Punk

The cheeseman can

Andrew Lam
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The subtitle of Rainbow Grocery cheesemonger Gordon “Zola” Edgar’s new memoir (supertitled Cheesemonger, appropriately enough) would be enough for me to count the book a success; “Life on the wedge.” Ha! See, right there, he had me ready to head out to his Omnivore Books reading (Sat/3) fangirl style, washed rind Taleggio in hand, hounding for an autograph. Luckily, the rest of his book is pretty good too. 

Where Cheesemonger triumphs is its accessibility. Edgar covers a lot of ground within its pages — Bay area agricultural/urban history, the ins and outs and importance of worker collectives, food justice, and of course, the art and science that is cheese. But it is all tied together with that rare liberal ethos that is both positive, and commonsensical. 

A word about those first three topics. Edgar’s tome ties how we eat to how we live to how our world works, coherently and colorfully enough that it stays interesting even to the casual reader. Cheesemakers, unlike produce farmers or vintners, have yet to really have their day in the sustainable food mania’s sun. Here in Cheesemonger, we get a clear picture of how factory produced cheese differs from that which is made from the milk of grass-fed cows and handcrafted by sustainable methodologies- and an explanation of why many dairy farmers have been forced to turn to mass production methods. Edgar utilizes his middle-man status at Rainbow’s worker collective in the book to neatly connect the latter with the stomachs and wallets of SF’s working Joes. Michael Pollan’s Omnivore’s Dillemma functions similarly — but Pollan’s got nothing on Edgar’s encyclopedic knowledge of the most delicious of all foods. 

Ah, cheese. On my journalist’s salary, most of the cheese I’m eating these days ranges between the gold standard “block” cheddar and whatever brie I can swipe off of art reception buffet tables, so this book’s vivid descriptions of handcrafted Telemes and Sainte-Maure de Touraines were awe inspiring. I now have a grocery list the length of one of my legs, full of fancy cheeses to try (thanks for that, Gordon).

I kid, because Edgar does a great job of acknowledging how fine cheese’s price tag can keep out of the mouths of most Americans. “When American foodies mock other Americans for not appreciating fine cheese, they should remember that the US equivalent to French Bried is a forty-pound block of commodity Cheddar,” he writes.

So milk thistle coagulated Serra de Estrela doesn’t often make it’s oozy, pungent way into your grocery basket- Cheesemonger still makes for great food porn. Edgar breaks down how cheeses are made, gives helpful information on basic categories, explains what makes a rind and why the hell cheese is aged in caves, and perhaps most importantly, what to look out for when you do decide to splurge on a wedge (tip: stay away from rBGH hormone). I learned things about how the dairy industry works that every milk-and-cheese consumer should know — particularly about our government’s regulations and how ridiculous allocations of subsidies affect the food that’s available on our shelves. As a self-identified “cheese punk,” Edgar convinces you that to try the raw milk, the stinky, the smaller portions of local, expensive stuff- when you can afford it, of course, is to fight the man’s influence over the standardization and control of our larders.

Now that is tasty radicalism. And now, pass the Roquefort.

Gordon Edgar

Sat/3 3 p.m., free

Omnivore Books

3885A Cesar Chavez, SF

(415) 282-4712

www.omnivorebooks.com

 

See you at the bar

Jesse Hawthorne Ficks
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See you at the bar

By Allan McNaughton

This week, San Francisco and the world said goodbye to a good friend, a true gentleman, and a diehard rock and roll fan. Bruce Roehrs, columnist and reviewer for Maximumrocknroll magazine and a staple on the local punk rock scene, passed away peacefully at his home. The exact time and circumstances of his death have yet to be determined.

Roehrs was born in Philadelphia and spent his childhood in Fort Myers, Fla. His mother, Elizabeth, raised him and his younger brother, Ted, in a single-parent household. He was proud to cite her as the main influence on his life, and the many strengths of Roehrs’ character (his manners, work ethic, optimism, and loyalty) are a testament to her parenting. In the mid-1960s, he attended the University of Miami, where his interest in basic three-chord rock progressed into a passion for all forms of jazz, blues, and rock ‘n’ roll. After college, he spent time in Gainesville, Fla., and then Tucson, where he drove a Yellow Cab. Wherever he lived, he had to be close to a major city, where he could be sure to catch live music.

Roehrs moved to San Francisco in the early 1980s and soon became a fixture on the punk rock scene. His obvious passion for rock ‘n’ roll led to him being drafted by Maximumrocknroll founder Tim Yohannan to write for the magazine. His enthusiasm for the music he championed jumped off the page from his first reviews until the day he died.

In Roehrs’ most recent column for the magazine, the April issue, he froths at the mouth over the recent reunion of New York hardcore pioneers Agnostic Front while still devoting dozens of column inches to obscure punk, skinhead, and hardcore bands from Australia, Germany, and Boise, Idaho. His columns earned him thousands of fans all over the world. The massive outpouring of tributes that have appeared online since his passing give some idea of this love and respect. The stories his friends are sharing continue to give more insight on his unique personality, from the time Grand Funk Railroad gave him a bunch of acid to sell and he came back with $8 (he’d been giving it away to pretty girls), to his weekly grocery deliveries to a 90-year-old woman in his union. He always had a firm handshake for the fellas and a charming word for the ladies.

Roehrs’ many friends in San Francisco knew him as a fixture right in front of the stage whenever a great band was playing. He was a true music fan, from the latest just-out-of-the-garage projects of his drinking buddies to international stars like Motorhead, Cock Sparrer, and the U.K. Subs. He traveled extensively to pursue his passion, from flying to Texas or London to see his favorite bands, to driving through the South following his beloved AntiSeen.

While most of us find that our music tastes get mellower with age, Bruce joked that his tastes got harder, faster, and louder as he got older. He had less time for “wimpy shit” like the Undertones, although I know he always retained a soft spot for the Fall. He grabbed life by the neck the same way he would get you in an affectionate headlock if he saw you in the pit. He was also a longtime member of the Rumblers Car Club, was known to enjoy surfing and skiing, and could hold a reasoned conversation on pretty much any topic connected to history or current events. Still, nothing could top listening to loud, fast music over a couple of beers.

Roehrs will be sadly missed by his brothers Ted, Christopher, and Robert, his union brothers from San Francisco Carpenters Union Local 42, his brothers from the Rumblers CC, the staff and shitworkers of Maximumrocknroll, and his massive family of friends and fans on the international music scene. I’ll end this the way he would end his column: See you at the bar, you fucks!

For updates and memorial information, see www.maximumrocknroll.com

Inspirationstitute

Jesse Hawthorne Ficks
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Inspirationstitute

I don’t do regrets, but I do wish that I’d arrived in San Francisco early enough to catch more than the hot tail end of the Popstitute years. (A show of Popstitute-related archival objets d’art is on display at Goteblud starting Sat27.) In another way, though, the Popstitute era continues, perhaps more forcefully, now. Whether or not the participants have ever encountered or read about Popstitute, the spirit of the postmodern — savor the late ’80s-early ’90s-ness of that term — music-art-and-protest group is reborn in various forms within the most fab current Bay Area happenings, from the Thrillpeddlers to Hunx and His Punx to High Fantasy.

The past year or so has seen Marc Huestis’ 1982 new wave movie Whatever Happened to Susan Jane get a digital facelift, and Patrick Cowley’s 1976-79 recording project Catholic introduced to different generations thanks to Honey Soundsystem. For the thirstiest seekers left in SF and its stronger wings, the time is right for a fresh taste of Popstitute, and “Boredom=Death: The Popstitutes 86-95” is set to deliver the DayGlo dyed-hair mania to old friends and lovers and new eyes. On display at the zine treasure trove Goteblüd, it promises a barrage of ready-to-rule-today paper mementos, as well as banners, photographs, and Mylar photo ornaments. Opening night deserves to be a scene. A happening. An event that inspires wild ideas that bloom into wilder actions.

It’s overly simple to call Popstitute a punk and new wave next-generation answer to the Cockettes, even if there are corollaries between Hibiscus’ role as the Cockettes’ chief fount of inspiration and the late Diet Popstitute’s (a.k.a. Michael Collins) galvanizing role in Popstitute the band, club(stitute), and overall entity. The Goteblüd show is accompanied by a terrific fluorescent zine that gathers flyers (featuring Alvin Popstitute, now a writer), newspaper articles (by Don Baird and others), and zine excerpts, which all hint at Popstitute’s untamed variety.

The “Boredom=Death” zine includes some fantastic pages from Tantrum, a zine put together by Tyler (a.k.a. Tyler-Bob, or Tylenol) Popstitute. Behold Tyler’s drawing of Truthstar the Unicorn — Tyler was way ahead of the unicorn trend curve — bungee-jumping with Yoda and current 73-year-old-of-the -moment Yoko Ono. Clip out his mortifying Madame mask and wear it to a party. A few years back Butt magazine included a photo of one of my favorite art acts ever in SF, Tyler’s amazing H.R. Giger-like gay male circuit queen gym body, which was plaster cast and made from a latex-like material. I remember running into Tyler one night at a SoMa club when he was wearing it. It was pure Popstitute art: irreverent, brilliant, pop-influenced in a completely inventive and unpredictable way, both fun and scathing at the same time. Like Popstitute, it wasn’t sterile art for art’s sake. It was art brought to life.

 

BOREDOM=DEATH

Sat/27, 6-8pm (continuesw through May 29)

Goteblud

766 Valencia, SF.

www.goteblud.com

Our Weekly Picks

Jesse Hawthorne Ficks
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>>WEDNESDAY 24

MUSIC

Mi Ami

I’m thankful for Mi Ami. Without the SF band that is two thirds ex-Black Eyes members, I’d be more wistful about that band’s untimely collapse. Listening to Mi Ami is like visiting an old friend; it’s even the next logical step in the evolution of that unmistakable Black Eyes sound. Sure, there are lots of drums and rhythmic bass, and the squealing vocals of Daniel Martin-McCormick are one-of-a-kind, but Mi Ami’s songs are longer, more about repetition and atmosphere. With a sophomore LP due this spring, Mi Ami’s abrasive sound isn’t ever going to snag an MTV spot — but they’ll always have a reliably loyal following of listeners to show for it. (Peter Galvin)

With High Places and Protect Me

8:00 p.m., $10

Rickshaw Stop

155 Fell, SF

(415) 861 2011

www.rickshawstop.com

 

EVENT

“Luna Negra: A Night of Performance for and by Women”

It’s only right that during Women’s History Month, we sit down and listen to writers like Roxanne Dunbar-Ortiz. Born to a landless father/farmer and Native American mother in Oklahoma, Dunbar-Ortiz built a life around supporting the struggle of the disenfranchised. She protested the Vietnam War and played major roles in the Native American civil rights movement and publicizing U.S. treachery against the Sandinistas during the contra war. She’ll be joined onstage by other spoken word voices, Afro-Caribbean music, dancers, an Ecuadorian curandera, and not one Y chromosome. (Caitlin Donohue)

7 p.m. , $5–$7

Mission Cultural Center for Latino Arts

2868 Mission, SF

(415) 643-5001

www.missionculturalcenter.org

 

>>THURSDAY 25

EVENT/MUSIC

Healing Haiti: An Evening of Arts and Culture

The Haiti benefits of recent weeks often bring together more talented artists than you’d normally find on a single bill. This one is no exception. The Berkeley label Wide Hive (celebrating its 10th anniversary) and the music workshop Own the Mic are uniting with the Element Lounge to put on a show that includes everything from belly dancing to new Bay Area R&B, with gift baskets and raffles thrown in. Tribal Mystics will bring the belly dance, while the music lineup includes DJing by Matt Cali and vocal turns by new voices Alexis Rose, Charito Soriano, Yvette Plant, and Guardian writer Lilan Kane. Radio mainstay Jamillions is one headliner — all proceeds go to Yele Haiti. (Johnny Ray Huston)

9 p.m., $5–$7

Element Lounge

1028 Geary, SF

(415) 440-1125

www.ownthemic.org/healing-haiti

 

DINE/EVENT

Querido Viejo Tequila Tasting Event

At some point, everyone has a bad run-in with tequila. It could be downing too many margaritas at your coworkers’ wedding or putting back shots because your friends thought you “weren’t quite drunk enough.” We all know this stuff is strong and not to be messed with. Fortunately, Querido Viejo Tequila is offering a tasting where you can actually enjoy the flavors and aromas and not feel pressured to pound one right after the other. This local distiller has been fermenting pure agave for years and is sharing its new line of hooch. The Terrace Room’s 180-degree view overlooks Lake Merritt, so be sure to bring a camera and enjoy the sunset. But remember: pace yourself. (Elise-Marie Brown)

6 p.m.; $2 tequila, $5 appetizer

Terrace Room

1800 Madison, Oakl.

(510) 903-3771

www.theterraceroom.com

 

MUSIC

Ana Tijoux

As one of Chile’s most respected lady MCs, Ana Tijoux is different from the summery South American songstresses who often breeze through town. Born into exile, Tijoux began life in France, where her Chilean father and French mother fled during Pinochet’s cruel regime. As a teenager, she returned to her father’s homeland and quickly found a home in Santiago’s burgeoning hip-hop scene. It was there that she earned her cred as a conscious “rapera.” Her upcoming solo release 1977 (Nacional Records) drops lyrics that reflect on the year of her birth, and that unique moment in Chile’s turbulent history that heavily influenced her own. (Mirissa Neff)

With Funky C and Joya; DJ set by Juan Data

8 p.m., $12–$15

La Peña Cultural Center

3105 Shattuck, Berk.

(510) 849-2568

www.lapena.org

 

>>FRIDAY 26

MUSIC

Nite Jewel

She pops in a blank 8-track cassette and takes a deep breath before pressing the ‘Record’ button. Romona Gonzalez, the L.A. lady behind Nite Jewel, insists on making and mixing her sound with old gadgets. She hits play on another deck, letting the beats of early ’90s hip-hop and R&B reverberate on the speakers, while her fingers plunk out lace-lined synth-sounds. Nite Jewel is absolutely ideal for a hazy discotheque or any smoky bedroom with glowing stars on the ceiling. Gonzalez sings and the ghostly melodies bounce and swirl, pulling listeners into a desirable, hypnotic state. She is Debbie Deb, Bronx pop, and alternative disco all at once, layering sounds and personalities that pulse and push, yet still manage to relax and soar. (Amber Schadewald)

With Neon Indian, DJ set by Jonas Reinhart

9 p.m., $15

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

DANCE

Ballet Folclorico de Mexico de Amalia Hernandez

Ballet Folclorico de Mexico de Amalia Hernandez is one of the best in the grand tradition of researching indigenous dances and adapting them to the proscenium theater. It’s also a legendary family-run institution led by the daughter of anthropologist/dancer Amalia Hernandez, who founded the company in 1951. The dances still encompass a wide spectrum of the Mexican experience: an initial quasi-mystical encounter between Aztec gods and humans, the struggle for independence; and the carnivals associated with religious festivals. But they also include choreographies inspired by such mundane activities as games, hunting and wedding rituals. (Rita Felciano)

8 p.m., $25–$65

Marin Veterans Memorial Auditorium

10 Avenue of the Flags, San Rafael

(415) 499-6800

www.marincenter.org

 

FILM/SEX

Too Much Pussy! Feminist Sluts in The Queer X Show

What do you get when you put seven ladies — musicians, artists, activists, sex workers, and porn stars — in a van and send them around Europe with the duty to discover the line between art and pornography? You get Too Much Pussy, a sex-positive road movie by Emilie Jouvet. The camera follows the group of radical women in and out of nightclubs in Paris, Berlin and Stockholm during the summer of 2009. They span sexual (dis)orientations and gender expressions and the experiences they gather are just as diverse: political, inspiring, sexy and frustrating. Chat up two of the stars, Madison Young and Sadie Lune, after the film for even more dirty secrets. (Schadewald)

8 p.m., $10–$15

Femina Potens

2199 Market, SF

(415) 864-1558

www.feminapotens.org

 

>>SATURDAY 27

MUSIC

Audio Alchemy: Kid Koala

Who doesn’t love Dan the Automator? From Dr. Octagon to Handsome Boy Modeling School, Loveage, and Deltron 3030, this guy is one of our favorite DJs. Fess up. He is. And here’s another reason to love: he’s presenting Kid Koala in Audio Alchemy, a bimonthly mixing of live music with top DJs at Yoshi’s. Yoshi’s has been been on some other for a minute now. Last year’s sessions with 9th Wonder, Black Quarterback and Manicato in the front room; Alan Marshall, De La Soul, Gil Scot Heron, and Amiri Baraka in the auditorium; swank mixers thrown by the dandies at Brooklyn Circus — they’ve got a tight off-hours scene. One that seems to be fusing together some tastier elements of our desolate culture. (D. Scot Miller)

With DJ Shortkut and the Jazz Mafia All-Stars

10:30 p.m., $20

Yoshi’s SF

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com

 

DANCE

ODC Pilot 56: “My Young Nostalgic Life”

ODC’s Pilot program showcases are a deal for audiences who like the thrill of discovery. They’re also a break for young choreographers, who get 11 weeks in a supportive environment to create work even as they learn ancillary skills such as marketing, program design, and production and box office management. Since the first Pilot in 1990, close to 300 choreographers have gone through this gentle boot camp. Pilot 56 features six women who collectively decided that “My Young Nostalgic Life” best describes ideas they want to explore through dance. (Felciano)

8 p.m. (also Sun/28, 5 and 8 p.m.), $12

ODC Commons

351 Shotwell, SF

(415) 863-9834

www.brownpapertickets.com

 

MUSIC

Soweto Gospel Choir

Times are tough in Soweto. Fault me for stating the obvious to provide context for the Soweto Gospel Choir. Are they joyful? Yes. Are they melodious? Uh-huh. Do their voices meld from ululatory to raspy to soaring to proud to a blend of gospel noise and traditional African rhythm? Do audiences come away clapping and laughing and smiling fit to beat the band? Sing it! Part of the group’s elation may have to do with the runaway success of their mission — providing shelter and hope to AIDS orphans in their home communities. So far they’ve toured the world performing for some pretty receptive big dogs — Nelson Mandela, Oprah and Archbishop Desmond Tutu, to name a few. (Donohue)

8 p.m., $25–$65

Paramount Theatre

2025 Broadway, Oakl.

(415) 575-6100

www.ciis.edu

 

EVENT

Pearls Over Shanghai Kabuki Makeup Class

If the only knowledge you have of Kabuki makeup comes from Memoirs of a Geisha, don’t droop your head in embarrassment — instead, take a class on the traditional Japanese art form. RetroFit Vintage is offering a chance to educated the misinformed or the curious on what it takes to create the perfect Noh heroine. Kegel Kater will apply the makeup for her role as a whore, angel, and lotus dancer in Thrillpeddlers’ Pearls Over Shanghai. (Brown)

3–5 p.m., free

RetroFit Vintage

910 Valencia, SF

(415) 550-1530

www.retrofityourworld.com

 

EVENT

“Muchas Voces Una Vision/Many Voices One Vision”

What is the function of a poet laureate, exactly? I’m fairly certain I’ve never seen one designing fanciful special boards for the neighborhood diner, or doing anyone’s English homework. How can we put these decorated people of the pen to work? Happily, the dilemma is being resolved in fine fashion this weekend, when SF’s official bards past and present join forces and rattle off original lines to benefit the people of Haiti. Catch readings by poet laureate Diane di Prima and her predecessors Devorah Major and Jack Hirschman. They’ll be joined by more than 30 other artists. (Donohue)

7 p.m. , $10 (suggested donation)

La Peña Cultural Center

3105 Shattuck, Berk.

(415) 849-2568

www.lapena.org

 

>>MONDAY 29

MUSIC

Nellie McKay

You probably didn’t see it coming, but now that Nellie McKay’s As Normal as Blueberry Pie: A Tribute to Doris Day (Verve) is out, it’d be tough to come up with a more suitable pairing. Musician, comedienne, actress — if there’s one thing McKay isn’t, it’s predictable. But who knew she’d pay genuine homage to one of the swinginest singers of the 1950s? Setting aside her often self-depreciating wit, McKay reintroduces Day to a new generation of fans with irresistible exuberance and charm. To make it a truly classy affair, the Great American is going for the sit-down experience. (Galvin)

With Howard Fishman

8:00 p.m., $21

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com

 

MUSIC

Taylor Texas Corrugators

As founder and leader of legendary Southern California punk rockers Black Flag — he started the band and its record label, SST — Greg Ginn has earned his place in the DIY underground pantheon. The famously hard-working artist has never been complacent, and he comes to the city tonight with his new project, the Taylor Texas Corrugators. The Corrugators finds the guitarist leaning in a more Western swing direction, but, as always, with a host of other musical influences thrown in to keep things evolving. (Sean McCourt)

With Guella and Barney Caldron

8 p.m., $10

Red Devil Lounge

1695 Polk, SF

(415) 447-4730 www.reddevillounge.com

 

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Endless hookup

Jesse Hawthorne Ficks
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Endless hookup

arts@sfbg.com

MUSIC Where are the turntablist masters of yore? They’ve gone missing, replaced by the likes of the Hood Internet.

