Sports

Game Theory: Golden State Warriors vs. Sacramento Kings, 1/8/10

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Caitlin Donohue isn’t a sports writer. But she sure likes to win. Check out the last installment of “Game Theory” here. Oh, and give us a shout if you’ve got a big game coming up in the Bay.

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Hoot, holler and chug that 22 ounces of Coors Light- Anthony Morrow’s deal-sealing three pointer just sank for the Golden State Warriors. Photo by Erik Anderson

Last night I stepped into the vertigo-inducing bowl of Oracle Arena and got the immediate urge to fall in with rest of the belligerent Golden State Warriors fans. This team just makes you want to get crazy. Down in the seats to my right, a pack of teenage girls in high school volleyball sweatshirts screamed obscenities over the aisle at a gang of over-matched, thirty-something Sacramento Kings fans. The next section over eight women in sparkly pink tiaras danced proudly to AC/DC’s “T.N.T.”, their gyrations fantastically recounted in the Jumbo-tron overhead. In the middle of it all, large men with dismal season records dunked the ball and juked the defense and strutted about.

One is tempted to give credit for this happy mayhem to the 22 ounce beers. They are one of the most awesome parts of Warriors games at the Oracle Arena. Snack bar workers keep tall cans of every light beer on the planet behind the counters and when you order one ($9-12), they pour them into mega plastic cups for your convenience. Why can’t we just have the cans? Yet another great American mystery.

Outdoors & Sports

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Outdoors & Sports

BEST NONPROFESSIONAL SPORTS TEAM

SF Fog Rugby

The Fog is one of the only rugby clubs in the world that actively recruits people of color, gay men, and women — and somehow only incredibly hunky ones apply.

(415) 267-6100, www.sffog.org

BEST GYM

Gold’s Gym

It’s the gayest, classiest, most fresh-smelling gym in the city. Get buff. Get ripped. Get Gold.

Various locations. www.goldgym.com

BEST YOGA STUDIO

Monkey Yoga Shala

Bend, breathe, burn. Go bananas. Be like the monkey at Monkey Yoga Shala, the Bay Area’s premier simian yoga studio.

3215 Lakeshore, Oakl. (510) 595-1330, www.monkeyyoga.com

BEST DANCE STUDIO

ODC

Learn how to bust moves and join the Rhythm Nation with the professional booty shakers at ODC — or just watch them in amazing performances.

351 Shotwell, SF. (415) 863-6606, www.odcdance.org

BEST PUBLIC SPORTS FACILITY

Kezar Stadium

It’s not as glamorous as it was back in the day, but Kezar is still the best place to kick balls and soak up vibes left over from the Summer of Love.

755 Stanyan, SF.

BEST PERSONAL TRAINER

Hoop Girl

Shake off that flab, grind your pelvis, and work that ass with Christabel Zamor, the sexiest hula-hooping heroine in the world.

www.hoopgirl.com

BEST SKATE SPOT

The Embarcadero

Embarco is the best place in the world for street skating. Just don’t tell the cops.

Pier 1, Embarcadero and Market, SF

BEST PUBLIC POOL

Mission Pool

An impeccably maintained, old-school outdoor pool tucked into the heart of the Mission. The last of a dying breed.

1 Linda, SF. (415) 641-2841, www.sfgov.org

BEST SURF SPOT


Linda Mar, Pacifica: Best Surf Spot
GUARDIAN PHOTO BY CHARLES RUSSO

Linda Mar, Pacifica

The water’s cold, the waves are rough, and the weather is screwy, but our readers love a challenge.

Cabrillo Hwy. at Linda Mar Blvd., Pacifica.

BEST PARK FOR HIKING

Tilden Park

Trek through winding trails full of trees and wildlife at the oldest and most beautiful park in the East Bay.

Grizzly Park Blvd., Berk. (510) 562-PARK, www.ebparks.org

BEST NUDE BEACH

Baker Beach

Rock out with your cock out or jam out with your clam out at the best nude beach in the West.

Off Lincoln Blvd., Presidio, SF. www.nps.gov

BEST CLOTHED BEACH

Stinson Beach

Amazing (if often fog-drenched) views, cool spontaneous sand sculptures, and tons of hidden nooks and crannies for a private feel.

1 Calle del Sierra, Stinson. (415) 868-1922, www.nps.gov

BEST NATURE SPOT FOR PEOPLE WITH DISABILITIES; BEST PUBLIC PARK

Golden Gate Park

Accessibility is key at this beloved multifaceted venue, which offers several services specifically for the disabled.

www.parks.sfgov.org

BEST PICNIC SPOT

Dolores Park

Panoramic views of the city, half-naked hotties, beer, sausage, and pot brownies. This ain’t your daddy’s picnic spot (well, maybe your sugar daddy’s)!

Dolores between 18th and 20th Sts., SF.

BEST DOG PARK

Fort Funston

Where else can a pup frolic in Pacific Ocean waves and then chill with his bitch on a grassy knoll when he’s done? Nowhere.

Skyline Blvd. at John Muir Dr., SF. www.fortfunstondog.org

BEST CAMPGROUND

Angel Island

Wind-sheltered and semiprivate, the campsites at Angel Island are the perfect remedy for the Fog City blues.

www.angelisland.org

BEST PLACE TO WATCH THE SUNRISE; BEST CITY VISTA

Twin Peaks

You can see everything from Twin Peaks: the sky, the city, the tourists, the tweakers!

Top of Twin Peaks Blvd., SF.

BEST PLACE TO WATCH THE SUNSET

Ocean Beach

The sun may rise in the eastern skies, but it settles in a fine location: just off the shore of the O.B.

Great Hwy. between Geary and Sloat Blvds., SF.

BEST PLACE TO SEE THE STARS

Mt. Tamalpais

Your roof might be awesome, but if your landlord catches you up there, you’ll be homeless in no time. Skip the eviction and head to Mt. Tam.

801 Panoramic Hwy., Mill Valley. www.parks.ca.gov

Outdoors & Sports

BEST CEREBRAL WORKOUT

OK, you know when you’re doing the elliptical at the gym, flipping idly through an US Weekly between fighting with some meathead over whether you’ve really been on the machine for 30 minutes? That’s your body getting stronger while your mind’s getting weaker. Combat your brain’s slow atrophy at vibrantBrains, the only gym devoted exclusively to the oft-ignored muscle inside your skull. Instead of sweat-drenched Nautilus machines, vibrantBrains is composed of computer stations with software to challenge different parts of your mind. Happy Neuron works out your cognitive and language skills, while Lumosity’s exercises work out your memory and attention capabilities. In between “workouts,” the vibrantBrains lounge offers tea, reading material, and a community of newly intelligent peers. Classes like “Minding Your Mind” and “Neurobics” are also offered. All software is proven scientifically to improve brain function, but vibrantBrains’ owners, Lisa Schoonerman and Jan Zivic, provide a personal touch that eases your wits into fitness.

3235 Sacramento, SF. (415) 775-1138, www.vibrantbrains.com

BEST DRINKING CLUB WITH A RUNNING PROBLEM

Banish preconceived notions about running clubs: people whose less-than-1-percent body fat is shellacked in sweat-wicking, high-tech fabrics; New Balance slaves to a stopwatch and heart monitor. Not so with the Hash House Harriers (or H3), a running club fueled more by beer and sexual innuendo than Gu and Cytomax. The Harriers’ motto is “A drinking club with a running problem.” A hash run is based on hare hunting, with the leading hasher laying out a trail that the rest follow. This entails more than improvising a route, however: the hasher must set up the keg and beer stops along the way. Punishments are doled out for not following the route, and they’re not just sore muscles. Down-downs, as they’re called, involve drinking all the alkie in your cup. Booze consumption along the way isn’t the only unorthodoxy; members choose some very interesting nicknames, which range from “Wet Nurse” to “Cum Guzzling Cockaholic.” If Bay to Breakers comes 51 times less a year than you’d like, join up now.

(415) 5-ON-HASH, www.sfh3.com

BEST WAY TO GO

When most people hear “go,” they think of the opposite of “stop” or that middling ’90s rave movie. Well, there’s a lot more to “go” than green lights and Katie Holmes. Take, for example, Go, the 4,000-year-old Chinese board game. Go, or “Eastern Chess,” involves two players facing off over a wooden board with small black and white stones as their weapons. The game, once used in military training schools to teach strategy, is challenging, complex, and addictive. Where can you go to Go in San Francisco? You go to the San Francisco Go Club, where you can enter Go tournaments, get Go ranking verification, receive Go lessons, or simply throw down a challenge (“You wanna Go?!”). Go-ing since 1935, this organization, headquartered in an intimate little Richmond District space, is perfect for Go fanatics and first-time Go-phers alike. Even if chess, backgammon, and checkers aren’t doing it for you anymore, don’t give up on board games — Go further.

500 Eighth Ave., SF. (415) 386-9565, www.sfgoclub.com

BEST PLACE TO POLISH YOUR STUNTS

Fear not, action stars. Just because you lost your stuntman (they’re first to go in a recession) doesn’t mean your movie has to suck. Head over to the Tat Wong Kickboxing Academy and learn those kung fu moves for yourself. Founded by Master Tat Wong — one of Inside Kung Fu magazine’s 100 Most Influential Martial Artists of the 20th century and host of TV’s “Kung Fu Theater” — the academy uses a combination of Chinese San Shou, American kickboxing, and Muay Thai techniques to instruct students of all ages in a huge former bank building on Clement Street. What does that all mean? It means that whether you’re an action star or an extra, you’ll be arrow-punching and tornado-kicking your way to tighter buns, mental discipline, and badass self-defense skills. And even if you’re not the next Jean-Claude Van Damme, Tat Wong’s cardio kickboxing classes may ensure you outlive him.

601 Clement, SF. (415) 752-5555, www.tatwong.com

BEST UPPERCUTS


Michael the Boxer: Best Uppercuts
GUARDIAN PHOTO BY CHARLES RUSSO

If you thought You Don’t Mess with the Zohan was just another escapist summer film fantasy, think again. Ass-kicking hairstylists really do exist. Witness Michael Onello, the owner of Michael the Boxer, the only boxing gym and barbershop in the Bay Area. Michael is a third-generation barber and professional boxing trainer, highly qualified to dish out both buzz cuts and uppercuts. From the barber chair to the boxing ring, Onello’s SoMa shop is a blend of old-school service and new-school fitness. You can peruse Onello’s book, Boxing: Advanced Tactics and Strategies, during a hot lather shave and then, afterward, head into the ring to learn how to throw a haymaker. It’s boxing and barbering, all under one roof. But don’t let the Zohan comparisons give you the wrong idea. Michael’s not working — as a boxer or barber — for laughs. He’s simply the best double-threat in town. As Muhammad Ali said, “It’s not bragging if you can back it up.”

96 Lafayette, SF. (415) 425-3814, www.michaeltheboxer.com

BEST NET PROFIT

On a late-night talk show, five-time Wimbledon champion Venus Williams recently referred to herself as a “tennis nerd,” meaning that when she isn’t playing tennis, she likes to watch it. All Bay Area tennis nerds should know about the Centre Court Pro Shop at San Francisco Tennis Club. For once you won’t have to trek through a maze of equipment for other sports to get to the array of shoes, clothes, and racquets. And if you glance at the TV by the front counter, you’ll likely see a recording of a classic match. Casual onlookers who were wowed by the epic “Greatest Match Ever” between Rafael Nadal and Roger Federer can show their allegiance to the players associated with the sport’s renaissance by buying some new Babolat or Wilson gear. The shop has a ton of demo racquets, so any player — from weekend hacker to daily tennis nerd — can figure out through trial and error (and fun) which stick works best for hitting winners and upping their game.

645 Fifth St., SF. (415) 777-9010

BEST GAME IN TOWN

When you’re winning, it doesn’t matter where you watch. “The Catch” in ’82 could have made prison walls disappear. Super Bowl XXIX (Niners 49, Chargers 26) gave that boiler-room sublet in the Tenderloin charm. Yes, winning throws a glow on your surroundings, but when you’re losing — the 49ers have finished below .500 for the last five seasons; the Giants, for the last three — it’s a different story. You want comfort. You want character. You want beer. Thankfully, there’s Green’s Sport’s Bar on Polk. It’s got all the essentials: 17 high-definition TVs, 18 draft beers, and vintage Sports Illustrated swimsuit editions on the walls. Friendly staff, fanatical patrons, and an interior covered with flags, jerseys, pucks, pictures, and pennants — your game at Green’s is a guaranteed “W” regardless of the score, and a perfect reminder that just because your team’s losing, you don’t have to be a loser.

2239 Polk, SF. (415) 775-4287

BEST EXPLOSION OF AQUA

We’re perhaps a little too, er, unbalanced to stand upright enough on a surfboard and guide it through the roiling waves, but that doesn’t mean we’re not suckers for hotties in wetsuits. Often you’ll find us curled up with a cup of joe in the dunes of Ocean Beach or Pacifica (or, hell, southern Baja — we’re enthusiasts!) appreciating fine-bodied curler-tamers from afar and merrily offering freshly laundered towels and the pitiful results of our amateur clambake to those who return from the breakers unbroken. But enough about us. This award goes to Aqua Surf Shop for not only outfitting our heroic tsunami-herders with affordable boards, suits, and accessories, but also taking the whole surfwear trend in charitable directions with glamorous fashion shows at 111 Minna that benefit the Edgewood Center for Families and Children and feature the work of several primo local stylists and music makers. With a new Haight Street location to complement its original Ocean Beach store, Aqua keeps growing and growing, proving that surfers really are the gift that keeps on giving.

2830 Sloat, SF. (415) 282-9243; 1742 Haight, SF. (415) 876-2782, www.aquasurfshop.com

BEST TRUE SCHOOL SKATE COMPANY

Skateboarding may be the coolest sport in the world, but its popularity has come with a price: the loss of authenticity and soul. The subculture used to be underground and dangerous, but thanks to corporate buyouts, heavy MTV coverage, and the X Games, it’s become as innocent as lacrosse. Luckily, Deluxe, a.k.a. DLX, the parent distribution company for Real Skateboards, Thunder Trucks, Spitfire Wheels, Krooked, and Antihero, keeps it real. With a focus on localized production — all boards, trucks, wheels, and clothes are actually made right here in the city — and a dedication to a distinctly San Franciscan brand of skate culture (flannels, beers, and raw street), Deluxe has managed to maintain some integrity as an alternative for the small sect of people who like to skate but hate the mall. Deluxe pros like Mark Gonzales, Dan Drehobl, and Peter Ramondetta are as far as you can get from corporate whores like Tony Hawk and Bam Margera, and the products Deluxe makes bear almost no resemblance to the shit they stock at Westfield Centre.

1111A 17th St., SF. (415) 468-7845, www.dlxsf.com

BEST GIANT FITNESS CLUB THAT ATE ALAMEDA

The Bladium isn’t joking when it bills itself as “big club, big energy.” Situated in a former aircraft hangar on an abandoned naval base, the 120,000-square-foot sports and fitness club has stellar views of the aircraft carrier USS Hornet and San Francisco. Inside, airy dance studios, two indoor soccer fields, an in-line hockey rink, a rock climbing wall, a boxing ring, basketball and volleyball courts, and a kids center mean there are plenty of ways to get hot and sweaty. Did we mention the well-stocked bar and grill where you can offset any potential weight loss from all that working out? The club’s belief in cross-training as the best way to stay healthy translates into plenty of exercise options for one low monthly fee. But beware the darling clothing store situated inside the club. That’s where you may lose the shirt off your back, in exchange for a racy lacy sports bra — all the better to show off your nascent abs.

800 West Tower Ave., Bldg 40, Alameda. (510) 814-4999, www.bladium.com

BEST TWO-WHEELED COMMUTE

All the transportation experts say that when it comes to riding bicycles through big-city streets, there is safety in numbers. So if you’re among the majority of San Franciscans who still don’t pedal their way to work, there’s no better day to try it than Bike to Work Day, which occurs each May. This year, for the first time in San Francisco history, official traffic surveys that day counted more bicycles than automobiles during the morning commute on Market Street, a particularly astounding feat given that a court injunction has prevented the city from creating any new bike lanes or making improvements for the past couple of years. The day also features free coffee and other goodies from “energizer stations” (often staffed by very attractive “energizers”) around town and a Bike Home from Work afterparty, where you can flirt with the steel buns set and toast your merry mileage.

www.sfbike.org

BEST NON-KINKY ROPE SKILLS


SFC Double Dutch: Best Non-Kinky Rope Skills
GUARDIAN PHOTO BY CHARLES RUSSO

San Francisco has never been known for its wholesome use of rope — check Kink.com for a taste of “normal” SF-style rope play — but that’s all changing now that the Double Dutchesses are back on the scene. The DD girls, four supersexy city girls with mind-boggling rope skills, made a big splash a few years ago with their quirky jump rope routines and blood-drenched performance art skits. But despite DD’s efforts, the great double dutch resurgence never quite took off, probably because choreographed jump roping is hard as hell. The girls laid low for a while, working diligently on their routines, but now they’re back. Their new jump rope instruction organization, SFC Double Dutch, is dedicated to spreading the joy of jump rope. So untie your bondage slave and sign up for classes at CELLspace or Studio Garcia before they fill up. Uptown, downtown; everybody’s gettin’ down.

214 Clara, SF. (415) 618-0992, www.sfcdoubledutch.com

BEST SWINGIN’ ON A STAR


McKinley Park: Best Swingin’ on a Star
GUARDIAN PHOTO BY CHARLES RUSSO

You might not have had the need — or the opportunity — to plan an over-the-top, no-holds-barred romantic date recently. Let’s face it: it’s hard to get a date in this city, let alone get one you’re actually excited about. But just when you’re least expecting it, someone wonderful lands in your lap, and you find yourself frantically trying to come up with something that will impress. May we suggest McKinley Park, a hidden gem atop Potrero Hill. It’s an ideal date stop: the swing set at the edge of the sleepy playground stunningly overlooks the entire city. Soaring through the night air, you feel as though you’ll launch into the stars. It’s even better to bike up to the park, despite the major hill climb required, as the rolling hills sloping down toward Third Street provide the best cycling roller coaster this city has to offer — with an ocean view.

20th Street at Vermont, SF

BEST BIG LEBOWSKI

Even though the Presidio is gradually entering a slow hostile takeover by corporations (vanity museums, Lucasfilm) and big parking lots, it’s still San Francisco’s throwback to the past. The farther you get from the fancy park gates, the further back in time you travel. Near the coastal bluffs, time becomes completely irrelevant, making the Presidio the perfect place to reenact scenes from the greatest slacker movie of all time: The Big Lebowski. With a bowling ball, some beers, and a few other geeky friends, the Presidio Bowl becomes your personal set for faux nihilism and cutting repartée. Twelve lanes and a bangin’ snack bar (bacon-and-egg cheeseburgers, anyone?) sate you while the doobie wears off. And who can’t appreciate the value of an endless fountain of warm, imitation nacho cheese? Sadly, you’ll have to make the film’s emblematic White Russians yourself — the Bowl only serves beer, wine, and malt liquor. But there’s nothing wrong with ordering a glass of half-and-half on the rocks and doctoring it with your flask, is there?

93 Moraga, SF. (415) 561-2695. www.presidiobowl.com

BEST CYCLOCROSS-DRESSERS

If you don’t do a double take when you see a six-foot-four female impersonator screaming at a Muni driver on Market Street because he rear-ended her ’57 Chevy, congratulations. You’ve officially arrived as a proper San Francisco citizen. Where else is it considered commonplace to see a trolley hit a tranny? Yet even the most seasoned SF residents might turn their heads at this: grown men, dressed in skintight spandex and frilly lingerie, sprinting through Golden Gate Park with bikes hiked over their shoulders. This occasion, the Outlaw Cyclocross Race, is the unofficial annual opener for Northern California’s October–February cyclocross race season, in which dozens of hardcore, or ridiculous, cyclists cross-dress to avoid an entry fee. Zooming off in a cloud of dust, the froofy men (and a few tie-wearing women) race through a closed-circuit loop filled with steep hills and insurmountable logs. This slightly nonlegal event has kept itself well-hidden from permit-demanding eyes for almost 15 years. To find it, you’ll have to listen in the fall for strident yodels and ripping lace.

BEST HEAD START

You celebrate the same birthday over and over. You’ve begun to contemplate Botox. And let’s not even talk about your waistline: Your muffin top runneth over. In our youth-centric, waif-y culture, where are the breaks for the older or plumper folks? The Double Dipsea Race is one. This 14.2-mile footrace, a round-trip between Stinson Beach and Mill Valley held in June, is age-handicapped: the oldest runners are given up to a 25-minute advantage over a scratch group of younger pups. The race has a few more swerves from convention. Women over 140 pounds and men over 200 can take special prizes. And runners who frequent those North Bay trails would do well to take note of the race’s permissible shortcuts. The race offers these corner-cutters because founder Walt Stack wanted to encourage women and older folks to participate. The course is still grueling — a 2200-foot nongradual elevation gain, uneven, rocky footing, and yes, the infamous 600-plus Mill Valley steps. Yet it offers a gorgeous and breathtaking (if you have any left to take) vista of the Pacific.

www.doubledipsea.com

BEST HIGH BACKSIDE OLLIE COMEBACK

There was a time when San Francisco was ground zero for skate culture. Spots like the Justin Herman Plaza, Hubba Hideout, and Pier Seven cranked out pro after pro and bred a scene more stylish and full of big-city attitude than the world had ever seen. It was great for the city’s skaters who enjoyed fame, money, and industry-wide respect, but the corporations that owned the plazas, ledges, and staircases were unanimously pissed off. Ledges were capped, security guards were hired, and special laws were created to make sure San Francisco became as undesirable for skaters as an empty swimming pool for Olympian dog-paddlers. Most of the SF skate scene may have vanished since the attack, but it never died. The new Portero Del Sol Skatepark is proof. New pros, up-and-comers, and established vets like Max Schaff and Karma Tsocheff have been tearing that shit up since the cement dried back in April.

Utah and 25th St., SF.

BEST STEEL CITY BRO-DOWN

If you’ve ever met someone from Pittsburgh, you’ve met a Steelers fan. Steel City natives are serious about sports. San Francisco has a surprisingly large number of Steelers bars, where transplants and trend-followers throw back brewskis at 10 a.m. on football season Sundays. But Giordano Bros. sandwich shop in North Beach makes you genuinely feel like you’re back in the ‘Burgh itself. It’s not uncommon to hear the hoots of former elementary school classmates running into each other, beer is available in buckets — and authentic Primanti Bros.–style sandwiches are served. These wonders are stacked with your choice of Italian meat (try the hot cappicola) and slathered with cheese, oil and vinegar, and french fries between thick-sliced Italian bread. (Add boiled egg for the full experience.) Four large TVs ensure everyone can see the game. When the Steelers win, Giordano’s proprietors pass around Iron City, a brew found only in Pittsburgh. Because, in Pittsburghese: “Every one of yinz Stillers fans gets a victory swig dahn ‘ere.”

303 Columbus, SF. (415) 397-2767, www.giordanobros.com

BEST BODY SLAMS

The folks at Fog City Wrestling want you to watch a luchador slam a Tom Cruise impersonator into the floor. They want you to see a Samoan take-down team (combined weight: 1,100 pounds) take on the “Reno Punks” in a swirling, convoluted drama of independent pro-wrasslin’. Sweaty, in-your-face, “maybe knock you over if you’re in the front row” wrestling has come back to San Francisco after what promoters Caesar Black and Steve Armani claim has been a 30-year absence. Fog City’s shows are packed with so many acts, highlights, and subplots that things get raucously confusing. With a full-size ring and professional sound and lights, it brings a high level of showmanship with a big ol’ plate of athleticism on the side. Wrestlers like Rikishi, the Mexican Werewolf, and Mister Primetime pull big-show moves — flying back flips, body slams, and pile drivers — just like them whut you see on the tee-vee.

www.fogcitywrestling.com

BEST FLYCATCHIN’

As a San Francisco resident, it’s your born (or inherited, or adopted) duty to be a Giants fan. It doesn’t matter that baseball is boring or that scandal rocks the team every year that they don’t completely suck. But just going to a Giants game can be as sporty as playing baseball — and you don’t even have to enter the ballpark. Grab a pony keg and some friends, don your orange fright wig, set up camp on the stone benches across from the waterway by AT&T Park, and while away the afternoon or evening watching the kayakers on the bay wait to catch fly balls. You’ll almost be able to see the big screen where the game is projected. Or, if you actually care about what’s going on inside, press your eyeballs up to the right of the bicycle-parking check-in and you’ve got the best field-side seats in the park. Why pay $6 per Bud to watch the Giants lose when you can drink your own beer, listen to the cheers and jeers, and enjoy some amateur watersports?

Food & Drink

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Food & Drink

BEST NEW RESTAURANT

Beretta

Blurring the line between rustic and contemporary Italian, this Mission newbie doles out specialty pizzas, inspired cocktails, and two dozen antipasti options.

1199 Valencia, SF. (415) 695-1199, www.berretasf.com

Runners up: Spork, Spruce

BEST CAFÉ

Sugar Café

Fresh-baked pastries and near-regal environs make Sugar Café a refined coffee shop by day, while moody lighting and seasonal cocktails turn it into a perfect after-work lounge.

679 Sutter, SF. (415) 441-5678, www.sugarcafesf.com

Runners up: Cafe Flor, Atlas Cafe

BEST VIETNAMESE SANDWICH

Saigon Sandwich

Three bucks and a quick stroll through Civic Center will get you one of Saigon’s crave-worthy banh-mi, the timeless combo of marinated pork, barbecue chicken, or tofu on a chewy baguette.

560 Larkin, SF. (415) 474-5698

Runners up: Little Saigon, Cafe Dolce

BEST ITALIAN RESTAURANT

Delfina

The charming Mission haunt continually wins over San Franciscans from all walks with seasonal ingredients, great service, and an incredible vino selection.

3621 18th St., SF. (415) 552-4055, www.delfinasf.com

Runners up: Incanto, Tomasso’s

BEST BOWL OF NOODLES

Citrus Club

From spicy curry to garlic shiitake, when it comes to slurping noodles on the cheap, this Upper Haight noodle house has something for everyone.

1790 Haight, SF. (415) 387-6366

Runners up: Hotei, Mifune

BEST TAQUERÍA

Taqueria Can-Cun

So what keeps Can-Cun packed until the wee hours? Slightly seared tortillas wrapped around well-seasoned meat; close proximity to prime drinkin’ spots; and horchata that just won’t quit.

2288 Mission, SF. (415) 252-9560; 3211 Mission, SF. (415) 550-1414; 1003 Market, SF. (415) 864-6773

Runners up: El Farolito, El Metate

BEST SMALL PLATES

Cha Cha Cha

The sangria flows freely, the small plates are built for sharing, and the good-time vibes never stop at both Cha Cha Cha locations.

1801 Haight, SF. (415) 386-7670; 2327 Mission, SF. (415) 648-0504, www.cha3.com

Runners up: Andalu, Ramblas

BEST SUSHI

Blowfish Sushi to Die For

High-tech decor meets Zen service at Blowfish, the Mission’s den of floppin’ fresh fish, where innovative sushi platters and anime-filled LCD screens are the norm.

2170 Bryant, SF. (415) 285-3848, www.blowfishsushi.com

Runners up: Ebisu, Tsunami

BEST TURKISH RESTAURANT

A la Turca

At A la Turca, delectable pita and perfectly seasoned lamb meet on the cheap, smack in the center of the Tenderloin.

869 Geary, SF. (415) 345-1011

Runners up: Cafe Troya, Bursa Kebab

BEST INDIAN RESTAURANT

Dosa

San Francisco’s favorite South Indian restaurant, Dosa churns out some mean curries, aromatic rice dishes, and of course a variety of savory dosa, its namesake Indian crepe.

995 Valencia, SF. (415) 642-3672, www.dosasf.com

Runners up: Indian Oven, Shalimar

BEST PERUVIAN RESTAURANT

Fresca

This authentic Peruvian spot serves up fresh ceviche, seared ahi, and herb-crusted rack of lamb to salivating diners.

24 West Portal, SF. (415) 759-8087; 2114 Fillmore, SF. (415) 447-2668; 3945 24th St., SF. (415) 695-0549; www.frescasf.com

Runners up: Limon, Mi Lindo Peru

BEST BURMESE RESTAURANT

Burma Superstar

With 22 ingredients, the rainbow salad here shows that this Inner Richmond joint pays attention to the details. Imagine what it does with ginger, curry, and basil.

309 Clement, SF. (415) 387-2147, www.burmasuperstar.com

Runners up: Mandalay, Pagan

BEST DELI

Miller’s East Coast West Deli

Miller’s authentically conjures the Eastern Seaboard with mountainous Reubens, steamy matzo ball soup, and cheese blintzes in portions that are bigger than your face.

1725 Polk, SF. (415) 563-3542, www.millersdelisf.com

Runners up: Moishe’s Pippic, Mr. Pickles

BEST BRUNCH

Zazie

With a menu full of eggs Bennies, loads of classic French options, and Bloody Marys by the pint, it’s no wonder that people happily wait hours for a brunch at Zazie.

941 Cole, SF. (415) 564-5332, www.zaziesf.com

Runners up: Tangerine, Boogaloo’s

BEST LUNCH

Specialty’s

Forward-thinking Specialty’s lets you order hearty sandwiches, fresh salads, and made-from-scratch soups online or at one of its seven citywide locations.

www.specialtysdirect.com

Runners up: Zuni, Chow

BEST RESTAURANT WITH AN OCEAN VIEW

Cliff House

The cliff-side art deco joint offers classic cocktails, a refined old-school menu, and floor-to-ceiling windows for taking in stunning ocean vistas and the Pacific sunset.

1090 Point Lobos, SF. (415) 386-3330, www.cliffhouse.com

Runners up: Beach Chalet, Greens

BEST BARBECUE

Memphis Minnie’s

This Lower Haight staple serves up brisket and pulled pork so tender that urban tailgaters don’t even need the three delicious tabletop sauces available for slatherin’.

576 Haight, SF. (415) 864-7675, www.memphisminnies.com

Runners up: Everett and Jones, Big Nate’s

BEST LATE-NIGHT RESTAURANT

Sparky’s

Situated in the geographic center of the city, Sparky’s is a 24-hour melting pot of urban carnivores and herbivores, with kitschy environs, a menu packed with diner staples, and bottomless cups of coffee.

242 Church, SF. (415) 626-8666

Runners up: Nopa, Grubstake

BEST SPLURGE RESTAURANT

Gary Danko

White linens, a doting waitstaff, and a celebrity chef … dropping a whole paycheck at Gary Danko’s innovative Californian spot is easy.

800 N. Point, SF. (415) 749-2060, www.garydanko.com

Runners up: Boulevard, Kokkari

BEST CHEAP RESTAURANT

Tu Lan

Located near the intersection of Sixth and Market Streets, Tu Lan serves up the best dive meal around, with enormous portions, order-by-number efficiency, and authentic pho.

8 Sixth St., SF. (415) 626-0927

Runners up: Pakwan, Naan ‘N’ Curry

BEST SERVICE

Octavia Lounge

Our readers are head over heels for the charms and attentions of the staff at fabulous cabaret-restaurant Octavia Lounge.

1772 Market, SF. (415) 863-3516, www.octavialounge.com

Runners up: Luna Park, Stinking Rose

BEST DOUGHNUT SHOP

Bob’s Donuts

Bob does most of his baking right before last call, endearing him to Tenderloin bar rats and music venue castoffs citywide.

1621 Polk, SF. (415) 776-3141 King Pin, Peoples Donuts

BEST INDEPENDENT COFFEEHOUSE

Ritual Roasters

Sleek, minimalist environs, an endless parade of MacBook Airs, and fair trade coffee make this the default destination for hipster techies.

1026 Valencia, SF. (415) 641-1024, www.ritualroasters.com

Runners up: Blue Bottle, Philz

BEST SELECTION OF BEERS

Toronado

The extensive selection of craft beers at Toronado can be bewildering. Fortunately, the bar lets you sample as many tasty local brews and fancy imports as it takes to make a decision.

547 Haight, SF. (415) 863-2276, www.toronado.com

Runners up: Monk’s Kettle, La Trappe

BEST WINES BY THE GLASS

Bacar

Taking the pretentiousness out of the vino experience, Bacar boasts a three-story wine wall and a book-size menu by the taste, glass, flight, and bottle.

448 Brannan, SF. (415) 904-4100, www.bacarsf.com

Runners up: Cav, Yield

BEST CLASSIC COCKTAILS


Christine Rammey at Martuni’s: Best Classic Cocktails
GUARDIAN PHOTO BY RORY MCNAMARA

Martuni’s

Decorum stops with the slickly made manhattans, sidecars, and martinis: raucous show tunes, flamboyant crowds, and heaps of drunken revelry here break the mold.

4 Valencia, SF. (415) 241-0205

Runners up: Aub Zam Zam, Rye

BEST CREATIVE COCKTAILS

Orbit Room

This stylish mid-Market spot can do things with basil, cucumber, and ginger that are positively subversive by classic cocktail standards.

1900 Market, SF. (415) 252-9525

Runners up: Bourbon and Branch, Cantina

BEST CHOCOLATES

Fog City News

Sure, Fog City peddles thousands of periodicals in its tiny Financial District locale, but cacao-lovers also drop by for one of the country’s largest chocolate collections.

455 Market, SF. (415) 543-7400, www.fogcitynews.com

Runners up: Edible Love Chocolate, Recchiuti

BEST BURGER AND FRIES

Burgermeister

Locally grown veggies and organic Niman Ranch beef set Burgermeister’s charbroiled beauties apart, but freshly cut fries and fountain root beer put this place over the top.

86 Carl, SF. (415) 566-1274; 759 Columbus, SF. (415) 296-9907; 138 Church, SF. (415) 437-2874; www.burgermeistersf.com

Runners up: Barney’s, Big Mouth Burgers

BEST SANDWICH

Ike’s Place

The rock star of the San Francisco sandwich scene, Ike’s Place puts magic on bread: whether you like it stacked or Spartan, vegan or meaty, this Castro joint rocks the sammy like no other.

3506 16th St., SF. (415) 553-6888, www.ikes-place.com

Runners up: Hazel’s, Yellow Submarine

BEST LOCALLY MADE BREAD

Acme Bread Company

Buttery croissants, chewy baguettes, and herby ciabatta bread make up the carb-laden menu at this Ferry Building favorite.

Ferry Building Marketplace, Embarcadero at Market, SF. (415) 288-2978

Runners up: Arizmendi, Tartine

BEST CUPCAKES

That Takes the Cake

The fluffy homemade cupcakes at That Takes the Cake range from Southern red velvet to carrot cake — and conjure up blissful childhood memories of stuffing your face with frosting. Mmm, frosting.

2271 Union, SF. (415) 567-8050, www.saralynnscupcakes.com

Runners up: Kara’s Cupcake, Citizen Cupcake

BEST CHEESE SHOP

Cheeseboard Collective

This Berkeley co-op serves up specialty pizza, baked goods galore, and an impressive menu of artisanal cheeses.

1512 Shattuck, Berk. (510) 549-3055, www.cheeseboardcollective.coop

Runners up: Cowgirl Creamery, Say Cheese

BEST TEA SHOP

Samovar Tea Lounge

Serving up grounding doses of ritual and history with every fair trade, organic, and seasonal cup of loose leaf, Samovar also programs cultural-specific tea services.

498 Sanchez, SF. (415) 626-4700; Yerba Buena Gardens, Upper Terrace, 730 Howard, SF. (415) 227-9400, www.samovartea.com

Runners up: Leland Tea Company, Lovejoy’s Tea Room

BEST BLOODY MARY

Zeitgeist

Nothing kills a hangover like playing hooky from work, chain smoking Parliaments, and sucking back a Bloody Mary on Zeitgeist’s gigantic patio.

199 Valencia, SF. (415) 255-7505

Runners up: The Ramp, Home

BEST VEGAN RESTAURANT

Café Gratitude

Café Gratitude caters to the raw set without isolating the rest of us; sustainably farmed local ingredients and communal seating make this the best vegan bet around.

2400 Harrison, SF. (415) 824-4652, www.withthecurrent.com

Runners up: Cha-Ya, Millennium

BEST APPETIZERS

Nopa

From wood-roasted calamari to warm goat cheese crostini, the rustic-chic appetizers that come from Nopa’s open kitchen are organic bits of heaven.

560 Divisadero, SF. (415) 864-8643, www.nopasf.com

Runners up: Betelnut, Town Hall

BEST DESSERT

Citizen Cake

Decadent chocolate ganache, a rotating cupcake roster, and cookies aplenty make this Hayes Valley café a primo dessert destination.

399 Grove, SF. (415) 861-2228, www.citizencake.com

Runners up: Mission Pie, Tartine

BEST FARMERS MARKET

Ferry Building Farmers Market

Not many markets can hold a candle to creamy cheeses, craft breads, organic fruits and veggies, and specialty oils outside a San Francisco landmark.

Ferry Building Marketplace, Embarcadero at Market, SF. (415) 693-0996, www.ferrybuildingmarketplace.com

Runners up: Alemany, UN Plaza

BEST LOCAL PRODUCE DELIVERY SERVICE/CSA

Eatwell Farms

For a seasonal dose of heirloom tomatoes, summer squash, and fresh basil, look no further than the local, certified-organic wares of Eatwell’s CSA program.

www.eatwell.com

Runners up: Planet Organic, The Fruit Guys

Food & Drink — Editors Picks

BEST UPSCALE ADOBO

An unpalatable shocker: despite the massive quantities of Filipino folks in the Bay Area, gourmet Filipino food has been nigh impossible to find. Sure, lumpia, those little egg roll–like wonders, are ubiquitous at street fairs, and that national dish of the Philippines, adobo (well-grilled meat slathered in the eponymous marinade and served over rice), can be found at many Hawaiian joints and Asian cultural festivals. But what about a classy take on the unexplored bounty that is Filipino cuisine? Palencia in the Castro reduces us to babbling superlatives with its inventive yet traditional dishes, including a melt-in-your-mouth sisig na boy, a combination of diced fried pork, cherry tomatoes, and green onions, and dreamy kare kare, oxtail stewed in peanut sauce with still-crisp vegetables. The interior, dotted with votive candles, trimmed in teakish wood, and edged with manila walls, appeals to a romantic notion of the islands. And yes, there’s heavenly adobo, either pork simmered in garlic sauce or chicken in coconut milk, with vinegar, fermented soy, crushed red peppers, and bay leaves. Palencia’s prices may call for a special occasion, but the tastes will linger long after the bill’s been paid.

3870 17th St., SF. (415) 522-1888, www.palenciasf.com

BEST COMBINATION SINCE CRACK AND HOOKERS


Remy Nelson of Mojo Bicycle Café
GUARDIAN PHOTO BY RORY MCNAMARA

There are few combinations as simple and viscerally satisfying as reclining on the seat of your ’74 Monte Carlo enjoying a $10 hummer and a puff or two on the glass dick. I mean, you gotta relax, right? However, it’s all about trying new things, or putting together old things in new combinations. Like, picture this: the Monte Carlo is in the shop, and you’re pedaling down the road on the Schwinn Varsity 10-speed you inherited from your pops. You realize two things: (1) This bike rides like shit, and (2) Damn, I picked a bad week to give up crack and hookers — I’m really gonna need some strong coffee before my head explodes. Mojo Bicycle Café has got you covered: you can have your ride wrenched on while you glug an expertly poured triple cappuccino, perhaps noshing on a salad or sandwich while you make small talk with your sponsor. If you decide to give up on the Schwinn, you can peruse the selection of bikes for sale, including the new line of city cruisers by Swobo.

639A Divisadero, SF. (415) 440-2338, www.mojobicyclecafe.com

BEST KOSHER KEBAB SHACK

Calling Sabra Grill the “best glatt kosher meal in Chinatown” sounds like a backhanded bitchslap along the lines of Flight of the Conchords’ paean to the “most beautiful girl in the whole wide room.” But it’s no joke: Sabra is the city’s only restaurant with a full-time resident mashgiach (supervisor of adherence to kashrut, or Jewish dietary laws). Everything on the Israeli menu is generously portioned, and you can’t go wrong with the greaseless, well-spiced falafel tucked inside a perfectly pillowy pita with luscious tomatoes, crisp lettuce, saucy tahini, and pickles, washed down with a Maccabee beer. But don’t go on weekend nights: Sabra closes, of course, two hours before sundown on Friday and all day Saturday. Sabbath, sweeties, although a special for-Shabbat takeout menu is available.

419 Grant Avenue, SF. (415) 982-3656, www.sabragrill.com

BEST GINGER MILK, WITH OR WITHOUT FALLOPIAN TUBES

The gaggle of teenagers at Sweetheart Cafe is here for the impressive selection of boba tea, coffee “freeze” drinks, shaved ices, slushies, and smoothies, plus perhaps a snack of popcorn chicken and a bag of muscat gummies to go. But the item that really puts the sweet in Sweetheart is the ginger milk, a Hong Kong creation of warm sweetened milk and fresh ginger juice, which gels the milk. Some versions of ginger milk have the texture of flan, but this one is more like cappuccino — served in a coffee cup, it has a thick, foamy cap of custard above warm, peppery, ginger-laced milk. It’s the perfect foggy–weather drink (and yes, that does include Irish coffee). If you’re feeling more dessert-minded, try it with the optional bird’s nest or harsmar (a topping made from the dried fallopian tubes of a frog, it has a glutinous texture and sweet flavor).

909 Grant Avenue, SF. (415) 262-9998

BEST INDIAN FINGER-FOOD

Indian food is pretty much the best stuff on the planet, but it’s hard to eat casually, like, say, when you’re really drunk and nowhere near a table with plates and cutlery. Most ravenous sots will forgo the greasy cartons of mixed sabzi and chicken masala in favor of something more drunk-friendly, like a burrito or a slice of pizza. But there are plenty of tikka freaks who’ll risk slimy fingers and curry-stained sheets just to get a bellyful of spicy brown-and-yellow glop. Well, they don’t have to. Zante, a pizza parlor in Bernal Heights run by an Indian chef with a doctorate in dough flipping, has been serving up handheld versions of classic Indian Cuisine for years. It sounds like magic, but Zante’s “Indian pizzas” are really just traditional dishes baked onto pieces of naan bread. Genius.

3489 Mission, SF. (415) 821-3949, www.zantepizza.com

BEST WAY TO GET YOUR GEODUCKS IN A ROW

The geoduck (pronounced goo-ey-duck) is a bivalve mollusk that lives deep under the sand, alerting potential predators of its presence with a geyser-like spray. This culinary delight, which can be up to three feet long, looks like a giant clam with a phallic protrusion sized to match. And like many foods that are difficult to obtain and reminiscent of human genitalia, geoducks are considered a culinary delicacy in some places. In this case, those places are Japan and especially China, where geoducks are prized for their savory flavor, crunchy texture, and rumored sexual performance-enhancing qualities. Despite San Francisco’s considerable Asian population, you can only find the suggestive dish in one local restaurant: Kim Thanh in the Tendernob, where tanks of geoducks line the front windows. Not ready to put something so big and foreign in your mouth? Kim Thanh’s salt-baked crab, seafood clay pot, and garlic noodles are great too.

607 Geary, SF. (415) 928-6627

BEST KICKIN’ CHILE VERDE

Chef Thomas Peña knows his Mexican — he retains fond and obsessive memories of watching his mother and grandmother prepare traditional favorites in their kitchens, surrounded by family and an overwhelming feeling of comida community. Inspired a few years ago by a meal at a makeshift kitchen in a Mexico City market stall to pass on that sense of tradition to San Franciscans, Peña opened the achingly cute Regalito Rosticeria in the Mission, with its open kitchen, brightly colored walls, and snug dining area. All well and good, but does he bring the goods? Ah, si! His menu eschews fancy Californian flourishes and pumps up the basics: the handmade guacamole soothes and rocks, house favorite pollo regalito (a slow-roasted half chicken with a choice of lemon or chile-garlic marinade) leaps off the bone and into our salivating yappers, and, flawlessly, the chile verde — a stew of green chiles, pork, and green beans — mixes kick with comfort to a startling degree. Regalito means “gift” in Spanish, and we’re delighted to dig our warm tortilla into any of Peña’s bustling kitchen’s special deliveries.

3481 18th St., SF. (415) 503-0650, www.regalitosf.com

BEST FLAMING PRIMATES (PLUS POLAROID)

Cocktail ingredients seem to be getting more and more esoteric these days, with elderflower liqueur and kumquat garnishes taking the places long held by cheap vodka and nuclear maraschinos. Lingba Lounge’s Bowl of Monkeys may not be able to compete in the Cocktail as Art category, with its basic blend of dark rum, light rum, lime, amaretto, and pineapple juice (all mixers your mom has actually heard of), but it’s giving competitors a run for their money in the Cocktail as Gimmick race. How? With its “garnish,” a flame in the center of the plastic-monkey-rimmed vessel, plus a Polaroid photo taken to commemorate what will surely be a memorable night (especially if you finish the $24 drink, meant for two but big enough for four, on your own). Once you’ve had a Bowl of Monkeys, hit the dance floor and get your monkeys up in someone else’s bowl.

1469 18th St., SF. (415) 647-6469, www.lingba.com

BEST UNASSUMING WAPPA MESHI

Judging from the standard fare at most of the city’s Japanese restaurants, you might think the Japanese subsist solely on sushi and shabu-shabu. Not so! Japan is so full of weird and wonderful edibles, it would take a lifetime to eat your way through them all. But maybe you can start at Maki Restaurant, San Francisco’s premiere location for wappa-meshi. A “wappa” is one of those ubiquitous round wooden steamers you can find stacked to the ceiling at deep discount kitchenware shops on Clement Street, and wappa-meshi is said container filled with rice and meat, fish, or vegetables that are then steamed together. The flavor, like the best Japanese foods, is subtle and exquisite in its simplicity. Although the menu at Maki punches the pocketbook a little harder than noshing at No-Name used to, as a genteel taste of Kansai cuisine, you won’t find better.

Maki Restaurant, 1825 Post, SF. (415) 921-5215

BEST THOMAS KELLER ALTERNATIVE TO A THOMAS KELLER RESTAURANT

Established in the fall of 2006 as a temporary culinary experiment by chef Thomas Keller, ad hoc is a delicious casual restaurant located just down the street from Keller’s famed flagship restaurant, French Laundry. The philosophy behind ad hoc is simple: a unique four-course prix-fixe menu is presented daily and served family-style in a cozy, convivial atmosphere. Current chef de cuisine Dave Cruz seems to specialize in comfort food staples like fried chicken and buttermilk biscuits or steak and potatoes, but endows them with haute cuisine flourishes. As with French Laundry, ad hoc’s emphasis is on fresh, organic ingredients and plenty of vegetables — so vegetarians are as welcome as carnivores. And while reservations are certainly recommended, the low maintenance hospitality of ad hoc allows you to experience the magic of Thomas Keller without the three month wait … or the exorbitant bill.

6476 Washington, Yountville. (707) 944-2487, www.adhocrestaurant.com

BEST APRÈS-DINNER SMOOCH


Chapeau!: Best Après-Dinner Smooch
GUARDIAN PHOTO BY RORY MCNAMARA

Though Philippe Gardelle and his wife Ellen started their small Richmond District bistro, Chapeau!, 12 years ago, it remains one of the best sources of French cuisine in the city. Classic but far from pretentious, Chapeau! has a warm, rustic, bistro mood whose roots are more Provençal than Parisian. The menu offers a wide range of delectable dishes, from classic high-cuisine favorites like coq au vin or duck confit served with cabbage and smoked bacon as well as more traditional “peasant” fare like cassoulet. Monsieur Gardelle’s passion for food extends well beyond the plate. He is also the host and sommelier, laughing and drinking his way from table to table. After the meal, the bill comes to the table in a hat (the nominal “chapeau”) and the garrulous Gardelle will not let you leave without a kiss and a hug. As an indication of their success, the Gardelles recently purchased and renovated nearby hot spot Clementine.

1408 Clement, SF. (415) 750-9787

BEST CANDY FOR GROWN-UPS


Caitlin Williams Miette with a pop
by Lollyphile: Best Candy for Grown-ups
GUARDIAN PHOTO BY RORY MCNAMARA

People always talk about how San Francisco has more singles than any other place on the planet, but that’s just a nice way of saying that this city is full of aging hedonists who refuse to grow up. Marriage, cars, house payments? Yeah, right. Many San Franciscans are content to waste away their late 20s and early 30s in the pursuit of drink, fashion, casual sex, and candy. Yes, candy. With a population composed almost entirely of poorly groomed Peter Pans and tattooed Tinker Bells, it makes sense that the city would produce some of the best candy on the planet. Newest on the confectionary scene is Lollyphile, whose limited runs of gourmet lollipops satisfy the mature palettes of eternally young adults as much as they might make a real kid want to barf. But that’s beside the point. Flavors like bacon-maple and absinthe have been designed for the young at heart, not for those who are actually young.

(415) 690-5198, www.lollyphile.com

BEST CELTIC NACHOS

A stop by Taquería Can-Cun at 2 a.m. will prove that the Mission is certainly not hard-up for good nachos. But when it’s Wednesday and you’ve already had more than your weekly recommended servings of the Mexican food group, try the Phoenix Pub‘s European take on this layered delight — Irish potato nachos. The pub’s version matches steaming spuds, black beans, jack and cheddar cheeses, guacamole, and crème fraîche in one big cross-cultural medley. Plus, you get complimentary Irish soda bread with table service, or on request at the bar. Add frothy beer on tap, strong Long Island iced teas, and a room full of Steelers fans, and you’ve got a perfect Sunday afternoon — unless, of course, you’re loyal to the Patriots.

811 Valencia, SF. (415) 695-1811, www.phoenixirishbar.com

BEST CLASSY KIMCHEE

Kimchee — cabbage shreds fermented with garlic and chili peppers — is about as earthy as it gets. Despite its robust flavors, it need not be crude. Context is everything, and the context at Namu is all about spare, modern style. When a little heap of kimchee appears on your complimentary platter of banchan, it doesn’t look at all out of place — even on a serving dish that looks like something acquired at the SFMOMA gift shop. The geniuses behind the inner Richmond restaurant (a trifecta of brothers: David, Dennis, and Daniel Lee) are all about sophistication, and their restaurant glows like a dark jewel on a commercial stretch of Balboa otherwise lined with Russian bakeries, laundromats, and cheap Chinese restaurants. (You’ll know you’re there when you start having to navigate through clusters of thirtysomethings in sleek black clothes working their handhelds while waiting for tables to open up.) Don’t think you’ll be stuck just eating kimchee here, either. The mostly pan-Asian fare is stellar, as is the surprisingly good burger.

489 Balboa, SF. (415) 386-8332, www.namubar.com

BEST CHICKEN SANDWICH QUEUE

All the Popeyes hopped up on all the spinach in the world couldn’t take Bakesale Betty. This fantastic bakery, famous for brilliant multitudes of chocolate chip cookies and gingersnaps, also serves an astounding fried chicken sandwich well worth a jaunt over the Bay Bridge. A veritable conveyor belt of young bakers on site assemble this breaded-poultry masterpiece with machinelike precision. Add freshly baked bread and jalapeño coleslaw garnish, and you’ve got a sandwich that has lunch-goers lined up around the block. But don’t let the wait scare you. Like any good grandmother, blue-haired Betty and her smiling staff keep the restless children (and hungry adults) occupied with refreshing lemonade slushies and complimentary cookies — not to mention hip-hop, indie rock, or electronic music playing loud enough to keep heads bobbing. Also try this Temescal hot spot’s chicken pot pie, egg salad sandwich, and fresh strawberry shortcake. Take it all to go or people watch at Betty’s genius ironing board patio.

