need them most? And how will that play out in a city where blacks, Latinos and Asians experience higher unemployment, poverty, and incarceration rates than whites, and building construction has stalled, pitting skilled union workers against training program graduates?

Last month, an alliance of community and worker organizations from San Francisco’s working class neighborhoods sent a letter to Newsom outlining concerns about the Recovery Act’s equity, job quality, and transparency requirements.

Antonio Diaz of PODER (People Organizing to Demand Environmental and Economic Rights), Alex Tom of the Chinese Progressive Association, Steve Williams of POWER (People Organized to Win Employment Rights), and Terry Valen of the Filipino Community Center asked Newsom to ensure that ARRA funds would be used to create "green jobs and opportunities primarily for low-income people and people of color" and "high quality jobs with family-supporting wages and benefits, safe and healthy working conditions, and career ladders."

"We ask for your commitment to greater transparency and community input in shaping and monitoring the infusion of ARRA funds for San Francisco’s developing green collar economy," they wrote.

Two weeks later Newsom announced the launching of www.recoverysf.org, a Web site that seeks to track stimpack funds coming to San Francisco. Although the Web site shows that $150 million of the first quarter-billion of formula funding is headed toward infrastructure projects, it does not include estimates of the numbers of green jobs created.

Wade Crowfoot of the Mayor’s Office told the Guardian that the city is focused on ensuring that green jobs are created with these funds and that the City Attorney’s Office is figuring out what is "allowable" under Recovery Act’s guidelines.

On April 3, the U.S. Office of Management and Budget issued a 172-page memo outlining the Recovery Act’s policy goals. The goals included ensuring compliance with equal opportunity laws and principles, promoting local hiring, providing maximum practicable opportunities for small business and equal opportunities for disadvantaged business, encouraging sound labor practices, and engaging with community-based organizations.

"But will all cities include achievable, measurable requirements?" Crowfoot said. "I don’t think so, without federal guidelines."

This lack of specifics, Crowfoot says, has the City Attorney figuring out if San Francisco can include "first source" hiring requirements, in which hiring halls agree to interview graduates from local training programs first. If so, Crowfoot says, the city will seek to leverage existing funding for energy efficiency programs and conduct hire-locally campaigns in low-income communities.

But as Crowfoot notes, although we know that $1.5 million in ARRA funding is coming to San Francisco for weatherizing homes — helping to decrease the energy costs of low-income residents, reduce the city’s energy demands, and increase the number of people hired from the local community to do energy audits and retrofits — we still don’t know how many jobs will be created per project, which is the basic goal of economic stimulation.

"If we spend the dollars, say, on boiler replacement, that’s more equipment and less labor," Crowfoot said. "But the more you hire locally, the more those folks get experience, the more they’ll be well positioned to get jobs in the non-subsidized sector once the stimulus funds are gone."

Acknowledging the tension between laid-off union workers and graduates of apprentice training programs, Crowfoot said, "We are trying to figure out a balance, whereby the community is not shut out, but the unions’ needs are addressed. We want to be careful about how many jobs we say are going to be created. We don’t want to build hope in populations who already have a lot of mistrust in the government."

Michael Theriault, secretary and treasurer of the San Francisco Building and Construction Trades Council, told us that 25 percent of the region’s 16,000 building trades workers are out of work, compared to nearly full employment last year.

In the past, the Northern California Carpenters Regional Council provided CityBuild with instructors and took the lion’s share of the program graduates, Theriault explains. But under present conditions, the Council isn’t keen on another CityBuild cycle.

"I think they should work to sponsor another cycle, but the ball is also in the city’s court," Theriault said, noting that the ARRA-funded weatherization program could soon be offering prevailing union wages ($20 an hour for roofers, $40 to $50 for plumbers and electricians) that could help ease the tension. And then there’s the inconvenient truth that some union members view non-unionized solar panel installers as "scabs," creating another barrier to using green jobs to lift the underemployed.

Mayor Newsom has until June to secure and implement stimpack funding as part of upcoming local budget proposals, a timetable that has Green for All issuing a call for action to ensure that Recovery Act implementation creates green-collar jobs, ensures transparency and accountability, and supports pathways out of poverty.

