Media

Is there hope?

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steve@sfbg.com

GREEN CITY They agree global warming is happening, that it’s caused by the overuse of carbon-based fuels, that its impact on the planet and its myriad life forms will be devastating, and that Congress is failing to properly address the crisis. But the environmentalist and the oil executive disagreed about the most important issue: whether there’s any hope of saving the planet from the worst impacts of climate change.

Chevron CEO David O’Reilly and Sierra Club executive director Carl Pope squared off June 10 at the Hotel Nikko ballroom in San Francisco for a truly historic Commonwealth Club event titled "Drilling for Common Ground." And they did find some, including agreeing publicly to jointly lobby Congress for an energy policy that more quickly phases out coal, the worst of the fossil fuels.

But the more telling exchanges between these two giants highlighted a fundamental disagreement: can we do something about this, or are we simply fucked? And by fucked, I mean doomed to simply accept official predictions of rising seas creating a billion refugees by 2050, the extinction of a million plant and animal species, severe water shortages in California and many other regions, and an unpredictably unstable new world ravaged by severe weather and exotic diseases.

To avoid much of that (but not all — it’s already too late for that), Pope said the scientific community consensus is that we need to stop all coal burning by 2030 (unless emissions can be sequestered, which isn’t technologically possible yet) and reduce our consumption of oil and other carbon-based fuels by 90 percent by the year 2050. "You can’t meet the targets any other way," Pope said.

And he thinks that meeting those targets is not only possible, but it would help the U.S. economy. "The rapid changes in the telecommunications field were good for the economy, and a similar change in the energy field would be good for the economy," Pope said. "We have lots of options if we start moving like it’s a crisis."

But O’Reilly doesn’t think that’s possible. "Even with the best of intentions, we’re only going to get part of the way there," O’Reilly said, quickly adding, "I think we’ll be lucky if we can get 20 to 25 percent by 2050."

At a press conference after the forum, I asked the two men about the implications of only reducing our fossil fuel consumption by 20 percent. Pope cited impacts ranging from "Florida will be a lot smaller" to severe water rationing in San Francisco. "It’s not an acceptable risk to take," he said. O’Reilly didn’t disagree, but he avoided specifics, saying, "I do fear that we have to plan for some adaptations."

It was a remarkable admission, one that most media coverage buried far beneath angles focusing on the common ground they found. But if the oil industry isn’t willing to diligently address the crisis — or worse, if it hinders political efforts to do so, as it has done for decades — does it really matter that it acknowledge the problem?

That core conflict created the sharpest exchange of the forum. "This is the 21st century. We can move much faster than we ever have before," Pope said.

"Well, if you can get the government to move faster, good luck," O’Reilly replied.

"It would help if you would get out of the way," Pope retorted.

Indeed, it is aggressive lobbying by Chevron and its industry trade group, the American Petroleum Institute, that created the energy situation that O’Reilly now finds so intractable. But Pope said he’s happy to work with O’Reilly on policies that support their areas of agreement, which even includes instituting a carbon tax.

Their clash didn’t just focus on global warming; it also focused on the oil industry’s wanton exploitation of people and ecosystems around the world, from propping up despotic regimes and sponsoring human rights abuses in oil-rich countries to leaving toxic messes in Ecuador and elsewhere.

Pope called for the oil industry to set aside 10 percent of its profits to create a global trust fund for dealing with its impacts and for international operating and cleanup standards that would prevent oil companies from exploiting weak or corrupt governments. "Chevron has to come to the table with the global community." Pope said.

O’Reilly never responded directly to the suggestion.

“2012: Super-Bato Saves the World”

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REVIEW Energy must not be conserved in Enrique Chagoya’s universe. From his earlier pieces on paper through his show-stopping work on linen at the turn of the century (Le Cannibale Moderniste, 1999; Aparición Sublime, 2000; Pocahontas Gets a New Passport (More Art Faster), 2000), the experimental printmaker’s mock-specificity and hidden sensitivity — both aspects of a brilliant pictorial stubbornness — leave the whole body buzzing. This is art that gathers energy from its viewers as much as its subjects. An edition of eight fully-functional, gaudy, lusty, but also mystically calm slot machines in the style of souped-up Camaros, "2012: Super-Bato Saves the World" lacks the intentionally confusing expansiveness of Chagoya’s accompanying work on paper, but maybe that’s the point.

Spread out in one area of Electric Works is Histoire Naturelle des Espécies: Illegal Aliens Manuscript I, a 2008 contribution to an ongoing series that explains our country and the world at large, especially the art world, to "others." In this panoramic piece, creationists are represented by an ape kneeling before a paper-like flame, conservatives by a man in monk’s clothing, and neocons by a happy couple between human and ape; all are setting fire to Aztec iconography. Elsewhere art historians lay siege to the museums and emerging media artists visit the world in a UFO. Around the corner, Super-Bato grins.

The date cited by Chagoya doesn’t just mark the next U.S. presidential election — it’s also the end-year of the ancient Mayan 5125 year calendar. In Chagoya’s eyes, the world might have already ended, collapsing in a mockery of a sham. In addition to an obvious affinity with Guillermo Gómez-Peña’s vision (the two have collaborated on some iconic books), Chagoya’s most affecting work here recalls Mildred Howard’s politically charged, lushly wrought assemblage sculptures and intricate installations. Both artists map aesthetic delights on top of the real world. What happens in politics no longer stays in politics.

2012: SUPER-BATO SAVES THE WORLD Through July 2. Electric Works, 130 Eighth St., SF

(415) 626-5496, www.sfelectricworks.com

Art listings

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Art listings are compiled by Johnny Ray Huston. See Picks for information on how to submit items to the listings. For complete art listings go to sfbg.com.

MUSEUMS

Asian Art Museum 200 Larkin; 581-3500, www.asianart.org. Tues-Wed, Fri-Sun, 10am-5pm; Thurs, 10am-9pm. $10 ($5 Thurs after 5pm), $7 seniors, $6 for ages 12 to 17, free for 11 and under. "In a New Light: The Asian Art Museum Collection." Ongoing.

California Palace of the Legion of Honor Lincoln Park (near 34th Ave and Clement); 750-3600. Tues-Sun, 9:30am-5pm. $8, $6 seniors, $5 for ages 12 to 17, free for 10 and under (free Tues). "Surrealism: Selections from the Reva and David Logan Collection of Illustrated Books." Work by surrealist poets and artists. Ongoing.

Cartoon Art Museum 655 Mission; CAR-TOON. Tues-Sun, 11am-5pm. $6, $4 students and seniors, $2 for ages 6 to 12, free for five and under and members. "The Art of Stan Sakai: Celebrating 25 Years of Usagi Yojimbo." Through July 5. "Watchmen." Illustrations, sketches, and comic book pages by Dave Gibbons. Through July 19. "The Brinkley Girls." Retrospective devoted to early 20th century illustrator Nell Brinkley. Through August 23.

