San Francisco

Goldies Extra — Cary Cronenwett’s revolution now

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By Cheryl Eddy

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Still from Maggots and Men

“It was schoolboys sitting in the classroom, having daydreams,” Cary Cronenwett explains, describing Phineas Slipped, his 2003 debut as a director. “The classroom was in video, and the daydreams that the boys had were little Super 8 [films]. It was bullies, and bullies being bullied, and it was sexy and violent and stuff like that.”

Five years in the making — including time spent studying filmmaking at City College of San Francisco with director of photography Ilona Berger — Cronenwett’s follow-up effort Maggots and Men was first seen by Bay Area audiences as a short film (“sort of an overgrown trailer,” as Cronenwett calls it)


trailer for Maggots and Men

Maggots and Men | MySpace Video

“The structure of the film is kind of expandable and contractable. It’s broken up into discrete stories, or segments. More of those could be added, or taken away,” Cronenwett says. “I did the same thing with my first film: the idea was to get three quarters of the way through it, and then see what’s needed. I always wanted to lean towards the side of making it shorter and really dense. But I also thought, we’ll see how it works out and maybe it needs to become longer.”

Newsom and the next chapter

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By Tim Redmond

It’s a little weird that Gavin Newsom just disappeared after dropping out of the governor’s race. I had a feeling that he wasn’t going to hold up well under the pressure; he loves celebrity, loves to be on the A-List and loves to hear himself talk, but he can’t take a punch. And getting hit, a lot, is a big part of statewide politics. So I suspect that when he realized that this particular dream was over — clunk! — and that in two years, he’s not going to be anything but Gavin Newsom, citizen, he had a little meltdown.

This ought to be cause for concern: Somebody has to run the city for the next two years, and either Newsom is going to buck up, get back to work and try to change the way he does business — or he’s going to be a bitter lame-duck who can’t get anything accomplished except to go all Nixonian and attack his enemies.

I’m really hoping it’s the former — and now that he’s off his statewide horse, I think it’s safe to say that most of the supervisors, including the progressives he so disdains, would be more than willing to start working with him. I’d love to see the mayor come back from Hawaii with a clear understanding of what went wrong with his campaign. As we point out in an editorial today:

If the real Gavin Newsom had been anything like the campaign picture his handlers tried to present, he would have been a serious candidate. Newsom the candidate was a leader who brought San Franciscans together to get things accomplished. He was a progressive thinker who created universal health care and an effective budget process with a rainy day fund that prevented teacher layoffs. He was bold enough to challenge federal and state law on same-sex marriage and demand equality for all.

But Newsom the mayor was actually a snippy politician who refused to work with the Board of Supervisors and would never engage his opponents. He was great at press releases but short on accomplishments — universal health care and the rainy day fund were projects put together by Tom Ammiano, one of the supervisors the mayor disdained, who is now a state Assembly member. He refused to take a lead role fighting Pacific Gas and Electric Co. to promote clean energy and public power. And for all his success in moving same-sex marriage forward, he never once managed to bring that kind of progressive energy or policy-making to economic issues. His budget this year was the same as Republican Gov. Arnold Schwarzenegger’s budget — cuts and fees only. No new taxes.

As a result, the progressives and independent voters in his own town didn’t support his campaign — and without the environmentalists, labor, tenants, and progressive elected officials from San Francisco behind him, there was no way he could generate an honest grassroots movement.

I’d love to see the mayor reach out to the folks who have been snubbed all these years. Let’s talk about making the city budget work for everyone — and if that means some new revenue sources (which lots of other cities seemed to be able to pull off), at least he doesn’t have to worry about running statewide after raising local taxes.

He can take a hard look at where his cuts have really hit and try to work with labor to spread the pain a little better and chop from the top, not just the bottom.

He can become a real, serious clean-energy leader by strongly supporting CCA and taking a visible public role in the campaign against PG&E’s anti-public-power initiative.

The city’s ready for a Gavin, Chapter Two. And he wouldn’t be the first politician to rebound from a defeat, learn his lesson and start his career up again.

Any bets on whether that’s going to happen?

Goldies Extra: Veronica De Jesus scores

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By Brandon Bussolini

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Veronica De Jesus, It’s a Battle, pen and marker on watercolor paper, 9″ x 12″, 2008

Sports and business figure heavily in the drawings of Veronica De Jesus. Her art doesn’t have the broad shoulders or spectacles of an ex-jock like Matthew Barney, but the biggest pieces in De Jesus’ recent solo show at Michael Rosenthal, “Do The Waive,” were of sports players, and smaller drawings incorporate hand-drawn, hurt-looking corporate logos. Awkwardly caught mid-evasion, the extra leg on the football player captured in Breadwinner is a happy accident that makes the drawing equal parts action shot and portrait. San Francisco artist Colter Jacobsen shares De Jesus’ attraction to drawing and memory, though the two have very distinct styles. When I ask him via e-mail what he takes away from his friend’s art, he replies that in De Jesus’s work, “there is really no erasure to a mark, even a mess-up, all the lines are additive.”

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Veronica De Jesus, Breadwinner, watercolor, ink, conte on paper, 72″ x 36″, 2008

SF leaders blew it on taxes

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By Steven T. Jones
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San Francisco missed an important opportunity to pass new taxes yesterday, and it was an opportunity missed because of a lack of political leadership in this city, which failed to put any tax measures on the ballot. Because there are signs in yesterday’s votes that, while people may not like new taxes, they hate the drastic downsizing of government even more.

As the Chronicle reported, tax measures passed in several Bay Area cities that are far less politically progressive than San Francisco. And in Maine, voters rejected same-sex marriage, but they voted overwhelming against measures to lower the car tax and require voter approval for tax increases (the latest battle in a right-wing crusade that began in California).

Here in San Francisco, where voters don’t like advertising signs or corporate sell-outs, we nonetheless voted to sell naming rights to Candlestick Park. And the nearly 40,000 people who went that way, 57.5 percent of the voters, was almost identical to the number who approved Prop. E, which banned new general advertising on public property.
To me, that’s not a contradiction, but a clear sign that people desperately want local government to have more money, even if it means accepting things they don’t like. Such as signs, or taxes.

Prop. D, which would have allowed billboards along a stretch of Market Street, was another indicator. Even some progressives supported the measure out of desperation to address blight in mid-Market, but it ultimately failed by 10 percentage points. But we don’t need to be that desperate, not if our political leaders start making the argument now for higher taxes on the wealthiest individuals and corporations in the city.

The Right (and that includes all those San Francisco economic conservatives who call themselves “moderates,” such as Gavin Newsom) is wrong. People no longer buy the Reagan mantra “government is the problem,” and perhaps, just maybe, they’re starting to realize that we need to begin to rescue the public sector from these anti-tax zealots.

Beth Wilmurt

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Beth Wilmurt

arts@sfbg.com

Beth Wilmurt’s whole approach to acting is a little unexpected, not unlike the devastatingly unassuming characters she can manifest — most recently, an excellent ensemble turn this year in Marcus Gardley’s This World in a Woman’s Hands at Shotgun Players. Over beers and enchiladas in the Mission District, she even confesses to a certain ambivalence. "Joy Carlin [who directed her this summer in Aurora Theatre’s Jack Goes Boating] just told me the other day, ‘You think like a dramaturge and a director, but not like an actor.’ And I started to realize maybe I’m not as interested in thinking like an actor. It’s not as fun. I like more conceptual things. I like thematic things. Sometimes I don’t even attend to character."

Wilmurt worked regularly in musicals at Concord’s Willows Theatre while still at San Francisco State University, where she and her companion of 18 years, director-playwright Mark Jackson, met as classmates in the drama department. In 1995 she formed Art Street Theatre with Jackson, Kevin Clarke, and Jake Rodriguez, and moved swiftly into bold experimental work, including a radically reinterpreted version of Romeo and Juliet (called R&J), which she called "Shakespeare thrown into a blender." That same spirit and method of blowing apart a classic and reconstituting it from the outside-in powers her memorable "two-minute Hamlet," a tour de force of physical technique and imagination tucked into Jackson’s generally stunning The Death of Meyerhold (2004). It also found an exceptional outlet in 2008’s Yes, Yes to Moscow, a wonderfully deft, insouciant, and absolutely telling deconstruction of Chekhov’s Three Sisters developed by Wilmurt and Jackson in collaboration with German theater artists during a stint at Berlin’s Deutsches Theater.

