Radio

wfmu ram tribute

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hi Kimberly,

Just a heads up about a breaking music news item that involves Hank IV, our side-project The ThemeWeavers and a star-studded cast.

The annual WFMU fundraiser marathon starts on Sunday, March 1st. For people who pledge at least $75 to Tom Scharpling’s “The Best Show on WFMU” program, one of the premium prizes is a various artists track-by-track cover of Paul McCartney’s classic 1971 album, Ram, featuring:

Danielson Family
Death Cab for Cutie
Dump (James McNew from Yo La Tengo)
Hank IV
Ted Leo
Aimee Mann
Portastatic (Mac from Superchunk)
The Spider Bags
ThemeWeavers LLC

plus a couple of other top-shelf acts that can’t yet be announced.

This RAM tribute will only be available for two weeks only. It won’t be sold anywhere nor will it be available anywhere after the conclusion of the WFMU Marathon.

If you want more info on this, just let me know.

best,

Tony

==

WFMU is 100% listener-supported freeform radio and a linchpin entity in American and international independent music and culture.

http://www.wfmu.org/marathon/index.shtml
http://www.wfmu.org
http://en.wikipedia.org/wiki/The_Best_Show_on_WFMU
http://wfmu.org/playlists/BS

Whither Indie?

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What is indie now that Death Cab for Cutie, Animal Collective, the Shins, and TV on the Radio are part of the mainstream cultural conversation, making inroads on the Billboard charts and scoring award nods? Jordan Kurland — who heads the Noise Pop festival along with founder Kevin Arnold and, for that matter, manages Noise Pop vet Death Cab — definitely has pondered the question. "It would be interesting to do a chart on how many bands that played Noise Pop have won Grammys," he muses. Every year he and Arnold reassess whether to continue this clear labor of love ("We don’t make money," Kurland confesses. "We haven’t cracked that yet."), and this year, despite the tough economic environment with the number of shows contracting and the event’s music industry conference expanding, the two decided to hold steady. "We’re still here championing independent culture," Kurland affirms. After all, "now we’re so close to 20. And then once we get to 20, it’ll be, ‘But we’re so close to 25!’ We just really love it. The community still cares about it. And we’ll be inspired as long as people show up for shows and keep talking about it."

NOISE POP ’09 — which includes a film fest, art exhibits, and a craft fair — runs Tues/24–March 1 at various venues. For the complete schedule, go to www.noisepop.com

Hip-hop mixes it up: ‘We All We Got’ kicks off at Levende

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WE_ALL_WE_GOT_FEB18 sml.jpg

New weekly hip-hop mixer? Sure, you got it; here’s the word from the organizers:

“San Francisco – We All We Got, a new weekly mixer, hip-hop open mic, and live performance party in San Francisco is the place for Bay Area artists, musicians, producers, managers, designers, and creatives to connect. Hosted by Revolutionary Poet Sellassie, We All We Got is designed to expose interesting and determined talent, cultivate relationships, showcase independent hip-hop artists and keep the dance floor moving with KPFA’s Hard Knock Radio DJ Mike Biggz. Bring your CD, get on the open mic, discover and listen to new artists, build allies, and connect. We All We Got is every Wednesday at Levende Lounge, San Francisco.

“Advocates of independent music, Inhouse Talent’s Gina Gallo and Sellassie see the opportunity to contribute to the local arts community among ambitious, forthcoming artists and offer a platform to perform. Hip-hop artist Sellassie states, ‘We are the future’ and realizes the vast talent here in the Bay Area. ‘Local promoters bring in all these other rappers from all over the country for shows and have stars right here in the Bay.’

Sing, memory

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How to push misty, watercolored memories of home and a past forged on the other side of the globe through the filter of today and still hold onto the mirror shards of identity? There’s a bittersweet irony to the idea that now, with the release of Sholi’s evocative, impressively detailed self-titled album on Quarterstick, the Davis-born Bay Area band might be forever known in some parts of the Iranian American community for its take on Iranian pop icon Googoosh’s "Hejrat (Migration)," a song of mourning to a departed lover.

"We kind of reinterpreted the song and framed it as being about the Iranians who left Iran and that whole migration," vocalist-guitarist Payam Bavafa. He grew up listening to Persian music with family at home and to Western sounds among friends. "When some of my relatives heard it, they said, ‘Omigod, when I heard this I started crying. This is the song of our migration.’ I was like, "Really? That’s how you think about it, too?"

The quickie recording — tracked to tape by Greg Ashley in his home, made in response to the anti-Iranian rhetoric of November 2007, and eventually included on a Believer comp — stands in contrast to the careful, lengthy process Bavafa, drummer Jonathon Bafus, and bassist-vocalist Eric Ruud undertook in creating their first full-length. The graceful, ever-growing, and seamless-seeming full-length was assembled in part at Eli Crews’ New and Improved Studios in Oakland and in part at various members’ homes, with the help of co-producer Greg Saunier, who began his contributions to Sholi in 2006 via e-mail while on tour with Deerhoof. Much like "Hejrat," the album revolves around memory and the way we construct it, a focus of Bavafa’s work as an engineer in a neuroscience lab.

Songs like "Spy in the House of Memories" embody the disc’s overall "spirit of fragmented recordings and recycled ideas," as Bavafa puts it, though others such as "November Through June" play with the "idea of wanting to be where you’re not currently. This idea of wanting to be somewhere else or someone else — and essentially everything is right in front of you."

All of which sounds like no small amount of the immigrant experience of Bavafa’s parents is making its way into the music of Sholi, a moniker taken from the vocalist’s childhood nickname. Elements of an exiled culture also pop up in the puckishly po-mo "Hejrat" cover art, which depicts Bavafa’s parents watching a hulking, fireplace-like TV appearing to air a YouTube video of Googoosh. "Our parents look at Iranian TV and radio — they have their own portal," muses Bavafa, "and I have mine."

SHOLI

With the Dead Trees, Everest, and Jake Mann

Feb. 28, 9 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

K’naan

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PREVIEW K’naan opens his sophomore album, Troubadour (A&M/Octone), with a true urban legend: it’s tougher in Africa than anywhere else. "Here the city code is lock and load /Any minute, it’s rock ‘n’ roll," he raps in an ode to his native "Somalia."

Having established his ghetto bona fides, the Canadian immigrant embarks on a conscious party, playing with U.S. hard rock ("If Rap Gets Jealous" with Metallica guitarist Kirk Hammett), radio-friendly pop ("Bang Bang" with Maroon 5 vocalist Adam Levine), and Jamaican ragga ("I Come Prepared" with Damien Marley). Effortlessly sliding from twisty rap lyrics to midrange vocal tones, K’naan’s resolute optimism comes from having survived incredible poverty and hardship. "I’ll probably get a Grammy without a grammar education," he adds on "Somalia," "so fuck you schooling, fuck you immigration!"

K’naan appears with Stephen and Julian Marley and Lee "Scratch" Perry at the Ragga Muffins Festival this week.

RAGGA MUFFINS FESTIVAL With K’naan, Stephen Marley, Lee "Scratch" Perry, Julian Marley, and Rootz Underground. Fri/20, 7 p.m., $37.50. Fox Theater, 1807 Telegraph, Oakl. (415) 421-TIXS, www.thefoxoakland.com

Public safety adrift

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› sarah@sfbg.com

Shortly into his first term as mayor, Gavin Newsom told a caller on talk radio — who was threatening to start a recall campaign if the mayor didn’t solve the city’s homicide problem — that Newsom might sign his own recall petition if he didn’t succeed in reducing violent crime.

But Newsom didn’t reduce violence — indeed, it spiked during his tenure — nor did he hold himself or anyone else accountable. Guardian interviews and research show that the city doesn’t have a clear and consistent public safety strategy. Instead, politics and personal loyalty to Newsom are driving what little official debate there is about issues ranging from the high murder rate to protecting immigrants.

The dynamic has played out repeatedly in recent years, on issues that include police foot patrols, crime cameras, the Community Justice Court, policies toward cannabis clubs, gang injunctions, immigration policy, municipal identification cards, police-community relations, reform of San Francisco Police Department policies on the use of force, and the question of whether SFPD long ago needed new leadership.

Newsom’s supporters insist he is committed to criminal justice. But detractors say that Newsom’s political ambition, management style, and personal hang-ups are the key to understanding why, over and over again, he fires strong but politically threatening leaders and stands by mediocre but loyal managers. And it explains how and why a vacuum opened at the top of the city’s criminal justice system, a black hole that was promptly exploited by San Francisco-based U.S. Attorney Joseph Russoniello, who successfully pressured Newsom to weaken city policies that protected undocumented immigrants accused of crimes.

Since appointing Heather Fong as chief of the San Francisco Police Department in 2004, Newsom has heard plenty of praise for this hardworking, morally upright administrator. But her lack of leadership skills contributed to declining morale in the ranks. So when he hired the conservative and controversial Kevin Ryan as director of the Mayor’s Office of Criminal Justice — the only U.S. Attorney fired for incompetence during the Bush administration’s politicized 2006 purge of the Department of Justice, despite Ryan’s statements of political loyalty to Bush — most folks assumed it was because Newsom had gubernatorial ambitions and wanted to look tough on crime.

Now, with Fong set to retire and a new presidential administration signaling that Russoniello’s days may be numbered, some change may be in the offing. But with immigrant communities angrily urging reform, and Newsom and Ryan resisting it, there are key battles ahead before San Francisco can move toward a coherent and compassionate public safety strategy.

SHIFTING POLICIES


The combination of Ryan, Fong, and Newsom created a schizophrenic approach to public policy, particularly when it came to immigrants. Fong supported the sanctuary city policies that barred SFPD from notifying federal authorities about interactions with undocumented immigrants, but Ryan and many cops opposed them. That led to media leaks of juvenile crime records that embarrassed Newsom and allowed Russoniello and other conservatives to force key changes to this cherished ordinance.

Russoniello had opposed the city’s sanctuary legislation from the moment it was introduced by then Mayor Dianne Feinstein in the 1980s, when he serving his first term as the U.S. Attorney for Northern California. But it wasn’t until two decades later that Russoniello succeeded in forcing Newsom to adopt a new policy direction, a move that means local police and probation officials must notify federal authorities at the time of booking adults and juveniles whom they suspect of committing felonies

Newsom’s turnabout left the immigrant community wondering if political ambition had blinded the mayor to their constitutional right to due process since his decision came on the heels of his announcement that he was running for governor. Juvenile and immigrant advocates argue that all youth have the right to defend themselves, yet they say innocent kids can now be deported without due process to countries where they don’t speak the native language and no longer have family members, making them likely to undertake potentially fatal border crossings in an effort to return to San Francisco.

Abigail Trillin of Legal Services for Children, cites the case of a 14-year-old who is in deportation proceedings after being arrested for bringing a BB gun to school. "He says he was going to play with it in the park afterwards, cops and robbers," Trillin says. "His deportation proceedings were triggered not because he was found guilty of a felony, but because he was charged with one when he was booked. He spent Christmas in a federal detention facility in Washington state. Now he’s back in San Francisco, but only temporarily. This boy’s family has other kids, they are part of our community. His father is a big, strong man, but every time he comes into our office to talk, he is in tears."

Another client almost got referred to U.S. Immigration and Custom Enforcement (ICE) even though he was a victim of child abuse. And a recent referral involved a kid who has been here since he was nine months old. "If the mayor genuinely wants to reach out to the immigrant community, he needs to understand how this community has perceived what has happened," Trillin said. "Namely, having a policy that allows innocent youth to be turned over to ICE."

Social workers point out that deporting juveniles for selling crack, rather than diverting them into rehabilitation programs, does nothing to guarantee that they won’t return to sell drugs on the streets. And making the immigrant community afraid to speak to law enforcement and social workers allows gangs and bullies to act with impunity.

"This is bad policy," Trillin stated. "Forget about the rights issues. You are creating a sub class. These youths are getting deported, but they are coming back. And when they do, they don’t live with their families or ask for services. They are going far underground. They can’t show up at their family’s home, their schools or services, or in hospitals. So the gang becomes their family, and they probably owe the gang money."

Noting that someone who is deported may have children or siblings or parents who depend on them for support, Sup. John Avalos said, "There need to be standards. The city has the capability and knows how to work this out. I think the new policy direction was a choice that was made to try and minimize impacts to the mayor’s career."

But Matt Dorsey, spokesperson for the City Attorney’s Office, told the Guardian that the Sanctuary City ordinance never did assure anyone due process. "The language actually said that protection did not apply if an individual was arrested for felony crimes," Dorsey said. "People have lost sight of the fact that the policy was adopted because of a law enforcement rationale, namely so victims of crime and those who knew what was going on at the street level wouldn’t be afraid to talk to police."

Angela Chan of the Asian Law Caucus, along with the San Francisco Immigrant Rights Defense Committee, a coalition of more than 30 community groups, has sought — so far in vain — to get the city to revisit the amended policy. "The city could have reformulated its ordinance to say that we’ll notify ICE if kids are found guilty, do not qualify for immigration relief, and are repeat or violent offenders," Chan said. "That’s what we are pushing. We are not saying never refer youth. We are saying respect due process."

Asked if Newsom will attend a Feb. 25 town hall meeting that immigrant rights advocates have invited him to, so as to reopen the dialogue about this policy shift, mayoral spokesperson Nathan Ballard told the Guardian, "I can’t confirm that at this time."

Sitting in Newsom’s craw is the grand jury investigation that Russoniello convened last fall to investigate whether the Juvenile Probation Department violated federal law. "Ever since the City found out that the grand jury is looking into it, they brought in outside counsel and everything is in deep freeze," an insider said. "The attitude around here is, let the whole thing play out. The city is taking it seriously. But I hope it’s a lot of saber rattling [by Russoniello’s office]."

Dorsey told the Guardian that "the only reason the city knew that a grand jury had been convened was when they sent us a subpoena for our 1994 opinion on the Sanctuary City policy, a document that was actually posted online at our website. Talk about firing a shot over the bow!"

Others joke that one reason why the city hired well-connected attorney Cristina Arguedas to defend the city in the grand jury investigation was the city’s way of saying, ‘Fuck You, Russoniello!" "She is Carole Migden’s partner and was on O.J. Simpson’s dream team," an insider said. "She and Russoniello tangled over the Barry Bonds stuff. They hate each other."

Shannon Wilber, executive director of Legal Services for Children, says Russoniello’s theory seems to be that by providing any services to these people, public or private, you are somehow vioutf8g federal statutes related to harboring fugitives. "But if you were successful in making that argument, that would make child protection a crime," Wilber says, adding that her organization is happy to work with young people, but it has decided that it is not going to accept any more referrals from the Juvenile Probation Department.

"We no longer have the same agenda," Wilber said. "Our purpose in screening these kids is to see if they qualify for any relief, not to deport people or cut them off from services."

Wilber’s group now communicates with the Public Defender’s Office instead. "Between 80 and 100 kids, maybe more, have been funneled to ICE since this new policy was adopted," Wilber said. "This is creating an under class of teens, who are marginalized, in hiding and not accessing educational and health services for fear of being stopped and arrested for no good reason, other than that their skin is brown and they look Latino".