"This may be the most important opportunity you’ll ever have to bring green-collar jobs to your community," Green For All wrote in a public statement. "But the planning process will be over in the blink of an eye, and your community could miss out. That’s why we’re calling on you to take action now."

Green for All field organizer Julian Mocine-McQueen is scheduled to sit down with Crowfoot this week in an effort to get Newsom to sign his group’s pledge. He said there’s been an expansion of the city’s lighting and refrigeration cooling retrofitting program, starting with small business owners who speak English as a second language. "It’s good," McQueen said. "But it’s not enough."

He believes green job success will depend, in part, on including hiring parameters. "A job in the city’s southeast sector may not pay $70,000 a year, but it would be a huge step toward creating a family-sustaining job," McQueen said, noting that the Obama administration has "to a certain extent" adopted Jones’ definition of green-collar jobs. "I’m not sure that they have codified it," McQueen said. "They have recommendations."

Asked to define green jobs during a recent media roundtable on projected budget deficits, Newsom talked about weatherization and sustainability and plans to expand the city’s training academies before handing the floor to the Office of Economic and Workforce Development’s Kyri McClellan, whom he described as his "green czarina."

McClellan, who describes herself as "the lead cat-herder" of Recovery Act funds, told reporters that San Francisco is expected to receive a quarter of a billion dollars in formula funds in the coming fiscal year, 95 percent of which have been allocated to "shovel-ready" projects that were already queued up under the city’s 10-year capital plan.

During a subsequent board committee hearing, McClellan shared job estimates — 30 jobs from the $11 million Department of Public Works street paving allocation and 250 jobs from the $18 million Housing Authority retrofitting allocation — that raised eyebrows.

McClellan said that OEWD is "moving as quickly as possible to take the dollars we’ve been allocated, get approval from the Board of Supervisors, and get programs up and running."

Observing that the city also has parallel funding for training programs such as CityBuild and a Green Academy, McClellan added that "no one is working harder than Rhonda Simmons." Reached by phone, OEWD’s Simmons said she has been working with San Francisco State University professor Raquel Pinderhughes to identify five job sectors that have "the capacity to grow the greatest number of green jobs."

These include solar installation, energy efficiency, landscaping/public greening, recycling, and green building. "In an economy like this, you have to be competitive," Simmons said. "And almost all the programs that come out of my shop are geared toward low-income to moderate-income folks."

Observing that OEWD is using a $238,000 federal earmark to seed a Green Academy and that will expand the GoSolarSF workforce incentive, compete for a $500,000 EPA brownfield cleanup training grant, and coordinate with the San Francisco Public Utilities Commission to develop "workforce incentive language" for biodiesel reuse program and energy efficiency projects, Simmons notes that it was the unions that helped create CityBuild in the first place, and the city is working to ease current concerns.

"It is our intent as OEWD designs the academy that any training programs must demonstrate that they train individuals for occupations with opportunity for upward mobility," Simmons said, after emerging from a meeting cochaired by Crowfoot and Pinderhughes to help community-based organizations understand green jobs and figure out how to link with the Green Jobs Corps that Pinderhughes set up in Oakland.

Eric Smith runs the Bayview-based Green Depot, a nonprofit that promotes biodiesel use in neighborhoods facing environmental justice issues and ran a $9,000-per intern pilot program with Global Exchange. He worries that administrative costs will chew up much of the stimulus money, citing SFPUC figures that the cost ratio for trainers to interns is about 3:1.

"There is a lot of concern in the Bayview that the money will end up going to consultants and administrators when we have people who are hungry and desperate to work," Smith said.

After two green jobs hearings, Sup. Eric Mar says that he and Sups. Sophie Maxwell and David Chiu have concluded "that unless the board takes action and gives clear guidelines and expectations, green collar job creation will be miniscule."
Noting that Oakland’s Green Job Corps and Richmond’s solar program seem years ahead of San Francisco’s efforts, Mar said his next step will be to talk with labor, environmental groups, businesses, and nonprofits to get a sense of an appropriate structure to prioritize the low-income communities as the main beneficiaries of green-collar job creation. "It’s pretty clear that the [Newsom] administration’s commitment to the numbers of jobs created is pretty small," Mar said. "The community is going to have to push for more."

