San Francisco Archives — Page 391 of 517 — San Francisco Bay Guardian Archive 1966

Super Ego: Nonprofit drag queens on fire

January 15, 2009

Wow, oh wow — not only is San Francisco’s premiere punk-mess drag queen Anna Conda hosting a very-special-guest version of her weekly Charlie Horse party this Friday, BUT she’ll then be retracting her greedy, greedy claws for a really good cause on Saturday afternoon at The Mix bar in the Castro. Sleeplessness!

Anna Conda: doin’ good, whatever it takes

She’ll be hosting a beer bust — featuring a gaggle of too-wild and possibly just-assembled drag performances — to help out Community Housing Partnership, a lovely local nonprofit which houses formerly-homeless people. For ONLY $10, you can mingle with the rock stars of indie drag and refill your little plastic beer cup as much as you like. For a good cause! Plus, a raffle.

Anna Conda’s Sublebrity Beer Bust for CHP
Sat/17, 3-7pm, $10
The Mix
4086 18th St., SF
www.sfmixbar.com

Municipal ID program takes off

January 15, 2009

It took more time than it should have, but San Francisco’s long anticipated ID Card program took off today. Assemblymember Tom Ammiano, who authored the ID card legislation, helped debut the program by receiving his own card at City Hall today.

The card is all-in-one photo identification card that streamlines access to City services and offers discounts at local businesses. The card allows folks to establish borrowing privileges at the library and a family account with Recreation and Parks. Nine banks and credit unions have also stated that they will accept the card to open a financial account.

“The card will help a wide breadth of San Franciscans – children that don’t have a school ID, immigrant workers that want to open a bank account, and seniors that no longer have a need for a driver’s license,” Ammiano stated in a press release.”The transgender people will also benefit from an ID that accurately represents their identities.”

Local Artist of the Week

January 14, 2009

LOCAL ARTIST David Young

TITLE Untitled

BIO A San Francisco resident for just over five years, David Young draws inspiration from postapocalyptic films, punk music, street art, graphic novels, and war photography to present a damaged and hostile vision of SF and its place in America. All of the work in his "Live Forever" series is executed with Micron8 pens on Strathmore Bristol and American Masters paper.

SHOW "David Young: Live Forever," Thurs/15 through Feb. 14 (reception Thurs/15, 6–9 p.m.). Babylon Falling, 1017 Bush, SF. (415) 345-1017, www.babylonfalling.com

WEB www.myspace.com/dyoungv

Fashion forward

January 14, 2009

› culture@sfbg.com

Looking at fashion designer Miranda Caroligne today, it’s hard to imagine she ever did anything other than sew and sell clothing. In addition to running her namesake boutique on 14th Street, she manages the co-op Trunk, peddles her wares at events across the country, and was asked to write Reconstructing Clothes for Dummies (For Dummies, 2007). Thanks to her gorgeous, whimsical, reconstructed styles, as well as her dedication to environmentalism and artistic community, she has become a well-reputed force in the SF indie fashion scene and beyond.

But she didn’t start that way — and the road to the present was neither easy nor direct.

Caroligne grew up in the woodland areas of Rhode Island with her mom, an elementary school teacher and brilliant seamstress, and her dad, a textile scientist. As a child, she spent most of her time hiking, exploring, or working on creative crafts with her mom, developing equal interest in both art and science. By high school, she was passionate about three very different subjects: writing, health care, and fashion. But when she got to the University of Rhode Island, she chose her major based on which jobs she thought would be available after she graduated. Health care won by a long shot. "And I was afraid of this thing called writer’s block," she jokes. Sewing remained a captivating pastime.

After graduating with a MS in physical therapy in 2000, Caroligne began working with children who had sensory system problems in Washington, DC. "Being young and having a job that relied on my physical strength — that time was psychologically stressful," she recalls.

Caroligne’s stress level hit the roof after a bicycling accident in 2003, which left her with a crushed nerve in her neck. Her physical strength had failed her, and she was without a job. It was a sign that it was time to turn her lifelong hobby, fashion design, into a career. With her short-term disability insurance and unemployment checks, she moved to Boston and found an art studio, where she spent nearly all her time at the sewing machine. "Sometimes when I don’t know what to do, I just do," she explains. "I’m not one to be idle." She spent so much time working at the studio that she decided to sublease her apartment, leaving her nowhere to sleep but on friends’ couches. After a few months of couch-surfing, she cashed her unemployment checks and moved across the country to pursue a career in fashion.

It was January 2005, and Caroligne lived in a closet in her friend’s apartment. Her only possessions were a disco ball, which hung from the ceiling next to the skylight, a sewing machine, and a few pieces of colorful fabric draped over a stretch canvas which served as sewing material by day and bedding by night. Soon, she found her dream store in the heart of the Mission District.

She opened the shop in November of that year. About the size of a large dorm room, the cluttered space is filled with radiant, one-of-a-kind garments that reflect many years of hard work. She stitches them with a beat-up machine that faces a window on the street, so she can smile and wave to people as they pass. Her wares are reconstructed garments (made from donated clothing that she dismantles and pieces back together in different ways), articles produced from original patterns, and offcut items (made from the leftover scraps she accumulates while working on patterned pieces).

And her reuse of materials is more than just style — it’s an outgrowth of the environmentalism she learned as a kid. Caroligne advocates sustainability and makes use of almost every shred of old fabric, no matter how big or small. "I have this philosophy of not having sizes," she says. "I alter everything to fit." Sometimes she lets her customers alter pieces with her, so inspired buyers can learn how to make clothing on their own. "Part of the reason the sewing machine’s out is to show people they can do it, too."

To share her philosophy, Caroligne agreed to write Reconstructing Clothes for Dummies in the fall of 2007, encouraging fellow fashionistas to reuse old materials. She was surprised to reach not only an earth-loving, crafty crowd but also a non-sewing, mainstream audience. People were motivated to salvage their materials, whether they made their own clothes or not. Now, her style is becoming so popular with typical shoppers that some conventional retailers have started "faking" reconstruction. But Caroligne says her authentic pieces are about reducing waste and avoiding conformity, not just about looking good.

Now, on a typical Friday afternoon at her boutique, as she sits at her old-fashioned sewing machine with a pile of white, ruffly fabric exploding out from under it, she waves playfully at a child strolling past the shop with his family. Another woman walks in and gives Caroligne a hug. "It’s less about fashion and more about meeting people, helping them get in touch with themselves," she says. She wants everyone to be able to express themselves by wearing clothes that reveal how they feel. While her designs are meant to be fashionable, they’re carefully crafted based on how they feel and move while wearing them. Her background in physical therapy helps her understand the way fabrics are supposed to flow with the body, as well as how light or heavy the materials should be. She tests most of her skirts and dresses for these characteristics, because she says the weight of a fabric can change the way someone walks in it, depending on his or her physical composition. "They don’t teach you that in fashion school," she says, noting that she’s glad she didn’t attend. "It’s rigid."

Most designers she knows went to fashion school, though, and have taken a more standard route: they’ve created clothing lines and sold them to national retailers. While this route is probably the easiest, Caroligne says she’ll never regret opening her neighborhood boutique and sewing her designs herself. "There’s a life that happens when hanging up a new piece," she says. Curiously, it’s the one people ooh and ahh over when entering the store, even though everything looks new to them when it’s their first time in. Caroligne gets new ideas when sewing one-of-a-kind articles, which she says wouldn’t happen if other people sewed the clothes for her.

This March, however, Caroligne and her sales rep plan to start taking orders for a nationally distributed clothing line — without abandoning her boutique. Her "adult contemporary" collection will comprise pieces she has crafted for her store and her fashion shows, which are usually fundraising events for groups such as the Black Rock Arts Foundation.

On top of everything, she runs a sustainable art-retail-fashion cooperative, Trunk, in Upper Haight. Formerly known as Pandora’s Trunk, the shop has been renovated inside and out since she and her business partner split last fall. Caroligne says the corporate structure and leadership has changed, and for the first time it feels like a true San Francisco co-op, where people encourage each other and each other’s art. "There’s a sense of community support in San Francisco," she says, thinking about the differences between the Bay Area and Boston. "People live better here." Now there’s more space for local designers in the store, including the San Francisco–born, world-renowned company Wildlife Works, whose proceeds benefit endangered species and help create jobs and schools in Kenya. Caroligne donates regularly to Wildlife Works, which gives her scrap fabric and clothing in exchange. She uses the leftovers for her reconstructed and offcut designs, noting that this swap is just another way she likes to support the community and reinforce its connectedness.

Years after accomplishing her goal of becoming a successful designer, she has only one piece of advice for others with a similar ambition: "Just do it." She remembers one of her college professors who’d had many different jobs in various fields, and back then she thought he was a failure. But now his story inspires her.

"There are different ways of looking at life: you can work to financially support the life you want to live, or you can figure out a way to make the thing you love to do a source of financial stability," she says. With a humble smile, she adds: "I think I’ve found success in that." *

MIRANDA CAROLIGNE

485 14th St., SF. (415) 355-1900, www.mirandacaroligne.com

TRUNK

544 Haight, SF. (415) 861-5310, www.myspace.com/trunksf

Back to school

January 14, 2009

› culture@sfbg.com

Let’s face it: 2008 was not great. Two wars, lots of political BS, and an economy that’s seen better days. But if our president-elect is to be believed, things are about to change. Why not bring some of that change to your personal life by learning a new skill? Here are some of my favorite offerings in our fair city by the Bay.

EN GARDE!

Perhaps you love those old Robin Hood movies or actually know the names of all three Musketeers. Or maybe you just think it’d be fun to hit someone with a steel stick. Whatever your attraction to fencing, Golden Gate Fencing Center is the place for you.

On the day I visited, a number of young fencers were working out. Some were junior national champions; some were just out to have fun. And that is the vibe that permeates the place, which has been serving fencers of all ages and levels since 1997. Although the sport is physical, coach Paul Soter says strategy is equally important. In fact, some fencers have been known to compete and train well into their 70s.

As for gear, the expense is minimal. Aside from the cost of the class, the only thing you have to buy is a glove that will run you about $20. Golden Gate will provide the rest.

Golden Gate Fencing Center, 2417 Harrison, SF. (415) 626-7910, www.gofencing.com

BLOW ME

More of an artist than an athlete? Get yourself down to Public Glass in the Bayview. Founded 12 years ago as "the Disneyland of glassblowing," this organization is the only one in the city that teaches novice glassblowers. The space is ample, as is the curriculum. But classes are small, with a ratio of three students to one carefully screened instructor.

The experience of making glass is magical, and almost spooky. The heat coming off the glory holes — the giant furnaces that heat glass into liquid — reminds you that the beautiful orange glow is powerfully dangerous. But it might be the danger that keeps people coming to Public Glass. "It’s a primordial rush," says Manigeh Bridget Khalaji, the operational manager.

But another part of glassblowing’s appeal seems to be that it requires teamwork. Though glass in liquid form shifts shape easily, it only stays malleable for a few moments. Thus, it takes more than one set of hands to perform all the tasks necessary to shape a glass piece.

When I was there, I saw two men working in tandem — almost as if they were one person with four hands — sculpting, cutting, blow-torching the glass before it hardened. One of the artists called the process "controlled chaos," and he wasn’t exaggerating.

Glassblowing isn’t cheap, and learning the skills necessary to make a decent piece requires a real time commitment. The staff recommends four four-week classes to get you up and running, and the classes are a little on the expensive side. But if you can get the money together, and if you want to experience something truly unique, creating glass objects fits the bill — and then some.

Public Glass, 1750 Armstrong, SF. (415) 671-4916, www.publicglass.org

CHEEK-TO-CHEEK

Take a trip to Buenos Aires — via Potrero Hill — on the first three Fridays of each month, when Gary Weinberg and his partner teach two walk-in tango classes — one for beginners and the other for more advanced dancers. Afterward, he hosts a milonga (or dance social) where you can practice what you learned. And you get all of that for $15.

The Monte Cristo is just one of many places in the city where you can learn tango, but there are few places as friendly to newbies. During the week, it’s a social club for Italian Americans, and it’s been around for more than 100 years. As you might imagine, the vibe there is old-school, with an emphasis on old. There’s a lot of fake wood panels, black-and-white photos on the wall, and plastic tablecloths like you see in North Beach’s older, "locals only" cafés. That said, tango at the Monte Cristo attracts dancers of all ages.

Unlike other styles of dance, there is no basic step to the tango; you just walk. So beginners can get a real taste for what the dance is like after one lesson. Still, tango ain’t easy. If you’re leading, this means walking without stepping on your partner’s toes; if you’re the follower, then you’re walking backward, often in heels. From there, things get increasingly complicated. Think mobile, upright Twister and you start to get a feel for how difficult the dance becomes.