Wilber understands that the new policy direction came from the Mayor’s Office, in consultation with JPD, plus representatives from the US Attorney’s office and ICE. "They bargained with them," Wilber said. "They basically said, what are you guys going to be satisfied with, and the answer was that the city should contact them about anyone who has been charged and booked with a felony, and who is suspected of being undocumented."

She hopes "something shifts" with the new administration of President Barack Obama, and that there will be "enough pressure in the community to persuade the Mayor’s Office to at least amend, if not eliminate, the new policy," Wilber said "The cost of what the city is doing, compared to what it did, is the flashing light that everyone should be looking at."

"It costs so much more to incarcerate kids and deport them, compared to flying them home," she explained. "And we have cast a pall over the entire immigrant community. It will be difficult to undo that. Once people have been subjected to these tactics, it’s not easy to return to a situation of trust. We are sowing the seeds of revolution."

WEAKEST LINK


When Newsom tapped Republican attorney Kevin Ryan to head the Mayor’s Office of Criminal Justice a year ago, the idea was that this high-profile guy might bring a coherent approach to setting public safety policy, rather than lurch from issue to issue as Newsom had.

Even City Attorney Dennis Herrera, who isn’t considered close to Newsom, praised the decision in a press release: "In Kevin Ryan, Mayor Newsom has landed a stellar pick to lead the Mayor’s Office of Criminal Justice. Kevin has been a distinguished jurist, an accomplished prosecutor, and a valued partner to my office in helping us develop protocols for civil gang injunctions. San Franciscans will be extremely well served by the talent and dedication he will bring to addressing some of the most important and difficult problems facing our city."

But the choice left most folks speechless, particularly given Ryan’s history of prosecuting local journalists and supporting federal drug raids. Why on earth had the Democratic mayor of one of the most liberal cities in the nation hired the one and only Bush loyalist who had managed to get himself fired for being incompetent instead of being disloyal like the other fired U.S. Attorneys?

The answer, from those in the know, was that Newsom was seriously flirting with the idea of running for governor and hired Ryan to beef up his criminal justice chops. "If you are going to run for governor, you’ve got to get to a bunch of law and order people," one insider told us.

Ryan proceeded to upset civil libertarians with calls to actively monitor police surveillance cameras (which can only be reviewed now if a crime is reported), medical marijuana activists with recommendations to collect detailed patient information, and immigrant communities by delaying the rollout of the municipal identity card program.

"In the long run, hopefully, dissatisfaction with Ryan will grow," Assembly Member Tom Ammiano told us last year when he was a supervisor. "He could become a liability for [Newsom], and only then will Newsom fire him, because that’s how he operates."

Others felt that Ryan’s impact was overstated and that the city continued to have a leadership vacuum on public safety issues. "What has happened to MOCJ since Ryan took over?" one insider said. "He doesn’t have much of a staff anymore. No one knows what he is doing. He does not return calls. He has no connections. He’s not performing. Everyone basically describes him with the same words – paranoid, retaliatory, and explosive – as they did during the investigation of the U.S. attorneys firing scandal."

"I’ve only met him three times since he took the job," Delagnes said. "I guess he takes his direction from the mayor. He’s supposed to be liaison between Mayor’s Office and the SFPD. When he accepted the job, I was, OK, what does that mean? He has never done anything to help or hinder us."

But it was when the sanctuary city controversy hit last fall that Ryan began to take a more active role. Sheriff’s Department spokesperson Eileen Hirst recalls that "MOCJ was essentially leaderless for five years, and Ryan was brought in to create order and revitalize the office. And the first thing that really happened was the controversy over handling undocumented immigrant detainees."

One prime example of Ryan’s incompetence was how it enabled Russoniello to wage his successful assault on the city’s cherished sanctuary ordinance last year. Internal communications obtained by the Guardian through the Sunshine Ordinance show efforts by the Newsom administration to contain the political damage from reports of undocumented immigrants who escaped from city custody.

Newsom solidly supported the Sanctuary City Ordinance during his first term, as evidenced by an April 2007 e-mail that aide Wade Crowfoot sent to probation leaders asking for written Sanctuary City protocols. But these demands may have drawn unwelcome attention.

"This is what caused the firestorm regarding undocumented persons," JPD Assistant Chief Allen Nance wrote in August 2008 as he forwarded an e-mail thread that begins with Crowfoot’s request.

"Agreed," replied probation chief William Siffermann. "The deniability on the part of one is not plausible."

Shortly after Ryan started his MOCJ gig, the Juvenile Probation Department reached out to him about a conflict with ICE. They asked if they could set up something with the U.S. Attorney’s Office but the meeting got canceled and Ryan never rescheduled it.

Six weeks passed before the city was hit with the bombshell that another San Francisco probation officer had been intercepted at Houston Airport by ICE special agents as he escorted two minors to connecting flights to Honduras. They threatened him with arrest.

"Special Agent Mark Fluitt indicated that federal law requires that we report all undocumenteds, and San Francisco Juvenile Court is vioutf8g federal law," JPD’s Carlos Gonzalez reported. "Although I was not arrested, the threat was looming throughout the interrogation."

Asked to name the biggest factors that influenced Newsom’s decision to shift policy, mayoral spokesperson Nathan Ballard cites a May 19 meeting in which Siffermann briefed the mayor about JPD’s handling of undocumented felons on matters related to transportation to other countries and notification of ICE.

"That morning Mayor Newsom directed Siffermann to stop the flights immediately," Ballard told the Guardian. "That same morning the mayor directed Judge Kevin Ryan to gather the facts about whether JPD’s notification practices were appropriate and legal. By noon, Judge Ryan had requested a meeting with ICE, the U.S. Attorney, and Chief Siffermann to discuss the issue. On May 21, that meeting occurred at 10:30 a.m. in Room 305 of City Hall."

Ballard claims Ryan advised the mayor that some of JPD’s court-sanctioned practices might be inconsistent with federal law and initiated the process of reviewing and changing the city’s policies in collaboration with JPD, ICE, the U.S. Attorney, and the City Attorney.

Asked how much Ryan has influenced the city’s public safety policy, Ballard replied, "He is the mayor’s key public safety adviser."

Records show Ryan advising Ballard and Ginsburg to "gird your loins in the face of an August 2008 San Francisco Chronicle article that further attacked the city’s policy. "Russoniello is quoted as saying, "This is the closest thing I have ever seen to harboring,’" Ryan warned. And that set the scene for Newsom to change his position on Sanctuary City.

PUSHED OR JUMPED?


When Fong, the city’s first female chief and one of the first Asian American women to lead a major metropolitan police force nationwide, announced her retirement in December, Police Commission President Theresa Sparks noted that she had brought "a sense of integrity to the department." Fellow commissioner David Onek described her as "a model public servant" and residents praised her outreach to the local Asian community.

Fong was appointed in 2004 in the aftermath of Fajitagate, a legal and political scandal that began in 2002 with a street fight involving three off-duty SFPD cops and two local residents, and ended several years later with one chief taking a leave of absense, another resigning, and Fong struggling to lead the department. "It’s bad news to have poor managerial skills leading any department. But when everyone in that department is waiting for you to fail, then you are in real trouble," an SFPD source said.

Gary Delagnes, executive director of the San Francisco Police Officers Association, hasn’t been afraid to criticize Fong publicly, or Newsom for standing by her as morale suffered. "Chief Fong has her own style, a very introverted, quiet, docile method of leadership. And it simply hasn’t worked for the members of the department. A high percentage [of officers] believe change should have been made a long time ago."

But Newsom refused to consider replacing Fong, even as the stand began to sour his relationship with the SFPOA, which has enthusiastically supported Newsom and the mayor’s candidates for other city offices.

"The day the music died," as Delagnes explains it, was in the wake of the SFPD’s December 2005 Videogate scandal. Fong drew heavy fire when she supported the mayor in his conflict with officer Andrew Cohen and 21 other officers who made a videotape for a police Christmas party. Newsom angrily deemed the tape racist, sexist, and homophobic at a press conference where Fong called the incident SFPD’s "darkest day."

"Heather let the mayor make her look like a fool. Who is running this department? And aren’t the department’s darkest days when cops die?" Delagnes said, sitting in SFPOA’s Sixth Street office, where photographs and plaques commemorate officers who have died in service.

Delagnes supports the proposal to give the new chief a five-year contract, which was part of a package of police reforms recommended by a recent report that Newsom commissioned but hasn’t acted on. "You don’t want to feel you are working at the whim of every politician and police commission," Delagnes said. But he doubts a charter amendment is doable this time around, given that the Newsom doesn’t support the idea and Fong has said she wants to retire at the end of April.

"I’d like to see a transition to a new chief on May 1," Delagnes said. "And so far, there’s been no shortage of applications. Whoever that person is, whether from inside or outside [of SFPD], must be able to lead us out of the abysmally low state of morale the department is in."

Delagnes claims that police chiefs have little to do with homicide rates, and that San Francisco is way below the average compared to other cities. "But when that rate goes from 80 to 100, everyone goes crazy and blames it on the cops. None of us want to see people killed, but homicides are a reality of any big city. So what can you do to reduce them? Stop them from happening."

But critics of SFPD note that few homicide cases result in arrests, and there is a perception that officers are lazy. That view was bolstered by the case of Hugues de la Plaza, a French national who was living in San Francisco when he was stabbed to death in 2007. SFPD investigators suggested it was a suicide because the door was locked from the inside and did little to thoroughly investigate, although an investigation by the French government recently concluded that it was clearly a homicide.

Delagnes defended his colleagues, saying two of SFPD’s most experienced homicide detectives handled the case and that "our guys are standing behind it."

A NEW DIRECTION?


Sparks said she didn’t know Fong was planning to retire in April until 45 minutes before Chief Fong made the announcement on Newsom’s December 20 Saturday morning radio show. "I think she decided it was time," Sparks told the Guardian. "But she’s not leaving tomorrow. She’s waiting so there can be an orderly transition."

By announcing she will be leaving in four months, Fong made it less likely that voters would have a chance to weigh in on the D.C.-based Police Executives Reform Forum’s recommendation that the next SFPD chief be given a five-year contract.

"The mayor believes that the chief executive of a city needs to have the power to hire and fire his department heads in order to ensure accountability," Newsom’s communications director Nathan Ballard told the Guardian.

According to the city charter, the Police Commission reviews all applications for police chief before sending three recommendations to the mayor. Newsom then either makes the final pick, or the process repeats. This is same process used to select Fong in 2004, with one crucial difference: the commission then was made up of five mayoral appointees. Today it consists of seven members, four appointed by the mayor, three by the Board of Supervisors.

Last month the commission hired Roseville-based headhunter Bob Murray and Associates to conduct the search in a joint venture with the Washington-based Police Executive Research Forum, which recently completed an organizational assessment of the SFPD. Intended to guide the SFPD over the next decade, the study recommends expanding community policies, enhancing information services, and employing Tasers to minimize the number of deadly shootings by officers.

"The mayor tends to favor the idea [of Tasers] but is concerned about what he is hearing about the BART case and wants closer scrutiny of the issue," Ballard told us last week.

Potential candidates with San Francisco experience include former SFPD deputy chief Greg Suhr, Taraval Station Captain Paul Chignell, and San Mateo’s first female police chief, Susan Manheimer, who began her career with the SFPD, where her last assignment was as captain of the Tenderloin Task Force.

"It would be wildly premature to comment on the mayor’s preference for police chief at this time," Ballard told the Guardian.

Among the rank and file, SFPD insider Greg Suhr is said to be the leading contender. "He’s very politically connected, and he is Sup. Bevan Dufty’s favorite," said a knowledgeable source. "The mayor would be afraid to not get someone from the SFPD rank and file."

Even if Newsom is able to find compromise with the immigrant communities and soften his tough new stance on the Sanctuary City policy, sources say he and the new chief would need to be able to stand up to SFPD hardliners who push back with arguments that deporting those arrested for felonies is how we need to get rid of criminals, reduce homicides, and stem the narcotics trade.

"The police will say, you have very dangerous and violent potential felons preying on other immigrants in the Mission and beyond," one source told us. "They would say [that] these are the people who are dying. So if you are going to try and take away our tools — including referring youth to ICE on booking — then we will fight and keep on doing it."

While that attitude is understandable from the strictly law and order perspective, is this the public safety policy San Francisco residents really want? And is it a decision based on sound policy and principles, or merely political expediency?

Sup. David Campos, who arrived in this country at age 14 as an undocumented immigrant from Guatemala, says he is trying to get his arms around the city’s public safety strategy. "For me, the most immediate issue is the traffic stops in some of the neighborhoods, especially in the Mission and the Tenderloin," said Campos, a member of the Public Safety Committee whose next priority is revisiting the Sanctuary City Ordinance. "I’m hopeful the Mayor’s Office will reconsider its position. But if not, I’m looking at what avenues the board can pursue.

"I understand there was a horrible and tragic incident," Campos added, referring to the June 22, 2008 slaying of three members of the Bologna family, for which Edwin Ramos, who had cycled in and out of the city’s juvenile justice system and is an alleged member of the notoriously violent MS-13 gang, charged with murder for shooting with an AK-47 assault weapon. "But I think it is bad to make public policy based on one incident like that. To me, the focus should be, how do we get violent crime down and how do we deal with homicides?"

Campos believes Ryan has sidetracked the administration with conservative hot-button issues like giving municipal ID cards to undocumented residents, installing more crime cameras, and cracking down on the cannabis clubs. "I’m trying to understand the role of the Mayor’s Office of Criminal Justice," Campos said, raising the possibility that it might be eliminated as part of current efforts to close a large budget deficit. "In tough times, can we afford to have them?"

The change in Washington could also counter San Francisco’s move to the right. Federal authorities, swamped by claims of economic fraud and Ponzi schemes, might lose interest in punishing San Francisco for its Sanctuary City-related activities now that President Barack Obama has vowed to address immigration reform, saying he wants to help "12 million people step out of the shadows."

"It’s hard to believe that there isn’t going to be some kind of change," another criminal justice community source told us. "A lot of this is Joe Russoniello’s thing. Sanctuary City ordinances and policies have been a target of his for years."

Rumors swirled last week that Russoniello might have already received his marching orders when Sen. Barbara Boxer announced her judicial nomination committees, which make recommendations to Obama for U.S. District Court judges, attorneys, and marshals.
Boxer will likely be responsible for any vacancies in the northern and southern districts, while Feinstein, who is socially friendly with the Russoniello family, will take charge of the central and eastern districts. Criminal justice noted that Arguedas, who San Francisco hired to defend itself against Russoniello’s grand jury investigation, is on Boxer’s Northern District nomination committee.
Boxer spokesperson Natalie Ravitz told the Guardian she was not going to comment on the protocol or process for handling a possible vacancy. "What I can tell you is that Sen. Boxer is accepting applications for the position of U.S. Attorney for the Southern District (San Diego), a position that is considered vacant," Ravitz told us. "Sen. Feinstein is handling the vacancy for the U.S. Attorney for the Eastern District. Beyond that I am not going to comment. If you have further questions, I suggest you call the Department of Justice press office."
DOJ referred us to the White House, where a spokesperson did not reply before press time. Meanwhile Russoniello has been publicly making the case for why he should stay, telling The Recorder legal newspaper in SF that morale in the U.S. Attorney’s San Francisco office is much improved, with fewer lawyers choosing to leave since he took over from Ryan.
That’s small consolation, given widespread press reports that Ryan had destroyed morale in the office with leadership that was incompetent, paranoid, and fueled by conservative ideological crusades. Now the question is whether a city whose criminal justice approach has been dictated by Ryan, Fong, and Newsom — none of whom would speak directly to the Guardian for this story — can also be reformed.

