News

Free Press: New Policies to Save the News

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New report calls for national strategy to contend with the crisis in journalism

B3: I believe that the alternative and community papers that are firmly embedded in their communities, with a strong print and web presence, doing real reporting and tackling the tough issues and making solid endorsements, will survive during hard times and live to flourish. Yes, of course I mean the Guardian and many other alternative papers. But here is a proposal that I especially like that covers other media.

WASHINGTON
— Today, Free Press released Saving the News: Toward a National Journalism Strategy, a new report on how the government should respond to the current crisis in journalism. The report provides an in-depth analysis of ideas and proposals being debated around the future of the news business and advocates for a range of short- and long-term strategies.

“Traditional media have been battered by a perfect storm, as the rise of the Internet and the disappearance of traditional ad dollars collided with the economic downturn,” said Craig Aaron, senior program director of Free Press and co-author of the report. “But many of the media industry’s wounds are self-inflicted, the result of bad business decisions and failed strategy, aided by idle regulators who looked the other way. We need a new approach.”

Read Saving the News.

From the shadows

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a&eletters@sfbg.com

The cheapest special effect in the world is having one actor fire a cap gun as another cries, "Ow, ya got me!" Ergo crime did pay, in spades, for Hollywood’s "Poverty Row" studios in the disillusioned years between World War II and Eisenhower-era prosperity. Subsequently dubbed "film noir," this period’s myriad violent melodramas were cranked out fast, exhibited briefly, then forgotten.

Yet recent years have left very few stones unturned in the quest for buried gems. Back when he was programming at the Roxie Theater, Elliot Lavine did much to foster their cult with retrospectives showcasing both the genre’s acknowledged classics and dustiest obscurities. When he left in 2003, noir fans wore mourning black — though were consoled by the start of SF’s annual Noir City festival that same year.

Still, watching lurid old B-flicks at the funky Roxie had an extra frisson lacking amid the Castro Theater’s grandiose respectability. Very good news, then, that Lavine is bringing bad guys (and duplicitous dames) back to Valencia Street with "I Wake Up Dreaming: The Haunted World of the B Film Noir." Its two weeks emphasize noir’s lesser-sung efforts from the cinematic sweatshops of Monogram, PRC, Eagle Lion, and other economy-class companies where production values were low and the hard-boiled sleaze factor was often cranked high to compensate. Many of the 29 features haven’t been seen theatrically for decades, and few are available on DVD.

On Poverty Row, young talent proved itself; mainstream luminaries landed there once their box-office clout had expired. Thus velvet-voiced 1930s glamazon Kay Francis briefly descended to Monogram after Warner Bros. dumped her. In Allotment Wives (1946) she’s a socialite coolly fronting a polygamy racket targeting returned GI’s, while enduring Mildred Pierce-like torments from an ingrate daughter whose every action screams "Mother, slap sense into me." (Oh yes she will.)

Another WB castoff, ingénue Joan Leslie, starred in that year’s unique Repeat Performance. She’s an actress-turned-murderess who gets her wish to live the last fateful year over again — only to watch as the same deadly events unfold, only worse. Having outgrown a famous-juvenile heyday, Bonita Granville was ready to play twins — one good, one a "cheap little chiseler" — embroiled in a murder mystery in The Guilty (1947). (And to think just months earlier she’d been crushing on Andy Hardy at MGM.)

These programmer factories promoted personalities who only rated bit parts at the majors. Where else could sneering, square-faced Lawrence Tierney’s bullying malevolence float entire movies like The Devil Thumbs a Ride (1947) and The Hoodlum (1951)? Some noirs risked having no familiar faces at all. The docudrama-style Canon City (1948) uses real locations and (some) real inmates to recreate a Colorado prison break — one thwarted, in part, by a gutsy, home-invaded gramma-with-hammer.

While most titles here are known only to the most fanatical buffs, two come with minor cult status already attached. The craziest among fabled screenwriter Ben Hecht’s odd few directorial efforts, Specter of the Rose (1946) is an amour very-fou tale set in the ballet world, its prima ballerina imperiled by a dancing partner-spouse who experiences homicidal ideations when not husking heavy mush stuff: "Hug me with your eyes." "I am." "Harder!"

Likewise linguistically challenged in the best possible way is 1955’s Shack Out on 101, in which a young Lee Marvin unforgettably limns "Slob," bus boy extraordinaire forever pawing unaroused waitress Terry Moore. Meanwhile, lurking Commies plot to overthrow the American Way of Life, off-ramp greasy spoons included. With its hilariously pissed-off dialogue no obstacle to red-blooded patriotic display, Shack is a Cold War trash classic so plutonium-hot it smokes.

I WAKE UP DREAMING: THE HAUNTED WORLD OF THE B FILM NOIR

May 14–28, $10

Roxie Theater, 3117 16th St., SF

(415)-863-1087, www.roxie.com

The world stage

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a&eletters@sfbg.com

Recently I was lucky enough to land at an international theater festival in Wroclaw, Poland, jostling elbows with a transnational mix of theater folk on the occasion of the 13th annual European Theatre Prize, this year awarded to the great Polish director Krystian Lupa. It was an eye-opening glimpse at some awesome theatrical muscle rarely if ever seen in the Bay Area, or even the United States. Globally-renowned powerhouses like Italy’s Pippo Delbono and Belgium’s Guy Cassiers were there with some extraordinary work, not to mention that of Lupa, whose utterly brilliant and plotless eight-hour fantasia on Andy Warhol’s Factory, Factory 2, proved an absolute highlight of my theatergoing career thus far.

While dreaming of the day Factory 2 takes its local bow, I can only appreciate all the more what places like UC Berkeley’s Zellerbach Hall or San Francisco’s Yerba Buena Center for the Arts do in bringing us news of the theatrical world — or news of the world, theatrically. Another local presenter of exceptional international work has been the San Francisco International Arts Festival, whose sixth season begins this week. SFIAF and executive director Andrew Wood have increasingly made world theater a vital part of the fest’s eclectic performance mix. This year is no exception, with three must-sees in the lineup.

First, South Korea’s Cho-In Theatre makes its U.S. debut with The Angel and the Woodcutter, an original physical theater piece reutf8g the Korean folk tale in a wordless, poetical drama as uncompromising as it is unexpected. Then, Russia’s famed, immensely creative performance ensemble, the Akhe Group — proponents of what they call "Russian Engineering Theatre" and favorites at SFIAF in 2005, where they presented White Cabin — return with the U.S. premiere of Gobo.Digital Glossary, a wild and captivating conglomeration of video projections, animation, ambient music, lasers, clowning, and trompe l’oeil.

Also receiving its Bay Area premiere is Beyond the Mirror, an unprecedented collaboration between New York’s Bond Street Theatre and Afghanistan’s Exile Theatre. The description of this first American-Afghani theatrical outing might ring a bell: Mirror had been slated to open Brava’s theatrical season in fall 2008, when the U.S. government’s inexplicable delays in processing visas for the Afghan performers forced its last-minute cancellation. That disappointment will happily be rectified by SFIAF when Mirror opens at Cowell Theater. (A second San Francisco appearance follows as part of foolsFURY’s Fury Factory festival in June.)

