San Francisco

Vigil for Hugues de la Plaza this Saturday

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Will the French be able to crack a case that has baffled SFPD investigators?

Text by Sarah Phelan

The mystery surrounding the death of Hugues de la Plaza began on June 2, 2007, when a neighbor noticed blood on the front porch of his Hayes Valley apartment. Two years later, friends of the 36-year-old de la Plaza, who had dual French and American citizenship, are holding a vigil to keep attention on the case, which, they believe, remains unresolved by the SFPD, because of failure of leadership at the highest levels of San Francisco city government.

And his grief-struck parents are offering a $100,000 reward for information on the case.

A January 2008 San Francisco Medical Examiner/Investigator’s report, concluded that the cause of de la Plaza’s death was “multiple stab wounds” but that the manner was “undetermined.”

“On 06/02/2007 at about 0810 hours a neighbor of the subject came out of his apartment to the front porch to collect his newspaper,” stated the report. “He noted a large amount of blood drops on the porch, a blood trail leading to the subject’s apartment, and blood dripping from the subject’s apartment door knob.”

After emergency services were contacted, police got into de la Plaza’s apartment by forcing entry through a back dead-bolted door.

“Investigation at the scene revealed the subject, dressed in cut away street clothing and shoes, to be supine in the front room of his apartment,” the investigator’s report continued. “There were copious amount of frank (sic) and partially dried blood on the floor and wall near him. A broken wine glass was noted on the floor of the front room. Bloody handprints were noted on the wall across from the subject. The door to the front room was dead bolted as well as the back door of the apartment where the police forced entry.”

But despite this gruesome scene, neighbors, friends and relatives felt that the SFPD decided early on that his death was a suicide. They point to questions the police asked and to parts of the Medical Examiner’s report, as evidence that investigators believed de la Plaza killed himself:

“On the coffee table in the front room was a bloody open lap top computer and notebook, devoid of apparent blood, with the following two sentences on the visible page: “learn as if you were to live forever” and “live as if you were to die tomorrow,” the investigator’s report stated.

Newsom’s no-tax budget

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By Tim Redmond

Steve Jones will be reporting in tomorrow’s paper about the details of Newsom’s budget proposal, and it’s going to take a few days to figure out exactly what’s in and what’s out of the budget, but the mayor has already made one point, and it’s infuriating:

He proudly announced that the budget is balanced with no borrowing and no new taxes.

Sounds like something that George W. Bush would have said.

And here’s the problem: When Newsom was negotiating the latest round of givebacks with the unions, he promised to work toward a revenue measure in November. And if he were serious about that, he could have included that projected revenue in this budget — avoiding some of the most painful cuts.

So what’s up? Is Newsom going back on the deal with SEIU — or is he just assuming that any revenue measure he puts on the ballot will fail?

Here’s what the mayor’s press secretary, Nathan Ballard, has to say:

After SEIU rejected the sensible deal that had been reached with the Mayor,
the revenue-measure talks unraveled, and so the Mayor could not in good
faith include projected revenue from a hypothetical measure in his proposed
budget.

All along we’ve said that a revenue measure would have to include support
from a broad coalition of San Franciscans, and nobody from the business
community — an essential part of any such coalition — is going to support
a revenue measure unless SEIU has already agreed to shoulder its fair share
of the city’s budget burden.

However, once SEIU votes to approve the new deal with the Mayor’s office,
it’s a whole new ball game. At that point we can convene a new series of
talks and attempt to come up with revenue measures that a broad coalition
can support. Once that happens, the budget could be adjusted accordingly.

Okay, sure — blame it on the SEIU members. But that’s not the point. First of all, it’s pretty likely the union membership will approve the latest contract offer, and Newsom knows that. More important, this isn’t about SEIU v. Newsom. It’s about the city, and the health of San Francisco and its residents. And a mayor who was serious about preserving essential services wouldn’t be waiting until the last minute, and planning to “adjust the budget” after front-line workers are laid off, programs are cut, nonprofits shut down etc. before he started talking seriously about new revenue sources.

Buy your Slayer tickets tomorrow, dude!

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I got word of Live Nation‘s “No Service Fee Wednesdays” promotion before last weekend’s stabfest at the Shoreline Amphitheater, but what are the changes of two stabfests in one season, really? You know there’s at least one big, dumb concert you’re planning on driving to Mountain View to see anyway, so why not pick up your tickets tomorrow (Wed, June 3, starting at 12:01am) and save $10 per ticket in service fees? Note: this deal applies only to lawn tickets, so if you had your heart set on being front-row center for Nickleback, you’re SOL. Which is probably the least of your problems anyway, come to think of it. Note #2: what do those “service fees” pay for, anyway? Isn’t $31 for a concert ticket (on a semi-grassy lawn amid thousands of your rowdiest, most unwashed non-friends) enough to begin with?

Anyway, I digress. Straight from Live Nation’s press release, here are the concerts participating in tomorrow’s no-fees-for-lawn-tickets at the Shoreline “sale.” See you July 11!