“Fabliaux: Tom Marioni Fairy Tales”

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REVIEW I like Tom Marioni for the same reasons that I dig New Order. Though the band came after Marioni’s early sound sculptures, both arose with driven clarity, holding up 20th-century culture to the eye of the storm. They’re like woodsy fairy tales gone splendidly, mockingly urban: you’ll remember the imagery, hear the melody, find them in your dreams, and hallucinate them on old concrete walls long after you’ve left the show. So it’s fitting that "Fabliaux: Tom Marioni Fairy Tales" includes both a selection of Marioni’s printmaking work, published with various master printers at Crown Point Press, and a book of sardonic, remixed fables, with the prints as illustrations of the tales’ philosophies. From the ghostly aquatint Process Landscape (1998) to the bold, blood-like lines of A Door Must Be Either Open or Closed (2002), the exhibition summons noisy spirits and stands up to multiple listening sessions.

I suffer from an inability to experience art, especially "silent" or conceptual art, without hearing things, and Marioni, a keystone in the California Conceptual Art movement and a San Francisco resident since 1959, makes it outright impossible for me not to hear a soundtrack alongside his prints, whether New Order’s song "Your Silent Face" or the faint sound of a poet repeating herself in the Northern California fog. At the recent Martin Puryear exhibition, across the street from Crown Point at SFMOMA, Puryear’s painterly forms had a hypnotic effect, and the most striking of Marioni’s prints here — A Rose … (2008) and Flying with Friends (Drypoint) (2000) — ring out like a reversal, a dis-assemblage, of that exhibition’s solid circles of wood, which were described by the curators as "wall-mounted ring forms" and by Puryear as "occupying the same space as paintings yet lacking a center." A Rose … references Gertrude Stein’s unforgettable phrasing, and looking at Marioni’s grassy drypoints I hear Stein’s wry lilt, her words running round and round.

Or maybe I just hear things because of all the free beer. Marioni recently staged a comeback of his seminal project, The Act of Drinking Beer with Friends is the Highest Form of Art (1970-ongoing) at a time when, as friends remind me every time Kanye West starts whining on the radio, nobody’s popping champagne.

FABLIAUX: TOM MARIONI FAIRY TALES Through Feb. 21. Tues.–Sat., 10 a.m.–6 p.m. Crown Point Press, 20 Hawthorne, SF. (415) 974-6273. www.crownpoint.com

Free the prisoners!

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By Steven T. Jones

For all the outrage and political posturing around federal judges ordering California to reduce the state’s prison population, this has been foreseeable for more than a decade and it’s something that our elected leaders should embrace as both humane and a partial solution to our budget woes.

The bottom line is our prisons are shamefully overcrowded, thanks largely to legislators pushing tough-on-crime and no-new-taxes measures for decades. But politicians from Gov. Arnold Schwarzenegger to Attorney General Jerry Brown have vowed to fight the order all the way to the U.S. Supreme Court.

“It seems like everyone’s on the same page with this as far as elected officials,” Ronn Owens said on KGO radio this morning, where Lt. Gov. (and gubernatorial candidate) John Garamendi sounded a little more reasonable than other politicians who have been tripping all over themselves to sound tough and indignant, lest someone call them soft on crime.

“We’ve known this is coming. This is not something new,” Garamendi said. “The problem is failed leadership.” He called for more creative incarceration solutions such as more conservation camps (not the best idea) and more aggressive efforts to lower recidivism rates (a better idea). But he shied away from more radical and effective solutions such as ending the war on drugs.

Brown, after taking a courageous stand in favor of judicial independence in December, should be ashamed of himself. Instead of beating his chest, he should be talking about the kinds of obvious solutions that he’s advocated in his previous iterations, such as ending the war on drugs, parole reform, and freeing most nonviolent offenders.

We can no longer afford to have some of the world’s highest incarceration rates and lowest tax rates, it’s just that simple.

Does Coachella or Bonnaroo have the better lineup?

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By Danica Li

It’s about time that the lineups for the two biggest of the bigwig music festivals on the continent, Coachella and Bonnaroo, leaked online, precipitated by a now traditional annual flurry of bizarre Internet rumors, faux photo-manipped posters, and jittery, cross-fingered posts on Stereogum. Naturally there’s plenty of cross-pollination between the two, and no stunners, except that Phish hasn’t played Bonnaroo ever before, where most of the bands on both lineups are religious frequenters of music festivals as well-established as South by Southwest in Austin, Texas, and as far-flung as the Roskilde Festival in Denmark and Punkkelpop in Belgium.

The big names aren’t so dimunitive, but then Coachella has a long and storied history of luring in bomb marquee reunions that it’s struggled to live up to since the legendary Pixies jammed together onstage in 2004. Paul McCartney headlines on Friday, the Killers on Saturday, and the Cure on Sunday. My Bloody Valentine’s playing on Sunday, too, while Leonard Cohen, Superchunk, Okkervil River, Morrissey, MSTRKRFT, Franz Ferdinand, Girl Talk, Crystal Castles, TV on the Radio, Yeah Yeah Yeahs, Throbbing Gristle, and Lykke Li are all scheduled to play during the fest’s three days of music, California sunshine, and wacky art installations.

Playlist — February

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By Johnny Ray Huston

————

Coconot, Cosa Astral (Bcoredisc)

One of the things I like most about Pablo Díaz Reixa is his mode of singing. There’s something really endearing and adorable about it – some of his choruses sound like chants at an athletic event, but not all macho, just enthusiastic.

Coconot is the band he plays with when isn’t being El Guincho. To be honest, I kind of like Cosa Astral even more than El Guincho’s Alegranza, because Diaz-Reixa leaves more space in the overall sound, and things aren’t so exhaustively manic. (Though the manic tendencies can also be endearing.) Amongst the nine tracks, I’m already entranced by at least three: “Te tenía en cinta,” which is like a carnival winding down; the joyous and loose Afrobeat shimmer of “Tao”; and “Miles de ojos,” a Surrealist-influenced sonic vision with a chorus that is impossible to stop singing once you’ve heard it.

coconot.jpg

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Nite Jewel, My CD (Human Ear) and Good Evening (Gloriette)

One shorthand interpretation of Ramona Gonzalez’s recording project Nite Jewel is that it’s a bit like Glass Candy or Chromatics on Quaaludes. I don’t know if I like Nite Jewel quite as much as Glass Candy’s underrated B/E/A/T/B/O/X (c’mon, they made “Computer Love” melancholic, what’s not to love?) – or if I like it more.

Gonzalez’s singing is both high-pitched and kinda dazed. On “Weak 4 Me,” she reminds me of Mr. Bill, which can never be a bad thing. “What Did He Say” might be the best Nite Jewel song so far – it sounds like a radio playing “I Can’t Wait” by Nu Shooz slowly sinking to the bottom of a pool. I’d like to see Nite Jewel live. SF isn’t that far from LA.

Married with band

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› kimberly@sfbg.com

SONIC REDUCER They play together yet dislike each other — that’s Fucked Up. Literally. The Toronto legends of hardcore — add as many "post-"s as you like to that descriptor — and their grew-up-together-but-grew-apart relationship may sound like the tale of so many other long-running rock bands, sticking it out for the big checks, groupies, coke binges, and Courvoisier. Instead the Fucked Up folks appear to be more interested in putting together albums that will stand up against the punk singles on Kill by Death and Dangerhouse that made major indents in their consciousness.

"We were obsessed with those records and wanted to put ourselves in that continuum," says vocalist Pink Eyes, a.k.a., Damian Abraham, 29, sometime TV writer, onetime-reality TV star ("There were some choice moments of me going record shopping juxtaposed with my wife eating a cheap hotdog on the street, me going to an expensive dinner and her going home and doing laundry," he says of Newly Wed Nearly Dead), and frothing, rabid record collector. Eventually, he adds, "we realized that as much as we don’t get along and hate being on the road together, this is the most exciting, most creative thing that any of us will ever do. So we’ll see how it goes."

For their trouble, the group managed to make one of the best rock, punk, or what-have-you releases of ’08 with its second full-length, The Chemistry of Common Life (Matador).

But all that’s natural, normal, and Fucked Up. "We’ve been a band a long time," confesses Abraham. He’s known guitarist Mike Haliechuk, a.k.a., 10,000 Marbles, for about 14 years — since they were 16 — and grew up in the same neighborhood, played in bands, or shared radio shows with the rest. So does familiarity breed hatred? "A lot of us don’t have any shared interests anymore," the vocalist says by phone on the way to a New Orleans show. "But we’re still held together by this thing that is Fucked Up."

After all, "I’m diagnosed with mental problems," Abraham continues with the barest hint of mirth. "But I think there are several people who have undiagnosed mental problems. So we have a bunch of people who are undermedicated and one guy who is overmedicated. People who have crippling record-buying addictions and people who have crippling tastes in techno.

"We do all like sushi."

That search for commonality had to happen after the combo’s first album, Hidden World (Jade Tree, 2006), which made Fucked Up "transition into a quote-unquote real band," explains Abraham. "Prior to that we did a band that was mainly putting out 7-inches and playing the odd show, but then we put out Hidden World and we had the responsibilities of touring and actually playing full-length shows! It wasn’t just kids paying to see a show — it was kids paying to see us, which we weren’t really used to before that."

With Chemistry the members all retreated to their corners to work on lyrics and music separately. "No one person’s voice silenced any one else’s," Abraham says. "I think it was a survival method." The result was a kind of call and response between extremely different makers, a strategy that resolved into a shockingly rich recording that draws from the clean, epic qualities of classic rock as well as the bodyslamming force of hardcore.

"From my perspective [Hidden World] was about identifying social ills," offers Abraham, "and this record was more about trying to understand those social ills, trying to accept and work with the world around us, the forces of nature, government, and religion especially."

And in some ways, among the resonant instrumentals and pummeling rock-outs — music that scrambles the "conventions of punk," as Abraham puts it, much like the sound of Mind Eraser, Cold World, and No Age — Chemistry is about the search for that hard-won community among hardheaded, hardcore individuals. Call these anthems of a kind of togetherness for lone wolves who might wear "Jesus Should Have Been Aborted" T-shirts. "Hands up if you think you’re the only one," the frontman hollers during "Twice Born." The response: "We all got our fucking hands up!"

Still, the fights over the van radio must be monumental. "Mike is the techno fan," Abraham says. "It’s unfortunate because he’s very persuasive and he’s convinced several other members of the band to like it too. I’m resistant, as well as Jonah [Falco, a.k.a., drummer Guinea Beat]. All I can say is thank god for the invention of personal music players."

FUCKED UP

Sun/8, 8 p.m., $13

Independent

628 Divisadero, SF

www.theindependentsf.com

—————-

LOVE TO HATE YOU, BABY

FICTION FAMILY


Switchfoot’s Jon Foreman plus Nickel Creek’s Sean Watkins equals dreamy pop. Thurs/5, 8 p.m., $20. Independent, 628 Divisadero, SF. www.theindependentsf.com

FORTUNE RECORDS SHOW


The local label gets down with new CDs by Trevor Childs and the Beholders, Hey! Brontosaurus, and Cyndi Harvell. Fri/6, 9 p.m., $10. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

RZA


Wu-Tang’s five-year-planner breaks out his latest digi-snack, the Afro Samurai Resurrection OST soundtrack (Wu Music/Koch). Sun/8, 8 p.m. doors, $20–<\d>$26. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

P.O.S.


The Minneapolis rapper takes his blend of rock and hip-hop up a notch to Never Better (Rhymesayers). Mon/9, 9 p.m., $10. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

All mod cons

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› johnny@sfbg.com

How can any of us forget 1835, and the heady discovery of spherical amphibians, blue goats, and petite three-foot zebras frolicking on the moon? In Fakers: Hoaxers, Con Artists, Counterfeiters, and Other Great Pretenders (New Press, 245 pages, $24.95), Paul Maliszewski relates that time, when the New York Sun brought news of lunar life to an increasingly large readership that craved delightful information during an economic drought. Maliszewski doesn’t have to work to make the story funny — he merely has to relate how the paper’s moon-discovery serial likened a typical blue goat to "a young lamb or kitten," and presented scientists pretending to tickle the creature’s beard as seen through a telescope, only to witness it "bound away into oblivion, as if conscious of earthly impertinence."

Within the context of Maliszewski’s sprawling look at fakery, the Sun saga is a light vacation, because of its relative datedness and good-natured imagination. Before and after, Fakers largely avoids such Orson Welles’ War of the Worlds–style nostalgia for more contemporary tales: the stories of Stephen Glass, James Frey, and JT Leroy, for example. It places Glass’s accounts under a microscope that highlights their pandering corniness. It relates the life and times of Leroy — and his feverish endorsement by the likes of Dave Eggers and Michael Chabon (more on him later), as well as his editorship of an installment in Da Capo’s Best Music Writing series — without losing sight of the fact that Leroy’s much-celebrated writing is mawkish.

Such targets and views might suggest that Maliszewski likes to wag his finger and tut-tut, but his viewpoint is much more variable — he isn’t out to condemn various literary liars, for example, so much as critique them. Early in the book, he relates one of his own adventures in the creation of phony identities, a Walter Mitty–scale satire somewhat akin to the letters that Joe Orton used to write to newspapers as "Edna Welthorpe," a make-believe housewife outraged by Orton’s plays. Here, and in other instances, such as a discussion of George W. Bush’s use of the word "confidence" when discussing economics, Fakers suggests that the Bush years have not just eroded but demolished the value of truth.

In a seeming act of first-person tit-for-tat, Maliszewski shares an example of an instance when he fell for a hoax, though the chosen subject — a tall tale that might qualify as an urban legend if it weren’t set in the wilderness — cops out in terms of allowing a truly personal and thus uncomfortable examination of the various aspects of being duped. The most curious of Maliszewski’s practices is the frequent weaving of e-mail interviews — a format that would seem to allow for flights of fancy — into his investigative text. A correspondence with former New York Times journalist Michael Finkel, for example, stays soft-focus when it could have questioned the presumptuous audacity of a middle-aged white man assuming the voice of a West African boy.

In a recent Bookforum review, Hua Hsu describes Fakers as vaguely paranoia-inducing, and indeed, at the very least, this reader — a journalist who has been duped — wonders if any of the facts or stories that the author relates might contain creative twists. In an extended conclusion about a fraudulent Michael Chabon essay, Maliszewski essentially asserts that to lie for the sake of lying is a cynical, selfish act. True. But Fakers is more interesting when it is ambivalent and discomfiting, or when Maliszewski’s examples and anecdotes prompt ideas about various permutations of truth and falsehood in the media landscape. (Take CNN’s Nancy Drew, I mean Nancy Grace, and the way she is currently using a compulsive liar — Caylee Anthony — to co-author cable news television’s version of a radio serial.) Blue goats are cute, but — as Fakers makes clear — white lies have many facets.

mills college music

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Because the Bay Guardian is the go-to source for Bay Area audiences, I thought your readers would be interested to know about the latest happenings at Mills College with the opening of its new concert hall and exciting all-star contemporary music festival.