The two companies began crafting the play after meeting by chance in 2002 among the refugee camps outside Peshawar in northern Pakistan, where the activist, physical-theater–based Bond Street went after 9/11 to develop links to the Afghan people and work with a German NGO building schools in the devastated country. Exile, meanwhile, had formed as a group of refugee playwrights, actors, and other performance professionals committed to keeping Afghan arts alive and reflecting the concerns of the Afghani population living as second-class citizens in Pakistan.

Never more timely, the play ranges over the last three decades of Afghanistan’s history, using an expressive mélange of theatrical forms and techniques — including oral history, mythology, live music, traditional dance, drama, acrobatics, puppetry, and film — to tell a story of war and hope at the cusp of yet another turbulent chapter in the country’s unfolding story. Notably, the eight-member half-American, half-Afghani cast includes Afghanistan’s most famous actress, Anisa Wahab, who grew up in happier times on camera as a child star and has continued to act despite its still dangerous implications for women.

Communicating partly with some mutual English, and largely in terms of both distinct and shared physical vocabularies, the artists developed what became Mirror in a nonlinear, highly abstract way, according to Bond Street artistic director Joanna Sherman, who codirected it with Exile’s Mahmoud Shah Salimi. That in no way diminishes its rootedness or poignancy.

"We went around the countryside and interviewed different people, and videotaped them as they would allow," Sherman explained by phone from New York. "Our challenge was to portray these terrible stories in a way that was not gruesome or impossible to watch. We used our physical techniques in a way that it would be watchable and compelling but not exactly ‘realistic.’"

Since Mirror‘s premiere at the second Kabul Theatre Festival in 2005, much has happened in the U.S. and Afghanistan, prompting a small but significant revision, a new final scene, according to Sherman. "We do leave on a thought of hope," she stressed. "But [we’re] doing some interviewing again and getting some additional video. We’ll see what happens."

SAN FRANCISCO INTERNATIONAL ARTS FESTIVAL

May 20-31, various venues

www.sfiaf.org

News flash: Power Exchange is a SEX CLUB

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By Marke B

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Sorry, you’ll have to go back to church for that … for now

I hate to rise to the usual nauseating bait of Chronicle writer C.W. Nevius almost as much as I’d have hated to wade into the sheer time-waste of that whole Miss California gay marriage debacle-thingy, but a hilarious oopsie in his latest half-hearted diatribe — celebrating how something called the Brady Street Neighborhood Coalition “has stopped the Power Exchange, a sex club, from opening on Gough Street” — popped me a ironic one comparable to those Carrie Prejean pink-panty shots. To whit:

The neighborhood group isn’t just a bunch of prudes. The Power Exchange had been located nearby, after all, and no one had a problem with what was going on inside. It was the unruly behavior outside that was troubling.

And yet, a couple paragraphs later:

When the landlord brought a client to another property, he was picketed with one sign announcing that he “rents to a SEX CLUB.”

Wait — I thought they didn’t have a problem with that? Or was this just one rotten prune among the supposed non-prudes? It’s so hard to tell when sex is involved — which I guess could have been a slogan for the PE all along.

Power Exchange owner Mike Powers has vowed to continue his relocation efforts elsewhere — “I can’t let [the city] win now. I have to reopen … because now it’s become a battle where they’re saying Power Exchange isn’t acceptable,” Powers said to the oddly toned Mission Local blog (I wouldn’t exactly trust that bracketed insertion — the city itself had no beef with the joint.) Let’s hope his SEX CLUB can find a place in the city where people have SEX and know that part of living here means CLUBS. Let’s hope it’s soon — I’ll meet you there with some celebratory non-alcoholic bubbly and tales of my favorite adventures in the old medical room.

PS My absolute favorite part of this whole dust-up is that the main complaint of the Brady Coalition folks about the PE’s threat to the community is that people were dropping condoms out of their car windows. I’m totally anti-litter, but this calls up in my mind the wonderfully surrealistic vision of a rainbow of rubbers being flung out of Honda Civics up and down the street. Plus, I guess it’s a relief from normals going postal about “spreading disease,” at least. Safe sex = the new AIDS!

Appetite: Brazilian piranha ribs, Korean tacos, schnitzel sandwiches, fancy ‘tinis, and more

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Every Monday, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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‘Tini time at SF Cocktail Week

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EVENTS

May 11-18: SF Cocktail Week
SF Cocktail Week is here… In honor of SF’s truly vibrant cocktail culture and supporting the fab Museum of the American Cocktail in New Orleans (if you’re there, go!), the mission is "to preserve the Cultural Heritage of saloons and their cocktails in San Francisco, while also celebrating California’s Culinary Philosophy and Tradition". Sounds like a great mission to me. The third year in, this just keeps getting bigger. It’s no Tales of the Cocktail but it’s certainly a stellar line-up of parties, classes, competitions and events, taught and presented by a long list of the many of SF’s bartending greats.

A few highlights include opening (at Le Colonial) and closing (at Jardinere) parties, the US Bartenders’ Guild National Competition (all day Tuesday: 11am for SF competitors; 5pm for national finalists), CUESA’s Cane Spirits & Farmer’s Market Cocktails event is Wednesday night (their Winter Cocktails event was a blast – excellent cocktails at every turn!), there’s a historical cocktail and bar crawl with Tablehopper herself on Saturday, a Saturday class with artisanal cocktail genius,Scott Beattie, and monthly Savoy night at the one-and-only Alembic on Sunday. Thursday is Bar School, a day of classes around town, ranging from $25-45, the line-up includes Distillation 101 from Hangar One’s Lance Winters, Erik Atkins’ walk through the Gentleman’s Companion, Jeff Hollinger (Absinthe) and Neyah White (NOPA) teach you how to make your own cocktail ingredients from syrups to bitters, plus more worthy classes for the budding mixologist to take it to the next level.
All around SF; events free to $45
http://sfcocktailweek.com

May 12-16: The Big 4’s Wild Game Week returns
The Big 4 Restaurant (PSF) in Nob Hill’s Huntington Hotel has been around for decades and is just the kind of atmosphere I want when craving old world elegance and cocktails by the fireplace. On the food tip, its bi-annual Wild Game Week offers a menu so unique, it’s one of the only times you’ll see dishes like Himalayan yak or Rocky Mountain wapiti (elk chop, to you). This year a first is added: Brazilian piranha “ribs” with a creamy mustard dressing ($18). That’s right, piranha. Come hungry as the deer and the antelope certainly will play.
Appetizers: $16-19
Entrees: $38-46
1075 California Street
415-771-1140
www.big4restaurant.com

Will Newsom play chicken with the MTA budget?

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By Steven T. Jones
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As the Board of Supervisors prepares to reject the Municipal Transportation Agency’s budget this Tuesday, word is the Mayor’s Office and MTA are threatening to play chicken and not try in good faith to develop a new budget before the current one expires at the end of the month (in which case, the city General Fund would pay for current Muni service levels, thus expanding the city’s budget deficit).

