Richmond

Stage listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. Opens Thurs/3, 9pm. Runs June 10, July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Previews Fri/4-Sat/5, 8pm. Opens Tues/8, 8pm. Runs Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Custom Made performs two comedies by Christopher Durang: Sister Mary Ignatius Explains It All For You, and The Actor’s Nightmare.

Forever Never Comes Boxcar Playhouse, 505 Natoma; www.crowdedfire.org. $10-25. Previews Sat/5, 8pm; Sun/6, 5pm. Opens June 9, 8pm. Runs Wed-Sat, 8pm. Through June 26. Crowded Fire performs Enrique Urueta’s world premiere "psycho-Southern queer country dance tragedy."

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Previews Fri/4-Sat/5, 8pm; Sun/6, 5pm. Opens June 10, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater performs Samuel Beckett’s comedy, which the company has previously mounted to wide acclaim.

BAY AREA

John Steinbeck’s The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, www.calshakes.org. $34-70. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also June 26, 2pm); Sun, 4pm. Through June 27. Cal Shakes kicks off its season with Octavio Solis’ world-premiere adaptation of John Steinbecks’s 1932 novella.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 27. TheatreWorks performs Michael Hollinger’s drama, set in the world of chamber music.

ONGOING

All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through June 26. Actors Theatre performs Arthur Miller’s masterwork.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to "enter" Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through June 12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

The Breath of Life NohSpace, 2840 Mariposa; www.brownpapertickets.com. $25. Thurs/3-Sat/5, 8pm; Sun/6, 5pm. Spare Stage Productions performs David Hare’s drama about a wife and mistress dumped by the same man.

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Fantasy author Peter S. Beagle (The Last Unicorn) penned the source material for Stuart Bousel’s world-premiere play.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard "Scrumbly" Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

"Something C.O.O.L.: The Summer Cabaret Festival" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; June 13, 20, and July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Fri/4, June 11, 18, 9pm; Sun/6, June 20, 7pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Against a frozen, deceptively empty-looking landscape of perpetual winter, an anguished married couple stagnates in grief over the accidental death of their young son. Estranged by the sorrow and guilt they feel, they spend most of the time apart but not alone: Mel (Beth Wilmurt) stays at home, where she loses herself in obsessive domestic projects while fielding questions from their surviving daughter — the equally traumatized but far more resilient Lanie (Nika Ezell Pappas) — with assists from the Tooth Fairy (Melinda Meeng) and G.I. Joe (Keith Pinto); meanwhile, Ted (Ryan O’Donnell) wanders in his business suit through a string of airports and airport bars commiserating with other lost souls (Joe Estlack and Zehra Berkman). New York-based playwright Jenny Schwartz’s whimsical meditation on the process of grieving is something like The Rabbit Hole as written by Ionesco, fueled by dialogue that makes an overly showy and eventually tedious hysterical poetry of the banalities, clichés, and platitudes spoken by her stricken characters as a kind of prefab linguistic armor — everything and anything to avoid saying something. Director-choreographer Erika Chong Shuch stages the action in this Shotgun Players production with warm energy and imagination, however — and a handful of tuneful, clever songs from composer Daveen Digiacomo — compensating somewhat for the motionless plot. Moreover, Shuch undercuts the play’s maudlin tendencies by moving her able actors and even the stage properties around in swift, comical, aptly dreamlike fashion, as the stunned couple continue their largely separate meanderings, meaningfully spouting "meaningless" lines about bucking up, or settling in, or riding off, etc. The problem is there is not much beneath this frozen surface of clichés beyond more cliché. (Avila)

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Thurs/3, June 12, or 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her "alternative" family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with "blind spots," much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Thurs-Sat, 8pm; Sun, 5pm (no show Sun/6). Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darned easy. To set a crass comedy about class, obsession, and mistaken identity at "Illyria Studios" in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Tues, Thurs-Sat, 8pm (also June 10, 1pm; Sat/5 and June 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

"Bakla Show II" Thick House, 1695 18th St; www.brownpapertickets.com. Thurs-Sat, 8pm. Through June 12. $15-20. Bindlestiff Studio presents this theatrical exploration of queer Filipino identities, inspired by myths and folktales.

"Festival of New Voices II: The Next Wave of Solo Performance" Marsh San Francisco, 1062 Valencia; 1-800-838-3006, www.themarsh.org. Wed-Thurs, 7:30pm; Fri, 8pm; Sat, 5, 5:30, 8:30, and 9pm; Sun, 3pm. Through June 13. $7.50-50. Six new full-length works and 11 shorter works make up this solo-performance fest.

"Richmond/Ermet AIDS Foundation presents One Night Only Cabaret" Theatre 39, Pier 39; 273-1620, www.helpisontheway.org. Mon, 7:30. $38-58. This fundraising show features cast members from Broadway musical In the Heights, plus Jai Rodriguez, Marga Gomez, and RJ Helton.

"San Francisco Ethnic Dance Festival" Palace of Fine Arts, 3301 Lyon; 474-3914, www.worldartswest.org. Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

"Standing in the Current" Dance Mission Theater, 3316 24th St; 273-4633, www.brownpapertickets.com. Fri-Sat, 8pm; Sun, 3pm. $20. Spinning Yarns Dance Collective performs in partnership with Robin Anderson and Chicago-based RE/Dance.

"Ungrateful Daughter: One Black Girl’s Story of Being Adopted into a White Family That Aren’t Celebrities" StageWerx, 533 Sutter; www.stagewerx.org. Thurs-Sat, 8pm. Through June 12. $20-25. Lisa Marie Rollins performs her autobiographical show.

Affordable housing group’s shady, “shameless” endorsements

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Editors note: This article orginally ran in October, 2000.T


he Brown machine’s soft money operation is churning out some very
duplicitous propaganda. While we haven’t seen many mailers attacking
independent candidates yet (they’re usually deployed in the final days
of the campaign, when the targets don’t have a chance to respond), we’ve
come across flyers that aim to portray business-friendly machine
candidates as champions of progressive causes.



Perhaps the most egregious comes from an organization called the
Affordable Housing Alliance.



Once a legitimate tenant advocacy group, the AHA does little these days
except endorse candidates and send out mailers during election season.
Numerous well-known tenant activists say the AHA reflexively promotes
the candidates of the Willie Brown machine — no matter where they
stand on tenant issues.



And from what we’ve learned about the group’s endorsement process, AHA
director Mitchell Omerberg isn’t even trying to give the group the
appearance of legitimacy.



Omerberg, who works as a deputy city attorney for San Francisco, was
active in the 1979 fight for rent control. We called him several times
and left messages at the AHA, at his home, and at his city office. He
never called us back or faxed us a copy of the group’s endorsements.
The shenanigans began when Omerberg invited candidates to speak at the
AHA’s endorsement meeting. Chris Daly, the District Six hopeful who has
inspired more enthusiasm from tenant activists than any other candidate
in the city, wasn’t even invited. Daly told us his campaign called
Omerberg to ask when the meeting was scheduled, and Omerberg never
called back.


At the Sept. 28 meeting, the candidates whom Omerberg did invite made
their speeches. Then the group’s supposed members voted on the club’s
endorsements. But it’s not clear who most of those members are or where
they came from.


Progressive activist Richard Ow, who probably attends more political
meetings than anyone in San Francisco, told us he didn’t recognize a
single other tenant activist among the voting members. Ow sits on the
boards of the San Francisco Tenants Union, the Housing Rights Committee,
and the Senior Action Network and is active in dozens of other tenant
groups.


The most egregious maneuver came at the end of the meeting. According
to District One supervisorial candidate Jake McGoldrick (one of the few
people who stayed until the end) Omerberg refused to open the ballot box
and tally up the votes there and then.



Instead, he insisted on taking the ballot box home with him.
Apparently Omerberg prefers to count the ballots alone: one former AHA
member, who asked to remain anonymous, told us he did the same thing
after at least two endorsement meetings in years past.


Alex Wong, chair of the Democratic County Central Committee, helped
Omerberg run the meeting, introducing the candidates and watching the
clock as they spoke. Wong, a Brown ally, told us he didn’t know if Omerberg had taken the ballots home with him; he says he, too, had left the meeting by that point. Then he got off the phone, saying he’d call
us back. He never did.



With Omerberg and Wong keeping mum, we couldn’t track down a copy of
the group’s endorsement list. (McGoldrick campaign manager Jerry Threet
says he asked Omerberg for a copy and Omerberg flat out refused.) But an
AHA mailer sent to tenant voters in the Richmond provides a clue.
“Renters have two choices in the November election,” the flyer
proclaims. “Michael Yaki will preserve rent control. Rose Tsai wants to
repeal it.”


Of course, Richmond renters have more than two choices. There are five
candidates on the District One ballot, including McGoldrick. McGoldrick
has been active on tenant issues for decades, including a term as a San
Francisco Rent Board commissioner from 1988 to 1992 and another as
cochair of the now defunct Housing and Tenants Council, an umbrella
coalition for the movement.


“Jake has a long history of being pro-tenant, from his days on the Rent
Board to doing grassroots work on every tenant campaign and every piece
of tenant legislation,” said Ted Gullicksen of the Tenants Union. The
city’s preeminent renters’ advocacy group, the Tenants Union gave
McGoldrick its enthusiastic endorsement. If you believe the AHA’s
mailer, he’s not even in the race.


On the other hand, Gullicksen said, “Yaki initiated legislation to stop
owner move-in evictions — but then, under pressure from landlords,
killed it himself. Since then he has consistently been against tenants
and with the real estate industry.”


That’s the candidate of the Affordable Housing Alliance. Yaki has a
strong claim on AHA support: he is backed by Willie Brown, of whom he
has been a stalwart ally, and Omerberg worked on Yaki’s 1998 campaign
for the board.


“As a tenant who went through an owner-move-in eviction, I strongly
believe in protecting our rent-control laws and stringently enforcing
protections for seniors and the disabled,” Yaki told us through his
consultant Ellie Schafer. “I am proud to have supported all the measures
which passed the Board of Supervisors expanding OMI and Ellis Act
protections.” (Note Yaki’s careful phrasing: he supported the measures
that passed, and opposed the measures that failed. The same can be said
for most of Willie Brown’s other appointees; that’s why those measures
passed and the others failed.)


The AHA also endorsed Meagan Levitan in District Three, according to a
Levitan mailer. Her opponent Aaron Peskin, who spoke at the endorsement
meeting, has the support of the Tenants Union and just about every other
legitimate tenant activist. Yaki and Levitan are both endorsed by the
Small Property Owners Association and the San Francisco Apartment
Association, which lobby for landlords.


The AHA’s endorsements of Yaki and Levitan were no surprise to longtime
members of the tenant movement. “Historically, the Affordable Housing
Alliance hasn’t endorsed credible pro-tenant supervisors,” Robert
Haaland of the Housing Rights Committee told us. “It’s a group that’s
used to perpetuate machine candidates. It’s another shameless example of
how the machine stays in power.”

Sheriff: ICE referrals will leap from 2,000 to 40,000

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There was a strong showing of supervisors, activists and community members at today’s rally to urge San Francisco to opt out of the Secure Communities Initiative, an automated fingerprint screening system that U.S. Immigration and Customs Enforcement (ICE) plans to switch on, in San Francisco on June 1—just two weeks ago.

The program links local law enforcement agencies to the Department of Homeland Security’s biometric system through interoperability agreements with each state. Scott Lorigan in the California Department of Justice’s Bureau of Criminal Identification and Information reportedly signed such an agreement with John P. Torres, acting assistant Secretary of ICE, over a year ago, on April 10, 2009. And according to ICE, As April 2010, biometric identification has been activated in 169 jurisdictions in 20 states:

In California, the system has already been activated in Alameda, Contra Costa, Fresno, Imperial, Los Angeles, Monterey, Orange, Sacramento, San Bernadino, San Diego, San Joaquin, San Luis Obispo, Santa Barbara, Solano, Sonoma, Stanislaus, and Ventura.But as speakers pointed out at today’s rally, the supervisors and the communities they represent would not have even known that this system was about to go live in San Francisco, had it not been for San Francisco Sheriff Mike Hennessey, who spoke out after ICE informed local law enforcement agencies about the program three weeks ago.

Eric Quezada of Mission-based Dolores Street Community Services kicked off the rally with a rousing speech in which he warned that this “draconian Policy” was happening in the “shadow of Arizona.

Sup. Eric Mar warned that ICE’s proposed program will not make communities more safe.
”It was developed in the dead of night,” Mar said. “The police-ICE entanglement will hurt our communities and tear families apart.”

The Bush administration introduced the Secure Communities Initiative in March 2008. But as Mar observed, it is now being expanded under President Obama.“Many people accused of minor crimes will see families torn apart,” Mar said, citing statistics to show that  “90 percent of those IDed have been arrested for minor, less severe crimes.

“The shadow of Arizona is starting to cover other cities,” Mar continued. “We can’t let Arizona come to SF.”

Sheriff Hennessey told the crowd that he had written to California Attorney General Jerry Brown asking for his assistance in opting San Francisco out of the ICE program.“The Sheriff already has the authority to report foreign born folks charged with serious  felonies,” Hennessey explained.

In a May 18 letter to AG Jerry Brown, Hennessey wrote that he believed that Brown’s agency “has the technological capability to isolate by agency the information linked to ICE.”

““I ask that you isolate transactions from the San Francisco Sheriff’s Department because Secure Communities conflicts with local laws,” the Sheriff continued. “My department already has a system in place that reports individuals to ICE and I do not wish it to be replaced by Secure Communities.”

Hennessey also expressed concern about the unintended consequences of ICE technology interfacing with that of the Department of Justice’s fingerprint database, which also holds fingerprints collected for non-criminal justice purposes such as employment applications. And he warned that the number of ICE referrals could explode under the new system.
Under this system, we’ll be fingerprinting 35,000-40,000 persons annually, “ Hennessey said. “I think that’s excessive.”

Currently the Sheriff’s Dept. reports foreign-born individuals arrested on a felony crime or found during the booking process to have a felony of a previous ICE contact in their criminal histories.

‘Since 2007, the department has delivered more than 3,100 individuals to ICE, and has reported at least twice that number,” Hennessey wrote. “I would like to keep system that way.”

At the rally, Hennessey warned that the new system will widen excessively to include folks who were charged with misdemeanors, infractions and traffic violations, but failed to show up in court.

“ICE has a record of secrecy. They won’t tell me what happened to folks they picked up, they won’t say if they are still in custody, been released or deported,” Hennessey said.

Sup. John Avalos said the Secure Communities Initiative is yet another example of why the nation needs comprehensive immigration reform.
“I don’t know if we have the ability to opt out, there are a lot of obstacles in our oath, right now.”

But he warned that the nation is passing laws that “stand at odds” with the U.S. Constitution and the Bill of Rights “And we have rogue departments in the Obama administration, “ Avalos added. “ I consider ICE a rogue department. “
 
Rev. Phillip Lawson, a retired Methodist minister said he wanted to stand in solidarity with “resident aliens”.
“As black people, we know what it’s like to be aliens in our own land. And this enlarges the net of ICE. We will soon not be able to tell any difference between the police and ICE. And no one will trust the police.”

“I give thanks to the courage of folks here for instituting this attempt to say, no we will not cooperate…And we can also resist the law.”

Sup. David Campos, who provided much leadership in the last two years around the city’s sanctuary legislation, thanked Hennessey for blowing the whistle.

“None of us would have known this was happening,” Campos said. “This is the time for all San Francisco’s elected officials to stand up in support of the principles that led us to establish a sanctuary city. It’s not just the Board, but also the mayor who needs to step up and say that what just happened is not acceptable. This program eviscerates sanctuary city.”

Campos warned that the community has already lost trust in the local police, over the last two years, thanks to the city’s policy of referring juveniles to ICE when they are booked.

“If we cooperate [with SCI] that lack of trust will intensify,” he warned. “I applaud the sheriff, but we also need the police department to come forward.”

Campos laid the blame at Obama’s door.
“This is a Democratic president, who was elected with the support of the Latino and the immigrant community, but is engaging in practices worse than any other president.”

Tim Paulson, executive director of the Labor Council spoke on behalf of 150 unions in town. “Our work is dependent on the immigrant community,” He said. “Secure Communities is absolutely divisive and unconstructive. It pits worker against worker, families against families.”

Heidi Li of Asian Pacific Islander Legal Outreach warned that victims of domestic violence, trafficking and elder abuse would be at risk from ICE’s program.

“It will result in a situation where folks who need trust and assurance the most, will not feel safe and will no longer report to the police when they are the victims of abuse,” Li said.

At rally’s end, Hennessey told the Guardian, “The basis of Sanctuary city is to protect immigrants who are not doing anything wrong or serious. When ICE grabs someone who failed to pay a traffic ticket, and that person is supporting a family, I don’t think those crimes should rise to the level of deportation.”

Warning folks that folks did not know that SCI had been activated in Alameda and Contra Costa counties, Hennessey said all he can do is “raise the issue” of opting out. 

Sup. Mar told the Guardian that the request to opt out is a “unique and creative tactic.”

“We have the strong legal backing from organizations around the country, but SFPD Chief George Gascon doesn’t seem convinced,” Mar observed

Christine Gasparac, Attorney General Jerry Brown’s press secretary told the Guardian that they received Hennessey’s May 18 letter requesting to opt out and are reviewing it.

“To clarify, the California Department of Justice manages the statewide database of fingerprints that are essential to solving crimes, but we have no direct role in enforcing federal immigration laws,” Gasparac said. “We were informed by ICE yesterday that they will work with counties to opt out of their program. Because that is a process directly between the county and ICE, we are advising local authorities who want to opt out to contact ICE directly.

Virginia Kice, ICE’s Western Regional Communications Director said, “under Secure Communities jurisdictions can choose not to receive the immigration-related information on individuals who are fingerprinted, but that information will still be provided to ICE.

As April 2010, biometric identification has been activated in 169 jurisdictions in 20 states. Since it’s unclear, which communities know about the program, the Guardian is posting the list here:

In Arizona:  Cochise, Maricopa, Pima, Pinal, Santa Cruz, Yavapai and Yuma

In California Alameda, Contra Costa, Fresno, Imperial, Los Angeles, Monterey, Orange, Sacramento, San Bernadino, San Diego, San Joaquin, San Luis Obispo, Santa Barbara, Solano, Sonoma, Stanislaus, and Ventura

In Delaware: Kent, New Castle and Sussex

In Florida: Brevard, Browar, Charlotte, Clay, Collier, Duval, Escambia, Highlands, Hillsborough, Lake, Leon, Manatee, Marion,Miami Dade, Monroe, Orange, Osceola, Palm Beach, Pinellas, Polk
Sarasota, St. Johns, St. Lucie, Volusia

In Georgia: Clayton, DeKalb and Gwinnett

In Hawaii: Oahu

In Illinois: DuPage, Kane, Lake, Madison, McHenry, St. Clair, Will and Winnebago

In Lousiana: Jefferson Parrish

In Maryland: Frederick, Prince George’s, Queen Anne’s and St. Mary’s.

In Massachusetts: Suffolk

In Michigan: Wayne

In North Carolina: Brunswic, Buncombe, Cabarrus, Catawba, Columbus , Cumberland, Dare , Duplin, Durham, Gaston, Halifax, Harnett, Henderson, Jackson, Lee, Mecklenburg, New Hanover,
Orange, Transylvania, Union and Wake.

In New Mexico: Bernalillo, Dona Ana, Grant, Hidalgo, LunaOhio, Cuyahoga and Franklin

In Oklahoma: Oklahoma, TulsaOregon and Clackamas

In Pennsylvania: Bucks, Montgomery and Philadelphia

In Utah: Box Elder, Davis, Salt Lake, Utah and Weber

In Virginia: Alexandria City, Arlington, Fairfax, Fauquier, Henrico, Loudoun, Norfolk City, Prince William, Rappahannock. Richmond City and Virginia Beach City

In Texas: Bexar, Brazoria, Brewster, Brooks, Collin, Culberson, Dallas Dallas County Jail, Dallas Farmers Branch PD, Dallas Irving PD, Dallas and Collin Richardson PD, Dallas and Kaufman Mesquite PD, Dallas, Collin, Denton Carrollton PD, Denton, Dimmit, El Paso, Fort Bend, Galveston
Grayson, Harris, Hidalgo, Hudspeth, Hunt, Jeff Davis, Jefferson, Jim Wells, Johnson, Kaufman, Kenedy, Kinney, Kleberg, Maverick, McLennan, Montgomery, Nueces, Pecos, Presidio, Real, Starr, Tarrant, TDCJ, Terrell, Travis, Uvalde, Val Verde, Webb, Willacy, Williamson, Zapata and Zavala.

