Richmond

Working on it

4

caitlin@sfbg.com

GREEN ISSUE With the recession fast seeping into the everyday fabric of American life (or at least Monday through Friday’s fabric), the enthusiasm that the term “green jobs” generates can be well understood. But can we really call a $10 hourly pay rate for installing solar panels sustainable? And what would be the bigger of the two triumphs: creating a carbon-free country or a more equitable nation? With partnerships springing up across the country like the Blue Green Alliance, created by the United Steelworkers and the Sierra Club, maybe the two goals aren’t so separate after all. Here are some West Coast organizations fighting to make sure that the environmentally-friendly jobs that do exist — and have yet to be created — pay a decent wage.

 

OAKLAND GREEN JOBS CORPS

Created by the long-time civil rights champions at the Ella Baker Center and other community partners, this program recruits poor young adults to a 38-week course of study that recognizes what it takes to break the cycle of unemployment. Participants begin with classes in basic job skills, literacy, and substance abuse counseling, then continue on to classes at Laney College in basic construction skills, eco-literacy, and specialized green building practices. At graduation, participants are hooked up with well-paying jobs in the green construction sector or traditional building trade union apprenticeships — where their newfound environment-saving skills will make them leaders in the years to come.

www.ellabakercenter.org

 

CALIFORNIA INTERFAITH POWER AND LIGHT

Pray for change — or change the way you pray? Created 10 years ago in SF, CIPL, whose work has since spread to 38 state affiliates, aides faith communities of all denominations in greening their place of worship. Greatest hits include installing a geothermal heating system in a Berkeley synagogue, work on First Chinese Baptist Church in San Francisco, and tricking out a Bayview-Hunters Point church with solar panels on the congregation’s extremely limited budget. Workers hired to make the holy places sing a song of sustainability are usually sourced from organizations like Richmond Build, which provides training to many people living in public housing and with criminal records.

www.interfaithpower.org

 

APOLLO ALLIANCE

Apollo Alliance, another nationwide coalition-building organization that got its start in SF, is making green jobs happen in Los Angeles — with or without federal dollars. The group sponsored the city’s Green Retrofit and Workforce ordinance, which required that municipal buildings achieve LEED certification at the silver level or higher, prioritizing updates on the buildings that were near areas with low income and high unemployment rates. Linked directly to workforce training programs, the ordinance is already under attack in Washington by H.R.1, a bill that would strip its funding. But L.A. is making the first move on the threat — the city is hoping to fund the successful program through energy conservation bonds.

www.apolloalliance.org

 

GREEN FOR ALL

Erstwhile Obama appointee, environmental rock star, and Ella Baker Center founder Van Jones started this organization in 2008 to place the war on poverty at the heart of the sustainability movement. Sure, with offices around the country, it’s not exactly local. But the group plays an important role supporting nationwide policies that will make green jobs fair and just for workers. Plus, it led the charge against last year’s Prop. 23 challenge to the growth of green technologies, taking to the road in a bus that interviewed community members and green energy experts in 10 Californian cities. Plus, it kicked ass with a media campaign smart enough to best the bummers at PG&E and other public utilities.

www.greenforall.org

 

Drawing a line in the toxic triangle

5

rebeccab@sfbg.com

GREEN ISSUE California is often viewed as being among the brightest shades of green. The Golden State’s landmark climate-change legislation has proven magnetic for green-tech startups, while Northern California is defined in part by its longstanding love affair with natural foods and solar power. San Francisco boasts a well-used network of bike routes, a ban on plastic bags, mandated composting of kitchen scraps, and a host of urban agriculture projects.

While much of the Bay Area’s environmental reputation is well-deserved, things look different from poor neighborhoods where homes are clustered beside hulking industrial facilities and public health suffers. For years, grassroots organizations working in Richmond, Oakland, and Bayview-Hunters Point have sought to improve air quality and promote environmental justice in neighborhoods plagued by higher-than-average rates of respiratory disease, cancer, and other preventable illnesses.

The Rev. Daniel Buford of Oakland’s Allen Temple Baptist Church told the Guardian that he began talking about the polluted areas of Richmond, Oakland, and San Francisco as a “toxic triangle” two decades ago. It was an analogy, he explained, that plays off the mysterious deaths that the Bermuda Triangle is famous for. Yet the label also served a purpose — to unite three communities of color that were fighting separate yet similar battles against health hazards associated with their surroundings.

“There were a lot of things that weren’t in place with public consciousness that are in place now,” Buford said.

Today, he isn’t the only one uttering the catch phrase. A host of community organizations banded together as the Toxic Triangle Coalition last year to organize three forums on environmental justice in the three cities. Advocates cast the neighborhood-specific problems as three parts of a regionwide phenomenon, highlighting how pollution from shipping, crude oil processing, freeway transportation, abandoned manufacturing sites, hazardous waste handlers, and other industrial facilities disproportionately affect communities of color, where poverty and unemployment rates are already high.

Buford views the Toxic Triangle Coalition as a strategy to mount pressure for stronger enforcement of environmental laws in disproportionately affected areas. “We live in the whole Bay Area — we don’t live in one little part of the Bay Area,” he noted. “Our coalition strongly urges our state representatives in each of the counties to call for a hearing at the state level.”

 

OIL WARS

In Richmond, California’s top greenhouse-gas emitter looms as an expansive backdrop of the city, a tangled network of smokestacks and machinery near a hillside cluster of large, cylindrical oil storage containers. Chevron Corporation’s Richmond Refinery was built more than a century ago. A few years ago, the oil company began making noise about how it was in need of an upgrade.

Weaving through a blue-collar residential area of Richmond in her sedan, Jessica Guadalupe Tovar recounted how Communities for a Better Environment (CBE), the nonprofit she works for, revealed that Chevron hadn’t told the whole story when it was petitioning for a permit to expand the refinery. The oil company’s long-term goals, CBE learned from a financial report, included gaining capability to process thicker crude that tends to be sourced from places like Canada’s Alberta tar sands.

“We call it dirty crude,” she said. “But it’s really dirtier crude.”

Converting thicker crude to fuel requires higher temperatures and pressures — and that translates to higher greenhouse-gas emissions and a heightened risk of flaring and fires.

The refinery expansion could have meant an air-quality situation going from bad to worse. Public health problems such as asthma and cancer have spurred campaigns led by the West County Toxics Coalition, CBE, and other environmental justice groups. Tovar explained how CBE orchestrated an air-monitoring program in 2006, collecting samples from 40 homes in Richmond and 10 in Bolinas as a point of comparison.

While trace amounts of chemicals from household cleaners were present in both, samples from the Richmond residences also contained the same toxic compounds that spew from Chevron’s refinery. “We found pollution known to come from the oil refinery settling inside people’s homes,” Tovar explained. “Once it’s trapped in your home, it starts to accumulate.”

Chevron won its expansion permit by a slim margin in 2008 with a city council dominated by officials who had reputations for being friendly to the oil giant. Yet environmental organizations filed suit, saying the environmental impact report (EIR) approval was based on was illegal because it failed to analyze the company’s likely plans for heavier crude processing. A Contra Costa County judge ruled in favor of the environmentalists, halting the expansion project in 2009. Chevron appealed, but the decision was upheld in 2010.

Stopping the expansion was a substantial victory, but environmental justice advocates remain wary of Chevron — particularly after the company attempted to blame job losses on the green coalition that filed suit. “Chevron pit workers against us,” Tovar noted. “And also started saying, ‘This is why environmental laws are bad for the economy.'”

 

GLOBAL TRADE, LOCAL FUMES

Each day, the Port of Oakland fills with trucks waiting to load up on goods shipped in from around the globe on massive cargo vessels. It’s a local symbol of a globalized economy. But for the West Oakland neighborhoods surrounding the port, the daily gathering of diesel rigs means an unhealthy infusion of particulate matter into the air.

A report issued by the East Bay Alliance for a Sustainable Economy (EBASE), the Pacific Institute, and the Coalition for Clean and Safe Ports found that West Oakland residents are exposed to particulate matter concentrations nearly three times higher than the regional average. Health studies have shown that asthma rates in West Oakland are five times higher than that of people living in the Oakland hills, and cancer risks are threefold compared to other Bay Area cities. For the truck drivers, the risk of cancer is significantly higher than average.

A state air-quality law that went into effect in early 2010 banned pre-1994, heavily polluting diesel trucks from the port, thanks in part to years of environmental campaigning that has publicized public-health impacts associated with the diesel pollution. Yet the new regulation brought an unintended consequence: for truck drivers who must purchase their own gas and pay for their own upgrades, the new rule was ruinous. A survey by the Public Welfare Foundation found that since the new environmental regulation went into effect, 25 percent of Oakland truck drivers had declared bankruptcy, been evicted, or faced foreclosure.

Retrofitting the trucks with new air filters is a five-figure prospect, while the cost of a new truck can clear $100,000. “At the end of the day … a lot of them will only take home about $25,000 a year,” explained EBASE spokesperson Nikki Bas. “It’s an immigrant workforce who are living in poverty.”

So the Coalition for Clean and Safe Ports, which pushed for tougher air-quality regulations, is now pressuring for a reform of the trucking industry to place the cost of clean upgrades onto powerful trucking companies instead of low-wage drivers. The coalition’s campaign has sought to link the needs of the drivers and the surrounding community, organizing rallies with blue-green signs bearing the motto “Good Jobs & Clean Air” to call for a change to the truckers’ employment classification from independent contractors to employees, which would shift the cost of compliance onto employers instead of drivers.

West Oakland isn’t the only East Bay area inflicted by excessive levels of diesel particulate matter from trucks entering the Port of Oakland. The fumes also affect East Oakland neighborhoods bisected by the big rigs’ primary thoroughfares. In addition to truck traffic and freeways, East Oakland is also the site of numerous hazardous-waste handlers and abandoned industrial sites.

Nehanda Imara, an organizer with CBE who also helped put together the Toxic Triangle Coalition forums, described how her organization recruited volunteers to count the number of trucks passing through a heavily traveled East Oakland strip as a way to quantify the source of particulate matter pollution. They reached a tally of around 11,700 over the course of 10 days.

Some progress has been made to limit the exposure of diesel pollution for East Oakland residents. The city is working on a comprehensive plan to assess trucking routes, and a campaign to limit truck idling is helping to limit unnecessary tailpipe emissions.

Yet youth hospitalizations for asthma in East Oakland are 150 percent to 200 percent higher than Alameda County taken as a whole, and an air-monitoring project in that area revealed high levels of particulate matter exceeding state and federal standards.

“That’s also an environmental injustice,” Imara said. “When the laws are there, but not being enforced.”

 

TOXIC SOUP

In San Francisco’s Bayview-Hunters Point neighborhood, environmental justice groups have spotlighted the toxic stew associated with the naval shipyard and other pollution sources for years. A 2004 report produced jointly by Greenaction for Health and Environmental Justice, the Bayview-Hunters Point Mothers Environmental Justice Committee, and the Huntersview Tenants Association outlined a “toxic inventory” of the area. The inventory depicts a more complicated web of toxic sources than the asbestos dust and naval shipyard cleanup that have been focal points of news coverage surrounding Lennar Corp.’s massive redevelopment plans for that neighborhood.

“Over half of the land in San Francisco that is zoned for industrial use is in Bayview-Hunters Point,” this report noted. “The neighborhood is home to one federal Superfund site, the Hunters Point Naval Shipyard … a sewage treatment plant that handles 80 percent of the city’s solid wastes, 100 brownfield sites [a brownfield is an abandoned, idled, or underused commercial facility where expansion or redevelopment is limited because of environmental contamination], 187 leaking underground fuel tanks, and more than 124 hazardous waste handlers regulated by the U.S. Environmental Protection Agency.”

The shipyard, meanwhile, has been the central focus of controversy surrounding plans to clean up and redevelop the area. People Organized to Win Employment Rights (POWER) and Greenaction are currently challenging the EIR for Lennar’s massive redevelopment plan for the neighborhood, charging that the study is inadequate because a cleanup effort on the part of the U.S. Navy has yet to determine the level of toxicity that will need to be addressed, so the assessment is based on incomplete information. Asthma is commonplace in the Bayview, and health surveys have shown that the rates of cervical and breast cancer are twice as high as other places in the Bay Area.

“Our environmental issues are massive still, and it’s not just Bayview- Hunters Point,” notes Marie Harrison, a long-time organizer for Greenaction and a Bayview resident.

Harrison recalled the many times she’d gotten out of bed in the middle of the night to drive a friend’s or neighbor’s asthmatic child to the hospital. “That story has repeated itself tenfold in Richmond and in Oakland,” she added. Nor is the problem simply limited to those Bay Area cities, she said, noting that communities of color throughout the Environmental Protection Agency’s Region 9 face similar issues.

As awareness about the scope of the problem has increased over the years, she said, “We start to say, my God, this triangle has to become a circle.”

 

Smart meters, stupid company

9

news@sfbg.com

Smart meters seemed like a good idea at first glance — a little wireless device that, unlike it’s dumb analogous predecessor, would track precise readings of household energy usage in real time, identifying wasteful activities and helping consumers make informed choices about conservation and consumption.

Considered a crucial first step in enabling a smart grid that would modernize the existing power grid for the information age, the technology was touted as offering potential benefits such as cheaper service, fewer new power plants and transmission lines, cleaner air, and more reliable services.

But Pacific Gas & Electric Co.’s $2.2 billion program for installing smart meters has now become the subject of caustic criticism by thousands of customers and activists as the culprit for skyrocketing rates, adverse health effects, and threats to privacy.

Since deployment began in California in 2009, consumers have mobilized to halt the spread of the devices, demanding further studies of the technology and options for those who don’t want to join the rush toward a wireless world. Thirty-three local governments have called for moratoriums on the installation of the devices.

The California Public Utilities Commission, which in 2006 authorized the state’s investor-owned utility companies to install more than 10 million meters in California, has done little to quell the storm of protests and concerns. But that began to change March 10 when CPUC President Michael Peevey announced that the agency would require PG&E to develop an opt-out proposal for consumers within two weeks.

Prefacing the decision with an observation that almost every speaker against smart meters the CPUC heard from was a PG&E customer, Peevey called out Northern California residents as the main opponents to the program.

“I am directing PG&E to prepare a proposal for our consideration that will allow some form of opt-out for customers who object to these devices, at a reasonable cost to be paid by the customers who choose to opt-out,” Peevey said at the hearing. “Obviously I cannot prejudge how this commission will evaluate any such proposal by PG&E, nor can I predict what PG&E itself will propose. But I think it’s clear the time has come for some kind of movement in the direction of customer opt-outs.”

But the announcement did little to quell the opposition by the scores of customers, local governments, health professionals, and advocacy groups that claim it undercuts the true concerns while simultaneously opening another avenue the utility behemoth could profit from.

“Admitting to the problem is the first step to resolving it,” says Joshua Hart, executive director of grassroots organization Stop Smart Meters!, which has been at the forefront of the rebellion. “But we obviously think a ton of things were left out of this.”

The makeup of the meter haters spans interests and ideals, from Tea Party conservatives to liberal environmentalists. Their unifying trenchant criticism of Peevey, who was president of Edison International and Southern California Edison Company until 1995, has only increased with each meter installed. PG&E has already replaced 74 percent of its analog electrical meters and 83 percent of its gas meters.

Resolutions critical of PG&E’s smart meter deployment have been passed by many Bay Area cities and the counties of Santa Cruz and San Luis Obispo. Assemblymember Jared Huffman (D-San Rafael) introduced a bill in December 2010 that would create a statewide system for opting out.

Although PG&E officials didn’t return repeated Guardian calls about the controversy, they have told other media outlets that the meters are completely safe and installation is continuing as scheduled, despite the growing furor.

 

BABY STEPS

A total of 670,000 meters are planned for San Francisco, and installation has already begun in the Marina and Richmond districts, much to the dismay of many residents. During a series of public meetings at the CPUC since 2010, dozens of people regularly line up to ask for alternative options and conclusive, third-party studies on the technology.

Speakers mainly consist of those claiming to suffer from exposure to electromagnetic fields, a condition known as electrohypersensitivity (EHS) that causes headaches, nausea, fatigue, and ringing in the ears. Sufferers liken themselves to canaries in coal mines and say smart meters are just one aspect of larger problem: understudied, overhyped wireless technology.

“The bottom line is it’s a debacle that been rolled out without any public input, without any long-term study,” Hart said. “This is the wireless technology industry being too greedy and going too far.”

Smart meters emit less powerful electromagnetic fields than many smart phones, but activists worry about the effects, both cumulative and on those with EHS, a condition recognized by the Swedish government. But here in the United States, few experts outside of holistic and alternative health circles take it seriously as a health threat.

Hart pointed to the recent publication of a study by the National Institutes of Health finding cell phone emissions affect brain activity, calling it the “smoking gun.” But most scientists found the report inconclusive about how that stimulation affects the brain.

Yet the activists have held regular protests lambasting PG&E for endangering their health and invading their privacy. “This is forced installation of untested devices on an unwilling public,” Carol Page of Marin County told us at a large Feb. 24 protest outside the CPUC meeting in San Francisco. “It’s time this commission stopped enabling and started regulating.”

CPUC officials have said there was no need for additional analysis of the program, arguing that the meters are safe and that installation is a routine procedure allowed under existing utility contracts.

But the venerable consumer watchdog The Utility Reform Network (TURN) has long-opposed the program, focusing primarily on its cost and privacy threats from the data that is being transmitted. Hundreds of customers have contacted TURN to complain about the meters, and the group says Peevey’s policy change misses the mark.

“It’s certainly a step in the right direction, but the devil is going to be in the details,” TURN spokesperson Mindy Spatt told us. “We would review any proposal to charge customers very carefully. We don’t want to see them have pay again.”

She said PG&E’s consumer outreach efforts have been “abysmal,” and TURN supports a moratorium on smart meter installation.

“We are not hearing from any people who are benefiting from it,” Spatt said. “We are hearing from people who are upset about it, and we remain unconvinced that these meters offer any benefits commensurate with their costs.”

TURN’s website offers a flyer that reads “Do Not Install,” which customers can print and place on their analog meter. Wellington Energy, the company performing installations, has respected the signs, Spatt said.

“The flyer is still getting tons and tons of play,” Spatt said. “PG&E has done nothing to address customers who say that the smart meter is unwanted and unwelcome. We are very anxious to see what sort of an opt-out they can offer.”

Although the flyer conveyed a direct message to utilities, some chose the more radical route of blocking installation physically. In January, two women, one a grandmother, were arrested in Rohnert Park for blocking a Wellington truck carrying a load of smart meters.

Sandi Maurer, founder of the EMF Safety Network, believes the movement from the CPUC falls short of taking real action addressing the threat of harmful electromagnetic frequencies to the environment and human health.

“We really need a moratorium while we study the health impacts and have evidentiary hearings where we could determine whether they are safe,” she said. In December 2010, the EMF Safety Network’s request for the CPUC to open an investigation into smart meters was denied.

 

CUSTOMER DISSERVICE

One smart meter claim the CPUC did investigate was the allegation that the new meters weren’t accurate, following up on more than 600 complaints from customers that their energy bills shot up after the new meters were installed.

The Structure Group, a Houston-based consulting company, tested 750 smart meters and 147 electromechanical meters and concluded that they worked fine. But the study also found that PG&E didn’t properly handle the complaints.

“PG&E’s process did not address the customer concerns associated with the new equipment and usage changes,” the report said. “Some customers interviewed during this assessment did not consider their complaint resolved, despite indications from PG&E and the CPUC that the customer agreed with the resolution.”

As a demonstration of how the program could have been rolled out differently, one needs only to look up the road to Sacramento. The publicly owned Sacramento Municipal Utilities District has installed 184,000 meters and encountered little opposition.

“I’ve seen what’s happening in the Bay Area and we haven’t seen anything like that whatsoever,” SMUD spokesperson Chris Capra said. “I’m amazed at the difference in our customers compared with customers around the country. “

Capra credits the relative embrace of the meters to the method SMUD used to mobilize them. Before installing any meters, SMUD build its wireless network. Then SMUD installed 78,000 trial meters in two separate areas — one in close-quartered downtown and one in suburban areas — to see how the meters behaved under topographical and proximity challenges. Then it led the meters through automated trials doubled with traditional manual reads and found that they were 99 percent accurate.

“We wanted to be certain before we began with full deployment,” Capra said. “We had estimated reads, manual reads, and made sure everything is functional. “

But some problems go beyond customer service. Along with health and safety concerns, critics remain unconvinced that the smart meters live up to their purported benefits to consumers, even though they’re the ones paying for the program.

“If I wanted to monitor my usage, I could go buy an in-home electricity monitor myself and just plug it in,” Maurer said. “For utilities to say we absolutely need this technology to reduce energy costs is false.”

Privacy advocates warn the meters could erode the privacy of daily life unless regulators limit data collection and disclosure. In a joint filing in March 2010, the Center for Democracy and Technology and the Electronic Frontier Foundation urged the CPUC to adopt rules to protect consumer’s energy usage information.

