Oakland

Pro-Mehserle rally breaks out in Walnut Creek

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Supporters of former BART police officer Johannes Mehserle rallied in Walnut Creek this afternoon, eleven days after protests and violence erupted in Oakland July 8, when Mehserle was convicted July 8 of involuntary manslaughter for fatally shooting unarmed Oscar Grant on New Year’s Day 2009 on a BART platform in Oakland.

The rally occurred outside the Superior Courthouse in Walnut Creek on Ygnacio Valley Road.  

Witnesses say the supporters were outnumbered by the cops and the paparazzi, and outnumbered and outvoiced by the “Justice for Oscar Grant” counterdemonstrators by about 2:1.

“While helicopters whirled overhead and riot police stood by, counterdemonstrators chanted ‘Justice for Oscar Grant’ and ‘Oscar did not have to die – we all know the reason why.'” a witness told the Guardian. “They flanked the Mehserle supporters, who stood mostly silent, holding up signs like ‘Understanding will permit healing’ and ‘Thank you for keeping my streets safe.’ There was no sign of open antagonism between the camps, although a bystander reported that words were exchanged initially and things were about to get heated when the police closed ranks and made it clear they would shut the whole thing down.”

Flash! Bang! Girl-on-girl aerial hula!: Scenes from the Fire Cabaret

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There are some who say that the Bay Area is the birthplace of modern fire arts. Regardless of the pedigree involved, we look damn good getting our sparks off.

Since we gave you a sneak peek of the fire safety measures behind this weekend’s HEAT: A Fire Cabaret at West Oakland’s Crucible, it only seemed right to share some of the night’s most sparkling backbends, hip thrusts, Tatu-like riffs on circus, and of course, skillful application of flameburst. Do enjoy. All photos by Erik Anderson



National Lawyers Guild pushes back against OPD

Shortly after filming a protester being arrested by police in riot gear near 12th street and Broadway in Oakland, the Guardian caught up with Dan Siegel, a legal observer for the National Lawyers Guild, who had also witnessed the incident. The protester, who is at this time unidentified, was featured on the cover of this week’s San Francisco Bay Guardian, squaring off with an officer in the police line shortly before being arrested.

Siegel described excessively forceful tactics employed by police officers that created more confrontation with protesters than was necessary in the hours of largely peaceful protests that gave way to shattering glass and trashcan fires when the sun went down. The unidentified protester was arrested at least an hour before police declared the assembly to be unlawful and ordered the crowd to disperse.

http://www.youtube.com/watch?v=FvMvi7mqdl8

The San Francisco Bay Area chapter of the National Lawyers Guild has publicly condemned police conduct at the scene of the July 8 protests that turned to riots, and the organization is considering legal action against the Oakland Police Department, according to a news release posted on the guild’s website yesterday.

Carlos Villarreal, executive director of the National Lawyers Guild SF Bay Area Chapter, told the Guardian that possible legal action against the OPD was in very early stages, but NLG attorneys have met with many of the people who were arrested or otherwise detained or hurt by law enforcement. Villarreal confirmed that NLG attorneys have met with the unidentified protester in the video.

“If someone is in the streets, and they’ve been ordered to disperse, the method to get them to disperse is not to hit them in the head or the back with batons,” Villarreal said. “Law enforcement potentially has a role to play if there are unlawful assemblies that become violent, but it shouldn’t be the kind of involvement that deters people from completely lawful protest and assembly, which I believe by and large was what was going on.”

Our Weekly Picks: July 14-20, 2010

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WEDNESDAY 14

MUSIC

Sean Bonnette

Sean Bonnette is the guitar player for Andrew Jackson Jihad, the band that proved punk rock sounds better unplugged. He’s been with the group since its inception in 2004, and along with his comrade-in-arms Ben Gallaty, has spent the last six years writing hilariously irreverent lyrics, cutting a swath through the country’s basements, parks, and concert halls, and slowly pushing folk-punk into the mainstream consciousness. Bonnette’s solo show promises to be a showcase of the loveliest, messiest, raggedy-ist tunes this side of Neutral Milk Hotel and a reminder that, 924 Gilman’s financial woes notwithstanding, DIY’s not dead. (Zach Ritter)

With Kepi Ghoulie and Gnarboots

9 p.m., $8

Bottom of the Hill

1233 17th St., SF

(414) 621-4455

www.bottomofthehill.com

 

MUSIC

Bardot A Go Go

In America, Bastille Day is the only day of the year where Francophiles, if they’re not storming a prison, can revel in their obsession en masse. With drink specials and a night of decadence that would make Louis XIV’s wife blush, the Rickshaw Stop offers its very own discotheque. If Austin Powers and Marie Antoinette put their wits together and threw a party, Bardot A Go Go would be it. With swinging ’60s pop — Serge Gainsbourg, France Gall, and the titular femme fatale, to name a few — and its very own go-go girls, this long-standing shindig stares hipsters in the face and dares to ask the unaskable: Parlez-vous francais? So put down your Balzac, put on a beret, and get the hell down to Fell. (Ryan Lattanzio)

8 p.m., $7

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

THURSDAY 15

VISUAL ART

Japanese Art Kite Show

What could be better than a Matt Furie painting? Well, maybe a Matt Furie painting on a kite. Furie is one of 21 artists contributing sky-ready works to “Japanese Art Kite Show,” a group exhibition co-curated by Shoko Toma and Yukako Ezoe that brings together kites by 21 artists from Japan and the Bay Area. Bay Area residents from the Hamamatsu City prefecture in Japan have taken part in the Berkeley Kite Festival for the past five years, while Hamamatsu kites — created with washi and rice glue — date back at least 450 years. The kites here vary in size and utilize hemp for string. On Naoki Onodera’s kite, stars evoke another historical marker: the Kanrun Maru’s journey across the Pacific from Japan to the U.S. 150 years ago. (Johnny Ray Huston)

Through July 29

5:30 p.m., free

Chandler Fine Art and Framing

170 Minna, SF

(415) 546-1113

www.chandlersf.com

 

COMEDY

Zane Lamprey

Do you like to go out drinking? Me too! Oh, and so does Zane Lamprey, host of Three Sheets, a TV show that’s survived the move to three different channels as Lamprey travels the world exploring fine libations, drinking games, and hangover cures. With the future of the show uncertain — again — Zane has taken to the streets with the “Drinking Made Easy Comedy Tour,” a celebration of all things alcoholic. No one can fault you for not knowing about Three Sheets, it’s had a hell of a time staying on air. But show me a San Franciscan who doesn’t look happier with a drink in their hand, and I’ll show you a liar. (Peter Galvin)

8 p.m., $29.50

Fillmore

1805 Geary, SF

www.livenation.com

 

MUSIC

Mary Gauthier

The story of Mary Gauthier’s rise in the ranks of musicians — a career she chose at the ripe age of 35 after stints as a teenage runaway, substance abuser, philosophy major, café manager, and restaurant owner — is full of lucky breaks and an almost charmed trajectory. Yet her first year of life, spent in the charity wards of St. Vincent De Paul, was far removed from the good fortunes of her eventual transformation to masterfully frank folk lyricist and guileless performer. In The Foundling, her sixth album, Gauthier chronicles her own history from birth date to birthright, searching for answers and finding only more questions. Her Café Du Nord appearance, however, answers our question: When’s Mary Gauthier going to come back around? (Nicole Gluckstern)

With Peter Bradley Adams

8:30 p.m., $20

Café Du Nord

2174 Market, SF

(415) 861-5016

www.cafedunord.com

 

MUSIC

Sextreme Ball

It’s been 15 years since the Lords of Acid-My Life with the Thrill Kill Kult Sextacy Ball Tour stomped across the continent. But since sex, drugs, and mass murder have never really gone out of style, this summer’s reprise is far from feeling dated. Maybe it’s just the humidity, but there’s an almost palpable electric charge in the air — could it be the promise of a) tissue-throbbing, groin-grinding beats b) the cheerfully lewd lyrics of classics such as “Mr. Machoman” or creepier implications of “Sex on Wheels” or c) the prospect of catching latest Lords of Acid chanteuse Lacey Conner in a leather-clad catfight? I’m going with d) all of the above. (Gluckstern)

9 p.m., $23

DNA Lounge

375 11th St, SF

(415) 626-1409

www.dnalounge.com

 

FRIDAY 16

DANCE

Run for Your Life! and Gadung Kasturi

Run for Your Life! … it’s a dance company! and Gadung Kasturi Balinese Dance and Music are unlikely bedfellows, but trust Dudley Brooks — he knows how to make a match. After all, he is “sleeping” with both of them. Run for Your Life! is his long-running comedy-dance theater company; Gadung Kasturi is a classical Balinese dance company whose music Brooks has performed for more than 20 years. How he keeps the two identities apart is anybody’s guess. Stylization is what keeps him going. His comedy, often with puppets, is smart, hilarious, and musical. Included in this program are the LOL-worthy Les Sillyphides, Cirque du So Little, and Roaring ’20s, Mafioso-inspired The Soldier’s Tale. Gadung, with eight-year old Chandra Ayu Davies — who blew everyone away at this year’s Ethnic Dance Festival — offers the new Nyapuh Jagat. Watch for Brooks, he’ll be hammering away in the gamelan orchestra. (Rita Felciano)

Through Sat/17

8 p.m., $18

Dance Mission Theater

3316 24th St., SF

(415) 273-4633

www.brownpapertickets.com

 

MUSIC

Antibalas

Afrobeat keeps growing and mutating, revitalizing club music and giving indie rock a much-needed groove. Twelve years into since their summertime birth, Brooklyn’s Antibalas can be seen and heard as true veterans of the sound, with ties to two generations of the Kuti legacy. At the same time, afrobeat is the base from which the group — who worked with producer Tortoise’s John McEntire on 2007’s Security — reach deep into other genres. Antibalas plays out often enough to have seen the world and then some, and one of its most recent songs, “Rat Race,” suits the current socioeconomic moment. Prepare to dance. (Huston) With Sway Machinery

9 p.m., $23

Great American Music Hall

859 O’Farrell, SF

1-888-233-0449

www.gamhtickets.com

 

DANCE

Post: Ballet

Choreographer and dancer Robert Dekkers is making himself known in the dance world for seamlessly merging contemporary and classical movement styles. The name of his new SF-based contemporary ballet company, Post: Ballet, says it all. Much like his stylistic sensibility, the words Post: Ballet imply an affiliation with and departure from the conventions of classical ballet. The company’s inaugural performance, Concert One, features classically-trained, versatile ballet dancers in a series of innovative and thought-provoking works. Dekkers’ fierce choreography — along with live music by SF composers Daniel Berkman and Jacob Wolkenhauer, as well as the engaging music of Grizzly Bear, Steve Reich, and Department of Eagles (to name a few) — will keep those who ordinarily fall asleep at the ballet wide awake. (Katie Gaydos)

Through Sat/17

8 p.m., $25

Cowell Theater

Fort Mason Center

Marina at Laguna, SF

www.postballet.org

 

VISUAL ART

David Byrne and Dave Eggers

Former Talking Head David Byrne and McSweeney’s founder Dave Eggers are no strangers to other disciplines of art. Both have dabbled in screenwriting and visual art outside their respective fields of popular music and prose fiction. Now SF’s Electric Works is hosting simultaneous galleries by the two Renaissance men. Byrne’s exhibition shares the name “Arboretum” with his 2006 book of branching diagrams. Eggers’ “It Is Right To Draw Their Fur” treats more animate subjects — animals, to be exact. As it happens, Eggers studied art before switching to writing novels, so these grease pencil drawings are hardly the work of a naïf. Judging from their past works and unconventional worldviews, Byrne and Eggers ought to complement each other well. (Sam Stander)

Through Aug. 21

6 p.m., free

Electric Works

130 Eighth St., SF

(415) 626-5496

www.sfelectricworks.com

SATURDAY 17

FILM

Little Shop of Horrors

Midnight movies are alive and well in San Francisco, and the Landmark Theatres are active participants in the historic cult tradition. For the next month, the Bridge plays host to a “Rocksploitation”-themed midnight program, featuring local cinephile band Citizen Midnight playing pre-show music for a variety of rock-inspired flicks. This week the series features Frank Oz’s incredibly campy 1986 musical remake of Little Shop of Horrors starring Rick Moranis and Steve Martin. Check back in the coming weeks for Brian De Palma’s gothic rock opera Phantom of the Paradise (1974) and an uncut version of David Lynch’s 1990, Palme d’Or-winning, Elvis-fueled Wild at Heart. (Stander)

Midnight, $10

Bridge Theatre

3010 Geary, SF

(415) 668-6384

www.landmarkafterdark.com

 

FILM/MUSIC

Psycho with the San Francisco Symphony

The symphony’s probably the last thing you’d associate with a shower scene. (Although if we’re talking porn here, maybe you missed Wet ‘n Wagner or Rusty Tromboners 2: Spit Valves Under Spray Heads.) It’s definitely the last place you’d expect to hear the stabbing “EE! EE! EE! EE!” of the shower scene from Hitchcock’s Psycho (1960) to pop up — unless you’ve an ear for esoteric snatches of Webern. But Bernard Herrmann’s fiendishly clever orchestral score for this mother of all classic slashers is catnip for the adventurous San Francisco Symphony, which will be performing it in full as the 50-year-old flick unfurls above them in all its chocolate-syrup-spattered glory. Expect expert deployment of sinister ostinato and hair-curling counterpoint throughout. Don’t forget to invite Mom. (Marke B.)

