obama

Calvin Trillin: Pat and Rush on Haiti

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Pat Robertson and Rush Limbaugh on Haiti

A pact with the Devil’s what Robertson says

Has caused folks in Haiti distress.

If they had consulted Pat’s Jesus instead,

Tney’d now be a smashing success.

And Rush says Obama’s just scoring some points

With all of his darker-skinned backers.

We’ve alread given to Haiti, Rush says:

Our taxes supported those slackers.

When listening to what the two of them spew,

These theories bizarre and rococo,

It’s hard to decide who’s racist and mean

And who just needs help ’cause he’s loco.

Calvin Trillin, Deadline Poet, The Nation (2/08/l0)

Meister: Obama’s promise to women

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It’s time to enact the Paycheck Fairness Act that would allow women to negotiate with employers for equal pay with men

By Dick Meister

(Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century.)

One of the most important promises made by President Obama in his State of the Union address has been largely overlooked – his promise to “crack down on violations of equal pay laws, so that women get equal pay for an equal day’s work.”

The need for that is great. Despite the 47-year-old law that promises women equal pay, their earnings remain well below men’s pay. They average only 77 cents for every dollar earned by men, even though their work is obviously every bit as valuable to employers and society at large as the work of men.

The pay discrepancy is even greater for women of color. African American women earn 63 cents and Latinas 52 cents for every dollar earned by men.

It’s estimated that if women were granted equal pay, they could earn as much as $2 million more over the whole of their working lives. It’s also estimated that if women were paid equally, the number of families living in poverty could be reduced by as much as half. Women’s earnings are needed by most families, and in many cases, women are their family’s only breadwinner.

Even women doing the same work as men, or work that’s as valuable to employers as that of their male counterparts, almost always are paid less. It’s as bad for women in the professions as for others. Female nurses, for instance, physicians and surgeons, professors, school teachers and lawyers earn as much as 30 percent less than men in their fields.

President Obama already has signed a bill that should help narrow the male-female pay gap. It was, in fact, the very first bill he signed after taking office – the Lilly Ledbetter Fair Pay Restoration Act. It’s named for a retired tire plant supervisor in Alabama who discovered after nearly 20 years on the job that she was being paid less than male supervisors.

Ms. Ledbetter sued for discrimination under the 1964 Civil Rights Act. But the Supreme Court ruled in 2007 that the law requires workers to sue no later than 180 days after their discriminatory pay rate was set – even if, like Ms. Ledbetter, they don’t discover the pay discrimination until years later. As the result of the decision, hundreds of pay discrimination cases were thrown out of court.

Shortly after the Supreme Court acted, the House passed a bill that would have overturned the court’s outrageous decision. But Senate Republicans, claiming the bill would lead to a flood of unfounded suits against employers, blocked a vote, and President Bush vowed to veto the bill if it ever crossed his desk.

The bill that finally reached Obama’s desk for signing provides that the 180-day time limit for filing lawsuits under the Civil Rights Act doesn’t begin to run until the last discriminatory act by an employer.

What’s most needed now is enactment of the Paycheck Fairness Act that’s been pending for a dozen years. The bill made it through the House last year, but was blocked by Senate Republicans. Obama, who voted for the bill as a senator, is certain to sign the new bill – if it’s not kept from him by a Republican filibuster in the Senate.

The Fairness Act would close loopholes in the 1963 Equal Pay Act that have made it relatively easy for employers to pay women less than their male co-workers holding the same jobs. The law would empower women to negotiate with employers for equal pay; prohibit retaliation against workers who share salary information with co-workers; strengthen government outreach, education and enforcement, and generally make the law much stronger.

There ‘s no doubting President Obama’s firm support for the act. As he’s said, “We won ‘t truly have an economy that puts the needs of the middle class first until we ensure that when it comes to pay and benefits at work, women are treated like the equal partners they are.”

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century. Contact him through his website, www.dickmeister.com

Obama to base: “Continue to fight”

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Tosca in North Beach was packed last night for the State of the Union watch party that was thrown by Organizing for America, President Barack Obama’s grassroots organizing operation, and the crowd was predictably supportive of the president despite his political difficulties and declining popularity.

Karen Buchanan — who volunteered on Obama’s presidential campaign and has continued to do so since then, including phone banking to support his health care reform effort – responded positively to the speech’s call for renewed activism, even though she was less than thrilled with some of Obama’s policy prescriptions.

“I don’t agree with him 100 percent, but I’m not going to join the circular firing squad. I continue to support him,” Buchanan said. “He had a nice tone of optimism and we needed that.”

That may be true. Obama’s poignant call for the country’s political, corporate, and media institutions to make strong, good faith efforts to regain the public’s trust was the emotional high point of this speech. But unfortunately, Obama’s muddled and often contradictory policy priorities are frustrating to progressives who have been turning away from this president.

Editor’s Notes

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When Ronald Reagan took office as president in 1981, Democrats controlled the House of Representatives and the Republicans only had a narrow majority in the Senate. Yet Reagan was able to undertake a series of profound, far-reaching and radical policy changes that transformed the United States. He cut taxes on the rich, deregulated industries, drove up the military budget (and the deficit) and reshaped the Supreme Court — all without seeking bipartisan unity or offering major concessions to the Democrats.

That, I think, is why so many people are so mad at the Obama administration — and why we shouldn’t panic about the loss of a Senate seat in Massachusetts. Yeah, it’s terrible (and historic) to lose Ted Kennedy’s seat to a weak and lame Republican. And it’s alarming to think the Democrats could lose several more Senate seats this fall.

But that shouldn’t either stop Obama from pushing a legislative agenda or terrify the Democrats into paralysis.

Look, the Democrats still control Washington. The Republicans still have no ideas of their own, and are doing nothing but obstructing progress so the Obama administration will fail. And nobody seems to be calling them on it. The Democrats were a lot more vocal (and acted a lot more like Democrats) when Bush was in office.

I can’t get too agitated about the loss of a 60-vote majority in the Senate; the Democrats never really had that anyway. One of the 60 was Joe Lieberman, who isn’t even a Democrat in name anymore and who held Obama hostage, demanded concessions and cave-ins for his vote on health care, and still couldn’t be trusted. Now there are 58 Democrats instead of 59; most Democratic presidents in the past century would have loved those numbers. So would most Republicans.

And let’s remember — the economy was almost as bad during Reagan’s first year as it is now, and it wasn’t showing any signs of getting better.

Reagan was a Hollywood-trained actor who’d been a pitchman for cigarette companies; he knew how to look into a camera and make an emotional case for his positions. Obama is by far the best speaker the Democrats have had in decades, and he has the natural ability to go beyond what Reagan did. He can go after the Republicans, make the case for legislative action, push the voters to push their senators and Congress members to approve his agenda, and turn this political funk around. But he’s got to give up the bipartisan rhetoric (been there, tried that), convince the millions of people who put their hopes in him that there’s still reason to believe, and stop looking at the Massachusetts vote as a rejection of progressive policies.

The mood in the country is anxious, restive, impatient, and displeased — not with the ideas Obama presented during his campaign, but with his failure to make them happen. He can still turn this around by talking about the economy, creating (public sector) jobs — now — and using the still-solid majorities in Congress.

Or he can get all defensive and change course. We know how well that’s going to work.

What an awful week

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By Tim Redmond

I’m starting to feel as if we’re back in the Bush days, when reading the news was just depressing, all the time, every day. What a rotten fucking week: We lost the Senate supermajority (although I’d argue that we never really had it — as long as Joe Lieberman was one of the 60 “Democratic” votes, and the Democrats kept giving him everything he wants, there’s no way anything progressive was going to happen there anyway.) Health care reform is in serious trouble. Obama’s popularity is tanking, The unemployment figures are still alarming. Air America is shutting down.

And we just lost one of the most important Supreme Court rulings in modern history, effectively giving big corporations the ability to even further control American politics.

Ick.

But at least this is funny, one of the better comments on the health care issue that I’ve seen:

Meet Gavin Newsom: whine clerk

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Text by Sarah Phelan

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Sorry, Maureen, but you omitted more than a few details of the real trials of Mayor Gavin Newsom…

I’m usually a fan of Maureen Dowd’s finely pointed writing, but her interview with Mayor Gavin Newsom in today’s New York Times left me with the sinking feeling that she was writing with an uncharacteristically unsharpened pencil.

Yes, it was funny when Dowd wrote, “It’s easy to picture the lithe and charming Newsom–with the well-cut suits, the electric Telsa, the beautiful blonde wife and baby–advising a Pacific Heights couple on a cabernet with aromas of eucalyptus and mint.”

But beyond that delightful dig, Dowd kept her pencil on an unusually tight leash.

Maybe that’s because Dowd doesn’t know the ins and outs of San Francisco politics and was fooled into misrepresenting Newsom’s whining as the rueful ruminations of a man so very far ahead of his time.

But it’s hard to believe that the indomitable Dowd doesn’t know that Newsom’s political career has been short circuited for a million reasons above and beyond gay marriage.

Maybe the fact that Newsom slept with his campaign manager’s wife isn’t perceived as a deal breaker in circles where everyone always seems to be betraying every one else.

But how about Newsom’s failure to show backbone when then Sup. (and now State Assemblymember) Tom Ammiano was trying to launch San Francisco’s trailblazing health care program–yes, the same one that President Obama has recently and widely praised, and for which Newsom has been happy to take all the credit?

Instead of showing leadership on Healthy San Francisco, Newsom stood back and let Ammiano do the heavy lifting, in face of the threat of legal opposition from the Golden Gate Restaurant Association. Newsom’s cowardice on that issue seems entirely understandable, given that, as Dowd points out, “Before he got into politics, after all, he started a boutique wine shop in Napa Valley that blossomed into a multimillion-dollar business.” (Heaven forbid that the former owner of a wine boutique would be seen leading the charge to ensure that the restaurant industry helps employees go see a doctor instead of sneezing into the endive soup and eucalyptus-scented cabernet that the Pacific Heights mafia has come to enjoy.)

But Dowd doesn’t make that, or any other, connection.

Instead, she lets Newsom stick his not-so-subtle knives into Obama’s back on same-sex marriage, without pointing out that after Newsom rushed into gay marriage, he failed to launch a much needed statewide campaign to reach out, across the aisle of intolerance, and help defeat the Prop. 8 party poopers.

The final insult in Dowd’s puff piece is when she lets the current mayor of San Francisco get away unchallenged with his bogus claim that, “we’ve always fought for the rights of minorities and against the whims of majorities.” Try telling that to the immigrants whose families have been ripped apart because gubernatorial candidate Newsom failed to support giving undocumented kids their day in court, before reporting them to the feds for deportation.

But Dowd does at least gives us a preview of what to expect when we stumble unwittingly into a wine store, somewhere in the backwaters of Napa, and overhear the clerk complaining that no one really understood him, back when he was mayor of San Francisco. Meet Gavin Newsom: whine clerk.