Contemporary Jewish Museum 736 Mission; www.thecjm.org. Mon-Tues, Fri-Sun, 11am-5:30pm; Thurs, 1-8pm. $10, $8 seniors and students, free for 12 and under and members. "Chagall and the Artists of the Russian Jewish Theater." An exhibition of 200 works of art and ephemera. Through Sept 7. "Being Jewish: A Bay Area Portrait." Ongoing.

De Young Museum Golden Gate Park, 50 Hagiwara Tea Garden Drive (near Fulton and 10th Ave); 750-3600. Tues-Sun, 9:30am-5:15pm (Fri, 9:30am-8:45pm). $10, $7 seniors, $6 for ages 13 to 17 and college students with ID (free first Tues). "Signs: Wordplay in Photography." Thematic survey. Through Sun/14. "The Fauna and Flora of the Pacific." Mural by Miguel Covarrubias. Ongoing.

Legion of Honor Lincoln Park, 34th Ave and Clement; 750-3600. Tues-Sun, 9:30am-5:15pm. $20 adults, $7 seniors, $6 youths and students, free 12 and under. "Waking Dreams: Max Klinger and the Symbolist Print." Retrospective of the German Symbolist artist. Through July 4.

San Francisco Museum of Modern Art 151 Third St; 357-4000. Mon-Tues, Fri-Sun, 11am-5:45pm; Thurs, 10am-8:45pm. $12.50, $8 seniors, $7 students, free for members and 12 and under (free first Tues; half price Thurs, 6-8:45pm). "Austere: Selections From the SFMOMA Collection." Photography and architecture and design. Through July 7. "Otl Aicher: Munchen 1972." Graphic design. Through July 7. "Patterns of Speculation: J. Mayer H." German architectural studio. Through July 7. "Looking In: Robert Frank’s ‘The Americans’." Exhibition devoted to the photographic classic. Through August 23. "Georgia O’Keefe and Ansel Adams: Natural Affinities." Show dedicated to the two popular American artists. Through Sept 7. "Art in the Atrium: Kerry James Marshall." Monumental murals. Ongoing.

San Francisco Museum of Performance and Design War Memorial Veterans Bldg, 401 Van Ness, fourth floor; 255-4800, www.sfpalm.org. Tues-Fri, 11am-5pm; Sat, 1-5pm. Free. "Star Quality: The World of Noel Coward." Exhibition dedicated to the icon. Through August 29. "Maestro: Photographic Portraits of Tom Zimberoff." Portraits of national and international conductors. Ongoing. "150 Years of Dance in California." Ongoing. "San Francisco in Song." Ongoing. "San Francisco 1900: On Stage." Ongoing.

Yerba Buena Center for the Arts 701 Mission; 978-ARTS. Tues-Wed, Fri-Sun, noon-5pm; Thurs, noon-8pm. $6, $3 seniors, students, and youths, free for members (free first Tues). "Under a Full Moon: 30 Years of Perpetual Indulgence." Show devoted to the Sisters of Perpetual Indulgence. Through June 28. "Nick Cave: Meet Me at the Center of the Earth." Mixed media sculptural "soundsuits" by the Chicago dancer-turned-artist. Through July 5. "Through Future Eyes: The Endurance of Humanity." Contemporary work by ten artists, incuding six Young Artists at Work curators. Through July 5.

BAY AREA

Cantor Arts Center Lomita and Museum, Stanford University, Stanford; (650) 723-4177. Wed, Fri-Sun, 11am-5pm; Thurs, 11am-8pm. "Appellations to Antiquity." 19th and 20th century works from the museum collection. Through July 26. "Pop to Present." Survey from the 1960s to the present. Through August 16. "Contemporary Glass." Modern glass works. Ongoing. "Rodin! The Complete Stanford Collection." Ongoing.

Judah L. Magnes Museum 2911 Russell, Berk; (510) 549-6950. Mon-Wed, Sun, 11am-4pm. $4, $3 students and seniors. "Memory Lab." Interactive installation allowing visitors to make family albums from their documents, photographs, and memories. Ongoing. "Projections." Multimedia works from the museums archival, documentary, and experimental films. Ongoing.

Oakland Museum of California 1000 Oak, Oakl; (510) 238-2200. Wed-Sat, 10am-5pm (first Fri, 10am-9pm); Sun, noon-5pm. $8, $5 seniors and students (free second Sun). "Future of Sequoias: Sustaining Parklands in the 21st Century." Panoramic photos with commentary. Through August 23. "Squeak Carnwath: Painting is No Ordinary Object." A solo exhibition dedicated to the Oakland artist. Through August 23. "The Art and History of Early California." The story of California from the first inhabitants through the Gold Rush. Ongoing.

Phoebe A. Hearst Museum of Anthropology UC Berkeley, 103 Kroeber Hall, room 3712, Bancroft and Bowditch, Berk; (510) 643-1193. Wed-Sat, 10am-4:30pm; Sun, noon-4pm. $4, $3 seniors, $1 students, free for 12 and under. "From the Maker’s Hand: Selections from the Permanent Collection." An exploration of human ingenuity found in living and historic cultures around the world. Ongoing.

San Jose Institute of Contemporary Art 560 S First St, San Jose; (408) 283-8155, www.sjica.org. Tues-Wed, Fri, 10am-5pm; Thurs, 10am-8pm; Sat, noon-5pm. Free. "It’s Not Us, It’s You." Rejection-themed art. Through Sat/20.

UC Berkeley Art Museum 2626 Bancroft Way, Berk; (510) 642-0808. Wed-Sun, 11am-5pm. $8 adults, $5 seniors and young adults, free for members and 12 and under. "Galaxy: A Hundred or So Stars Visible to the Naked Eye." Museum survey curated by Lawrence Rinder. Through August 30. "Human Nature: Artists Respond to a Changing Planet." Collaborative exhibition. Through Sept. 27.

GALLERIES

ONGOING

Brian Gross Fine Art 49 Geary, fifth floor; 788-1050; Tues-Fri, 10:30am-5:30pm; Sat, 11am-5pm. "More Than Meets the Eye," metal collages by Tony Berlant. Through June 27.

Dolby Chadwick Gallery 210 Post, suite 5; 956-3560. "Suburban Birthday Party," new paintings by Douglas Schneider. Through June 27.

*Electric Works 130 8th St; 626-5496. Mon-Fri, 11am-6pm; Sat, 11am-5pm. "2012," slot machine by Enrique Chagoya. Through July 3.

Fraenkel Gallery 49 Geary, fourth floor; 981-2661. Call for hours. "A Survey: 1972-2006," photography by Bernd and Hilla Becher. Through July 3.

Gregory Lind Gallery 49 Geary; 296-9661. Call for hours. "Garden Ruin," new work by Bob Matthews. Through June 27.