Maybe because of its complexity, tango lends itself to overachiever types. Gary is a retired English professor, and many of the people I met at his class were engineers, doctors, and teachers. That said, tango is not only an intellectual exercise. If you like a physical challenge, and if you like to surround yourself with interesting, passionate people, you won’t go wrong spending a Friday night at the Monte Cristo.

Monte Cristo Club, 136 Missouri, SF. www.sanfrantango.com

CLOWNIN’ AROUND

One of the things people tend to lose as they get older is the ability to play. So imagine a place for adults where the whole point is to rediscover that part of you that’s been buried under all the worries you carry around. That place exists right here in San Francisco, at the Clown Conservatory.

When you enter the building, which was once a boy’s gymnasium for a now-defunct high school, you forget the world outside. It’s a bit like Willy Wonka’s factory, without the calories. There are rainbow-colored lockers and some of the students do wear clownlike clothing. Most notable, though, is that everyone brings a real earnestness to what they do.

The biggest surprise to me was this: clowning is not only fun, but an art. Jeff Raz, the Clown Conservatory’s founder and a professional clown, has developed a curriculum that trains every level of performer, from the recreational trapeze student to people who want to go on to careers in Cirque du Soleil.

But it’s the students who work tirelessly at their craft that make the space come alive. The cost is a few hundred bucks for a 12-week class, but learning to be a clown might just be the thing to make your 2009 a year of wonder. *

The Clown Conservatory, Circus Center, 755 Frederick, SF. (415) 759-8123, www.circuscenter.org

Goin’ Coconut

January 14, 2009

› johnny@sfbg.com

It was winter-coat weather the night Coconut played music at a release party for a book of Veronica De Jesus’ memorial drawings. After a slide show by De Jesus with a revelation about how the project was born from loss, Colter Jacobsen read a sharp first-person essay about her portraits, those lively renderings of dead poets, movie directors, baseball team owners, and Romanian table-tennis champs displayed on the windows of Dog-Eared Books. Then Tomo Yasuda joined Jacobsen to play some songs. One of them was a quasi-cover of Matthew Wilder’s "Break My Stride" that gave the 1983 white-lite reggae pop hit a heart transplant, allowing the song to briefly race forward before slowing to a near standstill.

Coconut has traveled from a quiet spot to meet you and your ears. The tracks on the duo’s triple CD-R collection, Rain/Cocoanut/Hello Fruity (Allone Co., 2007), form and fade in relation to energy and inspiration. The longest one, "Dubbud Song," might even be composed of the moments between the music: the strums, hums, and drones that briefly take shape and then fall away. There is no need for a vocal on Rain‘s "Blue Umbrella." The guitar sings. On holiday from other endeavors — Jacobsen is a visual artist; Yasuda records solo and plays in Tussle and Hey Willpower; both were part of an earlier group called Window Window and Lets, a side project of Deerhoof’s Satomi Matsuzaki — Coconut explores a world of echo at a relaxed pace. Jacobsen and Yasuda are on self-timer.

Now I’m onto another thought: Cocoanut, the silver entry in the duo’s blue-silver-yellow CD-R trilogy, is my current favorite. It might be the way "Tide Sun 7th Generation" layers lolling, rolling acoustic melodies while still leaving room for backward masking effects and other little embellishments. It might be the talky, off-kilter, get-your-goat riffs at the beginning of "Tree of No Tree," before a glowing harmonium harmony arrives to transform the composition into a tango for oddballs. It might be that "Vacation (I don’t want to go to work)" sounds like it was recorded on a warm day in a barn with a makeshift kitchen.

Or it could be the spindly pluck of Cocoanut‘s "Webs on a Grid" and "Evidence," songs that prove Jacobsen and Yasuda are on the sunny side of the ocean on a bicycle built for two. The 101 is a hard road to travel, but they’re ready for excursions into the unknown, so it isn’t completely unsettling when "Webs on a Grid"’s final minor-chord descent is coupled with what sounds like dying stars falling through space. That astral passage and the electronic personality of Yasuda’s too-little-known album For Many Birthdays (Daft Alliance, 2006) make the warp shift to sci-fi dub on Cocoanut‘s final track, "Should I?" — which pushes squares, without the macho math-nerd beat displays — more natural and less surprising.

Back on earth, Jacobsen is inclined to sing for a fine stretch of time every now and then. "Rainbow," a number on Rain, allows him to tease out the difference between a jeweler and a jail man. On Cocoanut‘s "Gannet Song," he blesses the listener with a prankish anecdote. The quiet rustle of his voice moves to the fore on Hello Fruity, where "Human Nature" ponders the meaning of second place in a two-person race, and "100 %" multitracks a godly-and-creamy choir of reassurance into something vaguely unsettling. There is a light sense of wordplay in these tunes that extends to the way other songs’ names ("Sarah Rain," "Rain in Sahara," "Hell O Hello") play off of the CD-R’s titles and each other.

It was T-shirt weather the night Coconut played music at a release party for Bill (Gallery 16 Editions, 45 pages, $25), a collaboration between Jacobsen and the poet-essayist Bill Berkson. Sunlight beamed through the open windows. After playing a set of songs from and beyond Rain/Cocoanut/Hello Fruity, the duo was joined by Berkson. He read a line from the book, and they punctuated it with a brief blast of rhythm or a touch of acoustics. When he reached the end of the poem, it wasn’t the end of the performance — Coconut’s music keeps dancing in and out of San Francisco, and its words and pictures.

COCONUT

With Aero-Mic’d and Elm

Thurs/15, 9 p.m., $6

Hemlock Tavern

1121 Polk, SF

(415) 923-0923

www.hemlocktavern.com

Speed Reading

January 14, 2009

MIXING IT UP: TAKING ON THE MEDIA BULLIES AND OTHER REFLECTIONS

By Ishmael Reed

Da Capo Press

320 pages

$15.95

Ishmael Reed is one of the most prolific writers, seers, and pundits of the 20th and 21st centuries. The author of nine novels, six books of poetry, six plays, and four books of political essays has been a constant presence and persistent thorn in the sides of various official experts. What I love about Reed is his refusal to be classified, stereotyped, or labeled. From his first book, 1967’s wildly experimental Freelance Pallbearers, through a turbulent and often silly surge of academic quarrels, he has shared his vision with bravado and courage.

His latest book of political essays continues his crusade for mother-wit in the face of a consistently homogenized culture, whether through an insightful interview with saxophonist Sonny Rollins, or writing that tackles America’s anti-black lending practices. Reed’s take is plainspoken and no-nonsense, yet an element of whimsy seems to permeate even the most uncomfortable subjects. In an essay about the Michael Jackson and Kobe Bryant trials, for example, his observation about hip-hop "pimp-culture" is that "Blacks are just as incompetent in this area of crime as they are in all others. Nearly four hundred years on this continent and not a single Martha Stewart or Ken Lay."

The only drawback of this book is that I get the impression that Reed is spending too much time in front of the television. It’s rumored that he has several sets stacked one on top of another so he can watch them simultaneously.

ISHMAEL REED

With Justin Desmangles

Sat/17, 2 p.m.; free

Koret Auditorium

San Francisco Public Library

100 Larkin, SF

(415) 557-4400

www.sfpl.org

Shock and awe

January 14, 2009

› a&eletters@sfbg.com

After 15 years of a labor of printmaking love in what has become the artistic heart of SoMa, Aurobora Press has to be out of its home at 147 Natoma Street by the end of the month. When the landlord came forward with a tenant able to pay three times what the press was shelling out for the historic back-alley building, built in 1907 with bricks from the rubble of the earthquake, Aurobora — no stranger to our languishing economy — was forced to pack its bags. Standing before a radiantly colored Jay Davis monotype in the press’s small office, director Michael Liener said that he was trying to stay positive and accept that "change is good." But he was clearly in shock, sounding somewhat otherworldly in his soothsaying. "We’re still figuring out where we’re going to land — maybe in a space, maybe not."

In order to lessen its moving load, the press is currently selling framed work at unframed prices, though Aurobora Projects, the press’s showroom in Menlo Park, will continue to operate. Sadly, Aurobora’s coveted residencies, which allow artists who don’t normally work in the medium to come in and make monotypes — paintings on paper, created by inking a flat surface and then pressing it in an intaglio press — are up in the air. In the tradition of early 20th-century artistic crossovers such as French Catalan sculptor Aristide Maillol’s exquisite woodblock illustrations, the residencies have helped artists discover hidden resonance within their own symbolic systems. For example, working in monotype without preconceived notions, painter Angela Dufrense captured the essence of Ivan the Terrible. Local sculptor Stephen DeStaebler saw his signature angel wings and rock-forms expand on paper.

Caught between dimensions and subject to the idiosyncrasies of a big, heavy press, the monotype medium is an ongoing experiment in temporality. Thus Liener is familiar with the unexpected. He stressed that he doesn’t harbor hard feelings toward the landlord, who helped Aurobora get the space in the first place. Liener had been on a month-to-month lease, but that doesn’t make it any easier to leave a space that he created from the ground up. "The question now is, do I have the will, the stomach, the bank account, to do this all over again?" he says. "It’s kind of the end of an era. When we first moved here, we spent four months ripping this place apart, exposing the bare bones, shaping a beautiful gallery." During Aurobora’s time at 147 Natoma, Liener and friends pulled down six rooms, took out the "cheesy carpet," and exposed and patched the site’s original floorboards.

"We were here before the [San Francisco Museum of Modern Art] opened, before the W [hotel], before all the development," Liener observes. "We were out here pioneering. This is just another example of what happens when an area becomes ‘discovered,’ ‘found,’ ‘populated’: the ‘pioneers’ can no longer afford their good work. I’m not unique. This happens everywhere in every city. When you create a really lovely space and you’re here for a period of time, it becomes a selling point for the next person to come in and kick you out." The tragedy is that it’s the quiet little places, the hidden spaces for meditation and contemplation, that always seem to disappear first. And what do we need most right now?

www.aurobora.com

Street fighters

January 14, 2009

› steve@sfbg.com

StreetsBlog (www.streetsblog.org) isn’t your average blog, but rather a well-funded institution that helped promote and propel a major transformation that has taken place on New York City streets since the site was founded in 2006, sparking rapid and substantial improvements for bicyclists and pedestrians.

In the process, StreetsBlog — which is part of the Livable Streets Network, along with StreetFilms and the StreetsWiki, started by urban cyclist Mark Gordon, founder of the popular file-sharing site LimeWire — developed a loyal following among alternative transportation planners and advocates in cities across the United States.

"There was nothing like it," said Leah Shahum, executive director of the San Francisco Bicycle Coalition. "They put out these inspiring images and really helped people envision better streets."

So when a group of about two dozen of these Bay Area transportation geeks made the trek up to Portland, Ore. last summer for the Towards Carfree Cities International Conference (see "Towards Carfree Cities: wrap-up," Guardian Politics blog), one of their secret goals was to try to lure StreetsBlog to San Francisco.

What began with a long, beer-soaked meeting at a Portland brewpub has turned into substantial new voice in the local media and transportation landscape since StreetsBlog San Francisco (www.sf.streetsblog.org) launched at the start of this year.

"All this really came together in Portland during the Carfree conference," said Aaron Naparstek, executive editor of the three StreetsBlogs (SF, NYC, and Los Angeles) and executive producer of the LivableStreets Network. "The No. 1 reason we decided to open up SF StreetsBlog is because so many people were asking us to do it, particularly from the bike activist community. Most important, we also had a guy with money asking us to do it — [San Francisco bicyclist] Jonathan Weiner … There’s a vibrant activist community that thinks we can be useful and there are people willing to fund the work."

It also dovetailed nicely with the organization’s push to influence the quadrennial federal transportation bill reauthorization that Congress will consider later this year, which environmentalists hope will shift money away from freeway projects. "There was a sense that now is the time to build a nationwide movement," Naparstek said. "The freeway lobby guys are very organized and embedded in all the state [departments of transportation] and it’s tough to counter that. We want to use the Internet to foment a national movement."

StreetsBlog SF has two full-time staffers, editor Bryan Goebel, a San Francisco-based journalist who worked for KCBS) and reporters Matthew Roth, part of the team that started StreetsBlog in New York. StreetsBlog also pays as a contributor longtime local author and activist Chris Carlsson, who was part of the SF crew in Portland.

"I think they have an opportunity to bring close attention to the texture of life on the streets, something print journalism doesn’t do very well," Carlsson said. "It’s about reinhabiting city life."

Shahum said she’s thrilled at the arrival of StreetsBlog, which she says will help local leaders envision a less car-dependent city: "We as advocates are not always so good at helping people visualize what something better looks like."

