San Francisco

Seeing starzzz

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› a&eletters@sfbg.com

Pitchfork Media has sort of become synonymous with junk-food news in recent years, sensationalizing almost every aspect of the independent music world for the hungry masses through dirt-dishing bites on the latest breaking headlines and scale-tipping — or dipping — album reviews. While some may see the Chicago online music publication as a rock-snob tabloid, there’s no denying the influence it’s had upon some independent musicians: artists such as Animal Collective and No Age have collared a kind of A-list celebrity status almost overnight thanks, in part, to the site of music sites.

But when I met with San Francisco group Nodzzz at drummer Eric Butterworth’s Upper Haight apartment, the three seemed averse to any hype they may garner from Pitchfork. When I mentioned that the publication had just reviewed the band’s self-titled, 10-song long-player on What’s Your Rupture? that very morning, the three met my remark with silence. Then Butterworth opined: "Pitchfork is lame, and it doesn’t even matter because that shit is stupid. If you base your musical interests on Pitchfork — fuck yourself."

Fair enough. While Nodzzz managed to capture an above-average 7.6 rating for its efforts, the outfit agreed, as vocalist-guitarist Anthony Atlas put it, that "[Pitchfork] reviews are always kind of contradictory" and "a positive review would be just as problematic as a negative review."

"It’s pretty fucking crazy how many people that goes out to," guitarist and backup vocalist Sean Paul Presley added. "It makes you feel pretty nervous because you already hold your own material pretty close to yourself and you wonder what’s gonna happen when you get a review like that, because Pitchfork is single-handedly responsible for making bands, what bands do well, and what bands sell records. It’s been an auspicious day not knowing what it actually means. I’m on the fence about whether it means anything more than just another review."

This review does come at a point not long after Nodzzz’s "I Don’t Wanna (Smoke Marijuana)" single, issued on Butterworth’s Make a Mess imprint. That release ended up on quite a few best-of-2008 short lists. But while the group’s name has amassed a wave of chatter on the blogosphere, Nodzzz have obvious convictions concerning the objectification of its image and the commercialization of its sound — even going so far as to turn down an opportunity to play at this year’s South by Southwest festival.

"I like pop and punk music when they cater to an audience and to fun," said Atlas, who formed the band with Presley and original drummer Pete Hilton in the fall of 2006 after relocating from Olympia, Wash., to the Bay Area for school. "Something about SXSW seems too market driven — kind of like a rock ‘n’ roll tradeshow. There’s a ton of fantastic bands playing, and I’m sure it’s a fun time, but I don’t feel like asserting ourselves in this broader rock ‘n’ roll market is what we’re all about."

Released in November 2008, the album channels the slapdash garage-pop urgencies of ’80s groups like the Feelies and Great Plains. "Is She There" opens the recording with a burst of amp crackle and drum jolt that’s over before you know it. On songs such as "In the City (Contact High)" and "Controlled Karaoke," the bright-eyed harmonies of Atlas and Presley bait you with nagging, sing-along choruses that get lodged in your skull for days on end, while "Highway Memorial Shrine" and "Losing My Accent" smother you in fuzz and chaos with a scrappy, twin-guitar assault of chiming hooks and jangly lo-fi, as well as Hilton’s trash-can rumble.

As Atlas sees it, his band’s fortunes can be chalked up to simply "tunneling through the fog" as each of its "little goals" are accomplished.

"I have no agenda with this band, but I do have goals, and I just see them as they become possible," he explained. "I feel like we have to have a healthy relationship with it because it can just end quickly. It’s so rewarding, but yet it’s a rock ‘n’ roll band — it’s a project with three people. You can’t stake a life on it."

www.myspace.com/nodzzz

>>MORE GARAGE ROCK ’09

IV to the floor

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"We do rockcations," says Hank IV vocalist Bob McDonald, "which is trademarked, I believe, by Anthony." McDonald knows of what he speaks. The San Francisco underground dynasty of a band that he cultivates — alongside guitarist-vocalist Anthony Bedard, guitarist Andy Oglesby, bassist Chris Portfolio, and drummer Scott Jones — has been to Bologna, Italy, and back on the grand notion that, yes, you too can hold down steady, life-giving, lease-holding employment and still rock hard, hither and yon. Today’s revolutionary road, it seems, means playing outta town in, say, five-day spurts with a side of out-of-pocket relaxation, "because no one wants to go on an extended tour," McDonald continues over the phone from his day job. "Because we’re too old, or we have jobs we can’t leave."

The bonus is the word-of-mouth equivalent of an anniversary Rolex. During HIV’s sound check in Bologna, where the band was visiting friend and Fuck founder Kyle Statham, McDonald says, "this guy came up after we were done and said, ‘Everyone is so soft or so techno here. Finally, someone with some balls-ah!’"

Who knew this bastard offshoot of McDonald and Bedard’s Mr. and Mr. and Mr. and Mr. and Mr. Evil combo would take off like it has — HIV released its second long-player, Refuge in Genre, recorded in all its "high-fidelity bombastic rock" splendor by Tim Green (the Fucking Champs) and mastered by Bob Weston (Shellac), on the shitgaze-cool imprint Siltbreeze — and find its balls-ah in the process? This, after HIV’s furtive beginnings: its first show happened at the Dunes in Portland, Ore., a teensy bar owned by Valet’s Honey Owen. "We wanted to play somewhere where our friends weren’t going to see us," Bedard confesses by phone. Since then all the "good energy and crazy momentum" this proudly balls-ah-to-the-wall outfit has generated — inspiring comparisons to Country Teasers and the Saints, and garnering invites to perform live on WFMU — has surprised its music insider-y members. (McDonald is a veteran of Denver hardcore unit Bum Kon and a product manager at music distributor Revolver; Bedard, the Hemlock Tavern booker and ex-member of groups like the Resineators and Icky Boyfriends.)

HIV came about following the departure of Mr. Evil’s old drummer, amid a spate of drinking and brainstorming "dumb ideas," says McDonald. "We thought, ‘Hank IV — we’ll cut the lineage,’ and we wrote notes on a bar napkin. It was easy because we just told the guys [Portfolio and Oglesby] we were playing with that they were in this band. That’s the best way to do it, because if you ask them they might say no."

A few Hank fans, however, haven’t been able to take the tease. The group’s name is "definitely an idea that makes some people angry!" Bedard exclaims. "Like that Hank Williams III fan who called up Amoeba when we were doing an in-store: ‘They should change their name!’ It’s an absurd idea — thinking that our music has as much to do with Hank Williams as Hank III’s music has to do with Hank Williams, family lineage aside."

Rather, HIV takes its cues from the mind-blowing qualities of early Butthole Surfers, Volcano Suns, and other bands instrumental in forming the musical sensibilities of Bedard, McDonald, and Jones, who are in their late 30s and early 40s.

"We’re trying to make noisy, fun, abrasive, fucked-up rock ‘n’ roll," explains Bedard, clearly pumped to return to Portland for its Slabtown Bender festival on Feb. 7. "There’s so much medium rock out there. People settle for stuff that kind of rocks or maybe rocks. So they get taken aback a bit by the force of Bob’s vocals and how in-your-face and assaultive Hank IV’s music can be." Too bad for them, though not for HIV, because as Bedard puts it, "these are older guys who come from a generation of bands that want to see things get a lot more over-the-top."

www.hankiv.com

>>MORE GARAGE ROCK ’09

Rage onstage

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kimberly@sfbg.com

Yep, you too are essential to the band, especially your super-sweet triangle solos. But roughly speaking, garage rock — be it in, out, or lurking merrily on the fringes — often comes down to one visionary or prime mover, though in the tight local music scene, one never rules out the cosmic convergence of several git-‘er-done leader types.

GREG ASHLEY — THE GRIS GRIS, THE MIRRORS, SIR LORD VON RAVEN


The Gris Gris may be dormant, but the life this producer, solo artist, and guy-with-seemingly-a-jillion-bands-up-his-sleeve pulls out of his organ and guitar with Oakland’s psychy-garage Sir Lord Von Raven makes us sit up, rub our eyes, and wiggle our bee-hinds a little harder as we fetch ourselves another PBR.

www.myspace.com/sirlordvonraven

DREW CRAMER — THE MANTLES, PERSONAL AND THE PIZZAS


"I Can Read" — an excellent reminder. Personal and the Pizzas is not only the funniest joke band — and Dictators jab/mash note — in town, but Mantles dude Drew Cramer can’t stop writing catchy songs, even in the service of a Bowser-riffic group that began as an idea for a TV show. "We were going to do a sitcom — The Young Ones–style," Cramer told me this fall. "It just turned into a band. The idea is we sit around all day eating pizzas, listening to the Stooges, and drinking beer." Makes you wonder about the next warp in the more ethereal weave of the Mantles.

