Science

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 28

ROCK/BLUES/HIP-HOP

*Aesop, Venture Capitalists, New Humans Bottom of the Hill. 9pm, $10.

Fix My Head, This Runs on Blood, Useless Children, Gain to Lose Sub-Mission, 2183 Mission, SF; www.sf-submission.com. 9pm, $6.

*"Full Pink Moon Party" Rickshaw Stop. 8pm, $10. With Sonya Cotton, Honeycomb, Jascha vs. Jascha, and Kris Gruen.

Japanther, Reaction, Dirty Marquee, Street Eaters Hemlock Tavern. 9pm, $8.

Pomegranate, Fall Risk, Control-R Hotel Utah. 8:30pm, $6.

Chad Price, Michael Dean Damron, Micah Schabnel, Piss Pissdofferson Thee Parkside. 8:30pm, $5.

Stymie and the Pimp Jones Luv Orchestra, Funk Revival Orchestra Café du Nord. 9pm, $10.

Volker Strifler Band Biscuits and Blues. 8pm, $15.

FOLK/WORLD/COUNTRY

Anoushka Shankar Palace of Fine Arts Theater, 3301 Lyon, SF; (415) 563-6504. 8pm, $25-$65.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Omar, Nako, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Telephoned Harlot, 46 Minna, SF; www.harlotsf.com. 7pm. Mash-ups with DJ Sammy Bananas and singer Maggie Horn.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 29

ROCK/BLUES/HIP-HOP

Aquaserge, Casper and the Cookies, Grand Lake Rickshaw Stop. 8pm, $10.

Arcadio, Guns for San Sebastian, Charles Gonzalez Café du Nord. 9pm, $10.

C-Mon and Kypski, Frequency, Sweet Snacks, DJ Mancub Independent. 9pm, $12.

A Day to Remember, August Burns Red, Silverstein, Enter Shikari, Go Radio Regency Ballroom. 6:45pm, $23.

Dunes El Rio. 8pm, $5.

Shane Dwight Biscuits and Blues. 8pm, $20.

Flood, Hashishian, Days of High Adventure Knockout. 10pm, $6.

49 Special, Big Nasty, TV Mike and the Scarecrowes Hotel Utah. 9pm, $7.

Emily McLean, Quinn DeVeaux, Street Sirens Red Devil Lounge. 8pm, $8.

Murs, Sick Jacken Fillmore. 8pm, $20.

Photo Atlas, Moog, Smile Radio Thee Parkside. 9pm, $8.

Spill Canvas, Tyler Hilton, AM Taxi, New Politics Slim’s. 7:30pm, $16.

Sugar and Gold, Nite Jewel, Baron Von Luxxury, DJ Loose Shus Bottom of the Hill. 9pm, $10.

Sugar Butt Tiger, Bare Wires, Girl Band, MC Meathook and the Vital Organs, SF Rockstar Paradise Lounge. 9pm, $7. Proceeds benefit the Haight-Ashbury Street Fair.

Emily Jane White, Helene Renault, Chloe Makes Music Hemlock Tavern. 9pm, $7.

FOLK/WORLD/COUNTRY

Bluegrass and old-time jam Atlas Café. 8pm, free.

Jordan Carp Bollyhood Café. 8pm, free.

Jon Rubin with Cal Keaoola Bliss Bar, 4026 24th St., SF; (415) 826-6200. 8pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8-10. DJs Pleasuremaker and Señor Oz mark their night’s third anniversary with a live performance by Aphrodesia.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

FRIDAY 30

ROCK/BLUES/HIP-HOP

Aunt Kizzy’z Boyz Biscuits and Blues. 8 and 10pm, $20.

David Baron, Dan Vickrey, Blackstone Heist, American Studies Hotel Utah. 9pm, $10.

Clipd Beaks, Sightings, Bill Orcutt Hemlock Tavern. 9pm, $7.

Flexx Bronco, My Revolver, Bourbon Saints, Electric Sister Thee Parkside. 9pm, $6.

JFP, Cnote, Mack Misstress El Rio. 10pm, $5.

Kapakahi, Dogman Joe, Stranger Café du Nord. 9:30pm, $12.

Lemonade, Solid Gold, Active Child, DJ Aaron Axelsen Rickshaw Stop. 9pm, $10.

Lord T. and Eloise, Tenderloins, Hottub DJ Set Independent. 9pm, $14.

Ponys, Disappears, Spencey Dude and the Doodles Bottom of the Hill. 10pm, $12.

Rogue Wave, Man/Miracle Fillmore. 9pm, $19.50.

Joe Rut Great American Music Hall. 9pm, $14. With comedian Will Franken.

Shpongle, ADHK, Hallucinogen LIVE Regency Ballroom. 9pm, $30.

Shayna Steele Coda. 10pm, $10.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Chano Dominguez Flamenco Jazz Quartet featuring Tomasito Palace of Fine Arts Theare, 3301 Lyon, SF; www.sfjazz.org. 8pm, $25-60.

Dan Zemelmen Quartet with Kenny Washington Red Poppy Art House. 8pm, $12-15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Fred Frith and Theresa Wong Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8pm, $10.

Kenny Lattimore Yoshi’s San Francisco. 8 and 10pm, $38.

"A Night at Birdland" Deco Lounge, 510 Larkin, SF; (415) 346-2025. 9pm. With the MegaFlame Blue Band.

FOLK/WORLD/COUNTRY

Eek-a-mouse Rock-it Room. 10pm, $22. With the Holdup and DJ Mr. E.

Lava, Mestizo, Carmen Milagro Slim’s. 8pm, $16.

Melees Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Stairwell Sisters Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Afrolicious Elbo Room. 9:30pm, $8-10. DJs Pleasuremaker and Señor Oz mark their night’s third anniversary with Chico Mann and guest DJ Similak Chyld.

Area Codes Element Lounge. 10pm, $10. With DJs Platurn, Doc Fu, and White Mike spinning Bay Area hip hop.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Meat Vs. Death Guild DNA Lounge. 8:30pm, $4-8. Industrial, gothic, EBM, and more with Decay, BaconMonkey, Joe Radio, and Melting Girl.

Quantic Mighty. 10pm, $12. With Disco Shawn and DJ Sake 1.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. With DJ Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 1

ROCK/BLUES/HIP-HOP

*AC/Dshe, Total B.S., Honeydust Slim’s. 9pm, $14.

Antlers, Phantogram Independent. 9pm, $14.

Mike Beck and the Bohemian Saints Riptide. 9pm, free.

Broken Social Scene Fillmore. 9pm, $25.

Grand National, Bonafide, General Jones Hotel Utah. 9pm, $8.

JC Smith Band Biscuits and Blues. 8 and 10pm, $16.

*Laudanum, Worm Ouroboros, Dispirit Hemlock Tavern. 9:30pm, $7.

Maus Haus, Rafter, White Cloud Bottom of the Hill. 10pm, $10.

Outernational Thee Parkside. 9pm, $10.

Plushgun, Music for Animals, Fake Your Own Death, Marissa Guzman Rickshaw Stop. 8pm, $15.

Warren Teagarden, Collisionville, Charmless Kimo’s. 9pm, $7.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Hypnotic Brass Ensemble Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 3 and 8pm, $5-25.

Kenny Lattimore Yoshi’s San Francisco. 8 and 10pm, $38.

Marlena Teich Quintet Savanna Jazz. 8pm.

Sanctuary Trio featuring Peter Apfelbaum and guests Coda. 10pm, $10.

Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Boyd and Wain Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Evangenitals El Rio. 11:30pm, $7.

Gold Live Rockit Room. 9pm, $15. With Ce’Cile, Daddy Rolo, Empress I-Lexis, Danneekah.

Sour Mash Hug Band, Four Inch Pony, Janay Rose Mercury Café, 201 Octavia, SF; (415) 252-7855. 7pm, $5.

Red Hot Chachkas Red Poppy Art House. 8pm, $15.

Brazil Vox Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Debaser Knockout. 9pm, $5. Alt-rock hits from the 90s with DJ Jamie Jams and Emdee of Club Neon.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Foundation Som., 2925 16th St., SF; (415) 558-8521. 10pm.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kontrol Endup. 10pm, $20. With resident DJs Alland Byallo, Craig Kuna, Sammy D, and Nikola Baytala spinning minimal techno and avant house.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

New Wave City DNA Lounge. 9pm, $7-12. Erasure tribute with Skip and Shindog and Andy T.

Rebel Girl Rickshaw Stop. 10pm, $5. "Electroindierockhiphop" and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Soundscape Vortex Room, 1082 Howard, SF; www.myspace.com/thevortexroom. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 2

ROCK/BLUES/HIP-HOP

Eluvium, Benoit Pioulard Café du Nord. 8pm, $12.

Nymph, Three Leafs, Woom Hemlock Tavern. 9pm, $6.

Shootin’ Lucy, Neutralboy, Steel Tigers of Death, Gunner Kimo’s. 5:30pm, $6.

JAZZ/NEW MUSIC

Kenny Lattimore Yoshi’s San Francisco. 5pm, $5-38.

Raul Midon Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 7pm, $25-55.

Ray Obiedo and the Urban Latin Jazz Project Coda. 8pm, $10.

*Kronos Quartet Herbst Theatre, 401 Van Ness, SF; www.performances.org. 11am, $8-15.

Rent Romus and the Emergency String Ensemble, Noertker’s Moxie Chamber Ensemble Musicians Union Hall, 116 Ninth, SF; www.noertker.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Damon and the Heathens, Graves Brothers Deluxe, Doc Holler Amnesia. 8:30pm, $7.

"Wanderlust at the Fillmore" Fillmore. 8pm, $25. With Rupa and the April Fishes, MC Yogi, and DJ Dragonfly.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with Vinnie Esparza and guest Spliff Skankin’.

FlashDance SF Glas Kat, 520 4th St., SF; www.flashdancesf.com. 6pm, $25.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 3

ROCK/BLUES/HIP-HOP

"Felonious Presents Live City Revue" Coda. 9pm, $7.

Futurecop, Keith Masters Elbo Room. 9pm, $7.

Green River Ordinance, Matt Hires, Angel Taylor Café du Nord. 8pm, $12.

Garrison Starr, Joey Ryan, Cate Le Bon Bottom of the Hill. 9pm, $10.

FOLK/WORLD/COUNTRY

AaronandJane Rockit Room. 8pm, free.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest Djs.

TUESDAY 4

ROCK/BLUES/HIP-HOP

Heartless Bastards, Hacienda, Amy Cook Independent. 8pm, $18.

*Lupe Fiasco, B.o.B. Warfield. 8pm, $40.

MC Frontalot, Brandon Patton, Edible Norris Café du Nord. 8pm, $12.

Mantles, Dimmer, Weekend Rickshaw Stop. 8pm, $10.

Mudface, Great American Beast, Motogruv Elbo Room. 9pm, $6.

Needtobreathe, Stephen Kellogg and the Sixers, Seabird Great American Music Hall. 8pm, $19.
Rangers, Jon Porras, Radiant Husk, Centipede Eest Hemlock Tavern. 9pm, $6.
Title Tracks, New Trust, Bye Bye Blackbirds Bottom of the Hill. 9pm, $10.
Zweng, Frisky Disco, Parachute Musical, Winter Sounds Thee Parkside. 8pm, $6.
DANCE CLUBS
Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Taypoleon, and Mackiveli.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.
Mixology Aunt Charlie’s Lounge, 133 Turk, SF; (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.
Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.
Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.
Womanizer Bar on Church. 9pm. With DJ Nuxx.

Godzilla versus Mothra: the LBAM sequel

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It seems like only the other day that the Guardian broke the news that the California Department of Food and Agriculture was threatening to spray San Francisco with moth pheromones, based on controversial estimates of a tiny invasive moth’s economic and environmental impacts.

That program was stopped, but not before residents of Santa Cruz and Monterey were subjected to repeated spraying by low-flying crop dusters, and questions were raised about the economic and political motivations behind the push to spray.

And now, on the 4oth anniversary of Earth Day, City Attorney Dennis Herrera has announced that San Francisco is joining a coalition of cities and health, environmental and mothers’ groups in a lawsuit that challenges the state’s current light brown apple moth (LBAM) eradication program. 

Filed in Alameda County Superior Court today, the civil lawsuit charges that the final programmatic Environmental Impact Report for the program is not based on sound science, and is invalidated because the program’s objective was changed from eradicating to merely controlling the moth, after the EIR was finished.

“The California Department of Food and Agriculture (CDFA) has produced an environmental impact report that raises many more questions than it answers,” Herrera said in a press release. “After combing through this document, it is literally impossible to say with certainty what CDFA plans to do, or when and where it plans to do it. To confuse matters further, the eradication program under review was subsequently morphed into a ‘control, contain and suppress’ program-whatever that means.”

Copies of case documents are available at the City Attorney’s website.

 

The Daily Blurgh: Is that an Archie in your pants, Banksy?

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Curiosities, quirks, oddites, and items from around the Bay and beyond

Gay! Archie gets a gay (as opposed to “Archie is a gay,” a fantasy you can live out through this NSFW-ish Choose-Your-Own Adventure wiki). Lesbian lawyers defend “not gay enough” softball players. Texas doesn’t want to let gays divorce. And Jet Blue goes pink.

******

He’s not here: Banksy tags SF.

*****

“People are terrified of drugs. Drugs are linked to inner cities and crime – not mystical states. But with diligent and serious science, we can learn about all the wonderful ways that these compounds can help a stressed and troubled species.” Dropping therapeutic acid in San Jose.

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Have you parked your keester in one of the city’s “parklets” yet? It’s lovely outside right now. Go! Editor’s recommendation: Totally hot biker parklet action at Mojo.

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If that constant hacking cough wasn’t enough of a warning about air pollution, you can always rely on your phone to tell you.

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“It refers to the sex act conducted in front of the Eucharist involving myself, as the role of Adam, and a female follower, who plays the role of Eve by her own free will. The Lord does not wish for anybody else to engage in this ritual. I was inspired to perform this ritual because I believed that there was no other way to prove Mr. Little Pebble’s innocence and the wrongful convictions of sexual assault made against him. Just a few days ago, God sent me a message saying that the woman who sued Mr. Little Pebble will confess that it was all a lie.” And there’s a whole lot more WTF where that came from.

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SFFD disaster drill mannequins: now more “P.C.” thanks to pants.

