Local

Protest HIV program cuts

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By C. Nellie Nelson

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Pride At Work protests the mayor’s budget on Pride day. Photo: Luke Thomas, Fog CIty Journal

Today at 5 pm the LGBT labor group Pride at Work will hold a vigil on the steps of City Hall protesting the mayor’s deep budget cuts to programs that are vital to much of the queer community. The vigil runs until midnight, so you can stop by after work.

As Fog City Journal reports, this is the second major Pride at Work protest over the budget cuts — the group staged a die-in in front of Mayor Newsom’s car in the Pride Parade. As Newsom attempted to step around the protesters, they let him have an earful on the effects of his budget cuts that slashed funding for the Departments of Public Health and Human Services

“The die-in demonstrated reality. When you cut HIV programs, people will sero-convert. When you cut the drug programs, people will die,” Harvey Milk Club president Rafael Mandelman told the Guardian today. He said the protest indicates that the mayor “can’t ride same-sex marriage forever. We’re grateful for the mayor’s efforts in that area, but we need budgets that will protect vulnerable populations and queers. People’s lives are at stake.”

Despite the passage of Prop. 8, Newsom does indeed seem to still be riding the crest of same sex marriage. In a recent fundraising letter for his gubernatorial campaign, a supporter enthuses: “Mayor Newsom married S– and I in his office in 2004. He always held our relationship equal to his own… S– and I will always love him for standing with us and fighting for us.”

But some LGBT leaders are starting to feel that the choices of what departments to cut back are not equal in the least.

Robert Haaland is a labor activist and long time leader of the local chapter of Pride at Work. He told us the budget cuts “are no different from what Schwarzenegger is doing. No new revenue, deep cuts to health and human services. It’d be fine if he was running as a Republican governor.”

Haaland pointed out that when Newsom ran against Supervisor Matt Gonzales in 2003, Newsom was neutral on gay marriage, and Gonzales got the majority of votes in District 8, which includes the Castro.

“He changed his position on marriage, but that doesn’t give him license to use marriage as a shield for budget cuts affecting LGBT and poor people,” Haaland said.

And Mandelman sums up, “It’s great to celebrate marriage, but for a lot of people it’s a luxury.”

Don Ray, the man who broke the Michael Jackson story speaks

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Don Ray, an independent investigative reporter in Los Angeles, broke the story in l993 that the Los Angeles Police Department was investigating Michael Jackson as a possible child molester. He discloses the story for the first time on his blog and discusses the impact of Jackson’s death. View the original here. B3

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Thoughts on the death of Michael Jackson

Let there be no doubt about it, I’m saddened to learn that singer Michael Jackson has died.

My sadness isn’t, however, because I will miss his music. Truth be told, I don’t believe I could name any song he recorded since he sang “Never Can Say Goodbye” or “Ben” — whichever one came first. I probably heard him sing, however, before most anyone I know. I was stationed outside of Detroit in 1969 and 1970 and I remember watching him and his brothers on local television there.

He was cute and amusing. And it was clear he had a lot of talent.

It was 1993, however, when he sort of stepped into my life and changed things forever. It was when a Los Angeles Police detective blessed me by tipping me to what was, up until today, the biggest single entertainment story in history. I was able to break the story that the police were investigating the famous singer as a possible child molester.

Nite Trax: Afrominimal “Sun of Gao”

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By Marke B

Have to admit I’m more blown away than I thought I wuld be by the new “Sun of Gao” joint by Mr. Raoul K. on local Afro-house wiz DJ Said’s recently revived Fatsouls label. It’s truly an Afrominimal journey that seems perfectly of the moment. The gently expanding elements never exactly build to a climax (a hallmark of current dance music production) but they flow over you like smiling waves ….

Said will be virtuosically throwing this and other choice cuts from his stable this Friday at Otis. If you missed it, here’s what I wrote in my last Super Ego clubs column (with a couple corrections — hey I was blazin’ at the time). This one’s not to be missed for everyone who takes an interest in the growing effervescent confluence of traditional and electronic sounds.

DJ SAID
A decade ago, when the Internet was still booming, Said Adelekan brought some serious dance floor spirit to that oft-soulless go-go period with his local Afro-House movement, his Fatsouls label, and his lovely Atmosphere parties. I’m absolutely delighted that he and Fatsouls have resurfaced — goddess knows we could use a little more Afro-injection — to release a new Fatsouls single called “Sun of Gao” by Mr. Raoul K. Joining Said (and many familiar friendly faces from those days, I hope) will be the luminous DJ Dedan of the great Brothers and Sisters party in Oakland. Expect everything deeply felt, from Afrobeat to minimal techno — oh, and Nigerian legend Rasaki Aladokun on the talking drum.

Friday, June 26, 10 p.m., free. Otis, 25 Maiden Lane, SF. www.otissf.com

Board helps renters, but Newsom veto looms

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By Megan Rawlins

Progressives on the Board of Supervisors yesterday passed four ordinances aimed at helping renters, which make up about two-thirds of San Francisco residents, but the 6-4 margin of approval won’t be enough to overcome a threatened veto by Mayor Gavin Newsom.

Sups. Carmen Chu, Bevan Dufty, Sean Elsbernd, and Michela Alioto-Pier voted against the effort to provide financial relief to renters, while Sup. Sophie Maxwell abstained due to a conflict of interest involving her ownership of renter units.

“The federal government has spent significant money on homeowners who are struggling in this crisis, but hasn’t address renters,” said Sup. Chris Daly, who authored the measure. “There is a place for local government to help these people, the majority of San Franciscans.”

Rally and resolution support Iran’s reformers

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Story and photos by Megan Rawlins
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Sup. Ross Mirkarimi addresses a pro-democracy rally of Iranian-Americans and their supporters.

In a sea of people on the steps of City Hall yesterday, there were clusters of green, the color of the protest movement in Iran: green shirts, green scarves, green ribbons, green pants. Small children, little old men, young men and women with their parents and grandparents were frantically waving signs. Chants alternated between “Freedom for Iran” and “Yes to democracy. No to theocracy.”

The crowd quieted quickly when people began to speak, but frequently broke in with cheers or burst of applause. This gathering of the local Iranian-American community was galvanized by frustration, outrage and sadness over what many termed the human rights violations that have been part of the fall-out from the recent, contested Iranian election.

Many carried signs or spoke to remember a young student named Neda Agha-Soltan, reportedly shot dead in the streets of Tehran Saturday evening. Sup. Ross Mirkarimi, who organized the press conference and resulting demonstration and is Iranian-American, assured those gathered that her death would not be in vain.

Selling the park

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sarah@sfbg.com

GREEN CITY Considering that it exists just a short hop from the industrial grind of Third Street, Candlestick Point State Recreation Area is a surprisingly wild and peaceful 150-acre bayshore park.

On a recent afternoon, a man practiced his golf swings, a group fished off a pier, and a lizard darted across a trail and into a clump of wildflowers, all apparently unaware of the storm gathering around the future of this waterfront habitat.

State Sen. Mark Leno’s Senate Bill 792 would give the State Lands Commission and State Parks Department the authority to negotiate an exchange of 42 acres in the park for patches of land on the former Hunters Point Naval Shipyard, allowing Lennar Corp. to build condos in the state park and reducing Bayview’s only major open space by 25 percent.

Leno claims that SB 792 "will help realize one of the few remaining opportunities for large-scale affordable housing, parks, open space, and economic development in San Francisco by authorizing a key public-private land exchange necessary for the development of Hunters Point/Candlestick Park."

"A lot of this property is dirt, and much of it is used by the 49ers for parking. It’s not high quality park land," Leno told the Guardian.

In addition to adding some amendments suggested by the Sierra Club, Leno said state and federal agencies must approve the deal, which would also require a full environmental impact report. "There will be no environmental shortcutting," Leno said.

But environmental advocates are outraged that Mayor Gavin Newsom and his chief economic advisor, Michael Cohen, are trying to get state legislators to facilitate an unpopular land swap that allows an out-of-state developer to build thousands of condos on state tidelands in exchange for strips and pockets of the toxic shipyard (see "Eliminating dissent," 6/17).

"When Michael Cohen asked us to endorse what they were calling a conceptual framework, he called it a rush to the starting line and promised us a full and robust discussion of the actual proposal," Kristine Enea, who works for the India Basin Neighborhood Association, said of last year’s Proposition G. "We’re not trying to stop the development, but we want a discussion. And we’re raising questions that otherwise won’t be raised until after the environmental impact report is completed."

In April, Newsom wrote to Sen. Fran Pavley, who chairs the state’s Senate Committee on Natural Resources and Water, claiming that plans for the shipyard and Candlestick Point had already been endorsed by the San Francisco Board of Supervisors and overwhelmingly approved by voters in June 2008.

"By utilizing a true public-private partnership, this [SB 792] will cause tens of millions of dollars of public open space investment to state park lands and public trust lands, at no cost to the state or the city’s general fund, providing a significant benefit to the state as well as to the citizens of San Francisco," Newsom wrote.