ANDY JORDAN — THE CUTS, THE TIME FLYS, BUZZER


The Cuts appeared to go out with a bang following From Here on Out (Birdman, 2006) and the Time Flys seemed to have flown, but don’t lose hope for this manic son of a record-store man: Buzzer takes its cues from the wild-child kicks of ’70s glitter punk and messes with hole-in-the-head stranger dangers à la "Trepanation Blues."

Buzzer with Photobooth and Die RotzZz. Sat/31, 8 p.m., call for price. Knockout, 3223 Mission, SF. www.myspace.com/buzzeroakland

TINA LUCCHESI — THE BOBBYTEENS, THE BACI GALOOPIS, TOP 10


The lady keeps the up-dos swinging at Down at Lulu’s, but she also finds plenty of time to pour a lotta love into the rock scene. Top 10 makes us wanna mix cornrows in our pop charts.

MATTHEW MELTON — SNAKEFLOWER 2, PHOTOBOOTH, BARE WIRES


Photobooth is now in the mustachioed, Oakland-by-way-of-Memphis rock ‘n’ roll maven’s past, Snakeflower 2 is still simmering, and Bare Wires — the Jay Reatard photog’s old band with his River City Tanlines cohort Alicia Trout — has risen once more, peopled by Paul Keelan and ex–Time Flys member Erin Emslie. Looking forward to BW’s Artificial Clouds LP (Tic Tac Totally).

Bare Wires with Static Static and Fun Blood. Feb. 5, 9 p.m., $6. Hemlock Tavern, 1131 Polk, SF. www.myspace.com/thebarewires

RUSSELL QUAN — THE MUMMIES, THE DUKES OF HAMBURG, THE BOBBYTEENS, THE COUNT BACKWARDS, THE PHANTOM SURFERS, THE FLAKES, THE MERSEY WIFE BEATERS


He’s the OG of garage rock in the Bay, a madman on drums — and the dude can also whip out a mean rock ‘n’ roll DJ set. Does he get extra points because he’s a genuine garage rocker? Auto repair is his forte when he isn’t bashing out beats and generating positive vibes.

TY SEGALL — TRADITIONAL FOOLS, THE PERVERTS


The one-man rock-out machine fronts the Traditional Fools, temped in the Mothballs, and recently saw his super-energized self-titled solo debut come out on John Dwyer’s Castle Face label.

Feb. 6, 5 p.m., $5. University of San Francisco campus, SF. www.myspace.com/tysegall

SUPERCHARGED: MORE BANDS

MAYYORS


Everyone loves a mystery: the Sacto band has almost zero Web presence. Also no interviews and nada on promos. According to their kinda-sorta rep, Mark of the mount saint mountain (mt.st.mtn.) label, both of Mayyors’ mt.st.mtn. singles, Marines Dot Com and Megans LOLZ, were sold out in days and re-presses for show sales evaporated just as quickly. Tough, love. Yet somehow the chatter — the old-school mouth-to-mouth variety — is on, thanks to the blitzkrieg force of tunes like "Airplanes," bruising ultra-lo-fi Brainbombs allusions, and memorable performances like their set at 2008’s Budget Rock. About as garage rock as the Coachwhips or the Hospitals, Mayyors sports FM Knives’ Chris Woodhouse on guitar and Sexy Prison’s John Pritchard on the mic. Oh, and me likee the outfit’s soundtrack to Jay Howell’s The Forest City Rockers Motorcycle Club animation.

THE OKMONIKS


The Tucson, Ariz., terrors have a way of bending an organ to their will — and word has it they’re moving to the Bay Area. www.okmoniks.com

THE PETS


I’m in love — with the boy-gang vocals, delivered with the proper nasality and snot levels, on the Oakland band’s latest LP, Misdirection (Static Impulse). Midwestern proto-punk in the Dead Boys mode and bad-boy fast-loud-hard à la the Saints, with a dab of MC5 to do ya. With Buzzer and Bare Wires. Feb. 21, 9:30 p.m., $6. Hemlock Tavern, SF. www.myspace.com/thepetsoakland

SIC ALPS


The SF duo always had the pop chops and ideas but somehow they just keep getting better. Garage rock gone noisy and classic rock-y at the same time. www.sicalps.com

>>MORE GARAGE ROCK ’09

Gloves on

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› a&eletters@sfbg.com

PREVIEW Leslie Seiters entered college as a visual artist — and left it as a choreographer. Or at least that’s what her MFA diploma from Ohio State University says. Seiters prefers to call herself a director. "I am allergic to ‘choreography,’<0x2009>" she says from her home in San Diego. "When something looks ‘choreographed,’ it turns me off."

Seiters, who lived and worked in the Bay Area between 2002 and 2007, has nothing against the craft of choreography, of course. In fact, her own works are exquisitely crafted. But she doesn’t want to see the hand of the maker because she feels it keeps her from entering a piece and having it speak to her in an unmediated manner.

Seiters left Ohio right after graduation and relocated to San Francisco, where she worked and performed with Jo Kreiter, Kathleen Hermesdorf, Jess Curtis, and Sarah Shelton Mann. All the aforementioned artists have a strong commitment to contact improvisation, which is characterized by its immediacy and the performers’ ability to remain present in the moment — an approach that has influenced Seiters’ own work. The physicality of things — an object, a move — continually fascinates her. Seiters differs, however, from her colleagues — and just about any other dancer working in the Bay Area — in her acute and exceedingly refined interest in using objects beyond their function in dance as props.

In a Seiters’ piece — she calls them installations — the edge between the animate and inanimate material is often blurred. She might have dancers double each other’s movements so precisely — as they did in such tiny danger (2003) and an attic/an exit, which premiered at last year’s San Francisco International Arts Festival — that they begin to look as if they had been set in motion by an outside force. Or they might appear like a single image that, for some mysterious reason, split in two only to merge again. "I love repetition," she explains. "This may go back to my visual background, where I would sculpt by wrapping and wrapping or cutting and cutting over and over again."

At the same time, the objects — all quite ordinary — often acquire a life of their own. Sometimes this can be quite disconcerting. When two dancers slide their arms into suspended jackets, the garments begin to manipulate the women. Dozens of suspended teacups keep up their clinking chatter long after their users have left them behind. Huge shoes move people who step into them. Dancers in paper dresses recede into and are swallowed by identically patterned wallpaper. And what about the woman on a swing, seen through a hallway, who never alters her trajectory? At what point does she become the pendulum of some unseen time machine?

Seiters’ work is both immensely playful and physically sturdy in the way she treads that thin line — she confesses to an affinity with magical realism — between the everyday and the fantastic. The process allows the familiar to become more so, even as it grows strange. For her, dance must not be pinned down, but kept open-ended. "I like it when dancers can take a movement, and turn it into a question," she says.

For the Bay Area premiere of Incidental Fear of Numbers at CounterPULSE this weekend, Seiters and her Little Known Dance Theater is partnering with Lux Borealis, a modern dance company from Tijuana, Mexico, whose "intelligence and physicality in the way they use weight and motion" Seiters admired. It’s her first full-evening performance and her most ambitious work yet. Included as part of the performance will be lots of tops and at least one very tall stack of yellow pages with a turntable on top. She also loves the sound of gloves on a cardboard floor.

INCIDENTAL FEAR OF NUMBERS

Fri/30–Sat/31, 8 p.m., $10–$15

CounterPULSE

1310 Mission, SF

www.counterpulse.org

Punch drunkle

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› superego@sfbg.com

SUPER EGO Hola, age of change. My 2K9 nightlife motto: less musing, more cruising — just watch out for the bruising, child. A few blurry dawns ago, out of nowhere, I got bopped full-on in the kisser by some drunk fool outside the club. Tragedy struck.

Luckily, my impeccable cheekbones are fashioned from silky Teflon and my major Ukrainian modeling contract survived intact. But it was a good reminder, a "slap in the face," if you will — and you will: always be aware of your surroundings and don’t drink yourself too unfunctional. Hear me alike, dear macho bar queens, PBR fixie pixies, Bebe-clad bachelorettes, darling dragzillas, electro-spandex starlets, popped-collar wannabros, and pretend hip-hop producers. Let’s be careful out there. For more tips on surviving your midnights out, San Francisco’s guardian angels of the dark, the Sisters of Perpetual Indulgence, are, as usual, eager to provide at their Web site under “features.” Now, let’s get it on.