Saving ocean ecosystems

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GREEN CITY In the spring and summer months, pacific leatherback sea turtles arrive just outside the Golden Gate to feast on jellyfish. The turtles, which can weigh up to 1,200 pounds and live as long as a century, are some of the oldest reptiles in existence.

In a single year, a leatherback may swim 6,200 miles as it encircles the Pacific Ocean, migrating from nesting grounds as far away as Indonesia to feed off the coasts of California, Oregon, and Washington. The leatherback was listed as a federally endangered species in 1970, and scientists now worry that the turtles could go extinct in as little as 10 years.

The ancient reptile may be rare, but its vanishing act is becoming common for marine creatures. Jackie Dragon, a campaign organizer with Pacific Environment, told us large fish populations, including bluefin tuna, Atlantic cod, marlin, and certain sharks, have declined by 90 percent since the advent of industrialized fishing in the 1950s. Meanwhile, ocean acidification due to rising carbon dioxide levels has imperiled key species, threatening to alter the food web with potentially drastic implications.

Recently, San Francisco’s ocean conservationists have displayed rare optimism, however, as historic new protections for ocean ecosystems and the leatherback seem within reach.

A coalition of local environmental organizations staged a Jan. 13 event at City Hall to rally for the creation of a new, comprehensive ocean-protection policy at the federal level. Dubbed Wear Blue for Oceans Day, the event drew a crowd of around 75 who donned blue in support of the federal policy, put forth by President Barack Obama last June.

Under the current regulatory system, there are 140 different laws relating to ocean management, and more than 20 disparate agencies, according to Dragon. “They have varying purposes and often conflicting mandates,” she explained. “Right now, it’s inconsistent with a healthy future for the ocean to have a piecemeal approach. And it’s absolutely necessary to appreciate that ecosystems in the ocean depend on a kind of management that takes into consideration the fact that these habitats … need to be looked at from a broader perspective.”

According to an interim report drafted by a 23-member task force convened by Obama to make suggestions for crafting a federal policy, the new approach would place ecosystem protection at the heart of regulatory decisions. Environmentalists hope it will improve the overall health of oceans.

The task force is scheduled to submit its final recommendations to Obama in early February, and the president is expected to announce the creation of the new policy shortly afterward. “The importance of ocean, coastal, and Great Lakes ecosystems cannot be overstated,” the report notes. “Simply put, we need them to survive.” Climate change and ocean acidification are named as top priorities.

A second regulatory victory seems imminent for the Sea Turtle Restoration Project, a San Francisco-based environmental organization that joined Oceana, the Center for Biological Diversity, and the Turtle Island Restoration Network in pressing for expanded critical habitat designation for the pacific leatherback turtles in 2007.

The groups sued the National Marine Fisheries Service, a division of the National Oceanic and Atmospheric Administration, for failing to take action for two years. Following a settlement, the agency finally submitted its proposal Jan. 5 for a new protection zone. The critical habitat area would span some 70,000 square miles of open waters along the West Coast.

Chris Pincetich, a campaign organizer with the Sea Turtle Restoration Project, called the designation “a long overdue action by federal agencies.” However, the proposal doesn’t limit commercial fishing, which Pincetich notes is one of the greatest threats to the leatherbacks, because they can become ensnared in gillnets. Nor does it cover habitat areas in Southern California, where turtles have been known to migrate, Pincetich said. NMFS will accept public comments on the proposal until March 8.

Although it’s a major step forward, changes won’t be implemented until January 2011 at the earliest.

For the leatherback, with about a decade to fight for survival, time is of the essence.

State of the immigration crisis rally

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Text by Sarah Phelan

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As President Barack Obama prepares to make his annual State of the Union address, local immigrant advocates are calling on Obama to mention the need for national immigration reform in his address and to uphold campaign promises to pass comprehensive immigration reform.

Describing themselves in a press release as “a diverse group of African, Asian, European, and Latino immigrants” the organizers of today’s protest rally, (from 4-6 p.m at the Federal Building at 7th and Mission Street, thunder and lightning notwithstanding) promised to urge Obama, Speaker of the House Nancy Pelosi and Sen. Feinstein and Boxer to make immigration reform a priority because of local crises in the immigrant communities.

“The time for reform is now,” Eric Quezada, Executive Director of Dolores Street Community Services, said in a press release. ” The President promised immigration reform on the campaign trail and we are here today to make sure that he keeps his word,”

Quezada noted that Obama pledged on his 2008 campaign campaign trail to pass humane changes to US immigration laws if he were elected President, including a legalization program for undocumented immigrants.
“Immigrants are part of the fabric of our communities, and we need to fix our immigration system so everyone who lives here can contribute as full members of society,” said Biniam Fantay with the African Advocacy Network.

Today’s demonstration is part of “100 days of action” campaign for immigration reform that began in December and is led locally by the SF Immigrant Legal and Education Network and the San Francisco Organizing Project.

Don’t call it a comeback

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By Steven T. Jones

The defensive reaction of some (but not all – some have welcomed this public discussion) Greens to my story this week on the party’s declining fortunes in San Francisco seems to underscore a key reason for the fall: many Greens would rather hurl insults or adopt self-righteous postures than engage in critical self-examination or do the hard work of progressive organizing.

Researching my story, I was amazed to learn that nearly one San Francisco voter in three declines to identify with any political party. That represents a significant opportunity if progressive political parties and entities can figure out how to organize these independent voters and address their issues. It might even create pressure on President Obama to reengage with the left.

Yet the Green Party numbers have dropped just as the DTS ranks have risen. And in the comments section after my story, Greens try to simply deny that reality (falsely claiming a comeback has already begun), question my motives, and write-off the newsworthiness of this story (despite the fact that the Wall Street Journal today published a very similar story to mine).

But I’m more heartened by some of the thoughtful comments about my story, creating an interesting conversation about the relevance of third parties, the mechanisms of power, and the pitfalls of following charismatic leaders. That’s the kind of productive discussion that I hoped my article would create, and I hope that it continues.

Outside SF Federal Building, freedom of assembly is carefully controlled

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By Rebecca Bowe

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GSA’s denial of a permit for an event outside the SF Federal Building inspired some art.

Paul Boden, executive director of the Western Regional Advocacy Project (WRAP), a homeless advocacy group based in San Francisco, says he’s got busloads of people from cities up and down the West Coast headed into San Francisco Jan. 20 for a rally designed as a plea to the Obama Administration to make affordable housing a priority. But the estimated 1,500 participants in the event, dubbed “Homelessness Ends With a Home,” were left without a home base after word came down from the San Francisco Federal Building that the permit to hold it there had been revoked.

The event has since been changed to a permitted march that will go by the building, but Boden says the message he’s getting from the feds is essentially that freedom of assembly outside the new federal building will only be granted on narrowly defined terms, and with restrictions on the number of people who can attend. The San Francisco Federal Building, a green-design tower on Mission and 7th streets that opened in 2007, houses the offices of senators Barbara Boxer and Diane Feinstein, and Speaker of the House Nancy Pelosi.

Jean Gibson, Regional Public Affairs Officer at General Services Administration (GSA), a government agency that manages the new federal building, says the permit denial was “no effort to silence the group,” but purely a decision to ensure functional operation and public access to the building.

WRAP had initially applied to hold the event in the plaza outside the building, and Boden says he specified in his permit application back in October that roughly 1,500 people were expected to attend, and that they planned to use a sound system. GSA approved the application and sent the nonprofit an event permit on Nov. 30, according to Boden. But a couple days later, after he called to ask where the port-o-potties should be placed, he says GSA responded with a disheartening email.

“After further review, General Services Administration (GSA) has made the decision to deny the use of the San Francisco Federal Building plaza area on January 20, 2010,” the email stated. “Thanks in advance for your understanding regarding this matter.”

Meister: Union rights for airport screeners

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Airport screeners and other vital employees of the
Transportation Safety Agency should finally have the basic rights and protections they have so long needed and deserved

(Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century.)

The underpaid, overworked and otherwise poorly treated airport screeners who are essential to air passenger safety may finally be winning their long struggle for the badly needed union rights guaranteed other federal employees.

There are more than 40,000 screeners –- a first line of defense against terrorism — posted at X-ray machines, checkpoints and elsewhere in air terminals throughout the country. They work for the Transportation Safety Agency (TSA) that was set up in the wake of the terrorist attacks of Sept. 1, 2001.

Such related workers as federal border guards and immigration and Custom Service employees are unionized. But in 2003, President Bush denied union rights to screeners and other TSA employees on grounds that their unionization would somehow “threaten national security.”

A majority in the House and Senate voted in 2007 to restore the screeners’ union rights. But the congressional majority wasn’t large enough to overturn a veto threatened by the president, and the attempt was abandoned.

Denying the fundamental right of unionization to the screeners, as the United Nations’ International Labor Organization ruled, violates “core labor standards.”

The screeners’ need for unionization should be as obvious as the nation’s need for their invaluable service. Their complaints are widespread and numerous. They cite, for instance, inadequate pay, low morale, a high rate of workplace injuries, unfair promotion and scheduling policies, arbitrary work rules and high turnover rates.

The screeners’ hope for wining union rights rests primarily with President Obama, who voted as a senator to grant screeners union rights and promised during his presidential campaign to make granting them the rights “a priority for my administration.”

Winning congressional approval won’t be easy, but is also expected, despite stiff opposition expected to be led by a notably anti-labor Republican senator, John DeMint of South Carolina. He argues, much as George Bush had argued, that unionizing TSA employees would amount to putting air security and safety in the hands of those old right-wing bugaboos, “union bosses.”

Senator DeMint and his reactionary colleagues probably will lose their attempt to deprive some of our most deserving workers their basic rights. But they undoubtedly will cause some damage along the way to their ultimate defeat.

DeMint already has managed to stall Senate confirmation of Obama’s nominee to head the Transportation Safety Agency and carry out the reforms sought by Obama and TSA‘s employees. He’s invoked Senate rules to postpone the vote on whether to confirm the president’s appointment of a well-regarded former FBI agent and assistant chief of the Los Angeles Airport Police, Erroll Southers, to run the agency.

In the meantime, two government employee unions are competing for the right to represent TSA employees once they are granted union rights. The competition undoubtedly will result in more and stronger employee demands for improved conditions as the two unions vie vigorously to represent them.

One of the unions is the largest of federal employee unions, the 600,000-member American Federation of Government Employees, the other the 150,000-member National Treasury Union. But despite its much smaller size, the Treasury Union won three years ago in competing with the Federation of Government Employees to represent airport Customs and border protection officers.

The unions have been waging a vigorous campaign , signing up members, establishing union locals at airports nationwide, helping workers appeal unfair disciplinary actions, filing grievances against employer mistreatment and other actions. Both unions have promised to press hard for pay raises, better promotion policies and work rules and other matters important to TSA employees.

No matter which union wins, it’s certain that the airport screeners and other vital employees of the Transportation Safety Agency should finally have the important basic rights and protections they have so long needed and so long deserved.

