Local

Can Migden spend her money?

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By Tim Redmond

The Fair Political Practices Commission is investigating whether state Sen. Carole Migden violated campaign finance laws. That’s not the first time a local politician has been investigated and it won’t be the last, but this one has some odd and potentially very significant twists.

For one thing, Migden’s campaign manager admits that the charges are “absolutely legitimate.” And if one of the key allegations is true — that Midgen illegally transfered $1 million from an Assembly race account and another $500,000 from a Board of Equalizaton race account to her state Senate campaign coffers — then she may have a real problem. She may have to stop spending that money — if if she did that, her financial advantage over challenger Mark Leno would evaporate.

Countdown to Burning Man

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New author Jess Bruder hooked up with the Flaming Lotus Girls on the playa in 2005 as they were building Angel of the Apocalypse, featuring the group prominently in her just-released “Burning Book.”
Photo by Caroline Miller, aka Mills

By Steven T. Jones
With only a few more weeks until thousands of Bay Area residents head out to Burning Man, the anticipation is palpable. Impossibly ambitious art projects are being pushed toward completion at a frenzied pace in myriad local warehouses and work spaces, people’s bicycles and hair are taking on a sassy and colorful flair, fencesitters are making the decision to attend or not, and burners can be seen buying googles, costumes, and dozens of gallons of waters at stores around town.
Into this excitement now comes “Burning Book: A Visual History of Burning Man” by Jessica Bruder, an engaging collection of words and images from everyone’s favorite countercultural blowout. The book will hit the streets Aug. 7, but you can catch Bruder — who logged time with lots on local burners, from Extra Action Marching Band to the Flaming Lotus Girlstomorrow at 7 p.m. at Booksmith in SF or Aug. 6 at 7 p.m. at Cody’s Books in Berkeley.
Or out on the playa at the end of the month. See you there.

Press misses out on Cal/OSHA probes

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A near-fatal tragedy in Nob Hill last March briefly grabbed headlines when emergency personnel had to help free two workers from compressed debris after the wall of a garage collapsed around them.

Two other laborers escaped serious injury, but brothers 23-year-old Roberto Galiano and 41-year-old Maximiliano Galiano were buried up to their waist and knees respectively (one had to be extricated by the fire department). All four were taken to San Francisco General Hospital.

The vacant three-story apartment building on California Street where they were working had been awaiting renovation since a 2006 fire, and the four workers were doing foundation work with a jackhammer in a confined corner of the garage.

The accident made for great spot news, of course, and the Chronicle, the Examiner, KTVU and KPIX all posted brief stories on it immediately. They were each sure to note that California’s Division of Occupational Safety and Health (known better as Cal/OSHA) was probing the incident.

None of them followed up, however – which is not uncommon when occupational safety violations are handed out to employers long after cameras have departed from the scene. And the story points to one of the great failures of news media coverage of workplace safety issues.

Two months after the Nob Hill accident, Cal/OSHA fined Pacifica-based Doré Construction $13,000 for among other things allegedly failing to provide an adequate protective system to prevent the cave-in, i.e. not shoring up the garage’s walls properly, according to public records we obtained. The company was also fined for not having an expert on-site to regularly inspect the garage and ensure it wasn’t susceptible to collapse as they worked. Building inspection records show that the excavation work was being performed without a shoring permit.

Doré had been hired by the building’s owner in August of 2006 to do more than half-a-million dollars in rehab work to the structure.

The contractor immediately appealed the fines from Cal/OSHA, and since such cases are backlogged across the state, it could be years before the public actually sees the results. (Anthony Doré, owner of the construction company, told us he needed to contact his lawyer before answering questions, but we never heard back from him.)

Limited reporting on workplace safety incidents produces a fractured view of the regulatory system surrounding occupational hazards. While headlines that do get around to revealing Cal/OSHA fines after an investigation is complete lend a sense of finality to an accident, employers routinely appeal the fines, and with no follow-ups from reporters, the public is often blithely unaware of what employers actually end up paying.

Last year we reported on the fatality of an ironworker named Miguel Rodriquez at the Richmond-San Rafael Bridge, which at that time was undergoing a $760 million retrofit (see “Lessons from the bridge,” 11/14/2006).

Again the initial accident was reported by several local outlets, along with the subsequent announcement of an investigation by Cal/OSHA, but the larger picture of what took place that day and what the contractor ultimately paid for the fines turned out to be far more interesting.

Rodriguez was killed in 2004 after another worker lowered an 1,800-pound steel frame from a height of 80 feet using a pneumatic winch that had gone out of production in the 1940s, according to an account in public records. The winch’s brake slipped, sending the frame crashing into a wood platform on which Rodriquez was standing. He was bounced into the air and sent through the hole created by the load, first hitting his head before dropping to the waves below.

While capturing the full story would have required a little digging, its breadth appeared later in publicly available civil-court depositions that lucidly described the accident.

Cal/OSHA eventually fined the prime contractor on the bridge, Tutor-Saliba/Koch/Tidewater, $18,000, alleging that the worker operating the winch wasn’t properly trained and was only using its brake to control the winch when it should have also been in gear. But public records today show that the joint venture appealed the decision and was later required by an administrative judge to pay just $300 of the fine.

The judge, Bref French, ruled in May of this year that indeed the winch’s operator had not been given proper instruction on the machinery as required by law, according to court records. But, French countered that Cal/OSHA had not proved Tutor-Saliba was aware that the training failure would almost undoubtedly result in serious physical harm or death, a key legal threshold that changed the nature of the penalties dramatically.

“The evidence must, at a minimum, show the types of injuries that would more likely than not result from the violative conditions,” French wrote.

This week, we reported on a carpenter named Kevin Noah who accidentally fell to his death from the Golden Gate Bridge while working on a multimillion-dollar retrofit project there in 2002. Brief news reports in the Chron announced the tragedy including a follow up that explained how Shimmick-Obayashi was fined $26,000 by Cal/OSHA.

Shimmick-Obayashi, however, never actually had to pay a thing, because as we reported, four years after the accident, a judge ruled on appeal that Cal/OSHA had not printed the contractor’s full legal name on the original citations. The judge, Barbara Steinhardt-Carter, dismissed the penalties without ever considering the merits of the case.

Courting the absurd

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Click here to read about how the mainstream press fumbled on the Cal/OSHA probes

› gwschulz@sfbg.com

It didn’t matter how soon paramedics arrived. Kevin Noah, a 42-year-old carpenter with three sons, had no chance. The accidental 50-foot plunge from his perch on the Golden Gate Bridge killed him immediately.

Noah’s dizzyingly high station was a mere cross section of rebar — the slender iron braids that are often seen protruding from construction sites and provide a structure with skeletal support — inside an anchorage house located on a landbound portion of the bridge’s southern end.

Moments before on that August 2002 morning, Noah had been performing his normal duties, receiving planks of wood from another worker for use in forming a temporary frame to contain a wall of fresh concrete. The bridge was a year into phase two of its multimillion-dollar retrofit, which today is nearly complete.

Suddenly, the clip on Noah’s brace slid off the edge of an open-ended piece of rebar, and a nearby worker looked up just in time to see Noah’s body collide with the extended boom of an industrial cherry picker before falling the rest of the way to the ground, according to an account in public workplace-safety records.

In February 2003, Cal/OSHA, of California’s Division of Occupational Safety and Health, concluded its investigation and penalized the retrofit’s prime contractor, joint venture Shimmick-Obayashi, for, among other things, allegedly failing to properly rig Noah’s fall protection and not providing workers with scaffolding to stand on in construction areas where the footing was less than 20 inches wide. Fines for the violations — three of them designated by the agency as serious — totaled more than $26,000.

But Shimmick-Obayashi wouldn’t pay a dime.

The outfit immediately turned to the Cal/OSHA Appeals Board, and since such cases are backlogged statewide, the matter didn’t reach an administrative judge until this year, when attorneys for Shimmick-Obayashi presented a peculiar defense. Cal/OSHA, they argued, sent the company citations through the mail that failed to list the full legal name of the company: the mailings were addressed to Shimmick-Obayashi instead of Shimmick Construction Company, Inc./Obayashi Corporation, Joint Venture.

The misstatement was akin to a cop failing to note "Esq." or "Jr." on a parking ticket. Cal/OSHA pleaded with the judge, Barbara Steinhardt-Carter, that "it is against civil law, board precedent, and public policy to dismiss this matter based on a minor technical fault that misled no one and caused no prejudice."

Steinhardt-Carter, however, bought the company’s claim and ruled earlier this year that Shimmick-Obayashi was liable for none of the fines, even though Cal/OSHA got the name it used from the company’s business cards.

Throughout a three-year period during which the parties exchanged memos, motions, and discovery material, the contractor’s lawyers never mentioned a problem with the original citations, Cal/OSHA spokesperson Dean Fryer told the Guardian, and variations of the name Shimmick-Obayashi appear on several court documents. The move was a last-minute Hail Mary by a cunning industry lawyer who represents several major players in the business. And it worked.

"The outcome of this case is really surprising and disappointing to our staff," Fryer said. "They went through a long and thorough investigative process, and their work is now basically disposed of."

That Shimmick-Obayashi attorney, Robert D. Peterson, knows more about workplace-safety laws than most. He literally wrote the Cal/OSHA handbook commonly used by employers today and served as chief counsel to the appeals board until 1978. That’s when he established his own law firm and began representing large-scale employers in occupational-safety and workers’ compensation proceedings.

"The bottom line is, if the division has a responsibility to identify correctly the employer that it’s alleging created a violation of a safety order [and] it doesn’t do that, then the citation won’t stand the light of day," Peterson told the Guardian. "Apparently, they didn’t do that. It’s a pretty simple thing to do."

Mammoth civil engineering concerns commonly form temporary partnerships, as several have done to bid on the half-dozen Bay Area bridge retrofit projects initiated by the state at a cost of billions of dollars since the Loma Prieta earthquake rattled the coastline in 1989.

Shimmick-Obayashi won its $122 million phase two contract in 2001 to replace the Golden Gate Bridge’s steel support towers and reinforce its pylons. That came after phase one more than doubled in cost to $71 million by the time it was completed that year under another contractor. All told, Shimmick-Obayashi will earn more than $150 million following a series of change orders, a spokesperson for the bridge agency told us.

The joint venture’s initial bid beat out those of four other firms, including the politically well-connected Tutor-Saliba Corp., which later earned $760 million in a partnership with two other companies to reinforce the Richmond–<\d>San Rafael Bridge. We’ve previously reported on the dozens of injuries and the three deaths that have occurred during that project (see "Lessons from the Bridge," 11/14/06).

Obayashi on its own has had a string of run-ins with Cal/OSHA in recent years. Last March regulators hit its local housing construction subsidiary with $27,000 in fines for allegedly failing to maintain proper railings at a site in downtown Oakland, according to a federal Occupational Safety and Health Administration database analysis. The company is currently fighting those penalties. In February it was fined $6,400 for an alleged lack of railings at a project in the Bayview. Overall, the company has $60,475 in statewide open Cal/OSHA penalty cases dating to 2005.

Shimmick’s cases are few since 2000, but in the middle of last year, Cal/OSHA issued the firm two serious citations totaling $36,000 in fines after an aerial lift carrying an ironworker reportedly fell off a 34-inch light-rail platform during construction of the Muni’s T Third line, "ejecting the employee into the fast lane of traffic." The 52-year-old man was taken to San Francisco General Hospital with a serious skull fracture. A safety director for Shimmick, Ike Riser, argued that despite the accident, Shimmick has one of the best safety programs in the state.

The incentive to keep even small settlements from blemishing a safety record is huge for contractors because they can lead to the escalation of insurance rates and make bidders less competitive. Cal/OSHA’s Fryer said that while Shimmick and Obayashi have faced serious recent incidents, together they have had relatively few problems on the Golden Gate Bridge.

"It doesn’t appear with the joint venture that there is really a pattern of concern," he said. "It’s just that this specific incident resulted in the fatality of a worker, when it could have been prevented."

Noah’s mother, Sandra, told us that her son began doing carpentry at age 16 and always preferred working on big jobs. She was unaware of the ruling until we reached her, long after Cal/OSHA first cited the contractor, but she believes Shimmick-Obayashi deserved the penalties.