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THE ID LIST

TINGEL TANGEL


This glorious cabaret monthly brings a touch of Weimar Berlin to San Francisco by way of NYC nightlife impresario Earl Dax. This time around, wacky Seattlean hostess Dina Martina wilkommens tunesmith Spencer Day, space-gother Kiddie, harpist Deirdre Egan, and more, ol’ chum. Wed/28, 9:30 p.m., $16. Café Du Nord, 2174 Market, SF. www.tingeltangelclub.com, www.cafedunord.com

SPECIAL DISCO VERSION


Part of LCD Soundsystem never dies? Not if the indie dance juggernaut’s members stay true to their retro-underground roots. LCD drummer Pat Mahoney keeps it fresh by pumping up the past as he DJs the West Coast debut of this roving club classic. Cheekbone bonus: a special Hercules and Love Affair DJ set. Thurs/29, 9 p.m., $10-$15. Mighty, 119 Utah, SF. www.mighty119.com

EXPERIMENTAL MUSIC SHOWCASE


Don’t let the serious name put you off — that UK queen of intel freak-uencies, BBC Radio’s Mary Ann Hobbs, is flying in to curate a dance explosion of razor-sharp local talent, including Ghosts on Tape, Lazer Sword, Kid Kameleon, Disco Shawn, Shane King, and more. Now, if only the BBC would archive her streaming weekly broadcasts for more than a month. Thurs/29, 9:30 p.m., $5. 103 Harriet, SF. www.1015.com

HOTTUB


The electro-rap trio of trouble destroyed the Guardian‘s Best of the Bay 2008 party and sent Jello Biafra to the hospital. Now they’re inaugurating a new monthly by two solid party producers, Popscene vs. Loaded, at the Rickshaw — and celebrating their latest record release. Watch out for blood puddles. Fri/30, 10 p.m., $10. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

AMON TOBIN


Proto-dubstepper? Future-glitch engineer? Global grooves genius? Let’s just say all three, then drool all over this singular Brazilian legend’s laptop. Stunned noggin-nodders at last year Treasure Island fest know he’s made a seamless live transition from vinyl to electronics — and teases serious dance breaks from the wizardly ambience. Fri/30 and Sat/31, 9 p.m., $23. Independent, 628 Divisadero, SF. www.independentsf.com, www.hacksawent.com

SUPPERVISION


Burning Man meets alternaqueer for a multimedia pajama party, with trippy visuals and outré drag performances. Wait! Don’t stop reading! Video artist III is truly talented, and his projections, combined with edgy queen antics, add up to more than the sum of my whole first sentence. Honey Soundsystem brings the noise. And, yes, wear pajamas. Sat/31, 9 p.m., $12 in pajamas, $20 without. Supperclub, 657 Harrison, SF. www.supperclub.com

HERR-A-CHICK


Too many puns to count in the name, too many too-hot queer rock bigwigs involved to miss this new live showcase and dragstravaganza monthly at DNA. Charlie Horse’s Anna Conda teams up with the Trans Am boys and Revolver’s Lucy Borden for alterna-excess, with the Ex-Boyfriends and Ethel Merman Experience all plugged in. Feb. 4, 10 p.m., $5. DNA Lounge, 375 11th St., SF. www.dnalounge.com

JUICY LUCY


Swank Brazilian resto Bossa Nova, in the old CoCo Club space, just opened its lusciously remodeled basement up for late-night affairs — and is going big from the get-go with this kaleidoscopic affair. Detroit techno slayer Mike "Agent X" Clark headlines, with soulful spinner David Harness, funky househed Greg Eversoul, and live jazziness from Lovelight Liberation. Feb. 6, 9 p.m., $10. Bossa Nova, 139 Eighth St., SF. (415) 558-8004.

2562 AND THE GASLAMP KILLER


Those ambassadors of dread bass, Surya Dub, are bashing for their monthly club’s second anniversary, with Dutch dubstep (Dutchstep?) heavyweight 2562, who couches his rumble in deep techno soundscapes. Also reverbin’: Los Angeles low-low lover the Gaslamp Killer, who can rip a slice of perilous psy-hop quite rightly. Local boy Lud Dub leads the congratulatory proceedings. Feb. 7, 9 p.m., $15. Club Six, 60 Sixth St., SF. www.clubsix1.com

Union showdown

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› steve@sfbg.com

The Oakland-based United Healthcare Workers is bracing for an imminent takeover by its parent, Service Employees International Union, after defying an SEIU ultimatum to support the transfer of 65,000 UHW nursing home and homecare workers to a new local — without a member vote and with leadership appointed by SEIU.

The power struggle between SEIU President Andy Stern and UHW head Sal Rosselli and their respective boards, which has been escautf8g for the last year (see "A less perfect union," 4/9/08), came to a head Jan. 22 when SEIU’s International Executive Board approved findings of fiscal shenanigans and insubordination by UHW leaders and threatened to oust them and institute a trusteeship if six conditions were not met within five days.

To determine its response over the weekend, UHW organized meetings with about 5,000 of its members in San Francisco and four other cities, announcing the response during a raucous press conference at the Oakland headquarters the morning of Jan. 26, a day before the SEIU deadline.

"You ready everybody?" began Rosselli, flanked by a rainbow of 30 members and signs like "Hands off our UHW" and "Don’t Silence our Voices." The energized crowd of about 100 supporters answered with an enthusiastic, "Yeah!"

At that 11 a.m. rally, and in a teleconference an hour later with reporters from across the country, including from the Los Angeles Times and The Washington Post, Rosselli began by describing the UHW (which began with San Francisco General Hospital workers about 75 years ago) as perhaps the most effective, democratic, politicized, and oldest health care union in the country.

"We have an ideology that there’s no limit to empowering workers," Rosselli told reporters, announcing that UHW has unanimously approved a response letter to Stern that he characterized as "a compromise to avoid a civil war and get to the path of reconciliation."

But SEIU spokesperson Michelle Ringuette, while noting that her union’s leadership had not yet decided how to respond by Guardian press time, said the findings and conditions by special hearing officer Ray Marshall (who was the labor secretary under President Jimmy Carter) "was not a negotiation."

Marshall’s 105-page report concluded that "Leaders of the UHW did engage in financial malpractice and undermined democratic procedures when they transferred UHW funds to a nonprofit organization to be used in contests with the International Union." It set out conditions to avoid trusteeship that included supporting the transfer of long-term care workers, greater fiscal oversight by SEIU, purging the UHW database of names pilfered from SEIU, and publicizing the Marshall report to its members.

"Given that Sal Rosselli and his leadership team were just found guilty by Secretary Marshall of financial wrongdoing and trying to subvert the democratic processes of this union, there’s nothing surprising about this letter," Ringuette told the Guardian.

Yet an insistence on democratic processes was at the heart of the UHW stance against SEIU, which UHW leaders accuse of sacrificing the autonomy of locals in its drive for more national power, appointing leadership based on loyalty to Stern, colluding with large corporate employers, and turning a blind eye to corruption by Stern loyalists that was far more serious than any accusations against UHW.

UHW agreed to some of SEIU’s conditions, but insisted that its members be allowed to vote on the merger and elect their own leaders, and that SEIU work with UHW to craft a union that best represents member interests. In addition, it called for a mediated reconciliation process with SEIU that could culminate in a vote to create a single union representing all health care workers in California.

UHW members are fiercely loyal to that organization. To illustrate UHW’s effectiveness, Rosselli noted that SEIU locals representing nursing home workers recently negotiated contracts with wages $4 per hour less than UHW contracts and without UHW’s strong patient advocacy provisions. He also said that while UHW represents about 20 percent of statewide SEIU workers, the union filled 55 percent of the volunteer shifts in state and local elections.

"We’re a very democratic organization, and that’s what we believe is the key to our success," Rosselli said. "Workers want a strong voice in dealing with their employers, not just another boss in Washington, D.C."

All sides of the conflict express a desire to move forward. As Marshall wrote, "The UHW-SEIU conflict is hurting both organizations at a critical time in the development of the labor movement and progressive policies in the country." But it could be that the two sides have staked out intractable positions.

Rosselli was realistic about whether SEIU will accept the UHW counteroffer, telling reporters, "I don’t think it’s likely, but we hope that they will."

And what if they don’t?

Rosselli was careful to avoid threatening to lead an effort to disaffiliate UHW from SEIU if the trusteeship happens, noting that such advocacy is against SEIU rules and refusing to answer questions from reporters pushing the issue. But he made that possibility clear with statements such as "Our members have instructed us to resist this undemocratic transfer."

As to how UHW leaders will respond if and when SEIU takes over UHW and ousts them, Rosselli read from a prepared statement that said, "We would convene a meeting of our currently elected leaders and decide what to do next."