As part of the land swap, Lennar would pay fair market value for much of the parkland, with estimates of about $40 million that would go to the state for managing the remaining acreage. Lennar proposes to build 7,850 housing units on Candlestick Point, and it’s unclear how many of those will go into what is now a state park.

Critics say Newsom is trying to use Prop. G like a hammer to force through legislation that wouldn’t pass locally and would destroy the park’s current functions and wildlife habitat, forever changing life in Bayview Hunters Point, due to the scale and socioeconomic and environmental impacts of Lennar’s proposed redevelopment.

Created by the legislature in 1977, CPSRA is the state’s first urban park. It offers panoramic views of the wind-whipped bay, San Bruno Mountain, and Yosemite Slough, the only unbridged waterway in the city’s southeast sector. And while it’s not typically crowded, the park is well-used by residents, who like to hike and jog, walk their dogs, and windsurf adjacent to Monster Park stadium.

Saul Bloom — whose nonprofit group, Arc Ecology, angered Cohen and Newsom in February when it published "Alternatives for Study," a draft report that identified deficiencies in Lennar’s current proposal — admits that a section of the park is a weed-filled lot that 49ers fans use for parking on game days.

"But the leasing for parking contributes $800,000 toward park maintenance annually," Bloom told the Guardian, noting that this is a vital source of funding in tough times.

He also noted that the California State Parks Foundation recently raised $12 million to restore Yosemite Slough and the California Solid Waste Management Board (whose members include former Sen. Carole Migden, whom Leno defeated last year) recently completed a $1 million rehabilitation of a former construction debris field on the state park property.

But neither this nor the state Budget Conference Committee’s recent decision to institute a $15 surcharge on vehicle license fees of noncommercial vehicles as a dedicated funding source to keep California’s state parks open will save CPSRA from being hobbled if SB 792 is approved in its current state.

"Surely other land can be used for building condos. Affordable housing and condo residents need open space too," said Peter Barstow, founding director of Nature in the City, noting that the 42-acre parcel of contested land represents 25 percent of the park, but only 5 percent of the 770 acres the developer has at its disposal to build 10,500 units of proposed housing.

"Any loss in acreage would seriously diminish the ability of the park to serve the city’s needs, especially with 10,500 new units proposed for the Lennar development," Barstow said.

He said some "logical swapping" is possible. "But they are doing some numbers game, in which they are counting a huge amount of parkland that is already there."

"We should be thinking how to connect these ecologically isolated islands," Barstow said, who sees this debate as an opportunity to link CPSRA to wildlife corridors in McClaren Park and Bayview Hill. "The development should be in the interest of the people, critters, wildlife and plants in the Bayview, not in those of someone in an office thousands of miles away."

He also scoffed at proponents’ arguments that the density of the development means that it is smart urban growth. "Just because a development is dense is not an argument to build it on a park."

Cohen recently told the Guardian that the 77 acres of the 49ers stadium and all the paid parking inside its facility will be filled with "mainly retail and entertainment," while the 42 acres of state park would be used to build condos.

Meredith Thomas of the Neighborhood Parks Council noted that her group "fully supports the revitalization and redevelopment of the Candlestick Point/Shipyard area … But when folks voted for Prop. G in June 2008, nowhere did the measure say that by voting for it, you are agreeing to sell parkland."

"We are always concerned when municipal land that is being used as a park is put up for sale," Thomas said. "While it’s a state park, it really functions as a neighborhood park for those who use it. I think what happens when we plan for large developments is that we don’t do enough to plan for parks with the density increase that’s coming."

The Sierra Club has been leading the charge against the bill. "We lose 40 acres but gain a bathroom," Arthur Feinstein, the Sierra Club’s local representative jokingly told the Guardian. "Now that’s a good deal!"

Observing that the organization’s position is "no net loss of acreage, no loss of biodiversity, no loss of wildlife corridors," Feinstein said, "There are a ton of alternatives to this plan and no reason to destroy 25 percent of the park or build a bridge and a road over Yosemite Slough."

With Arc’s studies showing that the bridge, which will cost $100 million to construct, only shaves two minutes off travel time, Feinstein added: "This is a road to nowhere. It’ll cost $50 million a minute."

He also said that allowing a company to buy state parkland "sets a terrible precedent… Then every state park is at risk from developers as the state’s budget woes grow. I hope Sen. Mark Leno sees this."

"No one would ever think put housing on Crissy Field," Feinstein continued. "But in the Bayview, the attitude is, why not? That whole mentality has made the area into an environmental justice community. Even when it’s given something, it comes in a costly way to the community, but a cheap way for the developers."

Paging all freaks

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johnny@sfbg.com

QUEER ISSUE As May gave way to June, news arrived that a veteran gang of gay magazines — Honcho, Inches, Mandate, Playguy, and Torso — were printing their last glossy naked pages, no thanks to the unending onslaught of Internet porn and hookup sites. For print fetishists of the queer variety, this would seem like a sign of the gloomy end times. But signs can be wrong. In fact, a teeming variety of small publishers are bringing a mix of sex and sensibility to those underground seekers who revel and rebel outside the eye of the computer monitor. Here’s a brief, far from complete, guide to the action.

BAITLINE

In a recent interview on the Guardian‘s Pixel Vision blog, the artist Matt Keegan talks about the subversive social potential of gay calendars and magazines during past eras. You could say Baitline revives this potential. It’s the anti-Craigslist. Hallelujah! Hand-drawn and stapled, this local community resource can help you find your next pervy playmate or like-minded roommate, or assist you in stoking an artistic project and finding a job.

70 Richland Ave, San Francisco, CA, 94110. sywagon@gmail.com

BUTT

Not-so-straight from the Netherlands comes the gay version of Playboy for the 21st century to tease your nether lands even though you buy it to read the interviews. BUTT’s been around long enough to be anthologized as a book. The latest issue is SF-centric, with appearances by Hunx from Hunx and his Punx, and Hunx’s sometime partner in crime, Brontez.

Klein-Gartmanplantsoen 21-I, 1017 RP Amsterdam, The Netherlands. www.buttmagazine.com

CHECK OUT THESE GUNS

Artist Nathaniel Fink is interested in documenting male body types. This simple and cute little zine finds a shirtless and slim subject flexing against a big blue sky.

nathanieljfink@gmail.com; www.morephotosaboutbuildingsandfood.blogspot.com

FAG SCHOOL

Your teacher at Fag School is the one and only Brontez of Younger Lovers and Gravy Train!!! fame. Brontez knows how to turn funny anecdotes and sexy pics into an old-school queer zine for our ADD moment. Not as simple as it sounds. He’s also good at making straight guys takes off their clothes and model.

www.myspace.com/1256201

FOR LONELY ADULTS ONLY

The most recent example of Regis Trigano’s photo zine presents a man alone in bed having some fun. Well shot.

www.proun.us

GOTEBLUD

This isn’t a zine, but instead a zine store run by Matt Wobensmith, the queer punk stalwart behind Outpunk Records and the zine of the same name in the 1990s. Opening night last month revealed a small emporium of countercultural wonders — queer stuff is just one facet. Just try to resist the Wuvable Oaf memorabilia.

Sat–Sun, noon–5 p.m. 766 Valencia, SF. www.goteblud.livejournal.com

HANDBOOK

Men, oft-scruffy, sometimes tattooed, taking care of themselves — based in San Francisco, this publication reaches all over the country to create images that owe a debt to old amateur raunch hands such as Old Reliable.

handbooksf@yahoo.com; www.hanbookmen.com

PINUPS

Christopher Schulz’s three-times-a-year publication featuring one or two models is bearish and cuddly, whether depicting a light wrestling bout or a sandy frolic with a beach ball.

contact@pinupsmag.com; www.pinupsmag.com; www.myspace.com/pinupsmag

QUEER ZINES

This book lists and shares samples from the ever-expansive realm of queer zines. As a zinester from the early days who attended the Chicago SPEW conference decades ago, I can say it isn’t definitive — but it is wonderfully, revealingly comprehensive.

Printed Matter, 195 10th Ave., New York, NY, 10011. aabronson@printedmatter.org. www.printedmatter.org

SPANK

I’d call this the My Comrade of today, replacing that primarily 20th century zine’s drag comedy with boyishness. In other words, here’s a rag for partying NYC art fags.

www.spankzine.wordpress.com

STRAIGHT TO HELL

Still raunchy at 66 issues old, this is a classic, the daddy of them all, the one that exposes Penthouse Forum as boredom. Images by the late, great photographer Al Baltrop appear in the latest edition along with stories bearing titles like "Jockey Rides Teen’s Face — Wins Race" and "Appaloosa Stud with ‘Epic Torso’ Overwhelms Startled Shutterbug."

S.T.H., Box 20424, NYC, 10023. sth@straight-to-hell.net; www-straight-to-hell.net

Busting bars

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news@sfbg.com

San Francisco’s legendary nightlife venues are being threatened by a state agency that over the last two years has adopted a more aggressive policy of enforcing its arcane rules, in the process jeopardizing both needed tax revenue and a vibrant, tolerant culture that these bureaucrats don’t seem to understand.

