Theater

Rep Clock

David Talbot
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Schedules are for Wed/30–Tues/6 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

BRIDGE 3010 Geary, SF; www.peacheschrist.com. $13. "Midnight Mass:" Purple Rain (Magnoli, 1984), Fri-Sat, midnight.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. •Singin’ in the Rain (Donen and Kelly, 1952), Wed, 3:05, 7, and It’s A Great Feeling (Butler, 1949), Wed, 5:10, 9:05. •In a Lonely Place (Ray, 1950), Thurs, 2:35, 7, and The Player (Altman, 1992), Thurs, 4:30, 8:55. •What’s the Matter With Helen? (Harrington, 1971), Fri, 2:30, 7, and What Ever Happened to Baby Jane? (Aldrich, 1962), Fri, 4:20, 9:05. •The Star (Heisler, 1952), Sat, 1. 5:05, 9:10, and Sunset Blvd. (Wilder, 1950), Sat, 2:55, 7. A Star is Born (Cukor, 1954), Sun, noon, 3:30, 7. •The Aviator (Scorsese, 2004), Mon, noon, 6, and Boogie Nights (Anderson, 1997), Mon, 3:05, 9:05. •Gods and Monsters (Condon, 1998), Tues, 2:30, 7, and Ed Wood (Burton, 1997), Tues, 4:30, 9:05.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Micmacs (Jeunet, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times. Have You Heard from Johannesburg? (Field, 2006), Wed-Thurs, call for times. Joan Rivers: A Piece of Work (Stern and Sundberg, 2010), Wed-Thurs, call for times. Every War Has Two Losers (Reiss, 2009), Wed, 7:15. Filmmaker Haydn Reiss in person with Alice Walker and Norman Solomon. The Sun Behind the Clouds (Sonam and Sarin, 2010), July 2-8, call for times.

JACK LONDON SQUARE PAVILION THEATER 98 Broadway, Oakl; www.oakuff.org. Free. "Oakland Underground Film Festival: "Hot Summer and Salon with Tracy Snelling," Fri, 7:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. "Akira Kurosawa Centennial:" The Hidden Fortress (1958), Wed, 7. No programs July 1-6.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Casino Jack and the United States of Money (Gibney, 2010), Wed-Thurs, 7, 9:30 (also Wed, 2). Kick-Ass (Vaughn, 2010), Fri-Sat and Mon, 7, 9:25 (also Sat, 2, 4:30). Closed Sun/4 and Tues/6.
ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. Free-$10.75. Have You Heard from Johannesburg? (Field, 2006), Wed-Thurs, 7. Lovers of Hate (Poyser, 2010), Wed-Thurs, 9:30. La Mission (Bratt, 2009), Wed-Thurs, 7. San Francisco Frozen Film Festival, cutting-edge films from indie artists, Fri-Sat. Full schedule at www.frozenfilmfestival.com.
"TEMESCAL STREET CINEMA" 49th St at Telegraph, Oakl; www.temescalstreetcinema.com. Free. P-Star Rising (Noble), Thurs, 8. With free popcorn and live music.

Stage listings

David Talbot
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Beijing, California Thick House Theater, 1695 18th St; www.asianamericantheater.org. $15-25. Opens Thurs/2, 8pm. Plays Thurs-Sat, 8pm; Sun, 5pm. Through July 17. Asian American Theater Company presents a new play by Paul heller set in the year 2050, when China invades America.

Posibilidad, or Death of the Worker Dolores Park and other sites; 285-1717, www.sfmt.org. Free. Previews Sat/3, 2pm. Opens Sun/4, 2pm. Runs Sat-Sun, Sept 6, 2pm; Sept 17, 8pm. The San Francisco Mime Troupe opens its 51st season with a modern song and tango about politics in the workplace.

BAY AREA

Left of Oz Ashby Stage, 1901 Ashby, Berk; (800) 838-3006, www.brownpapertickets.com. $25-50. Opens Fri/2 8pm. Runs Fri-Sat, 8pm, Sun, 7pm. Through July 18. Stephanie’s Playhouse presents a lez-queer musical comedy following the out west adventures of Dorothy.


ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

*Blackbird: Honoring a Century of Pansy Divas Mama Calizo’s Voice Factory, 1519 Mission; 786-9325, www.evezen.org. Thurs-Sat, 8pm. Through July 10. The intimate Blackbird Funeral Parlour Speakeasy is somber-toned and deceptively hushed, complete with period furnishings, a see-through dressing room, softly flickering altar, and obligatory piano. Only a few moments into Seth Eisen’s exceptional one-man cabaret, however, and the place is alive and kicking: doleful aspects of the décor making ample room for a sly, vigorous, soulful performer and a completely unexpected journey through some vibrant underground queer history (backed by fellow Circo Zero alum Sean Feit’s sharp musical direction and breezy accompaniment, and Alanna Simone’s gently humorous and haunting video pieces). Your guide is 100-year-old Jean Marlin, author of the notorious 1930s Pansy Craze, 75 years dead and looking fabulous in tails, bold green cravat, dapper purple hankie and a topping of regal black plumage (costumer Jack Davis demonstrates a genius throughout for turning a shoestring budget into a G-string–supported extravaganza). A multifaceted performer with quick tongue, nimble steps, and hearty voice (giving life to an assortment of extraordinary songs), Eisen uses drag, dance, puppetry, and performance art techniques to give flight to worthy exotic blackbirds known and forgotten—drag queen Zen priest Tommy Issan Dorsey; sexually ambiguous Danny Kaye; Brazil’s inimitable Ney Matogrosso; the definitely outré Klaus Nomi; and disco treasure Sylvester, whose live rendition of the Beatles’ "Blackbird" at SF’s War Memorial Opera House is one of several standout moments in this rollicking and poignant act of resurrection, insurrection, and homage. (Avila)

Die Walküre War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Wed/30, 7pm. Through Wed/30. San Francisco Opera presents the second installment of Wagner’s Ring cycle, directed by Francesca Zambello.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm. Through July 10. Christopher Durang’s The Actor’s Nightmare could just as easily be called The Accountant’s Nightmare, as befuddled Everyman and presumed non-actor George Spelvin (Eric O’ Kelly) attempts to navigate his way out of a confused rendition of Noel Coward’s "Private Lives" dressed as Prince Hamlet and menaced by a trashcan-bearing Beckett-arian (AJ Davenport). This traditional companion piece to Durang’s Catholic School send-up Sister Mary Ignatius Explains It All for You references a Catholic boyhood several times, but it is the anxiety of the present moment that prevails, as the stage clears, and Spelvin is chased into a corner by an unforgiving spotlight to deliver his frantic last-ditch attempt at a soliloquy: his ABC’s. The titular Sister Mary Ignatius (AJ Davenport), by turns arctic and expansive, attempts to explain all, while periodically trotting out her star pupil Thomas (Cole Cloud) to recite catechism and spell eck-u-men-ickle for cookies. Davenport plays the pedantic side of Sister Mary with humorous vigor, but when a group of her former students drop by "to embarrass her" she doesn’t quite pull off embodying the ogress of their now-adult nightmares. Of her former students, it is probably Aloysius Benheim (Eric O’Kelly) who comes across as the most damaged by her tyranny, and not coincidentally, suffers the piece’s greatest humiliation. (Nicole Gluckstern)

La Fanciulla Del West War Memorial Opera House, 301 Van Ness; www.sfopera.com. $15-360. Fri/2, 8pm. Through Fri/2. San Francisco Opera presents Puccini’s opera, with Deborah Voigt as Minnie.

How the Other Half Loves Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $35, Thurs-Sat, 8pm. Through July 31. Off Broadway West Theatre Company presents an early play by Alan Ayckbourn.

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm. Through Sat/3. Cutting Ball Theater remounts its strong recent production of Samuel Beckett’s hour-long solo play, featuring a full-fledged and satisfying turn by a hearty, slyly comic Paul Gerrior as the titular Krapp, reflecting on the fleeting sense of self recorded on reel-to-reel tapes over the course of a long life. Artistic director Rob Melrose approaches the material with supreme assurance and passionate but never stifling fidelity. David Sinaiko provides the recorded voice of the younger Krapp, expertly balancing a passion and unselfconscious pomposity that has Gerrior’s Krapp alternately bemused, euphoric, and wincing through one of Beckett’s most autobiographical and surprisingly affirming pieces. Melrose’s choice use of scenic elements, meanwhile, including the palpably solid 1950s-era tape machine, places Gerrior (suitably odd and natty in costumer Maggie Whitaker’s dapper vest, high-water trousers and white shoes) in a kind of communion with the reel and the real—an affecting and quietly unsettling relationship, pitched against an infinite blackness all around, that has Krapp at one point resting his head gently on the machine as he and the insubstantial voice of his younger self relive a moment of intimacy with a long-gone lover. (Avila)

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Reading My Dad’s Porn and French Kissing the Dog The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. Thurs-Sat, 8pm. Through July 17. The title of San Francisco writer-performer Cherry Zonkowski’s confessional solo show gives only a little away—a passing detail from the Nordic diversions of a spirited army brat and daughter of an alcoholic father—but the rest of the narrative leaves even less to the imagination. An account of Zonkowski’s initiation into the sex party and BDSM scene, Reading My Dad’s Porn bounces gleefully between comically graphic depictions of sweaty, writhing Bay Area meet-and-greets and a childhood and young adulthood buried in family dysfunction, a loveless marriage, and the grueling teaching load of a recent English PhD. Ultimately, it’s the story of a woman finding her own identity and community, and if the outlines sound familiar they also feel that way. The straightforward plot—peppered with humorous details and asides (as well as the odd song, accompanied by accordionist Salane Schultz, alternating nights with Aaron Seeman)—lacks both urgency and characters of much complexity. The story’s patina of outré sex, meanwhile, is far from revelatory and too superficial and jokey to offer much dramatic heft. Nevertheless, the show, developed with director David Ford, draws a limited appeal from the force of Zonkowski’s extroverted personality, whose orientation sexual and otherwise skews toward fun—although her more aggressive attempts to corral the audience into participating (mainly vocally) in the show’s narrative high jinx may put some off even more than the fisting by the snack table. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through August 28. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

The Drawer Boy Marion E. Greene Black Box Theatre, 531 19th St, Oakl. www.brownpapertickets.com. $10. Thurs-Sat, 8pm; Sun, 2pm. Through Sun/4. TheatreFIRST presents Michael Healey’s comedy about two aging farmers with a family secret.

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat/3, July 24, 31, 8pm; July 18, 25, Aug 1, 7pm; Fri/ 2, July 9, 16, 9pm. Through August 1. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through Sat/3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

Les Liasons Dangereuses Redwood Ampitheatre, 30 Sir Francis Drake, Ross; (415) 251-1027, www.porchlight.net. $15-30. Thurs-Sun, 7:30pm; also July 7, 7:30pm. Through July 10. Porchlight Theatre Company presents a production of Christopher Hampton’s adaptation of the 1782 novel.

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Fri/ 2, 9, 7pm; Sat/3, 5pm; July 11, 2pm. Through July 11. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

Shaker Chair Pear Avenue Theatre, 1220 Pear Avenue, Mtn View; (800) 838-3006, www.brownpapertickets.com. $15-30. Thurs-Sat, 8pm; Sun, 2pm (also July 10, 2pm; no performance Sun/4). Through July 11. Pear Avenue Theatre presents Adam Bock’s play about a middle-aged widow who applies Shaker philosophy to her lifestyle.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through July 18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


PERFORMANCE/DANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. Through July 31. Bay Area Theatresports presents an evening of theater and comedy.

The Bowls Project: Secrets of the Apocalyptic Intimate Yerba Buena Center for the Arts, Sculpture Court, 701 Mission; 978-2787, www.ybca.org. Tues/6, 6-8pm, free. Through August 22. Charming Hostess presents a series of performances in conjunction with an interactive sound sculpture.

Hannibal Buress Rickshaw Stop, 155 Fell; 861-2011, www.rickshawstop.com. Wed/30, 8pm. $12. The Saturday Night Live writer performs along with W. Kamau Bell and Jen Slusser.

Curtain Up! The Life and Times of Ethel Merman Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Wed/30, 7pm. Tom Shaw Trip presents an evening devoted to the famous indomitable diva.

Kinsey Sicks: Each Hit & I Rrazz Room, 222 Mason; (866) 468-3399, www.theRRazzroom.com. Tues/6, 7pm. $35-40. An all new musical revue with parodies of Katy perry and others.

Liz Grant Variety Pack Comedy Show Purple Onion, 140 Columbus; 200-8781, www.brownpapertickets.com. Fri, 4:30pm. Through Sept 3. $10. A changing lineup of stand up comedy.

Qcomedy Showcase Martuni’s, 4 Valencia; 241-0205, www.Qcomedy.com. Mon, 5pm. A weekly show of queer comedy.

The Romane Event Make Out Room, 3225 22nd St; 647-2888, www.pacoromane.com. Wed/30, 7:30pm. $7. A comedy event led by SF comedian Paco Romane.

BAY AREA
Backroom Comedy 5332 College, Oakl; (510) 655-3929, www.candychurilla.com. Wed/30, 8pm. Free, A stand up comedy show hosted by Candy Churilla.

So ya wanna be in pictures? Two calls for onscreen lovemakers

Andrew Lam
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Has your lover ever gazed at you over a post coital puff, coughed, and whispered through a cancer-wracked, husky voice (sorry, those damn cigs have me all riled today) “baby, we should be in pictures,”? Of course, right? Like, this morning, probably! Well, fire up that Gchat and ready your Flip on its charger, because you and and he-she-it have a date with destiny — times two! — this Pride weekend. That’s because Good Vibes is running two calls for submissions of homemade/independent sex films, both due Wed/30.

 

Numero uno: The Independent Erotic Film Festival 

Everyone’s always dreaming of the day when Dr. Carol Queen and Peaches Christ dissect your lovemaking onstage in front of the audience of the Castro Theater! Right? Right? “There’s nothing like discussing film criticism with a bunch of drag queens,” Queen told me in a recent phone interview. Queen, SF’s resident sexpert, one-time Lusty Lady peep show tease, and founder of the Center for Sex and Culture, said the 4th year of the IXFF (which will take place Sept. 23) will be great because “we can see things that aren’t in the genre expectations of porn — it expands peoples’ ideas of what a sex movie is. If people are only looking at porn on cable TV, they’re only seenig a little bit of what sexuality can be.”

And you, gentle reader, can be part of that sexuality expansion! Of course, not everyone’s entry needs to be hard core. Says Dr. Queen, some past films could have made it as a documentary. “Some are different,” she told me. “They’re artier, they’re more personal.” Whatever’s sexy to you, mmkay?

Entries can be up to seven minutes long (keep it short and more of your randy peers can air their nasty bits at the festival). Good Vibes chooses the shorts they air based on how “good” they are, as well as in the spirit of fostering diversity of sexual representation. Oh, and the People’s Choice award winner gets $1,500 — that’ll keep you condoms for days! You can send it in until midnight on Wed/30, which by my count means you have about 5 days and 10 hours to get it up.

 

Numero dos: “The G-Spot Does Exist” challenge

“We decided to make this film after after all the press about the G-spot not really existing,” said Dr. Queen about Good Vibes and Je Joue‘s new project, Gush: The Official Guide to the G-Spot and Female Ejaculation, the third in the Good Releasing “Pleasure Ed” series (for which she writes and hosts). “It was this ridiculous study they did — they weren’t sex researchers! They asked a lot of dumb questions, got dumb answers.”

The companies will be tapping porn performers to act in G-spot stimulating scenes — with real life partners, and favored co stars, as has been the series’ wont in the first “Pleasure Ed” movies, of which the first two installations focused on cunnilingus and fellatio. “We want people to learn seeing genuine sexual energy,” said Queen.

But they’re also seeking a regular gal who just really likes her spongey mass of pleasure.

“We wanted to see who out there wanted to represent her own skills and knowledge,” Queen told me. They’re accepting submissions in the form of videos, or even an essay and photos. Once you have won the G-spot crown, your next task is to find out who you want to share it with; like the pros, you’ll be performing for Gush with a partner of your choice — even if that’s a Je Joue G-Ki.

 

For salacious details on how to submit to the The Independent Erotic Film Festival (entries due Wed/30), go to www.gv-ixff.org

For all the gushing glory of “The G-Spot Does Exist” challenge, send videos to: Good Releasing G-Spot Video, 934 Howard Street, San Francisco, CA 94103. Or or or! Just join the rest of the world by digitizing, and sending a link, photo and/or essay to casting@goodreleasing.com

The San Francisco Bay Guardian Presents: The Best of the Bay Rock Party!

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Celebrating San Francisco values and the local heroes that represent them!

August 5th, 2010
Doors at 9PM – No Cover

Mezzanine
444 Jessie Street, San Francisco

Chuck Prophet – Headliner
Chuck Prophet shapes his restless career with inimitable subtle flair: a vivid parade of razor-edged one-liners camouflaged in a slack-jawed drawl, songs about heartbreak and everyman heroism, drenched in twisted lines of rude Telecaster.

Stephanie Finch and The Company Men
Stephanie Finch has recently released her new cd ‘Cry Tomorrow,’ a casually stunning love letter to classic song. An album whose sound recalls ‘Loaded’ era Velvet Underground tunes alongside The Modern Lovers and Brill Building pop. But ultimately all revolves around Stephanie Finch’s relaxed, cool, confident presence.  Produced by Chuck Prophet and backed by The Company Men: Prophet, Kelley Stoltz, and Rusty Miller. ‘Cry Tomorrow’ is an instant classic.

Stephanie’s already sung her roots out with Chuck Prophet.  And she has whispered softly with Red House Painters, on ‘Songs for a Blue Guitar’ with Mark Kozelek.  She also popped up as a cameo on the odd tribute for Joe South, and on the soundtrack to Sign Of God with Jonathon Richman. (If your cable’s paid up, you may have seen her playing Judy Collins in HBO’s Chicago 7 biopic).


The Bitter Honeys – Opening
The Bitter Honeys will be opening the show; performing their own original songs, inspired by the vocal harmony groups of the early and mid sixties.

MCing – The Freeze
The Freeze is a stage show like no other.  Six performers will take the crowd on a non-stop, hip-hop improv ride, spinning cues from the audience into instantaneous lyrics and fully realized musical numbers. An MC, a vocalist, and a live band make for an evening of live, kick-ass theater.  Founded by Freestyle Love Supreme’s Anthony Veneziale and the talents of Daveed Diggs (The Getback), Andrew Bancroft (aka Jelly Donut of Killing My Lobster), and Olive Mitra on bass, Mike “Agent” Smith on guitar, and Brian Rodvien on drums.  In simple terms, it’s the Wu Tang Clan meets Who’s Line is it Anyway in a live improvised rap concert. 

DJ set by DJ Ome

August marks the release of KFOG‘s Local Scene 7 CD, a collection of songs from talented musicians living and working in the San Francisco Bay Area that need to be heard.  (Best of the Bay Party headliner, Chuck Prophet, has been prominently featured on past discs, contributing tracks to volumes 1 and 2.)  Proceeds from CD sales benefit Music in Schools Today, a local non-profit that supports, develops and promotes music education for youth in schools and in the community.  Buy your CD for just $5 at the Best of the Bay Rock Party!

Photography by Liza Gershman.  Photobooth by Polite in Public.

In 1974 the Guardian blazed a trail by being the first paper to present “best of” awards. Every year since then we’ve given Best of the Bay recognition to the people, places, and things that make the Bay Area great.

Our 2010 Best of the Bay winners will be revealed in the Guardian’s July 28th issue and will include our annual Readers Poll which categories include: Food and Drink, Arts and Nightlife, Shopping, City Living, and a special reader’s own “Best of the Best.”

SCENE: Shannon and the Clams open up

Jesse Hawthorne Ficks
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SCENE: Shannon and the Clams open up

 

A long version of the interview in the current issue of SCENE:

If I’m going to stay up late and go as deep as I can into the night, so far that I’m just about lost and in trouble, I want the sounds of Shannon and the Clams with me. The Oakland group’s album I Wanna Go Home (1-2-3-4-Go! Records) is packed with songs that have been there and will shine a light to lead you back into the day, while letting you have a sip or two and an adventure or three along the way. This is rock ‘n’ roll music, electric-charged by bassist Shannon Shaw’s wild wonder of a voice, guitarist Cody Blanchard’s flair for classic crooning and crying, and drummer Ian Amberson’s fierce reliability. See Shannon and the Clams live. You will believe.

SFBG Shannon, when did you start to sing for fun? What singers did you love as a kid? What kind of stuff forms what you’ve called a “rage cage,” and does singing help you break out of it?
SHANNON SHAW I have been making up songs since I could talk at the ripe age of two. The first song I remember in full came about because I was cast off to spend time in my room for being bad. There, I formed a rage cage (rage cage: an explosion of anger you can’t escape from) and sang a song that lasted the duration of my time out. The lyrics were something like: ‘I’m really a princess, and my mom doesn’t know because she’s evil, and I’m a princess, and my gramma is my real mom who is a queen and she loves me and lives in a castle…my castle, I’m a princess, where’s my castle?” Very sophisticated, eh? I think I was 4ish at the time.
My favorite singers growing up were definitely Roy Orbison, Kermit the Frog, the Mouse Girl from An American Tale, Mrs. Brisby from The Secret of N.I.M.H., Eric Burdon, George Strait, Les Claypool, Ronnie Spector, Shelley Fabares, the Supremes, and Connie Francis. I know it’s a strange combo, but it’s true.

http://www.youtube.com/watch?v=ndApsVCeM54

SFBG Did you all meet at California College of the Arts? What was that experience (meeting and being there) like?
CODY BLANCHARD Yeah, I met Ian and Shannon [during] my second year there. And me and Ian lived in a big house together with 5 people, but we were always really busy with school stuff, so we didn’t even hang out much. We used to have crazy gigantic parties there — that’s where Shannon and the Clams started playing as a band. I wasn’t in the band yet, but I would listen to them practice. 
IAN AMBERSON Cody and I used to live together, but we all joined forces by way of CCA. The music my peers introduced me to had a big impact on my knowledge and taste. CCA is so small that sometimes you form relationships and exchange ideas with people at a higher rate, just by your proximity to others in a context that attempts to promote creativity.

SFBG Cody, you sing an amazing song called “Warlock in the Woods.” Can you tell me a bit about the warlock?
CB The warlock was a child whose mother didn’t want him and ditched him in the forest and tied him up with tree roots. The roots started to grow around him and tell him their secrets and poison his mind. He sort of went into a cocoon of roots, then was released decades later, very mixed-up and manipulated by the dark spirits of the forest. He took a cave as his new home and was convinced that he must capture the hearts of young children and travelers in the woods and put them inside this amulet, which the trees had given him, in order to find his way home and to be free of the forest. In the end, he realizes that all the hundreds of hearts he has taken have done nothing for him and he was still living in a cave, lost in the woods, and that he was tricked by the evil forest into doing their bidding.
I like to write songs about fantastical stuff these days, weird little stories set to song. That’s my favorite kind of song; one that tells a tiny story that you are easily able to follow just by listening.

SFBG What is your favorite item of clothing right now?
CB A rope belt.
SS A ripped-up white Adam Ant V-neck T-shirt that Seth of Hunx and His Punx gave me. While I was on tour with them in France I saw him wearing it one day and said, “I love Adam Ant, I need your shirt.” He took it off of his back and handed it to me. What a good friend! He stood there, nearly naked as a jaybird, to give me the shirt of my dreams. I wear it every Friday night if you ever wanna see it.

SFBG Whose sense of style do you admire?
CB The members of the Lollipop Guild — you know, from The Wizard of Oz. We represent the Lollipop Guild!
SS A really pleasant pie-baking mother of the ’50s, mixed with an ’80s skateboardin’ bad boy.

SFBG What do you like and not like about Oakland?
CB I love that’s it’s not too big or too busy, not overwhelming. All of the neighborhoods are really small and you can find a totally hip fancy neighborhood and then walk a few blocks and be in some scary warehouse district full of abandoned hot dog stands. I like that it’s kind of like San Francisco’s more relaxed little brother. Less freaks here, more quiet — less happening, but still tons of cool stuff. I like a place that doesn’t have too much going on.
I love that there is crazy scary Ghost Town and West Oakland, but then there’s also the Oakland hills with amazing parks like Tilden and Joaquin Miller. I generally wish there were more trees and foliage. I thrive on fauna, and I grew up in a very woodsy suburb. I love the Berkeley Bowl — I guess that’s in Berkeley.
One thing I’m on the fence about is gentrification. On one hand, I don’t like burned-out neighborhoods, but on the other, I hate really expensive stuff and excess and money as an oppressive force. And I know all that stuff is catering to people like me. It makes me feel mixed-up and bad. It sort of destroys the charm of a more naturally evolved neighborhood.
IA Oakland is just a great hub. It sort of feels like being in the middle of a giant cultural sample platter. Having places like Berkeley and San Francisco nearby is nice, while not having to live in those more demanding environments.

