San Francisco

The pain of Newsom’s immigrant policies

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EDITOR’S NOTE: THIS STORY CONTAINS TWO CORRECTIONS.

By Deia de Brito

When a coalition of 30 immigrant rights organizations held a town hall meeting at Horace Mann Elementary School last week, Mayor Newsom skipped the session and sent an aide. That’s too bad-the testimony was chilling and the mayor might have learned something about the tragic consequences of his policies.

The San Francisco Immigrant Rights Defense Committee has been mobilizing since Newsom announced last July that the city would contact federal immigration authorities whenever youth suspected of being undocumented were arrested on felony charges. The key word is “arrested” – young people in this city are taken into custody and charged on thin or false evidence all the time. So an innocent person whose charges are later dropped could still face deportation.

Among those present were City Assessor Phil Ting, representatives of the San Francisco Police Department, the Immigrant Rights Commission, the Office of Civic Engagement and Immigrant Affairs, the San Francisco Unified School District, and supervisors David Chiu, David Campos, Eric Mar, and John Avalos.

“The biggest problem was that the mayor didn’t attend,” said SFIRDC organizer and Asian Law Caucus attorney Angela Chan. “There’s been no discussion about a policy that has had such a huge impact on the immigrant community.”

And there’s no doubt, based on what we heard that day, that the impact is indeed huge – and disturbing.

“ICE came to my home and took five people, including my husband. He’s in jail and I don’t know when he’ll be home,” said a Mission District resident. Similar stories echoed across the room. Fear and uncertainty were tangible.

Daly introduces rule changes to aid struggling tenants

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By Rebecca Bowe

As the economic downturn deepens, millions in state and federal funds have been allocated to struggling homeowners who are falling behind on mortgage payments. Today, Supervisor Chris Daly will ask the Board of Supervisors to extend a life raft to another group of people who are worried about losing the roofs over their heads: tenants.

“Homeowners aren’t the only ones struggling with the financial crisis. Most San Franciscans are renters,” Daly points out. “It’s about time we do something to help tenants who are losing their homes. In this crisis, it is not appropriate for landlords to be raising rents that tenants can’t afford.”

Toward that end, Daly will introduce a “renters economic relief package” at today’s board meeting, which proposes several amendments to the city’s rent-control law. The three changes are designed to ease some of the pain for San Francisco renters, who face the pressure of rising rents even as the economy continues to slide. In 2009, the Board of Realtors projects a 7 percent rent increase for vacant units, a measure that’s looked to as a barometer for how the rental market is behaving, according to Ted Gullicksen of the San Francisco Tenants Union.

Save public-access TV!

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By Tim Redmond

Sup. Ross Mirkarimi has introduced a measure that might help save public-access TV, in San Francisco and elsewhere. It’s not that radical – just a nonbinding resolution calling on the federal and state government to make a small amendment to legislation that currently threatens the existence of PEG – public, educational and government – programming on cable TV.

But it’s got the giant AT&T all agitated, and lobbyists are descending on City Hall to crush it.

The background is a bit complicated, but I’ll try to make it simple. In 2006, the state of California passed a very bad law called the Digital Infrastructure and Video Competition Act (DIVCA), which took away from cities and counties the ability to regulate cable-TV franchises. Now the state Public Utilities Commission – a crew of pro-industry hacks if there ever was one – has that jurisdiction.

One of the results: The city of San Francisco no longer has the ability to require that the operator of its cable franchise provide money for PEG programming. Meanwhile, an old federal law (from 1934) allows cities to mandate that cable franchises pay for capital facilities for PEG – but not for operating expenses.

And the city’s franchise agreement with Comcast is ending this year, and with it will go some $600,000 in operational funding for the city’s public-access TV. More than a dozen PEG channels in Los Angeles county have already gone dark; that could happen here as soon as June.

Mirkarimi wants the state and the feds (that is, our powerful Congressional delegation and our relatively powerful folks in Sacramento) to revisit this, and make a very modest change in law that would allow franchise money to be used not just for capital expenses but for operating budgets.

AT&T dashed off a letter to Mirkarimi Feb. 27th whining about the measure and insisting that the city should pay the PEG expenses out of its existing franchise-fee money. That money goes to the general fund; at a time when the entire social safety net in San Francisco is about to collapse, who really thinks that money will be diverted to public-access TV?

The measure comes up tomorrow at the board. Seems like a no-brainer to me. Who will the AT&T lobbyists get to?

The Rainy Day Fund — a better way?

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By Tim Redmond

I get the concerns about Sup. Chris Daly’s proposal to amend the city’s Rainy Day Fund. But in the end, there’s probably a way to make it work that’s better than a lot of unpleasant alternatives.

The Rainy Day Fund was Tom Ammiano’s gift to San Francisco, a brilliant piece of legislation that has saved the public schools and will save hundreds of jobs and critical public services this year. The bill ensures that the city sets aside some of its money in good years, so there’s something to draw on in really bad times.

And these are really bad times.

Last year, money from the Rainy Day Fund saved the school district from laying off hundreds of teachers. In the wake of the governor’s assault on public education, the local schools will need another allocation to prevent this year’s disaster.

The way the bill works, the city can take up to half the money in the fund in dire times, and the schools can get up to 25%. That means there’s no temptation to raid all the money at one time.
If we hadn’t had the fund – and there were plenty of people who didn’t think it was a good idea when Ammiano introduced it – we’d be in way worse shape now.

