Stage

Eat the old

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THERE’S NOTHING LIKE  in-the-moment enthusiasm to make you lose critical perspective. I can think of a hundred albums that have excited me to the point of thinking, "This is the best band ever." That a handful of those albums belong to early-’70s-era Funkadelic makes it that much harder to be unbiased, especially since the recent reissues of their Westbound Records catalog have been parked in my disc changer for the past month.

 So when I call Funkadelic the best rock band of the early ’70s, I’m aware of the possible hyperbole – but I still think I’m right. Yet the recent reissue of their first seven studio albums – with liner notes, original artwork, remastered sound, and bonus tracks – is the first time these records have been given the archival treatment they deserve. Funkadelic and Free Your Mind and Your Ass Will Follow (both 1970), Maggot Brain (1971), Cosmic Slop (1973), and Standing on the Verge of Getting It On (1974) are all start-to-finish classics in my book, with the transitional, uneven America Eats Its Young and the more casual, jam-oriented Let’s Take It to the Stage just a notch below them.

 Taken together, these albums represent an amazing progression of sounds and styles, from acid rock, Detroit soul, and studio-based psychedelia on the earlier ones to heavy funk-rock, sicko novelty songs, and soaring R&B ballads on the next few. There are also hints – especially on America and Stage – of the anthemic funk style that sister band Parliament and the later, slicker version of Funkadelic made famous, but not as many as newcomers or casual P-Funk fans might expect. After all, I remember how surprised and blown away I was when I heard Maggot Brain’s proto-metal masterpiece "Super Stupid" for the first time. I had only heard a Parliament greatest-hits CD before, and I somehow thought I knew e xactly what this whole P-Funk business was all about. Boy, was I wrong.

 One of the remarkable aspects of the Westbound-era Funkadelic is the sheer variety of their music. Commercially, this variety probably worked against them – as if there weren’t enough strikes already against an acid-dropping, guitar-wielding black rock band with a bunch of uncredited vocalists and no true lead vocalist. But the range encompassed in these albums is part of what gives them depth and makes them so interesting to listen to over and over. Funny songs, angry songs, sad songs, uplifting songs – they did ’em all equally well, thanks to leader, producer, and chief songwriter George Clinton’s casting instincts as well as the vast pool of talent he had on hand.

 It’s true of the much-lauded Maggot Brain as well as the purposefully slicker Cosmic Slop. In addition to Clinton’s grim Vietnam War monologue on "March to the Witch’s Castle," Slop includes a tasteless recounting of a transvestite groupie encounter ("No Compute") followed by an old-school R&B tearjerker ("This Broken Heart") – a remarkable contrast that gives both songs a resonance they wouldn’t have just on their own. Such contrasts are one reason why you can’t just buy a greatest-hits album and get what Funkadelic were about. They were an albums band, not a singles band – in contrast to Parliamen t, which made several fine albums but excelled more at making concise, catchy dance-floor anthems.

 The liner notes to these reissues do a helpful job of sorting out the group’s confusing, on-again, off-again personnel changes. After Maggot Brain, the lineup changed so much that Funkadelic was less a "band" than a conglomerate (although not nearly as loose a conglomerate as the P-Funk All-Stars touring act). This revolving-door cast included legends such as guitar shredder Eddie Hazel and keyboardist-arranger Bernie Worrell, as well as lesser-known heroes like drummer Tiki Fulwood and vocalist-guitarist Gary Shider, a VIP on the post-Maggot Brain albums. America Eats Its Young alone includes some 40 musicians and vocalists, while the others average around 10. (Yes, bass icon Bootsy Collins is one of them, but he wasn’t a major player until later, beginning with Let’s Take It to the Stage.)

If you’re an old fan who’s just interested in bonus tracks, Funkadelic, with its many alternate versions and B-sides, and Maggot Brain, with its alternate, full-band mix of the monumental title track, are the standouts. If you haven’t heard these albums, just start with the first and go in chronological order from there, skipping America Eats Its Young and saving it until after you’ve heard Cosmic Slop and Standing on the Verge. (America is less of an a rchetypal Funkadelic LP and more of a hodgepodge of various P-Funk ideas.) I love ’em all, though, and  will continue to generate hyperbole on the band’s behalf until stations like the Bone drop the Guess Who and Grand Funk Railroad and start playing "Super Stupid" and "Funk Dollar Bill," or until journalists quit perpetuating the booty-shaking party-band aspect of Clinton and company’s legacy at the expense of all the other incredible music they made. Don’t hold your breath.