"To leave three sons behind," she said, "that’s the real tragedy."<\!s>*

Carbon-neutral madness

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› news@sfbg.com

GREEN CITY Are you carbon neutral yet? Al Gore says he is. The concert tours for the Rolling Stones, Dave Matthews, and other big acts say they are too. Indeed, going neutral is hot these days as, almost overnight, the fledgling market in carbon offsets has burgeoned into a multimillion-dollar industry.

The method is simple, at least in theory. For a fee, companies will balance, or offset, the greenhouse gases emitted by your car or home by spending money on climate-healing initiatives such as renewable energy, forestation projects, and capturing deleterious gases like methane from farms and landfills.

But the sheer number of offset firms out there is staggering, with hundreds of companies vying for your dollars. And as the industry has exploded in popularity, questions have arisen about its reliability and whether the millions of dollars being spent are really making it to worthwhile projects.

"It’s the Wild, Wild West out there with carbon offsetting," the Sierra Club’s Aaron Israel told the Guardian. "Until it becomes a truly functional market, it’s going to continue to be confusing to the consumer who really wants to do the right thing."

A San Francisco firm is looking to bring some accountability to the freewheeling new sector. Since California’s energy deregulation disaster, the nonprofit Center for Resource Solutions has run the Green-e program, which oversees and authenticates energy companies that claim to produce renewable power. Starting this fall, the CRS’s Sarah Krasley told us, Green-e will police the carbon offset market as well and put its seal on worthy companies.

Green-e has already been certifying one method for slowing climate change for years: the sale of renewable energy certificates, or RECs. A local firm called 3 Degrees (formerly 3 Phases Energy) specializes in RECs, mainly for small and large businesses. With each one-megawatt-hour certificate its customers buy, the company helps wind, solar, and other renewable-energy producers compete with cheaper, fossil fuel–based sources of energy. As 3 Degrees’ Steve MacDougal explained, "Utilities purchase energy at a commodity price, the same price for coal as for renewables. RECs allow [green-power companies] to have a premium, which makes them more profitable."

While 3 Degrees deals primarily in RECs for business clients, two other local firms, TerraPass and LiveNeutral, peddle offsets for individuals. Since it opened shop just two years ago, the for-profit TerraPass has sold tens of thousands of "passes" on its Web site for car emissions, air travel, home electricity use, and even weddings. The average buyer spends "about $50," company founder Tom Arnold told us, with the money going to initiatives like wind farms in the Midwest and the capturing of greenhouse gas emissions from farms and landfills. About one-third of 3 Degrees’ outlays go to RECs.

LiveNeutral takes a different approach from TerraPass or any other company. Rather than spending money on individual projects or methods, the Presidio nonprofit buys and then permanently retires carbon offset credits from the Chicago Climate Exchange. "By purchasing these credits and then never reselling them," LiveNeutral executive director Jason Smith explained, "we drive up the price of the credits and encourage [big greenhouse gas emitters] to reduce." LiveNeutral sells a one-ton emissions reduction credit for $7.50, Smith said. Most customers use the company’s DriveNeutral program and purchase five credits to offset one year of driving. The firm also offers a FlyNeutral option for air travel.

But many critics have likened the offset business to medieval papal indulgences, with environmental sins like owning an inefficient vehicle or cranking up the thermostat absolved for the right price. Israel said the Sierra Club does not openly oppose the practice, but he is worried that offsets could become "a distraction for people…. It’s really the last thing you should do, not the first. First you should conserve and become more efficient, then you can see about offsetting what’s left."

For Arnold, TerraPass’s phenomenal success is not about exploiting guilt or bad behavior. Instead, he reasoned, it simply shows that people want to do all they can to make a difference. "Most of our users are already green," he said. "But we want to reach the people who are just now waking up to enormity of the problem too…. What our customers are saying is very American: ‘Let’s not wait for someone else to do it, let’s get something done ourselves.’ " *

Comments, ideas, and submissions for Green City, the Guardian‘s weekly environmental column, can be sent to news@sfbg.com.

Black and white and color

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One of the most exciting aspects of being a newspaper editor is recognizing a wave of activity that isn’t connected to government mind control or onslaughts of corporate-sponsored and mass-marketed art. This kind of spontaneous mass energy is happening via photography in San Francisco right now. August is known as a slow month, but the city’s galleries are alive with contemporary photos. Bill Daniel’s latest look at the US landscape is opening at RayKo Photo Center, the Daniel-influenced vagabond spirit Polaroid Kidd has his first Bay Area show at Needles and Pens, Greg Halpern’s moody views of Buffalo and Kelli Connell’s double-minted prints are up at SF Camerawork, and at City Hall — through the San Francisco Arts Commission Gallery — the work of 32 local photographers is on view.

Baptized in arguments regarding its viability as an art form, photography remains as contentious as it is expansive. Witness a veteran such as Duane Michals sharpening his claws on the megapopular likes of Cindy Sherman in last year’s rant-monograph Foto Follies: How Photography Lost Its Virginity on the Way to the Bank (Thames and Hudson). We live in an era when the ready availability of portraiture seems to have made its definition even more reductive; via MySpace and more explicit sites, people use cameras to readily package themselves as products. Yet when black-and-white and color and digital and film collide with unpredictable results, photo portraiture can be as varied and lively as the work you’ll find on these pages.

Thanks to fellow Guardian arts editor Kimberly Chun for suggesting, late in the selection process, a focus on portraiture. This decision necessarily narrowed the Bay Area photographers to choose from; there’s a wave of garden- and eco-driven work being done by Bill Basquin and others, while Dusty Lombardo, R.A. McBride, and Jackson Patterson are discovering tremendous depth in interiors. Thanks also to Basquin, Daniel, Glen Helfand, Chuck Mobley, Katie Kurtz, and Dave and Ray Potes for their suggestions.

Twelve years ago I interviewed therapist and author Walt Odets because he was bringing much-needed humanity to discussions of the AIDS crisis; to find out that he’s also a superb photographer whose subjects have included Jean Renoir and his wife, Dido, is a revelation. In distinctive ways, Vic Blue, Robert Gumpert, and Amanda Herman reveal what journalism usually ignores or renders shallow. The intimacy of Vala Cliffton’s photos makes one ponder her presence within the scenes she depicts. Matthias Geiger shows a city you might not have noticed even when it’s been in front of your face. Stan Banos has an eye for the many shades of gray within the multihued and the cuckoo. Job Piston is that rare Bay Area photographer whose work brandishes a sexual edge that isn’t obvious or predictable. Jim Goldberg’s urban work has been canonically influential since the publication of Rich and Poor (Random House, 1985) and Raised by Wolves (Scalo, 1995). Photography is just one aspect of Désirée Arlette Holman’s hand-fashioned fantasy world, a place that looks like a wicked satire of our own.

If you’d like to see more about some of these artists, go to www.sfbg.com/blogs/pixel_vision. (Johnny Ray Huston)

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Stan Banos

NAME Stan Banos

TITLE The Marine

THE STORY "This photo was taken in San Francisco during Fleet Week in ’04."

INSPIRATION "I’ve always had a vague obsession with time and place, and the camera is the best-suited instrument to record such transient moments (particularly when you can’t draw). I generally try to incorporate whatever signs of irony life can offer within a rectangle."

FAVORITE PHOTOGRAPHERS "I have more favorite photographers as an adult than I had favorite ballplayers as a kid: Bruce Davidson, Josef Koudelka, Diane Arbus, Garry Winogrand, William Eggleston, Stephen Shore, Carl de Keyzer, James Nachtwey, Cheryl Richards, Henry Wessel, Elliott Erwitt, Martin Parr, Lee Friedlander … the list is endless."

SHOW "Our World," at SF Arts Commission Gallery’s City Hall space, through Sept. 21.

WEB SITE www.reciprocity-failure.com

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Victor J. Blue

NAME Victor J. Blue

TITLE Honduran immigrants, Detention Center Tapachula Mexico

THE STORY "I went to the Guatemala-Mexico border to photograph immigration there. These guys had been caught trying to ride the freight train to the United States. We only had a few minutes to take pictures inside. They were on a bus back to Tegucigalpa within a day, probably just to try again."

FAVORITE MONOGRAPHS The Mennonites by Larry Towell (Phaidon, 2000), Exploding into Life by Eugene Richards and Dorothy Lynch (Aperture, 1986), Kosovo 1999–2000: Flight of Reason by Paolo Pellegrin and Tim Judah (Trolley, 2002), Under a Grudging Sun: Photographs from Haiti Libere 1986–1988 by Alex Webb (Thames and Hudson, 1989).

WHAT ARE YOU SHOOTING NOW? "The cost of the wars in Iraq and Afghanistan for the people of San Joaquin County."

WEB SITES www.victorjblue.com, online.recordnet.com/projects/iraq/Jose/index.html

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Vala Cliffton

NAME Vala Cliffton

TITLE Unicorn

THE STORY "Unicorn is a portrait of my niece and my brother after their trip to Hawaii. My niece is in love with Hawaii and could not seem to detach herself from her scuba gear that afternoon. My brother was trying to catch a nap before dinner. The combination of elements in this unposed portrait captures an essential and intriguing aspect of their father-daughter relationship."

INSPIRATIONS "The Family of Man [Harry N. Abrams] was the first photography book I can remember picking up and being interested in. Photography was always a part of our family life. One of my projects while at the San Francisco Art Institute was to print the black-and-white snapshots taken of the family over the years."

WHAT ARE YOU SHOOTING NOW? "I have spent the past couple or years working as a filmmaker and producing music videos, some of which I have put up on YouTube at youtube.com/alavala11."

SHOW "Our World," at SF Arts Commision Gallery’s City Hall space, through Sept. 21.

WEB SITE alavala.com

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Matthias Geiger

NAME Matthias Geiger

TITLE Train

THE STORY Train is taken from Geiger’s "Tide" series, which he describes as "an examination of human presence" in "places of transit and momentary rest…. The technique of layering still images allows past, present, and future moments to appear simultaneously, reflecting the notion that each moment in time is a construct of our memories, our presence, and our projections."

INSPIRATIONS "Direct physical experience such as being outdoors, dance, and meditation, as well as readings on metaphysics."

WHAT ARE YOU SHOOTING NOW? A series on utopian subcultures.

SHOW "Matthias Geiger: Tide." Sept. 6–Oct. 20. SF Camerawork, 657 Mission, second floor, SF. (415) 512-2020, www.sfcamerawork.org

WEB SITE www.matthiasgeiger.com

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Robert Gumpert

NAME Robert Gumpert

TITLE Untitled

THE STORY "For the past 13 years I’ve been doing an off-and-on documentary project called ‘Lost Promise: The Criminal Justice System.’ This image was done in August 2006 while I was documenting the closing of San Francisco County Jail No. 3. Built in 1934 and beset by a number of serious issues and several lawsuits ordering its closure, the jail was finally closed in August 2006, when inmates were moved to County Jail No. 5, built on land adjacent to the old jail."

FAVORITE PHOTOGRAPHERS Don McCullin, Lewis Hine, August Sander, Leonard Freed, Gilles Peres, and Philip Jones Griffith.

WEB SITE www.robertgumpert.com

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Amanda Herman

NAME Amanda Herman

TITLE Untitled

THE STORY The image is taken from Herman’s most recent work, the short film Lost Island, which looks at the impact of Hurricane Katrina on one large family two years after the storm forced them from their home in Chalmette, La. Herman met the Morris family in Oakland while doing free family portraits for survivors at a relief day in October 2005, one month after Katrina drove them from their homes, and, she writes, "over time, I became interested in exploring the intricacies of one family’s experience with the disaster." Donations and income from the sale of the Lost Island DVD will go into a family fund to assist the Morrises as they rebuild their lives in Oakland.

FAVORITE PHOTOGRAPHERS Seydou Keita, Allen Sekula, Susan Meiselas, Jeff Wall, Wing Young Huie, Wendy Ewald, Jessica Ingram, Eric Gottesman, and others.

