racism

Writing wrongs

0

› a&eletters@sfbg.com
If there’s one person you would expect to condemn the present state of America’s political affairs, it would be Billy Bragg, right? Surely Britain’s punk poet laureate should be grabbing every microphone within reaching distance to decry the evils of our current administration. But surprisingly, his reaction is quite the opposite. “I’m encouraged by the results of the last two elections, because I believe that America has not yet decided what kind of country it’s going to be in the 21st century,” he says on the phone from Winnepeg.
Bragg is currently on a bit of a multitasking tour to showcase his two latest works: Volume II (YepRoc), a box set, and The Progressive Patriot, a book. While Volume II is an expected retrospective that covers the second half of Bragg’s career from 1988 onward, The Progressive Patriot is uncharted territory for the singer-songwriter, a treatise that addresses Britain’s national identity, the emergence of organized racism, and the political road that weaves between the two.
Much as in Britain, Bragg sees battles of ideology as a key proving ground in the future of our country and agrees with the concept of “two Americas” as it pertains to the states’ political climate. “On one hand you’ve got the neoconservative Christian right, who are getting everybody to vote and still can’t get a majority,” he says, “and on the other side you’ve got the more compassionate idea of America as a multicultural society, which just can’t get everybody to vote.” Yet as bleak and insurmountable a problem as this may seem, Bragg takes the long view. “I’m in a fortunate position. I have the opportunity to travel around and meet people trying to manifest that ‘other’ America. Reading local newspapers in America, you see all sorts of things that are going completely against the neoconservative agenda in some states.” Volume II picks up at a crucial period of Bragg’s career, kicking off with his 1988 release, Workers Playtime (Go! Discs/Elektra). The album marked Bragg’s transition from punk iconoclast to, as he would later affectionately come to be known, the “Bard from Barking.” Instead of using just his guitar and a portable amp as on his earlier recordings, Bragg included bits of orchestration on Workers, plus a band to accompany his songs of law, love, and everything in between. “The album of lost love. It’s my great lost soul album!” he says with a wistful chuckle.
At the heart of that bittersweet collection is the amazing “Valentine’s Day Is Over,” a woman’s lament over her lover, rough economic times, and the beatings that result. “That economy and brutality are related / Now I understand,” the protagonist explains wearily. Bragg feels a particular satisfaction with that song and the topics it tackles. “I often cite that as the ideal Billy Bragg song because politics and ‘the love song’ overlap in that song. It’s a really hard thing to do, rather than being a ‘love song writer’ or a ‘political song writer.’ I hate it when people divide those two. Life isn’t divided like that.”
The ever-encircled worlds of life and politics also led Bragg to write the new book, with the ideas spurred by everything from recent elections in his hometown to raising his young son. “A far-right political party called the BNP earned a seat on the council in my hometown of Barking, East London,” the songwriter says. “That was a real shock to me because these were the people that I came into politics fighting. I realized that it needed something more than just writing a song.” Being a father further drives his desire for intelligent debate around the future of his country. His concerns about nationalism are expressed in the interest of cohesion, not the racist ideal of exclusion. He explains, “I’m interested to hear your background, but what is important to me is how my children and your children are going to get on with each other. Everything else is secondary to that.”
As you might expect, Bragg’s MySpace page also bears the mark of his beliefs and ideas. It also contains his songs: items that were conspicuously absent during his recent showdown with the networking Web site. Having successfully lobbied MySpace to retool their artist agreement so that the site doesn’t “own” any artist’s uploaded content, Bragg is now taking on MTV Flux, another networking site that features an upload ability similar to YouTube. A video featuring his challenge to Flux dots the page, along with archival footage of him at various events, such as a concert in Washington, DC, in 2002. That day he addressed the crowd and warned them of a greater looming evil — not of conservatives or imperialism but of cynicism.
He still stands behind that message. “I know from personal experience that cynicism eats away your soul,” Bragg says. “God knows Tony Blair’s been spreading cynicism around for the last few years. I’ve had to fight my own.” SFBG
BILLY BRAGG
Thurs/5, 8 and 10:30 p.m.
Great American Music Hall
859 O’Farrell, SF
$30–$35
(415) 885-0750
HARDLY STRICTLY
BLUEGRASS FESTIVAL
Sat/7, 4:40 p.m.
Speedway Meadow
Golden Gate Park, SF
Free
www.hardlystrictlybluegrass.com

Redefining radicalism

0

› news@sfbg.com The Ella Baker Center for Human Rights has a 10-year history — which it marked Sept. 14 with an anniversary gala in Oakland — of aggressive opposition to police abuse, racism, economic injustice, and the get-tough policies that have created record-high incarceration rates. Those problems have only gotten worse over the last decade, despite some significant successes by the group in both Oakland and San Francisco. But these days, founder and director Van Jones sounds more like a hopeful optimist than an angry radical. “When we first got started, our politics were more about opposition than proposition,” Jones told the Guardian. “We were more clear what we were against than what we were for.” An organization once prone to shutting down the halls of power with sit-ins is now working on prison reform legislation, doing antiviolence public education campaigns, and promoting the potential for a green economy to revitalize West Oakland and other low-income communities. “Now, I’m in a place where I want to see the prisoners and the prison guards both come home and get some healing,” Jones said. Some of that transformation comes from Jones’s evolving critique of progressive political tactics, which he has come to see as ineffective. “Our generation would be better if we had a little less New Left and a little more New Deal.” But the change was also triggered by a personal epiphany of sorts following his unsuccessful effort to stop the passage in 2000 of Proposition 21, which sent more minors into the adult correctional system. “I went into a major depression and I almost quit being an activist,” Jones, an attorney who turns 38 this month, told us. “It was a very personal journey, but it had a big impact on the Ella Baker Center.” The change has made allies of former enemies, like radio station KMEL, which was vilified for selling out the Bay Area hip-hop culture after Clear Channel Communications purchased the station, but which is now helping the Ella Baker Center spread its antiviolence message. The center has also attracted a new breed of employees to its ranks of 24 full-time staffers, people like communications director Ben Wyskida, who moved here from his Philadelphia communications firm last October. As he told us, “What drew me to the Ella Baker Center was this message of hope.” Jones has a critique of the problems and those in power that is as radical as ever, noting that authoritarians have taken power and essentially dismantled our democratic institutions. But he’s moved from diagnosis to prescription, telling us, “I think the ‘fuck Bush’ conversation is over.” His new approach hasn’t always gone over well with his would-be allies. Environmental groups including Greenaction boycotted Mayor Gavin Newsom’s photo-op posturing during World Environment Day last year, and they were critical of Jones for validating the event and using their absence to grab the media spotlight for his green economy initiatives. But Jones tells us he doesn’t get rattled by criticism that he’s playing nice with the powerful because he remains committed to helping the underclass. “The most important thing is to know who you’re for and know your history.” And if the group’s 10th anniversary black-tie celebration in the Oakland Rotunda was any indication, the Ella Baker Center has more support now than at any other time in its history. The guest list for the event was a veritable who’s who of every major political, grassroots, and environmental organization on the West Coast. Guests included Code Pink cofounder Jodie Evans, Mother Jones publisher Jay Harris, and actor-activist Danny Glover. “Radical means root — that’s what we have always been addressing,” Jones told us at the event. “We used to spend a lot of time pointing out the hurt in the community. Now we connect the points of hope.” To Jones, hope means tying the need to save the planet from global warming to the need for economic development in Oakland. “Let’s make it into job opportunities for poor people and build a green economy strong enough to lift us out of poverty. That’s hope. We want to take people out of the prison cells, into solar cells.” Jones’s allies see him as a silver-tongued visionary, a lighting rod who can bridge movements with apparently differing agendas. Activist Julia Butterfly Hill, a longtime friend and political ally of Jones, told us at the event, “Van shows he cares and he’s human, and he puts himself out there on the line. That’s why you saw this coming together. This is the voice, this is the conversation that the planet is literally dying for, and I really mean sick and dying for.” The evening, a spirited celebration of hope and achievement, gave influential friends a chance to size up where the group has been and where it’s headed. As Harris of Mother Jones told us, “Van is a big thinker. He really engages people’s imaginations in terms of what could be. There’s one way, which is to fight against the system. Van’s way is to reimagine the system.” There to bless the event, Glover warmly heaped his own praise on Jones by comparing him to the Civil Rights Movement worker who is the organization’s namesake. “When I think of Ella Baker and what she stood for, Van carries on that work, and I think that’s vital. We envision ourselves through the women and men that set a certain standard. Van sets a certain standard.” SFBG www.ellabakercenter.org

