Local

Local Artist of the Week: Noah Beil

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LOCAL ARTIST Noah Beil
TITLE San Francisco, California, 2008
THE STORY Beil’s series “Berms and Drumlins” explores man’s alteration of the landscape. From Ohlone shell mounds to gold mining sediment changing the bay shoreline, the Bay Area has long been subjected to deliberate and unintentional modifications by its inhabitants. This photograph was taken on Treasure Island, a man-made environment built entirely on landfill.
BIO In his landscape photographs, Beil compares natural and man-made features and searches for subtle embellishments to the earth’s surface that may not be readily apparent. He questions whether the reshaping of the earth should be considered destructive or decorative. He lives in Oakland.
SHOW “Eighteen Months: Taking the Pulse of Bay Area Photography.” Thurs/17 through September 19; Wed.-Sat., noon-5 p.m. San Francisco Arts Commission Gallery at City Hall, 1 Dr. Carlton B. Goodlet Place, SF. (415) 554-6080. Opening reception Thursday, July 17, 5:30 – 7:30pm. www.sfacgallery.org.
WEB www.noahbeil.com

Local Heroes/ Big Picture Week 2

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PREVIEW In the second of ODC Theater’s Local Heroes summer series, Yannis Adoniou, Manuelito Biag, and Alex Ketley are taking over Theater Artaud. Over the past decade or so, each has developed a profile of making dances that leave impressive individual footprints. Choreographically speaking, Biag is the youngest. His work is emotionally and physically boiling with the dark, complex currents that swirl inside relationships, yet he manages to create an odd beauty out of these struggles. Ballast, created for SHIFT Physical Theater, is his newest excursion into that thorny territory called home. A former ballet dancer and a cofounder of the Foundry (with Christian Burns), Ketley often works with a small number of dancers. But for the 2006 WestWave Dance Festival, he set Careless on 10 advanced ballet students from the San Francisco Conservatory of Dance. With the premiere of Monument, performed by 14 dancers, he continues his interest in larger-scale ensemble choreography. He also demonstrates his penchant for juxtaposing live and virtual dance. This memorial for a friend incorporates video, movement, and music. In the 2005 Less-Sylphides, Adoniou (a former ballet dancer as well) pays tribute to Michel Fokine’s 1909 pointe-shoes-and-white-tulle Les Sylphides, which is considered the first abstract ballet. It’s a highly creative take and radical in both senses of the term — deeply rooted while still a complete departure from the original.

LOCAL HEROES/BIG PICTURE WEEK 2 Thurs/17–Sat/19, 8 p.m. Theater Artaud, 450 Florida, SF. $18–$25. (415) 863-9834, www.odctheater.org

“3”

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REVIEW For "3," artist Chris Duncan gathers a trio whose work explores pattern-making — either through the mark itself (Kyle Ranson’s decorated figures and Derrick Snodgrass’ prismatic constellations) or ordering select bits of visual information (Ernesto Burgos’ wall collage).

Bay Area artist Snodgrass’ Easter egg–colorful watercolors on paper from 2000 are refracted architectural shapes dotted with sunspots. Between then and now, Snodgrass loosened his grip and minimized his palette. Untitled, a tapestry in shades of browns and blacks, records the physicality of making the work. An orb at the tapestry’s center anchors a profusion of comet tails — the splattered streams radiate outward to the infinite. Back here on earth, local artist Ranson’s seven-panel The Rape depicts the Romans’ so-called rape or abduction of the Sabine women, a story ultimately about maintaining familial lines. Ranson’s rape is literal and explicit. The main male figure’s deadened eyes stare somewhere over the viewer while his naked conquest’s head tilts backwards, her steady gaze revealing nothing. The action across the panels is disconnected: a sentry stands off to the right, his outsize hands hanging dumbly by his sides, and a woman lounges naked and unaware. And is that God above, grinning slightly?

New York City artist Ernesto Burgos’ The Dumb Are Mostly Intrigued by the Drum offers a surrealistic plane where patterns and figures collide. A wall collage of black-and-white photocopies repeats photographic images of predatory birds, variously shaped atomic bomb clouds, lambs, a wide-eyed man whose mouth has been altered to a ghoulish grin, a naked woman whose wrists are bound in bondage ropes, and swatches of grids, to name a few. It isn’t so much that we are interested in patterns but that patterns are dependent on us: how can we repeat mistakes if they don’t make themselves recognizable?

3 Through Aug. 16. Tues.–Sat., 10:30 a.m.–5:30 p.m. Gregory Lind Gallery, 49 Geary, fifth floor, SF. (415) 296-9661, www.gregorylindgallery.com

Doing it naturally

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Donald Fortescue and Lawrence LaBianca’s "Bay Area Now 5" work — jokingly referred to earlier this month as the "Top Secret Oyster Project" — is not just about the creation of a well-crafted object. The piece also deals with the current state of San Francisco Bay’s wildlife, tides, and geography. So the two artists decided to let the physical environment affect the work — literally.

After putting in plentiful research, studying ocean survey charts, and talking with local environmental authorities on the work’s impact of their piece, the pair hired a diver to install the steel-table form they built — a muscled-up version of traditional cabriole or animal-legged furniture, as Fortescue describes it — on the floor of Tomales Bay, where it was designed to sit for several months. During the installation, however, their diver told them that the conditions weren’t the best for the hoped-for weathering and oyster- and barnacle-encrusting process, so the table was relocated to Pillar Point. In the meantime, they gathered hydrophone recordings in Bodega Bay to augment the work.

Fortescue, an Adelaide, Australia, expatriate who now heads the California College of the Arts’ furniture department, and LaBianca, who teaches interior architecture at CCA, share more than a keen interest in the physicality of the Bay Area: the two master craftsmen have a history of creating fine-art sculpture. "For me, it’s all just one spectrum — sometimes located more in one area than the other," says Fortescue from Sebastopol. Although this will be the pair’s first manifestation of an object together, it’s not the first time they’ve worked together. The met in Chicago six years ago when they each had work in a retrospective show of recipients of Virginia A. Groot Foundation grants. About two years ago, they collaborated on a proposal to the Yerba Buena Center for the Arts for an installation based on Herman Melville’s Moby Dick. Even though that project didn’t get the green light, they learned a great deal about collaboration, an approach that seems suited to the Bay Area art scene. "Unlike New York, with artists jockeying to get into the best galleries, you see a lot less ruthless, cutthroat behavior here," Fortescue says. "This is a much more friendly environment, much more helpful.

"I wouldn’t be surprised if what we are making is the most crafted object" in "BAN 5," Fortescue continues. "We use making as a way to explore new ways of making — crafting as an excuse for crafting." Oh, and it’s a great excuse to spend even more time amid the Bay Area’s natural settings.

Super Wofler

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Super Wofler! That’s as good a nickname as any for artist, curator, teacher, and creative tornado Jenifer K. Wofford. In Denmark, a Super Wofler is a mass-produced ice cream cone — as Wofford discovered during a recent artist-in-residence stint near Copenhagen, where she also tracked down a version of Planters’ elusive and endangered CheezBalls, as well as a school named Wofford College, founded in 1854.

But in the Bay Area and in the Philippines, the Super Wofler of Wofford College is Wofford, whose project Galleon Trade invokes and revises Spanish colonial trade routes to forge new cultural and critical exchange. Sparked by Wofford’s curatorial and organizational acumen, Galleon Trade kicked off one year ago in Manila, the Philippines, where art by 12 Californians — including Michael Arcega and Stephanie Syjuco — landed at two galleries, accompanied by many of the artists. Last year, the Guardian gave Goldie awards to Wofford and Arcega, but many other Galleon Trade participants — such as Jaime Cortez and Gina Osterloh — have made equally striking and impressive work.

Wofford has a large San Francisco installment of Galleon Trade planned for the Luggage Store Gallery next year. For the moment, the "BAN 5" version will spotlight some local Galleon Trade–ers, and some Filipino artists — like Norberto "Peewee" Roldan of Green Papaya Art Projects — who Wofford met last summer. "A couple artists are doing work that is phenomenological as opposed to overtly political," she says, during a phone interview that includes an only half-joking reference to "carpetbaggers" when the touchy topic of including non–Bay Area artists is broached. "I could see people getting pinched about the fact that we’re expanding the idea of what should be included." Who says the Bay Area only resides in the Bay Area, anyway?