It’s true. The art of the hip-hop mix, once protected by the Skratch Piklz and the X-Men (a.k.a. X-ecutioners) and the Beat Junkies and Triple Threat, has returned to the province of the sound editors, just like in the early 1980s. The problem was the turntable itself. A painful lesson of the ugly aughts was to never trust technology. Hardware emerges, changes, and is destroyed according to consumerist tastes. The alchemical idea may be subject to manipulation by the likes of Steve Jobs, Rupert Murdoch, and Eric Schmidt, but it is eternal in its adaptability to any mechanical form.

So while scratch DJs take to message boards and cry over Panasonic allegedly discontinuing its Technics 1200 line (which turned out be a false rumor), rockists and electronic heads open their laptops, launch Serato and Reason software, and get to mixing. It’s not like those turntable masters aren’t missed, though. While they spun and cut soul, funk, and hip-hop with finely nuanced techniques, like 16th century woodblock cutters, the new editors and mashup artists skip stones across genres, leaving small ripples of pop delight that quickly dissipate.

It’s a different aesthetic, that’s for sure. The Hood Internet consists of Chicago-based musicians Aaron Brink and Steve Reidell. Both moved there after finishing college — Brink at the University of Michigan and Reidell at University of Wisconsin, Madison. Initially they formed May or May Not, a “noisy pop band,” as Reidell called it, and made beats on the side for rappers “you would have never have heard of” until producers like Girl Talk and Them Jeans inspired them to create the Hood Internet Web site in 2007. Using Acid Pro and Ableton Live, they flooded the Web with smart, imaginative mashups of the Shins vs. Crime Mob, and Jim Jones vs. Daft Punk. It was a hobby: Reidell was an art director for Smart Bar, and the site’s array of cheeky collages is testament to his superior design skills. Brink is a clinical psychologist. They’ve performed around town and occasionally landed spot gigs on the weekend, but this spring marks their first extended national tour.

“I left my job earlier this year to be able to focus on the Hood Internet,” Reidell says. He’s calling from a video set in Chicago, and the resulting clip will be for “Chicago 3016,” a new single the Hood Internet produced with local MC Kid Static. It’s a reference to Chicago’s failed bid for the 2016 Summer Olympics. “There’s a great hip-hop scene here right now, from Kid Static to the Cool Kids and Kidz in the Hall. Freddie Gibbs, he’s from Gary, Indiana, but he’s basically Chicago since we’re such close neighbors.”

Unless they’re showing some hometown love — they recently mashed together buzzing Chi-town newcomers Bin Laden Blowin’ Up’s “Chi Don’t Dance” with Broken Bells’ “Citizen” — the Hood Internet tends to use radio hits, flipping recognizable raps over rock and dance tracks. Hence, The Hood Internet Mixtape Vol. 4 includes “Bring the Tabloid Sores,” where Chuck D.’s stentorian boom from “Bring the Noise” rides over Nosaj Thing’s eerie electronic remix of Health’s “Tabloid Sores.” Less brilliantly, it also includes “Swaggin’ Out,” which pairs Soulja Boy’s muttering boast from “Turn My Swag On” with Joe Jackson’s smooth jazz-pop “Steppin’ Out.” “There’s a handful of irony in what we do. The mashup itself is an ironic form of music,” Reidell says. “We live in an age where anyone can do it if you’ve got Garageband and download some a cappellas.”

The Hood Internet operates in a pop context. It isn’t simply plundering black music for source material and reshaping it for white hipsters. Collected into the ongoing Hood Internet Mixtape series, these sounds represent how much of the audience, black and white, consumes music today. To the duo’s credit, their approach is more innovative than the hordes of mixtape DJs that artlessly smack Lil Wayne “exclusives” together with little care for flow or context, or even the old-school jocks who scratch and blend like it was still the ’90s. But these tracks also demonstrate how hip-hop has been reduced by much of its audience into a series of sugary sensations — again, the skipping stones analogy. It’s music for partying, getting laid, and working out at the gym, not for intellectual exploration. You can’t blame the Hood Internet’s clever and innovative response for the current pop miasma, though.

“In recent months I’ve digested the new Freeway & Jake One album, Pill’s 4180 mixtape and Freddie Gibbs’ mixtapes as intensely as the CFCF and Caribou album,” Reidell answers when asked if he takes hip-hop seriously. “That said, a lot of pop music — and a lot of hip-hop falls into that being that it’s popular — is disposable. It’s not because it’s hip-hop, it’s because a lot of pop music is disposable. The Hood Internet mixes a lot of that stuff. But while we might mix Gucci Mane one day, we’ll mix a really thoughtful Anti-Pop Consortium track the next day.

“I think there’s some value to it because it’s introducing people to things they might not otherwise have heard,” he continues. “It’s time-stamped to a certain degree, and it’s for partying. But there’s value to that, too. People like to have a good time.”

THE HOOD INTERNET

With Tobacco (of Black Moth Super Rainbow) and the New Slave

Sat/27, 10 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

A lost San Francisco saga

Jesse Hawthorne Ficks
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0
A lost San Francisco saga

arts@sfbg.com

Part one of “A lost San Francisco saga” ran in the March 17, 2010 issue of the Guardian. It can be found at www.sfbg.com/2010/03/16/lost-san-francisco-saga.

MUSIC In 1971, Herman Eberitzsch Jr. III decided it was time to record and somehow save his organic experiences of playing at clubs and avant-garde cafes in the city. He assembled a quartet from his “grapevine of connections” — including good friend Joe West, a Rasputin-looking guitarist, whom Eberitzsch originally met at the Post Office — and booked sessions at Roy Chen’s recording studio in Chinatown. With no previous studio background, Eberitzsch rehearsed the musicians, taught them the arrangements, and guided their inspiration in a quest for abysmal funk and thunderous jazz. These sessions produced an enchanting trip into “Rapture of the Deep,” a left-field meditation on rebellious passion, “Funk Punk,” and the ethereal moral fable “Dark Angels.” The unrestrained songs pull you head over heels into their internal worlds; their oceanic tides carry you great distances. Still, Atlantic Records saw no commercial success in the tapes, finding them much too experimental, and shelved the project.

Undaunted, Eberitzsch invested in a new quintet, Motion, “to bring some bread to the table.” He met Coke Escovedo along the way and joined his frenetic Latin outfit Azteca in 1973. During the first rehearsal, Eberitzsch called out “I got a tune!” as soon as a silence held the conversation. He taught them heavy joints that “came from outer space” — including “Life is a Tortured Love Affair,” “Make It Sweet,” and “Rebirth.” These songs would help land the contract for Coke’s seminal solo debut. They demonstrated Eberitzsch’s gift for concise, soulful lyricism, a quality he would cultivate over the course of his songwriting ventures.

Feeling reassured of his own talents and industry potential after such a success, Eberitzsch moved on to spearhead a new project with his close friend and lead singer, Johnny Lovett. He herded the grapevine once again, including songstress Linda Tillery, and brought Motion to Wally Heider studios in 1974. Always one to incorporate past experiences, Eberitzsch fused the propulsive pathos of Latin funk into his broad-flowing musical direction. The verdant, multilayered arrangements and groove-laden percussion were augmented by surging horn riffs and a lush string section.

These songs by Motion were tighter in form, shaped in part by Eberitizsch’s focus on concise lyrical narratives: testaments of joy and calls for solidarity in the face of injustice. It was the wake of the civil rights era, although America’s failed political experiment of dreaming national unity did not so much destroy idealism as redirect its boundless strength to a more grassroots level. “Our music was simply a product of people coming together in a community and expressing ourselves,” says Eberitzsch. “It was a groundswell of inspiration.” But Columbia also “didn’t hear it at the time,” and another set of tapes found their way to Eberitzsch’s basement.

These setbacks still didn’t disillusion Eberitzsch. He recorded at Different Fur Studios in 1976 and established the loose framework for an adventurous modern soul sound he would continue to develop and transform for the next five years. He worked extensively on Lee Oskar’s solo effort and collaborated once again with Greg Errico. He would record more challenging work in the late 1970s and early ’80s, fragmenting and experimenting with untapped techniques of musicality. (In 1984, he made “Morons,” a confessional tale about rude, party-crashers who eat all the furniture — something of a coarse minimal-wave racket destined to go viral on tomorrow’s blogosphere.)

 

A WISE INNOCENCE

“The music was very innocent,” Eberitzsch says. “We worked from a standpoint not so much of knowledge but of an ignorance of where we were going. We really were crawling to stand, to walk, to run. It was pure.” But by forsaking formula and conventional pop structures, Eberitzsch was able to craft a unique outsider sound hinged on his restless yet determinate spirit to create new dimensions of possibility in his music.

Eberitzsch brought that explorer’s ethos to the studio, where he played around with recording techniques. With a child’s amusement, he used an old- fashioned Fender Echoplex in “Rapture,” and applied a screwdriver to his Hammond keyboard to create wobbling noises. He then manipulated the tape loop, searching loosely for “weird sounds” that would produce warped textures. Those strange, idiosyncratic effects helped to shape the psychedelic, expanding quality of the music without smothering it in abstraction.

“It’s still earthy because it was manipulated not by machines, but by the hands of the monkey man,” Eberitzsch says with a laugh when discussing such techniques. He claims inspiration for his hands-on approach to technical play came in part from the infamous introductory scene of 2001: A Space Odyssey, where the protohuman chimpanzee throws a bone into the air and it turns, in a twist of editing magic, into a spaceship.

Eberitzsch’s creative hunger also guided his poignant lyrical ability. He wrote ebullient songs that rejoice in the sweeter tastes of life, with invigorating messages about overcoming life’s struggles. In “Life is a Tortured Love Affair,” singer Johnny Lovett laces his words with an incisive despair, yet still gathers the vigor to belt out, “You’ve got to keep improving.” The mood is matched in “Dark Angels,” where fluttering keys charge an uplifting groove contrasted by a mournful guitar riff.

Soulful compositions such as “Life is a Tortured Love Affair” and “Dark Angels” possess different shades of tension, suspending aggressive and nurturing forces in a dynamic balance of sound and energy. While reaching to empower and gathering the courage to hope, the songs returned to sober realizations about “the nonresolvable conflicts of civilization.” Yet even today, Eberitzsch exudes a wise innocence, remaining simply and impossibly idealistic. “I wrote songs that have great messages about how it could be better,” he says.

Ecstatic that the world finally wants to hear his earthy psychedelia, Eberitzsch searches for some reason behind the new twist in his fate. “There’s a need for music that was from an era with a lot of vibrancy, wonderful messages, incredible originality, and spiritual feeling,” he says. Eberitzsch is right. His music not only embodies that iconic era of the Bay Area, but also, like a prism, distorts and enriches it from a new angle. It reminds us that much of this particular history has yet to be heard — let alone written. “That’s why the tapes ended up in the garage,” he reflects. “I thought somebody, some day, is going to end up in the garage and blow the sand off this cryptic message.”

Part one of “A lost San Francisco saga” ran in the March 17, 2010 issue of the Guardian. It can be found online at www.sfbg.com/2010/03/16/lost-san-francisco-saga.

Family Groove Records is releasing the HE3 Project: Chapter One on March 30. For more information, go to www.familygrooverecords.com.

 

The new War on Fun

Jesse Hawthorne Ficks
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46
The new War on Fun

news@sfbg.com

For several years, the Guardian has been running regular stories chronicling what we’ve dubbed the Death of Fun, a trend of official crackdowns and shakedowns on people who throw parties and festivals in San Francisco. In the last year, that trend has started to morph into an often brutal War on Fun, with a growing list of atrocities and casualties associated with this overzealous new approach to killing the city’s entertainment industry.

Why this is happening is baffling to those most affected: nightclub owners and workers, party promoters, DJs and VJs, fundraising activists, and people just out to have a good time without being harassed by a cop. But in recent months, we’ve learned much more about what’s happening and who the main perpetrators are.

Two undercover enforcers have been at the center of just about every recent case of nightclubs or private parties being raided without warrants and aggressively shut down, their patrons roughed up (see “Fun under siege,” 4/21/09) and their money, booze, and equipment punitively seized “as evidence” (see “Police seize DJs laptops,” 11/24/09) even though few of these raids result in charges being filed in court.

Officer Larry Bertrand of the San Francisco Police Department’s Southern Station and Michelle Ott, an agent with the California Department of Alcoholic Beverage Control, are plainclothes partners who spend their weekends undercover, crashing parties, harassing disfavored nightclubs, brutalizing party-goers, and trying to send the unmistakable message that they’re in charge of San Francisco nightlife. Neither responded to our interview requests.

Isolated incidents of intolerant cops and NIMBY citizens who repeatedly complain about certain clubs or festivals has been a problem for years (see “Death of fun,” 5/24/06 and “Death of fun, the sequel,” 4/24/07). Top city officials have opted to cancel events such as Halloween in the Castro District rather than try to manage them better, and the nightlife community has tried to organize in defense of its interests (see “Fighting for the right to party,” 7/1/08) with mixed results.

But the personal War of Fun by Bertrand and Ott seems to have galvanized and united the nightlife and festival community like never before, leading to the creation of a new California Music and Culture Association and prompting threats of a federal lawsuit alleging the ABC-SFPD collaboration is a racketeering scheme designed to harass, disrupt, and extort people engaged in otherwise lawful activity.

The myriad horror stories associated with Bertrand and Ott have also finally begun to draw attention from the Mayor’s Office, which has quietly pushed the SFPD to rein in Bertrand and change its policies on raiding parties and seizing property. State Sen. Mark Leno also has gotten involved, brokering a March 12 meeting between club owners and Steve Hardy, director of ABC (which, in addition to cracking down on nightclubs — see “Busting bars,” 6/23/09 — has recently announced a campaign against fruit-infused liquor).

“They were going to see how they could unwind this a bit,” Leno told us, adding that he was “infuriated” by stories of abusive treatment of the public. “The fear that it spreads through the community is unacceptable.”

The question now is what Hardy, Mayor Gavin Newsom, and Police Chief George Gascón — who has ordered some crackdowns and wants greater authority to discipline problem officers — is going to do about it.

 

CHAOS AT A STUDENT PARTY

It was after midnight on Jan. 31 when Krystal Peak, a journalist with San Francisco State University’s Golden Gate Xpress, received a call from her managing editor. There was a commotion and a swarm of police cars outside a student party at Seventh and Minna streets near her home, and she was asked to investigate.

She came upon the aftermath of a melee between police and partygoers that had taken place after a fundraising event at a SoMa warehouse art space was upended. The benefit was organized to raise legal funds for students who staged a building occupation at the University of California at Berkeley, in defiance of budget cuts.

The event was clearly chaotic, and it’s hard to sort out exactly what happened and when. City officials say the partiers were throwing bottles and firecrackers at the police; people at the event say the cops started it all.

But the tales partygoers tell about the behavior of Bertrand and Ott, the undercover enforcers, are similar to a series of other stories involving the pair, stories published in the Guardian and elsewhere.

There had been multiple arrests by the time Peak arrived on the scene. Numerous witnesses asserted that things were going along without incident until a fire marshal arrived in response to a complaint, and in short order, two officers who’d been there in plainclothes for hours — Bertrand and Ott — began shouting, tackling people, and kicking in doors.

Police Chief George Gascón acknowledged that the department has been targeting underground parties. “We get a lot of resident complaints about it,” he said in a recent Guardian interview. “We’re talking about a lot of the underground parties, or the parties where the promoters are exceeding their authorities to a number of people.”

Several hundred attended this particular party. Of the 11 people arrested, eight were either detained or cited and released. None faced underage drinking or drug charges. At least five were charged with resisting arrest. One individual was charged with vandalism, two were charged with battery on an officer, and two detained for being drunk in public.

Peak began photographing the scene: busted-up chairs, uniformed officers guarding the entrance, police cars everywhere. She zoomed her lens to capture the wreckage inside. None of the uniformed officers seemed to have a problem with her — but when she spotted the undercover officers with exposed badges, that changed.

The cops broke through the door, yelling. “They said, ‘This is an investigation, you’re not allowed to be here.'<0x2009> she said. “We told them we were with the press.” They threatened to arrest her.

Shortly after, the plainclothes officers crossed in front of her to an unmarked car. She took another picture. Bertrand, a tall guy with a shaved head, allegedly turned and grabbed her arm, and both officers shouted at her. “[Ott] said to me, ‘Your flash has impeded my investigation,'” Peak recounted. She was cuffed and arrested on the spot, and her camera was confiscated.

She was cited for obstruction of justice, but the charges were dropped. And she got her camera back — but says the SD memory card, where all the photos were stored — was missing.