5098 Telegraph, Oakl. (510) 985-1213

BEST BOTTOMLESS MORNING AFTER


Lime: Best Bottomless Morning After

GUARDIAN PHOTO BY RORY MCNAMARA

There’s no reason to end your weekend on Saturday night — not when the sassy, gorgeous waitstaff at Upper Market’s Lime are serving bottomless mimosas for $7 on Sunday mornings. The brunch scene is something like a Hollywood movie set, though it’s hard to determine whether that film is more Sex and the City (beautiful people in Fendi shades) or Austin Powers (the chocolate brown and white leather decor is so groovy, baby). Either way, it works for the hungover twentysomethings who consistently fill the dining room, looking for a little protein and a lot of hair of the dog. The menu here is surprisingly good for a place built for a party, and the mini-burgers are perfect for eating even when your hands have the shakes. An extra bonus? You don’t have to bother changing out of the clothes you wore to the club last night — no one else has been home yet, either.

2247 Market, SF. (415) 621-5256, www.lime-sf.com

BEST FROZEN GLAM

How glam can yogurt get? Pretty darn fancy-schmancy, according to the sleek, chic, and überstylin’ Jubili. The nation’s Pinkberry-spurred soft-style yogurt explosion continues unabated, but where are the real contenders to Pinkberry’s crown? The immaculate, moderne, and nightclubby Jubili seems to be the only true potential usurper, all with only a trio of flavors: original, peach, and strawberry sorbet. Perhaps it’s because the array of dry, cereal, and fresh fruit toppings is always a boggling delight to encounter. And why choose just one? Jubili ushers in My Parfait, a tall, cool serving of low-fat vanilla yogurt, two fruit toppings, and house granola. Next up, for all you closeted teens who never quite quit gobbling Cocoa Pebbles straight from the box: My Cereal, a serving of cold nubbins or hot oatmeal, milk or soy milk, and one topping. Perfect for spooning up while sitting beside fashiony Asian girls or twentysomethings wearing mouse ears and reading manga. Yami Yogurt — we never knew ye.

1515 Fillmore, SF. (415) 292-9955, www.jubili.com

BEST PISCO SOUR PROS

Cantina is:

1) Filled with esoteric alcohols and weird brands you’ve probably never heard of,

2) Staffed by half of the city’s best cocktail geeks, and

3) Patronized by the other half of the city’s best cocktail geeks.

All of these factors combine to make it a bartender’s bar, the kind of place where mixologists entertain patrons with detailed explanations of just how Cynar, that herbaceous digestif, got its distinctive flavor (13 herbs, the most predominant being artichoke). This also means you can order a Pisco sour — the tangy, egg-white-shaken, grape-brandy-based beverage both Chileans and Peruvians claim as their national drink and argue they invented — while other Bay Area bars are still stuck on caipirinhas. Just don’t blame your hangover on the bartender. If you’re going to drink with the pros, you better prepare like the pros: water, chili-cheese fries from Grubstake, and a 3 p.m. wake-up call.

580 Sutter, SF. (415) 398-0195, www.cantinasf.com

BEST FRENCH BURRITOS

The laws of the working drunkard state that if you’re gonna drink, you gotta eat. Thus, within walking distance of nearly every great SF bar, there sits an equally amazing food stand. The Mission has its taquerías; the Castro has its all-night diners; and most neighborhoods have late-night pizza and Thai. But SoMa’s got something special: Crepes A-Go-Go, which robs European burritos of their foreign mystique by serving them from a broken-down trailer, the way God intended. After a night of dancing and debauchery, hit up the shack near Harrison Street for down-and-dirty crepes. You won’t find delicate Suzettes here, but you can score just about any other variation on the theme. Sweet, savory, sickening? Yup. Equipped with multiple brands of hot sauce, vegetables, meat, assorted cheeses, and jumbo jars of Nutella, this French chuckwagon will have you digesting your hangover away before your head hits the pillow … or sidewalk.

350 11th St., SF. (415) 503-1294

BEST CHEESY BRAMBORY

Somewhere between a latke and a potato pizza, the brambory, a Czech culinary favorite, is both delicious and, in the Bay Area at least, rare. Enter Frankie’s Bohemian Café, where the crisp-bottomed delight is available in several incarnations. Every house specialty starts with a thick base of shredded potato and zucchini pancake, comparable to the comforting potato pancakes you find more easily on the East Coast, which is then topped with mozzarella and your choice of meat: carnitas, sausage and meatballs, BBQ shrimp, chicken and bell peppers, or steak and guacamole. The rest of the menu is decent, standard American fare, but beer options — available in giant steins — are better than average. Add to that a quirky European-cafeteria feel (the bar looks like a deli counter, and small tables are nearly obscured by too many chairs) and cheap prices ($9 for one brambory), and you might just forget you’re in Pacific Heights.

1862 Divisadero, SF. (415) 921-4725

BEST PERUVIAN TWIST

If you belong to the club that believes chef Carlos Altamirano’s first restaurant, Mochica, set and continues to set the standard for Peruvian cooking in the city, you will probably want to join the club that believes his newer place in Bernal Heights, Piqueo’s, is quite as good in its way. Piqueo’s serves “traditional” Peruvian cuisine “with a California twist,” and whatever this means, it’s good. Certainly all the familiar elements of Peruvian food are in place, from those supersize corn kernels to an array of ceviches to desserts made with exotic tropical fruits — not to mention alfajores, the addictive butter cookies layered with dulce de leche. Piqueo’s raises the riveting, if deeply superfluous, question of whether a cuisine as innately rich in wondrous twists and turns as Peruvian needs any California tweakings. The likely answer is no, but chances are you won’t be inclined to complain either way. For one thing, your mouth will be full.

830 Cortland, SF. (415) 282-8812, www.piqueos.com

BEST FINCH-FREE TEA HOUSE

The Imperial Tea Court may have shed some authentic Chinese teahouse accoutrements (old men, pet birds) when it shuttered its original Chinatown location. But it continues to be San Francisco’s pre-eminent teahouse at its new location in the no-birds-allowed Ferry Building. It’s not for nothing that the Imperial Tea Court is the tea vendor of choice for many local high-end restaurants and hotels. It stocks almost 200 varieties of tea, ranging from basic blends for neophytes to ultrarare aged pu-erhs for aficionados. Most are available for on-site sipping; a gaiwan tea service only runs $5 and makes for a pleasant (yet fully caffeinated) respite from the crazed foodies surging through the Ferry Building Marketplace. And true tea lovers can pick up a few ounces to savor at home.

1 Ferry Building Plaza, #27, SF. (415) 544-9830, www.imperialtea.com

BEST BREEZY BARGAIN BRUNCH

Nestled on a little neighborhood commercial strip four blocks from the Great Highway, the Sea Breeze Cafe looks like a dive. The decor falls somewhere between tacky and unimaginative, the low-budget tables are crammed into a small space (with a few on the sidewalk for alfresco dining during rare fog-free weather). But the lunchtime fare is outstanding and very reasonably priced. The emphasis is on American comfort food — omelets, sandwiches, burgers, and some creative organic salads. The dinner fare is more elegant and expensive, but for brunch, the place is fun, casual, and relaxed. The service is friendly and attentive, kids are welcome, and unlike a lot of upscale eateries these days, the Sea Breeze actually gives you a full plate of food. It’s a perfect place to stop after a walk in Golden Gate Park.

3940 Judah, SF. (415) 242-6022

BEST BAR WHOSE TIME HAS COME


Absinthe Brasserie and Restaurant:
Best Bar Whose Time Has Come

GUARDIAN PHOTO BY RORY MCNAMARA

Being an American sucks in a lot of different ways. Perhaps worst of all is that absinthe has been illegal in this country for nearly 100 years. Our art and literary scenes have undoubtedly suffered because of the century-long ban on genius juice, and we haven’t been able to hold our own in global drinking contests for years. But those days are over. After dozens of court hearings and drug trials, the Association of American Drunkards has somehow managed to convince the Alcohol and Tobacco Tax and Trade Bureau to re-legalize the production and distribution of the Green Fairy. Now Americans can get drunk and hallucinate at the same time, just like the boys across the pond. Get ready, world, the next batch of Hemingways, Picassos, and Van Goghs is about to hit the scene — and Absinthe Brasserie and Restaurant, with its green flights and psychedelic cocktails, is likely to be ground zero for the revolution.

398 Hayes, SF. (415) 551-1590, www.absinthe.com

BEST DAVID LYNCH–IAN DINER

While it might not have been the actual inspiration for Twin Peaks’ Double R diner, the Peninsula Fountain and Grill has a kooky nostalgia that puts David Lynch obsessives in the mood. Long referred to simply as the “Creamery,” this wood-paneled-and-chrome landmark in the center of Palo Alto has all of the trappings of a family-owned 1950s hang-out. There’s the ol’ Seaburg jukebox that still plays yesteryear’s hits, a working soda-jerk behind the bar, and red vinyl booths for cozying up with your sweetheart. On any given day, the restaurant is packed with Cardinal collegiates, hipster townies, and silver-haired couples ordering the daily specials. As for the menu: if there’s such a thing as Californian home-cookin’, the Creamery has perfected it. Choices include hearty omelets, homemade mac ‘n’ cheese, freshly caught salmon, daily specials like the fab lemon ricotta pancakes, and milkshakes that, alone, are worth the trip. A separate bakery serves fresh breads and cakes every day.

566 Emerson, Palo Alto. (650) 323-3131

BEST STEAK IN THE MARINA’S HEART

Stepping into Izzy’s Steaks and Chops on Steiner Street near Chestnut is exactly like stepping into the living room of Grandpa-with-a-capital-G’s living room — you know, that stereotypical patriarch of yesteryear who liked wood paneling, manhattans, and steak. And like all grandparents’ homes, Izzy’s doesn’t seem to have changed in the past 20 years. The menu still offers big cuts of beef, potatoes au gratin, and creamed spinach, and the classic wine list features lots of full-bodied zinfandels — just as it did in the days before Atkins, South Beach, and the Master Cleanse. In fact, the only proof that Izzy’s has entered the modern age might be the photo on the wall of a seven-year-old Samantha Duvall posing with Ted Danson; now grown up, the daughter of Izzy’s original owner can be found chatting up regulars at the bar over an aptly chosen old-fashioned cocktail. The Marina may have left its unpretentious working-class roots behind, but Izzy’s hasn’t.

3345 Steiner, SF. (415) 563-0487, www.izzyssteaks.com

BEST BAGEL BONA FIDES

OK, let’s get this out of the way: The first person to say “you can’t get a real bagel outside of New York” is going to get it. We’re going to jump out of this newspaper and give you an old-fashioned beatdown. We’re sick of the same ol’ Big Apple bullshit about real bagels, and seeing the seasons change, and how it was so cold that one winter your uncle Maury became sterile. Face it, dillhole: you don’t live in New York anymore, and you grew up on Long Island, anyhow, so please, have a tall frosty mug of STFU. The House of Bagels in the Richmond serves a bona fide boiled bagel, which, when matched with the shop’s nova lox in either the standard two-ounce portion or the Jen’s True New York lox bagel sandwich four-ounce whopper, will bring a tear to ol’ Uncle “Ice Cube Nuts” Maury’s eye.

5030 Geary, SF. (415) 752-6000, www.houseofbagels.com

BEST SUSHI ON A STOOL

Who says sushi can’t be bar food? Not the folks at the Knockout’s Godzuki Sushi Happy Hour, which draws a laid-back, eclectic, friendly local crowd to the bar every Wednesday. Thanks to wonder duo Tim Archuleta and Erin Neeley of Ichi Catering (many know Tim from Tokyo Go Go), you can munch some swell sushi specials while enjoying Kirin on draft — or other beer, sake, and cocktail specials — plus some rock ‘n’ roll. Place your order with Taka, taking your pick of super-fresh rolls and nigiri, ranging from shiro maguro to inari, and famed specials like yuzu chicken wings. One perennial favorite is the spicy crab and scallop nigiri. Yum! The Knockout also just started Tuesday Raw Bar Night, with shrimp cocktails, oyster deals, and drinks — that means at least two weeknights of drinking that won’t require chili cheese fries.

3223 Mission, SF. (415) 550-6994

BEST BREWS UNDER TWO BUCKS

How is it possible that beer at the Bean Bag Coffee House is so cheap? Did the owner win a lifetime supply of imported brews on some game show and buy the café to unload them? Is it a state-subsidized effort to herd drinkers toward Divisadero Street? Once you order your $1.75 pint (of microbrew!), you won’t really care. Especially since you can also get a nice cup o’ joe, along with the light atmosphere and pleasant aromas of an espresso joint (as opposed to the darkness and rotting-hops smell of a bar). On top of its cheap beer, Bean Bag has a respectable food menu. While the culinary fare isn’t quite the value the draft options are, many items — like the burger and fried calamari — are as pleasing to your mouth as the pilsner prices are to your wallet.

601 Divisadero, SF. (415) 563-3634

BEST PLACE TO PLAY HIDE THE SALUMI

While it might not be completely appropriate to tuck a Fra’Mani sausage into the waist of your pants and scream “peek-a-boo!” as you chase your lover around the kitchen table, it sure is entertaining (for you, at least). And filling lunchtime with lots of meaty double entendres is half the fun of eating Fra’Mani salumi. The other half, of course, is the salumi itself. Fra’Mani’s Paul Bertolli, who lived in Italy and trained under sausage maestros there, has been providing the Bay Area’s chichi-est restaurants with antipasto plate fixings for years. He makes cooked and cured salumi, as well as fresh sausages based on classic Italian recipes (as close to his grandfather’s as he can approximate). Everything at Fra’Mani is made and tied by hand, using the highest-quality, all-natural pork and casings that can be found. From the feather-light mortadella to chewy, salty, perfectly thin soppressata with just a hint of clove, Fra’Mani salumi are fun to play with — but they’re even better to eat.

1311 Eighth St., Berk. (510) 526-7000, www.framani.com

BEST ALL-NIGHT SPAM

Think burgers and burritos have cornered the market on post-bar, pre-hangover food? Think again. Island Café in the Sunset has a nice, warm, Pacific Island alternative: Hawaiian food! What better way to battle the dark, the fog, and the burning in your belly from your hastily quaffed liquor at last call? It’s hard to argue with the appeal of kalua pork, chicken katsu, macaroni salad, or that pâté of the Pacific: Spam. (How do you think all those hard-partying Hawaiians manage to overcome their hangovers in time for their early-morning surf sessions?) And just in case your tastes fall a bit east of Honolulu, Island’s got the usual diner suspects, too — and all served 24 hours a day.

901 Taraval, SF. (415) 661-3303

BEST BUFFALO WINGS WITH A PAST

There are plenty of places in the city that serve wings, but Kezar Pub serves ’em up with history. This former 49ers hangout gives patrons the option of buffalo or BBQ style, plus 15 televisions with killer satellite reception. And you can guarantee that most of your fellow diners and drinkers are sports fans — with Kezar Stadium, the original home of the football team, right across the street, people often find their way from soccer games, rugby matches, and Roller Derby tournaments directly into the warm, wood-paneled restaurant and bar. Those in the competitive spirit can play games of pool or darts in the back room, while thirsty folks can wash down their wings with one of the many beers on draft. Don’t forget to bring cash, though — while Kezar accepts trash talking, it doesn’t accept credit cards.

770 Stanyan, SF. (415) 386-9292

BEST QINGZHEN CUISINE

Is Milpitas the new Chinatown? It’s definitely the place to find the regional delicacies you can’t access easily in San Francisco, and Darda Seafood Restaurant will have you hopping in the car regularly to partake of its popular Chinese Islamic–style — or qingzhen — cuisine. The sizable space is oh-so-conveniently positioned next to the Highways 880 and 237 interchange, in a sprawling Chinese American strip mall. And the hordes of Silicon Valley Chinese, Indian, and Pakistani transplants converging on Darda and filling those huge round tables immediately tell the newbie that he or she found the place. Naturally lamb subs for pork — that otherwise ubiquitous über-Chinese ingredient — here, but oh, what lamb. It’s all fabulous: from the hefty sesame bread with green onions to the hot pots to the meats stewed with pickled cabbage. But the truly unique offering has to be the house-made, hand-cut noodles — soft yet toothsomely substantial, and best with lamb as fuel for riding your pony, or Honda Civic, across the steppes.

296 Barber, Milpitas. (408) 433-5199, www.dardaseafood.com

BEST NUEVO USO


Presidio Social Club: Best Nuevo USO
GUARDIAN PHOTO BY RORY MCNAMARA

When the USO was founded in 1941, its purpose was to give enlisted military personnel a home away from home. Which is exactly what Presidio Social Club does for us civilians — give us a 1941 home away from home. With classic ’40s decor and music, hosts and servers dressed according to period, and upscale twists on down-home classics like sloppy joes, mac ‘n’ cheese, and s’mores, it’s an ideal dining locale for those who remember the good old days — and those who just dress like they do. Make sure you don’t miss the mint smashed peas, a delightful alternative to mashed potatoes, or the cupcakes. None of this is country club fare, but it isn’t meant to be. Who wants to be that stuffy when you might be in a trench, or just in the Tenderloin, tomorrow?

Ruger Street, Building 563, Presidio, SF. (415) 885-1888, www.presidiosocialclub.com

BEST VEGAN MAGICIAN


Jesse Miner: Best Vegan Magician
GUARDIAN PHOTO BY RORY MCNAMARA

San Francisco is quickly becoming a vegan wonderland. There are multiple natural foods stores in every neighborhood and numerous restaurants that cater specifically to those who shun all animal products. But vegans still suffer from the same impediments to eating fantastic, nutritious meals three times a day that the rest of us do: time constraints, tiny kitchens, and/or a distaste for cooking. Only thing is, it’s even more important for those who cut out entire food groups to pay attention to balancing their diet — one can not live on seitan stir-fry and Tofutti Cuties alone. Enter Jesse Miner, a personal chef who, for about the price of a meal at a fancy restaurant, will make meat-, egg-, and dairy-free meals for families and groups. With 15 years of experience, a degree in natural foods from Bauman College, and an internship at Millennium under his belt, he’s also adept at adjusting menus for other food restrictions, including wheat intolerance, diabetes, and raw food diets. And by the way, don’t miss his peanut butter squares and ginger snaps. (One can’t live on quinoa alone either.)

www.chefjesseminer.com

BEST SLICE OF NEAPOLITAN NIRVANA

Where to take elementary-age picky eaters and discriminatingly stylish singles? Nonna knows best, and Gialina — a streamlined yet warmly minimalist, rosy-walled pizzeria that’s made a gastronomic beachhead in the adorable but otherwise culinarily challenged Glen Park village — is here to provide. Owner Sharon Ardiana — formerly of Lime, Boulevard, and the Slow Club — concentrates on a handful of scrumptious starters and salads, one or two roasts, and, last but definitely not least, delectable, slender-crust Neapolitan-style pizzas. It’s tough to choose just one when it comes to her pies, like wild nettle and prosciutto, pork belly and tomato, spigarello and sweet Italian sausage, and summer squash and sundried tomato. Top any with an egg, cooked perfectly soft and ready to be put to work sopping up with crust, and expect kids and coolios alike to emerge grateful and sated. Remarkably, Ardiana ups the modest-yet-well-executed ante even further with her desserts: the only thing better than the chocolate hazelnut sweet pizza are the house-made ices — expect an intense, refreshingly palate-cleansing jolt of ruby grapefruit or Meyer lemon.

2842 Diamond, SF. (415) 239-8500, www.gialina.com

BEST SARDINIAN SURPRISE


La Ciccia: Best Sardinian Surprise
GUARDIAN PHOTO BY RORY MCNAMARA

Yes, yes, North Beach contains some of the best old country–style Italian restaurants in this country and has become synonymous with said saucy fare — so much so, in fact, that one is often hard-pressed to find a superlative spicy meatball in other parts of San Francisco. But little olive-oiled outposts do, indeed, exist, and La Ciccia in Noe Valley is fantastic. It even fills a niche we never knew we yearned to see filled: that of Sardinian cuisine, a robust cookery chock-full of splendid seafood menu items and breezy preparations rife with sweet spices. Who knew we’d want to buy our taste buds a one-way ticket to the sparkling isle of Sardinia? Husband-and-wife team Massimiliano Conti and Lorella Degan work the kitchen and the floor, imbuing the cozy, seafoam-tinted space with a true family atmosphere, and the staff is beyond helpful, especially when faced with questions of pronunciation. (You try ordering the brilliant cocciula schiscionera — clams dusted with bread crumbs — without slipping on your drool.) The wine list is top-notch, the pecorino-drenched pizza a sa Sarda is justly lionized among foodies, and entrées like the tonnu in padella cun cibudda e zaffaranu, pan-seared ahi with saffron onions, float on delicate layers of Mediterranean flavor.

291 30th St., SF. (415) 550-8114, www.laciccia.com

BEST CUBAN DINNER PARTY

In most Latin cultures, dinner isn’t just a meal — it’s an event. Which is exactly what going to Laurel’s feels like. The small Cuban restaurant, tucked away in Hayes Valley on an otherwise residential street, is festive and relaxed. Hosts and servers, of which there are only two or so on a given night, are friendly but in no hurry — and neither will you be as you sip sangria and nibble fried beef and plantains, all while chatting with a tableful of friends. Though a bit pricey, Laurel’s menu is packed with simple, fresh, savory items for vegetarians and omnivores: particularly good is the seafood-stuffed avocado appetizer, which may have several in your party wishing for a swift end to the travel embargo. And if all of that isn’t enough to get you dancing in the narrow aisle between tables, the upbeat music will. The host might even dance with you.

205 Oak, SF. (415) 934-1575

BEST TURKISH-MEXICAN ECLECTICISM


Loló: Best Turkish-Mexican Eclecticism
GUARDIAN PHOTO BY RORY MCNAMARA

You might not expect Turkish and Mexican culinary elements to mix well — or at all. And yet it is just this combination, more a mutual influence on creative cuisine than a true fusion, that qualifies Loló to compete with (and triumph over) the Mission’s other new upscale foodie havens. The menu is full of inspired items like veal carpaccio, shrimp tacos with jicama shells, and empanadas stuffed with rare mushrooms — complemented by a fine wine selection. We especially admire the atmosphere, whose tone is set with whimsical, oftentimes downright silly decor and warm, attentive service. Separate rooms, one including a sit-down bar, can accommodate (in space and in mood) either a sizable dinner party or an intimate tête-à-tête, and an understated classiness means you’ll be equally comfortable in flip-flops or formalwear. Like the Mission itself, Loló blends seemingly disparate elements with eclectic, energetic results.

3230 22nd St., SF. (415) 643-5656

BEST BRUSSELS IN LITTLE ITALY

North Beach is a great place for wine and pasta, but don’t you wish you could visit the neighborhood without risking the carb overload and headache? And what’s with all the old-school gangster and beatnik stuff, anyway? Sometimes you just want to kick back with a nice pint of Belgian ale and suck down some clams, burgers, and fries in a space that doesn’t remind you of Jack Kerouac or Godfather movies. La Trappe, a Belgian brew house and restaurant with a weekly-changing roster of 20 drafts and more than 180 bottled selections, is located right around the corner from Washington Square Park, smack in the middle of North Beach. It’s a bilevel job with date-worthy seating upstairs and a huge bar area with couches and larger tables in the basement. Tasty nibbles on the menu include moules à la bierre (mussels in white beer sauce) and pancetta-wrapped shrimp, which you’ll want to wash down with some heady Euro imports, of course.

800 Greenwich, SF. (415) 440-8727, www.latrappecafe.com

BEST LATE-NIGHT REAL MEAL

San Francisco is a pretty cool town, but it’d be a whole lot cooler if it didn’t shut down so damn early. Most SF restaurants stop seating at 10 p.m., about three and half hours before the prudish citywide last call. A night of drinking for us, then, usually starts with time-saving snacks like tacos or pizza and inevitably ends with a bacon-wrapped hot dog from a street vendor or a box of mush from a late-night Indian spot. But there are ways around the usual drunk diet plan; you just have to know where to look. In the Financial District, look for Globe, one of San Francisco’s best late-night restaurants, with a menu that doesn’t feature a list of toppings or salsa choices — instead, the tiny New American restaurant serves veal, steak, seafood, and veggie dishes until 1 a.m., Monday through Saturday. The upscale menu changes seasonally, so the selections are always fresh, and the classy preparations complement Globe’s spotless-chic interior.

290 Pacific, SF. (415) 391-4132, www.globerestaurant.com

BEST ARKANSAS BBQ

San Francisco is celebrated around the world as a culinary paradise, but all the foodie fanfare has a downside. Sure, you can easily find a $1 million filet or a fresh cut of fish with a side of locally grown organic asparagus. But what if you’d rather have a huge plate of barbecue ribs and an oxtail dripping with fresh grease and pepper sauce? For some real eatin’, head to the outskirts of the city, where underground BBQ houses fill the skies with the sweet smell of smoked flesh. San Francisco’s best unsung casa de carne is Johnson’s BBQ in Portola, an old-school Arkansas-style (meat smoked with apple, plum, and other fruitwoods) barbecue shack that serves the finest flesh in the land slathered with the most atomic hot sauce this side of the Mississippi. The pork is pulled and the chickens have all been choked. But nothing is ever gonna beat Johnson’s meat: it says so right on the window.

2646 San Bruno, SF. (415) 467-7655, www.realgoodque.com

BEST HIGH-COUNTRY COOKING

If you dig Indian food — the curries, the dal, the tandoori-roasted breads — but also have somewhat, shall we say, elevated tastes, you will heart Metro Kathmandu, in the Metro Hotel. The cooking is Nepalese, and since Nepal is perched in the Himalayas near India … you see where this is going. There are some nice non-Indian touches on the menu, such as the momos, a lot like potstickers — and hey! China is Nepal’s other monster neighbor. But the food in the main is Indian-ish, and it’s fresh, carefully prepared, and wonderfully seasoned. It doesn’t cost much, either, and this helps boost the restaurant onto the top of the heap of value places. There are restaurants where you can spend somewhat less and get a lot less, but there are more places where you can spend way more but leave with the haunting sense that the additional spendage didn’t get you much. The password is dal, er, deal.

311 Divisadero, SF. (415) 552-0903, www.metrokathmandu.com

BEST BAYVIEW BREWERY

Prohibition may have ended in 1933, but the Volstead Act wasn’t completely repealed until the 1980s, when home brewing finally became legal again. That doesn’t mean there weren’t plenty of low-pro ale shacks operating throughout the ’50s, ’60s, and ’70s in places like, oh say, Hunters Point. By the time the ban was lifted, countless backyard brewmasters had already refined their methods and were pumping out some of the best porters, lagers, ales, and wheat beers the world had ever tasted. Only, the world couldn’t really taste them because lingering laws concerning global distribution had created an ale-ogopoly of sorts. It wasn’t until the late ’90s that things finally settled and smaller breweries were able to get a piece of the market. Speakeasy Ales and Lagers, a San Francisco brew collective specializing in limited runs of specialty beers (including White Lightning and Hunters Point Porter), “officially” opened its doors in 1997 and has since gained a reputation as one of the best in the West.

1195 Evans, SF. (415) 642-3371, www.goodbeer.com

Shopping

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Shopping

BEST INDEPENDENT BOOKSTORE; BEST USED BOOKSTORE

Green Apple

With thousands of dirt-cheap books, CDs, and DVDs, Green Apple is worth visiting for the witty staff picks alone.

506 Clement, SF. (415) 387-2272, www.greenapplebooks.com

Best Independent Bookstore runners up: Books, Inc., City Lights

Best Used Bookstore runners up: Dog-Eared Books, Aardvark

BEST COMIC BOOK STORE

Isotope

Mainstream comics are represented at Isotope, but its raison d’être is small-press, independent, and self-published varieties.

326 Fell, SF. (415) 621-6543, www.isotopecomics.com

Runners up: Whatever, Al’s Comics

BEST MAGAZINE SELECTION

Fog City News

Nibble designer chocolates while you sift through a staggering selection of magazines, including more than 700 foreign titles.

455 Market, SF. (415) 543-7400, www.fogcitynews.com

Runners up: Issues, Farley’s

BEST SPECIALTY BOOKSELLER

Borderlands

This Mission District shop, specializing in fantasy, horror, and science fiction, hosts an author nearly every week.

866 Valencia, SF. (415) 824-8203, www.borderlands-books.com

Runners up: Babylon Falling, Get Lost

BEST PLACE TO BUY VINYL; BEST PLACE TO BUY CDS

Amoeba Music

A Bay Area institution, Amoeba features a formidable vinyl collection and bargain bins overflowing with cheap used CDs.

1855 Haight, SF. (415) 831-1200; 2455 Telegraph, Berk. (510) 549-1125; www.amoeba.com

Best Place to Buy Vinyl runners up: Grooves, Open Mind

Best Place to Buy CDs runners up: Rasputin, Streetlight Records

BEST PLACE TO RENT MOVIES

Le Video

Conceived when the Parisian owner couldn’t find the cult and foreign films she craved, Le Video is known for its large, eclectic inventory.

1231 Ninth Ave., SF. (415) 566-3606, www.levideo.com

Runners up: Lost Weekend, Faye’s

BEST CLOTHING STORE (WOMEN)

Ambiance

Ambiance junkies love the store’s dedicated staff and massive selection, stretching across several budget octaves and featuring brands like Free People, BCBG, and Betsey Johnson.

1458 Haight, SF. (415) 552-5095; 3985 24th St., SF. (415) 647-7144; 1864 Union, SF. (415) 923-9797;

Runners up: Crossroads Trading Co., Brownies Vintage

www.ambiancesf.com

BEST CLOTHING STORE (MEN)

Indie Industries

The pared-down Berkeley storefront features prints, graphic tees, hoodies, and dresses by in-house artisans, plus anime-inspired kitsch.

2003 Milvia, Berk. (510) 549-3285, www.indieindustries.com

Runners up: Cable Car Clothiers, Five and Diamond

BEST CLOTHING STORE (KIDS)

Chloe’s Closet

Visit Chloe’s for the big selection, sweet Bernal Heights location, and homey atmosphere that’s earned it accolades four years running.

451 Cortland, SF. (415) 642-3300, www.chloescloset.com

Runners up: Little Fish, Pumpkin

BEST LOCAL DESIGNER


Nicacelly: Best Local Designer
GUARDIAN PHOTO BY MATTHEW REAMER

Nicacelly

Nicacelly’s designs are as colorful and eclectic as San Francisco itself — imagine a schizophrenic geisha sightseeing in Thailand while moonlighting as a hip-hop DJ. You can find her styles at True, Upper Playground, and Density, among other locations.

www.nicacelly.com

Runners up: Linda Pham, Sunhee Moon

BEST VINTAGE CLOTHING STORE

Brownies Vintage

Brownies has an unusual specialty: deadstock vintage that’s never been washed or worn. The unassuming shop also carries new styles by local and independent designers.

2001 Milvia, Berk. (510) 548-5955, www.brownies-vintage.com

Runners up: La Rosa, Painted Bird

BEST THRIFT STORE

Thrift Town

Thrift Town’s not your tame little vintage boutique — it’s a massive beast of a thrift store, with a huge selection and dizzyingly low prices.

2101 Mission, SF. (415) 861-1132, www.thrifttown.com

Runners up: Community Thrift, Out of the Closet

BEST SHOE STORE

Shoe Biz

If Kelly of YouTube fame were to shop at any of these footwear outlets, he/she could have only one response: these shoes rule.

1446 Haight, SF. (415) 864-0990; 877 Valencia, SF. (415) 550-8655; 3810 24th St., SF. (415) 821-2528,

www.shoebizsf.com

Runners up: Gimme Shoes, Rabat

BEST FURNITURE STORE

Propeller

Propeller mixes whimsy, beauty, and function in its showroom, featuring items like ceramic deer-head wall hangings, a chair made to look duct-taped, and dishes that look like they’re in motion.

555 Hayes, SF. (415) 701-7767, www.propellermodern.com

Runners up: Zonal, Monument

BEST VINTAGE FURNITURE STORE

Monument

Perfect for buying your home’s centerpiece item or simply getting inspiration, Monument has an impressive selection of modern and deco furniture.

572 Valencia, SF. (415) 861-9800, www.monument.1stdibs.com

Runners up: The Apartment, X-21

BEST FLEA MARKET

Alemany Flea Market

Smaller than Alameda’s but more charming, the Sunday Alemany market is a haven for hipsters seeking ironic art, vintage housewares, old tools, and antique art-projects-to-be.

100 Alemany, SF. (415) 647-2043

Runners up: Alameda, Ashby

BEST HARDWARE STORE

Cole Hardware

Friendly staff, an impressive selection, and convenient locations have made this independently owned shop a Bay Area favorite since 1920.

956 Cole, SF. (415) 753-2653; 3312 Mission, SF. (415) 647-8700; 70 Fourth St., SF. (415) 777-4400

2254 Polk, SF. (415) 674-8913; www.colehardware.com

Runners up: Brownie’s, Cliff’s

BEST INDEPENDENT TOY STORE

Ambassador Toys

A wonderland of toys, puzzles, coloring books, vintage race cars, collectible dolls, and other unique gifts for kids, Ambassador further charms shoppers with free gift wrapping.

186 West Portal, SF. (415) 759-8697; 2 Embarcadero Center, lobby level, SF.

(415) 345-8697, www.ambassadortoys.com

Runners up: The Ark, Mr. Mopps

BEST SHOP FOR PARENTS-TO-BE

Natural Resources

Encouraging mindfulness in pregnancy and child rearing, Natural Resources is an eco-boutique as well as an educational resource.

1367 Valencia, SF. (415) 550-2611, www.naturalresourcesonline.com

Runners up: Day One, Chloe’s Closet

BEST PET SHOP

Bernal Beast

Locals love Bernal Beast’s courteous staff, merchandise selection, unique treats (antlers as a chew toy!), and fantastic raw food section.

509 Cortland, SF. (415) 643-7800, www.bernalbeast.com

Runners up: Best in Show, Noe Valley Pet Co.

BEST QUIRKY SPECIALTY STORE

Paxton Gate

A more eclectic selection of bones, stones, taxidermy, rare plants, and oddball collectibles than Paxton’s could only exist in a gothic novel.

824 Valencia, SF. (415) 824-1872, www.paxtongate.com

Runners up: Heartfelt, Wishbone

BEST SPORTING GOODS STORE

Sports Basement

Whether it’s yoga mats, running shorts, tennis rackets, or basketballs you need, this is the place to get them — and often at warehouse prices.

1590 Bryant, SF. (415) 575-3000; 610 Mason, SF. (415) 437-0100; www.sportsbasement.com

Runners up: See Jane Run, Lombardi’s

BEST PLACE TO BUY CAMPING GEAR

REI

It’s difficult to find a retailer with a better selection of outdoor gear, from trek shoes to white-water rafting oars — and the return policy for members is unmatched.

840 Brannan, SF. (415) 934-1938, www.rei.com

Runners up: Sports Basement, Wilderness Exchange

BEST PLACE TO BUY BIKES AND GEAR

Mike’s Bikes

Mike’s does sell bikes and gear, but it’s best known and loved for its knowledgeable, reliable, and friendly service staff.

1233 Howard, SF. (415) 241-2453, www.mikesbikes.com Valencia Cyclery, American Cyclery

BEST ECO-FRIENDLY RETAILER

Rainbow Grocery

Featuring organic produce at good prices, natural bath and body products, and a selection of vegan, vegetarian, gluten-free, and other specialty items, Rainbow pleases a full spectrum of shoppers.

1745 Folsom, SF. (415) 863-0620, www.rainbowgrocery.org

Runners up: Elephant Pharmacy, Spring

Shopping — Editors Picks

BEST SUI, SHARP AND SWEET


Sui Generis: Best Sui, Sharp and Sweet
GUARDIAN PHOTO BY SAMANTHA BERG

Despite the vast numbers of stylish males who haunt our fair burg, shopping for menswear in San Francisco can be a real downer. You’re either pummeled with dopey high-end “designer” street labels à la G-Star or forced to piece together a credible look from scattershot resale sources — not a bad option in itself, except that every other subculturally fashion-conscious Y-chromosomer is usually elbowing you out of the way to get to the good stuff. Enter Sui Generis, a boutique of impeccably vetted men’s vintage wear on Church Street (another location, featuring dressier consignment duds, recently opened on Market Street). The Generis gentlemen hand-select a dossier of ultrasharp hand-me-down duds that poke the up-on-it eye with longing — rare and perfect tees, plaids of fondest dreams, jeans that scream “do me,” fedoras, scarves, footwear, more — and force us to re-evaluate our look every time we glance up at its display windows. A good thing, then, that Sui’s also manageably affordable. And one-of-a-kind cache is part of the value: no chance of running into your twin from Rolo or Nomads, here.

218 Church, SF. (415) 436-9661; 2265 Market, SF. (415) 437-2265, www.myspace.com/suigeneris_sfo

BEST PLACE TO FIND RARE NUTS

Sure, Valencia Cyclery has a whole store full of bikes, locks, tools, lubricants, and clothes at their 1077 Valencia showroom, but what makes them so magical is the 1065 Valencia repair shop. They opened in 1985, which means if you need a roller cam on an early Suntour mountain bike brake, a rebuild kit for a Sturmey Archer 3 speed hub, or just a hard-to-find nut with an odd thread pitch, you’re stoked. The back rooms have shelves and drawers full of every imaginable wingding and doohickey for your two-wheeled best friend — and if what you need isn’t there, the manager will order it. The mechanics are actually people you’d trust to work on your bike, not ham-handed hacks with their thumbs on backwards. And best of all, they explain things in plain English, not cooler-than-thou biker-ese.

1065 and 1077 Valencia, SF. (415) 550-6600, www.valenciacyclery.com


Sara Brownell and Nici Williams of
Brew Holster Cult: Best Beer Helmet
GUARDIAN PHOTO BY SAMANTHA BERG

BEST BEER HELMET UPGRADE

You’d think hipsters would’ve come up with an answer to beer helmets ages ago. But it wasn’t until saucy AC/DShe rock ‘n’ roll vixens Nici and Sarah began to face technical tippling difficulties at their shows — including drenched T-shirts and wet amps — that the Brew Holster was born. The studded leather gun sling, created by the girls in their backyard chop shop, kept the rockers’ drinks close and off their clothes while still looking badass. So how to join the Brew Holster Cult? Simply buy one off the Web site and wear it to backyard BBQs, outdoor concerts, all-night barhops, or wherever you need to rock out with your cock out or jam out with your clam out — without losing your booze. Brew it to it!

www.brewholstercult.com

BEST FARM-FRESH FASHION

Quaint, antique- and decor-store-lined Jackson Square got a little chicer — and a little more fashionista-friendly — when Carrots moved into the gracious hood. Sisters Melissa and Catie Grimm named their sublime boutique, tongue firmly placed in cheek, after the petite veggies that built their family’s business, Grimmway. Yet we couldn’t be further from the farm amid Carrots’ lofty yet elegant, European-inspired mix of antiques and industrial decor touches. Visitors are welcome to sip an espresso beneath the zinc 19th-century chandelier while browsing the wares of such covetable young designers as Thakoon, Stella McCartney, Narcisco Rodriguez, Vanessa Bruno, and Peter Som. Men can also find fashion respite courtesy of such desirables as Band of Outsiders, Obedient Sons, and Rag & Bone. The free mini carrot-cake cupcake isn’t your only reward for stopping by and discovering the ideal piece.

843 Montgomery, SF. (415) 834-9040, www.sfcarrots.com

BEST ONE-STOP MAELSTROM OF METAL

Chances are, if you’re at all familiar with the Bay Area metal scene, you’ve crossed paths with Shaxul, proprietor of Shaxul Records. In addition to distributing and releasing local and rare metal albums, Shaxul hosts a monthly radio show on KUSF (all-metal, natch) and runs a snug storefront on Haight Street, boldly perched opposite the megasize Amoeba Records. The walls are black and decorated with all manner of posters and T-shirts (including a particularly rad High on Fire tee that is sold out on every Internet vendor you might think of). The shelves are packed with vinyl (them things you put on a record player, kids!), CDs, DVDs, and more. And you ain’t gonna find no wimpy selections here: Shaxul almost exclusively stocks bands with names that’d scare your grandma, with brutal sounds to match. Both current (Saros, Hammers of Misfortune, Asunder) and classic (Death, Exodus, Testament) acts are well represented. Emo kids stay home! Everyone else, horns up.

1816 Haight, SF. (415) 831-5334, www.shaxulrecords.com

BEST VOODOO NOSE CANDY

Helen Keller once said, “Smell is a potent wizard that transports you across thousands of miles and all the years you have lived.” Which may be true, but she forgot to add that it can also be used to accumulate money, secure a long life, and get back at your ex for blowing your housemate. The aromatic candles, incense, and powders at Yoruba Botanica, a Santeria store in the Mission District, have been imbued with a potent form of South American sorcery, so choose your scents wisely. You don’t want to mistakenly buy a death candle for your arthritic grandmother, or some romance dust for your creepy bi-curious roommate. A consultation with one of the women who run Yoruba Botanica will ensure you get the correct smell for your purposes. And for a small fee, they’ll take you in back, read your fortune, and maybe even tell you how to score more ass.

998 Valencia, SF. (415) 826-4967

BEST NOMADIC HIPSTER BOUTIQUE

The Mission Indie Mart, a roaming thrift store, local design showcase, and barbecue that takes place monthly in backyards and at dive bars throughout the Mission District was dreamt up by Kelly Malone, a tattooed hipster chick with three lifelong obsessions: DIY fashion, hard drinking, and good times. Sadly, while her hobbies did wonders for her social life, they caused quite a stir at the Gap, where Malone had been working for more than 10 years. So she set up her own business. Her brainchild has become a staple of Mission dwelling: a monthly opportunity to mingle with artists, musicians, fashion designers, misfits, and fall-down drunks like the founder herself, whose hourly announcements at MIM evolve throughout the day from straightforward information to inebriated performance art. Her best line to date: “The bathrooms are in the back, the T-shirts are in the corner, and the vodka is in my belly. Now come on stage and let’s get naked, bitches. Wooo!”

www.indie-mart.com

BEST BONBON BAR

Charlie’s chocolate factory may be pure fiction, but Miette Confisserie is pure magic. This Hayes Valley confectioner, sister to the Ferry Building’s Miette Patisserie, brings European decadence and childlike devotion to the candy-shop concept. Walls are lined floor-to-ceiling with apothecary jars filled with imported boiled sweets, Dutch licorice, saltwater taffy, fine chocolates, and buttery caramels — all of which can be packaged in custom boxes tied with satin ribbons. But you don’t have to take your treats home. Miette hosts children’s birthday parties, complete with ballerinas, storytelling, and pony rides. Not a breeder? Adults can play too, with private evening fetes featuring champagne and cotton candy. Either option is ideal, considering Miette’s decor is as winsome as its sweets: if the perfectly salted walnut shortbread doesn’t charm you, the black-and-white checkerboard floor surely will.

449 Octavia, SF. (415) 626-6221

BEST WAY TO LEAVE A PARTY WITHOUT YOUR CLOTHES

Alternative economies sound nice in political lectures at the University of California, Santa Cruz, but they rarely thrive in real life. Sure, there are little free markets that crop up in cities across the world, but they’re usually full of questionable scavengers, dirty hippies, and slumming rich kids temporarily rebelling against “the Man.” And then there’s the stuff they trade — the idea that one man’s trash is another man’s treasure just doesn’t hold water when you see the usual pile of broken plates, outdated VCRs, and defunct Web site promo T-shirts. But thanks to the hipsters behind SwapSF, one experimental trade economy seems to be working. Their secret? Alcohol and music, of course. SwapSF is a seasonal warehouse party that charges $5 and a bag of clothes for entry. It’s a small price to pay for access to dope beats, an open bar, and all the cool togs your friends bought and never wore.

www.swapsf.com.

BEST FRENCH WINE WAREHOUSE

Many people are frightened of French wine, particularly the indecipherable and austere-looking labels — but not you. When your friend goes to a Halloween costume party as an uncorked bottle of Château d’Yqem, you are savvy enough to be amused. You are also savvy enough to know where to find deals on French (and other European) wines — which can still be found despite the dollar’s collapse against the euro: The Wine House. The warehousey setting on the northern foot of Potrero Hill assures you that it’s not ambience or fancy shelving you’re paying for. The staff is knowledgeable, helpful, and friendly. And there are plenty of offerings from Burgundy, Bordeaux, and lesser-known winegrowing regions, especially those in the south of France. Many wines are priced near $5 a bottle, making them competitive with Trader Joe’s plonk. Best of all are regular case discounts, from 10 percent on up, along with occasional case specials (often on fine Côtes du Rhône) even more drastically discounted.

129 Carolina, SF. (415) 355-9463, www.winesf.com

BEST ECO-SPOT FOR NOE TOTS

Ensure the longevity of both your children and the world they’ll grow up in at Mabuhay Kids, an eco-friendly baby boutique in Noe Valley named for the Filipino phrase for “long life.” Sporting eco-friendly, safe, and stylish attire from global and local designers, Mabuhay (pronounced “ma-boo-hi”) is a must for JAKC’s organic baby blankets, Stubby Pencil Studio’s soy crayons, and much more. Why trick out your toddlers with gun-toting G.I. Joes or sweatshop OshKosh B’Gosh overalls when you can provide them with sustainably harvested rubber tree tricycles or duds from Ses Petites Mains, who make organic French fashions for little ladies? In light of massive baby product recalls, this is a shop whose wares you can trust — whether your moppet’s got ’em on her bod or in his mouth. Plus, for Noe dwellers, it’s just one biodiesel stroller ride away.

195 Church, SF. (415) 970-0369, www.mabuhaykids.com

BEST MASTERS OF MYSTERY

A bookstore that sells mysteries shouldn’t be clean and well-lighted. It should look and smell and feel like it came out of the dark streets of Victorian London. And although the San Francisco Mystery Bookstore isn’t by any means dingy or dank, it’s got that wonderful cluttered feel of a place owned by someone who loves books and tolerates a bit of chaos. There are paperback mysteries everywhere — in the shelves, on the windowsill, stacked up by the cash register, tucked away in the back. They’re brand-new, used, or very old and valuable. There are selections by famous authors and some by writers you’ve never heard of. And best of all, the people who work there are as obsessed with whodunits as we are — they seem to have read everything by everybody and are happy to talk, recommend, critique, or chat. Or are they?

4175 24th St., SF. (415) 282-7444, www.sfmysterybooks.com

BEST BARGAIN BEATER MOTORCYCLES


Bike Yard: Best Bargain Beater Motorcycles
GUARDIAN PHOTO BY SAMANTHA BERG

The Bike Yard is every would-be sick boy’s dream come true: a used bike dealership, run by Francisca Feribert, a petite German mechanic who repairs totaled motorcycles and sells ’em cheap. Surrounded by ivy-covered brick warehouses and highway overpasses, the Yard feels like a piece of the country plopped down on the east side of Potrero Hill. Motorcycles and scooters in various states of repair look like they’ve been poured into the cyclone-fenced lot, where they’ve washed up against the sides of a gypsy caravan-style wagon, a small, corrugated metal workshop, racks of tires, and a tattered, sun-bleached Winnebago — all protected by Feribert’s guard goose, Helga. This licensed dealership even handles registration and sells helmets, so you can get riding as soon as you’ve got the scrill. Plus, beaters are especially good for first-timers, who need not wreck a $1,000 ride the first time they drop it.

851 Tennessee, SF. (415) 821-3941, www.bikeyardsf.com

BEST BANANA REPUBLIC REPLACEMENT

If you like Banana Republic’s simple, well-fitting, flattering clothes but not its reputation for using child labor and cutting down old-growth forests, you’ll love Sunhee Moon. This independent local designer with a “less is more” attitude uses such high quality fabrics and tailored, classic designs that you’ll hardly bat an eyelash at the price tags (tops run between $48 and $118). Women of all body types can find basics in simple, solid colors that somehow manage to maintain a hip, San Francisco-style sensibility. These are cute, modern clothes for home-based creative types who want to feel a bit dressed up, or for professionals working in the Financial District — who are probably the people who can afford to shop here regularly. But if you’re sick of ill-fitting T-shirts and corporate-shopping guilt, an occasional splurge at Moon is well worth the sacrifice.

2059 Union; 3167 16th St.; 1833 Fillmore, SF. (415) 922-1800, www.sunheemoon.com

BEST ORGANIC GUYLINER

Whether you’re headed to Club Meat at DNA Lounge, a Fall Out Boy concert, or simply a party full of squares where you’ll be the token “edgy” guy, there’s nothing to make a man feel sexy like a smudge of black kohl around the eyes. But who wants to defile his delicate emo lids with chemical-laden mainstream makeup? Not you. That’s where Pharmaca Integrative Pharmacy comes in. This Cole Valley cosmetic emporium features shelf after shelf and wall after wall of beauty products that won’t take a toll on either the planet or your face. There’s even a male makeup artist to give you tips, as well as a dizzying array of browsing-friendly herbal remedies, magazines, and health-related tchotchkes to occupy your friends who refuse to wear guyliner. Oh, and ladies can shop here too.

925 Cole, SF. (415) 661-1216, www.pharmaca.com

BEST MID-SHOPPING RESPITE

Any savvy shopper knows you have to refuel midday if you want to hit all the sales before closing. But there’s no need to resort to food courts and burger stands. Tucked away down Claude Lane, just blocks from Union Square, is Café Claude. Dining at the clandestine café is like spending an afternoon in Paris — arguably the best shopping city in the world — and has similarly replenishing effects (without the price or carbon footprint of a flight to France). Sit inside to enjoy a daily special amid the zinc bar, period travel posters, and vintage tables all rescued from an actual Parisian café. Or refuel with soupe l’oignon, salade Niçoise, and charcuterie et fromage on the petite heated patio. Weary shoppers can also enjoy a full bar and daily happy hours from 4 to 6 p.m. After all, you might need a glass of Sancerre — or a shot of St. Germain — before you take a second glance at your receipt from Neiman Marcus.

7 Claude Lane, SF. (415) 392-3505

BEST BAGPIPE EMPORIUM

It’s likely you’ve never stepped inside Lark in the Morning, unless you’re a musician with highly specialized needs. (Bagpipe reeds? Musical saws? Chinese opera gongs? It’s got ’em.) Time to change that! Though it does most of its business via mail order and its Web site, Lark recently moved from tourist-choked Fisherman’s Wharf to cozier digs in the Mission District, where the diverse inventory of ethnic instruments covers the walls, fills floor space, and hangs from every available ceiling hook. Adventurous beginners (including kids) and pros alike can find what they need here. And unlike certain big-chain instrument stores, Lark is staffed by musicians who are excited to share their knowledge with fellow artists, budding and otherwise. Just don’t test-drive anything by playing “Smoke on the Water” or “Dueling Banjos” — the staff might have to pull a Wayne’s World on you and request a song they aren’t subjected to on a daily basis.

1453 Valencia, SF. (415) 922-4277, www.larkinthemorning.com

BEST HOUSEWARMERS FOR POETS

Like Coleridge’s “Kubla Khan” vision of a sunny pleasure dome filled with caves of ice, Rare Device, that bright little Hayes Valley shop on Market Street, exhibits gorgeous and amazing things. Things, (as the poem says, of course), of rare device. This San Francisco find is actually the sister of a Brooklyn establishment running under the same moniker, and both focus on designer objets d’art from around the world. Stop by once and your list of must-gets could go something like this: Japanese tea cups carved from single blocks of wood, a mouth-blown wine glass with an inverted stem, and a linen silk-screened pillow for your dreamy head. Things you must give as gifts range from the perplexing knitted bowl with a porcelain center to the mind-blowingly obvious bottle opener that says “open.” Well, how else are you going to pop the lid of that milk of paradise at the next housewarming party?

1845 Market, SF. (415) 863-3969, www.raredevice.net

BEST “SECRET” GARDEN

In Frances Hodgson Burnett’s The Secret Garden, it is the magic of nature, experienced privately, that transforms Mary and Colin into blossoming children. Though Vines Café is not officially a secret, the quaint coffee house and gallery’s proximity to the typically quiet Thomson’s Nursery next door seems to have a similar effect on patrons. Sitting on the patio of the converted Victorian, one might find time standing still: hummingbirds hover midair to drink nectar from red-flowered pineapple sage while bees and butterflies flit from the lavender to the lemon geraniums to the foxglove plants below. ‘Tis a place that seems built for writing in a diary, reading a fanciful novel, or sketching a whimsical landscape. And if contemplation isn’t your thing, you can occupy yourself by browsing Vine’s antique jewelry gallery upstairs or choosing which petunias you’ll take home with you. Just don’t tell Mr. Craven where you got ’em.