And that, says Naparstek, is his network’s main strength. "We’ve actually had a lot of success in New York moving these livable streets models forward and we have a lot of best practices to share," he said, noting their network of 175 bloggers in cities around the country and world.

With Mayor Gavin Newsom’s penchant for "best practices"; San Francisco’s experimentation with innovative ideas like market-based parking pricing, congestion fees, Muni reform, and creation of carfree ciclovias; and the imperatives of climate change and the end of the age of oil, activists say this is the ideal time and place the arrival of StreetsBlog.

"There is an interesting convergence of issues that has made it bigger than it might have been," Roth said.

"And in San Francisco, who’s covering these issue besides the Guardian? There is a big need for this," Goebel added. "From a journalists’ point of view, we need to call people on their inconsistencies and not just let leaders govern by press release, which Mayor Gavin Newsom has a tendency to do."

Cafe Mystique

January 14, 2009

› paulr@sfbg.com

If you squint — hard, on a night of driving rain, and you earlier washed your contact lenses down the sink by accident, leaving yourself legally blind — you might just catch a hint of a glimpse of a shadow of the Castro Street that figures so prominently in the movie Milk. Today’s Castro Street, like its 1970s antecedent, is dominated by the Castro Theater’s gigantic sign (a colorful spectacle even to the grievously nearsighted), and it’s still just a few blocks long, a brief run from Market Street to 19th Street. In college, driven by stomach-churning curiosity, we navigated this little stretch one night and wondered what all the fuss was about. This was it? Yes, it was and still is.

Oscar Wilde is said to have said that anyone who disappeared would sooner or later be seen in San Francisco. He might have had a vision of Elvis, or perhaps a premonition about Castro Street, which remains a semi-mythical — and yet quite real — Main Street for gay America and maybe the world. Sitting in a window seat at Café Mystique recently (on an evening of no rain and with contact lenses securely in place), I noticed several familiar faces from epochs past, not seen by me for years but still quite recognizable, like a parade of Fezziwigs from my own private version of Charles Dickens’ A Christmas Carol. In between these sightings, with the huge "Castro" sign glowing like a beacon across the street, we discussed Milk, a movie full of saintly intentions and virtually barren of actual characters except the tortured Dan White and the gently droll Scott Smith (Harvey Milk’s onetime lover), as played by James Franco.

Franco is tasty, with mystique: if he were a café, would he be Café Mystique? The food is tasty at Cafe Mystique, which until recently was a joint called Welcome Home. If Harvey Milk might have felt vaguely at home at Welcome Home, he would almost certainly be astonished by Café Mystique, which on the one hand is still a recognizably gay restaurant from the old school and on the other is dramatically good-looking and serves a Moroccan-inflected menu that would have seemed noteworthy anywhere in the city as recently as a decade ago.

First, the good looks: they’re neither North African nor Castro-homey but faintly central European, like a Vienna hotel or a Bavarian hunting lodge. The long north wall is clad in impressive wood wainscoting, punctuated by pillars topped with sconce lamps, for a street-light effect, while the paint scheme, of butter washed with caramel, enhances the sense of woodsy warmth.

As for the Moroccan touches, they’re all over the dinner menu (there are breakfast and lunch menus too), from the flatbread triangles accompanying a warm fava bean dip ($6) — like a slightly soupy hummus — to the mint in a cup of excellent, if under-seasoned, split green pea soup ($2). (Just add salt and voilà!) There are hints of influence from elsewhere around the Mediterranean as well; a bowl of cucumber sticks bathed in yogurt and boldly charged with lemon and garlic ($4) could easily pass for the Greek condiment tzatziki (itself an obvious relative of the Indian condiment raita).

None of these flourishes seems at all pretentious, since the cooking on the whole remains earthy and friendly. You can get a grilled cheese sandwich ($9), for instance, and it comes with really good fries, and if the cheese happens to be halumi wrapped in lavash, well … that just adds to the mystique. Halumi is a not-soft white cheese typically made from a blend of goat and sheep’s milk and is most closely associated with Cyprus; its firmness means that it resists melting under heat, retaining its shape and solid texture even while taking on a smokiness.

Grilling cubes of meat on skewers is common practice around the Mediterranean — and elsewhere — and at Café Mystique the mixed grill ($15) includes chicken and beef. Beef takes easily to the simplest preparations, such as grilling, while chicken typically needs some TLC to show at its best, so if I’d been asked to bet beforehand on which of these two contestants would command the plate, I would have chosen the beef. But the beef turned out to be rather tough, gray, and flavorless, while the chicken (boneless breast meat) was perfectly cooked, tender and juicy, with a nice dusting of spice. This uneven confederacy of flesh rested on a bed of couscous (which in its white coarseness resembled corn snow), and its chunks were interspersed with examples of grilled vegetables, among them onions, plum tomatoes, zucchini coins, and strips of red and green bell pepper. The bits of green and red on a carpet of white reminded me of Christmas trees and mistletoe wreaths left at snowy curbs in the Januaries of my youth.

Wilde might or might not have anticipated Elvis, but could he possibly have anticipated the Elvis crepe ($8), a gigantic dessert of bananas, vanilla ice cream, whipped cream, nuts, and melted Nutella sauce, all piled, ladled, and scattered atop an actual crepe? Plowing through this mass of sugary calories was a little like eating a banana split that had been neglected for an hour or so on the hottest day of summer. And a cautionary note on Nutella, the wondrous Italian spread of chocolate and hazelnut that appeared from the ashen privations of World War II: it used to consist largely of hydrogenated vegetable oil, i.e. trans fat, which, as we now know, is a no-no. I stopped buying it even when it was on sale. Have they changed the formula? Reading ingredient labels now involves considerable squinting.

CAFE MYSTIQUE

Daily, 8 a.m.–11 p.m.

464 Castro, SF

(415) 865-9810

www.cafemystiquesf.com

Beer and wine

MC/V

Moderate noise

Wheelchair accessible

The decimation of public health

January 14, 2009

OPINION Crisis seems omnipresent these days.: it’s hard to find a newspaper that doesn’t carry the word in a headline at the top of the business section, or even on page 1. But a liquidity crisis seems a lot less solid when compared to the kind of crises faced by people in a society without health services.

San Francisco has developed a strong mental-health infrastructure, with respect for mental health consumers’ viewpoints and rights.

As an alternative to confinement — a coercive practice that can alienate patients — this city has acute diversion units: houses that serve as recovery centers for people in psychiatric crises. Psychiatrists manage medication, and nurse practitioners conduct health screenings, as you’d expect, but this is just the beginning of a broader approach to mental health. Residents work with professionals to develop their own treatment plans. They meet for discussion groups and trainings on topics that affect their ongoing mental health, like relapse prevention, symptom management, and medication education.

Participants help cook and clean to prepare themselves for independent living. Every year, 1,400 San Franciscans use these units.

We also have created culturally competent services. In immigrant neighborhoods and at San Francisco General Hospital, we have services in Spanish and Asian and Pacific Islander languages — services that help prevent the problems that can occur when native-language support is unavailable.

And the city has embarked on a grand experiment: Healthy San Francisco is designed to provide health care — before things get to crisis level — for any city resident who lacks insurance.

Unfortunately the crises have collided. These programs, along with dozens of others, are slated for closure next month as part of the city’s emergency rebudgeting response to our economic crisis. Half our acute diversion units will close. Hundreds of monolingual San Franciscans will lose services in Chinatown and the Richmond District, and General Hospital may lose half the Asian languages with which it can communicate with mental health consumers. New Leaf will cut therapy for 50 gay clients with combined mental health and addictive disorders. The sexual assault trauma recovery center will close.

Healthy San Francisco will be gutted. Staffing has not increased sufficiently to provide high quality care for all patients, and SF General will downgrade service by replacing skilled nursing jobs with less-skilled positions. Some RNs will be eliminated, LVNs will be replaced, certified staff will be replaced by noncertified staff, and clerks with medical training will be reduced to clerical work.

These are just examples. Cuts were made so hastily that nobody yet understands their full extent. But budgets — for all those digits and decimals that smack of hard economic truth — exist in the nebulous apparition of What May Be. And what may be, may yet be changed.

This month, the Board of Supervisors has the opportunity to change this future, and to protect the health and, in some cases, the lives of thousands of San Franciscans. Public health will receive cuts: that’s a sad truth of a faltering economy. But these cuts need be neither as numerous nor as deep as the current plan.

By reallocating funding from less essential programs to our most vital services, and by giving San Franciscans the option to vote on new revenue in June, the supervisors can respect the priorities of a city that cares about the well-being of its ill, its injured, and its uninsured.

Alysabeth Alexander works with La Voz Latina. Jennifer Friedenbach works with the Coalition, and SEIU Local 1021 activist Ed Kinchley is a member of the Coalition to Save Public Health.

The Hard Times Handbook

January 13, 2009

We all have high hopes for the new administration. We’d all like to believe that the recession will end soon, that jobs will be plentiful, health care available to all, and affordable housing built in abundance.

But the grim reality is that hard times are probably around for a while longer, and it may get worse before it gets better.

Don’t despair: the city is full of fun things to do on the cheap. There are ways to save money and enjoy life at the same time. If you’re in trouble — out of work, out of food, facing eviction — there are resources around to help you. What follows is a collection of tips, techniques, and ideas for surviving the ongoing depression that’s the last bitter legacy of George W. Bush.

BELOW YOU’LL FIND OUR TIPS ON SCORING FREE, CHEAP, AND LOW-COST WONDERS. (Click here for the full page version with jumps, if you can’t see it.)

MUSIC AND MOVIES

CLOTHING

FOOD

CONCERTS

WHEELS

HEALTH CARE

SHELTER

MEALS

COCKTAILS

DATE NIGHTS

YOGA

PLUS:

HOW TO KEEP YOUR APARTMENT

HOW TO GET UNEMPLOYMENT

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FREE MUSIC AND MOVIES

For a little extra routine effort, I’ve managed to make San Francisco’s library system my Netflix/GreenCine, rotating CD turntable, and bookstore, all rolled into one. And it’s all free.

If you’re a books-music-film whore like me, you find your home maxed out with piles of the stuff … and not enough extra cash to feed your habits. So I’ve decided to only buy my favorites and to borrow the rest. We San Franciscans have quite a library system at our fingertips. You just have to learn how to use it.

Almost everyone thinks of a library as a place for books. And that’s not wrong: you can read the latest fiction and nonfiction bestsellers, and I’ve checked out a slew of great mixology/cocktail recipe books when I want to try new drinks at home. I’ve hit up bios on my favorite musicians, or brought home stacks of travel books before a trip (they usually have the current year’s edition of at least one travel series for a given place, whether it be Fodor’s, Lonely Planet, or Frommer’s).

But there’s much more. For DVDs, I regularly check Rotten Tomatoes’ New Releases page (www.rottentomatoes.com/dvd/new_releases.php) for new DVD releases. Anything I want to see, I keep on a list and search www.sfpl.org for those titles every week. About 90 percent of my list eventually comes to the library, and most within a few weeks of the release date.

And such a range! I recently checked out the Oscar-nominated animated foreign film, Persepolis, the entire first season of Mad Men, tons of documentaries, classics (like a Cyd Charisse musical or Katherine Hepburn and Spencer Tracy’s catalog), even Baby Mama (sure, it sucked, but I can’t resist Tina Fey).

A music fanatic can find virtually every style, and even dig into the history of a genre. I’ve found CDs of jazz and blues greats, including Jelly Roll Morton, John Lee Hooker, Bessie Smith, Muddy Waters, kitschy lounge like Martin Denny and singer Julie London, and have satiated rap cravings with the latest Talib Kwali, Lyrics Born, Missy Elliott, T.I. or Kanye (I won’t tell if you won’t).

Warning: there can be a long "holds" list for popular new releases (e.g., Iron Man just came out and has about 175). When this happens, Just get in the queue — you can request as many as 15 items simultaneously online (you do have a library card, right?) You’ll get an e-mail when your item comes in and you can check the status of your list any time you log in. Keep DVDs a full seven days (three weeks for books and CDs) and return ’em to any branch you like.

I’ve deepened my music knowledge, read a broader range of books, and canceled GreenCine. Instead, I enjoy a steady flow of free shit coming my way each week. And if I get bored or the novelty of Baby Mama wears off, I return it and free up space in my mind (and on my shelf) for more. (Virginia Miller)

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STYLE FOR A SONG

Shhh. The first rule about thrifting, to paraphrase mobsters and hardcore thrift-store shoppers, is don’t talk about thrifting — and that means the sites of your finest thrift scores. Diehard thrifters guard their favorite shops with jealous zeal: they know exactly what it’s like to wade through scores of stained T-shirts, dress-for-success suits, and plastic purses and come up with zilcherooni. They also know what it’s like to ascend to thrifter nirvana, an increasingly rarified plane where vintage Chanel party shoes and cool dead-stock Western wear are sold for a song.

