San Francisco

Muni cutbacks start this weekend

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By Steven T. Jones
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Before you wait for your usual bus or train this weekend, check here for new changes to Muni routes and schedules. Here’s what I wrote about the changes in this week’s Guardian:

Service reductions that will affect about half of all Muni routes start Dec. 5, the result of San Francisco Municipal Transportation Agency’s early summer deal to close a $129 million budget deficit for the current fiscal year. And that’s just the beginning of the bad news.

Less than halfway through this budget cycle, SFMTA is already looking at an additional $45 million deficit, partly because of the agency’s failure to follow through on plans to increase parking revenue, such as the stalled proposal to extend parking meter hours.

So additional layoffs and Muni service reductions or even another fare hike are possible, even though Muni fares have already doubled to $2 since Gavin Newsom became mayor. SFMTA officials say midyear budget reduction decisions will be made by the SFMTA Board of Directors over the next two months.

Newsom talks about taxes, bikes, and SF’s future

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By Steven T. Jones
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Mayor Gavin Newsom, with Bike Coalition director Leah Shahum and Department of Public Works head Ed Reiskin, helped create new space for bikes yesterday.

As he helped paint San Francisco’s first green “bike box” and celebrate the creation of the first new bicycle lanes in more than three years, Mayor Gavin Newsom yesterday finally seemed to really reengage with the press and public for the first time since his failed gubernatorial campaign and the testy period that followed.

The occasion was right in Newsom’s sweet spot — urban greening and livability initiatives — and the San Francisco Bicycle Coalition actually delayed this scheduled press conference for two days so the mayor could attend after returning from a trip to India. Also in attendance were Sups. Ross Mirkarimi (the only elected official who biked to the event), Bevan Dufty, and Sophie Maxwell, SFMTA director Nat Ford and SFMTA board president Tom Nolan, DPW head Ed Reiskin, and a variety of activists.

I’ll have more on the press conference and San Francisco’s quick pace for making bike improvements in next week’s Guardian, but for now I want to focus on Newsom’s extended conversation with journalists after the main event, which went almost 30 minutes and covered a variety of issues.

Newsom was still combative and petulant at times, and he continues to take a dismissive approach to those who say he must take a more active role in finding new revenue sources. But he took all questions and stayed engaged in the conversation until most of the journalists had peeled away.

And for those who remained, Newsom and Ford ended up announcing some significant news: Clear Channel Communication has failed to exercise its contractual right to create a bike-sharing program for San Francisco – a 50-bike proposal that the Guardian and activists had criticized as more symbolic than significant – and the city is now seeking a new vendor for a bike-sharing program that would include about 2,700 bikes.

SFS snags Grammy nom-nom-nom

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By Marke B.

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Oh, MTT. You and your Grammy noms and your Nehru collars.

“I dare you to sit through San Francisco Symphony’s exhilarating new CD of Symphony No. 8, the so-called ‘Symphony of a Thousand,’ and not leave your body a few times,” some scallywag wrote in the Guardian a couple months ago. And the Grammy committee must have been lifted off its tippy-toes as well, because it just nominated the SFS — thrice! — for its absolutely heavenly recording of Mahler’s Symphony No. 8.

Behind the Mahler 8 scenes

Find more videos like this on San Francisco Symphony Social Network

Best Classical Album, Best Choral Performance, and Best Engineered Classical Album are the relevant cats. The recording utilized an array of groundbreaking techniques that give it an almost 3-D sound, which is pretty awesome when you’re working with a huge orchestra and chorus of almost literally a thousand. If you pick up one classic classical release this year, this one should be it. (And if you pick up one avant-classical release, try this.) Also nominated for a bunch of stuff: some Green Day people or whoever.

PS: The Bay’s own jazzy Latinist, John Santos, who also scored a Grammy nom nod in the World Music category, will be performing at the SFS’s uniquely nightlife-oriented Davies After Hours shindig on January 15.

Guarded secrets

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By Rebecca Bowe

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How much did the mayor’s security detail cost when he campaigned outside SF? SFPD isn’t telling.

When San Francisco Police Department Assistant Chief Jim Lynch spoke before the Rules Committee this morning, he mentioned that the Police Chief George Gascon was unable to attend because he was at the swearing-in ceremony of Los Angeles’ new police chief.

“Out of curiousity,” Sup. Michela Alioto-Pier asked Lynch, “How many officers went to L.A. with Chief Gascon?” She was referring to his security detail for an event that was clearly unrelated to San Francisco city business.

Lynch replied that he could not say. When pressed whether security had in fact been provided for him by SFPD, he gave the same response. Sorry. Can’t tell you.

It’s the same response that Sup. Ross Mirkarimi received for months when he tried in vain to get the dollar amount for Mayor Gavin Newsom’s security detail for campaign-related events outside city and state borders. According to the SFPD, divulging that information could compromise security tactics.

The discussion at this morning’s Rules Committee focused on legislation authored by Mirkarimi, co-sponsored by Sups. John Avalos, David Campos, and Chris Daly, which would require elected officials to reimburse the city for the cost of “dignitary security” (think bodyguards) when that protection is provided on the campaign trail outside San Francisco.

“It’s not about one elected official,” Mirkarimi noted, while acknowledging that Newsom’s frequent travel had sparked interest in the issue. “It’s about reviewing standard operating procedure,” he said, and creating a system for cost recovery when taxpayer dollars are used to send SFPD forces off to campaign-related events. With the General Fund already in rough shape, Mirkarimi added, “fiscal vigilance is demanded.”

Catholic Church challenges tax ruling

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By Ryan Thomas Riddle
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The Catholic Church, which is exempt from paying property taxes, is feeling persecuted for having to pay property transfer taxes.

Not surprisingly, the Catholic Archdiocese of San Francisco is contesting the Dec. 4 ruling that holds it responsible for paying an estimated $14.4 million dollars in transfer taxes to the city, vowing to challenge the ruling in court.

In April 2008, the diocese had shuffled 232 properties from one church-held corporation to another. Archbishop George H. Niederauer argued that the property transfers were exempt from transfer taxes in a December 2007 statement. The Transfer Tax Review Board disagreed. The 3-0 ruling was a major victory for Assessor-Recorder Phil Ting whose office is calling this the “the second largest transfer tax event in our city’s history.”

Holiday blues

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rebeccab@sfbg.com

Ethea Farahkhan lost her city job Nov. 29, when a round of city layoffs impacting front-line workers took effect.
Farahkhan, a woman of color who was an administrative assistant at San Francisco’s Department of Children, Youth and their Families, said she would have a job if it weren’t for Mayor Gavin Newsom’s decision not to spend money approved by the Board of Supervisors to save people from job losses during the holiday season.

The layoffs rippled through city government as DPH employees with seniority exercised “bumping rights” to replace employees like Farahkhan, who was hired three years ago.

“No one’s in a festive mood. We’re concentrating on making mortgages and buying food to put on our table,” Farahkhan told us when we caught up with her Thanksgiving eve. “I know San Francisco is not exempt from the economic crisis,” she added, “but I feel like our mayor is out of touch. He’s never been in this position.”

If DPH layoff had been covered by existing funds and incoming grant money, as directed by a veto-proof, 8-3 vote of the Board of Supervisors on Nov. 24, she said, “I would definitely have a job to go to.” Instead, Mayor Gavin Newsom announced after the board vote that he was refusing to spend the reallocated funding to halt the 478 DPH layoffs and reassignments.

Farahkhan’s union, Service Employees International Union (SEIU) Local 1021, spent months trying to save these jobs, finally winning over the final supervisor needed to overcome a veto, Sup. Sophie Maxwell, shortly before the vote. Then, for the second time in as many months, the head of the executive branch announced that he would simply ignore the legislative branch.

The impasse doesn’t bode well for a city that’s about to wrestle with a record midyear budget deficit again.
In October, Newsom declared that he would ignore the board’s passage of legislation — by the same 8-3 vote that could override a mayoral veto — to prevent deportation of undocumented youth in custody until they are convicted. It was the first of two actions that seemed to answer the question of whether the mayor is willing to work with the supervisors on the toughest problems facing the city.

That was the question raised last summer when the board discussed a budget analyst’s report that Newsom had either cut or refused to spend about $15.6 million of the $37.5 million that supervisors approved in budget add-backs for the 2008-09 fiscal year. With the mayor cutting 42 percent of program funding that the board fought to restore, trust was already eroding.

During budget deliberation, some progressive supervisors unsuccessfully tried to place hundreds of millions of dollars on reserve, which would give the board some leverage to force Newsom to honor his pledge to work with supervisors on midyear budget cuts, but the board ultimately decided not to do so.

The mayor’s latest rejection came after a long, embittered battle with the union. SEIU members resorted to drastic measures — staging protests in traffic intersections, distributing flyers outside Newsom’s PlumpJack restaurants, barging into his office unannounced singing civil-rights era ballads — to pressure the mayor. But neither those media stunts, nor compromise solutions developed by Sups. John Avalos, Bevan Dufty, and Board President David Chiu, could persuade Newsom to go along with revisiting the DPH cuts.

“Mayor Newsom cannot spend funds the city does not have,” Newsom’s press secretary, Joe Arellano, told the Guardian when asked for an explanation. “The board action didn’t provide any new money — it takes dollars already being used to pay other employees’ salaries.”

The money allocated by the board was already destined for salaries and benefits of other DPH employees, but Sups. Avalos, Chris Daly, and Ross Mirkarimi argued that new federal dollars en route to the city via state and federal channels would bring the department budget back into balance. An estimated $34 million in federal funding is expected to flow into city coffers for health services by mid-2010, but Arellano indicated that the mayor intends to use that money to help balance next year’s deficit.

As the city considers midyear slashes to cope with next year’s monstrous $522 million shortfall, the spirit of cooperation that Newsom publicly emphasized at the outset of last year’s budget cycle now seems dead. Chiu told the Guardian that the only way the board was able to achieve a palatable budget back in July was through controversial partnership with the Mayor’s Office. But when supervisors approached Newsom with alternative solutions for restoring the DPH layoffs, “the mayor was not interested in exploring these different options,” Chiu explained.

Now, Chiu said he’s worried by the implications of the mayor’s defiant approach to the board. “We have two branches of government — legislative and executive. Eleven of us are required to set laws for the city, and the mayor is supposed to carry it out. I hope and believe that the mayor would respect the roles of our respective branches,” Chiu said, carefully choosing his words when asked for his perspective on this trend. “I don’t know how we are going to get through next year if we can’t … not just agree to disagree, but figure out where we agree.”

Chiu’s persistent search for common ground stands in contrast to Daly’s more adversarial approach. In July, just before the board signed off on the 2009-10 budget, Daly floated a proposal to place $300 million on reserve — which would require additional board action to spend, thereby giving supervisors some leverage — but it failed to pass.

Daly also proposed a placing a charter amendment on the ballot that would have required the mayor to fund certain board-approved programs that supervisors deemed especially important. But that failed too when only Sups. Mirkarimi, David Campos and Eric Mar supported it. In a recent conversation with the Guardian, Daly indicated that this possibility could be revived. “It doesn’t matter how many supervisors it takes” to pass legislation, Daly said. “[The mayor] wants to govern unilaterally, and that’s not okay.”

As for the mayor’s latest announcement that he wouldn’t spend the money to restore DPH salaries, Daly said it’s not over yet. “There will be meetings. There will be discussions,” he said. “We’re going to move on this.”

