Oakland Archives — Page 88 of 115 — San Francisco Bay Guardian Archive 1966

The BART Board is clueless

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March 31, 2009

› tredmond@sfbg.com

EDITORIAL The senseless and horrifying murder of four Oakland police officers March 21 has cast a pall over law enforcement agencies all over the Bay Area. It’s renewed calls for a federal ban on assault weapons, which is long overdue. (It’s also reminded us why a daily newspaper can be so valuable — Chronicle coverage of the incident, with numerous reporters quickly responding, is the kind of journalism that won’t happen if the city’s only major daily dies.)

Unfortunately, it’s also taken the focus away from other police issues, and while we mourn the four deaths of veteran officers who were killed trying to do their jobs, we can’t stop trying to solve the problems of cops who lack training, supervision, and oversight.

In that context, there is no other way to say this: the BART Board of Directors is as clueless as any governmental organization we’ve seen since the administration of George W. Bush declared victory in Iraq.

In the past 17 years, BART police officers have improperly shot and killed three people. There have been hundreds of complaints of unnecessary use of force. Most recently, a BART cop shot a young man point blank, and video recordings of the incident have created widespread anger and unrest.

Yet there is still nothing resembling a civilian oversight agency for that 200-member force — and the BART Board members are once again asking the public to trust them to take care of the situation.

Assembly Member Tom Ammiano and state Sen. Leland Yee are sponsoring state legislation that would force the BART Board to establish a San Francisco-style office of citizen complaints to handle all civilian complaints about BART police officer conduct. There are ways Assembly Bill 312 can be improved, and Ammiano, who is guiding the measure through its first legislative hearings, is open to productive suggestions. But when the BART Board sent a delegation to meet with Ammiano, the transit directors had only one basic message: they said AB 312 was "too prescriptive" — that is, it sought to set clear, strong rules for what BART has to do. BART would rather that the Legislature make some broad suggestions but let the folks who run the district shape the final outcome.

That’s simply unacceptable. BART has had plenty of time to address this problem, and plenty of notice that something is terribly wrong. In 1992 a BART cop shot and killed 20-year-old Jerold Hall near the Hayward Station, firing a shotgun into the back of Hall’s head as the unarmed young man was walking away. The shooting violated BART’s own police procedures and the rules that govern the use of deadly force at nearly every modern law enforcement agency in America — but the officer received no disciplinary action, not even a reprimand. In 2001 another BART cop shot and killed a mentally ill man who was lying naked on the ground. Again, BART declared the shooting perfectly okay. With that kind of lack of oversight, it’s not surprising that Oscar Grant was shot and killed early New Year’s Day — the BART police have never been held accountable for improper killings.

And the BART Board has never done a damn thing about it.

Now there is a special board committee that’s supposed to study police oversight. It has never held a single public meeting. Board member Tom Radulovich, who represents San Francisco and sits on the committee, told us there will be public meetings soon. But so far, all that the four-member panel has done is hold private discussions with local interest groups, with no public notice. We would argue that those meetings were a clear violation of the spirit, if not the letter, of the Brown Act, which mandates that government agencies hold open meetings. But more than that, the closed meetings suggest that the BART Board has no understanding of the public anger and impatience with its 17-year record of failing to keep its police force in line.

Ammiano and Yee should refuse to compromise the basic premise of their bill. The state of California, which gave BART the right to create a police force, must now mandate exactly how that force will be managed. The BART Board had its chance and failed. We simply can’t trust that ineffective agency to get it right this time. * *

Editorial: The BART Board is clueless

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March 31, 2009

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The state of California gave BART the right to create a police force. Now it must mandate civilian oversight and exactly how that force will be managed.

EDITORIAL The senseless and horrifying murder of four Oakland police officers March 21 has cast a pall over law enforcement agencies all over the Bay Area. It’s renewed calls for a federal ban on assault weapons, which is long overdue. (It’s also reminded us why a daily newspaper can be so valuable – Chronicle coverage of the incident, with numerous reporters quickly responding, is the kind of journalism that won’t happen if the city’s only major daily dies.)

Unfortunately, it’s also taken the focus away from other police issues, and while we mourn the four deaths of veteran officers who were killed trying to do their jobs, we can’t stop trying to solve the problems of cops who lack training, supervision, and oversight.

Newsom’s chickens come home to roost

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March 25, 2009

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It’s not easy being mayor. Especially, when you are running for governor.

In the past few years, Mayor Gavin Newsom appeared to have mastered the way to silence his critics: he avoided debating them.

He refused to show up to Board meetings. And when he finally did, it was to drop a shocking financial bomb, then run away before the supervisors could ask informed questions or participate in a collaborative solution to the City’s woes.

And since announcing his gubernatorial run, Newsom has been increasingly missing in action, even though the city is facing a massive economic crisis.

But now one of Newsom’s fiercest critics has found a way to get his attention.

The Nation of Islam’s Minister Christopher Muhammad has been showing up at town-hall meetings that Newsom is holding statewide as part of his gubernatorial campaign, complaining about unresolved issues around asbestos dust and other toxic materials at the Hunters Point Shipyard.

So far, Muhammad and his followers have showed up in Oakland, Napa and San Diego, and it’s likely they are not going to go away, any time soon.

As columnists Phil Matier and Andy Ross report in today’s Chronicle, after an item about assault rifles flowing in from Nevada, Newsom’s “handlers have a queasy feeling that they will be hearing more from the minister and his friends as the gubernatorial race heats up.”

It’s not clear the minister’s appearances make audiences sympathetic to his cause.

As one source reported, during Newsom’s March 12 town hall in Napa, which was held at the local fairgrounds, “it was standing room only and went fairly well until a group from Bayview/Hunter’s Pt. showed up and demanded to vent their spleen.”

“This really pissed off the over 55 crowd, thinning the herd somewhat,” said our source.

But, according to M&T, Newsom “even promised to sit down with the Nation’s leadership if only they would let the rest of the audience get some questions on.”

M&T claim that “no meeting, however, ever took place.”

But it makes you wonder what would happen, if other advocates who have been unable
to get Newsom’s ear, started to show up at his gubernatorial town-halls, too.

SCENE: RedLine shakes the bass up

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March 25, 2009

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Taken from SCENE: The Guardian Guide to Nightlife and Glamour — on stands in the Guardian now. Interview by Marke B. Photo by Pat Mazzera. Art Direction by Mirissa Neff. Mens room courtesy of Matador.

Ultraviolet, Kozee, Roommate, Rob Cannon, and Blackheart

To say that the woofer-rumbling, ragga-ripping dubstep sound has exploded on the club scene in the past few years is an understatement almost as low as the genre’s freakiest frequencies. Dubstep seems perfect for our hyper-multicultural, urban-nomadic age, blending street rhythms with the most intricate laptop sonic technology available. It’s especially perfect for the Bay, with its shimmering blend of moody menace and artistic bombast, and has duly been embraced by a number of DJs here, many with roots that stretch back to the early days of 2-step, drum ‘n bass, and even rave.

DJ Ultraviolet (pictured in red, at left), heads up the fab two-year-old RedLine dubstep collective, and has been bringing her immaculate technique and overflowing energy to the decks in San Francisco since 1997. She was a seminal player in the drum ‘n bass and breakbeat scene, as part of the Sleeveless collective with the Femmes Fatales, and was associated with the legendarily raucous Sister DJ crew. As a true vinyl fetishist, she was being booked at the tender age of 19 to play jungle at underground ’90s raves and played a part in the Future Breaks FM (miss you!) juggernaut of the early aughts.

Now, along with the wonderfully gifted DJ Kozee, her "second in command," Ultraviolet reps the burgeoning female dubstep explosion, producing tracks and bringing a touch of grimy glamour to the scene with the MakeOut Sessions, RedLine’s regular blowout at Matador. The upcoming installment of MakeOut features Matty G of Santa Cruz (www.myspace.com/mattygbeatz) pumping tracks from his new album, Take You Back.

MAKEOUT SESSIONS
Fri/27, 9pm, free
Matador
10 Sixth Street, SF.
www.myspace.com/redlinedjs

SFBG Who’s all involved in RedLine?

ULTRAVIOLET Kozee and I, who do a lot of the event planning and are working on a big project together; Babylon System (www.myspace.com/thebabylonsystem), a.k.a Roomate and No Thing, is one of the top production crews in dubstep, currently on tour in Europe; the three DJs of Blackheart (www.myspace.com/lordsofblackheart) from Oakland are our newest addition; DJ Rob Cannon (www.myspace.com/djrobcannon), our youngest member; our L.A. residents Emu and Pawn, who are also a part of the SMOG crew down there, and on our business end, Cyn, Bruxxy, and Dymphna.

SFBG Do you think the dubstep sound is reaching a critical mass? Is the scene in danger of getting stale?

Fluffy bunners

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March 25, 2009

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› superego@sfbg.com

Look about you, horny toad. There may not be wee lambykins gamboling on your microlawn or the scent of fresh asparagus pervading your water closet yet, but all the mad party signs of spring are sneaking up to floor you: secret sunset shindigs (www.pacificsound.net), hunky Jesus Easter bonnets (www.thesisters.org), blackout drag road trips to Reno (www.trannyshack.com), and, that ultimate in vernal equinoxious signals, a flood of out-of-state gay porn stars looking for extra cash on Rentboy.com and the back pages of the Bay Area Reporter. Spring has sprung! And will probably be passed out in its stiff leather chaps, turquoise Lycra dress shirt, knock off Gucci wraparounds, and George Michael stubble on the corner of 18th and Market soon.

