Mission

On the Cheap listings

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On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

FRIDAY 1

Litquake 2010 kickoff 111 Minna Gallery, 111 Minna, SF; www.litquake.org. 5pm, free. Grab you litquake program and enjoy music by "Diva Deluxe" Suzy Williams and Brad Kay as they perform songs based on the work of well-known authors Kurt Vonnegut, Raymond Chandler, and more. You can also sip cocktails while browsing the gallery’s latest exhibit "Everyday," showcasing new works by California tattoo artists. Litquake programming through Oct. 9.

SATURDAY 2

Arab Cultural Festival Union Square, Geary at Powell, SF; www.arabculturalcenter.org. Noon-6pm, $6 suggested donation. Celebrate Arab heritage as Union Square is transformed into a traditional open market place with live music performances including Moroccan gnawa music, Arabic classical, and popular music, Arabic food, entertainment, folkloric dance performances, live fairytale performances, and more.

Community Healing Garden Huntington Square Park, Sacramento at Taylor, SF; (415) 552-1105. 11am-3pm, free. Pack a picnic and bring your friends and family to this healing focused afternoon of dance, live music, onsite art-making, bodywork, children’s activities, and health resources.

MAPP Begin at Red Poppy Art House, 2698 Folsom, SF; (415) 826-2402. 7pm-Midnight, free. Every two months, the Mission Arts and Performance Project gives space and voice to the multiplicity of perspectives and experiences of our urban art community by transforming garages, cafes, studios, gardens, and street corners into makeshift venues artistic display and performance. Get your "MAPP" from the Red Poppy Art House and wander around the mission for some art, music, poetry, dance, and film.

World Veg Festival San Francisco County Fair Building, 9th Ave. at Lincoln, SF; (415) 273-5481. Sat.-Sun. 10am-6pm, $7 suggested donation. Spend the weekend with you fellow vegetarians and healthy food enthusiasts taking in informative lectures about the vegetarian movement, creative vegan cooking demos, veggie speed dating, an eco fashion show, entertainment, and vendors offering international cuisine and animal friendly merchandise. A vegan dinner, cooked or raw, will be available at 6:45pm for $20.

BAY AREA

Watershed Environmental Poetry Festival Civic Center Park, Martin Luther King, Jr. at Center, Berk.; www.poetryflash.org. Noon-4:30pm, free. Enjoy a stellar line-up of poets and environmental writers including Brenda Hillman, Robert Haas, Allison Hawthorne Deming, Al Young, David Meltzer, Camille T. Dungy, and more. Also featuring a poem installation by Arthur Okamura, live music, environmental updates and information, and more.

SUNDAY 3

Castro Street Fair Castro at Market, SF; www.castrostreetfair.org. 11am-6pm, free. The theme of this year’s street fair is "get your freak on" and attendees are encouraged to bring a little of their inner freak to enjoy this daytime costume party featuring live music and drag performances, Bay Area DJs, a country western dance pavilion, carnival performers, local artists, vendors, and craftspeople, and much more.

North Beach Literary Tour Meet at The Beat Museum, 540 Broadway, SF; www.litquake.org. 5:30pm, free. Learn more about the literary tradition of North Beach, from the Gold Rush, to the Beats, and into the modern era. The one mile tour concludes at Focus Gallery on 1534 Grant with readings by political satirists, socially savvy novelists, outlaw poets, and cultural historians Phil Bronstein, Will Durst, Ben Fong-Torres, Alan Kaufman, Ellen Sussman, and Jody Weiner.

BAY AREA

Nature of Art Stream Trail, Redwood Regional Park, 7867 Redwood, Oakl.; www.artinnaturefestival.com. Noon-4pm, free. Move through several site-specific interactive installations with ongoing performances organized by Shamavesha, an international multidisciplinary performing arts collective, and directed by Italian composer and artistic director Laura Inserra. and to both watch, listen, and/or participate. Events include storytelling, watching artists create work, dance, music, martial arts, circus, theater, and children’s activities.

MONDAY 4

Tao Lin The Booksmith, 1644 Haight, SF; (415) 863-8688. 7:30pm, free. Tao Lin takes his trademark minimalism in a different direction as he ponders the meaning of illicit sex for a generation with no rules in his new book, Richard Yates, named after the real-life writer. In Richard Yates, Lin narrates a tale about a young man dealing with the consequences of an affair with an underage, self-destructive girl.

TUESDAY 5

Feast of Words SOMArts Cultural Center, 934 Brannan, SF; www.litquake.org. 7pm; $10, or free with potluck dish. Part potluck, part inspiration, and part quick-write for foodies and writers, this literary potluck with the theme "healing" offers a chance to participate in the three sentence throw down, share a theme-based work of eight minutes or less, join in the open mic, or just sit back and enjoy the show. Featured guests are author Darren De Leon and the SF Food Adventure Club.

Stage listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Hamlet Alcatraz Island; 547-0189, www.weplayers.org. By donation. Opens Sat/2, call for time. Runs Sat-Sun, times vary. Through Nov 21. As part of an artistic residency, We Players presents an island-wide interactive performance of the Shakespeare play.

Kiss of Blood Hypnodrome Theatre, 575 10th; (800) 838-3006, www.brownpapertickets.com. $25-35. Opens Thurs/30, 8pm. Runs Thurs-Fri, 8pm. Through Nov 19. Thrillpeddlers presents its signature Halloween show, with three one-act Grand Guignol terror plays.

The Shining: Live The Dark Room, 2263 Mission; 401-77891, www.darkroomsf.com. $7-10. Opens Fr/1, 8pm. Runs Fri-Sat, 8pm. Through Oct 23. The Dark Room becomes the Overlook Hotel in this stage production of the horror classic.

ONGOING

Absolutely San Francisco Phoenix Theatre, Stage 2, 414 Mason; 433-1235, www.absolutelysanfrancisco.com. $20-25. Fri-Sat, 8pm. Through Oct 23. A one-woman musical starring Karen Hirst, with book and music by Anne Doherty.

Aida War Memorial Opera House, 301 Van Ness, 864-1330, www.sfopera.com. $25-320. Wed/29, 7:30pm; Sat/2, 8pm; Oct 6, 7:30pm. San Francisco Opera presents Verdi’s classic, a co-production with English National Opera and Houston Grand Opera.

And Then They Came for Me: Remembering the World of Anne Frank New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. Call for reservations. Mon-Thurs, 10 and 11:45am. Through Oct 10. YouthAware Educational Theatre presents a multimedia play by James Still, directed by Sara Staley.

Anita Bryant Died For Your Sins New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $24-40. Wed-Sat, 8pm; Sun, 2pm. Through Oct 24. New Conservatory Theatre Center presents a show by Brian Christopher Williams.

The Brothers Size Magic Theatre, Bldg D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-60. Dates and times vary. Through Oct 17. Magic Theatre presents the West Coast premiere of Tarell Alvin McCraney’s play, directed by Octavio Solis.

Cat on a Hot Tin Roof Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Through Oct 22. Actors Theatre presents Tennessee Williams’ sultry, sweltering tale of a Mississippi family, directed by Keith Phillips.

*Etiquette Yerba Buena Center for the Arts, 701 Mission; 978-2787, www.ybca.org. $8-10. Thurs-Sat, noon, 1pm, 2pm, 3pm, 4pm, 5pm, 6pm, 7pm, 8pm; Sun, noon, 1pm, 2pm, 3pm, 4pm, 5pm, 6pm. Through Sun/3. Rotozaza presents a participatory performance piece for two people.

*Faux Real Climate Theater at TJT, 470 Florida; (800) 838-3006, www.brownpapertickets.com. $15-20. Wed-Sat, 8pm (also Sat/9, 10pm). Through Oct 9. A drag queen stripped bare? Not on your life. But in baring some soul and some truth (“two lies” per), Fauxnique (aka Monique Jenkinson; aka a woman as a man as a woman&ldots;) does some productive and fascinating (re)working of this sly semi-confessional form. In a show that begins by asking, via David Bowie, “whatchya gonna say to the real me?”, Fauxnique undresses drag by singing (very ably) as often as syncing and otherwise playing knowingly with the “reveals” inherent in the drag tradition, taking audiences back with her to high school in Denver in the 1980s for a herstory lesson like few others. Questions about identity and art mingle with hip, hilarious, wonderfully “haute,” and seriously hardworking solo cabaret (assisted by transgresser-dresser and prop boy Kegan Marling). Originally unveiled in 2009, and fresh from a London debut, Faux Real returns for an extended but still too-brief run courtesy of the mighty little Climate Theater, currently ensconced in the Jewish Theatre’s luxurious little space. (Avila)

Futurestyle ’79 Off-Market Theater, Studio 250, 965 Mission; (8008) 838-3006, www.brownpapertickets.com. $15-20. Wed, 8pm. Through Oct 27. A fully improvised episodic comedy played against the backdrop of SF in 1979.

IPH… Brava Theater, 2781 24th St, 647-2822, www.brava.org. $15-35. Thurs-Sat, 8pm; Sun, 3pm (also Mon/4, 8pm). Through Oct 16. Brava Theatre and African-American Shakespeare Company present the US premiere of an adaptation of Iphigenia at Aulis.

Jerry Springer the Opera Victoria Theatre, 2961 16th; www.jerrysf.com. $20-36. Wed-Sat, 8pm. Through Oct 16. Ray of Light Theatre presents the West Coast premiere of the operatic farce by Stewart Lee and Richard Thomas.

KML Holds the Mayo Zeum Theater, 221 4th St; www.killingmylobster.com. $10-20. Thurs-Fri, 8pm; Sat, 7 and 10pm; Sun, 7pm. Through Sun/3. Killing My Lobster presents its fall comedy show, directed by co-founder Paul Charney.

Last Days of Judas Iscariot Gough Street Playhouse, 1620 Gough; (510) 207-5774, www.CustomMade.org. $10-30. Thurs-Sat, 8pm; Sun, 7pm. Through Oct 30. Custom Made Theatre presents Stephen Adly Guirgis’ meditation on the meaning of forgiveness.

Olive Kitteridge Z Space at Theater Artaud, 450 Florida; (800) 838-3006, www.zspace.org. $20-40. Wed-Thurs, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Oct 10. Page-to-stage company Word for Word takes on two chapters’ worth of Elizabeth Strout’s celebrated 2008 novel, comprised of a loosely connected set of stories surrounding the title character (played with cunning subtlety by Patricia Silver) and her immediate circle in a coastal town in Maine. In “Tulips,” we find the thorny but shrewd Olive, a former math teacher, and her patient husband Henry (Paul Finocchiaro), the town’s longtime pharmacist, transitioning not so smoothly into their retirement years. Olive—itchy, cantankerous and vaguely at a loss despite her sharp wit—resents her grown son’s (Patrick Alparone) happily distant life in New York and battles with the neighbors until her husband’s stroke leaves her at sea, unexpectedly vulnerable and open to the kindness of neighbors and strangers alike (played by an ensemble that includes Jeri Lynn Cohen, Nancy Shelby, and Michelle Belaver). In “River,” Olive, now a widow, begins a gradual, unlikely and bumpy romance with a recently widowed former academic (Warren David Keith). Director Joel Mullennix grabs hold of colorful details along the way—like the summer influx of rollerbladers and bicyclists—to further enliven the verbatim staging of these stories, but the effort can feel a little forced at times, as if betraying a sense that these well-acted, gently poetical and thoughtful stories and their complex protagonist do not always make for the most stimulating drama. (Avila)

A Picasso Royce Gallery, 2901 Mariposa; (866) 811-4111, www.apicassoonstage.com. $12-28. Thurs-Sat, 8pm. Through Oct 9. Expression Productions presents Jeffery Hatcher’s drama about the authenticity of three Picasso paintings.

Pinocchio Young Performers Theatre, Fort Mason Center, Bldg C, Third Floor, Room 300; 346-5550, www.ypt.org. $7-10. Sat-Sun, 1 and 3:30pm. Through Oct 10. Young Performers Theatre presents a new production of Carlo Collodi’s puppet tale.

*The Real Americans The Marsh MainStage, 1062 Valencia; (800) 838-3006; www.themarsh.org. $20-50. Wed-Fri, 8pm; Sun, 5pm. Through Nov 6. The fifth extension of Dan Hoyle’s acclaimed show, directed by Charlie Varon.

*Scapin American Conservatory Theatre, 415 Geary; 749-2228, www.act-sf.org. $10-90. Tues-Sun, times vary. Through Oct 23. Bill Irwin, the innovative former Pickle Family clown and neo-vaudevillian turned Broadway star, makes a San Francisco return at the helm—and in the title role—of American Conservatory Theater’s production of Moliere’s classic farce. It’s an excuse for some arch meta-theatrical high jinx as well as expert clowning, a love fest really, with many fine moments amid a general font of fun whose heady purity seems like it should fall under some FDA regulation or other—clearly, somebody has paid someone to look the other way, and for once the corruption is unreservedly welcome. Joining the fun is Irwin’s old comrade-in-arms and, here, sacks, Geoff Hoyle, as miserly and dyspeptic daddy Geronte. Other ACT regulars and veterans flesh out a winning cast, among them the ever versatile and inimitable Gregory Wallace as Octave, a flouncing Steven Anthony Jones as put-out patriarch Argante, René Augesen as boisterously unlikely “virgin” Zerbinette, and a wonderfully adept and scene-stealing Jud Williford in the role of Scapin sidekick Sylvestre. As for Irwin, his comedic sensibility shows itself scrupulously apt and timeless at once, and his sure, lithesome performance intoxicating and age-defying. As a director, moreover, he gives as generously to each of his fellow performers as he does to his adoring, lovingly tousled audience. (Avila)

The Secretaries Boxcar Playhouse, 505 Natoma; 255-7846, www.crowdedfire.org. $15-25 (pay what you can previews). Wed-Sat, 8pm. Through Oct 9. Crowded Fire revives the 1994 black comedy by New York’s Five Lesbian Brothers, a gleefully inappropriate bit of feminist satire that feels like the love child of John Waters and Valerie Solanas. Set in the front offices of the Cooney Lumber Mill in Big Bone, Oregon (delightfully rendered in Nick A. Olivero’s scenic design with New Yorker-like illustrations of the surrounding environs), the story follows narrator Patty (Elissa Beth Stebbins) as she recounts her initiation into a snappy coven of office ladies who not-so-secretly fell (rather than fall for) the town’s lumberjacks as if they were so much old growth forest. The mayhem and humor amuse, but probably seemed a lot fresher 16 years ago, making the simple plot seem thinly stretched. Nevertheless, the play’s details are nicely taken care of in artistic director Marissa Wolf’s fluid staging, featuring lots of play with fluids and a robust ensemble. In addition to Stebbins’s well-wrought and raunchy innocent, Leticia Duarte rocks her power-suit commandingly as no-nonsense supervisor and pack/pact-leader Susan; Eleanor Mason Reinholdt proves scarily endearing as the deceptively mincing, food-obsessed Peaches; Khamara Pettus has Norma Desmond eyes as Susan’s jealous onetime favorite Ashley; and Marilee Talkington approaches comic perfection in lovingly crafted twin roles: the boundingly predatory butch Dawn; and Patty’s hetero love interest and sexual-harassment-workshop–graduate, Buzz. (Avila)

BAY AREA

Angels in America, Part One Pear Avenue Theatre, 1220 Pear, Mtn View; (650) 254-1148, www.thepear.org. $15-30. Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Through Oct 16. Pear Avenue Theatre kicks off its fall “Americana” program with the Tony Kushner play.

Bleacher Bums Contra Costa Civic Theatre, 951 Pomona, El Cerrito; (510) 524-9132, www.ccct.org. $18. Fri-Sat, 8pm; Sun, 2pm. Through Sun/3. A sports comedy conceived by Joe Mantegna, directed by Joel Roster.

La Cage Aux Folles San Mateo Performing Arts Center, 600 N. Delaware; (650) 579-5565, www.broadwaybythebay.org. $20-48. Dates and times vary. Through Sun/3. Broadway By the Bay presents the gay musical based on the play of the same title.

*Compulsion Berkeley Repertory Theatre, Thrust Stage, 2025 Addison; (510) 647-2949, www.berkeleyrep.org. $29-85. Dates and times vary. Through Oct 31. Director Oscar Eustis of New York’s Public Theater marks a Bay Area return with an imaginatively layered staging of Rinne Groff’s stimulating new play. Compulsion locates the momentous yet dauntingly complex cultural-political outcomes of the Holocaust in the career of a provocative Jewish American character, Sid Silver, driven by real horror, sometimes-specious paranoia, and unbounded ego in his battle for control over the staging of Anne Frank’s Diary. A commandingly intense and fascinatingly nuanced Mandy Patinkin plays the brash, litigious Silver, based on real-life writer Meyer Levin, a best-selling author who obsessively pursued rights to stage his own version of Anne Frank’s story. The forces competing for ownership of, and identification with, Anne Frank and her hugely influential diary extend far beyond her father Otto, Silver, or the diary’s publishers at Doubleday (represented here by a smooth Matte Osian in a variety of parts; and a vital Hannah Cabell, who doubles as Silver’s increasingly alarmed and alienated French wife). But the power of Groff’s play lies in grounding the deeply convoluted and compromised history of that text and, by extension, the memory and meanings of the Holocaust itself, in a small set of forceful characters—augmented by astute use of marionettes (designed by Matt Acheson) and the words of Anne Frank herself (partially projected in Jeff Sugg’s impressive video design). The productive dramatic tension doesn’t let up, even after the seeming grace of the last-line, which relieves Silver of worldly burdens but leaves us brooding on their shifting meanings and ends. (Avila)

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Dates and times vary. Through Nov 21. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

In the Red and Brown Water Marin Theatre Company, 397 Miller, Mill Valley; 388-5208, www.marintheatre.org. $32-53. Tues, 8pm; Thurs-Sat, 8pm; Wed, 7:30pm, Sun, 7pm (also Sat/2, 2pm). Through Oct 10. Marin Theatre Company presents the West Coast premiere of Tarell Alvin McCraney’s play.

In the Wound John Hinkel Park, Berk; (510) 841-6500, www.shotgunplayers.org. $10 (no one turned away). Sat-Sun, 3pm. Through Sun/3. Shotgun Players’ annual free performance in Berkeley’s John Hinkel Park is this year an impressively staged large-cast reworking of the Illiad from playwright-director Jon Tracy. In the Wound is actually the first of two new and related works from Tracy collectively known as the Salt Plays (the second of which, Of the Earth will open at Shotgun’s Ashby stage in December). Its distinctly contemporary slant on the Trojan War includes re-imagining the epic’s Greek commanders as figures we’ve come to know and loath here in the belly of a beast once know by the quaint-sounding phrase, “military-industrial complex.” Hence, Odysseus (Daniel Bruno) as a devoted family man in a business suit with a briefcase full of bloody contradictions emanating from his 9-to-5 as a “social architect” for the empire; or Agamemnon (an irresistibly Patton-esque Michael Torres) as the ridiculously macho, creatively foul-mouthed redneck American four-star commander-clown ordering others into battle. While the alternately humorous and overly meaningful American inflections can feel too obvious and dramatically limiting, they’re delivered with panache, amid the not unmoving spectacle of the production’s energetic, drum-driven choreography and cleverly integrated mise-en-scène. (Avila)

*Loveland The Marsh Berkeley, 2120 Allston Way; (800) 838-3006, www.brownpapertickets.com. $20-50. Fri, 7pm; Sat, 5pm. Through Nov 13. Ann Randolph’s acclaimed one-woman comic show about grief returns for its sixth sold-out extension.

MilkMilkLemonade La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through Sat/2. Impact Theatre presents Joshua Conkel’s off off Broadway play about a lonely gay man trapped in a chicken farm.

She Loves Me Lesher Center for the Arts, 1601 Civic Drive, Walnut Creek; (825) 943-7469, www.CenterREP.org. $36-45. Wed, 7:30pm; Thurs-Fri, 8pm; Sat, 2:30 and 8pm; Sun, 2:30pm. Through Oct 10. Center REPertory company presents a musical choreographed and directed by Robert Barry fleming.