“I flipped [the camera] open … and found the SD card was missing,” she said. She asked Bertrand where it was. “He said, ‘I don’t know what you’re talking about,'” Peak recalled. Bertrand, she recalled, then looked around at a group of officers watching the exchange, and announced, “This woman is refusing to leave. I’m going to have to re-arrest her.” Ott appeared, according to Peak, and insisted that there was no evidence the memory card had been in the camera in the first place.

“My camera will not ignite a flash unless there’s a memory card in there,” Peak explained. In the end, she left empty-handed — without photos of the undercover officers.

 

BUSTING DOORS

Earlier, when the party was in full swing, a 24-year-old California State University, Fullerton student visiting from Los Angeles says when the fire marshal entered, Bertrand flashed his badge, yelling at everybody to get out. “It was really aggressive from the get-go,” said the Fullerton student, who spoke on condition of anonymity because he had a pending legal case. “It’s very hard for me to describe the intensity to which this guy was busting down doors.”

Later, the young man from L.A. said, he was following people who left in a rush, and ran to catch up. “Shortly after, I felt a blow to the back right of my head,” he said. “My glasses flew off, and I was tackled to the ground. My forehead was being pushed straight into the ground and they were holding my hair. I kept repeating … please, I can’t see — I’m legally blind. I thought three or four officers were on top of me, and they were saying, ‘Fuck you, you little anarchist punk.'<0x2009>”

That’s when he said he felt a sensation like “a bunch of really intense bee stings on my left side, just above my hipbone.” He thought he was Tasered — and photos he showed us depict a skin burn. SFPD officers are not authorized to carry Tasers.

“It sounds like a stun gun, not a Taser gun,” Ken Cooper, a firearms and Taser instructor based in New York, noted when the incident was described to him.

When we shared the photos with SFPD’s media relations department, Lt. Lyn Tomioka noted, “I can tell you that we do not have any tool that would produce the type of wounds shown in the picture that you attached, or produce a stinging sensation.”

The L.A. visitor said he was delivered this explanation from an officer while in the holding cell: “One of your anarchist buddies must’ve had a Taser, ran over to you trying to get one of our officers, got you instead, and ran away.”

Cooper Brislain, a Web developer from Santa Cruz, told us his iMac was destroyed that night. A friend of the owners of the art space, he was there doing video mixing for the party, he explained. After the trouble started, he began carrying his computer and mixing equipment toward the door. “The uniformed officers were going to let me go. I told them, ‘I just came here to perform.’ They seemed OK,” he said. Then he encountered Bertrand.

“He … grabbed me by the collar, led me over toward the wall, and sat me down,” Brislain told us. He says Bertrand and Ott seized his computer. Brislain says no charges were filed against him.

The morning after, he found that his computer had been smashed up. His friends found it in pieces at the bottom of the stairs. To this day, he says he has not been able to retrieve his ID, which was seized that night. “I tried calling [Bertrand] on his extension to leave a message and never heard back,” he says. “They told me he probably wouldn’t return voicemails.” The District Attorney’s Office has a different perspective. D.A. spokesperson Brian Buckelew said the partygoers were drunk and “going nuts on police.” People were throwing firecrackers, he said. “It obviously got out of hand, and people were throwing bottles at police,” he said.

The student from L.A. allegedly shoved a female officer, Buckelew said. According to the report, he said, police officers were taking someone into custody, and he tried to pull them free.

Nevertheless, even Chief Gascón agrees that it’s not okay to destroy someone’s personal property. “If in fact the allegations were proven to be the case that an officer took somebody’s laptop and threw it down the stairs,” Gascón told us, “that would be inappropriate, and that officer would be sanctioned accordingly.” He noted that he met with an attorney from the Electronic Frontier Foundation about a recurring trend of officers — Bertrand in particular — seizing DJ laptops at underground parties. “We’ve met with them and we’ve agreed to actually tighten up the protocols in how this would be handled,” Gascón noted.

 

A RICO SUIT

The list of local nightclub clubs that have been recently targeted by Bertrand and Ott or subjected to ABC sanctions is long. It includes Great American Music Hall, Slim’s, DNA Lounge, Mist, Whisper, the Room, Vessel, Azul, Butter, and Club Caliente (which closed down after its mostly Latino customers were scared away by repeated raids).

“Using the now familiar pattern and ruse of ABC authority, these raids have been without warrant and without probable cause, under the pretext of finding liquor violations,” attorney Mark Webb wrote in a claim against the city, describing the harassment of Caliente owner Maurice Salinas and later adding, “Despite numerous raids, the invading officers [Bertrand and Ott] managed to ‘uncover’ a single infraction: one customer used his brother’s ID card, claiming he was over 21 to gain entry. For this reason, Mr. Salinas was cited and fined, bullied, intimidated, and yelled at on the spot.”

Webb said such behavior isn’t legitimate police work, but unlawful harassment. In fact, this experienced litigator said it’s far closer to the shakedowns and extortion rackets familiar to him from the start of his legal career in the late 1970s prosecuting organized crime cases in New York City.

That’s why he’s threatening to bring a novel lawsuit against the city and ABC under federal Racketeer Influenced and Corrupt Organization (RICO) Act, a law designed go after the mob, but which has since been adapted to target entities ranging from the tobacco industry to the Los Angeles Police Department.

Webb told us that interference with legitimate business operations, such as running a nightclub, is the essence of RICO suits. As part of the case, Webb plans to submit a surveillance video that shows Bertrand kneeling on the neck of bartender Javier Magallon from The Room and twisting his arm. Webb gave us a copy of the video.

Another element of making a RICO case is the use of intimidation and retaliation against those who complain — which was central to a March 17 SF Weekly story about promoter Arash Ghanadan being inappropriately singled out for arrest by Bertrand as retaliation for filing a complaint against the officer with the Office of Citizen Complaints.

Webb says he has a strong case that he intends to file soon, but that most of his clients just want the SFPD to rein in Bertrand and stop facilitating ABC actions. “I want to have a sit-down with Gavin Newsom,” Webb said. “I am calling on Mayor Newsom to come in and mediate what would be an expensive, divisive fight that will generate national interest … I think this thing can go way quickly without litigation.”

Newsom press secretary Tony Winnicker, who said Newsom has brought concerns about Bertrand to the chief’s attention, didn’t immediately embrace Webb’s offer. “The mayor would rather leave it to the chief,” Winnicker said.

So the question for Gascón is whether he’s willing to take on the cowboy cops within the SFPD’s ranks. After all, Bertrand is also on the San Francisco Police Officers Association Board of Directors.

The nightlife community is organized like never before and plotting its next move in fighting a war it didn’t initiate and barely understands. Whether that war continues now seems to be a question for the party crashers and their supervisors.

Music listings

David Talbot
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0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 24

ROCK/BLUES/HIP-HOP

Acid Mothers Temple, OGOD Bottom of the Hill. 9:30pm, $12.

Asteroids Galaxy Tour Independent. 8pm, $15.

Bridez Knockout. 10pm, $5.

Keith Crossan Biscuits and Blues. 8pm, $15.

High Places, Mi Ami, Protect Me Rickshaw Stop. 8pm, $12.

Nadas, Blue Bonfire Hotel Utah. 9pm, $8.

No Captains, Black Sails Western Shores, Why I Hate, Singularity Thee Parkside. 8pm, $5.

*Pentagram, Ludicra, Slough Feg, Orchid DNA Lounge. 8:30pm, $22.

Power Solo, Chris Jones, Chief Nowhere, Federale, DJ Neil Martinson Hemlock Tavern. 9pm, $7.

*Rainbow Arabia, Sutekh, K. Flay, Shlohmo, Oy Café du Nord. 8pm, $12.

FOLK/WORLD/COUNTRY

Somerville and Keehan Plough and Stars. 9pm.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 25

ROCK/BLUES/HIP-HOP

Al Qaeda, Nondor Devai and Ben Wolcott, Bank of Christ Hemlock Tavern. 9pm, $6.

Cymbals Eat Guitars, Bear In Heaven, Freelance Whales Bottom of the Hill. 9pm, $10.

Deeper, Socialized, Scar Pink Hotel Utah. 9pm, $8.

Enne Enne, Rad Cloud, Sexx Act Café du Nord. 9pm, $10.

Flakes, Hot Lunch, Silver Skies Thee Parkside. 9pm, $6.

Garotas Suecas, Lumerians, Greg Ashley Rickshaw Stop. 8pm, $10.

Phil Gates Biscuits and Blues. 8pm, $15.

Swann Danger, Monozid, Bootblacks, DJ Nako Knockout. 9:30pm, $6.

"Thursday Night Live" Cellspace, 2050 Bryant, SF; thursdaynightnow@gmail.com. 9pm, free. With Holly Saucy, EyeZon, Serendipity Project, and Isis Genesis.

JAZZ/NEW MUSIC

"Full Moon Concert Series: Storm Moon" Luggage Store Gallery, 1007 Market, SF; www.luggagestoregallery.org. 8pm, $6-10. With Joshua Churchill and Paul Clipson, and Peter Kolovos.

Hauschka and Dustin O’Halloran with MagiK*MagiK String Quintet Swedish American Hall (upstairs from Café du Nord). 7:30pm, $16.

"Music at Large: The Rites of Spring" Velma’s, 2246 Jerrold, SF; (415) 824-4606. 7pm. With Lewis Jordan and more.

Najee Yoshi’s San Francisco. 8 and 10pm, $20-26.

FOLK/WORLD/COUNTRY

Bautista Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Christopher Dallman Dolores Park Café. 7:30pm, free.

Eric Maskol Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Montana Slim, Greensky Bluegrass, Nat Keefe Independent. 8pm, $15.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

Apoptygma Berzerk, Anix, Dismantled DNA Lounge. 9pm, $16.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Dirty Dishes LookOut, 3600 16th St., SF; (415) 431-0306. 9pm, $2. With DJs B-Haul and Gordon Gartrell spinning electric-hop, bassy-house, indielectronica, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Swedish Invasion Club Six. 9pm, $10. With live performances by Looptroop Rockers, Timbuktu and Chords, Adam Tensta, and more and DJ Platurn spinning hip hop.

FRIDAY 26

ROCK/BLUES/HIP-HOP

Chatmonchy Amoeba Music, 1855 Haight, SF; (415) 831-1200. 6pm, free.

Chatmonchy, Red Bacteria Vacuum, Omodaka, Okamotos, JinnyOops! Independent. 8pm, $15.

Coathangers, Spencey Dude and the Doodles, Aerosols Hemlock Tavern. 9:30pm, $7.

Fall of Troy, Envy on the Coast, Twin Atlantic Slim’s. 7:30pm, $16.

Field Music, Old-Fashioned Way, Sands Café du Nord. 9:30pm, $12.

*Hammerfall, Powerglove, Ruffians Regency Ballroom. 9pm, $28-60.

Jeremy Goodfeather Band, Sioux City Kid, Stow Aways, Jeff St. John Hotel Utah. 9pm, $10.

Kite Operations, XYZR_KX, Gold Medalists, Jack Tung Retox Lounge. 10pm, $5.

Life in 24 Frames, Loaded for Bear, Myonics El Rio. 9pm, $5.

Low Anthem, Timbre Timber, Barr Brothers Great American Music Hall. 9pm, $15.

Money Mark, Tommy Guerrero, and Marc and the Casuals Gallery 16, 501 3rd St., SF; (415) 626-7495. 7pm, $20. Part of Soulfood No. 2.

Steve Lucky and the Rhumba Bums Biscuits and Blues. 8 and 10pm, $20.

*Midnight Bombers, Get Dead, My Life in Black and White, Rockfight Thee Parkside. 9:30pm, $7.

Think About Life, Heavenly States, Kill Moi Bottom of the Hill. 10pm, $10.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Najee Yoshi’s San Francisco. 8 and 10pm, $22-32.

Trombone Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

FOLK/WORLD/COUNTRY

Blind Willies Revolution Café, 3248 22nd St., SF; (415) 642-0474. 8:30pm, free.

Culture Canute Grant and Green Saloon. 9:30pm. With the Rockstone Players and the Realization Crew.

Jeffery Halford and the Healers, Tom Heyman Plough and Stars. 9pm.

Jeremy Goodfeather Hotel Utah. 9pm, $8.

Toshio Hirano Mercury Café, 201 Octavia, SF; (415) 252-7855. 7:30pm, free.

Kathryn Jenson Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Lagos Roots Connecticut Yankee, 100 Connecticut, SF; (415) 552-4440. 10pm, $10. With members of Fela Kuti and the Afrika 70, and more.

Paper Raincoat Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 8:15pm, $17. With Vienna Teng.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Rumbache Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

"Sila Presents Sahara" Coda. 9pm, $10.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

4OneFunktion Elbo Room. 10pm, $5-10. Hip-hop and turntablism with Apollo and Shortkut.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

House of Voodoo Medici Lounge, 299 9th St., SF; (415) 501-9162. With DJs voodoo, Purgatory, and Stiletto spinning goth, industrial, deathrock, and eighties.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kial, Tom No Thing, Megalodon, and Zapruderpedro spinning dubstep, reggae, and electro.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. With DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

Trannyshack DNA Lounge. 10pm, $12. Bowie tribute night with David J, Ejector, and more.

Underground Expression Club Six. 9pm, $10. Live performances by Bicasso, Z-Man, Dregs One, and Sound Earth and DJ BeatsMe spinning hip hop.

SATURDAY 27

ROCK/BLUES/HIP-HOP

"Area Codes: The Bay Area’s Regional Hip-Hop Monthly" Etiquette Lounge, 1108 Market, SF; (415) 863-3929. 10pm, $10. With guest DJs Platurn and Doc Fu.

Big Sam’s Funky Nation Independent. 9pm, $15.

Burmese, Mayyors, Arms and Leg Knockout. 9pm, $7.

Copeland, I Can Make a Mess Like Nobody’s Business, Person L, Deas Vail Slim’s. 8pm, $17.

"Dear Companion Tour" Swedish American Hall. 8pm, $15. With Ben Sollee and Daniel Martin Moore.

Dead Meadow, Imaad Wasif, Upside Down Great American Music Hall. 9pm, $15.

Quinn Deveaux Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

*Fleshies, Classics of Love, Tubers El Rio. 10pm, $8.

Heavy Liquid and friends Thee Parkside. 3pm, free.

Chrisette Michele, Laura Izibor Regency Ballroom. 9pm, $35.

Moccretro, Feie, Thee Landlords Epicenter Café, 764 Harrison, SF; (415) 543-5436. 7pm, free.

Sacred Profanities, Fiver Brown and the Good Sinners, Jeff Cotton’s Gin Joint Hotel Utah. 9pm, $7.

Neil Schon Fillmore. 9pm, $35.

Sex With No Hands, Minks, Antioquia Café du Nord. 9:30pm, $10.

"Slumberland Records 20th Anniversary Party" Rickshaw Stop. 5pm, $20. With Boyracer, Go Sailor, Henry’s Dress, the How, Brilliant Colors, and more.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

Tobacco, Hood Internet, New Slave Bottom of the Hill. 10pm, $12.

Tumbledown, Famous, Andrew Anderson, Jesse Morris and the Man Cougars Thee Parkside. 9pm, $8.

*Weedeater, Black Tusk, Gates of Slumber, Struck By Lightning Elbo Room. 9pm, $13.

Wizzard Sleeve, Andy Human, Steeples Hemlock Tavern. 9:30pm, $6.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

"Jazz Mafia Presents Remix: Live" Coda. 10pm, $10.

Josh Jones Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

Marlina Teich Quintet Savanna Jazz. 8pm.

Najee Yoshi’s San Francisco. 8 and 10pm, $32.

Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Big Bad Wolf, Bell Tower Amnesia. 6pm, $5. Part of the Songbird Festival.

Debbie Friedman Congregation Emanu-El, 2 Lake, SF; (510) 451-8874. 8pm, $36.

Toshio Hirano Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Lagos Roots Connecticut Yankee, 100 Connecticut, SF; (415) 552-4440. 10pm, $10. With members of Fela Kuti, the Afrika 70, and more.

Ralph Towner with Paolo Fresu Yerba Buena Center for the Arts, 701 Mission, SF; www.sfjazz.org. 8pm, $30-50.

Whiskey Richards Plough and Stars. 9pm.

Y La Bamba, Sean Flinn and the Royal We Amnesia. 9pm, $7.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, and Javier, plus free 80s hair and make-up by professional stylists.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups with Kleptones, Adrian and Mysterious D, Dada, and more.

Flying Lotus, Kode 9 Mezzanine. 9pm, $16.50.

Go Bang! Deco SF, 510 Larkin, SF; (415) 346-2025. 9pm, $5. Dress up as your favorite superhero or villain and enjoy some disco beats with DJs Steve Fabus, Nicky B., Sergio and more.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

OG Productions In the Darkroom, Club Six. 9pm, $5. With DJs Capp St. Girls, Evergreen Dub, Angel Island, and more spinning house.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, Tesfa, Serg, and Fuze spinning dancehall and reggae.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 28

ROCK/BLUES/HIP-HOP

Caspian, Arms and Sleepers, Silian Rail Hotel Utah. 8:30pm, $8.

Paper Chase, Generalissimo, Kiss Kiss Hemlock Tavern. 9pm, $8.

*Bone Cootes, San Similar Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Titus Andronicus, Let’s Wrestle Slim’s. 8pm, $15.

Washed Out, Small Black, Pictureplane, Young Prisms Knockout. 7pm, $10.

JAZZ/NEW MUSIC

Cyril Guirand Café Royale, 800 Post, SF; (415) 441-4099. 6pm, free.

Hapa Yoshi’s San Francisco. 5 and 7pm, $5-30.

NY Hard Bop Trio Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

"Switchboard Music Festival 2010" Dance Mission Theater, 3316 24th St, SF; www.switchboardmusic.com. 2-10pm, $10-40. Genre-defying, eight-hour marathon concert.

Tord Gustavsen Quintet Yerba Buena Center for the Arts, 701 Mission, SF; www.sfjazz.org. 8pm, $25-40.

FOLK/WORLD/COUNTRY

Bodice Rippers, Gilded Rooks Amnesia. 9pm, $7.

Krishna Das, Deva Premal and Miten, Manose Warfield. 7:30pm, $40.

Modal Kombat Amnesia. 7pm, free.

Ol’ Cheeky Bastards, Howlin’ Houndog Plough and Stars. 4pm.

"Salsa Sundays" El Rio. 4pm, $5. With Andy y Callao.

"Te Gusto Musical" Coda. 8pm, $10. With John Calloway.

Ten Foot Tall and 80 Proof Thee Parkside. 4pm, free.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Ludachris, and guest Mexican Dubwiser.