SFBG Where do you like to go out at night? 

CB I love movie theaters so much. Usually they’re too expensive, though. My favorite thing is when a theater plays an old movie. I’ve seen Blade Runner, El Topo, The Thing, Jurassic Park, Maximum Overdrive and a bunch of other stuff in the theater. I also love to go to the video store and rent movies. It’s way more fun than Netflix or something, because it’s impulsive and you’re not sure what to get and all these other movies or snacks can catch your eye. Or I love to be around a BBQ or a campfire. My parents have a fire pit. And if there can be fireworks too, then it’s my #1 dream. Or bicycling through the empty night. Or being in a car or a train going across the country, staring out the window.

SS If I had my choice, I would hang out in a wooded area by some railroad tracks with a boombox and a bike.I used to hand out at this old Sunsweet prune factory by train tracks in an old deserted part of downtown Napa. I loved it so much. It was super overgrown with weeds, and surrounded by foliage and abandoned factories. There was a little campfire area nearby and a perfect place to sip on a Friday night sneaky flask. I think I like the feeling of being kind of like a hobo, waiting to hop a train, or camping all hidden in the middle of town. I like having freedom and privacy outside. Part of why Oakland is so rad.

SFBG Shannon, your brothers were at one of your recent shows. What’s it like to have them in the audience?
SS Lucky for me they come to most of my shows. I like them a lot. They are giant and hilarious and love to shake it. They both walk around and seem to have these magic invisible love vests on at all times. It’s really nice to see them dancing around and making people happy.

SFBG Cody, why do think there have been so many great songs about crying?
CB Umm, well crying is something you do instinctively as a baby, and you do it all the time. I guess you laugh and shit and barf a lot too. But maybe when people think of crying it brings them back to that primal state — baby times. It’s a very powerful, uncontrollable emotion. People are drawn to powerful things like that, like when a song has so much power over you it brings you back to a time when you had no control, crying. It is attractive because it is so powerful and so rare. And we try not to cry, so when there’s a song that lets us feel as if we are crying, maybe we love it because we miss that feeling. Or maybe people just want to pretend they are babies. A song about crying might make you feel like a helpless baby, which can be fun. I like to do that. Like Muppet Babies.

SFBG How about death songs, doomed teenage romance or otherwise – do you have any favorites?
SS “Johnny Angel” by Shelley Fabares, “Earth Angel” by the Penguins, “Leader of the Pack” by the Shangri-Las, “Little Town Flirt” by Del Shannon, “I Think We’re Alone Now” by Tommy James and the Shondelles, “Last Kiss” by Ricky Nelson, “Patches” by Dickey Lee. So tragic. Listen to those lyrics — oh my!
CB I love “The Gypsy Cried” by Lou Christie as a doomed romance song. Mostly because the music is soooo great. But also because you don’t really get an answer in that song; the man goes to the gypsy to see what the future holds for his love, and the premonition is so sad and devastating that the gypsy can’t even speak, all she can do is cry.
“Snowman” by Diane Ray is awesome, it’s about building a snowman to replace your former lover. “Don’t Drag No More” by Susan Lynne includes death, and the hook and title are grammatically incorrect — that’s awesome.

SFBG Who are your favorite record producers, past and present?
CB I really love Joe Meek. Ian turned me on to him. Such a weirdo, and his stuff is so experimental for the time [when he was recording]. And he was crazy, which is double interesting, also gay and he couldn’t play any instruments or read notation. So I hear.
Also, Giorgio Moroder is incredible, both his crazy awesome stuff with Donna Summer and his solo stuff. I think he produced the theme for The Neverending Story.
Ennio Morricone is so awesome, such an experimental freak. Big influence. I so dearly love the music from Leon Schlesinger and Harman & Ising cartoons, MGM and Warner Bros. studios. Not sure who was in charge of the music.
Also, those Italian synth weirdos who did soundtracks for all those ’70s Lucio Fulci movies, like Fabio Frizzi and Claudio Simonetti.

SFBG Shannon, what were some of your wildest and favorite experiences on the road in Europe with Hunx and the Punkettes, and what were some of your favorite ones?
SS Probably full-group ghost hunting in underwear in Liege, Belgium, in this abandoned college where we had to sleep. Lots of screaming and giggling and inappropriate flashlight shining.
Also, maybe full-band nude sauna with King Khan and his wife and kids. Those Europeans are quite comfortable with nudity. ‘Twas hard for me, because I’m a former Mormon and a bit of a chunker if you haven’t noticed. In the end, no one gave a shit and it was fun! Glad I did it.
In Paris, we played along a canal that was basically a gypsy camp. Seth wore a banana hammock made of candy that broke at a very inconvenient time. Instead of helping him with his suddenly public family jewels, some demon of entertainment overtook me and made me tear the remaining candies off his bod and throw them to the audience. I think he thought it was funny.

SFBG If you could set up a dream bill packed with bands you’ve never played a show with, who would be on it? What place would be the venue?
SS Gene Pitney, Roy Oribson, Gem, Danzig, Lou Christie and the Tammys, and the Muppet Band.
CB Oh boy, Ennio Morricone, the Lollipop Guild, the Ramones, Devo, King Tuff, Best Coast, Mark Sultan, the Ooga Boogas, Pissed Jeans, the Seven Dwarves (from the Disney cartoon), Roger Miller, King Louie (from The Jungle Book), Motorhead, Jonathan Richman, the Monks and the Frogs.

SFBG Rollercoasters or haunted houses?

SS Haunted houses. Not the fake kind at fairs and stuff. Real ones.
IA Haunted houses. Our favorite is in the Enchanted Forest theme park in Salem, Oregon. It has lots of creepy automatons and surprisingly scary uses of compressed air to scar the crap out of ya.
CB Gosh, tough call. Haunted houses. They have more character and their creation and construction is a more nuanced art form I think. They’re longer and more entertaining and weird and freaky. Although I do love rollercoaster art more than almost anything. The glitter and lightbulbs and bold stripes and stuff. So wonderful, so American.

SFBG Hot dogs or hamburgers?
SS Hamdoggers, I think.
IA The process leading up to both is disgusting, but I really prefer a well-cooked brat over a patty of beef. Hot dogs are so much more mysterious, and have a pleasant snap to them.
CB Hamburger, no contest. Hamburgers are bigger and more filling and it’s easier to fit more cool toppings on them, like cheese and mayonnaise and avocado and pickles and onions and stuff. Although Pink’s Hot Dogs in LA makes me think twice about that statement. Also, vegetarian hot dogs taste like a garbage can, and vegetarian burgers come in all types of weird flavors and textures.

SFBG 45 record parties or drive-in double features?
SS Drive-in! I’ve never been to one. Somebody wanna give me a ride?
CB Drive-in for sure. I go to record parties all the time, but I never get to go to the drive-in because they are so rare these days. I love movies so much, and the drive-in is the ultimate movie experience. You’re outside in the magical summer night and you can do whatever you want in your car. It’s very nostalgic for me. I saw Honey, I Shrunk the Kids at a drive-in when it came out. I don’t think I’ve been to one since.

SFBG Have any of you ever had a curfew, and if so, did you break it? Do you like staying up late at night, and if so, why?
SS Our curfew system at both houses was crappy and confusing. My mom only had one if she was mad or awake, so most of the time me and my brothers would stay under the radar because she went to bed so early.
My little brother Paddy and I would sleep way deep out in our field with our dogs at night when it was hot in the summer. We would wait until we were sure Mom was passed out and then go sneak around in the country with sticks to hit stuff, or dig holes, or whatever hilbilly kids do. And at my dad’s house the curfew was always conveniently right before Are You Afraid of the Dark? came on Nickelodeon or X-Files started. He hates “scary stuff” so much. He didn’t want me and my bros exposed to it because he saw the original Mummy in the ’50s when he was little and is still scarred from it.
CB Yes, I had a curfew, and yes, I broke it constantly. I got grounded once because me and my neighbor friends camped in my backyard with a bunch of TVs and video games and Doritos and 2-liter Cokes and we got bored and snuck out of the yard and ran around the neighborhood, hid from cars, and climbed on the roof of the junior high. When we came back to go to sleep, my parents were waiting and came out with flashlights. A flashlight in your face is so disturbing. We got grounded from each other for a month.
I like the late night and early morning equally. The only thing I don’t like about the late night is that you will probably miss the early morning. Both times are really quiet and there are certain things that are off-limits, like calling people and going to the store. It limits your activity in a fun way. You have to find something weird to do. Someone once told me that there’s a theory that, since more people are asleep at night, there’s less “psychic energy” flying around at night, and so your mind feels different, quieter, more focused. I’m not sure, but I like to believe it.

SFBG It’s perfect that you’ve performed at the Stud. Etta James used to sing there, and  Shannon’s vocal on “Troublemaker” reminds me of her. Do either of you ever feel the presence of ghosts or artists or people you love when writing or performing a song? Who would you most like to join you on stage?
IA I think it would be really awesome to jam with Dick Dale or maybe the piano stylings of Zombies-era Rod Argent.
CB I don’t think think about songwriting enough to feel that. Or maybe I think about it too much. I like to think about Marc Bolan when I sing some new thing to myself. He seemed so enchanted and magical and possessed by some uncontrollable musical spirit. I like to think part of his ghost is inside me, like maybe just the ghost of his hair or something. Or I like to think at least that his ghost likes what I’m singing, and he can hear me through all the noise of the astral plane, because we are alike somehow. I would most like to share a stage with Marc Bolan. We would dress like psychedelic elves and do duets.
SS Roy Orbison is totally my #1, Gene Pitney is my #2, Frankie Valli is my #3, the Beach Boys are my #4, Danzig is my #5.
What would I give to do a show with Roy O.? I don’t think I coild ever have enough gold, doubloons, or talent to sign with him or his ghost. He was so special and unique and genuine. You can feel his troubles and pain like they’re yours when you listen. Earthshattering heartache and longing is his forte.

SFBG What are the Clams up to these days? Are you recording a new album? Can you tell me about some of your new songs?
IA We should be recording our new stuff soon, but soon might mean in several months. We are playing with the Pharmacy and Guantanamo Baywatch at Pissed Off Pete’s on 25th. That will be a show worth going to.
CB We’re getting a bunch of material ready for a new album. We have a 7″ of some really old awesome stuff coming out on Southpaw Records, it’s called “Paddy’s Birthday” and it’s so good.
We’re trying to lay off playing so much, we overwork and distract ourselves doing so many shows, although it seems like Oakland loves it when we play two parties a week. We love them!
We’re spending some money on recording equipment. The new stuff has some Buddy Holly-type poppy sparse hop jump fun songs and some dark scary Disney soundtrack haunted forest type stuff, like “Teddy Bear’s Picnic.” Also a lot of ballads like we’ve always done, but they’re vocally weirder, lots of weird doo-wop yelps, Muppet singing and Morricone primal yowling. We’re trying to finally perfect some powerful Everly Brothers/girl group-style harmonies. And we’re experimenting with some super-evil-sounding ’80s punk thrash stuff. I can’t wait to record ’em!


Put on a happy face

Jesse Hawthorne Ficks
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0
Put on a happy face

arts@sfbg.com

THEATER Twenty-first-century post-9/11 gay America doesn’t get a makeover in Paul Rudnick’s new collection of short plays, it goes out for one. Rudnick (The Most Fabulous Story Ever Told; Valhalla) surveys the state of the gay nation through four small, broadly comical vignettes in three far-flung American locales — all slouching toward Manhattan — and finds it taking itself and everything else far too seriously.

Admittedly, this is an opportune moment for some accounting. The Proposition 8 battle rages its way toward the Supreme Court; the military’s "don’t ask, don’t tell" policy looks set to become a quaint anachronism; and in another cunning argument for atheism, the bishop of Essen, Germany — hip-deep in an ongoing clerical sexual abuse scandal — has just declared that all gays are bound for hell.

Time sashays on. But The New Century, taking its local bow in director George Maguire’s sporadically effective production at New Conservatory Theatre Center, already feels a bit stale, despite dependable one-liners from its witty playwright.

In the first playlet, "Pride and Joy," well-to-do Jewish mother Helene Nadler (Marie O’Donnell, in a smart skirt and blouse and a less well-fitting New York accent) addresses us from the linoleum floor of a school auditorium. Backed by a banner whose utter inclusiveness demands the most estranging acronym, Helene relates her determination to be "the most loving mother of all time" in the face of three children whose homosexual orientations range from the hum-drum to the downright pootré ("In this house we use the toilet," she tells son David, "not a friend from Tribeca!"). The spirit of can-do parenting achieves a kind of crescendo when David (Seth Michael Anderson) briefly appears in full BDSM attire.

"Mr. Charles, Currently of Palm Beach" opens on the eponymous late-night cable-access flaneur (a solid Patrick Michael Dukeman) in an explosion of pastel finery. He’s a former Manhattanite forced into South Florida exile, we are told, for being "too gay." True to form, Mr. Charles flounces about in unabashed embrace of his self-proclaimed title as the last of the true queens. Answering viewer letters, he reads, "Mr. Charles, do you enjoy gay theater?" and responds, with perhaps too much truth, "I am gay theater!" Assistant Shane (Anderson) brings the beefcake to this on-air party, whose point again has to do with the embrace of radical — if heavily stereotyped — difference over conformity to the dreary American norm.

"Crafty," the third playlet, offers yet another angle, this one from a not so with-it but terribly handy mother from Decatur, Ill., (a sharp, genial Deborah Rucker) addressing the Junior Chamber of Commerce with her eye-poking assortment of craft treasures. "Crafts allow me to express myself," she says sweetly, "to create something worth dusting!" As she reminisces about her gay son Hank, a talented Broadway designer long dead of AIDS, we find an expansive note of acceptance peaking out from an unlikely assortment of tea cozies and sock monkeys.

All points and characters converge in the eponymous closer, set in a Manhattan maternity ward. There, Mr. Charles trains his "gay ray" on the next generation, and Shane describes an epiphany at the site of the old WTC brought on by the Century 21 sign beaming in neon above it. To Shane, the discount chain is like Prozac with parking, offering a way out of everyone’s funk. "It’s like if Patti LuPone were a store," he enthuses. That image of a new material neon dawn rising over the emptiness of ground zero is probably about right. But is it really so great or new?

THE NEW CENTURY

New Conservatory Theatre Center

Wed.–Sat., 8 p.m.; Sun., 2 p.m. (through July 11), $22–$40

25 Van Ness, SF

www.nctcsf.org

Your big queer week

Jesse Hawthorne Ficks
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0

ONGOING

Boys in their Bedrooms Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. Mon-Thu 5 p.m.–2 a.m., Sat–Sun 2 p.m.–2 a.m. Through June 30. Photographer Amos Mac of Original Plumbing zine gets up close and personal, chronicling the trans male lifestyle.

Chronotopia SOMArts, 934 Brannan, SF; (415) 552-1770, www.somarts.org. Explore “the past, present, and future of queer histories” with this eye-popping photography exhibit that celebrates the spectrum of queer images.

Faetopia Festival Old Tower Records space at Market and Noe streets, SF; Various times and prices. Through June 26. www.playajoy.org/faetopia. The lovely, radical faeries of Comfort and Joy take over this huge space for a “remix of the past and present for future utopias,” including eco-homo installations, “cuddle cinema” events, and a gossamer wing-load of ideas and performances.

Frameline Film Festival Various locations; see website for dates and times, www.frameline.org. The humongous citywide queer flick fest is still going strong, with dozens of screen gems.

Golden Girls Mama Calizo’s Voice Factory, 1519 Mission, SF; (415) 690-9410, www.voicefactorysf.org. Thu/24 and Fri/25, 7p.m. and 9 p.m.. $20–$25. Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar are joined by Mike Finn and Laurie Busman for live-action versions of two all-new episodes of the beloved TV show.

National Queer Arts Festival Various locations; see website for details, www.queerculturalcenter.org. Experience scandalously good spoken word, cabaret, art installations, and so much more as this powerhouse monthlong celebration of queer revelations continues.

 

WEDNESDAY 23

Allstars 4 The Garage, 975 Howard, SF; (415) 518-1517, www.975howard.com. 8 p.m., $10-$20. An array of one-person shows and monologues that focus on the diversity and struggle of queer daily life.

Booty Call Q Bar, 456 Castro, SF; (415) 626-7220, www.qbarsf.com. 9p.m., $3. Juanita More, Joshua J, and photographers whip up dirty tunes and photobooth eye-candy, with DJ W, Jeremy of House of Stank.

HomoEvolution El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8p.m., free. LGBT hip-hop showcase in full effect, with Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Mary Go Round LookOut, 3600 16th St, SF; (415) 431-3111, www.lookoutsf.com. 10 p.m., $5. House of Glitterati invades the weekly drag show, anchored by Suppositori Spelling, Cookie Dough, and Pollo Del Mar.

OH! Powerhouse, 1347 Folsom, SF; (415) 552-8689, www.powerhouse-sf.com. The Bright Young Gentlemen’s Adventuring Society cordially invites you to get it on. With DJs Taco Tuesday and PDX hottie Stormy.

Pullin’ Pork for Pride Pilsner Inn, 225 Church, SF; (415) 621-7058. 6 p.m.–9 p.m. free. Hot pork in hot buns (free sandwiches from the Funk N Chunk crew, we mean). It’s the Guardian’s annual free-for-all shindig with DJ Stanley Frank of Vienetta Discotheque, games, surprises, more.

Radar: Old School 3 San Francisco Public Library, Koret Auditorium, 100 Larkin, SF; (415) 557-4400, www.radarproductions.org. SF’s top writers reimagine the lives and legacies of queers gone by. With Justin Chin, Len Plass, Cyd Nova, and more.

 

THURSDAY 24

A Spot of Tea African American Arts and Culture Complex, 762 Fulton, SF; www.queerculturalcenter.org. 8 p.m., $12–$20. Original Plumbing brings on an all-transmale cabaret extravaganza with Chris Vargas, Berlin Reed, Ketch Wehr, Glenn Marla, and more.

Bad Reputation Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. The sexy Lex’s infamous Pride kick-off, with DJs Jenna Riot and Dee Dee Crocodile, go-gos, drink specials. Oh, and smokin’ hot grrrls.

Bedtime Stories A Different Light, 498 Castro, SF; (415) 431-0891, www.adlbooks.com. 7:30 p.m., free. Fabio, oh, Fabio? Erotic gay romance author G.A. Hauser steams up the windows of A Different Light.

Carletta Sue Kay, Brent James, Pepperspray The Eagle, 398 12th St., SF. (415) 626-0880, www.sfeagle.com. 10 p.m., $5. Faggotty rock time. A screwed-up Appalachian-ish crooner, a naughty country high-flyer, and four heavy metal drag queens take over the Eagle. What’s not to love?

Gold Queers in the Night 111 Minna, SF; (415) 974-1719, www.111minnagallery.com. 9 p.m., $7. The Stay Gold and Hella Gay crews team up with Blood, Sweat, and Queers for an epic night of youthful, sweaty jams in the indie dance vein.

Gretchen Phillips and Phranc El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $8–$15. Texan Phillips and “all–American, Jewish, lesbian folksinger” Phranc bring the Sapphic sounds.

Marga Gomez is Proud and Bothered New Conservatory Theater, 25 Van Ness, SF; (415) 861-4914, www.nctcsf.org. 8 p.m., $28 advance. Also Sat/26. The hilarious lesbian Latina queen of comedy takes a sharp-shootin’ walk of shame through her not-so-Prideful past.

Nightlife California Academy of Sciences, 55 Music Concourse, SF; (415) 379-5128, www.calacademy.org. 6 p.m.-10 p.m., $8–$10. Get thee to the awesome museum for tunes by Juanita More!, LadyHouse, and Stanley Frank, plus Sex Talk with Jane Tollini, and, of course, live penguins.

Queer Radicals New Valencia Hall, 625 Larkin, SF; (415) 864-1278. 7p.m., free (summer buffet for $7.50). A panel of queer and transgender activists discusses how to build a militant movement for LGBT liberation.

The Sound of Fabulous Mission High School, 3750 18th St., SF: www.sfprideconcert.org. 8 p.m., $15–$40. Also Fri/25. The Lesbian/Gay Chorus of San Francisco celebrates 30 years of, yes, fabulous, joining forces with the Gay Men’s Chorus, and the Freedom Marching Band for some “out loud and proud.”

Sybaritic Cougars with Ecosexual Tendencies Good Vibrations Polk, 1620 Polk, SF; (415) 345-0400, www.goodvibes.com. 6 p.m.–8 p.m., free. Sex-positive activists Annie Sprinkle and partner Beth Stephens host a retrospective of their Love Art Lab series.

The Tubesteak Connection Aunt Charlie’s, 133 Turk, SF; (415) 441-2922, www.auntcharlieslounge.com. 10 p.m., $4. A sticky, finger-lickin’, Hi-NRG hijinks tribute to bathhouse disco and funk rarities, swarthy clones, and outfits Grace Jones would die for. With DJ Bus Station John.

 

FRIDAY 25

Art Attack Pride Supperclub, 657 Harrison, SF; (415) 348-0900, www.supperclub.com. 9 p.m., $20. Video artist III paints the club fuchsia for DJ Lady Kier of Deee-Lite, the return of drag-rock amazers Pepperspray, and LA mesh-wonder Fade-Dra.

Bearracuda Pride DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. 9 p.m.-late. $20. Two floors of beard rubs, belly bumps, fur fun, and hairy hijinks as the city’s wild bear club goes big. DJ Ted Eiel heads up.

Bibi Gay Middle Eastern Mega Pride Party Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 9 p.m., $15. One of the most-anticipated parties of the season, with DJs Nile, Nadar, and Cheon delving into global sounds for a hip-shaking, ululating crowd of all stripes. Hookahs! Hotties! Bellydancers!

Folsom Friday Various SoMa venues, www.folsomfriday.com. 10 p.m.–2 a.m., free. Shuttles run down Folsom Street all night for a sleazy-fun bar crawl in SF’s other mecca for queer venues, including Truck, Chaps, Powerhouse, Blow Buddies, Lone Star, Mr. S, and Off Ramp Leathers.

MR. Mighty, 119 Utah, SF; (415) 626-7001, www.mighty119.com. 8 p.m.–4 a.m. $15. Break out your giant fake mustaches: NYC’s Larry Tee and our own house hero David Harness rock all night at this annual campy hoot. Yes, there’ll be a hot ‘stache (and ‘stache-riding?) contest.

San Francisco Trans March Dolores Park, Dolores and 18th St.; (415) 447-2774, www.transmarch.org. 3 p.m. stage, 7 p.m. march; free. Join the transgender community of San Francisco and beyond for a day of live performances, speeches, and not-so-military marching.

Some Thing Biggest Bestest Gayest Funnest Drag Show Sensation! Ever The Stud, 399 Ninth St., SF; (415) 863-6623, www.studsf.com. 9 p.m.–4 a.m., $10. Er, the name kind of says it all? The packed weekly club goes nuclear. VivvyAnne ForeverMore, Glamamore, Juanita More, Down-E, Diamond Daggers, Anna Conda &ldots; who’ll walk away with the mushroom cloud?

Original Plumbing presents Unofficial! Elbo Room, 647 Valencia, SF; (415) 552-7788, www.elbo.com. 9 p.m., $10. A party in honor of trans pride and visibility — plus, it’ll be a blast. Rocco Katastrophe and Jenna Riot host, DJs Chelsea Starr and 100 spokes spin, furry photo booth, trans slideshow, performances by Glenn Marla and Ice Cream Socialites.

Trans March 2010 Dolores Park, 17 Street and Dolores, SF. Rally at 3:30, march at 7 p.m.. www.transmarch.org. “United by Pride, United by Power” is the theme of this year’s inspiring event, with performances by the Transcendence Gospel Choir, Nori Herras, and a ton more.

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SATURDAY 26

Big Top vs. Trannyshack Club Eight, 1151 Folsom, SF; (415) 431-1151, www.eightsf.com. 9 p.m., $10 adv. Surely, it will be a circus when these two balls-out parties collide. Big Top brings the half-naked cockring-masters, Trannyshack brings the barkers. With DJ W. Jeremy. Midnight dragocalypse with Heklina, Ambrosia Salad, Miss Rahni, and more.

Bootie: Lady Gaga vs. Madonna DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. Could it get any stereotypically gayer? Don’t worry, punkers, the Bootie mashup crew are here to subvert it into happy chaos. Huge drag show at midnight.

Chaser: The Imminent Return EndUp, 401 Sixth St., SF; (415) 896-1075, www.theendup.com. 5 p.m.–10 p.m., $10. Monistat lives! Her ass-whoopin’, drink-spillin’ drag club resurrects itself, with a full-on show of every insanely entertaining alternaqueen in the phonebook, apparently. Plus DJ Guy Ruben.

Cockblock Mega-Pride Rickshaw Stop, 155 Fell, SF; (415) 861-2011, www.rickshawstop.com. 9 p.m., $20-$25. Wild, wet, and more wild at this ecstatic, high-hoofin’ joint for lezzies, queers, and lovers. With DJs Nuxx and Motive and hot chicks galore.