At issue is an arbitrary policy of the California Department of Alcohol Beverage Control. For the past two years, ABC has been on a campaign against a growing list of well-established clubs, bars, and entertainment venues in the city, an effort driven by vague rules and stretched authority. The community has rallied behind the bars and local politicians have spoken against ABC’s crusade, but the agency isn’t showing any signs of stopping.

Most recently, Revolution Café in the Mission District had to stop selling beer and wine for 20 days after ABC cited them for patrons drinking on the sidewalk adjacent to its front patio. Inner Richmond’s Buckshot’s liquor license was pulled because of technical violations of alcohol and food regulations, forcing owners to close their doors for a few weeks. Both bars stand to lose a substantial portion of their profits before returning to normal business operation.

DNA Lounge’s license is currently being held over its head because ABC saw operators as "running a disorderly house injurious to the public welfare and morals" after sending undercover agents in during queer events. State Sen. Mark Leno responded by telling the Guardian, "The ABC should enforce the law, not make statements relative to morals."

Café du Nord, Slim’s, Swedish Music Hall, Great American Music Hall, Rickshaw Stop, Bottom of the Hill, and a list of more than 10 others are also fighting long, expensive battles to stay open — but not because of underage drinking or drinking-related violence. In fact, most of these venues never had a run-in with ABC until two years ago. These bars’ livelihoods are being threatened because of an arbitrary technicality on their alcohol and food license.

ABC was established in 1957 with the mission to be "responsible for the licensing and regulation of the manufacture, sale, purchase, possession, and transportation of alcoholic beverages." ABC is funded through alcohol license fees, and has been run by governor-appointed director Steve Hardy since 2007, about the same time the crackdown started.

According to ABC spokesperson John Carr, the problem is that these clubs are deviating from their original business plans. The venues are "operating more like clubs, with only incidental food service." ABC didn’t notice any changes in these businesses until two years ago. In some cases, it took ABC 20 years to notice a change.

For example, when Café du Nord owners filled out the forms to get their business license, they were asked to predict the percentage of alcohol sales to food sales. Predictions didn’t pan out exactly, and ABC started an audit two years ago. The only recourse to an audit is to adhere to a random rule that requires these all-ages venues to serve 50 percent food and 50 percent alcohol. This rule is not a law, and ABC isn’t required to enforce it.

Slim’s has been cited on the same food/alcohol grounds. Its sister club, the Great American Music Hall, as well as Bottom of the Hill and most recently Buckshot all have similar 50/50 stories. All are fighting financially drowning battles with ABC. At some point in the court process, these bars must appear in ABC courts with judges hired by Steve Hardy.

Carr claims that only one venue, which he declined to identify, is being cited with the arbitrary 50/50 rule. All the other venues must adhere to their own specific ratio of food to alcohol, written in their original business plans. Regardless of the specific numbers, all are being threatened on the grounds that "they altered the character of their businesses […] which is different from the business plan they submitted to ABC when they were originally pursuing their ABC license."

Many of the bars in question have been around and thriving for decades with the same focus on business, music, and culture. Slim’s, for example, has been in San Francisco for 22 years, going the first 20 without a citation. But in the past two years, it has had four citations between it and the Great American Music Hall.

There is much speculation from all sides of this war about its causes, but no one seems to know why ABC, seemingly out of nowhere, started its crusade against music venues and clubs in San Francisco. Even the ABC is vague and unresponsive about this, broadly claiming it is acting on complaints and just doing its job.

Since the inception of the crackdown is a mystery, it seems fitting to focus on finding a resolution. The last thing anyone in this city wants is to see the clubs and venues shut down, something club operators say hurts the city’s culture. "Kids growing up with live music can only be good," said Dawn Holiday of Slim’s.

Beyond the culture and rich nightlife in question, bars and clubs bring in a significant amount of money to the state. Some of the bars alone can bring the state more than $5,000 each month in sales tax. In the current economic crunch, shutting down reliable sources of revenue doesn’t seem wise.

After two years of battles, ABC has taken some of the bigger hearings off the calendar in an attempt to come to a peaceful resolution. After talks with Hardy, Leno is hopeful for a positive end to the battles. Leno does not want to see any business closed and believes the best way to ensure a thriving nightlife is to establish a special license for the venues. If the only problem with our beloved venues is technicalities with the license, let’s change the license, not the venues.

In the meantime, the community is rallying around the bars and entertainment venues, showing its support. DNA Lounge started asking for donations for its legal proceedings. Visit its Web site for the full story and ways to contribute. When Buckshot reopens July 4, show up and support them. Maybe the best way to fight back is to go out and have a drink, listen to music, dance with queers, and over-indulge in unadulterated San Francisco culture.

“Intricacies of Phantom Content” and Trickle-down: Yours for the Mining

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REVIEW Diamonds are certainly Hilary Pecis’ and Elyse Mallouk’s best friends. But even though the sparklers in their complimentary exhibits at Triple Base Gallery let off a familiar, enticing shine, do they reveal new facets?

Like antlers, rainbows, and feathers, gemstones and crystal-inspired geometric forms have bobbed to the surface as a motif of the zeitgeist, as seen both on gallery walls and the loud prints and new rave colors that adorn the merchandise at Urban Outfitters (not to mention Lady Gaga’s day-to-day wardrobe). I don’t fault Pecis’ art for its timing. Her untitled ink, collage, and acrylic laden panels, which intertwine black and white geometric patterns, gems galore, and cutout twists of metal and hair into eye-shredding nebulas, are indeed beautifully executed and easy to get lost in. But I wonder if their very au courant palette doesn’t time-stamp them to their disadvantage. Her acrylic paintings — all kaleidoscopic close-ups of Krypton-like surfaces, mostly in shades of gray — make a stronger case with their restraint. The continued influence of the original class Mission Schoolers (Alicia McCarthy, please raise your hand) have on younger local artists is striking.

One has to descend into the bowels of the Earth, as it were, to see Mallouk’s punnily-titled video installation Trickle-down: Yours for the Mining. A bare bulb scarcely illuminates a stack of diamond drawings (which viewers are invited to take). With the flick of a switch, the drawings come to life as the blackened space suddenly, literally, drips in a video projection of sparkling animated stones. Like the rhinestone cascade in the opening credit sequence of Douglas Sirk’s Imitation of Life — itself already redone by filmmaker Matt Wolf in the sweet short Imitation of Imitation — Mallouk’s diamante mirrorball cannily reflects the emotional and material investments we make in artifice; art itself notwithstanding. Space may be the place upstairs, but I’m gonna side with Etta James on this one: in the basement, that’s where it’s at.

INTRICACIES OF PHANTOM CONTENT AND TRICKLE-DOWN: YOURS FOR THE MINING Through July 26. Triple Base, 3041 24th St., SF. (415) 643-3943. www.basebasebase.com

“SCUBA Two”

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PREVIEW If you are a fan of the unknown, follow SCUBA, the six-year-old brainchild of small-budget presenters in Seattle, Minneapolis, San Francisco, and (since 2005) Philadelphia. This consortium of astute dance observers became acutely aware of the difficulties that not-yet-established artists face when trying to show their work beyond their immediate home base. So they made a deal: each could suggest local works they respect, and in turn program from the pool what they thought would be of interest to their audiences. This is how Shinichi-Iova Koga went to Philadelphia and San Francisco and saw Seattle’s wacky Salt Sea Horse company. The big unknown for the last of this year’s SCUBA programs is Minneapolis’ Chris Schlichting. When in 2008 he premiered the five-person love things, even longtime Minneapolis observers were surprised, having known Schlichting primarily as a performer. The work has been praised as a "gender-messing choreographic fantasy built and deconstructed from 1970s Americana." Schlichting will be paired with not-well-enough known San Francisco choreographer, Katie Faulkner. Also a gifted filmmaker, Faulkner draws on intense observations of the everyday and then spins them into tightly woven structures in which people, sometimes suffocatingly so, seem glued to each other. For this show she’ll restage The Road Ahead, which looks at a dying man’s relationship to his daughters. Also on the program will be Smoke and Orbit, a duet with frequent Faulkner collaborator Private Freeman.

SCUBA TWO Sat/27, 8 p.m.; Sun/28, 7 p.m., $15–$18. ODC Dance Commons, 351 Shotwell, SF. (415) 863-9834. www.odcdance.org

Chronicle continues anti-immigrant crusade

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By Steven T. Jones

Jaxon Van Derbeken and the San Francisco Chronicle continued their crusade against undocumented immigrants today, expecting elected officials in San Francisco to be accountable to federal immigration authorities while resisting accountability for their own unethical collusion with a controversial anti-immigrant group.

At issue is a Los Angeles Times story about how District Attorney Kamala Harris – who is running for attorney general, a fact that likely played a role in the hit piece – allowed a half-dozen undocumented immigrants to enroll in a rehabilitation program rather than turning them over to the feds. The Chronicle essentially rewrote the Times story under Van Derbeken’s byline and ran it as its splashy lead news story.