At the same time, midyear cuts are speeding through the pipeline. By Dec. 4, city department heads will have to figure out how to slash their current budgets by 4 percent. By Feb. 20, Newsom is asking for plans to cut an additional 20 percent, plus an extra 10 percent in contingency funding in order to address next year’s gaping deficit.

Those “adjustments,” as they’re called in bureaucratic jargon, promise to be painful. As the next city budget squabble comes into focus on the horizon, the question of revenue measures is still out there and isn’t helped by the current acrimony at City Hall.

Progressive supervisors are also moving to tackle spending areas they deem wasteful, such as a surge in high-dollar management salaries or some of the mayor’s pet projects. Newsom is angling for opening the condo conversion floodgates by letting people buy their way out of the lottery system — a one-time moneymaker that progressives find repugnant because it depletes rental-housing stock.

As the city grows more financially anemic, accusations of mismanagement abound. After the board’s vote on DPH cuts, Newsom was quoted in the San Francisco Chronicle saying that progressive supervisors are in a “reality-free zone.”

But Farahkhan and other SEIU employees who are facing layoffs during the holidays believe Newsom is the one who is living on a different planet. “He’s at the top of the pay scale,” Farahkhan said, “and out of touch with everyday working people.”

——-

MUNI CUTS BACK SERVICE

Service reductions that will affect about half of all Muni routes start Dec. 5, the result of San Francisco Municipal Transportation Agency’s early summer deal to close a $129 million budget deficit for the current fiscal year. And that’s just the beginning of the bad news.
Less than halfway through this budget cycle, SFMTA is already looking at an additional $45 million deficit, partly because of the agency’s failure to follow through on plans to increase parking revenue, such as the stalled proposal to extend parking meter hours (see “We want free parking!” Oct. 28).
So additional layoffs and Muni service reductions or even another fare hike are possible, even though Muni fares have already doubled to $2 since Gavin Newsom became mayor. SFMTA officials say midyear budget reduction decisions will be made by the SFMTA Board of Directors over the next two months.
But for now, to find out how this week’s Muni service reductions will affect you, visit www.sfmta.com. (Steven T. Jones)

SF moves quickly on bike improvements

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By Steven T. Jones
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The latest bike lane is on Mississippi Street in front of the Guardian Building.

In the week since a judge freed San Francisco to finally do bicycle improvements, city crews have already installed three new bike lanes and dozens of bike racks and shared lanes markings, known as sharrows or bike boxes.

“This is huge. We’re really pleased with the pace the city is moving on. We’re thrilled to see so much on the streets already,” San Francisco Bicycle Coalition director Leah Shahum told us.

The latest lane, still being striped as I write this, is on Mississippi Street, right in front of the Guardian building. Yesterday, crews converted one of two turn lanes at 9th and Howard streets into a bike lane. And on Monday, they created a bike lane on Scott Street through The Wiggle, a route popular with bicyclists.

Tomorrow at 1 p.m., SFBC will hold a press conference at Scott and Oak streets, where city crews are creating one of the new bike boxes (intersection spots where cyclists can safely wait for the light to change) going up around the city. Attendees will include Mayor Gavin Newsom, Sups. Ross Mirkarimi and Bevan Dufty, and SFMTA chief Nat Ford.

“The SFMTA is poised to make San Francisco the pre-eminent city for bicycling in North America,” Ford said in a press release announcing the partial lifting of the three-year-old injunction against new bike projects. “Today’s action by the Superior Court will foster the responsible promotion of bicycling envisioned in the Charter-mandated Transit First policy.”

Our Weekly Picks

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WEDNESDAY 2

MUSIC
Baroness
Baroness became one of the most promising bands in heavy music with the release of 2007’s The Red Album (Relapse), generating high expectations for its new monochromatic opus, The Blue Album (Relapse), released this fall. Driven by the squalling vocals and versatile technique of guitarist John Baizley (who also has made a name for himself as a visual artist) the band has exceeded the high hopes of their fans with an offering that combines muscular riffing, allusive Southern flair, and affecting dynamics. Those gathered at Bottom of the Hill will rock out to standouts like “Ogeechee Hymnal” and “The Sweetest Curse.” (Ben Richardson)
With Earthless, Iron Age
9 p.m., $14
Bottom of the Hill
1233 17th, SF
(415) 626-4455
www.bottomofthehill.com

THURSDAY 3

EVENT
Handmade Ho-Down
Over 55 crafty bitches will participate in the Handmade Ho-Down, SoMa’s first craftstravaganza urban street fair. This means you will have 55 very good reasons to blow some cash. From pillows to wall prints, there will be something precious for everyone. Forget the stench of mothballs, this ain’t your grandmother’s fluorescent-lit craft show. And what’s a street fair in San Francisco without booze and music? There will be a full holiday bar along with a DJ so you can drink, dance, and shop to your heart’s content. Bring unused art supplies to benefit Drawbridge, a nonprofit art program for homeless and at-risk youth, and get there early for a free SWAG bag. (Lorian Long)
6 p.m., free
1015 Folsom
1015 Folsom, SF
www.handmadehodown.com

FILM
Black Christmas
Some call 1974’s Black Christmas the first-ever slasher film — it predates Halloween by four years, and its sorority-sister victims are picked off one by one as the movie progresses. (It also beat 1979’s When a Stranger Calls to the creepy prank-caller punch.) With an incredible cast (Olivia Hussey! Margot Kidder! John Saxon! Keir Dullea!) and atmospheric direction by the late, great Bob Clark (who also helmed that other holiday classic, 1983’s A Christmas Story), Black Christmas remains legitimately spooky, as well as one of the greatest holiday-horror flicks ever made. Traveling moviemeister Will the Thrill presents the film tonight with live music by Project Pimento; check the Thrillville Web site for deets on the Dec. 10 show in San Jose. (Cheryl Eddy)
8 p.m., $10
Four Star
2200 Clement, SF
(415) 666-3488
www.thrillville.net

FILM/MUSIC
Joshua Churchill and Paul Clipson
In conjunction with NOMA Gallery’s current “Until the Bright Logic is Won/Unwishpering as a Mirror is Believed” exhibit by artists Peggy Cyphers and Joshua Churchill, Churchill and Paul Clipson are presenting a this one-off sound and film performance. I’m imagining two hours filled with Brian Eno-y abstractions and spiritual glosses of nature’s lovely things. If that isn’t unclear enough, maybe the curious misspelling in the show’s title, lifted from Hart Crane’s poem “Legend,” might help. I’m referring to switcheroo of the h in “Unwishpering” (the original being “Unwhispering”). Assuming it was intentional, we now have a new word that undoes the whispering of a wish. Come witness this etymological birthing as Churchill and Clipson unwishper in your eyes and ears. (Spencer Young)
7-9 p.m., free
NOMA Gallery
80 Maiden Lane, 3rd floor, SF
(415) 391 0200
www.nomagallerysf.com

THEATER
Golden Girls: The Christmas Episodes
Dreading December’s inevitable mall trip? Consider Golden Girls’ Dorothy your inspiration: “You know Robbie wants a Batman hat. I went to six different stores, they were all sold out … Ugh, I cannot believe a person would push a perfect stranger out of the way, step on her hand, and give her an elbow to the forehead just for a Batman hat. But I did it anyway.” Ah Bea Arthur, what ever will we do without you? But although our favorite sassy grandmas may no longer be churning out the pithy one-liners they once were, their torch has happily been plucked and held aloft by San Francisco drag queens. The ladies will be performing two of the original series’ very special Christmas episodes line-for-line — rumor has it the fearsome foursome takes on a soup kitchen in one. Get some silver-haired sass for your holiday soul. (Caitlin Donohue)
7 and 9 p.m. (also Fri.-Sat., through Dec. 26), $20–$25
Mama Calizo’s Voice Factory
1519 Mission, SF
www.trannyshack.com
www.cookievision.com
www.ticketweb.com

FRIDAY 4
EVENT/VISUAL ART
The 13th Small Format Art Sale
My grandma did beautiful paintings of Texas hill country, but nowadays I’ve only got one ’cause the durn things are too large to qualify as carry-on luggage. Would that Grandma had lived in the age of the The Lab’s small-work-and-postcard art show. The space’s 13th annual celebration of all things tiny and beautiful is perfect for that nomadic creative type on your shopping list. And as a nomadic creative, I’m fully ready to celebrate some innovative, postal service-friendly designs, accumulated during an egalitarian open submissions call. If while there you are shoulder-tapped by a man or woman who wants to show you what’s in their pocket, be not alarmed. They’re a representative of the Museum of Pocket Art, a group that piggybacks larger gallery events to show wallet-sized works. Or they’re a total perv. Only one way to find out … (Caitlin Donohue)
6–-9 p.m. reception (continues through Sun/6), free
The Lab
2948 16th St., SF
(415) 864-8855
www.thelab.org
www.mopaonline.com

MUSIC
The Dead Hensons Finale Extravaganza
While cuddly Muppets and innovative creature designs are probably the first things that pop into most people’s minds when they hear the name Jim Henson, the late creative genius also incorporated wildly catchy music into his productions, using songs that still have the power to transport listeners back to their youth when hearing just a few bars of tunes such as “Pinball Number Count.” Capturing that unbridled sense of joy and innocence, The Dead Hensons perform selections from the early days of The Muppet Show and Sesame Street, and are known to cause spontaneous bouts of dancing and sing-alongs with their rockin’ interpretations. Tonight the eight-piece band will joined by several special guests, including members of Rogue Wave, No Doubt, and more. (Sean McCourt)
9:30 p.m., $12
Bottom of the Hill
1233 17th St., SF.
(415) 621-4455
www.bottomofthehill.com

EVENT/VISUAL ART
Lower Haight Art Walk
Whether you like it or not, the holidays are here. Avoid the bloated shopping malls and the schizophrenia of Union Square, and hit up the Lower Haight for its “Holiday Edition” Art Walk instead. The event takes place between the 400 and 700 blocks, and nearly 30 merchants will participate with live music, art shows, live painting, and waistband-threatening holiday munchies. There will be window and tree display contests, which means you might see Baby Jesus robotripping with a pacifier in his mouth, or Santa and Rudolph getting bestial under the mistletoe. This is the Lower Haight, after all, and one should expect something subversive and oddly charming from such a crazy yet cozy spot in the city. Fuck Macy’s and fuck carolers, the Xmas spirit thrives with the freaks and geeks of Haight Street. (Long)
7–10 p.m., free
Haight (between Pierce and Webster), SF
www.lowerhaight.org/events

SATURDAY 5

MUSIC
The Cranberries
Before emo came along and turned 13-year-olds into crybabies, there was the Cranberries. Dolores O’Riordan was the mouthpiece for many angst-ridden adolescent girls in the mid-1990s. Say what you will about the band, there’s no denying the sense of dreamy giddiness one feels whenever “Linger” or “Dreams” plays on the radio. Memories of flannel dresses, cassette tapes in your backpack, and the anticipation of another glorious episode of My So-Called Life can overwhelm you with sugary-sweet nostalgia. Following in the footsteps of such holy-shit! reunions like Pavement, Jesus Lizard, and Sunny Day Real Estate, the Cranberries — performing with the original lineup — could name their tour “Everyone Else Is Reuniting, So Why Can’t We?” It’s been seven years since the band last toured, so let’s hope “Zombie” still has sharp teeth. (Long)
8 p.m., $36
Regency Ballroom
1290 Sutter, SF
(415) 673-5716
www.theregencyballroom.com