SATURDAY

0

Sept. 9

Comedy

Axis of Evil Comedy Tour

Honoring the new comedy practice of touring with those of similar ethnic backgrounds, members of the Axis of Evil tour also pay homage to a much older tradition: addressing issues of racism through comedy, à la Richard Pryor. This group serves one purpose – to bring that humor back by saying outlandish things like this: “How many people here were Middle Eastern on September 10th and Mexican on September 11th?” (K. Tighe)

7:30 p.m.
Palace of Fine Arts
3301 Lyon, SF
$37.50
(415) 392-4400
www.axisofcomedy.com
www.cityboxoffice.com

Visual Art

“It’s Only Rock ’n’ Roll”

Root Division has compiled an end-all, one-night-only photo exhibit: “It’s Only Rock ’n’ Roll” includes the best rock and punk pictures of the last 40 years. The list of photographers is impressive – rock photo godfather Jim Marshall will show alongside the infamous Jenny Lens, supreme master of the punk rock photo. Where would punk rock be if we hadn’t seen Iggy Pop’s rib cage? Patti Smith’s possessed stage persona? Blondie?!?! (Tighe)

7 p.m.-midnight
Root Division
3175 17th St., SF
$5 donation
(415) 863-7668
www.rootdivision.org

Randomness and revelation

0

› lit@sfbg.com REVIEW If fiction is truth masquerading as lies and the ever-popular memoir is tall tales packaged as transcendent fact, history is the place where dominant culture markets itself and covers the tracks. In recent times, historians like Howard Zinn and Roxanne Dunbar-Ortiz have shifted the focus to tell the stories of marginalized, oppressed, dissident, and defiant peoples often erased from the record, but there’s still a lot of catching up to do. Perhaps it’s time to employ additional tactics, as coeditors T Cooper and Adam Mansbach have in A Fictional History of the United States (with Huge Chunks Missing). The anthology of stories progresses like a typical history textbook (in chronological order, that is), yet its goal is not to give us the facts but rather to widen the cracks in the official story until it breaks open. Some of the strongest pieces in A Fictional History are the most preposterous. In Ron Kovic’s “The Recruiters,” it’s 1968 and two Marines arrive at a high school auditorium, climb onstage, and start singing a song: “Oh, if you lose your penis in a war/ And you can’t make love with sexy girls no more/ Then don’t blame it on the old Marine Corps.” It turns out these Marines did indeed lose their penises in Vietnam, not on the battlefield but in a pool game, playing against a man who wielded a machete in place of a cue. Confused? “We made a bet,” the Marines declare. “It was a COMMITMENT.” A more over-the-top indictment of US military arrogance, masculinity, and the myopia of team loyalty could hardly be squeezed into the six pages this story occupies. Alexander Chee’s “Wampeshau” describes Chinese settlements of explorers and concubines in the area occupied by the Narragansett Indians nearly 300 years before the founding of the United States: “To be an explorer is to practice the art of getting lost.” But these settlers also practice the art of flying. That’s right, “the secret to it … is that even the wind will help you if you agree not to linger.” This is certainly a refined band of travelers, and in their observations about the newly arrived British settlers destined to replace them lies a prescient warning: “They are like the opposite of ghosts, so alive it has made them numb.” Sarah Schulman’s “The Courage to Love” brings us inside the psychoanalytic method, seen through the eyes of Anna Fuchs, a German Jewish refugee psychiatrist in post–World War II New York who once “waltzed with Jung and made Freud jealous.” As Anna conducts a final supervision session for one of her students, their spinning conversation (and Anna’s interior wanderings) manages to take on the Nazi Holocaust, Jewish assimilation, and parental violence while foreshadowing current Israeli military aggression. A contentious session explodes into a debate about the nascent medicalization of psychiatry — a conversation that’s even more relevant in our own era, when the right prescription is seen as the answer to even the most complicated emotional traumas. Not all of the pieces in the book are quite so rigorous. The opening story, “The Discovery of America,” by Paul La Farge, wallows in a self-satisfied joy over all things random, which could be an interesting challenge to the notion of “discovery” if it weren’t for phrases like “America remains to be discovered.” “The New Century,” Neal Pollack’s take on media whores and the Monica Lewinsky scandal, lacks any insight beyond the obvious (the media are only interested in sensation these days, etc.). More successfully, in a humorous take on racism and white guilt, the Civil War and drag, Kate Bornstein recounts the tale of Sassy Sarah, formerly known as Huckleberry Finn, a slender girl working the brothels of New Orleans under Union occupation. Coeditor Mansbach describes a 1905 zookeeper’s friendship with an imprisoned African man exhibited with the apes in a story whose final line is perhaps the most scathing indictment of colonialism in the whole book. Before you start browsing your favorite search engine for Marine recruitment chants, flying Chinese explorers, Anna Fuchs, drag prostitution, and zookeepers, though, it may be helpful to read the final story in A Fictional History, Daniel Alarcón’s “The Anodyne Dreams of Various Imbeciles.” This one takes place in the future, 2011 to be exact, during a war inside the United States, where the President has been injured in a hunting accident (!) and his leg amputated to prevent infection. Part fable and part cautionary tale, “Anodyne Dreams” evokes revolution but refuses to deliver the specifics — Denver is a stronghold of resistance, but why Denver? Instead of blueprints for sabotage, Alarcón treats us to an endless array of antiquated statistics about amputations throughout history, details contained in letters to the President from the doctor he’s already executed. Nowhere is the tension between randomness and revelation more evident, and perhaps this is just the challenge to history that is needed. SFBG A FICTIONAL HISTORY OF THE UNITED STATES (WITH HUGE CHUNKS MISSING) Edited by T Cooper and Adam Mansbach Akashic Books 300 pages $15.95 Readings by T Cooper, Adam Mansbach, and contributor Valerie Miner Sept. 17, 6 p.m. Cody’s Books, 2 Stockton, SF (415) 773-0444, www.codysbooks.com Readings by T Cooper, Adam Mansbach, and contributor Daniel Alarcón Sept. 18, 7 p.m. Book Passage, 51 Tamal Vista Blvd., Corte Madera (415) 927-0960, www.bookpassage.com Sept. 20, 7 p.m. Diesel, a Bookstore, 5433 College, Oakl. (510) 653-9965, diesel.booksense.com Mattilda, a.k.a. Matt Bernstein Sycamore (www.mattbernsteinsycamore.com), is the editor most recently of That’s Revolting: Queer Strategies for Resisting Assimilation.