45Club the Funky Side of Soul Knockout. 10pm, free. With Dx the Funky Gran Paw, Dirty Dishes, and English Steve.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 29

ROCK/BLUES/HIP-HOP

Agent Orange, Gutwrench, Fukm Kimo’s. 9pm, $10.

"Blue Bear School of Music Band Showcase" Café du Nord. 7:30pm, $12-20.

"Felonious Presents Live City Revue" Coda. 9pm, $7.

Greg Ginn and the Texas Corrugators, Guella, Barney Cauldron Red Devil Lounge. 8pm, $10.

Nellie McKay, Howard Fishman Great American Music Hall. 8pm, $21.

Photo Atlas, Rouge, Rival Parties Elbo Room. 9pm, $6.

Red Light Mind Café Royale, 800 Post, SF; (415) 441-4099. 8pm, free.

Tempo No Tempo, World’s Greatest Ghosts Knockout. 9pm, $5.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with DJs Decay, Joe Radio, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest Djs.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 30

ROCK/BLUES/HIP-HOP

"Blue Bear School of Music Band Showcase" Café du Nord. 7:30pm, $12-20.

Michael Burks Biscuits and Blues. 8pm, $20.

Congress with Valerie Troutt and Mic Blake Elbo Room. 9pm, $8.

Art Elliot, Comeuppance El Rio. 8pm, free.

*Hank III and Assjack, Kyle Turley Regency Ballroom. 8pm, $30.

Moonbell, Sea Bright, Heavy Hills Hemlock Tavern. 9pm, $6.

Morning Benders, Miniature Tigers, Mumlers Independent. 8pm, $15.

Otep, Bury Your Dead, Through the Eyes of the Dead, Destrophy, Arise DNA Lounge. 7pm, $22.

Pierced Arrows, Lullaby Arkestra, Only Sons Bottom of the Hill. 9pm, $12.

Story of the Year, Maylene and the Sons of Disaster, After Midnight Project, Terrible Things Slim’s. 7:30pm, $17.

Jonathan Tyler and the Northern Lights Boom Boom Room. 9:45pm, $5.

FOLK/WORLD/COUNTRY

AJ Roach, Evie Ladin, Sweetwater Revolver Amnesia. 9pm, $5.

Dawn Oberg Rite Spot Café, 2099 Folsom, SF; (415) 552-6066. 8pm, free.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. "Stump the Wizard" with DJs What’s His Fuck and the Wizard.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Mom was a mess (and then she rubbed all up on me)

John Elberling
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Going in to Thee Parkside on Fri/5, I didn’t know what to expect from the show’s openers. Considering Mom’s antics, it’s probably best that I didn’t do any pre-show research. In a nutshell, Mom was a mess.

Mom slithered and writhed around on- and offstage (mostly off). She wore a red dress that ended up beer-soaked, while she sort of sang into a microphone with heavily distorted cartoonish effects. It was like a demonic version of Minnie Mouse (she had the ears and everything). The whole experience was surreal. Maybe nightmarish is a better word. Mom’s trashed red dress would slide up over her waist, exposing all of her, since she wore no panties. Her one ruby red slipper slid around the floor while the other foot remained bare and got all gunked up from cement during some staggered dance moves.

If shock value was what Mom was going for…then mission accomplished. Just when I thought the spectacle was winding down, I went to the smoking patio to answer my brother’s phone call. I figured I’d chat him up about my parents’ upcoming visit from the Midwest. Immersed in conversation, I was suddenly interrupted by a sweaty, messy Mom, who accosted me and began to rub herself on me as I laughed and backed away while onlookers got an eyeful. Considering that the ‘Loin is now my home base, it didn’t phase me much. I continued talking on the phone, giving my brother the play-by-play. Mom quickly lost interest and stumbled away. I have a feeling real Mom wouldn’t approve.

After the onslaught, I hung out a bit longer on the patio. I was offered some sympathy by a certain unmasked someone who may or may not have been the show’s headliner. He asked if Mom had gotten any blood on me. I replied “No,” adding that I actually had gotten egged. Apparently she threw one at the ceiling and got some yolk and shell on me. Another audience member initially thought it was the sound of breaking glass.

Act two was traditional by comparison, considering it involved drum, bass and guitar. I didn’t think I had seen them before, based on their name, but once I went back inside to check them out I recognized the front man of the Outdoorsmen. They had improved. They did Misfits covers and it was sort of endearing how the lead singer/ guitarist would crack bad jokes into the mike. He mostly cracked himself up. The highlight of their set was a Standells-sounding number dedicated to “cock suckers of the middle of the night”. He was referring to cops.

The outstanding performance of the night came from Indiana’s TV Ghost. The Midwest was represented well here when they took to the stage. Their lanky lead man twitched about with great presence; his guitar in tow and a Dwyer-esque oral fixation with his microphone (inserts into mouth). I guess it sounded like Link Wray meets post-punk, or maybe the Cramps in surf style. In any event it was good to see them again. The first time I witnessed their live act was at the Hemlock, where they played to a nearly empty hall, but they had performed as if they the bar was at capacity or like it was for a televised performance. Such showmanship.

Last but not least, Nobunny seemed to have a stash of new material and it was stage antics and comical-shtick as usual when the costumed “boys and squirrels” played rock and roll that had the crowd eating it up with a spoon. All in all it was a good night — even if Mom took me by surprise.

Peace-out

Jesse Hawthorne Ficks
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Peace-out

kimberly@sfbg.com

SONIC REDUCER Who would have thunk that Sonic Reducer would rattle on for so long — unreduced, unredacted, Sonic even while covering Mr. Winkle or Mundane Journeys. It’s been more than seven years since Cheetah Chrome gave me the casual A-OK to borrow the name of his song, and now the end is nigh: this is the final SR in the Guardian, but what a deliciously lengthy, rich, overwhelming run it has had.

Scanning the first Jan. 7, 2003, column — chock-full of New Year’s Eve tidbits concerning one of Dengue Fever’s first shows in SF, Bud E. Luv’s turn as the Ozzy and Sharon Osbourne’s NYE attraction (playing big band versions of “Iron Man,” natch, amid strippers and absurdly outsized sex toys), and an evening out to the Coachwhips/Pink and Brown-reunion house party in a South Van Ness basement, trapped by a moat of mud, buffeted by revelers, and besieged by circuit-breaking blackouts. Lo, there was also scandalous news of rumored onstage fellatio at a Tigerbeat6 showcase and an update on Kimo’s efforts to halt the sonic seepage at its ear-bleed noise shows.

The early ’00s in SF were a giddy, madly experimental, and hyperfertile period for local music — a delirious convergence of imaginations cocked and loaded by the dot-com gold rush, exploded with the blizzard of pink slips and the onset of plentiful time and energy, and the excitement of so many ripe minds coming together — oof — at once, if from widely divergent corners of the cultural landscape: how else to explain the peaceful coexistence of Joanna Newsom and Caroliner, Deerhoof and Comets on Fire, Soft Pink Truth and Hunx and His Punx, Vetiver and Turf Talk, the Morning Benders and the Lovemakers, the Oh Sees and every other band John Dwyer has been involved in, in this fair citay?

Perhaps one day I’ll boil down these 350-plus columns — snipes, jests, always-in-good-fun jabs, and all — and come up with a rough sketch of this equally rough and rewarding zero-hour decade’s blurry contours. In the meantime, glancing hazily back over past columns, I unearthed a few highlights — from lowlifes or bright lights:

•Mark Pauline of Survival Research Laboratories on not performing in Europe, 2003: “We were good enough to cause national alerts and bad international events, so we never got asked back. Again, good work.”

•eXtreme Elvis on SF, 2003: “Too much of culture that surrounds San Francisco has to do with that idea of no spectators. No spectators means everyone’s a DJ, everyone plays didgeridoo, everyone has a band, everyone is a spoken-word artist. There’s a kind of culture of narcissism — guilty as charged, right?”

•Inca Ore’s Eva Saelens on touring, 2006: “When you break through, it’s like being in another world. Sometimes I’ll try to push an explosion or try to lose my mind, and if you do that on a nightly basis, it’s unreliable and it’s also abusive. You’re pushing your emotions in an athletic way, almost.”

•Nick Cave on Grinderman, 2007: “An overriding theme of mine is, I guess, a man and a woman against the world. But for this record, the woman seems to be down in the street, engaged in life, and the man is kind of left on his own, with, um, y’know, a tube of complimentary shampoo and a sock.”

•The Cure’s Robert Smith on dumb pop, 2007: “I’m saying that most good pop singles are stupid — otherwise they’re not good pop singles. I’m from an age when disposable wasn’t necessarily a bad thing.”

•Joe Boyd on music book signings, 2007: “I can tell you what the queue looks like. There’s a lot of beards. There’s a lot of bald pates. There’s a lot of gray hair, and every once in a while there’s a 20-something woman in the queue, and then you kind of make sure your hair is combed straight. Then she comes up to the head of the queue and says, ‘Will you please sign it “To Peter”? It’s for my father for his 60th birthday.'”

•Lady Gaga on pop perfection, 2008: ” If it isn’t flawless, I gotta work myself up to where it is — otherwise I’m just another pop chick with blonde hair.”

•Will Oldham on music, 2008: “You can find in music just about any ideal emotional landscape you crave, whether it’s angst or rebellion or celebration or union or dissolution. It’s all there, and none of it’s going to call you back or text you at four o’clock in the morning or blame you for anything you did or didn’t do or slap you with a paternity suit.”

•Six Organs of Admittance’s Ben Chasny on “Ewok Song,” 2009: “I know it by heart, and it’s the precursor to all these kids with wizard hats. It all comes down to the Ewoks singing around the fire. Akron/Family ain’t got nothing on the Ewoks, man.”

•Laurent Brancowitz of Phoenix on his old Daft Punk bandmates, 2009: “They decided to go to a lot of rave parties, and I didn’t, because I didn’t like the nightclub life. I’m a bit of a snob about it — I find it very vulgar.”

•Jarvis Cocker on his song “Caucasian Blues,” 2009: “I was interested in how blues music has gone from the music of protest, of the oppressed, to the blandest, safest music for white people to listen to in bars.”

Oh, but that was then — and I loathe nostalgia, if that isn’t already clear from the past seven years of cranky natterings and screams at the sky against boring, snorey Sha Na Na-style regurgitations. And this is now. Look for more from me in these and other pages, but never look back in regret.

Pool loops

Jesse Hawthorne Ficks
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Pool loops

superego@sfbg.com

SUPER EGO “Don’t you think that scratching records might annoy the people who spent a long time in the studio making them?”

I’m snickering at a jaw-droppingly antiquated — yet actually quite relevant — video from 1983 titled “1st UK DJ to Mix Live on TV.” It features famous, fresh-faced turntablist Greg Wilson, gracefully fending off tin-eared questions from Tube program host Jools Holland while demonstrating to an antsy, angular-haired audience what this whole “mixing records” thing is about.

The scratching bit’s a hoot because Wilson — who recently emerged from an 18-year retirement and will be performing at Triple Crown on Friday — isn’t scratching at all. He’s merely cueing up the record, a simple act that draws gasps. “Well, that’s it, that’s the danger,” Wilson replies to Holland, poker-faced, his soft brown Afro unshaken. “But when a record’s been played in the club for a long time, people get a bit fed up hearing it, and it’s nice to hear it in a different way. And that’s why I kind of … play about with them a bit.”

Wilson goes on to blow post-punk minds by phasing on two — two — tables at once. Then he takes it to a whole other level by revving up his trademark, Steampunk-prophesying Revox B77 reel-to-reel effects machine, real-time sampling David Joseph’s Jheri curl-slick classic “You Can’t Hide (Your Love From Me),” filling out the back-end with sly loops and layering on psychedelic dub echoes. It’s a wondrous bit of analog theater that I imagine, in this “digital age” I keep hearing about, would cause the same kind of pop-culture rupture if played out on American Idol today.

Or maybe not so much. Two of the big nightlife media hooks of the past few years have been the disco revival and the vinyl resurgence — twinned digital-reactionary movements that recall the late-1990s hip-hop and soul crate-digging of hometown heroes like DJ Shadow and Ren the Vinyl Archeologist, a fruitful response to the CD reissue mania of that time. Every technology carves out an implicit niche for its own backlashes. Now, it swallows them too. Despite all the retro nostalgia, DJs need the Internet to get their mixes out and research rare tunes. Plastic and silicon moving in tandem — it’s a real mishmash.

Wilson, who spent his decks hiatus pursuing his production career, may still keep one hand on the vintage — that Revox B77 still travels with him — but he’s made no secret of his enthusiasm for new fad gadgets, and felt that with the simultaneous rise of disco re-fever and software hijinks, a comeback was due.

“I think it’s an exciting time,” he e-mailed me from Australia, in the midst of a bonkers world tour to support his latest compilation of rejiggers, Credit to the Edit, Vol. 2 (Tirk). “Some people pine for the old days. But great as they were, I don’t like to dwell on the past too much in a nostalgic way, but use it to inform the future. I like the way younger people, who didn’t directly experience the original disco era, are drawing influence from it, reshaping it from their own perspective here and now. For me, music — no matter how old it might be — is always alive and evolving, so I’m all for bringing it into a new context.”

Wilson made his name in the ’70s and ’80s by birthing the electro-funk movement in the U.K. (www.electrofunkroots.co.uk), which pipelined many hard-to-find American dance releases to British crowds, and he came of age in a world of DJ record pools — strategic vinyl-sharing cabals that hooked cash-strapped DJs up with record companies eager to get their releases heard. Record pool culture opened the doors for innumerable disco and funk edits: DJs wanted to sound unique, so they mixed (or had someone else mix) their own versions of hits, stamping them with an individual sonic imprint. Thus the hugely influential edit scene was born, paving the way for a spectrum of club remixes from genius and egregious.

No one handled edits quite like Wilson, whose pitch-perfect additions, stretches, and overlaps and live technique proved to be a bulletproof blueprint. The disco edit scene, a subsection of disco revivalism that also digs up more contemporary “lost” tracks, keeps looping back into view, the most recent fanatic attack including acts like Wolf + Lamb, Soul Clap, Les Edits Du Golem, and Tensnake, and labels like Rong, Wurst, and Ugly.

Our very own rulers of the local edit scene are King & Hound (www.myspace.com/garthgrayhound), a collaborative effort between two SF DJ legends, Garth and James Glass, on the Golden Goose label. The two met in the early ’90s at the notorious Record Rack music store and have lately released tasty versions of David Ian Xtravaganza’s kiki 1989 “Elements of Vogue” and Can’s space-groovy “A Spectacle.”

“I have quite a few of Greg’s records,” Garth told me over e-mail. “I recently rediscovered one of his early hip-hop records called ‘We Don’t Care’ by Ruthless Rap Assassins, which I bought in 1987!” Glass joined in, “I grew up in London listening to Greg’s mixes and I’d hear him out and about.” Both of them shake off suggestions of Wilsonian influence, however. “But we’re all doing the same thing — taking out the cheese and respecting the quality,” Glass said.

Wilson’s brilliant 2009 Essential Mix mix for the U.K.’s BBC1 radio found Massive Attack and Talking Heads sharing space with Geraldine Hunt and Chic, and reintroduced him to American ears (“I think that mix illustrates what I always strive for: connecting back but moving on,” he told me. “I was shocked at the overwhelmingly positive response.”) But to Bay players he was always in the loop, working with the invaluable Anthony Mansfield of the Green Gorilla crew and Qzen and even visiting Haight Street a few years back to feed his ’60s obsession.

I recently had the opportunity to explore a bit of the Bay Area’s record pool and disco edit past with DJ Jim Hopkins of the ubiquitous Twitch Recordings, and who currently spins eclectic sets at venues like 440 Castro and Trax. He’s no stranger to the edit scene, becoming one of the youngest edit contributors in the early ’80s to San Francisco disco and Hi-NRG record pool Hot Tracks and later, after Hot Tracks owner Steve Algozino passed away from AIDS, Rhythm Stick, helmed by Algozino’s protégée Jenny Spiers. (He also namechecks the Bay’s Disconet and New Wave-friendly Razor Maid.) Hopkins got his edit start as a teen in the ’70s, using the pause button on his dad’s tape deck to make his own edits, and soon grabbed professional attention. “Record companies wanted several versions of their records available for DJs, and record pools wanted to put out compilation issues for subscribers that featured unique takes on tracks, so I happily provided,” he told me. “It’s funny that those things are worth a fortune today.”

Hopkins just started an online organization called the San Francisco Disco Preservation Society (find it at www.twitchrecordings.com) to collect and celebrate Bay-centric edits and reel-to-reel mixes. “As for the edit scene now, there seem to be two kinds being produced. There are easy-sounding ones that just extend the good parts. Then there are more serious ones that take the original and make it into something new and more moody. I think that’s good for the future — because sometimes I have to laugh. Disco kids these days are pulling anything out of vinyl resale bins from 20 years ago and calling it ‘classic’ when most of it is crap. It was crap back then, too. Making it into anything different is doing it a favor, really.”

Read Marke B.’s full interview with Greg Wilson here.

GREG WILSON: CREDIT TO THE EDIT TOUR

Fri/19, 10 p.m.–4 a.m., $15/$20

Triple Crown

1772 Market, SF

www.triplecrownsf.com

HONEY SUNDAYS PRESENTS JIM HOPKINS

Sun/21, 10 p.m., $3

Paradise Lounge

1501 Folsom, SF

www.paradisesf.com


Bay Area black metal: Ludicra’s gripping new “Tenant”

Sue Vaughan
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Bay Area black metal: Ludicra’s gripping new “Tenant”

It’s hard to believe, but black metal is around 20 years old. During its second decade, the music has been gradually subsumed into the metal mainstream, cannibalized, recombined, and reinvented. Pulled in one direction by the commercialization of bands like Dimmu Borgir, and in the other direction by the hermetic inaccessibility of solo studio acts like San Francisco’s Leviathan, fans and metal taxonomers have circled the wagons around arbitrary criteria, judging bands on whether or not they use a keyboard, or whether or not they’re from Scandinavia.

Thankfully, in the Bay Area, we’ve got a black metal band who couldn’t care less what the guarantors of kvlt (sic) purity have to say. San Francisco’s Ludicra hit stores with their fourth full-length today, and Tenant (Profound Lore Records) showcases an act at the height of their considerable powers, churning out organic-sounding, progressive black metal mixed with affecting, punk-rock humility. In place of frozen Norwegian rivers or blood-soaked Vikings, the album derives its themes from the eerie, uncanny, and horrifying aspects of urban living, as its title eloquently suggests.

Guitarists John Cobbett (also of Hammers of Misfortune) and Christy Cather favor warmer guitar tones of the type that won Wolves in the Throne Room so much critical aplomb, and they’re buttressed in this choice by the throat-shredding vocals of Laurie Sue Shanaman, which give the music a visceral, catharctic potency. Drummer Aesop Dekker is nimble if understated, and brings a welcome humanity to a genre that is generally so chops- and blast-beat-heavy.