Excuses for Skipping and Lauren DeRose Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 3 p.m., free. Warm up for the Dyke March with these two live rockin’ acts.

Go Bang! Pride Edition Deco Lounge, 510 Larkin, SF; (415) 346-2025, www.decosf.com. 9 p.m.-after hours, $5. One of our cutest disco and house parties goes pink with DJs Jason Kendig, Marcelino Andrade, Sergio, and more. Expect to be turned out, put upside-down, and spun around.

Lights Down Low Pride Edition Triple Crown, 1760 Market, SF; (415) 863-3516, www.triplecrownsf.com. 8 p.m.–4 a.m., $15. The gonzo electro party delivers a worthy Pride blackout with DJs Larry Tee, Kim Ann Foxman, Saratonin from Brownies for my Bitches, Sleazemore, Derek Bobus, and more. Hosted by the Miss Honey kids and Davi.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McAllister, SF; (415) 864-3733, www.sfpride.org. Noon–6 p.m., free. Celebrate LGBT pride at this free outdoor event featuring DJs, speakers, and live music. This is the first half of the weekend-long celebration sponsored by SF Pride, featuring hip-hop, a battle of the bands, and more.

LGBTQ History Bike Tour Meet at Cupid’s Arrow on the Embarcadero near the Ferry Building, SF; 2 p.m.–5 p.m., $5 donation. Get smart (and fit) for Pride on this eight-mile tour of queer history hotspots, ending up at the Dyke March.

Love and Happiness SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 10 p.m.–4 a.m., $15. It’s a glorious old-school house reunion for the rainbow children, with David Harness and Ruben Mancias on decks, Robnoxious at the door, and Joseph Solis hosting.

Kiss Me Deadly Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. After the Dyke March, cool off (most likely get hotter) with DJ Bunnystyle of Blood, Sweat, and Queers.

Mango After Dyke March Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $10/$15. Food, drink, dancing, and girls, girls, girls at this juicy ladies night.

Pink Pleasure Party Good Vibrations Valencia, 603 Valencia, SF; (415) 522-5460, www.goodvibes.com. 8–10p.m., free. Drop in, dyke out, gear up for a sensual Pride at this Good Vibes mix n’ mingle.

Pink Saturday Castro District, SF; www.thesisters.org. 6p.m.–midnight, donation requested, all ages. The Sisters of Perpetual Indulgence host their cuckoo annual outdoor event, featuring entertainment, beer, cocktails, food, and, duh, cruising galore.

Pink Triangle Installation Twin Peaks Vista, Twin Peaks Blvd parking area, SF; (415) 247-1100, ext 142, www.thepinktriangle.com. 7:30–10:30 a.m., free. Bring a hammer and your hunky work boots and help install the humongous pink triangle atop Twin Peaks for everyone to see. Volunteers needed! Do it!

San Francisco Dyke March Dolores Park, Dolores and 18th St., SF; www.dykemarch.org. Rally at 3 p.m.. March at 7 p.m.. Free. The one “do not miss” event of Pride, with tons of entertainment and speakers, impossibly sexy crowd, and a “Dyke Planet, Green Planet” theme.

Sundance Saloon Pride Dance Hotel Whitcomb, 1231 Market, SF; (415) 626-8000, www.sundancesaloon.org. 8 p.m., $10. Also Sun/27. Shine up your spurs for a country line-dance party that’ll put you in a hootin’ mood.

 

SUNDAY 27

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11 a.m.–6 p.m., 18+ free. Delightfully tawdry Miss Monistat queens it over this all-day dragstravaganza, featuring the Sisters of Perpetual Indulgence, Mutha Chucka, Cher-A-Little, and others. With crazy beats from Electronic Music Bears, High Fantasy, and more.

Gay Shame Goth Cry-In Outside LGBT Center, 1800 Market, SF; www.gayshamesf.org. 2 p.m.–3:30 p.m., free. Protest and grieve the commercialization of Pride and the community – throw on your blackest black and let the tears roll.

Juanita MORE!’s Pride Party 2010 Kelly’s Mission Rock, 817 Terry Francois Blvd, SF; (415) 626-5355, www.juanitamore.com. 2 p.m.–2 a.m., $35. Pretty much the charitable Pride party of the year, flooded with cool kids, admirers, and the sounds of the mind-blowing Cougar Cadet Corps Drumline. DJs James Glass, Chelsea Starr, Kim Ann Foxman, and many more. Benefiting Bay Positives. Shuttles available from the Pride Celebration.

Les Beaux SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 3 p.m.–9 p.m., $10. Don’t catch your breath after Pride, girls. Get beautiful with Cockblock’s DJ Nuxx and decks guests Sarah Delush and Rapid Fire.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McCallister, SF; (415) 864-3733, www.sfpride.org. Noon–7 p.m., free. The celebration hits full stride, with a buttload of musical and dance performances and, truly, something for everyone. Don’t forget your sunscreen or little umbrella.

LGBT Pride Parade Market at Davis to Market and Eighth Sts, SF; (415) 864-3733, www.sfpride.org. 10:30 a.m.–noon, free. This 40th annual parade, with an expected draw of 500,000, is the highlight of the Pride Weekend in the city that defines queer culture.

Honey Pride Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 6 p.m.–2:30 a.m., $3. Legendary (actually) disco DJ Steve Fabus goes classic house on us, joining the regular Honey Soundsystem discaires for stylish specialness all around. $8 beer bust 6 p.m.-9 p.m..  

Queerly Beloved Pink Sunday Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 3 p.m.–8 p.m., $5. Courtney Trouble and Tina Horn host this benefit for queerporn.tv. DJs Campbell and Venus in Furs, performers Alotta Boutte and Dexter James, kissing and kink booths, and dirty, sexy queers.

Too Fast for Love Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. “Shake it, fake it, take it” as DJ Campbell spins the dirty at this Pride after-affair.

Your big queer week

Jesse Hawthorne Ficks
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Your big queer week

ONGOING

Boys in their Bedrooms Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. Mon-Thu 5 p.m.–2 a.m., Sat–Sun 2 p.m.–2 a.m. Through June 30. Photographer Amos Mac of Original Plumbing zine gets up close and personal, chronicling the trans male lifestyle on the sexy Lex’s walls.

Chronotopia SOMArts, 934 Brannan, SF; (415) 552-1770, www.somarts.org. Explore “the past, present, and future of queer histories” with this eye-popping photography exhibit that celebrates the spectrum of queer images.

Faetopia Festival Old Tower Records space at Market and Noe streets, SF; Various times and prices. Through June 26. www.playajoy.org/faetopia. The lovely, radical faeries of Comfort and Joy take over this huge space for a “remix of the past and present for future utopias,” including eco-homo installations, “cuddle cinema” events, and a gossamer wing-load of ideas and performances.

Frameline Film Festival Various locations; see website for dates and times, www.frameline.org. The humongous citywide queer flick fest is still going strong, with dozens of screen gems.

Golden Girls Mama Calizo’s Voice Factory, 1519 Mission, SF; (415) 690-9410, www.voicefactorysf.org. Thu/24 and Fri/25, 7p.m. and 9 p.m.. $20–$25. Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar are joined by Mike Finn and Laurie Busman for live-action versions of two all-new episodes of the beloved TV show.

National Queer Arts Festival Various locations; see website for details, www.queerculturalcenter.org. Experience scandalously good spoken word, cabaret, art installations, and so much more as this powerhouse monthlong celebration of queer revelations continues.

 

 

WEDNESDAY 23

Allstars 4 The Garage, 975 Howard, SF; (415) 518-1517, www.975howard.com. 8 p.m., $10-$20. An array of one-person shows and monologues that focus on the diversity and struggle of queer daily life.

Booty Call Q Bar, 456 Castro, SF; (415) 626-7220, www.qbarsf.com. 9p.m., $3. Juanita More, Joshua J, and photographers whip up dirty tunes and photobooth eye-candy, with DJ W, Jeremy of House of Stank.

HomoEvolution El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8p.m., free. LGBT hip-hop showcase in full effect, with Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Mary Go Round LookOut, 3600 16th St, SF; (415) 431-3111, www.lookoutsf.com. 10 p.m., $5. House of Glitterati invades the weekly drag show, anchored by Suppositori Spelling, Cookie Dough, and Pollo Del Mar.

OH! Powerhouse, 1347 Folsom, SF; (415) 552-8689, www.powerhouse-sf.com. The Bright Young Gentlemen’s Adventuring Society cordially invites you to get it on. With DJs Taco Tuesday and PDX hottie Stormy.

Pullin’ Pork for Pride Pilsner Inn, 225 Church, SF; (415) 621-7058. 6 p.m.–9 p.m. free. Hot pork in hot buns (free sandwiches from the Funk N Chunk crew, we mean). It’s the Guardian’s annual free-for-all shindig with DJ Stanley Frank of Vienetta Discotheque, games, surprises, more.

Radar: Old School 3 San Francisco Public Library, Koret Auditorium, 100 Larkin, SF; (415) 557-4400, www.radarproductions.org. SF’s top writers reimagine the lives and legacies of queers gone by. With Justin Chin, Len Plass, Cyd Nova, and more.

 

THURSDAY 24

A Spot of T African American Arts and Culture Complex, 762 Fulton, SF; www.queerculturalcenter.org. 8 p.m., $12–$20. Original Plumbing brings on an all-transmale cabaret extravaganza with Chris Vargas, Berlin Reed, Ketch Wehr, Glenn Marla, and more.

Bad Reputation Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. The sexy Lex’s infamous Pride kick-off, with DJs Jenna Riot and Dee Dee Crocodile, go-gos, drink specials. Oh, and smokin’ hot grrrls.

Bedtime Stories A Different Light, 498 Castro, SF; (415) 431-0891, www.adlbooks.com. 7:30 p.m., free. Fabio, oh, Fabio? Erotic gay romance author G.A. Hauser steams up the windows of A Different Light.

Carletta Sue Kay, Brent James, Pepperspray The Eagle, 398 12th St., SF. (415) 626-0880, www.sfeagle.com. 10 p.m., $5. Faggotty rock time. A screwed-up Appalachian-ish crooner, a naughty country high-flyer, and four heavy metal drag queens take over the Eagle. What’s not to love?

Gold Queers in the Night 111 Minna, SF; (415) 974-1719, www.111minnagallery.com. 9 p.m., $7. The Stay Gold and Hella Gay crews team up with Blood, Sweat, and Queers for an epic night of youthful, sweaty jams in the indie dance vein.

Gretchen Phillips and Phranc El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $8–$15. Texan Phillips and “all–American, Jewish, lesbian folksinger” Phranc bring the Sapphic sounds.

Marga Gomez is Proud and Bothered New Conservatory Theater, 25 Van Ness, SF; (415) 861-4914, www.nctcsf.org. 8 p.m., $28 advance. Also Sat/26. The hilarious lesbian Latina queen of comedy takes a sharp-shootin’ walk of shame through her not-so-Prideful past.

Nightlife California Academy of Sciences, 55 Music Concourse, SF; (415) 379-5128, www.calacademy.org. 6 p.m.-10 p.m., $8–$10. Get thee to the awesome museum for tunes by Juanita More!, LadyHouse, and Stanley Frank, plus Sex Talk with Jane Tollini, and, of course, live penguins.

Queer Radicals New Valencia Hall, 625 Larkin, SF; (415) 864-1278. 7p.m., free (summer buffet for $7.50). A panel of queer and transgender activists discusses how to build a militant movement for LGBT liberation.

The Sound of Fabulous Mission High School, 3750 18th St., SF: www.sfprideconcert.org. 8 p.m., $15–$40. Also Fri/25. The Lesbian/Gay Chorus of San Francisco celebrates 30 years of, yes, fabulous, joining forces with the Gay Men’s Chorus, and the Freedom Marching Band for some “out loud and proud.”

Sybaritic Cougars with Ecosexual Tendencies Good Vibrations Polk, 1620 Polk, SF; (415) 345-0400, www.goodvibes.com. 6 p.m.–8 p.m., free. Sex-positive activists Annie Sprinkle and partner Beth Stephens host a retrospective of their Love Art Lab series.

The Tubesteak Connection Aunt Charlie’s, 133 Turk, SF; (415) 441-2922, www.auntcharlieslounge.com. 10 p.m., $4. A sticky, finger-lickin’, Hi-NRG hijinks tribute to bathhouse disco and funk rarities, swarthy clones, and outfits Grace Jones would die for. With DJ Bus Station John.

 

FRIDAY 25

Art Attack Pride Supperclub, 657 Harrison, SF; (415) 348-0900, www.supperclub.com. 9 p.m., $20. Video artist III paints the club fuchsia for DJ Lady Kier of Deee-Lite, the return of drag-rock amazers Pepperspray, and LA mesh-wonder Fade-Dra.

Bearracuda Pride DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. 9 p.m.-late. $20. Two floors of beard rubs, belly bumps, fur fun, and hairy hijinks as the city’s wild bear club goes big. DJ Ted Eiel heads up.

Bibi Gay Middle Eastern Mega Pride Party Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 9 p.m., $15. One of the most-anticipated parties of the season, with DJs Nile, Nadar, and Cheon delving into global sounds for a hip-shaking, ululating crowd of all stripes. Hookahs! Hotties! Bellydancers!

Folsom Friday Various SoMa venues, www.folsomfriday.com. 10 p.m.–2 a.m., free. Shuttles run down Folsom Street all night for a sleazy-fun bar crawl in SF’s other mecca for queer venues, including Truck, Chaps, Powerhouse, Blow Buddies, Lone Star, Mr. S, and Off Ramp Leathers.

MR. Mighty, 119 Utah, SF; (415) 626-7001, www.mighty119.com. 8 p.m.–4 a.m. $15. Break out your giant fake mustaches: NYC’s Larry Tee and our own house hero David Harness rock all night at this annual campy hoot. Yes, there’ll be a hot ‘stache (and ‘stache-riding?) contest.

San Francisco Trans March Dolores Park, Dolores and 18th St.; (415) 447-2774, www.transmarch.org. 3 p.m. stage, 7 p.m. march; free. Join the transgender community of San Francisco and beyond for a day of live performances, speeches, and not-so-military marching.

Some Thing Biggest Bestest Gayest Funnest Drag Show Sensation! Ever The Stud, 399 Ninth St., SF; (415) 863-6623, www.studsf.com. 9 p.m.–4 a.m., $10. Er, the name kind of says it all? The packed weekly club goes nuclear. VivvyAnne ForeverMore, Glamamore, Juanita More, Down-E, Diamond Daggers, Anna Conda &ldots; who’ll walk away with the mushroom cloud?

Original Plumbing presents Unofficial! Elbo Room, 647 Valencia, SF; (415) 552-7788, www.elbo.com. 9 p.m., $10. A party in honor of trans pride and visibility — plus, it’ll be a blast. Rocco Katastrophe and Jenna Riot host, DJs Chelsea Starr and 100 spokes spin, furry photo booth, trans slideshow, performances by Glenn Marla and Ice Cream Socialites.

Trans March 2010 Dolores Park, 17 Street and Dolores, SF. Rally at 3:30, march at 7 p.m.. www.transmarch.org. “United by Pride, United by Power” is the theme of this year’s inspiring event, with performances by the Transcendence Gospel Choir, Nori Herras, and a ton more..

 

SATURDAY 26

Big Top vs. Trannyshack Club Eight, 1151 Folsom, SF; (415) 431-1151, www.eightsf.com. 9 p.m., $10 adv. Surely, it will be a circus when these two balls-out parties collide. Big Top brings the half-naked cockring-masters, Trannyshack brings the barkers. With DJ W. Jeremy. Midnight dragocalypse with Heklina, Ambrosia Salad, Miss Rahni, and more.

Blow Off Slim’s 333 11th St., SF. (415) 255-0333, www.slims-sf.com. 10pm, $15-$20. DJs Bob Mould (of Sugar) and Rich Morel spin the rock remixes for a packed crowd of large hairies, scruffy fairies, and their admirers. Get into it. 

Bootie: Lady Gaga vs. Madonna DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. Could it get any stereotypically gayer? Don’t worry, punkers, the Bootie mashup crew are here to subvert it into happy chaos. Huge drag show at midnight.

Chaser: The Imminent Return EndUp, 401 Sixth St., SF; (415) 896-1075, www.theendup.com. 5 p.m.–10 p.m., $10. Monistat lives! Her ass-whoopin’, drink-spillin’ drag club resurrects itself, with a full-on show of every insanely entertaining alternaqueen in the phonebook, apparently. Plus DJ Guy Ruben.

Cockblock Mega-Pride Rickshaw Stop, 155 Fell, SF; (415) 861-2011, www.rickshawstop.com. 9 p.m., $20-$25. Wild, wet, and more wild at this ecstatic, high-hoofin’ joint for lezzies, queers, and lovers. With DJs Nuxx and Motive and hot chicks galore.

Excuses for Skipping and Lauren DeRose Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 3 p.m., free. Warm up for the Dyke March with these two live rockin’ acts.

Go Bang! Pride Edition Deco Lounge, 510 Larkin, SF; (415) 346-2025, www.decosf.com. 9 p.m.-after hours, $5. One of our cutest disco and house parties goes pink with DJs Jason Kendig, Marcelino Andrade, Sergio, and more. Expect to be turned out, put upside-down, and spun around.

Lights Down Low Pride Edition Triple Crown, 1760 Market, SF; (415) 863-3516, www.triplecrownsf.com. 8 p.m.–4 a.m., $15. The gonzo electro party delivers a worthy Pride blackout with DJs Larry Tee, Kim Ann Foxman, Saratonin from Brownies for my Bitches, Sleazemore, Derek Bobus, and more. Hosted by the Miss Honey kids and Davi.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McAllister, SF; (415) 864-3733, www.sfpride.org. Noon–6 p.m., free. Celebrate LGBT pride at this free outdoor event featuring DJs, speakers, and live music. This is the first half of the weekend-long celebration sponsored by SF Pride, featuring hip-hop, a battle of the bands, and more.

LGBTQ History Bike Tour Meet at Cupid’s Arrow on the Embarcadero near the Ferry Building, SF; 2 p.m.–5 p.m., $5 donation. Get smart (and fit) for Pride on this eight-mile tour of queer history hotspots, ending up at the Dyke March.

Love and Happiness SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 10 p.m.–4 a.m., $15. It’s a glorious old-school house reunion for the rainbow children, with David Harness and Ruben Mancias on decks, Robnoxious at the door, and Joseph Solis hosting.

Kiss Me Deadly Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. After the Dyke March, cool off (most likely get hotter) with DJ Bunnystyle of Blood, Sweat, and Queers.

Mango After Dyke March Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $10/$15. Food, drink, dancing, and girls, girls, girls at this juicy ladies night.

Pink Pleasure Party Good Vibrations Valencia, 603 Valencia, SF; (415) 522-5460, www.goodvibes.com. 8–10p.m., free. Drop in, dyke out, gear up for a sensual Pride at this Good Vibes mix n’ mingle.

Pink Saturday Castro District, SF; www.thesisters.org. 6p.m.–midnight, donation requested, all ages. The Sisters of Perpetual Indulgence host their cuckoo annual outdoor event, featuring entertainment, beer, cocktails, food, and, duh, cruising galore.

Pink Triangle Installation Twin Peaks Vista, Twin Peaks Blvd parking area, SF; (415) 247-1100, ext 142, www.thepinktriangle.com. 7:30–10:30 a.m., free. Bring a hammer and your hunky work boots and help install the humongous pink triangle atop Twin Peaks for everyone to see. Volunteers needed! Do it!

San Francisco Dyke March Dolores Park, Dolores and 18th St., SF; www.dykemarch.org. Rally at 3 p.m.. March at 7 p.m.. Free. The one “do not miss” event of Pride, with tons of entertainment and speakers, impossibly sexy crowd, and a “Dyke Planet, Green Planet” theme.

Sundance Saloon Pride Dance Hotel Whitcomb, 1231 Market, SF; (415) 626-8000, www.sundancesaloon.org. 8 p.m., $10. Also Sun/27. Shine up your spurs for a country line-dance party that’ll put you in a hootin’ mood.

 

SUNDAY 27

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11 a.m.–6 p.m., 18+ free. Delightfully tawdry Miss Monistat queens it over this all-day dragstravaganza, featuring the Sisters of Perpetual Indulgence, Mutha Chucka, Cher-A-Little, and others. With crazy beats from Electronic Music Bears, High Fantasy, and more.

Gay Shame Goth Cry-In Outside LGBT Center, 1800 Market, SF; www.gayshamesf.org. 2 p.m.–3:30 p.m., free. Protest and grieve the commercialization of Pride and the community – throw on your blackest black and let the tears roll.

Juanita MORE!’s Pride Party 2010 Kelly’s Mission Rock, 817 Terry Francois Blvd, SF; (415) 626-5355, www.juanitamore.com. 2 p.m.–2 a.m., $35. Pretty much the charitable Pride party of the year, flooded with cool kids, admirers, and the sounds of the mind-blowing Cougar Cadet Corps Drumline. DJs James Glass, Chelsea Starr, Kim Ann Foxman, and many more. Benefiting Bay Positives. Shuttles available from the Pride Celebration.

Les Beaux SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 3 p.m.–9 p.m., $10. Don’t catch your breath after Pride, girls. Get beautiful with Cockblock’s DJ Nuxx and decks guests Sarah Delush and Rapid Fire.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McCallister, SF; (415) 864-3733, www.sfpride.org. Noon–7 p.m., free. The celebration hits full stride, with a buttload of musical and dance performances and, truly, something for everyone. Don’t forget your sunscreen or little umbrella.

LGBT Pride Parade Market at Davis to Market and Eighth Sts, SF; (415) 864-3733, www.sfpride.org. 10:30 a.m.–noon, free. This 40th annual parade, with an expected draw of 500,000, is the highlight of the Pride Weekend in the city that defines queer culture.

Honey Pride Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 6 p.m.–2:30 a.m., $3. Legendary (actually) disco DJ Steve Fabus goes classic house on us, joining the regular Honey Soundsystem discaires for stylish specialness all around. $8 beer bust 6 p.m.-9 p.m..  

Queerly Beloved Pink Sunday Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 3 p.m.–8 p.m., $5. Courtney Trouble and Tina Horn host this benefit for queerporn.tv. DJs Campbell and Venus in Furs, performers Alotta Boutte and Dexter James, kissing and kink booths, and dirty, sexy queers.  

Too Fast for Love Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. “Shake it, fake it, take it” as DJ Campbell spins the dirty at this Pride after-affair.

25 ideas for our queer future

Jesse Hawthorne Ficks
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1
25 ideas for our queer future

What does the future hold in store for us? In an age of mainstream assimilation and aspiration, is there even such a thing as the queer future? We asked 25 queer leaders, artists, and activists to offer visions in their areas of expertise. The results — philosophical, poetic, practical, and priceless — are inspiring. One thing’s for sure, we’ll never lose our creative spark. Nor will we lose our motivational zeal. Fate is for the lazy: take action now. (Marke B.)

>>Click here for ideas from our amazing 2010 Hot Pink List

>>Click here for our Pride listings, and get out there!

THE FUTURE OF QUEER ACTIVISM We need to take back the power and stop being led by what the other side is doing. We need to empower ourselves enough so that we are no longer reacting but acting. We must use online social networks the way we used the streets and bullhorns to show our strength, speak out against wrongdoing, change minds, and win back our rights. We also must unite with our allies in other communities that are underrepresented and maligned in much of the same ways we are. When we stand with one another, we have that much stronger a voice.

Kelly Rivera Hart is the founder of Poz Activists Network (pansf.blogspot.com).

THE FUTURE OF QUEER COMMUNITY The difference between straight and gay cultures seems to be breaking down more and more, which is one of our goals, but we still need to support our own businesses, nonprofits, and leaders. We need to continue interacting with each other in the real world and not lose sight of who we are and what we share. Despite how the rest of the world sees us, there is still a lot of loneliness and isolation in the queer community. I think many of us have forgotten even simple things, like how to make actual friends, not just online. And it’s so easy! Renewing that spirit of interaction, freeing ourselves from fear of judgment, and moving outside our “safe zone” can lead to the greatest rewards.

Mark Rhoades is a charitable event planner and fundraiser who throws the annual Cupid’s Back and City Hall Pride parties.

THE FUTURE OF QUEER FASHION The past decade has witnessed an obsession with bulky, voluminous silhouettes disguised as “futuristic avant-garde” and inspired by GaGa and the ’80s. Let’s move on. Through clean lines, elegance, and wearable pieces, the future of queer fashion will shine light on socially relevant issues like bottom shame, positive-negative status reinforcement, and elite subcultures by using gay textiles and forgotten, non-era-specific imagery.

Allán Herrera is the design head of fashion house Homo Atelier (www.homoatelier.com) and a founder of HomoChic (www.homochic.com).

