› paulr@sfbg.com
There are those who spend the year passionately awaiting Christmas, and then there are those who spend the year passionately awaiting the arrival of charentais melons.
Although I like Christmas, I belong, in my heart, to the latter group, and I must recuse myself on the question of which is the more bathetic passion. Christmas, at least, is a sure thing; charentais melons are iffy — and this year, very iffy.
We are talking, then, about cantaloupe: not the familiar musk melons with the netted, khaki-colored rinds marketed as cantaloupe in this country but the real deal, the melons grown from European cultivars, with the same orange-yellow flesh as musk melons but with smooth, cream and green rinds etched with green longitudinal arcs. These melons are typically known by and sold under French names, charentais and cavaillon, though their European origin is thought to be not in France but Italy, in the environs of a town called Cantaluppi (“song of the wolves”) near Rome. It was here that the melons were first introduced into Europe from Armenia.
I love the romance of history, but the endless wet winter and slow spring were hard on local melons, the charentais in particular. I had been hunting for them in markets since the Fourth of July or so, but the first examples only turned up toward the end of August — along with Gravenstein apples and the season’s first peppers, those harbingers of autumn. Still, better late than never, unless late means bad. I was so glad to see the melons, and there were so few of them, that I snapped up a pair without sniffing them, only to find, when I sliced one open a day later, that fermentation had set in. The kitchen filled with the scent of Midori. Midori is lovely, of course — but not for breakfast, generally speaking. The melons went straight to the compost bin, where they joined the Tower Market flyer advertising charentais melons that could not be found, despite industrious scouting by the produce staff. The shipment didn’t come in, I was told when I asked, because the melons weren’t good enough?
A week later, hard upon Labor Day, I found another box of them. Chose one by sniffing, paid my $3 with the hopeful resignation of the Lotto player, got it home, sliced it open, success. Shot of Midori to celebrate. (Not really.)
Local
Melons and melancholia
California’s secret police
EDITORIAL If a doctor does something really terrible and is suspended from the practice of medicine, the record is public: anyone — a potential future patient, for example — can check with the medical licensing board and find out what happened. Same goes for lawyers — discipline cases are not only public, but the legal papers routinely publish the details of the charges and the state bar association’s decisions. Judges? Same deal. Even the Pentagon, which is not known for its interest in sunshine, makes public the charges against soldiers accused of vioutf8g the Uniform Code of Military Justice.
That’s the way it should be: people who have tremendous power over the lives of others ought to be held accountable to the public.
But last week, the California Supreme Court issued one of the most disturbing decisions in years, ruling 6–1 that police disciplinary records must be for the most part secret.
The impact is so far-reaching it’s hard to fathom. As G.W. Schulz reports on page 15, it’s entirely possible that under this new standard, key details in some of the most important police-abuse cases of the past decade — from the so-called riders in Oakland to the Ramparts scandal in Los Angeles and Fajitagate in San Francisco — would have been kept under wraps. Under the broadest possible interpretation, the public will never know the names of the cops who break the law under color of authority, the bad actors who beat people up, harass (and sometimes assault) women, steal, lie, forge reports, frame suspects, fire their weapons without case, and — all too often — kill people without cause.
State law already gives cops, deputy sheriffs, and prison guards rights that go far beyond what any other public employees enjoy but has never been interpreted to bar the public entirely from disciplinary cases.
But in 2003, the San Diego County Civil Service Commission closed a hearing on the appeal of the disciplinary case of a sheriff’s deputy, and the San Diego Union-Tribune went to court to get access to the records. The resulting case went all the way to the state’s high court and ended with one of the worst rulings for the press and public interest in this state in half a century or more. Tom Newton, general counsel for the California Newspaper Publishers Association, told the Los Angeles Times that in the wake of the ruling “we have pretty much of a secret police force in this state.”
The state legislature needs to take this on immediately. Mark Leno, the San Francisco Democrat who chairs the Assembly Public Safety Committee (and who worked diligently and effectively to improve the Public Records Act this past session), would be a perfect person to work with sunshine advocates to draft a bill that would make the secrecy ruling moot.
In the meantime, it’s still not clear exactly how far local government will have to go to protect the rights of peace officers to abuse their public trust without any public oversight. Sunshine advocates say that San Francisco, which has always held open hearings on major police discipline cases, may not have to immediately halt the practice. The Police Commission, which is scheduled to hold a hearing on the issue Sept. 17, needs to carefully weigh the arguments of activists and media representatives before making any new policy — and must write any new rules to side as much as possible with openness. For starters, all hearings should be presumed public unless an accused officer objects — and a full hearing on that objection should precede any closure.
There’s another step city leaders can take: every year or two, the cops come along with a request for legislation that would even further sweeten their union contracts. If the San Francisco Police Officers Association is going to demand secrecy in every single disciplinary hearing, that should be the end to all progressive support for more pay, more benefits, and more goodies for an armed force that refuses to accept even basic public oversight. SFBG
Project Censored on the Will and Willie show at 8:05 a.m. Wednesday on 960 the Quake radio
Why didn’t the Conglomerati Media cover this major local news story?
Peter Phillips, director of Project Censored, will make a rare mainstream media appearance at 8:05 a.m. Wednesday morning (Sept. l3) to discuss the l0 big stories the nation’s major news media refused to cover last year, as the Bay Guardian put it in its cover story of the last issue.
Peter will explain lay out the stories and explain why the media
censored the following top l0 stories (in descending order):
l. The Feds and the Media Muddy the Debate over Internet Freedom.
2. Halliburton Charged with Selling Nuclear Technology to Iran.
3. World Oceans in Extreme Danger.
4. Hunger and Homelessness Increasing in the United States.
5. High-tech Genocide in Congo.
6. Federal Whistleblower Protection in Jeopardy.
7. U.S. Operatives Torture Detainees to Death in Afghanistan and Iraq.
8. Pentagon Exempt from Freedom of Information Act.
9. World Bank Funds Israel-Palestine Wall.
10. Expanded Air War in Iraq Kills More Civilians.
And then there are the junk food news stories that got far more attention than they deserved:
(l) Angelina Jolie and Brad Pitt Got Together. (2) Nick Lachey and Jessica Simpson Break Up. (3) “American Idol” Hits an All-Time High. (4) The Runaway Bride who didn’t. (5) Martha Stewart is Back in Town. (6) “Brokeback Mountain” Breaks Through. (7) Britney Spears (it just wouldn’t be a list without her. (8) MySpace Infiltrates our Space. (9) Steroids in Baseball Get Pumped Up. (l0) “The DaVinci Code” ad nauseam.
A tip of the derby to Willie Brown and Will Durst and Producer Paul Wells and the Quake/Clear Channel Radio for being the only mainstream media in the Bay Area to our knowledge to give the proper publicity to this important local story and local project (Sonoma State University).
Memo to Phillips, Will and Willie: ask if anybody has spotted the story in any mainstream media. That proves the censorship point.