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century. Contact him through his website, www.dickmeister,com, which includes more than 250 of his recent columns.

Editor’s Notes

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A year ago, we were dancing in the streets celebrating Barack Obama’s election. Now we’re marching in the streets protesting his escalation of the war in Afghanistan — and a lot of us are calling for the defeat of his signature legislation. That’s a failure that goes well beyond a couple of bad policy decisions, and it threatens more than just the next few years of Obama’s presidency.

The late philosopher Herbert Marcuse used to say that the worst disaster of the Vietnam War was the division it created between the baby boomers and their parents, the generational distrust that would last well beyond the final artillery fire. And I fear that the worst legacy of Afghanistan and the mess that is health care reform will be another deep blow to whatever fragile faith remains among young Americans that a well-meaning president and his party can make a difference, the faith that government can accomplish something worthwhile — and that the public sector is worth the fight it takes to save it from a well-organized and lavishly funded effort to continue the privatization of the United States.

The fight over the public option in the health care bill wasn’t just about containing costs, or preventing tax hikes, or mandating fair competition. The insurance industry knew that from the start.

One of the reasons the radical right has always hated Social Security is that it’s a government program that helps people, one that tens of millions of citizens rely on and support. When the government sends you a check every month, you tend to think of the folks in Washington as something other than crooks, liars, and villains.

And if the government offered health insurance that cost less than the private companies, covered more, and was less of a hassle to use, then millions more American voters would begin to realize that the public sector can do some things very well — much better than private industry. And that would be a social transformation on the scale of the New Deal.

So that’s why the insurers and their toadies wouldn’t allow it to happen — and why, in the wake of the Afghanistan fiasco, Obama’s failure to force the issue is such a momentous disappointment.

Just look around the streets of San Francisco at any antiwar demonstration and you see the problem. We’re mad at the president, not at the insurance industry. Nobody’s marching in front of the headquarters of the handful of big companies that have — as a matter of course and intentional policy — destroyed the health care system in America. We figure: hey, they’re just big businesses, doing what they do.

So instead, we’re going to be pissed off for a long time at the man who — maybe for just a moment, one bright shining moment — had the ability to turn around about 50 years of cynicism and distrust that has poisoned American politics. And we should be pissed, because he let us down. He promised us hope. Now he’s giving up, without even putting up much of a fight.

The prison health-care fiasco

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By Just A Guy

Editors note: Just A Guy was recently released after serving time an a California state prison. He continues to report for us on prison and law-enforcement issues.

Gov. Arnold Schwarzenegger is appealing to the U.S. Supreme Court the federal three judge panel’s decision forcing him and Californina to release around 40, 000 inmates, but I just can’t fathom the rationale behind this appeal. The Santa Cruz Sentinel article says that California is proclaiming the courts have overstepped their authority by ordering this release, but hasn’t anyone in the state government considered that maybe the feds are ordering this release because California’s government has overstepped its bounds?

Don’t Arnold and the state government see this isn’t about just health care for inmates, but also about rational laws, rational sentencing, and treating human beings with dignity and respect? I know the majority of the public would rather bury its head in the sand than face this issue, but this issue is in your living rooms, in your classrooms, and on your streets. It isn’t just the gang-banging jerk from the hood that’s being thrown in jail for ridiculous amounts of time in California — it’s also middle class addicts, college students etc … It’s your neighbors, your friends’ kids, and your kids that are all affected by this insanity. All the judges are trying to do is bring a small amount of sanity back into your fucked up state.

From the article:

“But at the same time, Schwarzenegger and prison officials have been urging the Supreme Court to review the case, arguing that the three judges have trampled on the right of the state (my emphasis) to run its prison system and operate within its budget.”

Isn’t it ironic that the state’s appeal is based on the premise that the courts are trampling the state’s rights? The panel’s order is based on the fundamental constitutional rights of, mostly, Americans to receive adequate medical and mental health care! Isn’t there a huge push in this country with Obama’s healthcare bill to ensure that all Americans are able to receive healthcare? Why is it any different for Americans in prison? Not just Americans though, but any human being in this country? Wouldn’t you, if you were on vacation and became sick in another country, have the hope that you would be able to get adequate medical care? People are sent to prison as punishment, not for punishment.

I have Hepatitis C. I was supposed to be on a program called chronic care, in which I should have seen a doctor once every 60 days to get my blood drawn to check my viral load. I was not seen for the last 18 months that I was in prison in California. Another time I received an injury called a calf strain while playing handball. My calf muscle detached from the tendon. By the time I was given an MRI and the results of the MRI the muscle had healed, but healed improperly, so now the right calf muscle looks deformed:

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I had a bunk mate, Mark, who was having severe problems with various organ failures. His legs would become so swollen that he had a hard time walking to the restroom and his stomach so distended he looked as if he were pregnant.

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The only way he could get medical treatment was to do what’s called a “man down” (this means he would have to have the medical staff come to the building by proclaiming it was an emergency medical situation. In other words, there would have to be an emergency alarm, the entire yard would have to be closed down and the medical staff brought to the building) to get treatment. The building co’s were so disgusted by the situation that they would encourage Mark to do a “man down” just to be seen. Ultimately Mark was put in to hospice and died. (see picture of Mark’s legs taken in December of 2008).

I specifically remember a time when Mark did this “man down” and the nurse (or nurse’s aide) tried to talk Mark into staying in the building until the following day because the doctor that was supposed to have seen Mark that day had called in sick.

I am sure there are plenty of people who will read this and say to themselves or to others that if the people didn’t commit the crimes than they wouldn’t have to worry about such things as healthcare. Or that inmates are getting better healthcare than people on the streets. Or that inmates don’t deserve healthcare. To these people I say this: do unto others as you would have them do unto you.

A picture is worth a thousand words, they say. I wonder how the pictures attached to this blog may cause people to think a little differently about the entire situation. These pictures are just a small idea of how healthcare really works in the system, the reality of it. So, my question is this: Who is really getting their rights trampled and who stood up for Mark’s rights?

SF soldier’s death was tragic and unnecessary

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By Steven T. Jones
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Staff Sgt. David H. Gutierrez was killed on Christmas Day by an IED near Kandahar Air Base.

The flags at the State Capitol are flying at half-staff to honor Sgt. David H. Gutierrez, a soldier from San Francisco who was killed in Afghanistan on Christmas Day. Obviously, the death of this 35-year-old father of three by an improvised explosive device is sad and tragic, but it’s a dangerous fantasy to cast his life as the price we must pay for freedom and security.

“David was committed to the safety and protection of his fellow Americans and we are forever grateful for his service. We join all Californians in honoring David’s sacrifice and we send our thoughts and prayers to his family, friends and fellow soldiers,” Gov. Arnold Schwarzenegger wrote in a public statement.

It may be true that Gutierrez had noble intentions, but this was also a senseless and unnecessary death, one of what will be an increasing number of dead American soldiers caused by President Obama’s escalation of the war in Afghanistan. And the more we accept the notion that this is a necessary and heroic effort to protect Americans, the higher the death toll will rise and longer this so-called “War on Terror” will drag on.

Flares in the Political Dark

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Norman Solomon is a nationally syndicated columnist on media and politics. He wrote the weekly “Media Beat” column from 1992 to 2009. His latest book is “Made Love, Got War: Close Encounters with America’s Warfare State” (2007). To read more from Solomon, visit www.normansolomon.com.

The winter solstice of 2009 arrived as a grim metaphor for the current politics of healthcare, war and a lot more. “In a dark time,” wrote the poet Theodore Roethke, “the eye begins to see.”

After a year of escalation in Afghanistan, solicitude toward Wall Street and the incredible shrinking healthcare reform, we ought to be able to see that the biggest problem among progressives has been undue deference to the Obama administration.

In recent months, the responses from the progressive base to the Obama presidency have often resembled stages of grief — with rotations of denial, bargaining, anger, depression and acceptance.

Mobilization of progressive movements to pressurize Obama in the White House and Democrats on Capitol Hill has always been essential. It hasn’t happened. Instead, among Democratic loyalists, reflexive support for the latest line from the administration has made it easier for Obama to move rightward.

In 2010, we should concentrate on generating the kind of public information, vigorous debate and grassroots organizing that could shift the center of political gravity in a progressive direction.

At every turn, progressives should be putting up a fight — not only in all kinds of venues outside the electoral system but also inside the Democratic Party. Winning elections will require doing the methodical and difficult work of running candidates in Democratic primaries, sometimes against entrenched incumbents.

For instance, that’s what stalwart anti-war progressive Marcy Winograd is doing in her challenge to Congresswoman Jane Harman in the Los Angeles area. Across the country, dozens of strong progressives are running for Congress with a real chance to win. They need our volunteer help and our financial support.

In some congressional districts with many progressive voters, blue dog Democrats are running for re-election without any declared primary opposition so far. That should change.

It’s time for progressives to get out there and fight the good fight in election campaigns. We should do what our conservative and centrist and mushy-liberal adversaries least want us to do. They don’t want more progressives to seriously engage in electoral battles.

During the last year, left to their own devices, the Democratic leaders on Capitol Hill and in the White House have managed to demobilize the progressive base that swept them into office. The latest nationwide polls are foreshadowing grim consequences; Republicans express far more eagerness to vote in 2010 than Democrats do.

In Washington, the conventional wisdom of top Democratic strategists has run amok, continually splitting the difference with Republicans. All year long we’ve seen Congress undermine basic progressive principles, whether for healthcare or peace or economic justice or environmental protection or civil liberties.

Despite the Democratic Party’s leadership, we have a huge stake in thwarting GOP ambitions and in replacing tepid Democrats with progressives. It might be more comfortable to just engage in the politics of denunciation — but we also need to change who is casting votes on Capitol Hill.

Among progressives, there’s a surplus of frustration, anger and despair. Let’s transform those downbeat energies into fuel for the imperative political work ahead.

FAIR: The 2009 P.U.-Litzer Awards

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FAIR, the national media watch group, has been offering well-documented criticism of media bias and censorship since 1986.

The 2009 P.U.-Litzer Awards

For 17 years our colleagues Jeff Cohen and Norman Solomon have worked with FAIR to present the P.U.-Litzers, a year-end review of some of the stinkiest examples of corporate media malfeasance, spin and just plain outrageousness.

Starting this year, FAIR has the somewhat dubious honor of reviewing the nominees and selecting the winners. It’s a dirty job, but someone has to do it. So, without further ado, we present the 2009 P.U.-Litzers.

–The Remembering Reagan Award
WINNER: Joe Klein, Time

Time columnist Joe Klein (12/3/09), not altogether impressed by Obama’s announcement of a troop escalation in Afghanistan, wrote that a president “must lead the charge–passionately and, yes, with a touch of anger.”