8 p.m., $30–$70

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.sfsymphony.org

 

SUNDAY 18

MUSIC

New Pornographers

Have you been craving propulsive choruses? Hunting for hummable harmonies? Longing for a variety of vocalists? Seek no further — Canada’s foremost power pop supergroup, the New Pornographers, is now touring on behalf of its fifth album, Together. Their continued togetherness is a bit unexpected, since members Neko Case and Dan Bejar (of Destroyer) have full-blown careers of their own. But the New Porn engine keeps chugging along, a full-fledged entity rather than a side project. The latest record is perhaps their most bombastic yet, but they haven’t sacrificed the diversity of lyrical voices that makes them consistently worthwhile. They’re supported at Oakland’s Fox Theater by local concern the Dodos as well as sometime-Yeah Yeah Yeahs member Imaad Wasif. (Stander)

With Dodos and Imaad Wasif

7:30 p.m., $27.50

Fox Theater

1807 Telegraph, Oakl.

www.thefoxoakland.com

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Beyond the rage

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rebeccab@sfbg.com

Downtown Oakland became supercharged with emotion in the hours following the July 8 announcement of the verdict in the trial of former BART police officer Johannes Mehserle. And in the days that followed, the city remained electrified as residents struggled to make sense of the verdict, the rioting that occurred in its wake, and the historic significance of these developments.

But as the emotions dissipate, the issues behind the verdict and its aftermath remain — along with a series of questions that could determine whether this intensely scrutinized shooting of an unarmed man will lead to any changes in police practices or the justice system, as well as how the community will react if the judge imposes a light sentence.

After being moved out of the Bay Area because the publicity surrounding the case, a Los Angeles jury found Mehserle, a white officer, guilty of involuntary manslaughter for fatally shooting Oscar Grant, a 22-year-old unarmed black man who was detained on a BART train platform in Oakland on Jan. 1, 2009 following reports of a fight.

The verdict stood out as an almost unprecedented conviction of an officer in a case involving deadly use of force, and a departure from an all-too-familiar narrative in which tragedies resulting from police shootings bring no consequences for those responsible for pulling the trigger. However, in the wake of the verdict, Grant’s family members made it clear that they did not believe that justice had been served.

“This involuntary manslaughter verdict is not what we wanted, nor do we accept it,” Oscar Grant’s uncle, Cephus “Bobby” Johnson, said at a July 10 press conference at True Vine Ministries, a West Oakland church. “It’s been a long, hard road, but there are chapters in this war. The battle’s just getting started.”

To Grant’s relatives and a coalition of supporters who came together in response to the shooting, the trial is intrinsically linked to a long history of police brutality that occurs with impunity in cases involving youth of color. Meetings organized by clergy and community members have been held weekly in West Oakland over the past 19 months with the ultimate goal of bringing about greater oversight of the BART police and effective police reform on a broader scale.

On July 9, the U.S. Department of Justice announced that its Civil Rights Division, the U.S. Attorney’s Office, and the FBI have opened an investigation into the shooting and would determine whether prosecution at the federal level is warranted. Defense Attorney Michael Rains also made a motion to move Mehserle’s sentencing to a date later than Aug. 6, the date it was originally expected.

As the events of July 8 solidify into the Bay Area’s collective memory, attention is now shifting toward the next steps, and to lingering questions. Mehserle’s sentencing is key: will his sentence be light, reflecting the jury’s conclusion that he simply made a mistake — or will it include substantial prison time, reflecting the fact that he shot and killed an unarmed man without justification? Will he receive a lighter sentence than someone else without a criminal record found guilty of involuntary manslaughter simply because of his identity as a former officer with law enforcement organizations still in his corner? If Mehserle receives a long sentence, will it signify a shift in a justice system that many perceive as biased — or a stand-alone result of intense public scrutiny?

And as a result of all this, will the BART police finally get the type of training and serious civilian oversight they so badly need?

 

RAW REACTION

On the day the verdict was announced, thousands turned out for a peaceful rally near Oakland’s 12th Street BART Station and City Hall to hear speakers sound off about how their lives had been affected by police brutality.

As night fell, looting and rioting began to break out as the media covered scenes of rage set against small trash fires, causing anger and frustration for many Oakland residents who were dismayed and frightened by the chaos and disorder. More than 80 arrests were made, and dozens of stores including Sears, Whole Foods, Subway, Foot Locker, and numerous banks were damaged or looted. Police efforts to respond to the situation gave downtown city blocks the feeling of a war zone for several hours.

Reactions to the verdict, and the chaotic aftermath that followed, varied in the following days.

“The truth is that in American history, this is both a high point and a low point,” Olis Simmons, executive director of Youth UpRising — an Oakland nonprofit that works with youth of color — told the Guardian the following day. Speaking to the fact that an officer had been convicted in a case involving a wrongful death, she said: “I think it really is a signal that America is changing. This is the farthest we’ve ever gone.”

She said she hoped that people who were infuriated enough to react violently on the evening of July 8 would channel that energy toward constructive goals of pushing for a more satisfactory outcome. Before rallies and later rioting began that night, Youth UpRising sent people into the crowd to hand out glossy flyers proclaiming “violence isn’t justice.”

Davey D Cook, an independent radio journalist who extensively covered activity surrounding Grant’s death on a news site called Davey D’s Hip Hop Corner, said he thought the mainstream media was ready to have “a field day” with the riots, pointing out that they ran special coverage in the days leading up to verdict, building up anticipation of violent outbreaks. He also said that the scope of the rioting should be kept in perspective.

On his July 9 KPFA radio show, Hard Knock Radio, Cook added a salient point: “Broken windows can be replaced, and in two weeks, they will be. Stolen merchandise can be replaced, and it will be. But who’s going to replace this justice system that got looted? What insurance policy takes care of that?”

Just before the July 10 press conference, a town hall meeting was held inside True Vine Ministries. It was crammed full of supporters from Oakland, San Francisco, and beyond who listened as Minister Keith Muhammad — a representative of the Nation of Islam who has worked closely with the Grant family and traveled to Los Angeles to watch the trial — spoke at length. Muhammad was dressed immaculately in a suit and tie, and spoke with an air of fiery conviction.

“In the outcome of this case, there is surely more to be resolved that has yet to be addressed,” Muhammad said. He emphasized that “we’re not satisfied,” but added: “You should know that dissatisfaction is the foundation of all change.”

He raised a number of questions about the proceedings, asking why there was an absence of African Americans on the jury, and why the judge called an early recess when Grant’s teenage friend, Jamil Dewar, sobbed uncontrollably on the witness stand — but not when Mehserle sobbed on the stand. He noted that Grant’s friends were kept in handcuffs for six hours after witnessing Grant’s death.

In the days following July 8, much was also said about mainstream media coverage of the events, in particular the notion that “outside agitators” would come in and start trouble. “I do not like this divisive campaign to divide our community and protestors by calling people outsiders,” Oakland defense attorney Walter Riley wrote in a statement posted on Indybay.org. “This is a great metropolitan area … we expect people from all over the map to participate in Oakland. Calling people outsiders in this instance is a political attack on the movement. The subtext is that the outsiders are white and not connected to Oakland. From the days of the civil rights movement to now, the outsider labeling failed to address the underlying problems for which people came together. We must engage in respectful political struggle. I understand the frustration. I do not support destruction and looting as political protest.”

 

LOOKING FORWARD

Mehserle’s conviction suggests the jurors believed his defense that he meant to draw and fire his Taser instead of his gun. In legal terms, settling on involuntary manslaughter, rather than second-degree murder or voluntary manslaughter, means the jury was not convinced beyond a reasonable doubt that Mehserle had malice toward Grant. But the jury found that he was criminally negligent when he failed to notice that he had his gun instead of his Taser in the moments before he pulled the trigger.

“In California, and really in any state, it is extremely difficult for jurors to convict a police officer. There’s an extreme reluctance to do that,” Whitney Leigh, an attorney who formerly worked in the San Francisco Public Defender’s Office, told us.

“There are undoubtedly instances where things like this have happened at some time in the past in California, that weren’t videotaped,” Leigh continued. “But for the videotape, if you walked 10 witnesses in who said that what happened, happened, no one would believe them if the officer took the stand and said that’s not what happened. The only reason there’s a case at all is that there’s a videotape.”

Leigh said he thought that unless the public develops a better awareness that police misconduct regularly occurs, “individuals are going to continue to be victimized by a system that effectively encourages officers to believe that they can act with significant impunity.”

Asked whether he thought it was likely that the federal government would decide to step in after concluding its investigation, he said it was a tough call. “The Justice Department is highly selective in the cases it chooses to prosecute for these crimes,” he cautioned. “That said, the kinds of cases they choose are ones that tend to have a lot of public attention and concern, so this fits within that category. Since it’s such a public case, it can have more of a widespread impact.”

If Mehserle was prosecuted at the federal level, the case would invoke Criminal Code 18 U.S.C. Sec. 242, used when a government agent or an individual acting under the color of authority denies someone their civil rights through force, threats, or intimidation, based on their race, gender, or another protected category.

Then again, the federal government’s decision over whether or not to step in may be linked to the degree of severity of Mehserle’s sentence.

California Penal Code Section 193 specifies the mitigated, midterm, and aggravated sentences for involuntary manslaughter: two, three, or four years in state prison, respectively. Because Mehserle’s case involves his personal use of a firearm, a sentence enhancement of three, four, or 10 years can be added to his prison time under California Penal Code Section 12022.5.

The judge will weigh circumstances to determine Mehserle’s sentence, possibly including his record as a police officer, his criminal record, age, remorse, and other factors, explained Jim Hammer, a former prosecutor and current San Francisco Police Commission member. The judge could toss out the sentence enhancement for personal use of a gun — and there’s a possibility he would deem extreme circumstances, such as his police record, to warrant probation rather than prison time. But Hammer said he thought both of those outcomes are unlikely.

“The judge will want to appear more than fair, not giving special treatment,” Hammer said. “Judges have to stand [for] election too, and in the light of the fact that somebody’s dead, I think the chance of probation is incredibly slim.”

Even if Mehserle receives a light sentence and then faces prosecution at the federal level, there is a chance that information about his past record as an officer — which was not admitted as evidence, thanks to laws that afford protections for police officers in these kinds of cases — would continue to be shielded. The protection applies even though Mehserle resigned.

“The average person just wants courts to be fair,” Leigh said. “And there’s an inherent unfairness in a system that allows a government or a police department that has all the resources and records to … use against you while shielding what might be much more serious and relevant acts by police officers. That’s one change that would be great if that did happen.”

A key legal issue in the case and any possible federal case is reasonable doubt, Hammer said. “Reasonable doubt is everything, and no one talks about it. They just say, ‘Oh, he didn’t have intent.’ That’s not the issue. Can anybody really, honestly say that they don’t have some doubts about his intent?”

At the same time, Hammer tempered his legal analysis with some understanding of Grant’s mother’s pain in light of what happened to her son and as the verdict was reached.

“If the dictionary had three pictures of murder for a picture image, one would be shooting somebody in the back who is unarmed,” he told the Guardian. “What she’s saying is not outrageous. If it were my relative I would probably call it murder too. She’s not crazy.”

As things continue to unfold with Mehserle’s sentencing and the federal civil rights investigation, civil litigation is in the works too. Wrongful death civil lawsuits will likely be filed against BART by Oakland civil rights attorney John Burris on behalf of Grant’s mother, as well as another suit by five friends who were with Grant the night he was killed. BART settled a suit filed on behalf of Tatiana Grant, the slain man’s five-year-old daughter, in January. That total settlement should amount to more than $5.1 million, according to a media release on Burris’ website.

During an interview after the July 10 press conference, Johnson was asked how Grant’s young daughter was doing. He responded: “Tatiana is still struggling with the issue of when her daddy’s coming home. So it’s going to take time for her, when she does understand that he is not coming back home.”

Outside Grant’s family, many observers hope to see systemic change come out of this tragedy. Assembly Member Tom Ammiano introduced legislation to create civilian oversight of BART police after the shooting, but was unhappy to see how it was watered down during the legislative process. Now he wants to see stronger reforms.