THE FUTURE OF QUEER FILM Future queer film will depend on the gays being at the forefront of distribution technology in the same way we pioneered social networking 15 years ago, spreading provocative and sexually honest/explicit films beyond the film festival circuit and toward a global audience. Special attention must be paid to the creeping homophobia of cultural and technological juggernauts like Apple. Our stories will need to bust through the pigeonhole, weaving our traditional themes (AIDS, coming-of-age) into larger storylines that are relevant to multicultural and transcontinental viewers.

Leo Herrera is a video artist, filmmaker, and a founder of HomoChic (www.homochic.com).

THE FUTURE OF QUEER YOUTH To be a true leader, one must envision the future. The future is a diverse society where LGBTQQ youth are embraced for who they are and encouraged to be who they want to be. In my pursuit for LGBTQQ youth rights, leadership has been about fostering the awareness in LGBTQQ young people about their own power as individuals and as a group, supporting them to access, develop, and master the skills and knowledge they need to transform their power into action, and building bridges to opportunities where their action can create just communities.

Jodi Schwartz is the executive director of LYRIC Lavender Youth Recreation and Information Center (www.lyric.org).

THE FUTURE OF QUEER LABOR Storm of protest drives Congress to pass trans-inclusive ENDA! Support by labor unions critical to passage of this landmark legislation. Screaming, “We’re too queer for this bullshit!” workers hold drag-runway picket lines at transphobic companies across the country. Activists redefine the crisis of trans poverty and unemployment as the most critical queer civil rights issue of our time.

Bad hotel boycott forces Hyatt to sign a fair contract and treat their employees with respect. LGBTQ organizations rally with labor unions for immigration reform, hold signs reading “No borders on my cunt, no border on our countries!

Jane Martin is a queer labor activist and community organizer with SF Pride at Work (www.sfprideatwork.org).

THE FUTURE OF QUEER DRAG (PART ONE) My vision for the future of queer drag requires you to take a moment, stop, look, and listen to our past. We have such a rich history of fierce and amazing queens to learn from. The key is to get involved with a queer family that supports and loves you and what you do. Next, figure out your niche — whether it’s high drag or low camp, just be sure to always do it like you don’t need the money! Then pull it together and serve it up with lots of love and generosity. And, of course, top it all off with a fabulous wig!

Juanita More! (www.juanitamore.com) is the queen. Attend her boisterous Pride party on Sun/27 (see Pride listings), benefiting Bay Area Young Positives (www.baypositives.org).

THE FUTURE OF QUEER DRAG (PART TWO) Meg Whitman will become president of the United States and hire Lady Bunny as one of her speech writers. Oprah and Gayle will finally come out, and gender illusionist shows will dominate the OWN Network — every other channel will follow. In 2050, Heklina will clone herself, twice, and perform the hospital-convalescent home circuit as the Del Rubio Triplets. Apple will come out with a product called the iDrag, that transforms anyone into anything.

Fudgie Frottage is the king. He puts on the annual, wonderful SF Drag King Contest (www.sfdragkingcontest.com).

THE FUTURE OF QUEER DANCE FLOORS Lets start with a nice, clean piece of paper. Black paper. A clean slate. Say, for example, a deliriously rich and tasteful daddy were to buy the Stud. Step one: a deep, five-stage gay cleaning. Step two: gut the interior, maybe keep the bar and choo-choo train intact, they are cute. Otherwise keep it simple. Step three: install an exact copy of the sound system used by Dave Mancuso at the Loft parties in New York City. The tasteful daddy would have a matte gray private jet at our disposal to bring guests of our choosing. For the launch party we would have an all Kenny line-up: Kenny Dixon Jr., Kenny Hawkes, Kenny Carpenter, and Ken Collier (back from the dead) would DJ. Live PA by Kenny Bobien. Oh, and Kenny Kenny on the door. At the end, everyone would get together and cry like they do on those exploitative renovation reality shows. Daddy would miss the ribbon-cutting, but that’s OK — he sent flowers and bought an $80 Diptyque candle for the new bathroom. That would be a good start.

Honey Soundsystem is a future-past DJ collective. Catch the old-school house Honey Pride party on Sun/27 (see Pride listings).

THE FUTURE OF QUEER COMEDY The future is here. And now that gay marriage is mandatory for everyone, queer and straight, the same goes for comedy. All comedians, regardless of sexual orientation, are now required to do at least 75 percent queer comedy in their acts unless they obtain Permit No. 758219B through the Comedy Board, allowing for the special provision to do only 50 percent queer material. That’s right: comedy is now regulated by law. No jokes are allowed to have homophobic content, especially if you’re performing for tourists. Remember, you are ambassadors now. If you’re straight and have no queer material, just ask your aunt or your second cousin or your bachelor uncle whose best friend of 40 years, Bruce, comes to all the family functions.

Lisa Geduldig (www.koshercomedy.com) is a comic and MC who puts on such shows as Kung Pao Kosher Comedy, Funny Girlz, and Comedy Returns to El Rio!

THE FUTURE OF QUEER HOUSING It is beyond time for us queers to focus our fabulous and substantial God-given talents toward a vision of the future of queer housing. We are the trailblazers, the social entrepreneurs, the avant-garde. Imagining and creating the future is what we do best. Let’s put those substantial talents to work to realize our very own “No Place Like Home” dream of a home for our LGBT elders, our homeless LGBT youth, our people with HIV/AIDS, our artists, our activists, and everything in between. I’ll show you mine: the largest affordable housing for people with HIV/AIDS in the nation next to the Castro Theater and an LGBT homeless shelter at Geary and Polk. Now you show me yours.

Brian Basinger is the director of AIDS Housing Alliance/SF (www.ahasf.org).

THE FUTURE OF QUEER COMICS The future of LGBT comics will be about creators moving out of the traditional queer media ghetto and into new digital undergrounds, indie markets, and even the publishing mainstream. Web comics, graphic novels, minicomics, and zines … Queer comics will have to continue to diversify their formats to survive. At the core, though, remains the need to tell good stories! Look for more poignant narratives about the intersection of queer identities and the human condition. Also, robo-dykes, super-powered trannies, bisexual Lotharios, and zombie fags!

Justin Hall, a queer and erotic comics artist, runs All Thumbs Press (www.allthumbspress.com).

THE FUTURE OF QUEER LAW We would like to see the law catch up with the reality of transgender lives. Your gender identity is an innate and deeply felt sense of who you are. Whether you feel male, female, both, or neither, we envision a future where your legal gender will be exclusively determined by you and not by doctors or lawyers. By respecting your autonomy and your ability to know yourselves better than anyone else, the law will finally reflect society at large. The law is not far from fully recognizing that fact of life, but there is still work to be done. So break out your queer legal briefs and join in the fight for transgender civil rights!

Executive Director Masen Davis and the staff of the Transgender Law Center (www.transgenderlawcenter.org)

THE FUTURE OF QUEER SPIRIT As I look toward the future, I want to see the consciousness shift that Harry Hay and other gay pioneers were pushing for manifest itself more fully in both the gay culture and the larger hetero culture. As queer liberationists, we’ve already taught the world that we are a people. I want to see us recognized as always having been a people. I want to see us given the opportunity to cocreate a new, more beautiful world. To paraphrase: what if there were no “faggots,” only master healers, teachers, shamans? I hope to see the end of shame.

Zac Benfield is the president of the radical faerie Church of Nomenus. Attend his “Woo 101 for Hipster Faggots” workshop, part of the Faetopia Festival (See “Ongoing” in our Pride listings)

THE FUTURE OF QUEER SCIENCE

The alien scientist pipettes liquid
Into a flask to be shaken vigorously.
The origins of gay life.

On Earth, planets align, exposing
Realities once thought to be utterly impossible:
Gays are outta this world!

Queer scientists make the future
Always brighter, cleaner, sexier, and more fabulous
Stopping only for a cocktail.

Quietly, the gay scientist works,
Inching closer to the final answer that
Will change the world forever.

In the future of science
We see the world with different eyes,
All judged by ability alone.

Chris Waddling is a PhD scientist at UCSF.

THE FUTURE OF THE QUEER PAST The future of the queer past has always been fragile — and despite some positive developments in the past 25 years, it remains fragile today. The legacy of LGBT people is still largely invisible in the settings where our society formalizes its history. Our stories are rarely told in high school classrooms, in the galleries of museums, on the plaques of public monuments. Supporting the efforts and the growth of such organizations as the GLBT Historical Society and other pioneering queer history institutions will be key to ensuring that the memory of LGBT lives, struggles, setbacks, and triumphs can inform and inspire future generations.

Writer, editor, and antiquarian book dealer Gerard Koskovich is a founding member of the GLBT Historical Society and a member of the board of directors of the Mémorial de la Déportation Homosexuelle, a French national group that commemorates the homosexual victims of the Nazis.

THE FUTURE OF THE QUEER FUTURE My future selves are always popping back from the year 2023 or 2034 for the weekend, mostly because they know I’ll be their sex slave. They remember what 2010-me was like. (And apparently in the mid-2020s, time-traveling self-flagellation becomes a big fetish.) They’re not supposed to tell me anything about The Future, but they let slip wee details here and there — the 20-teens are a troubling time, but then we discover queer telepathy, and everybody starts secreting empathy endorphins and building communal gardens in the upper atmosphere. Hang in there until we get the first queer president, they always say. Once she comes out during her second term, that’s when the government really starts building something.

Charlie Anders is the managing editor of science fiction-forward site io9.com

Stage listings

David Talbot
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

*Blackbird: Honoring a Century of Pansy Divas Mama Calizo’s Voice Factory, 1519 Mission; 786-9325, www.evezen.org. Opens Thurs/24, 8pm. Runs Thurs-Sat, 8pm (also Sun/17, 8pm). Through July 10. The intimate Blackbird Funeral Parlour Speakeasy is somber-toned and deceptively hushed, complete with period furnishings, a see-through dressing room, softly flickering altar, and obligatory piano. Only a few moments into Seth Eisen’s exceptional one-man cabaret, however, and the place is alive and kicking: doleful aspects of the décor making ample room for a sly, vigorous, soulful performer and a completely unexpected journey through some vibrant underground queer history (backed by fellow Circo Zero alum Sean Feit’s sharp musical direction and breezy accompaniment, and Alanna Simone’s gently humorous and haunting video pieces). Your guide is 100-year-old Jean Marlin, author of the notorious 1930s Pansy Craze, 75 years dead and looking fabulous in tails, bold green cravat, dapper purple hankie and a topping of regal black plumage (costumer Jack Davis demonstrates a genius throughout for turning a shoestring budget into a G-string–supported extravaganza). A multifaceted performer with quick tongue, nimble steps, and hearty voice (giving life to an assortment of extraordinary songs), Eisen uses drag, dance, puppetry, and performance art techniques to give flight to worthy exotic blackbirds known and forgotten—drag queen Zen priest Tommy Issan Dorsey; sexually ambiguous Danny Kaye; Brazil’s inimitable Ney Matogrosso; the definitely outré Klaus Nomi; and disco treasure Sylvester, whose live rendition of the Beatles’ "Blackbird" at SF’s War Memorial Opera House is one of several standout moments in this rollicking and poignant act of resurrection, insurrection, and homage. (Avila)

Much Ado About Lebowski Cell Space, 2050 Bryant; www.primitivescrewheads.com. $20. Opens Thurs/24, 8 p.m. Runs Fri/25-Sun/27, July 24, 7pm (also July 9, 10, 16, 17 at Off Market Theater). Through July 24. SF IndieFest and the Primitive Screwheads present a live staged parody fusion of Shakespearean and Coen Brothers comedy, with White Russians served an hour before showtime.

Reading My Dad’s Porn and French Kissing the Dog The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. Opens Thurs/24, 8pm. Runs Thurs-Sat, 8pm. Through July 17. The Marsh presents Cherry Zonkowski’s tour of suburban living rooms, crowded dungeons, and sex and artist party scenes.

BAY AREA

Shaker Chair Pear Avenue Theatre, 1220 Pear Avenue, Mtn View; (800) 838-3006, www.brownpapertickets.com. $15-30. Opens Fri/25, 8pm. Runs Thurs-Sat, 8pm; Sun, 2pm (also July 10, 2pm; no perfomance July 4). Through July 11. Pear Avenue Theatre presents Adam Bock’s play about a middle-aged widow who applies Shaker philosophy to her lifestyle.

ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through Sat/26. Actors Theatre performs Arthur Miller’s masterwork.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm. Through Sat/26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

Die Walküre War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Fri/25, June 30, 7pm. Through June 30. San Francisco Opera presents the second installment of Wagner’s Ring cycle, directed by Francesca Zambello.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Christopher Durang’s The Actor’s Nightmare could just as easily be called The Accountant’s Nightmare, as befuddled Everyman and presumed non-actor George Spelvin (Eric O’ Kelly) attempts to navigate his way out of a confused rendition of Noel Coward’s "Private Lives" dressed as Prince Hamlet and menaced by a trashcan-bearing Beckett-arian (AJ Davenport). This traditional companion piece to Durang’s Catholic School send-up Sister Mary Ignatius Explains It All for You references a Catholic boyhood several times, but it is the anxiety of the present moment that prevails, as the stage clears, and Spelvin is chased into a corner by an unforgiving spotlight to deliver his frantic last-ditch attempt at a soliloquy: his ABC’s. The titular Sister Mary Ignatius (AJ Davenport), by turns arctic and expansive, attempts to explain all, while periodically trotting out her star pupil Thomas (Cole Cloud) to recite catechism and spell eck-u-men-ickle for cookies. Davenport plays the pedantic side of Sister Mary with humorous vigor, but when a group of her former students drop by "to embarrass her" she doesn’t quite pull off embodying the ogress of their now-adult nightmares. Of her former students, it is probably Aloysius Benheim (Eric O’Kelly) who comes across as the most damaged by her tyranny, and not coincidentally, suffers the piece’s greatest humiliation. (Nicole Gluckstern)

La Fanciulla Del West War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Thurs/24, Tues/29, 7:30pm; Sun/27, 2pm; July 2, 8pm. Through July 2. San Francisco Opera presents Puccini’s opera, with Deborah Voigt as Minnie.

Forever Never Comes Boxcar Playhouse, 505 Natoma; www.crowdedfire.org. $10-25. Wed-Sat, 8pm. Through Sat/26. Crowded Fire performs Enrique Urueta’s world premiere "psycho-Southern queer country dance tragedy."

Gutenberg! The Musical! Exit Stage Left, 156 Eddy, SF; www.beardsbeardsbeards.com. $20. Thurs-Sat, 8pm. Through Sat/26. Beards Beards Beards: A Theatre Company presents a musical about two writers who scheme to create a Broadway musical about Johann Gutenberg.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through Sun/27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard "Scrumbly" Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through Sun/27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly-pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

KML Goes Undercover Zeum Theater, 221 4th St, SF; www.killingmylobster.com. $10-20. Thurs-Fri, 8pm; Sat, 7pm, 10pm; Sun, 7pm. Through Sun/27. Killing My Lobster returns with a series of comedic vignettes based on the theme of espionage.

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater remounts its strong recent production of Samuel Beckett’s hour-long solo play, featuring a full-fledged and satisfying turn by a hearty, slyly comic Paul Gerrior as the titular Krapp, reflecting on the fleeting sense of self recorded on reel-to-reel tapes over the course of a long life. Artistic director Rob Melrose approaches the material with supreme assurance and passionate but never stifling fidelity. David Sinaiko provides the recorded voice of the younger Krapp, expertly balancing a passion and unselfconscious pomposity that has Gerrior’s Krapp alternately bemused, euphoric, and wincing through one of Beckett’s most autobiographical and surprisingly affirming pieces. Melrose’s choice use of scenic elements, meanwhile, including the palpably solid 1950s-era tape machine, places Gerrior (suitably odd and natty in costumer Maggie Whitaker’s dapper vest, high-water trousers and white shoes) in a kind of communion with the reel and the real—an affecting and quietly unsettling relationship, pitched against an infinite blackness all around, that has Krapp at one point resting his head gently on the machine as he and the insubstantial voice of his younger self relive a moment of intimacy with a long-gone lover. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show Fri/25); Sun, 2pm. Through Sat/26. Gomez performs her GLAAD Media award-winning comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through Sat/26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through Sun/27. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

"Something C.O.O.L.: The Summer Cabaret Festival" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through Sat/27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

*The Tosca Project American Conservatory Theater, 415 Geary; 749-2ACT, www.act-sf.org. $15-87. Wed-Sat, 8pm; Wed, Sun, 2pm. Through Sat/27. Four years in the making, this ACT–SF Ballet collaboration unfurls a lushly romantic, whimsical pageant of San Francisco history through movement, character, mise en scène, and an irresistible cultural lens: the famed North Beach bar lending the project its setting and name. Co-created by ACT’s Carey Perloff and SFB choreographer Val Caniparoli, the storyline traipses over every iconic period since Prohibition—sometimes too cursorily but generally with vigor and a quietly gathering intoxication—meanwhile centering on three characters: the tragically lovelorn Italian bartender-owner (Jack Willis); a Russian émigrée and regular (Rachel Ticotin) who eventually inherits the establishment; and an African American musician (Gregory Wallace) arriving on the lamb, who becomes another permanent fixture of the place. Never far away either is the incarnation of the Bartender’s lost love, played by SFB’s enchanting Lorena Feijoo. Although the story is conveyed without dialogue, there are moments when words take the stage too—how could they not in Beat-era SF, especially with a neighbor in poet-publisher Lawrence Ferlinghetti (played here by the consistently winning Peter Anderson). The truly rare treat, of course, is watching the dancers of SF Ballet—not least the radiant and commanding Sabina Allemann (who retired from SFB in 1999), with added power and charisma in key scenes from Pascal Molat—relatively up-close and personal, mingling persuasively with their formidable actor colleagues, enveloped in an exquisite stage design (courtesy of Douglas W. Schmidt, gorgeously lit by Robert Wierzel) and a moody soundscape (by Darron L West) featuring choice period songs. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through August 28. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

The Drawer Boy Marion E. Greene Black Box Theatre, 531 19th St, Oakl. www.brownpapertickets.com. $10. Thurs-Sat, 8pm; Sun, 2pm. Through July 4. TheatreFIRST presents Michael Healey’s comedy about two aging farmers with a family secret.

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat/26, July 3, 24, 31, 8pm; Sun/27, July 18, 25, Aug 1, 7pm; July 2, 9, 16, 9pm. Through August 1. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no show Fri/25); Wed and Sun, 7pm (also Sun, 2pm). Through Sun/27. Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her "alternative" family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with "blind spots," much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

Les Liasons Dangereuses Redwood Ampitheatre, 30 Sir Francis Drake, Ross; (415) 251-1027, www.porchlight.net. $15-30. Thurs-Sun, 7:30pm; also Mon/28, July 7, 7:30pm. Through July 10. Porchlight Theatre Company presents a production of Christopher Hampton’s adaptation of the 1782 novel.

John Steinbeck’s The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, www.calshakes.org. $34-70. Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also Sat/26, 2pm); Sun, 4pm. Through Sun/27. Cal Shakes leads off its season with an original staging of John Steinbeck’s early story cycle, a collaboration with Word for Word theater company gracefully adapted by acclaimed San Francisco playwright Octavio Solis (Lydia, Ghosts of the River). Artistic director Jonathan Moscone directs a fine 11-actor cast in lively performances across a smoothly intertwining set of ten tales, all revolving around two specific households—one, the Munroe family, settled upon a notoriously "cursed" patch of land—in the central California valley that a Spanish explorer once dubbed "the pastures of heaven." Irony anyone? Steinbeck went for broke in the themes and taboos he touches upon here, from incest, madness, infanticide—he misses one or two, but not many. It’s sometimes somber yet rarely heavy going, however, with many lighter stories and situations in the mix, and director Moscone’s staging missing few opportunities for added humor along the way. At the same time, the stories are not equally compelling—the overly crowd-pleasing "song" story of two Mexican American sisters (Catherine Castellanos and Joanne Winter) who segue almost unconsciously from a failed restaurant venture into prostitution, for instance, is cute but surprisingly ho-hum. But if you lie back and let the play’s frontier landscape unfurl (as you do literally anyway in the hill-saddled Bruns Amphitheater), the evening has a dependable charm and several dramatic highlights—not the least of which features the powerful Rod Gnapp in the role of a man desperate to appear prosperous before his family and neighbors. (Avila)

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Fri/25, July 2, 9, 7pm; July 3, 5pm; July 11, 2pm. Through July 11. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Sun/27. TheatreWorks performs Michael Hollinger’s drama, set in the world of chamber music.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through July 18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.

*Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Tues, Thurs-Sat, 8pm; Wed, 7:30pm; Sun, 2 and 7pm. Through Sun/27. Marin Theater Company presents director-adapter Peter Glazer’s graceful, dynamic staging of the life and times of Woody Guthrie using the famed folk singer’s own enduring words and music (impressively, rousingly orchestrated and arranged by Jeff Waxman). Traveling alternately hard, light, and stirringly through the 1930s and 1940s before leaping ahead to alight briefly on the present (which is never far, in fact, from any of the concerns of the much abused but resilient working people channeled so brilliantly in Guthrie’s social poetry), five charismatic cast members (Lisa Asher, Berwick Haynes, Sam Misner, Matt Mueller, Megan Pearl Smith) sing, act, and play their own instruments beautifully, backed by a smooth and irresistible band under multi-instrumentalist and musical director Tony Marcus. You don’t have to know a lick of Guthrie’s material to immediately understand its relevance and beauty in these cleverly staged set pieces, which are as humorous and crowd-pleasing as they are unapologetically damning and defiant of the rule of capital. For Guthrie fans, of course, this is a must. (Avila)

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

"Bathala Na! Stories of Mothers Moving Forward From the Philippines to Africa" Stage Werx Theater, 533 Sutter; 734-7903, www.brownpapertickets.com. Fri/25-Sat/26, 8pm. $10-15. Meldy Hernandez performs a one-woman show about the body, cancer, grief, and the life-giving beat of ancestral drums.

"Dark Horse Cabaret" Cafe Du Nord, 2170 Market; 861-5016, www.cafedunord.com. Sun/24, 8pm. A homoerotic and homoneurotic cabaret show, with Planet Booty, the Ethel Merman Experience, Erika Von Volkyrie, DJ Steve Fabus and others..

"The Dresses/Objects Project" Z Space at Theater Artaud, 450 Florida; 626-0453, www.zspace.org. Fri/25-Sat/26, 7:30pm. Free (donations accepted) Erin Mei-Ling Stuart and EmSpace Dance perform in conjunction with an interdisciplinary art installation by Katrina Rodabaugh.

Will Franken Purple Onion, 140 Columbus; 956-1563, www.caffemacaroni.com. Thurs/24, 8pm. $10. The comedian performs at the famous comic’s venue.

Happy Forever: Life and Death of an Italian Cat Dark Room Theater, 2263 Mission; 401-7987, www.spygirlfriday.com. Sat/26, 7, 8, and 9pm. $6 Spy Emerson presents a dark comedy about human exploration.

Oni Dance CounterPULSE, 1310 Mission; 626-6060, www.onidance.org. Fri/25-Sat/26, 8pm. $16-20. The ten-member Los Angeles dance company led by Maria Gillespie presents Exquisite.Corpse and Wasteland (arrival).

"Sound of Fabulous" Mission High School, 3750 18th St; (800) 838-3006, www.sfprideconcert.org. Thurs/24-Fri/25, 8pm. $15-30. A performance by the Lesbian/Gay Chorus of San Francisco and the San Francisco Lesbian/Gay Freedom Band.

Thai Rivera and Marga Gomez LGBT Center, Rainbow Room, 1800 Market; (800) 838-3006, www.brownpapertickets.com. Fri/25, 8pm. $15. The comedians perform with special guests Casey Lee and Ricky Luna.

"San Francisco Ethnic Dance Festival" Palace of Fine Arts, 3301 Lyon; 474-3914, www.worldartswest.org. Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

"WHORE! Magazine Launches at the Cat’s Pajamas" Make-Out Room, 3225 22nd St; 647-2888, www.whoremagazine.com. Mon/28, 8pm. Free. The first issue of the women’s quarterly publication is celelbrated with performances by Le Cancan Bijou, Monique Jenkinson, Cameron McHenry, kamp Camille, Dusty Horn, Mick Mize, Gabrielle Ekedal and Agnes Martin, and Baruch Porras-Hernandez.

BAY AREA

"An Evening with the Groundlings" The Marsh Berkeley, 2120 Alston Way, Berk; (800) 838-3006, www.themarsh.org. Wed/23, 7:30pm. $15-35. The Marsh presents four short performance pieces addressing some pressing social issues, including work by Rebecca Fisher, Wayne Harris, Mark McGoldrick and Paul Sussman.

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 23

ROCK/BLUES/HIP-HOP

Blue Rodeo, Justin Rutledge Independent. 8pm, $25.

“HomoEvolution” El Rio. 8pm. With Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Porkchop Express, Hollyfields, Emily Zisman and Ryan Avery Hemlock Tavern. 9pm, $7.

Rockin Jake Biscuits and Blues. 8 and 10pm, $15.