The political puppeteer

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By offering envelope-pushing legal and political advice at key moments in the fall campaign, attorney Jim Sutton was perhaps the single most influential individual behind the victories of Mayor Gavin Newsom and District Attorney Kamala Harris.
In the process, Sutton solidified his reputation as the dark prince of San Francisco elections, a hired gun who helps downtown interests and well-funded campaigns continue to dominate the electoral field even after voters passed reforms that restricted campaign giving and spending and required more official disclosure.
“He knows more election law than anyone, and he knows it better than anyone else,” local political consultant David Looman told the Bay Guardian. “He is the guy you call.”
New era, new player
Sutton, 40, stepped on the political stage just as voters were going to the polls in the fall of 1997 to demand more transparency in campaigns, a reaction to the leadership of Mayor Willie Brown and the dealings of powerhouse consultants like Jack Davis and Robert Barnes. At the time Sutton worked for Nielsen, Merksamer, Parrinello, Mueller, and Naylor, a Mill Valley firm that specializes in election law.
Sutton took on mostly big-money campaigns backed by downtown interests — such as Brown’s 1999 reelection and Pacific Gas and Electric Co.’s successful, multimillion-­dollar bids to squelch the public power movement in 2001 and 2002. Highly versed in the minutia of campaign finance law, he became a major player in electoral politics in San Francisco — and across the state.
“He is one of a small handful of very influential political law attorneys who typically represent moneyed, influential candidates,” California Common Cause executive director Jim Knox told us. “And he seems to be on something of a crusade right now.”
A search of the San Francisco Ethics Commission’s online database shows that over the past six years, Sutton has acted as treasurer or in another legal capacity for at least 20 campaigns and counts such heavily funded political action committees as the Golden Gate Restaurant Association, the Alice B. Toklas Lesbian Gay Bisexual Transgender Democratic Club, and the San Francisco Association of Realtors among his permanent clients. For that work, which doesn’t include the fall election, he earned at least $750,000.
Many of the city’s progressive activists and leaders see him as a dark agent — a tool only well-heeled interests can hire to navigate regulatory loopholes in order to spend as much as possible, even it means pushing the limits of the law, to sway voters.
“He’s an opportunistic lawyer who works against populist issues,” Sup. Tom Ammiano said.
Moreover, activists and state campaign finance experts say, he exerts an extraordinary level of influence over the city’s campaign regulators, including the top staff at the Ethics Commission and the deputy city attorneys who work with that agency.
“He is a high-powered fixer who has relationships with people in power that let him deliver for his clients in a way that leaves the less-connected among us flabbergasted,” said Marc Solomon, a Green Party member who worked on Sup. Matt Gonzalez’s mayoral campaign.
For his part, Sutton says that’s nonsense.
“There’s absolutely no proof or evidence of that,” Sutton told us. “I’m a professional, and I don’t want special access. I don’t need it, because I have a knowledge of the law.”
Rising to the top
By the time Sutton left his old firm last May to create Sutton and Associates, he had sealed his reputation as a go-to guy and counted among his clients the man who would be mayor. Sutton was everywhere. Consider:
• Having lawyered Newsom through the embarrassing flap in early 2003 over the $1 million loan from mentor Gordon Getty that (whoops!) Newsom neglected to disclose on his economic interest statements, Sutton served as treasurer to the Marina District supervisor’s mayoral campaign.
• When district attorney candidate Harris’s consultants realized their client was facing disaster if they couldn’t get her out of a legally binding pledge she signed in January 2003 to abide by the spending limits set in that race, they summoned Sutton, who got her out of the jam. The Ethics Commission’s decision to lift the spending limit was one of the agency’s most egregious acts in years and was truly an extraordinary event, activists say. It allowed Harris to spend hundreds of thousands of dollars to get past Bill Fazio in the runoff and eventually beat incumbent Terence Hallinan.
• Sutton handled the regulatory filing procedures for the California Urban Issues Project, a nonprofit lobbying outfit that churned out campaign mailers slamming Hallinan and mayoral contender Gonzalez for, among other charges, an unwillingness to crack down on the activities of homeless people. Though the group’s status prevents it from taking positions on candidates, the mailers clearly favored one candidate over the other. However, since the pieces didn’t actually include a “vote for candidate X” command, they fell within the bounds of the law as recently interpreted by the appellate courts, Sutton told us.
“What I do is say, ‘I am the lawyer. It’s my job to say this is what the law says. This is what it does or doesn’t allow,’ ” Sutton said. “It’s not about any kind of ideology on my part.”
• Sutton also served as treasurer for the campaigns behind two successful measures funded by downtown interests: the clean-streets initiative (Proposition C) and the controversial anti-panhandling legislation sponsored by Newsom (Proposition M). Interestingly, Harris particularly benefited because of her support for Prop. M. San Francisco pollster David Binder told us in December that her position on Prop. M helped her win over much of Fazio’s base and was key to her victory.
• Sutton’s expertise helped Newsom and Harris raise money in larger chunks during the runoff than they might otherwise have done. That’s because Sutton is keenly aware of a detail in the city’s campaign finance law that says if a candidate carries “accrued expenses” from the general election to the runoff, that candidate can collect $500 (instead of $250) from contributors. He should be — the ruling came as a result of his suggestion to local regulators.
For practical purposes, it can become a matter of shuffling the books. Newsom and Harris had so much cash behind their candidacies that it’s tough to believe they had any real debt. And in the case of at least Newsom, the amount of “debt” certainly seemed to be a moving target.
Shortly after the general election, Newsom campaign manger Eric Jaye told us he thought Newsom bore roughly $30,000 in accrued expenses. But when the campaign filed the paperwork, Newsom showed $225,322 in unpaid bills (see “Tainted Dough,” 12/03/03).
Neither Hallinan’s nor Gonzalez’s campaign took advantage of this provision in the law, even though Gonzalez treasurer Randy Knox brought it to the candidate’s attention. Gonzalez told us at the time that he didn’t consider such a move ethical.
Learning the ropes
A self-described politics nerd who interned in his state assemblymember’s office in high school, Sutton credits the rigors of the tight-knit environment of Pomona College — more than his three years at Stanford University Law School — with influencing the way he works today.
“I learned early I wasn’t going to get away without doing my homework,” he told us.
After clerking for former California Supreme Court Justice Edward Panelli from 1988 to 1989, he searched for a way to combine his legal degree with his keen interest in politics and government. In 1990 he found his way to Nielsen, Merksamer, though he lived, as he still does, in San Francisco.