“I think Oscar Grant’s death was inevitable based on the lack of caring about how those police were trained,” he told us. “If you’re going to have the kind of independent civilian oversight that’s going to prevent a repeat of what happened to Oscar Grant, you can’t have this namby-pamby law. The mantra has been, well, this is better than nothing. Unless they’re made to do it … it’s not going to happen the way we want.”

Stage listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. July 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

Beijing, California Thick House Theater, 1695 18th St; www.asianamericantheater.org. $15-25. Thurs-Sat, 8pm; Sun, 5pm. Through Sat/17. Asian American Theater Company presents a new play by Paul Heller set in the year 2050, when China invades America.

Cindy Goldfield & Scrumbly Koldewyn in Cowardly Things New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctsf.org. $20-28. Thurs-Sat, 8pm. Through July 31. Cindy Goldfield and Scrumbly Koldewyn in a tribute to Noel Coward.

Comedy Ballet The Garage, 975 Howard; (800) 838-3006, www.brownpapertickets.com. $15-25. Thurs-Sat, 8pm, Sun, 3pm. Through Sun/18. Dark Porch Theatre presents an outlandish and unusual dance and theater hybrid.

Dead Certain Royce Gallery, 2901 Mariposa; (866) 811-4111. $12-28. Thurs-Sat, 8pm. Through August 14. Expression Productions presents a psychological thriller by Marcus Lloyd.

Foresight Fort Mason Southside Theater, Building D; www.fortmason.org. $22-27. Fri-Sat, 8pm; Sun, 2 and 8pm. Through July 18. Easily Distracted Theatre presents a new play by Bay Area filmmaker Ruben Grijalva.

Gilligan’s Island: Live on Stage! The Garage, 975 Howard; (800) 838-3006, www.brownpapertickets.com. $15-20. Sun, 8pm. Through August 29. Moore Theatre and SAFEhouse for the Performing Arts brings the TV show to the stage, lovey.

How the Other Half Loves Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $35, Thurs-Sat, 8pm. Through July 31. In Alan Ayckbourn’s 1971 comedy, a night of infidelity propels two colliding couples into menacing a third, a pair of innocents unwittingly drawn into the whole affair as alibis. The collisions are made all the more kinetic by the fact that Ayckbourn cheekily drops the two principal couples into overlapping living rooms, where they continually brush by each other in ironic obliviousness. At the outset of this droll two-act, Fiona Foster (a smart, cucumber-cool Sylvia Kratins) has just slept with Bob Phillips (a brilliantly sourpussed James Darbyshire), junior colleague of her husband Frank (Jeff Garrett, exuding the animated splendor of the full-on English twit), on the night of the couple’s wedding anniversary (pure coincidence for the forgetful, loveless Fiona). In loose coordination with lover Bob, Fiona explains her late night absence with reference to a pair of vague acquaintances, the Featherstones (Jocelyn Stringer and Adam D. Simpson). Bob does the same with Teresa (a spunky Corinne Proctor), his homebound wife and a new, deeply disgruntled young mother. Naturally, back-to-back dinner parties with said alibis ensue, much to the horror and chagrin of the adulterers. Off Broadway West Theatre Company’s production, smoothly helmed by Richard Harder, makes the most of the complex staging as both time and space collapse over intersecting dining tables. If the play is slow to catch fire, it reaches a nice sustained peak that proves worth the going. Shaky accents from Garrett and especially Simpson can distract at times, but Harder’s cast is generally solid and engaging, with particularly enjoyable work from Darbyshire and Proctor as the volatile younger Phillips with their crass bickering, canned erotic energy, and barely countenanced off-stage baby. (Avila)

The 91 Owl African American Arts Cultural Complex, 762 Fulton; 574-8908, www.brownpapertickets.com. $10-25. Nightly, 8pm. Through July 22. A production of Bernard Norris’s play about the life of a San Francisco bus stop.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Piaf: Love Conquers All Eureka Theatre, 215 Jackson; (800) 838-3006, www.brownpapertickets.com. $25-36. Tues-Fri, 8pm; Sat, 2 and 8pm. Through August 7. Tone Poet Productions brings a portrait of Edith Piaf to the stage.

Posibilidad, or Death of the Worker Dolores Park and other sites; 285-1717, www.sfmt.org. Free. Sat-Sun, 2pm; also Sept 6, 2pm; Sept 17, 8pm. It may have been just a coincidence, but it certainly seems auspicious that the San Francisco Mime Troupe, itself collectively run since the 1970’s, would preview their latest show Posibilidad on the United Nations International Day of Cooperatives. The show, which centers around the struggles of the last remaining workers in a hemp clothing factory ("Peaceweavers"), hones in on the ideological divide between business conducted as usual, and the impulse to create a different system. Taking a clip from the Ari Lewis/Naomi Klein documentary The Take, half of the play is set in Argentina, where textile-worker Sophia (Lisa Hori-Garcia) becomes involved in a factory takeover for the first time. Her past experiences help inform her new co-workers’ sitdown strike and takeover of their own factory after they are told it will close by their impossibly fey, new age boss Ernesto (Rotimi Agbabiaka). You don’t need professional co-op experience to find humor in the nascent collective’s endless rounds of meetings, wince at their struggles against capitalistic indoctrination, or cheer the rousing message of "Esta es Nuestra Lucha" passionately sung by Velina Brown, though in another welcome coincidence, the run of Posibilidad also coincides with the National Worker Cooperative conference being held in August, so if you get extra inspired, you can always try to join forces there. (Nicole Gluckstern)

Reading My Dad’s Porn and French Kissing the Dog The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. Thurs-Sat, 8pm. Through Sat/17. The title of San Francisco writer-performer Cherry Zonkowski’s confessional solo show gives only a little away—a passing detail from the Nordic diversions of a spirited army brat and daughter of an alcoholic father—but the rest of the narrative leaves even less to the imagination. An account of Zonkowski’s initiation into the sex party and BDSM scene, Reading My Dad’s Porn bounces gleefully between comically graphic depictions of sweaty, writhing Bay Area meet-and-greets and a childhood and young adulthood buried in family dysfunction, a loveless marriage, and the grueling teaching load of a recent English PhD. Ultimately, it’s the story of a woman finding her own identity and community, and if the outlines sound familiar they also feel that way. The straightforward plot—peppered with humorous details and asides (as well as the odd song, accompanied by accordionist Salane Schultz, alternating nights with Aaron Seeman)—lacks both urgency and characters of much complexity. The story’s patina of outré sex, meanwhile, is far from revelatory and too superficial and jokey to offer much dramatic heft. Nevertheless, the show, developed with director David Ford, draws a limited appeal from the force of Zonkowski’s extroverted personality, whose orientation sexual and otherwise skews toward fun—although her more aggressive attempts to corral the audience into participating (mainly vocally) in the show’s narrative high jinx may put some off even more than the fisting by the snack table. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through August 28. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

Young Frankenstein Golden Gate Theatre, 1 Taylor; 551-2000, www.shnsf.com. $30-99. Thurs-Sat, 8pm; Sun, 2pm, also Tues/13, July 20, 8pm; Wed/7, July 24, 21, 2 and 8pm. Through July 25.

For all its outlandish showmanship, Mel Brooks’s other movie-turned-musical is not quite as grand a beast as The Producers . Still, the adventures of Victor Frankenstein’s reputation-conscious grandson, Frederick Frankenstein—played with exceeding charm and surgeon-like skill by major cut-up Roger Bart, originator of the role on Broadway—remains a monster of a show, in more ways than one. The rapid-fire repartee, for starters, is scarily deft, the comic timing among a first-rate cast all but flawless (even when milking a line shamelessly), the fancy footwork (choreographed by director Susan Stroman) pretty fancy, and the mise en scène holds some attractive surprises as well. At the same time, and despite the fecund humor revolving around questions of size and virility, the show’s actual two-and-a-half-hour length proves a bit wearying, especially as many of the best jokes (though by no means all) are the much-loved and universally much-repeated gags from the film. Moreover, Brooks’s songs, while very able, rarely rise to memorable and sometimes feel perfunctory or a bit busy. One of the glorious exceptions is the blind hermit scene (played brilliantly by Brad Oscar), which combines the hilariously plaintive song "Please Send Me Someone" with a lovingly faithful rendition of the original spoof for a sequence that literally smokes. (Avila)

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. July 24, 31, 8pm; Sun/18, July 25, Aug 1, 7pm; Fri/16, 9pm. Through August 1. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

Left of Oz Ashby Stage, 1901 Ashby, Berk; (800) 838-3006, www.brownpapertickets.com. $25-50. Fri-Sat, 8pm, Sun, 7pm. Through Sun/18. Stephanie’s Playhouse presents a lez-queer musical comedy following the out west adventures of Dorothy.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through Sun/18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


PERFORMANCE/DANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. Through July 31. Bay Area Theatresports presents an evening of theater and comedy.

The Bowls Project: Secrets of the Apocalyptic Intimate Yerba Buena Center for the Arts, Sculpture Court, 701 Mission; 978-2787, www.ybca.org. Various times. Through August 22. Charming Hostess presents a series of performances in conjunction with an interactive sound sculpture.

Liz Grant Variety Pack Comedy Show Purple Onion, 140 Columbus; 200-8781, www.brownpapertickets.com. Fri, 4:30pm. Through Sept 3. $10. A changing lineup of stand up comedy.

"San Francisco Olympians Festival" Exit Stage Left, 156 Eddy; www.sfolympians.com Fri/16-Sat/17, 8pm, $10. A series of one-act perfomances by No Nude Men Productions.

Fix the BART police force – or disband it

4

18 months after a BART cop shot Oscar Grant, the transit agency still doesn’t have effective police oversight

EDITORIAL Who murdered Oscar Grant? Part of the equation is the years of neglect of the BART Police. — Assembly Member Tom Ammiano

We’re angry, too.

Angry that a police officer who shot and killed an unarmed man could wind up with little or no prison time. Angry that the news media whipped up such a fervor over the potential for a riot in Oakland that it almost guaranteed someone would show up and break a few windows. Angry that the jury who decided this case was 400 miles away and included no African Americans.

But mostly we’re angry that 18 months after a BART cop shot Oscar Grant, the transit agency still doesn’t have effective police oversight. And until the BART board recognizes that it still has 200 poorly trained, poorly supervised,* armed officers on the streets — and that this shooting wasn’t an anomaly, it was simply the latest in a series of criminal acts by BART police officers that led to the deaths of innocent people — and until the BART Board starts treating this like the emergency that it is, the problems are going to continue.

There are elements of this case that are historic — and very positive. This is the first time we can remember that a police officer in California has faced murder charges for an on-duty shooting. That alone sends a powerful message — and the Alameda County District Attorney deserves immense credit for taking the case to trial. And let’s not forget: Johannes Mehserle was, in fact, convicted. With the additional penalties for using a handgun, he could wind up with a sentence of more than 10 years.

Much of that is now in the hands of Los Angeles County Superior Court Judge Robert Perry, who will sentence Mehserle later this summer. The judge in an involuntary manslaughter case has considerable discretion; he could, conceivably, sentence Mehserle to probation, and the killer of an unarmed man could walk away with no jail time at all. Perry could sentence him to five years (of which the former officer would probably serve no more than three). He could also go as high as 14 years, which seems more reasonable.

Most of the protesters in Oakland were peaceful; most recognized that the verdict was mixed, that at least Mehserle was convicted, and that there’s still a chance justice will be done. It’s hard to imagine that the patience of the community will last long in the wake of an unacceptably short sentence.

But even if Perry issues a sentence that reflects the crime, there’s still the problem of the BART Police. This isn’t the first time a BART cop has killed an unarmed person; twice before, the subway system’s finest have committed crimes just as heinous as the one that put Johannes Mehserle in the dock. The difference is that the previous shootings — which we covered in depth and the mainstream media ignored — were never caught on video. BART never took either killing seriously, never changed police oversight procedures — and shouldn’t be surprised that nothing changed.

Now the agency, with much reluctance and gnashing of teeth, has created a modest civilian oversight program. But it’s not enough — and the reason is simple: The BART directors don’t want to spend the time it takes to monitor and control an armed police force. They’ve always happily delegated that job to someone else — a general manager, an assistant general manager, a police chief — and never done the job they were elected to do.

Now time’s up. The BART directors need to take direct control of the police, including holding hearings on disciplinary action and quickly acting on complaints against problem officers. Or they need to recognize that they can’t run a police force, disband the BART police, and let a professional law enforcement agency from one or more of the BART counties take over.

Fix the BART police force – or disband it

0

EDITORIAL Who murdered Oscar Grant? Part of the equation is the years of neglect of the BART Police. — Assembly Member Tom Ammiano

We’re angry, too.

Angry that a police officer who shot and killed an unarmed man could wind up with little or no prison time. Angry that the news media whipped up such a fervor over the potential for a riot in Oakland that it almost guaranteed someone would show up and break a few windows. Angry that the jury who decided this case was 400 miles away and included no African Americans.