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Shoreline Amphitheatre / Mountain View, CA

6/6 Live 105’s BFD featuring 311, The Offspring, Yeah Yeah Yeahs & More
6/13 Great American Food & Music Festival featuring Bobby Flay
6/26 Wild 94.9 Bomb Concert featuring Sean Paul, Ice Cube, Soulja Boy & more
7/4 4th of July Fireworks Spectacular w/ The San Francisco Symphony
7/11 Rockstar Energy Drink Mayhem Festival featuring Marilyn Manson & Slayer
7/13 Coldplay
7/24 Blazed & Confused Tour featuring Slightly Stoopid & Snoop Dogg
7/25 No Doubt with Paramore
7/30 Crue Fest 2 featuring Motley Crue & Godsmack
8/1 The Fray w/ Jack’s Mannequin
8/12 Depeche Mode
8/16 Toby Keith with Trace Adkins
8/20 Vans Warped Tour
9/1 Nickelback with Hinder, Papa Roach and more
9/2 Def Leppard with Poison and Cheap Trick
9/12 The Killers

Sleep Train Pavilion / Concord, CA

7/9 New Kids On The Block with Jesse McCartney and Jabbawockeez

7/11 Love Train – The Sounds of Philadelphia featuring The O’Jays

7/21 No Doubt with Paramore

7/31 Judas Priest with Whitesnake

8/19 Bone Bash X starring Aerosmith and ZZ Top

Sleep Train Amphitheatre / Wheatland, CA

7/10 Depeche Mode at Shoreline Amphitheatre

7/14 Coldplay

7/24 No Doubt with Paramore

8/1 98 Rock Presents ROCKALOTTAPUS feat. Judas Priest, Whitesnake, Tesla and more

8/21 Vans Warped Tour

8/31 Nickelback with Hinder, Papa Roach and more

9/3 Def Leppard w/ Poison and Cheap Trick

God rides the bus

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By Tim Redmond

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Or maybe he takes his bike — but he doesn’t park in the median

Sarah Phelan interviewed Nat Ford, the head of Muni, for her story on the Muni budget that will appear in Wednesday’s Guardian. I have to offer a sneak preview of one of his comments.

Confirming that the agency dropped a $9 million a year proposal to extend meter hours citywide after receiving input from merchants, Ford said, “We’ll clearly have to revisit parking. We’ll be looking at how to administer extended meter hours and how that impacts churches if we do it Sundays. But we are sitting here with a structural deficit that’s been going on for decades. We need to figure out the revenue streams we need to enhance the system.”

Wait, wait, wait.

The impact on churches?

Mr. Ford, let me clue you in on something. In San Francisco, particularly in the Mission, nobody every parks at a meter to go to church on Sunday. They park in the middle of the goddam street.

This is illegal. There are no permits required. The cops just look the other way.

And, as I pointed out when I last wrote about it:

Nobody else gets to do this.

If you go to see the (secular) Mime Troupe in Dolores Park and you stick your car in the middle of the street, you get a ticket. If you drink at a (secular) bar or eat at a (secular) restaurant and you leave your car in the Valencia Street median, you get cited. You can’t double park while you run in for a (secular) cup of coffee at Muddy Waters.

You can’t even do it when you go to yoga, which for a lot of people is a spiritual experience.

You want some money, Nat? Make the damn churches pay a fee for the damn free parking they get. I’m sorry: If you don’t want to pay for parking, you can ride the bus to church. Or walk. Or ride your bike. That’s what Jesus would do. Right?

June: Sexiest sexy festival month ever

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By Juliette Tang

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Queer Arts Fest

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The Sex Worker Fest

This is definitely a good month for worthwhile local festivals. The 6th San Francisco Sex Worker Film, Art, & Music Festival officially kicked off this past weekend and promises to be a thrill for both the intellect and the libido. Smart, kinky, and fun, the Sex Worker Fest is a positive and educational week-long extravaganza that occurs in tandem with the ongoing 12th Annual Queer Arts Festival, a whopping month-long festival featuring over 400 artists in over 100 performances taking place in 18 venues all over San Francisco. The only question at this point is how you’re possibly going to fit everything into your schedule.


Michelle Tea

On Saturday, the Sex Worker Fest launched with a benefit at a. Muse Gallery (614 Alabama St) to support Radar Lab, a free queer writers retreat looking to accommodate 12 outstanding queer artists by this summer. Hosted by Ali Liebegott, whose IHOP Papers performs the feat of being at once witty and charming and a poignant lesbian coming-of-age novel, and Michelle Tea, prolific author and Guardian contributor whose novel Valencia joins rank with Michael Ondaatje’s Divisadero in being good books named after famous San Francisco streets, the benefit featured appearances by literary luminaries Dorothy Allison, ZZ Packer, and Eileen Myles.

Dick Meister: Give workers what they need!

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GIVE WORKERS WHAT THEY NEED!

By Dick Meister

(Dick Meister, a San Francisco-based journalist, has covered labor and political issues for a half-century as a reporter, editor, author and commentator.)

A new study by one of the country’s most highly regarded labor experts makes clear beyond doubt that illegal employer actions and lax government oversight have denied great and growing numbers of workers the legal right
of unionization.

That’s had much to with the percentage of workers belonging to unions dropping to little more than 12 percent from a level almost double that three decades ago, says Kate Bronfenbrenner. She’s director of labor education research at Cornell University’s School of Industrial and Labor Relations.

City Desk Newshour ends long SF run

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By Steven T. Jones

An era ended last night while my colleagues and I taped the final episode of the City Desk Newshour, a Comcast television program that has provided continuous weekly coverage of San Francisco City Hall for almost 30 years. It is simply the latest blow in a steady erosion of political and local government coverage by experienced journalists.

I’ve been a regular panelist on the show for a couple years now, but I was really struck by what an institution it is in November when we did a segment on the anniversary of the Harvey Milk and George Moscone assassinations. I glanced at the monitors and saw our B-roll footage of Milk, Moscone, and Dan White being interviewed in our studio for our show back in the day.

Comcast decided to slash its locally originated programming budget and fire half its Bay Area staff, something it is allowed to do because local governments have lost the legal ability to set local programming standards for cable companies as part of their franchise agreements. If you have Comcast cable, try to catch the final episode replays this weekend on Channel 11 and/or check out old episodes in the OnDemand section under hometown local programming.