Hosfelt Gallery 430 Clementina; 495-5454. Tues-Sat, 11am-5:30pm. "Cubic Drops," drawings and installation by Marco Maggi. Through June 27.

Italian Cultural Institute 425 Washington; 788-7142. Mon-Fri, 9am-5pm. "Giorgio Morandi: Works from the Estorick Collection," etchings and drawings. Through June 30.

Luggage Store 1007 Market; 255-5971. Call for hours. "Cultural Geometry," public art project by Rigo 23 and Fernando Cardoso. Ongoing.

Mark Wolfe Contemporary Art 49 Geary, second floor; 369-9404. Call for hours. Site-specific installation by James Sansing and paintings by Jared Walker. Through June 27.

Micaëla 49 Geary; 551-8118. Tues-Sat, 10:30am-5pm. "In Camera," photography by Douglass freed, Joshua Hershman, and Taliaferro Jones. Through June 27.

Modernism 685 Market; 541-0641. Tues-Sat, 10am-5:30pm. "The Murmur of the Innocents," work by Gottfried Helnwein. Through June 27.

*Oxenrose 448 Grove; 816-9530. Call for hours. "Nature’s Ladders," work by Tahiti Pehrson, sponsored by Arthur magazine. Through June 30.

Robert Koch Gallery 49 Geary, fifth floor; 421-0122. Tues-Sat, 10:30am-5:30pm. Photographs by Kenneth Josephson. Through June 27.

*Steven Wolf Fine Arts 49 Geary, suite 411; 263-3677. Tues-Sat, 11:30am-5:30pm. "You Feel Me?," work by Tim Sullivan. Through June 20.

*SFAC Gallery 401 Van Ness; 554-6080. Call for hours. "Trace Elements," group show curated by Meg Shiffler. Through July 3. *

Will the Assembly repeal the corporate tax breaks?

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By Tim Redmond

I talked to Assemblymember Tom Ammiano today, and he’s upbeat about the role his house may play in the budget process. He thinks the governor’s threat to shut down the state is just “scare tactics to make the Legislature look bad” and that the Assembly isn’t prepared to accept a “cuts only” budget. “We’re not going to roll over,” he said.

Among other things, he said, the $2.5 billion in tax giveaways to big corporations cpuld be repealed with a simply majority. So the Democratic leadership ought to be making that a priority, and talking it up in the media — would people rather see their state parks close and teachers be fired — or see a tiny number of giant businesses get more tax breaks?

Calitics points out that the CalTaxReform folks have identified $10 billion in new revenue measure that all appear to have majority support in the polls.

So let’s hope the top Democrats call Arnold’s bluff, and offer some real alterntives.

Dance: Adventurous im’ij-re shines, illuminates

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By Rita Felciano

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In 2007 choreographer Amy Seiwert set Morton Feldman’s hauntingly beautiful score "Rothko Chapel" on Robert Moses’ Kin dancers. Watching Memory was fresh, mysterious, and mesmerizing. Not the least of its appeal came from Marc Morozumi’s stunning lanterns, which enveloped the dancers in subtly changing luminosity. Earlier the same year, Seiwert’s first full evening of her own work packed Project Artaud Theater to the rafters, confirming that this petite woman, also the resident choreographer of Smuin Ballet, has one of the Bay Area’s most adventurous and intriguing voices. You always want to see her next work because you can sense the questioning spirit that leads her into unexpected terrain. Her own nine-year old company, im’ij-re — with its excellent dancers — is the place where she can experiment in the way the tight schedules of more traditional ballet companies (her latest commission was for Colorado Ballet this spring) don’t always have the means to support. From that first encounter with Morozumi, a relationship was born. For 2010 the two are planning a full-evening work that includes contributions by British sound designer Kaffe Matthews and German media artist Frieder Weiss. For the time being, they are premiering the sextet LIGHT essays as the centerpiece of a program of new works that showcases a trio choreographed by Morozumi (with sculptor Alex Uncapher), a solo by Andrea Basile (danced by Alex Ketley), and a structured improvisation for four dancers.

IM’IJ-RE Sat/13–Sun/14, 8 p.m., $20. ODC Dance Commons, 351 Shotwell, SF.

(415) 863-9834, www.odcdance.org

im’ij-re

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PREVIEW In 2007 choreographer Amy Seiwert set Morton Feldman’s hauntingly beautiful score "Rothko Chapel" on Robert Moses’ Kin dancers. Watching Memory was fresh, mysterious, and mesmerizing. Not the least of its appeal came from Marc Morozumi’s stunning lanterns, which enveloped the dancers in subtly changing luminosity. Earlier the same year, Seiwert’s first full evening of her own work packed Project Artaud Theater to the rafters, confirming that this petite woman, also the resident choreographer of Smuin Ballet, has one of the Bay Area’s most adventurous and intriguing voices. You always want to see her next work because you can sense the questioning spirit that leads her into unexpected terrain. Her own nine-year old company, im’ij-re — with its excellent dancers — is the place where she can experiment in the way the tight schedules of more traditional ballet companies (her latest commission was for Colorado Ballet this spring) don’t always have the means to support. From that first encounter with Morozumi, a relationship was born. For 2010 the two are planning a full-evening work that includes contributions by British sound designer Kaffe Matthews and German media artist Frieder Weiss. For the time being, they are premiering the sextet LIGHT essays as the centerpiece of a program of new works that showcases a trio choreographed by Morozumi (with sculptor Alex Uncapher), a solo by Andrea Basile (danced by Alex Ketley), and a structured improvisation for four dancers.

IM’IJ-RE Sat/13–Sun/14, 8 p.m., $20. ODC Dance Commons, 351 Shotwell, SF.

(415) 863-9834, www.odcdance.org

Village Voice Media sues East Bay Express owners

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By Tim Redmond

The newspaper chain that owns SF Weekly is suing the independent owners of the East Bay Express for $500,000 in a case that, ironically, shows how the big media outfit is trying to duck its own debts.

The lawsuit comes out of the 2007 deal under which Steve Buel, Hal Brody and a few other investors bought the Express from Village Voice Media, the national alternative press chain that owns the Weekly and 14 other papers.

As part of the deal, the local owners put up an undisclosed amount in cash and agreed to pay VVM $500,000 two years later. Buel, the longtime editor of the Express, and Brody, who formerly owned a weekly in Kansas City, had to guarantee the half-million-dollar note with their personal assets.

The sales agreement was a bit complicated. VVM owned both the SF Weekly and the Express, and the two papers had been selling joint ad buys to clients. So divorcing that partnership, and allowing the newly independed Express to compete effectively in the market, required some unusual terms. Among other things, VVM agreed not to use its position as the former owner of the Express, with full access to account records and sales contacts to poach Express clients.

However, Brody told us, the big chain started to violate that agreement almost immediately. “We have massive claims against them for violating those terms,” he said.

“The SF Weekly is not supposed to solicit our advertisers in Alameda and Contra Costa, and they’ve been doing it, over and over.”