How to fix the sewers

0

EDITORIAL Every time it rains heavily in San Francisco, millions of gallons of barely treated sewage flow into the bay. The city’s ancient sewage system has only one set of pipes — the stuff that’s put down the toilets and drains and the stuff that comes out of the clouds use the same underground pathways — and when there’s too much precipitation, the old pipes and storage tanks get overwhelmed, and there’s no place for the putrid mix to go but into the local waterway.
The raw shit is obviously unhealthy for people and for aquatic life: the bay doesn’t flush well, which means our sewage sticks around awhile. Even in dry weather, the city’s sewage system frankly stinks. Residents who live near the antiquated sewage treatment plan in Hunters Point have to smell it every day. A full 80 percent of the city’s wastewater winds up in a treatment plant in Bayview that everyone agrees is a relic from the 1950s that at the very least needs to be upgraded substantially.
There’s really no way to get around it: the politics of sewage is the politics of poverty, power, and race. As Sarah Phelan reports (“It Flows Downhill,” page 15), the west side of town has a well-constructed treatment center that doesn’t issue any odors at all and handles only a fraction of the city’s sewage. The heavy shit, so to speak, gets dumped on an area that has way, way too much of the city’s nuisances already.
In the meantime, it’s entirely reasonable for San Franciscans to ask why this environmentally conscious city makes such an awful mess of the basic problem of disposing of stormwater and human waste.
So the planning process that’s now underway for overhauling and upgrading the city’s wastewater system is an opportunity to undo decades of environmental racism and take a totally different approach to handling the water that comes into and flows out of San Francisco.
The first step, as Alex Lantsberg points out in an op-ed (page 7), is to stop looking at all that water as a problem. Water is a resource, a valuable resource. This city has constructed an elaborate system to bring freshwater into town from the Tuolumne River, 200 miles away. And yet, the fresh, potable rainwater that falls on the city creates a crisis every winter. There’s a serious disconnect here.
Take a look at a satellite photo of the city and you see a lot of flat rooftops and concrete roadways that together make up a huge percentage of the topographic landmass of San Francisco. These are places that now simply allow rainwater to run off into the storm drains. There’s no reason that those roofs can’t collect that water into cisterns, which could turn that rain into sources of drinking water, water to wash with, water to irrigate plants … water that otherwise would have to be sucked out of a high Sierra watershed.
There are vast amounts of space in the city where concrete — street medians, building fronts, sidewalks, etc. — serve as nothing but conduits for sloshing rainwater. With a little creativity, some of that area could be filled with plants that could absorb some of the rain — increasing green space and making the city a better place to live in the process.
And with modern technology, there’s no reason that all of the streets have to be impermeable concrete. As city streets are torn up, there are ways to look at pavements that are less than watertight, allowing some of the rain to soak in.
There are, in other words, ways to make San Francisco a model city for handling wastewater in an environmentally sustainable way. That won’t be the cheapest way to get the system repaired, but in the long run, it’s the only reasonable approach.
There are also ways to end the injustice that comes from living in the southeast neighborhoods and getting the worst of everyone else’s crap. If the city is about to spend more than a billion dollars upgrading its sewers, a key part of the project must be eliminating both the fecal outflows and the noxious odors that come from the Hunters Point treatment plant. If the more recently built west-side plant can be odor-free and avoid releasing untreated waste, this one can too.
Fixing the sewer system — and rebuilding the Hunters Point treatment plant — isn’t going to be cheap. To its credit, the San Francisco Public Utilities Commission is pushing to levy new charges on developers whose buildings add to the sewage burden. But in the end, there will have to be some sort of citywide water and sewer rate hike.
There’s going to be a huge fuss when that’s proposed. It ought to be set up so that big commercial users pay more than small businesses and residents, but in the end, it has to raise enough money to do this right. Trying to fix the sewers on the cheap will just leave us with the same stinking mess that the southeast has suffered under for decades. SFBG