Wiggletronics

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superego@sfbg.com

SUPER EGO “Many people confuse us with Spain,” MC Kalaf of worldwide dance sensations Buraka Som Sistema says — a back-end hint of fado-like melancholy mixing into his unfailingly chipper voice — when we talk over the phone about how the fab foursome has finally put their homeland, Portugal, on the club-must map. Buraka, two of whose members hail originally from Angola and two from that sunny strip along the Atlantic, represents a double bubbling up of the repressed: the crew has exploded onto the nightlife radar by melding the underground sounds of Luanda’s bumping kuduro dance movement with Lisbon’s buzzy, overlooked electronic music scene.

Last year Buraka’s sophomore release Black Diamond (Enchufada/Sony BMG) quickly shot up the hit lists of beats connoisseurs by jumping the current trend of streaming developing-world rhythms through the latest sonic technology. “We took the sound of the Lisbon suburbs where many Angolan immigrants live — our suburbs are not like your ‘Desperate Housewife’ suburbs — and used our years of dance music on it, and the crowds loved it,” says Kalaf.

Kuduro is often translated as “stiff bottom,” heh, or “hard ass,” referencing the form of lowdown, hips-wiggling motion that sometimes accompanies the deliciously uptempo sound, a hybrid of sensuous zouk, raucous soca, and free-flow hip-hop that shares an affinity for analog atmospherics with early dub. (Or rather, that dance is mostly reserved for women — men tend to go pop and lock crazy, as you can see in the video below.) Along with Kalaf, Buraka members Li’l John, DJ Riot, and Conductor apply their extensive hip-hop, house, and breakbeat production experience to blow the lid off kuduro’s possibilities. 

The superkinetic results reference everything from Ed Banger hardcore and hyperdub freakouts to Orb-esque kaleidoscopics and the late ’80s Sheffield bleep scene. Scoring MIA to guest on “Sound of Kuduro” helped kick that track up the club charts, and basing the excellent “Kalemba (Wegue-Wegue)” on a misheard lyric from the classic Afro Acid house remix of More Kante’s “Yeke Yeke” gave fanboys a theoretical boner. Live, Buraka’s a tornado, with toasting MCs, fierce singers, and, as Kalaf points out, “anything that makes you scream.” Last time the crew was here, a topless female fan stormed the stage. Kalaf half-joked that an upcoming tour of Japan is brief because “if they throw us out of the country, at least we won’t lose a lot of money.”

Some things get lost in the laptop filtration, however. Kuduro isn’t just a groove; like rap, it’s built on extended narratives of hood life. Buraka jettisons those for catchy calls to the dance floor and global unity “I’m from Angola,” Kalaf admitted, “and even I can’t follow most of what they say.” And, for all the talk on its records of the primacy of Africa, the group has yet to tour the continent. “We’re going in 2010,” Kalaf said, “and to be honest, I’m a little afraid. It may be mental.” But Buraka has helped bring the Angolan guests on its tracks an international audience, while waking up the Western world to yet another vital cultural expression on its edges. Let’s get suburban, y’all.

BURAKA SOM SISTEMA

Tue/21, 8 p.m., $14. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com For more on Buraka’s kuduro connections, click here.

No balance in two-year budget

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OPINION There’s no more important decision made by the Board of Supervisors than that of the city’s annual budget. Every year the board sets the city’s priorities by appropriating more than $6 billion. In good economic times, the board uses the budget process to set new policy directions for San Francisco. In bad times, the annual budget is the board’s only real chance to save vital services by making targeted appropriations while strategically reducing other parts of the budget.

That’s why a charter amendment to have only biannual budgeting is a bad idea.

The fact that a two-year budget is being pushed by the Newsom administration and the San Francisco Chamber of Commerce should give progressives pause. Unfortunately, downtown forces have successfully used the worst budget year ever to woo some progressive budget stakeholders.

Their argument sounds good on its face. A multiyear budget would help smooth out the highs and lows, requiring City Hall to deal with pending fiscal emergencies sooner. It would also mean every other year off from having to spend all that energy turning people out to endless budget meetings and lobbying to save the programs we care about.