“Smart meters generate more information in formats easier to share and analyze, which is part of the future of energy utilization,” said Jim Dempsey, vice president of public policy at CDT. “That being said, some significant questions remain.”

Smart meters collect 750 to 3,000 data points a month per household. This detailed energy usage data can indicate whether someone is at home or out, how many people are in the house, and if they are using particular appliances. In effort to stave off data mining by marketers or hackers, CDT and EFF urged the CPUC to adopt comprehensive privacy standards for the collection, retention, use and disclosure of consumers’ household energy data.

Smart meters represent a worst case scenario in terms of security, Dempsey warned. Not only do they lack sufficient power to execute strong security software, they are easily accessible and installed in numbers large enough that a few may not be missed if they are stolen. The safest way to protect cyber security is to assume from the outset that they will be attacked.

“You are not going to stop technology and the benefits,” said Dempsey. “It’s hard to say we should not take advantage of something that gives us more information, but you need corresponding security. It’s not too late to adopt the privacy rules, and we certainly hope that the commission will do that soon.”

CDT and EFF say that utilities collecting the data from smart meters must set rules specifying in advance how data will be used. Disclosing information to marketers and government agencies should be restricted.

“Smart meters really do penetrate into the ways we live in ways that no other technology is doing now,” said Lee Tien, senior staff attorney at EFF. “It’s a special circumstance because there isn’t anything else like this that is in everyone’s home.”

 

STUDYING METERS

As opposition increased along with the installations, further requests for investigation into the program were filed. In July 2010, Huffman asked the California Center for Science and Technology to analyze whether the federal safety standards were sufficiently protective of public health, a move that was supported by fellow Assemblymember Bill Monning (D-Carmel) and the City of Mill Valley.

In December, Huffman also introduced Assembly Bill 37, directing the CPUC to offer an opt out alternative to customers who did not want smart meters and to disclose important information to the public. However, like the ordinances passed throughout the state, the move was largely symbolic and wouldn’t be implemented until the time most installations would have been completed in 2012.

The report released by the CCST in January analyzed the threat posed by smart meters, concluding that additional research was needed to accurately gauge the potential threat and had found “no clear evidence that additional standards were needed to protect the public from smart meters or other common household devices.”

The report has since served as a reference point for both PG&E and the CPUC as evidence of safety of the meters. Nevertheless, consumer groups dispute the findings.

“We need investigations from a truly independent third party, not an industry-promoting group hired by PG&E,” Maurer said. “We need evidentiary hearings on the health impacts of microwave facilities. Every time someone buys a new wireless router on a cell phone, it’s a drop in the bucket of more wireless technology. But [with smart meters] we’re talking about a massive increase of the density of these wireless emissions.”

The CPUC’s Division of Ratepayer Advocates was also unconvinced by the CCST’s conclusion. It noticed that the report did not fully explore issues related to cumulative exposure or from multiple co-located meters, as would be the case on apartment buildings and close quarters typical in San Francisco.

A California Senate bill imposing restrictions and revisions on utilities regarding their handling of smart meter information passed in February 2010, and in June the CPUC announced it had adopted a framework requiring utilities to modernize security standards, but details on upgrades have not appeared.

For now, protesters remain focused on pressuring regulators to stop the installation and they plan to keep up the fight for as long as needed.

“It is shock and awe to get the meters installed before people figure out that they are being scammed,” Hart said. “Until there is a moratorium called, we are urging people to resist. Stopping smart meters is just one part of the battle against the telecommunications companies.”

Two East Bay rallies for clean energy

As a nuclear emergency continues to unfold in Japan, Bay Area grassroots organizations are trying to drum up support for incorporating clean energy into long-range local planning.

Communities for a Better Environment (CBE), the Asian Pacific Environmental Network, and other grassroots organizations have declared March 17 a “Green Day of Action,” and they’ll mark it with a rally before the City of Richmond’s Planning Commission meeting to call for a meaningful plan for reducing citywide greenhouse gas emissions.

Richmond’s Chevron oil refinery is one of the worst emitters of greenhouse gases statewide. The Richmond Planning Commission will hear public comment on a Draft Environmental Impact Report for the city’s General Plan, which includes a strategy to curb greenhouse gas emissions in coming years. Yet CBE’s Jessica Guadalupe Tovar noted that the city’s plan for a greener future doesn’t account for how it will limit industrial pollution.

According to a graph produced by CBE, industrial sources make up around 88 percent of the total annual greenhouse gas emissions generated in Richmond. The Chevron refinery is responsible for roughly 4.5 million tons of greenhouse gas emissions, out of a citywide total of just under 7 million tons. 

“They can’t ignore the elephant in the room,” Tovar said.

“Richmond is already plagued with preventable illnesses and diseases and residents cannot afford for the General Plan to overlook these serious environmental health hazards,” said Richmond resident Tiana Drisker, a member of CBE.

Meanwhile, on March 18, another rally for clean energy is planned outside Oakland City Hall from 4:30 to 6:30 p.m. Activists from Movement Generation are planning an anti-nuclear rally “to call on PG&E to not extend its nuclear energy production from its Diablo Canyon reactor, and on Oakland to ramp up clean energy alternatives.”

The rally will follow a day-long conference organized by Bay Localize and the Local Clean Energy Alliance to highlight Bay Area clean-energy efforts.

“This nuclear devastation in Japan must never happen in California, or anywhere else,” said Al Weinrub, conference coordinator. “Energy conservation and renewables are the safest forms of energy by far.”

Radio radio!

5

arts@sfbg.com

Do you remember rock ‘n’ roll radio, as the Ramones once quizzed us, ever so long ago? If not that “Video Killed the Radio Star”-era iteration, a leather-clad punky nostalgia for Murray the K and Alan Freed, then do you remember college rock when it became the name of a musical genre in the early 1990s?

I’m trying to make out its faint strains now: a sound nominally dubbed rock, but as wildly eclectic and widely roaming as the winds blowing me over the Bay Bridge on this blustery, rain-streaked afternoon. I’m not imagining it. New, shaken-and-stirred PJ Harvey nudging family-band throwback the Cowsills. Nawlins jazzbos Kid Ory and Jimmy Noone rubbing sonic elbows with winsome Tim Hart and Maddy Prior. Brit electropoppers Fenech-Soler bursting beside Chilean melody-makers Lhasa. The ancient Popul Vuh tangling with the bright-eyed art-rock I Was a King. It’s an average playlist for KALX 90.7 FM, the last-standing free-form sound in San Francisco proper — though it hails from across the bay in Berkeley.

But what about SF’s own, KUSF? A former college radio DJ and assistant music director at the University of Hawaii’s KTUH and the University of Iowa’s KRUI, I’m one of those souls who’s searching for it far too late, even though I benefited from my time in college radio, garnering a major-league musical education simply flipping through the dog-eared LPs and listening to other jocks’ shows. Like so many music fans, I got lost — searching for the signal and repelled by commercial radio’s predictable computerized playlists, cheesy commercials, and blowhard DJs — and found NPR.

Today, I’m testing the signals within — the health of music on SF terra firma radio — by driving around the city, cruising City Hall, bumping through SoMa, and dodging bikes in the Mission. KALX’s signal is strong on the noncommercial side of the dial, alongside the lover’s rock streaming from long-standing KPOO 89.5 and the Strokes-y bounce bounding from San Jose modern rock upstart KSJO 92.3, whose tagline promises, “This is the alternative.” But KSJO’s distinct lack of a DJ voice and seamless emphasis on monochromatic Killers-and-Kings-of-Chemical-Romance tracks quickly bores, slotting it below its rival, Live 105.

Dang. I wind my way up Market to Twin Peaks. Waves of white noise begin to invade a Tim Hardin track. KALX’s signal fades as the billowing, smoky-looking fog rolls majestically down upscale Forest Hill to the middle-class Sunset. But I can hear it — with occasional static — on 19th Avenue, and later, in the Presidio and Richmond.

Throughout, KUSF’s old frequency, 90.3, comes through loud and clear — though now with the sound of KDFC’s light-classical and its penchant for swelling, feel-good woodwinds. The music is so innocuous that to rag on it feels as petty and mean as kicking a docile pup. But I get my share of instrumental wallpaper while fuming on corporate phone trees. It’s infuriating to realize that it supplanted KUSF, the last bastion of free-form radio in SF proper. Where is the free-form rock radio? This is the city that successfully birthed the format in the 1970s, with the freewheeling, bohemia-bred KSAN, and continued the upstart tradition with pirate stations such as SF Liberation Radio. Doesn’t San Francisco deserve its own WFMU or KCRW?

 

FEWER INDEPENDENTS, MORE CONSOLIDATION

Online radio — including forces like Emeryville’s Pandora and San Diego’s Slacker Radio — provides one alternative. This is true for listeners who use the TiVo-like Radio Shark tuner-recorder to rig their car (still the primo place to tune in) to listen to online stations all over the country. The just-launched cloud-based DVR Dar.fm also widens the online option.

Nevertheless, online access isn’t a substitute for free radio air waves. “We get the wrong impression that everyone is wired, and everyone’s online, and no one listens to terrestrial radio,” says radio activist and KFJC DJ Jennifer Waits. “Why then are these companies buying stations for millions of dollars?”

Waits and KALX general manager Sandra Wasson both point to the consolidation that’s overtaken commercial radio since deregulation with the Telecommunications Act of 1996 — a trend that has now crept onto the noncommercial end of the dial.

As competition for limited bandwidth accelerates (in San Francisco, this situation is compounded by a hilly topography with limited low-power station coverage) and classical radio stations like KDFC are pushed off the commercial frequencies, universities are being approached by radio brokers. One such entity, Public Radio Capital, was part of the secretive $3.75 million deal to sell KUSF’s transmitter and frequency. Similar moves are occurring throughout the U.S., according to Waits. She cites the case of KTXT, the college radio station at Texas Tech, as akin to KUSF’s situation, while noting Rice and Vanderbilt universities are also exploring station sales.

“The noncommercial band is following in the footsteps of the commercial band in the way of consolidation,” Wasson says, from her paper-crammed but spartan office at KALX, after a tour of the station’s 90,000-strong record library. Wire, Ringo Death Starr, and Mountain emanate from the on-air DJ booth, as students prep the day’s newscast and a volunteer readies a public-affairs show. “Buying and selling noncommercial radio seems to me very much like what used to happen and still does in commercial radio: one company owns a lot stations in a lot of different markets and does different kinds of programming in different markets. Deregulation changed it so that 10-watt stations weren’t protected anymore. There were impacts on commercial and noncommercial sides.”

Lack of foresight leads cash-strapped schools to leap for the quick payout. “Once a school sells a station, it’s unlikely it will be able to buy one back,” says Waits. “Licenses don’t come up for sale and there are limited frequencies. They have an amazing resource and they’re making a decision that isn’t thought-through.”

 

DREAMING IN STEREO

There are still people willing to put imagination — and money — behind their radio dreams. But free-form has come to sound risky after the rise of KSAN and FM radio and the subsequent streamlining and mainstreaming of the format.

Author and journalist Ben Fong-Torres, who once oversaw a KUSF show devoted to KSAN jocks, cites the LGBT-friendly, dance-music-focused KNGY 92.7 as a recent example of investors willing to try out a “restricted” format. “They were a good solid city station that sounded quite loose,” he explains. “But even there they weren’t able to sell much advertising because they were limited to the demographic in San Francisco and they couldn’t make enough to pay their debts.”

Nonetheless, Fong-Torres continues to be approached by radio lovers eager to start a great music station. “I’ve told them what I’m telling you,” he says. “It’s really difficult to acquire a stick in these parts, to grab whatever best signals there are.” This is especially true with USC/KDFC rumored to be on a quest for frequencies south of SF.

“There are some dreamers out there who think about it,” muses Fong-Torres. “A single person who’s willing to bankroll a station just out of the goodness of his or her heart and let people spread good music — someone like Paul Allen, who did KEXP in Seattle.”

 

THE FIGHT TO SAVE KUSF

The University of San Francisco has touted the sale of KUSF’s frequency and the station’s proposed shift to online radio as a teaching opportunity. But the real lesson may be a reminder of the value of the city’s assets — and how easily they can be taken away. “We’re learning how unbelievably sacred bandwidth is on the FM dial,” says Irwin Swirnoff, who was a musical director at the station.

Swirnoff and the Save KUSF campaign hope USF will give the community an opportunity to buy the university’s transmitter, much as Southern Vermont College’s WBTN 1370 AM was purchased by a local nonprofit.

For Swirnoff and many others, listener-generated playlists can’t substitute for the human touch. “DJs get to tell a story through music,” he explains. “They’re able to reach a range of emotions and [speak to] the factors that are in the city at that moment, its nature and politics. Through music, they can create a moving dialogue and story.”

Swirnoff also points to the DJ’s personally selective role during a time of corporate media saturation and tremendous musical production. “In the digital age, the amount of music out in the world can be totally overwhelming,” he says. “A good station can take in all those releases and give you the best garage rock, the best Persian dance music, everything. One DJ can be a curator of 100 years of music and can find a way to bring the listener to a unique place.”

Local music and voices aren’t getting heard on computer-programmed, voice-tracked commercial stations despite inroads of satellite radio into local news. In a world where marketing seems to reign supreme, is there a stronger SF radio brand than the almost 50-year-old KUSF when it comes to sponsoring shows and breaking new bands for the discriminating SF music fan? “People in the San Francisco music community who are in bands and are club owners know college radio is still a vital piece in promoting bands and clubs,” says Waits. “There are small shows that are only getting promotion over college radio.”

“It was a great year for San Francisco music, and we [KUSF] got to blast it the most,” Swirnoff continued. “It’s really sad that right now you can’t turn on terrestrial radio and hear Grass Widow, Sic Alps, or Thee Oh Sees, when it’s some of the best music being made in the city right now.”

 

PIRATE CAT-ASTROPHE — AND THE DRIVE TO KEEP RADIO ALIVE

Aside from KUSF, the only place where you could hear, for instance, minimal Scandinavian electronics and sweater funk regularly on the radio was Pirate Cat. The pirate station was the latest in a long, unruly queue, from Radio Libre to KPBJ, that — as rhapsodized about in Sue Carpenter’s 2004 memoir, 40 Watts From Nowhere: A Journey into Pirate Radio — have taken to the air with low-power FM transmitters.

After being shut down by the FCC and fined $10,000 in 2009, Pirate Cat is in limbo, further adrift thanks to a dispute about who owns the station. Daniel “Monkey” Roberts’ sale of Pirate Cat Café in the Mission left loyal volunteers wondering who should even receive their $30-a-month contributions. Roberts shut down the Pirate Cat site and stream on Feb. 20. Since then, some Pirate Cat volunteers have been attempting to launch their own online stream under the moniker PCR Collective Radio.

“We would definitely start our own station,” says Aaron Lazenby, Pirate Cat’s skweee DJ and a Radio Free Santa Cruz vet. “The question now is how to resolve the use of Pirate Cat so we don’t lose momentum and lose our community. We all love it too much to let it fizzle out like that.”

Some people are even willing to take the ride into DIY low-power terrestrial radio. I stumbled over the Bay Area’s latest on a wet, windy Oakland evening at Clarke Commons’ craftsman-y abode. The door was flung open and a colorful, quilt-covered fort/listening station greeted me in the living room. In the dining space, a “magical handcrafted closet studio station” provided ground zero for the micro-micro K-Okay Radio — essentially a computer sporting cute kitchen-style curtains and playing digitized sounds.

A brown, blue, and russet petal-shingled installation looked down on K-Okay’s guests as they took their turn at the mic. And if you were in a several-block radius of the neat-as-a-pin house-under-construction and tuned your boombox to 88.1 FM, you could have caught some indescribably strange sounds and yarns concerning home and migration. I drove away warmed by the friendly mumble of sound art.

Who would have imagined radio as an art installation? Yet it’s just another positive use for a medium that has functioned in myriad helpful ways, whether as a life link for Haitians after the 2010 earthquake or (as on a recent Radio Valencia show) a rock gossip line concerning the Bruise Cruise Fest. As Waits puts it, radio is “about allowing yourself to be taken on a musical journey rather than doing the driving yourself online.” Today it sounds like we need the drive to keep that spirit alive.

Music Listings

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WEDNESDAY 9

ROCK/BLUES/HIP-HOP

Castanets, Holy Sons, Dolorean Hemlock Tavern. 9pm, $8.

Dears, Eulogies, Tender Box Slim’s. 8pm, $16.

Damien Jurado, Viva Voce, Campfire OK Bottom of the Hill. 9pm, $12.

Guverment, Curse of Panties, One Over Eight Red Devil Lounge. 8pm, $6.

Red Hot Blues Sisters Biscuits and Blues. 8 and 10pm, $15.

Sabertooth Zombie, Owen Hart, Xibalba, Grace Alley Thee Parkside. 8pm, $8.

Starfucker, Unknown Mortal Orchestra Rickshaw Stop. 8pm, $15.

Sway Machinery, Khaira Arby Great American Music Hall. 8pm, $16.

Emily Jane White, Hélène Renaut, Ed Masuga Café Du Nord. 9:30pm, $10.

JAZZ/NEW MUSIC

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Jesus Diaz and the Afro-Cuban Jazz All-Star Ensemble Yoshi’s San Francisco. 8pm, $15.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Ettie Street Project Madrone Art Bar. 9pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Medeski, Martin and Wood, Edmund Welles: The Bass Clarinet Quartet Independent. 8pm, $30.

“Musical Flora and Fauna” Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 7:30pm, $10. Performed by David Barnett.

Pocket Jazz Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Paula West and George Mesterhazy Quartet Rrazz Room. 8pm, $35.

FOLK/WORLD/COUNTRY

Chico Trujillo, Bang Data, DJ Juan Data Elbo Room. 9pm, $10-12.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

 

THURSDAY 10

ROCK/BLUES/HIP-HOP

Joey Cape, Steve Soto and the Twisted Hearts, Richmond Kid Thee Parkside. 9pm, $10.

Cave Singers, Lia Ices, Triumph of Lethargy Great American Music Hall. 8pm, $15.

Cheap Time, Idle Times, Dead Meat Hemlock Tavern. 9pm, $10.

Data Rock, Dirty Ghosts, Baertur Bottom of the Hill. 9pm, $14.

Jason King Band Biscuits and Blues. 8 and 10pm, $15.

Kill Moi, Silent Comedy, Sporting Life Red Devil Lounge. 8pm, $6.

Miami Horror, Reporter, Boys IV Men, Eli Glad Mezzanine. 9pm, $18.

Wave Array, Ash Reiter, Buckeye Knoll Café Du Nord. 9pm, $10.

JAZZ/NEW MUSIC

Cosmo Alleycats Blondie’s, 540 Valencia, SF; www.blondiesbar.com. 9pm.

Organsm with Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30pm, free.

SF Jazz Hotplate Series Amnesia. 9pm.

Stompy Jones Top of the Mark. 7:30pm, $10.

McCoy Tyner Yoshi’s San Francisco. 8 and 10pm, $25-35.

Paula West and George Mesterhazy Quartet Rrazz Room. 8pm, $40.

Patrick Wolff Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

FOLK/WORLD/COUNTRY

Tyler Fortier Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

High Country Atlas Café. 8-10pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests. This week, March birthday babies get in free with a guest.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Kissing Booth Make-Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Motion Sickness Vertigo, 1160 Polk, SF; (415) 674-1278. 10pm, free. Genre-bending dance party with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene Rickshaw Stop. 10pm, $10. With Blackbird Blackbird, Designer Deejays, and Richie Panic, plus resident DJ Aaron Axelsen.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

 

FRIDAY 11

ROCK/BLUES/HIP-HOP

Bone Thugs-N-Harmony Yoshi’s San Francisco. 8 and 10pm, $35.

“Boxwars” Cellspace, 2050 Bryant, SF; www.boxwars.tumblr.com. 8pm, $7. “Violent recycling” plus live music with Bum City Saints, 132, and Not Even a Mouse.

Foolproof 4 Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Rick McKay and GQ Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

North Mississippi Allstars Independent. 9pm, $22.

Pogo, Lynx Slim’s. 9pm, $16.

Joshua Radin, Cary Brothers, Laura Jensen Great American Music Hall. 9pm, $22.

Revolver, Hey Rosetta, 7 Orange ABC Rickshaw Stop. 8:30pm, $10.

Lavay Smith and the Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

Soft Kill, Dangerous Boys Club, DJ Night School Hemlock Tavern. 9:30pm, $8.

Super Diamond, Sun Kings Bimbo’s 365 Club. 9pm, $22.

Tapes ‘n Tapes Amoeba, 1855 Haight, SF; www.amoeba.com. 3pm, free.

Tapes ‘n Tapes, Dale Earnhardt Jr. Jr., Glaciers Bottom of the Hill. 10pm, $16.

Truth and Salvage Co., Pirate Radio, Shants Café Du Nord. 9pm, $12. 

Weedeater, Zoroaster, Kvelertak, Begotten Thee Parkside. 9pm, $12-14.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

SF Jazz Collective Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-65. Performing the music of Stevie Wonder.

