Local

Creamin’ for comics

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culture@sfbg.com

Erotic comics are a special breed of porn. Unlike prose, they can show as well as describe. Unlike photos, they’re narrative. Unlike film, they have a limitless special effects budget. Comics are capable of everything from gritty, realistic detail to "yowza!" flights of fancy — perfect for the demands of erotica.

And yet good erotic comics seem in short supply. Despite a venerable history that stretches from the Tijuana Bibles of the 1920s to the wild antics of the underground comix movement in the ’60s and ’70s, porn comics have languished of late. Alternative and independent comics have been trending more toward asexuality. And gay male erotic cartoonists are only now struggling out of the shadow of Tom of Finland, whose comics of square-jawed, fascist-reminiscent leathermen and bikers have dominated gay erotic art in the same way that Tolkien’s imagination bound and gagged fantasy writers for generations.

Once you start digging, however, it’s remarkable the gems you can find. The fact that comics are so marginalized creates a kind of purity to the art form. Cartoonists aren’t motivated by fame and fortune, but rather by their passion for their stories and their art. The same is doubly true for erotic cartoonists, whose work is often an evolution of the naughty pictures they drew compulsively while growing up.

Here are a few of the most unusual, hot, and fun recent erotic comics collections to get your juices flowing.

BEST EROTIC COMICS 2009

Greta Christina, Editor

(Last Gasp)

www.lastgasp.com

A man stimulates the orifice of a bound mermaid with a twig, an infertile professor convinces a student to impregnate his wife, a dominatrix hires a gay masseur to fuck her boyfriend, a sadistic dom pisses all over her girlfriend, King Kong and Godzilla have hot sex in the ruins of Tokyo.

Best Erotic Comics, an annual collection of the best and brightest of kinky comics, is yet another reason to be proud of our sexy Bay Area, published as it is by legendary, local institution Last Gasp. Editor Greta Christina has assembled an impressive collection of literary smut comics that run the full gamut of sexual interests, from octopus sex to airplane sex. It’s especially refreshing to see straight porn side by side with gay and lesbian imagery — it allows the reader to understand sexuality as a spectrum of possibilities, and to see how hot the fantasies of others can be.

PRIDE

Gengoroh Tagame

(G-Project, 2007)

www.tagame.org

Odd as it may seem, the best bear comics porn in the world is coming out of Japan, a country with a noticeable lack of big, hairy men. Clearly the exotic has its erotic charms. Unlike yaoi — the popular manga genre in which female cartoonists create stories of gay male romance and sex for an audience of girls and women — bara is gay manga created by actual gay male creators and usually does not feature the yaoi breed of androgynous boys with big eyes and floppy hairdos, but rather burly, hypermasculine men.

No one is better at portraying these than Gengoroh Tagame, arguably the world’s greatest, living erotic cartoonist. His universe is populated with the hottest muscle bears outside of the Lone Star’s patio during Folsom Street Fair weekend, and they have a tendency to be tied up, humiliated, and fucked senseless. Pride is a recent trilogy of books from the master, detailing the gradual transformation of a cocky, hirsute hunk into an obedient slave by a buff, bearded professor. The books are full of all sorts of S-M shenanigans, with our hero being put through the paces, from extreme bondage and piercings to fistings and scat play. Tagame has yet to be translated into English, but he’s such an accomplished cartoonist that his work can still be thoroughly enjoyed.

SMALL FAVORS

Colleen Coover

(Eros Comix, 2002)

www.eroscomix.com

While lesbian imagery exists in various straight publications, there is an unfortunate dearth of true lesbian erotic comics. Colleen Coover’s Small Favors is a notable exception. Coover is an excellent cartoonist and clearly has a great time illustrating her two heroines, Annie and Nibbil, having wild, fun, and juicy sex.

Annie is accused of masturbating too much by her own conscience and is assigned a finger-tall guardian to stop her from getting jiggy with it too often. Fortunately, this tiny watcher winds up being a nympho herself, and jumps Annie at her first opportunity, leading to comics’ best introduction line ever: "Ummm … Hi, Annie! My name’s Nibbil! Gosh, I hope you don’t mind me fucking myself on your nipple!"

WANKY COMICS

BiL Sherman

(Self-published)

www.wankycomics.com

Occasionally you’ll stumble across some underground, barely-distributed mini-comic, put together by the creator with a photocopier and a stapler, that will take your breath away. BiL Sherman’s Wanky Comics is bizarrely brilliant, completely original, and about as underground as you can get.

While the subject matter of the stories in WC ranges wildly from horny unicorns and space-age sex clones to an inexplicably naked superhero and his quest for love, Sherman has a distinctive style that unifies the series. He draws like a thirteen-year-old with OCD and a hard-on, filling his pages with burly, hairy men. Each chest hair is lovingly and obsessively drawn, and the faces are rugged and expressive.

Sherman is unafraid to get both funny and surreal, a refreshing trait in porn comics. The "Mike Thorn and the Nine Satanic Statements," episode, for example, is a blow-by-blow illustration of a scene on a porn set, while the text underneath the images is taken directly from Anton Levey’s Satanic Bible, creating a strangely disconnected, campy, yet beautiful juxtaposition.

BIRDLAND

Gilbert Hernandez

(Eros Comix, 1992)

www.eroscomix.com

Hernandez is one of the creators, along with brothers Jaime and Mario, of Love and Rockets, arguably the single greatest American comic book. Rarely does such a world-class, literary cartoonist turn his talents to porn. Luckily, however, the highly prolific Hernandez created Birdland, a voyeuristic foray into the lives of strippers, bodybuilders, and horny aliens — and one of the classics of erotic comics.

Birdland introduces characters such as Fritz, the large-breasted, brainy psychiatrist with a lisp and a passion for guns, which Hernandez later incorporated into L&R. But while L&R certainly never shies away from sexual material, Birdland is unabashedly erotica, with copious cum shots filling the pages.

Though Hernandez identifies as straight, Birdland is in many ways pansexual erotica, with every type of coupling depicted. The final scene, in which the characters have a giant orgy in a spaceship, is one of the most oddly liberating and transcendent sex sequences ever conceived. After reading it, anything seems possible.

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A GUIDE TO PORN CARTOONISTS AT THIS YEAR’S FOLSOM STREET FAIR

The Folsom Street Fair on Sun/27 is all about community, and one of the ways it demonstrates this is by donating a block of booth space to queer erotic artists, many cartoonists. This year’s little section of the Fair, at 11th Street and Folsom, is very exciting. Here’s some highlights.

Chuck Connor and Sean Platter: the duo’s Demonic Sex series pulls no punches with its depictions of satanic transformations and sexual hells. www.triplesixcomics.com

Dave Davenport and Justin Hall: An accomplished tattoo artist, Davenport uses his illustration chops to create horny werewolves, skate punk ghosts, and other wholesome characters in Hard To Swallow, co-created with Justin Hall (that’s me!). www.hardtoswallowcomics.com

Steve MacIsaac: As the co-creator (along with Dale Lazarov) of Sticky, MacIsaac offers sex-positive stories instead of the rape fantasies that often dominate gay porn. www.stevemacisaac.com

Bradley Rader: Harry and Dickless Tom is the story of two homophobic truckers who screw and then beat up fags. It turns surreal when one wakes up with a vagina. www.flamingartist.com

Sean Z: Sean’s Myth is a superb fantasy comic with complex plots, gorgeous color work, and big-dicked vampires. www.sean-z.com

See www.folsomstreetfair.org/art for more kinky artists.

The $2.8 billion rate hike

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news@sfbg.com

In the middle of what economists are calling the worst economic downturn since the Great Depression, when California unemployment rates have hit post-WWII records, commercial defaults are rising, and families and businesses are hurting, Pacific Gas and Electric Co. is asking for electricity rate hikes that would take at least $47 million out of the local community, a Guardian analysis shows. By some estimates, the impact could be has high as $787 million.

And the economy is already losing between $174 million and $483 million a year because the city hasn’t created a public power system. So the total impact on the San Francisco economy of paying PG&E’s high private rates could total $2.8 billion. That’s money that local residents can’t spend on good and services, local businesses can’t use to hire more workers and city government can’t collect taxes on.

The analysis is based on work done in 2002 by Irwin Kellner, chief economist for Marketwatch and a former economics professor at Hofstra University. Kellner analyzed the savings to the Long Island economy after that community replaced a private utility with a public power system (see "The $620 million shakedown, 9/4/2002).

It’s not a complicated set of calculations.

During the fiscal year ending in 2009, San Francisco residents and businesses paid $644 million on electricity, according to data from the city’s Controller’s Office. If PG&E’s proposed 6.5 percent average rate hike is approved for 2011 (with additional hikes of 1.4 percent and 1.1 percent the following two years) that number would ultimately rise to $704.5 million.

Over the next four years, as those rate hikes kick in, San Franciscans would be handing PG&E an extra $157 million. That’s $106 million businesses won’t have to pay employees or make capital improvements, and $51.3 million consumers won’t have to spend in local businesses.

"That’s $51 million less that would otherwise go into San Francisco neighborhood businesses," said Ted Egan, chief economist in the city’s Office of Economic Analysis. "Instead the $51 million goes to PG&E, and they won’t spend it all in San Francisco. Some will go to shareholders and outside the region, so the rate hike would end up having a larger impact than the initial $51 million."

That "larger impact" is called the multiplier effect: if you give one dollar to someone likely to spend it locally, he or she will buy shoes at a local shoe store, whose owner will use the dollar to buy groceries at the local grocery store, whose owner will pay the counter worker, who will spend the money on paint at the local hardware store — and by the time it’s circulated through the local economy, that dollar has created far more than a dollar’s worth of economic activity.

Economists argue on how to figure the exact impact of that dollar. Kellner has done studies of the economic impact of utility rates and estimates the multiplier — the economic impact of electricity rate hikes — to be five, expanding the $157.4 million to over $787 million.

Egan takes a more conservative view of the San Francisco economy and consumer spending. He estimates that the multiplier for utility rate hikes is closer to 0.3 — or slightly higher when commercial rates are factored in. According to his estimate the impact would be closer to $47,231,083.86.

The multiplier suggested by federal government economists during the stimulus bill discussion is 1.8, the number cautiously posited by Cynthia Kroll, senior regional economist for the Fisher Center for Real Estate and Urban Economics at UC Berkeley. Based on her calculations, PG&E would be yanking $283 million out of the local economy.

Either way, it’s a huge sum of money, particularly in a bad economy.

A PATTERN OF RATE HIKES


This latest rate hike, Mindy Spatt, communications director of the Utility Reform Network told us, is only part of a pattern of attempts by PG&E to raise rates. Every three years, utility companies present a general rate case to the California Public Utilities Commission. But Spatt said utilities can come to the PUC in between to ask for other rate hikes.

"They’re constantly coming back to the commission for this that and the other thing," she said. "[PG&E] came back after they got money for smart meters to get money for smarter meters.

"Overall, the pattern is that rates continue to go up," she continued. "The only other thing going up is executive compensation. We are still plagued with blackouts, we still get crappy service."

She’s right: data from other local utilities show that PG&E rates are anywhere from 20 percent to 40 percent higher than cities that have public power. PG&E would like its customers to believe that higher rates will improve service and reliability — but that’s not what’s happening.

"They don’t spend the money on giving us good service, instead [they focus] on convincing us they are giving us good service," Spatt said.

In its announcement of the proposed hike, PG&E claimed the rate hikes are to maintain infrastructure and reliability. A further $1.1 billion is also being asked for as part of a Cornerstone Improvement Project to increase reliability.

"Reliability" is an old battle horse trotted out every few years as the justification for rate hikes. PG&E is consistently less reliable than other local utilities and even less reliable than other large private utilities. So the company constantly asks for money to upgrade its system — except that reliability doesn’t seem to improve much, and it hasn’t improved much in the past decade, according to California Public Utilities Commission data.

"It’s interesting to compare their rates to municipal utilities and how much higher they are," Spatt said. "What do we get for the extra money we pay? Because by most measures they’re not doing a great job."

In fact, Guardian research shows that local municipal utilities have consistently better reliability records than PG&E (see "The blackout factor," 8/5/09).

PUBLIC POWER SAVINGS


The direct cost of PG&E’s high rates costs the local economy — and those losses are compounded by the money that could have been saved with public power.