Harris told the Times that it’s not her job to enforce federal immigration policies, a stand that has been San Francisco’s official Sanctuary City policy since the ‘80s when Dianne Feinstein was mayor. But Van Derbeken and anti-immigrant groups like the Center for Immigration Studies – which recently gave Van Derbeken an award and large cash payout for his work on the issue – have been pushing for more local cooperation with federal immigration crackdowns.

The Chronicle has refused to say how much money Van Derbeken received for an award that was worth $1,000 a few years ago (CIS has also refused to disclose the figure despite our direct questions), or to address the validation of CIS’s controversial views that acceptance of the award represents, or to offer a position on CIS’s demands and quest for mainstream legitimacy, or to explain or apologize for the derogatory comments that Van Derbeken and conservative Chronicle columnist Debra Saunders made about San Francisco and immigrant rights activists during his acceptance speech earlier this month.

While Van Derbeken did briefly raise the concern during his speech that innocent San Francisco residents could get deported under federal immigration policies, he has resisted accepting the immigrant rights community’s call for due process to play out before deporting local residents (often to a country they know little about and where they have no support system) and dividing up families in order to satisfy the increasingly vitriolic demands of nativist groups.

Berkeley’s budget success

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By Tim Redmond

Berkeley isn’t in the financial mess San Francisco is, and while you can’t compare the two cities at all — SF is a city and county, has far more people and much more demand for services — there are two telling points in today’s Chronicle story:`

While sales tax revenues have plummeted elsewhere, they’ve actually risen in Berkeley. (Union City, Albany and Alameda were the only others in Alameda county to see a year-to-year rise.)

The sales tax increase is due, in part, to the quirky nature of the Berkeley economy. The city has virtually no big-box retailers. Instead of shopping malls, the city has clusters of stores in various neighborhoods, Elmwood to Solano Avenue.

The result is that “during times of prosperity, we don’t grow that much,” said Kamlarz. “And during downturns, we don’t decline that much.”

In other words, a diversified economy of local small businesses is more sustainable and better in tough times than one based on big chains.

The other:

Of course, this couldn’t happen without city voters who continue to tax themselves at among the highest levels in the state. Libraries, fire stations and school measures all continue to get support.

You want good libraries, good schools and no fire-station closures? Be willing to pay for them.

Of course, this shouldn’t be seen as any sort of surprising news.

Chronicle accepts award and cash from anti-immigrant group

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By Steven T. Jones and Sarah Phelan

San Francisco Chronicle reporter Jaxon Van Derbeken recently accepted an award and cash prize (he refuses to say how much) from the Center for Immigration Studies – which a Southern Poverty Law Center report in February 2009 criticized for its overtly racist roots and extreme anti-immigrant agenda – for his controversial articles on San Francisco’s Sanctuary City policies.

CIS paid for Van Derbeken to accept the award at the National Press Club and conservative Chronicle columnist Debra Saunders to introduce him earlier this month, an appearance they used to make derogatory comments about San Francisco, its values, and local immigrant rights activists, while saying little to rebuke the group for stirring up hateful nativist furor around what has become perhaps the country’s most divisive issue.

Van Derbeken and Ken Conner, the Chron’s assistant managing editor for news (who the reporter consulted before accepting the award), told the Guardian that they see nothing wrong with accepting the award and they don’t see it as validating the views of a group that has been desperately seeking mainstream credibility with which to push its anti-immigrant agenda.

“No one should mistake their decision to endorse my work for my endorsement of theirs,” Van Derbeken wrote via e-mail in response to questions, although he wouldn’t offer an opinion on the CIS agenda. He said he was unaware of the SPLC report when he accepted the award, and now that he’s seen it, he wrote, “I haven’t drawn any conclusions about it.”

Conner also dismissed concerns that accepting the award and its cash supplement amounts to validating the group and letting it benefit from the Chronicle name. “We don’t think that’s true. They gave us this award. We didn’t seek it,” Conner told us.

Renegade Rockers Hold Down 26 Years of SF Breakdancing

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By Michael Krimper


Renegade Rockers in action.

When a breakdance battle erupts — whether in a club or gym, or on the block or Youtube — heads heed and take note. In a swirling cypher, b-boys and b-girls display their skills on the floor in a back and forth rhythm, showcasing commando techniques and more daring, original styles to the appraisal of the crowd and their fellow crew members, and of course for themselves.

The electric dance style has come a long way since its formative years in the boroughs of 1970’s New York. The West Coast, and in particular the San Francisco Bay Area, has been at the center of many of the innovations contributing to the dynamic evolution of breakdancing. One of the legendary local crews still active, the Renegade Rockers, have been breaking boundaries since their founding at SF City College in 1983.

That longstanding history informs Renegades’ consistent dedication to the culture. In their upcoming 26th anniversary event, the crew plans to showcase the skills which keep them competitive with the top players of the worldwide breakdance community. “Organizing the Renegade Rockers anniversary events encourages the dance scene to keep pushing the limits and inspires new generations to come,” team captain Wicket tells me. Beyond the high energy battle competitions, the crew plans to spread the love by hosting a series of panel discussions on the history of street dance and workshops covering the basics, from foundational breaking to popping, locking, and rocking.

Fireworks at the DCCC

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By C. Nellie Nelson

The San Francisco Democratic County Central Committee heard a resolution urging city agencies to not privatize city services last night. It’s the sort of measure that would normally pass without much debate — the local Democratic Party has always taken the side of the unions on contracting-out disputes.

But in the midst of the budget mess, the head of the firefighters’ union, John Hanley, showed up to berate the committee members, some of whom are also supervisors, over the latest budget moves.

As Hanley raged about putting firefighters’ lives on the line, committee chair Aaron Peskin and other members tried to make the point of order that this resolution was about privatizing city services, not changes to the budget. Hanley raised his voice louder yet, and, with his face a deep shade of red, he waved a pointed finger around as he yelled about $80 million in cuts.

At that point DCCC member and supervisor Chris Daly rose from his chair and pointing his finger at Hanley demanded, “Don’t point at me!” Hanley became even further agitated, and some committee members demanded that both Daly and Hanley leave. Both then ultimately quieted down, and neither was forced to leave.

In spite of the jarring display and repeated attempts to bring the focus back to the privatization of city services, commenters continued to speak on budget concerns. Former DCCC member and Deputy Sheriff David Wong said the Democratic Party should be for working people, and asked to not have the sheriff’s budget cut. Committee member Robert Haaland asked him if he supported or opposed contracting out sheriff services, but Wong didn’t answer.

Several SEIU members and Department of Public Health workers followed, speaking of seniors missing meals, nursing-to-staff ratios at SF General that result in less skilled workers doing responsibilities above their level of training, and even clients who had just been killed while on a wait list for city services.

When public comment closed, committee members addressed the hotly contended budget decision in a general way. Peskin began, “I want to refute the politics of fear and demagoguery,” referring to Hanley’s intimidating style of speaking. “There’s no question the pie has shrunk,” he continued, reiterating that in a fundamental notion of fairness, all departments must share the pain.

Haaland noted that 1,500 people would be laid off in the Department of Public Health, and that just wouldn’t be true of all departments. He said that cutting the DPH by $100 million would gut the Healthy San Francisco program, and result in $4 million cut from HIV services.

Peskin followed, declaring flatly, “I don’t want my house to burn down either.” He urged everyone to be part of the solution.

The members moved to take out language referring to specific professions that might be privatized, and with those changes, overwhelmingly passed the resolution against privatizing city services.

Appetite: Wicked Emeralds, snail sliders, pindi chole, pickled Fresno chiles, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Happy hour at Grand Cafe — delight on a stick. Photo by Virginia Miller

DEALS

Grand Cafe Happy Hour
Grand Cafe is one of those long time SF classics it’s easy for locals to forget is here, inside Hotel Monaco. Ideally located in the "theater district" for a little tete-a-tete or pre/post A.C.T. performance, Grand Cafe recently reopened with a new happy hour that lasts four hours each weekday with a cocktail list 23-deep, playfully employing current nearby theater plays (like one of three drinks as an ode to "Wicked": Elephaba’s Wicked Emerald-tini, a refreshing mix of Hendrick’s Gin, Ciroc Vodka with a sweet touch from St. Germain Elderflower and herbal notes of basil, cucumber and lemongrass syrup). During happy hour, drinks and appetizers, like gougere d’escargot (delicious escargot sliders!), salt cod beignets, salmon or duck rillette, are a mere $3-7, plus there’s $1 oysters and a 400-plus wine list. PS: the bar menu online notes the "secret" employee discount they give off bar food (50%!) on Monday nights if you mention the password, "Moulin Rouge". A truly happy "happy hour".
3pm – 7pm, Monday-Friday
501 Geary, SF
415-292-0101