GALLEON TRADE Sept. 5–Oct. 19 in the YBCA Terrace Galleries. Opening party, Sept. 4, 5–8 p.m.

How “Now”?

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How to sum up the ever-changing arts scene of the Bay? Yerba Buena Center for the Arts bravely attempts the near-impossible once again with its multidisciplinary triennial, "Bay Area Now 5," sweeping the local visual art scene to present 21 emerging and established makers in addition to four guest-curated off- and on-site exhibitions as well as performing arts, film, and community-engagement components. Behold, a snapshot of a few faces, places, and ideas.

BAY AREA NOW 5

Sat/19 through Nov. 16

Opening party with Port O’Brien, TITS, Bronze, and more, Sat/19, 8 p.m., $12–$15

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-ARTS, www.ybca.org

See Web site for complete schedule




>>Biennialmania
For regional survey exhibitions, it’s location, location, location
By Glen Helfand


>>You’re going to myth me, baby
Ala Ebtekar rises above while tapping into persian and personal mythologies
By Kimberly Chun


>>Doing what comes naturally
Donald Fortescue And Lawrence Labianca take to the tides
By Stacy Martin


>>Creature feature
Misako Inaoka mashes together animal-vegetable-machine hybrids
By Kimberly Chun


>>Super Wofler
Hitching a ride with Galleon Trade
By Johnny Ray Huston


>>Book ’em
Outside the white box with Michael Swaine
By Ari Messer


>>Nailing it
The Queens Nails Annex snares “Estacion Odesia” in its glam talons
By Kimberly Chun

Campaign pain?

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› a&eletters@sfbg.com

November’s presidential election already looms on the horizon like a herpes outbreak, promising nothing so much as a painful, shame-filled denouement to a drunken and ill-conceived flirtation with someone you thought you knew. So it’s refreshing that the San Francisco Mime Troupe’s seasonal offering of free, rabble-rousing political theater is an election-year special in which the opposing candidates from the two monopolizing parties are conspicuously absent. Instead, Red State, which opened by tradition July 4 in Dolores Park, focuses on the screwed-if-you-do/screwed-if-you-don’t quandary of voting itself, and does so with populist gusto tinged with a reddish hue — a thematic color imbuing everything from the design scheme to the pointedly funny dialogue’s New Deal–style social-democratic slant. It also reflects the rising blood pressure that results from underlying but palpable frustration and outrage.

Reclaiming red from the dusty color wheel of history, Mime Troupe head writer Michael Gene Sullivan’s smart and consistently funny script — brilliantly delivered by a uniformly sharp and charismatic cast and fueled by composer–band leader Pat Moran’s eclectic set of apt and catchy songs — posits FDR’s small-town America as marooned at Francis Fukuyama’s end of history. Set in a puny Kansas ‘burb named Bluebird, Red State casts November’s "Countdown to Armageddon" (as the play’s CNN reporter colorfully advertises his network’s election coverage) in the screwball style of Depression-era comedies as Bluebird becomes the unlikely tiebreaker in an electoral dead heat.

Suddenly the nation’s eyes are riveted on an otherwise microscopic microcosm of average American life at the beginning of the 21st century. This focus on the lives of the town’s humble and much abused citizens throws everyone for a loop, not least the government’s smarmy and ambitious election official (Velina Brown), who is so obsessed with thoughts of a cush Washington, DC-based promotion that she has difficulty remembering which state she’s even in.

For its part, Bluebird feels like a town under siege, but just who the enemy is remains initially hard for the inhabitants to fathom, or agree on, anyway. Is it the wrath of God? The communists? It all depends on whom you ask among the locals, a population whose representative eccentrics include a God-fearing, Jesus-toting fundamentalist (Noah James Butler, bearing cross and life-size Christ) and a rabid (and equally anachronistic) anticommunist named Eugene (Robert Ernst).

What is clear enough is that jobs have dried up (the local pencil factory — the onetime pride of the town, which liked to promote itself as "the Number 2 pencil capital of North Central Kansas" — just relocated to the cheap labor environs of Uzbekistan), public services have dwindled to nil, and the dilapidated sidewalks and roads are a physical menace (nearly undoing a local soldier, played by Adrian C. Mejia, who’s just returned in one piece from Afghanistan).

If that wasn’t enough, the town’s only electronic voting machine is on the fritz. But this little debacle, in the context of an electoral tie, ends up being an opportunity that gets the town thinking and the earth trembling beneath Washington, DC. Deciding to withhold their votes until the proper share of their tax dollars gets re-diverted back to their community where it belongs, and away from endless war-making and corporate welfare, Bluebird manages (in the most unlikely but coruscating of Capra-esque scenarios) to hold a corrupt and hubristic system at bay, spotlighting the government–big business alliance that for decades has fleeced towns like Bluebird of their taxes, able-bodied military-age youth, and everything else not nailed down. Or so to speak: before the town turns the tables on the system, even Bluebird’s fundamentalist is driven in desperation to ask the Antiques Roadshow host, "How much for Jeezus?"

RED STATE

Through Sept 28, free

Various Northern California locations

Visit www.sfmt.org for schedule

Red ink stains green rhetoric

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› news@sfbg.com

GREEN CITY Environmentalists are pondering the state’s seemingly schizophrenic approach to fighting climate change after a recent state report encouraging increased use of mass transit came out at the same time that the governor’s budget proposal denies the state’s public transportation fund more than $1 billion.

The California Air Resource Board’s June 26 Draft Scoping Plan to combat global warming, released pursuant to Assembly Bill 32, the California Global Warming Solutions Act of 2006, is at least the second major report this year to recommend expanding public transit. But the governor’s latest spending plan redirects that sizeable chunk of money — gasoline tax revenue that voters who approved Prop. 42 in 2002 directed toward transportation projects and agencies — to help reduce the state’s $17 billion budget deficit.

"There’s a lot of misallocation of resources going on," said Tom Radulovich, executive director of the San Francisco nonprofit Livable Cities. "The governor on the one hand wants to say, ‘You should all ride mass transit.’ But on the other hand, he is taking away [transit] support from the state budget."

The governor’s press secretary, Aaron McLear, said the budget proposal spares transit from cuts faced by other programs during these tough economic times.

"Funding for public transportation stays level in the governor’s budget proposal. That’s in the face of a $17 billion deficit. The fact that it remains level is better than a lot of cuts we’ve had to make," McLear said. "We wish we could increase it, because it certainly is something the governor believes in. But again, the state is facing a $17 billion shortfall. We can only spend the money that we have. There will have to be some tough decisions to be made."

The CARB plan calls for California to lead by example by encouraging state employees to take advantage of public transportation during their commutes. It notes that transportation accounts for 38 percent of California’s greenhouse gas emissions, most of which comes from cars and trucks, and that curbing these emissions is critical to reaching California’s goal of reducing total emissions by 30 percent over the next 12 years.

"Overall I think this is headed in the right direction. For better or worse, this really does put California ahead of any other state if we fully implement this plan. Of course, having a good plan does not guarantee that it will be implemented, but this is a very serious attempt," said Gabriel Metcalf, executive director of the San Francisco Planning and Urban Research Association, of the state’s global warming plan.

Yet he also said that reaching the plan’s ambitious goals for reducing greenhouse gases means people will have to drive less and use transit more, and that local governments will need to stop approving urban sprawl projects.

"The easy answer that most Americans would rather have is to keep driving just as much as always, but have alternative fuels. And that just is not going to work. AB 32 has a major land use change component. Is it enough? No, it is not. But it is at least an acknowledgment of what we have to do," Metcalf said. "Overall I’m pretty impressed, but they’re not proposing enough land use change and they’re not proposing transit funding increases. They are still unwilling to face facts about the role of the automobile and climate change."

Yet instead of increasing funds for mass transit, the governor has redirected billions of public transportation dollars into the general fund, maintaining status quo transit funding in the face of increased gasoline prices and the new climate change mandate. At the same time, billions of dollars have been allocated to highway expansion programs, exacerbating the global warming problem.