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Heads up: Remembering Playland, the full length documentary that tells the history of San Francisco’s famous 10-acre seaside amusement park, Playland at the Beach, starts a week-long run at the Balboa Theater tomorrow night.

The Daily Blurgh: Leaf us alone

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Curiosities, quirks, oddites, and items from around the Bay and beyond

If a tree falls in San Francisco will anyone hear it? Probably. But more importantly, concerned citizens will be able to track the felled arbor online thanks to the Urban Forest Map.

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Get out your Legos: Berkeley Art Museum/PFA is looking for new architectural proposals.

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“If I could give back those last five beers, I would do it in a heartbeat. I don’t know why I let that girl look at it. That was a total disregard of our phones before hos mantra.” McSweeney’s imagines Gray Powell’s mea culpa to his Apple coworkers.

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Rent a Cable Car or an F-Market street car for your next drunken spectacle/flashmob. It’s cheaper than you think.

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First, the bad news: Gonorrhea, like Nickelback fandom, becoming more incurable, sayeth Science.

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Now, the good news: it’s hump day!

oh!

Big kids appreciating little movies — “Celestial Navigations” explores the work of Al Jarnow

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It was science disguised by fun, flashy animation, and people everywhere ate that stuff up like it was a bowl of chocolate-covered bran. Filmmaker Al Jarnow is a dude who managed to make learning fun on Sesame Street and far more intersting than the overbearing bird and crabby monster in a can. Most people had no idea who was creating the incredible shorts that appeared on that show, but if you were a kid or parented one in the past 50 years, you’re bound to recognize his work. And now with an escavation of over 45 films, Celestial Navigations — playing Thurs/22 at Red Vic Movie House — brings Jarnow’s magic back for some instant reminiscing.

Colors flashed, stop motion and time-lapse techniques mystified, and simple, beautiful cartoons turned every day objects and topics into a beautiful experiment gone right. Jarnow’s films played for years and expanded minds in the wee morning hours prior to the school bell’s ring and the punch of the time card. Jarnow educated through psychadelic hypnosis, the eyes of eager audiences glazed over while the fast-paced, brightly-colored animations whizzed across the television screen. I was an ’80s tyke who rolled out of bed excited to watch Sesame Street’s “cool” movies (and Kermit, of course) and when I found them years later on You Tube, the situation is nearly identical: bowl of cereal, blanket, couch and eyes glued to the flashing screen.

Celestial Navigations is the Numero Group‘s first foray into the world of cinema and they’ve collected, color corrected and remastered a flashy bunch of classic Jarnow. The film also includes a 30-minute documentary on Jarnow’s creative process, which I’m hoping boils down his steps in a 3-2-1 Contact Style.

 

Celestial Navigations: The Short Films of Al Jarnow

Thurs/22, 7:15pm, 9:30pm, $6-9

Red Vic Movie House

1727 Haight, SF

www.redvicmoviehouse.com

 

Researchers analyzing whale carcass found in San Francisco Bay

A whale carcass was discovered floating in the San Francisco Bay between Alcatraz and Fort Mason on April 20, and marine researchers are performing a necropsy today, April 21.

Shortly after the dead whale was reported, researchers at the Sausalito-based Marine Mammal Center received authorization from the National Marine Fisheries Service to investigate, communications director Jim Oswald told the Guardian. Three Marine Mammal Center researchers ventured out in a Coast Guard cutter and towed the whale to a location north of the Richmond Bridge, where they are examining the carcass today.  Dr. Frances Gulland, Director of Veterinary Science at The Marine Mammal Center, is one of the researchers, pictured in the photo above.

It was a juvenile gray whale, approximately 25 feet long and an estimated 1 to 2 years old, Oswald said. There has been no evidence so far of external trauma, usually the sign of a ship strike, but they are still determining whether internal trauma occurred. Researchers are also taking a close look at its stomach contents to see if it might have been impacted by swallowing junk floating around at sea. “Ingested marine debris is a hazard for these animals,” Oswald said, recalling the case of a whale found off the coast of Washington that died after ingesting 450 pounds of netting.

A full report on the examination will not be available for several months, Oswald noted, since samples must be sent out to labs for a toxicology analysis.

The Guardian has reported on several environmental issues impacting whales, including shipping noise traffic and marine debris.

Live on screen

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johnny@sfbg.com

SFIFF All those with curious minds, step right up, we have live cinema waiting for you in this dark room. The idea of “live” or performance-generated movies has taken on a new vitality recently via the light-projecting likes of Bruce McClure, whose ear-splitting and eye-blasting appearances in San Francisco usually sell out. On a smaller local level, Konrad Steiner’s neo-benshi programs have united local writers and a wide variety of filmic subject matter in creative and sometimes entertaining ways. At the San Francisco Film Festival, live music by bands for silent works has become a reliable main attraction. But Sam Green’s and Dave Cerf’s new meta-documentary Utopia in Four Movements adds a new facet to the phenomenon: instead of utilizing an over-familiar voice-over, it unites live narration by Green with a musical performance overseen by Cerf, allowing for degrees of spontaneity and change.

Utopian, isn’t it? At the Mission bar the Phone Booth on an early Monday evening, Green can’t help but tease out his thoughts on the very word. “To me, utopia is almost a metaphor for hope, or hope in the imagination,” he says, shortly after we’ve been flirted with (and flashed) by one fierce female patron. “It’s about trying to be hopeful these days, which is hard. Utopia is almost a way to make up hope. In some ways it’s so preposterous. The word even has negative connotations these days — people are told not to be utopian.” Half an hour later, he returns for another analogy or two: “Utopia is a thing that never really exists. It’s like a flower — it always wilts. Even if there’s a moment of great utopian energy, it can’t last.”

Utopia may not exist in fully realized forms, but the quartet of mutations in Utopia in Four Movements (five if you count the movie) fascinate as real-life fables. The first segment explores Esperanto, which was invented in the late 19th century with the aim of its becoming a universal, international language. As Green puts it, Esperanto is “a wonderful idea that can’t be,” an idea that he illustrates with short direct portraits of contemporary Esperanto speakers that, uncannily, takes on a colors-of-Benneton feel.

Esperanto has also yielded some memorable black-and-white cinema, namely a 1965 Esperanto horror film shot in Big Sur by Conrad Hall, which stars a pre-Star Trek William Shatner. San Francisco movie maniacs may recognize Incubus through the efforts of Will The Thrill and Other Cinema’s Craig Baldwin. “William Shatner wrote a memoir in which he talks about it,” Green says, before adding some information that reflects Utopia‘s ever-changing nature –and utopia’s pitfalls. “I’m trying to do an interview with him because he’s practically the most famous person to have spoken Esperanto. But the world’s most famous Esperanto person is probably [financier] George Soros.”

The idea of utopia isn’t new to Green, whose best-known feature The Weather Underground (2002) digs deep into the multi-faceted realm of ’60s radicalism, riding out its actions and repercussions. The second part of Utopia, set in Cuba, adds a new chapter to Green’s explorations of thorny political contradiction. Like Assata Shakur, the segment’s subject lives in Cuba as a fugitive. In the present, she’s engaged with Cuban hip-hop, but she remains tied to her past as a radical in America. “It’s about the last embers of revolution,” says Green.

One of Utopia‘s movements examines the potential of forensice science in a manner quite different from pro-law enforcement US true crime television, showing how the smallest reinforcement can be regained from sites of mass tragedy. But the movie’s sojourn in China is in some ways its most vivid. There, Green takes an extended trip to the world’s largest shopping mall, in China. The subject matter is akin to dramas such as Jem Cohen’s Chain and Jia Zhangke’s The World (both from 2004), but this is a case of reality trumping fiction. “Almost every article I read about China and capitalism talked about how the world’s largest mall was there now,” says Green. “But nobody described it as a total failure. We were at the mall for ten days, and it was soul-killing. There’s something about a gigantic failed mall that is profoundly depressing.” Luckily, an encounter with a Teletubby who eventually removed its mask added some life to the experience.

The world’s largest shopping mall — at least for now: Green says it is slated to be bulldozed — may be grim, but it’s also richly symbolic when history is integrated to the picture. “Victor Gruen who essentially invented the [shopping] mall in the US in the 1950s was a socialist who came to America,” Green says, as “This Monkey’s Gone to Heaven” gives way to “I Feel Love” on the Phone Booth jukebox. “In turn the mall has gone to China, and the grounds of cultural revolution became the site of a government-funded bust of a mall. In a way, it’s the trajectory of the 20th century.

Today, we tiptoe into the 21st century, with a new president and old-new ways of seeing and making movies. “A year ago, when I was looking at [Utopia], people were saying ‘Aren’t you going to change everything because of Obama?’,” Green remarks. “It felt like cotton candy hope. When [U.S. presidents] are the limits of your possibility, it’s pretty lame.” Truth: Green may have used utopia in his title, but perhaps it’s time to come up with some fresh formulations of hope as well. *

UTOPIA IN FOUR MOVEMENTS

Sun/25, 9:30 p.m., Kabuki

Quick Lit: April 21-April 27

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Literary readings, book tours, and talks this weekincluding NYT Dot Earth blogger Andrew Revkin, local activist Peter Berg, McSweeny’s Issue 34, poetry readings in honor of National Poetry month, and more.


Wednesday, April 21

Cosmic Conversation
Join KQED for a conversation with Dr. Neil deGrasse Tyson, host of NOVA scienceNOW, and Paula Apsell, senior executive producer of NOVA and NOVA scienceNOW, for a behind-the-scenes look at the science series and a discussion about the show’s “Pluto files.”
8 p.m., $15
Palace of Fine Arts
3301 Lyon, SF
(415) 392-4400
www.cityboxoffice.com

 
Greenpeace’s New Rainbow Warrior
Hear from Kumi Naiboo, the new Executive Director of Greenpeace International, discuss how to lead a grassroots group at a crucial point in the international environmental movement.
6:30 p.m., $20
Commonwealth Club
595 Market, 2nd floor, SF
(415) 597-6700

Daniele Mastrogiacomo
Hear Italian journalist Daniele Mastrogiacomo discuss his new book, Days of Fear, about how the Taliban kidnapped him, his driver, and his translator, about his subsequent travel throughout a system of Taliban underground hide-outs, the televised brutal murder of his driver, and his eventual release.
6:30 p.m., free
Italian Cultural Institute
425 Washington, Suite 200, SF
(415) 788-7142


Wherever There’s a Fight

Hear authors Elaine Elinson and Stan Yogi read from and sign their new book at this installment of Betty’s List Literary Salon.
6 p.m., free
Duboce Park Café
2 Sanchez, SF
www.wherevertheresafight.com


Thursday, April 22

Reza Aslan
Hear Reza Aslan, author of How to Win a Cosmic War: Confronting religious fundamentalism, discuss her theory that in a post 9/11 world, the U.S.’s “war on terror” adopts the same religiously polarizing rhetoric and cosmic worldview as the jihadists, and is therefore fighting a war that can’t be won.
8 p.m., $10-18
Jewish Community Center of San Francisco
Kanbar Hall
3200 California, SF
(415) 292-1233

Envisioning Sustainability
Hear author and environmental activist Peter Berg discuss his new collection of essays that helped to define the bioregional movement and shape the sustainability revolution.
7 p.m., free
Modern Times Bookstore
888 Valencia, SF
www.mtbs.com

How to Cool the Planet
Hear author Jeff Goodell discuss his new book that talks about the Earth’s possibilities for geoengineering, the idea that we can use technology to reduce global warming on Earth, which was recently made more popular by the eruption of Iceland’s Eyjafjallajokull volcano.
7 p.m.,free
Books Inc.
1760 4th St., Berk.
(510) 525-7777

“Medicean Music and Francesca Caccini”
Hear a presentation from Kip Cranna, from the SF Opera, about music from the Medicean world and hear Richard Savino, from CSU Sacramento, discuss Francesca Caccini, composer of the first published opera by a woman.
6 p.m., $15
Mechanics’ Institute
57 Post, SF
(415) 393-0100

“The Natural and Unnatural History of Yerba Buena Island and What Might be Next”
Hear a panel of experts present an illustrated overview of Yerba Buena Island’s history, ecological treasures, threats, and possible plans for the future.
7:30 p.m., free
Randall Museum
199 Museum Way, SF
www.natureinthecity.org

Poetry at Pegasus
Celebrate National Poetry Month at this reading with poets Kathleen Weaver, Gretchen Stengel, Susan Elliot Jardin, Cynthia Carmichael, and Jane Downs.
7:30 p.m., free
Pegasus Books Downtown
2349 Shattuck, Berk.
www.pegasusbookstore.com

RuPaul
Attend this book signing with the world’s most famous drag queen RuPaul, celebrating her recent book, Workin’ It! RuPaul’s Guide to Life, Liberty, and the Pursuit of Style.
7:30 p.m., free
Books Inc.
2275 Market, SF
(415) 864-6777

“Truth Emergency Interantional: Censorship, propaganda, and empire”
Attend this talk and booksigning with Peter Philips and Mickey Huff, co-editors of Project Censored 2010: The top 25 stories of 2010.
7 p.m., $5-20 sliding scale
Berkeley Unitarian Universalists
1924 Cedar, Berk.
http://www.bfuu.org

Friday, April 23

“The Contradictory Legacy of Haiti’s Revolution”
Attend this talk with Robert Fatton, Jr., author, scholar, and Professor of Government and Foreign Affairs at the University of Virginia, titled, “The Contradictory Legacy of Haiti’s Revolution: History and the earthquake crisis.”
6:30 p.m., free
California Institute of Integral Studies
Social and Cultural Anthropology Department
1453 Mission, Room 308, 3rd floor, SF
(415) 575-6249

Mark Kurlansky
Hear about Mark Kurlansky’s new book, The Eastern Stars: How baseball changed the Dominican town of San Pedro de Marcoris, about one small impoverished area in the Dominican Republic that has produced a suprising number of Major League Baseball talent.
7:30 p.m., free
Booksmith
1644 Haight, SF
(415) 863-8688

WritersCorps Reading Series
Attend this “Claim the Block” reading series featuring readings by young writers.
7:30 p.m., free
Yerba Buena Center for the Arts
701 Mission, SF
(415) 252-4655 to RSVP

Saturday, April 24

“America’s Muslim Roots”
Hear Bay Area Muslim journalists Hamza van Boom and Yahsmin Binti Bobo in conversation with Jonathan Curiel about his new book, Al’ America: Travels through America’s Arab and Islamic roots, which details the historic influence of Arab and Muslim culture on America from Columbus to the modern age.
6 p.m., $7
Islamic Cultural Center of Northern California
1433 Madison, Oak.
(510) 219-2431