But mostly we’re angry that 18 months after a BART cop shot Oscar Grant, the transit agency still doesn’t have effective police oversight. And until the BART board recognizes that it still has 200 poorly trained, poorly supervised,* armed officers on the streets — and that this shooting wasn’t an anomaly, it was simply the latest in a series of criminal acts by BART police officers that led to the deaths of innocent people — and until the BART Board starts treating this like the emergency that it is, the problems are going to continue.

There are elements of this case that are historic — and very positive. This is the first time we can remember that a police officer in California has faced murder charges for an on-duty shooting. That alone sends a powerful message — and the Alameda County District Attorney deserves immense credit for taking the case to trial. And let’s not forget: Johannes Mehserle was, in fact, convicted. With the additional penalties for using a handgun, he could wind up with a sentence of more than 10 years.

Much of that is now in the hands of Los Angeles County Superior Court Judge Robert Perry, who will sentence Mehserle later this summer. The judge in an involuntary manslaughter case has considerable discretion; he could, conceivably, sentence Mehserle to probation, and the killer of an unarmed man could walk away with no jail time at all. Perry could sentence him to five years (of which the former officer would probably serve no more than three). He could also go as high as 14 years, which seems more reasonable.

Most of the protesters in Oakland were peaceful; most recognized that the verdict was mixed, that at least Mehserle was convicted, and that there’s still a chance justice will be done. It’s hard to imagine that the patience of the community will last long in the wake of an unacceptably short sentence.

But even if Perry issues a sentence that reflects the crime, there’s still the problem of the BART Police. This isn’t the first time a BART cop has killed an unarmed person; twice before, the subway system’s finest have committed crimes just as heinous as the one that put Johannes Mehserle in the dock. The difference is that the previous shootings — which we covered in depth and the mainstream media ignored — were never caught on video. BART never took either killing seriously, never changed police oversight procedures — and shouldn’t be surprised that nothing changed.

Now the agency, with much reluctance and gnashing of teeth, has created a modest civilian oversight program. But it’s not enough — and the reason is simple: The BART directors don’t want to spend the time it takes to monitor and control an armed police force. They’ve always happily delegated that job to someone else — a general manager, an assistant general manager, a police chief — and never done the job they were elected to do.

Now time’s up. The BART directors need to take direct control of the police, including holding hearings on disciplinary action and quickly acting on complaints against problem officers. Or they need to recognize that they can’t run a police force, disband the BART police, and let a professional law enforcement agency from one or more of the BART counties take over.

Oakland considers limiting and licensing marijuana growers

7

Updated info below

The medical marijuana community – everyone from small growers to Harborside Health Center, the biggest dispensary in Oakland – are reacting strongly against an ordinance proposed by Oakland City Council members Rebecca Kaplan and Larry Reid to limit and license marijuana cultivation, a proposal that will be heard tonight (7/13) at 6 p.m. by the council’s Public Safety Committee.

They say the measure is an affront to medical marijuana patients and the small growing operations that have been at the forefront of the long struggle to legalize pot for medical uses. While the measure stems from concern about growing weed in residential areas – it would allow only a few large growing operations exclusively in industrial areas – critics characterize it as an attack on patients that violates Prop. 215, the 1996 measure that legalized medical marijuana and explicitly allows patients to grow their own medicine.

“It’s a disturbing turn of events for the usually forward thinking Oakland City Council,” medical marijuana consultant Gaynell Rogers, who works with Harborside, the city’s premier dispensary, wrote in a press release. It went on to quote Harborisde executive director Steve DeAngelo as saying, “This ordinance would deprive hundreds of patient-farmers of their livelihood. It seems a very unfair way to repay them for the years during which they courageously stood up to the federal government, and faithfully supplied patients with the medicine they could not get anywhere else…I’d rather see Harborside’s own opportunity to produce on a centralized efficient-scale basis reduced, than to see the small patient-farmers who are the backbone of this movement driven to extinction.”

Kaplan did not immediately return a Guardian call seeking comment, and neither did Oakland City Attorney John Russo, who is one of the few active law enforcement officers and elected officials to come out in support of Prop. 19, the fall ballot measure that would legalize marijuana for even recreational use by adults.

In addition to regulating growers for the first time, the proposed legislation would also increase the number of licensed dispensaries from four to six. San Francisco, a trailblazer in regulating medical marijuana, currently has more than 22 licensed dispensaries and no licensing program for growers, although Sup. Ross Mirkarimi has said there is a need to better protect growers from prosecution and even to explore having the city grow medical marijuana.

While medical marijuana advocates welcome regulations as a necessary step toward legitimizing the industry, they generally oppose anything limits a patient’s rights to grow their own weed. “We support local regulation but not when it’s at the expense of patients,” Mike Meno, a spokesperson for the DC-based Marijuana Policy Project, told the Guardian.

The hearing will be held in council chambers, with this item last on the agenda for a meeting that begins at 6 p.m.

Update: Kaplan has been in a closed session on Oakland Police Department issues all day, but her staffers just got back to me and clarified that the measure allows small grows of up to 96 square feet or 72 plants (Oakland’s standard for the needs of three patients) to continue unlicensed, although they say the intention is to eventually set standards and a legal framework for all medical marijuana growers.

Policy analyst Ada Chan said Kaplan is concerned about commercial grows in residential areas and its related crime and fire risks and “she feels we need to move it out of residential areas.” She said Harborside and other medical marijuana players were consulted in drafting the legislation, which she said would likely be subject to more staff work before being approved: “This is just the first step.”

But Harborside attorney James Anthony told us that he had not seen language or specifics on the legislation until it was publicly released last week, he’s still concerned that small growing operations will be hurt by the measure because of ambiguity in the legislation, and he fears the council intends to move quickly on an unworkable policy: “This thing is on track to go to the full City Council next week and pass.”

Sunday Streets creates public benefits from private labors

2

By Kristen Peters

San Francisco locals will take to the streets this weekend as main roads in the Mission neighborhood are closed to automobiles for the sixth installment of Sunday Streets. On July 11, a three-mile route from 17th and Valencia to Dolores Park to Potrero Avenue will be car-free from 10 am until 3pm.

Taken from Bogota’s weekly ciclovía, in which nearly 100 miles of city streets are reserved for pedestrians and other recreationalists, Sunday Streets began in San Francisco almost two years ago. Since then, the tradition has made its way to other California cities including Los Angeles and Oakland.

“In San Francisco we have our own unique style,” event coordinator Susan King, who works for the nonprofit group Livable City, said. “We have different routes and we hit different neighborhoods year after year. In each neighborhood, the featured events have their own flair.”

This Sunday, revelers can look forward to performances by Grupo Azteca as well as capoeira and salsa dancing lessons, not to mention the countless restaurants in the area opening their doors early to the public. While the event has some support from the city and its San Francisco Municipal Transportation Agency, mostly in the form of permit fee waivers, it is run by Livable City and funded from corporate donations.

“Our corporate sponsors provide everything from durable goods, in-kind donations and cold, hard cash,” King said.

City officials have even curtailed helping with hanging “no parking” signs, leaving that task to volunteers from the SF Bicycle Coalition. That job was usually designated to the San Francisco Department of Parking and Traffic, but they have now stopped providing that service to an event that Mayor Gavin Newsom trumpets as something he’s bringing to the people. But King still calls Sunday Streets a good example of a public-private partnership.

“Everybody brings something to the table,” King said. “It’s a real cooperative entity with everyone pulling together to produce something really special.”

According to King, the benefits are widespread. Not only is it refreshing for the public to ditch their cars for a few hours, but it also reinvigorates the local economy. “It’s a real boom for the city,” King said. “Lots of people on the street means lots of eating. It’s good for business and good for the community.”

Acting executive director for the SF Bicycle Coalition Renee Rivera said that the Mission in particular has benefited from the crowds at Sunday Streets. “Everyone is enjoying the outdoor activities the event has to offer but, at the same time, are going to get ice cream, stopping for tacos or getting to enjoy all the merchants on 24th and Valencia,” Rivera said.

There are three more Sunday Street events following the Mission neighborhood closure. The Great Highway and areas of Golden Gate Park will be closed on August 22 followed by the Western Addition on September 19. The series will conclude on October 24 with the closure of the Civic Center and Tenderloin areas.

Protests turn to riots in wake of Mehserle verdict (VIDEO)

In the hours following the announcement of that Johannes Mehserle had been found guilty of involuntary manslaughter for fatally shooting Oscar Grant in the back on a BART platform on New Year’s Eve 2009, downtown Oakland became a drama-filled scene that changed minute by minute.

In the early hours, rallies were held, with community leaders speaking out against the killing of Oscar Grant and police brutality in general. At least 1,000 protesters gathered peacefully at the intersection of 14th and Broadway streets to hear a series of speakers venting anger. Representatives from the nonprofit Youth UpRising and other groups tried to discourage violence, but anger and frustration erupted into acts of vandalism once the rally came to a close and the night set in. Around the same time, police strapped on gas masks, readied clubs, and issued a dispersal order.

Around 8:30 bottles started flying among shouts of “fuck the police,” and “no justice, no peace.” A window was smashed at a Foot Locker near 14th and Broadway, and another window came down at the Far East National Bank, across the street. Looting followed, as did graffiti tagging, and trash cans lit ablaze.

By 10 p.m., things descended into further disarray as smaller crowds advanced north on Broadway and Telegraph, with just a few hundred continuing to smash windows at Whole Foods, Sears, Starbucks, and several other locations. The Guardian was on the scene and caught much of the early activity and some of the later rioting on film. The videos are presented below in chronological order. The Guardian left a crowd of less than 50 rioters near Whole Foods at Bay Place and Vernon Street, around 10:30.

http://www.youtube.com/watch?v=O_t8w7-_bVc
Shortly after the verdict was announced, Oscar Grant’s sister-in-law, Yolanda Mesa, tearfully addressed a small crowd outside Oakland City Hall. Video by Wendi Jonassen

http://www.youtube.com/watch?v=V1qclrgIOtE
A rally being held in the middle of the intersection at 14th and Broadway in downtown Oakland dissolved into chaos when police in riot gear approached and announced through a megaphone, “We are here to assist you in your peaceful protest.” Video by Rebecca Bowe

http://www.youtube.com/watch?v=Si0sH_v0oq8
As a marching band played in the background, activists hoisted a sign onto a lamppost over the intersection of 14th and Broadway in downtown Oakland. Video by Rebecca Bowe

http://www.youtube.com/watch?v=Y9S144Tptbg
A protester challenging police in the midst of demonstrations in downtown Oakland was tackled by officers in riot gear. Video by Alex Emslie

http://www.youtube.com/watch?v=V4veyVC204E
Oakland City Council member Rebecca Kaplan gave an interview at the line between demonstrators and police as she linked arms with others at 12th Street and Broadway. Council member Jean Quan stood nearby. Video by Alex Emslie

http://www.youtube.com/watch?v=EiV2-kp5Gc8
Police declared the protest to be an unlawful assembly and issued an order to disperse just before 9 p.m. The police charged, and this reporter got caught in the fray. Video by Alex Emslie

http://www.youtube.com/watch?v=NBwMMiFEe-o
Rioters ignited a trash can and dragged it down 15th Street toward the police line at around 9:30 p.m. Video by Alex Emslie

http://www.youtube.com/watch?v=z2eIW9YTwzQ
The riots took a noticeable turn just before 10 p.m. Even as the crowds diminished, more fires were ignited and store front windows were broken between 15th and 17th streets on Broadway as and rioters began to move further North. Video by Alex Emslie

 

Oakland and SF brace for reaction to Mehserle verdict

8

Oakland and San Francisco police and city officials are nervously awaiting the verdict in the murder trial of Johannes Mehserle, the former BART police officer who shot and killed Oscar Grant on a train platform last year, although the latest word is that verdict won’t come today (July 6), and probably not tomorrow, because of the absences of two jurors.

After demonstrations against Mehserle in Oakland last year turned into destructive riots, officials fear another outbreak of violence, particularly given the racial undertones to the crime, but they are urging calm and saying they will facilitate peaceful demonstrations in reaction to however the Los Angeles jury rules.

“We anticipate that regardless of the verdict reached by the jury, demonstrations will occur in downtown Oakland, and possibly throughout the city. The City of Oakland is committed to facilitating peaceful expression and demonstrations. The City of Oakland is also prepared to deal with the situation if it turns violent. Our goal is to protect public safety and property by minimizing the vandalism and violence,” reads a memo the Mayor’s Office distributed to Oakland city employees.

Of particular concern to Oakland officials is the area around Oakland City Hall, which they want evacuated before the demonstrations begin. As the memo said, “We learned from the January 2009 BART demonstrations that 14th & Broadway and the City Hall Complex are target areas and there is some indication that history may repeat itself. City management is concerned about the safety of our employees and it may be necessary to release some city staff earlier than normal. Similar planning efforts are being considered by the State and Federal buildings as well as private employers in the surrounding area.”