I (B3) will appear on the show at 9:05 Thursday morning (Sept. l4) to discuss why the local regional monopoly (Hearst/Singleton/McClatchy/Gannett/Stephens) has not only blacked out this major story but also one of the biggest local censored stories of the year (the regional monopoly). Memo to the editors and city desks of the Conglomerati: why did you black out these major censored stories? B3
The quiet force of Frontline II
By G.W. Schulz
I mentioned yesterday that I’d been downloading older episodes of Frontline from the PBS Web site. The show has three major new episodes coming out next month. But yesterday I didn’t get a chance to summarize what I felt were some of the better pieces they’d done over the last few years that contained some cool local angles.
On Sunday night I went back and watched 2004’s “Tax Me if You Can,” which appears to have been inspired at least in part by David Cay Johston’s spectacular tax-beat reporting for The New York Times. Johnston made popular what was long considered a dreadful area of government to cover as a Times reporter – the IRS. We localized some of his more recent reporting for the Times on big IRS layoffs and the estate tax a while back.
NOISE: Bingo! And bangin’, bizzy Deerhoof
Taxes, zits, and coffee breath – these things are eternal. Add to that list “Rock ‘n’ Roll Bingo” at Blankspace in Oakland on Sept. 1. This third installment of the Oakland Art Murmur event featured the Bay’s winning bro-duo Moore Brothers and Santa Cruz chamber-goofers Antarctica Takes It (Bookends canceled, shoot). Most amazing – this writer took home an awesome prize (a fine alternative to the unicorn thrift scores): a tote bag design original by artist Tonya Solley Thornton. Bingo, indeed.
Game? All photos by Kimberly Chun
A few days later on Sept. 5, we stopped by Great American Music Hall to catch Marc Ribot’s Ceramic Dog (with longtime local Ches Smith on drums) and our pals Deerhoof.
Onetime guitarist-bassist Chris Cohen will be missed, but man, has John Dieterich stepped up, big time. The ‘Hoofies are approaching their songs from new, streamlined angles. Awesome, as usual. Before the show, drummer Greg Saunier had tales to tell from the road and Radiohead (Jonny Greenwood did their lights on their last show together in Europe, Saunier said).
Deerhoof was off to LA right after the show, he added, to finish mixing their forthcoming new album, Friend Opportunity, which the band worked on while out with Radiohead (it’s scheduled to come out Jan. 23, 2007). Next it was off to tour the East Coast with Flaming Lips.
When will we see Greg, Satomi, and John again? Not soon – the trio was also in LA recording and co-composing a score for Justin Theroux’s new film, Dedication, starring Billy Crudup, Mandy Moore, Tom Wilkinson, and Amy Sedaris. And a Milk Man ballet, inspired by the Deerhoof album, is in the works in October at the North Haven Community School in North Haven, Maine. Their likes won’t be seen again till Nov. 11 at RIOTT! at Bill Graham Civic. So count yourself lucky, Deerhoofies, that you saw ’em before they scampered off into the wilds again.
Finally, the Conglomerati do a bit of reporting (actually only a little bit)
The Contra Costa Times report that Hearst could end up “partly” owning the Times and the San Jose Mercury News
I was about to start my daily blog by twitting the Hearst/Chronicle for its two telling heads in today’s paper: front page in big type (“HEWLETT-PACKARD SAYS IT SPIED ON REPORTERS.” And then a David Lazarus special across the top of the business page: “HP’s investigation broke state laws, attorney general says.” Good stories, important subject, good to see the AG awakening from his slumbers, but……why can’t Hearst and the AG move on the big CENSORED media monopoly story that I have been blogging on for days and George Schulz laid out in our current Project Censored package, “The Silent Scandal, How does media concentration affect the news we read? Just check out the coverage of the latest newspaper merger.”
Then I got a rocket from my reliable source in Contra Costa County who reported that the Times had run a major story today by George Avalos stating in its lead that Hearst “could wind up being partly owned by the current owner of the San Francisco Chronicle, according to documents filed in connection with a federal antitrust suit.” Its head: “Media firms’ deal disclosed, Lawsuit declaration reveals new details about MediaNews, Hearst financial arrangements.” The Merc ran a six-paragraph story, from “Mercury News Wire Services,” saying the same thing. The Oakland Tribune/Singleton ran a short version of the Avalos story. And the Chronicle/Hearst as usual blacked it all out and have yet to report its financial and stock involvement that in effect partners Hearst and Singleton.
Amazing. The documents have been publicly available for weeks. But only now, after the Bruce blogs and the Schultz story, have two Media News papers reported some critical details of the regional monopoly. And Hearst, with its vast business and court political reporting staff, somehow can’t cover the story.
Why?
There were significant quotes in the Times story: “Executives with MediaNews refused to comment. Frank Vega, publisher of the Chronicle, said, ‘I really don’t have any comment about the lawsuit. This is a Hearst-MediaNews deal.’” In other words, Dean Singleton/MediaNews out of Denver and Hearst out of New York are calling the shots and that is a prime reason for the local censored coverage in all Hearst/ Singleton papers. Impertinent question: Why don’t MediaNews executives and Vega demand that their editorial staffs cover the story or perhaps demand that they be allowed to cover the story?
Read the Times and Merc stories below, then read my previous blogs and the Schulz story to get a fuller perspective on what is going down here: a quiet move by Hearst/Singleton, aided and abetted by McClatchy/Gannett/Stephens, and facilitated by Justice and Atty. Gen. Bill (the Consolidator) Lockyer, to kill newspaper competition in the Bay Area and impose deadly regional monopoly. That is the real story and I hope the Conglomerati begin to allow their reporters and editors to start doing real reporting on the biggest censored story of the year. I am certain they would love to do it, allegro furioso.
Memo to Clint Reilly/Joe Alioto: you are doing good, keep on rolling. Memo to Carl Jensen and Peter Phillips at Project Censored: congratulations, you have once again confirmed the value of your project. Memo to the Conglomerati publishers: Publish the Censored stories and give us a ray of hope for the future of journalism in the Bay Area.
Meanwhile, to get the news on monopoly journalism. read the Bruce Blog, dammit! B3
P.S. Reporting in on Sunday evening: still no Hearst/Singleton/Gannett/McClatchy/Stephens story on the Project Censored package.
Eureka! Censored! Eureka! Will the Conglomerati publish the Censored stories?
Memo the readers of the Conglomerati (Singleton/Hearst/McClatchy/Gannett/Stephens papers):
Keep a sharp eye out to see if any of the papers of these big chains publish the Project Censored story. Or if they comment on it or on any of this year’s censored picks. Or if they run any real coverage of the coming of the regional newspaper monopoly, the Guardian’s pick as the biggest local censored story.
(So far, at blog presstime, my agents and I have not spotted any.)
If they don’t run the story, it would be further confirmation of the reason the Guardian is happy to run the story every year as a front page special, which is then run on the website of the Association of Alternative Newsweeklies (AAN) and in alternative papers throughout the country. It is confirmation of the fact that not only does the mainstream media censor or trivialize lots of major stories in favor of “junk food news,” but it even censors a major local story out of Sonoma State University that has become the longest running media censorship project in the country (30 years). Delicious: censoring the censored story.
Let the Guardian and the Bruce blog know if you spot anything.
Eurekaism is now more rampant than ever. Where it will all end knows only God and Dean Singleton.