He described the better way to do this:

Ronald Reagan would have done it differently. He would have told a story. It might not have been a true story, but it would have had resonance. He might have found, or created, a grieving spouse–a young investment banker whose wife had died in the World Trade Center–who enlisted immediately after the attacks…and then gave his life, heroically, defending a school for girls in Kandahar. Reagan would have inspired tears, outrage, passion, a rush to recruiting centers across the nation.

Ah, Reagan–now there was a president who could inspire people to fight and die based on lies.

–The Cheney 2012 Award
WINNER: Jon Meacham, Newsweek

Newsweek editor Jon Meacham declared (12/7/09) that Dick Cheney running for president in 2012 would be “good for the Republicans and good for the country.” He explained that “Cheney is a man of conviction, has a record on which he can be judged, and whatever the result, there could be no ambiguity about the will of the people…. A campaign would also give us an occasion that history denied us in 2008: an opportunity to adjudicate the George W. Bush years in a direct way.”

While the 2008 election might have seemed a sufficient judgment of the Bush years, it’s worth pointing out that at beginning of the year (1/19/09), Meacham was adamantly opposed to re-hashing Cheney’s record, calling it “the rough equivalent of pornography–briefly engaging, perhaps, but utterly predictable and finally repetitive.” The difference? That was in response to the idea that Cheney should be held accountable for lawbreaking. Apparently a few months later, the same record is grounds for a White House run.

–The Them Not Us Award
WINNER: Martin Fackler, New York Times

The New York Times (11/21/09) describes the severe problems with Japan’s elite media–a horror show where “reporters from major news media outlets are stationed inside government offices and enjoy close, constant access to officials. The system has long been criticized as antidemocratic by both foreign and Japanese analysts, who charge that it has produced a relatively spineless press that feels more accountable to its official sources than to the public. In their apparent reluctance to criticize the government, the critics say, the news media fail to serve as an effective check on authority.”

The mind reels.

–The Thin-Skinned Pundits Award
WINNER: Dana Milbank, Washington Post

Washington Post reporters Dana Milbank and Chris Cilizza got into trouble when, in an episode of their “Mouthpiece Theater” web video series, they suggested brands of beer that would be appropriate for various politicians. What would Hillary Clinton drink? Apparently something called “Mad Bitch.” The video, unsurprisingly, was roundly criticized, and was pulled from the Post site. So what lesson was learned? Milbank complained (8/6/09) that “it’s a brutal world out there in the blogosphere…. I’m often surprised by the ferocity out there, but I probably shouldn’t be.”

Yes, the problem with calling someone a “bitch” is the “ferocity” of your critics.

–The Sheer O’Reillyness Award
WINNER: Bill O’Reilly, Fox News Channel–TWICE!

1) Asked by a Canadian viewer, “Has anyone noticed that life expectancy in Canada under our health system is higher than the USA?,” Fox’s O’Reilly (7/27/09) responded: “Well, that’s to be expected, Peter, because we have 10 times as many people as you do. That translates to 10 times as many accidents, crimes, down the line.”

2) Drumming up fear of Democrats’ tax plans: “Nancy Pelosi and her far-left crew want to raise the top federal tax rate to 45 percent. That’s not capitalism. That’s Fidel Castro stuff, confiscating wages that people honestly earn.”

Perhaps Castro was president of the United States in 1982-86, when the top rate was 50 percent. Or maybe all of the 1970s, when it was 70 percent. Or from 1950-63, when it was 91 percent.

–The Less Talk, More Bombs Award
WINNER: David Broder, Washington Post

Post columnist Broder expressed the conventional wisdom on Barack Obama’s deliberations on the Afghanistan War, writing under the headline “Enough Afghan Debate” (11/15/09):

It is evident from the length of this deliberative process and from the flood of leaks that have emerged from Kabul and Washington that the perfect course of action does not exist. Given that reality, the urgent necessity is to make a decision–whether or not it is right.

–The Racism Is Dead Award
WINNER: Richard Cohen, Washington Post

Post columnist Richard Cohen wrote (5/5/09): “The justification for affirmative action gets weaker and weaker. Maybe once it was possible to argue that some innocent people had to suffer in the name of progress, but a glance at the White House strongly suggests that things have changed. For most Americans, race has become supremely irrelevant. Everyone knows this. Every poll shows this.”

For the record, “every poll” does not actually show this; the vast majority of Americans continues to recognize that racism is still a problem. Cohen went on to write months later–still presumably living in his racism-free world–that he did not believe Iran’s claims about its nuclear program, because “these Persians lie like a rug.”

–The When in Doubt, Talk to the Boss Award
WINNER: Matt Lauer, NBC News

Today show host Lauer announced a special guest on April 15: “If you really want to know how the economy is affecting the average American, he’s the guy to talk to.” Who was Lauer talking about? Wal-Mart CEO Mike Duke. The ensuing interview touched on the Employee Free Choice Act, which Lauer noted was supported by many unions but opposed by some large corporations–leading him to ask Duke, “What’s the truth?” Yes, look for “the truth” about a proposed pro-labor bill from the new CEO of an adamantly anti-labor corporation.

–The Socialist Menace Award
WINNER: Michael Freedman, Newsweek

Newsweek’s “We Are All Socialists Now” cover (2/16/09) certainly turned heads, but one of the stories inside explained in more detail the real threat. As senior editor Michael Freedman asked: “Have you noticed that Barack Obama sounds more like the president of France every day?”

The real problem, though, is what that’s going to do to us Americans, says Freedman: “If job numbers continue to look dismal, or get even worse, an ever-greater number of people will start looking to the government for support…. It’s very easy to imagine a chorus of former American individualists demanding cushy French-style pensions and free British-style healthcare if their private stock funds fail to recover and unemployment inches upward toward 10 percent and remains there.”

Pensions and healthcare for all–this is worse than we thought!

–The Iraq All Over Again Award
WINNER: Too Many to Name

After the invasion of Iraq, countless journalists who had treated allegations about Iraq’s weapons of mass destruction as facts were embarrassed when there were no such weapons to be found. So you’d think they’d be more careful about thinly sourced claims that Iran is seeking nuclear weapons. But in 2009, many journalists are still willing to treat such allegations as facts.

-NBC’s Chris Matthews (10/4/09): “As if Afghanistan were not enough, now there’s Iran’s move to get nuclear weapons.”

-NBC’s David Gregory (10/4/09). “Iran–will talks push that country to give up its nuclear weapons program?”

-Fox News Channel’s Bill O’Reilly (9/25/09): “All hell breaking loose as a new nuclear weapons facility is discovered in Iran, proving the mullahs have been lying for years…. Iran’s nuclear weapons program has now reached critical mass. And worldwide conflict is very possible. Friday, President Obama, British Prime Minister Brown and French President Sarkozy revealed a secret nuclear weapons facility located inside Iran.”

Some even went further, turning allegations of a nuclear weapons program into the discovery of actual nuclear weapons:

-ABC’s Good Morning America host Bill Weir (9/26/09): “President Obama and a united front of world leaders charge Iran with secretly building nuclear weapons.”

–The Talking Like a Terrorist Award
WINNER: Thomas Friedman, New York Times

In a January 14 column, New York Times superstar pundit Tom Friedman explained Israel’s war on Lebanon as an attempt to “educate” the enemy by killing civilians: The Israeli strategy was to “inflict substantial property damage and collateral casualties on Lebanon at large. It was not pretty, but it was logical.” Friedman added, “The only long-term source of deterrence was to exact enough pain on the civilians–the families and employers of the militants–to restrain Hezbollah in the future.” That strategy of targeting civilians to advance a political agenda is usually known as terrorism; Osama bin Laden couldn’t have explained it much better.

–The It Only Bothers Us Now Award
WINNER: Wall Street Journal editorial page

When Barack Obama only called on journalists from a list during a press conference, the Wall Street Journal did not like the new protocol (2/12/09):”We doubt that President Bush, who was notorious for being parsimonious with follow-ups, would have gotten away with prescreening his interlocutors.”

Actually, Bush was famous for calling only on reporters on an approved list; as he joked at a press conference on the eve of the Iraq War (3/6/03), “This is scripted.”

–The No Comment Award
WINNERS: MSNBC’s Mika Brzezinski and Rush Limbaugh

When asked by Politico (10/16/09) to name her favorite guest, MSNBC host Mika Brzezinski named arch-conservative Pat Buchanan “because he says what we are all thinking.”

Rush Limbaugh on Obama (Fox News Channel, 1/21/09): “We are being told that we have to hope he succeeds, that we have to bend over, grab the ankles…because his father was black.”

Choosing fear over kids

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As a global treaty designed to protect children around the world celebrated its 20th anniversary last month, the United States found itself in the sole company of Somalia as one of just two countries that still has not implemented the most widely ratified human rights treaty in recorded history.

The United Nations Convention on the Rights of the Child (CRC), available for adoption since 1989, has now been ratified by 193 nations around the world and is seen as a universal guide to helping governments ensure that the basic needs of children are met. Although the Reagan administration played a major role in drafting the convention, experts say it has now been “intentionally misinterpreted” by conservative groups, which claim implementation would threaten American sovereignty and diminish family values.

The convention is set out in 54 Articles and two Optional Protocols and covers four main objectives: nondiscrimination; devotion to the best interests of the child; the right to life, survival and development; and respect for the views of the child. During last year’s presidential campaign, Barack Obama promised to review the treaty, saying: “It is embarrassing to find ourselves in the company of Somalia, a lawless land. It is important that the U.S. return to its position as a respected global leader and promoter of human rights.”

Yet since Obama has been in office, there has been little movement toward ratifying the convention, which sets international standards in the provision of children’s health care, education, and legal, civil, and social services. For children’s rights advocates, this failure of the U.S. to legitimize the rights of the child has resulted in the country’s loss of credibility in the international community.

“It just undermines us internationally as a leader of children’s issues,” said Jo Becker, Advocacy Director for the Children’s Rights division at Human Rights Watch, one of more than 200 organizations partnered to the volunteer-run Campaign for U.S. Ratification of the CRC. “The U.S. is a country that claims to care a lot about children, both nationally and internationally, but it hasn’t ratified a treaty endorsed by virtually every government in the world. It doesn’t make any sense at all.”

But while Meg Gardiner, current chair of the Campaign for U.S. Ratification, acknowledged that the U.S. customarily takes a long time to consider and ratify a treaty of any sort, she noted that implementing the convention is also being delayed by frequently misdirected and misguided concerns from various individuals and organizations.

The CRC is a legally binding treaty, and once the U.S. ratifies the agreement — by getting two-thirds of the Senate to approve it — it is committed to undertake actions and policies to reach the standards it advises. The government must submit a detailed report to the U.N. Committee on the Rights of the Child, which is made up of 18 members from different countries and legal systems, within two years of ratification and every five years thereafter.

The committee reviews the progress of each country’s government, then sends recommendations back to the country in question. Although U.N. officials claim that this is a collaborative process, not one that is antagonistic in form, opposition groups view this as a risk to U.S. self-governance.

