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Party Radar: Bootie moves to Mezzanine this month

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Hear ye, hear ye: Biweekly monster mashup party Bootie’s usual home, DNA Lounge, is closed for the month of January as part of a settlement with the Department of Alcoholic Beverage Control, which sited it for supposed “lewd behavior.” Ugh.

But the mashup must go on, temporarily at Mezzanine this month, with DJs A+D and Jay-R, plus a special Future Universal room this Saturday, with Sarah Delush, Mario Muse, Kidhack, and Interrobang, who wins DJ name of the year already.

In other delicious mashup news — is Christina Aguilera-meets-Julian Casablancas masterwork “A Stroke of Genius” really the song of the decade? You betcha, Freelance Hellraiser.

The next budget battle

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EDITORIAL There is some good news — in a manner of speaking — about Mayor Gavin Newsom’s proposed midyear budget cuts: they don’t just affect Muni, recreation and parks, human services, and public health. The departments that have been hammered hardest in the past year still face spending reductions — but so do police and fire. The $6 million in Police Department cuts and $1.7 million in Fire Department cuts actually exceed the $7.4 million that the Department of Public Health will have to absorb.

That, of course, requires some context — over the past few budget cycles, DPH has lost far more money than public safety. And the Fire Department has far more fat than its modest cut reflects. And the Human Services Agency is still taking a $3.3 million hit. And the mayor is still keeping five press secretaries. And it’s not at all clear how much of the cuts will involve paring the bloated management ranks, and how much will be the further elimination of front-line services.

And this is just the start — the budget deficit for next year is more than $400 million, and the blood on the floor by the time that’s resolved will make this round look easy.

But the very fact that some of the sacred cows of San Francisco are facing their own financial pain sends an important message: this budget crisis won’t be solved just by screwing the poor — and the unions representing the cops and firefighters are going to have to step up and work with the rest of organized labor to push for some new revenue. And they’ll need to put up some money and reach out to the more conservative voters to promote the tax increases San Francisco desperately needs.

Now it’s up to the supervisors to put in motion the process to take substantial changes in the way the city is funded out of the discussion stage and into the policy arena.

When Newsom was running for governor, it was almost impossible to get him to talk seriously about raising revenue; he clearly wanted to be the candidate who could talk about balancing a city’s budget without raising taxes. Now that he’s not looking for votes in the Central Valley, he’s been a little more open to the idea that a cuts-only budget won’t work the next time around.

Unfortunately, the two main ways he wants to raise money are both terrible ideas. Newsom is talking about gutting the condominium conversion limits and allowing anyone who pays a fee to get a permit to turn an apartment into a condo. That would have a devastating impact on the city’s rental housing stock. He also wants to sell off taxicab permits — a plan that would undermine the city’s longstanding policy of allowing working cab drivers to use the permits at a modest fee and create a structure where the right to drive a cab would be determined at auction and given to the highest bidder.

The condo conversion plan is unlikely to get six votes, and the progressive supervisors should make it clear that a taxi privatization proposal isn’t the best way to solve the budget crisis, either. Then the mayor and the board can start working on a progressive tax plan to put before the voters next year.

The Budget Committee will be ground zero for the debate. Sup. John Avalos chaired that committee through last year’s harrowing budget battles, but in the past the job has rotated. If Board President David Chiu intends to appoint a new chair for next year, he should name one of the two qualified progressives with background on the committee. Either Sup. Ross Mirkarimi or Sup. David Campos would be an excellent choice.

Spooky-normal activity

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YEAR IN FILM This year was scary enough — what with the collapsing economy, rising unemployment rate, a summer of celebrity deaths, and new lows reached by reality TV programming — that going to see a horror movie became a kind of respite from the constant feed of depressing shit plastered across news crawls, posted to blogs, and bolded in headlines. Who wouldn’t take the escapist thrills of the Saw VI‘s elaborate, Rube Goldbergian endgames over the quick, “painless” death meted out by a pink slip? Then again, Paranormal Activity reminded us that the scariest thing these days is to be a homeowner.

Hollywood, no doubt, was counting its pennies as much as the movie-going public: hence the slew of classic horror franchise remakes, resurrections, and continuations. In addition to Saw VI, the body count included The Final Destination (a.k.a. Final Destination: Death Trip 3D), the umpteenth return of Jason Voorhees in Friday the 13th, Rob Zombie’s H2: Halloween 2, and remakes of violent classics such as The Last House on the Left, My Bloody Valentine 3D, and The Stepfather.

I admire the bald-faced cynicism of these releases, especially with canonical titles like Last House and Friday the 13th. It’s a post-Scream series world, after all. The big studios know that fresh-faced, hormonal PYTs still want to see glossy versions of themselves get butchered by roving psychopaths and Freudian straw men in masks, but with a hat tip to the fact that most audiences have seen it all before.

Films that attempted to twist the received formulas and court the same demographic of Jigsaw and Mike Meyers devotees fared with mixed results. Jennifer’s Body, which should have been the supernatural follow-up to 2004’s Mean Girls, couldn’t find the right balance between funny and scary due to the ill-fit of Megan Fox’s blandness and Diablo Cody’s overly-precious zingers. Drag Me to Hell, Sam Raimi’s PG-13 tour de force, on the other hand, offered a master class in how to elicit the perfect uneasy mix of chills and laughs with nary a disemboweling (I would include the raucous Zombieland in the same camp).

And then there is Ti West’s little indie that could, The House of the Devil, which meticulously recreates the aesthetic of the cheap video nasties of the early 1980s. The film’s spot-on production design and anticlimatic resolution shouldn’t detract from West’s considerable talents as a conductor of suspense. But it’s interesting how House returns us to the decade that spawned the very slashers that Hollywood continues to remake, and one that started out, as we are now, in a bleak recession. Timeliness aside, House offers an object lesson in how to do something new with something familiar — a lesson Hollywood would do well to study in 2010.

Game theory: The Emerald Bowl, 12/26/09

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Caitlin Donohue isn’t a sports writer. But she sure likes to win. Check out the last installment of “Game Theory” here. Oh, and give us a shout if you’ve got a big game coming up in the Bay.

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Oh hell yes, USC! You are so partying with the man-sized walnut tonight! Photo by Erik Anderson

The vendor held aloft his rain-soaked churro, blithely shouting his wares through the wet. His dogged enthusiasm for the task at hand echoed the general sentiment of the 2009 Emerald Bowl spectators. San Francisco’s only college football bowl game was a strictly rain-or-shine event, tied as it was to millions of dollars worth of endorsements, hotel rooms and sheer showmanship. Fact was, most of the fans in the audience seemed stoked to sit out in the 40-degree temperatures, chilling rain and maximum wind gusts of 18 mph to watch their teams battle it out in the spotlight for a day.

Did you know San Francisco hosts a college bowl game? You’re to be excused for your ignorance. As far as bowl games go, the Emerald Bowl is not a marquee event. It attracts good teams whose programs didn’t have the greatest year ever. 2009 saw the clash of USC and Boston College, whose mediocre records (USC 8-4, BC 8-4) belied the fact that the schools have storied football legacies.

They were both kind of surprised to be meeting each other in a slightly less glorious bowl game, but up for the challenge. “It was a good news bad news thing,” said first year BC coach Frank Spaziani of the moment he found out his Eagles would be taking on the legendary Trojans, winners of more bowl games than any other team in history. “Kind of like when your mother-in-law falls off a cliff.”

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I could have lied to you and said these fans were cheering for their football team in this photo. But in the spirit of journalistic integrity… they were freaking out over free T-shirts. Photo by Erik Anderson

FAIR: The 2009 P.U.-Litzer Awards

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FAIR, the national media watch group, has been offering well-documented criticism of media bias and censorship since 1986.

The 2009 P.U.-Litzer Awards

For 17 years our colleagues Jeff Cohen and Norman Solomon have worked with FAIR to present the P.U.-Litzers, a year-end review of some of the stinkiest examples of corporate media malfeasance, spin and just plain outrageousness.

Starting this year, FAIR has the somewhat dubious honor of reviewing the nominees and selecting the winners. It’s a dirty job, but someone has to do it. So, without further ado, we present the 2009 P.U.-Litzers.

–The Remembering Reagan Award
WINNER: Joe Klein, Time

Time columnist Joe Klein (12/3/09), not altogether impressed by Obama’s announcement of a troop escalation in Afghanistan, wrote that a president “must lead the charge–passionately and, yes, with a touch of anger.”

He described the better way to do this:

Ronald Reagan would have done it differently. He would have told a story. It might not have been a true story, but it would have had resonance. He might have found, or created, a grieving spouse–a young investment banker whose wife had died in the World Trade Center–who enlisted immediately after the attacks…and then gave his life, heroically, defending a school for girls in Kandahar. Reagan would have inspired tears, outrage, passion, a rush to recruiting centers across the nation.

Ah, Reagan–now there was a president who could inspire people to fight and die based on lies.

–The Cheney 2012 Award
WINNER: Jon Meacham, Newsweek

Newsweek editor Jon Meacham declared (12/7/09) that Dick Cheney running for president in 2012 would be “good for the Republicans and good for the country.” He explained that “Cheney is a man of conviction, has a record on which he can be judged, and whatever the result, there could be no ambiguity about the will of the people…. A campaign would also give us an occasion that history denied us in 2008: an opportunity to adjudicate the George W. Bush years in a direct way.”

While the 2008 election might have seemed a sufficient judgment of the Bush years, it’s worth pointing out that at beginning of the year (1/19/09), Meacham was adamantly opposed to re-hashing Cheney’s record, calling it “the rough equivalent of pornography–briefly engaging, perhaps, but utterly predictable and finally repetitive.” The difference? That was in response to the idea that Cheney should be held accountable for lawbreaking. Apparently a few months later, the same record is grounds for a White House run.

–The Them Not Us Award
WINNER: Martin Fackler, New York Times

The New York Times (11/21/09) describes the severe problems with Japan’s elite media–a horror show where “reporters from major news media outlets are stationed inside government offices and enjoy close, constant access to officials. The system has long been criticized as antidemocratic by both foreign and Japanese analysts, who charge that it has produced a relatively spineless press that feels more accountable to its official sources than to the public. In their apparent reluctance to criticize the government, the critics say, the news media fail to serve as an effective check on authority.”

The mind reels.

–The Thin-Skinned Pundits Award
WINNER: Dana Milbank, Washington Post

Washington Post reporters Dana Milbank and Chris Cilizza got into trouble when, in an episode of their “Mouthpiece Theater” web video series, they suggested brands of beer that would be appropriate for various politicians. What would Hillary Clinton drink? Apparently something called “Mad Bitch.” The video, unsurprisingly, was roundly criticized, and was pulled from the Post site. So what lesson was learned? Milbank complained (8/6/09) that “it’s a brutal world out there in the blogosphere…. I’m often surprised by the ferocity out there, but I probably shouldn’t be.”

Yes, the problem with calling someone a “bitch” is the “ferocity” of your critics.

–The Sheer O’Reillyness Award
WINNER: Bill O’Reilly, Fox News Channel–TWICE!

1) Asked by a Canadian viewer, “Has anyone noticed that life expectancy in Canada under our health system is higher than the USA?,” Fox’s O’Reilly (7/27/09) responded: “Well, that’s to be expected, Peter, because we have 10 times as many people as you do. That translates to 10 times as many accidents, crimes, down the line.”

2) Drumming up fear of Democrats’ tax plans: “Nancy Pelosi and her far-left crew want to raise the top federal tax rate to 45 percent. That’s not capitalism. That’s Fidel Castro stuff, confiscating wages that people honestly earn.”