What Daly wants to do – with the support of city employee unions – is amend the legislation to allow the supervisors, by majority vote, to take as much of the money as they need to preserve health and human services if the city’s deficit exceeds $250 million.

Ammiano is against that; he sees it as an attack on the idea of the fund, which is supposed to ease budget problems not just in one year but for the future as well. Sup. David Campos, who I respect and trust, is also against the Daly measure. “This year is bad, but next year is going to be bad, too,” he said.

And I get that, and I get that labor wants to preserve services (and jobs) right now, because once those jobs and services go away, it’s really hard to get them back.

So let’s recognize that both sides have a point, neither side is bad or evil, there are good progressives who disagree on this – and take a look at the numbers.

Appetite: Txistorra burgers, ultimate bar food and a new Date Night

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By Virginia Miller

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with finding and exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine. I started with my own service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city.

New restaurant openings

Flavors of Spain delight Noe Valley at Contigo

Noe Valley’s tastebuds awaken to the flavors of Spain as chef Brett Emerson shares his passion for and knowledge of Spanish cuisine in this week’s debut of his long-awaited Contigo. This isn’t your usual tapas joint. The gorgeous, sleek room, wood-fired oven, and charming back patio with emerging vegetable garden, set the stage for warm service reminiscent of a welcoming neighborhood hangout in Spain.

Conversing with friends over a glass of Cava, Sherry or Rioja, order fresh Anchovies straight from Spain, intriguing Oxtail Fritters, a salted Rock Cod and Orange Salad or the Txistorra Burger with manchego cheese and fried onions. If the sneak preview I attended is any indication, this will be many a local’s regular go-to for finely-crafted food that comforts as well as challenges the palate.

1320 Castro Street
415-285-0250

Pickles opens in FiDi serving gourmet burgers under a retractable roof

The closing last year of Myth, one of our better upscale restaurants, was a sad one. But Myth alum chef Matthew Kerley has resurfaced in an unexpected place: the former Pickles (the new owners kept the name) which, prior to that, was Clown Alley. I personally am happy to see creepy clown motifs and circus colors gone. The place has gone upscale, or as upscale as a burger joint can, with brown tones and wood, a fireplace and a retractable roof in the shadow of the Transamerica Building. The menu entices with bacon burgers, mini corn dogs, beer-battered onion rings, sundaes and favorites from the also-shuttered Cafe Myth menu, like deviled eggs and Brussels sprouts. I’ve heard about long lines and service issues still to be worked out, but give ’em time… gourmet burgers are the right idea for the Financial District set by day or North Beach crowd at night (Pickles will soon be open till 3am; it’s lunch only until April 1st).

42 Columbus Avenue
415-421-2540

Bar news

North Beach’s 15 Romolo re-invents itself with premium cocktails and crispy hot dogs

15 Romolo is back. The North Beach fave re-opened a few days ago, reinvented by bartenders from Coco500 and Rye. It’s in an alley, and there’s a still that speakeasy air about it, but the aqua-colored interior is gone, with a more understated look and neutral tones. $8 cocktails, like the Yellow Bicycle (St. Germain, Yellow Chartreuse) or a classic Corpse Reviver #2, are made with premium liqueurs, while there’s also a wealth of top shelf pours and gourmet beers, like local Speakeasy’s Hunters Point Porter. A kitchen is the biggest addition, with two deep fryers frying up tortilla-wrapped Crispy (hot) Dogs, Pork Sliders and Savory Funnel Cakes. Now that’s what I call the ultimate bar food.

Happy hour daily, 5-7:30pm
15 Romolo Place
415-398-1359

Events

Tre Bicchieri, Slow Food’s Italian Wine Awards, comes only to N.Y., L.A. and S.F.

Only coming to three cities – New York, L.A. and yes, S.F. — Tre Bicchieri (i.e. “three glasses”) is the Italian wine event of the year with some big names hosting. Gambero Rosso and Slow Food Nation are showcasing wine producers honored with the Tre Bicchieri award. Tickets are available through K&L Wine Merchants at $50, which includes a complimentary copy of Gambero Rosso’s “Italian Wines 2009” (a $40 value and guide to all things Italian wine). Sounds reasonable for the added bonus of being able to taste more than 100 wines at the event.

4:30-7pm
Fort Mason Center, Herbst Pavilion
415-441-3400

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Cafe Maritime’s seafood platter

Deals

Cafe Maritime impresses your date with free champagne and cream pie

Cafe Maritime is one of those underrated gems that’s been around for years but many locals still don’t know about. One reason: it’s tucked in the midst of cheap motels and chain restaurants on Lombard Street, where a few unexpected spots reside (hello, the ultimate, Zushi Puzzle ?) Maritime is one of those cozy New England seafood houses serving buttery lobster rolls, crispy fish and chips and creamy chowders. Wednesday nights are now “Date Night Special” with a free glass of champagne with dinner and a free coconut cream pie to share afterwards. On top of that, there’s a new prix-fixe every night with three courses for $33, starting with New England Seafood Chowder or a salad, moving on to your choice of four entrees, ending with dessert.