SHOW "Inchoate," through Aug. 11. Patricia Sweetow Gallery, 77 Geary, mezzanine, SF. (415) 788-5126, www.patriciasweetowgallery.com

WEB SITE www.amandaherman.com

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Désirée Arlette Holman

NAME Désirée Arlette Holman

TITLE Something Ain’t Right

THE STORY "This image is from a larger series of video and photo work depicting actors wearing crude, handmade (by me) chimp costumes. Something Ain’t Right was inspired by smoking chimps in zoos in South Africa and China. One zookeeper claimed that the chimps were smoking because they are frustrated. Could captivity make a chimp neurotic and lead it to smoke? Others claimed that the chimps were imitating tourists, recalling the cliché ‘Monkey see, monkey do.’ "

INSPIRATION "I am inspired by psychology, popular culture, figurative sculptures (including toys), art, and various types of fantasy and fiction making. I capitalize on the potential to create fantasy from realistic imagery through the use of the camera."

FAVORITE PHOTOGRAPHERS Currently include Tracey Moffatt, Liza May Post, and Suzy Poling.

SHOWS "CCA: 100 Years in the Making," at the Oakland Museum of Art, and a solo show at San Francisco’s Silverman Gallery. Both open in October.

WEB SITE www.desireeholman.com

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Job Piston

NAME Job Piston

TITLE A Year Later

THE STORY "I was making portraits of young Hollywood and became interested in deconstructing glamour. This is a good friend of mine who was sent away to a facility for a long while. I took this picture the first time I visited him. Today popular figures openly go to rehab; it too has become glamorous."

INSPIRATION "Complicated personalities, intimacy in public spaces, secrets, the figure, and the fountain of youth."

SHOW "Our World," at SF Arts Commission Gallery’s City Hall space, through Sept. 21; "Evidence of Things Unseen," Peninsula Museum of Art in Belmont, through Oct. 21; solo show at Silverman Gallery in San Francisco in October.

WEB SITES www.jobpiston.com, book-of-job.blogspot.com

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Walt Odets

NAME Walt Odets

TITLE Greg Hoffspiegel, Palo Alto, California, 2007

THE STORY "Because it is so instantaneous, there is much chance in photography. This photograph seems to me about the gaze and emotion of the three figures, some combination of attention, reflection, loss, and pathos, as well as the visual organization."

INSPIRATION "I have taken pictures since I was 16. If I can use the camera in a way that forces deconstruction of what we normally see but do not observe, then I feel I have accomplished something."

FAVORITE PHOTOGRAPHERS "Henri Cartier-Bresson, of course, and Ed Ruscha and Lee Friedlander, for their elegance and form, intellect, and relentless literal rendering, respectively."

SHOW An October 2007 three-person show at SF Camerawork, devoted to winners of the James D. Phelan Award for photography.

WEB SITE www.waltodets.com/photo

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Jim Goldberg

NAME Jim Goldberg

TITLE Untitled

PHOTO COURTESY OF STEPHEN WIRTZ GALLERY

THE STORY The image is drawn from "The New Europeans," a project Goldberg started around the time of the 2004 Summer Olympics in Athens. The series focuses on the journeys of refugees and immigrants from war-torn or economically devastated homelands in Iraq, Somalia, Sudan, Palestine, Afghanistan, the Philippines, and elsewhere to settle in Europe, specifically Greece and Ukraine. In June, Foundation Henri Cartier-Bresson in Paris presented Goldberg with the HCB Award so he could travel to his subjects’ countries of origin and tell the complete stories of their migration.

SHOW "Jim Goldberg: New Work." Oct. 3–Nov. 10. Reception Oct. 4, 5:30–7:30 p.m. Stephen Wirtz Gallery, 49 Geary, third floor, SF. (415) 433-6879, wirtzgallery.com

Still freestyling at 30

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The workroom of KUSF, 90.3 FM, has always looked just this side of combustible. It’s a second home to the radio station’s new-music volunteers, a tightly packed DIY office space papered with band posters from top to bottom. Ancient desks are pinned against each wall, one holding a beat-down stereo. Two huge metal-hinged lockers loom in the corner, monoliths stickered beyond recognition with archeological layers of rock ‘n’ roll’s past. I stare at them and try to remember the exact location of a Barkmarket sticker I myself put up more than 15 years ago. No dice.

Down the hallway — KUSF is crammed into a lone walkway in the basement of Phelan Hall on the University of San Francisco campus — Program Director Trista Bernasconi is helping a cultural producer get his next show sorted out. Putf8um records hang on the walls behind her, a reminder of the respect the noncommercial station has commanded from the musical community since its inception in 1977.

But high-caliber programming was almost no match for the university’s management, which sought to sell its license in 2006.

"Last year the university tried to sell us, and their main thing was that we were not connected to the students," says Bernasconi, a 10-year station veteran and former USF student. "It’s hard because San Francisco is expensive and [students] have to work so many jobs, but there’s been a major push to get more involved."

Coming back from the edge of the FM grave is an excellent reason to party and one that happens to coincide with the station’s 30th anniversary. After four months of celebration, the most impressive event occurs when Yo La Tengo perform a benefit for the beleaguered institution. "We wanted to celebrate in a big way and started thinking about a band that represents what KUSF is about," co–<\d>music director Irwin Swirnoff explains. "Yo La Tengo came into our mind because they’re a band that always progresses." Bernasconi echoes Swirnoff’s enthusiasm, seeing the benefit as a big step in on-campus visibility. "We have an exclusive," she adds, smiling. "There are even a couple of professors who like Yo La Tengo and are really into KUSF now."

But indie popularity and the fact that Swirnoff praises the group’s last three albums as its "three best" played only a part in making Yo La Tengo the top choice. Since 1996 the band has participated in Jersey City, N.J., noncommercial station WFMU’s annual pledge drive to support local, poorly funded radio.

Running a radio station with extremely limited funding is possible only because of the thousands of hours of volunteer work by people from the different departments of KUSF. While the university contributes half of KUSF’s operating budget, there are capital expenses, such as replacing the busted transmitter suffered six years ago, that the station and its volunteers must absorb. Swirnoff feels it’s a crucial distinction to make: "Every day that music is getting played and tickets are being given away it’s amazing, because besides a couple of paid positions, we’re all volunteers and somehow we figure out a way to get it done."

Swirnoff splits his duties with three other music directors — Miguel Serra, DJ Schmeejay, and Lenode — in an effort to combat the sheer volume of music that the station is expected to absorb. Another KUSF veteran, fundraising coordinator Jet, who along with Bernasconi holds one of the station’s few paid positions, explains that volunteering means never really being off the clock. "I have taken a pay cut to take the job," she says with a laugh. "So it’s a labor of love. I put in my volunteer hours as well, so I’m not only an employee, I’m also a volunteer, and I’m not only a volunteer, I’m still also a listener."

But what about the listeners? According to Arbitron, KUSF’s 3,000-watt basement transmitter is able to reach an audience of about 50,000, and luckily the station has managed to allocate part of its shoestring budget to broadcasting via the Internet radio network Live365.com, enabling listeners worldwide to tune in even if they’re beyond the reach of the transmitter. Still, the consumer landscape has changed radically since the station debuted. From the erosion of the major-label hierarchy to the digital explosion of the past decade, people are now drowning in musical options ranging from iTunes to DIY podcasts to satellite radio.

What lures the KUSF faithful through this technological glut is the content and, ultimately, the DJs who provide it. The cultural programming alone is enough to intrigue: where else in the country does the Hamazkayin Armenian Hour run back-to-back with I Heart Organics? New-music programming is no less varied, as DJs are required to pull half of their shows from the "currents" section of the library. While listening to Jacob Felix Heule’s show, which runs Wednesdays from midnight to 3 a.m., I hear dub combo African Head Charge, ’60s pop chanteuse Lesley Gore, and local band Rubber O Cement within 30 minutes. It’s the kind of schizophrenic genre jumping that has created the reputation KUSF enjoys today.

The station’s history lives on in the current new-music staffers. Every volunteer with an air shift has a story about a predecessor who introduced them to band X or taught them how to perform board function Y. Swirnoff, for example, first learned of the station after Sonic Youth cut a record in memory of then-music director Jason Knuth, and he remembers thinking, "I gotta get on KUSF." Jet says her station hero is legendary Rampage Radio‘s Ron Quintana — the guy who named Metallica.

As a former DJ and ex–<\d>promotions director, I recall an on-air mentor who would gesture toward Slayer’s Decade of Aggression, admonishing me to "always end with something apocalyptic." I’d follow her advice right here, but with volunteers who give so selflessly to keep the station alive, there’s a good chance that — at least for now — KUSF will keep the end times at bay.<\!s>*

KUSF’S 30TH ANNIVERSARY BENEFIT

With Yo La Tengo, Citay, and KUSF DJ Irwin

Fri/3, 9 p.m., $25 (available through www.KUSF.org)

Bimbo’s 365 Club

1025 Columbus, SF

(415) 474-0365

www.bimbos365club.com

The ugly news we’ve been waiting to hear

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By Bruce B. Brugmann

Alas. Alas. As predicted by the Guardian, the Bruce blog, and most everybody in and around the Dean Singleton news operations, the bad news was flashed this morning by my reliable source in Contra Costa County in his note and Singleton story below.

This was a major story on yet more news consolidation in the Bay Area, but it only rated a three paragraph burial story on page 2 of the daily digest page of the business section of Singleton’s only Bay Area daily “competitor,” the San Francisco Chronicle.

Its lively head says, “Chain consolidates newsroom operations,” which means in effect “please don’t read this story, it is damn boring.” Its boiler plate press release coverage says without blushing: “The consolidation of the papers, all owned by MediaNews Group (B3: Singleton) will result in job cuts as part of an effort to eliminate redundant positions, beef up online coverage and save money…The company said that it hopes attribution will cover the staff reductions, but added that layoffs may be necessary…Local news reporting will continue to be supervised by editors at each of the newspapers…” Wow, now that is real enterprise business reporting!

My source wrote by email:

“The following appears today in the business pages of at least the CCTimes and Oakland Trib. Times ran it below fold on pg. 1 of business section; Trib ran on an inside business page.

“I still have the image of Singleton standing in the city room of the Times at the time of the sale, saying staff and editorial direction for the various papers would remain in place. Hah. It won’t be long before there is but one newspaper to serve the East Bay, perhaps with zoned editions that are community specific.” (B3: my source, a veteran newsman who has lived in the county for years, has yet to be wrong on any of his predictions.)

East Bay newspapers plan to consolidate news operations
Owner of Times says move will improve coverage, efficiency
By George Avalos
CONTRA COSTA TIMES
Article Launched: 07/27/2007 03:05:35 AM PDT

The company that owns the Times said it will consolidate the news operations of several East Bay newspapers as a way to improve coverage of the region and create a more efficient organization.
Starting Aug. 13, all employees of the East Bay papers affected will work under the umbrella of Bay Area News Group-East Bay, said John Armstrong, vice president of California Newspapers Partnership, which owns the publications.
“We are making this change, which integrates three entities into a single operation, to allow us to maximize our East Bay news-gathering capabilities,” said Armstrong, publisher of the Times.
The daily newspapers affected by the consolidation are the Contra Costa Times, Oakland Tribune, Tri-Valley Herald, Valley Times, San Ramon Valley Times, East County Times, West County Times, Hayward Daily Review, San Joaquin Herald, Fremont Argus and San Mateo County Times. A number of nondaily papers are also included.
The reorganization will “eliminate wasteful redundancies, streamline management and redirect staff and resources to our interactive services and other priorities, such as watchdog journalism,” Armstrong said in a memo he sent to employees of the newspapers.
Job cuts could materialize as a result of the consolidation.
“As we eliminate duplication of effort in our newsrooms, we will reduce the size of the editorial staff,” Armstrong stated. “It is our hope attrition will cover this reduction, but there is no guarantee that layoffs can be avoided.”
The combined newsrooms now have about 360 employees, said Kevin Keane, executive editor of the Times and vice president for news of the regional news group. Keane will become executive editor of Bay Area News Group-East Bay. Pete Wevurski, who had been editor of ANG Newspapers, will become managing editor of the new editorial organization, reporting to Keane.
The changes come as newspapers nationwide must wrestle with defections of advertisers and readers to the Internet.
“We need to start thinking of ourselves as information companies and not just as newspaper companies,” Keane said.
He said he believes the emerging news organization in the East Bay can deploy reporters and other news employees in a way to help the newspapers embrace a fast-changing digital world.
“We can put content online virtually 24 hours a day, seven days a week,” Keane said. “We can break news online around the clock.”
Although the restructuring of the news industry has brought about painful changes and may continue to do so, Keane suggested the changes also can bring plenty of upside.
“There are a lot of challenges in the newspaper business with advertising drifting away to the Internet,” Keane said. “There is also a lot of opportunity to do things in new ways. The challenge for us is to find a balance between our reader demands for online content with our core print business.”