From February 21-April 5 Mills will celebrate their rich music legacy with a six-concert festival, Giving Free Play to the Imagination. An elite group of musicians who have helped shape contemporary music around the world, Pauline Oliveros, Terry Riley, Roscoe Mitchell, Joan Jeanrenaud, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among others, will perform pieces of their own design, including several world-premiere pieces, and of Mills composers past and present. At this time Mills will also celebrate the reopening of the Mills Concert Hall, a venue that has inspired audiences for more than 80 years. Oliveros will play the first sounds in the Hall on February 21.

Mills College is the international leader in contemporary music, which is why musicians from around the world come to Mills, and how Mills has become an incubator for the evolution of contemporary music, with the likes of Dave Brubeck, John Cage, Pauline Oliveros, Burt Bacharach, Darius Milhaud and Phil Lesh among students and faculty. As the Bay Guardian has covered Mills’ music in the past, I think your readers would be interested to know about this exciting festival, the Bay Area’s latest greatest concert venue, and what’s new in the world of Mills as its musicians inspire communities in the Bay Area and around the world.

Please let me know if we can arrange an interview with Mills music leadership or the performers to help you build your story. A summary of the Festival program is below, with further details available at www.mills.edu/musicfestival.

Best regards,

Victoria Terheyden

Victoria Terheyden

MacKenzie Communications, Inc.

600 California Street, Suite 1590

San Francisco, CA 94108

Tel: 415.403.0800 ext. 30
Fax: 415.403.0801

www.mackenziesf.com

Media Contacts:

Quynh Tran, Mills College

Media Relations Manager

510.430.2300

qtran@mills.edu

Victoria Terheyden

MacKenzie Communications, Inc.

415.867.2516

vterheyden@mackenziesf.com

Mills College Celebrates 80 Years of Musical Innovation with

Giving Free Play to the Imagination Music Festival

OAKLAND, CA—Feb. 3, 2009. Mills College celebrates 80 years of musical innovation as it reopens the historic Mills Concert Hall after an extensive 18-month renovation with a music festival featuring some of the world’s leading contemporary musicians. The six-concert series, Giving Free Play to the Imagination, runs from February 21 through April 5, 2009.

Musical innovators such as Pauline Oliveros, Terry Riley, Joan Jeanrenaud, Roscoe Mitchell, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among many others, will celebrate Mills College’s leadership in defining contemporary music.

At the heart of the aesthetic and educational mission of music at Mills is a tradition of experimentalism. Breaking free from preconceived notions about music, Mills composers and performers embrace new sounds and musical forms while pursuing creative, exploratory, and individual approaches to music. It is this unique approach that has made Mills College the destination for sonic pioneers. And it is why some of the top names in contemporary music—Darius Milhaud, Dave Brubeck, Joëlle Léandre, Phil Lesh, John Cage, Anthony Braxton, and Pauline Oliveros, to name just a few—have been part of the faculty and student population at Mills.

“Because of our long history of support for an experimentalist tradition across barriers of genre, cultural identity, or perceived hierarchy, Mills is uniquely placed to cultivate, appreciate, and celebrate musical pioneers,” said Fred Frith, head of the Music Department and internationally known composer, multi-instrumentalist, and improviser.

Mills music faculty, students, and visiting artists from varied musical traditions come from as far away as Argentina, China, France, and Turkey to study musical forms from electronic music to classical performance to jazz improvisation.

“Ever since renowned French classical composer and Mills’ professor Darius Milhaud encouraged soon-to-be-renowned jazz pianist composer and Mills’ student Dave Brubeck to ‘be himself,’ our students have been discovering how to ‘be themselves’ with single-handed determination,” said Frith. “As a Music Department that encourages experimentation while respecting tradition, we are second to none.”

“We are continually inspired by the influence and impact of our music graduates in their artistic pursuits,” said Janet L. Holmgren, president of Mills College. “Whether they are composers, performers, professors, or music producers or whether they are working in the film, video game, or music industries, or in leading technology and digital media companies, our graduates reflect the College’s mission to encourage creativity and experimentation, all within a global context.”

Giving Free Play to the Imagination also marks the completion of the $11 million renovation of the Mills College Concert Hall, to be renamed for well-known Bay Area philanthropist and Mills alumna Jeannik Méquet Littlefield, MA ‘42. Designed by noted California architect Walter Ratcliff Jr., the Mills Music Building has received widespread acclaim since its opening in 1928.

Improvements to the Concert Hall include new acoustic panels for enhanced sound quality, an expanded stage area for larger performances, installation of a dedicated mixing station, soundproofing for performance and recording quality, new seating and improved layout for a better audience experience. The multicolored frescoes and murals created by California painter Raymond Boynton were restored by two teams of art conservators to return them to their original vibrant colors.

The festival’s name, in fact, derives from Boynton’s vision for his murals, “to produce a scheme of decoration that would give free play to the imagination.”

Mills Music Festival Honorary Committee:

Charles Amirkhanian* – composer, percussionist, sound poet, radio producer

Laurie Anderson* – performance and visual artist, composer, vocalist, musician

Dave Brubeck*+ – jazz and classical musician, pianist, composer

Robert Cole – director of Cal Performances

Merce Cunningham – choreographer and founder of Merce Cunningham Dance Company

Evelyn Glennie – percussionist, composer, motivational speaker

David Harrington – violinist and founding member of the Kronos Quartet

Phil Lesh* – musician and founding member of the Grateful Dead

George Lewis – improviser-trombonist, composer, computer/installation artist

Jeannik Méquet Littlefield* – philanthropist and patroness of the arts

Annea Lockwood – composer, professor emeritus at Vassar College

Rebeca Mauleón* – Latin and world music pianist, composer, educator

Meredith Monk – composer, singer, director/choreographer

Michael Morgan – music director of the Oakland East Bay Symphony, pianist, educator

Pauline Oliveros+ – composer, performer, first director of the Center for Contemporary Music (formerly the Tape Music Center)

Lauren Speeth* – CEO of the Elfenworks Foundation, member of the Mills Board of Trustees, violinist, recording artist

Roselyne Swig+ – philanthropist, activist, and patroness of the arts

Michael Tilson Thomas – music director of the San Francisco Symphony, composer, recording artist

* Mills alumnae/i

+ Mills honorary degree recipient

Program

Saturday, February 21, 2009 8:00 pm

OPENING NIGHT: Pauline Oliveros with Tony Martin; Terry Riley; Joseph Kubera performs Roscoe Mitchell; Joan Jeanrenaud

Solo performances of works by pioneers in the experimentalist tradition. Oliveros will play the first musical sounds in the renovated Concert Hall. A champagne reception follows.

Sunday, February 22, 2009 3:00 pm

A CELEBRATION OF THE CENTER FOR CONTEMPORARY MUSIC

More than 40 years of electronic innovation featuring Pauline Oliveros, Tony Martin, Maggi Payne, Chris Brown, William Winant, Joan Jeanrenaud, James Fei, and John Bischoff. Pre-concert talk with performers at 2:00 pm.

Friday, February 27, 2009 8:00 pm

LEGENDARY COMPOSER AND IMPROVISER MUHAL RICHARD ABRAMS with special guest Roscoe Mitchell

Saturday, February 28, 2009 8:00 pm

DARIUS MILHAUD’S BRAZILIAN CONNECTION

Dazzling orchestral works conducted by Nicole Paiement. A celebration of the renaming of the Concert Hall in honor of Mills alumna Jeannik Méquet Littlefield follows.

Sunday, March 8, 2009 3:00 pm

ARDITTI QUARTET

The world-renowned string quartet plays works by Mills composers past and present

Sunday, April 5, 2009 3:00 pm

THE MUSIC OF FRED FRITH

A rocking birthday concert of new music with Fred Frith and Cosa Brava (Carla Kihlstedt, Matthias Bossi, Zeena Parkins, The Norman Conquest), Liz Albee, Minna Choi, Beth Custer, Joan Jeanrenaud, Myra Melford, Roscoe Mitchell, Ikue Mori, Larry Ochs, Bob Ostertag, and William Winant.

TICKETS / PUBLIC INFO:

General admission: $20/concert; $100/series

Seniors: $12/concert; $60/series

For more information or to purchase tickets, please visit http://www.mills.edu/musicfestival

Nestled in the foothills of Oakland, California, Mills College is a nationally renowned, independent liberal arts college offering a dynamic progressive education that fosters leadership, social responsibility, and creativity to approximately 950 undergraduate women and 500 graduate women and men. Since 2000, applications to Mills College have more than doubled. The College is named one of the top colleges in the West by U.S. News & World Report, one of the Best 368 Colleges by the Princeton Review, and ranks 75th among America’s best colleges by Forbes.com. Visit us at www.mills.edu.

The shit we’re up against

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By Tim Redmond

Why is it so hard to get a budget deal out of Sacramento? While the gov blames the Legislature, let’s take a look at why it’s almost impossible to get Republican members of the state Assembly or Senate to vote for a tax hike.

Case study: Assembly Member Anthony Adams, R-Hesperia.

Adams emerged from a Republican caucus meeting a few days back to say that a budget deal would require both sides to give in on some hot-button issues. The Democrats would have to accept major cuts in popular programs — and the GOP would have to accept some tax increases.

He is now in serious political trouble.

Two popular right-wing L.A. radio nuts, John and Ken, put out a “call to battle stations”, lambasted Adams for 45 screeching minutes on the air, then put a graphic of the Assemblymember’s severed head on a stick on their website. Adams admits that voting for even modest tax hikes, as a part of a broader budget that includes massive spending cuts, will probably be the end of his political career.

“This,” Assembly member Tom Ammiano told me, “is the shit we’re up against.” The radical anti-tax crew in the GOP is preparing to trash, abuse, challenge and if necessary recall any Republican we dares talk of taxes. And since the Legislative districts in California are so successfully gerrymandered to give Democrats more power, the Republican seats are VERY Republican and these anti-tax nuts have a lot of power.

That’s why the two-thirds majority for approving a budget is crippling this state.

Punch drunkle

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› superego@sfbg.com

SUPER EGO Hola, age of change. My 2K9 nightlife motto: less musing, more cruising — just watch out for the bruising, child. A few blurry dawns ago, out of nowhere, I got bopped full-on in the kisser by some drunk fool outside the club. Tragedy struck.

Luckily, my impeccable cheekbones are fashioned from silky Teflon and my major Ukrainian modeling contract survived intact. But it was a good reminder, a "slap in the face," if you will — and you will: always be aware of your surroundings and don’t drink yourself too unfunctional. Hear me alike, dear macho bar queens, PBR fixie pixies, Bebe-clad bachelorettes, darling dragzillas, electro-spandex starlets, popped-collar wannabros, and pretend hip-hop producers. Let’s be careful out there. For more tips on surviving your midnights out, San Francisco’s guardian angels of the dark, the Sisters of Perpetual Indulgence, are, as usual, eager to provide at their Web site under “features.” Now, let’s get it on.

————-

THE ID LIST

TINGEL TANGEL


This glorious cabaret monthly brings a touch of Weimar Berlin to San Francisco by way of NYC nightlife impresario Earl Dax. This time around, wacky Seattlean hostess Dina Martina wilkommens tunesmith Spencer Day, space-gother Kiddie, harpist Deirdre Egan, and more, ol’ chum. Wed/28, 9:30 p.m., $16. Café Du Nord, 2174 Market, SF. www.tingeltangelclub.com, www.cafedunord.com

SPECIAL DISCO VERSION


Part of LCD Soundsystem never dies? Not if the indie dance juggernaut’s members stay true to their retro-underground roots. LCD drummer Pat Mahoney keeps it fresh by pumping up the past as he DJs the West Coast debut of this roving club classic. Cheekbone bonus: a special Hercules and Love Affair DJ set. Thurs/29, 9 p.m., $10-$15. Mighty, 119 Utah, SF. www.mighty119.com

EXPERIMENTAL MUSIC SHOWCASE


Don’t let the serious name put you off — that UK queen of intel freak-uencies, BBC Radio’s Mary Ann Hobbs, is flying in to curate a dance explosion of razor-sharp local talent, including Ghosts on Tape, Lazer Sword, Kid Kameleon, Disco Shawn, Shane King, and more. Now, if only the BBC would archive her streaming weekly broadcasts for more than a month. Thurs/29, 9:30 p.m., $5. 103 Harriet, SF. www.1015.com

HOTTUB


The electro-rap trio of trouble destroyed the Guardian‘s Best of the Bay 2008 party and sent Jello Biafra to the hospital. Now they’re inaugurating a new monthly by two solid party producers, Popscene vs. Loaded, at the Rickshaw — and celebrating their latest record release. Watch out for blood puddles. Fri/30, 10 p.m., $10. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

AMON TOBIN


Proto-dubstepper? Future-glitch engineer? Global grooves genius? Let’s just say all three, then drool all over this singular Brazilian legend’s laptop. Stunned noggin-nodders at last year Treasure Island fest know he’s made a seamless live transition from vinyl to electronics — and teases serious dance breaks from the wizardly ambience. Fri/30 and Sat/31, 9 p.m., $23. Independent, 628 Divisadero, SF. www.independentsf.com, www.hacksawent.com

SUPPERVISION


Burning Man meets alternaqueer for a multimedia pajama party, with trippy visuals and outré drag performances. Wait! Don’t stop reading! Video artist III is truly talented, and his projections, combined with edgy queen antics, add up to more than the sum of my whole first sentence. Honey Soundsystem brings the noise. And, yes, wear pajamas. Sat/31, 9 p.m., $12 in pajamas, $20 without. Supperclub, 657 Harrison, SF. www.supperclub.com

HERR-A-CHICK


Too many puns to count in the name, too many too-hot queer rock bigwigs involved to miss this new live showcase and dragstravaganza monthly at DNA. Charlie Horse’s Anna Conda teams up with the Trans Am boys and Revolver’s Lucy Borden for alterna-excess, with the Ex-Boyfriends and Ethel Merman Experience all plugged in. Feb. 4, 10 p.m., $5. DNA Lounge, 375 11th St., SF. www.dnalounge.com

JUICY LUCY


Swank Brazilian resto Bossa Nova, in the old CoCo Club space, just opened its lusciously remodeled basement up for late-night affairs — and is going big from the get-go with this kaleidoscopic affair. Detroit techno slayer Mike "Agent X" Clark headlines, with soulful spinner David Harness, funky househed Greg Eversoul, and live jazziness from Lovelight Liberation. Feb. 6, 9 p.m., $10. Bossa Nova, 139 Eighth St., SF. (415) 558-8004.