That’s right, those "Oscars of gay porn," the annual GayVN Awards, are coming upon us yet again, as the Castro Theatre plays host to the biggest circle jerk in the butt biz for another year. Downsizing, of course, is out of the question, despite the rash of porno pink slips being fisted out across the industry, which has been hit hard by a combo of economic deflators, internal tussles, and continued grappling with amateur Web competition. (We’ll see if the upcoming onslaught of 3-D dick flicks provides the stimulus package our local studios — second only to backwoods Eastern Europe in terms of sticky-fingered output — so sorely need.)

No, GayVN organizers are gut-pumping all the lubricious glitz they can into a whole weekend of kiki hurrah, with pre-parties, post-parties, Tupperware parties, and brunches that no one will eat at galore. Inflatable personality Janice Dickinson hosts the awards ceremony itself, with backup from homegirl Margaret Cho and Alec Mapa from Ugly Betty (ha!). Online erotic video-on-demand powerhouse Naked Sword, a.k.a. the giant candy-colored Flash octopus that froze my dinky Windows and made me cry with my pants down, will host the official afterparty, Shameless — "the party you’ll never forget, or remember!" — with some big-name DJs and performers I already can’t! It’ll be a wondrous semi-tragedy unfolding in fast motion, worth it if only to ogle the prancing scene. Just please try not to look at the camera when it’s over.

GAYVN AWARDS CEREMONY Sat/28, 7 p.m., $95. Castro Theatre, 429 Castro, SF. gayvnawards.avn.com

SHAMELESS GAYVN AFTERPARTY Sat/28, 10 p.m., $25. Wunderland, 181 Eddy, SF. www.nakedsword.com

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TINGEL TANGEL CLUB

The louche cabaret monthly celebrates a year of mingling salacious New York City talent and West Coast underground hotness. Original Cockettes Rumi and Scrumbly, singer Novice Theory, "hypersexual" musicians SlowMo Erotic and more light up the stage, and ever-crushable JD Samson of Le Tigre will Sam Ronson the turntables afterward. Tingel Tangel Le Tigre — it’s an anagram.

Wed/25, 8 p.m., $16. Café du Nord, 2170 Market, SF.

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FUCK MIAMI

Oh dear, is it that time of year again? Half our stellar nightlife talents (and a lot of pre-tanned wannabes) will be sucked into the studiously Spandexed and belotioned black hole that is the Winter Music Conference in Miami. If you’re too broke — or too allergic to aggressive slickness and pushy V.I.P. chicks — to jet to the coca beach, share the moment with a slew of worthy left-behinds at this lengthy affair.

Fri/27, 4 p.m.- 2 a.m., free. Mars Bar, 798 Brannan, SF.

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"HOMELESS NIGHT"

This party promises to be wronger than shitting in a urinal: anarchic drag weekly Charlie Horse is hosting a homeless-themed night. Partially controversial gender clown Monistat joins perky Percocetted hostess Anna Conda to present shameful acts by talented messes to actually help benefit homeless services. La-da-dee, la-da-dah, don’t try to rip the wigs off these queens or they will cut you.

Fri/27, 10 p.m., free. The Cinch, 1723 Polk, SF.

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LOOK OUT WEEKEND

Happy hours are all the populist rage, especially in these queasy economics, no? One of the biggest and brightest, Look Out Weekend, is moving into new quarters at Vessel off Union Square. The delicious electronic stylings of Oh Land and DJing by the Magnificent Seven complement yummy eats and fashionable freaks at the relaunch. Will L.O.W. 2.0 be as raucous as the first version? Hey, it’s free, so go see for yourself.

Fridays, 4 p.m.-9 p.m., free. Vessel, 85 Campton Place, SF.

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ROYALTY

Well! It may be a bit bombastic, but the name just fits. SF soulful house music king DJ David Harness inaugurates a new monthly to rain some of that ol’ hands-in-the-air spirit down on the children-in-waiting at the lovely Triple Crown. The Crown’s sound system is winning extreme plaudits, so be prepared for a high-fidelity throwdown.

Fri/27, 10 p.m., $5. 1760 Market, SF.

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DEVOTION

A few years ago, DJ Ruben Mancias packed up his little glam-house weekly at the EndUp, Devotion, and skedaddled to NYC to find fame, fortune, and a lot of really neat T-shirts. He’s occasionally popped back into town to show off each, and remind Latin- and soul-tinged house fans of past EndUp glories. Devotion’s eight-year-anniversary will find him back at the space with Oakland house princes Cecil and Dedan warming up. Memories!

Sun/29, 8 p.m.-4 a.m. The EndUp, 401 Sixth St., SF.

The polluting Port

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March 24, 2009

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› news@sfbg.com

GREEN CITY Manuel Rivas is an independent truck driver working at and living near the Port of Oakland, where diesel exhaust from old idling vehicles has created a serious public health threat.

Officials have long talked about addressing the problem (see "ImPorting injustice," 7/17/07). In the meantime, however, Rivas and his twin boys — whom he has cared for alone since his wife died in a car accident 12 years ago — struggle with respiratory problems on low wages and with no health insurance.

"I’ve spent 21 years working as a truck driver. This is where I’ve spent most of my life, and I don’t have anything from it. You can see for yourself," Rivas tells the Guardian in Spanish, gesturing to his small, rundown house and showing us his empty refrigerator. "We are people, not slaves. We fuel the economy not just here in Oakland, but throughout the country."

Rivas works eight to 10 hours per day and says he takes home about $5.55 per hour after the expenses for his truck. Deregulation of the trucking industry has left drivers, many of them immigrants, as independent contractors with low wages and few benefits.

"We don’t get any vacation time," he said. "We don’t get health insurance. If we get sick, then we have to pay out of our own pockets."

And they do get sick. Diesel exhaust is a toxic air pollutant. The Coalition for Clean and Safe Ports organized an asthma screening in West Oakland last month to address problems around the Port. "Small particulates get breathed into the lower reaches of the lungs and cause irritation and inflammation, an increase in respiratory problems like asthma, chronic obstructive pulmonary disease, and a long term risk of lung cancer," said Dr. Robert Harrison, a UCSF professor who participated in the screenings.

Sandra Witt of the Alameda County Health Department said West Oakland residents are exposed to three times more diesel particulate matter than the rest of the Bay Area, thanks to the Port and nearby freeways.

"We’re driving all day, every day, and at this moment my throat is very dry and it hurts, so I take cough drops," Rivas said. He is concerned that one of his sons recently came down with bronchitis and was unable to play soccer.

Harrison says that children and the elderly are most susceptible to toxic air. "Bronchitis is one of the symptoms of respiratory problems from diesel pollution," Harrison said. One in five children in Oakland has asthma, the highest rate in California.

But treating a large population for respiratory problems is difficult. "There really isn’t any way to treat the community unless you reduce air pollution," Harrison said. "I found that the independent status of truck drivers keeps them vulnerable to health problems."

Port Commissioner Margaret Gordon, a longtime community activist before joining that body in 2007 (see "Port tack," 10/10/07), has pushed the Port to take responsibility for its contribution to the problem. "Diesel is bad in any way it comes. In trucks, trains, ships, cargo, or cabin equipment, it’s bad. But the closest thing to the people of West Oakland are the emissions from the trucks," Gordon said.

Swati Prakash of the Coalition for Clean and Safe Ports hopes that new legislation will alleviate some problems from diesel pollution. "For the first time you have state regulations coming down the pipe," Prakash told us. "The California Air Resources Board has recognized how deadly diesel pollution is."

On Jan. 1, 2010, pre-1994 trucks will not be allowed on Port land and 1994-2003 trucks must be retrofitted to reduce diesel particulate matter by 85 percent. But Rivas can’t afford a new truck, so he and other drivers are hoping to become employees of trucking companies.

The Port’s Comprehensive Truck Management Plan (CTMP), which will address diesel pollution and related issues, is now being drafted and is set to go before the commission for approval in June. Richard Sinkoff, the Port’s director of environmental programs and planning, said staff is working at an accelerated schedule because of the urgency of the issue.

"I think the board really understands that public health is a concern for all of us," Sinkoff said. "Time is always of the essence when dealing with a recognized public health issue."

Appetite: Hookahs on Mission, gnocchi deals, Midi in FiDi, and more

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March 24, 2009

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A delicious-looking dish at Midi. See “Openings” below.

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city each week on SFBG. View the last Appetite installment here.