But the way a two-year budget would actually play out would mean that progressive budget stakeholders would have only half the opportunities for budget input through the generally more responsive Board of Supervisors. Meanwhile, the Mayor’s Office would be able to centralize more power without having to get annual approvals from the board. In other words, a two-year budget would make the Office of Mayor even more insulated from the public and members of the board on the decisions that affect us the most.

Additionally, two-year budgets would be unwieldy and inaccurate. Over the past nine years of out-year projections by the Controller’s Office, the average difference between the projected and actual surplus or deficit was nearly $250 million. For example, last year the controller estimated our 2009-10 budget deficit would be about $46 million. This year it’s pegged at $438 million. Of course, as our real revenue data comes in, this number will surely change again. Unfortunately, we won’t know how much revenue we received for this upcoming budget year until we are a month or two into the following fiscal year.

There are serious flaws with our annual budget process. In difficult years, the mayor has too much unchecked power to make mid-year budget changes. Earlier this year, Mayor Gavin Newsom enacted a $118 million budget package that included tens of millions in health and human service cuts and more than 400 layoffs without approval of the Board of Supervisors. Meanwhile, when a majority of board members voted to cut pork from the mayor’s budget, he was able to avert that cut with his veto pen.

Leaving the decision about millions of dollars’ worth of service cuts in the middle of the year turns the democratic budget process — with checks and balances between the mayor and board — on its head. Correcting this problem with the current budget process would surely be a worthwhile effort.

Meanwhile, we must stay focused on this year’s budget process to preserve as many of the vital services as we can. *

Sup. Chris Daly represents District 6. Ed Kinchley is a labor activist.

 

Crossroads: Take a shot

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By Juliette Tang


Crossroads Trading Company, the Berkeley-based clothing retailer that deals in used and recycled threads, wants you to submit your fashion photos for a $1,000 prize, plus the inclusion of your photo in an upcoming Crossroads ad campaign. The details: you style your own fashion shoot, snap some pictures, and upload them to the Crossroads website before May 31. Once your snaps are uploaded, judges from Crossroads will pick their favorites on the basis of originality, creativity, composition, and overall quality. “We can’t wait to see this year’s entries,” said Jerry Block, founder of Crossroads Trading Company, “We receive hundreds each year, with some from as far away as Germany and Sweden. The winning photos clearly express our customer and our customer’s love of all things fashion.” So, photogs, what are you waiting for? Hurry up and start snapping away! People have already started submitting. Look at what Crossroads

Peepshow: Missed Connection, found somehow

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Each week Justin Juul highlights a rad upcoming local sexy event

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Who: Hardcore Christians and other ridiculous assholes probably won’t agree with me here, but the truth about human desire is that it knows no bounds and is utterly insatiable. What this means is that you can be totally happy and living a life of ease with your soul mate, but that you’re never going to stop wondering what it’d be like to jump in a closet with that hot guy/girl who makes your stupid latte every morning. And then there’s all those chicks and dudes at the park and in the check-out line at Safeway, just standing around in cutoff shorts daring you to risk your life for a one night stand. Torture! In a perfect world, you could fall in love and go on romantic vacations with every doable person you see. But it’s not a perfect world (no cake if you plan on eating, remember?) and so if you want to keep things cool with your long-term lover, those evil sirens just have to be ignored. Or do they? If you live in San Francisco and happen to have a computer, you’ve probably heard of the missed connections section on Craigslist. It’s basically a message board for people who locked eyes with someone recently, decided to stay away for whatever reason, and then thought better of that decision afterward. Now they want to either see that person again or publicly-yet-anonymously fantasize about reconnecting. Girls getting off busses, dudes with perfect hair on connecter flights, baristas, waiters, and rugged gas-station attendants are what the missed connections section is all about. You can pine for them on Craigslist all you want, but if you’re feeling really adventurous, you’ll show up at this art show for another small nibble of forbidden fruit.