“We don’t have a course of action charted for if the Board of Supervisors rejects this budget,” MTA spokesperson Judson True said. When I asked whether the board would get together next week to try to develop a budget (its next meeting is May 19), he said, “Whether the MTA board convenes or not is up to the MTA board.”

And that board is made up entirely of mayoral appointees, which is how we got into this mess in the first place. The Mayor’s Office has not answered our inquiries, and MTA director Nat Ford hasn’t been available to supervisors or anyone else. He even cancelled a long-planned interview tonight on the City Desk News Hour, on which I’ll be discussing this issue tonight (7 p.m. on Comcast Channel 11).

It’s not as if the MTA and Newsom didn’t see this coming. More than a month ago, Board President David Chiu visited the MTA and said the Board of Supervisors would reject the budget if it relied too heavily on Muni service cuts and fare hikes and if it continued to subsidize other city agencies through ballooning work orders.

City College raid moves us closer to accountability

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By Steven T. Jones

News that prosecutors have raided the administrative offices at City College of San Francisco seeking documents associated with a scheme to launder public funds into campaign contributions (a story that Chron investigative reporter Lance Williams broke in 2007, and which the Guardian has furthered a couple times) is a big deal and a long time in coming.

As the Guardian has written repeatedly over the years, City College administrators from former Chancellor Phil Day on down have always played fast and loose with the people’s money and need to be held accountable.

The DA’s investigation should cast a wide net in learning who knew about this money laundering scheme, including looking at longtime board members who enabled Day and held back the reformers. Luckily, that board now has some public spirited members, including Milton Marks, John Rizzo, and Chris Jackson (who just joined the board last year), but they’re still in the minority. Nonetheless, they need to push this board to work hard to restore the public’s confidence in this important institution.

Layoffs at the San Francisco Chronicle

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By Steven T. Jones

Hearst dropped the hammer on the San Francisco Chronicle this morning, laying off 20 people in the newsroom, including award-winning veteran writers Susan Sward and Jane Kay. SFist was the first up with a fairly complete list, which our sources at the Chron has confirmed is accurate.

The layoffs follow voluntary buyouts that dozens of Chron employees took, including political writer John Wildermuth. Most of the terminations, both the layoffs and buyouts, go into effect at the end of the month. Although Chron employees knew this was coming, it was still tough blow to morale at the paper.

An employee meeting to discuss the news has been set for 4:30 pm. We’ll have more on this story as it develops.

Stiglitz: The Spring of the Zombies

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Here is our monthly installment of Joseph E. Stiglitz’s Unconventional Economic Wisdom column from the Project Syndicate news series. Stiglitz is a professor of economics at Columbia University, and recipient of the 2001 Nobel Prize in Economics, is co-author, with Linda Bilmes, of The Three Trillion Dollar War: The True Costs of the Iraq Conflict.

It’s time for Plan B in bank restructuring and another dose of Keynsian medicine

By Joseph E. Stiglitz

New York – As spring comes to America, optimists are seeing “green sprouts” of recovery from the financial crisis and recession. The world is far different from what it was last spring, when the Bush administration was once again claiming to see “light at the end of the tunnel.” The metaphors and the administrations have changed, but not, it seems, the optimism.

The good news is that we may be at the end of a free fall. The rate of economic decline has slowed. The bottom may be near – perhaps by the end of the year. But that does not mean that the global economy is set for a robust recovery any time soon. Hitting bottom is no reason to abandon the strong measures that have been taken to revive the global economy.

Appetite: Sticky toffee, casual clambake, Mama mia, Jimmy the Greek. and more

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Each week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Scottish Eggs, Chips & Pastie at Martins West. Photo by Chris Andre

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NEW RESTAURANT and BAR OPENINGS

Martins West helps you wash down fine eats
Time to trek down South (the Peninsula, that is) to Redwood City for this week’s hot opening, Martins West Pub. The original Martins is in Edinburgh… this locale is an homage to that gastropub (I’ll admit, an overused term) where comfort, hand-crafted beers, and hearty food meet seasonal, gourmet sensibilities. Like the beer, cocktails and scotch selections are extensive so you can wash down Michael Dotson’s (of Tahoe’s Plumpjack Cafe) quality "pub grub" (think Ploughman’s lunch, herb-crusted marrow bones or house-made charcuterie). Pastry Chef, Kelly Fields (of Sens and some of New Orleans best restaurants) stays sweet with sticky toffee pudding, drunken raisin ice cream or hot toddy pot de creme. Inside the 1896 Alhambra building, once a theater and saloon, you’ll feel the spirit of Wyatt Earp, who used to frequent the place while his wife, Josie, sang from the adjoining theater. Belly up to the 25-foot bar, boys!
831 Main Street, Redwood City
650-366-4366

www.martinswestgp.com

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Sake bar at Otoro Sushi. Photo by Virgina Miller

Tiny but chic Otoro Sushi makes three in Hayes Valley
Hayes Valley already hasSebo and Domo for impeccable sushi, but why not one more? A couple blocks away from the heart of Hayes, lunch and dinner of the fresher kind can be had at tiny but chic Otoro, just opened a few days ago. I’ve already enjoyed a generously-portioned lunch and look forward to more. There’s a snug, eight-seat sushi bar, sake bar and a handful of tables, with plenty of sashimi, udon, and rolls like the Hip Hop Roll, topped with garlic white tuna.
205 Oak Street
415-553-3986

Fly Bar debuts in Brick space with pizza and video games
Brick morphs into a Fly, or rather, into sister location to ever-popular Fly on Divisadero. Responding to the times with nothing over $12, Fly Bar will surely win some fans. A 4:30-6:30pm Happy Hour offers drink specials and half-price pizzas (like Southwestern or Jimmy the Greek), while the usual menu means apps, pizzas and sandwiches galore. Playful cocktails are only $7-8 at full price, like Island Root Beer (dark rum, Abita root beer and house-made ginger syrup), or Scrum: Boddington’s with a shot of Jameson. Sneak to the back room for a four-player arcade, snazzed up with cup holders and free games! It’s good to reinvent oneself from time to time.
1085 Sutter Street
415-441-4232

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EVENTS

May 10 – La Festa Della Mamma at Bar Bambino
It’s time to honor Mama. If she’s in town, or you want to raise a glass to her, Bar Bambino has a special Mother’s Day prix-fixe. Starting off with a choice of crespelle di frutta, a crepe-like dish with strawberries and ricotta, soup or sformatino di porri (a cheesy leek flan with Dungeness crab salad), you then move on to main courses: either a Parmigiano-Reggiano, egg, frisee salad, a braised leg of lamb, or grilled swordfish marinated in olive oil, lemon, garlic and oregano. Still hungry for dessert? It’s sorbet and biscotti or chocolate tarlets with berries. With Mamma the beating heart of Italian life, you know she’ll be treated right, Italian-style, at Bambino.
$45
11am-3pm

2931 16th Street
415-701-8466
www.barbambino.com

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DEALS

Cali-Casual Clambakes at Nettie’s Crab Shack
I don’t know why the word "clambake" evokes nostalgic memories for me – I partly grew up in Jersey, not nearby New England. But when I heard Cow Hollow’s Nettie’s Crab Shack turned Sunday nights into California Casual Clambakes (replacing Sunday Crab Feeds), I got a warm, fuzzy feeling inside. It’s all family-style, from salad, cornbread, a pot of whole prawns, mussels, clams, Delta crawfish, spicy sausage and boiled potatoes, to Whoopee pies for dessert.
$35 per person
Sundays, 5–10pm

2032 Union Street
415-409-0300
www.nettiescrabshack.com

Gov opens door, a bit, on legal pot

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By Tim Redmond

Well, Arnold Schwarzenegger didn’t actually admit that he favors legalizing marijuana, which he once referred to (after taking hit on camera) as “not a drug, it’s a leaf,” but he did say that the state ought to have a debate on the issue. That’s possibly good news for Assemblymember Tom Ammiano, who has a bill to legalize pot that’s not exactly moving forward fast. Some of the Democrats in Sacramento are more afraid of the Demon Leaf than the guv is.