1113 Lincoln, Alameda. (510) 522-8489

BEST BOOKSTORE FOR ASPIRING ACTIVISTS


Babylon Falling: Best Bookstore for Aspiring Activists
GUARDIAN PHOTO BY SAMANTHA BERG

Mark Twain said, “The man who does not read good books has no advantage over the man who cannot read,” which means that if you ever want to actually learn anything from books, you’re gonna have to get some decent lit. But you don’t need to waste your time surfing on Amazon or searching through library stacks (gasp!) — the rebel academics at Babylon Falling have already done all the work for you. If you really want to learn how to be as subversive as Che Guevara or Chuck D, pop into Babylon and check out its selection of revolutionary literature, graphic novels, art, and music. Babylon also carries a huge assortment of toys, artwork, clothing, and DVDs to complement its collection of more than 3,000 book titles. Plus, it hosts readings, art shows, and signings by literate revolutionaries from the Bay Area and beyond. Babylon will never fall if its citizens learn to read good. You can quote us on that.

1017 Bush, SF. (415) 345-1017, www.babylonfalling.com

BEST DIRT CHEAP DESIGNER DUDS

Jeremy’s is what all fashion discounters should aspire to be — fluorescent lights, foul dressing rooms, and lack of mirrors be damned. Brick-lined, filled with well-weathered wood and retro fixtures, built like an aging beauty of a department store, and chock-full of full-tilt high fashion and fun bargains, Jeremy’s is catnip to the clothes fiend who has all the desires of an haute couture client but few of the funds. It’s all here, kids: Prada, Dolce & Gabbana, Missoni, McQueen, Chanel, Marc Jacobs, Marc Jacobs, Marc Jacobs — all well-edited and last season or older. You wouldn’t guess it, of course. The men’s collections are similarly high style, though often much more pecked over. Pity the poor manly fashionisto in search of a deal elsewhere — you’ll find them here. Also worth perusing are the always delightful collections of unique shoes and boots, junior lines (often culled from Anthropologie and its ultracute, vintage-inspired brand), and accessories, jewelry, bags, and housewares. Items come and go, but, man, do they speed out of the store when Jeremy’s all-store sales are in full effect.

2 South Park, SF. (415) 882-4929; 2967 College, Berk. (510) 849-0701, ww.jeremys.com

BEST DANDY NANCIES

Toss the tacky Axe body spray, lose that horrid Aveda sheen, forget dropping oodles of dough on some designer-brand swill that looks better in its fancy bottle then on your handsome man-skin — Nancy Boy products are the real deal when it comes to male image enhancement. Manufactured locally and distributed from a lovely shop in Hayes Valley that also functions as a gallery of rare and covetable glassware, the all-natural line for men features several enormously popular products for local luxury lovers, including an inimitable signature replenishing shave cream infused with natural steam-distilled extract of fresh cucumbers (“not some ‘idea of cucumber’ concocted in some chemistry lab,” the makers assure us), a wildly fab lavender laundry detergent, and myriad other beauty products — not just for metrosexuals and A-gays! They work on scruffy hipsters and women too! — that we never thought we’d come to depend on so much. An extra treat: co-founder Eric Roos’ occasional hilarious, politically satirical newsletter that keeps us in stitches. Who knew beauty could be so spot-on?

347 Hayes, SF. (415) 552-3802, www.nancyboy.com

BEST BOUTIQUE FOR HEP CATS (AND DOGS)

Jeannine Giordan believes that pet stores are places humans should want to shop in, and that pet food should be made of ingredients animals actually want to eat. So radical! So revolutionary! And, in the case of Giordan’s brand new pet boutique Hazel and Gertie’s, so cute! Housed on the bottom floor of a Victorian on 22nd Street, the shop is clean, airy, and punctuated by tastefully, carefully collected displays of products for four-legged friends, from beds for your beagle to collars for your chartreux. Most impressive, though, is the selection of pet foods, including healthy, organic items by California Natural, Innova, Newman’s Own, and Wysong and raw food by San Francisco–based smallbatch. But Hazel and Gertie’s — named for Giordan’s dogs — is more than just a store. It’s also the outpost for Giordan’s dog-walking business, Gooddog, as well as a self-serve washing station (tub, water, towel, apron, and all-natural soap provided for $15). Giordan even gives referrals for other pet-related services.

3385 22nd St., SF. (415) 401-9663, www.hazelandgerties.com

BEST CUSTOM BOOKBINDERY

You refuse to get your wedding dress off the rack, so why buy your guestbook at Target? Especially when Kozo Arts can make you a custom book as special as your ceremony? This small bindery in Cow Hollow specializes in Japanese-style journals, invitations, scrapbooks, photo albums, and guest books, all handmade by one of Kozo’s five artisans. You choose from a wall of gorgeous screen-printed Chiyogami papers, pick a matching imported silk binding fabric, and order the size and page count you want — and you soon have a one-of-a-kind volume for documenting your once-in-a-lifetime event. The small, charming shop on Union Street also has a selection of premade books in its most popular styles, including journals decorated with pink and white flowers and bunnies, a basic red cherry blossom print, and various colored backgrounds embossed with Japanese parasols that are great as gifts. And don’t miss the scrap bin, full of beautiful leftover papers and fabrics perfect for DIY projects.

1969A Union, SF. (415) 351-2114, www.kozoarts.com

BEST GARDEN OF FASHION


Porto: Best Garden of Fashion
GUARDIAN PHOTO BY SAMANTHA BERG

We can’t decide which we like better: the imported Italian fashions Porto sells or the building it houses them in. It’s undeniable that the clothes for women are chic, distinctive, and well made. We love the asymmetrical details on Sathia tees and dresses, the fun and flirty sportswear by Deha, the innovative skirts and tops from MC Planet, and the unique detailing on everything by Vasalli. But we especially love how the shop is tucked away from the bustle of Union Street down a long corridor, and how natural light floods the airy, two-story building. Add the adjacent rooftop garden, where Porto’s friendly, helpful owner might let you sip bubbly between purchases, and you might forget about the clothes altogether. That is, until you check out the fabulous sale racks. One visit here and you’ll never need Urban Outfitters again.

1770 Union, SF. (415) 440-5040, www.portoboutique.com

BEST MODERN MOROCCAN STYLE

If you like the bold colors, interesting shapes, and exotic romance of Moroccan design, but don’t want your home to look like a college dorm or a swingers’ lounge, you’ll love Tazi. This Hayes Valley showroom is stocked full of Moroccan furniture, textiles, clothing, and accessories — all with a sleek, modern edge. Think mosaic patio tables, bright sofas, metalsmithed lanterns, leather poufs (ottomans), and antiqued doors — most handmade, and all of unmatched quality. Though the Linden Street studio specializes in working with retailers, bars, and restaurants, the staff will also happily help individuals supplement their wardrobe with a gorgeous leather purse, or solve complicated spatial issues with mix-and-match furniture pieces. Plus, Blue Bottle’s just down the street. You can’t get that in Morocco.

333 Linden, SF. (415) 503-0013, www.tazidesigns.com

BEST BIKE CLOTHES FOR BABES

When Sheila Moon started racing bicycles in 1993, very few companies made cycling clothes designed to fit women. “I started asking friends in bike shops if women’s clothing would be a good idea, and they all looked at me like I was crazy,” she said. Moon went for it anyway. Now, after six years in business, she’s distributed in 32 states, plus Canada, and her extensive line includes caps, jerseys, shorts, and knickers for women and men, with separate styles for professional cyclists and regular ol’ riders. She’s moved her SoMa design studio to a live/work loft in Oakland, but everything is still stitched and shipped from San Francisco. Locals can find styles like her women’s riding britches on her Web site and at shops like Sports Basement, City Cycle, and Mojo Bike Café. And daily commuters should keep an eye out: Moon’s got even more bike-to-boardroom threads in her fall line. (Hint: skirts!)

www.sheilamoon.com

Nightlife and Entertainment

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BEST REP FILM HOUSE

Red Vic

From rock docs to cult classics, this Upper Haight co-op’s schedule has kept its cozy couches filled with popcorn-munching film buffs since 1980.

1727 Haight, SF. (415) 668-3994, www.redvicmoviehouse.com

Runners up: Castro, Roxie

BEST MOVIE THEATER

Balboa Theater

Packing the house with film festivals, second-run faves, indie darlings, and carefully chosen new releases, this Richmond gem offers old-school charm with a cozy neighborhood vibe.

3630 Balboa, SF. (415) 221-8184, www.balboamovies.com

Runners up: Castro, Kabuki Sundance

BEST THEATER COMPANY

Un-Scripted Theater Company

The Un-Scripted improv troupe elevates comedy from one-liners and shtick to full-fledged theatrical productions with a talented cast and eccentric sensibilities.

533 Sutter, SF. (415) 869-5384, www.un-scripted.com

Runners up: ACT, Shotgun Players

BEST DANCE COMPANY

Hot Pink Feathers

Blurring the line between cabaret and Carnaval, this burlesque troupe drips with samba flavor (and feathers, of course).

www.hotpinkfeathers.com

Runners up: DholRhythms, Fou Fou Ha!

BEST ART GALLERY

Creativity Explored

The cherished nonprofit provides a safe haven for artists of all ages, abilities, and skill levels while making sure that great works remain accessible to art lovers without trust funds.

3245 16th St., SF. (415) 863-2108, www.creativityexplored.org

Runners up: 111 Minna, Hang

BEST MUSEUM

De Young

Golden Gate Park’s copper jewel boasts stunning architecture, one hell of a permanent collection, and an impressive schedule of rotating exhibitions.

50 Hagiwara Tea Garden Drive, SF. (415) 750-3600, www.famsf.org/deyoung

Runners up: Asian Art Museum, SF MOMA

BEST MIXED-USE ARTS SPACE

CellSPACE

From aerial circus arts to metalsmithing, fire dancing to roller-skating parties, CellSPACE has had its fingers all over San Francisco’s alternative art scene.

2050 Bryant, SF. (415) 648-7562, www.cellspace.org

Runners up: SomArts, 111 Minna

BEST DANCE CLUB

DNA Lounge

DNA scratches just about every strange dance floor itch imaginable — from ’80s new wave and glam-goth to transvestite mashups and humongous lesbian dance parties.

375 11th St., SF. (415) 626-1409, www.dnalounge.com

Runners up: Temple, 1015 Folsom

BEST ROCK CLUB

Bottom of the Hill

San Francisco’s quintessential “I saw ’em here first” dive, Bottom of the Hill consistently delivers stellar booking, cheap drinks, and great sound.

1233 17th St., SF. (415) 621-4455, www.bottomofthehill.com

Runners up: Slim’s, The Independent

BEST HIP-HOP CLUB

Club Six

Six blurs the line between high and low, offering an upstairs lounge in which to see and be seen and a basement dance floor for those who want to show off their b-boy prowess.

60 Sixth St., SF. (415) 531-6593, www.clubsix1.com

Runners up: Poleng, Milk

BEST JAZZ CLUB

Yoshi’s

Nothing says “Bay Area” quite like Yoshi’s masterful combo of classic cocktails, inventive maki rolls, and world-class jazz acts.

510 Embarcadero West, Jack London Square, Oakl. (510) 238-9200; 1330 Fillmore, SF. (415) 655-5600; www.yoshis.com

Runners up: Jazz at Pearl’s, Biscuits and Blues

BEST SALSA CLUB

Cafe Cocomo

Smartly dressed regulars, smoking-hot entertainment, and plenty of classes keep the Cocomo’s floor packed with sweaty salsa enthusiasts year-round.

650 Indiana, SF. (415) 824-6910, www.cafecocomo.com

Runners up: El Rio, Roccapulco

BEST PUNK CLUB

Annie’s Social Club

The club maintains its cred by presciently booking on-the-rise punk and hardcore bands and adding a sprinkle of punk rock karaoke, photo-booth antics, and ’80s dance parties.

917 Folsom, SF. (415) 974-1585, www.anniessocialclub.com

Runners up: Thee Parkside, 924 Gilman

BEST AFTER-HOURS CLUB

Endup

Where the drunken masses head after last call, the aptly named Endup is probably the only club left where you can rub up against a fishnetted transvestite until the sun comes up. And after.

401 Sixth St., SF. (415) 646-0999, www.theendup.com

Runners up: Mighty, DNA Lounge

BEST HAPPY HOUR

El Rio

“Cash is queen” at this Mission haunt, but you won’t need much of it. El Rio’s infamous happy hour — which lasts five hours and begins at 4 p.m. — consists of dirt cheap drinks and yummy freebies.

3158 Mission, SF. (415) 282-3325, www.elriosf.com

Runners up: Midnight Sun, Olive

BEST DIVE BAR

500 Club

A mean manhattan might not be the hallmark of a typical dive, but just add in ridiculously low prices, well-worn booths, and legions of scruffy hipsters.

500 Guerrero, SF. (415) 861-2500

Runners up: Broken Record, Phone Booth

BEST SWANKY BAR

Bourbon and Branch

Mirrored tables, exclusive entry, fancy specialty cocktails, and a well-appointed library root this speakeasy firmly in “upscale” territory.

501 Jones, SF. (415) 346-1735, www.bourbonandbranch.com

Runners up: Red Room, Bubble Lounge

BEST TRIVIA NIGHT

Brain Farts at the Lookout

“Are you smarter than a drag queen?” Brain Fart hostesses BeBe Sweetbriar and Pollo del Mar ask every Wednesday at 7:30 p.m. at this gay hot spot. Maybe.

3600 16th St., SF. (415) 431-0306

Runners up: Castle Quiz (Edinburgh Castle), Trivia Night (Board Room)

BEST JUKEBOX

Lucky 13

Bargain drinks, a popcorn machine, and Thin Lizzy, Hank 3, Motörhead, and Iggy on heavy rotation: Lucky 13 never disappoints.

2140 Market, SF. (415) 487-1313

Runners up: Phone Booth, Lexington Club

BEST KARAOKE BAR

The Mint

It may be nigh impossible to get mic time at this mid-Market mainstay, but once you do, there are hordes of adoring (read: delightfully catty) patrons to applaud you.

942 Market, SF. (415) 626-4726, www.themint.net

Runners up: Encore, Annie’s Social Club

BEST CLUB FOR QUEER MEN

Bearracuda at Deco

Bears at the free buffet, bears on the massage table — bears, bears everywhere, but mostly on the dance floor at this big gay biweekly hair affair in the Tenderloin.

510 Larkin, SF. (415) 346-2025, www.bearracuda.com

Runners up: The Cinch, The Stud

BEST CLUB FOR QUEER WOMEN

Lexington Club

With a pool table, a rotating gallery of kick-ass art, and regular rock DJ nights, this beer-and-shot Mission dive has been proving that dykes drink harder for more than a decade.

3464 19th St., SF. (415) 863-2052, www.lexingtonclub.com

Runners up: Cockblock, Wild Side West

BEST CLUB FOR TRANNIES

Trannyshack

Say hello, wave good-bye: Heklina’s legendary trash drag mecca hangs up its bloody boa in August, but it’s still the best bang for your tranny buck right now.

Stud, 399 Ninth St., SF. (415) 252-7883, www.trannyshack.com

Runners up: AsiaSF, Diva’s

BEST SINGER-SONGWRITER

Curt Yagi

Multi-instrumentalist Curt Yagi has been making the rounds at local venues, strumming with the swagger of Lenny Kravitz and the lyrical prowess of Jack Johnson.

www.curtyagi.com

Runners up: Jill Tracy, Kitten on the Keys

BEST METAL BAND

A Band Called Pain

If you didn’t get the hint from their name, the Oakland-based A Band Called Pain bring it hard and heavy and have lent their distinct brooding metal sound to the Saw II soundtrack and Austin’s SXSW.

www.abandcalledpain.com

Runners up: Thumper, Death Angel

BEST ELECTRONIC MUSIC ACT

Lazer Sword

Rooted in hip-hop but pulling influences from every genre under the sun, the laptop composers seamlessly meld grime and glitch sensibilities with ever-pervasive bass.

www.myspace.com/lazersword

Runners up: Kush Arora, Gooferman

BEST HIP-HOP ACT

Beeda Weeda

Murder Dubs producer and rapper Beeda Weeda may make stuntin’ look easy, but he makes it sound even better: case in point, his upcoming album Da Thizzness.

www.myspace.com/beedaweeda

Runners up: Deep Dickollective, Zion I

BEST INDIE BAND

Ex-Boyfriends

San Francisco outfit and Absolutely Kosher artists the Ex-Boyfriends dole out catchy power pop with a shiny Brit veneer and a dab of emo for good measure.

www.myspace.com/exboyfriends

Runners up: Gooferman, Making Dinner

BEST COVER BAND

ZooStation

A mainstay at festivals, parties, and Slim’s cover-band nights, ZooStation storm through the U2 catalog (they take on more than 140 of the band’s tunes).

www.zoostation-online.com

Runners up: AC/DShe, Interchords

BEST BAND NAME

The Fucking Ocean

Fuck Buttons, Holy Fuck, Fucked Up, Fuck, indeed: the time is ripe for band names that can’t be uttered on the airwaves, and the Fucking Ocean leads the pack. George Carlin would be so proud.

www.myspace.com/thefuckingocean

Runners up: Stung, Gooferman

BEST DJ

Smoove

Ian Chang, aka DJ Smoove, keeps late hours at the Endup, DNA Lounge, 111 Minna, Mighty, and underground parties all over, pumping out power-funk breaks.

www.myspace.com/smoovethedirtypunk

Runners up: Jimmy Love, Maneesh the Twister

BEST PARTY PRODUCERS

Adrian and the Mysterious D, Bootie

Five years in, the Bay’s groundbreaking original mashup party, Bootie, has expanded coast-to-coast and to three continents. This duo displays the power of tight promotion and superb party skills.

DNA Lounge, 375 11th St., SF. (415) 626-1409, www.bootiesf.com

Runners up: NonStop Bhangra crew, Mike Gaines (Bohemian Carnival)

BEST BURLESQUE ACT

Twilight Vixen Revue

Finally, someone thinks to combine pirates, wenches, classic burlesque, and foxy lesbians. This all-queer burlesque troupe has been waving its fans (and fannies) since 2003.

www.twilightvixen.com

Runners up: Sparkly Devil, Hot Pink Feathers

BEST DRAG ACT

Katya Ludmilla Smirnoff-Skyy

Gorgeous costumes, a glamorous backstory, and a jam-packed social calendar are reasons enough to catch this opera diva, but it’s her flawless mezzo that keeps fans hurling roses.

www.russianoperadiva.com

Runners up: Charlie Horse, Cookie Dough

BEST COMEDIAN

Marga Gomez

One of America’s first openly gay comics, San Francisco’s Marga Gomez is a Latina firebrand who’s equally at home performing at Yankee Stadium or Theatre Rhinoceros.

www.margagomez.com

Runners up: Robert Strong, Paco Romane

BEST CIRCUS TROUPE

Vau de Vire Society

Offering a full-on circus assault, the wildly talented and freakishly flexible troupe’s live show delivers plenty of fire performances, aerial stunts, and contortionism.

www.vaudeviresociety.com

Runners up: Teatro Zinzani, Pickle Family Circus

BEST OPEN MIC NIGHT

Hotel Utah

One of the city’s strongest breeding grounds for new musical talent, Hotel Utah’s open mic series opens the floor for all genres (and abilities).

500 Fourth St., SF. (415) 546-6300, www.hotelutah.com

Runners up: Queer Open Mic (3 Dollar Bill), Brain Wash

BEST CABARET/VARIETY SHOW


Hubba Hubba Review: Best Cabaret/Variety Show
PHOTO BY PATRICK MCCARTHY

Hubba Hubba Revue

Vaudeville comedy, tassled titties, and over-the-top burlesque teasing make the Hubba Hubba Revue the scene’s bawdiest purveyor of impropriety.

www.hubbahubbarevue.com

Runners up: Bohemian Carnival, Bijou (Martuni’s)

BEST LITERARY NIGHT

Writers with Drinks

This roving monthly literary night takes it on faith that writers like to drink. Sex workers, children’s book authors, and bar-stool prophets all mingle seamlessly, with social lubrication.

www.writerswithdrinks.com

Runners up: Porchlight Reading Series, Litquake

BEST CRUSHWORTHY BARTENDER

Laura at Hotel Utah

Whether you just bombed onstage at open mic night or are bellied up to the Hotel Utah bar to drink your sorrows away, the ever-so-crushworthy Laura is there with a heavy-handed pour and a smile. She’s even nice to tourists — imagine!

500 Fourth St., SF. (415) 546-6300, www.hotelutah.com

Runners up: Chupa at DNA Lounge, Vegas at Cha Cha Cha

Nightlife and Entertainment — Editors Picks

BEST CREEP-SHOW CHANTEUSE

There’s just something about the inimitable Jill Tracy that makes us swoon like a passel of naive gothic horror heroines in too-tight corsets. Is it her husky midnight lover’s croon, her deceptively delicate visage, her vintage sensibilities? Who else could have written the definitive elegy on the “fine art of poisoning,” composed a hauntingly lush live score for F.W. Murnau’s classic silent film Nosferatu, joined forces with that merry band of bloodthirsty malcontents, Thrillpeddlers, and still somehow remain a shining beacon of almost beatific grace? Part tough-as-nails film fatale, part funeral parlor pianist, Tracy manages to adopt many facades yet remain ever and only herself — a precarious and delicious balancing act. Her newest CD, The Bittersweet Constrain, glides the gamut from gloom to glamour, encapsulating her haunted highness at her beguiling best.

www.jilltracy.com

BEST CINEMATIC REFUGE FOR GERMANIACS

Can’t wait for the annual Berlin and Beyond film fest to get your Teuton on? The San Francisco Goethe-Institut screens a select handful of German-language films throughout the year at its Bush Street language-school location. For a $5 suggested donation, you can treat yourself to a klassische F.W. Murnau movie or something slightly more contemporary from Margarethe von Trotta. Flicks are subtitled, so there’s no need to brush up on verb conjugations ahead of time. And the Bush Street location is within respectable stumbling distance of many Tendernob bars, not to mention the Euro-chic Café de la Presse, should your cinematic adventure turn into an unexpected Liebesabenteuer. Unlike SF filmic events offering free popcorn, free-for-all heckling, or staged reenactments of the action, Goethe-Institut screenings need no gimmickry to attract their audiences — a respectable singularity perhaps alone worth the price of admission.

530 Bush, SF. (415) 263-8760, www.goethe.de

BEST UNFORCED BAY AREA BALKANIZATION

Despite all the countless reasons to give in to despair — the weight of the world, the headline news, those endless measured teaspoons — sometimes you just have to say fuck it and get your freak on. No party in town exemplifies this reckless surrender to the muse of moving on better than the frenetic, freewheeling proslava that is Kafana Balkan. No hideaway this for the too-cool-for-school, hands-slung-deep-in-pockets, head-bobber crowd. The brass-and-beer-fueled mayhem that generally ensues at Kafana Balkan, often held at 12 Galaxies, is a much more primitive and fundamental form of bacchanal. Clowns! Accordions! Brass bands! Romany rarities! Unfurled hankies! The unlikely combination of high-stepping grannies and high-spirited hipsters is joined together by the thread that truly binds: a raucous good time. Plus, all proceeds support the Bread and Cheese Circus’s attempts to bring succor and good cheer to orphans in Kosovo. Your attendance will help alleviate angst in more ways than one.

www.myspace.com/kafanabalkan

BEST GOREY BALL

There’s no doubt about it — we San Franciscans love to play dress-up. From the towering Beach Blanket Babylon–esque bonnets at the annual Sisters of Perpetual Indulgence Easter Sunday to the costumed free-for-all of All Hallows Eve, the more elaborate the excuse to throw on some gay apparel, the more elaborate the apparel. This makes the annual Edwardian Ball tailor-made for San Francisco’s tailored maids and madcap chaps. An eager homage to the off-kilter imaginings of Edward Gorey, whose oft-pseudonymous picture books delved into the exotic, the erotic, and the diabolic within prim and proper, vaguely British settings, the Edwardian Ball is a midwinter ode to woe. From the haunting disharmonies of Rosin Coven to the voluptuous vigor of the Vau de Vire Society’s reenactment of Gorey tales, the ball — which now encompasses an entire three-day weekend — is a veritable bastion of dark-hued revelry and unfettered fetish.

www.myspace.com/edwardianball

BEST PROGRESSIVE LOUD ‘N’ PROUD

We love Stephen Elliott. The fearless writer, merciless poker opponent, and unrepentant romantic’s well-documented fall from political innocence — recounted in Looking Forward to It (Picador, 2004) and Politically Inspired (MacAdam/Cage, 2003) — has kept him plunged into the fray ever since. Like most other ongoing literary salons, Elliott’s monthly Progressive Reading Series offers a thrilling showcase of local and luminary talent, highlighting up-and-comers along with seasoned pros — shaken, stirred, and poured over ice by the unflappable bar staff at host venue the Make-Out Room. All of the proceeds from the door benefit selected progressive causes — such as, most recently, fighting the good fight against California state proposition 98. Books, booze, and ballot boxing — a good deed never went down more smoothly or with such earnest verbiage and charm.

www.progressivereadingseries.org

BEST UNDERAGE SANDWICH

When it comes to opportunities to see live independent music, most Bay Area venues hang kids under 21 out to dry. Outside of 924 Gilman in Berkeley and the occasional all-ages show at Bottom of the Hill, the opportunities are painfully sparse. But thanks to members of Bay Area show promotion collective Club Sandwich, the underground music scene is becoming more accessible. Committed to hosting exclusively all-ages shows featuring under-the-radar local and national touring bands, Club Sandwich has booked more than a hundred of them since 2006, ranging from better-known groups like No Age, Marnie Stern, and Lightning Bolt to more obscure acts like South Seas Queen and Sexy Prison. Club Sandwich shows tend to cross traditional genre boundary lines (noise, punk, folk, etc.), bringing together different subcultures within the Bay Area’s underground music scene that don’t usually overlap. And the collective organizes shows at wildly diverse venues: from legitimate art spaces like ATA in San Francisco and Lobot in Oakland to warehouse spaces and swimming pools.

www.clubsandwichbayarea.com

BEST BEER PONG PALACE

Pabst Blue Ribbon, American Spirits, track bikes, tattoos, stretchy jeans, slip-ons, facial hair, Wayfarers. Blah, blah, blah. If you live in the Mission — and happen to be between 22 and 33 years old — you see it all, every night, at every bar in the hood. Boooring. If you’re sick of all the hipster shit, but not quite ready to abandon the scene entirely, take a baby step over to the Broken Record, a roomy dive bar in the Excelsior that serves gourmet game sausage, gives away free beer every Friday(!), rents out Scrabble boards, and isn’t afraid to drop the attitude and get down with a goofy night of beer pong or a bar-wide foosball match. The cheap swill, loud music, and street art will make you feel right at home, but the Broken Record’s decidedly Outer Mission vibe will give you a much-needed respite from the glam rockers, bike messengers, “artists,” and cokeheads you have to hang out with back in cool country.

1166 Geneva, SF. (415) 255-3100

BEST VOLUPTUOUS VISIBILITY

Every June, the Brava Theater quietly morphs into the center of the known universe for queer women of color. And what a delectable center it is. Over the course of three days, the Queer Women of Color Film Festival, produced by the Queer Women of Color Media Arts Project, screens more than 30 works by emerging filmmakers for a raucously supportive audience — an audience that happens to be cute as all hell. In fact, some would call the festival the cruising event of the year for queer women of color. Of course, the films are worth scoping too. Students of QWOCMAP’s no-cost Filmmaker Training Program create most of the festival’s incredible array of humorous and sensitive films, which explore topics such as romance and family ties. For festivalgoers, this heady mixture of authentic representation, massive visibility, and community pride (all screenings are copresented with social justice groups) is breathtakingly potent. It’s no wonder a few love connections are made each fest. Want just a little more icing on that cake? All screenings are free.

(415) 752-0868, www.qwocmap.org

BEST DANCE-FLOOR FLICKS FIX

The San Francisco Film Society is best known for putting on America’s oldest film fest, the San Francisco Film Festival. But the organization also hosts a TV show, publishes an amazingly vibrant online magazine, and throws a slew of events throughout the year under its SF360 umbrella, a collection of organizations dedicated to covering film in San Francisco from all angles. There’s SF360 movie nights held in homes across the city, Live at the Apple Store film discussions, and special screenings of hard-to-see films held at theaters throughout the Bay Area. But our favorite SF360 shindig is its monthly SF360 Film+Club Night at Mezzanine, which screens underground films to a room of intoxicated cinephiles who are encouraged to hoot, holler, and at times — like during the annual R. Kelly Trapped in tha Closet Singalong — flex their vocal cords. Past Film+Club screenings have included a B-movie skate-film retrospective, prescreenings of Dave Eggers’s Wholphin compilations, and an Icelandic music documentary night, at which, we’ll admit, we dressed up like Björk.

www.sf360.org

BEST HORIZONTAL MAMBO ON HIGH


Project Bandaloop: Best Horizontal Mambo on High
PHOTO BY TODD LABY

Normally when one mentions doing the horizontal mambo, nudges and winks ensue. But when Project Bandaloop gets together to actually do it, the group isn’t getting freaky, it’s getting wildly artistic — hundreds of feet up in the air. The aerial dance company creates an exhilarating blend of kinetics, sport, and environmental awareness, hanging from bungee cords perpendicular to tall building walls. The troupe is composed of climbers and dancers, who rappel, jump, pas de deux, and generally do incredibly graceful things while hoisted hundreds of feet up in the air. Founded in 1991 and currently under the artistic direction of Amelia Rudolph, Project Bandaloop’s company of dancer-athletes explores the cultural possibilities of simulated weightlessness, drawing on a complete circumferential vocabulary of movement to craft site-specific dances, including pieces for Seattle’s Space Needle and Yosemite’s El Capitan. (Once it even performed for the sheikh of Oman.) Now, if there were only a way to watch the rapturous results without getting a stiff neck.

(415) 421-5667, www.projectbandaloop.org

BEST YODELALCOHOL

From the sidewalk, Bacchus Kirk looks like so many other dimly lit San Francisco bars. Yet to walk inside is to step into a little bit of Lake Tahoe or the Haute-Savoie on the unlikely slopes of lower Nob Hill. With its raftered A-frame ceiling, warm wood-paneled walls, and inviting fireplace, the alpine Bacchus Kirk only needs a pack of bellowing snowboarders to pass as a ski lodge — albeit one that provides chocolate martinis, raspberry drops, and mellow mango cocktails rather than hot cocoa, vertiginous funicular rides, and views of alpenhorn-wielding shepherds. This San Francisco simulation of the après-ski scene is populated by a friendly, low-key crowd of art students, Euro hostelers, and diverse locals — no frosty snow bunnies here — drawn by the congenial atmosphere, the pool table, and that current nightlife rarity, a smoking room. Tasty drinks and lofty conversation flow freely: if you leave feeling light-headed, you won’t be able to blame it on the altitude.

925 Bush, SF. (415) 474-4056, www.bacchuskirk.org

BEST COCKTAILS WITH CANINES

Plenty of bars around town call themselves pooch-friendly — as if a pampered shih tzu housed in a Paris Hilton wannabe’s purse, its exquisitely painted paw-nails barely deigning to rest atop the bar, represents the be-all and end-all of canine cocktail companionship. The Homestead, however, goes the extra mile to make four-legged patrons of all shapes and sizes at home with its “open dog” policy. Permanently stationed below the piano is a water dish, and the bar is stocked with an ample supply of doggie treats. At slack times, the bartenders will even come out from behind the bar to dispense said treats directly to their panting customers. Talk about service! As for the bipeds, they will undoubtedly appreciate the Homestead’s well-worn 19th-century working-class-bar decor (complete with a potbellied stove!) and relaxed modern-day atmosphere. It’s the perfect spot to catch up with old friends — either furry or slightly slurry — and make a few new ones.

2301 Folsom, SF. (415) 282-4663

BEST VISA TO MARTINI VICTORY


Bartender Visa Victor: Best Visa to Martini Victory
PHOTO BY NEIL MOTTERAM

When überfancy personalized cocktails started popping up all over town, it was only a matter of time before we of the plebeian class started demanding our fair share. Looking to be poured something special, but can’t afford a drink at Absinthe? Want to sample a few stupendously constructed tipples in the Bourbon and Branch vein with limited ducats? Score: Visa Victor the bartender has what you want. Once a journeyman slinger, Visa has started filling regular shifts — typically Wednesdays and Sundays — at Argus Lounge on Mission Street. What he offers: his own DJ, a well-populated e-mail list of fans, and an array of unique ingredients including rare berries, savory herbs, and meat. Yes, meat — his recent bacon martini turned out to be not just an attempt to tap into the city’s growing “meat consciousness” but damn good to boot. And hey, we didn’t have to take out a phony second mortgage to down it.

BEST JAZZ JUKE

Pesky Internet jukeboxes are everywhere: any decent night out can be ruined by some freshly 21-year-old princess bumping her “birthday jam” incessantly. The old-school jukebox, on the other hand, has the oft-undervalued ability to maintain a mood, or at least ensure that you won’t be “bringing sexy back” 27 times in one evening. Aub Zam Zam in the Upper Haight maintains an exceptional jukebox chock-full of timeless blues, jazz, and R&B slices. Selections include Robert Johnson, Miles Davis, Louis Armstrong, Bessie Smith, Taj Mahal … the list of smooth crooners and delicate instrumentalists goes on and on. This is in perfect keeping with Aub Zam Zam’s rep as a mighty fine cocktail lounge, established in the 1940s. New owner Bob Clarke has made the place a lot more welcoming than it was in the days of notoriously tyrannical founder Bruno, who proudly boasted of 86ing 80 percent of the Zam Zam’s would-be customers. But Clarke’s kept at least one thing from Bruno’s days besides mouthwatering drinks: his favorite juke jams.

1633 Haight, SF. (415) 861-2545

BEST FUNNY UH-OH

It’s hard to tell if the entity known as Something with Genitals is a comedy act or a cultural experiment designed to monitor human behavior under unusual circumstances. Take, for example, the night one member of this duo, sometimes trio, of dudes made his way through the crowded Hemlock Tavern on cross-country skis. When he finally maneuvered himself onto the stage, the lights went out and the show was over. Sometimes no one gets onstage at all. Instead the audience gets treated to one of the group’s ingeniously simple short films, which are way better at summing up every one-night stand you’ve had than a regular joke with a punch line. Check out their video on MySpace of a guy who strikes up a conversation with a shrub on some Mission District street, invites it to a party, offers it a beer, asks it to dance, shares some personal secrets and heartfelt dreams, then proceeds to drunkenly fuck it, and you’ll wonder if they’ve been reading your diary. Funny uh-oh, not funny ha-ha.

www.myspace.com/somethingwithgenitals

BEST WEIRD EYE FOR WEIRD TIMES

Even if you’re not in the market for stock footage — the chief focus of Oddball Film + Video, which maintains an archive crammed with everything from World War II clips to glamour shots of TV dinners circa 1960 to images of vintage San Francisco street scenes — you can still take advantage of this incredible resource. Director and founder Stephen Parr loves film, and he loves the unusual; lucky for us, he also loves sharing his collection with the public. RSVPs are essential to attend screenings at the small space, which in recent months has hosted such programs as “Shock! Cinema,” a collection of hygiene and safety films (Narcotics: Pit of Despair) from bygone but no less hysterical eras, and “Strange Sinema,” featuring yet-to-be-cataloged finds from Oddball’s ever-growing library (a 1950s dude ranch promo, an extended trailer for 1972 porn classic Behind the Green Door). Other past highlights have included programs on sex, monkeys, India, and avant-gardists and nights with guest curators like Los Angeles “media ecologist” Gerry Fialka.

275 Capp, SF. (415) 558-8117, www.oddballfilm.com

BEST SWEET ISLE OF ROCK

It doesn’t get much sweeter, in terms of massive multistage music gatherings soaked with mucho cerveza and plenty of sunshine: looking out over the bay at our sparkling city from the top of a Ferris wheel as Spoon gets out the jittery indie rock on the main stage below. That was the scene at last year’s inaugural two-day Treasure Island Music Festival, a smooth-sailing dream of a musical event presented by the Noise Pop crew and Another Planet Entertainment. The locale was special — how often do music fans who don’t live or work on the isle ever get out to that human-made spot, a relic from the utopian era of “We can do it!” engineering and World’s Fairs. The shuttles were plentiful and zero emission. The food was reasonably priced, varied, and at times vegetarian. About 72 percent of the waste generated by the fest was diverted to recycling and composting. Most important, the music was stellar: primo critical picks all the way. This year’s gathering, featuring Justice, Hot Chip, and the Raconteurs, looks to do even better.

www.treasureislandfestival.com

BEST WHITE-HOT WALLS

Pristine walls couldn’t get much more white-hot than at Ratio 3 gallery. Chris Perez has a nose for talent — and an eye for cool — when it comes to programming the new space on Stevenson near SoMa. The curator has been on a particular roll of late with exhibitions by such varied artists as psychedelia-drenched video installationist Takeshi Murata, resurgent abstractionist Ruth Laskey, and utopian beautiful-people photog Ryan McGinley, while drawing attendees such as Mayor Gavin Newsom and sundry celebs to openings. Perez also has a worthy stable of gallery artists on hand, including local legend Barry McGee (whose works slip surprisingly well among recent abstract shows at the space), rough-and-ready sculptor Mitzi Pederson, op-art woodworker Ara Peterson, and hallucinatory dreamscape creator Jose Alvarez. Catch ’em while the ratio is in your favor.

1447 Stevenson, SF. (415) 821-3371, www.ratio3.org

BEST ON-SCREEN MIND WARP

When edgy director of programming Bruce Fletcher left the San Francisco Independent Film Festival (IndieFest), fans who’d relied on his horror and sci-fi picks were understandably a little worried. Fortunately, Fletcher’s Dead Channels: The San Francisco Festival of Fantastic Film proved there’s room enough in this town for multiple fests with an eye for sleazy, gory, gruesome, unsettling, and offbeat films, indie and otherwise. There’s more: this summer Dead Channels teamed up with Thrillpeddlers to host weekly screenings at the Grand Guignol theater company’s space, the Hypnodrome. “White Hot ‘N’ Warped Wednesdays” are exactly that — showcasing all manner of psychotronica, from Pakistani gore flick Hell’s Ground to culty grind house classics like She-Freak (1967). Come this October, will the Dead Channels fest be able to top its utterly warped Hump Day series? Fear not for the programming, dark-dwelling weirdos — fear only what’s on the screen.

www.deadchannels.com

BEST BACKROOM SHENANIGANS

Everyone knows when Adobe Books’ backroom art openings are in full swing: the bookstore is brightly lit and buzzing at an hour when most other literature peddlers are safely tucked in bed, the crowd is spilling onto the 16th Street sidewalk, and music might be wafting into the night. Deep within, in the microscopic backroom gallery, you might discover future art stars like Colter Jacobsen, Barbra Garber, and Matt Furie, as well as their works. Call the space and its soirees the last living relic of Mission District bohemia or dub it a San Francisco institution — just don’t try to clean it up or bring order to its stacks. Wanderers, seekers, artists, and musicians have found a home of sorts here, checking out art, bickering over the accuracy and comprehensiveness of the time line of Mission hipster connections that runs along the upper walls, sinking into the old chairs to hang, and maybe even picking up a book and paging through.

3166 16th St., SF. (415) 864-3936, adobebooksbackroomgallery.blogspot.com

BEST HELLO MUMBAI


DJ Cheb i Sabbah at Bollyhood Café: Best Hello Mumbai
PHOTO BY NEIL MOTTERAM

India produces more movies than any other place on the planet, although you’d scarcely know it from the few that make it stateside. But the American Bollywood cult is growing, and Indian pop culture is dancing its eye-popping way into San Francisco’s heart with invigorating bhangra club nights and piquant variations on traditional cuisine. Bollywood-themed Bollyhood Café, a colorful dance lounge, restaurant, and bar on 19th Street, serves beloved Indian street food–style favorites, with tweaked names like Something to Chaat About, Bhel “Hood” Puri, and Daal-Icious. The joint also delights fans of the subcontinent with nonstop Bollywood screenings and parties featuring DJs Cheb i Sabbah and Jimmy Love of NonStop Bhangra. The crowd’s cute, too: knock back a few mango changos or a lychee martini and prepare to kick up your heels with some of the warmest daals and smoothest lassis (har, har) this side of Mumbai.

3372 19th St., SF. (415) 970-0362, www.bollyhoodcafe.com

BEST POP ‘N’ CHILL


Sheila Marie Ang at Bubble Lounge: Best Pop ‘N’ Chill
PHOTO BY NEIL MOTTERAM

When people get older and perhaps wiser, they begin to feel out of place in hipstery dive bars and tend to lose the desire to rage all night in sweaty dance clubs. But that doesn’t mean they don’t want to party; it just means they’d rather do it in a more sophisticated setting. Thank goddess, then, for Bubble Lounge, the Financial District’s premier purveyor of sparkling social lubricant. For a decade, this superswanky champagne parlor has dazzled with its 10 candlelit salons, each decked out with satin couches, overstuffed chairs, and mahogany tables. BL specializes in tasters, flights, and full-size flutes of light and full-bodied sparkling wines and champagnes. But if poppin’ bub ain’t your style, you can always go the martini route and order a specialty cocktail like the Rasmatini or the French tickler — whatever it takes to make you forget about the office and just chill.

714 Montgomery, SF. (415) 434-4204, www.bubblelounge.com

BEST REGGAE ON BOTH SIDES

Reggae may not be the hippest or newest music in town, but there are few other genres that can inspire revolutionary political thought, erase color lines, and make you shake your ass all at the same time. Grind away your daily worries and appreciate the unity of humanity all night long on both sides of the bay — second Saturdays of the month at the Endup and fourth Saturdays at Oakland’s Karibbean City — at Reggae Gold, the Bay Area’s smoothest-packed party for irie folk and dance machines. Resident DJs Polo Moquuz, Daddy Rolo, and Mendoja spin riddim, dancehall, soca, and hip-hop mashup faves as a unified nation of dub heads rocks steady on the dance floor. Special dress-up nights include Flag Party, Army Fatigue Night, and the Black Ball, but otherwise Reggae Gold keeps things on the classy side with a strict dress policy: no sneakers, no baseball caps, no sports attire, and for Jah’s sake, no white T-shirts. This isn’t the Dirty South, you know.

www.reggaegoldsf.com

BEST MEGACLUB REINCARNATION

Its a wonder no one thought of it before. Why not combine green business practices with a keen sense of after-hours dance floor mayhem, inject the whole enchilada with shots of mystical spirituality (giant antique Buddha statues, a holistic healing center) and social justice activism (political speaker engagements, issue awareness campaigns), attach a yummy Thai restaurant, serve some fancy drinks, and call it a groundbreaking megaclub? That’s a serviceably bare-bones description of Temple in SoMa, but this multilevel, generously laid out mecca for dance music lovers is so much more. Cynical clubgoers like ourselves, burnt out on the steroidal ultralounge excesses of the Internet boom, cast a wary eye when it was announced that Temple would set up shop in defunct-but-still-beloved club DV8’s old space, and feared a mainstream supastar DJ onslaught to cover the costs. Temple brings in the big names, all right, but it also shows much love for the local scene, giving faves like DJ David Harness and the Compression crew room to do their thing. The sound is impeccable, the staff exceedingly friendly, and even if we have to wade politely but firmly through some bridge and tunnel crowd to get to the dance floor, we can use the extra karma points.

540 Howard, SF. www.templesf.com

BEST BANGERS AND FLASH


Blow Up: Best Bangers and Flash
PHOTO BY MELEKSAH DAVID

Disco, house, techno, rave, hip-hop, electroclash … all well and good for us old-timers who like to stash our pimped-out aluminum walkers in the coat check and “get wild” on the dance floor. But what about the youth? With what new genre are they to leave their neon mark upon nightlife? Which party style will mark their generation for endless send-ups and retro nights 30 years hence? The banger scene, of course, fronting a hardcore electro sound tinged with sweet silvery linings and stuttery vocals that’s captured the earbuds and bass bins of a new crop of clubbers. Nowhere are the bangers hotter (or younger) than at the sort-of weekly 18-and-over party Blow Up at the Rickshaw Stop, now entering its third year of booming rapaciousness. Blow Up, with resident DJs Jeffrey Paradise and Richie Panic and a mindblowing slew of globe-trotting guests, doesn’t just stop with killer tunes — almost all of its fabulously sweat-drenched, half-dressed attendees seem to come equipped with a digital camera and a camera-ready look, as befits the ever-online youth of today. Yet Blow Up somehow leaves hipper-than-thou attitude behind. Hangovers, however, often lie ahead.

www.myspace.com/blow_up_415

BEST SCRIBBLER SMACKDOWN

It may not be the Saudi tradition of dueling poets, in which two men swap lines until one can’t think of any more couplets (and is severely punished), but the Literary Death Match series, put on by Opium magazine, is San Francisco’s excellent equivalent, though perhaps less civilized. Try to remember the last poetry reading you attended. Tweedy professors and be-sweatered Mary Oliver acolytes, right? Literary Death Match is not this mind-numbing affair. It’s competitive. It’s freaking edge-of-your-seat. And everyone’s drunk. Readers from four featured publications, either online or in print, do their thing for less than 10 minutes, and guest “celebrity” judges rip participants apart based on three categories: literary merit, performance, and “intangibles” (everything in between). Two finalists duke it out to the literary death until one hero is left standing, unless she or he’s been hitting up the bar between sets. Who needs reality television when we’ve got San Francisco’s version — one in which literary aspirations breed public humiliation, with the possibility of geeky bragging rights afterward?

Various locations. www.literarydeathmatch.com

BEST MISTRESS OF MOTOWN

Drag queens — is there nothing they can’t make a little brighter with their glittering presence? Squeeze a piece of coal hard enough between a perma-smiley tranny’s clenched cheeks and out pops cubic zirconium, dripping with sparkling bon mots. Yet not all gender illusionists go straight for ditzy comic gold or its silver-tongued twin, cattiness. Some “perform.” Others perform. And here we must pause to tip our feathery fedora to she who reps the platinum standard of awe-inspiring cross-dressing performance: Miss Juanita More. No mere Streisand-syncher, class-act Juanita dusts off overlooked musical nuggets of the past and gives them their shiny due. Despite punk-rock tribute trends and goth night explosions, Juanita’s focus stays primarily, perfectly, on that sublime subcultural slice of sonic history known formerly as “race music” and currently as R&B. Her dazzling production numbers utilize large casts of extras, several acts, and impeccable costumery that pays tribute to everything from Scott Joplin’s ragtime to Motown’s spangled sizzle, dirty underground ’70s funk to Patti LaBelle’s roof-raising histrionics. When she’s on spliff-passing point, as she so often is, her numbers open up a pulse-pounding window into other, more bootyful, worlds.

www.juanitamore.com

BEST AMBASSADORS OF DREAD BASS

That cracked and funky dubstep sound surged through Clubland’s speakers last year, an irresistible combination of breakbeats energy, dub wooziness, sly grime, intel glitch, and ragga relaxation. Many parties took the sound into uncharted waters, infusing it with hip-hop hooks, Bollywood extravaganza, roots rock swing, or “world music” folksiness. But only one included all those variations simultaneously, while pumping local and international live acts, fierce visuals, multimedia blowouts, and an ever-smiling crowd of rainbow-flavored fans: Surya Dub, a monthly lowdown hoedown at Club Six. The Surya crew, including perennial Bay favorites DJ Maneesh the Twister and Jimmy Love, and wondrous up-and-comers like Kush Arora, Kid Kameleon, DJ Amar, Ripley, and MC Daddy Frank on the mic, describes its ass-thumping sound as “dread bass,” which moves beyond wordy genre description into a cosmic territory the rumble in your eardrums can surely attest to. Surya Dub keeps it in the community, too, helping to promote a growing network of citywide dubstep events and spreading their dread bass gospel with parties in India.

www.suryadub.com

BEST HELLA GAY BEST OF THE BAY

Very few things in this world are gay enough to warrant the Nor Cal Barney modifier “hella,” but for tattooed karaoke-master Porkchop’s sort-of-monthly series at Thee Parkside, Porkchop Presents, the term seems an understatement. At least three times a season, the mysterious Porkchop gathers her posse of scruffy boozehounds and butt-rockin’ hipsters to the best little dive bar in Potrero for a daylong celebration of the gayest shit on earth. Past events have included Hella Gay Karaoke, Hella Gay Jell-O Wrestling, a Hella Gay Beer Bust, and the all-encompassing nod to gaydom, Something Hella Gay, an ongoing event during which gay folks go drink-for-drink to see who’s the gayest of them all. Join Porkchop and her crew of lowbrow beer snobs at Thee Parkside for arm wrestling competitions, tattoo-offs, and hella gay sing-along battles. You probably won’t win anything because the competition is so stiff and the rules are so lax, but you can rest assured that the smell of stale cigarettes, cheap beer, and sweaty ass will stay in your clothes for at least a week after the show. And that’s all that really matters, isn’t it?

Best of the Bay 2009: Sports and Outdoors

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Best of the Bay 2009: Sports and Outdoors

Editors Picks: Outdoors and Sports

BEST “HOLY SH*T!”

Although it has only been a mere season and a half since Barry Bonds went loudly into a toxic sunset, the San Francisco Giants have already refocused with a formidable team of unlikely upstarts that boasts one of the best records in the National League. Built around a colorful but humble lineup of players with nicknames like the Freak, Big Unit, and Kung Fu Panda, the current Giants roster is everything that Bonds was not — egoless, team-oriented, and free of baggage. And just as the Tim Lincecum-<\d>led pitching staff was shaping up as the team’s best asset for a successful playoff bid, along comes 26-year-old left-hander Jonathan Sanchez, from a demotion in the bullpen, to throw a masterpiece of a pitching performance. The Sanchez no-hitter against the Padres on July 10 was the team’s first since 1976. It provided an up-from-the-ashes victory that invoked tremendous optimism for the future, to the point where you can already hear it, clear with conviction and confidence: “Beat L.A.! Beat L.A.!”

BEST KID-FRIENDLY SUICIDE RUN

Never underestimate the urge — especially in somber, grizzle-haired grown-ups and perfectly sensible adults — to jam shiny, decal-stickered helmets on one’s head before shrieking downhill in plastic toy vehicles, playfully jockeying with others all the way to the bottom. Having just completed its triumphant ninth annual run this past Easter, the annual Bring Your Own Big Wheel race is spastic, daredevil fun. Any form of transport is legal, as long as it’s human-powered and about a third your size. Past races have seen some imaginative entries: office chairs figured in one racer’s wobbly run, while others constructed iffy rides from wood planks, masking tape, and a few ingeniously placed nails. Outlandish costumes never hurt, either: Big Bird, bunnies, and aliens run rampant. Once held on Lombard Street, the event now careens down Potrero Hill’s twistier Vermont Street. The only thing you can’t bring is alcohol. Shucks.

www.jonbrumit.com/byobw

BEST WORKOUT WITH A TWIST

Is it wrong to be kind of turned on by the Victorian-bondage-looking machines at San Francisco Gyrotonic? Even the word “Gyrotonic” makes us gyrate suggestively in our minds. (Pervs!) Intimately connected to the dance community, the Gyrotonic exercise program is an intriguing new approach to working out. The Gyrotonic Expansion System was invented in the 1950s by ballet dancer Juliu Horvath after an Achilles injury left him unable to dance. The workout uses a contraption with raised pulleys, similar to a Pilates machine, but moves your joints in a circular rather than linear motion, training the body to be more flexible. Classes are taught by former ballerinas who’ve danced in companies such as the San Francisco Ballet, New York’s School of American Ballet, the Metropolitan Opera’s American Ballet Theatre, and San Francisco’s Alonzo King’s LINES. In terms of dance workouts, nothing could be further from Billy Blanks’ Tae Bo. The studio attracts a fleet of nimble, limber dance-types, but beginners should not be intimidated, nor overexcited.