2417 Lombard Street
415-885-2530

Classes

Go whole hog with Meatpaper mag’s butchery class at UC Berkeley

The Society for Agriculture and Food Ecology starts the series, “Meet your Meat,” with “The Art of the Butcher,” a class at UC Berkeley hosted by Meatpaper magazine . The meat panel is all-star: Ryan Farr, formerly of Orson, now Ivy Elegance, A16/SPQR/Urbino’s Nate Appleman, Avedano’s Melanie Eisemann and David Budworth, Mark Pasternak of Devil’s Gulch Ranch and moderator, Marissa Guggiana of Sonoma Direct and Meatpaper. Ryan Farr demonstrates how to break down an entire carcass into cuts of meat, while the panel discusses getting whole animals from local slaughterhouses to more humanely, economically use all meat instead of buying plastic-wrapped grocery store meats.

7pm
UC Berkeley Campus, 105 North Gate Hall
Berkeley
510-536-5800

www.agrariana.org/speakers

RSVP: agrofoodecology@gmail.com

New push for Harvey Milk Day

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By Steven T. Jones
Last year, Gov. Arnold Schwarzenegger vetoed legislation by Mark Leno (then an Assembly member and now a Senator) to establish May 22 as “Harvey Milk Day,” honoring the late San Francisco supervisor’s birthday with a “day of special significance” marking his causes and encouraging schools to teach children about his life.
Tomorrow, Leno will try again with Senate Bill 572, and this time he’s appealing with Schwarzenegger’s Hollywood side by tapping Sean Penn, who just won the Best Actor Academy Award for his title role in “Milk.” Leno and Penn will appear at 11 a.m. tomorrow at Tosca Cafe (242 Columbus) and will be joined by Assembly member Tom Ammiano, Geoff Kors of Equality California, activist Cleve Jones (a character in Milk and consultant to the film), and Milk’s nephew Stuart MIlk.
Mindful of not pushing too far in tough fiscal times, Milk Day would not be an official holiday from work, but it would finally recognize a civil rights leader who was ahead of his time.
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Please, Hearst, don’t leave us with just the Examiner

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By Steven T. Jones

This morning’s San Francisco Examiner, with its ridiculous cover story puff piece on Pacific Gas & Electric CEO Peter Darbee, offers another compelling reason why it would be disastrous if Hearst Corp. shuts down the San Francisco Chronicle.
This great city simply can”t have its sole daily newspaper, owned by a right-wing zealot from Colorado, claiming that our only hope for dealing with global warming is a business executive whose company isn’t even meeting the modest renewable portfolio goal of 20 percent and who admits to only recently being convinced that climate change is happening and expressing surprise that those who long denied it were full of shit.
It was embarrassing enough that the Examiner endorsed John McCain for president, but now we have obvious and dubious corporate flackery being presented as journalism. For all the Chronicle’s flaws and shortcomings — and there are many — they at least maintain some semblance of professional journalism standards. With the exception of some solid local stories by real journalists, the Examiner is simply a newsletter for the narrow corporatist perspective. It’s an insult to San Francisco.

Local Artist of the Week: Andrew Li

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LOCAL ARTIST Andrew Li

TITLE Untitled

BIO Andrew Li was born in San Francisco in 1965. He has been making art at Creativity Explored since 1990 and is currently a student at SF City College.

STORY Li’s loose, sketchy drawings reflect his rapid artmaking process. Cityscapes, figures, and machines are his most frequent subject matter. He typically sketches from life, incorporating what he observes in SF and during his travels into artwork with precise perspective and an attention to detail.

SHOW "Andrew Li," through March 21. Jack Fischer Gallery, 49 Geary, suite 440, SF. Call for hours. (415) 956-1178, www.jackfischergallery.com

WEB www.creativityexplored.org

Objects of Obsession: Featherlight

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SFBG’s Laura Peach rounds up local items and experiences to die for. See her last installment here.

A few months ago I skipped down to Mexico to escape the cold and rainy west coast winter. As I stood in the square outside Museo National de Arte, smiling as the sun warmed my face, a group of traditional Aztec dancers started to dance. As their feet stamped the stone in unison I found myself mesmerized by the vibrant feathers swaying in their fancy headdresses.

When I travel, I usually pick just one thing from each place I visit to incorporate into my wardrobe to remind me of the beautiful places I’ve been. My sentimental takeaway from Mexico was, of course, feathered. I found a wispy pair of earrings I loved from a street vendor and every time I wear them, I hear drum beats and see swirling headdresses—at lease for a moment.

Back in San Francisco, I was again allured by feathered headdresses, this time as a fun accessory. For there is something magical about having feathers in your hair (or on your head). They take off some of the weight of the world and make the possibility of flight seem real. Here are a few ways to bring featherlightness into your life.

————–

1. Head Games

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The playful colors and textured layers of this hairpiece ($68) make a strong statement. Rooster and pheasant feathers move with the breeze and every turn of your neck. “Each little feather is like a work of art in itself,” says local Circadian Studios designer Deanna Abney. “I was in awe of the spectacular colors and shapes.” All the feathers are naturally molted, then steamed and sanitized. So no stress that any unwelcome visitors will nestle in your tresses. This may just bring out the Aztec dancer in you.
Dress, 2271 Chestnut, SF. (415) 440-3737

Howard Zinn’s organized disobedience

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By Paula Connelly

“There is great power in disobedience” ~ Howard Zinn, Mission High School Feb. 26, 2009

Howard Zinn started Voices of the People’s History of the United States six years ago when his best-selling book “People’s History of the United States” sold its 1 millionth copy. It has since expanded from a collection of stories with occasional live readings to a traveling performance, making stops across the U.S., including San Francisco last night.