Paula West and George Mesterhazy Quartet Rrazz Room. 8pm, $45.

FOLK/WORLD/COUNTRY

Valerie Orth, Larry Block, Dana Carmel Dolores Park Café, 501 Dolores, SF; (415) 621-2936. 8pm, $10.

Chuchito Valdez Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 10pm.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Blow Up: Designer Drugs DNA Lounge. 10pm, $20. With Designer Drugs and Jeffrey Paradise.

Club Gossip Cat Club. 9pm, $5-8 (free before 9:30pm). Joy Division tribute night.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Heartical Roots Bollywood Café. 9pm, $5. Recession friendly reggae.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Original Plumbing Elbo Room. 10pm, $6. With dance DJs 100 Spokes and Rapid Fire.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

 

SATURDAY 12

ROCK/BLUES/HIP-HOP

AC/Dshe, Total B.S., Only Sons Slim’s. 9pm, $15.

Clay Aiken Warfield. 8pm, $34.50-49.50.

Aunt Kizzy’z Boyz Biscuits and Blues. 8 and 10pm, $20.

Bar Feeders, Lopez, Fast Asleep Bender’s Bar and Grill, 900 S. Van Ness, SF; www.bendersbar.com. 10pm, $5.

Bone Thugs-N-Harmony Yoshi’s San Francisco. 8 and 10pm, $35.

Captain 9’s and the Knickerbocker Trio, Kepi Ghoulie Electric, Meat Sluts Thee Parkside. 9pm, $6.

Excision, Downlink, Antiserum Independent. 9pm, $25.

North Mississippi Allstars Independent. 9pm, $22.

Joshua Radin, Cary Brothers, Laura Jensen Great American Music Hall. 9pm, $22. Red Fang, Danava, Lecherous Gaze Bottom of the Hill. 10pm, $12.

Sharp Objects, Complaints, High and Tight, Neighborhood Brats Li Po Lounge. 9pm, $5. Slough Feg, Christian Mistress, Witch Mountain Hemlock Tavern. 9:30pm, $8.

Umphrey’s McGee, Big Gigantic Fillmore. 9pm, $25.

Zoo Station: The Complete U2 Experience, Minks, Bang-on Café Du Nord. 9pm, $15.

JAZZ/NEW MUSIC

Gayle Lynn and the Hired Hands Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

SF Jazz High School All-Stars Combo Swedish American Hall (upstairs from Café Du Nord). 6:30pm, $5-15.

Paula West and George Mesterhazy Quartet Rrazz Room. 7 and 9:30pm, $45.

FOLK/WORLD/COUNTRY

Juanes Bill Graham Civic Auditorium, 99 Grove, SF; www.ticketmaster.com. 8pm, $39.50-79.50.

Rupa and the April Fishes Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Chuchito Valdez Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 10pm.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie: Brazilian Carnaval Party DNA Lounge. 9pm, $8-15. Mash-ups with Adrian and Mysterious D plus Faroff and more.

Cockblock Rickshaw Stop. 10pm, $7. With DJ Nuxx and friends.

Frolic Stud. 9pm, $3-7. DJs Dragn’Fly, NeonBunny, and Ikkuma spin at this celebration of anthropomorphic costume and dance. Animal outfits encouraged.

Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spotlight Siberia, 314 11th St, SF; (415) 552-2100. 10pm. With DJs Slowpoke, Double Impact, and Moe1.

Tormenta Tropical Elbo Room. 10pm. Electro cumbia with Schachthofbronx and DJs Shawn Reynaldo and Oro 11.

 

SUNDAY 13

ROCK/BLUES/HIP-HOP

Blind Willies, Broun Fellinis, Ferocious Few, Kallisto Stud. 8pm, $10.

Jimmie Dale Gilmore, Wronglers: Heritage Music Exposed, Barbary Ghosts Slim’s. 5pm, $10.

Hightower, Walken, Asada Messiah Bottom of the Hill. 4pm, $8.

Meshell Ndegeocello Independent. 8pm, $25. Prince covers.

Royal Baths, Twerps, Lilac Hemlock Tavern. 9pm, $6.

Tahiti 80, It’s For Free Grace, Sunbeam Rd. Rickshaw Stop. 8pm, $12.

Umphrey’s McGee, Big Gigantic Fillmore. 8pm, $25.

JAZZ/NEW MUSIC

John Butcher, Bill Hsu, Gino Robair Artists’ Television Access, 992 Valencia, SF; www.atasite.org. 7:30pm, $6.

Mark Inouye and the Unit Yoshi’s San Francisco. 7pm, $15.

Marcus Shelby Trio Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 11am, $5-15.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

John Pizzarelli and Jessica Molaskey Venitian Room, Fairmont San Francisco, 950 Mason, SF; www.bayareacabaret.org. 5pm, $45.

Preservation Hall Jazz Band, Bourbon Kings Brass Band Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 7pm, $25-60.

Pete Yellin, Larry Vuckovich, Buca Necak, Adam Goodhue Bliss Bar, 4026 24th St., SF; www.blissbarsf.com. 4:30pm, $10.

Paula West and George Mesterhazy Quartet Rrazz Room. 7pm, $40.

FOLK/WORLD/COUNTRY

Falls City Five, Misisipi Mike Wolf Thee Parkside. 2pm, free.

Family Folk Explosion Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8pm, free.

DANCE CLUBS

Death Guild 18th Anniversary: Assemblage 23 DNA Lounge. 8pm, $22. Industrial.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and guest DJ Arson.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers — sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

Swing-out Sundays Rock-It Room. 7pm, free (dance lessons $15). DJ B-Bop spins 20s through 50s swing, jive, and more with varying live band weekly.

 

MONDAY 14

ROCK/BLUES/HIP-HOP

Liar Script, Threads, Neon Anyway Elbo Room. 9pm, $5.

Smiths Indeed, Reptile House Café Du Nord. 8pm, $10.

DANCE CLUBS

Death Guild 18th Anniversary DNA Lounge. 9:30pm, $5-10. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

 

TUESDAY 15

ROCK/BLUES/HIP-HOP

Beehavers, Passenger and Pilot, Sour Mash Hug Band Bottom of the Hill. 9pm, $8.

Harper Blynn, Schuyler Fisk, King Baldwin Café Du Nord. 8pm, $10.

East Bay Grease, Only Sons, D. Runk Knockout. 9:30pm, $5.

House of Pain, Big B, Dirtball, Sozay Fillmore. 8pm, $25.

Yea-Ming, Andrew Licoln Levy Hemlock Tavern. 9pm, $5.

FOLK/WORLD/COUNTRY

Forro Brazuca, DJ Carioca, DJ P-Shot Elbo Room. 9pm, $7.

Panique Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

DANCE CLUBS

Death Guild 18th Anniversary: Imperative Reaction DNA Lounge. 8pm, $22. Industrial.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Extra Classic DJ Night Little Baobab, 3388 19th St, SF; www.bissapbaobab.com. 10pm. Dub, roots, rockers, and reggae from the 60s, 70s, and 80s.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

 

Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

Get hammered

10

culture@sfbg.com

Until recently, its existence has played out quietly in Alabama basements and Vermont backyards. If you’ve seen anyone engaging in it, chances are it was a group of raucous bros on YouTube or Elijah Wood and Jimmy Fallon on The Late Show. If you saw it up close, you may have fled the general area.

Though its origins are obscure, most agree that Stump, the rather insane game in question, comes from some densely wooded part of Maine. It’s since been zigzagging its way across the country, through college campuses and rowdy backyards. Recently it made its way to the Bay Area.

“I first learned about it because I walked into my friend’s basement and there were 20 people screaming drunk throwing hammers. It turned out they’d been having these Stump parties every week for a while,” said Richmond resident Elon Ullman. “After a while, we got good at it and started adding our own variations.”

“Beer pong and flipcup are pretty one-dimensional,” adds Penn Chan, who attends Bard College in Annandale-on-Hudson, N.Y., (where the game was introduced by a Wisconsin girl called “Sparky”) with Ullman. “Stump evolves as people who’ve played in different areas come together and discuss how they’ve played.”

The fundamentals are simple: a hammer, some nails, and a stump. You toss the hammer in the air so that it revolves completely, catch it, and bring it down on the nail without breaking its momentum. If you drive your opponent’s nail all the way into the stump, you win. It’s usually played as a drinking game — you drop your hammer, you drink. You catch it awkwardly, you drink. You drink if you miss the nail and hit the stump, or if you hit your own nail, or if somebody else hits your nail, etc.

Rowan McCallister demonstrates a double toss

Because Stump is usually played in large, chaotic groups, hitting anything at all is a matter of chance. But if you take it seriously as a game of skill, a whole series of choices opens up, starting with where to place your nail. A stump that’s seen a few games has its own unique geography. Nail “cities,” twisted lumps of jagged metal, spring up in heavily used areas of the stump. Danger can attend: it’s possible to put your nail so close to an opponent’s that, in trying to hit your nail, he risks shredding his knuckles.

“The first rule of Stump is, if you bleed you have to bleed on the stump. The second rule is, no coagulating,” says David Liefert, who’ll be a junior at San Francisco State University this fall. On a warm Saturday a couple weeks ago, he invited me over to watch a few games. He and his friend Rowan McCallister, also a student at SF State, started playing Stump with Elon last summer, and created their own variations. Longer, thicker nails make for a longer game. Gold nails sink faster. Players can flip the hammer more than once, and can choose whether to flip it forward or backward.

Blood on the stump

Then there’s the question of the hammer itself. Metal hammers are evenly weighted, while the head of a wooden hammer is much heavier than the shaft. This tends to make the hammer spin fast and wild — it’s harder to control, but it’s also easier to make it flip over twice. Liefert and McCallister play a few rounds with a wooden hammer, then switch to the metal hammer for a two-flip game. The change throws them both off. On his first toss, McCallister miscalculates and wings the hammer over his shoulder. “Shit,” they both call out automatically, following the arc of the flying hammer.

“It looks like we’re doing something really wrong,” Ullman says. “I’ve always wondered what would happen if I were to play in Golden Gate Park. Could we be charged with anything?”

San Francisco park rangers could not be reached for comment, but Article Four of the city’s Park Code — under the heading “Disorderly Conduct” — contains at least three sections that might apply, including injunctions against “throw[ing] or propel[ling] objects of a potentially dangerous nature,” damaging or removing existing wood, and, crucially, “consumption of alcoholic beverages in the Panhandle, Stanyan Meadow, and Sharon Meadow.”

When I’ve watched people playing Stump, I’ve been struck by how often the word “respect” comes up. If a player flubs a throw and graciously declines to take his shot, it’s traditional for his opponents to say “respect” and drink. Unlike other drinking games, though, correct technique is emphasized and style is rewarded. “It’s chaotic but intellectual,” says Ullman. “It’s like physical chess.”

If you’re interested in playing Stump, e-mail David Liefert at baystump@yahoo.com.

Bug artist under glass

1

Kevin Clarke is riffling through drawers, tossing around their various contents and muttering to himself, “I can’t believe I can’t find the lingerie.”

On every surface of his Richmond home, which doubles as his studio, the instruments of his trade are scattered: pins, needles, razorblades and film. But this isn’t some sort of dungeon, and Clarke’s job isn’t to indulge clients’ fetishistic fantasies. His trade is insect art, and the lingerie is for his beetles.

Clarke is a trained conservation biologist who now spends his days boiling butterflies and spreading insect wings, creating whimsical dioramas and gorgeous butterfly wing necklaces he bills as “museum quality insect art.” This year marks the first that his company, Bug Under Glass, has been his sole source of income, but Clarke’s fascination with all things creepy-crawly started long ago.

“I grew up in Massachusetts, where I was fortunate enough to have a huge tract of land behind my house,” he says. “I explored, played with dirt, and got to know insects really well.”

A generation later, Clarke – who is expecting a wee one of his own with wife, Jen – worries that children today won’t have access to anything like the natural world he experienced as a youngster. Urban and suburban areas in the United States are undergoing a process of fragmentation, he explains, that leaves mere pockets of green space too small to support native species. 

“Most people driving by don’t even realize it,” he says. Which is the reason he’s given up flirtations with dentistry and psychology – and a bona fide job in financial analysis – in order to educate through beautiful and humorous entomological displays.  

Though he draws the connection between finance and ecology – studying patterns in order to make predictions – Clarke simply wasn’t meant to wear a suit and sit behind a desk. In 2002, when a friend informed him that the California Academy of Sciences needed help preparing and cataloguing insects for a terrestrial arthropod inventory of Madagascar, Clarke began pinning bug parts for free.  Six months later, anticipating an opportunity to work in South Africa for famed ant scientist Brian Fisher, Clarke quit his finance job cold in order to train.

Clarke says he was a “geeky, eager kid who was always pestering (Fisher) for a job” – a description Fisher agrees with wholeheartedly, adding that “people studying insects tend to feel free to be more themselves.”

Indeed, it was after working for Fisher that Clarke returned to his hometown of Medfield, Mass., moving in with his parents at age 30 in order to pursue graduate studies in conservation biology. There, he saw his former backyard playground taken over by housing developments, his town “consumed by urbanization.” Suddenly, habitat preservation became a real, tangible issue.

 So how did the formally trained conservation biologist end up gluing farm-raised beetles to bicycles for a living? The seed was planted at the California Academy of Sciences, where Clarke worked in a room amidst 14 million specimens. 

“I was blown away by the diversity of insects, yet I was disappointed that these beautiful insects were in an area of the museum that people don’t ever see.”

Clarke’s art is his response to the growing alienation of people from their natural world. He is a purveyor of formally matted butterflies, artful displays of insects foiled by paper ephemera, and – to the delight of the young and young-at-heart – beetles humorously inserted into an array of human landscapes.

“It’s a great way to have a product that is educational, conservation-minded, and reminds people of a world they can’t necessarily always see,” Clarke says.

Clarke notes that the anthropomorphized insects – beetles playing the saxophone or sitting on the toilet reading a newspaper – are a particularly good way to draw in audiences with an insect aversion. “The same people who look at spiders in my traditional displays – the ones whose reactions are ‘ick, argh, eww’ – will get up real close,” he says. “It brings the natural world a little closer in a weird, distorted way.”

Clarke started building his displays as gifts for friends, but says “I’d always had this dream of making bugs my business.” Today that business supports his family, but also supports butterfly farmers – and conservation efforts – across the world. 

According to Kristin Natoli, a California Academy of Sciences biologist who supervises the importation of farmed butterfly chrysalises for the museum’s live exhibits, butterfly farming provides an important form of economic activity that doesn’t rely on destroying ecosystems, as agriculture or logging might. Instead, it ensures that rainforest areas from Costa Rica to Thialand, Indonesia to Africa are preserved, because butterfly farmers must collect wild larvae to breed, and plant native habitat on their property to raise their captive population. 

Clarke adds that butterfly farming is supported by the UN Wildlife Fund and The Nature Conservancy. “It’s a way to help impoverished people around rainforest areas that isn’t destructive,” he says.

Clarke has personally visited many of the farms from which he purchases his insects, and unlike butterfly observatories, Clarke’s shadowbox displays make use of animals that have lived out their full lifecycles and died naturally. They also provide a product that people can take home, sit on their shelf, and experience forever. 

For Clarke, who once worked as a stager for Pottery Barn making “life-size dioramas,” gluing arthropods onto park benches seemed like a natural next step. Fascinated by miniatures since childhood, he grew up with a huge train set in his basement and a family of hermit crabs who were treated to a constant stream of newly-renovated Lego architecture.

“It took me over a year to figure out how exactly to get them to stay on there,” he says, describing the day he finally conquered the difficulty of manipulating the bugs, which must be soaked, softened and pinned in place in a multi-step process. “I had just broken up with I girlfriend. I was drinking. It was euphoric.”

And the type of glue he uses?

“It’s a trade secret.  I can’t tell you,” he grins. “But I’ll give you a hint: I use three kinds.” 

Clarke hopes that his epiphany will ultimately help children relate to insects with less apprehension and more curiosity.  

“Fear of insects is a learned behavior,” he says. “When I see kids at my craft shows, they always want to come right up to the displays. Their parents are afraid.”

Clarke notes that insects account for 80 percent of all animals. Of nearly one million known insect species, less than one percent have been evaluated.  With some sources estimating that several thousand species go extinct each year, Clarke understands the importance of turning around our “nuisance” mentality toward insects.

“We’re stung by a bee or see ants in our kitchens, so our conception of insects is negative. We forget about the great things: ants spread 30 percent of all plant seeds and aerate more soil than earthworms … we learn things from insects, and they provide one in three free ecosystem services – things like pollination, that amount to billions, trillions of dollars annually.”

But “in general, scientists are horrible communicators,” Clarke says. He argues that showcasing insects in terms of their beauty, wonder, and – yes – humor can help bring the whole issue a little closer to home. 

“Because,” he says, paraphrasing author E.O. Wilson’s view on environmental destruction, “when it happens in your own backyard, you’ll care.”

You can shop Kevin’s creepy-crawlies online at www.bugunderglass.com

This time it’s personal

0

arts@sfbg.com

MUSIC The wee small hours of the a.m., when the rest of the world is deep in z’s, is magic time for Tim Cohen. “Most of my profound musical moments have come very early in the morning, not being able to sleep and being woken up by a weird dream or nightmare,” verifies the leader of the now-defunct Black Fiction, co-songwriter of the Fresh and Onlys, and proud papa of Magic Trick (Captured Tracks). He casts clear gray eyes — taking everything in like fully open apertures — out the front window of Cafe Abir, pint on hand and orange cap squashed over his brow while sunlight brushes away gray, stormy skies.

One such sonic turning point came in about 2002, when Cohen was visiting his parents in Richmond, Va. After buying a clutch of John Fahey LPs from a thrift store that day, he dreamt of driving through the “spiderweb-like complex” of a suburban business park. All around him women standing at the tops of the buildings were jumping to their death. Startled awake, he put on the first album he saw — Fahey’s Vol. 4: The Great San Bernardino Birthday (Takoma, 1966) — and, with his headphones on, drifted back to sleep to the sound of acoustic fingerpicking and then the backwards guitar of “Knott’s Berry Farm Molly.” This time he was driving the dream in reverse, cruising backward as the suicides jumped back onto the buildings.

“I woke up and swore off playing with a pick,” Cohen declares today. “I went on this several-year run of writing fingerpicked acoustic songs, waking up and realizing there are so many possibilities to this guitar.”

Those sorts of dawn revelations are the reason Cohen says he bolted awake in his Left Coast bed for no explicable reason on the morning of 9/11 — and why he advises susceptible listeners, in the notes for his third solo album and its accompanying double 7-inch EP, Bad Blood (also on Captured Tracks), that they should listen to the music in the comfort and terror of morning darkness. And it may be the reason why he ever-so-sweetly wails on Magic Trick‘s “Sweetheart,” “Don’t be afraid of my heart/ I’m not afraid of the dark.”

“That’s the time of day when you’re most like a sponge,” Cohen explains, as busy Divisadero Street bustles outside. “Every experience you have, whether it’s ecstatic or traumatic, it’s going to stick with you.”

There’s more than a bit of a seer in Cohen, who says he’s making a practice of being open to collaborations with, say, bassist Shayde Sartin in the Fresh and Onlys (note: Cohen refuses to cop to being either Fresh or Only) and to inspiration when it hits him, which is often. “I have a lot of songs coming out me,” he says matter-of-factly.

Fortunately, Cohen has iPhone’s voice memo at the ready to capture scraps of melody and a Tascam 388 in his amazingly tidy bedroom studio to record with, high in the gnome’s-cap fairytale tower of his Western Addition Victorian, surrounded by 360-degree bird’s-eye windows overlooking SF. Cohen’s own intriguing, intricately detailed drawings decorate the walls of the flat, much as they do the covers of his solo LPs, coexisting easily alongside Cubs memorabilia. He’s recorded much of his music here — and it’s legion, including hip-hop projects the Latter, Hattattack, Feller Quentin, and the semi-active Forest Fires Collective; psych combo 3 Leafs; and the “druggy” Window Twins, which will release a full-length this year.

With the help of bassist-keyboardist Alicia Vanden Huevel (Aislers Set), drummer James Kim (Kelley Stoltz), and Noelle Cahill, Magic Trick may be Cohen’s most refined, effortlessly endearing recording to date. His dark, pretty, strangely exhilarating lovestruck songs dip deliciously into cockeyed folk ruminations (“I Am Never Going to Die”), curious psychedelia (“New House in Heaven”), throwback 1960s pop with a three-way wink (“Don’t Give Up”‘s whimsical “When three people lie down together/ They’re trying to make a good thing better/ Good things happen all the time”), and scorched-earth country (“The Flower,” based on the songwriter’s real-life experience of eating a poisonous lily in mid-flirt), with Cohen hitting new almost-heartbreaking highs with his disarmingly rough-hewn vocals and wiseacre-y wise-fool wordplay.

Modern lovers, take heed. This time it’s personal for Cohen, who enjoys a nice, sturdy alias as much as the next MC. That’s why his name is on it. 