I don’t know if Arnold still does the 420, but I know he realizes that his budget plan is heading for defeat. And legalizing and taxing the state’s biggest cash crop would do wonders to boost state revenue.

UPDATE: Just talked to Ammiano, who told me that “I’m predicting something pretty good comes out of this.” WIth polls showing more than half the state supports legal pot, even the Democratic leadership, which has been loathe to move the Ammiano bill foward, may be ready at least to discuss the issue.

“The opposition is shrinking and the proponents are growing,” he said.

So it will be interesting to see how the Democratic candidates for governor shake down on this. “Gavin Newsom has trapped himself by saying no,” Ammiano noted. Can’t wait to hear what ol’ Jerry Brown has to say.

On the (closet) case

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While gay rights have been a hot political button for a solid three decades-plus now, there is at least one arena in American life where the issue remains hush-hush: the corridors of actual political power. Such is the thesis — or rather accusation — of Kirby Dick’s new documentary, which wants to light a shaming agitative fire like his last one (2006 MPAA expose This Film Is Not Yet Rated), and with any luck will do so. His subject is the bizarre, undiminished existence of top U.S. politicos rumored to be gay, living as "confirmed bachelors" or "devoted family men." Despite their carefully groomed public images, however, the D.C. bubble is rife with first-person accounts of their ex-boyfriends and tricks, not to mention sightings at gay bars or even cruisey parks and washrooms. Whether due to inculcated self-loathing, ruthless careerism, or both, they live as if it were still the pre-Stonewall 1950s, their "secret" known only to a reliably zipped few.

Trouble is, the political system and mainstream media collude in maintaining that secrecy, for the sake of both convenience and a wariness toward scandal they seldom exhibit in any other realm. Nearly all of the closet cases Dick selects to out here are far-right Republicans who profit from the worst kind of hypocrisy: enjoying same-sex relations on the sly while publicly feeding conservative hysteria about the homosexual threat to family values. They’ve voted again and again against even partly pro-gay legislation, from anti-discrimination laws and (of course) gay marriage to AIDS services and research funding.

Because Outrage aims to have an explosive breaking-news impact, I won’t name the specific politicians targeted here. Suffice it to say they include a governor, Congress member, house representatives, mayors, and high-powered lobbyists, plus a couple of network news reporters. Is it anyone’s business what they "do" in private? Hell yes, when the public words and actions of these "traitors to their own people" result in hate crimes, disinformation, legalized biases, and worse. There’s nothing particularly elegant about this doc’s presentation, but then the point it has to make is blunt, and its effect is as righteously infuriating as intended. That clanging sound you hear is the closet-door lock in the executive men’s room being boot-kicked off its hinges. (Dennis Harvey)

OUTRAGE opens Fri/8 in Bay Area theaters.

Speed Reading

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The Tyranny Of Oil: The World’s Most Powerful Industry — And What We Must Do To Stop It

By Antonia Juhasz

William Morrow

480 pages

$26.99

In responding to an attack on her book in the Washington Post, Antonia Juhasz explained, "My goal in writing The Tyranny of Oil was to offer an analysis that has been sorely missing in U.S. literature since the 1975 publication of Anthony Sampson’s classic book, The Seven Sisters: an unapologetically and vitally necessary in-depth and serious critique of the current state of the U.S. oil industry which also raises the voices of those not regularly heard on nightly news programs, television commercials, and in books."

Juhasz succeeds in that aim and then some. The Tyranny of Oil is a tightly-written overview of the rise of Big Oil, from its origins in the 19th century power grabs of John D. Rockefeller and his ilk, to the era of the petroleum megacorporations busily destroying what’s left of our biosphere via oil wars and Godzilla-sized carbon footprints.

The book opens with a section on pioneering investigative journalist Ida Tarbell and her early 20th century crusade against Standard Oil. Tarbell’s exposé generated public anger at the Standard trust and contributed to legislation which eventually led to Standard Oil’s breakup in 1911. The separate components of the trust were later reconstituted; nonetheless, Juhasz presents the successful grassroots campaign Tarbell helped spark as an instructive example for today’s activists.

TICed off

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news@sfbg.com

San Francisco tenants who are supposed to be protected by city and state laws are now facing eviction as a result of real estate speculators working hand-in-hand with banks in a scheme that has been implicitly endorsed by federal regulators and the courts.

Kaushik Dattani, whose company owns multiple properties throughout San Francisco, won a summary judgment to use the Ellis Act to evict four families from their rent-controlled apartment. Judge Charlotte Woolard’s April 21 ruling, denying the low-income Mission District families a jury trial, could leave the 12 longtime residents — seniors, disabled, single mothers, and children — homeless within a couple of weeks.

In August 2007, court records show Dattani secured an 18-month, interest-only $1.3 million loan from Circle Bank of Marin to buy the Victorian building at 19th and Lexington streets. The loan included an agreement that he would pull the units from the rental market using the Ellis Act, renovate the building, and sell the five Victorian units as tenants-in-common (TICs).

Traditionally banks haven’t offered loans to individual TIC owners, but Circle Bank of Marin was one of the first banks to start offering such "fractional" loans in 2005, a practice that created a strong market for TICs, loan officer Mark Skolnick (who says he’s an independent contractor and not a bank employee) told the Guardian.

In making the loan to Dattani, court documents show Skolnick predicted a 42 percent profit, which would require all five TIC units to be sold for $3.3 million. But according to Tenderloin Housing Clinic attorney Steve Collier, Dattani has not yet paid off the balloon payment — due April 1 — putting the building at risk of getting handed over to the bank, emptied of residents.

Kevin Stein, associate director of the California Reinvestment Coalition, said the lending scheme is contrary to the federal Community Reinvestment Act, which encourages banks to meet the credit needs of the low-income communities. "It’s within the Federal Deposit Insurance Corp.’s power to say these kinds of loans that result in the displacement of low and moderate income tenants are not helping to meet the community’s credit needs," he said, noting that the FDIC has refused to get involved.

Others argue the importance of creating home ownership opportunities in a city where about two-thirds of residents rent.

"Here we have what looks like a condo, feels like a condo, but it’s a TIC. It’s a way of creating affordable housing," Skolnick said. "Some people lose their home, some people gain a home. The TIC platform is proving to be a very affordable option for this different subset of people."