Newsom’s shell game, Part I: Public financing

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By Steven T. Jones
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Newsom and Avalos at the mayor’s budget unveiling. Photo by Luke Thomas.

Board of Supervisors budget analyst Harvey Rose is still busy researching Mayor Gavin Newsom’s city budget proposal in advance of the Budget Committee’s first hearing on it on June 17. But some advocates have already started to unearth deceptive budgetary shell games by the mayor.

Electoral reform advocates Rob Arnow and Steven Hill have discovered that Newsom has once again raided the public financing for mayoral candidates fund, but sought to disguise the move by including a $1.9 million contribution to the fund in his published budget, then draining $1.4 million from a fund transfer that wasn’t highlighted. And that doesn’t even count the $5 million “loan” that Newsom last year took from the fund – which he opposed the creation of — promising he’d pay it back this year.

“For the last three years, the mayor has been trying hard to bankrupt the public campaign financing fund, well before the budget crisis began. While he’s claiming now that it’s only a response to the budget crisis, the reality is far different. Despite his carefully crafted media image, he’s backed by big business interests who can’t stand the idea of regular citizens taking back the reins of our democracy,” said Arnow of the group San Franciscans for Voter Owned Elections.

Hot sex events this week

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Compiled by Molly Freedenberg

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Explore the origins of the magazine made for sexworkers during Saturday’s film festival at the Roxie.

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>> In Our Own Image
Representatives from the Sex Workers Empowerment Project (SWEP) $pread Magazine will be on hand (ha ha) at the screening of this documentary on sex worker-made media and $pread itself — all as part of the final days of the 6th Annual Sex Worker Film, Art, and Music Festival. (Other films also run all day, from noon past midnight.)

Sat/6. 2pm. $8 per show, $30 day pass.
Roxie
3117 16th St., SF
www.sexworkerfest.com

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>> “Identity”
In honor of the National Queer Arts Festival, Femina Potens presents an exhibit dedicated to exploring constructions of gender identity. Celebrate opening night with artists Jess T. Dugan, Melvyn Herrick, Julie Sutherland, and Fakir Musafar, along with more queer comrades.

Sat/6. 7-10pm.
Femina Potens
2199 Market, SF
(415) 864-1558
www.feminapotens.org

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>> San Francisco is Burning
Cheer on Michelle Tea’s House of RADAR in this competitive fashion show featuring writers and performers from the RADAR series, where all proceeds benefit Queer Cultural Center.

Sat/7. 7pm. $20-$50.
SOMArts
934 Brannan, SF
www.queerculturalcenter.org

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>> Different Strokes
Think hand jobs are simple? Think again. Learn the secrets of making basic handwork into a gourmet treat, from warm-up to happy ending and bringing prostate and anal play into the mix.

Mon/8. 8pm, $25-$30.
Good Vibrations
2504 San Pablo Ave, Berk
(510) 841-8987
www.goodvibes.com

FAIR: Misquoting Sotomayor

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B3: It’s always helpful to read how FAIR analyzes how the mainstream media cover a major story. FAIR is the media advocacy organization Fairness and Accuracy in Reporting.

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Misquoting Sotomayor
Media let right-wing critics frame debate

At this point, the confirmation battle over Supreme Court nominee Sonia Sotomayor will hinge in part on whether the media want to fact-check her critics. So far, the press is largely failing.

Right-wing critics and politicians have been circulating comments Sotomayor made in 2001 at UC Berkeley. One quote has been replayed endlessly: “I would hope that a wise Latina woman with the richness of her experiences would more often than not reach a better conclusion than a white male who hasn’t lived that life.” (Sometimes the quote is replayed without the “I would hope that” qualifier–e.g., NBC Nightly News, 5/31/09.)

Is this really our only choice?

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By Tim Redmond

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Now that Antonio Villaraigosa appears not to be running for governor, the most populous state in the nation, the world’s eighth-largest economy, is headed for a very ugly choice. The Democratic Party has exactly two prominent candidates to run California — Jerry Brown, who has become a conservative with his no-new-taxes pledge and his tough-on-crime stuff, and Gavin Newsom, who has been a pretty awful mayor of San Francisco.

Is this the best that the state can do?

It might be — and here’s the problem. In a state this big, with more than 36 million people, a race for governor is all about image. It’s about television ads and media hype — and most people don’t pay attention to the details. Brown is ahead in the polls almost entirely because of name recognition; he’s the attorney general, has been govenor before, his dad was governor, he’s run for president — people have heard of him. Liberal Democrats who are older and remember when he was the dynamic young, progressive leader think back fondly to those days. Democrats who are more moderate look at his hard-ass love-developers-and-cops tenure as mayor of Oakland. Nobody has any idea how he would fix the state’s economy; I don’t think he knows himself.

Newsom is catching up, and will make this a close race, because he’s the new young face — and because he’s got a team of consultants and producers who are experts at creating false images. He’ll run as the “green mayor,” although he’s opposed the most important environmental measures in the city. He’ll run as a sensible leader who balanced a budget with no borrowing or taxes (although he’s doing it by destroying the local safety net). What most voters won’t see is the arrogant, petulant guy who has surrounded himself with fawning accolytes and nasty hit men. They won’t see a person who is way over his head in his current job, and has no business moving on to a much bigger one.

And that’s what we’ve got.

I wasn’t kidding last week when we talked about splitting up the state. It sounds like a radical idea, but think about it: If we were electing a governor of the coastal counties between Sonoma and Los Angeles, Jerry Brown wouldn’t even be a factor — and a lot of smart, experienced progressives would have a shot at the job. We wouldn’t be facing this ugly choice of finding someone either bland or conservative enough to appeal to the Central Valley. The voting population would be much smaller, and thus the vast sums of money that candidates have to raise would be significantly reduced.

We might even get a good governor.

In the meantime, we have to do better than this. Is there nobody else out there, no real change candidate who might actually be able to take on the serious problems facing California?

The struggle continues

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>rebeccab@sfbg.com


Video of May 26’s anti-Prop 8 rally. Video by Rebecca Bowe. For more videos from that day, click here.

An estimated 10,000 people turned out in San Francisco May 26 for a day of rallies and marches staged in reaction to the California Supreme Court’s decision to uphold Proposition 8, the voter-approved measure passed in November 2008 that outlawed same-sex marriage in California. Expressing anger and frustration with the news, same-sex couples and advocates for marriage equality nonetheless vowed to push ahead with a new fight to overturn Prop. 8 at the ballot.

"Today’s court decision means we have to go back to the ballot," Abdi Soltani, executive director of the Northern California chapter of the American Civil Liberties Union, told a crowd gathered outside San Francisco City Hall. "The issue is not whether we go back to the ballot. The key question for us to tackle now is what we have to do in order to win at the ballot. That’s the difficult work that is ahead for all of us."