26 Seventh St. # 4, SF. (415) 863-3719, www.sfgyrotonic.com

BEST YO-YO WHAT’S UP

If we’ve learned anything from the most recent technological revolution, it’s that nerds are way cooler than we thought they were. “I’m a music nerd,” people will proudly say, or “I’m an art nerd.” Identifying as a nerd grants substantial cultural capital — and not just in a lame hipster sense, like when people wear glasses without lenses or pretend to appreciate B-movies. Skateboarders, cyclists, and gamers are good examples of this phenomenon, but none of these subcultures has a more nonconformist, fuck-you attitude than that of the gonzo yo-yo enthusiast. It’s true that yo-yo champion David Capurro and the other members of his local club, the Spin Doctors, probably spend their weekends practicing barrel rolls and smashers instead of drinking, dancing, and posing. But, well, come on, that shit’s for nerds. Cool people have better things to do … like winning tournaments, inventing new tricks, and traveling the world to battle other crews.

www.spindox.org

BEST WAY TO GET BLOWN AWAY

Perhaps you’ve seen kiteboarders skimming across the water like wakeboarders and flittering aloft, gliding like skydivers. If you’ve yearned to partake in the strange but intriguing sport of kiteboarding, but didn’t know where to start, look no further than Boardsports School and Shop. With three locations and plenty of certified instructors, it’s the most facilitative wind and board shop on the bay. Whether it’s kitesurfing, windsurfing, kiteboarding on land, or even stand-up paddle boarding, the staff can help you find what you’re after (don’t be put off by the dude-bro locutions) and teach you how to catch some major air safely. Boardsports has exclusive teaching rights in two of the bay’s best beginner spots, Alameda’s Crown Beach and Coyote Point in San Mateo, and offers lessons for first-time kite flyers or can arrange pro instruction for experienced boarders looking to push their skills to the next level. Boardsports also offers tidy deals on kite packages and equipment to help you lift off without lifting your wallet.

(415) 385-1224, www.boardsportsschool.com

BEST WET PUCKS

The Brits have started some internationally contagious sports, like football (soccer) and cricket. Now underwater hockey, which English divers created in the 1950s, is grabbing Americans’ attention. Locals are quickly jumping into the game with the San Francisco Underwater Hockey club. If you like swimming, dip your toes in new water and give it a shot. Sean Avent of the San Francisco Sea Lions club team explains its appeal: “Holding your breath, wearing a Speedo, and swimming after a lead puck on the bottom of a swimming pool is no more obtuse than trying to pummel a guy who is carrying a pigskin ball and armored in high-tech plastic. People, in general, are just more familiar with the latter of the two obtuse sports. And the first is just way more fun.” Pay $4 at the door of one of the games to try it out, or join the club and play in the Presidio or Bayview pools at a low cost.

www.underwater-society.org/uwhockey/sanfran

BEST YOGA WITH THE FISHES

Million Fishes Gallery, one of our favorite artist collectives in San Francisco, isn’t just an awesome place to see great exhibits by a revolving door of local artists and to catch raging late-night shows featuring bands like Jonas Reinhardt, Erase Errata, Tussle, and Lemonade. It also provides an effective and inexpensive way to get your rejuvenating twice-weekly yoga fix. Instructor Beth Hurley teaches a 90-minute vinyasa yoga class from 6:30 to 8 p.m. on Tuesdays and Thursdays at the gallery’s yoga studio (yeah, this artist space comes with its own yoga studio) that draws a nice mix of artists, Mission locals, yoga enthusiasts, and those who see the benefit in working out before hitting up El Metate next door. Hurley’s sessions are $7 to $11, which firmly places them among the least expensive yoga classes in San Francisco, and safeguards you from having to deal with yuppie yogis in head-to-toe Lululemon.

2829 23rd St., SF. www.millionfishes.com

BEST EYE-WATERING MEMORABILIA

Mission restaurateur Scott Youkilis has turned out quality American fare at Maverick for a few years now, while his brother Kevin continues to play at an MVP pace for the Boston Red Sox. Scott bottles a great homemade hot sauce; Kevin hits two-out home runs in the bottom of the ninth against the New York Yankees. Could there possibly be a way to merge these exceptional fraternal talents? Voilà: Youk’s Hot Sauce, a condiment that attempts to bottle the potency of Kevin’s hitting abilities with the flavor of Scott’s Southern-tinged cuisine. Available at Maverick or online, bottles go for $10 each, or $25 with Kevin’s autograph, and portions of all proceeds go to Kevin’s charity, Youk’s Hits for Kids. It’s a hot souvenir from a future Hall of Famer for the legions of Red Sox fans that make the Bay Area their home away from Fenway.

3316 17th St., SF. (415) 863-3061, www.sfmaverick.com, www.youkshotsauce.com

BEST NATIVE WORKOUT

When it comes to getting in shape, it’s almost a crime to have a gym membership in San Francisco. We live in the almost perpetually golden state of California, not Wisconsin in the third week of January. So get the hell outside and tackle some hills or run along the beaches. Better yet, do both with the Baker Beach Sand Ladder. Long known to local triathletes as an endurance-crushing beast, the sand ladder is 400 sheer steps of pulse-pounding “I think I’m gonna die” workout, set against the spectacular backdrop of the Pacfic Ocean flowing into the Golden Gate. Minus the cardiac arrest, it sure beats the fluorescent lighting, smelly funk, and steroidal carnival music of your local gym. The simple fact of the matter is that when you can run nonstop to the top of the sand ladder you’re officially in good shape. And best of all, it’s free.

25th Ave. and El Camino del Mar, SF. www.nps.gov

BEST BITCH-SLAP FOR THE ENVIRONMENT

Chevron has always been one of the Bay Area’s more vile corporations, whether it’s lobbying aggressively against global warming legislation or polluting communities from Richmond to Ecuador, all the while greenwashing its image with warm and fuzzy (and highly deceptive) advertising campaigns. That’s why we love to see groups such as the rainforest-protecting Amazon Watch and its anti-Chevron allies giving a little something back. Before this year’s Chevron shareholders meeting in San Francisco, activists plastered fake Chevron ads (“I will not complain about my asthma” and “I will give my baby contaminated water”) all over the city and staged creative protests outside the event. Ditto when Chevron CEO David O’Reilly spoke at the Commonwealth Club in May, sending Chevron goons into a paranoid frenzy. Amazon Watch and other groups are winning some key battles — voters recently approved steep tax increases on Chevron’s Richmond refinery, and a judge rejected plans to expand the facility. To which we can only say, “Hit ’em again!”

www.amazonwatch.org

BEST PUBLIC ACOUSTIC COCOON

Ear-piercing squeals, gut-rumbling skronks, the occasional wet fart sound — these are the unfortunate hallmarks of beginning brass instrumentalists. Those living in a city as dense and sensitive as our own have it rough when they want to work out their kinks: neighbors who sleep during the day or get up early yell at them, passersby take none too kindly to the squawking on busy sidewalks, and soundproofed studio space is economically out of reach. For all who need a place to practice, there’s the blessing of the Conservatory Drive tunnel, which passes under John F. Kennedy Drive in Golden Gate Park. An array of practicing jazz combos and amateur tooters take up residence at the tunnel’s entrance during the day, providing entertainment to nearby Conservatory of Flowers visitors. The tunnel actually seems to crave music pouring into and echoing through its abyss — it forms a protective acoustic cocoon around performers that amplifies mellifluous passages and somehow blurs out less felicitous ones. Spontaneous jam sessions are common, so don’t sit on the grass — pick up your brass.

Conservatory Dr. and John F. Kennedy Dr., Golden Gate Park, SF

BEST MOUSETRAP FOR MINOTAURS

Little-known and charmingly miniscule, the Eagle Point Labyrinth is a jumble of twisty turns perched on the lip of a cliff near an offshoot of Lands End Trail. To reach it, you must set out with a compass in hand, hope in your heart, and fingers crossed. The labyrinth, one of three outdoor mazes known to exist in San Francisco, is a mysterious wonder that has so far avoided being marked on any map (although it can be glimpsed via a Google satellite image for those too faint to blindly wander in search of it). The superlative views it affords of the Golden Gate certainly justify hiking, sometimes panicked, through yards of unpruned foliage. The stone-heaped maze is handmade, and while we speculate about its mysterious origins — a mousetrap for Minotaurs, perhaps? — we can’t help but appreciate the karmic offerings of those who have reached the center before us, leaving a small pile of baubles. Mythic etiquette mandates you scoop up one of these and leave something of your own behind.

Lands End, Sutro Heights Park, SF.

BEST COMMUNITY STRETCH

Yearning to try yoga but needing to stretch your dollar? Every Monday through Thursday from 7:45 p.m. to 9:15 p.m., YogaKula packs its San Francisco location with eager newcomers for its affordable community class, available on a sliding scale ($8 to $16). Especially lively are the Monday and Wednesday classes with quirky and entertaining instructor Skeeter Barker, who offers genuine, palatable optimism and inspiration along with some much-needed recentering. Barker is an inspirational teacher who, as her Web profile says, “welcomes you to your mat, however you find yourself there.” Along with the community classes, YogaKula offers Anusara, a therapeutic style of yoga, in addition to a variety of other wellness practices. Its two locations — one at 16th Street and Mission, and one in North Berkeley — offer courses in yoga training, yoga philosophy, specialized workshops, Pilates, massage, and one-on-one yoga instruction.

3030A 16th St., SF. (415) 934-0000; 1700 Shattuck, Berk. (510) 486-0264, www.yogakula.com

BEST PLACE TO HIDE A JET

To be precise, the best place to hide a jet is behind Door 14 on the Alameda Naval Air Station. While many of the buildings on the former military base have been converted to civilian uses, such as sports clubs and distilleries, some continue to serve military functions, like storing the jet that used to be on display at the base’s portside entrance (until high winds blew it off its pedestal two winters ago). The naval station is also the perfect place to hide domesticated bunnies. A herd of them live in and around a tumbledown shed opposite the Port of Oakland. Then there are the jackrabbits, which flash across the base’s open spaces at night, hind legs glinting in the moonlight. It’s easy to miss the flock of black-crowned night herons, which pose one-legged every winter on the lawns of “The Great Whites”-<\d>houses where the naval officers once lived. But who could forget the hawk that roosts atop the Hangar One distillery and periodically swoops to grab a tasty, unsuspecting victim off the otherwise empty runways where The Matrix Reloaded was shot?

1190 W. Tower, Alameda

BEST PUTT-PUTT ON THE ‘CIDE

Since 1998, Cyclecide has been enchanting — and sometimes scaring — audiences with its punk rock-<\d>inspired, pedal-powered mayhem. But after 11 years of taking its bicycle-themed carnival rides, rodeo games, and live band to places like Coachella, Tour de Fat, and Multnomah County Bike Fair, the bicycle club is putting down roots, or rather, fake grass. This year the crew famous for tall bikes, bicycle jousting, and denim jackets with a cackling clown on the back is building Funland, an 18-hole mini golf course in the Bayview. Though sure to be fun for the whole family, rest assured that Funland will retain all of Cyclecide’s boundary-pushing humor and lo-fi sensibility. Yes, there will be a replica of the Golden Gate Bridge built by master welder Jay Broemmel, but you can also putt through Closeupofmyass, a landscape of rubber tubes springing from brown Astroturf. What else would you expect from a crew whose interests are “bikes, beer, and building stuff”?

www.cyclecide.com

BEST NO FRILLS FIRST AID

It’s nice for big companies to notice that women buy things other than cleaning supplies and facial cream. But do they have to make everything targeted toward the female demographic so freakin’ floral and pink and cloyingly girlie? Adventure Medical Kits — the Oakland-based company famous in sports circles for outfitting everyone from backcountry skiers to weekend car-campers with durable, complete first-aid packages — says a resounding no. Its women’s edition outdoor medical kit comes jam-packed with all the fixings adventurous boys get — wound care materials, mini tweezers, insect-bite salve, a variety of medications, and a first-aid booklet — plus a couple things only ladies need, like tampons, leak-safe tampon bags, menstrual relief meds, and compact expands-in-water disposable towels. And it’s all packaged in a sporty blue nylon bag that weighs less than a pound. No lipstick? No diet pills? No frilly, lacy case made to look like a purse or a bra or a tiny dog? We’re buying it.

www.adventuremedicalkits.com

BEST PLACE TO GET ROLLIN’

When one thinks of skate shops these days, one’s thoughts travel naturally to wicked Bloodwizard decks, Heartless Creeper wheels, and Venture trucks — everything you’d need to trick out your board before you cruise to Potrero de Sol. All those goodies are available at Cruz Skate Shop, as well as Lowcard tees, recycled skateboard earrings, Protec helmets, and much more. But boarding is boring. You’ve done it since you were 13. Isn’t it time to ditch that deck and take up a real sport like, say, roller skating? Hell, yes. And Cruz has everything you need to get started down that sparkly, disco-bumpy Yellow Brick Road to eight-wheelin’ Oz. From the fiercest derby-ready model to mudflap girl bootie shorts, this store will kit you up in the best way for your Sunday afternoon Golden Gate Park debut. We’re partial to the Sure-Grip Rock Flame set of wheels with, you guessed it, pink flames streaming up the toes. But an enticing array of more professional-looking speed skates is available, as is a knowledgeable staff to get you rollin’.

3165 Mission, SF. (415) 285-8833, www.cruzskateshop.com

BEST OF THE BAY ON THE BAY

If you’re looking to get on the water without getting wet, Ruby Sailing is an affordable option for you and your friends to get a taste of adventure. The Ruby sailboat has been taking guests around the bay for 25 years. For just $40 per person, owner and operator Captain Josh Pryor will lead you on a two and a half hour tour of the bay, passing Alcatraz and looping around Sausalito. Snacks are provided, and the skipper sells wine and beer by the glass for cheap. The Ruby is also available for fishing expeditions, including poles, bait, and tackle; for private parties up to 30 guests; for weddings; and even for funerals at sea. And since the boat boards at the Ramp restaurant on the Dogpatch waterfront, you’re covered for pre- and post-splash food and drink, if you have the stomach. No prior sailing experience is required, but, in the words of the skipper, “no two trips are the same,” so be ready to hang on.

855 Terry Francois, SF. (415) 272-0631, www.rubysailing.com

Best of the Bay 2009: Readers Poll Winners

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Best of the Bay 2009: Readers Poll Winners

Readers Poll — Food and Drink

BEST OVERALL RESTAURANT

Chez Panisse

1517 Shattuck, Berk. (510) 548-5525, www.chezpanisse.com

BEST NEW RESTAURANT

Sidebar

542 Grand, Oakl. (510) 452-9500, www.sidebar-oakland.com

BEST CAFÉ

Cafe Flore

2298 Market, SF. (415) 621-8579, www.cafeflore.com

BEST BOWL OF NOODLES

King of Thai

Various locations

BEST TAQUERIA

Taqueria Cancun

Various locations

BEST SMALL PLATES

Cha Cha Cha

1801 Haight, SF. (415) 386-7670; 2327 Mission, SF. (415) 824-1502, www.cha3.com

BEST SUSHI

Blowfish Sushi to Die For

2170 Bryant, SF. (415) 285-3848, www.blowfishsushi.com

BEST ITALIAN RESTAURANT

Delfina

3621 18th St., SF. (415) 552-4055, www.delfinasf.com

BEST MIDDLE EASTERN RESTAURANT

La Mediterranee

Various locations, www.cafelamed.com

BEST INDIAN RESTAURANT

Dosa

955 Valencia, SF. (415) 642-3672; 1700 Fillmore, SF. (415) 441-3672, www.dosasf.com

BEST LATIN AMERICAN RESTAURANT

La Mar Cebicheria

Pier 1 ½, SF. (415) 397-8880, www.lamarcebicheria.com

BEST ASIAN RESTAURANT

Slanted Door

1 Ferry Building, Suite 5, SF. (415) 861-8032, www.slanteddoor.com

BEST PIZZA

Little Star

846 Divisadero, SF. (415) 441-1118; 400 Valencia, SF. (415) 551-7827, www.littlestarpizza.com

BEST SANDWICH

Mr. Pickles

Various locations, www.mrpicklesinc.com

BEST BRUNCH

Ella’s

500 Presidio, SF. (415) 441-5669, www.ellassanfrancisco.com

BEST LUNCH

San Francisco Soup Company

Various locations, www.sfsoupco.com

BEST BURGER AND FRIES

BurgerMeister

Various locations, www.burgermeistersf.com

BEST BARBECUE

Big Nate’s

1665 Folsom, SF. (415) 861-4242

BEST RESTAURANT WITH A VIEW

Green’s

Building A, Fort Mason Center, SF. (415) 771-6222, www.greensrestaurant.com

BEST LATE-NIGHT RESTAURANT

Grubstake

1525 Pine, SF. (415) 673-8268, www.sfgrubstake.com

BEST SPLURGE RESTAURANT (MORE THAN $20 PER PERSON)

Boulevard

1 Mission, SF. (415) 543-6084, www.boulevardrestaurant.com

BEST CHEAP RESTAURANT (LESS THAN $6 PER PERSON)

Tu Lan

8 Sixth St., SF. (415) 626-0927, tulansf.blogspot.com

BEST APPETIZERS

Kokkari

200 Jackson, SF. (415) 981-0983, www.kokkari.com

BEST DESSERT

Mission Pie

2901 Mission, SF. (415) 282-1500, www.missionpie.com

BEST SERVICE

Gary Danko

800 North Point, SF. (415) 749-2060, www.garydanko.com

BEST VEGETARIAN RESTAURANT

Millenium

580 Geary, SF. (415) 345-3900, www.millenniumrestaurant.com

BEST VEGAN RESTAURANT

Café Gratitude

Various locations, www.cafegratitude.com

BEST COFFEEHOUSE

Blue Bottle

Various locations, www.bluebottlecoffee.net

BEST TEA SHOP

Lovejoy’s

1351 Church, SF. (415) 648-5895, www.lovejoystearoom.com

BEST OVERALL BAR

Broken Record

1166 Geneva, SF. (415) 963-1713, www.brokenrecordsf.com

BEST WINE BAR

Yield

2490 Third Street, SF. (415) 401-8984, www.yieldsf.com

BEST SELECTION OF BEERS

Toronado

547 Haight, SF. (415) 863-2276, www.toronado.com

BEST COCKTAILS

Alembic

1725 Haight, SF. (415) 666-0822, www.alembicbar.com

BEST BLOODY MARY

Zeitgeist

199 Valencia, SF. (415) 255-7505

BEST BAKERY

Tartine

600 Guerrero, SF. (415) 487-2600, www.tartinebakery.com

BEST BUTCHER SHOP

Drewes Bros. Meats

1706 Church, SF. (415) 821-0515, www.drewesbros.com

BEST CHEESE SHOP

Cheeseboard

1504 Shattuck, Berkeley. (510) 549-3183, www.cheeseboardcollective.coop

BEST CHOCOLATIER

Recchiuti

1 Ferry Building, Suite 30, SF. (415) 834-9494, www.recchiuti.com

BEST FARMERS MARKET

Ferry Plaza

1 Ferry Building, SF. (415) 983-8000, www.ferrybuildingmarketplace.com

BEST LOCAL PRODUCE DELIVERY SERVICE/CSA

Farm Fresh to You

1 Ferry Building, Suite 9, SF. (415) 834-9981, www.farmfreshtoyou.com

Readers poll — Arts and Nightlife

BEST MOVIE THEATER

Castro Theatre

429 Castro, SF. (415) 621-6120, www.castrotheatre.com

BEST REP FILM HOUSE

Red Vic

1727 Haight, SF. (415) 668-3994, www.redvicmoviehouse.com

BEST THEATER COMPANY

American Conservatory Theater

405 Geary, SF. (415) 749-2228, www.act-sf.org

BEST DANCE COMPANY

ODC

351 Shotwell, SF. (415) 863-6606, www.odcdance.org

BEST ART GALLERY

City Art Gallery

828 Valencia, SF. (415) 970-9900, www.cityartgallery.org

BEST MUSEUM

California Academy of Sciences

55 Music Concourse Dr., SF. (415) 379-8000, www.calacademy.org

BEST EMERGING ARTIST

Jacinta Vlach

www.jacintavlach.com

BEST ART COLLECTIVE

Root Division

3175 17th St., SF. (415) 863-7668, www.rootdivision.org

BEST LOCAL WRITER

Stephen Elliot

www.stephenelliott.com

BEST LOCAL ZINE

Hamburger Eyes

www.hamburgereyes.com

BEST LOCAL PUBLISHING HOUSE

Last Gasp

777 Florida, SF. (415) 824-6636, www.lastgasp.com

BEST LOCAL RECORD LABEL

Six Degrees

www.sixdegreesrecords.com

BEST DANCE CLUB

DNA Lounge

375 11th St., SF. (415) 626-1409, www.dnalounge.com

BEST ROCK CLUB

Bottom of the Hill

1233 17th St., SF. (415) 626-4455, www.bottomofthehill.com

BEST HIP-HOP CLUB

Club Six

60 Sixth St., SF. (415) 863-1221, www.clubsix1.com

BEST JAZZ CLUB

Yoshi’s

510 Embarcadero West, Oakl. (510) 238-9200; 1330 Fillmore, SF. (415) 655-5600, www.yoshis.com

BEST SALSA CLUB

Cafe Cocomo

650 Indiana, SF. (415) 824-6910, www.cafecocomo.com

BEST PUNK CLUB

Thee Parkside

1600 17th St., SF. (415) 252-1330, www.theeparkside.com

BEST AFTER-HOURS CLUB

Endup

401 Sixth St., SF. (415) 646-0999, www.theendup.com

BEST HAPPY HOUR

El Rio

3158 Mission, SF. (415) 282-3325, www.elriosf.com

BEST DIVE BAR

500 Club

500 Guerrero, SF. (415) 861-2500, www.fivehundredclub.com

BEST SWANKY BAR

Bourbon and Branch

501 Jones, SF. (415) 931-7292, www.bourbonandbranch.com

BEST TRIVIA NIGHT

Edinburgh Castle

950 Geary, SF. (415) 885-4074, www.castlenews.com

BEST JUKEBOX

Lucky 13

2140 Market, SF. (415) 487-1313

BEST KARAOKE BAR

The Mint

1942 Market, SF. (415) 626-4726, www.themint.net

BEST CLUB FOR QUEER MEN

Bearracuda

www.bearracuda.com

BEST CLUB FOR QUEER WOMEN

Lexington Club

3464 19th St., SF. (415) 863-2052, www.lexingtonclub.com

BEST CLUB FOR TRANNIES

Divas

1081 Post, SF. (415) 474-3482, www.divassf.com

BEST SINGER-SONGWRITER

Kitten on the Keys

www.suzanneramsey.net

BEST METAL ACT

Ludicra

www.myspace.com/ludicra

BEST ELECTRONIC MUSIC ACT

DJ Earworm

www.djearworm.com

BEST HIP-HOP ACT

Trackademicks

www.myspace.com/trackademicks

BEST INDIE ACT

Loquat

www.loquatmusic.com

BEST COVER BAND

Smash-Up Derby

www.smashupderby.com

BEST DJ

Richie Panic

www.richiepanic.com

BEST BURLESQUE ACT

Twilight Vixen Revue

www.twilightvixen.com

BEST DRAG ACT

Fauxnique

www.fauxnique.net

BEST COMEDIAN

Marga Gomez

www.margagomez.com

BEST MAGICIAN

Chin-Chin

www.chin-chin.com

BEST OPEN MIC NIGHT

Mondays at Hotel Utah

500 Fourth St., SF. (415) 546-6300, www.hotelutah.com

BEST LITERARY NIGHT

Writers with Drinks

www.writerswithdrinks.com

Readers Poll — Outdoors and Sports

BEST PROFESSIONAL SPORTS TEAM

San Francisco Giants

sanfrancisco.giants.mlb.com

BEST NON-PROFESSIONAL SPORTS TEAM

B.ay A.rea D.erby Girls

www.bayareaderbygirls.com

BEST GYM

Mission Cliffs

2295 Harrison, SF. (415) 550-0515, www.touchstoneclimbing.com/mc.html

BEST YOGA STUDIO

Yoga Tree

Various locations, www.yogatreesf.com

BEST DANCE STUDIO

Cheryl Burke

1830 17th St., SF. (415) 252-9000, www.cherylburkedance.com

BEST PUBLIC SPORTS FACILITY

AT&T Park

24 Willie Mays Plaza, SF. (415) 972-2000

BEST SPORTING GOODS STORE

Sports Basement

500 Bryant, SF. (415) 575-3000; 610 Old Mason, SF. (415) 437-0100, www.sportsbasement.com

BEST PLACE TO BUY CAMPING GEAR

REI

Various locations, www.rei.com

BEST PLACE TO BUY BIKES AND GEAR

Valencia Cyclery

1065 and 1077 Valencia, SF. (415) 550-6600, www.valenciacyclery.com

BEST PERSONAL TRAINER

Christabel Zamor

www.hoopgirl.com

BEST SKATE SPOT

Potrero del Sol

25th Street and Utah, SF

BEST PUBLIC POOL

Rossi Pool

600 Arguello, SF. (415) 666-7014

BEST SURF SPOT

Linda Mar

BEST PARK FOR HIKING

Land’s End

BEST NUDE BEACH

Baker Beach

BEST CLOTHED BEACH

Stinson Beach

BEST NATURE SPOT FOR PEOPLE WITH DISABILITIES

Crissy Field

BEST PICNIC SPOT

Dolores Park

BEST PUBLIC PARK

Golden Gate Park

BEST DOG PARK

Fort Funston

BEST CAMPGROUND

Angel Island

BEST PLACE TO WATCH THE SUNRISE

Twin Peaks

BEST PLACE TO WATCH THE SUNSET

Ocean Beach

BEST PLACE TO SEE THE STARS

Mt. Tamalpais

BEST CITY VISTA

Bernal Hill

Readers Poll — Shopping

BEST INDEPENDENT BOOKSTORE

Green Apple Books and Music

506 Clement, SF. (415) 387-2272, www.greenapplebooks.com

BEST USED BOOKSTORE

Green Apple Books and Music

BEST SPECIALTY BOOKSTORE

Green Arcade

1680 Market, SF. (415) 431-6800, www.thegreenarcade.com

BEST COMIC BOOK STORE

Isotope

326 Fell, SF. (415) 621-6543, www.isotopecomics.com

BEST MAGAZINE SELECTION

Fog City News

455 Market, SF. (415) 543–7400, www.fogcitynews.com

BEST PLACE TO BUY VINYL

Amoeba

1855 Haight, SF. (415) 831-1200; 2455 Telegraph, Berk. (415) 549-1225, www.amoeba.com

BEST PLACE TO BUY CDS

Amoeba

BEST PLACE TO RENT MOVIES

Le Video

1231 Ninth Ave., SF. (415) 566-3606, www.levideo.com

BEST CLOTHING STORE (WOMEN)

Ambiance

Various locations, www.ambiancesf.com

BEST CLOTHING STORE (MEN)

Sui Generis

2265 Market, SF. (415) 437-2265, www.suigenerisconsignment.com

BEST CLOTHING STORE (KIDS)

Peek-A-Boutique

1306 Castro, SF. (415) 641-6192, www.peekabootiquesf.com

BEST LOCAL DESIGNER

Colleen Mauer

3361 Mission, SF. (415) 637-7762, www.colleenmauerdesigns.com

BEST VINTAGE CLOTHING STORE

La Rosa

1711 Haight, SF. (415) 668-3744

BEST PLACE TO BUY EYEWEAR

City Optix

2145 Chestnut, SF. (415) 921-1188; 1685 Haight, SF. (415) 626-1188, www.cityoptix.com

BEST THRIFT STORE

Out of the Closet

Various locations, www.outofthecloset.org

BEST SHOE STORE

Shoe Biz

Various locations, www.shoebizsf.com

BEST NEW FURNITURE STORE

Propeller

555 Hayes, SF. (415) 701-7767, www.propellermodern.com

BEST SECOND-HAND FURNITURE STORE

Community Thrift

623 Valencia St. (415) 861-4910, www.communitythriftsf.org

BEST FLEA MARKET

Alameda Flea Market

2100 Ferry Point, Suite 100, Alameda. (510) 522-7500, www.antiquesbythebay.net

BEST HARDWARE STORE

Cole Hardware

Various locations, www.colehardware.com

BEST TOY STORE

The Ark

Various locations, www.thearktoys.com

BEST SHOP FOR PARENTS-TO-BE

Natural Resources

1367 Valencia, SF. (415) 550-2611, www.naturalresources-sf.com

BEST PET SHOP

B&B Pets

4820 Geary, SF. 1-866-476-7734, www.bandbpetsupplies.net

BEST QUIRKY SPECIALTY STORE

Five and Diamond

510 Valencia, SF. (415) 255-9747, www.fiveanddiamond.com

BEST ECO-FRIENDLY RETAILER

Rainbow Grocery

1745 Folsom, SF. (415) 863-0620, www.rainbow.coop

Readers Poll — Sex and Romance

BEST RESTAURANT TO SPARK ROMANCE

Chez Spencer

82 14th St., SF. (415) 864-2191, www.chezspencer.net

BEST ONLINE PERSONALS

Eros Guide

www.eros-guide.com

BEST PLACE TO MEET SOMEONE

Dolores Park Café

501 Dolores, SF. (415) 621-2936, www.doloresparkcafe.org

BEST FIRST DATE SPOT

Foreign Cinema

2534 Mission, SF. (415) 648-7600, www.foreigncinema.com

BEST PLACE FOR AN ILLICIT TRYST

Hot Tubs on Van Ness

2200 Van Ness, SF. (415) 441-8827, www.thehottubs.com

BEST BREAKUP SPOT

The Bitter End

441 Clement, SF. (415) 221-9538

BEST PLACE TO BUY WEDDING WEAR

Dark Garden

321 Linden, SF. (415) 431-7684, www.darkgarden.com

BEST PLACE TO GET HITCHED

City Hall

1 Dr. Carlton B. Goodlett Place, SF. (415) 554-6068, www.sfgov.org

BEST HOT TUB RENTAL

Piedmont Springs

3939 Piedmont, Oakland. (510) 652-9191, www.piedmontsprings.com

BEST FLOWER SHOP

Church Street Flowers

212 Church, SF. (415) 553-7762, www.churchstreetflowers.com

BEST COUPLES COUNSELOR

Dossie Easton

406 16th Ave., SF. (415) 752-7455, www.dossieeaston.com

BEST PLACE TO BUY LINGERIE

Dollhouse Bettie

1641 Haight, SF. (415) 252 7399, www.dollhousebettie.com

BEST PLACE TO BUY SEX TOYS

Good Vibrations

Various locations, www.goodvibes.com

BEST PLACE TO BUY FETISH GEAR

Mr. S and Madame S.

385 Eighth St., SF. (415) 863-9447, www.madame-s.com, www.mr-s-leather.com

BEST ADULT VIDEO STORE

Folsom Gulch

947 Folsom, (415) 495-6402

BEST STRIP CLUB

Lusty Lady

1033 Kearny, SF. (415) 391-3126, www.lustyladysf.com

BEST SEX CLUB

Eros

2051 Market, SF. (415) 255-4921, www.erossf.com

BEST CRUISING SPOT

Powerhouse

1347 Folsom, SF. (415) 552-8689, www.powerhouse-sf.com

BEST SEX-EDUCATION RESOURCE

Center for Sex and Culture

1519 Mission, SF. (415) 255-1155, www.centerforsexandculture.com

BEST SEX WRITER

Violet Blue

www.tinynibbles.com

Readers Poll — City Living

BEST LOCAL BLOG

Muni Diaries

www.munidiaries.com

BEST LOCAL WEB SITE

Broke Ass Stuart’s Goddamn Website

www.brokeassstuart.com

BEST TATTOO ARTIST

Idexa at Black and Blue

381 Guerrero, SF. (415) 626-0770, www.blackandbluetattoo.com

BEST TATTOO SHOP

Black Heart

177 Valencia, SF. (415) 431-2100, www.blackhearttattoosf.com

BEST POLITICIAN YOU LOVE TO HATE

Gavin Newsom

1 Dr. Carlton B. Goodlett Place, Room 200, SF. (415) 554-6141, www.sfgov.org

BEST POLITICIAN

Gavin Newsom

BEST LOCAL NONPROFIT

SF SPCA

2500 16th St., SF. (415) 554-3000, www.sfspca.org

BEST TV NEWSCASTER

Dana King, CBS 5

855 Battery St., SF. (415) 362-555, www.cbs5.com

BEST LOCALLY PRODUCED TV SHOW

Distortion 2 Static

570 Beale St, Suite 204, SF. www.distortion2static.com

BEST RADIO STATION

Energy, 92.7 FM

400 Second St., Suite 300, SF. (415) 356-1600, www.energy927fm.com

BEST STREET FAIR

Folsom Street Fair

965 Mission, Suite 200, SF. (415) 777-3247, www.folsomstreetfair.org

BEST DOG-WALKING SERVICE

Mighty Dog Walking

(415) 235-5151, www.mightydogwalking.com

BEST PET GROOMER

Little Ark

748 14th St., SF. (415) 626-7574

BEST VETERINARIAN

Especially Cats

1339 Taraval, SF. (415)-681-5553, www.especiallycats.com

BEST CAMP FOR KIDS

Camp Galileo

Various locations, www.galileo-learning.com

BEST DENTIST

Melissa Chavez, DDS

2460 Mission St. Suite 201, SF. (415) 821-0101

BEST DOCTOR

Erika Horowitz, ND

1615 20th St., SF. (415) 643-6600, www.somaacupuncture.com

BEST PLUMBER

ACE Plumbing and Rooter

945 Taraval, Suite 201, SF. (415) 824-6333, www.aceplumbingandrooter.com

BEST ELECTRICIAN

Wells Electrical

80 Duboce, SF. (415) 255-7831

BEST MOVING SERVICE

Delancey Street Movers

600 Embarcadero, SF. (415) 512-5110, www.delanceystreetfoundation.org

BEST MASSAGE THERAPIST

Joshua Alexander, CMT

29 Saturn, SF. www.joshuaalexandercmt.com

BEST ALTERNATIVE HEALING

Immune Enhancement Project

3450 16th St., SF. (415) 252-8711, www.iepclinic.com

BEST CAR MECHANICS

Art’s Automotive

2871 San Pablo Ave., Berkeley. (510) 540-7093, www.artsautomotive.com

BEST BICYCLE MECHANICS

Box Dog Bikes

494 14th St., SF. (415) 431-9627, www.boxdogbikes.com

BEST SALON

Edo Salon

601 Haight, SF. (415) 861-0131, www.edosalon.com

BEST DAY SPA

Blue Turtle

57 West Portal, SF., 170 Columbus, SF. (415) 699-8494, www.blueturtlespa.com

BEST SHOE REPAIR

Haight Street Shoe Repair

1614 Haight, SF. (415) 565-6710

BEST TAILOR

San Francisco Tailors

109 Geary, Suite M, SF. (415) 392-6611

BEST LOCAL ANIMAL RESCUE

Rocket Dog Rescue

(415) 642-4786, www.rocketdogrescue.org

BEST LAUNDROMAT

Brain Wash

1122 Folsom, SF. (415) 431-9274, www.brainwash.com

Readers Poll — Classics

BEST CLASSIC RESTAURANT

Zuni

1658 Market, SF. (415) 552-2522, www.zunicafe.com

BEST CLASSIC BAR

Specs’ Twelve Adler Museum

12 William Saroyan Pl., SF. (415) 421-4112

BEST MUSIC ORGANIZATION

San Francisco Gay Men’s Chorus

www.sfgmc.org

BEST ARTS ORGANIZATION

Intersection for the Arts

446 Valencia, SF. (415) 626-3311, www.theintersection.org

BEST CLASSIC RETAIL SHOP

City Lights

261 Columbus, SF. (415) 362-8193, www.citylights.com

BEST LANDMARK

Golden Gate Bridge

BEST HISTORICAL BUILDING

Ferry Building

BEST RESOURCE FOR BAY AREA HISTORY

California Historical Society

678 Mission, SF. (415) 357-1848, www.californiahistoricalsociety.org

BEST CLASSIC AUTHOR

Dashiell Hammett

BEST CLASSIC ARTIST

Ruth Asawa

BEST CLASSIC MUSICIAN

Carlos Santana

BEST CLASSIC ACTIVISTS

Del Martin and Phyllis Lyon

BEST CLASSIC POLITICIAN

Harvey Milk

BEST CLASSIC SONG ABOUT SAN FRANCISCO

“I Left My Heart in San Francisco”

BEST FILM MADE OR SET IN SAN FRANCISCO

Milk

Brunch fitness

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Brunch fitness

Good morning, sunshine! Or shall we say good afternoon? You are perhaps in need of a solid dose of protein, vitamin C, and a little hair of the dog in observance of this fine new trip around the sun? No worries — we are blessed to live in a city that takes its lingering late morning gluttony very seriously. Here are eight sites to struggle out to for New Year’s Day brunch.

FRONT PORCH

Get your beauty sleep before you’re ready to face the waiting lists and mimosa-or-bloody mary decision. You’ll fit right in with the crew at this South Mission favorite. Front Porch’s “fried and pickled” crab boil doesn’t start serving till noon. Couple your shellfish with a heaping side of black-eyed peas — traditional food for good luck in the new year — and nod your head to beats graciously supplied by KUSF’s DJ Adam.

65A 29th St., SF. (415) 695-7800. www.thefrontporch.com

FARMERBROWN

Where other chefs see the holidays as a chance to shill higher-priced, posh versions of their menu, farmerbrown is taking a different route. The industrial chic Tenderloin hot spot will be offering a discounted price tag on its popular brunch buffet this New Year’s Day. Sure, chef Jay Foster has a few tricks up his sleeve — almond and orange brioche french toast and fried catfish will find their way into grateful 2010 bellies — but $25 will still get you fed on Southern comfort food, drunk on a bottomless mimosa, and happy from sweet tunes by jazz group Blue Roots.

25 Mason, SF. (415) 409-FARM. www.farmerbrownsf.com

PRESIDIO SOCIAL CLUB

Originally built in 1903 as enlisted men’s barracks, the Social Club has a bygone-era atmosphere — a feeling echoed by their throwback 1960s brunch, heavy on the beignets and stick-to-your-ribs biscuits and gravy plates. On Jan. 1, it is also busting out $12 bottomless bloodys or Harvey Wallbangers — for the uninitiated, Mad Men-worthy cocktails made of vodka, Galliano, and orange juice.

563 Ruger, SF. (415) 885-1888. www.presidiosocialclub.com

MAMA’S

Fight the post-Christmas tourists to this old school North Beach spot, open for 40 years right across the street from Washington Square. Mama is taking advantage of this season’s iconic SF fruit of the sea by serving up a Dungeness crab benedict with fresh baby spinach ($11.50), or a crab omelet with avocado and brie ($18).

1701 Stockton, SF. (415) 362-6421. www.mamas-sf.com

BOARDROOM

What if you’re having trouble finding that after-after party and your stomach is starting to rumble? Enter this aesthetically pleasing sports bar, which starts its full brunch at 6 a.m., plying the “still awake and hungover” crowd with a $5 chicken and waffles special — a tradition that started last year. Also present: four televisions blasting college athletic competitions all day long to make intelligible conversation a non-issue.

1609 Powell, SF. (415) 982-8898. www.woodyzips.com

TRIPTYCH

This SoMa hangout is adding a few special New Year’s items to its already formidable brunch arsenal. They range from traditional (crabcake benedict with a side of sweet chile, english muffin, poached egg, and roasted potatoes for $12) to veggie-friendly fare (a Malibu organic garden burger made with wild rice, bell peppers, and oats for $8). Couple one of these plates with a side of Triptych’s crowd-pleasing sweet potato fries and an orange, mango, or raspberry mimosa ($8 a glass, $20 a pitcher) while you recap what dropped after the ball last night.

1155 Folsom, SF. (415) 703-0557. www.triptychsf.com

DOTTIE’S TRUE BLUE CAFE

Blessed/cursed with a worshipful crowd of customers (lines regularly extend out the door), Dottie’s is the spot for affordable breakfast classics to ring in 2010. This year it’ll be guaranteeing you prosperity with its traditional black-eyed pea cake, topped with sour cream and homemade pico de gallo and accompanied by eggs, a piece of grilled chile-cheddar cornbread, and home fries ($8.95). Now that’ll set you on your feet after a season of champagne and eggnog.

522 Jones, SF. (415) 885-2767

ZAZIE

Did you pass out before you had time to blow through all that cash in your wallet? If you’re part of the financially stable set, you can head to Cole Valley’s finest for its $39 prix fixe, which includes an appetizer, entrée, a half bottle of Charles de Fere champagne, a pitcher of your favorite juice, and espresso. Among your options are homemade cream cheese coffee cake, gingerbread pancakes with lemon curd and roasted Bosc pears, eggs monaco, and roasted white trout. That diet resolution can probably start tomorrow, right?

941 Cole, SF. (415) 564-5332. www.zaziesf.com

Game theory: The Emerald Bowl, 12/26/09

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Caitlin Donohue isn’t a sports writer. But she sure likes to win. Check out the last installment of “Game Theory” here. Oh, and give us a shout if you’ve got a big game coming up in the Bay.

shake.jpg
Oh hell yes, USC! You are so partying with the man-sized walnut tonight! Photo by Erik Anderson

The vendor held aloft his rain-soaked churro, blithely shouting his wares through the wet. His dogged enthusiasm for the task at hand echoed the general sentiment of the 2009 Emerald Bowl spectators. San Francisco’s only college football bowl game was a strictly rain-or-shine event, tied as it was to millions of dollars worth of endorsements, hotel rooms and sheer showmanship. Fact was, most of the fans in the audience seemed stoked to sit out in the 40-degree temperatures, chilling rain and maximum wind gusts of 18 mph to watch their teams battle it out in the spotlight for a day.

Did you know San Francisco hosts a college bowl game? You’re to be excused for your ignorance. As far as bowl games go, the Emerald Bowl is not a marquee event. It attracts good teams whose programs didn’t have the greatest year ever. 2009 saw the clash of USC and Boston College, whose mediocre records (USC 8-4, BC 8-4) belied the fact that the schools have storied football legacies.

They were both kind of surprised to be meeting each other in a slightly less glorious bowl game, but up for the challenge. “It was a good news bad news thing,” said first year BC coach Frank Spaziani of the moment he found out his Eagles would be taking on the legendary Trojans, winners of more bowl games than any other team in history. “Kind of like when your mother-in-law falls off a cliff.”

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I could have lied to you and said these fans were cheering for their football team in this photo. But in the spirit of journalistic integrity… they were freaking out over free T-shirts. Photo by Erik Anderson

Game Theory: USF Women’s Basketball vs. Tennessee 12/21/09

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By Caitlin Donohue

Sports give me that same special something that I love about all cultural events- even if you don’t know what the hell is going on, they’re great to project onto. The thrill of victory, the crush of defeat, these are clichés for a reason. You can dig an athlete’s face when they get that big win or fall down on their ass- whether you hit the courts on the regular or get more exercise on your daily commute (/flight from the cops/stripper pole).

So the Guardian’s getting physical, San Francisco. Here’s the first installation of our new local sport series, “Game Theory.” Feel free to holler at us if you’ve got a big game coming up.

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Lady Don Brittany Brumfield gets low on D against Tennessee. Photo by Erik Anderson

When we walked into the University of San Francisco War Memorial basketball court, the Lady Dons were down by twenty points. In the first quarter. Which would be a huge bummer if you didn’t take into account the following background informations:

Music listings

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Music listings

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 16

ROCK/BLUES/HIP-HOP

"Blue Bear School of Music Band Showcase" Café du Nord. 7:30pm, $12-20.

Geographer, Northern Key, DJ Elise, DJ Jacob Fury Harlot, 46 Minna, SF; www.tricycle-records.com. 9pm, $5.

Brian Glaze and the Night Shift, Dreamdate, Carletta Sue Kay Hemlock. 9pm, $6.

Heeldraggers, 49 Special Hotel Utah. 8pm, $8.

Misisipi Rider, Media Male, Geneva Pop Annie’s Social Club. 8pm, $6.

Provisionals, Worker Bee, Echo Location El Rio. 8pm, $5.

Rural Alberta Advantage, Shaky Hands, Sonny and the Sunsets Bottom of the Hill. 9pm, $10.

Adam H. Stephens, Two Sheds, Honey Rickshaw Stop. 8pm, $10.

Zodiac Death Valley, In the Dust, Groggs Elbo Room. 9pm, $6.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Pete Levin.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

Charlie Hunter Yoshi’s San Francisco. 8 and 10pm, $16-20.

Le Jazz Hot Hotel Rex, 562 Sutter, SF; (415) 398-6449. 6:30pm, $20.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Rolando Morales Biscuits and Blues. 8pm, $15.

Somerville and Keehan Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 17

ROCK/BLUES/HIP-HOP

Ambience, Ben Henderson, Cloud Archive Bottom of the Hill. 9pm, $8.

Blisses B, Bryn Loosley and the Back Pages, Tyler Matthew Smith Hotel Utah. 9pm, $6.

Noise/Experimental Night Amnesia. 9pm, $6. With Death Sentence Panda, San Francisco Water Cooler, Steve Reich’s Marimba Phase with David Douglass and William Winant, and Butterclaw.

Katie Garibaldi, Sandy Greenfield, Vice Grant and Green. 9pm, free.

John Németh Biscuits and Blues. 8pm, $18.

Officer Down, Street Justice Annie’s Social Club. 8pm, $7.

Sabertooth Zombie, Dcoi, Pullout, A Better Hope Foundation Thee Parkside. 9pm, $7.

Scrabbel, Seventeen Evergreen, Amores Vigilantes, DJ Neil Martinson Café du Nord. 9pm, $10.

Top Critters, Christmas G, La Corde Hemlock Tavern. 9pm, $6.

El Vez, Los Straitjackets Independent. 8pm, $20.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 8pm, $42.50-47.50.

Charlie Hunter Yoshi’s San Francisco. 8 and 10pm, $16-20.

Le Jazz Hot Shanghai 1930. 7pm, free.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Aoede, Ziva Hadar Duboce Park Café, 2 Sanchez, SF; (415) 621-1108. 7:30pm, free.

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Mission 3 Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with BaconMonkey, Netik, Mario Muse, and Unit 77.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Nightvision Harlot, 46 Minna, SF; (415) 777-1077. 9:30pm, $10. DJs Danny Daze, Franky Boissy, and more spinning house, electro, hip hop, funk, and more.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 18

ROCK/BLUES/HIP-HOP

Frank Bey Biscuits and Blues. 8 and 10pm, $22.

*Black Cobra, Fucking Wrath, Moses, Pins of Light, DJ Rob Metal Annie’s Social Club. 8:30pm, $8.

*Death Angel Slim’s. 9pm, $22.

Diego’s Umbrella, Superadventure Club, Gow to Win at Life Elbo Room. 9pm, $8.

Lady Genius, FOMA, Ian Fayes Hemlock Tavern. 9pm, $7.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Moonlight Orchestra, Montana 1948, Blue Rabbit Bottom of the Hill. 9:30pm, $10.

Mother Hips, Dawes, Parson Red Heads Great American Music Hall. 8:30pm, $20.

Lee "Scratch" Perry, Revival Sound System Independent. 9pm, $25.

Pink Mountain, T.I.T.S., Arrington De Dionyso, Work, Pink Canoes, Al Qaeda, Seven Lies About Girls Café du Nord. 8pm, free.

Steve Kimock Crazy Engine Fillmore. 9pm, $25.

Strange Angel Blues Band Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

El Ten Eleven, Sixteens, Choke Thee Parkside. 9pm, $7.

Yellow Dress, Quite Polite, Danger Babes Hotel Utah. 9pm, $6.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

"Brian Culbertson’s A Soulful Christmas" Yoshi’s San Francisco. 8 and 10pm, $28-35.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 8pm, $42.50-47.50.

Le Jazz Hot Mechanics’ Institute, 57 Post, SF; (415) 393-0100. 7:30pm, $18.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Regina Pontillo Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Terry Disley Experience Shanghai 1930. 7:30pm, free.

FOLK/WORLD/COUNTRY

Annie Bacon’s Folk Opera Kaleidoscope, 3109 24th St., SF; www.kaleidoscopefreespeechzone.com. 8pm, $5.

Bluegrass Bonanza Plough and Stars. 9pm.

Erin Brazil Live with special guests Dolores Park Café. 7:30pm, free.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Deathmas Ball Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $5. With DJs voodoo, Purgatory, and Starr spinning goth, industrial, deathrock, glam, and eighties.

Deep Fried Butter, 354 11th St., SF; (415) 863-5964. DJs jaybee, David Justin, and Dean Manning spinning indie, dance rock, electronica, funk, hip hop, and more.

Dubstep Holiday Party Club Six. 9pm. With DJs Matty G, Pawn, Ultra Violet, Roommate, and Ntrld.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Hellatight Amnesia. 9pm, $5. With DJs Asti Spumante and Vinnie Esparza spinning 80’s, soul, hip hop, and disco.

Hubba Hubba Revue DNA Lounge. 9pm, $10-15. With Meshugga Beach Party and burlesque performances.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

SATURDAY 19

ROCK/BLUES/HIP-HOP

Armada, Narwhal Brigade, Midnight Sun Hotel Utah. 9pm, $8.

Elvin Bishop Biscuits and Blues. 8 and 10pm, $35.

Corruptors, Spittin Cobras, It’s Casual, Euphoric Pork Annie’s Social Club. 9pm, $7.

John Freman Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Hepcat, Ron Silva and the Monarchs, DJ Selector Kirk Slim’s. 9pm, $23.

Rickie Lee Jones Fillmore. 9pm, $36.50.

Maniacal Rejects, Bullet 66, United Defiance Thee Parkside. 3pm, free.

Mother Hips, Or the Whale, Dave Gleason and the Golden Cadillacs Great American Music Hall. 8:30pm, $20.

Mushrooms, windy-gap Retox Lounge. 9pm, $7.

"Nat Keefe Concert Carnival" Independent. 9pm, $20-35. With Dave Brogran, Trevor Garrod, Fred Torphy, and more.

"Pirate Cat Radio Holiday Party and Fundraiser" Thee Parkside. 9pm, $8. With Persephone’s Bees, HeWhoCannotBeNamed and the Human Terrorist, Dirty Santas, Phantom Jets, and more.

Stomacher, Mata Leon, Halfway Bottom of the Hill. 10pm, $10.

Swann Danger, Guitar vs. Gravity, 2:Frail Hemlock Tavern. 9pm, $7.

Robin Thicke, Ryan Leslie and Laura Izibor Warfield. 8pm, $45.50-62.50.

Turbonegra, Minks, Remones El Rio. 9pm, $7.

Winter Fresh Club Six. 9pm, $10. Live R&B, soul, and hip hop with Sierra Makai, Donte Robinson, Love You Down Band, and more.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

"Brian Culbertson’s A Soulful Christmas" Yoshi’s San Francisco. 8 and 10pm, $35.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 7 and 9:30pm, $42.50-47.50.

"Jazz Jam Session with Uptime Jazz Group" Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.

Lisa Lindsley Shanghai 1930. 7:30pm, free.

Ricardo Scales Top of the Mark. 9pm, $15.

Lavay Smith and Her Red Hot Skillet Lickers Café du Nord. 9pm, $15.

Tin Cup Serenade Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

Bob Bradshaw Band Plough and Stars. 9pm.

Halau O Keikiali’I Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 7:30pm, $19.95.

Pulama Hukilau, 5 Masonic, SF; (415) 921-6242. 8pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Christmas by Okay-Hole Amnesia. 10pm, $4.

Cock Fight Underground SF. 9pm, $6. Locker room antics galore with electro-spinning DJs Earworm and Matt Hite and hostess Hugz Bunny.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Saturday Night Live Fat City, 314 11th St; selfmade2c@yahoo.com. 10:30pm.