But there is a silver lining to this story. Comcast officials in California successfully fought to save our show as long as we can retool it to have a more regional focus, which we’ll be working on over the next couple months. So tune in later this summer for a new show with a new name and new focus, but some of the same faces from the Guardian, Chronicle, Examiner, and KQED.

Now you see him

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It takes a lot to get your head around William Kentridge. His nebulous existence in the world of modern art makes him a slippery figure, able to exist between things we can name. Though he is an internationally known South African artist who works in etches, collages, sculptures, and performance (SFMOMA recently presented his rendition of Monteverdi’s opera The Return of Ulysses), he is best known for his "cartoons."

As on view in the current exhibition "William Kentridge: Five Themes," Kentridge’s animated drawings are sublime, provocative, and mesmerizing. He films a charcoal drawing, and by making slight changes using erasures for light and depth and then repeating the process, he tells profound stories about oppression, deterioration, and social justice — in less than 10 minutes. He later shows the drawings with the films as finished pieces. His mastery of drawing is magical. It can cloud judgment. We see William Kentridge; we do to not see William Kentridge.

William Kentridge: Five Themes (Yale University Press, 264 pages, $50), the monograph accompanying the current SFMOMA exhibit, suggests the breadth of Kentridge’s contributions — from opera set design to printmaking — and the depth of his explorations. Versed in opera, Kentridge centers much of his work on the form’s classic themes but updates, twists, and transforms them to speak of his native South Africa and current social conditions. Editor Mark Rosenthal mixes Kentridge’s commentary, plates, sketches, and photos with writers’ explorations of his process and purpose. Not quite a microscope, the result is more like a pair of tweezers, bringing the reader-viewer closer to someone who loves the word erasure.
WILLIAM KENTRIDGE: FIVE THEMES

Through Sun/31, $7–$12.50

San Francisco Museum of Modern Art

151 Third, SF

(415) 357-4000

www.sfmoma.org

Dystopian enterprise

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Best-selling author Richard North Patterson stays out of the local limelight, but he’s a San Francisco resident — and we caught up with him May 21st to talk about his new book, Eclipse, and the role that U.S. oil companies play in Nigeria.

Before Nigerian environmental activist (and Goldman Environmental Prize winner) Ken Saro-Wiwa was hanged in 1995, PEN, the international writers’ group, wrote letters and organized protests against the execution. "I was very impressed by Saro-Wiwa," says Patterson, who was on the board of PEN at the time. He notes that Saro-Wiwa was a nonviolence advocate who succeeded in building a grassroots movement among the Ogoni in the Nigerian delta — all in the face of a ruthless dictator, and at great risk to his wife.

As Patterson recalls, despite the protests, several Western governments voicing their concerns, and then-President Bill Clinton’s hour-long conversation with Nigeria’s military dictator Gen. Sani Abacha, "They unceremoniously hung Saro-Wiwa. It was a lesson in a number of things, beginning with the degree to which oil makes autocrats feel impervious."

Post- 9/11, oil "security" became a bigger concern. Patterson began to realize that amid the U.S. failures in the Middle East, the disaster in Iraq, and the growing fear of al Qaeda, everyone was looking at Nigeria as an even more important source of oil.

"Meanwhile Nigeria’s environment was that much more ruined, its political leadership hopelessly corrupt, a semi-official militia that claimed to be acting in Saro-Wiwa’s name was killing each other and stealing oil, and everyone had a fee," says Patterson. "It was a classic example of how a natural resource makes its extractors and the rulers rich, but only serves as a source of misery for people standing on the ground. I already felt that Saro-Wiwa was a remarkable man who should be remembered. But now he was becoming even more relevant."

Patterson began researching Saro-Wiwa’s life, a quest that involved one trip to Nigeria and many conversations with lots of related experts. "Nigeria is not a place to go back and forth to — you’d think I was trying to break into Las Vegas," he says, noting that he hired security during his trip. "I’m not unknown, so there was a concern I’d be a high-value target. But I loved the Nigerians I met. They were a bright enterprising bunch in a dystopian setting, and to the extent I couldn’t go places, I did all I could by talking to people, reading articles, and watching films."

The name of Eclipse‘s protagonist is Bobby Okari. Was Patterson making reference to President Barack Obama? "If I was, it was subliminal," he says.

So what can Americans do to improve the plight of everyday Nigerians? "Increasing our independence from oil and increasing our foreign aid to Nigeria would be helpful," Patterson says. "The real problem is the extent to which human rights are trumped by self-interest. When we fill up our tanks, half of us don’t know that there’s oil in Nigeria. So first we need to become aware of the impact of the commodities we need. But I’m not sanguine about how easy this is. Saro-Wiwa was hung and 14 years later, where are we? The same place, and that’s a disgrace."

While Patterson does not excuse what he calls "the callousness of the U.S. oil companies," he believes that first we must address the Nigerian government.

"The history of the oil industry in Nigeria is pretty ignoble, but [without the industry] they can’t maintain the schools, roads, hospitals, and clinics," he says. "If the government doesn’t give a damn, it’s hard to make a quasi-government out of an oil company. When we get angry at the oil companies, it begs the question, What is the government doing? If it isn’t encouraging economic development and environmental protection, how can the oil companies? Shell and Chevron didn’t invent corruption. This is in no way to defend them. [But] there is a disconnect between Nigeria’s miserable government and its citizens. One of my central aspirations is to tell an entertaining story — and also to convey an awareness of a real problem."

Total ‘Eclipse’

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Tredmond@sfbg.com

REVIEW Mass market novels of the mystery and thriller kind are not known for their progressive politics. The most popular authors of the political adventure set are the likes of Tom Clancy, who thinks we’re still at war with Japan and ought to be at war with China. The detective novelists tend to glorify law enforcement and disparage those weak-willed sorts who would rein in the mighty and righteous gun-wielding police. My favorite new character, Jack Reacher, who has made Lee Child a massive international best-selling writer, is a former military cop with a taste for violent vengeance.