"Anybody’s budget should be a reflection of their values, whether it’s an individual or an agency," said Carli Paine, transportation program director for the Transportation and Land Use Coalition. "The state is saying, ‘We value public transportation as a climate friendly choice.’ Yet when it comes to expressing those values in the budget, we say, ‘It doesn’t matter that much,’ so we’re actually undermining those original statements."

The governor’s revised state budget allocated $306 million to the State Transit Assistance Program, the state’s source of funding for mass transit operating costs such as maintenance, drivers, fuel, and mechanics.

This is the same amount that was allocated last year, even though transit ridership is the highest it has been in more than 50 years, according to a June report by the American Public Transportation Association. And factor in that crude oil is about $140 per barrel now compared to about $73 per barrel this time in 2007, according to the Energy Information Administration, a federal agency. "The budget is kicking transit in the teeth when it needs it [money] the most," Radulovich said.

The $306 million allocated to the State Transit Assistance Program comes from funds generated by Prop. 42, the voter-approved gasoline tax measure. But Paine said the STAP should also be entitled to what is called "spillover" money. Spillover refers to additional funds generated when the price of gas rises faster than inflation on other goods, leading to unusually high revenue from the tax.

The governor’s budget predicts $1.77 billion in spillover for the 2008–09 fiscal year, but he decided to put the money toward shrinking the deficit instead of funding public transportation. The current fiscal year was the first time since the proposition passed that the spillover did not go toward public transportation.

Radulovich said he believes the state is hesitant to fund mass transit — even though it recognizes the importance of reducing the number of cars on the road — because building more roads and freeways leads to more expansion and urban sprawl.

"Sprawl makes a lot of people a lot of money," he said, including oil companies, car companies, homebuilders, construction firms, and trucking companies. "These are political questions, not policy questions. The policy answers in many ways are very clear. The question is whether there is the political will to deal with it, and that’s what we’re going to find out."

Radulovich said this reality is why many California business groups support outward expansion and put pressure on the government to fund highways over mass transit. The Bay Area Council, for example, pushed aggressively for highway expansion during the last budget cycle.

Paine said she believes political pressure also comes from structural flaws in the state’s budget system.

"It’s the legacy of Prop. 13, which really froze the income our state received from [property] taxes," she said. "Public entities that are committed to social services, such as education, are still receiving property taxes at levels that are decades behind what they used to be." This puts a strain on the state’s general fund, and money has to be diverted from the mass transit account to relieve the burden generated by California’s low income tax levels, Paine explained.

Paine said a new budget proposal has been submitted to the California legislature that would restore hundreds of millions of dollars to the mass transit account for the 2008-09 fiscal year by generating additional revenue for the general fund. She said that since 2000, more than $3 billion of mass transit money has been redirected to the general fund, and the number will exceed $4 billion if the governor’s current proposal goes through.

"This isn’t just a problem this year — it’s a chronic problem. And public transportation is chronically being leaned on for relief," she said. "It’s just not a sustainable system."

TRANSIT FUNDING 101

Carli Paine of the Transportation and Land Use Coalition explained the finer points of California’s complicated system for funding — or not funding — improvements to the public transit system. Transit’s main account is called the State Transit Assistance Program. This money is flexible, but is mostly used for transit operations (maintenance, operations, fuel, mechanics, drivers, and so forth). Sometimes, though, it is used for capital projects (such as buying new tracks or replacement cars).

The STAP is the largest portion of the public transportation account, and the funding is critical. As Paine put it, "If you can’t even operate the system that you have, it doesn’t help much to have money to lay new tracks." The STAP is therefore often the focus of discussions about transit funding.

Prop. 42, which directs California’s gas tax to transportation projects, funds the STAP, although not all Prop. 42 money goes there. For example, 25 percent of Prop. 42 revenue goes to a special account for transit capital projects.

Prop. 1B is another big source of transit funding. It is the 2006 measure that allowed California to sell $19.9 billion worth of bonds to fund transportation programs. Only about $4 billion of that was allocated to public transportation, with the lion’s share of the money going toward new freeway projects.

This is where things get a little complicated.

California originally had a sales tax on all goods except gasoline. In the 1970s, voters passed Prop. 42, which decided that it would be more equitable to reduce the sales tax rate by a fraction of a percentage point, but expand the sales tax to include gasoline.

This was expected to be revenue-neutral for the state, so it wouldn’t cost people more. That was true unless gas prices rose quicker than the cost of all goods, which it eventually did.

Then-Gov. Ronald Reagan argued that it was important to return the extra revenue to public transportation because when gas prices rise, more people use public transit. As a result, this "spillover" has been set aside for transit expansion.

Last year was the first year in which the spillover was diverted to the general fund instead of being given to the STAP. It was redirected to help close the state deficit, and the 2008–09 budget proposes doing the same thing this fiscal year. (Janna Brancolini)

Editor’s Notes

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› tredmond@sfbg.com

Back in 2001, San Francisco came within 500 votes of approving a public power system in an election marred by lingering evidence of fraud. Ballot boxes were removed from the Department of Elections (under a bizarre, never-documented threat of anthrax poisoning) and box tops were later found floating in the bay. I still think we actually won that election. And it’s hard to see how we could have done it without organized labor.

The Central Labor Council backed public power. Service Employees International Union Local 790 poured resources into it. The labor-environmental coalition that came together around building a city-run system that would rely on clean energy was unprecedented.

Pacific Gas and Electric Co. knows this. That’s why the company is trying mightily to keep labor from backing this year’s Clean Energy Act. And at the center of that battle is Mayor Gavin Newsom’s chief political consultant and close advisor, Eric Jaye.

The Clean Energy Act, as we point out on page 5, would give the city control of its energy future and put San Francisco at the forefront of national efforts to reduce carbon emissions. It also opens the door to public power — and Jaye has been hired by PG&E to try to keep the supervisors from putting it on the ballot, and to defeat it if they do.

He has a powerful weapon to use: labor’s determination to pass a giant bond act to rebuild San Francisco General Hospital.

A billion-dollar bond act is a tough sell, and harder still during a recession. Labor is also making a big push for progressive supervisorial candidates in Districts 1, 3, and 11. And the labor council director, Tim Paulson, tells me that he really wants to keep the city’s disparate and sometimes fractious labor unions united around those goals.

The International Brotherhood of Electrical Workers, PG&E’s union, will oppose any public power measure, any time, no matter what it says, and IBEW walked out of the labor council in 2001 over the issue. Now Jaye is telling labor people that the Clean Energy Act (and other issues that are "crowding" the ballot) may undermine public support for the hospital bond. "I have an early poll showing that these other measures have a negative impact on the hospital," Jaye told me. "I have been pointing to that fact and asking if we really need to do [the Clean Energy Act] this year."

John Whitehurst, who is running the SF General bond campaign, says his polls show that there was no correlation between an affordable housing set-aside measure and the hospital bonds, and presumably the same is true of the Clean Energy Act. On the other hand, he says, "if Jaye runs a campaign that says ‘Gee, the city can’t do anything right,’ it could create problems for the hospital measure."

Would Eric Jaye threaten the SF General bonds (which his client, Gavin Newsom, strongly backs) to keep labor from backing public power? He insisted to me that he would never do that, and that he and the mayor fully back the bonds. But PG&E, I think, cares nothing about the hospital — or the city — and will do whatever it can to scuttle this measure.

So will labor be intimidated by the threat of divisiveness (from the IBEW) and the political scare tactics from PG&E — or will labor leaders tell the mayor to knock it off?

Shining a light on the Diamond Days ’08 music fest

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Heeb mag’s Diamond Days – just what brings it to the Bay from Brooklyn? There’s no denying that the lineup is doozy, including Audacity, Fences, Glitter Wizard, Thee Makeout Party, Tiny Vipers, Ellen Mary McGee, and Young Animals, as well as a slew of local talents. I traded e-mails with Heeb magazine publisher Josh Neuman and associate editor Amy Westervelt to find out more.

SFBG: How did Diamond Days originate?

Amy Westervelt: It started last year in Brooklyn as sort of a throw-back to music shows you and your friends might have put together in high school or college. One of Heeb‘s contributing editors, Jay Diamond, grew up in the ‘burbs of Chicago playing in bands and putting together shows and he wanted to recreate that fun, but focus it on really great local bands in Brooklyn. After the first fest, we really wanted to recreate it in different parts of the country.