Trouble in Mind Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, www.auroratheatre.org. $10-55. Wed-Sat, 8pm; Sun, 2 and 7pm; Tues, 7pm. Through Sun/3. It’s old enough be considered a period piece, but at no time does Aurora Theatre’s production of Alice Childress’ 1955 comic drama Trouble in Mind feel dated. Set backstage on Broadway, Trouble depicts the rehearsals of a play entitled Chaos in Belleville—an anti-lynching melodrama penned by a white author. The often hilariously manic director, Al Manners (Tim Kniffin) alternately patronizes, bullies, and flatters the predominantly black cast into portraying the basest plantation stereotypes—right down to the names “Petunia” and “Ruby”—all the while touting the work as an important statement about race relations. But the real lessons in race relations and breaking through the color barriers occur as the rehearsals progress and the cast, middle-aged “character actress” Wiletta Mayer (Margo Hall) in particular, begin to question the veracity of the script and the directorial instincts of Manners. Trouble’s exceptional cast keeps the dialogue crackling and the pace urgent, save for a heart-breakingly deliberate reminiscence powerfully delivered by Rhonnie Washington. As for the timeliness of a piece which highlights among other things the dearth of strong theatrical roles for African-Americans, it’s interesting to note that actors Elizabeth Carter, Jon Joseph Gentry, Margo Hall, and Rhonnie Washington are all making their Aurora Theatre debut with this particular play. (Nicole Gluckstern)

PERFORMANCE/DANCE

 

“Best of the Fringe Encore Performances” EXIT Theatre, 156 Eddy; 673-3847, www.sffringe.org. Fri/1-Sat/2, 7 and 8:30pm; $20. Four highlights from this year’s SF Fringe Festival get repeat performances.

“Blue Room Comedy” Club 93, 93 9th St; 264-5489. Free. Tues/5, 10pm. A weekly series that takes comedy to new lows.

“Body and Sound Arts Festival Concert” Kunst-Stoff Arts, 929 Market; www.dancemonks.com. Fri/1, 7pm; $15-30. An interdisciplinary arts festival dedicated to improvisation.

“Clown Cabaret at the Climate” The Jewish Theater, 470 Florida; 704-3260, www.climatetheater.com. Mon/4, 7 and 9pm; $10-15. Rising star clowns and seasoned pro clowns perform.

“The Ethel Merman Experience” Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Sun/3, 7pm; $5. Rock gets the brassy Merman treatment.

“Free Night of Theatre” Union Square; www.tixbayarea.com. Wed/29, 10-am-4pm and 6pm; free. A sixth anniversary kick-off performance celebration in which free theater tickets are distributed.

“Funny Girlz” Brava Theater, 2781 24th St; (800) 838-3006, www.brownpapertickets.com. Wed/29, 8pm; $25. Kung Pao Kosher Comedy presents a smorgasboard of female comedians.

Insides Out!/Indecision Collision Stage Werx, 533 Sutter; (800) 838-3006, wwwbrownpapertickets.com. Thurs-Fri, 8pm (Insides Out!); Sat, 8pm (Indecision Collision); $12-20. A pair of solo performances by Katie O’Brien.

“ODC/Dance: Architecture of Light” ODC Theater, 3153 17th St; www.odctheater.org. Thurs/30-Sat/2, 8pm; $20-500. ODC celebrates the opening of its new building with performances.

“Qcomedy Showcase” Martuni’s, 4 Valencia; www.Qcomedy.com. Mon/4, 8pm; $5-16. Karen Ripley, Zoe Dunning, Pippi Lovestocking, and others perform.

Lizz Roman and Dancers Danzhaus, 1275 Connecticut; 970-0222, wwwlizzromandancers.com. Thurs/30-Sat/2 (also Oct 7-9), 8pm; $20. A new performance by the local company, with lighting by Jenny B.

“The Romane Event” Make Out room, 3225 22nd; 647-2888, www.pacoromane.com.Wed/29, 7:30pm; $7. Paco Romane hosts Tim Lee, Harmon Leon, and others.

“Rotunda Dance Series” San Francisco City Hall; www.dancersgroup.org. Fri/1, noon; free. Performances by Joanna Haigood/ZACCHO Dance Theatre.

Smuin Ballet Palace of Fine Arts Theatre, 3301 Lyon; (415) 978-2787, www.smuinballet.org. Fri/1 (through Oct 9), 8pm; call for prices. The company kicks off a new season with two premieres by Trey McIntyre.

“Swan Lake: Ballet for the People By the People” CounterPULSE, 1310 Mission; (800) 838-3006, www.brownpapertickets.com. Fri/1-Sat/2, 8pm; $10-15. ArtFace Performance Group presents an unconventional take on a classic.

“Trine” The Garage, 975 Howard; 518-1517, www.975howard.com. Fri/1-Sat/2, 8pm; $10-20. RAW presents work by Paco Gomes and Dancers and Damage Control Dance Theater.

BAY AREA

Bay Area Playback Theatre Belrose Theatre, 1415 5th Ave, San Rafael; 499-8528, www.BayAreaPlayback.com. Sat/2, 7:30pm; $18. Stories told by audience members are turned into imrpov theater by a troupe.

“The Funniest Bubble Show on Earth” The Marsh Berkeley, 2120 Allston; (800) 838-3006, www.themarsh.org. Sun/3, 11am (through Nov 21); $8-11. The Amazing Bubble Man (aka Louis Pearl) returns with his show.

Mark Morris Dance Group Zellerbach Hall, UC campus, Berk; (510) 642-9988, www.calperfs.berkeley.edu. Thurs/20-Sat/2, 8pm; Sun/3, 3pm; $34-72. The acclimaed dance company returns with a triple-bill of premieres.

Appetite: Highlights of SF Cocktail Week, part 1

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The magical settings, moments and drinks were many in the 4th Annual SF Cocktail Week, which set the bar high for all future Cocktail Weeks… consider attending next year, as it’s far from being just for drink aficionados. It’s for those who love a memorable party done in true San Francisco style.

I have watched Cocktail Week grow from intimate nights out at bars in prior years to this year’s galas and ferry rides. Camaraderie was strong and I couldn’t help but think that though there were even grander galas at major cocktail weeks like Tales of the Cocktail or Manhattan Cocktail Classic, the quality of the settings and drinks I had every night at SF Cocktail Week were far superior to most everything I tasted at either of those two events. SF, once again, does drink proud. (Check out part 2 here.)

9/21 – Inauguration of Boothby Center

SF now has a cocktail center to call its own: the “Cocktail Bill” Boothby Center for the Beverage Arts, which debuted opening night of Cocktail Week, named after SF bartending legend Cocktail Bill Boothby. A multi-use space in the Mission, it will be community center, beverage lab, and event space, preserving the art and history of the cocktail. The Barbary Coast Conservancy of the American Cocktail(BCCAC), headed up by H. Joseph Ehrmann (Elixir), Jeff Hollinger (Comstock Saloon), Duggan McDonnell (Cantina), calls it home base. Opening night was a raucous toast to the still raw space with, what else? Classic cocktails, including the week’s official drink, a Papa Ghirardelli.

9/23 – Ragtag Rabble Gaming Soiree  

The back room of one of my favorite bars, Burritt Room, was transformed into a turn-of-the-century, Barbary Coast-era saloon/parlor with craps, blackjack, roulette and poker (sans real money), and a beautiful menu of classic cocktails prepared with skillful care, from The Last Word to a Boulevardier with scotch. A jazz quartet (with talented female vocalist) set the mood, transporting me to another time, as did the decked-out crowd who filled but did not overcrowd the room with bowler hats, suspenders, boas, saloon or retro attire. It was a swank affair that carried on late into the night with an after-party at Comstock Saloon.

9/25 – Cocktail Carnival Gala

The event of the week, Cocktail Carnival Gala in the stunning, historic Old Mint, was a brilliant night. I only wish even more people filled  (not overcrowded) the spacious mansion we were given free reign in. This was a one-of-a-kind night I’d plan towards next year. The Barbary Coast-Era carnival theme included roving minstrels, talented musicians, contortionists, man-on-stilts, jugglers and acrobats, roving among us through each high-ceilinged room as we sipped punches from antique punch bowls.

Leave it to Martin Cate from Smuggler’s Cove to wow us with a 40-gallon rum punch bowl with flaming volcano shooting out of a sea of spiced punch. Daniel Hyatt and the Alembic crew scooped some mighty tasty ‘swill’ out of a swampy bucket. One cachaca-based punch sported an ethereal liquid nitrogen top. Bartenders from Elixir, Cantina and 15 Romolo ensured there was not one bad drink in the house.

Chef Chris L’Hommedieu of Restaurant Michael Mina and William Werner of Tell Tale Preserve Co. sent out small but impeccable bites like lobster corn dogs, chips topped with caviar and creme fraiche, and lush dark chocolate caramel cake squares.

The courtyard of the Old Mint was a surreal setting transporting me directly to an ancient Spanish or Italian square. Chipped building facades contrasted against a deep, midnight blue sky. As minstrels serenaded us on this warm, sultry night while the full moon cast a glow over the courtyard, I felt alive with the night… one of those perfect moments that lives illuminated in memory.

The evening ended (at 2am) with a bang: Brass Mafia played and we began to dance. Circling in and among us, their blaring brass brought to life songs from musicians as random as Michael Jackson, Salt-n-Pepa, Men at Work, even Montell Jordan’s “This Is How We Do It”, all in New Orleans’ brass band style (they threw in a few classic Nola Dixieland tunes, too). It was a joyous, raucous dance.

Thanks to the Bon Vivants for co-hosting a tremendous event none who attended will soon forget (which I hope you will all attend next year).

Music listings

0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 29

ROCK/BLUES/HIP-HOP

Biffy Cylro, Picture Atlantic Rickshaw Stop. 8pm, $12.

Erin Brazil and the Hitchcock Blondes, Fancy Dan Band, Passenger and Pilot, Middle Maki Café Du Nord. 8pm, $10.

Nick Curran, Siddhartha, Tokyo Raid, DJ Ron Elder Elbo Room. 9pm, $7.

*High on Fire, Torche, Kylesa Great American Music Hall. 8pm, $20.

*Jon Spencer Blues Explosion, Thee Oh Sees Bimbo’s 365 Club. 8pm, $18.

*Judgement Day, Tornado Rider, Definite Articles Independent. 8pm, $12.

Jesse Malin and the St. Marks Social, Moneybrother, Dave Smallen Bottom of the Hill. 9pm, $12.

Party Owl, Mallard, Burrows Hemlock Tavern. 9pm, $6.

Joey Ryan and Kenneth Pattengale, Ari Herstand, Sarah Dashew Hotel Utah. 8pm, $10.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Indulgence Wednesdays Harry Denton’s Starlight Room, Sir Francis Drake Hotel, 450 Powell, SF; (415) 395-8595. 9:30pm. With DJs Cams, Daniella D, and Bruce.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Kids in America Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9pm, free. With DJs Fuzzprobe and Bryna spinning eighties.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 30

ROCK/BLUES/HIP-HOP

Françoiz Breut, Marianne Dissard, Joanna Barbera Hotel Utah. 9pm, $10.

*Despised Icon, Misery Index, Revocation, Arise DNA Lounge. 7:30pm, $16.

*Easy Star All-Stars, Cas Haley Slim’s. 9pm, $20.

Hans Grusel No Kabinet, Andrea Williams’ Anais Din, Spider Compass, Good Crime All Vulture Band, Organ of Qwerty, pl0c Munster, Mr. Cluck Hemlock Tavern. 9pm, $7.

Jimmy Eat World, We Were Promised Jetpacks Warfield. 8pm, $40.

Mark Matos and Os Beaches, Ghost Town Refugees, Alright Class Bottom of the Hill. 9pm, $10.

Matt and Kim, Limousines Fillmore. 8pm, $18.50.

Musashi Trio Coda. 9pm, $7.

Rank/Xerox, Ed Mudshi, Ornithology Eagle Tavern. 9:30pm, $6.

Reverend Peyton’s Big Damn Band, Mighty Regis, Jesse Morris and the Man Cougars Thee Parkside. 9pm, $10.

School of Seven Bells, Active Child, Foster the People Independent. 8pm, $15.

Vandella, todayokay Rickshaw Stop. 8pm, $10.

JAZZ/NEW MUSIC

MS Collective Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm.

FOLK/WORLD/COUNTRY

Aiden James Dolores Park Café. 7:30pm, $10 suggested donation.

Misisipi Rider, Toshio Hirano Amnesia. 9pm, $3.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $10. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

CakeMIX SF Wish, 1539 Folsom, SF; www.wishsf.com. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

LoDubs Pacific Tour Triple Crown. 9pm, $10. With DJs Clubroot, Jon AD, DJG, and Djunya spinning dubstep and bass.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

Wax Candy Beauty Bar. 10pm, free. With DJs Sergio, André Lucero, Worker, and Travis Dalton spinning disco, funk, house, techno, and more.

FRIDAY 1

ROCK/BLUES/HIP-HOP

"Costello Sings Lowe/Nick Sings Elvis" Great American Music Hall. 8 and 11pm, $125-200. Benefit for the Richard de Lone Special Housing Project. Austin and Caroline de Lone open the first show only.

Aram Danesh and the Superhuman Crew Coda. 10pm, $10.

Dolorata, Love Darling, Jo Boyer Thee Parkside. 9pm, $8-12.

Drums, Young Friends Independent. 9pm, $15.

44s, Kid Ramos Biscuits and Blues. 8 and 10pm, $20.

Jokes for Feelings, Rockfight Bottom of the Hill. 10pm, $12.

Jon Langford and Skull Orchard, Walter Salas-Humara, Mini-Mekons Café Du Nord. 9pm, $19.

Jamie Lidell, Zeus, Twin Shadow Bimbo’s 365 Club. 9pm, $25.

Mantles, Super Wild Horses, Royal Baths Hemlock Tavern. 9:30pm. $8.

Railroad Earth, Toubab Krewe Fillmore. 9pm, $25.

"Rock N’ Roll Sideshow" DNA Lounge. 9pm, $20. With Vau de Vire Society, Eric McFadden Trio, and more.

White Hills, Lumerians, White Cloud Rickshaw Stop. 8:30pm, $12.

JAZZ/NEW MUSIC

Roy Ayers Yoshi’s San Francisco. 8 and 10pm, $15-25.

"Wrack + Rova: On Procedural Grounds" Community Music Center, 544 Capp, SF; www.kylebruckmann.com. 8pm, $8-12.

FOLK/WORLD/COUNTRY

*Brass Tax Amnesia. 10pm, $5.

Emil Brynge, Emaline Dalapaix Amnesia. 9pm, free.

Carolina Chocolate Drops, Stairwell Sisters Slim’s. 9pm, $17.

Cornmeal, Devil’s Own, Michael Dean Damron Hotel Utah. 9pm, $12.

*Hardly Strictly Bluegrass Festival Speedway Meadows, Golden Gate Park, SF; www.strictlybluegrass.com. 2pm-7pm, free. Featuring the Subdudes, Sarah Lee & Johnny, The Ebony Hillbillies, Ralph Stanley & the Clinch Mountain Boys, Jenny and Johnny, George Porter Jr., Papa Mali and Matt Hubbard, MC Hammer, and more.

DANCE CLUBS

Braza! Som.10pm, $10. With special guest DJ Smash spinning an all Brazilian set.

Club Dragon Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. A gay Asian paradise. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Bird Mezzanine. 9pm, $20. With DJs Justin Martin, Claude Vonstroke, Christian Martin, and Worthy.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs B-Cause, Vinnie Esparza, Mr. Robinson, Toph One, and Slopoke.

Felabration 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With DJs David Harness and Said spinning Afro beat, house, and more in a celebration of Fela Kuti’s legacy.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing The Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Strangelove Cat Club. 9:30pm, $6. An undead wedding with DJs Tomas Diablo, Melting Girl, Xander, and Mz Samantha spinning goth and industrial.

That’s the Blap Elbo Room. 10pm, $5. With Low Limit, Dnae Beats, Benito, Salva, Kozee, Dials, and Bogl, plus host Z-Man.

Vitalic, Teenage Bad Girl 103 Harriet, 103 Harriet, SF; (415) 431-1200. 9pm, $22.50.

SATURDAY 2

ROCK/BLUES/HIP-HOP

Melissa Auf der Maur Café Du Nord. 9:30pm, $12.

EPMD Yoshi’s San Francisco. 10:30pm, $22.

Futureheads, So So Glos Great American Music Hall. 9pm, $17.

Jukebox the Ghost, AB and the Sea, Hooray for Earth Bottom of the Hill. 10pm, $10.

Infected Mushroom, Shpongle, Hallucinogen, Dissolve, Liam Shy Warfield. 8pm, $60.

Mammatus, Swanifant, Shari La Las Hemlock Tavern. 9:30pm, $7.

*La Plebe, Meat Sluts, Started-Its, Bloody Hells, Ol’ Cheeky Bastards, Girls with Guns Thee Parkside. 7pm, $10.

John Nemeth Biscuits and Blues. 8 and 10pm, $20.

Railroad Earth, Toubab Krewe Fillmore. 9pm, $25.

Adam Haworth Stephens, Mini Mansions, Sea of Bees Independent. 9pm, $15.

*Sword, Karma to Burn, Mount Carmel Regency Ballroom. 8:30pm, $20.

Peter Wolf Yoshi’s San Francisco. 8pm, $27.50.

JAZZ/NEW MUSIC

Brian Pardo Coda. 7pm, $5.

Stefanie Powers Rrazz Room. 8pm, $45.

FOLK/WORLD/COUNTRY

*Hardly Strictly Bluegrass Festival Speedway Meadows, Golden Gate Park, SF; www.strictlybluegrass.com. 11am-7pm, free. Featuring Kelly Willis, Carolyn Wonderland, Margot Leverett and the Klezmer Mountain Boys, Joan Baez, Trombone Shorty & Orleans Avenue, Bonnie Prince Billy & the Cairo Gang, Dry Branch Fire Squad, Buddy Miller, Gillian Welch, Hot Tuna Electric, The Wronglers, Carolina Chocolate Drops, Holly Golightly and the Brokeoffs, Conor Oberst, and more.

Very Be Careful Amnesia. 9pm, $7.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Nuxx.

Debaser Knockout. 11pm, $5. Wear your flannel and get in free before 11pm to this party, where DJ Jamie Jams and Emdee play alternative hits from the 1990s.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests. Foundation Som., 2925 16th St., SF; (415) 558-8521. 10pm.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

Get Loose Beauty Bar. 10pm, free. With DJ White Mike spinning hip hop, rock, indie dance, funk, soul, and more.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kontrol Endup. 10pm, $20. With resident DJs Alland Byallo, Craig Kuna, Sammy D, and Nikola Baytala spinning minimal techno and avant house.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

New Wave City DNA Lounge. 9pm, $7-12. The 80s dance party celebrates its 18th anniversary with Skip and Shindog, Lowlife, and Melting Girl.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

Souf Club Six. 9pm, $7. With DJs Jeanine Da Feen, Motive, and Bozak spinning southern crunk, bounce, hip hop, and reggaeton.

Soundscape Vortex Room, 1082 Howard, SF; www.myspace.com/thevortexroom. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spirit Games Vol. 4 Rickshaw Stop. 8pm, $12-15. With Lagos Roots, DJs Papa Chango and Kush Arora, and bellydancer Jill Parker.

SUNDAY 3

ROCK/BLUES/HIP-HOP

First Aid Kit, Ferraby Lionheart, Sea of Cortez Bottom of the Hill. 9pm, $14.

Gotan Project, General Electriks Warfield. 8pm, $39-47.50.

Jon Langford, Justin Townes Earle Ameoba, 1855 Haight, SF; www.amoeba.com. 2pm, free.

Red Hot Blues Sisters Biscuits and Blues. 8 and 10pm, $15.

Vamps Great American Music Hall. 8pm, $41.

FOLK/WORLD/COUNTRY

Africa Rising featuring DJ Jerimiah Coda. 10pm, $10.

Ely Guerra, Kavarzee, Pastilla, DJ Juan Data Independent. 8pm, $22.

*Hardly Strictly Bluegrass Festival Speedway Meadows, Golden Gate Park, SF; www.strictlybluegrass.com. 11am-7pm, free. Martin Sexton, Randy Newman, Earl Scruggs, Emmylou Harris, Kate Gaffney, Indigo Girls, Sharon Jones & the Dap-Kings, MarchFourth Marching Band, Lucero, Elvis Costello and the Sugarcanes, Patti Smith, Rosanne Cash, Doc Watson & David Holt, The Avett Brothers, Nick Lowe and his Band, Nathaniel Rateliff, and more.