Can an actor of such versatility and so many successes really be ambivalent about acting? Yes and no. "I’d love to transition into directing, but I see that I am not quite right for directing either," Wilmurt explains. "I’m not a leader; I’m a follower. I’m an ensemble member, yet I have this mind like a director." She readily admits that living with a director may have something to do with this. But it’s clear there’s a more basic inclination at work, an intellectual curiosity and a capacity to forgo ego in the name of collaboration and its subtler satisfactions. It’s this very trait that lends her acting a seamlessness and flexibility — and makes her an artist to watch.

www.artstreettheatre.org/beth

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Thrillpeddlers

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Thrillpeddlers

If you dare! Venture to the Hypnodrome, home of San Francisco’s Thrillpeddlers. The company is America’s preeminent producer of plays from the Grand Guignol, the infamous Parisian theater that peddled thrills (if you will) from 1897-1962; the Hypnodrome, which seats 45, has been in operation for five years. The brave can choose to sit in "shock boxes" that line the theater’s back row — each box is tricked out with buzzers and other devices designed to lend an extra-sensational experience. These special seats also add enhancement to a Thrillpeddlers tradition: a blackout "spook show" (three minutes of pitch-black mayhem!) that is part of every performance.

This year marks Thrillpeddlers’ 10th "Shocktoberfest," an evening-length show compiling a few short plays. Typical for the company, the current bill combines an original work, Phantom Limb, with an authentic Guignol relic, 1922’s The Torture Garden.

"The Grand Guignol was the first theater to have an operating room onstage, with an on-stage surgery, or to set plays in insane asylums," director Russell Blackwood explains. "They started their work in the theater of naturalism, so they were going to places that the theater would never deal with prior to that." Naturally, Parisian audiences back in the day lapped up the gore — and so do "Hypnodromers," repeat offenders who see every Thrillpeddlers show six or seven times.

Shocktoberfest 2009 shares marquee space with a newer, non-Grand Guignol Thrillpeddlers endeavor: the "Theater of the Ridiculous Revival." The second annual incarnation features the musical Pearls Over Shanghai, first performed 40 years ago by legendary San Francisco theater troupe the Cockettes. It’s been a huge hit, extended from its summertime run through New Year’s weekend.

Thrillpeddlers is now known worldwide, thanks in part to its Web sites, thrillpeddlers.com and grandguignol.com — resources that have inspired other companies to take up the Grand Guignol. If Blackwood has his way, spines will be tingled in San Francisco and beyond for years to come.

"Spook shows, like Grand Guignol, like Theater of the Ridiculous, are this very, very marginal part of entertainment history. It’s the kind of thing that when I would read about it, I would want to see it, and I couldn’t help but feel like there were other people out there who maybe had heard of it and would want to see what it was like live," Blackwood says, with the satisfaction of someone who’s found what he was looking for.

www.thrillpeddlers.com

www.grandguignol.com

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Nol Simonse

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Nol Simonse

arts@sfbg.com

Nol Simonse has no preconceptions about what he wants in a boyfriend, except one. "He has to be able to cut and color a mohawk," the 36-year-old dancer explains before a rehearsal at Dance Mission Theater. His own have ranged from huge to skull-hugging and have tapped into all the colors of the rainbow.

His hair might be the first thing you notice about the tall, reed-thin, and (currently) blond Simonse. But it’s not what you remember once you’ve seen him on stage, with or without an adorned head. He can melt to the floor and give the impression he’s spilling out of his skin; the next moment, he might be caressing some invisible tendril and reaching for the sun. No wonder he is ubiquitous in San Francisco dance.

Simonse has been dancing for major companies like Janice Garrett and Dancers and Stephen Pelton Dance Theater since 2002. Garrett calls him "an amazingly soulful" artist; Pelton admires him because he is always "fully present within the movement." Simonse was a founding member of Kunst-Stoff, was part of Dandelion Dance Theater’s Undressed Project, and has been dancing with choreographers as different as Sue Roginski, Christy Funsch, Heidi Schweiker, Kara Davis, and Sean Dorsey. Filmmaker Greta Schoenberg shot 2006’s Hopscotch with him. When ACT approached him about working with a group of SF Ballet dancers for their The Tosca Project, his response was "why not?" His appetite for dance is insatiable. Simonse needs a database to track his schedule. Instead he writes himself notes "on little sheets of paper — I don’t do computers."

All this activity is not what Simonse expected when he moved to the Bay Area from Virginia, having dropped out of college because he "couldn’t dance 12 hours a day and party all night." He was living in a Tenderloin hotel when he met Tomi Paasonen, cofounder with Yannis Adoniou of Kunst-Stoff. "I hadn’t been dancing for a while, but Tomi told me all I had to do was shake around and be weird." That gig yielded him his first paying job: "I was a pig — a very big pig."

Shortly after that momentous debut, Simonse met ballet teacher Augusta Moore, who encouraged him to seriously pursue his training. His last piece with Kunst-Stoff was Less Sylphides, Adoniou’s deconstruction of one of the great classical ballets. Simonse hasn’t stopped dancing since. Except — ah, yes — he now also choreographs.

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Ty Segall

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Ty Segall

arts@sfbg.com

"Anything can really fly in a song with me," says garage-rock savant Ty Segall. Fast cars, and ugly attitudes pasted on pretty ladies, anyone? "But I don’t like writing songs with the words girl or baby in them. It’s rock ‘n’ roll, but the bad part of rock ‘n’ roll is it’s been done too much."

Don’t get Segall wrong. He may have recently graduated from the University of San Francisco with a degree in media studies, but he’s still an avid student of an ear-popping sound. He bashes out the jams, smashes through complacency, and carries a big guitar. "There are too many love songs out there," he continues, "though there are great ones. And I’ve written songs with girl and baby in them, but I was a lot younger."

The Laguna Beach-bred Segall harks back to the time when rock ‘n’ roll was a very young man’s — not graying boomer’s — game. At the tender age of 22, the prolific musicmaker has already established a beachhead in the underground as a go-to, go-anywhere, ultra-prolific talent, whether he’s playing with SoCal’s Epsilons or his fellow Orange County pals in the SF-based Traditional Fools, going solo as a manic one-man band on vocals, guitar, and kick drum, or pinch-hitting in the Mothballs, the Fresh and Onlys, or Sic Alps.

It’s been a bustling year for Segall, speaking from his SF home on a cool, sunny autumnal weekday. In line with this spring’s collegiate graduation, he also graduated from the comforts of a band to sailing solo with his first self-titled full-length on Thee Oh Sees honcho John Dwyer’s Castle Face imprint, released late last year. The gooey, reverb-happy, echo-rific document of his one-man-band approach kept one ear on old-school garage grandpappies like the Standells and another on kindred spirits and contemporaries such as the Black Lips.

Snapping at its heels came this summer’s second solo LP, Lemons (Goner), a blast from Segall’s past consisting of old and new tunes he tracked in his bedroom, songs that cried out for a full band treatment. Wringing rockin’ poetry out of the very state of speechlessness ("Can’t Talk"), Segall synthesizes the blunt-force melodicism of Sic Alps ("Cents"), filtering it through a sensibility fostered on the skate vid soundtracks and classic pop songwriting.

www.myspace.com/tysegall

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Emory Douglas

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Emory Douglas

arts@sfbg.com

As a teenager, Emory Douglas was sentenced to 15 months at the Youth Training School in Ontario. It may have been the best thing for him — and the worst thing "the Man" could have done. In the prison printing shop, he discovered a gift for print and collage he would later use as the minister of culture for the Black Panther Party. From 1967 until the party disbanded in the 1980s, his iconic graphic art marked most issues of the newspaper The Black Panther.

Douglas brought the militant chic of the Panther image to the masses, using the newspaper to incite the oppressed to action. In the name of expediency and limited resources, he developed collage tricks to maximize his passionate message. His back-page posters emphasized the Panthers’ community programs, like free breakfast for children, clinics, schools, and arts events. His works presented the struggle with a mixture of empathy and outrage — sometimes direct, sometimes allegorical — that remains innovative and contemporary amid today’s high-tech standards.

In a 1968 salvo called "Position Paper No. 1 on Revolutionary Art," Douglas states: "Revolutionary art is learned in the ghetto from the pig cops on the beat, demagogue politicians, and avaricious businessmen. Not in the schools of fine art. The Revolutionary artist…hears the sounds of footsteps of black people trampling the ghetto streets and translates them into pictures of slow revolts against the slave masters, stomping them in their brains with bullets, that we can have power and freedom to determine the destiny of our community and help to build our world." For 33 years Douglas has stood by these words, working toward a better world for the people.

When Rizzoli published a compendium of Douglas’s posters, broadsheets, and fliers in 2007, a new generation became familiar with the causes of solidarity, liberation, and self-determination he holds dear. He has since had large-scale shows at sites such as L.A.’s Museum of Contemporary Art, while his commitment to social change has led to exhibitions and speaking engagements at Oakland’s New Black World and the sorely-missed Babylon Falling in San Francisco. His interpretation of Toni Morrison’s Bluest Eye for last year’s "Banned and Recovered" show at San Francisco Center of the Book was one of the standout pieces of 2008.