But of course I read this stuff. It’s my guilty pleasure, what I do to relax over with my whiskey before bed, while my beloved partner is watching Super Nanny. As Pete Townshend used to say, each to his own sewage.

I’ve read almost everything San Francisco resident Richard North Patterson has written, and he’s a rarity. His stuff tends to go in a more liberal direction. (It also tends to have a subplot involving teenage sex.) He’s written about the death penalty and the criminal justice system and American politics, and his characters have more depth than John Grisham’s. I like him, but I’ve never raved.

But I do want to recommend Patterson’s latest book, Eclipse (Henry Holt and Co., 384 pages, $26). Not because it’s the most brilliant writing he’s ever written, but because it’s a real-life political novel that reveals, in graphic detail, the impact oil companies like Chevron Corp. have on the Niger River delta. Eclipse is a fictionalized account of the life of Ken Saro-Wiwa, an eloquent and charismatic environmentalist who tried desperately to tell the world how oil money had corrupted Nigeria and how the Western oil companies were conspiring with the brutal dictatorship of Gen. Sani Abacha to stifle dissent. He was hanged 15 years ago by Abacha; his legacy drives the protest movement that is still trying to force the petrolords to take responsibility for what they have done to the delta environment, its tribal residents, and the Nigerian people. Eclipse didn’t put me to sleep — it made me mad. It reminded me of what American companies are allowed to do to the rest of the world, with impunity. It’s a story, with Patterson’s typical devices (for example, I don’t have any reason to believe Saro-Wiwa’s wife had an affair with his lawyer). But there’s enough truth in it to make you think. And that makes Patterson’s novel, in a unique and surprising way, an important political book.

Higgamus hoggamus

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andrea@altsexcolumn.com

Dear Andrea:

I wonder if you’ve been living in San Francisco too long? Most prostitutes are not happy grad students! Most have been abused, are addicts, or both, and it’s not a "career choice." I think the woman in your last column is a sex addict and needs therapy, not someone to be cheered on by people like you who think promiscuity is cool. I would worry that kind of behavior says something pretty bad about the emotional state of anyone who’s doing it. I usually like your column, but I do think you can get warped by living too long where being weird is cool.

Love,

I Used To Live There Too

Dear Used:

I worry about her, too! What do you think I am? The question for last week, though, was not "Is promiscuity healthy for women?" (a very complicated question indeed, and one we will get back to), but the far simpler and more specific, "Is meeting men online for sex likely to get you killed?" No matter how you feel about female promiscuity, the answer to the latter is going to have to be no. It is simply not likely, although we have seen, tragically, that it is possible.

Expensive, boutique-y prostitution practiced by sane, smart women who can afford to screen clients carefully is surprisingly unlikely to lead to ax-murder. Neither does either activity put its female practitioners at any great risk for STDs or accidental pregnancy, since these are women who own condoms and know how to use them. It’s young (and not so young) people in the fuzzy-headed throes of romantic love or lust (sure, there’s such a thing as "romantic lust") who fall prey to the "spontaneity" fallacy or simply cannot force themselves to hold back until someone has gone out and procured the necessary protective gear. Call girls don’t go "oops," and last week’s "friend" probably doesn’t either. Certainly my own friends who use the sexier personals sites (say, Nerve rather than Chemistry.com) don’t make amateur’s mistakes. They can’t afford to.

Now, "Female promiscuity — hobby or symptom?" Contemporary understanding points to neither, or both, or to questioning the entire category, since the word itself implies deviation from an assumed non-promiscuous norm. For the last 60 years or so, the basic sociobiological story has gone something like this: Men are naturally promiscuous (and interested in nubile young women) because sperm is cheap and the best route to reproductive success is to shoot (and shoot, and shoot) and run. Women, meanwhile, are naturally (if serially) monogamous because pregnancy and infancy are expensive and they will need the help of a well-to-do, physically strong male to help them achieve reproductive success. More recent research has served to completely bollux-up our tidy story, though.

"Chimpanzee males trade meat for sex!" announced pretty much every media outlet in April. No surprise there, really, but it also turned out that … female chimpanzees trade sex for meat. Lots of sex, although not on the first date, since they are not always in estrus at time of trade. Are they making bets on future help (and sperm donations) from males they are merely flirting with now? And are the males keeping a database of females who will later say yes? If they can carry on such complex sociosexual calculations, what else are they up to?

Meanwhile, our premier expert on the sociobiology of motherhood, Sarah Blaffer Hrdy, posits a revolutionary difference between ape societies and early (and modern) human ones, so big that it renders ape models even more useless than they already were as revisitable reservoirs of human history. Looking at modern hunter-gatherer societies, she sees cooperative parenting, a human invention, still in operation. It takes a village, in other words, men and women both, to raise a helpless human baby. And, looking back, the more we helped each other, the better our social and communication skills grew. Group responsibility for the children, she says, made us human.

More immediately apropos, perhaps, is the research (www.scientificblogging.com/news_articles/human_sex_roles_male_promiscuity_debunked_and_women_arent_all_picky_either) by Gillian Brown and associates, widely reported this spring, which examined mating behavior and reproductive success in 18 human societies and found that what people do depends on what else is going on: population density, differing life expectancies between the sexes, sex ratios, and a bunch of other variables made a huge difference in who was doing more or less of what with whom. Why this demonstration that humans are complex and adaptable should have come as much of a surprise to anyone, I couldn’t tell you. I admit, though, that I likewise couldn’t tell you that sociobiological research supports the innate wholesomeness of picking up men on Craigslist, and I doubt it ever will. I tend to be a worrier too, and I have certainly seen people, especially women, do a fair amount of psychic damage to themselves with ill-considered sex. But it would be pretty presumptuous to assume that last weeks "friend" is broken on the basis of, well, not knowing anything.