The scything 6/8 riff that begins album opener “Stagnant Pond” is a harbinger of things to come, ascending into meditative chaos before giving way to the stately, mid-tempo blast that opens “A Larger Silence.” “In Stable” is the LP’s barn-burner, with its pulsing, black ‘n’ roll verse and massive ending build.

All of the album’s seven tracks are longer than five minutes, and two top nine, so it’s a testament to the Ludicra’s arranging talent that the songs breeze by as fast as they often do. Whether it’s a stop-on-a-dime meter shift or a clever bit of pagan-folk filigree, its hard not to be impressed by the band’s songwriting acumen. “Clean White Void” displays a notable NWOBHM influence, a stark contrast to the relentless blast beats on “Truth Won’t Set You Free” and the meditative chanting in the album-closing title track “Tenant.” Taken as a whole, the album is a gripping evocation of anger, fear, and sadness – what’s more black metal than that?

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 17

ROCK/BLUES/HIP-HOP

Astral Force, DC/AC El Rio. 7pm, donation. Benefit for AIDS/LifeCycle.

Epiphanette, Great Girls Blouse, Miriam Speyer and New Blend Retox Lounge. 9pm, free.

Filthy Thieving Bastards, Blag Dahlia, Zander Schloss Thee Parkside. 8pm, $10.

Gomez, Buddy Great American Music Hall. 9pm, $28.

Kegels, Jokes for Feelings, Mitchell Experiment Bottom of the Hill. 9pm, $8.

Kim Wilson Blues Revue Biscuits and Blues. 8 and 10pm, $24.

Camaron Ochs, Spooky Flowers, Ayla Nereo Café du Nord. 9:30pm, $12.

Razorhoof, Iron Witch, Hazzards Cure Hemlock Tavern. 9pm, $6.

Undead Boys, Love Songs, Dope Charge, Keeners Elbo Room. 6pm, $8.

Zoo Station, Stung Slims. 8pm, $15.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St., SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St., SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 18

ROCK/BLUES/HIP-HOP

Common Eider King Eider, Raccoons, Das Blut, Hiss and Hum, Marigold Crowns Amnesia. 9pm, $7.

Willie G Biscuits and Blues. 8pm, $15.

Gomez, One Eskimo Great American Music Hall. 9pm, $28.

Groove Armada, Lilofee Fillmore. 8pm, $30.

HIJK, Love is Chemicals, Rademacher Café du Nord. 8pm, $10.

Hurry Up Shotgun, Victory and Associates, Genius and the Thieves Hemlock Tavern. 9pm, $6.

*Jucifer, Grayceon, Serpent Crown Thee Parkside. 9pm, $8.

Static Thought, Spawn Atomic, Step Up! El Rio. 8pm, $7.

Tokyo Raid, Pan Demon, Bitch Be Cool, Housecoat Project, Red Penny One Paradise Lounge. 9pm, $7.

Trifles, Cheetahs on the Moon, Bodice Rippers Hotel Utah. 9pm, $6.

Victims Family, Bar Feeders, Polar Bears Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Babatunde Lea Quintet Yoshi’s San Francisco. 8pm, $20.

Dred Scott Quartet Coda. 9pm, $7.

Pepe Jacobo Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

FOLK/WORLD/COUNTRY

Bassekou Kouyate, Ngoni Ba Slims. 8pm, $25.

Dime Store Dandy Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker, Señor Oz, and guest Earthrise Soundsystem spin Afrobeat, Tropicália, electro, samba, and funk.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

DJ Key Bump and Tropicana Madrone Art Bar. 5-9pm. With a performance by Mestiza.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Echo-A-Gogo Knockout. 10pm, free. Vintage dub reggae with DJ Lucky and friends.

Electric Feel Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $2. With DJs subOctave and Blondie K spinning indie music videos.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with DJs BaconMonkey, Netik, Sage, and Unit 77.

Nightvision Harlot, 46 Minna, SF; (415) 777-1077. 9:30pm, $10. DJs Danny Daze, Franky Boissy, and more spinning house, electro, hip hop, funk, and more.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 19

ROCK/BLUES/HIP-HOP

Joe Bagale, Oona, Thrill of It All Independent. 9pm, $14.

Blasphemous Rumours, Cured Slims. 9pm, $15.

Con Funk Shun Yoshi’s San Francisco. 8 and 10pm, $26-30.

Deceptikon, Captain Ahab, Twin Crystals, Tik/Tak Hemlock Tavern. 9:30pm, $6.

Gomez, Little Ones Great American Music Hall. 9pm, $28.

Groove Armada, Fenech-Soler Live Fillmore. 8pm, $30.

Horse Operas, Goldie Wilson House of Shields. 10pm, $5.

Kaptron, James Lanman, Kit, Kat and the Suitcase Brothers Hotel Utah. 9pm, $10.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

Voodoo Glow Skulls, Hub City Stompers, Compton SF Bottom of the Hill. 10pm, $12.

Yung Mars, Get Back Crew Coda. 10pm, $10.

Z-Trane Electric Trio, Justin Ancheta, Con Brio Pier 23. 9:30pm.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Emily Anne’s Delights Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Equinox Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Keith Jarrett Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 8pm, $30-95.

FOLK/WORLD/COUNTRY

Harlem Gospel Choir Kanbar Hall, 3200 California, SF; www.jccsf.org. 8pm, $40-45.

"Jewish Music Festival" Congregation Sherith Israel, 2266 California, SF; www.jewishmusicfestival.org. 6pm, free. "Journey to Shabbat" performance with Rita Glassman, Yuval Ron, and Jamie Papish. See website for complete festival schedule.

Mazacote Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

Nell Robinson, Henriettas Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $18.

Bassam Saba Arab Cultural and Community Center, Two Plaza, SF; www.arabculturalcenter.org. 8pm, $15.

Smiley Mountain Band Plough and Stars. 9pm, $6-10.

Zoyres Eastern European Wild Ferment Red Poppy Art House. 8pm, $10-15.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Alcoholocaust Presents Riptide Tavern. 9pm, free. DJ What’s His Fuck spins old-school punk and other gems.

Bridges: Brooklyn to the Bay and Beyond Elbo Room. 9pm, $8. With DJs Concerned and Jimmy Love, and live performance by Andy Allo.

Deep Fried Butter, 354 11th St., SF; (415) 863-5964. DJs jaybee, David Justin, and Dean Manning spinning indie, dance rock, electronica, funk, hip hop, and more.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

DJ Jeremiah and Friends Madrone Art Bar. 9pm, $5. Afrobeat, ju ju, and tribal funk.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk. This week’s guest is QDUP Foundation.

Hubba Hubba Revue DNA Lounge. 9pm, $10-15. Burlesque show.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Oldies Night Knockout. 9pm, $2-4. Doo-wop, soul, and one-hit wonders with DJs Primo, Daniel, and Lost Cat.

Radioactivity 222 Hyde, SF; http://222hyde.com. 6pm, free. Low-budget synthesizers and Eastern European cold war beats.

Rockabilly Fridays Jay N Bee Club, 2736 20th St., SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Tingel Tangel Club Second Anniversary Blowout Celebration Café du Nord. 9:30pm, $20. With Veronica Klaus, Joey Arias, Basil Twist, Todd Almond, Fauxnique, Marga Gomez, and DJs Juanita More and Bus Station John.

SATURDAY 20

ROCK/BLUES/HIP-HOP

Airfix Kits, Housecoat Project, Teutonics, DJ the Wizard, DJ Phil Lantz Knockout. 5-9pm, free. Crime record signing from 5-6pm.

Tim Barry, Possessed by Paul James, Fire Whiskey Thee Parkside. 8:30pm, $10.

Con Funk Shun Yoshi’s San Francisco. 8 and 10pm, $30.

Shane Dwight Biscuits and Blues. 8 and 10pm, $20.

Foreverland, Barely Manilow Mezzanine. 9pm, $15.

Inferno of Joy, Reaction, Dutch Windmill El Rio. 9pm, $7.

Lilan Kane Blues Band Lou’s Pier 47, 300 Jefferson, SF; www.louspier47.com. 8pm.

Octomutt, Dandeline Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Rosin Coven, George Cole Quintet, Kim Boekbinder Café du Nord. 9pm, $15.

Ron Silva and the Monarchs, Franco Nero Ska Hemlock Tavern. 9:30pm, $8.

Slipstream Sparrows, Headshear, Richard Bitch, Anhata Sound Hotel Utah. 8pm, $8.

Small Change Romeos, Mavalour, Midway Delta, DJ unk’l funk’l El Rio. 3pm, $8.

Uzi Tattoo, Prik Flower, Economen Thee Parkside. 3pm, free.

Xiu Xiu, tUne-YaRdS, Noveller Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Alphabet Soup Coda. 10pm, $10.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Hiromi, Robert Glasper Experiment Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-55.

Loveseat Trio Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Albino!, Alma Desnuda Independent. 9pm, $17.

Mark Levine and the Latin Tinge Red Poppy Art House. 8pm, $10-15.

Marara Music Store, 66 W. Portal, SF; www.shelbyashpresents.net. 2pm, free.

Pine Box Boys, Earl Brothers, Last Men on Earth, Good Luck Thrift Store Outfit Slims. 8:30pm, $15.

Fito Reinoso Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

Sila, Meklit Hadero, DJ Jeremiah Great American Music Hall. 9pm, $14.

Marcus Tardelli, Carlos Oliviera, Ricard Peixoto Brava Theater Center, 2781 24th St, SF; (415) 242-4500. 8pm, $34.

DANCE CLUBS

Bootie: Donner Party DNA Lounge. 9pm, $6-12. Mash-ups with John! John! and the Wagonistas.

Booty Bassment Knockout. 10pm, $5. Hip-hop with DJs Ryan Poulsen and Dimitri Dickinson.

Cockfight Underground SF. 9pm, $7. With DJs Earworm and Matt Hite.

Fire Corner Koko Cocktails, 1060 Geary, SF; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Fringe: An Indie Rock Dance Party Madrone Art Bar. 9pm, $5. With DJs Blondie K and subOctave.

Full House Gravity, 3505 Scott, SF; (415) 776-1928. 9pm, $10. With DJs Roost Uno and Pony P spinning dirty hip hop.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Road to Ultra Supperclub, 657 Harrison, SF; info@santrancecisco.com. 10pm, $15. With Javi Cannus, Sheff, Dutch, Michael Anthony, Jeff Richmond, and Hil Huerta.

Saturday Night Soul Party Elbo Room. 10pm, $10. With DJs Lucky, Phengren Oswald, and Paul Paul.

Sharam 1015 Folsom. 10pm, $10. With DJ Rooz, Taj, and more.

Social Club Lookout, 3600 16th St., SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 21

ROCK/BLUES/HIP-HOP

B-Stars, Hi Rhythm Hustlers, Royal Deuces, Karling Abbeygate Band Knockout. 9pm, $8.

*Blowfly, Clarence Reid, Knights of the New Crusade, Awesome Party DNA Lounge. 6:30pm, $15.

David Matthew Daniels, Robert Meade, Sean McArdle Brainwash Café, 1122 Folsom, SF; www.brainwash.com. 6pm, free.

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

*Kreator, Kataklysm, Evile, Lightning Swords of Death Slims. 8pm, $24.

Massive Moth, Your Cannons, Here Come the Saviours Hemlock Tavern. 9:30pm, $6.

Janelle Monae Café du Nord. 8pm, $12.

Ralph’s World Swedish American Hall (upstairs from Café du Nord). 3pm, $18.

Rollercoaster, Watch it Sparkle, Sweet Nothing Kimo’s. 9pm.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 6pm, free.

"Jazz Jam Session" Epicenter Café. 6pm, free.

Sunday Sessions Madrone Art Bar. 6pm, free. With Wil Blades.

Kenny Washington Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

FOLK/WORLD/COUNTRY

Motel Drive, Clay Thee Parkside. 4pm, free.

"Salsa Sundays" El Rio. 4pm, $5. With Danilo y Universal.

Jake Shimabukuro Yoshi’s San Francisco. 7 and 9pm, $18-24.

"Te Gusto Musical" Coda. 8pm, $10. With Anthony Blea and friends.

DANCE CLUBS

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Maneesh the Twister, and guest DJG.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 22

ROCK/BLUES/HIP-HOP

American Studies, Ash Reiter, Mark Matos and Os Beaches Elbo Room. 9pm, $6.

*Karine Denike, Dina Maccabee Band, Upstairs Downstairs Knockout. 9pm, $7.

"Felonious Presents Live City Revue" Coda. 9pm, $7.

Mama Lion, Eighteen Individual Eyes, Heated El Rio. 7pm, $5.

Janelle Monae Café du Nord. 8pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more.

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic and industrial with DJs Decay, Joe Radio, and Melting Girl.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Motown on Mondays Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

TUESDAY 23

ROCK/BLUES/HIP-HOP

Axe, Terroritmo, Foga Na Roupa Elbo Room. 9pm, $7.

Devendra Banhart and the Grogs, Dorothy and the Originals Warfield. 8pm, $27.50-32.50.

Bias Tape, AJ Rivlin El Rio. 8pm, free.

Jason Collett, Bahamas, Zeus Café du Nord. 8:30pm, $15.

Jamie Cullum, Imelda May Fillmore. 8pm, $35.

Fell Voices, Addaura, Elk, Necrite, DJ Rob Metal Thee Parkside. 8pm, $8.

Ted Leo and the Pharmacists, Bleached Great American Music Hall. 9pm, $17.

Serena Maneesh, Depreciation Guild, Veil Veil Vanish Bottom of the Hill. 9pm, $12.

Savoy Brown Biscuits and Blues. 8pm, $20.

Stagger and Fall, Hollowbodys, Idle Threats, Hounds and Harlots Knockout. 9:30pm, free.

Thralls, All Time High, Hollow Earth Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs Corruptor Ref, Sebastian Twot, and What’s His Fuck.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Music for all those left behind by SXSW

Jesse Hawthorne Ficks
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Music for all those left behind by SXSW

The rapture that is South By Southwest has taken all that’s good and pure to Texas for Austin’s week of non-stop music, showcasing bands that have descended from the heavens themselves. Reading this post means you too have been left behind, your friends, family, music store clerks and critics disappeared over the weekend and didn’t even bother to leave you a mix-tape. Thou shall not fear, my friends. Austin may be wining and dining some of your favorite bands this week, or maybe each and every goddamned one, but thank the Lord San Francisco has your best interests at heart with plentiful options for entertainment.


Cheer up, my child and in the name of SXSW, expand your horizons and enjoy a new genre each night of this week. Amen.

MON/15
Get Hustle
Passionately chaotic, Portland’s Get Hustle lets their guitars run wild, tearing up the neighborhood with sharp, scissor-like vocals, psychedelic keys and erratic percussion. They are slightly scary, possibly foaming from the mouth, and definitely ready to bite. 9pm, $10, Elbo Room

TUES/16
Shotgun Wedding Quintet
This week’s Jazz Mafia night at Coda features The Shotgun Wedding Quintet, a 5-piece blend of jazz and rap that pays homage to the art of improvisation and the days when San Francisco was Mob-run and wild. 9pm, $7, Coda

WED/ 17
Madam and the Ants
The night is intended to be a salute to Irish Bands of the ‘80s and this San Francisco Adam and the Ants tribute band will bring you right back to the new-wave, post-punk era with a sassy front woman and band of fury. 7:30, $5, Make-Out Room

THUR/18
My Barbarian
Somehow this L.A.-based band promises a rock opera of choreographed dances and finely tuned numbers about cross-dressing sailors, mermen, pagan rites in the desert, and all kinds of politics with flamboyant flair. 9pm, free with museum admission, SFMOMA

FRI/19
Groove Armada
An electronic music duo that isn’t afraid to mix in a little funk. It’s been over a decade for the UK DJs and they’re still hard set on making you dance in slow-motion form. 9pm, $30, Fillmore

SAT/20
Rosin Coven
Rosin Coven are the ‘World’s Premier Pagan Lounge Ensemble” hailing from Oakland with a small string orchestra, a few horns, lots of hats, great mustaches, and feather embellishments. A carnival full of kink. 9pm, $15, Café Du Nord

SUN/21
Marabelle Phoenix
Marabelle Phoenix strums light and sets the perfect Sunday night mood with rusty tones and porch-friendly lyrics. 9pm, Bluesix Acoustic Room

Our weekly picks

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WEDNESDAY 10th

DANCE

Alvin Ailey American Dance Theater


Today, Alvin Ailey American Dance Theater is as much Judith Jamison’s company as it was Ailey’s. Having reluctantly taken on the company’s artistic directorship after Ailey’s death, Jamison has led the troupe for the last 20 years with remarkable perspicacity and skill. Jamison may not be a great choreographer, but she is a great company director and dance visionary. This anniversary season sports three Bay Area premieres. Borrowing the title from Jamison’s autobiography, Ronald K. Brown, something of a visionary himself, set his new Dancing Spirit in her honor. Company dancer-choreographer Matthew Rushing’s Uptown looks to the Harlem Renaissance for inspiration. Finally, Jamison contributes Among Us (Private Spaces: Public Places), a series of vignettes set to a jazz score by Eric Lewis. (Rita Felciano)

8 p.m. (through Sat/13), $36–$62

Zellerbach Hall

UC Berkeley campus, Berk.