Perhaps Castro was president of the United States in 1982-86, when the top rate was 50 percent. Or maybe all of the 1970s, when it was 70 percent. Or from 1950-63, when it was 91 percent.

–The Less Talk, More Bombs Award
WINNER: David Broder, Washington Post

Post columnist Broder expressed the conventional wisdom on Barack Obama’s deliberations on the Afghanistan War, writing under the headline “Enough Afghan Debate” (11/15/09):

It is evident from the length of this deliberative process and from the flood of leaks that have emerged from Kabul and Washington that the perfect course of action does not exist. Given that reality, the urgent necessity is to make a decision–whether or not it is right.

–The Racism Is Dead Award
WINNER: Richard Cohen, Washington Post

Post columnist Richard Cohen wrote (5/5/09): “The justification for affirmative action gets weaker and weaker. Maybe once it was possible to argue that some innocent people had to suffer in the name of progress, but a glance at the White House strongly suggests that things have changed. For most Americans, race has become supremely irrelevant. Everyone knows this. Every poll shows this.”

For the record, “every poll” does not actually show this; the vast majority of Americans continues to recognize that racism is still a problem. Cohen went on to write months later–still presumably living in his racism-free world–that he did not believe Iran’s claims about its nuclear program, because “these Persians lie like a rug.”

–The When in Doubt, Talk to the Boss Award
WINNER: Matt Lauer, NBC News

Today show host Lauer announced a special guest on April 15: “If you really want to know how the economy is affecting the average American, he’s the guy to talk to.” Who was Lauer talking about? Wal-Mart CEO Mike Duke. The ensuing interview touched on the Employee Free Choice Act, which Lauer noted was supported by many unions but opposed by some large corporations–leading him to ask Duke, “What’s the truth?” Yes, look for “the truth” about a proposed pro-labor bill from the new CEO of an adamantly anti-labor corporation.

–The Socialist Menace Award
WINNER: Michael Freedman, Newsweek

Newsweek’s “We Are All Socialists Now” cover (2/16/09) certainly turned heads, but one of the stories inside explained in more detail the real threat. As senior editor Michael Freedman asked: “Have you noticed that Barack Obama sounds more like the president of France every day?”

The real problem, though, is what that’s going to do to us Americans, says Freedman: “If job numbers continue to look dismal, or get even worse, an ever-greater number of people will start looking to the government for support…. It’s very easy to imagine a chorus of former American individualists demanding cushy French-style pensions and free British-style healthcare if their private stock funds fail to recover and unemployment inches upward toward 10 percent and remains there.”

Pensions and healthcare for all–this is worse than we thought!

–The Iraq All Over Again Award
WINNER: Too Many to Name

After the invasion of Iraq, countless journalists who had treated allegations about Iraq’s weapons of mass destruction as facts were embarrassed when there were no such weapons to be found. So you’d think they’d be more careful about thinly sourced claims that Iran is seeking nuclear weapons. But in 2009, many journalists are still willing to treat such allegations as facts.

-NBC’s Chris Matthews (10/4/09): “As if Afghanistan were not enough, now there’s Iran’s move to get nuclear weapons.”

-NBC’s David Gregory (10/4/09). “Iran–will talks push that country to give up its nuclear weapons program?”

-Fox News Channel’s Bill O’Reilly (9/25/09): “All hell breaking loose as a new nuclear weapons facility is discovered in Iran, proving the mullahs have been lying for years…. Iran’s nuclear weapons program has now reached critical mass. And worldwide conflict is very possible. Friday, President Obama, British Prime Minister Brown and French President Sarkozy revealed a secret nuclear weapons facility located inside Iran.”

Some even went further, turning allegations of a nuclear weapons program into the discovery of actual nuclear weapons:

-ABC’s Good Morning America host Bill Weir (9/26/09): “President Obama and a united front of world leaders charge Iran with secretly building nuclear weapons.”

–The Talking Like a Terrorist Award
WINNER: Thomas Friedman, New York Times

In a January 14 column, New York Times superstar pundit Tom Friedman explained Israel’s war on Lebanon as an attempt to “educate” the enemy by killing civilians: The Israeli strategy was to “inflict substantial property damage and collateral casualties on Lebanon at large. It was not pretty, but it was logical.” Friedman added, “The only long-term source of deterrence was to exact enough pain on the civilians–the families and employers of the militants–to restrain Hezbollah in the future.” That strategy of targeting civilians to advance a political agenda is usually known as terrorism; Osama bin Laden couldn’t have explained it much better.

–The It Only Bothers Us Now Award
WINNER: Wall Street Journal editorial page

When Barack Obama only called on journalists from a list during a press conference, the Wall Street Journal did not like the new protocol (2/12/09):”We doubt that President Bush, who was notorious for being parsimonious with follow-ups, would have gotten away with prescreening his interlocutors.”

Actually, Bush was famous for calling only on reporters on an approved list; as he joked at a press conference on the eve of the Iraq War (3/6/03), “This is scripted.”

–The No Comment Award
WINNERS: MSNBC’s Mika Brzezinski and Rush Limbaugh

When asked by Politico (10/16/09) to name her favorite guest, MSNBC host Mika Brzezinski named arch-conservative Pat Buchanan “because he says what we are all thinking.”

Rush Limbaugh on Obama (Fox News Channel, 1/21/09): “We are being told that we have to hope he succeeds, that we have to bend over, grab the ankles…because his father was black.”

IPI: Three Killed in Pakistan Press Club Bombing

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The International Press Institute is a global network of editors, media executives and leading journalists. They are dedicated to the furtherance and safeguarding of press freedom, the protection of freedom of opinion and expression, the promotion of the free flow of news and information, and the improvement of the practices of journalism.

Three Killed in Pakistan Press Club Bombing

Pakistan IPI Member Warns: Media Now a ‘Central Target’

VIENNA, 22 Dec. 2009 – At least three people were killed on Tuesday in Peshawar in northwestern Pakistan when a suicide bomber detonated explosives outside the city’s Press Club, according to media reports.

Two policemen and a passer-by were killed, Reuters reported. At least 17 people were wounded.

Peshawar, the capital of North West Frontier Province, has been wracked by violence since the Pakistani armed forces began an offensive against Pakistani Taliban militants in October.

“It was a suicide attack. The bomber wanted to get into the Press Club and, when our police guard stopped him, he blew himself up,” city police chief Liaqat Ali Khan told Reuters – which noted that Peshawar reporters had said militants had threatened journalists since the beginning of the offensive against the Pakistani Taliban.

Pakistan is one of the most dangerous places in the world for journalists. According to IPI’s Death Watch, seven journalists have already been murdered there this year.

Owais Ali, an IPI member, and Secretary-General of the Pakistan Press Foundation, told the IPI Secretariat: “Things are getting from bad to worse. There was a time when the press was collateral damage in covering the war on terror. Now it seems the press has become a central target for terrorists.”

He added: “This is another blow for press freedom in Pakistan. It’s high time the government moved beyond issuing routine condemnations for attacks on journalists and moved to providing security for journalists.”

Ali said that many newspapers didn’t have the money to provide proper security at their entrances, and warned that in the absence of concrete measures to bolster media security after Tuesday’s attack some journalists might choose self-censorship rather than remain exposed to the wrath of the militants.

IPI Director David Dadge said: “Pakistan is already one of the most dangerous countries in the world for journalists out in the field. The fact that journalists are now being attacked in the traditional haven of a press club is another tragic blow for freedom of the media in Pakistan. Journalists must never be targeted because they will not
follow a political or ideological line and I call on the authorities to do everything to ensure that the perpetrators are brought swiftly to justice.”

The next budget battle

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EDITORIAL There is some good news — in a manner of speaking — about Mayor Gavin Newsom’s proposed midyear budget cuts: they don’t just affect Muni, recreation and parks, human services, and public health. The departments that have been hammered hardest in the past year still face spending reductions — but so do police and fire. The $6 million in Police Department cuts and $1.7 million in Fire Department cuts actually exceed the $7.4 million that the Department of Public Health will have to absorb.

That, of course, requires some context — over the past few budget cycles, DPH has lost far more money than public safety. And the Fire Department has far more fat than its modest cut reflects. And the Human Services Agency is still taking a $3.3 million hit. And the mayor is still keeping five press secretaries. And it’s not at all clear how much of the cuts will involve paring the bloated management ranks, and how much will be the further elimination of front-line services.

And this is just the start — the budget deficit for next year is more than $400 million, and the blood on the floor by the time that’s resolved will make this round look easy.

But the very fact that some of the sacred cows of San Francisco are facing their own financial pain sends an important message: this budget crisis won’t be solved just by screwing the poor — and the unions representing the cops and firefighters are going to have to step up and work with the rest of organized labor to push for some new revenue. And they’ll need to put up some money and reach out to the more conservative voters to promote the tax increases San Francisco desperately needs.

Now it’s up to the supervisors to put in motion the process to take substantial changes in the way the city is funded out of the discussion stage and into the policy arena.

When Newsom was running for governor, it was almost impossible to get him to talk seriously about raising revenue; he clearly wanted to be the candidate who could talk about balancing a city’s budget without raising taxes. Now that he’s not looking for votes in the Central Valley, he’s been a little more open to the idea that a cuts-only budget won’t work the next time around.

Unfortunately, the two main ways he wants to raise money are both terrible ideas. Newsom is talking about gutting the condominium conversion limits and allowing anyone who pays a fee to get a permit to turn an apartment into a condo. That would have a devastating impact on the city’s rental housing stock. He also wants to sell off taxicab permits — a plan that would undermine the city’s longstanding policy of allowing working cab drivers to use the permits at a modest fee and create a structure where the right to drive a cab would be determined at auction and given to the highest bidder.

The condo conversion plan is unlikely to get six votes, and the progressive supervisors should make it clear that a taxi privatization proposal isn’t the best way to solve the budget crisis, either. Then the mayor and the board can start working on a progressive tax plan to put before the voters next year.

The Budget Committee will be ground zero for the debate. Sup. John Avalos chaired that committee through last year’s harrowing budget battles, but in the past the job has rotated. If Board President David Chiu intends to appoint a new chair for next year, he should name one of the two qualified progressives with background on the committee. Either Sup. Ross Mirkarimi or Sup. David Campos would be an excellent choice.

Do public health cuts make sense?

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By Melanie Ruiz

The Examiner’s front-page headline decries cuts to the San Francisco Police Department (it’s going to be harder to patrol North Beach with all that overtime reduced). But there’s been a lot less press attention to the midyear cuts to public health.

DPH proposed $7.4 million in cutbacks, with some of the biggest losses to be suffered by HIV prevention programs. The mayor, however, rejected these program cuts, instead using HIV/AIDS reserve money to the programs going.

So the cuts will come elsewhere — and may leave the city in worse shape over time.

Gregg Sass, chief financial officer of the public health department, presented the news to the Health Commission Dec. 15th, arguing that the proposed plan operated in large part by increasing program efficiencies and reducing or eliminating San Francisco’s support for programs cut in the state budget bloodbath. Sass said “there are a few, isolated instances of some very targeted program reductions.”

Those targeted programs reductions include two substance abuse residential treatment programs, yet to be named, which will be closed. The plan also cuts the backfill funds for state proposition 36 services, which are “provided to individuals charged with non-violent drug violations who choose drug treatment and counseling in lieu of incarceration,” according to the health department’s program change request.

The people who run these programs that will be cut testified for more than an hour, making the case that the cuts are financially foolish — because prevention is cheaper than treatment.