Stymie and the Pimp Jones Luv Orchestra, Sistas in the Pit, Valerie Orth Band Bottom of the Hill. 9pm, $10.

Wisdom Tooth, Little Teeth, Pineapple Explode Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 24

ROCK/BLUES/HIP-HOP

Blind Willies Bollyhood Café. 8:30pm, $7.

Brothers Comatose, Tiny Television, Allofasudden Bottom of the Hill. 9pm, $10.

Butch Whacks and the Glass Packs Bimbo’s 365 Club. 8pm, $45.

Alan Iglesias Biscuits and Blues. 8 and 10pm, $16.

Living With Lions, Spires, Young Generals, Second to Last Thee Parkside. 9pm, $8.

Luccabrazzi, MC Meathook and the Vital Organs Knockout. 9:30pm, $5.

Gretchen Phillips, Phranc El Rio. 9pm, $8-15.

Radar Brothers, Man/Miracle, Mist and Mast Rickshaw Stop. 8pm, $12.

Josh Ritter and the Royal City Band, Carolina Chocolate Drops Fillmore. 9pm, $25.

Tornado Rider, Audiodub, Conscious Souls, Oola Rocksteady Slim’s. 9pm, $14.

Waifs, Mike Gunther Independent. 8pm, $30.

Zodiac Death Valley, Drug Wars, Complaints Hemlock Tavern. 9pm, $7.

FOLK/WORLD/COUNTRY

Bluegrass and Old-time Jam Atlas Café. 8pm, free.

Ian McFeron, Alisa Milner Duboce Park Café, 2 Sanchez, SF; (415) 621-1108. 7:30pm, free.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

Bad Reputation Lexington Club. 9pm, free. Lose that good girl attitude at this Pride kickoff party with DJs Jenna Riot and Dee Dee Crocodile.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Gigantic Beauty Bar. 9pm, free. With DJs Eli Glad, Greg J, and White Mike spinning indie, rock, disco, and soul.

Gold Queers in the Night 111 Minna Gallery. 9pm, $7. Combining three dirty underground queer dance parties into one pride event with DJs Black, Bunnystyle, davO, Durt, Pink Lightning, and Rapid Fire.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm-3am, $2-5. Industrial with BaconMonkey, Netik, Stats, and Shadow Angel.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 25

ROCK/BLUES/HIP-HOP

Lou Barlow, Sarah Jaffe Café du Nord. 9pm, $14.

Butch Whacks and the Glass Packs Bimbo’s 365 Club. 8pm, $45.

Entrance Band, Growlers Hemlock Tavern. 9:30pm, $12.

Evolfo Doofeht, Vernon “Ice” Black, Cudnz, Candlespit Collective Slim’s. 9pm, $15.

Sharon Jones and the Dap Kings, Heavy, DJ Harry Duncan Warfield. 9pm, $27.

Judgement Day, Stomacher Dark Room, 2263 Mission, SF; http://snobtheater.tumblr.com. 10pm, $10. With comedians Red Scott, Melanie O’ Brien, Alex Koll, and DJ Real.

Little Black Bats, Prognosis Negative, Video Wine Party Walgreen’s Parking Lot, 4122 18th St, SF; gawksf@yahoo.com. 7pm, free.

Minipop, Trophy Fire, Chasing Kings Rickshaw Stop. 8:30pm, $10.

Pleasure Kills, Blank Stares, Glitter Wizard Thee Parkside. 9pm, $8.

Soul of John Black Biscuits and Blues. 8 and 10pm, $20.

Still Time, Lucas Ohio and the Shamblers, Dustbowl Revival Red Devil Lounge. 9pm, $12-14.

“Trans March After Party” Elbo Room. 9pm, $10. Original Plumbing hosts performances by Katastrophe, La Monistat, Glenn Maria, and more.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Ben Darwish Red Poppy Art House. 8pm, $10-15.

Marina Teich Group Savanna Jazz, 2937 Mission, SF; (415) 285-3369. 7:30pm, $8.

Meshell Ndegeocello Yoshi’s San Francisco. 8 and 10pm, $22-28. Playing Gil Scott-Heron covers.

Trumpetsupergroup Randall Museum Theater, 199 Museum, SF; www.trumpetsupergroup.com. 8pm, $5-10.

Will Bernard Trio with Robert Walter and Simon Lott Boom Boom Rom. 9:30pm, $15.

FOLK/WORLD/COUNTRY

Fishtank Ensemble Blue Macaw, 2565 Mission, SF; (415) 920-0577. 9pm, $10. With tribal fusion dancer Rachel Brice.

Marina LaValle Coda. 10pm, $10.

Wrenboys Plough and Stars. 9pm.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Art Attack Supperclub. 9pm, $20. With DJs Lady Kier and Pepperspray.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Chunkhouse DNA Lounge. 9pm, $15-20. House with Ted Eiel.

DJ Morse Code Vessel. 9:30pm, $20.

Episco Disco Grace Cathedral, 1100 California, SF; (415) 869-7817. 7pm, free. With DJs Broker/Dealer and Disco Shawn, a live performance by Chelsea Wolfe, and art by Oliver DiCicco.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

House of Voodoo Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $5. With DJs voodoo, Purgatory, and Ms. Samantha spinning goth, industrial, deathrock, eighties, and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kial, Tom No Thing, Megalodon, and Zapruderpedro spinning dubstep, reggae, and electro.

Road to Ruin Lexington Club. 9pm, free. A Trans March after party with DJ Rapid Fire spinning hip hop, pop, rock, and top40.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Teenage Dance Craze Party Knockout. 10pm, $3. With DJ Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 26

ROCK/BLUES/HIP-HOP

Concrete Blonde, Flametal Regency Ballroom. 9pm, $35.

Steve Earle Great American Music Hall. 7pm, $36.

Finest Dearest, Sterling Says Epicenter Café, 764 Harrison, SF; www.epicentercafe.com. 7pm, free.

Hightower, Kingdom of Magic, Razorhoof Hemlock Tavern. 9:30pm, $7.

Robert Earle Keen, Elliot Randall and the Deadman Fillmore. 9pm, $25.

Bill Kirchen Amoeba, 1855 Haight, SF; (415) 831-1200. 2pm, free.

MC Trachiotomy Hemlock Tavern. 6pm, free.

Myonics, Mystery Lights, Wax Idols, Colbalt Cranes Amnesia. 9pm, $7.

Obsessor, Cwachemoe, Moss Thee Parkside. 3pm, free.

“Rock and Sox” Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 10pm. Fundraising benefit for the Dana-Farber Institute’s Jimmy Fund, with the Canver Sucks Band.

*Slim Cessna’s Auto Club, Four Year Bender, T and A Bottom of the Hill. 10pm, $12.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

C U Next Weekend, Lady Nerd, Kaptain Harris Club Six. 9pm, $5. Warped Tour after party.

JAZZ/NEW MUSIC

Lily Alunan Savanna Jazz. 7:30pm, $8.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Joan Crowe Trio Enrico’s Sidewalk Café, 504 Broadway, SF; (415) 982-6223. 8pm.

Meshell Ndegeocello Yoshi’s San Francisco. 8 and 10pm, $28. Playing Gil Scott-Heron covers.

Will Bernard Trio with Robert Walter and Simon Lott Boom Boom Rom. 9:30pm, $15.

FOLK/WORLD/COUNTRY

An Evening of Song Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 7:30pm, $17.

“Jai Ho” Oracle Arena, 7000 Coliseum, Oakl.; (510) 569-2121. 7:30pm, $50-$150. A.R. Rahman in concert.

Rattle Cans Plough and Stars. 9pm.

Thank You Julius, Brothers Amor, Maria “Songbird” Remos, DJ Chief Boima, Nothing Café du Nord. 9:30pm, $12.

DANCE CLUBS

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, and Javier, plus free 80s hair and make-up by professional stylists.

Blowoff Slim’s. 10pm, $15-20. With DJs Bob Mould and Rich Morel.

Bootie DNA Lounge. 9pm, $6-12. Lady Gaga vs. Madonna mash-ups with Adrian and Mysterious D.

Cockblock Rickshaw Stop. 9pm, $10. Dyke March after party.

Colombia y Panama Coda. 10pm, $5. Latin with DJs Beto, Vinnie Esparza, and Guillermo.

4OneFunktion Elbo Room. 10pm, $5-10. Hip-hop with FAME, Hawthorne Headhunters, DJ Spair, DJ Strategy, DJ B. Cause, Mista B, and Aron.

Go Bang! Deco SF, 510 Larkin, SF; (415) 346-2025. 9pm, $5. Recreating 70’s/80’s disco nightlife with DJs Tres Lingerie, Steve Fabus, Nicky B., and special guests Jason Kendig and Marcelino Andrade.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kiss Me Deadly Lexington Club. 9pm, free. Dyke March after party with DJ Bunnystyle.

KO $3 Dance Party Knockout. 8pm, $3. Eclectic tunes with Paul Paul, dX the Funky Gran Paw, and DJ Deadbeat.

Love and Happiness Som. 10pm, $15. With DJs David Harness and Ruben Mancias.

Mini-Vacay Milk Bar. 10pm, $5-$10. Beach gear encouraged at this Risky Bizness DJ crew summer jam party featuring performances by PFunk and C-Plus.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, Serg, and Jah Yzer spinning dancehall and reggae. Army attire themed.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 27

ROCK/BLUES/HIP-HOP

Backstreet Boys, Mindless Behavior Warfield. 8pm, $45-65.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

*Danzig, All Shall Perish, Toxic Holocaust Regency Ballroom. 8pm, $32.

Dustbowl Revival, Anna Ash, Bonnie Doom Hemlock Tavern. 9pm, $6.

Red Hot Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

*Saint Vitus, Hammers of Misfortune, Walken, Stone Axe DNA Lounge. 7:30pm, $17-20.

*Ty Segall, Grass Widow, Sonny and the Sunsets, Baths Bottom of the Hill. 8pm, $10.

*Zoroaster, Black Tusk, Dark Castle, Serpent Crown, DJ Rob Metal Thee Parkside. 9pm, $12.

JAZZ/NEW MUSIC

Kathleen Grace Red Poppy Art House. 8pm, $12-15.

Max Weinberg Big Band Yoshi’s San Francisco. 5 and 7pm, $5-25.

FOLK/WORLD/COUNTRY

Completely Unmarketable Amnesia. 7pm, free.

Golddiggers, Misisipi Rider, DJ Mr. Goodtimes Thee Parkside. 4pm, free.

Hapa and the Academy of Hawaiian Arts Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Pokey LaFarge and the South City Three, Frank Fairfield Amnesia. 9pm, $10.

Autumn Rhodes, Jeff Pearson, Glen Farr Plough and Stars. 9pm.

DANCE CLUBS

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11am-6pm, free. A showcase of queer talent and DJ sets.

Continental Breakfast Lexington Club. 2pm, free. Soul music and breakfast goodies with DJ Katie Duck.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with Vinnie Esparza and Irie Dole.

45 Club Knockout. 10pm. Funky soul with dX the Funky Gran Paw, Dirty Dishes, and English Steve.

Fresh Ruby Skye. 6pm, $25. With DJ Wayne G.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

LTJ Bukem and MC Conrad, Kuze and MC Child Independent. 9pm, $23.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

Too Fast For Love Lexington Club. 9pm, free. With DJ Campbell spinning dirty jams, top40, and more.

MONDAY 28

ROCK/BLUES/HIP-HOP

Backstreet Boys, Mindless Behavior Warfield. 8pm, $45-65.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

Eagle Winged Palace, Paula Frazer, Killbossa, These Hills of Gold Knockout. 9pm, $7.

Every Avenue, Sing It Loud, Secret Handshake, There For Tomorrow Slim’s. 7:30pm, $14-16.

Lemuria, Hard Girls, Beat the Oak Bottom of the Hill. 8:30pm, $8.

MOTO, Midnight Creeps, Sharp Objects, Spurts Elbo Room. 9:30pm, $6.

Sally Seltmann, Gemma Ray, Old-Fashioned Way Rickshaw Stop. 7pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 29

ROCK/BLUES/HIP-HOP

CocoRosie, Cibelle Regency Ballroom. 8pm, $24.

Greg Ashley, Yea Ming, Brian Glaze Hemlock Tavern. 9pm, $6.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

Buxter Hoot’n, Mark Matos and Os Beaches Elbo Room. 9pm, $6.

Frozen in Amber, Disemballerina, Wild Hum Knockout. 6pm, $6.

*Harlem, Hunx and His Punx Independent. 8pm, $15.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. “Stump the Wizard” with DJs What’s His Fuck and the Wizard.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Happy birthday to the Marsh!

Sue Vaughan
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Happy birthday to the Marsh!

The Marsh hits the big two-oh this weekend. The one-of-a-kind theater founded by Stephanie Weisman in 1989 has contributed much more than its fair share to performance arts in the Bay Area and beyond. To mark the event, the Marsh is planning a one-of-a-kind celebration this Saturday, June 19: 12 continuous hours of performance, memories, and festive behavior featuring a remarkable assortment of talent under one roof. Seriously, if these were heads of state it’d be like the G20 times two, and the security hassles would suck hard for blocks around. As is, you can just go and watch and talk to these people, who are way cooler anyway.
 
For more of the lowdown on the birthday plans and insider thoughts on the Marsh at 20, I had thought of talking to a dozen or so of the leading lights slated to be there. But not having a lot of energy this morning, I decided instead to just call Mary Samson — currently crafting her own Marsh solo show and one of Saturday’s Marathon MCs — at her daytime desk at the Guardian.

[ringing]

Mary: Hello, this Mary Samson.

Me: Hi Mary, it’s Rob.

Mary: I already had lunch.

Me: No, I wasn’t going to ask about lunch.

Mary: I’ve got dinner plans too, and a reeeally long yoga class on either side of that.

Me: No, Mary, I just wanted to ask about the Marsh.

Mary: Oh, the Marsh! Shoot.

Me: I understand you’ll be MC’ing a portion of this Saturday’s mammoth 20th-anniversary marathon and wondered if … wait a minute. You already had lunch? But it’s only 10:00.

Mary: So call it brunch. What’s your point?

Me: Well, this is a really big deal, isn’t it?

Mary: That’s right, Ron.

Me: Rob.

Mary: The Marsh has been a hotbed of solo performance for two decades. It’s helped launch the careers of some of the best talent to emerge from the Bay Area since Boss Ruef. And about 40 of them will be there between 12 noon and 12 midnight this Saturday — including Marga Gomez, Charlie Varon, Josh Kornbluth, Francesca Fanti, Brian Freeman, Jeff Greenwald, Joan Mankin, Bob Ernst, Dan Hoyle, Merle Kessler, Don Reed, Ann Randolph, Ron Jones AND my personal favorites Liz White Salk and Mark McGoldrick!

The Marsh’s 20th Anniversary and Performance Marathon

Sat/19, noon-midnight, $20-60

Marsh, 1062 Valencia, SF

www.themarsh.org/performance_marathon.html                                                                                                                                                                                               

Deep red bells

Jesse Hawthorne Ficks
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Deep red bells

A few months ago, Impact Theater premiered Enrique Urueta’s Learn to Be Latina, a raucous satire of market-driven multiculturalism that pivoted on the ethnic dos-and-don’ts of the music industry. That production only partly prepares one for Crowded Fire’s premiere of the Bay Area playwright’s latest effort, Forever Never Comes. There’s a notable strain here of the effervescent humor that propelled Latina (beginning with Forever ‘s blithe subtitle, A Psycho-Southern Queer Country Dance Tragedy), as well as a similar concern with the trials of cultural and sexual identity, familial roots, and the will to be oneself. But Forever is a darker, more complex story, a working-class gothic that draws inspiration from Urueta’s own background as a gay Latino growing up in a small Virginia town. But if the play’s reach is admirably wider, its focus is disappointingly fuzzier.

Its central character is Sandra (Marilet Martinez), a young Latina burdened with guilt after the suicide of her gay brother Ricardo (Shoresh Alaudini), and living again in semirural South Boston, Va., with her sad, widowed mother (Carla Pantoja) whose first language is somewhat ominously slipping away from her like her disintegrating family.

Sandra, stalked by a mysterious demon named the Fox Confessor (Lawrence Radecker), “has a debt to pay” associated with feelings of culpability for her brother’s death, and Fox Confessor is keen to collect it, haunting her dreams (including in several ghostly folk dance sequences) and menacing her small circle of friends and loved ones. Although the other characters do not see him, we witness this mischievous, brooding underworld figure alternately pacing the stage or revealed, courtesy of Marilee Talkington’s eerie video design, in isolated “snapshots” of the action that appear projected onto a screen at the back.

While running from what seems like the mythological incarnation of her grief-stricken conscience, Sandra reconnects hesitantly with ex-girlfriend Deborah, now called Dylan (a compelling Kathryn Zdan). A transgender preop bent on escape to San Francisco, Dylan is back in town to visit her pregnant unwed sis, Beth Ann (Marissa Keltie), on the eve of their parents’ 25th wedding anniversary. Dylan remains smitten with Sandra. Sandra, however, seems almost as uncomfortable with Dylan’s physical transformation as Dylan’s mother (Michele Levy), a compulsively chatty, addled woman stunned into a rare moment of silence by the unexpected arrival of her one-time daughter.

Beth Ann, meanwhile, negotiates life with her oddball family; haunted best friend Sandra; and abusive, domineering boyfriend Hunter (a solid Daniel Petzold) while confining herself to soda pop at the local watering hole and doing her best not to smoke another Virginia Slim. Soon a tragic accident — if it is an accident and not the handiwork of the increasingly impatient Fox Confessor — throws everyone off-balance, and Dylan and Sandra back into each other’s arms, while setting up a parallel between two grief-stricken households and their contrasting crises of identity and unity. As Fox Confessor stirs up more and more trouble, the way forward remains unclear, multiple possible endings hovering over the action thanks to an out-of-sequence scene in which Sandra and Dylan flee for the West Coast in a blood-stained car.

Sandra and Dylan’s relationship adds momentum to the story, which otherwise tends to dissipate among its various subplots. Ironically, the central issue of Sandra’s guilt and her debt to Fox Confessor lacks the requisite poignancy and urgency, at least partly because there’s little sense of a relationship between Sandra and her deceased brother (who has only a flickering afterworld presence here, despite a key intervention near the end). The only hint of a tangible sibling connection comes when Sandra, in one of the more comical moments, repeats Ricardo’s detailed impressions of San Francisco to Dylan, at length and seemingly verbatim.

Director Mary Guzmán (who also helmed Learn to Be Latina) gets some nice performances across a generally strong cast. But the staging — around Emily Greene’s elegantly elemental thrust stage, complete with intermittent sheets of rain heralding Fox Confessor’s serious mischief — can be lackluster. The dose of underworld dosey doe, for example, proves sluggish and repetitive, despite sound designer Colin Trevor’s steady injections of the gorgeously moody songs of Neko Case. In the end, the play’s defiantly romantic spirit has charm, but Forever Never Comes leaves too much hanging.

FOREVER NEVER COMES

Wed-Sat, 8 p.m. (through June 26), $10–$30

Boxcar Playhouse

505 Natoma, SF

(800) 838-3006

www.boxcartheatre.org

 

Our Weekly Picks: June 16-22, 2010

Jesse Hawthorne Ficks
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WEDNESDAY 16

THEATER/DANCE

The Tosca Project

American Conservatory Theater artistic director Carey Perloff and San Francisco Ballet choreographer Val Caniparoli have teamed up with an all-star cast of ACT actors and San Francisco Ballet principal dancers (Lorena Feijoo, Pascal Molat, and Sabina Allemann) to bring theater and dance to one stage. Tracing the history of SF’s famous Tosca Café, The Tosca Project at ACT journeys through the love, loss, and popular dances of the past century to a soundtrack (featuring everything from Stravinsky to Hendrix) as diverse as the café’s ever-changing clientele. (Katie Gaydos)

Through June 27

Tues.–Sat., 8 p.m. (also Wed. and Sat., 2 p.m.); Sun, 2 p.m., $15–$85

American Conservatory Theater

415 Geary, SF

(415) 749-2228

www.act-sf.org/0910/tosca/index

THURSDAY 17

PERFORMANCE

Fresh Meat Festival

It’s that time again when Sean Dorsey brings tranny and queer performers for a love feast of dance, humor, music theater, and just about any other form of performance you could want. Most remarkable perhaps is how the Fresh Meat Festival — a tiny, local event only a few years ago — has grown into a national forum for often very polished performers who stick their necks out in every direction. Part of the festival’s fun is people-watching; some audience members’ get-ups nearly rival what’s seen on stage. Highlights from the lineup include world premieres of Dorsey’s take on Craigslist’s Missed Connections, Annie Danger’s media-style life coaching session, and SoliRose’s music-theater reflections about life in the Middle East. (Rita Felciano)

Thurs/17-Sat/19, 8 p.m.; Sun/20, 7 p.m., $17–$20

Z Space @ Theater Artaud

450 Florida, SF

www.brownpapertickets.com

MUSIC

U.S. Bombs

Boasting one of the most unpredictable, energetic, and enthralling bandleader of any punk band ever to set foot in front of an audience, U.S. Bombs has cultivated an incendiary reputation thanks to singer, legendary skateboarder, and all-around “master of disaster,” Duane Peters. Combining sounds culled from old school influences like the Clash and mixing them with the raw, adrenaline-pumping attitude needed while attacking a half-pipe, the band’s lineup has gone through several variations. But no matter which members of punk rock royalty he has behind him, Peters is guaranteed to steal the spotlight and make for a show you won’t likely soon forget. (Sean McCourt)

With the Forgotten, Druglords of the Avenues, and Cunt Sparrer

8 p.m., $14

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

EVENT

Decomposition reading

It’s sometimes said that, like pop songs, all good poems are ultimately about either love or death. Instinctively, I think most of us know this to be incorrect. Sometimes, though, we need a little reminder, which is where events like this one come in handy. Decomposition is an anthology of fungi-themed poetry from throughout the ages — apparently, many of America’s most seminal wordsmiths, including Sylvia Plath and Emily Dickinson, drew tremendous inspiration from the lowly mushroom (and no, not like that). Leading this tour of verse’s dark, dewy reaches will be editor Kelly Chadwick and poet Charlotte Innes. (Zach Ritter)

7–9 p.m., free

Ecology Center Store

2530 San Pablo, Berk.

(510) 548-3402

www.ecologycenter.org

FRIDAY 18

DANCE

Great Integration: A Chamber Hip-Hop Opera

By calling Great Integration — an allegory about the end of times — a hip-hop opera, choreographer Raissa Simpson and composer-pianist JooWan Kim may be on to something. Hip-hop is music, it’s dance, it’s poetry, and above all it’s a way of being. It means living on the edge, on unstable ground and embracing the subversive. Longtime East Bay activist and Integration contributor MC Kirby Dominant can attest to that. As far as the opera part is concerned, the Chinese and the Italians discovered centuries ago that opera is a messy, all-encompassing form of theater splendidly suited for big topics. Sounds just about right for all aspects of Integration. On opening night, jazz vocalist Christopher Nicholas joins Kim’s Ensemble Mik Nawooj and Simpson’s Push Dance Company. (Felciano)

Fri/18–Sat/19, 8 p.m., $15–$25

ODC Commons

351 Shotwell, SF

(415) 863-9834

www.brownpapertickets.com/event/104653

MUSIC

QM

Do you like hip-hop? Do you like cheap booze? Get your ass down to Hotel Utah for a stiff double dose of both and party like your parents are outta town. Local rapper QM of the Rec-League, self-described as “your favorite rapper’s favorite rapper to drink with,” is finally releasing his latest album, Happy Hour, and is throwing his own happy hour to celebrate. QM’s clever punch lines and West Coast sound may not change your political views, but they just might leave you hung over. Throw in $1 PBRs and Happy Hour grab bags filled with the album, a beer koozie, and other surprises, and Hotel Utah’s guaranteed to get wild. Be prepared for a drunken good time, and keep some aspirin and water ready for the morning after. (Ben Hopfer)

With Rec-League, Adverse, and Parable Paul

9 p.m., $10

Hotel Utah

500 Fourth St., SF

(415) 546-6300

www.routinefly.com

EVENT

“Cultural Encounters: Friday Nights at the de Young”

If you’re one of those people for whom a croissant is a “kwah-sahn,” then this week’s Friday Soirée at the de Young Museum, presented in partnership with the Alliance Française, should cater to your Francophiliac tastes. Though not French himself, Rich Kuhns accompanies the “Birth of Impressionism” exhibit as a strolling accordionist. The Bay Area monsieur of musette hearkens back to traditional French sounds — he plays Jacques Brel and Edith Piaf, of course — while also adding some contemporary flair to the fête. Following his performance, Dr. Alexandra Amati-Camperi lectures on the Fête de la Musique, French singer-songwriter Eric John Kaiser performs, and you can make your own found object instrument with Kim Erickson, described as an “art diva” by the de Young website. It’s no coincidence that the word “cliché” is French,” but zut alors, clichés never sounded so good. (Ryan Lattanzio)