During the Oakland rally, Rosselli went a little further, reminding UHW members that they always retain the right to form a new union. The crowd applauded for 40 seconds and chanted, "Can we? Yes we can! Will we? Yes we will!"

As the conference concluded and attendees trickled away, homecare worker Tena Robinson grabbed a Guardian reporter and said she had a message to convey: "Andy Stern, we will never surrender!"

As she said it, Rosselli came over to hug her, as if embracing a family member. And then she told Rosselli that if he goes, "I’m going with you!"

Joe Sciarrillo contributed to this report.

Mom and pop lose their voice

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› rebeccab@sfbg.com

Bank of America and Pacific Gas and Electric Co. are quite the opposite of mom-and-pop operations, yet two of the seven members appointed to San Francisco’s Small Business Commission hail from these corporations, much to the chagrin of true small business leaders.

In a heated e-mail fired off to an assortment of City Hall staffers Jan. 13, Small Business Commissioner Michael O’Connor criticized the Mayor’s Office for diluting the commission — which was set up to go to bat for the little guy — with big business appointees.

Meanwhile, funding for the Small Business Assistance Center was almost eliminated last month by the Board of Supervisors. And a report that was supposed to streamline the unwieldy permitting process for small businesses, which the administration was required to complete under the 2007 measure Proposition I, never materialized.

At a time when small businesses are struggling in the face of a dour economic landscape, strong advocacy on their behalf is needed now more than ever. But even as former Small Business Commissioner David Chiu ascends to the presidency of the Board of Supervisors, small business leaders are decrying their lack of support in City Hall.

The Small Business Commission is a seven-member body composed of three members appointed by the Board of Supervisors and four appointed by Mayor Gavin Newsom. Set up to serve as an advocate for the small business community, the commission was also chartered to oversee the Office of Small Business, a branch of the city’s Office of Economic and Workforce Development.

Last May, the office opened its Small Business Assistance Center, created to lend startups a helping hand with navigating the bureaucratic maze of permits, fees, licenses, and other hoops to be jumped through to legitimately set up shop in the city.

Regina Dick-Endrezzi, acting director of the Office of Small Business and one of four people staffing the center, says there’s a real need for the service. She said that about 99 percent of all San Francisco businesses fall into the category of "small," which she defines as having fewer than 100 employees, making it one of the most important sectors of the city’s economy.

Since the center opened, more than 1,300 small business clients have received assistance there, according to Dick-Endrezzi. Many lack the resources and capital that larger enterprises might have at their disposal, so SBAC case managers act as counselors for people who are trying to get a new business off the ground.

Entrepreneurs have sought help with things like obtaining a permit to open a vegan taco truck, acquiring a license to start a cleaning business, or filing for tax credits for an organic baby food business, to name a few examples. "This is something we really need," Dick-Endrezzi told the Guardian, "and this is something politics shouldn’t get in the way of."

Nonetheless, the center and the commission haven’t been spared from controversy. In December, the Board of Supervisors considered slashing SBAC funding. The $800,000 annual budget was ultimately granted, but it weathered midyear budget cuts of around 10 percent.

Now a new issue of contention has emerged: O’Connor has sounded the alarm that the SBC is becoming weakened by mayoral appointees who represent the large corporate interests that are often quite different from those of small businesses.

The conflict went public at the Jan. 12 SBC meeting when it came time to elect a new vice president. Richard Ventura, who heads a consulting firm and serves as executive director of the downtown-based Hispanic Chamber of Commerce, had just won commissioners’ approval to serve as president. Before a second round of votes were cast, O’Connor — who served as president for two years but declined to try for the post again — voiced his fervent opinion that "an actual small business owner" should be chosen for the other leadership slot.

"I think we need the balance of a small business owner in either the presidency or the vice-presidency position," said O’Connor, who owns the Independent music venue in the Western Addition. "If we have a president and a vice president that both come from downtown, and if three out of the four mayoral appointees on this commission are from downtown, I will be incredibly embarrassed to be on this commission. And I’m sorry, this is nothing personal — I like everybody on this commission — but small business is in a fight for its life, in this building and in City Hall."

Despite his plea, Commissioner Irene Yee Riley — a retired Bank of America executive — was elected. Although not a small business owner, Yee Riley told commissioners that she was qualified to serve as vice president thanks to her "many years of experience working with small business owners as a banker."

"I’m retired, and I have time, so I want to use this opportunity to give back to the community," she added.

Yee Riley won after receiving one vote more than Commissioner Janet Clyde, a bartender and general managing partner of Vesuvio Cafe in North Beach. "I live in the Mission District in a solid working-class neighborhood that is rapidly changing," Clyde told the other commission members during her pitch. "I know the challenges of small businesses operating far from the power and economic center of San Francisco, and I intend to work to recommend their interests … even in this difficult budgetary time."

The following morning, a dismayed O’Connor vented his frustration in an e-mail to mayoral staffers, typing "Small Business Commission … or … Big Business Commission" into the subject line. Installing commissioners with ties to large corporations rather than direct small business experience constitutes "a neutralization of the only real voice small businesses have in San Francisco," he charged.

The most recent mayoral appointee to the SBC was Darlene Chiu (no relation to David Chiu), a spokesperson for PG&E who formerly served as deputy director of communications for the Mayor’s Office. When the Guardian queried the Mayor’s Office last March on what qualifications a PG&E spokesperson brought to the Small Business Commission, Press Secretary Nathan Ballard responded with this statement: "Darlene has first hand knowledge of the challenges facing small businesses in San Francisco. She grew up working in her family’s … retail businesses in Chinatown, managing nine to l5 employees. She will also bring her knowledge of city government and communications to the commission, which will be important to the successful operations and promotion of the assistance center." (See "Newsom to small business: drop dead!" March 18, 2008 Bruce Blog.)

But since her appointment last March, public records show that Chiu has missed four of the monthly meetings. Excessive absenteeism at city commission meetings briefly emerged as an issue in September 2006, prompting Newsom to introduce a new standard with a working goal of 100 percent attendance for commissioners.

Meanwhile, not everyone agrees with O’Connor’s assertion that "San Francisco’s Office of Economic Development seems to believe small business is just an annoying little rock in its shoe."

"The Office of Economic Development is incredibly committed to keeping this commission strong," counters Jennifer Matz, managing deputy director of the Office of Economic and Workforce Development, who played a role in starting the Small Business Assistance Center. "Michael is very disappointed about what happened, but I don’t think it reflects a lack of commitment to small business on the part of the city or the Mayor’s Office."

Matz said the challenge to the SBAC came from the Board of Supervisors — not the Mayor’s Office — when they considered revoking the center’s funding. She also contends that the Small Business Commission’s voting record doesn’t demonstrate a downtown vs. small business split.

From January 2008 to this January, commissioners voted unanimously 34 out of 38 times, the record shows. But it’s on the divisive issues where small and big businesses differ that can have the most impact.

Sup. Chiu served on the Small Business Commission before being elected to the Board of Supervisors. He said commission members usually saw eye-to-eye on most items that came before the commission regardless of whether they were board or mayoral appointees. But for him, the frustration was that "it didn’t feel that either the mayor or the Board of Supervisors were focused on small business."

In his new capacity as board president, he said measures that aid small businesses will be moving up on the list of priorities. For example, he has asked for a hearing on why the report on streamlining small business regulations, which Prop. I required the Office of Small Business to complete by 2007, was never done.

Although doubts about the commitment to small business seemed to be cast on all sides, everyone we spoke with seemed to agree on one point: in these stormy economic times, San Francisco’s small businesses need all the help they can get.

Two reports released in December by the U.S. Bureau of Labor Statistics and Automatic Data Processing (ADP) provide some insight into the challenges facing small businesses nationally. BLS reported that 524,000 jobs were lost during December, bringing the 2008 total to 2.6 million lost jobs — the highest since 1993.

The ADP report showed that 281,000 jobs had been shed from companies with fewer than 50 employees. This signifies a drastic increase in job losses from this sector: between October and November, small businesses cut just 79,000 employees, according to ADP, and between September and October, they let go of 25,000 employees.

"That was the first time since 2002 that small businesses had net job losses," says Scott Hauge, president of Small Business California. What’s frightening, he says, is that the small business sector traditionally acts as an economic stabilizer.

During the battles it the mid-1980s over accelerating downtown office building construction, the Guardian commissioned a study from noted MIT economist David Birch that found that small business accounted for most net job creation in San Francisco, and that catering to corporate demands downtown actually cost the city jobs.