“Outspoken: Vietnamese Poets of the Diaspora II”
Attend this event that celebrates the thriving Vietnamese community in the Bay Area with readings by poets Anh Vu Buchanan, Andrew Lam, Kim-An Lieberman, Trinh T. Minh-Ha, Dao Strom, and Lan Tran.
7 p.m., free
Fort Mason Center
Laguna at Marina, Fleet Room, SF
www.friendssfpl.org

 

Sunday, April 25


I Love You and I’m Leaving You Anyway
Mad Men writer Tracy McMillan tells the story about her relationship with her father, who was a convicted pimp, drug dealer, and felon, and what it has meant for her relationships with men.
3 p.m., free
Books Inc.
2251 Chestnut, SF
(415) 931-3633

Monday, April 26

The Immortal Life of Henrietta Lacks
As part of the Ask a Scientist lecture series, scientist and author Rebecca Skloot will discuss her new book about the life of a poor tobacco farmer who died of cervical cancer in 1951 but whose cells are still alive today and used for scientific research. Skloot will discuss bioethics, race issues, history, and family.
7 p.m., free
Horatius
350 Kansas, SF
(415) 252-3500

A Thousand Sisters
Hear author Lisa Shannon discuss her book which cronicles her journey to the Congo to meet the women there and share their stories.
7:30 p.m., free
Books Inc.
2251 Chestnut, SF
(415) 931-3633

Will Grayson, Will Grayson
Not Your Mother’s Book Club (NYMBC) presents John Green and David Levithan,
the authors of Will Grayson, Will Grayson, about two teens with the same name who cross paths in Chicago.
7 p.m., free
Books Inc.
601 Van Ness, SF
(415) 776-1111

Tuesday, April 27

Andrew Revkin
Hear award winning environmental journalist and author Andrew Revkin discuss his work on the New York Times’ Dot Earth blog, 25 years covering environmental and social subjects, and his previously published books, like The North Pole Was Here.
8 p.m., $20
Herbst Theater
401 Van Ness, SF
www.cityboxoffice.com

Hunting Eichmann
Hear author Neal Bascomb discuss his new book about a Nazi who escapes American POW camps and hides in the mountains in Buenos Aires before he is eventually caught and brought to trial.
7 p.m., free
Books Inc.
1760 4th St., Berk.
(510) 525-7777

McSweeny’s Issue 34
Attend this release of the highly anticipated Issue 34 of McSweeny’s presented by Nick McDonell, Tom Barbach, and Daniel Handler.
7:30 p.m., free
Books Inc.
2251 Chestnut, SF
(415) 931-3633

Noir Literary Night
Attend the 5th annual Nior Literary Night featuring Cara Black, author of Murder in the Palais Royal, David Corbett, author of Do They Know I’m Running?, and Joe Gores, author of Spade & Archer: The prequel to Dashiell Hammett’s the Maltese Falcon.
6 p.m., $12
Mechanic’s Institute
57 Post, SF
(415) 393-0100
www.milibrary.org

Karin Sanders
Attend a reading and discussion of Karin Sanders’ new book, Bodies in the Bog and the Archaeological Imagination, in conversation with Mark Sandberg.
5:30 p.m., free
University Press Books
2430 Bancroft, Berk.
(510) 548-0585

Crime Bomb

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Editors note: This story was originally published May 31,  2001.


They found Virginia Lowery lying in the garage of her Excelsior home, an electrical cord around her throat, an ice pick jammed through her skull — in one ear and out the other. For the next 11 years San Francisco homicide detectives made no progress on the case. Promising leads turned into dead ends. Theories collapsed. The cops assigned to the case retired. It looked like Lowery’s 1987 slaying would never be solved.


Then in April 1998, by pure chance, police found Robert C. Nawi. Or rather, they found his fingertips.


When Nawi, a 57-year-old carpenter, got in a shouting match in a North Beach watering hole, he was picked up by the cops on misdemeanor charges and shuttled to county jail, where he was fingerprinted and booked. The computer spat out some interesting news: Nawi’s digits, according to the database, resembled a fingerprint found at the scene of Lowery’s slaying.


Soon thereafter, police evidence analyst Wendy Chong made a positive print match, and the new suspect found himself facing murder charges and life in a cage.


Nawi’s fate, to be decided at trial next year, rests largely on police readings of his fingerprints, as well as some DNA gathered by the coroner. Which raises some questions: How, exactly, did the cops and their computers analyze the evidence? Did they get it right? Is anybody checking their work?


 


Making a match between the distinguishing ridges and whorls, often microscopic, of two fresh fingerprints is a relatively simple task for a print expert. However, cases like Nawi’s aren’t so clear-cut: the print collected in Lowery’s garage is faint, smudged, and missing in patches.


Michael Burt, the resident forensicscience guru at the San Francisco Public Defender’s Office, shows me an 8-by-10-inch enlargement of the print discovered at the murder scene; it’s blurry, grainy, and only about 60 percent complete. To my layperson’s eye, it bears little resemblance to the clear, fresh mark left by Nawi at his booking. “The one print is so washed out you can’t see anything,” says Burt, who is representing Nawi. “This is not science at all; it’s subjective and shouldn’t be allowed.”


Burt, a 22-year veteran defense lawyer known around the Hall of Justice for his trademark cart full of documents, has plenty of cause to doubt the cops’ evidence. Despite what you may have seen on Law and Order, fingerprint examiners can — and often do — get it wrong. Last year 141 of America’s top forensic labs were tested to see if they could accurately match two fingerprints: 39 percent failed; 11 labs made false IDs. San Francisco analysts are rarely, if ever, graded for accuracy.


Jim Norris, head of the San Francisco Police Department’s forensics division, argues that new computer imaging tools are making it possible to match even sketchy, partial prints. “When somebody shows a print that was originally collected at the crime scene, and it looks very difficult to deal with, what they’re not looking at is the image that has been [digitally] enhanced,” Norris explains. “It’s a lot easier to deal with.” Norris admits that the department has seldom tested its print examiners for accuracy, but he says their work is constantly checked by superiors.


According to Burt, in this particular instance analysts didn’t turn to computers but simply enlarged the prints before making the call. The district attorney’s DNA evidence against Nawi is equally flawed, he says. When coroner Boyd Stephens autopsied the corpse, he — per routine — snipped the woman’s fingernails with a household nail clipper and stuck them in an envelope. Unrefrigerated, the clippings slowly rotted for more than a decade, until, in the wake of Nawi’s arrest, prosecutor John Farrell had them tested for DNA.


When the crime lab got the evidence, in 1998, DNA analyst Alan Keel scraped all 10 nails with a single cotton swab, combined the scrapings into one tiny pile, and dropped them into a genetic-typing device. According to standard forensic procedure, each nail should’ve been swabbed and tested separately.


Now, Burt contends, the sample has deteriorated because of a lack of refrigeration and has been contaminated with the DNA of more than one person. “[Keel] says there are three, possibly four different individuals underneath her fingernails,” the lawyer says. “He’s trying to grab my client out of that mixture. There’s no scientific way to do that.”


Norris disagrees: “There are ways to deal with [DNA] mixtures; it’s not a common problem luckily, but it’s something that comes up — for example, in rape cases where there are multiple assailants. There are ways to deal with it.”


I run down the scenario for Dr. Simon Ford, a Ph.D. biochemist and DNA expert who heads up San Francisco–based Lexigen Science and Law Consultants. “That’s not good,” Ford tells me. “You should deal with each hand separately, at least, and probably each nail separately. I don’t think combining all the nails together is a good idea.”


 


The dispassionate examination of crime scene evidence — narcotics, fingerprints, hair and fibers, genetic material, firearms, and everything else — is a cornerstone of the American justice system. The work, which can mean the difference between life and death for a suspect, is carried out by more than 500 labs nationwide, most of them run by law enforcement agencies.


In the public imagination — as shaped by endless cops-and-lawyers TV shows — forensic science is a perfectly impartial arbiter of justice. Eyewitnesses get confused. Police may be corrupt. Lawyers can corkscrew facts. Juries, not always composed of the brightest lights, can be swayed by mob dynamics. But science doesn’t lie. If the analyst says the bullet came from the suspect’s gun, then it must have.


It’s a comforting thought.


There’s just one problem: All forensic science is performed by humans, and all people make blunders. They mislabel samples. They use malfunctioning equipment. They inadvertently drop a flake of skin in a vial of blood, thus adding their own DNA to the sample.


Subjectivity, too, plays a starring role in forensic science, much of which depends on human-made comparisons. In one case heard last year by San Francisco Superior Court Judge Robert Dondero, two DNA experts couldn’t agree on the meaning of a genetic sample.


In addition to honest mistakes born of incompetence and overwork, there are continuously uncovered examples of fraud: the lab analyst, believing that the verdict justifies the means, willing to lie on the stand or fake test results. While the scientific question of DNA accuracy has been hashed out extensively in court rooms and the media, the issue of police crime lab accuracy has gone ignored, both by press and government regulators.


Each year California cops make 1.5 million arrests. Each of the state’s 19 local crime labs — run by sheriffs, prosecutors, and cops — performs thousands of analyses annually. Each of those tests, if faulty, could put an innocent person behind bars, or set a guilty soul free.


And in the wild world of forensics there are precious few safeguards against human bias and error: Crime labs are almost entirely unregulated. There are virtually no federal laws governing their operation; no law that says, “Bullet comparisons must be done using the best, most accurate techniques”; no law that says, “DNA examiners must meet these basic educational criteria”; no requirement that crime labs be audited and inspected. In California only DUI-<\h>testing procedures are regulated by state law.


“There’s more regulation in whether some clinical lab can give a test for strep throat than there is on whether you can use a test to put somebody in the gas chamber,” public defender Burt says. “That to me seems backwards. The stakes are the highest in the criminal justice system. These people are deciding who lives or dies.”


The ramifications spread beyond individual cases. While billions of dollars have been poured into police departments and prisons over the past two decades, pols and badge wearers have shown little interest in adequately funding or regulating crime labs. California’s facilities need hundreds of millions of dollars in repairs and equipment upgrades. The idea of public oversight is off the radar entirely.


The nonprofit American Society of Crime Laboratory Directors (ASCLD) is the closest thing forensics has to a regulatory agency. Created in the early 1970s to “improve the quality of laboratory services provided to the criminal justice system,” the group runs a voluntary accreditation program for forensic facilities. To get the society’s stamp of approval, a facility must pass a 149-point inspection. (Sample question: “Are the procedures used generally accepted in the field or supported by data gathered in a scientific manner?”) To maintain the certification, a lab must be tested annually and be reinspected every five years.


Of the approximately 500 labs in the United States, a mere 187 are accredited by the ASCLD. Only 11 of California’s 19 local crime labs have the group’s seal of approval. The San Francisco police facility isn’t one of them. Neither is the Contra Costa sheriff’s lab. Nor the San Mateo sheriff’s forensic unit.


 


“Got dope?” asks the white-coated woman who opens the locked door to the SFPD crime lab. She’s expecting cops bearing drug-filled baggies, to be weighed and tested and filed away until the courtroom beckons. Crime lab chief Martha “Marty” Blake steps out of her windowless office to greet me.


A few months back, Blake and her 18-person team traded overstuffed quarters in the city’s central cop shop at Eighth Street and Bryant for expansive new $1.5 million digs out in the asphalt wastes of the Hunters Point shipyard. “I’m getting ready to apply for accreditation, hopefully by next spring,” she says, pointing to a file cabinet emblazoned with the ASCLD seal. “We couldn’t get accredited in that facility when we were downtown at the Hall of Justice. It was too cramped. There was no way we could guarantee there would never be any chance for any contamination of the evidence when we had four people crammed into a little room trying to look at clothing, for example.”


Blake’s operation has taken its lumps over the years. In 1994 analyst Allison Lancaster was canned after she was videotaped faking drug tests. Last year Superior Court Judge Dondero slammed the lab’s lead DNA expert for “engaging in shortcuts,” “performing missteps,” and harboring a questionable “degree of bias” against defendants. Defense lawyers like Burt continue to hammer the lab for its lack of credentials.


With her eyeglasses and graying hair Blake looks more like a schoolteacher than a cop. She pulls a xeroxed sheet of paper out of a drawer and eagerly places it in front of me. “We just switched to a new case review process. This is the sort of thing we have to implement for accreditation. Every case we produce has to go through a review by a supervisor,” she explains. “This wasn’t happening before; a review happened before, but you’d just glance over [the work] and say, ‘Hmm, looks good to me,’ and initial it. It was sort of lightweight.” Bolstered by an increased budget and a growing staff, the lab’s procedures are improving across the board, according to Blake.


Why should forensic labs, which can land someone on death row, go without government oversight? “I’d like to think we can do this ourselves,” Blake replies, noting that the state’s management of the DUI testing program has been less than stellar. “I’m a little nervous about other agencies getting involved in regulation,” she says, because they don’t “really know the science.”


Nationally, the accountability vacuum is producing a steady stream of scandals, raising unsettling questions about the way we administer justice in this locked-down nation. A small sampling:
• Let’s start with the trial of the century, wherein O.J.’s defense team put the forensic bunglings of the Los Angeles Police Department on display for “unacceptable sloppiness,” pointing out a dozen major instances of possible evidence contamination. After losing the Simpson trial, the lab promptly began a thorough overhaul.
• In 1993 the West Virginia Supreme Court found a police blood expert guilty of fabricating or misrepresenting evidence in a staggering 134 cases. The man, one Fred Zain — employed by the state cops during the 1980s — was put on trial for perjury, while the state freed several unjustly imprisoned death row inmates and paid out millions to people who had been wrongfully convicted. Bexar County, Texas, where Zain worked in the early ’90s, also prosecuted him for perjury.
• A few years later, in 1997, the reputation of the Federal Bureau of Investigation crime lab — at the time widely regarded as the pinnacle of forensic science — was shredded by the allegations of a whistle-blowing scientist. The bureau’s lab practiced shoddy science and regularly presented inaccurate, pro-prosecution testimony, charged Dr. Frederic Whitehurst, one of the agency’s top explosives experts. The FBI denied the allegations and tried to discredit Whitehurst, but a scathing 517-page report by the Justice Department’s inspector general corroborated many of the scientist’s major claims and recommended disciplinary action against five agents.