A detailed Guardian analysis concluded last year that San Francisco would be able to cut electric rates by 15 percent if it ran its own utility (see "Cleaner and cheaper," 9/10/2008). That’s an entirely reasonable estimate, according to Jeff Shields, general manager of the South San Joaquin Irrigation District, which is fighting with PG&E to take over electricity distribution in its service area. He projects similar savings for his customers.

Shields thinks his system (and one in San Francisco) could cut rates even further. As nonprofit, he explained, SSJID can save money in multiple areas and pass those savings onto customers.

"We don’t pay taxes on earnings," he told us. "PG&E, as a shareholder company, can collect an 11.45 percent margin of profit. We don’t pay that. We don’t have the same overhead. We don’t have high-rises or corporate jets."

Public power agencies pay less to borrow money, are eligible for tax-exempt financing, typically have a higher credit rating and often keep a substantial cash reserve.

"[Selling electricity] will continue to produce substantial income," he said. "As a nonprofit, the only thing we can do with that income is continue to drop rates."

Other municipal utilities, like Silicon Valley Power in Santa Clara, have been able to keep rates low as PG&E has continued to raise rates. Larry Owens, customer services manager at SVP, said its residential rates are half of PG&E’s, and less for larger users.

The opportunity cost of not having municipal power — factoring in PG&E’s proposed rate hike and the assumption, based on Guardian and SSJID analyses, that rates would be lowered by at least 15 percent — is approximately $545 million over the next four years. Theoretically, that money could have resulted in a $980 million to $2.8 billion bump in the local economy.

This doesn’t include what some municipal utilities call "general fund transfers" or money that goes directly into a city’s piggy bank to be spent on libraries, schools, public health, and other services.

"Private sector utilities pay money to shareholders," said Joyce Kinnear, utility marketing services manager in Palo Alto. "We give these payments to the general fund to give services to local residents."

In Palo Alto’s case, this amounts to more than $9.25 million annually, or 9 percent of annual sales revenue, according Ipek Connolly, senior resource planner for the Palo Alto Utilities Department. Alameda Municipal Power’s Alan Hanger says AMP pays at least $4.2 million into city coffers. Silicon Valley Power, according to Owens, sends 5 percent of its revenue back to the city in the form of $12.92 million.

Shields, at SSJID, said the utility plans to give 4 percent of revenue to a public benefits program for "various social services, conservation, and energy efficiency programs." This, in addition to general fund transfers, constitutes a direct contribution to the community 50 percent larger than PG&E’s.

"Public power systems provide a direct benefit to their communities in the form of payments and contributions to state and local government," Nicholas Braden, director of communications at the American Public Power Association, told us. "The total value of the contributions made by the publicly-owned utilities often comes in many forms and is not always easily recognized. In addition to payments such as taxes, payments in lieu of taxes, and transfers to the general funds, many of the utilities make other contributions in the form of free or reduced cost services provided to states and cities."

San Francisco has a 7.5 percent utility user tax, but the tax is only levied on homes and businesses. In other words, PG&E takes hundreds of millions out of the local economy — and gives back nothing.

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HOW SF COULD LOSE $2.8 BILLION

Amount San Franciscans paid for electricity IN 2009: $644 million

Additional cost of PG&E rate hike (per year): $157 million

Multiplier (maximum estimate): $787 million

Reduction in costs under public power: $483 million

Multiplier: $2.1 billion

Total impact of high PG&E rates: $2.87 billion

SOURCE: Guardian research based on public records

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RATE HIKES HIT THE POOR HARDEST

Pacific Gas and Electric Co. estimates that its current rate hike proposal will add between $2.23 and $16.76 per month to an average residential electricity bill. That may not seem huge — but it adds up.

"Each rate hike in and of itself isn’t that much money," acknowledges Mindy Spatt of the Utility Reform Network (TURN). "But overall, rates are very high."

And if you’re in one of the 24,000 San Francisco families that, according to U.S. census data, livie in poverty, even the smallest increase in utility bills can have serious ramifications.

"A few dollars here, and a few there can really affect low-income households," said Stephanie Chen, legal fellow at the Greenlining Institute, a public policy research and advocacy group. "It can mean the difference between ‘Do I pay the power bill, or do I buy groceries?’"

Utility bills are not a discretionary expense, and, as unemployment continues to rise and adjustable rate mortgages continue to adjust upward, more households are finding themselves squeezed on all sides. Depending on timing and cash flow, Chen said it would be easy to imagine a formerly stable household unable to pay the utility bill.

And if a household can’t pay the bill for two weeks, PG&E sends a notice of termination and shuts off power. According to Spatt, PG&E shuts off 15,000 households in its service area each month.

"Rate hikes are certainly not going to bring down that number," she said. "These are not people who can’t pay for a Mercedes and got it repossessed. They are people who are losing heat, electricity, the ability to cook."

To turn the power back on, PG&E requires a deposit of twice the average bill to reestablish credit. If a household can’t pay its regular bill, paying twice the amount is even harder.

Spatt says TURN is working to push the CPUC to do something about this and help consumers who are struggling. Chen says utility companies already know their customers are hurting during the recession.

"All the utilities are facing decaying infrastructure concerns and renewable energy goals," Chen said. "They are facing increased costs, which they pass on to ratepayers. We know rate increases are inevitable — but we want to make sure they are necessary and cost-effective."

Too clever by half

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“>THEATER REVIEW With a notable streak of successful New York–bound liftoffs and landings — for everything from solo shows (Bridge & Tunnel) to unconventional musicals (Passing Strange) — it’s fair to call Berkeley Rep the regional NASA to Broadway’s firmament. It therefore seemed more savvy than surprising that the Rep took on staging Green Day’s humongous hit concept album, American Idiot, as a musical. Given the attention-grabbing concept-squared, the built-in youth market, the local angle, and the precedent (and writer-director Michael Mayer) borrowed from Spring Awakening — the faux-punk teen-angst Tony-winner of 2007 — American Idiot the musical must have been something of a no-brainer.

And sure enough, there are no brains in this show, just lots of songs and outfits and group dancing and mild thrashing and writhing around amid high-grade eye candy. It lasts 85 minutes, or an eternity, I’m not sure which came first. I wasn’t expecting much, having not cared for the hollow gestures in Spring Awakening, but I got even less. Shot out of the circus canon of commercial instinct, the stage version of Green Day’s album is as tarted up and vapid as they come. It will do the band and the Rep no harm, but anyone who actually takes their theater seriously or, yeah, even rebellion against a body-and-soul–smashing capitalist machine will be, uh, let’s say, disappointed. The gestures of rebellion here — thoroughly watered down and washed away by a flood of sentimentality, admittedly derived largely from the album itself — are worthy of any of the more slick corporate advertising campaigns. Meanwhile, a vague storyline of redemptive dissolution and lost love preens around a loser-hero and two distant and less central buddies, but it’s all faded imprints of a million things you’ve seen before.

AMERICAN IDIOT

Through Nov. 1

Check Web site for schedule, $16-$95

Roda Theatre, 2015 Addison, Berk

1-888-4-BRT-Tix, www.berkeleyrep.org

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 23

Barback Olympics Ruby Skye, 420 Mason, SF; (415) 693-0777. 8:30pm, free with RSVP at going.com. Twenty San Francisco bars send their best barback gladiators to compete for prizes in a bottle relay, beer restocking race, keg changing competition and many more rigorous activities. Also featuring DJs, performances, and libations.

Queer Mommy/Boy Femina Potens, 2911 Market, SF; (415) 385-5814. 8pm, $8-12 sliding scale. Join in on a community discussion on the often invisible, misunderstood dynamic of Mommy/Boy in the leather, kink, LGBT, and BDSM communities.

BAY AREA

LGBTTIQ in the U.S. Free Speech Movement Café, Moffitt Library, UC Berkeley, 2200 University, Berk; (510) 642-3773. 6pm, free. Hear panelists, who are contributing writers from the recently published book Smash the Church, Smash the State: The Early Years of Gay Liberation , discuss the history of this movement while linking it to current social and legal battles for equality.

THURSDAY 24

Big Book Sale Festival Pavilion, Fort Mason, SF; (415) 626-7500. Thursday – Saturday 10am-8pm, Sunday 10am-6pm; free. Hundreds of thousands of books, DVDs, CDs, and other forms of media are being sold for $5 or less to benefit the San Francisco Public Library.

Women’s Building Celebration Women’s Building, 3543 18th St., SF; (415) 431-1180. 4pm, free. Celebrate the 30th anniversary of the Women’s Building at the open house featuring tours of the historic building, food, entertainment, and storytelling.

BAY AREA

Life of Ramparts Magazine First Congregational Church of Berkeley, 2345 Channing, Berk.; (510) 848-3696. 7:30pm, free. Hear Robert Scheer and Peter Richardson discuss the short and remarkable life of Ramparts magazine (1962-1975), one of the most influential leftist publications of its era.

FRIDAY 25

Ghetto to Gaza POOR Magazine, 2nd floor, Redstone Building, 2940 16th St., SF; (415) 671-0789. 7pm, free. Hear Mutulu Olugbala, also known as M1 from the rap group Dead Prez, share his recent experiences in Gaza, Cairo, and Europe and compare them with ghetto life in Black communities in the U.S.

Ride Too! CELLspace, 2050 Bryant, SF; (415) 648-7562. 8pm, $10-20 sliding scale. Enjoy bikes, beer, and bands at this benefit for CELLspace and the Florida St. Mural Project and neighbor welcome back party for the Bike Kitchen.

Taste of Greece Annunciation Cathedral, 245 Valencia, SF; (415) 864-8000. Fri.-Sat. 11am-10pm, Sun. Noon-9pm; $10, print out a free ticket at www.annunciation.org. Enjoy some authentic fresh Greek food at San Francisco’s only Greek food festival.

SATURDAY 26

Asian American Women Artists SOMArts Cultural Center, Bay Gallery, 934 Brannan, SF; (415) 722-4296. 6:30pm, $15-50 sliding scale. Celebrate the 20th anniversary of the Asian American Women Artists Association at this event featuring three exhibitions with art from Bay Area women, live music, activities, and more.

iB Crafty Workspace Limited, 2150 Folsom, SF; www.market-sf.com. Noon, free. Shop local at this handmade craftmasters and artists showcase. Featuring fashion, jewelry, paintings, cards, housewares, and more.

Tour de Fat Speedway Meadows, Golden Gate Park, SF; www.sfbike.org. 11am-5pm, free. Don’t miss this years bicycle festival featuring a bicycle parade, live music, food, bicycle performances, and more. Proceeds to benefit the San Francisco Bicycle Coalition and the Bay Area Ridge Trails Council.

Trannyshack Boat Cruise Pier 41, Fisherman’s Wharf, SF; visit www.trannyshack.com for info and tickets. 9pm; $45, tickets not available at the dock. Get on board the S.S. Trannyshack 2009 as it sails around the San Francisco Bay with cruise director Heklina presenting a show featuring Dirty Sanchez and the gorgeous ladies of Trannyshack.

BAY AREA

Watershed Environmental Poetry Fest Civic Center Park, downtown Berkeley; (510) 526-9105. Noon, free. Join poets Robert Haas, David Mas Masumoto, Arthur Sze, Carol Moldaw, and many more at this day of poetry, music, and activism.

SUNDAY 27

Folsom Street Fair Folsom between 7th and 12th St., SF; www.folsomstreetfair.org. 11am-6pm, donations appreciated. The 26th Folsom Street Fair offers over 250 exciting, sexy exhibitors and vendors, food, drinks, and artistic and cultural entertainment.

BAY AREA

Last Sundays Fest Telegraph between Dwight and Bancroft, Berk.; www.lastsundaysfest.com. 11am-7pm, free. Take in the culture of the East Bay at the last Last Sundays Fest of the year. Featuring entertainment, culture, recreation, shopping, and dining.

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Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 23

ROCK/BLUES/HIP-HOP

"Blue Bear School of Music Band Showcase" Café du Nord. 7:30pm, $12-20.

Dance Gavin Dance, Emarosa, Of Mice and Men, Tides of Man Slim’s. 9pm, $14.

Dillinger Four, Riverboat Gamblers, Arrivals, Young Offenders Bottom of the Hill. 7pm, $12.

Do, Hollywood Mon Amour Great American Music Hall. 9pm, $10.

David Dondero, Christopher Lockett, Shaun Paul Gordon Hemlock Tavern. 9pm, $10.