Yet now, with the small business community sometimes serving as a political football tossed between downtown and City Hall, the city’s economic base is in trouble and hoping for help from political leaders who are now contemputf8g deep budget cuts.

————

Here’s a list of all the small business commissioners:

Commissioner Darlene Chiu
Occupation: Communications, PG&E
Appointed by: mayor

Commissioner Janet Clyde
Occupation: General managing partner / bartender, Vesuvio Cafe
Appointed by: Board of Supervisors

Commissioner Kathleen Dooley
Occupation: Florist / owner, Columbine Design
Appointed by: Board of Supervisors

Commissioner Gus Murad
Occupation: Owner, Medjool (restaurant) and Elements (hotel)
Appointed by: mayor

Commissioner Michael O’Connor
Occupation: Co-owner, The Independent (music venue)
Appointed by: Board of Supervisors

Commissioner Irene Yee Riley
Occupation: Retired senior vice president and market executive, Bank of America
Appointed by: mayor

Commissioner Richard Ventura
Occumpation: Executive director, San Francisco Hispanic Chamber of Commerce
Appointed by: mayor

————-

Previous Guardian coverage:

>>Volume 20.02 (PDF) An exclusive Bay Guardian study in 1985 challenges the convention wisdom that downtown development creates jobs. Instead, our study by an MIT economist shows that small business have created virtually all the new jobs in San Francisco since l980.

>>Volume 21.02 (PDF) Our updated study in l986 shows that as highrises have gone up, downtown San Francisco has lost jobs. In fact, all the net new jobs in the city have come from new and small businesses in light industrial areas and the neighborhoods

>>October 1, 2003 (PDF) The Guardian’s small business agenda for San Francisco

Immigrant activists seek Newsom meeting

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› news@sfbg.com

As cops pushed their way through City Hall’s crowded hallways the day after the presidential inauguration, telling immigrant-rights demonstrators to make a clear pathway, a woman pulled her friend closer to the wall.

"Be careful," she said in Spanish. "You don’t want to be detained."

The mostly Latino protesters placed a candle and an invitation to an immigrant rights meeting in front of each supervisor’s door. The event was meant to bid good riddance to George W. Bush and demand policy change from both President Barack Obama and Mayor Gavin Newsom in light of the escautf8g nationwide crackdowns on undocumented immigrants.

Angered by what they see as a lack of local political leadership in the face of federal assaults on San Francisco’s sanctuary city ordinance, the protesters, numbering in the hundreds, sang social justice songs and chanted "Si se puede" before stopping in front of the Mayor’s Office to shout, "Let us in!"

Organized by the San Francisco Immigrant Rights Defense Committee, a coalition of 30 organizations that has been working on an immigrants’ rights platform since last July, the action was intended to place additional pressure on Newsom to meet directly with activists.

Newsom has refused to hold a public meeting with immigrant-rights groups since announcing last summer that the city would contact federal authorities whenever youth suspected of being undocumented are arrested on felony charges. That means even innocent kids, arrested by mistake, could be deported.

Newsom’s abrupt policy shift came on the heels of a series of racially charged San Francisco Chronicle articles that hit newsstands just as he was announcing his intention to run for California governor.

Since then, SFIRDC has organized protests and met individually with nine supervisors to persuade them to uphold the city’s sanctuary ordinance and municipal ID program, and to work to stop Immigration and Customs Enforcement (ICE) raids, police checkpoints, and budget cuts to immigrant community programs.

To date, the four newly elected supervisors — John Avalos, David Campos, David Chiu, and Eric Mar, all direct descendants of immigrant families — along with two returning board members, Sups. Chris Daly and Bevan Dufty, have signed SFIRDC’s pledge.

But while Sup. Sophie Maxwell is said to be open to the idea and Ross Mirkarimi is likely to sign it, Sups. Michela Alioto-Pier, Sean Elsbernd, and Carmen Chu, Newsom’s closest allies on the board, have not.

SFIRDC co-organizer and Asian Law Caucus staff attorney Angela Chan said the coalition hopes Newsom will be receptive to the idea of a Feb. 25 town hall meeting, and that Obama will heed calls to stop raids and suspend detentions and deportations — moves that have increased in frequency locally since Joseph Russoniello was appointed U.S. Attorney for Northern California in December 2007.

"Russoniello’s priorities don’t seem to be in line with the Obama administration," Chan told the Guardian, further noting that the success of SFIRDC’s February 25th meeting, which will be held at the office of St. Peter’s Housing Committee, hinges on the presence of the mayor: If he doesn’t show, the discussion cannot move forward.

San Francisco’s 1989 Sanctuary Ordinance prohibits the use of city funds to enforce federal immigration law, but a 1993 amendment requires the city to report immigrants suspected of felonies to the federal government.

But San Francisco law-enforcement officials chose not to apply that rule to young people — until last summer’s policy shift. Since then, the Juvenile Probation Department has referred an estimated 100 San Francisco youth (who were arrested on suspicion of a crime, but not yet convicted) to ICE. The feds can detain undocumented youth in county jails with adult criminals or transfer them to other facilities, often in other states, without notifying an attorney or a family member.

"We want to narrow the 1993 felony exception to be applied only if a youth has gotten due process and been found to have committed a felony," Chan said.

The city’s crackdown is part of a larger national picture. The amped-up federal campaign against undocumented immigrants, a product of post-9/11 programs, began when ICE was created to replace the Immigration and Naturalization Service in 2003.

"There are victims of domestic violence who will not call the police because they are afraid of their families getting deported," Guillermina Castellano, a domestic worker and activist with Mujeres Unidas and La Raza Central, said at the protest."The main difference between now and before is the scale," said Francisco Ugarte, a lawyer with the Immigrant Legal Education Network. "It’s hard to describe the kind of fear that exists now."

Strange bedfellows

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› news@sfbg.com

GREEN CITY San Francisco’s bicycle community found itself in the strange position of encouraging Superior Court Judge Peter Busch — someone many cyclists revile for his strict enforcement of a far-reaching injunction against bike projects in the city — to reject a city-sponsored bike safety proposal during a Jan. 22 hearing. It was one more sign of the desperation bicyclists and city officials are feeling over the three-year-old ban on all things bike-related, from new lanes to simple sidewalk racks (see “Stationary biking,” 5/16/07).

Judge Busch denied a city motion asking for the authority to make safety improvements at intersections that have proven dangerous to bicyclists, as well as a specific proposal by the Municipal Transportation Agency (MTA) to remove the bike lane at the most dangerous of those intersections, on Market Street at Octavia Boulevard, where 15 bicyclists have been hit by cars making illegal right turns onto the freeway since the revamped intersection opened in September 2005.

But the San Francisco Bicycle Coalition and other bicyclists opposed the MTA proposal, arguing it would be more dangerous and holding a Jan. 16 rally at the site, which drew several supportive local politicians, including Sen. Mark Leno, Assembly Member Tom Ammiano, and Sups. Ross Mirkarimi, David Campos, and Bevan Dufty. “As people who ride through that intersection every single day, we believe the proposal would have made the intersection more dangerous. So I’m really relieved that the judge saw that,” SFBC director Leah Shahum told us.

She was less pleased with the judge’s refusal to relax the injunction, which stems from a legal challenge to the San Francisco Bicycle Plan. San Francisco resident Rob Anderson and attorney Mary Miles successfully sued the city in June 2006, arguing that the plan was hasty and did not include an environmental impact report (EIR), as required by state law, to determine how the plan would affect traffic, neighborhoods, businesses, and the environment.

“This case has been very discouraging because there are a handful of activists against bicyclists in the city,” City Attorney’s Office spokesperson Matt Dorsey said. “The hearing showed that the city has to go to court any time it wants to improve the streets for bicyclists.”

Although Judge Busch denied the city’s request to remove the bike lane, he hinted that the injunction would probably be lifted this spring with the completion of the Bike Plan’s EIR. “There was a strong message from the judge that he sees the bigger picture about getting the EIR done. It just needs to be complete and fair and accurate. Then the city can get back to work making the streets safer,” Shahum said.

Both Anderson and the SFBC, who usually agree on little, agreed on the judge’s latest ruling. Anderson advocates maintaining streets for cars and pedestrians, while the SFBC works to make roads safer for bicycles and encouraging bicycling as an important transportation option. Shahum urges city officials to rethink their approach to make Market and Octavia safer. “The city really does need to move on to the next steps to make the intersection better,” she said.

Although the number of bicyclists in San Francisco has doubled in recent years in light of volatile gasoline prices, the economic crisis, and greater awareness of global climate change, Anderson continues to argue that bicyclists will always be a minority interest, even in San Francisco.