• An April 1997 front-page story in the Wall Street Journal brought more unflattering publicity to the FBI lab, scrutinizing the track record of agent Michael Malone, a hair and fiber analyst. The paper quoted three well-known forensic scientists who challenged Malone’s analyses (one labeled him a “fraud”), illustrated numerous cases where the agent seemed to be fudging the evidence — and noted that courts were busy overturning convictions obtained with his testimony. “The guy’s a total liar,” one defense lawyer told the Wall Street Journal.
• In 1998 San Diego jurors convicted a top county police DNA expert of embezzling $8,100 in cash seized as evidence in murder cases. That same year the San Diego Police Department embarked on a 10-month internal investigation into charges of sloppy work and missing evidence at its crime lab, and it admitted that it had lost crucial evidence in an unsolved homicide case.
• Last year a crime lab chemist in Prince George’s County, Md., claimed that the police department was using improperly calibrated drug analysis equipment. Defense lawyers promptly challenged some 100 pending drug cases.



California is one of the few states that has actually scoped the inner workings of its local crime labs. The results of that onetime review, performed in 1998 by the state auditor’s office, are disturbing. Quality control was lacking at most of the facilities. Many of the labs were using “outdated and improperly working equipment.” As in San Francisco, many didn’t make their scientists undergo regular proficiency testing.


Without quality assurance measures — minimal at 13 of the 19 labs — the potential for error shoots through the roof. California auditor Elaine Howel says the study raised serious questions. “There are several issues,” she says. “Is the evidence being handled appropriately so there’s no potential for contamination?” Labs, according to Howel, should “make sure they are consistently applying the methodology so one forensic examiner isn’t using one technique and someone is using a different technique to conduct the same type of testing. That ties back to the credibility of the results.”


Ten of the outfits were relying on “outmoded” technology that needed replacement. At the Huntington Beach Police Department lab, staffers worked up a Rube Goldberg–<\d>esque scheme to revive a broken arson analysis gadget. Sort of. “Because the laboratory does not have the funds to replace this equipment, staff found a creative way to cool the [machine] using hoses rigged to a faucet,” auditors found. But, they noted, “this method could negatively affect the analysis of the evidence processed by this instrument.”


Then there was the question of whether the analysts themselves were up to par. “We think forensic examiners need to be tested every year to make sure they’re maintaining competence in their ability to perform the forensic examinations they’re doing,” Howel tells me. Eight of the labs had no proficiency testing for their staffers.


“It helped us put our operation in perspective to the rest of the state,” says S.F. lab chief Blake, who thinks the audit was fair. “We did look like we were swamped. It helped us get our additional staff.”


Whitehurst, the former top explosives expert at the FBI, doesn’t like the term ‘whistle-blower.’ “We’re simply scientists, and we disagree with the type of science that’s being practiced — because it’s not science,” he told me. “Our forensic labs are dictating truth; they’re not discovering it.” Whitehurst says he constantly hears from irate crime lab scientists claiming their operations are riddled with improprieties.


The Ph.D. chemist spent eight years at the bureau combing the rubble of bomb blasts for clues. And complaining. During his tenure with the bureau, he made 237 written complaints concerning what he saw as a pattern of bunk science and bogus testimony on the part of his colleagues. The charges spurred an 18-month probe by the Justice Department, the phone-book-size results of which were made public in 1997, undoubtedly marking one of the FBI’s worst public embarrassments.


The special-inspection team, an international panel of renowned forensic scientists, had few kind words for the lab, finding “significant instances of testimonial errors, substandard analytical work, and deficient practices” in numerous investigations, including the Unabomber, Oklahoma City, and World Trade Center bombings. Among the skeletons in the bureau’s closet: “scientifically flawed reports”; examiners devoid of the “requisite scientific qualifications”; and five agents who couldn’t be trusted.


Whitehurst’s experiences have led him to believe that crime labs should be overseen by federal or state authorities, rather than by ASCLD and its voluntary certification program. “It’s a foregone conclusion; there’s no question in my mind in five years forensic labs will be regulated, and they will be audited,” said Whitehurst, who now lives in Bethel, N.C., and acts as an expert witness in criminal trials. “There’s too much discovery happening.”


Lab directors argue that their work is constantly reviewed by the courts — juries don’t have to believe a forensic expert; judges can overturn verdicts based on forensic evidence — making their profession among the most scrutinized.
Whitehurst disagrees, saying juries, defense lawyers, and judges are often baffled by the science presented to them. “Listen to this phrase: pyrolisis-gas chromatography/mass spectrometry,” he says. “Do you know what that is? Let’s try this one: fourier transform infrared spectrometry. I’ve got a doctorate in chemistry and a jurisdoctorate also. What I’m saying to you are completely foreign concepts. When I try to explain how a ultraviolet spectraphatometer works, or how a micro spectraphatometer works, just saying the words begins the glass-over of the eyes.”


The Alameda County Sheriff’s crime lab is housed in a two-story building in the foothills just off 150th Avenue in San Leandro. On the second floor, in a series of linoleum-tiled rooms connected by a cluttered hallway, the lab’s technicians scope the physical remnants of crime, putting bullets beneath microscopes, lifting latent fingerprints from knife handles, culling DNA strands from splattered blood.


Each year the operation, which analyzes evidence for most of the county’s police forces, handles some 200 “major” investigations, most of them murders and rapes. But drug cases (1,800 to 2,000) and DUIs (more than 4,700) make up the bulk of the work. There are only eight lab technicians to handle the massive load.


“Every analytical report has to be right on the mark,” said lab director Tony Sprague, who has worked at the facility for 30 years. “We have a huge responsibility to make sure all the results are accurate.”


Sprague guides me through the building, showing me a single lead particle, as magnified 10,000 times by a monstrous, $270,000 scanning electron microscope. Next door a white-<\h>coated technician sits glued to a conventional microscope, studying a handgun cartridge. Across the hall are the analysts’ personal workstations: on one of the wide-topped tables sit the innards of an auto; on another lie sheets of paper covered with boot prints.


Sprague is an amiable gearhead and explains in detail how each of the machines works. The gas chromatograph/mass spectrometer, an ovenlike slab of a machine, can detect the presence of gasoline or kerosene in air samples collected at the scene of a suspected arson fire. Another device uses infrared light to determine the chemical composition of a given substance — a bag of white powder for instance.


The lab’s ASCLD accreditation in June 1999 was a huge undertaking, according to Sprague. “It took us about two years [to get certified],” he says. “It was costly from the standpoint that you have to take dedicated staff time away from analytical work to get the paperwork done for the accreditation process. In our case we really didn’t change our ways of doing forensic science to meet accreditation standards. There was really no issue about doing things differently — the thing we had to do, we had to document all the policies, the procedures, all of our quality assurance records had to be brought up to a little bit higher level.”


Voluntary reviews by the nonprofit ASCLD are enough regulation for Sprague, who views government oversight as a losing proposition. “Some mandated federal program? I don’t know that that’s really the answer,” he says. “That would involve a huge bureaucracy. It would be a very difficult situation.”


Ralph Keaton, executive director of ASCLD’s accrediting board, agrees. “I think crime laboratories should have some kind of program to review the quality of the work being produced by the laboratory — and that’s the reason we came into existence,” he tells me via telephone from the organization’s headquarters in Garner, N.C. “It’s my opinion that no one can evaluate the type of work being done better than the actual practitioners of that discipline. Just like the oversight of the medical profession is best done by the doctors themselves.”


Speaking to me in his office library, Sprague tells me he is proud of the work his team does, proud to be acknowledged by his peers. But he admits to a certain frustration, saying that his lab is seriously short-staffed: “We’re about one-third the strength we should be at for what we’re doing.”

Crime Bomb

0

Editors note: This story was originally published in 2001.


 


They found Virginia Lowery lying in the garage of her Excelsior home, an electrical cord around her throat, an ice pick jammed through her skull — in one ear and out the other. For the next 11 years San Francisco homicide detectives made no progress on the case. Promising leads turned into dead ends. Theories collapsed. The cops assigned to the case retired. It looked like Lowery’s 1987 slaying would never be solved.
Then in April 1998, by pure chance, police found Robert C. Nawi. Or rather, they found his fingertips.
When Nawi, a 57-year-old carpenter, got in a shouting match in a North Beach watering hole, he was picked up by the cops on misdemeanor charges and shuttled to county jail, where he was fingerprinted and booked. The computer spat out some interesting news: Nawi’s digits, according to the database, resembled a fingerprint found at the scene of Lowery’s slaying.
Soon thereafter, police evidence analyst Wendy Chong made a positive print match, and the new suspect found himself facing murder charges and life in a cage.
Nawi’s fate, to be decided at trial next year, rests largely on police readings of his fingerprints, as well as some DNA gathered by the coroner. Which raises some questions: How, exactly, did the cops and their computers analyze the evidence? Did they get it right? Is anybody checking their work?