Since he knew the city, he evolved into the firm’s attorney who dealt with San Francisco matters, he told us, even though he’s a member of the Republican Party — a rare bird here. In fact, he even served a stint as general counsel for the California Republican Party.
His first work in the city was on behalf of large institutions — the M.H. de Young Memorial Museum’s early bond campaigns, for example. He also made a key alliance with consultant Barnes, who was on his way to building a hugely influential career here and becoming closely connected to former mayor Brown.
In spring 1998, Sutton acted as treasurer for Bay Beautiful, a PAC aimed at defeating Proposition K, which former state senator Quentin L. Kopp put on the ballot to restrict Brown’s control of the development of Treasure Island. (Though the measure passed, the Brown-controlled Board of Supervisors failed to implement it.)
In November 1999, Sutton played a role in the orchestrated independent expenditure campaign on behalf of Brown’s reelection efforts in his handling of the Willie Brown Leadership PAC. The PAC directed some $55,000 into Brown’s bid for a second term (see “The Soft Money Shuffle,” 2/16/00).
At the time, Sutton had gone public with his strong opposition to efforts to restrict spending in political campaigns, writing in the San Francisco Examiner, “Not only does a spending cap decrease the quantity and quality of the issues discussed in the campaigns, it also infringes on First Amendment rights.”
One year after Brown’s reelection, the Leadership PAC, together with the pro-downtown Committee on Jobs, pumped some $67,000 into an unsuccessful bid to defeat Proposition O, which reinstated limits on independent expenditures and provided public financing for campaigns. Sutton handled the legal work for No on O.
No surprise there, Sutton’s critics say. Where money seeks to influence politics, that’s where you’ll find him. Sutton, though, says the list of campaigns he’s served doesn’t reflect his ideology as much as it does his skill set. He told us the best-funded campaigns “tend to have the more complicated legal questions, since they’re going to do more stuff.”
Money and politics
Advocates of campaign finance reform say Sutton has taken his opposition to campaign spending limits on the road, seeking to erode local ordinances that restrict spending.
“Sutton is active all over the state in his opposition to campaign finance reform,” said Paul Ryan, political reform project director for the Los Angeles–based Center for Governmental Studies.
Most recently Sutton testified before the San Diego Ethics Commission at a Jan. 21 hearing on a proposal to strengthen local campaign finance law. Sutton argued the commission should repeal the local law and replace it with the state’s version, which happens to be weaker.
“When we wrote the Political Reform Act of 1974, we put in there that local laws could be stronger than the state law,” Center for Governmental Studies director Bob Stern said. “What we have now is about 100 cities and counties that have gone beyond the state law. What [Sutton] is doing is pushing local jurisdictions to follow the state law only. And that’s unfortunate, because each local jurisdiction needs to deal with its own problems.”
Sutton said he just wants a uniform standard, with the minimal local amendments.
“[Cities and counties] keep making more and more laws, which are making things more and more complicated and difficult for anyone who wants to run for election to figure out,” Sutton said. “It has a dampening effect.”
Ryan and others are concerned Sutton might succeed in discouraging officials in municipalities such as Los Angeles and San Francisco from sticking by their stronger local laws. Compounding their concerns is that Sutton appears to have a great deal of influence over regulatory officials — at least in San Francisco.
Charlie Marsteller, who formerly headed up a San Francisco chapter of California Common Cause, believes the Ethics Commission has for more than a year failed to act on a complaint he filed against Sutton in late 2002, because of Sutton’s influence on the agency. (The complaint was over Sutton’s failure to disclose some $800,000 in contributions from PG&E to a committee aimed at defeating Proposition D, another public power measure.)
“It seems to me they are waiting until after February, when a seat on the commission is up and they’ll be able to replace [Bob Planthold] with a Sutton-friendly commissioner,” Marsteller said. (Assessor-Recorder Mabel Teng is expected to name Planthold’s replacement any day now.)
More recent examples activists point to include the Harris spending-cap matter and the latest: a charge made Jan. 16 by two Ethics Commission staffers that director Ginny Vida ordered the destruction of documents accidentally e-mailed to the agency by a secretary in Sutton’s office. Those documents, which were first reported on in the San Francisco Sentinel, strongly suggest that funds raised by the San Francisco Swearing-In Committee (without contribution limits) for Newsom’s inauguration were used to pay off a long list of consultants who worked on the campaign — a charge Sutton has vehemently denied.
On Jan. 28, Sutton filed paperwork for the committee reporting contributions but not expenditures. The total raised was $317,850 and included donations of $10,000 to $20,000 from such downtown players as Shorenstein Co., Gap founder Don Fisher, the San Francisco Association of Realtors, and Clear Channel.
Though Sutton insists he enjoys no undue influence on local regulators, even one of Harris’s consultants told us Sutton was hired for just that reason. “Jim Sutton has a certain amount of influence with Ginny Vida. He doesn’t think [spending limits] are constitutional,” Looman said. “And I believe that worries her too.”
Vida was on medical leave and couldn’t reached for comment, but her deputy, Mabel Ng, said neither she nor Vida give Sutton special treatment.
“I don’t think he has any more or any less influence than anyone else,” Ng said.
Dealing with Ethics
Sutton’s most impressive act in the Harris controversy was convincing Vida and Ng that Harris didn’t know she was bound to the pledge she signed in January 2003 to stay under the spending cap. Had ethics officials concluded that Harris knew her pledge was binding when she blew the cap sometime in September, they could have disqualified her from the race, according to the terms of the city’s campaign finance law.
Instead the Ethics Commission signed onto a settlement agreement stipulating that Harris’s had been an innocent mistake — though there was plenty of evidence that her campaign officials fully knew the pledge was binding (see Campaign Watch, 9/17/03 and 10/08/03). But in buying into Sutton’s version of events, the commission allowed Harris to continue spending money that helped her win the race.
“To facilitate the needs of Sutton’s clients, [Ethics] staffers gave in to Sutton the way he wanted,” Marsteller said. “The commissioners dropped the ball in that they needed to request an audit to check out the veracity of the statements being made by Harris…. They could hardly decide that the violations by the Harris committee were unintentional absent an audit. It’s one of the greatest demonstrations of incompetence I’ve seen, and Sutton led them into it.”
For his part, Sutton disagrees that Vida gave him an easy of time of it. “They fined [Harris] $34,000, and they made sure we printed flyers and ads telling the public of the mistake,” Sutton said.
That’s true. But Ryan and others view the matter as strong evidence of Sutton’s influence.
“It appears as though many of the arguments he makes personally are then likewise made by Ginny Vida and Mabel Ng,” Ryan said. “It appears as though Jim Sutton is influencing the public policy and San Francisco and the interpretation of the city’s finance laws.”