EVENT/LIT/VISUAL ART
“Exercises in Seeing”
Wish you could give up the heavy-lidded responsibility of having eyeballs day in day out? Hate having to constantly gaze, blink, scan, squint, divert, and cry? And tired of going to art shows where all you do is look at things? Or maybe you just hate art altogether? Well, tonight’s your lucky night. You can wear two eye-patches if you want, because those pesky wet balls will be useless at this exhibit. For one night only, poet David Buuck will audibly walk you through artwork in the dark by 30 local and international artists — artwork even he hasn’t seen! All you have to do is listen or sleep or walk around and relive your first sexual experiences by “accidentally” groping people. (Young)
9 p.m.–6 a.m.
Queen’s Nails Projects
3191 Mission, SF
(415) 314-6785
www.queensnailsprojects.com

SUNDAY 6

FILM
Om Shanti Om
Om my gawd, y’all — Om Shanti Om is playing the Yerba Buena Center for the Arts! Set within the world of Bollywood, this 2007 monster hit from director-choreographer Farah Khan (she choreographed 2001’s Monsoon Wedding) works cameos galore into the tale of good-hearted, 1970s-era bit player Om (Shah Rukh Khan), who falls for movie star Shanti (Deepika Padukone), not realizing she’s already entangled with sinister producer Mukesh (Arjun Rampal). Stuff — betrayals, tragedy, reincarnation, revenge plots, haunting — happens, but you know you wanna see Om Shanti Om primarily for the glorious musical numbers, and for the mighty SRK, gloriously corny here (as always). (Eddy)
2 p.m., $6–$8
Yerba Buena Center for the Arts
701 Mission, SF
(415) 978-2787
www.ybca.org

MUSIC
Marduk
Formed in Sweden in 1990, legendary black metal group Marduk was designed, in the words of founding member Morgan Hakansson, to be “the most blasphemous metal act ever.” Although it draws from similar lyrical themes as other groups in its genre, such as the requisite references to Satanism and gore, Marduk adds several other diabolical layers, notably imagery and historical content from World War II. Marduk had to cancel its opening slot appearance for Mayhem earlier this year due to visa issues — this is the first chance in years for Bay Area metal fans to see one of the most brutal acts in our neck of the woods. (McCourt)
With Nachtmystium, Mantic Ritual, Black Anvil, Merrimack and DJ Rob Metal
8 p.m., $20
DNA Lounge
375 11th St., SF
(415) 626-1409
www.dnalounge.com

MONDAY 7
MUSIC
A Multimedia Event with Califone
The lonesome crowded West has an apt soundtrack in the music of Califone, whose very name evokes rustic Americana. Some groups never let a good song get in the way of atmosphere, while others are guilty of just the opposite. In contrast, Califone frequently manages to combine strong songcraft with an attention to scene-setting detail. And that it should — its new album All My Friends are Funeral Singers (Dead Oceans) shares the same title as the feature film directorial debut of the group’s Tim Rutili. In fact, tonight the band supplies a live score to Rutili’s movie, which stars Angela Bettis, the petite-but-tough-as-nails presence at the core of low-budget horrors such as May (2002) and Tobe Hopper’s not-bad 2003 remake of Toolbox Murders. A throwback to a time when actual actresses rather than Hollywood fembots had lead roles in U.S. movies, Bettis plays a fortune-teller who lives in an old house at the edge of the woods. Califone plays the music. (Johnny Ray Huston)
8 p.m., $16
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.gamh.com
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Big bang

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THEATER “Stop the world, I want to get off” — a hoary phrase of pop weltschmerz that only now strikes me as a choice bit of narcissistic prurience, thanks to Peter Sinn Nachtrieb. The phrase doesn’t actually figure in his latest work, a date-play apocalypse called boom, but when you see the play you too will encounter unexpected resonances between world-shaking existential dread and the most banal of Craigslist innuendo.
The personals posting that actually gets the ball rolling promises something more like “sex to change the course of the world.” Finally, some truth in self-advertising. For as it happens, the man who placed the ad, Jules (a delightfully earnest Nicholas Pelczar), is a young marine biologist who through diligent study of the nervous diurnal habits of tropical reef fish has deduced the end of the world by comet — in what, by the opening of the action, is about a few minutes time. Accordingly, he has lured an eager and feisty young journalism student named Jo (a terrific, wound-up and wounding Blythe Foster) to his creepily well-stocked underground lab-lair to, little does she realize, repopulate the soon-to-be-barren earth. Never mind that Jules is a big gay virgin, or that Jo turns out to detest the very thought of babies: this is the End of the World, people.
But of course rare is the hookup that matches what it promises, fate of humanity notwithstanding. Given our would-be Adam and his don’t-even-think-about-it Eve, things look increasingly dire for a race suddenly dependent on two maladapted virgins whose strange backgrounds — he, the sole survivor of a cursedly accident-prone family; she, hard-wired to faint at the first sign of danger — may or may not bode well from an evolutionary point of view. On this Darwinian date with destiny, Jules and Jo rank as colder fish than their tropical roommates, staring back at them from the aquarium center stage.
Such contrasts between the mundane and the profound make for good comedy, especially in the very sharp production at Marin Theatre Company helmed by Ryan Rilette, but they also spark insight in a work that, for all its winning humor, ponders without pretension serious themes none too arbitrary here at what does kind of look like the end of the line for life as we know it.
boom is never heavy about it, but it thoughtfully celebrates the ambiguous nature of things, or indeed the ambiguity in Nature itself. It’s a bracing tonic — whether in comedy or tragedy, you can always make my entendre a double. Nachtrieb and MTC serve up a stiff one, spiked with an even headier irony: the story we are watching of a heavily freighted blind date gone horribly wrong is itself actually a museum exhibit from the far future side of our impending doom, operated by a slowly unraveling docent (played with Chaplin-esque aplomb by an irresistible Joan Mankin) during what turns out to be her last day on the job, after many creatively frustrated work-years under heartless management.
But Nachtrieb, the San Francisco–based playwright responsible for some of the more successful and smart comedies of recent years (Hunter Gatherers; T.I.C. Trenchcoat in Common), has never shied from the deeper social implications of his effortlessly hilarious send-ups of familiar human foibles — probably because his characters are always so lovingly rooted in their particular time and place, they just rise up naturally from his stories. boom, which is reportedly the most-popularly produced new play in the country this year, is no exception. Its human touch makes its posthuman dimensions somehow strangely reassuring. It’s as if, in almost diffident fashion, the play succeeds where the dogged journalism student in Jo would: in wringing a modest moral (and a final A) from the blackest hole of tragedy and the detritus of cliché — you know, “in some small, stupid way that’s sort of uplifting.”

BOOM
Through Dec. 6
Wed, 7:30 p.m.; Thurs–Sat, 8 p.m.; Sun, 7 p.m., $31–$51
Marin Theatre Company
397 Miller, Mill Valley
(415) 388-5208
www.marintheatre.org

Love sex fear death

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Philadelphia freedom can become Philadelphia gothdom. Cinematically, I’m thinking of David Lynch’s Eraserhead (1977), the very definition of black-and-white bleakness, and a Philly-filmed movie set within a nightmare. More recently (and obscurely), I’m thinking of Andrew Repasky McElhinney’s far-from-literal 2004 film adaptation of George Bataille’s Story of the Eye, seemingly based in blasted-out sections of the City of Brotherly Love.
Bataille’s obsessive focus on eros’ fusion of love and death is in keeping with Cold Cave, the latest musical project of Wesley Eisold. But gothdom and an appreciation of the occult or morbidity took root in Eisold’s life long before he set base in his current home of Philadelphia, let alone visited Madame Blavatsky’s house there. “We’ve really kept to ourselves, which was the impetus for settling in Philly for a bit,” he says, referring to bandmates Dominick Fernow of Prurient and former Xiu Xiu member Caralee McElroy. “Less distraction, more work. Cheap rent, no need for money.”
For Eisold, the influences behind his current sound can be traced back to adolescent VHS tapes of 120 Minutes, a rare constant during a nomadic youth. “I met my cousin Jacy — who lives in San Francisco, actually — for the first time when I was 11 and he was maybe 13,” he remembers. “You never know what your family is going to be like. He came into my house wearing a Sisters of Mercy shirt and I had a Cure shirt on.”
If the bass on “Hello Rats” from Cold Cave’s Love Comes Close (Matador) recalls the Cure’s Seventeen Seconds (Fiction, 1980) and “I’ve Seen the Future and It’s No Place for Me” on the group’s compilation Cremations (Hospital Productions) sounds like the Cure’s Pornography (Fiction, 1980) blaring from a room down the hall, then cousin Jacy’s tee-shirt cast a spell as well. The bottomless baritone of Sisters of Mercy leader Andrew Ridgely informs Eisold’s vocal approach to tracks such as Cremations’ “An Understanding” and “I’ve Seen the Future,” and Love Comes Close‘s “The Laurels of Erotomania” and title track.
But Cold Cave has more going on than mere ’80s pastiche and nostalgia. A fan of small publishers such as Hanuman and Black Sparrow (“I think Ed Dorn’s Gunslinger is massively underappreciated,” he says) who runs his own small press called Heartworm, Eisold doesn’t merely strike dark poses in his lyrics. An example would be Cremations‘ opening track “Sex Ads,” a direct, truthful song about a pretty common phenom in contemporary life: sexual self-commodification.
“It’s probably the most literal song I’ve ever written,” Eisold says of the track, which ends with a sense of ghostliness akin to Kiyoshi Kurosawa’s 2001 film Kairo. “Of course, us humans will find a way to make intimacy even more detached. I don’t find it strange at all. We’ve built all these machines to do everything else for us, so of course we’ll have a computer be the enabler our friends could never be. It didn’t catch on, but remember 10 years ago or so the Internet was trying to sell thse pieces you could attach to the computer for a simulated fuck? This makes much more sense. Really, I can’t believe how unexcited we are about the world we live in and how realities overlap from a screen to the day-to-day. This meshing of worlds happens so fast that no one has the time to appreciate how strange it is.”
Not exactly “Boys Don’t Cry” — or Fall Out Boy, for that matter. One gets the sense that Cold Cave is still developing, an exciting and perhaps hauntological prospect considering their music to date. Cremations contains some powerful sounds and instrumental passages, from the Nico-caliber fugue “E Dreams” to the outer space loneliness of “Roman Skirts” and the apocalyptic, nuclear radiance of “Always Someone.” If Love Comes Close sacrifices such experimentation on the altar of pop, during a track like McElroy’s vocal star turn “Life Magazine,” the blood tastes like fine wine. Alienation has rarely sounded so ebullient.