Making a match between the distinguishing ridges and whorls, often microscopic, of two fresh fingerprints is a relatively simple task for a print expert. However, cases like Nawi’s aren’t so clear-cut: the print collected in Lowery’s garage is faint, smudged, and missing in patches.
Michael Burt, the resident forensic-<\h>science guru at the San Francisco Public Defender’s Office, shows me an 8-by-10-inch enlargement of the print discovered at the murder scene; it’s blurry, grainy, and only about 60 percent complete. To my layperson’s eye, it bears little resemblance to the clear, fresh mark left by Nawi at his booking. “The one print is so washed out you can’t see anything,” says Burt, who is representing Nawi. “This is not science at all; it’s subjective and shouldn’t be allowed.”
Burt, a 22-year veteran defense lawyer known around the Hall of Justice for his trademark cart full of documents, has plenty of cause to doubt the cops’ evidence. Despite what you may have seen on Law and Order, fingerprint examiners can — and often do — get it wrong. Last year 141 of America’s top forensic labs were tested to see if they could accurately match two fingerprints: 39 percent failed; 11 labs made false IDs. San Francisco analysts are rarely, if ever, graded for accuracy.
Jim Norris, head of the San Francisco Police Department’s forensics division, argues that new computer imaging tools are making it possible to match even sketchy, partial prints. “When somebody shows a print that was originally collected at the crime scene, and it looks very difficult to deal with, what they’re not looking at is the image that has been [digitally] enhanced,” Norris explains. “It’s a lot easier to deal with.” Norris admits that the department has seldom tested its print examiners for accuracy, but he says their work is constantly checked by superiors.
According to Burt, in this particular instance analysts didn’t turn to computers but simply enlarged the prints before making the call. The district attorney’s DNA evidence against Nawi is equally flawed, he says. When coroner Boyd Stephens autopsied the corpse, he — per routine — snipped the woman’s fingernails with a household nail clipper and stuck them in an envelope. Unrefrigerated, the clippings slowly rotted for more than a decade, until, in the wake of Nawi’s arrest, prosecutor John Farrell had them tested for DNA.
When the crime lab got the evidence, in 1998, DNA analyst Alan Keel scraped all 10 nails with a single cotton swab, combined the scrapings into one tiny pile, and dropped them into a genetic-<\h>typing device. According to standard forensic procedure, each nail should’ve been swabbed and tested separately.
Now, Burt contends, the sample has deteriorated because of a lack of refrigeration and has been contaminated with the DNA of more than one person. “[Keel] says there are three, possibly four different individuals underneath her fingernails,” the lawyer says. “He’s trying to grab my client out of that mixture. There’s no scientific way to do that.”
Norris disagrees: “There are ways to deal with [DNA] mixtures; it’s not a common problem luckily, but it’s something that comes up — for example, in rape cases where there are multiple assailants. There are ways to deal with it.”
I run down the scenario for Dr. Simon Ford, a Ph.D. biochemist and DNA expert who heads up San Francisco–<\d>based Lexigen Science and Law Consultants. “That’s not good,” Ford tells me. “You should deal with each hand separately, at least, and probably each nail separately. I don’t think combining all the nails together is a good idea.”
Blinding them with science
The dispassionate examination of crime scene evidence — narcotics, fingerprints, hair and fibers, genetic material, firearms, and everything else — is a cornerstone of the American justice system. The work, which can mean the difference between life and death for a suspect, is carried out by more than 500 labs nationwide, most of them run by law enforcement agencies.
In the public imagination — as shaped by endless cops-and-<\h>lawyers TV shows — forensic science is a perfectly impartial arbiter of justice. Eyewitnesses get confused. Police may be corrupt. Lawyers can corkscrew facts. Juries, not always composed of the brightest lights, can be swayed by mob dynamics. But science doesn’t lie. If the analyst says the bullet came from the suspect’s gun, then it must have.
It’s a comforting thought.
There’s just one problem: All forensic science is performed by humans, and all people make blunders. They mislabel samples. They use malfunctioning equipment. They inadvertently drop a flake of skin in a vial of blood, thus adding their own DNA to the sample.
Subjectivity, too, plays a starring role in forensic science, much of which depends on human-<\h>made comparisons. In one case heard last year by San Francisco Superior Court Judge Robert Dondero, two DNA experts couldn’t agree on the meaning of a genetic sample.
In addition to honest mistakes born of incompetence and overwork, there are continuously uncovered examples of fraud: the lab analyst, believing that the verdict justifies the means, willing to lie on the stand or fake test results.
While the scientific question of DNA accuracy has been hashed out extensively in court rooms and the media, the issue of police crime lab accuracy has gone ignored, both by press and government regulators.
Each year California cops make 1.5 million arrests. Each of the state’s 19 local crime labs — run by sheriffs, prosecutors, and cops — performs thousands of analyses annually. Each of those tests, if faulty, could put an innocent person behind bars, or set a guilty soul free.
And in the wild world of forensics there are precious few safeguards against human bias and error: Crime labs are almost entirely unregulated. There are virtually no federal laws governing their operation; no law that says, “Bullet comparisons must be done using the best, most accurate techniques”; no law that says, “DNA examiners must meet these basic educational criteria”; no requirement that crime labs be audited and inspected. In California only DUI-<\h>testing procedures are regulated by state law.
“There’s more regulation in whether some clinical lab can give a test for strep throat than there is on whether you can use a test to put somebody in the gas chamber,” public defender Burt says. “That to me seems backwards. The stakes are the highest in the criminal justice system. These people are deciding who lives or dies.”
The ramifications spread beyond individual cases. While billions of dollars have been poured into police departments and prisons over the past two decades, pols and badge wearers have shown little interest in adequately funding or regulating crime labs. California’s facilities need hundreds of millions of dollars in repairs and equipment upgrades. The idea of public oversight is off the radar entirely.
The nonprofit American Society of Crime Laboratory Directors (ASCLD) is the closest thing forensics has to a regulatory agency. Created in the early 1970s to “improve the quality of laboratory services provided to the criminal justice system,” the group runs a voluntary accreditation program for forensic facilities. To get the society’s stamp of approval, a facility must pass a 149-point inspection. (Sample question: “Are the procedures used generally accepted in the field or supported by data gathered in a scientific manner?”) To maintain the certification, a lab must be tested annually and be reinspected every five years.
Of the approximately 500 labs in the United States, a mere 187 are accredited by the ASCLD. Only 11 of California’s 19 local crime labs have the group’s seal of approval. The San Francisco police facility isn’t one of them. Neither is the Contra Costa sheriff’s lab. Nor the San Mateo sheriff’s forensic unit.
Renewing the review process
“Got dope?” asks the white-<\h>coated woman who opens the locked door to the SFPD crime lab. She’s expecting cops bearing drug-filled baggies, to be weighed and tested and filed away until the courtroom beckons. Crime lab chief Martha “Marty” Blake steps out of her windowless office to greet me.
A few months back, Blake and her 18-person team traded overstuffed quarters in the city’s central cop shop at Eighth Street and Bryant for expansive new $1.5 million digs out in the asphalt wastes of the Hunters Point shipyard. “I’m getting ready to apply for accreditation, hopefully by next spring,” she says, pointing to a file cabinet emblazoned with the ASCLD seal. “We couldn’t get accredited in that facility when we were downtown at the Hall of Justice. It was too cramped. There was no way we could guarantee there would never be any chance for any contamination of the evidence when we had four people crammed into a little room trying to look at clothing, for example.”
Blake’s operation has taken its lumps over the years. In 1994 analyst Allison Lancaster was canned after she was videotaped faking drug tests. Last year Superior Court Judge Dondero slammed the lab’s lead DNA expert for “engaging in shortcuts,” “performing missteps,” and harboring a questionable “degree of bias” against defendants. Defense lawyers like Burt continue to hammer the lab for its lack of credentials.
With her eyeglasses and graying hair Blake looks more like a schoolteacher than a cop. She pulls a xeroxed sheet of paper out of a drawer and eagerly places it in front of me. “We just switched to a new case review process. This is the sort of thing we have to implement for accreditation. Every case we produce has to go through a review by a supervisor,” she explains. “This wasn’t happening before; a review happened before, but you’d just glance over [the work] and say, ‘Hmm, looks good to me,’ and initial it. It was sort of lightweight.” Bolstered by an increased budget and a growing staff, the lab’s procedures are improving across the board, according to Blake.
Why should forensic labs, which can land someone on death row, go without government oversight? “I’d like to think we can do this ourselves,” Blake replies, noting that the state’s management of the DUI testing program has been less than stellar. “I’m a little nervous about other agencies getting involved in regulation,” she says, because they don’t “really know the science.”
Beyond O.J.
Nationally, the accountability vacuum is producing a steady stream of scandals, raising unsettling questions about the way we administer justice in this locked-down nation. A small sampling:
• Let’s start with the trial of the century, wherein O.J.’s defense team put the forensic bunglings of the Los Angeles Police Department on display for “unacceptable sloppiness,” pointing out a dozen major instances of possible evidence contamination. After losing the Simpson trial, the lab promptly began a thorough overhaul.
• In 1993 the West Virginia Supreme Court found a police blood expert guilty of fabricating or misrepresenting evidence in a staggering 134 cases. The man, one Fred Zain — employed by the state cops during the 1980s — was put on trial for perjury, while the state freed several unjustly imprisoned death row inmates and paid out millions to people who had been wrongfully convicted. Bexar County, Texas, where Zain worked in the early ’90s, also prosecuted him for perjury.
• A few years later, in 1997, the reputation of the Federal Bureau of Investigation crime lab — at the time widely regarded as the pinnacle of forensic science — was shredded by the allegations of a whistle-<\h>blowing scientist. The bureau’s lab practiced shoddy science and regularly presented inaccurate, pro-<\h>prosecution testimony, charged Dr. Frederic Whitehurst, one of the agency’s top explosives experts. The FBI denied the allegations and tried to discredit Whitehurst, but a scathing 517-page report by the Justice Department’s inspector general corroborated many of the scientist’s major claims and recommended disciplinary action against five agents.
• An April 1997 front-page story in the Wall Street Journal brought more unflattering publicity to the FBI lab, scrutinizing the track record of agent Michael Malone, a hair and fiber analyst. The paper quoted three well-known forensic scientists who challenged Malone’s analyses (one labeled him a “fraud”), illustrated numerous cases where the agent seemed to be fudging the evidence — and noted that courts were busy overturning convictions obtained with his testimony. “The guy’s a total liar,” one defense lawyer told the Wall Street Journal.
• In 1998 San Diego jurors convicted a top county police DNA expert of embezzling $8,100 in cash seized as evidence in murder cases. That same year the San Diego Police Department embarked on a 10-month internal investigation into charges of sloppy work and missing evidence at its crime lab, and it admitted that it had lost crucial evidence in an unsolved homicide case.
• Last year a crime lab chemist in Prince George’s County, Md., claimed that the police department was using improperly calibrated drug analysis equipment. Defense lawyers promptly challenged some 100 pending drug cases.
Under the microscope
California is one of the few states that has actually scoped the inner workings of its local crime labs. The results of that onetime review, performed in 1998 by the state auditor’s office, are disturbing. Quality control was lacking at most of the facilities. Many of the labs were using “outdated and improperly working equipment.” As in San Francisco, many didn’t make their scientists undergo regular proficiency testing.
Without quality assurance measures — minimal at 13 of the 19 labs — the potential for error shoots through the roof. California auditor Elaine Howel says the study raised serious questions. “There are several issues,” she says. “Is the evidence being handled appropriately so there’s no potential for contamination?” Labs, according to Howel, should “make sure they are consistently applying the methodology so one forensic examiner isn’t using one technique and someone is using a different technique to conduct the same type of testing. That ties back to the credibility of the results.”
Ten of the outfits were relying on “outmoded” technology that needed replacement. At the Huntington Beach Police Department lab, staffers worked up a Rube Goldberg–<\d>esque scheme to revive a broken arson analysis gadget. Sort of. “Because the laboratory does not have the funds to replace this equipment, staff found a creative way to cool the [machine] using hoses rigged to a faucet,” auditors found. But, they noted, “this method could negatively affect the analysis of the evidence processed by this instrument.”
Then there was the question of whether the analysts themselves were up to par. “We think forensic examiners need to be tested every year to make sure they’re maintaining competence in their ability to perform the forensic examinations they’re doing,” Howel tells me. Eight of the labs had no proficiency testing for their staffers.
“It helped us put our operation in perspective to the rest of the state,” says S.F. lab chief Blake, who thinks the audit was fair. “We did look like we were swamped. It helped us get our additional staff.”
Busting the FBI
Whitehurst, the former top explosives expert at the FBI, doesn’t like the term ‘whistle-blower.’ “We’re simply scientists, and we disagree with the type of science that’s being practiced — because it’s not science,” he told me. “Our forensic labs are dictating truth; they’re not discovering it.” Whitehurst says he constantly hears from irate crime lab scientists claiming their operations are riddled with improprieties.
The Ph.D. chemist spent eight years at the bureau combing the rubble of bomb blasts for clues. And complaining. During his tenure with the bureau, he made 237 written complaints concerning what he saw as a pattern of bunk science and bogus testimony on the part of his colleagues. The charges spurred an 18-month probe by the Justice Department, the phone-book-<\h>size results of which were made public in 1997, undoubtedly marking one of the FBI’s worst public embarrassments.
The special-inspection team, an international panel of renowned forensic scientists, had few kind words for the lab, finding “significant instances of testimonial errors, substandard analytical work, and deficient practices” in numerous investigations, including the Unabomber, Oklahoma City, and World Trade Center bombings. Among the skeletons in the bureau’s closet: “scientifically flawed reports”; examiners devoid of the “requisite scientific qualifications”; and five agents who couldn’t be trusted.
Whitehurst’s experiences have led him to believe that crime labs should be overseen by federal or state authorities, rather than by ASCLD and its voluntary certification program. “It’s a foregone conclusion; there’s no question in my mind in five years forensic labs will be regulated, and they will be audited,” said Whitehurst, who now lives in Bethel, N.C., and acts as an expert witness in criminal trials. “There’s too much discovery happening.”
Lab directors argue that their work is constantly reviewed by the courts — juries don’t have to believe a forensic expert; judges can overturn verdicts based on forensic evidence — making their profession among the most scrutinized.
Whitehurst disagrees, saying juries, defense lawyers, and judges are often baffled by the science presented to them. “Listen to this phrase: pyrolisis-gas chromatography/mass spectrometry,” he says. “Do you know what that is? Let’s try this one: fourier transform infrared spectrometry. I’ve got a doctorate in chemistry and a jurisdoctorate also. What I’m saying to you are completely foreign concepts. When I try to explain how a ultraviolet spectraphatometer works, or how a micro spectraphatometer works, just saying the words begins the glass-over of the eyes.”
Understaffed in Alameda
The Alameda County Sheriff’s crime lab is housed in a two-<\h>story building in the foothills just off 150th Avenue in San Leandro. On the second floor, in a series of linoleum-<\h>tiled rooms connected by a cluttered hallway, the lab’s technicians scope the physical remnants of crime, putting bullets beneath microscopes, lifting latent fingerprints from knife handles, culling DNA strands from splattered blood.
Each year the operation, which analyzes evidence for most of the county’s police forces, handles some 200 “major” investigations, most of them murders and rapes. But drug cases (1,800 to 2,000) and DUIs (more than 4,700) make up the bulk of the work. There are only eight lab technicians to handle the massive load.
“Every analytical report has to be right on the mark,” said lab director Tony Sprague, who has worked at the facility for 30 years. “We have a huge responsibility to make sure all the results are accurate.”
Sprague guides me through the building, showing me a single lead particle, as magnified 10,000 times by a monstrous, $270,000 scanning electron microscope. Next door a white-<\h>coated technician sits glued to a conventional microscope, studying a handgun cartridge. Across the hall are the analysts’ personal workstations: on one of the wide-<\h>topped tables sit the innards of an auto; on another lie sheets of paper covered with boot prints.
Sprague is an amiable gearhead and explains in detail how each of the machines works. The gas chromatograph/mass spectrometer, an ovenlike slab of a machine, can detect the presence of gasoline or kerosene in air samples collected at the scene of a suspected arson fire. Another device uses infrared light to determine the chemical composition of a given substance — a bag of white powder for instance.
The lab’s ASCLD accreditation in June 1999 was a huge undertaking, according to Sprague. “It took us about two years [to get certified],” he says. “It was costly from the standpoint that you have to take dedicated staff time away from analytical work to get the paperwork done for the accreditation process. In our case we really didn’t change our ways of doing forensic science to meet accreditation standards. There was really no issue about doing things differently — the thing we had to do, we had to document all the policies, the procedures, all of our quality assurance records had to be brought up to a little bit higher level.”
Voluntary reviews by the nonprofit ASCLD are enough regulation for Sprague, who views government oversight as a losing proposition. “Some mandated federal program? I don’t know that that’s really the answer,” he says. “That would involve a huge bureaucracy. It would be a very difficult situation.”
Ralph Keaton, executive director of ASCLD’s accrediting board, agrees. “I think crime laboratories should have some kind of program to review the quality of the work being produced by the laboratory — and that’s the reason we came into existence,” he tells me via telephone from the organization’s headquarters in Garner, N.C. “It’s my opinion that no one can evaluate the type of work being done better than the actual practitioners of that discipline. Just like the oversight of the medical profession is best done by the doctors themselves.”
Speaking to me in his office library, Sprague tells me he is proud of the work his team does, proud to be acknowledged by his peers. But he admits to a certain frustration, saying that his lab is seriously short-staffed: “We’re about one-third the strength we should be at for what we’re doing.”<\!s>v

Events listings

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Event Listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 21

"Out in Israel" Various locations, visit www.outinisraelsf.org for more details. It’s not too late to catch some of the events taking place across the Bay Area in celebration of queer Israeli culture. On Wed/20 folk singer Yael Deckelbaum will be performing at Muse Gallery (614 Alabama, SF; (415) 279-6281) at 8:30pm, free. On Thurs/21 Israeli chef and TV personality Gil Hovav will takeover Regalito’s Restaurant (3481 18th St., SF; (415) 503-0650) for a 6pm and 8pm seating wherehe will entertain guests while making traditional Israeli cuisine with a Mexican influence available at two pre fix price points of $25 or $40. For more free events, talks, and performances, visit www.outinisraelsf.org.

"Water Dilemma – Bottled or Tap?" San Francisco Main Library, Latino Hispanic Room, 100 Larkin, SF; (415) 557-4400. 6pm, free. Consumers are provided with yearly test results on contaminant levels in tap water, but the bottled water industry is not required to disclose any testing results. Hear the Director of the California Office of the Environmental Working Group (EWG) Renee Sharp discuss this disparity and the EWG’s recent discovery of array of chemical contaminants found in every bottled water brand.

THURSDAY 22

Book Arts and Environmental Awareness San Francisco Center for the Book, 300 DeHaro, SF; (415) 565-0545. 1pm, free. Celebrate Earth Day by taking part in free activities like free printmaking, green typography, making "Save – Don’t Pave – the Bay" postcards that can be mailed to elected representatives, and more.

FRIDAY 23

Academy of Sciences Neighborhood Days California Academy of Sciences, 55 Music Concourse, Golden Gate Park, SF; www.calacademy.org. Through June 13. Look up which weekend your zip code gets you a free pass into the Academy of Science, grab your housemates and photo ID with proof of residency, and get your science on. The Parkside and Sunset (94116, 94122) neighborhoods are up first.

Earth Day at City College City College of San Francisco, 50 Phelan, SF; (415) 239-3580. 11am, free. Attend this environmental fair featuring live music, instructions on how to compost including information about the new city ordinance, how to fix your bike, how to recycle, and more.

Free Dance Classes ODC Dance Commons, 351 Shotwell, SF; (415) 863-6606. Various times through May 2, free. In honor of National Dance Week, ODC is offering free dance classes in many different styles, like Afro-Cuban modern, tango, hip hop, ballet, contemporary, flamenco, belly dancing, and more.