Kally Price, Old Blues, Emperor Norton’s Jazz Band Amnesia. 9pm, $5.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. DJ Sep, Maneesh the Twister, and guest Robert Rankin’ spin dub, roots, and classic dancehall.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

Swing Out Sundays Rock-It Room. 7pm, free (dance lessons $15). DJ BeBop Burnie spins 20s through 50s swing, jive, and more.

MONDAY 4

ROCK/BLUES/HIP-HOP

Alvon Biscuits and Blues. 8 and 10pm, $15.

Australian Pink Floyd Fillmore. 8pm, $41.50.

Clean, Barbara Manning Independent. 8pm, $20.

*Guitar Wolf, Hans Condor, Midnite Snaxxx, DJ Classic Bar Music Bottom of the Hill. 9pm, $15.

Pigeon John, DJ Abilities, Dark Time Sunshine Café Du Nord. 9pm, $12.

Talvin Singh presents Tablatronica Live, Janaka Selekta Bimbo’s 365 Club. 8pm, $25.

So Cow, Wrong Words, Neighbors Hemlock Tavern. 6:30pm, $7.

FOLK/WORLD/COUNTRY

Pedro Moraes Elbo Room. 9pm, $10.

Savannah Blue Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 5

ROCK/BLUES/HIP-HOP

Aural Logic Sound System, Back Beat Coda. 9pm, $7.

Clare Burson Café Du Nord. 8pm, $10.

Casiokids, Elissa P., Pixel Memory Bottom of the Hill. 9pm, $12.

CocoRosie Regency Ballroom. 8pm, $25.

Dead Meadow, 1776 Great American Music Hall. 8pm, $15.

Dead Westerns, Graves Brothers Deluxe, Mermaid Bones, THC: The Human Condition Elbo Room. 9pm, $7.

Guided By Voices, Times New Viking Warfield. 8pm, $34.

High Castle, Zulus, Scumby Hemlock Tavern. 9pm, $6.

"Steve Edmonson Get Well Benefit" Biscuits and Blues. 8 and 10pm, $15.

Touch Me Nots, Hans Condor, Guitar Magazine Knockout. 9:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ Johnny Repo and DJ Taypoleon.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Needed: a public health master plan

1

California Pacific Medical Center’s plan to build a massive new regional hospital on Van Ness shouldn’t be under the jurisdiction of the Planning Commission

EDITORIAL More than 100 people showed up at the Planning Commission Sept. 23 to oppose California Pacific Medical Center’s plan to build a massive new regional hospital on Van Ness Avenue. Most were neighborhood residents who raised an excellent point: what, exactly, would the shiny new $2.5 billion hospital offer for low-income people in the Tenderloin?

And that’s just the starting point for discussion. The new project is a piece of a much larger plan: CPMC wants to shut down part of its Laurel Heights campus, reduce the number of beds and the scope of service at St. Luke’s, turn Ralph K. Davis into a specialty facility, and reshape the way health care is provided in San Francisco.

That’s a huge deal — but right now, the city is looking at the projects piecemeal. That’s poor public health policy and poor land-use planning. In fact, there’s no real way to evaluate the Van Ness hospital in its proper context — the Planning Commission, which will rule on the development issues, is hardly the best venue in which to discuss the future of health care in San Francisco.

So new legislation by Sup. David Campos is critical to injecting some sanity into this, and the larger, health facilities debate. The Campos legislation would mandate a citywide Health Care Services Master Plan and would require that all new hospital development, public or private, be consistent with that plan. It’s a pretty basic concept, and it’s hard to imagine that nobody’s suggested this before.

San Francisco has a large, complex network of facilities providing health care — a big public hospital, a university hospital system (University of California San Francisco), a series of public and nonprofit community clinics, half a dozen private hospitals run by two competing chains (CPMC and Catholic Healthcare West), and one health maintenance organization (Kaiser). Some provide unique services, some provide competitive services — and there are some critical services that are hard to find anywhere.

It’s hard to say whether the city needs what CPMC is proposing — a gigantic medical center that some have described as the Mayo Clinic of the West, designed to attract patients from all over the region — without any sort of overall plan. How would the new facility and the CPMC restructuring affect services at St. Luke’s, a critical part of the health care infrastructure in the Mission? Where would patients who rely on Davies for emergency and clinical care in the Castro district wind up? How about all the medical office buildings and doctors’ offices situated near hospitals that are about to change?

How will CPMC’s moves affect low-income-patient care? How does the project fit in with the new Obama health care policies and the city’s own Healthy San Francisco program? Will a new hospital on Van Ness increase access to primary and emergency care for residents of the Tenderloin — or will they be shuttled somewhere else while the high-end facility caters to better-off patients seeking expensive specialty procedures?

Those aren’t land-use decisions — and while some Cathedral Hill residents argue that the new hospital will cause traffic problems, the biggest issues go beyond the scope and expertise of the city Planning Department.

Under the Campos bill, the Public Health Department would develop a master plan (which public health director Mitch Katz says can be done with existing resources), the Health Commission would review that plan, hold public hearings, and sign off on it — and city planners and health officials would have to make sure that new health-related development met existing and future public needs.

The supervisors should pass the bill and get the process going as quickly as possible. And they should refuse to sign off on any final version of the hospital plan until there’s a city framework in place — or at the very least, until CPMC can demonstrate that its citywide infrastructure plans are designed to meet public health needs. *

 

Needed: a public health master plan

0

EDITORIAL More than 100 people showed up at the Planning Commission Sept. 23 to oppose California Pacific Medical Center’s plan to build a massive new regional hospital on Van Ness Avenue. Most were neighborhood residents who raised an excellent point: what, exactly, would the shiny new $2.5 billion hospital offer for low-income people in the Tenderloin?

And that’s just the starting point for discussion. The new project is a piece of a much larger plan: CPMC wants to shut down part of its Laurel Heights campus, reduce the number of beds and the scope of service at St. Luke’s, turn Ralph K. Davis into a specialty facility, and reshape the way health care is provided in San Francisco.

That’s a huge deal — but right now, the city is looking at the projects piecemeal. That’s poor public health policy and poor land-use planning. In fact, there’s no real way to evaluate the Van Ness hospital in its proper context — the Planning Commission, which will rule on the development issues, is hardly the best venue in which to discuss the future of health care in San Francisco.

So new legislation by Sup. David Campos is critical to injecting some sanity into this, and the larger, health facilities debate. The Campos legislation would mandate a citywide Health Care Services Master Plan and would require that all new hospital development, public or private, be consistent with that plan. It’s a pretty basic concept, and it’s hard to imagine that nobody’s suggested this before.

San Francisco has a large, complex network of facilities providing health care — a big public hospital, a university hospital system (University of California San Francisco), a series of public and nonprofit community clinics, half a dozen private hospitals run by two competing chains (CPMC and Catholic Healthcare West), and one health maintenance organization (Kaiser). Some provide unique services, some provide competitive services — and there are some critical services that are hard to find anywhere.

It’s hard to say whether the city needs what CPMC is proposing — a gigantic medical center that some have described as the Mayo Clinic of the West, designed to attract patients from all over the region — without any sort of overall plan. How would the new facility and the CPMC restructuring affect services at St. Luke’s, a critical part of the health care infrastructure in the Mission? Where would patients who rely on Davies for emergency and clinical care in the Castro district wind up? How about all the medical office buildings and doctors’ offices situated near hospitals that are about to change?

How will CPMC’s moves affect low-income-patient care? How does the project fit in with the new Obama health care policies and the city’s own Healthy San Francisco program? Will a new hospital on Van Ness increase access to primary and emergency care for residents of the Tenderloin — or will they be shuttled somewhere else while the high-end facility caters to better-off patients seeking expensive specialty procedures?

Those aren’t land-use decisions — and while some Cathedral Hill residents argue that the new hospital will cause traffic problems, the biggest issues go beyond the scope and expertise of the city Planning Department.

Under the Campos bill, the Public Health Department would develop a master plan (which public health director Mitch Katz says can be done with existing resources), the Health Commission would review that plan, hold public hearings, and sign off on it — and city planners and health officials would have to make sure that new health-related development met existing and future public needs.

The supervisors should pass the bill and get the process going as quickly as possible. And they should refuse to sign off on any final version of the hospital plan until there’s a city framework in place — or at the very least, until CPMC can demonstrate that its citywide infrastructure plans are designed to meet public health needs.

Hot sexy events Sept 22-28

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What’s going on in sexy San Francisco this week? Everything. End of column. Jokes! As a matter de facto, however, Folsom Street Fair has unfurled its chaps from its carry-on from Detroit and would already be generating some friction between its thighs (were they not a crotchless affair), the amount of sexy parties its been stirring up from SoMa to NoMa to Ma and beyond. After all, with all the fresh meat on the street this week, it seems a shame to relegate all the naughtiness to Sunday’s main event. Here’s a smattering of what’s going on in terms of pre-planned bacchanalia.

 

Lesbo Retro: A Dyke Porn Retrospective

Sexy founder of Harlem Shake Burlesque (and one of SFBG’s 2001 Sexiest People in the Bay Area ass pat) Simone de la Getto performs at this retrospective of films of lustful ladies, by lustful ladies. Shar and Jackie of S.I.R. Productions take you down this memory lane of film clips. Plus, free pizza!

Weds/22 8-9:30 p.m., $10

The Women’s Building

3543 18th St., SF

www.gv-ixff.org


Indie Erotic Film Festival

A whole Castro Theatre full of San Franciscans watching other San Franciscans get it on in homemade short films? And it’s the same week as Folsom? Sounds like a recipe for sweet, sweet trouble. Peaches Christ and her fab friends and Carol Queen will be on hand to add some levity to the goings-on – and to hand out the $1,500 for the best clip.

Thurs/23 7-8 p.m., $10

Castro Theatre

429 Castro, SF

www.gv-ixff.org


How To Eat a Peach: Pleasuring Her

Midori teaches the method for sucking out the sweetest juices (fruit props will be involved, natch) at this workshop for all those that love loving the ladies.

Sat/25 8- 10 p.m., $20

SF Citadel

1277 Mission, SF

(415) 626-1746

www.sfcitadel.org


Slut!

Dykey sluts, slutty dykes – you too deserve your own Folsom party! Host Oxana Olsen of Mall Madness hosts this hawt dance party, where prizes will be awarded for best uniform, leather outfit, and fetish wear.

Sat/25 9 p.m., free

The Lexington Club

3464 19th< St., SF

(415) 863-2052

www.lexingtonclub.com

 

Perverts Put Out

 

Oh how we love the words: as seen on Fox News! An onstage celebration of all things demonstrably slutty, this sporadic series will feature performances by Meliza Bañales, Greta Christina, Stephen Elliot, Robert Lawrence, Thomas Roche, Lori Selke, and horehound stillpoint. It may well be more than enough sexual confessional, monolouging, and live smut to satisfy for the evening.

Sat/25 7:30 p.m., $10-15 sliding scale

Center for Sex and Culture

1519 Mission, SF

(415) 255-1155

www.simonsheppard.com/pervertsputout.html


Magnitude

Folsom Street’s official dance party – because why ever would you romp about in the sunshine? Hit the floor to work up a froth to the tunes of DJ Manny Letham. Stay later for the Aftershock party to ensure you’ll be a hot mess for the Fair the next day! ($30-40 www.thediscosf.com)

Sat/25 10 p.m.-4 a.m., $80

525 Harrison, SF

www.folsomstreetfair.org


Pussyfest

Here kitty, kitty, kitty! Kinky Salon’s cat-themed play party is here, so grab your partner (no singles allowed), fluff your whiskers, and swing over to the cat fight.

Sat/25 9 p.m., $25-30 (members only)

Mission Control

2519 Mission, SF

www.kinkysalon.com


Folsom Street Fair

The grandaddy of all public, streetside leather events assumes its five-block throne in SoMa, where leather bars have been located since The Tool Box’s grand arrival in 1961. Join the 400,000 strong who will be frolicking at the third largest street fair in Cali.

Sun/26 11 a.m.- 6 p.m., $7 suggested donation

Folsom between Seventh and 12th Sts., SF

www.folsomstreetfair.org

Hot sluts!

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culture@sfbg.com

SEX ISSUE Forget those uptight pricks: sluts are awesome. There’s no shame in harboring a voracious appetite for sexiness in all its myriad expressions. Combined with a well-developed ethical stance and safe practices, it’s one of the joys of being human. In honor of the enormous, charitable Folsom Street leather and fetish fair (Sun/26, 11 a.m.–6 p.m., donations requested. www.folsomstreetfair.org), we wanted to honor some of our favorite local sluts with the pervy attention they want and deserve. 

>>CLICK HERE FOR PICS OF OUR FAVORITE HOT SLUTS!

SLUTTIEST CELLULOID

You’ve always wanted to watch your neighbors bang, right? Well moan enthusiastically in honor of the Good Vibrations Indie Erotic Film Festival, which every year puts the call out for the cream of the amateur blue filmmaker crop, then assembles the spunkiest for your viewing pleasure at the Castro Theatre. You too can be in the audience, which will ooh and aah its approval to choose the sexiest, steamiest home-screw, the lucky winner receiving a $1,500 money shot. So how does SF get it on? This year’s 12 finalists include preggo smut (Jeannie Roshar’s “Bun in the Oven”), good old-fashioned wordplay like Benjamin Williams’ “The Filth Element,” and sci-fi sexin’ (“Orgasm Raygun” by Martin Gooch). The fest precedes a range of specialty nights around town coordinated by Good Vibes, including Lebso Retro: A Dyke Porn Retrospective (Wed/22 at the Women’s Building). It’s gonna be a hot ticket, so grab a seat, relax your rear, and revel in the sight of sexy San Francisco.

Thurs/23 pre party: 7 p.m., $10; screening: 8 p.m., $10. Castro Theatre, 429 Castro, SF. (415) 621-6120, www.gv-ixff.org

 

SLUTTIEST QUEEN

“I’m so honored to be named Sluttiest Queen,” inimitable alternative drag goddess Suppositori Spelling tells us. “It’s nice to see that my work hasn’t gone unnoticed. I have so many performances that require nudity that when I drop my skirt lately it’s often met with a wave of yawns from my audience. I think they’re more shocked by the presence of panties nowadays.” (Her audience, found at her raucous weekly drag show Cocktailgate — Sundays, 9 p.m., $5. Truck, 1900 Folsom St., SF. www.trucksf.com — sheds a few panties themselves when she’s on stage.) “I could tell you stories so dirty hot that this paper would burn like a Koran in Florida” she continues, “but I’m so shy and reserved. I will say this, though: as far as the queer sex scene in San Francisco goes, we seem to be in the flush of a renaissance. I keep stumbling upon things that even make me blush — like the gentleman who preferred a visible handjob on public transportation during rush hour as foreplay. But I encourage whatever floats your boat or creams your Twinkie. I just want to clarify, however, that “ouch” is not a safe word!”

Suppositori emcees the Seventh Street stage at Folsom Street Fair from 11 a.m.–2 p.m., followed by a special performance at 2:30 p.m., and then a “hanky code” themed Cocktailgate at its regular time.

 

SLUTTIEST BOYS

Dan and JD, a.k.a. Two Knotty Boys, are no strangers to the twists and loops of BDSM performance. Native San Franciscans both, they not only create mesmerizing stage shows in which they bind nubile flesh to their will, but also produce end results so visionary that you’d be excused for leaving off the “fetish” and dubbing it merely “fashion.” A ever-so-tightly cinched halter top of gleaming white cord, a barely there cobweb bikini that requires an expert hand to remove, overlays of skirts and dresses that hobble the wearer seductively and at the same time, show off the contours of the female body. It’s neat, it’s adjustable, it’s sexily professional work. It’s easy to see why the duo has filmed more than 100 video tutorials and taught countless workshops in the Bay and beyond for their eager fans: the Boys have tied up hundreds of women but, unlike some humiliation artists, they have never tied down their subjects’ beauty and comfort.

www.twoknottyboys.com

 

SLUTTIEST PARTIERS

Was it written on the rock hard abs of some San Franciscan sex god that all coital gatherings in this city have to be stark and stoic? Thankfully, the colorful gang over at Kinky Salon never got that memo. Creators Polly and Scott have created a swinger’s playland party in the pink and purple rooms of Mission Control whose focus is flair: playful costume themes have focused on everything from kitty cats (the upcoming Pussyfest) to undersea adventure and fairy tale characters. You’ve never lived, it would seem, until your Snow White costume has been peeled off on the couch in the Harem Room by Tinkerbell and Captain Hook. More recently, the team has created a new magazine to celebrate the vast array of sexualities that their partygoers lay claim to: San Fran Sexy. The rag includes erotic history lessons from sexologist Dr. Carol Queen, memoir pieces from Bawdy Storytelling’s Dixie De La Tour, photos from recent Kinky Salon soirees, and news of sensual events to come.

www.kinkysalon.com

 

SLUTTIEST ROCKERS

“If the Meat Sluts were a Pink Lady, we’d be Rizzo! We ain’t no prudes like Sandy!” says BB Rumproast of rockin’ band the Meat Sluts (www.myspace.com/themeatsluts). In a world of vegan dogs, her XXX-chromosomed trash rock-punk explosion is an all-beef foot long. The four women are cookin’ on stage — literally. In addition to the occasional back up steak dancing alongside their guitar licks and growls, the Meat Sluts have shared space at shows with a live hot dog-maker and a meat grinder flinging sausage and baloney onto hungry fans. It’s messy, carnivorous fun — the perfect expression of the group’s embrace of hedonistic appetite that could care less about what’s considered “ladylike” at the table of the musical establishment. “We are loose and crazy and not ashamed of it! We love man meat! We love weenies! Beef baloney, Slim Jims, T-bones, bring it ON!” says Rumproast. To quote the Sluts’ rager rally cry “Johnny Con Carne,” that’s what we call makin’ bacon.

The Meat Sluts play Dodgyfest 3, Oct 2, 7 p.m., $10. Thee Parkside, 1600 17th St., SF. www.theeparkside.com

 

SLUTTIEST BLOGGER

Fleur De Lis SF has a bone to pick with the way hot and horny females are portrayed. “Women are just as sexual as men and they should own it,” the blogger tells us. Need proof? Check out the blog she started this summer — just make sure your hands are free and you’ve got a little privacy while you do so. Her posts are missives from a professional woman’s enthusiastic exploration of sensual subcultures in “one of the sexiest cities in the world.” Though her identity is clad in secrecy, Fleur De Lis SF’s escapades with Craig’s List Casual Encounters, BDSM clubs, and randy run-ins at the grocery store will leave you slicker than a Slip ‘N Slide in 90 percent humidity. Erotic inspiration notwithstanding, what we love about this new It slut is her candor and assertiveness. “Mainly, I want to educate people to embrace sex and sexuality,” she says. “I want people to accept who they are, and who are we are sexually is a huge part of who we are as people.”

fleurdelissf.wordpress.com

 

SLUTTIEST MAN ACTION

For the past few years, hunky leatherman cruisers have been blessed with the return of a SoMa bar crawl, which, while hardly rivaling the infamous Miracle Mile of the 1970s and ’80s, at least offers hide-lusting bar-hoppers an array of options. Truck, Hole in the Wall, Powerhouse, the Eagle, Lone Star — all make for a daisy chain of fellow cock-seekers. But the piece de resistance is surely Chaps II, which gives itself wholly over to man-action bliss. The original Chaps, owned by Chuck Slaton and Ron Morrison, was notorious for its Crisco-minded shenanigans, and Chaps II, opened in 2008 by David Morgan, continues the proudly perverse tradition, with parties devoted to rope play, piss play, fisting, and sports gear aficionados, as well as regular nights simply dedicated to the Holy Grail of slutty manhood: cheap ass. (For those unfamiliar — cheap ass tastes like chicken parmesan.) Kudos to you, Chaps II, for keeping the BDSM spirit alive — and serving a healthy round of Jäger shots to boot.