The political puppeteer

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By offering envelope-pushing legal and political advice at key moments in the fall campaign, attorney Jim Sutton was perhaps the single most influential individual behind the victories of Mayor Gavin Newsom and District Attorney Kamala Harris.
In the process, Sutton solidified his reputation as the dark prince of San Francisco elections, a hired gun who helps downtown interests and well-funded campaigns continue to dominate the electoral field even after voters passed reforms that restricted campaign giving and spending and required more official disclosure.
“He knows more election law than anyone, and he knows it better than anyone else,” local political consultant David Looman told the Bay Guardian. “He is the guy you call.”
New era, new player
Sutton, 40, stepped on the political stage just as voters were going to the polls in the fall of 1997 to demand more transparency in campaigns, a reaction to the leadership of Mayor Willie Brown and the dealings of powerhouse consultants like Jack Davis and Robert Barnes. At the time Sutton worked for Nielsen, Merksamer, Parrinello, Mueller, and Naylor, a Mill Valley firm that specializes in election law.
Sutton took on mostly big-money campaigns backed by downtown interests — such as Brown’s 1999 reelection and Pacific Gas and Electric Co.’s successful, multimillion-­dollar bids to squelch the public power movement in 2001 and 2002. Highly versed in the minutia of campaign finance law, he became a major player in electoral politics in San Francisco — and across the state.
“He is one of a small handful of very influential political law attorneys who typically represent moneyed, influential candidates,” California Common Cause executive director Jim Knox told us. “And he seems to be on something of a crusade right now.”
A search of the San Francisco Ethics Commission’s online database shows that over the past six years, Sutton has acted as treasurer or in another legal capacity for at least 20 campaigns and counts such heavily funded political action committees as the Golden Gate Restaurant Association, the Alice B. Toklas Lesbian Gay Bisexual Transgender Democratic Club, and the San Francisco Association of Realtors among his permanent clients. For that work, which doesn’t include the fall election, he earned at least $750,000.
Many of the city’s progressive activists and leaders see him as a dark agent — a tool only well-heeled interests can hire to navigate regulatory loopholes in order to spend as much as possible, even it means pushing the limits of the law, to sway voters.
“He’s an opportunistic lawyer who works against populist issues,” Sup. Tom Ammiano said.
Moreover, activists and state campaign finance experts say, he exerts an extraordinary level of influence over the city’s campaign regulators, including the top staff at the Ethics Commission and the deputy city attorneys who work with that agency.
“He is a high-powered fixer who has relationships with people in power that let him deliver for his clients in a way that leaves the less-connected among us flabbergasted,” said Marc Solomon, a Green Party member who worked on Sup. Matt Gonzalez’s mayoral campaign.
For his part, Sutton says that’s nonsense.
“There’s absolutely no proof or evidence of that,” Sutton told us. “I’m a professional, and I don’t want special access. I don’t need it, because I have a knowledge of the law.”
Rising to the top
By the time Sutton left his old firm last May to create Sutton and Associates, he had sealed his reputation as a go-to guy and counted among his clients the man who would be mayor. Sutton was everywhere. Consider:
• Having lawyered Newsom through the embarrassing flap in early 2003 over the $1 million loan from mentor Gordon Getty that (whoops!) Newsom neglected to disclose on his economic interest statements, Sutton served as treasurer to the Marina District supervisor’s mayoral campaign.
• When district attorney candidate Harris’s consultants realized their client was facing disaster if they couldn’t get her out of a legally binding pledge she signed in January 2003 to abide by the spending limits set in that race, they summoned Sutton, who got her out of the jam. The Ethics Commission’s decision to lift the spending limit was one of the agency’s most egregious acts in years and was truly an extraordinary event, activists say. It allowed Harris to spend hundreds of thousands of dollars to get past Bill Fazio in the runoff and eventually beat incumbent Terence Hallinan.
• Sutton handled the regulatory filing procedures for the California Urban Issues Project, a nonprofit lobbying outfit that churned out campaign mailers slamming Hallinan and mayoral contender Gonzalez for, among other charges, an unwillingness to crack down on the activities of homeless people. Though the group’s status prevents it from taking positions on candidates, the mailers clearly favored one candidate over the other. However, since the pieces didn’t actually include a “vote for candidate X” command, they fell within the bounds of the law as recently interpreted by the appellate courts, Sutton told us.
“What I do is say, ‘I am the lawyer. It’s my job to say this is what the law says. This is what it does or doesn’t allow,’ ” Sutton said. “It’s not about any kind of ideology on my part.”
• Sutton also served as treasurer for the campaigns behind two successful measures funded by downtown interests: the clean-streets initiative (Proposition C) and the controversial anti-panhandling legislation sponsored by Newsom (Proposition M). Interestingly, Harris particularly benefited because of her support for Prop. M. San Francisco pollster David Binder told us in December that her position on Prop. M helped her win over much of Fazio’s base and was key to her victory.
• Sutton’s expertise helped Newsom and Harris raise money in larger chunks during the runoff than they might otherwise have done. That’s because Sutton is keenly aware of a detail in the city’s campaign finance law that says if a candidate carries “accrued expenses” from the general election to the runoff, that candidate can collect $500 (instead of $250) from contributors. He should be — the ruling came as a result of his suggestion to local regulators.
For practical purposes, it can become a matter of shuffling the books. Newsom and Harris had so much cash behind their candidacies that it’s tough to believe they had any real debt. And in the case of at least Newsom, the amount of “debt” certainly seemed to be a moving target.
Shortly after the general election, Newsom campaign manger Eric Jaye told us he thought Newsom bore roughly $30,000 in accrued expenses. But when the campaign filed the paperwork, Newsom showed $225,322 in unpaid bills (see “Tainted Dough,” 12/03/03).
Neither Hallinan’s nor Gonzalez’s campaign took advantage of this provision in the law, even though Gonzalez treasurer Randy Knox brought it to the candidate’s attention. Gonzalez told us at the time that he didn’t consider such a move ethical.
Learning the ropes
A self-described politics nerd who interned in his state assemblymember’s office in high school, Sutton credits the rigors of the tight-knit environment of Pomona College — more than his three years at Stanford University Law School — with influencing the way he works today.
“I learned early I wasn’t going to get away without doing my homework,” he told us.
After clerking for former California Supreme Court Justice Edward Panelli from 1988 to 1989, he searched for a way to combine his legal degree with his keen interest in politics and government. In 1990 he found his way to Nielsen, Merksamer, though he lived, as he still does, in San Francisco.