Court to Chevron: consider climate change

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By Adam Lesser

news@sfbg.com

GREEN CITY When a California appellate court rejected Chevron Corporation’s attempt to expand its Richmond refinery without clarifying whether it intends to process heavier, more polluting crude oil two weeks ago, planetary concerns loomed even larger than local impacts.

Environmental and local groups celebrated a ruling against a project that would have fouled Bay Area air, but legal experts have pointed out that the long-term impact of the ruling may have less to do with crude oil refining and more to do with global warming.

Justice Ignacio John Ruvolo took nine pages of the 35-page decision specifically to address the fact that the environmental impact report (EIR) failed to outline how Chevron was going to mitigate the approximately 898,000 metric tons of carbon dioxide emissions the refinery expansion would create. The Richmond refinery is already the largest emitter of CO2 in California, clocking in at just under 4.8 million metric tons annually.

The appellate court’s ruling is the first to state that it is illegal under the California Environmental Quality Act (CEQA) to defer to a later date the mitigation of greenhouse gases. Ruvolo, representing the 3-0 ruling, wrote “incremental increases in greenhouse gases would result in significant adverse impacts to global warming, the EIR was now legally required to describe, evaluate, and ultimately adopt feasible mitigation measures that would ‘mitigate or avoid’ those impacts.”

Ruvolo goes on to point out that if the greenhouse gas mitigation is worked out later, the public wouldn’t have a chance to comment on how best to offset those emissions. Or worse: maybe adequate mitigation isn’t even possible. An amicus brief filed by the Center for Biological Diversity pointed out that mitigating 898,000 tons of greenhouse gases is equivalent to taking 160,000 cars off the road. That’s a tall order, and the appellate court wants a better EIR that lays out adequate measures to offset the added emissions.

“There was absolutely no specificity on whether the mitigation could be accomplished,” said Matt Vespa, who wrote the amicus brief. “There needs to be a clear road map of what will happen.”

Possible mitigation measures include internal efficiencies at the refinery, ranging from improved heat exchangers to carbon sequestration. But Vespa and Earthjustice attorney Will Rostov, who argued the case, are hopeful that a plan could include measures that would aid the Richmond community, such as retrofitting low income homes or installing clean sources of energy like solar panels.

The issue of mitigating greenhouse gases comes as Democrats in the U.S. Senate prepare to introduce a cap-and-trade bill. Rostov expressed concern that mitigation could occur far away from Richmond, where residents could suffer environmental harm and receive no benefits from Chevron.

Chevron has not yet said what its plans are, only that it is reviewing its options. They include cooperating with a new EIR, halting the expansion, or appealing the ruling to the California Supreme Court. On the possibility of appealing, Vespa commented, “I certainly don’t think the decision was a stretch in terms of the law.”

For now, the community waits. Richmond has a 19 percent unemployment rate and there have been mixed reactions to the project ever since a Contra Costa Superior Court halted the expansion last summer. The project had support from trade unions in need of jobs, although many residents are fearful of more pollution from a corporation it views as a bad and untrustworthy neighbor.

The political fight between the city and Chevron got worse this year as a battle over how much utility tax Chevron should pay became irresolvable. The situation is heading for a showdown in November, with both sides authoring competing ballot measures and the potential for the city to lose $10 million in revenue. A proposed 15-year agreement recently has been outlined.

The conflict over taxes is another milestone in a difficult relationship between Chevron and the citizens of Richmond. The near-term victory for those living in Richmond is a legal framework for holding Chevron responsible for pollutants it puts in the air Richmond citizens breathe.

“CEQA has been around for 40 years and it’s been protecting air and water,” Rostov told the Guardian. “This case shows that CEQA is going to protect the public health from greenhouse gases.”

Alerts

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alert@sfbg.com

WEDNESDAY, MAY 12

Fix California’s budget


Ever wonder if you could do a better job balancing the California budget than the professionals? Now’s your chance to take part in a simulated Budget Challenge that mirrors the decisions the Legislature will make in the next few weeks, accounting for all revenue and expenditures, the governor’s cuts, and more. Share your responses with the Legislature.

6 p.m., free

Richmond City Hall

450 Civic Center Plaza, Richmond

(510) 286-1400

THURSDAY, MAY 13

Ride ’em, city slickers


Join thousands of SF commuters in cycling solidarity at this year’s Bike to Work Day. Slip into the commuter convoy, which provides cool company and the safety of riding in a group; stop by an energizer station, where you can fuel up with free coffee, snacks, and goodies; and use the complimentary downtown bike parking station located at Market and Battery streets.

All day, free

Everywhere SF

www.sfbike.org/btwd

FRIDAY, MAY 14

Berkeley Critical Mass


Live in the carfree world you dream of for an evening at this monthly critical mass ride promoting self-powered commuting and community. Fill the streets with human interaction and DIY transportation!

6 p.m., free

Meet at Berkeley BART Station

Center and Shattuck, Berk.

www.berkeleycriticalmass.org

SATURDAY, MAY 15

Mourning Mothers’ March


Help raise awareness for ongoing homicide violence in Oakland and the impact it has on victims, survivors of victims, and the community at large. Mourn the senseless loss of life and spread hope for the future at this march around Lake Merritt.

Noon, free

Meet at Lake Merritt bandstand

Grand and Bellevue, Oak.

(510) 581-0100

Peace Flag-raising Ceremony


Celebrate International Conscientious Objector’s Day at this raising of a second Peace flag with war resisters from World War II, the Korean War, the Vietnam War, the Gulf War, and the Iraq and Afghanistan wars.

11 a.m., free

Civic Center Park, flagpole

2180 Milvia, Berk.

www.couragetoresist.org

Stop the Tea Party


Attend "Tea Party: Corporate and Racist Politics in Disguise," a public forum on how to fight back against extremist Tea Party politics. The event features Marsha Feinland from the Peace and Freedom Party, Don Belcher from Single-Payer Now, and Mark Ostapiak from Socialist Action.

7 p.m., $3–$5 donation

Center for Political Education

522 Valencia, SF

(415) 401-7471

TUESDAY, MAY 18

"Oakland’s Health Disparities in Black and White"


According to a report produced by the Alameda County Public Health Department, "compared to a white child in the Oakland Hills, African American children born in West Oakland can expect to die almost 15 years earlier." Hear Dr. Muntu Davis, one of the authors of the report, and representatives from the African People’s Education and Defense Fund (APEDF) discuss how the African American community can control of health care as part of the solution to the current community health crisis in Oakland.

7 p.m., free

Humanist Hall

390 27th St., Oakl.

(510) 763-3342 2

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Carville: like Black Rock City, but more history-like

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Repurposed streetcars perch haphazardly in dunes not yet cowed by asphalt and the Java Beach coffeeshops. They’re homes to a community of urban escapists and artists. Some of them have front porches, some of them house bicycle clubs. It’s like a Dali painting, it’s like the boxcar children — but it’s also an accurate picture of the first non-indigenous inhabitants of the Sunset, on whom local historian Woody LaBounty has written an awesome book, Carville-by-the-Sea.

The book’s images of 19th century Carville are chicken soup for the boho soul. I want one. My room mate wants one. LaBounty himself says he’d live in one — were the lone streetcars still surviving in the western neighborhoods’ not firmly in the grips of their current owners. There’s even one still-standing house built in 1908 that’s made of three cars; a two street car living room, and a bedroom from one that was horse drawn.

One of Carville-by-the-Sea‘s trippy colorized historical photographs

There used to be hundreds of these things. People moved out to Ocean Beach despite the subpar public transit service that places without sidewalks are often subject to — when the community was first started in 1895 was a steam car that ran out Lincoln Way down to the Cliff House, a service intended mainly for the weekend day trippers. They went to escape the city, to improve their health. There were bars and restaurants in street cars, shoe repair stores, artist studios.

So how did I not know about these things before? LaBounty says he grew up in the Richmond in the ‘60s and 70’s, a few blocks from one of the surviving streetcars, which latched a steampunk-sized hold in his childhood psyche.

More pages from Carville-by-the-Sea. Where’s a Delorean when you need one?

“I loved planes, trains, and automobiles, so living in a street car — it just seemed like the coolest thing in the world,” says LaBounty, who is one of the founders of the Western Neighborhoods Project, proprietor of what is reportedly the most popular SF history website/propagator of history walks, plays, and films by teenagers who interview older residents in their neighborhoods. “I used to watch Wild, Wild West, the ‘60s TV show, and they were living in a train, which I thought was great.”

To research, he began interviewing historians he knew, and motor vehicle enthusiastists, and learning all he could about the old community on the beach. Though he’s privy to all kinds of juicy info on the town’s colorful past, LaBounty found interest in his stories of the bohos and families living on the cars really captured listeners. “We all thought, there needs to be a book on this,” he says. “And then I realized that I should probably write it.”

So here it is, colorized like the postcards of yore for that extra oomph of fantasy creation. Newspaper articles from the 19th century on the streetcars, biographies of the community’s founding members, lots of lovely photos from the dunes.

La Bounty’s doing a series of live talks on his Carville expertise which are open to the public. Just be forewarned: he’s not versed in how to get you a steetcar of your own. Still fun to hear, though.

Carville-by-the-Sea presentation
Wed/19 7 p.m., free
History Guild of Daly City/Colma
Doelger Senior Center
Westlake Park
101 Lake Merced, Daly City
www.carville-book.com

Oyaji

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paulr@sfbg.com

DINE Life does serve up the occasional delicious paradox, such as getting one’s first glimpse of the new iPad while sitting at a sushi bar in the outer Richmond. The iPad is elegant, yes, a jewel of a device whose colorful icons zip across the screen at the swipe of a finger, like images glimpsed through the windows of an accelerating train. But it is also the latest in a series of increasingly powerful devices that mediate our relations with the rest of the world. You do touch the iPad, true, to make it work, but mostly you stare at it, as if it’s a television.

The sushi bar, by contrast, is an unmediated encounter between customer and chef. No machines get in the way, not even servers, unless you order a beer or sake. There is no swiping unless and until you pay by credit card. The sushi bar in this sense resembles a New York deli: people at a counter full of food, looking and pointing at the food, the chef nodding and preparing the food and handing it back, maybe even watching in approval as it gets eaten. Directness.

This revelation — if that’s what it is — came to me recently at five-year-old Oyaji, a Zagat-rated Japanese restaurant at the edge of Lincoln Park. (The name means, more or less, “daddy,” in the Sean Connery sense.) The iPad was enthralling and magical, but I was more enthralled by the sight of our young sushi chef at his labors, expertly forming his rolls and hand rolls, wielding his sharp ceramic knives and handing us the results. Gleaming gizmo wizardry at one elbow, and spicy tuna at the other. Give me … well, it would be greedy to say both, especially since I don’t want an iPad.

Oyaji is good-looking in an unassuming way. Its most striking design features are the L-shaped bar, fashioned from blond wood and glass, at the rear of the storefront dining room and, overhead, a grid of beams laid out to form large squares, like upside-down seed beds. The lighting is low and moody, the crowds tending toward young and lively. I did notice one evening that most of the people sitting at the tables toward the front appeared to be occidental, while those at the bar were all Asian — at least until the iPad hipsters showed up.

The food is pretty conventional, mostly excellent, with a few blips. We thought very highly of goma-ae ($4), a boiled (but served cold) spinach, which had a faint sweetness and a bit of crunch from a gratin-like topping of crushed white sesame seeds. We thought nearly as highly of the wakame ($4), or seaweed salad. Less impressive were the sliced tomatoes with mayo ($3.50) — but then it was probably stupid on our part to order tomatoes in early spring — and the avocado roll ($3.50), which was dry.

Also a bit dry was the so-called Christy roll ($6), chunks of grilled albacore in a rice casing. I love albacore and prefer it to the more exalted sorts of tuna, perhaps because it’s more likely to be taken locally. But it does seem to be less fatty, and that reduces the margin of error when cooking it. The dryness issue recurred in the Hawaii roll ($5.50), though it was muted, if not mooted, by the presence of spicy mayonnaise. The spicy hamachi roll ($6.50), virtually the same dish, except with yellowtail instead of tuna and no clever name, was better.

Yellowtail also evidently helped lift the Crunchy Wedding ($7), one of those near-blockbuster assemblages that here included (in addition to the fish) avocado slices and tempura batter, again for a quasi-gratin effect. Similarly loaded was the Stirling ($7), with crab, avocado, fish roe, and crunchy protrusions of tempura shrimp. And for sheer elegance, it would be tough to top the spicy scallop hand roll ($7), a papery, dark-green cone filled with rice and scallops turned in spicy mayo, for a nice contrast between sweet brininess and creamy bite.

You’d have a hard time eating a handroll while dealing with your new iPad. The iPadders to my left seemed to have come to that conclusion; they had little discourse with our handsome young sushi chef and seemed to prefer the small plates of cooked food that were prepared somewhere out of sight in the rear (behind a battlement of beer boxes) and rushed out by acrobatic servers carrying one atop each upturned hand, as in the movies. A plate of meatballs flew past; I was tempted to swipe one but didn’t.

OYAJI

Dinner: Tues.–Thurs., 5:30 — 10:30 p.m.;

Fri.–Sat., 5:30–midnight; Sun., 5:30–10 p.m.

3123 Clement, SF

(415) 379-3604

www.oyajirestaurant.com

Beer and sake

AE/MC/V

Noisy

Wheelchair accessible

 

Researchers analyzing whale carcass found in San Francisco Bay

A whale carcass was discovered floating in the San Francisco Bay between Alcatraz and Fort Mason on April 20, and marine researchers are performing a necropsy today, April 21.

Shortly after the dead whale was reported, researchers at the Sausalito-based Marine Mammal Center received authorization from the National Marine Fisheries Service to investigate, communications director Jim Oswald told the Guardian. Three Marine Mammal Center researchers ventured out in a Coast Guard cutter and towed the whale to a location north of the Richmond Bridge, where they are examining the carcass today.  Dr. Frances Gulland, Director of Veterinary Science at The Marine Mammal Center, is one of the researchers, pictured in the photo above.

It was a juvenile gray whale, approximately 25 feet long and an estimated 1 to 2 years old, Oswald said. There has been no evidence so far of external trauma, usually the sign of a ship strike, but they are still determining whether internal trauma occurred. Researchers are also taking a close look at its stomach contents to see if it might have been impacted by swallowing junk floating around at sea. “Ingested marine debris is a hazard for these animals,” Oswald said, recalling the case of a whale found off the coast of Washington that died after ingesting 450 pounds of netting.

A full report on the examination will not be available for several months, Oswald noted, since samples must be sent out to labs for a toxicology analysis.

The Guardian has reported on several environmental issues impacting whales, including shipping noise traffic and marine debris.

Our Weekly Picks

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WEDNESDAY 21

EVENT/LIT

Yann Martel: Beatrice and Virgil

Yann Martel brought us The Life of Pi, an award-winning story about an Indian boy trapped on a life raft with a Bengal tiger in the middle of the Pacific Ocean. At www.whatisstephenharperreading.ca, Martel chronicles his vow to send a book every two weeks to Canadian Prime Minister Stephen Harper to promote government arts funding. And now, Martel is back with Beatrice and Virgil, another folkloric tale. It’s about a writer working on a novel about the Holocaust, and it’s also the story of a donkey named Beatrice and a howler monkey named Virgil whose epic journey begins only after fate places them in a taxidermy shop run by an intriguing man. (Paula Connelly)

In conversation with Laura Fraser

7:30 p.m., $15 (21 and over)

Sundance Kabuki Theater

1181 Post, SF

www.booksmith.com

THURSDAY 22

MUSIC

Blank Dogs

It’s impossible to keep up with what Blank Dogs frontman Mike Sniper is up to at any given moment. In addition to being a tad shy — as evidenced by his wearing a mask or blanket to performances and publicity photo shoots — the Brooklyn native is also so prolific that he probably has another limited distribution EP or 7-inch scheduled for release by the end of this sentence. His brand of lo-fi new-wave is noisy and discordant, but ever familiar, like New Order or OMD heard through a tunnel with a blender running in the background. Sniper is emerging from his East Coast bedroom for a show at Eagle Tavern, and though his persona might not be the mystery it once was, his unique perversion of post-punk is always promisingly puzzling. (Peter Galvin)

With Bare Wires, Fresh and Onlys, Cosmetics

9 p.m., call for price

Eagle Tavern

398 12th St. , SF

(415) 626-0880

www.sfeagle.com

DINE

Wine Enthusiast’s Talk of the Town 2010

More than 500 varieties of wine and spirits — along with food from 30 great Bay Area restaurants — are on the menu for sampling at Wine Enthusiast’s Toast of the Town 2010, a classy affair taking place in the historic environs of the beautiful War Memorial Opera House. Live jazz provides the soundtrack for the evening’s indulgences, which benefit the San Francisco Food Bank, the venerable organization that needs a little help of its own right now to help people in our community. Raise a glass (or several) and know that this night of fun will also help to make someone’s day tomorrow when they sit down for a much-needed meal. (Sean McCourt)

7 p.m., $89 ($169 for 5 p.m. VIP tasting)

War Memorial Opera House

301 Van Ness, SF.

www.wineenthusiast.com

1-800-847-5949

MUSIC

Jrod Indigo

Jrod Indigo inspires comparisons to Michael Jackson, Robin Thicke, and Prince. Born in Chicago, raised in Atlanta, having spent some time in Seattle and now in the Bay Area, Jrod possesses musical versatility. He’s a polished songwriter who prefers to play with a live band. Layered harmonies, vintage synths, funky guitar riffs, and deeply-rooted soul incorporate different elements from the music of the cities where he has lived. He’s performed with Amel Larrieux, Martin Luther, Crown City Rockers, and others. Tonight he’s the headliner. (Lilan Kane)

With the Whooligan, Femi

9:30pm, $7

Coda Lounge

1710 Mission, SF

(415) 551-2632

www.codalive.com

MUSIC

Chicha Libre

Drink enough mugs of chicha, and you’ll get lifted like the ancients. The fermented corn drink has been imbibed since before the conquistadors launched their grand tour of bummer, and still plays a central role in the lives of indigenous Peruvians. Gets you all drunk and stuff. This age-old psychedelia inspires the chaps of Chicha Libre, a South American surf band that adds classic pop sounds from 1970s AM radio, sun-drenched Beach Boys guitar melodies, and a little cumbia shake to the Amazonian rhythms of their ancestors. Raise a glass. (Caitlin Donohue)

With the Cuban Cowboys, DJ Juan Data

8 p.m., $9.99

Rickshaw Stop

155 Fell, SF

(425) 861-2011

www.rickshawstop.com

FRIDAY 23

SPORTS

Harlem Globetrotters

They’re the only professional basketball team to play an entire game on ice skates (and ice, in Central Park) or go for an 8,000-game win streak: If you haven’t seen the Harlem Globetrotters do their thing, you’re missing out on the greatest American sports kitsch. From the get they’ve been showboaters — they actually got their start as a traveling team in Chicago, but dubbed themselves Harlem because it sounded more exotic. We forgive them because they can make half-court shots, have the most kick ass of theme songs, dribble like the devil, and clown on David Duchovny when he sits courtside. (Donohue)

7 p.m., $21–$109

Cow Palace

2600 Geneva, Daly City

(415) 404-4111

www.harlemglobetrotters.com

MUSIC

Around Amoeba in 180 Minutes with DJ Bearzbub

Amoeba is a colossal beast of a record store. With rows upon rows of vinyl, CDs, posters, and listening stations, it’s hard not to look for a specific record and leave with 10 other things. The infinite sound in the place can suck you in for hours. Today, however, DJ Bearzbub is your guide. He’ll show you what the store has to offer within a three-hour timespan. (Elise-Marie Brown)