TIM COHEN

With Holy Shit, Puro Instinct, Sam Flax and Higher Color, DJ Jimi Hey

Thurs/24, 9 p.m., $5–$8

Great American Music Hall

859 O’Farrell, SF

(888) 233-0449

www.gamh.com

 

Renew yourself

2

culture@sfbg.com

So 2011 is a couple months in, and already your new year’s resolution list reads like so many dreams deferred? Chuck it in the flames — not all rebirths neatly coincide with the Gregorian calendar. This spring, rejuvenate your inner and outer workings with some of these excellent opportunities to renew everything from your chi, to your core strength, to the sweetness of your swagger.

 

HEAR THE CRY OF THE MIDNIGHT DOWN-DOG

Tripped the light cataclysmic a time too many? The toxic Fernet fumes ooze from your pores, and you’ve left not only your debit, but your credit, library, and frequent bagel-buyer card in various watering holes about time? Time to purge. Take a night off from tippling and toddle to Laughing Lotus, where Friday night’s midnight yoga class (each week from 10 p.m.-midnight) soothes abused chakras — and livers, need be. Each week even features a different live musician: Fri/25’s class will be home to the didgeridoo and sound-healing savasana of Amber Field.

Laughing Lotus, 3271 16th St., SF. (415) 355-1600, www.laughinglotus.com

 

PARTICIPATE IN A GROUP POKING

What’s community acupuncture, you ask? Small groups of patients are treated in recliners in a quiet, calm room. During the hour-long sessions, those waiting for their pokes receive staggered personalized care (needles are inserted into one’s limbs, face, and head: no disrobing necessary) from a licensed acupuncturist. Learned how to share in kindergarten? Perfect, because the cooperative method means that a single session will only run you $25–$45, including the initial visit’s paperwork fee. Circle Community Acupuncture, 1351 Harrison, SF. (415) 864-1070, www.circleca.com

 

ALKALINIZE!

Fasting, ugh. It has its place, but not eating anything is a bitter pill in the land of street tacos and gourmet coffee grounds. If you’re asking our opinion, a day of cleanse is best accessorized with Lydia’s raw green soup, a tangy elixir of kale, cucumber, dulse seaweed, avocado, ginger, and other green delicious majicks. Lydia’s sells neatly packaged soup servings, resplendent kale chips, and other yummy raw treats are favorites at the city’s crunchiest festivals, and you can pick them up at health food stores too.

Available at various SF grocery stores, www.lydiaslovinfoods.com

 

SWEAT IT OUT

Hidden behind hippie-wear emporium P-Kok is a small green garden and a sauna where tired city souls retreat for the store’s patchouli-heavy full moon ceremonies, complete with vibrational sauna singing. Starting in March, the hidden space will go holistic and become Tall Tree Tambo Wholeness Center. Monthly memberships (to encourage the use of the space as a healthy community hub) will be available for $100–$125 including coed and single-sex sauna access, healing events facilitated by other members, and the center’s four on-site healing arts practitioners, small-group classes in spiritual alignment, yoga, and the ever-popular full moon rites.

776 Haight, SF. (415) 430-8285, www.talltreetambo.org

 

TAKE INSPIRATION FROM A FEMALE FIGHTER

Forget Rocky. For true Bay Area boxing spirit, you couldn’t do better than checking out the super bantamweight championship boxing match of Ana “the Hurricane” Julaton vs. Franchesca “the Chosen One” Alcanter on Fri/25. Julaton, a Daly City and Bayview raised Filipina American, is looking to regain her standing in the pro world after a disappointing loss last year. Regardless of who walks with the belt, the ring’s high-powered punching — and rock hard musculature — is worth checking out if you’re in need of some gym motivation.

Fri/25 6 p.m., $35–$360. Craneway Pavilion, 1414 Harbour, Richmond. www.brownpapertickets.com

 

SWEAT TO BOLLYWOOD BREAKS

Of course, you could saddle up your most comfortable heels and get your werqout in the club. Should you try this tactic, you could hardly do better than the rum-tum-tum stylings of Non-Stop Bhangra, a night that’s been teaching San Franciscans how to circle wrists and move hips in pure Punjabi mode since 2004. Nights begin with a hour-long class on Bollywood-style dance, continues with ample time to practice to beats by resident DJs and guest scratchers, and now attract a diverse following of races, ages, and ahem, physical aptitudes. Calorie burn and culture learn at the same time, perfect.

Next show: March 19 9 p.m., $10–$20. Rickshaw Stop, 155 Fell, SF. (415) 861-2011, www.nonstopbhangra.com

 

READ ABOUT OTHER, HEALTHIER PEOPLE

Maria Arellano was gunning for a healthier lifestyle, so she decided to blog about it. “Accountability,” the chipper office manager e-mailed us when we asked her about Oh Healthy Day‘s providence. “Posting your workouts and healthy eating habits with others is a great way to stay motivated.” Her short, addicting posts and sunny photos of her ongoing journey to fitness are also great ways to hold us accountable — how are you going to down that family-sized bag of corn chips after reading Arellano’s upbeat prose about her delicious protein and veggie dinners or inspiring Crossfit workout? Answer: you’re not.

www.ohhealthyday.com

 

REACH FOR THE SKY

While the spectacularly cool House of Air has added a valuable component to San Francisco’s kid’s-activity-starved landscape (little ones can’t help but explode with glee at the very sight of the humongous “Bounce House”), there’s trampin’ for adults as well. Specifically, the Air Conditioning workout is a 50-minute fly-through that promises to “leave your cheeks just as sore as your quads from smiling so much.” At $16 for a 50-minute session, it’s not a huge leap to “yes.”

926 Mason, SF. (415) 345-9675, www.houseofairsf.com

 

BUFF YOUR BRAINPOWER

Feel the burn all you want in your thighs, but no fitness program would be complete without a stretching your mind. At vibrantBrains, you’ll exercise that flabby cerebellum in what amounts to a workout for your brain. Improve your memory, tackle abstractions, and fast-track your alertness, literacy, and comprehension skills with programs like “Neurobics,” “Mind Evolve,” “NeoCORTA,” and “Posit Science Cortex with InSight.” Each program concentrates on a different area of mental agility using a combination of cutting edge techniques and personal attention. Even reading about the various vibrantBrains offerings makes us feel smarter.

3235 Sacramento, SF. (415) 775-1138, www.vibrantbrains.com

 

IMMERSE YOURSELF IN EGGHEAD

Holy smarty-pants, Batman, there’s a ton of intellectually stimulating stuff going down at the Mechanics’ Institute. Any given day you might enjoy a screwball comedy from the 1940s, a talk by a famous fantasist-cartographer, a book club discussion centering on the Harlem Renaissance, a class in beginner Excel, or intensive chess instruction at any level. It’s also a library! The 1854 Mechanics’ Institute building is a mind-blow in itself — but with a wide-ranging and welcoming program of creatively exhilarating (and very inexpensive) events, you may not even notice your intriguing surroundings.

57 Post. # 415, SF. (415) 393-0110, www.milibrary.org

 

STROKE SOME FUR

Next time you’re about to calculate your checkbook in your head or cry because your (ex-)drummer stole your boyfriend, head over to the Little Farm petting zoo in Berkeley’s Tilden Regional Park. This fully-loaded snuggle gang of cows, goats, rabbits, chickens, and pigs will have you back to your cute self — because petting zoos are restorative for small, whiny children, but they also work for midsized, whiny adults.

Little Farm petting zoo, Tilden Regional Park, Central Park Drive, Berk. (510) 525-2233, www.ebparks.org

 

MEDITATE STUPA-SIDE

If you want to change your outlook, pay a visit to the Peace Pagoda in Japan Center, an underrated San Francisco landmark. Designed by artist and architect Yoshiro Taniguchi, the pagoda and its subtly Op Art-tinged interpretation of a Buddhist stupa made their debut in the year of the Summer of Love. Walk around and even step inside Taniguchi’s 100-foot-high, five-tiered, many-passaged structure to meditate from an infinite variety of angles. Or better yet, play a quick game of hide and seek with someone you love. 24-7.

1704 Post, SF. (415) 775-1817, www.sfjapantown.org

 

LET YOUR SPIRIT WANDER

Sometimes the best way to refresh yourself is to get a little lost. When things begin to spiral out of control, let the ancient spiritual meditative paths of the three Bay Area labyrinths lead you to a calmer place. Take a natural journey to the mysterious Eagle Point Labyrinth (Lands End, Sutro Heights Park, SF.). Experience transcendence — and a spectacular quiet zone — with the Labyrinth at Grace Cathedral (1100 California, SF. www.gracecathedral.org). Or amble with playful tots along the colorful circle of the Scott Street Labyrinth near Duboce Park (Scott between Duboce and Waller, SF).

 

MULTITASK YOUR RETRO BEAUTY FIX

If you want to feel new, sometimes there’s only one thing to do: get a fresh hairdo at Down at Lulu’s. The bass is thumpin’, the clothes are cheap and sexy, and the pop culture treasures and creative energy are abundant at this self-described “hair salon-vintage clothing-record store-junk shop” co-owned by Tina Lucchesi and Seth Bogart, where you can get hot highlights, cuckoo color jobs, and perms with panache.

6603 Telegraph, Oakl. (510) 601-0964, www.downatlulus.com.

 

PUT CUTE AT YOUR FINGERTIPS

You’ll break your lease in the land of not-so-fresh after an introduction to wonders of kawaii nail art. Let Trang Bui, the manager of Crystal Nail, facilitate your escape from the days of dull French manicures with her signature collage talons of glitter, jewels, and — so popular you should book and specify you want them well in advance — Hello Kitty 3-D art. Don’t be shocked at the price tag — a full acrylic set with designs and tip will run around $65. Worth it for such blingy digits, no? Next challenge: learning to type with horizontal fingers.

2347 Clement, SF. (415) 752-4425

 

STICK A FEATHER IN YOUR COIF

Still rocking the all-natural look? Shame that — freshen up your do with some feather hair extensions, slim bursts of hue that’ll set you apart from the other land-locked long hairs, but don’t involve the same commitment as a jar of Manic Panic (though they can last for months). You can get a natural or neon-colored bundle of up to four feathers for $30 or single plumes for $10 each at the Mission’s Pretty Parlor. Move fast — once these hit Dolores Park, the trend’s gonna blow up.

Pretty Parlor. 3150 18th St., SF. (415) 556-2883, www.prettyparlorsf.com

Crazy like a Mission homeboy

1

caitlin@sfbg.com

LIT Benjamin Bac Sierra, San Francisco City College English composition and literature professor and author of Barrio Bushido, an ode to Mission District vato locos, picks me up in his cherry red-and-black 1972 Chevy Monte Carlo low rider. As an academic who started selling weed in the Army Street projects when he was 10, Bac Sierra is well aware that he has an attention-getting car. As it turns out, it nicely represents his world view.

“I’m not supposed to be driving a Monte Carlo. I’m not supposed to be talking to you like this,” he tells me, his conversation inflected with casual swear words and a rhythm like that of an evangelist preacher, or maybe just a man who feels what comes out of his mouth. “A lot of people go into education and think they have to choose: am I going to be square or am I going to be how I used to be? But you can be intellectual and homeboy-homegirl at the same time.”

Barrio Bushido, Bac Sierra’s first novel, follows the story of three young men who ricochet from romance to brutal gang beatings, PCP leños, larceny, and neglect. Lobo, Santo, and Toro’s world has made them wild gangsters. Author Maxine Hong Kingston has compared Bac Sierra’s prose to that other chronicler of the underground man in uncertain times, Dostoyevsky. Although it hardly glorifies the protagonists, an honor and a beautiful-crazy logic to their deeds does emerge. Bac Sierra holds that the impulsiveness, that locura, needn’t be forgotten when someone leaves the street hustling lifestyle.

“I want to make a line between being a homeboy and the negativity. Craziness is a power — you can’t learn that in a book,” he reflects. We drive by his brother’s old house on Treat and 21st streets — Bac Sierra hears that a PayPal executive lives there now. After Bac Sierra’s father died, his brother, charismatic and clever, brought him up — until his brother wound up in jail and died young.

When Bac Sierra was 17, years after he had dropped out high school and begun dealing angel dust, he had a choice. He could continue his lifestyle, possibly ending up dead or in jail, or “retreat” into the Marines, which represented an honorable discharge, as it were, from the barrio.

Bac Sierra’s experience in the Marines followed the same lines as Toro’s, his headstrong and loyal Barrio Bushido character — to a point. Both of them cleaned up and were promoted to squad leader because of their sheer “craziness.” And both saw serious front line action during the Gulf War. Bac Sierra manned a machine gun as part of the first wave of Marines to land in Kuwait City in 1991. He also began writing in the military, letters home that he would revise “maybe 10 times — I wanted to be heard.” Although he doesn’t specifically recommend military service to young people, he recognizes the value of the discipline learned in the armed forces. “A lot of homeboys don’t do shit,” he says flatly.

After serving, he retained his strong ties to the Mission and his family there. Before his brother died, he was the one who motivated Bac Sierra to get his college degree, not to stop at his master’s in creative writing from UC Berkeley, but to continue on to law school. “Hood logic,” Bac Sierra calls it, the idea that a degree in a concrete field was far better than one writing. Although he hated every day of law school, he can now appreciate the experience and the knowledge it brought him.

He pulls the Monte Carlo over to speak with an older man on the corner across the street from his brother’s old house. “Yo escribí un libro, señor, en honor de mi hermano,” he calls out the window, inviting the man to his upcoming book release party at Mission Cultural Center. Many of his friends from the old neighborhood (he now lives in Richmond, where he is raising two of his four children, Margarita, nine, and Benny, six) are Barrio Bushido‘s biggest supporters. I ask him if it makes him sad, how much the neighborhood has changed since when he grew up. “This is the world. Economics knows no friends.”

I recognize the last line from Barrio Bushido. Its characters speak with an urgent poetry, moving through scenes influenced by Dostoyevsky and Miguel Ángel Asturias, with Gabriel Garcia Márquez-like magical realism. Bac Sierra wants the book to be taught in schools and has set a goal of having it adopted into 50 class sections by next semester.

Other things he hopes for: first, that readers be taken on a journey. “It doesn’t have to be stuffy. I want them to be amazed with the language.” Second, he wants the book to show that life is full of choices. “Start living here in this world,” as he puts it.

His last hope is for a “homeboy resurgence” in the Mission, the neighborhood that was once the center of Latino culture in Northern California. Thursday’s party at the Mission Cultural Center is a start. Bac Sierra is planning a low-rider show, Aztec dancers, a reading, and live music for the event — the positive parts of homeboy culture, like Bac Sierra himself. “I’m fucking straight homeboy,” he says. “I am very efficient. I am always inventing things.” 

BARRIO BUSHIDO BOOK PARTY

Thurs/17 7 p.m., free

Mission Cultural Center for Latino Arts

2868 Mission, SF

(415) 643-5001

www.missionculturalcenter.org

Travels in a strange sushi

0

Tanuki Restaurant on California and Sixth Avenue was my first taste of the Richmond and my millionth of raw fish. On a quiet block in unfamiliar territory far from Mother Mission, I saw her “Open Sushi” neon sign and walked towards the light. But before I go on, I should admit that my heart belongs to another: We Be Sushi on 16th and Valencia. Theirs is simple, clean, casual, and delicious fish. But as every baby bird must one day leave its nest, so must I leave my small, insular universe to discover nourishment in new land.

The Richmond – what are you? I took the #33 past Golden Gate Park and – I know I am a ridiculous Mission idiot – entered the Twilight Zone. Where were all the people? Why are the streets so wide? Why is the sky so big? I guess there were some inhabitants, but they all seemed eerily calm, mustache-less. And there was so much space between them. There I was: a stranger in a strange land trying to get a spicy tuna roll.

The disconnect was heightened upon entering Tanuki, where my friend and I were faced with that awkward bad thing where you try to give the other tables space, but your server forces you to sit next to them anyway. I comforted myself with the thought that cultural immersion really is the best way of getting to know a place.

 

Counter attack. Photo by Alex Fine

And what a place! We were in a 1970s ski lodge. Well not literally, you’d have to ignore the long white counter and glassed-in fish with industrious chef behind — but with the low ceilings, suspicious wood paneling, and ESPN playing on the TV that hung over the small center dining room I caught a fresh-faced, schussing vibe. There were a few other tables near us: two hetero single lady couples complaining about men, one deliriously happy Midwestern-looking middle-aged duo, and a table of dudes desperately trying to make it known that they were a band. Everyone was white. But enough about the vibes, you crunchy Mission-ite. How was the food?

I am but a casual fisherperson. Virtually all I know about sushi is based on subtle inclination, hunch, and rumor that I can’t remember the origin of. I don’t think I’m alone there. But whether or not sushi is an ancient Japanese art or a conspiracy created by the US government, most of us can agree that it’s lovable fare (even when it’s not from We Be). 

But as far as I’m concerned, there are two kinds of sushi. One, a simple, minimal kind that allows you to fully taste its one or two ingredients. Two, the kind where the rolls are named things like Kamikaze and Oompa Loompa Sex Party and contain a million varieties of mayonnaise, teriyaki sauce, and what basically amounts to ketchup. 

I enjoy both — and I’m not making any sort of heady, stuck-up judgment about which is better (see my knowledge-of-sushi caveat above). But what I am saying is that Tanuki was inching towards the latter kind. And it was a little expensive — most menu items were between $10 and $20. 

On that menu: hot hamachi, oyster shooters, carpaccio, and clams in miso soup, to name but a few offerings. Everyone around us was ordering one oyster shooter after another – delicacies I still can’t categorically define, but “shooter” anything and I start to have my doubts. 

We started with a large green salad and a seaweed salad. The seaweed salad was good, but seaweed salad is hard to screw up. The green salad was huge and semi-warm with mushy tomatoes and watered-down miso dressing. It grossed me out, but you couldn’t tell from the way I wolfed it down. My friend got a huge bowl of shrimp tempura in udon noodle soup. Halfway through she exclaimed, “I want a beer and a peanut butter Snickers.” I tried it and thought the udon noodles were fun and chewy, the broth satisfying. But I agreed that Snickers might be in order. 

I had a house roll: crab, salmon, tuna, and avocado in a moat of spicy mayo and teriyaki sauce. It was great because it was huge, and spicy, and I was starving. I didn’t pay much attention to the fish — how could I? It was covered in creamy sauce. There’s nothing wrong with that, but it does seem rather base to smother something expensive in sriracha mayo. 

I’m not whining. Much. I’m just saying that, as I finished the last droopy bites of my pal’s udon, the servers throwing me shade nearby, and the sound of show tune instrumentals playing softly overhead, it dawned on me that sometimes; it’s ok to stick with We Be Sushi.

 

Tanuki Restaurant

Mon- Sun 11 a.m.–10 p.m.

4419 California, SF

(415) 752-5740

Beer and Wine

MC/V

Moderately Noisy

Wheelchair Accessible

 

Appetite: Catching our Fancy

0

Fancy Food, the largest showcase of specialty foods in North America (held annually in NYC and SF) returned to the Moscone Center. Again this week I explored thousands of products from around the world, with only the limits of my stomach to slow me after hours of sampling.

Fancy Food showcases trends in food, which there’s been much talk of this week already. I didn’t notice many major differences from last year, but saw a welcome increase in spirits vendors (though still merely a handful) and a continued proliferation of healthy, organic, low calorie (therefore sometimes tasteless) products. I was impressed by Teatulia out of Denver and their completely compostable wrappers and packaging. Their clean, 100% organic teas are grown in Bangladesh, subtle but full in flavor. I also took note of Philippe Padovani of Padovani Chocolates‘ sultry chocolates, in flavors ranging from apple banana ganache to lilikoi soft caramel.

Here’s my coverage from last year, and my stand-outs this year:

SPIRITS

Sinai Mezcal – Probably the best taste of the day for this spirits lover was Sinai Mezcal, a tiny, under-the-radar mezcal that, despite tasting numerous brands, is the first to really excite me since Del Maguey. Whether Blanco, Reposado or Anejo, each is smoky, clean with slate and agave. Don’t mind the low budget labels… it’s all in the taste. They need a US distributor (hello, anyone?) At the very least, it should be on the shelf at Tommy‘s.

Velho Barreiro – One of the most popular cachaca brands in Brazil, this bright sugarcane spirit tantalized in a well-made Caipirinha but also stood on its own, whether the traditional Velho Barreiro or Gold (aged) version.

FOOD

La Tourangelle Oils – Based out of Richmond, CA, it’s no surprise these memorable oils are local. La Tourangelle‘s peanut, pistachio, sesame, white & black truffle, and avocado oils are superior to average brands, but their latest releases especially wow: Thai Wok Oil exudes lemongrass and basil essences, while Pan Asian Stir Fry Oil is layered with garlic, ginger, fried onion. You can purchase at Whole Foods, Andronico’s and Williams Sonoma, to name a few.