Love,

Andrea

P.S. Readers, what about you? Care to share your adventures in promiscuity, soul-deadening, life-affirming, or just plain OK? They would make a great column.

Don’t forget to read Andrea at Carnal Nation.com.

Carnaval eye: More samba and shimmy pics

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By Ariel Soto. Check out more Guardian Carnaval pics here.

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Carnaval is traditionally the last chance to get down and dirty before Lent, but in San Francisco it seems more like a major dance party running amok through the streets of the Mission District. This past Sunday, May 24th, 2009, the Grand Carnaval Parade boogied down Mission Street under a think, heavy and freezing blanket of fog that gave all the scantly clothed dancers serious goosebumps. I have to say, the best part of the parade were all the beautiful school kids, showing off their hip-hop moves and snazzy style. And then there were the Sunset Scavengers who danced and ran with their big metal trash cans. It was beyond goofy, but also impressive considering how heavy those bins were. In all, I loved all the feathers, the glitter and glam, and, of course, the awesome samba beats.

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‘Nero’ sandwich

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Danny Scheie, from left, and Kasey Mahaffy appear in the world premiere of You, Nero. Photo by Henry DiRocco.

By Kimberly Chun

After its extended production of The Lieutenant of Inishmore and now You, Nero, Berkeley Rep is starting to feel like your one-stop spot for chuckle-inducing high jinks. The latest offering aims a little lower, and loftier, than Martin McDonagh’s allegorical gore fest centered on Northern Ireland’s Troubles: Pulitzer-nominated local playwright and Stanford artist-in-residence (and San Francisco Chronicle movie critic Mick LaSalle’s spouse) Amy Freed trains her focus on one of the more notorious rulers of all time, Nero, a pint-sized sociopath who occasionally threatens to overrun Berkeley Rep’s intimate Thrust Stage with his whimsical mayhem and murder.

Danny Schiele brings a crazy-eyed, strutting, tummy-first egotism to his role as Nero as theatrical patron – a perspective that brings to mind that other dictator who fancied himself an artist, Adolf Hitler. We approach the meglomaniac through the prismatic gaze of hack playwright Scribonious (Jeff McCarthy), hired by the emperor to stage a spectacle in tribute to his decadent, violent rule. The catch: politics in imperial court are hell. First Nero’s smothering mistress Poppaea (Susannah Schulman) then his lover-like mother Agrippina (Lori Larsen) must have their say, before the compromised courtiers weigh in with an agenda of their own. Gladiatorial acts of empty but deadly combat morph into an all-too-familiar form of idol worship – **American Idol** style.

Freed’s lampoon of contemporary entertainment tends toward the Borscht Belt, often coming off as broad and brassy as centurion armor, yet she succeeds in drawing cringe-edged laughs with the jokes ala Nero’s ebullient “Another ottoman from the Ottoman Empire!” It helps to have a cast as adept and likeable as this one, with players like Kasey Mahaffy standing out as the cross-dressing castrati Fabiolo.

YOU, NERO
Through June 28.
Tues., 8 p.m.; Wed., 7 p.m.; Thurs. and Sat., 2 and 8 p.m.; Sun., 2 and 7 p.m.; $13.50-$71
Berkeley Repertory Theatre
Thrust Stage, 2025 Addison, Berkeley
(510) 647-2949

ChevWrong

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news@sfbg.com

When Chevron Corp. holds its annual shareholders meeting at its San Ramon headquarters May 27, its top executives are expected to give investors a glowing report on how this global enterprise came to rake in a profit of $23.9 billion last year — a staggering 28.1 percent increase over the past year.

As Chevron CEO Dave O’Reilly put it in the company’s annual report, 2008 was "a momentous year." Apparently O’Reilly will also claim that his company’s activities are improving people’s lot worldwide. "Energy," he writes, "is not a luxury — it’s the foundation for economic growth. By investing in the future, we’re creating value not only for our stakeholders, but we’re also building economic prosperity around the globe."

But O’Reilly’s high opinion of his company is not shared by a growing coalition of groups who believe that Chevron’s fifth consecutive year of record profits was earned, once again, at the cost of degrading the environment and its poorest communities, both here in Richmond and further afield, from the Amazon and Nigeria to Iraq and Kazakhastan.

Critics, who include what they describe as "a coalition of those directly affected by Chevron’s operations, political control, consumer abuse, and false promises," planned to hold a May 26 press conference to release The True Cost of Chevron, an alternative annual report that seeks to provide Chevron shareholders "with the most comprehensive exposé of Chevron’s operations — and the communities in struggle against them — ever compiled," according to the report’s authors.

The study includes reports from Alaska, California, Colorado, Florida, the Gulf Coast, Mississippi, New Jersey, New York, Utah, Washington, D.C, and Wyoming as well as Angola, Burma, Canada, Chad, Cameroon, Ecuador, Iraq, Kazakhstan, Nigeria, and the Philippines.

The next day, people carrying shareholder proxies intend to enter Chevron’s annual meeting to discuss the report with shareholders while a protest is held at Chevron’s front gates.

"Chevron’s 2008 annual report is a glossy celebration of the company’s most profitable year in its history, and one in which CEO David O’Reilly became the 15th highest paid U.S. chief executive, with nearly $50 million in total 2008 compensation," the authors state. "What Chevron’s annual report does not tell its shareholders is the true cost paid for those financial returns or the global movement gaining voice and strength against Chevron’s abuses."