www.GrandCafe-SF.com
———–

NEW OPENINGS

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Wexler’s opened Friday with gourmet ‘Que and Southern flavors in a former firehouse
The former Les Amis has been dramatically redone into Wexler’s, a space that reminds me of hip European bistros: lots of white, wood, clean line minimalism, warmed by 15 draught beers (of the Allegash and Ommegang kind) and generous wine list. This is "new American BBQ" from chef Charlie Kleinman, of Fish & Farm and Fifth Floor. I went for lunch (priced at $7-12) opening day and enjoyed fresh Monterey Bay Squid Salad with fried green tomato chunks, frisee, pickled Fresno chilies. A 4505 Meats Mission Dog is topped with bacon (there’s the Mission part), chilies and caramelized onions. A straightforward "Sloppy Joe" on an Acme roll was probably my initial favorite, the tender Texas-style burnt ends packing rich flavor. They were out of both desserts I wanted on opening day (the one I tried didn’t excite), but they’re certainly working out the usual opening kinks and I can’t wait to come back and try Sour Cream Japanese Pear Pie and Inside-Out Root Beer Float (house-made vanilla soda with Humphry Slocumbe root beer ice cream – yes!) Dinner ($9-23) equally intrigues with Smoked Maine Lobster, BBQ Scotch Eggs, Wexler’s Plate of Pork, and Hush Puppies. A balanced selection of fine bourbons, brandies, and other spirits make ideal pairings with smoky eats. Even cooler than the rib-like ceiling and red chandeliers is the (virtually) guilt-free combo of BBQ that’s local, sustainable and made with care.
568 Sacramento, SF
415-983-0102

www.wexlerssf.com

Sakoon debuts upscale Indian restaurant in Mountain View this week
It’s a drive down from the city to be sure, but with few upscale Indian dining options in SF, it’s nice to know brand new Sakoon (meaning peace), is not too far away. In a large, 6000-square foot former bank, there’s a mezzanine, fiber-optic chandeliers, Buddha in hand-carved wooden panels, and, yes, a waterfall rushing into pool dotted with lotus petals. Exec Chef, Sachin Chopra, formerly of Palo Alto’s Mantra, put together a menu of Indian food with contemporary touches well beyond the defined Northern or Southern Indian cuisine categories, with most entrees priced under $20, like Malabari Seabass, pan-seared with aloo tikki, pindi chole, and tamarind essence. The flavors of Kashmir show up in Gushtaba, lamb koftas in roasted onion and yogurt sauce. A five-course Farmer’s Market Tasting Menu (vegetarian: $35; non: $40) provides further taste opportunities, lunch buffets are offered daily, and a Sunday through Thursday happy hour (5-7pm) means $5 cocktails and cheap bar bites. General manager and sommelier, Nirupama Srivastava, lovingly features predominantly women wine-makers on her wine list, and cocktails ($8-10) like the Monsoon Wedding (Bacardi coconut rum, Hypnotiq liqueur, pineapple juice, lime). When you want Indian beyond your favorite Tenderloin curry house…
Mon-Fri 11:30am-2:30pm
Sat-Sun 12-3pm
Sun-Thu 5-10pm
Fri-Sat 5-10:30pm
357 Castro Street, Mountain View

www.sakooncuisine.com

Web Wares: Shopseen on the scene

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In her new weekly feature, writer Mayka Mei profiles Bay Area-based fashion Web sites.

Social network newcomer Shopseen only went live publicly this winter, but it already has big plans to revive physical traffic in local boutiques.

A product of Oakland-based Proletarian Design, the concept of Shopseen came to CEO/Founder Adeel Ahmad in late 2007. Although it doesn’t seem likely that a hardware engineer would dream up the idea of a site devoted to shopping, Ahmad’s passion for photography and fashion designer wife (fellow Canada native Sarah Zins) probably had something to do with his move into social media.

Even before he got his iPhone 3G, the upswing of cameraphones and geotagging technology appealed to Ahmad for what they could potentially do for the appreciation (if not accumulation) of materialistic goods.

“Why don’t we use our phones to be a kind of citizen fashion reporter?” he asked. The capability was there, Ahmad just had to build it.

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Customer crowdsourcing: Users vote on new product and event finds that they share amongst themselves.

Boxer wants to be shipyard clean-up’s “fair broker”

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Text by Sarah Phelan

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Sen. Barbara Boxer’s office forwarded me a letter yesterday that highlights Boxer’s concerns regarding the cleanup and redevelopment of Hunters Point Naval Shipyard.

“As Chair of the U.S. Senate Environment and Public Works committee, I am focused on protecting the health and environment of the Bay Area, including the Bayview Hunters Point community,” Boxer stated in the May 18, 2009 letter that she sent to Power’s Alicia Schwartz, who, incidentally won a Guardian’s Local Hero award in 2008, for working to improve the future of San Francisco’s black and working class communities.

Boxer’s letter landed after my deadline for this week’s story about the Navy dissolving the main body for community involvement in the shipyard clean-up, as that effort enters its most critical phase.

So, I’ve included her letter here, so folks can see what Boxer’s main concerns are. And also because it suggests that things may improve, at least in terms of working with the US Environmental Protection Agency, now that Lisa Jackson has taken the helm.

As Boxer writes, “Under Administrator Lisa Jackson, the EPA is returning to its mission of protecting American families and communities from environmental threats.”

Boxer’s communications director Zachary Coile told me today that as chair of the Senate Environment and Public Works Committee, Boxer has oversight of the US EPA, and wants to play the role of “fair broker” at the shipyard.
That sounds like a worthy goal. So, here’s hoping that Boxer can pull it off in a way that’s truly equitable.

Hello sailor

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By Matt Sussman


a&eletters@sfbg.com

Revolution seems to be on the minds and in the hearts of many in LGBT folk these days. The desire for change is palpable at the marriage equality marches that have now become regular occurrences, even if one isn’t marching under the banner of marriage equality. Indeed, the large and sustained outpouring of grassroots activism that has sprung up since Proposition 8 "passed" last November has been hailed, however ill-fitting the comparison, as "Stonewall 2.0."

Stonewall is undoubtedly a milestone — and its resonance with our current historical moment is underscored by the fact that Frameline 33’s closing night happens to fall on the 40th anniversary of the New York City riots. But Stonewall is not our only example of queers taking power into their own hands (San Francisco’s own Compton Cafeteria Riots of 1966, in which transgender people fought for their right to occupy public space, immediately comes to mind.) Nor are the social justice movements and underground film culture of the Stonewall era — both subjects touched on in a swathe of ’60s and ’70s-related films at this year’s festival — our only historical models for envisioning and enacting change. There are other histories, other battles, and other scenes to explore.

Local filmmaker Cary Cronenwett’s Maggots and Men — a stunning black and white historical fantasia on the possibilities, pleasures, and perils of revolution — proposes such another scene. Set in a mythologized postrevolutionary Russia but based on actual historical events, Maggots marshals early Soviet cinema, the gutter erotics of Jean Genet, and what at times seems like a transgender cast of thousands to build its case for the necessity of queer utopias. "I made a school boy movie, Phineas Slipped [under the name Kerioakie, in Frameline 26], so the next logical step was to make a sailor movie," says Cronenwett, explaining the germ for his film over the phone. "I wanted to make a film that created another world."

Maggots dramatizes the events of 1921, when the sailors of the seaport town of Kronstadt (whose failed 1905 revolution would be immortalized by Sergei Eisenstein in 1925’s Battleship Potemkin) drafted a resolution that supported the factory workers on strike in St. Petersburg. Deeming the sailors’ declaration of solidarity and demands for food and greater autonomy as "counter-revolutionary," the Bolshevik government launched a propaganda campaign against them, eventually sending the Red Army to take their island stronghold by force. The Bolsheviks eventually won the two-week long battle, in which both sides suffered heavy losses, killing or exiling the remaining sailors.

Told through the fictionalized letters of sailor Stepan Petrichenko (played by dreamboat Stormy Henry Knight, aptly described by Cronenwett as "the transgender Matt Dillon") to his sister and the performances of agitprop theater group Blue Blouse, Maggots repurposes the aesthetics of socialist realism to both pay tribute to the Kronstadt sailors’ quashed communal experiment and to use that same history as a means to engage with contemporary transgender lives and radical politics. "I’m wrapping together my different fantasies," explains Cronenwett. "There’s the sexual, kinda homoerotic utopia and then there’s this sort of communal utopia, where you have a society based on mutual respect."

If Maggots were a poem, it would undoubtedly take the form of an idyll. The sailors engage in a bucolic routine of communal farming and exercise, angelically sleeping in hammocks, carousing with the local ladies, and occasionally engaging in some alcohol-fueled sex with their fellow mates. Flo McGarrell’s gorgeous production design and composer Jascha Ephraim’s accordion-rich original score certainly contribute to the film’s reverie-like passages, but much of what is beautiful about the film is due in no small part to the handsome chiaroscuro visages of the film’s primarily trans-masculine actors. Cronenwett is as quick to cite Genet’s Un Chant d’Amour (1950) and James Bidgood’s Pink Narcissus (1968) as he is Eisenstein, as influences — and it shows.

But Cronenwett has other things, aside from "dirty sailor beefcake," on the brain. As he points out in a follow-up e-mail to our conversation, the trans actors in Maggots don’t just rewire the long history of the sailor as subject of homoerotic image-making in terms of gender, but also reframe the homosocial world of Krondstadt in terms of anarchist politics. "It’s not just cute butts that turn me on — it’s also ideas, and people’s politics. Not politics, like chatting about Obama or whatever, but people that are into creative ways of living and aren’t into non-consensual domination."