Actors, musicians and activists read from historic primary sources to illustrate a side of history that standard textbooks tend to exclude. The sustained interest in the People’s History of the United States and the mounting interest in Voices show that this is a story that Americans want to hear. In his charming introduction, Zinn said, “You go into the past, you get lost. You never come out. I want to go into the past and learn something.”

Today, I think this desire is catching on.

Partiers save Bay to Breakers

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By Steven T. Jones

Two weeks after city officials and event organizers proposed a crackdown on partying at the annual Bay to Breakers race – announcing a ban on nudity, alcohol and floats – a large and well-coordinated opposition campaign has effectively scuttled the restrictions.

Event spokesperson Sam Singer disavowed the nudity ban almost immediately, then over the course of this week indicated floats would probably be allowed as long as they register and that a zero tolerance policy on alcohol was unenforceable, with the focus now on keeping out kegs of beer and glass bottles.

Although Mayor Gavin Newsom’s announcement today tried to cast the outcome as a negotiated compromise, Ed Sharpless of the group Citizens for the Preservation of Bay2Breakers said they got everything they wanted. “We’re pleased with the outcome. I think it’s a victory,” he told the Guardian. “When you have over 20,000 people join your group in two weeks, it’s means something.”

Yet Sharpless and other opponents of the crackdown – who testified yesterday at a city permitting hearing — say the race organizers are still underestimating how many portable toilets and trash cans will be needed to avoid last year’s problems with litter and public urination, something they will continue working with the city and race organizers to address in the coming weeks.

P.S. For more on this rare victory for preserving fun in San Francisco, read next week’s Guardian.

Kinky Salon endures and expands

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By Steven T. Jones

Polly Superstar and Barron Scott Levkoff met in 1999, shortly after Polly arrived in San Francisco from London, where she was a latex fashion designer involved in the fetish scene. They gravitated toward the same sex-positive community here, which they have tapped or morphed for the Kinky Salon parties they throw at a home they’ve dubbed Mission Control.

“I’ve been involved since 1990 with different costume subcultures in San Francisco,” Scott said. “Like the Costumer’s Society, like Dark Garden, doing fairy tale masquerade balls, doing the Renaissance Faire, getting involved with Burning Man early on.”

Sex has always been central to this open couple’s lifestyle, but the sex at their parties is almost secondary to the parties themselves, where costumes and other forms of creative expression dominate. As they like to say, they aren’t sex parties, but parties where sex and sexual expression happens, usually in the rooms off the dance floor.

Fisher’s Folly at the Presidio

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By Tim Redmond

We won’t actually see what Don Fisher’s museum and monument to himself would look like until Sunday, or whenever John King of the Chronicle decides to tell us, since Fisher’s PR team released the drawings only to him.

That’s kinda sleazy and unfair; I hope King decides to utterly trash the design instead of deciding to (as Sfist suggests) pump his golden ejaculate over the museum plans for a glowing review.

But we do know this much: The Presidio Trust has released the basic outlines of what it wants to do with the Main Post area, and the Fisher museum (also known as CAMP, for Contemporary Art Museum Proposal) is very much a part of it. The 200,000-square foot museum, which would house all the modern art Fisher collected with the profits he made off the labor of child slaves in third-world sweatshops is supposed to be inoffensive because most of it will be underground and the roof will be green.

How special for us all.

The bottom line is that this particular land-use plan exists entirely because one very rich man asked the privatized Presidio board (of which was a founding member) to let him have a prime piece of real estate to house his masturbatory edifice. This thing doesn’t belong in a national park, where there is only limited public transit and where it will either be an expensive flop or will cause thousands of people to drive through a crowded neighborhood and into a park where people are hiking and riding their bikes. It’s about an inappropriate a use as you can imagine.

As the Presidio Trust Historical Association said in a press release I got this afternoon,

“We are very distressed by the Presidio Trust’s decision to promote the construction of a massive contemporary art museum, large hotel and theater in the heart of the National Historic Landmark District on the Presidio’s Main Post. The Trust has once again ignored the broad, nearly unanimous public opposition to its proposal.”

Fisher may have a little trouble here. The Trust board is appointed by the President, and there are several positions that open up this spring. If the Obama administration puts real environmentalists and preservationist on the board, they might look askance at Fisher’s Folly. (On the other hand, Obama will probably let Rep. Nancy Pelosi select the nominees, and she is not only close to Fisher, she’s the one who wrote the legislation privatizing the Presidio in the first place.)

The supervisors have passed a resolution calling on Fisher to build his museum in the city, somewhere, perhaps, near the other downtown museums, where there’s plenty of transit. Fisher won’t let MOMA (the logical curator of this kind of collection) touch it, because the folks there wouldn’t give The Don complete and utter control. But maybe he could build his personal monument nearby.

The foes of Fisher’s Folly want the city to do everything possible to encourage him to build downtown. If it looks like he’s going to get blocked at the Presidio, and we all smile nice and invite him to grace us with his artistic presence somewhere else within city limits, then we’ll get this grand museum AND save the Presidio. That’s fine, I guess – but frankly, when you’re dealing with Mr. Fisher, I prefer the stick to the carrot. Let’s fight him to the bitter end at the Presidio, and tell him if he wants to come downtown, we’ll allow him to look for a site with his own real estate brokers and submit a proposal to City Planning just like anyone else. No special favors for a guy who has done more to damage San Francisco in the past decade that just about anyone else alive.