But for the subset of people being displaced using the Ellis Act — a state law intended to allow existing landlords to get out of the rental business, not to encourage real estate speculation — the affect can be devastating in a city where little new rental or affordable housing is being built.

"They just come in out of nowhere and they see this place, buy it and kick everyone out. There’s no soul there," said Luise Vorsatz, who lived in the house for 30 years before being evicted.

This is not Dattani’s first Ellis Act eviction (when the Guardian contacted Dattani for comment, he hung up on us). In 2000, he hired infamous antitenant lawyers Wiegel & Fried to evict senior Alma Augueles from her flower shop in the Mission. In 2007, he evicted a group of tenants living above Revolution Café on 22nd and Bartlett streets. That building has sat empty for over a year, something that could also happen with his new property given the slumping real estate market.

Under the Ellis Act, if the unit go back on the rental market within five years, the evicted tenants have first priority at their old rent level, but that’s up to the tenants to enforce. "It’s possible the landlord won’t be able to sell and will end up renting it at higher rents," Ted Gullicksen, executive director of the San Francisco Tenants Union, told us.

"They don’t look at the fact that we have pride of tenancy—that we have lived here all these years," said 23-year resident Ronny Ruddrich, who raised her children here and walks to her job as a Noe Valley shoe store manager for the past 22 years. "He drives up in his Mercedes and shows no respect whatsoever."

Shop local, City Hall!

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news@sfbg.com

On Dec. 3, 2008, just before noon, Mayor Gavin Newsom arrived at a press conference in Noe Valley to remind city residents why it’s important to shop locally. The mayor climbed out of his shiny new hybrid SUV, walked into the Ark Toy Company, showed charts and graphs, and talked about how money spent in town helps the local economy. Joined by Steve Falk, president of the San Francisco Chamber of Commerce, Newsom urged holiday shoppers to look first in San Francisco before buying something on the Internet or in some suburban mall.

The mayor’s shop-local press conference was a clear sign that the debate over the role of small business in the San Francisco economy is over. Everyone from the mayor’s business advisors to the Chamber of Commerce to small business advocates and progressive economists now agrees that small local businesses provide the vast majority of the jobs, keep their money in town, and generate more tax dollars, more wealth, and more prosperity for this city than the big out-of-town chains.

It was a picture-perfect scene, until KPIX-TV reporter Hank Plante asked the mayor an embarrassing question: Why, he wanted to know, did the Mayor’s Office buy Newsom’s new car in Colma?

Newsom said he didn’t have a clue.

Actually, the reason was pretty simple: the dealership in Colma submitted the lowest bid. But San Francisco lost out on the sales tax, a local Chevy dealer that was going out of business lost a local sale, San Francisco workers lost a commission — and in the end, the city almost certainly lost more on the deal than it saved with the Colma discount.

That’s the untold story behind the mayor’s promotion. San Francisco, as a buyer of goods and services worth hundreds of millions of dollars a year, does a terrible job at shopping local. Indeed, for years small business advocates have been trying to get city officials to make it easier for local merchants to get city contracts — and they’ve made very little progress.

"I’ve worked so hard on this, year after year, and nothing ever happens," Scott Hauge, a small business activist and organizer, told us. "After a while, I just threw in the towel."

Hauge is devoting his energy these days to statewide issues. But on the local level, there’s a growing sense that the city needs to do more to help small local businesses get their share of the massive public spending pie.

"The Small Business Commission has made it clear that this will be a priority over the next year," Regina Dick-Endrizzi, the commission’s acting director, told us.

Nobody knows exactly what percentage of city contracts for goods and services go to local businesses. Hauge said the Mayor’s Office did a limited survey about a year ago, but the data wasn’t very good. And while Newsom signed an executive order in 2005 directing departments to look for ways to patronize local businesses, there’s not much to show for it.

"I think probably less than 10 percent [of city spending] goes to local businesses," Hauge said.

Board of Supervisors President David Chiu, a former small business commissioner, agrees. "I think it’s accurate to say that at least 70 to 90 percent of all city contracts go to out-of-town businesses," he told us.

As Dick-Endrizzi pointed out, city purchasing has strict rules — and for good reason. "In most cases, you have to put out a request for proposals and take the lowest bid," she said. "If you didn’t have that, you’d have a big problem with favoritism."

But when the lowest bid is the only criterion, San Francisco businesses are at a distinct disadvantage.

"Say a city agency wants to buy five hammers," said Steven Cornell, owner of Brownie’s Hardware. "I have the hammers for $6, but somebody in Nowhere, Miss., can sell them for $5.99.

"Well, the shop in Mississippi doesn’t have to pay San Francisco’s minimum wage, doesn’t have to pay for sick days, doesn’t have to pay for health care … We’ve asked businesses to contribute to all these good social policies, then those businesses get penalized because someone else can sell something cheaper."

Cornell — who says he agrees that local businesses should pay well and give their workers benefits — is frustrated that when it comes to purchasing, the city doesn’t give anything back. "We lost S&C Ford, we lost Ellis Brooks Chevrolet," he said. "Those were all union jobs, with good benefits. And how many cars did the city buy from them?"

When Cornell was on the Small Business Commission, he remembered some small locally owned cabinet-making shops came to complain about a $4 million city contract for woodwork. "They told us that they lost the contract to a Canadian firm," he said. "The costs of operating in San Francisco were higher than in Canada, so they couldn’t compete."

"We do not as a city reflect the fact that we ask employers to do good things for their workers," Chiu added. "When we spend perhaps $1 billion a year in city contracts, those employers don’t have a level playing field."

Sure, on the surface and in the short term, the city gets a better deal when it awards contracts based entirely on price. But San Francisco has, as a matter of public policy, already decided there are good reasons to give minority-owned contractors some advantage in bidding, and that public contractors should pay prevailing union wages and offer benefits to domestic partners. Local enterprises get a modest advantage in some bids, but nowhere near enough to make up for the cost difference of operating in San Francisco.

And as Newsom himself has made clear, spending money locally has a long-term economic benefit that almost certainly outweighs the price differential in most bids. "When Newsom bought his car in Colma, the city lost the sales taxes, and lost the multiplier effect of the money being spent in town," Cornell noted.

In fact, a 2007 study by Civic Economics, sponsored by the San Francisco Locally Owned Merchants Alliance, showed that if city residents shifted just 10 percent of their purchasing from national chains to locally-owned businesses, the city would gain 1,300 new jobs and $200 million in economic activity every year.

Imagine the activity — the positive benefits to the local economy — that would come with the city shifting, say, 25 percent of its spending to local businesses.

Obviously the city can’t buy everything in town. "Nobody in San Francisco makes Muni trains," Cornell noted. But a lot of what city departments buy, from hammers and paper to cars and trucks, is available from local suppliers — or could be. "If the city made it known it was looking to buy something locally, some entrepreneur would come along and figure out a way to supply it," Cornell said.