5–8:45 p.m., free

de Young Museum

50 Hagiwara Tea Garden Drive, SF

(415) 750-3600

www.deyoung.famsf.org

FILM

Top of the Food Chain

Bluntly retitled Invasion! for its American release, Canadian filmmaker John Paizs’ homage to 1950s sci-fi films, Top of the Food Chain (1999), is the second of his films to screen at Artists’ Television Access in as many months. Previously, the auteur worked on beloved Canadian comedy series Kids in the Hall, but his films have a miniscule presence on the Internet — a few blog reviews here and there, and only two relevant YouTube clips. However, both of those clips are of hilariously non sequitur musical numbers, so that’s a promising sign. Indeed, Paizs’ fetishization of a seemingly outdated genre should be right at home alongside ATA’s usual assemblage of experimental video art. (Sam Stander)

8 p.m., $6

Artists’ Television Access

992 Valencia, SF

(415) 824-3890

www.atasite.org

PERFORMANCE

Miriam’s Well

This cultural and artistic mashup tells the stories of Mary, Maryam, and Miriam from the Christian, Muslim, and Jewish traditions connecting across time and distance at an ancient water well, the source of life and strife in a world that has yet to come to terms with how we can come together around our most basic shared needs. The performance involves dance, live music, poetry, and readings of sacred texts by a variety of acclaimed artists, from creator and dancer Miriam Peretz to musicians the Qadim Ensemble and master percussionist Pezhham Ackavass to spoken word artist Lana Nasser. It’s a story of visionary women leading all us past our historical and still-growing divisions and toward the realization that “without peace the well will soon run dry.” (Steven T. Jones)

8 p.m., $20

Grace Cathedral

1100 California, SF

(415) 749-6355

www.brownpapertickets.com/event/97354

SATURDAY 19

EVENT/PERFORMANCE

Birthfest and The Dynamite Show

FouFouHa!, San Francisco’s uniquely zany clown dance troupe, wants to take you on a strange journey all the way from a woman’s womb to a glitzy reality show set in Hollywood. That may seem like a long road to travel, but with troupe founder and performance director/choreographer Maya Culbertson-Lane, a.k.a. MamaFou, behind the wheel, it’s sure to be a fun ride. The play, which runs at Brava June 17-26, follows the Fous as they audition to be humiliated on television, exploring the role of the fool in society. But this show is preceded by a film festival on midwifery, with proceeds benefiting the Foundation for the Advancement of Midwifery, which recently helped MamaFou deliver her second child. What’s the connection? As she explains, it’s about power, “the power to not give into social fears created by a system run by money — in this case Hollywood and insurance companies.” With live music by the Gomorrans Social Aide and Pleasure Club and a photo exhibit by Eric Gillet. (Jones)

Birthfest, noon-6 p.m.; The Dynamite Show, 8 p.m., $20–$40

Brava Theater

2781 24th St., SF

www.foufouha.com

www.birthfest.com

EVENT

StreetSmARTS Community Extravaganza

It’s afternoon in the Tenderloin, and muralist Jet Martinez has been sponsored by the SF Arts Commission to paint traditional Oaxacan embroidery flowers in Cedar Alley. His audience: a man who has been yelling “I’m gonna kill you!” to no one in particular all day. The guy starts to approach him, and when he gets close enough says this to Jet in a low, articulate voice: “We really appreciate what you’re doing for the community.” Don’t ever let them tell you art doesn’t matter. Celebrate the beautiful walls created through StreetSmARTS with b-boys, DJs, and a midnight unveiling of “The Elements of Hip Hop,” a indoor gallery of works by the muralists themselves. (Caitlin Donohue)

Sat/19, 6 p.m., free

African American Art and Culture Complex

762 Fulton, SF

(415) 252-2598

www.sfartscommission.org

MONDAY 21

MUSIC

Brian Jonestown Massacre

Who Killed Sgt. Pepper? the Brian Jonestown Massacre asks in the title of its latest album. It’s possible bandleader Anton Newcombe did, if you recall how insane he was in Ondi Timoner’s documentary Dig! (2004). The San Francisco-bred band returns to the Fillmore in conjunction with its new release — a rather disquieting listen with plenty of dissonant space noise and expletives to make for a psychedelic headbanger’s wet dream. Newcombe, steeped in notoriety since Dig! and its frenetic portrait of the artist as a disturbed man, has been honing his sound since 1990. If you can separate art and artist (or don’t even bother — it makes things more interesting), BJM is one of today’s only bands that should be allowed to remain as prolific as it is. (Lattanzio)

9 p.m., $22.50

Fillmore

1805 Geary, SF

(415) 346-6000

www.livenation.com The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Super stories

Jesse Hawthorne Ficks
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Super stories

arts@sfbg.com

FILM It’s film festival season, which means one thing: stories. Lots of them. And not just the ones that happen on film, but all the ones that happen before, during, and after the tapes get mastered and the crowds go home. While this is certainly true of all films, it’s especially true for the Queer Women of Color Film Festival, held annually at Brava Theater Center in the Mission.

Each year the festival premieres 25 short films made by and for women of color, who travel from across the Bay Area, and sometimes the state, to a small workshop in the Sunset District and learn the ins and outs of video production. The end results are nuanced, gripping, and often hilarious stories of how amazing, awkward, and complex love can be. So even though the festival’s yearly themes may be heavy — last year’s focused on immigration, this year’s celebrates queer indigenous communities — crowds pack the theatre, enjoy free food, and see that there’s more than enough to smile about.

This year’s festival brought a variety of movies. In Ferment Me My Heart, one Korean Canadian woman used animation to explore her love-hate relationship with kimchi and what it tastes like to be an outsider. Home is Where My Mother Is showed that all ain’t pretty in the world of queer families, as one woman confronted her lesbian mother over a traumatic interracial relationship. Bulldagger Women and Sissy Men paid homage to the Harlem Renaissance’s queer characters. A mother and daughter bonded over basketball in Hoops, and Passing Through Like Water followed three generations of Iranian women as they navigated how to deal with change and one another.

The festival also included a sacred ceremony for indigenous queer communities, and related films that unearthed the lessons of Cherokee elders and explored what Proposition 8 means to native women. If you missed out, you still have a chance to see some highlights when “F**king Traditional Values: Queer Women of Color Shorts” screens at Frameline.

F**KING TRADITIONAL VALUES: QUEER WOMEN OF COLOR SHORTS

Sun/20, 4:15 p.m., $8

Victoria Theatre

2961 16th St.

(415) 863-7576

www.frameline.org

www.qwocmap.org 

 

Stage listings

David Talbot
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

BAY AREA

Les Liasons Dangereuses Redwood Ampitheatre, 30 Sir Francis Drake, Ross; (415) 251-1027, www.porchlight.net. $15-30. Previews Thurs/17-Fri/18, 7pm. Opens Sat/19, 7:30pm. Runs Thurs-Sun, 7:30pm; also June 28, July 7, 7:30pm. Through July 10. Porchlight Theatre Company presents a production of Christopher Hampton’s adaptation of the 1782 novel.

ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through June 26. Actors Theatre performs Arthur Miller’s masterwork.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through Sun/20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to “enter” Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through Sun/20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

Die Walküre War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Sat/19, Tues/22, June 25, 30, 7pm. Through June 30. San Francisco Opera presents the second installment of Wagner’s Ring cycle, directed by Francesca Zambello.

“Durang Me!” Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Custom Made performs two comedies by Christopher Durang: Sister Mary Ignatius Explains It All For You, and The Actor’s Nightmare.

La Fanciulla Del West War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Opens Wed/9, 7:30pm. Fri/18, July 2, 8pm; June 24, June 29, 7:30pm; June 27, 2pm. Through June 17. San Francisco Opera presents Puccini’s opera, with Deborah Voigt as Minnie.

Forever Never Comes Boxcar Playhouse, 505 Natoma; www.crowdedfire.org. $10-25. Wed-Sat, 8pm. Through June 26. Crowded Fire performs Enrique Urueta’s world premiere “psycho-Southern queer country dance tragedy.”

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through Sat/19. Cobbled from the stories of Peter S. Beagle, author of The Last Unicorn, this frolic into the fantasy genre is a multi-corn misstep from writer-director Stuart Bousel. The only good thing about the convoluted plot—which, in addition to the requisite assortment of wizards, dragons, and whatnot has a play-within-a-play dimension featuring a band of caviling actors—is that it is so convoluted you can safely stop paying attention to it almost immediately. For the rest, you will have to endure two hefty acts’ worth of amateurish theatrics, whose look and tone suggest an Interstate mishap between giddy vanloads of Renaissance Fairegoers and Star Trek conventioneers. (Avila)

Gutenberg! The Musical! Exit Stage Left, 156 Eddy, SF; www.beardsbeardsbeards.com. $20. Thurs-Sat, 8pm. Through June 26. A Theatre Company presents a musical about two writers who scheme to create a Broadway musical about Johann Gutenberg.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard “Scrumbly” Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

KML Goes Undercover Zeum Theater, 221 4th St, SF; www.killingmylobster.com. $10-20. Thurs-Fri, 8pm; Sat, 7pm, 10pm; Sun, 7pm. Through June 27. Killing My Lobster returns with a series of comedic vignettes based on the theme of espionage.

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater remounts its strong recent production of Samuel Beckett’s hour-long solo play, featuring a full-fledged and satisfying turn by a hearty, slyly comic Paul Gerrior as the titular Krapp, reflecting on the fleeting sense of self recorded on reel-to-reel tapes over the course of a long life. Artistic director Rob Melrose approaches the material with supreme assurance and passionate but never stifling fidelity. David Sinaiko provides the recorded voice of the younger Krapp, expertly balancing a passion and unselfconscious pomposity that has Gerrior’s Krapp alternately bemused, euphoric, and wincing through one of Beckett’s most autobiographical and surprisingly affirming pieces. Melrose’s choice use of scenic elements, meanwhile, including the palpably solid 1950s-era tape machine, places Gerrior (suitably odd and natty in costumer Maggie Whitaker’s dapper vest, high-water trousers and white shoes) in a kind of communion with the reel and the real—an affecting and quietly unsettling relationship, pitched against an infinite blackness all around, that has Krapp at one point resting his head gently on the machine as he and the insubstantial voice of his younger self relive a moment of intimacy with a long-gone lover. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun/20, July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway “Beatlemania” comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

“Something C.O.O.L.: The Summer Cabaret Festival” Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through Sat/19. Expression Productions performs David Mamet’s black comedy.

*The Tosca Project American Conservatory Theater, 415 Geary; 749-2ACT, www.act-sf.org. $15-87. Wed-Sat, 8pm; Wed, Sun, 2pm. Through June 27. Four years in the making, this ACT–SF Ballet collaboration unfurls a lushly romantic, whimsical pageant of San Francisco history through movement, character, mise en scène, and an irresistible cultural lens: the famed North Beach bar lending the project its setting and name. Co-created by ACT’s Carey Perloff and SFB choreographer Val Caniparoli, the storyline traipses over every iconic period since Prohibition—sometimes too cursorily but generally with vigor and a quietly gathering intoxication—meanwhile centering on three characters: the tragically lovelorn Italian bartender-owner (Jack Willis); a Russian émigrée and regular (Rachel Ticotin) who eventually inherits the establishment; and an African American musician (Gregory Wallace) arriving on the lamb, who becomes another permanent fixture of the place. Never far away either is the incarnation of the Bartender’s lost love, played by SFB’s enchanting Sabina Allemann. Although the story is conveyed without dialogue, there are moments when words take the stage too—how could they not in Beat-era SF, especially with a neighbor in poet-publisher Lawrence Ferlinghetti (played here by the consistently winning Peter Anderson). The truly rare treat, of course, is watching the dancers of SF Ballet—not least the radiant and commanding Allemann (who retired from SFB in 1999), with added power and charisma in key scenes from Pascal Molat—relatively up-close and personal, mingling persuasively with their formidable actor colleagues, enveloped in an exquisite stage design (courtesy of Douglas W. Schmidt, gorgeously lit by Robert Wierzel) and a moody soundscape (by Darron L West) featuring choice period songs. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

The Drawer Boy Marion E. Greene Black Box Theatre, 531 19th St, Oakl. www.brownpapertickets.com. $10. Thurs-Sat, 8pm; Sun, 2pm. Through July 4. TheatreFIRST presents Michael Healey’s comedy about two aging farmers with a family secret.

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Fri/18, 9pm; Sun/20, 7pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

“Fireworks Festival” Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes “Scoop” Nisker.

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through Sat/20. Against a frozen, deceptively empty-looking landscape of perpetual winter, an anguished married couple stagnates in grief over the accidental death of their young son. Estranged by the sorrow and guilt they feel, they spend most of the time apart but not alone: Mel (Beth Wilmurt) stays at home, where she loses herself in obsessive domestic projects while fielding questions from their surviving daughter — the equally traumatized but far more resilient Lanie (Nika Ezell Pappas) — with assists from the Tooth Fairy (Melinda Meeng) and G.I. Joe (Keith Pinto); meanwhile, Ted (Ryan O’Donnell) wanders in his business suit through a string of airports and airport bars commiserating with other lost souls (Joe Estlack and Zehra Berkman). New York-based playwright Jenny Schwartz’s whimsical meditation on the process of grieving is something like The Rabbit Hole as written by Ionesco, fueled by dialogue that makes an overly showy and eventually tedious hysterical poetry of the banalities, clichés, and platitudes spoken by her stricken characters as a kind of prefab linguistic armor — everything and anything to avoid saying something. Director-choreographer Erika Chong Shuch stages the action in this Shotgun Players production with warm energy and imagination, however — and a handful of tuneful, clever songs from composer Daveen Digiacomo — compensating somewhat for the motionless plot. Moreover, Shuch undercuts the play’s maudlin tendencies by moving her able actors and even the stage properties around in swift, comical, aptly dreamlike fashion, as the stunned couple continue their largely separate meanderings, meaningfully spouting “meaningless” lines about bucking up, or settling in, or riding off, etc. The problem is there is not much beneath this frozen surface of clichés beyond more cliché. (Avila)

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinee Thurs/17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27. Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her “alternative” family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with “blind spots,” much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

John Steinbeck’s The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, www.calshakes.org. $34-70. Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also June 26, 2pm); Sun, 4pm. Through June 27. Cal Shakes leads off its season with an original staging of John Steinbeck’s early story cycle, a collaboration with Word for Word theater company gracefully adapted by acclaimed San Francisco playwright Octavio Solis (Lydia, Ghosts of the River). Artistic director Jonathan Moscone directs a fine 11-actor cast in lively performances across a smoothly intertwining set of ten tales, all revolving around two specific households—one, the Munroe family, settled upon a notoriously “cursed” patch of land—in the central California valley that a Spanish explorer once dubbed “the pastures of heaven.” Irony anyone? Steinbeck went for broke in the themes and taboos he touches upon here, from incest, madness, infanticide—he misses one or two, but not many. It’s sometimes somber yet rarely heavy going, however, with many lighter stories and situations in the mix, and director Moscone’s staging missing few opportunities for added humor along the way. At the same time, the stories are not equally compelling—the overly crowd-pleasing “song” story of two Mexican American sisters (Catherine Castellanos and Joanne Winter) who segue almost unconsciously from a failed restaurant venture into prostitution, for instance, is cute but surprisingly ho-hum. But if you lie back and let the play’s frontier landscape unfurl (as you do literally anyway in the hill-saddled Bruns Amphitheater), the evening has a dependable charm and several dramatic highlights—not the least of which features the powerful Rod Gnapp in the role of a man desperate to appear prosperous before his family and neighbors. (Avila)

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Fri/18, June 25, July 2, 9, 7pm; July 3, 5pm; Sun/20, July 11, 2pm. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through Sun/20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 27. TheatreWorks performs Michael Hollinger’s drama, set in the world of chamber music.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through July 18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.

*Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Tues, Thurs-Sat, 8pm; Wed, 7:30pm; Sun, 2 and 7pm. Through June 27. Marin Theater Company presents director-adapter Peter Glazer’s graceful, dynamic staging of the life and times of Woody Guthrie using the famed folk singer’s own enduring words and music (impressively, rousingly orchestrated and arranged by Jeff Waxman). Traveling alternately hard, light, and stirringly through the 1930s and 1940s before leaping ahead to alight briefly on the present (which is never far, in fact, from any of the concerns of the much abused but resilient working people channeled so brilliantly in Guthrie’s social poetry), five charismatic cast members (Lisa Asher, Berwick Haynes, Sam Misner, Matt Mueller, Megan Pearl Smith) sing, act, and play their own instruments beautifully, backed by a smooth and irresistible band under multi-instrumentalist and musical director Tony Marcus. You don’t have to know a lick of Guthrie’s material to immediately understand its relevance and beauty in these cleverly staged set pieces, which are as humorous and crowd-pleasing as they are unapologetically damming and defiant of the rule of capital. For Guthrie fans, of course, this is a must. (Avila)

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

Ball-ist-ic CounterPULSE, 1310 Mission; 626-2060, www.counterpulse.org. Fri/18-Sat/19, 8pm and 9:30pm. $18-22. Scott Wells & Dancers present a performance with seven dancers and a lot of balls.

Fauxgirls! Kimo’s Penthouse Lounge, 1351 Polk; 885-4535, www.fauxgirls.com. Sat/19, 10pm. Free. The female impersonation revue’s ninth anniversary show.

Liss Fain Dance Novellus Theater, Yerba Buena Center for the Arts, 701 Mission; 978-2787, www.ybca.org. Thurs/17-Sat/19, 8pm. $15-30. The company presents its home season, with two premieres, How It Ends and Speak of Familiar Things.

Marsh’s 20th Anniversary Performance Marathon The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. Sat/19, noon-midnight. A full-day of performances, including appearances by Charlie Varon and David Ford, and a late-night party.

Mortified SF Make-Out Room, 3225 22nd St; 647-2888, www.makeoutroom.com. Fri/18-Sat/19, 8pm. $12-15. Share the shame with firsthand stories of embarrassment.

“San Francisco Ethnic Dance Festival” Palace of Fine Arts, 3301 Lyon; 474-3914, www.worldartswest.org. Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

Sherri aka Cherchez La Femme Club Six, 60 6th St; 863-1221, www.cherchezlafemme.eventbrite.com. Fri/18, 9pm. $10-15. Performing along with Ariellah and Deshret Dance Company, Freyja, Auberon, Calamity Sam, Mirtara, blackhoodygrrrl and Superkate.

 

Rep Clock

David Talbot
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Schedules are for Wed/16–Tues/22 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $5-6. “OpenScreening,” Thurs, 8. For participation information, email ataopenscreening@atasite.org. Top of the Food Chain (Paisz), Fri, 8.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. “Independent Filmmakers Screening Nite,” Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8-13. Sex and the City 2 (King, 2010), Wed, call for times. San Francisco International LGBT Film Festival, June 17-27. See film listings.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Looking for Eric (Loach, 2010), call for dates and times. Micmacs (Jeunet, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times.

CONTEMPORARY JEWISH MUSEUM 736 Mission, SF; (415) 655-7800, info@thecjm.org. Free with museum admission ($8-10). Sixty Six (Weiland, 2006), Sun, 2.

DE YOUNG MUSEUM Piazzoni Mural Room, 50 Hagiwara Tea Garden Dr, Golden Gate Park, SF; (415) 488-1211, www.marinmindscapes.com. Free. Marin Mind/Scapes (2010), Sat, 2.

DECO LOUNGE 510 Larkin, SF; (415) 346-2025, www.decosf.com. Free. “Queer Cinema 101,” Mon, 10. Holly DeVille hosts this weekly show highlighting films that have had an impact on queer culture.

EXPLORATORIUM McBean Theater, 3601 Lyon, SF; http://asifa.net. Free. “A Tribute to the International Festival of Animation and to Prescott Wright: The Early Years,” Fri, 7:30.

FILM NIGHT IN THE PARK This week: Old Mill Park, 300 block of Throckmorton, Mill Valley; (415) 272-2756, www.filmnight.org. Donations accepted. Star Trek (Abrams, 2009), Fri, 8. Dolores Park, Dolores and 19th St, SF; same contact info and price. Grease (Kleiser, 1978), Sat, 8.

FORBIDDEN ISLAND TIKI LOUNGE 1304 Lincoln, Alameda; www.forbiddenislandalameda.com. Free. “Forbidden Thrills: Freaky Filipino Flix!”: •Mad Doctor of Blood Island (de Leon and Romero, 1968), Mon, 7:30, and For Your Height Only (Nicart, 1981), Mon, 9:15.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Processed People (Nelson and Nelson), Wed, 7:30.

JACK LONDON SQUARE PAVILION THEATER 98 Broadway, Oakl; www.oakuff.org. Free. “Oakland Underground Film Festival: Leading Local Talent Local Shorts Showcase,” Fri, 7:30.

ODDBALL FILMS 275 Capp, SF; (415) 558-8117, info@oddballfilms.com (RSVP required as space is limited). $5-10. “Oddball Wants Children: A Matinee of Accidental Edutainment for Kids and their Adults,” Sat, 3 (kid-friendly matinee), 8.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. Gravity Was Everywhere Back Then (Green, 2010), Wed, 7:30. “Akira Kurosawa Centennial:” The Lower Depths (1957), Thurs, 7; The Bad Sleep Well (1960), Sat, 6:30; Ikiru (1952), Sun, 7:15. “Tales from the Golden Age: Recent Romanian Cinema:” Police, Adjective (Porumboiu, 2009), Fri, 7 and Sun, 5. “Brought to Light: Recent Acquisitions to the PFA Collection:” The Host (Bong, 2006), Fri, 9:15; Payday (Duke, 1972), Sat, 9:15.

RED POPPY ART HOUSE 2698 Folsom, SF; www.redpoppyarthouse.org. $10-15. “Mission Ear and Eye,” live film music by Lisa Mezzacappa and Nightshade, plus music by Katy Stephan, Adam Shulman, and the Holly Martins, and live film projection by Alfonso Alvarez, Fri, 9.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Mother (Bong, 2010), Wed-Thurs, 7, 9:35 (also Wed, 2). The Runaways (Sigismondi, 2010), Fri-Sat, 7:15, 9:30 (also Sat, 2). Smoked (The Movie), Sat, 4:20. Oceans (Perrin and Cluzand, 2010), Sun-Mon, 7:15, 9:25 (also Sun, 2). No One Knows About Persian Cats (Ghobadi, 2009), June 22-23, 7:15, 9:25 (also June 23, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. Free-$10.75. The Full Picture (Bowden, 2008), Wed-Thurs, 7, 8:45. “San Francisco United Film Festival,” narrative and documentary films, Wed-Thurs.

“TEMESCAL STREET CINEMA” 49th St at Telegraph, Oakl; www.temescalstreetcinema.com. Free. Pelada (Fergusson, Boughen, Oxenham, and White, 2010), Thurs, 8. With free popcorn and live music.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. Bluebeard (Breillat, 2009), Thurs-Sat, 7:30; Sun, 2.

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 16

ROCK/BLUES/HIP-HOP

Bernadette, Stripmall Architecture, Conspiracy of Venus, Ziva Independent. 8pm, $14. With a burlesque performance by the Cheese Puffs.

Better Than Lahar, Last Ambassadors Elbo Room. 9pm, $7.

Jay Brannan, Terra Naomi, Jhameel Bottom of the Hill. 9pm, $14.

Brother Raven, Golden Retriever, Moholy-Nagy Hemlock Tavern. 9pm, $6.

David Broza, GE Smith Great American Music Hall. 8pm, $35.

Delphic, Butterfly Bones, Delle Vellum Rickshaw Stop. 8pm, $12.

Genius and the Thieves, Victory and Associates, Hi-Nobles El Rio. 8pm, $7.

Cathy Lemon and Johnny Ace with guests Tommy Castro, Kid Andersen, and Ron

Thompson Biscuits and Blues. 8 and 10pm, $15.

Pink Noise, Spiro Agnew, Sharing Type Kimo’s. 9pm, $5.

Ray Collins Hot Club, Go Getters Verdi Club, 2424 Mariposa, SF; www.atownagency.com. 8pm, $15.

Spindrift Knockout. 9:30pm, $7.

Tea Leaf Green Café du Nord. 9pm, $30.

Wheels on Fire Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 17

ROCK/BLUES/HIP-HOP

Athlete, Carney Independent. 8pm, $15.

Electric Sister, Deeva, Royal Highness Café du Nord. 9pm, $12.

Melody Gardot Fillmore. 8pm, $35.

Jeremy Jay, My First Earthquake, Attachments Rickshaw Stop. 8pm, $10.

Eilen Jewell, Sallie Ford and the Sound Outside Hotel Utah. 9pm, $10.

Kill Moi, Cinematography, Fake Your Own Death Independent. 9:30pm, $6.

Mallard, Wolf, Ryan Moritz, Camp Out Thee Parkside. 9pm, $6.

Moanin’ Dove, Geographer, Leopold and His Fiction, DJ John Vanderslice Bottom of the Hill. 9pm, $10.