Josh Neuman: The fest is partially named in honor of Jay, and partially an homage to a Vashti Bunyan song, which is everything a summer song should be.

SFBG: Why did it move from Brooklyn to Oakland this year?

L’homme de evasion: Tell No One

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By Erik Morse

Winner of four 2007 César Awards, including Best Director and Best Actor, Tell No One — aka Ne le dis à personne — stars François Cluzet as Alexandre Beck, a successful Parisian doctor whose wife Margot (Marie-Josée Croze) is horribly murdered in the disturbing opening scene. Huit ans plus tard and we learn that Beck has been investigated, harrassed and scapegoated by the gendarmerie for the crime until several key pieces of evidence link Margot’s death to the work of a local serial killer. Taken to drink and solitudinous reveries of the past, Alexandre remains consumed by the events of that night. His obsession over Margot’s death is further inflamed when he receives an email containing a surveillance video of his wife still very much alive. Her instructions to him: “Tell no one.” Is it a hoax? His imagination? Or his wife returned from the dead?

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Newsom, Eric Jaye and PG&E

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The following is an email exchange between me and Nathan Ballard, the mayor’s press secretary, on the subject of the Clean Energy Act. It raises some interesting questions; I thought I’d just post it without further comment.

ME: Will Mayor Newsom be endorsing the Clean Energy Act?

NATHAN BALLARD: Check with Jaye.

ME: Thanks, I will. A private political consultant is now speaking for the mayor on policy positions?

BALLARD: I don’t use public resources/time to comment about endorsements on ballot measures, candidate races, etc. Eric Jaye is Newsom’s point of contact for the media on such issues.

ME: Interesting. How long as this been your policy? (And by the way, I don’t think the Clean Energy Act is a ballot measure yet. It’s still before the board of supervisors. So you can’t speak for the mayor about his positions
on pending legislation?)

I’m also intrigued by the possibility of serious conflicts here. Eric Jaye is often involved in local political campaigns as a paid consultant. Should he be speaking for the mayor if he is getting paid to take one side on an issue?

BALLARD: Yes, I can speak for the Mayor on pending legislation. Once it’s on the ballot, I probably shouldn’t. Anyways, I don’t know of any local legislation called the Clean Energy Act. Do send me the text and I’ll see
if the Mayor wants to express an opinion to you about it.

As to your question about Eric Jaye, it sounds like you are suggesting that he is doing something wrong. I know and respect Eric, and so I know that you are on the wrong track. His professional ethics are unimpeachable. But
instead of spreading rumors about Eric through third parties, why don’t you just pick up the phone and call him with your accusations? I am confident that he will be quite happy to set you straight.

ME: Eric Jaye informs me that since he is, in fact, working for PG&E in opposition to the Clean Energy Act, he has a conflict (as I had suspected) and can’t speak for the mayor on this issue.

There was a hearing on the measure this week, and I’m sure the mayor is aware of it and what it entails. Can you let me know if he has taken a position or plans to?

Thanks for your help.

BALLARD: The Mayor says he is aware of this legislation and he is looking into it.

Gear stolen from Maria Taylor and Taylor Hollingsworth

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Looking for help: Maria Taylor.

This just in from Taylor Hollingsworth’s people:

“Taylor Hollingsworth, sideman for Maria Taylor, had some of his and Maria’s gear stolen on Thursday, July 10, on tour promoting Maria’s newest EP, Savanna Drive. The band were tucked in for the night in San Francisco when some folks busted out the back window of Maria’s van and stole six guitars, two suitcases, two pedals, and some boxes filled with copies of Maria’s newest EP. Luckily, the band recovered one of the bass guitars at a local pawnshop. Here is a list of all the stolen goods:

– Left-handed Red Gretsch Tennessee Rose Guitar.
– Left-handed Martin Acoustic Guitar.
– Right-handed Purple Fender Jazz Bass guitar.
– Right-handed 1976 Black Les Paul Deluxe.
– Right-handed Alvarez acoustic guitar (Hand painted white w/ black swirls. Guitar strap is nailed on.)
– Boss Tuner Pedal.
– Boss Distortion Pedal.

“If you have any information regarding the items listed above, please contact info@saddle-creek.com, jeff@saddle-creek.com, or publicity@teamclermont.com. In the meantime, Maria plans to finish up the last two dates of her tour; one show in LA and one in Sonoma.”

Youth gone wild: Black Tide

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Who better to embody the spirit of mayhem than a posse of rock-crazed teenaged boys? Especially if it’s capital-M Mayhem, which happens to be the name of a package tour of metal bands sponsored by crack-tastic Rockstar Energy Drink?

The show, which hits the Shoreline on Saturday, July 12, with a roster of bands both horns-worthy (Mastodon!) and ehhh (Five Finger Death Punch?), signals the local debut of Black Tide, a quartet whose chief source of notoriety thus far is that they’re fronted by a 15-year-old (their oldest member just turned 20). Yep, you read that right: though they’re the same age you were when you got your first job at Jamba Juice, this gang of Miami whippersnappers has a deal with Interscope Records and are currently touring the world to promote their new album, Light from Above. What gives? Do we have a metal Hanson on our hands, or what? And would they kill me for suggesting as much (duh)? I called up bassist Zakk Sandler mere hours after Black Tide played their first Mayhem set at tour’s kickoff in Seattle, Wash.

Local Artist of the Week: Jen Merrill

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LOCAL ARTIST Jen Merrill
TITLE The Proportion of Perception
THE STORY Inspired by scientific anatomical studies and human interactions, Merrill uses paper, paint, and her scalpel to create a three-dimensional world of eerie, sometimes humorous figures. They are at once clinical and viscerally powerful, betraying a battle between emotional restraint and an unruly body and conscience.
BIO Jen Merrill first took scalpel to paper at San Francisco Art Institute, where she received her MFA in 2006. She continues to hone her paper-cutting skills in Oakland, where she lives and works.
SHOW “Demikhov’s Hands of Glory.” July 12 through August 10 (reception Sat/12, 7–9 p.m.). Wed., 4–7 p.m.; Sat., 1–4 p.m. Iceberger Gallery, 3150 18th St., # 109 (18th and Treat), SF. (415) 225-8932, www.icebergergallery.com
WEB SITE www.jenmerrill.com

I’m for PG&E, at 50 bucks a head

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If public power can work in Rock Rapids, Iowa, why can’t it work in San Francisco?

By Bruce B. Brugmann

When I came into yesterday’s public hearing at City hall on the emerging clean energy act initiative, I wasn’t surprised to see the room stacked with people obviously rounded up by PG&E for the occasion. After 42 years of covering PG&E, I know how private utility operates.

I asked the man sitting next to me, obviously not a
City Hall regular, why he was attending the hearing. His answer was vague but he was obviously agitated about the clean energy act initiative. Was he going to testify against the initiative? Yes, he said. Was he paid to attend the hearing?
He mumbled a bit and then said, yes, $50 bucks. But, he pointed out, he hadn’t been paid yet.

The word got around the hearing room that PG&E’s going rate for this hearing was $50. Julian Davis, the chair of the clean energy campaign, was first up to testify and promptly mentioned the going rate.
He then said that he considered it “cynical and tragic” for a corporation like PG&E to take advantage of communities of color into advocating on behalf of an agenda that ultimately does not serve their interests. (Many of the members of the audience were persons of color. Davis is black.)

Many of them testified, arguing that the initiative, which calls for setting renewable energy goals and making San Francisco the nation’s greenest clean energy city, would be too expensive and burdensome and ought to be killed forthwith. They testified that they couldn’t afford higher electric rates, higher taxes, higher anything in the city’s tight economy. Several said they were living on fixed incomes and simply could not afford another penny on anything.

Sup. Ross Mirkarimi, sponsor of the bill, and Sup. Chris Daly, chair of the rules committee meeting, Sup. Bevin Dufty, and many pro-clean energy speakers pointed out the many advantages of clean energy and public power. Cities with public power across the state and country had lower electric rates, better service, and extra money for their general funds. The Sacramento Municipal Utility District (SMUD) is a national leader in renewable energy and conservation efforts, while still keeping its rates far below PG&E rates in adjoining communities.

After hearing the clean energy speakers, several people came up to Davis after the hearing and said they were confused and annoyed that they had been misled by PG&E. They were interested in the arguments for clean energy and the initiative and wanted to know more.