P.S. All of this censorship only illustrates a key problem with the mainstream press. The bloggers have been blogging away on these stories throughout the year and they will continue to blog away on major stories the mainstream press (and its wire service, the Associated Press) censor or trivialize. B3, blogging away at sfbg.com
FRIDAY
Sept. 8
Visual Art
“Coprophagiology”
This is a colossal week for art openings – and the people behind “Coprophagiology” are out to grab your attention with a photo postcard that proves this tiny exhibition’s title refers to the act of eating your own shit. But the more interesting aspect of Anna Maltz and Haden Nicholl’s double-trouble show (at onetime Guardian critic Clark Bruckner’s gallery) might be its exploration of mental instability. (Johnny Ray Huston)
6-9 p.m. reception; through Oct. 7
Mission 17
2111 Mission, suite 401, SF
Free
(510) 467-1818
www.mission17.org
Film
“Friscophilia”
Artist’s Television Access welcomes four shorts of the extremely local variety for “Friscophilia: An Exploration of San Francisco Locations and History.” Included are deep cuts of bike messengers in action, SF’s tourist scene, gentrification, and, in the wonderfully titled Mischief at 16th and Florida, history as seen from one grimy street corner. Together, the films constitute a decidedly bottom-up look at the city. (Max Goldberg)
7:30 p.m.
Artist’s Television Access
992 Valencia, SF
$5-$10
(415) 824-3890
www.atasite.org
The business of censoring labor
Most people, of course, work for a living. They spend at least half their lives working and, in fact, define themselves by their jobs. They obviously would be interested in and obviously need expert information on a regular basis about that most important aspect of their lives.
But the news media in effect censor that vital information. Their primary attention is not focused on those who do society¹s work. With the rare exception of such issues as the attempts to raise the minimum wage, or on special occasions like Labor Day, the media generally are not concerned with workers’ daily efforts to make a living. The media concentrate instead on the corporate interests and other employers like themselves who finance, direct and profit from the work.
Workers’ attempts to get a greater share of the profits and better working conditions by using the only effective tool available to them – collective action – are given only slight and frequently biased media attention. Strikes are an exception, but that coverage is usually concerned mainly with the strikes’ adverse effect on the general public.
Given their complexity and importance, collective bargaining and union activity generally should be among the most thoroughly and fairly covered of all subjects. Once, most newspapers had labor reporters to provide extensive if not always fair coverage. But almost no papers have such specialists today. With a very few exceptions, radio and television stations have never had them.
At most papers, in the Bay Area and elsewhere, labor coverage has been turned over to the business section. Since the material there is meant for readers who have a particular interest in business and a generally negative view of unions, the stories naturally are slanted that way by business reporters, who have little apparent understanding of labor.
The business pages typically downgrade, distort or simply ignore union views. They show little concern for general readers, including those who support unions or might want to if they had the opportunity to read thorough, balanced and expert accounts of their activities.
How about describing the country¹s major labor federation, the AFL-CIO, as a “trade association?” Or referring to democratically elected union leaders as “bosses?” The San Francisco Chronicle business page has made those petty but illustrative gaffes and, like the rest of the Bay Area¹s mainstream media, far more serious gaffes.
The list of important labor issues that have been ignored censored is seemingly endless. To cite just a few examples, the media:
— Frequently note that union membership is declining while failing to report that a principal cause is failure of the federal government to adequately enforce the laws that supposedly guarantee workers the right to unionize without employer interference.
— Fail to report numerous other anti-union actions of the Bush
administration, including its virtual non-enforcement of most other laws designed to protect workers.
— Rarely take notice of the on-the-job hazards that cause 6,000 deaths and more than 2 million serious injuries a year, and the need to strengthen and adequately enforce the job safety laws.
— Ignore labor¹s role as an advocate for the working people, union and non-union alike, who make up the vast bulk of the population, by characterizing labor as a “special interest.”
— Almost never report the views of union members and leaders on the major issues of the day. The views often are voiced at meetings of local labor councils and other union bodies that reporters ignore, while routinely seeking out the views of corporate and business executives.
— Pay little, if any, attention to many major union campaigns. Most recently, that’s notably included a nationwide drive to get McDonald’s to guarantee decent pay and working conditions to the impoverished tomato pickers whose work is essential to the hugely profitable fast-food industry.
So, despite the great importance of labor, despite most people¹s vested interest in it, despite the need to inform them fully about it, the media provide little that’s of real value to them in their working lives, and much that¹s prejudicial to their collective action.
Copyright © 2006 Dick Meister, former labor editor of the Chronicle and of KQED-TV’s Newsroom. Contact him through his website, www.dickmeister.com.
Air Americana
› a&eletters@sfbg.com
Madonna and her scantily-clad kabbalah practice may have been ousted by the Russian Orthodox Church, but rest assured, oh ye faithful, the Silver Jews are finally coming to San Francisco. The band, often mislabeled as a Pavement side project, actually coalesced before Pavement, though the two backstories share a history of caustic revelation.
David Berman, guitarist-vocalist Stephen Malkmus, and drummer Bob Nastanovich formed the Silver Jews in 1989 while students at the University of Virginia. After graduation, they took the budding project with them to New York. Their music thrived in that city’s frenetic air. The band’s roster has changed continuously, but Berman, a heartbreaking writer and constant innovator, has always been at the helm. It’s his project, his voice.
Berman will be turning 40 in January. Four awe-inspiring full-lengths, a host of smaller projects, and a well-received poetry book (1999’s Actual Air) have placed him firmly in the cultural spotlight, often against his will. Berman is a recluse in some ways, a natural wordsmith — and instantly demanding performer — in others. He’s given the Bay Area numerous poetry readings but never a rock show.
Until now. Berman has been through some tough, emotionally trying shit lately, but he’s back, with the eloquent deadpan that has made him the envy of songwriters, indie philosophes, and music junkies everywhere. Longtime fans may call this unprecedented tour a resurrection, but Berman laughs it off. “I’d always planned to be a middle-aged performer,” he jokes via an e-mail interview. “This year has just been the run-up to the start of my contract with the Missouri River Blues Barge’s Menthol Topaz Casino.”
Waiting for a new Silver Jews album is like waiting for John Darnielle of the Mountain Goats to take the stage: everyone is ready to be shattered and jubilant, lyric by lyric, tune by tune. On 2005’s Tanglewood Numbers, the first Silver Jews effort since 2001’s Tennessee (both Drag City), Berman’s voice sounds deeper than ever, as if it might break at any moment and never come back.
The Tanglewood crew is rather big — 13 folks including Malkmus and Will Oldham — but that’s just how they do it in Nashville, where the record was recorded and mixed. Other Nashville-ized albums by the likes of Cat Power and Oldham these past years have taken some getting used to. Tanglewood hits the heart instantly.
Berman’s vocal duos and duals with his wife, Cassie, who plays a variety of old-timey instruments on Tanglewood, are organic and intensely personal. “Humans have been failing Human Relationships 101 for half a million semesters straight now,” writes Berman. The ability to perform back-and-forth vocal lines is “one of the many things you can do more easily under a band name than as a solo artist,” he notes. “Different souls are in the music.”