Rumba Dessert’s Ice Creams
– I’d seen Rumba before, but had not been able to try as many of its products as I did here. Whether creamy banana & cinnamon, tart passion fruit ‘maracuya’ or caramel-y lucuma (a tropical Peruvian fruit), I appreciate the robust flavor and care evident in these ice creams.  Rumba’s husband/wife team are delightfully engaging (wife, Laly Protzel is president and creates the recipes, while her husband assists with marketing and business). Find Rumba at Noe Valley Whole Foods and RJ’s Market in the Rincon Center, not to mention around the Bay Area.

Tahitian Gold Vanilla Products
Tahitian Gold is an elegantly-packaged line of vanilla products based out of Torrance, CA. Going the 100% natural route, they use a range of beans to create an intense vanilla bean paste, refined extracts for cooking, Tahitian vanilla sugar and fleur de sel. The look and quality is among the best I’ve seen in the vanilla world.

GlopGlop may not exactly sound appetizing, but it’s a playful spread of Parmesan and Asiago cheeses, olive oil, garlic, herbs and spices. It’s another Bay Area-based company — and the exciting part is they’re working with one of my very favorite chefs, Aziza’s Mourad Lahlaou, who has created sauces and dips they are hoping to sell further into the year. I especially like smoky harissa, chickpea and yogurt herb.

Yarra Valley Dairy’s Marinated Feta – From Australia, Yara Valley Dairy’s (http://www.yvd.com.au/) creamy feta pops with flavors of herbs in uber-fresh cheese. Handmade on the farm, it’s an elegant (and addictive) snack.

Crispy Green & Fruitzio – Usually a long list that includes gluten free, dairy free, vegan, nut free, means I’m not going to like it. In the case of a little bag of freeze-dried fruit from Crispy Green and Fruitzio, I’m pleased at just how edible the product is. Stand-outs were freeze-dried pineapple, banana and kiwi. It’s one of those guiltless snacks that doesn’t compromise flavor. Here’s where to find it.

COFFEE

Malabar Gold Supreme from Josuma Coffee Company – Kudos for a shiny, silver espresso machine calling me like a beacon and perfect espresso preparation of Malabar Gold from Josuma, based in Menlo Park. They sell their beans mainly to cafes or restaurants though are seeking retailers. The crema atop their espresso glows a warm, velvet brown, while the flavor awakens you with robust, elegant force.

Caffe Barbera – From Naples, Italy, Caffe Barbera, a fifth generation coffee company since 1870, likewise served a supreme shot from their gold espresso machine.

–Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot

They have issues: Members of the new Board speak

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Board President David Chiu touched off a broad political discussion in recent weeks with his statement that officials were elected “not to take positions, but to get things done.” Delivered just before his reelection as Board President with the solid backing of the board’s moderate faction, Chiu’s comment has been viewed in light of City Hall’s shifting political dynamic, a subject the Guardian explores in a Jan. 19 cover story. Politics aside, Chiu’s statement also begs the question: Just what do members of the board hope to get done, and how do they propose to accomplish the items on their agenda?
Last week, Guardian reporters tracked down every member of the board to find out. We asked, what are your top priorities? And how do you plan to achieve them? Some spoke with us for 25 minutes, and others spoke for just 5 minutes, but the result offers some insight into what’s on their radar. Not surprisingly, getting the budget right was mentioned by virtually everyone as a top priority, but there are sharp differences in opinion in terms of how to do that. Several supervisors, particularly those in the moderate wing, mentioned ballooning pension and healthcare costs. Aiding small business also emerged as a priority shared by multiple board members.

Sup. Eric Mar
District 1

Issues:
*Budget
*Assisting small businesses
*Programs and services for seniors
*Food Security
*Issues surrounding Golden Gate Park

Elected in 2008 to represent D1, Sup. Eric Mar has been named chair of the powerful Land Use & Economic Development Committee and vice chair of the City Operations and Neighborhood Services Committee.

Asked to name his top priorities, Mar said, “A humane budget that protects the safety net and services to the must vulnerable people in San Francisco is kind of the critical, top priority.”

It’s bound to be difficult, he added. “That’s why I wish it could have been a progressive that was chairing the budget process. Now, we have to work with Carmen Chu to ensure that it’s a fair, transparent process.”

A second issue hovering near the top of Mar’s agenda is lending a helping hand to the small businesses of the Richmond District. “There’s a lot of anxiety about the economic climate for small business. We’re trying to work closely with some of the merchant associations and come up with ideas on how the city government can be more supportive,” he said. Mar also spoke about the need to respond to the threat of big box stores, such as PetCo, that could move in and harm neighborhood merchants. “I’m worried about too many of the big box stores trying to come in with an urban strategy and saying that they’re different — but they sure have an unfair advantage,” he noted.

Programs and services for the senior population ranked high on his list. Mar noted that he’d been working with senior groups on how to respond to a budget analyst’s report showing a ballooning need for housing – especially affordable housing – for seniors. “It’s moving from the Baby Boom generation to the Senior Boomers, and I think the population, if I’m not mistaken, by 2020 it’s going up 50 percent,” he said. “It’s a huge booming population that I don’t think we’re ready to address.”

Addressing food security issues through the Food Security Task Force also ranked high on Mar’s list, and he noted that he’s been working with a coalition that includes UCSF and the Department of Public Health to study the problem. “We’ve had a number of strategy meetings already, but we’re trying to launch different efforts to create healthier food access in many of our lowest income neighborhoods,” Mar said.

Finally, Mar talked about issues relating to the park. “I do represent the district that has Golden Gate Park, so I’m often busy with efforts to preserve the park, prevent privatization, and ensure enjoyment for the many residents not just in the Richmond but throughout the city that enjoy the park.” Although it’s not technically in his district, Mar noted that he is very supportive of HANC Recycling Center – and plans to advocate on their behalf to Mayor Lee.

Sup. Mark Farrell
District 2
Issues:
*Pension reform
*Long-term economic plan for city
*Job creation
*Quality-of-life issues

Elected to replace termed-out D2 Sup. Michela Alioto-Pier, Farrell has been named vice-chair of the Government Audits & Oversight Committee and a member of the Rules Committee. A native of D2, Farrell told the Guardian he believes his roots in the city and background as a venture capitalist would be an asset to the city’s legislative body. “I know at the last board, Carmen [Chu] was the only one who had any finance background,” he said. “To have someone come from the private sector with a business / finance background, I really do believe … adds to the dialogue and the discussion here at City Hall.”

Along those lines, Farrell said one of his top priorities is the budget. “I’m not on the budget and finance committee this time around, but given my background, I am going to play a role in that,” he said.

So what’s his plan for closing the budget deficit? In response, he alluded to slashing services. “In the past, there have been views that we as a city don’t provide enough services and we need to raise revenues to provide more, or the perspective that we first need to live within our means and then provide more services. Everyone’s going to disagree, but I’m in the latter camp,” he said. “I do believe we need to make some tough choices right now – whether it be head count, or whether it be looking at …pension reform. I do believe pension reform needs to be part of the dialogue. Unfortunately, it’s unsustainable.”

He also said he wanted to be part of “trying to create and focus on a framework for a long-term financial plan here in San Francisco.”

Secondly, Farrell discussed wanting to put together a “jobs bill.”

“Jobs is a big deal,” he said. “It’s something I want to focus on. There are only so many levers we can pull as a city. I think the biotech tax credits have spurred a lot of business down in Mission Bay.”

Next on Farrell’s agenda was quality-of-life issues, but rather than talk about enforcing San Francisco’s sit/lie ordinance – supported by political forces who organized under the banner of maintaining ‘quality-of-life’ – Farrell revealed that he is incensed about parking meter fines. “It is so strikingly unjust when you are 1 minute late to your parking meter and you have a $65 parking fine,” he said.

Farrell also mentioned development projects that would surely require time and attention. “CPMC is going to be a major dominant issue,” he said. He also mentioned Doyle Drive, and transitional age youth housing projects proposed in D2 – but as far as the housing project planned for the King Edward II Inn, which has generated some controversy among neighborhood groups, he didn’t take a strong position either way, saying he wanted to listen to all the stakeholders first.

Board President David Chiu
District 3
Issues:
*Budget
*Preserving neighborhood character
*Immigrant rights
*Preserving economic diversity
*Transit

Elected for a second two-year term as President of the Board, D3 Sup. David Chiu is rumored to be running in the mayor’s race, after he turned down former Mayor Gavin Newsom’s offer to appoint him as District Attorney. That offer was made after Kamala Harris won the state Attorney General’s race this fall. And when Chiu turned it down, former Mayor Gavin Newsom shocked just about everybody by appointing San Francisco Police Chief George Gascon, who is not opposed to the death penalty and was a longtime Republican before he recently registered as a Democrat, instead.

A temporary member of the Board’s Budget acommittee, Chiu is also a permanent member of the Board’s Government Audits & Oversight Committee.

Asked about his top priorities, Chiu spoke first and foremost about  “ensuring that we have a budget that works for all San Franciscans, particularly the most vulnerable.” He also said he wanted to see a different kind of budget process: “It is my hope that we do not engage in the typical, Kabuki-style budget process of years past under the last couple of mayors, where the mayor keeps under wraps for many months exactly what the thinking is on the budget, gives us something on June 1 for which we have only a couple of weeks to analyze, and then engage in the tired back-and-forth of debates in the past.” Chiu also spoke about tackling “looming pension and health care costs.”

Another priority, he said, was “Ensuring that our neighborhoods continue to remain the distinctive urban villages that they are, and protecting neighborhood character,” a goal that relates to “development, … historic preservation, [and] what we do around vacant commercial corridors.”

*Immigrant rights also made his top-five list. “I was very sad that last November we didn’t prevail in allowing all parents to have a right and a voice in school board elections,” he said, referencing ballot measure Proposition D which appeared on the November 2010 ballot. “I think we are going to reengage in discussion around Sanctuary City, another topic I have discussed twice already with Mayor Lee.”

Another issue for Chiu was  “ensuring again that hopefully San Francisco continues to remain an economically diverse city, and not just a city for the very wealthy.” He spoke about reforming city contracts: “In particular, dealing with the fact that in many areas, 70 to 80 percent of city contracts are awarded to non-San Francisco businesses. … I think there is more significant reform that needs to happen in our city contracting process.” Another economic-diversity measure, he said, was tax policy, “particularly around ensuring that our business tax is incenting the type of economic growth that we want.”

Finally, Chiu spoke about “Creating a transit-first city. This is not just about making sure MUNI is more reliable and has stable funding, but ensuring that we’re taking steps to reach a 2020 goal of 20 percent cycling in the city. Earlier this week I called for our transit agencies to look at pedestrian safety, because we are spending close to $300 million a year to deal with pedestrian deaths and injuries.”

Sup. Carmen Chu
District 4
*Budget
*Core Services
*Jobs
*Economy

Chiu has just named Sup. Carmen Chu as chair of the powerful Board and Finance Committee. And Chu, who worked as a budget analyst for Newsom’s administration, says the budget, core services, employment and the economy are her top priorities.

“My hope is that this year the budget is going to be a very collaborative and open process,” Chu said.

Chu believes workers benefits will be a central part of the budget-balancing debate.
“Any conversation about the long-term future of San Francisco’s budget has to look at the reality of where the bulk of our spending is,” she said.

Chu noted that the budget debate will have to take the state budget into account.
“At the end of the day, we need to take into account the context of the state budget, in terms of new cuts and taxes, because anything we do will be on top of the state level.

“We need to ask who do these measures really impact,” she added, noting that there were attempts to put revenue measures on the ballot last year.

Sup. Ross Mirkarimi
District 5
* Local Hire / First Source / Reentry programs
* Budget / generating revenue
* Infrastructure improvements
*Reversing MTA service cuts

With only two years left to serve on the Board, D5 Sup. Ross Mirkarimi has been named chair of the Board’s Public Safety Committee and vice-chair of the Budget and Finance Committee.

“One of my top priorities is building on and strengthening the work that I’ve already done and that Avalos is doing on mandatory local hire and First Source programs,” Mirkarimi said. He also spoke about “strengthening reentry programs for those coming out of the criminal justice system, because we still have an enormously high recidivism rate.”

The budget also ranked high on Mirkarimi’s list, and he stressed the need for “doing surgical operations on our budget to make sure that services for the vulnerable are retained, and looking for other ways to generate revenue beyond the debate of what’s going on the ballot.

“For instance, I helped lead the charge for the America’s Cup, and while the pay-off from that won’t be realized for years, the deal still needs to be massaged. What we have now is an embryonic deal that still needs to be watched.”

Mirkarimi mentioned safeguarding the city against privatization, saying one of his priorities was “retooling our budget priorities to stop the escalating practice of privatizing city services.”

 He spoke about “ongoing work citywide to make mixed-use commercial and residential infrastructure improvements, which coincide with bicycle and pedestrian improvements.”

Finally, Mirkarimi said he wanted to focus on transportation issues. “As Chair of the Transportation Authority, if I even continue to be chair, to take the lead on signature transit projects and work with the M.T.A. to reverse service cuts.”

Sup. Jane Kim
District 6
Issues:
*Jobs
*Economic Development
*Small Business
*Pedestrian Safety
*Legislation to control bedbug infestations

Elected to replace termed-out D6 Sup. Chris Daly, Kim has been named chair of the Rules Committee and a member of the Budget & Finance committee.

Kim believes that she will prove her progressive values through her work and she’s trying to take the current debate about her allegiances on the Board in her stride.

“The one thing I learned from serving on the School Board was to be really patient,” Kim told me, when our conversation turned to the issue of “progressive values.”

“I didn’t want to be President of the School Board for the first few years, because I loved pushing the envelope,” Kim added, noting that as Board President David Chiu is in the often-unenviable position of chief negotiator between the Board and the Mayor.

But with Ed Lee’s appointment as interim mayor, Kim is excited about the coming year.
“There are a lot of new opportunities, a different set of players, and it’s going to be very interesting to learn how to traverse this particular scene.”

Kim is kicking off her first term on the Board with two pieces of legislation. The first seeks to address bedbug infestations. “Particularly around enforcement, including private landlords,” Kim said, noting that there have also been bedbug problems in Housing Authority properties.

Her second immediate goal is to look at pedestrian safety, a big deal in D6, which is traversed by freeways with off-ramps leading into residential zones.
“Pedestrian safety is a unifying issue for my district, particularly for all the seniors,” Kim said, citing traffic calming, speed limit enforcement and increased pedestrian traffic, as possible approaches.

Beyond those immediate goals, Kim plans to focus on jobs, economic development and small businesses in the coming year. “What can we do to create jobs and help small businesses? That is my focus, not from a tax reduction point of view, but how can we consolidate the permitting and fees process, because small businesses are a source of local jobs.”

Kim plans to help the Mayor’s Office implement Sup. John Avalos’ local hire legislation, which interim Mayor Ed Lee supports, unlike his predecessor Mayor Gavin Newsom.

“Everyone has always liked the idea of local hire, but without any teeth, it can’t be enforced,” Kim observed. “It’s heartbreaking that young people graduate out of San Francisco Unified School District and there’s been not much more than retail jobs available.”

She noted that jobs, land use and the budget are the three overarching items on this year’s agenda. “I’m a big believer in revenue generation, but government has to come half-way by being able to articulate how it will benefit people and being able to show that it’s more than just altruistic. I think we have to figure out that balance in promoting new measures. That’s why it’s important to be strong on neighborhood and community issues, so that folks feel like government is listening and helping them. I don’t think it’s a huge ask to be responsive to that.”

Kim said she hoped the new mayor would put out a new revenue measure, enforce local hire, and implement Sup. David Campos’ legislation to ensure due process for immigrant youth.

“I think Ed can take a lot of the goodwill and unanimous support,” Kim said. “We’ve never had a mayor without an election, campaigns, and a track record. Usually mayors come in with a group of dissenters. But he is in a very unique position to do three things that are very challenging to do. I hope raising revenues is one of those three. As a big supporter of local hire, I think it helps having a mayor that is committed to implement it. And I’m hoping that Ed will implement due process for youth. For me, it’s a no brainer and Ed’s background as a former attorney  for Asian Law Caucus is a good match. Many members of my family came to the U.S. as undocumented youth, so this is very personal. Kids get picked up for no reason and misidentified. People confuse Campos and Avalos, so imagine what happens to immigrant youth.”

Sup. Sean Elsbernd
District 7
Issues:
*Parkmerced
*Enforcing Prop G
*Pension & healthcare costs
*CalTrain

With two years left to serve on the Board, D7 Sup. Sean Elsbernd has been named vice-chair of the Rules Committee and a member of the City Operations & Neighborhood Services Committee. He was congratulated by Chinatown powerbroker Rose Pak immediately after the Board voted 11-0 to nominated former City Administrator Ed Lee as interim mayor, and during Lee’s swearing-in, former Mayor Willie Brown praised Elsbernd for nominating Lee for the job.

And at the Board’s Jan. 11 meeting before the supervisors voted for Lee, Elsbernd signaled that city workers’ retirement and health benefits will be at the center of the fight to balance the budget in the coming year.

Elsbernd noted that in past years, he was accused of exaggerating the negative impacts that city employees’ benefits have on the city’s budget. “But rather than being inflated, they were deflated,” Elsbernd said, noting that benefits will soon consume 18.14 percent of payroll and will account for 26 percent in three years. “Does the budget deficit include this amount?” he asked.

And at the afterparty that followed Lee’s swearing in, Public Defender Jeff Adachi, who caused a furor last fall when he launched Measure B, which sought to reform workers’ benefits packages, told the Guardian he is not one to give up lightly. “We learned a lot from that,” Adachi said. “This is still the huge elephant in City Hall. The city’s pension liability just went up another 1 percent, which is another $30 million.”

As for priorities, Elsbernd broke it down into district, city, and regional issues. In D7, “Hands-down, without question the biggest issue … is Parkmerced,” he said, starting with understanding and managing the environmental approval process. If it gets approved, he said his top concerns was that “the tenant issue. And the overriding concern of if they sell, which I think we all think is going to happen in the near-term – do those guarantees go along with the land?”

Also related to Parkmerced was planning for the traffic conditions that the development could potentially create, which Elsbernd dubbed a “huge 19th Avenue issue.”

Citywide, Elsbernd’s top priorities included enforcing Proposition G – the voter-approved measure that requires MUNI drivers to engage in collective bargaining – and tackling pension and healthcare costs. He spoke about “making sure that MTA budget that comes to us this summer is responsive” to Prop G.

As for pension and healthcare, Elsbernd said, “I’ve already spent a good deal of time with labor talking about it, and will continue to do that.” But he declined to give further details. Asked if a revenue-generating measure could be part of the solution to that problem, Elsbernd said, “I’m not saying no to anything right now.”

On a regional level, Elsbernd’s priority was to help CalTrain deal with its crippling financial problem. He’s served on that board for the last four years. “The financial situation at CalTrain – it is without question the forgotten stepchild of Bay Area transit, and the budget is going to be hugely challenging,” he said. “I think they’ll survive, but I think they’re going to see massive reductions in services.”

Sup. Scott Wiener
District 8
Issues:
*Transportation
*Reasonable regulation of nightlife & entertainment industry
*Pension reform

Elected in November 2010 to replace termed-out D8 Sup. Bevan, Wiener has been named a temporary member of the Board’s Budget and Finance Committee and a permanent member of the Land Use and Economic Development Committee.

“Transportation is a top priority,” Wiener said. ‘That includes working with the M.T.A. to get more cabs on the street, and making sure that the M.T.A. collectively bargains effectively with its new powers, under Prop. G.”

“I’m also going to be focusing on public safety, including work around graffiti enforcement, though I’m not prepared to go public yet about what I’ll be thinking,” he said.

“Regulating nightlife and entertainment is another top priority,” Wiener continued. “I want to make sure that what we do is very thoughtful in terms of understanding the economic impacts, in terms of jobs and tax  revenues, that this segment has. With some of the unfortunate incidents that have happened, it’s really important before we jump to conclusions that we figure out what happened and why. Was it something the club did inappropriately, or was it just a fluke? That way, we can avoid making drastic changes across the board. I think we have been very reactive to some nightclub issues. I want us to be more thoughtful in taking all the factors into consideration.”

“Even if we put a revenue measure on the June or November ballot, we’d need a two-thirds majority, so realistically, it’s hard to envision successfully securing significant revenue measure before November 2012,” Wiener added. “And once you adopt a revenue measure, it takes time to implement it and revenue to come in, so it’s hard to see where we’ll get revenue that will impact the 2012 fiscal year. In the short term, for fiscal year 2011/2012, the horse is out of the barn”

“As for pension stuff, I’m going to be very engaged in that process and hopefully we will move to further rein in pension and retirement healthcare costs.”

Sup. David Campos
District 9
Issues:
*Good government
*Community policing
*Protecting immigrant youth
*Workers’ rights and healthcare

Elected in 2008, D9 Sup. David Campos has been named chair of the Board’s Government Audit & Oversight Committee and a member of the Public Safety Committee. And, ever since he declared that the progressive majority on the Board no longer exists, in the wake of the Board’s 11-0 vote for Mayor Ed Lee, Campos has found his words being used by the mainstream media as alleged evidence that the entire progressive movement is dead in San Francisco.