In fact, witnesses say that many Oakland business owners in the area have already started to board up their storefronts in anticipation of civil unrest. Police in both Oakland and San Francisco have been placed on alert and SFPD Officer Samson Chan said all officers, even plainclothed investigators, will be in uniform from now until the verdict.

SFPD Chief George Gascon held a press conference with African-American church leaders this afternoon urging calm and announcing that community centers throughout the city will be opened to give people peaceful opportunities to express their frustrations. “They all urged people to react to the verdict in a peaceful way,” Chan said.

In a public statement accompanying the internal memo, Mayor Ron Dellums expressed sympathy with the frustrations that people may feel if Mehserle is seen as getting a lenient verdict – “We understand that the community is grieving, and we are in this together. We will get through this together.” – but he ended the message by saying, “We are asking for the community to come together, look out for one another, and stay safe. We will not tolerate destruction or violence. We live here, and we love Oakland.”

Stage listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Cindy Goldfield & Scrumbly Koldewyn in Cowardly Things New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctsf.org. $20-28. Previews Thurs/8, 8pm. Opens Fri/9, 8pm. Runs Thurs-Sat, 8pm. Through July 31. Cindy Goldfield and Scrumbly Koldewyn in a tribute to Noel Coward.

Comedy Ballet The Garage, 975 Howard; (800) 838-3006, www.brownpapertickets.com. $15-25. Opens Fri/9, 8pm. Runs Thurs-Sat, 8pm, Sun, 3pm. Through July 18. Dark Porch Theatre presents an outlandish and unusual dance and theater hybrid.

Dead Certain Royce Gallery, 2901 Mariposa; (866) 811-4111. $12-28. Previews Thurs/8-Fri/9, 8pm. Opens Sat/10, 8pm. Runs Thurs-Sat, 8pm. Through August 14. Expression Productions presents a psychological thriller by Marcus Lloyd.

Foresight Fort Mason Southside Theater, Building D; www.fortmason.org. $22-27. Opens Fri/9, 8pm. RunsFri-Sat, 8pm; Sun, 2 and 8pm. Through July 18. Easily Distracted Theatre presents a new play by Bay Area filmmaker Ruben Grijalva.

Gilligan’s Island: Live on Stage! The Garage, 975 Howard; (800) 838-3006, www.brownpapertickets.com. $15-20. Opens Sun/11 8pm. Runs Sun, 8pm. Through August 29. Moore Theatre and SAFEhouse for the Performing Arts brings the TV show to the stage, lovey.

The 91 Owl African American Arts Cultural Complex, 762 Fulton; 574-8908, www.brownpapertickets.com. $10-25. Previews Thurs/8, 8pm. Opens Fri/9 8pm. Runs nightly 8pm. Through July 22. A production of Bernard Norris’s play about the life of a San Francisco bus stop.

Piaf: Love Conquers All Eureka Theatre, 215 Jackson; (800) 838-3006, www.brownpapertickets.com. $25-36. Previews Wed/7-Thurs/8, 8pm. Opens Fri/9 8pm. Runs Tues-Fri, 8pm; Sat, 2 and 8pm. Through August 7. Tone Poet Productions brings a portrait of Edith Piaf to the stage.

"San Francisco Olympians Festival" Exist Stage Left, 156 Eddy; www.sfolympians.com $10.

BAY AREA

Mrs. Warren’s Profession Bruns Ampitheatre, 100 California Theatre Shakespeare Way, Orinda; (510) 548-9666, www.calshakes.org. $34-70. California Shakespeare Theater presents George Bernard Shaw’s classic morality play.


ongoing

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. Thurs/8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

Beijing, California Thick House Theater, 1695 18th St; www.asianamericantheater.org. $15-25. Thurs-Sat, 8pm; Sun, 5pm. Through July 17. Asian American Theater Company presents a new play by Paul Heller set in the year 2050, when China invades America.

*Blackbird: Honoring a Century of Pansy Divas Mama Calizo’s Voice Factory, 1519 Mission; 786-9325, www.evezen.org. Thurs-Sat, 8pm. Through Sat/10. The intimate Blackbird Funeral Parlour Speakeasy is somber-toned and deceptively hushed, complete with period furnishings, a see-through dressing room, softly flickering altar, and obligatory piano. Only a few moments into Seth Eisen’s exceptional one-man cabaret, however, and the place is alive and kicking: doleful aspects of the décor making ample room for a sly, vigorous, soulful performer and a completely unexpected journey through some vibrant underground queer history (backed by fellow Circo Zero alum Sean Feit’s sharp musical direction and breezy accompaniment, and Alanna Simone’s gently humorous and haunting video pieces). Your guide is 100-year-old Jean Marlin, author of the notorious 1930s Pansy Craze, 75 years dead and looking fabulous in tails, bold green cravat, dapper purple hankie and a topping of regal black plumage (costumer Jack Davis demonstrates a genius throughout for turning a shoestring budget into a G-string–supported extravaganza). A multifaceted performer with quick tongue, nimble steps, and hearty voice (giving life to an assortment of extraordinary songs), Eisen uses drag, dance, puppetry, and performance art techniques to give flight to worthy exotic blackbirds known and forgotten—drag queen Zen priest Tommy Issan Dorsey; sexually ambiguous Danny Kaye; Brazil’s inimitable Ney Matogrosso; the definitely outré Klaus Nomi; and disco treasure Sylvester, whose live rendition of the Beatles’ "Blackbird" at SF’s War Memorial Opera House is one of several standout moments in this rollicking and poignant act of resurrection, insurrection, and homage. (Avila)

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm. Through Sat/10. Christopher Durang’s The Actor’s Nightmare could just as easily be called The Accountant’s Nightmare, as befuddled Everyman and presumed non-actor George Spelvin (Eric O’ Kelly) attempts to navigate his way out of a confused rendition of Noel Coward’s "Private Lives" dressed as Prince Hamlet and menaced by a trashcan-bearing Beckett-arian (AJ Davenport). This traditional companion piece to Durang’s Catholic School send-up Sister Mary Ignatius Explains It All for You references a Catholic boyhood several times, but it is the anxiety of the present moment that prevails, as the stage clears, and Spelvin is chased into a corner by an unforgiving spotlight to deliver his frantic last-ditch attempt at a soliloquy: his ABC’s. The titular Sister Mary Ignatius (AJ Davenport), by turns arctic and expansive, attempts to explain all, while periodically trotting out her star pupil Thomas (Cole Cloud) to recite catechism and spell eck-u-men-ickle for cookies. Davenport plays the pedantic side of Sister Mary with humorous vigor, but when a group of her former students drop by "to embarrass her" she doesn’t quite pull off embodying the ogress of their now-adult nightmares. Of her former students, it is probably Aloysius Benheim (Eric O’Kelly) who comes across as the most damaged by her tyranny, and not coincidentally, suffers the piece’s greatest humiliation. (Nicole Gluckstern)

How the Other Half Loves Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $35, Thurs-Sat, 8pm. Through July 31. In Alan Ayckbourn’s 1971 comedy, a night of infidelity propels two colliding couples into menacing a third, a pair of innocents unwittingly drawn into the whole affair as alibis. The collisions are made all the more kinetic by the fact that Ayckbourn cheekily drops the two principal couples into overlapping living rooms, where they continually brush by each other in ironic obliviousness. At the outset of this droll two-act, Fiona Foster (a smart, cucumber-cool Sylvia Kratins) has just slept with Bob Phillips (a brilliantly sourpussed James Darbyshire), junior colleague of her husband Frank (Jeff Garrett, exuding the animated splendor of the full-on English twit), on the night of the couple’s wedding anniversary (pure coincidence for the forgetful, loveless Fiona). In loose coordination with lover Bob, Fiona explains her late night absence with reference to a pair of vague acquaintances, the Featherstones (Jocelyn Stringer and Adam D. Simpson). Bob does the same with Teresa (a spunky Corinne Proctor), his homebound wife and a new, deeply disgruntled young mother. Naturally, back-to-back dinner parties with said alibis ensue, much to the horror and chagrin of the adulterers. Off Broadway West Theatre Company’s production, smoothly helmed by Richard Harder, makes the most of the complex staging as both time and space collapse over intersecting dining tables. If the play is slow to catch fire, it reaches a nice sustained peak that proves worth the going. Shaky accents from Garrett and especially Simpson can distract at times, but Harder’s cast is generally solid and engaging, with particularly enjoyable work from Darbyshire and Proctor as the volatile younger Phillips with their crass bickering, canned erotic energy, and barely countenanced off-stage baby. (Avila)

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun/11, 2pm. Through Sun/11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Posibilidad, or Death of the Worker Dolores Park and other sites; 285-1717, www.sfmt.org. Free. Sat-Sun, 2pm; also Sept 6, 2pm; Sept 17, 8pm. The San Francisco Mime Troupe opens its 51st season with a modern song and tango about politics in the workplace.

Reading My Dad’s Porn and French Kissing the Dog The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. Thurs-Sat, 8pm. Through July 17. The title of San Francisco writer-performer Cherry Zonkowski’s confessional solo show gives only a little away—a passing detail from the Nordic diversions of a spirited army brat and daughter of an alcoholic father—but the rest of the narrative leaves even less to the imagination. An account of Zonkowski’s initiation into the sex party and BDSM scene, Reading My Dad’s Porn bounces gleefully between comically graphic depictions of sweaty, writhing Bay Area meet-and-greets and a childhood and young adulthood buried in family dysfunction, a loveless marriage, and the grueling teaching load of a recent English PhD. Ultimately, it’s the story of a woman finding her own identity and community, and if the outlines sound familiar they also feel that way. The straightforward plot—peppered with humorous details and asides (as well as the odd song, accompanied by accordionist Salane Schultz, alternating nights with Aaron Seeman)—lacks both urgency and characters of much complexity. The story’s patina of outré sex, meanwhile, is far from revelatory and too superficial and jokey to offer much dramatic heft. Nevertheless, the show, developed with director David Ford, draws a limited appeal from the force of Zonkowski’s extroverted personality, whose orientation sexual and otherwise skews toward fun—although her more aggressive attempts to corral the audience into participating (mainly vocally) in the show’s narrative high jinx may put some off even more than the fisting by the snack table. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through August 28. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

Young Frankenstein Golden Gate Theatre, 1 Taylor; 551-2000, www.shnsf.com. $30-99. Thurs-Sat, 8pm; Sun, 2pm, also Tues/13, July 20, 8pm; Wed/7, July 24, 21, 2 and 8pm. Through July 25.

For all its outlandish showmanship, Mel Brooks’s other movie-turned-musical is not quite as grand a beast as The Producers . Still, the adventures of Victor Frankenstein’s reputation-conscious grandson, Frederick Frankenstein—played with exceeding charm and surgeon-like skill by major cut-up Roger Bart, originator of the role on Broadway—remains a monster of a show, in more ways than one. The rapid-fire repartee, for starters, is scarily deft, the comic timing among a first-rate cast all but flawless (even when milking a line shamelessly), the fancy footwork (choreographed by director Susan Stroman) pretty fancy, and the mise en scène holds some attractive surprises as well. At the same time, and despite the fecund humor revolving around questions of size and virility, the show’s actual two-and-a-half-hour length proves a bit wearying, especially as many of the best jokes (though by no means all) are the much-loved and universally much-repeated gags from the film. Moreover, Brooks’s songs, while very able, rarely rise to memorable and sometimes feel perfunctory or a bit busy. One of the glorious exceptions is the blind hermit scene (played brilliantly by Brad Oscar), which combines the hilariously plaintive song "Please Send Me Someone" with a lovingly faithful rendition of the original spoof for a sequence that literally smokes. (Avila)


BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. July 24, 31, 8pm; July 18, 25, Aug 1, 7pm; Fri/9, 16, 9pm. Through August 1. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

Left of Oz Ashby Stage, 1901 Ashby, Berk; (800) 838-3006, www.brownpapertickets.com. $25-50. Fri-Sat, 8pm, Sun, 7pm. Through July 18. Stephanie’s Playhouse presents a lez-queer musical comedy following the out west adventures of Dorothy.

Les Liasons Dangereuses Redwood Ampitheatre, 30 Sir Francis Drake, Ross; (415) 251-1027, www.porchlight.net. $15-30. Thurs-Sat, 7:30pm; also Wed/7, 7:30pm. Through Sat/10. Porchlight Theatre Company presents a production of Christopher Hampton’s adaptation of the 1782 novel.