On “I’m Getting Back into Getting Back into You,” the Jews sound trapped in a psychedelic small-town roller-skating rink, needing to raise their voices to be saved. But maybe we’re all trapped. “I’ve been working in an airport bar/ It’s like Christmas in a submarine,” Berman croons. An ominous “om” sneaks in at the end of the tune.
Since their first recordings, made on answering machines and Walkmans, Berman and the Jews have been proving that our main roads are really back roads and vice versa. He writes of those early days: “Getting the tape back after a good performance was hell — first the breaking and entering …” Americana, broadly defined, is sustained by such neighborhood trickery. When Lucinda Williams revisits childhood gravel roads or Darnielle sings about hearing the screams of football season, particularly American landscapes reveal what we had always thought were private obsessions. Such artists gain a universal appeal by taking local scenes and spraying themselves all over them. It’s sound graffiti and it feels so good.
Berman’s current plan is deceptively simple: “To keep making these different versions of the master Silver Jews album in the sky.” On Tanglewood, “How Can I Love You If You Won’t Lie Down?” rocks hard but also highlights Berman’s tragicomedy: “Time is a game only children play well/ How can I love you if you won’t lie down?”
The Mezzanine performance will feature Peyton Pinkerton and William Tyler on guitars — Pinkerton played on 1996’s The Natural Bridge, Tyler on 2001’s Bright Flight (both Drag City) — Brian Kotzur on drums, Tony Crow on keyboards, and Cassie Berman on bass. Even the lineup gets Berman going. “Peyton is a descendent of William Henry Harrison…. I’m convinced that many of our country’s best electric guitarists are the far-flung descendents of mediocre 19th-century American presidents.” SFBG
SILVER JEWS
With Monotonix and Continuous Peasant
Sun/10, 8 p.m.
Mezzanine
444 Jessie, SF
$19.99
(415) 625-8880
www.mezzaninesf.com
Veto the cable giveaway
Editor’s note: This editorial has been corrected. An earlier version mischaracterized the effect of the cable bill on municipal finances.
EDITORIAL A terrible bill masquerading as a proconsumer law cleared both houses of the state legislature last week and is now on the governor’s desk. It could cost cities and counties millions of dollars, potentially wipe out local control over cable TV franchises, and give a big boost to AT&T, which is best known these days for cooperating with the Bush administration on illegal wiretaps.
The bill, AB 2987, was introduced by Assembly Speaker Fabian Núñez (D–Los Angeles), but its real sponsor is AT&T. The bill would allow big telecommunications companies to apply to the California Public Utilities Commission (CPUC) for a statewide franchise to deliver cable and video services to California residents. The idea is to make it easier for these companies to offer telephone, Internet, and cable TV service all in one bundle. AT&T and the bill’s other backers say it will increase competition and lower rates. Lenny Goldberg, who runs the California Tax Reform Association and is one of the smartest analysts of economic policy in the state, says the bill will actually lead to increased rates.
But beyond that, there’s a huge problem with the measure. It would effectively take away from cities and counties the ability to regulate local cable TV providers. It would give AT&T or Verizon (or whoever might come along in the future) the ability to ignore local government, get a permit from the state, and deliver service to cities and counties — without having to negotiate a local franchise fee or accept local terms and conditions. Comcast, for example, pays San Francisco millions of dollars a year for the right to sell cable service under the city streets — and under the franchise agreement is required to provide public-access and government channels. A cable provider with a state franchise would never have to go beyond what an existing franchise pays.
Sen. Carole Migden (D–San Francisco), one of only four senators to oppose the bill, argued passionately against giving any favors to AT&T, which has a proven record of turning information on its customers over to the federal government. That’s another excellent reason to oppose the bill, and Gov. Arnold Schwarzenegger should veto it.
Meanwhile, Assemblymember Mark Leno’s industrial hemp bill, AB 1147, is on the governor’s desk and should be signed into law. So should AB 2573, which Leno had to fight the Pacific Gas and Electric Co. for and will help San Francisco expand its solar power production. There’s also Leno’s public records reform bill — and perhaps most important, his bill that would allow San Francisco to impose its own motor-vehicle fee, bringing the city $70 million a year. SFBG
EDITOR’S NOTES
› tredmond@sfbg.com
There are people at the daily newspapers around here who bristle when I accuse them of ignoring important local stories, particularly ones involving powerful political, business, or social figures (and most particularly, involving the newspapers themselves). No representative of the Hearst Corp. stands in the newsroom door announcing that stories about management will be sent to New York for prior censorship. Nobody tells the Chronicle’s reporters that they can’t cover a pressing story.
And I believe all that. I really do. I know it doesn’t work that way.
Carl Jensen knows that too. When he started Project Censored back in 1976, he knew he’d get a lot of criticism. “Censored” is a pretty strong word; it evokes a mirthless military guy with a pair of scissors and a big black pen, preventing real news from emerging out of a pressroom bunker somewhere.
But what Jensen has been trying to say for years is that the stories cited by Project Censored represent choices made by editors and publishers about what’s important in today’s world. That’s what the front page of a newspaper is — a set of choices. Is the confession of the purported killer of JonBenet Ramsey more important than the Bush administration’s illegal wiretapping of millions of Americans? Is the latest news about Brad and Angelina more important than the latest news from Iraq? Is one man’s quest to take control of every daily newspaper in the Bay Area worth more than a first-day story and a few tiny news briefs?
Editors are paid to make those decisions — and the ones who want to keep their jobs know what the rules are. That’s why some stories get more coverage, more play, and more attention and some get deeply buried or published in one place and never picked up by anyone else.
Anyone who reads political blogs knows about stories like the ones on this year’s Project Censored list (see page 15). Nobody blacked out the news with a big rubber stamp; it just never got reported in the first place.
For a Sunday afternoon on a Labor Day weekend, it was truly impressive: I counted at least 300 people at the Delancey Street events room for the Sue Bierman memorial. Just about everyone on the local left seemed to be there, along with a few luminaries like John Burton, Gavin Newsom, and Willie Brown, who were Bierman’s friends even when they were wrong and she was right.
Newsom, who was often at odds with Bierman, looked out over the crowd and made the point succinctly: “This is what happens,” he said, “when you’re nice to people.”
There were many funny and moving stories. Burton, who showed up in his usual sartorial splendor (striped sweatpants and an untucked shirt, which makes me respect the guy as much as anything he’s ever done in politics) talked about how Bierman always, always enjoyed herself, even in the most boring political drudgery. It was wonderful to see her children, grandchildren, and great-grandchildren there (and wonderful for them to see how many people were part of Bierman’s San Francisco community).
Calvin Welch, her Haight Asbury neighbor, friend, and longtime comrade in arms, reminded us all that Bierman “created the neighborhood movement in San Francisco” — and that she did it in her own style, always believing that “fun is important.”
A lot of people go to political funerals because they have to; most of us went to this one because we wanted to. Thanks, Sue. SFBG
The silent scandal
Editor’s note: This story has been altered to correct an error. The original version stated that an Examiner editor had admitted in court testimony to providing positive coverage to politicians in exchange for help with a business deal. The person who testified to that was not an editor, but Publisher Tim White, and he was talking about editorial, not news, coverage.
› gwschulz@sfbg.com
After William Randolph Hearst flunked out of Harvard in the 1880s, he pursued a new career path, asking his wealthy father for only one thing: the San Francisco Examiner.