SF to host landmark same-sex marriage arguments

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By Steven T. Jones

All eyes will be on San Francisco this Thursday at 9 a.m. when the California Supreme Court hears oral arguments about whether Proposition 8, which revoked the marriage rights from same-sex couples that the court granted last year, is unconstitutional, thus restoring marriage equality for all Californians.
While there are only 20 seats available to the public (on a first come, first served basis) in the Earl Warren Building courtroom on McAllister Street, the court has recognized the widespread interest in their proceedings by providing an array of other viewing options, including televising the hearing.
There will also likely be several watch parties set up around town, which y’all can list here in the comments section. We’ll also be included some in the Alerts section of next week’s Guardian.

Russoniello and Ryan in the cross hairs

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Text by Sarah Phelan.

As the city searches for a new police chief, the Board of Supervisors is intensifying efforts to oust the US Attorney for Northern California, Joseph Russoniello, and the former US Attorney for Northern California, Kevin Ryan, who is currently Mayor Gavin Newsom’s top crime advisor, and replace them with folks more in tune with San Francisco values.

Ryan and Russoniello, who were both appointed a year ago, have come under increasing scrutiny since July, when the mayor ordered the city to report undocumented youth to federal authorities the minute these youth are arrested on suspicion of committing a felony.

Immigrant rights groups nationwide have decried Newsom’s decision as robbing youth of their right to due process. But, city insiders say Newsom is refusing to reopen the conversation, in face of a Grand Jury investigation that Russoniello convened. Russoniello has claimed that the city’s previous policy direction, which included flying Honduran youth back to their families, was tantamount to harboring and thus was a violation of federal law.

At last Tuesday’s Board meeting, Sups. David Campos, John Avalos, Chris Daly, Eric Mar, Ross Mirkarimi and Board President David Chiu introduced a resolution urging President Barack Obama and Senators Barbara Boxer and Dianne Feinstein to appoint a new U.S. Attorney for the Northern District of California.

The resolution cites five examples that “highlight Mr. Russoniello’s questionable judgment,” and states that the Board “recognizes the importance of having a U.S. Attorney that understands San Francisco’s diversity, values and commitment to equal justice, especially as s/he works closely with the City’s law enforcement agencies on public safety measures. The resolution also observes that the Board “has a duty to safeguard the well being of its residents and ensure their equal protection.”

The next night, Campos, who came from Guatemala to this country at age 14 as an undocumented immigrant, joined speakers at an immigrant rights forum that denounced recent changes in the sanctuary city ordinance, called for the ouster of Kevin Ryan and expressed disappointment that Newsom did not attend the forum.

“I understand Newsom sent a representative and I appreciate that, but for a lot of people it would have meant a lot if the mayor had attended himself,” Campos told the Guardian.

With the heat on Newsom locally and statewide—many voters in the upcoming gubernatorial race are of immigrant descent and/or have undocumented relatives here—will the mayor meet community members face to face? Or is he afraid of alienating the powerful Police Officers Association and losing vital campaign contributions?

Mayoral spokesperson Nathan Ballard reportedly told the Chronicle that, “the mayor supports Ryan but ‘is willing and eager to listen to feedback from the community.”

Asked if the Mayor has scheduled a meeting yet, Campos told the Guardian, “Newsom has said he wants to meet with me and members of the community, so until I hear otherwise, I will believe that is what is going to happen.”

Stay tuned.

Noise Pop: Sleepy Sun makes us hallucinate

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By L.C. Mason

You know that mindspace between the blissed-out haze of a daydream and the rush of reality’s iron grip – that sense of profound escapism that has its claws sunk deep into both truth and fantasy? Getting there takes just the right musical ingredients – and the sky-scraping psych-blues reveries of San Francisco’s Sleepy Sun were last night’s one-way ticket to that destination.

The sextet exploded like a supernova onstage at Bottom of the Hill Feb. 25, leaving no room for dissenters. Sleepy Sun wove the edges of darkness with revelatory rays of light by mixing brain-sizzling guitar solos and leaden grooves with fistfuls of soaring vocals like nouveaux flower children carrying the torch for their blissed-out hippie predecessors.

Margaret Brodkin, former DCYF director, honored as ‘Community Builder’

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By Rebecca Bowe

A little more than a month after Mayor Gavin Newsom asked former Department of Children, Youth and their Families director Margaret Brodkin to step down from her post, community support for her work is still very much in place. At an annual fundraising event called Soul of the City, hosted by the San Francisco Organizing Project on Feb. 23, Brodkin was honored with a Community Builder Award.

Brodkin, who is currently serving as director of the New Day for Learning Initiative, a project aimed at galvanizing efforts for a more just and comprehensive educational system in the city, thanked the crowd who had gathered at a Mission District restaurant for the Soul of the City celebration. But she also expressed disappointment about being removed from her position at DCYF, which she was appointed to in 2004. “I lost a job that I was very devoted to and felt I’d lived a lifetime to do,” she said. On the day that she was asked to step down, the mayor’s office issued a press release to put a good face on it, but Coleman Advocates for Children & Youth worried that her dismissal set the stage for a “possible raid, erosion, or elimination of the children’s fund and other critical services for our kids and families.”