The 44-page report details numerous lawsuits against the company, nationally and around the world — cases, the report’s authors claim, that have "potential liabilities in excess of Chevron’s total revenue from 2008, posing a material threat to shareholder value and the company’s bottom line."

As they wrote: "When a company operates in blatant disregard for the health, security, livelihood, safety, and environment of communities within which it operates, there can be real financial repercussions."

The report concludes with six specific obligations demanded of Chevron and leaves shareholders with the following message: "Chevron is right. The world will continue to use oil as it transitions to a sustainable green renewable energy economy. Whether Chevron will be in business as we make the transition depends upon what sort of company it chooses to be and whether the public is willing to support it."

The report also includes a series of large "ChevWrong Inhumane Energy ads" that spoof Chevron’s Human Energy ad campaign — images that popped up all across San Francisco last week after a group of renegade Chevron critics gathered at an secret location, mixed batches of wheat paste, and grabbed armfuls of the freely downloadable posters and set off into the night to bomb the city streets with the series of subvertisements.

Claiming that Chevron’s Human Energy campaign, which depicts smiling people alongside phrases like "I will try to leave the car at home more" is an attempt to greenwash the petro-giant’s activities, this group of mostly youthful critics pointed to the ongoing pollution, human rights abuses, and wars in regions where the oil company is stationed as they set off on bicycles, skateboards, and foot, armed with glue rollers and stacks of "ChevWrong" images. Some stashed their tools in Banana Republic shopping bags, which gave them an almost comical air of being disoriented tourists as they lurked and lingered on city street corners searching for suitable spots to paste their alternative ad campaign.

Soon newspaper racks on Market Street, pillars outside the Ferry Building, buildings in the Richmond District, and walls in North Beach bore the fruits of their work — along with the glass office door of public relations consultant Sam Singer, who represented Chevron in criticizing two renowned Ecuadorian environmental activists who were in town to receive the Goldman Prize.

"I will not complain about my asthma," states one such subversive ad, which depicts a beautiful but non-smiling young black man beside the claim that "Chevron’s refinery in Richmond, Calif. poisons the community." The ad is accompanied by a retooled logo that says "ChevWrong."

"I will try not to get cancer," states another that hot glue artists had affixed to Sandra Bullocks’ buttocks — or at least a life-sized depiction of the actress featured on a Market Street billboard promoting The Proposal.

"I will suffer in silence" states another, alongside the claim that Chevron props up Burma’s military dictatorship.

An ad reading "I will give my baby contaminated water" portrayed a smiling Nigerian woman alongside the claim that Chevron refuses to clean up its mess in Nigeria.

One activist told the Guardian she got involved "because Chevron is poisoning communities and cutting corners across the world, and is even shameless enough to do that here in Richmond."

Another said he was inspired to take this action because of a billion-dollar lawsuit Chevron is fighting in Ecuador, and because of its activities in Nigeria.

Others said they decided to drop the subvertisements all over the city after they heard that CBS Outdoor refused May 14 to sell the group space for the images on billboards citywide.

As they noted, the images are all freely downloadable from truecostofchevron.com, a site supported by Amazon Watch, Crude Accountability, Global Exchange, Justice in Nigeria Now, Rainforest Action Network, CorpWatch, Filipino-American Coalition for Environmental Solidarity, Environmental Rights Action/Friends of the Earth Nigeria, Trustees for Alaska, Communities for a Better Environment, Mpalabanda, Richmond Progressive Alliance, and EarthRights International.

Mitch Anderson, corporate accountability campaigner with Amazon Watch, confirmed that members of the truecostofchevron coalition approached CBS Outdoor but were told that CBS has a policy not to run negative or attack ads — a claim Anderson found laughable. "What about all the attack ads we see posted during election season?"

A CBS Outdoor spokesperson confirmed that CBS had refused to accept the proposed ad campaign, and that it is the company’s policy not to run negative or attack ads.

Calls to Rachel Sutton, Chevron PR person at its corporate headquarters in San Ramon, seeking comments about truecostofchevron’s charges remained unanswered as of press time.

But at Amazon Watch, Anderson said he thought it was "great that the Bay Area community took to the streets this week to tell Chevron that our hearts and minds are not for sale.

"Chevron is trying to paper-over its widespread human rights and environmental problems across the world by spending millions to propagate insulting lies," he continued. "From its disaster in Ecuador to its hiring of global warming deniers as lobbyists, this company has shown complete disregard for the environment, human rights, and yes, wisdom. Chevron is on the wrong side of history. Just as there can be no social justice on a dead planet, Chevron should know that you can’t profit off a dead planet either."

In a final swipe at Chevron’s Human Energy campaign, critics are distributing posters that ask "Will you join us?" and show a woman smiling alongside the promise "I will protest Chevron."

CounterCorp Anti-Corporate Film Festival

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PREVIEW Moving in its fourth year from autumn to an early summer slot, San Francisco’s CounterCorp Anti-Corporate Film Festival now provides an apt alternative-entertainment prelude to Memorial Day — because what, after all, is more patriotic these days than asking the question, "What are we fighting for?" Fittingly, the opener is about Big Oil. Sandy Cioffi (who’ll be present) at one point spent five days in the custody of Nigerian security forces while making Sweet Crude, an investigation of Shell Oil Corp. and other companies’ violence and environmental ruination in Nigeria’s Niger Delta. Likewise, Robert Cornellier’s Black Wave documents the seemingly neverending efforts to exact justice from ExxonMobil over the catastrophic Exxon Valdez spill in Alaska 20 years ago. Other highlights in this year’s all-documentary edition of CounterCorp include Sam Bozzo’s Blue Gold: World Water Wars, about the escalation of conflict and privatization around that most precious (and vanishing) natural resource; Steven Greenstreet’s Killer at Large, which analyzes the industrial agribiz/food processing causes behind an obesity epidemic that has begun reversing Americans’ previously steady trend toward longer life expectancies; and Brett Gaylor’s RIP: A Remix Manifesto, a "mash-up movie" about the wars between copyright law and free expression. No doubting where Gaylor stands on that issue: his entire movie is already available to download and remix yourself at www.opensourcecinema.org.