So how could this work on a policy level? It’s not that complicated. The city controller, or the Human Rights Commission, which oversees contracting policy, could devise a formula showing how much the cost of complying with city laws like the minimum wage, health care, and sick days (laws that most of us, and many small businesses, fully support) drives up the cost of doing business in San Francisco. Then give local merchants an equivalent advantage in the bidding process.

In other words, if the hammers at Brownie’s Hardware cost 25 cents more than the hammers in Nowhere, Miss., because Cornell pays for his workers’ health insurance, he should only have to come within 25 cents of the cut-rate suppliers’ price to get the city’s business. And if the taxpayers have to fork over a few cents more to buy local hammers, the money will come back, and more, from the demonstrated benefits of shopping locally.

Chiu thinks that’s a good idea, and he’s already taken the first steps to forcing the city to shop local. Chiu introduced legislation in April requiring the city to set aside a portion of all contracts for locally-wned businesses and to increase the financial advantage local firms get in bidding.

And at Chiu’s request, the HRC will appear before the supervisors Land Use Committee May 11 to present the latest data on how much city spending goes to local businesses. "I’ve been asking for this for two years," Chiu said.

"It is unwise for our city not to take $1 of public money and give it to a local business that will pass that dollar onto its local employee, who will then spend it at another local business," he added. "The multiplier effect of this is that money spent locally is better for the economy, and for the taxpayers."

Beyond May Day

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Text and photos by Joe Sciarrillo
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Thousands marched in Bay Area cities on May 1 to honor International Workers’ Day, or May Day, offering a preview of the big struggles to come on the national political front.

Mission District activists chanted on Dolores Street, “¡Qué viva las familias! ¡Qué viva el barrio! Viva!” energizing participants to join together to support their families and neighborhoods. Yet the daily struggles of immigrants and laborers, families living hand-to-mouth, and loved ones separated by borders has eluded most media outlets and commentators.

The nationwide marches focused on calls for comprehensive immigration reform and improving workers’ conditions, including passing the Employee Free Choice Act. This was just days after the first question at President Barack Obama’s April 29 news conference asked if he would close the U.S./Mexico border due to the swine flu outbreak. He, of course, responded by declaring that he would not do so.

Craigslist kills again

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So maybe it’s more complicated than blaming it all on Craigslist, but reports that The Onion, that venerable fake news publication, is discontinuing print editions in San Francisco and Los Angeles, “because the advertising in both cities has been abysmal” got me thinking uncharitably of Craig Newmark again.
Speaking of killings, Craigslist representatives are meeting with attorney generals from Missouri, Illinois and Connecticut today to negotiate eliminating ads for prostitution and other suspected illegal sexual activities from their site.

Newsom’s Spanish-speaking ringer

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By Tim Redmond

The San Jose Mercury News just busted Gavin Newsom for using a Spanish-speaking (sorta) ringer in his campaign announcement. Turns out the guy isn’t an immigrant; he’s a Mission District doctor who is the ex-husband of Newsom’s education advisor and SF School Board member Hydra Mendoza.

How Weird to pay SFPD’s protection money

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By Steven T. Jones

Faced with San Francisco Police Department threats to block their permits to sell beer and to have amplified music, organizers of the How Weird Street Faire have decided to pay the nearly $10,000 that the cops were demanding up front rather than go to court to fight fees that appear to violate caps written into city codes.

How Weird organizer Brad Olsen said vendor fees and other financial support should allow them to come up with the money. That’s good news for those planning to attend the May 10 event, although other outdoor event advocates — such as John Wood, with the Entertainment Commission and Love Fest — had urged How Weird to make a stand against rapidly escalating SFPD fees. As the Guardian reported, city codes cap fees for events this size at $5,494.

Police have said they’re required to recover all costs associated with the event, although it is the SFPD that decides have many cops on overtime are required to staff the event, which has had no major police incidents in its 10-year history. Love Fest is a far larger event covering more territory, and therefore gets a bigger SFPD bill, so this fight is likely to pick up again once its organizers begin the permit process this summer.

Meanwhile, the SFPD has begun an aggressive campaign to crackdown on underground parties, one that has caused the dozens of local Burning Man camps now staging fundraisers to get creative in throwing parties. Many have moved the parties to the East Bay, while others are renting out existing clubs in San Francisco to get around the crackdown (which many suspect is tied to an SFPD power vacuum and struggle as Chief Heather Fong prepares to retire).

Stay tuned to the Guardian for more coverage of the Death of Fun.

Appetite: Sticky toffee, casual clambake, Mama mia, Jimmy the Greek. and more

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Each week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Scottish Eggs, Chips & Pastie at Martins West. Photo by Chris Andre

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NEW RESTAURANT and BAR OPENINGS

Martins West helps you wash down fine eats
Time to trek down South (the Peninsula, that is) to Redwood City for this week’s hot opening, Martins West Pub. The original Martins is in Edinburgh… this locale is an homage to that gastropub (I’ll admit, an overused term) where comfort, hand-crafted beers, and hearty food meet seasonal, gourmet sensibilities. Like the beer, cocktails and scotch selections are extensive so you can wash down Michael Dotson’s (of Tahoe’s Plumpjack Cafe) quality "pub grub" (think Ploughman’s lunch, herb-crusted marrow bones or house-made charcuterie). Pastry Chef, Kelly Fields (of Sens and some of New Orleans best restaurants) stays sweet with sticky toffee pudding, drunken raisin ice cream or hot toddy pot de creme. Inside the 1896 Alhambra building, once a theater and saloon, you’ll feel the spirit of Wyatt Earp, who used to frequent the place while his wife, Josie, sang from the adjoining theater. Belly up to the 25-foot bar, boys!
831 Main Street, Redwood City
650-366-4366

www.martinswestgp.com

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Sake bar at Otoro Sushi. Photo by Virgina Miller

Tiny but chic Otoro Sushi makes three in Hayes Valley
Hayes Valley already hasSebo and Domo for impeccable sushi, but why not one more? A couple blocks away from the heart of Hayes, lunch and dinner of the fresher kind can be had at tiny but chic Otoro, just opened a few days ago. I’ve already enjoyed a generously-portioned lunch and look forward to more. There’s a snug, eight-seat sushi bar, sake bar and a handful of tables, with plenty of sashimi, udon, and rolls like the Hip Hop Roll, topped with garlic white tuna.
205 Oak Street
415-553-3986

Fly Bar debuts in Brick space with pizza and video games
Brick morphs into a Fly, or rather, into sister location to ever-popular Fly on Divisadero. Responding to the times with nothing over $12, Fly Bar will surely win some fans. A 4:30-6:30pm Happy Hour offers drink specials and half-price pizzas (like Southwestern or Jimmy the Greek), while the usual menu means apps, pizzas and sandwiches galore. Playful cocktails are only $7-8 at full price, like Island Root Beer (dark rum, Abita root beer and house-made ginger syrup), or Scrum: Boddington’s with a shot of Jameson. Sneak to the back room for a four-player arcade, snazzed up with cup holders and free games! It’s good to reinvent oneself from time to time.
1085 Sutter Street
415-441-4232

Gay marriage? In Iowa?