1225 Folsom, SF. (415) 255-2427, www.chapsbarsanfrancisco.com

 

SLUTTIEST ROBOTS

Drilldo, Intruder MK II, the Satisfyher, Scorpion, the Little Guy, Annihilator, the Octapussy — these are some of the friendly, dripping sex robots you’ll meet at FuckingMachines.com, part of the Kink.com kingdom. The machines put a bevy of heaving beauties through the motions with their dildo-studded fingers and pulsating hacksaw thrusts. Designed by lucky site users, who submit their moving-parts fantasies, and the fiendishly clever sex-elves at the Fucking Machines workshop (with many of the machines fabricated on site at Kink’s HQ in the Mission Armory), these fascinating thingamabobs range from devilishly dirty to actually kind of cute. There’s even one modeled on Johnny 5 from Short Circuit, albeit renamed Fuckzilla and outfitted with a huge silicone phallus. The whole shebang is overseen by the enthusiastic Tomcat, who drives the point home that, yes, a chainsaw outfitted with 20 fake tongues “challenges the whole idea that women need someone to buy them dinner to get pleasure.” Fucking machines themselves have been around since the 1960s, he notes, “but when we started in 2001, we wanted to capitalize on the tech wave, while approaching the machine construction like sculpture.” Good thing the Fucking Machine bubble didn’t burst.

 

SLUTTIEST SLÜT

Burlesque heroine Baroness Eva Von Slüt knows what she’s got, and she’s happy to show it to you. The inked, buxom platinum blonde dove into burlesque in 2002, but she’s never been afraid of flaunting her dangerous curves onstage. “Whatever the thing is that women have that they hate their bodies, I just don’t have it. I don’t compare myself to other people because I know I look good.” Von Slüt produces her own burlesque shows, plays party-jumping jams with partner DJ Mod Days, and heads up the vocals for no less than two sexy bands — Thee Merry Widows, an all-girl psychobilly explosion of fishnets, red lipstick, and leather dresses, at whose shows Von Slüt will bust out in pasties and sequined panties, and the White Barons, a stripped down, hard-edged punk outfit in which Von Slüt lets her rebel growl loose. So what gets this freight train whistling? Purrs the lady, “Self-confidence and kindness. Also, I am a bit of a cougar, so gentlemen 10 years younger. I’m not opposed to men my age or older, but gosh they’re just so sweet when they’re young!”

Catch Von Slüt’s DJ session on Wednesday, Oct. 13 at Butter, 354 11th St., SF. www.myspace.com/missevavonslut

 

SLUTTIEST FREE-FOR-ALL

There are a lot of gay musclemen at the Folsom Street Fair, and there are a lot of steamy, shirtless gay man-parties surrounding the event (causing quite a few Monday morning tragedies). But what about everyone else? “I was talking to my friends at Kink,” says Folsom organizer Demetri Moshoyannis, “and they said that once the fair ended, all the leathermen had a place to go, but everyone at the Kink booth just had to go home. So this year we teamed up with them to change that.” The result? A glorious-sounding omnisexual dance party called Deviants that’s open to everyone. The acknowledgment that gay muscle men aren’t the only ones who can get down and dirty into the wee hours is refreshing. But so is the musical lineup — the Juan Maclean, Zach Moore from Space Cowboys, Australia’s Stereogamous — which offers something beyond the carnival circuit-music at many of the other parties. Musclemen are welcome, too, of course, as long as they’re willing to shake their chains on the dance floor.

Sun/26, 6 p.m.–2 a.m., $30 advance. 525 Harrison, SF. www.folsomstreetfair.org/deviants

 

SLUTTIEST PIE

It’s not too many harems that offer you 40 different ways to satisfy your cravings. But hot, lip-smacking loving can be yours — in three different locations or for delivery, no less! — whenever that urge to do something naughty hits, whether you like it on your lunch hour or for a post-bar dirty stopover. Oh, Pizza Orgasmica, you sure do know what gets us going. The local chain has umpteen big, salacious pies with nookie-themed names for your perusing. And although the Ménage à Trois, with it’s cuddle puddle of five salty cheeses, will leave you panting, and the Latin Lover’s barbeque sauce, chicken, zucchini, onions, and cilantro make for a meaty, spicy affair, the sluttiest pie award has got to go to the Farmer’s Daughter. She looks like a demure little milkmaid (after all, you can find her on the vegetarian menu) — but once her drizzles of creamy bianca cheese hit your tongue, and her fresh corn and broccoli fill your mouth … it’s a tumble in the hay you won’t soon forget. Old MacDonald would be scandalized.

Various locations, www.pizzaorgasmica.com

 

SLUTTIEST CLOWN

When it comes gender-bending sexual escapades, we landlubbing bipeds tend to give short shrift to our finned, feathered, and multi-legged Earthmates. That’s why we’re giving a hearty bottoms up to the California Academy of Science’s Amphiprion ocellaris. The showy orange and white striped fish, whose common name is clownfish, is best known as the aquatic brat in Finding Nemo. But we don’t care about Nemo’s celebrity — or his billions. We salute him for his ability to shift from male to female when needed, giving her access to the entire spectrum of fishy sexuality. One of the planet’s rare sequential hermaphrodites, all clownfish are born male (protandrous hermaphrodites) but become female when the female in a breeding pair dies. You may never look at a clownfish the same way again — and you should certainly go and look at them at the Cal Academy aquarium (www.calacademy.org), where the San Franciscan clownfish ride tiny fixies, design websites, and sip Blue Bottle. Kidding! But maybe we should rethink always calling them “Nemo.” How about Nema for a change? Or Nemo-ma. Or, oh goddess of LGBT fish love, Nemaphrodite.

 

SLUTTIEST BUFFET

It’s lunchtime Friday and you need a juicy thigh in your mouth: Gold Club is there. And no, we’re not talking about the lovely ladies popping, dropping, and locking it all over the SoMa strip club’s pleasure poles. Carnal urges take on new meaning when it comes to the joint’s $5 all you can eat Friday buffet, an omnivorous affair stuffed with roast beef, lasagna, fresh veggies, hummus, brownies, and their signature breasts (or as one Yelper so memorably dubbed them, “fried chicken tit-tays!”) The spread attracts a diverse crowd of office workers and lap-dance connoisseurs of all genders, endowed with an appetite for crispy skin and jiggling glutei maximi alike. So pair your plate with a $4 happy hour cocktail — available until 7 p.m. — and don’t forget to share your savings with the working women up front.

Gold Club’s all you can eat buffet Fridays 11 a.m.– 2 p.m., $5. 650 Howard, SF. (415) 536-0300, www.goldclubsf.com

Slutty profiles written by Marke B., Caitlin Donohue, Johnny Ray Huston, and Diane Sussman.

Our Weekly Picks: September 22-28, 2010

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WEDNESDAY 22

MUSIC

Mary Wilson

As one of the founding members of the Supremes, Mary Wilson sang on countless classic rock, R&B, soul, and doo-wop hits, including “Baby Love,” “Come See About Me,” “Stop! In The Name Of Love,” “Back In My Arms Again,” and many, many more. While that legendary group’s rise to fame has been celebrated in fictionalized form with the hit film and stage production Dreamgirls, Wilson has continued to perform and record, wowing fans with her outstanding voice that still powerfully belts out her hits, along with her interpretations of jazz standards. Fans can expect a bit of both when she comes to the city for a series of special, intimate shows. (Sean McCourt)

Wed/22-Sat/25, 8 p.m.; Sun/26, 7 p.m., $40–$55

Rrazz Room

Hotel Nikko

222 Mason, SF

1-866-468-3399

www.therrazzroom.com

 

EVENT

Jonathan Safran Foer

Every once in a while, a nonfiction book arrives that makes my head hurt, my tear ducts blow, and my appetite long for more discerning times ahead. Last time it was The Omnivore’s Dilemma. This time it’s Eating Animals, the author of loss literature Everything is Illuminated and Extremely Loud and Incredibly Close Jonathan Safran Foer’s voyage into the depraved bowels of our country’s factory farms. Since I lack the power of Safran Foer’s elegant prose, lemme summarize his findings: they are a stain upon our earth. Let him tell you himself at this benefit for the ever-fantastic 826 Valencia. (Caitlin Donohue)

8 p.m., $20

Herbst Theater

401 Van Ness, SF

(415) 392-4400

www.cityarts.net

 

DANCE

Alyce Finwall Dance Theater and PunkkiCo Dance

From the outside, a red door is all that distinguishes performing arts venue the Garage from other warehouse-like SoMa buildings. Once inside, the intimate space seems too small to function as a theater. Yet the diverse range of upcoming and established choreographers that RAW (the venue’s resident artist workshop) hosts always manages to bring explosive dance to the small, box-like space. This week RAW hosts PunkkiCo Dance and Alyce Finwall Dance Theater. Using the Garage’s interior space for inspiration, choreographer Raisa Punkki and her company present End Trance, a piece exploring large movement within claustrophobic spaces. Similarly, Alyce Finwall Dance Theater (directed by choreographer-dancer Finwall) explores explosive and raw movement in a piece that investigates femininity, beauty, and identity, to name a few. (Katie Gaydos)

Through Thurs/23

8 p.m., $15

Garage

975 Howard, SF

(415) 518-1517

www.975howard.com

 

THURSDAY 23

MUSIC

Big Boi

When is Outkast dropping its next album? When it damn well feels like it, that’s when. In the meantime, get up with the more elegant side of the ATL hip-hop duo — the checkered space-ghetto luxe of André 3000’s “Hey Ya!” partied hard, but when you found your dance partner and were ready to really get down, where’d you turn? “The Way You Move,” that’s where. Big Boi’s double time flows fill in languorous beats on new solo album Sir Lucious Leftfoot: The Son of Dusty Chico, which Jive demurred on because it was too much “a piece of art.” Their loss, and when Def Jam picked it up again, our gain. (Donohue)

8 p.m., $35

Regency Ballroom

1300 Van Ness, SF

www.theregencyballroom.com

 

EVENT

Oktoberfest by the Bay

Can’t make it all the way to Munich this year to mark the 200th anniversary of Oktoberfest? Then throw on your lederhosen and dirndls and bring your appetite for beer, bratwurst, and Bavarian-themed good times and head down to our own San Francisco waterfront for the 11th annual Oktoberfest by the Bay. A smorgasbord of food awaits to soak up the specialty suds being offered up by Spaten, as will a host of bands playing traditional music for all the partygangers raising their steins and dancing the schuhplattln. Prost! (McCourt)

Thurs/23–Fri/24, 5 p.m.–midnight; Sat/25, 11 a.m.–midnight;

Sun/26, 11 a.m.–6 p.m., $25–$30

Pier 48 (across from AT&T Park), SF

1-888-746-7522

www.oktoberfestbythebay.com

 

FRIDAY 24

PERFORMANCE

3 For All

Some veteran performers think they know it all already, feeling sufficient unto themselves. But despite the dizzying level of expertise evinced by 3 For All’s Rafe Chase, Stephen Kearin, and Tim Orr, these guys still take suggestions. In fact, they don’t do what they do without a little help from the audience, by way of nouns, adjectives, and odd phrases shouted out in eager expectation that these three improv masters will take their idea and transform it into a breathless and hysterical wonder of theatrical spontaneity. Really, if you haven’t seen 3 For All do its thing, you haven’t seen all that improv has to offer. These are the troupe’s last San Francisco performances of 2010. (Robert Avila)

Through Sat/25

8 p.m., $22–$25

Bayfront Theater

Fort Mason Center, Bldg. B

Marina at Laguna, SF

www.improv.org

 

FILM

“Radical Light: Return to Canyon, Program II”

Filmmaker Bruce Baillie first conceived of Canyon Cinema as a communal gathering in the redwood groves between Oakland and Moraga. The screenings showcased fresh, avant-garde work and self-produced newsreels, along with classic serials and government films. “We’d sit under the trees in the summer with all the dogs and people and watch,” Baillie once reminisced to interviewer Scott MacDonald. Canyon came down the mountain soon enough, but this special 50th anniversary event revives its original al fresco spirit. The show features many fine Canyon films new and old, as well as a newsreel produced by the kids of the Canyon School with help from USF’s film students. Baillie will be there too, still tossing the seeds of creative growth. (Max Goldberg)

6 p.m., free

Canyon School

187 Pinehurst, Canyon

www.sfcinematheque.org

 

EVENT

“24 Days of Central Market Arts: Kick-off Event”

In an area known for its uninviting sights and smells, visitors to the central Market Street area can instead treat themselves to the sights and sounds of art during 24 Days of Central Market Arts. The three-week festival kicks off today with LEVYdance, Robert Moses’ Kin, and Kunst-Stoff, followed by Cali & Co & The Welcome Matt, and vocalist Joshua Klipp with Sarah Bush Dance Project. Saturday continues with performers including La Alternativa and Hope Mohr Dance. The event culminates Sunday with more performances, belly dance classes, an improv dance jam, and indie rockers Handshake. (Emmaly Wiederholt)

Through Oct. 17

Kick-off: Fri/24, 1–2 p.m. and 5–7 p.m.;

Sat/25-Sun/26, 1–-5 p.m., free

Mint Plaza

Fifth St. between Market and Mission, SF

www.centralmarketarts.org

 

DANCE

Lenora Lee

In Lenora Lee’s Passages, politics and art work in tandem to tell the story of one person. Yet the piece also speaks for the courage and determination of thousands of others who left — and still leave — everything behind to make a better life for themselves, their children, and in Lee’s case, a grandchild. Lee’s grandmother was married in China and spent 10 years waiting to reunite with her husband on Gold Mountain, as California was called. She became an anchor in the little girl’s life, one in which dance lessons and visits with Grandma fused. The interdisciplinary Passages — with media design by Olivia Ting and a score by Francis Wong — commemorates the centennial of the Angel Island Immigration Station. (Rita Felciano)

Fri/24–Sat/25, 8 p.m.; Sun/26, 2:30 p.m., $20

Dance Mission Theater

3316 24th St., SF

1-800-838-3006

www.asianimprov.org

 

SUNDAY 26

MUSIC

Git Some

Gotta love hard rockers — and even harder livers — like those in Denver’s Git Some. Mixing hardcore maximalism with post-punkin’ Jesus Lizard freewheelery, the foursome — founded by ex-Planes Mistaken for Stars members Chuck French and Neil Keener — tear through bulldozers à la “There Is So Much Blood” and thrashers such as “Entrails for the Altar” on the new Loose Control with the barely harnessed ferocity of zombies served a groaning sideboard of fresh body parts. Translation: meaty satisfaction — the added wrinkle being the occasional butt-wiggling, cheese-gobblin’ guitar-god flourish found on, say, “Broken Bodies Glisten.” Taste the glove — and Git Some love? (Kimberly Chun)

With Pins of Light and Hazzard’s Cure

8 p.m., $6

Knockout

3223 Mission, SF

(415) 550-6994

www.theknockoutsf.com

 

TUESDAY 28

MUSIC

Odd Nosdam

Get your cerebral and head-bopping fix at this show featuring two all-star experimental electronic artists. The Bay Area’s Odd Nosdam makes sound collages with ideas and samples pulled from the worlds of hip-hop, ambient music, drone, and indie-rock, often set among creative drum patterns you can still tap your foot to. Austria-based musician Christian Fennesz (see music feature) combines spacey, manipulated electric guitar with dissonant textures and glitchy beats. Either of these guys playing on their own would make for a fantastic show. Together, for $10 per set, you’d be a fool to miss it. (Landon Moblad)

With Fennesz

8 p.m., $20

Swedish American Hall (above Café Du Nord)

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

EVENT

Guillermo del Toro

In addition to directing superbly haunting, dark, atmospheric films like Hellboy (2004) and Pan’s Labyrinth (2006), Guillermo del Toro also pens novels (with cowriter Chuck Hogan), the second of which, The Fall, hits stores this week. Though the topic of vampires may seem worn out to some, with the teenybopper Twilight series driving some genre fans to swear they’ll stake themselves at the mention of one more fang-based outing, del Toro brings the bite back into the fold with this second part of a planned trilogy of tales. Join the talented artist for a special evening of discussion about his work on the written page and silver screen. (McCourt)

7:30 p.m., $12–$75

Sundance Kabuki Theater

1881 Post, SF

1-800-838-3006

www.booksmith.com 

 

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Horns of plenty

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art@sfbg.com

MUSIC Shaun O’Dell is best known for his visual art work — work that has earned him a Goldie from the Guardian, a SECA Award from San Francisco Museum of Modern Art, and more recently the Tournesol Award at Headlands Center for the Arts. Less known is O’Dell’s work in music, likely because over the years the artist has distanced himself from the scene, its attendant clash of egos, and the oft-inevitable creative tussles. “I’d been in bands before,” he says by phone. “That’s part of the reason I went into visual art. I didn’t want to collaborate with people anymore — it just got weird and stressful.”

So when old friend and Thee Oh Sees leader John Dwyer — for whom O’Dell played sax on an early Coachwhips recording — asked the painter to try his hand at his latest project with Randy Lee Sutherland (Vholtz, Murder Murder) a couple years ago, O’Dell obviously wasn’t planning on major sand scuffles or gladiatorial touring.

The three started playing together, and lo, “it worked.” Meaning, the trio might play a little before a performance and then bring it all together live, while improvising. “It wasn’t rehearsed music — it was more build-up-a-language music,” as O’Dell puts it. “The energy was really about the live thing, but there was a lot of energy between the three of us whenever we played. It was good that way — no hassles.”

“We played shows a lot of times with noise bands, and we weren’t trying to make noise — we weren’t trying to make chaos. We were basically searching through the chaos to find these common places for us to make harmonic things happen or melodic things happen or rhythmic things coalesce,” O’Dell recollects. “I think the music was interesting to me because both those guys were committed to communicating but not afraid to explore and have the music fall apart at times, and I think on the record you can hear that.”

You can hear that sense of play, exploration, and driving pulse on Sword and Sandals’ studio debut, Good & Plenty (Empty Cellar). O’Dell and Sutherland, both on alto sax, weave in and out of each other’s lines, calling like exotic birds, while Dwyer picks up such unexpected instruments as the flute on the untitled second track. Dwyer and Sutherland took turns on drums, O’Dell played tenor and Sutherland bass clarinet, and all three played keyboards, with Dwyer, and on one track, Anthony Petrovic of Ezee Tiger, interjecting with electronics and a ramshackle Moog at engineer Lars Savage’s Mission District studio.

Tracked live during one all-day Ben Hur of a session, sans overdubs, Good & Plenty‘s improvisations pull at the ear insistently, with one foot lodged in the warehouses of SF’s post-punk/-hardcore experimental music scene and another in the wild, woolly outback of improv. “All three of us have played music enough to commit to playing off the top of our heads and listening enough to make something work,” observes O’Dell. “I think that’s what made it different.”

It’s all different now: after two years with Sword and Sandals, two 2007 live CD-Rs, and a track on a Zum TwoThousandTapes compilation earlier this year, O’Dell has left the band. Instead O’Dell and Sutherland are carrying on as a duo dubbed WR/DS, playing the S&S release-show-of-sorts at Viracocha and O’Dell’s book release party at Park Life Gallery. O’Dell hopes to incorporate a string section at Park Life, wryly describing WR/DS repetitive, sometimes-Terry-Reilly-inspired experiments as “art gallery music. It means we like to do it in spaces that make acoustic music sound good. It’s kind of a joke — but kind of not a joke.”

Not that Sword and Sandals wasn’t touched or touched by the art realm as well. “For me, it became a good outlet for trusting in the unknown, as far as it was related to my art practice,” explains O’Dell. “I was overdoing it for years and years, and I’ve gotten to the point where I’m interested in the places I don’t know about so much.

“It’s a different thing playing music,” he continues, “but your brain is doing the same thing — just letting go and not judging yourself and playing and not judging other people you’re playing with and finding space to make music.”

WR/DS

With Up Died Sound, Pillars and Tongues, and Joseph Childress

Wed/22, 8 p.m., call for price

Viracocha

998 Valencia, SF

(415) 374-7048

viracochasf.com

Also Sept. 30, 6–8 p.m., free

Park Life Gallery

220 Clement, SF

(415) 386-7275

www.parklifestore.com

Dreams untrue

0

arts@sfbg.com

FILM Alternatively hailed as a sensitive cine-poet and derided as a brazenly ethnocentric pseudo-anthropologist cloaking shoddy fieldwork with mystification, Robert Gardner remains a controversial figure — when he is remembered at all. With a younger generation of filmmakers (Lisandro Alonso, Apichatpong Weerasethakul, Ben Russell, Claire Denis) rewiring the tropes of sensory ethnography to their own ends, the troubling beauty of Gardner’s work seems freshly relevant if no less problematic. Yerba Buena Center for the Arts opens this Pandora’s box the right way, with restored 35mm prints of three of Gardner’s best known works.