Saturday Night Soul Party Elbo Room. 10pm, $10. With DJs Lucky, Phengren Oswald, and Paul Paul spinning 60s soul on 45s.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Surefire Sound Triple Crown. 10pm, $10. With DJs Vaccine, DJG, and Comma spinning dubstep.

TekAndHaus Anu, 43 6th St., SF; (415) 543-3505. 10pm, free. With DJs Adnan Sharif, Kuze, and Zenith spinning house, techno, and tech house.

Trannyshack DNA Lounge. 10pm, $20. Heklina and Peaches Christ co-host the 11th annual Trannyshack Star Search Competition.

SUNDAY 20

ROCK/BLUES/HIP-HOP

"Battle of the Bands" DNA Lounge. 5:30pm, $12. With Dead Immortal, Subtones, Defying Truth, Zutra, and more.

Brian Setzer Orchestra Warfield. 8pm, $55-69.50.

Ben Deignan, Austin Hartley Leonard Grant and Green. 9pm, free.

Molloy Family Album, Devotionals, Passenger and Pilot Hemlock Tavern. 9pm, $6.

Papa M, Jason Simon, Brookhaven Café du Nord. 8pm, $12.

Brittany Shane Mojito. 9:30pm, free.

T-Wrex and the Primitive Rhythm Maggie McGarry’s, 1353 Grant, SF; (415) 399-9020. 9pm, free.

Vienna Teng and Alex Wong Independent. 5 and 8pm, $25.

JAZZ/NEW MUSIC

"Brian Culbertson’s A Soulful Christmas" Yoshi’s San Francisco. 7 and 9pm, $28-35.

Hiroshima Rrazz Room, Hotel Nikko, 222 Mason, SF; (415) 394-1189. 7pm, $42.50-47.50.

Smith Jazz Revolution Café, 3248 22nd St, SF; (415) 642-0474. 3-5pm, free.

Zanza Trio, Ana Carbatti, Tammy Hall, Michaelle Goerlitz Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

FOLK/WORLD/COUNTRY

Gabriel and Ari Peña Pachamama, upstairs, 1630 Powell, SF; (415) 751-6090. 7:30pm, $8-10.

Jack Gilder, Kevin Bemhagen, Richard Mandel, and friends Plough and Stars. 9pm.

Poontones Thee Parkside. 4pm, free.

Ramana Viera Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 7pm, $20.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep, Maneesh the Twister, and guess Spliff Skankin’.

Holiday T-Dance Ruby Skye, 420 Mason, SF; www.freshsf.com. 4pm, $25. With DJ and producer Phil B.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 21

ROCK/BLUES/HIP-HOP

Jim Campilongo Make-Out Room. 8pm, $15.

Bart Davenport, Persephone’s Bees, Aerosols, Love Dimension, Antonette Groroch Knockout. 9pm.

JAZZ/NEW MUSIC

Nick Culp Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

"Jazz at the Rrazz" Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399. 8pm, $25. With the Mike Greensill Trio featuring guest Bruce Forman.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Larry Vukovich and the New Blue Balkan Ensemble Yoshi’s San Francisco. 8pm, $16.

FOLK/WORLD/COUNTRY

Homespun Rowdy Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with DJs Decay, Joe Radio, and Melting Girl.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 22

ROCK/BLUES/HIP-HOP

Bob Hill Band Slim’s. 8pm, $15.

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

Lord Loves a Working Man Bottom of the Hill. 9pm, $8.

Zoo, Deeper, Mighty Russian Winter, Jason Mkey Hemlock Tavern. 9pm, $6.

FOLK/WORLD/COUNTRY

Asalto Navideno featuring Saboricua, DJ Sonido Diablo Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Graham Connah Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dave Parker Quintet Rasselas Jazz. 8pm.

Euliptian Quartet Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Gyan Riley Trio Yoshi’s San Francisco. 8pm, $14.

Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck and Yule Be Sorry.

Drunken Monkey Lounge Annie’s Social Club. 9pm, free. Shot specials and punk rock karaoke in the back room.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Stage listings

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Stage listings

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Black Nativity Marines’ Memorial Theatre, 609 Sutter; 474-8800, www.lhtsf.org. $30-$40. Previews Wed/16-Thurs/17. Opens Fri/18. Runs Wed-Fri, 8pm; Sat, 2 and 8pm; Sun, 4pm. Through Dec 27. Lorraine Hansberry Theatre presents its award-winning holiday gospel musical.

A Merry FORKING! Christmas Off-Market Theaters, 965 Mission; (800) 838-3006, www.pianofight.com. $20. Opens Thurs/17. Various days and times. Through Jan 2. Playwright Daniel Heath and PianoFight team up again for a fully scripted play in which the audience votes on how the plot will proceed.

Mr. YooWho’s Holiday NOHspace, 2840 Mariposa; 621-7978, theatreofyugen.org. $10-$15. Opens Fri/18. Runs Fri, 8pm; Sat, 3pm; Sun, 3pm; through Jan 3. Moshe Cohen and NOHspace co-present this one-man holiday show that takes the audience on a ride full of wonder and laughter that transcends generational barriers.

Yes Sweet Can Dance Mission Theater, 3316 24th St; 273-4633, sweetcanproductions.com. $15-$20. Opens Fri/18. Days and times vary. Through Jan 3. Sweet Can Productions presents this astonishing 60-minute show featuring acrobatics, aerial work, hula hoops and other combinations of traditional circus and physical theater.


ONGOING

The 39 Steps Curran Theater, 1192 Market; 551-2020, www.shnsf.com. $35-$80. Tues, 8pm; Wed, 2 and 8pm; Thurs, 8pm; Fri-Sat, 2 and 8pm; Sun, 2pm. Through Jan 3. The SHN Best of Broadway series kicks off with Alfred Hitchcock’s Tony Award-winning whodunit comedy.

Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.

*Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Thurs/17-Sat/19, 8pm. Toting bible and AK-47, a shlubby but seemingly affable right-wing libertarian (B. Warden Lawlor) has led his nuclear family down into the survival pit beneath his ammo store just in time to escape the nuclear disaster above ground. Months into this millennial camping trip, mom (Molly Benson) dreams of starring in her own vaguely militant cooking show, while restive older brother (James Tinsley) and dippy but nubile little sister (Cassie Powell) turn their own hormonally charged dreams into a budding daytime romance (well, one of them’s adopted anyway). Can the center hold, with mere anarchy loosed above? "Since when," asks mom of her spouse, "have you resorted to lies and manipulation to maintain your authority?" Good question. He’d balk at the comparison—and the French—but basically, L’estat? C’est pah. The loathsome Bush years inspired this first full-length comedy from writer-director Wiley Herman, but its themes of fear mongering as social control, authoritarian excess, apocalyptic doom, and brother-sister whoopee are evergreens. The pacing can flag, the dramatic conventions can feel too familiar, but the writing has merit and a fair amount of laughs, while the cast warm to their parts with conviction and charm. All in all a promising debut from Herman, and if the world doesn’t end first we can expect better ammo down the line. (Avila)

The Bright River Climate Theater, 285 9th St; (800) 838-3006, thebrightriver.com. $15-$25. Runs Thurs-Sat, 8pm; Sun, 7pm. Through Dec 27. Climate presents this mesmerizing hip-hop retelling of Dante’s Inferno by Tim Brarsky.

A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.

Cinderella African American Art and Culture Complex, 762 Fulton; (800) 8383-3006, www.african-americanshakes.org. $20-$30. Days and times vary. Through Dec 27. The African-American Shakespeare Company presents an enchanting production of the classic fairytale, re-set on the bayous of Louisiana.

Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs/17-Sat/19, 8pm. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.

Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.

*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri/18, 9pm; Sat/19, 8:30pm. Don Reed’s solo play, making its local premiere at the Marsh after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is "be yourself"—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: "I just thought he was really into hats." But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future "somebody." (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

Fun-derful Holidaze The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$12. Sat-Sun, 2pm. Through Jan 3. The Marsh presents Unique Derique in a fun-filled feast of frivolity for all ages.

I SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.

Katya’s Holiday Spectacular New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$32. Days vary, 8pm, through Jan 2. NCTC presents a special winter cabaret starring Katya Smirnoff-Skyy.

Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs/17-Fri/18, 8pm; Sat/19, 3 and 8pm. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.

The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri/18-Sat/19, 8pm. The Dark Room Theater presents a movie parody turned into a theatrical parody.

Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. The U.S. premiere of Cirque du Soleil’s latest extravaganza, written and directed by Deborah Colker, dependably sports several fine acts enmeshed in a visually buzzing insect theme. Highlights include a delighting set of juggling ants, twirling huge wedges of kiwi with their synchronized tootsies, very adorable and almost unbelievably deft; a mesmerizing and freely romantic airborne "Spanish Web" duet; and a spider traversing a "slackwire" web with jaw-dropping strength, balance and agility. The whisper-thin plot, thin even by Cirque standards, is nearly summed up in the title (Portuguese for "egg"). A very large "ovo" takes up most of the stage as the audience enters the tent. This is miraculously replaced in a flash by a smaller, though still ample one lugged around by one of three clowns (by the standards of past years, not a very inspired or absorbing bunch these three), and then snatched away amid a throng of insect types. An endoplasmic reticulum, or something, hovers a floor or two high toward the back of the stage, where the live band churns the familiar trans-inducing Euro-beats. The baseline entertainment value is solid, though the usual high jinx and overall charm are at somewhat lower ebb compared with recent years. (Avila)

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Shanghai San Francisco One Telegraph Hill; 1-877-384-7843, www.shanghaisanfrancisco.com. $40. Sat, 1pm. Ongoing. To be Shanghaied: "to be kidnapped for compulsory service aboard a ship&ldots;to be induced or compelled to do something, especially by fraud or force". Once the scene of many an "involuntary" job interview, San Francisco’s Barbary Coast is now the staging ground for Shanghai San Francisco, a performance piece slash improv slash scavenger hunt through the still-beating hearts of North Beach and Chinatown, to the edge of the Tendernob. Beginning at the base of Coit Tower, participants meet the first of several characters who set up the action and dispense clues, before sending the audience off on a self-paced jaunt through the aforementioned neighborhoods, induced and compelled (though not by force) to search for a kidnapped member of the revived San Francisco Committee of Vigilance. It’s a fine notion and a fun stroll on a sunny afternoon, but ultimately succeeds far better as a walking tour than as theatre. Because the actors are spread rather thinly on the ground, they’re unable to take better advantage of their superior vantage by stalking groups a little more closely, staging distractions along the way, and generally engaging the audience as such a little more frequently. But since Shanghai San Francisco is a constantly evolving project, maybe next time they’ll do just that. (Gluckstern)

She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.

Under the Gypsy Moon Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through Jan 1. Teatro ZinZanni presents a bewitching evening of European cabaret, cirque, theatrical spectacle, and original live music, blended with a five-course gourmet dinner.

Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Jan 23. Before throwing around terms like "dysfunctional, bi-polar, codependent," to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, "slim-hipped" wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)


BAY AREA

Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. It’s such a relief during the Nutcracker-Christmas Memory-Carol-In Wales season to catch a show that creates a wonderland without the winter. Not a beat is lost as Aurélia morphs from bored vamp trapped in a chest of drawers to tempest-tossed refugee on the high seas (and higher rafters) to befuddled homemaker with a penchant for the topsy-turvy, sometimes pursued by the excellent Jaime Martinez, whose knockout, drag-down street brawls with his recalcitrant overcoat are just one example of the physical wit that permeates the piece. Aurélia’s housekeeping skills are another—she happily arranges her flowers upside-down and sprinkles her laundry hung on the line with a big watering can, while outside her window, an upside-down taxi cab awaits her fare. Each minute vignette shines on its own merits—a woman dissolving into sand, a poignant Indonesian-style shadow-puppet encounter behind a curtain of lacy "snow" (ok, they snuck in the winter after all), a musical interlude in a clock shop—tied loosely together by a design heavy on lush red velvet and modestly versatile black-and-white. Aurélia’s Oratorio combines the best of mime, acrobatics, dance, and design, to create a circuitous, circus revel guaranteed to transport and to charm. (Gluckstern)

The Coverlettes Cover Christmas Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $25-$28. Mon-Sat, 8pm; Sun, 7pm. Through Dec 27. Aurora Theatre Company rocks the holiday season in the style of 1960’s girl groups.

The Stone Wife Berkeley City Club, 2315 Durant, Berk; 730-2901. $15-$20. Fri-Sat, 8pm; Sun, 6pm. Through Dec 20. The Berkeley City Club presents this award-winning play written and directed by Helen Pau.

*The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.


DANCE

"The Christmas Ballet" Yerba Buena Center for the Arts, 700 Howard; 978-2787, www.smuinballet.org. Wed-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Through Dec 27. $18-$56. Michael Smuin presents an unexpected holiday show featuring dancers in ’50s poodle skirts, feather boas, wide-brimmed hats, and panama suits and music from Mozart to Elvis Presley.

"DANCEfirst!" The Museum of the African Diaspora, 685 Mission; 358-7200, www.seethinkdance.com. Thurs, 6pm. $5-$10. Three local choreographers enlist their favorite house DJs to offer wildly unique perspectives on this rhythmic phenomenon.

"A Queer 20th Anniversary" Locations vary. www.circozero.org. Various days and times, Dec. 9 – Jan. 31. Zero Performance presents a retrospective of two seminal pieces performed by Keith Hennessy and company, including a restaging of Saliva at the original site under a freeway South of Market.

Mark Foehringer Dance Project/SF Zeum Theater, 221 Fourth St; 433-1235, www.tixbayarea.org. Sat-Sun, 11am and 2pm. $25. The dance project presents a unique rendition of The Nutcracker at Zeum, featuring the Magik*Magik Orchestra performing live.

"The Nutcracker" Mercy High School Theater, 3250 19th Ave; 731-2237, www.sanfranciscoyouthballet.org. Sat, 2 and 7pm; Sun, 2pm. $22-$24. San Francisco Youth Ballet Theatre presents its 9th annual production of the holiday classic.

Yaelisa’s Caminos Flamencos Cowell Theatre, Fort Mason; www.caminosflamencos.com. Fri-Sat, 8pm; Sun, 3pm. Check Web for price. This show features Yaelisa’s husband and artistic partner, 10-year-old Roberto Granados, Paco Borrego, Jesus Montoya, and Felix de Lola.


BAY AREA

"The Hard Nut" Zellerbach Hall, UC Berkeley, Berk; cpinfo.berkeley.edu. Days and times vary, through Sun. $36-$62. Mark Morris Dance Group and Berkeley Symphony Orchestra present this retelling of The Nutcracker.


PERFORMANCE

"Amahl and the Night Visitors" Randall Museum, 199 Museum Way; 826-8670. Sun, 3pm. Free. The Ina Chalis Opera Ensemble presents this one-hour Christmas opera by Gian-Carlo Menotti.

"Bijou" Martuni’s, Four Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. An eclectic weekly cabaret.

On Broadway Dinner Theater 435 Broadway; 291-0333, www.broadwaystudios.com. Thurs-Sat, 7pm. Ongoing. SF’s most talented singers, artists, and performers combine interactive shows with dining and dessert.

"A Cathedral Christmas" Grace Cathedral, 1100 California; 392-4400, www.cityboxoffice.com. Sat-Sun, 3pm; Mon, 7pm. $15-$50. Celebrate the season with the Choir of Men and boys with orchestra, featuring their signature performances of favorite carols, along with sacred masterpieces and yuletide classics.

"A Chanticleer Christmas" St. Ignatius Church, 650 Parker; 392-4400, www.chanticleer.org. Sat, 8pm. Check Web for ticket prices. The internationally renowned 12-man a cappella singing ensemble returns home with its critically acclaimed holiday concert.

"Electrofunkadelica & the BB Kink Show" Space Gallery, 1141 Polk; www.spacegallerysf.com. Thurs, 8pm. Shaunna Hall presents this live show and art exhibit.

Fauxgirls! Kimo’s Penthouse Lounge, 1351 Polk; 695-1239, www.fauxgirls.com. Sat, 10pm. Free. This revue features San Francisco’s finest female impersonators.

Full Spectrum Improvisation The Marsh, 1062 Valencia; 564-4115, www.themarsh.org. Tues, 7:30pm. $10-$15. Lucky Dog Theatre performs in its ongoing series of spontaneous theatre shows.

"The Greatest Bubble Show on Earth" The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$10. Sun, 11am. Through Dec 27. The Marsh Presents Louis Pearl, the Amazing Bubble Man, in this fun show suitable for all ages.

"Handel’s Messiah with American Bach Soloists" Grace Cathedral, 1100 California; 392-4400, www.cityboxoffice.com. Thurs-Fri, 7:30pm. Check Web for ticket prices. ABS conductor Jeffrey Thomas leads America’s best specialists in early music in this special concert.

"Home for the Holidays" First Unitarian Universalist Church, 1187 Franklin. 865-ARTS, www.sfgmc.org. Check Website for ticket info. Wed-Thurs, 7:30pm. Also special show at Castro Theatre on Dec 24. San Franciso Gay Men’s Chorus presents the 20th anniversary of a classic SF tradition.

"A Judy Garland Christmas" Rrazz Room, Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com. Tues, 8pm. $30. Connie Champagne brings her remarkable portryal of Judy Garland to the Rrazz Room.

"Monday Night ForePlays" Studio250, Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. $20. PinaoFight’s female-driven variety show extends into December with new sketches, dance numbers, and musical performances.

"Nocturnal Butterflies" Z Space at Theater Artaud, 450 Florida; (434) 535-2896, www.avykproductions.com. Thurs-Sat, 8pm. Check Web for price. Erika Tsimbrovsky/Avy K Productions presents this multimedia dance performance dedicated to Vaslav Nijinsky.

"Old English Christmas Feast" Mark Hopkins Hotel, 999 California; (510) 887-4311, www.ggbc.org. Sun, 4pm. $135. The Golden Gate Boys Choir present their annual fundraiser. (The choir also will perform for free in the hotel lobby on Monday, 11:30am.)

Porchlight Reading Series Verdi Club, 2424 Mariposa. Mon, 8pm. $12. The theme for this month’s installment is "toys," featuring stories by people who’ve played with them, dated them, and been disappointed by them.

"San Francisco Girls Chorus Annual Davies Hall Holiday Concert" Davies Symphony Hall, 201 Van Ness; www.sfgirlschorus.org. Tues, 7:30pm. $22-$58. San Francisco Girls Chorus presents the 27th annual, 300-voice holiday musical extravaganza.

Shadow Circus Creature Theatre Climate Theater, 285 9th St; www.musicboxseries.com. Wed, 8pm. $10-$13. San Francisco’s most belligerent puppetry troupe returns with a cornucopia of holiday mayhem.

"Trannyshack Star Search Competition" DNA Lounge, 375 11th St; www.dnalounge.com. Sat, 10pm. $15-$20. Heklina and Peaches Christ present the 11th annual competition where virgin drag queens compete for a title.

"Veils and Apparitions" The Garage, 975 Howard; 975howard.com. Fri-Sat, 8 and 10pm. $10-$15. Enter a poetic landscape, where boundaries bend between the folds of the human psyche in this evening of new works by a collective of artists.

"Wake the F@#k Up America: Holiday Edition" Herbst Theatre, 401 Van Ness; 392-4400, www.cityboxoffice.com. Fri, 8pm. Call for ticket price. The Kinsey Sicks, America’s favorite dragapella beautyshop quartet, bring their new holiday musical comedy to the Herbst Theatre.


BAY AREA

"The Christmas Revels" Scottis Rite Theater, 1547 Lakeside, Oakl; (510) 452-8800, www.calrevels.org. Fri, 7:30pm; Sat-Sun, 1 and 5pm. $12-$50. Experience the music, dance, and folklore of 19th century Bavaria with this beloved Bay Area holiday tradition.

"Garage Door Nativity" First Congregational Church of Berkeley, 2345 Channing Way, Berk; (510) 848-3696, www.fccb.org. Fri-Sun, 7:30pm. $5-$10. The church presents a poignant, humorous, and unique take on the Christmas narrative told without spoken words.

"Hubba Hubba Revue" Uptown, 1928 Telegraph, Oakl; www.hubbahubbarevue.com. Mon, 10pm. Ongoing. $5. Scantily clad ladies shake their stuff at this weekly burlesque showcase.

"It’s a Wonderful Life" Julia Morgan Center for the Arts, 2640 College Ave, Berk; www.berkeleyplayhouse.org. Tues, 6:30pm. $10-$25. Berkeley Playhouse presents a staged version of the 1946 classic radio play, complete with live sound effects, microphones, and commercial jingles.

"Reality Playings" Temescal Arts Center, 511 48th St, Oakl; (510) 526-7858, www.temescalartscenter.org. Fri, 8pm. Free. Frank Moore will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting.

"Winter Solstice" Studio 12, 2525 Eights St, Berk; www.studio12flys.org. Mon, 7pm. $20-$25. Studio 12 presents musical performance, dance performance, and a winter solstice altar for this celebration of the longest night of the year.


COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

"Big City Improv" Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of "Whose Line Is It Anyway?"

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing.

Cobbs 915 Columbus; 928-4320.

"Comedy Master Series" Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

"Comedy on the Square" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm, through Dec. Tony Sparks and Frisco Fred host this weekly stand-up comedy showcase.

"Comedy Returns" El Rio, 3158 Mission; www.koshercomedy.com. Mon, 8pm. $7-$20. Comedian/comedy producer Lisa Geduldig presents this weekly multicultural, multi-everything comedy show.

Danny Dechi & Friends Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Ongoing. Free.

"Improv Society" Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Check Website for times and prices.
Purple Onion 140 Columbus; 1-800-838-3006, www.purpleonionlive.com. Call for days and times.
Rrazz Room Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com.
"Raw Stand-up Project" SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing.
BAY AREA
"Comedy Off Broadway Oakland" Washington Inn, 495 10th St, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week.

Film listings

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Film listings

Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Louis Peitzman, Lynn Rapoport, Ben Richardson, Matt Sussman, and Laura Swanbeck. The film intern is Fernando F. Croce. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

OPENING

Avatar Special effects master and woeful screenplay-penner James Cameron returns, for better and worse. (2:42)

Broken Embraces Pedro Almodóvar has always dabbled in the Hitchcockian tropes of uxoricide, betrayal, and double-identity, but with Broken Embraces he has attained a polyglot, if slightly mimicking, fluency with the language of Hollywood noir. A story within a story and a movie within a movie, Embraces begins in the present day with middle-aged Catalan Harry Caine (Lluís Homar), a blind screenwriter who takes time between his successful writing career to seduce and bed young women sympathetic to his disability. "Everything’s already happened to me," he explains to his manager, Judit (Blanca Portillo). "All that’s left is to enjoy life." But this life of empty pleasures is brought to a sudden halt when local business magnate Ernesto Martel (José Luis Gómez) has died; soon after, Ernesto Jr. (Rubén Ochandiano), who has renamed himself Ray X, visits Caine with an unusual request. The action retreats 14 years when Caine was a young (and visually abled) director named Mateo Blanco; he encounters a breathtaking femme fatale, Lena (Penelope Cruz) — an actress-turned-prostitute named Severine, turned secretary-turned-trophy wife of Ernesto Martel — when she appears to audition for his latest movie. If all of the narrative intricacies and multiplicitous identities in Broken Embraces appear a bit intimidating at first glance, it is because this is the cinema of Almodóvar taken to a kind of generic extreme. As with all of the director’s post-’00 films, which are often referred to as Almodóvar’s "mature" pictures, there is a microscopic attention to narrative development combined with a frenzied sub-plotting of nearly soap-operatic proportions. But, in Embraces, formalism attains such prominence that one might speculate the director is simply going through the motions. The effect is a purposely loquacious and overly-dramatized performance that pleasures itself as much by setting up the plot as unraveling it. For the complete version of this review, visit www.sfbg.com. (2:08) Clay. (Erik Morse)

Did You Hear About the Morgans? A married couple (Hugh Grant and Sarah Jessica Parker) move from Manhattan to a small town after witnessing a murder. (1:48)

In Search of Beethoven After the success of his In Search of Mozart, director Phil Grabsky applies his truth-seeking documentary template to Ludwig van Beethoven, a composer so genius he continued creating (and to a lesser extent, performing) even as he succumbed to deafness. Still photos, paintings, interviews with historians and musicologists, and visits to actual Beethoven haunts, along with dramatic readings of the maestro’s letters (by actor David Dawson) and stern narration (by actor Juliet Stevenson, who also loaned her pipes to Mozart), flesh out this biographical portrait. But its most stirring moments come courtesy of its musical performances (by seasoned professionals) of Moonlight Sonata and other notable works. As the doc proves, there’s no better insight into Beethoven’s tumultuous, sometimes tortured life than the notes he left behind. (2:18) Roxie. (Eddy)

*35 Shots of Rum Claire Denis’s portrait in domesticity is so patiently timed and achingly photographed (by her longtime cinematographer Agnès Godard) that your own life routines are liable to seem freshly poetic in its afterglow. We begin with familiar images of transitory longing: trains switching tracks, keeping time. A man smokes a cigarette at dusk, its embers warming his dark skin. He is Lionel (Alex Descas), a Metro operator who lives simply in a boxy apartment building in the outer rings of Paris. He returns home from work with a rice cooker for his twentysomething daughter, Josephine (Mati Diop), though Denis allows their relationship to remain unclear for a while (she is remarkably free when it comes to exposition). Coincidentally, serious Jo has bought herself a cooker on the same day. There’s a whole untold story about the rice cooker, but Denis is content watching them appreciatively spoon out the first batch in their pajamas. The attention to generations, meals, the trains and the small comic gestures (a well-timed fart, an awry romantic moment in the Seine) all suggest Ozu, but the elliptical rhythms and sensual apprehension of bodies is pure Denis. She once did a documentary about a choreographer (2005’s Towards Mathilde), and she approaches everyday life as a kind of dance. Lionel and Jo’s relationship is unlike almost any other father-daughter dynamic in recent movie memory — nonverbal, but clearly loving. If the other characters are kept at arm’s length, that’s because Lionel and Jo keep their safe haven so closely guarded. Things begin to unspool, as they must, in a memorable restaurant dance sequence that makes exquisite use of the Commodores’ 1985 platter, "Nightshift." (1:39) (Goldberg)

The Young Victoria Those who envision the Victorian Age as one of restraint and repression will likely be surprised by The Young Victoria, which places a vibrant Emily Blunt in the title role. Her Queen Victoria is headstrong and romantic — driven not only by her desire to stand tall against the men who would control her, but also by her love for the dashing Prince Albert (Rupert Friend). To be honest, the story itself is nothing spectacular, even for those who have imagined a different portrait of the queen. But The Young Victoria is still a spectacle to behold: the opulent palaces, the stunning gowns, and the flawless Blunt going regal. Her performance is rich and nuanced — and her chemistry with Prince Albert makes the film. No, it doesn’t leave quite the impression that 1998’s Elizabeth did, but it’s a memorable costume drama and romance, worthy of at least a moderate reign in theaters. (1:40) Embarcadero. (Peitzman)

ONGOING

Armored (1:28) 1000 Van Ness.

The Blind Side When the New York Times Magazine published Michael Lewis’ article "The Ballad of Big Mike" — which he expanded into the 2006 book The Blind Side: Evolution of a Game —nobody could have predicated the cultural windfall it would spawn. Lewis told the incredible story of Michael Oher — a 6’4, 350-pound 16-year-old, who grew up functionally parentless, splitting time between friends’ couches and the streets of one of Memphis’ poorest neighborhoods. As a sophomore with a 0.4 GPA, Oher serendipitously hitched a ride with a friend’s father to a ritzy private school across town and embarked on an unbelievable journey that led him into a upper-class, white family; the Dean’s List at Ole Miss; and, finally, the NFL. The film itself effectively focuses on Oher’s indomitable spirit and big heart, and the fearless devotion of Leigh Anne Tuohy, the matriarch of the family who adopted him (masterfully played by Sandra Bullock). While the movie will delight and touch moviegoers, its greatest success is that it will likely spur its viewers on to read Lewis’ brilliant book. (2:06) 1000 Van Ness. (Daniel Alvarez)

Brothers There’s nothing particularly original about Brothers — first, because it’s based on a Danish film of the same name, and second, because sibling rivalry is one of the oldest stories in the book. The story is fairly straightforward: good brother (Tobey Maguire) goes AWOL in Afghanistan, bad brother (Jake Gyllenhaal) comforts his sister-in law (Natalie Portman), attraction develops, but then — and here’s where things get awkward — good brother comes home. Throughout much of Brothers, the script is surprisingly restrained, holding the film back from Movie of the Week territory. Those moments of subtlety are the movie’s strongest, but by the end they’ve given way to giant, maudlin explosions of angst, which aren’t nearly as impressive. Still, the acting is consistently strong. Maguire is especially good as Captain Sam Cahill in a performance that runs the gamut from doting father to terrifyingly unbalanced. It’s unfortunate that the quiet scenes, in which all the actors excel, are overshadowed by the big, plate-smashing ones. (1:50) 1000 Van Ness, Sundance Kabuki. (Peitzman)

Christmas with Walt Disney Specially made for the Presidio’s recently opened Walt Disney Family Museum, this nearly hour-long compilation of vintage Yuletide-themed moments from throughout the studio’s history (up to Walt’s 1966 death) is more interesting than you might expect. The engine is eldest daughter Diane Disney Miller’s narrating reminiscences, often accompanied by excerpts from an apparently voluminous library of high-quality home movies. Otherwise, the clips are drawn from a mix of short and full-length animations, live-action features (like 1960’s Swiss Family Robinson), TV shows Wonderful World of Disney and Mickey Mouse Club, plus public events like Disneyland’s annual Christmas Parade and Disney’s orchestration of the 1960 Winter Olympics’ pageantry. If anything, this documentary is a little too rushed –- it certainly could have idled a little longer with some of the less familiar cartoon material. But especially for those who who grew up with Disney product only in its post-founder era, it will be striking to realize what a large figure Walt himself once cut in American culture, not just as a brand but as an on-screen personality. The film screens Nov 27-Jan 2; for additional information, visit http://disney.go.com/disneyatoz/familymuseum/index.html. (:59) Walt Disney Family Museum. (Harvey)

Disney’s A Christmas Carol (1:36) 1000 Van Ness.

*An Education The pursuit of knowledge — both carnal and cultural — are at the tender core of this end-of-innocence valentine by Danish filmmaker Lone Scherfig (who first made her well-tempered voice heard with her 2000 Dogme entry, Italian for Beginners), based on journalist Lynn Barber’s memoir. Screenwriter Nick Hornby breaks further with his Peter Pan protagonists with this adaptation: no man-boy mopers or misfits here. Rather, 16-year-old schoolgirl Jenny (Carey Mulligan) is a good girl and ace student. It’s 1961, and England is only starting to stir from its somber, all-too-sober post-war slumber. The carefully cloistered Jenny is on track for Oxford, though swinging London and its high-style freedoms beckon just around the corner. Ushering in those freedoms — a new, more class-free world disorder — is the charming David (Peter Sarsgaard), stopping to give Jenny and her cello a ride in the rain and soon proffering concerts and late-night suppers in the city. He’s a sweet-faced, feline outsider: cultured, Jewish, and given to playing fast and loose in the margins of society. David can see Jenny for the gem she is and appreciate her innocence with the knowing pleasure of a decadent playing all the angles. The stakes are believably high, thanks to An Education‘s careful attention to time and place and its gently glamored performances. Scherfig revels in the smart, easy-on-eye curb appeal of David and his friends while giving a nod to the college-educated empowerment Jenny risks by skipping class to jet to Paris. And Mulligan lends it all credence by letting all those seduced, abandoned, conflicted, rebellious feelings flicker unbridled across her face. (1:35) (Chun)

Everybody’s Fine Robert De Niro works somewhere between serious De Niro and funny De Niro in this portrait of a family in muffled crisis, a remake of the 1991 Italian film Stanno Tutti Bene. The American version tracks the comings and goings of Frank (De Niro), a recently widowed retiree who fills his solitary hours working in the garden and talking to strangers about his children, who’ve flung themselves across the country in pursuit of various dreams and now send home overpolished reports of their achievements. Disappointed by his offspring’s collective failure to show up for a family get-together, he embarks on a cross-country odyssey to connect with each in turn. Writer-director Kirk Jones (1998’s Waking Ned Devine) effectively underscores Frank’s loneliness with shots of him steering his cart through empty grocery stores, interacting only with the occasional stock clerk, and De Niro projects a sense of drifting disconnection with poignant restraint. But Jones also litters the film with a string of uninspired, autopilot comic moments, and manifold shots of telephone wires as Frank’s children (Kate Beckinsale, Drew Barrymore, and Sam Rockwell) whisper across the miles behind their father’s back — his former vocation, manufacturing the telephone wires’ plastic coating, funded his kids’ more-ambitious aims — feel like glancing blows to the head. A vaguely miraculous third-act exposition of everything they’ve been withholding to protect both him and themselves is handled with equal subtlety and the help of gratingly precocious child actors. (1:35) 1000 Van Ness. (Rapoport)

*Fantastic Mr. Fox A lot of people have been busting filmmaker Wes Anderson’s proverbial chops lately, lambasting him for recent cinematic self-indulgences hewing dangerously close to self-parody (and in the case of 2007’s Darjeeling Limited, I’m one of them). Maybe he’s been listening. Either way, his new animated film, Fantastic Mr. Fox, should keep the naysayer wolves at bay for a while — it’s nothing short of a rollicking, deadpan-hilarious case study in artistic renewal. A kind of man-imal inversion of Anderson’s other heist movie, his debut feature Bottle Rocket (1996), his latest revels in ramshackle spontaneity and childlike charm without sacrificing his adult preoccupations. Based on Roald Dahl’s beloved 1970 book, Mr. Fox captures the essence of the source material but is still full of Anderson trademarks: meticulously staged mise en scène, bisected dollhouse-like sets, eccentric dysfunctional families coming to grips with their talent and success (or lack thereof).(1:27) Empire, 1000 Van Ness, SF Center, Sundance Kabuki. (Devereaux)

Invictus Elected President of South Africa in 1995 — just five years after his release from nearly three decades’ imprisonment — Nelson Mandela (Morgan Freeman) perceives a chance to forward his message of reconciliation and forgiveness by throwing support behind the low-ranked national rugby team. Trouble is, the Springboks are currently low-ranked, with the World Cup a very faint hope just one year away. Not to mention the fact that despite having one black member, they represent the all-too-recent Apartheid past for the country’s non-white majority. Based on John Carlin’s nonfiction tome, this latest Oscar bait by the indefatigable Clint Eastwood sports his usual plusses and minuses: An impressive scale, solid performances (Matt Damon co-stars as the team’s Afrikaaner captain), deft handling of subplots, and solid craftsmanship on the one hand. A certain dull literal-minded earnestness, lack of style and excitement on the other. Anthony Peckham’s screenplay hits the requisite inspirational notes (sometimes pretty bluntly), but even in the attenuated finals match, Eastwood’s direction is steady as she goes — no peaks, no valleys, no faults but not much inspiration, either. It doesn’t help that Kyle Eastwood and Michael Stevens contribute a score that’s as rousing as a warm milk bath. This is an entertaining history lesson, but it should have been an exhilarating one. (2:14) 1000 Van Ness, SF Center, Sundance Kabuki. (Harvey)

Me and Orson Welles It’s 1937, and New York City, like the rest of the nation, presumably remains in the grip of the Great Depression. That trifling historical detail, however, is upstaged in Richard Linklater’s Me and Orson Welles (adapted from the novel by Robert Kaplow) by the doings at the newly founded Mercury Theatre. There, in the equally tight grip of actor, director, and company cofounder Orson Welles — who makes more pointed use of the historical present, of Italian fascism — a groundbreaking production of Shakespeare’s Julius Caesar hovers on the brink of premiere and possible disaster. Luckily for swaggering young aspirant Richard (High School Musical series star Zac Efron), Welles (Christian McKay), already infamously tyrannical at 22, is not a man to shrink from firing an actor a week before opening night and replacing him with a 17-year-old kid from New Jersey. Finding himself working in perilous proximity to the master, his unharnessed ego, and his winsome, dishearteningly pragmatic assistant, Sonja (Claire Danes), our callow hero is destined, predictably, to be handed some valuable life experience. McKay makes a credible, enjoyable Welles, presented as the kind of engaging sociopath who handles people like props and hails ambulances like taxicabs. Efron projects a shallow interior life, an instinct for survival, and the charm of someone who has had charming lines written for him. Still, he and Welles and the rest are all in service to the play, and so is the film, which offers an absorbing account of the company’s final days of rehearsal. (1:54) Shattuck. (Rapoport)

Ninja Assassin Let’s face it: it’d be nigh impossible to live up to a title as awesome as Ninja Assassin –- and this second flick from V for Vendetta (2005) director James McTeigue doesn’t quite do it. Anyone who’s seen a martial arts movie will find the tale of hero Raizo overly familiar: a student (played by the single-named Rain) breaks violently with his teacher; revenge on both sides ensues. That the art form in question is contemporary ninja-ing adds a certain amount of interest, though after a killer ninja vs. yakuza opening scene (by far the film’s best), and a flashback or two of ninja vs. political targets, the rest of the flick is concerned mostly with either ninja vs. ninja or ninja vs. military guys. (As ninjas come "from the shadows," most of these battles are presented in action-masking darkness.) There’s also an American forensic researcher (Noemie Harris) who starts poking around the ninja underground, a subplot that further saps the fun out of a movie that already takes itself way too seriously. (1:33) 1000 Van Ness. (Eddy)

Pirate Radio I wanted to like Pirate Radio, a.k.a., The Boat That Rocked –- really, I did. The raging, stormy sounds of the British Invasion –- sex, drugs, rock ‘n’ roll, and all that rot. Pirate radio outlaw sexiness, writ large, influential, and mind-blowingly popular. This shaggy-dog of a comedy about the boat-bound, rollicking Radio Rock is based loosely on the history of Radio Caroline, which blasted transgressive rock ‘n’ roll (back when it was still subversive) and got around stuffy BBC dominance by broadcasting from a ship off British waters. Alas, despite the music and the attempts by filmmaker Richard Curtis to inject life, laughs, and girls into the mix (by way of increasingly absurd scenes of imagined listeners creaming themselves over Radio Rock’s programming), Pirate Radio will be a major disappointment for smart music fans in search of period accuracy (are we in the mid- or late ’60s or early or mid-’70s –- tough to tell judging from the time-traveling getups on the DJs, played by Philip Seymour Hoffman and Rhys Darby, among others?) and lame writing that fails to rise above the paint-by-the-numbers narrative buttressing, irksome literalness (yes, a betrayal by a lass named Marianne is followed by "So Long, Marianne"), and easy sexist jabs at all those slutty birds. Still, there’s a reason why so many artists –- from Leonard Cohen to the Stones –- have lent their songs to this shaky project, and though it never quite gets its sea legs, Pirate Radio has its heart in the right place –- it just lost its brains somewhere along the way down to its crotch. (2:00) 1000 Van Ness. (Chun)

Planet 51 (1:31) 1000 Van Ness.

*Precious: Based on the Novel Push By Sapphire This gut-wrenching, little-engine-that-could of a film shows the struggles of Precious, an overweight, illiterate 16-year-old girl from Harlem. Newcomer Gabourey Sidibe is so believably vigilant (she was only 15 at the time of filming) that her performance alone could bring together the art-house viewers as well as take the Oscars by storm. But people need to actually go and experience this film. While Precious did win Sundance’s Grand Jury and Audience Award awards this year, there is a sad possibility that filmgoers will follow the current trend of "discussing" films that they’ve actually never seen. The daring casting choices of comedian Mo’Nique (as Precious’ all-too-realistically abusive mother) and Mariah Carey (brilliantly understated as an undaunted and dedicated social counselor) are attempts to attract a wider audience, but cynics can hurdle just about anything these days. What’s most significant about this Dancer in the Dark-esque chronicle is how Damien Paul’s screenplay and director Lee Daniels have taken their time to confront the most difficult moments in Precious’ story –- and if that sounds heavy-handed, so be it. Stop blahging for a moment and let this movie move you. (1:49) SF Center, Sundance Kabuki. (Jesse Hawthorne Ficks)

*The Princess and the Frog Expectations run high for The Princess and the Frog: it’s the first Disney film to feature an African American princess, the first 2D Disney cartoon since the regrettable Home on the Range (2004), and the latest entry from the writing-directing team responsible for The Little Mermaid (1989) and Aladdin (1992). Here’s the real surprise — The Princess and the Frog not only meets those expectations, it exceeds them. After years of disappointment, many of us have given up hope on another classic entry into the Disney 2D animation canon. And yet, The Princess and the Frog is up there with the greats, full of catchy songs, gorgeous animation, and memorable characters. Set in New Orleans, the story is a take off on the Frog Prince fairy tale. Here, the voodoo-cursed Prince Naveen kisses waitress Tiana instead — transferring his froggy plight to her as well. A fun twist, and a positive message: wishing is great, but it takes hard work to make your dreams come true. For those of us raised on classic Disney, The Princess and the Frog is almost too good to believe. (1:37) 1000 Van Ness. (Peitzman)

*The Private Lives of Pippa Lee Rebecca Miller’s latest is that seldom-produced thing, the female midlife crisis movie. Daughter to playwright Arthur Miller, a titan of Big Theme manly guilts, her projects are indie-scaled, about troubled domestic minutae, with whimsical twists of fate that methodical realist Arthur would never have countenanced. She’s been consistently interesting since 1995’s striking Angela — first among many narratives from the viewpoint of a child struggling in the shadow of an overwhelming and/or unstable parent. In Private Lives, Pippa (Robin Wright Penn) has her own monstrous parental past. Like many people hailing from chaos, Pippa has turned self-conscious model citizen. In drifting early adulthood, she glommed onto the first man who respected her mind — or did he just recognize a rudderless, much younger woman susceptible to flattery? Ever since she’s been ideal consort to newly retired publisher Herb (Alan Arkin), as well as doting mother to their variably grateful children. Barely 40 and living in an old folks’ village, Pippa is starting to think her life a tad ridiculous. Such nagging but inchoate doubt is underlined by the return of a widow neighbor’s shaggy, somewhat surly son (Keanu Reeves) to Chez Mom after his latest failure at adulthood. Opposites attract, though it’s more complicated than that. Miller’s cluttered canvas also makes room for teensy-to-major characters played by Shirley Knight, Blake Lively, Robin Weigert, Julianne Moore, and Monica Bellucci. As is her wont, she piles on both invigorating insights and a few too many whiplash narrative left turns. But The Private Lives of Pippa Lee has charm and idiosyncrasy to spare. (1:40) Smith Rafael. (Harvey)

A Single Man In this adaptation of Christopher Isherwood’s 1964 novel, Colin Firth plays George, a middle-aged gay expat Brit and college professor in 1962 Los Angeles. Months after the accidental death of Jim (Matthew Goode), his lover for 16 years, George still feels worse than bereft; simply waking each morning is agony. So on this particular day he has decided to end it all, first going through a series of meticulous preparations and discreet leave-takings that include teaching one last class and having supper with the onetime paramour (Julianne Moore) turned best friend who’s still stuck on him. The main problem with fashion designer turned film director Tom Ford’s first feature is that he directs it like a fashion designer, fussing over surface style and irrelevant detail in a story whose tight focus on one hard, real-world thing–grief–cries for simplicity. Not pretentious overpackaging, which encompasses the way his camera slavers over the excessively pretty likes of Nicholas Hoult as a student and Jon Kortajarena as a hustler, as if they were models selling product rather than characters, or even actors. (In fact Kortajarena is a male supermodel; the shocker is that Hoult is not, though Hugh Grant’s erstwhile About a Boy co-star is so preening here you’d never guess.) Eventually Ford stops showing off so much, and A Single Man is effective to the precise degree it lets good work by Goode, Moore and especially the reliably excellent Firth unfold without too much of his terribly artistic interference. (1:39) Sundance Kabuki. (Harvey)

2012 I don’t need to give you reasons to see this movie. You don’t care about the clumsy, hastily dished-out pseudo scientific hoo-ha that explains this whole mess. You don’t care about John Cusack or Woody Harrelson or whoever else signed on for this embarrassing notch in their IMDB entry. You don’t care about Mayan mysteries, how hard it is for single dads, and that Danny Glover and Chiwetel Ejiofor jointly stand in for Obama (always so on the zeitgeist, that Roland Emmerich). You already know what you’re in store for: the most jaw-dropping depictions of humankind’s near-complete destruction that director Emmerich –- who has a flair for such things –- has ever come up with. All the time, creative energy, and money James Cameron has spent perfecting the CGI pores of his characters in Avatar is so much hokum compared to what Emmerich and his Spartan army of computer animators dish out: the U.S.S. John F. Kennedy emerging through a cloud of toxic dust like some Mary Celeste of the military-industrial complex, born aloft on a massive tidal wave that pulverizes the White House; the dome of St. Paul’s flattening the opium-doped masses like a steamroller; Hawaii returned to its original volcanic state; and oodles more scenes in which we are allowed to register terror, but not horror, at the gorgeous destruction that is unfurled before us as the world ends (again) but no one really dies. Get this man a bigger budget. (2:40) 1000 Van Ness. (Sussman)

The Twilight Saga: New Moon Oh my God, you guys, it’s that time of the year: another Twilight chapter hits theaters. New Moon reunites useless cipher Bella (Kristen Steward) and Edward (Robert Pattinson), everyone’s favorite sparkly creature of darkness. Because this is a teen wangstfest, the course of true love is kind of bumpy. This time around, there’s a heavy Romeo and Juliet subplot and some interference from perpetually shirtless werewolf Jacob (Taylor Lautner). Chances are you know this already, as you’ve either devoured Stephenie Meyer’s book series or you were one of the record-breaking numbers in attendance for the film’s opening weekend. And for those non-Twilight fanatics — is there any reason to see New Moon? Yes and no. Like the 2008’s Twilight, New Moon is reasonably entertaining, with plenty of underage sexual tension, supernatural slugfests, and laughable line readings. But there’s something off this time around: New Moon is fun but flat. For diehard fans, it’s another excuse to shriek at the screen. For anyone else, it’s a soulless diversion. (2:10) Empire, 1000 Van Ness, SF Center, Sundance Kabuki. (Peitzman)

Up in the Air After all the soldiers’ stories and the cannibalism canards of late, Up in the Air‘s focus on a corporate ax-man — an everyday everyman sniper in full-throttle downsizing mode — is more than timely; it’s downright eerie. But George Clooney does his best to inject likeable, if not quite soulful, humanity into Ryan Bingham, an all-pro mileage collector who prides himself in laying off employees en masse with as few tears, tantrums, and murder-suicide rages as possible. This terminator’s smooth ride from airport terminal to terminal is interrupted not only by a possible soul mate, fellow smoothie and corporate traveler Alex (Vera Farmiga), but a young tech-savvy upstart, Natalie (Anna Kendrick), who threatens to take the process to new reductionist lows (layoff via Web cam) and downsize Ryan along the way. With Up in the Air, director Jason Reitman, who oversaw Thank You for Smoking (2005) as well as Juno (2007), is threatening to become the bard of office parks, Casual Fridays, khaki-clad happy hours, and fly-over zones. But Up in the Air is no Death of a Salesman, and despite some memorable moments that capture the pain of downsizing and the flatness of real life, instances of snappily screwball dialogue, and some more than solid performances by all (and in particular, Kendrick), he never manages to quite sell us on the existence of Ryan’s soul. (1:49) SF Center. (Chun)

Sprinting toward Babylon

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Sprinting toward Babylon

VISUAL ART I remember the first time I heard about Conrad Ruiz. I was standing by the fire on the patio of the Eagle, a spot that for me is a site of great tidings. A pair of talented San Francisco artists told me with enthusiasm about this young painter whose large-scale works depicted things like a man riding the nose of a killer whale as it burst forth from a pool, or a coach getting a golden shower of Gatorade from his triumphant team. According to their accounts, Ruiz magnified and entwined the absurdity and ecstasy of his subject matter. I had some cathartic laughs just imagining his paintings.

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Detail from Overload. Challenger explosion not pictured.

When I first “saw” Ruiz’s art, online, it exceeded my expectations. In particular, I was blown away by Overload [2009], which among other things deserves consideration as the best piece of “Barack Obama art” to date. Panoramic and vibrant even when shrunk 25 times in size, Ruiz’s watercolor works on paper and canvas once again incited a convulsive reaction. I laughed my ass off upon seeing works such as New Fall Lineup [2009] for the first time. But the longer I looked, the more caught up in wonder I became about their myriad tiny details and teeming — at times disturbing subtextual currents.

What goes on in Ruiz’s imagination? On the eve of his first solo show, at San Francisco’s Silverman Gallery, I caught up with him as he navigated the social conflagration of Art Basel Miami, the megafair where at least one magazine tipped him as the leader of a “new generation of art stars.” Whatever one makes of that claim, Ruiz — who is also plotting some collective artistic efforts with friends — is the splashiest crest of an exciting new wave of young California painters.

SFBG How are you doing?
Conrad Ruiz I’m alright. I’m just sitting on South Beach. I wanted to find a place to gather my thoughts, and I’m watching this guy tan himself. I can’t believe he’s doing that. He’s got these great stomach muscles. [Curator and Berkeley Art Museum director] Larry Rinder and I were talking about doing sit-ups before we came here, but we both just got busy — we never did it.

Miami’s fun. I kind of wish I could take my shirt off everywhere, but I feel a little bit squishy.

SFBG It seems like your art would look good in Miami.
CR The colors are finding a home here. There are a lot of bright red and yellow bikinis around. This couple nearby are either arguing or also tanning themselves. They just sit and look at the sun, kinda like lizards.

SFBG What do you think of the Tiger Woods news frenzy right now? I wondered about your take on him. In a way, I thought he might not fit along with some of the athletic figures you depict, because golf isn’t so much about dynamism.
CR But you always hear comedians say, “Just leave it to a black American to dominate another sport.” Chris Rock essentially says, “Wait till we get on ice skates, man, we’re going to take over hockey.”

Tiger Woods has been developed into this brand, aligned with Nike. It’s a very intelligent campaign. It’s not Obama, but he’s been this person who can do no wrong. That’s the personality that has developed through whoever is handling his marketing. It’s more than his being an excellent golfer, he’s also been displayed as this great human. We don’t know that much about him, and then something like [the car accident and ensuing scandal] happens. It’s all we get, and it’s kind of sketchy, and it happened to fall on this awesome Thanksgiving weekend. I thought, “All must be right in the world if the only thing we have to talk about is Tiger Woods getting hit with a golf club by his wife.” If that’s what actually happened.

SFBG People are already Photoshopping and digitally animating visions of that.
CR That’s my job — to look up all that stuff.

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SFBG Does 1970s cinema have any place in your mind’s eye? The Jaws [1975] shark in your painting Rough Riders [2008] and the disaster film or Towering Inferno-like [1974] quality of works like New Fall Lineup made me wonder. I could see that I might be wrong about the latter, since a flaming, exploding skyscraper has other obvious connotations.
CR My work really started with that time period and in painting advertising from that era. The colors were a lot more primary. When I was painting those advertisements, the work was more sarcastic. That beginning body of work was about developing this snarky character that evolved into what I’m making now.

It is about going back and catching some of the ridiculousness of what was so popular at one time. When you watch a disaster film now, you know the history of those celebrities. It’s hard for me to relate to that period of time, but it’s easy for me to relate to early 1990s movies like the Naked Gun franchise — O.J. Simpson was in those — and the Terminator flicks. Those are ridiculous and fun. I like them, and of course [lowers voice], that’s my Governor.

Everyone says “I hate that guy,” but even though I think [Schwarzenegger]’s doing a terrible job, I don’t want my politicians to be these people I don’t know — I’d rather have them be these celebrities I hate. If I’m going to hate who’s in office, I’d rather have it be Sylvester Stallone or somebody.