COLD CAVE
with Former Ghosts and Veil Veil Varnish
Thu/3, 9 p.m., $10
Bottom of the Hill
1233 17th St., SF
(415) 621-4455
www.bottomofthehill.com

Divided world

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Tamim Ansary is a gifted writer whose 2002 memoir West of Kabul, East of New York: An Afghan American Story is a must-read for anyone wanting to know more about Afghanistan. In this funny, touching book, Ansary, son of an Afghan father and American mother, recalls growing up in a traditional village and later traveling to the United States, where he wound up at Reed College in Portland, Ore., then moved on to San Francisco.
In his new book Destiny Disrupted: A History of the World Through Islamic Eyes (PublicAffairs, 416 pages, $26.95), Ansary sets out to fill the noticeable Islamic gap in English-language world histories. Ansary concedes Edward Said’s point that the West’s view of Islam has been highly “Orientalist” — prone to emphasize sinister “otherness.” But, Ansary writes, “more intriguing … is the relative absence of any depictions at all.” While working as an editor on a world history textbook for U.S. high schools, Ansary fought for inclusion of more Islamic history. His colleagues on the project were less than receptive. In the end, Islam was the focus of just one of 30 chapters. Ansary writes: “In short, less than a year before September 11, 2001, the consensus of expert opinion was telling me that Islam was a relatively minor phenomenon whose impact had ended long before the Renaissance. If you went strictly by our table of contents, you would never guess Islam still existed.”
Destiny Disrupted is a one-stop antidote to that problem. The prose is fun to read, often graceful and never dull, and steers clear of academic jargon. If school textbooks aspired to this level of writing, there would be fewer bored, uninspired kids in the world.
Ansary is adept at culling from and distilling dense histories to present an Islamic view of world history that acknowledges and teases out various competing strains of Islamic thought. The book presents Islam not only as a religion, but as a social project that takes on political and economic questions and includes a complete system of civil and criminal law. Ansary doesn’t have one particular ideological ax to grind, and is clearly a secular, cosmopolitan intellectual comfortable with ambiguity, paradox, and nuance. He refrains from excessive editorializing, but is also not afraid to call a spade a spade when he’s discussing massacres, wars, or imperial conquest.
Here’s Ansary on Egypt in the 1930s: “Egypt would get an elected parliament, but this parliament’s decisions must be approved by British authorities in Cairo. Beyond these few points, Egypt was to consider itself sovereign, independent, and free. Egypt quickly developed a full-fledged (secular modernist) independence movement, of course, which offended the British, because why would an independent country need an independence movement? Didn’t they get the memo? Apparently not.”
Ansary doesn’t apologize for the harsher aspects of Islamic fundamentalism. In one of the book’s more depressing passages, he writes that he doesn’t see how the Muslim “divided world view” on separation of the sexes can coexist in a single society with more Western ideas of gender mingling. Ansary doesn’t offer a solution to that conundrum, but calls for Muslim intellectuals to grapple with it. Unfortunately, the thinkers he cites doing such work are Iranians now largely discredited in their own society as the U.S. ratchets up pressure on their homeland, tainting anyone associated with Western ideas.
As President Obama continues George W. Bush’s policies of military occupation in Afghanistan, it’s to be hoped that books such as Destiny Disrupted and thinkers like Ansary inspire Americans to start thinking about the Muslim world in new ways. Ideally, these new approaches won’t include aerial bombing of civilians and other forms of “collateral damage.”

Out of reach

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news@sfbg.com

On a sunny afternoon in Civic Center Plaza, a remarkable bounty covered a buffet table: coconut quinoa, organic mushroom tabouli, homemade vegan desserts, and an assortment of other yummy treats. The food and event were meant to raise awareness about public school lunches, although it was hard to imagine these dishes, brought by well-heeled food advocates, sitting under the fluorescent lights of a San Francisco public school cafeteria.

The spread was for the Slow Food USA Labor Day “eat-in,” a public potluck meant to publicize the proposed reauthorization of the Child Nutrition Act, national legislation that regulates the food in public schools. The crowd was in a festive, light-hearted mood. There was a full program of speeches by sustainability experts and a plant-your-own-vegetable-seeds table set up in one corner of the plaza.

A bedraggled couple who appeared homeless made their way through the jovial crowd and started scooping up the food in a way that suggested it had been a long time since their last roasted local lamb shish kebob. Their presence shouldn’t have been a surprise; most events involving free trips down a food table are geared toward a different demographic in this park, which borders the Tenderloin.

In a flash, an event volunteer was on the case, nervous in an endearingly liberal manner. “Sir,” she began. “This food is for the Child Nutrition Act.” And then she paused, searching for what to say next. I imagined her thinking: “Sir, this food is to raise awareness about the availability of sustainable food to the lower classes, not to be eaten by them,” or, “Sir, this good, healthy, local food is not for you.”

But there was no good way to say what she meant to convey. She knew it, and delivered her final line hurriedly before walking away. “If you could just, well, just don’t take like 25 things, okay?” Indifferent to the volunteer’s unspoken reprimand, the couple continued to eat, ignoring the whispers and stares of the social crusaders around them, who all seemed to take issue with their participation in this carefully planned political action.

It was a telling scene from a movement that has yet to really confront its class issues. Though organic grocery stores and farmers markets have sprung up on San Francisco’s street corners, it remains to be seen whether our current mania for sustainable, local food will positively affect the lower classes, be they farm workers or poor families.

Even iconic food writer Michael Pollan acknowledges the challenge the sustainability movement faces in widening its relevance for the poor, citing the high cost of local and organic food as just one of the issues that Slow Foodies and their allies must tackle before they can count the “good food” movement a success.

LOCAL ORGANIC LABOR

For the average heirloom tomato eater, the words “organic farm” often conjure up an idyllic agrarian picture: happy communes of earnest farmers growing veggies straight from the goodness of their hearts. In reality, a lot of the people who plant, tend, and harvest produce are poorly paid Latino immigrants. And it might come as a surprise that those who work on small or organic farms often face the same exploitative working conditions as those in conventional agriculture.

To learn how organic farm workers should be treated, consider Swanton Berry Farm, whose fields stretch out along the coastal highway just north of Santa Cruz. Swanton was the first organic farm in California to sign a contract with the United Farm Workers, a move that highlights the owners’ conviction that farm workers be viewed as skilled professionals. Employees are offered ownership shares in the farm and are provided health insurance, retirement plans, comfortable housing, and unlimited time off to attend to pressing family matters.

“Organic is a lot cleaner. Working with pesticides, you have to worry about wearing gloves and covering your skin. Here, you can pick that strawberry right off the plant and eat it,” Adelfo Antonio told the Guardian. He has worked these fields for 20 years, the last five as a supervisor. His high regard for his job and employers is apparent. As we talked, he kept at least one eye fixed on his coworkers, who stretched plastic sheets across the dirt of the field to protect their rows of seed from the coming autumn winds.

Antonio said he appreciates the culture of mutual respect on this farm. “People like how they are treated here. When conflicts come up, our management is open to working through them,” he said. A few minutes later, a break was called, illustrating his point. There had been some disruptive behavior in the company housing and a discussion ensued between the crew and one of the farm’s owners about house rules. The group formulated a plan to avoid trouble in the future.

But Swanton’s egalitarian fields are the exception among American organic farms. The average salary of the estimated 900,000 farm workers in California — the birthplace of the organic and farm labor movements in the U.S. — is around $8,500, more than $2,000 below the federal poverty line.

In 2006, the California Institute for Rural Studies put out a rare study of working conditions on the state’s 2,176 organic farms that suggested that in some respects, workers are better off on conventional farms. Although the average wage was higher on organic fields — $8.20 for entry-level work, compared with $7.91 on conventional farms — traditional agriculture outstripped organic on certain employee benefits. A mere 36 percent of organic businesses were found to provide health insurance to their employees, as opposed to 46 percent on conventional farms.

Unable to rely on chemicals for pest control, organic farms often face higher labor costs in the fields. “Wages and benefits should always be viewed in the wider context of sustainability, and that includes a farm’s ability to stay in business from one year to the next, i.e. its profitability,” said Jane Baker, a spokesperson for California Certified Organic Farmers, the state’s major organic certification agency.

The inequity faced by farm workers belies the fact that the organic movement began as an alternative to the industrialized food system. “Back then, we never would have imagined that you’d be buying an organic product that was built on the backs of workers. For us, social justice was every bit as important as the environmental part,” said Marty Mesh, an organic farmer since 1973 and executive director of Florida Certified Organic Growers & Consumers.

Mesh was involved in the debates over the U.S. Department of Agriculture’s first codification of the National Organic Program. He said that although many farmers advocated for regulations surrounding working conditions, the federal government found it hard to stomach labor stipulations. Many involved felt their inclusion would hurt the growth of the organic industry. So the social movement aspect of organic farming was left on the cutting room floor.

That has not been the case overseas. The International Federation of Organic Agriculture Movements, whose organic label is recognized worldwide, adopted explicit social justice language in its basic standards in 2003, stating in their “Principles of Organic Agriculture” document that “organic agriculture should provide everyone involved with a good quality of life and contribute to … reduction of poverty.”

CCOF now offers a dual track certification process wherein California farms can forgo specific IFOAM requirements. The lack of guidelines of worker treatment has led to some problems. “We’ve seen many of the same issues on organic farms that we do in conventional agriculture, on small and big farms alike,” Michael Marsh, directing attorney of California Rural Legal Assistance, told us. CRLA is an organization that regularly provides low cost legal assistance to agricultural workers, whom Marsh has seen bring charges against organic farmers for cases of sexual harassment, underpayment, and job safety concerns.

Sometimes the organic label is even used to justify vioutf8g workers rights. In 2003, the California Legislature considered a bill that would ban “stoop labor,” activities like hand-weeding which require working in bent positions that can cause musculoskeletal degeneration. Organic farmers’ associations lobbied against the bill, claiming that pesticide-free agriculture would suffer under such restrictions. Also, although chemical pest-killers are banned from organic farming, some popular natural pesticides like copper and sulfur have been known to cause irritation of the throat, eyes, and respiratory system.

“This is one of the hardest nuts to crack in the sustainable food world,” said Michael Dimock, executive director of Roots of Change, a San Francisco-based foundation that has developed campaign strategies for improving agricultural working conditions. Three years ago, Dimock left his post as chairman at Slow Food USA, at a time when farm labor conditions “were generally not at the top of the list. Slow Food as an organization is just beginning to figure out what it can do in a meaningful way on this issue.”

Roots of Change has found some success in identifying farm labor challenges and possible solutions through a series of worker-grower forums. It has pinpointed immigration reform as one key to progress. Anywhere from 50 to 90 percent of farm workers in California are undocumented, which puts even fair bosses at risk of being prosecuted for employing illegal immigrants.

Many farm owners turn to labor contractors — essentially agricultural temp agencies — to supply field hands. Use of these middle men largely shields the owner from legal responsibility for illegal hiring, but “the bad farm labor contractors cheat workers, take their pay, and risk their health and safety,” Dimock said.

Some Californian farm labor contractors have become notorious for their disregard of minimum wage and other labor standards, taking advantage of workers who are discouraged to seek help for fear of deportation. The role played by irresponsible contractors is one of many issues that can remain unseen by the buyers of food from farms that rely on the inadequate public information available on agricultural working conditions.

WHEN BUSINESS AND LABOR COLLABORATE

Food management company Bon Appetit in Palo Alto has built a good reputation as a sustainable company, buying its produce and other foodstuffs as locally and organically as possible. “I’ve learned a lot working here,” said Jon Hall, head chef of Bon Appetit’s University of San Francisco cafeteria. “In other kitchens, if you can get something for five cents a pound cheaper, that’s what you buy. If I did that here, people would notice. [My bosses at Bon Appetit] would say, ‘Why’d you buy that?’ ”

But when Bon Appetit executives decided to take on the issue of worker treatment on the farms that supplied their food, they found it difficult to find reliable information on the subject. “We always felt like there was something there that needed to be done and change that needed to take place,” said vice president Maisie Greenwalt. “But we didn’t know who to talk to.”