“They are trying to twist my words and make me into the bogey man,” Campos said, noting that his words were not a statement of defeat but a wake-up call.

“The progressive movement is very much alive,” Campos said. “The key here is that if you speak your truth, they’ll go after you, even if you do it in a respectful way. I didn’t lose my temper or go after anybody, but they are trying to make me into the next Chris Daly.”

Campos said his overarching goal this year is to keep advancing a good government agenda.

“This means not just making sure that good public policy is being pursued, but also that we do so with as much openness and transparency as possible,” he said.

As a member of the Board’s Public Safety Committee, Campos says he will focus on making sure that we have “as much community policing as possible.

He plans to focus on improving public transportation, noting that a lot of folks in his district use public transit.

And he’d like to see interim mayor Ed Lee implement the due process legislation that Campos sponsored and the former Board passed with a veto-proof majority in 2009, but Mayor Gavin Newsom refused to implement. Campos’ legislation sought to ensure that immigrant youth get their day in court before being referred to the federal immigration authorities for possible deportation, and Newsom’s refusal to implement it, left hundreds of youth at risk of being deported, without first having the opportunity to establish their innocence in a juvenile court.
‘We met with Mayor Lee today,” Campos told the Guardian Jan. 18. “And we asked him to move this forward as quickly as possible. He committed to do that and said he wants to get more informed, but I’m confident he will move this forward.”

Campos also said he’ll be focusing on issues around workers’ rights and health care.
“I want to make sure we keep making progress on those fronts,” Campos said.

“It’s been a rough couple of days,” Campos continued, circling back to the beating the press gave him for his “progressive” remarks.“But I got to keep moving, doing my work, calling it as a I see it, doing what’s right, and doing it in a respectful way. The truth is that if you talk about the progressive movement and what we have achieved, which includes universal healthcare and local hire in the last few years, you are likely to become a target.”

Sup. Malia Cohen
District 10
Issues:
*Public safety
*Jobs
*Preserving open space
*Creating Community Benefit Districts
*Ending illegal dumping
Elected to replace termed-out D10 Sup. Sophie Maxwell, Cohen has been named chair of the City & School District committee, vice chair of the Land Use and Economic Development Committee and vice chair of the Public Safety Committee.

Cohen says her top priorities are public safety, jobs, open space, which she campaigned on, as well as creating community benefits districts and putting an end to illegal dumping.

“I feel good about the votes I cast for Ed Lee as interim mayor and David Chiu as Board President. We need to partner on the implementation of local hire, and those alliances can help folks in my district, including Visitation Valley.”

“I was touched by Sup. David Campos words about the progressive majority on the Board,” she added. “I thought they were thoughtful.”

Much like Kim, Cohen believes her legislative actions will show where her values lie.
“I’d like to see a community benefits district on San Bruno and Third Street because those are two separate corridors that could use help,” Cohen said. 

She pointed to legislation that former D10 Sup. Sophie Maxwell introduced in November 2010, authorizing the Department of Public Works to expend a $350,000 grant from the Solid Waste Disposal Clean-Up Site trust fund to clean up 25 chronic illegal dumping sites.
“All the sites are on public property and are located in the southeast part of the city, in my district,” Cohen said, noting that the city receives over 16,000 reports of illegal dumping a year and spends over $2 million in cleaning them up.

Sup. John Avalos
District 11
*Implementing Local Hire
*Improving MUNI / Balboa Park BART
*Affordable housing
*Improving city and neighborhood services

Sup. John Avalos, who chaired the Budget committee last year and has just been named Chair of the Board’s City Operations and Neighborhood Services Committee, said his top priorities were implementing local hire, improving Muni and Balboa Park BART station, building affordable housing at Balboa, and improving city and neighborhood services.

“And despite not being budget chair, I’ll make sure we have the best budget we can,” Avalos added, noting that he plans to talk to labor and community based organizations about ways to increase city revenues. “But it’s hard, given that we need a two-thirds majority to pass stuff on the ballot,” he said.

Last year, Avalos helped put two measures on the ballot to increase revenues. Prop. J sought to close loopholes in the city’s current hotel tax, and asked visitors to pay a slightly higher hotel tax (about $3 a night) for three years. Prop. N, the real property transfer tax, h slightly increased the tax charged by the city on the sale of property worth more than $5 million.

Prop. J secured only 45.5 percent of the vote, thereby failing to win the necessary two-thirds majority. But it fared better than Prop. K, the competing hotel tax that Newsom put on the ballot at the behest of large hotel corporations and that only won 38.5 percent of the vote. Prop. K also sought to close loopholes in the hotel tax, but didn’t include a tax increase, meaning it would have contributed millions less than Prop. J.

But Prop. N did pass. “And that should raise $45 million,” Avalos said. “So, I’ve always had my sights set on raising revenue, but making cuts is inevitable.”

Our Weekly Picks: January 12-18

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WEDNESDAY 12

DANCE

“The A.W.A.R.D. Show!”

It had to happen: life imitating television. If you’ve ever wanted to put your body on the line and participate in judging a reality TV dance show, this is your opportunity. “The A.W.A.R.D. Show!” is a six-city endeavor in which 12 local choreographers (four per night) get evaluated by you and presenters from each participating entity. You get to vote for one artist each night. Each evening’s winner proceeds to Saturday’s final, where one will walk away with $10,000 check — chicken feed in television land, but a nice chunk for choreographers trying to find the cash for their next work. First on will be Manuelito Biag, Liss Fain, Katie Faulkner, and Catherine Galasso. (Rita Felciano)

Wed/12–Sat/15, 8 p.m., $20

ODC Theater

3153 17th St., SF

(415) 863-9834

www.odctheater.org


THEATER

Clue

Who killed Mr. Boddy? Was it Mrs. Peacock in the conservatory with the revolver? Or was it Professor Plum in the billiard room with the candlestick? Find out in Boxcar Theatre’s Clue, written and directed by Peter Matthews and Nick A. Olivero. First a popular board game, then a cult classic movie, this new version (adapted from the 1985 film) features a life-size board game with the audience watching six feet above. Secret passageways, murderous hilarity, and multiple possible endings make this whodunnit a must-see. Hot tip: get your tickets now — presale popularity has been so high that Boxcar has already added some performances to its run. (Emmaly Wiederholt)

Through Feb. 19

Wed.–Fri. 8 p.m.; Sat, 7 and 10 p.m., $15-$25

Boxcar Playhouse

505 Natoma, SF

(415) 776-1747

www.boxcartheatre.org

 

THURSDAY 13

FILM

“For Your Consideration: A Selection of Oscar Submissions from Around the World”

So you’ve been a good little film geek and seen all of 2010’s likely Oscar contenders: The King’s Speech, The Social Network, Toy Story 3, etc. etc. But what about those films submitted for Best Foreign Language Film consideration that get extremely limited stateside releases (if they even make here at all)? Though the films in the Smith Rafael’s “For Your Consideration” series probably aren’t destined to rake in massive box office dollars (see: 2000’s Crouching Tiger, Hidden Dragon), they still represent what each country felt was worthy of worldwide notice. “For Your Consideration” presents a handful of hand-picked selections, including Spain’s Even the Rain, starring Gael García Bernal as a filmmaker intent on making a film about Christopher Columbus; Crab Trap, about Colombia’s isolated Pacific coast community; and Poland’s All That I Love, the story of four friends who form a punk band amid early-1980s Communist unrest. (Cheryl Eddy)

Jan. 13–20, $6.75–$10.25

Christopher B. Smith Rafael Film Center

1118 Fourth St, San Rafael

(415) 454-1222

www.cafilm.org


PERFORMANCE

Women on the Way Festival

For the next three weeks, expect sassy women to please, surprise, and shake you during the 11th Women on the Way Festival. The format pairs newcomers (for example, Norwegian Muslim comedian Shabana Rehman), with established artists (like San Francisco poet Genny Lim). If you are into multimedia and dance theater, the Shotwell Studios are your place to go. If dance — more or less pure — is your bag, the Garage is opening its red door. W.O.W.’s Producer Mary Alice Fry, who has made a career of spotting new talent, says she was delighted to see that so many women are working with live and often original music. The festival’s website, www.ftloose.org, offers succinct, detailed information on the individual artists and the work they’ll present. (Felciano)

Through Jan. 30, $15–$20

Shotwell Studios

3252-A 19th St., SF

Garage

975 Howard, SF

1-800-838-3006

www.brownpapertickets.com/producer/5930

 

EVENT

Bay Area Puma Project

If you’re not sick of cougar jokes by now, I feel sorry for you. After all, most of the appeal is in giving up dominance, and really honey, you were never the top predator in the first place. Real cougars — as in mountain lions — are the last large animals in California with a substantial population, aside from us; their habitat covers about half our huge state. Join wildcat conservationist Zara McDonald, founder of the Felidae Conservation Fund, to hear about the first major, decade-long study of pumas in the Bay Area, efforts to protect them, and tips on coexisting with these elusive cats. Don’t you know 2011 is the year of the silver fox, anyway? (Kat Renz)

7:30–9:00 p.m., free

Randall Museum

199 Museum Way, SF

(415) 225-3830

www.sfns.org

 

COMEDY

SF Sketchfest

In 2002, I excitedly wrote about a brand-new event right here in these very pages: the first annual San Francisco Sketch Comedy Festival, a monthlong comedy smorgasbord featuring six local acts. Organizers, I wrote, foresaw “a Fringe Festival-style expansion that will bring comedy to the masses for years to come.” Well, that totally happened. Sketchfest, now in its 10th year, is the West Coast’s premiere comedy festival (in your face, L.A.), and it annually features superstars galore. This year’s sure-to-sell-out events include a 25th anniversary tribute to It’s Garry Shandling’s Show, tributes to Murphy Brown and Airplane! (1980), plus appearances by boldface names like James L. Brooks, Cloris Leachman, Dan Aykroyd, and David Byrne. And yeah, there are still some locals in the mix: SF native Greg Proops pops up in improv show Whose Live Anyway?, plus there’ll be a reunion show featuring the original six sketch groups (including Kasper Hauser and the Meehan Brothers) who got this party started in the first place. (Eddy)

Through Feb. 5, $15–$60

Various venues, SF

www.sfsketchfest.com

 

FRIDAY 14

EVENT

“Salute to Supernatural

In the television graveyard of contemporary TV dramas centered around vampires, werewolves, or horror-related themes, one of the more mainstream ones that doesn’t deserve a stake firmly implanted in its creators is the CW show Supernatural. Following the adventures of Sam and Dean Winchester, a pair of demon-hunting brothers, the program has become a hit with viewers over the past five years. At this weekend’s special Supernatural convention, Bay Area fans can meet the two lead actors, Jensen Ackles and Jared Padalecki, along with several costars, in addition to listening to talks, going to themed parties, perusing vendors, and much more. (Sean McCourt)

Fri/14, 1–6 p.m.; Sat/15, 11:30 a.m.–7 p.m.;

Sun/16, 10 a.m.–5:30 p.m., $20–$50

Westin St. Francis

335 Powell, SF

(818) 409-0960

www.creationent.com.

 

COMEDY

Norm MacDonald

Coming to fame as a cast member of Saturday Night Live from 1993-98, comedian Norm MacDonald made his name as the biting host of that show’s “Weekend Update” segment, along with his hilarious impersonations of celebrities including Burt Reynolds, Bob Dole, and Larry King. Though his departure from SNL was marred by controversy, MacDonald has continued to have a successful career in show business, punctuated by a variety of movie and television roles along with several writing gigs. Be prepared for laugh-induced side aches — the funnyman comes to the Fillmore for two special live shows tonight, taping a TV special for Comedy Central. (McCourt)

7:30 and 10 p.m., $35.25

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

SATURDAY 15

FILM

A Brighter Summer Day

Tender and wise, Edward Yang’s A Brighter Summer Day (1991) is simply one of the finest historical dramatizations ever put to celluloid, ambitiously proportioned (four hours long, a cast of hundreds) but fine-grained in the telling. Yang traces Taiwan’s tumultuous midcentury history in the erring lives of teenagers. Between the deft staging of intergenerational conflict, Proustian attention to objects, and existential portraits of alienation, there’s enough material here for several filmmaking careers. Long inaccessible in the U.S., the film has been restored by Martin Scorsese’s laudably internationalist World Cinema Foundation. The Pacific Film Archive screens a selection of the organization’s recent projects throughout the month. (Max Goldberg)

6:30 p.m., $9.50

Pacific Film Archive

2575 Bancroft, Berk.

(510) 642-1412

www.bampfa.berkeley.edu

 

PERFORMANCE

Corpo/Ilicito: The Post Human Society

“It’s going to be a very wild performance,” performance artist Guillermo Gomez-Peña told Time Out Chicago about his troupe Pocha Nostra’s piece Corpo/Illicito. They’ll be performing at the closing reception of SOMArts’ group exhibit, “It’s All a Blur,” a reflection on empowerment and enfranchisement via the American dream. La Pocha Nostra is famed for using its performers’ bodies as canvases for its art, so get ready for some made-up, bound, embellished, and politically ostentatious artists gone wild. As for the exhibit’s more static installations, Dale Hoyt’s videos and drawings will be on view, as will Tony Labat’s Blanket Policy, a tent made of Goodwill paintings, and Labat’s 12-foot tall barbeque. To art and freshly grilled meat products! (Caitlin Donohue)

SOMArts Cultural Center

934 Brannan, SF

(415) 552-1770

www.somarts.org

 

MONDAY 17

EVENT

“Dr. Martin Luther King Jr. Birthday Celebration”

Hooray for MLK! Maybe this year we can eschew the sappy television specials and get a little work done on that old dream of his? That’s what’s going down at the Yerba Buena Gardens, where a daylong celebration dubbed “Sustaining the Dream: Through Community and Service” offers free admission to the Museum of the African Diaspora and the Contemporary Jewish Museum. The event also features a kid’s reading fest and a plethora of local health care providers doling out diabetes tests, children’s dental screenings, and a passel of other helpful services. Once they’ve got you feeling good, stick around for “King in Five Vignettes” at 12:15 p.m., music and performance dedicated to the man with the plan. (Donohue)

9 a.m.–5 p.m., free

Yerba Buena Gardens

Mission between Fourth and Third streets., SF

www.norcalmlk.org

 

TUESDAY 18

VISUAL ART

“Twist and Crawl”

The Bay Area is a major center for artists with disabilities, thanks to sites such as Oakland’s Creative Growth, San Francisco’s Creativity Explored, and the NIAD Center for Art and Disabilities in Richmond. Starting from an awareness that some major names in contemporary art work with disabilities, the new exhibition “Twist and Crawl” brings together work by 14 artists to bridge gaps and blur boundaries between traditionally-acknowledged painters, photographers, and sculptors and their disabled counterparts. “Twist and Crawl,” which takes its name from a frenetic song by the English Beat, is the first installment in a thematically arranged three-part series organized by artist and curator Timothy Buckwalter. Continuing through August, it syncs up with an upcoming traveling Berkeley Art Museum exhibition devoted to Creative Growth, Creativity Explored, and NIAD. (Johnny Ray Huston)

Through March 16

National Institute of Art and Disabilities (NIAD) Gallery

551 23rd St., Richmond

www.niadart.org


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Faces of debt

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caitlin@sfbg.com

CAREERS AND ED In this weeks’ issue, Rebecca Bowe examines rising tuition and its effect on this generation of Californian students. Here, we profile three scholars that are dealing with very real repercussions from their student debt load.

 

BEN GLEASON, 31

Mills College, teaching credential

Oberlin College, American literature major

Total debt: $25,000

Ben Gleason remembers the day that he applied for his $10,000 student loan from Citibank to finance his teaching credential tuition. “I got it done online within a half hour. I didn’t have to talk to anybody or write an essay — easy money with severe consequences.” The consequences of such a serious financial decision — sans the aid of any counseling from either his school or bank? Gleason’s eventual decision to leave classroom teaching.

It’s not an uncommon story for this generation of teaching school graduates, in a state where teaching salaries are hardly keeping pace with rising tuition. Gleason started working as an ESL teacher in Richmond’s underfunded West Contra Costa Unified School District right after graduating from Mills College. His student loans were overwhelming — a problem that was exacerbated when he took a trip to Guatemala to work and improve his ability to communicate with his Spanish-speaking pupils. To remain afloat financially, Gleason applied for a forbearance on his loans and was surprised to return home after two years to a loan that had gone up by 25 percent due to interest. “I was really, really screwed,” he recalls.

Gleason didn’t feel like there was any way he could go back to his teaching salary, so to support his new wife (the two met in Guatemala) and daughter, he decided to start his own business with the help of an old boss — a private firm that helps reeducate state government workers on sustainability issues.

That means one less qualified teacher for low-income Californian children. And Gleason still has 15 to 20 years left of debt payments. “I wish that there was a more systemic way to solve this problem,” says the former public educator.

 

ANNE MOSTAD-JENSEN, 28

Santa Clara University, law degree

College of St. Catherine St. Paul, library sciences

Concordia University St. Paul, international studies and history major

Total debt (estimated at graduation): $120,000

Anne Mostad-Jensen and her twin sister grew up in a small Minnesota town. They attended the same college, Concordia St. Paul, where they both majored in history and international studies. After that, they went on to College of St. Catherine (also in St. Paul) to get their master’s degrees in library science. But then their paths diverged. Her sister traveled to Denmark in pursuit of her Danish citizenship — their father is Danish — and was able to complete her master’s in a country where the government pays for most of its citizens’ educations. Mostad-Jensen remained in Minnesota, to continue on in the American university system.

What kind of difference has the move made in these women’s lives? Try $65,000 of student debt. That’s because Mostad-Jensen’s sister, even after completing her master’s and attending one of the Icelandic languages programs she’s currently applying for, will only owe roughly $55,000 worth of loans — all from her time at American schools. Mostad-Jensen, who is now attending law school at Santa Clara University, will owe $120,000 by the time she graduates. “I’ve never had any consumer debt, but I’ve always told myself not to pass up educational opportunities just because I didn’t have the cash on hand,” she says.

Mostad-Jensen wants to work at the intersection of international copyright and technology law, possibly in a law library, a specialty career that benefits from degrees in multiple areas of study. She counts herself lucky that homeownership and a family aren’t her immediate goals. “Having a family — I just don’t understand how people do it with debt these days.” Her Midwestern community values come to the fore when she talks about the U.S. government’s inability to provide Americans with affordable education. “Isn’t the government an extension of the community? Europeans, the lack of stress they have by not having to pay out of pocket for health care and education — I mean they can actually live their lives.”

 

RAMON QUINTERO, 32

UC Berkeley, geography major

Total debt: $25,000

Ramon Quintero is a UC Berkeley student activist, but he wasn’t always radicalized around debt issues. “I didn’t come to Berkeley because of its activist reputation. I became an activist because of my situation,” he says. Quintero could no longer pay for his student housing and wound up living in his 1979 Toyota truck with camper shell on the streets of Berkeley, sending his baby daughter home to live with her grandmother.

Quintero came to Berkeley via Southern California, where his family landed after immigrating from Sinaloa, Mexico, when he was 11. He attended community college to get his core credits before coming to Berkeley, where rapidly rising tuition fees are putting a strain on the student community. Although he is a legal resident, Quintero was especially concerned about the effect that the rising cost of education was having on undocumented students.

And, of course, on his leaky camper shell roof. He sprang into action, driving a truck that he calls Santa Rita, to all nine UC campuses, encouraging fellow students to paint art on it that spoke to their concerns for the future of public education. Quintero was arrested twice for his roles in campus protests and he and Santa Rita were profiled in The New York Times and several California newspapers. Suddenly, the university found space for him in student housing.

“I saw the hypocrisy in the system,” says Quintero, who has fulfilled all his UC coursework for graduation but has convinced a professor to hold credit for one of his courses for another semester so he could go on a research fellowship to Madrid. The fellowship, he says, is crucial for his application to grad schools — another step toward fulfilling life goals he doesn’t think would be possible if he has to begin assuming the burden of his student debt. 

 

The scream

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le.chicken.farmer@gmail.com

CHEAP EATS This isn’t a metaphor. There was an actual patty of dog barf on the off-white carpet at the foot of the bed in the master bedroom, Coach’s dad’s house, San Diego, California, U.S.A., Earth, my life. Coach and Cola were standing outside the room on the deck, looking down at the chicken coop. Our instructions were to kill the roosters, do what we want with the hens, and please leave the bunny rabbit and dog alone.

The bunny lived in the chicken coop.

Lucy, the dog, a cuddly, energetic Boston terrier with a sadomasochistic streak (her favorite thing in the world is to be blasted in the face with water, or a basketball), lived of course in the house.

“Coach?” I said. “Cola? Is this dog barf?”