Pete McGill and His Cottonfield Blues Band Rasselas Jazz. 8pm, free.

Goh Nakamura, Doug Paisley, Lesser Lights Rickshaw Stop. 8pm, $10.

Pet Shop Boys Warfield. 9pm, $55-89.50.

Pitbull, David Rush Regency Ballroom. 8pm, $32.50.

Portugal. The Man, Drug Rug, Robert Francis Independent. 9pm, $15.

Shari Puorto and Alastair Greene Biscuits and Blues. 8pm, $15.

Revolting Cocks, Jim Rose Circus Fillmore. 8pm, $25.

Sinner, Sinners, Unko Atama, Horror X Annie’s Social Club. 8pm, $7.

BAY AREA

Rodrigo y Gabriela Fox Theater. 8pm, $35.50.

JAZZ/NEW MUSIC

Anthony Brown’s Asian American Orchestra Yoshi’s San Francisco. 8pm, $20.

"B3 Wednesdays" Coda. 9pm, $7. With Adam Shulman.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

Michael Chase Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

49 Special Climate Theater, 285 9th St., SF; (415) 704-3260. 8pm.

Freddy Clarke and Wobbly World Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 8:30pm, $10.

Liz Rogers Plough and Stars. 8pm, free.

Tippy Canoe SoCha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Indulgence Wednesdays Harry Denton’s Starlight Room, top floor, Sir Francis Drake Hotel, 450 Powell, SF; (415) 395-8595. 9pm, $15. With DJs Sam Isaac, Bruce, Live Models, and more helping you to relax, dance and indulge in good food and good company.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Lonestar Sound, Young Fyah, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 24

ROCK/BLUES/HIP-HOP

B-52s, Venus Infers Regency Ballroom. 8pm, $55.50-67.50.

Back40 Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

"Blue Bear School of Music Band Showcase" Café du Nord. 7:30pm, $12-20.

Cormorant, Velinas, Fell Voices, Elm, Servile Sect, DJ Rob Metal Thee Parkside. 9pm, $8.

Cotton Jones, Frontier Ruckus, Garrett Pierce Bottom of the Hill. 9pm, $10.

Shane Dwight Biscuits and Blues. 8pm, $15.

Mark Eitzel, Victor Krummenacher Red Devil Lounge. 8pm, $15.

Hundred Days, Mata Leon, Black Mercies Knockout. 9:30pm, $5.

John Brown’s Body, Black Seeds Rickshaw Stop. 8:30pm, $17.

Manic Street Preachers Fillmore. 8pm, $22.50.

*Om, Lichens Independent. 9pm, $15.

On the Spot Trio, Audible Mainframe Boom Boom Room. 9:30pm, $7.

La Plebe, King City, Jesse Morris and the Man Cougars Eagle Tavern. 9:30pm, $7.

Jerry Jeff Walker, Django Walker Great American Music Hall. 8pm, $35.

"World Record Appreciation Society" Hemlock Tavern. 9pm, $8.

BAY AREA

Bon Iver, Megafaun Fox Theater. 8pm, $22.50.

JAZZ/NEW MUSIC

Al Coster Trio and jam Savanna Jazz. 8pm, $5.

Andrew Elmer Shanghai 1930. 7pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Kitten on the Keys Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

"Music for People and Thingamajigs Festival" Meridian Gallery, 535 Powell, SF; (510) 418-3447. 8pm, $10-15. Experimental music incorporating found and made instruments and alternate tuning systems.

Soulive Yoshi’s San Francisco. 8 and 10pm, $22-26.

Stompy Jones Top of the Mark. 7:30pm, $10.

Walter Earl Group Coda. 9pm, $7.

FOLK/WORLD/COUNTRY

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Flamenco Thursday Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 8:15pm, $10-12. With Carola Zertuche.

Denise Funari, Misisipi Mike Wolf, Gayle Lynn, Maurice Tani Café Royal, 800 Post, SF; (415) 441-4409. 8pm, free.

Phil Johnson Castagnola’s, 286 Jefferson, SF; (415) 776-5015. 8pm, $10.

Old Blind Dogs Plough and Stars. 8pm, free.

Sarah Stiles, Rachel Wood-Rome Luggage Store Gallery, 1007 Market, SF; (415) 255-5971. 8pm, $6-10.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Bingotopia Knockout. 7:30-9:30pm, free. Play from drinks, dignity, and dorky prizes with Lady Stacy Pants.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

DJ Jah Yzer Icon Lounge. 10pm, $5. Hosted by ArtNowSF.

DJ JayCeeOh Ambassador Lounge, 673 Geary, SF; (415) 563-8192. 10pm. RSVP to guestlist@justoneent.com with subject "jco".

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Mirza Party and Soul Movers Infusion Lounge. 9pm, free. Featuring Designer DJs.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Toppa Top Thursdays Club Six. 9pm, $5. Jah Warrior, Jah Yzer, I-Vier, and Irie Dole spin the reggae jams for your maximum irie-ness.

FRIDAY 25

ROCK/BLUES/HIP-HOP

Addison, Started-Its, Semiconductors Hotel Utah. 9pm, $8.

Dave and Confused, Funky Beulah, Spacelord, Ghosts on the Radio Rock-It Room. 9pm, $5.

Dead to Me, Nothington, Re-Volts, Semi Evolved Simians Thee Parkside. 9pm, $10.

Felonious Coda. 10pm, $10.

Foolproof, Cuban Cigar Crisis, Dum Sprio Spero House of Shields. 9pm, $5.

Galactic Fillmore. 9pm, $29.50.

Gov’t Mule, Carney Warfield. 8pm, $37.

"Kid Koala presents the Slew: Live" Independent. 9pm, $17. Adira Amram opens.

Living Colour, Fishbone Regency Ballroom. 9pm, $27.

One in the Chamber, Sabertooth Zombie, Hell Hath No Fury, Waylin Jenocide Annie’s Social Club. 9:30pm, $7.

Proclaimers, Pants Pants Pants Bottom of the Hill. 9:30pm, $15.

Radiators Great American Music Hall. 9pm, $25.

Slavic Soul Party, Brass Menazeri Elbo Room. 8:30 and 11:30pm, $15 (two-show pass, $25).

Tainted Love, Mustache Harbor Bimbo’s 365 Club. 9pm, $23.

Billy Talent, Poison the Well, AM Taxi Slim’s. 8:30pm, $15.

This Charming Band, Erasure-Esque, Love Vigilantes Café du Nord. 9:30pm, $12.

3 Leafs, Carletta Sue Kay, Si Claro Hemlock Tavern. 9:30pm, $6.

Whip Boom Boom Room. 1am, $20.

Wonder Bread 5 Red Devil Lounge. 8pm, $10.

BAY AREA

Chickenfoot, Queensryche, Davy Knowles and Back Door Slam Greek Theater, UC Berkeley, Berk; www.ticketmaster.com. 7pm, $39.50-65.

Hammer, Whodini Fox Theater. 8pm, $45.75-65.75.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

"Cultural Encounters: Friday Nights at the deYoung presents Jazz at Intersection" Wilsey Court, de Young Museum, 50 Hagiwara Tea Garden Dr, SF; www.deyoungmuseum.org. 6:30pm, free. With Sarah Wilson’s Trapeze Project.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; 771-6800. 8pm, free.

Jim Butler Quartet Savanna Jazz. 8pm, $5.

Kitten on the Keys Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Soulive Yoshi’s San Francisco. 8 and 10pm, $22-26.

Terry Disley Experience Shanghai 1930. 7:30pm, free.

FOLK/WORLD/COUNTRY

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 8:30pm, $19.95. With singer Fito Reinoso.

Makana Biscuits and Blues. 8pm, $20.

Quijerema, Rafael Manriquez Red Poppy Art House. 8pm, $12-15. Developing the Chilean new song movement.

Social Sunday, Goodbye Gadget Dolores Park Café. 7:30pm, free.

Brandon Stanley Plough and Stars. 8pm, $6.

BAY AREA

Brad Paisley, Dierks Bentley, Jimmy Wayne Shoreline Amphitheater, One Amphitheater Pkwy, Mtn View; www.livenation.com. 7:30pm, $29.25-58.75.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $10-15. DJ Jefrodisiac and Ava Berlin present this electro-disco-noir nightclub.

Bombastik 103 Harriet, 103 Harriet, SF; (415) 431-7444. 10pm, $15. With DJs Benga, PantyRaid, Martyn, and more.

Boom Boom Room 9pm, $10. With Pleasuremaker, DJ Señor Oz, and Afrolicious.

Drop the Lime Mighty. 10pm, $12. With DJs Tim Exile, Warp and Sleazemore.

End of Summer Party Jelly’s, 295 Terry Francois, SF; (510) 692-7069. 10pm, $15. With DJs Rick Lee, Kel’s, Gator Boots, and more. September babies free until Midnight.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm. Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Miles Medina, Slick D Infusion Lounge. 9pm, $20.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Stupid Fresh Club Six. 9pm, free. With DJs Delivery, Bling Crosby, Frank Footer, and more spinning hip hop, reggae, and club hits.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. Teen beat and twisters with DJs Sergio Igledias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 26

ROCK/BLUES/HIP-HOP

!!!, Indian Jewelry Independent. 9pm, $20.

Birdmonster, A B and the Sea Bottom of the Hill. 2:15pm, $5-20. Benefit for the Potrero Hill Public Library.

Bridge to Hope Great Meadow, Fort Mason, SF; 1-800-595-4849. 11am, $38-78. A benefit for the Lazarex Cancer Foundation featuring Brian McKnight, Gerald Albright, Kirk Whalum, Zakiya Hooker, and more.

Epiphanette, Great Girls Blouse, Polyphonic Monk Brainwash Café, 1122 Folsom, SF; (415) 861-3663. 8pm, free.

Eric McFadden Trio Boom Boom Room. 9:30pm, $12.

Five Fingers of Death, Holy Remodel, Kumbulus Thee Parkside. 3pm, free.

Grannies, Meat Sluts, Maklak, Psychology of Genocide Annie’s Social Club. 9pm, $7.

Notorious, Glorified HJ Red Devil Lounge. 8pm, $10.

Ovipositor, Generalissimo, Cartographer Hemlock Tavern. 9:30pm, $6.

Hope Sandoval and the Warm Inventions Fillmore. 9pm, $26.50.

Tainted Love, Barely Manilow Bimbo’s 365 Club. 9pm, $23.

Telefon Tel Aviv, Race, Cloud Archive Bottom of the Hill. 10pm, $10.

Earl Thomas Biscuits and Blues. 8 and 10pm, $22.

Wallpaper Rickshaw Stop. 9pm, $10-15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

"Jazz Mafia Presents: Remix Live" Coda. 10pm, $10.

Proteges of Hyler Jones Shanghai 1930. 7:30pm, free.

Roberta Gambarini Quartet Yoshi’s San Francisco. 8 and 10pm, $18-22.

Ricardo Scales Top of the Mark. 9pm, $10.

Susannah Smith and band Savanna Jazz. 8pm, $5. With jazz harpist Motoshi Kosako.

FOLK/WORLD/COUNTRY

Hank Cramer San Francisco Maritime National Historic Park, west end of Fisherman’s Wharf, SF; (415) 561-6662, ext. 33. 8pm, $14. Part of the Sea Music Concert Series.

Toshio Hirano Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Paddy Keenan Plough and Stars. 8pm, $6.

Peruvian Night Peña Pachamama, 1630 Powell, SF; (415) 751-6090. 7:30pm, $19.95. With Luis Valverde and Jose Monteverde.

Sila, DJ Santero, DJ Jeremiah and the Afrobeat Nation Café du Nord. 9:30pm, $15.

BAY AREA

Paulina Rubio Fox Theater. 8pm, $39.50-69.50.

DANCE CLUBS

Baby Loves Disco Ruby Skye. 2pm, $18. A child proof disco party for toddlers, preschoolers, and parents looking for a break from the routine playground circuit.

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, and Mod Dave, plus free 80s hair and make-up by professional stylists.

Blowoff Slim’s. 10pm, $15. Hosted and DJ’d by Bob Mould and Rich Morel.

DJ Solarz Infusion Lounge. 9pm, $20.

4OneFunktion Elbo Room. 10pm, $5. Hip-hop with Computer Jay, F.A.M.E., and DJs A-Ron, B. Cause, and Mista B.