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NEW RESTAURANT AND BAR OPENINGS

Whew! There are a slew of openings this week. Here’s a rundown of four and stay tuned for many more …

Missionites’ new all-day cafe-wine bar-resto combo: The Corner
Weird Fish, the Mission’s quirky, sustainable seafood joint, debuted a sister spot next door last week, The Corner, which should begin all day hours this week. Seeking to be all things to all people, it’s a cafe with wifi and Four Barrel coffee in the am, BLT Paninis at lunch, and at night, DJs, unique wines by the glass and dishes like duck and medjool dates or fennel-crusted pork chops.
2199 Mission, SF.
415-932-6939

Mission take two: Morak Lounge, a new Moroccan hookah bar
Sixteenth and Valencia has no lack of global eating options, all within a couple block radius. What it hasn’t had up till now is a chic, Marrakech-style lounge where you can smoke a double-apple flavored hookah while sampling Middle Eastern bites (the usual: hummus, baba ghanoush, skewers) or Cardamom-infused martinis. Enter Morak Lounge. Behind bronze doors, bright curtains and comfy cushions equal a sultry space to linger and puff away long into the night (open until big city hours of 3am on weekends).
3126 16th St., SF
415-626-5523

Midi: FiDi’s new French Asian restaurant
Joie de Vivre luxury hotels debuted a new restaurant this past weekend, open for lunch and dinner with a downstairs bar open all day for the Financial District set. Midi, with Chef Michelle Mah of Ponzu at the helm, has been in the works for two years but is finally open in the former Perry’s space. The French Asian fare reinvents classics like duck leg confit with a ginger-rhubarb jus, with Euro-Asian offerings from Hawaiian kampachi crudo to pork rillettes with Dijon mustard. It all goes down nicely post-work (or during a lunch break) with a Lavender French 75 cocktail or with one of seven craft beers or 15 wines by the glass.
185 Sutter Street
415-835-6400
www.midisanfrancisco.com

Barlata, tapas bar from B44 chef, debuts Oakland
Chef Daniel Olivella has helmed Belden Lane’s mainstay, B44, for years… and still will. But he’s branching out with an anticipated East Bay locale, Barlata. Experience Spain from the mile-long list of tapas, bite-sized pinchos and paellas to share. Don’t forget Spanish wines, sherries or (non-Spanish) beers as you join friends at the marble bar or communal table to dine on boquerones, garlic soup, grilled sardines or oxtail in red wine sauce.
4901 Telegraph Ave, Oakl.
510-450-0678
www.barlata.com

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EVENTS

March 26: Wine Enthusiast magazine’s Toast of the Town
Another pricey deal, this one’s your chance to pretend that you’re the elite, sipping wine for a local charity at the classy War Memorial Opera House for Wine Enthusiast mag’s Toast of the Town gala. Dress up and splurge for the VIP gig at 5pm or buy slightly more reasonable 7pm tix to sip wines from over 70 producers and taste bites from 30 restaurants like Ana Mandara, Campton Place, Millennium, Rivoli, Shanghai 1930 and Slanted Door, to name a few. A charity auction for SF Food Bank gives some meaning to your decadent imbibement.
7pm
$75 Early Bird Online/$95 at the door
War Memorial Opera House
401 Van Ness Avenue
415-829-7530
www.wineenthusiast.com/toast

March 28: Whiskies of the World is back as part of Artisanal Spirits Fest
How can you not love that San Fran has been the setting for the unique Whiskies of the World celebration for 10 years now? Not only are there classes on Cigar Making or Mixology (using, what else? Whiskies), but the setting is downright idyllic. As the sun sets from aboard the San Francisco Belle, smoke your cigar (BYO or buy there) as you roam the deck while Celtic pipe and drum music plays, and sipping whiskies is the collective activity. Sampling booths cover three floors of the boat, staffed by spirits experts from distillers to blenders, while a dinner buffet shores up the stomach for all that imbibing. On top of whiskies, the Indpendent Spirits Fest portion means there’s also local vendors of other types of spirits like St. George Spirits, Charbay, Anchor Steam, Square One, and Osocalis. It’s pricey, yes, but I can think of fewer more enjoyable ways to go…
Sat/28, 6pm, $115-$120; additional classes: $15-20
San Francisco Belle, Pier 3
610-326-8151
celticmalts.com/events.asp

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DEALS

FREE Monday morning coffee at Four Barrel
I didn’t want to have to mention this and make the waits for a capp at Four Barrel longer than they already are, but as the word is leaking out everywhere this week, I thought I’d mention this generous turn from owner, Jeremy Tooker. Playfully calling it an “F.U. Recession” giveaway, get an 8oz. cup of French Press coffee, brewed just right… don’t say I didn’t warn you about looong waits for it, though!
Mondays through April 20th, 8-10am
375 Valencia, SF.
415-282-0800

Weeknight prix fixe and Gnocchi Tuesdays at Bar Bambino
Every time I go to Bar Bambino, I walk away feeling like I was just in my favorite enoteca in an Italian town, sipping Italian wines, robust coffees from both North and South Italy, eating housemade charcuterie and cheeses Bambino’s been making before everyone in town was. Like many lately, they’re offering special menus like an early evening three-course prix fixe for $30. Primi (first course) could be soup, salad, or pasta. Main course is a meat or eggplant polpette, with gelato or signature Citrus Polenta Cake for dessert. Another fun element (for gnocchi fiends like myself) is their Gnocchi Tuesdays, playfully mirroring the tradition of Roman trattorias serving gnocchi dishes on Thursdays. Chef Christian Hermsdorf makes them from scratch, of course, different each week, with past gnocchi made of red kuri squash with sage cream sauce or a Venetian-inspired pumpkin gnocchi in cinnamon and brown butter. Yum…
Sundays-Thursdays, 5-7pm, $30
2931 16th St., SF
415-701-8466
www.barbambino.com

Jovino’s Saturday night Spaghetti Feed
Spaghetti with Niman Ranch meatballs sound good to you? What if you throw in a glass of house wine all for the price of the wine: $9? Now you have a deal. A low-key Cow Hollow cafe, Jovino is a good place to drop in and unwind — and fill up for less than $10.
Saturdays 6-9pm
2184 Union, SF
415-563-1853

San Francisco style

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March 24, 2009

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› culture@sfbg.com

When it comes to fashion, San Francisco is an interesting paradox. Bay Area designers and consumers are notoriously innovative, politically conscious, and stylishly playful. Many who grow up or study here go on to make waves on a national or international scale. And yet this city still is not considered a global style center in the way that New York, Paris, or Milan are. In recent years, even L.A. seems to be getting more attention as a legitimate fashion capital than San Francisco.

With spring (and spring fashion lines) afoot, we decided to profile some of our favorite local designers — those who, regardless of their popularity outside city limits, have decided to stay put or move here to contribute to the San Francisco fashion design dialogue. We predict it won’t be long before the fashion establishment is singing their praises — and wearing their designs. On Lawrence Cuevas and Marivel Mendoza, from left to right: 1) Denim double pocket shirt, avocado tee and twill shorts by Turk+Taylor; 2) Leather jacket and sheer top by Mi, leather hotpants by Shaye, jewelry by Muscovie Design; 3) Raindrop dress by Sara Shepherd, kit leather button shoes by Al’s Attire, jewelry by Muscovie Design; 4) Leather jacket and jeans by Mi, dot tee by Turk+Taylor, white tie by Indie Industries, wing-tip shoes by Al’s Attire; 5) White tee by Mi, corset skirt by Shaye, jewelry by Joy O, polka-dot hat by Al’s Attire. (All Photos by Jeffery Cross. Photo illustration by Mirissa Neff. Styling by Lauren Cohen, Laura Peach, and Juliette Tang. Hair and makeup by Shamika Baker)

SOCIALIST STYLE

With delicate features, a smattering of transparent freckles and dark blonde hair that hangs in messy curls to her elbows, Shaye McKenney could be a model. But her approach to fashion is more altruism than narcissism. After returning from an extended sojourn that took her to India, tribal Amazon, and on many nomadic adventures in between, the Oakland native and daughter of a designer opened La Library on Guerrero Street— a borrow-or-buy boutique whose purpose is to make stylish clothing available to all.

“The sense of ownership we have is not sustainable,” says McKenney, whose business model was inspired by the designer handbag rental concept seen in Sex and the City. Which is why she doesn’t just sell outright the airy white dresses, embroidered linen jumpsuits, and leather hot pants she makes from her mother’s fabric remnants. It’s passion for social change — as well as for a good pattern and great fit — that drives her. The whole point is being able to share. “We should not have to sacrifice glamour and art because of money and a bad economy.”

OLD-FASHIONED, FASHION FORWARD

Tucked away in a former North Beach butcher shop among towers of vintage hatboxes and fabric bolts stacked to the ceiling, custom clothier Al Ribaya is king of the cutting board. His old world tailor shop Al’s Attire makes every imaginable piece of clothing to order, paying more attention to detail than profit. “It’s a difficult thing to make money at,” he admits. “People don’t know what it takes to build something one stitch at a time.”

The other distinguishing factor about Ribaya’s shop is that he outfits people from head to toe. Using the same effort, energy, and remarkable focus, he makes everything from shoes crafted with soles of repurposed tire treads or turn-of-the-century buttons to suits, shirts, pants, jackets, skirts, and dresses. He even makes hats from suit fabric remnants. Every garment is custom labeled with the wearer’s name (alongside Al’s, of course). But despite all this retro hard work (and handiwork), Ribaya’s styles are remarkably fresh and modern. On Lawrence, clockwise from top: 1) Striped hat by Al’s Attire; 2) Double-pocket zippered denim shirt by Turk+Taylor; 3) Chambray golf jacket by Al’s Attire; 4) Dark denim jeans by Mi, 5) Silver wing-tip shoes by Al’s Attire; 6) Seersucker shorts by Turk+Taylor, 7) Brown leather jacket by Mi; 8) Avocado tee by Turk+Taylor. Underwear and socks by American Apparel.

FORM AND FUNCTION

What if one piece of clothing could be worn seven different ways? What would happen if you took a jacket and turned it upside-down? Or backward? These are the questions that the innovative, boundary-breaking creative minds at Harputs Collective have been asking. Their answer— called the swacket —hangs beside an oversized mirror in the airy industrial Harputs Own shop. The collective members are waiting for curious customers to come and play with the architectural sweater/jacket outerwear—putting it on backward, changing the swooping collar into a hood, then flipping it upside-down and adding a belt, until the most flattering fit is found.

The studio was started in September, a serendipitous confluence of a few thoughtful designers, a retiring tailor who stocked the store with fabrics and machinery, and an established high-end retailer with such a sense of play he will dye garments from New York lines when they are past season just to see if they will sell better in indigo than white. Our favorite part? A garment that fits well and can be worn several ways is less likely to go out of style — and therefore inspires us to consume less. (Our least favorite? They declined to participate in our fashion shoot. But we love ’em anyway.)