“A forum for dialogue is fine, but we absolutely do not support the notion of world government,” John Schlafly, a lawyer at Eagle Forum, a conservative interest group that is campaigning against U.S ratification of the CRC, told the Guardian. “We think America is a self-governing country and that we should make our own laws. Our courts and officials should not be subject to decisions and viewpoints of those in other countries, but remember that our Constitution is our supreme law.”

Quoting Article 6 of the U.S. Constitution — which says that all treaties made under the authority of the United States shall be “the supreme law of the land” — Schlafly said if the CRC is ratified then the U.S will sign away any authority it has over children’s rights, with federal laws being changed to meet the criteria in the CRC.

But Jonathan Todres, an associate professor of law at Georgia State University and coeditor of a book on the CRC and the possible implications of its ratification, told us that’s a “misunderstanding” of the process involved. He said the CRC would almost certainly be ratified as a “non-self-executing treaty.” That means that although the U.S will have to comply with international law, it would not take effect domestically until the U.S. adopts legislation to fulfill treaty obligations.

He added that the United States also has the right to add reservations to the treaty if there are any articles that might conflict with U.S. law. For example, Article 37 of the CRC indicates that no “life imprisonment without possibility of release shall be imposed for offenses committed by persons below 18 years of age,” something that certain states in the U.S still impose.

Despite supporters’ desire for a “magic bullet” that will improve the lives of children in the U.S., they said the treaty will operate as a template for the government to assess how well U.S. law protects children. While Article 24 decrees that “states parties shall strive to ensure that no child is deprived of his or her right of access to … health care services,” ratification will not mean an immediate implementation of universal health care for the 8 million to 9 million children who do not have access to it, campaigners say.

“It in itself can’t change law. It is a road map that informs a dialogue around the way we treat children,” said Vienna Colucci, managing director and senior advisor for policy for Amnesty International. “It is a set of principles for the well-being of children, to help inform national discussions about what they really need to thrive. But any implementation of laws go through the same process any bill would.”

The U.S already has ratified the two Optional Protocols of the Children’s Convention, including the protocol on the sexual exploitation of children and enlisting children as soldiers, strengthening the exploitation protocol by adopting the U.S. Trafficking Victims Protection Act. Todres said this should be used as an example of what ratifying the entire CRC could do.

Many who oppose the CRC fear it will diminish the rights of the parent, such as when it comes to disciplining children. Article 9, which says children can be separated from their parents against their will when “competent authorities subject to judicial review” determine it is in their best interest, is often cited as a loss of parental freedom.

In March of this year Rep. Pete Hoekstra (R-Mich.) put forward a brief Parental Rights Amendment to the CRC, asserting that “the liberty of parents to direct the upbringing and education of their children is a fundamental right,” and deauthorizing the ratification of a treaty that would infringe on such rights.

According to Michael Ramey, spokesman at Parentalrights.org — an organization that claims to “protect children by empowering parents” and an affiliate of the Home School Legal Defense Association — the amendment currently only has six cosponsors in the Senate, a far cry from the two-thirds majority it would need to pass.

“This really is not a question of whether the CRC is all that bad or kind of bad. It is whether it is an improvement for us on what we have now,” he told us. “We already have laws in place against child abuse and neglect in all 50 states and we don’t gain anything by ratifying. None of the good parts of the convention are missing from U.S law.”

However, Todres said the U.S still has child laborers, citing a current bill in Congress that is seeking to strengthen child labor provision related to the agriculture sector. He also reminded opponents that the U.S has a relatively large high school dropout rate, with some U.S children going hungry and hundreds of thousands at risk of sexual exploitation each year.

“Ultimately if one is concerned about the loss of parental authority, then one should look at the text of the CRC itself,” he said, highlighting 19 provisions in the text that stress the role of the parent in the child’s life. “Drafters understood, when ensuring the rights of children, they would be most successful when ensuring the rights of the family too.”

Although there are other articles in the convention that conflict with American law — it prohibits corporal punishment, for example — Linda Elrod, a law professor at Washburn University and supporter of the Campaign for Ratification, said she had not experienced countries receiving “report cards” from the U.N. Committee in the 20 years it had been operating.

“My reason for supporting it is that it is basically a bill of rights for children that says they are people,” she said, stressing how Article 12 in particular gives the child a voice and a way to express it. “We helped draft the U.N. convention and got the rest of the world to adopt that standard. Yes, it gives children rights, but I don’t think this takes away from anyone else’s rights. It just adds a balance.”

Editor’s Notes

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A year ago, we were dancing in the streets celebrating Barack Obama’s election. Now we’re marching in the streets protesting his escalation of the war in Afghanistan — and a lot of us are calling for the defeat of his signature legislation. That’s a failure that goes well beyond a couple of bad policy decisions, and it threatens more than just the next few years of Obama’s presidency.

The late philosopher Herbert Marcuse used to say that the worst disaster of the Vietnam War was the division it created between the baby boomers and their parents, the generational distrust that would last well beyond the final artillery fire. And I fear that the worst legacy of Afghanistan and the mess that is health care reform will be another deep blow to whatever fragile faith remains among young Americans that a well-meaning president and his party can make a difference, the faith that government can accomplish something worthwhile — and that the public sector is worth the fight it takes to save it from a well-organized and lavishly funded effort to continue the privatization of the United States.

The fight over the public option in the health care bill wasn’t just about containing costs, or preventing tax hikes, or mandating fair competition. The insurance industry knew that from the start.

One of the reasons the radical right has always hated Social Security is that it’s a government program that helps people, one that tens of millions of citizens rely on and support. When the government sends you a check every month, you tend to think of the folks in Washington as something other than crooks, liars, and villains.

And if the government offered health insurance that cost less than the private companies, covered more, and was less of a hassle to use, then millions more American voters would begin to realize that the public sector can do some things very well — much better than private industry. And that would be a social transformation on the scale of the New Deal.

So that’s why the insurers and their toadies wouldn’t allow it to happen — and why, in the wake of the Afghanistan fiasco, Obama’s failure to force the issue is such a momentous disappointment.

Just look around the streets of San Francisco at any antiwar demonstration and you see the problem. We’re mad at the president, not at the insurance industry. Nobody’s marching in front of the headquarters of the handful of big companies that have — as a matter of course and intentional policy — destroyed the health care system in America. We figure: hey, they’re just big businesses, doing what they do.

So instead, we’re going to be pissed off for a long time at the man who — maybe for just a moment, one bright shining moment — had the ability to turn around about 50 years of cynicism and distrust that has poisoned American politics. And we should be pissed, because he let us down. He promised us hope. Now he’s giving up, without even putting up much of a fight.

8, 9 … 2010

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1. SF garage rock goes pop This year saw Bay Area garage rock go pop in style and impact without losing its soul. I’m thinking of the Fresh and Onlys, and of Ty Segall’s second solo effort Lemons (Goner), a lovely one. I’m thinking of Girls’ Album (True Panther/Matador), which threw down the crossover-move gauntlet with no shame in its game: Christopher Owens’ interviews were as entertaining as his music and brasher — his real talk about sex and drugs made good headline fodder for the excitable British press, but contained the kind of truth that honors life over rules or boring definitions. The secret keeper, though, was the Mantles’ self-titled debut on Siltbreeze. Drew Cramer’s lead guitar and Michael Oliveras’ vocals were even better live, the mark of a band in bloom.

2. The AfroSurreal In May, D. Scot Miller helped put together a special AfroSurreal issue of the Guardian, a collection of words and visions journeying beyond the potential of Barack Obama’s presidency. The Kehinde Wiley piece on the cover wasn’t the only AfroSurreal image on this paper’s front pages — just last week, Conrad Ruiz’s Godzilla-size Yes We Can stomped around the city. Musically, AfroSurrealism manifested in the mind- and mirror-bending quality Dam-Funk’s Toeachizown (Stones Throw) and the rehab hallucinations and Dante-like funeral marches of Chelonis R. Jones’s Chatterton (Systematic). It floated in through cracks in the time warp as well: the ghetto opera of 24 Carat Black’s Gone: The Promises of Yesterday (Numero Group); the proto-punk of Death’s For the World to See (Drag City), especially “Politicians in My Eyes”; and weirdest of all, the gothic funk and skronk of Wicked Witch’s Chaos: 1978-1986 (E.M.).

3. 21st century goth From blackness to deathly whiteface — something gothic this way came in 2009, thanks to Cold Cave’s Cremations (Hospital Productions) and Love Comes Close (Matador). Both staked a claim that the genre is as applicable as death metal to a post-Bush presidency globe. But while those albums notched acclaim and attention, the similar yet more audacious Cure and Cabaret Volatire moves of Jones’ months-earlier Chatterton went ignored and unappreciated. Evidence of racism, proof that German techno only gets appreciated years after the fact, or both?

4. Hauntological mutations In 2009’s sonic mansion, ghosts haunted the hallways leading to and from the gothic banquet hall, and hauntology — a Derrida term applied to music by the critic Simon Reynolds — continued to morph, just as any self-respecting specter should, well beyond dubstep. The maze-like passages of Rooj’s The Transactional Dharma of Rooj (Ghost Box) and Broadcast and the Focus Group’s Broadcast and the Focus Group Investigate Witch Cults of the Radio Age (Warp) both suggested that spirits have short attention spans, while Demdike Stare’s Symbiosis (Modern Love) traded seances on wet afternoons for retro-futurist meetings with medieval wicked witches.

5. Library music For evidence that the past resides in and fuels the present, go to the library. Specifically, to the abundant compilations and Web sites dedicated to library music — the scores of incidental music produced and recorded for soundtrack use on film, television, and radio. In the wake of his gorgeous book The Music Library (Fuel Publishing), Jonny Trunk released more albums devoted to library labels. The Parisian DJs Alexis Le-Tan and Jess put out a pair of Space Oddities library collections — one electronic, one psychedelic — on Permanent Vacation. Wax Poetics published a lengthy piece to the subject. In an interview, Trunk noted that his Scrapbook (Trunk) shares the same fast-change aesthetics of Broadcast and the Focus Group’s hauntological recordings, just one example of how library music of the past forms the music of now.

6. The new ambient The new ambient is not afraid of extreme melancholy, or long compositions — no longer only Kompact, it can be epic. One of the form’s peak representatives is San Francisco’s Brock Van Wey, whose White Clouds Drift On and On (Echospace) bravely strived for, and sometimes reached, sublime solitude. Another was Klimek, whose Movies is Magic (Anticipate), on which a track such as “pathetic and dangerous” lives up to its death-knell title. The last was Leyland Kirby. His three-CD contribution sums up the current moment in both its title and the name of its label: Sadly, the Future is No Longer What it Was (History Always Favours the Winners).

7. 2009=1989, synthpop and shoegaze I explored this theme in last week’s Decade in Music issue. See: Atlas Siund (in particular “Shelia,”), Crocodiles, Fuck Buttons, Loop, Night Control, Pains of Being Pure at Heart, Washed Out (responsible for two of this year’s most gorgeous tracks, “Belong” and “Hold Out”), Wavves, and the xx.