I first encountered Gardner’s work in the classroom, where it made an appealing target for students eager to sniff out colonialist discourses in documentary form. The argument against a film like Dead Birds (1964) is well rehearsed: Gardner depicts the Nuer people as a primitive culture untouched by history or politics; masks the participatory aspects of ethnographic filmmaking; allows himself a ranging voice-over while leaving all Nuer speech untranslated; and contrives two protagonists to act as convenient ciphers for Hollywood narrative conventions of simultaneity and suspense. Then there is the Harvard credit. Gardner led the university’s Film Study Center for 40 years, and the films say so: “Produced for the Film Study Center, Harvard University.” The charges of cultural paternalism come easily enough.

Even taking the charitable view that Gardner acted more on allegorical ambition than innate arrogance, he clearly avails himself of the least reputable power base of anthropology — I speak about them; they do not speak back to me. Moreover, he does so with a formal insouciance that would drive most anthropologists nuts. What burned me about the line taken on Gardner in my seminar was that it came of watching his films on projected VHS, a degraded medium that implicitly treats films as content rather than experience. And indeed, it’s on the level of content that Gardner’s failings are most manifest. But seen in 35mm, when the filmmaker’s attention to sensory detail (sound, color, texture) and psycho-kinetic cutting might at the very least provoke unexpected feelings, the argument against loses some of its inevitability.

The second film of the Yerba Buena program, Rivers of Sand (1974), is even thornier than Dead Birds. Whereas in the earlier work, Gardner considers the universal impulse to draw battle lines in the Nuer’s ritual warfare, here he lets the Hamar of Ethiopia stand for the common issue of sexism. Throughout the film, a Hamar woman tells the camera about the abusive treatment of women in her culture (“He’s beating you even when he’s not”). Alas, any dialogic potential of this thread is diluted by her being the only speaker and, more important, there being no context for her testimony. At the aural level, however, the film’s dense, impressionistic catalog of sounds makes for distinctly lyrical, at times surreal viewing. In certain passages, like when an afternoon downpour sends a sudden river across the hard land, it seems we’ve left empirical reality behind altogether.

Arresting fragments like these point the way to Forest of Bliss (1986), Gardner’s feature-length contemplation (sans voice-over) of life rhythms and funeral rites on the Ganges. The India quest is an orientalist standby, of course, and brings into focus the counterculture strain that’s always run through Gardner’s work (remember, Timothy Leary was a Harvard man too). But while the fluid camerawork may be touristic, it’s also more modest than in his previous work. More often than not we’re following a single person’s movements: at home, through the streets, to the river, relying more on intimacy than intimation. The striking glimpses of the sacred in view of the profane suggest a solitary traveler rather than a scientific observer. It is one thing to caution against ascribing knowledge to this passing view and quite another to claim it does not have any foothold in the imagination; the first is common sense, the second wishful thinking.

“OTHERS/OURSELVES: THE CINEMA OF ROBERT GARDNER”

Sept. 23–30, $6–$-8

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

Lick it up

2

Pump your guns and meet me at the ice cream truck — I need help carrying all the sugar cones we’ll need for the sticky-sweet mess this week’s becoming. Folsom Street Fair parties, a great new club opening, some Detroit takeover … forget the vanilla and go directly to Rocky Road, sprinkles.

 

BONER PARTY

With ALF as mascot and gonzo indie-electro party boy DJ Richie Panic titillating a bucketload of omnisexual hipsters, this weekly gig isn’t some rote sausage fest. You’ll still make out, though. Hard.

Weds/22, 9 p.m., free. Beauty Bar, 2299 Mission, SF. www.thebeautybar.com/sf

 

BOOTY CALL

Voracious crate-digger Chris Orr revs up a fashionable queer crowd with cleverly timeless tunes that sound one day ahead of our electro-fied now. Juanita More! and Joshua J. host, Isaac takes wild photos in the back.

Weds/22, 9 p.m., $5. Q Bar, 456 Castro, SF. www.juanitamore.com

 

CARL CRAIG

Seminal second-wave Detroit techno wiz still plays the mad scientist in the back of your mind, only now he’s on a more orchestral, organic-sounding trip.

Thu/23, 9:30 p.m., $15. Vessel, 85 Campton Pl., SF. www.vesselsf.com

 

FINAL MEAT

After eight years of grinding ears, the city’s great industrial and EBM club, Meat, hits the lockers. DJs Devon, Netik, Rich, and Ritter Gluck plus a huge Gallery of Dark Art will make it a bloody bang.

Thu/23, 9:30 p.m.–late, $5. DNA Lounge, 375 11th Street, SF. www.meatsf.com

 

BEARRACUDA

Bears! Bears! Bears! Floss your teeth with man-fur at this huge shindig, which packs ’em in for progressive-pop dancing and tummy-rubs. With Aussie DJs Kam Shafaati and Mikey B., plus Philly’s Tony Ruiz.

Fri/24, 9 p.m., $10. Cat Club, 1190 Folsom, SF. www.bearracuda.com

 

BLACK MILK

Detroit producer and rapper is properly garnering raves for his Dilla-tastic beats and sensitive style — new joint “Album of the Year” rides the current bliss-rap vogue with aplomb.

Fri/24, 10 p.m., $15. Mighty, 119 Utah, SF. www.mighty119.com

 

FLYING LOTUS

L.A. producer hyperwarps past the future bass trend with his inimitable mind-bending DJ sets, melting everything from Portishead to Alice Coltrane into a cosmic brew. With Caspa.

Fri/24, 9 p.m., $22.50. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

MIKE SIMONETTI

From his infamous Brooklyn “Aerosol Burns” club to the launch of his fantastic Italians Do it Better Label, the underground disco and Italo house revivalist is still on a roll.

Fri/24, 10 p.m.–4 a.m., $10. SOM, 2925 16th St., SF. www.som-bar.com

 

QUENTIN HARRIS

The hands-down best vocal house producer of the past decade brings his signature sound and tattooed good looks to Temple

Fri/24, 10 p.m., $20. Temple, 540 Howard, SF. www.templesf.com

 

PUBLIC WORKS OPENING

OK, freaking out about this — new club and art gallery Public Works, brought to us by several local party Illuminati, opens with a blast. DJs Jenö, Pee Play, Vin Sol, Slayers Club, HOTTUB, and many more.

Fri/24, 10 p.m.–3 a.m., $5. 161 Erie, SF. www.publicsf.com

 

SOMA THING

Some Thing, the wildly creative Friday weekly alternadrag fiesta (with great guest DJs) leathers it up for Folsom. Lovely L.A. nutcase Phyllis Navidad, Glamamore, Monistat, and more perform, Juanita More! DJs.

Fri/24, 10 p.m.–4 a.m., $7. The Stud, 399 Ninth St., SF. www.studsf.com

 

ADRIAN SANTOS

1970s disco royalty plays his first SF set in 23 years at fantastically downtown-feeling monthly GO BANG! party, which brings together all walks of dance. With Steve Fabus, Tres Lingerie, Sergio, and more.

Sat/25, 9 p.m., $5. Deco Lounge, 510 Larkin, SF. www.decosf.com

 

BIG TOP: LEATHER AND LACE

Circus-themed, slightly non-mainstream queer whoop-whoop-de-doo takes from you your sobriety, gives to you hard-driving DJs HIFI Sean, Paul V, Josh Peace, Haute Toddy, and Prince O. Bears — just for starters.

Sat/25, 9 p.m.–3 a.m., $10. Club 8, 1151 Folsom, SF. www.joshuajpresents.com

 

BLOWOFF

Even more sexy bears! Yay! But also some muscular indie dance enthusiasts, bopping around at this regular blast with DJs Bob Mould and Richard Morel.

Sat/25, 10 p.m., $15. Slim’s, 333 11th St., SF. www.slims-sf.com

 

KYLE HALL

Future dub meets UK Funky — from Detroit? It works. Wild Oats label head brings his dreamy, twilight-infused compositions to the dance floor at the ever-steaming Icee Hot party.

Sat/25, 10 p.m., $5. 222 Hyde, SF. www.222hyde.com

 

MOUNT KIMBIE

Highly acclaimed — and rightly so — ethereal dub duo from Brighton, U.K., beam down with incredibly fine and future-eared Mary Anne Hobbs, DNTEL, and more.

Sat/25, 10 p.m.–3 a.m., $10. 161 Erie, SF. www.publicsf.com

 

SLUT!

Hot Folsom dyke action at the fab Lex, with rockin’ DJs Rapid Fire and Jenna Riot, hostess Oxana Olsen, and a uniform, leather, and fetish dress contest. Oh, and tons of mind-bogglingly sexy women.

Sat/25, 9 p.m., free. Lexington Club, 3464 19th St., SF. www.lexingtonclub.com

 

HOUSE OF BLACK LEATHER

Woot, this is gonna be the goods — homofuturists of Honey Soundsystem team up with London’s amazing Horse Meat Disco and top local talent like C.L.A.W.S., Dabecy, and Nikola Baytala for a post-Folsom throwdown.

Sun/26, 6 p.m.–3 a.m., $5 before 10 p.m., $7 after. Public Works, 161 Erie, SF. www.publicsf.com

 

PINK PARTY

SoMa’s Holy Cow bar just got a fab steampunky makeover, and this is a perfect chance to check it out. Wear pink to get in free all day. With DJs from Pink Mammoth and many other Burner camps.

Sun/26, noon–midnight, $5 (free before 3 p.m.). Holy Cow, 1536 Folsom, SF. www.theholycow.com

 

SUNSET CIVIC PICNIC

Dance your way into issues — classic Sunset DJs get you moving, while the League of Pissed Off Voters gets you set for the upcoming election. (Don’t forget to register to vote!)

Sun/27, 1 p.m.-7:30 p.m., free. Civic Center Plaza, SF. www.pacificsound.net

The District 8 dilemma

13

tredmond@sfbg.com

Gabriel Haaland, a longtime queer labor activist, was talking to a friend from District 8 the other day, chatting about the race for a supervisor to fill the shoes of Harvey Milk, Harry Britt, Mark Leno, and Bevan Dufty. “She told me that she didn’t know who to vote for,” Haaland said, “because she didn’t know who the progressive was in the race.”

For supporters of Rafael Mandelman, that’s a serious challenge. “The polls are very consistent,” Haaland said. “Most of the voters in D-8 would prefer a progressive over a moderate, and when they know who the progressive is, they support that candidate.”

But oddly enough, although District 8 — the Castro, Noe Valley, and parts of the Mission — is one of the most politically active parts of the city, where voter turnout is consistently high, the supervisorial race is getting only limited media attention. The neighborhood and queer papers are doing a good job of covering the race, but for the rest of the media, it’s as if nothing’s happening. And that’s left voters confused about what ought to be a very clear choice.

The San Francisco Chronicle featured the District 6 race on the front page Sept. 19, with a long story about how demographic changes in the South of Market area would affect the successor to Sup. Chris Daly. District 10, with the mad political scrum of 22 candidates, no clear front runner and endorsements all over the map, has received considerable media attention.

Yet D–8 — which offers by far the most striking distinctions between candidates and the sharpest divisions over issues — has been flying under the radar.

Three major candidates are in the race, two gay men and a lesbian. All of them, for what it’s worth, are lawyers. Rafael Mandelman, who works for a firm that advises cities and counties, has the support of the vast majority of progressive leaders and organizations. Rebecca Prozan, a deputy district attorney, and Scott Wiener, a deputy city attorney, are very much on the moderate-centrist (some would say, by San Francisco standards, conservative) side of the political spectrum.

“As Barbara Boxer has said in her ads, the choice is clear,” Aaron Peskin, chair of the local Democratic Party and a Mandelman backer, told us. “Not to exaggerate, but this is like Boxer v. Carly Fiornia, and Rafael is our Boxer.”

Yet by almost all accounts, Wiener is ahead in the race.

 

ON THE ISSUES

The San Francisco Board of Supervisors has been roughly divided in the past decade between the progressive camp and moderate camp. And while those labels are hard to define (the Chronicle won’t even use the term “progressive,” preferring “ultraliberal”), most observers have a basic grip on the differences.

The moderates, who tend to support Mayor Gavin Newsom, are social liberals but fiscal conservatives. They talk about the city surviving budget red ink without major tax increases. They talk about controlling government spending and increasing public safety. The progressives generally see local government as underfunded after four years of brutal cuts and support the idea of raising new revenue to fill the gap. They support tenants over landlords, seek stronger protections for affordable housing, support Sanctuary City, and oppose sit-lie.

Certainly with Wiener and Mandelman, it’s abundantly clear where the candidates fall. The two agree on some things (they both oppose Prop. B, the pension-reform measure that would reduce health care payments for the children of city employees) and they both support nightlife. But overall, they take very different political stands.

Wiener told us, for example, that the city’s structural budget problems won’t be solved without cuts. “We’re not going to able to tax our way out of this,” he said in an endorsement interview. “We have to lower our expectations for government.”

Other than Muni, public safety, and core public health services, cuts “will have to be across the board,” he said. “What are the things we really can’t do without?”

Wiener supports the sit-lie proposal, saying that he doesn’t think the local police have the tools they need to get poorly behaving people off the streets. He doesn’t support Sup. Ross Mirkarimi’s measure mandating foot patrols because, he told us, he doesn’t think the supervisors should micromanage the Police Department.

Sup. Bevan Dufty, who currently holds the D–8 seat, has voted with the progressives occasionally — but almost never on tenant issues. And Wiener, who has the support of the rabidly anti-tenant Small Property Owners of San Francisco, is likely to follow that approach. Although he told us he supports rent control (which just about everyone in local politics agrees on at this point), he’s not a fan of additional protections against evictions and condo conversions. “I’m not prepared to go beyond what we have now” on eviction protections, he said. He supported Newsom’s plan to allow people to buy their way out of the waiting list and lottery for condo conversions.

And when it comes to public power, he’s to the right of the incumbent: Dufty has said repeatedly that he supports the city taking over Pacific Gas and Electric Co.’s infrastructure and putting the city in control of a full-scale public power system. Wiener says he supports community choice aggregation (CCA), but not full-scale public power.

Mandelman is a big supporter of local government and says, without hesitation, that the city needs more revenue. “The public sector is dramatically underfunded,” he told us in a recent interview. “There’s great wealth in the city and it needs to be tapped to preserve public services.” Mandelman said he’s not “tax happy,” but told us that the structure of how the city raises revenue is a mess. He supports a top-to-bottom review of the city’s revenue base with the goal of making taxation more progressive — and bringing in enough money to fund crucial services.

Mandelman is a foe of sit-lie, which he sees as punitive and ineffective. He opposes gang injunctions and supports Sanctuary City. And he’s a strong advocate for tenants, supporting stronger eviction protections and limits on condo conversions that take away affordable rental stock.

“You have to look at the candidates and ask what their priorities are,” he said. “Are the displacement of long-time residents critically important or something that’s not on the top of the list? Do you believe we need to rebuild the safety net? Or is queer politics all about property values?”

Prozan told us that she’s the one who can “bring the two sides together” and said that, like Dufty, she is “right up the middle.” She supports the hotel tax and the vehicle license fee and opposes sit-lie, but also thinks gang injunctions are a useful tool for law enforcement. She doesn’t see any reason to split appointments between the mayor and the supervisors for the board that oversees Muni or the Redevelopment Agency. She doesn’t think the city can or should do anything more about the conversion of rental property to tenancies in common, but supports the idea of taking over foreclosed properties to create housing for teachers, cops, and firefighters. So it’s safe to say the Prozan would probably be similar to the incumbent — with the progressives on a few things, against them on others.

 

UNDER THE RADAR?

Wiener and Mandelman agree on two basic points: there are stark differences between the candidates — and the city’s major media outlets aren’t paying enough attention. That’s probably because the relatively tame politics doesn’t compare to the sort of wild excitement you see in Districts 6 and 10.

“There’s less chaos than some of the other districts,” Wiener said. “The three major candidates are all hard-working, respected people who have all lived in the district a while.”

He also agreed that he and Mandelman have “very different visions” for the district and the city, and that there are sharp contrasts and divisions between the two candidates.

Prozan also argued that the political differences on issues aren’t going to be the only — or even the deciding — factor for many voters. “I think they’re looking for who’s got the courage and independence to do what’s right,” she told us.

But Mandelman told us there’s a crucial story here that needs to be told: “It’s a definitional fight about what the queer community is about in 2010. As goes D–8, so goes San Francisco.”

Rep Clock

0

Schedules are for Wed/22–Tues/28 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-10. "What is Life Without the Living?", experimental queer works by Luther Price and David Scheid, Thurs, 8. "Electronic Cinema," sound artists perform scores for films by experimental filmmakers, Fri, 8. "Other Cinema: The Land of the Rising Fastball," films about Japanese baseball, Sat, 8:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. "Janus Films Presents: Charlie Chaplin:" •Limelight (1952) with "Shoulder Arms" (1918), Wed, 1:30, 4:45, 8. "Good Vibrations Fifth Annual Indie Erotic Film Festival," film competition hosted by Peaches Christ and Dr. Carol Queen, Thurs, 8 (pre-party, 7). For additional info, visit www.gv-ixff.org. "Gavyn Awards," also known as "the Oscars of gay adult entertainment," Fri, 7. For tickets, visit www.gayvnawards.com. Metropolis: The Complete Restoration (Lang, 1927), Sat, 1:30; Sun-Tues and Sept 29, 8 (also Sept 29, 2, 5). "The Twilight Saga Marathon": •Twilight (Hardwicke, 2008), Sat, 5; New Moon (Weitz, 2009), Sat, 7:20; and Eclipse (Slade, 2010), Sat, 9:45. "The Mighty Uke Roadshow:" Mighty Uke (Coleman, 2010), Sun, 3. Also featuring a live ukelele concert (this event, $12).

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. The Agony and the Ecstasy of Phil Spector (Jayanti, 2009), call for dates and times. Cairo Time (Nadda, 2009), call for dates and times. The Girl Who Played With Fire (Alfredson, 2009), call for dates and times. The Sicilian Girl (Amenta, 2008), call for dates and times. Howl (Epstein and Friedman, 2010), Sept 24-30, call for times. "The Films of My Life:" Stranger Than Paradise (Jarmusch, 1984), Thurs, 7. Presented by musician Jerry Harrison.

EMBARCADERO One Embarcadero Center, promenade level, SF; www.sffs.org. $8-20. "NY/SF International Children’s Film Festival," films for kids ages 3-18 and their families, Fri-Sun.

"FILM NIGHT IN THE PARK" This week: Creek Park, 451 Sir Francis Drake, San Anselmo; (415) 272- 2756, www.filmnight.org. Donations accepted. Wall-E (Stanton, 2008), Fri, 8. Dolores Park, Dolores at 19th St, SF; same contact and price info. The Big Lebowski (Coen, 1998), Sat, 8.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Six Degrees Could Change the World, Wed, 7:30.

JACK LONDON SQUARE East lawn, Oakl; www.jacklondonsquare.com. Free. "Waterfront Flicks:" Land of the Lost (Silberling, 2009), Thurs, 7:30.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100 (reservations required). $10. "CinemaLit: Loves Labours: Leo McCarey Revisited:" Going My Way (McCarey, 1944), Fri, 6.