“What? Where?” they said, coming back inside. I was looking down at it. Lucy was panting next to me, and the basketball was between us. Ever since we’d come into the house — ours for the week — and dumped our stuff, Lucy had been rolling this basketball after me. That’s because a couple days before when I had first made her acquaintance, I’d spent hours kicking it in the driveway with her. In a way we were a match made in heaven, both insatiable athletes with an aptitude for taking a beating. The difference: she loves it.

For one moment, the last peaceful one I have known, we four mammals and our basketball made a perfect circle of quiet contemplation around this centerpiece of barf. In all honesty, I began to think it might be a cookie, perhaps even oatmeal raisin, and broke the silence.

“Wait a minute,” I said.

And just as I bent down to get a better look, as lucklessness or canine cruelty would have it, Lucy nudged the ball with her short-bus nose.

Did you hear me scream?

I’m still screaming, in a way. And that orange-world bounce bounce will forever, in my mind, be rolling slow-motion toward, onto, and over this cookie of barf, or cookie.

It wasn’t a cookie. It was puke, now half-smashed into the carpet, and sort of decaled onto the overturned underside of the ball. Why this image affected me as deeply as it did, I can’t say. But I clapped my hands to my ears, wailing like a siren, and staggered backward into the bathroom, where I collapsed onto the edge of the Jacuzzi and just generally lost it.

Which overreaction my human companions found hilarious. Howling herself, but with laughter, Cola followed me into the bathroom. Anyway she had had to pee the whole way down from Oceanside. So she was laughing on the can, and I was crying on the tub, and Coach tossed the puke-tattooed basketball outside over the deck and into the great chickeny unknown, then joined us in there.

“What the hell?” she said.

I didn’t know. I didn’t know what the hell. You have these moments, you know, where something shifts a little inside, and you suddenly can’t imagine how in the world you got where you are, or how the hell you will get back out of it.

Almost always, a bath is a good idea, so I started the tub, had a soak, got dressed, and went out for the evening with every intention of dancing.

We did not dance.

We ate. But I will spare you those details, because they’re gross. Instead let me tell you about last night, back home here, with Papa and Pappy, our quarterback and center. They had just bought a lot of seeds and a big heavy bag of soil, and were taking turns lugging it the many many city blocks back to their place, inner Richmond.

So naturally we stopped for a rest (and a bowl of noodles) at the highly fluorescent New Hoa Ky right there on Geary Street. I liked my pho. Papa loved hers. But poor Pappy, she only eats us-killed meat, and — go figure — the vegetarian soup at New Hoa Ky starts with a beef broth. Therefore: new favorite restaurant!

NEW HOA KY

Daily 10 a.m.–9 p.m.

4012 Geary, SF

(415) 387-9600

MC/V

No alcohol

Scrooge you can use

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caitlin@sfbg.com

CULTURE/ALT-XMAS At some point this December, my holiday spirit failed to launch. It’s strange in a way — I love gluttony, formal wear, time with loved ones, and the Latino church procession I saw going down South Van Ness Avenue the other day gave me a little shiver of happiness (not to mention the purple lights bedecking kink.com’s Armory). But I just don’t want to do the tree, the presents, the pressure. Really, this list of Xmas week alternative activities is for me as much as anyone, which I hope means I still get to do the mistletoe thing.

 

OPTION ONE: HEAD FOR THE HILLS

You ain’t got shit to do, so why not take your melancholy and foist it on nature? The recent spate of rain may make for a wet winter wonderland, but that should suit misanthropes just fine. Wear your best raincoat and mittens and you’ll be snug as the baby JC in his manger.

Where to go? The No. 76 Muni bus can get you to the Marin Headlands Recreational Area (remember, the buses run on the holiday-Sunday schedule on the 25th , check www.511.org for times) where foul weather makes for thrilling, wind-whipping hikes about the hills to the north of Golden Gate Bridge. Or you can take advantage of the greenery within city limits. Glen Canyon Park’s many trails are an excellent place to wait out the tinsel and treacle, as are the startlingly beautiful red rocks jutting out over the city in Corona Heights Park and the idiosyncratic bison paddock in Golden Gate Park.

Bonus round: get your conservation on the day after Christmas in Muir Woods with a free hike called “Get Your Spawn On: Searching for Endangered Salmon.” The hike will take you on a hunt for salmonids and reveals how we can help the fishies swim their way back into species security. (Meets at Muir Woods Dipsea Trail Trailhead, Mill Valley. (415) 349-5787, www.wildequity.org. 10 a.m.–noon, free with $5 park entrance fee)

 

OPTION TWO: GET A LITTLE CULTCHA IN YA

Sure, many of our venerable cultural institutions stay away from organizing events over the holiday weekend. But with only a small amount of searching, you can dig up the brave souls who see no reason to halt their arty trot on account of jingle bells. These include Yerba Buena Center for the Arts, which will be celebrating Dec. 24 with part one of its two-part exhibition “Audience as Subject,” a multimedia exploration of crowd behavior. Filmmaker Stefan Constantinescu will screen Troleibuzul 92 (2009), an examination of reactions to a planted actor on a crowded bus making abusive phone calls to his “girlfriend,” and visual and video artists investigate variations on the theme. (Yerba Buena Center for the Arts, 701 Mission, SF; (415) 978-2700, www.ybca.org. Noon, $7.)

If self scrutiny’s not your jam, head to the Contemporary Jewish Museum on Christmas Day, where free admission all day means that you can save your bones for New Year Eve’s and still check out the work of H.A. Rey and Margret Rey, the husband and wife who created Curious George. The couple just barely managed to smuggle the early sketches of George (and themselves) in their escape from the Nazi invasion of Paris, which they accomplished by bicycle. The drama might explain George’s penchant for close calls and saving the day. Kind of makes that cycling slog through this week’s foul weather seem less onerous, no? (Contemporary Jewish Museum, 736 Mission, SF; (415) 655-7800, www.thecjm.org. Open 11 a.m.-5 p.m.)

 

OPTION THREE: GET IT ON FILM

Going to the movies on Christmas has long been the treasured territory of awkward family gatherings, and with the mega-release of Tron: Legacy (playing at various Bay Area theaters) you can take it to the third dimension! Why talk about each others’ lives when you can plop down in the Castro Theatre with a tub of popcorn, affix 3-D glasses to your face and zone … out … for two hours and seven minutes? Hell, you can even skip the fam-fam and bring your girl Mary Jane, because this is one flick that promises to look real cool with a side of herb — soundtrack, acting, and plot notwithstanding.

And there’s no need to be a lonely anime geek by the Christmas tree. Bebop Nights, the recurring get-together of cult classic TV show Cowboy Bebop fans is holding its sixth installment Dec. 25, a day stereotypically characterized by animated features with way, way less cooler characters. Sure, Rudolph and Frosty are bulbous and ebullient, but Spike, Vicious, and Julie are deep space bounty hunters with a penchant for dope background music. Which cast better characterizes your lump of coal attitude this yuletide? (Bridge Theatre, 3010 Geary, SF; (415) 668-6384, www.landmarktheaters.com. Midnight–3 a.m., suggested donation $4)

Other promising showings include Natalie Portman’s psycho-ballet thriller, Black Swan, camp of the year Burlesque, the Coen brothers’ remake of the western True Grit, and Naomi Watts as CIA agent Valerie Plame in Fair Game.

 

OPTION FOUR: DRINK

And when all else fails, raise a glass to (and of, see how that works?) booze. Many of your watering hole favorites will be open Christmas Eve and day, but why not try on a new barstool and pack of regulars for size? My pick for caroling into the bottom of your glass is Trad’r Sam (6150 Geary, SF; (415) 221-0733. Open noon–late), a kick-ass Outer Richmond tiki bar where I am cautioned that a solo scorpion bowl mission will result in the ability to see reindeers, unless that’s what you’re going for. To make your Christmas denial complete, keep one eye on the jukebox, and your clobbering stick handy for any poor schlub who opts for Mariah Carey’s “All I Want For Christmas.”

Forget “Deborah” — Debbie Gibson is back!

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Despite having had a nearly 25-year (and counting) career in show business, singer Debbie Gibson is still full of youthful energy and excitement when talking about recent projects and what she has planned for the future — perhaps that is due in part to the fact that she had her first hit single and taste of fame when she was only 16 years old. The ever-vivacious Gibson is particularly excited about taking part in a benefit concert and cabaret show tonight here in San Francisco, “One Night Only: A Shrektacular Holiday Celebration,” which will also feature the cast of Shrek currently at the Orpheum Theatre, and raises funds for the Richmond/Ermet AIDS Foundation.

“Pretty much if I’m available, I can’t say no to this organization,” says Gibson, who has always been heavily involved with helping charitable groups throughout her career. “I really enjoy these intimate shows with solo theater performers, and it’s kind of a perfect fit for me — obviously I bring my pop persona to the table, but at the same time I’m part of the theater community, so it makes perfect sense really.”

The ‘80s pop chanteuse, famous for her initial hits such as “Only In My Dreams,” “Out of the Blue,” and “Electric Youth,” was one of the few stars of that time and genre who wrote and arranged much of her own material, which led to her successful forays into Broadway productions, and eventually into acting for film.

Her recent appearance in the cult B-movie Mega Shark vs. Giant Octopus has also sparked a new run of interest for celluloid gigs, with Gibson happily looking forward to the release of a new SyFy Channel movie, Mega Python vs. Gatoroid, which finds her teamed with another singer and actress who once vied for the same airwaves and video times as she did back in the 1980s — none other than Tiffany.

[Mega Shark] was so bad it was good; this one is smart, kitschy, and campy, it’s sexy sci-fi horror, and it was so much fun to do,” enthuses Gibson. “The first one was done a lot on blue screen, and all that; for this one I was hanging from rope ladders, crawling in the swamp, and climbing buildings. It was actually quite an action movie in addition to being a sci fi movie. Throw in a little food fight between me and Tiffany and there you go!”

Gibson says that both actresses had fun playing on their supposed rivalry from their youth, and that they didn’t mind that some of the people behind the film may have had, er, some ulterior motives. “We were like, ‘what dirty old men at SyFy sat around [asking] how they could get Tiffany and Debbie Gibson to get whipped cream on each other?'”

Gibson is referencing a scene from the movie — which comes out next month — that was released early, showing a drawn-out, extended cat fight between the two involving smashed cake, wrestling in a river, and a hilarious reference to the title of one of their hit songs. At tonight’s special show, Gibson is planning on performing a new song, one she hopes will provide a new take on holiday tunes, and also on her supposedly squeaky clean image from her past. 

“I wrote it about a year ago, and it’s a kind of a modern ‘Santa Baby,’ a sexy, jazzy, original Christmas song. It’s tongue in cheek,  mocking myself, it’s called ‘The Naughty List’ — I’ve always been the good girl and I’d very much like to be on ‘The Naughty List’ for once!”

http://www.youtube.com/watch?v=qf8BoWKeHow&feature=related

Debbie Gibson
Mon/13, 8 p.m., $35-$65
Theatre 39, Pier 39, SF
(415) 273-1620
www.helpisontheway.org

Stage Listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

THEATER

OPENING

Joyful Noise: A Gospel Celebration of Christmas Southside Theater, Fort Mason Center; 345-7575, www.LHTSF.org. $25-50. Previews Fri/10, 8pm. Opens Sat/11, 8pm. Call for dates and times. Through Dec 31. Lorraine Hansberry Theatre presents a rechristened version of their Black Nativity production.

Siddhartha, the Bright Path The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. $15-35. Previews Sat/11-Sun/12, 3pm; Thurs/16, 7:30pm. Opens Dec 17, 7:30pm. Call for dates and times. Through Jan 9. Marsh Youth Theater presents a holiday celebration, directed by Lisa Quoresimo.

BAY AREA

Arabian Nights Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2549, www.berkeleyrep.org. $34-73. Opens Sat/11, 8pm. Call for dates and times. Through Dec 30. Tony-winning Mary Zimmerman’s production makes a return to Berkeley Rep.

A Christmas Carol Center REPertory Company, 1601 Civic Drive, Walnut Creek; (925) 943-7469, www.centerREP.org. Previews Thurs/9, 8pm; Fri/10, 11am and 7:30pm. Opens Sat/11, 2pm and 7:30pm. Call for dates and times. Through Dec 19.Center REP presents the holiday classic.

ONGOING

Absolutely San Francisco Phoenix Theater Annex, 414 Mason, 4th floor; 433-1235, www.absolutelysanfrancisco.com. $28. Fri-Sat, 8pm. Through Dec 18. Karen Hirst’s one-person musical about lost love.

Babes in Arms Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $24-44. Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through Dec 19. 42nd Street Moon presents John Guare’s adaptation of the musical by Rodgers and Hart.

Christmas in Hell: The Real and True Story About the Guys Who Saved Christmas Dark Room Theater, 2263 Mission; (800) 838-3006, www.brownpapertickets.com. $20. Fri-Sat, 8pm. Through Dec 18. An original holiday play, written and directed by Jim Fourniadis.

Caligari Studio 385, 385A Eighth St; www.brownpapertickets.com. $10-30. Fri, 8pm. Through Fri/10. Promising new company HurlyBurly stages its adaptation of the 1920 German expressionist film The Cabinet of Dr. Caligari in a Soma bondage club with productive and not-so-productive results. Production values are enjoyably thoughtful (including lighting designer Amanda Ortmayer’s moody use of small portable lights, laser pointers, and snatches of pure, delicious darkness) as the audience mills around a cement room in which actors stand or lie frozen, and in some cases encased, like some macabre wax museum. Daniel Korth’s script makes up in clever, fluid dialogue what it can lack in narrative coherence. But the doom-clouded storyline, featuring a fated romance between an ardent young man (a likeable Eddie Barol) and his somewhat aloof object of desire (a nicely detached yet powerful Shay Wisniewski), is familiar enough in sporadic outline that this isn’t a big deal. The play demands a certain over-the-top performance style, however, which few of co-directors Korth and Mikka Bonel’s otherwise capable actors really carry off (Gerri Lawlor is one of the more notable exceptions). The freedom to walk around the space as action unfolds on surrounding stages (or inaction in cages) is a visual and atmospheric plus. The production’s real limit is that its neo-expressionist dark-carnival invention comes across at times as too borrowed, as when a late-era Tom Waits song is heard. At least it wasn’t one from The Black Rider. (Avila)

Cavalia: A Magical Encounter Between Horse and Man White Big Top, adjacent to AT&T Park; www.cavalia.net. $39.50-239.50. Check website for shows and times. Through Sun/12. Over 100 performers, including 50 horses, take the stage in this circus-like show from Montreal.

Christian Cagigal’s Obscura: A Magic Show EXIT Cafe, 156 Eddy; 1-800-838-3006, www.brownpapertickets.com. $15-25. Thurs-Sat, 8pm. Through Dec 18. Magician Christian Cagigal presents a mix of magic, fairy tales, and dark fables.

Cinderella African American Art & Culture Complex, 762 Fulton; (800) 838-3006, www.brownpapertickets.com. $10-30. Fri/8pm; Sat, 3 and 8pm; Sun, 3pm. Through Dec 19. African-American Shakespeare Company presents the classic fairytale, starring Velina Brown.

Cora Values’ Christmas Corral Exit Cafe, 156 Eddy; 673-3847, www.brownpapertickets.com. $15-25. Fri-Sat, 8:30pm. Through Sat/11. There are Christmas Carol’s and then there are Christmas Carol’s. There are the no-expenses spared varieties with clever rigging and fabulous costumes and larger-than-life characterizations of those classic Christmastide archetypes—the lonely bastard, the beatific poor man, the lovable child. There are the more modest productions, community theatre affairs, with A-for-effort, fun-for-the-whole-family, casual appeal. And then there’s the Cora Values treatment, which throws the whole silly notion of family togetherness out the window and instead throws a party for the orphans of the holiday season—the bah-humbuggers and true unbelievers. In this rock-bottom budget “illiterary

adaptation” of Dickens’ classic in “the most authentic form we know how” a ragtag crew from the Gas ‘N’ Gulp in Rectal, Texas, bumble through a singular interpretation of the tale, punctuated by original comic songs penned by Cora (Sean Owens) and Emmett Cornpike (Don Seaver). Sticklers for textual authenticity or political correctness may cringe at the chorus of the solo song by Tiny Tim (Amanda Ortmayer), “This Won’t Be Another Lame Holiday,” but Dickens wrote a few head-scratching lines himself. Take this description of Marley’s face appearing in Scrooge’s doorknocker: “It&ldots;had a dismal light about it, like a bad lobster in a dark cellar.” “Charles Dickens’ immortal text” Cora remarks dryly. You said it sister. (Gluckstern)

Dirty Little Showtunes! A Parody Musical Revue New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $24-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 16. Tom Orr’s adults-only holiday show returns, with direction by F. Allen Sawyer and musical direction by Scrumbly Koldewyn.

Golden Girls: The Christmas Episodes CounterPULSE, 1310 Mission; www.ticketfly.com. $25. Thurs-Sat, 7 and 9pm. Through Dec 23. Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar return with their stage tribute to the sitcom.

The Lion in Winter Actors Theatre, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through Dec 18. Actors Theatre of SF presents James Goldman’s play of palace intrigue.

Match Royce Gallery, 2901 Mariposa; 1-866-811-4111, www.matchonstage.com. $12-28. Thurs-Sun, 8pm. Through Dec 18. Expression Productions presents Stephen Belber’s new suspense drama.

The Oddman Family Christwanzaakuh Spectactular! Exit Stage Left, 156 Eddy; (800) 838-3006, www.brownpapertickets.com. $20. Thurs-Sat, 8pm. Through Dec 18. Guerrilla Rep and Beards Beards Beards present a new twisted musical farce.

Party of 2 – The New Mating Musical Shelton Theater, 533 Sutter; (800) 838-3006, www.partyof2themusical.com. $27-29. Sun, 3pm. Open-ended. A musical about relationships by Shopping! The Musical author Morris Bobrow.

*Pearls Over Shanghai Thrillpeddlers’ Hypnodrome, 575 Tenth St; 1-800-838-3006, www.brownpapertickets.com. $30-69. Sat, 8pm. Through April 9. Thrillpeddlers’ acclaimed production of the Cockettes musical continues its successful run.

A Perfect Ganesh New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Dec 19. New Conservatory Theatre Center presents the Terrence McNally play, directed by Arturo Catricala.

Ruth and the Sea Stage Werx Theatre, 533 Sutter; www.ruthandthesea.com. $18-24. Thurs-Sat, 8pm. Through Dec 18. Wily West Productions presents Gwyneth Richards in a kooky holiday show, directed by Stuart Bousel.

Shrek The Musical Orpheum Theatre, 1192 Market; (888) SHN-1799, www.shnsf.com. $30-99. Tues, 8pm, Wed, 2 and 8pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm (no performances Dec 24, Dec 25, and Dec 31). Through Jan 2. Eric Petersen stars in the stage version of the animated blockbuster.

A Tale of Two Genres SF Playhouse, Stage Two, 533 Sutter; www.un-scripted.com. $10-20. Thurs-Sat, 8pm (also Sat, 3pm; additional shows Dec 20-23). Through Dec 23. Un-Scripted Theater Company performs an improvised musical in the style of Charles Dickens.

The Tempest Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-20. Thurs-Sat, 8pm; Sun, 5pm. Through Dec 19. In Cutting Ball’s latest foray into Shakespearean realms, three entangled subplots and eleven characters are enacted by just three actors, in order to explore the relationships between the principle characters by representing their internal characteristics through the actions of the more minor roles. Set on an enchanted island (or, in Cutting Ball’s interpretation, at the bottom of a swimming pool) The Tempest begins with stormy weather, but quickly grows into a full-blown hurricane of shipwrecked nobles, nymphs, and drunks, plus the turbulent awakenings of a teenage daughter’s libido, and the rumblings of her over-protective papa. The most effective dual-character is Caitlyn Louchard’s Miranda-Ariel, as both characters are quite under the stern control of Prospero (David Sinaiko) and equally deserving of release. Less affecting yet somehow equally congruous is Sinaiko’s comic turn as the buffoonish Stephano, who stumbles through the forest in his boxer shorts, yet somehow maintains an air of mock dignity that does parallel Prospero’s. Donell Hill’s Caliban-Ferdinand endures his lust-love for Miranda and servitude to Prospero alternating between raw physicality and social ineptness. But since “The Tempest” is littered with characters even more minor, the game cast is stretched too thinly to fully inhabit each, and the entire subplot involving King Alonzo, Gonzalo, and Antonio in particular suffers from this ambitious over-extension. (Gluckstern)

The Tender King Phoenix Theatre, 414 Mason, Sixth Flr; www.secondwindtheatre.com. $20-25. Fri-Sat, 8pm; Sun, 2pm. Through Sat/11. The current firestorm over leaked diplomatic cables and exposed government lies and imperial machinations are nothing new in The Tender King. Second Wind’s debut of Bay Area playwright Ian Walker’s new drama takes audiences back to 1945, a critical period in the structuring of the postwar world as dominated ever since by the American Empire. Walker explores the tensions and contradictions attendant on the countdown to American global hegemony in three characters, two rooms, and one fateful decision. President Harry Truman (Brian O’Connor), newly ensconced in office after FDR’s death, sits drinking in a darkened room (mood-inducing lighting by Rob Siemens) as an ambitious young functionary named Will (Stephen Muterspaugh) arrives to get his John Hancock on the order to drop the new A Bomb on two Japanese cities. In shades of Schiller’s Mary Stuart, Truman delays and evades cunningly, filled with the exuberant knowledge and burden of power. Meanwhile, a semi-romantic, semi-sadistic relationship between Will and a French-German prostitute (Natalie Palan) unfolds in a parallel scene—a complex echo of the shock-doctrine advantage Will advocates to Truman in the face of a stunned and helpless European population. Directed by Walker, the production relies not ineffectively on heightened vernacular language and performances, although the latter while sturdy can feel more rote than in-the-moment, and the neat narrative framework and effervescent dialogue strays into formulaic conceits. Nevertheless, the play’s well-researched and articulated detail as well as forceful conviction make it both worthwhile and generally engaging—not to mention as politically au courant as anything on stage just now. (Avila)

The Velveteen Rabbit Yerba Buena Center for the Arts, Novellus Theater, 700 Howard; 978-2787, www.ybca.org. Call for dates and times. Through Sun/12. ODC/Dance presents Margery Williams’ holiday favorite.