Signs of the times

0

› steve@sfbg.com
The Mission has become a battleground between those trying to stop war and those trying to combat blight — a clash of values that is headed for a court battle that will determine whether San Francisco has gone too far in its campaign against the posting of handbills.
On one side are the Act Now to Stop War and End Racism (ANSWER) Coalition, World Can’t Wait, and other groups that stage the city’s biggest rallies against war and injustice. They’ve been hit by the city with tens of thousands of dollars in fines for their notices getting posted in violation of a city law cracking down on blight, and ANSWER has responded with a lawsuit.
On the other side is a 56-year-old activist named Gideon Kramer, who led the campaigns against graffiti and illegal signs and eventually became the eyes and ears of the city’s Department of Public Works and the Clean City Coalition. That nonprofit antiblight group gets hundreds of thousands of dollars in city money annually and in turn gave Kramer a full-time job pursuing his zealous fight against blight.
Kramer’s job is to cruise around in a city-provided motorized cart to document and remove illegal signs and submit that information to the DPW, which then issues citations and levies fines. Although Kramer maintains he doesn’t single out antiwar groups, he does admit that it was the blanketing of the Mission with ANSWER flyers and posters during the buildup to the invasion of Iraq that animated his animus toward sign posting.
“They hide behind the First Amendment, but this is not a free speech issue,” Kramer told the Guardian. “They completely obliterated this neighborhood for two years until I got them to stop…. This place looked like a war zone five years ago, when I finally took this area over.”
To Kramer, his efforts are simply about beautifying the Mission, which to him entails removing graffiti and flyers, particularly the ones affixed to any of the 88 historic lampposts along Mission Street, violations that draw a fine of $300 per notice rather than the $150 fine for most poles.
But to ANSWER’s West Coast coordinator Richard Becker, the city and Kramer are chipping away at fundamental rights of speech, assembly, and due process in their myopic effort to gentrify the Mission and other still-affordable neighborhoods.
“It is connected to a drive in San Francisco against working-class communities. This is being done in the name of fighting blight,” Becker said, “but it’s part of the transformation of San Francisco to a city that caters only to the middle class and above.”
The antihandbill measure — passed by the Board of Supervisors in 1999 — is part of a clean-city campaign that includes aggressive new measures aimed at removing graffiti and punishing those responsible, increased spending on street and sidewalk cleaning, crackdowns on the homeless, and most recently, the prohibition of campaign and other signs on utility poles.
State law already prohibits all handbills and signs from being on traffic poles. The local law extends that absolute prohibition to “historic or decorative streetlight poles,” such as those along Mission from 16th to 24th streets, along Market Street, around Union Square and Fisherman’s Wharf, and on a half dozen other strips around the city.
In addition, the measure sets strict guidelines for all other postings. Unless those posting handbills want to register with the DPW and pay permit fees, their signs must be no larger than 11 inches, “affixed with nonadhesive materials such as string or other nonmetal binding material (plastic wrapped around pole is OK),” and with a posting date in the lower right corner. Signs must be removed within 10 days if they’re for an event, otherwise within 70 days.
Any deviations from these conditions will trigger a fine of $150, payable by whatever entity is identifiable from the content of the handbill, regardless of whether the group actually did the posting or knew about it. That standard of guilt, known legally as the “rebuttable presumption” — wherein someone is considered guilty unless they request an administrative hearing and can prove otherwise — is one of the targets of the ANSWER lawsuit, which is scheduled for its first pretrial hearing next month.
“In San Francisco, the distribution of handbills and other such literature is a quintessentially protected First Amendment activity, as it is everywhere. But the moment someone posts a group’s literature on city property, the DPW is entitled to presume, under the rebuttable presumption, that the group itself is responsible — absent any evidence of a connection between the group and the person who did the posting,” wrote attorney Ben Rosenfeld, who is representing ANSWER and two other accused violators, in a brief to San Francisco Superior Court.
Furthermore, he argues that there are no evidence standards for contesting the fines, which themselves have a chilling effect on free speech, particularly for poorly funded social and political activists. And, as he told the Guardian, “most people believe that posting flyers, because it’s such a time-honored way of communicating, is legal.”
Yet the City Attorney’s Office argues that city law is defensible and that rebuttable presumption — which is a similar legal precept to how parking tickets are handled — has been validated by the courts.
“We are going to argue that it’s reasonable and fair and it mirrors a state law that has withstood challenges,” said city attorney spokesperson Matt Dorsey. “As a matter of principle, we don’t think the right of free speech allows defacing public property.”
It is that argument — that illegally posting signs is akin to vandalism or littering — that seems to be driving city policy.
“It happens very frequently, and the concern for the city is it costs a lot of money to remove,” the DPW’s Mohammed Nuru told the Guardian. “It adds to urban blight and makes the neighborhood look ugly.”
The view that handbills are blight has gotten a big boost from city hall in recent years — and so have those who advocate that point of view most fervently.
The nonprofit group San Francisco Clean City Coalition — whose board members include city director of protocol Charlotte Schultz and NorCal Waste executive John Legnitto — identifies its mission as keeping “San Francisco clean and green by building bridges between resources and the neighborhood groups, merchant associations, and residents that need them.”
A review of its federal nonprofit financial disclosure forms shows the organization has steadily received more public funds from at least three different city departments in recent years, totaling almost $300,000 in 2004, the last year for which the forms are available, plus another $170,000 in “direct public support.”
“Our organization has grown substantially,” said Clean City executive director Gia Grant, who is paid almost $70,000 per year and has been with the group for five years. “It has increased every year for the last five years.”
Most recently, the group won the $140,000 annual contract to manage the Tenderloin Community Benefit District, bringing to that low-income neighborhood the same kinds of blight abatement work they’ve been doing in the Mission, mostly through their contract with Kramer and his alter ego: SF Green Patrol.
“I believe all San Francisco residents have the right to live in a beautiful neighborhood, no matter where they live,” Grant told us.
Kramer has been applying that mantra to the Mission for several years now: tearing down signs, removing graffiti, painting and repainting the lampposts, and tending to the landscaping at Mission High and other spots. Kramer told us he volunteered his days to the cause even before he was paid for his efforts.
“Basically, the Green Team deals with the restoration of public property,” Kramer said. “I’m doing a lot of things in the community on behalf of the Mission District.”
Yet Kramer is hostile to the view that maybe the Mission was fine just the way it was, a point made by many residents interviewed by the Guardian — particularly activists with the Mission Anti-Displacement Coalition (MAC) — who are more concerned with gentrification than the proliferation of signs for war protests.
“Because their causes are so lofty, they feel like they’re above the law…. They think that because their cause is so important, the end justifies the means,” Kramer said of the many groups with which he’s battled, from ANSWER and MAC to New College and the Socialist Action and Anarchist bookstores. “Free speech is not unlimited and the war in Iraq has nothing to do with clean streets. They’re just lazy and would rather just wheat-paste posters everywhere.”
Kramer said he’s been paid a full-time salary for his efforts for the last year, although neither he nor Clean City — which contracts with him — would say how much he makes. But whatever it is, Grant said Kramer’s days as a fully funded antisign enforcer might be coming to an end.
“The Green Patrol is not being funded by DPW anymore,” Grant said, noting that the contract expires at the end of August. “At this time, there’s no plan to carry it past August.”
ANSWER’s Becker has had several confrontations with Kramer, although both men insist that their actions aren’t personally directed at the other. Kramer is just trying to remove what he sees as blight and Becker is just trying to keep the public aware that the United States is waging an illegal war on Iraq and supporting Israel’s aggressive militarism.
“The war, from our perspective, is really growing,” said Becker. “A considerable number of people are becoming more alarmed by what’s happening. The war has intensified and it’s a complete disaster.”
Set against that global imperative — and the role of US citizens in allowing it to continue — Kramer’s “sacred lampposts” are a little silly to Becker. “He’s got this attitude that ‘I’m preserving your community for you,’” Becker said. “It’s a crazy thing and it’s gotten completely out of control.”
But facing fines that could total $28,000 with penalties, ANSWER has been forced to take the sign laws seriously, pursue legal action for what it believes is an important constitutional right, and instruct volunteers on the rules (with only limited effectiveness, considering some unaffiliated antiwar activists simply print flyers from ANSWER’s Web site and post them).
“The most important issue to us and to other political organizations with limited income is being able to communicate with the public,” Becker said.
And the sign ordinance has made that more difficult. Nonetheless, ANSWER has remained aggressive in calling and publicizing its protests, including the antiwar rally Aug. 12, starting at 11 a.m. in Civic Center Plaza.
As Becker said, “Despite the threat of these massive fines, we’re going to keep moving forward.” SFBG

Lebanon calling

0

› news@sfbg.com
About 300 people gathered in front of Sen. Diane Feinstein’s office in downtown San Francisco on July 27 to protest her support for what they — and the citizens of most countries around the world — criticize as unjustified aggression by the Israeli military against Lebanese civilians.
Organizers with the recently formed Break the Siege Coalition had Lebanese and Palestinian experts and eyewitnesses on the telephone lines, hoping to broadcast them to protesters over a sound system, but they were prevented by technical difficulties.
Instead, after listening to a series of speakers — including Todd Chretien, a Green Party candidate challenging Feinstein, and Krissy Keefer, another Green who’s vying for Nancy Pelosi’s congressional seat — demonstrators marched to Union Square and then the Chronicle — whose coverage the protesters criticize as biased toward Israel. Eight were arrested there for blocking traffic.
Paralleling the organizers’ efforts, the Guardian reached out to civilians still in Lebanon to get unfiltered perspectives directly from the ground. What we encountered was profound outrage and unprecedented support for Hezbollah. They say the international community has turned its back on them again.
“The level of destruction is incomprehensible,” said Ghassan Mankarem, a pro-democracy and LGBT rights activist experienced in humanitarian relief efforts who is now volunteering with the grassroots Sanayeh Relief Centre in Beirut. “What’s happening here is a systematic act of ethnic cleansing.”
As of July 30, 620 Lebanese — mostly civilians — had been killed since Israel began its onslaught July 12, according to official Lebanese government figures. That’s 12 Lebanese dead for each Israeli killed by Hezbollah rockets and gunfire.
The number of internal refugees was expected to reach one million before this issue of the Guardian went to print, according to Mankarem. Another 220,000 have fled to neighboring countries. Thousands more are trapped in their homes or nearby shelters, too afraid to flee.
The Israelis “are hitting anything they see,” reported Mankarem, including caravans of fleeing civilians and even “Red Cross ambulances and UN observers.” They’ve bombed the airport, reduced whole neighborhoods to rubble, targeted seaports, destroyed most major highways, and obliterated power plants — in one case causing an oil spill in the Mediterranean Sea that local environmental groups say is the worst ecological disaster in Lebanon’s history.
“On the radio, doctors are warning there is no more medicine, no more water, no more space in the hospitals,” wrote Raida Hatoum, an organizer with Najdeh, a women’s nongovernmental organization that works in Lebanon’s Palestinian refugee camps, in a July 24 e-mail to the Guardian. (Hatoum has no access to a phone). “Burnt and shredded bodies are still on the roads” in southern Lebanon.
The same day Hatoum typed those words, Human Rights Watch condemned Israel for using American “cluster munitions in populated areas.” Aid workers on the ground report seeing evidence that Israel has also been using bombs (again, provided or funded by the United States) containing white phosphorus — a chemical agent that burns through the skin, sometimes to the bone, as well as “vacuum” bombs and “bunker busting” bombs containing depleted uranium.
For the first time since World War I, “there’s a real fear of people dying of hunger,” Mankarem said. Israel has been blocking food and other basic necessities from entering the country and has bombed grain silos as well as Lebanon’s main milk production plant, he said.
While Sanayeh struggles to provide food, water, blankets, and medical care to an ever-growing number of refugees, it’s also scrambling to address the profound trauma suffered by Lebanese children.
“Ten percent of the refugees are under five years old,” Mankarem said, speaking to us by phone from the relief center. “Some of them have seen family members decapitated in front of them. Unfortunately, the position of the United States has been to send more missiles,” while vetoing United Nations Security Council calls for an immediate cease-fire. “People here are looking to the rest of the world and asking, why aren’t they doing anything about this?”
It’s the kind of scenario that gave rise to Hezbollah in the first place. And today it’s resulting in a widespread surge of support for the group. A whopping 87 percent of Lebanese — including, significantly, 80 percent of the Christians and Druze — support the resistance to Israel (synonymous with Hezbollah), according to a nationwide poll conducted by the Beirut Center for Research and Information. And that was before an Israeli bomb killed more than 60 civilians — including 37 children — as they slept in a bomb shelter in Qana.
“Had Israel not invaded Lebanon in 1982, there would be no Hezbollah,” said academic Rania Masri, a blogger and regular contributor to www.electroniclebanon.net. “Had the international community enforced UN resolution 425 [demanding Israeli withdrawal from Lebanon], there’d be no Hezbollah. Had the international community [acted more decisively during] Israel’s massive assaults on Lebanon in 1993 and 1996, there would be no Hezbollah…. This is the history that people need to understand. It didn’t begin on July 12 with Hezbollah’s capture of the two Israeli soldiers.”
Another fact not widely understood in the United States is that Hezbollah isn’t simply a militia or terrorist group: in many impoverished, largely Shiite areas — particularly in southern Lebanon and in the eastern Lebanese Bekaa valley — Hezbollah has provided schools, health care, and basic necessities where the central government failed to do so.
Secretary of State Condoleezza Rice tried to draw clear distinctions between Hezbollah and Lebanon’s “legitimate” government early in the conflict. But Hezbollah members are part of that government, and the two entities have each sought a cease-fire that the United States and Israel have rejected, claiming that Hezbollah must disarm.
“We get lectured all the time about democracy,” Mankarem said. “But whenever we make a democratic choice, we get punished.”
Many Lebanese insist they too have the right to defend themselves. And they view American collaboration as the result of a deep-seated racism that presumes that Arabs simply aren’t as valuable as Israelis.
Regardless of the reasons for the assault, one thing is certain: it is resulting in a sharp spike in anti-Israeli and anti-American sentiment, which isn’t making either country safer.
“Even if Israel and the US were to kill every member of Hezbollah, there’d be people to replace them,” Masri warned. “You cannot stop a movement for liberation.” SFBG