6 p.m., free

Amoeba Music

1855 Haight, SF

(415) 831-1200

www.amoeba.com

DANCE

National Dance Week

National Dance Week is a kind of spring madness of lessons, mini-performances, workshop showings and rehearsal watching in SF, the North, South and East Bay. All of it is free. You won’t be able to take in all of the four hundred-plus offerings, but you can enjoy it today. Noon is kick-off time at Union Square with over a dozen showcases and — new this year — the first annual “One Dance” flash-mob event. Look out for solo dancer Fawole and musicians popping up throughout the city, and mini shows from a new generation of dancers at the Richmond District YMCA in the late afternoon. You can see Robert Moses at work. Or, in the evening, you can take a class in Afro-Cuban, Hula Hoop, Tango, Go Go Style, World Fusion or West Coast Swing. For details, go online or pick up a brochure at dance studios and selected coffee shops. (Felciano)

 

Noon (through May 2), free

Union Square, SF

(415)920-9181

www.bayareandw.org

MUSIC

J Rocc

In 1992, Stones Throw mainstay DH J Rocc founded the World Famous Beat Junkies with Melo-D and Rhettmatic. Since then, he’s been a dominating force in turntablism, releasing several mixtapes and producing different Stones Throw releases. He’s been a reliable force within Madlib’s live shows, and worked with Madlib again on Beat Konducta Vol. 5-6: A Tribute to J Dilla. He’s currently putting together a solo album, and this show should offer a taste. (Kane)

With DJ Apollo

10 p.m., $8–$10

Mighty

119 Utah

(415) 626-7001

www.mighty119.com

MUSIC

Bonobo

Since the success of his third album, 2006’s Days to Come, Bonoboa.k.a. Simon Green — has refined his impressive sound. The evidence is on his latest effort, Black Sands. The combination of live instrumental arrangements and complex digital sounds in his work can be extraordinary. (A tip: if you want a taste of Bonobo’s live set but don’t have the $22 to get into Mezzanine, trek to the Haight and catch an earful at Amoeba Music at 5 p.m.) (Brown)

With Yppah and Mofnono

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

SATURDAY 24

THEATER

Tartuffe

Seems like lately, everything old is new again on the Bay Area theater scene. Current or recent local productions have updated The Diary of Anne Frank, Lysistrata, and The Seagull. San Francisco’s up-and-coming Generation Theatre isn’t aiming to alter to content of Molière’s classic comedy Tartuffe, as other productions have before (there’ve been versions that cast the main character as a televangelist, reset the action in India or during the Harlem Renaissance, and paid homage to the TV show Dallas.) Instead, Generation’s new translation by director Roland David Valayre arranges the play’s lines in alexandrine verse — which is to say, the 12-syllable format in which it was originally written. “Twelve-foot long laughter” is promised. (Cheryl Eddy)

8 p.m. (through May 16), $20–$25

Studio 205 at Off-Market Theater

965 Mission, SF

(415) 377-5882

www.generationtheatre.com

SUNDAY 25

COMEDY

Aqua Teen Hunger Force Live

Two of the more bizarrely brilliant and hilarious shows that appear on Cartoon Network’s Adult Swim, Aqua Teen Hunger Force and Squidbillies, come to life tonight. As part of a national tour, ATHF cocreator Dave Willis (voice actor for characters including Meatwad and Carl) is joined by Dana Snyder, who voices Master Shake and Granny Cuyler. Expect zany script readings, screenings of clips, music, and more at an event that should be more exciting than drinking pine cone liquor and selling a house that oozes blood to Glenn Danzig. (McCourt)

8 p.m., $25

Regency Ballroom

1290 Sutter, SF

(800) 745-3000

www.theregencyballroom.com

www.aquateenlive.com

MONDAY 26

MUSIC

Audra MacDonald with the SF Symphony

After you win four Tony awards, you can pretty much do what you want when it comes to musical theater. Audra McDonald neatly illustrates the point. One of only three actresses to accomplish the triple Tony feat, the soprano has graduated from roles in Broadway productions like A Raisin in the Sun, Carousel, and Ragtime to solo performances backed by some of the greatest musical ensembles in the country. In this SF Symphony performance, McDonald takes on her favorite show tunes, as well as a few ditties written especially for her. When you’re this good — did we mention she has two Grammies stashed away? — people will compose music in the hopes you’ll sing it. (Donohue)

8 p.m., $15–$105

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.sfsymphony.org

TUESDAY 27

EVENT

A Fresh Look: Observations on Artistic and Social Practices in Urban Farming

Mmmmm. If there’s any benefit of living in San Francisco, it’s the array of delicious food sold at the multiple farmers’markets throughout the city. But selling pesticide-free produce isn’t the only way to encourage sustainable farming. The San Francisco Art Institute is working to address the proper social practices of urban farming by launching a new underground market. Along with live music and a panel discussion, delicious treats will be sold: think homemade cookies, raw chocolate, quiche, marmalades and kombucha. (Brown)

4 p.m., free

San Francisco Art Institute

800 Chestnut, SF

(415) 771-7020

www.sfai.com

MUSIC

Liars

Liars has spent the better part of a decade refining a terrifyingly bestial art-metal, and its fifth album Sisterworld is the culmination of years spent concocting an unusual formula of chant-like vocals, ambient noise and sudden outbursts of sound. Whether anyone’s listening or not, the group is immensely proud of its weirdness — they reinforce high-concept songs about murder and witchcraft with just the right amount of traditional songwriting to draw in the unsuspecting. After all, if there wasn’t a good deal of brilliance behind that eerie atmosphere and brutal bluster, it’d just be another Tuesday night goth show. (Galvin)

With Fol Chen

8:30 p.m., $15

Slim’s

333 11th St., SF

(415) 255 0333

www.slims-sf.com

 

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SF’s Tax Day protests: Progressives 300, Teabaggers 4

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For all the hype about Tax Day Tea Parties, include two in San Francisco this afternoon, it was progressive causes that put the most protesters on the streets today. In fact, at a 1 p.m. Tea Party outside City Hall, the teabaggers were way outnumbered by journalists and satirical “teabaggers” doing street theater.

For awhile, 70-year-old Al Anolik – clad in his American flag shirt and NRA hat – was the only teabagger present, although he was joined by 23-year-old Odell Howard (wearing his American flag on his hat) at about 1:20 p.m. Another pair arrived later, making it four in all.

“It is San Francisco,” Anolik offered by way of explaining the anemic gathering.

Contrast that with two other rallies going on at the same time: Service Employees International Union fielding about 200 protesters on Mission Street near the federal building demanding immigration reform and respect for immigrants, and about 100 people who turned out for the Mobilization for Climate Justice, protesting a conference on carbon offsets.

“Nobody should be given credit for creating greenhouse gas emissions,” Ana Orozco, an organizer for Communities for a Better Environment, Richmond, told the gathering.

CBE was one of several groups demonstrating on Fourth Street outside the Marriott, which was hosting New Direction for Climate Action, put on by Navigating the American Carbon World, a group that promotes a cap-and-trade market for pollution credits.

The protesters said that system would only legitimize pollution and delay the strong actions needed to avert the worst impacts of global warming. “Keep the cap, nix the trade,” the group chanted at one point.

I asked one conference attendee (who wouldn’t give his name) what he thought of the protesters and he called them, “watermelons – green on the outside and red on the inside.” Longtime progressive activist Chris Carlsson said accusing someone of being a communist has always been tactic capitalists use to shut down real debate on important issues.

Anolik and Howard were also quick to play the red card, accusing the Obama administration of plotting to take away people’s guns and instituting a government takeover of the health care system, and neither would listen to arguments that their claims were demonstrably false.

But the progressives on the street today were all about sparking debate, including two members of the Raging Grannies that were at the climate event and then headed over to the Tea Party, where they satirically advocated for a health care system run by wealthy corporations.

“Billionaires for Wealthcare,” was the sign one held, while the other’s read, “Blue Cross, Palin, 2012,” advocating that we cut out the middle man and elect Blue Cross as the next president, with Sarah Palin as its running mate.

And then they broke into the song “We shall overcome,” but with a modified chorus: “We shall overcharge.”

Marin County’s water grab

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By Joan Bennett

OPINION In August 2009, the Marin Municipal Water District’s elected board of directors conducted a public hearing to hear and discuss comments on a proposed $432.8 million desalination plant that would be built near the Richmond-San Rafael Bridge. Despite overwhelming public opposition, the board unanimously approved the proposal. The stated reason: the dire need for a reliable water supply.

There is no truth to MMWD’s rationale.

This is not just a Marin County issue. The plant would have major impacts on the bay.

The Pacific Institute’s yearlong study, "Desalination, With a Grain of Salt," concluded that "most of the state’s seawater desalination proposals are premature … [such plants] fail to adequately address economic realities, environmental concerns, or potential social impacts."

James Fryer, the former head of MMWD’s water conservation from 1992 to 1999 and a water management and conservationist expert with 20 years of experience in the field, concluded in a separate report that desalination should be pursued only as a last resort.

In response, MMWD paraded before the public the inevitable hackneyed specter of a drought. But MMWD’s arguments are contradicted by the facts:

MMWD operates seven reservoirs with more than 79,000 acre feet of water. Annual ratepayer consumption is roughly 28,000 acre feet or less. Last year, consumers used 26,000 acre feet.

Two of those the reservoirs, Phoenix Lake and Soulajoule, have remained untapped for 17 to 20 years.

Since the 1976-77 drought, MMWD’s reservoirs were expanded by 26,000 acre feet, nearly a 50 percent increase.

Marin tree-ring studies demonstrate that a severe drought occurs once every 400 years.

As Paul Helliker, MMWD general manager, recently noted: "This year we won’t have any rationing because we are above our thresholds … there is no reason to because there is no problem with water supply."

If these facts alone are insufficient to convince even the most dubious, there are more.

The water source for desalination is the polluted San Francisco Bay. MMWD insists that expensive filters and reverse osmosis membranes will block dangerous contaminants such as pharmaceuticals, pesticides, chemicals, heavy metals, and Central Marin Sanitary Agency’s 11 million gallons of treated sewage (not to mention untreated spills) dumped daily into the bay near the intended desalination intake pipe.

A desalination plant is an energy glutton. MMWD is already the largest energy user in Marin. The plant would increase MMWD’s energy use from 40 percent to as high as 300 percent depending on the facility’s size and operation.

For decades the water district has urged its customers to conserve, and its customers have complied. As a reward, in February, to erase revenue shortfalls from conservation efforts, MMWD ordered a 10 percent rate hike and simultaneously halved its conservation budget on the disingenuous grounds that "conservation doesn’t work." This raises a conundrum: if rates were raised because of shrinking water use, then does MMWD even need a desalination plant? *

Joan Bennett is a lawyer in Marin. The Coalition for the Public’s Right to Vote About Desalination (CPR-VAD) is circulating an initiative for the November ballot to compel MMWD to obtain voter approval for the plant. For more information, see www.marinwatercoalition.com and www.foodandwaterwatch.org/water/california/marin.

Where’s teacher?

4

By Brady Welch

news@sfbg.com

Horace Mann Middle School principal Mark Sanchez sounded exhausted when we reached him on March 26. It wasn’t because Horace Mann is such a tough school, although the Mission District campus does have a disproportionate number of at-risk students. And it wasn’t because it was the Friday before spring break, although that might have had something to do with it.

All week Sanchez had been reeling from news that a whopping 10 out of his 20 full-time teachers had been issued pink slips by the San Francisco Unified School District. Including counselors, a vice principal, and other staff, the budget cuts essentially lopped off 24.6 percent of the school’s workforce, an unprecedented blow that speaks volumes about the state of California public education.

“A lot of the kids were wondering if the school was getting shut down,” Sanchez said. And although Horace Mann isn’t closing, with so many axed teachers, it might seem like a new school to many students come August. “If a significant number [of teachers] are moved, we don’t know what we’re in for.”

There is a legend that you will meet the person who will seal your fate long before the final event happens. And in an interesting turn of events, it was Sanchez who, as president of the Board of Education in 2007, hired current SFUSD Superintendent Carlos Garcia. Attempting to close a staggering $113 million budget gap over the next two years, it fell to Garcia on Feb. 23 to send out 645 layoff notices across the district in a list that included 163 administrators, 239 elementary school teachers, 124 high school teachers, and 104 middles school positions. Horace Mann was hit particularly hard because so many of its staff lacked seniority. Final decisions on layoffs will be made next month by the school board.

The first indications of this massive fiscal blood-letting came Jan. 20, when Garcia sent a letter to the entire district on learning of Gov. Arnold Schwarzenegger’s budget. The document was a glaring reminder of how bad things had gotten in Sacramento, and the superintendent wrote candidly of what he saw and what it meant for the district. “These numbers are large, and they will be devastating.”

Aside from the extraordinary blow to personnel, the proposed SFUSD budget will increase class sizes, freeze salaries, cancel summer school except for those who need credits to graduate, and reduce the number of days of classroom instruction to 175 annually, putting the district in conflict with a state law mandating at least 180 days. Given its deep cuts, Sacramento probably won’t enforce the statute.

“The state itself is in such a budget crisis,” Sanchez told us. “And [it’s] refusing to raise taxes. The fix has to be at the state level.”

But that’s been difficult since the passage of Proposition 13, the 1978 measure that limits property tax increases and gives control of whatever revenue is generated directly to the state. Because all state budgets must pass the Legislature with a two-thirds super-majority vote, a disciplined minority of virulently antitax Republicans block budgets that adequately fund education nearly every time.

Yet now, the bill for that political stalemate is coming due at schools like Horace Mann.

Beyond the numbers and politics, the Guardian wanted to get a closer look at how this regular cycle of cuts and layoffs is affecting teachers and students, so we spoke to a couple of eighth grade English teachers at Horace Mann who described it as dismal.

“I try to put it at the back of my mind, to be honest,” said Matt Borowsk, one of the 10 teachers at Horace Mann who received a pink slip. Borowsk reiterated a common sentiment that all teachers — potentially laid off or not — just want to do their jobs and focus on their classes. “I want to be able to stay and do my work and make improvements. And I want to do what I can for the school community and work with students,” he said. “I’m still in it, and I’m in it for the long run, despite what issues the district has about keeping their teachers.”

Gail Eigl, a teacher at Horace Mann for eight years who is tenured and therefore not at risk of a layoff, concurred. “No one I know who got a pink slip has changed their attitude. People are trying to stay focused on the present and teach.”

It’s an admirable response, and one Eigl understands well. She was laid off after her first year there in 2001. “Six of us got pink slips,” she recalled. “It was terrible.” She went looking for a job in South San Francisco, but in a strange turn of events, SFUSD called and offered her a job at Argonne Elementary in the Richmond District. A year later, she was back where she started at Horace Mann, and until now, she hadn’t really looked back.

“It’s like the school keeps having problems,” she said, an opinion that also hints at SFUSD’s skewed notion of teaching as a stable career path.

Borowski offers a similar story. This year’s pink slip is his second. Last year he received one after teaching only a year in Burlingame, which is how he ended up in San Francisco. Such rampant doling out of pink slips has nothing to do with Borowski’s performance. Rather, it has everything to do with seniority. And because the state is in such a crunch, it’s hard to stay in any school long enough before the budget’s grim reaper comes to collect.

“People who are able to stick through the first five years, they genuinely want to be a good teacher, make seniority, and not have to worry about it,” he said. And “because Horace Mann is a school where new teachers go, because it’s a tough school, then they’re the most vulnerable to layoffs. Which starts this vicious cycle.”

It’s classic Catch-22. Facing such a budget shortfall, how does SFUSD keep teachers who have little or no seniority teaching in the very schools whose litany of needs put those teachers there in the first place? In many ways, these are the most committed and passionate teachers the district has, and they represent for their classes a level of discipline and stability absent in many of their students’ home lives.

Many of Eigl’s students are low-income, speak English as a second language, or both. Some of their parents are deceased, others are undocumented immigrants, and a few are in jail.

“I honor tenure,” she told us. “I know there’s a reason for it. But right now, it doesn’t seem to be working for us.” Eigl brings up the case of a new parent liaison the school received this year, a critically important position that takes time building solid relationships with students’ families. “She got a pink slip too,” Eigl told us, the exasperation evident in her voice.

“I think people are really defeated inside. It’s so frustrating,” she continued. When asked what she meant by that, Eigl became heated. “It’s California! We’re supposed to be the richest economy. We should have money for schools. Why are other states doing so much more? We’re at the bottom. Where’s the money?” She suggested that Horace Mann should be granted special status because of its high-needs student body.

“It’s almost predictable that students who have a lot of unpredictability in their lives will suffer for this,” Sanchez told us. “It will be destabilizing for them. Teachers will get disrupted as well. A lot of what you do in schools has so much to do with outside the classroom, and it takes a lot of time to get acclimated.” At a tough school like Horace Mann, he says, “there’s been a lot of professional development and new programs.”

Borowski stresses the sentiment forcefully. “It’ll be devastating if the pink slips go through. It’ll be a huge mess.”

Both teachers participated in the massive statewide protests against the cuts on March 4. But other than letting Sacramento know how public educators feel, nothing concrete has come out of it. Sanchez suggested that it might be possible to sue the state for violating its statute on the minimum number of school days. Even SFUSD, at the last Board of Education meeting on March 23, didn’t rule out the possibility of suing the state for lack of adequate funding.

Negotiations are ongoing between the district and the United Educators of San Francisco teachers union about final layoffs. Those will be finalized May 15. Meanwhile, teachers at Horace Mann and across the district will continue to do their jobs despite how grim the outlook may be. As Eigl puts it, “It’s like out of a book from a bad future.”

Stage listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

The Diary of Anne Frank Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Previews Fri/26-Sat/27, 8pm; Sun/28, 7pm. Opens Tues/30, 8pm. Runs Thurs-Sat, 8pm; Sun, 7pm. Through May 1. Custom Made performs Wendy Kesselman’s modern take on the classic.

An Enemy of the People Randall Museum Theatre, 199 Museum Wy; http://sffct.wordpress.com. Free. Opens Fri/26, 7:30pm. Runs Sat/28, 7:30pm; Sun/28, 3pm. Also: Eureka Valley Recreation Center Auditorium, 100 Collingwood. April 2-3 and 9-10, 7:30pm; April 11, 3pm. Through April 11. San Francisco Free Civic Theatre performs Henrik Ibsen’s drama.

Othello African American Art and Culture Complex, 762 Fulton; 1-800-838-3006, www.african-americanshakes.org. $20-30. Previews Thurs/25, 10am. Opens Fri/26, 8pm. Runs Wed-Thurs, 10am (school matinees); Sat/27, April 10, and April 17, 8pm; Sun/28, April 3, April 11, and April 18, 3pm. Through April 18. African-American Shakespeare Company closes its 15th season with this adaptation of Shakespeare’s play, set during a modern-day military tribunal in Iraq.

BAY AREA

A Seagull in the Hamptons Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-30. Previews Thurs/24-Fri/25, 8pm. Opens Sat/26, 8pm. Runs Wed, 7pm; Thurs-Sat, 8pm; Sun, 5pm. Through April 25. Shotgun Players perform Emily Mann’s fresh spin on Chekhov’s The Seagull.

ONGOING

*…And Jesus Moonwalks the Mississippi Cutting Ball Theater, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through April 11. Amid the tumult of the American Civil War, a former slave named Damascus (a subtle, commanding Aldo Billingslea) searches for his daughter, desperate to pass on his song to her lest it be forgotten. Plucked from a tree and a noose by a god moved to see him get a second chance, he searches on, now as a woman named Demeter, until he finds a white family called the Verses, served by a downhome Shakespearean schemer named Brer Bit (Martin F. Grizzell, Jr.) and headed by a bitter matriarch (Jeanette Harrison) in the absence of the paterfamilias (David Sinaiko), a deserter-turned-scavenger making his way back with a Yankee bugler (Zac Schuman) in tow. Twin daughters Blanche (Sarah Mitchell) and Free (Erika A. McCrary), meanwhile, are not so very identical, and Demeter suspects that Free — whose imaginary friend is an African American Jesus with a decidedly 20th-centruy mojo (played by a beautifully deadpan-beatific David Westley Skillman) — is actually his/her own kin. In this inspired poetical-historical counter-narrative from Bay Area playwright Marcus Gardley, Greek mythology, African American folklore, personal family history, and Christian theology are all drawn irresistibly along in a great sweep of wild and incisive humor, passion, pathos and rousing gospel music as buoyant and wide as the Mississippi — or rather Miss Sippi (the impressive Nicole C. Julien), personification of the mighty and flighty river, backed by a chorus of blue-gowned sisters (Rebecca Frank, Halili Knox, Erica Richardson). The Cutting Ball–Playwrights Foundation coproduction, lovingly directed by Amy Mueller, sports exquisite design touches from Cutting Ball regulars like Michael Locher, whose gorgeous plank-wood set serves as the ideal platform for a work both magnificently simple and eloquently evocative. (Avila)

Baby: A Musical Off-Market Theatres, 965 Mission; 1-800-838-3006, www.roltheatre.com. $20-32. Thurs-Sat, 8pm; Sun, 2pm. Through April 18. Ray of Light Theatre performs a comedy about pregnancy.