Young William didn’t stop with the Examiner — over his lifetime, he accumulated dozens of newspapers nationwide. Eventually, one in five Americans regularly read a Hearst paper.
That seems like a lot of power and influence, and it was. But it’s nothing compared to what the heirs to Hearst’s media mogul mantle are doing today.
In fact, the Hearst Corp. is working with another acquisitive newspaper magnate, William Dean Singleton, to lock up the entire Bay Area daily newspaper market. If the project succeeds, one of the most sophisticated, politically active regions in the nation may have exactly one daily news voice.
That worries Clint Reilly.
The political consultant turned real estate investor has sued the Hearst Corp., owner of the San Francisco Chronicle, for the second time in a decade to stop a partnership he fears will eliminate the variety of voices among newspapers in the Bay Area.
It’s an amazing story, full of politics, big money, secretive arrangements, and juicy executive bonuses. What’s at stake? Control over one of the most lucrative businesses in Northern California.
But for the most part, you aren’t reading about it in the daily papers — which means you aren’t seeing it on TV or hearing about it on the radio.
In fact, the blackout of the inside details of the Singleton deal and Reilly’s effort to stop it is one of the greatest local censored stories of the year — and the way the press has failed to cover it demonstrates exactly what’s wrong with monopoly ownership of the major news media.
The story began in the spring when one of the nation’s more respected newspaper chains, Knight Ridder, was forced to put itself up for sale after Bruce Sherman, a prominent shareholder, decided that the company’s relatively healthy profit margins (and dozens of Pulitzers) were simply not enough.
It’s the nature of publicly traded companies to be vulnerable to shareholder insurrections, unless they have multiple classes of stock. Knight Ridder didn’t, and although its former chief executive, P. Anthony Ridder, later said he regretted the sale, Knight Ridder went on the block.
The Sacramento-based McClatchy chain bought the much bigger Knight Ridder but needed to sell some of the papers to make the deal work.
In the Bay Area, Knight Ridder’s two prime properties, the San Jose Mercury News and the Contra Costa Times, were bought by MediaNews Group, the Denver-based conglomerate run by Singleton. That was a problem from the start: Singleton already owned the Oakland Tribune, the Marin Independent Journal, the San Mateo County Times, and a series of smaller local papers on both sides of the bay. The two former Knight Ridder papers would give him a near-monopoly on daily newspaper ownership in the region; in fact, there was only one daily in the area that would be in a position to compete with Singleton. That was the San Francisco Chronicle.
But in one of the strangest deals in newspaper history, Hearst — the erstwhile competitor — joined in the action, buying two of the McClatchy papers (the Monterey Herald and the St. Paul Pioneer Dispatch) and then immediately turning them over to Singleton, in exchange for some stock in MediaNews operations outside of California.
When news of the transactions first broke, MediaNews publications and the Hearst’s Chron covered it extensively, more than once putting the billion-dollar partnership on the front pages. (The transactions also involve a company formed by MediaNews and two of its other competitors, the Stephens Group and Gannett Co., called the California Newspapers Partnership.)
Since then, however, coverage has been overshadowed by JonBenet Ramsey and local crime news. The real story of what happened between Hearst and Singleton and how it would devastate local media competition never made the papers.
If this had been a deal involving any other local big business that had a huge impact on the local economy and details as fishy as this, a competitive paper would have been all over it. And yet, even the Chron was largely silent.
In fact, when Attorney General Bill Lockyer decided not to take any action to block the deal, the Chron relegated the news to a five-paragraph Reuters wire story out of New York, buried in the briefs in the business section. The original Reuters story was cut; the news of Reilly’s suit and his allegations didn’t make it into the Chron version.
At times, the new Singleton papers have treated the story with upbeat glee: in early August, the Merc proclaimed in a headline that the area’s “New media king is having fun.”
The story noted: “MediaNews is privately held, a step removed from the Wall Street pressure that forced the Mercury News’ previous owner, Knight Ridder, to put itself up for sale…. Singleton is its leader, and by all accounts, a man who lives, breathes and loves newspapers.”
Longtime media critic and former UC Berkeley journalism school dean Ben Bagdikian, author of The Media Monopoly, told the Guardian that most of the coverage so far has focused on the business side of the transactions.
“The coverage I’ve seen has simply described the devices they used to divide the McClatchy chain and did not describe how cleverly it was designed to avoid an antitrust action,” Bagdikian said.
Here’s some of what the daily papers have ignored:
The Hearst deal was certainly good for MediaNews, because on the same day the agreement was signed, top executives at the company were awarded $1.88 million in bonuses. MediaNews president Joseph Lodovic earned the chief bonus of $1 million, while the president of MediaNews Group Interactive, Eric Grilly, received over $100,000 in bonuses on top of a $1.25 million severance package for retirement. The figures were disclosed in the company’s most recent Securities and Exchange Commission filing.
Hearst has insisted repeatedly that its investment in MediaNews involves only tracking stock, meaning its up-and-down value rests solely on the performance of MediaNews businesses outside of California. Such a structure may help the two companies comply with antitrust rules — for now.
But in a little-noticed footnote included in a July memo filed by Hearst in response to Reilly’s lawsuit, the company revealed that its tracking stock could still be converted to MediaNews common stock in the future — meaning it would then have a stake in the entire company, including its Bay Area holdings. “The tracking stock will be convertible into ordinary MNG common stock, but that will require a separate, future transaction and its own Hart-Scott-Rodino review,” the July 25 document states.
In other words, public records — information freely available to the 17-odd business reporters at the Chronicle — show that Hearst’s fundamental presentation of the deal is inaccurate. Hearst is not just a peripheral player in this deal; the company is a direct partner with Singleton and thus has no economic incentive whatsoever to compete with the Denver billionaire.
And that means there will be no real news competition either.Reilly has been in politics most of his adult life, and he knows what happens when one entity controls the news media: perspectives and candidates that aren’t in favor with the daily papers don’t get fair coverage.
Newspapers, he told us recently, are charged with checking the tyranny of government; without competition they will fail to check the tyranny of themselves.
“The combination intended to be formed by these defendants constitutes nothing less than the formation of a newspaper trust covering the Greater San Francisco Bay Area,” Reilly’s suit states, “implemented through anticompetitive acquisitions of competing newspapers, horizontal divisions of markets and customers, and agreements not to compete, whether expressed or implied.”
A federal judge recently tossed Reilly’s request for a temporary restraining order against the Hearst transaction. But Reilly’s overall lawsuit, designed to stop Hearst’s $300 million investment in MediaNews, will still wind its way through the courts, and Judge Susan Illston signaled in her last order that she would “seriously consider” forcing MediaNews to give up some of its assets if the court finds the company’s transactions to be anticompetitive.
There are clear grounds to do that. In fact, as Reilly’s attorney, Joe Alioto, points out in his legal filings, the monopolists have made the argument themselves. When Reilly sued to block the Examiner-Chronicle deal in 2000, Hearst, which wanted to buy the Chron and shutter the Examiner, argued that closing the Examiner would have no competitive impact — since all the other competing Bay Area papers provided the reader and advertiser with a choice. Now the lawyers are arguing just the opposite — that the Chron and the outlying papers never competed in the first place.