Douglas’ work captures the tragedy and triumph of the disenfranchised, impoverished, and fed up; an eternal struggle against those blessed with power who choose to abuse it. Much like the works of Goya and the words of Hugo, his contribution to that struggle remains immeasurable — not just for what he has created, but for the people he will empower for generations to come.

www.itsabouttimebpp.com

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Cary Cronenwett

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Cary Cronenwett

Cary Cronenwett first heard the cinematic call in 1998. He was volunteering at Frameline, the San Francisco International LGBT Film Festival, and caught an experimental film, Dandy Dust, by Austrian director A. Hans Schierl. "That made me think, ‘Wow — I could make a film.’ I think it’s a natural reaction that everybody has after watching a shorts program. I was like, ‘I’ll make something five minutes [long] — it’ll be really cool!’"

As Cronenwett soon realized, nothing is easy when it comes to filmmaking. In 2003, after more than a year of work, Phineas Slipped, a 16-minute short about daydreaming schoolboys, screened at Frameline. One of Phineas Slipped‘s main characters is played by Stormy Henry Knight, who also stars in Cronenwett’s debut feature, Maggots and Men. Earlier this year, Cronenwett described Knight to Guardian writer Matt Sussman as "the transgender Matt Dillon" — and the principle Maggots cast is composed of similarly hunky FTM actors, along with a handful of women and biological men (including a Lenin lookalike). The story is based on the real-life Kronstadt Rebellion of 1921, in which a group of sailors organized an ultimately unsuccessful revolt against the Bolshevik government. The style is reminiscent of Russian director Sergei Eisenstein’s most famous film, a chapter of which gave Maggots its title.

"I hadn’t seen Battleship Potemkin [1925] when I had the idea [for Maggots and Men]," Cronenwett admits. "My interest was making a sailor movie and playing with the masculine icon. I wanted to do something that was really romantic and took place in a different time and place."

Five years in the making — including time spent studying filmmaking at City College of San Francisco — the work was first seen by Bay Area audiences as a short film at Frameline 2008. The final, 53-minute version unspooled at Frameline 2009; Cronenwett credits San Francisco’s vast DIY and artistic networks with helping him get to the finish line: "Different people got excited about the project for different reasons. Some people were drawn because they’re interested in Russian history, [or] Super 8 special effects. And then we had trans guys who were interested in working with other trans guys on an art project, which was exciting."

The film’s revolutionary ideas extend beyond historical reenactment. "The film contextualizes the movement for transgender equality in a larger social justice movement," Cronenwett wrote in a post-interview e-mail. "It’s about hope, a vision. It’s about the corruption of power and a system that crushes its opposition. It’s about wanting more from society."

www.homepage.mac.com/gowithflo/krondweb

>>GOLDIES 2009: The 21st Guardian Outstanding Local Discovery awards, honoring the Bay’s best in arts

Sugar Pie DeSanto

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Sugar Pie DeSanto

arts@sfbg.com

It’s a sunny afternoon, but the lights are low and moody at Duke’s R&B in Oakland. Sugar Pie DeSanto sits at a table with her manager, James C. Moore of Jasman Records. Her 74th birthday is four days in the rear-view mirror. A fresher, harsher anniversary has her deep in thought. “Gotta be gung-ho,” she says. “If you aren’t, then you’re a deadbeat — and I hate a deadbeat.”

Legends of the “Old Fillmore” float around San Francisco like boozy ghosts, shaming the city’s golf shirt rewrite of itself. It’s as if all that was hip, clean, and gut-bucket funky about San Francisco has been expunged — consigned to work in the garage, where oily coveralls hide the gabardine suits, and a hat-in-hand shuffle has replaced the high-step. Fortunately for us, some forces from the golden age of San Francisco hip are too tough and resilient to back down, back up, or backstep. We have Sugar Pie DeSanto to remind us how marvelous we were — and can be.

Born Umpeylia Marsema Balinton, the “Queen of the West Coast Blues” was raised in the Fillmore District, where she was part of a girl gang called the Lucky 20s, along with her cousin, Etta James. After she won a talent contest in L.A., R&B frontman Johnny Otis signed her to a recording contract in 1954. Because of her doll-like stature, he labeled her “Little Miss Sugar Pie.”

Though a little under five feet and all of 90 pounds, the woman soon to score hits as Sugar Pie DeSanto was one of the “cussing-est” performers backstage, and a mean hoofer to boot. Her backflips at the Apollo and scissor-kicks on the stages of London are the stuff of myth. Recordings from her stint as a songwriter and performer for the famous Chess Records in Chicago still scorch today. The evidence is all over this year’s wig-flopping, witchy Go Go Power: The Complete Chess Singles 1961-1966 (Kent), a slip-in mule kick to the ass of contemporary R&B.

Sugar Pie DeSanto ain’t slowing down. In fact, she’s throwing down — with a quartet of albums in the last decade and a notoriously wild live show. When she sings “Hello San Francisco,” it’s possible to feel the spirit — and the potential — of the city where she grew up. Almost exactly three years to the day that a fire claimed her belongings, her written story, and most painfully, her husband Jesse Davis, she’s at Duke’s Place, decked out in beautiful blue, holding a piano-key purse, and deep in thought. “Thank you Jesus,” she says wryly, upon being called over to take some photos. A few seconds later, she smiles, and lights up the whole damn joint. www.jasmanrecords.com

Marching on Chevron

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Marching on Chevron

news@sfbg.com

GREEN CITY Although the 250-seat Roxie Theater auditorium was filled to capacity for the Nov. 1 screening of the controversial film “The Yes Men Fix the World,” the real action took place on the city’s streets when audience members took the film’s anticorporate message directly to an oil giant’s door.

Activists from Global Exchange co-organized the San Francisco film premiere to protest alleged human rights abuses and environmental devastation by Chevron Corporation, California’s largest corporation and the fifth largest in the world. The theatrical protest followed the film and ran from 16th Street to a Chevron station at Market and Castro streets.

Antonia Juhasz, director of Global Exchange’s Chevron Program, introduced the film, riling up the crowd when she said, “After viewing this film, we will be so inspired we won’t know what to do with ourselves. But we need to take this energy and direct it toward affecting change.”

The film chronicles the exploits of “Yes Men” Andy Bichlbaum and Mike Bonanno, following the pair as they perform various publicity stunts in an attempt to illustrate the greed and corruption of the free-market system and draw attention to their progressive causes.

Currently being sued by the U.S. Chamber of Commerce for recently staging a fake press conference on global warming, the duo have been called world-renowned troublemakers because of antics like announcing live on BBC that the Dow Chemical Company would finally clean up the site of the Bhopal, India, gas leak and compensate the victims.

Although the film does not directly reference Chevron, it aspires to hold corporations accountable for impacts to the communities they operate in. Juhasz said that although Chevron spends billions of dollars on advertising campaigns, it operates with blatant disregard for the environment.

Chevron spends less than 3 percent of its expenditures on alternative energy, operates a coal company, and is among the world’s largest corporate contributors to global warming, she said.

“We want to link communities in the struggle against this corporation, demanding policy changes and building pressure where Chevron operates,” Juhasz said. “By targeting one company, the whole industry is affected and eventually energy policies can be changed.”

The procession was led by protestors dressed as Chevron officials, cleaners, and absurd imaginary products. “Today we are demonstrating what Chevron is actually doing,” said Rae Abileah, grassroots coordinator for CodePink, the antiwar group that participated in the event. “We are just showing what a mockery this all is and that we can rise up as people to transform our world.”

As “I Will Survive” blared from speakers, the procession had a party-like atmosphere that attracted bystanders. Larry Bogad, an associate professor at UC Davis, came up with the concept and told us that “by using surprise, humor, imagination, and protest to engage people, we can stimulate thought and draw a deeper and wider attention to the issue.”

For David Solnit, organizer with the Mobilization for Climate Justice, the unusual nature of the event was exactly what made it so effective. “We are taking a popular film that deals with corporate power and trying to break down the barrier between consuming media and taking action,” he said.

Bichlbaum, one of the film’s stars, attended the protest and spoke about the importance of the grassroots movement. “If I can do it, anyone can … You need your feet and a bunch of friends. That is much more important than a business card.”

Juhasz said the destination for the procession was a symbolic choice. “This is an independently-owned Chevron station. The target is not the station, but a theatrical event to draw attention to the issue in the spirit of theater and fun.”

Although he didn’t attend the event, the station’s owner, David Sahagun, told the Guardian: “Employees told me that the crowd was well behaved and did a good job making their point.” As former president of the San Francisco Small Business Network, he stressed the struggles of locally-owned businesses in the face of large corporations and said he was “trying to be a community partner”

Chevron officials did not return calls seeking comment.

The battle for District 6

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The battle for District 6

tredmond@sfbg.com

The race to replace Chris Daly — the always progressive, sometimes hotheaded supervisor who has dominated District 6 politics for almost a decade — is becoming one of the most important battles of 2010, with the balance of power on the board potentially in play.