Funkentanzen Paradise Lounge. 10pm, $15. Featuring Poker Flat and DJs Burnski, Adnan Sharif, Limaçon and Zenith.

Go Bang! Deco SF, 510 Larkin St; (415) 346-2025. 9pm, $5. Experience the Atomic Dancefloor Disco Action with DJs Eddy Bauer, Flight, Nicky B., Sergio and more.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Summer Saturdays Bar On Church. 9pm, free. With DJ Mark Andrus spinning top 40, mashups, hip hop, and electro.

SUNDAY 27

ROCK/BLUES/HIP-HOP

Blitzen Trapper Independent. 8pm, $16.

Bonfire Madigan, Kelli Rudick, Odessa Chen Café du Nord. 8pm, $12.

Brothers Goldman Boom Boom Room. 9:30pm, free.

Didimao, Swahili Hemlock Tavern. 9pm, $5.

Edguy, Epicurean, Luna Mortis, Epidemia Slim’s. 8pm, $22.

Honor Society Fillmore. 8pm, $7.11.

*"Leonard Cohen Tribute" Make-Out Room. 8pm, $7. Musicians Jeffrey Luck Lucas and Justin Frahm celebrate their birthdays with a Cohen tribute, featuring performances of Cohen songs by Kelley Stoltz, Sean Smith, Nathan Wanta, Kira Lynn Cain, and more.

Sondre Lerche, JBM Gret American Music Hall. 8pm, $21.

JAZZ/NEW MUSIC

Don Alberts and Michael Jones Savanna Jazz. 7:30pm, $5.

Cecilio and Kapono Yoshi’s San Francisco. 8pm, $40.

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.

Grupo Falso Baiano with Eva Scow Coda. 8pm, $7.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Roberta Gambarini Quartet Yoshi’s San Francisco. 2pm, $5-22.

FOLK/WORLD/COUNTRY

Jack Gilder, Kevin Bemhagen, Richard Mandel and friends Plough and Stars. 8pm, free.

Grupo Falso Baiano Coda. 8pm, $7.

Kami Nixon and the Skiddy Knickers Thee Parkside. 4pm, free.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep and guests International Observer and Jacob Cino aka DJ Chinbambino.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Last Sunday Bollyhood Café. 9:30pm, $2. With DJs Noble and Duroja spinning dance hall, soul, and R&B.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

5 O’Clock Jive Inside Live Art Gallery, 151 Potrero, SF; (415) 305-8242. 5pm, $5. A weekly swing dance party.

MONDAY 28

ROCK/BLUES/HIP-HOP

Alabama Mike and Third Degree Rasselas Jazz. 9pm, free.

Alice in Chains Fillmore. 8pm, $25.

Dead Meadow, Spindrift, Howlin Rain, Kymberli’s Music Box DJs Great American Music Hall. 8pm, $15.

Jeffertitti’s Nile, B and Not B, Boyfriend Search, Love Dimension Knockout. 9pm, $7.

MV and EE, Expo ’70, Bronze, Inner Beauty, DJ Andy Cabie Café du Nord. 9:30pm, $12.

Metalkpretty Elbo Room. 9pm, $5.

Rain Machine Independent. 8pm, $15.

JAZZ/NEW MUSIC

Cecilio and Kapono Yoshi’s San Francisco. 8pm, $40.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Richard Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Knockout. 5pm, free. Belt it out with host Deadbeat.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 29

ROCK/BLUES/HIP-HOP

Crown City Rockers hosted by Lyrics Born, Spaceheater’s Blast Furnace, DJ D-Sharp,

Mason Jennings, Crash Kings Great American Music Hall. 8pm, $20.

Smokin’ Joe Kubek and Bnois King Biscuits and Blues. 8 and 11:30pm, $15.

Lahar Boom Boom Room. 9:30pm, $5.

Samvega, Shimmies, Maere Bottom of the Hill. 9pm, $8.

Sian Alice Group, Leopold and His Fiction, Enablers Hemlock Tavern. 9pm, $10.

Destani Wolf Independent. 8pm, $10.99.

JAZZ/NEW MUSIC

Dave Parker Quintet Rasselas Jazz. 8pm.

David Binney Band Yoshi’s San Francisco. 8 and 10pm, $12-16.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With Shayna Steele and Jazz Mafia.

Michael Browne Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8pm, free.

Ricardo Scales Top of the Mark. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Kailash Kher, Cheb I Sabbah Fillmore. 8pm, $25.

Gino Napoli Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Song Session Plough and Stars. 8pm, free. With Vince Keehan and friends.

DANCE CLUBS

Bitches Get Stitches 222 Hyde, 222 Hyde, SF; (415) 812-6143. 8pm, $15. With DJ Holger Zilske.

Drunken Monkey Annie’s Social Club. 9pm-2am, free. Rock ‘n’ roll for inebriated primates like you.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Stump the Wizard Argus Lounge. 9pm, free. Music and interactive DJ games with DJs What’s His Fuck and the Wizard.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Stopping PG&E’s fraudulent initiative

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EDITORIAL A ballot measure that could spell the end of public power in California is headed for either the spring or fall 2010 ballot — and so far, the opposition is missing in action. This is a profoundly important issue, and every elected official, city council, board of supervisors, and utility agency in the Bay Area needs to immediately come out in opposition and start organizing to defeat it.

The source of the proposition, of course, is Pacific Gas and Electric Co. PG&E is facing political wildfires all over the state as communities rebel against bad service and high rates. In Marin County, a community choice aggregation (CCA) plan is moving along, full speed. In San Francisco, CCA is a little slower, but still on track. These efforts could turn two of PG&E’s most profitable territories into public power beachheads. Meanwhile, in San Joaquin County, a public power movement is trying to take over part of PG&E’s service area, and PG&E just spent millions of dollars fighting a similar effort in Davis.

So the utility has decided to fight back — not just in the local communities where activists can beat PG&E back, or in the state Legislature, where the giant company has fewer and fewer friends, but with a ballot initiative that has a misleading name, a misleading political message — and tens of millions of dollars to back it up.

Signature-gatherers are out in force already, collecting names for a measure called "New two-thirds requirement for local public electricity providers." The paid petition crews are describing it as a "right to vote" measure, giving the public a chance to weigh in on government action.

What the measure would really do is require a two-thirds affirmative vote before any public power agency could add new customers, or any local agency could get into the power business. It would force the existing CCA movements to get two-thirds of the local voters to approve their efforts.

That’s an almost impossible standard — particularly when PG&E spends millions to block public power efforts everywhere they appear.

The two-thirds voting requirement is increasingly being assailed as undemocratic. The state Legislature has been paralyzed by its own two-thirds requirement for passing a budget, and there are multiple moves to reduce that threshold. The two-thirds mandate for passing local taxes has been widely blamed for driving cities and counties to the brink of fiscal ruin.

And yet PG&E is trying to add a new, crushing mandate — aimed entirely at snuffing out public power advances. The impact on the state will be enormous. As Megan Rawlins reports on page 8, high PG&E rates and the lack of public power cost the San Francisco economy alone as much as $2.8 billion a year. Multiply that by a factor of 10 or 20, and you see what a devastating financial blow this PG&E move would be to California’s crumbling economy.

So where, exactly, is the opposition?

Sup. Ross Mirkarimi called a meeting last week at the offices of the Utility Reform Network (TURN) to try to get other public power communities involved in a statewide campaign. But it’s been slow going.

That’s not going to work. Every elected agency in the Bay Area needs to get this on the agenda — now. Every city official (starting with Mayor Gavin Newsom, who wants to be governor) and every state official (starting with Attorney General Jerry Brown, who also wants to be governor) needs to loudly and publicly denounce this move, help establish a high-level coalition to beat it back, and start raising money for the campaign.

There may be a legal strategy, too. The law that authorized cities and counties to set up CCAs bars PG&E and other private utilities from interfering with local CCA efforts — and it’s pretty clear that this initiative is designed to do exactly that. City Attorney Dennis Herrera needs to immediately investigate the possibility of suing to get this disastrous initiative off the ballot. *

Altered Barbies, or darling prolific rabbits?

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By Caitlin Donohue

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“Gene Simmons Begs Barbie” by Lavonne Sallee from the 7th Annual Altered Barbie Exhibit

During the years in which I was easily influenced by colorful plastic and catchy commercial jingles, my parents were good feminists and most certainly did not buy me Barbie dolls. Nonetheless, Barbie dolls multiplied in my toy chest like darling, prolific rabbits. How? The fact of the matter is that The Blonde One is a part of our social milieu. Getting away from Barbie is a proposition akin to avoiding pavement or romaine lettuce; it is simply not done.

SFBG TV at Altered Barbie 2008

This brings us to the San Francisco 7th Annual Altered Barbie Exhibit, wherein local Bay Area artists have appropriated the pink high heels, the taffeta, the Corvette and permanent purple eyeshadow and made this anatomically improbable fact of life their own.

Bike trek ends in SF theft

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By Steven T. Jones
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Bike thefts in San Francisco are always bad (and mostly ignored by the local cops), but this one seems particularly tragic. Andrew Marinelli just completed a 6,255-mile, cross-country bike trek to raise money for the UN World Food Program, arriving in San Francisco on Saturday.

And then last night, his bike was stolen from the downtown area, where it was locked at the corner of Montgomery and Sutter streets. The bike is a large frame dark green Windsor road bike with one fender in the back and a broken right pedal. If you have any leads, contact him directly at 803.443.9343 or andrewmarinelli@gmail.com.

Despite the loss, he had a pretty good attitude about it, telling us, “It happens. I’m just glad that I made it here first.”

Golden Gate suicide barrier lacks funding

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By Sarah Morrison
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The 2006 film The Bridge documented suicides from the iconic span.

It was almost a year ago that local officials decided that the Golden Gate Bridge needed a net constructed to prevent potential suicide jumpers, but with its projected price tag of $50 million, a lack of state funds threatens to delay the project indefinitely.

According to Marin County Coroner Ken Holmes, more than 1300 people have died jumping off the Golden Gate Bridge since its construction, an estimate that does not include all bridge suicides or incidences when bodies have not been found.

The Bridge Rail Foundation has been campaigning for years to raise the pedestrian safety rail on the Golden Gate Bridge and stop the suicides. While the board of directors for the Golden Gate Bridge, Highway and Transportation District agreed to implement the net system almost a year ago, but it’s fate now seems to come down to funding.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Ruth, University of San Francisco

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Tell us about your look: “This outfit is a secondhand, vintage piece by local designer Karen Rentschler and I got these boots about ten years ago from Nine West.”

Power Exchange bust: an eyewitness report

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This weekend, the Power Exchange sex club, one of the few in the city that welcomes more than gay bio-men, was busted by police at its new Tenderloin location last Friday night, ostensibly because of permit violations. It had been facing some ridiculous backlash. Was it really because of transphobia? Commenter robintv posted this eyewitness report. We’ve been unable to confirm robintv’s identity, but if you were there or have any other information please post it in the comments.

Intolerance closes the Power Exchange club in San Francisco
by robintv

Late Friday night the forces of intolerance prevailed in San Francisco, using the San Francisco government to do their bidding.

Around 10:30pm, I heard voices telling everyone to leave the premises, and saw a large number of uniformed San Francisco fire and police personnel had entered the Power Exchange club (PE) at 34 Mason Street. The PE usually is not real busy till after midnight, so there was not a large number of people inside. The whole process was peaceful, and from what I saw, the police and fire dept personnel were courteous and discreet and just following orders and there were no cuffs, no id checks, no photos, we were just told to leave the club.

After exiting, we milled around outside the PE talking with each other, passerbys, local residents, and M Powers, the PE owner. People continued to arrive at PE by foot and cabs, including a number of transgender (TG) women who frequented the Otis St location and were returning to the PE for their first time at the new Mason St. location. They were returning to the only space where they could safely be themselves, socialize with other TG women and friends and meet people who are attracted to TG women, without risk of being verbally abused, beaten, or even murdered. Many, including myself, have been going to the PE for over 10 years.

For many, the PE has been a sanctuary of tolerance and acceptance in a world of intolerance, persecution and pain.

As I stood there on a beautiful, warm, September SF night, it was difficult for me to believe that this was happening in San Francisco, where the politicians give a lot of lip service to how tolerant SF is.