Microconspiracies

0

› H/Hrpwned@techsploitation.com
TECHSPLOITATION In the Internet age, conspiracies are niche phenomena. All the classic conspiracies of yesteryear — the Kennedy assassination, ZOG, and Pink Floyd’s Dark Side of the Moon — had mass appeal. And frankly they’re not nearly as juicy as obscure, narrow-band obsessions plucked from the glowing pages of LiveJournal, such as the Ms. Scribe Harry Potter fanfic sock puppet conspiracy of 2003. The whole thing has been chronicled assiduously in an anonymously written e-book about Ms. Scribe’s rise and fall, deliciously titled The Ms. Scribe Story: An Unauthorized Fandom Biography (www.journalfen.net/users/charlottelennox).
There are fake identities! Homophobia and racism! Brushes with death! Flame wars! Sex! Stalking! Long explanations of how IP addresses work! Plus, many obscure acronyms and internecine battles between said acronyms! It’s like reading a history of the CIA, only with less cross-dressing.
The Ms. Scribe conspiracy unfolded in the vast and lively world of online Harry Potter fandom, where many people write stories (called fanfic) based on the J.K. Rowling books they love. Some of these writers are known as “shippers,” people who write about certain characters falling in love and having sex. (The word “shipper” is from “relationship.”) Three years ago, Ms. Scribe masterminded a covert campaign to dominate and destroy the shipper community by playing two rival camps of shippers off each other: the Harry-Hermione shippers of FictionAlley.org and the Harry-Ginny shippers of the Gryffindor Tower community. These groups weren’t just separated by their ships — they also had moral differences. Denizens of FictionAlley were comfortable with overtly erotic stories that involved homosexuality, while the Gryffindor Tower fans tended to be strictly het and PG-rated.
According to The Ms. Scribe Story, its eponymous antiheroine began her campaign by inventing a set of fake identities online who were Ms. Scribe fans. These so-called sock puppets spent all their time praising Ms. Scribe’s fanfic and linking to it in shipper forums. When that didn’t get Ms. Scribe the attention she seemed to crave, she started posting anonymous comments in her LiveJournal attacking herself for being a depraved homo-lover and for being mixed race. The more she was attacked, the more she could bravely defend herself — and the more attention she got from the FictionAlley community, whose members rushed to her aid against the bigoted “attackers.” Eventually she created several “Christian” sock puppets who made antigay, racist comments on Ms. Scribe’s LiveJournal. They also claimed to be from the rival Gryffindor Tower group. The longer this went on, the more allies Ms. Scribe had; she eventually gained about 200 LiveJournal friends, including elite members of the FictionAlley inner circle.
Although relations between FictionAlley and Gryffindor Tower had always been strained, the Ms. Scribe controversies turned the two groups into outright enemies. Friends of the Gryffindor Tower crowd made a series of posts revealing that the IP addresses on Ms. Scribe’s posts matched those of her alleged Christian attackers and fans, but the FictionAlley fans were so incensed by the “persecution” of Ms. Scribe that they ignored the evidence. Whenever things started to unravel, Ms. Scribe would whip her supporters into a frenzy by pretending to be in the hospital or claiming she was being stalked by one of the Christians.
The author of “The Ms. Scribe Story” believes that Ms. Scribe made her last appearance in 2005, when she stirred up trouble yet again by accusing the fans of being racist for jokingly comparing the fight between shippers to the Civil War. Not surprisingly, the comment thread was filled with mysterious posts from racists who had never shown up before (and never came back) and whose entire histories on LiveJournal consisted of that particular thread.
Nobody knows what Ms. Scribe is doing now.
What’s intriguing about Ms. Scribe and her sock puppets’ microconspiracy is its everyday scale. It’s not hard to understand why secret societies might scheme to kill a president. But why would one woman spend so much time trying to bring down a group of Harry Potter fans? There are many theories: that she wanted attention; that she adored a fight; that she was nuts and unemployed. All we know for sure is that wherever Ms. Scribe is now, we are always one step away from being her, one lonely morning, when all we want are a few online friends. SFBG
Annalee Newitz is a surly media nerd who is still trying to listen to the backward masking on Dark Side of the Moon.