"OAKLAND UNDERGROUND FILM FESTIVAL" Various venues, Oakl; www.oakuff.org. $10. Independent and DIY films, video, and video art made in Oakland. Thurs-Fri, 5; Sat, 10am.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. "Alternative Visions:" L’Age d’or (Buñuel, 1930) with "Un Chant d’amour" (Genet, 1950), Wed, 7:30. "Behind the Scenes: The Art and Craft of Cinema:" Akeelah and the Bee (Atchison, 2006), Thurs, 7:30; Hud (Ritt, 1963). With special guests in person discussing the making of each film. "Elegant Perversions: The Cinema of João César Monteiro:" Trails (1978), Fri, 7; God’s Comedy (1995), Sat, 8. "Drawn From Life: Comic Books and Graphic Novels Adapted:" Tank Girl (Talalay, 1995), Fri, 9:15; Who Framed Roger Rabbit (Zemeckis, 1988), Sun, 6:45. "Swoon: Great Leading Men in Gorgeous 35mm Prints:" Jubal (Daves, 1956), Sat, 6.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. "Isle of Wight 40th Anniversary Film Festival: Shot and Directed By Murray Lerner:" Leonard Cohen (1970), Wed, 2, 7:15; Listening to You: The Who at the Isle of Wight (1970), Wed, 9:15; Jethro Tull: Nothing Is Easy: Live at the Isle of Wight (1970), Thurs, 7:15; The Moody Blues (1970), Thurs, 9:15; Miles Electric: A Different Kind of Blue (1970), Fri, 7; Message to Love: The Isle of Wight Festival (1970), Fri, 9:35 and Sat, 2, 7; Jimi Hendrix (1970), Sat, 4:30, 9:35. The Room (Wiseau, 2003), Sat, midnight. 8 1/2 (Fellini, 1963), Sun, 2, 5, 8; Mon, 7:30. I Am Love (Guadagnino, 2009), Sept 28-29, 7, 9:30 (also Sept 29, 2).

ROGUE ALES PUBLIC HOUSE 673 Union, SF; www.rogue.com. Free. "Barbary Coast Film Festival," original films under 15 minutes, Sun, 7:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. The Agony and the Ecstasy of Phil Spector (Jayanti, 2008), Wed-Thurs, Wed, 7; Thurs, 7:45. Exit Through the Gift Shop (Banksy, 2010), Wed-Thurs, 9 (also Thurs, 7). •The Long Goodbye (Altman, 1972), Wed, 7; Thieves Like Us (Altman, 1974), Wed, 9. "SF Irish Film Festival," Thurs-Sat. For program info, visit www.sfirishfilm.com. "PFFR September Sexclusive," Sun, 7. •Surviving Desire (Hartley, 1991), Mon-Tues, 7, 9:40, and Book of Life (Hartley, 1998), Mon-Tues, 8:15.

"SAN FRANCISCO LATINO FILM FESTIVAL" University of San Francisco, 130 Fulton, SF; (415) 826-7057, www.sflatinofilmfestival.org. $8-10. Lula, Son of Brazil, Sat, 7. Ichthus Gallery, 1769 15th St, SF. Same contact info and price. "Shorts Program," Sun, 6.

SAN FRANCISCO MUSEUM OF MODERN ART 151 Third St, SF; www.sfmoma.org. $10. "Return to Canyon," presented by San Francisco Cinematheque in association with the Pacific Film Archive, Thurs, 7.

SAN FRANCISCO PUBLIC LIBRARY Koret Auditorium, 100 Larkin, SF; www.sfpl.org. Free. "Amandla! South Africa During and After Apartheid:" Invictus (Eastwood, 2009), Thurs, noon.
VIZ CINEMA New People, 1746 Post, SF; www.vizcinema.com. $10-15. Detroit Metal City (Lee, 2008), Wed-Tues, 7:15 (also Wed-Fri and Mon-Tues, 5).
YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. "Others/Ourselves: The Cinema of Robert Gardner:" Dead Birds (1964), Thurs, 7:30; Rivers of Sand (1974), Sun, 2. "Totally Ridiculous: The Lost Films of Charles Ludlam:" The Sorrows of Dolores (Ludlam, late 70s-1987) with "Museum of Wax," Fri-Sat, 7:30; The Imposters (Rappaport, 1980), Sun, 4:30.

Music listings

0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 22

ROCK/BLUES/HIP-HOP

Blue October, Parlotones Regency Ballroom. 8pm, $32.

"Chinese White Bicycles" Swedish American Hall (upstairs from Café Du Nord). 8pm, $25.

Rick Estrin and the Nightcats Biscuits and Blues. 8 and 10pm, $18.

Golden Gate, Genne and Jesse, Talmaya Hotel Utah. 8pm, $6.

Local Natives, Love Language Fillmore. 8pm, $20.

Murkins, No Captains, Dead Westerns Bottom of the Hill. 9pm, $8.

Ninth Moon Black, Rye Wolves, Burial Tide, DJ Rob Metal Kimo’s. 9pm, $7.

Julie Plug, Skyflakes, Sugarspun Milk Bar. 9pm, $8.

Silent Comedy, Bears! Bears! Bears!, Shauna Regan Knockout. 9pm, $6.

Tank Attack, Zig Zags, Arms N Legs Hemlock Tavern. 9pm, $5.

FOLK/WORLD/COUNTRY

*Rupa and the April Fishes, MWE, Brass Menazeri Rickshaw Stop. 8:30pm, $12-20.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 23

ROCK/BLUES/HIP-HOP

Atriarch, Alaric, Worm Ourboboros Knockout. 9:30pm, $6.

Badmammal, Good Luck at the Gunfight, Bonsoir George El Rio. 8pm, $3-5.

*Big Boi Regency Ballroom. 8pm, $35.

Jason Falkner Amoeba, 1855 Haight, SF; www.amoeba.com. 6pm, free.

Jason Falkner, 88, Ferocious Few Slim’s. 8pm, $13.

Alan Iglesias Biscuits and Blues. 8 and 10pm, $16. Stevie Ray Vaughn tribute.

Kelly Mcfarling, Sioux City Kid and the Revolutionary Ramblers, Arann Harris and the

Kina Grannis, Ry Cuming, Imaginary Friend Great American Music Hall. 8pm, $17.

Greenstring Farm Band Café Du Nord. 8pm, $12.

*Midnight Bombers, Get Dead, Psychology of Genocide, New Hope for the Dead Thee Parkside. 9pm, $6.

Mighty Slim Pickins, Clair, Sit Kitty Sit Bottom of the Hill. 9pm, $8.

Tamika Nicole Coda. 9pm, $10.

Sasha and the Shamrocks, Spidermeow, Rabbles Hotel Utah. 9pm, $7.

UB40 Fillmore. 8pm, $49.50.

Water Boarders, Bestial Mouths, Group Rhoda Hemlock Tavern. 9pm, $6.

JAZZ/NEW MUSIC

"Full Moon Concert Series: Harvest Moon" Luggage Store Gallery, 1007 Market, SF; www.luggagestoregallery.org. 8pm, $6-10. With Dan Plonsey, Steve Horowitz, and more.

Sam Grobe-Heinze and Tomoko Funaki Trio Savanna Jazz. 7:30pm, $5.

McCoy Tyner All-Stars Yoshi’s San Francisco. 8 and 10pm, $25-35.

Swing With Stan Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

FOLK/WORLD/COUNTRY

Kardash Enrico, 504 Broadway, SF; (415) 982-6223. 7:30pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $10. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Dirty Dishes The LookOut, 3600 16th St., SF; (415) 431-0306. 9pm, $3. With food carts and DJs B-Haul, Gordon Gartrell, and guests spinning indie electro, dirty house, and future bass.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Full Moon Contest The Edge, 4149 18th St., SF; (415) 863-4027. 8pm, $8. A PBR benefit beer bust.

Gigantic Beauty Bar. 9pm, free. With DJs Eli Glad, Greg J, and White Mike spinning indie, rock, disco, and soul.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with BaconMonkey, Netik, Mitch, and Ritter Gluck.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 24

ROCK/BLUES/HIP-HOP

Agent Orange, Daikdaiju, Deadbeats Red Devil Lounge. 8pm, $10.

Bacon, Howdy! Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 10pm, $5.

Beautiful Girls, Giant Panda Guerrilla Dub Squad, Kinetix Independent. 9pm, $15.

Big Tree, Brass Bed, Idle Cedars, Grand Lake Hotel Utah. 9pm, $8.

Black Milk, Elzhi, DJ House Shoes, Gary Copp Mighty. 10pm.

Damage Inc, Paradise City, Powerage, Strangers in the Night Slim’s. 9pm, $13.

Shane Dwight Biscuits and Blues. 8 and 10pm, $20.

JJ Grey and Mofro Fillmore. 8:30pm, $25.

Katatonia, Swallow the Sun, Orphaned Land Thee Parkside. 9pm, $18-45.

Tommy Keene, Bye Bye Blackbirds, Paul and John Hemlock Tavern. 9:30pm, $10.

Lee Vilenski Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

New Moon, Rajiv Parikh, Tracorum Great American Music Hall. 9pm, $20.

"The Other Side of the Sidewalk: Concert Tribute to the Songs of Shel Silverstein" Make-Out Room. 7pm, $7. With Misisipi Mike Wolf and friends.

*Rykarda Parasol, Mister Loveless, Spyrals Bottom of the Hill. 10pm, $12.

Pro Leisure, Lowfat Handshake, Hoovers Café Du Nord. 8pm, $10.

Rayband Orchestra Coda. 10pm, $10.

Sick of Sarah, City Light, Here Come the Saviours Rickshaw Stop. 8:30pm, $12.

JAZZ/NEW MUSIC

Chris Braun and Group Savanna Jazz. 7:30pm, $5.

Kinhoua and Eneidi-Golia Quartet Community Music Center, 544 Capp, SF; www.sfcmc.org. 8pm, $12.

McCoy Tyner All-Stars Yoshi’s San Francisco. 8 and 10pm, $30-40.

Olodum Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 8pm, $25-65.

FOLK/WORLD/COUNTRY

Meredith Axelrod and Craig Ventresco Amnesia. 6-9pm.

Baxtalo Drom Amnesia. 9pm, $10.

Sharon Hazel Township Dolores Park Café. 7pm, $5.

DANCE CLUBS

*Albino!, J. Boogie Elbo Room. 10pm, $10.

Club Dragon Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. A gay Asian paradise. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

*Duniya Dancehall Blue Macaw, 2565 Mission, SF; (415) 920-0577. 10pm, $10. With live performances by Duniya Drum and Dance Co. and DJs dub Snakr and Juan Data spinning bhangra, bollywood, dancehall, African, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs B-Cause, Vinnie Esparza, Mr. Robinson, Toph One, and Slopoke.

Flying Lotus, Caspa Mezzanine. 9pm, $20.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

House of Voodoo Medici Lounge, 299 9th St., SF; (415) 863-6334. 9pm. With DJs voodoo and Purgatory spinning goth, industrial, deathrock, eighties, and more.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kial, Tom No Thing, Megalodon, and Zapruderpedro spinning dubstep, reggae, and electro.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing The Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Teenage Dance Craze Party Knockout. 10pm, $3. Twist, surf, and garage with DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

Trannyshack Lady Gaga Tribute DNA Lounge. 10pm, $15. Don’t forget your disco stick!

SATURDAY 25

ROCK/BLUES/HIP-HOP

Barney Cauldron, Grains, Midnite Snackers Li Po Lounge, 916 Grant, SF; (415) 982-0072. 9pm, $5.

Christmas, MOR, Pandiscordion Necrogenesis, Statutory Apes Amnesia. 9pm, $5.

Covered in Butter, Treehouse, Expostwave, Tremor Low El Rioncon. 9pm, $5.

Dirty Projectors Fillmore. 9pm, $25.

Disastroid, Tender, Lost Puppy Thee Parkside. 3pm, free.

Freezepop, Ming and Ping, Aerodrone Elbo Room. 10pm, $13.

Kyro, Kate Burkart, Melissa Phillips Hotel Utah. 9pm, $8.

Monophonics, Grillade Independent. 9pm, $14.

Mucca Pazza, Rube Waddell Bottom of the Hill. 10pm, $12.

Paul Collins’ Beat, Pleasure Kills, Sharp Objects Hemlock Tavern. 9:30pm, $10.

*"Polk Street Blues Festival" Polk between Pacific and Union, SF; www.sresproductions.com. 10am-6pm, free.

Roy G. Biv and the Mneumonic Devices, Katie Garibaldi, Karney, Amanda Abizaid Union Room at Biscuits and Blues. 8pm, $10.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

"West Coast Zoner Jam IV" Jerry Garcia Amphitheater, McLaren Park, 45 Shelley, SF; www.zonerjam.com. Noonn-6pm, free. With Lost Ticket, Left Coasting, Dedicated Maniacs, and more.

JAZZ/NEW MUSIC

Chris Potter Underground Yerba Buena Center for the Arts, 701 Mission, SF; www.sfjazz.org. 8pm, $30-50.

Giovenco Project Coda. 7 and 10pm, $7-10.

"Infrasound 25" Southern Exposure, 3030 20th St, SF; www.soex.org. 7:30pm, free. With Scott Arford, Randy Yau, and Michael Gendreau.

McCoy Tyner All-Stars Yoshi’s San Francisco. 8 and 10pm, $40.

Karen Segal and Group Savanna Jazz. 7:30pm, $8.

FOLK/WORLD/COUNTRY

Barbary Ghosts, Salty Walt and the Rattlin’ Ratlines On the ship Balcutha, Hyde Street Pier, Hyde at Jefferson, SF; (415) 447-5000. 8pm, $14.

*Toshio Hirano Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Orquesta America The Ramp, 855 Terry Francois, SF; (415) 621-2378. 5:15pm, $5.

Teslim Seventh Avenue Performances, 1329 7th Ave., SF; (415) 664-2543. 7:30pm, $20. Turkish and Sephardic music.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

AIDS Emergency Fund Benefit DNA Lounge. 12:30-6pm, $10. Dance to house music, mingle with Folsom friends, and donate to a good cause at this annual event.

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Nuxx.

Barracuda 111 Minna. 9pm, $10. Eclectic 80s music with DJs Damon and Phillie Ocean plus 80s cult video projections, a laser light show, prom balloons, and 80s inspired fashion.

Bay Area All Star Series Club Six. 9pm, $5. With live performances by Hav Knots, Micah Tron, Kaveman, The Freshmen, and Z-Man.

Blowoff Slim’s. 10pm, $15. With DJs Bob Mould and Rich Morel.

Bootie DNA Lounge. 9pm, $6-12. Bootie Berlin’s resident DJ, Mashup-Germany, guests with residents Adrian and Mysterious D.

Cockblock Rickshaw Stop. 10pm, $5-7. Queer dance party with DJ Nuxx and friends.

Go Bang! Deco Lounge, 510 Larkin, SF; (415) 346 – 2025. 9pm, $5. Recreating the diversity and freedom of the 70’s/ 80’s disco nightlife with DJs Adrian Santos, Steve Fabus, Tres Lingerie, Sergio, and more.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Marcus Schossow, Second Sun 1015 Folsom. 10pm, $15.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, and Veyn spinning dancehall, reggae, and soca.

Roc Raida Tribute Som. 10pm, $5. With MCs Rakaa and DJs Rob Swift, Platurn, Blaqwest, Mr. E, and Umami spinning hip hop.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

*Ships in the Night and Sissy Strut Underground SF. 10pm, $5. Two queer dance parties come together to raise money for Teachers for Social Justice with DJs Black, Durt, and guests spinning soul, motown, R&B, doo wop, hip hop, and booty jams.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Temptation Cat Club. 9:30pm, $7. A femme fatales night with DJs Melting Girl, Daniel Skellington, Skip, Dangerous Dan, and more spinning new wave, goth, electro, and more in preparation for the Folsom Street Fair.

SUNDAY 26

ROCK/BLUES/HIP-HOP

Bone Cootes, Two Sheds Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Corruptors, Mensclub, Hot Fog, Sassy!!! Bottom of the Hill. 3pm, $8.

Trevor Garrod Café Du Nord. 8pm, $12.

*Git Some, Pins of Light, Hazzard’s Cure Knockout. 7:30pm, $6.

Nevermore, Warbringer, Mutiny Within, Hatesphere Slim’s. 8pm, $23.

*"Polk Street Blues Festival" Polk between Pacific and Union, SF; www.sresproductions.com. 10am-6pm, free.

Riot Before, Young Livers, Big Kids, Tigon Thee Parkside. 8pm, $7.

Social Studies, Jared Mees and the Grown Children, Monarques Hemlock Tavern. 8pm, $8.

Y La Bamba, Typhoon, Kacey Johansing Amnesia. 9pm, $7.

FOLK/WORLD/COUNTRY

John Calloway and Diaspora Coda. 7pm, $10.

Famous Thee Parkside. 4pm, free.

Forro Brazuca The Ramp, 855 Terry Francois, SF; (415) 621-2378. 5:15pm, $5.

Andre Thierry and Zydeco Magic Knockout. 2-6pm, $10.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. DJ Sep, Vinnie Esparza, and Lud Dub spin dub, roots, and classic dancehall.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

Superbad Sundays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With DJs Slopoke, Booker D, and guests spinning blues, oldies, southern soul, and funky 45s.

Swing Out Sundays Rock-It Room. 7pm, free (dance lessons $15). DJ BeBop Burnie spins 20s through 50s swing, jive, and more.

MONDAY 27

ROCK/BLUES/HIP-HOP

Lotus Moons, These Hills of Gold, Skystone Knockout. 9pm, $7.

Orchestra Antlers, Threadspinner, Westwood and Willow Elbo Room. 9pm, $6.

Perfume Genius, Winfred E. Eye, Mist and Mast Bottom of the Hill. 9pm, $12.

FOLK/WORLD/COUNTRY

Natalia Lafourcade Slim’s. 8pm, $21.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 28

ROCK/BLUES/HIP-HOP

Fat Tuesday Band Biscuits and Blues. 8 and 10pm, $15.

*Fennesz, Odd Nosdam Swedish American Hall (upstairs from Café Du Nord). 8pm, $20.

Sarah Harmer, Bahamas Independent. 8pm, $20.

Hold Me Luke Allen, AJ Rivlin El Rio. 9pm, free.

Like, Hounds Below, Myonics Rickshaw Stop. 8pm, $12.

Ryat, Dominique Leone, Religious Girls Elbo Room. 9pm, $5.

Semi Precious Weapons, DJ Lady Starlight Slim’s. 8:30pm, $18.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Rusko, Michipet, Neptune Mezzanine. 9pm, $18.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Stump the Wizard Argus Lounge. 9pm, free. Punk, hardcore, metal, country, and more with DJ What’s His Fuck and DJ the Wizard.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Stage listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Absolutely San Francisco Phoenix Theatre, Stage 2, 414 Mason; 433-1235, www.absolutelysanfrancisco.com. $20-25. Opens Fri/24, 8pm. Runs Fri-Sat, 8pm. Through Oct 23. A one-woman musical starring Karen Hirst, with book and music by Anne Doherty.

And Then They Came for Me: Remembering the World of Anne Frank New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. Call for reservations. Opens Mon/27, 10 and 11:45am. Runs Mon-Thurs, 10 and 11:45am. Through Oct 10. YouthAware Educational Theatre presents a multimedia play by James Still, directed by Sara Staley.

Anita Bryant Died For Your Sins New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $24-40. Previews Wed/22-Fri/24, 8pm. Opens Sat/25, 8pm. Wed-Sat, 8pm; Sun, 2pm. New Conservatory Theatre Center presents a show by Brian Christopher Williams.

Futurestyle ’79 Off-Market Theater, Studio 250, 965 Mission; (8008) 838-3006, www.brownpapertickets.com. $15-20. Opens Wed/22, 8pm. Runs Wed, 8pm. Through Oct 27. A fully improvised episodic comedy played against the backdrop of SF in 1979.

IPH… Brava Theater, 2781 24th St, 647-2822, www.brava.org. $15-35. Previews Sat/25, 8pm; Sun/26, 3pm. Opens Mon/27, 8pm. Runs Thurs-Sat, 8pm; Sun, 3pm (also Oct 4, 8pm). Through Oct 16. Brava Theatre and African-American Shakespeare Company present the US premiere of an adaptation of Iphigenia at Aulis.

Last Days of Judas Iscariot Gough Street Playhouse, 1620 Gough; (510) 207-5774, www.CustomMade.org. $10-30. Previews Fri/24-Sat/25, 8pm. Opens Tues/28, 8pm. Runs Thurs-Sat, 8pm; Sun, 7pm. Through Oct 30. Custom Made Theatre presents Stephen Adly Guirgis’ meditation on the meaning of forgiveness.

The Secretaries Boxcar Playhouse, 505 Natoma; 255-7846, www.crowdedfire.org. $15-25 (pay what you can previews). Opens Wed/22, 8pm. Wed-Sat, 8pm. Through Oct 9. Crowded Fire Theatre brings the irreverent feminist satire by Five Lesbian Brothers to the stage.