2562 AND THE GASLAMP KILLER


Those ambassadors of dread bass, Surya Dub, are bashing for their monthly club’s second anniversary, with Dutch dubstep (Dutchstep?) heavyweight 2562, who couches his rumble in deep techno soundscapes. Also reverbin’: Los Angeles low-low lover the Gaslamp Killer, who can rip a slice of perilous psy-hop quite rightly. Local boy Lud Dub leads the congratulatory proceedings. Feb. 7, 9 p.m., $15. Club Six, 60 Sixth St., SF. www.clubsix1.com

Sonic Reducer Overage: Metronomy, Bored Stiff, Extra Action, and so much more

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Color blogged: Metronomy’s “Radio Ladio.”

Hey, get out! Here are a few more shows that make it worth missing – or recording – the new episodes of Lost and Battlestar Galactica.

Tippy Canoe
Let the uke revolution carry on – thanks to strummer stunners Tippy Canoe of Oakland and Anna Ash of Ann Arbor, Mich. With Antonetteg. Wed/21, 9 p.m., $6. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.


Metronomy
Creepy, conceptual electronic pop, anyone? The UK combo brings out the breakbot – just for fun – in honor of Popscene. With the Mae Shi. Thurs/22, 10 p.m., $12. Popscene, 330 Ritch, SF. (415) 902-3125.

Editor’s Notes

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› Tredmond@sfbg.com

Barack Obama is going to have to be a different kind of president, and I don’t mean just policy or the fact that he’s by far the coolest guy to hold that office in my lifetime. I mean he’s going to have to change the tone of how Americans look at our country. He’s going to have to do something that George Bush (and Bill Clinton before him) never did. He’s going to have to get rid of the selfish baby boomer ethos. He’s going to have to talk about sacrifice.

The economy can’t be fixed with deficit spending alone, and the equally massive environmental issues can’t be fixed with just hybrid cars and wind turbines. All those things are important. Without massive federal spending, probably well beyond what Obama is talking about today, the nation will continue to lose millions of jobs, the recession will become a deep depression, and life around here will really suck. And without new technologies, climate change will continue to get worse and energy will become far more expensive and far less reliable.

But in the end, it’s going to take more.

I was listening to the Democratic response to the governor’s State of the State speech Jan. 15 and the KQED radio host asked Darrell Steinberg, the state Senate president pro tem, the basic question of our time: why do Californians want all these wonderful services — education, parks, roads, trains, etc. — but don’t want to pay for them? Steinberg ducked beautifully, but the question still hangs out there. And it’s not just California.

Let us not forget: the United States is still a very wealthy country, and the Bush years made some of its residents exceptionally rich. I just added up the net worth of the top 20 people on the latest Forbes 400 list, and it came to $433 billion. That’s 20 people. The net profits of the top 10 companies on the Fortune 500 list for 2008 totaled more than $100 billion. That’s 10 companies.

Bush never asked any of those people or corporations to help pay for his war. Instead he told them everything would be easy, and gave them juicy tax cuts.

Obama has to set a different tone. He needs to say, loudly and clearly, that those who have the most (far more than they need) in very tough times should be willing to share.

A one-time, 10 percent wealth tax on the ultra-rich would probably raise half a trillion dollars. A short-term excess profits tax (similar to what the nation enacted during World War II) would provide another huge chunk. And it would send a signal to the rest of the country: this isn’t going to be easy. We all have to help out, starting with those at the top.

It also means that, on every level, we all have to get more engaged, more involved in the community. We have to become a nation of givers, not just takers. Public service has to be more important than private profit.

That’s a tough order for a generation raised on selfishness and greed. But it’s the only way out — and the guy we put in office on a banner of change has to lead the way.

Hang on, Ramsey

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Venerable jazz pianist Ramsey Lewis will be 74 in May, but you’d hardly know it from his packed tour schedule and mounting awards. The Chicago native and 2007 NEA Jazz Master honoree hosts a nationally syndicated radio show, has recorded nearly an album a year since 1956 plus tours with his trio, does regular duets with Dave Brubeck, and moonlights as a member of smooth jazz supergroup Urban Knights. But perhaps Lewis’ greatest accomplishment was bringing jazz and pop together in soulful harmony.

Sample libraries and hip-hop production would be diminished were it not for Lewis’ funky covers ("Dear Prudence," "Soul Man," "People Make the World Go Round," "Slipping into Darkness"). Likewise Lewis, whose been playing since age four, has a sense of history: he studied Bach, Beethoven, Hayden, Duke Ellington, and Art Tatum before forming the Cleffs with Eldee Young on bass and Redd Holt on drums, his first of many trio configurations.

As the Ramsey Lewis Trio he scored hits in the mid-1960s on Chess-Cadet label releases like "Wade in the Water," "The In Crowd," and Motown cover "Hang on Sloopy." Lewis did for the piano what Stevie Wonder did for the harmonica, made the instrument swing. He also managed to evolve with the times, switching to Fender electric piano and writing originals like "Uhuru" and "Bold and Black" on 1969’s Another Voyage (Cadet) produced by studio great Charles Stepney. Sun Goddess (Columbia, 1974), which showcases enduring Lewis collaborator Maurice White of Earth, Wind and Fire on drums and vocals, was rediscovered by DJs decades later and ushered in the early-’90s acid jazz movement.

His most recent recording, 2005’s With One Voice (Narada) includes gospel standard "Oh Happy Day," redone with a house groove, and soulful reggae number "Keep the Spirit." These days bassist Larry Gray and drummer Leon Joyce fill out the trio, and the group makes an extended stop at Yoshi’s SF, a great prelude to the Martin Luther King Jr. holiday and Barack Obama’s inauguration.

In 1967 Columbia Records president Clive J. Davis said: "In the next century or so, we may very well no longer draw distinctions between what is ‘jazz,’ what is ‘classical,’ what is ‘progressive,’ ‘rock,’ or ‘soul.’ It may all just be called music, and let it go at that. For it’s all here, in the music that Ramsey makes." Davis’ hope for an end to genre distinctions may not have come to pass yet, but he was right about Lewis, it is all in him.

RAMSEY LEWIS TRIO

Thurs/15–Fri/16, 8 p.m., Sat/17, 8 and 10 p.m., Sun/18, 7 p.m.; $65

Yoshi’s SF

1330 Fillmore, SF

(415) 655-5600

sf.yoshis.com

Inauguration parties!

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› alerts@sfbg.com

TUESDAY, JAN. 20

The inauguration of Barack Obama as the 44th president of the United States is a historic event, with the rise of the first African American president coinciding with the end of perhaps the worst presidency in US history. So it’s time to celebrate, and here’s where you can do so on Jan. 20.

Sock it to me


NextArts has reserved the space outside City Hall for a simulcast of the inaugural proceedings and what it’s calling a Sock It To Me Concert. In the spirit of grassroots, progressive change, the price of admission is new socks and underwear with tags still attached for donation to the homeless.

7 a.m.–noon, free with donation

Civic Center Plaza

1 Dr. Carlton B. Goodlett Plaza, SF

www.nextarts.org

The dream lives


The College of Alameda will broadcast Obama’s 9 a.m. swearing-in and offer open mike commentary during commercial breaks. The event also features several speakers on the civil rights movement and what Obama’s presidency means for Martin Luther King Jr.’s legacy.

8 a.m. –1:30 p.m., free

F Building student lounge, College of Alameda

555 Ralph Appezzato Memorial Parkway, Alameda

(510) 748-2213

Quiet time is over


The African American Interest Committee is sponsoring a public viewing of the inauguration ceremony at the San Francisco Public Library. Seating is on a first-come, first-served basis and refreshments will be available in the Latino/Hispanic Community Meeting Room.

9 a.m.–noon, free

Koret Auditorium, SF Public Library

100 Larkin, SF

mjeffers@sfpl.org

Party for grid alternatives


Come try the signature Obama cocktail at the Swedish American Music Hall’s inauguration event. Watch a 9 p.m. rebroadcast of the inauguration on the big screen and dance and enjoy catering by Radio Africa and Kitchen. Proceeds benefit Grid Alternatives, an Oakland-based organization promoting renewable energy.

7 p.m., $22 advance, $25 at the door

2170 Market, SF

www.cafedunord.com

Obama mambo


Boogie down to support Amnesty International during its fundraising event, "Dance for Change." Music from hip-hop to house to rock will be spinning all night long, so prepare to shake it for Barack to the wee hours.

9:00 p.m.–2:00 a.m., $10

Le Colonial
20 Cosmo Place, SF

www.amnestyusa.org

Pray for change


After a week of shared prayer in mosques, temples, churches, and synagogues, the inauguration celebration will be the final stop for "Unity for the Sake of Change," a prayer event open to all religions.

7 a.m., $5

Oracle Arena

7000 Coliseum Way, Oakl.

(510) 272-6695

obamacelebration.org

Inaugural Ball


Electric Works gallery is hosting an Inaugural Ball featuring a rebroadcast of the inauguration followed by dancing. Formal dress is suggested but not required (changing rooms and borrowed finery will be available for those coming directly from work). Drinks and light hors d’oeuvres will be provided and proceeds benefit the San Francisco Food Bank.

6–10 p.m., $10 donation requested

130 Eighth St., SF

www.sfelectricworks.com

Women, Democrats, and democratic women


The San Francisco Democratic Party and local women’s political groups — including Emerge California, Good Ol’ Girls, and the San Francisco Women’s Political Caucus — are throwing an Inauguration Night party in the swanky Green Room of the War Memorial Opera House, featuring hors d’oeuvres, drinks, and entertainment.

5:30–8:30 p.m., $25

301 Van Ness, SF

www.actblue.com/page/inaugurationsf

(415) 626-1161

info@sfdemocrats.org

Inauguration Skaters’ Ball


The California Outdoor Rollersports Association hosts a political roller disco featuring Sarah Palins and Barack Obamas on wheels. There’s even a chance that a live feed from the party will be broadcast at the Presidential Gala in Washington. Dress up as your favorite politician and resist the urge to knock out your rivals.

7–11 p.m., $10 adults, kids free. $5 for skates

Funkytown SF

1720 19th St., SF

www.cora.org/ObamaParty.htm 2

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The news from Rock Rapids, Iowa

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The news from Rock Rapids made the Keith Olberman show on MSNBC cable television. Watch the report below.

By Bruce B. Brugmann

Last night my daughter Katrina Perez called me from her home in Santa Barbara, quite excited, with a field report to the San Francisco correspondent on breaking news from Rock Rapids, Iowa. That would be me, of course.
She reported that Keith Olberman featured an item about Rock Rapids on his evening MSNBC cable news show. Something about a deer breaking into a bank.
She suggested I watch the show, which airs an hour later in San Francisco, and get all the details.

I did and to my surprise found that the show, which featured news on the Obamas in Washington, the worst person in the world (Bill O’Reilly of Fox News), fighting in the Gaza strip, and the latest moves to seat the senator=designate from Chicago, also featured a breaking news item from Rock Rapids.

A deer on Sunday had “busted” the window in the Frontier Bank in Rock Rapids which had “loads of money,” according to Keith. The deer tripped the alarm, got into the bank, and wandered around. The bank’s video camera caught the deer in action and Keith showed it as he commented on what the caption said was “Deer Day Afternoon.”

As to motive, Keith said the “coppers” reported that the deer was “looking for a few bucks,” attempting to “pass along fawny checks,” or “simply trying to reign in spending.” By the time the “coppers” got to the scene, the deer had fled the scene of the crime. And Keith, having exhausted all his bad puns for the night, moved on to the next item.

So, as Paul Harvey would say out of his Chicago radio station, “what’s the rest of the story?”

To me, the rest of the story was how this deer-in-the-bank incident from a small town in northwest Iowa and got to New York and on to the Keith Olberman national television show. I promptly emailed Ken Barker, the star page two columnist of the local Lyon County Reporter, to check it out for me. He said he was worried that the deer had gotten in to his account. But he said he would nail down the rest of the story and get back to me. I’ll keep you posted.

Offies 2008

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› tredmond@sfbg.com

Wow. What a year.

Sarah Palin ran for vice president. Joe the Plumber got his 15 minutes. Gavin Newsom made out with Sarah Silverman. Eliot Spitzer seemed to be the only one in New York with any money left to spend. Dana Rohrabacher dressed in drag to go to prison. And O.J. Simpson finally managed to get convicted of something…. It was a year for the ages. And it’s finally, finally over.

HEY, GIVE THE POOR WOMAN A BREAK — YOU CAN’T SEE FRANCE FROM ALASKA

Sarah Palin took a call from a Canadian radio comedian posing as French Prime Minister Nicholas Sarkozy and remained on the line, convinced she was talking to a foreign leader, for several minutes as the comedian told her his wife was hot in bed and that he loved the Hustler smut film Who’s Nailin’ Paylin?.

FROM ALASKA, YOU CAN SEE RUSSIA, AND RUSSIA’S COLD, AND IF IT ISN’T IT WOULD STILL LOOK COLD, SO WHAT’S THE BIG DEAL?

Palin said the "jury’s still out" on global warming and that even if the climate was changing, she didn’t know what was causing it.

KILLING YOUR WIFE IS NOTHING, BUT DON’T YOU DARE STEAL FOOTBALL CARDS

O.J. Simpson faced more than 30 years in jail for stealing some sports memorabilia he said belonged to him.

AND FOR A FEW WEEKS, THE ENTIRE STATE OF WORLD DISCOURSE GOT A LITTLE BIT SMARTER

Ann Coulter broke her jaw and had her mouth wired shut.

WHAT IS THE VALUE OF HUMAN LIFE COMPARED TO A $99 FLAT-SCREEN?

A temporary worker in a Long Island, N.Y., Wal-Mart died when bargain-crazy crowds smashed through the store’s front door.

AND HE STILL GOT MORE VOTES THAN MCCAIN

Absentee ballots in an upstate New York county listed "Barack Osama" as a presidential candidate.

SEE, IT ALL DEPENDS ON WHAT THE MEANING OF "YOU BETCHA" IS

The Alaska legislature concluded that Sarah Palin had violated ethics laws when she tried to have her ex brother-in-law fired from the state police. Palin immediately announced that she had been cleared of any wrongdoing.

AND THIS WAS THE GUY WHO RAN THE ECONOMY ALL THOSE YEARS?

Former Federal Reserve Chair Alan Greenspan admitted there was a "flaw" in his free-market approach to economic policy, but said he wasn’t sure exactly what went wrong.

GREAT MOMENTS IN PUBLIC POLICY

A Treasury Department spokesperson announced that the agency had set $700 billion as the amount for the financial bailout because "we just wanted to choose a really large number."

THEY SAVED VILLAGES THAT WAY IN VIETNAM, TOO, BUT YOU MANAGED TO DUCK THAT WAR, SO YOU WOULDN’T UNDERSTAND

George W. Bush addressed the massive federal bailout of the banking system by saying, "I’ve abandoned free-market principles to save the free-market system."

WHY THE RICH ARE DIFFERENT FROM YOU AND ME

John McCain admitted he didn’t know how many houses he owned.

PROOF POSITIVE OF THE VALUE OF A YALE EDUCATION

President Bush, addressing the state of the economy, announced that "if money isn’t loosened up, this sucker could go down."

WHOOPS, GUESS THAT ONE ISN’T WORKING OUT SO WELL, EH?

Levi Johnston, who impregnated Sarah Palin’s daughter, Bristol, described himself as a "fucking redneck" who didn’t want kids.