8. How old is now? As the music industry continues to fracture, reissues or uncovered old sounds were as vital and revelatory as new releases. In San Francisco, this meant new rereleases by San Francisco Express, the Units, and most excitingly, Honey Soundsystem’s work on behalf of Patrick Cowley and Jorge Socarras’ Catholic project. Beyond SF, it meant a one-of-a-kind treasure like Connie Converse’s How Sad, How Lovely (Lau derette): one woman, one guitar, one tape recorder, and perhaps the best music of this sad, lovely year.

We’re all in this together

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Text by Sarah Phelan

“The disaster is already in progress, but we have it in our power to end this injustice,”
Desmond Tutu, COP15

So begins the email that Green for All’s Phaedra Ellis-Lamkins sent from Copenhagen at 3 a.m–a message that sums up the climate change-driven disaster that everyone is facing, even if they haven’t admitted it, yet.

“This city is filled with people who face the consequences of global warming every day,” she continues. “Families who watched their homes fall into the water, farmers who can no longer harvest because of drought, and those whose peaceful countries are now preparing for unrest because they are losing their natural resources. These are the victims of global warming; debating whether the crisis is “real” denies their human experience, and that of millions of people like them around the world.”

“We elected Barack Obama, who promised a clean-energy economy that would restore our economic power and affirm our place as part of a global community,” she observes, as she urges folks to get off the fence and ask Obama to sign a strong climate agreement in Copenhagen.. “He left no doubt that global warming was real and was a threat to our existence, and he vowed to lead the charge to solve it.”

“A year later, we are again at a crossroads,” she concludes.” Last year’s election was not the end of the mission. We will reach the end only when we have translated our values and promise into action. Hope is not enough. It must become change.”

I like the sentiment–and it reminds me that I have to stop getting annoyed with the folks who want to blame Obama for everything, and start refocusing on doing whatever I can to make change happen. And the good news is…there is so much that I can do.

To see how climate change stands to impact the local community click here.

Should Pelosi oppose the Health Care bill?

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By Tim Redmond

There are some good reasons, I suppose, to support the Obama insurance bill. It’s a start, anyway — and you could argue that once it gets up and running, the flaws will become obvious and we can fix them later (by adding a public option, say).

You could also argue that this is the only chance we’re getting, and once this behemoth is in place, it’ll be hard to open the debate up again for years.

And the list of problems with the bill is growing.

Which is why Howard Dean is leading the charge to defeat it (and pissing off the White House in the process.)

In my Editors Notes column this week, I noted that a new poll shows Democrats less likely to come to the polls and vote for their party’s candidates next fall if there’s no public option in the health care bill. That leaves an interesting question: Once the bill gets out of the Senate, the House will have to reconcile the differences (since the House bill was not at all like the Senate bill is currently). If Speaker Nancy Pelosi doesn’t support the bill — that is, if she takes Dean’s line — the it could well die. So far, she’s not saying much:

House Speaker Nancy Pelosi declined to show her hand on the matter Wednesday, telling reporters that she won’t make a call on the Senate bill until she sees it. She suggested she’s open to compromise.

“We do know that, between the two bills, we have the makings of a … big difference for the American people,” she said. “And our members are very enthusiastic about our House bill, and we want to defend our position. At some point, though, the legislative process will say that they have to yield on things and we have to yield on things.”

I’m starting to go with the Howard Dean line — we’ve given up absolutely everything. There’s no public option. There’s no Medicare buy-in. There’s not really a ban on pre-existing conditions.

So what, exactly, are we getting here?

Film listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Louis Peitzman, Lynn Rapoport, Ben Richardson, Matt Sussman, and Laura Swanbeck. The film intern is Fernando F. Croce. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

OPENING

Avatar Special effects master and woeful screenplay-penner James Cameron returns, for better and worse. (2:42)

Broken Embraces Pedro Almodóvar has always dabbled in the Hitchcockian tropes of uxoricide, betrayal, and double-identity, but with Broken Embraces he has attained a polyglot, if slightly mimicking, fluency with the language of Hollywood noir. A story within a story and a movie within a movie, Embraces begins in the present day with middle-aged Catalan Harry Caine (Lluís Homar), a blind screenwriter who takes time between his successful writing career to seduce and bed young women sympathetic to his disability. "Everything’s already happened to me," he explains to his manager, Judit (Blanca Portillo). "All that’s left is to enjoy life." But this life of empty pleasures is brought to a sudden halt when local business magnate Ernesto Martel (José Luis Gómez) has died; soon after, Ernesto Jr. (Rubén Ochandiano), who has renamed himself Ray X, visits Caine with an unusual request. The action retreats 14 years when Caine was a young (and visually abled) director named Mateo Blanco; he encounters a breathtaking femme fatale, Lena (Penelope Cruz) — an actress-turned-prostitute named Severine, turned secretary-turned-trophy wife of Ernesto Martel — when she appears to audition for his latest movie. If all of the narrative intricacies and multiplicitous identities in Broken Embraces appear a bit intimidating at first glance, it is because this is the cinema of Almodóvar taken to a kind of generic extreme. As with all of the director’s post-’00 films, which are often referred to as Almodóvar’s "mature" pictures, there is a microscopic attention to narrative development combined with a frenzied sub-plotting of nearly soap-operatic proportions. But, in Embraces, formalism attains such prominence that one might speculate the director is simply going through the motions. The effect is a purposely loquacious and overly-dramatized performance that pleasures itself as much by setting up the plot as unraveling it. For the complete version of this review, visit www.sfbg.com. (2:08) Clay. (Erik Morse)

Did You Hear About the Morgans? A married couple (Hugh Grant and Sarah Jessica Parker) move from Manhattan to a small town after witnessing a murder. (1:48)

In Search of Beethoven After the success of his In Search of Mozart, director Phil Grabsky applies his truth-seeking documentary template to Ludwig van Beethoven, a composer so genius he continued creating (and to a lesser extent, performing) even as he succumbed to deafness. Still photos, paintings, interviews with historians and musicologists, and visits to actual Beethoven haunts, along with dramatic readings of the maestro’s letters (by actor David Dawson) and stern narration (by actor Juliet Stevenson, who also loaned her pipes to Mozart), flesh out this biographical portrait. But its most stirring moments come courtesy of its musical performances (by seasoned professionals) of Moonlight Sonata and other notable works. As the doc proves, there’s no better insight into Beethoven’s tumultuous, sometimes tortured life than the notes he left behind. (2:18) Roxie. (Eddy)

*35 Shots of Rum Claire Denis’s portrait in domesticity is so patiently timed and achingly photographed (by her longtime cinematographer Agnès Godard) that your own life routines are liable to seem freshly poetic in its afterglow. We begin with familiar images of transitory longing: trains switching tracks, keeping time. A man smokes a cigarette at dusk, its embers warming his dark skin. He is Lionel (Alex Descas), a Metro operator who lives simply in a boxy apartment building in the outer rings of Paris. He returns home from work with a rice cooker for his twentysomething daughter, Josephine (Mati Diop), though Denis allows their relationship to remain unclear for a while (she is remarkably free when it comes to exposition). Coincidentally, serious Jo has bought herself a cooker on the same day. There’s a whole untold story about the rice cooker, but Denis is content watching them appreciatively spoon out the first batch in their pajamas. The attention to generations, meals, the trains and the small comic gestures (a well-timed fart, an awry romantic moment in the Seine) all suggest Ozu, but the elliptical rhythms and sensual apprehension of bodies is pure Denis. She once did a documentary about a choreographer (2005’s Towards Mathilde), and she approaches everyday life as a kind of dance. Lionel and Jo’s relationship is unlike almost any other father-daughter dynamic in recent movie memory — nonverbal, but clearly loving. If the other characters are kept at arm’s length, that’s because Lionel and Jo keep their safe haven so closely guarded. Things begin to unspool, as they must, in a memorable restaurant dance sequence that makes exquisite use of the Commodores’ 1985 platter, "Nightshift." (1:39) (Goldberg)

The Young Victoria Those who envision the Victorian Age as one of restraint and repression will likely be surprised by The Young Victoria, which places a vibrant Emily Blunt in the title role. Her Queen Victoria is headstrong and romantic — driven not only by her desire to stand tall against the men who would control her, but also by her love for the dashing Prince Albert (Rupert Friend). To be honest, the story itself is nothing spectacular, even for those who have imagined a different portrait of the queen. But The Young Victoria is still a spectacle to behold: the opulent palaces, the stunning gowns, and the flawless Blunt going regal. Her performance is rich and nuanced — and her chemistry with Prince Albert makes the film. No, it doesn’t leave quite the impression that 1998’s Elizabeth did, but it’s a memorable costume drama and romance, worthy of at least a moderate reign in theaters. (1:40) Embarcadero. (Peitzman)

ONGOING

Armored (1:28) 1000 Van Ness.

The Blind Side When the New York Times Magazine published Michael Lewis’ article "The Ballad of Big Mike" — which he expanded into the 2006 book The Blind Side: Evolution of a Game —nobody could have predicated the cultural windfall it would spawn. Lewis told the incredible story of Michael Oher — a 6’4, 350-pound 16-year-old, who grew up functionally parentless, splitting time between friends’ couches and the streets of one of Memphis’ poorest neighborhoods. As a sophomore with a 0.4 GPA, Oher serendipitously hitched a ride with a friend’s father to a ritzy private school across town and embarked on an unbelievable journey that led him into a upper-class, white family; the Dean’s List at Ole Miss; and, finally, the NFL. The film itself effectively focuses on Oher’s indomitable spirit and big heart, and the fearless devotion of Leigh Anne Tuohy, the matriarch of the family who adopted him (masterfully played by Sandra Bullock). While the movie will delight and touch moviegoers, its greatest success is that it will likely spur its viewers on to read Lewis’ brilliant book. (2:06) 1000 Van Ness. (Daniel Alvarez)

Brothers There’s nothing particularly original about Brothers — first, because it’s based on a Danish film of the same name, and second, because sibling rivalry is one of the oldest stories in the book. The story is fairly straightforward: good brother (Tobey Maguire) goes AWOL in Afghanistan, bad brother (Jake Gyllenhaal) comforts his sister-in law (Natalie Portman), attraction develops, but then — and here’s where things get awkward — good brother comes home. Throughout much of Brothers, the script is surprisingly restrained, holding the film back from Movie of the Week territory. Those moments of subtlety are the movie’s strongest, but by the end they’ve given way to giant, maudlin explosions of angst, which aren’t nearly as impressive. Still, the acting is consistently strong. Maguire is especially good as Captain Sam Cahill in a performance that runs the gamut from doting father to terrifyingly unbalanced. It’s unfortunate that the quiet scenes, in which all the actors excel, are overshadowed by the big, plate-smashing ones. (1:50) 1000 Van Ness, Sundance Kabuki. (Peitzman)

Christmas with Walt Disney Specially made for the Presidio’s recently opened Walt Disney Family Museum, this nearly hour-long compilation of vintage Yuletide-themed moments from throughout the studio’s history (up to Walt’s 1966 death) is more interesting than you might expect. The engine is eldest daughter Diane Disney Miller’s narrating reminiscences, often accompanied by excerpts from an apparently voluminous library of high-quality home movies. Otherwise, the clips are drawn from a mix of short and full-length animations, live-action features (like 1960’s Swiss Family Robinson), TV shows Wonderful World of Disney and Mickey Mouse Club, plus public events like Disneyland’s annual Christmas Parade and Disney’s orchestration of the 1960 Winter Olympics’ pageantry. If anything, this documentary is a little too rushed –- it certainly could have idled a little longer with some of the less familiar cartoon material. But especially for those who who grew up with Disney product only in its post-founder era, it will be striking to realize what a large figure Walt himself once cut in American culture, not just as a brand but as an on-screen personality. The film screens Nov 27-Jan 2; for additional information, visit http://disney.go.com/disneyatoz/familymuseum/index.html. (:59) Walt Disney Family Museum. (Harvey)

Disney’s A Christmas Carol (1:36) 1000 Van Ness.