Through whatever accident of politics and geography, San Francisco’s even-numbered districts — five of which will be up for election next fall — haven’t tended to fall in the progressive column. Districts 2 (Marina-Pacific Heights) and 4 (Outer Sunset) are home to the city’s more conservative supervisors, Michela Alioto-Pier and Carmen Chu. District 8 (the Castro) has elected the moderate-centrist Bevan Dufty, and District 10 is represented by Sophie Maxwell, who sometimes sides with the progressives but isn’t considered a solid left vote.

District 6 is different. The South of Market area is among the most liberal-voting parts of San Francisco, and since 2000, Daly has made his mark as a stalwart of the board’s left flank. And while progressive are hoping for victories in districts 8 and 10 — and will be pouring considerable effort and organizing energy into those areas — Daly’s district (like District 5, the Haight/Western Addition; and District 9, Mission/Bernal Heights) ought to be almost a gimme.

But the prospect of three progressive candidates fighting each other for votes — along with the high-profile entry of Human Rights Commission director Theresa Sparks, who is more moderate politically — has a lot of observers scratching their heads.

Is it possible that the progressives, who have only minor disagreements on the major issues, will beat each other up and split the votes enough that one of the city’s more liberal districts could shift from the progressive to the moderate column?

A FORMIDABLE CANDIDATE


A few months ago, District 6 was Debra Walker’s to lose. The Building Inspection Commission member, who has lived in the district for 25 years, has a long history on anti-gentrification issues and strong support in the LGBT community.

Jim Meko, who also has more than a quarter century in the district and chaired the Western SOMA planning task force, was also a progressive candidate but lacked Walker’s name recognition and all-star list of endorsements.

Then rumors began to fly that school board member Jane Kim — who moved into the district a few months ago — was interested in running. Kim has been a leading progressive voice on the school board and has proven she can win a citywide race. She told me she’s thinking seriously about running, but hasn’t decided yet.

Having Kim in the race might not have been a huge issue — in District 9 last year, three strong progressives competed and it was clear that one would be the ultimate winner. But over the past two weeks, Theresa Sparks has emerged as a likely contender — and if she runs, which seems more than likely at this point, she will be a serious candidate.

Sparks picked up the kind of press most potential candidates would die for: a front-page story in SF Weekly and a long, flattering profile in San Francisco magazine, which called her "San Francisco’s most electrifying candidate since Harvey Milk." Sparks does have a compelling personal tale: a transgender woman who began her transition in middle age, survived appalling levels of discrimination, became a civil rights activist and now is seeking to be the first trans person elected to the San Francisco Board of Supervisors.

She has experience in business and politics, served on the Police Commission, and was named a Woman of the Year by the California State Assembly (thanks to her friend Sen. Mark Leno, who would likely support her if she runs).

"Anyone who knows Theresa knows that she is smart, a formidable candidate, can fundraise, and will run a strong race," Robert Haaland, a trans man and labor activist who supports Walker, wrote on a Web posting recently.

She’s also, by most accounts (including her own) a good bit more moderate than Walker, Meko, and Kim.

LAW AND ORDER


Sparks doesn’t define herself with the progressive camp: "I think it’s hard to label myself," she said. "I try to look at each issue independently." Her first major issue, she told me, would be public safety — and there she differs markedly from the progressive candidates. "I was adamantly against cuts to the police department," she said. "I didn’t think this was a good time to reduce our police force."

She said she supported Sup. David Campos’ legislation — which directs local law enforcement agents not to turn immigrant youth over to federal immigration authorities until they’re found guilty by a court — "in concept." But she told me she thinks the bill should have been tougher on "habitual offenders." She also said she supports Police Chief George Gascón’s crackdown on Tenderloin drug sales.

And she starts off with what some call a conflict of interest: Mayor Gavin Newsom just appointed her to the $160,000-a-year post as head of the HRC, and she doesn’t intend to step down or take a leave while she runs. She told me she doesn’t see any problem — she devoted more than 20 hours a week to Police Commission work while holding down another full-time job. "I don’t know why it would be an issue," she said, noting that Emily Murase ran for the school board while working as the director of the city’s Commission on the Status of Women.

But some see it differently. "It would be as if the school superintendent hired someone to a senior job just as that person decided to run for school board," Haaland said.

Sparks’ election would be a landmark victory for trans people. For a community that has been isolated, dismissed, and ignored, her candidacy (like Haaland’s 2004 run in District 5) will inspire and motivate thousands of people. And it’s a tough one for the left — opposing a candidate whose election would mean so much to so many members of one of the city’s most marginalized communities could be painful. "A lot of folks will say that the progressives will never support a transgender candidate," Haaland noted.

But in terms of the city’s geopolitics, it’s also true that electing Sparks would probably move District 6 out of the solidly progressive column.

"If we lose D6, it’s huge," Walker noted. "This is where most of the new development is happening, where law-and-order issues are playing out, where we can hope to save part of the city for a diverse population."

More than that, if progressives lose District 6 and don’t win District 8, it will be almost impossible to override mayoral vetoes and control the legislative agenda. And that’s huge. On issue like tenants rights, preventing evictions, controlling market-rate housing development, advancing a transit-first policy — and raising new revenue instead of cutting programs — the moderates on the board have been overwhelmingly on the wrong side.

Kim, for her part, doesn’t want to talk about the politics of the 2010 elections — except to say that she’s thinking about the race and will probably decide sometime in the next two months. But she agreed with my analysis of how any left candidate should view this election: if she’s going to enter, she needs to present a case that, on the issues that matter, she’d be a better supervisor than either of the two long-term district residents with strong progressive credentials already in the race.

"I don’t have an answer to that now," Kim told me. "And when I make my decision, I will."

Events listings

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Events listings

Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 4

Cliff House Centennial Cliff House, 1090 Point Lobos, SF; (415) 666-4006. 6:30pm, $175. Celebrate the 100 year anniversary of the third Cliffhouse built in 1909 after the first two buildings were destroyed by fire. Featuring celebrity hosts, music and dancing, history exhibits, and hors d’oeuvres and cocktails. Proceeds to benefit the Golden Gate National Parks Conservancy. Dress in evening or vintage attire.

THURSDAY 5

CulturShock Space Gallery, 1141 Polk, SF; www.culturcosm.com. Shop local at this Bay Area art and fashion showcase featuring local vendors, music by DJ ExtraLars, and full bar service.

FRIDAY 6

Abby Denson Modern Times, 888 Valencia, SF; www.abbycomix.com. 7pm, free. Hear graphic novelist Abby Denson read from her new book Dolltopia and bring your own made-over doll to compete to win a signed copy of the book.

Mission Muralismo deYoung Museum, 50 Hagiwara Tea Garden, Golden Gate Park, SF; www.missionmuralismo.com. Attend the kickoff of a yearlong series of programs at the deYoung in partnership with Precita Eyes Muralists called "Street Art San Francisco" inspired by the book Street Art San Francisco: Mission Muralismo, which chronicles the art of the Mission District of San Francisco.

SATURDAY 7

Exploratorium 40th Anniversary Exploratorium, Palace of Fine Arts, 3601 Lyon, SF; (415) EXP-LORE. Sat.-Sun. 10am-5pm, free. Enjoy free admission to the Exploratorium all weekend in honor of their 40th. Highlights to include bubble master Tom Noddy, behind-the-scenes floor walks; and an amazing Exploratorium sculpture.

Fabulous Food Festival Concourse Exhibition Center, 635 8th St., SF; (415) 388-7208. Sat.- Sun 10am-5pm, $10. Explore what’s new in food and cooking before the start of this holiday season by sampling from food exhibitors, checking out lectures and cooking demos, and playing with cookware. Great for entertaining and for gifts.

Haight Ashbury Literary Journal All Saints Church, 1350 Waller, SF; (415) 751-9226. 7pm, $10. Help support the Haight Ashbury Literary Journal at this benefit featuring readings from California Poet Laureate Al Young, Lorna Dee Cervantes, Q.R. Hand, and L.J. Moore.

John Hodgman Herbst Theater, 401 Van Ness, SF; (415) 392-4400. 8pm, $20. Join author and humorist Hodgman, best known for his role as Resident Expert on "The Daily Show," in conversation with Merlin Mann. His latest book, More Information Than You Require, revels in a culture saturated with experts of every stripe.

Rock Star Art Party Jellyfish Gallery, 1286 Folsom, SF; (415) 651-4604. 6pm, donations welcome. Attend this art auction to benefit the Ripper Journey Foundation, a fund created in the memory of Tom Kennedy to achieve his dream of sending his art car, "Ripper the Friendly Shark," around the world to promote peace.

Artists Against Violence 111 Minna, SF; (415) 704-5082. 4pm, free. Attend this fundraiser titled, "Independent artists against violence on women" featuring art by August, Betsy Vaca, Cliff Smith, Nina Robinson, and more and raffle drawings for skateboards, headphones, cosmetics, and more.