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What happens when Iowans discover that gay marriage is legal? Jess Brownell provides some clues in the classic Iowa movie “State Fair”

By Jess Brownell

Iowa is in the news just now, and for a reason I must confess I would never have anticipated: Gay marriage turns out to be legal there. Who’d have thought it.? Not many Iowans, I’d venture.

I know a little about the state. I was born in Iowa, and grew up a few miles to the west in Nebraska. I had cousins living on Iowa farms whom I visited. (My host on this blog was born and raised in Iowa, and I imagine has his opinions on what’s happening in the Hawkeye State.) Frankly, I have no idea what to expect now.

Generally, Iowa hits the public eye only when the caucuses gather every fourth year, but that doesn’t mean it isn’t weird all the time. Iowans seem to be of two minds about almost everything, this tension being best represented by the two senators they have chosen to send to Washington. One, Tom Harkin, the Democrat, is a stalwart liberal (except where agricultural subsidies to factory farmers are concerned); the other, Charles Grassley, the Republican, is a fierce fiscal conservative (except of course where agricultural subsidies are concerned) who is still remembered for his objection to an eternal flame at JFK’s grave because of the unfair burden keeping it lit would place on the American taxpayer. I suppose you could say that like all of us Iowans have a lively sense of self-interest, but they do seem to have a hard time making up their minds about anything else.

SF Weekly keeps getting spanked

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By Tim Redmond

And the poor boring people there don’t even enjoy it.

Violet Blue weighs in today with some harsh commentary:

It’s just sad when “alternative” papers can’t be more trustworthy or accurate as the New York Times when it comes to the one thing they’re supposed to excel at: accurately representing local culture. And having a clue about San Francisco values.

And now local artist Matthew Williams has come up with an anti-SF Weekly shirt (unfortunately, some people might think NSFW is cool).

It’s been hard to find any substantive response from Matt Smith to all of this; he just complains about “anti-free-speech pornographers (as if protesting a news media column is an attack on free speech).

But in some ways, the thing I find most offensive is his suggestion that it’s appropriate for a newspaper reporter and columnist, who takes shots every week at other people, to duck calls from the press. I make it a policy to call people before I write anything critical about them (Smith apparently didn’t talk to any Kink.com models before saying that they were, in effect, degrading themselves for money out of economic desperation.) Smith says he deleted my phone message without even listening to it.

That’s just really, really lame. You work for anewspaper and you talk shit about other people, you should be willing to defend yourself, in public. When the Weekly calls me — even if I know it’s a hit piece — I always, always talk to them. That’s what you do in this business.

Unless, like Matt Smith, you just want to hit and run and hide.

Great expectations?

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Equality has been achieved: this recession is kicking everyone’s arse. But I couldn’t help but squirm at a few recent music-biz disjunctions. How does one reconcile the scene at a South by Southwest "Great Expectations" label panel last month, listening to Tony Kiewel describe 2008 as one of the Sub Pop’s best years, with the bad news from Touch and Go’s Chicago HQ a week later? After shuttering its distribution — which once supported imprints ranging from Drag City to Estrus — in February, the 25-year-plus label laid off its entire staff. Owner and ex-Necros bassist Corey Rusk was going to run the enterprise solo.

A second major blow, especially when one considers Touch and Go’s history releasing important discs by Big Black, Scratch Acid, Die Kreuzen, Slint, Jesus Lizard, and of course, the Butthole Surfers (though the label’s 1999 loss in a legal battle with that band likely hasn’t helped). "Touch and Go basically allowed Merge to exist as something other than a singles label," Mac McCaughan of Merge Records stated in February. "If a company that did everything the right way can’t survive in this environment, then who can?"

Are these simply the latest surges and sucks of free-market capitalism’s death throes and toilet-bowl flows? And what’s the state of independence for local labels eking it out in this still-roiling stew of sorry economic news?

"The black and white fact is that [Sub Pop] is not Touch and Go," opines Cory Brown, owner of Bay Area independent Absolutely Kosher and general manager of Misra Records. He notes that Sub Pop is partially owned by Warner Bros. and that Touch and Go had the tough luck of losing some of its biggest artists, including TV on the Radio, Blonde Redhead, and the Yeah Yeah Yeahs. Those departures "all went down not very well," says Brown, who believes Touch and Go’s contraction was "as much an emotional decision as a business one," considering the company had big releases by Pinback and Three Mile Pilot planned.

Rusk declined to comment, although one wonders what will become of his label’s newer bands, among them the Bay Area’s Mi Ami and Sholi. Still, should he strike up a new alliance, all systems could be go at Touch and Go once again. As Brown puts it, "Geoff Travis has closed Rough Trade multiple times now and come back with it."

What of the local label landscape? Lookout! and Jackpine Social Club have ceased new releases, whereas Tigerbeat6 and Anticon have left town. Slumberland is surfing a twee rock revival, and hip-hop’s SMC has taken on bigger fish like Killer Mike. As newbie Bright Antenna appears on the horizon, veterans such as Alternative Tentacles, Fat Wreck Chords, Runt/Water, Quannum Projects, Birdman, Daly City, Dirtybird, and Hook or Crook are staying alive. AT celebrates its 30th anniversary this year. "As music and media become increasingly accessible instantly from anywhere, the role of curator is more important than ever – if I can access 10 millions songs instantly from my phone, how do I choose?," Isaac Bess, director of business development at SF’s IODA (Independent Online Distribution Alliance) writes via e-mail.

Business is bright, thanks to smart planning, for SF distributor Revolver USA and Midheaven Mailorder, which supports labels such as Gnomonsong and DiCristina Stair Builders. "We’re doing well, and I think that has a lot to do with what our expectations are, and not looking for a big record to be carried by Walmart and Target," says general manager Mike Toppe, who thinks it’s more important to "keep connecting with people who are passionate about music."

Fat Mike, who started Fat Wreck Chords to put out music by his bands NOFX and Me First and the Gimme Gimmes, has a more hardcore perspective. "In the ’90s, every fucking band we signed sold a shitload of records and got popular all over the world. It was ridiculous," he e-mails from NOFX’s current European tour. "Now only the really good bands can sell a decent amount. That’s okay, though. This industry collapse is mostly killing mediocre bands." As for the decline in CD and recorded music sales, the SF road warrior believes that’s not going to stop: "The record industry party is over, but great live bands will always do okay."

But what about the groups that can’t pick up blogosphere buzz? Both Jacobs and Brown acknowledge the difficulty in developing emerging or even mid-level bands via traditional avenues. Add in the complicating factor of so-called 360 deals, in which a label takes a percentage of all artist revenue in exchange for promotion, and you have what Brown calls a "destructive" outlook. "The bottom line is musicians should get paid," he said. "Forget about how labels are doing — how are musicians doing in this climate?

"I think new ideas really have to come into play, and those have to be based on the quality of life for the musician, not the company that comes up with an application," he continued, touching on the lack of public funds for musicians and lack of official recourse for bands if, for instance, they don’t get paid by a club. "It’s basic stuff, but it’s harder to look past those things. It has to go back to the content provider."