It was an emotional day for same-sex couples. Protesters took to the streets in permitted and spontaneous marches, and 200 arrests were made after a sit-in was staged at Van Ness and Grove streets around midday.

"It’s a sad day to be a Californian, as far as I’m concerned. I’m embarrassed," Castro District resident Hank Doonan, standing arm in arm with his partner Michael Talty, told the Guardian. Talty displayed his engagement ring. "We’re still getting married, and it doesn’t matter," he asserted with a note of defiance. "But we’re really sad today."

Molly McKay, media director for nationwide same-sex marriage advocacy group Marriage Equality USA, appeared at the San Francisco rally in a wedding dress. "I’m sorry we have to keep fighting the same battle," she told the Guardian later. "But I’m proud of all the people who turned out."

“Otl Aicher: Munchen 1972” and “Veronica De Jesus: Do the Waive”

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REVIEW The 1972 Munich Olympics is mostly associated with terrorism, with Marc Spitz running a distant second. But Otl Aicher’s graphic design for the event exemplifies the better possibilities of the fusion of humanism and capitalism that characterizes each incarnation of the international event. A member of the White Rose movement and friend of Hans and Sophie Scholl, who were arrested and executed by the Nazis, Aicher later made his name through graphic design concepts that possess a rare fusion of experience and imagination. Three years after his successful branding work for Lufthansa Airlines, Aicher created a friendly yet intricate pictorial language — or pictogram — system for the individual programs, posters, and even tickets of the Munich Games. While many exhibitions fail at presenting graphic design as a form with much soul or personality, "Otl Aicher: München 1972" has no shortage of either — or of refreshingly-deployed color, for that matter. A blue and green oasis within the SFMOMA behemoth, its pleasures spiral outward from the Op Art-like symbol Aicher used for the event’s main icon, into a number of engagingly basic and extremely influential renderings of the body in motion. Or in other words, iconic images of human striving.

The latest show by the contemporary Bay Area artist Veronica De Jesus presents an entirely different take on corporate branding and athleticism — one that nonetheless possesses a friendliness quite akin to Aicher’s work. Viewed alongside "München 1972," De Jesus’s "Do the Waive" comes off even more sharply as a satirical, at times hilarious, but also troubling take on the tyranny of symbols and supposed meanings wielded by the contemporary sports entertainment complex. Simply put, the logos for CNN and Shell don’t have the ingenuity of Aicher’s iconography. When De Jesus renders them — or the trademark colors of McDonald’s — via child-like scrawlings, the taken-for-granted commercialism woven into daily life to influence kids’ aspirant dreams seems questionable and dubious and absurd at its very core. Like Jenny Holzer with a far less dry sense of humor, De Jesus also has a talent for twisting received ideas or language, whether via creative misspelling or isolated bits of media chatter. (Three of her titles: Fry Anyone, Closed for the recession, and my favorite, People are going after the french fries.) "Do the Waive" is packed with treats. I enjoyed the life-size portraits and the connection between homo-affection and homo-aggression drawn — literally — by It’s a Battle and All Hugs. But the best works are smaller ones that layer media babble and athletic imagery into visions that are confusing, exhausting, and attractive all at once, like a day’s journey through an empire of signs.

OTL AICHER: MÜNCHEN 1972 Through July 7, free–$15. San Francisco Museum of Modern Art, 151 Third St., SF. (415) 357-4000. www.sfmoma.org

VERONICA DE JESUS: DO THE WAIVE Through June 16. Michael Rosenthal, 365 Valencia, SF. (415) 522-1010, www.rosenthalgallery.com

MORE AT SFBG.COM

This week’s museum and gallery listings.

Higgamus hoggamus

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andrea@altsexcolumn.com

Dear Andrea:

I wonder if you’ve been living in San Francisco too long? Most prostitutes are not happy grad students! Most have been abused, are addicts, or both, and it’s not a "career choice." I think the woman in your last column is a sex addict and needs therapy, not someone to be cheered on by people like you who think promiscuity is cool. I would worry that kind of behavior says something pretty bad about the emotional state of anyone who’s doing it. I usually like your column, but I do think you can get warped by living too long where being weird is cool.

Love,

I Used To Live There Too

Dear Used:

I worry about her, too! What do you think I am? The question for last week, though, was not "Is promiscuity healthy for women?" (a very complicated question indeed, and one we will get back to), but the far simpler and more specific, "Is meeting men online for sex likely to get you killed?" No matter how you feel about female promiscuity, the answer to the latter is going to have to be no. It is simply not likely, although we have seen, tragically, that it is possible.

Expensive, boutique-y prostitution practiced by sane, smart women who can afford to screen clients carefully is surprisingly unlikely to lead to ax-murder. Neither does either activity put its female practitioners at any great risk for STDs or accidental pregnancy, since these are women who own condoms and know how to use them. It’s young (and not so young) people in the fuzzy-headed throes of romantic love or lust (sure, there’s such a thing as "romantic lust") who fall prey to the "spontaneity" fallacy or simply cannot force themselves to hold back until someone has gone out and procured the necessary protective gear. Call girls don’t go "oops," and last week’s "friend" probably doesn’t either. Certainly my own friends who use the sexier personals sites (say, Nerve rather than Chemistry.com) don’t make amateur’s mistakes. They can’t afford to.

Now, "Female promiscuity — hobby or symptom?" Contemporary understanding points to neither, or both, or to questioning the entire category, since the word itself implies deviation from an assumed non-promiscuous norm. For the last 60 years or so, the basic sociobiological story has gone something like this: Men are naturally promiscuous (and interested in nubile young women) because sperm is cheap and the best route to reproductive success is to shoot (and shoot, and shoot) and run. Women, meanwhile, are naturally (if serially) monogamous because pregnancy and infancy are expensive and they will need the help of a well-to-do, physically strong male to help them achieve reproductive success. More recent research has served to completely bollux-up our tidy story, though.

"Chimpanzee males trade meat for sex!" announced pretty much every media outlet in April. No surprise there, really, but it also turned out that … female chimpanzees trade sex for meat. Lots of sex, although not on the first date, since they are not always in estrus at time of trade. Are they making bets on future help (and sperm donations) from males they are merely flirting with now? And are the males keeping a database of females who will later say yes? If they can carry on such complex sociosexual calculations, what else are they up to?

Meanwhile, our premier expert on the sociobiology of motherhood, Sarah Blaffer Hrdy, posits a revolutionary difference between ape societies and early (and modern) human ones, so big that it renders ape models even more useless than they already were as revisitable reservoirs of human history. Looking at modern hunter-gatherer societies, she sees cooperative parenting, a human invention, still in operation. It takes a village, in other words, men and women both, to raise a helpless human baby. And, looking back, the more we helped each other, the better our social and communication skills grew. Group responsibility for the children, she says, made us human.