THE CASE FOR A FEDERAL BAILOUT, #422

P. Diddy announced that the economy and the cost of fuel had forced him to give up private jet travel.

ENTIRELY APPROPRIATE FOR A MAN WHO’S AN ASSHOLE

A book by Cliff Schecter reported that McCain had called his wife, Cindy, a "cunt."

WELL, THEY’RE A LOT MORE POLITE ABOUT THESE THINGS DOWN IN BRAZIL

A Brazilian former exotic dancer said she’d had an affair 50 years ago with John McCain, whom she called "my coconut desert."

BUT DON’T WORRY, HILLARY, BARACK LIKES YOU FINE

Samantha Power, an advisor to Obama, called Hillary Clinton "a monster."

THAT’S RIGHT — THE ONE WHO KICKED YOUR ASS. THAT ONE.

In a presidential debate, McCain referred to Obama as "that one."

SUCH HIGH PRAISE FROM SUCH A WONDERFUL MAN

Illinois Gov. Rod Blagojevich referred to Obama as "that motherfucker."

NATURALLY — SHE LIVES IN ALASKA, AND YOU CAN SEE ENERGY FROM THERE

McCain said that Palin "knows more about energy than probably anyone in the United States."

FORTUNATELY, HE NEVER GOT TO THE OVAL OFFICE, SO SOME OF US MAY ESCAPE CUSTODY

In a speech, McCain referred to Americans as "my fellow prisoners."

AS LONG AS THEY SIP IT SLOWLY, SO AS NOT TO BURN THEIR ITTY-BITTY MOUTHS

McCain proclaimed that "we should be able to deliver bottled hot water to dehydrated babies."

NEVER MIND GRAN TORINO, THE WRESTLER, AND MILK — THE OSCAR GOES TO . . .

A TV station in Germany reported that the East German secret police had made private porno movies in the early 1980s with titles like Private Werner’s Big Surprise and Fucking for the Fatherland.

WHERE IS PRIVATE WERNER WHEN YOU NEED HIM?

Eliot Spitzer, the crusading governor of New York, had to resign after a federal sting operation found he had spent more than $80,000 on high-end prostitutes from the Emperor’s Club. On an FBI wiretap, a prostitute named Kristen, after an assignation with Spitzer, told her boss she’d heard that the governor would "ask you do to do things that, like, you might not think were safe" but that "I have a way of dealing with that. I’d be like, listen dude, do you really want the sex?"

NOTHING WRONG WITH THIS PICTURE, YOU BETCHA

Palin gave a speech on the economy while TV cameras captured a farmer beheading turkeys and draining the blood from their carcasses.

ANOTHER HERO FROM MCCAIN’S STRAIGHT TALK EXPRESS

Joseph Wurzelbacher rose to fame as Joe the Plumber after he confronted Obama and said that the Democrat would force him to pay higher taxes. It later turned out that Joe wasn’t a licensed plumber, owed $1,182 in back taxes, and didn’t make anywhere near enough money to be affected by Obama’s tax plans.

CROSS DRESSING, GRASSY KNOLL VARIETY

Rep. Dana Rohrabacher (R., Orange County) dressed in drag and pretended to be a human-rights worker named "Diana" to sneak into a state prison and badger Sirhan Sirhan, whom the congressman believed was part of a vast Arab conspiracy to kill Robert Kennedy.

IT’S FINE TO BLAST THE QUEERS, JUST DON’T GO BADMOUTHING AMERICA

Barack Obama, who was stung by criticism that his former pastor criticized America, chose for his inaugural convocation a pastor who says homosexuality is a sin.

LET’S SEE. 90,000 CIVILIAN DEATHS, THE RISE OF AL QAEDA, WATER, FUEL, AND ELECTRICITY SHORTAGES, GANGS OF ARMED THUGS IN THE STREETS … CAN’T IMAGINE WHAT THIS DUDE WAS UPSET ABOUT

An Iraqi journalist who threw two shoes at Bush was beaten badly by security guards; Bush later said he "didn’t know what the guy’s beef was."

WHY HE WOULD COVER UP THAT BEAUTIFUL HAIR, WE’LL NEVER KNOW

Mayor Gavin Newsom wore a cowboy hat and rode a horse for a photo shoot at his wedding.

PERHAPS MS. SILVERMAN CAN GET HIM TO PUT HIS HANDS AROUND THE CITY BUDGET, TOO

Newsom groped comedian Sarah Silverman on stage at a Democratic National Convention party after she said she wanted to "sexually discipline" him.

FIRE IN THE HOLE

An unknown arsonist with an unknown motive set more than half a dozen portable toilets on fire in San Francisco.

THIS, FROM A MAN WHO WROTE THE BOOK ON POLITICAL SLEAZE IN CALIFORNIA

Former Mayor Willie Brown complained about progressives using techniques from "Tammany Hall or Richard Daly’s Chicago" to take over the local Democratic Party.

HEY, SOMEBODY’S GOT TO CHANNEL MR. MAGOO

Witnesses reported seeing Carole Migden talking on her cell phone and reading while rapidly changing lanes at 80 mph on the freeway shortly before she crashed into another car. One caller to the state police asked officers to "please get out here, she’s scary."

NOW THAT WE KNOW WHO’S REALLY IN CHARGE AT CITY HALL, WE CAN STOP WASTING OUR TIME WITH THE ELECTED OFFICIALS

Newsom’s press secretary said that reporters wondering about the mayor’s position on public power should ask Pacific Gas and Electric Co. consultant Eric Jaye.

MY GOD, YOU WOULDN’T WANT ANY HUNGRY PEOPLE TO ACTUALLY EAT THE MAYOR’S FOOD

Newsom spent more than $50,000 in city money protecting his slow-food victory garden near City Hall from homeless people.

I’M HAPPY TO WORK WITH YOU, AS LONG AS I DON’T HAVE TO TELL YOU ANYTHING AND YOU DON’T ASK ANY QUESTIONS

Newsom appeared before the Board of Supervisors to discuss his budget cuts, but didn’t actually hand out the budget proposal. Press aides handled that job two hours later.

SINCE THAT APPROACH HAS WORKED SO WELL WITH RAPE VICTIMS

Sam Singer, a $400-per-hour flak for the San Francisco Zoo, sought to blame the victims of a tiger attack by saying that they were drunk and asking for it.

WE’LL GET THOSE BUGGERS — AND THEIR LITTLE DOGS, TOO

California officials threatened to bombard the Bay Area by spraying hazardous moth pheromones from helicopters to eradicate an agricultural pest that has probably been around for decades and will almost certainly survive the assault anyway.

YOUR RATEPAYER DOLLARS AT WORK

PG&E spent $10 million to fight a public power proposal.

THE CROWDS CHEERED A DRAMATIC EVENT AS THE OLYMPIC SPIRIT OF INTERNATIONAL COOPERATION CAME TO ONE OF THE WORLD’S GREAT CITIES . . . OH WAIT, THAT MUST HAVE BEEN SOMEWHERE ELSE

Newsom decided to avoid protests by keeping the route of the Olympic torch relay secret.

ANOTHER SIGN OF POLITICAL BRILLIANCE FROM THE MAN WHO WOULD BE GOVERNOR

Newsom tried to mess with the supervisors by having voters support his Community Justice Center, which the voters then rejected.

WHEN THERE ARE NO PROBLEMS LEFT FOR THE WORLD’S GREAT RELIGIONS TO SPEND MONEY ON

The San Francisco Catholic archbishop helped convince Mormon leaders to join him in pouring millions of dollars into defeating same-sex marriage.

Funky Meters

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PREVIEW Since we’re dealing with a reunion here, let’s start with what’s missing: the funky Meters are not the same as the original Meters. You might own some records by the plain old Meters, the New Orleans funk unit whose best-known full-lengths are Look-Ka Py Py (Josie, 1969) and Fire on the Bayou (Reprise, 1975). That version of Meters consisted of — in addition to singer-keyboardist Art Neville and bassist George Porter Jr. — guitarist Leo Nocentelli and drummer Joseph Modeliste. The band, which broke up in 1977, reformed in 1989 as the funky Meters, with the latter two original members being replaced, at different points, by Brian Stoltz and Russell Batiste Jr. To make matters more confusing, the original lineup occasionally plays dates as well — thus, the original vs. funky distinction.

Robert Christgau called the Meters "a totally original band," and as usual he’s right: the band’s sound contributed in a big way to the development of funk and was an idiosyncratic voice within it. Fire on the Bayou is probably its most-appreciated album, but even at the height of its power, the group had a funny way of shamelessly accommodating itself to pop formulae without abandoning its uniqueness. This is the kind of outfit self-aware enough to give its disc’s longest and least engaging track the self-deprecating title "Middle of the Road," and yet make the track — whose style presages the smooth jazz radio format — melodically and rhythmically sophisticated enough to maintain your basic attention, because the musicians know that’s all they can ask for. Although Modeliste’s and Nocentelli’s contributions to the Meters were substantial enough to justify being wary of their substitutions in the Funky Meters’ lineup, something in the ensemble’s past behavior indicates they all might be on the same page, with the same doubts, and better — or at least more honest — performers for the experience.

BILL’S BIRTHDAY BASH With funky Meters featuring Cyril Neville, Marcia Ball, the San Francisco Mime Troupe, and Bonnie Raitt with Hutch Hutchinson. Sat/10, 9 p.m., $50. Fillmore, 1805 Geary, SF. (415) 421-TIXS, www.livenation.com

Lethal force

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Editors note: This story ran Dec. 12, 1992

The autumn air was crisp and clear in Hayward on the night the kid called Glasstop took a shotgun blast in the back of the head and died for the theft of a $60 radio.

It was just before 8 p.m., on Sunday, Nov. 15. The lights were on in the parking lot outside the Hayward BART station, where a six-car southbound train had arrived a few minutes earlier. About 50 passengers had gotten off, and some were still straggling into cars or waiting around for the next AC Transit bus.

Glasstop, a 19-year-old warehouse worker from Union City whose legal name was Jerrold Cornelius Hall, had ridden the train from Bayfair, one stop north, along with John Henry Owens, a 20-year-old unemployed custodian who lived in Oakland. The two young African American men were standing at the bus stop, not far from the station entrance, when Officer Fred Crabtree pulled into the parking lot in a BART police cruiser.

Crabtree was a white 16-year veteran of the transit police agency and a member of its elite Canine Corps. His partner was a highly trained German shepherd imported from a special obedience school in Germany. The dog trotted at Crabtree’s side as he approached Owens and Hall. The officer carried a loaded 12-gauge pump-action shotgun.

Crabtree was responding to a report of an armed robbery: Halfway between Bayfair and Hayward, a passenger had told the train operator that two black men had taken his Walkman personal stereo. The passenger said one of the robbers had a gun and described what they looked like; the trainman passed on the message, and the BART dispatcher passed it on again. Owens and Hall matched the third-hand description that came over Crabtree’s radio.

Within a matter of minutes, Hall was lying in a pool of his own blood, Owens was in handcuffs, and the parking lot was a mass of sirens and flashing red lights. Hall was pronounced dead shortly after midnight at Eden Hospital; Owens is still in the Alameda County jail. The police never turned up a gun.

And the man who reported the robbery disappeared without leaving his name.

That’s about all BART officials will say about the incident. They’ve clamped on a lid of secrecy that defies most normal local police procedures and violates the California Public Records Act. The San Francisco newspapers have almost entirely ignored the shooting, and there’s been little reaction from the East Bay community.

But an extensive Bay Guardian investigation has turned up a long list of troubling questions about the death of Jerrold Hall – and a long list of serious problems in an agency that has some of the most sweeping police powers in California, and some of the least civilian oversight.

Our investigation, based on a dozen interviews, a review of public records, and more than 50 pages of unreleased internal documents from the BART police and other local authorities, shows:

Officer Crabtree violated one of the most basic rules of modern law enforcement – and his own department’s written policy – when he fired a warning shot toward the suspect, potentially endangering the lives of passersby in the busy urban area. The nine .33-caliber pellets from that shotgun cartridge wound up in the side of a tree, about 4-1/2 feet above the ground.

BART’s own internal documents contradict the official claim that Hall was attacking or threatening Crabtree at the time of the shooting. Statements filed by several witnesses, and at least two BART police officers, suggest that Hall was more than 10 feet from the officer when the shots were fired, and was walking away. Medical records obtained by the Bay Guardian show that he was shot in the back of the head.

The shooting appears to violate nearly every modern police standard on the use of deadly force. In fact, the latest BART Police Operational Directive, dated July 22, 1987, states that guns may be fired only to prevent a suspect from killing or wounding another person, or to stop a suspected felon who is presumed to be armed and dangerous from fleeing and escaping arrest. But BART internal documents and other records obtained by the Bay Guardian provide little evidence to suggest that Hall fit either category.

Nevertheless, on Dec. 4, a BART Firearms Review Board, consisting entirely of BART police officers appointed by the chief, determined that the “use of lethal force in this instance was justified.” BART officials refuse to release the report or comment further on the findings.

The fact that Crabtree fired a gun to subdue Hall seems to undermine one of BART’s central reasons for the use of trained attack dogs. The dogs, BART officials say, are supposed to support officers in situations just like the one in question – to intimidate, and if necessary, pursue and immobilize a suspect when other backup isn’t available, and to attack immediately if an officer is under assault. Some law-enforcement experts, and many civil-rights advocates, question the use of dogs for that purpose – but all those contacted by the Bay Guardian agreed it was rather curious that Crabtree’s canine partner sat out this whole bloody incident.

Officer Crabtree is on administrative leave, with pay, pending the final outcome of an internal investigation. Owens is still facing robbery charges, despite the lack of a victim willing to testify against him. A preliminary hearing is scheduled for this week.

But the problems with the BART police go far beyond the arrest of John Owens and the death of Jerrold Hall. In fact, the Bay Guardian has learned:

BART’s Internal Affairs Division, which reviews citizen complaints against BART police officers, has investigated 162 cases in the past five years, 39 of them involving excessive use of force – and not a single charge was sustained. Law-enforcement observers say that’s an astonishing statistic, one that casts severe doubt on the department’s ability to control police abuse.

“I’ve never heard of any department with a rate of zero sustained complaints,” said John Crew, director of the American Civil Liberties Union Police Practices Project. “I can’t believe that none of those people had a single valid case.”

The BART Police Department has a written procedure for civilians filing complaints. A 1991 directive signed by Chief Harold Taylor states that every department employee should accept complaints by mail, by phone, or in person, and refer them to the watch commander or the Internal Affairs Division. But there’s nothing posted in any BART train or station to tell the public about the complaint process, no procedure for appealing a Police Department decision to a civilian review agency, and not much visible effort to inform BART employees about how to handle complaints.

The BART police use dogs for purposes inconsistent with many modern law-enforcement guidelines. Most local police agencies employ canines primarily to sniff out bombs and narcotics, or to search for dangerous suspects hidden in dark, confined areas. Berkeley has banned police dogs altogether. The BART police dogs are not trained to sniff out bombs or drugs, and are rarely involved in searches; the officers use the animals as standard backup, to intimidate and apprehend suspects in even fairly routine arrests.