Since he knew the city, he evolved into the firm’s attorney who dealt with San Francisco matters, he told us, even though he’s a member of the Republican Party — a rare bird here. In fact, he even served a stint as general counsel for the California Republican Party.
His first work in the city was on behalf of large institutions — the M.H. de Young Memorial Museum’s early bond campaigns, for example. He also made a key alliance with consultant Barnes, who was on his way to building a hugely influential career here and becoming closely connected to former mayor Brown.
In spring 1998, Sutton acted as treasurer for Bay Beautiful, a PAC aimed at defeating Proposition K, which former state senator Quentin L. Kopp put on the ballot to restrict Brown’s control of the development of Treasure Island. (Though the measure passed, the Brown-controlled Board of Supervisors failed to implement it.)
In November 1999, Sutton played a role in the orchestrated independent expenditure campaign on behalf of Brown’s reelection efforts in his handling of the Willie Brown Leadership PAC. The PAC directed some $55,000 into Brown’s bid for a second term (see “The Soft Money Shuffle,” 2/16/00).
At the time, Sutton had gone public with his strong opposition to efforts to restrict spending in political campaigns, writing in the San Francisco Examiner, “Not only does a spending cap decrease the quantity and quality of the issues discussed in the campaigns, it also infringes on First Amendment rights.”
One year after Brown’s reelection, the Leadership PAC, together with the pro-downtown Committee on Jobs, pumped some $67,000 into an unsuccessful bid to defeat Proposition O, which reinstated limits on independent expenditures and provided public financing for campaigns. Sutton handled the legal work for No on O.
No surprise there, Sutton’s critics say. Where money seeks to influence politics, that’s where you’ll find him. Sutton, though, says the list of campaigns he’s served doesn’t reflect his ideology as much as it does his skill set. He told us the best-funded campaigns “tend to have the more complicated legal questions, since they’re going to do more stuff.”
Money and politics
Advocates of campaign finance reform say Sutton has taken his opposition to campaign spending limits on the road, seeking to erode local ordinances that restrict spending.
“Sutton is active all over the state in his opposition to campaign finance reform,” said Paul Ryan, political reform project director for the Los Angeles–based Center for Governmental Studies.
Most recently Sutton testified before the San Diego Ethics Commission at a Jan. 21 hearing on a proposal to strengthen local campaign finance law. Sutton argued the commission should repeal the local law and replace it with the state’s version, which happens to be weaker.
“When we wrote the Political Reform Act of 1974, we put in there that local laws could be stronger than the state law,” Center for Governmental Studies director Bob Stern said. “What we have now is about 100 cities and counties that have gone beyond the state law. What [Sutton] is doing is pushing local jurisdictions to follow the state law only. And that’s unfortunate, because each local jurisdiction needs to deal with its own problems.”
Sutton said he just wants a uniform standard, with the minimal local amendments.
“[Cities and counties] keep making more and more laws, which are making things more and more complicated and difficult for anyone who wants to run for election to figure out,” Sutton said. “It has a dampening effect.”
Ryan and others are concerned Sutton might succeed in discouraging officials in municipalities such as Los Angeles and San Francisco from sticking by their stronger local laws. Compounding their concerns is that Sutton appears to have a great deal of influence over regulatory officials — at least in San Francisco.
Charlie Marsteller, who formerly headed up a San Francisco chapter of California Common Cause, believes the Ethics Commission has for more than a year failed to act on a complaint he filed against Sutton in late 2002, because of Sutton’s influence on the agency. (The complaint was over Sutton’s failure to disclose some $800,000 in contributions from PG&E to a committee aimed at defeating Proposition D, another public power measure.)
“It seems to me they are waiting until after February, when a seat on the commission is up and they’ll be able to replace [Bob Planthold] with a Sutton-friendly commissioner,” Marsteller said. (Assessor-Recorder Mabel Teng is expected to name Planthold’s replacement any day now.)
More recent examples activists point to include the Harris spending-cap matter and the latest: a charge made Jan. 16 by two Ethics Commission staffers that director Ginny Vida ordered the destruction of documents accidentally e-mailed to the agency by a secretary in Sutton’s office. Those documents, which were first reported on in the San Francisco Sentinel, strongly suggest that funds raised by the San Francisco Swearing-In Committee (without contribution limits) for Newsom’s inauguration were used to pay off a long list of consultants who worked on the campaign — a charge Sutton has vehemently denied.
On Jan. 28, Sutton filed paperwork for the committee reporting contributions but not expenditures. The total raised was $317,850 and included donations of $10,000 to $20,000 from such downtown players as Shorenstein Co., Gap founder Don Fisher, the San Francisco Association of Realtors, and Clear Channel.
Though Sutton insists he enjoys no undue influence on local regulators, even one of Harris’s consultants told us Sutton was hired for just that reason. “Jim Sutton has a certain amount of influence with Ginny Vida. He doesn’t think [spending limits] are constitutional,” Looman said. “And I believe that worries her too.”
Vida was on medical leave and couldn’t reached for comment, but her deputy, Mabel Ng, said neither she nor Vida give Sutton special treatment.
“I don’t think he has any more or any less influence than anyone else,” Ng said.
Dealing with Ethics
Sutton’s most impressive act in the Harris controversy was convincing Vida and Ng that Harris didn’t know she was bound to the pledge she signed in January 2003 to stay under the spending cap. Had ethics officials concluded that Harris knew her pledge was binding when she blew the cap sometime in September, they could have disqualified her from the race, according to the terms of the city’s campaign finance law.
Instead the Ethics Commission signed onto a settlement agreement stipulating that Harris’s had been an innocent mistake — though there was plenty of evidence that her campaign officials fully knew the pledge was binding (see Campaign Watch, 9/17/03 and 10/08/03). But in buying into Sutton’s version of events, the commission allowed Harris to continue spending money that helped her win the race.
“To facilitate the needs of Sutton’s clients, [Ethics] staffers gave in to Sutton the way he wanted,” Marsteller said. “The commissioners dropped the ball in that they needed to request an audit to check out the veracity of the statements being made by Harris…. They could hardly decide that the violations by the Harris committee were unintentional absent an audit. It’s one of the greatest demonstrations of incompetence I’ve seen, and Sutton led them into it.”
For his part, Sutton disagrees that Vida gave him an easy of time of it. “They fined [Harris] $34,000, and they made sure we printed flyers and ads telling the public of the mistake,” Sutton said.
That’s true. But Ryan and others view the matter as strong evidence of Sutton’s influence.
“It appears as though many of the arguments he makes personally are then likewise made by Ginny Vida and Mabel Ng,” Ryan said. “It appears as though Jim Sutton is influencing the public policy and San Francisco and the interpretation of the city’s finance laws.”