Representatives from the Homeless Youth Alliance (HYA), a harm reduction coalition for homeless youth in the Haight-Ashbury, were out in full force. “Twice a year our budget is up for cuts, and twice a year we have to stand up here and beg you to keep allowing us to save lives,” said Lani Riccobuono. Supporter after supporter came up, cheered on by an entire back section of the room, to testify to the vital role the HYA plays in the future of at-risk individuals. It’s a thriving, supportive community of people who explained that they have only found help and hope after walking through the drop-in center’s doors.

And the infuriating level of the cuts was on display, too — It costs only $58,729 to keep HYA’s doors open – less than the cost of just one of Newsom’s five press spokespeople.

To be fair, the mayor’s office is taking cuts, too — a total of $201,520. Those reductions will come through attrition, unfilled vacancies and salary reductions for top earners.

Supervisor Chris Daly has been drawing attention to the different growth rates of the police and health departments’ budgets. According to Daly, the health department received $410 million in General Fund money last year, which fell to $343 million this year. The police department received $332 million, which rose to $345 million. In other words, public health received 16 percent less – and the police received four percent more.

Newsom’s proposed cuts include $6 million in reductions for the police department — which is hardly enough to balance out past years of health cuts.

At the onset, Commission President James Illig noted that this was only a small step: “We want to hear how we’re going to face the future, because more cuts are going to have to be made.” Next year the health department faces $101 million in cuts.

The main idea offered by speakers for the next round of cuts was simple – look elsewhere.

As Riccobuono sees it, the current strategy “is not only bad public health, it is balancing the budget on the backs of the most vulnerable population in San Francisco.”

Budget cuts are the calm before the storm

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By Steven T. Jones
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The real news from Mayor Gavin Newsom’s announcement yesterday of $45 million in mid-year budget cuts was that it didn’t make news (this Chron story was buried on page A15). But make no mistake that this is the calm before a budget storm that will really get howling next month when Newsom introduces his proposal to let TIC owners buy their way out of the condo-conversion lottery. Progressives strongly oppose the proposal because it could rapidly deplete the rental housing stock in a city where most residents rent, but where developers just aren’t building new rental housing.

Newsom’s budgets in recent years have stuck it to social services and front-line workers, but this round of budget cuts was actually much closer to progressive priorities, hitting the bloated public safety departments and high salary managers the hardest. “We were rather judicious in this round,” Newsom told the Examiner. “The next round, I can’t promise that.”

Newsom is still refusing to earnestly pursue new general revenue options (and belittling those who argue they are necessary and that the mayor’s support for them is crucial), so the question next month is whether the Board of Supervisors can decisively defeat the sellout of the condo conversion lottery (as well as the privatizing of taxi medallions, Newsom’s other big revenue idea that progressives hate) and convince Newsom that he’s going to need to work cooperatively with progressives to close the $522 million budget hole that the city is facing.

We’re all in this together

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Text by Sarah Phelan

“The disaster is already in progress, but we have it in our power to end this injustice,”
Desmond Tutu, COP15

So begins the email that Green for All’s Phaedra Ellis-Lamkins sent from Copenhagen at 3 a.m–a message that sums up the climate change-driven disaster that everyone is facing, even if they haven’t admitted it, yet.

“This city is filled with people who face the consequences of global warming every day,” she continues. “Families who watched their homes fall into the water, farmers who can no longer harvest because of drought, and those whose peaceful countries are now preparing for unrest because they are losing their natural resources. These are the victims of global warming; debating whether the crisis is “real” denies their human experience, and that of millions of people like them around the world.”

“We elected Barack Obama, who promised a clean-energy economy that would restore our economic power and affirm our place as part of a global community,” she observes, as she urges folks to get off the fence and ask Obama to sign a strong climate agreement in Copenhagen.. “He left no doubt that global warming was real and was a threat to our existence, and he vowed to lead the charge to solve it.”

“A year later, we are again at a crossroads,” she concludes.” Last year’s election was not the end of the mission. We will reach the end only when we have translated our values and promise into action. Hope is not enough. It must become change.”

I like the sentiment–and it reminds me that I have to stop getting annoyed with the folks who want to blame Obama for everything, and start refocusing on doing whatever I can to make change happen. And the good news is…there is so much that I can do.

To see how climate change stands to impact the local community click here.

Ants attack!

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By Tim Redmond

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While the health-care bill is melting down and the global warming conference is frozen, we have some unavoidable news of a different sort: The ants are attacking.

I have ants in my house. Half the people I know are under ant attack. Dave Crow, the tenant lawyer (and one-time Guardian staffer) who writes for SF Appeal, says ants aren’t covered by city health codes and landlords don’t really have to do anything about them. Which is something I didn’t know.

The commenters on Crow’s piece say, among other things, that all you have to do is seal up all the cracks in your house with caulk and the nasty little beasts won’t get it. That’s not much help to those of us who live in older houses that have so many cracks, crevices, holes and tiny entryways that there’s no way to find them all, much less seal them all up.

Of course, you could also carefully remove every tiny scrap of food from counters, floors and sinks and seal everything in airtight bags and bins, but frankly, some of us just aren’t that clean.

We used to use vaseline, which traps the ants but makes an awful mess. Now we pour cinnamon in their path, which confuses them and sometimes sends them away. I’ve also had luck with a mixture of molasses and yeast, dropped onto small pieces of paper; the ants love the sweet stuff, and take it home to the rest of the nest — and since ants can’t fart, the yeast makes them explode. At least it’s an organic form of chemical warfare.

Other suggestions?

Durst: The Top Ten Comedic News Stories of 2009

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Okay. Here’s the deal: the Top Ten Comedic News Stories of 2009 are not to be confused with the Top Ten Legitimate News Stories of 2009. They are as different as night and day. Fire and frogs. Popeye’s chicken and ballet fundraisers. High rise condo balconies and balsa wood furniture. Southern Baptist 4th of July church picnics and snow tires. There were all sorts of heavy- duty stories that impacted the country and the planet. Can’t think of any right now, but trust me, there was a bunch. Rather, the Top Ten Comedic News Stories of 2009 are the accounts that provoked a slow shake of the head and a soft chuckle without having to bear a moral weight larger than Manitoba owing to the extreme unfunny nature of the death, destruction and gruesomeness inherent in the legitimate news. So here is the flip side, the stories from 09 most filled with mirthing possibilities.

Cleaner air for Oakland — but no one wants to pay for it

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news@sfbg.com

GREEN CITY On Jan. 1, the Port of Oakland and surrounding areas will get cleaner air — and as many as 1,000 truck drivers may lose their jobs.

That’s when the port’s Clean Truck Management Plan (CTMP) takes effect, setting strict requirements for trucks operating in the port. The new rules are an effort to address the public health crisis in communities near the port, where diesel exhaust fumes have been contributing to rampant asthma and increased cancer rates.

While no one questions the need for cleaner air, there’s still a raging battle over who should pay to overhaul old, dirty trucks — and how to make it possible for small independent truckers not to lose their livelihoods.

The new regulations, set by the California Air Resources Board (CARB), ban all trucks older than 1994 from entering the port. Trucks built between 1994 and 2003 are allowed if they’re retrofitted with a special filter, which by most estimates costs between $20,000 and $25,000.

Eventually CARB’s regulations will reduce diesel particulate matter emissions by 90 percent in areas most affected by the noxious pollution.

The problem — at least for some of the drivers — is that two-thirds of the trucks running cargo in and out of the Oakland port are run by independent owner-operators, who say they don’t make enough money on the cargo runs to pay for cleaner trucks or upgrades.

The Coalition for Clean and Safe Ports of Oakland (CCSP) is campaigning with Teamsters Union members and some truckers and Congress members to take the burden off independent owner-operators. But some say the industry model itself is the problem — that all the drivers should be employees of larger trucking firms that can pay for the latest equipment.

"The lack of resources among [independent owner-operators] and the inefficiencies in the current system strongly favor a more employee-oriented drayage sector," states an economic impact report on the issue commissioned by the port and prepared by Beacon Economics.

Currently the drivers wait, engines idling, an average of 3.6 hours at or in the terminal. That’s in part because they don’t get hourly pay — which gives the shippers and trucking contractors little incentive to hurry things.

As independent trucker Abdul Khan puts it: "Everybody certainly wants to have clean air. I might not be happy with this law, but I’m the one in this business being affected by this pollution." Still, with a 2003 engine in his truck, he expects to be out of a job come Jan. 1.

Khan has been a driver at the Port of Oakland for five years. He and his wife and child had to leave their home of 15 years to move in with his brother after fuel prices rose by 300 percent last year.

Khan has been without health insurance for his entire trucking career. The Beacon report states that "most [independent owner-operators] do not have health insurance from any source." Yet they are among those who suffer most from breathing the polluted air all day at work.

In some ways, the problem is the result of the 1990s-era deregulation of the trucking industry. In November, 24 members of California’s Congressional delegation, including East Bay Democratic Reps. Barbara Lee, Pete Stark, and George Miller, signed an open letter to the chairman of the House Transportation and Infrastructure committee encouraging members of the House to "consider making changes to [federal law] so that California ports can successfully implement and enforce needed truck management programs."

The Federal Aviation Administration Authorization Act was supposed to standardize the regulation of cargo carriers and encourage competition. But mistreatment of drivers and detrimental working conditions are, says CCSP director Doug Bloch, some of the consequences of deregulation, which essentially bars local or state governments from legisutf8g industry working conditions.

The Port of Oakland, the Environmental Protection Agency, and the Bay Area Air Quality Management District set up a grant fund to help drivers retrofit their equipment to meet the new standards, and some did. But others who sold their older trucks and bought upgradeable models lost out when the money ran dry.

Robert Bernardo, spokesperson for the port, told us the grants were unusual: "Typically, whenever a regulation comes into effect, by CARB or DMV, it’s incumbent upon business owners to purchase any upgrades," he explained.

That’s not a simple story, though, since the finances of port shipping are immensely complex. In theory, the bigger players in the industry — the large trucking companies and the corporations doing most of the shipping — have the access to capital for creating an ecologically-sound fleet and more power to negotiate shipping prices.

When items are shipped from overseas, shipping lines set the prices. Since the commerce is international, there’s no regulation of anything, including prices. The shipping lines set the prices for the trucking companies, which in turn tell the independent truckers what they’ll pay per load. The independently-contracted drivers have no leverage at all.

Matt Schrap, an intermodel transport expert at the California Truckers Association, notes that international shipping rates "are negotiated somewhere in Shanghai and set by steamship lines. Then you go into contract for two to three years at locked-in rate." Since the steamship lines aren’t subject to antitrust laws, he warns of their ability to collude in price-setting.

So the debate has become as much about labor issues as the environment. Some activists argue that the entire economic model of independent drivers contracting with trucking firms is unworkable, and would prefer to see all the drivers become employees. Not all drivers want that; some are happy with being independent. And the trucking contractors love the current system, since they pay no benefits.

Valerie Lapin, spokesperson for the Coalition of Clean and Safe Ports in Oakland, says that that port drivers are misclassified as independent. She explains that typically they can only work for one company, which tells them where and when to go. With the current classification, trucking companies "skirt all responsibility for paying taxes and benefits. Drivers have to pay for everything — trucks, fuel, maintenance, registration, and parking. And [the trucking companies] pay them really low wages."

The fate of the new regulations may depend on what happens to a legal battle at the Port of Los Angeles. L.A. has sought to mandate that trucking companies hire drivers as employees, and the port would allow only newer, cleaner trucks to enter.

But the American Trucking Association sued the port under FAAAA, saying the law bars the city from requiring employee-drivers. The courts put the program on hold until further hearings, scheduled for May 2010.