Friendships have been trashed and shopping carts upended in the revelation of these much-cherished thrift stores, where the quest for that ’50s lamb’s fur jacket or ’80s acid-washed zipper jeans — whatever floats your low-budg boat — has come to a rapturous conclusion. It’s a war zone, shopping on the cheap, out there — and though word has it that the thrifting is excellent in Vallejo and Fresno, our battle begins at home. When the sample sales, designer runoff outlets, resale dives, and consignment boutiques dry up, here’s where you’ll find just what you weren’t looking for — but love, love, love all the same.

Community Thrift, 623 Valencia, SF. (415) 861-4910, www.communitythrift.bravehost.com. Come for the writer’s own giveaways (you can bequeath the funds raised to any number of local nonprofits), and leave with the rattan couches, deco bureaus, records, books and magazines, and an eccentric assortment of clothing and housewares. I’m still amazed at the array of intriguing junk that zips through this spot, but act fast or you’ll miss snagging that Victorian armoire.

Goodwill As-Is Store, 86 11th St., SF. (415) 575-2197, www.sfgoodwill.org. This is the archetype and endgamer of grab-and-tumble thrifting. We’re talking bins, people — bins of dirt cheap and often downright dirty garb that the massive Goodwill around the corner has designated unsuitable, for whatever reason. Dive into said bins, rolled out by your, ahem, gracious Goodwill hosts throughout the day, along with your competition: professional pickers for vintage shops, grabby vintage people, and ironclad bargain hunters. They may not sell items by the pound anymore — now its $2.25 for a piece of adult clothing, 50 cents to $1 for babies’ and children’s garb, $4 for leather jackets, etc. — but the sense of triumph you’ll feel when you discover a tattered 1930s Atonement-style poison-ivy green gown, or a Dr. Pimp-enstein rabbit-fur patchwork coat, or cheery 1950s tablecloths with negligible stainage, is indescribable.

Goodwill Industries, 3801 Third St., SF. (415) 641-4470, www.sfgoodwill.org Alas, not all Goodwills are created equal: some eke out nothing but stale mom jeans and stretched-out polo shirts. But others, like this Hunter’s Point Goodwill, abound with on-trend goodies. At least until all of you thrift-hungry hordes grab my junk first. Tucked into the corner of a little strip mall, this Goodwill has all those extremely fashionable hipster goods that have been leached from more populated thrift pastures or plucked by your favorite street-savvy designer to "repurpose" as their latest collection: buffalo check shirts, wolf-embellished T-shirts, Gunne Sax fairy-princess gowns, basketball jerseys, and ’80s-era, multicolored zany-print tops that Paper Rad would give their beards for.

Salvation Army, 1500 Valencia, SF. (415) 643-8040, www.salvationarmyusa.org. The OG of Mission District thrifting, this Salv has been the site of many an awesome discovery. Find out when the Army puts out the new goods. The Salvation soldiers may have cordoned off the "vintage" — read: higher priced — items in the store within the store, but there are still plenty of old books, men’s clothing, and at times hep housewares and Formica kitchen tables to be had: I adore the rainbow Mork and Mindy parka vest I scored in the boys’ department, as well as my mid-century-mod mustard-colored rocker.

Savers, 875 Main, Redwood City. (650) 364-5545, www.savers.com When the ladies of Hillsborough, Burlingame, and the surrounding ‘burbs shed their oldest, most elegant offerings, the pickings can’t be beat at this Savers. You’ll find everything from I. Magnin cashmere toppers, vintage Gucci tweed, and high-camp ’80s feather-and-leather sweaters to collectible dishware, antique ribbons, and kitsch-cute Holly Hobbie plaques. Strangest, oddly covetable missed-score: a psychiatrist’s couch.

Thrift Town, 2101 Mission, SF. (415) 861-1132, www.thrifttown.com. When all else fails, fall back on this department store-sized megalith. Back in the day, thrift-oldsters tell me, they’d dig out collectible paintings and ’50s-era bikes. Now you’ll have to grind deeply to land those finds, though they’re here: cute, mismatched, mid-century chairs; the occasional designer handbag; and ’60s knit suits. Hint: venture into less picked-over departments like bedding. (Kimberly Chun)

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FREE FOOD

San Francisco will not let you starve. Even if you’re completely out of money, there are plenty of places and ways to fill your belly. Many soup kitchens operate out of churches and community centers, and lists can be downloaded and printed from freeprintshop.org and sfhomeless.net (which is also a great clearinghouse of information on social services in San Francisco.)Here’s a list of some of our favorites.

Free hot meals

Curry without Worry Healthy, soul pleasing Nepalese food to hungry people in San Francisco. Every Tues. 5:45–7 p.m. on the square at Hyde and Market streets.

Glide, 330 Ellis. Breakfast 8-9 a.m., lunch noon-1:30 p.m. everyday. Dinner 4-5:30 p.m., M-F.

St. Anthony Dining Room, 45 Jones, Lunch everyday 11:30 a.m.–1:30 p.m.

St Martin de Porres Hospitality House, 225 Potrero Ave. Best bowl of oatmeal in the city. Tues.-Sat. breakfast from 6:30-7:30 a.m., lunch from noon-2 pm.. Sun. brunch 9-10:30 a.m. Often vegetarian options.

Vegetarian

Food not Bombs Vegetarian soup and bread, but bring your own bowl. At the UN Plaza, Mon., 6 p.m.; Wed., 5:30 p.m. Also at 16th and Mission streets. Thurs. at 7:30 p.m.

Mother’s Kitchen, 7 Octavia, Fri., 2:30-3:30. Vegan options.

Iglesia Latina Americana de Las Adventistas Seventh Dia, 3024 24th St. Breakfast 9:30-11 a.m., third Sun. of the month.

Grab and go sandwiches

Glide, bag meals to go after breakfast ends at 9 a.m.

St. Peter and Paul Catholic Church, 666 Filbert. 4-5 p.m. every day.

Seniors

Curry Senior Center, 333 Turk. For the 60+ set. Breakfast 8-9 a.m., lunch 11:30 to noon every day.

Kimochi, 1840 Sutter St. Japanese-style hot lunch served 11:45 am (M-F). $1.50 donation per meal is requested. 60+ only with no one to assist with meals. Home deliveries available. 415-931-2287

St. Anthony Dining Room, 10:30-11:30 a.m., 59+, families, and people who can’t carry a tray.

Free groceries

San Francisco Food Bank A wealth of resources, from pantries with emergency food boxes to supplemental food programs. 415-282-1900. sffoodbank.org/programs

211 Dial this magic number and United Way will connect you with free food resources in your neighborhood — 24/7.

Low-cost groceries

Maybe you don’t qualify for food assistance programs or you just want to be a little thriftier — in which case the old adage that the early bird gets the metaphorical worm is apropos. When it comes to good food deals, timing can be everything. Here are a couple of handy tips for those of us who like to eat local, organic, and cheap. Go to Rainbow Grocery early and hit the farmers markets late. Rainbow has cheap and half-price bins in the bread and produce sections — but you wouldn’t know it if you’re a late-riser. Get there shortly after doors open at 9 a.m. for the best deals.

By the end of the day, many vendors at farmers markets are looking to unload produce rather than pack it up, so it’s possible to score great deals if you’re wandering around during the last half hour of the market. CAFF has a comprehensive list of Bay Area markets that you can download: guide.buylocalca.org/localguides.

Then there’s the Grocery Outlet (2001 Fourth St., Berkeley and 2900 Broadway, Oakland, www.groceryoutlets.com), which puts Wal-Mart to shame. This is truly the home of low-cost living. Grocery Outlet began in 1946 in San Francisco when Jim Read purchased surplus government goods and started selling them. Now Grocery Outlets are the West Coast’s version of those dented-can stores that sell discounted food that wasn’t ready for prime-time, or perhaps spent a little too long in the limelight.

Be prepared to eat what you find — options range from name brands with trashed labels to foodstuffs you’ve never seen before — but there are often good deals on local breads and cheeses, and their wine section will deeply expand you Two-Buck Chuck cellar. Don’t be afraid of an occasional corked bottle that you can turn into salad dressing, and be sure to check the dates on anything perishable. The Grocery Outlet Web site (which has the pimpest intro music ever) lists locations and ways to sign up for coupons and download a brochure on how to feed your family for $3 a day. (Amanda Witherell)

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LIVE MUSIC FOR NOTHING — AND KICKS FOR FREE

Music should be free. Everyone who has downloaded music they haven’t been given or paid for obviously believes this, though we haven’t quite made it to that ideal world where all professional musicians are subsidized — and given health care — by the government or other entities. But live, Clive? Where do can you catch fresh, live sounds during a hard-hitting, heavy-hanging economic downturn? Intrepid, impecunious sonic seekers know that with a sharp eye and zero dough, great sounds can be found in the oddest crannies of the city. You just need to know where to look, then lend an ear. Here are a few reliables — occasional BART station busks and impromptu Ocean Beach shows aside.

Some of the best deals — read: free — on world-class performers happen seasonally: in addition to freebie fests like Hardly Strictly Bluegrass every October and the street fairs that accompanying in fair weather, there’s each summer’s Stern Grove Festival. Beat back the Sunset fog with a picnic of bread, cheese, and cheap vino, though you gotta move fast to claim primo viewing turf to eyeball acts like Bettye Lavette, Seun Kuti and Egypt 80, and Allen Toussaint. Look for the 2009 schedule to be posted at www.sterngrove.org May 1.

Another great spot to catch particularly local luminaries is the Yerba Buena Gardens Festival, which runs from May to October. Rupa and the April Fishes, Brass Menazeri, Marcus Shelby Trio, Bayonics, and Omar Sosa’s Afreecanos Quintet all took their turn in the sun during the Thursday lunchtime concerts. Find out who’s slated for ’09 in early spring at www.ybgf.org.

All year around, shopkeeps support sounds further off the beaten path — music fans already know about the free, albeit usually shorter, shows, DJ sets, and acoustic performances at aural emporiums like Amoeba Music (www.amoeba.com) and Aquarius Records (www.aquariusrecords.org). Many a mind has been blown by a free blast of new sonics from MIA or Boris amid the stacks at Amoeba, the big daddy in this field, while Aquarius in-stores define coziness: witness last year’s intimate acoustic hootenanny by Deerhoof’s Satomi and Tenniscoats’ Saya as Oneone. Less regular but still an excellent time if you happen upon one: Adobe Books Backroom Gallery art openings (adobebooksbackroomgallery.blogspot.com), where you can get a nice, low-key dose of the Mission District’s art and music scenes converging. Recent exhibition unveilings have been topped off by performances by the Oh Sees, Boner Ha-chachacha, and the Quails.

Still further afield, check into the free-for-all, quality curatorial efforts at the Rite Spot (www.ritespotcafe.net), where most shows at this dimly lit, atmospheric slice of old-school cabaret bohemia are as free as the breeze and as fun as the collection of napkin art in back: Axton Kincaid, Brandy Shearer, Kitten on the Keys, Toshio Hirano, and Yard Sale have popped up in the past. Also worth a looky-loo are Thee Parkside‘s (www.theeparkside.com) free Twang Sunday and Happy Hour Shows: a rad time to check out bands you’ve never heard of but nonetheless pique your curiosity: Hukaholix, hell’s yeah! And don’t forget: every cover effort sounds better with a pint — all the better to check into the cover bands at Johnny Foley’s (www.johnnyfoleys.com), groove artists at Beckett’s Irish Pub in Berkeley (www.beckettsirishpub.com), and piano man Rod Dibble and his rousing sing-alongs at the Alley in Oakland (510-444-8505). All free of charge. Charge! (Kimberly Chun}

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THE CHEAPEST WAY TO GET AROUND TOWN

Our complex world often defies simple solutions. But there is one easy way to save money, get healthy, become more self-sufficient, free up public resources, and reduce your contribution to air pollution and global warming: get around town on a bicycle.

It’s no coincidence that the number of cyclists on San Francisco streets has increased dramatically over the last few years, a period of volatile gasoline prices, heightened awareness of climate change, poor Muni performance, and economic stagnation.

On Bike to Work Day last year, traffic counts during the morning commute tallied more bicycles than cars on Market Street for the first time. Surveys commissioned by the San Francisco Bicycle Coalition show that the number of regular bike commuters has more than doubled in recent years. And that increase came even as a court injunction barred new bike projects in the city (see "Stationary biking," 5/16/07), a ban that likely will be lifted later this year, triggering key improvements in the city’s bicycle network that will greatly improve safety.