Davis said he told them, among other things, that “one of the essential components of the clean energy act is a mandate to offer the kind of jobs and job training in the clean energy industry that PG&E is not currently offering to the very communities they are willing to exploit to promote their status quo agenda.” The jobs idea was of particular interest, he said.

And, yes, I testified at the hearing. I sometimes do this to counter the time worn PG&E line that, gosh, golly, gee, electricity is so complicated, city workers are so lazy, dumb, and incompetent, how in the world can they run an electrical company if they can’t make the muni run on time. Wheeze, wheeze, and wheeze again.

And so I pointed out that in my hometown of Rock Rapids, Iowa, population 2,800, a bedrock conservative Republican farming community way out in the northwestern part of the state,
the town has successfully operated a public utility since l896, and it’s doing just fine. It provides good, reliable, hometown electricity, has good low rates and excellent service, makes money for the general fund and subsidizes projects such as the local swimming pool, and doesn’t gratuitously cut off service with no way to appeal or complain, as is PG&E policy. And the public utility is locally accountable to a local board of directors composed of local townsfolk, such as my old friends Dave Foltz, a local real estate man, and Eugene Metzger, a local banker.

To this day, I told the supervisors, II always carry in my pocket a little blue coin purse that eloquently makes the local point. And I pulled the purse out of my pocket and read the inscription to the supervisors: “Call before you dig, Rock Rapids Municipal Utilities, (7l2) 472-2513.)”

And so my central argument is unbeatable: If public power works in Rock Rapids, Iowa, why can’t it work in San Francisco, California? PG&E has yet to get back to me on this one. Meanwhile, I’ll keep you posted throughout the campaign on public power in Rock Rapids. On guard, stay plugged in for the duration, the fun has just started, B3

Weekly tries to overturn verdict

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Lawyers for the SF Weekly and its parent company tried July 8 to overturn the Bay Guardian’s $16 million predatory pricing verdict, rehashing several old arguments and trotting out a few new ones.

Judge Marla Miller took the case under submission and is expected to rule within ten days.

The Weekly and Village Voice Media asked the judge to throw out the jury verdict or order a new trial. The gist of their arguments: The evidence presented in court didn’t support the decision that a San Francisco jury reached after a five-week trial.

The arguments were at times highly technical, and hinged on the finer points of the definitions of words. In the same way the Bill Clinton once asked what the meaning of “is” is, James Wagstaffe, one of the VVM lawyers, tried to insist that the judge and jury had misinterpreted the term “agent” – and thus improperly concluded that the Phoenix-based chain was equally responsible for paying the damages.

The argument was aimed at severing VVM – a company with $190 million in sales and $11 million in profits – from the verdict. That way the only guilty party would be the Weekly – which VVM admits has no assets and would be unable to pay the Guardian anywhere near $16 million.

Evidence presented at the trial had shown that VVM executives were well aware of, and directly involved in, the SF Weekly’s long pattern of selling ads below cost in an effort to harm a locally owned competitor. In fact, two senior officers, CFO Jed Brunst and group publisher Scott Tobias, admitted on the stand that the SF Weekly would have gone out of business years ago if the chain hadn’t made a policy of shipping large sums of money from headquarters into the San Francisco operation to subsidize below-cost sales.

And yet, Wagstaffe claimed, the law required that VVM be acting as an “agent” for SF Weekly in order to be equally liable. “You have to act on behalf of someone else to be an agent,” he argued. “It is not enough to aid or assist.”
Since VVM was the parent company, Wagstaffe told Miller, nobody at that entity was taking orders from the local subsidiary. So VVM and its officers couldn’t have been SF Weekly’s “agents.”

He also said that Miller had screwed up and given the jury the wrong instructions about the presumption of intent. He said the instructions improperly allowed the jury to assume that VVM and the Weekly intended to harm the Guardian.

At the time those instructions were hammered out, later in the trial, “it was nine o’clock at night and we were all running around,” he told her with typical animation. “I was there with my usual energy but everyone else was tired.”
Guardian lawyer, Ralph Alldredge calmly asked Miller to look directly at the statute involved in the case. “The language is remarkable in its breadth,” he said, explaining that the state Legislature had clearly written the Unfair Practices Act to prevent big companies from hiding their assets by blaming subsidiaries for illegal acts. The law, he said, “refers to aiding and assisting, directly or indirectly, and says that the people who do that are equally responsible.”

He added: “What more aid and assistance could you possibly provide in a predatory pricing case than to fund it?”
As for the jury instructions, Alldredge pointed out that the issue of presumption is hardly new. “That court has already looked long and hard at this,” he said. “There were long discussions about jury instructions.”
Alldredge agued that the state law applied directly to the facts at trial, and that the jury properly applied that law. “This is exactly the sort of scenario that the law was written to cover,” he said. “A big company with operations in many markets was going after a smaller entity in one market.

“That statute,” he concluded, “was set up to presume that if you can prove below-cost sales and damages, intent shouldn’t be the sticking point.”

H. Sinclair Kerr, Wagstaffe’s partner and the lead Weekly lawyer during the trial, then rehashed the VVM argument from the trial that the Guardian profits over the seven year period of the complaint were not sufficient to justify the $6.3 million in damages that the jury awarded. (Miller later ruled that much of the damages should be trebled).
Alldredge countered that the Guardian financial expert, Clifford Kupperberg, had calculated the profit the Guardian could have made during that period without the Weekly’s below-cost pricing and the losses the Guardian experienced. The combination of the two would be around a million dollars a year, he said.

Although Kerr claimed the damages were “excessive,” Alldredge argued the Guardian had to shrink its business to survive the predatory onslaught and would have to make major investments to build the paper back up. “The Guardian must get back the profits and invest to rebuild the business,” he said. There was “nothing excessive about what the jury found,” he said.

At one point, as Kerr tried to bring back the VVM argument about the extent of the competition for the two alternatives Judge Miller interrupted and said, “Do you mean the poetry journal and the paper in Livermore?”

She was referring to the VVM argument during trial in which it cited a huge list of papers, from the Gilroy Dispatch to the Bodega Bay Navigator to a paper in Livermore, as competition. Alldredge made fun of the reference during trial. Miller’s remark stopped Kerr from continuing this line of reasoning.

The hearing lasted four and a half hours, and Miller allowed both sides considerable latitude in speaking and addressing the arguments. Both of the top executives of VVM, Mike Lacey and Jim Larkin, were on hand, as was Brunst and Andy Van De Voorde, who has been covering the trial for VVM.

Van De Voorde, whose reports have been long on rhetoric and personal attacks, posted an atypically short and non-bombastic story on the hearing.

The Guardian is represented by Alldredge, Hill and E. Craig Moody. The Weekly has brought Forrest Hainline onto its legal team after the trial, but he is no longer involved, so the case is in the hands of Kerr and Wagstaffe.

Click here to see the Guardian arguments as laid out in our opposition brief.

King Khan and the Shrines

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PREVIEW Local booty-shakers are hip to the musical ruler known as King Khan: when the two-member King Khan and BBQ Show played 12 Galaxies in December 2007, the joint was packed to the sweaty rafters. A bigger band calls for a bigger venue, so when the Montreal native returns to the Bay Area with his other project, King Khan and the Shrines, the faithful will no doubt follow him to the Great American Music Hall. His just-released latest, The Supreme Genius of King Khan and the Shrines (Vice), is a compilation of sorts, including an array of songs from earlier, difficult-to-track-down King Khan and the Shrines discs. "I love playing with BBQ as much as playing with the Shrines," he told me by e-mail — a necessary interview tactic due to his cell phone–deprived status in deepest Europe. "In the Shrines, we play bad-ass, ball-crushing R&B. The influences are pretty much the same, though the Shrines are more inspired by New Orleans 1960s funk and Sun Ra."

Although both of Khan’s bands are retro-influenced, he doesn’t feel stuck in the past. "I believe this music is an everlasting tradition that must be preserved and carried on," he wrote. "I don’t think we are that retro since we mix everything from free jazz to hardcore. Music is my religion, and I wanna preach the words of the masters to the masses and throw some of my own words in there too."