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Fri/9, 7pm; Sun/11, 2pm. Through July 11. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

Shaker Chair Pear Avenue Theatre, 1220 Pear Avenue, Mtn View; (800) 838-3006, www.brownpapertickets.com. $15-30. Thurs-Sat, 8pm; Sun, 2pm (also Sat/10, 2pm). Through July 11. Pear Avenue Theatre presents Adam Bock’s play about a middle-aged widow who applies Shaker philosophy to her lifestyle.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through July 18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


PERFORMANCE/DANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. Through July 31. Bay Area Theatresports presents an evening of theater and comedy.
The Bowls Project: Secrets of the Apocalyptic Intimate Yerba Buena Center for the Arts, Sculpture Court, 701 Mission; 978-2787, www.ybca.org. Tues/6, 6-8pm, free. Through August 22. Charming Hostess presents a series of performances in conjunction with an interactive sound sculpture.
Liz Grant Variety Pack Comedy Show Purple Onion, 140 Columbus; 200-8781, www.brownpapertickets.com. Fri, 4:30pm. Through Sept 3. $10. A changing lineup of stand up comedy.
"San Francisco Olympians Festival" Exit Stage Left, 156 Eddy; www.sfolympians.com Fri/9-Sat/10, 8pm, $10. A series of one=act perfomances by No Nude Men Productions.

Alerts

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alert@sfbg.com

WEDNESDAY, JULY 7

Think Outside the Bomb


Learn about Think Outside the Bomb, a volunteer, youth-organized, grassroots network working for nuclear abolition. Also learn about its 2010 Disarmament Summer campaign at this presentation on nuclear weapons, the energy industry, and the human and environmental costs of nuclear weapons. Entertainment, special guests, and more.

7 p.m., free

The Long Haul

3124 Shattuck, Berk.

www.totbtour.wordpress.com

THURSDAY, JULY 8

"Sustainable Home Landscape"


Attend this panel discussion on how to harvest rainwater and reuse greywater in the urban landscape moderated by Cleo Woelfle-Erskine, one of the founders of Greywater Action. Learning how to conserve water at home is becoming increasingly important for Californians as we face drought and collapsing ecosystems.

6 p.m., free

San Francisco Public Library

Latino Hispanic Community Meeting Room

100 Larkin, SF

(415) 557-4484

SUNDAY, JULY 11

Pastors for Peace


Support the 21st Friendshipment Caravan to Cuba as it passes through San Francisco on its way to deliver humanitarian aid to Cuba and challenge the U.S. blockade. The caravan is visiting 130 U.S. and Canadian cities to educate people about the blockade while collecting construction, medical, and education supplies before traveling to Cuba without asking for a U.S. government license. Featuring a presentations and video.

2 p.m., free

Temple United Methodist Church

65 Beverly, SF

www.cuba726.org

More Drought Solutions


Learn how to save water in your house and yard with greywater systems, rainwater catchments, earthworks, and landscaping choices at this presentation and workshop with instructor Babak Tondre. The greywater system at EcoHouse was the first permitted residential greywater system in California. Return home with ideas and plans of your own.

10 a.m., $15

Ecology Center, Suite H

2530 San Pablo, Berk.

(510) 548-2220

MONDAY, JULY 12

The good tariffs

Attend this one-day conference titled "Feed-in Tariffs: A Time for Real Action on Renewable Energy in California" to discuss feed-in tariffs as way to stimulate investment in renewable energy, increase energy security, and promote economic development in California.

9 a.m.– 5 p.m., $30

City Club

11th Floor

155 Sansome, SF

www.pacificenvironment.org/FITconference

TUESDAY, JULY 13

Adoption options


Attend this informational workshop to find out about the possibilities of providing a permanent home to one of the 80,000 foster children in California. Adopt A Special Kid (AASK) is located in Oakland and provides social work services necessary for adoption as well as a monthly stipend until children reach the age of 18. All families welcome, including LGBT families, singles, partnered people, older people, disabled people, homeowners, and renters.

7 p.m., free

AASK Office, Suite 103

8201 Edgewater, Oakl.

(510) 553-1748 ext. 12

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

D. 10 candidates DeWitt Lacy, Tony Kelly and progressive planners blast Lennar’s plan

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Recently, I spent some time talking with D. 10 candidates DeWitt Lacy and Tony Kelly about Lennar’s redevelopment plan for the shipyard and Candlestick Point. I also attended a Progressive Planners forum that addressed the massive development proposal. Those conversations and the issues they raised seem timely in light of the city’s crazily tight schedule for trying to ram final approvals for the project past government agencies this summer. And in light of three appeals that have been filed against the city’s recently certified final environmental impact report for the plan, raising concerns that the city will get bogged down in expensive and time-consuming litigation if it doesn’t get the plan right, while it still can.

(Lest other D. 10 candidates complain that they weren’t interviewed, too, I’d like to clarify that I’ll be covering the race between now and November, and I look forward to hearing what they all think at the Board’s July 13 meeting to hear appeals of the city’s final environmental impact report (FEIR) for the project. )

Both Lacy and Kelly are critics of Lennar’s plan, but not in a knee-jerk obstructionist way. Instead, they bring considered and informed critiques to the table at a time when the community desperately needs good advice and a workable strategy, if residents are to get needed amendments and concessions, before the developer get the green light, or before the Board puts  a moratorium on the project until the city’s FEIR flaws are ironed out.

Lacy is a bright and earnest candidate who learned lessons from the school of life, while growing up in San Jose in a working class family. Lacy says his father worked in an Adidas warehouse until he was injured on the job, and his mother worked as a secretary in Atari’s corporate office, but was laid off after two years.

Lacy recalls how his parents opened their own janitorial business, in the hope of making a better life for their six children.  He says that it was while cleaning homes alongside his mother, that he began to recognize the need for working class improvement and growth.

 In 1995, Lacy moved to San Francisco, where he has worked in the District Attorney’s office and formed his own law practice—experience that could serve District 10 well, since it’s home to many working-class residents and will be ground zero in the battle for construction-related contracts and environmental and economic justice, if Lennar’s massive redevelopment plan goes ahead,

“I know how to craft legislation for social justice,” Lacy said.

Lacy observes how Michael Cohen, Gavin Newsom’s top economic advisor in the Mayor’s Office of Economic and Workforce Development, has repeatedly told folks that land transferred to Lennar will be subject to a “right of reverter.”
This means the Redevelopment Agency may re-take ownership of the land, if the developer fails to substantially complete the infrastructure in the time frame set forth in the city’s development and disposition agreement (the DDA)

But Lacy observes that this “nuclear option” isn’t likely to happen with so much riding on the Lennar deal, and he stresses that additional controls are needed, if the city is to ensure that the deal remains in the best interest of San Francisco, not just the developer.

Lacy’s probably right about that. (Remember how hard the community had to fight to just get an extra 15 days to read and comment on the project’s six volume draft EIR over the winter holidays?)

And how much political pressure was exerted to ram the city’s EIR for this project across the certification line on June 3, five days before Santa Clara voters decided to support a stadium for the 49ers near Great America.

“What’s needed is an impartial arbiter,” Lacy said. “The city needs regulatory controls and the capacity to fine Lennar if it breaks promises to build affordable housing, create jobs and hire locals. You’re not going to be able to hold their feet to the fire without that.”

“I’m not saying that we should be obstructionists, critics who are trying to prevent stuff for the sake of a political battle,” Lacy added. “But we need new blood. The benefit of my campaign is that I’m not downtown’s candidate. I’m a civil rights attorney, who can help the district by figuring out what battles we need to be fighting and which battles are winnable. And I want to make sure there are jobs and business opportunities for working-class folks in San Francisco. You shouldn’t have to be a doctor or lawyer to afford to live here.”

Lacy believes the Navy should remove the radiologically impacted landfill on the shipyard’s Parcel E2.
“That ground has to be taken out of there,” Lacy said. “I would hope the City Attorney’s Office would get involved and advocate for the people. But leadership is about taking a stance when no one else is.”

With the city suggesting that it can still win back the 49ers, Lacy said that he too, would love it if the 49ers decided to stay.
 
“But not at the cost of our health and safety,” Lacy said, referring to the city’s repeated claim that it needed to rush certification of the final EIR for Lennar’s project, if there was to be any hope of winning back the team.

“ I don’t think the solution is the rush,” Lacy said. “I say, let’s make sure we clean up the shipyard properly—and bring back the Warriors [a professional basketball team that relocated to San Francisco in 1962, until 1971, when it moved to Oakland].”

I also hung out with D. 10 candidate Tony Kelly, at an event that POWER hosted as part of a Progressive Planners Forum, the day after Lacy and I unsuccessfully tried to access the shipyard, and the same day that POWER was also blocked from the yard.

Kelly has been tracking issues in and around District 10 for years, and, much like Lacy,  he’s not afraid to speak his mind on the issues.

For instance, Kelly is incensed by the city’s attempt to ram through approval of the final EIR for Lennar’s development, when the Navy has yet to complete an environmental impact statement related to its proposed clean up activities at the shipyard..
“Is the EIS ever a trailer to the EIR?” Kelly asked. “It’s like planning on Mars.”

Kelly has also expressed concern over the developer’s plan to build two peaker plants in the community.

And he is worried about the consequences of the city’s plan to turn the entire Bayview into a project survey area for Lennar’s Candlestick/Shipyard plan.

“How do you pay for any other improvements in the Bayview, when the shipyard redevelopment plan sucks all the air out of the room?” Kelly said

But Kelly’s biggest concern right now is that once Lennar gets its final approvals this summer, “the developer will never talk directly to the community again.”

At the Progressive Planners Forum that Kelly attended, speakers also voiced measured criticisms of Lennar’s plan.

“The plan has some important elements, especially in the job areas, but I think it adds up to gentrification, which is disruptive to the surrounding community, families and the last bastion of the black community in San Francisco,” said Chester Hartman, who has authored over 18 books on race and urban planning, including the acclaimed City For Sale: The Transformation of San Francisco.

“There is a need for a response in terms of an alternative approach,” Hartman advised.
“It doesn’t have to be a detailed, but it should include a basic philosophy and goals, and retain good parts of the original plan.”

Peter Marcuse, Professor of Urban Planning at Colombia University, said the situation at the shipyard reminded him of the ongoing oil disaster in the Gulf.

“Cap the land sounds like cap the spill,” Marcuse said, noting that in both cases the community is fighting to get folks who dumped toxins to clean them up.

Marcuse criticized the privatization of the planning process, as illustrated by the City’s claim that it has entered into a “public-private” partnership with Lennar,  and the community’s experience that the city and the developer keep ignoring or dismissing the public’s feedback and opinions.

 “There should have been a range of alternatives open for discussion,” Marcuse said. “Instead, there is a sense, of this mega project’s inevitability. And once the developer has title to the land, the city has to negotiate what should be a public matter.”

Marcuse critiqued the use of tax increment financing, which will use increased taxes on property throughout the Bayview to finance improvements in one relatively small area, the 770 acres of land that, as Marcuse put it, “got sold to Lennar for $1.”

“This is a form of government subsidy,” Marcuse warned.

“There have been some negotiations,” Marcuse continued. He pointed to the community-led Prop. F, which in the spring of 2008 sought to establish 50 percent affordable housing in the development. And the community benefits agreement (CBA) that the San Francisco Labor Council hammered out at in May 2008, in an attempt to nail down benefits for the community in exchange for the Council’s support for the Lennar-financed Prop. G in June 2008.

“But these negotiations with Lennar start on basis that Lennar’s interests have to be protected equally with those of the City and its residents,” Marcuse commented. “It ought to be a public responsibility to show the community what the alternates to Lennar’s vision are.”

Marcuse concluded by suggesting a moratorium on Lennar’s plan to allow for a community-based visioning process, in which residents could express their desire for housing, diversity, open space and protection against environmental hazards

‘The City should then come up with an alternative to Lennar’s plan—and listen to Lennar,” he said. “But this is a public responsibility, rather than a private negotiation with a corporation that has been a beneficiary of a huge subsidy and starts to make a huge profit, the minute its housing units begin to sell.”

Miriam Chion, who works for the Association of Bay Area Governments (ABAG), also expressed concerns with Lennar’s massive plan, which proposes to build thousands of mostly luxury condos at Candlestick Point, with a smaller number on the shipyard.

“We are in the 21st century, how can we continue to use same mechanisms of displacement?” Chion said. “And how can we do that to the African American community, which we have displaced over and over, and which has managed to build a community here, in spite of everything?”

According to Lennar’s plan, 68 percent of its proposed 10,000 units will be built at market rate. Of the remaining 32 percent of units, only 15 percent will be built at truly affordable rates, with an additional 15 percent geared towards the working middle-class income levels, such as those enjoyed by police, fire fighters, nurses and teachers.

But two Bayview residents who attended POWER’s progressive planners’ forum expressed frustration at what they perceived as outsiders trying to tell locals what’s best.

“If you haven’t lived here, you don’t know about the Bayview,” one resident said. “If they are going to do what they are going to do, they should do it all the way, and change things for the better. I’m tired of seeing kids under 12, playing outside at 11 p.m. So, if you are not from here, you can’t come on my ground and pass judgment. If you’d been and lived here, I don’t think you’d see this negatively.”