SFBG When you make work that has a contemporary element, there’s always a danger of it becoming instantly dated. But I think some of your work is both timely and ahead of its time. Overload, for example, just becomes more and more evocative.

The NASA element of the piece, with the Challenger exploding, is taking on new facets as Obama is increasingly identified with the military and space program. I saw a show at Altman Siegel Gallery by Matt Keegan earlier this year that utilized a New York Times front page photo of Obama boarding Air Force One for the first time. That’s a more direct example of what I’m talking about. Six months ago, that image had a different connotation.
CR I was really hoping Obama would get elected, because I started Overload before the election.

SFBG I have to ask about the Challenger’s presence in Overload. I was talking with the artist Colter Jacobsen recently about the fact that I’d like to put together a show of Challenger-related art. Within the art world, there are at least a dozen or so people who have incorporated the Challenger one way or another into work. That’s not even counting how it has manifested as band and album names and jokes in popular culture.
CR For me, it would be great to ask the artist about the original idea behind making a Challenger painting. Everyone has a different a point of view about what’s going on. I always feel like I’m casting with my paintings. There are these scenarios that have never happened, and since I get to decide what’s happening, I also decide who is the star —whether it’s someone from a B movie, an unsung celebrity, a friend who I’m giving a big break, or someone from a blockbuster, like Eddie Murphy and David Alan Grier.

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Overload is a blockbuster sort of painting. I cast that [Challenger] explosion because I thought it was a very unique, amazing explosion. Once I began painting it, people began talking about its relevance, because it says something different when Obama is flying towards it, possibly causing it or stopping it.

To be very honest, I didn’t initially know it was the Challenger exploding. My Mom told me. She’s a teacher, so to her it was a terrible thing, and she asked me to really consider what I was doing. I told her, “That’s perfect.” Because to me the painting is about Obama coming to the rescue and shitting these energy projections — either he’s going to stop the war, or he causing some trouble of his own.

A few paintings later [in New Fall Lineup] I painted the Twin Towers exploding for a similar reason. I was casting this unique explosion and trying to create a different scenario with it.

SFBG I don’t often self-identify in generational terms, but when I was talking about the Challenger explosion with Colter [Jacobsen], he was saying that he had referred to it while teaching a class, and that it wasn’t even a memory for many students. Whereas for he and I, there was the teacher element, and also the fact that everyone was watching the Challenger at school that day. So as a disastrous event, it was similar to 9/11 in that the day just stopped.
CR The Challenger explosion has a lot to do with failed promise, doesn’t it? There was tremendous hope about what was about to happen, and it all fell apart in one second.

There’s an element of comedy that I’ve kind of borrowed from Richard Pryor. As I watch his stuff, it’s more like performance art. What he talked about wasn’t funny at all, it was actually horrible. He was an interesting character in that he talked about things that were definitely not right, but did so in a way that everyone would be laughing. Comedy is a way of passing serious information without being worried about the consequences. That makes it kind of a new territory. Dave Chappelle was able to say some unique and terrible things in this fun format.

SFBG It’s interesting that you bring up Chappelle, because after he hit his sort of Challenger moment on the pop culture stage and went away, Block Party [a.k.a. Dave Chappelle’s Block Party, 2006] came out.
CR That’s a beautiful movie.

SFBG It was released during the final stretch of all the jockeying for Academy Awards in Hollywood. All these talking heads were going on about which movies were important, and I remember thinking that Block Party was more important or vital and connected to the world than any of them.
CR/strong> His stuff is always about pointing out differences, and bringing together ideas of social class hierarchy. In a roundabout way, that’s what he did [in em>Block Party]. He brought together a lot of high-end artists and gave a free show. It was about giving to the people or the neighborhood. The idea of a barbecue, a barbecue block party, also has an ethnic connotation to it.

SFBG There is a lot of athletic imagery in your art, and I don’t want to reduce it to masculinity or sexuality, but I do want to ask about being drawn to those kinds of visuals, or wanting to render them.

Veronica De Jesus does some sports-oriented work that’s quite different from yours, but also has a terrific sense of humor. Sports are quite iconic — moments like an Olympic runner tumbling or Zidane’s headbutt become part of the collective consciousness. But beyond that, there’s an ecstatic, colorful, lively quality to your sports imagery.
CR Sports have always been a part of my life. My mom and dad were very athletic at one time, and they encouraged my brother and me to take part in sports. The alternative was for us to be on our own, and they knew we had a lot of Latino friends, so of course I was just going to get into trouble. So I was enrolled in soccer and taekwando. I was a sprinter in high school, and I was on the football team.

[The paintings] are a culmination of all the things you’re talking about. The outfits these athletes wear are designed to be eye-catching, with these primary colors. The Denver Broncos have that awesome dark blue with orange …

SFBG I love that combo. I just put together a sports cinema program with a film curator at Yerba Buena Center for the Arts, and when I’d introduce a movie from the 1970s, I’d always mention the athletic fashions.
CR Everything is designed to be the most freaking amazing thing possible, because these people are performing acts that no one else can do — they’re leaping through the air catching a ball thrown from very far away while wearing purple and yellow. The performance and exertion is incredible, and at the same time, what can make it even greater is being in a stadium where everyone is screaming their lungs out at the same time. Whether it’s an epic win or colossal failure, it’s still that climax. The climax doesn’t mean that it’s good — it’s a peak of performance.

When I’d meet with advisors at CCA [California College of the Arts], we’d really break it down, and they could easily talk me out of making my work. When you get down to it, what I’m doing is a little ineffective, and what would be more effective, to really get my idea across, would be to just play soccer with a group. I’d be performing, I’d be creating these intimate male relationships. I could actually be slapping some guy’s butt instead of painting around it. Joining a soccer team would be more efficient.

SFBG Maybe you and Luke [Butler, a fellow Silverman Gallery artist whose work engages with masculinity] should join a soccer team.
CR [Laughs] Yeah.

SFBG There is some commonality between your work, and also some major differences.
CR I think it’s because I’m the boy and Luke is the dashing man. I’m looking to be a man and trying to figure out what a man is, while Luke is a dashing man looking sideways.

CONRAD RUIZ: COLD, HARD AND WET
Fri/11 through Jan. 30, 2010
Silverman Gallery
804 Sutter, SF
(415) 255-9508
www.silverman-gallery.com

Music listings

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Music listings

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 9

ROCK/BLUES/HIP-HOP
Donnas, Lilofee Slim’s. 8:30pm, $17.
Bruce Hornsby, Bob Schneider Palace of Fine Arts, 3301 Lyon, SF; www.ticketmaster.com. 8pm, $52.50.
Kim Wilson Blues Revue Biscuits and Blues. 8 and 10pm, $25.
Real, Headslide, Socialized El Rio. 8pm, $5.
“Silicon Valley Rock! 2009” Great American Music Hall. 7:30pm, $25. With Open Source Band, Corinne Marcus and the Kindred Spirits, Whitehalls, Tell-Tale Heartbreakers, Farewell Typewriter, and Marrow.
Son Volt, Sara Cahoone Fillmore. 8pm, $25.
Rosie Thomas, Josh Ottum Independent. 8pm, $15.
Tristeza, Winfred E. Eye, Drew Andrews Bottom of the Hill. 9pm, $12.
“Umloud” DNA Lounge. 7pm, $10-120. Play Rock Band (or just watch) to raise money for Child’s Play Charity.
White Rabbits, Band of Skulls, Lovemakers, Downer Party, DJ Aaron Axelsen Bimbo’s 365 Club. 8pm, $15.
Wild Assumptions, Spot Hemlock Tavern. 9pm, $6.

JAZZ/NEW MUSIC
Average White Band Yoshi’s San Francisco. 8 and 10pm, $25.
“B3 Wednesdays” Coda. 9pm, $7. With Quantum Hum.
Cat’s Corner Savanna Jazz. 7pm, $5-10.
Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.
Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
“Meridian Music: Composers in Performance” Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 7:30pm, $10. With Sarah Stiles.
Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY
Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.
Lee Gregory Plough and Stars. 9pm.
Harper Simon, Chapin Sisters Café du Nord. 9:30pm, $15.
Sol Jibe, Afrofunk Experience Elbo Room. 9pm, $7.

DANCE CLUBS
Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.
Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.
Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.
Open Mic Night 330 Ritch. 9pm, $7.
Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.
RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.
Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.
Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.
Tenebrae Knockout. 10:30pm, $5. Dark, minimal, and electronic with DJs Omar, Josh, and Justin.

THURSDAY 10

ROCK/BLUES/HIP-HOP
Espers, Colossal Yes Independent. 8pm, $15.
Trevor Garrod, Grand Hallway, Goh Nakamura Café du Nord. 9pm, $12.
*Grouch, Mistah F.A.B., Fashawn N’ Exile, One Block Radius, DJ Fresh Slim’s. 9pm, $18.
Hi-Nobles, Barbary Coasters, Mindless Things Annie’s Social Club. 8pm.
Moira Scar, Sweet Nothing, Schwule Stud, 399 Ninth St, SF; www.studsf.com. 9pm, $3.
One F Boom Boom Room. 9:30pm, $7.
*Slits, Go-Going-Gone Girls, Sassy!!! Bottom of the Hill. 9pm, $12.
Todd Snider, Barbary Ghosts Great American Music Hall. 8pm, $21.
“Stevie Ray Vaughn Tribute with Alan Iglesias” Biscuits and Blues. 8pm, $15.
Tainted Love Red Devil Lounge. 8pm, $15.
Troublemakers Union Velma’s, 2246 Jerrold, SF; (415) 824-7646. 7pm, $10.
Your Cannons, Foreign Cinema, Tomihira Hemlock Tavern. 9pm, $7.

JAZZ/NEW MUSIC
Michael Coleman Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.
Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.
Ahmad Jamal Yoshi’s San Francisco. 8 and 10pm, $22-26.
Mark Manning, Everything is Fine, Sad Bastard Book Club, Divisions, Upward Adobe Books, 3166 16th St, SF; (415) 864-3936. 7pm.
Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.
“SF Jazz presents Hotplate” Amnesia. 9pm, $5. With Spaceheater playing Rahsaan Roland Kirk.
Stompy Jones Top of the Mark. 7:30pm, $10.
Todd Sickafoose’s Tiny Resistors, Erik Deutsch Hush Money Coda. 9pm, $7.

FOLK/WORLD/COUNTRY
Bebel Gilberto Bimbo’s 365 Club. 8pm, $25.
Morgan Manifacier Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Sang Matiz, Dgiin El Rio. 9pm, $7.
Shannon Céilí Band Plough and Stars. 9pm.

DANCE CLUBS
Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.
Bingotopia Knockout. 7:30-9:30pm, free. Play for drinks, dignity, and dorky prizes with Lady Stacy Pants.
CakeMIX SF Wish, 1539 Folsom, SF. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.
Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.
Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.
From Rum to Whisky: A Murder City Devils Night Thee Parkside. 9pm, free. With speakers Ted Perves and Joseph Tanke, and DJ Johnny Landmine.
Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.
Gymnasium Matador, 10 6th St., SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.
Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.
Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.
Kissing Booth Make Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.
Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.
Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.
Motion Sickness Vertigo, 1160 Polk; (415) 674-1278. 10pm, free. Genre-bending dance party
with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.
Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.
Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.
Saddlecats Atlas Café. 8pm, free.
Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 11

ROCK/BLUES/HIP-HOP
Big D and the Kids Table, Sonic Boom Six, Agent Deadlies Bottom of the Hill. 9pm, $12.
Bog Savages Costello’s Four Deuces, 2319 Taraval, SF; (415) 566-9122. 9:30pm, free.
Breathe Carolina, Cash Cash, Kill Paradise, Fight Fair Slim’s. 7:30pm, $15.
Bart Davenport, Danny James and Pear, Sean Smith and the Present Moment Knockout. 9pm, $7.
Druglords of the Avenues, Rockfight, Good Neighbor Policy Hemlock Tavern. 9:30pm, $7.
*Eyehategod, Stormcrow, Brainoil, Acephalix DNA Lounge. 8p, $20.
Fervor, Arcadio Make-Out Room. 7pm.
Flakes Annie’s Social Club. 6pm.
“Hut at the Hut IX: Journey Unauthorized” Independent. 9pm, $20. Benefit for the SF Food Bank and the DA Taylor Charitable Foundation.
Jascha v Jascha, Girls in Trouble Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
DJ Lebowitz Madrone Art Bar. 6-9pm, free.
Los Lobos Fillmore. 9pm, $42.50.
Mi Ami, Inca Ore, Jozef Van Wissem, DJ Tristes Tropiques Lab, 2948 16th St, SF; www.thelab.org. 8pm, $5.
Mission Players Pier 23. 10pm, $10.
Slowfinger, Badstrip Annie’s Social Club. 9pm, $5 (free before 10pm).

JAZZ/NEW MUSIC
Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Black Market Jazz Orchestra Top of the Mark. 9pm, $10.
Cannonball Reunion Coda. 10pm, $10.
“Dave Koz’s Smooth Jazz Christmas” Nob Hill Masonic Center, 1111 California, SF; 1-800-745-3000. 8pm, $39.50-99.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
Ahmad Jamal Yoshi’s San Francisco. 8pm, $30.
Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.
Terry Disley Experience Shanghai 1930. 7:30pm, free.

FOLK/WORLD/COUNTRY
Seth Augustus Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Dave Hanley Band Plough and Stars. 9pm.
Ellis Dolores Park Café. 7:30pm, $10.
Lucas Revolution Amnesia. 8pm, free.
Queen Ifrica, Tony Rebel Rock-It Room. 9pm, $20.

DANCE CLUBS
Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.
Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.
Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.
Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.
Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.
Fo’ Sho! Fridays Madrone. 10pm, $5. DJs Kung Fu Chris, Makossa, and Quickie Mart spin rare grooves, soul, funk, and hip-hop classics.
Frenchie Presents Club Six. 9pm, $10. With DJs Equipto, Best1, Slowburn, Coudee, Musonics, and more spinning hip hop.
Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm. Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.
I Can’t Feel My Face Amnesia. 10pm, $3. With DJs EUG and J Montag.
Fedde Le Grand Regency Ballroom. 9pm, $15.
Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.
Lovebuzz Annie’s Social Club. 9pm, $5. Rock, classic punk, and 90s with DJs Jawa and Melanie Nelson.
M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.
Miracle on 17th Street Thee Parkside. 9pm, $2. Bands, DJs Tina Boom Boom and Lydia, shopping, photos with Santa, and more.
Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.
6 to 9 800 Larkin, 800 Larkin, SF; (415) 567-9326. 6pm, free. DJs David Justin and Dean Manning spinning downtempo, electro breaks, techno, and tech house. Free food by 800 Larkin.
Treat ‘Em Right Elbo Room. 10pm, $5. Hip-hop, Latin, reggae, and classics with DJs Vinnie Esparza, B-Cause, and Beto.

SATURDAY 12

ROCK/BLUES/HIP-HOP
Alexis Harte Band, Davis Jones, Rebecca Cross Hotel Utah. 9pm, $8.
Aquabats, Action Design, Monkey Slim’s. 9pm, $18.
Captured! By Robots, Grayceon, Dirty Power Bottom of the Hill. 10pm, $12.
Dolorata, Passengers, Two Against One El Rio. 9pm, $7.
Rick Estrin and the Night Cats Biscuits and Blues. 8 and 10pm, $20.
Evangelista, Thrones, Late Young Hemlock Tavern. 9:30pm, $12.
Full On Flyhead, Port Red Devil Lounge. 8pm, $10.
Garage a Trois, DJ Dan Prothero Independent. 9pm, $20.
Jank Amnesia. 7pm, free.
K-9, Distance from Shelter Thee Parkside. 3pm, free. SFFD and Bike Messenger toy drive.
Los Lobos Fillmore. 9pm, $42.50.
Microfiche, White Cloud, Middle D Lab, 2948 16th St, SF; www.thelab.org. 8pm, $5. Event also includes a Tetris tournament.
Edward Sharpe and the Magnetic Zeros, Fool’s Gold Great American Music Hall. 9pm, $16.
Struts, Impalers, Horror-X Annie’s Social Club. 9pm, $10.

JAZZ/NEW MUSIC
Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Terrence Brewer Coda. 10pm, $10.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
Ahmad Jamal Yoshi’s San Francisco. 8 and 10pm, $30.
“Jazz Jam Session with Uptime Jazz Group” Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.
Amanda King Zingari Ristorante, 501 Post, SF; (415) 885-8850. 8pm, free.
Lisa Mezzacappa and Nightshade, John Raskin-Phillip Greenlief Duo Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8pm, $10.
Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY
Family Style Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Hard Living Band Plough and Stars. 9pm.
Li’ Ol’ Opry, Chuck and Jeanie, Misispi Mike Café International, 508 Haight, SF; (415) 665-9915. 7pm, free.
Joe Purdy, Meaghan Smith Swedish American Hall (upstairs from Café du Nord). 8pm, $15.
Sounds of Lyon Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

DANCE CLUBS
Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.
Black XXXmas 550 Barneveld, 550 Barneveld, SF; (415) 550-6886. 10pm, $40. With DJs Abel, Luke Johnstone, and Jamie J Sanchez bringing all the naughty boys out.
Bootie DNA Lounge. 9pm, $6-12. Holiday mash-ups with Adrian and Mysterious D, Dada, and more.
Club 1994 111 Minna. 9pm, $10. With DJs Jeffrey Paradise and Richie Panic spinning strictly 90’s.
HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.
Moped Amnesia. 10pm, $6. Live electronica and DJs.
Reggae Gold SF Endup. 10pm, $5. With DJs Daddy Rolo, Polo Mo’Quuz, and more spinning reggae, dancehall, and remixes all night.
Same Sex Salsa and Swing Magnet, 4122 18th St., SF; (415) 305-8242. 7pm, free.
Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.
Tormenta Tropical Elbo Room. 10pm, $5-10. Electro cumbia with Uproot Andy, DJ Panik, Disco Shawn, and Oro.

SUNDAY 13

ROCK/BLUES/HIP-HOP
“Blue Bear School of Music Band Showcase” Café du Nord. 7:30pm, $12-20.
“Electronic Puppenhorten Godwaffle Noise Pancakes” Lab, 2948 16th St, SF; www.thelab.org. Noon, $5. With +DOG+, Nux Vomica, Anti Ear, Andrea Williams’ Anais Din, z_Bug, Jolt Thrower, Voracious Garbage Vixens, and Mephitic Ooze.
Faceless, Dying Fetus, Beneath the Massacre, Suffokate, Enfold Darkness DNA Lounge. 7:30pm, $18.
Magik Markers, Sic Alps, Wiggwaum Hemlock Tavern. 9pm, $7.
Mew Mezzanine. 8pm, $20.
Grace Potter and the Nocturnals, Howlin Rain Fillmore. 8pm, $21.
Timothy B. Schmit Great American Music Hall. 8pm, $20.
Static Thought, SpawnAtomic, Jibbers El Rio. 7pm, $5.

JAZZ/NEW MUSIC
Community Music Center Jazz Band Community Music Center, 544 Capp, SF; www.sfcmc.org. 4pm, free.
Ahmad Jamal Yoshi’s San Francisco. 2 and 7pm, $5-30.
Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.
Kim Nalley, Tammy Hall, Michael Zisman Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

FOLK/WORLD/COUNTRY
Christmas is Best! Amnesia. 9pm, $7-10. With Uni and her Ukelele.
Marla Fibish and friends Plough and Stars. 9pm.
Merle Jagger Thee Parkside. 4pm, free.
Mucho Axé Coda. 8pm, $7.
Rob Reich Red Poppy Art House. 7pm, $10-20. An evening of music and film.
77 El Deora, Maurice Tani Bird and Beckett, 653 Chenery, SF; (415) 586-3733. 4:30pm; free, donations accepted.

DANCE CLUBS
DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.
Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep, Vinnie Esparza, and guest Lud Dub.
Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.
Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?
Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.
Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.
Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.
Religion Bar on Church. 3pm. With DJ Nikita.
Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 14

ROCK/BLUES/HIP-HOP
Tab Benoit Slim’s. 8pm, $20.
“Blue Bear School of Music Band Showcase” Café du Nord. 7:30pm, $12-20.
Lady Gaga, Kid Cudi, Semi Precious Weapons Bill Graham Civic Auditorium, 99 Grove, SF; www.ticketmaster.com. 7:30pm, $50.
Maria Muldaur Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399. 8pm, $35.

JAZZ/NEW MUSIC
Hot Foot Swing Band Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.
Mark Levine and the Latin Tinge Yoshi’s San Francisco. 8pm, $14.

FOLK/WORLD/COUNTRY
Toshio Hirano Amnesia. 8:30pm, free.

DANCE CLUBS
Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!
Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.
Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.
King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.
Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.
Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.
Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.
Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 15

ROCK/BLUES/HIP-HOP
Aces Biscuits and Blues. 8pm, $15.
“Blue Bear School of Music Band Showcase” Café du Nord. 7:30pm, $12-20.
Corner Laughers, Anton Barbeau, Allen Clapp Grant and Green. 8:30pm, free.
Davy Knowles and Back Door Slam, Ron Drabkin Independent. 8pm, $15.
Maria Muldaur Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-866-468-3399. 8pm, $35.
Nessie and Her Beard, Awkward Janitor El Rio. 8pm, free.
Sore Thumbs, Get Dead, Super Ego Bottom of the Hill. 9pm, $8.
Tempo No Tempo, Grooms, Young Prisms Hemlock Tavern. 9pm, $7.
Zero 7, Phantogram Warfield. 8pm, $26.50-30.

FOLK/WORLD/COUNTRY
Cohen Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Mucho Axe, Fogo Na Roupa Elbo Room. 9pm, $7.
Slow Session Plough and Stars. 9pm. With Michael Duffy and friends.

JAZZ/NEW MUSIC
“Booglaloo Tuesday” Madrone Art Bar. 9:30pm, $3. With Oscar Myers.
Dave Parker Quintet Rasselas Jazz. 8pm.
Euliptian Quartet Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Charlie Hunter Yoshi’s San Francisco. 8 and 10pm, $16-20.
Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS
Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck and Crystal Meth.
Drunken Monkey Annie’s Social Club. 9pm, free. Guest DJs and shot specials; also, check out Open Mic Comedy (6-9pm) and punk rock karaoke (9pm-2am) in the back room.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.
Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.
Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.
Womanizer Bar on Church. 9pm. With DJ Nuxx.

Film listings

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Film listings

Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Louis Peitzman, Lynn Rapoport, Ben Richardson, Matt Sussman, and Laura Swanbeck. The film intern is Fernando F. Croce. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

OPENING

Invictus Elected President of South Africa in 1995 — just five years after his release from nearly three decades’ imprisonment — Nelson Mandela (Morgan Freeman) perceives a chance to forward his message of reconciliation and forgiveness by throwing support behind the low-ranked national rugby team. Trouble is, the Springboks are currently low-ranked, with the World Cup a very faint hope just one year away. Not to mention the fact that despite having one black member, they represent the all-too-recent Apartheid past for the country’s non-white majority. Based on John Carlin’s nonfiction tome, this latest Oscar bait by the indefatigable Clint Eastwood sports his usual plusses and minuses: An impressive scale, solid performances (Matt Damon co-stars as the team’s Afrikaaner captain), deft handling of subplots, and solid craftsmanship on the one hand. A certain dull literal-minded earnestness, lack of style and excitement on the other. Anthony Peckham’s screenplay hits the requisite inspirational notes (sometimes pretty bluntly), but even in the attenuated finals match, Eastwood’s direction is steady as she goes — no peaks, no valleys, no faults but not much inspiration, either. It doesn’t help that Kyle Eastwood and Michael Stevens contribute a score that’s as rousing as a warm milk bath. This is an entertaining history lesson, but it should have been an exhilarating one. (2:14) Sundance Kabuki. (Harvey)

Me and Orson Welles See “Citizen Welles.” (1:54)

*The Princess and the Frog Expectations run high for The Princess and the Frog: it’s the first Disney film to feature an African American princess, the first 2D Disney cartoon since the regrettable Home on the Range (2004), and the latest entry from the writing-directing team responsible for The Little Mermaid (1989) and Aladdin (1992). Here’s the real surprise — The Princess and the Frog not only meets those expectations, it exceeds them. After years of disappointment, many of us have given up hope on another classic entry into the Disney 2D animation canon. And yet, The Princess and the Frog is up there with the greats, full of catchy songs, gorgeous animation, and memorable characters. Set in New Orleans, the story is a take off on the Frog Prince fairy tale. Here, the voodoo-cursed Prince Naveen kisses waitress Tiana instead — transferring his froggy plight to her as well. A fun twist, and a positive message: wishing is great, but it takes hard work to make your dreams come true. For those of us raised on classic Disney, The Princess and the Frog is almost too good to believe. (1:37) Shattuck. (Peitzman)

*The Private Lives of Pippa Lee See “Life Out of Balance.” (1:40) Albany, Bridge, Smith Rafael.

A Single Man Tom Ford directs Colin Firth and Julianne Moore in this 1960s-set tale of a man mourning the death of his longtime partner. (1:39) Sundance Kabuki.

Uncertainty A knocked-up girl (Lynn Collins) and a guy with a coin in his pocket (Joseph Gordon-Levitt) stand on the Brooklyn Bridge, circle the issue, flip the coin, then bolt in opposite directions. The coin was clearly purchased in some dusty, mysterious Chinatown magic shop from a loopy-seeming octogenarian codger, because at each end of the bridge, the pair reunite for two 24-hour bouts of the title’s psychological state that unspool side by side in time but diverge in mood and pace and genre: on the Brooklyn side, we get a slow-paced family drama; in Manhattan, a pulse-raising action-thriller. In other words, a monument, a monumental decision, and a premise spun out of such pure and visible artifice that it seems unlikely to translate into absorbing filmmaking. It does, though, somehow, in the hands of writer-directors Scott McGehee and David Siegel (2005’s Bee Season, 2001’s The Deep End), who adroitly move Uncertainty’s central characters through familial scenes weighted down by quiet grief, strife, love, and worry and through the more heightened anxiety of chase and gunplay and ceaseless surveillance. While the framework remains a distracting fact, something constructed while we watched and then imposed on us, the film, heavily improvised, is carefully edited to guide us without tripping between the two threads of story. And in each — in what is becoming a pleasurable habit — we watch Gordon-Levitt bring texture and depth to the smallest moments in a conversation or scene. (1:45) Roxie. (Rapoport)

ONGOING

Armored (1:28) 1000 Van Ness, Shattuck.

*Bad Lieutenant: Port of Call New Orleans Consider that ridiculous title. Though its poster and imdb entry eliminate the initial article, it appears onscreen as The Bad Lieutenant: Port of Call New Orleans. That’s the bad lieutenant, not to be confused with Abel Ferrara’s 1992 Bad Lieutenant. The bad lieutenant has a name: Terence McDonagh, and he’s a police officer of similarly wobbly moral fiber. McDonagh’s tale — inspired by Ferrara and scripted by William Finkelstein, but perhaps more important, filmed by Werner Herzog and interpreted by Nicolas Cage — opens with a snake slithering through a post-Hurricane Katrina flood. A prisoner has been forgotten in a basement jail. McDonagh and fellow cop Stevie Pruit (Val Kilmer) taunt the man, taking bets on how long it’ll take him to drown in the rising waters. An act of cruelty seems all but certain until McDonagh, who’s quickly been established as a righteous asshole, suddenly dives in for the rescue. Unpredictability, and quite a bit of instability, reigns thereafter. Every scene holds the possibility of careening to heights both campy and terrifying, and Cage proves an inspired casting choice. At this point in his career, he has nothing to lose, and his take on Lt. McDonagh is as haywire as it gets. McDonagh snorts coke before reporting to a crime scene; he threatens the elderly; he hauls his star teenage witness along when he confronts a john who’s mistreated his prostitute girlfriend (Eva Mendes); he cackles like a maniac; he lurches around like a hunchback on crack. Not knowing what McDonagh will do next is as entertaining as knowing it’ll likely be completely insane. (2:01) Shattuck, Smith Rafael. (Eddy)

The Blind Side When the New York Times Magazine published Michael Lewis’ article “The Ballad of Big Mike” — which he expanded into the 2006 book The Blind Side: Evolution of a Game —nobody could have predicated the cultural windfall it would spawn. Lewis told the incredible story of Michael Oher — a 6’4, 350-pound 16-year-old, who grew up functionally parentless, splitting time between friends’ couches and the streets of one of Memphis’ poorest neighborhoods. As a sophomore with a 0.4 GPA, Oher serendipitously hitched a ride with a friend’s father to a ritzy private school across town and embarked on an unbelievable journey that led him into a upper-class, white family; the Dean’s List at Ole Miss; and, finally, the NFL. The film itself effectively focuses on Oher’s indomitable spirit and big heart, and the fearless devotion of Leigh Anne Tuohy, the matriarch of the family who adopted him (masterfully played by Sandra Bullock). While the movie will delight and touch moviegoers, its greatest success is that it will likely spur its viewers on to read Lewis’ brilliant book. (2:06) 1000 Van Ness, Sundance Kabuki. (Daniel Alvarez)

Brothers There’s nothing particularly original about Brothers — first, because it’s based on a Danish film of the same name, and second, because sibling rivalry is one of the oldest stories in the book. The story is fairly straightforward: good brother (Tobey Maguire) goes AWOL in Afghanistan, bad brother (Jake Gyllenhaal) comforts his sister-in law (Natalie Portman), attraction develops, but then — and here’s where things get awkward — good brother comes home. Throughout much of Brothers, the script is surprisingly restrained, holding the film back from Movie of the Week territory. Those moments of subtlety are the movie’s strongest, but by the end they’ve given way to giant, maudlin explosions of angst, which aren’t nearly as impressive. Still, the acting is consistently strong. Maguire is especially good as Captain Sam Cahill in a performance that runs the gamut from doting father to terrifyingly unbalanced. It’s unfortunate that the quiet scenes, in which all the actors excel, are overshadowed by the big, plate-smashing ones. (1:50) 1000 Van Ness, Shattuck, Sundance Kabuki. (Peitzman)

*Capitalism: A Love Story Gun control. The Bush administration. Healthcare. Over the past decade, Michael Moore has tackled some of the most contentious issues with his trademark blend of humor and liberal rage. In Capitalism: A Love Story, he sets his sights on an even grander subject. Where to begin when you’re talking about an economic system that has defined this nation? Predictably, Moore’s focus is on all those times capitalism has failed. By this point, his tactics are familiar, but he still has a few tricks up his sleeve. As with Sicko (2007), Moore proves he can restrain himself — he gets plenty of screen time, but he spends more time than ever behind the camera. This isn’t about Moore; it’s about the United States. When he steps out of the limelight, he’s ultimately more effective, crafting a film that’s bipartisan in nature, not just in name. No, he’s not likely to please all, but for every Glenn Beck, there’s a sane moderate wondering where all the money has gone. (2:07) Roxie. (Peitzman)

Christmas with Walt Disney Specially made for the Presidio’s recently opened Walt Disney Family Museum, this nearly hour-long compilation of vintage Yuletide-themed moments from throughout the studio’s history (up to Walt’s 1966 death) is more interesting than you might expect. The engine is eldest daughter Diane Disney Miller’s narrating reminiscences, often accompanied by excerpts from an apparently voluminous library of high-quality home movies. Otherwise, the clips are drawn from a mix of short and full-length animations, live-action features (like 1960’s Swiss Family Robinson), TV shows Wonderful World of Disney and Mickey Mouse Club, plus public events like Disneyland’s annual Christmas Parade and Disney’s orchestration of the 1960 Winter Olympics’ pageantry. If anything, this documentary is a little too rushed –- it certainly could have idled a little longer with some of the less familiar cartoon material. But especially for those who who grew up with Disney product only in its post-founder era, it will be striking to realize what a large figure Walt himself once cut in American culture, not just as a brand but as an on-screen personality. The film screens Nov 27-Jan 2; for additional information, visit http://disney.go.com/disneyatoz/familymuseum/index.html. (:59) Walt Disney Family Museum. (Harvey)

*Collapse Michael Ruppert is a onetime LAPD narcotics detective and Republican whose radicalization started with the discovery (and exposure) of CIA drug trafficking operations in the late 70s. More recently he’s been known as an author agitator focusing on political coverups of many types, his ideas getting him branded as a factually unreliable conspiracy theorist by some (including some left voices like Norman Solomon) and a prophet by others (particularly himself). This documentary by Chris Smith (American Movie) gives him 82 minutes to weave together various concepts — about peak oil, bailouts, the stock market, archaic governmental systems, the end of local food-production sustainability, et al. — toward a frightening vision of near-future apocalypse. It’s “the greatest preventable holocaust in the history of planet Earth, our own suicide,” as tapped-out resources and fragile national infrastructures trigger a collapse in global industrialized civilization. This will force “the greatest age in human evolution that’s ever taken place,” necessitating entirely new (or perhaps very old, pre-industrial) community models for our species’ survival. Ruppert is passionate, earnest and rather brilliant. He also comes off at times as sad, angry, and eccentric, bridling whenever Smith raises questions about his methodologies. Essentially a lecture with some clever illustrative materials inserted (notably vintage educational cartoons), Collapse is, as alarmist screeds go, pretty dang alarming. It’s certainly food for thought, and would make a great viewing addendum to concurrent post-apocalyptic fiction The Road. (1:22) Shattuck. (Harvey)

La Danse: The Paris Opera Ballet (2:38) Smith Rafael.

Disney’s A Christmas Carol (1:36) 1000 Van Ness.

*An Education The pursuit of knowledge — both carnal and cultural — are at the tender core of this end-of-innocence valentine by Danish filmmaker Lone Scherfig (who first made her well-tempered voice heard with her 2000 Dogme entry, Italian for Beginners), based on journalist Lynn Barber’s memoir. Screenwriter Nick Hornby breaks further with his Peter Pan protagonists with this adaptation: no man-boy mopers or misfits here. Rather, 16-year-old schoolgirl Jenny (Carey Mulligan) is a good girl and ace student. It’s 1961, and England is only starting to stir from its somber, all-too-sober post-war slumber. The carefully cloistered Jenny is on track for Oxford, though swinging London and its high-style freedoms beckon just around the corner. Ushering in those freedoms — a new, more class-free world disorder — is the charming David (Peter Sarsgaard), stopping to give Jenny and her cello a ride in the rain and soon proffering concerts and late-night suppers in the city. He’s a sweet-faced, feline outsider: cultured, Jewish, and given to playing fast and loose in the margins of society. David can see Jenny for the gem she is and appreciate her innocence with the knowing pleasure of a decadent playing all the angles. The stakes are believably high, thanks to An Education’s careful attention to time and place and its gently glamored performances. Scherfig revels in the smart, easy-on-eye curb appeal of David and his friends while giving a nod to the college-educated empowerment Jenny risks by skipping class to jet to Paris. And Mulligan lends it all credence by letting all those seduced, abandoned, conflicted, rebellious feelings flicker unbridled across her face. (1:35) Albany, Piedmont. (Chun)

The End of Poverty? (1:46) Four Star.

Everybody’s Fine Robert De Niro works somewhere between serious De Niro and funny De Niro in this portrait of a family in muffled crisis, a remake of the 1991 Italian film Stanno Tutti Bene. The American version tracks the comings and goings of Frank (De Niro), a recently widowed retiree who fills his solitary hours working in the garden and talking to strangers about his children, who’ve flung themselves across the country in pursuit of various dreams and now send home overpolished reports of their achievements. Disappointed by his offspring’s collective failure to show up for a family get-together, he embarks on a cross-country odyssey to connect with each in turn. Writer-director Kirk Jones (1998’s Waking Ned Devine) effectively underscores Frank’s loneliness with shots of him steering his cart through empty grocery stores, interacting only with the occasional stock clerk, and De Niro projects a sense of drifting disconnection with poignant restraint. But Jones also litters the film with a string of uninspired, autopilot comic moments, and manifold shots of telephone wires as Frank’s children (Kate Beckinsale, Drew Barrymore, and Sam Rockwell) whisper across the miles behind their father’s back — his former vocation, manufacturing the telephone wires’ plastic coating, funded his kids’ more-ambitious aims — feel like glancing blows to the head. A vaguely miraculous third-act exposition of everything they’ve been withholding to protect both him and themselves is handled with equal subtlety and the help of gratingly precocious child actors. (1:35) 1000 Van Ness. (Rapoport)

*Everything Strange and New In Frazer Bradshaw’s Everything Strange and New, Wayne (Jerry McDaniel), wears overalls too large and a look of pained, dazed acquiescence. It’s as if not just his clothes but his life were given to the wrong person — and there’s a no-exchange policy. He loves wife Reneé (the writer Beth Lisick) and their kids. But those two unplanned pregnancies mean she’s got to stay home; daycare would cost more than she’d earn. So every day Wayne returns from his dead-end construction job to the home whose mortgage holds them hostage; and every time Reneé can be heard screaming at their not-yet-school-age boys, at the end of her tether. Sometimes he silently just turns around to commiserate over beer with buddies likewise married with children, but doing no better. Wayne’s voiceover narration endlessly ponders how things got this way — more or less as they should be, yet subtly wrong. He might be willing (or at least able) to let go of the idea of happiness. But Reneé’s inarticulate fury at her stifling domestication keeps striking at any nearby punching bag, himself (especially) included. Something’s got to change. But can it? Veteran local experimentalist and cinematographer Bradshaw’s first feature, which he also wrote, never stoops to narrative cliché. Or to stylistic ones, either — there’s a spectral poetry to the way he photographs the Oakland flats. (1:24) Roxie. (Harvey)

*Fantastic Mr. Fox A lot of people have been busting filmmaker Wes Anderson’s proverbial chops lately, lambasting him for recent cinematic self-indulgences hewing dangerously close to self-parody (and in the case of 2007’s Darjeeling Limited, I’m one of them). Maybe he’s been listening. Either way, his new animated film, Fantastic Mr. Fox, should keep the naysayer wolves at bay for a while — it’s nothing short of a rollicking, deadpan-hilarious case study in artistic renewal. A kind of man-imal inversion of Anderson’s other heist movie, his debut feature Bottle Rocket (1996), his latest revels in ramshackle spontaneity and childlike charm without sacrificing his adult preoccupations. Based on Roald Dahl’s beloved 1970 book, Mr. Fox captures the essence of the source material but is still full of Anderson trademarks: meticulously staged mise en scène, bisected dollhouse-like sets, eccentric dysfunctional families coming to grips with their talent and success (or lack thereof).(1:27) Empire, 1000 Van Ness, SF Center, Sundance Kabuki. (Devereaux)

The Maid In an upper-middle class subdivision of Santiago, 40-year-old maid Raquel (Catalina Saavedra), perpetually stony and indignant, operates a rigorous dawn-to-dusk routine for the Valdez family. Although Raquel rarely behaves as an intimate of her longtime hosts, she remains convinced that love, not labor, bonds them. (Whether the family shares Raquel’s feelings of devotion is highly dubious.) When a rotating cast of interlopers is hired to assist her, she stoops to machinations most vile to scare them away — until the arrival of Lucy (Mariana Loyola), whose unpredictable influence over Raquel sets the narrative of The Maid on a very different psychological trajectory, from moody chamber piece to eccentric slice-of-life. If writer-director Sebastián Silva’s film taunts the viewer with the possibility of a horrific climax, either as a result of its titular counterpart — Jean Genet’s 1946 stage drama The Maids, about two servants’ homicidal revenge — or from the unnerving “mugshot” of Saavedra on the movie poster, it is neither self-destructive nor Grand Guignol. Rather, it it is much more prosaic in execution. Sergio Armstrong’s fidgety hand-held camera captures Raquel’s claustrophobic routine as it accentuates her Sisyphean conundrum: although she completely rules the inner workings of the house, she remains forever a guest. But her character’s motivations often evoke as much confusion as wonder. In the absence of some much needed exposition, The Maid’s heavy-handed silences, plaintive gazes, and inexplicable eruptions of laughter feel oddly sterile, and a contrived preciousness begins to creep over the film like an effluvial whitewash. Its abundance makes you aware there is a shabbiness hiding beneath the dramatic facade — the various stains and holes of an unrealized third act. (1:35) Shattuck. (Erik Morse)

The Men Who Stare at Goats No! The Men Who Stare at Goats was such an awesome book (by British journalist Jon Ronson) and the movie boasts such a terrific cast (George Clooney, Kevin Spacey, Jeff Bridges, Ewan McGregor). How in the hell did it turn out to be such a lame, unfunny movie? Clooney gives it his all as Lyn Cassady, a retired “supersolider” who peers through his third eye and realizes the naïve reporter (McGregor) he meets in Kuwait is destined to accompany him on a cross-Iraq journey of self-discovery; said journey is filled with flashbacks to the reporter’s failed marriage (irrelevant) and Cassady’s training with a hippie military leader (Bridges) hellbent on integrating New Age thinking into combat situations. Had I the psychic powers of a supersoldier, I’d use some kind of mind-control technique to convince everyone within my brain-wave radius to skip this movie at all costs. Since I’m merely human, I’ll just say this: seriously, read the book instead. (1:28) Shattuck. (Eddy)

*The Messenger Ben Foster cut his teeth playing unhinged villains in Alpha Dog (2006) and 3:10 to Yuma (2007), but he cements his reputation as a promising young actor with a moving, sympathetic performance in director Oren Moverman’s The Messenger. Moverman (who also co-authored the script) is a four-year veteran of the Israeli army, and he draws on his military experience to create an intermittently harrowing portrayal of two soldiers assigned to the U.S. Army’s Casualty Notification Service. Will Montgomery (Foster) is still recovering from the physical and psychological trauma of combat when he is paired with Tony Stone (Woody Harrelson), a by-the-book Captain whose gruff demeanor and good-old-boy gallows humor belie the complicated soul inside. Gut-wrenching encounters with the families of dead soldiers combine with stark, honest scenes that capture two men trying to come to grips with the mundane horrors of their world, and Samantha Morton completes a trio of fine acting turns as a serene Army widow. (1:45) Shattuck, Smith Rafael. (Richardson)

Ninja Assassin Let’s face it: it’d be nigh impossible to live up to a title as awesome as Ninja Assassin –- and this second flick from V for Vendetta (2005) director James McTeigue doesn’t quite do it. Anyone who’s seen a martial arts movie will find the tale of hero Raizo overly familiar: a student (played by the single-named Rain) breaks violently with his teacher; revenge on both sides ensues. That the art form in question is contemporary ninja-ing adds a certain amount of interest, though after a killer ninja vs. yakuza opening scene (by far the film’s best), and a flashback or two of ninja vs. political targets, the rest of the flick is concerned mostly with either ninja vs. ninja or ninja vs. military guys. (As ninjas come “from the shadows,” most of these battles are presented in action-masking darkness.) There’s also an American forensic researcher (Noemie Harris) who starts poking around the ninja underground, a subplot that further saps the fun out of a movie that already takes itself way too seriously. (1:33) 1000 Van Ness, Shattuck. (Eddy)

Old Dogs John Travolta and Robin Williams play lifelong friends, business partners, and happily child-free bachelors whose lives change when the latter is forced to care for the 7-year-old twins (Conner Rayburn, Ella Bleu Travolta) he didn’t know he’d sired. You know what this will be like going in, and that’s what you get: a predictable mix of the broadly comedic and maudlin, with a screenplay that feels half-baked by committee, and direction (by Walt Becker, who’s also responsible for 2007’s Wild Hogs) that tries to compensate via frantic over-editing of setpieces that end before they’ve gotten started. The coasting stars seem to be enjoying themselves, but the momentary cheering effect made by each subsidiary familiar face –- including Seth Green, Bernie Mac, Matt Dillon, Ann-Margret, Amy Sedaris, Dax Shepard, Justin Long, and Luis Guzman, some in unbilled cameos –- sours as you realize almost none of them will get anything worthwhile to do. (1:28) 1000 Van Ness. (Harvey)

Pirate Radio I wanted to like Pirate Radio, a.k.a., The Boat That Rocked –- really, I did. The raging, stormy sounds of the British Invasion –- sex, drugs, rock ‘n’ roll, and all that rot. Pirate radio outlaw sexiness, writ large, influential, and mind-blowingly popular. This shaggy-dog of a comedy about the boat-bound, rollicking Radio Rock is based loosely on the history of Radio Caroline, which blasted transgressive rock ‘n’ roll (back when it was still subversive) and got around stuffy BBC dominance by broadcasting from a ship off British waters. Alas, despite the music and the attempts by filmmaker Richard Curtis to inject life, laughs, and girls into the mix (by way of increasingly absurd scenes of imagined listeners creaming themselves over Radio Rock’s programming), Pirate Radio will be a major disappointment for smart music fans in search of period accuracy (are we in the mid- or late ’60s or early or mid-’70s –- tough to tell judging from the time-traveling getups on the DJs, played by Philip Seymour Hoffman and Rhys Darby, among others?) and lame writing that fails to rise above the paint-by-the-numbers narrative buttressing, irksome literalness (yes, a betrayal by a lass named Marianne is followed by “So Long, Marianne”), and easy sexist jabs at all those slutty birds. Still, there’s a reason why so many artists –- from Leonard Cohen to the Stones –- have lent their songs to this shaky project, and though it never quite gets its sea legs, Pirate Radio has its heart in the right place –- it just lost its brains somewhere along the way down to its crotch. (2:00) Oaks, Piedmont, 1000 Van Ness. (Chun)

Planet 51 (1:31) Oaks, 1000 Van Ness.

*Precious: Based on the Novel Push By Sapphire This gut-wrenching, little-engine-that-could of a film shows the struggles of Precious, an overweight, illiterate 16-year-old girl from Harlem. Newcomer Gabourey Sidibe is so believably vigilant (she was only 15 at the time of filming) that her performance alone could bring together the art-house viewers as well as take the Oscars by storm. But people need to actually go and experience this film. While Precious did win Sundance’s Grand Jury and Audience Award awards this year, there is a sad possibility that filmgoers will follow the current trend of “discussing” films that they’ve actually never seen. The daring casting choices of comedian Mo’Nique (as Precious’ all-too-realistically abusive mother) and Mariah Carey (brilliantly understated as an undaunted and dedicated social counselor) are attempts to attract a wider audience, but cynics can hurdle just about anything these days. What’s most significant about this Dancer in the Dark-esque chronicle is how Damien Paul’s screenplay and director Lee Daniels have taken their time to confront the most difficult moments in Precious’ story –- and if that sounds heavy-handed, so be it. Stop blahging for a moment and let this movie move you. (1:49) SF Center, Shattuck, Sundance Kabuki. (Jesse Hawthorne Ficks)

Red Cliff All Chinese directors must try their hands at a historical epic of the swords and (arrow) shafts variety, and who can blame them: the spectacle, the combat, the sheer scale of carnage. With Red Cliff, John Woo appears to top the more operatic Chen Kaige and a more camp Zhang Yimou in the especially latter department. The body count in this lavishly CGI-appointed (by the Bay Area’s Orphanage), good-looking war film is on the high end of the Commando/Rambo scale. The endless, intricately choreographed battle scenes are the primary allure of this slash-’em-up, whittled-down version of the Chinese blockbuster, which was released in Asia as a four-hour two-parter. Yet despite some notably handsome cinematography that rivals that of the Lord of the Rings trilogy in its painterliness, seething performances by players like Tony Leung and Fengyi Zhang, and recognizable Woo leitmotifs (a male bonding-attraction that’s particularly pronounced during Leung and Takeshi Kaneshiro’s zither shred-fests, fluttering doves, a climactic Mexican standoff, the added jeopardy of a baby amid the battle), the labyrinthian complexity of the story and its multitude of characters threaten to lose the Western viewer –- or anyone less than familiar with Chinese history –- before strenuous pleasures of Woo’s action machine kick in. The completely OTT finale will either have you rolling your eyes its absurdity or laughing aloud at its contrived showmanship. Despite Woo’s lip service to the virtues of peace and harmony, is there really any other way, apart from the warrior’s, in his world? (2:28) Shattuck. (Chun)

The Road After an apocalypse of unspecified origin, the U.S. –- and presumably the world –- is depleted of wildlife and agriculture. Social structures have collapsed. All that’s left is a grim survivalism in which father (Viggo Mortensen) and son (whimpery Kodi Smit-McPhee) try to find food sources and avoid fellow humans, since most of the latter are now cannibals. Flashbacks reveal their past with the wife and mother (Charlize Theron) who couldn’t bear soldiering on in this ruined future. Scenarist Joe Penhall (a playwright) and director John Hillcoat (2005’s The Proposition) have adapted Cormac McCarthy’s novel with painstaking fidelity. Their Road is slow, bleak, grungy and occasionally brutal. All qualities in synch with the source material –- but something is lacking. One can appreciate Hillcoat and company’s efforts without feeling the deep empathy, let alone terror, that should charge this story of extreme faith and sacrifice. The film just sits there –- chastening yet flat, impact unamplified by familiar faces (Robert Duvall, Guy Pearce, Molly Parker) road-grimed past recognition. (1:53) California, Piedmont. (Harvey)

*A Serious Man You don’t have to be Jewish to like A Serious Man — or to identify with beleaguered physics professor Larry Gopnik (the grandly aggrieved Michael Stuhlbarg), the well-meaning nebbishly center unable to hold onto a world quickly falling apart and looking for spiritual answers. It’s a coming of age for father and son, spurred by the small loss of a radio and a 20-dollar bill. Larry’s about-to-be-bar-mitzvahed son is listening to Jefferson Airplane instead of his Hebrew school teachers and beginning to chafe against authority. His daughter has commandeered the family bathroom for epic hair-washing sessions. His wife is leaving him for a silkily presumptuous family friend and has exiled Larry to the Jolly Roger Motel. His failure-to-launch brother is a closeted mathematical genius and has set up housekeeping on his couch. Larry’s chances of tenure could be spoiled by either an anonymous poison-pen writer or a disgruntled student intent on bribing him into a passing grade. One gun-toting neighbor vaguely menaces the borders of his property; the other sultry nude sunbather tempts with “new freedoms” and high times. What’s a mild-mannered prof to do, except envy Schrodinger’s Cat and approach three rungs of rabbis in his quest for answers to life’s most befuddling proofs? Reaching for a heightened, touched-by-advertising style that recalls Mad Men in look and Barton Fink (1991) in narrative — and stooping for the subtle jokes as well as the ones branded “wide load” — the Coen Brothers seem to be turning over, examining, and flirting with personally meaningful, serious narrative, though their Looney Tunes sense of humor can’t help but throw a surrealistic wrench into the works. (1:45) California, Piedmont. (Chun)

2012 I don’t need to give you reasons to see this movie. You don’t care about the clumsy, hastily dished-out pseudo scientific hoo-ha that explains this whole mess. You don’t care about John Cusack or Woody Harrelson or whoever else signed on for this embarrassing notch in their IMDB entry. You don’t care about Mayan mysteries, how hard it is for single dads, and that Danny Glover and Chiwetel Ejiofor jointly stand in for Obama (always so on the zeitgeist, that Roland Emmerich). You already know what you’re in store for: the most jaw-dropping depictions of humankind’s near-complete destruction that director Emmerich –- who has a flair for such things –- has ever come up with. All the time, creative energy, and money James Cameron has spent perfecting the CGI pores of his characters in Avatar is so much hokum compared to what Emmerich and his Spartan army of computer animators dish out: the U.S.S. John F. Kennedy emerging through a cloud of toxic dust like some Mary Celeste of the military-industrial complex, born aloft on a massive tidal wave that pulverizes the White House; the dome of St. Paul’s flattening the opium-doped masses like a steamroller; Hawaii returned to its original volcanic state; and oodles more scenes in which we are allowed to register terror, but not horror, at the gorgeous destruction that is unfurled before us as the world ends (again) but no one really dies. Get this man a bigger budget. (2:40) Empire, California, 1000 Van Ness. (Sussman)

The Twilight Saga: New Moon Oh my God, you guys, it’s that time of the year: another Twilight chapter hits theaters. New Moon reunites useless cipher Bella (Kristen Steward) and Edward (Robert Pattinson), everyone’s favorite sparkly creature of darkness. Because this is a teen wangstfest, the course of true love is kind of bumpy. This time around, there’s a heavy Romeo and Juliet subplot and some interference from perpetually shirtless werewolf Jacob (Taylor Lautner). Chances are you know this already, as you’ve either devoured Stephenie Meyer’s book series or you were one of the record-breaking numbers in attendance for the film’s opening weekend. And for those non-Twilight fanatics — is there any reason to see New Moon? Yes and no. Like the 2008’s Twilight, New Moon is reasonably entertaining, with plenty of underage sexual tension, supernatural slugfests, and laughable line readings. But there’s something off this time around: New Moon is fun but flat. For diehard fans, it’s another excuse to shriek at the screen. For anyone else, it’s a soulless diversion. (2:10) Empire, 1000 Van Ness, SF Center, Sundance Kabuki. (Peitzman)

Up in the Air After all the soldiers’ stories and the cannibalism canards of late, Up in the Air’s focus on a corporate ax-man — an everyday everyman sniper in full-throttle downsizing mode — is more than timely; it’s downright eerie. But George Clooney does his best to inject likeable, if not quite soulful, humanity into Ryan Bingham, an all-pro mileage collector who prides himself in laying off employees en masse with as few tears, tantrums, and murder-suicide rages as possible. This terminator’s smooth ride from airport terminal to terminal is interrupted not only by a possible soul mate, fellow smoothie and corporate traveler Alex (Vera Farmiga), but a young tech-savvy upstart, Natalie (Anna Kendrick), who threatens to take the process to new reductionist lows (layoff via Web cam) and downsize Ryan along the way. With Up in the Air, director Jason Reitman, who oversaw Thank You for Smoking (2005) as well as Juno (2007), is threatening to become the bard of office parks, Casual Fridays, khaki-clad happy hours, and fly-over zones. But Up in the Air is no Death of a Salesman, and despite some memorable moments that capture the pain of downsizing and the flatness of real life, instances of snappily screwball dialogue, and some more than solid performances by all (and in particular, Kendrick), he never manages to quite sell us on the existence of Ryan’s soul. (1:49) SF Center. (Chun)

*William Kunstler: Disturbing the Universe A middle-class suburban lawyer radicalized by the Civil Rights era, Kunstler became a hero of the left for his fiery defenses of the draft-card-burning Catonsville Nine, the Black Panthers, the Chicago Twelve, and the Attica prisoners rioting for improved conditions, and Native American protestors at Wounded Knee in 1973. But after these “glory days,” Kunstler’s judgment seemed to cloud while his thirst for “judicial theatre” and the media spotlight. Later clients included terrorists, organized-crime figures, a cop-killing drug dealer, and a suspect in the notorious Central Park “wilding” gang rape of a female jogger –- unpopular causes, to say the least. “Dad’s clients gave us nightmares. He told us that everyone deserves a lawyer, but sometimes we didn’t understand why that lawyer had to be our father” says Emily Kunstler, who along with sister Sarah directed this engrossing documentary about their late father. Growing up under the shadow of this larger-than-life “self-hating Jew” and “hypocrite” –- as he was called by those frequently picketing their house –- wasn’t easy. Confronting this sometimes bewildering behemoth in the family, Disturbing the Universe considers his legacy to be a brave crusader’s one overall –- even if the superhero in question occasionally made all Gotham City and beyond cringe at his latest antics. (1:30) Roxie. (Harvey)

Stage listings

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Stage listings

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

The 39 Steps Curran Theater, 1192 Market; 551-2020, www.shnsf.com. $35-$80. Previews Wed/9. Runs Tues, 8pm; Wed, 2 and 8pm; Thurs, 8pm; Fri, -Sat, 2 and 8pm; Sun, 2pm. Through Jan 3. The SHN Best of Broadway series kicks off with Alfred Hitchcock’s Tony Award-winning whodunit comedy.