Khan fans may recall that his last trip to San Francisco wasn’t all rock ‘n’ roll romance, since one of his favorite guitars was lifted by some scumbag. "I am sad I lost it because it was really a Frankenstein guitar from the 1960s made by Harvey Thomas," he wrote. "I have put a hex on whoever stole it, and if you see a one-eyed man with a piece of spaghetti for a penis dangling between his legs, then ask him where my guitar is and punch him in the face."

Fortunately, he doesn’t hold it against the rest of us: "I love SF! I love America, and am so happy to bring my soul band back to where soul was born."

KING KHAN AND THE SHRINES With Jacuzzi Boys. Fri/11, 9 p.m., $13. Great American Music Hall, 859 O’Farrell, SF. (415) 885-0750, www.gamh.com

Feeding the fire of Mountainhood

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Do you know the way to … Almaden? Not many know about that tiny, once-rural cowtown-now-San Jose-incorporated bedroom community. But Michael Hilde, a.k.a. Mountainhood, can map it out for you.

"I’ve never, ever played a show where I’ve told somebody that I’m from Almaden and they’ll be like, ‘Oh, yeah.’ No one has ever heard of it," the affable and intense songwriter swears, sitting on a log in a breezy patch of woods at a sandy edge of the Presidio. "But it’s a wild town. When I moved there, it was straight-up country. There were stallion farms and on the edge of my block there was a Harley-Davidson bar. Every Saturday night, guaranteed, you’d see two fat, wet guys just duking it out through the window."

Love of home led Hilde to name his 2007 CD-R on Finland’s 267 Laattajaa label after his town, as well as the name of his musical project (he switched to Mountainhood after a dream spent communing with Devendra Banhart and Andy Cabic on a star-filled mountain). Home also brought him to City Hall when that biker bar, Feed & Fuel, was about to be torn down. "It’s funny because when I went there, right before I was to speak, they were doing this whole bill on whether cops could have the right to bust into illegal immigrants’ houses and harass them," Hilde recalls. "And I was, like, ‘I can’t believe I’m here to, like, talk about saving a bar. There were all these people with translators weeping. So I got up and gave an impromptu speech, and then afterwards, I sat back down, and people were, like, ‘You were amazing! What do you do?’ I was, like, ‘I’m a folk singer,’ and they were like, ‘Oh, that makes sense. We get it.’<0x2009>"

And folks are starting to get Hilde’s brand of cosmic Americana — a blend of delicate Banhart-esque rusticity, 1960s-era transcendental instrumentals, and modern-day home-recorded drone experimentalism. After a handful of lower-fi releases, his next two albums, Thunderpaint the Stone Horse Electric and Wings from a Storm, will be put out this summer on 180-gram vinyl, with stickers of Hilde’s impressionistic paintings by Time Lag. Yet despite the fact that Hilde has been building a community of sorts with his monthly Story night at the Stork Club — each performer adds a bit to a running narrative during their set — Hilde seems to cherish his outsider status in the local music scene as he describes one packed Lobot Gallery performance. "I’ll never forget their expressions," he says, miming a look of opened-mouth disbelief. "It’s stayed that way ever since I started playing here."

MOUNTAINHOOD

July 19, 9 p.m., $5

Argus Lounge

3187 Mission, SF

(415) 824-1447

All or nothing

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› andrea@altsexcolumn.com

Dear Andrea:

When my husband and I first married, he was into S-M. I was very inexperienced, while he … well … wasn’t. Things were interesting for a while until he repeatedly breached our full-disclosure agreement and saw other people behind my back, but came clean about it later. There was also an issue with anal sex (he’s hurt me too many times). We’ve been completely out of the scene for several years and are enjoying a much closer connection. However, three kids later sex is very boring, planned, and short.

I’d love to have fun with him again, but he’s so sex-crazy I’m afraid of re-opening the door to trouble. He still uses a lot of nasty porn and Web sites where he exchanges e-mails with subs. I don’t like this, but I understand that he’s got to have an outlet. He’s a pretty all-or-nothing kind of guy. Also, I think that he isn’t sure how to approach me anymore after having three children. Who feels sexy with baby puke on their sleeve and no shower? Is there any hope for us? Also, he refuses to go into therapy or ask for help because he doesn’t want to be judged.

Love,

Want Something

Dear Want:

You may be surprised to hear this, but for a couple who not only have such disparate experience levels and requirements but also three small children, you seem to be doing pretty well. Any number of issues casually glanced on in your letter could easily have doomed you — yet you persevere and even feel closer than when you were doing all that kinky stuff? You’re OK.

The S-M obscures things a bit, but the core issues here are no different from ones we discuss in classes (rather imprecisely titled "Is There Sex After Motherhood?") I’ve been teaching at a local nice-moms-and-their-babies education center. The baby puke, for instance. One of the most disheartening things I heard while awaiting my own babies was, "Oh, I didn’t change my clothes for six months. I just wore this ratty old T-shirt full of holes and spit-up." (This from a lovely friend who was only telling me the truth as she’d lived it.) "Forget it, then," I thought. "If it’s going to be like that, I’m not doing it."

And it wasn’t like that, of course, not for me and it shouldn’t be for you. One needs to do whatever it takes not to sink to that barely human state where you figure, what the hell, why bother showering when you’re just going to get dirty again? Get enough T-shirts so there’s always a clean one! Drag everybody into the shower with you, get up at 5 a.m., pay a neighbor to watch the kids for half an hour, whatever works. Get enough time to look and feel decent. We’re not talking about a hot-stone massage, Yummy Mummy makeover here. Grooming enough to bear the sight and smell of oneself shouldn’t be too high a bar.

I would like to launch into some ways you two could get back to breaking out the whips and chains and stuff, but I worry. Does he really need to have it all? Is he really insisting on nothing if he can’t? I’m hoping a guy starved of all but virtual kink for a couple of years may be more amenable than he used to be to a scaled-down version of "hell-bent for leather." Maybe "leaning toward Naugahyde"?

I do believe he doesn’t know how to approach you anymore, so here’s the obvious suggestion: you approach him, but only after ensuring that you won’t end up with him holding the power, reins, flogger, modem, and lube again, which he didn’t use enough of anyway. Take this opportunity to decide which games you liked, which might do, and which are untenable. Given the scarcity conditions that follow the introduction of many small children into the marital equation, I would also suggest that the whole "other partners" thing is right out. In order to get beyond the dreary status quo (although I do have to put a good word in for the parents-of-small-children quickie while I’m here), you’ll need to plan. You’ll also need to throw some childcare money at the problem (what my husband and I refer to, just to annoy people, as "paying young women for sex"). This is all stressful and expensive enough already, so no way will you want to pay for babysitters for his nights out without you. Save your cash for kinky-sex dates.

Obviously, all this depends on him not being so crazy, sex- or otherwise, and that "some but not all" actually is an option. I’m hoping that after a few years of deprivation and with the added motivation of keeping a beloved family intact, he can embrace moderation. Tell him it’s like the French model of eating, you know? A little + a little + a little = plenty.

Love,

Andrea

Andrea is home with the kids and going stir-crazy. Write her a letter! Ask her a question! Send her your tedious e-mail forwards! On second thought, don’t do that. Just ask her a question.

Andrea is also teaching two classes: "You’ve Really Got Your Hands Full" — a realistic look at having twins — at Birthways in Berkeley.

McGoldrick’s privatization betrayal

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OPINION This isn’t the first time it’s happened. Most politicians break promises. That’s the nature of politics. But when someone signs a pledge — twice — saying he won’t privatize city services, when he holds himself out as a champion of anti-privatization and then goes directly against that stand —well, it kind of makes you wonder.

That politician is San Francisco Sup. Jake McGoldrick. In the past, he stood against privatizing services. He has fought for golf courses, for the Internet; heck, he even fought for horses when Mayor Gavin Newsom threatened to privatize the stables. During the Service Employees International Union endorsement process, he signed a pledge that he would not privatize work currently done by city workers. We endorsed him and even fought against the effort to recall him. But when the rubber hit the road for people, he screeched out of there.

Newsom has proposed contracting out the work of the Institutional Police, a group of workers represented by SEIU Local 1021. Institutional police officers work primarily at San Francisco General and Laguna Honda hospitals, but they also provide security at health clinics throughout the city. That security — not only for the workers, but for the community that these institutions serve as well — might soon be gone.