Paying with our Health, a 2006 report by the Pacific Institute assessing the practicality of "ditching dirty diesel" to improve health in the communities suffering from freight transport pollution, concluded that "the industry is quite capable of standing on its own and paying for cleaner technologies, instead of standing on the backs of California’s poor and minority communities."

It’s not clear what the truckers who own banned trucks will do come Jan. 1. Some say they will look for work elsewhere.

And there’s still the issue of whether the port will have enough clean trucks to haul all the cargo. Bernardo insists that won’t be a problem. Others, including Wayne Steinberg, terminal manager at Horizon Lines, an all-employee based trucking company with a fleet in full compliance, says the company is "extremely concerned about not having enough drivers Jan. 1."

Shades of green

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news@sfbg.com

Can "green" consumerism help "green" the planet? In other words, can we spend our way to a better future? Or is the demand for more environmentally benign products and services just a way of making people feel better while delaying capitalism’s inevitable day of reckoning?

To explore these questions, consider the San Francisco Green Festival, the second-most attended green festival in the world and what organizers say is the country’s largest sustainability event. More than 40,000 people and 350 companies visited the eighth annual festival, held last month at the San Francisco Concourse Exhibition Center.

The emphasis of the event was on the power of purchasing. Just about everything was for sale, from fair-trade chocolate and hemp sweaters to paper journals made from Sri Lankan elephant dung. Certified "green" companies were happy to spend from $5,000 to $100,000 for their stalls and passersby shopped for guilt-free gifts. But critics of the trend question whether green consumption is ever better than no consumption at all.

"I believe we are getting to the point of urgency. We are beyond incremental reform and need significant structural change," said Brahm Ahmadi, cofounder and executive director of People’s Grocery. "What we really need to do is fundamentally shift the level of consumerism — not just shift into the consumption of more sustainable things — but realize that we need to consume less as a society."

The 2008 Living Planet Report, produced by the World Wildlife Fund, indicates that our global footprint now exceeds the world capacity to regenerate by about 30 percent. The report notes that if demands on the planet continue at the same rate, by the mid-2030s, we will need to the equivalent of two planets to maintain our lifestyles.

Ahmadi said trade-show events like the Green Festival can function as a good point of entry for people interested in reducing their own ecological footprint, but added that they don’t go nearly far enough in addressing the problem. They may even hinder people’s understanding of what needs to be done.

"The problem is that the words "green," "local," and "sustainable" can be used interchangeably now. They have become another sort of brand element in marketing," he said. "If this festival is the first step in a multistep strategy on how to change the planet, then that is great. But impressions aren’t set up in a way that puts the consumer on the path to a longer-term perspective."

For example, the Green Festival isn’t local. Although festival organizers say it promotes local companies that make green products, a spokeswoman admitted that about 40 percent of the exhibitors reside more than 150 miles from the site — the criteria one must meet to be deemed local by the festival.

Kevin Danaher, founder of Green Festivals and the cofounder of Global Exchange, told the Guardian that the festival costs almost $1 million to put on and makes $10,000–$30,000 in profit each year. He stressed that the aim of the event is to accelerate the transition to a green economy, an economy he says "will make better profits by saving nature rather than destroying it.

"We are trying to take enterprise away from big corporations and redefine it," Danaher continued. "For us, free enterprise should mean the freedom for everybody to be enterprising, the realization that alternative business models can make better profits than traditional ones."

Although Danaher claims the festival is an "enterprise-based event that encourages people to consume less," he believes it’s better to meet consumer demand with a green-mind business than leave it to be filled by a multinational corporation. "We know that people buy socks, toilet paper, and cat litter, and they can either buy the crappy corporate stuff or the good, green, socially-responsible stuff. That’s the choice," he said.

But Ahmadi sees a flaw in this premise. As long as progress is measured and defined by economic growth — the neverending requirement of the capitalist system — society will continue to fall short of sustainability targets, no matter what kind of products people buy, he said.

"At some point there is a threshold, even for green products, when the net benefits of producing the product will be surpassed," he said. "We need to go back to the framework that the economy is currently based on. At the moment, perpetual growth is the only way to assign value. But this linear way of thinking is dangerous to the sustainability of the planet. We must define value differently."

More than 125 speakers attended the event, including Democracy Now! founder Amy Goodman, nutrition expert Marion Nestle, and Mayor Gavin Newsom. Some even emphasized the tension inherent in staging the festival.

"It’s a good thing and a bad thing. People leave more conscious and aware, but they also leave a tremendous footprint getting here and leaving," said CEO of Gather restaurant Ari Derfel, who spoke on the main stage in front of a piece of art made from a year’s worth of his own trash. "People do engage in gross consumerist behavior. But they also get engaged with some companies that are doing incredible things."

Although he added that a green future must go beyond that represented at the Green Festival, he acknowledged that it represents the period of transition we now live in. "We can’t go from A to Z without touching on all the letters in between. And we are still in a consumer-based, material goods economy. We couldn’t make one wholesale swoop in one day."

Yet for Derrick Jensen, environmental activist and author of Endgame — a book that questions the inherently unsustainable nature of modern civilization — events like the Green Festival don’t really address the real problems at the center of the sustainability movement.

"I don’t see it as a transition," said Jensen, who made a speech at the event a few years ago. "It is not nearly sufficient. Now there is an attempt to add the word "green" before something and pretend that we’re actually going to make a significant difference. But this is problematic."

The problem, as he sees it, is that attendees simply learn to accept the existing economic system — and even believe it can become sustainable. They come to think that buying the right socks or toilet paper is helping to save the planet.

"Where is the overtly revolutionary material?" Jensen asked. "Where is the acknowledgement that capitalism needs to come down, or the discussion of the psychopathology of those in power? They talk only of alternative economies, but look what happened to every alternative economy — they get taken over and consumed by mainstream culture."

Jensen added that the notion of basing a revolution on changes to personal consumption is not only inherently flawed but dangerously misinformed. "This sort of festival is based on the mistaken notion that personal consumption represents a significant portion of the economy," he said. "In reality, 1,600 pounds of trash are produced per capita. If I reduce that to zero, it’s great. But per capita waste production by industries is on average 26 tons. That is 97 percent of all waste.

"This festival can make you feel good for one day, but then you just go back to normal life," he added. "And in some ways, it’s a real distraction. It makes people identify as consumers rather than citizens who have a whole range of resistance methods rather than just to buy or not buy."

Although Danaher stressed that each company at the festival went through Green America’s screening process — where they are subject to almost 250 questions analyzing their true social and environmental impact — Jensen said even "green" products often rely on the wasteful industrial system to be manufactured and transported.

"It is not difficult to see. You just can’t have infinite growth on a finite planet. The hyper-exploitation of even renewable resources won’t last, by definition. For any economic system to be sustainable, it has to benefit the land base it is based on."

Many of the companies at the event had obtained Green America’s sought-after Seal of Approval, which takes into account issues including the company’s manufacturing and marketing of products, as well as treatment of employees and effects on surrounding communities. At the same time, certain corporations that didn’t meet those criteria, like eBay, were invited anyway and labeled "corporate innovators."

Hamler said these are corporations that are moving toward social and environment responsibility, and they are still subject to a very strict review. Noting that only 60 out of every 300 corporations make the cut, she emphasized the changing nature of markets and the place for corporations within them.

Yet for Ahmadi, the very idea that large corporations can be a part of this change is misleading. "Even if a majority of their product line is green, the global ecological footprint of a corporation will almost always be beyond measure," he said. "The notion of consolidated corporations is counter to the diversity we need to create an equitable and sustainable economy."

While the Green Festival offsets the carbon emissions of its organizers and hosts carbon-offsetting companies, it doesn’t pretend to be a carbon-neutral event that covers anywhere near all its vendors and attendees. Indeed, environmental activist Josh Hart said that the system of carbon offsets — whereby people, companies, and states can claim to reduce their carbon emissions by investing in carbon-friendly projects elsewhere — represents yet another move in the wrong direction.

Hart went to festival as a representative of Cheatneutral, a satirical company that claims to offset romantic infidelity by paying someone else to be faithful. He said he wanted to expose the "pink elephant in the room" that no one else seemed to discuss at the festival.

"Offsetting is just another way of using the psychological technique of denial. It says you can carry on as normal but pay someone else to be green. This is the wrong approach and it is a fiction, not a reality," he told us. "The festival is putting itself forward as green, but people are doing this really unsustainable thing: flying out to the conference from all around the country for a few days and then leaving. This acts as a greater disservice to what we really need to be doing."

Although Lee did not yet know the carbon emissions total from this year’s festival, she said the five green festivals from last year produced about 900 tons of carbon –- the equivalent of roughly 355 roundtrip cross-continental flights — not including electricity, product consumption, or local travel.

But for Hart, this number represents a "massive underestimate" of the true carbon footprint, considering the number of people who attended the San Francisco event alone. He said the festival should take into account all the people who flew to the event, including company representatives and ticket-buyers, not just festival staff.

"The CO2 from a roundtrip flight from New York to San Francisco is around 2,280 kg, the equivalent of running a refrigerator for more than 22 years. It’s more than running a car all year," he said. "It’s staggering, really, how much carbon flying emits, and how incompatible aviation is with anything purporting to be green."

He added: "I think this issue goes straight to the battle over the heart of the green movement. Are we going to tell people that going green is easy and gloss over the difficult realities? Or are we going to be honest about the science that tells us that dramatic changes in lifestyles are required, in particular how we get around and what we consume?"

Yet for activists like Jenson, the extent to which the festival is carbon neutral is insignificant compared to the role the festival could play as a catalyst for future action.

"It is not the role of the activist to navigate systems of oppressive power, but instead to confront and take down those systems," Jensen said. "The point is, as far as an event like the Green Festival explicitly puts itself up as part of a larger culture of resistance, then I don’t have a problem with it. But if it suggests that in any way it is remotely sufficient to what we’re facing, then we have a problem."

The problem with open primaries

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OPINION California voters will see a ballot measure in June 2010 seeking approval for a "Top-two Open Primary" system. The measure would make it far more difficult for Californians to vote for any candidates other than incumbents and their best-funded challengers. It would also make it even easier for incumbents to get reelected.

Under the measure, all candidates for Congress and state office would run on a single primary ballot in June. Only the top two vote-getters would appear on the November ballot.

This system has been used in two other states, Louisiana and Washington. Louisiana used it for Congressional elections between 1978 and 2006. In all those years, only one incumbent was ever defeated for reelection (except that in 1992, two incumbents lost because they had to run against other incumbents, due to redistricting). Even Rep. William Jefferson (D-La.) was reelected under the top-two system in 2006, although the FBI had raided his Congressional office in May 2006 after $75,000 in bribe money had been found in his freezer.

But when Louisiana switched its Congressional elections to a system in which every qualified party had its own nominee, Jefferson was defeated by Joseph Cao, a Republican. That only happened because a vigorous Green Party nominee, Malik Rahim, polled 3 percent, "spoiling" Jefferson’s chances. Democrats will probably reclaim the seat in 2010 with a better nominee.

During the years Louisiana used top-two, no minor party ever placed first or second in the first round, except once in 2006, and then only because the minor party candidate was the incumbent’s only opposition. Thus, in all the more than 30 years Louisiana used the system, minor party candidates were nearly always missing from the final round.

Washington used top-two once, in 2008. Out of eight U.S. House seats, 8 statewide state races, and 123 legislative races, only one incumbent was defeated in the primary.

The only real change in Washington in 2008 was the elimination of minor party and independent candidates from the November election. For the first time since Washington has been a state, no minor party or independent candidate was on the November ballot for Congress or a statewide state race.