I believe the PE has limited resources and lawyers are very costly. A business can be right and the city wrong, but still loose if the business has used up its resources in proving it is right, and can not reopen. Thus, even if PE is right, which I suspect they are, they can still be forced to stay closed and intolerant haters will prevail in forcing their religious/moral values on others using the San Francisco government as a forceful vehicle to do so.

What to do?

Will your favorite club/venue/ business be the next target of the intolerance crusade?

How Newsom chooses commissioners

8

By Tim Redmond

The Small Business Commission isn’t one of the highest-profile public bodies in San Francisco, but to the tens of thousands of small entrepreneurs in the city, it’s important. So the recent appointment of Luke O’Brien to a vacancy on the panel left a lot of small business activists scratching their heads.

“Nobody knew this individual,” Scott Hauge, one of the city’s best-connected and active small business leaders, told me. “As far as we know, he’s never been active in small business issues.”

When the seat opened up, the commission’s director, Regina Dick-Endrizzi, let the small business community know there was on opening, and advised interested people to send in recommendations, and Hauge and others had plenty to offer. But in the end, the way the new commissioner was chosen says a lot about how Newsom makes decisions — and how little he cares about real community input.

O’Brien, according to a resume the mayor’s office sent over, has a background in sales, engineering and technical support and has worked for several technology companies, including Lucent, where he was a corporate sales engineering manager, and two start-ups, one in Mountain View and one in Reno. In 2003, he joined Pattani Construction, a San Francisco outfit run by Mel Murphy, a developer and Residential Builders Association guy who holds the RBA seat on the Department of Building Inspection Commission. When Murphy set up a real-estate investment company the next year, O’Brien joined him as vice president and partner.

According to the mayor’s press secretary, Nathan Ballard,

Commissioner O’Brien will work to ensure that small local construction companies get their fair share of construction dollars. He will work with Small Business Commission Director Regina Dick-Endrizzi and Supervisor David Chiu on their ongoing efforts to reduce redundant and unnecessary businesses fees, and will bring needed expertise into those business fees flowing out of the DBI and Planning Department that are most onerous for small businesses.

In other words, he’s an RBA guy who wants to make life easier for developers. He’s given money to Newsom allies, including Doug Chan for Supervisor and Joe Alioto for supervisor. (I haven’t been able to reach O’Brien, but I left him a message and I’ll let you know if I hear back.)

Since he has no visible background in the small business community, none of the activists had ever heard of him, and none of the names that Hauge and his allies submitted had made the cut, I asked Ballard who the mayor had met with, reached out to or discussed this appointment with. His response:

“O’Brien was recommended to us by his business partner, Mel Murphy.”

Two-day On Land Festival takes root

0

By Michael Harkin

519-musabox.jpg
Christina Carter. Photo by Rosa Guerrero

Root Strata, the San Francisco-based avant/out music label co-owned by Jefre Cantu and Maxwell Croy, has released over 50 records since its inception. Its foundations and mission are humble, but after nearly five years of work, the label has seen fit to celebrate in a quietly extravagant way with the On Land Festival, a two-night event in the city where it initially, um, took root. "This is the first time we’ve collectively tried to do something on this scale," Cantu, Root Strata’s founder and a member of Tarentel (who perform the first night of the festival) explains over the phone. Sure, On Land is relatively small compared to SF’s other fall festivals, but it’s a damned feast for the right audience. Ducktails and Keith Fullerton Whitman at Café Du Nord on the same night? Killer!

Ducktails, “Parasailing”

Although On Land is not a label showcase per se, nearly every artist on the 21-act weekend bill at Du Nord and the Swedish American Hall has put out at least one record with Root Strata, or will be doing so soon. The label began in late 2004 as a way for Cantu to release a solo CD-R prior to a Japanese tour with Tarentel, but it quickly snowballed into a wide-ranging outlet for artists local and distant, whether they be noisy, pretty, glitched-out, or all or none of the above. For instance, Root Strata recently released Common Eider, King Eider’s Figs, Wasps, and Monotremes, in which core member Rob Fisk’s viola, guitar, and piano meanderings coalesce into a frail, haunting song cycle.

The headliner of Sunday’s bill at the Swedish American is Portland, Ore.-based Bay Area expat Grouper, a.k.a. Liz Harris, whose harmonic haze will dovetail beautifully alongside the sounds of the venerable Christina Carter, the Austin, Texas cofounder of drone-folk outfit Charalambides and superb visual and musical artist. Although a straight-up music festival in most senses, On Land also possesses some cool nonauditory aspects: Paul Clipson will be showing films to accompany several of the performances, and, according to Cantu, Joe Grimm has been generating music by placing contact mics on two 16mm projectors. A handful of other labels will vend their wares as well, including Eclipse Records and Last Visible Dog. Bring a few bucks and an open mind — this is an ideal, totally stacked entrance to San Francisco’s rich underground.

ON LAND FESTIVAL Sat/19–Sun/20, various times. Café Du Nord and the Swedish American Music Hall, 2170 Market, SF. (415) 861-5016. www.onlandfestival.com

MisterMayor? Is anybody home?

2

By Rebecca Bowe


Video by Sarah Phelan

SEIU Local 1021 paid a visit to Mayor Gavin Newsom at his City Hall office yesterday, but his doors remained closed and locked. It won’t be the last time Newsom will hear from them, however. The union is launching an aggressive campaign to “dog the mayor,” organizer Robert Halaand told the Guardian, to pressure him to uphold the city’s commitment to comparable worth.

In 1986, San Franciscans approved Proposition H to enshrine the principal of comparable worth — ensuring pay equity for jobs that are held predominantly by women and people of color in an effort to combat institutional sexism and racial discrimination. Since certified nursing assistants (CNAs) and unit clerks employed in San Francisco’s public hospitals fit that description, their pay was gradually increased in the years following the passage of Prop. H.

However, budget cuts made in recent months resulted in those hospital employees getting cut and simultaneously reclassified into lower-paying positions. From SEIU’s perspective, the downgrades signify a form of discrimination and the reversal of a hard-won gain for women and people of color in San Francisco.

Invasion of the bedbugs

2

news@sfbg.com

Editor’s Note: The writer has penned this story under a pseudonym because of concerns about social stigma and backlash from his landlord, as he discusses below.

More than three weeks had passed since our hike through Yosemite, so my girlfriend and I were starting to worry that the festering egg-shaped welts appearing daily on her arms, legs, and stomach weren’t just a late reaction to mountain mosquitoes. We’d rationalized the problem away until now, but when a bump appeared on her face, we decided to get professional help.

"It doesn’t make sense," my girlfriend told her dermatologist. "It can’t be spiders or fleas because I sleep with my boyfriend and he’s not getting bit. Maybe I’m allergic to my new detergent?"

"Nope," the doctor said. "You’ve got bedbugs."

Then he took some pictures of her wounds "to document the epidemic," wrote out a prescription for an anti-itch medicine, and sent her home to deal with the diagnosis, adding that she shouldn’t freak out because bedbugs don’t transmit diseases. They just make your life miserable, causing rashes, sleeplessness, paranoia, and embarrassment — which is why they’re considered a health risk on par with roaches, scabies, and lice.

But how exactly were we supposed to deal with this? Neither of us had ever even seen a bedbug, and we’d never heard of anyone getting bit. We really didn’t even believe in them. I mean, we’d both heard the old "good night, sleep tight, don’t let the bedbugs bite" rhyme, but we thought it was about ticks or maybe some fantastical little boogiemen, not actual bugs that live in or near your bed. That’s because, like most San Franciscans the age of 70, my girlfriend and I had grown up in a mostly bedbug-free world. But that’s over now.

Bedbugs are back and they’re eating San Francisco alive, sticking their blood-hungry proboscises in transient gutter punks, international travelers, homeless people, doctors, lawyers, and yes … maybe even you. They’re crawling around in our walls as we speak, scuttling from basket to basket in Laundromats, and camping out on buses and trains, waiting for new victims.

But where did they come from? And why are they here now, creeping out residents of civilized American cities that include Cincinnati, New York, and, most recently, San Francisco, where the Department of Public Health has received 307 complaints this year alone — a figure that’s soon to surpass last year’s total count of 327, according to DPH special operations manager Dr. Johnson Ojo.

Well, there are plenty of theories, but the truth is that nobody knows for sure. What we do know is that bedbugs are here and they are hungry. And, by the look of things, they’re not going anywhere soon. As travelers, tenants, homeowners, and landlords, our first mode of action against the epidemic is to learn how to deal. We’ve got to know how to prevent infestations, understand our rights when they occur, and finally come to grips with what it means to live in an infested city.

Of course, to do all of this, it helps to know a thing or two about the nasty fuckers.

WHAT ARE BEDBUGS?


Bedbugs are parasitic insects that feed on the blood of sleeping humans. One of the reasons you’re probably not familiar with them, the reason you might think they’re a myth or some dead epidemic from the Dark Ages when nobody washed, is that bedbugs were virtually annihilated from the western world by about 1960.

"Exterminators back then were quite fond of an insecticide called DDT," explained Luis Agurto Jr., president of a local integrated pest management company called Pestec. The chemical was great because it killed every bug in sight. Unfortunately, the virulent toxin wreaked havoc on the environment, killing most bald eagles and a wide variety of plant and animal life, as well as causing cancer and birth defects in humans. Rachel Carson’s landmark book exposing DDT, Silent Spring (Houghton Mifflin, 1962), helped launch the modern environmental movement. Most uses of the chemical were later banned in the U.S. and other countries, even though it meant finding new ways to keep our bugs under control.

Less toxic sprays were developed after DDT was banned in the U.S. in 1972. They worked on roaches and other pests, but what exterminators didn’t know at that time was that the new chemicals weren’t doing much to the bedbug diaspora that was still thriving in remote parts of America and the world. And these little bastards were nothing to mess with.

"These critters had been hammered so hard that, by the 1980s, they were growing impervious to any insecticide on the market," said Michael Potter, an entomology professor at The University of Kentucky and former national technical director for Orkin. "But nobody really noticed because most of these bugs were far away."

In addition to rural parts of the United States, bedbugs could still be found in Eastern Europe, Southeast Asia, and Africa. But Potter rejects the theory that increased travel and immigration are entirely to blame for the global resurgence, as some scientists speculate. "It’s not like we just started flying 10 years ago," he said.

Potter concedes that population movement has a lot to do with the issue, but said that blaming travelers and immigrants ignores certain facts and doesn’t quite explain why bedbugs are coming back in such large numbers. The truth is that bedbugs never really went away. Pockets of extremely resistant survivor cells simply laid low until their offspring could flourish once again. It didn’t take long for that to happen.

"The thing about chemicals is that they only work for a given amount of time," Agurto said. "Everything develops a tolerance after a while." No matter. The commercial use of carbamates and other organophosphates, the classes of insecticides that replaced DDT, were soon restricted in the U.S. after they, too, exhibited nasty environmental side-effects.

After that, pest control managers were forced to switch to pyrethroid-based insecticides — which a bedbug could go swimming in, Potter said — and preventive measures like steam-cleaning, vacuuming, and bait. These methods targeted cockroaches and other pests, but they essentially allowed bedbugs to thrive in a chemical-free paradise. This was in the early 1990s and, according to Potter and Agurto, it’s probably no coincidence that the first major infestations in American cities came to light soon after. By the end of the century, a few years after DDT was restricted to malaria zones worldwide, bedbugs were becoming a problem in the eastern United States. By 2001, they had become a hot news topic in cities in America and around the world.

The bedbug resurgence in New York City has been covered extensively by The New York Times, starting in 2001 with an article about hotels and hostels titled "Bedbugs; Sleeping with the Enemy." Subsequent reports tracked the spread of infestations through homeless shelters, SROs, and eventually into condos, apartments, and houses. But the tiny vampires aren’t stopping there.

Bedbugs, once thought of as a byproduct of poverty, are moving up in the world. "We’re seeing them now in upscale condos and private residencies in the best neighborhoods in town," Agurto said. "Places where people never imagined they’d have to deal with this kind of thing." But that’s not where the infestations stop either, not in New York and probably not here.

They’ve even infiltrated the headquarters of large corporations. One of the latest infestations of this sort, at the Penguin Group in Manhattan, made headlines recently when employees of the publishing company were sent home while the building underwent treatment. The same thing happened at Fox News’ Manhattan office in March of last year, and again this month at Bill Clinton’s offices in Harlem.