Caddyshack: Live! Dark Room, 2263 Mission; 401-7987, www.brownpapertickets.com/event/99361. $20. Fri/26-Sat/27, 8pm. The Dark Room presents Jim Fourniadis’ live adaptation of the iconic movie.

Death Play EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. $15-20. Thurs/25-Sat/27, 8pm. Thunderbird Theatre Company presents the third installment in the comedy series by Sang S. Kim.

*Den of Thieves SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $40. Tues, 7pm; Wed-Sat, 8pm (also Sat, 3pm). Through April 17. Stephen Adly Guirgis has been good to SF Playhouse. The company already scored big with two of the New Yorker’s gritty, dark and sharply funny plays, Our Lady of 121st Street and Jesus Hopped the ‘A’ Train. Director Susi Damilano continues the streak with SF Playhouse’s latest, the less heavy but very funny Den of Thieves, about an unlikely foursome of inept bandits caught trying to heist a Mafioso’s safe under a discotheque in Queens — a simple tale that gives plenty of scope to Guirgis’s muscular way with dialogue and the clash of characters. The story opens on a depressed recovering kleptomaniac, Maggie (an affectingly understated Kathryn Tkel), and her 12-step sponsor Paul (the excellent Casey Jackson), a nerdy fast-talking mixed-race former safecracker, whose Jewish grandfather headed up a famous crime ring that robin-hooded their take to library construction for kids in the neighborhood. Enter Maggie’s former boyfriend, a Puerto Rican tough named Flaco (a hilariously spot-on Chad Deverman), with his new squeeze, erotic dancer Boochie (a deftly comic Corinne Proctor), and a lead on a large traceless sum of cash. Suddenly the smell of big money sends recovery out the window and makes uneasy bedfellows of the motley, hostile bunch. Enter angry but softhearted mobster Little Tuna (Ashkon Davaran), his sadistic sidekick Sal (Peter Ruocco), and big gun Big Tuna (Joe Madero). Facing mob vengeance, it’s time for some fast-talking and deal making among the mini-den, and all bets are off. The ending seems to have eluded Guirgis a little, but the way there makes for meaty comedy, while the exceptional cast sells the conceit so beautifully they make it a crime to miss. (Avila)

Desperate Affection Royce Gallery, 2901 Mariposa; www.expressionproductions.com. $28. Thurs-Sat, 8pm. Through April 10. Expression Productions presents a dark comedy by Bruce Graham.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed, 8pm. Through April 28. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

KML Preaches to the Choir Jewish Theater, 470 Florida; www.killingmyblobster.com. $15-20. Thurs/25-Fri/26, 8pm; Sat/27, 7 and 10pm; Sun/28, 7pm. The award-winning sketch comedy group takes aim at the higher powers in this piece directed by Paco Romane.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through April 25. Starting May 8, runs Sat, 5pm and Sun, 2pm at the Marsh Berkeley, 2120 Allston, Berk. Through June 13. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky, and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. (Avila)

Now and at the Hour EXIT Stage Left, 156 Eddy; 673-3847, www.theexit.org. $15-25. Fri/26-Sat/27, 8pm. EXIT presents the subtly unnerving show by theatrical magician Christian Cagigal.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through April 24. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Ramble-Ations: A One D’Lo Show Brava Theater Center, 2781 24th St; 647-2822, www.brava.org. $10-25. Thurs-Sat, 8pm; Sun, 3pm. Through April 3. Performance artist D’Lo offers up a comedic solo show from a unique (gay, Hindi, Sri Lankan, SoCal, hip-hop) perspective.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $18-50. Wed-Fri, 8pm (April 16, show at 9pm; starting April 24, no Fri shows except May 28, 8pm); Sat, 5pm; Sun, 3pm. Through May 30. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Shopping! The Musical Shelton Theater, 533 Sutter; 1-800-838-3006, www.brownpapertickets.com. $27-29. Fri-Sat, 8pm. The musical is now in its fifth year at Shelton Theater.

Something You Might Want Stagewerx Theatre, 533 Sutter; www.catchynametheatre.org. $16. Fri/26-Sat/27, 8pm; Sun/28, 3pm. CatchyNameTheatre presents this dark comedy written and directed by Jim Strope.

Suddenly Last Summer Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $15-35. Thurs-Sat, 8pm. Through April 10. Actors Theatre presents one of Tennessee Williams’ finest and most famous plays.

The Sugar Witch New Conservatory Theatre Center, 25 Van Ness; 861-4914, www.nctcsf.org.

Wed-Sat, 8 pm; Sun, 2pm. Through April 4. NCTC presents the premiere of Nathan Sanders’ crime story.

Truce Noh Space, 2840 Mariposa; 826-1958. $10-25. Wed-Sat, 8pm. Through April 3. Playwright-performer Marilee Talkington stars in Vanguardian Productions’ presentation of her autobiographical work about a woman struggling with impending blindness.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

Concerning Strange Devices from the Distant West Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $13.50-27. Days and times vary. Through April 11. Berkeley Rep presents a sexy and intriguing new show from Naomi Iizuka.

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-35. Fri/26, April 9, 16, 30, and May 7, 9pm; Sun/28, 7pm; April 10, May 1, and May 8, 8pm; April 18 and 25, 2pm. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

Handless Central Stage, 5221 Central, Richmond; 1-800-838-3006, www.raggedwing.org. $15-30. Thurs/25-Sat/27, 8pm. Ragged Wing Ensemble presents Amy Sass’ re-invention of the folk-tale The Handless Maiden.

*Learn to be Latina La Val’s Subterranean, 1834 Euclid, Berk. impacttheatre.com. $10-20. Thurs/25-Sat/27, 8pm. Impact Theatre continues its 14th season with the world premiere of Enrique Urueta’s play.

PERFORMANCE

"Act Wright Performance" Bayanihan Community Center, 1010 Mission; 239-0249. Wed, 8pm. $10. Kularts presents this ensemble theater showcase directed by Anthem Salgado.

Alicia Dattner Off-Market Theatre, 965 Mission; 538-9232, www.cafearts.com. Wed, 8pm, $20. The comedian performs her solo show.

"Funny That Way" Actors’ Theatre, 855 Bush; www.brownpapertickets.com/event/102787. Sun, 7pm. $8. Bay Area comedians perform to raise money for anti-poverty organization Tripura Foundation.

"King Tut: The Boy Who Would Be King" Bayview Opera House, 4705 Third St; 824-0386. Fri-Sat, 8pm (also Sat, 2:30pm); Sun, 4pm. $10-20. Farah Dews’ play recreates King Tut’s coronation.

"Naked Comedy!" Clubhouse, 414 Mason, Ste 502; 921-2051. Sat, 9pm. $12-15. Will Franken headlines.

PianoFight Studio 250 at Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. $20. The female-driven variety show Monday Night ForePlays returns with brand-new sketches, dance numbers, and musical performances.

"Sheherezade X: A Year in Review (2009)" Phoenix Theatre, 414 Mason; 885-8526. Fri-Sat, 8pm. $25. Short plays by local writers take on topics as varied as Muni and Bernie Madoff.

Virgin Play Series Magic Theatre, Fort Mason Center, Bldg D, Marina at Laguna, SF; 240-4454, http://magictheatre.org. Mon, 6pm. Free (reservations recommended). Magic Theatre presents Martha Heasley Cox’s series of staged readings of works currently in development.

DANCE

"Dance Anywhere" Various locations; www.danceanywhere.org. Fri, noon. This worldwide conceptual art piece celebrates the power of dance. Check website for local events.

"ODC Pilot 56: My Young Nostalgic Life" ODC Dance Commons, Studio B, 351 Shotwell; 863-9834. Sat-Sun, 8pm (also Sun, 5pm). $12. Six emerging choreographers present new works.

BAY AREA

Ballet Folklórico de México de Amalia Fernandez Marin Center, 10 Avenue of the Flags, San Rafael; www.marincenter.rorg. Fri, 8pm. $25-65. The distinguished company performs traditional dance from Mexico.

Merce Cunningham Dance Company Zellerbach Hall, UC Berkeley, Bancroft at Telegraph, Berk; (510) 642-9988, www.calperformances.org. Fri-Sat, 8pm. $30-50. The company presents the late legend’s final work, Nearly 90².

Stage listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

Baby: A Musical Off-Market Theatres, 965 Mission; 1-800-838-3006, www.roltheatre.com. $20-32. Previews Thurs/18, 8pm. Opens Fri/19, 8pm. Runs Thurs-Sat, 8pm; Sun, 2pm. Through April 18. Ray of Light Theatre performs a comedy about pregnancy.

Ramble-Ations: A One D’Lo Show Brava Theater Center, 2781 24th St; 647-2822, www.brava.org. $10-25. Opens Wed/17, 8pm. Runs Thurs-Sat, 8pm; Sun, 3pm. Through April 3. Performance artist D’Lo offers up a comedic solo show from a unique (gay, Hindi, Sri Lankan, SoCal, hip-hop) perspective.

Truce Noh Space, 2840 Mariposa; 826-1958. $10-25. Previews Wed/17, 8pm. Opens Thurs/18, 8pm. Runs Wed-Sat, 8pm. Through April 3. Playwright-performer Marilee Talkington stars in Vanguardian Productions’ presentation of her autobiographical work about a woman struggling with impending blindness.

ONGOING

…And Jesus Moonwalks the Mississippi Cutting Ball Theater, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Opens Fri/19, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm. Through April 11. Cutting Ball presents this deeply personal fantasy play inspired by the myth of Demeter and Persephone and directed by Amy Mueller.

Caddyshack: Live! Dark Room, 2263 Mission; 401-7987, www.brownpapertickets.com/event/99361. $20. Fri-Sat, 8pm. Through March 27. The Dark Room presents Jim Fourniadis’ live adaptation of the iconic movie.

Death Play EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. $15-20. Thurs-Sat, 8pm. Through March 27. Thunderbird Theatre Company presents the third installment in the comedy series by Sang S. Kim.

*Den of Thieves SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $40. Tues, 7pm; Wed-Sat, 8pm (also Sat, 3pm). Through April 17. Stephen Adly Guirgis has been good to SF Playhouse. The company already scored big with two of the New Yorker’s gritty, dark and sharply funny plays, Our Lady of 121st Street and Jesus Hopped the ‘A’ Train. Director Susi Damilano continues the streak with SF Playhouse’s latest, the less heavy but very funny Den of Thieves, about an unlikely foursome of inept bandits caught trying to heist a Mafioso’s safe under a discotheque in Queens — a simple tale that gives plenty of scope to Guirgis’s muscular way with dialogue and the clash of characters. The story opens on a depressed recovering kleptomaniac, Maggie (an affectingly understated Kathryn Tkel), and her 12-step sponsor Paul (the excellent Casey Jackson), a nerdy fast-talking mixed-race former safecracker, whose Jewish grandfather headed up a famous crime ring that robin-hooded their take to library construction for kids in the neighborhood. Enter Maggie’s former boyfriend, a Puerto Rican tough named Flaco (a hilariously spot-on Chad Deverman), with his new squeeze, erotic dancer Boochie (a deftly comic Corinne Proctor), and a lead on a large traceless sum of cash. Suddenly the smell of big money sends recovery out the window and makes uneasy bedfellows of the motley, hostile bunch. Enter angry but softhearted mobster Little Tuna (Ashkon Davaran), his sadistic sidekick Sal (Peter Ruocco), and big gun Big Tuna (Joe Madero). Facing mob vengeance, it’s time for some fast-talking and deal making among the mini-den, and all bets are off. The ending seems to have eluded Guirgis a little, but the way there makes for meaty comedy, while the exceptional cast sells the conceit so beautifully they make it a crime to miss. (Avila)

Desperate Affection Royce Gallery, 2901 Mariposa; www.expressionproductions.com. $28. Thurs-Sat, 8pm. Through April 10. Expression Productions presents a dark comedy by Bruce Graham.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed, 8pm. Through April 28. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

*Juliet Little Theatre, Creative Arts Bldg, San Francisco State University, 1600 Holloway; http://creativearts.sfsu.edu/events/1412/juliet. $8-12. Thurs/18-Sat/20, 8pm; Sun/21, 2pm. Can a cast of seven Juliets a Romeo and Juliet make? Very much so. In fact, this devised work, directed by Mark Jackson and beautifully brought to life by an exceptional student cast from SF State’s theater department, conveys not just the poetry but the sheer energy, surprise, and shock of living — at the very heart of the work — better than any recent straight-ahead production in recent memory. This vibrant, movement-based, and repeatedly stunning postmodern Juliet retains the dramatic arc of Shakespeare’s tragedy, yet runs another parallel arc of its own, exploring the perspective of Juliet as an extremely intelligent, vital and growing young woman by ingeniously refracting her through the lives and memories of seven actors, six female (Arisa Bega, Charlotte Gulezian, Meredith, Frannie Morrison, Megan Trout, Mai Kou Vang) and one male (Dara Yazdani). The results are not to be missed, providing something truly unique as well as one of the most compelling ways into a text that refuses to die despite a million bad productions. Excellent scenic and lighting designs (by Hannah Murray and Clyde Sheets, respectively) and a truly outstanding sound design by Matt Stines offer fine mood-casting support throughout. (Avila)

KML Preaches to the Choir Jewish Theater, 470 Florida; www.killingmyblobster.com. $15-20. Thurs-Fri, 8pm; Sat, 7 and 10pm; Sun, 7pm. Through March 28. The award-winning sketch comedy group takes aim at the higher powers in this piece directed by Paco Romane.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through April 11. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky, and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. (Avila)

*Mirrors In Every Corner Intersection for the Arts, 446 Valencia; 626-2787, www.theintersection.org. $15-25. Thurs/18-Sun/21, 8pm. Try to ask someone who’s ever felt marked by the color (any color) of their skin if they believe in a post-racial society, and see what kind of a response you elicit. That there is no tidy answer to this potentially messy question is a conundrum well-illustrated by playwrite Chinaka Hodge’s hypothetical fable of a white-skinned baby born into an African-American family. Each member of the family has a different reaction to and relationship with the mysterious blonde-haired changeling Miranda, dubbed "Random". Her father, who dies when she is young, is reported to have hated her. Her oldest brother Watts (Daveed Diggs) claims to understand her best, but in trying to get her to unravel what it means to be "black" vs. "white", reveals himself to be as confused as anyone by the lack of a single definition. Her mother Willie—played tough and no-nonsense by Margo Hall (who also plays the teenaged Miranda)—loves her unconditionally, yet ultimately sacrifices her for the well-being of the greater family unit. Hodge’s first full-length play, Mirrors succeeds in strong performance, warm humor, and crackling, poetic dialogue, but fails to adequately resolve how it is that the otherwise uncompromising Willie lets the low card of an unfortunate accident trump her otherwise strong hand of "colorblind" maternal loyalty. With Dwight Huntsman and Traci Tolmaire. (Gluckstern)

Now and at the Hour EXIT Stage Left, 156 Eddy; 673-3847, www.theexit.org. $15-25. Fri-Sat, 8pm. Through March 27. EXIT presents the subtly unnerving show by theatrical magician Christian Cagigal.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through April 24. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $18-50. Wed-Fri, 8pm (April 16, show at 9pm; starting April 24, no Fri shows except May 28, 8pm); Sat, 5pm; Sun, 3pm. Through May 30. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Shopping! The Musical Shelton Theater, 533 Sutter; 1-800-838-3006, www.brownpapertickets.com. $27-29. Fri-Sat, 8pm. The musical is now in its fifth year at Shelton Theater.

Something You Might Want Stagewerx Theatre, 533 Sutter; www.catchynametheatre.org. $16. Fri-Sat, 8pm; Sun, 3pm. Through March 28. CatchyNameTheatre presents this dark comedy written and directed by Jim Strope.

Suddenly Last Summer Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $15-35. Thurs-Sat, 8pm. Through March 27. Actors Theatre presents one of Tennessee Williams’ finest and most famous plays.

The Sugar Witch New Conservatory Theatre Center, 25 Van Ness; 861-4914, www.nctcsf.org.

Wed-Sat, 8 pm; Sun, 2pm. Through April 4. NCTC presents the premiere of Nathan Sanders’ crime story.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

Concerning Strange Devices from the Distant West Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $13.50-27. Days and times vary. Through April 11. Berkeley Rep presents a sexy and intriguing new show from Naomi Iizuka.

*East 14th Laney College Theatre, 900 Fallon St, Oakl; www.east14thoak.eventbrite.com. $10-50. Fri-Sat, 8:30pm. Through March 28. Also at the the Marsh Berkeley in March. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

Handless Central Stage, 5221 Central, Richmond; 1-800-838-3006, www.raggedwing.org. $15-30. Thurs-Sat, 8pm. Through March 27. Ragged Wing Ensemble presents Amy Sass’ re-invention of the folk-tale The Handless Maiden.

*Learn to be Latina La Val’s Subterranean, 1834 Euclid, Berk. impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through March 27. Impact Theatre continues its 14th season with the world premiere of Enrique Urueta’s play.

Singin’ in the Rain Julia Morgan Center for the Arts, 2640 College, Berk; (510) 665-5565, www.berkeleyplayhouse.org. $19-28. Fri/19, 7:30pm; Sat/20, 2 and 7pm; Sun/21, 1 and 6pm. Berkeley Playhouse presents this classic musical.

PERFORMANCE

"All Star Magic & More" SF Playhouse, Stage Two, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 7pm. Ongoing. $20. Magician RJ Owens hosts the longest running magic show in San Francisco.

"Bananaritis!" CounterPULSE, 1310 Mission; 1-800-838-3006, www.brownpapertickets.com. Sat, 8pm. $20. Tim Rubel Human Shakes presents a performance piece that examines queer relationships.

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-20. The Theatresports show format treats audiences to an entertaining and engaging night of theater and comedy presented as a competition.

"The Cat’s Pajamas" Make-Out Room, 3225 22nd St; www.makeoutroom.com. Mon, 8pm. $5. This month’s installment of the performance series hosts the Revolutionary Poets Brigade, among other acts.

"HyperReal" Yerba Buena Center for the Arts Forum, 701 Mission; 978-ARTS, www.ybca.org. Thurs-Sat, 8pm. $25. Bay Area artist Sara Kraft debuts her tech-vs-mind exploration, a fusion of text, song, sound, movement, and video.

PianoFight Studio 250 at Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. Through March 29. $20. The female-driven variety show Monday Night ForePlays returns with brand-new sketches, dance numbers, and musical performances.

"Sheherezade X: A Year in Review (2009)" Phoenix Theatre, 414 Mason; 885-8526. Fri-Sat, 8pm. Through March 27. $25. Short plays by local writers take on topics as varied as Muni and Bernie Madoff.

"Two on a Party" Artaud Theater, 450 Florida; 1-800-838-3006. Sat-Sun, 8pm. $18-20. Word for Word performs the Tennessee Williams work before they head off to present it in France.

VergeFest Garage, 975 Howard; 885-4006. Fri-Sun, 8pm. $10-20. Featuring contemporary dance, improvisation, and performance.

Virgin Play Series Magic Theatre, Fort Mason Center, Bldg D, Marina at Laguna, SF; 240-4454, http://magictheatre.org. Mon, 6pm. Free (reservations recommended). Through March 29. Magic Theatre presents Martha Heasley Cox’s series of staged readings of works currently in development. This week: Ryan Purcell’s Brazilian musical Marinheiro.

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 17

ROCK/BLUES/HIP-HOP

Astral Force, DC/AC El Rio. 7pm, donation. Benefit for AIDS/LifeCycle.