Street fairs and fall festivals

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IF YOU’VE been wondering where all the headline acts and theater companies go in that long gloomy stretch before the fall season, take a look at some of the entertainment featured in the following fairs and harvest festivals. Not only do Bay Area late-summer and autumn celebrations provide space for artists, craftpeople and nonprofit organizations to peddle their wares, many feature performers like Maxine Howard, Modern Jazz Quartet, the Asian American Dance Collective and many, many more. In part two of our third annual guide to Bay Area street fairs, we’ve listed TK celebrations from the beginning of August through October. Unless otherwise noted, the fairs — and the entertainment — are free. For more information, or in case you’d like to participate, call the telephone number listed at the end of each festival description.

August 1-2

Nihonmachi Street Fair The streets of Japantown come to life with live entertainment, food booths, arts and crafts and games. Headliners on Saturday include the top-40 group Desire, while Sunday features jazz recording artist Deems Tsutakawa. On both days, Spirit of Polynesia, the Asian American Dance Collective and the Chinatown Lion Dance Collective perform ethnic dances. The event also features Children’s World, with activities and arts and crafts designed especially for two-to 12-year-olds. 11 am-5 pm in Japantown, Post and Buchanan, SF. 922-8700.

Aug 7-???

Festiva Latino ALL FURTHER INFORMATION TO COME ON MONDAY BECAUSE I LOST THE FOLDER THAT HAD ALL THE STUFF IN IT. I DON’T KNOW HOW I LOST IT BUT WE NEED AT LEAST TO MENTION ALL THE STARS THAT WILL APPEAR. PHONE NUMBER: 543-3030.

August 7-9

ACC Craft Fair From custom-made saddles and porcelain lamps to cedarwood desks and ornamental jewelry, this fair highlights the distinctive work of 300 artists from across the nation, including 75 from Northern California. All of the artists are chosen on the basis of integrity of design and excellence of execution, and the show’s organizers say they hope to elevate crafts into a major industry and an important art form. Adults, $4; children under 12 free. Fri., 11 am-8 pm; Sat., 11 am-6 pm; Sun., 11 am-5 pm. Fort Mason Center, Piers 2 and 3, Bay and Laguna, SF. 526-5073.

August 15

Reggae Explosion, ’87 Presented in the style and tradition of Jamaica’s famous annual Sun Splash concert, this event features Haitian art, Caribbean crafts and Jamaican cuisine, as well as dance, poetry, raffles and prizes. Musical artists include the internationally known Don Carlos and his Freedom Fighters Band, Strictly Roots and the sweet steel drums of Val Serrant. $8 in advance; $10 at the door. 1-11 pm, Fort Mason Center, Pier 3. Sponsored by the Western Addition Cultural Center. 921-7976.

August 22-23

Palo Alto Celebrates the Arts Festival Wine tasting and dancing in the streets will bring even more sunshine to Palo Alto’s University Avenue. Wares include high-quality ceramics and pottery ranging from dinnerware and stoneware as well as paintings, prints and one-of-a-kind furniture to decorate and distinguish the home. 10 am-6 pm, University Ave., Palo Alto. Sponsored by the Downtown Palo Alto Arts Fair Committee. 346-4446.

August 22-September 27

The Renaissance Pleasure Fairs A large grove of live oaks provides the setting for spirited pageants and merry parades that attempt to recreate a 16th-century Elizabethan country village. The Northern California Renaissance Fair is an autumn harvest festival, with music and dancing, hearty foods and rare hand-made crafts. Queen Elizabeth and her court are among the more than 1,000 costumed entertainers. Visitors are encouraged to arrive in period dress and join the fun. Adults, $10.50; seniors, $8.50; children under 12 free. Weekends and Labor Day, 10 am-6 pm. Located at the Blackpoint Forest in Novato, Hwy 37 to the Blackpoint exit. Sponsored by the Living History Center. 620-0433.

August 27-30

San Francisco Fair and International Exposition This year’s fair has an international flavor with its theme “San Francisco: Gateway to the Pacific.” San Francisco’s sister cities of Manila, Osaka, Shanghai, Sydney, Taipei and Hong Kong each have their own pavilion, to exhibit the individuality and heritage of each city and country, and highlight San Francisco’s thriving relationship with her sister cities. The fair also features a wine pavilion, a San Francisco history exhibit and, of course, the famous contest program, featuring such past favorites as the “Financial District Strut,” the “Impossible Parking Space Race,” the winners of the Bay Guardian Cartoon Contest and new additions including the “SF Safe Sex Button,” and “Freeways to Nowhere.” Adults, $5; seniors, $3; youth aged 5-15, $2; children under 5, free. Aug. 27th is “Youth Day” (all youth 15 and under admitted free); Aug. 28th is “Senior Day” (seniors admitted for $1.50). 11 am-9 pm, Civic Auditorium, Brooks Hall, Civic Center Plaza, SF. 557-8758.

September 4-6

122nd Annual Scottish Gathering and Games Come join 40,000 Scots for three days of music, dancing, food and contests. Highlights include the Highland Dancing Championships and the Caber Tossing Championship (a caber is a log the size of a telephone pole tossed end-over-end for accuracy). More than 50 clans are expected to set up tents and display their family tartans and coats of arms. Tickets for the Friday night Musical Pageant and Twilight Tattoo are $5 grandstand; $6 box seat, 8 pm, at the Sonoma County Fairgrounds. Sat. and Sun., adults, $11 one day, $16 both days; youth 11-16, $6 each day; seniors, $5 each day; children under 11, free. Sponsored by the Caledonian Club of San Francisco. 897-4442.

September 5-6

A la Carte, a la Park Here’s your chance to picnic with more than 60 top Bay Area restaurants — De Paula’s, Firehouse Bar-B-Q, Vanessi’s Nob Hill and Hunan, among others — presenting their specialties at special prices to benefit the San Francisco Shakespeare Festival’s Free-Shakespeare-In-The-Park program. Sample the great cuisines of the world while enjoying a series of classical and jazz performances and samplings from the drama of William Shakespeare. $2.50 voluntary donations encouraged. 11 am-6 pm, in Golden Gate Park’s Sharon Meadow on JFK Drive across from McClaren Lodge, SF. 441-4422.

September 5-7

Concord Fall Fest This fourth annual Labor Day weekend festival, held in Todos Santos Park, features grape stomps, chili cook-offs and a 10K run. Less energetic fairgoers can enjoy an open-air marketplace of arts and crafts, food booths and live music. 10 am-6 pm, Concord (take Willow Pass Road exit from 689). Sponsored by the Concord Chamber of Commerce. 346-4446.

September 5-7

Sausalito Art Festival One of Northern California’s largest outdoor fine arts exhibitions, the 35th annual art festival is held along the beautiful Sausalito waterfront. More than 100 artists and craftsmen from around the world exhibit a total of 4,000 works of art. A variety of non-stop entertainment will be provided, along with 26 international food booths. Festivities begin Friday night, Sept. 4th, with fireworks and a black-tie party. The Breakers to Bay run begins along the Pacific at Fort Cronkhite in Marin at 8:30 am (register by August 18th). Adults, $3; children 6-12, $2; under 6, free. 10 am-6 pm, Bridgeway and Litho, Sausalito. Sponsored by the Sausalito Chamber of Commerce. 332-0505.