More immediately apropos, perhaps, is the research (www.scientificblogging.com/news_articles/human_sex_roles_male_promiscuity_debunked_and_women_arent_all_picky_either) by Gillian Brown and associates, widely reported this spring, which examined mating behavior and reproductive success in 18 human societies and found that what people do depends on what else is going on: population density, differing life expectancies between the sexes, sex ratios, and a bunch of other variables made a huge difference in who was doing more or less of what with whom. Why this demonstration that humans are complex and adaptable should have come as much of a surprise to anyone, I couldn’t tell you. I admit, though, that I likewise couldn’t tell you that sociobiological research supports the innate wholesomeness of picking up men on Craigslist, and I doubt it ever will. I tend to be a worrier too, and I have certainly seen people, especially women, do a fair amount of psychic damage to themselves with ill-considered sex. But it would be pretty presumptuous to assume that last weeks "friend" is broken on the basis of, well, not knowing anything.

Love,

Andrea

P.S. Readers, what about you? Care to share your adventures in promiscuity, soul-deadening, life-affirming, or just plain OK? They would make a great column.

Don’t forget to read Andrea at Carnal Nation.com.

Editor’s Notes

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Tredmond@sfbg.com

What the voters turned down was a political deal, cut by five people in Sacramento — the governor and the Democratic and Republican leadership of the Assembly and Senate. The Republicans leaders weren’t even that involved at the end — it was two Democrats, Speaker Karen Bass and Senate President pro tem Darrel Steinberg, and Gov. Schwarzenegger, trying to make a budget pact work and then dragging a reluctant GOP legislator or two along.

The tax increases that were designed to help this year’s budget are in effect, approved by the Legislature. The Prop.1A–1B deal would have extended them an extra two years. The $6 billion that Props. 1C, 1D, and 1E would have "raised" (as the Chronicle described it) actually came from two things — cuts to children’s programs and mental health services and borrowing against future lottery proceeds.

What the voters rejected, among other things, was a provision that would have come awfully close to being a spending cap. It would have been this generation’s version of Prop. 13, a fiscal straightjacket demanded by antitax Republicans that the state would regret for years to come.

And the left opposed the deal as strongly as the right.

The real lesson: the voters don’t trust either Schwarzenegger or the Legislature. The state government is a godawful mess, and everybody knows it.

So this week, we talk about fixing things.

Let me start by quoting a man I have always held in utter disdain, the late right-wing economist Milton Freidman. Because he makes a valid point:

"It is worth discussing radical changes, not in the expectation that they will happen but for two other reasons. One is to construct an ideal goal so than incremental changes can be judged by whether they move the institutional structure toward or away from that ideal. The other reason is very different. It is so that if a crisis requiring or facilitating radical change does arise, alternatives will be available that have been carefully developed and fully explored."

I’m not sure that California, a state that now has 36 million residents and by current projection will have 60 million in the next 20 years, can possibly be governed by our current institutions and systems. It’s too big; it costs way too much money to run for office, run an initiative campaign, or communicate effectively to the voters. You can’t compete for statewide office without tens of millions of dollars. State senators represent almost 1 million people. Try running a low-budget, grassroots campaign in that universe. Initiative battles are so much more about money than they are about facts that the wrong side often wins. The major news media don’t cover Sacramento much anyway, so state politics come down almost entirely to cash and hype (witness the current occupant of the Governor’s Office).

We need more than just a Democratic governor and more Democrats in the Legislature. We need to rethink the way we run California. *

So why is Pelosi still the target?

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B3: The Guardian through the years has criticized Rep. Nancy Pelosi for many things, from leading the fight to privatize the Presidio to her early support of the Iraq War to her unnecessary move to take impeachment of President Bush off the table during the election season.

But we are happy to come to her defense now that now she is under fire for saying that CIA briefing officials told her in September 2002 only that they had determined that so-called enhanced interrogation techniques were legal, not that they were using them, as the New York Times put it on Friday (5/22/09). Why? Why is she under fire and not the people who did the torturing and former Vice President Dick Cheney who without shame is publicly supporting waterboarding and torture?
Why is she under fire for lying by people who lied us into war and lied about torture? Here is one of the best accounts I’ve seen, written by the media advocacy group called Fairness and Accuracy in Reporting (FAIR).

fair.gif

Media Advisory

Does the CIA Ever Lie?
Parsing the Pelosi torture controversy

The debate over Bush-era torture tactics like waterboarding has morphed into a full-blown Washington scandal. But the target isn’t the Bush administration officials who ordered the torture; instead, the corporate media’s focus is on House Speaker Nancy Pelosi, who claims that she was not fully briefed by the CIA on the use of waterboarding in late 2002. The prevailing assumption in much of the coverage is that the CIA couldn’t possibly have misled members of Congress–despite the fact that this has happened repeatedly.

The media reaction has been intense. Right-wing pundits and the Fox News Channel are treating the issue as the most important political story of the moment. Pelosi is “undermining our national security. She’s emboldening our enemies,” declared host Sean Hannity (5/15/09). MSNBC’s Morning Joe has covered the subject repeatedly, with host Joe Scarborough expressing utter disbelief (5/15/09) that the CIA could possibly have misled Pelosi, since Congress could cut off the CIA’s funding. “They would never lie to Congress, because they would be crushed,” Sen. Kit Bond (R.-Mo.) said on the show.

Prison report: American idle

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By Just a Guy

Editors note: Just a Guy is an inmate in a California state prison. His columns run Mondays and Thursdays. You can read his last post and links to some of his past columns here. He will try to respond to all comments and questions, but it’s tricky to communicate from prison, so be patient.

Were all of you as surprised as I was at the results of American Idol? Hey! Don’t make fun, so I watch Idol with all that extra IDLE time Lance Corcoran, spokesman for the California Correctional Peace Officers Association, says I will have more of because of the layoff of 3,665 CDCR employees.

The reason I bring up American Idol is I see the results of the voting as similar to the mindset of Californians and the rest of the U.S. when it comes to prisons, inmates, and crime. One of the contestants was clearly a better singer and performer than the other, but the voting seemed not to be based on singing ability, rather by cultural ideologies and societal mores derived from Christian “values.”

What I mean is: one of the finalists was, obviously, “different” than the rest of “us,” so rather than voting for the guy with eye liner and a boyfriend America voted for Ken, Barbie, and their daughter because that’s what we’ve always done.

So it is with prisons and crime, because now Johnny Appleseed has become Johnny the Bad Apple and rather than embrace change it’s easier to fall back on what we’ve been told is correct (pounded in to us since elementary school), and that is: drugs are bad, “criminals” are bad, inmates are bad, ALL police are good, and prisons are good because they protect the public.

Something I noticed since Propositions 1A-1E didn’t pass on Tuesday is that the media and politicians have stopped talking about reductions in prison population and the early release of inmates. Now, they talk about the even deeper slashing of budgets for education, medical and mental-health care, and law enforcement. I am not sure I really understand this language, since “law enforcement” is such an all-encompassing term. It seems as if the word “release” is synonymous with Dalit (the Indian word for untouchable).