FASHION PHILOSOPHY

Mi Concept‘s visionary pieces are offered as a bespoke capsule collection for people who appreciate fashion-forward, cutting-edge design — and who aren’t afraid to look like time travelers from some distant utopian future.

Before designing any piece of clothing, Dean Hutchinson, creative director of the Mi Concept, asks himself, “How do I stimulate conversation?” The purpose, Hutchinson, says, is to challenge people to think beyond fashion. It must be working: ever since Mi Concept emerged at 808 Sutter last December, conversation and buzz have followed.

Peek inside the unmarked store and you’ll find an eerie modernist sarcophagus illuminated by fluorescent tubes, where dauntingly expensive-looking clothes cling to hangers as if worn by invisible ghosts. Together the space and the clothing create a synthesis of progressive, modern design.

Hutchinson eschews classic forms in favor of postmodernist distortion, working with asymmetrical lines and deconstructed shapes, often incorporating multiple silhouettes in a single garment to create an effect that evades easy labeling in any genre. “The other day someone said it was like a marriage between Rick Owens and Jil Sander,” Hutchinson said. “That was sort of flattering. But I don’t think about fashion like that. I have an initial idea, and then it just takes on it’s own life. It’s art.” On Mari, clockwise from top: 1) Bias-cut raindrop dress by Sara Shepherd; 2) Rouched front dress with pockets by Jules Elin; 3) Bell sleeve wrap jacket by Jules Elin; 4) Corset skirt with teal detail by Shaye; 5) Kit leather button boots by Al’s Attire; 6) Brown leather hotpants by Shaye; 7) Black leather jacket with sleeve zippers by Mi; 8) Polka dot hat by Al’s Attire; 9) Zipper-front dress by Turk+Taylor. Underwear and socks by American Apparel.

ECO-FRIENDLY FOR EVERYDAY

Jules Elin’s designs for women are simple and casual, without sacrificing style. The ideal wearer seems to be someone who is practical and comfortable but can appreciate the occasional coquettish detail — like a bell sleeve or a floral lining — on an otherwise unembellished piece.

While Elin is conscious of seasonal trends, there is nothing overtly “fashion-y” about her classic silhouettes: a swing coat is spruced up with extra-large buttons, a zippered jacket is adorned with a ruffled Peter Pan collar, and both are stylish without coming across as self-consciously en vogue. Elin’s pieces are made with organic cotton and get bonus points for not having to be dry-cleaned. On being called an eco-designer, Elin reflects, “I never really thought of it as being progress; I thought it was the right thing to do.”

When it comes to the designs themselves, San Francisco is always an inspiration. “There’s a lot of movement and architecture to the pieces,” she says. “But they’re also really sweet in a way that matches the demographic of this city.” And it’s Bay Area weather that determines the length of Elin’s sleeves: always long enough to be worn over the hands when it’s cold. San Franciscans are responding positively in turn, and even the dire economy hasn’t slowed the growth of her brand. “It’s just made me realize I can always work harder.”

CLASSIC SF DAYWEAR

When examining Turk+Taylor‘s well-edited collections of sustainable, nouveau-preppy clothes, the aesthetic appears so cohesive you could never tell that they nearly always result from a disagreement between the designers, Andrew Soernsen and Mark Lee Morris. “We fight all the time,” Soernsen proclaims. “We end up yelling.” During our interview, Soernsen and Morris often contradicted one another while answering the same questions — even the straightforward ones. “But somehow,” says Morris, “it all comes together.”

Soernsen and Morris don’t have fashion degrees. “We can’t sew. We aren’t pattern-makers.” The two designers run their business out of Soernsen’s apartment in NoPa, where boxes of samples are stacked on the floor, racks of clothes clutter every room, and eco-friendly fabrics perilously overflow from shelves and surfaces. Somehow, amid the jumble, they’ve managed to create beautiful collections of casual daywear year after year.

This year was the brand’s fifth, but neither Soernsen nor Morris has quit their day-jobs. “I don’t know how we have time to do this,” Soernsen admits. “We’re so unorganized.” The self-deprecating posturing belies the fact that they’ve grown into an influential label synonymous with San Francisco style. A perfect example? Pop into the SFMOMA store, and you’ll notice the museum tees are all by Turk+Taylor.

ACROSS THE POND AND INTO THE BAY

Sara Shepherd is, at heart, a contradiction: edgy London meets cuddly San Francisco. Originally from England, Shepherd moved to San Francisco to attend the Academy of Art University and stayed on to teach at the academy and create a fashion line out of her SOMA studio.

Shepherd’s Victorian menswear-inspired clothing evokes images of urban dandies and Byronic heroes, but her work is consciously feminine and innately modern. With tailoring that emphasizes shape over ornament, Shepherd draws her inspiration from classic British icons, whether fictional, like Alice in Wonderland, or real, like Elizabeth I. Despite the distant historical comparisons, her vision remains practical and wearable for San Francisco women who “know their own mind, who feel strong and confident in what they wear and who they are.” Like Elin, she’s also careful to consider San Francisco weather when designing. “There needs to be the opportunity to layer the clothes. There’s always, always a layer to them.” More local design! See our Pixel Vision blog for 50 more of SF’s hot designers and an exclusive guide to reconstructing a boring button-down into something better, with designer Miranda Caroligne.

WHERE TO BUY

Al’s Attire

1314 Grant, SF; 415-693-9900. www.alsattire.com

Harputs Own

1525 Fillmore, SF; 415-923-9300. www.harputsown.com

Indie Industries and Joy O.

www.indieindustries.com and www.joyodesigns.com

Available at Studio 3579, 3579 17th St., SF; 415-626-2533

Jules Elin

www.juleselin.com

Available at Ladita, 827 Cortland, SF; 415-648-4397

Muscovie Design

www.muscovie.com

Available at Collage Gallery, 1345 18th St., SF; 415-282-4401

Mi

808 Sutter, SF; 415-567-8080. www.themiconcept.com

Sara Shepherd

www.sarashepherd.com

Available at M.A.C. 387 Grove, SF; 415-863-3011

Shaye

La Library, 380 Guerrero, SF; 415-558-9841

Turk+Taylor

www.turkandtaylor.com

Available at ABfits 1519 Grant, SF; 415-982-5726

RIP, Parkway Speakeasy Theater

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March 20, 2009

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Say it ain’t so! Oakland’s Parkway Theater announced this week that its doors will close Sunday, March 22. According to the theater’s web site:

“After more than twelve years of serving the great cultural crossroad of Oakland, the Parkway Speakeasy Theater will be closing at the end of business day, Sunday March 22, 2009.

From African Diaspora to Thrillville to lesbian fashion shows and educational porn, the Parkway has offered an eclectic array of movies and events. It was the first theater in California to offer food, beer and wine service in a lounge style movie theater. With a nudge or a push from the community, there was little programming the Parkway theater would not try in order to better be a community center and a safe haven for diverse ideas. The Parkway brought Baby Brigade for the shuttered and abandoned parents of newborns, the first international black gay, lesbian, bi-sexual, transgender film festival and Sunday Salon, a free event for cultural and community enhancement. We, at the Parkway Speakeasy Theater, are deeply proud of the Parkway and will profoundly miss serving its community. Thank you for your patronage.”

Fortunately, all is not entirely lost — the Parkway owners still have their Cerrito Speakeasy Theater, which, like the Parkway, has beer and pizza (and sandwiches with cheeky names: “The Zombie Cow,” anyone?) on the menu, along with new films and special events, including the ever-cool monthly B-movie celebration, Thrillville. It’s also very BART-friendly — literally just a handful of blocks and a Bed, Bath, and Beyond parking lot’s length from the station.

The Parkway closes down with a trio of standout films from 2008: The Wrester, Revolutionary Road, and Let the Right One In (your choice — five bucks!), plus a movie about Lucha Libre that looks pretty unmissable (seven bucks for this one). Head over and show your support Sun/22, or hit up the Cerrito in the coming months to make sure it keeps unspoolin’ films and pourin’ pitchers of PBR.

Appetite: Caffeinated Comics, Chocolate Salon, Masa’s at a discount, and more

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March 19, 2009

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Chocolate time! See “events” below

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with finding and exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine. I started with my own service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city. View the last installment of Appetite here

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NEW RESTAURANT & CAFE OPENINGS

Caffeinated Comics, the breakfast of champions
Four Barrel coffee, free wi-fi, comic books and donuts? Could this possibly all be in one place? It is now with Caffeinated Comics, SF’s first comic book/coffee shop rolled into one. The Outer Mission shop is a bright red, orange and yellow space where you can sift through superhero memorabilia or check out DC or Marvel’s latest comic books, all while sipping a high-quality espresso. (Note: there’s also affogatos using neighbor, Mitchell’s, legendary ice cream). CaffCom’s applied for green certification with green lighting, building materials and energy efficient freezers and fridges. Holy caffeinated geekdom, Batman.
Caffeinated Comics
Weekdays 7am-6pm
Weekends 9:30am-5pm
3188 Mission Street
415-829-7530
www.caffcom.com

Livin’ La Dolce Vita at Pizzanostra
Jocelyn Bulow of the Chez Papa and Chez Maman restaurant group and Italian chef, Giovanni Aginolfi (who was cooking pizzas in Nice, France, prior to coming to SF), join forces for a new pizzeria/osteria on Potrero Hill called Pizzanostra. Aginolfi placed sixth in the World Pizza Championship and now we can get ’em right here. There are two themes to this restaurant: a pizzeria serving Aginolfi’s famed pies, and an osteria with a menu of antipasti, foccacias, salumi, pastas, gelatos and Italian wines. The outdoor sidewalk terrace will be a huge hit on sunny days for filling up on bruschetta topped with eggplant, prosciutto, mozerella and tomato, a salad of celery hearts and fennel, or pizzas covered in lamb sausage and egg or clams and prawns. This is la dolce vita realized.
Pizzanostra
300 De Haro Street
415-558-9493
www.pizzanostrasf.com