“We have to make the streets as safe as possible without strangling the rest of the traffic,” Anderson told the Guardian. “Only a small percentage of the population in San Francisco use bicycles as their main mode of transportation. It’s not fair for the bike people to design the streets just to benefit them.”

Dorsey and Deputy City Attorney Audrey Pearson oppose Anderson, who has said bicycling is an inherently dangerous activity that the city shouldn’t be promoting. “As a policy, the city tries to discourage cars in San Francisco,” Dorsey said, referring to the longstanding “transit first” policies.

Now that the public comment period for the Bike Plan’s Draft EIR is over and Judge Busch has ruled to keep the bike lane at Market and Octavia, all parties are looking ahead to spring when the court is expected to lift the injunction on improving bike safety in San Francisco, unleashing nearly 60 new bike projects. That is, unless Anderson and Miles can find a way to stop them.

Lindstrom

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PREVIEW The epic dance track has had somewhat of a revival over the last few years, whether through the hipster strut of LCD Soundsystem’s "45:33" (DFA, 2007), or the obliquely historical morphing minimalism of Ricardo Villalobos’ "Fizheuer Zieheuer" (Playhouse, 2006). It isn’t all that surprising to find Hans-Peter Lindstrøm joining this mini-movement since he brings the same sort of transcendent musical facility to space jams of the non-Bugs Bunny kind that Villalobos brings to techno. In fact, it seems natural: prog-inflected electronic music is built upon monoliths such as Ash Ra Tempel’s epic "E2-E4." On Where You Go I Go Too (Smalltown Supersound, 2007) — his first proper solo full-length recording after a half decade of 12-inch singles, compilations, and collaborations — Lindstrøm presents a three-track, almost hour-long suite. The most audacious gesture is the 29-minute opening title track, which rides a midnight express on through the whirligig motif of Cerrone’s "Supernature" and the bicyclist-breaths of Kraftwerk’s "Tour de France" before reaching — and extending — a climax.

Elsewhere on Where You Go I Go Too, Lindstrøm flirts with gauche Euro trance sounds ("Grand Ideas") as much he does the seemingly chic-again disco touches (sublime closer "The Long Way Home") often associated with his recorded output. Redefining and fusing genres rather than obeying them, he’s a leader, not a follower, though this particular change in direction has been a divisive one. While the electronic music guru of one Bay Area music store listed Lindstrøm’s solo debut as his favorite recording of last year, another local shop trashed it. Rumor has it that Hans-Peter has been back in the studio with his sometime partner-in-crime, Prins Thomas. For now, he’s visiting the Paradise Lounge, which owes some of its current liveliness to the disco revival his music has helped spark in San Francisco.

LINDSTRØM With Beat Broker, Conor, and TK Disco, and visuals by AC. Sat/31, 9 p.m.–4 a.m., $15. Paradise Lounge, 1501 Folsom, SF. (415) 252-5017, www.paradisesf.com

The Pope’s Toilet

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REVIEW In the Uruguayan hamlet Melo, poor residents like Beto (César Troncoso) squeak by smuggling consumer goods over the border from nearby Brazil — despite being frequently stopped, harassed, and robbed by corrupt, mean-spirited customs guard Meleyo (Nelson Lence). When Pope John Paul II’s 1988 visit encompasses a stop in Melo, the villagers enthusiastically prepare for an anticipated huge tourist influx, hoping their makeshift food stands and other services can reap life-changing profits from the visiting faithful. It’s Beto’s idea to build a flush-toilet bathroom outside his humble home that relief-needy procession-watchers can pay to use. Erecting it, however, involves getting in financial bed with the untrustworthy Meleyo, and some white lies told to Beto’s long-suffering wife (Virginia Méndez) and primly disapproving daughter (Virginia Ruiz). Enrique Fernández and César Charlone’s Uruguay-Spanish co-production deftly melds two quite different things: the sweetly comic village ensemble piece and the pitiless Bicycle Thief-style portrait of desperate measures that those without class, educational, or government resources must take to get ahead — or just survive. Charlone, a cinematographer turned director who previously shot Fernando Meirelles’ features City of God (2002), The Constant Gardener (2005), and this year’s Blindness), lends the countryside a poetic beauty to soften the co-directors’ sometimes harshly realistic script.

THE POPE’S TOILET opens Fri/30 in San Francisco.

Editor’s Notes

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› tredmond@sfbg.com

Just about every progressive economist agrees that the federal bailout bill should include money to help state and local government. I agree. Forcing government to lay off public sector workers and cut services is the worst thing you can do in a recession.

But in a strange way, some sick, contrary part of me almost hopes the Obama administration doesn’t bail out California. Federal money would let us off easy. It would let us do what just about everyone in Sacramento desperately wants to do right now: figure out a way to get out of this mess for another year. Then we can all hope things will get better again.

But they won’t, is the thing. As the San Francisco Chronicle reported Jan. 25, the weak economy is leading to a lot of home sales, and a lot of those sales are at prices below the level of the property’s current tax assessment. So property tax revenue will be dropping this year – but they’ll stay low next year, and the year after, and the year after that. Because under Proposition 13, property taxes can’t go up by more than 2 percent a year. So even as the economy recovers and property values rise, those houses and commercial properties sold at bargain basement levels today will continue to enjoy nice tax cuts for the foreseeable future.

Meanwhile, the state already owes billions from previous one-time borrowing to cover previous one-time budget solutions. And since most of the money comes from taxes that are highly unstable and move with the economy (sales taxes, for example), the budget hole is going to get worse before it gets better.

This is no way to run the world’s eighth-largest economy.

And I keep thinking: could this finally be our chance to do something about it? Might things get so bad this year that people start asking about actual radical change?

And when I talk about radical change, I’m not talking about a tax here or there. I’m talking about somebody in the Legislature standing up and saying, if we were going to create from scratch a system to fund the state of California, what would it look like? And I can tell you, it would look nothing like the Winchester Mystery House of tax laws that we have today.

I won’t be the one called on to draft the blueprint for a new California revenue system, which is probably a good thing. But I can make a few observations and offer a few proposals that almost everyone with any sense agrees ought to be on the table.

First, California may be broke right now, but many of its residents are not. Generally speaking, the fairest types of taxes are income taxes, and the state doesn’t charge the people with very high earnings anywhere near enough. And since the rich don’t tend to suffer as much as the rest of us in recessions, that’s a fairly stable resource.

We don’t do enough to capture our share of the money companies make off California’s resources, either. This is an oil-producing state, yet we have no tax on oil at the wellhead; even Louisiana has that. And we don’t do nearly enough to charge consumers for the damage they do to the environment (the car tax being the most obvious example).

But beyond that, we tax goods and manufacturing, which is no longer the base of our economy, and let services go free. Some services are necessary and should be exempt (medical care, for example). But are the people who pay for, say, personal trainers or cosmetic surgery by and large better off financially than the rest of us? I suspect they are. Should they be taxed on what is by almost any standard a luxury service?

The point is, we need to stop looking at this as a one-time problem. This year’s deficit is the canary in the financial coal mine. Maybe instead of a ballot measure on one tax plan, we should have an election to reconsider Prop. 13, the tax code, and the entire way we finance the state. The system is about to collapse. Maybe we should start again, and get it right this time.

So what are Newsom’s budget plans?

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EDITORIAL In Washington, Rep. Nancy Pelosi — who has never been known as a radical leftist — is proposing that Congress repeal the Bush tax cuts, now, two years before they expire. That would bring $226 billion into the federal till, enough to fund a good part of the stimulus package.

In Sacramento, Democrats are moving toward a special election this spring to allow the voters to approve a tax increase — a move that would prevent disastrous service cuts in this horrible economic climate. Even the Republicans in the state Legislature — about as intransigent a group of people as you’re going to find in public service in America — are actually discussing the possibility that they might accept a tax increase as part of a budget deal.

Political writer David Sirota, blogging on Open Left, argues that a tectonic shift is taking place, that budget fights are "tilting the terms of debate away from Reaganism and toward progressive policy goals."

But not in San Francisco, where Mayor Gavin Newsom refuses to support any sort of new revenue measures this spring. In fact, while the supervisors, labor, and others are working to try to figure out a solution to the budget crisis, Newsom has been out of town, campaigning for governor or galavanting off to Paris and Davos.

We can’t quite figure out what the mayor plans to do about a budget deficit that could reach $500 million. So far we know he thinks the city can get some money by privatizing cab medallions (a dumb idea). We also hear he’s talking about vastly increasing the number of condo conversion permits (an even worse idea that will lead to massive evictions and the end of rent control). Beyond that, he hasn’t offered anything.