Epiphanette, Great Girls Blouse, Miriam Speyer and New Blend Retox Lounge. 9pm, free.

Filthy Thieving Bastards, Blag Dahlia, Zander Schloss Thee Parkside. 8pm, $10.

Gomez, Buddy Great American Music Hall. 9pm, $28.

Kegels, Jokes for Feelings, Mitchell Experiment Bottom of the Hill. 9pm, $8.

Kim Wilson Blues Revue Biscuits and Blues. 8 and 10pm, $24.

Camaron Ochs, Spooky Flowers, Ayla Nereo Café du Nord. 9:30pm, $12.

Razorhoof, Iron Witch, Hazzards Cure Hemlock Tavern. 9pm, $6.

Undead Boys, Love Songs, Dope Charge, Keeners Elbo Room. 6pm, $8.

Zoo Station, Stung Slims. 8pm, $15.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St., SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St., SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 18

ROCK/BLUES/HIP-HOP

Common Eider King Eider, Raccoons, Das Blut, Hiss and Hum, Marigold Crowns Amnesia. 9pm, $7.

Willie G Biscuits and Blues. 8pm, $15.

Gomez, One Eskimo Great American Music Hall. 9pm, $28.

Groove Armada, Lilofee Fillmore. 8pm, $30.

HIJK, Love is Chemicals, Rademacher Café du Nord. 8pm, $10.

Hurry Up Shotgun, Victory and Associates, Genius and the Thieves Hemlock Tavern. 9pm, $6.

*Jucifer, Grayceon, Serpent Crown Thee Parkside. 9pm, $8.

Static Thought, Spawn Atomic, Step Up! El Rio. 8pm, $7.

Tokyo Raid, Pan Demon, Bitch Be Cool, Housecoat Project, Red Penny One Paradise Lounge. 9pm, $7.

Trifles, Cheetahs on the Moon, Bodice Rippers Hotel Utah. 9pm, $6.

Victims Family, Bar Feeders, Polar Bears Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Babatunde Lea Quintet Yoshi’s San Francisco. 8pm, $20.

Dred Scott Quartet Coda. 9pm, $7.

Pepe Jacobo Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

FOLK/WORLD/COUNTRY

Bassekou Kouyate, Ngoni Ba Slims. 8pm, $25.

Dime Store Dandy Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker, Señor Oz, and guest Earthrise Soundsystem spin Afrobeat, Tropicália, electro, samba, and funk.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

DJ Key Bump and Tropicana Madrone Art Bar. 5-9pm. With a performance by Mestiza.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Echo-A-Gogo Knockout. 10pm, free. Vintage dub reggae with DJ Lucky and friends.

Electric Feel Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $2. With DJs subOctave and Blondie K spinning indie music videos.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with DJs BaconMonkey, Netik, Sage, and Unit 77.

Nightvision Harlot, 46 Minna, SF; (415) 777-1077. 9:30pm, $10. DJs Danny Daze, Franky Boissy, and more spinning house, electro, hip hop, funk, and more.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 19

ROCK/BLUES/HIP-HOP

Joe Bagale, Oona, Thrill of It All Independent. 9pm, $14.

Blasphemous Rumours, Cured Slims. 9pm, $15.

Con Funk Shun Yoshi’s San Francisco. 8 and 10pm, $26-30.

Deceptikon, Captain Ahab, Twin Crystals, Tik/Tak Hemlock Tavern. 9:30pm, $6.

Gomez, Little Ones Great American Music Hall. 9pm, $28.

Groove Armada, Fenech-Soler Live Fillmore. 8pm, $30.

Horse Operas, Goldie Wilson House of Shields. 10pm, $5.

Kaptron, James Lanman, Kit, Kat and the Suitcase Brothers Hotel Utah. 9pm, $10.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

Voodoo Glow Skulls, Hub City Stompers, Compton SF Bottom of the Hill. 10pm, $12.

Yung Mars, Get Back Crew Coda. 10pm, $10.

Z-Trane Electric Trio, Justin Ancheta, Con Brio Pier 23. 9:30pm.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Emily Anne’s Delights Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Equinox Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Keith Jarrett Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 8pm, $30-95.

FOLK/WORLD/COUNTRY

Harlem Gospel Choir Kanbar Hall, 3200 California, SF; www.jccsf.org. 8pm, $40-45.

"Jewish Music Festival" Congregation Sherith Israel, 2266 California, SF; www.jewishmusicfestival.org. 6pm, free. "Journey to Shabbat" performance with Rita Glassman, Yuval Ron, and Jamie Papish. See website for complete festival schedule.

Mazacote Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

Nell Robinson, Henriettas Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $18.

Bassam Saba Arab Cultural and Community Center, Two Plaza, SF; www.arabculturalcenter.org. 8pm, $15.

Smiley Mountain Band Plough and Stars. 9pm, $6-10.

Zoyres Eastern European Wild Ferment Red Poppy Art House. 8pm, $10-15.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Alcoholocaust Presents Riptide Tavern. 9pm, free. DJ What’s His Fuck spins old-school punk and other gems.

Bridges: Brooklyn to the Bay and Beyond Elbo Room. 9pm, $8. With DJs Concerned and Jimmy Love, and live performance by Andy Allo.

Deep Fried Butter, 354 11th St., SF; (415) 863-5964. DJs jaybee, David Justin, and Dean Manning spinning indie, dance rock, electronica, funk, hip hop, and more.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

DJ Jeremiah and Friends Madrone Art Bar. 9pm, $5. Afrobeat, ju ju, and tribal funk.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk. This week’s guest is QDUP Foundation.

Hubba Hubba Revue DNA Lounge. 9pm, $10-15. Burlesque show.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Oldies Night Knockout. 9pm, $2-4. Doo-wop, soul, and one-hit wonders with DJs Primo, Daniel, and Lost Cat.

Radioactivity 222 Hyde, SF; http://222hyde.com. 6pm, free. Low-budget synthesizers and Eastern European cold war beats.

Rockabilly Fridays Jay N Bee Club, 2736 20th St., SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Tingel Tangel Club Second Anniversary Blowout Celebration Café du Nord. 9:30pm, $20. With Veronica Klaus, Joey Arias, Basil Twist, Todd Almond, Fauxnique, Marga Gomez, and DJs Juanita More and Bus Station John.

SATURDAY 20

ROCK/BLUES/HIP-HOP

Airfix Kits, Housecoat Project, Teutonics, DJ the Wizard, DJ Phil Lantz Knockout. 5-9pm, free. Crime record signing from 5-6pm.

Tim Barry, Possessed by Paul James, Fire Whiskey Thee Parkside. 8:30pm, $10.

Con Funk Shun Yoshi’s San Francisco. 8 and 10pm, $30.

Shane Dwight Biscuits and Blues. 8 and 10pm, $20.

Foreverland, Barely Manilow Mezzanine. 9pm, $15.

Inferno of Joy, Reaction, Dutch Windmill El Rio. 9pm, $7.

Lilan Kane Blues Band Lou’s Pier 47, 300 Jefferson, SF; www.louspier47.com. 8pm.

Octomutt, Dandeline Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Rosin Coven, George Cole Quintet, Kim Boekbinder Café du Nord. 9pm, $15.

Ron Silva and the Monarchs, Franco Nero Ska Hemlock Tavern. 9:30pm, $8.

Slipstream Sparrows, Headshear, Richard Bitch, Anhata Sound Hotel Utah. 8pm, $8.

Small Change Romeos, Mavalour, Midway Delta, DJ unk’l funk’l El Rio. 3pm, $8.

Uzi Tattoo, Prik Flower, Economen Thee Parkside. 3pm, free.

Xiu Xiu, tUne-YaRdS, Noveller Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Alphabet Soup Coda. 10pm, $10.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Hiromi, Robert Glasper Experiment Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-55.

Loveseat Trio Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Albino!, Alma Desnuda Independent. 9pm, $17.

Mark Levine and the Latin Tinge Red Poppy Art House. 8pm, $10-15.

Marara Music Store, 66 W. Portal, SF; www.shelbyashpresents.net. 2pm, free.

Pine Box Boys, Earl Brothers, Last Men on Earth, Good Luck Thrift Store Outfit Slims. 8:30pm, $15.

Fito Reinoso Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

Sila, Meklit Hadero, DJ Jeremiah Great American Music Hall. 9pm, $14.

Marcus Tardelli, Carlos Oliviera, Ricard Peixoto Brava Theater Center, 2781 24th St, SF; (415) 242-4500. 8pm, $34.

DANCE CLUBS

Bootie: Donner Party DNA Lounge. 9pm, $6-12. Mash-ups with John! John! and the Wagonistas.

Booty Bassment Knockout. 10pm, $5. Hip-hop with DJs Ryan Poulsen and Dimitri Dickinson.

Cockfight Underground SF. 9pm, $7. With DJs Earworm and Matt Hite.

Fire Corner Koko Cocktails, 1060 Geary, SF; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Fringe: An Indie Rock Dance Party Madrone Art Bar. 9pm, $5. With DJs Blondie K and subOctave.

Full House Gravity, 3505 Scott, SF; (415) 776-1928. 9pm, $10. With DJs Roost Uno and Pony P spinning dirty hip hop.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Road to Ultra Supperclub, 657 Harrison, SF; info@santrancecisco.com. 10pm, $15. With Javi Cannus, Sheff, Dutch, Michael Anthony, Jeff Richmond, and Hil Huerta.

Saturday Night Soul Party Elbo Room. 10pm, $10. With DJs Lucky, Phengren Oswald, and Paul Paul.

Sharam 1015 Folsom. 10pm, $10. With DJ Rooz, Taj, and more.

Social Club Lookout, 3600 16th St., SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 21

ROCK/BLUES/HIP-HOP

B-Stars, Hi Rhythm Hustlers, Royal Deuces, Karling Abbeygate Band Knockout. 9pm, $8.

*Blowfly, Clarence Reid, Knights of the New Crusade, Awesome Party DNA Lounge. 6:30pm, $15.

David Matthew Daniels, Robert Meade, Sean McArdle Brainwash Café, 1122 Folsom, SF; www.brainwash.com. 6pm, free.

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

*Kreator, Kataklysm, Evile, Lightning Swords of Death Slims. 8pm, $24.

Massive Moth, Your Cannons, Here Come the Saviours Hemlock Tavern. 9:30pm, $6.

Janelle Monae Café du Nord. 8pm, $12.

Ralph’s World Swedish American Hall (upstairs from Café du Nord). 3pm, $18.

Rollercoaster, Watch it Sparkle, Sweet Nothing Kimo’s. 9pm.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 6pm, free.

"Jazz Jam Session" Epicenter Café. 6pm, free.

Sunday Sessions Madrone Art Bar. 6pm, free. With Wil Blades.

Kenny Washington Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

FOLK/WORLD/COUNTRY

Motel Drive, Clay Thee Parkside. 4pm, free.

"Salsa Sundays" El Rio. 4pm, $5. With Danilo y Universal.

Jake Shimabukuro Yoshi’s San Francisco. 7 and 9pm, $18-24.

"Te Gusto Musical" Coda. 8pm, $10. With Anthony Blea and friends.

DANCE CLUBS

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Maneesh the Twister, and guest DJG.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 22

ROCK/BLUES/HIP-HOP

American Studies, Ash Reiter, Mark Matos and Os Beaches Elbo Room. 9pm, $6.

*Karine Denike, Dina Maccabee Band, Upstairs Downstairs Knockout. 9pm, $7.

"Felonious Presents Live City Revue" Coda. 9pm, $7.

Mama Lion, Eighteen Individual Eyes, Heated El Rio. 7pm, $5.

Janelle Monae Café du Nord. 8pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more.

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic and industrial with DJs Decay, Joe Radio, and Melting Girl.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Motown on Mondays Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

TUESDAY 23

ROCK/BLUES/HIP-HOP

Axe, Terroritmo, Foga Na Roupa Elbo Room. 9pm, $7.

Devendra Banhart and the Grogs, Dorothy and the Originals Warfield. 8pm, $27.50-32.50.

Bias Tape, AJ Rivlin El Rio. 8pm, free.

Jason Collett, Bahamas, Zeus Café du Nord. 8:30pm, $15.

Jamie Cullum, Imelda May Fillmore. 8pm, $35.

Fell Voices, Addaura, Elk, Necrite, DJ Rob Metal Thee Parkside. 8pm, $8.

Ted Leo and the Pharmacists, Bleached Great American Music Hall. 9pm, $17.

Serena Maneesh, Depreciation Guild, Veil Veil Vanish Bottom of the Hill. 9pm, $12.

Savoy Brown Biscuits and Blues. 8pm, $20.

Stagger and Fall, Hollowbodys, Idle Threats, Hounds and Harlots Knockout. 9:30pm, free.

Thralls, All Time High, Hollow Earth Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs Corruptor Ref, Sebastian Twot, and What’s His Fuck.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Stage listings

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Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For the complete listings, go to www.sfbg.com.

THEATER

OPENING

Death Play EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. $15-$20. Opens Thurs/11. Runs Thurs-Sat, 8pm. Through March 27. Thunderbird Theatre Company presents the third installment in the comedy series by Sang S. Kim.

…And Jesus Moonwalks the Mississippi Cutting Ball Theater, 277 Taylor; (800) 838-3006, cuttingball.com. $15-$30. Previews Fri/12-March 18. Opens March 19. Runs Thurs-Sat, 8pm; Sun, 5pm. Through April 11. Cutting Ball presents this deeply personal fantasy play inspired by the myth of Demeter and Persephone and directed by Amy Mueller.

KML Preaches to the Choir Jewish Theater, 470 Florida; www.killingmyblobster.com. $15-$20. Opens Thurs/11. Runs Thurs-Fri, 8pm; Sat, 7 and 10pm; Sun, 7pm. Through March 28. The award-winning sketch comedy group takes aim at the higher powers in this piece directed by Paco Romane.


ONGOING

Beauty of the Father Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $30. Thurs/11-Sat/13, 8pm. Off-Broadway West’s season opener offers the Bay Area a first look at the somewhat messy but ultimately rewarding 2006 drama by Cuban American Pulitzer Prize–winner Nilo Cruz ("Anna in the Tropics"). (Avila)

Caddyshack: Live! Dark Room, 2263 Mission; 401-7987, www.brownpapertickets.com/event/99361. $20. Fri-Sat, 8pm. Through March 27. The Dark Room presents Jim Fourniadis’ live adaptation of the iconic movie.

*The Caucasian Chalk Circle A.C.T., 415 Geary; www.act-sf.org. $10-$82. Tues-Sat, 8pm; Wed/10, Sat/13, and Sun/14, 2pm. After bringing his acclaimed pared-down "Sweeney Todd" to ACT in 2007, director John Doyle returns with Bertolt Brecht’s inspired take on the biblical Judgment of Solomon, a story whose faith in the essential decency of people—especially those not completely corrupted by power over, and under, others—is here counterpart to a damning and rousing dissection of war, politics and the justice system/racket. (Avila)

Death Play EXIT Theatre, 156 Eddy; 289-6766, www.thunderbirdtheatre.com. $15-$20. Thurs-Sat, 8pm. Through March 27. Thunderbird Theatre Company presents the third installment in the critically acclaimed sketch comedy series "Serve By Expiration" by Sang S. Kim.

Desperate Affection Royce Gallery, 2901 Mariposa; www.expressinproductions.com. $28. Thurs-Sat, 8pm. Through April 10. Expression Productions presents a dark comedy by Bruce Graham.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed, 8pm. Through March 31. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Sat, 8:30pm; Sun, 7pm. Through April 11. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. (Avila)

*Mirrors In Every Corner Intersection for the Arts, 446 Valencia; 626-2787, www.theintersection.org. Thurs-Sun, 8pm. Through March 21. Try to ask someone who’s ever felt marked by the color (any color) of their skin if they believe in a post-racial society, and see what kind of a response you elicit. That there is no tidy answer to this potentially messy question is a conundrum well-illustrated by playwrite Chinaka Hodge’s hypothetical fable of a white-skinned baby born into an African-American family. Each member of the family has a different reaction to and relationship with the mysterious blonde-haired changeling Miranda, dubbed "Random". Her father, who dies when she is young, is reported to have hated her. Her oldest brother Watts (Daveed Diggs) claims to understand her best, but in trying to get her to unravel what it means to be "black" vs. "white", reveals himself to be as confused as anyone by the lack of a single definition. Her mother Willie—played tough and no-nonsense by Margo Hall (who also plays the teenaged Miranda)—loves her unconditionally, yet ultimately sacrifices her for the well-being of the greater family unit. Hodge’s first full-length play, Mirrors succeeds in strong performance, warm humor, and crackling, poetic dialogue, but fails to adequately resolve how it is that the otherwise uncompromising Willie lets the low card of an unfortunate accident trump her otherwise strong hand of "colorblind" maternal loyalty. With Dwight Huntsman and Traci Tolmaire. (Gluckstern)

Now and at the Hour EXIT Stage Left, 156 Eddy; 673-3847, www.theexit.org. $15-$25. Fri-Sat, 8pm. Through March 27. EXIT presents the subtly unnerving show by theatrical magician Christian Cagigal.

Oedipus el Rey Magic Theatre, Building D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-$55. Days and times vary. Through Sun/14. Luis Alfaro transforms Sophocles’ ancient tale into an electrifying myth, directed by Loretta Greco.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through April 24. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs-Fri, 8pm; Sat, 5pm. Through April 18. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Shopping! The Musical Shelton Theater, 533 Sutter; (800) 838-3006, www.brownpapertickets.com. $27-$29. Fri-Sat, 8pm. SF’s longest running original musical begins its fifth year at Shelton.

Something You Might Want Stagewerx Theatre, 533 Sutter; catchynametheatre.org. $16. Fri-Sat, 8pm; Sun, 3pm. Through March 28. CatchyNameTheatre presents this dark comedy written and directed by Jim Strope.

Suddenly Last Summer Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $15-$35. Thurs-Sat, 8pm. Through March 27. Actors Theatre presents one of Tennessee Williams’ finest and most famous plays.

The Sugar Witch New Conservatory Theatre Center, 25 Van Ness; 861-4914, www.nctcsf.org.

Various days and times through April 4. NCTC presents the premiere of Nathan Sanders’ crime story.

What Just Happened? The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $20-$50. Fri/12-Sat/13, 8pm. The Marsh presents Nina Wise’s improvisation-based sow about personal and political events which have transpired over the previous 24 hours.

What Mama Said About ‘Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-$25. Thurs-Sun, 8pm. Through July 30. Writer/performer/activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.


BAY AREA

Beebo Brinker Chronicles Brava Theater Center, 2781 24th St; 641-2822, www.brava.org. $20-$30. Thurs/11-Sat/13, 8pm. The regional premiere of Kate Moira Ryan and Linda S. Chapman’s play adapted from a series of pulp novels.

Concerning Strange Devices from the Distant West Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $13.50-$27. Days and times vary. Through April 11. Berkeley Rep presents a sexy and intriguing new show from Naomi Iizuka.

*East 14th Laney College Theatre, 900 Fallon St, Oakl. www.east14thoak.eventbrite.com. $10-$50. Fri-Sat, 8:30pm. Through March 28. Also at the the Marsh Berkeley in March. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

Handless Central Stage, 5221 Central, Richmond; (800) 838-3006, www.raggedwing.org.$15-$30. Thurs-Sat, 8pm. Through March 27. Ragged Wing Ensemble presents Amy Sass’ re-invention of the folk-tale The Handless Maiden.

*Learn to be Latina La Val’s Subterranean, 1834 Euclid, Berk. impacttheatre.com. $10-$20. Thurs-Sat, 8pm. Through March 27. Impact Theatre continues its 14th season with the world premiere of Enrique Urueta’s play.

Singin’ in the Rain Julia Morgan Center for the Arts, 2640 College, Berk; (510) 665-5565, www.berkeleyplayhouse.org. Check Web for days, times, and prices. Through March 21. Berkeley Playhouse presents this classic musical.


PERFORMANCE

"All Star Magic & More" SF Playhouse, Stage 2, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 7pm. Ongoing. Magician RJ Owens hosts the longest running magic show in San Francisco.