If you have ever been in SF General’s emergency room during a violent incident, you know exactly how bad a decision that would be. A nurse who met with McGoldrick described how bad it got on her shift one night. A man who had been shot was being transported to the ER, and the shooter was following closely behind, hoping to finish off the job. When the victim and assailant pulled up to General, the institutional police were there waiting with guns drawn. They disarmed the shooter and arrested him.

The nurse who told this story looked McGoldrick squarely in the eye and told him that the community would know immediately when the ER was staffed by private security officers, and that would endanger the workers and the patients there.

Even the union that represents the private security officers — whose members would get the jobs — told McGoldrick the work should remain with the institutional police.

Training for private security officers is minimal and inconsistent. Turnover is rapid. When private security officers are transferred to new buildings, they’re often not trained on its specific emergency procedures. There is little oversight to enforce existing state training requirements.

This shouldn’t be about money. A couple of weeks ago, during public hearings on the budget, the Controller’s Office reported on the exponential growth of six-figure salaried executive positions in the past few years; 55 new management jobs were created this year alone. McGoldrick, who heads the Budget and Finance Committee, could easily have moved some of that money around, as SEIU 1021 advocated, rather than leave the city’s health care facilities at risk. But he didn’t.

Unfortunately, it only takes one bad incident to expose the false "savings" of contracting out security to inexperienced and less-trained guards. Six supervisors appear to agree. What happened to Jake McGoldrick?

Robert Haaland

Labor activist Robert Haaland works for SEIU Local 1021.

Real money, false arrest

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› gwschulz@sfbg.com

The false arrest of an elected official in San Francisco for using a $100 bill that police wrongly thought was counterfeit has evolved into a potentially precedent-setting legal struggle over police accountability.

The San Francisco City Attorney’s Office is seeking to appeal the case all the way to the conservative-dominated US Supreme Court, an expensive fight that could overturn what would seem a welcome ruling in liberal San Francisco. The Ninth Circuit Court of Appeals last August affirmed in the case that citizens have the right to sue police officers after being unreasonably arrested for a crime they didn’t commit.

After a federal district judge refused to grant qualified immunity to the officers and throw out the lawsuit, City Attorney Dennis Herrera’s office insisted on repeated appeals argued by deputy city attorney Scott Wiener, rather than settling for a few thousand dollars and accepting that the cops simply screwed up.

"There are some people who would say ‘Why don’t you just pay a little money to settle it?’<0x2009>" Wiener told the Guardian. "But we have to take a broader institutional perspective, because if you start settling cases that don’t have merit, you’re going to wind up with a lot more cases like that than you would have otherwise."

At the center of the story is attorney Rodel Rodis, a Filipino activist and elected trustee of City College of San Francisco, who was arrested in the spring of 2003 and dragged to a police station for supposedly trying to buy a handful of items from a Walgreens with a counterfeit $100 bill. The bill turned out to be real.

But by the time the officers came to that conclusion, Rodis had suffered what he regarded as the terrible embarrassment of being shoved into a squad car with his hands behind his back in front of neighbors and constituents. It also occurred just around the corner from his longtime law practice and the main campus of City College, where he’s been an elected trustee since 1991.

Rodis promptly filed a $250,000 claim against the city, former Police Chief Alex Fagan Sr., and two officers at the scene alleging false arrest, excessive force, and the negligent infliction of emotional stress, among other things. He later offered to settle the suit for $15,000, but the City Attorney’s Office refused to accept the deal.

Five years and innumerable legal bills later, the case just keeps getting worse for the city — even before it lands in front of a jury to determine if indeed the police should compensate Rodis.

"Part of my mind was saying … ‘I’m not going to argue. I’m not going to resist,’<0x2009>" Rodis said of the arrest. "I put my hands behind my back but I’m thinking ‘This has got to be a mistake. Somebody here has to have some sense.’<0x2009>"

Rodis was suffering from minor allergy symptoms on Feb. 17, 2003, when he headed to a Walgreens on Ocean Avenue he’d been going to for 20 years. It was located near his Ingleside home and a law office he’s had in the neighborhood since 1992.

He picked up some cough syrup, Claritin, toothpaste, and a few other things. The total came to $42 and change, so he tried to pay with a $100 bill.

"I just happened to have it in my wallet," Rodis said.

The drugstore clerk used a counterfeit detection pen to be sure the bill was legit. It was, according to the marking, but the bill was printed in the 1980s before watermarks and magnetic strips were used to help stop counterfeiting.

The young clerk was unfamiliar with the bill’s design and called a manager to be sure. He, too, used a counterfeit pen to confirm that it was real. But the manager told Rodis he was still going to call the police, fearing it was fake. That’s when things turned surreal. Two officers showed up and almost immediately placed Rodis in handcuffs before trying to ascertain if he’d actually attempted to defraud Walgreens.

"They made no effort to determine what the situation was … they just assumed," Rodis said. "When she said ‘Put your hands behind your back,’ I thought I was in some Twilight Zone moment."

A third ranking officer on the scene, Sgt. Jeff Barry, had known Rodis for years as a local lawyer and City College trustee. Their sons were classmates. But Barry allegedly failed to step in and question whether Rodis was likely to be a fraud artist.

Another officer, Michelle Liddicoet, told Rodis she knew who he was and that he "should be ashamed of himself," according to the suit.

Feeling humiliated as other Filipinos he knew looked on, Rodis was put into the back of a patrol car and taken to Taraval Station, where he was handcuffed to a bench. There he waited another 30 minutes or so until the police officers were able to reach the Secret Service, which investigates currency for the US Treasury Department. A federal agent confirmed that the bill was likely genuine. The whole ordeal lasted about a couple of hours and Rodis was driven back to the drug store.

"This wasn’t a situation where Mr. Rodis was held in jail overnight or for a week or had to post some large amount in bail," Wiener said.

Fagan sent out a department memo shortly afterward stating that suspects have to know the currency they’re using is counterfeit before being arrested, and in any event, if they insist it’s real, the officer can book the bill as evidence for later examination and give them a receipt without arresting anyone.

But by then the damage was done and the hasty reaction of police would lie at the heart of the case that Rodis subsequently filed.

Rodis is an unlikely champion of police accountability. Known for his cantankerous personality, he all but accused the secretary of the San Francisco Veterans Equity Center last month in his regular column for the Philippine News of supporting a band of communist guerillas in the Philippines known as the New People’s Army, a charge the man angrily denied.

He bitterly responded with a string of e-mails last year when the Guardian reported he was several months late in sending legally required campaign disclosure forms from his 2004 reelection to the Ethics Commission (see "At the crossroads," 07/17/07).

But the city’s police academy also has invited Rodis to lecture recruits about San Francisco’s Filipino community as part of the department’s sensitivity training. A week after the incident involving Rodis, an elderly Filipino man who sold the San Francisco Chronicle downtown was savagely beaten and robbed of $400. He never found a police officer while walking to his Tenderloin home, where he died. The two incidents, one following on the heels of the other, enraged the city’s Filipino population of 36,000, and Rodis believes it proves the police department continues to have trouble with discrimination.

"The fact that it happened to me meant that I was in a position to do something about it," Rodis said of his dust-up. "For many [Filipino immigrants] … they wouldn’t have had the resources or the knowledge of the procedures to fight back. Even up to now, five years later, I still bump into people who appreciate the fact that I filed the action."

The case was assigned to Wiener, who is coincidentally the elected chair of the San Francisco Democratic County Central Committee and a longtime party activist in a city that’s famously wary of any perceived threat to civil liberties.

In his capacity as a lawyer for the city, though, Wiener tried to have Rodis’ suit tossed using a common courtroom maneuver known as summary judgment. Civil defendants request them from a court by arguing that a claim is so lacking in merit that they shouldn’t have to endure a costly, time-consuming jury trial.

He also made the standard claim that city employees — in this case police officers — are shielded by what’s known as qualified immunity, a legal argument designed to allow them room to make honest mistakes without facing an endless barrage of expensive litigation.

In March 2005, federal district judge Maxine Chesney granted the request in part, throwing out Rodis’ claim of liability against the city and county. But she allowed the part of the suit involving the two officers to move forward, arguing the arrest was illegal because they didn’t have probable cause that Rodis intended to defraud the store.