“$700 million has been spent on cleaning up shipyard, and producing highly technical reports on it,”  another local resident said. “Highly intellectual discussions are not helping, we need some action today.”

“No one here is against development,” countered long-term Bayview resident Espanola Jackson, while a Bayview resident named Nyese resurrected longstanding concerns that the developer fatally broke community trust when it failed to control asbestos dust at the site, when it began grading the shipyard’s Parcel A .

“Four years ago, I found out that they were sending home workers at the shipyard, without informing the surrounding community,” Nyese recalled. “My son was having excessive nosebleeds, so it was phenomenally insulting that they didn’t not notify us.”
“Lennar is just a name, a conglomeration of shareholders,” Nyese further noted. “We need development. But we don’t need it on chemically toxic land.”

These competing concerns indicate that all the candidates in the D. 10 race are going to have to be asking critical questions as they track the progress of Lennar, the city and the Navy’s plans this summer. Failure to do so will cost them credibility within the community—and possibly the supervisor’s race this fall, though downtown money will pour in to support whichever candidate is deemed most likely to rubberstamp present and future development and contracting plans. Stay tuned. It’s going to be a (politically) hot July.

 

Hear the call for East Oakland community paparazzi

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When Oacia5804 (her screen name) was asked on the Our Oakland website to contribute an image that told a story about her East Oakland home, she didn’t rip her shot off of the TV news. The mother of two sent in an amazing shot of her kids pointing up at a rainbow looping perfectly over a neighborhood street. “Even tho [sic] the streets of East Oakland seem dark at times, There is Always a ray of light that will shine and inspire Greatness,” writes the photographer in the shot’s caption. That’s exactly the kind of alternative narrative that Our Oakland, a non profit that is gathering stories for incorporation into a public arts project, hopes to publicize. They’re calling for submissions for a photo contest (submissions accepted until Thurs/8) that want to challenge our perceptions of what East Oakland looks like. 

 “Each contest photo reshapes the image of East Oakland,” states Rene Yung in the press release for the competition. And it does need a certain amount of retooling, that image. What do you think about when you think East Oakland? Unfortunately, we’ve been somewhat programed with a negative answer. It’s detrimental to the reasoning skills of people who have to listen to an endless reel of news about drug deals and prostitution outside of the neighborhood, but what does that negative imaging mean to the people that live on those streets that are so often pictured behind yellow caution tape, or gone “wild” with gang activity?

Yung created the website as part of a project she’s doing for the East Oakland Community Library, in which she’s integrating art with community voice. The finished product will include a digital archive of stories about the neighborhood as told by residents, and a 64-foot bank of etched glass windows that are meant to invoke the interconnectedness of the community. At the moment, the website includes user generated written narrative — but the photo contest is Our Oakland’s big deal at the moment. “Each photographer is taking charge of what the public gets to see and hear about the community, and, in the process, is changing the conversation about East Oakland,” says Yung.

To build awareness about the  photo contest (and the prizes, natch — whooo wants some schmancy electronics?), Our Oakland has been staging a series of events that focus on building story telling skills and technological expertise in taking photos. It’s spread the news about the project at Lao Family Community Development, an organization that promotes social self-sufficiency in Southeastern Asian families, Our Oakland’s booth encouraged kids and families to write down and illustrate their stories on big, fun pieces of construction paper. Our Oakland has also conducted photo workshops for the kids at the Allendale Recreational Camp and the Tassafaronga Recreation Center.

But shooting’s open to all, so tell your mamma, tell a friend, get those photos in. We can widen that running commentary we all have to hear about East Oakland — and maybe even change some minds on what a strong community looks like.

For more information on the My East Oakland photo contest, go here. Entries are due by Thurs/8.

Kaiser workers seek election between rival unions

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Thousands of Kaiser Permanente workers have filed petitions to change unions in what could be the biggest battle yet between Service Employees International Union and its upstart rival National Union of Healthcare Workers. If called by federal regulators, the election would involve more than 45,000 workers, the biggest private sector organization since Ford Motors employees joined United Auto Workers in 1941.

“This is the election everyone has been anticipating for the last year and a half,” NUHW spokesperson Sadie Crabtree told us.

That was when Sal Rosselli and other former leaders of the Oakland-based United Healthcare Workers were ousted by former SEIU President Andy Stern and other leaders of their parent union, SEIU, and formed NUHW. Since then, the two unions have clashed bitterly and regularly, in various workplaces, through the media, in leadership battles, and in a San Francisco court case that ended in April.

“The NUHW petition, if the National Labor Relations Board agrees it was filed appropriately, could force an election between SEIU-UHW and NUHW at Kaiser. Voting for NUHW would risk all the gains SEIU-UHW members made in a hard-fought four-month contract campaign against takeaways by Kaiser,” was how an SEIU-UHW press release cast today’s action.

NUHW opted for a nod to the Fourth of July in its release: “Thousands of Kaiser healthcare workers fired the first shot today in a long-anticipated battle for independence that will determine the future of California’s largest union, SEIU. They filed a petition that will trigger elections for 45,000 SEIU members to choose between the troubled incumbent and the state’s fastest-growing union, the new National Union of Healthcare Workers.”

About 2300 Kaiser workers – representing three of the seven bargaining units – already voted in January to join NUHW, but the petitions now being turned in by the remaining four unions represent the most significant segment of Kaisier workers, including the 44,000-member service, technical, and clerical unit.

Federal law calls for elections when at least 30 percent of a union’s members ask for one, and Crabtree told us, “We have more than we need.” Now, the NLRB must verify the petitions and schedule the election.

Rep Clock

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Schedules are for Wed/30–Tues/6 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

BRIDGE 3010 Geary, SF; www.peacheschrist.com. $13. "Midnight Mass:" Purple Rain (Magnoli, 1984), Fri-Sat, midnight.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. •Singin’ in the Rain (Donen and Kelly, 1952), Wed, 3:05, 7, and It’s A Great Feeling (Butler, 1949), Wed, 5:10, 9:05. •In a Lonely Place (Ray, 1950), Thurs, 2:35, 7, and The Player (Altman, 1992), Thurs, 4:30, 8:55. •What’s the Matter With Helen? (Harrington, 1971), Fri, 2:30, 7, and What Ever Happened to Baby Jane? (Aldrich, 1962), Fri, 4:20, 9:05. •The Star (Heisler, 1952), Sat, 1. 5:05, 9:10, and Sunset Blvd. (Wilder, 1950), Sat, 2:55, 7. A Star is Born (Cukor, 1954), Sun, noon, 3:30, 7. •The Aviator (Scorsese, 2004), Mon, noon, 6, and Boogie Nights (Anderson, 1997), Mon, 3:05, 9:05. •Gods and Monsters (Condon, 1998), Tues, 2:30, 7, and Ed Wood (Burton, 1997), Tues, 4:30, 9:05.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Micmacs (Jeunet, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times. Have You Heard from Johannesburg? (Field, 2006), Wed-Thurs, call for times. Joan Rivers: A Piece of Work (Stern and Sundberg, 2010), Wed-Thurs, call for times. Every War Has Two Losers (Reiss, 2009), Wed, 7:15. Filmmaker Haydn Reiss in person with Alice Walker and Norman Solomon. The Sun Behind the Clouds (Sonam and Sarin, 2010), July 2-8, call for times.

JACK LONDON SQUARE PAVILION THEATER 98 Broadway, Oakl; www.oakuff.org. Free. "Oakland Underground Film Festival: "Hot Summer and Salon with Tracy Snelling," Fri, 7:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. "Akira Kurosawa Centennial:" The Hidden Fortress (1958), Wed, 7. No programs July 1-6.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Casino Jack and the United States of Money (Gibney, 2010), Wed-Thurs, 7, 9:30 (also Wed, 2). Kick-Ass (Vaughn, 2010), Fri-Sat and Mon, 7, 9:25 (also Sat, 2, 4:30). Closed Sun/4 and Tues/6.
ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. Free-$10.75. Have You Heard from Johannesburg? (Field, 2006), Wed-Thurs, 7. Lovers of Hate (Poyser, 2010), Wed-Thurs, 9:30. La Mission (Bratt, 2009), Wed-Thurs, 7. San Francisco Frozen Film Festival, cutting-edge films from indie artists, Fri-Sat. Full schedule at www.frozenfilmfestival.com.
"TEMESCAL STREET CINEMA" 49th St at Telegraph, Oakl; www.temescalstreetcinema.com. Free. P-Star Rising (Noble), Thurs, 8. With free popcorn and live music.

Stage listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Beijing, California Thick House Theater, 1695 18th St; www.asianamericantheater.org. $15-25. Opens Thurs/2, 8pm. Plays Thurs-Sat, 8pm; Sun, 5pm. Through July 17. Asian American Theater Company presents a new play by Paul heller set in the year 2050, when China invades America.

Posibilidad, or Death of the Worker Dolores Park and other sites; 285-1717, www.sfmt.org. Free. Previews Sat/3, 2pm. Opens Sun/4, 2pm. Runs Sat-Sun, Sept 6, 2pm; Sept 17, 8pm. The San Francisco Mime Troupe opens its 51st season with a modern song and tango about politics in the workplace.

BAY AREA

Left of Oz Ashby Stage, 1901 Ashby, Berk; (800) 838-3006, www.brownpapertickets.com. $25-50. Opens Fri/2 8pm. Runs Fri-Sat, 8pm, Sun, 7pm. Through July 18. Stephanie’s Playhouse presents a lez-queer musical comedy following the out west adventures of Dorothy.


ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

*Blackbird: Honoring a Century of Pansy Divas Mama Calizo’s Voice Factory, 1519 Mission; 786-9325, www.evezen.org. Thurs-Sat, 8pm. Through July 10. The intimate Blackbird Funeral Parlour Speakeasy is somber-toned and deceptively hushed, complete with period furnishings, a see-through dressing room, softly flickering altar, and obligatory piano. Only a few moments into Seth Eisen’s exceptional one-man cabaret, however, and the place is alive and kicking: doleful aspects of the décor making ample room for a sly, vigorous, soulful performer and a completely unexpected journey through some vibrant underground queer history (backed by fellow Circo Zero alum Sean Feit’s sharp musical direction and breezy accompaniment, and Alanna Simone’s gently humorous and haunting video pieces). Your guide is 100-year-old Jean Marlin, author of the notorious 1930s Pansy Craze, 75 years dead and looking fabulous in tails, bold green cravat, dapper purple hankie and a topping of regal black plumage (costumer Jack Davis demonstrates a genius throughout for turning a shoestring budget into a G-string–supported extravaganza). A multifaceted performer with quick tongue, nimble steps, and hearty voice (giving life to an assortment of extraordinary songs), Eisen uses drag, dance, puppetry, and performance art techniques to give flight to worthy exotic blackbirds known and forgotten—drag queen Zen priest Tommy Issan Dorsey; sexually ambiguous Danny Kaye; Brazil’s inimitable Ney Matogrosso; the definitely outré Klaus Nomi; and disco treasure Sylvester, whose live rendition of the Beatles’ "Blackbird" at SF’s War Memorial Opera House is one of several standout moments in this rollicking and poignant act of resurrection, insurrection, and homage. (Avila)

Die Walküre War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Wed/30, 7pm. Through Wed/30. San Francisco Opera presents the second installment of Wagner’s Ring cycle, directed by Francesca Zambello.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm. Through July 10. Christopher Durang’s The Actor’s Nightmare could just as easily be called The Accountant’s Nightmare, as befuddled Everyman and presumed non-actor George Spelvin (Eric O’ Kelly) attempts to navigate his way out of a confused rendition of Noel Coward’s "Private Lives" dressed as Prince Hamlet and menaced by a trashcan-bearing Beckett-arian (AJ Davenport). This traditional companion piece to Durang’s Catholic School send-up Sister Mary Ignatius Explains It All for You references a Catholic boyhood several times, but it is the anxiety of the present moment that prevails, as the stage clears, and Spelvin is chased into a corner by an unforgiving spotlight to deliver his frantic last-ditch attempt at a soliloquy: his ABC’s. The titular Sister Mary Ignatius (AJ Davenport), by turns arctic and expansive, attempts to explain all, while periodically trotting out her star pupil Thomas (Cole Cloud) to recite catechism and spell eck-u-men-ickle for cookies. Davenport plays the pedantic side of Sister Mary with humorous vigor, but when a group of her former students drop by "to embarrass her" she doesn’t quite pull off embodying the ogress of their now-adult nightmares. Of her former students, it is probably Aloysius Benheim (Eric O’Kelly) who comes across as the most damaged by her tyranny, and not coincidentally, suffers the piece’s greatest humiliation. (Nicole Gluckstern)

La Fanciulla Del West War Memorial Opera House, 301 Van Ness; www.sfopera.com. $15-360. Fri/2, 8pm. Through Fri/2. San Francisco Opera presents Puccini’s opera, with Deborah Voigt as Minnie.