Meanwhile, members of SFOP and others working on education issues in the city are gearing up for tough work ahead on pending budget cuts that could affect schools and youth programs. The coalition has had success in the past: Last April, the organizing project spearheaded an effort to protect the jobs of 535 teachers from seven schools in the county whose employment was threatened by state budget cuts. Facing pressure from parents and teachers, city officials agreed to release $20 million from the city’s Rainy Day Reserve to reinstate the teachers’ salaries. But with the dismal financial landscape on the state and local levels, another battle looms ahead. “How can I tell my daughter to do the best she can when the education is not available?” asked Michelle Antone, a SFOP community leader, whose daughter attends school at Sanchez College Preparatory School.

Blog Love: That’s quite a burrito

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Juliette Tang shouts out to local bloggers. Read her last installment here.


Image: El Faro burrito via Menupages

I like my burritos vegetarian, vaguely the length of a collapsible umbrella, and girthy enough to put a grown man into a coma if dropped off a 10-story building. I like my tortilla grilled — adding just rice, pinto beans, spicy salsa, avocado slices, a healthy dose of sour cream, and THAT’S IT. Babies crying in a movie theater is less of a pet peeve for me than lettuce in my burrito, and you might as well eat your burrito with soy sauce and hummus and then stuff a bacon doughnut in it if you’re the type to ruin it with grilled vegetables.

Whenever I get a burrito at a taqueria I’ve never tried before, I always mentally rate it against all the other burritos I consumed in San Francisco and then cross-check my findings afterward with what the editors are saying on Burritophile or Burritoeater, two of the most comprehensive burrito blogs in San Francisco. These blogs are written by seasoned burrito eaters who give you their input (which they graciously admit is by no means gospel) on what makes a good burrito and where to find good (and bad) burritos all over San Francisco. Between these two blogs, burritos from nearly every taqueria in San Francisco, from SOMA to the Sunset, have been consumed and rated. These writers aren’t trying to tell you how to eat your burrito; they just want to take you with them on a quest for the perfect burrito that is equally entertaining and informative.

Chron flackery poses as news

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By Tim Redmond

David Cay Johnston, the Pulitzer Prize-winning reporter, has a few choice words for the Chron in Columbia Journalism Review. He’s got a good point — the Chronicle basically ran a Hearst press release as news on the front page.

Reminiscent of the days when the Chronicle and the old Examiner formed a joint operating agreement in the 1960s. The deal, which changed journalism and the newspaper business in San Francisco forever, was announced in a small, brief item that ended: “Neither publisher could be reached for comment.”

Hot sex events this week: Feb. 24-March 4

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Compiled by Breena Kerr

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>> Give Spanks!

Get better at telling your play-pal they’ve been very, very bad with this after hours workshop at Good Vibrations. Eve Minax will lecture and give demonstrations- hope the seats have cushions!

Wednesday/ 24, 8pm-10pm, $25 pre-registered, $30 drop-in
Good Vibrations
603 Valencia, SF
415-522-5460
www.goodvibes.com

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>> Ask the Doctors: Assume the Positions with Carol and Robert

Dr Carol Queen and Dr Robert Lawrence share their collective expertise on how to increase pleasure with a variety of sexual positions. They promise the yoga pro and unbendable alike the chance to learn something new and win a “Ramp” or “Wedge” courtesy of Good Vibrations

Thursday/ 26, 6:30pm-7:30pm, Free!
Good Vibrations
1620 Polk, SF
(415) 345-0400
www.goodvibes.com

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>> Boots

Are your boots made for dancing? Then pull ‘em on boys and head to CHAPS II for “local” drink specials from $2.50-5, no cover and electro-indie-wave-house music.

Friday/ 27, 9pm-2am
Chaps Bar
1225 Folsom, SF
ChapsBarSanFrancisco.com

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>> Burlesque at the Va Va Voom Room

A weekly event every Friday and Saturday night, come to this Bay Area Cabaret and see one of the best burlesque shows in town. 90 minutes of corset-unbuttoning fun, with a full bar and live jazz to boot. Hold on to your pasties.

Saturday/ 28, 11pm-12:30am
Va Va Voom Room
2467 Pacific, SF
www.vavavoomroom.com

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>> Jack ‘n’ Jill Off

Ever been in bed with your vibrator or your hand and thought; I wish I could just share this with someone. Well now you can! The Center for Sex and Culture is holding a pan-gender event where everyone can sit in a circle and sing cum by ahhhhhhhhhhhh… together!

Sunday/ March 1, 4:30pm- doors open, 5pm event begins
$5-10 women and trans-folk, $20-25 men, $30-35 couples
The Center for Sex and Culture
1519 Mission, SF
415-255-1155
www.centerforsexandculture.com

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>> Bathe With the Opposite Sex

Every Tuesday San Francisco’s only wellness spa offers communal bathing, this Japan town spa event features public baths that go co-ed. Complimentary bath products and body polishing sea salts. Bathing suits required. Darn.

Tuesday/ 3, 10am, $20
Kabuki Springs and Spa
1750 Geary, SF
415.922.6000
www.kabukisprings.com

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>> Lindy Hop Dance Series

Back in my grandfather’s day, it wasn’t even called “sex” yet. But I’ll be goshdarned if they couldn’t do a hot Lindy Hop- the key was figuring out who was going to lead. Bring your boyfriend and be ready to swing… Charleston style. Intermediate dancers.