Watchdog journalism? C’mon. For starters, the Singleton papers will be covering even fewer night meetings of the local city councils, planning commissions, school and community college boards, and other government agencies in the East Bay and Singletonland. And they sure as hell won’t be covering the news or selling ads in a competitive newspaper environment. Alas. Alas. B3, ever more annoyed to find that newspapers, even as monopolies, continue to do such a lousy job of covering the biggest local story on their turf (themselves)

Boxcar Saints tramp it up

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By Todd Lavoie

boxcarsaintssml.JPG
Bless the Boxcar Saints. Courtesy of www.boxcarsaints.com.

If there’s anything on this earth that really breaks my jaded, irony-encrusted little heart, it’s the sight of a hobo cranking out a sad, sad waltz.

Are you with me on this one? Can’t you just see it? There he is, shirtless in his denim overalls, a greasy half-empty bottle of hooch tucked in the front pocket, clunking around in the sand with feet falling out of shoes scavenged three states back, somewhere down by the train tracks. It’s a desert nowhere, a three-horse, one-saloon town – cactus, scorpions, the whole bit – and the poor guy’s doing nothing but spinning dust dervishes all around him, clapping his hands in time to a tune only he can hear. Maybe it’s a fine little ditty his Grandpappy taught him, all those years ago, when he was just a little tadpole. Ah, but that was a long time ago.

Now he’s just a drunk, a rambler, a wobbly old crank who hops trains from town to town, staying put only long enough to do the occasional odd job and maybe buy himself a hooker who ain’t too particular. No one ever learns his name – not his real name, anyway. Rather than Bob or George or whatever, he goes by Smalltooth or Soup Can or something like that. And he keeps on waltzing under the blazing sun to the song rattling around in his head. Oh, the humanity! The drama! Do you feel the pain? Do you taste the tears?

Before you give up on our hobo – let’s call him Flea Stick Slim – maybe you should consider the music of local desert-dramatists the Boxcar Saints before ‘fessing up to the coldness of your heart. Led by the mescal-growl of Dave Hudson, this gang of scoundrels and rounders reveal landscapes studded with snakebites and bar fights and girls who mean nothing but trouble. Sure, they’ve got a Tom Waits thing going on – some of the band has even played with Waits in the past – but these guys also add Angelo Badalamenti-esque slinky jazz and a Calexico-flavored dustiness to their South-of-the-Border commotion. Wailing saxophone on tracks like “Together” (from the 2005 Grand Mal Records release Last Things) keep things nice and noir-ish. Listen closely, and you can almost see Flea Stick Slim himself, our hobo hero on the run from the law…

The Boxcar Saints – joined by the leg-kicking sassies of the Barbary Coast Shakedown’s Dancehall Revue – will tell their sordid tales from the other side of the tracks on Saturday, July 28, 9 p.m., at 12 Galaxies, 2565 Mission, SF. Twelve bucks for a good cry is a pretty good deal.

Best of the Bay “Diamond” Dave snapped!

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Aha! Steve Rhodes happened upon our Best of the Bay Local Hero “Diamond” Dave Whitaker last night, riding home on the Muni with a BOB in his lap. Precious.

Diamond Dave reading about Diamond Dave.jpg

Thanks for sending it our way, Steve! See more of his snaps here.

No waterfront highrises

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EDITORIAL We’ve been concerned for decades about development along San Francisco’s waterfront, and with good reason: the Port of San Francisco has done a generally miserable job of managing one of the city’s most significant resources. In the 1960s and 1970s, the port effectively gave up on the shipping industry, losing container freight (and plenty of good blue-collar jobs) to Oakland. Development proposals for port property, particularly under then-mayor Willie Brown’s administration, were largely horrible.

And now the port wants the state to turn over development rights for some key seawall-protected properties, which could be turned into very-high-end housing with ground-floor retail. The port needs the money for historic preservation and is promising to build some waterfront parks, which is all well and good. But when it comes to building expensive housing along the waterfront, we’re dubious right off the bat — and even more dubious now that Port Director Monique Moyer is howling about the prospect of a 40-foot height limit.

Sen. Carole Migden has introduced legislation, Senate Bill 815, that would authorize the port to lease out for development lots that are now part of a state trust. But at the request of neighborhood groups, she wants height limits included in the deal as part of state law.

The port argues that 40 feet is too low for, say, three stories of housing above a storefront. Besides, port staffers say, zoning issues should be a local decision, and the state should hand over the lots and let the city decide on height, bulk, density, and appropriate use. In principle, we’d tend to agree with that — but the City Planning Department today is a disaster, with every key decision driven by developers, and the last thing this city needs is a string of high-rise condos on the waterfront.

If the port’s land is going to be developed, it has to be done with tremendous sensitivity, clear public benefits — and inflexible, mandated height limits. And if the money is going to go to parks, we’d like to see specifics, in advance: which projects will pay for which parks, and where — and what guarantees do we have that they’ll ever be completed?

This is the kind of decision that will affect the city for a century or more. Migden’s right: we should take it slowly and carefully. *

Editor’s Notes

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› tredmond@sfbg.com

Yeah, man, I was there: I saw the Grateful Dead play "Dark Star" on New Year’s Eve. Heavy.

Only it wasn’t 1967. It was 1981, becoming ’82, and we were at the Oakland Coliseum, not the Panhandle. The Summer of Love was long gone; Haight Street was at war, not over drugs but over gentrification, and the cops were cruising up and down, looking not for hippies selling pot and acid but for the self-proclaimed Mindless Thugs, who were throwing bricks through the windows of upscale stores and fancy bars.

Everybody falls in love with San Francisco the way it was the day they arrived, and mine was a distinctly anarchopunk scene. The soundtrack wasn’t Scott McKenzie and flowers in your hair; it was Jello Biafra, "California über Alles," and the kids were getting all bloody and bruised from slam dancing in clubs with black walls instead of mellowing out and digging the colors of the trippy light show.

But the spirit of the 1960s was still very much alive. The Summer of Love gets a bit glorified in the retelling, but in the end the part that survived was a spirit of community and rebellion. We were here because we didn’t feel like we belonged anywhere else, and as quickly as we could set down roots, we decided it was our city and we wouldn’t let the greedheads take it away from us.

And it’s been an endless battle for the past quarter century, but the bad guys still haven’t won; though much is taken, much abides … and every year we celebrate the best of the world’s best city with the original, first-in-the-nation Best of the Bay.

This year’s issue is in part a tribute to that summer 40 years ago when a new kind of politics, music, and culture was emerging in a city where Bruce B. Brugmann and Jean Dibble were helping create a new kind of journalism. Our local heroes this year are all people who were part of the Summer of Love — and are still doing cool stuff today.

It’s also a tribute to everything sensational in San Francisco. And now and then and forever, there’s plenty. *

San Francisco midnight movie memories (Extended mix)

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We recently put together a cover package on midnight movies. The midnight movie scene is thriving right now, but it also has a long history — in fact some credit SF as a, if not the, birthplace of the phenom. Below you’ll find a mix of direct quotes from local cinema lovers and excerpts from books that outlines what has happened when the clock strikes twelve in the Bay Area. Go ahead and add your stories and sources to this account!

GARY MEYER The Pagoda Palace, known as the Milano in the 30s and early 40s showed Italian movies at midnight prior to World War II.
CHRISTIAN BRUNO In the mid-’60s the Presidio hosted Underground Cinema 12, a package of late-night movies that might incorporate a little [George] Kuchar, a little Busby Berkeley, and a lot of porn posing as art. It was a traveling package of films that was curated by Mike Getz out of LA, but the Presidio put its own SF (which usually meant gay) stamp on things.

presidio.jpg

GEORGE KUCHAR I remember one midnight show at a theater on upper Fillmore St. It started about 2 hours late because of projection problems. The audience didn’t seem to care and the 16mm feature didn’t care about cohesiveness of plot or theme, so it was a fun, flabby twilight zone of black & white sequences of an occult nature that suited the creatures of the night. The darkness inside and outside the theater was unable to still their noisy appreciation to the avalanche of imagery that descended from the screen like a caffeinated surge of STARBUCK sludge. The movie kept everyone awake so I guess you can consider it a HIT for that un-Godly hour and a half!

Vanishing points

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› a&eletters@sfbg.com

REVIEW Like drive-in movie theaters, the white-mantled colobus, and Henry VIII’s wives, the increasingly rarefied qualities of elegance and generosity are most certainly doomed to extinction, rendered worthless in our schlock-culture era of crass and sass. This is not so, thankfully, in the work of Hiroshi Sugimoto, who, in his eponymous, conceptually rigorous, utterly gorgeous midcareer retrospective at the de Young Museum, single-handedly rescues refinement and magnanimity — along with windblown silver screens, leaf-eating African monkeys, and those half dozen Catherines, Janes, and Annes — from the dustbin of history.

Including some 120 black-and-white photographs taken with a large-format camera during the past three decades and glowing with a numinous luminosity, the exhibition is so richly (in all its connotations) conceived and presented, so brimming with the artist’s and curators’ intelligence and desire to simultaneously challenge and enrapture viewers, that it stands not only as the year’s best big local museum show but also as a timely reminder that we must look beyond the horizon ostensibly separating sea from sky, for that is where the truth lies.

Sugimoto’s work is all about true lies. He is fascinated with artifice that yearns for authenticity and with impervious factual data that melts into dream logic. Unlike many Japanese photographers of his generation — he was born in 1948 — who are attracted to either the grisly chic of atomic apocalypse or the fleshy flash of alarmingly nubile Harajuku teens, Sugimoto generally eschews the stereotypical tropes that now largely define, at least from afar, his homeland’s manga-mad visual vocabulary. This is quite likely due to his singular vision as much as to his transcontinental toggling between New York and Tokyo since the early ’70s. Inspired during his childhood by chirping crickets, electronic gadgets, and bedtime stories and later by André Breton’s surrealist manifestos, Giorgio de Chirico’s otherworldly paintings, and the teachings of a Buddhist priest who told him that the only human reality is shit, Sugimoto has coalesced his influences into a clearly unified yet constantly surprising oeuvre at once classical in its formal precision and postmodern in its beguiling content.

Moving fluidly from representation to abstraction to the uncanny, the exhibition beckons viewers into a carefully designed sequence of dimly lit galleries showcasing thematically linked series of large-scale images. Sugimoto also designed the site-specific installation, playfully using the room’s curved sides, dramatic spotlights, and a particularly effective wall of mirrors to supersede spatial certainty.

Nature and culture tussle for authority throughout the show, notably in photos of dioramas taken at the American Museum of Natural History, where Sugimoto spent many afternoons during his first months in Manhattan, staring at taxidermied polar bears and handcrafted manatees posed in ersatz habitats. Equally fake yet lifelike are Henry VIII and his unfortunate beloveds, whom Sugimoto photographed in all their waxen glory at Madame Tussauds, looking as if they were sitting for 16th-century portrait painter Hans Holbein the Younger. (Be sure to take a careful count of Anne Boleyn’s fingers.)

Nature triumphs in Sugimoto’s masterful seascapes — or does it? The longer you gaze at these nearly monochromatic studies, the vanishing point where ocean meets sky recedes ever farther, and soon enough they cease to resemble the sea — see? — and transform but not transfigure into Ad Reinhart or Mark Rothko paintings. The process reverses in the "Mathematical Forms" series, in which abstract, spiraling shapes — physical contours representing specific algorithmic equations like 3.14 and others that never made sense in high school — become pi-in-the-sky architectural structures eerily akin to the de Young’s high-rising tower.

Sugimoto further pushes the potential of architecture both real and imagined in his deliberately blurry images of iconic structures such as Antoni Gaudí’s Casa Batillo, the Schindler House, the Guggenheim museums in New York and Bilbao, Spain, and the Chrysler Building, all viewed as if underwater or under the influence. "Superlative architecture survives the onslaught of blurred photography," Sugimoto concludes of his characteristically rewarding experiment in deconstruction.