Her cue to act came from the Coalition of Immokalee Workers, a group from Immokalee County, Fla. The farm workers’ organization brought nationwide publicity to the slavery-like conditions in the area’s tomato fields. Greenwalt accompanied the group on an information-gathering trip to Immokalee and saw firsthand the places where recent immigrants were held to work against their will, living in squalor and being paid little as $20 a week.

Greenwalt saw the travesty as a wake-up call. Collaborating with the Immokalee activists, Bon Appetit developed a workers’ rights contract that all their tomato suppliers must now sign. “After Bon Appetit sent me the contract, I sort of at first didn’t see the point. But then I spoke with the [Coalition of Immokalee Workers] and it made sense. Worker abuse has been around for centuries,” said Tom Wilson of Alderman Farms, one of the company’s tomato growers.
Greenwalt says Bon Appetit cafeterias were prepared to eliminate tomatoes from their menus. “Every chef and manager I talked to said they would rather not serve tomatoes than serve the tomatoes that were coming from these conditions.” But every one of their suppliers signed, agreeing to conditions such as a mandatory worker-controlled safety committee and a “minimum fair wage.”

The success convinced Bon Appetit that this style of food buyer participation is crucial to making positive progress on farm worker treatment. The company is now conducting a nationwide survey of working conditions on organic farms. “Labor’s not a new issue,” said Carolina Fojo, one of the company’s researchers. “But for some reason, people are just now talking about it. We’ve found it can be a sensitive topic for a lot of farmers.”

Visually, Hall’s USF food court is similar to traditional college eateries. But plate-side, Bon Appetit’s commitment to sustainability is clear; specials vary seasonally and food is sourced locally whenever possible. The price for a semester’s meal plan is $3,810, more than twice that of San Francisco State University. Hall’s customers, college students who may eat three meals a day here, often approach him with questions about their food. Queries range from where to how the food was grown, but in no instances that Hall has been aware of, about the workers who grew it.

Labor issues are not the popular cause these days, at least in the sustainable food movement. Unlike the “eat local” and organic food movements, equitable treatment of farm workers has yet to spawn trendy slogans for tote bags or a book on the best-seller list.

One UC Santa Cruz study found that, when asked to rank their concern about food system related topics, Central Coast grocery shoppers assigned higher concern levels to animal treatment on farms than that of humans. But Hall is confident this will change as Bon Appetit and others continue to bring attention to the economically disadvantaged on the front lines of our local and organic food systems.

“This is the next frontier,” he said. “I can see it brewing.”

SERVING THE CHILDREN

In school cafeterias across the city, a different low-income group has its own challenges fitting into the sustainable food movement. San Francisco Unified School District manages one of the city’s most important food sources.

Every school day, Student Nutrition Services dishes out 31,000 cafeteria meals; of those, 84 percent go to students who qualify for free lunch or for the reduced price of $2 for elementary school students. It is not a stretch to say that for many of these kids, this is their one chance at healthy food for the day — certainly their only chance to learn about local and organic food. But the school district faces one of the major issues the sustainability movement has yet to resolve. Local and organic food costs a lot to produce, which makes it more expensive. If pricing was more socially equitable and accounted for living wages for farm workers, costs might rise even more. This is a problem. Federal funds supply about $2.49 for each free student lunch in San Francisco and less for the meals of students who do not qualify for reduced prices. After logistical costs like labor and transportation are accounted for, 90 cents per meal is left over for the food itself.

This is not enough to fund a menu like Hall’s. Given the numbers, it should come as no surprise that examining an average SFUSD school lunch — as San Francisco Chronicle food critic Michael Bauer did in his Oct. 29 “Between Meals” online column — turns up a lot of recently thawed, bland food matter. But this is not to say that cafeteria meals have not seen progress. Student Nutrition Services eliminated junk food in 2003, signaling a new attention to nutrition on a menu previously dominated by pizza and french fries.

Unlike working conditions for farm workers, school lunches have the benefit of visibility to middle class consumers and activists. Demonstrable efforts are being made to send some of that 90-cent budget toward local food. But with such a limited budget, institutions like SFUSD can only address a small slice of what is important about sustainable food. Yes, efforts are being put toward buying kids local, pesticide-free food that doesn’t further jeopardize their future by using excessive fossil fuel on transportation. But these limited efforts do nothing to affect the social aspect of sustainability — those who produce the food are again left invisible.

The school salad bar program, started in 2007, uses organic and local vegetables in its buffet line as much as possible. The majority of the bars are strategically located in schools where more than half the student body qualifies for free and reduced-price lunches, a response to a Community Healthy Kids survey that put the number of ninth-graders who had eaten a single vegetable in the last week at 29 percent. Student reaction to the bars has been encouraging. Many poor families credit them with increasing the amount of produce in their kids’ diets.

“This program is an anomaly,” said Paula Jones, director of San Francisco Food Systems. “Other schools around the country just don’t see things like this.”

But a generation’s worth of antitax sentiment has limited the variety of the salad bars and other attempts at getting fresh food onto kids’ lunch trays. Due to high labor costs, the school district buys pre-chopped vegetables, severely limiting sourcing options. In the meantime, another generation of low-income kids is growing up on processed, packaged foods. Jones said making sustainable food available to all children is an issue the community must help take on. “The bottom line is, it’s going to take a lot of people talking about this to realize this is not just the school district’s problem.”

Jones’ organization works on getting healthy food to the city’s underserved populations. Nutritionally, this is the salient mission of our age. Despite its current vogue, only 10 percent of Americans buy organic, and shoppers who consistently choose healthy foods usually find themselves spending 20 percent more. Several California studies have indicated that socioeconomically depressed neighborhoods have disturbingly high rates of food insecurity and obesity.

Despite the enormity of the challenge, Jones remains positive. “We lead in this issue. San Francisco is ready, and we have the will.” She counts among the city’s biggest successes in this area the fact that all farmers markets, typically more expensive than average supermarkets, now accept food stamps.

THE FRESHEST FOR THE POOREST

On a bright autumn Wednesday, market assistant manager John Fernandez stands outside his “office,” a white van with the Heart of the City logo. The Heart of the City Farmers Market takes place in a plaza just between City Hall and the Tenderloin twice a week, year-round. Fernandez said it has the highest food stamp sales — second only to that of the Hollywood market — in California and has played a role in allowing low income families and individuals in the area to fit local and organic food into their budget.

Fernandez has worked here for 13 years, and said that the use of food stamps has doubled since last summer. Most of his food stamp customers are families and individuals coming back week after week. They pass by the van to have Fernandez swipe their food stamp cards through a machine and hand them the yellow plastic coins used to buy everything from persimmons to what is far and away the market’s most popular item: the live chickens that squawk from cages at one end of the line of stalls.

Efreh Ghanen was one of the shoppers we talked to who felt that being able to use her food stamps at the farmers market had improved the health of her family. Ghanen, who shops with her mother and sister, likened Heart of the City to the Yemeni markets where they bought their food growing up. “The honey, fruit, and vegetables here are fresher,” she said. “They just taste better.”

“I definitely wouldn’t be able to shop here if it weren’t for the food stamp program,” echoed Shana Lancaster. She teaches at Paul Revere Elementary School in Bernal Heights, a position funded through AmeriCorps whose low pay automatically qualifies her for the food stamp program. She selects an armful of organic Gala apples while noting the value of shopping local for working people like herself. “I like supporting the farmers. Everyone here at the market has a story. These days, everyone is struggling.”

But both Lancaster and Ghanen tell us that when they can’t afford to shop at the farmers markets, they head straight for corporate retailers like Safeway and Walgreens, buying whatever they need to get by.

Programs like these are essential if the sustainability movement is to remain relevant and widen its reach. Just as the environment will degrade if industrial agriculture continues unabated, so too will local and organic food sources falter if the majority of our society cannot afford to buy their wares.

In the end, the obstacles are about class. Low-income groups, be they the people who grow the organic food or the schoolchildren who benefit from eating it, need to become more of a focus of the “good food” movement. What Slow Foodies and other activists must keep in mind is that over-accessorizing a cause (as with esoteric artisan products and exclusive dining experiences) makes it less a vehicle for change and more like reshuffling of the same old injustices. Social change, by definition, has to be for everyone. Because elitism tastes as bad as it always has.

For more information, check out “Fair Food: Field to Table,” a multimedia project recently released by the California Institute for Rural Studies. CIRS is one of the leading researchers of working standards on Californian farms and its data is found throughout this article. Watch the Fair Food documentary for free at www.fairfoodproject.org.

Editor’s Notes

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The people aren’t that weird in Oregon. They drink the same coffee we do, and the same beer, and they’re just as surprised as we are that a team from the land of Beavers and Ducks will be playing in the Rose Bowl. It rains a lot, so they don’t worry about water the way we do — in some places, you can actually take a shower with an old-fashioned spigot that pours an unconstrained and luxurious flow that would be illegal in most of California — but generally speaking, it’s not like an alien territory.
But the Oregon government took a radically different approach to the state’s budget problems over the summer. The governor and the Legislature passed measures to raise taxes on households with incomes of more than $260,000 a year and corporations with profits of more than $10 million. The bills also cut taxes on unemployment benefits. The deal would bring in $737 million and avoid deep cuts in essential public services.
Of course, some things don’t stop at state lines: antitax activists have forced a referendum on the new taxes, and in January, in a vote-by-mail ballot, Oregonians will decide whether to reject the tax plan. The newspapers are full of discussions on the impact, and the message is clear: Scrap the taxes and teachers will face layoffs, schools will face serious problems, and other public services will suffer.
I was up visiting over Thanksgiving, and I asked a friend what he thought would happen. He was pretty confident that the taxes would be retained: “I don’t know anyone who makes more than $260,000 a year.”
Of course, they don’t have a two-thirds majority requirement to raise taxes — and while Republicans all over have become little more than obstructionist troglodytes, Oregon Republicans haven’t all signed the “no-new-taxes” pledge required of every GOP legislator in California.
Even so, you have to wonder: Why can’t we do that here?
The answer, I think, is that we can — not necessarily on a statewide level (where anything progressive seems almost impossible today) but right here at home in San Francisco.
A poll commissioned by SEIU Local 1021, which came out while I was away, showed that a majority of San Francisco voters would support a broad range of new taxes, from a five-cent-a-drink tax on alcoholic beverages to a $10 a car tax on motor vehicles to an increase in the hotel tax. The poll didn’t ask about a tax on incomes of more than $260,000, but I bet the results would be about the same.
So what’s headed for the June ballot? Well, at this point all I hear is that the mayor wants to fund the expansion of Moscone Center with $140 million in revenue bonds — and might want to designate a hike in the hotel tax to pay for it. That’s a great way to set priorities — the health care system is in total collapse, Muni lines are getting shut down … and we’re going to use new tax revenue for a convention center expansion.
This comes just after the mayor announced he wasn’t going to spend the money to save critical public health services. Perhaps he’ll find some spiritual guidance on his trip to India.

US out of Afghanistan

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We knew President Obama wasn’t going to be perfect. We knew he was a lot more of a political moderate than the left — which was about getting rid of George W. Bush and voting for a candidate who was against the war in Iraq — always wanted to acknowledge. And we knew that the key to a progressive national agenda was keeping the pressure on the new president, who won on the basis of massive grassroots support and would be, we hoped, swayed be the mobilization of that same coalition on key political issues.