We recognize the problems with a spring special election. Passing a tax measure would require a two-thirds majority, a tough threshold under the best of circumstances. The state may call its own special election in May, preempting the city’s chances. The deadlines are tight, and city officials would need to move very quickly to come up with a workable plan in time.

But there are also serious problems with abandoning the idea, or even waiting until November. We’re talking cataclysmic budget cuts here — maybe as many as 1,500 layoffs, massive cutbacks in public health, parks and recreation centers closed, fire stations shut down, police cut back, Muni backsliding into dysfunction, programs for the homeless and needy vanishing as more and more desperate people fill the streets … it won’t be pretty.

We’ve consistently argued that a June special election to raise new tax money is a reasonable option, and the supervisors need to keep it on the table. That means voting on several technical issues Jan. 27 and then moving at full speed to draft the ballot proposals. If circumstances change, the city can always back off and cancel the election.

But the mayor needs to come back to town and start getting engaged with this problem. Before he simply dismisses the June election, he needs to tell us his plan. What alternatives is he offering? What is he proposing to cut? What jobs, what services, will be eliminated?

The same goes for downtown, small business leaders, and the supervisors who oppose tax increases. Tell us — now, in public — what you propose to do about this once-in-a-lifetime crisis. The progressives are at least putting forward plans, imperfect as they may be. Anyone who refuses to support those plans should be required to offer something else.

Who killed Hugues de la Plaza?

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Text by Sarah Phelan

Melissa Nix says she has not seen the report that French investigators recently completed, ruling that her ex-boyfriend Hugues de la Plaza was murdered in his Hayes Valley apartment on Linden Avenue in the wee hours of June 2, 2007

“I was told about it by Hugues’ father, Francois.” Nix said.

But she believes that the SFPD’s suggestion that de la Plaza’s death was a suicide—a suggestion floated out early on in the investigation—is part of a systemic problem that leads all the way back to Mayor Gavin Newsom.

“It was under Mayor Newsom’s guidance and supervision that this happened,” Nix said. “May be there are problems with police workers or the homicide department, but the Mayor has the ability to call upon Chief Heather Fong and her officers any time.”

“Someone has not done their work and I don’t believe it’s the French,” Nix added, claiming that critical forensic evidence went untested for a year, that neighbors were not interviewed in a timely fashion and that vital evidence was not collected.

“I lay the blame not only at the feet of the SFPD, but also at the feet of Gavin Newsom,” Nix said.

Noting that Newsom “incidentally happens to be in Paris right now,” Nix added, “So, what is the Mayor’s priority? Moonlighting as an international celebrity or leading the people of San Francisco?”

Protesting budget cuts at City Hall

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By Steven T. Jones

San Francisco City Hall is packed with people waiting to testify about Mayor Gavin Newsom’s midyear budget cuts and the need for a special election in June for new revenue measures. The Board of Supervisors chamber is filled to capacity, with another few hundred people filling the overflow room in the North Light Court.
Usually, public testimony is taken at the committee level rather than at the full board, but Sup. Chris Daly, who gathered the mayor’s unilateral cuts into his own legislative package, opted to skip the committee and convene the full board as a Committee of the Whole to give the cuts a full public airing.
Labor leaders and community-based groups took the opportunity to turn out their supporters in the hundreds, many wearing the purple shirts of the public employee union SEIU Local 1021, with slogans that include, “Got Public Health?”
Testimony should last for hours. The supervisors should earn their pay today while Newsom does Paris. On the special election proposal, they’ll need eight votes today to move it forward to next week, when the board will discuss what specific measures to place on the ballot.

LAFCo to SFPUC: Hurry it up already!

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Supervisor David Campos sent a clear message at the Local Agency Formation Commission (LAFCo) meeting on Jan. 23, emphasizing that he was eager to move beyond the delays that have hindered progress on Community Choice Aggregation. Commissioners Michael Bornstein and Ross Mirkarimi — who represents District 5 on the Board of Supervisors — echoed his concerns, along with an array of community members who turned out to speak during the public-comment session. Meanwhile, a few members of the public warned that further delays might amount to missing the boat on federal funding for alternative-energy programs, which the Obama administration is expected to make available in the near future.

Campos, who represents District 9 on the Board of Supervisors, is also the newest LAFCo commissioner. The city agency is charged with monitoring and advising the San Francisco Public Utility Commission’s efforts to develop and implement a Community Choice Aggregation program, which was mandated in 2004 by the Board of Supervisors to help ensure the “provision of clean, reasonably priced, and reliable electricity.” A CCA program would allow the city and county of San Francisco to become its own wholesale power purchaser for citizens. The plan includes targets for purchasing power generated from renewable resources such as wind and solar, with a goal of 100 percent clean energy by 2040. But the process of getting CCA off the ground has been moving along at a snail pace.

Newsom travels while supervisors work

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paris small.jpg
Newsom and his wife with Francois Lacote, “the Father of the TGV.” Photo courtesy of the Mayor’s Office of Communications.
By Steven T. Jones

While the San Francisco Board of Supervisors today wrestles with deep budget cuts and the uphill battle for calling a June special election for new revenue measures, Mayor Gavin Newsom will be wrapping up a five-day trip to Paris and packing up to once again jet over to Davos, Switzerland for the World Economic Forum.
And all this international jet-setting during this time of crisis follows weeks of gallivanting all over California to build support for his long-shot run for governor. This is the same mayor who rejects the June special election because, as press secretary Nate Ballard told us a couple weeks ago, “It’s not fully baked. It will take a citywide coalition (a la Prop A) to win something like this and the coalition just hasn’t been built yet.”
Might I humbly suggest that the reason that coalition (which would require buy-in from the business community, a key Newsom constituency) hasn’t been built yet is that our mayor is more concerned with taking free trips to Europe and moving past San Francisco than he is on running this troubled city.
To be fair, yesterday he did take a ride on France’s high-speed rail, the TGV, and released a statement calling for federal money to help bring California’s version of high-speed rail into the Transbay Terminal, saying, “Including the rail box as part of the terminal construction is necessary for this grand vision to be realized.”
Today, he met with representatives of Velib, Paris’s rent-a-bike program that has 20,000 bikes, as well as some environmental ministers. And he used the occasion to remotely announce plans to start a bike-sharing service here in San Francisco…with a whopping 50 bikes, at a cost of almost $1 million (up to $500,000 to start and $450,000 annually to operate), all going to Clear Channel. And that’s assuming this administration actually follows through on this promise, and finds the money to do so.
“Bike sharing will help connect thousands of residents and commuters to their workplaces and shopping destinations by providing bikes that they can easily borrow,” Newsom said. “This bike sharing pilot project will allow us to test and perfect the bikes and technology that will be used in our citywide network.”
So, while San Francisco may have to shut down environmental programs and social services and anything else that Newsom isn’t using to campaign for governor, at least our celebrity mayor is still out there, somewhere, representing this city.

Blog Love: Peeping locals between the covers

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By Juliette Tang

Have you ever wondered what your fellow San Franciscans are reading? One might find such information by asking random strangers on the streets of SF about their reading habits — but that may make everyon involved a little uncomfortable. A better method is to let People Reading do it for you. Blogger Sonya Worthy has been chronicling San Franciscan readers for the past two and a half years, and thus far, she has photographed over 1,200 readers. (And they said blogs would kill print! – Ed.)

Says Sonya, “The beauty and rarity of a given book being read at a given time, instead of, say, packed away in a box somewhere is what initiated the blog. But, throughout the past two and a half years, I’ve discovered that I’ve not only been chronicling the popularity of books, but also the diversity of individuals.” San Francisco is, indeed, a diverse city of readers. Look at the assorted variety of books on the blog. From the William Faulker: Novels 1930-1935 to Running the World: The Inside Story of the National Security Council and the Architects of American Power to The Complete Idiot’s Guide to Playing the Harmonica, our fellow citizens show an interesting and assorted variety of tastes when it comes to their tomes.

Meister: Labor to Bush: Good Riddance!

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Dick Meister, a San Francisco-based journalist, has covered labor and political issues for a half-century. Contact him through his website, www.dickmeister.com.

Labor to Bush: Good Riddance!

By Dick Meister

With the departure of George Bush from the White House, working people and their unions have finally ended one of their toughest fights ever ­ an eight-year struggle with the most virulently anti-labor president in American history.

Of all those bidding Bush good riddance, none have more reason than organized labor and the workers it champions. The record of Bush’s antipathy to them is truly staggering.

Consider, for starters, Bush’s appointment of a notoriously anti-union secretary of labor , Elaine Chao, and an anti-union majority to control the National Labor Relations Board.