Spokespersons for these three entities claim to have things under control. But the question is, does treating the building really solve anything? What about the employees? And, in the case of Penguin, what about all those books? Aren’t they infected too? It would certainly seem so. But perhaps you’re also wondering why, if the epidemic is getting so out of hand, you still haven’t encountered a problem. Well, the truth is, the bedbugs might be closer to you than you think.

INVISIBLE INVADERS


There are dozens of reasons why you might not have noticed the resurgence, but probably the biggest is that it’s embarrassing: people don’t want to discuss the issue because it’s gross. But this line of thinking works against us, and if we ever want to learn how to handle the situation, we’ve got to come to terms with the fact that bedbugs have nothing to do with social class or cleanliness.

That’s something my girlfriend hasn’t quite been able to come to grips with, which is why I’m writing under a pseudonym. She hasn’t told anyone but her mother and she can’t stand the idea of bosses, friends, and potential employers Googling her name or mine and somehow finding this story. Yet I’ve come to realize, while researching this issue, that there’s really no reason to be ashamed.

"This is really the first time in human history where people — all people — aren’t constantly on the lookout for bedbugs," Potter said. "And our first course of action is to get reacquainted." That’s not as easy as it sounds. But here are some tips.

First, you should get rid of the idea that bedbugs are microscopic. They’re not. When bedbugs are born, they look like milky-white flax seeds, but after the first feeding they grow to the size of chili flakes and develop a similar hue. Full-grown bedbugs are about the length of a Tic-Tac. They’re brown and flat and they have six legs — something like a two-dimensional, oval-shaped tick with stripes.

Second, don’t underestimate the cunning nature of bloodsucking insects. Bedbugs may not be able to communicate with one another or build intricate nests, but evolution has blessed the species with one sinister adaptive trait: near-invisibility. Bedbugs are masters of disguise. They live in tiny crevices in hard-to-find places — box springs, mattresses, baseboards, etc. — and usually only come out when people are sleeping. But nocturnal dining habits and the ability to hide aren’t the only tools in a bedbug’s arsenal.

The real reason we can sleep soundly while hordes of insects wriggle through our undergarments and suck our blood is that these particular insects are equipped with anesthetic. Simply put, bedbug bites do not hurt. What’s even worse is that, unless you happen to be allergic to the numbing agent found in bedbug saliva, there’s not going to be any evidence in the morning either.

That’s why I thought my girlfriend was either completely insane or perhaps the victim of some unknown skin disorder, even after she got back from the doctor. I just couldn’t understand how a colony of insects could repeatedly bite one person and not even touch the other as he slept inches away. My girlfriend still had her doubts as well, but for lack of any other plausible answer, we decided to look deeper into the issue. This is when things got nasty and when I learned that many people (about half the population, according to various sources) do not react to bedbug bites at all.

After reading everything we could about bedbugs, watching horrendous videos of elderly people swatting insects off their bodies, and perusing vomit-inducing pictures of telltale bedbug signs — smeared blood, fecal stains, and carcass buildups — we did a thorough search of our bedroom and found a cluster between the carpet and the baseboard behind our bed. Now the question was: what to do next? It’s what everyone asks when they encounter an infestation. And sometimes, it’s hard to answer.

DEALING WITH THEM


"Many of the people who come into our office with bedbug issues are afraid of retaliation," said Ted Gullicksen, head of the San Francisco Tenants Union. "They don’t want to tell their landlords because they don’t want to lose their apartments or get fined."

But in most cases, they’re wrong. City health codes specify that rental properties be free of "any public nuisance," a category that includes bedbugs. Because my girlfriend and I didn’t know that at the time, we worried that we’d somehow be blamed for the infestation.

When we found our nest, we did what most tenants fearing eviction and/or more bills would do. We tried to handle the problem on our own, turning to family and the Internet for advice. Folk remedies soon poured in and we tried them all. We threw out excess clothing, sprayed our bedroom with cedar oil, steam-cleaned our carpet, and then sprinkled diatomaceous earth, an organic powder that kills insects, into every nook and cranny we could find. Then we started sleeping on the couch to wait for the bugs in our bedroom to die. But after four days, the unthinkable happened: more bites.

Potter said it’s a common problem because bedbugs respond to store-bought pesticides by scattering into walls, often showing up a few days later in other rooms or units. "What’s worse," Potter added, "is that there’s nothing saying they can’t be reintroduced even after you’ve invested in professional treatment. And, depending on the size of the problem, that can cost more than $10,000." Indeed, the only method of eradication that most pest control companies, including Pestec, guarantee these days is heat treatment, which necessitates the use of expensive technology and requires multiple follow-ups to ensure success. Plus, it’s not cheap.

When my girlfriend and I realized that our problem wasn’t going to magically disappear, we looked into the cost of treatment and freaked out. We were prepared to pay a couple hundred bucks, but the quotes we got were crazy — thousands of dollars for two rooms. We’re not broke, but forking out that kind of money would hobble us. And besides, by then we were getting scared. What if our landlord found out we’d had bugs for weeks? Could our decision to go it alone be used against us? Could it be grounds for eviction?

We didn’t want to find out and, at that point, we didn’t understand how difficult bedbug eradication could be. So we decided to repeat home treatment and simply hoped for the best. The result? It seems to have worked. My girlfriend has been bite-free for over a month and we haven’t seen a bedbug since July.

But now I’m wondering if we just dug ourselves a deeper hole. I mean, up until about two weeks ago when I started doing heavy research for this article, we thought we were in the clear. That’s why we never reported the problem (which is another reason I decided to write this under a pseudonym). But now that I’m painfully aware of how resilient these fuckers are, I’m wondering if we made the right choice. Still, the thought of coming out with this now fills me with dread. Despite what the Tenant’s Union says, I just can’t imagine getting out of this without some sort of fine. And even if money isn’t an issue, I don’t want to get on my landlord’s bad side. But what now? Should we just move? And what about the tenants who follow us?

It’s probably not the most responsible choice, but this line of thinking is common among first time bedbug sufferers — something my girlfriend and I learned on Yelp.com’s local message boards. Despite all the coverage the bedbug resurgence has gotten in recent years, people on Yelp (a.k.a. everybody you know) seem to be in the dark when it comes to tenants’ rights and responsibilities, with many posters opting for temporary solutions to avoid the possibility of financial penalties.

The most revealing post to date comes from a Yelper named JU who got bedbugs in early August and decided to handle matters on his own. "I know I’m moving out in four months … I’m just trying to make it more livable until then," he wrote. Which raises the question: what about landlords? If a tenant neglects to blow the whistle on a blossoming infestation, can the property manager or building owner charge that tenant for treatment? Can JU be held responsible if his bugs move into neighboring units? Were my girlfriend and I right to think we might get evicted or fined for negligence? Maybe.

"The bedbug issue is complicated and it really boils down to cooperation," said Janna New, director of San Francisco Apartment Association. "If the problem is eradicated and then reoccurs due to a tenant’s negligence or refusal to abandon risky behavior, then the cost of remediation could be negotiable. And evictions could occur."

New says she hasn’t heard of anyone getting evicted for harboring bedbugs, but adds that it’s important for tenants to report infestations immediately because if they ignore the problem, their entire building could quickly become infested. "It’s like the flu," she said. "If you get sick, you talk to your doctor. You should do the same thing with your landlord. Teamwork is the only way to get rid of bedbugs."

That’s something I wish I knew a couple months ago and something Tiffinnie McEntire, a 43 year-old acupuncturist, intuited when she noticed bugs in her Cathedral Hill apartment in 2006. Rather than waste time with store-bought insecticides, she immediately called her landlord, who responded by sending an exterminator. When that didn’t work, he sent anotherm and another, until McEntire and the rest of his tenants felt safe. "It was a pain in the butt," McEntire said. "But in the end, we were all happy."

That’s how an infestation should be solved, and that’s probably how it’ll go down if you report one as soon as you notice it. Both the Tenant’s Union and the Apartment Association agree that the burden of eradication usually falls on the landlords. So if you find bugs, your best mode of action is to report the problem as soon as possible. And if you happen to be an apartment or hotel owner, you should do frequent checks and respond to reports immediately. It might cost thousands of dollars, but it could save you from a lawsuit or prolonged infestation.

THE FINAL STAGE: ACCEPTANCE


So what does it mean to live in an infested city, in an infested nation and world? Well, for one, it means that we all have some lifestyle changes to make. For Njon Weinroth, an out-of-work software salesman whose 14th floor condo has been infested for six months, that has meant staying away from friends and developing an amicable relationship with the little monsters. People without bedbugs can obviously skip this step, but Weinroth can’t afford professional treatment at the moment and feels like he has no other choice.

"I do what I can to control them, but I still kill at least two a night," he said. "When I squish ’em, my blood comes out. It’s gross and that’s really been the hardest part — overcoming the stigma." And that’s something everyone — my girlfriend and I included — need to do if we ever hope to get this problem under control. We have to accept that the only thing bedbugs care about is blood and that they will suck it from a bum as quickly as a movie star (just ask actress Mary Louise Parker from "Weeds," who recently had a bedbug scare in her home). Other than that, specialists recommend being wary of buying used clothing and furniture and avoiding clutter.

With that out of the way, we need to start talking about the problem so that first time bedbug sufferers like my girlfriend and I won’t feel so helpless and ashamed when their bodies and beds become infested and, more important, so they will report bedbug activity before it gets out of hand.

Last, we have to come to grips with how rampant this epidemic is. "I don’t want to be the one tooting the horn saying it’s doomsday and that bed bugs are falling from the sky," Agurto said. "But I can’t think of a person alive who doesn’t know someone — or at least know of someone — who has had a problem." But don’t take it from him alone. If you really want nightmares, take a look the Bedbug Registry (www.bedbugregistry.com).

Started in 2006 by a computer programmer living in San Francisco, the Bedbug Registry is an anonymous record of bedbug activity across North America. It has maps tracking the spread of infestations and a search engine that allows you to see how close the creatures are crawling toward your house, hotel, or workplace (36 reports within two miles of Guardian headquarters — yikes!).

Maciej Ceglowski got the idea for the service when he found bumps on his body and dying bugs in the coffeepot at a San Francisco motel. "I reported the problem and got a resigned shrug from the front desk," Ceglowski said. Then he researched the issue and realized that because it’s so hard to get rid of bedbugs, it would not be in a hotel owner or landlord’s interest to publicize an infestation. "I started the site because I thought it would be a good way to fight back against bedbugs."

But is that even possible? With bedbug activity steadily rising in all corners of the world, a simple solution seems doubtful. Which raises another question: how soon before we all have bedbugs?

"Well, that’s hard to answer," Potter said. "But there’s absolutely no reason to think that our problem is going to get better or go away. We’re in for a real struggle with this critter."
Great. What the hell am I supposed to do now? Under normal circumstances, I would have stopped worrying about these bloodsuckers after a week of not seeing them in my apartment. But now that I’ve done all this research, my girlfriend and I are faced with another tough decision: do we tell our landlord or do we just hope our last home treatment actually worked?
We’re still thinking about it.

What they do matters

0

johnny@sfbg.com

Something is happening. San Francisco and the greater Bay Area is, even more than usual, home to some bands that hardwire the heart: Grass Widow, Nodzzz, Rank/Xerox, Mayyors, Ty Segall. But more than that, the place we call home is a nexus for a bunch of great new rock albums — ones that just might be classics. Girls’ Album (True Panther/Matador) is the popular one with the media blitz behind it, but the Mantles’ debut is the come-from-behind outsider, the secret star, the crushworthy keeper. You’ll know it when you hear it, from the one-two-three punch of the first trio of tracks: the Byrds-y jangle of "Disappearing Act"; the churning propulsive energy of "What We Do Matters"; and maybe most of all, the brooding balladry of "Look Away," a now-I-see-you-now-I-don’t relationship ode which possesses a kind of offhand melodic and vocal strength that sounds easy to achieve, but obviously isn’t, because so few ever manage to do it.

Those are some of the things that go into The Mantles (Siltbreeze), along with guitar blazes (the climactic "Thin Reminder") and the overall feel of a band as a thriving living thing. What went on outside the album is an entirely different story. The group recorded with Greg Ashley in Oakland, where the adventures often began before they entered the studio. "One day this cracked-out lady walked up and punched this other lady in the face right in front of our car," says drummer Virginia Weatherby. "There’s a giant pile of trash right in front of his [Ashley’s] door," chimes in bassist Matt Roberts. "This one afternoon I showed up and there was a guy by it wearing no shirt and a Yoda mask — it was totally absurd."