Victory lap

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a&eletters@sfbg.com

When Special One of the Conscious Daughters raps, "And I know all my folks been patient for this shit" on the Oakland female duo’s new track "A Moment In Rhyme," she ain’t kidding. It’s been 13 long years since she and partner-in-rhyme CMG released their last album, 1996’s Gamers (Priority). So long gone were the previously high profile pair that in 2007 Nas invited the Daughters, along with other forgotten Left Coast vets such as Kam, King Tee, and Threat, to appear on his homage track "Where Are They Now (West Coast Remix)."

The Nutcracker Suite, released in February on longtime associate Paris’ Guerrilla Funk label, is Conscious Daughters’ third album in 16 years. It’s a refreshing return to form for the female duo, who burst onto the national rap scene with 1993’s Ear To The Street (Priority), led by the Paris-produced, funk-fueled riding anthem "Somethin’ to Ride To (Fonky Expedition)." Striking a perfect balance between political hip-hop and street mobbin’ music, Special One and CMG have always won over discriminating rap fans.

"You can call it what you want — we just back," laughs an unfazed Special One, when asked if the new album and upcoming performances should be called a comeback. "It’s a comeback to everybody else, but we never went anywhere," adds CMG. "We been recording and making music the whole time."

The Conscious Daughters pick up right where they left off with The Nutcracker Suite, which includes production by Paris, Rick Ross, One Drop Scott, Fred White, and newcomer Steven King. The album opens with the head-nodding hard funk of "Not Bad But Good," an updated riding track about "the Town" (Oakland). But a few tracks later it veers into thought-provoking territory, with songs that tackle topics head-on from a female perspective. Domestic abuse and California’s spiraling incarceration rates are on the lyrical agenda. "And Arnold keeps building these correctional facilities for youth, women, and crooks and thieves with disabilities," Special One raps in the song "Issues."

Having spent a short stint behind bars herself ("for pot") Special One speaks from first-hand experience. "There’s women, their grandmothers, their aunties, mothers, nieces, and sisters in the penitentiary, just like there are men in the male penitentiary," she says.

One of the new album’s more poignant songs is "Dirty Little Secret," in which the duo urge domestic violence victims to "Get the hell up out that situation before you get killed."

"We have friends who have gone through this for many years, best friends who won’t even tell you [about their abuse]," CMG says when discussing the emotionally-charged song, told in the first-person voice of an angry victim who fights back. "Even though our song is pretty deep about getting this guy back, we are saying what a lot of women want to actually do, and helping them get their frustrations out by listening to our song."

In practice, as well as in their lyrics, Conscious Daughters demonstrate solidarity for their sisters: Nutcracker Suite features cameos from several Bay Area female hip-hop talents, including Mystic, Marvaless, and Goldee the Murderist, whose death last summer from a blood disease was sudden and tragic. Special One says that it’s important for females in hip-hop to look out for one another, since they already have the chips stacked against them. "It’s always harder for women," she notes, "Most female rappers have to balance a career and their family."

Another longtime fellow East Bay female hip-hop talent, DJ Pam the Funkstress of the Coup, is joining Conscious Daughters when they embark on a national tour later this year. (Official details — likely involving Paris, Talib Kweli, Pete Rock, and others — will be announced at guerrillafunk.com).

After so many years away, CMG and Special One heartily embrace the work ahead. "We love challenges, and we’re going to have to get out there and do everything all over again now," says CMG.

"It’s a blessing, and we’re confident in our talents," adds Special One.

www.myspace.com/consciousdaughters

www.guerrillafunk.com

An L-Shaped Recovery

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Economic advisers are predicting an L-shaped recovery for San Francisco, and it’s going to involve 25 percent cuts to some city departments, on top of the 730 layoff notices that were sent out between July 2008 and May ’09.

“Staggering” is how Mayor Gavin Newsom described the $746 million deficit that the Mayor’s Office, the Controller and the Budget Analyst are projecting for FY 2011-12.

That number is in a ‘three-year budget projection” report that the Board’s budget committee hears tomorrow.

Controller Ben Rosenfield noted that the report “makes no assumptions about how budgets are going to be solved.”

But, of course, as Newsom pointed out, action will be taken, not just to address FY 2011-12’s $746 million projected deficit, but the $615 million deficit projected for FY 2010-11, and the $438 million deficit projected for FY 2009-10.