How the Other Half Loves Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $35, Thurs-Sat, 8pm. Through July 31. Off Broadway West Theatre Company presents an early play by Alan Ayckbourn.

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm. Through Sat/3. Cutting Ball Theater remounts its strong recent production of Samuel Beckett’s hour-long solo play, featuring a full-fledged and satisfying turn by a hearty, slyly comic Paul Gerrior as the titular Krapp, reflecting on the fleeting sense of self recorded on reel-to-reel tapes over the course of a long life. Artistic director Rob Melrose approaches the material with supreme assurance and passionate but never stifling fidelity. David Sinaiko provides the recorded voice of the younger Krapp, expertly balancing a passion and unselfconscious pomposity that has Gerrior’s Krapp alternately bemused, euphoric, and wincing through one of Beckett’s most autobiographical and surprisingly affirming pieces. Melrose’s choice use of scenic elements, meanwhile, including the palpably solid 1950s-era tape machine, places Gerrior (suitably odd and natty in costumer Maggie Whitaker’s dapper vest, high-water trousers and white shoes) in a kind of communion with the reel and the real—an affecting and quietly unsettling relationship, pitched against an infinite blackness all around, that has Krapp at one point resting his head gently on the machine as he and the insubstantial voice of his younger self relive a moment of intimacy with a long-gone lover. (Avila)

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Reading My Dad’s Porn and French Kissing the Dog The Marsh Studio Theater, 1074 Valencia; (800) 838-3006, www.themarsh.org. Thurs-Sat, 8pm. Through July 17. The title of San Francisco writer-performer Cherry Zonkowski’s confessional solo show gives only a little away—a passing detail from the Nordic diversions of a spirited army brat and daughter of an alcoholic father—but the rest of the narrative leaves even less to the imagination. An account of Zonkowski’s initiation into the sex party and BDSM scene, Reading My Dad’s Porn bounces gleefully between comically graphic depictions of sweaty, writhing Bay Area meet-and-greets and a childhood and young adulthood buried in family dysfunction, a loveless marriage, and the grueling teaching load of a recent English PhD. Ultimately, it’s the story of a woman finding her own identity and community, and if the outlines sound familiar they also feel that way. The straightforward plot—peppered with humorous details and asides (as well as the odd song, accompanied by accordionist Salane Schultz, alternating nights with Aaron Seeman)—lacks both urgency and characters of much complexity. The story’s patina of outré sex, meanwhile, is far from revelatory and too superficial and jokey to offer much dramatic heft. Nevertheless, the show, developed with director David Ford, draws a limited appeal from the force of Zonkowski’s extroverted personality, whose orientation sexual and otherwise skews toward fun—although her more aggressive attempts to corral the audience into participating (mainly vocally) in the show’s narrative high jinx may put some off even more than the fisting by the snack table. (Avila)

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through August 28. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

The Drawer Boy Marion E. Greene Black Box Theatre, 531 19th St, Oakl. www.brownpapertickets.com. $10. Thurs-Sat, 8pm; Sun, 2pm. Through Sun/4. TheatreFIRST presents Michael Healey’s comedy about two aging farmers with a family secret.

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat/3, July 24, 31, 8pm; July 18, 25, Aug 1, 7pm; Fri/ 2, July 9, 16, 9pm. Through August 1. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through Sat/3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

Les Liasons Dangereuses Redwood Ampitheatre, 30 Sir Francis Drake, Ross; (415) 251-1027, www.porchlight.net. $15-30. Thurs-Sun, 7:30pm; also July 7, 7:30pm. Through July 10. Porchlight Theatre Company presents a production of Christopher Hampton’s adaptation of the 1782 novel.

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Fri/ 2, 9, 7pm; Sat/3, 5pm; July 11, 2pm. Through July 11. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

Shaker Chair Pear Avenue Theatre, 1220 Pear Avenue, Mtn View; (800) 838-3006, www.brownpapertickets.com. $15-30. Thurs-Sat, 8pm; Sun, 2pm (also July 10, 2pm; no performance Sun/4). Through July 11. Pear Avenue Theatre presents Adam Bock’s play about a middle-aged widow who applies Shaker philosophy to her lifestyle.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Through July 18. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


PERFORMANCE/DANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. Through July 31. Bay Area Theatresports presents an evening of theater and comedy.

The Bowls Project: Secrets of the Apocalyptic Intimate Yerba Buena Center for the Arts, Sculpture Court, 701 Mission; 978-2787, www.ybca.org. Tues/6, 6-8pm, free. Through August 22. Charming Hostess presents a series of performances in conjunction with an interactive sound sculpture.

Hannibal Buress Rickshaw Stop, 155 Fell; 861-2011, www.rickshawstop.com. Wed/30, 8pm. $12. The Saturday Night Live writer performs along with W. Kamau Bell and Jen Slusser.

Curtain Up! The Life and Times of Ethel Merman Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Wed/30, 7pm. Tom Shaw Trip presents an evening devoted to the famous indomitable diva.

Kinsey Sicks: Each Hit & I Rrazz Room, 222 Mason; (866) 468-3399, www.theRRazzroom.com. Tues/6, 7pm. $35-40. An all new musical revue with parodies of Katy perry and others.

Liz Grant Variety Pack Comedy Show Purple Onion, 140 Columbus; 200-8781, www.brownpapertickets.com. Fri, 4:30pm. Through Sept 3. $10. A changing lineup of stand up comedy.

Qcomedy Showcase Martuni’s, 4 Valencia; 241-0205, www.Qcomedy.com. Mon, 5pm. A weekly show of queer comedy.

The Romane Event Make Out Room, 3225 22nd St; 647-2888, www.pacoromane.com. Wed/30, 7:30pm. $7. A comedy event led by SF comedian Paco Romane.

BAY AREA
Backroom Comedy 5332 College, Oakl; (510) 655-3929, www.candychurilla.com. Wed/30, 8pm. Free, A stand up comedy show hosted by Candy Churilla.

On the Cheap listings

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On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

THURSDAY 1

Laborfest At venues throughout the Bay Area. Through July 31, visit www.laborfest.net for more information. Attend one of the many exciting events at this annual labor cultural, film and arts festival featuring talk, movies, walking tours, bike tours, book readings, discussions, and more. Most events are free or donation based.

FRIDAY 2

BAY AREA

Fuck the Fourth Sale AK Press Warehouse, 674-A 23rd St., Oakl.; (510) 208-1700. 4-10pm, free. Head down to the Anarchist Press warehouse and browse discounted shirts, DVDs, CDs, books, and more in dishonor of the 4th of July. AK Press collective members will be there offering companionship and complimentary refreshments.

SATURDAY 3

Fillmore Jazz Festival Fillmore between Jackson and Eddy, SF; www.sresproductions.com. Sat.-Sun. 10am-6pm, free. Groove to the sounds of live music, browse arts and crafts, enjoy food from the street vendors, and witness all sorts of new and classic talent from Bay Area performers at this weekend long street festival.

POSIBILIDAD, or Death of the Worker Dolores Park, 18th St. at Dolores, SF; (415) 285-1717. Sat.- Mon. 2pm, free. The San Francisco Mime Troupe is back with a new production about a small U.S. factory about to shut down and how the workers accidentally occupy the factory.

SUNDAY 4

FOURTH OF JULY CELEBRATIONS:

All American Concert Music Concourse, Golden Gate Park, 55 Hagiwara Tea Garden Drive, SF; (415) 831-5500. 1pm, free. The Golden Gate Park Band will perform music of all styles and eras from by American composers.

San Francisco Waterfront Celebration and Fireworks Aquatic Park, Jefferson at Hyde, SF; www.pier39.com. 3pm-9:30pm, free. Featuring live music on Pier 39 and fireworks launching from the foot of the Municipal Pier and barges in the bay starting at 9:30pm. To get there by public transit take the Cable Car, F, 9x, 10, 30, 45, 47, or 49.

BAY AREA

Anti- 4th of July Picnic Carmen Flores Park, 1637 Fruitvale, Oakl.; (510) 848-1196. 1-6pm, $5-$25 suggested donation. Attend this anti-4th of July BBQ and picnic where you can meet other revolutionaries and discuss strategies for putting a national campaign for revolution on the map. Bring a dish to share.

Berkeley Marina Celebration and Fireworks Berkeley Marina, 201 University, Berk; (510) 548-5335. Noon-10pm, free. Enjoy live music, performances, arts and crafts, massages, sail boat rides, and more culminating in a fireworks display off the end of the Berkeley Pier at 9:30pm.

East Bay Symphony and Fireworks Craneway Pavilion, Ford Point Building, Richmond; www.craneway.com. 5pm, free. Enjoy food vendors on the dock, and local jazz and gospel music, followed by a patriotic performance by the Oakland East Bay Symphony at 8pm, culminating in a grand finale fireworks display over the water at 9:15pm.

Frederick Douglass Day Humanist Hall, 390 27th St., Oakl.; (510) 835-5348. 7pm, $15. Attend this alternative 4th of July celebration featuring excerpts from Frederick Douglass’ speech, selections from John Brown’s Truth, a musically improvised opera, the Frederick Douglass Youth Ensemble, Vukani Mawethu, and more.

Oakland Family 4th Jack London Square, Franklin at Water, Oakl.; www.jacklondonsquare.com. Noon-4pm, free. Featuring food, live music, wine bar, DJs, magician and jugglers, Kinetic Art’s Youth Circus Troupe, petting zoom, farmers’ market, bicycle rentals, and more.

Orinda Parade and Celebration Orinda Community Park, Orinda; www.orindaassociation.org. 7:30am-2:30pm, free. Featuring pancake breakfast, family activities, book sale, parade at 11am, and more.

Patriotic Picnic and Stereopticon Ice Cream Social Pardee Home Museum, 672 11 St., Oakl.; (510) 444-2187. Noon-4pm, $10. Pay homage to your grandmother at this costumed patriotic picnic and ice cream social featuring live rag time, croquet, lawn tennis, and more. Period dress (1890-1919) strongly encouraged.

San Jose Fireworks Celebration San Jose Municipal Stadium, 10 St. at Alma, San Jose; www.sjgiants.com. 7pm, $9.75. Enjoy 95.3 KRTY’s All American Country Music Jam followed by a fireworks display starting at 9:30 p.m. Watch for free from the San Jose State campus and neighboring parks.

San Ramon’s Picnic and Fireworks Central Park, 12501 Alcosta, San Ramon; www.sanramon.org. 1pm-10pm, free. Bring family and friends for an early evening picnic and stake out a spot for the fireworks display, which will be synchronized to music, at 9:30 p.m. Accompanying music can also be heard on 101.7 KKIQ radio.

Sausalito Parade and Fireworks Parade begins at 2nd and Main and ends at Dunphy Park, 10am, free; Dunphy Park picnic, Caledonia Street, 10am-5pm, free; Fireworks at Gabrielson Park, Sausalito, 6:30pm, free. Enjoy live music, food, dancing and family activities all day at Dunphy Park followed by fireworks off Spinnaker Point that will be visible from Gabrielson Park.

Summer Festival and Chili Cook-off Mitchell Park, 600 East Meadow Dr., Palo Alto; www.cityofpaloalto.org/recreation. Noon-5pm, free. With live Music, chili tastings, kids area, food and drink vendors, and more.

USS Hornet USS Hornet, 707 W. Hornet, Pier 3, Alameda; (510) 521-8448 ext. 282. 11am-10pm, $25. Celebrate Independence Day on board the USS Hornet and enjoy great views of all the Bay Area fireworks, live music from the ship deck, food, beer, and wine. Tours of the historic ship will be available throughout the day.

Scraper bikes rock the block

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There’s a truly inspiring movement going on in Oakland. Scraper bikes — brightly colored, their spokes woven with foil and often decorated with subverted corporate logos — are weaving through the streets.

Started by the young and motivated Tyrone Stevenson Jr., a.k.a. Baybe Champ, the Scraper Bike King, the Original Scraper Bike Team aims to, in Tyrone’s words, “make a change in young people’s lives, ’cause it’s getting them away from the negative things that Oakland has to offer: gangs, drugs, and violence. Youth that’s involved with the Scraper Bike Movement are dedicated and passionate about rebuilding our community by fixing and riding our bikes.”

Tyrone requires that Scraper Bike Team members maintain a 3.0 grade point average, reside in Oakland, and always ride single file. After videos of Tyrone’s work started popping up a couple years ago on YouTube, “more and more kids in my community wanted a Scraper Bike. I had all the kids come to my house and work on bikes,” he told us. He’s currently working toward starting up a shop. “We need a location in our neighborhood so we can come and fix on our bikes and build the Scraper Bike Team.”

Check out the Original Scraper Bike Movement at originalscraperbikes.blogspot.com.

All photos by Matthew Reamer.