Having successfully stared down stuffed mountain lions and head-rolling royals, traversed the Caribbean and Marmara seas, aced his math quiz, and demythologized the Monumento ai Caduti with the quick shift of his camera, Sugimoto finally goes to the movies, where he focuses his lens on the screen and keeps his aperture wide open for the duration of a feature-length film. The resulting images reveal blinding white centers of cinematic possibility far more spellbinding than any summer blockbuster. These shining screens celebrate light as both wave and particle, as the essence of seeing, the illuminator of reality, and the obliterator of dream. Light pierces or occludes the horizon running through all of Sugimoto’s work; it is the dividing line between nature and culture, fact and fiction, wax and skin. Light, like this truly superlative show that reconfirms Sugimoto as one of our great artists, keeps on giving and giving. *

HIROSHI SUGIMOTO

Through Sept. 23

Tues.–Thurs. and Sat.–Sun., 9:30 a.m.–5:15 p.m.; Fri., 9:30 a.m.–8:45 p.m.; $6–$10 (free first Tues.)

De Young Museum

Golden Gate Park

50 Hagiwara Tea Garden Drive, SF

(415) 750-3614

www.thinker.org/deyoung

Contemputf8g Wolf

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› sarah@sfbg.com

Months after local videographer and blogger Josh Wolf was released from federal prison — where his seven-month stay was the longest in history for an American journalist for refusing to turn over unpublished materials to criminal prosecutors — the San Francisco Police Commission finally has decided to analyze the incident. That inquiry comes just as Wolf embarks on a campaign for mayor, which he hopes will create a dialogue about the lack of police accountability and the overzealous federal intrusions that marked his story.

Wolf, 24, told the Guardian that he’s still baffled by what transpired after he filmed the July 8, 2005, anti-G8 protest, which involved a heavy anarchist turnout, "got rowdier than local officials would have liked," and left a San Francisco police officer with a fractured skull — an incident that Wolf calls "unfortunate" but of which he claims to have absolutely no knowledge

"I’ve read the evidence that was presented in my case, but to this day no one has pointed out anything that constitutes terrorism," Wolf said.

The day after the protest, Wolf was contacted at his home by members of the FBI and the Joint Terrorism Task Force, along with two San Francisco Police Department officers. The four agents who showed up Wolf’s door, one of them dressed in a Hawaiian shirt and shorts, demanded that he hand over all his video outtakes after local and national TV stations aired edited footage that Wolf posted on his blog. The aired film included scenes of anarchists setting off firecrackers, turning over newspaper racks, and spray-painting a Pacific Gas and Electric Co. office. It also showed an SFPD officer holding local resident Gabe Meyers in a choke hold while another agent waved his weapon at the crowd and shouted, "Leave or you’re going to get blasted. I’m a fed, motherfucker."

"If any time the SFPD decides it doesn’t want to deal with some local issue, does it have the autonomy to contact the feds, and if so, doesn’t that jeopardize all the laws that the voters of San Francisco have passed?" Wolf asked July 11 as the Police Commission discussed a resolution supporting the First Amendment rights of the "new media," which is how Web-based disseminators of news, such as Wolf, are being described.

Earlier this year, police commissioner David Campos tried to pass a resolution in support of the then-jailed Wolf, but the proposal got no traction until Theresa Sparks was elected as president in May. By then Wolf had been free from jail for a month, leading Campos and Sparks to shift their focus toward investigating exactly why Wolf’s case got federalized in the first place as well as the implications for other groups that are protected locally but at risk federally.

As Campos told the commission, "A lot of people in San Francisco have been talking about how we as a department interact with the feds, to the extent that it has an impact on medical cannabis providers and immigrants and on First Amendment rights, as in the case of Josh Wolf."

Under state law, reporters’ sources and their work products are protected. A recent case involving Apple suggests that the law also extends to bloggers and independent reporters. But under federal law, reporters have no such protections, which is why former New York Times journalist Judith Miller was jailed in the Valerie Plame–CIA investigation and San Francisco Chronicle reporters Lance Williams and Mark Fainaru-Wada faced potential jail time in the BALCO affair, as did freelancer Sara Olsen in the court-martial of Army Lt. Ehren Watada.

But while these journalists refused to comply with subpoenas that were clearly related to federal matters, there was no such obvious connection in Wolf’s case. An investigation into the assault on SFPD officer Peter Shields normally would have been undertaken by local police and District Attorney Kamala Harris. Police records show that SFPD inspector Lea Militello requested "assistance from the FBI/JTTF regarding investigation of a serious assault against a San Francisco police officer." Federal investigators justified their involvement by maintaining that there had been an attempted arson on an SFPD squad car purchased in part with federal funds, even though SFPD records indicate only that the car’s rear tail light was broken.

"There was nothing incriminating on my tape," Wolf told the Police Commission, recalling how he offered to prove his statement by letting the federal judge view it in his private chambers, an offer the judge refused. "But because I had no federal protections, I had to decide whether to engage in a McCarthyesque witch hunt," Wolf added; he long had suspected that the feds wanted to profile anarchists about whom he has intimate knowledge.

Campos and Sparks hope that last week’s Police Commission discussion will be the first in a series about the protocols and procedures that the SFPD follows in deciding whether to refer matters to federal authorities. Both stress that asking for such a study does not mean they do not care that an SFPD officer was hurt. As Sparks told us, "At this point we don’t know what the deliberations behind everything that night were or how many people were deployed. For us to comment on a police officer being injured is inappropriate unless we have all the information. And all we’re hearing is anecdotal stuff. Our job is not to take sides but to figure out what the policies were, are, and what they should be."

Police Chief Heather Fong has agreed to report to the Police Commission in August on policies and procedures related to the SFPD’s General Orders, the city’s ordinances on immigration and medical marijuana, and protection of journalists’ rights. Sparks predicts that the report will tell the commission "what the SFPD’s policies do, how that compares to the Board of Supervisors’ resolutions, and whether we need to rewrite them or write new rules for the police."

Commissioner Campos told us he hopes the report will clarify whether the police have an obligation to report to the feds if an investigation involves damage to property bought with federal funding. "If it’s the case that we are obligated, then we need a discussion. Do we want to accept funds if doing so ties our hands and forces us to do something that San Francisco doesn’t want to do? For instance, if we accept funding, then does that mean we have to cooperate with [Immigration and Customs Enforcement]? If so, then a lot of us, myself included, would be up in arms and would say, ‘Let’s not.’ To the extent that it comes down to money, I’d hope that we’d make the choice that we’d rather not take the money than get in bed with the federal government."

Wolf, who was not convicted of any crime but served 226 days for being in contempt of a grand jury subpoena, was released April 3 after he agreed to post all his unedited footage online — an action the feds claimed as evidence that he had submitted to their demands. But Wolf pointed out that he agreed to do so only after the feds promised that he would not have to testify about anyone whose actions or words he had captured on tape. He also pointed out that he released the tapes to everyone, not just the federal government.

Since being released Wolf has announced his intention to run for mayor of San Francisco this fall, saying he was inspired by the recent Progressive Convention called by Sup. Chris Daly "in which they had a great platform but no declared candidate."

Wolf’s candidacy pits him against Mayor Gavin Newsom, who expressed neither support for Wolf nor criticism of his detention. That stance is in contrast with that of Harris, who is also running for reelection this fall and publicly criticized the US Attorney’s Office in March, a month before Wolf was released. In August 2006, Newsom returned unsigned the resolution of support for Wolf’s plight that was sponsored by Supervisors Ross Mirkarimi, Tom Ammiano, and Daly. The resolution, which passed on a 9–1 vote, with Sup. Sean Elsbernd voting no and Sup. Michela Alioto-Pier absent, declared that the city "resisted the federal government’s intervention in the City and County of San Francisco’s investigation of the July 8th, 2005 G-8 protest; expressed support for the California Shield Law; and urged Congress to pass Senate Bill 2831, the Free Flow of Information Act."

Asked about Newsom’s position on Wolf and related matters, spokesperson Nathan Ballard reminded the Guardian that the mayor authorized a $10,000 reward for information leading to the arrest and conviction of the person or persons responsible for the assault on Shields. "We take these attacks seriously and will take the appropriate actions necessary to ensure that the person or persons responsible are prosecuted," the mayor said shortly after the assault. As for Wolf, Ballard said by e-mail, "I am not aware of any public statement [by] the Mayor on the case of Josh Wolf. The Mayor is generally supportive of the concept of a better shield law, but he has not taken a position on this particular bill at the present time."

As it happens, Wolf, who has made numerous media appearances since his release, including on The Colbert Report, could find himself in the unusual position of having more name recognition than any of Newsom’s other challengers. And with Congress currently considering a federal shield law, the cause for which Wolf went to jail remains in the news. As media activist Rick Knee put it, pointing to the "Free Josh Wolf" button that he continues to wear on the lapel of his tweed jacket, "Josh may be out, but the issue is still with us." *

Green City: Slow climate change U-turn

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› news@sfbg.com

GREEN CITY It seems like most of the recent talk about global warming has been in terms of its apocalyptic potential in the distant future. Yet Bay Area heat waves and soaring temperatures in the Central Valley of late could certainly cause me to wonder whether it’s already begun. What has happened to our legendary cold summers and heavy rainy seasons? Sure, we’ve gotten patches of fog and wind, but for the most part this summer has felt, well, summery.

And apparently I’m not the only one thinking about climate change and what we need to be doing today to minimize it. Let me tell you, it’s going to take a lot more than driving a Prius and using energy-efficient lightbulbs to get the job done. That’s why the San Francisco Public Utilities Commission and the Department of the Environment published the city’s Climate Action Plan in 2004. The plan evolved from the Board of Supervisors’ 2002 resolution to reduce the city’s annual greenhouse gas emissions by 2012 to 20 percent below their 1990 levels and included a series of recommendations on how to achieve this goal.

In 1990, San Francisco emitted 9.1 million tons of carbon dioxide and other greenhouse gases, but by 2004 it was pumping out an extra 600,000 tons per year and counting. In order to get down to the ideal of 7.3 million tons by 2012, things need to make a major U-turn. Last month the San Francisco Civil Grand Jury released a report on how successful the Climate Action Plan has been so far, and while the city has made some progress in reducing its annual greenhouse gas emissions, the report noted that if the board’s goals are to be met, the entire city needs to step it up.

According to the grand jury report, the reduction of emissions in 2005 (the most recently available local emissions inventory) was "500,000 metric tons, only half the amount hoped," and "to achieve the reductions to 7.3 million tons by 2012 will require a tripling of the reduction rate."

The Department of the Environment remains optimistic. "We haven’t fallen behind," Mark Westlund, the department’s public outreach program manager, told the Guardian. "But we need to do more. We are currently at 1990 levels. At this point we’ve made the U-turn and are lined up to reach 7 percent [below] our 1990 levels, which would put us up to pace with the Kyoto Protocol’s goals, but we just need to ramp it up to reach our 20 percent."

City government can do a lot to control emissions. There are already regulations in place regarding the city’s vehicle fleets and setting green standards for municipal buildings. Mayor Gavin Newsom’s Green Building Task Force on July 11 announced a proposal to create incentives for private-sector buildings to adopt green building standards over the next five years.

Other city efforts include 2001’s Proposition B, which expanded solar power possibilities, and Community Choice Aggregation, which recently received preliminary approval from the Board of Supervisors; the latter program will allow the city to develop renewable energy projects on behalf of its citizens. But when it comes to making San Francisco a truly green city, much of the dirty work will fall to private citizens.

Nonmunicipal sources are responsible for 90 percent of San Francisco’s emissions, with a whopping 50 percent coming from private transportation, mostly cars. While the Climate Action Plan and the Civil Grand Jury report both give suggestions on how government agencies can motivate the public to reduce emissions, these suggestions can also be read as a map for how we can help ourselves. Simple changes in transportation habits — more walking, bicycling, and public transit — could cut 963,000 tons of greenhouse gases per year. And those who must use cars could carpool more often and switch to more-efficient vehicles.

The Climate Action Plan also indicates we can reduce emissions by an estimated 328,000 tons by changing how we live at home, including better energy efficiency and waste management.

Westlund told us, "Twenty percent is not just a municipal target, it’s citywide. Residences can help. Businesses can help. We’re all in this together. Getting the message out is half of it."*

The grand jury report is available at www.sfgov.org/site/courts_page.asp?id=3680#reports.