And now, after the biggest disappointment yet of his young presidency, it’s more important than ever for the movement that swept Obama into office to get back into the streets. Because the president’s decision to put 30,000 more troops into Afghanistan — to escalate, at great expense, a war the United States can’t win — is a disaster for the nation.

Obama was, to some extent, trapped by his own political rhetoric. Reportedly during the campaign, he chided the Republicans and their candidate, John McCain, for the morass of Iraq and argued that the real fight was in Afghanistan, where Osama Bin Laden and his terrorists were holed up. That was probably untrue back then, and it’s almost certainly untrue now: ss Harvard professor and Afghanistan expert Rory Stewart noted on Bill Moyers’ TV show Journal show Sept. 25th, al Qaeda is in Pakistan now. It’s true that the Taliban — a brutal and repressive fundamentalist sect — is gaining ground in Afghanistan, but the people under the sway of that religious movement aren’t a serious threat to U.S. national security. As Stewart noted:

“One of the things that’s a little misleading about people who say, ‘If we don’t fight the Taliban in Afghanistan, we’re going to have to fight them in the streets of the United States’ is that most of these people we’re dealing with can barely read or write…. They’re often three hours’ walk from the nearest village. The idea that they’re somehow going to turn up on the streets of the United States with a train of goats behind them in order to conduct war here is a bit misleading.”

And the president didn’t make things any better by asking the generals on the ground to tell him how many more troops they needed — without spelling out exactly what the mission was or how success would be measured. Now that the Pentagon — as usual — has asked for more troops, Obama was in a bind, and was unable to show the courage to reject that proposal and completely rethink the U.S. role in Afghanistan.

Then there’s the fact — and it’s a cold, hard fact, borne out by centuries of history — that invasions and nation-building efforts by outside military forces never succeed in Afghanistan. Everyone who’s ever tried to conquer Afghanistan — from the Mongols to the British to the Russians — has failed. It’s a rough country with little civilian infrastructure. There’s no effective national leadership — the government of Hamid Karzai is monumentally corrupt and incompetent — and most civil authority rests with tribal councils and warlords. In fact, it’s probably misleading to call Afghanistan a country; it’s never had much national government. For the past 40 years, the place has been ravaged by war. “To rebuild a country like that would take 30 or 40 years of patient, tolerant investment,” Stewart notes — and even then the result would probably be closer to a state like Pakistan, which is hardly a shining example of democracy (and is, in fact, more of a threat to our security).

So why, exactly, is the United States still there — and what possible reason could Obama have for expanding the war effort, at a cost of hundreds of billions of dollars that are badly needed back home to create jobs and stabilize the economy? It’s the worst mistake of his presidency and the worst threat to his legacy and the U.S. national security and any hope of brining the U.S. back into a leadership role in creating a more peaceful and stable world.

As Simon Jenkins, a columnist for the U.K. Guardian noted Nov. 17, “If militarism wins and Obama commences a 10-year battle over the mountains and plains of Afghanistan, it will spell the end of America’s status as cold war victor and putative world policeman. The complex will have him trapped. The Taliban will have him cornered, as will bin Laden. America’s democratic leadership will have been pitted against American militarism — an informal component of the republic since the founding fathers — and will have capitulated.”

The antiwar movement needs to come back to life, quickly, on every level and every front, to demand a reversal of this misguided policy, a quick withdrawl of troops from both Iraq and Afghanistan and an end to decades of failed military and foreign policy. And that movement can and should start in San Francisco, bringing pressure on Rep. Nancy Pelosi not to fund the Afghanistan war and giving support to the antiwar Democrats who will have trouble opposing the Democratic president.

This city, and this newspaper, have opposed foolish military adventures in Vietnam, Central America, and Iraq. It’s time to start beating the drums again: U.S. out of Afghanistan!

PS: The Nation has a stunning report in its Nov. 30 edition on how U.S. contractors are paying off the Taliban to protect military shipments through the country. That’s a major source of income to the fundamentalists. In other words, U.S. tax dollars are funding the U.S. enemy. That’s how screwed up this war is.

Stage Listings

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Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For the complete listings, go to www.sfbg.com.
THEATER

OPENING

Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Opens Thurs/3. Runs Thurs-Sat, 8pm. Through Dec 19. No Nude Men Productions presents the end-of-the-world premiere of sketchy comedy veteran Wylie Herman’s first full length play.
A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Previews Thurs/3-Sun/6. Opens Tues/8. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.
Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Previews Fri/4-Dec 11. Opens Dec 12. Runs Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.
I <Heart> SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Opens Thurs/3. Runs Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.
Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Opens Wed/2. Runs Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Bay Area
Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Previews Fri/4, Sat/5, Sun/6, and Tues/8. Opens Dec 9. Runs Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. Berkeley Rep presents Victoria Thierree Chaplin’s dazzling display of stage illusion.
The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Previews Thurs/3-Fri/4. Opens Sat/5. Runs Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.

 

ONGOING

Bare Nuckle Brava Theater, 2781 24th St; 647-2822, www.brava.org. $15. Thurs/3, 8pm. Brava Theater presents a solo theater performance written and performed by Anthem Salgado and directed by Evren Odcikin.
Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.
Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.
*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland. (Avila)
I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs and Sat, 8pm. Through Dec 12. Jennifer Jajeh’s play is decidedly not a history lesson on the colonial project known as “the Israeli-Palestinian conflict” or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)
Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through Dec 13. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.
Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.
The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.
*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs, 8pm; Sat, 5pm. Through Dec 12. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. (Avila)
“The Me, Myself and I Series” Brava Theater, 2781 24th St; 647-2822, www.brava.org. Days, times, and ticket prices vary. Runs through Thurs/3. Four different tales from theatre/performance artists like D’Lo, Jeanne Haynes, Rachel Parker, and Anthem Salgado will surprise and awaken your imagination.
Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. Cirque du Soleil presents its latest big top touring production.
Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.
Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat, 10:30pm; Sun, 4pm. Through Dec 13. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.
“ReOrient 2009” Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs-Sat, 8pm; Sun, 5pm. Through Dec 13. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.
She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.
“Stateless” Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-$18. Thurs/3-Sat/5, 8pm; Sun/6, 7pm. Zeek presents poetry, hosted by Dan Wolf and Joanna Steinhardt.
Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Dec 19. Before throwing around terms like “dysfunctional, bi-polar, codependent,” to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, “slim-hipped” wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)
Bay Area
*Boom Marin Theatre Company, 397 Miller Ave, Mill Valley; 388-5208, www.marinthetre.org. $31-$51. Thurs/3-Sat/5, 8pm; Wed/2, 7:30pm; Sun/6, 7pm. Marin Theatre Company presents the Bay Area premiere of Peter Sinn Nachtrieb’s explosive comedy about the end of the world.
*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 13. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty. (Avila)
*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through Dec 12. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. (Avila)

PERFORMANCE

“An Old Fashioned Christmas” Old First Church, 1751 Sacramento; 474-1608, www.oldfirstchurch.org. Sat, 4pm. $12-$15. The internationally acclaimed Ragazzi Boys Chorus performs haunting and mysterious classics alongside sing-along carols.
Anonymous 4 Herbst Theatre, 401 Van Ness; 398-6449, www.performances.org. Thurs, 8pm. $32-$42. The a cappella group performs medieval English carols and American Christmas songs.
“Body Music Festival” Various SF and East Bay venues. www.crosspulse.com. Through Sun, various times and prices. Keith Terry and Crosspulse present the second annual six-day global event featuring concerts, workshops, teacher trainings, and open mics.
“A Brass and Organ Christmas” Grace Cathedral, 1100 California; 749-6364, gracecathedral.org. Mon, 7pm. $15-$50. The best of Bay Area brass brings down the house in this annual holiday fest.
Golden Gate Boys Choir and Bellringers Cristo Rey Monastery, 721 Parker; www.ggbc.org. Sun, 2pm.  Free. The Golden Gate Boys Choir and Bellringers perform a special Christmas concert.
“KML’s Holidays with Class” Intersection for the Arts, 446 Valencia; killingmylobster.com. Fri-Sun, 8pm. $15. Killing My Lobster presents a staged reading of holiday-themed comedic sketches written by alums of KML’s writing classes.
“Joy to the World!” MCC, 150 Eureka; www.brownpapertickets.com/event/85853. Fri, 8pm. $20. Gay Asian Pacific Alliance presents GAPA Men’s Chorus in a global, multilingual holiday concert featuring Likha Pilipino Folk Ensemble and the Likha Rondalla string ensemble.
“Left Coast Leaning Festival” Yerba Buena Center for the Arts Forum, 701 Mission; 978-2787, www.ybca.org. Thurs-Sat, 8pm. $10-$35. Youth Speaks’ Living Word Project and YBCA present a three-day festival celebrating West Coast dance, theater, and music.
Magnificat St. Mark’s Lutheran Church, 1111 O’Farrell; www.magnificatbaroque.com. Sun, 4pm. $12-$35. Magnificat invites you to explore the new music of the Early Baroque.
“Return of the Sun” San Francisco Jewish Community Center, 3200 California; 292-1233, www.jccsf.org. Sat, 11 and 2pm. $15-$22. Brenda Wong Aoki, Mark Izu, and World Arts West present a masterful blend of dynamic storytelling, music, and dance.
“Rockin’ the Gay 50s” Victoria Theatre, 2961 16th St; www.gracelandgirls.com. Sat, 8pm. Sun, 2pm. $8-$20. The Graceland Girls present this funny satire on gay adolescence in the 50s, the way many wish it had been.

Music Listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

*Baroness, Earthless, Iron Age Bottom of the Hill. 9pm, $14.
Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.
Dashboard Confessional, New Found Glory Slim’s. 8:30pm, $28.
“Duane Allman Birthday Tribute” Boom Boom Room. 9:30pm, $10. With members of Poor Man’s Whiskey, New Monsoon, Tracorum, and more.
Hiwatters, Middle Class Murder, DariusTX Red Devil Lounge. 8pm, $5-15.
*King City, Mission Street Stranglers, Black Crown String Band Annie’s Social Club. 8pm, $6.
Mass Fiction, Actors, Farewell Typewriter Elbo Room. 9pm, $6.
Mt. St. Helens Vietnam Band, Growlers, My First Earthquake Rickshaw Stop. 8pm, $12.
Luke Rathbone Hotel Utah. 9pm, $12.
David Jacob Strain Biscuits and Blues. 8pm, $15.
“Ten Out of Tenn” Independent. 8pm, $15. With Trent Dabbs, Matthew Perryman Jones, Jeremy Lister, and more.