*An Education The pursuit of knowledge — both carnal and cultural — are at the tender core of this end-of-innocence valentine by Danish filmmaker Lone Scherfig (who first made her well-tempered voice heard with her 2000 Dogme entry, Italian for Beginners), based on journalist Lynn Barber’s memoir. Screenwriter Nick Hornby breaks further with his Peter Pan protagonists with this adaptation: no man-boy mopers or misfits here. Rather, 16-year-old schoolgirl Jenny (Carey Mulligan) is a good girl and ace student. It’s 1961, and England is only starting to stir from its somber, all-too-sober post-war slumber. The carefully cloistered Jenny is on track for Oxford, though swinging London and its high-style freedoms beckon just around the corner. Ushering in those freedoms — a new, more class-free world disorder — is the charming David (Peter Sarsgaard), stopping to give Jenny and her cello a ride in the rain and soon proffering concerts and late-night suppers in the city. He’s a sweet-faced, feline outsider: cultured, Jewish, and given to playing fast and loose in the margins of society. David can see Jenny for the gem she is and appreciate her innocence with the knowing pleasure of a decadent playing all the angles. The stakes are believably high, thanks to An Education‘s careful attention to time and place and its gently glamored performances. Scherfig revels in the smart, easy-on-eye curb appeal of David and his friends while giving a nod to the college-educated empowerment Jenny risks by skipping class to jet to Paris. And Mulligan lends it all credence by letting all those seduced, abandoned, conflicted, rebellious feelings flicker unbridled across her face. (1:35) (Chun)

Everybody’s Fine Robert De Niro works somewhere between serious De Niro and funny De Niro in this portrait of a family in muffled crisis, a remake of the 1991 Italian film Stanno Tutti Bene. The American version tracks the comings and goings of Frank (De Niro), a recently widowed retiree who fills his solitary hours working in the garden and talking to strangers about his children, who’ve flung themselves across the country in pursuit of various dreams and now send home overpolished reports of their achievements. Disappointed by his offspring’s collective failure to show up for a family get-together, he embarks on a cross-country odyssey to connect with each in turn. Writer-director Kirk Jones (1998’s Waking Ned Devine) effectively underscores Frank’s loneliness with shots of him steering his cart through empty grocery stores, interacting only with the occasional stock clerk, and De Niro projects a sense of drifting disconnection with poignant restraint. But Jones also litters the film with a string of uninspired, autopilot comic moments, and manifold shots of telephone wires as Frank’s children (Kate Beckinsale, Drew Barrymore, and Sam Rockwell) whisper across the miles behind their father’s back — his former vocation, manufacturing the telephone wires’ plastic coating, funded his kids’ more-ambitious aims — feel like glancing blows to the head. A vaguely miraculous third-act exposition of everything they’ve been withholding to protect both him and themselves is handled with equal subtlety and the help of gratingly precocious child actors. (1:35) 1000 Van Ness. (Rapoport)

*Fantastic Mr. Fox A lot of people have been busting filmmaker Wes Anderson’s proverbial chops lately, lambasting him for recent cinematic self-indulgences hewing dangerously close to self-parody (and in the case of 2007’s Darjeeling Limited, I’m one of them). Maybe he’s been listening. Either way, his new animated film, Fantastic Mr. Fox, should keep the naysayer wolves at bay for a while — it’s nothing short of a rollicking, deadpan-hilarious case study in artistic renewal. A kind of man-imal inversion of Anderson’s other heist movie, his debut feature Bottle Rocket (1996), his latest revels in ramshackle spontaneity and childlike charm without sacrificing his adult preoccupations. Based on Roald Dahl’s beloved 1970 book, Mr. Fox captures the essence of the source material but is still full of Anderson trademarks: meticulously staged mise en scène, bisected dollhouse-like sets, eccentric dysfunctional families coming to grips with their talent and success (or lack thereof).(1:27) Empire, 1000 Van Ness, SF Center, Sundance Kabuki. (Devereaux)

Invictus Elected President of South Africa in 1995 — just five years after his release from nearly three decades’ imprisonment — Nelson Mandela (Morgan Freeman) perceives a chance to forward his message of reconciliation and forgiveness by throwing support behind the low-ranked national rugby team. Trouble is, the Springboks are currently low-ranked, with the World Cup a very faint hope just one year away. Not to mention the fact that despite having one black member, they represent the all-too-recent Apartheid past for the country’s non-white majority. Based on John Carlin’s nonfiction tome, this latest Oscar bait by the indefatigable Clint Eastwood sports his usual plusses and minuses: An impressive scale, solid performances (Matt Damon co-stars as the team’s Afrikaaner captain), deft handling of subplots, and solid craftsmanship on the one hand. A certain dull literal-minded earnestness, lack of style and excitement on the other. Anthony Peckham’s screenplay hits the requisite inspirational notes (sometimes pretty bluntly), but even in the attenuated finals match, Eastwood’s direction is steady as she goes — no peaks, no valleys, no faults but not much inspiration, either. It doesn’t help that Kyle Eastwood and Michael Stevens contribute a score that’s as rousing as a warm milk bath. This is an entertaining history lesson, but it should have been an exhilarating one. (2:14) 1000 Van Ness, SF Center, Sundance Kabuki. (Harvey)

Me and Orson Welles It’s 1937, and New York City, like the rest of the nation, presumably remains in the grip of the Great Depression. That trifling historical detail, however, is upstaged in Richard Linklater’s Me and Orson Welles (adapted from the novel by Robert Kaplow) by the doings at the newly founded Mercury Theatre. There, in the equally tight grip of actor, director, and company cofounder Orson Welles — who makes more pointed use of the historical present, of Italian fascism — a groundbreaking production of Shakespeare’s Julius Caesar hovers on the brink of premiere and possible disaster. Luckily for swaggering young aspirant Richard (High School Musical series star Zac Efron), Welles (Christian McKay), already infamously tyrannical at 22, is not a man to shrink from firing an actor a week before opening night and replacing him with a 17-year-old kid from New Jersey. Finding himself working in perilous proximity to the master, his unharnessed ego, and his winsome, dishearteningly pragmatic assistant, Sonja (Claire Danes), our callow hero is destined, predictably, to be handed some valuable life experience. McKay makes a credible, enjoyable Welles, presented as the kind of engaging sociopath who handles people like props and hails ambulances like taxicabs. Efron projects a shallow interior life, an instinct for survival, and the charm of someone who has had charming lines written for him. Still, he and Welles and the rest are all in service to the play, and so is the film, which offers an absorbing account of the company’s final days of rehearsal. (1:54) Shattuck. (Rapoport)

Ninja Assassin Let’s face it: it’d be nigh impossible to live up to a title as awesome as Ninja Assassin –- and this second flick from V for Vendetta (2005) director James McTeigue doesn’t quite do it. Anyone who’s seen a martial arts movie will find the tale of hero Raizo overly familiar: a student (played by the single-named Rain) breaks violently with his teacher; revenge on both sides ensues. That the art form in question is contemporary ninja-ing adds a certain amount of interest, though after a killer ninja vs. yakuza opening scene (by far the film’s best), and a flashback or two of ninja vs. political targets, the rest of the flick is concerned mostly with either ninja vs. ninja or ninja vs. military guys. (As ninjas come "from the shadows," most of these battles are presented in action-masking darkness.) There’s also an American forensic researcher (Noemie Harris) who starts poking around the ninja underground, a subplot that further saps the fun out of a movie that already takes itself way too seriously. (1:33) 1000 Van Ness. (Eddy)

Pirate Radio I wanted to like Pirate Radio, a.k.a., The Boat That Rocked –- really, I did. The raging, stormy sounds of the British Invasion –- sex, drugs, rock ‘n’ roll, and all that rot. Pirate radio outlaw sexiness, writ large, influential, and mind-blowingly popular. This shaggy-dog of a comedy about the boat-bound, rollicking Radio Rock is based loosely on the history of Radio Caroline, which blasted transgressive rock ‘n’ roll (back when it was still subversive) and got around stuffy BBC dominance by broadcasting from a ship off British waters. Alas, despite the music and the attempts by filmmaker Richard Curtis to inject life, laughs, and girls into the mix (by way of increasingly absurd scenes of imagined listeners creaming themselves over Radio Rock’s programming), Pirate Radio will be a major disappointment for smart music fans in search of period accuracy (are we in the mid- or late ’60s or early or mid-’70s –- tough to tell judging from the time-traveling getups on the DJs, played by Philip Seymour Hoffman and Rhys Darby, among others?) and lame writing that fails to rise above the paint-by-the-numbers narrative buttressing, irksome literalness (yes, a betrayal by a lass named Marianne is followed by "So Long, Marianne"), and easy sexist jabs at all those slutty birds. Still, there’s a reason why so many artists –- from Leonard Cohen to the Stones –- have lent their songs to this shaky project, and though it never quite gets its sea legs, Pirate Radio has its heart in the right place –- it just lost its brains somewhere along the way down to its crotch. (2:00) 1000 Van Ness. (Chun)

Planet 51 (1:31) 1000 Van Ness.