Comments, ideas, and submissions for Green City, the Guardian‘s weekly environmental column, can be sent to news@sfbg.com.

At the crossroads

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Part three in a Guardian series

› gwschulz@sfbg.com

San Francisco Ethics Commission executive director John St. Croix has admitted that his office knew in 2005 about the alleged laundering of public money into a San Francisco City College bond election campaign — well before the story broke in newspapers in April — but did nothing to investigate.

That startling revelation knits together two concurrent series that the Guardian has been running for the past two weeks: one on City College’s deceptive and unaccountable use of bond money and another on the uneasiness local watchdogs feel about the Ethics Commission’s ability and willingness to mete out balanced punishment to elections-law violators.

When news reports surfaced in April that City College allegedly had diverted up to $30,000 in public money to a bond election campaign committee, Chancellor Phil Day moved quickly to limit the fallout. So did independently elected trustee Rodel Rodis, who along with six other board members is responsible for controlling and managing the San Francisco Community College District.

During meetings organized that month to address the matter, Day came clean and blamed everything on a "relatively new" assistant vice chancellor. At least two trustees, one of whom had been recently elected, still wanted to know more about why it was allowed to happen. Rodis, on the other hand, complained that hiring an independent investigator at a cost of $75,000 to look into the matter was too expensive and framed the stories — written by San Francisco Chronicle investigate reporter Lance Williams — as an unfair attack on the college.

"Let’s be mindful that we’re still in a budget crisis and we still need to watch taxpayer money," Rodis said at one of the meetings.

Unlike Rodis, District Attorney Kamala Harris didn’t treat the allegations as insignificant and is now reportedly probing possible criminal violations in connection with the scandal. The investigation, Williams wrote recently, includes contributions made to the committee by contractors that did recent business with the school.

But where was the Ethics Commission during all of this? The controversy raises serious questions about why the agency never took any action against City College when, as its mission statement declares, its responsibility is to "actively enforce all ethics laws and rules, including campaign finance and open government laws."

Late in the commission’s July 9 meeting, St. Croix made the stunning admission that although his office knew about the allegations surrounding City College’s dubious handling of public funds all the way back in 2005, for some inexplicable reason it did nothing.

Staff shortages and poor financing have plagued the Ethics Commission since voters created it in 1993. Although the number of staffers has doubled during his three-year tenure, St. Croix nonetheless told the Guardian recently that his agency remains dependent on the public to help expose political candidates and campaign committees that break the law.

"We still rely on people and the city being watchdogs," St. Croix told us. "We’re supposed to be the eyes and ears for a lot of things, but we’re still extremely limited."

In this case, however, St. Croix’s office was well aware of allegations that City College bureaucrats had misappropriated public funds. The school’s Board of Trustees, along with Day’s office, created the Committee to Support Our City College in 2005 to convince voters to give the school $246.3 million in bond money to continue with a slate of capital works projects that began in 1997 and now are costing hundreds of millions of dollars more than anticipated.

The owner of a motorcycle training school claimed in a December 2005 letter to the Ethics Commission that he was told by the college to make a rent check for the regular use of school property payable to the committee instead of the school itself. Amazingly, the Ethics Commission pondered contacting the state’s Fair Political Practices Commission to disclose the allegations, which is the least it should have done, but never actually did so, as St. Croix has acknowledged only now.

"I take responsibility for that," St. Croix told us. "I don’t know who actually dropped the ball. But at the time we had less staff and there were a lot of things we were supposed to do and we weren’t doing."

Nor did the Ethics Commission contact the college to demand that it amend its campaign filings from that year to reflect the true source of that $10,000 payment and acknowledge itself rather than the motorcycle training school as a major contributor to the bond committee. St. Croix figured that could happen at the conclusion of the FPPC’s inquiry. Of course, the FPPC didn’t know about the allegations, at least not until the Ethics Commission finally contacted it in May, following the Chronicle‘s front-page stories.

The Ethics Commission’s lax approach to City College oversight also extends to trustees like Rodis, who has his own apparent campaign finance violations from his 2004 reelection campaign. That year, records show, his campaign failed to turn in three key election filings required to ensure that before heading to the ballot box, voters have a chance to see where candidates are getting their campaign money from. The commission sent his campaign several warning letters; just one of the filings finally arrived nine months later.

The trustee pointed to a campaign staffer when we contacted him regarding the tardy campaign statements. "We had someone working on the campaign who was supposed to do that," Rodis told us. "He indicated to us that everything was in order. We relied on him. We paid him. And then we found out later that he didn’t do what he was supposed to do…. It was one of those things that happen when you trust people."

The filing Rodis did manage to turn in shows that of the more than $44,000 he raised for his reelection effort that year, at least $1,700 had no identified donors, and other donations were marred by confusing data entry errors. An internal Ethics memo obtained by the Guardian that discusses the Rodis reelection campaign committee concludes that its poor reporting "appears to be a matter of willfulness and disregard for the law" and what belated filings do exist "present significant data problems." According to the memo, "Based on the record, significant questions remain regarding the true facts of the committee’s financing."

Rodis in 2004 won reelection to the board for the fourth time since he first became a trustee in 1991. According to our conservative estimates based only on the late filings, he could be liable for thousands of dollars in fines. *

Gutting campaign reform

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EDITORIAL A bill that could gut many local campaign finance laws is zipping through the legislature with the support of both the Republican and Democratic parties — and only a few activists seem to be paying attention. We’ve written about the bill, AB 1430 by Assemblymember Martin Garrick (R–San Diego), on the politics blog at www.sfbg.com. It has already cleared the State Assembly, 77–0, and is headed to the State Senate floor, where only one member — Carole Migden of San Francisco — has come out in opposition.

The Republicans and the Democrats love this bill because it would allow their parties to use unlimited amounts of money to support local candidates. That’s become increasingly common in this state; when cities set strict limits on contributions to political candidates, the candidates simply ask their big-money backers to give the money to the state Republican or Democratic Party — which then funnels the laundered, uncontrolled, and often unreported cash into local campaigns.

In fact, the bill comes from the San Diego GOP, which is angry that the San Diego Ethics Commission tried to crack down on nearly a million dollars in unregulated money that went to local races last year.

The bill talks about "membership communications" — as if the parties were simple nonprofits that wanted to send newsletters to their members. That’s not what’s going on at all, and everyone with any sense knows it. Here’s the real story: while the federal and state governments have refused to do any real campaign finance reform, cities and counties all over California have tried to fill the gap. The San Francisco Ethics Commission — for all of its obviously failings (see "Whose Ethics?," 7/11/07) — has the authority and the mandate to regulate local campaigns far more tightly than the state’s Fair Political Practices Commission. So the big donors, working through the state parties, are trying to figure out ways to circumvent local rules.

The conservatives in the State Legislature love to talk about local control when it comes to workplace regulations, environmental protection, and schools — but when a bill like this comes along and threatens to eviscerate local control, they utter not a peep. Nor, for the most part, do the liberals, who are aligned with the Democratic Party and don’t want to defy its mandates.

The San Francisco Ethics Commission has asked Mayor Gavin Newsom and the supervisors to oppose this bill, but the board has taken no action, and the mayor says he actually supports the bill. That’s a disgrace: at the very least, the supervisors should pass a resolution opposing AB 1430 and force the mayor to veto it.

Migden, after talking to the folks at California Common Cause, the public interest campaign organization, took a bold stand against the measure, and she deserves tremendous credit for that. Now the rest of the senate — starting with Leland Yee of San Francisco and President Pro Tem Don Perata of Oakland — needs to go along and kill this monster. *

Billboard sleaze

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EDITORIAL Clear Channel is one of the biggest media companies in the world, with more than 1,100 radio stations, more than 40 TV stations, and a massive outdoor advertising network with billboards in more than 20 countries. This conglomerate, much despised for undermining independent broadcasting in this country, does business with a lot of government agencies, including the city and county of San Francisco. Clear Channel maintains the city’s bus shelters and runs the city’s pedestal-mounted newsrack program, and sells ads on the shelters and the backs of news racks.

So when Clear Channel does a favor for a local politician, it ought to raise eyebrows immediately.

That’s what’s happened with Sen. Carole Migden. Just as she’s fighting to defend local campaign reform laws (see "Gutting Campaign Reform," this page) Migden has been the recipient of tends of thousands of dollars’ worth of free billboard ads from Clear Channel. The ads were facilitated by local company executive Michael Colbruno, a former Migden aide who remains close to the senator.

We’ve been concerned about the billboards since they went up. At first, as we reported on www.sfbg.com, Colbruno refused to say who had paid for the boards, insisting they were independent issue-advocacy ads supporting Migden’s stances on the war in Iraq and rebuilding the state’s infrastructure. Migden came clean a few days later and told us that Clear Channel had, in fact, provided the ad space free; she added that her campaign had paid for the printing, although her campaign manager, Richie Ross, now denies that.

At the very least it’s awfully close to a legal issue: donors who sponsor issue-advocacy ads that promote individual candidates can’t coordinate those efforts with the candidate’s campaign. Otherwise the expenditure isn’t independent at all and ought to be reported as a campaign contribution.

Of course Clear Channel can’t contribute tens of thousands of dollars to Migden; the maximum contribution under state law is $3,600, and the company has already given her $2,500. "Therefore, presuming that the value of several billboards throughout San Francisco exceeds $1,000 dollars, Clear Channel has made a contribution to Carole Migden in excess of legal limits," states a July 16 memo from Reed and Davidson, a Los Angeles law firm hired by Migden’s primary opponent, Assemblymember Mark Leno. (Read the entire memo at .

Migden may not be the only one involved in this Clear Channel scam; the company regularly sells or donates ads to local political candidates, and it’s entirely possible that others have gotten either discounts or partial gifts from the conglomerate.

For starters we’d prefer that Migden, and everyone else who’s running as a progressive in this town, eschew contributions from Clear Channel. But if such a powerful local operator is handing out favors, the details need to be made public, fully and immediately.

What was the actual value of what the company gave Migden? How closely was the deal coordinated with her campaign? What other local candidates have gotten free or cut-rate ads from this outfit?

The San Francisco Ethics Commission and the state’s Fair Political Practices Commission ought to investigate — and if it turns out that what Migden has done is legal, then the State Legislature needs to figure out a way to ban it. Meanwhile, the San Francisco supervisors, who are about to approve a new bus shelter contract, should demand that Clear Channel first release a full list of its billboard beneficiaries. *

Importing injustice

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› news@sfbg.com

More than 100 tractor trailers were lined up at 6:30 a.m., inching toward the Port of Oakland’s Terminal 7, waiting for their next load. Against the backdrop of the San Francisco skyline, a mammoth freight ship emblazoned with the name Hyundai glided toward the port, pregnant with multicolor shipping containers.

A driver told the Guardian that he expected to be in line for at least two hours waiting to drop off the empty container attached to his big rig. His 1989 truck lacks air-conditioning, so the windows were rolled down, allowing diesel exhaust to pollute the air he was breathing.

It’s the same scene at many of the port’s other terminals: long lines of ancient trucks slowly snaking toward their destinations, their primarily immigrant drivers performing the essential and thankless task of transporting cheap clothes from Asia to the nation’s big-box retailers or helping to export California’s agricultural goods to Hawaii.

The fourth-busiest container port in the nation, the Port of Oakland is the economic engine of the region, providing thousands of jobs and more than $1 billion in revenue. But activists say that the port system has also led to sweatshoplike conditions for truckers and created a health crisis for the surrounding community.

On their poverty-level wages, truckers are usually able to buy only the oldest, most polluting trucks. Their diesel pollution is a major factor driving asthma rates through the roof in the neighboring, primarily African American neighborhood of West Oakland, where, the American Lung Association says, one in every five kids has asthma.

A new national coalition of labor, environmental, and community activists has advanced a proposal that would make all drivers employees with benefits, radically changing the way work is done on the waterfront and possibly heralding the return of the Teamsters to the ports for the first time in more than 20 years. In the process, the proposal would make the port’s biggest customers responsible for its environmental problems.

The coalition places the blame for the current situation squarely on giant retail shippers such as Wal-Mart and Target and is calling for them to be held accountable for the full environmental and labor costs of the cheap goods they sell — a call the corporations are strenuously resisting. The American Trucking Association, whose members contract directly with the corporation, has threatened a lawsuit if the change is adopted. But port officials have voiced a willingness to seriously consider implementing the proposal.