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EVENTS

March 17: Screening and Iyemon Cha Tea Reception as part of the Asian American Film Fest
Asian film screening and tea tasting sound good? Iyemon Cha is a one-of-a-kind organic bottled green tea made at the historic Fukujuen tea house in Kyoto, Japan. Only recently available in our city, the tea and complimentary appetizers will be served at an exclusive pre-screening reception you have to sign up for online. At the reception you’ll meet the director, Dave Boyle, and cast of that night’s film, “White on Rice.” Consider it a culturally fun education in tea and Asian film.
5:30pm reception at Bar Bistro; 6:45pm Film Screening
Free for pre-screening reception but must register on website ahead of time
Film screening, $10: www.festival.asianamericanmedia.org/2009.
Sundance Kabuki Theatre
1881 Post Street
www.iyemonchaevents.com
March 21: Spend your Saturday at the Third Annual SF International Chocolate Salon
The SF International Chocolate Salon is back for it’s annual showdown of over fifty gourmet chocolate vendors covering 30,000 square feet of ground. Let’s see, spending a Saturday sampling rich chocolates, velvety wines and all things chocolate? Can do. There’s chef and author talks, demos, chocolate fashion and body painting (?!) and wine pairings, so you won’t be bored. I would concur with the well-known adage, “I never met a piece of chocolate I didn’t like”, and this event will surely confirm it.
10am-6pm
$20 advance; $25 at the door
Fort Mason Center: Herbst Pavilion
99 Marina Boulevard
www.sfchocolatesalon.com

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DRINK NEWS

Adesso opens in Oakland – finally, a sports bar for cocktilians
Jon Smulewitz of longtime Piedmont Ave. Italian restaurant, Dopo, just opened an Italian-chic sports bar (yes… chic, Italian and sports). Adesso may have a Foosball table and flat screens, but it also has 15 drinks assembled by Jay Kosmas of New York City’s Employees Only, an industry insiders’ culinary cocktail hang-out. In a casual, mod space, imbibe cocktails or Italian wines while pulling up a seat at the bar… salumi bar that is. You heard right: salumi bar and foosball, all in one place.
4395 Piedmont Avenue
Oakland, CA 94611
510-601-0305

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DEALS

Sens gets special

Sens: $19 lunch special with entree, dessert and a 12 oz. beer
Sens, Embarcadero’s Mediterranean Rustic Chic restaurant overlooks Embarcadero Plaza from big, picturesque windows. I enjoy the fresh dishes but find the place pricey in general, though I have a reason now to return for their new $19 lunch special, with soda or 12 oz. beer, entree and dessert. The menu rotates weekly with recent dishes including a lamb and feta meatball sandwich on rosemary ciabatta with sweet potato chips and mesclun greens and a lush chocolate bread pudding for dessert. Sounds like my kind of lunch hour.
Monday-Friday 11:30am-2:30pm Lunch; 3-7:30pm Happy Hour; 5:30-10pm Dinner
Saturday 5pm-11pm
4 Embarcadero Center, Promenade Level
415-362-0645
www.sens-sf.com

Masa’s makes fine dining affordable
Masa’s is one of SF’s most revered fine dining destinations for more than 25 years, but set menus run $105 for six courses or $155 for nine courses per person. Yeah… definitely a special occasion splurge at best. But Masa’s is feeling the economic times, too, responding with something they’ve never done before: offer a three course menu for $55 on Tuesdays, Wednesdays and Thursdays for early bird diners. Exec chef, Gregory Short, serves dishes like roasted beets en terrine or potato agnolotti with fava beans and black trumpet mushrooms. Pastry chef, John McKee, won’t leave you hanging on dessert either, with delectables like a fleur de sel caramel bon bon or Winter citrus tart. An ideal chance to try out this upscale dining mecca at a “discount”.
Tuesdays, Wednesdays, Thursdays 5:30-6:30pm
$55 three-course menu; $30 for three wine pairings
648 Bush Street
415-989-7154
www.masasrestaurant.com

Drinking in the dark

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March 18, 2009

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Text by Sarah Phelan.
Q. “How many Irish does it take to change a light bulb. “
A. “Never mind, we’ll drink in the dark.”

I was reminded of this (potentially racist, but I’m part Irish, so screw it) joke yesterday during a two-hour conversation about the Chronicle that took place, mostly between media people, in the basement of the library, on St Patrick’s Day.

The fact that any reporters showed up to talk about journalism on St Paddy’s Day is a good indicator of just how troubled they are feeling about the state of the news industry.

Normally, reporters would be writing about folks drinking too many Irish car bombs, or, if they weren’t working that night, drinking too many green beers themselves.

Instead, they sat and talked about the challenges facing San Francisco’s main daily newspaper, and the future of journalism in the Internet age.

Now, you’d think this would be easy for a bunch of folks who are used to digging into other people’s business and publishing what they find out, including the for-profit-driven doings of this or that evil corporation.

Only this time, the folks being bullied are the workers at the San Francisco Chronicle, which is owned by Hearst. a privately held corporation. This means the Chronicle won’t be publishing the findings of its own journalists’ findings on this matter. Instead, it’s been running reports that have no bylines and sound like Hearst press releases.

And then there’s the disquieting reality that Hearst has refused to open its books to the unions that represent the workers at the Chronicle. This means that all Hearst’s claims, including the statement that the Chronicle is losing $50 million a year, remain just that: claims, until proven otherwise.

No one is disputing the fact that newspapers have been losing advertising revenue to the Internet. Or that few of us have figured out ways to recapture that revenue. Or that many of us have been laid off, suffered pay cuts and/or seen an end to our careers, even as more people read our stuff than ever.

So, are we going to drink in the dark, or shine some light on the situation?

Personally, I don’t want the Chronicle to die. I want it to improve. And, as an investigative reporter, I want proof that Hearst’s financial claims are real.

Long time Chronicle reporter Carl Hall, the local representative of the California Media Workers Guild, confirmed last night that Hearst refused the Guild’s requests to open its books.

Hall also confirmed that Guild members voted to accept the loss of 150 jobs and the elimination of seniority rather than risking calling Hearst’s bluff over the corporation’s threats to close or sell the Chronicle.

Of course the workers did. They’re newspaper men and women. Like doctors and teachers, they love their jobs, no matter who is running the hospital, school or newspaper.

But I wonder if the rest of the media have fallen down on the job, by not challenging Hearst’s unsubstantiated claims, even as the entire nation is discovering that it has been Ponzi-schemed up the kazoo.

I was heartened to hear Chronicle forum panelist and social entrepreneur Tom Murphy point out that some of the industry’s current problems are related to the newspaper-buying binges that Hearst Corp. and Dean Singleton’s MediaNews indulged in during the past decade.

And it was interesting to hear Oakland Tribune editor Martin Reynolds, which itself got swallowed up by Singleton in recent years, admit that many newspapers chains are in a similar situation to the owners of foreclosed homes: “They are upside down on their mortgages, right now,” Reynolds said.

Connect those financial dots to the fact that readership of the Chronicle is growing online, and you begin to realize that there is a way forward through all this, even if we haven’t figured it all out yet.

As Center for Investigative Reporting cofounder and forum panelist David Weir put it last night, ‘Don’t blame the Internet for journalism’s demise. The Internet is not a choice, it is a fact. It is a technical and historical reality.”

Jewish Music Festival

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March 17, 2009

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PREVIEW Oh man, do we live in troubled times. If you possess a certain fundamentalist biblical streak, you might be forgiven for falling prey to thoughts of doom and damnation. For a proven antidote, try gospel music — certain postracial/maxicultural sectors of society are pushing back against the end times with joyous, fervent determination. Exhibit one: the "kosher gospel" of Joshua Nelson, a black Jew from New Jersey born to African American parents, who traces his religion to several generations of West African Senegalese Jews.

Nelson lived in Israel for two years and is fluent in Hebrew, and his music is as interesting as his lineage and biography. He draws from Jewish liturgy to rework a traditionally Christian genre of music, imbuing it with resonant Jewish themes — the despair of being lost, the longing for freedom. Despite his inventiveness with the form, his music retains gospel’s recognizably uplifting, stirring, soulful core. Nelson has performed before Yitzhak Rabin and Barack Obama, and Oprah Winfrey has championed and befriended him. At the Jewish Music Festival’s opening event (Sat/21, at First Congregational Church of Oakland), you’ll find out why his singing voice has been compared to Mahalia Jackson’s. For one night, at least, let the "Prince of Kosher Gospel" soothe your weary brow. He’s Oprah approved!

Another good Jewish Music Festival pick is a March 26 performance at the Rickshaw Stop by Daniel Kahn & the Painted Bird, who are on tour in support of their second CD, Partisans & Parasites (Oriente). Kahn is often called the Tom Waits of Berlin — his band mixes punk with political cabaret. If you’re looking for more of a raucous dance party, this is your night.

JEWISH MUSIC FESTIVAL Sat/21 through April 2. Various prices and venues. (510) 848-0237. www.jewishmusicfestival.org.