Historic proportions

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news@sfbg.com

GREEN CITY "110 The Embarcadero" is the stately address of a building that doesn’t exist yet. But the battle that continues to be waged over this proposed development, along with skirmishes that are brewing over other proposed buildings nearby, speaks volumes about a complicated tug-of-war that is emerging over a prominent slice of the city’s northern waterfront.

Preservationists are concerned about saving a union hall on Steuart Street that housed the International Longshoremen’s Association during the strike of 1934, which would be razed to build 110 The Embarcadero. That’s one of a number of historic properties critics say could face the wrecking ball as new building plans are drafted. Other proposals, among them 8 Washington and 555 Washington, have neighborhood activists anxious about long skyscraper shadows that could be cast on public parks, the development pressure that would result from allowing skyscrapers to exceed height limits, and views of the bay that would be enhanced from inside luxury high rises but blocked to others.

On the other side of the coin, building-trades union members increasingly desperate for work are fervently advocating for new construction projects that would open the spigot on jobs. And the Port of San Francisco hopes development money will help cover its huge infrastructure backlog.

Meanwhile a report released in early April by the Bay Conservation and Development Commission noted that the waterfront stretch from Pier 35 to the Bay Bridge is one of the most vulnerable to sea-level rise. As plans for this part of the Embarcadero are hashed out in public hearings and architects’ sketches, a new reality must be factored into the mix: some of that land could soon be underwater.

MISSING HISTORY


110 The Embarcadero initially won praise for its goal of attaining the highest certification level for nationwide green-building standards. Sponsored by Hines Interests, it was a shining example of ecodesign that even featured living vines climbing the sides. Even though it would shoot 40 percent above the allowable height limit of 84 feet, the San Francisco Planning Commission gave it a green light.

Enthusiasm waned, however, when historic preservationists pointed out that the building slated for demolition — 113 Steuart St. — was an ILA labor hall during the famous maritime strike of 1934, which erupted into violence after two union members were gunned down by police and led to a four-day general strike that paralyzed the city. "Harry Bridges rose to fame in this building," says architectural historian Bradley Weidmeier, referring to the famous labor leader. "Labor historians from around the country are going to be blocking this."

Hines hired a leading historic architecture firm, Page & Turnbull, to conduct a historic assessment of that building as part of the planning process. Yet the initial report neglected to mention anything about the building being at the center of a profound moment in San Francisco’s labor history.

Former Board of Supervisors president Aaron Peskin, an opponent of the project, says the gaps in information weren’t hard to miss. "The fact that it was ground zero for bloody Thursday, that it was ground zero for the general strike … that people were shot in front of there, that their bodies lay inside. You want to know how we found that out? We got it online," Peskin said.

Page & Turnbull later submitted an addendum, including historic photos depicting people crowding into the two-story building to pay respects to the slain union members. The firm acknowledged its historic significance this time, but asserted that the now-empty building had undergone too many retrofits to comply with historic landmark requirements.

This, too, was challenged by project opponents. "You can look at pictures of dead people laying there on the sidewalk with that building in the background, and look at it today, and godammit, it’s pretty much the same building," Peskin says.

The Board of Supervisors in mid-March approved an appeal of the project and instructed city planners to prepare an environmental impact report. Ralph Schoenman, a preservation advocate who says he met with board members about the project, told us that "members of the board were plainly shocked by finding out that the historic report was so flawed and untrue."

That feeling may have lingered for some at the April 21 bard meeting when Supervisors voted 7-4 to reject Mayor Gavin Newsom’s nomination of Ruth Todd, a Page & Turnbull principal, to the city’s Historic Preservation Commission.

WHOSE WATERFRONT?


Though the project has been stalled, the issues it stirred are gaining momentum. The picture of what this stretch of the Embarcadero could look like is shaping up to be quite different from developers’ gauzy artistic renderings. Sue Hestor, a land-use lawyer, is a driving force behind a community-led meeting scheduled for June 24 at the headquarters of International Longshore and Warehouse Union Local 34 (the successor to ILA) to initiate a new approach to development along the western edge of the Embarcadero.

"Threatened demolition of the 1934 Waterfront Strike headquarters at 113 Steuart has pulled us together," Hestor wrote in a widely disseminated e-mail. "The community will proactively start defining changes we want. No more waiting for a developer proposal, then meekly responding. The community gets to define how the city should look … along the northeast waterfront. When you start at the Embarcadero it is possible to weave in so many areas, so many neighborhoods, so much of our political and immigrant and labor history."

ILWU members are joining with preservationists in the effort to preserve 113 Steuart. "We are at a historic moment when working people are under unprecedented attack," a team of six Local 34 leaders wrote in a recent statement opposing the demolition. "That living history is a prologue to our struggles of the future."

Not all labor unions agree. At a picket staged by San Francisco’s Building and Construction Trades Council outside a Democratic Party luncheon April 21, protesters carried a few flew signs reading "How can we feed our kids with history?" The signs referenced the city’s Historic Preservation Commission, but the same question might be asked of 110 The Embarcadero, which was favored by building-trade workers.

Neighborhood groups are also worried because the construction of the two proposed 84-foot condominium towers at 8 Washington could cause the adjacent Golden Gateway Tennis and Swim Club to lose half its facility. "Six hundred to 700 kids come every summer to learn to swim and to play tennis," Club director Lee Radner says. "To us, it’s just a matter of the developer not considering the moral issues of the neighborhood club that has given so much to the community." Friends of Golden Gateway (FOGG), which formed to preserve the club in the face of development, has hired Hestor as its attorney.

Because the development would be partially built on a surface parking lot controlled by the Port Commission, a parcel held to be in the public trust under state law, developers proposed a land-swap to get around provisions prohibiting residential uses in those parcels. Renee Dunn, a spokesperson for the Port Commission, noted that the Port’s annual revenues total $65 million, while the amount that would be needed for repairs and maintenance of its century-old infrastructure is almost $2 billion. In general, "Public-private developments provide the dollars needed to make improvements," she told us.

In the wake of concerns about 8 Washington, Board of Supervisors President David Chiu sent a letter to the Port Commission requesting an update to the waterfront plan for that area. "Concerns are currently being raised regarding the proposed development … and the future development of seawall lots along the northern waterfront, and I share many of these concerns," Chiu wrote. In response, the Port agreed to conduct a six-to-eight month focus study for those seawall lots.

Meanwhile, a quietly growing problem may mean that plans for this stretch of the Embarcadero will get more complicated. A report released in early April by the Bay Conservation and Development Commission predicts a 16-inch rise in the level of the San Francisco Bay by 2050, and a 55-inch rise by 2100, based on data from the Intergovernmental Panel on Climate Change. Along San Francisco’s waterfront, the most vulnerable area will be from Pier 35 to the Bay Bridge, the report found. "Sea-level rise has been linear, and it’s continuing, and we expect that based on what we know about climate change, it will accelerate," notes Joe LaClair of BCDC. In the event of storm surges, he adds, "we will have to find a way to protect the financial district from inundation."

As local governments begin to get up to speed on mitigating the effects of climate change, new questions — beyond developers’ plans vs. neighborhood input — will have to come into play. One that BCDC plans to tackle in coming months, LaClair notes, is: "What does resilient shoreline development look like?" It’s a good one to start asking now.