Wed/ 4, 7pm-9pm, $35
Live Art Gallery
151 Potrero, SF
www.queerjitterbugs.com

Details of Chronicle ‘s cost-cutting/closing scenarios emerge

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Text by Sarah Phelan

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Proposed cuts at the Chron will be painful and could even be fatal for the city’s most influential daily.

Cutting half the Chronicle’s staff. Outsourcing operations. Busting the union. Selling the Chronicle to media baron Dean Singleton. Closing down the paper entirely.

All these equally strange and bleak media futures were hovering on the Chronicle’s horizon, as representatives for the paper and Hearst Corporation met with leaders of the Northern California Media Workers Guild today, in an effort to keep the Chronicle open, after Hearst announced it will close San Francisco’s daily paper, if cost-cutting plans don’t pan out.

After a morning meeting spilled into the afternoon, representatives from Northern California Media Workers Guild released a bulletin, saying they met with reps from the Chron and Hearst to discuss “the cost-cutting proposal.”

“We opened the meeting by underscoring our commitment to our membership and the community to do all we can to reach an agreement that will keep The Chronicle open and return it to profitability,” Guild representatives stated.

But Jerry Roberts, a former Chronicle managing editor, burst out laughing, when informed by phone that one of the aims that emerged from that meeting was to return to profitability a paper that has lost $50 million a year.

“That will definitely be an uphill slog,” said Roberts, who left the Chronicle seven years ago to become editor of the Santa Barbara News-Press and is now an adviser to the Daily Nexus, UC Santa Barbara’s student newspaper.

Noise Pop: Antony and the Johnsons emerge from the shadows

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Wailin’: Antony and the Johnsons at the Masonic. All photos by Ariel Soto.

By Ariel Soto

Antony and the Johnsons performed at Nob Hill Masonic Center on Feb. 24, the first night of the Noise Pop music festival. The stage was lit by nothing more than seemingly soft candle light. The audience grew ever so quiet as Antony began to play the piano, his voice stretching and weaving throughout the auditorium. Between songs, he spoke about how he felt to be back in San Francisco, remembering the days when he used to panhandle down near Union Square.

Times have obviously changed: instead of shivvering in the cold, he’s now playing to packed concert halls full of adoring fans. Antony is the star of the band, but it’s obvious that he’s rather shy, dipping behind shadows, letting the audience just barely get a glimpse of that luscious black hair.

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Lunch-drunk love

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AVANT TO BE PUNK If any artist ever self-classified as trash, it was (is?) Lydia Lunch, original ’70s New York City No Wave princess (Teenage Jesus and the Jerks), ’80s underground film star (for Richard Kern, Scott and Beth B., Nick Zedd, etc.), and subsequent spoken-word performer and print autobiographer. In each medium her voice bottled the societally incriminating sarcasm of self-defined detritus, costume-partied as yesteryear’s bullet-bra’d sex object. By 1990, who beyond first-generation punk nostalgists gave a fuck? Europeans, that’s who.

That same year Lunch wrote and codirected (with Babeth Mondini) Kiss Napoleon Goodbye. The featurette — photographed by Mike Kuchar, no less — screened only in Dutch avant-garde and Berlin Film Festival–related events shortly after completion, then perhaps nowhere else until its recent release on the aptly named U.S. DVD label, Cult Epics.

It stars Lunch as Hedda, slinky spouse to Neal (Don Bajema). They’ve retreated to a lovely country château to reboot their relationship. This goes OK before Hedda hears from pal Jackson (Henry Rollins), who’s passing through on an author’s tour and wants to visit for the weekend. His arrival triggers an explosion of both Neal’s paranoiac imaginings and the filmmakers’ poetic ones.

Poet-novelist-playwright Bajema, at the time based in San Francisco and so sinewy he makes pumped costar Rollins look like an empty fitness showboat, was no trained actor. But his conviction as a man tortured by jealousy (and possibly madness) largely puts Napoleon across.

The film is a very odd duck, with aristocratic European locations juxtaposed against a primitive triangle drama, stilted lesbian scenes, bewildering historic flashbacks, Neal’s rather abstract meltdown, and the spectacle of macho lit-punk heroes muscle-tussling on a château lawn. There’s also experimental artist Z’ev as a guy aiming a trepanning drill into his own skull. Posting this under the Guardian‘s Trash umbrella is honest only in vague, associative terms: Napoleon‘s makers were clearly aiming for art beneath the coatings of irony, pop, and punk sarcasm.

An oppressive bounty of DVD extras reveal Lunch’s latter-day sub–Karen Finley spoken-word rants as heckle-worthy, and much-heckled. (Still, her core messages about institutionalized misogyny are hard to argue against.) It all makes one nostalgic for the ironic hatefuck retro sex-kittenry of 1980’s Queen of Siam, the best album Lunch ever made, with or without a band. "Pleasure is always made sweeter at the expense of others," her character says in a Napoleon voiceover. That’s not necessarily the voice of wisdom. Just the voice of Lunch.

www.lydia-lunch.org

Maus trapped

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› kimberly@sfbg.com

SONIC REDUCER San Francisco street rats, go play some other day. House heads, scamper beneath some disco ball far away. And, kraut rock kidz, don’t you dare mistake Maus Haus for just another tinned Can tribute band — German spelling or nein — though the Bay Area ensemble has been known to rock the occasional Faust track behind closed doors.