When minor party or independent candidates are kept off the November ballot, they can’t campaign in the summer and fall campaign season. The California proposal even eliminates write-ins in November.

And if the measure wasn’t harmful enough to minor parties, it also changes the rules for how a party retains its state recognition; parties would need approximately 100,000 registered members to survive. Currently the Peace and Freedom Party only has 58,000, so it would lose its place on the ballot. That’s ironic, since in 2008 Peace and Freedom had its best showing for president ever in California — 108,831 votes for Ralph Nader.

The real impetus behind the top-two open primary measure comes from Gov. Arnold Schwarzenegger, who has been pushing this idea since 2004.

Schwarzenegger has shown repeatedly that he doesn’t care about political minorities and voting rights. Twice he vetoed bills that would have made it easier for voters to have their write-in votes count. Twice he vetoed the bill for a compact among the states that would have guaranteed (if enough states passed the idea) that the person who got the most popular votes would win the presidency. He even vetoed a bill to delete some obsolete laws, declared unconstitutional in 1967 by the State Supreme Court, that barred members of the Communist Party from working in public school districts.

Now he wants an undemocratic primary system. The voters should reject it.

Richard Winger is the editor of Ballot Access News.

Can progressives counter a re-energized Newsom?

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By Steven T. Jones

Since my Dec. 4 blog post about Mayor Gavin Newsom reengaging with San Francisco, there have been more signs that he’s back and trying to take control of the city’s agenda. While that may be preferable to an absentee mayor, it’s probably not good news for the progressives, who have nominal control over the Board of Supervisors but seem to be having a hard time putting together effective political plays.

Newsom dropped in on the San Francisco Chronicle’s editorial board yesterday and was rewarded with a splashy lead story about how he and Sup. Sean Elsbernd are proposing a charter amendment to reform the city’s pension system. Apparently, the mayor has dropped his petulant approach to the media and is now using the Chron to proactively build public support for a proposal that most City Hall players hadn’t even heard of yet.

Newsom’s recent choice of Tony Winnicker for a new press secretary – a figure far less caustic and divisive than his two predecessors – also probably signals the mayor’s intent to try to play offense for awhile and chip away at the progressive block. Newsom yesterday announced a new sustainable energy financing program for building owners in the city, which he’s pushing in partnership with Sup. Eric Mar – a progressive who was the swing vote earlier this year for approving a controversial solar project favored by the mayor.

None of this bodes well for the progressive movement in San Francisco.

Cheers!

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arts@sfbg.com

THEATER It’s hardly news, but holiday shows can be fairly dreary treats. Given such periods of seasonal affective disorder as the theater may present, it’s a genuine surprise and pleasure to discover the wit and wile strutting the boards at SF Playhouse — tucked into a far corner of Union Square somewhere just north-by-northwest of that big Christmas tree — where the season offering is a sparkling production of David Greenspan’s She Stoops to Comedy.

Mercifully, the plot has nothing to do with yuletide or smiling through a bad case of rickets. Instead, it concerns a lesbian stage actress named Alexandra Page (male actor Liam Vincent) who decides to disguise herself as a man and try out for Orlando in a summer stock production of Shakespeare’s As You Like It, in order to play opposite her estranged lover, Alison (Sally Clawson), in the part of Rosalind — another cross-dresser twice over since Shakespeare’s character is a woman disguised as a man in a part played, historically, by a boy. Playing opposite, in short, is just what Alexandra does, convincing everyone she is a man — including a besotted middle-aged gay actor named Simon Lanquish (Scott Capurro) — while spying on and ultimately seducing, in seemingly old heterosexual fashion, her charmed lover and costar.

Meanwhile, other romances abound in ways at least as complicated: Alexandra’s ambitious young director Hal (Cole Alexander Smith) and creatively frustrated assistant-and-girlfriend Eve Addaman (Carly Cioffi) balance careers and romance in precarious turn. And a highly affected actress named Jayne Summerhouse (Amy Resnick) seeks to rekindle an old flame with her seeming-opposite of the same sex: the literally down-to-earth archeologist Kay Fein (Amy Resnick) — an encounter that promises sparks, not least because it features only one actor.

But gender, identity, and blocking aren’t the only challenges put forth by Greenspan’s play. In She Stoops to Comedy, even the script is up for grabs, rewriting itself as it goes along through the caprice of characters who are liable to speak to, as much as from, their respective roles. (Kay, for instance, changes decades and job titles with relative ease.) Cunningly employing Shakespeare and other literary touchstones — in particular a 1910 play by Ferenc Molnár called The GuardsmanShe Stoops traipses over aesthetic and even philosophical ground after its carefree but astute fashion. It’s a self-consciously theatrical enterprise that gleefully eschews expectations, squirming pleasantly under the usual theatrical artifice as if looking to satisfy a really good itch.

A dazzling bit of low-key stagecraft, She Stoops is a tall order for any company. In director Mark Rucker’s staging, the action comes off as a pitch-perfect balance of wit and wonder, a loving riff on acting, connecting, and the role of the imagination in art and life. Heady and hilarious at once, it’s metatheater with a pulse, sporting plenty of fine opportunities for an exceptional cast — beginning with Liam Vincent, whose poise and subtlety in the lead are perfection — and including a couple of memorable scenes of actorly pyrotechnics exquisitely realized by Capurro and Resnick, respectively.

SHE STOOPS TO COMEDY

Through Jan. 9

Tues., 7 p.m.; Wed.–Sat., 8 p.m. (also Sat, 3 p.m.), $40

SF Playhouse

533 Sutter, SF

(415) 677-9596

www.sfplayhouse.org

Winter wonderland

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andrea@mail.altsexcolumn.com

Dear Andrea:

Every year I dread this season, not because I particularly hate the holidays, but because the short, dark days depress me. I talked to a therapist friend and she doesn’t think I have SAD, and says lots of people feel a little gloomy when the days get short. I also notice that I have almost no libido this time of year. I’m single and I usually date, but when it gets dark so early, I find that I just can’t be bothered. I don’t want to meet anyone because I don’t feel like having sex or any sort of intimacy, really. I just want to sit on my couch in my pajamas. Do I have "seasonal libido disorder"? Is this kind of seasonal swing a common thing? I also find I get the stereotypical "spring fever" and can’t wait to go out and meet guys (I’m a girl) when the days get longer. Any ideas?

Love,

Poorly Seasoned

Dear Poorly:

You’re not the only one! Even people who need look no further than the other end of the couch often experience a libido-slump in the winter. For the single, who may have to actually leave the house to find a prospective mate, the hurdles are higher. There are all sorts of possible factors, including less exercise and its possibly associated weight gain and/or lack of energy, as well as the bigger push it takes to get up and bundle yourself into cold-weather gear and slog through sleet or slush, as opposed to merely flitting out the door in a darling little sundress whenever you feel like it. There is holiday stress and all those happy couple and happy family images forced down your throat all season, set to the anti-erotic soundtrack of "Winter Wonderland." Feh.

It may turn out that there is something far more elemental going on, though. It appears that you don’t have to be human or trying to avoid Perry Como songs in order to experience a very precipitous drop in libido during the winter. Siberian hamsters, for instance, never have to listen to Perry Como (actually, I looked it up and was entranced by this list of people [besides Como] who famously recorded that nasty thing: Bob Dylan, Tom Astor, George Strait, Tony Bennett, Karen Carpenter, Bing Crosby, Rosemary Clooney, Eurythmics, Elvis, Goldfrapp, Cyndi Lauper, Darlene Love, Johnny Mathis, Ozzy Osbourne, Dolly Parton, Frank Sinatra, Stryper, the Cocteau Twins, and Enrico Ruggeri) and their libidos completely shut off in the winter.

It turns out that a neuropeptide called, adorably but only coincidentally, "kisspeptin" regulates the release of the reproductive hormones — gonadatropin-releasing hormone and luteinizing hormone — and allows animals (that includes us) to reach puberty, ovulate, and (at least in the hamsters) experience the urge to go out and meet other hamsters. I doubt it will turn out to be this simple in humans, but for the hamsters, kisspeptin is libido. And it turns right off in the winter. They just stop making it. It’s cheering to hear, though, and not just for the hamsters, that hamsters given kisspeptin during the winter still respond to it. It appears that it’s the kisspeptin that keeps the hamsters from reproducing during the Siberian winters, which is very good news for the baby hamsters. And it suggests the possibility for all sorts of future kisspeptin-based treatments, not just for libido and maybe late (or too-early) puberty but for infertility. Yay! But we’re getting ahead of ourselves here. None of this works yet, unless you’re a Siberian hamster.

I know I’m weird this way but I always enjoy a sudden sharp reminder that we are, despite our opposable-thumb-wielding, Wikipedia-consulting ways, really just very large hamsters. We are living in real bodies that exist on a real planet (with seasons) and that have barely changed since our tree-swinging days. Our bodies know this, even if our monkey minds often get too distracted by the bright shininess of modern technological existence to pay attention. Of course the seasons affect us.

So what can you do? Your therapist friend may be right, maybe you don’t have the sort of seriously sad SAD that requires serious intervention, but maybe you have subsyndromal seasonal affective disorder, the milder kind (I’m willing to bet that I do, and we have plenty of company). Maybe you have low kisspeptin. Maybe you just don’t like the dark. You could do the light-box therapy anyway, no matter what your friend says, and just see if it works. You could take a lovely "get your groove back" beach vacation. You could make sure you get out of the office every day at lunch. Or you could just figure that having a low libido for three months a year is not the most horrible thing that could possibly happen, and hibernate until it’s over. You wouldn’t be the first mammal to just pull the covers over her head and wait for the solstice. Your next mate can wait.

Love,

Andrea

See Andrea’s other column at carnalnation.com.

Missed buses

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news@sfbg.com

Buses seemed more crowded than usual the weekend of Dec. 5-6 as the San Francisco Municipal Transit Agency implemented what it called "the most significant change in more than 30 years," which altered more than half of Muni routes and upset some frequent riders.

The changes were made to save money, although some routes were beefed up in the process. For example, the 26 Valencia was eliminated because of low ridership, but the 14 lines along nearby Mission Street were expanded with longer operating hours and more stops to compensate for discontinued routes. The 9X, 9AX, and 9BX Bayshore Express lines that go through Chinatown have been reorganized and renumbered 8X, 8AX, and 8BX.

"We have a lot of duplicate service either one or two blocks away from another service," SFMTA Executive Director Nathaniel P. Ford said about the reductions and reorganization at a Dec. 2 press conference.

The new route changes are part of a comprehensive plan to deal with dwindling resources and close a $129 million budget deficit. But it will take time for the changes to yield cost savings. "The actual service we are putting on the street — bus-by-bus, dollar-by-dollar — it’s almost a net zero gain in terms of savings," Ford said.

He said the real savings come from the changes made in the bus operator schedule. The projected annual savings from the operator schedule is calculated to be $3.2 million annually. The key element of the route changes is efficiency. "In this particular case, we have been able to enhance the system and maximize our resources overall," Ford said.

But many riders aren’t happy with the changes, and the transit agency still faces an additional $45 million deficit for this fiscal year, partly because it has yet to move forward with plans to extend parking meter hours (see "We want free parking!" Oct. 28) or pursue other revenue generators.

Upset riders

SFMTA says it deployed about 150 agency employees throughout the city as ambassadors to help riders make sense the route changes. No ambassadors were seen over the weekend when the Guardian went out to check out the changes in Chinatown and the Mission District, although notification signs in English, Spanish, and Chinese were posted.