How to end the violence

0

OPINION Despite its loss at the polls earlier this month, the spirit of Proposition A, the homicide prevention charter amendment on the June 6 ballot, lives on. Prop. A would have mandated that the city invest $10 million in violence prevention efforts. Instead of the typical police response to violence, Prop. A sought to address the root causes of violence, the social isolation and limited opportunity that are so endemic to the neighborhoods most impacted by street violence.
Prop. A offered a menu of strategies, including community outreach and organizing, job training and job creation, and reentry services so that ex-offenders have more than a couple hundred dollars in their hands when they leave prison. It was clear to everyone involved in the Prop. A campaign that this was about ameliorating the harmful effects of poverty and racism.
Even before the election, Prop. A was having an effect. Just two months after saying that no further investment was necessary to stem the tide of violence, Mayor Gavin Newsom crafted an ordinance with Sup. Fiona Ma to increase funding for violence prevention efforts. Responding to community groups, the Board of Supervisors stripped from the original Ma-Newsom legislation a bunch of police department goodies, including a ropes course, surveillance cameras, and bookmobiles — and beefed up the provisions on jobs and workforce training and added school-based violence prevention efforts, street outreach programs, and reentry services.
Overall the Board of Supervisors invested close to $6.9 million in programs and services. That’s a great initial investment but not enough, especially when a significant portion of the new funds can only be used for people under the age of 18.
The budget process offers the opportunity to serve the 18-and-older population and build on the foundation set earlier this spring. To this end, the budget committee added back over a million dollars to save San Francisco’s Trauma Recovery Center for the victims of violence and sexual assault. Now as a result of great advocacy from the violence prevention community and some unprecedented collaboration between the district attorney, the public defender, and the sheriff, the budget committee can program outside the box.
Before the committee Thursday, June 29, will be proposals to increase street-violence prevention outreach efforts, wraparound case management for victims at San Francisco General Hospital, housing relocation services for families impacted by violence, and reentry programs for ex-offenders. All of these programs can be part of a national model for other cities to emulate.
Contrary to the mayor’s line that the city does not need to contribute more resources to violence prevention, I believe city-sponsored resources make a dramatic change in how people caught up in all sides of the epidemic can have better choices and a dignified way out of these mean streets.
Violence is solvable if we make the right choices. SFBG
John Avalos
John Avalos is a legislative aide to Sup. Chris Daly. He dedicates this column to Andrew Drew Elle, a.k.a. DJ Domino, who was shot to death on Tuesday night, June 20, at 24th Street and Folsom.

Shoot for the contents

0

› a&eletters@sfbg.com

"Who is going to tell our stories if we don’t?" asks Madeleine Lim, founder and director of the Queer Women of Color Media Arts Project. She has a point. After wracking my brain to recall queer women or trans people of color who have graced a movie screen this year outside of a film festival, all I could come up with was Alice Wu’s Saving Face which certainly didn’t play at the multiplex. Lim firmly believes that "as long as we’re not in the studio systems writing, directing, and producing these films, we’re never going to see ourselves on the big screen." Her "little stab" at putting such stories front and center was creating the QWOCMAP program, which offers free digital filmmaking workshops to queer women and trans folks of color.

This weekend brings the Queer Women of Color Film Festival, an official event of the National Queer Arts Festival that Lim organizes and curates along with M??nica Enr??quez and Darshan Elena Campos. "Tender Justice," the first evening’s program (Thurs/8, 7 p.m.), showcases shorts by young women aged 18 to 25. Many deal with issues of violence and assault, some obliquely: In the experimental piece Messages, by Alyssa Contreras, a girl wanders through a surreal red-and-black nightmare listening to hateful cell phone messages left by various family members.

On the second evening, queer Latina filmmakers come together for "En Mi Piel: Borders Redrawn" (Fri/9, 7 p.m.). The event, which includes a panel discussion, is entirely bilingual: "It is political to reclaim spaces that are bilingual, in light of the immigration debate and the backlash and racism that it has generated," says cocurator Enr??quez. There are shorts by Bay Area and Los Angeles filmmakers, as well as a group of Mexican filmmakers who traveled here on a grant from the Global Fund for Women. One highlight is filmmaking collective Mujeres y Cultura Subterranea’s La Dimensi??n del Olvido, a gritty documentary that chronicles the lives of women and startlingly young girls who live on the streets in Mexico. Others include Liliana Hueso’s Las Mujeres de Mi Vida; Aurora Guerrero’s Pura Lengua, which skillfully handles a narrative about a Los Angeles Latina queer woman who deals with a horrific police assault; and Amy André’s En Mi Piel, in which an FTM half-white, half-Chicano trans man named Logan recalls his journey back to Mexico, the search for his roots becoming part of his new identity.

The third evening, "Heart of the Flame" (Sat/10, 7 p.m.), features works by students of Lim’s over the age of 25. One such is Kenya Brigg’s Forgiven, an autobiographical narrative about recognizing her grandmother’s strength of forgiveness, which she observes when the elderly African American woman uses a cake to bury the hatchet with a white neighbor who once signed a petition to keep her from buying a house in their Castro neighborhood. SFBG

QUEER WOMEN OF COLOR
FILM FESTIVAL

Thurs/8–Sat/10

SF LBGT Community Center,
Rainbow Room

1800 Market, SF

(415) 752-0868

Free

www.qwocmap.org

Schlock tease

0

› duncan@sfbg.com

"I must have been bit by a spider when I was very young," Country Teasers vocalist Ben Wallers drones on "Spiderman in the Flesh," the opening track to the band’s new album, The Empire Strikes Back (In the Red). "Because now I’m grown-up I spend five days a week going up the fucking wall." This wall makes a reprise midway through the tune, as the music ratchets up from a sleepy, two-step waltz to the fascist grandeur of Pink Floyd’s The Wall, with a lyrical nod toward "In the Flesh" from that psychodepressonervous breakdown rock opera: "Are there any queers in the theater tonight? Get ’em up against the wall!"

And thus, halfway through the first track, with a borrowed lyric "jacked from the sonic matrix," as Sonic Youth would say from a prog rock magnum opus, the Teasers arrive at the type of lowbrow social satire they’ve turned into high art. Well, high lowbrow art. They take a frail, empty stereotype and strap a rocket pack to its back. Of course it’s not going to survive, but it’s hilarious to see it zoom about the cosmos, flailing.

Take my personal favorite Teasers tune, "Black Change," from 1996’s epic Satan Is Real Again, or Feeling Good about Bad Thoughts (Crypt). In it, the narrator undergoes a transformation akin to John Howard Griffin’s in Black Like Me, "a black change operation." The results? "My dick went long, my hair went fuzzy … I traded in my white friends for pretty white ladies. My new black body drove them crazy." Ten years later, he’s got to go back to the surgeon to have the procedure reversed: "Too much trouble, from those envious white men…. My wife won’t touch me…. ‘Once you go black,’ she says, ‘you never go back.’"

In its hyperbole, "Black Change" is the quintessential Country Teasers song. It’s satire that’s offensive if you do get the joke. It’s up there with Jonathan Swift’s essay "A Modest Proposal," which suggested that the Irish eat their children to prevent the latter "from being a burden to their parents or country." Up there with Lou Reed’s "I Wanna Be Black,” a song that exposes racism, white guilt, and the white co-opting of black cultural idioms, but does so with lines like "I wanna be like Malcolm X, and cast a hex over President Kennedy’s tomb. And have a big prick, too." A song that makes Politically Incorrect with Bill Maher look like the teatime for pussies that it is. Either you get the satire and are loose enough to laugh at the stereotypes that are still imbedded in our culture, or you start getting that itchy feeling up under your collar, afraid that your good liberal friends the "clean white citizens" in "Black Change" might hear what you’re listening to, and shamefacedly pull the disc from the deck.

Like moralistic ’80s punks Crass, the Country Teasers make their statement, but they use humor to do it, as opposed to histrionic art-house punk screech. They too go for the jugular: They find your comfort zone and blissfully stomp all over it. Besides "Black Change," they’ve got songs called "Young Mums up for Sex," "Man v Cock," and "Country Fag." More recently, The Empire Strikes Back is likewise true to its title, dipping into geopolitical analysis vis-à-vis whether the world is currently more like the Death Star or Mos Eisley spaceport. Mix these lyrical fixations with the lo-fi schmaltz of Smog and all the early Drag City bands, the "we’ve got a fuzzbox and we’re not quite sure how to use it" of early Pussy Galore, and the straight-ahead rhythmic sensibilities of vintage Johnny Cash, and, well, to this humble music writer, what you get is fuckin’ genius.