*Precious: Based on the Novel Push By Sapphire This gut-wrenching, little-engine-that-could of a film shows the struggles of Precious, an overweight, illiterate 16-year-old girl from Harlem. Newcomer Gabourey Sidibe is so believably vigilant (she was only 15 at the time of filming) that her performance alone could bring together the art-house viewers as well as take the Oscars by storm. But people need to actually go and experience this film. While Precious did win Sundance’s Grand Jury and Audience Award awards this year, there is a sad possibility that filmgoers will follow the current trend of "discussing" films that they’ve actually never seen. The daring casting choices of comedian Mo’Nique (as Precious’ all-too-realistically abusive mother) and Mariah Carey (brilliantly understated as an undaunted and dedicated social counselor) are attempts to attract a wider audience, but cynics can hurdle just about anything these days. What’s most significant about this Dancer in the Dark-esque chronicle is how Damien Paul’s screenplay and director Lee Daniels have taken their time to confront the most difficult moments in Precious’ story –- and if that sounds heavy-handed, so be it. Stop blahging for a moment and let this movie move you. (1:49) SF Center, Sundance Kabuki. (Jesse Hawthorne Ficks)

*The Princess and the Frog Expectations run high for The Princess and the Frog: it’s the first Disney film to feature an African American princess, the first 2D Disney cartoon since the regrettable Home on the Range (2004), and the latest entry from the writing-directing team responsible for The Little Mermaid (1989) and Aladdin (1992). Here’s the real surprise — The Princess and the Frog not only meets those expectations, it exceeds them. After years of disappointment, many of us have given up hope on another classic entry into the Disney 2D animation canon. And yet, The Princess and the Frog is up there with the greats, full of catchy songs, gorgeous animation, and memorable characters. Set in New Orleans, the story is a take off on the Frog Prince fairy tale. Here, the voodoo-cursed Prince Naveen kisses waitress Tiana instead — transferring his froggy plight to her as well. A fun twist, and a positive message: wishing is great, but it takes hard work to make your dreams come true. For those of us raised on classic Disney, The Princess and the Frog is almost too good to believe. (1:37) 1000 Van Ness. (Peitzman)

*The Private Lives of Pippa Lee Rebecca Miller’s latest is that seldom-produced thing, the female midlife crisis movie. Daughter to playwright Arthur Miller, a titan of Big Theme manly guilts, her projects are indie-scaled, about troubled domestic minutae, with whimsical twists of fate that methodical realist Arthur would never have countenanced. She’s been consistently interesting since 1995’s striking Angela — first among many narratives from the viewpoint of a child struggling in the shadow of an overwhelming and/or unstable parent. In Private Lives, Pippa (Robin Wright Penn) has her own monstrous parental past. Like many people hailing from chaos, Pippa has turned self-conscious model citizen. In drifting early adulthood, she glommed onto the first man who respected her mind — or did he just recognize a rudderless, much younger woman susceptible to flattery? Ever since she’s been ideal consort to newly retired publisher Herb (Alan Arkin), as well as doting mother to their variably grateful children. Barely 40 and living in an old folks’ village, Pippa is starting to think her life a tad ridiculous. Such nagging but inchoate doubt is underlined by the return of a widow neighbor’s shaggy, somewhat surly son (Keanu Reeves) to Chez Mom after his latest failure at adulthood. Opposites attract, though it’s more complicated than that. Miller’s cluttered canvas also makes room for teensy-to-major characters played by Shirley Knight, Blake Lively, Robin Weigert, Julianne Moore, and Monica Bellucci. As is her wont, she piles on both invigorating insights and a few too many whiplash narrative left turns. But The Private Lives of Pippa Lee has charm and idiosyncrasy to spare. (1:40) Smith Rafael. (Harvey)

A Single Man In this adaptation of Christopher Isherwood’s 1964 novel, Colin Firth plays George, a middle-aged gay expat Brit and college professor in 1962 Los Angeles. Months after the accidental death of Jim (Matthew Goode), his lover for 16 years, George still feels worse than bereft; simply waking each morning is agony. So on this particular day he has decided to end it all, first going through a series of meticulous preparations and discreet leave-takings that include teaching one last class and having supper with the onetime paramour (Julianne Moore) turned best friend who’s still stuck on him. The main problem with fashion designer turned film director Tom Ford’s first feature is that he directs it like a fashion designer, fussing over surface style and irrelevant detail in a story whose tight focus on one hard, real-world thing–grief–cries for simplicity. Not pretentious overpackaging, which encompasses the way his camera slavers over the excessively pretty likes of Nicholas Hoult as a student and Jon Kortajarena as a hustler, as if they were models selling product rather than characters, or even actors. (In fact Kortajarena is a male supermodel; the shocker is that Hoult is not, though Hugh Grant’s erstwhile About a Boy co-star is so preening here you’d never guess.) Eventually Ford stops showing off so much, and A Single Man is effective to the precise degree it lets good work by Goode, Moore and especially the reliably excellent Firth unfold without too much of his terribly artistic interference. (1:39) Sundance Kabuki. (Harvey)

2012 I don’t need to give you reasons to see this movie. You don’t care about the clumsy, hastily dished-out pseudo scientific hoo-ha that explains this whole mess. You don’t care about John Cusack or Woody Harrelson or whoever else signed on for this embarrassing notch in their IMDB entry. You don’t care about Mayan mysteries, how hard it is for single dads, and that Danny Glover and Chiwetel Ejiofor jointly stand in for Obama (always so on the zeitgeist, that Roland Emmerich). You already know what you’re in store for: the most jaw-dropping depictions of humankind’s near-complete destruction that director Emmerich –- who has a flair for such things –- has ever come up with. All the time, creative energy, and money James Cameron has spent perfecting the CGI pores of his characters in Avatar is so much hokum compared to what Emmerich and his Spartan army of computer animators dish out: the U.S.S. John F. Kennedy emerging through a cloud of toxic dust like some Mary Celeste of the military-industrial complex, born aloft on a massive tidal wave that pulverizes the White House; the dome of St. Paul’s flattening the opium-doped masses like a steamroller; Hawaii returned to its original volcanic state; and oodles more scenes in which we are allowed to register terror, but not horror, at the gorgeous destruction that is unfurled before us as the world ends (again) but no one really dies. Get this man a bigger budget. (2:40) 1000 Van Ness. (Sussman)

The Twilight Saga: New Moon Oh my God, you guys, it’s that time of the year: another Twilight chapter hits theaters. New Moon reunites useless cipher Bella (Kristen Steward) and Edward (Robert Pattinson), everyone’s favorite sparkly creature of darkness. Because this is a teen wangstfest, the course of true love is kind of bumpy. This time around, there’s a heavy Romeo and Juliet subplot and some interference from perpetually shirtless werewolf Jacob (Taylor Lautner). Chances are you know this already, as you’ve either devoured Stephenie Meyer’s book series or you were one of the record-breaking numbers in attendance for the film’s opening weekend. And for those non-Twilight fanatics — is there any reason to see New Moon? Yes and no. Like the 2008’s Twilight, New Moon is reasonably entertaining, with plenty of underage sexual tension, supernatural slugfests, and laughable line readings. But there’s something off this time around: New Moon is fun but flat. For diehard fans, it’s another excuse to shriek at the screen. For anyone else, it’s a soulless diversion. (2:10) Empire, 1000 Van Ness, SF Center, Sundance Kabuki. (Peitzman)

Up in the Air After all the soldiers’ stories and the cannibalism canards of late, Up in the Air‘s focus on a corporate ax-man — an everyday everyman sniper in full-throttle downsizing mode — is more than timely; it’s downright eerie. But George Clooney does his best to inject likeable, if not quite soulful, humanity into Ryan Bingham, an all-pro mileage collector who prides himself in laying off employees en masse with as few tears, tantrums, and murder-suicide rages as possible. This terminator’s smooth ride from airport terminal to terminal is interrupted not only by a possible soul mate, fellow smoothie and corporate traveler Alex (Vera Farmiga), but a young tech-savvy upstart, Natalie (Anna Kendrick), who threatens to take the process to new reductionist lows (layoff via Web cam) and downsize Ryan along the way. With Up in the Air, director Jason Reitman, who oversaw Thank You for Smoking (2005) as well as Juno (2007), is threatening to become the bard of office parks, Casual Fridays, khaki-clad happy hours, and fly-over zones. But Up in the Air is no Death of a Salesman, and despite some memorable moments that capture the pain of downsizing and the flatness of real life, instances of snappily screwball dialogue, and some more than solid performances by all (and in particular, Kendrick), he never manages to quite sell us on the existence of Ryan’s soul. (1:49) SF Center. (Chun)

Russoniello has to go

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EDITORIAL When you look behind the problems San Francisco has had with its sanctuary city policy — the arrest and threatened deportation of kids as young as 15, the threats to city officials trying to protect juveniles, the threats to the new policy Sup. David Campos won approval for — there’s one major figure lurking: U.S. Attorney Joe Russoniello.

He’s the same one who was behind the raids on medical marijuana clubs. He’s a Republican whose former law firm, Cooley, Godward, gets hefty legal fees from representing Pacific Gas and Electric Co. — one of the biggest federal criminals in the land. He served under Presidents Ronald Reagan and George W. Bush.

And it’s a mystery to us why this holdover from a discredited administration is still running the Justice Department in one of the most liberal parts of the United States.

The Obama administration has been slowly replacing Bush appointees with more progressive U.S. attorneys. Some say the process has been dragging on too long — after all, Bill Clinton fired every one of the nearly 100 U.S. attorneys shortly after taking office and started putting his own people in place right away. But in many states, the process has moved forward; 20 jurisdictions have new U.S. attorneys, and nominations are pending in about 10 more.

So why is the process taking so long in California?

Choosing a top federal prosecutor isn’t entirely the job of the president. Under long-held Washington traditions, the senior U.S. senator of the president’s party has tremendous influence over the selection process, and in California, Sens. Barbara Boxer and Dianne Feinstein have split up the duties. Boxer is screening candidates for the Northern District, and Feinstein is handling the Central and Southern Districts. So for all practical purposes, Russoniello’s replacement is going to be chosen by Boxer.

The senator ought to be asking all the candidates the same question San Francisco City Attorney Dennis Herrera recently asked Russoniello: Will you promise not to prosecute individual city workers who follow the San Francisco Sanctuary Ordinance? And she should finalize her choice quickly and send that name to the White House with all due dispatch. Russoniello has to go, and his departure is way overdue.

Herrera, meanwhile, has his own Sanctuary Ordinance challenges: Sup. David Campos has asked Herrera to formally advise the supervisors on the legality of Mayor Newsom’s refusal to follow the immigration policies that a veto-proof majority of the board passed. Newsom claims that the Campos law, which overturns Newsom’s policy of mandating that all juvenile offenders be reported to immigration authorities at the time of arrest, violates federal statutes.

In a Dec. 10 letter to Herrera, Campos warned that Newsom’s move would "establish the dangerous precedent that a mayor can disregard legislation that the board has properly passed.

"To say that this would undermine the board’s authority is an understatement. This is to say nothing of the fact that it would mean that undocumented children would continue to lack basic rights in San Francisco."

So that puts the city attorney — who is almost certainly going to run for mayor himself — on the hot seat. He needs to make a clear ruling that the mayor can’t just ignore city law. And he and Newsom should both be in touch with Boxer to urge her to move rapidly on a new U.S. attorney who will be more favorable to progressive immigration policies.