(510) 642-9988

www.calperformances.org

THURSDAY 11th

VISUAL ART

Pepe Moreno


Exploring the life of one of the most iconic characters in the history of comic books, the new "Batman: Yesterday and Tomorrow" exhibit at the Cartoon Art Museum spotlights Bruce Wayne and his crime-fighting alter-ego, starting from his creation by artist Bob Kane and running through his many transformations over the years. Groundbreaking artist Pepe Moreno will be on hand tonight to discuss his revolutionary 1990 graphic novel Batman: Digital Justice, which was written and illustrated using computer hardware and software — one of the first such endeavors undertaken in the comics world. (Sean McCourt)

7 p.m., $5 donation requested

Cartoon Art Museum

655 Mission, SF

(415) 227-8666

www.cartoonart.org

EVENT

Thirsty Bear Beer Tasting


I’m hardly the first person to hop on the eat-everything-organic bandwagon. But when you live in San Francisco, it’s only a matter of time before you start shopping at farmers markets in hopes of finding the perfect toxin-free mango or avocado. Now you can add "organic beer connoisseur" to your list of titles by attending Thirsty Bear’s free organic beer tasting and workshop. You’ll learn all there is to know about sustainable brewing techniques, and get to sample some of the tastiest beers immediate area has to offer. (Elise-Marie Brown)

12-1:30 p.m., free

Green Zebra Environmental Action Center

50 Post, SF

(415) 346.2361

www.thegreenzebra.org

MUSIC

A Sunny Day in Glasgow


A Sunny Day in Glasgow wants you to rethink shoegaze. The Philadelphia trio layers their instruments in a manner that resembles a 21st-century Cocteau Twins, but their wall of sound is never as heavy, aiming instead for a sunny pop atmosphere you wouldn’t expect from the genre. Sometimes the accompanying vocals by Annie Fredrickson and Josh Meakim are maddeningly hard to make out beneath the waves of sound, but then they emerge clearly at just the right moment, like a breath of fresh air. Last year’s sophomore album Ashes Grammar (Mis Ojos Discos) was a sprawling mega-mix of moods, with songs bleeding into songs willy-nilly, and it’s safe to figure that their live show would reflect such a singular aural experience. If the critical reactions to Ashes Grammar are any indication, chances are good A Sunny Day in Glasgow won’t be performing in spaces as tiny as the Hemlock for long. (Peter Galvin)

With the Gold Medalists and Apopka Darkroom

9 p.m., $8

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

EVENT/MUSIC

Free Party for Experience Hendrix Tour


Inspired by Jimi Hendrix’s significant contributions to the music world, his father formed Experience Hendrix, a series of tribute concerts. Debuting in 1995 at Seattle’s Bumbershoot Arts and Music Festival, the show has been on the road ever since. The tour comes to the Warfield tonight with a lineup that includes Band of Gypsys’ original bassist Billy Cox, along with Joe Satriani, Kenny Wayne Shephard, Eric Johnson, Susan Tedeschi, and Jonny Lang. Before the show, Hard Rock Café hosts a party with a raffle for tickets and transportation to the show. (Lilan Kane)

4 p.m., free

Hard Rock Café

Pier 39, SF

(415) 956-2013

www.hardrock.com/sanfrancisco

FRIDAY 12th

MUSIC

The Temper Trap


Although these guys were featured in (500) Days of Summer, don’t let that fool you into thinking they’re strictly light and whimsical. Just reminiscing on the first time I saw them gets me giddy inside. Drumsticks flew everywhere, and Dougy Madagi whaled uncontrollably in the mic as the crowd absorbed every drop of their soaring energy. Let’s just say these guys know how to put on a serious show. Now the Melbourne, Australia rockers are making their second trip here as headliners. (Brown)

9 p.m., $22.50

The Fillmore

1805 Geary, SF

(415) 346-6000

wwwvenation.com

COMEDY

Dave Attell


You wanna know why you’ve never seen television commercials for Jägermeister? Dave Attell knows a few good reasons. Attell is perhaps best known to mainstream audiences for his stint hosting Comedy Central’s Insomniac, a hilarious late-night, booze-fueled TV program where he explored what to do in various cities while on tour. This weekend the sometimes abrasive but always gut-bustingly funny comedian brings his high-proof standup to the city for the weekend, covering a variety of topics, including the aforementioned elixir and its propensity for instigating debauchery. (McCourt)

8 p.m. and 10:15 p.m. (also Sat/13) , $35.50

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

DANCE

ODC/Dance


How many modern dance companies do you know with two in-house choreographers? These ensembles usually swim an eclectic rep or feature the work of a single artist. ODC/Dance is very much the exception because of KT Nelson and Brenda Way, two dance-makers who couldn’t be more different in terms of style, artistic temperament, musicality, and sources of inspiration. Every season offers at least one new piece from each. This year, Way is working with composer/performer Pamela Z on Waving Not Drowning (A Guide to Elegance), a response to a 1963 manual on etiquette. Nelson turns to Mozart’s glorious Piano Concerto No. 20 in D minor for Labor of Love, in which she explores what she calls "committed adult love" — the stresses and joys experienced by couples in relationships. (Felciano)

March 12/ 7 p.m. (through March 28), $15–$45

Novellus Theater

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-ARTS

www.odcdance.org

SATURDAY 13th

COMEDY

Martin Lawrence


Damn, Gina! Even if he’s fallen off your radar after donning the "Eddie Murphy fat suit" in Big Momma’s House (2000), you have fond memories of Martin Lawrence from such early comedic ventures as the TV series Martin, the host of HBO’s Def Comedy Jam or the tabloid field-day "Running Down Ventura Boulevard Yelling at Cars." In 2010, Lawrence is taking a break from film and returning to his roots with a stand-up tour, where his manic delivery really has room to breathe. Though he often finds himself an easy target, there is no doubt Lawrence is a huge star and these tickets are going to sell out — so get to steppin’! (Galvin)

8 p.m. (also Sun/14), $42.75–$77.50

Paramount Theatre

2025 Broadway, Oakl.

(510) 465-6400

www.paramounttheatre.com

MUSIC

E.C. Scott


E.C. Scott works a crowd, inciting laughter and tears. Atlantic Records’ cofounder Jerry Wexler praised her as "one honest-to-God soul singer." She’s become a major staple in the blues circuit in the Bay Area and beyond. Scott grew up singing in St. John’s Missionary Baptist Church in Oakland and cites gospel as a major influence. She’s shared the stage with Lou Rawls, Ray Charles, Patti Labelle, and John Lee Hooker, and in 1994, signed a multirecord deal with Blind Pig Records that resulted in a Downbeat award and W.C. Handy nomination for Soul/Blues Female Artist of the Year. (Lilan Kane)

8 p.m., $20

401 Mason, SF.

(415) 292-2583

www.biscuitsandblues.com

MUSIC

Youth Brigade


Formed by brothers Adam, Mark, and Shawn Stern in 1980, Youth Brigade made its mark on the early California punk scene with empowering anthems like "Fight to Unite" and DIY action. The trio started the Better Youth Organization to promote shows and put out records for themselves and their friends’ bands. Thirty years later, the group still plays with raw, rebellious energy and spirit. The sprawling new box set Let Them Know: The Story of Youth Brigade and BYO Records chronicles their efforts. (McCourt)

9 p.m., $18

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

SUNDAY 14th

MUSIC

Scarlett Fever


Local fans of punk, rockabilly, hot rods, burlesque, and more join together today for a very special cause — the annual "Scarlett Fever" show, an all-day benefit for Scarlett James, teenage daughter of Rosa and Bob James, who suffers from Rett syndrome, a childhood neurodevelopmental disorder that leads to the loss of many motor skills. The annual event helps pay for her care and raises money for research into the disorder. Her father is a veteran musician (playing in Del Bombers) and each year has enlisted the help of some stellar talent. Today’s event includes Big Sandy and the Fly Rite Boys, Three Bad Jacks, Stigma 13, Ghost Town Hangmen, plus live burlesque — courtesy of Hubba Hubba Revue — and raffles, including one for a new custom motorcycle. (McCourt)

1 p.m., $15

DNA Lounge

375 11th St., SF

(415) 626-1409

www.dnalounge.com

TUESDAY 16th

FILM

Remembering Playland at the Beach


If you haven’t yet met Laffing Sal, it’s time for you to take a trip to (dreaded) Fisherman’s Wharf and the (free) Musée Mécanique. As every self-respecting San Franciscan knows, Sal once presided over the Funhouse at Playland at the Beach, an amusement park along Ocean Beach that had its heyday in the 1910s and ’20s (but didn’t close until 1972). The most famous film to feature Sal’s terrifying cackle is 1948’s The Lady From Shanghai — but no doubt you’ll get an earful in Tom Wyrsch’s brand-new doc, Remembering Playland at the Beach, which is stuffed with archival footage, photographs, and interviews. Appropriately, the film debuts at the Balboa, just blocks from the former site of Playland’s famous midway. (Cheryl Eddy)

7 and 9:15 p.m., $6.50–$9

Balboa Theatre

3630 Balboa, SF

(415) 221-3117

www.balboamovies.com

FILM

Palestine Cinema: A Shorts Program


The Red Vic has partnered with the Arab Film Festival for a tempting "second look" at a series of short works by a new and international generation of Palestinian filmmakers, originally screened as part of AFF 2009. Topping the lineup is Riyad Deis’ Swesh Swesh, set during the Arab Revolt in Palestine in 1936–39, as a farming family reluctantly harbors a revolutionary fugitive and finds its traditional beliefs challenged in the resulting exchange. The one-night-only program also includes Lesh Sabreen by Bay Area–trained Muayad Alayan (and shot by SF filmmaker Christian Bruno). It focuses on a young couple trapped, literally, between the wall of Israeli occupation and their families’ own conservative mores. (Robert Avila)

7:15 and 9:15 p.m., $6-9

Red Vic Movie House

1727 Haight, SF

(415) 668-3994

www.redvicmoviehouse.com

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Appetite: Taking vodka to the next level

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Appetite: Taking vodka to the next level

On February 22, 42 Below Cocktail Competition at the Regency Center was nicely spread out in two large rooms, plenty of space to taste and view bartenders make New Zealand vodka creations. Some of our best local talent competed to go to nationals, which take place in NYC, then on to finals which happen in 42 Below‘s native land, New Zealand.

It takes skill to bring layers of flavor out of vodka and this group delivered. Certainly, there were other spirits mixed in and some real creativity set to a rowdy, live rockabilly/punk band. Congrats to the two winners: Michael Callahan of Gitane, created a fresh, aperitif-like concoction using, among other things, lemon and fennel root. Josh Harris, of 15 Romolo, once again pulled a win with his nuanced “Bridge to Terabithia” (loved that book as a kid), which contained everything from his own fennel syrup to 42 Below’s Kiwi Vodka, dusted with masala chai.

Josh Harris goes for the win. Photo by Virginia Miller.

I loved straight-from-the-orchard apple freshness of Spruce’s Brandon Clements’ cocktail – his answer (or welcome antidote?) to Apple-tini requests. I commend the use of cherry jalapenos in Chase Williamson’s (of 21st Amendment) Wha Rua (“42″ in Maori).

My favorite was also the biggest adventure: Tavern at Lark Creek’s Joseph Parrilli’s Waggle Dance (name inspired by bee action) is a floral/sweet creation of vodka, Fever Tree ginger beer, wildflower bitters, Wedderspoon Manuka raw honey, topped with sugar-crusted, gold-dusted bees. Yes, bumble bees (stinger removed). I dove right in an ate one. Cute, crunchy, without much flavor, it’s kind of like eating a grasshopper, like I’ve had in Southeast Asia.

Sonic Reducer Overage: Holly Miranda, Quasi, SambaDa, and more

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Rain, rain go away — and gird your damp loins for more music than we could fit into print.

Holly Miranda
The Detroit-bred singer-songwriter sleeps on fire, walks on water, judging from the angelic Magician’s Private Library (XL), produced by her pal Dave Sitek. With Foxtail Somersault and Tortured Genies. Tues/9, 9:30 p.m., $10. Cafe du Nord, 2170 Market, SF. (415) 861-5016.

Black Rebel Motorcycle Club
The Bay Area-born band hones a rawer, more rustic sound with a new drummer, Leah Shapiro, and new long-player, Beat the Devil’s Tattoo (Abstract Dragon/Vagrant). With the Whigs (and Cellar Doors Wed/10). Tues/9, 8 p.m., Wed/10, 7:30 p.m., $30. Slim’s, 333 11th St., SF. (415) 522-0333. Wed/10, 6 p.m., free. Amoeba Music, 1855 Haight, SF. (415) 831-1200.


Quasi
The finest tune with the title “Repulsion” since Dinosaur Jr.’s opens the new American Gong (Kill Rock Stars) by the duo-turned-trio. Wed/10, 8 p.m., $12-$14. Independent, 628 Divisadero, SF. (415) 771-1422.

Basia Bulat
She’s the sweetest autoharp-strumming songwriter to blow down from Toronto in many a day. Wed/10, 9 p.m., $12. Hotel Utah, 500 Fourth St., SF. (415) 546-6300.

Balkan Beat Box
Gogol playthings will break out those bellydance moves for the gypsy-punk-electronic super-colliding offshoot. Mon/15, 8 p.m., $22.50. Fillmore, 1805 Geary, SF. (415) 346-6000.

SambaDa
Dance is at the root of the Santa Cruz combo, led by capoeira master Papiba Godinho — and dance they all will at this show celebrating the release of the new self-released Gente! Sat/13, 9 p.m., Independent, 628 Divisadero, SF. (415) 771-1422.

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 3

ROCK/BLUES/HIP-HOP

Backyard Tire Fire, Arcadio Hotel Utah. 9pm, $10.

Jello Biafra and the Guantanamo School of Medicine, Fracas, Abu Ghraib Bottom of the Hill. 9pm, $12.

Big John Bates and the Voodoo Dollz, Quarter Mile Combo, Reverend Deadeye Thee Parkside. 8pm, $7.

For Fear the Hearts of Men Are Failing, Cousin Chris Show, Jamie Wong El Rio. 8pm, $5.

Generalissimo, Cartographer, Assistant Cobra Elbo Room. 9pm, $7.

Guitar Shorty Biscuits and Blues. 8pm, $15.

La Corde, Stirling Says, Only Sons Hemlock Tavern. 9pm, $6.

Jason Movrich Abbey Tavern, 4100 Geary, SF; (415) 221-7767. 9pm, free.

Phantogram Rickshaw Stop. 8pm, $10.

Snoop Dogg Fillmore. 8pm, $55.

*Alan Toussaint Great American Music Hall. 8pm, $35.

FOLK/WORLD/COUNTRY

Bluegrass Country Jam Plough and Stars. 9pm.

Faye Blais, Sarah Burton Café Royale, 800 Post, SF; (415) 441-4099. 8pm, free.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night!

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Mary-Go-Round LookOut, 3600 16th St., SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 4

ROCK/BLUES/HIP-HOP

Big Light, Everest, Guns for San Sebastian Independent. 8pm, $14.

Chauncey Evans Quintet Coda. 9pm, $7.

Dashing Suns, Sunbeam Rd. Adobe Books, 3166 16th St, SF; http://adobebooksbackroomgallery.blogspot.com. 7pm, free.

Lloyd Gregory Biscuits and Blues. 8pm, $15.

Gun and Doll Show, Pollux Rickshaw Stop. 8pm, $20. Benefit for the George Mark Children’s House.

*Hunx and His Punkettes, Splinters, Magic Bullets Amnesia. 9pm, $7.

Midlake, Matthew and the Arrogant Sea Great American Music Hall. 9pm, $18.

Ash Reiter, Tippy Canoe and Mikie Lee Prasad, Anna Ash Hemlock Tavern. 9pm, $6.

*Saviours, Lecherous Gaze, Futur Skullz Eagle Tavern. 10pm, $8.

Rocky Votolato, Adam Stephens, Tin Can Notes Bottom of the Hill. 9pm, $14.

Veil Veil Vanish Popscene at 330 Ritch. 10pm.

JAZZ/NEW MUSIC

"Other Minds Festival of New Music" Kanbar Hall, Jewish Community Center of San Francisco, 3200 California, SF; www.otherminds.org. 8pm, $35.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 8 and 10pm, $16-24.

FOLK/WORLD/COUNTRY

Circle R Boys Atlas Café. 8pm, free.

Heather Combs, Matthew Hansen, Dave Gleason Hotel Utah. 8pm, $8.

Shana Morrison Café du Nord. 8pm, $15.

Shannon Céilí Band Plough and Stars. 9pm.

Oliver Rajamani Ensemble Swedish American Hall (upstairs from Café du Nord). 8pm, $20.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout. 9pm, $2. With DJs subOctave and Blondie K spinning indie music videos.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Love Them Phishes DNA Lounge. 8pm, $15-20. Gypsy punk with Alxndr, Bombgoddess, Ra-So, and Globalruckus.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 5

ROCK/BLUES/HIP-HOP

Barcelona, Mata Leon, Lia Rose Slim’s. 9pm, $15.

Barn Owl, Carlton Melton, Electric Jellyfish Hemlock Tavern. 9:30pm, $7.

Diego’s Umbrella, Yung Mars, Funky C Café du Nord. 9:30pm, $12.

Flexx Bronco, Corruptors, Spitting Cobras, All Bets on Death Bottom of the Hill. 9pm, $10.

Galactic feat. Cyril Neville and Big Freedia Fillmore. 9pm, $29.50.

Joe Henry, Dayna Stephens Great American Music Hall. 9pm, $20.

Hightower, Lozen, Sugar Sugar Sugar Pissed Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 10pm, $5.

*Hillstomp, Luke Franks, Black Crown Stringband Rickshaw Stop. 8:30pm, $12.

*No Bunny, TV Ghost, Outdoorsmen, Mom Thee Parkside. 9pm, $8.

Jackie Payne and Steve Edmonson Band Biscuits and Blues. 8 and 10pm, $20.

Melonumba, Cloverleaf Drive DNA Lounge. 5:30pm, $12.

Stockholm Syndrome, These United States Independent. 9pm, $25.

Tremor Low, Alright Class, Photons, Grand Atlantic Hotel Utah. 9pm, $6.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

"Other Minds Festival of New Music" Kanbar Hall, Jewish Community Center of San Francisco, 3200 California, SF; www.otherminds.org. 8pm, $35.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 8 and 10pm, $20-28.

Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

SFJAZZ Collective Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 8pm, $25-60.

Shotgun Wedding Symphony Coda. 10pm, $10.

FOLK/WORLD/COUNTRY

Audiodub, Kapakahi Elbo Room. 10pm, $12.

Jarrod Gorbel Swedish American Hall (upstairs from Café du Nord). 7:30pm, $12.

Prasant Radhakrishnan’s VidyA Red Poppy Art House. 8pm, $15.

Quinn DeVeaux and the Blue Beat Review Plough and Stars. 9pm.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Rockabilly Fridays Jay N Bee Club, 2736 20th St., SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strangelove Cat Club, 1190 Folsom, SF; (415) 703-8965. 9pm, $6. With DJs Tomas Diablo, Lowlife, Fact50, and Death Boy spinning goth and industrial.

SATURDAY 6

ROCK/BLUES/HIP-HOP

Appleseed Cast, Dreamend Bottom of the Hill. 10pm, $14.

Badstrip, Pins of Light, Space Vacation Thee Parkside. 9pm, free.

Mike Beck and the Bohemian Saints Riptide. 9pm, free.

Mike Doughty, Christina Courtin Slim’s. 9pm, $22.

Galactic feat. Cyril Neville and Big Freedia Fillmore. 9pm, $29.50.

Little Teeth, Hermit Thrushes, Woom Hemlock Tavern. 9pm, $7.

McCabe and Mrs. Miller Makeout Room. 7pm.

Natron Blue, FishBiteFish, Bro Hotel Utah. 9pm, $7.

Elliot Randall and the Deadmen, Famous, Cyndi Harvell Café du Nord. 9pm, $12.

Stockholm Syndrome, These United States Independent. 9pm, $25.

Joe Louis Walker Biscuits and Blues. 8 and 10pm, $22.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

George Cole Quintet and Fishtank Ensemble Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $20.

Tim Nunn and Blake McGee Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8pm, $10.

"Other Minds Festival of New Music" Kanbar Hall, Jewish Community Center of San Francisco, 3200 California, SF; www.otherminds.org. 8pm, $35.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 8 and 10pm, $28.