SUNDAY 8

Amiri Baraka San Francisco Public Library, Koret Auditorium, 100 Larkin, SF; (415) 557-4277. 1pm, free. See the poet, playwright, essayist, and living legend Amiri Baraka deliver a talk on the first year of the presidency of Barak Obama.

Indie Mart Street Fair Thee Parkside, 1600 17th St., SF; www.indie-mart.com. Noon-6pm, free. Check out some awesome local designers and vintage vendors while enjoying bands, DJs, drinks, and ping pong at this unique outdoor street fair.

Women Scientist Art Workshop Venus Gallery, 627 Cortland, SF; (415) 829-8465. Noon, free. Drop into this hands-on art workshop and create portraits of women scientists while learning about density, solutions, and solutes.

BAY AREA

Dancing with the Queers Veterans Memorial Building, 200 Grand, SF; (510) 763-1343. 11:30am; $15 per class, $52 for series. Learn the Tango or Cha-Cha from national same-sex ballroom champions Zoe Balfour and Citabria Phillips. No experience or partner necessary.

Wonderfest Stanley Hall, UC Berkeley, between Hearst Mining Circle and Gayley Road, Berk; (415) 577-1126. 10am, free. Attend this Bay Area science festival featuring talks like, "Do robots make better astronauts?," "Which stars support intelligent life?," in addition to a science expo with art, books, and gadgets, and more.

TUESDAY 10

Combining Work and Cancer Westin St. Francis, 335 Powell, SF; (866) 541-1972, RSVP recommended. 6:30pm, free. Attend this interactive seminar to learn more about balancing cancer and a career, like the value of working through treatment, your rights in the workplace, and more.

BAY AREA

Israel vs. Utopia Pegasus Books Downtown, 2349 Shattuck, Berk; (510) 649-1320. 7:30pm, free. This new book written by Israeli American journalist Joel Schalit attempts to define the instability of Israel as a metaphor and America’s troubled love for it. Schalit will discuss the book and other perspectives on the Israeli-Palestinian conflict.


Music listings

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Music listings

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 4

ROCK/BLUES/HIP-HOP

Black Whales, Harbours with Heather Marie Thee Parkside. 8pm, $7.

Can’t Find a Villain, Custo, Audiodub, Monbon, My Pet Monster Elbo Room. 9pm, $8.

Evangelicals, Holiday Shores, Fake Your Own Death Hemlock Tavern. 9pm, $8.

Grooming the Crow, Vagabondage, T & A El Rio. 8pm, $5.

Housecoat Project, Eva Jay Fortune, Ol’ Cheeky Bastards, Yes Gos Hotel Utah. 8:30pm, $6.

If Your Hands Were Metal That Would Mean Something, Lee Koch, Timmy Curran Café du Nord. 8:30pm, $12.

Lights, Stars of Track and Field, Mick Leonardi Bottom of the Hill. 9pm, $10.

Little Dragon, Nite Jewel Independent. 9pm, $20.

Pete and J, Allofasudden Red Devil Lounge. 8pm, $8-10.

Jimmy Thackery Biscuits and Blues. 8pm, $18.

White Rabbits, Local Natives, Glass Ghost Slim’s. 8pm, $15.

BAY AREA

Puscifer, Uncle Scratch’s Gospel Revival Fox Theater. 8pm, $39.50-79.50.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Colin Brown Band.

Backyard Alchemy: Jesús Diaz, Scott Amendola, Jaz Sawyer Great American Music Hall. 8pm, $20.

"Jazz Mafia Wednesdays" Yoshi’s San Francisco. 10:30pm, $14. With Shotgun Wedding Symphony.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Muziki Roberson and the Go Ensemble Yoshi’s San Francisco. 8pm, $14.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

Trio 3 Swedish American Hall (upstairs from Café du Nord). 7:30pm, $35.

FOLK/WORLD/COUNTRY

Bluegrass Country Jam Plough and Stars. 9pm.

Freddie Clarke Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm; $12.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Meklit Hadero El Valenciano, 1153 Valencia, SF; (415) 425-3604. 9pm, $7.

Jason Movrich Blarney Stone, 5625 Geary, SF; (415) 386-9914. 9pm, free.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night!

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

Magic Booty Snacks Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 8pm. With Planet Booty, Sweet Snacks, and magician Brad C. Barton.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 5

ROCK/BLUES/HIP-HOP

*"Alternative Tentacles 30th Anniversary Incest-A-Thon" Great American Music Hall. 8pm, $22. With Jello Biafra and the Guantanamo School of Medicine, Citizen Fish, Star Fucking Hipsters, and MIA.

Mickey Avalon, Beardo, Ke$ha Slim’s. 9pm, $26.

Blues Control, Hank IV, Celine Dion Hemlock Tavern. 9:30pm, $7.

Hanson, Hellogoodbye, Steel Train, Sherwood Regency Ballroom. 6:30pm, $30.

Mat Kearney, Vedera Fillmore. 8pm, $22.50.

Mum, Sin Fang Bous Independent. 8pm, $23.

New American Mob, Inferno of Joy, Disciples, High and Tight Annie’s Social Club. 8pm, $8.

Port O’Brien Bottom of the Hill. 9pm, $12.

Tainted Love Red Devil Lounge. 8pm, $15.

Tempo No Tempo, Maus Haus, Man/Miracle Rickshaw Stop. 8pm, $10.

White Cloud, Happy Hollows, Grand Lake Thee Parkside. 9pm, $6.

BAY AREA

Puscifer, Uncle Scratch’s Gospel Revival Fox Theater. 8pm, $39.50-79.50.

JAZZ/NEW MUSIC

Kenny Brooks Coda. 9pm, $7.

Nick Culp Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 8 and 10pm, $26.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

"Full Moon Concert Series: Mourning Moon" Luggage Store Gallery, 1007 Market, SF; www.luggagestoregallery.org. 8pm, $6-10. With Andrew Raffo Dewar.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Kat Parra Jewish Library, 1835 Ellis, SF; (415) 567-3327. 7pm, free.

Mark Robinson Shanghai 1930. 7pm, free.

Esperanza Spalding Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 7:30pm, $20-37.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Ashleigh Flynn, Alden, Ruth Gerson, Heather Combs Hotel Utah. 9pm, $8.

Flamenco Thursdays Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12.

Greensky Bluegrass Mission Rock. 10pm, $8-10.

Shannon Céilí Band Plough and Stars. 9pm.

Snakeflower II, Becky Lee, Earthmen and Strangers, Ignot Rot Amnesia. 9pm, $7.

Those Darn Accordions, Big Lou’s Polka Casserole, Bella Ciao with Tom Torriglia Café du Nord. 8pm, $12.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and special guest Natural Self spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro. Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 6

ROCK/BLUES/HIP-HOP

*"Alternative Tentacles 30th Anniversary Incest-A-Thon" Great American Music Hall. 8pm, $22. With Jello Biafra and the Guantanamo School of Medicine, Ludicra, Munly and the Lupercalians, and Knights of the New Crusade.

Battlehooch, Ghost and the City, Picture Atlantic Bottom of the Hill. 10pm, $12.

Miles Benjamin, Anthony Robinson, These United States Hotel Utah. 9pm, $10.

Bravery, Howling Bells Warfield. 9pm, $27.

Devo, Reggie Watts Regency Ballroom. 9pm, $40-75. Performing Q: Are We Not Men? A: We Are Devo.

Dinosaur Jr., Lou Barlow, Violent Soho Fillmore. 9pm, $30.

Disgust of Us, Pidgeon, Moggs Sub-mission Gallery, 2183 Mission, SF; www.disgustofus.com. 8pm, $8.

Hallelujah the Hill, Mist and Mast, Pancho-san Hemlock Tavern. 9:30pm, $7.

Mark Hummel and Rusty Zinn Biscuits and Blues. 8 and 10pm, $20.

Langhorne Slim, Dawes Independent. 9pm, $15.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

"Revival Tour" Slim’s. 8pm, $15. With Chuck Ragan, Jim Ward, Frank Turner, Konrad, Joey Cape, Audra Mae, and Anderson Family Bluegrass. 8pm, $15.

Stung, Darkwave Café du Nord. 9:30pm, $12.

Tarran the Sailor and the Ancient Rugged Revival Elbo Room. 10pm, $10-15. Five and Diamond’s two-year anniversary party.

TrEas Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Venetian Snares, Wisp, Nero’s Day at Disneyland DNA Lounge. 9pm, $20.

*Walken, One Hundred Suns, Frontside Five, Floating Goat Annie’s Social Club. 9:30pm, $7.

BAY AREA

Dropkick Murphys, Youth Brigade, Flatliners, Insurgence Fox Theater. 7:30pm, $25.50-29.50.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 8 and 10pm, $28.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Marcus Shelby Jazz Orchestra Coda. 10pm, $12.