30th Anniversary Celebration of New Works African American Art and Culture complex, 762 Fulton; 292-1850, www.culturalodyssey.org/tickets. Thurs-Sat, 8pm; Sun, 3pm. $20. In celebration of Black History Month and National Women’s Month, Cultural Odyssey presents a festival featuring The Love Project, The Breach, and Dancing with the Clown of Love.

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-$20. The Theatresports show format treats audiences to an entertaining and engaging night of theater and comedy presented as a competition.

"Cabaret Showcase Showdown" Martuni’s, 4 Valencia; www.dragatmartunis.com. Sun, 7pm. Katya Ludmilla Smirnoff-Skyy and Mrs. Trauma Flintstone are proud to continue the individual contests.

The Capitol Steps Kanbar Hall, JCCSF, 3200 California; 292-1233, www.jccsf.org/arts. Sun, 4 and 7pm. $46-$50. The musical political satire troupe made up of former Congressional staffers, return with a new administration to poke fun at.

"Death as a Salesman" Jellyfish Gallery, 1286 Folsom; deathasasalesman.org. Fri-Sat, 8pm. Teahouse of Danger Productions present Douglass Truth’s one-woman musical.

"Performance Art in Front of an Audience Ought to be Entertaining" The Garage, 975 Howard; 975howard.com. Fri-Sat, 8pm. Resident Art Workshop presents Sean Fletcher and Isabel Reichert in a sordid art-world drama.

PianoFight Studio 250 at Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. Through March 29. $20. The female-driven variety show Monday Night ForePlays returns with brand new sketches, dance numbers, and musical performances.

"Rocky Horror Picture Show" Roxie, 3117 16th St; www.barelylegal.rhps.org. Sat, 11:30pm. Barely Legal presents the cult classic.

"Sex and the Bible: The Opera (Part I)" Community Music Center, 544 Capp; (707) 474-7273, www.goathall.org. Fri-Sat, 8pm; Sun, 7pm. $10-$15. San Francisco Cabaret Opera presents the world premiere of Mark Alburger’s 8-=minute work-in-progress.

"Slaughter City" Zellerbach Playhouse, UC Berkeley Campus, Berk; (510) 642-8827, tdps.berkeley.edu. Fri-Sat, 8pm; Sun, 2pm. $10-$15. Naomi Wallace’s labor play plays, ingeniously, on the great tropes of history and labor struggle but it also labors, a little too hard, in accomplishing it all. Its poetical realism provocatively mingles the gritty, visceral, blood-and-cartilage realities of labor, laboring bodies and labor history (in all its racial and gendered complexity) with a supernatural time-tripping duo—something like the dialectic personified—to sometimes powerful, and sometimes muddled effect. Nevertheless, the 1996 work—about a group of meatpacking workers organizing, fighting, and flirting among themselves, and the odd outsider who joins them—has never seemed more timely, and the production offered by UC Berkeley’s theater department, directed by Catherine Ming T’ien Duffly, sports expansive and powerful aural and visual landscapes (courtesy of composer–sound designer Chris Huston, scenic designer Eric E. Sinkonnen, lighting designer David K.H. Elliott and video designer Kwame Braun) and competent, sometimes truly compelling acting from its student cast. (Avila)

"Unscripted: unscripted" Off-Market Theater, Studio 205, 965 Mission; 869-5384, www.un-scripted.com. Thurs-Sat, 8pm. The Un-Scripted Theater Company kicks off its eighth season with an improvised improv show.

Virgin Play Series Locations vary. Mon, 6pm. Through March 29. Magic Theatre presents Martha Heasley Cox’s series of staged readings of works currently in development.


BAY AREA
"Eemax and Zurno’s Amazing Circus Humans" Kinetic Arts Center, 785 7th St, Oakl; (510) 444-4800, www.kineticartscenter.com. Sat, 7pm; Sun, 2pm. $10-$15. Circus Spire presents a circus show featuring theatre, puppets, contortionists, acrobatics, circus aerials, and clowns.
"Flamefuze" Art House Gallery and Cultural Center, 2905 Shattuck, Berk; (510) 472-3170. Sun, 3pm. $10. Take a neo-gypsy trip through time and space with traditional flamenco and fusion with Dani Torres and Amigos.

Alerts

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By Adrián Castañeda

alerts@sfbg.com

WEDNESDAY, MARCH 10

 

Courage to Resist

Come help fill envelopes at a mailing party — with pizza — for this antiwar group’s newsletter and appeal for support.

5:45–10:45 p.m., free

55 Santa Clara. No. 126, Oakl.

www.couragetoresist.org

 

Eat up, America

Hear a conversation on food politics with Jill Richardson, author of Recipe for America. Issues include the farm bill, community food projects, and school lunches. Be part of the conversation to learn how you can take action by voting with your fork.

7:30 p.m., free

101 Morgan Hall, UC Berkeley campus

www.agrariana.org/programs

FRIDAY, MARCH 12

 

Berkeley Critical Mass

Help revive Berkeley Critical Mass. Meet at the Ashby BART Station for a musical and mellow bike ride thought the East Bay. Ride ends at Long Haul Infoshop for Slingshot newspaper’s 22nd birthday party.

6 p.m., free

3124 Shattuck, Berk.

www.thelonghaul.org

SATURDAY, MARCH 13

 

Dance for Buck

Join this dance party-plus-art-auction fundraiser for jailed activist Marilyn Buck, who will be released after 25 years at the Federal Corrections Institute in Dublin. Speakers include Jewell Gomez and Phavia Kujichagulia.

7 p.m., $10–$50

401 26th St., Oakl.

Sparksfly2010@gmail.com

 

To women!

Attend a Women’s Day event with more than 30 community organizations to celebrate the role of women in society. Local dancers, musicians, and speakers, including KPFA’s Lakota Harden.

10 a.m., free

3400 Macdonald, Richmond

(510) 620-6502

SUNDAY, MARCH 14

 

California’s next act

Come learn about the California Democracy Act, a proposed initiative to repeal the two-thirds majority requirement in the state Legislature, and what you can do ensure it makes the ballot. Hosted by theological firebrand, the Rev. Byron Williams.

7 p.m., free

1924 Cedar, Berk.

www.bfuu.org

 

Radical changers

Celebrate International Women’s Day with a rousing discussion on the role of education in the fight for women’s liberation. The eventl features a panel of feminist activists and a performance by MC Aima the Dreamer. Proceeds benefit Bay Area Radical Women.

3 p.m., $5

625 Larkin, SF

www.radicalwomen.org

MONDAY, MARCH 15

 

Squatting, Barcelona style

Hear author and activist Peter Gelderloos on the social activist movement and use of autonomous space in Barcelona. Discussion will focus on how the prevalence of squatted spaces has affected the architectural structure of Europe and how this differs in the U.S..

7 p.m., $3

Station 40

3030B 16th St., SF

www.anarchist-studies.org

TUESDAY, MARCH 16

 

Tip one for Earth

It’s time for Henry George Historical Society’s gathering of environmentalists and social drinkers. Peter Brastow, director of Nature in the City, will speak on local environmental issues.

7 p.m., free

189 Ellsworth, SF

www.henrygeorgehistoricalsociety.org Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Is Chevron lying about its crude plans?

1

By Adam Lesser

William Rostov, the Earthjustice lawyer who represents three Bay Area environmental groups, broke it down: “The question is: will it be heavier and will that result in more pollution?” He was speaking about crude oil refining at Chevron’s Richmond refinery as he addressed California’s First Appellate Court in San Francisco this morning. Heavier crude oil is usually less expensive for oil companies to purchase but generates more pollution during the refining process.

Environmentalists, labor unions, lawyers and Chevron representatives packed the courtroom to hear opposing counsel spar over the project’s environmental impact report, which was invalidated by a Contra Costa Superior Court judge last June. The ruling stopped the refinery expansion that Richmond has approved.

Chevron attorney Ronald Van Buskirk hammered the point that “the project didn’t propose a crude switch.” When pressed on why Chevron declined to disclose the data behind the conclusion that there would be no switch to heavier grade crude, Van Buskirk countered that the data constituted “trade secrets” that are protected under law.

Rostov argued that “refinery experts showed this project allows the use of heavier crude” and that Chevron “misled the public” in its EIR. A key component of the environmentalists’ argument rests on the 2007 Chevron annual report to the U.S. Securities and Exchange Commission, which specifies that “design and engineering for a project to increase the flexibility to process lower API-gravity crude oils at the company’s Richmond, California, refinery continued in 2007.” API gravity is a measure of how heavy or light petroleum is. Lower API gravity corresponds to a heavier crude oil. But Van Buskirk countered that the plaintiff’s evidence amounted to “one sentence in a 10K report.”

Justice Patricia Sepulveda questioned Van Buskirk about whether the $61 million Community Benefits Agreement that Chevron offered to contribute to the city of Richmond gave the city “bias to approve the project.” But Van Buskirk said, “It wasn’t a quid pro quo, if that’s what you’re suggesting,” before ultimately conceding that it was fair suggest to that the gift had played a role in the approval.

Judge Ignacio Ruvolo presided over Chevron’s appeal. At the end of oral arguments, he spoke to the efforts the court has taken to expedite the case, pressing attorneys on whether there was any chance of a settlement.

“The parties are still very far apart,” said Van Buskirk, and Rostov nodded the same. For the first time all morning, everyone was in agreement.

The court will rule within 90 days.

Economy vs. environment

0

 

By Adam Lesser

news@sfbg.com

GREEN CITY The Port of Oakland has long been a battleground that pits economic development against environmental justice, a dichotomy that has become all the more fraught with emotional baggage during the current recession.

For years, West Oakland residents, environmentalists, and public health officials have demanded that government officials do something about the long lines of old, idling diesel trucks that spew toxic emissions that have sickened the surrounding community (see “The polluting Port,” 3/24/09).

When the state finally mandated expensive retrofits of the oldest trucks at the start of this year, truckers and their allies reacted angrily to what they called a job-killing regulation. But rather than viewing such fights in isolation, a new Bay Area movement is seeking to broaden the debates within what it labels the “toxic triangle” extending from the Port of Oakland to San Francisco’s Bayview-Hunters Point to the city of Richmond.

Citing concern for how to effectively address the cumulative impact of pollution, community groups including the West Oakland Environmental Indicators Project and Asian Pacific Environmental Network are sponsoring the Toxic Triangle Hearings. The first hearing was held Feb. 13 in Oakland; the next two hearings will take place later this year in the other two triangle points.

At the first hearing, supporters introduced their cumulative impact pledge, a request that agencies ranging from the Environmental Protection Agency to the California Air Resources Board work together to define emission limits for an entire area and to collectively adopt reduction strategies. The ultimate goal is an environmental justice ordinance that would require any new project to receive an “EJ permit” before a proposed project was allowed to move forward.

The city of Cincinnati approved a similar system last June, but it was put on hold this month due to concerns about the cost of implementing it during these hard economic times. The delay in Cincinnati points to an emerging theme in the narrative from lawmakers and corporations. With high unemployment and huge government budget deficits, can we afford to further regulate pollution?

California Assembly Member Nancy Skinner, who represents Richmond, was on hand at the Toxic Triangle Hearings. Questions arose about the ongoing legal battle between community groups and Chevron, which wants to expand its Richmond refinery. The refinery is the largest in Northern California, with a capacity of 240,000 barrels of crude oil per day.

The retrofit is on hold after a court rejected the project’s EIR, asking Chevron to clarify whether the expanded refinery would process heavy crude oil, which generates more pollution. A Jan. 19 editorial in the Contra Costa Times made the pro-business argument, claiming that Chevron “is poised to shut down its Richmond refinery operations” and laying blame on environmentalists.

“All we know is that the Chevron people have talked of change — there’s been a shift,” Skinner said. “They’re looking at all their North American operations. That doesn’t mean we just roll over. But it means that we have to be aware of that when we sit at the table.”

But environmentalists question whether closing the Richmond refinery is a realistic threat from Chevron, or merely a negotiating tactic. “There is no credible scenario in which this refinery will close anytime soon for business reasons,” said Greg Karras, a senior scientist for Communities for a Better Environment. “The issue is whether Chevron can move to heavier oil and whether they have to disclose that. It has nothing to do with jobs.”

The Toxic Triangle Hearings highlight this perceived conflict between the economy and the environment. But Karras called the dichotomy a “false choice,” arguing that the greatest potential for job growth lies in innovation and green jobs, not a refinery expansion.

APEN’s State Organizing Director Mari Rose Taruc agreed: “We want people to have jobs and make it out of the recession. But we’re not going to trade our health and the ailing conditions of our community for something worse.”

Taruc sounded frustrated, similar to the tone Karras expressed when faced with the question of the economic impact of environmental regulation. For now, she said the rationale for delay is the recession, but “when the economy is good, there would be another excuse.”

Event Listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 17

LGBT Job Fair SF LGBT Center, 1800 Market, SF; (415) 865-5555. 11am, free with registration at jobfair.sfcenter.org. All levels of job seekers are welcome at this Bay Area diversity LGBT workforce recruitment event.

THURSDAY 18

Trotsky: Downfall of a Revolutionary Mechanics’ Institute, 57 Post, SF; (415) 393-0100. 6pm, $12. Hear Stanford University lecturer and author Bertrand M. Patenaude discuss the dark and tumultuous last days of revolutionary Leon Trotsky in Mexico, while hiding from Stalin’s secret police.

BAY AREA

“Teaching What Really Happened” First Unitarian Church of Oakland, 685 14th St., Oak.; (510) 601-0182 ext. 302. 7pm, $10-15 sliding scale. Hear author James W. Loewen discuss his new book Teaching What Really Happened: How to avoid the tyranny of textbooks and get students excited about history, a book that attempts to overturn myths and misinformation that pass for U.S. history.

FRIDAY 19

California Media in Crisis Commonwealth Club, 2nd floor, 595 Market, SF; (415) 597-6700. Noon, $15. Hear a panel of experts from New American Media, Oakland Tribune, Los Angeles Times, and more discuss “Who will hold California institutions accountable” at a time when traditional media is in a state of crisis.

SATURDAY 20

Jamaica Dyer Cartoon Art Museum, 655 Mission, SF; (415) CAR-TOON. Noon, free. Hear Bay Area native Jamaica Dyer talk about cartooning and view some of her work, including her recent book Weird Fishes about two outsider kids coming to terms with their identities.

Found Art Workshop Meet at Mina Dresden Gallery, 312 Valencia, SF; (415) 863- 8312. 10am, $40. Learn how to reuse, reimagine, and repurpose found objects with artists Truong Tran, who will begin by discussing his own process followed by a treasure hunt throughout the streets and thrift stores in the Mission.

BAY AREA

“Art of Revolution” Joyce Gordon Gallery, 406 14th St., Oak.; (510) 465-8928. Sat. and Sun. 3pm, $5-10 sliding scale. In honor of Black History Month hear featured poets Tureeda Mikell as the storyteller, Michael Lange as Malcolm X, Dough Howerton performing readings from “Firing Banks and Moving Targets”, and Charles Dubois performing the “History of the Black Panther Party”.

“Do It for Haiti” NIMBY, 8410 Amelia, Oak.; (510) 633-0506. 2pm, $10. Enjoy live music, art installations, and performances at this benefit and clothing drive for Bay Area organizations working in Haiti. Donations of summer clothing for children and adults welcome.

SUNDAY 21

Evolutionary Biology Today Humanist Hall, 390 27th St., Oak.; (510) 681-699. 1pm, $5 suggested donation. In honor of Darwin Day, attend this talk led by evolutionary biologist David Seaborg on what science knows today about adaptation, the evolution of altruistic behavior, sexuality and mating behavior, mass extinctions, and more.

WordUp Wine Tasting Fort Mason Center, Conference Center, Beach at Laguna, SF; (415) 626-7512 ext. 107. 2pm, $50. Meet artisan winemakers from the Richmond, Presidio, Marina, Excelsior, and more and enjoy handcrafted wines, hors d’oeuvres, and a silent auction. All proceeds to benefit the Neighborhood Library Campaign.

BAY AREA

Try! Magazine 21 Grand, 416 25th St., Oak.; newyipes.blogspot.com. 6pm, $10. Attend this fundraiser for Try! Magazine, celebrating their first two years as a voice for the Bay Area writing community. Featuring presentations from past issues by readers, DJs, drinks, and plenty of things to look at, listen to, and purchase.

MONDAY 22

Community Benefit Districts AIA San Francisco, Suite 600, 130 Sutter, SF; (215) 546-4128 to RSVP. Noon, free. Attend this Next American City lecture titled, “Community Benefit Districts: The Future of San Francisco Development?,” featuring a panel discussion with planning and development professionals that will explore what implications CBDs may have beyond streetscape improvement and beautification.

Joseph Stiglitz Commonwealth Club, 2nd floor, 595 Market, SF; (415) 597-6700. 6pm, $18. Hear Nobel Prize winner and economist Joseph Stiglitz speak about restoring the balance between markets and governments and addressing the inequalities of the global financial system.

TUESDAY 23

Reimagining Market Street San Francisco Planning and Urban Research, 654 Mission, SF;

(215) 546-4128. 6pm, $20. Take part in this interactive design collaboration from Next American City, SPUR, and the American Institute of Architecture titled, “Reimagining Market Street: Creating our own Champs-Elyssees.” Participants will discuss what it takes to make a great street before breaking into groups facilitated by leaders in local public space projects, transit, public art, bike activism, and more.

Memorial for Charles Lee Smith (1925-2010), passionate pamphleteer

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Memorial services for Charles Lee Smith, a classic liberal activist whose hero was Tom Paine and whose passion was pamphleteering, will be held at 3 p.m. on Friday, Feb. 12, at the Friends Meeting House, Walnut and Vine, in Berkeley. He died at his Berkeley home on Jan. 7 at 84.

His wife Anne said that Charlie, as we all called him, fell in December and never fully recovered. She brought him home under hospice care on Jan. 5 and she and his two sons Greg and Jay were with him his last three days.

Charlie first contacted me in the early days of the Guardian in the late l960s. I soon realized that he was my kind of liberal, always working tirelessly, cheerfully, and quietly to make things better for people and their communities. He was a remarkable man with a remarkable range of interests and causes that he pursued his entire life.

He campaigned endlessly for causes ranging from the successful fight to stop Pacific Gas and Electric Co. from building a nuclear power plant on Bodega Bay to integrating the Berkeley schools to third brake lights for cars to one-way tolls on bridges to disaster preparedness to traffic safety and circles to public power and keep tabs on PG@E and big business shenanigans.


When he first began sending tips our way, he was working with, among many others, UC Berkeley Professor Paul Taylor with his battles with the agribusiness interests. He was helping UC Berkeley professor Joe Neilands on his public power campaigns. I remember a key public power meeting that Joe and Charlie put together in a Berkeley restaurant. It brought together the sturdy public power advocates of that era. Charlie did much of the staff work and was seated at the speaker’s table next to the sign that read, Public Power Users Association.

I credit that event and its assemblage of public power activists as inspiring the Guardian to make public power and kicking PG@E out of City Halls a major crusade that continues to this day. Charlie and Joe rounded up, among others, then CPUC commissioner Bill Bennett, consumer writer Jennifer Cross, William Domhoff, the UC Santa Cruz political science professor who was the main speaker, and Peter Petrakis, a student of Neilands’ in biochemistry who researched and wrote the Guardian’s early pioneering stories on the PG@E/Raker Act scandal. (See Guardian stories and editorials since l969.) The room was also full of veteran public power warriors from PG@E battles in Berkeley, San Francisco, and around the bay.

Charlie was a lifelong volunteer for the Quakers and pamphleteered on many of their projects.

My favorite story was how he was helping Dr. Ben Yellen, a feisty liberal pamphleteer in Brawley. Yellen and Charlie were political and pamphleteering soulmates, but Charlie was operating in liberal Berkeley and Yellen was in very conservative Imperial County.

Yellen was blasting away at the absentee land owners who were cheating migrant laborers on health care, on high private power costs of city dwellers, and the misuse of government water subsidies. And so he had trouble getting his leaflets printed in Brawley. He would send leaflets up to Charlie and Charlie would get them duplicated and then send the copies back to Yellen. Yellen would distribute them, mimeographed material on legal-sized yellow construction paper, under windshield wipers during the early morning hours and into open car windows on hot afternoons.