Rev Allstars Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Brent Amaker and the Rodeo, Apache Thunderbolt Amnesia. 9pm, $7.

George Cole and the Fishtank Ensemble Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 8:15pm, $22.

Dust Bowl Cavaliers vs Misisipi Rider Plough and Stars. 9pm.

Qadim Ensemble Red Poppy Art House. 8pm, $15-$20.

Shackleton, Eskmo, Eprom, Kush Arora Darkroom, Club Six. 10pm, $15. Playing live bass music.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Debaser Knockout. 11pm, $5. Wear your flannel and get in free before 11pm to this party, where DJ Jamie Jams and Emdee play alternative hits from the 1990s.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

*J-Boogie’s Dubtronic Science with Skins and Needles featuring DJ Jeph and Max MacVeety Coda. 10pm, $10.

Kontrol Endup, 401 6th St., SF; (415) 541-9422. 10pm, $20. With resident DJs Alland Byallo, Craig Kuna, Sammy D, and Nikola Baytala spinning minimal techno and avant house.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

New Wave City DNA Lounge. 9pm, $7-12. "Ladies of the 80s" dance party with Skip and Shindog.

Pure Behrouz Mighty. 10pm, $15. With DJs Behrouz, Julius Papp, and Rooz spinning house.

Rebel Girl Rickshaw Stop. 10pm, $5. "Electroindierockhiphop" and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.

Social Club LookOut, 3600 16th St., SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Soundscape Vortex Room, 1082 Howard, SF. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 7

ROCK/BLUES/HIP-HOP

Abe Vigoda, Lovvers, High Castle Bottom of the Hill. 9pm, $10.

"Battle of the Bands" DNA Lounge. 5:30pm, $10-12. With High Like Five, Sol, Supernaculum, Animojams, and more.

Black Dahlia Murder, Obscura, Augery, Hatesphere Slim’s. 7pm, $15.

Killswitch Engage, Devil Wears Prada, Dark Tranquillity Warfield. 7:30pm, $32.

Lindsay Mac Band, Natalia Zuckerman Hotel Utah. 8pm, $12.

Leslie and the Lys, Christopher the Conquered, Planet Booty Rickshaw Stop. 8pm, $14.

*Shrinebuilder, Harvestmen, A Storm of Light Independent. 8pm, $17.

Two Dollars Out the Door, Birthday Suits, Rank/Xerox Hemlock Tavern. 9pm, $5.

JAZZ/NEW MUSIC

Kate McGarry Trio with Keith Granz and Clarence Penn Swedish American Hall (upstairs from Café du Nord). 7pm, $25.

Le Jazz Hot Café Royale, 800 Post, SF; (415) 441-4099. 6pm, free.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 5 and 7pm, $5-28.

FOLK/WORLD/COUNTRY

Shane Cooley Kimo’s. 6pm, $5.

Frank French Sherman and Clay, 647 Mission, SF; (415) 543-1888. 4pm, free.

Raul Malo Café du Nord. 8:30pm, $20.

"Te Gusto Musical" Coda. 8pm, $10. With Hector Lugo and Mixta Criolla.

Linda Tillery and the Cultural Heritage Choir, Eric Bibb Great American Music Hall. 8pm, $21.

Quin and friends Plough and Stars. 9pm.

Wooden Fish Ensemble Old First Concerts, 1751 Sacramento, SF; (415) 474-1608. 4pm, $14-$17. Celebrating the music of Hyo-shin Na.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Selector Shockman.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Good Clean Fun LookOut, 3600 16th St., SF; (415) 431-0306. 3pm, $2. With drink specials, DJs and tasty food.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 8

ROCK/BLUES/HIP-HOP

Anuhea and the Green Band, Sage Broadway Studios. 8pm, $40.

Blank Tapes, Mystery Lights, Nectarine Pie, Manhattan Murder Mystery Elbo Room. 9pm, $6.

Delta Spirit, We Barbarians, Elephant Micah Bottom of the Hill. 9pm, $12.

Dirty Heads, Simpkin Project, Pacific Dub Slim’s. 8pm, $15.

Amber Rubarth, Jim Bianco, Ryan Auffenberg Café du Nord. 9:30pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 9

ROCK/BLUES/HIP-HOP

Black Rebel Motorcycle Club, Whigs Slim’s. 8pm, $30.

*Cave Singers, Dutchess and the Duke, Moondoggies Independent. 8pm, $14.

Clientele, Wooden Birds Great American Music Hall. 8pm, $15.

Extra Life, Ora Corgan, Chelsea Wolfe, Neighbors Hemlock Tavern. 9pm, $7.

Dominique Leone, 3 Leafs, William Winant Amnesia. 7pm, $8.

Fromagique Elbo Room. 9pm, $8. Live band and burlesque show.

Little Boots, Dragonette, Class Actress Fillmore. 8pm, $20.

Jared Mees and the Grown Children, Rock Cookie Bottom Grant and Green. 9pm, free.

Holly Miranda Café du Nord. 9:30pm, $10.

Sevendust, Drowning Pool, Digital Summer, Flood Regency Ballroom. 7:30pm, $27.

*Mike Watt and the Missingmen, Lite, Low Red Land Bottom of the Hill. 9pm, $12.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Hot sex events: Feb 24-March 2

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Hot sex events: Feb 24-March 2

It’s all bondage, bodies, and polys in the Bay this week.

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Get Your Kink On – BDSM 101
Selina Raven, voted Best Dang Dominatrix in our 2007 Best of the Bay issue, hosts this workshop on everything you need to know about BDSM, including common kinky desires and activities, BDSM anatomy, and basics about introducing kink into relationships.

Wed/24, 8pm
$25-$30
Good Vibrations Valencia
603 Valencia, SF
www.goodvibes.com

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Relationship Mapping/Poly 101
Shanna Katz presents a basic training on the types of relationships people have, how we can map them, and what we can get out of these maps. Katz will talk about polyamory and its various facets, including how to make it work, and how negotiation can play a huge role in creating sustaining healthy relationships.

Thurs/25, 6pm
$10-$20
Culture for Sex and Culture
1519 Mission, SF
sexandculture.org

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Love Your Body Now!
Join Catherine Toyooka for a thought-provoking, interactive workshop meant to allow participants to explore the root of their body issues and how that’s prevented them from fully embracing their sexuality. The session also will explore the reality of genital shame.

Thurs/25, 7:30pm
$20-$30
Culture for Sex and Culture
1519 Mission, SF
sexandculture.org

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Red Hots Burlesque
Trauma Flintstone hosts and performs at a special edition of this weekly burlesque review, alongside Bunny Pistol, sASSy Hotbuns, Dottie Lux, The Empress, and Honey Lawless (who’s performing a brand new number).

Fri/26, 7:30pm
$5-$10
El Rio
3158 Mission, SF
www.redhotsburlesque.com

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Vaginal Fisting for One and All!
Learn what fisting is, how to introduce it into your relationships, and how to do it safely with this workshop by Shanna Katz, which includes a live-action, hands-in demo.


Fri/26, 7pm
$20-$30
Culture for Sex and Culture
1519 Mission, SF
sexandculture.org

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Sizzle
Femina Potens’ award-winning literary erotica series features Essin Em, Rita Seagrave, and Patrick Califia for a night of readings exploring sexuality as it concerns people who are differently abled.

Sat/27, 8pm
$10
Femina Potens
2199 Market, SF
www.feminapotens.org

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BDSM 101 Workshop
Perfect for the beginner, this workshop with Essin Em will help the curious find their way into the local scene, or simply into a spicier homelife.

Sat/27, 2pm
$5-$10
Femina Potens
2199 Market, SF
www.feminapotens.org

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Sexability Workshop
Following her 2 p.m. beginners’ class, Essin Em hosts this part workshop/part support group geared towards people who are differently abled and their partners. Participants are encouraged to share suggestions and trade ideas.

Sat/27, 4pm
$5-$10
Femina Potens
2199 Market, SF
www.feminapotens.org

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Eyes Wide Open
Club Exotica presents a night of interactive, participatory, sexy discovery and exploration inside Kink’s Armory. Explore respectful touch, sensual or sexy play, pushing boundaries, and exhibitionism in a luxurious Edwardian Room (which will be filmed until 2 a.m.) or lounge room while enjoying drinks, snacks, DJs, performances, and special permissive slaves. To be involved, you must RSVP/apply and sign a model release, and be willing to come dressed to impress in Edwardian, Victorian, burlesque, steam punk, cocktail, or fetish costume.

Sat/27
The Armory
1800 Mission, SF
For info and to RSVP, click here
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Lap Dancing 101
Rita Seagrave teaches the moves youneed to feel confident seducing a new lover or rekindling lust with a longtime partner. This participatory course is open to people of all sizes, genders, and sexual orientations. No partner necessary.

Sun/28, 1pm
$20
Femina Potens
2199 Market, SF
www.feminapotens.org

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Exotic Dance Smorgasbord: Intro to Pole-Lap-Floor and More
Explore the ways our body naturally loves to move and demystify exotic dance concepts throug a series of exercises, demonstrations, and practice time.

Sun/28, 12-6pm
$149
Culture for Sex and Culture
1519 Mission, SF
sexandculture.org

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Hubba Hubba @ Uptown
Kingfish and Eddie kick off a new month with Sugar La Vie, Desiree DuBois, Teresa Camp, Kiss Me Kate, Zip the What-Is-It?!, and a special full-set performance by Onkel Woland and The Black Forest Menagerie.

Mon/1, 9pm
$5
Uptown Club
1928 Telegraph, Oakl
www.hubbahubbarevue.com

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Reconnect with Pleasure: A Physical Therapist’s Approach to Overcoming Pelvic Pain
Painful intercourse is more common that most people think. Elizabeth McBride, MSPT, explains how the pelvic floor muscles can cause pain during sex, erectile dysfunction, pain with orgasm, and more.

Tues/2, 8-10pm
$25-$30
Good Vibrations Polk
1620 Polk, SF
www.goodvibes.com

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Illin’ for Illiad

Jesse Hawthorne Ficks
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A preternatural rooting of the vengeful Bush legacy (and Obama continuance) into neo-classical sonic aesthetics? Another uncanny contemporary slice (in slo-mo) of the Illiad? A Shriekback? Sea breeze, sea breeze… These New Puritans‘ “We Want War” from the awesome and challenging new Hidden (Domino) complexifies their post-punk revival ways to put the sinew in Stravinsky, the killer in Achilles.

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 24

ROCK/BLUES/HIP-HOP

Kasey Anderson, Matthew Ryan, Allen Stone, Andrew Belle Hotel Utah. 8pm, $8.

Foreign Born, Fresh and Onlys, Free Energy, Splinters Rickshaw Stop. 8pm, $14.

Ghost of a Saber Toothed Tiger, Cornelius, If By Yes, Hirotaka Shimizu Independent. 8pm, $20.

Pepi Ginsberg, Pepper Rabbit Hemlock Tavern. 9pm, $7.

Harlem, Sandwitches, Young Prisms Café du Nord. 8pm, $12.

Left Alone, Bum City Saints, Hounds and Harlots Thee Parkside. 8pm, $8.

Richard Thompson Band Great American Music Hall. 8pm, $28.

Rogue Wave, Princeton, Man/Miracle, Two Sheds Bottom of the Hill. 8pm, $15.

Sideshow Fiasco, Kajillion, Illness El Rio. 7pm, $5.

Sioux City Kid, Vandella, Landlords Red Devil Lounge. 8pm, $8.

FOLK/WORLD/COUNTRY

Michael Abraham Jazz Session, Gaucho Amnesia. 8pm, free.

Michael Rose with Dubtronic Kru Rockit Room. 9pm, $25.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Mary-Go-Round LookOut, 3600 16th St., SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 25

ROCK/BLUES/HIP-HOP

Dan Black, Free Energy 330 Ritch. 9pm, $10-13.

Curtis Bumpy Coda. 9pm, $7.

Citay, Scout Niblett, Greg Ashley, Tape Deck Mountain Café du Nord. 8pm, $14.

*Cute Lepers, Clorox Girls, Primitivas, Boats! Thee Parkside. 9pm, $8.

Dodos, Magik*Magik Orchestra Palace of Fine Arts, 3301 Lyon, SF; www.ticketmaster.com. 8pm, $25.

Shane Dwight Biscuits and Blues. 8pm, $15.

Far, Stomacher, Picture Atlantic, Trophy Fire Bottom of the Hill. 8pm, $14.

Robert Grashaw Amnesia. 7pm, free.

Bill Kreutzmann with Oteil Burbridge and Scott Murawski Independent. 9pm, $25.

Moe. Fillmore. 8pm, $37.50.

Richard Thompson Band Great American Music Hall. 8pm, $28.

Slow Children, Wobbly and Preshish Moments, Maleficia, Alexandra Buschman Amnesia. 9pm, $5.

Space Monkey Gangstas, RU36, 5 Days Dirty, Release Slim’s. 8:30pm, $13.

*Toasters, Inciters, Monkey Red Devil Lounge. 8pm, $12.

*"Tribute to Johnny Cash" Knockout. 8pm, $10. With Glen Earl Brown Jr., B Stars, Royal Deuces, Big B and His Snake Oil Saviors, and more.

Zaimph, Vodka Soap, Bill Orcutt, Stellar OM Source Hemlock Tavern. 9pm, $7.

Zee Avi, Hot Toddies, Leslie and the Badgers Rickshaw Stop. 8pm, $14.

FOLK/WORLD/COUNTRY

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Ejector DNA Lounge. 9pm, $10. Synthpop with Robot Bomb Shelter and DJs Chris Zachos, Dabecy, and Papa Tony.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Gymnasium Matador, 10 6th St., SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

La Riots Manor West, 750 Harrison, SF; (415) 407-4565. 10pm, $10.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 26

ROCK/BLUES/HIP-HOP

Atlas Sound, Geographer, Magic Wands, Nice Nice Great American Music Hall. 8pm, $18.

Bikefight, Sopors, Overns, Bobby Joe Ebola Pissed Off Pete’s, 4456 Mission, SF; www.pissedoffpetes.com. 9pm, $5.

Blank Stares, Wild Yaks Hemlock Tavern. 9:30pm, $7.

Rick Estrin and the Night Cats Biscuits and Blues. 8 and 10pm, $20.

Expendables, Iration, Passafire, Pour Habit, Roots Down Below Fillmore. 9pm, $19.50.

Four Tet, Nathan Fake, Rainbow Arabia, NewVillager Independent. 8pm, $18.

Judgement Day, Scissors for Lefty, Ghost and the City, Glaciers Bottom of the Hill. 9pm, $12.

Limousines, Butterfly Bones, Battlehooch Slim’s. 8pm, $14.

*Mumlers, Growlers, Sonny and the Sunsets, Ferocious Few Café du Nord. 8pm, $14.

Notorious, Darkwave Red Devil Lounge. 8pm, $10-20. Benefit for victims of the earthquake in Haiti.

Sons of Doug, Crazy Famous, Scar Pin, West Of Hotel Utah. 9pm, $6.

Thrashers Broadway Studios. 8pm.

John Vanderslice, Nurses, Honeycomb, Conspiracy of Venus Swedish American Hall (upstairs from Café du Nord). 8pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

David Benoit Yoshi’s San Francisco. 8pm, $28.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Bryan Girard Quartet Cliff House, 1090 Point Lobos, SF; (415) 386-3330. 7pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Jim Butler Quartet Savanna Jazz. 8pm, $8.

"Kronos: Music from 4 Fences" Z Space, 450 Florida, SF; www.kronosquartet.org. 8pm, $25.

Joshua Redman Grace Cathedral, 1100 California, SF; www.sfjazz.org. 8pm, $25-50.

FOLK/WORLD/COUNTRY

Dogman Joe, La Gente, Justin Ancheta Elbo Room. 10pm, $10.

Lucky Road Amnesia. 9pm, $5.

Pellejo Seco Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

Pickpocket Ensemble Red Poppy Art House. 8pm, $12-$15.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Sila presents Sahara Coda. 10pm, $10.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $10-15. With guests All Leather and Dan Sena.

Bohemian Carnival DNA Lounge. 9pm, $20. With Vau de Vire Society, Gooferman, Gun and Doll Show, DJ Smoove, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

House of Voodoo Medici Lounge, 299 9th St, SF; (415) 501-9162. 9pm, $5. With DJs Voodoo and Purgatory spinning goth, industrial, deathrock, and glam.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Rockabilly Fridays Jay N Bee Club, 2736 20th St., SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. Teen beat, twisters, and surf tunes with DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 27

ROCK/BLUES/HIP-HOP

!!!, Maus Haus, Sugar and Gold, My First Earthquake Mezzanine. 8pm, $20.

A Band Called Pain, Punk Funk Mob, Sistas in the Pit Pissed Off Pete’s, 4456 Mission, SF; www.pissedoffpetes.com. 9pm, $5.

Black Prairie, Trainwreck Riders, Billy and Dolly Rickshaw Stop. 8pm, $14.

Bitter Mystics, Form of Transport El Rio. 7pm, free.

*Chain and the Gang, Strange Boys, Ty Segall, Nodzzz Elbo Room. 9pm, $10.

Children of the Damned, Hangar 18, Strangers in the Night Red Devil Lounge. 8pm, $10.

Shelby Cobra, Get Dead, Sore Thumbs, New York Ninja Thee Parkside. 9pm, $6.

*Dan the Automator presents Audio Alchemy Yoshi’s San Francisco. 10:30pm, $20. With DJ Qbert, DJ Shortkut, Jazz Mafia All-Stars, and Mars-1.

Dead Souls, Luv ‘n’ Rockets Knockout. 9pm, $8. Joy Division and Love and Rockets tribute bands.

Eyes Speak Treason, Annonimato, Hemorage Thee Parkside. 3pm, free.

*Mark Kozelek, Laura Gibson, Paula Frazer, Fences Great American Music Hall. 8pm, $30.

Memory Tapes, Loquat, Birds and Batteries, Letting Up Despite Great Faults Bottom of the Hill. 9pm, $12.

PEE, True Widow, Ovens, Grass Widow Café du Nord. 8pm, $14.

*Shannon and the Clams, Pharmacy, Rantouls, Bebe McPhereson Hemlock Tavern. 9:30pm, $7.

Soundtrack of Our Lives, Nico Vega, Music for Animals, Imaad Wasif Independent. 8pm, $16.

Super Adventure Club, Blammos, Felsen Hotel Utah. 9pm, $8.

Sweedish, Sean Tabor Band, Blue Natron Kimo’s. 9pm, $8. Benefit for the Red Cross’s relief efforts in Haiti.

Earl Thomas unplugged Biscuits and Blues. 8 and 10pm, $22.

Turbonegra, Grannies, Shootin’ Lucy, Sioux City Pete and the Beggars El Rio. 10pm, $7.