"We do not want customers waiting for buses, for example, that are not coming," said Julie Kirschbaum, project manager of the Transit Effectiveness Project (TEP), the study on which the route changes were based. "And so we are working very hard to interact with customers."

Not hard enough for those in the Chinese-American community, according to a Nov. 19 Streetsblog San Francisco article. Community advocates report the agency didn’t thoroughly inform Chinatown and Visitacion Valley residents about renumbering the Bayshore Express.

When the Guardian asked Ford about this lack of communication, he said that his agency has tried to work closely with the Chinese-American community and other non-English speaking communities. "I think there’s an opportunity for us to continue the dialogue in terms of our communication and outreach," Ford said. He also expects to receive some "positive and not-so positive" comments in the coming weeks.

Some working-class riders are naturally upset over the discontinued routes, particularly the 26 Valencia. Apartment maintenance worker Norm Cunningham said he "wished they hadn’t" discontinued the 26, because it was less crowded than the 14 Mission, which will bear the brunt of diverted passengers. "Now I have no choice but to take the 14," Cunningham told us.

Fast-food worker Damon Johnson said he has already noticed a change in what he called "one of the more reliable" transit systems, including unnecessary delays. "It’s starting to become unreliable," Johnson said. "Now it’s just like the rest of them." Rider Christina Lowery said Muni is still reliable, but she is bummed out by the fare increases, which this year climbed to $2 a ride. Cunningham fears that eventually the price will go up even more. In fact, monthly passes have spiked to $55, and an additional $5 increase is expected next month.

Ford is aware of the financial burden on passengers and said no further increases are currently being considered to solve the budget crisis. Mayor Gavin Newsom also addressed the issue Dec. 3, telling the Guardian: "I don’t want to see an increase in Muni fares."

Ongoing problem

At the moment, Ford said, SFMTA is "100 percent focused" on the route changes, although the budget crisis is always lurking in the background. "We are working with the MTA board as it relates to potential solutions to that $129 million dollar deficit."

As to the stalled proposal to extend parking meter hours that could bring in more revenue, the discussion is ongoing, Ford said. "We have committed to do some meetings with the business communities, and we will bring all of that back to the MTA board at some juncture in terms of making some decisions to close that budget gap."

But future service cuts and additional route changes are possible as a way of dealing with the "physics of our finances," as Ford put it. "Our budget continues to be a challenge but I think this is a great first step in increasing our ridership for the system by providing better service on those corridors that seem to need more capacity, more frequency."

The silver lining for Ford is that this rollout has forced his agency to take a hard look at streamlining Muni. SFMTA officials expect to make further changes and tweaks to Muni over the next six months. For now, you can visit www.sfmta.com or call 311 to see how your commute is affected.

Losing hope

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news@sfbg.com

In the back room of Tommy’s Joynt, more than a dozen members of the antiwar group Code Pink gathered Dec. 1 to watch television coverage of President Barack Obama’s speech announcing that 30,000 more U.S. troops would be sent to fight in Afghanistan, his second major escalation of that war this year.

“This is not the hope you voted for!” read a flyer distributed at the event.

Yet even among Code Pink’s militant members, reactions ranged from feeling disappointed and betrayed to feeling validated in never believing Obama was the agent of change that he pretended to be.

Jennifer Teguia seemed an example of former, while Cecile Pineda embodied the latter. “Right down the line, it’s been the corporate line,” Pineda told us, citing as examples Obama’s support for Wall Street bailouts and insiders and his abandonment of single-payer health reform in favor of an insurance-based system. “For serious politicos, hope is a fantasy.”

Throughout the speech, Pineda let out audible groans at Obama lines such as “We did not ask for this fight” and “A place that had known decades of fear now has reason to hope.” When the president promised a quick exit date, Pineda labeled it “the old in and out.” And when Obama made one too many references to 9/11, she blurted out, “Ha! 9/11!” and “He sounds just like Bush!”

But Teguia just looked saddened by the speech, and maybe a little weary that after nearly eight years of fruitlessly fighting Bush’s wars, the movement will now need to reignite to resist Obama’s escalation, which will put more U.S. troops in Iraq and Afghanistan than Bush ever deployed.

“People are feeling tired and overwhelmed. We’ve been doing this year after year, and it’s endless. People are feeling dispirited,” Teguia told me just before the speech began.

She and other Obama supporters were willing to be patient and hopeful that Obama would eventually make good on his progressive campaign rhetoric. “But people are starting to feel like this window is closing,” Teguia said. “Now it’s at the tipping point.”

Obama has always tried to walk a fine line between his progressive ideals and his more pragmatic, centrist governing style. But in a conservative and often jingoistic country, Obama’s “center” isn’t where the antiwar movement thinks it ought to be.

“Obama is trying to unite the establishment instead of uniting the people against the establishment,” Teguia said.

That grim perspective was voiced by everyone in the room.

“Not only is he not clearing up the mess in Iraq, he’s escautf8g in Afghanistan,” said Rae Abileah, a Code Pink staff member who coordinates local campaigns. “I think people are outraged and frustrated and they’ve had enough.”

Perhaps, but the antiwar movement just isn’t what it was in 2003, when it shut down San Francisco on the first full day of war in Iraq. And the fact that Obama is a Democrat who opposed the Iraq War presents a real challenge for those who don’t support his Afghanistan policy and fear that it will be a disaster.

Democratic dilemma

Obama’s announcement — more then anything Bush ever said or did — is dividing the Democratic Party establishment, and the epicenter of that division is in San Francisco.

Rep. Nancy Pelosi is the Speaker of the House, second in command of the Democratic Party, essentially the person most responsible for the success or failure of a Democratic president’s agenda in Congress. She also represents a city where antiwar sentiment is among the strongest in the nation — and many of her Bay Area Democratic colleagues have already spoken out strongly against the Afghanistan troop surge.

Lynn Woolsey, the Marin Democrat who chairs the Progressive Caucus, issued a statement immediately following Obama’s speech in which she minced no words: “I remain opposed to sending more combat troops because I just don’t see that there is a military solution to the situation in Afghanistan,” she said, adding that “This is no surprise to me at all. I knew [Obama] was a moderate politician. I’ve known it all along.”

Woolsey told the Contra Costa Times that she thinks a majority of Democrats will oppose funding the troop increase — and that it will pass the House only because Republicans will vote for it.

Barbara Lee, (D-Oakland), the only member of Congress to vote against sending troops to Afghanistan eight years ago, has already introduced a bill, HR 3699, that would cut off funding for any expanded military presence there.

George Miller, (D-Martinez), has been harsh in his criticism. “We need an honest national government in Afghanistan,” Miller said in a statement. “We don’t have one. We need substantial help from our allies in the region, like Russia, China, India, and Iran. We are not getting it. We need Pakistan to be a credible ally in our efforts. It is not. We need a substantial commitment of resources and troops from NATO and our allies. While NATO is expected to add a small number of new troops, other troops have announced they are leaving. We need a large Afghan police force and army that is trained and ready to defend their country. We don’t have it.”

So where’s Pelosi? Hard to tell. At this point, she’s refused to say whether she supports the president’s plan. We called her office and were referred to her only formal statement on the issue, which says: “Tonight, the president articulated a way out of this war with the mission of defeating Al Qaeda and preventing terrorists from using Afghanistan and Pakistan as safe havens to again launch attacks against the United States and our allies. The president has offered President Karzai a chance to prove that he is a reliable partner. The American people and the Congress will now have an opportunity to fully examine this strategy.”

That sounds a lot like the position of someone who is prepared to support Obama. And that might not play well in her hometown.

The San Francisco Democratic County Central Committee has been vocal about criticizing the wars in Iraq and Afghanistan, and on July 22, 2009, the committee passed a resolution demanding an Afghanistan exit strategy. There’s a good chance someone on the committee will submit a resolution urging Pelosi to join Woolsey, Lee, and Miller in opposition to the Obama surge. “I’ve been thinking about it,” committee member Michael Goldstein, who authored the July resolution, told us.

That sort of thing tends to infuriate Pelosi, who doesn’t like getting pushed from the left. And since there are already the beginnings of an organized effort by centrist Democrats and downtown forces to run a slate that would challenge progressive control of the local Democratic Party, offending Pelosi (and encouraging her to put money into the downtown slate) would be risky.

Still, Goldstein said, “she’ll probably do that anyway.”

And it would leave the more moderate Democrats on the Central Committee — who typically support Pelosi — in a bind. Will they vote against a measure calling for a withdrawal from Afghanistan? Could that be an issue in the DCCC campaign in June 2010 — and potentially, in the supervisors’ races in the fall?

In at least one key supervisorial district — eight — the role of the DCCC and the record of its members will be relevant, since three of the leading candidates in that district — Rafael Mandleman, Scott Wiener, and Laura Spanjian — are all committee members.

Tom Gallagher, president of the Bernal Heights Democratic Club and author of past antiwar resolutions at the DCCC, acknowledged what an uphill battle antiwar Democrats face.

“The antiwar movement today is a bunch of beleaguered people, half of whom have very bad judgment,” he said. “I’m afraid a lot of people have just given up.”

On the streets

The day after Obama’s speech, Code Pink, the ANSWER Coalition, and four other antiwar groups sponsored a San Francisco rally opposing the Afghanistan decision — the first indication of whether Bay Area residents were motivated to march against Obama.

ANSWER’s regional director Richard Becker told us the day before, “I think we’re going to get a big turnout. The tension has really been building. We may see a revival.”

But on the streets, there wasn’t much sign of an antiwar revival, at least not yet. Only about 100 people were gathered at the intersection of Market and Powell streets when the rally begun, and that built up to maybe a few hundred by the time they marched.

“I’m wondering about the despair people are feeling,” Barry Hermanson, who has run for Congress and other offices as a member of the Green Party, told us at the event. He considered Obama’s decision “a betrayal,” adding that “it’s not going to stop me from working for peace. There is no other alternative.”

As Becker led the crowd in a half-hearted chant, “Occupation is a crime, Afghanistan to Palestine,” Frank Scafani carried a sign that read, “Democrats and Republicans. Same shit, different assholes.”

He called Obama a “smooth-talking flim-flam man” not worthy of progressive hopes, but acknowledged that it will be difficult to get people back into the streets, even though polls show most Americans oppose the Afghanistan escalation.

“I just think people are burned out after nine years of this. Nobody in Washington listens,” Scafani said. “Why walk around in circles on a Saturday or Sunday? It doesn’t do anything.”

Yet he and others were still out there.

“I think people are a little apathetic now. Their focus in on the economy,” said Frank Briones, an unemployed former property manager. He voted for Obama and still supports him in many areas, “but this war is a bad idea,” he said.

Yet he said people are demoralized after opposing the preventable war in Iraq and having their bleak predictions about its prospects proven true. “Our frustration was that government ignored us,” he said. “And they’ll probably do the same thing now.”

But antiwar activists say they just need to keep fighting and hope the movement comes alive again.

“We don’t really know what it is ahead of time that motivates large numbers of people to change their lives and become politically active,” Becker told us after the march, citing as examples the massive mobilizations against the Iraq War in 2003, in favor of immigrants rights in 2006, and against Prop. 8 in 2008. “So we’re not discouraged. We don’t have control over all the factors here, and neither do those in power.”

Antiwar groups will be holding an organizing meeting Dec. 9 at 7 p.m. at Centro del Pueblo, 474 Valencia, SF. Among the topics is planning a large rally for March 20, the anniversary of the Iraq War. All are welcome.