BAY AREA


ONGOING

Aida War Memorial Opera House, 301 Van Ness, 864-1330, www.sfopera.com. $25-320. Fri/24, 8pm; Sept 29, 7:30pm; Oct 2, 8pm; Oct 6, 7:30pm. San Francisco Opera presents Verdi’s classic, a co-production with English National Opera and Houston Grand Opera.

Bi-Poseur StageWerx Theatre, 533 Sutter; (800) 838-3006, www.brownpapertickets.com. $20. Thurs-Sat, 8pm. Through Sat/25. W. Kamau Bell directs a solo piece by Oakland native Paolo Sambrano.

The Brothers Size Magic Theatre, Bldg D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-60. Dates and times vary. Through Oct 17. Magic Theatre presents the West Coast premiere of Tarell Alvin McCraney’s play, directed by Octavio Solis.

Cat on a Hot Tin Roof Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Through Oct 2. Actors Theatre presents Tennessee Williams’ sultry, sweltering tale of a Mississippi family, directed by Keith Phillips.

*Dreamgirls Curran Theatre, 445 Geary; (888) SHN-1749, www.shnsf.com. $30-99. Wed, 2 and 8pm; Thurs-Fri, 8pm; Sat, 2 and 8pm, Sun, 2pm; Tues, 8pm. Through Sun/26. The touring version of director-choreographer Robert Longbottom’s revamped revival of the 1981 Broadway sensation (with book and lyrics by Tom Eyen and music by Henry Krieger, under original direction by A Chorus Line‘s Michael Bennett) is a visually and aurally dazzling spectacle that is also a knowing (if now familiar) take on the history and business of latter-20th-century American pop music from the perspective of African American R&B. The cast, operating with ease against and within a remarkable videoscape projected onto large draped screens center stage, charms from the outset of this story about the rise of a female vocal group called the Dreams (a loose composite of the Supremes and the Shirelles). The first act enthralls with the plot’s gathering possibilities, the sparkling music and the irresistible performances—not least Moya Angela’s unstoppable Effie and Chester Gregory’s heroically soulful, funky Jimmy "Thunder" Early. But the second act stretches things unnecessarily with one too many power ballads (albeit lunged to perfection) and a slowpoke approach to the all but predictable plot resolution. Still, this is a masterful production on many counts and an infectious evening overall. (Avila)

*Etiquette Yerba Buena Center for the Arts, 701 Mission; 978-2787, www.ybca.org. $8-10. Thurs-Sat, noon, 1pm, 2pm, 3pm, 4pm, 5pm, 6pm, 7pm, 8pm; Sun, noon, 1pm, 2pm, 3pm, 4pm, 5pm, 6pm. Through Oct 3. Rotozaza presents a participatory performance piece for two people.

Jerry Springer the Opera Victoria Theatre, 2961 16th; www.jerrysf.com. $20-36. Wed-Sat, 8pm. Through Oct 16. Ray of Light Theatre presents the West Coast premiere of the operatic farce by Stewart Lee and Richard Thomas.

KML Holds the Mayo Zeum Theater, 221 4th St; www.killingmylobster.com. $10-20. Thurs-Fri, 8pm. Through Oct 3. Killing My Lobster presents its fall comedy show, directed by co-founder Paul Charney.

Law and Order San Francisco Unit: The Musical! (sort of) Metreon Action Theater, Metreon Cineplex, second floor, 101 4th St; www.brownpapertickets.com. $10. Mon, 8pm. Through Mon/27. Funny But Mean comedy troupe presents an original production.

Olive Kitteridge Z Space at Theater Artaud, 450 Florida; (800) 838-3006, www.zspace.org. $20-40. Wed-Thurs, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Oct 10. Page-to-stage company Word for Word takes on two chapters’ worth of Elizabeth Strout’s celebrated 2008 novel, comprised of a loosely connected set of stories surrounding the title character (played with cunning subtlety by Patricia Silver) and her immediate circle in a coastal town in Maine. In "Tulips," we find the thorny but shrewd Olive, a former math teacher, and her patient husband Henry (Paul Finocchiaro), the town’s longtime pharmacist, transitioning not so smoothly into their retirement years. Olive—itchy, cantankerous and vaguely at a loss despite her sharp wit—resents her grown son’s (Patrick Alparone) happily distant life in New York and battles with the neighbors until her husband’s stroke leaves her at sea, unexpectedly vulnerable and open to the kindness of neighbors and strangers alike (played by an ensemble that includes Jeri Lynn Cohen, Nancy Shelby, and Michelle Belaver). In "River," Olive, now a widow, begins a gradual, unlikely and bumpy romance with a recently widowed former academic (Warren David Keith). Director Joel Mullennix grabs hold of colorful details along the way—like the summer influx of rollerbladers and bicyclists—to further enliven the verbatim staging of these stories, but the effort can feel a little forced at times, as if betraying a sense that these well-acted, gently poetical and thoughtful stories and their complex protagonist do not always make for the most stimulating drama. (Avila)

A Picasso Royce Gallery, 2901 Mariposa; (866) 811-4111, www.apicassoonstage.com. $12-28. Thurs-Sat, 8pm. Through Oct 9. Expression Productions presents Jeffery Hatcher’s drama about the authenticity of three Picasso paintings.

*The Real Americans The Marsh MainStage, 1062 Valencia; (800) 838-3006; www.themarsh.org. $20-50. Wed-Fri, 8pm; Sun, 5pm. Through Nov 6. The fifth extension of Dan Hoyle’s acclaimed show, directed by Charlie Varon.

BAY AREA

Angels in America, Part One Pear Avenue Theatre, 1220 Pear, Mtn View; (650) 254-1148, www.thepear.org. $15-30. Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Through Oct 16. Pear Avenue Theatre kicks off its fall "Americana" program with the Tony Kushner play.

Anton in Show Business Marion E. Green Black Box Theater, 531 19th St; (510) 436-5085; www.theatrefirst.com. $10-30. Thurs-Sat, 8pm; Sun, 2pm. Through Sun/ 26. TheatreFIRST presents Jane Martin’s theater comedy, under the direction of Michael Storm.

Antony & Cleopatra Forest Meadows Ampitheatre, 1475 Grand, San Rafael; 499-4488, www.marinshakespeare.org. $20-35. Fri-Sat, 8pm. Through Sat/25. Marin Shakespeare Company’s summer season continues with the tale of the Egyptian queen.

Bleacher Bums Contra Costa Civic Theatre, 951 Pomona, El Cerrito; (510) 524-9132, www.ccct.org. $18. Fri-Sat, 8pm; Sun, 2pm. Through Oct 3. A sports comedy conceived by Joe Mantegna, directed by Joel Roster.

La Cage Aux Folles San Mateo Performing Arts Center, 600 N. Delaware; (650) 579-5565, www.broadwaybythebay.org. $20-48. Dates and times vary. Through Oct 3. Broadway By the Bay presents the gay musical based on the play of the same title.

*Compulsion Berkeley Repertory Theatre, Thrust Stage, 2025 Addison; (510) 647-2949, www.berkeleyrep.org. $29-85. Dates and times vary. Through Oct 31. Mandy Patinkin stars in a world premiere of Rinne Groff’s play, directed by Oskar Eustis.

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Dates and times vary. Through Nov 21. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

In the Red and Brown Water Marin Theatre Company, 397 Miller, Mill Valley; 388-5208, www.marintheatre.org. $32-53. Tues, 8pm; Thurs-Sat, 8pm; Wed, 7:30pm, Sun, 7pm (also Thurs/23, 1pm; Oct 2, 2pm). Through Oct 10. Marin Theatre Company presents the West Coast premiere of Tarell Alvin McCraney’s play.

In the Wound John Hinkel Park, Berk; (510) 841-6500, www.shotgunplayers.org. $10 (no one turned away). Sat-Sun, 3pm. Through Oct 3. Shotgun Players’ annual free performance in Berkeley’s John Hinkel Park is this year an impressively staged large-cast reworking of the Illiad from playwright-director Jon Tracy. In the Wound is actually the first of two new and related works from Tracy collectively known as the Salt Plays (the second of which, Of the Earth will open at Shotgun’s Ashby stage in December). Its distinctly contemporary slant on the Trojan War includes re-imagining the epic’s Greek commanders as figures we’ve come to know and loath here in the belly of a beast once know by the quaint-sounding phrase, "military-industrial complex." Hence, Odysseus (Daniel Bruno) as a devoted family man in a business suit with a briefcase full of bloody contradictions emanating from his 9-to-5 as a "social architect" for the empire; or Agamemnon (an irresistibly Patton-esque Michael Torres) as the ridiculously macho, creatively foul-mouthed redneck American four-star commander-clown ordering others into battle. While the alternately humorous and overly meaningful American inflections can feel too obvious and dramatically limiting, they’re delivered with panache, amid the not unmoving spectacle of the production’s energetic, drum-driven choreography and cleverly integrated mise-en-scène. (Avila)

*Loveland The Marsh Berkeley, 2120 Allston Way; (800) 838-3006, www.brownpapertickets.com. $20-50. Fri, 7pm; Sat, 5pm. Through Nov 13. Ann Randolph’s acclaimed one-woman comic show about grief returns for its sixth sold-out extension.

MilkMilkLemonade La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through Oct 2. Impact Theatre presents Joshua Conkel’s off off Broadway play about a lonely gay man trapped in a chicken farm.

She Loves Me Lesher Center for the Arts, 1601 Civic Drive, Walnut Creek; (825) 943-7469, www.CenterREP.org. $36-45. Wed, 7:30pm; Thurs-Fri, 8pm; Sat, 2:30 and 8pm; Sun, 2:30pm. Through Oct 10. Center REPertory company presents a musical choreographed and directed by Robert Barry fleming.

The Taming of the Shrew Forest Meadows Amphitheatre, 1475 Grand, San Rafael; (415) 499-4488, www.marinshakespeare.org. $20-25. Fri-Sun, 8pm; Sun, 4pm and 5pm. Through Sun/26. Marin Theatre Company presents a swashbuckling version of the classic.

Trouble in Mind Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, www.auroratheatre.org. $10-55. Wed-Sat, 8pm; Sun, 2 and 7pm; Tues, 7pm. Through Oct 3 Aurora Theatre presents Alice Childress’ look at racism through the lens of theater.

PERFORMANCE/DANCE

along the way CounterPULSE, 1310 Mission; 626-2060, www.counterpulse.org. Fri/24-Sat/25, 8pm; $10. A series of contemporary dance pieces by detour dance.

"Blue Room Comedy" Club 93, 93 9th St; 264-5489. Free. Tues/28, 10pm. A weekly series that takes comedy to new lows.

"Clash of the Titans" Make Out Room, 3225 22nd St; www.myspace.com/thetitanups. Mon/27, 8pm; $5. The Cat’s Pajamas present an evening of performance.

"Latin Comedy Fever" Yoshi’s, Fillmore and Eddy; www.yoshis.com. Wed/22, 8pm; $20-25. Bill Santiago, Marga Gomez, and Rudy Moreno perform.

Losing My Religion: Confessions of a New Age Refugee Yoga Loft, 321 Divisadero; (800) 838-3006, www.brownpapertickets.com. Fri/24-Sat/25, 8pm; $12-15. A one-man show by Seth Lepore.

"Music for People and Thingamajigs Festival" Various venues; Berk and SF; (510) 418-3447, www.thingamajigs.org. Thurs/23-Sun/26, various times; $10-15. An annual event devoted to experimental music on innovative instruments.

"New Choreography" The Garage, 975 Howard; www.975howard.com. Fri/24-Sat/25, 8pm; $10-20. An evening of work by Jenni Bregman, Jen Mellor, Zack Bernstein, and Miriam Wolodarski.

"Other Cafe’s 30th Reunion Comedy Concert" Palace of Fine Arts, 3301 Lyon; www.The OtherCafe.com. Sat/25, 7:30pm; check for prices. An evening of comedy in honor of the legendary Haight-Ashbury club.

Passages: For Lee Ping To Dance Mission Theater3316 24th; (800) 838-3006, www.dancemission.com. Fri/24-Sat/25, 8pm; Sun/26, 2pm; $14-20. An evening of dance by Leonora Lee.

RAW The Garage, 975 Howard; www.975howard.com. Wed/22-Thurs/23, 8pm; $10-20. Performances by PunkkiCo and Alyce Finwall Dance Theater.

Somei Yoshino Taiko Ensemble Randall Museum Theater, 199 Museum; (510) 397-8501, www.taikoensemble.com. Sat/25, 7pm; $20. "Eek! Peek!," an evening of works inspired by bugs.

"Super Sunday With the Nutballs" Actors Theatre, 855 Bush; Sun/26, 8pm; $20. An evening of alternative comedy hosted by Tony Sparks.

"WestWave Dance" Cowell Theater, Fort Mason Center; 345-7575, www.westwavedancefestival.org. Mon/20, 8pm. The 19th annual season of contemporary choreography kicks off with Amy Seiwert, Kat Worthington, and three others.

BAY AREA

Bayanihan Philippine National Dance Company Zellerbach Hall, UC campus, Berk; (510) 642-9988, www.calperformances.org. Fri/24, 8pm; $20-48. A program of traditional and contemporary dance and music by the 33-person company.

"Fall Free for All" Various venues, Berk; (510) 642-9988, www.calperformances.org. Sun/26, 11am-6pm; free. A day of performances by Kronos Quartet, Mark Morris Dance Group, and others.

"The Funniest Bubble Show on Earth" The Marsh Berkeley, 2120 Allston; (800) 838-3006, www.themarsh.org. Sun/26, 11am (through Nov 21); $8-11. The Amazing Bubble Man (aka Louis Pearl) returns with his show.

"Saturday Night Comedy" The Marsh Berkeley, 2120 Allston; (800) 838-3006, www.themarsh.org. Sat/25, 8pm; $15-50. Comedy by Ann Randolph, Betsy Salkind, and Emily Levine.

Alerts

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alert@sfbg.com

WEDNESDAY, SEPT. 22

District 10 candidate forum


With all the candidates running for supervisor in District 10, it’s difficult to decide whom to vote for in the upcoming election. Hear from candidates for D10 supe at this forum hosted by the League of Women Voters, Potrero Hill Association of Merchants and Businesses, Potrero Boosters, Dogpatch Neighborhood Association, and UCSF.

6 p.m., free

Genentech Auditorium

UCSF Mission Bay

1675 Owens, SF

www.lwvsf.org

Inside Pakistan and Palestine


Listen to viewpoints from humanitarian workers who have spent time in Pakistan or Palestine at this benefit featuring authors Sadia Ashraf and Ethan Casey, Comprehensive Disaster Response Services (CDRS) Executive Director Todd Shea, and grassroots human rights organizer Kathy Sheetz. Proceeds benefit SHINE/CDRS, who provide medical supplies, food, water, and volunteers in Pakistan’s flood-affected areas.

7:15 p.m., $5–$10 sliding scale

Starr King Room

First Unitarian Universalist Church and Center

1187 Franklin, SF

(415) 355-0300

SATURDAY, SEPT. 25

California Coastal Cleanup Day


Lend a hand to help clean up our beaches and shorelines and raise awareness about the importance of coastal environmental stewardship at one of the 800 clean-up site locations. Make Cleanup Day greener by taking public transportation and bringing a bucket or reusable bag, lightweight gardening gloves, and a reusable water bottle.

9 a.m.–noon, free

Various locations, contact for details

1-800-COAST-4U

www.coast4u.org

Reset San Francisco


Learn more about the new online community, Reset San Francisco, which aims to bring San Franciscans together to share ideas and solutions on ways to make the city work better for everyone. Find out how you can weigh in on the budget crisis, Muni reform, public schools, taxes, and more of the issues that contribute to the quality of life in the city.

10 a.m., free

Dianne Feinstein Elementary School

2550 25th Ave., SF

www.resetsanfrancisco.org

Tenderloin Community Health and Safety Fair


Find out about community resources in the Tenderloin at this family fair featuring live music, free health care for teens, free dental screenings for children, flu shots, mental health screenings, parent support and domestic violence services, information about the new Safe Passage program, tenant and immigration rights, legal services, and more. Interpreters available in Chinese, Vietnamese, Spanish, Thai, Arabic, Lao, and Russian.

11 a.m.–3 p.m., free

Tenderloin’s Children’s Playground

570 Ellis, SF

(415) 592-2714

SUNDAY, SEPT. 26

Lymewalk


Wear lime green, bring signs, balloons, and pets and join in this walk around Civic Center to help raise awareness for Lyme disease and funds for the California Lyme Disease Association (CALDA). Following the walk, attend a slideshow and discussion on the spread of Lyme disease by ticks and how to protect yourself and your pet.

1 p.m., free

Meet at Larkin at Fulton in front of Main Library, SF

www.lymedisease.org
Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Adachi crosses the line

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Former Mayor Willie Brown and Public Defender Jeff Adachi – author of Prop. B, which would require city employees to pay more for their pension and health care costs – yesterday crossed a union picket line at Le Méridien, which is being boycotted by hotel workers with Unite-Here Local 2, to attend a fundraiser for the measure.

http://www.youtube.com/watch?v=J6K8FkTt7pM

San Francisco Labor Council President Tim Paulson called it “such an outrageous thing in San Francisco.” Even Sup. Sean Elsbernd, perhaps the most conservative member of the Board of Supervisor, was shocked today when told of Adachi’s crossing the line, saying he would have never done so. Local 2 spokesperson Riddhi Mehta told us, “It shows their true colors. By no means are they for working families.”

Adachi has been public enemy number one of local labor leaders since he authored the measure with little input from unions or other public officials, and Paulson said this action was emblematic of Adachi’s hostility to unions, adding that it was even more surprising to see Brown, a longtime ally of unions, supporting the measure and crossing the line.

“It was not unexpected for Jeff Adachi, with the way he’s been acting lately, not caring about labor, but it was a little surprising for Willie Brown considering his career and record,” Paulson said.

Adachi told the Guardian that he was unaware at the time that it was a Local 2 picket line. “The honest truth is that when I got there, I thought it was a protest against Prop. B,” Adachi said. Yet he also that even if he had know, “I still would have went to the event.”

“I completely support the workers’ right to strike, but at the same time, I am on a mission to save the city $120 million a year,” Adachi told us. “The resources that the opponents are pouring into this are completely unreal.”

La Merdien has been on the Local 2 boycott list for several months, and both Paulson and Mehta said the picket was independent of Prop. B, although some SEIU members did show up with signs criticizing the measure. As for scheduling future fundraisers at other boycotted hotels, Adachi told us, “I’ll be more mindful of that.”

The news that didn’t make the news in SF

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Every year, the Guardian features the Top 10 Project Censored stories presented by the Sonoma State University project that spends all year analyzing which stories the mainstream media missed. But which stories did not find their way into the mainstream press here in the San Francisco Bay Area?

News outlets other than the Guardian typically ignore Project Censored (unless you count SF Weekly’s snark), so you might say that even Censored tends to be censored. Other than that, we note that issues not hand-delivered via press release or PR campaign might receive less attention than those obvious stories. Using a rather unscientific process of surfing alternative news sites online to find out which stories didn’t get a lot of play in the mainstream, we’ve come up with an assortment of Local Censored stories – though this is by no means a comprehensive list. What other news didn’t make the news?

Local Censored stories:

* What we didn’t hear about when PG&E was pushing Prop 16

Speaking at an informational hearing in Sacramento in February 2010 about Pacific Gas & Electric Co.’s ballot initiative, Proposition 16, former California Energy Commissioner John Geesman noted that the state’s most powerful utility company was using customer money to finance a bid to change the state constitution for its own purposes. Prop 16, which earned a thumbs-down from voters in the June election, would have created a two-thirds majority vote requirement before municipalities could set up electricity services separate from PG&E. While there was no shortage of reporting about the astounding sums of cash that PG&E sank into Prop. 16, hardly anyone aside from Geesman picked up on the more salient point of what PG&E was not spending its money on.

“California’s investor-owned utilities face a Himalayan task in modernizing our electricity system and building the infrastructure necessary to serve a growing economy,” Geesman wrote on his blog, titled PG&E Ballot Initiative Fact Sheet. “They ought to focus on that, rather than manipulating the electorate to kneecap their few competitors.” It is now abundantly clear that PG&E’s aging gas pipelines in San Bruno were badly in need of replacement – and the utility’s neglect opened the door the catastrophic explosion that occurred Sept. 9, resulting in tragic loss of life and destroying homes. “The current leadership at PG&E has lost its way. Nobody is minding the ship,” senator Mark Leno told the Guardian shortly after the blast. “Enough with the self-initiated, self-serving political campaigns. … How about focusing on the current mission — to provide gas and electricity safely, without death and destruction?”