Pat Martino Quartet featuring Tony Monaco, Larry Goldings Trio Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 8pm, $25-65.

Terry Disley Experience Shanghai 1930. 7:30pm, free.

FOLK/WORLD/COUNTRY

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm, $15. With Fito Reinoso.

George Lammam Ensemble Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 10:30pm.

Hasmik Harutyunyan, Kitka St. Gregory Nyssen Episcopal Church, 500 DeHaro, SF; (415) 255-8100. 8pm, $15-25.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Whiskey Richards Plough and Stars. 9pm.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Audion, Dinky Mighty. 9pm, $15. Spinning an electronic light show.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Prismatic Anniversary Temple. 10pm, $10. With DJs Colette, Andrew Phelan, George Cochrane, and more spinning house, deep house, and hip hop.

Deathtripp Thee Parkside. 9pm, $5. Green and Wood spin coldwave, deathrock, post-punk, doom, and more.

Deep End 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With DJs Keith Kemp, Dub U, DJG, and more spinning dubstep and techno.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Hella Tight Amnesia. 10pm, $5.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Popscene vs. Tricycle Records Rickshaw Stop. 10pm, $12-15. With Acid Girls, Jokers of the Scene, Frail, and Silver Swans.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Strangelove: tribute to NIN Cat Club. 9pm, $6. DJs Tomas Diablo, Joe Radio, Unit 77, and more spinning goth and industrial.

Upper Playground and Sonic Living Happy Hour Laszlo. 6-9pm, free. Resident DJs Amplive and Tourist with special guests. Drink specials and giveaways.

Whateva Mezzanine. 9pm, $20. With DJs Marc Ashken, Eric Sebastian, and Worthy.

SATURDAY 7

ROCK/BLUES/HIP-HOP

*"Alternative Tentacles 30th Anniversary Incest-A-Thon" Great American Music Hall. 8pm, $22. With Jello Biafra and the Guantanamo School of Medicine, Alice Donut, Victims Family, and Burning Image.

Browntown West, Starlene, DJ Tony Bottom of the Hill. 2pm, $15.

Chali 2na, Gift of Gab, Mr. Lif Independent. 9pm, $20. Hosted by Lyrics Born.

Devo, Reggie Watts Regency Ballroom. 9pm, $40-75. Performing Freedom of Choice.

Los Dryheavers, Get Dead!, Stagger and Fall Annie’s Social Club. 9pm, $8.

Entertainment, Blessure Grave, Entropy Density Kimo’s. 10pm, $6.

*"Fog Rising" Broadway Studios. 2pm, $15. With Witch, Saviours, Assemble Head in Sunburst Sound, Red Fang, Night Horse, and more.

Greasetraps Boom Boom Room. 10pm, $10.

Will Hoge, Paul Freeman Café du Nord. 7:30pm, $12.

Low Red Land, Ketman, Wandas, Cannons and Clouds Thee Parkside. 9pm, $7.

Mantles, Finches, Little Wings Hemlock Tavern. 9:30pm, $8.

Mister Loveless, Downer Party, Holy Rolling Empire Bottom of the Hill. 10pm, $10.

Moped Amnesia. 10pm.

Serena Ryder, Eoin Harrington Hard Rock Café San Francisco, Pier 39, SF; (415) 956-2013. 7pm, $10.

Shants, Caleb Nichols House of Shields. 9pm, $5.

Sista Monica Biscuits and Blues. 8 and 10pm, $20.

Still Flyin’, Yellow Fever, Nodzzz Café du Nord. 10:30pm, $10.

Sweedish, Mr. Mime, Anaura Hotel Utah. 9pm, $10.

Tyrone Wells, Stephen Kellogg and the Sixers, Matt Hires Slim’s. 8:30pm, $18.

JAZZ/NEW MUSIC

Alphabet Soup Coda. 10pm, $10.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 8 and 10pm, $28.

Savion Glover Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 7 and 9:30pm, $30-75.

John Kalleen Group Shanghai 1930. 7:30pm, free.

Milton Nascimento Nob Hill Masonic Center, 1111 California, SF; www.sfjazz.org. 8pm, $25-75.

Ricardo Scales Top of the Mark. 9pm, $15.

Sara Tavares Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-65.

Patrick Wolf Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

"Abolitionists in the Round: A Benefit for the International Justice Mission" Elbo Room. 6-9pm, $15. With David Greco, Rick Hardin, Matt Langlois, Jane Lui, and more.

African Dance and Drum Festival African American Art and Culture Complex, 762 Fulton, SF; (415) 378-4413. 9pm, $25.

Bluegrass Bonanza Plough and Stars. 9pm.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15. Live Flamenco music and dance.

Earthquake Kitchen Red Poppy Art House. 8pm, $10-15.

Freddy Nunez Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Debaser Knockout. 11pm, $5. Wear your flannel and get in free before 11pm to this party, where DJ Jamie Jams and Emdee play alternative hits from the 1990s.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Four G’s Magazine Club Six. 9pm, $10. Issue release party featuring DJs Beset, Boo Boo Danger, and B.Souuza, and a live performance by Bored Stiff.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

New Wave City DNA Lounge. 9pm, $7-12. Eighties dance party with Skip, Shindog, Lowlife, and Dangerous Dan.

Rebel Girl Rickshaw Stop. 10pm, $5. "Electroindierockhiphop" and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

Slayers Club Anniversary Club Six. 9pm, $10. Featuring David Last with MC Zulu, Mochipet, and Kush Arora, and DJs Freddie Future, Lokae, Manitous, and more spinning dubstep and electronic.

So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 8

ROCK/BLUES/HIP-HOP

"Battle of the Bands" DNA Lounge. 5:30pm, $12. With Sagacious Past, Novak, Afterthought, Wooden Jesus, and more.

Birds and Batteries, Telegraph Canyon, DJ Elise Café du Nord. 9pm, $12.

Exene Cervenka, Sean Wheeler and Zander Schloss Slim’s. 8pm, $15.

Common Rotation, Liz Clark, Justin Trawick Hotel Utah. 8pm, $8.

Dutchess and the Duke, Greg Ashley, El Olio Wolf Bottom of the Hill. 9pm, $10.

David Gray, Lisa Hannigan Nob Hill Masonic Center, 1111 California, SF; www.livenation.com. 8pm, $37.50-50.

Jason Isbell and the 400 Unit, Chuck Prophet Great American Music Hall. 8pm, $15.

Samuel James Union Room at Biscuits and Blues. 8pm, $10.

Jay Nash, Shane Alexander Red Devil Lounge. 8pm, $8-10.

Panther, Death Sentence: Panda!, Shakes Gown Hemlock Tavern. 9pm, $7.

Saosin, POS, Innerpartysystem, Eye Alaska Fillmore. 8pm, $17.50.

Ten Foot Tall and 80 Proof Thee Parkside. 4pm, free.

BAY AREA

Pixies, Rain Machine Fox Theater. 8pm, $49.50-64.50.

JAZZ/NEW MUSIC

John Abercrombie with Mark Feldman, Drew Gress, and Joey Baron Florence Gould Theatre, Legion of Honor, 34th Ave at Clement, SF; www.sfjazz.org. 2pm, $35-50.

Carolina Chocolate Drops Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 3 and 7pm, $5-50.

Ornette Coleman Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 8pm, $25-85.

Pete Escovedo and the Latin Jazz Orchestra Yoshi’s San Francisco. 2 and 7pm, $5-28.

Frank Jackson and Larry Vuckovich Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Jane Monheit Sir Francis Drake Empire Ballroom, 450 Powell, SF; www.bayareacabaret.org. 4 and 7pm, $45.

FOLK/WORLD/COUNTRY

Chicago Afrobeat Project Mojito, 1337 Grant, SF; (415) 596-3986. 9pm, $10.

Enrique Bunbury Warfield. 8pm, $52-62.

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $10. With Eddy Navia and Sukay.

Marla Fibish, Erin Shrader, Richard Mandel and friends Plough and Stars. 9pm.

Grupo Falso Baiano Coda. 9pm, $7.

La Yumba Café Cocomo. 9pm, $20.

Smoke Free Tour Rock-It Room. 9pm, $15. Featuring live performances by Mega Banton and Prestige.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and guest Jah Yzer.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 9

ROCK/BLUES/HIP-HOP

Ian Anderson Warfield. 7:30pm, $45-75.

Asa Random, Weekend, Cheetahs on the Moon Elbo Room. 9pm, $5.

Bishop Allen, Throw Me the Statue, Darwin Deez Rickshaw Stop. 7:30pm, $15.

Blind, Orchestra of Antlers, Commissure Bottom of the Hill. 9pm, $8.

Dujeous Coda. 9pm, $7.

Everclear, Clayton Senne Independent. 8pm, $25.

Raveonettes, Crocodiles Bimbo’s 365 Club. 8pm, $25.