SATURDAY 24

Swan Day Hanuman Center, 4450 18th St., SF; www.womenarts.org. 10am; $35 all day pass, individual event passes available for less. Show your support for women in the arts at this all day festival featuring a multicultural blessing, a Haitian dance workshop, an open mic, screenings of short films, and more.

Twin Peaks Bioregion Meet in Golden Gate Park, SF; call (415) 564-4107 or email iris@natureinthecity.org to RSVP and for exact meeting location. 4pm, $10-20 donation to support nature in the city. Explore the wilderness of the live oak woodlands of Golden Gate Park, Mt. Sutro, Twin Peaks, and Glen Canyon and learn about species and habitats, issues and controversies.

BAY AREA

Salute to the Women of Congo Fotovision, 5515 Doyle, Emeryville; (415) 725-1636. 1pm, $1-35 suggested donation. Make creative cards to show your support and recognition of the courageous women in the Democratic Republic of Congo. Postcards will be distributed to women on the Congo as an act of solidarity and compassion. Materials are provided, but you are welcome to bring your own photographs.

SUNDAY 25

Hot.Fat.Femmes Good Vibrations, 603 Valencia, SF; (415) 522-5460. 7pm, free. Enjoy a fiercely intellectual panel of voluptuous vixens, fattiesexuals, and fat activists at this evening of body positive, sex positive and size affirming fat girl love hosted by Virgie Tovar. Tovar will read from her most recent work and there will be a photo exhibit featuring hot fatties.

People’s Earth Day Women’s Building, 3543 18th St., SF; www.greenaction.org. 2pm, $10-$50 suggested donation. Join Greenaction and youth and women community leaders from Kettleman City and Bayview Hunters Point for an afternoon of live theater, local foods, and solidarity with these polluted communities that are fighting for health and justice.

Poem for Mother Earth Galeria de la Raza, 2857 24th St., SF; (415) 826-8009. 4pm, $5. Take part in this indigenous healing day for Earth Day featuring poets, artists, musicians, and story-tellers of all ages presenting an afternoon of Bi-lingual performance and action. In conjunction with POOR magazine, a poor and indigenous people led, non-profit grassroots arts organization.

BAY AREA

People’s Park Anniversary Concert People’s Park, Telegraph at Dwight, Berk.; www.peoplespark.org. Noon, free. Enjoy music from Antioquia, Funky Nixons, Phoenix, Wingnut Breakfast, and many more as well as activities, a circus workshop, drum circle and more to celebrate the 41st anniversary of People’s Park.

MONDAY 26

"Leaders at the Lab" Margaret Jenkins Dance Lab, suite 200, 301 8th St., SF; (415) 861-3940. 7pm, free. Choreographers, dancers, dance-makers, and enthusiasts are invited to attend this talk with choreographer Alonzo King, who will discuss the career choices he made in order to succeed in the ever-changing climate of dance-making art.

TUESDAY 27

Underground Market San Francisco Art Institute, 800 Chestnut Street, SF; foragesf.com. 4pm, free. Taste and purchase food that is being produced in backyards and home kitchens in the Bay Area at this underground market presented by Forage SF. The market will feature live music, homemade baked goods, raw chocolate, raw honey, jams, jellies, pickles, kombucha, and more.

Nevius’ argument doesn’t fly

Here’s a line from the San Francisco Chronicle’s latest “hard-hitting” science news, penned by columnist C.W. Nevius:

“Birds have been flying around similar buildings for years, but apparently would suddenly lose their bearings and crash into this one.”

The building Nevius refers to, of course, is the proposed 555 Washington tower, the subject of mighty controversy which will go before the Board of Supervisors today, April 20.

The luxury condo tower would be erected beside the Transamerica Pyramid, and it’s drawn no shortage of criticism due to a variety of issues including, yes, the threat it poses to birds.

Nevius seems to be implying that anyone who would worry about the welfare of birds when there’s a recession going on is just plain silly. But is a luxury condo tower that most people can’t afford to live in really going to benefit the average San Franciscan who’s reeling from the recession?

And what about the birds, anyway? While the danger to birds is just one issue critics have pointed to — think increased traffic congestion, public parks darkened by shadows, spot-zoning that doubles the allowable height limit, etc. — Nevius dismisses it as ridiculous without, apparently, so much as glancing at the facts.

So in case anyone cares, here’s is a deeper explanation of the bird issue, derived from information (readily available via Google search) on the Golden Gate Audubon Society Web site. Since birds migrate at night, they can be thrown off course by tall, lighted structures. Scientists aren’t really sure why lit-up skyscrapers are so confusing to the delicate winged creatures, but they think it may have something to do with the fact that they use the stars as navigational cues.

“Once in among the lights, birds seem reluctant to fly out,” the Audubon Society informs us. “Sometimes they strike buildings or rooftop structures outright. Sometimes they continue flying in circles around the lighted buildings until they drop to the rooftop or the ground from exhaustion.”

So, the notion that birds have been flying around similar buildings for years without any problem is pretty much a myth. And the idea that they would lose their bearings seems to be backed by science — not (gasp!) some wild tale crafted by hysterical anti-development lefties who hate progress.

Some of the roughly 250 different kinds of birds that migrate through the Bay Area are threatened species.

The Golden Gate Audubon Society sponsors a voluntary program called Lights Out for Birds (an apt or unfortunate title, depending on how you look at it), in which building owners, managers, and tenants work together to turn off unnecessary lighting between key migration dates.

Now, this isn’t to say that 555 Washington ought to be halted purely because some endangered birds might meet their demise slamming against the fancy new addition to downtown San Francisco (though this prospect doesn’t exactly jive with they city’s green image, does it?). Whether or not the building moves forward is the subject of a rigorous public debate that we can surely look forward to very soon. But we just wanted to set the record straight on the bird bit, lest you feel disoriented and confused by Nevius’ reporting.

P.S. We emailed Nevius a little while ago for a comment. If he responds, we’ll post it as an update.

An MPC fiend at work

0

arts@sfbg.com

MUSIC Few producers have pushed forward the aesthetic of West Coast underground hip-hop like Exile. His dynamic production style navigates a certain uneasiness at the heart of Californian reveries: warm pulses of boom-bap ride over blown-out bass lines and dirtied, jazz-strut melodies. Yet among the towering forces of Dr. Dre gangster pulp and Madlib beat tapes ad infinitum, Exile has been something of a submerged anonymity.

Exile (born Aleksander Manfredi) broke out into the Los Angeles scene at the brink of the millennium as part of the duo Emanon, formed in half by dexterous lyricist and singer Aloe Blacc. In reality, they had already been hustling an arsenal of cassettes since the mid-1990s, championing sun-bleached soundscapes and whimsical verses on the grind. It set the framework for Exile’s prodigious output during the last few years (holds breath): another decisive Emanon full-length, 2004’s The Waiting Room on Shaman Work; full production in the vein of Marley Marl for two freshmen rap debuts, Blu’s impassioned 2007 Below the Heavens on Sound in Color, and Fashawn’s solid 2009 Boy Meets World on One Records; a versatile 2006 beat conductor showcase, Dirty Science (also on Sound and Color); and the 2009 concept album Radio on Plug Research, which reworked a pastiche of sound bytes, vocals, and loops culled from Los Angeles’ AM/FM frequencies.

In any free time scrapped among those projects, Exile also helped spearhead a new form of live performance with the Akai MPC, a powerful drum machine and sampler tool henceforth used only for production. “The MPC is able to do almost anything any instrument can do if it’s programmed right,” Exile tells me over the phone. “Buttons allow you to trigger and manipulate sounds — and that’s exactly what music is.” No longer limited to mixing, scratching, and juggling prerecorded sounds on the turntables, the producer can build, layer, and freak music from its most basic building blocks. “The idea is to have your own instrument, made up of other instruments: a chopped up guitar, horn, bass line, and drums; then add some synth keys,” Exile says. “You have all these instruments at your fingertips and you can rework them.” Simply put, Exile brings a hip-hop producer’s analog studio to the stage.

Whether flipping robotic percussive breaks and lurching sub-bass that reach into your gut and pile-drive your sternum or reimagining Afrika Bambaataa with kindred spirit DJ Day, Exile continually impresses and body rocks the crowd in his live show. Sure, some talented laptop performers have incorporated similar techniques into their sets from behind glowing Apple computer screens, but it’s thrilling to see Exile openly at work in front of the audience. The visual aspect is key as he demonstrates unparalleled skills on the machine, tapping buttons in rapid-fire wizardry like a future-funked Thelonious Monk.

Exile invokes a natural musicality when playing the equipment. This makes his claims that the MPC is a real and serious instrument all the more convincing. “The first instrument I learned was an accordion, which has a lot of buttons,” he says, amused by the thought. “Then I picked up the keyboard and some drums. But I really learned to play the drums with the MPC.”

Exile was that kid in junior high finger-drumming syncopated rhythms on classroom desks and beat boxing in the hallways. Hooked on hip-hop and electronic jams, he was inspired to make programmed music with whatever tools he could find. “The first song I ever recreated was Tom Tom Club’s “Genius of Love” with a turntable and two-tape decks,” Exile recalls. “I recorded a two-bar section of a song, rewound so there were two bars of empty space, recorded two bars again, and then empty space again. Do that for three minutes, then go back and fill in the empty space, and add another tape onto that.” Repeat that DIY method until the sounds of a loving genius knock out of the speakers in full android glory.

This restless impulse to create took Exile down a long road experimenting with four-track recorders, Roland samplers, and even helium balloons before he laid his hands on the MPC. Now, he’s a certified fiend, transforming the way we see hip-hop as much as we hear it. And there’s much more to come. 

EXILE

Fri/16, 9 p.m., $5–$10

Som SF

2925 16th St., SF

(415) 558-8521

www.som-bar.com

In the company of bees

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Sarah@sfbg.com

GREEN ISSUE On a rainy afternoon in April, I’m standing on an abandoned military base on Alameda Island counting bees on a wild rosemary bush. In the three minutes I’ve been standing here, I’ve spotted five large, furry bumblebees, flitting from flower to flower, performing the function that keeps the whole ecosystem buzzing.

But the honeybees I often see here are absent. I’m not surprised. As I learned from Bernd Heinrich’s Bumblebee Economics (Harvard University Press, 1979) bumblebees are tundra-adapted insects that are better able to forage at low temperatures than sun-loving Italian honeybees.

I’ve been obsessed with bees for years. My sister says it began when I got stung on the bum as a toddler. My daughter says it started the day we rescued a swarm of half-drowned honeybees that had gotten stranded in high winds on a beach in Santa Cruz. All I know is that my bee obsession really bloomed when we lived on a lavender farm on the north coast of California and I found bumblebees asleep on the lavender, at night.

A beekeeper on the farm explained that, unlike honeybees, bumblebees don’t form permanent colonies. Instead, they nest in empty mouse holes and form small social groups that die out each fall. The bees sleeping on the flowers were probably male, he added; they tend to be lazier, while the females do most of the work.

He told me that only the young pregnant bumblebee queens hibernate in the fall, emerging alone the next spring to start new colonies. There are more than 4,000 species of native bees in North America. Some are the size of ants; others are territorial and drive other bees off the flowers they guard. Most are solitary, nonaggressive loners, and some aren’t that busy at all.

Curious, I bought a book about beekeeping from a clerk who told me his father once kept bees in Oakland. “Urban honey is the best,” he said, explaining that urban gardens often contain unusual and diverse collections of plants. “City bees have far more exotic choices of nectar.”

Fast-forward to the present and it seems that the general public also has taken a much more active interest in bees, particularly since 2006 when colony collapse disorder decimated honeybee populations, triggering warnings of a coming agricultural crisis and potential devastation to the ecosystem.

Scientists estimate that bees pollinate nearly three-fourths of the world’s flowering plants. These plants provide food and shelter for many species of animals. A 2008 survey by the U.S. Department of Agriculture shows that 36 percent of the 2.4 million hives in the U.S. have been lost to colony collapse disorder, which translates into billions of honeybees.

Some species of bumblebees also are vanishing. Robbin Thorp, professor emeritus of entomology at UC Davis, blames their disappearance on commercially reared bumblebees that are imported to pollinate hothouse tomatoes and then escape into the wild, where they leave pathogens on flowers (see “Buzz Kill,” 01/27/10).

But amid such big news, I’m still keeping a diary of notes on bees and focusing on my own backyard on Alameda Island, wondering how I can attract more bees. Xerces Society for Invertebrate Conservation heeded Thorp’s thesis and petitioned to stop the cross-country movement of bumblebees, but the Portland, Ore.,-based group has also produced handy pocket guides to help people like me identify bumblebees in the field.

So far I haven’t spotted the missing Western bumblebee, Bombus occidentalis. But I did see a bumblebee queen spiraling through a Potrero Hill garden on a mild day in early January. Reached by phone, Heinrich, professor emeritus of the biology department of the University of Vermont, told me that the queen would retreat into her underground hole when the weather got cold and wet again, which it soon did.

When he was writing Bumblebee Economics, which explores biological energy costs and payoffs using bumblebees as the model, Heinrich studied Bombus terricola, the yellow-banded bumble bee that was plentiful around Maine bogs in the 1970s.

“I could see dozens all at once. But since then, for years I didn’t see any at all, and since then I’ve only seen a few,” Heinrich said “Nobody figured out what happened.”

Gordon Frankie, professor and research entomologist at UC Berkeley, told me he’s happy to see the increased interest in urban bees. “People have begun to recognize that bees have a major role to play in agriculture,” Frankie said, as he and Rollin Coville, who has a doctorate in entomology from UC Berkeley and a passion for photographing insects, showed me around the experimental urban bee garden they created in 2003 at the edge of a field in downtown Berkeley.

“Bees love blues, purples, pinks, and yellows,” Frankie said, explaining that bees can see ultraviolet hues but not red flowers as we observe bees busily foraging on a blue lilac bush.

He also said bees love hanging out in open meadows where the sun shines and where they can see the flowers. “In the forest is no damn good if you’re a bee,” he said.

In July 2009, Frankie, Coville, and Thorp published an article in California Agriculture that outlined the results of bee surveys in gardens in Berkeley, La Canada Flintridge, Sacramento, San Luis Obispo, Santa Barbara, Santa Cruz, and Ukiah.