Now don’t misunderstand me: I’m not saying they’re genius. Einstein was genius. Mozart, Walt Whitman, Jonas Salk, what have you. Fuckin’ genius is the guy who decided to package beef jerky and that dyed-orange cheese right next to each other in the same package. Just how do they get the cheese to be crumbly and greasy at the same time?

The Teasers gestalt reads like the opening line of a joke: OK, so a noise band, a drunk Scottish football team, and a boy named Sue walk into a bar … And when they walk into the Hemlock on Friday, May 26, all the way from Scotland, the land that invented whiskey, it’ll be much the same.

If you come expecting a noise band, you’re screwed. If you come expecting a country band, you’re screwed. If you come expecting stand-up comedy or social satire, you’re screwed. And if you come expecting a punk band, you’re screwed. Then again, the Country Teasers are noisy like vintage Honeymoon Killers; twangy in that same crooked-teeth, British Isles way that Billy Childish can be said to be twangy; bitingly satirical like mclusky; and definitely the punkest thing to come out of Scotland since the Rezillos. SFBG

Country Teasers with E-Zee Tiger and 16 Bitch Pileup

Fri/26, 9:30 p.m.

Hemlock Tavern

1131 Polk, SF

$8

(415) 923-0923

Inside the belly of the dog

0

I CARTOON DAZE

Homeland Security asked the usual dumb questions when I slapped my passport on the counter: what countries did you visit? Business or pleasure? The laser page did not trigger any alarms yet. I advanced to the carrousel to pick up my luggage. My suitcase had burst apart in Mexico City, spilling incriminating documents all over the terminal floor. Now it came down the ramp swaddled in plastic. As I reached to pull it off, all hell broke loose bells began to clang, buzzers burped jerkily, strobe lights flashed crazily on and off, and an automated voice on the intercom kept repeating “this is an emergency walk do not run to the nearest exit.”

I did not walk, nor did anyone else in the San Francisco International arrivals terminal. We were under terrorist attack! The twin towers were coming down upon us! Young and old, some in wheelchairs even, stampeded for the sliding doors, luggage carts tipping, travelers stumbling, elbowing each other in their mad rush to escape as customs inspectors implored us to return to have our suitcases checked for contraband once the emergency had subsided. No one in his or her right mind ever did.

Meanwhile, the escapees kept jostling and tumbling and the bells and buzzers and whistles and lights kept yowling their siren song. Yow! Burrrp! Pow! It was like a Saturday morning kids’ cartoon.

Of course, in the end, the terrorist turned out be some poor schmuck caught smoking in the men’s room.

It was a prescient re-introduction to the land where my father croaked. My month inside the belly of the Dog was kind of like a perpetual cartoon. I often felt like poor Bob Hoskins surrounded by a world full of Roger Rabbits. Cartoons were, in fact, motoring worldwide mayhem. Bim! Baff! Boff! The irreverent Danish magazine Jyllns Posten had published a dozen blasphemous cartoons of the Prophet Muhammad in one, he wore a turban with a bomb in it, in another the Messenger of Allah was depicted as a pig (the magazine had reportedly turned down caricatures of Jesus Christ as being in poor taste.) The publication of the cartoons had opened the scab of Islamic wrath and the Muslim world was on a murderous rampage from Indonesia to well, Khartoum.

The religious leaders of 57 Islamic nations meeting in Mecca declared fatwa and jihad on the infidel Danes and their damned cheese. In Tehran, a smirking Ahmadinejad announced big-money competition for cartoons of the Holocaust (he doesn’t believe it happened) and spurious drawings appeared in Europe of Anne Frank in the sack with Adolph while she scribbles in her diary.

The Christian anti-Muslim cartoon backlash tumbled Muhammad’s rating to an all-time low in U.S. polls. The New York Times Style section reported that rebel youth were jumping out of the djalabahs and into “extreme Christian clothing.” In Nigeria, Christians slaughtered their Muslim brethren, daubing “Jesus Christ Is The Lord” on mosque walls in their victims’ blood.

Then came the anti-Christian, anti-Muslim cartoon backlash. Churches were neatly stenciled with icons equating the cross to the Swastika in Santa Cruz (Holy Cross) California. And to close the circle, three white boys in Alabama took the crusade a step up and just burned the tabernacles down to the ground.

If you don’t think our nation is being devoured by religious psychosis, consider two recent Supreme Court decisions. Just the other day, the Supremes voted unanimously, with Justice Roberts on board, to uphold the right of a religious cult to guzzle potions brewed from the hallucinogenic Amazonian root Ayahuasca while they gabbed with god. Last summer, that court, with Sandra Day O’Connor still in place, voted to deny brain tumor victims medical marijuana to ease their agonies.

The ultimate cartoon was Cheney plugging his hunting partner in the ticker just like good ol’ Elmer Fudd. Ping! Pong! Blamblam! Senator Lindsey Graham, who shares a similar war-mongering dementia with the veep, reports that Dick Cheney told him that killing small birds kept him “sane.” Blap! Splat! Shazam! The late night joke mongers had a ball with the caper: “This Just In! We’ve learned that Vice President Cheney tortured his hunting partner for an hour before he shot him!” Yuk! Yuk! Did you hear the one about the CIA agent caught rifling housewives’ panty drawers during working hours in Virginia (you could look it up)? Yok! Yok! The U.S. teaming up with Iran to keep Gays out of the United Nations? Tweet! Tweet! Bird flu in of all places, Turkey (and Iraq)? Kaplooey!

Elmer and Daffy Duck scoot off into the sunset and the screen rolls up into a little round porthole where Bugs is cackling, “th-th-th-the-that’s all folks!”

II SCOUNDREL TIME

The problem is that that’s not all folks, and this may be loony tunes but it certainly isn’t merry melodies. These bastards are for real and it’s not really very funny. The title of Lillian Hellman’s slim volume on how HUAC hounded her and Hammitt is an insufficient one to describe these scum and their perverted torture war.

Every day the Seattle Times runs a few inches slugged “Terrorism Digest.” Aside from the usual shorts on Moussaoui, a rumored attack during March Madness, and an elderly ice cream truck driver in Lodi California who is accused of planning to blow up skyscrapers in Hollywood, most of the news is not about terrorism at all but rather the torture of alleged terrorists, perhaps tens of thousands of them in secret torture chambers hidden away in U.S. client states like Bulgaria and Morocco.

Here’s one. Ali Shakal Kaisi was the hooded man on the box with the electric cables snaking from his limbs, the poster boy for the abuse at Abu Ghraib. The photo is now on his business card. Originally, he was arrested for complaining to occupation troops about throwing their garbage on a soccer field in his Baghdad neighborhood. The Pentagon, in a display of perhaps the most hideous chutzpah in the Guinness Book of Records, refuses to comment on Mr. Khaisi’s case because it would “a violation of his Geneva Convention rights.”

Connoisseurs concede that Bush et al (heretofore to be referred to as “the scum”) have added some innovative techniques to Torquemada’s little catalogue of horrors. The reoccurring sexual pathology is disturbing. One accused Jihadist at Gitmo was wrapped in an Israeli flag and forced to watch gay porn 24 hours a day by military interrogators who passed themselves off as the FBI. Sadistic commandants shove feeding tubes up the nose of hunger strikers and rip them out roughly as the men piss and shit all over themselves while restrained in what Rumsfeld euphemistically describes as “a rolling padded cell.”

Why are these men being tortured? We learn from 5,000 pages of heavily-blacked-out military depositions released on court order to the Associated Press that at least three were detained because they wore Cassio F91W watches that have compasses on their face pointing to Mecca. “But our chaplains here all wear the same watch” protested one detainee.