These politics were put into practice, as much by necessity as design, over the course of the four years it took to make the film. Shooting sporadically in rural Vermont (a frozen Lake Champlain uncannily summons the wintertime Baltic captured in photos of the Red Army’s 1921 advance); San Francisco backyards and gallery spaces; and Battery Boutelle in the Presidio and Battery Mendell in Marin, Cronenwett describes making Maggots as a "highly collaborative" process that involved the talents of friends, DIY artists, political organizers, nonprofessional actors, and anyone else who could be tapped via word-of-mouth (the film also received financial support from the Frameline Film and Video Completion Fund). At times, the filming even started to take on the communal can-do atmosphere of Kronstadt itself. "People slept on the floor and took cooking shifts, and helped make costumes," remembers Cronenwett of the Vermont shoot.

As much as Maggots is a homoerotic pastoral, the film doesn’t shy away from exploring the difficult, sometimes painful, realities attendant to any act of self-determination. As its very title — itself a reference to the rotting meat that sparks the sailors’ mutiny in the first act of Potemkim — suggests, the consequences of our actions can fester within us. "The sailors are still lugging around the violence from the revolution with them," writes Cronenewett. "Even in the salad days the violence is there just under the surface."

This violence takes on a different cast in the context of transitioning genders, something which the actors’ own mixed gender expressions continually underscore. "Transitioning is, hopefully, a liberating, positive experience. But it can also have some elements of violence associated with it. That can be a literal kind of violence — like chopping off body parts — or can be something more ethereal, like squashing aspects of ourselves to fit into either gender category."

The film is careful, though, not to hold up the sailors’ bloody defeat as a cautionary example of revolutionary hubris, just as it stylistically evokes Russian cinema of the ’20s and ’30s while avoiding that period’s penchant for egregious hero worship (flirting with martyrdom can be a slippery slope when engaging with the Soviet realism). In a sense, Maggots‘ restaging of history captures the full allegorical meaning of "utopia" — a social ideal that doesn’t exist and yet, nonetheless, remains an ideal. But, as Maggots also proves, film gives us the means to envision such ideals. At a time when our "revolutionary" moment seems blinded by tunnel vision — and has largely become defined by terms we never dictated — Maggots‘ kino eye reminds us that our past and our present are full of radical possibilities. *

MAGGOTS AND MEN

Sun/21, 1:30 p.m., Castro


The 33rd San Francisco International LGBT Film Festival runs June 18–28 at the Castro, 429 Castro, SF; Roxie, 3117 16th St., SF; Victoria, 2961 16th St, SF; and Rialto Cinemas Elmwood, 2966 College, Berk. Tickets (most shows $8–$10) are available at www.frameline.org.

Kucharmania!

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johnny@sfbg.com

PREVIEW I was going to review It Came from Kuchar, Jennifer Kroot’s documentary about George and Mike Kuchar, but a combination of exhaustion, absent-mindedness, and deep innate logic got the best of me. Instead of writing a straightforward appraisal of a movie about two filmmakers who are anything but straight, I’ve decided to pay tribute to a pair of brothers whose filmography and videography is longer and larger and (sorry!) more freely imaginative than all of the pictures in this year’s Frameline festival put together.

For sure, there is an irony at the heart of Kroot’s dedicated endeavor, just as there was one at the core of Mary Jordan’s equally appreciative Jack Smith and the Destruction of Atlantis (2006). Underground filmmaking as preached and practiced by Smith and the Kuchars is too wild to be summarized by a stadium of talking heads, let alone condensed into one of 21st century cinema’s most common manias, the feature-length documentary portrait. In 1997, when George and Mike published the midlife autobiography Reflections From a Cinematic Cesspool (Zanja Press, 182 pages, $19.95), they’d already created at least 300 films and videos. Just as Smith’s unfinished projects tease and outright mock any neat categorization or traditional definition of art work, how could a single film or commentator do justice to the myriad lovely warts and hidden undersides of such a gargantuan filmography? Most likely, Kroot has fashioned an introduction, so I will try to as well, using words instead of a camera.

If you’re a movie-lover in San Francisco, you have some Kuchar memories, and maybe even some bonds forged partly through an admiration of George and Mike Kuchar. I remember planning to wear an ape suit to a Roxie Cinema screening of Curt McDowell’s Thundercrack!, which is scripted by George. I remember how one friend’s private screening of George’s Color Me Shameless (1967) helped jostle me out of a deep depression rooted in embarrassment about past shameless behavior. However silly they might seem on the surface, many Kuchar movies tap into truths about life, and for that I’m thankful.

Another vital aspect of cinema Kuchar is its continued influence on contemporary San Francisco creativity. Kroot’s movie spotlights the Kuchars’ influence on cult icons and iconographers such as John Waters, Bill Griffith, and Guy Maddin. But name a local moviemaker you like, and that person is probably a Kuchar devotee, or even — like Kroot — a former student from one of George’s San Francisco Art Institute classes. When I enjoy a movie by Sam Green, David Enos, Martha Colburn, or the late, great (and currently resurgent) McDowell, I sense the spirit and essence of Kuchar. When I take note of Sarah Enid’s behind-the-camera direction and before-the-camera emotion, I see a Kuchar heroine beginning to tell her own story. Meanwhile, George keeps making whirwlind star-wipe video diaries and cooking up scripted genre goulashes that possess a singularly strange flavor. A couple of months ago, someone near and dear enthusiastically showed me a recent paradisical movie by Mike, and I was blown away by the potent high it derived from the beauty of its male lead actor. Secondhand smoke? Yes please.

It Came From Kuchar is an apt title not just because George and Mike Kuchar take their inspiration from B-movies, but because something about the Kuchar brothers as a phenomenon is not of this world — so of the world as to be almost too good for it. It came from outer space, and it came from beneath the sea, but not until it came — goopily — from the creative intestines and pleasure centers of George and Mike Kuchar did cinema truly phone home.

IT CAME FROM KUCHAR

Sun/21, 6:30 p.m., Castro

The man from camp

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If I had to choose a true SF son of the Kuchar brothers, it might be Gary Gregerson. Unlike a number of great local filmmakers, Gregerson — as far as I know — has never taken a class from George Kuchar. When it comes to wild B-movie imagination, he was born that way. A madcap mainstay whose zines (Fembot), music (with Sta-Prest in the 1990s, and Puce Moment, featuring Jon Nikki, today), DJing (at the Clap) and DIY filmmaking (Mondo Bottomless) make this city lively, Gregerson is currently at work on a movie titled AIDS Camp. I recently jumped on my pogo stick and caught up with him to discuss fashion, the perils of directing, the last days of a landmark, and his role in a film at this year’s Frameline festival.

SFBG What are you wearing?

GARY GREGERSON One of my favorite shirts from the ’60s, baby blue cords, and a button that says, "Tennis is a ball."

SFBG AIDS Camp: please break down the title in all its potential meaning.

GG Originally I wanted it to be set in a place a sci-fi wasteland but outdoors. There’d be a discussion about breaking out and someone would say, "But there’re no walls here," and someone else would say, "Look around, it’s camp! Everywhere you look it’s camp, camp, camp!" Oh, and I have HIV.

SFBG This movie is more of a group effort, with a large cast that needed to be wrangled. How was the experience different?

GG Continuity was a challenge. It was a challenge getting the same people to spend all day in the "internment" area and then another day in Glen Canyon Park for the "liberation" scenes. I didn’t have any problem finding "untrainables" (sex radicals) but it was hard to find "trainables" (straight-laced gays).

SFBG You appear in The Lollipop Generation, which is playing at this year’s Frameline fest. What was that experience like, and what have you learned from the film’s director, G.B. Jones?

GG I was supposed to be flagging tricks from in front of DeGrassi Junior High — that’s the actual location. I had one car honk at me. I learned that Super 8 looks even better when it’s been sitting around for 15 years, maybe in a fridge somewhere. The condensation gives it a neat effect.

SFBG What is your favorite dance?

GG The Hip-o-crite.

SFBG You are a known Sid Krofft admirer. What is your stance on the current film "remake" of Land of the Lost? What are your views on Sleestaks in general?

GG Maybe a "serious" remake would actually be more enjoyable, but we’ll see. I wanted to do a short with Alvin Orloff called H.R. Buff-n-stuff. I can’t weigh in on Sleestaks, but I like guys with Chaka hair.

SFBG If you paid no heed to the words of the Flirts and put another dime in the jukebox right now, what three songs would you choose to play?

GG A jukebox?! How quaint. Let’s see … maybe "Goin’ Cruisin’" by Malibu (another Bobby O group), "Cruising" by Hunx and his Punx, and "Just Like the Leaves" by my friends the Bippies.

SFBG As a host of many events there, tell the people: What is great about Aunt Charlie’s?

GG The scents and sensuality. And Joe and the gang are really awesome for letting me film there.

SFBG What are your thoughts on the closing of the Central YMCA?