Having long claimed that the trucking industry is outside its control, the Port of Oakland could embrace the proposal as a means of satisfying community, environmental, political, and business concerns. With impending directives to clean the air coming from Sacramento, trade planned to almost double by 2020, two new Port Commission appointees representing labor and environmental concerns, and a federal antiterrorism tracking plan slated for this fall, the port is poised to play a leadership role that could reverberate up and down the West Coast and across the country.

THE TRUCKER’S LIFE


The Port of Oakland’s estimated 1,500 to 2,500 drivers are a far cry from the middle-class, long-haul Teamsters and the Smokey and the Bandit–<\d>style freewheeling rebels who have long been engrained in the American imagination. Instead, they are at the bottom of the port’s food chain and are the most exploited trucking sector in the country, consisting primarily of recent immigrants struggling to make ends meet.

Dawit Fre, 39, immigrated to Oakland from the small nation of Eritrea two years ago. "I wanted to see a better life," he told us. Fre was a driver in Africa and went to work for the Port of Oakland after his cousin told him people start their trucking careers there. He said he works up to 60 hours a week for one company, making the equivalent of about $8 an hour after expenses.

Fre arrives at work every day no later than 6:30 a.m., waits for dispatches from his company, and spends a minimum of two hours in line for each container he picks up or drops off. He is paid $42 for each load by the company. He doesn’t know how much the trucking companies make but has heard that some get $200 per load. He returns home around 6:30 at night.

"The whole time I’m at the port, I’m thinking about my family," he said. "I got children. The only thing I’m thinking inside the terminal is, how many moves am I going to do? Am I going to do four or five or three or two?"

On a good day he can get four, on a bad day as few as one, depending on the length of the lines and the generosity of the dispatcher. Then there are his expenses. As an independent operator, Fre is solely responsible for a tankful of diesel that costs him up to $250 a pop. DMV registration is $178 a month, and 12 percent of his weekly earnings goes to his boss for insurance on his truck, not to mention annual federal income tax.

He receives no benefits, no overtime pay, and no health care coverage at a time when his wife, a diabetic, is suffering from severe stomach complications. "I’m taking her to Highland Hospital," he told us. "If it’s easy for them to fix, they can do it. But if she has a big problem, they can’t do it."

Fre has his own health problems. "Most of the drivers, we have old trucks," he said. "You don’t have AC, your windows are down, and you get sick in the truck" from the diesel. Fre’s remedy for his persistent coughing and the burning in his throat is several glasses of milk after each day of work.

A 1998 study published in the Journal of Independent Medicine found that truck drivers face a risk of cancer 10 times greater than Occupational Safety and Health Administration–acceptable levels, and a 1990 study published in the American Journal of Public Health showed that truckers face nearly double the average lifetime lung cancer risk.

Fre has little money to invest in his truck, a ragged 1987 model that he said needs $5,000 in repairs. He doesn’t trust it on the freeway, so he’s asked his dispatcher to send him only from pier to pier, not outside the port, further dipping into his earnings. "I came here to see a better life," he said. "When I got here, I found it is different. Here we don’t get paid for the overtime. We don’t get benefits. When I get into the terminal, there is no respect."

His experience is typical of those of port truckers across the country. A study by the East Bay Alliance for a Sustainable Economy, a labor-affiliated think tank, found that the average Port of Oakland trucker makes as little as $8 an hour after expenses, works 11 hours a day, and spends two and a half hours in line per load. Almost none of the truckers reported receiving benefits on the job, and 66 percent don’t have health insurance.

This is consistent with data from a 2004 survey of port truckers in Los Angeles and Long Beach, conducted by a professor of economics at California State University Long Beach. That report found they had a median income of $25,000 a year after expenses and an average workday of 11.2 hours, with up to 33 percent of their time spent waiting in line.

Port truckers generally drive only the oldest, most polluting trucks because that’s all they can afford. An industry adage is that ports are "the place trucks go to die," a reality that has dire impacts on the surrounding communities.

POLLUTING THE COMMUNITY


West Oakland has long been a dumping ground for the Bay Area’s toxic waste. The community has one of the five highest asthma hospitalization rates in California, with an estimated 20 percent of its K–<\d>12 students suffering from the disorder, according to the ALA. Researchers at the University of Southern California have found that children living within a few hundred meters of freeways leading out of ports not only are more likely to suffer from asthma but also actually develop smaller lungs.

Margaret Gordon, a 60-year-old community health activist who has lived just blocks from the Port of Oakland for 15 years, told us that she and four of her grandchildren living with her all suffer from asthma. When one grandchild was born with severe asthma and her own asthma worsened after she moved to West Oakland, Gordon, then a housekeeper, started reading about the causes of asthma and made the connection to the port. Like many in the low-income neighborhood, she cannot afford to move elsewhere in the Bay Area.

Gordon has been fighting for clean air for more than a decade, and in April she was inducted into the Alameda County Women’s Hall of Fame for her work. In 2001, Gordon formed the West Oakland Environmental Indicators Project, which she now cochairs. The project has released more than half a dozen studies related to air quality. A 2003 report showed that trucks traveling through West Oakland in one day produce the same amount of toxic soot as 127,677 cars, leading to indoor air in some neighborhood homes that is five times more toxic than that in other parts of the city.

Still, Gordon told us that port officials are "only starting paying attention." Last year the California Air Resources Board passed a resolution related to air quality at ports and announced that it was developing a regulatory mechanism. A 2006 CARB report found that truck diesel exhaust accounts for the majority of the estimated 2,400 deaths related to freight transport each year and 70 percent of the state’s air pollution–<\d>related cancer risk. Freight transport will cost California residents $200 billion in health costs over the next 15 years. Most of this is borne by low-income communities of color near freight transport hubs.

The combination of state mandates and local community concerns is starting to spark a change. "They would sit down and talk with us before that, but there was not anything concrete done," Gordon told us. The port is now in the early planning stages of an air-quality-improvement program, working with Gordon and other activists.

That movement is getting vigorous new support from the Coalition for Clean and Safe Ports, a national partnership of labor, environmental, and community activists organizing at the country’s major container ports: Los Angeles, Long Beach, Miami, Oakland, New York–New Jersey, and Seattle.

"Every one of those ports has the same environmental and labor problems we have in Oakland," Doug Bloch, the coordinator for the coalition in Oakland, told us during a tour of the port’s heavy industrial landscape. Virtually all of its 900 maritime acres are covered by concrete and asphalt, monster cranes that inspired Star Wars‘ Imperial Walkers, and 20-foot steel containers stacked up like Legos behind chain-link fences.

The Port of Oakland has no direct relationship with its truckers at the present. Shippers take price bids from among roughly 100 trucking companies at the port, then contract the work to the independent-contractor truckers. The CCSP says bidding wars lead to poverty wages for truckers, older trucks and more pollution, and a chaotic port full of inefficiencies like long pickup waits.

Under the proposed system, ports would call on their ability as landlords to set standards for the trucking and shipping companies. They would require trucking companies to hire drivers as employees, shifting maintenance costs from the drivers to the companies, which would retrofit or replace all port trucks with more environmentally friendly rigs. The ports would allow only new, cleaner trucks to enter. The companies could then, in theory, pass the costs on to shippers and end users.

If drivers were paid as employees by the hour instead of by the trip, the coalition expects the market would reduce inefficient truck wait times and air pollution.

"When you rent an apartment you sign a lease," Bloch told us. "If you trash the place, you get evicted. Corporations are trashing this community, but they’re not being evicted."

A test case could soon be under way at the ports of Los Angeles and Long Beach, the two largest in the United States, and the situation is being closely watched by ports and industries across the country. Port commissioners there had hoped by the end of this month to approve the coalition’s program, which they expect to reduce diesel truck emissions by as much as 80 percent over the next five years. But growing opposition and the threat of lawsuits by groups like the California Trucking Association, which represents the owners of truck companies, and the Waterfront Coalition, a consortium of major retailers, led the ports to delay their decision. The commissioners now expect to vote in September after completing an economic impact survey.

At the center of the storm is the fact that as employees, truckers would be able to organize and form a union. As independent contractors, they are barred from doing so because of antitrust laws originally created to oppose vast enterprises that dominated industries. (A further irony is that giant retail steamship companies have experienced incredible consolidation and enjoy a limited antitrust immunity.)

If passed by LA port officials, the plan would be implemented there starting Jan. 1, 2008, and could result in a domino effect at the other, smaller ports across the country. "The industry is fighting like hell in LA," Bloch told us. "They know that if they’re going to have to pay, the party’s over."

Meanwhile, Bloch told us that more than 1,000 truckers have signed a petition asking the Port of Oakland to pass a version of the coalition’s proposal, and it will be presented to the Port Commission, the seven-member body that would eventually vote on the proposal. Spokesperson Libby Schaff told us that the port "agrees with the coalition that the port can and should have a more direct relationship with its truckers" and is "very seriously considering the coalition’s proposal."

Because the proposal "constitutes a major overhaul of the way trucking is done today," Schaff said the port is currently holding stakeholder meetings with residents, truckers, terminal operators, elected officials, the business community, and labor to consider it in the context of a more comprehensive port plan. Schaff said a comprehensive plan could be crafted in less than a year.

The port has not taken a position on granting truckers employee status. It is also looking into other funding mechanisms for a clean-truck program, including money from a pending state bill that would impose a $30 fee on every 20-foot-equivalent unit passing through the Los Angeles, Long Beach, and Oakland port complexes, to be used for improvements in road and rail infrastructure and for clean-air programs.

The legislation, Senate Bill 974, by Alan Lowenthal (D–Long Beach), would generate more than $525 million annually. But it faces tough opposition from some very powerful interests.

RESISTING CHANGE


Bill Aboudi, president of Oakland’s AB Trucking and a member of the CTA, told us truckers are "treated like second-class citizens," and he believes long lines and trucker asthma are serious problems. But he strongly opposes the coalition’s proposal. Instead, he told us, state regulations like those forthcoming from CARB and other piecemeal reforms are the answer.

"The coalition’s main goal is to unionize the drivers," Aboudi said. He was wearing a baseball cap emblazoned with two American flags and the words "Oakland Trucker." An immigrant from Israel, he has been at the Port of Oakland since 1992. "If these guys choose to be owner-operators, why are you rocking the boat? You can’t be playing with my livelihood just because you want to get union dues," Aboudi said. "Truckers want to own a piece of the American dream. They want to own their own truck."

It’s an appealing image to many. Kevin Leonard, an owner-operator trucker who contracts with Aboudi and others, told us he doesn’t want to give up his independent status. "I have the freedom to work when I want," he said. "I don’t see how the Teamsters can represent me better than I can."

The trucking industry as a whole says the coalition plan will force away trade and drive out small trucking companies, which will have to maintain the trucks and start paying benefits such as health insurance and workers’ compensation.

Yet Assemblymember Sandré Swanson (D–Oakland) brushed aside those arguments. "I’ve been involved in Bay Area politics for more than 30 years," he told us. "I’ve seen these same claims made against farmworkers as they were organizing for better conditions. I’ve seen these arguments made when we were raising the minimum wage. I think the opposite is true. If you have a workforce with a livable wage, it’s a more productive workforce, and I think everyone benefits. Truckers deserve more, and we’re going to do what we can to help them."

Oakland City Council president Ignacio de la Fuente, who drafted and helped pass a minimum-wage law for port employees, told us he supports the right of truckers to unionize but labor and environmental concerns must be balanced with economic growth. "You can’t ignore the fact that you have the port of Oakland competing with other ports," he said. "I support the fact that the Teamsters are going to bargain collectively on a national level. This port competes with other ports, and you cannot be put at a disadvantage."

Bloch says the coalition’s target is the shipping companies, not the trucking companies. "The shippers are hiding behind the trucking companies," he told us. "On the one side there are the giant shipping companies, like Wal-Mart and Target, huge global companies that demand low prices from trucking companies. On the other side are tiny trucking companies, immigrant truckers, and communities of color. Wal-Mart’s slogan is ‘always low prices,’ but ‘always low prices’ means one out of five children in West Oakland with asthma and drivers making $8 an hour who can’t support their families."