“The Caretakers”

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March 17, 2009

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REVIEW As the U.S. continues to blindly race forward, wise eyes look closely at what is left behind. In the case of Bill Mattick’s "The Caretakers," this means uncovering the lives hidden within — and the haunted spirit of — a defunct train station in west Oakland. Surveying the loss that saturates the American West, "The Caretakers" makes a great companion piece to Lee Anne Schmitt’s California Company Town (2008), screening at Artists’ Television Access this week. It also is a kindred spirit to a pair of recent railroad-themed films, Bill Daniel’s Who is Bozo Texino? (2005) and James Benning’s RR (2007). Whether focusing on abandoned landscapes, engaging in cinematic trainspotting, or both, these artists have proven shrewd and prescient (Mattick’s project dates from 2004) about this country’s paths of foolishness. They’ve tapped into the new Depression long before Wall Street would admit it.

Mattick cites the peerless Robert Frank — the subject of a major retrospective coming to SFMOMA this year — as an influence. But while his images bear tonal similarities to Frank’s, people are less likely to occupy his frame of vision. He generates strong atmosphere from mid- and late-afternoon daylight: Stairs on Platform 2004-99 (810) sets aquatic shades of blue and white against the severe shadows of a staircase; the rich green of Distance 2004-186(810) varies from Daniel’s black-and-white treatment of similar subject matter; Paul’s Flowers 2004-108(810) updates Helen Levitt’s fascination with kids’ chalk scrawlings on the streets. Yet a contemporary human story emerged from this largely "empty" setting: that of Willy and Paul, whom Mattick discovered living at the station. They’re an odd couple of sorts: one messy, the other fastidious; one a religious eccentric, the other street-smart and battling addiction. These caretakers exert small acts of control amid society’s debris — things that share their castoff societal status. Mattick’s photography is an act of collaboration with them.

THE CARETAKERS Through April 30. Tues–-Sat., 11 a.m.–5:30 p.m. Corden Potts Gallery at Warnock Fine Arts, 49 Geary, suite 211, SF. (415) 680-5997, www.cordenpottsgallery.com

Read Pelosi’s letter, attend Chron forum, reaffirm love of newsprint.

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March 17, 2009

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Discuss the future of the Chronicle and other print media organizations at the SF Public Library, TONIGHT!

House Speaker Nancy Pelosi’s letter to US Attorney General Eric Holder, seeking changes to the antitrust restrictions that govern newspapers, is a revealing document.

Pelosi states that her decision to write Holder wasn’t just prompted by the economic challenges facing the San Francisco Chronicle and other Bay Area news organizations, “but also by major news organizations across the country.”

“I am sure you agree that a strong, free and independent press is vital for our democracy,” Pelosi continues, noting how newspapers have been, “the indispensable source of public information and a check on the abuses of government and other powerful interests,” for more than two centuries.

And then she signals that the House Judiciary Subcommittee on Courts and Competition Policy, which is chaired by Rep. Hank Johnson, (D-Ga.) will soon hold a hearing and discuss the implications of newspaper survival for antitrust policy.

Pelosi acknowledges that “antitrust laws have been an essential protector of competitive choice in the newspaper business,” and that, “the antitrust laws are every bit as vital in this industry as elsewhere in the economy, and perhaps more so given the First Amendment issues that are also at stake.”

But then she asserts that she is, “confident” that the AntiTrust Division, “in assessing any concerns that any proposed mergers or other arrangements in the San Francisco area might reduce competition, will take into appropriate account, as relevant, not only the number of daily and weekly newspapers in the Bay Area, but also the other sources of news and advertising outlets available in the electronic and digital age, so that the conclusions reached reflect current market realities.”

“This is consistent with antitrust enforcement in recent years under both Republican and Democratic administrations,” Pelosi concludes. “And the result will be to allow free market forces to preserve as many news sources, as many viewpoints, and as many jobs as possible. We must ensure that our policies enable our news organizations to survive and to engage in the news gathering and analysis that the American people expect.”

Pelosi reportedly released this letter, which you can read here, after meeting with Hearst general counsel Eve Burton and Chronicle at-large editor Phil Bronstein in D.C. last week, where they discussed the future of the Chronicle as well as federal media shield legislation.

Her letter immediately fueled rumors that Dean Singleton’s MediaNews chain, which already owns the San Jose Mercury News, the Contra Costa Times and the Oakland Tribune, and Hearst, which has a one-third stake in Singleton’s non Bay Area papers, are hoping to consolidate operations.

If so, that’s doesn’t bode particularly well for newspaper workers, who have only lost jobs, suffered pay cuts and seen reduced investigative reporting under both regimes. But maybe they can use Pelosi’s letter to open up a much needed public discussion of the future of newsprint.

Ironically, that discussion is already going on within the blogosphere. And judging from the comments, some folks don’t give a toss if print newspapers die, right here, right now.

Rally held outside Israeli Consulate over West Bank shooting

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March 17, 2009

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By Rebecca Bowe

At least 200 demonstrators gathered outside the Israeli Consulate on Montgomery Street in downtown San Francisco March 16 for a rally and march organized by friends and supporters of Oakland activist Tristan Anderson, who was critically wounded in the West Bank by Israeli Defense Forces on March 13.

Anderson, 38, was shot in the head with a high-velocity teargas canister while demonstrating against a wall that is being constructed through the West Bank village of Ni’lin. He was transported to a hospital in Israel, where he underwent brain surgery the following day. He remains in stable, yet very serious condition, according to demonstrator David Martinez.

Oakland activist critically wounded in West Bank

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March 15, 2009

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By Rebecca Bowe

Oakland activist Tristan Anderson, 38, was critically wounded March 13 in the village of Ni’lin in the West Bank, when he was shot in the head with a high-powered tear-gas canister fired by Israeli forces.

The shooting occurred during a protest over the separation barrier that Israel is erecting between itself and the West Bank, according to a press release from the International Solidarity Movement.

Anderson is a dedicated activist who has traveled to conflict zones in Oaxaca, Iraq and other conflicted regions and reported on the struggles there. He was also among a group of tree-sitters who fought to save a grove of oaks and redwoods next to UC Berkeley’s Memorial Stadium.

He was taken to an Israeli hospital, Tel Hashomer, near Tel Aviv, where he underwent brain surgery and is in critical condition. In-depth reports, including a graphic video filmed just after the shooting took place, can be found here, here and here.

The Israeli army began using to use a high velocity tear gas canister in December 2008, according to ISM. The black canister can shoot over 400 meters.

On March 16, at 4 p.m., a protest will be staged in front of the Israeli Consulate in San Francisco, according to a post on IndyBay.org.

Keeping their cool

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March 11, 2009

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>>Click here for our complete SFIAAFF coverage

Did Asian American hipsters arrive with the cinematic appearance of Mr. Miyagi or Gregg Araki? The moment Hipster Bingo included an "über-hot Asian hipster (female)" square? Face it, we are everywhere — bubbling up from every microniche to make zines, play in bands, draw comics, and chafe against those model-minority, math-geek stereotypes, ready to rage against the Man’s machine.

According to You Don’t Know Jack: The Jack Soo Story, it all started with the star of Flower Drum Song (1961) and late-1970s TV series Barney Miller. Oakland-raised Goro Suzuki got his start as the life of the Tanforan and Topaz internment camps, evolving into a popular crooner-comedian in the Midwest where he attempted to sidestep prejudice by shortening Suzuki to the more Chinese Soo. He hit the Hollywood big time with his scene-stealing nightclub owner Sammy Fong and his beloved Detective Sgt. Nick Yemana, a role showcasing an understated wit that seems to define Asian cool. Alas, The Slanted Screen (2006) director Jeff Adachi concentrates so hard on Soo’s hipster cred, reinforced by pals like George Takei, that the drumbeat gets a bit deafening in this valuable if flawed doc, which fails to truly reveal the man behind the parts.

That’s the flip side of cool — the more you stress on it, the more elusive it is. On the opposite side of the spectrum: the 1990s-ish iconoclastic, workaholic breed of Asian hip obsessively worked by David Choe in Dirty Hands: The Art and Crimes of David Choe. Exhaustively documenting the Los Angeles-born artist for eight years as he matures before our eyes, director Harry Kim charts the growth spurts: from mischievous tot to shoplifter and graf artist to porn illustrator to street-art superstar to spiritual penitent after a stint in a Tokyo jail. The filmmaker doesn’t seem to know quite when to stop, but then neither does his subject: an obviously intelligent, playful talent who specializes in compulsively analyzing himself and pushing himself to the limits of the law, his work, and his own (r)evolution as a human being. So driven in his pursuit of edge-skating experiences that he comes off as less hipster than haunted, Choe and his Bukowskian tendencies, Vice aesthetics, and "deep" thoughts rivet long after the bodily fluids and sensory overload murals congeal.

YOU DON’T KNOW JACK: THE JACK SOO STORY

Sun/15, 2:30 p.m., and March 18, 7 p.m., Kabuki

DIRTY HANDS: THE ART AND CRIMES OF DAVID CHOE

Sat/14, 9:30 p.m., Castro

Tues/17, 4:30 p.m., Kabuki
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THE SAN FRANCISCO INTERNATIONAL ASIAN AMERICAN FILM FESTIVAL March 12–22. Main venues are the Castro, 429 Castro, SF; Sundance Kabuki, 1881 Post, SF; Pacific Film Archive, 2575 Bancroft, Berk; and Camera 12 Cinemas, 201 S. Second St., San Jose. Tickets (most shows $11) are available at www.asianamericanmedia.org. For this week’s schedule, see film listings.

What I’m not

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March 11, 2009

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› le_chicken_farmer@yahoo.com

CHEAP EATS I never should have given away my chickens. I should have bonked their heads off and plucked them and cut them up and put them in the freezer. How unfarmerly of me to give them away! I knew I would regret it, but didn’t know it would hit me like this, right here, right now, in New York City.