Sprinting toward Babylon

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VISUAL ART I remember the first time I heard about Conrad Ruiz. I was standing by the fire on the patio of the Eagle, a spot that for me is a site of great tidings. A pair of talented San Francisco artists told me with enthusiasm about this young painter whose large-scale works depicted things like a man riding the nose of a killer whale as it burst forth from a pool, or a coach getting a golden shower of Gatorade from his triumphant team. According to their accounts, Ruiz magnified and entwined the absurdity and ecstasy of his subject matter. I had some cathartic laughs just imagining his paintings.

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Detail from Overload. Challenger explosion not pictured.

When I first “saw” Ruiz’s art, online, it exceeded my expectations. In particular, I was blown away by Overload [2009], which among other things deserves consideration as the best piece of “Barack Obama art” to date. Panoramic and vibrant even when shrunk 25 times in size, Ruiz’s watercolor works on paper and canvas once again incited a convulsive reaction. I laughed my ass off upon seeing works such as New Fall Lineup [2009] for the first time. But the longer I looked, the more caught up in wonder I became about their myriad tiny details and teeming — at times disturbing subtextual currents.

What goes on in Ruiz’s imagination? On the eve of his first solo show, at San Francisco’s Silverman Gallery, I caught up with him as he navigated the social conflagration of Art Basel Miami, the megafair where at least one magazine tipped him as the leader of a “new generation of art stars.” Whatever one makes of that claim, Ruiz — who is also plotting some collective artistic efforts with friends — is the splashiest crest of an exciting new wave of young California painters.

SFBG How are you doing?
Conrad Ruiz I’m alright. I’m just sitting on South Beach. I wanted to find a place to gather my thoughts, and I’m watching this guy tan himself. I can’t believe he’s doing that. He’s got these great stomach muscles. [Curator and Berkeley Art Museum director] Larry Rinder and I were talking about doing sit-ups before we came here, but we both just got busy — we never did it.

Miami’s fun. I kind of wish I could take my shirt off everywhere, but I feel a little bit squishy.

SFBG It seems like your art would look good in Miami.
CR The colors are finding a home here. There are a lot of bright red and yellow bikinis around. This couple nearby are either arguing or also tanning themselves. They just sit and look at the sun, kinda like lizards.

SFBG What do you think of the Tiger Woods news frenzy right now? I wondered about your take on him. In a way, I thought he might not fit along with some of the athletic figures you depict, because golf isn’t so much about dynamism.
CR But you always hear comedians say, “Just leave it to a black American to dominate another sport.” Chris Rock essentially says, “Wait till we get on ice skates, man, we’re going to take over hockey.”

Tiger Woods has been developed into this brand, aligned with Nike. It’s a very intelligent campaign. It’s not Obama, but he’s been this person who can do no wrong. That’s the personality that has developed through whoever is handling his marketing. It’s more than his being an excellent golfer, he’s also been displayed as this great human. We don’t know that much about him, and then something like [the car accident and ensuing scandal] happens. It’s all we get, and it’s kind of sketchy, and it happened to fall on this awesome Thanksgiving weekend. I thought, “All must be right in the world if the only thing we have to talk about is Tiger Woods getting hit with a golf club by his wife.” If that’s what actually happened.

SFBG People are already Photoshopping and digitally animating visions of that.
CR That’s my job — to look up all that stuff.

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SFBG Does 1970s cinema have any place in your mind’s eye? The Jaws [1975] shark in your painting Rough Riders [2008] and the disaster film or Towering Inferno-like [1974] quality of works like New Fall Lineup made me wonder. I could see that I might be wrong about the latter, since a flaming, exploding skyscraper has other obvious connotations.
CR My work really started with that time period and in painting advertising from that era. The colors were a lot more primary. When I was painting those advertisements, the work was more sarcastic. That beginning body of work was about developing this snarky character that evolved into what I’m making now.

It is about going back and catching some of the ridiculousness of what was so popular at one time. When you watch a disaster film now, you know the history of those celebrities. It’s hard for me to relate to that period of time, but it’s easy for me to relate to early 1990s movies like the Naked Gun franchise — O.J. Simpson was in those — and the Terminator flicks. Those are ridiculous and fun. I like them, and of course [lowers voice], that’s my Governor.

Everyone says “I hate that guy,” but even though I think [Schwarzenegger]’s doing a terrible job, I don’t want my politicians to be these people I don’t know — I’d rather have them be these celebrities I hate. If I’m going to hate who’s in office, I’d rather have it be Sylvester Stallone or somebody.

SFBG When you make work that has a contemporary element, there’s always a danger of it becoming instantly dated. But I think some of your work is both timely and ahead of its time. Overload, for example, just becomes more and more evocative.

The NASA element of the piece, with the Challenger exploding, is taking on new facets as Obama is increasingly identified with the military and space program. I saw a show at Altman Siegel Gallery by Matt Keegan earlier this year that utilized a New York Times front page photo of Obama boarding Air Force One for the first time. That’s a more direct example of what I’m talking about. Six months ago, that image had a different connotation.
CR I was really hoping Obama would get elected, because I started Overload before the election.

SFBG I have to ask about the Challenger’s presence in Overload. I was talking with the artist Colter Jacobsen recently about the fact that I’d like to put together a show of Challenger-related art. Within the art world, there are at least a dozen or so people who have incorporated the Challenger one way or another into work. That’s not even counting how it has manifested as band and album names and jokes in popular culture.
CR For me, it would be great to ask the artist about the original idea behind making a Challenger painting. Everyone has a different a point of view about what’s going on. I always feel like I’m casting with my paintings. There are these scenarios that have never happened, and since I get to decide what’s happening, I also decide who is the star —whether it’s someone from a B movie, an unsung celebrity, a friend who I’m giving a big break, or someone from a blockbuster, like Eddie Murphy and David Alan Grier.

109-cover3.jpg

Overload is a blockbuster sort of painting. I cast that [Challenger] explosion because I thought it was a very unique, amazing explosion. Once I began painting it, people began talking about its relevance, because it says something different when Obama is flying towards it, possibly causing it or stopping it.

To be very honest, I didn’t initially know it was the Challenger exploding. My Mom told me. She’s a teacher, so to her it was a terrible thing, and she asked me to really consider what I was doing. I told her, “That’s perfect.” Because to me the painting is about Obama coming to the rescue and shitting these energy projections — either he’s going to stop the war, or he causing some trouble of his own.

A few paintings later [in New Fall Lineup] I painted the Twin Towers exploding for a similar reason. I was casting this unique explosion and trying to create a different scenario with it.

SFBG I don’t often self-identify in generational terms, but when I was talking about the Challenger explosion with Colter [Jacobsen], he was saying that he had referred to it while teaching a class, and that it wasn’t even a memory for many students. Whereas for he and I, there was the teacher element, and also the fact that everyone was watching the Challenger at school that day. So as a disastrous event, it was similar to 9/11 in that the day just stopped.
CR The Challenger explosion has a lot to do with failed promise, doesn’t it? There was tremendous hope about what was about to happen, and it all fell apart in one second.

There’s an element of comedy that I’ve kind of borrowed from Richard Pryor. As I watch his stuff, it’s more like performance art. What he talked about wasn’t funny at all, it was actually horrible. He was an interesting character in that he talked about things that were definitely not right, but did so in a way that everyone would be laughing. Comedy is a way of passing serious information without being worried about the consequences. That makes it kind of a new territory. Dave Chappelle was able to say some unique and terrible things in this fun format.

SFBG It’s interesting that you bring up Chappelle, because after he hit his sort of Challenger moment on the pop culture stage and went away, Block Party [a.k.a. Dave Chappelle’s Block Party, 2006] came out.
CR That’s a beautiful movie.

SFBG It was released during the final stretch of all the jockeying for Academy Awards in Hollywood. All these talking heads were going on about which movies were important, and I remember thinking that Block Party was more important or vital and connected to the world than any of them.
CR/strong> His stuff is always about pointing out differences, and bringing together ideas of social class hierarchy. In a roundabout way, that’s what he did [in em>Block Party]. He brought together a lot of high-end artists and gave a free show. It was about giving to the people or the neighborhood. The idea of a barbecue, a barbecue block party, also has an ethnic connotation to it.

SFBG There is a lot of athletic imagery in your art, and I don’t want to reduce it to masculinity or sexuality, but I do want to ask about being drawn to those kinds of visuals, or wanting to render them.

Veronica De Jesus does some sports-oriented work that’s quite different from yours, but also has a terrific sense of humor. Sports are quite iconic — moments like an Olympic runner tumbling or Zidane’s headbutt become part of the collective consciousness. But beyond that, there’s an ecstatic, colorful, lively quality to your sports imagery.
CR Sports have always been a part of my life. My mom and dad were very athletic at one time, and they encouraged my brother and me to take part in sports. The alternative was for us to be on our own, and they knew we had a lot of Latino friends, so of course I was just going to get into trouble. So I was enrolled in soccer and taekwando. I was a sprinter in high school, and I was on the football team.

[The paintings] are a culmination of all the things you’re talking about. The outfits these athletes wear are designed to be eye-catching, with these primary colors. The Denver Broncos have that awesome dark blue with orange …

SFBG I love that combo. I just put together a sports cinema program with a film curator at Yerba Buena Center for the Arts, and when I’d introduce a movie from the 1970s, I’d always mention the athletic fashions.
CR Everything is designed to be the most freaking amazing thing possible, because these people are performing acts that no one else can do — they’re leaping through the air catching a ball thrown from very far away while wearing purple and yellow. The performance and exertion is incredible, and at the same time, what can make it even greater is being in a stadium where everyone is screaming their lungs out at the same time. Whether it’s an epic win or colossal failure, it’s still that climax. The climax doesn’t mean that it’s good — it’s a peak of performance.

When I’d meet with advisors at CCA [California College of the Arts], we’d really break it down, and they could easily talk me out of making my work. When you get down to it, what I’m doing is a little ineffective, and what would be more effective, to really get my idea across, would be to just play soccer with a group. I’d be performing, I’d be creating these intimate male relationships. I could actually be slapping some guy’s butt instead of painting around it. Joining a soccer team would be more efficient.

SFBG Maybe you and Luke [Butler, a fellow Silverman Gallery artist whose work engages with masculinity] should join a soccer team.
CR [Laughs] Yeah.

SFBG There is some commonality between your work, and also some major differences.
CR I think it’s because I’m the boy and Luke is the dashing man. I’m looking to be a man and trying to figure out what a man is, while Luke is a dashing man looking sideways.