JAZZ/NEW MUSIC

“B3 Wednesdays” Coda. 9pm, $7. With David Mathews Trio featuring Barry Finnerty.
Cat’s Corner Savanna Jazz. 7pm, $5-10.
Alasdair Fraser and Natalie Haas Yoshi’s San Francisco. 8pm, $22.
Gil Cohen Jazz Duo Moussy’s, 1345 Bush, SF; (415) 441-1802. 6pm, free.
Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.
Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Realistic Orchestra Yoshi’s San Francisco. 10:30pm, $14.
Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Gregory Alan Isakov, Patrick Park Café du Nord. 9:30pm, $12.
Bluegrass Country Jam Plough and Stars. 9pm. With Jeanie and Chuck.
“Long Night’s Moon presented by Singbird Festival” El Valenciano, 152 Valencia, SF; (415) 826-9561. 8:30pm, $7. Featuring Uni and Her Ukulele, Dina Maccabee Band, Whiskey and Women, and Paper Crocodiles.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.
Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.
DJ Rebellious Jukebox Hemlock Tavern. 9pm, free.
Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.
Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night!
Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.
Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.
RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.
Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.
Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 3

ROCK/BLUES/HIP-HOP

Agent Orange, Jokes for Feelings, Black Dream Thee Parkside. 9pm, $10.
Alma Desnuda, Highway Robbers, Grace Woods, Earl J. Rivard Great American Music Hall. 8pm, $13.
Soul Burners Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Cold Cave, Former Ghosts, Veil Veil Vanish Bottom of the Hill. 9pm, $10.
Grannies, Turbonegra, Inoculators, Tempramentals Annie’s Social Club. 8pm, $7.
Leigh Gregory and Memory’s Mystic Band, Martin Bisi, Dominique Leone Hemlock Tavern. 9pm, $7.
“A Holiday Benefit: Music for the Kids” Independent. 8pm, $20-35. With Greasetraps. Benefits buildOn.
Less Than Jake, Fishbone, Cage Regency Ballroom. 7pm, $22.
New Maps of the West, Honey, Lambs Bollyhood Café. 8pm, $5.
NOFX, Wax, Dead to Me, Nathan Maxwell and the Original Bunny Gang Slim’s. 8pm, $40.
Split Lip Rayfield, Kemo Sabe Rickshaw Stop. 8pm, $15.
Li’l Dave Thompson Biscuits and Blues. 8pm, $15.
bay area
Throwback Thurs 4 Last Day Saloon, 120 5th St., Santa Rosa; (707) 545-2343. 9pm, $12. Featuring Skee-lo, Rappin’ 4-Tay, and At All Costs.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.
Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.
Goapele Yoshi’s San Francisco. 8 and 10pm, $26.
Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.
Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Al Marshal Quintet Coda. 9pm, $7.
49 Special Atlas Café. 8pm, free.
Valerie Orth Dolores Park Café. 8pm, $10 sliding scale.
Shannon Céilí Band Plough and Stars. 9pm.
“Songwriters in the Round” Hotel Utah. 8pm, $8. With Heather Combs, Damond Moodie, Jesse Brewster, and Rick Hardin.
“Tibet Day” Presentation Theater, University of San Francisco, 2350 Turk, SF; (415) 422-5093. Documentary viewing and concert.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and guests Nappy G and Motion Potion spin Afrobeat, Tropicália, electro, samba, and funk.
Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.
Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.
Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.
Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.
Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.
Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.
Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.
Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.
Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro. Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.
Popscene 330 Ritch. 10pm. With a live performance by stellastarr*.
Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.
Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.
Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 4

ROCK/BLUES/HIP-HOP

“Battle of the Bands Finals” DNA Lounge. 5:30pm, $12. With Death Between Seasons, Draconian Winter, Gravy Trainwreck, and more.
Black Crowes, Truth and Salvage Company Fillmore. 9pm, $51.50.
Damage Inc, Paradise City, Aaron Pearson Red Devil Lounge. 8pm, $10.
Damn Near Dead Abbey Tavern, 4100 Geary, SF; (415) 221-7767. 9pm, free.
“Dead Hensons Finale Extravaganza” Bottom of the Hill. 9:30pm, $12. With Thunderbleed aka Blind Vengeance and DJ Adam Infantacide.
Dragon Smoke, Ronkat and Katdelic Independent. 9pm, $30.
Forever the Sickets Kids, Rocket Summer, Sing It Loud, My Favorite Highway, Artist vs. Poet Regency Ballroom. 6:30pm, $18.
DJ Lebowitz Madrone Art Bar. 6-9pm, free.
Legendary Stardust Cowboy, Two Tears, Touch-Me-Nots Hemlock Tavern. 9:30pm, $7.
Charlie Musselwhite Biscuits and Blues. 8 and 10pm, $35.
La Plebe, Nothington, Hooks, Frankenstein L.I.V.S. Annie’s Social Club. 8:30pm, $8.
Poi Dog Pondering, Geographer Slim’s. 9pm, $24.
Raw Deluxe Coda. 10pm, $10.
Robin Yukiko Band Brainwash, 1122 Folsom, SF; (415) 861-2663. 8pm, free.
Threes and Nines, Dialectic, Rockodile Hotel Utah. 9pm, $8.
J. Tillman, Pearly Gate Music Great American Music Hall. 9pm, $13.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Black Market Jazz Orchestra Top of the Mark. 9pm, $10.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
“Jazzcracker and Other Delights: Tchaikovsky with a Jazz Twist!” Aidan’s Episcopal Church, 101 Gold Mine Dr, SF; 1-800-838-3006, www.performanceshowcase.com. 8pm, $20. With the Terry Disley Experience.
Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.
Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

Las Bomberas de la Bahia, Blanca Sandoval, LoCura Brava Theater, 2781 25th St.; (415) 648-1045. 8pm, $16.
Adrian Emberly Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Encuentro del Canto Popular festival Accion Latina, 2958 24th St., SF; (415) 648-1046. Featuring LoCura, Rincon Pabon, De La Fe, and more.
Goapele Yoshi’s San Francisco. 8 and 10pm, $28.
Kounterfeit Change Rock-It Room. 9pm.
Pine Needles Plough and Stars. 9pm.
Rocky Dawuni and the Revelation Project, Pleasuremaker Band, DJs Jeremy Sole and
Señor Oz Elbo Room. 10pm, $12.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.
Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.
Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With DJs Jason Short, Moniker, and more spinning dubstep and techno.
Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.
Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.
Floor Score Siberia, 314 11th St., SF; (415) 552-2100. 10pm, $6. With DJs Robot Hustle and Stanley Frank spinning fluoro, disco, and homo all night.
Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.
Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.
M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.
Oldies Night Knockout. 9pm, $2-4. Doo-wop, one-hit wonders, and soul with DJs Primo, Daniel, and Lost Cat.
Polaris Mezzanine. 10pm, $20. A night of dubstep, glitch and bass heavy dance music featuring DJs Max Ulis, Ana Sia, Heyoka, Billy the Robot, and more.
Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

SATURDAY 5

ROCK/BLUES/HIP-HOP

“Bay Area Derby Girls: Cinco de Malo Prom 2009” Thee Parkside. 9pm, $15.
Black Crowes, Truth and Salvage Company Fillmore. 9pm, $51.50.
Black Hollies, Shys, Hot Lunch Bottom of the Hill. 10pm, $10.
Marcus Foster, Blue Roses Elbo Room. 6pm, $12.
*Husbands, Th’ Losin Streaks, Primitivas El Rio. 10pm, $8.
Midnight Strangers, Spyrals, Tasso Hemlock Tavern. 9:30pm, $6.
*Red Meat, Drunk Horse, East Bay Grease Annie’s Social Club. 9pm.
Sic Wolf, Maniac Martyrs, Lost Puppy Thee Parkside. 3pm, free. Benefit for the Lyon Martin Women’s Clinic.
Two Tears, Ebonics, Dirty Cupcakes Knockout. 5-9pm, $5.
“The Vandals Christmas Formal” Slim’s. 9pm, $16. Also with Voodoo Glow Skulls and Knock Out.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Aram Denesh and the Superhuman Crew Coda. 10pm, $10.
Emily Anne’s Delights Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
Goapele Yoshi’s San Francisco. 8 and 10pm, $28.
“Jazz Jam Session with Uptime Jazz Group” Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.
Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Adam Aijala, Larry Keel Hotel Utah. 7:30pm, $18.
Anna Ash and the Family Tree Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Bluegrass Bonanza Plough and Stars. 9pm.
BRWN BFLO, Bang Data, Rico Pabón and De La Fé Brava Theater, 2781 25th St.; (415) 648-1045. 8pm, $16.
Cirkestra Accordion Apocalypse, 2626 Jennings, SF; (415) 596-5952. 9:30pm, $10.
Encuentro del Canto Popular festival Accion Latina, 2958 24th St., SF; (415) 648-1046. Featuring LoCura, Rincon Pabon, De La Fe, and more.
Go Van Gogh Café International, 508 Haight, SF; (415) 552-7390. 7:30pm, free.
Adrian Legg, Teja Gerken Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $20.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.
Debaser Knocout. 10pm, $5. Arrive wearing a flannel before 11pm and get in free to this 90s dance party with DJ Jamie Jams and Emdee of Club Neon.
Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.
Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.
Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.
HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.
Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.
New Wave City DNA Lounge. 9pm, $7-12. Eighties dance party with Skip and Shindog.
Rebel Girl Rickshaw Stop. 10pm, $5. “Electroindierockhiphop” and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.
Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul on 45s with DJs Lucky, Phengren Oswald, and Paul Paul.
So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.
Soundscape Vortex Room, 1082 Howard, SF. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.
Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 6

ROCK/BLUES/HIP-HOP

Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.
Dollyrots, Perfect Machines, Departed Bottom of the Hill. 8:30pm, $10.
Generalissimo, Police Teeth, Truxton Kimo’s. 9pm, $6.
Pat Johnson and the Creeps Knockout. 10pm, $6.
Kit Ruscoe Group, Hydrogen Babies, Nice, Man’s Red Fire, Electric Googie Dawgz Café du Nord. 8pm, $10.
*Marduk, Nachtmystium, Mantic Ritual, Black Anvil, Merrimack DNA Lounge. 8pm, $20.
Rademacher, Golden Ghost, Woolly Moon Hemlock Tavern. 9pm, $6.
Jonathan Richman, Tommy Larkins Great American Music Hall. 8pm, $15.
Johnny Vernazza Biscuits and Blues. 8pm, $15.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.
Noel Jewkes, Josh Workman, Chuck Metcalf Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.
Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

FOLK/WORLD/COUNTRY

“Acoustic Country Christmas” Slim’s. 7pm, $17. With Sara Evans, Darryl Worley, and Mallory Hope.
Jesse DeNatale, Allison Lovejoy Amnesia. 8pm, $7-10.
Goapele Yoshi’s San Francisco. 2 and 7pm, $5-26.
Quin and friends Plough and Stars. 9pm.
Sacred Profanities Thee Parkside. 4pm, free.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.
DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.
Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and guest Dub Gabriel.
Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.
Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?
Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.
Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.
Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.
Religion Bar on Church. 3pm. With DJ Nikita.
Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 7

ROCK/BLUES/HIP-HOP

Califone Great American Music Hall. 8pm, $16.
Grand Lake, Bad Assets, Pine Away Knockout. 10pm, $5.
“Not So Silent Night Competition” Bottom of the Hill. 8pm, $8. Bands TBA.

JAZZ/NEW MUSIC

Nick Culp Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.
Christopher O’Riley Yoshi’s San Francisco. 8pm, $30.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!
Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.
Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.
King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.
Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.
Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.
Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.
Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 8

ROCK/BLUES/HIP-HOP

Average White Band Yoshi’s San Francisco. 8 and 10pm, $25.
California Honeydrops Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Robert Francis Café du Nord. 9:30pm, $10.
Long Thaw, Downfalls, Pegataur Bottom of the Hill. 9pm, $8.
Nervous Tics, Aversions, Complaints Knockout. 9:30pm, free.

FOLK/WORLD/COUNTRY

Devine’s Jug Band, The Gas Men, Sean Corkery Club Waziema, 543 Divisadero, SF; (415) 999-4061. 8pm, free.
Fiddle Jam Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Barry O’Connell, Vinnie Cronin and friends Plough and Stars. 9pm.