Jonas Reinhardt, Windsurf, Miracles Club, DJ Pickpocket Knockout. 9pm, $7. Presented by Donuts!

Vandaveer, Odessa Chen, Stripmall Architecture Café du Nord. 9:30pm, $10.

BAY AREA

Pixies, No Age Fox Theater. 8pm, $49.50-64.50.

JAZZ/NEW MUSIC

Amiri Baraka, Howard Wiley Trio Yoshi’s San Francisco. 8pm, $20.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Andrew Speight and friends Shanghai 1930. 7pm, free.

FOLK/WORLD/COUNTRY

Suburban Revolt, Silver Folk Song Society Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Toshio Hirano Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synth-pop with Decay, Joe Radio, Melting Girl, Miz Margo, and Lexor.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Knockout. 5-9pm, free. Belt ’em out with host Deadbeat.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 10

ROCK/BLUES/HIP-HOP

Earthmen and Strangers, Nectarine Pie, Becky Lee and Drunkfoot Hemlock Tavern. 9pm, $6.

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

fun., Dusty Rhodes and the River Band, AB and the Sea Bottom of the Hill. 8pm, $12.

Game Rebellion, CU Next Weekend Elbo Room. 9pm, $7.

Imogen Heap Fillmore. 8pm, $25.

Over the Rhine, Katie Herzig Great American Music Hall. 8pm, $25.

Paramore, Paper Route, Swellers Warfield. 7:30pm, $32.

Parson Redheads, Blank Tapes, Monahans Hotel Utah. 9pm, $6.

Emily Wells, Simple Citizens Café du Nord. 7:30pm, $10.

Wild Thing, Kim Phuc, Ruleta Rusa Knockout. 10pm, free.

Saul Williams, American Fangs Independent. 8pm, $20.

BAY AREA

Pixies, Black Gold Fox Theater. 8pm, $49.50-64.50.

JAZZ/NEW MUSIC

Louis-Virie Blanche and Constant Creation Yoshi’s San Francisco. 8pm, $20.

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Dave Parker Quintet Rasselas Jazz. 8pm.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With Spaceheater’s Jazz Furnace.

Ricardo Scales Top of the Mark. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Barry O’Connell, Vinnie Cronin and friends Plough and Stars. 9pm.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Johnny Repo, and Chaos.

Drunken Monkey Annie’s Social Club. 9pm-2am, free. Rock ‘n’ roll for inebriated primates like you.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Am I illegal mama?

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Am I illegal mama?

OPINION "Am I illegal mama?" My mixed-race, Mexican, Chinese, Puerto Rican, and Irish six-year-old son gazed up at me with the largest of puppy eyes after we watched a corporate media television report on Mayor Gavin Newsom’s rejection of the legislation by David Campos that would give due process to migrant youth caught up in the criminal in-justice system.

After recovering from my sorrow at my son’s logical interpretation of our criminalizing, dehumanizing society, I went on to explain that as far as I was concerned no human is illegal — or an alien, for that matter. I told him that the whole concept of "illegal people" is rooted in our society’s attempt to create more products for the ever-hungry prison-industrial-complex by criminalizing poor youth of color, migrant workers, and houseless adults and elders in poverty for the sole act of being poor, seeking work not having housing, and so on. (Yes, I do talk to my son with truth and candor about such things because that is how my African-Boricua-Taina mama raised me.)

His discovery, albeit terrible, did not shock me. Rather, it was the final nudge I needed to release a public statement from all the multiracial, multicultural, multilingual mamas, grandmothers, aunties, uncles, fathers, and grandfathers I write with, make art with, co-mama with, co-teach with, and am in relationships with at POOR Magazine/Prensa POBRE. We are people who believe that not only is no human being illegal, but that all these borders are false constructs of imperialism. We believe in the rights of children, if you believe that all children, and all people, deserve basic due process rights — which is all the sanctuary legislation by Sup. David Campos grants.

So Mayor Newsom, why reject this modest legislation? Have you become so blinded by your desire to be tough on crime that you don’t even recognize the voices and desires of your voting public in San Francisco, who overwhelmingly organized and spoke in favor of this?

But you can’t blame Newsom alone. Corporate media and corporate government fuels this notion of illegality in relation to human beings and has so ingrained the terms "illegal" and "alien" as ways of describing human beings that many people use these words without direct malice or intent to harm. So, like most insidious racially unjust policies and practices in American culture, these terms and notions roll along, gaining steam and power.

In an attempt to address this ongoing disinformation campaign about migration and immigrants, POOR Magazine launched the Voces de Inmigrantes en Resistencia Project to ensure that the silenced voices of immigrants in poverty are not only heard but are redefined as journalists, poets, media producers, and scholars.

After our talk, my son looked up at me and said, "Mama, I have an idea — if all us people, kids, and adults in the world all stand together holding hands, then they won’t be able to separate us or hurt any of us." Then he stopped and very slowly and carefully added, "Or crim-in-alize us." *

Tiny a.k.a. Lisa Gray-Garcia is the coeditor, cofounder and co-madre of POOR Magazine. She is also the author of Criminal of Poverty: Growing Up Homeless in America, published by City Lights.

Editorial: The next Gavin Newsom

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Editorial: The next Gavin Newsom

EDITORIAL It’s possible that Mayor Gavin Newsom took a long look at himself, his life, and his future last week and decided that politics — intense, 24/7/365 politics — wasn’t what he wanted right now. It’s possible (as Randy Shaw noted in Beyondchron.org) that Newsom "now joins longtime adversary Chris Daly in putting family relationships ahead of one’s political career." It’s possible that he never really wanted a future in electoral politics and was driven to run for governor less by personal ambition than by the desire of his advisors to see him in a higher political role.

In that case, Newsom has a responsibility to do the best job he can over the final two years of his term as mayor, then step away and find something else to do with his life.

But since it’s also possible — even likely — that Newsom still hopes to have a political career, and that his decision to drop out of the governor’s race was as much about his failure to gain any traction as it was about his family obligations, it’s worth talking about why his campaign failed and what he can and should do next.

For starters, Newsom never expected to beat Attorney General Jerry Brown in the big-donor fundraising battle. He was hoping to put together a grassroots operation, to mobilize the Obama constituency, and build a war chest with tens of thousands of small donors organized through social media and technology. And that kind of effort could have worked — Brown has name recognition and money, but not much else. It’s hard to imagine large masses of young activists donating time and energy to his primary campaign.

The problem was, those legions of California activists weren’t terribly excited about Newsom either. And there are good reasons for that — reasons Newsom needs to understand if he wants to run for statewide elected office in the future.

If the real Gavin Newsom had been anything like the campaign picture his handlers tried to present, he would have been a serious candidate. Newsom the candidate was a leader who brought San Franciscans together to get things accomplished. He was a progressive thinker who created universal health care and an effective budget process with a rainy day fund that prevented teacher layoffs. He was bold enough to challenge federal and state law on same-sex marriage and demand equality for all.

But Newsom the mayor was actually a snippy politician who refused to work with the Board of Supervisors and would never engage his opponents. He was great at press releases but short on accomplishments — universal health care and the rainy day fund were projects put together by Tom Ammiano, one of the supervisors the mayor disdained, who is now a state Assembly member. He refused to take a lead role fighting Pacific Gas and Electric Co. to promote clean energy and public power. And for all his success in moving same-sex marriage forward, he never once managed to bring that kind of progressive energy or policy-making to economic issues. His budget this year was the same as Republican Gov. Arnold Schwarzenegger’s budget — cuts and fees only. No new taxes.

As a result, the progressives and independent voters in his own town didn’t support his campaign — and without the environmentalists, labor, tenants, and progressive elected officials from San Francisco behind him, there was no way he could generate an honest grassroots movement in a Democratic primary.

Now he’s back from the campaign trail — and he has two years to pick up on the lessons of his ignominious political collapse. If he wants any kind of a political future, he needs to change. First, he needs to start engaging and working with the supervisors — even the ones who disagree with him. (Showing up for "question time" would be a huge step). He needs to take the city’s structural budget deficit seriously and present plans for progressive taxes to help close it. He needs to show he can take on big powerful local interests — PG&E, for example — by opposing the utility’s anti-public power initiative and putting his political capital on the line to support community choice aggregation.

Newsom the imperial mayor has, we hope, been a bit humbled. Let’s see if he comes out of this chapter as an embittered, angry (and ultimately unsuccessful) mayor committed to punishing his enemies — or a serious city leader who can live up to his own hype.

Okay, the SF results are in

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By Tim Redmond

Or at least, enough to call the election as far as I’m concerned. With about half the votes counted, nothing has changed from my last post : Prop. A wins, of course. But so does Prop. B — which may go down as the most significant outcome of the evening. It’s a vote of confidence in the Board of Supervisors, especially since there was no real Yes campaign and the No campaign played on the supposed mistrust in government, which apparently isn’t working in San Francisco.