Tomorrow night I’m doing a reading here. It’s so cold. I keep clicking my heels together and not going anywhere. It’s so, so, so, so cold, like, zero. I’m wearing everything I brought, including three pairs of panties under my tights and jeans and skirts and dresses, and two coats. And I’m still cold all the time. And then I go into a building and it’s 110 degrees, and I’m stripping down to just poetry.

People keep looking at me, outside and inside, and I want to be able to say, "I’m a chicken farmer."

But I’m not.

Tomorrow night I will stand up in front of a lot of people (I hope) in a place where a lot of great writers have stood and read, and I will want to take off my clothes and say, "I’m a chicken farmer."

But I’m not.

After my reading here I get to go to Pittsburgh and read and then Cleveland and read and then after that I get to be on a train again, to Chicago then Oakland, where there aren’t any chickens waiting in my freezer, because I couldn’t be bothered and gave them away.

My new favorite coffeehouse is in SoHo. It’s called City Girl Café, and it’s better than Joe or Joe’s or any of the other million places where I’ve thawed out over coffee in this cold, slushy city, last couple days.

My new favorite Thai restaurant, in spite of great red curry duck last night, is in Oakland, you’ll be happy to hear. Rockridge, of course. Sabuy Sabuy, a cozy, unpretentious hole-in-the-wall on the corner of College and Broadway. I ate there with Kiz on the night before I left, and it was raining and cold, come to think of it.

Kiz had just come back from St. Louis, where she’d helped her brother, who had had his nose changed by a sidewalk. I have walked on St. Louis sidewalks; they are not nurturing. As a result of which, it didn’t heal right and they had to re-break and reset it, in a slightly happier way.

I know Kiz’s brother, and I like him. His name is Kez. Kiz said he was doing well and wasn’t being all mentally bothered by all this. Which, I would of been. Sidewalks, noses … are you kidding me? But now that I am a city girl and not a chicken farmer, I suppose I should get used to such combinations.

Sabuy Sabuy’s signature "special duck" dish is double-cooked (I’m guessing roasted and fried), and served with spinach and pickled ginger ($11.95). Very, very good. The duck was crispy and juicy and just wonderful. And … pickled ginger! It’s about time people start plopping down pickled ginger next to something other than sushi.

I was even more taken by a soup I’d never seen before on a Thai menu. Soup woonsen, which was a clear broth with glass noodles, napa cabbage, and these great meatballs made out of an unlikely roll-up of marinated pork and chopped prawns ($7.95).

We ate something else too, but I can’t remember what it was.

Someone wrote to me, a fan, and asked how to butcher a chicken. At least I think that’s what they asked. After you sever the head, they said, what next?

OK. You let the blood drip (oh, and stop reading two sentences ago if you don’t want to know), but you dunk your feathered ex-friend into almost boiling water for a half a minute or so. Then, while it’s still pretty warm, you pull out all the feathers, and scald off with a flame what you can’t get with your fingers.

There is more than one way to outside the insides of a chicken. I like to use poultry shears. First I cut around the "vent" (or "butthole"), then … then …

Oh, look it up online, why don’t you. This is not my thing.

SABUY SABUY

Lunch: Mon.–Sat. 11 a.m.–3:30 p.m.

Dinner: Daily 5–9:30 p.m.

5231 College, Oakl.

(510) 653-8587

Beer & wine

MC/V

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

Think globally, shop locally

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March 10, 2009

0

› culture@sfbg.com

GREEN CITY When we say a product is "eco-friendly," what we really mean is "eco-friendlier," as in "less ecologically damaging to the environment than available alternatives." The manufacturing process always has some negative effect on the environment, and while products may be labeled organic, biodegradable, recycled, acid free, ecospun, fair-trade, unbleached, vegetable-based, cruelty-free, or all-natural — they all require land, unclean energy, and unrenewable resources to produce.

The easiest way to start thinking eco-friendliest is to take into account the enormous amount of energy used in distribution. Sure, it’s unrealistic to expect all of our products to come from California, because certain things, like lifesaving medicine or Belgian ale, don’t have homegrown substitutes. But some items do have nearby equivalents. Here’s a guide to some of our favorite stylish eco-stops for locally manufactured gems.

For eco-friendly home goods, make sure you stop by Russian Hill’s Spring (2162 Polk, SF. 415-673-2065, www.springhome.com), where you can get your Coyuchi organic cotton sheets, Method home care products, Sara Paloma vases, International Orange spa goodies, Erbaviva homeopathic baby products, Naya bath salts, Nectar Essence aromatherapy sprays, and EO bath and body things, all in one trip. Did I mention that all these companies are California-based?

Another favorite on the spendy eco-boutique front is Eco Citizen (1488 Vallejo, SF. 415-614-0100, www.ecocitizenonline.com), which carries sustainable high-end clothing and showcases several talented local designers, including Sara Shepherd, the San Francisco clothier who creates conceptual, modern styles in black and white. While you’re there, be sure to ask about Jules Elin, a designer from Novato who works solely with organic and recycled fabric, and whose feminine, whimsical jackets are perfect for life in a perpetually spring-like city.

If you’re shopping for tomorrow’s green warriors, try Mabuhay‘s (1195 Church, SF. 415-970-0369, www.mabuhaykids.com) eco-friendly children’s clothing, featuring San Franciscan lines like Smallville by Jimin Mannick, who hand-sews lovely little garments for boys and girls. Jasper Hearts Wren play clothes for toddlers are decorated with charming details like rocket ships and birds crafted from felt made entirely from postconsumer recycled plastic bottles, and are made by Oakland’s Heather Jennings and Lisa Schwartz.

And speaking of kids, Ladita‘s (827 Cortland, SF. 415-648-4397, www.shopladita.com) owner, Christine Kay, has been wanting to open a boutique since she was a kid herself. At the sweet little boutique, whose storefront reads "Eco-friendly of course," check out Kim White’s handbags created with vintage fabrics pulled from automobile upholstery, like a clutch made from a 1980s Camaro. Also keep an eye out for regenerated cotton socks by Love & Socks, made here.

Other places to keep on your radar? Eco Boutique (4035 18th St., SF. 415-252-0898, www.shopecoboutique.com) offers glass products by Dharma, a Fort Bragg company — think wonderful little glass straws you can use instead of plastic disposable ones. EcoLogiQue (141 Gough, SF. 415-621-2431, www.ecologiquesf.com) offers 100 percent made-in-California T-shirts by Naked Cotton using organic cotton grown in the San Joaquin Valley. If you want to commission your own messenger bag, contact Rickshaw Bagworks (904 22nd St., SF. 415-904-8368, www.rickshawbags.com) and have a designer make one out of your own material, or choose from the on-hand selection of 100-percent postconsumer waste fabric. Rickshaw Bagworks makes each bag to order, so no unused bags sit around a showroom. Clary Sage Organics (2241 Fillmore, SF. 415-673-7300, www.clarysageorganics.com) offers a staff-designed, locally made line of yoga gear fashioned from ecologically sustainable materials. SF-based online retailer Branch (245 South Van Ness, SF. 415-626-1012, www.branchhome.com) offers plenty of eco-friendly furniture designed and produced in the city, including bamboo lamps by Schmidtt Design, recycled rubber coasters and placemats by JoshJakus, and recycled cork trays by Urbana Designs.

Editor’s Notes

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March 10, 2009

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› Tredmond@sfbg.com

The historian and political scientist Alan Gibson argues that much of the contemporary discussion the founders of the United States misses the political point. In his new book, Understanding the Founding: The Crucial Questions, Gibson, a professor at California State University, Chico notes that conservatives often claim the framers of the Constitution for their own agenda — a position he calls historically inaccurate.

James Madison in particular was very much a progressive thinker, says Gibson (who is one of the winners of the Northern California Chapter of the Society of Professional Journalists’ freedom of information awards this year, see page 15). The fourth president of the United States particularly believed that a free press was crucial to democracy.

I thought about that this week as I followed the news that the San Francisco Chronicle may shut down — and read stories from the Chauncey Bailey Project and the Chronicle about the murder of the Oakland journalist. On March 7, the project reported that an Oakland homicide inspector had close ties with the head of Your Black Muslim Bakery, Yusef Bey IV, who it now appears may have played a role in the killing. The Chronicle reported March 8 that Bailey was caught up in a power struggle at the bakery (and that the publisher of the Oakland Post was afraid to run Bailey’s stories). These detailed investigative pieces will almost certainly help ensure that Bailey’s killers are brought to justice. Without this press attention, the Oakland cops would have gotten away with bungling the case.

Without full-time, paid reporters on the job, those stories would never have come to light.

I’m as pissed at the Chron as anyone, and I’ve been watching the paper self-destruct for many years. And I’m not sure what sort of financial model will keep a daily paper going in the next decade.

But I know that a model exists — because it has to. Democracy can’t survive without a free press, and a free press can’t survive without staff to do the work. That’s something to remember as we celebrate the James Madison Awards and our annual Freedom of Information issue. * *

Why we need newspapers

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March 9, 2009

2

By Tim Redmond

The Sunday Chronicle story on the power struggle at Your Black Muslim Bakery that led to the murder of Chauncey Bailey is a reminder of why the world needs newspapers. The latest installment of the Chauncey Bailey Project, which shows the tight connections between homicide inspector Sgt. Derwin Longmire and bakery leader Yusef Bey IV, is another.

These stories could never have been put together by part-time bloggers and citizen journalists. Investigative reporting on this level requires staff — experienced, full-time reporters who have the resources to did into stories.