“Evidence is mounting that pollinators of crop and wild land plants are declining worldwide,” they wrote. “Results indicate that many types of residential gardens provide floral and nesting resources for the reproduction and survival of bees, especially a diversity of native bees. Habitat gardening for bees — using targeted ornamental plants — can predictably increase bee diversity and abundance and provide clear pollinator benefits.”

Frankie and Coville also helped produce a 2010 native bee calendar that features Coville’s photographs of bumble, squash, mason, carpenter, leafcutter, mining, wool carder, cuckoo, and ultragreen sweat bees, plus tips on how to attract these pin-ups by planting a variety of bee-friendly plants, avoiding pesticides, and refraining from over-mulching.

Researchers have observed almost 50 species of native bees at UC Berkeley’s bee garden, out of 85 species recorded citywide. UC Berkeley’s urban bee gardens’ Web site, (www.nature.Berkeley.edu/urbanbeegardens) notes that bees have preferences for gardens as well as flowers.

“Gardens with 10 or more species of attractive plants attracted the largest number of bees,” the Web site states, cautioning people against hanging around plants too long. “If an observer spends too long in one place hovering over the same patch of flowers, the bees will gradually begin to move on to other flowers where they won’t be bothered. To facilitate counts, it is sometimes a good idea to create little paths through the garden so that all patches are accessible to the observer.”

Here in California, high real estate prices have led to the increased paving over of bee habitat. And bees have come under additional stress in the wake of a 2006 E. coli outbreak that sickened more than 200 individuals and resulted in at least three deaths on the Central Coast. Growers have since been pressured to eliminate hedgerows, wetlands, habitat, and wildlife around farms.

But as a February 2010 Nature Conservancy report on food safety and ecological health notes, “certain on-farm food safety requirements may do little to protect human health and might in fact damage the natural resources on which agriculture and all life depend.”

These concerns have a direct, if hidden, impact on Bay Area residents, whose food supply comes almost exclusively from outside urban limits. Take San Francisco, where crop production consists of $1 million worth of orchids, flower cuttings, and sprouts on two acres of land, according to a 2008 Department of Public Health report.

Missing from that equation is the honey that local bees produced. As San Francisco beekeeper Robert MacKimmie recently noted, mites hit his hives hard in 2009. “And the summer and fall were pretty brutal since we were in the third year of drought,” MacKimmie said.

He hopes El Nino-related rains will be good for this year’s bees: more water means more flowers for bees, which rely on nectar and pollen to sustain themselves and their developing brood.

MacKimmie doesn’t have a garden and uses other people’s yards to keep his bees. “The honey serves as rent,” he said, noting that he only places two hives in each yard to disperse the bees in more equitably and sustainably. He points to the work of Gretchen LeBuhn, a San Francisco State University professor who started the Great Sunflower Project in 2008, as a fairly easy way to gather information about bee populations.

Reached by e-mail, LeBuhn said her project has more than 80,000 people signed up to plant sunflowers this year. “Participants create habitat by planting sunflowers and then contribute data to our project by taking 15 minutes to count the number of bees visiting their sunflower,” she wrote.

“The Great Sunflower Project empowers people from preschoolers to scientists to do something about this global crisis by identifying at risk pollinator communities,” LeBuhn said. “By volunteering to collect data as a group, these citizen scientists provided huge leverage on a minimal investment in science and created the first detailed international survey of pollinator health and its implications for food production.

“Getting this kind of critical scientific data at thousands of locations using traditional scientific methods would cost so much money that it is untenable,” she added.

LeBuhn encourages people to submit their bee count data at www.greatsunflower.org, which recommends growing bee balm, cosmos, rosemary, tickseed, purple coneflowers, and sunflowers. Unfortunately her data shows that “at least 20 percent of the gardens are getting very poor pollinator service.”

The public is encouraged to visit the UC Berkeley bee garden in May when public tours begin. But you might want to brush up on your Latin, the language experts speak when they hang out with the bees.

Coville saw a mason bee land on a lavender-flowered sage and said, “I think I just saw an Osmia on a Salvia mellifera!”

Frankie smiled at me and said, “It’s bee talk.”

The Daily Blurgh: Bros before trolls

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Curiosities, quirks, oddites, and items from around the Bay and beyond

For the love of God, iPad, or printed matter, please read former Guardian culture editor, and current lead editor of science and sci-fi wonderblog io9, Annalee Newitz’s eye-opening summary of the 5 ways the Google Book settlement will change the future of reading (one plus: “pulp science fiction will make a comeback in ways you might not expect”).


 “It hurt the way your tongue hurts after you accidentally staple it to the wall.” 


Early master of photography actually insane cuckold killer: “This commission took [Edweard Muybridge] out of San Francisco at a convenient moment: He’d recently murdered his young wife’s lover, but squeaked by with an acquittal in court — one part of his defense had been that only someone already unbalanced would take the risks that Muybridge did in Yosemite, just to get a picture.”


Meanwhile, still-living photo-snapper The Tens got a peek inside the bowels of Kink.com (h/t Mission Mission)


The Awl preaches bros before trolls: “Instead of shaking your Internetty fist at all that angers you though, what if you ignored it and discussed things that do work, things that are wonderful, and encouraged others to do the same?”


 

These gorgeous creatures – children of video artist and endless font of inspiration Kalup Linzy — are hitting Berkeley Art Museum tonight with support from DJ Bus Station John, starting at 6pm. Get it!

 

 

SF smokers kicked to curb, by the cars

9

By Adam Lesser

San Francisco smokers will be hit with the latest in a long lines of restrictions starting April 25, when they’ll be kicked to the curb, out by the cars whose tailpipes are at least as dangerous as secondhand smoke.

But drivers haven’t been as easy to demonize as smokers. Light up within 15 feet of a building entrance and you’ll be breaking the law. Other spots where smokers will be barred include outdoor areas at cafes and restaurants, farmer’s markets, and charity bingo games (grandma can take her wheelchair to the curb if she needs a puff).

But pot smokers need not fear. The new law maintains a provision allowing you to light up in licensed dispensaries. Smoking patios at bars are still okay, though smokers probably shouldn’t get too comfortable.

            The San Francisco Department of Public Health frames the smoking debate in terms of the impacts of secondhand smoke. And there’s some good data there. People tend to think lungs and cancer when they think smoking, but the real problem with second hand smoke is heart attacks.  A 2005 estimate from the California EPA put the number of heart attack deaths from second hand smoke at 3,600 annually. Second hand smoke contains a host of toxins from benzene to arsenic.

But it’s hard to know the incremental benefits of moving smokers to the curb. Almost all of the positive data on public health improvements from smoking bans has come from measures the city has already taken. But Mele Lau-Smith of DPH gave me a preview of the potential next battleground: third hand smoke.

“The new science that’s coming out on third hand smoke is interesting. Third hand smoke is everything that clings to furniture and hair and takes longer to dissipate. They’re smaller particles that get deeper into the lungs,” she says. The term was coined last year in the journal Pediatrics and a 2010 paper showed that nicotine reacts with nitrous acid to form carcinogenic molecules that hang around long after a smoker has left the room.

            So the news gets worse for smokers, and the anti-smoking crusade to completely eliminate smoking gains an inch. The smoking prevalence rate in California is among the lowest in the country at 14.3 percent. Most states are in the 18-20 percent range.

            And while it’s all well and good, one wonders if there are other problems in the air besides second hand smoke. Choosing to live in an urban area like San Francisco lowers one’s life expectancy by two years, and one of the major reasons for that is auto exhaust and illnesses related to poorer air quality.

            Mark Jacobson, Professor of Civil and Environmental Engineering at Stanford University, believes the government should keep regulating until smoking is eliminated. But when comparing deaths from automobile emissions versus second hand smoke, he added, “If you look at the mass of the automobile exhaust, then you’re looking at a much bigger figure than second hand smoke. Vehicle exhaust is still way under regulated for addressing health concerns.” Over 2 million people die globally from air pollution each year. About 500,000 die from second hand smoke.

            In the end, Jacobson says it comes down to combustion. When you start burning, you release toxins that eventually hurt or kill people. It doesn’t matter if it’s diesel fuel, gasoline, or tobacco. Combustible products harm public health, and in the case of oil, the environment.

Smokers have proven ideal targets for taxes. San Francisco smokers pay $2.08 in taxes on every pack of cigarettes. When you’re in the minority and the government needs cash, it’s a political no brainer. A 20 cent cigarette tax was tacked on by the Board of Supervisors last October, done under the argument that the money was needed to clean up cigarette butts. Recent proposals to add a local 10 cent tax on gasoline in order to help various cash strapped public transit agencies haven’t found much traction.

So smokers, enjoy the summer. It’ll be the last summer you can light up after an outdoor sunset meal. The smoking ban at restaurants won’t be implemented for another six months.

But come November you’ll be enjoying that smoke out by the curb, where you’ll also be treated to some car exhaust. But, hey, at this point you’re probably all in anyways.

Part of the solution

0

Caitlin@sfbg.com

CAREERS AND ED Just a thought. As our country becomes an economic-cultural stew fraught with problems so complex we don’t even know yet what they are, different approaches to education may be necessary for tomorrow’s good guys. Which is why it’s so positive that Bay Area higher ed institutions have developed unique degree programs that anticipate tomorrow’s issues today. From robot wars to social stratification — learn about this stuff and you’ve got the skills you need for the battles to come.

 

PHILIPPINE STUDIES

Rare is the program in our country that offers a concentration in the culture and history of the Philippines. But with 40,072 Filipinos in the Bay Area, that’s an oversight USF was happy to correct with this concentration, which can be paired with any of its undergraduate degrees to create a Filipino context within science, art, nursing, or the humanities.

University of San Francisco, 2130 Fulton, SF. (415) 422-5555, www.usfca.edu

 

LABOR AND COMMUNITY STUDIES

This associate degree program focuses on giving working people the educational background they need to be effective in the world of labor union activism — collective bargaining, labor law, and workplace discrimination issues, among other things. The school also runs not-for-credit programs that link minority students and workers up with job training for careers in the trades. Kicking ass for the working class, and all that.

City College of San Francisco, Evans Campus, 1400 Evans, SF. (415) 550-4459

www.ccsf.edu

 

TRANSFORMATIVE LEADERSHIP

On the slightly less tangible end of the spectrum, the California Institute for Integral Studies offers an online master’s degree program for “personal transformation and creating positive change in the world.” Courses focus on group mediation, identifying one’s own strengths and weaknesses, and effective leadership. Let Your Love Shine 101 (for professionals).

California Institute for Integral Studies, 1453 Mission, SF. (415) 575-6100, www.ciis.edu

 

EQUITY AND SOCIAL JUSTICE IN EDUCATION

There’s no way an equitable educational system wouldn’t improve this crazy old country of ours. To that end, the future teachers and leaders in this concentration of the master’s program in education study historical/political perspectives of injustice in schools, with a mind to changing things about the way Americans learn.

San Francisco State University, 1600 Holloway, SF. (415) 338-1111, www.sfsu.ca

 

DISABILITY STUDIES

A unique minor at Berkeley examines how the concept of disability has been shaped and created by our social constructs over time. Attention is also paid to how the interpretation of disability has been highlighted in law, art, and politics. The Web site on the study features a wheelchair basketball league open to all comers regardless of bodily capabilities.

University of California Berkeley, Berk. (415) 643-7691, www.berkeley.edu

 

COMPUTER GAME DESIGN

Look, not everything in the future’s gonna be heavy! We’re still gonna need people who are real good at making blood look realistic and keeping a step ahead of everyone’s World of Warcraft avatars. The students in this undergraduate major have seen the light: if we don’t master the machines, they master us.

University of California Santa Cruz, 1156 High, Santa Cruz. (831) 459-0111, www.ucsc.edu

Alice Waters protested for supporting using human waste as compost

8

By Brady Welch

In a story that continues to amuse and fascinate, it appears that the human biosolids compost shit show we wrote about last week has left town… and ended up in, of all places, Alice Waters’ own backyard garden. That’s right: the seasonal, local, and cage-free proprietor of Berkeley’s fabled Chez Panisse has emerged as a staunch and unlikely defender of fertilizing your garden with sewage sludge compost, which San Francisco officials have recently discontinued giving away because of environmental concerns.

It all started when the Organic Consumers Association found out that Francesca Vietor, executive director of Chez Panisse’s non-profit arm promoting safe and healthy food for kids, was the same Francesca Vietor who is vice president of the SFPUC Board of Commissioners, which had until very recently been pawning off toxic compost made from human waste contaminated with industrial chemicals and heavy metals.

The news was like finding Mom (Chez Panisse) in bed with a Hells Angel (the SFPUC).

But we understand organizational slip-ups happen, and we trusted Waters to do the right thing, issue an apology, and figure out what to do with Vietor. But it turns out that the Bay Area’s advocate for a slow food economy that is “good, clean, and fair,” has decided instead to stand in defense of a system that is, frankly speaking, fast, cheap, and out of control.

On March 23, OCA National Director Ronnie Cummins wrote a letter to Waters asking how this could be. The letter reads, in part:

“Considering that the sludge was given to several local schools for use on their educational gardens, your work with the Edible Schoolyard should especially elicit your concern. This is certainly in direct opposition to the standards that Chez Panisse Foundation and the Edible Schoolyard encourage and uphold. It seems to us a clear conflict of interest that Francesca Vietor should serve as both the Executive Director of the Chez Panisse Foundation and the Vice President of the PUC.”

Waters wrote back March 30:

“I have been involved with the organic garden movement for 40 years. I believe in the transparency of public institutions and count on the government to offer the highest standards outlined by the Organic Consumers Association and other reliable advocates. I look forward to reviewing the science and working with the SFPUC to ensure the safety of composting methods.”

Well, the science is already in, and as we reported, it isn’t pretty; and more, our public institutions aren’t that transparent either, especially when it comes to sewage sludge compost. So on April 1, the OCA plans to hold a protest at noon to commemorate Chez Panisse Café’s 30th anniversary and perhaps remind the East Bay bastion of sustainability why diners have patronized them for so long.

The Daily Blurgh: Bee warned, Purple Sylvester

0

Curiosities, quirks, oddites, and items from around the Bay

I’m all for local businesses and delicious honey and getting to use the word “apiarist” in a sentence, but if any kind of this shit goes down you’ll know which type of urban farmer to give the stink eye. You say 15 beehives hidden in “‘borrowed spaces’ around SF,” NY Times — I say bio-terrorist cells. Hell, if you can train bees to detect bombs, who’s to say they also couldn’t be trained to detonate them?