September 7

Arts Explosion This Labor Day festival celebrates the end of summer with a bang (fireworks) and launches the fall arts season. Complementing the showcase of outstanding Bay Area musicians and dance companies will be original performance works; “art by the yard” and a sculpture “glue booth” for children of all ages; an “Arts Row” with a variety of opportunities to interact with local arts organizations. Children under 12 free; adults, $1. 11 am-9 pm, Estuary Park on Embarcadero West, Oakl. Sponsored by the Oakland Festival of the Arts. 444-5588.

September 12-13

Russian River Jazz Festival Bring your suntan lotion, beach chairs, blankets and swimsuits, and swing to the sounds of the legendary Nancy Wilson, Maynard Ferguson and High Voltage, the Wayne Shorter Quintet and a host of others. This year, the festival features two stages set at the river’s edge, with a spectacular backdrop of redwood-covered mountains. Food and crafts will also be available. $23 single day; $42 for both days. Located at Midway Beach near Guerneville. (707) 887-1502.

September 12-13

15th Annual San Francisco Blues Festival The oldest ongoing blues festival in the U.S. offers two days of performances by blues greats from around the country, an unmatched view of the Bay and a superb array of New Orleans and Louisiana cuisine. Saturday’s music lineup includes Johnny Winter, Lonnie Brooks and Oakland’s own Maxine Howard, and on Sunday Roomful of Blues, Albert Collins and Memphis Slim play. $10 in advance; $12 at the door; $16 for a special two-day ticket available in advance only. Noon-6 pm at the Great Meadow, Fort Mason Center, Marina at Laguna, SF. 826-6837.

September 13

24th Street Merchants’ Cultural Festival The 24th Street Fair celebrates Latin American Independence as well as creating a community gathering for artists, residents and merchants. Visitors can enjoy Latin American food and arts and crafts with a Latin theme. A plethora of information booths provides literature on community activities and five stages continuous entertainment by local groups. 11 am-6 pm, 24th St. from South Van Ness to Potrero, SF. Sponsored by the Mission Economic and Cultural Association. 826-1401.

September 18-20

30th Annual Monterey Jazz Festival Monterey Jazz Festival swings again, this year featuring more than 25 superstars, including Ray Charles, The Modern Jazz Quartet, B.B. King, Toshiko Akiyoshi, Etta James and Bobby McFerrin. The event also features food and merchandise booths, and the sponsor, MCI Communications, offers visitors the opportunity to call anywhere in the U.S. free of charge. Although the main stage events are sold out, grounds admissions tickets are still available and allow the bearer access to the outdoor Garden Stage and the indoor Nightclub, which host many of the headliners. $15 a day. Fri., 5 pm-midnight; Sat., noon-midnight; Sun., noon-10 pm. 775-2021.

September 19-20

Mill Valley Festival More than 100 artists, selected by a jury, exhibit their wares at this arts-and-crafts fair set in a beautiful redwood grove. Food, continuous on-stage entertainment and activities for children make this one of the premiere fine arts festivals in the country. Voluntary donations requested. 10 am-6 pm, Old Mill Park, Throckmorton and Old Mill, Mill Valley. 381-0525.

September 19-20

Pan-Pacific Exposition Art and Wine Festival This city-wide festival is held on the site of the 1915 World’s Fair. Horse-drawn carriages and vintage cars transport visitors to the glories of bygone days as the festival celebrates the highlights of San Francisco history. Enjoy ragtime music, a historic fashion show and pennyfarthing bicycle races. Several wine gardens offer premium wines from select California vineyards. 10 am-6 pm, Marina Green, Lyon and Marina, across from the Palace of Fine Arts, SF. Sponsored by the San Francisco Council of District Merchants. 346-4446.

September 20

Folsom: Dimension IV! Now in its fourth year, this fair has established itself as the “End of Summer” celebration. Staged on the equinox of 1987, the fair again features the mascot “Megahood,” who breathes fire and smoke over the crowds. Entertainment includes the Folsom All Stars, the Zasu Pitts Memorial Orchestra and Viola Wills. Expect high-energy performances and technological innovations and one of the most diverse display of local artistry and crafts. The fair is a benefit for the San Francisco Aids Emergency fund and the South of Market Community Association. 11 am-7 pm, Folsom between 7th and 12th St., SF. Sponsored by Budweiser Corporation. 863-8579.

September 26-27

The Pacific Coast Fog Fest Visitors to the Pacific coastline are treated to historical and humorous displays at the Fog Fest. Diners may feast on seafood and of course fogcutters are the featured cocktails. Vintage cars, arts, crafts, continuous entertainment and fog-calling contests make this a welcome new Bay Area event. 10 am-6 pm. Located on Palmetto Ave., between Shoreview and Santa Rosa in Pacifica, Hwy 1 to Paloma exit. Sponsored by the City of Pacifica. 346-4446.

October 2-4

Fiesta Italiana A weekend family event, this year’s fair promises to be the “Besta Festa.” The celebration of Italian-American culture features Italian cooking demonstrations, wine tasting and grape stomping. Mayor Dianne Feinstein is scheduled to cut the pasta ribbon to open the ceremonies, Sergio Franchi will headline with two shows a day and the Italian design Ford Concept Car is on display. Fireworks are scheduled for the end of each day. Adults $8; children $1.50; Seniors and disabled $5 (free from noon-6 pm on the 2nd). Noon-midnight, noon-10 pm on Sun. Pier 45, Fisherman’s Wharf, Shed A and C, SF. Sponsors include Pepsi, Ford Motor Co., Budweiser, Sony, Lucky Stores, EFS Savings and the Port of San Francisco. 673-3782.

October 4th

Castro Street Fair Started in the back room of Harvey Milk’s camera store in 1974, this neighborhood fair has become a city-wide event. Musicians, bellydancers and jugglers appear with prom queens, urban cowboys, visitors from outer space and the Gay Freedom Day Marching Band and Twirling Corps. A variety of music, comedy acts and more than 200 arts and crafts displays are also scheduled. Castro between Market and 19th, SF. Sponsored by the Castro Street Fair. 346-2640.