So Herrera’s office turned to the Ninth Circuit Court of Appeals, and in a move that surprised Wiener, the panel ruled 2-1 that public employees are entitled to qualified immunity, but not when they fail to act on their considerable law enforcement powers in a reasonable way and take into account all factors present at the scene.

To put it bluntly, cops sometimes make an error in judgment but they still have to use their brains for establishing probable cause. The panel also argued that even if the bill was counterfeit, Rodis did nothing wrong if he wasn’t aware of it.

"Even without knowledge of Rodis’ identity and local ties," the majority wrote, "based on the totality of the other relevant facts, no reasonable or prudent officer could have concluded that Rodis intentionally and knowingly used a counterfeit bill."

Now Herrera had on his hands published legal precedent that his staff believed imposed a new requirement on police officers to not only conclude that perpetrators passed counterfeit currency but also that they intended to defraud their victims. The decision, city officials claim in their pleading to the Supreme Court, could hamstring local and federal law enforcement investigating counterfeit currency and some other types of fraud.

"They said it was clearly established that probable cause is a fluid concept," Wiener said of the ruling. "Well, that’s a meaningless statement. Of course probable cause is a fluid concept. But the point of qualified immunity is that officers are entitled to rely on the current state of law about what the requirements are and shouldn’t have to predict what a judge is going to do down the road."

Lawrence Fasano, a lawyer for Rodis, counters that Fagan’s memo to the department reinforced the court’s opinion. Considering that the police and people in the neighborhood had known Rodis for years, the officers on the scene should have concluded that it was out-of-character for him to pass a counterfeit bill.

"All the evidence that was looked at by the police officers at the time indicated that he did not intend to pass counterfeit currency, including the fact that he had other $100 bills in his pocket that were genuine," Fasano said.

Fasano argued, too, that case law in California made clear the issue of intent cannot just be set aside by police.

Other cities and counties in California so fear the case’s impact that two interest groups representing them, the League of California Cities and the California State Association of Counties, filed a joint friend-of-the-court brief after the Ninth Circuit’s ruling, arguing that digital counterfeiting was a "threat to the nation’s fiscal health" that could grow in the future, and if allowed to stand, "the panel majority’s decision would eviscerate the doctrine of qualified immunity to the detriment of the public."

Wiener filed the Supreme Court petition in May after a larger panel of Ninth Circuit judges rejected a request for rehearing earlier this year. While the Supreme Court accepts only a fraction of the thousands of cases it receives annually, Wiener believes there’s a chance it will be accepted because of another such case it’s examining from the Tenth Circuit. The city won’t know for sure until the fall.

He adds that it’s extraordinarily dangerous for police to be forced to consider a citizen’s status as an elected official before concluding that probable cause exists for an arrest. The City Attorney’s Office won’t disclose how much has been spent on the case until it’s resolved, but Rodis estimates he’s spent more than $50,000.
The US dollar may be losing value internationally, but a $100 bill from the 1980s could cost San Francisco big bucks.

Our personal Mission

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"Smaller and better and more underground" is how Mission Creek Music and Arts Festival founder Jeff Ray describes the event’s 12th annual go-around. Now immersed in his MFA studies at San Francisco State University, Ray has turned to such curators as Smile’s Neil Martinson, Numbers’ Eric Landmark, Extra Action Marching Band’s Ben Furstenberg, and the Fucking Ocean’s Marcella Gries to cast MCMF’s net wider while tightening its focus to a compact five days. Expect a new Latin series and renewed commitment to local artists and Collision programming, which mixes experimental music, sound art, dance, performance, and video. Unrest assured, Ray says: "We still have a really good ear." (Kimberly Chun)

For a complete schedule go to www.mcmf.org




>>Can’t knock the Tussle
The San Francisco instrumentalists turn mad liberation into Cream Cuts
By Johnny Ray Huston


>>Get the Drift
Sonic Memory Drawings and outward instrumental rock creeps
By Michael Harkin


>>Resurrection blues
Lazarus passes around Hawk Medicine
By Kimberly Chun


>>Dye, dye, darlings
The smile-inducing shades of Bleachy Bleachy Bleach
By Michael Harkin


>>Noise to go
Nancy Garcia unleashes her sense of play
By Kimberly Chun


>>Sketches of Spain
Peter Walker communes with a new muse
By Max Goldberg


>>Feeding the fire of Mountainhood
Delicate rusticity straight outta Almaden
By Kimberly Chun


>>Cream-colored slumbers
Foxtails Brigade float beyond experimental folk
By Kat Renz


>>I’m here with lonesome
Copping the White Buffalo stance
By Kat Renz

>>Sneaky Creek: More Mission Creek highlites

>>PLUS: Touch the Mochipet! Touch him!

Support SF’s Clean Energy Act

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EDITORIAL The long-awaited charter amendment that would transform San Francisco’s energy policy will come before the Board of Supervisors within the next few weeks. The measure, known as the Clean Energy Act, deserves strong support.

The proposal is fairly simple, but far-reaching. It includes ambitious targets for reductions in greenhouse gas emissions and a mandate that the city shift to entirely renewable electricity by 2040. That would turn Mayor Gavin Newsom’s green city rhetoric into enforceable reality and put the city where it ought to be — in the forefront of global efforts to end reliance on fossil fuels.

And the sponsors of the charter amendment, Sups. Ross Mirkarimi and Aaron Peskin, realize that the only way the city will ever get serious about sustainable energy programs is to get rid of Pacific Gas and Electric Co.’s monopoly and shift to a publicly-run local utility.

The measure would, for the first time, create a detailed municipal energy policy and put control of the city’s energy future in the hands of city officials, not those of a private corporation. The San Francisco Public Utilities Commission would have a mandate to ensure that by 2017, 51 percent of the electricity used in the city came from renewable sources. By 2030 that number would rise to 75 percent, and by 2040 the city would be seeking a 100 percent renewable portfolio. (Energy from the city’s existing Hetch Hetchy hydroelectric project would count as renewable power, and since Hetch Hetchy already covers a significant percent of the municipal load, the targets are entirely reasonable.)

The PUC would have to prepare a report every two years advising the supervisors on how it is moving to meet the targets.

The measure also directs the PUC to come up with a plan to put San Francisco into the business of retail electric power. That’s something activists have been pushing for since the 1920s. The federal law that gave the city the unique right to build a dam in a national park additionally mandated that San Francisco use the electricity from the dam to establish a public power system. The city has been in violation of the Raker Act for some 90 years now. As we’ve reported in numerous stories going back to 1969, the city built the dam in Yosemite and managed to construct a world-class municipal water system — but PG&E, through bribery, corruption, and political influence, hijacked the dam’s electric power. Although San Francisco is the only city in the nation with a federal public-power mandate and one of the few that owns and operates a major public hydroelectric project, residents and businesses are still stuck with PG&E’s soaring rates and lousy service.

And PG&E — which uses fossil fuels for much of its power and operates a nuclear plant — won’t make even the state’s mild mandate of 20 percent renewable energy by 2010.

Public power cities all over California have lower rates and better service. The Sacramento Municipal Utility District, one of the largest public power systems in the state, is a national leader on renewable energy and conservation efforts. And public power makes tremendous economic sense: a municipal utility would bring tens, maybe hundreds of millions of dollars per year into the city’s coffers. That money could be invested in solar, wind, and tidal energy, and some could go to reduce the structural budget deficit that haunts City Hall every year.

PG&E is already nervous about the prospect of a renewable energy and public power measure passing this fall, and has cranked up a campaign of lies and misinformation. The news media are already starting to pick up the pro-PG&E stance — the San Francisco Business Times is running a "poll" on public power that leads off with the tired old claim that "San Francisco can’t make the buses run on time. But it can find power to keep the lights on?" (A bit of reality here: urban bus systems are tough to run because they lose money. Public power systems make money. The lights stay on in Sacramento, Palo Alto, Los Angeles, Alameda, Santa Clara, and a lot of other cities — and the people who live there pay less, get more reliable service, and are more likely to see reductions in greenhouse gas emissions.)

Six votes are needed to put the Clean Energy Act on the ballot. Any supervisor who doesn’t support it will forever be known as someone who puts the interests of PG&E ahead of the needs of San Francisco, the nation, and the planet.