Maybe if we don’t mention the problem of prison overcrowding, it will just go away. Maybe if don’t mention releases, the CCPOA won’t say anything either, and we can let inmates go (or not) and nobody will notice.

Prison report: 3,600 layoffs — and WHAT programs?

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By Just A Guy

Editors note: Just A Guy is an inmate in a California state prison. You can read some of his past columns here, here, and here. He will try to respond to all comments and questions, but since it’s often hard to communicate from prison, it may take a while, so be patient.

I was gratified to see that Arnold is, supposedly, laying off 3,665 correctional officers and correctional employees. While I don’t wish anything bad on the employees or their families, I do feel it’s about time something like this was done and it sets the stage for releases. Not only that, but people out there seem to forget that government shouldn’t be immune to the harsh realities of rough economic times. Any business worth its salt would have laid off lots of people long ago and eradicated redundancies, unproductive workers, and unproductive positions. A normal business that is run well also takes inventories, which, I really don’t think California does in any measure. California really needs a six sigma methodology, BAD. Ask Meg Whitman, she was the CEO of eBay and is planning to run for governor, Meg said she would lay off at least 30,000 workers. Hmmm.

This is from the San Francisco Chronicle:

Lance Corcoran, a spokesman for the prison guards’ union, said the union doesn’t know how many guards will be laid off. He blasted the inmate–release proposal.

“This short-term savings is going to have long-term costs, and the costs will be measured, unfortunately, in lives,” Corcoran said. “I anticipate some incredibly sensational crime committed by an individual that should have been incarcerated.”

I understand that it’s Corcoran’s job to ridicule anything the California Correctional Peace Officers Association sees as a threat to its ability to protect union members and their jobs, but I think it’s really funny that he’s saying that some sort of sensational crime will be the result of releases. Corcoran seems to think that the general public is so naïve (or are they?) as to not realize that any person being released is going to get out anyway!

The fact that a person was released early has absolutely nothing to do with whether or not he or she commits another crime, sensational or not. Obviously another scare tactic perpetuated by the CCPOA with no counter point to Corcoran’s assertion offered by the Chronicle — imagine that. (And why is it that the mainstream news media always seems to quote the CCPOA on prison issues — but rarely talks to, say, prisoners rights groups, or anyone else, for the other side of the story?)

Rally this Sunday against torture and killings of gays in Iraq

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By Rebecca Bowe

Gays Without Borders S.F., the Rainbow World Fund, Sisters of Perpetual Indulgence and others will host a rally and fundraiser Sunday to speak out against torture and slayings of gays in Iraq.

Reports in the New York Times, The Los Angeles Times and elsewhere have described atrocities against gay men that occurred in Iraq’s Sadr City, where victims were fatally shot and found with the word “pervert” on notes attached to their bodies.

“This news has been under the radar for the past few years due to the overall confusion and killing in Iraq,” a press statement released by the rally organizers points out. “But the heinous torture and murder of gays in Iraq has escalated.”

The groups hope to attract international media attention to the abuses, and they plan to urge the U.S. State Department to investigate, denounce the killings, and support asylum. The goal of the fundraiser is to send $10,000 to organizations aiding Iraqi gays who are fleeing the most dangerous areas.

The rally and fundraiser — featuring speeches from S.F. Police Commission President Theresa Sparks, State Senator Mark Leno, Supervisors Bevan Dufty and Ross Mirkarimi, and others — will be held Sunday, May 17 from noon to 4 p.m. at Harvey Milk Plaza, near the intersection of Castro and Market streets. Speakers are scheduled for 12:30 to 1:30 p.m.

Donations may be made through the Rainbow World Fund. Those interested in volunteering at the rally should email MrSFL96@aol.com.

Merger on the march

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Originally published August 24, 2005

THE NATION’S TWO largest alternative newspaper publishers have been in intense negotiations over a merger that would create an 18-paper chain controlled to a significant extent by venture capitalists, new documents obtained by the Bay Guardian show.

The documents, which appear to be valid, include a May 27, 2005, draft of a merger agreement between Village Voice Media and New Times. They were provided by a source close to the VVM side of the negotiations.

The draft calls for the creation of a new company controlled by a nine-member board. Five of the members would come from Phoenix-based New Times and its primary venture-capital firm, the Boston-based Alta Communications.

New Times, which owns 11 newspapers including the SF Weekly, would have 62 percent of the equity in the new venture, and VVM, which owns the Village Voice and six other papers, would have 38 percent.

The documents mention a Nov. 30, 2005, date for closing the deal, but suggest that the date may have to be pushed back, in part because of federal regulatory issues.

Rumors of a possible VVM-New Times merger have been swirling for months (see “Chain Gang,” 5/25/05). Neither of the principals has denied the reports, although employees of some VVM papers have attempted to dismiss them.

But the new documents are the first concrete confirmation that talks are indeed going on, and that the two parties are close enough to agreement that they’ve circulated draft bylaws of a new limited liability corporation that would own all of the VVM and New Times papers.

As of late May there were clearly still some issues to be resolved: The documents include a memo from VVM CEO David Schneiderman complaining that New Times wants to “renegotiate the terms of our deal” and arguing that some New Times papers, including the SF Weekly and the East Bay Express, are losing a lot of money.

“In the 2004 Calendar year, SF Weekly, East Bay Express and the Cleveland Scene racked up losses of $4 million,” the memo states. SF Weekly, it says, “is locked in a brutal struggle in SF with no sign of success and the same is true in Cleveland.”

The memo concludes: “In short, they have some real losers and we don’t…. given these facts, I don’t believe a renegotiation is warranted.”

But overall, the shape of the deal appears to be fairly clear. A new Delaware-based LLC would be created, with a nine-member board. Mike Lacey and Jim Larkin, the executive editor and CEO of New Times, would each have a seat on the nine-member board, as would an Alta representative. Lacey, Larkin, and the Alta rep would then choose two more members – one of whom would be New Times chief financial officer Jed Brunst – giving New Times and its banker a 5-4 majority.

Schneiderman (who is slated, the documents show, to receive a $500,000 bonus for his work on the merger) would have a seat on the board, and the final three seats would go to Goldman, Sachs & Co., Trimaran Capital Partners, and Weiss Peck & Greer, all of whom are VVM investors.

So in the end, at least four of the board members – and possibly five – will be venture capitalists

The documents state that all but two of the board members (also called “managers”) can be removed from the board for “cause” – but “the Lacey Manager or the Larkin Manager may not be removed as Managers with or without Cause, it being understood that the sole basis on which either such Manager may be removed as a Manager shall be such Manager’s conviction of a felony.”

The documents suggest that the new company has been set up with the idea of an eventual sale: They state that, for the first three years, the company can only be sold with the consent of six of the nine board members. But over the next two years, five board members could approve a sale, and after five years, three directors could make that decision.