October 9-25

Harvest Festival For three weekends, the nation’s largest touring festival of handmade crafts, fine art, music, theater and cooking transforms Brooks Hall into a colorful 19th-century village. The event features bluegrass and country bands, continuous stage entertainment, jugglers, acrobats and wandering minstrels, as well as the hundreds of unique shops that line the walkways. Center Stage headliners include Riders in the Sky, and the famed musical comedians the Brass Band, winners of the top prize at the Edinburgh, Scotland Performing Arts Festival. Adults $5; children 6-11, $2.50; children under 6, free. Fri., noon-10 pm; Sat., 10 am-10 pm; Sun., 10 am-7 pm, Brooks Hall, Civic Center. 974-4000.

October 10-11

Art and All That Jazz on Fillmore A second-year revival in remembrance of Fillmore Street’s heyday of music, known in the 1940s, ’50s and ’60s for its hot jazz and blues clubs. Two days to celebrate San Francisco’s jazz roots with fine arts, fine food and fine wine in outdoor cafes. 10 am-6 pm, Fillmore between Post and Clay, SF. Sponsored by the Fillmore Street Merchants’ Association, the Pacific Heights Homeowners’ and Merchants’ Association. 346-4446.

October 11

Montclair Village Fair The winding streets of Montclair Village provide a charming locale for this neighborhood fair, where 50 artisans sell crafts and local schools, business and nonprofit organizations sell food. This year’s fair has a circus theme, with strolling flutists and meandering mimes helping to create a carefree atmosphere. A pancake breakfast kicks things off and is followed by hayrides in Montclair park. 11 am-5 pm, LaSalle at Mountain, Oakl. Sponsored by the Montclair Business Association. 339-1000.

October 17-18

Half Moon Bay Art and Pumpkin Festival Artists and craftspeople from across the United States display wares in more than 250 booths and all-day entertainment features blue grass to rock-and-roll at this “something for everyone” festival. As you might expect, pumpkin goodies abound and the fair kicks off with two pie-eating contests. Other events include a Pumpkin Festival Run and a pumpkin-carving contest. 10 am-5 pm, Main Street in Downtown Half Moon Bay. Sponsored by the Coastside Chamber of Commerce. 726-5202. *

So much flesh, so little personality

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Madonna. At Shoreline Amphitheatre, Mountain View, Monday, July 20th.

During the encores of the first of her two spectacular shows at Shoreline Amphitheatre last week, Madonna, the fantasy idol of American youth, finally asked the musical question lurking in the shadows of her extravagant performance. When the saucy Ms. Ciccone sang “Who’s That Girl?,” the title song of her forthcoming movie and just-released soundtrack album, she made the riddle of her career explicit. But after more than 90 minutes of relentless razzle-dazzle, after Madonna had revealed so much of her flesh and so little of her personality, the question should have been, why do so many people care?

Clearly they care a lot. Over two nights, nearly 40,000 people trekked to Mountain View for their close encounter of the absurd kind. This “Material Girl” made them willing to part with huge chunk of their disposable income for the privilege of watching her cavort through 16 entertaining but uninspiring production numbers masquerading as songs. The largely post-teen concertgoers paid up to $22.50 for an unscalped ticket, before service charges, and had the chance to fork over ten bucks for a slick program, $16 for a T-shirt and untold pocket change for food and drink from Shoreline’s amusement park-style concession. Scores even hired limousines to carry them to the show.

The power of Madonna’s appeal should be the envy of movie and pop stars alike. Even the most charismatic screen idols don’t attract so many people to one place at one time, and only a relative handful of music performers ever develop such commercial appeal. By successfully straddling both pop culture realms, Madonna doubles her draw. She is no ordinary icon.

How does she pull it off when she’s such a transparantly ordinary talent? The quick answer is that she sells sex, but her current show is remarkably unsexy. Nearly every song was punctuated by lacivious moves, from bumps and grinds with her male dancers (including salacious routines with a boy who looked less than half her 28 years) to teasing masturbatory gestures. And the foundation of her costuming — the black merry widow corset with gold sequined breast tips and twirling tassels — was part Marilyn Monroe in Some Like It Hot and part Gypsy Rose Lee. But Madonna’s precisely programmed dancing was little more than a second-rate rehash of Flashdance (from the same choreographer) and her attire came off like a dress-up game, not a seduction. Nor was the secret of her appeal in the music. The seven-piece band and three back-up singers, under the direction of Madonna’s co-producer Patrick Leonard, was loud and punchy, rhythmically sharp and note perfect. But the musicians, shunted to the sides of the elaborate staircase set, were beside the point. Their routine neo-disco grooves varied little throughout the night and only a few of Madonna’s songs, such as “Papa Don’t Preach,” “Like A Virgin” and “Holiday,” get beyond the busy beats with catchy melodic hooks.

No, Madonna must send other kinds of messages to her fans. In “Papa Don’t Preach,” her big hit from True Blue, she seemed to be picking up a social cause, defending a pregnant teenage girl’s freedom of choice. Presented in concert, however, the song became an overcrowded bandwagon for a mishmash of socio-political themes. Giant projected images of clouds in a blue sky gave way to those of thunderstorms, the menacing face of a surgeon, the entrance to a giant cathedral. A nightmarish Monty Python-style slide montage hinted at the horrors of abortion and careened through bizarre juxtapositions culminating in a giant blowup of the White House, then Reagan’s face, the faces of happy, healthy children and, finally, the words, SAFE SEX.

Whatever Madonna was trying to say in “Papa Don’t Preach,” her fourth song in concert, was quickly forgotten in the onslaught of MTV-style production numbers that followed. Indeed, the show was little more than an overblown “live” music video, full of silly props and simplified physical interpretations of the songs.

At the center of it all was a vaguely attractive young woman who projected nothing of her real self yet represented a kind of between-the-cracks liberation from the creeping conservatism of the 1980s. After all the dressing up and stripping down, nothing of the performer’s inner nature was revealed. But “Madonna” represented the freedom to act out the most outrageous fantasies without fear or guilt. During “Like A Virgin,” a New York Post front page was projected on the huge screen with the headline “Madonna: I Am Not Ashamed.”

She can be a material girl, a party girl, an innocent harlot in red lace undies and a black leather jacket, a rebel without a cause clothed by Frederick’s of Hollywood. She takes a stand against post-feminism by strutting, leaping and groveling on the stage, declaring that if there’s going to be any exploitation in her career, she’s going to control it. She confounds the objectification of womanhood by adding more layers. One of the few female role models that the mass media has coughed up in pop music during this regressive decade, Madonna is merely making the most of it, and making over her image in as many ways as she can within the narrow range of options. She leaves it to her fans to create their own answers to the question, “Who’s that girl?”*