CONRAD RUIZ: COLD, HARD AND WET
Fri/11 through Jan. 30, 2010
Silverman Gallery
804 Sutter, SF
(415) 255-9508
www.silverman-gallery.com

Our weekly picks

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WEDNESDAY 9th

DANCE/PERFORMANCE

Keith Hennessy: Saliva: The Making of and Saliva


Saliva is probably Keith Hennessy’s best known and least seen work of the last 20 years. When it premiered on a cold December night in 1988 under a San Francisco freeway overpass — and when it was performed again in March 1989 — it had not been advertised, word got around in the underground arts community. Saliva was a ritualistic solo in which Hennessy forcefully, poetically, and hopefully spoke for his own manhood and for a community caught in the anguish of AIDS. To use spit — an "uncouth" bodily fluid — as healing balm was a revolutionary act in both humanistic and theatrical terms. It may be difficult in 2009 to recreate the sense of pain, helplessness, and fury that generated the work. But isn’t that what memorials are for? Lest we forget, these events are the opening act of a celebration of Hennessy’s work and contribution to the Bay Area that continues in January. (Rita Felciano)

Saliva: The Making of discussion and screening: 7:30 p.m., free

CounterPULSE

1310 Mission, SF

Saliva performance: Sun/13, 8 p.m.; $15–$25 (no one turned away)

check www.circozero.org for location, SF

www.brownpapertickets.com

THURSDAY 10th

MUSIC

Espers


Don’t expect fairy folk and mythical critters to prance through the new Espers album, III (Drag City) — regardless of song titles like "Trollslända." That’s Swedish for dragonfly, band member Meg Baird assures me. Despite appearances and a name that evokes paranormal-minded cultists, it’s clear the group of mostly Philadelphians is more earthy and no-nonsense, as Baird reels off the various scratch song names and ideas Espers toyed with as they were making III — a witchy, intoxicating blend of psychedelia, prog, and English folk revival. For Baird’s interview, see this week’s Noise blog. (Kimberly Chun)

With Wooden Shjips and Colossal Yes

8 p.m., $13–$15

The Independent

628 Divisadero, SF

(415) 771-1421

www.independentsf.com

EVENT

Historic Libations


San Franciscans have long enjoyed a romance with alcohol — from the debauchery of the Barbary Coast era to the modern renaissance of the artisan cocktail, the City by the Bay knows how to knock ’em back. You can celebrate this high-proof history at Historic Libations, a party inspired by Cocktail Boothby‘s American Bartender (Anchor Distilling, 152 pages, $14.95), an expanded reprint of a classic 1891 book by one of the city’s earliest and most influential mixologists. Revelers can sample a variety of uniquely San Francisco cocktails, including the pisco sour and the Martinez. At the end of the festivities, they’ll be given their own copy of the book to take home and consult to perfect historic and potent concoctions. (Sean McCourt)

6 p.m., $40–$50

California Historical Society

678 Mission, SF.

(415) 357-1848, ext. 229

www.californiahistoricalsociety.org.

THEATER

SF Mime Troupe 50th Anniversary Exhibition Birthday Bash


Even if 50 is the new 40, it’s rare for many 50-year-olds to be as robust as the SF Mime Troupe. Challenging entrenched racism, endemic poverty, and politics-as-usual regionally and nationally since 1959, the Mime Troupe has earned theatre’s greatest awards — three Obies, a Tony, and an obscenity trial. Celebrate a half-century of provocative street performance — and toast the next 50 with one of San Francisco’s most venerable, anti-institutional institutions— at this birthday party, which includes a special staging of its 1981 Christmas Carol remix Ghosts, an ode to those displaced by the building of the nearby Moscone Center. Stop back on Saturday for a four-hour interactive workshop with Mime Troupe collective members Ed Holmes and Keiko Shimosanto in which participants will be called upon to create their own "anticonsumption" pageant and parade it through downtown SF. (Nicole Gluckstern)

Performance: 7:30 p.m., free

Workshop: Sat/12, 12:30 p.m., $15

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

www.sfmt.org

FRIDAY 11th

FILM/MUSIC

Artists’ Television Access 25th Anniversary


The year 1984 contained delights and horrors, some more Orwellian than others: Ronald Reagan, Apple computers, Cabbage Patch Kids, Mary Lou Retton, Gremlins, Dynasty, New York’s "subway vigilante," American punk rock, etc. Amid that churning, neon-wearing, Cold War-tensed milieu, Artists’ Television Access was formed, and the activism-through-art hub has been keeping tabs on news and culture ever since. Toast 25 years of independent, radical, community-oriented programming at ATA’s Valencia Street gallery, the site of both a decades-spanning screening of works by staff and associates (Lise Swenson, Craig Baldwin, Rigo 23, Konrad Steiner) and a day-long musical get-down (with Ash Reiter, Eats Tapes, a raffle, and much more). (Cheryl Eddy)

"ATA 25: Quarter Century of Alternative Work": 7:30 p.m., free

"Underground — Experimental — Unstoppable": Sun/13, 11 a.m.–10 p.m., $10

Artists’ Television Access

992 Valencia, SF

(415) 824-3890

www.atasite.org

MUSIC

Eyehategod


Hell yeah, y’all: New Orleans’ legendary Eyehategod is coming to town, seeping into your eardrums on a slow-moving sludge tide of doom, noise, reefer smoke, and fuck-the-system politics. Singer Mike Williams famously overcame his heroin addiction during a post-Katrina jail stint, and the band — semi-dispersed since the early aughts, with most members engaged in other projects (Down, Mystick Krewe of Clearlight, Soilent Green, etc.) — is at last back on the road. Everyone who’s been fiending since 1993’s Take as Needed for Pain (Century Media) can finally feast on what Decibel magazine called "a series of buzzing, lurching dirges steeped in feedback and contempt." (Eddy)

With Stormcrow, Brainoil, Acephalix

8 p.m., $20

DNA Lounge

375 11th St, SF

(415) 626-1409

www.dnalounge.com

DANCE

Mark Morris Dance Company: The Hard Nut


If you have never seen The Hard Nut, Mark Morris’ extraordinarily musical and equally touching and hilarious version of the holiday classic, go now. The times are a-changing in Berkeley as well, and it may be quite some time until this glittering jewel comes back. The company is not scheduled to perform it here again in the near future. Morris set the piece in a cartoon version of the ’60s, removed some of the sugar but not much of the sweetness, kept the family spirit (though somewhat reinterpreted) alive, and heard things in the music as only he can. You will never see a dance of the Snowflakes — brilliant — like that and the grand pas de deux becomes a glorious grand pas de tutti. The score — Morris used every single note — will be performed live by the Berkeley Symphony conducted by Robert Cole. (Rita Felciano)

7 p.m., (through Dec. 20), $36–$62

Zellerbach Hall

UC Berkeley Campus, Berk.

(510) 642-9988

www.calperfs.berkeley.edu

SATURDAY 12th

EVENT

Tetris Tournament


Hey Tetris Master, here’s your chance to finally go out on Saturday night, do something semi-social at an art gallery, and win a prize — all while playing your favorite game of Tuck-Every-Tile-Rack-In-Snugly. But don’t get carried away: although you’ll have a chance to impress everyone with your phenomenal organizational skills, you won’t be taking anyone home. One other thing: you’re not going to have those cute little Tetris ditties to keep you in rhythm. Instead, there will be live bands (Microfiche, White Cloud, and Middle D). They might remind of those well-worn synth loops, but they’re more dynamic, more human. This is the night you’ve been waiting for; don’t let that sheep baaaaaah. (Spencer Young)

8 p.m., $5–$15 (free with membership)

The Lab

2948 16th St., SF

(415) 864 8855

www.thelab.org

FILM

San Francisco Silent Film Festival Winter Event


Perfectly timed as an antidote for all the year-end noise at first-run theaters, the SF Silent Film Festival Winter Event dips into cinema history, unspooling films made long before Peter Jackson got his mitts on CG technology or Guy Ritchie decided Sherlock Holmes should learn kung fu. The four selections include a 1927 Thailand-shot adventure from the future minds behind the original King Kong (1933), Chang: A Drama of the Wilderness; a U.S. premiere (90 years after the fact!) in Abel Gance’s 1919 World War I epic J’accuse; the Tod Browning-Lon Chaney collabo West of Zanzibar (1928); and a pair for Buster Keaton fans: the 1921 short The Goat, and delightful 1924 featurette Sherlock Jr. (Eddy)

11:30 a.m., $14–$17 per film (all-day pass, $52)

Castro Theatre

429 Castro, SF

1 (800) 838-3006

www.silentfilm.org

EVENT

Bazaar Bizarre


Handmade letterpress stationery, Scottish shortbread, dolls dressed up in home-knitted pinafores, wind chimes made from rusted dining utensils — love those old fairs and festivals. This local incarnation of the nationwide Bazaar Bizarre includes a one-woman metal studio, ceramic wares, boutique cupcakes, children’s clothes, hand-bound books, silk-screened apparel — and birds as finger jewelry. There will also be music by Slide and Spin Studios, crafty workshops, and giveaways. Get ready to overdose on cuteness and creativity. (Jana Hsu)

Noon–-6 p.m. (also Sun/13, noon–6 p.m.), $2 (children free)

San Francisco County Fair Building

Golden Gate Park

Ninth Ave and Lincoln, SF

(415) 831-5500

www.bazaarbizarre.org

SUNDAY 13th

MUSIC

Jenny Scheinman


As any music aficionado knows, describing an act that avoids prescribed categories can result in verbal apoplexy of a most unfortunate kind. How then to best convey the many talents of one Humboldt County-born Jenny Scheinman, whose collaborative projects and studio sessions have ranged over the years from avant-garde jazz to moody blues, and whose formidably-wielded violin is the perfect foil for her straight-shooting, honky-tonk-inflected voice? From John Zorn’s Tzadik label to Lucinda Williams’ recording sessions, Sheinman’s been making a widening splash since leaving the Bay Area in 1999. Skillfully combining a wiser-than-her-years strain of down-home melancholia with sturdy yet evocative multilayered orchestral composition, her appeal lies not in a narrowness of focus, but an expansive, expressive musical palette. She’s showcasing her range in three separate sets — an instrumental duet with pianist Myra Melford, a vocal set with guitarist Robby Giersoe, and a final act with singer-songwriter Bruce Cockburn. (Nicole Gluckstern)

8 p.m., $18.50–$19.50

Freight and Salvage

2020 Addison, Berkeley

(510) 644-2020

www.freightandsalvage.org

www.jennyscheinman.com

TUESDAY 15th

MUSIC

Kid Cudi


More Urban Outfitters than the rooftops of Brooklyn, Kid Cudi has successfully capitalized off of Kanye West’s hipster niche. For the MTV crowd in search of someone less embarrassing than West, Kid Cudi is their go-to neon hoodie. He makes intergalactic pop-hop mixed with lazy lyrics like "The lonely stoner needs to free his mind at night" and "I’ve got some issues that nobody can see<0x2009>/And all of these emotions are pouring out of me." A poet he ain’t. It’s more spectacle than speculation. The songs "Heart of Lion" and "Up Up & Away" are infectious with youthful ambition, and we’re reminded this is a kid from Cleveland who now wears his Air Yeezys on the streets of Brooklyn. Is this the future of hip-hop? I don’t know. I just came here to get high and dance in my skinny jeans. (Lorian Long)

8 p.m., $29.75–$33.00

Regency Ballroom

1290 Sutter, SF

415-673-5716

www.theregencyballroom.com

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San Francisco Panorama hits the streets

17

By Steven T. Jones
lilachris.jpg
Chris Cook and Lila LaHood of the San Francisco Public Press hawk copies of San Francisco Panorama in front of the Chronicle Building.

There’s a new newspaper in San Francisco – at least for today. San Francisco Panorama is being hawked on street corners around the city for $5 (get ‘em quick because they go up to the list price of $16 after today), perhaps the thickest, best-designed, and most creatively written (or at least the one penned by the most notable writers who aren’t usually journalists) newspaper ever.

The one-time product was produced by McSweeney’s, the literary magazine and publishing house operated out of 826 Valencia by author Dave Eggers, in partnership with the San Francisco Public Press and with financial support from Spot.us, which allows citizens to directly fund good journalism. The San Francisco Chronicle also helped with promotion and distribution.

The cover story on Bay Bridge cost-overruns, written by new journalist Patricia Decker and old pro Robert Porterfield, was overseen by the Public Press – a non-profit news outlet that aims to produce a non-commercial daily newspaper – and its project director Michael Stoll (full disclosure: I serve on the Public Press Steering Committee).

Eggers originally conceived the Panorama project as a way to demonstrate what a vital and attractive medium newspapers continue to be. Or as Stoll told me this afternoon, “If you give people a news product that breaks the formula they’re used to seeing, you’re going to capture their imaginations.”