Cinderella African American Art and Culture Complex, 762 Fulton; (800) 8383-3006, www.african-americanshakes.org. $20-$30. Previews Thurs/10. Opens Fri/11. Runs Sat/13, 3 and 8pm; Sun, 3pm; Dec 19, 8pm. Through Dec 27. The African-American Shakespeare Company presents an enchanting production of the classic fairytale, re-set on the bayous of Louisiana.

Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Previews Wed/8-Fri/11. Opens Sat/12. Runs Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.

Fun-derful Holidaze The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$12. Opens Sat/12-Sun/13. Runs Sat-Sun, 2pm. Through Jan 3. The Marsh presents Unique Derique in a fun-filled feast of frivolity for all ages.

Katya’s Holiday Spectacular New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$32. Previews Wed/9-Thurs/10. Opens Fri/11. Runs various days, 8pm, through Jan 2. NCTC presents a special winter cabaret starring Katya Smirnoff-Skyy.

BAY AREA

Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Opens Wed/9. Runs Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. Berkeley Rep presents Victoria Thierree Chaplin’s dazzling display of stage illusion.

The Coverlettes Cover Christmas Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $25-$28. Opens Tues/15. Runs Mon-Sat, 8pm; Sun, 7pm. Through Dec 27. Aurora Theatre Company rocks the holiday season in the style of 1960’s girl groups.

The Stone Wife Berkeley City Club, 2315 Durant, Berk; 730-2901. $15-$20. Opens Fri/11. Runs Fri-Sat, 8pm; Sun, 6pm. Through Dec 20. The Berkeley City Club presents this award-winning play written and directed by Helen Pau.

ONGOING

Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.

Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Thurs-Sat, 8pm. Through Dec 19. No Nude Men Productions presents the end-of-the-world premiere of sketchy comedy veteran Wylie Herman’s first full length play.

The Bright River Climate Theater, 285 9th St; (800) 838-3006, thebrightriver.com. $15-$25. Runs Thurs-Sat, 8pm; Sun, 7pm. Through Dec 27. Climate presents this mesmerizing hip-hop retelling of Dante’s Inferno by Tim Brarsky.

A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.

Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.

*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play, making its local premiere at the Marsh after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is “be yourself”—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: “I just thought he was really into hats.” But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future “somebody.” (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs/10 and Sat/12, 8pm. An American woman of Palestinian descent, San Francisco actor Jennifer Jajeh grew up with a kind of double consciousness familiar to many minorities. But hers—conflated and charged with the history and politics of the Middle East—arguably carried a particular burden. Addressing her largely non–Middle Eastern audience in a good-natured tone of knowing tolerance, the first half of her autobiographical comedy-drama, set in the U.S., evokes an American teen badgered by unwelcome difference but canny about coping with it. The second, set in her ancestral home of Ramallah, is a journey of self-discovery and a political awakening at once. The fairly familiar dramatic arc comes peppered with some unexpected asides—and director W. Kamau Bell nicely exploits the show’s potential for enlightening irreverence (one of the cleverer conceits involves a “telepathic Q&A” with the audience, premised on the predictable questions lobbed at anyone identifying with “the other”). The play is decidedly not a history lesson on the colonial project known as “the Israeli-Palestinian conflict” or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)

I SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.

Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Wed/9, 7pm; Thurs/10-Fri/11, 8pm; Sat/12, 6pm; Sun/13, 3pm. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.

Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.

The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs/10, 8pm; Sat/12, 5pm. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. The U.S. premiere of Cirque du Soleil’s latest extravaganza, written and directed by Deborah Colker, dependably sports several fine acts enmeshed in a visually buzzing insect theme. Highlights include a delighting set of juggling ants, twirling huge wedges of kiwi with their synchronized tootsies, very adorable and almost unbelievably deft; a mesmerizing and freely romantic airborne “Spanish Web” duet; and a spider traversing a “slackwire” web with jaw-dropping strength, balance and agility. The whisper-thin plot, thin even by Cirque standards, is nearly summed up in the title (Portuguese for “egg”). A very large “ovo” takes up most of the stage as the audience enters the tent. This is miraculously replaced in a flash by a smaller, though still ample one lugged around by one of three clowns (by the standards of past years, not a very inspired or absorbing bunch these three), and then snatched away amid a throng of insect types. An endoplasmic reticulum, or something, hovers a floor or two high toward the back of the stage, where the live band churns the familiar trans-inducing Euro-beats. The baseline entertainment value is solid, though the usual high jinx and overall charm are at somewhat lower ebb compared with recent years. (Avila)

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat/12, 10:30pm; Sun/13, 4pm. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.

Rabbi Sam The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $25-$50. Sat/12, 8pm. Charlie Varons’ runaway hit show returns to the Marsh.

“ReOrient 2009” Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs/10-Sat/12, 8pm; Sun/13, 5pm. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.

Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Shanghai San Francisco One Telegraph Hill; 1-877-384-7843, www.shanghaisanfrancisco.com. $40. Sat, 1pm. Ongoing. To be Shanghaied: “to be kidnapped for compulsory service aboard a ship&ldots;to be induced or compelled to do something, especially by fraud or force”. Once the scene of many an “involuntary” job interview, San Francisco’s Barbary Coast is now the staging ground for Shanghai San Francisco, a performance piece slash improv slash scavenger hunt through the still-beating hearts of North Beach and Chinatown, to the edge of the Tendernob. Beginning at the base of Coit Tower, participants meet the first of several characters who set up the action and dispense clues, before sending the audience off on a self-paced jaunt through the aforementioned neighborhoods, induced and compelled (though not by force) to search for a kidnapped member of the revived San Francisco Committee of Vigilance. It’s a fine notion and a fun stroll on a sunny afternoon, but ultimately succeeds far better as a walking tour than as theatre. Because the actors are spread rather thinly on the ground, they’re unable to take better advantage of their superior vantage by stalking groups a little more closely, staging distractions along the way, and generally engaging the audience as such a little more frequently. But since Shanghai San Francisco is a constantly evolving project, maybe next time they’ll do just that. (Gluckstern)

She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.

Under the Gypsy Moon Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through Jan 1. Teatro ZinZanni presents a bewitching evening of European cabaret, cirque, theatrical spectacle, and original live music, blended with a five-course gourmet dinner.

Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Dec 19. Before throwing around terms like “dysfunctional, bi-polar, codependent,” to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, “slim-hipped” wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)

BAY AREA

*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Wed/9-Sat/12, 8pm; Sun/13, 2 and 7pm. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty: the terrible difficulty of being good when it means going decidedly against the values and opinions of your peers. Aurora Theatre’s current production makes the point with satirical flair and insight, animated by a faultless ensemble directed with snap and fire by Barbara Damashek. A conventionally handsome businessman named Tom (a brilliantly canny, vulnerable and sympathetic Jud Williford) falls for a bright, beautiful woman of more than average size named Helen (Liliane Klein, radiantly reprising the role after a production for Boston’s Speakeasy Stage). It’s the most important relationship either has had. Alone together they’re very happy. At work, however, Tom contends with relentless pressure from his coworkers, Carter (a penetrating Peter Ruocco, savoring the sadism of the locker room) and onetime dating partner Jeannie (Alexandra Creighton, devastatingly sharp at being semi-hinged). As ambivalent as Tom is about both, he feebly attempts to hide his new love from them. The separation of public and private selves leads to conflict, and the plot will turn on how Tom resolves it. Needless to say, the title’s inherent viciousness points not at Helen—by far the most advanced personality on stage—but at those who would intone the phrase as well as those, like Tom, who tacitly let it work its dark magic. (Avila)

*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs/10-Sat/12, 8pm. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. The 75-minute comedy mingles three separate subplots among a group of friends, all refracted through a mysterious lingerie shop run by an affable, somewhat impish tailor (Jai Sahai) offering new skins for exploring inner selves. There’s the spoiled rich-girl (Marissa Keltie) horrified to discover her perfect fiancé’s (Timothy Redmond) secret penchant for donning feminine undergarments; a pair of best friends (Cindy Im and Elissa Dunn) who fall out over the sexy no-English matador-type (Roy Landaverde) one brings home from a Spanish holiday; and there’s an African American woman (Leontyne Mbele-Mbong) who goes on an African safari as the logical extension of her obsession with guns. Briskly but shrewdly directed by Melissa Hillman, the agreeable cast knows what to do with Yockey’s well-honed, true-to-life repartee. The play has a touch of the magical dimension familiar to audiences who saw Skin or Octopus (both produced by Encore Theatre) but it operates here in a less self-conscious, more lighthearted way, while still nicely augmenting the subtly related themes of animal-lust, competition, self-image and possession cleverly at work under the frilly, scanty surface. (Avila)

“Shakes ‘Super’ Intensive + Bronte Series” Berkeley Unitarian Fellowship, 1924 Cedar, Berk; (510) 275-3871. $8. Mon/14, 7:30pm. Subterranean Shakespeare presents weekly staged readings of classic Shakespeare plays, followed by a staged reading of Jon O’Keefe’s complete play about the Bronte sisters.

*The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.

DANCE

“Dance Along Nutcracker” Yerba Buena Center for the Arts Forum, 701 Mission; 978-2787, www.dancealongnutcracker.org. Sat, 2:30 and 7pm; Sun, 11am and 3pm. $16-$50. The San Francisco Lesbian/Gay Freedom Band plays at this family-friendly holiday show, featuring performances interspersed with audience dancing.

“Double Dance Bill” ODC Dance Commons, 351 Shotwell; www.odctheater.org. Sat-Sun, 8pm. $15-$18. ODC Theater presents world and local premieres by Kate Weare Company and project agora.

“Fiesta Flamenca” Baobab Village, 3372 19th St; 970-0362, www.latania-flamenco.com. Sun, 7:30pm. $15. Bollyhood Café presents this monthly evening with La Tania and Cuadro Aljibe, Roberto Zamora, and Roberto Aguilar.

Funsch Dance Experience Legion of Honor, 34th Ave and Clement; 902-5371, www.funschdance.org. Sun, 4pm. The nine dancers of Christy Funsch’s company present Funsch Solos Volume II: Water Solos, performances that take place outside around the water fountain.

“Lightning Never Strikes the Same Place Twice” SOMArts Cultural Center, 934 Brannan; www.sffs.org. Sat-Sun, 8pm. $15-$18. San Francisco Film Society presents the KinoTek program Catherine Galasso, a multimedia dance, theater, and projected video performance.

Lily Cai Dance Company Cowell Theater, Fort Mason Center; 345-7575, www.fortmason.org. Thurs, 8pm. $28-$35. The dance company and Melody of China present an evening of contemporary dance and music.

“A Queer 20th Anniversary” Locations vary. www.circozero.org. Various days and times, Dec. 9 – Jan. 31. Zero Performance presents a retrospective of two seminal pieces performed by Keith Hennessy and company, including a restaging of Saliva at the original site under a freeway South of Market.

Mark Foehringer Dance Project/SF Zeum Theater, 221 Fourth St; 433-1235, www.tixbayarea.org. Dec 12, 13, 19, and 20, 11am and 2pm. $25. The dance project presents a unique rendition of The Nutcracker at Zeum, featuring the Magik*Magik Orchestra performing live.

Presidio Dance Theatre Junior Company Palace of Fine Arts Theatre, 3301 Lyon; www.presidiodance.org. Sun, 3pm. $35-$100. Sherene Melania presents the company’s annual benefit holiday show.

“The Revolutionary Nutcracker Sweetie” Brava Theater, 2781 24th St; 273-4633, www.dancemission.com. Sat, 2 and 7pm; Sun, 2 and 6pm. Dance Brigade’s Dance Mission Theater’s Youth Program takes Clara on a magical journey with the Freedom Fighting Nutcracker.

“The Velveteen Rabbit” Novellus Theater, Yerba Buena Center for the Arts, 700 Howard; 978-2787, www.ybca.org. Through Sun. $10-$45. This year’s installment of a favorite Bay Area holiday tradition features dancing by ODC/Dance, recorded narration by Geoff Hoyle, design by Brian Wildsmith, and a musical score by Benjamin Britten.

BAY AREA

“The Hard Nut” Zellerbach Hall, UC Berkeley, Berk; cpinfo.berkeley.edu. Days and times vary, Dec 11-20. $36-$62. Mark Morris Dance Group and Berkeley Symphony Orchestra present this retelling of The Nutcracker.

PERFORMANCE

“All of Me” Marines Memorial Theatre, 609 Sutter; 771-6900, www.marinesmemorialtheatre.com. Fri-Sat, 8pm. $47.50-$77.50. Linda Eder kicks off the Rrazz Concert Series with an evening of signature songs and holiday favorites.

“Amahl and the Night Visitors” Community Music Center, 544 Capp; 826-8670. Sun, 11:30am. Free. The Ina Chalis Opera Ensemble presents this one-hour family-friendly Christmas opera by Gian-Carlo Menotti.

“Bijou” Martuni’s, Four Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. An eclectic weekly cabaret.

On Broadway Dinner Theater 435 Broadway; 291-0333, www.broadwaystudios.com. Thurs-Sat, 7pm. Ongoing. SF’s most talented singers, artists, and performers combine interactive shows with dining and dessert.

“A Cathedral Christmas” Grace Cathedral, 1100 California; 392-4400, www.cityboxoffice.com. Sat-Sun, 3pm; Dec 21, 7pm. Through Dec 21. $15-$50. Celebrate the season with the Choir of Men and boys with orchestra, featuring their signature performances of favorite carols, along with sacred masterpieces and yuletide classics.

“A Chanticleer Christmas” St. Ignatius Church, 650 Parker; 392-4400, www.chanticleer.org. Sun, 8pm. Check Web for ticket prices. Also performances Sat in Oakland, Tues in Petaluma, Wed in Berkeley, and Dec 19 in San Francisco. The internationally renowned 12-man a cappella singing ensemble returns home with its critically acclaimed holiday concert.

“A Christmas Memory” Theatre Artaud, 450 Florida; 552-4100, www.therhino.org. Mon, 7pm. Check Web for price. Theatre Rhinoceros in collaboration with Word-for-Word presents Truman Capote’s humorous and heart-breaking tale.

“Cora’s Holiday Hotpad” EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. Thurs-Sat, 8pm. $15-$20. EXIT Theatre’s writer/performer-in-residence Sean Owens returns as Cora Values.

“An Evening with Lucie Arnaz” Rrazz Room, Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com. Wed-Sun, 7pm. $45-$50. The daughter of Lucille Ball and Desi Arnaz brings her new show to SF.

Full Spectrum Improvisation The Marsh, 1062 Valencia; 564-4115, www.themarsh.org. Tues, 7:30pm. $10-$15. Lucky Dog Theatre performs in its ongoing series of spontaneous theatre shows.

“Ghosts Walks” Yerba Buena Center for the Arts Forum, 701 Mission; www.ybca.org. Thurs, 7:30pm. Free. As part of the San Francisco Mime Troupe 50th Anniversary Exhibition Birthday Bash, the mime troupe will revive Ghosts, seen only once at the December 1981 opening of the Moscone Center.

“The Greatest Bubble Show on Earth” The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$10. Dec 13, 20, and 27, 11am. The Marsh Presents Louis Pearl, the Amazing Bubble Man, in this fun show suitable for all ages.

“Mission Dolores Basilica Choir’s 18th Candlelight Christmas Concert” Mission Dolores Basilica, 3321 16th St; 621-8203, www.missiondolores.org. Sun, 5pm. $15-$25. The choir will perform a stirring and inspiring experience that promises to be the perfect way to usher in the season.

“Monday Night ForePlays” Studio250, Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. Through Dec 21. $20. PinaoFight’s female-driven variety show extends into December with new sketches, dance numbers, and musical performances.

New Zealand Choir and Orchestra St. Mary’s Cathedral, 1111 Gough; 567-2020 ext 213, www.cathedral.org.nz. Tues, 7:30pm. 50 members of the Choir and Orchestra of the Cathedral of the Blessed Sacrament, Christchurch, New Zealand, will present Part One of Handel’s Messiah.

“Nocturnal Butterflies” Z Space at Theater Artaud, 450 Florida; (434) 535-2896, www.avykproductions.com. Thurs-Sat, 8pm. Check Web for price. Erika Tsimbrovsky/Avy K Productions presents this multimedia dance performance dedicated to Vaslav Nijinsky.

“The Whirling Dervishes” Palace of Fine Arts Theatre, 3301 Lyon; 563-6504, www.palaceoffinearts.org. Fri, 8pm. $25-$45. California Institute of Integral Studies presents these master musicians from Turkey led by Jelaleddin Loras.

“Tony and Tina’s Wedding” Hornblowre Cruises. 788-8866, www.hornblower.com. $25-$129. Fri, 7:30pm. Hornblower hosts the popular Italian-wedding themed dinner theater show.

BAY AREA

Cantare Con Vivo Merritt College Student Lounge, 12500 Campus Drive, Oakl; www.cantareconvivo.org. Sat, 5 and 7:30pm. $50. The 23-voice Cantare Chamber Ensemble will present an array of Christmas art songs, soothing lullabies, and festive carols while listeners enjoy a catered dinner by candlelight.

“The Christmas Revels” Scottis Rite Theater, 1547 Lakeside, Oakl; (510) 452-8800, www.calrevels.org. Fri, 7:30pm; Sat-Sun, 1 and 5pm. Through Dec 20. $12-$50. Experience the music, dance, and folklore of 19th century Bavaria with this beloved Bay Area holiday tradition.

“Clerestory: Cancion de Navidad” St. Mark’s Episcopal Church, 2300 Bancroft, Berk; clerestory.org. Sat, 8pm. (Also Sun in SF). $10-$17. The Bay Area’s acclaimed male vocal ensemble performs festive Christmas songs and familiar carols from Spain and the Americas.

“Hubba Hubba Revue” Uptown, 1928 Telegraph, Oakl; www.hubbahubbarevue.com. Mon, 10pm. Ongoing. $5. Scantily clad ladies shake their stuff at this weekly burlesque showcase.

“Let Us Break Bread Together” Paramount Theatre, 2025 Broadway, Oakl; (510) 836-1981, www.oebs.org. Sun, 4pm. $10-$40. Oakland East Bay Symphony presents its annual holiday concert.

“Old Chestnuts, New Fire!” St. Paul’s Episcopal Church, 114 Montecito, Oakl; 979-5779, www.stpaulsoakland.org. Sun, 4pm. $19-$30. San Francisco Choral Artists present a tantalizing alternative to traditional December choral concerts.

“Special Centennial Christmas Concert” First Church of Christ, Scientist, 2619 Dwight, Berk; www.1stchurchberkeley.org. Sun, 2:30pm. Free. Organist William Ludtke, three soloists, the chamber choir, and hand bell quartet will celebrate Bernard Maybeck’s masterpiece church building with a full scale Christmas concert.

“Traditional Marimba” La Pena Cultural Center, 3105 Shattuck, Berk; (510) 849-2568, www.anaitmar.com. Sat, 7:30pm. $12-$15. Singer Ana Nitmar and Guatemalan Folkoric Dance Groups perform traditional marimba music at this event also featuring a nativity scene exhibit and holiday drinks.

COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

“Big City Improv” Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of “Whose Line Is It Anyway?”

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing.

Cobbs 915 Columbus; 928-4320. Fri-Sat, 8 and 10:15pm. $22.50. Featuring Greg Giraldo from “Friday Night Stand-Up” and “Root of All Evil.”

“Comedy Master Series” Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

“Comedy on the Square” SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm, through Dec. Tony Sparks and Frisco Fred host this weekly stand-up comedy showcase.

“Comedy Returns” El Rio, 3158 Mission; www.koshercomedy.com. Mon, 8pm. $7-$20. Comedian/comedy producer Lisa Geduldig presents this weekly multicultural, multi-everything comedy show.

Danny Dechi & Friends Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Ongoing. Free.

“Improv Society” Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Check Website for times and prices.

Purple Onion 140 Columbus; 1-800-838-3006, www.purpleonionlive.com. Call for days and times.

Rrazz Room Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com."

“Raw Stand-up Project” SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. “Scott Capurro” SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. Sun, 7:30pm. $20. The stand up comic and star of She Stoops to Comedy presents this one-night-only event.

BAY AREA “Bill Santiago’s The Immaculate Big Bang” La Pena Cultural Center, 3105 Shattuck, Berk; www.billsantiago.com. Fri, 8pm. $10-$12. Comedian Bill Santiago goes in search of God. “Comedy Off Broadway Oakland” Washington Inn, 495 10th St, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week. SPOKEN WORD Anselm Berrigan with Norma Cole City Lights Bookstore, 261 Columbus; 362-1901, www.citylights.com. Thurs, 7pm. The poet will read from Free Cell. “Does the Secret Mind Whisper” Koret Auditorium, 100 Larkin. Sun, 1pm. Free. Justin Desmangles hosts a celebration of the life, mission, and legacy of poet Bob Kaufman. Writers with Drinks Make-Out Room, 3225 22nd St; www.writerswithdrinks.com. Sat, 7:30pm. $3-$5. Charlie Jane Anders hosts this monthly event, this time featuring Dan Fante, Joshua Mohr, Mark Coggins, Mollena Williams, and Seanan McGuire.

Dick Meister: Time to hustle, Tiger

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Shame on Tiger for his marital infidelities. But what about his worse transgressions?

By Dick Meister

(Dick Meister is a San Francisco writer.)

Oh, the handwringing over golfer Tiger Woods marital infidelities, and shame on him, a man who claims to stand for solid family values. But what of his worse transgressions?

I mean Tiger’s attempts to get gullible sports fans to buy goods that he endorses – not because of any value they may possess, but because he’s paid millions of dollars to do it by Nike, American Express, General Motors and others who lust after our money, just as Woods lusted after ladies who weren’t his wife.

Tiger Woods is hardly the only one. Many athletes in many sports also hustle us and, like Tiger, are not criticized in the slightest for helping merchandisers peddle goods and services to impressionable youngsters and star-struck adults.

Rather than being reproached , the athletes often become even more celebrated. Think, for example, of O.J. Simpson, widely admired before his murder trial at least as much for his car rental commercials as for his football exploits. The more celebrated the athletic pitchmen become, the more commercial opportunities they are offered and the richer they become at the expense of those who celebrate them.

The commercial money is, of course, in addition to the athletes’ earnings for playing their sports that often run into the millions. Obviously, the athletes don’t need the money. But as long as it’s available, they’ll grab it.

Even the Olympic athletes who are supposedly the best this country has to offer are in on it, their medal-winning performances earning them the golden chance to try to sell us breakfast food, flashlight batteries and such.

Coaches can also profit, most notably college basketball coaches. They can make $10,000 to $100,000 a year – sometimes even more – for wearing certain brands of ostentatiously labeled sweaters and sweatshirts during televised games or even news conferences, for doing radio and TV commercials and otherwise pitching products, most lucratively by outfitting their teams in particular brands of footgear.

Peculiar conduct, isn’t it, for a group whose job description includes helping mold the character of young men and women. The coaches, in any case, are as eager as the others who happily sell their services to commercial interests.

How can they resist? As actor Robert Young acknowledged in explaining why he became a TV pitchman after years of turning down commercials as demeaning, “It’s a license to steal.”

But there has been at least one celebrated American who turned down the chance to play highly-paid pitchman – former New Jersey senator and presidential candidate Bill Bradley. Sounds crazy, I know, but throughout his entire 10-year career as a professional basketball superstar with the New York Knicks a quarter-century ago, Bradley actually refused – refused! – to endorse products or engage in any of the other immensely profitable commercial ventures so readily available to star athletes.

Look at this from Bradley’s 1976 book, “Life on the Run”:

“Perhaps I wanted no part of an advertising industry which created socially useless personal needs and then sold a product to meet those needs …. More probably, I wanted to keep my experience of basketball …. as innocent and unpolluted by commercialism as possible…. Taking money for hawking products [would have] demeaned my experience of the game. I cared about basketball. I didn’t give a damn about perfumes, shaving lotions, clothes, or special foods.”

One, however, does have to admire the entrepreneurial spirit of those who revel in being paid lavishly for conning people into buying stuff they don’t necessarily need. Consider another basketball superstar, Michael Jordan, perhaps the greatest fan hustler of all time. Or at least he was before Tiger Woods came along .

On returning to basketball in 1995 after taking a year off to play professional baseball, for instance, Jordan shrewdly changed his basketball jersey number from No, 23 to No. 45 so as to generate still more sales of replicas to the fans who spend more than $12 billion a year on jerseys, shoes and other products bearing the names – and numbers – of their heroes.

But Tiger Woods probably can do much better than that. He may have to. Those girlfriends of his may prove quite expensive, don’t you think?

Dick Meister is a San Francisco writer. Contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.e mighgt have to All all

Music Listings

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Music Listings

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

*Baroness, Earthless, Iron Age Bottom of the Hill. 9pm, $14.
Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.
Dashboard Confessional, New Found Glory Slim’s. 8:30pm, $28.
“Duane Allman Birthday Tribute” Boom Boom Room. 9:30pm, $10. With members of Poor Man’s Whiskey, New Monsoon, Tracorum, and more.
Hiwatters, Middle Class Murder, DariusTX Red Devil Lounge. 8pm, $5-15.
*King City, Mission Street Stranglers, Black Crown String Band Annie’s Social Club. 8pm, $6.
Mass Fiction, Actors, Farewell Typewriter Elbo Room. 9pm, $6.
Mt. St. Helens Vietnam Band, Growlers, My First Earthquake Rickshaw Stop. 8pm, $12.
Luke Rathbone Hotel Utah. 9pm, $12.
David Jacob Strain Biscuits and Blues. 8pm, $15.
“Ten Out of Tenn” Independent. 8pm, $15. With Trent Dabbs, Matthew Perryman Jones, Jeremy Lister, and more.

JAZZ/NEW MUSIC

“B3 Wednesdays” Coda. 9pm, $7. With David Mathews Trio featuring Barry Finnerty.
Cat’s Corner Savanna Jazz. 7pm, $5-10.
Alasdair Fraser and Natalie Haas Yoshi’s San Francisco. 8pm, $22.
Gil Cohen Jazz Duo Moussy’s, 1345 Bush, SF; (415) 441-1802. 6pm, free.
Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.
Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Realistic Orchestra Yoshi’s San Francisco. 10:30pm, $14.
Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Gregory Alan Isakov, Patrick Park Café du Nord. 9:30pm, $12.
Bluegrass Country Jam Plough and Stars. 9pm. With Jeanie and Chuck.
“Long Night’s Moon presented by Singbird Festival” El Valenciano, 152 Valencia, SF; (415) 826-9561. 8:30pm, $7. Featuring Uni and Her Ukulele, Dina Maccabee Band, Whiskey and Women, and Paper Crocodiles.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.
Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.
DJ Rebellious Jukebox Hemlock Tavern. 9pm, free.
Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.
Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night!
Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.
Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.
RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.
Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.
Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 3

ROCK/BLUES/HIP-HOP

Agent Orange, Jokes for Feelings, Black Dream Thee Parkside. 9pm, $10.
Alma Desnuda, Highway Robbers, Grace Woods, Earl J. Rivard Great American Music Hall. 8pm, $13.
Soul Burners Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Cold Cave, Former Ghosts, Veil Veil Vanish Bottom of the Hill. 9pm, $10.
Grannies, Turbonegra, Inoculators, Tempramentals Annie’s Social Club. 8pm, $7.
Leigh Gregory and Memory’s Mystic Band, Martin Bisi, Dominique Leone Hemlock Tavern. 9pm, $7.
“A Holiday Benefit: Music for the Kids” Independent. 8pm, $20-35. With Greasetraps. Benefits buildOn.
Less Than Jake, Fishbone, Cage Regency Ballroom. 7pm, $22.
New Maps of the West, Honey, Lambs Bollyhood Café. 8pm, $5.
NOFX, Wax, Dead to Me, Nathan Maxwell and the Original Bunny Gang Slim’s. 8pm, $40.
Split Lip Rayfield, Kemo Sabe Rickshaw Stop. 8pm, $15.
Li’l Dave Thompson Biscuits and Blues. 8pm, $15.
bay area
Throwback Thurs 4 Last Day Saloon, 120 5th St., Santa Rosa; (707) 545-2343. 9pm, $12. Featuring Skee-lo, Rappin’ 4-Tay, and At All Costs.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.
Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.
Goapele Yoshi’s San Francisco. 8 and 10pm, $26.
Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.
Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Al Marshal Quintet Coda. 9pm, $7.
49 Special Atlas Café. 8pm, free.
Valerie Orth Dolores Park Café. 8pm, $10 sliding scale.
Shannon Céilí Band Plough and Stars. 9pm.
“Songwriters in the Round” Hotel Utah. 8pm, $8. With Heather Combs, Damond Moodie, Jesse Brewster, and Rick Hardin.
“Tibet Day” Presentation Theater, University of San Francisco, 2350 Turk, SF; (415) 422-5093. Documentary viewing and concert.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and guests Nappy G and Motion Potion spin Afrobeat, Tropicália, electro, samba, and funk.
Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.
Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.
Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.
Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.
Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.
Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.
Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.
Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.
Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro. Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.
Popscene 330 Ritch. 10pm. With a live performance by stellastarr*.
Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.
Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.
Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 4

ROCK/BLUES/HIP-HOP

“Battle of the Bands Finals” DNA Lounge. 5:30pm, $12. With Death Between Seasons, Draconian Winter, Gravy Trainwreck, and more.
Black Crowes, Truth and Salvage Company Fillmore. 9pm, $51.50.
Damage Inc, Paradise City, Aaron Pearson Red Devil Lounge. 8pm, $10.
Damn Near Dead Abbey Tavern, 4100 Geary, SF; (415) 221-7767. 9pm, free.
“Dead Hensons Finale Extravaganza” Bottom of the Hill. 9:30pm, $12. With Thunderbleed aka Blind Vengeance and DJ Adam Infantacide.
Dragon Smoke, Ronkat and Katdelic Independent. 9pm, $30.
Forever the Sickets Kids, Rocket Summer, Sing It Loud, My Favorite Highway, Artist vs. Poet Regency Ballroom. 6:30pm, $18.
DJ Lebowitz Madrone Art Bar. 6-9pm, free.
Legendary Stardust Cowboy, Two Tears, Touch-Me-Nots Hemlock Tavern. 9:30pm, $7.
Charlie Musselwhite Biscuits and Blues. 8 and 10pm, $35.
La Plebe, Nothington, Hooks, Frankenstein L.I.V.S. Annie’s Social Club. 8:30pm, $8.
Poi Dog Pondering, Geographer Slim’s. 9pm, $24.
Raw Deluxe Coda. 10pm, $10.
Robin Yukiko Band Brainwash, 1122 Folsom, SF; (415) 861-2663. 8pm, free.
Threes and Nines, Dialectic, Rockodile Hotel Utah. 9pm, $8.
J. Tillman, Pearly Gate Music Great American Music Hall. 9pm, $13.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Black Market Jazz Orchestra Top of the Mark. 9pm, $10.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
“Jazzcracker and Other Delights: Tchaikovsky with a Jazz Twist!” Aidan’s Episcopal Church, 101 Gold Mine Dr, SF; 1-800-838-3006, www.performanceshowcase.com. 8pm, $20. With the Terry Disley Experience.
Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.
Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

Las Bomberas de la Bahia, Blanca Sandoval, LoCura Brava Theater, 2781 25th St.; (415) 648-1045. 8pm, $16.
Adrian Emberly Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Encuentro del Canto Popular festival Accion Latina, 2958 24th St., SF; (415) 648-1046. Featuring LoCura, Rincon Pabon, De La Fe, and more.
Goapele Yoshi’s San Francisco. 8 and 10pm, $28.
Kounterfeit Change Rock-It Room. 9pm.
Pine Needles Plough and Stars. 9pm.
Rocky Dawuni and the Revelation Project, Pleasuremaker Band, DJs Jeremy Sole and
Señor Oz Elbo Room. 10pm, $12.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.
Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.
Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With DJs Jason Short, Moniker, and more spinning dubstep and techno.
Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.
Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.
Floor Score Siberia, 314 11th St., SF; (415) 552-2100. 10pm, $6. With DJs Robot Hustle and Stanley Frank spinning fluoro, disco, and homo all night.
Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.
Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.
M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.
Oldies Night Knockout. 9pm, $2-4. Doo-wop, one-hit wonders, and soul with DJs Primo, Daniel, and Lost Cat.
Polaris Mezzanine. 10pm, $20. A night of dubstep, glitch and bass heavy dance music featuring DJs Max Ulis, Ana Sia, Heyoka, Billy the Robot, and more.
Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

SATURDAY 5

ROCK/BLUES/HIP-HOP

“Bay Area Derby Girls: Cinco de Malo Prom 2009” Thee Parkside. 9pm, $15.
Black Crowes, Truth and Salvage Company Fillmore. 9pm, $51.50.
Black Hollies, Shys, Hot Lunch Bottom of the Hill. 10pm, $10.
Marcus Foster, Blue Roses Elbo Room. 6pm, $12.
*Husbands, Th’ Losin Streaks, Primitivas El Rio. 10pm, $8.
Midnight Strangers, Spyrals, Tasso Hemlock Tavern. 9:30pm, $6.
*Red Meat, Drunk Horse, East Bay Grease Annie’s Social Club. 9pm.
Sic Wolf, Maniac Martyrs, Lost Puppy Thee Parkside. 3pm, free. Benefit for the Lyon Martin Women’s Clinic.
Two Tears, Ebonics, Dirty Cupcakes Knockout. 5-9pm, $5.
“The Vandals Christmas Formal” Slim’s. 9pm, $16. Also with Voodoo Glow Skulls and Knock Out.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Aram Denesh and the Superhuman Crew Coda. 10pm, $10.
Emily Anne’s Delights Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
Goapele Yoshi’s San Francisco. 8 and 10pm, $28.
“Jazz Jam Session with Uptime Jazz Group” Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.
Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Adam Aijala, Larry Keel Hotel Utah. 7:30pm, $18.
Anna Ash and the Family Tree Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Bluegrass Bonanza Plough and Stars. 9pm.
BRWN BFLO, Bang Data, Rico Pabón and De La Fé Brava Theater, 2781 25th St.; (415) 648-1045. 8pm, $16.
Cirkestra Accordion Apocalypse, 2626 Jennings, SF; (415) 596-5952. 9:30pm, $10.
Encuentro del Canto Popular festival Accion Latina, 2958 24th St., SF; (415) 648-1046. Featuring LoCura, Rincon Pabon, De La Fe, and more.
Go Van Gogh Café International, 508 Haight, SF; (415) 552-7390. 7:30pm, free.
Adrian Legg, Teja Gerken Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $20.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.
Debaser Knocout. 10pm, $5. Arrive wearing a flannel before 11pm and get in free to this 90s dance party with DJ Jamie Jams and Emdee of Club Neon.
Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.
Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.
Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.
HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.
Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.
New Wave City DNA Lounge. 9pm, $7-12. Eighties dance party with Skip and Shindog.
Rebel Girl Rickshaw Stop. 10pm, $5. “Electroindierockhiphop” and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.
Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul on 45s with DJs Lucky, Phengren Oswald, and Paul Paul.
So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.
Soundscape Vortex Room, 1082 Howard, SF. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.
Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 6

ROCK/BLUES/HIP-HOP

Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.
Dollyrots, Perfect Machines, Departed Bottom of the Hill. 8:30pm, $10.
Generalissimo, Police Teeth, Truxton Kimo’s. 9pm, $6.
Pat Johnson and the Creeps Knockout. 10pm, $6.
Kit Ruscoe Group, Hydrogen Babies, Nice, Man’s Red Fire, Electric Googie Dawgz Café du Nord. 8pm, $10.
*Marduk, Nachtmystium, Mantic Ritual, Black Anvil, Merrimack DNA Lounge. 8pm, $20.
Rademacher, Golden Ghost, Woolly Moon Hemlock Tavern. 9pm, $6.
Jonathan Richman, Tommy Larkins Great American Music Hall. 8pm, $15.
Johnny Vernazza Biscuits and Blues. 8pm, $15.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.
Noel Jewkes, Josh Workman, Chuck Metcalf Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.
Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

FOLK/WORLD/COUNTRY

“Acoustic Country Christmas” Slim’s. 7pm, $17. With Sara Evans, Darryl Worley, and Mallory Hope.
Jesse DeNatale, Allison Lovejoy Amnesia. 8pm, $7-10.
Goapele Yoshi’s San Francisco. 2 and 7pm, $5-26.
Quin and friends Plough and Stars. 9pm.
Sacred Profanities Thee Parkside. 4pm, free.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.
DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.
Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and guest Dub Gabriel.
Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.
Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?
Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.
Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.
Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.
Religion Bar on Church. 3pm. With DJ Nikita.
Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 7

ROCK/BLUES/HIP-HOP

Califone Great American Music Hall. 8pm, $16.
Grand Lake, Bad Assets, Pine Away Knockout. 10pm, $5.
“Not So Silent Night Competition” Bottom of the Hill. 8pm, $8. Bands TBA.

JAZZ/NEW MUSIC

Nick Culp Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.
Christopher O’Riley Yoshi’s San Francisco. 8pm, $30.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!
Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.
Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.
King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.
Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.
Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.
Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.
Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 8

ROCK/BLUES/HIP-HOP

Average White Band Yoshi’s San Francisco. 8 and 10pm, $25.
California Honeydrops Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Robert Francis Café du Nord. 9:30pm, $10.
Long Thaw, Downfalls, Pegataur Bottom of the Hill. 9pm, $8.
Nervous Tics, Aversions, Complaints Knockout. 9:30pm, free.

FOLK/WORLD/COUNTRY

Devine’s Jug Band, The Gas Men, Sean Corkery Club Waziema, 543 Divisadero, SF; (415) 999-4061. 8pm, free.
Fiddle Jam Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Barry O’Connell, Vinnie Cronin and friends Plough and Stars. 9pm.

JAZZ/NEW MUSIC

“Booglaloo Tuesday” Madrone Art Bar. 9:30pm, $3. With Oscar Myers.
Dave Parker Quintet Rasselas Jazz. 8pm.
“Jazz Mafia Tuesdays” Coda. 9pm, $7. With Spaceheater’s Blast Furnace.
Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Kate Waste, and Trashed Tracy.
Drunken Monkey Annie’s Social Club. 9pm, free. Weekly guest DJs and shot specials.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.
Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.
Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.
Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.
Shout at the Devil Red Devil Lounge. 8pm, free. Karaoke with a smoke machine and cheap drinks.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Things We Like

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Yoshi’s Fillmore

The Fillmore district was an epicenter of the golden age of West Coast jazz, and this huge, luxurious, recent addition to the area is reviving the spirit of that bygone era for thousands of delighted musicophiles and newbies. Dine on delicious sushi, grab a couple of cool cocktails, and sink into the tuneful, improvisatory vibes with live shows nightly. Don’t be surprised if you find yourself taking in performances by (or sitting next to) some of the Bay’s jazz greats. 1330 Fillmore. (415) 655-5600, www.yoshis.com
Neighborhood: Fillmore. Muni: 22 Fillmore, 38 Geary

Glen Canyon Park

A stunning shot of Northern California nature lies smack-dab in the middle of the city. This huge preserve in the Glen Park neighborhood offers outdoor activities, unusual wildlife, sports utilities, and the opportunity to get away from it all without the car-rental fees. Pack a couple of buttery chocolate croissants from nearby Destination Baking Company in the Glen Park Village shopping area and commune with nature (and gooey pastry) for an afternoon.
Bosworth and Elk
Neighborhood: Glen Park. Muni: 44 O’Shaughnessy. BART: Glen Park

Ton Kiang

Chinatown gets all the press when it comes to Chinese cuisine in this town — deservedly so — but locals also flock to this Outer Richmond neighborhood fave from 10:30 a.m. to 9 p.m. daily to dive into some of the city’s best dim sum. That means the large two-story dining room gets a little packed and noisy, but who cares when you’re gorging on delectable hai kim (shrimp-stuffed crab claws) and siu lung bao (Shanghai meat dumplings)?
5821 Geary. (415) 752-4440, www.tonkiang.net
Neighborhood: Outer Richmond. Muni: 38 Geary

Temple

If you’re into giant, after-hours nightlife experiences with a spiritual edge, this recently opened megaclub will grab you body and soul (without completely draining your wallet). Techno, tribal, electronica, hip-hop – even guided meditation and peace conferences – all find a home in the bangin’ multiple rooms of this green-certified palace. Check the basement “catacombs” for the latest sounds, grab a bite at attached Thai restaurant Prana, and don’t forget your latest dancing shoes.
540 Howard. www.templesf.com www.templesf.com
Neighborhood: SoMa. Muni: 27 Bryant

Zante Pizza and Indian Cuisine

It’s one thing to claim to invent a curious dish like “Indian pizza” – but quite another to have it turn out quite so amazingly. Zante in the Outer Mission has been serving this unique, crispy-crusted delicacy for years; it’s a San Francisco classic. Choose your toppings from an expansive, unusual list that includes spinach, tandoori chicken, cauliflower, eggplant, and more. The restaurant also features savory traditional Indian foods (the veggie samosas will knock your socks off). If you can’t make it in, Zante delivers to most of the city seven days a week.
3489 Mission. (415) 821-3949, www.zantespizza.com
Neighborhood: Outer Mission. Muni: 14 Mission

Fiona’s Sweet Shoppe

Ah yes, the famous Union Square, where the tumult of international commercialism, in the form of a gazillion department stores and tourist traps, can certainly overwhelm. When you’ve had enough browsing, or just need a sweet refresher, head a few blocks northeast to this incredibly cute, tiny candy store on Sutter Street. Scrumptious old school confections like English toffee and Dutch licorice abound, each piece individually wrapped and displayed in adorable jars.
214 Sutter. (415) 399-9992, www.fionassweetshoppe.com
Neighborhood: Downtown. Muni: 30 Stockton, 45 Union

Harry Denton’s Starlight Room

An oldie but still very-goodie. This dazzling bar and nightclub on the 21st floor of the Sir Francis Drake Hotel has an atmosphere that occasionally rises into glitzy high camp, but with 360-degree views of the glimmering city at night through floor-to-ceiling plate glass windows – well, all aboard the disco-go-round! Among all the polished Art Nouveau decor, the 1930s-style ladies room is a definite must-see. Sundays play host to the raucous “Sunday’s a Drag” brunch and gender-illusionist showcase – a stunning buffet if ever there was one.
450 Powell. (415) 395-8595, www.harrydenton.com
Neighborhood: Downtown. Muni: 38 Geary, 30 Stockton

Upper Playground

An art gallery, a fashion label, a men’s and women’s boutique – Upper Playground, whose various outlets take up approximately an entire block of Fillmore Street in Lower Haight, is the streetwise hipster’s one-stop dream. Local graffiti artists line up to design for Upper Playground’s numerous lines of T-shirts, hats, jackets, and accessories (including cheeky dildos and shot glasses), or to display their latest graphic works. When you’re done fingering monogrammed fleece in downtown’s tourist traps, this is the place to collect real SF souvenirs.
220 Fillmore. (415) 861-1960, www.upperplayground.com
Neighborhood: Lower Haight. Muni: 30

The Buena Vista

Whether or not the talented gents of the Buena Vista bar and cafe brought the everdreamy Irish coffee to America (as has been claimed), this well-appointed bar is well worth visiting for its cozy, old-timey atmosphere in the heart of North Beach – and for that lovely, steaming concoction of Irish whisky and specially prepared cream. Fog? What fog? You’ll slice right through it with a couple of warm ones in your belly.
2765 Hyde. (415) 474-5044. www.thebuenavista.com
Neighborhood: North Beach. Cable Car: Powell and Hyde

Ritual Coffee Roasters

With its anti-establishment logo, interesting art, tattooed baristas devoted to coffee culture, and scenester customers devoted to their laptops, Ritual embodies several generations of quintessential San Franciscan culture – from the summer of love to the dot com boom (2.0) – with a decidedly funky Mission District flair. This is where to plug in, foam up, and get connected, whether you’re new in town or ready to launch that quirky startup.
1026 Valencia, SF. (415) 641-1024, www.ritualroasters.com
Neighborhood: Mission. Muni: 14 Mission, 26 Valencia. BART: 24th Street

Zeitgeist

Rain or shine, this world-famous dive always seems packed with hipsters, hippies, bikers, anarchists, burners, European exchange students, and anyone else willing to brave notoriously surly service from punk-rock bartenders. The payoff? A chance to sip stellar Bloody Marys or draught imports on a beer garden-style bench in the expansive backyard. Sunday afternoons are especially raucous, and feature a shamelessly carnivorous barbeque.
199 Valencia, SF. (415) 255-7505, myspace.com/zeitgeistsf
Neighborhood: SoMa. Muni: 22 Fillmore, 26 Valencia

AsiaSF

Sleek, upscale, stylish – and fabulously gender-bending. Chichi drinks and high-end food are part of the deal, but AsiaSF’s real draw is its spectacular, theatrical, during-dinner shows featuring gorgeous, jaw-dropping gender illusionists – high-kicking, hair-flipping, and lip-synching with flair atop the long, thin bar. A restaurant and club perfect for celebrations, special occasions, and other-side-of-the-mirror titillation.
201 Ninth St., SF. (415) 255-2742, www.asiasf.com
Neighborhood: SoMa. Muni: F Line, 14 Mission, 19 Polk. BART: Civic Center Station

Bottom of the Hill

Situated deep in the deceptively charming industrial district of Potrero Hill, this live music venue, bar, and restaurant is known to music fans worldwide as one of the best places in San Francisco to see live bands. With a roster of performers that reads like Pitchfork’s Who’s Who of Indie Rock (and local acts soon to be included), an intimate stage, cheap cover, and a comfortable smoking patio, it’s a good bet seven days a week.
1233 17th St., SF. (415) 621-4455, www.bottomofthehill.com
Neighborhood: Potrero Hill. Muni: 19 Polk, 22 Fillmore

TransportedSF

San Francisco’s take on the tour bus, this biodiesel-fueled, decked-out VW is one part party, one part educational tool (by day, as Das Frachtgut), and all parts experience. Hop aboard for a movie-, DJ-, or dinner-themed trip with other strangers in the know, or rent it out for your own private fete. Either way, you’ll see several San Francisco landmarks, from peeks at Ocean Beach to a great view of your purple-haired fellow rider.
Pick up at Shine (call for schedule), 1337 Mission, SF. (415) 424-1058, www.transportedsf.com
Neighborhood: SoMa and all over. Muni: F Line, 14 Mission, 26 Valencia

Japantown

Japanese immigrants flocked to the area in Western Addition between Van Ness Avenue and Fillmore 100 years ago, and Japanophiles have been following their lead ever since. You can’t miss Japan Center, a three-block mall featuring shops that sell rare Japanese products, a multiplex theater, and a memorial designed by a world-renowned architect. Highlights include noodles at Suzu Ya, the baths and spa at Kabuki Springs, and oodles of anime figurines and samurai swords.
Between Geary, Polk, Laguna, and Fillmore, SF. www.sfjapantown.org
Neighborhood: Fillmore. Muni: 38 Geary

Beat Museum

If there’s one thing North Beach is known for more than its Italian roots, it’s for being the adopted home of the Beat Generation. This shop and museum is dedicated to all things Kerouac-and-friends, from documentaries upstairs to Beat bobbleheads (downstairs). An interesting education for curious on-the-roaders and a treasure trove for serious, finger-snapping fanatics looking to get groovy.
540 Broadway, SF. (800) 537-6822, www.thebeatmuseum.org
Neighborhood: North Beach. Muni: 20 Columbus, 41 Union, 45 Union/Stockton

Casanova Lounge

Hip, crowded, and unapologetically ironic (read: velvet nudes on the walls), Casanova, a full-service dive bar, is a Mission flagship. Crimson lighting and comfortable couches give it a slight boudoir/opium den feel, while lots of standing room and loud DJ music keep a casual vibe. And yes, it’s a meat market, but also a great place to meet well-versed, impeccably accessorized locals.
527 Valencia, SF. (415) 863-9328, www.casanovasf.com
Neighborhood: Mission. Muni: 22 Fillmore, 26 Valencia, BART: 16th Street

Recklessly defensive

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Recklessly defensive

le.chicken.farmer@gmail.com

CHEAP EATS I like to live like I like to love: with my back to the wall, my skirt hiked up, and my hair a mess. Come to think of it, I like to play ping-pong and soccer that way too, but rarely wear skirts to games.

In case they never see me again, my soccerish pals Alice Shaw the Person and Elbie wanted to buy me brunch after our 3-3 tie last Sunday. It was the first game of the new season, but I’m going to miss the second and third, as well as the fourth through tenth, and quite possibly all of next season, come to think of it, and the next after that. And … hey, you never know.