PG&E Ballot Initiative Fact Sheet: http://pgandeballotinitiativefactsheet.blogspot.com/
Huffington Post: http://www.huffingtonpost.com/christine-pelosi/deadly-priorities-why-did_b_713800.html

* What you might not have read about Johannes Mehserle’s murder trial
 
If you looked to Colorlines.com, Blockreportradio.com, the San Francisco Bay View, or Indybay.org for coverage of Johannes Meherle’s murder trial for the fatal shooting of Oscar Grant, then you got a different picture from the one offered by mainstream Bay Area news outlets. There may well be plenty of details about the trial that didn’t make the cut for mainstream news, but one particular point caught our eye as something that should’ve warranted more prominent coverage, or at very least sparked deeper questions from mainstream press. According to the witness testimony of Jackie Bryson, who was with Grant on the train platform the night of the shooting, Grant’s friends immediately urged BART police to call an ambulance after Grant had been shot, but police didn’t do it right away.

Here’s the report from Block Report Radio: “Jack Bryson said he yelled at Oscar after he was shot to stay awake and to the police to call the ambulance. The unidentified officer who was on Bryson declared, ‘We’ll call the ambulance when you shut the fuck up!’ Bryson went on to say that he was never searched on the Fruitvale platform or at the Lake Merritt BART police station, which seems ridiculous if you consider the earlier testimony of former BART police officers Dominici and Pirone, who were involved in the murder and who testified last week that they had felt threatened by Oscar Grant and his friends.” So, if it’s true that Grant’s friends were told to “shut the fuck up” when they were urging BART cops to call an ambulance, and that the supposedly threatening parties weren’t ever searched, why didn’t these points receive as much attention in the media as, say, the claim that years earlier, Grant may have resisted arrest? After witnessing the death of his friend, Bryson said in his testimony, he was detained for hours while wearing handcuffs pulled so tight that his wrists hurt, only to be told afterward that since he had not been read his Miranda rights, he was not under arrest. To be fair, the detail about calling the ambulance did make it into the Chronicle, near the bottom of a blog post, under the subhead, “Friend’s claim.”

Block Report Radio: http://www.blockreportradio.com/news-mainmenu-26/894-jack-bryson-hits-the-stand.html
Colorlines: http://colorlines.com/archives/2010/06/defense_opens_with_gripping_testimony.html

* Homelessness on the rise in San Francisco

The controversy surrounding Prop L, a proposed ordinance to ban sitting and lying down on the sidewalk, has been widely reported on — but there’s a more pressing issue related to homelessness that hasn’t gotten nearly as much ink. An article in New America Media, “Shelters predict homeless count to skyrocket,” highlighted a perceived surge in San Francisco’s homeless population, evidenced by overwhelmed service providers who can hardly keep up with demand. “We’re serving 200,000 more meals per year than two years ago, but we haven’t had the capacity to add staff,” the chief executive officer of the Glide Foundation noted in the article. The drop-in center, she added, no longer had enough seats to accommodate those in need. According to a fact sheet issued by the Coalition on Homelessness in July of 2009, 45 percent of respondents to a COH survey were experiencing homelessness for the first time. The overwhelming majority of respondents, 78 percent, became homeless while living in San Francisco.

New America Media: http://newamericamedia.org/2010/04/shelters-predict-homeless-count-to-skyrocket.php
Coalition on Homelessness: http://www.cohsf.org/en/

* The long wait for Section 8

It isn’t easy for a tenant with a Section 8 voucher to find housing in the San Francisco Bay Area. In San Francisco, there’s a barrier to getting the voucher in the first place, since the waitlist is currently closed. Those who have vouchers are often passed over by landlords, and the string of denials can drive people to unstable housing situations such as extended hotel stays. An article in POOR Magazine features the story of Linda William, a woman who left a San Francisco public housing project with a Section 8 voucher in hand only to embark on a wild goose chase, ultimately winding up in a low-end motel outside Vallejo. “Well whaddya know,” William told the POOR magazine reporter, “I found closed wait lists on almost all the low-income housing units in all of those places and all the rest of the landlords wouldn’t even return my calls when I told them I had section 8.” An article by Dean Preston of Tenants Together that appeared in BeyondChron, meanwhile, spotlights the issue of landlord discrimination against Section 8 tenants.  “In the Section 8 voucher program, participating tenants pay 30 percent of their rent and the Housing Authority pays the balance to the landlord,” Preston writes. “It takes years for eligible tenants to be able to participate in the program. Once tenants get off the wait list, the landlord must sign a payment contract with the housing authority in order to receive the portion of the rent paid by the government. By refusing to sign onto the program, some landlords seek to force rent controlled tenants into situations where they cannot pay their rent.”
POOR Magazine: http://www.poormagazine.org/node/3277
BeyondChron: http://www.beyondchron.org/news/index.php?itemid=8012

* San Francisco’s trashy secret

Despite being thought of as a beacon of sustainability, San Francisco’s not-so-green waste stream is something that didn’t make the front page of many papers – except, of course, this one. Sarah Phelan’s “Tale of Two Landfills,” a Guardian cover story this past June, examined San Francisco’s decidedly unenlightened policy of transporting waste far outside of the city despite a goal of reducing waste to zero in the next 10 years. Here’s an excerpt: “It’s a reminder of a fact most San Franciscans don’t think much about: The city exports mountains of garbage into somebody else’s backyard. While residents have gone a long way to reduce the waste stream as city officials pursue an ambitious strategy of zero waste by 2020, we’re still trucking 1,800 tons of garbage out of San Francisco every day. And now we’re preparing to triple the distance that trash travels. ‘The mayor of San Francisco is encouraging us to be a green city by growing veggies, raising wonderful urban gardens, composting green waste and food and restaurant scraps,’ Irene Creps, a San Franciscan who owns a ranch in Wheatland, told us. ‘So why is he trying to dump San Francisco’s trash in a beautiful rural area?’”

SFBG: http://www.sfbg.com/2010/06/15/tale-two-landfills

* The real unemployment rate

The Bureau of Labor Statistics makes a distinction between so-called “discouraged workers” who have stopped looking for jobs, and the jobless who are actively seeking employment, so the official unemployment rate (9.7 percent in San Francisco, according to the most recent data) may be much lower than the actual unemployment rate.

We haven’t seen any brilliant local reporting on this issue, but the problem is summed up nicely in this YouTube video produced by a personal finance software firm.

http://www.youtube.com/watch?v=Ulu3SCAmeBA&feature=player_embedded

Quick Lit: Sept 15-Sept 21

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Literary readings, book tours, and talks this week

Jonathan Safran Foer, Rebecca Solnit, How to Grow a School Garden, digital art collecting, and more.

Thursday, Sept 16

Stephen Breyer
Supreme Court Justice Stephen Breyer will discuss his new book, Making Our Democracy Work.
8 p.m., $20
Herbst Theater
401 Van Ness, SF
www.cityboxoffice.com

East Eats West: Writing in Two Hemispheres
Hear author Andrew Lam in conversation with Richard Rodriguez about his new collection of essays about the unexpected consequences of the Vietnamese diaspora.
6 p.m., $12
Mechanics’ Institute
57 Post, SF
(415) 393-0100

How to Grow a School Garden
Author Arden Bucklin-Sporer will discuss How to Grow a School Garden: A Complete Guide for Parents and Teachers, which offers parents, teachers, and school administrators tips and advice on how to build school gardens and how to develop the programs that support them. 
7 p.m., free
BookShop West Portal
80 West Portal, SF
(415) 564-8080

Rebecca Solnit
Hear one of San Francisco’s most provocative writers discuss her past book, which include Wanderlust, A Paradise Built in Hell, and A Field Guide to Getting Lost, and her upcoming book, Infinite City: A San Francisco Atlas.
7 p.m., $10-$20
JCCSF
3200 California, SF
(415) 292-1233

Saturday, Sept 18

Diane K. Martin, Lisa Gluskin, and Melissa Stein
Attend this poetry reading with recently published poets Diane K. Martin, author of Conjugated Visits, Lisa Gluskin, author of Tulips, Water, Ash, and Melissa Stein, author of Rough Honey.
7:30 p.m., free
Pegasus Books Downtown
2349 Shattuck, Berk.
(510) 649-1320

Sunday, Sept 19 

“Collecting the Impossible”
Prominent collectors, critics, and artists will discuss the historical dynamics or collecting digital art and building an art market for challenging work. Panel participants will include Richard Rinehart, Digital Media Director & Adjunct Curator of the Berkeley Art Museum and Pacific Film Archive, collectors Dennis Scholl and Jeff Dauber, Katie Clark from the Catharine Clark Gallery in San Francisco, Chief U.S. Correspondent for The Art Newspaper Jason Kaufman, and artist Lynn Hershman Leeson.
2 p.m., $12
Yerba Buena Center for the Arts
701 Mission, SF
(415) 978-2787

Tuesday, Sept 21

Jonathan Safran Foer
Join Foer, author of Everything is Illuminated and Eating Animals, as he talks about our dining habits, insatiable appetites, and the cultural meaning of food. He will explore the ethical, environmental, and health risks behind commercial fishing and factory farming.
7 p.m., $18
Shultz Cultural Hall
Oshman Family JCC
3921 Fabian, Palo Alto
www.tickets.commonwealthclub.org

Words for Empty and Words for Full
Poet Bob Hicok will read from his new collection.
7 p.m., free
BookShop West Portal
80 West Portal, SF
(415) 564-8080

Hot sexy events Sept 15-21

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Enough of the silicon and studio lighting! Sex in San Francisco just isn’t that scripted – or is it? Good Vibrations put its yearly call out to amateur filmmakers to turn in their own seven minutes and under blue films. Straight, gay, perverted, vanilla, the rainbow of oohs and aahs will show you what’s really going on in your neighbor’s bedrooms (the hots ones, obviously). But wait, that’s next week. This week, you can attend the IXFF kick off party at El Rio, where clips of queer hipster porn will be showing and burlesque babies will shimmy and shake for your viewing pleasure. Look at it this way, if you’re going to be squirming in anticipation, you might as well have a cheap Pabst Blue Ribbon in hand.

 

Bawdy Storytelling: Cheapskate Sex & Cut-rate Coitus

He made you pay 25 cents for the bathroom vending machine condom? Jesus! Sometimes the sex is so cheap, you roll off the mattress and feel the urge to decry your date’s tightwad tentacles to the world at large. Oh girl. Lucky you, because monthly series Bawdy Storytelling is featuring nothing but the least-fine and dine at this week’s installation. Contact host Dixie De La Tour and wax on your tale of woe, she’ll grab you your moment in the spotlight.

Weds/15 8 p.m., $10

The Blue Macaw

2565 Mission, SF

(415) 920-0577

www.bawdystorytelling.com


Rough Sex

Wanna wrassle? Carol Queen and Robert Morgan Lawrence guide you through the times when you wanna reach out and choke someone (lovingly, and with consent). This females-only workshop will cover rape fantasies, ravishing, and unstylized BDSM play.

Fri/17 8-10 p.m., $10

The Women’s Building

3543 18th St., SF

(415) 431-1180

www.theexiles.org


Master’s Den: Casino

Female submissives and male dominants are invited to pony up to the table at this blackjack and Texas Hold ‘Em event, where subs can work on their service-providing skills and doms have the chance to up their “Den Dollar” holdings. The night is part of a trio of events leading up to sex power couple Stefanos and Chey’s “Auction” night. 

Fri/17 7:15 p.m.- 1 a.m., $25-35

SF Citadel

1277 Mission, SF

(415) 626-1746

www.sfcitadel.org


Hubba Hubba Revue Four Year Anniversary

Four years of one of SF’s hottest troupe of betassled performers, monkey men, and wisecracks galore? My, they’re aging well. Celebrate Hubba Hubba’s commitment to sexy, strippy excellence by attending the show they’re purporting to be their biggest ever, starring all the sparkling sequins we’ve grown so fond of: Honey Lawless, Bunny Pistol, Alotta Boutte, and so, so much more. 

Fri/17 9 p.m.- 2 a.m., $12-15

DNA Lounge

375 11th St., SF

(415) 626-1409

www.hubbahubbarevue.com


Hot Rods and Lube Jobs

Rev your engines, ladies and gentlemen. This fundraiser for the Center of Sex and Culture capitalizes on all the fantasies generated by those well greased photos in auto magazines – you know, the ones with boobies up on the hood and whatnot. Pole dancing performances by Kitty Me-OW, and an appearance by Jiz Lee are featured. Exhibitionists encouraged to drop the top and cruise through.

Sat/18 8 p.m.- 1 a.m., $40-50

Marty’s Motors

10929 San Pablo, El Cerrito

(415) 246-5477

www.sexandculture.org


Indie Erotic Film Festival Kick Off Party

Because you can’t just bam, start off with the main event! No, some one needs to ease you into it, give you some hipster queer porn as a tease, perhaps a couple of burlesque dancers stripping down to their pasties. Next week will be the actual IXFF, patience child. 

Sat/18 9 p.m., $7

El Rio

3158 Mission, SF

(415) 282-3325

www.gv-ixff.org

 

Nobunny unmasked!

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arts@sfbg.com

MUSIC The morning of our scheduled interview, he sends me a text message, asking me to push things back a bit. Because he says he’s been up until 5:30 a.m., I figured he’s spent the previous night out being a bad bunny. But my assumptions are incorrect: the self-professed early bird known as Nobunny has stayed up late getting work done. The masked man, who now lives in Oakland, is out and about in San Francisco. I remain patient, knowing that he has plenty on his plate, including the release of his new album and an imminent European tour.

Nobunny’s First Blood (Goner Records) is more polished in production than previous efforts, including Love Visions (1-2-3-4 Go! Records), his breakthrough from 2008. He’s been at it for nearly 10 years now, but our hometown hero’s ascent to garage-rock stardom hasn’t come easy. Before getting off the phone with me, he speaks of darker days in Chicago, where he went from two-time Bozo Show visitor to “lying and stealing heroin addict,” only to be saved by a heartbroken sister and a pre-Hunx and His Punx member of the now-defunct Gravy Train. And by the time I finish interviewing him, he shares some information that I didn’t expect him to delve into, giving me glimpses of original obsessions, addictions, and future ambitions.

Still, at about the 30-minute mark, our first conversation comes to a sudden halt when Nobunny alerts me he has to put money in his parking meter. My time is up. After all, Blag Dahlia of Dwarves fame is expecting him for a radio interview. (Nobunny takes a page out of that fellow Chicago-to-Bay Area transplants’ book by shedding his threads on stage with the exception of the mask.)

I have the sense that Nobunny is holding back a little, like there is a wall. Is he guarded? Maybe a little nervous? He’d publicly admitted to shooting heroin before, but it isn’t until after our initial phone call that he begins to be genuine and upfront about his humbling experiences and the struggle that made him who he is today. All the while, I feel he is in complete control of our interactions, and imagine that’s probably what it’s like to work with someone so self-critical in the studio. The dichotomy of the man behind the mask begins to unravel.

We initially speak through a dodgy cell phone connection, interrupted by distracting wind and disruptive sirens. I’m in the TL, and he’s in the Mission. Both environments are worn down, sort of like the mangy Muppet-looking mask Nobunny wears during show time. He’s lived through misery before. He spent one winter in Chicago with a trash bag serving as his front door, and worked the graveyard shift at a highway gas station during his last year in the city. “I lived in a cage in a squatted grocery store that had become a shooting gallery-crack house,” Nobunny says. “Things were not all right.”

Just a week earlier, I’d seen Nobunny at the Total Trash Fest. He did what he does best: live rock ‘n’ roll, delivered sweaty and in briefs, with some crowd-surfing. The one new song worked into the set hinted at First Blood‘s tone. The album itself clocks in at a short but very sweet 26 minutes. Nobunny rips through the tracks, playing guitar, bass, and drums himself. He gets some assistance from his pal Jason “Elvis Christ” Testasecca, who’s aided him with home recordings in the past, and a couple of other musicians who get honorable mentions in the credits.

“Blow Dumb,” First Blood‘s first single, has been described as “Velvet-y” sounding. Perhaps because the Velvet Underground is associated with New York’s high-art scene by way of Warhol’s Factory, Nobunny points out that the track is a love song to California. It gives a special nod to the Bay Area and hyphy, but also shows some love for SoCal, with a possible Burger Records shout out. The end result is ideal for a groovy road trip with friends, riding down Highway 1 with nothing better to do than smile in the sun.

Content-wise, not everything on First Blood is so buoyant. Elsewhere, Nobunny’s lyrics confront sexual desire, unbalanced relationships, inner weakness, and the self improvements necessary to pull yourself out of the proverbial gutter and see the world. Plenty of lustful longings are laid out as he expresses exactly what he wants in the twangy-sounding “Pretty Please Me”: a noncommittal fling, no questions asked, just as long as it feels right.

The blatant “(Do the) Fuck Yourself” conjures up perverse images straight from Nobunny’s stage show, where his masked persona goes public, employing ball-gags while prancing around scantily-clad. When we finally meet in person, I ask him where these antics come from. His answer is quite simple, and makes sense coming from a rabbit, “I’m just horny,” he says. All the while, in order to maintain a “shred of anonymity,” he wears his favorite deranged-looking mask. It never seems to come off.

“I don’t think I’d like to deal with being in an un-masked band at, say, Hunx’s or Thee Oh Sees’ comparable level of popularity.” Nobunny says, when asked about the get-up. “Knowing eyes are on you when you are not on stage sounds maybe not always fun.” Nonetheless, a fruitful creative partnership with Hunx has been vital to Nobunny’s survival: “Seth [Bogart, a.k.a. Hunx] has been a very supportive friend, and, yes, in some ways I feel he saved me, or at the very least vastly improved my living situation.”

Though Nobunny often expresses the wish to record and play alone, he’s no stranger to collaboration, including a recent live session with Jack White at Nashville’s Third Man Records. Not all dream teams come true, though — since childhood he’d hoped to work with another master of disguises, the famously introverted King of Pop. “Michael Jackson was my first obsession, ” he says. “I wanted to be him. I still want to be him. According to Rocktober’s History of Masked Rock ‘n’ Roll, MJ was a masked musician with all his surgeries and what not. We all wear masks, some are just easier to spot than others.”

Speaking of costumed camouflage, First Blood‘s final track, “I Was On (The Bozo Show)” is a psyched-out, swirling down-tempo dirge with many levels of dedication. One could read it as homage to the late clown-god Larry Harmon (a.k.a. Bozo), as Nobunny hazily recalls his lost innocence and how he sat in the back row of a Chicago television with his little brother to meet the world-famous archetype on two separate occasions. Yes, Nobunny was on The Bozo Show — twice.

But behind its showbiz facade, “I Was On (The Bozo Show)” is also an agonizing confession from a former addict. “It’s for my blood brother and sister as well as my friends who struggle with drug addiction,” Nobunny says. “In another time, clowns made children happy and the circus was fun, but now they’ve become just another relic of past, tarnished by the more common association that their images are horrifying and that they are to be feared. I’m pretty sure no Juggalo ever went to clown school.”

A mythical creature from garage rock’s underbelly, Nobunny has earned his success, even securing a gig at the Playboy Mansion in L.A. as part of his 10-year anniversary celebration next Easter. But he’s no stranger to the addictions he sings about on First Blood final track. “My sister had been buggin’ me a bit to come visit her in Arizona, and I finally decided to take her up on it before I killed myself,” he says, still discussing “I Was On (The Bozo Show)”‘s origins. “I drove across the country shooting dope the whole way to the desert west of Tucson. She didn’t even know I was using. She nursed me back to health out there all alone in the desert. Our only neighbor was an 80-something yogi from India who was out there on a 30-day silent meditative prayer.”

If that sounds like material for a boulevard of broken dreams tell-all, in all seriousness, Nobunny has come out of the experience stronger, poised for new adventures, but most of all, grateful. “I am thankful to have enough fans to make touring worthwhile,” he said. “While I’d still be writing and recording and performing with no one looking, it’s really nice to see people at our shows dancing and singing along and smiling.”