GG It’s only two blocks from my house, so I’m ridin’ a bummer. I need a tile from the steam room for a memento.

SFBG Gary Gregerson, is that what you call sockin’ it to me?

GG Well, it is my happening and it’s freaking me out.

AIDS CAMP premieres in August at Homo A Go Go in Olympia, Wash. Puce Moment plays Club Club You’re Dead at the Stud in July.

Juicy gotcha krazy

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superego@sfbg.com

SUPEREGO Oh, who the hell cares what I think this week? It’s summer and our party hormones — partymones — are totally going apeshit. Before I get into the upcoming party musts, though, I will leave you with one quasi-abstract musing. The thing I’ll miss most about analog TV, besides the term "vertical hold," is the sound of someone frantically banging the top of the box to stabilize the picture. If anyone’s thinking of sampling that in a killer track, now’s the time. Slap that bitch!

NINJA TUNE


It’s been a coon’s age since the forward-thinking label threw one of its freaky bashes here in San Francisco, and despite some questionable recent signings (Thunderheist? Er, pass), it’s pulling out its new big guns with this one. Before he brought down the house on the Brainfeeder tour last year, I couldn’t look at foppish L.A. synth-master Daedelus without flashing back to my more ill-starred ’80s sartorial choices. But he proved himself up to the minute with edgy future bassism and over-the-top Beethoven-like symphonic flourishes. New New Romantic? Sure. Montreal dancehall warper Ghislain Poirier is back as well, and will benefit from Mighty’s mighty bass boost. Opening up is Daly City’s underground patron saint, Mochipet.

Thu/18, 9 p.m., $10 advance. Mighty, 119 Utah, SF. www.mighty119.com

"THE CREATIVES"


There’s nothing more terrifying to me than a drag queen out of drag. Here I’ll be all gossiping tipsily with someone and say something like, "Oh gurl, that Ambrosia Salad mess truly sucked a big one with her number last Friday." And then he’ll say in a deep voice, "I’m Ambrosia Salad, asshole" — and I’ll have to backtrack faster than Scooby and Shaggy from Bluebeard’s tacky ectoplasm. Luckily, hottie photographer Molly Decoudreaux provides a key with her new exhibition, "The Creatives: Daytime Portraits from a Queer Nightlife," in which she ingeniously snaps notorious movers and shakers in their casual home habitats. Who knew these queens had homes? The opening party should be darling.

Sat/20, 7 p.m.–10 p.m., continues through July 10, free. A.Muse Gallery, 614 Alabama, SF. www.yourmusegallery.com

SUREFIRE


That lively Bay nexus for all things dubstep, Surefire Sound, has gone monthly at Triple Crown (yay) and has a stellar June lineup planned. Distance, a hurricane force from the U.K. whose "Night Vision" track on Planet Mu pummels the darkness into submission, brings his streetwise wobble to the tables. Toronto’s XI gets gnarly, his ragamuffin moments reflective of Canada’s simmering melting pot. And much-admired local DJ Antiserum possesses the just-right combination of longtime jungle and breaks experience and wild viral style to crank the party up madly.

Sat/20, 10 p.m., $10. Triple Crown, 1760 Market, SF. www.triplecrownsf.com

GREEN VELVET


True eccentricity is still a rarity on the techno scene, which tends to forego stand-out personalities in favor of mix-friendly assimilation. This can be a good thing: we don’t need another Prodigy, surely. But Green Velvet, the wacky track producer also known as house pioneer Cajmere, gets the balance between dance floor motion and the conceptually bizarre perfectly. The influence of his earworm cuts like "The Stalker," "Flash," and the oddly Eminem-summoning "La La Land" is strongly felt on recent underground Berlin styles and throughout the goofy Dirty Bird label technoverse. He’ll be in town with bonkers duo Designer Drugs, who manage to make electro-sleaze still relevant-sounding, to help celebrate the birthday of one of my favorite SF DJs, Richie Panic.

Sat/20, 9 p.m., $15 advance. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

DJ SAID


A decade ago, when the Internet was still booming, Said Adelekan brought some serious dance floor spirit to that oft-soulless go-go period with his local Afro-House movement, his Fatsouls label, and his lovely Atmosphere parties. I’m absolutely delighted that he and Fatsouls have resurfaced — goddess knows we could use a little more Afro-injection — to release a new full-length Fatsouls joint, Sun of Gao. Joining Said (and many familiar friendly faces from those days, I hope) will be the luminous DJ Dedan of the great Brothers and Sisters party in Oakland. Expect everything deeply felt, from Afrobeat to minimal techno — oh, and Nigerian legend Rasaki Aladokun on the talking drum.

Friday, June 26, 10 p.m., free. Otis, 25 Maiden Lane, SF. www.otissf.com

PG&E attacks consumer choice

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rebeccab@sfbg.com

A ballot initiative backed by Pacific Gas and Electric Co. could amount to a death sentence for community choice aggregation (CCA) and expanded public power in California.

Dubbed the Taxpayers Right to Vote Act, the proposed initiative would require a two-thirds majority vote at the ballot before any local government could establish a CCA program, use public funding to implement a plan to become a CCA provider, or expand electric service to new territory or new customers.

The new hurdle would make it very difficult for a local government to move forward with a CCA, while at the same time making it much easier for a utility to defeat public power at the ballot.

Signed into state law in 2002, CCA allows local governments to buy up blocks of power to sell to residents, making it possible for cities and counties to set up alternatives to private utilities such as PG&E and, in many cases, to offer electricity generated by clean, renewable power sources.

The initiative is in its earliest stages, and it likely would not be placed on the state ballot until the June 2010 election. At this point, "it’s unclear how much of a campaign it’s going to be," according to Greg Larsen of the Sacramento public relations firm Larsen Cazanis, a spokesperson for the effort. "It’s a long way off."

That hasn’t stopped local CCA supporters from sounding alarm bells. "Urgent/Bad! PG&E State Ballot Measure To Kill Public Power & CCA," public power activist Eric Brooks wrote in the subject line of a widely disseminated e-mail last week. "It’s red alert time boys and girls," he wrote, saying the proposal "will kill all new Public Power and Community Choice Aggregation projects statewide."

Brooks isn’t alone: everyone the Guardian spoke with who is involved in the creation of San Francisco’s CCA voiced concern that the proposal could kill any future community choice efforts.

The proposed initiative was submitted to the California Attorney General’s office May 28 with the contact listed as the Sacramento law firm Nielsen, Merksamer, Parrinello, Mueller & Naylor, a powerful player with a long history of working with PG&E on ballot initiatives. Larsen confirmed that PG&E had provided the $200 filing fee, the only amount spent so far on the embryonic proposal.

The official proponent of the initiative is Robert Lee Pence, apparently the same person who was listed as an opponent of Proposition 80, a 2005 ballot measure that dealt with utility regulation. Opposition to Prop. 80 was heavily funded by PG&E and other utilities, and the initiative failed by a wide margin.

Pence’s group, Californians for Reliable Electricity, listed Steve Lucas as a contact on 2005 campaign documents. Lucas is also listed as the point person at Nielsen, Merksamer, Parrinello, Mueller & Naylor for questions regarding the Taxpayers Right to Vote Act.

The address listed for the organization is the same as that of Townsend, Raimundo, Besler and Usher — a Sacramento political consulting firm that also has a long history of working with PG&E on political campaigns. When asked about the PR firm’s role in the Taxpayer Right to Vote Act, Larsen acknowledged that they "may be involved as the campaign goes forward," but cautioned that any discussion so far has been preliminary.

The rationale behind the initiative is to protect taxpayers, Larsen said, because CCA programs "are major issues that communities undertake and require millions or billions of public dollars." The proposed initiative, he said, seeks to "ensure that voters — and frankly, their descendents — who will wind up being responsible for these programs have a say." If the measure passes, Larsen added, voters could still approve CCA programs — but with two-thirds of the vote, a supermajority that he contends is "staying in line with many other California requirements."

California Sen. Mark Leno, however, has a very different opinion. "I would hope that Californians would have come to understand that two-thirds vote thresholds are probably more responsible for damage to the state of California in the past 30 years than any other single factor," he said. "To hand a small minority controlling power is anti-democratic. This must be defeated." Leno also said he believes that the initiative would have drastic consequences for CCA programs if it passes.

Meanwhile, local CCA supporters say there is more to this than merely sticking up for taxpayers’ rights. If programs like Clean Power SF — the CCA initiative currently being developed in San Francisco — are fully implemented, then PG&E, which makes good money from its monopoly status, would face some actual competition. Naturally, the powerful utility would have an incentive to eliminate the alternative altogether.

Under the current system, PG&E "has to rely on the elected officials to kill CCA, and its much harder … to do that," says John Rizzo of the San Francisco Bay Chapter of the Sierra Club. But if the Taxpayers Right to Vote Act is enshrined in state law, "they could just pour in money and spread propaganda. Particularly the two-thirds requirement is just outrageous — it basically makes it impossible" to secure approval for any step toward CCA implementation.