The elected BART Board of Directors has demonstrated virtually no effective control over the BART police, and most board members don’t seem to know or care what their armed employees are doing with those badges, dogs, and guns.

None of the board members contacted by the Bay Guardian could even guess how many citizen complaints had been filed against the BART police since 1988, or what the outcome of the cases had been. None could explain the complaint procedure, or identify the person responsible for supervising internal investigations. Most didn’t know how the police chief was hired, or to whom he reported; some board members didn’t even know his name.

Several years ago, I asked Art Shartsis, a downtown lawyer who was then the BART Board president, if he knew who ran the BART police. His answer was unusually blunt, but entirely typical of the attitude board members show toward the force.

“I don’t know,” he told me. “I guess we must have a chief.”

A DAY AT THE MALL

Jerrold Hall was the son of Alameda Fire Department Captain Cornelius Hall, a retired Navy Reserve officer who lives with his wife, Rose and two other sons in a comfortable middle-class home in suburban Union City. Both of Jerrold’s brothers are in college, earning top grades; his aunt is the first black woman ever to serve on the Board of Trustees of Auburn University.

Jerrold, who graduated from high school in 1991 and was living with his parents, “had some problems, like a lot of kids these days,” his father told me. “But we hoped he’d outgrow them. He was a good kid, never into guns or killing or any of that sort of thing.”

On Sunday, Nov. 15, at about 2 in the afternoon, Hall met Owens at the Eastmont Mall in Oakland. According to a sworn statement Owens gave to the police, the two drank a few beers and part of a small bottle of E&J Brandy. Early in the evening, Hill invited Owens to his home, and they left the mall on an AC Transit bus to catch a BART train for Union City.

According to Owens and several other witnesses, Owens and Hill encountered a black man in his late 30s on board the train, and the man asked them if they wanted to buy one of the Walkmans he was carrying in a bag. When first questioned by police, at about 1:35 a.m., Owens said he declined the offer, went to another train car “where more girls were,” and met up with Hall again a few minutes later. At about 4:30 a.m., he made another statement, acknowledging that he was present when the friend he called “Glasstop” told the would-be salesman, “give me your Walkman.”

Several other witnesses on the train agreed that Hall had confronted the man, and walked away with a bag. None, including Owens, saw a gun.

However, the victim of what the BART police still call an “armed robbery” called the train operator on the intercom and said two men with a gun had stolen his Walkman. The operator, who never saw Hall or Owens, reported the incident, and it was relayed to BART police, who instructed the trainman to stop in Hayward, and, after a brief delay, to open the train doors. Hall and Owens left with about 50 others; according to the station attendant, they jumped the emergency gate and walked into the parking lot.

The police were able to find several eyewitnesses to the alleged robbery; however, other than Owens and Crabtree, who was the only police officer on the scene at the time, the internal report does not identify a single witness who actually saw the shooting.

An official Dec. 7 statement, written by BART Police Chief Harold Taylor at the request of the Bay Guardian and reviewed by BART’s legal department, notes that “witnesses disagreed as to the precise sequence of the next events.”

The internal BART police documents obtained by the Bay Guardian contain no formal statement or direct quotation from Crabtree; he apparently filed no written report. The reports were all prepared by other officers, who arrived at the scene after the shooting.

According to those reports, filed shortly after the incident, Crabtree approached Hall and Owens, who were standing near a bench in the parking lot’s bus-stop area, and ordered them to lie on the ground with their hands over their heads. Owens complied; Hall did not.

Hall, the reports state, “confronted and challenged Officer Crabtree, attempting to take Officer Crabtree’s shotgun from him at one point.” There is no mention of what the dog, who was trained to bite anyone who attacked Officer Crabtree, was doing at the time. BART officials refuse to elaborate, saying the incident is still under investigation.

However, one Bay Area dog trainer, who has trained police dogs, said it’s highly unlikely that a German shepherd of the sort imported by the BART police (see sidebar) would fail to respond in such a situation. “Dogs are very loyal and protective,” the trainer, who asked not to be identified, told the Bay Guardian. “These dogs are carefully bred and taught to attack anyone who physically endangers their human handler. Sometimes they overreact; they very rarely underreact.”

TO TAKE A LIFE

Owens told the police he “did not see the cop and Glasstop get into any physical fighting. They did not touch. They were just arguing.” After a few moments, Owens said, “Glasstop walked over to me and said we could go. So we started to walk away.”

Whatever the nature of the confrontation between Hall and Officer Crabtree, the police report and witness statements leave very little doubt that it ended with Hall walking away – and, as the internal police report states, “with Officer Crabtree retaining the shotgun.”

It’s also clear that some time, perhaps as much a minute or two, passed between the initial clash and the shooting – more than enough time for Hall and Owens to start walking away. During that period, the documents suggest, the passenger who had initially reported the robbery – and had not made any contact yet with police – suddenly ran out into the parking lot, pointed toward Hall and Owens and shouted, “That’s them.” Then the passenger fled.

Crabtree then ordered the two young men to halt again – and at that point, the statements get very fuzzy.

According to the official statement released Dec. 7 by BART, Crabtree “summoned his canine, but Hall resisted the dog.” A medical report filed by Alameda County emergency technicians who examined Hall after the shooting includes no mention of any dog bites or wounds of any sort other than those caused by the shotgun. A copy of the report, which has not been released, was obtained by the Bay Guardian.

Crabtree, the official BART statement continues, “fired a warning shot at a nearby tree. Hall continued to move toward the other suspect, and at one point turned and assumed a position which concealed his hands.”

The internal police report, however, states that Owens was the one who was “failing to keep his hands in view,” and who, in what the report described as “an effort to get rid of the evidence [Walkman],” put his hands into his pants pockets. At that point, the report states, Crabtree “used deadly force on suspect Hall.”

Owens said he responded immediately to the second command to halt, but that Hall kept walking away. When Owens heard the shots, he turned around, “and my partner was lying face down…. Then I heard all the cops coming with sirens.”

In fact, within a matter of minutes, at least three more BART police cars and a backup unit from the Hayward Police Department had arrived on the scene. Even if Hall, who by all accounts was walking, not running, had been attempting to “flee,” it’s unlikely he would have been able to get far.

And after an extensive search of the train, the tracks, the station, the parking lot, and everything else in the vicinity, the BART police acknowledge they were unable to find a gun.

Although the BART police initially insisted that Hall had been shot in the chest, and most of the news reports carried that statement unchallenged, even BART now admits that the shot struck the young man in the back of his head. His father, Cornelius Hall, never had any doubt.

“I’m a trained emergency medical technician,” he told the Bay Guardian. “I was in the hospital room when the nurse was washing down the body. I know what an entrance wound looks like, and my son was shot in the back.”

In Modern Police Firearms, a textbook on law-enforcement procedures, Professor Allen P. Bristow of California State University, Los Angeles, writes that deadly force should be used to stop a fleeing felon only when “he cannot be contained or captured” through other means. Further, Bristow notes, an officer considering deadly force should ask the following question:

“Is the crime this suspect is committing, or are the consequences of his possible escape, serious enough to justify my taking his life or endangering the lives of bystanders?”

The San Francisco Police Department guidelines on deadly force embody some of that same philosophy. “Officers shall exhaust all other reasonable means of apprehension and control before resorting to the use of firearms,” the Aug. 24, 1984, policy states. Officers are allowed to shoot at a dangerous, fleeing felony suspect “only after all other reasonable means of apprehension and control have been exhausted.”

San Francisco, like almost every other police agency in the Bay Area, and most in the country, strictly prohibits warning shots. So does BART: “Discharging of firearms [is] not allowable as a warning,” BART’s official weapons policy states.

The BART police are a bit more lenient than San Francisco on the use of deadly force to stop fleeing suspects. The officer must only believe that “the suspect is likely to continue to threaten death or serious bodily harm to another human being,” according to BART’s July 22, 1987, operational directive. Yet the directive also states that a firearm may not be used “when the officer has reason to believe … that the discharge may endanger the lives of passersby, or other persons not involved in the crime, and the officer’s life, or that of another person, is not in imminent danger.”

THE OPEN RANGE

Armed guards have patrolled BART trains and stations since the agency started running trains about 30 years ago. At first, they were simply known as “BART Security”; the officers had the authority to carry weapons and arrest suspects, but under state law, they weren’t members of a real police department. For the most part, that limited their authority to the confines of BART property.

In 1976, the state Legislature granted BART the authority to run a police department with jurisdiction and authority second only to the California Highway Patrol. BART officers now have full police powers, not only on their own turf, but in every one of the 58 California counties.

The department, headquartered near the Lake Merritt BART station, currently employs 151 sworn officers and nine dogs (see sidebar Page TK). An undisclosed number work undercover, in plain clothes, riding the trains and looking for crimes that range from fare evasion, “eating,” and “expectoration,” to assault, robbery, and rape. By far the most common crime, according to a BART police statistical breakdown for 1992, is “vagrancy”: 4,227 separate instances were reported by BART officers in the first 10 months of the year.

The BART Police Department has a $12 million annual budget, a fleet of patrol cars, and its own communications system. Officers earn salaries that Chief Taylor calls “competitive” with other departments in the Bay Area.

And at a time when California law-enforcement agencies are coming under increasingly strict civilian control, the BART police operate with nothing more than token oversight.

Chief Taylor reports to no commission, mayor, or city council. The department is administered by BART’s assistant general manager for public safety, who reports to the general manager, who reports to the board. BART spokesperson Michael Healy said the board plays no role in hiring or firing a chief, much less in disciplining police officers.

Former BART Board member Arlo Hale Smith said that in his term of office, the BART police chief rarely showed up for board meetings. “Even when we had something to discuss about the department – usually a labor-contract issue – the assistant general manager would come,” Smith explained.

Citizen complaints against the BART police are handled by the Internal Affairs Department, which is not a separate agency, as it is in many police departments, but a branch of the Detective Division, Taylor told the Bay Guardian.

That, some critics say, may explain why BART has the lowest possible rate of sustained complaints against its police officers. “There’s a very good reason for civilian agencies to handle complaints against the police,” said the ACLU’s John Crew. “People who have been abused by the police have a hard time trusting the same police department to do an honest investigation.”

Cornelius Hall, who is no stranger to government bureaucracy, said he ran into a stone wall when he tried to get some basic information about his son’s death from BART. “They wouldn’t even give me the police report,” he told the Bay Guardian. “The only way I can find out what happened to my son is to hire a lawyer and have it subpoenaed.”

Crew said he finds the situation “chilling.” He said he saw a “complete dearth” of civilian oversight in the BART administrative structure. “There’s no opportunity for meaningful public input, for hearings, for discussion of issues,” he continued.

“It’s not an acceptable situation. But under the circumstances, the members of the BART Board have an increased responsibility to ask questions and keep on top of their police department’s practices.”

In the case of Jerrold Hall, at least, that doesn’t seem to be happening. The shooting hasn’t been on the agenda for any board meeting since Nov. 15, and board members say they haven’t received any information about it from BART management.

And unlike Cornelius Hall, they haven’t even bothered to ask.

TO TELL THE TRUTH

The day after a BART police officer shot Jerrold Hall in the back of the head, transit agency spokesperson Mike Healy told reporters that Hall had been shot in the chest.

Not true.

Healy also told reporters that Hall had attacked Officer Fred Crabtree, and continued to attack him after Crabtree fired a warning shot.

Not true.

And Healy said that the warning shot was fired “over Hall’s head.”

Not true, either.

Healy freely referred to an alleged “armed robbery,” but he didn’t tell reporters that BART police had searched the entire area and never found a gun. He didn’t say that the alleged robbery victim had vanished without a trace, either.

So the public got a one-sided – and, as it turns out, largely inaccurate – picture of the incident. The press, taking Healy’s information at face value, portrayed Jerrold Hall as a violent, gun-wielding punk, shot in the act of attacking a cop.

“In some ways,” says Hall’s father, Cornelius, “that’s the saddest part of all.”

And while Healy finally put out a statement Dec. 7 acknowledging that some of his previous comments were in error, he did so only after a three-week barrage of questions from the Bay Guardian – and he never issued a word of apology to the Hall family.

It’s hard to blame Healy for the initial round of misinformation: In the heat of a bloody battle, the truth is often obscured. But Healy clearly knew, or could have known, within a few days after the incident that his official press statements had been wrong – that, for example, the medical reports showed Hall had been shot from behind. He could have called the reporters who were covering the story and let them know, or issued a new press release with updated information.

He could have tried to rescue some of what was left of the dead 19 year old’s personal reputation – and salvaged a bit of his own in the process. Instead, he fell back on the old BART strategy: When in doubt, stonewall. Then duck for cover, and hope it will all go away.

The BART Police Department may be the least-responsive law-enforcement agency I’ve seen since the discovery of the shredding machine in the White House basement. There is no press officer. The watch commanders, lieutenants, and captains refer all press calls to Chief Harold Taylor, who won’t come to the phone; his secretary refers the calls to the BART Public Affairs Office.

When I first called Healy Nov. 16 to ask about the shooting, he told me he hadn’t seen a police report, and didn’t know if one existed. He also said he didn’t know what the citizen complaint procedure was for the BART police, and had no idea if it was in writing. I filed a formal request for those and other records Nov. 17; under the Public Records Act, I had a legal right to a response within 10 days.

I let it slide to 15 days (holidays and all), then started calling Healy’s office. He was too busy to come to the phone at first, but after I harassed him for several hours, he told me that Chief Harold Taylor was handling my request, and that I should call him directly. Taylor wouldn’t come to the phone at all: He had an assistant tell me that Public Affairs was handling the request, and that I should call Mike Healy.

I spent another day trying again to reach Healy, who finally told me he wanted to set up an interview with Taylor – for Dec. 4, 17 days after I’d sent in a request for information most police agencies would probably have provided in less than an hour.

Chief Taylor showed up for the interview with a BART lawyer, who promised that the chief would fax me a statement of the facts of the shooting sometime later that afternoon. The brief, incomplete statement finally arrived three days later, around 3:30 p.m. Dec. 7, 21 days after my initial request. And BART officials still won’t release the full police report.

If I were a suspicious reporter, I’d wonder what they were trying to hide.

————

Deputy dog

In Philadelphia, the Inquirer revealed several years ago, police dogs attacked 358 people in the course of 33 months, leaving many of them scarred or maimed for life. In Los Angeles, the Times recently reported, the local K-9 Corps recorded more than a thousand bites in three years. In Washington, D.C., and Baltimore, trained German shepherds tore into a total of 375 legs, arms, and torsos in the course of their law-enforcement work.

In the past 10 years, canine corps scandals have tarnished the reputations of police departments all over the country and have cost taxpayers millions of dollars in lawsuits.

In Berkeley, however, police dogs have been banned since the early 1970s, when a City Council member named Ron Dellums responded to the brutal use of dogs against blacks in the South with a resolution abolishing the local canine corps. In San Francisco, dogs handle only a few very limited tasks.

But since 1990, the BART Police Canine Corps has been expanding into the sort of work that created such extensive problems in other American cities – a use for dogs that critics say has little justification.