Moonalice, Eoin Harrington, Barry "The Fish" Melton Great American Music Hall. 7:30pm, $25. Benefit for Haight Ashbury Free Clinics.

Nachtmahr, Underbyte DNA Lounge. 9pm, $15.

Thrones, Hot Victory Hemlock Tavern. 9pm, $10.

*US Bombs, Forgotten, Druglords of the Avenues, Cunt Sparrer Slim’s. 8pm, $14.

FOLK/WORLD/COUNTRY

JimBo Trout and the Fishpeople Atlas Café. 8pm, free.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz and special guest Frank(e) spin Afro-tropical, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $2. With DJs subOctave and Blondie K spinning indie music videos.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Nightvision Harlot, 46 Minna, SF; (415) 777-1077. 9:30pm, $10. DJs Danny Daze, Franky Boissy, and more spinning house, electro, hip hop, funk, and more.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 18

ROCK/BLUES/HIP-HOP

Birdmonster, Dynamite Walls, King Baldwin Bottom of the Hill. 10pm, $12.

Bryan Minus and the Disconnect, Baker London, Odd Owl Brainwash Café, 1122 Folsom; www.brainwash.com. 8pm.

Junip, LoveLikeFire Rickshaw Stop. 8:30pm, $15.

Jamie Lidell Amoeba, 1855 Haight, SF; (415) 831-1200. 6pm, free.

Jamie Lidell, Alex B Independent. 9pm, $20.

LSD and the Search for God, Meek, Fuxa, DJ Darragh Skelton Hemlock Tavern. 9:30pm, $8.

Manicato, Band Data Elbo Room. 10pm, $13.

"Mix Tape: A Night of Music with Locus Favorite and Emerging Artists" ARC Studios and Gallery, 1246 Folsom; http://kearnystreet.org. 8pm, $10. Benefit for Kearny Street Workshop.

Moccretro, Borneo Epicenter Café, 764 Harrison, SF; (415) 543-5436. 7pm, free.

Portugal the Man, Builders and the Butchers, Morning Teleportation Fillmore. 9pm, $20.

*Chuck Prophet and the Mission Express, Stephanie Finch and the Company Men, DJ

QM, Rec-League, Adverse, Parable Paul Hotel Utah. 9pm, $10.

EC Scott Bimbo’s 365 Club. 8 and 10pm, $20.

Shellshag, Grass Widow, Dirty Marquis, Street Eaters El Rio. 9pm, $8.

Kelley Stoltz Great American Music Hall. 9pm, $16.

Tha Dogg Pound (Daz and Kurupt), thekeenone, Beatiki, Sincere, DJ Mr. E Rock-It Room. 10pm, $25.

Thou, Molloch, Fell Voices, Pale Chalice, DJ Rob Metal Thee Parkside. 9pm, $8.

Wang Chung, Notorious Slim’s. 9pm, $25.

Devon Williams, Impediments, Haunted Tiger, Blue Jungle, Cum Stain, Cosmonauts Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Karen Segal Group Savanna Jazz. 7:30pm, $8.

Lalah Hathaway Yoshi’s San Francisco. 8 and 10pm, $22-30.

FOLK/WORLD/COUNTRY

Bluegrass Bonanza Plough and Stars. 9pm.

Ila Mawana Mojito. 9pm, $7.

Amy Obenski, Liz Ryder Bazaar Café, 5927 California, SF; (415) 831-5620. 7pm, free.

Pine Box Boys, Good Luck Thriftstore Outfit, Shitkickers Café du Nord. 9:30pm, $12.

Rob Reich and Craig Ventresco Amnesia. 6pm, free.

Tempo: A Brazilian Musical Journey Icthus Gallery, 1769 15th St., SF; (415) 563-3896. 7:30pm, $20. Featuring Brazilian popular music, prayer songs, bossa nova, poetry, movement, and more.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Carl Craig and Amp Fiddler Mighty. 10pm, $12.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Electric Kingdom Eve Lounge, 575 Howard, SF; www.trueskool.com. 10pm, free. With DJ Ren the Vinyl Archaeologist spinning electro, breaks, and house.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Hubba Hubba Revue: Hell DNA Lounge. 9pm, $10-15. Burlesque.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Oldies Night Knockout. 9pm, $2-4. Doo-wop, one-hit wonders, and more with DJs Primo, Daniel, and Lost Cat.

Radioactivity 222 Hyde, SF; (415) 440-0222. 6pm. Followed by Warm Leatherette at Space Gallery, 1141 Polk, SF; (415) 377-3325. 9pm. A back to back traveling Cold Wave night with DJs spinning danceable post-punk and psychedelic.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Too Cool for (Pre)School Som. 9pm, $10-$20 donation. With DJs Space Cowboy, Mancub, Shissler, and more. Proceeds to benefit the Silverspot Cooperative Nursery School.

SATURDAY 19

ROCK/BLUES/HIP-HOP

*Earthless, Dirty Power, Hot Fog, Carlton Melton Bottom of the Hill. 9pm, $12.

"Epic Daze: Cannabis Cup USA" Mezzanine. 6:30pm. With Eagles of Death Metal, Lyrics Born, and more.

Terry Hanck Biscuits and Blues. 8 and 10pm, $20.

*He Who Cannot Be Named, White Barons, Lords El Rio. 10pm, $7.

Head Like a Kite, Jonesin’, Smoosh Hemlock Tavern. 9:30pm, $7.

Jim Lauderdale Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $22.

Mensclub, Bar Feeders, Sassy, Thinger El Rio. 4pm, $8.

*Murphy’s Law, Hoods, Pressure Point, Wolves and Thieves Thee Parkside. 9pm, $12.

Playing for Change Band Slim’s. 9pm, $35.

Point of View, Binky, New Hope for the Dead Thee Parkside. 3pm, free.

Super Adventure Club, PC Muñoz’s Left Hook, Punk Funk Mob Hotel Utah. 9pm, $8.

Thumper Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

JAZZ/NEW MUSIC

Al Coster Group Savanna Jazz. 7:30pm, $5.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Lalah Hathaway Yoshi’s San Francisco. 8 and 10pm, $30.

Rita Lackey and friends Caffe Trieste, 1667 Market, SF; www.caffetrieste.com. 6:30pm.

FOLK/WORLD/COUNTRY

Infamous Stringdusters Café du Nord. 9pm, $14.

Andy Irvine Plough and Stars. 9pm.

Keep the Faith: New Old Time Chautauqua Cowell Theater, Fort Mason, Marina at Bay, SF; (415) 345-7575. 7:30pm, $28. A benefit for KPFA.

Sun Araw, Jealousy Amnesia. 9pm, $6.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Bootie DNA Lounge. 9pm, $6-12.

Booty Bassment Knockout. 10pm, $5. Booty-shaking hip-hop with DJs Ryan Poulsen and Dimitri Dickenson.

Club Skirts Orson, 508 4th St., SF; (415) 777-1508?. 9pm, free. With Topp Twins performing live and more. Honoring the women’s films at Frameline.

Cock Fight Underground SF. 9pm, $7. Locker room antics galore with electro-spinning DJ Earworm and hostess Felicia Fellatio.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Fire Corner Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Fringe Madrone Art Bar. 9pm, $5. With DJs Blondie K and subOctave spinning indie music videos.

Full House Gravity, 3505 Scott, SF; (415) 776-1928. 9pm, $10. With DJs Roost Uno and Pony P spinning dirty hip hop.

Larry Heard aka Mr. Fingers Som. 9pm, $20.

Gemini Pride Party Supperclub. 9:30pm, $10. With DJs Mei Lwun, Nuxx, Kipp Glass, and Tristan Jaxx and dance performances throughout the night.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Non Stop Bhangra Rickshaw Stop. 9pm, $20. Bhangra beats with Dholrhythms and DJ Jimmy Love.

Prince vs. Michael Madrone Art Bar. 8pm, $5. With DJs Dave Paul and Jeff Harris battling it out on the turntables with album cuts, remixes, rare tracks, and classics.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 20

ROCK/BLUES/HIP-HOP

*BellRays, Hank IV, Carlos, Primitivas, Ezee Tiger Bottom of the Hill. 2pm, $12.

Christian Mistress, Serpent Crown Hemlock Tavern. 9pm, $6.

Drag the River, Famous, Stacey Dee and Lil Jen Thee Parkside. 8pm, $10.

Angélique Kidjo, Sarazino Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Little Wings, Aaron Novik’s Thorny Brocky, NoHow On Make-Out Room. 8pm, $8.

Andy McKee, Johnny Dickinson Great American Music Hall. 8pm, $21.

A Place to Bury Strangers, Light Pollution, Weekend Rickshaw Stop. 7:30pm, $14.

Rescues Café du Nord. 8pm, $10.

"Soundwave Festival ((4)): Rock the Bike at Sunday Streets Mission" 24th St and Valencia, SF; www.projectsoundwave.com. 1pm, free. Bike-powered music with Kemo Sabe.

Bobbie Spider Webb Biscuits and Blues. 8 and 10pm, $15.

William Control, Mankind Is Obsolete, Savi0r, Cystem Cex DNA Lounge. 8:30pm, $15.

JAZZ/NEW MUSIC

Lalah Hathaway Yoshi’s San Francisco. 5 and 7pm, $5-30.

Cal Keoola and Jon Rubin Bliss Bar, 4026 24th St, SF; www.blissbarsf.com. 4:30pm, $10.

Tango #9 Café Royale, 800 Post, SF; (415) 641-6033. 7pm, free.

FOLK/WORLD/COUNTRY

Kally Price Band, SF Bourbon Kings Amnesia. 9pm, $7-$10.

Kitchen Fire Thee Parkside. 4pm, free.

Ray Martinez and Azabache El Rio. 4pm, $8.

Darcy Noonan, Richard Mandel, Jack Glider and friends Plough and Stars. 9pm.

2010 Country Throwdown Tour Shoreline Amphitheatre, One Amphitheatre Parkway, Mountain View; (650) 967-3000. 1pm, $21-$41. With Montgomery Gentry, Jamey Johnson, Little Big Town, Jack Ingram, Eric Church, Eli Young Band, Lost Trailers, Heidi Newfield, and more.

DANCE CLUBS

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with Vinnie Esparza and Ludichris.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 21

ROCK/BLUES/HIP-HOP

Boyce Avenue, Tamar Kaprelian Café du Nord. 8:30pm, $14.

Brian Jonestown Massacre, Federale Fillmore. 9pm, $22.50.

Gregory Isaacs Independent. 9pm, $30.

Peggy Sue, Pepper Rabbit, todayokay Bottom of the Hill. 9pm, $12.

Pulse Right Bullet Vibe, Great Magnet Band, Rules to Ruin El Rio. 7pm, $5.

Smokin’ Joe Lubeck with Bnois King Biscuits and Blues. 8 and 10pm, $16.

Yelawolf, DJ Quest, Z-Man, DJ B. Cause Slim’s. 9pm, $15.

FOLK/WORLD/COUNTRY

Homespun Rowdy, Bluegrass Jam Amnesia. 6pm, free.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Ceremony Knockout. 10pm, free. Darkpop, goth, industrial, and more with DJs Deadbeat and Yule Be Sorry.

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 22

ROCK/BLUES/HIP-HOP

Brier Rose, Big Blue Whale, American Studies Hemlock Tavern. 9pm, $6.

Fat Freddy’s Drop, Jeremy Sole Independent. 9pm.

Gema, Sang Matiz Elbo Room. 9pm, $7.

Dave Hause, Chon Travis, Travis Hayes and friends Thee Parkside. 8pm, $6.

Hot Air Platoon, Storming Stages and Stereos Knockout. 9pm, $3.

Kate Miller-Heidke Café du Nord. 8pm, $12.

Old Tunnel Road, Wee the Band El Rio. 7pm, free.

Psychedelic Furs, She Wants Revenge Fillmore. 8pm, $32.50.

Rooney, Young Veins, Black Gold Slim’s. 8pm, $16.

Shants, Il gato, Jen Grady Bottom of the Hill. 9pm, $8.

Topp Twins Swedish American Hall (upstairs from Café du Nord). 8pm, $20.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Matmos, So Percussion, Lexington Mountain Boys Rickshaw Stop. 8pm, $12.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Tomorrow is tonight in Gutenberg! The Musical!

John Elberling
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Tomorrow is tonight in Gutenberg! The Musical!

By Sam Stander

Have you ever seen a musical where most of the characters couldn’t read? It really is a novel idea, isn’t it? That’s what Doug Simon and Bud Davenport are here for! The hack musical theater hopefuls who basically constitute the whole cast of Scott Brown and Anthony King’s Gutenberg! The Musical! know that writing a musical is hard, so they’ve done all the work. It’s just up to the bigshot Broadway producers in the audience (purportedly) to make their dreams come true. In Beards Beards Beards: A Theatre Company’s production of the rather madcap little play, which premiered Thursday at Exit Stage Left in San Francisco, Austin Ferris and Joey Price play the two sickeningly sincere song-and-dance men to a tee.

The whole show is composed of them acting out the play by wearing trucker hats with different character names written on them (sometimes as many as seven at once, to facilitate quick changes), while their compatriot Charles (Joe D’Emilio) fastidiously attends to the piano. The hats themselves are a riot, with labels for such crucial characters as “Anti-Semite,” “Feces,” and “Dead Baby.”

The duo’s ideas about what goes into a hit Broadway musical are a double-edged satirical sword, slashing at the formula and self-importance of that often bloated medium while also cutting deeply into the delusions of its archetypal characters. But their Ed Wood-esque mania for doing things the cockamamie way they think things ought to be done is mostly just endearing. Ferris and Price have real chemistry as they dance, declaim, and flirt their way through a cascade of really horrid musical numbers. They especially give it their all on the entirely-not-scary “Haunted German Wood.”

http://www.youtube.com/watch?v=q_vSOO-Inpc

Their failure to understand basic concepts of storytelling is one of the show’s finest points of humor. Their musical, about the inventor of the printing press, Johann Gutenberg, is described as historical fiction. What does that mean? “Fiction that’s true.” After one song is identified as foreshadowing, one of them asks, “What is foreshadowing?” The other’s response: “I’ll tell you…later!”

The play, of course, raises important issues. Doug and Bud are obsessed with illiteracy, and they explicitly state that the difficult issue their musical will tackle is the Holocaust, and how the invention of the printing press failed to prevent its atrocities. Oh, and a poignant discussion about the age-old debate between followers of God and followers of “stuff” is particularly thought-provoking.

Dropping in any more transcribed jokes out of context seems pointless, since so much of what sells these jokes is the full-on genuineness projected through the characters. But, suffice it to say, this thing is funny, and it will make an impression on you (with a printing press, get it?!).

GUTENBERG! THE MUSICAL!
Thurs-Sat, 8 p.m. (through June 26), $20
Exit Stage Left
156 Eddy, SF
(800) 838-3006
www.beardsbeards.com

 

Alerts

David Talbot
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alert@sfbg.com

WEDNESDAY, JUNE 16

Generations HIV


The HIV Story Project kicks off SF Pride with the world premiere of a hands-on, video-based storytelling booth that will record stories from all ages, genders, and ethnic backgrounds about the impacts and affects of HIV/AIDS on people around the world. Once complied, stories will be shared on the Web. Complimentary food and drink — and 15 percent discount on all merchandise. Proceeds benefit Bay Area service organizations.

6 p.m., free

Under One Roof

518A Castro, SF

www.thehivstoryproject.org

Liberty for Our Friends


Attend this benefit for the families of Sarah Shourd, Josh Fattal, and Shane Bauer, the Bay Area travelers imprisoned in Iran and accused of spying. Proceeds go toward helping their mothers travel to Iran to appeal for their release. Featuring live music with the Beauty Operators, Steve Meckfessel, Annah Anti-Palindrome, and Nomy Lamm and the Whole World.

6:30 p.m.; $20 suggested (includes book)

KoKo Cocktails

1060 Geary, SF

(415) 255-6304

www.freethehikers.org

THURSDAY, JUNE 17

Equal rights advocates luncheon


Join more than 800 equal rights supporters, including attorneys, business leaders, and women’s rights advocates, at this awards luncheon featuring keynote speaker Arianna Huffington, cofounder and editor-in-chief of the Huffington Post.

11:30 p.m., $150

San Francisco Marriott Marquis

55 Fourth St., SF

www.equalrights.org

Out of Our Film Festival


Protest the Israeli consulate’s sponsorship of the San Francisco LGBT Film Festival on opening night and support divestment and sanctions against Israel until it ends the occupation of Palestine, ceases discrimination against Palestinian citizens of Israel, and permits displaced Palestinian refugees to return to their homes.

6 p.m., free

Castro Theater

429 Castro, SF

www.quitpalestine.org

FRIDAY, JUNE 18

Oakland mayoral debate


Hear the major candidates for mayor of Oakland weigh in at this debate with City Council members Rebecca Kaplan and Jean Quan and former state Sen. Don Perata. The debate is being hosted by the Alameda County Democratic Lawyers Club.

Everett and Jones Restaurant

126 Broadway, Oakl.

(510) 836-7563

www.demlawyers.org

Say No to War


Rally for peace and protest the ongoing war in the Middle East. Demand we bring our troops home now.

2 p.m., free

Corner of Action and University, Berk.

www.berkeleygraypanthers.mysite.com

SATURDAY, JUNE 19

Sea blite habitat restoration


Join Michael Chassé of the National Park Service to help restore Crissy Field marsh and create a habitat suitable for reintroducing the endangered California sea blite. The GGNP system contains more endangered species than any other national park on the North American continent. The 2010 GGNP Endangered Species Big Year helps volunteers get to know these species while helping them recover.

9 a.m., free

Meet at Presidio Transit Center

215 Lincoln, SF

(415) 561-2857 to RSVP

www.wildequity.org

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Felonious gets back into it (and lays it all out) with the smashing “Live City”

Jesse Hawthorne Ficks
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Felonious gets back into it (and lays it all out) with the smashing “Live City”

By Lilan Kane

A capella, beatbox, theater, vaudeville, live band, and everything in between — that’s Felonious (playing tonite, Thu/10, at the Independent). Originally an a cappella hip-hop duo, Felonious has morphed into a hip-hop theater production receiving rave reviews in The Source magazine, Chronicle and Examiner, and have produced sold-out shows in SF, New York, Germany and Oakland. They have shared the stage with The Roots, De La Soul, Big Daddy Kane, DJ Premier, Black Eyed Peas, Zion I, Living Legends, Radioactive, and Crown City Rockers. Their shows capture different elements of entertainment creating something old school in principal but very innovative and contemporary.

Sharing the stage with notable SF musicians from the Jazz Mafia, Felonious has established themselves not only in the theater arts industry but also as respected musicians in the live circuit. They talked to us a bit about the whats and wherefores as they prepared to celebrate Live City‘s release.

Thu/10, 8:30pm, $15
The Independent
628 Divisadero, SF
415.771.1421
www.theindependentsf.com
www.feloniouslive.com

SFBG: What’s the story behind the title of your new album Live City?

MC/Beatboxer Carlos Aguirre aka Infinite: I think the name Live City represents the history of the city and how we are the next generation of artists to try and replicate that kind of energy that has made San Francisco a staple in live music for several decades..Plus we know all kinds of dope artists in the city and the bay in general that we got a real Live thing happening over here and if we try to consider ourselves more of a musical family then everyone would reap the benefits..we’re pushin for that vision…it’s not just a name…we believe in our city and the talent here is world class so we’re trying to push a movement…

MC Dan Wolf aka d.wolf: On the surface, we’re talking about San Francisco, the Bay Area, a geographic place that has a history of shaping underground culture (hip hop, rock music, street visual arts, culinary arts, circus arts, etc).  On another level I look at it as very idealized place where live performance is cherished, where the city is a living breathing representation of all the creative energy pouring from the artists and culture makers who live there and shape the landscape.  We are a live hip hop band who come from theater, you cant get any more live than that.  We wanna take you to a place where taking risks is normal.  

MC/Beatboxer/Drummer Tommy Shepherd aka Soulati: Well, the album was originally called Str8 No P@per, which is a word play of Thelonious Monks album Straight, No Chaser and the truth, we’re broke like everybody else.  However not many of the songs supported that theme.  This album is recorded all live so there’s part of the title right there.  Felonious, at the beginning of the year, hosted and co-presented a weekly at Coda lounge in SF Called “Live City Revue” which was a night of showcase/cabaret talent.  Basically, any Bay Area act that was working on anything and wanted to test it out with a crowd, or you just want to come through and build on a piece of text or music.  We discussed the name of the show and how it was a statement that the Bay Area is STILL alive and always has been.  So, if the event was the revue, this album is the soundtrack.

MC/Keyboardist Keith Pinto aka KP: We were gonna call it $tr8.n0.p@per after the thelonious monk album straight no chaser… and also living in an ever increasing digital world. plus having limited funds to produce a project. but then we started doing Live City Revue @coda lounge and it just seemed like a natural fit for the title of the new record. Live City is way more optimistic.

http://vimeo.com/12166935

SFBG: What was the recording process for the new album?

Bassist Dylan Mills aka Illin Ills: To record the band in the best rooms possible (Coast, Record Plant, Different Fur…), getting the drums sounding huge.  We worked with producer Ben Yonas to capture the highest quality recordings possible and mixer Hernan Santiago to make the tracks shine.   The group was adamant about making sure everything on the record really belonged there before letting it go out.

Infinite: Amazing…We haven’t truly represented what we do live in shows on an album since The List which was a few albums back so to be able to work in some of the premiere studios in the bay area that carry a lot of history and with an amazing mix team to round out the process, it was a dream come true.

d.wolf: Musically this was the best process we have been a part of.  Recording live hip-hop is very challenging to do well. You have to retain the voice and power of the instruments while creating a sonic world that has booming drums and melodies that feel chopped and sampled yet fully fleshed out.  We never have been able to capture the raw energy of Felonious on record until this one.  Lyrically it allowed us to focus on our own personal styles and continue to try to mesh them together in the studio.  Our last album (2007’s Up To Something) was totally lyrically driven.  We recorded it in Hamburg, Germany over some of the hottest beats produced by Hamburg’s dopest producers.  We lived together in the studio for three weeks and recorded 18 tracks in 22 days.  The process for Live City was spread out over a few years with no real idea what the songs would become.  First we built the beats and freestyled over them as we recorded the tracks and then spent the time writing and crafting the songs.  It taught us how to craft songs based on the strongest verses in the best order.

Guitarist Jon Monahan: Live City was recorded over a span of about a year and a half at 5 Bay Area studios, including The Plant in Sausalito and Coast in SF.  It would have been finished much sooner but so much else was going on in our lives- three members of the band became fathers, our producer got married, one of the people we were working with very closely developed some serious health problems.  It forced us to take our time and allowed us to truly experiment with sounds and ideas that weren’t there when we started.

Soulati: The recording process was a lot of work, one, because it wasn’t recorded in four different studios, and two, because of budget.  The treasure of the experience was we got record in the same room as many music legends such as Stevie wonder and Metallica.  All in all it was a great experience and a very long process but when you’re birthing perfection, you take your time.

http://vimeo.com/12160357

SFBG: Tell me about your new play “Stateless.”

d.wolf: Stateless is a hip hop vaudeville that takes what Felonious is doing in the present and mashes it with what my ancestors were doing 100 years ago in Hamburg Germany.  The Wolf Brothers, my great grand father and his brother, were vaudevillians and singers who took popular melodies and changed the lyrics to reflect social and political issues of their time but in a very comical way.  They wrote over 600 songs that were so popular that in 1938 the Nazis said the songs were ‘too German for Jews to sing”.  Stateless is remixed folk songs written by the Brothers Wolf, re-imagined by Felonious and Brooklyn’s One Ring Zero and placed in a loose narrative that touches on brotherhood, performance and performers, history and lineage.  It’s also an excuse for us to just get on stage and act stupid.  Since they were known as the Hamburg Marx Brothers it gives us permission to be the Bay Area Marx Bros.

KP: On a basic level it’s a mash up of genres… hip hop and vaudeville. seemingly different… but the similarities are actually quite strong. most hip hop albums have a patched together mix tape quality to them… just like a variety show… which is vaudeville. hip hop artists often have funny (sometimes random) little skits on their albums… this is also like the comedic skits of vaudeville. plus visually hip hop/r’n’b videos are known to have b-boys/girls and line dances… which is just like the acrobats and dancers (usually tap) that you would have found at a vaudeville performance. not to mention the evolution of hip hop dance itself. as it incorporates many styles, including remnants of tap and swing dancing. look at the “kid n play” also known as the “funky charleston” (yes, the kid n play may be old but 90’s dances are coming back). as the choreographer of Stateless… those similarities give me more to work with than i could ever fit into one show.

Soulati: Stateless is live music, dance, beatbox, singin’, rappin’ with a twist of vaudeville.  It takes you through a journey of past present and future, leaving you with a mind to want to go out and search your own history, if you’re not aware of it already.  Super energetic and moving to boot, Stateless is the play to be looking out for cause it’s coming to you!!!

SFBG: How do you feel Felonious as a group, and the album Live City represent San Francisco?