Hearst will more than likely argue in court that since its newspapers face unprecedented competition from online content, there’s technically no such thing as a one-newspaper town. The world is globally connected now, this thinking goes, and the Chron and MediaNews both face competition from popular blogs such as Daily Kos and Valleywag on the West Coast and Gawker and Wonkette on the East Coast.
But that ignores a media reality: for all the power and influence of bloggers and online outlets, daily newspapers still have the ability to set the news agenda for a region. Among other things, local TV news and radio stations regularly take their cues from the daily papers — meaning that a story the dailies ignore or mangle never gets a real chance.
MediaNews argues in its most recent memo to Judge Illston that “any potential anticompetitive effect of the transactions against which the Complaint is directed is greatly offset and outweighed by the efficiencies that will result from those transactions.”
“Efficiencies” isn’t actually defined, but if the past is any indication, jobs could be the first place MediaNews looks to “efficiently” save money for its investors — at the cost of performing the traditional role of a newspaper to monitor government.
Reporting — real reporting — is expensive. It requires experienced journalists, and a good paper should give them the time and resources not only to watch day-to-day events but also to dig deep, below the headlines.
That’s not the monopoly media style.
Speaking in general terms, Jon Marshall, who runs the blog Newsgems and teaches at Northwestern University’s Medill School of Journalism, wrote us in an e-mail that newspapers have to be willing to invest in innovation now, while there’s still time.
“If newspapers really want to win back readers, they’ll need to start offering more outstanding feature stories that really dig deep and have a big impact on their communities,” Marshall wrote. “Readers need a reason to turn to newspapers rather than all the other content that’s now available through the Web. Newspapers will have a hard time creating these outstanding stories on a consistent basis if they keep paying their current skimpy entry-level salaries.”
The pattern Singleton is known to follow isn’t unique. A recent survey conducted by journalism students at Arizona State University revealed that the nation’s largest newspapers are giving reduced resources to investigative and enterprise reporting as media companies trim budgets to maintain or increase profits. More than 60 percent of the papers surveyed, the report stated, don’t have investigative or projects teams.
Brant Houston, executive director of Investigative Reporters and Editors, told us that while teams of reporters dedicated exclusively to investigations may be disappearing, many papers are willing to pull staffers away from their regularly assigned beats to make sure that big stories are thoroughly covered. But, he said, Wall Street’s haste to make money could backfire if readers head elsewhere in search of more exclusive content.
“I think everything is in flux right now,” Houston said. “Everyone’s trying to figure out what the next newsroom looks like.”
Luther Jackson, an executive officer of the San Jose Newspaper Guild, which represents staffers at the Merc, said it’s too early to determine the impact of MediaNews on the paper. The union just recently began new contract negotiations with the company, while the previous agreement, which expired in June, remains in place. Jackson said he didn’t believe the Merc’s Silicon Valley readers would tolerate any dramatic dip in quality coverage.
“We have a problem with the idea that you can cut your way to excellence,” Jackson said.
Just six years ago, after Reilly sued Hearst the first time to stop its purchase of the Chronicle and subsequent attempt to shut down the Examiner, trial testimony revealed that the Examiner had, in fact, abused its editorial power to advance its business interests. Examiner Publisher Tim White admitted in open court that he had traded favorable editorial coverage to then-mayor Willie Brown in exchange for his support of the Chronicle purchase.
Reilly lost that one — but for now this case is moving forward. The suit could be the last legal stand for people who still think it’s wrong for one person to dominate the news that an entire region of the country depends on — and at the very least will force the story of what really happened out into the open. SFBG
PS At press time, Judge Illston ordered the trial be put on the fast track and set a trial date for Feb. 26, 2007. See the Bruce blog at www.sfbg.com for more info.
Eureka! Here comes even more Eurekaism! (part 3)
Hearst was last seen covering the big Hearst/Singleton deal via Reuters out of New York. Now it is blacking out the story completely. A tale of two footnotes tells all.
By Bruce B. Brugmann
Just in time to update our annual Project Censored package, the Hearst/Chronicle demonstrated yet again how the galloping Conglomerati are covering the big story in Eureka (where the MediaNews Group/
Singleton are competing headon with a local upstart daily) — and blacking out the much bigger story in the Bay Area where Hearst and Singleton are destroying daily competition and forming a regional monopoly, aided and abetted by the McClatchy, Gannett, and Stephens newspaper chains.
The major new development: The federal judge in the
Clint Reilly/Joe Alioto lawsuit against the deal okayed an agreement between lawyers from both sides to fast-track the suit and set a trial date for Feb. 26.
Obvioiusly, this is a major local news story. Josh Richman, a staff writer for the Singleton’s East Bay group, wrote a story dated Saturday, Sept. 2, headlined “Newspaper suit put on legal fast track.” The story quoted Alioto as saying on Monday Sept. 4 that he and Reilly “are grateful that the court has ordered an expedited trial date in this very important antitrust case which seeks to prevent the monopolization of newspapers in the Bay Area.”
The story quoted MediaNews president Jody Lodovic as offering “no comment except to note that the case was accelerated by mutual agreement. Hearst spokesman Paul Luthringer (B3 note: who he? where he? New York? ) said his company wouldn’t comment.” It is always great sport, of course, when publishers under fire say “no comment” to their own reporters.
Hearst’s last story on the deal came from the Reuters New Service out of New York (which it butchered, see my earlier blog.) This time, the Chronicle simply blacked out the story completely. The Singleton story left out a key point: that Hearst had invested $399 million in the deal and that the two major chains were becoming jolly good business and editorial partners in creating an unprecedented Bay Area newspaper monopoly. Both chains are sweating mightily to create the impression this is no big deal, there isn’t much of a story here, that Justice and the AG have cleared it, and Clint Reilly is just, well, Clint Reilly, and there is nothing to the lawsuit, and certainly nothing for anybody to worry about. Peace!
However, there is a deadly time bomb in the deal and it is hidden in a tiny footnote in Hearst’s July 25 filing in the suit. The footnote disclosed that Hearst is a major potential major investor and partner with Singleton. Here’s how it works: Hearst has stated repeatedly that its $299 million equity investment in MediaNews will be based on what is known as “tracking stock.” In other words, the value of the MediaNews stock will rise and fall depending solely on the performance of MediaNews businesses outside the Bay Area, which was a legal structure set up presumably to help the deal survive anticipated antitrust scrutiny.
However, Hearst admitted in the footnote that in the future the “tracking” stock “will be convertible into ordinary MNG common stock.” Hearst added that any such conversion will require additional antitrust review. Federal Judge Susan Illston picked up on the significance of this footnote in her own footnote in her ruling knocking out the Reilly request for temporary restraining order. She stated, “Although Hearst’s proposed interest in MediaNews does not include MediaNews Bay Area publications, Hearst implies in its filings that it will seek permission at a future time to convert its interest in MediaNews into MediaNews common stock.” (See the G.W. Schulz story in the current print and online Guardian).