And those actions will be the subject of intense debate about priorities and solutions in the weeks to come.

Newsom’s proposed solutions for the upcoming fiscal year, include 12.5 percent budget cuts, plus 12.5 percent contingencies cuts, in some departments.

“I will not be accepting 25 percent cuts from some departments, but from others I will,” Newsom said. “I don’t believe in across-the-board cuts.”

Asked which departments he would accept 25 percent cuts from, Newsom told reporters, “You’ll find out when you read my budget.”

Fiona Ma joins the Pentagon

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By Tim Redmond

Nice piece by Marc Norton on BeyondChron about the upcoming pro-JROTC rally in Sacramento. He points out that Assemblymember Fiona Ma of San Francisco is joining with some serious right-wing types to force the military-recruitment program back into the San Francisco public schools.

If you want to let Ma know how screwed up this is, you can call her at (415) 557-2312 or email Assemblymember.ma@asm.ca.gov.

Oh, the Comedy (Central)

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By Natalie Gregory

(Editor’s note: intrepid film intern Gregory reviews a pair of upcoming Comedy Central shows.)

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Lt. Dangle protects and serves.

Reno 911!, how come you’re so good? The upcoming sixth season looks pretty spectacular. When Jonah Hill is the guess star of the premiere episode, I think it’s an omen for good things to come. There are some new members of the troop, including Deputy Frank Rizzo (Jo Lo Truglio, who you might remember from Superbad) who has a stocked resume, but no recommendations. A stakeout explains why (think drug busts and prostitutes). New officer Sergeant Jack Declan (Ian Roberts) has a hilarious scene coding out a street kids’ lingo for the happenings on the street. Nick Swardson fans, prepare to laugh out loud in that scene. And of course there’s always Lieutenant Dangle (Thomas Lennon) who utters “Goddamnit!” better than anyone in the world. Side note: it’s always nice to see veterans of The State doing well, even if I still miss “I’m Doug. And I’m outta heeeeeerrre”. When’s The State DVD release gonna happen, already?

GAYVNs: the long, hard rundown of events

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By Marke B.

The GayVN Awards: You’ve felt the gay dude excitement, you’ve felt the straight dude excitement. Now, feel the excitement for yourself at the upcoming onslaught of gay porn-related events, as we explode through the wormhole of this weekend’s fabulous — and flab-u-less — events. OMG — meet the stars! Share the love! Be a part of history!

Hey, don’t shoot me — I’m just the 12-inch pianist.

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Will the violent, controversial To the Last Man from Raging Stallion take home the GayVN for Best Picture? Will you take home its stars? Maybe

————–

Friday, March 27th

6PM

Falcon Studios’ GayVN Weekend Kick-off Party
Hosted By Juanita MORE!
Q Bar
456 Castro

Roll In Style
A Safer Sex Fashion Show
With NakedSwordsman 2009 Steve Cruz
Sui Generis
218 Church

To The Last Man Signing
Does Your Mother Know?
4141 18th St.

7PM

Raging Stallion Studios Party
The Edge
4149 18th St.

Bel Ami Studios Party
440 Castro
440 Castro

Barrett Long’s Cockstar
Moby Dick
4049 18th St.

Jet Set Men Studios Party
The Mix
4086 18th St.

Dirty Boy Video Studios Party
Twin Peaks
401 Castro

GayRealityPorn and PornTeam
The Midnight Sun
4067 18th St.

Peepshow: Gay porn for spring

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Each week Justin Juul highlights a rad upcoming local sexy event

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Who Have you ever seen that movie where the guy pulls out his dick and rubs it on some other guy’s face and then another guy comes in and he’s like “Hey there buddies, can I get me summa dat?!” Or no, wait! How about the one where the guy is sitting in the sauna at 24 Hour fitness just minding his own business, reading the paper, and then another guy comes up and he’s like “Fancy a blowjob, sir?” Those movies were great! Someone should set up an awards show for all the people involved in making them, don’t you think? They could charge tons of money for admission, throw tailgate parties in The Castro, and invite that dude from Ugly Betty to perform stand up comedy. Maybe Margaret Cho could come too. Just a thought.