The Bush appointees have played a major role in stripping union and civil service rights from more than a million federal employees, cutting back raises that had been due them and most others on the government payroll, and shifting thousands of unionized federal jobs to private non-union contractors.

They’ve increased the staff and budgets for investigating and auditing unions, while decreasing those for enforcing employer violations of labor standards, including those covering child labor and pay discrimination and violence against women.

Martin Delaney: A lion is no more

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By Tim Kingston

Martin Delaney, who died Jan. 23, had more lives than one could imagine. The word “Zelig” has even been used. Delaney was an AIDS activist, the founder of Project Inform, a thorn in the side of the Government, an HIV treatment smuggler, a disreputable associate of the bad boys of Level 242, the creator of a cuddly corporate mascot (we still can’t talk about this), but more than anything else he was an inspiration with a wicked sense of humor and a talent for spurring people onto activism.

It seems ages ago now. HIV was AIDS and a death sentence in the late 1980’s and early 1990’s. There were few drugs, but Martin Delaney inspired people to stay alive and active. “What stands out is the extent to which Marty traveled from city to city when there was no hope,” said Curtis Ponzi, AIDS activist and early collaborator with Delaney. “He went places where there was no hope, not L.A., not San Francisco. He went places where people had no help, and he spoke about hope. He spoke about the need to get treated and tested, and that there were things you could do, when everyone else was saying pack up your bags and get ready to die. He was a lion.”

Delaney died at 63 of liver cancer, brought on by cirrhosis caused by Hepatitis B, the disease that first brought him to California from Chicago in 1978 for an experimental treatment. The treatment worked and cleared the disease, but the damage had been done, although he lived far longer than he would have otherwise. It is entirely possible that early experience with an experimental treatment gave him a foundation of hope when everything else looked damned to failure in the early days of HIV.

Ballin’ – Edwardian style

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Text by Nicole Gluckstern, photos by Morlock E.

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It’s a good thing so many of the gents are equipped with vintage aviator goggles this year, since otherwise it would seem they’d run the risk of getting their eyes poked out—whether by parasol, peacock feather, or plunging décolletage. It’s the ninth annual Edwardian Ball — a two-day affair that took place this past weekend — and like most excuses to get all gussied up in San Francisco, the masses have appointed themselves with gusto. Though most of the costumes here are decidedly more Deadwood than dead and gone, more sumptuous than spooky, the spirit of patron saint Edward Gorey still wafts faintly through the proceedings like a clammy graveyard breeze. Black-and-white cutouts of Gashlycrumb Tinies adorn the walls along with cunning Paxton Gate-style dioramas of dressed-up rodent skeletons, while the Jules Verne-like “Goreyscope” offers microscopic evidence of the haunting qualities of Gorey’s curious bibliography.

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A Jill Tracy accompanist

Friday Night at the Edwardian World Faire, headlining act geek-girl cello combo Rasputina sets toes to tapping with such “classics” as “Hunter’s Kiss”, “Watch TV”, and “Saline the Salt Lake Queen”, while upstairs in the fine arts gallery, fairies are being robotically squeezed to make libations (at least that’s what the sign says. Too bad January is my libation-free month, no freshly-squeezed fairy for me).

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Jill Tracy (at keyboard)

Downstairs at the “fair”, much steam engine activity is on display thanks to the Kinetic Steam Works, and fabulous trinkets are for sale, mainly in the “jewelry made from sprung watch cogs, and studded leather utility belts” five-and-diamond vein.

Obama lifts abortion gag rule before SF clash

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By Steven T. Jones

Just in time for tomorrow’s dueling San Francisco abortion demonstrations, President Barack Obama today signed an executive order lifting the ban on U.S. funding going to family planning groups that perform abortions or provide counseling on the procedure, once again lifting the country out of the Christian fundamentalist dark ages.

The ban was first imposed by President Ronald Reagan in 1984, then rescinded by President Bill Clinton, then reinstated by President George W. Bush. Although not unexpected, the timing of Obama’s action is sure to buoy the spirits of demonstrators with the Bay Area Coalition for Our Reproductive Rights, which for the last five years has countered the massive Walk for Life, in which anti-abortion organizers bus in thousands of conservative church-goers (and their disgusting pictures of mangled fetuses) from throughout the Western U.S.

Scott Walker talk

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By Johnny Ray Huston

Scott Walker: 30 Century Man trailer

Stephen Kijak knows San Francisco at least as well as he knows the subject of his new movie, Scott Walker: 30 Century Man. Kijak lived here in the 20th century, and he’s making a return visit in honor of Scott Walker: 30 Century Man‘s Bay Area theatrical premiere this weekend. The visit allows him an opportunity to play Walker songs at the Casanova Lounge this Friday night. I recently talked all-things-Walker on the phone with the handsome-voiced Kijak, who studied with Ray Carney, and whose past directorial credits include a drama starring Margot Kidder with a score by Kristin Hersh, episodes of Queer Eye for the Straight Guy, and the 2002 movie obsessive doc Cinemaniacs.

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Stephen Kijak. Photo by Mia Hanson.

SFBG: In making the film, what was the most surprising facet of Scott Walker that you discovered?
Stephen Kijak: To this day, it’s still a mystery to me. It might be his honesty and simplicity. His music sounds extreme and experimental and avant-garde – he’s been accused of being the emperor’s new clothes or being weird for weirdness’ sake. But the actual simple and focused dedication to narrative ideas within his music, and the seriousness of it, was extraordinary to witness. Witnessing it was the thing.
There is a lot of humor threaded throughout the process. It was revealing to see the relationship he has with the musicians, and his actual process in the studio. It seems unencumbered by angst or torment – he’s a very natural, easygoing, funny man, and they just have a good time in the studio making these records.
Of course, he does push himself to limits, to execute and achieve what he needs, but it all seems to be done with a great camaraderie and respect. The musicians will do anything for him. Instead of surprise, I had a sense of awe about being allowed this privileged peek into his process. We had limited access, but it was definitely quality over quantity.

SFBG: So you didn’t have a large amount of footage to work with?

Obama sunshine, at home

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By Tim Redmond

The Obama policy on open government is really remarkable, and the memo his press secretary sent out goes far beyond what I’ve seen from almost any political official. Check it out:

THE WHITE HOUSE
Office of the Press Secretary

For Immediate Release January 21, 2009

MEMORANDUM FOR THE HEADS OF EXECUTIVE DEPARTMENTS AND AGENCIES

SUBJECT: Freedom of Information Act

A democracy requires accountability, and accountability requires transparency. As Justice Louis Brandeis wrote, “sunlight is said to be the best of disinfectants.” In our democracy, the Freedom of Information Act (FOIA), which encourages accountability through transparency, is the most prominent expression of a profound national commitment to ensuring an open Government. At the heart of that commitment is the idea that accountability is in the interest of the Government and the citizenry alike.

The Freedom of Information Act should be administered with a clear presumption: In the face of doubt, openness prevails. The Government should not keep information confidential merely because public officials might be embarrassed by disclosure, because errors and failures might be revealed, or because of speculative or abstract fears. Nondisclosure should never be based on an effort to protect the personal interests of Government officials at the expense of those they are supposed to serve. In responding to requests under the FOIA, executive branch agencies (agencies) should act promptly and in a spirit of cooperation, recognizing that such agencies are servants of the public.

All agencies should adopt a presumption in favor of disclosure, in order to renew their commitment to the principles embodied in FOIA, and to usher in a new era of open Government. The presumption of disclosure should be applied to all decisions involving FOIA.

The presumption of disclosure also means that agencies should take affirmative steps to make information public. They should not wait for specific requests from the public. All agencies should use modern technology to inform citizens about what is known and done by their Government. Disclosure should be timely.

So I’m wondering: Perhaps the Honorable Gavin Newsom, mayor of San Francisco, should send out a similar memorandum to city agencies. It could say, for example:

The San Francisco Sunshine Ordinance should be administered with a clear presumption: In the face of doubt, openness prevails. The Government should not keep information confidential merely because public officials might be embarrassed by disclosure, because errors and failures might be revealed, or because of speculative or abstract fears.

I asked Nathan Ballard, the mayor’s press secretary, about that, and here’s what he told me. (Those of you have have tangled with the mayor’s office over public records, please hold your puke):

We wholeheartedly agree with the President on this issue. The mayor has
charged my office with handling sunshine requests for the executive branch
of city government, and he has directed us to cooperate swiftly and
comprehensively to all sunshine requests, and to err on the side of
openness.

Coulda fooled me.

I eagerly await the Newsom Sunshine Memo.

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