Charlie relished promoting Yellen as a classic in the world of pamphleteering and loved to talk about how Yellen followed up his pamphleteering with several pro per lawsuits, an appearance on CBS’ 60 Minutes television show, and a case that went to the U.S. Supreme Court.

Charlie liked to talk about his triple play of information distribution. He pamphleteered on street corners, prepared more than 50 bibliographies of undiscussed issues (including the best bibliography ever done on San Francisco’s Raker Act Scandal), and circulated his personal essays and cut and pasted newspaper articles. Almost every day, he would take the newspapers from the sidewalk near his house and put them on the front porches of his neighbors. He got some exercise, since his house was on a Berkeley hill, and he endeared himself to his neighbors. He was given the title of “Mayor of San Mateo Road.”

Charlie pamphleteered on more than l50 “undiscussed subjects,” as he called them, in Berkeley, Oakland and San Francisco. He sometimes went out to Palo Alto, Santa Rosa, and Napa, with occasional excursions to Boston and London. His subjects were practical and straightforward but breathtaking in their range: humanizing bureaucracy, employee suggestions, penal reform, illiteracy, migant labor, water, energy, land reform, ombudsmen, coop issues, library use, land value taxation, transportation, disaster recovery planning. He handed out KPFA folios and an occasional Bay Guardian.

He often combined pamphleteering with doing bibliographies to spread the word about the undiscussed subjects.  On the first Earth Day in l970 at California State University, Hayward, Charlie spoke about the evils of automoblies. Then he distributed his bibliography of the Automobile Bureaucracy. In recognizable Charliese, he produced a blizzard of numbered citations on a summary of his speech so the audience could read further on his issues.

He considered pamphleteering as a noble form of communication that “went on during the colonial Period for a l00 years before the revolution and the arrival of Tom Paine in l775,” as he put it in his own pamphlet, “Pamphleteering: an old tradition.” He wrote that his main contribution “is the novel use of sandwich boards to screen out the disinterested while reaching the already-interested and open-minded persons with leaflets on the street, but not invading anyone’s privacy.”

Sometimes, Charlie had news close to home.

He said that giving out pamphlets to one or two people at a time was like holding a meeting with those persons and thus it was possible to have a “meeting” with several hundred people nearly anywhere within reasonable limits. He concluded that pamphleteering was “basic to building support for worthwhile projects” and claimes that it “may even be more effective than other forms of expensive communication.”

Charlie knew how to work the streets, but he also knew how to work inside the bowels of the bureaucracy. He worked for the California Division of Highways (now Caltrans) from l953 to 1987, mostly in an Oak Street office in San Francisco. I admit when Charlie talked to me about fighting bureaucracy, as he often did, I had trouble understanding how he was going about it. But Charlie had his ways.

Executive Editor Tim Redmond recalls that Charlie worked for Caltrans back in the days when the very thought there might be transportation modes other than highways was heresy.

He was an advocate of bicycles, carpools and public transit and Redmond thought that, when he first met Charlie in l984, “he must be like the monks in the middle ages, huddled in a corner trying to preserve knowledge. Nobody else at Caltrans wanted to talk about getting cars off the roads. Nobody wanted to shift spending priorities. Nobody wanted to point out that highrise development in San Francisco was causing traffic problems all over the Bay Area–and that the answer was slower development, not more highways.

“But Charlie said all those things. He told me where the secrets of Caltrans were hidden, what those dense environmental impact reports really showed, and how the agency was failing the public. I had a special card in my old l980s Rolodex labeled ‘Caltrans: Inside Source.’ The number went directly to Smith’s desk.” Charlie usually carpooled from Berkeley to his San Francisco office.

Charlie wrote a leaflet about the “Work Improvement Program” that then Gov. Pat Brown instituted in l960. It was, he wrote, a “novel program to get all state employees to submit ideas to improve their work.” Charlie labeled it “corrupt” and laid out the damning evidence. No appeal procedure. No protection for the employee making suggestions that the supervisor or organization didn’t want to use. No requirement for giving the employee credit for the idea or for following up the idea.

Charlie noted that he was a generalist with lots of ideas, read lots of publications, and was “sensitive to the problems that bother people.” He noted that there were l,500 employees in his Caltrans district who submitted 236 suggestions. Charlie submitted 35 of them.  But, he noted wryly, “my supervisor, Charles Nordfelt, did not respond at all to any of my suggestions.” And then, to make neatly make his point, Charlie listed a few of his suggestions, all of them practical and useful.

Many were adopted without Charlie ever getting credit. Others were adopted decades later. For example, he pushed the then-heretical idea of collecting tolls on a one-way basis only, instead of collecting them two ways. He noted that the tolls are now  being collected on the wrong side of the bridge. They should, he argued,  be collected coming from  the San Francisco side, where the few lanes of the bridge open up to many lanes. This would reduce or eliminate congestion. .

He listed other suggestions that showed his firm and creative grasp of the useful idea. Putting the third stop light on vehicles (which was finally put into effect in 1985). Numbering interchanges. Installing flashing red and yellow lights at different rates. (He  explained that his wife’s grandfather was color blind and drove through a flashing red light when she was with him.) Getting vehicle owners to have reflective white strips on the front bumpers of their cars, helping police spot stolen vehicles. Some of his suggestions are still percolating deep in the bureaucracies and may yet go into effect.

Charlie never got the hang of the internet but he covered more territory and reached more people in his personal face-to-face way than anybody ever did on the internet.

Charlie was born on a homestead farm eight miles from Weldona, Colorado. He attended a one-room school house and then moved on to a middle and high school in Ft. Morgan, Colorado. He got “ink in his blood,” as he liked to say, by working on the school paper called the Megaphone and then as a printer’s devil at the weekly Morgan Herald.

He was drafted into the army in l943 and served as an infantryman with the 343rd regiment, 86th Infantry Division. He was severely sounded in 1945 in the Ruhr Pocket battle near Cologne, Germany, the last major battle of the war. He suffered leg and hip injuries and had a l6 inch gouge  out of his right hip that cut within a quarter inch of the bone. He spent six months in the hospital. He was recommended for sergeant but he refused the promotion and ended the war as a private first class.

After his recovery, Charlie came to the Bay Area and took his undergraduate work at Napa Community College and San Francisco State, then did graduate work in sociology at the University of Washington, and in city and regional planning at the University of California-Berkeley.

In 1949, Charlie joined the American Friends Service Committee and became a lifelong volunteer, working on a host of projects. He did everything from helping with a clothing drive in Napa to being part of the crew that built the original Neighborhood House in Richmond.

Charlie met Anne Read in l954, a college student in Oregon, when she was on an AFSC summer project in Berkeley. Charlie visited the project, spotted Anne, and double dated with her. When she returned to Oregon State for her senior year, Charlie wrote her every single day. The two were married the following summer in June of l955.

Charlie is survived by Anne, two sons Greg and Jay, daughter-in-laws Karen Vartarian and Andrea Paulos, and granddaughter Mabel.

The family asks that, in lieu of flowers, please send a donation in Charlie’s name to the American Friends Service Committee, 65 9th St., San Francisco, Calif. 94l03.

I asked Anne why Charlie, the inveterate communicator, had not taken to the internet. Charlie, she replied, was a print guy and simply could not understand the internet. “He never ever used email,” she said. “He still thought he had to go to a library to make up a bibliography. I think Charlie was so sure that making a bibliography meant a lot of hard work, he couldn’t possibly do it on the internet.”

Well, Charlie, you may have missed the internet but you covered more territory and reached more people in your direct personal way with good ideas than anybody ever did on the internet.

Here are some of Charlie’s favorite pamphlets:
Governor Pat Brown’s Work Improvement Program
Pamphleteering: An Old Tradition
Short Statement on Plamphleteering

Events

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 3

BAY AREA

Venezuelan Revolution Humanist Hall, 390 27th St., Oak.; (510) 681-8699. 7:30pm, free. Attend this screening of the film The Revolution Will Not Be Televised, a documentary that captured the military coup in Venezuela in 2002, followed by a discussion with Laurie Tanenbaum and Nick Wechsler, who recently traveled to Venezuela with Global Exchange.

THURSDAY 4

Art of Activism Sundance Kabuki Cinema, 1881 Post, SF; www.redfordcenter.org. 7pm, $20. Celebrate the work of individuals who have a significant impact on people’s lives at this inaugural presentation from the Redford Center, an organization dedicated to finding creative solutions for social and environmental challenges.

Sexplorations Exploratorium, 3601 Lyon, SF; (415) 561-0360. 6pm, $15. Let’s talk about sex at this installment of the Exploratorium’s After Dark series at this talk titled “Sexplorations: Exploring nature’s reproductive strategies.” Author Mary Roach will lead the discussion on the ways in which Nature is both conservative and creative in pursuit of procreation.

Sky Train Modern Times Books, 888 Valencia, SF; (415) 282-9246. 7pm, free. Hear writer and activist Canyon Sam discuss her 2007 trip through the Himalayas as she collected stories from women profiling their resistance, courage, and spiritual resilience through fifty years of Chinese occupation.

FRIDAY 5

Arts of Pacific Asia Festival Pavilion, Fort Mason Center, SF; www.caskeylees.com. Fri- Sat 11am-7pm, Sun 11am-5pm; $15. Check out this 24th annual San Francisco Tribal and Textile Art show and see more than 10,000 antiques, textiles and art from Pacific Asia that span more than 2,000 years of Asian arts, culture and history.

Carnaval Celebration deYoung Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, SF; (415) 750-3600. 5:30pm; free, does not include museum admission. Precita Eyes will be joining up with the deYoung every month to celebrate the Mission district arts community, starting with this tribute to Carnaval in San Francisco featuring art, artists, writers, performances, and more.

Pinball Art Pacific Pinball Museum, 1510 Webster, Alameda; pacificpinball.org. 2pm, $15. Play with a historic collection of 30’s, 40’s, and 50’s woodrails, in addition to some modern day pinball machines, at this opening of the “Pinball Fine Art” exhibit. Admission includes museum, machine play, finger food, and more.

SATURDAY 6

Crissy Field Center Crissy Field Center, 1199 East Beach Drive, SF; (415) 561-7752. 11am, free. Attend the opening of the Crissy Field Center’s new eco friendly community building, which includes an Urban Ecology lab and a Sustainable Arts workshop. The event will feature live and DJ music, tours, games, and more.

I Heart My Valentine Madrone Art Bar, 500 Divisadero, SF; (415) 241-0202. 2pm, free. Find the perfect handmade gift for your loved ones at this craft sale featuring locally designed fine art, jewelry, and more.

MAPP Red Poppy Art House, 2698 Folsom, SF; (415) 826-2402. Also at various locations in the Mission District, go to Red Poppy Art House for a map; www.sfmapp.com. 7pm, free. Enjoy art exhibits, music, poetry, dance, and film at this on-going collaboration with community organizers and local residents, which places art and performance on the street level through the use alternative spaces to manifest a non-centralized intercultural arts happening.

BAY AREA

Amy Bloom Diesel, A Bookstore, 5433 College, Oak.; (510) 653-9965. 3pm, free. Hear author Amy Bloom discuss her new collection of short stories, When the God of Love Hangs Out, followed by a book signing.

Festival of Women Authors H’s Lordships, 199 Seawall, Berk.; (510) 848-6370. 9am, $70. Enjoy a full day of literary entertainment with fellow book lovers and writers with featured accomplished authors Bonnie Tsui, Michelle Richmond, Dana Whitaker, and Vivienne Sosnowski.

SUNDAY 7

Love of Chocolate Ride Meet at Panhandle Statue, Fell and Baker, SF; www.sfbike.org. 11:30am, free. Hang out with some other cocoa crazy cyclists for an afternoon of learning about, eating, and even drinking chocolate in honor of Valentine’s Day. Bring cash for chocolate purchases. Rain cancels.

MONDAY 8

Lesbian Health 101 Lange Room, UCSF Parnassus Campus Library, 530 Parnassus, SF; (415) 476-2334. 2pm, free. Attend this symposium and reception for the release of the first lesbian textbook ever published, featuring chapter authors, leading lesbian researchers, and clinicians sharing their expertise.

“Thinking Outside the Doc Box” Mezzanine, 444 Jessie, SF; sffs.org. 7:30pm, $8. Hear industry professionals dismantle the myth that only character-driven documentaries receive broadcast funding at this featuring clips from inventive non-narrative documentaries and representatives from the industry discussing ideas and techniques.

TUESDAY 9

Rediscovering Literary Genius 111 Minna, 111 Minna, SF; (415) 512-8812. 12:30pm, free. At this Lit and Lunch event presented by the Center for the Art of Translation, hear award winning translator Susan Bernofsky discuss the work of Robert Walser, who is only now being hailed as a literary genius in the United States even thought his work is almost a century old.

Referendum on the Jewish Deli Saul’s Restaurant & Delicatessen, 1475 Shattuck, Berk.; (510) 848-3354. 6pm, $10. Learn what sustainability means for the future of Deli cuisine and culture at this forum with Michael Pollan, Gil Friend, Willow Rosenthal, and more heavy hitters from the organic, sustainable food movement. Proceeds benefit The Center for Ecoliteracy.

The Richmond

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On the list of life’s most perplexing questions, Where can I find a quiet restaurant? is rising fast. Increasingly I find myself presented with — even beseeched by — this inquiry, and increasingly I fumble. It’s not that there aren’t any, but their numbers seem to be dwindling, like those of book-readers or subscribers to newspapers. So when I find one, I am elated — quietly, of course.

The Richmond isn’t exactly new — it opened about five years ago, in an inner Richmond District space long occupied by Jakarta — but it opened with such media fireworks that I put off going there. Then tempus fugit, as tempus has a way of doing, and suddenly it is years later. Noise has increased throughout the restaurant kingdom. And, glory be, the Richmond turns out to be one of those wonderful neighborhood restaurants where it is actually possible to have a conversation with the other people at your table without having to shout and wave your arms or (in the extremely rare opposite case) fear that you are disrupting a funereal hush.

The restaurant’s singular layout certainly conduces to this balance. As in Jakarta days, the lateral storefront space divides into a warren of nooks, many of which are now cloaked by wine-colored curtains. It’s like being inside a voting-booth factory, with interesting peeps and murmurs leaking from tables behind half-drawn curtains. The tone is relaxed but not sloppy; the walls are painted a neutral beige, and few of the tables are far from a window. Not surprisingly, the clientele is a little older than that of, say, Namu down the street. I had the sense of being in the faculty club of some small but august urban institution.

Chef John Owyang’s food, it must be said, is better by a country mile than that of any faculty club I’ve ever been to. Owyang’s pedigree includes a stint at Elisabeth Daniel, the Daniel Patterson venture in the Financial District that was, in its short life, one of the toniest and most innovative (and expensive) restaurants in the city. Owyang appears to have taken a sense of culinary style away from that experience while paring away the Upper East Side preciousness. You can get a five-course tasting menu (matched with wine, if you like) at the Richmond, but you can also get a cheeseburger.

For me, the difference between good and great so often turns on grace notes and little touches, like fine, almost invisible brush strokes on a painting. Even the best neighborhood restaurants don’t typically offer amuses-bouches, but the Richmond does. It might be something as simple as mulled apple cider topped with a bit of whipped cream and served in demitasses — a clever hint that the little, clove-steeped sip isn’t just a play on a traditional winter favorite but also on the Italian drink macchiato, a shot of espresso finished with a dollop of foamed milk.

Owyang’s kitchen is clever but doesn’t wallow in cleverness. The basic style is elegant Californian, with a rich variety of flavors, colors, and textures and tasteful presentations that don’t become precious. In an age of feature creep, in food as in software, restaurants aren’t immune, and the temptation to embellish and embroider dishes is great. But Owyang understands the value of restraint, or counter-creep; his wonderfully earthy pumpkin-celery root soup ($7) was subtly enhanced by the crunch of candied pumpkin seeds and a few pipings of crème fraïche over the surface, and that was all. And enough.

A scallion flatbread “sloppy joe” ($7.95) turned out to be basically a small pizza, made sloppy by crumblings of Italian sausage and augmented by a bit of whipped goat cheese and some watercress. A plate of seared Pacific cod ($18.95) mounted the flesh — as dense, moist, and white as wet snow — on a bed of sautéed squid, slivers of red cabbage, and steamed broccoli florets. Not too much, not too little. Markedly richer was the so-called chicken and ravioli ($17.95), flaps of chicken scaloppine waltzing with chicken-mousseline-filled ravioli in a broad bowl of glossy black truffle sauce, with some leaves of baby spinach added for color and penance.

If you’d like a pause before your dessert arrives, you’ll appreciate the chocolate-peanut butter torte ($7.50), which takes a soufflé-like 15 minutes to prepare and turns out to be our old friend, the molten chocolate cake, except the lava is peanut butter. A conversation piece.

THE RICHMOND

Dinner: Mon.–Sat., 5:30–10 p.m.

615 Balboa, SF

(415) 379-8988

www.therichmondsf.com

Beer and wine

AE/DC/DS/MC/V

Comfortable noise level

Wheelchair accessible

Hard Times Handbook

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It’s tough out there. The recession is supposed to be over, although you’d never know it to walk the streets of San Francisco. But we’re here to help; our Hard Times Handbook offers tips on bargains, deals, and discounts to make those fewer dollars go further.

———-

Broke doesn’t mean bored

Eight great ways to have fun in San Francisco for $5 or less

By Johnny Funcheap

Living on a tight budget and still trying to have fun in San Francisco is a near impossible task. This is an expensive city, thanks to the reality that everyone wants to live in the tiny 49-square-mile cultural oasis — driving up rents and the cost of just about everything else.

Despite its reputation, the city is actually getting slightly more affordable, if ever so relatively. (In 2008 San Francisco actually fell in the rankings of most expensive cities in the U.S. from fourth to fifth.)

Leading the charge toward making the city a more affordable place to have fun are numerous businesses, government-run sites, and co-ops that are trying to survive in the recession themselves — and using big discounts and fun free events to try to lure you in.

Here’s a list of my favorite deals and freebies I’ve found so far for 2010.

CAFÉ ROYALE

Waving the flag high for nightlife in the Trendynob with its curved couches and velvet curtains is the cozy beer and wine bar Café Royale. This late-night venue (it’s open until 2 a.m. Fridays and Saturdays) stages more than 20 nights of free events each month, an eclectic mix of live entertainment that includes jazz bands, Beatles karaoke, book readings, slam poetry, stand-up comedy, and even the odd accordion night. You can dine on small plates and noshables until the wee hours, and wash them down with a robust selection of wines by the glass and creatively yummy Soju cocktails like the Pom Pom and Creamsicle. And for billiards fans, Café Royale has one of the few three-quarter size tournament tables in San Francisco at just 75 cents a game.

800 Post at Leavenworth. 415-441-4099. www.caferoyale-sf.com

COUNTERPULSE

More an arts and culture community hub than just a performance space, CounterPULSE serves as a home and venue for a diverse mix of local artists, dancers, and playwrights to practice and showcase their latest works. A majority of the events at this nonprofit theater (plays, dance performances, as well as classes and workshops) are free. For more elaborate productions that require tickets, CounterPULSE has a wonderful “no one turned away for lack of funds” policy. You can also get in free by donating a few hours of your time to the volunteer usher program.

1310 Mission at Ninth St., 415-626-2060. www.counterpulse.org

$5 MOVIE NIGHT

Saving money on going out to the movies used to mean you had to blag your way to a cheap ticket using a long-expired student ID or arrive by lunchtime to save a few bucks on a matinee ticket. The historic Roxie Theater has done away with all of those shenanigans, at least on Monday nights, with cheaper-than-matinee prices ($5) to all films (except for the odd film festival or special screening when regular ticket prices still apply). This stalwart of the Mission District, which recently celebrated its 100th birthday, is an independent art-house theater that shows limited-run art, music, foreign, and documentary films on two small screens.