We Were Promised Jetpacks, Lonely Forest, Bear Hands, Tempo No Tempo Slim’s. 8pm, $16.

JAZZ/NEW MUSIC

Al Di Meola’s World Sinfonia Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 8pm, $25-65.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

David Benoit Yoshi’s San Francisco. 8pm, $28.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Jazz Mafia presents Remix: Live Coda. 10pm, $10.

Josh Jones Cigar Bar and Grill, 850 Montgomery, SF; www.cigarbarandgrill.com. 9pm, $7.

"Kronos: Music from 4 Fences" Z Space, 450 Florida, SF; www.kronosquartet.org. 8pm, $25.

Ricardo Scales Top of the Mark. 9pm, $15.

Marlena Teich and Pete Yellin Savanna Jazz. 8pm, $8.

FOLK/WORLD/COUNTRY

California Honeydrops Red Poppy Art House. 7:30pm and 9pm, $10-$15.

Karina Denike, Lauren Cameron Klein, Aaron Novik’s Thorny Brocky Amnesia. 6pm, $5. Part of the Songbird Festival.

Killabossa, Mihaly’s Shimmering Leaves, Peace of Mind Orchestra Amnesia. 9pm, $7.

Quinteto Latino Community Music Center, 544 Capp, SF; (415) 647-6015. 8pm, free.

DANCE CLUBS

Area Codes Etiquette Lounge, 1108 Market, SF; (415) 863-3929. 10pm, $10. Celebrating the birthplace of hop hop, New York, with DJs Blaqwest and White Mike.

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, VeeJay Satva, and Javier, plus free 80s hair and make-up by professional stylists.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups with Adrian, Mysterious D, and more.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Fog City Wrestling DNA Lounge. 1:30pm, $5. Live wrestling show.

Go Bang! Deco SF, 510 Larkin St; (415) 346-2025. 9pm, $5. Recreating the diversity and freedom of the 70’s/ 80’s disco nightlife with DJs Stanley Frank, Steve Fabus, Nicky B., Sergio and more.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

M.A.N.D.Y. Paradise Lounge. 9pm, $12.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, Tesfa, Serg, and Fuze spinning reggae, dancehall, and remixes.

Social Club LookOut, 3600 16th St., SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 28

ROCK/BLUES/HIP-HOP

*Cannabis Corpse, Stormcrow, Voetsek, Wasteoid, Sorrower Thee Parkside. 8:30pm, $8.

Crack Sparkle El Rio. 5pm, free.

Evan Dando, Milo Jones Café du Nord. 8pm, $16.

Dizzy Balloon, Hounds Below, Visqueen, Laarks Bottom of the Hill. 1pm, $12.

Heel Draggers Thee Parkside. 4pm, free.

Valerie Orth, Theresa Perez, London Street Red Devil Lounge. 8pm, $10. Benefit for Partners in Health’s efforts to aid victims of the earthquake in Haiti.

"School of Rock Alumni Present: Haitian Relief Benefit" Café du Nord. 1pm, $15.

Edward Sharpe and the Magnetic Zeros, Watson Twins, A B and the Sea, Northern Key Bimbo’s 365 Club. 7:30pm, $22.

Chantelle Tibbs, Emily Bonn, Sirens El Rio. 7pm, $5.

FOLK/WORLD/COUNTRY

Heather Klein’s Inextinguishable Trio Red Poppy Art House. 7pm, $12-$15.

Latin Jazz Youth Ensemble of SF, Sandy Cressman and Sombra y Luz, Ray Obiedo and Mamba Caribe, Bay Area Latin Jazz All-Stars Pier 23. 3pm, $25. Proceeds to benefit Sionfonds for Haiti.

Orchestra Nostalgico, Tango No. 9 Amnesia. 8pm, $8-$10.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Maneesh the Twister, and guest Antiserum.

45 Club Knockout. 10pm, free. The funky side of soul with DJs dX the Funky Grandpaw, Dirty Dishes, and English Steve.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Good Clean Fun LookOut, 3600 16th St., SF; (415) 431-0306. 3pm, $2. With drink specials, DJs and tasty food.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 1

ROCK/BLUES/HIP-HOP

*Magnetic Fields, Mark Eitzel Herbst Theatre, 401 Van Ness, SF; www.ticketmaster.com. 8pm, $32.50.

DANCE CLUBS

Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Dressed in Black Elbo Room. 10pm, $5. Music from the shadows with DJs Deathboy and Fact.50.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 2

ROCK/BLUES/HIP-HOP

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

Hold Up, Jhameel, Midnight Sun Bottom of the Hill. 9pm, $8.

Inner Ear Brigade, George Hurd Ensemble, William S. Braintree Elbo Room. 9pm, $6.

Lunar Sway, Selena Garcia, See Green Red Devil Lounge. 8pm, $7.

Taken By Trees, El Perro Del Mar Café du Nord. 9pm, $15.

Unko Atama, Started-Its, Custom Kicks Knockout. 9:30pm, free.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Taypoleon, and Mackiveli.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Our Weekly Picks

Jesse Hawthorne Ficks
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0

WEDNESDAY 17

MUSIC

“Dig This! Local Only Live Showcase”: C U Next Weekend

A kick flip here and a hip-hop, indie combo there, C U Next Weekend is hands down the Oakland version of the corporate-backed, top 40 favorite Gym Class Heroes that hit the radio a few years back. The pack of adorable Berkeley boys rock hard and fit into their skate shoes as the perfect party band. Pirate Cat Radio presents “Dig This! Locals Only Live Showcase” at the Uptown every Wednesday. Along with C U Next Weekend, this week’s show includes the ambient, soothing sounds of the Blind plus Black Balloon’s electric rock. (Amber Schadewald)

9 p.m., free

Uptown Night Club

1928 Telegraph Avenue, Oakl.

(510) 451-8100

www.piratecatradio.com


THURSDAY 18

FILM

“Freaks, Punks, Skanks, and Cranks: Target Video Presents”

Kick-starting this five-part film series on weirdos and wackos is a look-see into Target Video’s vast collection of live shows by and interviews with late 1970s and early ’80s underground hardcore, punk, and art bands. Launched in 1977 by SF’s own Joe Rees, these pre-MTV VHS documents offer a much-needed source of inspiration and revitalization for today’s defused and confused punk scenes. But if the distant sounds and visions of Devo, Throbbing Gristle, Mutants, and the Screamers don’t whet your nerves, then surely Rees — a veteran who understands effective affects from defective redux — who’ll be appearing live, in the flesh, will. (Spencer Young)

6, 8 and 10 p.m., $8–$10

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

 

MUSIC

Joshua Roman

“The High School of Cello Playing” sounds like a weird mashup of Vivaldi and the Ramones, but it’s actually a suite of 40 lively, adventurous etudes by overlooked Bohemian composer David Popper (1843-1913). Hot-hot 26-year-old cello sensation Joshua Roman is currently updating the piece for a digital age, using his laptop to record himself performing each etude at random spots on the globe. He’ll be joining the SF Symphony to play Haydn’s bracing Cello Concerto No. 1. (Beethoven’s fab Eroica is also on the menu.) But if you hear some expert fingering in one of the bathroom stalls afterward, don’t be alarmed. It’s art. (Marke B.)

2 p.m., $15–$145 (also Fri. and Sat., 8 p.m.)

Davies Symphony Hall

201 Van Ness, SF

www.sfsymphony.org

 

MUSIC/FOOD

The BASSment

Fans of funk, soul, and new directions in hip-hop can take a trip into the BASSment, largely inspired by the innovative Soulive band and its counterpart, Lettuce. Kevin Wong, the leader of this talented quartet, holds down the keys and Hammond sounds with his right hand while his left picks up the bass lines. Guitarist Nate Mercereau adds insight with tasteful nuances and nasty solos. On the drum set, Clarence Lewis IV has his pockets full of funk. Also on the bill is Daniel Casares, tenor saxophonist from SF’s Jazz Mafia. Enjoy an evening of classic Italian cuisine and music that will have you dancing. (Lilan Kane)

8 p.m.-midnight, no cover (reservations encouraged)

Enrico’s

504 Broadway, SF

(415) 982-6223

www.enricossf.com

 

MUSIC

Dessa, P.O.S.

A hip-hop artist, poet, and former medical writer, Dessa (a.k.a. Maggie Wander) is the sole female member of Doomtree, the Minneapolis, punk-inspired collective with a thick hometown following. The pen is her sword, lover, and an extension of her analytical soul. Her first album, A Badly Broken Code (Doomtree), dropped earlier this month, bringing dark ideas and dissected theories wrapped in rust-bitten beats. Fellow Doomtree crew member P.O.S. closes the show. (Schadewald)

8:30 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.myspace.com/dessadarling

 

MUSIC

Zapp

Founded by Ohio brothers Roger and Lester Troutman in 1978, Zapp soon signed to George Clinton’s Uncle Jam Records. In 1980, they released their first single, “More Bounce to the Ounce.” Coproduced by Bootsy Collins, that song put them on the map, peaking in the top 20 of Billboard’s pop chart and No. 2 on the soul charts. Zapp has had a considerable impact on the G-funk era — Roger Troutman’s imaginative use of the talk box and hand-clapped drumbeats make “More Bounce to the Ounce” one of the most sampled songs in hip-hop. “Computer Love” and “Cutie Pie” are still popular staples in dance clubs for a reason. (Kane)

8 and 10 p.m. (also Fri/18–Sat/19), $18–$30

Yoshi’s SF

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com

 

FRIDAY 19

EVENT/MUSIC/VISUAL ART

“L@te Friday Nights @ BAM/PFA: Skank Bloc Bologna”

It isn’t every night you can see a Scritti Politti cover band. If you love pop music at its smartest and most melodic, you know what I’m talking about. And if you haven’t heard them, tonight is your chance, since they figure in the DJ list, and local artists Cliff Hengst, Scott Hewicker, and Karla Milosevich are performing Scritti songs. If that’s not enough, the evening also includes fencing, Pier Paolo Pasolini, and Derek Jarman. (Johnny Ray Huston)

7:30 p.m., $5

Berkeley Art Museum

2626 Bancroft, Berk.

(510) 642-0808

www.bampfa.berkeley.edu

 

EVENT/MUSIC/VISUALART

“Renée Green: Endless Dreams and Time-Based Streams”

Renée Green’s art has traveled the world, the past two decades engaging with feminism, history, and the subject of travel itself in the process. This show is a homecoming of sorts for the artist, who lives in SF. It’s her first major U.S. exhibition in 15 years. Wear a blue shirt, dress, or costume to the opening night, which includes live music by Oakland’s Colossal Yes and L.A.’s Wounded Lion. (Huston)

8 p.m., $12–$15

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org


SATURDAY 20

EVENT/MUSIC/FILM

An Evening of Indian Music: From the Classical to Bollywood with Robin Sukhadia

Undeniably the most successful film in Bollywood history, Sholay (1975) follows two small-time criminals hired by a bounty hunter to capture a reckless dacoit. With a soundtrack composed by RD Burman fusing Latin and Afro-Cuban sounds with classical Indian music, it’s no wonder this film became a national sensation. Tonight local tabla musician Robin Sukhadia delves into the work of Burman and discusses how his music made this Western–style flick come to life. A performance of entrancing rhythms and beats on the tablas by Sukhadia and Jason Parmar follows the lecture. (Elise-Marie Brown)

6:30 p.m., free

Southern Exposure

3030 20th St, SF

(415) 863-2141

www.soex.org


MUSIC

Vitalic

French musician Vitalic, a.k.a. Pascal Arbez, is no longer as enigmatic as certain French electronic acts. Nonetheless, a scarcity of output lends his releases an air of mystery. Like peers Justice and Daft Punk, he’s known for his use of distortion, coming off a bit more like rock than trance. But in order to remain relevant among Ed Bangers and DFAs, one has to adapt. In his first studio album since 2005, Flashmob (Different/PIAS), Arbez sidestep-tackles a new genre — disco. Not post-Saturday Night Fever cheese, but groovy Moroder-esque rhythms as subtle as they are heavy. Arbez has proven that his selective output is mirrored by his choosiness about playing live, so if you miss him now, be prepared for a long wait. (Peter Galvin)

With Sleazemore and Nisus

9 p.m., $13

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

DANCE

MUSIC

Max Raabe & Palast Orchester

Max Raabe & Palast Orchester take the songs, styles, and instrumentation of the Weimar era into the 21st century. Performing with a clever, coolly detached demeanor, Raabe wows the listener with his vocal abilities, then forces laughter with deadpan jokes between songs. The elegant 14-piece orchestra plays traditional German pieces and classics such as “Singin’ In The Rain,” as well as tongue-in-cheek covers of more contemporary pop tunes. Britney Spears’ “Oops! …I Did It Again,” Tom Jones’ “Sex Bomb,” and Queen’s “We Will Rock You” will get a jazzy makeover. (Sean McCourt)

8 p.m., $25–$75

Paramount Theatre

2025 Broadway, Oakl.

(866) 920-5299

www.sfjazz.org

 

MUSIC

Ragga Muffin Festival: Barrington Levy, Gregory Isaac

Barrington Levy is a reggae legend, having established his distinct brand of dancehall music during the Jamaican industry’s 1970s boom. Despite his sweet sounding vocals and trademark almost scatting, Levy’s workhorse-like output never earned him the U.S. success of other reggae icons like Bob Marley. An unpredictable crooner able to convey romance and rage, he performs at the 29th annual Ragga Muffin Festival, along with a man every bit his equal, the talented Gregory Isaacs. Come prepared to stay Irie. (Galvin)

With Capleton, Cocoa Tea, Tarrus Riley, Sister I-Live

6 p.m., $39.50

Fox Theater

1807 Telegraph, Oakl.

(415) 625-8880

www.thefoxoakland.com

 

DANCE

Sonya Delwaide

Ever since French-Canadian choreographer Sonya Delwaide hit the Bay Area in 1996, her work — often seen on AXIS Dance Company — has been striking for its skill and breadth of imagination. This double bill is a welcome opportunity to see what’s going on these days in Delwaide’s head. The two-part Je me Souviens (I Remember) explores personal and collective memories. She choreographed it on Peiling Kao and former ODC dancers Andrea Basile, Brandon Freeman, and Yukie Fujimoto. Delwaide is joined in this concert by L.A.-based, South Korea-born Holly Johnston, whose Politics of Intimacy — for six dancers — examines personal and societal norms. (Felciano)

8 p.m. (also Sun/21), $15–$18

Also Sun. Feb.. 21

ODC Dance Commons

351 Shotwell, SF

(415) 863-9834

www.odctheateer.org/buytickets

 

SUNDAY 21

EVENT/LIT

TRY! Magazine Fundraiser

In publishing TRY! Magazine every other week for an extended period of time, David Brazil and Sara Larsen didn’t just try to do it, they did it — it being they united an ever-growing bunch of great writers from the Bay Area and beyond in print. TRY! is ready to make a next step into the future, but to do so, a fundraiser is more than in order. It’s hard to think of a local DIY publication that deserves it more, and this should be a hell of a party. (Huston)

6 p.m., $10

21 Grand

416 25th St., Oakl.

www.newyipes.blogspot.com

 

MONDAY 22

MUSIC

Fanfarlo

For many bands, downtime consists of playing video games, staying out all night, or sleeping the day away. For Fanfarlo, discussing the works of Henry David Thoreau is an ideal way to spend free time. After three years of limited edition singles, these indie darlings from across the pond finally released their debut album, Reservoir (Atlantic/WEA), in late 2009. Reminiscent of Beirut, its blend of mandolins, trumpets, melodicas, and accordions can be astonishing. You might find yourself singing their hypnotic harmonies in your sleep for weeks to come. (Brown)

With April Smith and the Great Picture Show

8 p.m., $16

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com

 

TUESDAY 23

FILM

“Four by Nathaniel Dorsky”

Two years ago, the late, great critic Paul Arthur praised Nathaniel Dorsky as “a formalist with a brimming, elegiac soul.” In the new film Compline, this extends to emulsion itself — it’s Dorsky’s last film in Kodachrome, the stock having been discontinued last summer. His evocations of night — pooling dark, skimming auroras — dazzle. Dorsky has called over a late addition to this program, his first in-color negative, Aubade. Philip Larkin wrote a poem of the same name, and though quite different in spirit from Dorsky’s work, one passage matches my picture of the San Francisco filmmaker: “Waking at four to soundless dark, I stare/ In time the curtain-edges will grow light.” (Max Goldberg)

7:30 p.m., $9.50

Pacific Film Archive

2575 Bancroft, Berkeley

(510) 642-1412

www.bampfa.berkeley.edu

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Live Shots: VV Brown and Ebony Bones, Popscene, 02/04/10

Jesse Hawthorne Ficks
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Outside, the night was horrid and pouring sheet after sheet of chilled rain. Inside, Popscene at 330 Ritch’s stage was blazing with bold UK women and their undeniable vocal prowess. The evening started with Brit babe VV Brown, a young singer/songwriter — on tour to promote her recent Travelling Like the Light (Universal, 2009) — who qualifies as the indie version of the Adele and Duffy types.

The set started shy, with VV Brown (born Vanessa Brown) hiding behind a glamorous Mardi Gras mask of shimmering silver, adorned with a fan of black feathers and peacock accents. Song one, “Game Over,” was spent with her vocals streaming into a small megaphone pointed towards the mic. The sound quality was a displaced and muddled, similar to an old record player. Her tiny frame was decorated in a shiny gold swimsuit top and red-plaid tapered pants, cinched tight at the waist.

When the mask came off, Brown’s face was painted with a red blindfold, her trademark bouffant standing tall and proud. She was full of energy, hopping around stage, singing with full facial expressions, banging on the drums and pounding the bongos.

Brown happily announced that the show was her first gig in San Francisco and only her 2nd show in the U.S. “And I wrote this song while sitting on the toilet,” she said as a preface to “Back in Time.” “It’s about Einstein, love, and betrayal.” Hitting the gong with four solid swings, her voice chimed in with an eerie echo and not three seconds later, cut short when her mic cord fell onto the floor.

“Isn’t that what we all love about live music? We just keep going,” she smiled with a confident grin. She played through a majority of the songs on her freshman album, “Traveling Like the Light”, including her most recognizable tracks, “Crying Blood” and “Shark in the Water.”

Brown’s cover of  “The Best I Ever Had” by Drake was quite impressive — the girl can rap! Totally sexy and 100 percent more badass than one would assume, Brown sang the lyrics “You’re the fuckin’ best” with her fist pumping and voice creamy smooth.

Afro-punk-electro-pop songstress Ebony Bones didn’t hit the stage until midnight, but took it over by storm with a full band decked out in color, makeup, wigs and beads. I managed to drool over the awesomeness of the first song and snap a few photos, but I regretfully had to pull myself away in order to catch my train. There’s no way it wasn’t amazing.

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