Still not convinced? Then do the math.

Drive a car and you’ll probably spend a few hundred dollars every month on insurance, gas, tolls, parking, and fines, and that’s even if you already own your car outright. If you ride the bus, you’ll pay $45 per month for a Fast Pass while government will pay millions more to subsidize the difference. Riding a bike is basically free.

Free? Surely there are costs associated with bicycling, right? Yeah, sure, occasionally. But in a bike-friendly city like San Francisco, there are all kinds of opportunities to keep those costs very low, certainly lower than any other transportation alternative except walking (which is also a fine option for short trips).

There are lots of inexpensive used bicycles out there. I bought three of my four bicycles at the Bike Hut at Pier 40 (www.thebikehut.com) for an average of $100 each and they’ve worked great for several years (my fourth bike, a suspension mountain bike, I also bought used for a few hundred bucks).

Local shops that sell used bikes include Fresh Air Bicycles, (1943 Divisidero, www.fabsf.com) Refried Cycles (3804 17th St., www.refriedcycles,com/bicycles.htm), Karim Cycle (2800 Telegraph., Berkeley, www.teamkarim.com/bikes/used/) and Re-Cycles Bicycles (3120 Sacramento, Berkeley, www.recyclesbicycles.com). Blazing Saddles (1095 Columbus, www.blazingsaddles.com) sells used rental bikes for reasonable prices. Craigslist always has listings for dozens of used bikes of all styles and prices. And these days, you can even buy a new bike for a few hundred bucks. Sure, they’re often made in China with cheap parts, but they’ll work just fine.

Bikes are simple yet effective machines with a limited number of moving parts, so it’s easy to learn to fix them yourself and cut out even the minimal maintenance costs associated with cycling. I spent $100 for two four-hour classes at Freewheel Bike Shop (1920 Hayes and 914 Valencia, www.thefreewheel.com) that taught me everything I need to know about bike maintenance and includes a six-month membership that lets me use its facilities, tools, and the expertise of its mechanics. My bikes are all running smoother than ever on new ball bearings that cost me two bucks per wheel, but they were plenty functional even before.

There are also ways to get bike skills for free. Sports Basement (www.sportsbasement.com) offers free bicycle maintenance classes at both its San Francisco locations the first Tuesday of every month from 6:30-7:30 p.m. Or you can turn to the Internet, where YouTube has a variety of bike repair videos and Web sites such as www.howtofixbikes.com can lead you through repairs.

The nonprofit The Bike Kitchen (1256 Mission, www.thebikekitchen.org) on Mission Street offers great deals to people who spend $40 per year for a membership. Volunteer your time through the Earn-a-Bike program and they’ll give you the frame, parts, and skills to build your own bike for free.

But even in these hard economic times, there is one purchase I wouldn’t skimp on: spend the $30 — $45 for a good U-lock, preferably with a cable for securing the wheels. Then you’re all set, ready to sell your car, ditch the bus, and learn how easy, cheap, fast, efficient, and fun it is to bicycle in this 49-square-mile city. (Steven T. Jones)

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LOW-COST HEALTH CARE

When money’s tight, healthcare tends to be one of the first costs we cut. But that can be a bad idea, because skimping on preventive care and treatment for minor issues can lead to much more expensive and serious (and painful) health issues later. Here is our guide to Bay Area institutions, programs, and clinics that serve the under- and uninsured.

One of our favorite places is the Women’s Community Clinic (2166 Hayes, 415-379-7800, www.womenscommunityclinic.org), a women-operated provider open to anyone female, female-identified, or female-bodied transgender. This awesome 10-year-old clinic offers sexual and reproductive health services — from Pap smears and PMS treatment to menopause and infertility support — to any SF, San Mateo, Alameda, or Marin County resident, and all on a generous sliding scale based on income and insurance (or lack thereof). Call for an appointment, or drop in on Friday mornings (but show up at 9:30 a.m. because spots fill up fast).

A broader option (in terms of both gender and service) is Mission Neighborhood Center (main clinic at 240 Shotwell. 415-552-3870, www.mnhc.org, see Web site for specialty clinics). This one-stop health shop provides primary, HIV/AIDS, preventive, podiatry, women’s, children’s, and homeless care to all, though its primary focus is on the Latino/Hispanic Spanish-speaking community. Insurance and patient payment is accepted, including a sliding scale for the uninsured (no one is denied based on inability to pay). This clinic is also a designated Medical Home (or primary care facility) for those involved in the Healthy San Francisco program.

Contrary to popular belief, Healthy San Francisco (www.healthysanfrancisco.org) is not insurance. Rather, it’s a network of hospitals and clinics that provide free or nearly free healthcare to uninsured SF residents who earn at or below 300 percent of the federal poverty level (which, at about $2,600 per month, includes many of us). Participants choose a Medical Home, which serves as a first point-of-contact. The good news? HSF is blind to immigration status, employment status, and preexisting medical conditions. The catch? The program’s so new and there are so many eligible residents that the application process is backlogged — you may have a long wait before you reap the rewards. Plus, HSF only applies within San Francisco.

Some might consider mental health less important than that of the corporeal body, but anyone who’s suffered from depression, addiction, or PTSD knows otherwise. Problem is, psychotherapy tends to be expensive — and therefore considered superfluous. Not so at Golden Gate Integral Counseling Center (507 Polk. 415-561-0230, www.goldengatecounseling.org), where individuals, couples, families, and groups can get long- and short-term counseling for issues from stress and relationships to gender identity, all billed on a sliding scale.

Other good options

American College of Traditional Chinese Medicine (450 Connecticut, 415-282-9603, actcm.edu). This well-regarded school provides a range of treatments, including acupuncture, cupping, tui ma/shiatsu massage, and herbal therapy, at its on-site clinics — all priced according to a sliding scale and with discounts for students and seniors. The college also sends interns to specialty clinics around the Bay, including the Women’s Community Clinic, Haight Ashbury Free Medical Clinic, and St. James Infirmary.

St. James Infirmary (1372 Mission. 415-554-8494, www.stjamesinfirmary.org). Created for sex-workers and their partners, this Mission District clinic offers a range of services from primary care to massage and self-defense classes, for free. Bad ass.

Free Print Shop (www.freeprintshop.org): This fantabulous Webs site has charts showing access to free healthcare across the city, as well as free food, shelter, and help with neighborhood problems. If we haven’t listed ’em, Free Print Shop has. Tell a friend.

Native American Health Center (160 Capp, 415-621-8051, www.nativehealth.org). Though geared towards Native Americans, this multifaceted clinic (dental! an Oakland locale, and an Alameda satellite!) turns no one away. Services are offered to the under-insured on a sliding scale as well as to those with insurance.

SF Free Clinic (4900 California, 415-750-9894, www.sffc.org). Those without any health insurance can get vaccinations, diabetes care, family planning assistance, STD diagnosis and treatment, well child care, and monitoring of acute and chronic medical problems.

Haight Ashbury Free Clinics (558 Clayton. 415-746-1950, www.hafci.org): Though available to all, these clinics are geared towards the uninsured, underinsured "working poor," the homeless, youth, and those with substance abuse and/or mental health issues. We love this organization not only for its day-to-day service, but for its low-income residential substance abuse recovery programs and its creation of RockMed, which provides free medical care at concerts and events. (Molly Freedenberg)

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THE BEST HOMELESS SHELTERS

There’s no reason to be ashamed to stay in the city’s homeless shelters — but proceed with awareness. Although most shelters take safety precautions and men and women sleep in separate areas, they’re high-traffic places that house a true cross-section of the city’s population.

The city shelters won’t take you if you just show up — you have to make a reservation. In any case, a reservation center should be your first stop anyway because they’ll likely have other services available for you. If you’re a first-timer, they’ll want to enter you into the system and take your photograph. (You can turn down the photo-op.) Reservations can be made for up to seven days, after which you’ll need to connect with a case manager to reserve a more permanent 30- or 60-day bed.

The best time to show up is first thing in the morning when beds are opening up, or late at night when beds have opened up because of no-show reservations. First thing in the morning means break of dawn — people often start lining up between 4 a.m. and 6 a.m. for the few open beds. Many people are turned away throughout the day, although your chances are better if you’re a woman.

You can reserve a bed at one of several reservation stations: 150 Otis, Mission Neighborhood Resource Center (165 Capp St.), Tenderloin Resource Center (187 Golden Gate), Glide (330 Ellis), United Council (2111 Jennings), and the shelters at MSC South (525 Fifth St.) and Hospitality House (146 Leavenworth). If it’s late at night, they may have a van available to give you a ride to the shelter. Otherwise, bus tokens are sometimes available if you ask for one — especially if you’re staying at Providence shelter in the Bayview-Hunters Point District.

They’ll ask if you have a shelter preference — they’re all a little different and come with good and bad recommendations depending on whom you talk to. By all accounts, Hospitality House is one of the best — it’s small, clean, and well run. But it’s for men only, as are the Dolores Street Community Services shelters (1050 S. Van Ness and 1200 Florida), which primarily cater to Spanish-speaking clients.

Women can try Oshun (211 13th St.) and A Woman’s Place (1049 Howard) if they want a men-free space. If kids are in tow, Compass Family Services will set you up with shelter and put you on a waiting list for housing. (A recent crush of families means a waiting list for shelters also exists.) People between 18 and 24 can go to Lark Inn (869 Ellis). The Asian Woman’s Shelter specializes in services for Asian-speaking women and domestic violence victims (call the crisis line 877-751-0880). (Amanda Witherell)

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MEALS FOR $5: TOP FIVE CHEAP EATS

Nothing fancy about these places — but the food is good, and the price is right, and they’re perfect for depression dining.

Betty’s Cafeteria Probably the easiest place in town to eat for under five bucks, breakfast or lunch, American or Chinese. 167 11th St., SF. (415) 431-2525

Susie’s Café You can get four pancakes or a bacon burger for under $5 at this truly grungy and divine dive, right next to Ed’s Auto — and you get the sense the grease intermingles. , 603 Seventh St., SF (415) 431-2177

Lawrence Bakery Café Burger and fries, $3.75, and a slice of pie for a buck. 2290 Mission., SF. (415) 864-3119

Wo’s Restaurant Plenty of under-$5 Cantonese and Vietnamese dishes, and, though the place itself is cold and unatmospheric, the food is actually great. 4005 Judah, SF. (415) 681-2433

Glenn’s Hot Dogs A cozy, friendly, cheap, delicious hole-in-the-wall and probably my favorite counter to sit at in the whole Bay Area. 3506 MacArthur Blvd., Oakl. (510) 530-5175 (L.E. Leone)

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CHEAP DRINKS

When it comes to free drinks I’m a liar, a whore, and a cheat, duh.

I’m a liar because of course I find your designer replica stink-cloud irresistible and your popped collar oh so intriguing — and no, you sexy lug, I’ve never tried one of those delicious-looking orange-juice-and-vodka concoctions you’re holding. Perhaps you could order me one so I could try it out while we spend some time?

I’m a whore because I’ll still do you anyway — after the fifth round, natch. That’s why they call me the liquor quicker picker-upper.

And I’m a cheat because here I am supposed to give you the scoop on where to score some highball on the lowdown, when in fact there’s a couple of awesome Web sites just aching to help you slurp down the freebies. Research gives me wrinkles, darling. So before I get into some of my fave inexpensive inebriation stations, take a designated-driver test drive of www.funcheapsf.com and www.sf.myopenbar.com.

FuncheapSF’s run by the loquacious Johnny Funcheap, and has the dirty deets on a fab array of free and cheap city events — with gallery openings, wine and spirits tastings, and excellent shindigs for the nightlife-inclined included. MyOpenBar.com is a national operation that’s geared toward the hard stuff, and its local branch offers way too much clarity about happy hours, concerts, drink specials, and service nights. Both have led me into inglorious perdition, with dignity, when my chips were down.