Roxie Theater, 3117 16th St., 415-431-3611. www.roxie.com

BART DISCOUNTS AND FREE RIDES

You didn’t think BART — notoriously expensive for commuters — could be the source of cheap events, did you? Well, mybart.org, run by the transit system, lists a calendar of free events that take place close to BART stations. The site also gives you access to an constantly updated bevy of special discounts like two-for-one theater tickets, museum discounts, and heavily-discounted tickets to Warriors and Cal basketball games. For those of you who only respond to free, mybart.org also puts together ticket contests with different prizes each week, like the chance to win one of five preloaded $50 BART tickets.

www.mybart.org

PIER CRABBING

Hell with Fisherman’s Wharf and its giant crab sign. Forget the pricey crab dinners at local restaurants. You can learn how to be your own crusty crab-fisher, right in the shadow of the Golden Gate Bridge. The National Park Service staffers at the historic Fort Port (built in the 1850s) give free pier-crabbing demonstrations every Saturday morning from March to October. After the class, they’ll even loan you crabbing equipment so you can put your newly-learned skills to the test. Space is limited and advanced reservations are required.

Fort Point, Marine Drive, Saturdays, 10 a.m.–noon, March–Oct. (415) 556-1693 www.nps.gov/fopo

THE HISTORY OF BAY AREA ROCK ‘N’ ROLL

Feeling nostalgic? You can get a taste for the era when the Bay Area and the psychedelic music scene were the center of the rock ‘n’ roll universe at the Museum of Performance and Design’s free history exhibit “Something’s Happenin’ Here: Bay Area Rock ‘n’ Roll 1963-73.” On display at this one-of-a-kind exhibit are the full-size original painting that made in onto the Grateful Dead’s “Anthem in the Sun” album cover, costume pieces worn by stars like Janis Joplin and Sly Stone, and original posters from the Fillmore and the Avalon Ballroom, along with a collection of previously unseen rock photos. Visitors can also listen to rare audioclips and watch vintage film footage they probably never knew existed. Exhibit runs through Aug. 28. It’s free, but the museum suggests a $5 donation.

Museum of Performance and Design, Veterans Building, 401 Van Ness, Fourth Floor. Wed.–Sat., noon–5 p.m. www.mpdsf.org

AMERICAN BOOKBINDERS MUSEUM

If you’re really looking for a blast from the past, check out the free exhibit at this little-known museum. Bookbinding is the art of physically assembling and sewing the pages and spine of a book by hand — a skill that was made essentially obsolete (at least, for the purpose of mass-production) with the dawning of the Industrial Revolution. But the nonprofit American Bookbinders Museum, part of a working bookbindery that still practices this art, documents the history of how books used to be put together with exhibits celebrating the skilled artisans who bound books, samples of vintage papers, and a maze of large and terrifying-looking 19th- and early 20th-century binding and cutting machines (many of which could cut off all your fingers in one go if you stood too close).

1962 Harrison at 16th St., Saturdays, noon–4 p.m. and by appointment, (415) 710-9369. www.bookbindersmuseum.com

SAN FRANCISCO BICYCLE COALITION

Unless you want to walk, there’s really no cheaper way to get around town than on a bicycle. And for the tens of thousands of San Franciscans who use bikes as their main mode of transportation, the Bike Coalition is a co-op knight in shining armor. The advocacy group, whose members successfully fought more than 200 miles of bike lanes in the city as well as bike access on Muni and BART, also puts on and sponsors a handful of events each month such as free urban cycling workshops to help you navigate the city streets safely, themed guided bike rides, and many other bike-friendly events. Membership starts at $35 per year, but many of their events are free for nonmembers or for a $5 donation.

www.sfbike.org

D-STRUCTURE

Owned by former pro skater and X-Games judge Azikiwee Anderson, D-Structure in the Lower Haight blurs the line between retail store, art gallery and performance space in a big way. Every month, this self-described “lifestyle clothing brand culture store” lets local artists take over the space and use the entire store as their canvas. For launch parties, which take place several times each month, the merchandise displays of urban hoodies and t-shirts and hip beanies are pushed to the walls to make room for DJs and events that range from art openings with live painting to indie rock shows, hip hop album release parties and film screenings. And did we mention the open bar? During its nighttime events, most of which are free and open to the public, D-Structure has been known to bring in a truck load of beer; that’s what happened on New Year’s Eve.

520 Haight, 415-252-8601, Mon.–Sat., noon–8 p.m.; Sundays, noon–6 p.m. www.d-structuresf.com

Johnny Funcheap runs FunCheapSF.com, a free SF-based service that uncovers and shares a hand-picked recommendation list of more than 50 cheap, fun, unique Bay Area events each week.

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Drink early and often

Five great happy hours that offer bargain booze — and amazing food deals

By Virginia Miller

BAR CRUDO’S HAPPY HOUR

About the best crudo (and some of the best seafood) anywhere, Bar Crudo’s new digs on Divisadero Street provide ample room for you and your friends. You want to go at happy hour; there’s free food and you can also get sweet deal on what is arguably one of the best seafood chowders around. A creamy bowl rich with fish, mussels, shrimp, squid, potatoes, and applewood-smoked bacon goes for $5 (normally $14). Oysters from British Columbia, Prince Edward Island, and Washington are normally $2.50 each, but only $1 during happy hour. Beer and wine specials rotate, $5 for wine or $3 for beer — and we’re not talking PBR. Bar Crudo is known for a broad selection of Belgian and artisan beers, not to mention some beautiful wines.

Mon.–Thurs., 5–6:30 p.m. 655 Divisadero.415-409-0679. www.barcrudo.com

SEAFOOD HAPPY HOUR AT SWELL

For happy hour with a touch of class — and an affordable price — you can’t beat Swell, a delightful, under-the-radar crudo/seafood restaurant. The post-work crowd gets $1 oysters — and not just any oysters, but our own local Point Reyes’ bivalves. There’s ceviche with kampachi and butterfish or mackerel bruschetta with garlic-ginger oil ($8 each). For imbibing, sip $6 Bellinis and Kir Royals or $6 glasses of chardonnay, syrah, or rosé.

Mon.–Thurs., 5–7 p.m. 603 Bush. 415-956-0396. www.swellsf.com

AVENUE LOUNGE’S FREE BRATS ON SUNDAYS

I’ll give you three words: bacon bloody marys. That alone makes it worthwhile trekking to Outer Sunset’s Avenue Lounge on a Sunday. But it gets better: buy any of the $3 well drinks or draft beers ($5 to upgrade to Belvedere or Hennessy in your cocktail) and they’ll throw in free brats and chips. Yes, you heard right: dogs, beer, and football on the flatscreens for $3. At that price, you could settle in all day.

Sundays, 10a.m.–2 a.m.. 1334 Noriega. 415-731-3757

NAMU’S FREE-FOOD MONDAYS

Monday night is free food night at Namu, the Richmond District’s gem of an Asian fusion restaurant that combines Korean and Japanese cooking techniques with Cali-fresh cuisine. With an order of sake, beer, or glass of wine, you can nibble on what Namu is dubbing “drinking food”: bite-size tapas, skewers, and spreads with Asian flair. If you can’t stay out late on a Monday night, there’s a weekday happy hour from 5-7 p.m.

Mondays, 9:30–10:30pm. 439 Balboa. 415-386-8332.www.namusf.com

DOSA ON FILLMORE’S SOUTH INDIAN HAPPY HOUR

This Pac Heights wing of Dosa has the feel of a chic London Indian restaurant, with striking chandeliers and gorgeous Indian-influenced cocktails. The happy hour rocks with a rotating selection of beer (like India’s Kingfisher), wine (maybe a Dona Paula Argentinean malbec) and, yes, those cocktails (how about “Mood Indigo,” i.e., Buffalo Trace bourbon, jackfruit marmalade, Angostura bitters, and a splash of sparkling wine) for a mere $5 each. For the same price, there’s a range of South Indian snacks like cochin calamari sautéed in coconut milk and served with a julienned salad, or a mung sprout salad with fresh lentils, tomatoes, ginger, cucumber, grated coconut, chile, and mustard-seed oil.

Mon.–Thurs., 5:30–7 p.m. 1700 Fillmore. 415-441-3672. www.dosasf.com.

Virginia Miller writes about food for sfbg.com and offers advice for great meals at theperfectspotsf.com

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Drinks on the cheap

By Caitlin Donohue

“No nation is drunken where wine is cheap, and none sober where the dearness of wine substitutes ardent spirits as the common beverage.” So said our illustrious forefather and part-time debaucher, Thomas Jefferson, on the importance of happy hour. We are proud of the brave bar-owning San Franciscan souls who have held true to his vision of a nation built on cheap booze and high spirits. Here assembled are their numbers, true patriots that they are.

BAR ON CHURCH

Some days you want to get drunk and throw peanut shells on the floor. This is a practice aided and abetted by the B.O.C., which serves up 50 cent PBR’s (that elixir from the heavens for the broke-as-hell contingent) and free peanuts from 4-8 p.m. on Saturdays. Sit down, throw one back and get nutty with it.

198 Church, SF. (415) 355-9211. www.thebarsf.com

TSUNAMI SUSHI

With more than 100 sake bottles on the menu, Tsunami is usually off-limits to those with holes in their pockets. Not so during happy Hour (Mon.-Fri. 5-8 p.m., Sat. 6-9 p.m.) when all bottles and selected maki rolls are half off. Try the Sho Chiku Bai nigori sake, a sweet, creamy, unfiltered 720 ml that’ll only run you $16 — ureshii yo!

Mon.–Fri. 5–8 p.m., Sat. 6–9 p.m. 301B King, SF. (415) 284-0111. www.dajanigroup.net

EL RIO

Ah, Mondays at El Rio. If shuffleboard and easy access to cheap burritos isn’t enough to pull you Outer Mission-ward, than peep their very special Monday happy hour: $1 Pabsts, $2 wells all the live-long day. Get you in with that and then tell us you can’t hang with the hipster hangouts.

3158 Mission, SF. (415) 282-3352. www.elriosf.com

KYOTO SUSHI

Japanese businessmen have a reputation for sealing big deals utterly, blackout snookered. Something about how you can only really know a man when he’s being slapped by the waitress for being fresh or passed out drooling on your suit jacket. At any rate, sushi restaurants like to get you drunk. Check out Kyoto, where the anytime special of draft Sapporos for 99 cents will compel you to raise one to the salaryman.

1233 Van Ness, SF.(415) 351-1234. www.kyotosushi-sf.com

BRAIN WASH LAUNDROMAT

Now here’s a multitask for you: get drunk, listen to good music, and wash your clothes. Only one spot in the city where that’s a go — and to celebrate the lineup of fresh tunes and clean threads, Brain Wash Laundromat is offering $1 Pabst during happy hour and $3 wine glasses all the time. Drop by for its acoustic open mic nights Tuesdays at 7 p.m.

1122 Folsom, SF. (415) 861-3363. www.brainwash.com

BEAN BAG CAFE

Not only does this sunny, warm café serve the most bangingest breakfast burrito and plethora of bean blends in the city, the folks there have a soft spot for the low-income set. Bean Bag proves it with $1.75 Stella Artois and 21st Amendment beers on tap; just the ticket for easing your way through that mid-afternoon caffeine-booze transition. Just don’t spill on the laptop and you’re golden, you pillar of the community, you.

Bean Bag Café. 601 Divisadero, SF. (415) 563-3634 *

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How to fight foreclosure

By Caitlin Donohue

You’ve finally found your dream home, an apartment so well-loved even you can afford it. You settled in, cleaned the carpet, set the mouse traps … and then the eviction notice arrives: your landlord’s been foreclosed on. And the bank that owns the place now wants you out.

It’s happening a lot in this city, where tenants get caught in the financial meltdown through no fault of their own. But don’t panic: in most San Francisco buildings, foreclosure isn’t a legal grounds for eviction. But you’ll have to stand up for your rights.

Here’s what the San Francisco Tenants Union advises:

If you sense your landlord’s at the brink of foreclosure, watch for telltale signs: realtors checking out the property or repairs that go unresolved. Keep in mind that lack of money is no defense for maintaining property, so call the Department of Building Inspections at 415-558-6200 for help with holding property-owners to their repair responsibilities.

Once the eviction notice due to foreclosure arrives, find out if you are covered by rent control. If you aren’t (if your rental was built after 1979 then you definitely aren’t) the bank has the power to evict you within 90 days. If you do have rent control, you have eviction protection. This means the bank can’t evict you or raise your rent.

Unfortunately, the bank might not know that if it’s based outside the city or state. Ignore the letters to vacate and contact the bank of its property agent directly to let them know you have protection. Then file a wrongful eviction petition with the SF Rent Board, which also handles cases from Oakland, Berkeley and West Palo Alto (forms available at the office at 25 Van Ness, SF or online at www.sfgov.org/rentboard).

Rent control or no, landlords can only collect rent on foreclosed properties until the deed of trust has gone to the bank. Determine who has control of your property to avoid paying rent twice. This information is available at the City Assessor’s Office at 415-554-7915. Send letters to the bank and to your landlord saying you have the money but don’t know who to pay. Until you can determine who has control, don’t pay rent.

For more resources, check out SF Tenants’ Union Web site at www.sftu.org.

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Avoid check-cashing fees

By Caitlin Donohue

ATM charges, big old monthly fees, frustrating commercials — oh Lord, save us from these banks! But you can’t live without ’em either — the average unbanked American spends 5 percent of his or her income at the check-casher. In San Francisco, we drop a total of $40 million a year accessing our own money — not to mention how much goes toward money order fees.

Enter the Bank of San Francisco, the mayor’s brainchild that allows city residents to open a checking or savings account for $5 a month or less. The bank is open to those without Social Security numbers as well as residents who have a poor record with accounts in the past. Go to www.bankonsf.org for more information on the program, or keep an eye peeled for one of the 140 participating city banks that have a “Bank on SF” sign in their window. There’s no reason to pay check-cashing fees any more.

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Food so cheap, it’s free

Let’s level here: how broke are you? Two-for-one beers and discounted oysters are all well and good for the casually unmonied, but there are times when one needs a real deal on nutrition — like, food that really is free. If we’ve got your number, here’s the Web site for you: www.freeprintshop.org, whose printable calendar lists 20 organizations that dish up meals open to all comers, including Food Not Bombs’ vegetarian dinners, which are served four times a week in U.N. Plaza. Free Print Shop gets the posthumous thumbs-up from Abraham Maslow: the up-to-date info on shelters, mental health, and neighborhood resources in the city has the bottom tier of your hierarchy of needs covered. Except for maybe the sex part; that might be another Web site. (Caitlin Donohue)

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Inner peace, by donation

It is said that whenever Buddha would speak to an audience that had not yet recognized him as their spiritual teacher, he would first expound on the concept of dana, or giving. If the listeners were unable to grasp this basic principle, he knew they weren’t ready for the Four Noble Truths.

Would that all yoga studios were this enlightened. I mean, $20 for 90 minutes of inner peace?

We are lucky that with a little bit of looking one can find financially accessible ayurveda even here, in the city of yoga-yuppies. Case in point: Yoga to the People, whose beautiful new Mission District studio (and fixture Berkeley location) offers three classes a day by donation, some of them by candlelight and all of them dana approved. And they’re not the only ones. Here’s a list of places that will relieve that tension you’ve been holding, including the strain in your wallet. (Caitlin Donohue)

YOGA TO THE PEOPLE

Class schedule online, donations

2673 16th St., SF

64 Shattuck, Berkeley

www.yogatothepeople.com

GREY AREA FOUNDATION FOR THE ARTS

Mondays, 6-7:30 p.m., donations

55 Taylor, SF

www.gaffta.org

SPORTS BASEMENT

Sundays, 1-2:30 p.m., free

1590 Bryant, SF

(415) 575-3000

LAUGHING LOTUS

Mon.-Fri. 2:30–3:45 p.m., donations

3261 16th St., SF

(415) 335-1600

www.laughinglotus.com

SATORI YOGA STUDIO

Mondays, 4:15– 5:15 p.m., free

40 First St., SF

(415) 618-0418

www.satoriyogastudio.com

PURUSHA YOGA

Saturdays, 11 a.m., free

Main entrance of Botanical Gardens

Golden Gate Park

Ninth Ave. and Lincoln Way, SF

(415) 694-8412

www.purushayoga.org

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Learning to love the rec centers

With free gyms, darkrooms, and play areas, city rec centers may be the athlete (or artist’s) answer to the bum economy

By Molly Freedenberg

I’ve always though of recreation centers as places where kids took cheap summer camp classes or attended awkward junior high school dances. But these city-funded centers are actually some of the coolest, most affordable, and least appreciated resources any community has to offer — and especially so in San Francisco.

From weight rooms and basketball courts to dance studios, dog parks, and performance-ready auditoriums, SF’s neighborhood centers offer a variety of resources for budget-conscious adults as well as their kids. Use of most facilities is free (or, on rare occasions, costs a nominal fee) and classes and workshops are priced low with a sliding scale and scholarship option.

Why does the city allocate $34.5 million in general fund support to maintain these centers every year? According to Elton Pon, spokesperson for the Recreation and Park Department (which also oversees public spaces like Golden Gate Park and Coit Tower), “they keep the city sane.”

We’ve outlined the resources at some of our favorite centers, but check parks.sfgov.org for a full list, sfreconline.org for programs, or call (415) 831-5520 for information on renting rec center buildings.

CHINESE RECREATION CENTER

This Nob Hill neighborhood center caters primarily to youth in Chinatown, which is most apparent weekdays after 3 p.m. when its gym areas fill up with teenage boys. But everyone can enjoy volleyball, basketball, and even dance in its indoor gym, outdoor hoops, and mini weight room. The secret to getting some grown-up time? Visit early on weekdays or after 7 p.m.

1199 Mason. (415) 292-2017

EUREKA VALLEY REC CENTER

Well-maintained and recently renovated, this Castro District facility is a favorite for its resources and fantastic location (there’s a grocery store right next door, not to mention the full Castro shopping corridor a block away). Parents love that the indoor and outdoor play areas are especially good for toddlers. Dog-owners love the enclosed dog run. Sporty adults appreciate that the basketball court is regularly relacquered, while event planners focus on the auditorium with raised stage and 70-seat capacity. Special bonuses? An LGBT Teen Center and an especially girl-friendly gym scene.

100 Collingwood. (415) 831-6810

HARVEY MILK ARTS CENTER

Geared more toward artists than athletes, this recently reopened center in Duboce Park is a dream-come-true for creative-leaning folks on a budget. With dark room, dance studio, costume room, meeting spaces, and variety of other opportunities, HMAC is a fantastic and affordable alternative to adult education courses, expensive dance studios, and booked-up theater spaces.

50 Scott. (415) 554-9523

MISSION REC CENTER

This hidden gem, often overlooked by athletes headed to Mission Cliffs, offers everything your K-12 schools did — without the homework or early call-time. Mission Rec provides a weight area, ping pong tables, squash courts, a dance studio (complete with floor-to-ceiling mirrors and enclosed storage space), basketball court, outdoor playground area, and a full auditorium with stage and curtains (and food prep area).

2450 Harrison. (415) 695-5014

POTRERO HILL REC CENTER

Most people notice the baseball fields first — a full-block expanse of green, grassy oasis in the center of what’s still mostly an industrial area. But this city property also offers a well-maintained indoor basketball court, recently revamped playground, decent tennis courts (though lights rarely work), and a dog-friendly area that notoriously extends to the rest of the park when games aren’t in session. Not feeling sporty? Check out the infamous mural of O.J. Simpson (who apparently used to frequent the park as a kid) or the fantastic view of the city and the bridge from the south/southeast end of the park.

801 Arkansas. (415) 695-5009

RICHMOND REC CENTER

Catering primarily to the very young and the very old, people in the middle can certainly appreciate this classic neighborhood meeting spot. Play badminton, volleyball, or take advantage of the dance studio (where many city dance programs are held). Or just people-watch: weekdays are great for spying toddlers in the big indoor play area or quieter play-and-craft spot; weekends are when older Asian ping pong masters take over.

251 18th Ave. (415) 666-7020

UPPER NOE REC CENTER

Newish, bright, and clean, this well-loved and well-funded facility also is one of the few with its own Web site (hosted by friends of the Noe Valley Recreation Center). The bright, shiny spot offers indoor and outdoor basketball courts, a playground, baseball field, tennis court, dog park, and (according to parents-in-the-know), an inordinately nice sandbox. Indeed, this spot is known for being especially good for babies and toddlers. Another bonus? A multipurpose room that can be rented for small events features an A/V system, stage area with upgraded theater curtains, and a large movie screen with a projector.

30th Sreet, west of Church. (415) 695-5011. www.noevalleyreccenter.com