COUNTERCORP ANTI-CORPORATE FILM FESTIVAL Thurs/28–Sat/30, $5–$10. Victoria Theater, 2961 16th St., SF. www.countercorp.org

Racial justice: A to G spells victory

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OPINION On Tuesday, May 19, poor and working-class families of color packed the San Francisco School Board with a powerful message of hope, opportunity, and justice: we want the right to a secure future in our own city. To get a good job here, we know we need a high quality education that prepares us for college, career, or union trade — not poverty or prison.

After a year of research, organizing, and talking to thousands of families, collecting 3,000 postcards, and mobilizing hundreds of parents and youth, our proposal — that every San Francisco student have access to the so-called A–G classes — was approved, setting the stage for a systemic change in our public schools that could dramatically improve the lives of tens of thousands of students of color over the next few years.

A–G describes the high school coursework that state colleges require for admission. Setting A-G as part of the graduation requirement will finally give low-income black and Latino students access to high expectations and our state college system.

We will have to stay on top of the district and monitoring will be intense and long-term, but we have parent and student leaders ready for the task, because their own lives are at stake.

Our experience is that thousands of parents and students get the issues, but that so many San Franciscans, even progressive ones, just don’t. In San Francisco, 75 percent of children are black, Latino, Asian, or Pacific Islander, and more than 80 percent of those families are low income. A full 90 percent of the students in public schools are students of color. This means kids’ issues in San Francisco are issues of racial and economic justice.

Our issues are often not the ones that make front page news. Education outcomes for black children — right here in San Francisco — are the worst of the state’s urban districts. But this gets lost in the inside baseball reporting about City Hall politics, the flinging about of political self-righteousness, and frankly, issues like JROTC.

We believe that organizing families for racial equity in our public school system is core to a progressive agenda in the 21st century. Consider the following.

•<\!s> Young people’s future in the 21st century San Francisco economy now requires a college education. More than 50,000 blue-collar jobs that paid a living wage without requiring a degree have disappeared from SF over the last generation.

•<\!s> Only one in three students from SF schools graduated from high school prepared for a four-year university in 2008. Without access to college and career-ready A-G classes, most graduating students weren’t even eligible for either the U.C. or California state universities or prepared for a union apprenticeship exam.

•<\!s> Most black, Latino and Pacific Islander students do not have access the A-G college, career, and union trade path in San Francisco. In fact, five out of six Latino students and 9 out of 10 African American students graduated without the A-G classes required to even be eligible for a U.C. or state university.

This new school board policy might be one of the most important steps toward racial equity in a generation. Join our work to make San Francisco public schools a vehicle of economic opportunity, racial justice and democracy. *

N’Tanya Lee is executive director of Coleman Advocates for Children and Youth.

Newsom’s tax proposals

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EDITORIAL Mayor Gavin Newsom and a negotiating team from the Service Employees International Union Local 1021 have hammered out yet another deal, this one slightly better for the workers than the proposal that the 11,000 union members voted down last week. As part of the deal, SEIU members will take 10 legal holidays without pay over the next 14 months, and gain five floating paid holidays. It’s way better, for both the city and the union, than the prospect of 1,000 more layoffs — and the deep service cuts that so many job cuts would entail.

As a part of the negotiation, Newsom agreed to suspend any further layoffs — and, more important, promised to work with labor and the business community on possible revenue measures for November. That’s an encouraging sign, but Newsom needs to do much more. He needs to be out front, now, meeting openly with the various interest groups and constituencies and working with the supervisors to craft progressive new tax proposals that will work as more than a one-year stopgap.

Rahm Emmanuel, President Obama’s chief of staff, is famous for saying that no politician should let a crisis go to waste, and San Francisco’s current fiscal crisis ought to be a chance to fix the unfair and broken business tax system that both hampers job creation and allows the biggest players to get off far too easy.

And to make the point that he’s serious about raising new revenue, Newsom should include in the budget that he presents to the board a projection that the city will have another $100 million or so to spend in the next fiscal year because of revenue plans that he expects will pass, with his help and strong support, in November.

That would do two things: it would demonstrate to the supervisors that the mayor is serious about looking for ways to bring in more money, and it would stave off the most debilitating, immediate cuts for the beginning of Fiscal 2010.

Newsom is still a popular mayor and has a sophisticated political operation behind him. Right now he’s using his good will, fundraising ability, and seasoned political advisors to help him get elected governor. If he is willing to bring that level of effort back home — and use it to pass some significant tax reforms in his own city — it would do a lot more to show his leadership ability than all the campaign trips in the world. *

Carnaval snaps: booty calls, capoeira falls at the annual Mission getdown

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Bump ‘n’ shine. All photos by Kimberly Chun.

By Kimberly Chun

Yeah, we were chillin’ at Carnaval Sunday, May 24 – so much so this little lady almost got a bad case of hypothermia. Overcast skies and cold winds – nothing could keep Carnaval SF’s booty-jiggling, thong-busting, synchronized-dancing, capoeira-kicking crews from taking to the streets. Props to the ladies flashing cheeks and chest against the wind blowing down Balmy alley. Judging from the crowd response, it was fun, fun, fun for all (loved the spartan float carrying six-plus synchronized vibraphonists and the perky-nippled, mincing contingent of rare Xolo hounds), but two hours in, my camera finger got a wee too frosty. I warmed it up with a roasted corn cob at the free Carnaval Festival on Harrison and 20th streets where folks were shooting hoops in the NBA compound and lining up for free stuff like San Francisco Gigantes T’s.