BAY AREA

Becoming Julia Morgan Berkeley City Club, 2315 Durant, Berk; (510) 984-3864, www.brownpapertickets.com. $24-30. Fri-Sat, 8pm; Sun, 5pm. Through Jan 9. Janis Stevens stars in Belinda Taylor’s play about the trailblazing architect.

A Christmas Carol: The Musical Novato Theater Company Playhouse, 484 Ignacio, Novato; 863-4498, www.novatotheatercompany.org. $10-18. Fri-Sat, 8pm; Sun, 3pm. Through Dec 17. Novato Theater Company presents a new adaptation of the holiday classic.

A Christmas Memory TheatreWorks at Lucie Stern Theatre, 1305 Middlefield, Palo Alto; (650) 463-1960, www.theatreworks.org. $19-67. Tues-Wed, 7:30pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2 and 7pm (alos Thurs/23, 2pm and Fri/24, 7pm). Through Dec 26. TheatreWorks presents the seasonal tale by Truman Capote.

East 14th – True Tales of a Reluctant Player The Marsh Berkeley, 2120 Allston Way, Berk; (800) 838-3006, www.themarsh.org. $20-50. Call for times. Through Dec 19. Don Reed’s one-man show continues its extended run.

Lemony Snicket’s The Composer is Dead Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. Call for dates and times. Through Jan 15. Berkeley Rep premieres the new musical, written by Lemony Snicket, with music by Nathaniel Stookey.

Loveland The Marsh Berkeley, 2120 Allston Way, Berk; (800) 838-3006, www.themarsh.org. $20-50. Fri, 7pm; Sat, 8pm. Through Sat/11. Ann Randolph’s hit one-woman comic show continues its extended run.

Of the Earth – The Salt Plays: Part 2 Ashby Stage, 1901 Ashby; (510) 841-6500, www.shotgunplayers.org. $17-30. Thurs-Sat, 8pm; Sun, 5pm (beginning Dec 19). Through Jan 30. Shotgun Players present the second half of writer and director Jon Tracy’s Odyssey-inspired tale, with music by Brendan West.

*The Play About the Naked Guy La Val’s Subterranean, 1834 Euclid, Berk; (800) 838-3006, www.brownpapertickets.com. $10-20. Thurs-Sat, 8pm. Through Dec 18. Impact Theatre presents an off-Broadway hit, written by David Bell and directed by Evren Odcikin.

The World’s Funniest Bubble Show The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $8-50. Sun, 11am (also Dec 20-23, 11am and Dec 26-30, 11am). The Amazing Bubble Man’s show presents flying saucer bubbles and other wonders.

PERFORMANCE/DANCE

Club Chuckles Hemlock Tavern, 1131 Polk; 923-0925. Wed/8, 9pm. $7. Club Chuckles turns seven with standup by David Liebe Hart and others.

Comedy Returns to El Rio! El Rio, 3158 Mission; (800) 838-3006, www.brownpapertickets.com. Mon/13, 8pm. $7-20. Lisa Gedulgig hosts a monthly comedy night.

Double-Wide White Trash Christmas Show Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Sun/12, 7pm. $5. A holiday edition of the “Bijou” cabaret showcase.

FoolsFURY 12th Anniversary Gala Theater Artaud, 450 Florida; www.foolsfurygala.eventbrite.org. Sat/11, 7:30pm. $30-60. The local theater ensemble celebrates a birthday.

Forking II: A Merry Forking! Christmas Off-Market Theaters, 965 Mission; (800) 838-3006, www.pianofight.com. Call for dates and times (through Dec 30). PianoFight presents a holiday-themed choose-your-own-adventure play.

A Funny Night for Comedy Actors Theatre, 855 Bush; 345-1287, www.NatashaMuse.com. Sun/12, 7pm. Natasha Muse and Ryan Cronin host an evening of comedy.

Ironic/NOT Ironic! Viracocha, 998 Valencia; 374-7048, www.viracochasf.com. Thurs/9, 9pm. Harmon Leon performs.

Literary Death Match – Holiday Bloodbath Special Elbo Room, 647 Valencia; www.literarydeathmatch.com. Fri/10, 7pm. $7-10. An evening of yuletide literary mayhem.

Mischievous Maidens Christmas Skylark Bar, 3089 16th St; 621-9294. Fri/10, 8pm. Free. A Christmas-themed burlesque night.

Project. B. The Garage, 975 Howard; 518-1517, www.brownpapertickets.com. Fri/10-Sat/11, 8pm. $10-20. Tanya Bello’s company presents Triquetra, a work from this year.

Doug Stanhope Rickshaw Stop, 155 Fell; 861-2011, www.rickshawstop.com. Wed/10, 8pm. $20. The vulgar comedian hits the Bay.

Touring Cast of Shrek Theater 19, Pier 39; 273-1620, www.HelpIsOnTheWay.org. Mon/13, 7:30pm.$35-65. A one-night-only cabaret to raise funds for the Richmond/Ermet AIDS Foundation.

Trashina Cann The Garage, 975 Howard; 518-1517, www.brownpapertickets.com. Wed/8-Thurs/9, 8pm. $10-20. The company presents a new queer dance theater wok titled Legacy.

Critical care

5

Sarah@sfbg.com

A complex and controversial project that would involve five San Francisco hospitals — including building a huge showcase facility for the wealthy atop Cathedral Hill — has prompted a debate about what average city residents need from the health care system.

California Pacific Medical Center, an affiliate of Sutter Health, proposes to downsize St. Luke’s Hospital, which primarily serves a low-income population in the Mission District, as part of a $2.5 billion proposal to renovate and retrofit three existing medical campuses, close another one, and build housing and a megahospital on Cathedral Hill that would draw patients from around the country.

CPMC’s grandiose plan was being considered strictly as a land use decision, despite its far-reaching impact on the city’s health care system. So Sup. David Campos created legislation calling for the city to create a citywide health services master plan and to use that as another tool for gauging future medical projects.

Debate over that legislation left some activists on both sides unhappy, with progressives disappointed that it won’t be able to stop a CPMC project they see as neglectful of the poor, and moderates wary of creating a new way to challenge development projects in the face of widespread unemployment in the construction industry.

But it struck a fine enough balance to win 8-3 approval by the board Nov. 16, enough to override a threatened mayoral veto. “I’m really happy and excited about the passage of this legislation,” Campos told the Guardian after the vote.

The legislation has a two-part mandate, with the first part kicking in as soon as it has final approval. It requires the Planning Department, with input from the Department of Public Health, to prepare a health care services master plan to identify current and projected needs for health care services and where they should be provided.

The second part, which begins in 2013, requires Planning to determine whether medical projects are consistent with the findings of this plan. That delay is credited to a last-minute amendment Campos granted during a Nov. 15 committee hearing after the hospital industry complained that the process could jeopardize its ability to meet state-mandated seismic retrofitting deadlines for projects already in the planning pipeline.

The passage of Campos’ legislation comes eight months after President Barack Obama signed the Patient Protection and Affordable Care Act. Hailed by its supporters as the most significant change to the U.S. health care delivery systems in 40 years, the reform package has also been greeted with criticism on both ends of the political spectrum. Progressives complain that it relies too heavily on private insurance companies and medical providers, while Tea Party supporters says that it’s government run amok and they have vowed to “kill the bill.” Senate Minority Leader Mitch McConnell (R-Ky) recently compared so-called Obamacare to “tyranny” in a speech to conservative legal scholars.

But here in San Francisco, the debate over Campos’ legislation — as heated and divisive as it was at times — yielded a surprising amount of consensus around the long-neglected idea that government should play a role in health care planning.

 

PULLING THE PLUG

The passage of Campos’ legislation marks the first time in 30 years that a government entity has mandated health care services planning in California. That approach West Bay Health Systems Agency, whose creation he opposed as governor of California.

Lucy Johns, a San Francisco-based health care planning consultant who wrote the only health care services master plan California has ever had, recalls what happened in the mid-1970s after President Gerald Ford signed legislation that established health system agencies nationwide.

“California established 14 health systems agencies, including the West Bay Health System Agency, which governed the nine Bay Area counties,” Johns told the Guardian. “The legislation mandated that they be established by every state, with the federal government providing the funding. So every state had to decide how many, how big, and how structured the health system agencies would be.”

Johns notes that state legislators were constrained when it came to the decisions these health service agencies made. “The governing bodies of the health systems agencies had to have a membership that was 51 percent consumer and 49 percent healthcare provider, which included doctors, nurses, and hospital administrators,” she said.

That history served as a backdrop for discussion of the Campos legislation, with the Planning Department staff report noting, “With the elimination of the West Bay Health Systems Agency in 1981, there is no longer a routine or comprehensive analysis of health service resources, needs, trends, and local impacts conducted for changes to or within medical uses.”

“It’s truly a historic moment for San Francisco,” Campos said after his legislation passed its Nov. 16 first reading (the second and final reading is set for Nov. 23, after Guardian press time). “We are the first city in the country to make sure land use decisions are aligned to our health care needs. That’s an unprecedented step that will shape the future of healthcare planning for years to come.”

Campos acknowledged that the passage of Obama’s heath reform package — which includes a mandate to purchase private health insurance beginning in 2014 — was also a catalyst for his legislation, along with the CPMC project.

“But it had more to do with seeing that the city didn’t have the tools it needed to evaluate projects in terms of whether they met the city’s healthcare needs and how they might impact people’s access to healthcare,” Campos said. “The main catalyst came from the community, which felt it was being asked to make decisions that will have long-lasting health care implications, but didn’t have any way to understand those needs. Those concerns were compounded by changes at the national level — and the recognition that these changes offer us an opportunity to engage in planning.”

Campos’ legislative victory came two months after members of the Cathedral Hill Neighbors Association joined nurses, medical workers, patients, and community groups in voicing concerns at a Sept. 23 public hearing about the draft environmental impact report for CPMC’s Cathedral Hill hospital and the other facilities that are part of its proposal.

These groups collectively expressed fear that downsizing St. Luke’s, closing the CPMC California campus, and transforming CPMC Pacific campus to an outpatient-only hospital will force low-income people to travel farther to access health care services while offering better service to the wealthy at Cathedral Hill. And neighbors worried that the proposed complex would increase traffic and require the demolition of rent-controlled apartments.

Formed in 1991 through the merger of Pacific-Presbyterian Medical Center and Children’s Hospital of San Francisco, CPMC has been affiliated with Sutter Health since 1996 and currently has four medical campuses in San Francisco: Pacific in Pacific Heights, California in Presidio Heights, Davies in the Duboce Triangle, and St. Luke’s in the Mission.

But CPMC’s longtime goal was to build a facility intended to be like the Mayo Clinic of the West Coast, a 15-story, 555-bed full-service hospital and specialty care facility at the corner of Van Ness Avenue and Geary Boulevard. Company officials have made approval for that project conditional on keeping St. Luke’s open in the face of the state’s deadline on seismic safety standards that the hospital doesn’t now meet.

“St. Luke’s Hospital was the big issue that got our attention,” Le Tim Ly, lead organizer for the Chinese Progressive Association, told the Guardian. His group has worked with residents in the city’s southeast sector around environmental justice, air quality, and pollution issues when they became aware of the threat to St. Luke’s. “All this, coupled with efforts to downsize Luke’s, left us alarmed by the disproportionate impact on an already impacted area.”

But alarm over CPMC’s plans has now revived the idea of healthcare planning.

 

MAKING A PLAN

As recently as the beginning of November, representatives for the Hospital Council of Northern and Central California — whose members include CPMC, Chinese Hospital, Jewish Home, Kaiser Permanente, Laguna Honda, St Luke’s, St. Mary’s, San Francisco General Hospital, and Veterans Affairs Medical Center — seemed opposed to any change in the way healthcare planning is done in San Francisco.

At a Nov. 1 hearing on the Campos legislation at the board’s Land Use and Economic Development Committee, Ron Smith, the Hospital Council’s senior vice president for advocacy, said his organization favored maintaining the city’s current procedures. “We would like to propose that the Health Commission does the planning, the Planning Commission does the land use, and that there is a required determination process which is in the current legislation,” Smith said. “We’re proposing that that continue.”

But two weeks later, after Campos amended his legislation so projects now in the planning pipeline are exempt from having to comply with the city’s health care services master plan, some members of the Hospital Council seemed to have a change of heart.

CPMC’s Chief Executive Officer Warren Browner surprised just about everybody when he publicly stated in mid-November that CPMC supports health care planning. “We strongly support the efforts of the city — we are in favor of health planning,” Browner said at a Nov. 15 hearing on the legislation.

“That statement was extraordinary,” said Lucy Johns, recalling CPMC’s history of resisting government control. “The conversation about this legislation has already changed the discourse, at least in public.”

Linda Schumacher, chief executive officer of Chinese Hospital, a community-owned, not-for-profit facility, explained at the same hearing that her organization had been concerned that Campos’ legislation would affect her hospital’s ability to move ahead with a $150 million project that has been in the pipeline since 2003.

“We thank you for that amendment that allows the effective date to be changed,” she said.

“It shows how much progress had been made, even before this legislation goes into effect,” Campos said of the hospital industry’s apparent shift in attitude. “It’s a monumental step, something that was not expected as recently as a few months ago.”

But Ly of the Chinese Progressive Association said he believes the Hospital Council still doesn’t want to see the city getting involved. “As recently as a month ago, their folks were speaking out against any kind of legislation. But I think they started seeing the writing on the wall.”

Ly fretted about the potential negative impact of Campos’ last-minute amendments. Sup. Campos’ plan represents a victory. But we could use that information as soon as possible. The 2013 deadline means the city will be handicapped: it will have information it can’t use yet.”

Ly ventures that the hospital industry’s approach will be to try to lessen the impact of the legislation. “As written, it still provides the Planning Commission and the board with the discretion to approve projects,” Ly said. “Ultimately, the struggle is about values. Just because there are plans and guidance doesn’t mean the healthcare needs of the community will become a top priority — it just provides us with tools to make an assessment.”

Campos counters that his bill will allow the city to create incentives for, and apply pressure on, the hospital industry. “If they truly want their projects to be expedited and approved before state-mandated seismic retrofitting deadlines kick in, they’ll propose plans that work for the community,” Campos explained.

But even as it publicly vows to be supportive, the Hospital Council continues to express concerns about the Campos legislation. “It’s the council’s job is to be supportive now that the board has approved Campos’ plan,” Smith said. “And Sup. Campos was very generous. He started talking to us in June. But we really didn’t get a handle on his proposal until much later. We think the idea of healthcare planning is very good. We still have concerns about the process, but now the board has voted on the legislation, our goal is to do our best to work with the law.”

Concerns that the legislation would be used to mire projects in repeated appeals and give too much weight to critics’ concerns was raised at the Nov. 16 hearing by Sup. Sean Elsbernd.

“Right now, if anyone has concerns, there’s a conditional use process and a CEQA [California Environmental Quality Act] process,” Elsbernd told the Guardian. “But this turns up a brand new appeal. It means the appeals are heard at the same time, but you’ve now created a third route.”

Campos responded to these concerns by amending the legislation to clarify that the board must act on consistency determination appeals at the same time it acts on other related appeals, so projects won’t be delayed.

Evidently this wasn’t enough to appease the San Francisco Chamber of Commerce. “We cannot be supportive of that piece of legislation,” Rob Black, the Chamber’s vice president of public policy, told the Guardian after the legislation was approved. “We believe appeals should be done at the Department of Public Health in conjunction with service providers, since San Francisco provides 20 percent of service, and private organizations provide the remaining 80 percent.”

Black says the Chamber was pleased Campos amended his legislation so as not to slow down projects that are currently in the planning pipeline. But he claimed Campos’ legislation could actually limit access to healthcare services. “The Chamber is concerned that Campos’ legislation will make it harder for doctors to pool together in pods, and if we don’t do that, it won’t make healthcare more available because services will be more expensive,” Black said. “But we absolutely think” the city should analyze gaps in providing health care to San Franciscans.

Campos’ aide Hillary Ronen confirmed that Black is correct in saying that anyone can appeal a hospital project’s consistency determination. “But the final analysis will revolve around asking if the proposed project meets the health care needs of San Francisco,” she said. “If it doesn’t, and the board doesn’t believe there’s a compelling public policy reason to approve the project, [the board] can override the approval.”

 

PATIENTS VS. PROFITS

Mary Michelucci, a registered nurse for 40 years and a member of the California Nurses Association, is hopeful that Campos’ legislation will rein in the hospital industry.

“I hope that any plan that would favor patient care over profit would be the way to go,” Michelucci said. “Running a hospital is expensive. But with the profits that Sutter and CPMC are making, they can afford this.”

Michelucci says the dispute over St. Luke’s came to a head three years ago, when nurses began to suspect that CPMC was planning to let the facility fail, suspicions that intensified when CPMC closed St. Luke’s neonatal intensive care unit 18 months ago.

“Now the babies who need neonatal special care are transported to CPMC’s California campus, which is in the Richmond,” Michelucci said. “But the moms may be discharged and most of them live in the Mission or Bayview-Hunters Point.”

Michelucchi still fears that CPMC will wage “a horrific campaign” against the California’s Nurses Association as it continues to push the plan for its megahospital. “CPMC wants to be in complete control of the registered nurses,” she said. “We, unfortunately, are their conscience, while they are a business model in the business of healthcare. The decisions they make about healthcare are not in the interests of patients or nurses, and we are the thorn in their side.”

All this is happening against the backdrop of the worst economic recession since the Great Depression, and for construction workers facing high unemployment rates in San Francisco, CPMC’s megaproject clearly represents light at the end of a very dark tunnel.

“CPMC is my future,” William Hestor, a 28-year-old father of two and member of SEIU-United Healthcare Workers, said at the Nov. 15 hearing. “We worked hard on a contract and we just want to make sure our hospital is built on time.”

CPMC media spokesperson Kevin McCormack told the Guardian that the real issue between CPMC and the CNA is union membership at CPMC’s Cathedral Hill facility. “CPMC is reducing beds at St. Luke’s because the beds aren’t in use, but the facility will be able to take care of 90 percent of patients’ needs and if you need specialist care, a shuttle will take you to Cathedral Hill,” McCormack said. “This centralized arrangement is the best way to attract the best staff and equipment.”

McCormack noted that there are union members and 1,200 nonunion nurses working at CPMC facilities in San Francisco. “We are bringing together nonunion and union nurses together at this facility, and we don’t feel we have the right to force our nonunion nurses to join,” he said, adding that since the Teamsters, the Carpenters, and SEIU-United Healthcare Workers (UHW) are already unionized at the Pacific and California campuses, they’ll be allowed to unionize at Cathedral Hill.

CNA member Eileen Prendiville, who has worked in San Francisco as a registered nurse for decades, recalls the negative changes she has already seen at CPMC’s facilities, including eliminating registered nurses and specialty services.

“If you pull services, as they have, of course you’ll have fewer patients. And the physicians start leaving, so it’s a vicious cycle,” she said. “St. Luke’s was a small community hospital but now it’s all about corporate medicine.”

Sup. Eric Mar sided with those seeking to exempt current projects from the city’s health care services master plan. But Sup. Sophie Maxwell noted that the Planning Commission will take a facility’s historical role into account in determining whether projects are consistent with the city’s health care services plan.

“We believe that addressed community concerns,” Maxwell said. “St. Luke’s would never have been targeted for closure had this legislation been on the books in the past.”

Campos insists his legislation is not simply about CPMC. “Ultimately this legislation stems from a number of pleas we have heard in the last couple of years from people throughout the city,” he said. “It takes the institutional master planning process to the next level. We have tried to consolidate the appeal process under existing law. Important as the legislation is, it’s key to make sure we have the right master plan because that’s where the heavy lifting will take place.”

Meanwhile, the final EIR is being completed for the CPMC project, which should go before the Board of Supervisors for approval early next year.