“There are two basic rationales for using police dogs,” explained Richard Avenzino, director of the San Francisco SPCA, whose agency has worked with the local Police Department canine program. “One is for sniffing out explosives or narcotics. The other is for searches, mainly in enclosed spaces, where the dog’s sense of smell can aid in finding a hidden human suspect.

“But there’s also a perception that a snarling dog can intimidate people, which creates a lot more potential for trouble.”

The first BART Police canine corps dates back to the early 1970s. But the BART Board disbanded the program in 1975, after a police dog on a train in Philadelphia barked at BART Director John Glenn.

In 1990, Police Chief Harold Taylor restored four dogs to the force, saying they would be “a strong statement of police presence,” would deter violent crime, and could be used to help clear homeless people from trains and stations. In an interview last week, Taylor said the dogs, which now number nine, are used “to back up officers, in all their law-enforcement duties.”

The dogs, imported German shepherds, are bred and undergo Schützhund training at a special school in Germany, where they learn to attack on command. “The dogs only [understand] German,” explained Deputy Chief Kevin Sharp. “The officers learn to issue their commands in that language.”

Sharp said none of the BART dogs are trained to sniff out bombs or drugs and that they aren’t often needed for searches. In normal situations, he said, the dogs stay in the police car, with the window open, while the officer approaches a suspect. “They’re trained to jump out and attack without any command if they see that the officer is under assault,” he added.

ACLU Police Practices lawyer John Crew found that description alarming. “In other words,” he said, “we have dogs deciding on their own when to use what amounts to lethal force. That’s not a very good idea.”

Avenzino said the training methods used for such dogs “are, to put it mildly, controversial. A dog will do anything to please its owner; if you teach it to attack on command, it’s like loading a gun. In my opinion, it’s very dangerous.”

Jim Chanin, a Berkeley lawyer who has filed several lawsuits over attacks by police dogs, said he sees no good reason for BART to have a canine corps. “The problem is that these dogs are just trained to attack,” he explained. “You can’t use them to search for some kid lost in the BART tunnel.

“If there’s something the BART police do on a regular basis that requires the use of dogs, I certainly can’t see what it is.”

Chief Taylor told the Bay Guardian that dogs provide much less expensive backup than additional sworn officers. Berkeley Police Lt. Tom Grant said he agrees, to a point: “But then you have to pay out those big legal settlements if one of the dogs does something wrong.”

It’s tops

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For more top 10s, see our Year in Music 2008 issue.

JONAS REINHARDT’S TOP 10


1. Droids, Star Peace (Repressed)

2. Steve Moore, Vaalbara (Noiseville)

3. La Düsseldorf, La Düsseldorf (Nova, Water)

4. Cluster US tour

5. Lovefingers.org

6. White Rainbow, "Snake Snacks Brain Tazer Pt2"

7. Richard Pinhas, Singles Collection 1972–1980 (Captain Trip)

8. 88 Boadrum, Aug. 8, ’08

9. Methusalem, Journey into the Unknown (Ariola)

10. B.O.D.Y.H.E.A.T. light show, Nov. 7

MI AMI’S DANIEL MARTIN-MCCORMICK AND DAMON PALERMO’S COMBINED TOP 10


*Grouper, Dragging a Dead Deer up a Hill (Type)

*US Girls, Introducing (Siltbreeze)

*Sugar Minott, Dancehall Showcase Vol. II (Black Roots/Wackies)

*Fripp and Eno, No Pussyfooting (EG)

*Steel an’ Skin, Reggae Is Here Once Again (Em)

*Dam-Funk, "Burgundy City" (Stones Throw)

*Pyha, The Haunted House (Tumult)

*Orchestre Régional De Kayes, The Best of the First Biennale of Arts
and Culture for the Young
(Mississippi)

*Various artists, Blackdisco (Blackdisco)

BOMB HIP-HOP’S DAVID PAUL’S TOP 10


1. Grip Grand, Brokelore (Look)

2. Sweatshop Union show at Rickshaw Stop, Sept. 25

3. DJ Zeph and Azeem, On the Rocks mix CD

4. Planet B-Boy DVD (Arts Alliance America)

5. Prince vs. Michael show, Madrone Lounge, Nov. 15

6. Large Professor, Main Source (Gold Dust Media)

7. DJ Agent 86, "The Ultimate" 7-inch (Bomb Hip-Hop)

8. EMC, The Show (M3)

9. DJ Design with Party Arty, "Get on the Floor" single (Look)

10. History of Rap poster

TARTUFI’S TOP 10 OF ’08


*Paper Airplanes, Scandal Scandal Scandal Down in the Wheat Field (self-released)

One of the best albums we have heard in years. Wins Most Mind-Twisting Listen award from Tartufi, which just so happens to be a hairless alpaca.

*Department of Eagles, In Ear Park (4AD)

A lush and weighty release. Wins Best Overall Production award, which just so happens to be a medium-sized bologna.

*Low Red Land, Dog’s Hymns (self-released)

Man, this album is just so freaking good. It is like a chocolate river of dreams wrapped in bacon and covered in Tony Alva. They win Album Most Likely to be Sung at Top of Lungs No Matter Who Is Around award, which just so happens to be Tony Alva wrapped in bacon.

*Deerhoof, Offend Maggie (Kill Rock Stars)

Awesomely awesome and both classically deery and innovatively hoofy. Wins the award for Longevity, Perseverance, Persistence, Reliability, and Most Rockin’-est, which just so happens to be a completely un-offended Maggie, fresh and new!

*Fleet Foxes, Fleet Foxes (Sub Pop)

Didn’t want to like this after seeing it more times that we have ever seen anything before, at every Starbucks in the whole universe. Then we took a listen, and it is actually quite good. Wins the Your Albums Will Forever Be in Starbucks (a Blessing and a Curse) award, which just so happens to be a Slip ‘N Slide.

*Musee Mecanique, Hold This Ghost (Frog Stand)

These guys rule live. Wins the Classiest Band in All the Land award, which just so happens to be the option to plate a member of the band in gold.

*Russian Circles, Station (Suicide Squeeze)

A rad album with just the right amount of chunk, noise, pretty, psych, and space. Wins the Most Dreamiest Drummer Ever award, which just so happens to be a date with Lynne!? Weird.

*Beach House, Devotion (Carpark)

Admittedly, this album was purchased based upon the cover art alone, but imagine the surprise and blissed-out happiness upon hearing the actual music! Wins the Smoothest Vocals and Best Use of a Drum Machine award, which just so happens to be a tall ship towing a peanut.

*Radiohead, In Rainbows (ATO)

We listened to this a lot while on tour. Like, a lot. Wins the Smarty Pants award and the Duhhhh award, which just so happens to be invisibility cloaks for the whole band. You guys are welcome. We know what it’s like. We are pretty famous, too.

*Vetiver, Thing of the Past (Gnomonsong)

Andy’s voice makes me so happy and his musical choices make me even happier. Wins Best Use of Hats, Beards, and Boots award, which just so happens to be the lemon tree from the back patio at El Rio! You guys sing a cover, and I will sneaky sneak it out the front.

SORCERER’S DANIEL JUDD’S TOP 10


1. Raphael Saadiq, The Way I See It (Sony BMG/Columbia)

Heard this while I was record shopping in Chicago. Thought it was a Motown record I had never heard before. Great songs, production, and the singing is excellent.

2. Menahan Street Band, Make the Road by Walking (Daptone)

On Election Day we grabbed fish tacos on Ritch Street and there was a DJ wearing a George Bush mask who was spinning this record on the turntables set up on the sidewalk. The sun was shining, and Obama was about to win — a dawning of a new day.

3. Various artists, Pop Ambient 2008 (Kompakt)

This year’s collection might be my overall favorite.

4. Zo! and Tigallo, Love the 80’s! (Chapter 3hree)

Nice modern R&B versions of the most random ’80s jams. Good for throwing in a mix with the catchy Usher, T-Pain, and R. Kelly jams I also dug on this year.

5. Woolfy at the Elbo Room

A great show from Woolfy at B.O.D.Y.H.E.A.T.’s monthly night. A full band rocking great, slow-burning dance jams.

6. Wild Combination: A Portrait of Arthur Russell (Matt Wolf, US) at the Roxy.

Loved the unreleased music and the glimpses of his creative process.

7. Boom Clap Bachelors, Kort Før Dine Læber (Music for Dreams)

Crazy futuristic electro-soul. One of the dudes is from Owusu and Hannibal, another cool group in this realm.

8. Various artists, Watch How the People Dancing: Unity Sounds from the London Dancehall, 1986–1989 (Honest Jon’s)

Been loving the Casio-fueled insanity, the craziest voices from the singers.

9. Various artists, Funky Nassau: The Compass Point Story 1980–1986 (Strut)

The tropical boogie/reggae vibes flow so nicely from this cast of jammers.

10. Hatchback, Colors of the Sun (Lo)

Arpeggios and creamy chord changes.

THE HARBOURS’ MIGUEL ZELAYA’S TOP 10 2008 RELEASES


1. Two Sheds, untitled EP (iTunes)

2. Kelley Stoltz, Circular Sounds (Sub Pop)

3. Uni and the Dig! String Trio, As Gold (self-released)

4. Pillars of Silence, Pillars of Silence (self-released)

5. Michael Zapruder, Dragon Chinese Cocktail Horoscope (SideCho)

6. Land of Talk, Some Are Lakes (Saddle Creek)

7. Radiohead, In Rainbows (ATO)

8. Hayden, In Field and Town (Fat Possum)

9. +/-, Xs on Your Eyes (Absolutely Kosher)

10. The Beach Boys, U.S. Singles: Capitol Years ’62–65 (EMI)

KELLEY STOLTZ’S TOP 10 AND MORE


*Borts Minorts on earth and in concert

A white body suit, a musical instrument made of a ski and bass string, and beautiful dancing gals. Fun SF weirdness without the Burning Man remorse.

*Thee Oh Sees live and The Master’s Bedroom Is Worth Spending a Night In (Tomlab)

Really, how many awesome tunes can a human being write?

*The Fresh and Onlys

What a fine group — so fine I started a label, Chuffed, to put out their first single. Where the embers of the Red Crayola and the Elevators’ hash pipe merge with Born to Run muscle.

*The Dirtbombs

Since I toured with them this year I got to see them 53 times, and they were awesome every night — except that first night in Bloomington, Ind., but that was a bummer gig all around. "I Can’t Stop Thinking About It" is the best tune I heard this year.

*Margo Guryan, Take a Picture (Sundazed)

Thanks to Chris at Groove Merchant for hipping me to this. Soft chanteuse-y vocals, booming drums, sitars, and fuzz = awesome pop.

*Beck, "Chemtrails" from Modern Guilt (Interscope)

I just really dig this tune. I like the homemade video for it on YouTube and the conspiracy theories the song alludes to.

*Randy Newman at SFJAZZ fest, playing a solo piano gig, for nearly two hours

Again, how many good songs can one person write — it’s ridiculous!

*Sunday night shows at the Rite Spot

Annie Southworth does a good job booking the place: Colossal Yes, Adam Stephens, Prairie Dog, occasional jazz cats, and the Ramshackle Romeos were my year’s highlights.

*Local bands at SFO

It’s mostly soft ‘n’ gentle pop, classical, or jazz — no Caroliner concerts are planned yet. But wouldn’t a Bart Davenport tune help the Xanax really take the edge off the preflight panic?

*Mon Cousin Belge at Café Du Nord

Somehow MCB unites Antony and Jello Biafra song skills, vocal chords, political proclivities, humor, and pathos into a horrifically scarred Belgian-in-exile crooner to make SF laugh and cry. Jobriath of the now!

*Jeffrey Lewis at Hotel Utah

The best concert I saw all year. The supergenius from your eighth-grade math class returns 20 years later with tunes that mix the Femmes, Jonathan Richman, and James Joyce.

CITAY’S EZRA FEINBERG’S MUSIC OF 2008


*M83, "Kim & Jessie" (Mute)

’80s melancholia with good drum fills.

*The Dry Spells’ "Rhiannon" to be released on Antenna Farm in spring 2009

Much better than the Fleetwood Mac original. No, I am not fucking with you.

*Realizing the Grateful Dead’s "Touch of Grey" (Arista, 1987) is the best aging hippie anthem ever, and feeling like I relate to it, especially because I’m rapidly going gray.

*Tune-yards’ "News" (Marriage)

This is the best unknown band I’ve ever heard, no joke, hands down — you’d be insane not to check it out at tuneyards.com.

*3 Leafs, Space Rock Tulip (self-released)

Amazing SF all-star mostly improv band featuring members of Gong, Tussle, Citay, and others. Epic, spacious, physical, colorful, and powerful, with catchy and fun moments throughout. www.myspace.com/3leafs

*The Botticellis, "The Reviewer" (Antenna Farm)

Total power pop, like the best upbeat Big Star meets the best Cheap Trick. One of my favorite songs of recent memory.

*Tune-yards live in SF and Portland, Maine

Citay played on a bill with Tune-yards in Portland, Maine, and then we set up a show for her here in SF. We promoted the heck out of it, the people came out, and Tune-yards killed. Truly inspiring.

*Vetiver’s cover of "The Swimming Song" (Gnomonsong)

*Half Japanese at the WFMU showcase at SXSW

*Discovering Mastodon, way, way late.

VICE COOLER’S TOP 10 MUSIC RECORDING THINGS


1. Toxic Lipstick, "Thunderdome" (Dual Plover)

This is one of the most fucked-up songs from one of the most fucked-up records in the past 20 years.

2. Deerhoof, current tour clips on YouTube

Since I got their first two records at age 15, Deerhoof has remained one of my favorite bands, and the addition of Ed Rodriguez has pushed them into a new terrain of amazingness.

3. E-40 featuring Lil John, "Turf Drop" (BME/Reprise) and Urxed, Car Clutch, and Soft Circle live at Triple Base

Fucking incredible! And the Triple Base show pretty much made everyone’s "show of the year."

4. Lil Wayne, "A Millie" (Cash Money/Young Money/Universal)

This song completely saves the rest of this half-assed, boring, and otherwise overhyped record.

5. Matmos, Supreme Balloon (Matador)

Dude, they always deliver!

6. Bleachy Bleachy Bleach

It’s sort of like Cobra Killer being thrown into a fryer, but made by super young Bay Area suburban girls whose first "big band" that they got into, at age 14, was Wolf Eyes.

7. Disaster’s LP and Barr’s new songs live

I was lucky enough to see the few performances that he made it to, after he cancelled most of his shows for this year. As far as his alter ego, Disaster, goes — I like it because people think the record player is broken when you listen to the album.

8. The Younger Lovers, Newest Romantic (Retard Disco)

Full disclosure: I recorded four songs on it. This is a band started by a friend I grew up with named Brontez. Highly recommended.

9. Fatal Bazooka, "Parle a Ma" (Warner)

While on tour in France we were tortured by mainstream French radio. Fortunately, this song was a big hit at the time. Thank God we don’t speak much French, because I am 100 percent positive that the lyrics fucking suck.

10. Quintron, Too Thirsty 4 Love (Goner)

The best album cover and best opening song. It’s tragic that bands like My Chemical Romance are so huge and have pushed such genius artists as Quintron and Miss Pussycat into such obscurity.