Beyond all that, and if you have a couple bucks in your shucks, here’s a few get-happies of note:

Godzuki Sushi Happy Hour at the Knockout. Super-yummy affordable fish rolls and $2 Kirin on tap in a rockin’ atmosphere. Wednesdays, 6–9:30 p.m. 3223 Mission, SF. (415) 550-6994, www.knockoutsf.com

All-Night Happy Hour at The Attic. Drown your recession tears — and the start of your work week — in $3 cosmos and martinis at this hipster hideaway. Sundays and Mondays, 5 p.m.–2 a.m. 3336 24th St., (415) 722-7986

The Stork Club. Enough live punk to bleed your earworm out and $2 Pabsts every night to boot? Fly me there toute suite. 2330 Telegraph, Oakl. (510) 444-6174, www.storkcluboakland.com

House of Shields. Dive into $2 PBR on tap and great music every night except Sundays at the beautiful winner of our 2008 Best of the Bay "Best Monumental Urinal" award. (We meant in the men’s room, not the place as a whole!) 39 New Montgomery, SF. (415) 975-8651, www.houseofshields.com

The Bitter End. $3 drafts Monday through Friday are just the beginning at this Richmond pub: the Thursday night Jager shot plus Pabst for five bucks (plus an ’80s dance party) is worth a look-see. 441 Clement, SF. (415) 221-9538

Thee Parkside Fast becoming the edge-seekers bar of choice, this Potrero Hill joint has some awesome live nights with cheap brews going for it, but the those in the know misplace their Saturday afternoons with $3 well drinks from 3 to 8 p.m.1600 17th St., SF. (415) 252-1330, www.theeparkside.com

Infatuation. One of the best free club nights in the city brings in stellar electro-oriented talent and also offers two-for-one well drinks, so what the hey. Wednesdays, 9 p.m.–2 a.m. Vessel, 85 Campton Place, SF. (415) 433-8585, www.vesselsf.com

Honey Sundays. Another free club night, this one on the gay tip, that offers more great local and international DJ names and some truly fetching specials at Paradise Lounge’s swank upstairs bar. Sundays, 8 p.m.–2 a.m. Paradise Lounge, 1501 Folsom, SF. (415) 252-5018, www.paradisesf.com (Marke B.)

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IMPRESS A DATE WITH DINNER UNDER $50

You’ve got a date this weekend, which you’re feeling pretty good about, but only $50 to spend, which feels … not so good. Where should you go?

You’ll appear in-the-know at the underrated Sheba Piano Lounge (1419 Fillmore, www.shebalounge.com) on lower Fillmore Street, right in the middle of the burgeoning jazz revival district. Sheba was around long before Yoshi’s, offering live jazz (usually piano, sometimes a vocalist) and some of the best Ethiopian food in the city in a refined, relaxed lounge setting. Sure, they’ve got Americanized dishes, but skip those for the traditional Ethiopian menu. Sample multiple items by ordering the vegetarian platter ($13) or ask for a mixed meat platter, which is not on the menu ($16 last time I ordered it). One platter is more than enough for two, and you can still afford a couple of cocktails, glasses of wine or beer, or even some Ethiopian honey wine (all well under $10). Like any authentic Ethiopian place I’ve eaten in, the staff operates on Africa time, so be prepared to linger and relax.

It’s a little hipster-ish with slick light fixtures, a narrow dining room/bar, and the increasingly common "communal table" up front, but the Mission District’s Bar Bambino (2931 16th St., www.barbambino.com) offers an Italian enoteca experience that says "I’ve got some sophistication, but I like to keep it casual." Reserve ahead for tables because there aren’t many, or come early and sit at the bar or in the enclosed back patio and enjoy an impressive selection of Italian wines by the glass ($8–$12.50). For added savings with a touch of glam, don’t forget their free sparkling water on tap. It’s another small plates/antipasti-style menu, so share a pasta ($10.50–$15.50), panini ($11.50–$12.50), and some of their great house-cured salumi or artisan cheese. Bar Bambino was just named one of the best wine bars in the country by Bon Apetit, but don’t let that deter you from one of the city’s real gems.

Nothing says romance (of the first date kind) like a classic French bistro, especially one with a charming (heated) back patio. Bistro Aix (3340 Steiner, www.bistroaix.com) is one of those rare places in the Marina District where you can skip the pretension and go for old school French comfort food (think duck confit, top sirloin steak and frites, and a goat cheese salad — although the menu does stray a little outside the French zone with some pasta and "cracker crust pizza." Bistro Aix has been around for years, offering one of the cheapest (and latest — most end by 6 or 7 p.m.) French prix fixe menus in town (Sunday through Thursday, 6–8 p.m.) at $18 for two courses. This pushes it to $40 for two, but still makes it possible to add a glass of wine, which is reasonably priced on the lower end of their Euro-focused wine list ($6.25–$15 a glass).

Who knew seduction could be so surprisingly affordable? (Virginia Miller)

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FREE YOGA

You may be broke, but you can still stay limber. San Francisco is home to scores of studios and karmically-blessed souls looking to do a good turn by making yoga affordable for everyone.

One of the more prolific teachers and donation-based yoga enthusiasts is Tony Eason, who trained in the Iyengar tradition. His classes, as well as links to other donation-based teachers, can be found at ynottony.com. Another great teacher in the Anusara tradition is Skeeter Barker, who teaches classes for all levels Mondays and Wednesdays from 7:45 to 9:15 p.m. at Yoga Kula, 3030a 16th St. (recommended $8–$10 donation).

Sports Basement also hosts free classes every Sunday at three stores: Bryant Street from 1 to 2 p.m., the Presidio from 11a.m. to noon, and Walnut Creek 11 a.m. to noon. Bring your own mat.

But remember: even yoga teachers need to make a living — so be fair and give what you can. (Amanda Witherell)

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HOW TO KEEP YOUR APARTMENT

So the building you live in was foreclosed. Or you missed a few rent payments. Suddenly there’s a three-day eviction notice in your mailbox. What now?

Don’t panic. That’s the advice from Ted Gullicksen, executive director of the San Francisco Tenants Union. Tenants have rights, and evictions can take a long time. And while you may have to deal with some complications and legal issues, you don’t need to pack your bags yet.

Instead, pick up the phone and call the Tenants Union (282-6622, www.sftu.org) or get some professional advice from a lawyer.

The three-day notice doesn’t mean you have to be out in three days. "But it does mean you will have to respond to and communicate with the landlord/lady within that time," Gullicksen told us.

It’s also important to keep paying your rent, Gullicksen warned, unless you can’t pay the full amount and have little hope of doing so any time soon.

"Nonpayment of rent is the easiest way for a landlord to evict a tenant," Gullicksen explained. "Don’t make life easier for the landlady who was perhaps trying to use the fact that your relatives have been staying with you for a month as grounds to evict you so she can convert your apartment into a pricey condominium."

There are, however, caveats to Gullicksen’s "always pay the rent" rule: if you don’t have the money or you don’t have all the money.

"Say you owe $1,000 but only have $750 when you get the eviction notice," Gullicksen explained. "In that case, you may want to not pay your landlord $750, in case he sits on it but still continues on with the eviction. Instead, you might want to put the money to finding another place or hiring an attorney."

A good lawyer can often delay an eviction — even if it’s over nonpayment or rent — and give you time to work out a deal. Many landlords, when faced with the prospect of a long legal fight, will come to the table. Gullicksen noted that the vast majority of eviction cases end in a settlement. "We encourage all tenants to fight evictions," he said. The Tenants Union can refer you to qualified tenant lawyers.

These days some tenants who live in buildings that have been foreclosed on are getting eviction notices. But in San Francisco, city officials are quick to point out, foreclosure is not a legal ground for eviction.

Another useful tip: if your landlord is cutting back on the services you get — whether it’s a loss of laundry facilities, parking, or storage space, or the owner has failed to do repairs or is preventing you from preventing you from "the quiet enjoyment of your apartment" — you may be able to get a rent reduction. With the passage of Proposition M in November 2008 tenants who have been subjected to harassment by their landlords are also eligible for rent reductions. That involves a petition to the San Francisco Rent Stabilization and Arbitration Board (www.sfgov.org/site/rentboard_index.asp).

Gullicksen also recommends that people who have lost their jobs check out the Eviction Defense Collaborative (www.evictiondefense.org).

"They are mostly limited to helping people who have temporary shortfalls," Gullicksen cautioned. But if you’ve lost your job and are about to start a new one and are a month short, they can help. (Sarah Phelan)

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OUT OF WORK? HERE’S STEP ONE

How do you get your unemployment check?

"Just apply for it."

That’s the advice of California’s Employment Development Department spokesperson Patrick Joyce.

You may think you aren’t eligible because you may have been fired or were only working part-time, but it’s still worth a try. "Sometimes people are ineligible, but sometimes they’re not," Joyce said, explaining that a lot of factors come into play, including your work history and how much you were making during the year before you became unemployed.

"So, simply apply for it — if you don’t qualify we’ll tell you," he said. "And if you think you are eligible and we don’t, you can appeal to the Unemployment Insurance Appeals Board."

Don’t wait, either. "No one gets unemployment benefits insurance payments for the first week they are unemployed," Joyce explained, referring to the one-week waiting period the EDD imposes before qualified applicants can start collecting. "So you should apply immediately."

Folks can apply by filling out the unemployment insurance benefits form online or over the phone. But the phone number is frequently busy, so online is the best bet.

Even if you apply by phone, visit www.edd.ca.gov/unemployment beforehand to view the EDD’s extensive unemployment insurance instructions and explanations. To file an online claim, visit eapply4ui.edd.ca.gov. For a phone number for your local office, visit www.edd.ca.gov/unemployment/telephone_numbers.

(Sarah Phelan)

We’ll be doing regular updates and running tips for hard times in future issues. Send your ideas to tips@sfbg.com.

The challenges for President Chiu

January 13, 2009

EDITORIAL The ascension of Sup. David Chiu to the presidency of the Board of Supervisors gives a relative political newcomer considerable power. It also puts Chiu in position to carry on the legacy of Aaron Peskin and lead the opposition to Mayor Gavin Newsom’s pro-downtown, pro-Pacific Gas and Electric Co. agenda. Chiu, obviously, lacks the experience Peskin brought to the job, so he needs to move carefully at first. But he also needs to show that he’s more than a compromise candidate and that he has the ability to lead the board and promote the progressive agenda.

Let’s remember: Chiu was elected president entirely by the six progressive supervisors. The way the vote went down, five people, including Newsom’s closest allies, stuck together as a solid bloc and repeatedly voted for Sup. Sophie Maxwell. Maxwell had come down to the Guardian office a few days earlier to tell us that she was a solid progressive, but we saw the future of the board playing out when the votes were counted. Maxwell and Sup. Sean Elsbernd, who both have voiced concerns about the prospect of an inexperienced person taking the top job, could have broken with their bloc and voted for Sup. Ross Mirkarimi — that would have put him over the top. But through seven votes, as the progressives moved around trying to find a candidates all six could support, the Newsom Five stuck together. (Of course, if it hadn’t been for Sup. Chris Daly’s ill-conceived antics, Mirkarimi would have been able to get six votes, and we would have had an experienced leader in place).

Although Chiu talks (as he should) about bringing everyone together, he needs to keep in mind from day one that he is now the most visible member of a six-person board majority that can control the agenda and the set the tone for the city — if none of the six starts to drift toward the squishy center.

It’s going to be a rough, brutal year. The mayor has already made clear through his comments that he doesn’t even want to look at new revenue measures; he intends to solve the city’s half-billion-dollar budget crisis with cuts — deep, bloody cuts — alone. Chiu will have to stand up to him, publicly and privately, and make clear that a cuts-only budget isn’t going to fly in San Francisco.

And while Chiu will need some time to develop a leadership style and become familiar with the often-complex workings of the board, he should do a few things right away to show that he’s prepared to take on the difficult tasks ahead:

Support Peskin’s proposal for a special election in June. The proposal to allow the voters to consider raising taxes instead of just cutting is going to need a lot of help and support. The mayor opposes it, and some of his allies may oppose it too. But it’s absolutely crucial that San Francisco refuse to follow the lead of Gov. Arnold Schwarzenegger. It’s crucial that the progressives, while acknowledging that cuts will have to happen, also insist on looking at fair revenue ideas. Chiu needs to take the point on this.

In fact, now that the mayor and his allies on the board have made this a central battleground — and in effect have made this a litmus test for Chiu’s new presidency — it’s even more important that every one of the six progressive supervisors stands up to this challenge.

We’re not sure which of the dozen-odd tax proposals floating around is the right one. But it would be the worst kind of foolishness to take the whole idea off the table.

Put good people on the key committees. The Budget Committee at this point looks good, with Mirkarimi, Sup. John Avalos, and Elsbernd. When that panel expands to five members (and it should, soon) Chiu should make sure that either David Campos or Eric Mar joins the committee, keeping a progressive majority. The Land Use committee will be crucial as the Eastern Neighborhoods plan is implemented; Chiu needs to appoint a progressive chair and majority.

Save LAFCO. The Local Agency Formation Commission is the only board committee that has public power and energy policy as its primary agenda. Budget-cutters (spurred by PG&E, which more than any other company is responsible for the budget crisis) have made LAFCO a target; Chiu needs to make it clear immediately that LAFCO will remain in place, with strong appointments and a chair committed to making community choice aggregation work and pursuing public power as the largest potential new revenue source for the city.