Prop. C wins, of course. Prop. D loses, no surprise. Prop E was always a winner.

I honestly didn’t think Prop. B had a chance. Neither did a lot of its backers. So the district supes are more popular than the mayor or a lot of the established pundits think.

Same sex marriage in trouble in Maine

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By Steven T. Jones

The referendum in Maine challenging same-sex marriage is starting to look like it’s going to pass, dealing another blow to the national marriage equality movement that San Francisco played such a key role in. It’s still close, but the gap is widening with about 70 percent of votes counted as I write this, so it’s not looking good.

Okay, we’ve got numbers

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By Tim Redmond

And a couple of surprises.

With just the absentee ballots in — traditionally the most conservative votes — Prop. A is cruising to victory. No surprise there — that one was going to win easy.

Prop. B, which would take out of the City Charter the mandate that the supervisors hire no more than two staffers — is actually ahead in the absentees. That’s a big surprise — I suspected that the more conservative voters would buy the argument that the supes will just run wild and hire armies of staffers.

But there’s a message here — people LIKE district elections, and for the most part (while the reputation of legislative bodies in general ain’t that great) people seem to LIKE the San Francisco Board of Supervisors. They seem to realize that the board members have a huge amount of work to do, and need more help to properly serve voth the city and their own districts.

Prop. C, allowing the city to sell naming rights to Candlestick, is winning and will will handily.

Prop. D — the controversial measure to allow electronic billboards in Mid-Market — is losing, narrowly — but as the more progressive votes come in, that will widen and Prop. D will go down.

Oh — City Attorney Dennis Herrera and Treasurer Jose Cisneros are getting re-elected.

While we’re waiting ….

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By Tim Redmond

For results from San Francisco, where there’s nothing of monumental import on the ballot, gay marriage is too close to call in Maine and a gay-marriage-lite measure looks good in Washington.

If we win both of those — particularly if we win in Maine — I think it will be the turning point in the battle for marriage equality. Once voters in one state reject bigotry, the movement will spread — and California will repeal Prop. 8 next year.

6 pop-up lunches

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6 pop-up lunches

Blame the economy’s downturn. Or blame the Tamale Lady’s success. Whatever the reason, suddenly mobile food carts seem to be all the rage — and those that serve the midday (rather than midnight) crowd all the more so. But while the idea of the Crème Brulee Man and Magic Curry Cart has gone from experimental to expected, another nontraditional lunch option has bubbled to the surface: pop-ups and dining windows. These more stationary — yet equally delightful — options have been sneaking onto industrial loading docks or into neighborhood supermarkets, seducing customers with their unconventional locales and keeping their loyalty with indisputably good food.

KITCHENETTE SF


Douglas Monsalud and his crew started serving "spontaneous, organic, covert nourishment" out of a loading dock less than nine months ago, and the Dogpatch lunch scene hasn’t been the same since. The weekday eatery features a thoughtful, rotating menu of inspired delights, always including a few sandwiches, a salad, a dessert (recent choices include bacon snickerdoodles and a nectarine/raspberry galette), and a housemade beverage (like honeydew/lime fresca or organic lemonade). Not only is everything delicious, most items are made from locally-grown ingredients. My favorite? Marin Sun Farms’ pork schnitzel sandwich with braised cabbage and pink lady apples, a butterscotch cookie, and organic strawberry soda with local seltzer.

Weekdays, 11:30 a.m.–1:30 p.m.; 958 Illinois, SF. www.kitchenettesf.com

LITTLE SKILLET


Leave it to the Bay Area to host a joint that pairs fried chicken and waffles with farm-fresh, organic ingredients. This offshoot of Farmer Brown draws the in-the-know lunch crowd down to SoMa for crispy fried poultry, creamy grits and cheddar, angel biscuits and gravy, and red velvet cupcakes. For you old-school beverage aficionados, they stock Dublin Doctor Pepper (the original Doctor Pepper from Texas, made with real cane sugar), Fitz’s cream sodas, and Faygo grape soda. After ordering from the little blue shuttered window, wait across the street on the funky concrete loading dock until you hear your name. Then, perched on milk crates with other soul-food seekers, you’ll get your Southern charm with SF values.

Mon.–Sat., 9 a.m.–3:30 p.m.; 360 Ritch, SF. (415) 777-2777, www.littleskilletsf.com

NAKED LUNCH


Ian Begg and Ryan Maxey (formerly of Café Majestic) opened the door to Naked Lunch in mid-August. The sweet little annex to Enrico’s features a menu that changes almost daily, although the signature foie gras sandwich will probably remain a fixture (controversy or not). At $15, it’s outside my tax bracket, but the dried chorizo sandwich with bacon, d’anjou pear, pickled onion, and baby greens was pure perfection — the salt from the bacon balanced with the sweetness of the pear. Ian and Ryan have plans to open a gastropub. For now, I’m just happy they’re rockin’ the sandwich combinations each week.

Mon.–Fri., 11:30 a.m.–2 p.m.; 504 Broadway, SF. (415) 577-4951,www.nakedlunchsf.com

AMERICAN BOX


American Box, brought to us by the folks at Fish and Farm (inside Hotel Mark Twain), offers more than simple sandwiches and beverages. From the now infamous Juicy Lucy’s cheeseburger box, served with local organic potato salad and secret sauce, to the Niman Ranch taco box with sweet and spicy slaw, chef Chad Newton’s Tenderloin pop-up cuisine is attracting curious foodies along with the neighborhood business crowd. Take your box to go or meander across the hotel lobby and enjoy a quiet spell in the dining room. There’s nothing like a very grown-up lunch box to put a smile on your face — even if Mom didn’t pack it for you.

Weekdays, 10:30 a.m.– 1:30 p.m.; 339 Taylor, SF. (415) 474-3474, www.americanboxlunch.com

SAIGON SANDWICH


No one seems to mind squeezing into this hole-in-the-wall Tenderloin spot for an authentic $3 banh mi sandwich. It must be because of the sweet roasted pork on a chewy roll, served with pickled daikon, carrots, jalapenos, and cilantro. The two efficient women who run the counter aren’t messing around, though, so don’t hem and haw before you order — and don’t even think about making any special requests or alterations. Instead, quietly grab a pork bun or coconut dessert to accompany your sandwich and move along to make room for the next guy in line.

Mon.–Sat., 6 a.m.–6 p.m.; Sun., 7 a.m. – 5 p.m.; 560 Larkin, SF. (415) 474-5698

YATS NEW ORLEANS ORIGINAL POBOYS


You tell me where in SF you can get an authentic po’boy with red beans and rice in the back of a dive bar, and I’ll buy you a beer. Really. Otherwise I’ll bet money the only place is at Jack’s Club, a neighborhood bar that’s already fab thanks to a pool table, a CD jukebox, and vintage pinball machines. But head to the back and you’ll find a little window that pumps out real Southern goodness to the San Francisco masses. The Debris sandwich (pulled roast with gravy) is my favorite, although the rustic gumbo with smoked sausage, seafood, and chicken is a close second.

Mon.–Tues, 11 a.m. –4 p.m.; Wed.–Fri., 11 a.m.– 8 p.m.; Sat., 11 a.m.–6 p.m.; 2545 24th St. (Inside Jack’s Club), SF. (415) 282-8906, www.whereyats.com

SF seeks green power alternatives to PG&E

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By Steven T. Jones and Rebecca Bowe

With a unanimous vote by the Board of Supervisors today, San Francisco took a big step into the clean energy business, approving the issuance of a Request for Proposals for projects that will be part of the Clean Power SF program that will compete for customers with Pacific Gas & Electric Co.

The city’s version of the so-called Community Choice Aggregation program has involved “seven years of preparing San Francisco to get into the green energy business,” said Sup. Ross Mirkarimi, who has shepherded the program as chair of the Local Agency Formation Commission (LAFCo).

While PG&E has relentlessly attacked CCA efforts, both locally and through a statewide initiative campaign for would require a two-thirds popular vote for counties to create them, the 11-0 vote here seems to indicate Clean Power SF isn’t as controversial as PG&E would like people to believe.

“This step is a very important step and it’s been an eye-opening experience to serve on LAFCo,” Sup. Bevan Dufty, referring to opposition from PG&E and some of its business community allies and adding, “When the public understands the issues, they like competition and a more sustainable city.”

Oh, Girls: “Lust for Life” gets hardcore

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By Marke B.

We’re more than maybe just crazy here at the Guardian over Bay band — and breakthrough post-sexual heartthrobs — Girls. Well, they’re incredibly sad-funny-catchy single “Lust for Life” just got the hardcore video outtake treatment, penis microphones and Hunx cameos and all … Watch and revel in true San Francisco loveliness …

(via our friends at The Sword)

Girls will be cramming out Bottom of the Hill on Nov. 21.

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