When I went to Berlin last summer, there were isolated pockets of concern that I wouldn’t come back. This time it’s an all-out rumor. Everyone in the world, myself included, seems to think my return ticket might maybe be just for show. My friends who have actually met my Romeo, Romea, are convinced of it.

We make a damn good couple.

And I haven’t been helping matters by quitting my nanny gigs, subletting my shack, and giving away half my things. I’m even selling my car, Alice Shaw the Car, to Alice Shaw the Person’s little sister, which seems to make a certain sense, but certainly not financial sense. Funny, everything I have ever done that was by-the-books sound, advisable, or fiscally responsible has blown up in my face.

On the other hand, my soccer team won two championships in a row, and yes I am still thank you in love. But it’s a tricky proposition, living insanely without going insane. It’s like playing like I play: recklessly defensive. Sometimes you overcommit and slip and then your back-to-the-wall is skidding across the grass while the other team scores.

I wish I could take my soccer team to Germany with me, because they tend to pick me up, so to speak. But they’re all Brazilian and would struggle with the language. And the weather. And the style of play.

Anyway, I’m unaccustomed to winning, and a little disappointed because all we get for it is a T-shirt and a team photo. Otherwise, it’s almost the same as losing: you shake the other team’s hands and say the exact same thing they say, "Good game, good game," and then you go get beers or pancakes or something, or both. I don’t know, maybe there are other differences.

The real problem is that our league plays on Sundays, in the morning, so where are you going to get fed and watered afterward without having to wait in line?

Sports bars! It took me many years to figure this out, and then … I didn’t figure it out. Someone else did. I think it was Elbie’s guy who suggested the Fiddler’s Green after last game, and after this one I was hurrying down Haight Street to get in line at the Pork Store when I noticed Martin Mack’s, other side of the street, a block or so away. And it was empty, even though there was football and soccer and more football on TV. It was a sea of empty tables in there, and, yes, they serve brunch.

So I called Alice Shaw the Person’s cell phone and said, "Forget it. Forget the Pork Store."

And that was how I came to discover boiled bacon and cabbage. It was on the specials board, along with Guinness and beef stew, and I forget what else. Me and Elbie ordered those two things, and Alice got the Irish breakfast, and it was all a lot of too-much food for all of us, even though we’d just run around like we did.

Ten bucks apiece.

My dish came with unannounced but not unwelcome potatoes, mashed. The bacon scared me at first, not because it was Irish bacon, or boiled, but because it was smothered in this parsley-specked creamy white sauce that screamed mayonnaise. The waitressperson told me two or three times, no mayo, before I would taste it. And then I tasted it and it was awesome. If there was mayonnaise in it, I now love mayonnaise.

Stranger things have happened.

MARTIN MACK’S

Mon.–Sun., 10 a.m.–2 a.m.

1568 Haight, SF

(415) 864-0124

Full bar

AE/D/MC/V

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

Music listings

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Music listings

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, and the Thanksgiving holiday falls within this week, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 25

ROCK/BLUES/HIP-HOP

Deastro, Max Tundra, White Cloud Bottom of the Hill. 9pm, $14.

Del Tha Funky Homosapien, Bukue One, Serendipity Project, Hopie Spitshard Great American Music Hall. 9pm, $22.

Dubstar, Equipto, Bored Stiff El Rio. 8pm, $10.

Shane Dwight Biscuits and Blues. 8pm, $15.

*Laudanum, Black Ganion, Lethe, Worm Ouroboros Annie’s Social Club. 9pm, $7.

Joe Perry Fillmore. 8pm, $39.50.

Psychic Reality, Sex Worker, Jealousy Hemlock Tavern. 9pm, $6.

Shantytown, Whiskey Pills Fiasco Red Devil Lounge. 8pm, $8.

*Vader, Decrepit Birth, Amenta, Warbringer, Augury DNA Lounge. 8pm, $24.

Vinyl, Rondo Brothers, Monophonics Independent. 9pm, $15.

JAZZ/NEW MUSIC

Michael Chase Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Richard Bean and Sapo, Manzo, Machala Slim’s. 8pm, $13.

Brent Jordan Plough and Stars. 9pm.

Diana Gamero, Makru Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $10-12.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Dark Sparkle Café du Nord. 10pm, $5. Ten-year anniversary of the dance/electronic/glam party.

Fringe Madrone Art Bar. 9pm, free. With DJs subOctave and Blondie K mixing indie music videos.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 26

JAZZ/NEW MUSIC

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Michael Gold Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

DJ Carolyn Keddy Hemlock Tavern. 9pm, free.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Gymnasium Matador, 10 6th St., SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Late Night Thanksgiving Bingotopia Knockout. 9pm-midnight. Play for drinks, dignity, and dorky prizes with host Yule Be Sorry.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with BaconMonkey, Netik, and Chaank.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 27

ROCK/BLUES/HIP-HOP

Hatebreed, Trivium, Cannibal Corpse, Chimaira, Unearth Warfield. 3pm, $30. Also with Whitechapel, Born of Osiris, Hate Eternal, and Dirge Within.

Hoptown, Fancy Dan Band, Elektrik Sunset, Andy Mason Hotel Utah. 9pm, $6.

Karl Denson’s Tiny Universe, Robert Walter’s 20th Congress Independent. 9pm, $25.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Lilofee, Danny James and Pear, Ferocious Few Hemlock Tavern. 9:30pm, $7.

Bobby Long Elbo Room. 7:30pm, $15.

Norma Jean, Horse the Band, Chariot, Arsonists Get All the Girls Slim’s. 7:30pm, $17.

Peaches, Amanda Blank Regency Ballroom. 9pm, $27.

EC Scott Biscuits and Blues. 8 and 10pm, $20.

Simian Mobile Disco, JDH and Dave P Mezzanine. 9pm, $25.

Dave Smallen, Soft White Sixties, Lite Brite Bottom of the Hill. 9:30pm, $12.

Stereo Freakout, Nuck Fu, Benvenue, Amply Hostile DNA Lounge. 5:30pm, $12. Also with Cires, Dear Sincerely, Faded, Wee the Band, Vague Blur, and Exit 27.

Stone Vengeance, Proffessor, Space Vacation, Holy Grail Annie’s Social Club. 9pm, $8.

Toots and the Maytals, Ray Fresco Fillmore. 9pm, $26.

Tragik El Rio. 10pm, $10.

Gaby V, Trevor Garrod, Matt Layton Red Devil Lounge. 8pm, $10.

BAY AREA

Laurie Berkner Band Paramount Theatre. 11am, $25.

Lovemakers, Silverswans, Chambers Uptown. 9pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Books, Manring Kassin Darter Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $18.

Terrence Brewer Shanghai 1930. 7:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Savanna Jazz Trio Savanna Jazz. 8pm, $5.

Tuck and Patti Yoshi’s San Francisco. 8 and 10pm, $22.

FOLK/WORLD/COUNTRY

Makru Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Pine Box Boys, Trainwreck Riders, Earl Brothers, Mighty Crows Café du Nord. 8pm, $15.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Savoy Family Cajun Band Great American Music Hall. 9pm, $20.

Isaac Schwartz Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Joe "Kimo" West with Patrick Landeza Union Room at Biscuits and Blues. 8:30pm, $10.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Alcoholocaust Presents Riptide Tavern. 9pm, free. DJ What’s His Fuck spins old-school punk and other gems.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Biscuits and Gravy Elbo Room. 10pm, free. Hip-hop, funk, reggae, and salsa with DJs Vinnie Esparza and B-Cause.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm. Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Lucky Road Amnesia. 9pm, $6-10.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

6 to 9 800 Larkin, 800 Larkin, SF; (415) 567-9326. 6pm, free. DJs David Justin and Dean Manning spinning downtempo, electro breaks, techno, and tech house. Free food by 800 Larkin.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. Teen beat, twisters, surf rock, and other 60s sounds with DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 28

ROCK/BLUES/HIP-HOP

Business, Control, Harrington Saints Thee Parkside. 9pm, $13.

California Honeydrops Biscuits and Blues. 8 and 10pm, $20.

Quinn Deveaux Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dizzy Balloon, Jakes, Luke Franks or the Federalists, Scene of Action Rickshaw Stop. 8pm, $10.

Lemon Sun, Leopold and His Fiction, Siddhartha Hemlock Tavern. 9:30pm, $7.

Loquat, New Up, Cons, Lindy Lafontainte Red Devil Lounge. 8pm, $10.

Lucabrazzi Knockout. 10pm, $6.

Mario, Mishon Fillmore. 8pm, $35.

New Riders of the Purple Sage, Moonalice Great American Music Hall. 9pm, $25.

Parade Route, Neighborhood Bullies, Better Maker Thee Parkside. 3pm, free.

Straight No Chaser Palace of Fine Arts, 3301 Lyon, SF; www.ticketmaster.com. 8pm, $29.50.

Xienhow, Enzyme Dynamite, Zeps and Damaniz, Mike Swift Elbo Room. 10pm, $5.

Zepparella, Dave Rude Band, Solid Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Andrew Oliver Trio Red Poppy Art House. 8pm, $10-15.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

"Jazz Jam Session with Uptime Jazz Group" Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.

Jessica Johnson Shanghai 1930. 7:30pm, free.

Marlena Teich Jazz Band Shanghai 1930. 8pm, $5.

Ricardo Scales Top of the Mark. 9pm, $15.

Tuck and Patti Yoshi’s San Francisco. 8 and 10pm, $22.

FOLK/WORLD/COUNTRY

Los Boleros Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7:30, $10; 11:45pm, $12.

California Honeydrops, Kally Price Band Amnesia. 9pm, $7.

Gas Men Plough and Stars. 9pm.

Toshio Hirano Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Ricardo Peixoto and Carlos Oliveira Red Poppy Art House. 8pm, $15-20.

BAY AREA

Big Sandy and His Fly-Rite Boys, Red Meat, B Stars Uptown. 9pm, $12.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, and Mod Dave, plus free 80s hair and make-up by professional stylists.

Blowoff Slim’s. 10pm. $15. Hosted and DJ’d by Bob Mould and Rich Morel.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups with Adrian and Mysterious D, Dada, and more, plus a live performance by Smash-Up Derby.

Go Bang! Deco SF, 510 Larkin St; (415) 346-2025. 10pm, $5. Recreating the diversity and freedom of the 70’s/ 80’s disco nightlife with special guest DJs Ken Vulsion and Ash Williams and DJs Flight, Nicky B., Sergio and Stanley.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Jah Yzer, Serg, and Polo Mo’qz spinning dancehall.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Thanksgiving Recovery Mighty. 10pm, $25. Featuring the 2010 Bare Chest Calendar Men.

SUNDAY 29

ROCK/BLUES/HIP-HOP

Japandroids, Surfer Blood Rickshaw Stop. 7pm, $12.

Jordan Epcar, Light Machine, Evening Post Hotel Utah. 8pm, $6.

Murder of Lilies, Ferocious Few, Fake Your Own Death, Delle Vellum Café du Nord. 8pm, $10.

Nebula, Dusted Angel, Radio Moscow Annie’s Social Club. 6pm.

Justin Nozuka, Sam Bradley, Elizabeth and the Catapult Great American Music Hall. 7:30pm, $21.

Rooney, Tally Hall, Crash Kings Slim’s. 8pm, $16.

Sandwitches, Pale Hoarse Rite Spot, 2099 Folsom, SF; (415) 552-6066. 6pm, free.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.

Linda Kosut Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Savanna Jazz Trio and jam Shanghai 1930. 7:30pm, $5.

Tuck and Patti Yoshi’s San Francisco. 2 and 7pm, $5-22.

FOLK/WORLD/COUNTRY

Los Boleros Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7:30 and 11:45pm, $10-12.

Fire Whiskey Thee Parkside. 4pm, free.

John Sherry, Kyle Thayer, and friends Plough and Stars. 9pm.

DANCE CLUBS

Brass Liberation Orchestra, Rumen Sopov Amnesia. 9pm, $7-10.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Maneesh the Twister, and guest Adam Twelve.

45 Club the Funky Side of Soul Knockout. 10pm, free. With dX the Funky Gran Paw, Dirty Dishes, and English Steve.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 30

ROCK/BLUES/HIP-HOP

David Archuleta, Benton Ball Warfield. 7pm, $45.50.

Build Them to Break, Self Centered, Bullet Vibe El Rio. 8pm, $5.

Vic Chesnutt Band, Warpaint, Liz Durret Great American Music Hall. 8pm, $18.

Grayskul, Language Arts Crew, Bastard Patriots, Brahma Lagah Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

Build, George Hurd Ensemble, Jack Dubowsky Ensemble Café du Nord. 8pm, $10.

Robert Deguijl Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Panique Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Wobbly World Yoshi’s San Francisco. 8pm, $16.

FOLK/WORLD/COUNTRY

Open mic Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Starlings Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Goth, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with DJs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 1

ROCK/BLUES/HIP-HOP

Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.

Conspiracy of Beards, Stitchcraft, King City Café du Nord. 8:30pm, $10.

Little Girls, Weekend Hemlock Tavern. 9pm, $6.

Spandex Tiger, Sideshow Fiasco, Kajillion Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Dave Parker Quintet Rasselas Jazz. 8pm.

Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Dark Party Mighty. 9:30pm, $12. An electronic dance project featuring Eliot Lipp and Leo123.

Drunken Monkey Lounge Annie’s Social Club. 9pm, free. Guest DJs and shot specials.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaetón.

Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Film listings

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Film listings

Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Louis Peitzman, Lynn Rapoport, Ben Richardson, Matt Sussman, and Laura Swanbeck. The film intern is Fernando F. Croce. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

OPENING

*Bad Lieutenant: Port of Call New Orleans See "Call of the Weird." (2:01) Embarcadero, Shattuck, Smith Rafael.

*Black Dynamite A lot of movies have spoofed in passing the cliches and excesses of 70s blaxploitation movies. But this collaboration between director Scott Sanders and coscenarist-star Michael Jai White makes you realize they only scratched the surface. It takes real love to meticulously reproduce not just the obvious retro pimp-wear, but every cheesy 70s graphic, wah-wah soundtrack riff, arbitrary plot development, and horrendous interior decoration tip the genre once offered up with a straight face. The brawny White plays our titular hero, a one-man ghetto militia out to avenge the inevitable death of the inevitable kid brother, in the process naturally exposing The Man’s latest heinous plot to keep the Black Man down. Between dealings with the CIA, the mob, pushers, narcs, and righteous soul sisters, B.D. of course finds plenty of time to satisfy a rainbow coalition of topless foxes. (There are also sidekicks like Arsenio Hall as Tasty Freeze and comedian Tommy Davison as Cream Corn.) Every ludicrous yet deadpan detail here is perfect, such that you could take any few seconds here and pass them off as snipped from a real grindhouse relic circa 1975. It’s in the bigger picture that Black Dynamite eventually flags a bit — when the movie ought to be getting its second wind, instead it begins to run out of steam, with a White House finale that’s just too silly. Nonetheless, this is easily one of the year’s best comedies. After inexplicably bombing in limited theatrical release elsewhere last month, it’s finally reaching the Bay Area in midnight-only showings, and is not to be missed. (1:28) Castro, Grand Lake. (Harvey)

The Blind Side When the New York Times Magazine published Michael Lewis’ article "The Ballad of Big Mike" — which he expanded into the 2006 book The Blind Side: Evolution of a Game —nobody could have predicated the cultural windfall it would spawn. Lewis told the incredible story of Michael Oher — a 6’4, 350-pound 16-year-old, who grew up functionally parentless, splitting time between friends’ couches and the streets of one of Memphis’ poorest neighborhoods. As a Sophomore with a 0.4 GPA, Oher serendipitously hitched a ride with a friend’s father to a ritzy private school across town and embarked on an unbelievable journey that led him into a upper-class, white family; the Dean’s List at Ole Miss; and, finally, the NFL. The film itself effectively focuses on Oher’s indomitable spirit and big heart, and the fearless devotion of Leigh Anne Tuohy, the matriarch of the family who adopted him (masterfully played by Sandra Bullock). While the movie will delight and touch moviegoers, its greatest success is that it will likely spur its viewers on to read Lewis’ brilliant book. (2:06) Cerrito, Grand Lake, Presidio. (Daniel Alvarez)

Defamation See "What’s Hate Got to Do With It?" (1:33) Roxie.

*The House of the Devil Ti West’s The House of the Devil is a retro thrillfest quite happy to sacrifice the babysitter to the Dark Lord. "Based on true unexplained events" (uh-huh), the buzzed-about indie horror has fanboy casting both old school (Dee Wallace, Mary Woronov, Tom Noonan — all performing seriously rather than campily) and new (AJ Bowen of 2007’s The Signal and mumblecore regular Greta Gerwig). Its heroine (Jocelin Donahue), a 1980 East Coast collegiate sophomore desperate for rent cash so she can escape her dorm roomie’s loud nightly promiscuity, signs on for a baby- (actually, grandma-) sitting gig advertised on telephone poles. For tonight. During a lunar eclipse. Bad move. Devil takes its time, springing nothing lethal until nearly halfway through. Its period setting allows for ultratight jeans, feathered hair, rotary dialing, a synth-New Wavey score, and other potentially campy elements the film manages to render respectfully appreciative rather than silly. Ultimately, it isn’t significantly better than various fine indie horrors of recent vintage and various nationality that went direct to DVD. (Quality, let alone originality, aren’t necessarily a commercial pluses in this genre.) But it is dang good, and that cuts it above most current theatrical horror releases. (1:33) Lumiere. (Harvey)

*The Messenger Ben Foster cut his teeth playing unhinged villains in Alpha Dog (2006) and 3:10 to Yuma (2007), but he cements his reputation as a promising young actor with a moving, sympathetic performance in director Oren Moverman’s The Messenger. Moverman (who also co-authored the script) is a four-year veteran of the Israeli army, and he draws on his military experience to create an intermittently harrowing portrayal of two soldiers assigned to the U.S. Army’s Casualty Notification Service. Will Montgomery (Foster) is still recovering from the physical and psychological trauma of combat when he is paired with Tony Stone (Woody Harrelson), a by-the-book Captain whose gruff demeanor and good-old-boy gallows humor belie the complicated soul inside. Gut-wrenching encounters with the families of dead soldiers combine with stark, honest scenes that capture two men trying to come to grips with the mundane horrors of their world, and Samantha Morton completes a trio of fine acting turns as a serene Army widow. (1:45) Albany, Smith Rafael. (Richardson)

Planet 51 In this animated adventure, Earth astronauts realize they’re the aliens when they visit a populated planet elsewhere in the galaxy. (1:31) Oaks.

The Twilight Saga: New Moon The one with the werewolf. (2:10) Cerrito, Grand Lake, Presidio.

*William Kunstler: Disturbing the Universe A middle-class suburban lawyer radicalized by the Civil Rights era, Kunstler became a hero of the left for his fiery defenses of the draft-card-burning Catonsville Nine, the Black Panthers, the Chicago Twelve, and the Attica prisoners rioting for improved conditions, and Native American protestors at Wounded Knee in 1973. But after these "glory days," Kunstler’s judgment seemed to cloud while his thirst for "judicial theatre" and the media spotlight. Later clients included terrorists, organized-crime figures, a cop-killing drug dealer, and a suspect in the notorious Central Park "wilding" gang rape of a female jogger –- unpopular causes, to say the least. "Dad’s clients gave us nightmares. He told us that everyone deserves a lawyer, but sometimes we didn’t understand why that lawyer had to be our father" says Emily Kunstler, who along with sister Sarah directed this engrossing documentary about their late father. Growing up under the shadow of this larger-than-life "self-hating Jew" and "hypocrite" –- as he was called by those frequently picketing their house –- wasn’t easy. Confronting this sometimes bewildering behemoth in the family, Disturbing the Universe considers his legacy to be a brave crusader’s one overall –- even if the superhero in question occasionally made all Gotham City and beyond cringe at his latest antics. (1:30) Opera Plaza, Shattuck. (Harvey)

ONGOING

Amelia Unending speculation surrounds the fate of aviator Amelia Earhart, who, with navigator Fred Noonan, disappeared in 1937 over the Pacific while attempting to circumnavigate the globe. However, Mira Nair’s biopic Amelia clarifies at least one fact: that Earhart (played by Hilary Swank) was a free-spirited freedom-loving lover of being free. We learn this through passages of her writing intoned in voice-over; during scenes with publisher and eventual husband George Putnam (Richard Gere); and via wildlife observations as she flies her Lockheed Electra over some 22,000 miles of the world. Not much could diminish the glory of Earhart’s achievements in aviation, particularly in helping open the field to other female pilots. And Swank creates the impression of a charming, intelligent, self-possessed woman who manages to sidestep many of fame’s pitfalls while remaining resolute in her lofty aims. She’s also slightly unknowable in her cheery, near-seamless virtue, and the film’s adoring depiction, with its broad, heavy strokes, at times inspires a different sort of restlessness than the kind that compels Earhart to take flight. Amelia is structured as a series of flashbacks in which the aviator, while circling the earth, retraces her life –- or rather, the highlights of her career in flying, her marriage to Putnam, and her affair with Gene Vidal (Ewan McGregor), another champion of aviation (and the father of author Gore). And this, too, begins to feel lazily repetitive, as we return and return again to that cockpit to stare at a doomed woman as she stares emotively into the wild blue yonder. (1:51) Elmwood. (Rapoport)

Art and Copy Doc maker Doug Pray (1996’s Hype!, 2001’s Scratch, 2007’s Surfwise) uses the mid-twentieth century’s revolution in advertising to background an absorbing portrait of the industry’s leading edge, with historical commentary, philosophical observations, and pop-psych self-scrutiny by some of the rebel forces and their descendants (including locals Jeff Goodby and Rich Silverstein). We see the ads that made a permanent dent in our consciousness over the past five decades. We hear conference-room tales of famous campaigns, like "Got Milk?" and "I Want My MTV." And during quieter interludes, stats on advertising’s global cultural presence drift on-screen to astonish and unnerve. Lofty self-comparisons to cave painters and midwives may raise eyebrows, but Pray has gathered some of the industry’s brighter, more engaging lights, and his subjects discuss their métier thoughtfully, wittily, and quite earnestly. There are elisions in the moral line some of them draw in the process, and it would have been interesting to hear, amid the exalted talk of advertising that rises to the level of art, some philosophizing on where all this packaging and selling gets us, in a branding-congested age when it’s hard to deny that breakneck consumption is having a deleterious effect on the planet. Instead the film occasionally veers in the direction of becoming an advertisement for advertising. Still, Art and Copy complicates our impressions of a vilified profession, and what it reveals about these creatives’ perceptions of their vocation (one asserts that "you can manufacture any feeling that you want to manufacture") makes it worth watching, even if you usually fast-forward through the ads. (1:30) Roxie. (Rapoport)

*The Box In recent interviews, Donnie Darko (2001) director Richard Kelly has sounded like he’s outright begging to go Hollywood with The Box. But try as he might (and the horribly cheesy trailer does try to puff up this dread-imbued, downbeat thriller into the stuff of big-box blockbuster numbers), Kelly can’t stop himself from making a movie that rises above its intentions — and its trashy entertainment value. Norma (Cameron Diaz) and Arthur (James Marsden) seem like a perfect, beautiful couple, until the cracks begin to quickly appear in their sporty, well-groomed facade: the victim of a girlhood accident, Norma has a startling masochistic streak, while NASA engineer and would-be astronaut Arthur is eager to channel his interest in exploring outer space toward mysteries closer to home: a box that suddenly appears, courtesy of the maimed, besuited Arlington Stewart (Frank Langella). Press the button and someone will die — but the couple will receive one million dollars. Pointing to the existential parable of No Exit like a pretentious, AP-course-loaded high-schooler, The Box also touches on such memorable genre-busters as Kiss Me Deadly (1955) with its Pandora’s box conceit, but more obviously it’s boxed in and stuck in the ’70s, fascinated by the fear, loathing, and paranoia generated by conspiracy-obsessed flicks like The Parallax View (1974) and Three Days of the Condor (1975). Those films reveled in a romantic fatalism and radiating all-encompassing negativity that had its roots in the conformity-fearing Invasion of the Body Snatchers (1956) and found its amplified, arguable apotheosis in the body horror of David Cronenberg. The analog synth score by Arcade Fire’s Win Butler and Regine Chassagne and Final Fantasy’s Owen Pallett also cues memories of Cronenberg, while the soft-focus shots of Cameron Diaz with Charlie’s Angels hair and well-chosen songs like "Bell Bottom Blues" conjure a mood that overcomes narrative potholes as big as the Scanners-like gap in Arlington Stewart’s face. (1:56) 1000 Van Ness, SF Center. (Chun)

*Capitalism: A Love Story Gun control. The Bush administration. Healthcare. Over the past decade, Michael Moore has tackled some of the most contentious issues with his trademark blend of humor and liberal rage. In Capitalism: A Love Story, he sets his sights on an even grander subject. Where to begin when you’re talking about an economic system that has defined this nation? Predictably, Moore’s focus is on all those times capitalism has failed. By this point, his tactics are familiar, but he still has a few tricks up his sleeve. As with Sicko (2007), Moore proves he can restrain himself — he gets plenty of screen time, but he spends more time than ever behind the camera. This isn’t about Moore; it’s about the United States. When he steps out of the limelight, he’s ultimately more effective, crafting a film that’s bipartisan in nature, not just in name. No, he’s not likely to please all, but for every Glenn Beck, there’s a sane moderate wondering where all the money has gone. (2:07) California. (Peitzman)

Coco Before Chanel Like her designs, Gabrielle "Coco" Chanel was elegant, très chic, and utterly original. Director Anne Fontaine’s French biopic traces Coco (Audrey Tautou) from her childhood as a struggling orphan to one of the most influential designers of the 20th century. You’ll be disappointed if you expect a fashionista’s up close and personal look at the House of Chanel, as Fontaine keeps her story firmly rooted in Coco’s past, including her destructive relationship with French playboy Etienne Balsar (Benoît Poelvoorde) and her ill-fated love affair with dashing Englishman Arthur "Boy" Capel (Alessandro Nivola). The film functions best in scenes that display Coco’s imagination and aesthetic magnetism, like when she dances with Capel in her now famous "little black dress" amidst a sea of stiff, white meringues. Tautou imparts a quiet courage and quick wit as the trailblazing designer, and Nivola is unmistakably charming and compassionate as Boy. Nevertheless, Fontaine rushes the ending and never truly seizes the opportunity to explore how Coco’s personal life seeped into her timeless designs that were, in the end, an extension of herself. (1:50) Lumiere, Shattuck, Sundance Kabuki. (Swanbeck)

*The Damned United Like last year’s Frost/Nixon, The Damned United features a lush 70’s backdrop, a screenplay by Peter Morgan, and a commanding performance by Michael Sheen as an ambitious egotist. A promising young actor, Sheen puts on the sharp tongue and charismatic monomania of real-life British soccer coach Brian Clough like a familiar garment, blustering his way through a fictionalized account of Clough’s unsuccessful 44-day stint as manager of Leeds United. Though the details of high-stakes professional "football" will likely be lost on American viewers, the tale of a talented, flawed sports hero spiraling deeper into obsession needs no trans-Atlantic translation, and the film is an engrossing portrait of a captivating, quotable character. (1:38) Opera Plaza. (Richardson)

Disney’s A Christmas Carol (1:36) 1000 Van Ness, Sundance Kabuki.

*An Education The pursuit of knowledge — both carnal and cultural — are at the tender core of this end-of-innocence valentine by Danish filmmaker Lone Scherfig (who first made her well-tempered voice heard with her 2000 Dogme entry, Italian for Beginners), based on journalist Lynn Barber’s memoir. Screenwriter Nick Hornby breaks further with his Peter Pan protagonists with this adaptation: no man-boy mopers or misfits here. Rather, 16-year-old schoolgirl Jenny (Carey Mulligan) is a good girl and ace student. It’s 1961, and England is only starting to stir from its somber, all-too-sober post-war slumber. The carefully cloistered Jenny is on track for Oxford, though swinging London and its high-style freedoms beckon just around the corner. Ushering in those freedoms — a new, more class-free world disorder — is the charming David (Peter Sarsgaard), stopping to give Jenny and her cello a ride in the rain and soon proffering concerts and late-night suppers in the city. He’s a sweet-faced, feline outsider: cultured, Jewish, and given to playing fast and loose in the margins of society. David can see Jenny for the gem she is and appreciate her innocence with the knowing pleasure of a decadent playing all the angles. The stakes are believably high, thanks to An Education‘s careful attention to time and place and its gently glamored performances. Scherfig revels in the smart, easy-on-eye curb appeal of David and his friends while giving a nod to the college-educated empowerment Jenny risks by skipping class to jet to Paris. And Mulligan lends it all credence by letting all those seduced, abandoned, conflicted, rebellious feelings flicker unbridled across her face. (1:35) Albany, Embarcadero, Piedmont. (Chun)

For the Love of Movies: The Story of American Film Criticism Informative, nostalgic, and incredibly depressing, Gerald Peary’s For the Love of Movies traces film criticism from ye olden days (Vachel Lindsay’s appreciation of Mary Pickford) to today (Harry Knowles drooling over Michael Bay). Peary, himself a film critic, captures big-name writers working (or recently out-of-work) today, with Roger Ebert, A.O. Scott, J. Hoberman, Jonathan Rosenbaum, and multiple others explaining why they chose to make a career out of their love for movies, and how the gig has changed over the years. Peary clearly believes the heyday of film criticism is over, having hit peak in the 60s and 70s, when new releases by filmmakers like Scorsese and Altman were argued-about in print and on talk shows by longtime rivals Andrew Sarris (who weighs in here) and the late Pauline Kael. Of course, these days, anyone with a blog can call him or herself a film critic, and while For the Love of Movies acknowledges the importance of the internet, it also points out that when "everyone’s a critic," quality control suffers. Welcome to the future. (1:21) Roxie. (Eddy)

The Fourth Kind (1:38) 1000 Van Ness.

*Good Hair Spurred by his little daughter’s plaintive query ("Daddy, how come I don’t have good hair?"), Chris Rock gets his Michael Moore freak on and sets out to uncover the racial and cultural implications of African-American hairstyling. Visiting beauty salons, talking to specialists, and interviewing celebrities ranging from Maya Angelou to Ice-T, the comic wisecracks his way into some pretty trenchant insights about how black women’s coiffures can often reflect Caucasian-set definitions of beauty. (Leave it to Rev. Al Sharpton to voice it ingeniously: "You comb your oppression every morning!") Rock makes an affable guide in Jeff Stilson’s breezy documentary, which posits the hair industry as a global affair where relaxers work as "nap-antidotes" and locks sacrificially shorn in India end up as pricey weaves in Beverly Hills. Maybe startled by his more disquieting discoveries, Rock shifts the focus to flamboyant, crowd-pleasing shenanigans at the Bronner Bros. International Hair Show. Despite such softball detours, it’s a genial and revealing tour. (1:35) Opera Plaza. (Croce)

Law Abiding Citizen "Spike Lee’s Inside Man (2006) as re-imagined by the Saw franchise folks" apparently sounded like a sweet pitch to someone, because here we are, stuck with Jamie Foxx and Gerard Butler playing bloody and increasingly ludicrous cat-and-mouse games. Foxx stars as a slick Philadelphia prosecutor whose deal-cutting careerist ways go easy on the scummy criminals responsible for murdering the wife and daughter of a local inventor (Butler). Cut to a decade later, and the doleful widower has become a vengeful mastermind with a yen for Hannibal Lecter-like skills, gruesome contraptions, and lines like "Lessons not learned in blood are soon forgotten." Butler metes out punishment to his family’s killers as well as to the bureocratic minions who let them off the hook. But the talk of moral consequences is less a critique of a faulty judicial system than mere white noise, vainly used by director F. Gary Gray and writer Kurt Wimmer in hopes of classing up a grinding exploitation drama. (1:48) 1000 Van Ness. (Croce)

The Maid In an upper-middle class subdivision of Santiago, 40-year-old maid Raquel (Catalina Saavedra), perpetually stony and indignant, operates a rigorous dawn-to-dusk routine for the Valdez family. Although Raquel rarely behaves as an intimate of her longtime hosts, she remains convinced that love, not labor, bonds them. (Whether the family shares Raquel’s feelings of devotion is highly dubious.) When a rotating cast of interlopers is hired to assist her, she stoops to machinations most vile to scare them away — until the arrival of Lucy (Mariana Loyola), whose unpredictable influence over Raquel sets the narrative of The Maid on a very different psychological trajectory, from moody chamber piece to eccentric slice-of-life. If writer-director Sebastián Silva’s film taunts the viewer with the possibility of a horrific climax, either as a result of its titular counterpart — Jean Genet’s 1946 stage drama The Maids, about two servants’ homicidal revenge — or from the unnerving "mugshot" of Saavedra on the movie poster, it is neither self-destructive nor Grand Guignol. Rather, it it is much more prosaic in execution. Sergio Armstrong’s fidgety hand-held camera captures Raquel’s claustrophobic routine as it accentuates her Sisyphean conundrum: although she completely rules the inner workings of the house, she remains forever a guest. But her character’s motivations often evoke as much confusion as wonder. In the absence of some much needed exposition, The Maid’s heavy-handed silences, plaintive gazes, and inexplicable eruptions of laughter feel oddly sterile, and a contrived preciousness begins to creep over the film like an effluvial whitewash. Its abundance makes you aware there is a shabbiness hiding beneath the dramatic facade — the various stains and holes of an unrealized third act. (1:35) Clay, Shattuck, Smith Rafael. (Erik Morse)

The Men Who Stare at Goats No! The Men Who Stare at Goats was such an awesome book (by British journalist Jon Ronson) and the movie boasts such a terrific cast (George Clooney, Kevin Spacey, Jeff Bridges, Ewan McGregor). How in the hell did it turn out to be such a lame, unfunny movie? Clooney gives it his all as Lyn Cassady, a retired "supersolider" who peers through his third eye and realizes the naïve reporter (McGregor) he meets in Kuwait is destined to accompany him on a cross-Iraq journey of self-discovery; said journey is filled with flashbacks to the reporter’s failed marriage (irrelevant) and Cassady’s training with a hippie military leader (Bridges) hellbent on integrating New Age thinking into combat situations. Had I the psychic powers of a supersoldier, I’d use some kind of mind-control technique to convince everyone within my brain-wave radius to skip this movie at all costs. Since I’m merely human, I’ll just say this: seriously, read the book instead. (1:28) Empire, Grand Lake, 1000 Van Ness, Presidio, Shattuck, Sundance Kabuki. (Eddy)

*Michael Jackson’s This Is It Time –- and a tragic early death –- has a way of coloring perception, so little surprise that these thought pops into one’s head throughout This Is It: when did Michael Jackson transform himself into such an elegant, haute-pop sylph? Such a pixie-nosed, lacy-haired petit four of music-making delicacy? And where can I get his to-die-for, pointy-shouldered, rhinestone-lapeled Alexander McQueen-ish jacket? Something a bit bewitching this way comes as Michael Jackson –- now that he’s gone, seemingly less freakish than an outright phenomenon –- gracefully flits across the screen in this final (really?) document of his last hurrah, the rehearsals for his sold-out shows at O2 Arena in London. This Is It is far from perfect: this grainy video scratchpad of a film obviously wasn’t designed by the perfectionist MJ to be his final testament to pop. Director Kenny Ortega does his best to cobble together what looks like several rehearsal performances with teary testimonials from dancers (instilled with the intriguing idea that they are extensions of the surgery-friendly Jackson’s body onstage), interviews with musicians, minimal archival footage, and glimpses of Jacko protesting about being encouraged to "sing through" certain songs when he’s trying to preserve his voice, urging the band to play it "like the record," and still moving, dancing, and gesticuutf8g with such grace that you’re left with more than a tinge of regret that "This Is It," the tour, never came to pass. It’s a pure, albeit adulterated, pleasure to watch the man do the do, even with the gaps in the flow, even with the footage filtered by a family intent on propping up the franchise. Amid the artistry and kitsch, critics, pop academics, and superfans will find plenty to chew over –- from Jackson’s curiously timed physical complaints as the Jackson 5 segment kicks in, to the surreally CGI-ed, golden-age-of-Hollywood mash-up sequence. (1:52) Marina, 1000 Van Ness, SF Center, Shattuck, Sundance Kabuki. (Chun)

New York, I Love You A dreamy mash note to the city that never sleeps, New York, I Love You is the latest installment in a series of omnibus odes to world metropolises and the denizens that live and love within the city limits. Less successful than the Paris, je t’aime (2006) anthology — which roped in such disparate international directors as Gus Van Sant and Wes Craven, Alfonso Cuaron and Olivier Assayas — New York welcomes a more minor-key host of directors to the project with enjoyable if light-weight results. Surely any bite of the Big Apple would be considerably sexier. Bradley Cooper and Drea de Matteo tease out a one-night stand with legs, and Ethan Hawke and Maggie Q generate a wee bit of verbal fire over street-side cigs, yet there’s surprisingly little heat in this take on a few of the 8 million stories in the archetypal naked city. Most memorable are the strangest couplings, such as that of Natalie Portman, a Hasidic bride who flirtatiously haggles with Irrfan Khan, a Jain diamond merchant, in a tale directed by Mira Nair. Despite the pleasure of witnessing Julie Christie, Eli Wallach, and Cloris Leachman in action, many of these pieces — written by the late Anthony Minghella, Israel Horovitz, and Portman, among others — feel a mite too slight to nail down the attention of all but the most desperate romantics. (1:43) Bridge, Shattuck. (Chun)

*Paranormal Activity In this ostensible found-footage exercise, Katie (Katie Featherson) and Micah (Micah Sloat) are a young San Diego couple whose first home together has a problem: someone, or something, is making things go bump in the night. In fact, Katie has sporadically suffered these disturbances since childhood, when an amorphous, not-at-reassuring entity would appear at the foot of her bed. Skeptical technophile Micah’s solution is to record everything on his primo new video camera, including a setup to shoot their bedroom while they sleep — surveillance footage sequences that grow steadily more terrifying as incidents grow more and more invasive. Like 1999’s The Blair Witch Project, Oren Peli’s no-budget first feature may underwhelm mainstream genre fans who only like their horror slick and slasher-gory. But everybody else should appreciate how convincingly the film’s very ordinary, at times annoying protagonists (you’ll eventually want to throttle Micah, whose efforts are clearly making things worse) fall prey to a hostile presence that manifests itself in increments no less alarming for being (at first) very small. When this hits DVD, you’ll get to see the original, more low-key ending (the film has also been tightened up since its festival debut two years ago). But don’t wait — Paranormal‘s subtler effects will be lost on the small screen. Not to mention that it’s a great collective screaming-audience experience. (1:39) Metreon, 1000 Van Ness. (Harvey)

*Paris Cédric Klapisch’s latest offers a series of interconnected stories with Paris as the backdrop, designed — if you’ll pardon the cliché — as a love letter to the city. On the surface, the plot of Paris sounds an awful lot like Paris, je t’aime (2006). But while the latter was composed entirely of vignettes, Paris has an actual, overarching plot. Perhaps that’s why it’s so much more effective. Juliette Binoche stars as Élise, whose brother Pierre (Romain Duris) is in dire need of a heart transplant. A dancer by trade, Pierre is also a world-class people watcher, and it’s his fascination with those around him that serves as Paris‘ wraparound device. He sees snippets of these people’s lives, but we get the full picture — or at least, something close to it. The strength of Paris is in the depth of its characters: every one we meet is more complex than you’d guess at first glance. The more they play off one another, the more we understand. Of course, the siblings remain at the film’s heart: sympathetic but not pitiable, moving but not maudlin. Both Binoche and Duris turn in strong performances, aided by a supporting cast of French actors who impress in even the smallest of roles. (2:04) Opera Plaza. (Peitzman)

Pirate Radio I wanted to like Pirate Radio, a.k.a., The Boat That Rocked –- really, I did. The raging, stormy sounds of the British Invasion –- sex, drugs, rock ‘n’ roll, and all that rot. Pirate radio outlaw sexiness, writ large, influential, and mind-blowingly popular. This shaggy-dog of a comedy about the boat-bound, rollicking Radio Rock is based loosely on the history of Radio Caroline, which blasted transgressive rock ‘n’ roll (back when it was still subversive) and got around stuffy BBC dominance by broadcasting from a ship off British waters. Alas, despite the music and the attempts by filmmaker Richard Curtis to inject life, laughs, and girls into the mix (by way of increasingly absurd scenes of imagined listeners creaming themselves over Radio Rock’s programming), Pirate Radio will be a major disappointment for smart music fans in search of period accuracy (are we in the mid- or late ’60s or early or mid-’70s –- tough to tell judging from the time-traveling getups on the DJs, played by Philip Seymour Hoffman and Rhys Darby, among others?) and lame writing that fails to rise above the paint-by-the-numbers narrative buttressing, irksome literalness (yes, a betrayal by a lass named Marianne is followed by "So Long, Marianne"), and easy sexist jabs at all those slutty birds. Still, there’s a reason why so many artists –- from Leonard Cohen to the Stones –- have lent their songs to this shaky project, and though it never quite gets its sea legs, Pirate Radio has its heart in the right place –- it just lost its brains somewhere along the way down to its crotch. (2:00) Elmwood, Oaks, 1000 Van Ness, Piedmont, Sundance Kabuki. (Chun)

*Precious: Based on the Novel Push By Sapphire This gut-wrenching, little-engine-that-could of a film shows the struggles of Precious, an overweight, illiterate 16-year-old girl from Harlem. Newcomer Gabourey Sidibe is so believably vigilant (she was only 15 at the time of filming) that her performance alone could bring together the art-house viewers as well as take the Oscars by storm. But people need to actually go and experience this film. While Precious did win Sundance’s Grand Jury and Audience Award awards this year, there is a sad possibility that filmgoers will follow the current trend of "discussing" films that they’ve actually never seen. The daring casting choices of comedian Mo’Nique (as Precious’ all-too-realistically abusive mother) and Mariah Carey (brilliantly understated as an undaunted and dedicated social counselor) are attempts to attract a wider audience, but cynics can hurdle just about anything these days. What’s most significant about this Dancer in the Dark-esque chronicle is how Damien Paul’s screenplay and director Lee Daniels have taken their time to confront the most difficult moments in Precious’ story –- and if that sounds heavy-handed, so be it. Stop blahging for a moment and let this movie move you. (1:49) SF Center, Shattuck, Sundance Kabuki. (Jesse Hawthorne Ficks)

*The September Issue The Lioness D’Wintour, the Devil Who Wears Prada, or the High Priestess of Condé Nasty — it doesn’t matter what you choose to call Vogue editor-in-chief Anna Wintour. If you’re in the fashion industry, you will call her — or at least be amused by the power she wields as the overseer of style’s luxury bible, then 700-plus pages strong for its legendary September fall fashion issue back in the heady days of ’07, pre-Great Recession. But you don’t have to be a publishing insider to be fascinated by director R.J. Cutler’s frisky, sharp-eyed look at the making of fashion’s fave editorial doorstop. Wintour’s laser-gazed facade is humanized, as Cutler opens with footage of a sparkling-eyed editor breaking down fashion’s fluffy reputation. He then follows her as she assumes the warrior pose in, say, the studio of Yves St. Laurent, where she has designer Stefano Pilati fluttering over his morose color choices, and in the offices of the magazine, where she slices, dices, and kills photo shoots like a sartorial samurai. Many of the other characters at Vogue (like OTT columnist André Leon Talley) are given mere cameos, but Wintour finds a worthy adversary-compatriot in creative director Grace Coddington, another Englishwoman and ex-model — the red-tressed, pale-as-a-wraith Pre-Raphaelite dreamer to Wintour’s well-armored knight. The two keep each other honest and craftily ingenious, and both the magazine and this doc benefit. (1:28) Presidio. (Chun)

*A Serious Man You don’t have to be Jewish to like A Serious Man — or to identify with beleaguered physics professor Larry Gopnik (the grandly aggrieved Michael Stuhlbarg), the well-meaning nebbishly center unable to hold onto a world quickly falling apart and looking for spiritual answers. It’s a coming of age for father and son, spurred by the small loss of a radio and a 20-dollar bill. Larry’s about-to-be-bar-mitzvahed son is listening to Jefferson Airplane instead of his Hebrew school teachers and beginning to chafe against authority. His daughter has commandeered the family bathroom for epic hair-washing sessions. His wife is leaving him for a silkily presumptuous family friend and has exiled Larry to the Jolly Roger Motel. His failure-to-launch brother is a closeted mathematical genius and has set up housekeeping on his couch. Larry’s chances of tenure could be spoiled by either an anonymous poison-pen writer or a disgruntled student intent on bribing him into a passing grade. One gun-toting neighbor vaguely menaces the borders of his property; the other sultry nude sunbather tempts with "new freedoms" and high times. What’s a mild-mannered prof to do, except envy Schrodinger’s Cat and approach three rungs of rabbis in his quest for answers to life’s most befuddling proofs? Reaching for a heightened, touched-by-advertising style that recalls Mad Men in look and Barton Fink (1991) in narrative — and stooping for the subtle jokes as well as the ones branded "wide load" — the Coen Brothers seem to be turning over, examining, and flirting with personally meaningful, serious narrative, though their Looney Tunes sense of humor can’t help but throw a surrealistic wrench into the works. (1:45) California, Embarcadero, Empire, Piedmont, Sundance Kabuki. (Chun)

*Skin This is one of those movies that works in large part because you know it’s a true story –- its truth is almost too strange to be credible as fiction. In 1955 the Laings, a white Afrikaner couple (played by the blond and blue-eyed likes of Sam Neill and Alice Krige) gave birth to a second child quite unlike their first, or themselves. Indeed, Sandra (Ella Ramangwane) was, by all appearances, black. Mrs. Laing insisted she hadn’t been unfaithful –- further, the couple were firm believers in the apartheid system –- and it was eventually determined Sandra’s looks were the result of a rare but not-unheard-of flashback to some "colored" genes no doubt well-buried far in their colonialist ancestry. Living in rural isolation, the well-intentioned Laings were able to keep Sandra oblivious to her being at all "different." But when time came to send her off to boarding school, she got a rude awakening in matters of race and class, resulting in court battles and myriad humiliations. Sophie Okonedo (2004’s Hotel Rwanda) plays the rebellious adult Sandra, who must reject her upbringing to find an identity she can live with –- as opposed to the wishful-thinking one her parents insist upon. Based on the real protagonist’s memoir, Anthony Fabian’s first feature observes the institutional cruelty and eventual fall of apartheid from the uniquely vivid perspective of someone yanked from privilege to prejudice. It’s a sprawling, involving story that affords excellent opportunities for its very good lead actors (also including Tony Kgoroge as Sandra’s abusive eventual husband). (1:47) Opera Plaza, Smith Rafael. (Harvey)

2012 I don’t need to give you reasons to see this movie. You don’t care about the clumsy, hastily dished-out pseudo scientific hoo-ha that explains this whole mess. You don’t care about John Cusack or Woody Harrelson or whoever else signed on for this embarrassing notch in their IMDB entry. You don’t care about Mayan mysteries, how hard it is for single dads, and that Danny Glover and Chiwetel Ejiofor jointly stand in for Obama (always so on the zeitgeist, that Roland Emmerich). You already know what you’re in store for: the most jaw-dropping depictions of humankind’s near-complete destruction that director Emmerich –- who has a flair for such things –- has ever come up with. All the time, creative energy, and money James Cameron has spent perfecting the CGI pores of his characters in Avatar is so much hokum compared to what Emmerich and his Spartan army of computer animators dish out: the U.S.S. John F. Kennedy emerging through a cloud of toxic dust like some Mary Celeste of the military-industrial complex, born aloft on a massive tidal wave that pulverizes the White House; the dome of St. Paul’s flattening the opium-doped masses like a steamroller; Hawaii returned to its original volcanic state; and oodles more scenes in which we are allowed to register terror, but not horror, at the gorgeous destruction that is unfurled before us as the world ends (again) but no one really dies. Get this man a bigger budget. (2:40) California, Empire, Grand Lake, Marina, 1000 Van Ness. (Sussman)

(Untitled) The sometimes absurd pretensions of the modern art world have –- for many decades –- been so easily, condescendingly ridiculed that its intelligently knowing satire is hard to come by. (How much harder still would it be for a fictive film to convey the genius of, say Anselm Kiefer? Even Ed Harris’ 2000 Pollock less vividly captured the art or its creation –- better done by Francis Ford Coppola and Nick Nolte in their 1989 New York Stories segment –- than the usual tortured-artist histrionics.) Bay Arean Jonathan Parker attempts to correct that with this perhaps overly low-key witticism. Erstwhile Hebrew Hammer Adam Goldberg plays a composer of painfully retro, plink-plunk 1950s avant-gardism. (His favorite instrument is the tin bucket.) His lack of success is inevitable yet chafes nonetheless, because he’s a) humorlessly self-important, and b) sibling to a painter (Eion Bailey) whose pleasant, unchallenging abstracts are hot properties amongst corporate-art buyers. But not hot enough for his gorgeous agent (Marley Shelton), who puts off showing him at her Chelsea gallery in favor of cartoonishly "edgy" artists –- like soccer hooligan Vinnie Jones as a proponent of lurid taxidermy sculpture –- and takes a contrary (if unlikely) fancy to Goldberg. (How could her educated like not know his music is even less cutting-edge than the brother’s canvases?) (Untitled) holds interest, but it’s at once too glib and modest –- exaggerative sans panache. This is equivalently if differently problematic from Parker’s 2005 Henry James-goes-Marin County The Californians. It can’t compare to his 2001 feature debut, the excellent Crispin Glover-starring translation of Melville’s Bartleby to Rhinoceros-like modern office culture. (1:30) Embarcadero, Shattuck. (Harvey)

Where the Wild Things Are From the richly delineated illustrations and sparse text of Maurice Sendak’s 1963 children’s book, director Spike Jonze and cowriter (with Jones) Dave Eggers have constructed a full-length film about the passions, travails, and interior/exterior wanderings of Sendak’s energetic young antihero, Max. Equally prone to feats of world-building and fits of overpowering, destructive rage, Max (Max Records) stampedes off into the night during one of the latter and journeys to the island where the Wild Things (voiced by James Gandolfini, Catherine O’Hara, Forest Whitaker, Chris Cooper, Lauren Ambrose, Paul Dano, and Michael Berry Jr.) live — and bicker and tantrum and give in to existential despair and no longer all sleep together in a big pile. The place has possibilities, though, and Max, once crowned king, tries his best to realize them. What its inhabitants need, however, is not so much a visionary king as a good family therapist — these are some gripey, defensive, passive-aggressive Wild Things, and Max, aged somewhere around 10, can’t fix their interpersonal problems. Jonze and Eggers do well at depicting Max’s temporary kingdom, its forests and deserts, its creatures and their half-finished creations from a past golden era, as well as subtly reminding us now and again that all of this — the island, the arguments, the sadness — is streaming from the mind of a fierce, wildly imaginative young child with familial troubles of his own, equally beyond his power to resolve. They’ve also invested the film with a slow, grim depressive mood that can make for unsettling viewing, particularly when pondering the Maxes in the audience, digesting an oft-disheartening tale about family conflict and relationship repair. (1:48) 1000 Van Ness, Sundance Kabuki. (Rapoport)

*The Yes Men Fix the World Can you prank shame, if not sense, into the Powers That Be? Andy Bichlbaum and Mike Bonnano, the jesters-activists who punked right-wing big-business in the documentary The Yes Men (2003), continue to play Groucho Marx to capitalism’s mortified Margaret Dumont in this gleeful sequel. Decked in sharp suits and packing fake websites and catchphrases, the duo bluffs its way into conferences and proceeds to give corporate giants the Borat treatment. The stunts are often inspired and, in their visions of fantasy justice, poignant: Bichlbaum and Bonnano pose as Dow envoys and announce the company’s plans to send billions to treat victims of the 1984 Bhopal chemical disaster, and later appear as HUD representatives offering a corrective to the shameful neglect of New Orleans in the wake of Hurricane Katrina. The Yes Men may not fix the world, but their ruses once more prove the awareness-raising potential of comedy. (1:30) Smith Rafael. (Croce)

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