Instead Joseph Genden, Tom Hurlbut, Jason Kick, Sean Mabry, Josh Rampage, and Aaron Weiss — all real birth names, folks — make some of the most original music to scuttle along the edges of aural indefinability, right here in the Bay. Just don those giant Mickey ears and take in the boom-bleat orchestral art-rock bounce, chugging motor-iffic rhythms, and squealing theremin-like shrieks of "Rigid Breakfast," the opening track of Maus Haus’ latest, Lark Marvels (Pretty Blue Presents, 2008). Fractured psych patients, bent-but-not-broken folk-funksters, soft-acid bluesmen, Silver Apples acolytes, and Captain Beefheart praise-sayers — all these descriptors touch on, yet don’t quite capture, the inviting, inventive sonic nest Maus Haus has built.

"It’s a project that started out as a guideline of concepts that we wanted to fulfill but we had no actual idea of what the music would sound like," explains drummer-keyboardist-multi-instrumentalist Mabry by speaker phone alongside Kick.

"We definitely like a lot of late ’60s psychedelia — that’s something we all agree on," vocalist-keyboardist Kick adds. "But we didn’t intend to do anything with a retro sheen necessarily." Rather, Maus Haus chose to simply identify with the pioneering spirit of early psych. "Our heart is kind of in the same place," he says.

Hard to believe this gang of friends — some assembled via Craigslist, a clutch relocated from the Midwest (Wisconsin, Michigan, and Indiana), two hailing from Sacramento and Half Moon Bay, and all involved in bands as varied as Social Studies, Battlehooch, and Pope of Yes — started working on music together just two years ago, and at the encouragement of friends, they played live together for the first time a year ago. "It felt like there needed to be a band to represent the songs," Kick says, "instead of it just being an esoteric recording project.

Enter the crazy quilt of onstage instrumentation, in full pack-rat effect when Maus Haus played Bottom of the Hill not long ago. "We have so much stuff onstage it’s kind of ridiculous," says Kick. He counts off a Rhodes keyboard, Omnichord, drum set, assorted floor toms, an electronic drum pad, two MicroKorgs, the theremin-emuutf8g Chaos Pad, trombone, sax, trumpets, bass guitar, MIDI controller, and laptop, though he says, "We might stop using the laptop because computers shut down at the worst times." Sounds like the song "We Used Technology (But Technology Let Us Down)" was written from experience.

So what are these brain baths that Maus Haus recommends as one of several "special things to do" on their MySpace site? That suggestion, along with the rest of the list, emerged from a series of surrealist word games undertaken to generate lyrics. "Nerdy but true," says Kick. Still, one imagines a good saline solution dousing — accompanied by Maus Haus’ bubbling score — might set the imagination reeling. "You can do it clothed," Kick offers, "or naked."

MAUS HAUS

Fri/27, 5 p.m., free

Benders

806 So. Van Ness, SF

www.bendersbar.com

Also March 4, 8 p.m., $8

Rickshaw Stop

155 Fell, SF

www.rickshawstop.com

SIDEBAR ONE

MUSHROOM MUSHES … TO THE LIGHTHOUSE

Who’s brave enough to tackle a 1971 rock opus its very creator could never conjure live? Bay Area rock brainiacs Mushroom — that’s who. And here they go again — reprising their Feb. 21 Make-Out Room reprise of Pete Townshend’s Lifehouse, which was scuttled by the Who and ended up in pieces on Who’s Next (MCA, 1971). "The main thing," e-mails Mushroom maven Pat Thomas, "is that there have been a lot of ‘tribute’ shows and even ‘tributes’ to specific albums, but in this case, Mushroom is performing a ‘rock opera’ that the band themselves (the Who) never got around to performing." This time around, Naked Barbies’ Patty Spiglanin will fill in as Roger Daltry, Citay’s Josh Pollock will shoulder Pete Townshend duties, Brightblack Morning Light’s Matt Cunitz will be Nicky Hopkins, and Thomas will ape Keith Moon. Townshend was never able to talk the rest of the Who into realizing his Matrix-ish, Web-prophesying sci-fi followup to Tommy, but, according to Thomas, "It’s PT’s intensity and conviction that led me to explore the possibility of performing Lifehouse, music that I’ve been obsessed with for 34 years." Mike Therieau will open with a tribute to Ronnie Lane and the Faces.

March 6, 10 p.m., $10. Starry Plough, 3101 Shattuck, Berk. www.starryploughpub.com

SIDEBAR 2

SHELLING IN THE PEANUT GALLERY

TWO SHEDS AND AN HORSE


Soulful indie emanates from the former SF/Sacto twosome; skirt-swirling pop from the latter Brisbane, Australia pair. With Matt Costa and Robert Francis. Wed/25, 8 p.m., $25. Slim’s, 333 11th St., SF. www.slims-sf.com

ONE HUNDRED SUNS


Stately black metal growl from the SF/Brooklyn combo, which celebrates its new self-released CD, Beneath the Hooves of Time. With Grayceon, Nero Order, and Wanteds. Sun/1, 8 p.m., $8. Parkside, 1600 17th St., SF. www.theeparkside.com

RAPHAEL SAADIQ


Oakland’s own takes out his classic throwback R&B once again, after a series of dates opening for Columbia labelmate John Legend. Tues/3, 8 p.m., $32.50. Fillmore, 1805 Geary, SF. www.livenation.com