Fueled by friendship and romance, the Mantles are relaxed enough to enjoy absurdity, whether it arrives in the form of a shirtless dude in a Yoda mask or entails playing the role of "psychedelic band" and "mid-tempo downer" at a sweltering garage rock party where people are doing cannonballs into a pool. If anything, the group was too relaxed for Ashley’s spontaneous and live-sounding recording process, an achievement of sorts. "You think you have the situation figured out on the third day of recording," says vocalist-guitarist Mike Oliveras, as the group discusses the different facets of Ashley’s home studio and warehouse setup, where graffiti and ciggies floating in glasses of beer are one norm. "Then he [Ashley] comes down with a bounty of nice-looking tomatoes and says, Do you guys want any tomatoes? These are from my garden on the roof."

The Mantles is being released by Siltbreeze, a pairing that should yield interesting results. The pop immediacy of the group’s songs might make them seem a good fit for Berkeley’s Slumberland, even if they tend to rock a bit more vigorously and wildly than many groups on Mike Shulman’s rightfully vaunted label. A standout track like the easygoing, assured "Don’t Lie" — understated yet almost anthemic at the close — is more melodic than most music released by Siltbreeze owner Tom Lax, whose enthusiasm came from hearing the first of the group’s two 7-inch singles to date. "There’s a certain amount of people who will buy it [the album] because it’s on Siltbreeze," Roberts says. "And there’s a certain amount of people who will specifically not buy it because it’s on Siltbreeze."

Fortunately, The Mantles is the kind of album that defies expectations. Its shades of New Zealand-ry (an organ sound and laconic vocal delivery not far from Flying Nun groups such as the Chills and the Verlaines), its Paisley Underground touches (some reviewers have mentioned Steve Wynn and Dream Syndicate), and its better-than-NME‘s-C86-cassette pop appeal seem very au courant, but come across as natural as breathing. Oliveras’ vocal presence is both a weapon and a major reason for this — he’s got more confidence and presence than your average rocker, yet he never falls into cringeworthy or over-the-top rock star gestures. There’s no T.T.H. (tries-too-hard) to his or the band’s approach. This forthright pleasure and assurance might have grown from the group’s recording experiences to date, which range from the experimentation and live takes of Ashley to the precision and attention to detail of Papercuts’ Jason Quever, who produced one of their singles.

Along with friendship and romance, family plays a role in the Mantles’ music — not corny Christian family values, but a bond with family members that’s taken a variety of funny forms during the group’s existence. "At [a show at] Café Du Nord, my mom said she wanted a drink, and when I told her to go to the bar, she said, It’s not my milieu," says Roberts to much laughter. He lists his favorite show to date as one the group did for Oliveras’ family: "There was an audience of six people on patio chairs sitting 20 yards away from us," he says.

"The Mantles: Being Earnest," Oliveras jokes.

The Mantles has the arresting look required of a vinyl-only release, thanks to a stark and handsome design by local musician Nathan Berlinguette, art by Colter Jacobsen, and another family touch: the photo on the album’s cover. As evocative in a nostalgic way as the cover of Night Control’s Death Control (Kill Shaman) is in a 2009 manner, it’s a picture of a man holding a picture — a photo of Jimi Hendrix. The man, standing in front of a gorgeous mountain-lined horizon, is Weatherby’s father. "My dad is beside himself," she says with a smile. "He went to one of our shows recently and was walking around saying, Album Cover Guy’s here. Want to meet the album cover?"

THE MANTLES

Album release party

Oct. 1

Eagle Tavern

398 12th St, SF

(415) 626-0880

www.myspace.com/mantles

Environmental review, Inc.

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rebeccab@sfbg.com

Michael Cohen, director of San Francisco’s Office of Economic and Workforce Development, called us from the back of a taxi on a recent Thursday afternoon and complained that he was feeling "perplexed" by all the negative attention aimed at a plan his office helped design.

Perplexed? Maybe — but the concept of having a private consultant take over some planning work during the environmental review of major development projects was never going to happen without a fight.

No sooner had Cohen, OEWD Development Advisor Michael Yarne, and Planning Department Director John Rahaim publicly floated the idea than it was roundly criticized by a host of opponents who called it a danger to public jobs and an invitation for conflict-of-interest nightmares.

The controversy was triggered by a draft request for qualifications (RFQ), released jointly by OEWD and the Planning Department, to hire a private consultant to help the city’s environmental review of major development projects. The consultant would be hired on the developers’ dime. The idea, Cohen said, was to do something about the long backlog in city planning’s Major Environmental Analysis division. Developers often complain that environmental review takes too long, and delays cost money.

"MEA doesn’t have enough resources to do all the work," Cohen told us. "Our simple suggestion is to require private development projects to pay to provide extra resources to the department." The RFQ states in an underlined font that the private consultant would work under the supervision of city staff, and that final policy decisions would remain with public employees. Cohen emphasized that if it goes forward, "not a single planner will lose their job."

Nonetheless, the RFQ was lambasted in a letter sent to Rahaim on behalf of IFPTE Local 21, a union representing about 250 city planners. The letter charges that it could undermine city jobs and allow developers to essentially purchase an environmental analysis that would pave the way for project approval.

Under the current system, a developer who requests a permit to build, say, a condominium high-rise must hire a private consulting firm to write a report describing how the new condos would affect the existing landscape. That report then gets forwarded to the Planning Department for review by MEA staff, a time- and labor-intensive process.

The RFQ would make it possible for a large-scale developer who desired a speedier environmental review to shell out more money for the private consultant, who would do much of the legwork of reviewing the environmental impact report. While city staff would still have the final say, the environmental review process for those projects would consist largely of a consultant overseeing a consultant.

And nearly all the consultants in the environmental-review field make their money from developers.

A source close to city planning told the Guardian that Yarne drafted the RFQ, and that the impetus behind it was to remedy delays encountered by the Treasure Island and Lennar Corp. Hunters Point Shipyard projects.

A critic who spoke on condition of anonymity told the Guardian that there’s a lot of skepticism surrounding the idea since it comes from a former developer. Yarne was a principal at development firm Martin Building Co. until 2007, and he publicly complained about the slow environmental review process while in that role.

"The only deficiencies that we have been informed of have been relayed to us by Michael Yarne in the Mayor’s Office," the Local 21 letter notes. "His primary observation has to do with the expediency by which these reviews have turned around. We do not believe that outsourcing these services addresses the problems he expressed to us." On the contrary, the letter states, "in-house staff would have to review a second consultant’s work, which would prolong rather than streamline the environmental review process."

Rahaim, the planning director, told us that "the idea was to look for ways to help the staff out," and stressed that he viewed it as "augmenting as opposed to outsourcing" city jobs. However, he added that it’s "not something I’m sold on as the only way to do this."

Rahaim seemed receptive to the union’s concerns, said Adam Gubser, president of the Planner’s Chapter of Local 21. But union members remain universally opposed to the proposal as it stands. "There are serious flaws that need to be addressed," Gubser said. "We’re very concerned about contracting out, so any proposal is held under a microscope."

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

THURSDAY 17

Crafty Hour Element Lounge, 1028 Geary, SF; (415) 440-0111. 5pm, free. Check out new work from 16 emerging local artists, working in varying mediums at this Lightbox happy hour Lightbox is a support system for emerging artists and proceeds from the event will go toward creating a permanent workspace and gallery.

Curry Contest a.Muse Art Gallery, 614 Alabama, SF; www.yourmusegallery.com. 6pm, $10 suggested donation. Sample vegetarian curry made by both professional and non-professional chefs and vote for your favorite by putting a tip in their jar. The chef with the most tips wins! All tips go to the International Campaign for Justice in Bhopal (ICJB).

"Darkness is Your Candle" First Unitarian Universalist Church, 1187 Franklin, SF; 1-800-233-6984. 7pm, $15. Enjoy an evening of poetry and music with mythologist and storyteller Michael Meade, mystical poets Rumi and Hafiz, and devotional music by the Qadim Ensemble to benefit at risk youth and intercultural projects.

Fetish Photography Blue Sky Studios, 2325 3rd St., SF; www.blueskysf.com. 6pm, $10. Join renowned fetish photographer Eric Kroll for a presentation and discussion of his Fetish Photography Art from his early days to the present.

Internet Bookburning Books Inc., 601 Van Ness, SF; (415) 776-1111. 7pm, free. Learn more about the problems that the internet poses for the book business with a panel of outlaw thinkers including, Peter Maraveilis, Peter Plate, Herbert Gold, Ethan Watters, and Brenda Knight.

FRIDAY 18

Round 2 111 Minna Gallery, 111 Minna, SF; (415) 974-1719. 5pm. Help raise funds and awareness for The Leukemia and Lymphoma Society at his benefit and art auction featuring artists Brett Amory, Kevin E. Taylor, Regino Gonzales, Ferris Plock, and more, and live painting, drawing, and music.

SATURDAY 19

West Coast Live Ferry Building, Port Commission Room, 2nd floor, 1 Ferry Plaza, SF; (415) 433-9500. 10am, $18. Attend a live broadcast of the West Coast Live radio show moderated by Sedge Thomson featuring music by Sarah Lee Guthrie and Johnnie Irion, and authors Gennifer Choldenko, Sue Monk Kidd, and Ann Kidd Taylor.

Roadworks Steamroller Prints SF Center for the Book, Rhode Island between 16th and 17th St., SF; (415) 565-0545. Noon – 5pm, free. Check out this street fair where featured artists and community members can have their work printed by a steamroller. Also featuring vendors, music, food, and activities.

SUNDAY 20

Rock For MS Boom Boom Room, 1601 Fillmore, SF; (415) 673-8000. 7:30pm, $25. Enjoy a smokin’ hot show with Roy Rogers at this benefit for the MS Friends foundation, featuring author Deborah Grabien signing copies of her new JP Kinkaid mystery series books.

TUESDAY 22

Digital Publishing Revolution Mechanics Institute Library, 57 Post, SF; (415) 393-0101. 7pm, $10. Hear more about how digital publishing is changing the lives of writers at this American Society of Journalists and Authors (ASJA) meeting, featuring a panel of local experts with Bob Cauthorn, Mark Coker, and Ivory Madison.


Take warning

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a&eletters@sfbg.com

The forests are in flames, the desert is advancing, the glaciers have vanished, and in a solar-powered facility towering above the ice-free waters of the Arctic, some 800 miles north of Norway, a solitary older man (Pete Postlethwaite) roams the hallways of the Global Archive, a warehouse sheltering banks of data-storage servers, a civilization’s worth of art and invention, and a Noah’s ark of extinguished species. From this lonely outpost, he gravely explores a stomach-churning inquiry: "We could have saved ourselves. But we didn’t. It’s amazing. What state of mind were we in to face extinction and simply shrug it off?"

Good question, and one that Franny Armstrong’s The Age of Stupid, a hybrid merging documentary material and a fictional frame tale, forcefully suggests we start addressing like we mean it — immediately. That is to say, before runaway climate change makes its debut and some or all of its widely forecasted ecological consequences begin to manifest, along with resource shortages, food and water riots, and massive societal collapse.

Delineating the complex global network of climate-change causes and effects, The Age of Stupid interweaves real-life documentary footage from the lives of six present-day subjects in New Orleans, the French Alps, Jordan, southwest England, a small Nigerian fishing village, and Mumbai, India. Interspersed is real and faux (future) archival footage depicting and predicting the environmental consequences of humanity’s bad habits. And all of it is presented as the digital artifacts of a dying-off civilization, preserved for uncertain posterity in the Global Archive. While covering similar terrain to that of An Inconvenient Truth (2006), the film serves as a kind of "No, but really, folks …" in the face of frighteningly incremental gestures toward sustainability — and continued shortsighted resistance — at the levels of national, state, and local government as well as citizenry.