Meanwhile in Science: “While dominant hyenas have a steady, confident-sounding giggle, subordinate ones produce a more variable call, allowing the animals to keep track of their social hierarchy, according to a new University of California, Berkeley, study.” Who’s laughing now, bitch?


Remember in Basquiat when David Bowie’s Andy Warhol crows, “you always get the good stuff,” to dealer Bruno Bischofberger (Dennis Hopper, in an equally meta bit of casting) over their power lunch? Well, that’s how I felt when I read the news on Fecal Face that uber-cool-for-Mission-School gallery Jack Hanley is closing shop in SF to focus on its New York space. If you want to pour out some beer on the corner of 15th and Valencia, the SF institution’s final show opens this Saturday. It’s a family affair, including work by old and new Hanley favorites such as Tauba Auerbach, Chris Johanson, Alicia Mccarthy, Shaun O’Dell, and Leslie Shows.

In more encouraging gallery-related news: last Friday, the GLBT Historical Society’s Dom Romesburg sent out an email announcing that the org just signed a lease for, “a new Gay, Lesbian, Bisexual, and Transgender Historical Society History Museum in the Castro.” Romesburg continues, “The new exhibit space is on 18th near Castro, in the old laundromat right across from Magnet.” This is indeed exciting news, as the rotating exhibits at the Society’s intimate downtown space, along with Passionate Struggle, last year’s long-running panorama of SF LGBT history in the old Wolf Camera shop on Castro Street, have largely been great, but have also felt like so many amuse-bouches for what must be some pretty fabulous main-course holdings (Sylvester’s Purple People Eater sequined stage costume, one of Passionate Struggle’s highlights, notwithstanding).

Hump Day headliner: The White Mice

0

The screaming, banging, clanging, and screeching I can handle for a couple minutes, but the big, bloody, rodent costumes? No way. Pretty sure I’m a masklophobe, meaning I’m already totally creeped out by people dressed up in oversized, animal and mascot costumes, even if they’re smiling and semi-cute. The grindcore metal-heads, The White Mice—playing Wed/31 at 21 Grand— take it to an all-new low with their chosen stage attire, beyond the crypt and into a the most terrifying science lab possible. 

Three guys in three red-stained lab coats, the Rhode Island Mice hide their faces behind papier-mâché mouse masks on stage, experimenting with their abrasive, totally rude, nasty metal sounds. 

Categorize them as you will, their brand of metal is industrial and distorted, a batch of chemically treated sounds concocted by the hand of a mad scientist. The guitars rip and rage with machismo. The vocals growl. The pounding bass and steadfast drums claw your organs from the inside out— sound appealing?

 

whtmice0310

 

 

The strangest part about The Mice is their “cheesy” sense of humor. Their song titles are often mice-related, like “Gouda and Evil” and “Cheesus Saves.” Funny and scary— these guys would be hot on the dating market. 

 

The show is being put on by Club Sandwich, an East Bay collective who organizes events for local, and touring, under-the-radar musicians. The show is all-ages, meaning you could tote along your whiney little brother and really scare the shit out of him, Donnie Darko style. 

 


The White Mice w/Lesbian and Nuclear Death Wish

Wed/31, 8pm, $6

21 Grand 

416 25th St., Oakland

www.21grand.org


Is BARFing good for your pet?

1

tredmond@sfbg.com

It’s called the BARF diet — and it’s the hottest thing in San Francisco pet stores these days. No, it’s not food that makes your pet throw up; BARF stands for biologically appropriate raw food. And its advocates are passionate about its advantages over old-fashioned commercial pet food.

“Dogs and cats in the wild would eat raw meat,” said Susan Yannes, who co-owns Pawtrero pet store and bathhouse on Mississippi Street. “They didn’t have doggie barbecues.”

The idea is to mimic as closely as possible what your pets would have eaten way back when — in the natural state, before they became so close to humans that they started eating the same sort of processed food (some would say processed crap) many of us eat.

And the trend is growing — fast. Matt Koss, who owns Primal Pet Foods, a supplier of frozen raw animal feed, reports 20 percent annual growth. He cites a massive pet food recall in 2007 as a spur to his business, adding that “there’s more and more consumer awareness about pet food.” Primal Pet supplies food to 2,000 pet stores nationwide, 15 in San Francisco.

But the BARF diet also has its critics — and not just in the multibillion dollar pet food industry.

 

A BETTER DOG IN JUST WEEKS

Yannes got into the raw food business when one of her dogs developed skin problems. “We were feeding him standard dry dog food, and the vet said it was fine,” she said. “His coat had all these bumps, so they gave him allergy medicine.”

Instead, she tried shifting the dog to an all-natural diet — “and a week later, he was fine.”

That’s a common story among some pet owners, who say that raw meat, combined with raw bones and some specially prepared grain and vegetable matter, makes dogs and cats healthier and happier. “Business is growing,” Yannes said. “People who try this don’t go back.”

The argument is similar to what you hear from people who have given up processed human food in favor of fresh fruits and vegetables and organic, free-range meat. It’s more natural; all that processing (and even heat) destroys essential nutrients.

A summary published on Pawblog that Yannes passed on to me sums it up: “When switching your pet to a raw food diet, there are many differences you will notice in a few weeks, including improved breath and white teeth, better digestion resulting in much smaller and firmer stools, less itching, scratching, and allergies, increased energy, healthy skin, and a shiner coat.”

The reason? “Dogs and cats stomachs are designed to digest raw meat and soft bones, utilizing the very strong concentrations of hydrochloric acid as well as the short length of their gastrointestinal tract. Any bacteria are taken care of with this acid.”

But some vets — including those that support and practice non-Western medicine — are more cautious.

“A raw diet is fine,” said Dr. Randy Bowman, a vet at Pets Unlimited. “Dogs were meant to eat raw food in the wild. But we’ve come far beyond that. Their gastrointestinal system has evolved, and they don’t need it.”

Adds Dr. Jeffrey Bryan, a veterinary oncologist who teaches at the University of Washington: “I think highly processed foods are problematic, but I wish we had more scientific evidence on the value of the raw diet.”

 

NOT FOR ALL

I think it’s safe to say that the raw food diet isn’t for everyone. For one thing, it’s more expensive — but if it winds up keeping our dog out of the vet’s office, it will more than pay for itself over time. More important, it requires a fair amount of work — and a lot of attention.

Raw meat has to be handled carefully. All the preparation surfaces have to be washed, and the pets’ dishes need to be washed with soap and water after every meal. That’s because raw meat — even organic, free-range stuff — contains bacteria that can carry diseases to pets and humans.

And according to Bowman, even the best grade of meat can carry diseases: “Even human-grade meat that’s processed and shipped distances carries bacteria, and it’s not meant for raw consumption.” Bowman suggests that pet owners at least sear the meat first, since the bacteria tend to be on the surface.

Dr. Rebecca Remillard, a veterinarian and pet nutritionist, is one of the harshest critics of the raw diet. “This is not a safe practice,” she writes on her Web site. “Dogs fed raw meat or eggs may develop mild to severe gastrointestinal disease from consuming products contaminated” with disease-causing bacteria.

Koss says that’s just misinformation. “Bacteria and pathogens are a concern in the entire food industry,” he said. “But if the food is handled properly, there is no danger at all to pets.”

Susan Lauten, who has a master’s degree in animal nutrition and a doctorate in biomedical science, runs a veterinary consulting business in Knoxville, Tenn. She agrees that, for the most part, healthy dogs and cats can safely eat raw food. But she’s less enthusiastic about comparisons to the diet these creatures ate in the wild.

“In the wild, dogs didn’t live very long,” she told me. “And one reason was that they got sick from eating contaminated meat.”

Lauten has a different concern about the raw diet. Animals that eat raw meat can release salmonella and other dangerous pathogens in their stool. “You don’t want that around if you have kids or immune-compromised people,” she said. “You can clean up after your dog, but you might not get everything.”

And she raised another issue: economics. “Do you tell people that they can’t have a cat unless they can afford the most expensive kind of food?”

Dr. Hannah Good, who practices holistic veterinary medicine in Santa Cruz, argues that “there’s a lot that can be accomplished by going in a different direction than kibble.” She noted that “a lot of diets are 100 percent garbage.”

But she also said that high-grade kibble diets are balanced to include all the nutrients an animal needs.

And what do the vets feed their pets? Good said her dog “eats whatever I eat”; she prepares a version of her own meals for her canine companion. Lauten’s dog has inflammatory bowel disease “and does very well on a commercial veterinary diet.”

Bryan, who thinks what a dog eats is an important factor in its health, doesn’t do the BARF thing either: “I give my dog Science Diet.”

Bark if you like needles

4

tredmond@sfbg.com

The dog named Hank Stamper got paralyzed on a sunny Saturday afternoon. One moment he was hanging out in the backyard, lying in the little patch of grass and giving the cats next door the evil eye, and the next thing I knew he was making a yelping sound like nothing my dog had ever uttered in his four years of healthy life.

When I got there, Hank was dragging himself around by his front paws, his back legs and hindquarters completely limp and useless.

So I picked up the 90-pound beast and wrestled him into the car and carried him to the pet hospital, where a young vet poked and prodded and confirmed that Hank’s entire hindquarters were numb and paralyzed. The doc didn’t know why, or what might have happened; there was no obvious injury. He said it might get better on its own, or it might not.

The specialist vet we saw the next day didn’t know what was wrong, either; it seemed to be some sort of stroke. An x-ray showed what might have been something screwy in his spine. “There’s a surgical procedure they do at UC Davis,” the specialist vet said. “It costs $10,000, and has about a 50 percent chance of success. I could call them if you want.”

Uh, no. I loved my dog, but that was way beyond our means, and my health insurance didn’t cover family members of the canine persuasion. So, sadly, with much weeping, we took poor Hank home. We figured we’d give it a day or two and, if he didn’t improve, his next trip to the vet would be his last.

While I was lamenting all this at work the following morning, one of my colleagues made a wild suggestion: take him to Irving Street Veterinary Clinic, she told me; there’s a vet there who does acupuncture.

Well, hell. I’d never heard of doggie acupuncture, but Hank wasn’t getting better, plus he was miserable, and we were at the end of the line. So I called and made an appointment. Dr. Jeffrey Bryan met me at the clinic, took a look at the poor mutt, and went to get his gear.

“To be totally honest, I can’t explain scientifically exactly why this works,” he said as he started sticking needles in Hank’s back and legs. “But in a remarkable number of cases, it does.”

We sat on the floor, the dog and I, while Bryan hooked a very low electric current up to some of the needles, then he told me to wait. Thirty minutes later, the doc turned the juice off, took the needles out — and goddamn if that dog didn’t stand up and start to walk.

Seriously — the animal that couldn’t even hold himself up to poo (it was gross, don’t ask) ambled stiffly out of the clinic and got into the car. Four acupuncture sessions later, Hank was running again, and within a few months, we did a 5K race — and the human member of the team wasn’t the one setting the pace.

That was back in 1996, when veterinary acupuncturists were fairly rare, even in San Francisco. I think Bryan was one of only two licensed vets who did it. Today it’s a growth industry.

In fact, an increasing number of vets — people with a doctor of veterinary medicine degree, folks who spent four years in graduate school studying Western science and medical techniques — are treating some of their patients with acupuncture, chiropractic, herbs, and other holistic approaches.

“It’s expanded quite a bit in the past five years,” said Dr. Randy Bowman, who practices at Pets Unlimited, a nonprofit animal hospital and adoption center in San Francisco. “We as vets have become more informed and more in touch with what our clients want.”

Bowman practices what he calls complementary and integrative medicine — a combination of traditional Western techniques and holistic treatments like acupuncture and herbs. “I think a lot of us get fed up with chronic conditions, pets that have problems Western medicine doesn’t have a cure for,” he said. “I wanted to offer my clients something more than the same antibiotic over and over.”

Acupuncture’s been around much longer than what we now call Western medicine. A recent article in accupuncture.com noted that primitive acupuncture therapies may have been practiced in India as long as 7,000 years ago, and it’s been part of Chinese culture for centuries.

“One of the earliest records of veterinary acupuncture was some 3,000 years ago, for the treatment of elephants,” explained the article, which was written by Susan Thorpe Vargas and John Cargill.

But the technique didn’t find widespread acceptance in America until much more recently. California first legalized acupuncture in the 1970s. And while some licensed acupuncturists have quietly been treating animals for years, it’s only recently that significant numbers of university-trained veterinarians have started to adopt the practice.

Although most humans have to choose between a doctor with an M.D. and an acupuncturist, in the animal world, the spheres of traditional and holistic medicine have grown closer.

Dr. Hannah Good, who practices in Santa Cruz, is an early disciple. She’s been offering animal acupuncture and chiropractic for more than 20 years. “I look at every case individually,” she told me. “Sometimes it’s herbal treatment, sometimes it’s surgery.”

There are many reasons for the shift toward holistic medicine in the animal world — and one, frankly, is cost. Invasive procedures, antibiotics, steroids — all the things traditional vets tend to do for sick animals — come at a stiff price. Hank’s $10,000 surgical estimate is unusual, but spending hundreds of dollars — many hundreds of dollars — on an animal’s illness is all too common.

The acupuncture that saved Hank’s life cost $40 a session, and the bottle of Chinese medicine Bryan prescribed as a supplement cost $8 at the herbalist down the street.

That’s not always the case — extended acupuncture treatment can be pricey. “But it’s still less expensive, particularly with chronic diseases,” Bowman noted.

I tracked down Bryan recently; these days, he’s a professor at the University of Washington School of Veterinary Medicine and an expert in veterinary oncology. He remembered Hank well — and although he has spent years in advanced training learning to treat animal cancer, he still uses acupuncture at times.

“One of my students had a dog with chronic pain and we gave him a very powerful steroid, but it had no affect,” he said. “But acupuncture made a lot of difference.”

He finds that his clients — even those whose animals have advanced diseases — are interested in alternatives. “A lot of people who have had acupuncture themselves find that this kind of treatment is more in line with their core values,” he noted. “It’s certainly growing in the public consciousness.”

Bryan would like to see the veterinary establishment — which is still dominated by Western scientific models — move more quickly to adopt nontraditional techniques. “Most of what we’re seeing is demand-driven,” he said. “People are asking for it. Veterinary medicine as a whole has done a poor job of being a leader in the field.”