This is serious stuff: WIthout the Chauncey Bailey Project and the Chron, it’s entirely possible that Chauncey Bailey’s murderer(s) would never be brought to justice. The Oakland cops were bungling the case; it took the newspapers, with a team of paid reporters, do get to the bottom of it.

So as much as the Chronicle drives me nuts, and as much as I’m not sure what the business model should be in the future, democracy is going to require some sort of old-fashioned newspapers.

UPDATE: Ken Conner, the Chron’s Metro editor, just sent me the following:

A minor point about the reference to the Chauncey Bailey project story about the link between the lead detective on the case and the bakery members. Actually we broke that story on Nov. 11, 2007 — months before the project. Both the New York Times and NPR have corrected stories about the project that made the same mistake.

Okay, then. My basic point remains.

Talk about the passion

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March 6, 2009

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There’s an argument to be made that record love really begins when you start noticing the labels. Slumberland was one of my earliest such epiphanies. I was bit by one of the label’s groups, Velocity Girl, because, as much as anything, I felt I had come to them on my own. This secret knowledge kept me satisfied until an older friend made me a cassette mix heavy on the Slumberland set: pastel guitar music by Rocketship, the Softies, Lilys, Black Tambourine, the Ropers, and Amy Linton’s much-missed Bay Area groups, Henry’s Dress and the Aislers Set. I started paying more attention to the sleeve.

Slumberland has been a byword for the more melodic runoff of post-punk since 1989, when its premier release — a three-band 7-inch titled What Kind of Heaven Do You Want? — closed the gap between New York noise and English indie-pop. This is an area of music subject to quarrelsome subdivisions (see shoegaze, C86, dream pop), but Slumberland’s common denominator is the taste and passion of Mike Schulman, former member of Black Tambourine, Powderburns, and the underrated Whorl.

Though still associated with its initial crop of D.C.-area groups, Schulman has run Slumberland from the East Bay since 1992. After a dry spell in the early aughts, the label is disproving F. Scott Fitzgerald’s quip about second acts with a much-buzzed-about round of releases by Brooklyn pop stylists Crystal Stilts, Cause Co-Motion, and the Pains of Being Pure at Heart — an impressive slate that puts Schulman in the unusual position of encountering his own footsteps.

“I look at what we’re doing now, and I could easily imagine any of these bands being on Slumberland 10 years ago, 15 years ago, 20 years ago,” Schulman tells me between sips of coffee on a gray Sunday morning in Oakland. He’s expansive about the joys of record collecting and vicissitudes of music press in spite of having been up since 4 a.m. with his new baby. Schulman’s tastes are eclectic — he ran the dance record store/label Drop Beat in Oakland’s Rockridge District from 1996 to 2000 and is happy to gab about doo-wop or Japanese noise — but Slumberland was dedicated to scruffy pop from the start. It was an obvious niche, though striking for its proximity to D.C.’s thriving hardcore scene. “I used to go see Minor Threat, Rites of Spring, and I loved those bands, but there were tons of hardcore labels,” Schulman reflects. “I couldn’t have named three labels in America that would do stuff by HoneyBunch or Small Factory. That music just seemed underserved.”

The Slumberland aesthetic was also a romance with a format. Schulman traces his own 45 rpm fixation back to his father’s R&B collection as well as a life-altering experience with the Jesus and Mary Chain’s 1985 A-side “Never Understand” (Blanco y Negro). “It just makes so much sense — the one great song on the one great side, something that fits in your hand. You can pick it up and carry it around. You can have a little box to take it to your friends to play it for people…. Historically, it was a very economical way to transmit the most amazing three minutes of music you’ve ever heard.”

This kind of object-oriented pleasure, along with visual aesthetics and the relative gender equity of the Slumberland bands, tends to get short shrift from blog critics who take the label to task for “playing it safe” with unabashedly melodic music. “I just think rock music is inherently conservative,” Schulman weighs in. “Everyone goes back to the same 15 references. I love the Siltbreeze stuff — those are great records — but you can’t tell me that there’s something shocking or new about them.”

Of course, a credible brand has the upshot of generating its own ancestry. The Brooklyn bands are all well-versed in the Slumberland back catalog — easily navigable on the label’s smartly designed Web site — though the Pains of Being Pure at Heart earn extra points for tapping Archie Moore (Velocity Girl, Black Tambourine) to mix their eponymous debut. Listening to the first 10 declarative seconds of every song on the album is a humbling refresher course in the elevating art of the single.

The Crystal Stilts don’t play for the same caffeinated high, but their 2008 full-length, Alight of Night, is addictive nonetheless. The disc’s zoned out, organ-laced stomps pull off the neat trick of making New York City post-disco punk sound good again. The creamiest song on the album, “Prismatic Room,” lights up the same pleasure zones in my brain as those early Velocity Girl tracks. I find myself going for seconds as soon it finishes — something I didn’t think I did anymore

www.slumberlandrecords.com

Doesn’t anybody here know how to run this state?

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March 4, 2009

4

By Tim Redmond

Well, the polls look pretty shitty for Gavin Newsom For Governor (thanks, sfist for the tip), and his ratings will just get worse as he attempts to solve a budget crisis without working with the supervisors or the other key stakeholders. At this rate, the way he’s treating the city employee unions, there’s no way he’s getting labor support, and for a candidate who will be running as a liberal to be shunned by labor is a major problem.

(And if he thinks a movie-star wife will give him some glam, check out the reviews.)

And Newsom’s counterpart to the south, Mayor Antonio Villaraigosa, ain’t looking so hot right now.

John Garamendi has been reborn as a progressive populist, but a guy who was at best a moderate state legislator is going to have his work cut out for him wooing the left in a primary. And Jerry Brown … well, Jer’s on the right side of the same-sex marriage debate (finally), but he was a terrible mayor of Oakland and has changed his political spots so many times that nobody knows quite which Jerry we’ll get this time around — or whether his current manifestation will last.

Is this really the best the Democratic Party can do?

I guess we should be glad that the Republicans have an even worse lineup. But that’s not exactly something to celebrate.

Stimuutf8g transit

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March 3, 2009

0

› news@sfbg.com

GREEN CITY Public transit agencies in the Bay Area are being hit with deep cuts to their operating budgets, thanks to the recent state budget deal, and are hoping to use money from the federal economic stimulus bill to maintain their operations.

That conflict played out during a Feb. 25 hearing by the Metropolitan Transportation Commission in Oakland, the agency that distributes federal transportation funds to the nine Bay Area counties, which was considering how to distribute $341 million in funding intended for public transit agencies and $154 million for road projects.

Caltrain, AC Transit, Bay Area Rapid Transit, the San Francisco Municipal Transportation Agency, other Bay Area districts, and transit user groups urged the MTC board to direct most of the money to immediate needs rather than long-term projects.

Community groups urged the MTC to abandon plans to use $70 million for BART’s Oakland Airport extension and $75 million for the Transbay Terminal rebuild in San Francisco.

“People who are most affected when Muni makes fare increases and service cuts are people who are transit-dependent,” said Razzu Engen, who represents the Tenderloin Housing Clinic and the Transit Justice Project. “You can have the best capital expansion project there is out there, but if you don’t have the money to run it, forget it, it’s not worthwhile.”

While the MTC voted to remove the Transbay Terminal expenditure — noting that it could tap into a separate pot of $8 billion for high-speed rail projects in the stimulus measure — they kept the BART extension project in place, leaving $271 million to be divided among the transit agencies.

“Our ongoing need is to maintain continuing operations. But maintenance doesn’t have a very big constituency on the commission. We have a firm commitment to capital programs,” MTC spokesperson Randy Rentschler told the Guardian.

Judson True, spokesperson for the San Francisco Municipal Transportation Agency (which operates Muni), said the money will help offset state funding losses of $61 million over the next two years and allow the agency to “rehabilitate the system.”

Among the expenditures approved by the MTC was $11 million to install 67 new Muni ticket vending machines and money for new Muni vehicles and rail interchanges.

Jose Luis Moscovich, executive director of San Francisco County Transportation Authority, supported the MTC’s decision. “[We’re] going to see money flowing through formulas to Muni to alleviate service conditions on the T-Third, N-Judah, the L.”

Moscovich maintains that the region “needs to take the opportunity of the stimulus package to do things that are going to change the way we live. Paradoxically, these big projects like the Transbay project are the things that are going to take us in that direction.”

Yet the removal of the Transbay Terminal funding, while upsetting to Sup. Chris Daly — who serves on both the MTC board and the Transbay Joint Powers Authority board — turns out to be even more complicated than it seemed at the time.

The San Francisco Chronicle reported March 2 (“Transbay high-speed rail station hits a snag”) that both the California High Speed Rail Authority and Caltrain — systems expected to share the new Transbay Terminal rail terminus — are now expressing doubts about whether they will use the facility after all because of design flaws with its rail component.

CHSRA chair Quentin Kopp was quoted as saying, “Three sets of engineers met and concurred that the design for the station was inadequate and useless for high-speed rail.”

TJPA spokesperson Adam Alberti, who has been sparring with Kopp in recent months over whether Transbay will be the terminus for a high-speed rail system extending from San Francisco to Los Angeles (see “Breaking ground,” 12/10/08), told the Guardian, “I don’t think it’s as bad as it sounds.”

He said the TJPA is currently working to resolve the engineering problems and handle the increased volume expected from high-speed rail and Caltrain and he hopes to have a solution in place by March 12, when he said the MTC will revisit the matter.

BART General Manager Dorothy Dugger also defended the Oakland Airport extension, telling the Guardian, “The challenge in transit is not one over the other. We need to address all those requirements if we’re going to end up with an effective, functioning system that continues to attract people out of their cars and into the smart environmental choice — which is public transit.”