The film’s opening sequence begins with the big bang and hurtles via countdown clock through billions of years, flying past the earliest stages of evolution, past dinosaurs, past the industrial revolution, and past the present day, the titular Age of Stupid, so fast that we barely have time to notice ourselves on the screen before it’s 2055, the Age of Too Late. The message: in the grand scheme of things, we have about a nanosecond left to kid ourselves as we refill our metal water bottle and press the start button on our Energy Star-qualified washer-dryer or Prius — or to find a way, at the level of populace, not green-minded individual, to radically swerve from our current path. According to Armstrong and her cohorts in the Not Stupid Campaign, the film’s companion activist effort, our fate will pretty much be decided by December’s climate talks in Copenhagen. (The film, which premiered in the U.K. in March, has its 50-country "global premiere" Sept. 21-22.)

So then, do the canvas bags, travel mugs, energy-saving appliances, clotheslines, CSA memberships, cycling, recycling, composting, and other ecologically minded efforts of a smattering of well-intentioned individuals matter at all? Or matter enough — in the face of factories, factory farming, methane-emitting landfills, canyons of office towers lit up 24/7, a continent-sized constellation of plastic detritus in the Pacific, and millions of trips cross-country at an average elevation of 30,000 feet?

Colin Beavan, the subject of Laura Gabbert and Justin Schein’s No Impact Man, is banking on yes, being of the "be the change you wish to see in the world" school of thought (admittedly in good company, with Mahatma Gandhi). Taking its name from Beavan’s book project and blog, No Impact Man shadows the NYC-based writer; his wife, Michelle Conlin, a senior writer at BusinessWeek admitting to "an intense relationship with retail" and a high-fructose corn syrup addiction; and their toddler daughter, Isabella, during a year in which they try to achieve a net-neutral environmental impact.

This entails giving up, in successive stages, with varying degrees of exactitude, packaged food (hard on a family whose caloric mainstay is take-out), nonlocal food (hard on a woman who drinks multiple quadruple-shot espressos a day; impossible, as it turns out), paper products (magazine subscriptions, TP), fossil-fuel-dependent transit (airplanes, elevators, and even the subway), electricity (i.e., the refrigerator), and, to a large extent, trash. The idea is to learn empirically — and demonstrate — which behaviors might be permanently ditched and which are virtually hardwired.

There are, predictably, certain criticisms –- from irritated environmentalists, from semianonymous blog commenters, from the New York Times Home and Garden section. There is the matter of giving up public transportation rather than championing it, and the issue (raised by a community gardener who takes Beavan under his wing) of Conlin’s laboring for a high-circulation publication that trumpets capitalist virtues antithetical to the project of tapering off consumption and waste. And Beavan sometimes comes across, particularly in the book, as well-meaning but stubbornly myopic in his focus on self-improvement.

Then again, the guy and his family gave up toilet paper, electric light, motor vehicles, spontaneous slices of pizza, and many deeply ingrained habits of wastefulness for a year while most of the rest of the country got up each morning and brushed their teeth with the water running. What impact the No Impact project might have on, for instance, the mounds of trash-filled Heftys that line Manhattan’s sidewalks each week remains to be seen. But as the Age of Stupid winds down, it’s probably a waste of time to fault anyone’s attempts to forestall the Age of Too Late.

NO IMPACT MAN opens Fri/18 in Bay Area theaters.

THE AGE OF STUPID plays Mon/21, 8 p.m., SF Center. Visit www.ageofstupid.net for additional Bay Area screenings.

On Land Festival

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PREVIEW Root Strata, the San Francisco-based avant/out music label co-owned by Jefre Cantu and Maxwell Croy, has released over 50 records since its inception. Its foundations and mission are humble, but after nearly five years of work, the label has seen fit to celebrate in a quietly extravagant way with the On Land Festival, a two-night event in the city where it initially, um, took root. "This is the first time we’ve collectively tried to do something on this scale," Cantu, Root Strata’s founder and a member of Tarentel (who perform the first night of the festival) explains over the phone. Sure, On Land is relatively small compared to SF’s other fall festivals, but it’s a damned feast for the right audience. Ducktails and Keith Fullerton Whitman at Café Du Nord on the same night? Killer!

Although On Land is not a label showcase per se, nearly every artist on the 21-act weekend bill at Du Nord and the Swedish American Hall has put out at least one record with Root Strata, or will be doing so soon. The label began in late 2004 as a way for Cantu to release a solo CD-R prior to a Japanese tour with Tarentel, but it quickly snowballed into a wide-ranging outlet for artists local and distant, whether they be noisy, pretty, glitched-out, or all or none of the above. For instance, Root Strata recently released Common Eider, King Eider’s Figs, Wasps, and Monotremes, in which core member Rob Fisk’s viola, guitar, and piano meanderings coalesce into a frail, haunting song cycle.

The headliner of Sunday’s bill at the Swedish American is Portland, Ore.-based Bay Area expat Grouper, a.k.a. Liz Harris, whose harmonic haze will dovetail beautifully alongside the sounds of the venerable Christina Carter, the Austin, Texas cofounder of drone-folk outfit Charalambides and superb visual and musical artist. Although a straight-up music festival in most senses, On Land also possesses some cool nonauditory aspects: Paul Clipson will be showing films to accompany several of the performances, and, according to Cantu, Joe Grimm has been generating music by placing contact mics on two 16mm projectors. A handful of other labels will vend their wares as well, including Eclipse Records and Last Visible Dog. Bring a few bucks and an open mind — this is an ideal, totally stacked entrance to San Francisco’s rich underground.

ON LAND FESTIVAL Sat/19–Sun/20, various times. Café Du Nord and the Swedish American Music Hall, 2170 Market, SF. (415) 861-5016. www.onlandfestival.com

City Planning’s latest mess

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EDITORIAL The San Francisco city planning director, John Rahaim, has kept a fairly low profile since taking over the troubled department in 2008. But some serious problems are starting to fester on his watch — and if he and the planning commissioners don’t clean up the mess, the supervisors need to step in.

Rahaim remains somewhat in the shadow of the former director, Dean Macris, who is responsible for some of the worst San Francisco development problems of the past three decades. And the Macris influence is still very heavy in the department. But Rahaim needs to step out and show that things are going to change. For starters, he should:

Scrap the plan to privatize environmental review. As Rebecca Bowe reports on page 15, the department is looking at bringing in outside consultants to help clear up the backlog in the Major Environmental Analysis division of the Planning Department. It’s a horrible idea — the environmental consulting firms that do this work make most of their money from developers, and that’s where their loyalties will always lie. The city planning staff is by no means perfect, but at least the unionized MEA staffers have some ability to demand that builders follow the rules and that environmental impact reports are relatively honest. The whole idea comes (not surprisingly) from the big developers, particularly Lennar Corp. at Hunters Point and the consortium looking to redevelop Treasure Island; they’re worried about the short-staffed Planning Department’s slow pace of project review. But we don’t see those developers helping raise new revenue for the city — money that could allow planning to hire more staff.

Back away from allowing developers to block sunlight in city parks. San Francisco voters approved a measure back in 1984 that essentially halted the construction of any tall buildings that would cast shadows on city parkland. Proposition K has worked remarkably well over the years. But now, with such behemoths as the 100-plus-story tower planned for the Transbay Terminal area and the high-rise condo complex near the Transamerica Building threatening to block out the sun in public open space, the developers are looking for ways to "update" — that is, gut — Prop. K protections. On Aug. 23, a who’s who list of big local developers, architects, and lawyers met with city planning officials to discuss the issue (the attendance list, and more background, is posted at sfbg.com). The Planning Commission will get a briefing on the topic Sept. 17.

We don’t see the problem with Prop. K — protecting parks from high-rise shadows is pretty basic planning and has been public policy for 25 years. Rahaim should drop this developer-driven plan, now.

Get Macris the hell out of the Planning Department. Mayor Gavin Newsom and the Planning Commission hired Rahaim a year and a half ago. So why does Macris, the former director, still have an office in the department? Why is he routinely consulted on major issues? When, oh when, will he finally go away?

According to the mayor’s press secretary, Nathan Ballard, Macris isn’t costing the city any money — a handful of developers are chipping in to cover the cost of his paycheck. That alone is a problem — since when do developers get to have their own paid planner sitting in on office in the Planning Department?

And frankly, Macris has been a shill for big developers all his career. He oversaw much of the massive over-construction that took place in the 1980s, and resisted all attempts at slowing down runaway growth. He’s a bad influence on the department, and Rahaim needs to send him packing, now.

Rahaim has gotten a fairly free ride so far, but things are starting to spiral out of control in his department. It’s a disturbing pattern, and the supervisors should be prepared to hold hearings and start taking action. *

Appetite: Root beer floats, grilled moist melts, shrimp creole, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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DEALS
Just for You’s new happy hour and New Orleans inspired bites
Despite this past weekend’s thunderstorms, our Summer is still in its early stages – Just for You Cafe commemorates an SF Indian Summer (and their nostalgia for New Orleans, which I acutely share) with new menu items and Wednesday through Friday happy hour specials. There’s $4.50 Root Beer Floats made with Nawlins’ own Abita Root Beer and our Mitchell’s Ice Cream. And it wouldn’t be an ode to the South without Red Beans and Rice ($4.50, $2 to add Louisiana hot sausage), Hush Puppies ($4) or a Creole Sampler ($6) of red beans and rice, jambalaya, and shrimp creole. Heineken and Miller beers are $2 and there’s Chicken Empanadas ($2.25) or Crispy Chicken Tacos ($2.95) for a veer off the New Orleans’ path.
Wednesdays-Fridays, 4:30-6:30pm
732 22nd Street
415-647-3033
www.justforyoucafe.com/specials

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NEW OPENING
Fish & Farm launches American Box
Gourmet lunches from top notch chefs continue to proliferate downtown, with Fish & Farm now in the mix, launching American Box. Executive chef, Chad Newton, created a menu that, similar to the flagship restaurant, is farm-fresh, local, sustainable. Eat from changing menu items, like a "Chop" Salad ($9) with Molinari salami, a Double Taco Box ($7), or a Grilled Moist Melt Box ($8, a rye, cheddar, pickle, caramelized onion sandwich), to go or in Fish & Farm’s dining room. Save room for cookies or brownies for dessert.
Monday-Friday, 10:30am-1:30pm
Cash only
339 Taylor Street
415-474-3474

www.americanboxlunch.com

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EVENTS
Test your blind wine tasting skills at Press Club all month
So the Governator himself has dubbed September California Wine Month (isn’t every month?) No matter… I like the sound of Press Club‘s Blind Tasting throughout the month – to test or improve your tasting skills, as the case may be. In Press Club’s roomy underground environs, $17 will get you pours of three wines, each selected from some of Nor Cal’s best wineries. If you’re feeling comfortable, submit your guesses as to each wine in the blind tasting and be entered to win a $50 private tasting for two.
20 Yerba Buena Lane
415-744-5000

www.pressclubsf.com

Newsom can’t rewrite history, but he can sell his soul

4

By Steven T. Jones
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On the day that former President Bill Clinton endorsed Gavin Newsom’s campaign for governor, it’s hard to believe the local blog post that Newsom is about to call it quits, and sources I consulted dispute key tenets of the anonymously sourced article. Yet there’s still plenty of reason to believe that Newsom’s quest is doomed.

While Newsom’s sleazy affair with Ruby Rippey-Tourk was already bound to hurt his candidacy, it is how he handled it afterward that really makes Newsom look untrustworthy and immoral. I attended the 2007 press conference where Newsom blithely admitted “everything you may have heard or read is true” regarding the affair, only to recently tell the New York Times Magazine and Fast Company just the opposite, that there was “a story that has yet to come out” in which Newsom looks good.

This is seriously delusional stuff, the product of a deeply megalomaniacal mind, as if he actually sees himself as a victim for banging his top aide’s wife. It’s reminiscent of his wife Jennifer Siebel’s disturbing quote in the Chronicle that was followed by her crazy extended comment to SFist blaming Ruby for the affair and excusing Newsom’s behavior on the grounds that she supposedly showed up drunk at his door, an odd “date rape as defense” strategy.

I and other journalists have long hounded Newsom to address issues raised by the affair, and he’s always refused to discuss it. Yet now, as he worries about the impact of this affair on his ambitions, suddenly there’s an “untold story.” Newsom is already held in very low esteem even by his former supporters, but if he and his top political henchman, Garry South, continue to try to rewrite this sordid history by dragging the Tourks through the mud again, our mayor might find himself a top candidate for San Francisco’s All-Time Hall of Shame.

Gavin, if you still have a soul, now’s probably a good time to search it and decide if you really want to trade it in for your longshot pursuit of power.