Oakland mayor Ron Dellums may be signaling his support for reform with two new appointees to the Port Commission. Even before he took office, Dellums was working to influence the Port Commission; as mayor-elect, he requested that outgoing mayor Jerry Brown hold off on appointing a new nominee so Dellums could appoint someone working on environmental and community impacts. He lost this battle when a majority of the city council voted to appoint Mark McClure, the director of marketing at a business technology company focused on security.

Dellums’s latest appointees, announced earlier this month, are a marked contrast to the business-oriented appointees of the Brown era: Victor Uno, a financial secretary with the International Brotherhood of Electrical Workers, and Gordon, the longtime resident and environmental activist in West Oakland.

"The port’s policy has been all about business and not about the people," Gordon told us. "The mayor really wants someone there to talk about health issues. I have never known a mayor to put someone on the commission and one of their engagements is to talk about health." She would also like to see a public participatory-process policy built into the port. "This is about sharing the power," Gordon said. "I don’t think West Oakland residents know they have power." She has "no problem" with truckers unionizing but also wants to find a way for drivers to remain independent contractors if they prefer.

Uno told the Guardian that he is highly supportive of the proposal. "I think that if the whole commission takes the lead of Mayor Dellums that this proposal will be very seriously considered," he said. "I’m very optimistic." Asked if he thought a proposal could succeed without requiring trucking companies to hire truckers as employees, he said, "I do not see how that is possible, given the lack of regulations in the trucking industry. It’s a dog-eat-dog world among independent truckers."

DEREGULATION HISTORY


The ports were not always structured as they are now. Before the 1980s the Interstate Commerce Commission regulated trucking, and most truckers at California ports were members of the Teamsters. They had health care, pensions, and workers’ compensation insurance and were paid a middle-class wage.

As part of a national push toward deregulation in the late 1970s, Congress, spurred by President Jimmy Carter, deregulated the trucking industry in 1980. In the following few years, a flood of new trucking companies entered the ports, with shippers choosing between a growing number of companies for each job. As small trucking companies undercut one another in bidding wars, the falling rates translated into declining driver pay, the bankruptcy of Teamster-organized companies, and increasing reliance on independent contractors whom companies could hire without spending money on payroll taxes, health care costs, or other benefits that unions might try to extract.

Trucking expert Michael Belzer, an economics professor at Wayne State University, has shown that long-haul truckers now earn less than half of prederegulation wages and work an average of more than 60 hours a week, while retailers like Wal-Mart have thrived. "The low rates paid to truckers in this global-trade game acts as a subsidy for increasing the amount of trade," Belzer told us. "Pollution and safety hazards are the negative externalities." If all ports on the West Coast required employee drivers, he said, "the market result would be that cost and safety would go up, and pollution would go down."

There have been a handful of Teamsters-related or trucker-led rallies and work stoppages at the Port of Oakland since deregulation, including a technically illegal strike in 2004 protesting the soaring price of diesel fuel, which virtually shut down the port for eight days. Many of the same complaints of today’s port truckers were aired at that time — long waits in lines, poor pay, long hours, and no benefits.

"This business is like the Mafia," Lorenzo Fernandez, 36, said, standing in front of two metal taco trucks glinting in the noon sun, along with about a half dozen other truckers on their lunch break. "They’re doing whatever they want with us, between the [truck companies] and the shippers. There is so much competition between the companies, and they know that we need the job. They know that our kids will go hungry."

Muhammad Khan, 33, said he’s sometimes forced to make up for long wait times by driving dangerously fast on the freeways. "We have our families. We have to take care of them. We all risk our lives because we have to. We don’t make enough money if we don’t make a load," Khan told us.

"We’re all immigrants here," Fernandez said. "We make it possible for the economy to grow up, but they’re stepping on our faces…. We have to work together. Otherwise we are going to be slaves for life."

A sign on a chain-link fence near the taco trucks reads, "Got an old truck? The Port of Oakland can help! Replace your old truck today!" Call the number at the bottom of the sign, and a recorded message issues an invitation to an informational barbecue that took place four months ago. The message explains that the port will provide qualifying owners with up to $40,000 to replace trucks dating from 1993 or before with a 1999-model truck. But Schaff told us, "Due to overwhelming demand, new applicants are currently not being accepted."

Money for the program came from a $9 million settlement of a lawsuit West Oakland residents filed against the Port of Oakland in 1998, alleging that their health was being harmed by port operations. The port says it will replace a total of 80 of the estimated 2,500 port trucks with those funds. When asked if the port had a responsibility to truckers, Schaff said it was "consistent with the port’s commitment to social responsibility…. We’ve done a lot, and we’re going to do more."

But the only specific programs the port could point to were the truck replacement program, a trucker access committee and working group started after the 2004 strike, and new GPS cell phone technology that is being touted as a solution for bottlenecks. Chuck Mack, the Teamsters’ Western Region vice president, isn’t impressed. "They’re a joke," he said of the programs. "Very few independent contractors have utilized them."

The recent purchase of the GPS system particularly irritates Mack. "Here is a quasi-governmental agency supplying services to the trucking companies," he told us. "It’s bizarre that we’re using taxpayer money for this. Any other industry would buy the devices themselves."

"We don’t disagree with using this money" for truck replacement, Mack said, "but what you’re doing is blowing $2 million in taxpayer money. Years down the road they’re going to need a new truck and another million in taxpayer money. For Wal-Mart and Target it’s great because they can have the taxpayer pick up the bill. Without changing the model, it’s just a short-term fix at the expense of the taxpayer."

EMPLOYEE BENEFITS


Beyond the environmental and economic benefits of making truckers employees of the companies, the change also might improve port security. The federal Transportation Worker Identification Credential program, expected to be implemented in the fall, will check the identities of the nation’s 750,000 port employees, 110,000 of whom work as truckers. Under the present system, there is no way to track the independent port truckers.

Employees are easier to track, and they are also better for port security in other ways. Among low-paid port truckers, turnover rate is extremely high, according to the ATA. "We all know that having a stable, well-trained, reliable workforce only leads to more security," Bloch said. "If they’re trained, they can be the eyes and ears of the port."

Well-paid truckers also would lead to safer ports. In a 2005 report, Belzer showed that "a substantial fraction" of independent operators actually loses money each year, resulting in "a high risk of unsafe operations among those earning the least money." The low compensation also "presents a national security risk," his report read, "since those who desperately work to break even might be at risk to engage in activities that put the nation at risk, whether intentionally or unintentionally, just trying to find a way from not going under."

Driving past another long line of trucks idling outside a gate after lunch break, Bloch pointed out one truck. A placard on the back of the rig read, "End sweatshops on wheels."

The current port system "just heaps abuse and abuse on these truck drivers and this community," Bloch told us. "The big businesses like Wal-Mart don’t pay the cost of polluting Oakland. It’s the truck drivers and the community that pay the cost. People pay with their lives."

"You can’t fix the environmental problems without fixing the problems of the driver," he said. "And now you have labor and the community coming together, and that’s powerful."*

Pitchfork Music Festival Day 2: Life-changing moments with Yoko Ono, Cat Power, Dan Deacon, Battles, Girl Talk…

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By K. Tighe

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The power of Cat Power. All photos by K. Tighe.

To kick-off the Pitchfork festivities on Saturday, July 14, I decided to check in with some Bay Area denizens.

I’d been hearing excited murmurings about cheap subscriptions to Ready Made magazine, so I headed over to see how the Berkeley publication was faring in the Chicago heat. The corner booth was swarmed with people eager for a turn at custom-designing their own organic T-shirts. Mike Senese, the magazine’s product and online manager, made the trip out from California to organize a crew of local volunteers. This was Ready Made‘s second year at Pitchfork, and Senese explained that they’ve decided to offer festival-goers the chance to get a year’s subscription for only $5. It’s a huge hit. According to Senese, the booth has been constantly busy between the T-shirt making and subscription-peddling — he’s barely had time to see any of the bands.

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Ready Made’s Mike Senese spreads the T-shirt-making word.

Next I checked in with Cory Brown, founder of Emeryville’s Absolutely Kosher Records. Brown and his two little nephews were busy doling out T-shirts and albums to ecstatic festival-goers, but he managed to find a few minutes to tell me that all of the AK bands — across the board — are selling really well. At the fest for a third year, the AK was now joined by hoards of other small imprints from coast to coast in the WLUW Record Fair tent.

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Absolutely Kosher honcho Cory Brown chillin’ with chillen.

Later I headed over to the FlatStock Poster Convention on the other side of the park to check in with Terrance Ryan, a.k.a., Lil Tuffy, San Francisco’s premier rock poster artist. Tuffy told me he was doing well, selling many posters, and having fun. A quick look around at the other vendors — who are all extraordinary — solidifies in my mind that SF does it better: Lil Tuffy’s prints were one of the highpoints of the convention for me.

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Lil Tuffy peddles his posters.

Finally it’s time to take in some music. I head over to the Aluminum Stage, where Grizzly Bear is about 10 minutes into their set. Having been underwhelmed by the band in the past, I wasn’t really expecting much from their mid-afternoon slot. With a sweeping, ethereal momentum that seemed to sprout out of some deep flirtation with rock opera, the Brooklyn quartet positively thrived in the festival environment. The drummer seemed to be working on about 13 internal metronomes, anchoring a set list largely pulled from their 2006 album, Yellow House. A flourish of delicate melodies were layered over the driving rhythm, and the whole thing sounded like an experiment in wrangling chaos. The end result was so charged, I’m surprised the band didn’t collapse after the final song. I suspect they at least had to go bury their feet in the earth of Union Park to ground themselves after such a stellar showing.

The sassy genre-spanning spastics Battles christened the cooling weather with an unabashedly raucous shit storm. Pulsing with hipster smugness, the New York prog-electro-funk-metal-kitchen-sink group pounded through an unsurprisingly mind-melting set to an audience that just couldn’t get enough. Sewn into the fabric of Battles’ success is their ability to produce sound that seems to shed irony. Indeed, the festival crowd was coated with a heavy gloss of the stuff, igniting a theme of “Fuck being cool — let’s just dance!” for the duration of the evening.

Why public broadband works

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By Tim Redmond

I just came across this wonderful report from the Institute for Local Self-Reliance called “Localizing the Internet: Five ways Public Ownership Solves the Local Broadband Problem.” The folks at the Institute, which does great work, argue (as we have) that broadband is essential municipal infrastructure. They also say locally owned broadband is good for the economy. All the supervisors should read this before they vote to give it all away to Earthlink.

Some impertinent questions for Chronicle editor Phil Bronstein

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By Bruce B. Brugmann

Chronicle Editor Phil Bronstein says the hope to save the Chronicle from its staggering weekly losses is more local news.

So, after the Chronicle once again blacked out coverage of the “Free Carolyn Knee” ethics case,
I sent over some impertinent questions to him (with copies to the Chronicle reporters and editors who ought to be allowed the cover the story).

Why did the Chronicle not cover the Carolyn Knee/Ethics Commission story and why does the Chronicle not cover the regular doings of the
Sunshine Task Force and the Ethics Commission? I am also curious why the Chronicle still does not cover the PG&E/City Hall/Raker Act scandal story and all of its ramifications, including the Carolyn Knee story as to what happened to the treasurer of the public power campaign against PG&E. Why hasn’t the Chronicle followed up the excellent stories that Susan Sward and Chuck Finnie did on the PG&E scandal only a few years ago.

No answer at blogtime. The point for Phil and the Chronicle: you can’t trumpet local news when you can’t cover the angles of the biggest urban scandal in U.S. history. Much more to come, B3

Bonds brings ’em out

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Guardian staffer Ben Hopfer checked out Barry Bonds pre-MLB All Star bout soiree at Roe Restaurant and Lounge on July 9. Where was Jay-Z? Who knows where the Jigga goes – anyhoo here’s what Hopfer saw on the red carpet.

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The man of the hour and soon-to-be-world-record-holder for most home runs: Barry Bonds. All photos by Ben Hopfer.

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Bay Area rapper B-Legit

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49ers quarterback Alex Smith

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David “Big Papi” Ortiz.

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Former San Francisco Mayor Willie Brown. Note the adult Barbie doll on his arm.

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Former Giants manager Dusty Baker – come back, we miss you!

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Bay Area rappers Dem Hoodstarz (Band-Aide and Scoot)

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Dave Winfield and significant other.

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San Francisco Giant Rich Aurilia

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Local rapper Richie Rich