All of this pain and suffering is being orchestrated in the much shat-upon name of freedom, the “freedom” as Sub Marcos puts it, “to choose between the carrot and the stick.” You know, as in “free elections” Iraq’s three fraudulent elections that have led to massive bloodshed in that benighted land being the role models. But elections are not “free” when the Bushwas don’t win, like Hammas and Egypt’s Muslim Brotherhood, Evo Morales and Hugo Chavez and most probably, Lopez Obrador in Mexico this July. Maybe free elections are not such a hot idea after all.

The third anniversary of this despicable war is only days away as I write these scabrous lines. Extrapoutf8g the Lancet study, it is probable that 150,000 Iraqis have been crucified in this infernal crusade. The 2,300 or so GIs who died with their boots on fill just a few slabs in the charnel house Bush has built in Iraq.

I suppose the up side is that two thirds of those Yanquis surveyed think he is a liar and a baby killer but many more will have to fall before the infidels are finally run off. Clearly, the resistance is working on it. Blowing the Golden Dome sky-high was a malevolent stroke of genius by the terroristas to incite sectarian (not civil) war, a scenario designed to foil the White House’s scheme to pull out of this treacherous quicksand and start bombing before the body bags queer the November elections.

Will it work? Shia death squads operating out of the Interior ministry are kidnapping dozens of Sunnis every day now and hanging them for public consumption. We can expect roadside gibbets next. The imminent spread of Shia-Sunni hostilities into neighboring oil lands has Washington biting its nails. We’re talking $100 a barrel here.

Sasha has a Skype pen pal in Baghdad, call her Fatima. She is a medical-science professor at the University, a middle class, somewhat secular woman who lives in a high rise in a mixed neighborhood. She writes when there is power and an Internet connection the last three generator operators on the block have been shot dead. Her absence on the screen is always a cause for alarm. Fatima says she no longer sits writing in her window to take advantage of daylight because she is afraid of being hit by a stray bullet. I am forever amazed how concerned she is for us. Last week, she wrote “I am sorry my dear for not writing. I am ok but I am more afraid than before. Things are going from bad to very bad.” If we never hear from Fatima again, the blood will be on George Bush’s hands.

Is George Bush impeachable? He has committed multiple felonies in spying on 350,000 unsuspecting citizens without a court order, a stain on the Constitution and way beyond the pale of even Nixonian paranoia. He sold the country an illegal war based on shameless perjury in collusion with oil barons and defense contractors who have grown obscenely fat on the blood of the Iraqi people.

And he sought to sell off vital U.S. ports to “Arab terrorists”! Or at least that’s what his fellow Republicans seem to perceive. Fanning the fumes of anti-Arab racism has come back to bite Bush and the corporate globalizers of the planet on the ass. Who does Bill Frist think was operating these ports up until now? The bloody Brits, that’s who! This is Globalization, Savage Capitalism, Dog eat Dog. It’s the American Way. What do you know about Sheik Mo? Vital elements of the food chain (Church’s Chicken and Caribou Coffee for example) have already fallen into the hands of “Arab terrorists.”

Where was I? The Bill of Particulars, right? I’m sorry it’s my birthday and I’m on a vent fueled by the one good thing about this country, Humboldt County sinsemilla.

George Bush guilty of nuclear proliferation! What else would you call giving India enough fissionable material to blow a hole in China and Pakistan?

George Bush guilty of blatant racism and incalculable callousness, strumming his guitar while the levees were bursting down in New Orleans, an interval much like the goat story on 9/11 of which Osama has reminded us in a recent communique. J’accuse George Bush!

Will a mush-minded congress apparently dosed to the gills on Ambien, the new sleepwalking (and sleep voting) wonder drug, vote to impeach? “Que se vayan todos!” the cry of the 2002 Argentinazo, “that they should all be kicked out” is an anthem for our time.

III SLEEPING IN SEATTLE

I’ve spent the last month sleeping in Seattle. Daytimes, I’ve churned out tens of thousands of words on my soon-to-be-published-if-it-ever-gets-finished opus, “Making Another World Possible: Zapatista Chronicles 2000-2006.”

Seattle has spectral vistas but at heart, it is a city without a soul. It has been bitterly cold here, the wind whipping off Puget Sound like The Hawk off Lake Michigan. A sullen rain falls most days. When the sun comes out in Seattle, they say the suicide rate goes up because people can’t deal with the brightness.

I have been lucky to have had Sasha’s cozy room and half to hole up in. A lot of people in this city don’t even have a roof over their head. Old men sleep rough in Pioneer Square these freezing nights, young tramps camp out under the bushes up here on Cap Hill. There’s a Hooverville under the Viaduct.

The merchants don’t care much for all these deranged pariahs dragging around ragged sleeping bags like batman capes or curled up in fetal positions in one of Starbuck’s many doorways. Seattle has more pressing matters on its mind. Howard (Starbuck’s) Schultz is threatening to move the Sonics if he doesn’t get a new arena free of charge from the city. Then there is Bill and Melissa, the world’s wealthiest nation.

This is a smug city that has grown soft and wealthy on the backs of software billionaires, where no one gives a damn about anything that is not on a screen. The Stranger ran the Muhammad cartoons and no one flinched. The next week, the paper ran a feature on a man who was fucked to death by a horse. Again, no one flinched. Meanwhile, the homeless are dying out there in the street.

On Valentine’s Day, Sasha and I died in on the City Hall steps she was the 50th victim to have died on the streets of Seattle in 2005. I was the 53rd. The Raging Grannies died in with us. I dedicated my dying to the spirit of Lucky Thompson, who recorded with Miles and Bird and spent his twilight years sleeping in Seattle parks. Seattle has a way of damaging its black geniuses. Octavia Butler, the towering writer of “conjectural fiction” whose work hones in on race and class like a laser, fell down the steps of her home here a few weeks ago. She lived alone she always lived alone and no one found her until she was dead. There is a statue of Jimi Hendrix right down the street.

What’s been good is watching Sasha blossom as an organizer. She’s been busy 25 hours a day putting together the visit of Eman Khammas, a courageous Iraqi journalist who speaks to the plight of women in Bush’s genocidal war. I saw Khammas last summer at the Istanbul War Crimes Tribunal and she is a firebrand speaker. Eman is part of the Women Say No To War tour put together by Global Exchange, two members of the delegation who had lost their families to the occupation, were denied visas because they did not have enough family left to “compel” their return to Iraq.

On the third anniversary of this madness March 18th, Eman Khammas will be a speaker at the march and rally set for the Seattle Federal building. That evening, she will talk at greater length at Trinity Methodist Church in the Ballard district. The kick-ass rebel singer Jim Page will open. No one turned away. Some of the moneys raised will go to the Collateral Repair Project (www.collateralrepairproject.org) which Sasha and her pal Sarah have created to help out the family of Mahmoud Chiad, an ambulance driver in al-Qaim who was gunned down by Bush’s crusaders October 1st, the first day of Operation Iron Fist in al-Ambar province, as he raced to aid victims of the massacre. There’s a widow and six kids, and Collateral Repair hopes to buy them a piece of land and some goats.

So I’m in the air back to Make Sicko City. The globalphobes are acting out at the World Water (Privatizers) Forum, which kicks off this week and when last heard from, Sub Marcos was trying to break into a prison in Guanajuato. I’ve got to finish this damn book in the next six weeks.

And Sasha and I? Who knows? I wear her name on a grain of rice around my neck and her door key is still wedged deep in my pocket and maybe it will open her heart to me again someday. We met in Baghdad with Bush’s bombs on the way and the bottom line is that we continue to fight this heinous war together. That’s good too.

John Ross has landed. But these articles will continue to be issued at 10-day intervals until “Making Another World Possible” is done. The deadline is May 1st. “Making Another World Possible” will be available at cost to Blindman Buff subscribers this fall.