Illin Ills: We’ve been making this music in the bay for over a decade now and we’ve seen the upturns an downturns and we put our experiences into our songs.  The album Live City is fitting because throughout all that time there has always been a vibrant music and art scene in the city.  Venues move and change, styles come and go, but people always appreciate live music so we try to keep putting on better shows and building up the scene here.

d.wolf: We’ve been working in San Francisco since 1998 so at this point we’re pretty much the OG’s on the scene.  Everything has changed so much since we started.  I am blown away when I think that during our 2000 – 2003 weekly New Roots to Hip Hop series at the Last Day Saloon we created this whole scene before MySpace was even around.  Now there are so many tools to utilize and build a community.  San Francisco needs to reclaim its place among the great cities of the world.  I mean we have so much great food and great arts here but we’re there is such a lack of industry that even the artists have a hard time thinking strategically about how to have a sustainable career.  Live City is our call to action to reclaim the power that was here in the 60s, 70s and 80s.  We think that with all our angles – music, theater and arts ed – Felonious is ready to lead the charge.  

Jon Monahan: “The album itself features Bay Area luminaries like Jazz Mafia horn players and DJs, and singers like Kimiko Joy and Cait La Dee,  They’ve been a part of the SF scene as long as we have, a decade or more.  And our band feels right at home in the counterculture tradition of San Francisco bands- from Sly to Dead Kennedys to Mike Patton… We’re not necessarily heirs to that throne, but if you came out to Live City Revue, the weekly we ran from Jan – April 2010, you saw some guests and collaborations that could only take place in San Francisco… live hip-hop with West African kora and balafon players, a 20 piece men’s choir singing the Leonard Cohen songbook, book readings from local MCs, some seriously bizarre shit.”

Soulati: Felonious as a group came to the Bay at a pinnacle moment of the music scene.  Of course there were your track acts but live Jazz/Hip Hop was thriving.  Alphabet soup was runnin thangs along with Brown Fellinis and other crews that were holding it down.Us, Crown City, Psycho Kinnetics, Most chill Slack mob among others were new to the scene and fit right into the mix.  All these mentioned groups are still hittin to this day and representing SF like ganbusters.  We keep pushing the scene to feel it push back.  The album naturally speaks directly of the San Francisco scene.  It IZZ live.

KP: Felonious has been a part of the SF music scene for over 10 years… sf has a rich history of musicians and hip hop artists working together from the acid jazz days to now. Felonious is a continuation of that. we are multicultural and multidisciplinary.   in this time of ipod dj’s (and i mean… instead of a dj… just an ipod) we feel it’s important to keep the city’s music scene all the way live! 

SFBG: What would you consider the group’s most notable accomplishments have been since Felonious started?

Infinite: Winning best of the bay two years in a row was super dope and opening for The Roots two nights in a row at The Justice League (now The Independent) and working with all the amazing artists we’ve been bless to collaborate with over the years.

Illin Ills: Playing the Fillmore, Maritime Hall, Berlin, Hamburg.  Opening for the Roots, De La, LL, BEP.  Taking Beatbox: A Raparetta to NYC.

Soulati: Since Felonious started we have become a household name in San Francisco/Bay Area.  Among winning Bammy’s and Wammy’s and critics choice shwoompties, we are also published playwrights and educators.  Staying relevant is, I think, our most notable accomplishment.

d.wolf: Survival is our most notable accomplishment.  Along the way we’ve been blessed to travel together, play with some the hottest hip hop acts, produce and publish plays, and build some real deep, lasting personal and professional relationships.

SFBG: How important is it for you personally to put on a captivating live show?

Infinite: It’s absolutely fundamental to both the group and the art form of hip hop..and musical performance in general..i mean there are no rules really but there’s a code and decor and history behind being an emcee and you gotta respect that legacy by paying homage to the meaning behind the emcee..to be master of ceremonies..to control the crowd…to lead the crowd and to ultimately pass on an experience…that’s what playing live is all about for me…”so you remember the name, when you walk out the door.

d.wolf: Coming from the world of theater the live show is actually more important to me than the studio.  That being said we’ve been killing live shows for years and have had a real hard time capturing that energy on our albums.  Hip-hop is a studio art form but you have to kill on stage especially if there isn’t a capacity crowd chanting every word.   You gotta give people a reason to remember you in this oversaturated world.

Soulati: Personally, Why come out to see someone stand there and sing songs? That, you can do at home.  A live show should be just that, LIVE.  And because more than half of Felonious are trained actors, theatrics is our tactic and we better come with a theatrical extravaganza you know?  Cats gotta be their “super human” selves on the stage.  Them times 10.  That’s what makes me as an audience member want to pay 13 in advance or 15 at the door, right?

SFBG: What can people expect to see at your CD Release show at the Independent June 10th?

Infinite: Felonious playing banging beats with live string and horn orchestration ,courtesy of The Jazz Mafia, through out the set…we’re gonna play a whole range of material but alot off the new album ..most of the new album in fact..plus special guest singers Caitladee and Kamiko Joy..and really expect to see ONE OF THE BEST LIVE SHOWS OF 2010… guaranteed!

Illin Ills: The whole shebang.  There will be horns, strings, singers, and more rocking with the Felonious Crew, playing songs from the new record, beatboxing, and generally carrying on.  Shotgun Wedding is another great group from the bay who will be rocking the middle spot.  The amazing Rondo Brothers will be there celebrating the release of their latest record.

Jon Monahan: We’ll premiere at least one brand new song, and play most of the new album reworked and fleshed out with a string section and horn section.  Some top-shelf beatboxing as always.  We’re putting together an all-star freestyle session as part of the set, plus I hear talk of some comedy/ dance routine by some friends of ours that sounds epic and possibly really creepy.  AND sets by Shotgun Wedding Quintet and the Rondo Brothers!

Soulati: A full live band, a string trio, a horn duo, beatboxing, freestyling and some special guests coming to spit vocals.  You’ll get a night of great music and fresh collaboration.  There will be B-boyz and B-girlz, hot ladies if you be boyz and kept gentlemen if you be girlz.  The night, from top to bottom, is gonna smash!!!!

Stage listings

David Talbot
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Die Walküre War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Opens Thurs/10, 7pm. Runs Sun/13, 1pm; June 19, 22, 25, 30, 7pm. Through June 30. San Francisco Opera presents the second installment of Wagner’s Ring cycle, directed by Francesca Zambello.

La Fanciulla Del West War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Opens Wed/9, 7:30pm. Runs Sat/12, Tues/15, June 18, July 2, 8pm; June 24, June 29, 7:30pm; June 27, 2pm. Through June 17. San Francisco Opera presents Puccini’s opera, with Deborah Voigt as Minnie.

Gutenberg! The Musical! Exit Stage Left, 156 Eddy, SF; www.beardsbeardsbeards.com. $20. Opens Thurs/10, 8pm. Runs Thurs-Sat, 8pm. Through June 26. A Theatre Company presents a musical about two writers who scheme to create a Broadway musical about Johann Gutenberg.

KML Goes Undercover Zeum Theater, 221 4th St, SF; www.killingmylobster.com. $10-20. Opens Thurs/10, 8pm. Runs Thurs-Fri, 8pm; Sat, 7pm, 10pm; Sun, 7pm. Killing My Lobster returns with a series of comedic vignette based on the theme of espionage.

BAY AREA

The Drawer Boy Marion E. Greene Black Box Theatre, 531 19th St, Oakl. www.brownpapertickets.com. $10. Opens Sat/12, 8pm. Thurs-Sat, 8pm; Sun, 2pm. TheatreFIRST presents Michael Healey’s comedy about two aging farmers with a family secret.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Previews Fri/11, Sat/12, June 16, 8 p.m.; Sun/13, 2pm. Opens June 17, 8 pm. Runs Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. Thurs/10, July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through June 26. Actors Theatre performs Arthur Miller’s masterwork.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to "enter" Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through Sat/12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Custom Made performs two comedies by Christopher Durang: Sister Mary Ignatius Explains It All For You, and The Actor’s Nightmare.

Forever Never Comes Boxcar Playhouse, 505 Natoma; www.crowdedfire.org. $10-25. Wed-Sat, 8pm. Through June 26. Crowded Fire performs Enrique Urueta’s world premiere "psycho-Southern queer country dance tragedy."

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Cobbled from the stories of Peter S. Beagle, author of The Last Unicorn, this frolic into the fantasy genre is a multi-corn misstep from writer-director Stuart Bousel. The only good thing about the convoluted plot—which, in addition to the requisite assortment of wizards, dragons, and whatnot has a play-within-a-play dimension featuring a band of caviling actors—is that it is so convoluted you can safely stop paying attention to it almost immediately. For the rest, you will have to endure two hefty acts’ worth of amateurish theatrics, whose look and tone suggest an Interstate mishap between giddy vanloads of Renaissance Fairegoers and Star Trek conventioneers. (Avila)

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard "Scrumbly" Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater remounts its strong, recent production of Samuel Beckett’s hour-long solo play, featuring a full-fledged and satisfying turn by a hearty, slyly comic Paul Gerrior as the titular Krapp, reflecting on the fleeting sense of self recorded on reel-to-reel tapes over the course of a long life. Artistic director Rob Melrose approaches the material with supreme assurance and passionate but never stifling fidelity. David Sinaiko provides the recorded voice of the younger Krapp, expertly balancing a passion and unselfconscious pomposity that has Gerrior’s Krapp alternately bemused, euphoric, and wincing through one of Beckett’s most autobiographical and surprisingly affirming pieces. Melrose’s choice use of scenic elements, meanwhile, including the palpably solid 1950s-era tape machine, places Gerrior (suitably odd and natty in costumer Maggie Whitaker’s dapper vest, high-water trousers and white shoes) in a kind of communion with the reel and the real—an affecting and quietly unsettling relationship, pitched against an infinite blackness all around, that has Krapp at one point resting his head gently on the machine as he and the insubstantial voice of his younger self relive a moment of intimacy with a long-gone lover. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

"Something C.O.O.L.: The Summer Cabaret Festival" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun/13, June 20, and July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Fri/11, June 18, 9pm; June 20, 7pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Against a frozen, deceptively empty-looking landscape of perpetual winter, an anguished married couple stagnates in grief over the accidental death of their young son. Estranged by the sorrow and guilt they feel, they spend most of the time apart but not alone: Mel (Beth Wilmurt) stays at home, where she loses herself in obsessive domestic projects while fielding questions from their surviving daughter — the equally traumatized but far more resilient Lanie (Nika Ezell Pappas) — with assists from the Tooth Fairy (Melinda Meeng) and G.I. Joe (Keith Pinto); meanwhile, Ted (Ryan O’Donnell) wanders in his business suit through a string of airports and airport bars commiserating with other lost souls (Joe Estlack and Zehra Berkman). New York-based playwright Jenny Schwartz’s whimsical meditation on the process of grieving is something like The Rabbit Hole as written by Ionesco, fueled by dialogue that makes an overly showy and eventually tedious hysterical poetry of the banalities, clichés, and platitudes spoken by her stricken characters as a kind of prefab linguistic armor — everything and anything to avoid saying something. Director-choreographer Erika Chong Shuch stages the action in this Shotgun Players production with warm energy and imagination, however — and a handful of tuneful, clever songs from composer Daveen Digiacomo — compensating somewhat for the motionless plot. Moreover, Shuch undercuts the play’s maudlin tendencies by moving her able actors and even the stage properties around in swift, comical, aptly dreamlike fashion, as the stunned couple continue their largely separate meanderings, meaningfully spouting "meaningless" lines about bucking up, or settling in, or riding off, etc. The problem is there is not much beneath this frozen surface of clichés beyond more cliché. (Avila)

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Sat/12, or June 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her "alternative" family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with "blind spots," much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

John Steinbeck’s The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, www.calshakes.org. $34-70. Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also June 26, 2pm); Sun, 4pm. Through June 27. Cal Shakes kicks off its season with Octavio Solis’ world-premiere adaptation of John Steinbeck’s 1932 novella.

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Sat/12, June 18, 25, July 2, 9, 7pm; June 25, July 3, 5pm; Sun/13, June 20, July 11, 2pm. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 27. TheatreWorks performs Michael Hollinger’s drama, set in the world of chamber music.

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darnned easy. To set a crass comedy about class, obsession, and mistaken identity at "Illyria Studios" in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Tues, Thurs-Sat, 8pm (also Thurs/10, 1pm; June 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

"Bakla Show II" Thick House, 1695 18th St; www.brownpapertickets.com. Thurs-Sat, 8pm. Through Sat/12. $15-20. Bindlestiff Studio presents this theatrical exploration of queer Filipino identities, inspired by myths and folktales.

"Bay Area Festival of Flamenco Arts and Traditions" Various venues; www.bayareaflamencofestival.com. See website for dates and prices. Performers include Manuela Carrasco, Suspira Flamenco, and Manuel Agutejas.

"Festival of New Voices II: The Next Wave of Solo Performance" Marsh San Francisco, 1062 Valencia; 1-800-838-3006, www.themarsh.org. Wed-Thurs, 7:30pm; Fri, 8pm; Sat, 5, 5:30, 8:30, and 9pm; Sun, 3pm. Sun/13. $7.50-50. Six new full-length works and 11 shorter works make up this solo-performance fest.

"Garage All-Stars 2" The Garage, 975 Howard; www.brownpapertickets.com. Sun/13-Mon/14, 8pm. $10-20. AIRspace presents an evening of queer women choreographers.

"Katya…A One Night Stand" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Sun/13, 7pm. $17. San Francisco’s red-headed Countess presents her latest cabaret show.

"Live, Love and Rituals" Dance Mission Theater, 3316 24th St; www.dancecontinuumsf.org. Fri/11-Sun/13, 8pm. $20. Dance Continuum SF presents its annual season concert.

"San Francisco Ethnic Dance Festival" Palace of Fine Arts, 3301 Lyon; 474-3914, www.worldartswest.org. Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

"Ungrateful Daughter: One Black Girl’s Story of Being Adopted into a White Family That Aren’t Celebrities" StageWerx, 533 Sutter; www.stagewerx.org. Thurs-Sat, 8pm. Through Sat/12. $20-25. Lisa Marie Rollins performs her autobiographical show.

Our Weekly Picks: June 9-15, 2010

Jesse Hawthorne Ficks
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WEDNESDAY 9

EVENT

Jim Woodring

Seattle-based cartoonist Jim Woodring just released the latest in his two-decade run of comics featuring Frank, a character somewhat resembling a 1930s animation-style cat. But Frank is probably the most realistic entity on display in Weathercraft, a wordless graphic novel that features a constant barrage of mytho-psychedelic abominations ranging from what Woodring calls a “two-mouthed fear cow” to an amorphous giant ear-creature taking notes with its paw. His drawing style is stunningly detailed, and he’ll be “showing” his work at two Bay Area bookstores — a fitting approach since he can hardly present a reading of his complex but text-less explorations. (Sam Stander)

7:30 p.m., free

Pegasus Books Downtown

2349 Shattuck, Berk.

(510) 649-1320

www.pegasusbookstore.com

Also Thurs/10, 7:30 p.m., free

Booksmith

1644 Haight, SF

(415) 863-8688

www.booksmith.com

MUSIC

Ferocious Few

The Ferocious Few is one of the most exciting rock bands in the Bay Area, and still relatively obscure. Locally renowned for its ability to command a street corner as if it’s Wembley Stadium, the Few traffics in the kind of hard-edged, twangy blues-rock that never goes out of style. Having just returned from a West Coast tour in support of its debut LP Juices, the band is poised to explode into national prominence (at least within the indie circuit) any second now. This show could be the last chance you’ll ever get to say “I saw them before they got huge.” (Zach Ritter)

With the Generals and Eugene and the 1914

9 p.m., $8

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

THURSDAY 10

STAGE

Gutenberg! The Musical!

In the grand tradition of theater about theater, Beards Beards Beards: A Theatre Company is producing Scott Brown and Anthony King’s Gutenberg! The Musical! But don’t expect a reliable primer on Johann Gutenberg and his fabulous printing press. Instead, Gutenberg! traces two Broadway hopefuls, Doug Simon and Bud Davenport, who are pitching their rather absurd musical concept to any producers who might be listening. If their YouTube trailer is to be believed, the production will feature deliberately groan-worthy choreography and several hats. And possibly Dragonball-inspired posing. Beards Beards Beards was cofounded by SF State grad Amanda Dolan, who is directing, and Joey Price, who costars as Bud. (Stander)

8 p.m., $20

Exit Stage Left

156 Eddy, SF

(949) 742-2365

www.beardsbeardsbeards.com

MUSIC

Stiff Little Fingers

Northern Irish punk outfit Stiff Little Fingers was never as critically acclaimed or commercially successful as its late-1970s contemporaries The Clash and the Sex Pistols, but it damn well should’ve been. In a just world, the opening riff from “Alternative Ulster” alone would be enough to secure an eternal spot in the proto-punk pantheon. The Fingers made its bones amid the political disquiet of post-troubles Belfast, wielding barbed lyrics and razor-sharp guitars against the grim partisans on both sides of Ireland’s ethnic conflict. The band broke up in 1982, but five years later it returned, like Arthur out of Avalon, to resume battle against the world’s injustices. Slim’s, with its cramped-basement aesthetic and battered barstools, is the perfect venue for these guys — bring a fist to pump, a foot to stomp, and all the righteous outrage you can muster. (Ritter)

With Culann’s Hounds

9 p.m., $20

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

STAGE

Die Walküre

Following its production of Das Rheingold in 2008, San Francisco Opera is offering Die Walkre, the second installment in Richard Wagner’s notorious operatic tetralogy. Baritone Mark Delavan continues from Das Rheingold as Wotan, head of the Norse pantheon of gods (a role he will reprise in SF Opera’s production of the entire Der Ring des Nibelungen cycle next summer). Whether you’re an Apocalypse Now fan in for “Ride of the Valkyries,” an epic fantasy lover seeking squabbling gods, or just someone who likes a bit of weird incest with your German musical theater, SF Opera’s take on this classic work of Romantic intensity promises to be … intense. Francesca Zambello directs and Donald Runnicles conducts. (Stander)

Also Sun/13, June 19, 22, 25, and 30

7 p.m., $20–$325

War Memorial Opera House

301 Van Ness, SF

(415) 864-3330

www.sfopera.com

FRIDAY 11

FILM

“Midnites for Maniacs: She-Roes”

Smack-dab in the middle of the Castro’s inexplicably long Sex and the City 2 booking comes “Midnites for Maniacs: She-Roes,” a trio of films that celebrate women in less shrill, less shoe-obsessed ways. First up is Penny Marshall’s 1992 ode to World War II-era women’s baseball, A League of Their Own, featuring one of Madonna’s least cringe-worthy acting turns. Several film stars will be in attendance — most notably Lori “Tank Girl” Petty. Then, polarizing feminist/femi-not horror film Jennifer’s Body (2009) begs you to give it a second chance, with the added bonus of Oscar-winning, slang-slinging screenwriter Diablo Cody in person. Finally, invincible Midnites for Maniacs fave The Legend of Billie Jean (1985) returns. Holding out for a She-Ro? Look no further. (Cheryl Eddy)

A League of Their Own, 6:30 p.m., $13 (for one or all three films)

Jennifer’s Body, 9:30 p.m.

The Legend of Billie Jean, 11:59 p.m.

Castro Theatre

429 Castro, SF

(415) 621-6120

www.castrotheatre.com

VISUAL ART

“Pony Up, Bot”

Do you like ponies? Robots? Trippy whimsy? If you answered “yes” to any of the above questions, then I suggest you check out “Pony up, Bot,” an exhibition of new work by artists Adrianna Bamber and Eric Nichols. (If you answered no to all of them, then yours must be a gray existence indeed.) Bamber’s mind-warping-yet-adorable watercolors are what you get when you spill Ralph Steadman all over your Dr. Seuss. And Nichols? According to the Design Guild, his pieces “showcas(e) a postapocalyptic existence where PartyBot interacts with endless nights while remaining the sole resistance to annoying evil scum.” Now you can be forgiven for not being able to wrap your head around all that since it is, admittedly, insane. But admit it — “PartyBot”? Whoever he is, you know he’s up to something brain-meltingly awesome. This show is your opportunity to feel like a kid again — if you were the kind of kid who did tons of mescaline. (Ritter)

Through July 1

7 p.m. (opening), free

Design Guild San Francisco

427 Bryant, SF

(415) 462-6303

www.designguildsf.com

DANCE

San Francisco Moving Men

In the professional dance world, the male dancer is a rare and coveted entity. Thus a contemporary dance company consisting solely of men, like Joe Landini’s San Francisco Moving Men, should be treated with awe and appreciation. If graceful, athletic boys aren’t enough to win your admiration, Landini’s provocative choreography certainly will. In Dancing @ The Garage, part of the National Queer Arts Festival, the Men run up walls, bounce off artificial turf, duck flying tennis balls, and disco on a three-by-five shag rug. The show also features Christine Cali’s dance company Cali & Co. (Katie Gaydos)

Through June 26

Fri.–Sat., 8 p.m.; Sun., 2 p.m., $20

Garage

975 Howard, SF

(415) 518-1517

www.sfmovingmen.org

EVENT

thread | bare

Why shop at the boring ol’ mall when you can support local designers — and see the clothes in a runway show populated by local performers, including the fabulous Fauxnique? Plus, not for nothing is “thread | bare” dubbed “a striptease fashion auction,” since you can bid on, and get your mitts on, outfits as soon as they come down the catwalk. If you can’t make tonight’s festivities, which also feature a performance by all-male burlesque troupe SF Boylesque, stop by the Lab to peruse the goods during the weekend-long trunk show. Designs include the “neo-couture” of Miss Velvet Cream, graphic tees by Turk and Taylor, dresses by Invisible Hero Clothing, and more, plus several artists who work with repurposed materials, including Kittinhawk, Mittenmaker, and Ghetto Goldilocks. Recycling is fierce! (Eddy)

7–10 p.m., $10–$20

Trunk show Sat/12-Sun/13, noon-6 p.m., free

The Lab

2948 16th St., SF

(415) 864-8855, www.thelab.org

SATURDAY 12

FILM

Burning Man Film Festival

Want to visit the playa without all the dust? Whether you’re a seasoned burner or a wide-eyed newbie, the Burning Man Film Festival is sure to offer a thought-provoking perspective on Black Rock City. In honor of Burning Man’s 25th anniversary, the film festival traces the past and present of BM and examines how various aspects of the event have changed over time. Saturday’s four shows center around BM footage shot from 1991 to 2003, while Sunday’s three shows feature films shot from 2002-10. (Gaydos)

Sat-Sun, 2 p.m., $10

Red Vic Movie House

1727 Haight, SF

www.burningman-filmfest.com

SUNDAY 13

MUSIC

Real Estate

Though the real estate market’s down, you can go see the band Real Estate for a measly cost. Martin Courtney and his cohorts offer plenty in the way of sun-soaked pop hooks and dreamy lyricism to match our cold SF summer. With a self-titled debut that garnered critical raves in 2009, Real Estate is sort of like the Beach Boys on downers. Opening for the band is the SF-based Young Prisms, your standard roughly hewn, unpolished indie band. But like the night’s other act, All Saints Day, it’s harmless, catchy fun. Real Estate, on the other hand, is fun with brains. No escrow required. (Ryan Lattanzio)

8 p.m., $14

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

MONDAY 14

MUSIC

Jenny Owen Youngs

Female adult alternative is a frequently snubbed genre, probably due to its proximity to the Lilith Fair. But these two shouldn’t necessarily be yoked, especially for East Coast darling Jenny Owen Youngs. She wears humility on the sleeves of her boyish duds, revealing she’s neither starlet nor simpleton. Like Youngs herself, the songs are blunt and oddly sexy. And she’s far more than just a girl and her guitar, especially since she spiked the placid drawl of her first EP with a cover of Nelly’s “Hot in Herre.” That song was probably written for a dive as small as Bottom of the Hill, so it feels right that Youngs is playing here again. (Lattanzio)

With April Smith and the Great Picture Show, William Tell

8 p.m., $12

Bottom of the Hill

1233 17th St. SF

(415) 621-4455

www.bottomofthehill.com

TUESDAY 15

EVENT

Bret Easton Ellis

American literary psycho Bret Easton Ellis reprises his nihilist vision of L.A. and the wilting of once sprightly youths, along with their brain-dulling drug use, in Imperial Bedrooms. The sequel to 1985’s cult classic Less Than Zero, a novel you should read in that first winter break of freshman year, this new book revisits the same milieu of users and losers. But now they’re all middle-aged and having much less sex. A notorious asshole among the contemporary literati, Ellis continues to probe the surface of social mores — with a hot, poison-dipped poker. It’s smart of his press to host this event (a conversation with book critic Tom Barbash) on the book’s release date. If you read it before, you might not be inclined to show up. (Lattanzio)

6 p.m., $20

Commonwealth Club

595 Market, SF

(415) 597-6700

www.commonwealthclub.org The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

 

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