"It’s a nasty ballot initiative," Mike Campbell, director of San Francisco’s CCA at the Public Utilities Commission, told us. "I think it’s clearly aimed at the heart of CCA." Campbell added that while he has been in discussion with SFPUC staff and others involved in hammering out Clean Power SF, he wasn’t at liberty to discuss a strategy for fighting the proposed initiative just yet.

Ross Mirkarimi, who chairs the city’s Local Agency Formation Commission — the body tasked with working in tandem with the SFPUC to implement San Francisco’s CCA — called the proposal "heinous — and yet I expect nothing less from PG&E.

"They can try to win by well-funded misinformation blitzkrieg," Mirkarimi noted. "If they’re able to spend $10 million without blinking here in San Francisco [on defeating a public power measure], they’re poised to spend tens of millions on this. As a state battleground, this elevates the fight that much more. We have to act in solidarity with other municipalities. We should be well-armed in repudiation of this effort."

There may be ways to attack the initiative in advance. The CCA legislation bars private utilities from seeking to undermine local CCA efforts. Assembly Member Tom Ammiano told us that the Legislature should look at how PG&E could be blocked from mounting a statewide effort to kill CCAs. "I think there’s some potential there," he said.

Julian Davis, who chaired the Prop. H campaign for public power last year, said he found the proposal very worrisome. "If you shut down community choice, you’re shutting down one of the major vehicles for clean energy," he said. To Davis, the initiative highlights "a disturbing trend of corporate America finding ever-more clever ways of tying the hand of local government in general. You know they’ll dump millions into this," he added. "The ultimate irony here is that none of us have the right to vote on anything PG&E does. None of us has a seat at the PG&E board table. It’s doublespeak."

Rachel Buhner contributed to this report.

Eliminating dissent

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sarah@sfbg.com

For years, the Hunters Point Shipyard Restoration Advisory Board has served as the Bayview-Hunters Point community’s main voice in the U.S. Navy’s environmental cleanup plans for the toxic former naval station. But the committee is suddenly being disbanded just as the cleanup enters a crucial phase.

Used for shipbuilding and submarine maintenance and repair, and the decontamination, storage, and disposal of radioactive and atomic weapons testing materials, the shipyard was added to the Superfund national toxic site cleanup list in 1989. But it is also at the heart of where Mayor Gavin Newsom has partnered with Lennar Corp. on the city’s biggest development proposal, involving 10,500 homes and a new stadium for the 49ers.

As the Navy prepares to release a series of important studies and reports concerning the cleanup of the dirtiest parcels on the former shipyard, community members were outraged by the Navy’s announcement in late May that it is preparing to dissolve the RAB in the next 30 days.

In July the Navy will release draft feasibility studies for the cleanup of Parcel E, along with a final remedial investigation/feasibility study for Parcel E2, the dirtiest parcel on the base, and a radiological data-gathering investigation in the sediment surrounding Parcel F, which is the underwater portion of the base.

Some insiders say the announcement was not unexpected, given an escautf8g series of confrontational RAB meetings with the Navy over the last two years. But they fear the community will lose its ability to give the Navy direct, timely, and meaningful feedback, even if many believe the Navy wasn’t listening.

"The Navy fully supports the need for open, meaningful dialogue with the diverse Bayview-Hunters Point community regarding our environmental cleanup actions and decisions. However, the RAB is not fulfilling this objective," the Navy’s Laura Duchnak wrote in a May 22 letter to the RAB.

In her letter, Duchnak said the RAB meetings no longer provide community input on the Navy’s environmental cleanup program, that their atmosphere is not productive to effective public discourse, and that Navy attempts to improve the process have failed. "The revised community involvement program may include community environmental forums, including using Internet-based technologies to more easily reach a diverse audience, expanded monthly progress reports and fact sheets, and hosting technical discussions and tours of cleanup sites for interested community members," Duchnak wrote.

Duchnak’s announcement followed a tense January meeting in which RAB members reacted with horror when the Navy announced it was moving forward with controversial plans to cap radiologically-affected areas on the shipyard’s Parcel B instead of digging and hauling them, which the community preferred (see "Nuclear Fallout," 07/16/08).

Led by RAB co-chair Leon Muhammad, who teaches at the Nation of Islam’s Center for Self Improvement, which has been repeatedly dusted by unmonitored asbestos (see "The corporation that ate San Francisco," 03/17/07), and joined by newly sworn-in members Archbishop King, Marie Harrison, and Daniel Landry, the board voted to seek a civil grand jury investigation into whether local truckers are getting their fair share of the Navy’s shipyard contracts.

Members then voted to remove the city’s public health representative Amy Brownell from the RAB, and to call for the stoppage of all work on the yard until the Department of Defense, the Navy, and the city can prove, as Muhammad said, "where the ongoing dust exceedences are coming from."

The final straw, insiders say, occurred in February when members voted to remove the Navy’s RAB co-chair Keith Forman from the advisory board. Eric Smith, who was sworn onto the RAB in January but did not vote to remove Brownell and Forman, said the Navy’s dissolution response wasn’t surprising.

"The dissolution of RAB is not a good thing in terms of what it is supposed to do. But it was also doing things that were dysfunctional," Smith said. "The bitter irony is that the folks who caused the trouble were trying to get the Navy to sit up and take notice."

Smith said there is frustration with the Navy’s communication style, which the community feels is patronizing. "But the RAB was naïve to think the Navy would allow a forum over which it has unilateral authority to become a platform for attacks," Smith said.

RAB member Kristine Enea, who missed the RAB’s last two meetings, confirmed that the atmosphere got increasingly confrontational but added that the Navy ignored suggestions her calls for wider community involvement.

"It’s ironic that the Navy had decided to respond to criticisms, which include the charge that it is a poor communicator, by cutting off communications with the community," said Enea, who works at the India Basin Neighborhood Association. "Dissolving the RAB is a drastic step. There is so much going on, and so much that we need to know."

But Enea hopes IBNA can help fill that void, noting that the association has applied for a US Environmental Protection Agency technical assistant grant to review shipyard clean-up documents, provide fact sheets, and host community meetings.

The Sierra Club’s Arthur Feinstein said that his group’s main concern around the dissolution is that Parcel E2, which contains an industrial and radiologically-impacted dump that burned for six months in 2000, and Parcel F are both coming up for analysis.

"These are some of the most significantly contaminated areas on the shipyard, so the timing is terrible," Feinstein told the Guardian, observing that some RAB members did not appear to be looking for solutions and were so aggressive they destroyed meetings.

"Unfortunately there weren’t enough forceful people to say ‘shut up and sit down,’" Feinstein said. "But without a RAB, there will be no public forum where folks are able to get and read materials ahead of the meeting, and then ask and submit questions."

Harrison, a member of the environmental justice group Green Action, believes the Navy’s intent is that there be no meaningful interaction with the community. "When you don’t toe the line and play like good little children, the Navy shuts you down," said Harrison, whose group, along with the Nation of Islam and the Caravan for Justice, are planning a June 30 demonstration at the shipyard to protest the move.

In another point of controversy, Sen. Mark Leno has legislation that seeks to trade 25 percent of Candlestick Point State Recreation Area, the only major piece of open space in the Bayview, for small strips on the shipyard so Lennar can build condos on the parkland.

Noting that Sen. Leland Yee and Assembly Members Tom Ammiano and Fiona Ma oppose the parks-for-condos plan (see "Going Nuclear," April 29), Harrison said, "What possessed anyone to believe that we’d say, okay, take the only open space in the Bayview, and in exchange we’ll accept contaminated land scattered around on the shipyard?"

Environmental advocates believe the Sierra Club intends to fight Leno’s legislation with a challenge under the California Environmental Quality Act, but Leno told the Guardian that he is "continuing to work and meet with the lobbyists for the Sierra Club here in Sacramento to see if there are any additional amendments we can take that would get them to a neutral position on the bill.

"I think there is a good possibility we can get there," Leno said.

In February, Arc Ecology released a 133-report titled "Alternatives for study" that recommended the removal of the Parcel E2 landfill and explored changes in land use arrangements in the current redevelopment proposal to avoid environmental impacts (see "Concrete Plans," Feb. 4). Unfortunately, they were largely ignored by the Mayor’s Office of Economic and Workforce Development, which is working with Lennar on the public-private development deal.

Arc Ecology executive director Saul Bloom remains undaunted, recalling how 87 percent of voters citywide supported Proposition P, an advisory measure he wrote and that then-Sups. Ammiano, Leno, Michael Yaki, and the late Sue Bierman placed on the ballot in 1989 to establish community acceptance criteria for the shipyard, under federal toxic cleanup guidelines.

"The Navy had offered their opinion that voters in San Francisco, and especially in the Bayview, would accept a nonresidential industrial level cleanup for the shipyard because they were primarily interested in jobs," Bloom recalled. "We said that this was a mischaracterization and we’d go ahead and prove them wrong."

He believes the current struggle with the Navy over the RAB, and with the city and Lennar over Arc’s alternatives, are "emblematic of the problem facing the Bayview with regard to accessing good information and being told the straight story on health and development issues."