Chiu has promised to work with the mayor, which is fine. But first he needs to show the progressives who elected him that he’s also ready to do battle.

Six aren’t enough

January 13, 2009

› news@sfbg.com

The historic Jan. 8 vote electing Sup. David Chiu as president of the Board of Supervisors — rare for its elevation of a freshman to the post and unprecedented for a Chinese American — clearly illustrates the ideological breakdown of the new board.

The six supervisors who claim membership in the progressive movement (Chris Daly, Ross Mirkarimi, David Campos, John Avalos, Eric Mar, and Chiu) gave Chiu the presidency after their efforts to give it to Mirkarimi or Avalos fell short, while the other five supervisors voted for Sup. Sophie Maxwell in each of the seven rounds, refusing to support any of the progressive picks.

But there are limits to what a bare majority of supervisors can do in San Francisco, particularly when the mayor is threatening vetoes and the city is wrestling with a budget deficit of gargantuan proportions. Overriding a mayoral veto or approving some emergency measures requires eight votes.

So the first question is whether Mirkarimi and Daly can come together after their split divided progressives and led to Chiu as a compromise candidate. But the second, more important, question for progressives is whether they can attract swing votes such as Maxwell and Bevan Dufty when the need arises.

The answers to those questions could start coming immediately as supervisors consider proposals to close a looming $575 million budget gap, including the proposal for a special election on revenue measures in June. Mayor Gavin Newsom opposes that election, so the board would have to muster eight votes in the next month to move forward with it.

They might even need more than that. A confidential memo to supervisors and the mayor by the City Attorney’s Office that was obtained by the Guardian sorts out the complex requirements needed to approve new taxes, including the requirement of unanimous board approval to place tax measures that can be passed with a simple majority vote on the ballot this year.

So President Chiu, who pledges to bring his colleagues together, certainly has his work cut out for him.

POLITICS AND POLICY

Achieving a unanimous vote on anything significant or controversial seems impossible right now. Mirkarimi is unhappy with Daly for thwarting his presidential ambitions; Maxwell and Dufty are unhappy with progressives for keeping her out of their club; and Chiu must quickly learn his new job during a time of unprecedented turmoil.

Chiu told his colleagues that he was “incredibly humbled” by an election that he didn’t think he’d win, and said that he is “acutely aware that I am new to the institution and the body.” But observers say Chiu’s temperament, intelligence, and connections to both the business community and the progressive movement could serve the city well right now.

“I think Chiu is a great choice. He has the humility that will help him,” outgoing Sup. Jake McGoldrick told the Guardian.

This compromise pick for president was praised by all sides, from the progressive coalition that feted him after the vote at a party at the SoMa club Temple. Rob Black, government affairs director for the San Francisco Chamber of Commerce, told reporters that “David seems to be someone who is very willing to listen and willing to ask questions.”

“We have a progressive supervisor running the board,” Mirkarimi told the Guardian as he walked back to his office following the vote. Or, as Daly told us, “In the end, the progressive coalition stuck together and I’m happy about that.”

Walking back to Room 200 after the vote, Newsom told reporters that Chiu was “an outstanding choice” who represents “a fresh air of progress.” Asked whether he expects to have a better working relationship with Chiu than with outgoing president Aaron Peskin, Newsom replied, “That’s a gross understatement.”

“We’re looking forward to working with the new Board of Supervisors,” Newsom spokesperson Nathan Ballard told the Guardian after the vote. “The mayor has a long relationship with David Chiu. In fact, he was on our short list to be named assessor just a few years ago.”

Yet at the progressive party that night, Chiu sounded like a rock-solid member of that group, promising to help Mirkarimi with police reform, Campos with protecting undocumented city residents, Mar with strengthening city ties to the schools, and Avalos with safeguarding progressive budget priorities.

“I think this is the best outcome we could have,” Mirkarimi told the Guardian shortly after Chiu was elected. “I was the deciding vote that delivered Sup. David Chiu, the first Asian American president of the board. That doesn’t mean that the seasoned experience of Maxwell and myself wasn’t hard to pass by.”

In fact, both Dufty and Maxwell groused about the progressive bloc’s opposition to Maxwell, noting her positions on issues such as public power, affordable housing, and transportation issues. “The people that voted for me did so because they felt I would at least listen to them,” Maxwell told us, expressing frustration at not being accepted “by the board’s progressive clique” which, she noted, “are all males.”

“I think David will be great,” Dufty told the Guardian. “Obviously there was a desire to have someone strongly aligned with the progressive movement. I think it’s a mystery that Sophie isn’t considered part of the progressive movement.”

Progressives are going to have to work at resolving those differences if they are going to play a leadership role in the midyear budget cuts and prevent an expansion of the bloc of five supervisors who stuck with Maxwell and often align with the mayor.

“There has been tension between Ross and myself, but also between Sophie and Ross,” Daly told us. “Sophie is feeling that she might be a progressive, too. And some of the things we do on the board need eight votes. The rift between Ross and I is little. The real question is, when do we get Bevan and Sophie back?”

After fending off a progressive challenger in his reelection bid two years ago, Dufty seemed to move to the left, only to return to Newsom’s centrist faction — which mixes social liberalism with fiscal conservatism — in the last year. He prevented progressives from being able to override a mayoral veto of their decision to cancel $1 million in funding to Newsom’s Community Justice Center. And on Jan. 6, the old board delayed a vote on a mayoral veto of an ordinance that amends the Planning Code to require Conditional Use hearings and permits for any elimination of existing dwelling units through mergers, conversions, or demolitions of residential units, something sought by the tenant groups that are an important part of the progressive coalition.

Those issues, and the thicket that is the budget debate, illustrate what Daly admitted to us last week: “We can’t run this city with six votes.”

THE BUDGET MESS

The most pressing problem facing the new board is the budget, which requires $125 million in midyear cuts for the current fiscal year and will be an estimated $575 million out of balance for the fiscal year that begins in June. Chiu’s first move to deal with it — one lauded by progressives — was to name Avalos as budget chair.

“John Avalos has more experience on budget issues than me,” Daly, who chaired the Budget Committee for two years, said of his former board aide. But even Avalos was awestruck by the tsunami of bad budget news hitting the city, telling us, “I was visibly shaken.”

Mirkarimi and Elsbernd, the Budget Committee’s two other current members, also admit they face a daunting task.

“We can’t put a Band-Aid on the problem,” Elsbernd told the board last week. “This is not just about San Francisco now, but about San Francisco 20 years from now. We need to think about the next generation.”

Mirkarimi agrees with Elsbernd, at least in terms of the enormity of the problem.

“We cannot be incrementalist. We can’t dance around the edges,” Mirkarimi told his colleagues, shortly after making the surprise announcement that he’s expecting a child in April with Venezuelan soap opera star Eliana López, who he’s dated since meeting her last year at a Green Party conference in Brazil. Elsbernd and his wife are also expecting their first child.

Progressives strongly argue that such a large budget deficit can’t be closed with spending cuts alone, so one of Peskin’s final acts was to create legislation calling a special election for June 2 and having supervisors hold hearings over the next month to choose from a variety of revenue measures, but Newsom and the business community opposed the move.

“Basically, it’s not fully baked. It will take a citywide coalition (à la Prop. A) to win something like this and the coalition just hasn’t been built yet,” Ballard told the Guardian. Even Mirarimi echoed the sentiment, telling the Guardian, “I’m not opposed to a June election, but you can’t put something on the June ballot that’s half-baked because I doubt we could win in November if we put something half-baked on in June. My preference is that we work harder to create alliances to assure a healthy chance of getting something on the ballot and delivering a victory.”

Yet many progressives and labor leaders say it’s important to bring in new revenue as soon as possible, particularly because the cuts required by the current budget deficit would slash about half the city’s discretionary spending and devastate important initiatives like offering health coverage to all San Franciscans.

“For Healthy San Francisco to survive, the Department of Public Health has to have a minimum level of funding,” said Robert Haaland, a labor representative with the public employee union SEIU Local 1021. “Given the cuts that have been proposed, it’s not going to survive.”

While Peskin was criticized for acting prematurely, the City Attorney’s Office memo indicated that he couldn’t have waited and still allowed supervisors to play the lead role in determining what ended up on the June ballot. The memo was requested by Daly.

“In response to your specific inquiry about maximizing the amount of time a committee could deliberate the underlying measures and ensuring that the Board would have enough time to override a Mayoral veto, the emergency ordinance and the resolution calling for the special election should be introduced today,” the City Attorney’s Office wrote Jan. 6, the day Peskin introduced his revenue package.

Even then, supervisors would need to vote to waive certain election procedures, such as the 30-day hold for proposed ballot measures, and to move expeditiously forward with hearings, selection of the tax measures, and preparation of findings related to the special election and declaration of fiscal emergency.

The City Attorney’s Office wrote that the package needs final approval by Feb. 17. “We recommend that to meet this deadline, the Board adopt the resolution at its January 27 meeting and that the Mayor sign the resolution no earlier than February 2,” they wrote.

But Newsom has indicated that he would veto it, thus requiring eight supervisors to override. “Aaron had the right to do what he did, but in some ways he rushed the discussion, so it’s been a bit rockier than it otherwise might have been,” Dufty told us, noting that he’s still open to supporting a June ballot measure. “There is no way to avoid spending cuts, and we need more revenues and more givebacks from public employees … I think labor is spending a significant amount of time with the mayor, and he’s making a strong effort to work with the board. I’m trying to encourage us all to work together to the maximum extent possible.”

In fact, San Francisco Labor Council director Tim Paulson told the Guardian he couldn’t talk about the tax measures yet because of intense ongoing discussions. Ballard said Newsom might be open to tax measures in November, telling the Guardian, “Ideally we could do it all by streamlining government, reducing spending, etc. But the mayor lives in the real world and so he is open to the possibility of a revenue measure with a broad base of support.”

So, can the new board president help coalesce the broad base of support that he’ll need to avoid cuts that would especially hurt the progressive base of unions, tenants, social service providers, affordable housing activists, and others who believe that government plays an important role in addressing social problems and inequities?

“In light of the global meltdown, national slowdown, local crisis, and largest budget deficit in history, I believe this board understands the importance of unity and working together,” Chiu told his colleagues. “We don’t have time for the politics of personality when we have the highest murder rate in 10 years, when businesses are failing, and the budget deficit grows exponentially.”

Inauguration parties!

January 13, 2009

› alerts@sfbg.com

TUESDAY, JAN. 20

The inauguration of Barack Obama as the 44th president of the United States is a historic event, with the rise of the first African American president coinciding with the end of perhaps the worst presidency in US history. So it’s time to celebrate, and here’s where you can do so on Jan. 20.

Sock it to me

NextArts has reserved the space outside City Hall for a simulcast of the inaugural proceedings and what it’s calling a Sock It To Me Concert. In the spirit of grassroots, progressive change, the price of admission is new socks and underwear with tags still attached for donation to the homeless.

7 a.m.–noon, free with donation

Civic Center Plaza

1 Dr. Carlton B. Goodlett Plaza, SF

www.nextarts.org

The dream lives

The College of Alameda will broadcast Obama’s 9 a.m. swearing-in and offer open mike commentary during commercial breaks. The event also features several speakers on the civil rights movement and what Obama’s presidency means for Martin Luther King Jr.’s legacy.

8 a.m. –1:30 p.m., free

F Building student lounge, College of Alameda

555 Ralph Appezzato Memorial Parkway, Alameda

(510) 748-2213

Quiet time is over

The African American Interest Committee is sponsoring a public viewing of the inauguration ceremony at the San Francisco Public Library. Seating is on a first-come, first-served basis and refreshments will be available in the Latino/Hispanic Community Meeting Room.

9 a.m.–noon, free

Koret Auditorium, SF Public Library

100 Larkin, SF

mjeffers@sfpl.org

Party for grid alternatives

Come try the signature Obama cocktail at the Swedish American Music Hall’s inauguration event. Watch a 9 p.m. rebroadcast of the inauguration on the big screen and dance and enjoy catering by Radio Africa and Kitchen. Proceeds benefit Grid Alternatives, an Oakland-based organization promoting renewable energy.

7 p.m., $22 advance, $25 at the door

2170 Market, SF

www.cafedunord.com

Obama mambo

Boogie down to support Amnesty International during its fundraising event, "Dance for Change." Music from hip-hop to house to rock will be spinning all night long, so prepare to shake it for Barack to the wee hours.

9:00 p.m.–2:00 a.m., $10

Le Colonial
20 Cosmo Place, SF

www.amnestyusa.org

Pray for change

After a week of shared prayer in mosques, temples, churches, and synagogues, the inauguration celebration will be the final stop for "Unity for the Sake of Change," a prayer event open to all religions.