JAZZ/NEW MUSIC

“Booglaloo Tuesday” Madrone Art Bar. 9:30pm, $3. With Oscar Myers.
Dave Parker Quintet Rasselas Jazz. 8pm.
“Jazz Mafia Tuesdays” Coda. 9pm, $7. With Spaceheater’s Blast Furnace.
Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Kate Waste, and Trashed Tracy.
Drunken Monkey Annie’s Social Club. 9pm, free. Weekly guest DJs and shot specials.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.
Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.
Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.
Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.
Shout at the Devil Red Devil Lounge. 8pm, free. Karaoke with a smoke machine and cheap drinks.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Poll showed SF voters had favorable attitude toward new revenue measures

10

By Rebecca Bowe

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Would you pay five cents more for this if it was going to fund local health care services?

So the city of San Francisco is staring down a $522 million deficit for next year. Does this mean local elected officials are seriously exploring options for new revenue measures? When we asked Board President David Chiu last week if new revenue options were in the cards for next year, he replied, “that has to be one part of the equation.”

David Metz, a partner in Fairbank, Maslin, Maullin, Metz & Associates, says he discovered that a majority of San Franciscans supported certain revenue-generating options after his firm was commissioned by the San Francisco Labor Council to conduct a poll. FMMM&A has conducted polls on hundreds of tax and bond measures since 1980, when the firm was established.

“There was a majority of support for a number of different options,” Metz told the Guardian. FMMM&A asked 600 “likely voters” in San Francisco in July if they would approve temporary tax increases that would be imposed for no more than three years to help prop up city services. Tossing out a few ideas for bringing in more money, this is what they found:

· 72 percent of respondents said they would support a nickel-per-drink tax on alcoholic beverages in bars, in order to bolster city health-care services. 27 percent were opposed.

· 58 percent said they would vote for an increase in tax charges to hotel / motel guests. 37 percent said nay.

· 60 percent said they’d support a temporary half-cent sales tax increase. 38 percent opposed it.

· 53 percent said they’d support a 2 percent, temporary tax on the value of cars registered in San Francisco, while 44 percent said they’d reject it.

Ting wins big case against the Catholic Church

0

By Ryan Thomas Riddle

Assessor-Recorder Phil Ting is the victor in the high-stakes battle against the Catholic Archdiocese of San Francisco. The church has been ordered to pay an estimated $14.4 million in transfer taxes to the city. But the victory comes on the heels of the California State Board of Equalization’s decision to slightly lower property taxes statewide.

On Tuesday, Dec. 4, the Transfer Tax Review Board voted 3-0 in favor of the Assessor’s Office, resulting in what the office is calling “the second largest transfer tax event in our city’s history.” The board decided that the Archdiocese’s extensive 2008 property transfers were taxable under the Real Property Transfer Tax Ordinance.

Ting said via phone conference that board’s decision shows that his office has been “aggressive and fairly enforcing the law.” He added that while the Assessor’s Office may have turned a blind eye in the past, the board’s verdict shows that every taxpayer gets treated the same under his watch. “We have worked hard to ensure every taxpayer is being assessed transfer taxes in a fair and consistent manner.”

SF cops shouldn’t seize DJs’ laptops

7

By Steven T. Jones
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Going into another weekend, I find myself thinking about our story on San Francisco Police officers seizing DJs’ laptops as they raid house parties. The SF Weekly got on the story about the same time we did, but their music columnist got it into the paper a week before us. We furthered her reporting by naming the main cop culprit and showing the Chief’s Office knows about it, but it’s frustrating that the policy isn’t being addressed more directly, given the level of concern. Our story is getting a few comments and I’d love to hear others weigh in here on a tactic that seems punitive and perhaps unconstitutional.

That’s what I called it when SFPD spokesperson Lyn Tomioka wrote an e-mail to me defending the practice (I was the editor for our story, which was written by freelancer Joshua Emerson Smith). She wrote: “Our primary focus is always public safety. In the past we have seen over crowed [sic] events that the Fire Department would not have been able to rescue all of the people, in the event a fire broke out. Under age drinking is another concern and the serious issues that have been associated with that. There are other public safety issues that concern us.”

To which I responded: “I understand your concerns about fire and underaged drinking, but I’m still not clear what those things have to do with laptop computers or how their seizure proves anything. Playing music is not a crime, nor is having it on your computer. Frankly, the policy seems punitive and perhaps unconstitutional. We hope the SFPD will review this tactic, allow the public to weigh in on it, and consider modifying or rescinding it.”

What do you think?

Black Friday indeed

1

By Steven T. Jones
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Whether you mark the day after Thanksgiving as Black Friday or Buy Nothing Day (I tend toward the latter), the color of San Francisco today does seem colored by the darker hues on the spectrum. Maybe part of that is the fact that Black Friday this year falls on the anniversary of the assassinations of Harvey Milk and George Moscone.

Nonetheless, I just pedaled past our downtown shopping citadels a little while ago to take in the mood. The shoppers definitely outnumber the protesters of hyper-consumerism or fur, but neither side seemed particularly animated by their missions. Maybe it’s the gray day or the tryptophan hangovers.

But if you just want to go with the somber motif, you can join the march marking the Milk and Moscone deaths, which starts at 6 p.m. at Harvey Milk Plaza at Market and Castro. Speakers include Milk and Moscone relatives and two of Milk’s old allies on the Board of Supervisors, Harry Britt and Ruth Carol Silver.

Or if you’re feeling a bit more spirited and mischievous, Critical Mass starts just after 6 p.m. at Justin Herman Plaza, at the base of Market Street. Nothing says “thank you for shopping in San Francisco” like being blocked by bicyclists on the drive back to the ‘burbs.
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Judge partially lifts SF bicycle injunction

29

By Steven T. Jones
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San Francisco bicycle riders finally have something to be thankful for.

Judge Peter Busch today issued a ruling lifting much of the three-year-old injunction against bicycle-related improvements in San Francisco, allowing city workers to immediately begin installing new bike racks and “sharrow” road markings, as well as working on the 10 bike lane projects that will have the least impacts to automobiles.

Pending a hearing next year on a legal challenge to the adequacy of the Bicycle Plan’s Environmental Impact Report – which the city completed earlier this year after the court said it was required by the California Environmental Quality Act (CEQA) – Busch wrote that “the City may proceed with those projects within the Bicycle Plan that are least intrusive and most easily reversible should it turn out that the City has not satisfied its CEQA obligations for some reason.”

The bike lanes projects that city officials say they plan to soon construct, and which Busch is allowing, are on Beale, Howard, Otis, Scott, Mississippi, Kansas, and Clipper streets, JFK Drive, Claremont Boulevard, and 7th Avenue. There are another 35 bike projects that have been approved by the city that the judge is not allowing to move forward yet.

While I immediately couldn’t reach bike community leaders or plaintiff Rob Anderson, City Attorney Dennis Herrera issued a statement saying, “This is an important step in the right direction that enables the City to enact significant safety improvements for bicyclists and pedestrians in San Francisco.”

Hot sex events this week: Nov 25-Dec 1

0

Compiled by Molly Freedenberg

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Monday’s Hubba Hubba Revue celebrates the sexiest squeezebox queens on the San Francisco scene.

————-

>> Sex and Memory: Writing from your own experience
Whether documenting amazing experiences for your lover or your history for posterity, award-winning writer Carol Queen can help you bring your erotic writing to life.

Wed/25, 5:30pm
$10-$30
Center for Sex and Culture
1519 Mission, SF
www.sexandculture.org

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>> Stuffed
Grab your bird at this special Thanksgiving underwear night, featuring pajama and underwear specials all night. (No contest this evening.)

Thurs/26, 6pm
No cover
Powerhouse
1347 Folsom, SF
(415) 552-8689
www.powerhouse-sf.com

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>> Red Hots Burlesque
Dottie Lux brings a different show every week, promising seductive, spicy, absurd, and amusing burlesque from local and visiting talent.

Fri/27, 7:30pm
$5-$10
El Rio
3158 Mission, SF
www.redhotsburlesque.com

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They Might Be Giants: Fact-based rock

0

By Dan Abbott

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Music journalism is a little awkward for me. As a musician, most of the artists I like are those that I have a personal connection with. So most of the articles I’ve written on music have necessarily been prefaced by some sort of full disclosure statement. But though I have never met them, They Might Be Giants has had a disproportionably huge impact on me as both a musician and a lifelong nerd. Is it possible to be objective about them? Of course not! But a full disclosure about TMBG would be longer than article ought to be.

So when I heard the smart-alecky Brooklyn, NY-based duo-cum quintet would be playing two shows in San Francisco promoting their latest record, Here Comes Science, an epic battle ensued between the TMBG fanboy and the intrepid journalist that lurk within me. I’d like to say the journalist won, as my phone interview with guitarist John Flansburgh proceeded with minimal squealing. Thank you, whiskey.

But it is hard to deny the rabid devotion that TMBG inspires, as evidenced by their sold-out Nov. 13 show at the Fillmore. The night before that, a line stretched around the block to see their free six-song performance at Booksmith on Haight, where they signed copies of another release, Kids Go!, a children’s book with accompanying CD. The extraordinarily prolific group has put out three children’s albums in recent years, prompting a bit of head-scratching among fans of their more experimental and gloomy early works.

South San Francisco’s Jo-Ann’s is a meal that takes flight

1

Text and photos by Caitlin Donohue

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Whoever Jo-Ann is, she just scored a big one for South San Francisco

I’ve been having a fairly rough time of it at the airport of late. Baggage fees, forced surrender of my toothpaste and even some self-inflicted woes (I scheduled my flight for the wrong month, who does that?). It almost makes a lady want to stay home for Thanksgiving. But family q.t. calls, and luckily I have a South San Francisco breakfast nook that makes the slog out to the airport more palatable; Jo-Ann’s.

Jo-Ann’s is a funky throwback to an old country diner, if those things ever existed. There’s something satisfying about finding the place, unassumingly located in a strip mall on one of South SF’s larger thoroughfares. But upon entering, it becomes clear you’re not the only one who’s made the discovery- effusive praise covers the walls, from stellar newspaper reviews to carefully typed letters of appreciation from happy customers. The first thing that greets you is an attractive glass case of baked goods. Selections varies, but if its in the case the day you go you gotta try the carrot muffin, which has walnuts and raisins sprinkled about it’s hearty, sweet interior.

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Why have a hostess at the front door when you could have a muffin case?

Service is friendly from the get-go, and being an inverterate people watcher I appreciated the open kitchen space behind the counter seating. There’s something about watching a guy push a pile of home fries around a grill that really gets me in the eating mode.

The menu is breakfast-classic interspersed with Mexican dishes and has great selections for people that aren’t big into eggs. Prices could be considered a tad high for the location, but won’t be oppressive to those used to paying inner city tabs. We tried the spicy migas ($8.95), a massive heaping of tomatoes, tortilla strips, cheese, egg and beans with a happy side of corn tortillas. Amazing, even if it bordered on tomato overkill. We found another Mexican-inspired winner in the Esmeralda ($8), a breakfast burrito served with eggs, avocado and cream cheese.

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I’m an amiga of the spicy migas

So get up early for that morning flight. You’ll hit those open skies full after Jo-Ann’s- no vacuum sealed peanuts needed.

Jo-Ann’s
1131 Camino Real, South San Francisco
(650) 872-2810