Voila! In this mysterious tale of the two footnotes, the closely held secret is finally revealed: Hearst and Singleton are working hard to be partners, cheek to cheek, jowl to jowl, shoulder to shoulder, hip to hip. And this fact, among many others, demonstrates in 96 point Garamond Bold why they have employed Eurekaism and censored a big local story about newspaper monopoly, the local censored story of the year, while going hellbent to cover the story about Singleton’s competition in Eureka.
Stop the presses: Frances Dinkelspiel, in her Wednesday Aug. 30 blog (see link below), spotted a juicy Eureka and posted it under the head “Newspaper Coverage in the Bay Area is Shrinking.” Her lead: “the latest evidence of media consolidation in the Bay Area screamed out all over the front pages on Wednesday.”
She pointed out that the four major papers in the region (Hearst/Chronicle and the Singleton/Contra Costa Times/San Jose Mercury News/Oakland Tribune) all prominently displayed the same story–the story of the motorist who deliberately drove his car into l4 pedestrians, killed one man in Fremont, and injured l3 others in San Francisco.
“On Wednesday,” she said, “instead of four distinct stories on the region’s front pages, there were only two—one from the Chronicle and one from the MediaNews group.” (Merc reporters did the story for the three Singleton papers.) She concluded, “That’s a huge loss for Bay Area readers. Competition improves news coverage. What will readers miss out on in the future? What will readers miss out on in the future? This was just a police story; imagine the impact when the big story deals with corruption or another important, but less easily reported event. If fewer reporters are tracking the story, there will be fewer revelations.”
Eureka!
Postscript: Let’s keep the Eureka exercise going. Anybody who spots a Eurekaism, an example of the galloping Conglomerati censoring a local story, please send it along to the Guardian and the Bruce blog and any of the handful of independent voices left in the Bay Area. B3
Ammiano’s coup
By Tim Redmond
Matier and Ross reported Sunday what everyone on the San Francisco left knew was coming: Sup. Tom Ammiano is formally announcing his run for State Assembly in 2008. Aside from the fact that Ammiano would make an excellent state Assembly member, here’s the political brilliance of the move: The only other person remotely rumored to be considering running for that seat is Sup. Chris Daly. In fact, behind the scenes, a lot of local players have been saying that state Sen. Carole Migden would suport Daly, even in a run against Ammiano.
But Daly is up for re-election this fall, and obviously can’t announce a run for Assembly (if he’s even interested) until well after November. That means for months to come, Ammiano will be the only game in town — and he can start lining up endorsements. According to M&R, Migden has formally endorsed Ammiano, as has the incumbent in that seat, Mark Leno.
Daly would also be an excellent member of the state Assembly — but if he wants to run, he’s already way behind and will have the challenging task of explaining why he’s better than Ammiano, particularly when they generally agree on all the issues.
Small Town Living
by Amanda Witherell
I just returned from ten days on an idyllic island in downeast Maine. For the seaside hamlet from whence I hail, it’s local custom to leave your car keys in the ignition so you don’t lose them and your front door unlocked, or even wide open, so the cat can come and go while you’re at work. After a few days of openly worrying about my friends’ unlocked bicycles, I settled back into the local population and the comfortable human trust they maintain, where everyone is innocent until proven guilty.
Welcome back to San Francisco, where a Honda Pilot is the new street weapon of choice and the annual murder rate is climbing to fresh heights. Scan the daily headlines and it’s easy to believe the streets are not safe and no one is watching your back. Again and again I hear people say San Francisco isn’t like other cities. It’s small for a metropolis and each neighborhood is like its own little town taking care of its own, clustered among dozens of others on a peninsula that acts more like an island.
Well, if that’s true, then in the Guardian’s hood, all hail the New Portrero Market. A couple days ago I ventured up the hill to buy a bottle of water and inadvertently let $60 fall out of my wallet. I’m not really in the financial position to be so cavalier with money and I was dismayed by the loss. I figured it was payback for my preadolescent penchant for the five finger discount, and let it go. Who the hell tries to track down the owner of sixty bucks?
But I was thinking about it today on my lunchbreak and stuck my head into the market, just to see if maybe there’s an honest soul out there…
Well hell yeah! There are two. As I made my meek inquiry, Marwan punched the “No Sale” button on the register and immediately handed me my wandering Jacksons. Mike, who I’d been chatting with while I wasn’t paying attention to my wallet, had found them after I left the market, and Marwan had tucked them under the drawer for safekeeping should I ever return for another bottle of water. I’ll be certain to now. Hooray for the small town neighborhoods we still have in this city!
The Village Voice, 1953 to October 2005 (the date the New Times purchased the Voice), RIP
The hitman cometh
There’s a key phrase in this morning’s New York Times account of the Mike Lacey massacre at the Village Voice (“Village Voice Dismisses 8, including Senior Arts Editors, a ‘reconfiguration’ leaves the critic Robert Christgau unemployed”). Click here
It followed the standard boilerplate press release that always accompanies what a former Voice press critic Cynthia Cotts called “the signature New Times bloodbath.” The boilerplate: Village Voice Media/New Times/Mike Lacey described the layoffs as an effort to “reconfigure the editorial department to place an emphasis on writers as opposed to editors.” The company added: “Painful though they may be in the short term, these moves are consistent with long-range efforts to position the Voice as an integral journalistic force in New York City.”
Then comes the standard line that is widely known to all of us who have tried in vain for years to get Lacey, the editor in chief of VVM/NT and the l7 paper chain from Phoenix, Arizona, to respond on the phone or by email to legitimate news issues:
Lacey “did not return calls seeking further comment.”
Lacey is a colorful editor. After New Times purchases a paper, he loves to ride into town and shoot up the saloon
and massacre the staff and the paper. He did this in San Francisco when the New Times bought the SF Weekly and he did it with the Voice in New York. He loves to whack away at me and the Bay Guardian with long screeds (his latest, a 20-pager of high volume vitriol up on the web somewhere, with the head, “Brugmann’s Brain Vomit, cleaning up the latest drivel from San Francisco’s leading bullgoose looney.”) It full of marvelous stuff and is one of my prized possessions.
But Mike and the New Times folks have a fatal flaw: They love to hit, run, and hide.
That’s how I started guerrilla blogging awhile back. The local version of Lacey’s journalistic ethics, the SF Weekly, would through the years blast away at me and the Guardian and our issues with a distinct pattern: they rarely would call for comment before publication. When they did call, they would get the quote wrong or out of context. And, when we would write a letter to the editor to correct the quote or get our point out, they would refuse to run the letter and would not explain why.
So I started doing some guerrilla blogging and sending my points by email to the SF Weekly/New Times people-and, of course, to Mike safely hunkered down in his foxhole in Phoenix.