7 a.m., $5

Oracle Arena

7000 Coliseum Way, Oakl.

(510) 272-6695

obamacelebration.org

Inaugural Ball

Electric Works gallery is hosting an Inaugural Ball featuring a rebroadcast of the inauguration followed by dancing. Formal dress is suggested but not required (changing rooms and borrowed finery will be available for those coming directly from work). Drinks and light hors d’oeuvres will be provided and proceeds benefit the San Francisco Food Bank.

6–10 p.m., $10 donation requested

130 Eighth St., SF

www.sfelectricworks.com

Women, Democrats, and democratic women

The San Francisco Democratic Party and local women’s political groups — including Emerge California, Good Ol’ Girls, and the San Francisco Women’s Political Caucus — are throwing an Inauguration Night party in the swanky Green Room of the War Memorial Opera House, featuring hors d’oeuvres, drinks, and entertainment.

5:30–8:30 p.m., $25

301 Van Ness, SF

www.actblue.com/page/inaugurationsf

(415) 626-1161

info@sfdemocrats.org

Inauguration Skaters’ Ball

The California Outdoor Rollersports Association hosts a political roller disco featuring Sarah Palins and Barack Obamas on wheels. There’s even a chance that a live feed from the party will be broadcast at the Presidential Gala in Washington. Dress up as your favorite politician and resist the urge to knock out your rivals.

7–11 p.m., $10 adults, kids free. $5 for skates

Funkytown SF

1720 19th St., SF

www.cora.org/ObamaParty.htm 2

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Martin Puryear

January 13, 2009

REVIEW It’s exhilarating to see, upon entering the San Francisco Museum of Modern Art’s atrium, one of Martin Puryear’s most renowned works, Ladder for Booker T. Washington (1996), installed with such noiseless bravura: the 36-foot sapling grows slender and seems to disappear even faster into space as it floats above the elevators. Puryear’s eloquent exercise in perspective and comment on Washington — and his philosophy of slow progress and steady struggle in the fight for racial equality — gathers even more resonance today, thinking of 2008’s lengthy political campaigns and the calls for sacrifice in the recessionary year ahead.

After the conceptual games of SFMOMA’s "The Art of Participation: 1950 to Now" and the almost-fetishized objects of "246 and Counting: Recent Architecture and Design Acquisitions," there’s a lot to surprise — and refresh — the eye in this Puryear retrospective. If "246" startles with its museum recontextualization of almost mundane gadgets like the iPhone, this survey accomplishes the opposite: it quietly brings a primal sense of wonder to the act of walking 360 degrees around sculpture that seems both familiar and alien, bearing all the humble hallmarks of functionality but amplified to the level of fine art. Engineers and architects, woodworkers and basket-weavers, Sea Ranch aficionados and even Olafur Eliasson buffs will find much to ponder at Puryear’s elegant intersection of the raw and the handmade, the organic and the geometric. What comes across clearly in this gradually, gently elucidating exhibit — in which Puryear’s works are displayed thematically rather than chronologically, culminating with an effect akin to a camera aperture slowly swiveling its nautilus eye wide open — is the respect the artist so clearly has for those who study and perfect a craft or trade. It’s as if Puryear has writ large the notion of making: lionizing the utilitarian (Some Tales [1975-78], Lever #3 [1989]) and making it big and beautiful, even witty (Pride’s Cross [1988], Sharp and Flat [1987]), almost Dada-esque in its cerebral and political provocations (Le Prix [2005], C.F.A.O. [2006-07]), and as ovoidally opaque and as fascinated with the negative space within as the surrounding space it so handsomely cuts, without (Maroon [1987-88], The Charm of Subsistence [1989]).

MARTIN PURYEAR Through Jan. 25. Mon–Tues, Fri.–Sun., 11 a.m.–5:45 p.m.; Thurs., 10 a.m.–8:45 p.m. San Francisco Museum of Modern Art, 151 Third St., SF. $12.50, $8 seniors, $7 students, free for members and 12 and under (free first Tues.; half price Thurs., 6–8:45 p.m.). (415) 357-4000, www.sfmoma.org

Editorial: The challenges for Board President Chiu

January 13, 2009

Editorial in Wednesday Guardian: Chiu will have to stand up to Mayor Newsom, publicly and privately, and make clear that a cuts only budget isn’t going to fly in San Francisco.

Editor’s notes by Tim Redmond: (Scroll all the way down): Are the wealthy residents and big businesses willing to pay just a little more each year to keep basic services in place in San Francisco? The worst of the bloodbath can be avoided with a couple of fair and progressive new revenue measures on the special election ballot in June.

(Sup. Chris Daly responds and comments in the comment section.

Read advance copies of both this week’s Editorial and Editors Notes after the jump.

Will supervisors support SF’s parking policies?

January 13, 2009

By Steven T. Jones

The new San Francisco Board of Supervisors holds its first regular meeting today, following last week’s big leadership vote. The agenda is pretty sparse, but there are two items that will be a big test of the board’s progressive leadership and values.
The first is a veto override on legislation requiring conditional use permits and hearings when housing units are being eliminated. Given that existing units are always the most valuable, this vote will gauge how much support tenants and affordable housing advocates have on the new board – particularly with the potential swing votes of Bevan Dufty and Sophie Maxwell, who the progressive majority would need to override the veto.
The second is an appeal by opponents of a mixed-use project at the corner of Valencia and 14th streets, which includes 36 homes and three stores. It’s the first big project under the new Market Octavia Plan, and the Planning Commission decided to waive the plan’s limitation on construction of parking spaces to one space for every two units.
Parking, and its connection to the city’s Transit First policy, has long been a bone of contention between progressives and the driver-friendly Newsom Administration. But opponents of this project variance rightfully say that decreasing automobile dependency – and all its associated harm, from global warming to traffic congestion – requires the political will to stick to progressive policies developed over many years.
Today’s vote will test the board’s resolve.

Super Lit!

January 9, 2009

Welcome to a super secret book issue, where you’ll find reviews, interviews, and some preview picks for events at the library, where books are relatively "free." I’ll kick things off with a rave for Blaine Dixon’s Polk Gulch (Blurb, 144 pages, $49.95), a semi-self-published collection of photos of life on one of San Francisco’s most storied streets. Blaine’s black-and-white eye is a West Coast counterpart to the Times Square views of Larry Clark and Gary Lee Boas, and the book’s final contemporary color section is packed with wise irony. Polk Gulch may not be what it once was, but Polk Gulch proves small publishing is still spirited, intelligent, and surprising. (Johnny Ray Huston)

www.blurb.com/user/Vercingtorix

>>The wayward west
America is not a freeway in Jon Raymond’s Livability
By Max Goldberg

>>This land was your land
The American West at Risk confronts mine-all-mine mentality
By Amanda Witherell

>>Speed Reading
83 Days of Radiation Sickness, The Photographs of Stanley Marcus and more
New Reviews

>>Herself redefined
The word is the thing in The Collected Poems of Barbara Guest
By Garrett Caples

>>Vive l’amour
Stephanie Young remakes icons and images in Picture Palace
By Brandon Bussolini

>>Blessed be
The Necronomicon has an expensive 31st birthday party
By Cheryl Eddy

>>Reel time travel
A book-length encounter with the criminally obscure Ulrike Ottinger
Matt Wolf

Sonic Reducer Overage: Magic Bullets, LoCura, White Cloud, Chuchito Valdes, and more

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January 9, 2009
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Mind that One Track Mind: Egyptian Lover’s “Freak-A-Holic.”

San Francisco stirs itself, shakes its shaggy head, and leaves home. Here are a few more reasons.

Leopold and His Fiction
The many moods of the SF indie-folk-rock combo turn toward…celebration with the unveiling of their new full-length Ain’t No Surprise. Electric! With the Healing Curse and Candy Apple. Fri/9, 9:30 p.m., $6. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.

LoCura
Living la vida LoCura? That means an eye-opening blend of flamenco, rumba, reggae, and hip-hop complete with bellydane and plenty of Animas. Fri/9, 9 p.m., $15. Great American Music Hall, 859 O’Farrell, SF. (415) 885-0750.

David Chiu wins

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January 8, 2009
7

On the seventh vote, Dist. 3 Sup. David Chiu has been elected president of the San Francisco Board of Supervisors.

Pecha Kucha: PowerPoint sprints for artists

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January 8, 2009
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By Susan White

Last month, an amalgamation of hipsters and art aficionados congregated at the Harlot Nightclub for a “hyperintellectual show-and-tell,” otherwise known as Pecha Kucha Night, a worldwide event created in Tokyo six years ago (and recently adapted for San Francisco Design Week).

Basically, Pecha Kucha (pronounced “pe-chak-cha” – Japanese for “chit chat”) is a function at which designers each have exactly six minutes and 40 seconds to present 20 slides of their work (giving them 20 seconds per slide). Having no control over the speed of the projector, speakers are forced to make their points quickly and effectively, moving on before the audience gets bored. Their work usually ranges from architecture to furniture – even the occasional science experiment. Anyone can sign up to speak in advance, and the events are usually free (with suggested donations).

The news from Rock Rapids, Iowa

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January 8, 2009
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The news from Rock Rapids made the Keith Olberman show on MSNBC cable television. Watch the report below.

By Bruce B. Brugmann

Last night my daughter Katrina Perez called me from her home in Santa Barbara, quite excited, with a field report to the San Francisco correspondent on breaking news from Rock Rapids, Iowa. That would be me, of course.
She reported that Keith Olberman featured an item about Rock Rapids on his evening MSNBC cable news show. Something about a deer breaking into a bank.
She suggested I watch the show, which airs an hour later in San Francisco, and get all the details.

I did and to my surprise found that the show, which featured news on the Obamas in Washington, the worst person in the world (Bill O’Reilly of Fox News), fighting in the Gaza strip, and the latest moves to seat the senator=designate from Chicago, also featured a breaking news item from Rock Rapids.

A deer on Sunday had “busted” the window in the Frontier Bank in Rock Rapids which had “loads of money,” according to Keith. The deer tripped the alarm, got into the bank, and wandered around. The bank’s video camera caught the deer in action and Keith showed it as he commented on what the caption said was “Deer Day Afternoon.”

As to motive, Keith said the “coppers” reported that the deer was “looking for a few bucks,” attempting to “pass along fawny checks,” or “simply trying to reign in spending.” By the time the “coppers” got to the scene, the deer had fled the scene of the crime. And Keith, having exhausted all his bad puns for the night, moved on to the next item.

So, as Paul Harvey would say out of his Chicago radio station, “what’s the rest of the story?”

To me, the rest of the story was how this deer-in-the-bank incident from a small town in northwest Iowa and got to New York and on to the Keith Olberman national television show. I promptly emailed Ken Barker, the star page two columnist of the local Lyon County Reporter, to check it out for me. He said he was worried that the deer had gotten in to his account. But he said he would nail down the rest of the story and get back to me. I’ll keep you posted.

Visit msnbc.com for Breaking News, World News, and News about the Economy

MTA tries to help cyclists by removing bike lanes

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January 7, 2009
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Photo of Market and Octavia intersection by Kate.

By Steven T. Jones

San Francisco’s bicycle community is baffled by last night’s unanimous Metropolitan Transportation Agency vote to seek the removal of bike lanes at the intersection of Market and Octavia, where more than a dozen cyclists have been injured by cars making illegal right turns onto the freeway.
The logic offered by MTA traffic engineer Jack Fleck and the City Attorney’s Office (which is apparently concerned about liability issues after a couple injured cyclists sued the city) is that forcing bikes and cars to merge into one lane will prevent drivers from inadvertently turning into cyclists.
But that logic apparently only makes sense to bureaucrats and lawyers (and Mayor Gavin Newsom’s MTA appointees, none of whom seem to understand bike issues) because the plan has been uniformly criticized today by cyclists and other alternative transportation types. They say the forced merge at that busy intersection will only create more conflicts between bikes and cars.
“It makes no sense. I was really surprised they even brought it to the board,” said Leah Shahum, executive director of the San Francisco Bicycle Coalition, which was not consulted on the proposal.
Even the Planning Department agrees this is a dumb idea, one that conflicts with the Upper Market Design Plan that was approved less than two months ago. It calls for raised, colored bike lanes to make cyclists more visible and with trees and other visual barriers to make that illegal turn less attractive to drivers.
Ironically, bicyclists are placing their hopes for killing the proposal in Judge Peter Busch, who issued the current injunction against new bicycle projects and who will be asked Jan. 22 to approve this proposal. As Shahum said, “Our hope is that the judge denies it.”

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