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Prop. 8 decision Tuesday, for real

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By Tim Redmond

There have been so many rumors about the Supreme Court’s Prop. 8 decison that I was wary of believing anything until I saw it, but Calitics just reported that the court will publish it’s decision Tuesday at 10 am. To double check, I called the San Francisco CIty Attorney’s Office, and they confirmed it: Tuesday morning, we’ll know whether the Supremes think it’s okay to amend discrimination into the California Constitution.

I’m willing to be they overturn it. But I’m always an optimist.

Say goodbye to Gavin

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Because he’s going to be around even less now that his campaign for governor is officially underway. Not that he’s been around all the much anyway. I like the way CBS describes how he’s spending his time:

Newsom has recently taken time off from campaigning to address budget issues in San Francisco, where he told reporters Thursday morning that he hoped to complete his budget before the June 1 deadline

Excuse me — “taken time off from campaigning?” Uh, isn’t campaiging “taking time off” from the job he’s been elected to do and is getting paid to do? Just for the record (thanks, Kimo Crossman for noticing this), the City Charter says:

CAEC § 13.5 (b)(2); Government Code §§ 24001, 24002 . The Mayor shall devote his or her entire time and attention to the duties of the office, and shall not devote time or attention to any other occupation or business
activity

Now, I know when any poitician runs for higher office, the current office suffers (Barack Obama wasn’t introducing a lot of legislation in the U.S. Senate last year). And that’s to be expected, and while the people of Illinois had a senator who was missing from the Senate a lot, I think most of them, like me, are glad that Obama did what he did.

Still, being mayor of a city that’s in a state of crisis is a little different. Running for governor is fine, but I’d rather it wasn’t Newsom’s major occupation, at least not right now.

Meanwhile, Sfist has a fascinating poll. These things are not at all scientific, and can easily be gamed, and it’s a small sample, but: remember, most sfist readers are San Franciscans, and I would guess the demographic skews young — that is, they’re Gavin’s people. And guess what?

About 50 percent like Jerry Brown. Only 30 percent like Newsom. A typical comment:

Let’s see, morally bankrupt, puppet mayor of San Francisco, morally bankrupt, idiot mayor of LA or the kooky old guy with more experience in his pinky than the other two combined.

Newsom better get his Plumpjack busboy uniform pressed or get used to being a socialite – again.

Gavin Newsom: Coming soon to a dog park near you, Mill Valley.

Now, before Nathan Ballard starts running around the office logging into every computer he can and piling up the Newsom votes, we all know that races are not won and lost on blog polls. Who knows — Jerry’s kids may have already started that game (although I don’t think they quite have it together at this point). And numbers aside, Newsom is running a sharp campaign. He’s selling himself as the agent of change, and Brown as yesterday’s news, and that will work — unless people take a hard look at what our mayor has actually done, in his own city.

Which doesn’t amount to much.

Criticism of BART oversight plans grows

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By Tim Redmond

I’m not the only one criticizing the BART Board’s weak and ineffective proposal for police oversight. The conservative Contra Costa Times weighed in today with a strong editorial saying that the BART proposal doesn’t go far enough and suggesting that BART adopt a San Francisco-style model:

BART should consider putting together a review board similar to what San Francisco has with its police review commission. It has a say over discipline of officers for serious offenses.

At the very least, a BART auditor and review panel should have a strong voice in developing hiring and training policies for BART officers. They also should be trusted to do more than simply offer their opinions regarding discipline of transit officers.

So when the Guardian and the CoCo Times agree on something, it’s pretty clear that a wide range of people with divergent viewpoints want more action than the BART Board has offered. I hope the board members are paying attention.

It’s so Chevwrong

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Reports are sketchy, but it looks as if San Francisco got hit by a new crop of subvertisements last night, this time parodying Chevron’s latest ad campaign, which critics have panned as a bunch of greenwashing.

Viewed up close and personal, the above ad that some hot glue artists slapped onto Sandra Bullocks’ buttocks reads, “I will try not to get cancer,”as it targets Chevron’s refinery in Richmond and encourages the curious to visit truecostofchevron.com.

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Also targeted are Chevron’s activities in Burma, Ecuador, Kazakhastan, Iraq and Nigeria. The action appears aimed at Chevron’s upcoming May 27 shareholder meeting and you can read an “alternative” report at the truecostofchevron.com.

SFIAF’s dance events

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PREVIEW Perhaps the best part of this year’s San Francisco International Arts Festival is that it’s happening at all. After the dispiriting news of the demise of the Oakland Ballet, one is grateful for anybody who is surviving. SFIAF’s dance offerings are not as many as most of us would like, but they are excellent and splendidly varied. The hottest ticket in town, of course, is Sasha Waltz and Guests. The Goethe Institute also includes her work in its concurrent film series. Scott Wells and Dancers are bringing two weekends of sometimes unruly but ever-so-cheeky testosterone-laden work to CounterPULSE, while Jess Curtis/Gravity is leaving its home at CounterPULSE to take a version of its Symmetry Project to Union Square. Curtis and Maria F. Scaroni, in the company of local dancers, will perform their new Transmission. Gravity will appear as part of the free "Jewels in the Square" series, daily noontime performances by local and international dancers throughout the festival. Last, but by no means least, Gamelan Sekar Jaya celebrates its 30th anniversary during the fest. May they have many more and may we have many more SF International Arts Festivals.

SAN FRANCISCO INTERNATIONAL ARTS FESTIVAL May 20-31, various venues. www.sfiaf.org