“In the event the Board of Managers approves a Sale of the Company … all Members shall be required and hereby agree to cooperate with and participate in such sale,” they state.

The documents also address the prospect that the SF Weekly, the East Bay Express, and the Cleveland Scene could be sold off or closed if they continue to hemorrhage cash. “[I]f at any time up to and including the Third Anniversary date, the cumulative losses for any of the [East Bay, Cleveland or San Francisco units] (brackets in original document) exceed the cumulative projected losses for such unit … the Company, with the consent of five managers, shall be permitted to dispose of such non-performing unit by merger, consolidation, sale of assets or otherwise,” they state.

The new company would be required to honor the union contracts at the Village Voice – the only paper in either chain that’s fully unionized (the L.A. Weekly has some union workers). But other employees may not fare so well. The new company “may, in its reasonable discretion, transition all employees … to new compensation, benefit plans, programs or arrangements.”

One source in New York said that “as I understand it, Larkin will be the CEO and Schneiderman will run the Internet operations. I believe the rest of the VVM corporate staff (essentially finance people) will be let go.”

A separate document, dated June 1, 2005, is titled “NT/VV Proposed Business Consolidation Agreement Issues List Reutf8g to NT Draft of Contribution and LLC Agreement.” It lists some concerns – apparently from VVM executives – about the deal.

It cites a “drop date of Nov. 30, 2005,” but notes that “[t]his is too short, obtaining HSR approval may take a long time.” That’s a reference to the Hart-Scott-Rodino Act, which requires federal approval of any merger that may have an impact on business competition.

That might not be routine: New Times and VVM have run afoul of federal antitrust laws in the past. The two chains were charged a year and a half ago with conspiring to end alt-weekly competition in Los Angeles and Cleveland (see “New Times Nailed,” 1/29/03). Under a consent decree, the companies are required for five years to give the Justice Department notice before pursuing any merger.

We’ve spoken to several sources close to the negotiations who say it’s likely that process is already under way. But the Justice Department has consistently maintained that any such notice would be confidential.

The two parties are also keeping a tight hold on the information. Staffers at VVM and New Times papers seem unaware of the details of the talks, and top management has refused to answer their questions about the situation. The agreement includes a clause stating, “No press releases or public disclosure, either written or oral, of the transactions contemplated by this agreement, shall be made by a party to the agreement without written consent of VV Media LLC and NT holdings.”

The merger would signal the biggest step so far in the consolidation of ownership in the alternative press. The merged company (which thus far is identified only by the dummy name “Newco”) would represent 14.2 percent of the membership of the Association of Alternative Newsweeklies and would give one chain operation control of some of the biggest media markets in the country, including New York, Los Angeles, Miami, Denver, Seattle, Phoenix, and Houston (see “SOS: No secret New Times-Village Voice Media deal, sfbg.com).

Schneiderman, Lacey, and Larkin all declined to return messages seeking comment.

The Bay Guardian is suing New Times, charging predatory pricing by the SF Weekly.

Don’t change a Thing

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andrea@altsexcolumn.com

Dear Andrea:

I found this on Craigslist. Please, please stop this poor girl before it’s too late! She should hear from a professional that she’d be sacrificing nerve endings to a bunch of dickweeds who are suckers for media standards. And they won’t even like her more. God help us.

advice please re labia — w4m

so im hearing mixed reviews from guys about a female’s labia. do guys prefer the labia minora to be big or small? because tons of my friends are seeking to have them made smaller (like by a lot) so they look like playboy types etc. is that what guys want? what turns men on? and why? any advice on what to do here for me??

‘Nuff said. Thank you.

Love,

A Concerned Citizen

(Seriously.)

Dear Concerned:

Oh, okay. Maybe she’ll see this and maybe she won’t, but obviously this is a thing, or a Thing, that affects a lot of young women, just as she says. "Tons" of her friends, though? I realize she’s posting from L.A., where you have to expect this sort of thing, but the image of busloads of girls she went to high school with or worked with at Hot Topic after school lining up for surgical "correction" is unsettling even me.

So, what is going on here? I’ve long assumed (this has been going on a while now) that women used to go a lifetime without seeing their own (it takes a mirror and the will to look) or anyone else’s labia in great detail unless they had chosen to be midwives or something, in which case they were busy.

Men used to see a few sets, all too different from each other to even form much of a preconceived notion of what they "ought" to look like. Hardly anybody used to view an endless parade of stunt labia, chosen or surgically altered to conform to a (sub)cultural standard. But since the 1990s or so, that is exactly what we are doing. The porn industry standard is tiny, close-to-the-body, and unusually symmetrical, and if that is what young men are seeing before they even get a peek at the real thing, I suppose it’s to be expected that some may be shocked or dismayed by reality’s asymmetry and wild diversity of form, and in some cases indignant that they did not get exactly what they were in the mood for. It works with YouTube and iPods!

At least with pubic hair (a similar issue with young men being shocked on first encounter), one can go with the fashion flow and change with it as it (inevitably) changes. The same cannot be said for surgical rearrangements.

Now, how do I feel about young women permanently altering themselves to suit male fancy? I think it might be a trick question, actually, since I’m not entirely sure that that many guys care that much. What if they do, though — ought a young woman scramble to put herself through a painful, expensive, dangerous (all surgery is dangerous) procedure to please guys who probably still won’t be that into her if they’re not already? Of course not. Nothing is ever that simple, though.

Most of the Web sites put up by surgeons who do these procedures talk a great deal about painful horseback-riding or bicycling or inability to wear pants, all very real if somewhat rare complications of very long or loose labia. Then they give a little nod to being displeased with the size, period, and that’s the population we’re worrying about here. A reputable surgeon is going to accept or reject patients based not only on physical factors but emotional ones as well, especially patient expectations ("this surgery will make my labia smaller" versus "this surgery will make me stop hating myself"). And I hate to say this, Concerned Dude, but there are plenty of women (and men too, of course) whose self-esteem problems really can be cleared right up with the proper application of surgical instruments. I hate to see people who undergo surgery, itself morally neutral and a personal choice, treated like brainwashed sheeple who could not possibly have had a good enough reason to go under the knife.

As for the nerve endings, while I was appalled to see this statement — There is no physiological association for sensory pleasure with the labia — that function is served by the clitoris. The only sensation elicited from labia is pain upon tearing or stretching. — on one of the surgeon’s sites, since it is obviously wrong and very condescending in that surgeon-y way as well, I think we have to concede that the labia are not the major, or even a major, route to sexual ecstasy for most women. A half-inch or so less here or there is not going to make much difference. Not that that’s any reason to go chopping them off, though, sheesh! L.A. Girl, don’t listen to your girlfriends. You’re fine. None of you knows enough yet about what men want, or, much more important, about what you want yourselves. Don’t change a thing!

Love,

Andrea

Don’t forget to read Andrea at Carnal Nation.com.