The classic was when the SF Weekly/New Times/Lacey gave me a Best of award in 2003 for “Best Local Psychic.” It read: “Move over, Madam Zolta, at least when it comes to predicting the outcome of wars, Bruce-watchers will recall with glee his most recent howler, an April 2 Bay Guardian cover story headlined ‘The New Vietnam.’ The article was accompanies by an all caps heading and a photo of a panic-stricken U.S. serviceman in Iraq, cowering behind a huge fireball. The clear message: Look out, folks; this new war’s gonna be as deep a sinkhole as the old one. Comparing a modern U.S. war to Vietnam-how edgy! How brilliant! How original! And how did the prediction pan out? Let’s see now: More than 50,000 U.S. soldiers got killed in Vietnam vs. about l00 in Iraq. Vietnam lasted more than l0 years; Iraq lasted less than a month (effectively ending about two weeks after the story ran.) Vietnam destroyed a U.S. president, while Iraq turned one into an action hero. Well, you get the picture. Trying to draw analogies between Vietnam and Iraq is as ridiculous as Brugmann’s other pet causes. Scores of reputable publications around the nation opposed the Iraq war, but did so in a thoughtful, intelligent manner. Leave it to the SFBG, our favorite political pamphlet, to help delegitimize yet another liberal cause. Bush, Rumsfeld, and Ashcroft send their sincerest thanks, Bruce.”
Three years later, the war drags on, “reputable publications” all over the country are calling it another Vietnam–and Lacey and his Best of writers and editors look like fools and we still don’t know what the Lacey/New Times position is on Bush, the war, and the occupation. But this is vintage Lacey and vintage New Times politics distilled into their publication run largely on a centralized format out of Phoenix. The key point: the article was not bylined and I tried, again and again by guerrilla email and phone calls to Lacey and his SF Weekly editors, to get someone to say who conceived, wrote, and edited the item. Nobody would fess up. But I was told reliably that the writer was the cartoonist Dan Siegler and the editor was John Mecklin, then reported to be Lacey’s favorite editor and hand-picked by Lacey to take on the Guardian in San Francisco. I confronted them with emails, asking for confirmation or comment. I have not gotten any to this very day.
Alas, that in a nutshell is the political and journalistic and ethical policies that Lacey and the New Times have imposed on the Voice. No more liberal politics. No more James Ridgeway in Washington. No more Press Critic Syd Schanberg and no more press clips columns. No regular section criticizing the Bush administration and the war. No more editorials and no more endorsements and no more legendary Voice thundering away on the major New York and national issues of the day that cry out for a strong news and editorial voice from the Left.
And, according to the Times story, Voice layoffs and firings that “decimated the senior ranks of its arts staff,” including theater editor Jorge Morales, dance editor Elizabeth Zimmer, senior editor in charge of books Ed Park, art director Minh Uong, and Robert Cristgau, 64, who as a senior editor and longtime pop musit critic “helped put the Voice on the map,” as the Times put it. Cristgau had been with the Voice off and on since l969 and is quite rightly known as the dean of the Voice.
No more Village Voice as we have known it through all these years.
Instead, the Voice has Mike Lacey. I last ran into Mike at the annual business meeting of the Association of Alternative Newsweeklies (AAN) in Little Rock in June.
I held out my hand for a handshake and said, in a friendly way, “Mike, how are you doing?”
He stopped, looked at me, and said, “Bruce, Go fuck yourself.” And he turned and scampered off, never to return to the meeting and never to come near me again.
Mike, get out out of your bunker and give people a chance to ask you some questions. Start a blog.
P.S. We had fun with the Best of issue. We did a counter Best of, a full page ad, titled “Best Premature Ejaculation,” a special award to the editors of the SF Weekly/New Times.
We ended with this note: “Sorry, folks: WE wish the war in Iraq were as neat and tidy as you, Bush, Rumsfeld, and Ashcroft would like to think it is. But you, um, spoke too soon.”
Our postscripts drove home the points about Lacey’s style of hit and run journalism.
“PS: The real mystery of the city: who wrote the SF Weekly piece? Who assigned it? Who edited it? We’ve been calling, writing, e-mailing, and faxing the local office and corporate headquarters in Phoenix, but nobody will tell us.”
“PPS: Gee, what’s the New Times position on the war, anyway. We can’t seem to figure it out.”
And, let me add in retrospect, what was their position on Bush’s reelection? Well, as far as I can tell, the only endorsement published in any New Times paper came at the end of their syndicated sex column by their gay sex columnist Dan Savage just before election day. Dan, bless his heart, came out for Kerry and is now pushing publicly for impeachment. Where’s Mike? Mike? Mike? B3
A final PS point: If any one at New Times is still wondering about their pretty little month-long war that turned a president into an action hero, check out This nice item from the NY Times. We’re still at war, Mike, and kids are still dying. In case you hadn’t noticed.
‘Voice’ Staffers To Be Crying Into Their Bongs Tonight?
MONDAY
Sept. 4
Music
Brian Jonestown Massacre
Local legends the Brian Jonestown Massacre will be playing two dates at the Independent before taking off on a world tour. The group, born out of the Haight Ashbury, were the original revivalists of psych rock. Though far more influenced by occultism than patchouli, the BJM set the stage for the present-day influx of irreverent, freak-fantastic SF bands. The B-list acclaim they enjoyed for their part in the 2004 documentary DiG! resulted in Joel Gion’s reign as the most infamous tambourine player of all time. (K. Tighe)
Also Tues/5
With the Tyde
9 p.m.
Independent
628 Divisadero, SF
$16
(415) 771-1421
www.brianjonestownmassacre.com
www.independentsf.com
Visual art
“Clinks and My If’s”
Jeff K. Butler’s art is precise, delivering witty conceptual jokes that rely equally on language and materials to deliver the punch line. World’s Lightest Painting is hand lettered on white Styrofoam, enclosed in a white Styrofoam frame, and probably weighs all of a few ounces. For Sale replicates a classic black, orange, and white “For Sale” sign. The joke is revealed on the wall tag after careful observation: it’s the only piece in the show that’s priced. The show’s other pieces contain similar wry observations – Canvas refers to the canvas of a punching bag – and speak to the poet’s capacity to cross over easily into art without pausing in between. (Katie Kurtz)
Through Sept. 23
Mon.-Fri., 10 a.m.-5 p.m.
Lew Gallery
New College of California, 766 Valencia, SF
Free
(415) 437-3458
THURSDAY
Aug. 31
Music
Sampling Oakland Performances
Oakland’s immensely vital arts scene gets some much-deserved reverence in one of the Yerba Buena Center’s current visual art installations, Sampling Oakland. The work of artists like Erik Groff attempts, through various media, to navigate the space presented by the city of Oakland and the gallery space at YBCA in thoughtful, unconventional ways. In addition to regular viewing, this evening the exhibit plays host to a number of adventurous local guest musicians selected by curators from the 21 Grand, an interdisciplinary arts space in Oakland. (Michael Harkin)
6:30 p.m.
Yerba Buena Center for the Arts
701 Mission, SF
Free with gallery admission ($4-$6)
(415) 978-2787
www.ybca.org
Film
Soylent Green
We’re still a sweet 16 years away from 2022, when strawberry jam costs an arm and a leg and everyone eats mysterious foodstuff made by the Soylent Corporation. What, you don’t believe a reanimated Chuck Heston will be around to try to get to the cannibalistic bottom of a dystopia-in-the-making? Recent news about body-part harvesting companies like Donor Referral Services and Biomedical Tissue Services might change your mind. Chew on them – and salute programmers who realize that there is no better site than a humanist hall to screen Soylent Green. (Johnny Ray Huston)
7:30 p.m.
Humanist Hall
390 27th St., Oakl.
$5 donation
(510) 393-5685
www.humanisthall.net
