Kids

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Jaquayla, Church and 17th St.

Jaquayla _Church and 17tha.jpg

Tell us about your look: “I’m in fashion school at the moment, and I’ve been sewing since the 6th grade. I love making my own clothes and I also make outfits for my kids.”

True colors

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› le.chicken.farmer@gmail.com

CHEAP EATS Red. Green. Yellow. Dark green. Orange. Light green to the point of being almost yellow. Earl Butter was showing me his peppers, which is not a euphemism. If it were, I wouldn’t know what it meant. So lucky for all of us, this was literal Truth. There they were, true peppers, in all their shapely and colorful glory, on Earl’s kitchen table. Some of them were in bags.

"Weren’t you born in Texas?" I said.

"No no," he assured me. "I lived there when I was little."

I said I hoped he didn’t intend to ever go back, because they might not let him in if they knew the way he made chili. As many kinds of peppers as possible, no meat.

For my part, forgiveness was automatic, not only because I love my buddy Earl, but because I wasn’t staying for dinner anyway. What a guy! When he cooks, he cooks for the whole floor, and some of the people on his floor are vegetarian.

Sure, I would do things differently. Either cook for myself, or move to a different floor. But I’m not Earl Butter, and this is an important point: I don’t know who I am.

Not the chicken farmer, that’s for sure. I gave my girls away and moved to a fancy-pants neighborhood in Oakland, arguably Oakland’s fancy-pantsiest: Rockridge. I’m mobile (new car), I’m upward (new car); if only I were young, I would be a yuppie.

And, to the extent that yuppies are kind of antithetical to, say, hippie new-age energy healer/poet types, I would embrace my new identity so hard its ribs would crack. I love where I live, and I love the people around me. On the other hand, I’m still as poor as pickle juice. I can afford to live in Rockridge because my apartment is free, in exchange for taking care of the kids sometimes, like picking them up at school, playing music with them, kicking a ping-pong ball in the park, and other things I love to do anyway, like helping with dinner.

Which reminds me: Earl Butter was making chili. But you can’t make chili on an empty stomach. I needed me a bath. But you can’t exactly bathe on an empty stomach either, if you’re me. So I tugged on his shirt sleeve until I’d tugged him out of the kitchen, clear out of his apartment, down the stairs to the Mission District, and into my car.

And we drove off in aimless search of cheap eats.

Found ’em! On Ocean Avenue, of all the crazy places, riding off into the Sunset. Eat First. What are you gonna do, name like that? We ordered hot and sour seafood soup, spicy chicken wings, kung pao chicken, and sliced pork with preserved mustard green.

But they wouldn’t let us have that last one. "It’s Chinese food," our waitressperson kept saying, shaking her head.

I countered with the unassailable argument, "And …?" But it wasn’t until I’d persuaded her that I’d had the dish before, many times, and loved it, that she agreed to include it in our order.

Reluctantly. Mutteringly.

Earl Butter pointed out that we were the only whities in the place, that everything else we’d ordered was classic whitey fare, and that no matter how badass I felt on the inside, I looked "irretrievably dainty" — even all sweaty and disheveled from back-to-back soccer games.

Waitressperson came back and said they were out of the pork with preserved mustard greens. Earl thinks she was lying. I believe her.

New favorite restaurant.

As for my new-age trucker mother … maybe you guessed already: he turned out to be more energy healer than truck driver, damn him. On our first date we walked and danced on the sidewalk, looked over a railing into a stream, then sat on a bench and kissed like crazy.

What a wonderful woman I was, he whispered in between things. Deep, oniony, complex, cute …

I had to say what else, and that was, more or less, it. He showed his true colors. I don’t know what shade of pale would describe them. Maybe new-age gray. He was not the color of peppers.

EAT FIRST

Daily: 5–9:30 p.m.

1540 Ocean, SF

(415) 587-1698

Beer

MC/V

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

Public safety adrift

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› sarah@sfbg.com

Shortly into his first term as mayor, Gavin Newsom told a caller on talk radio — who was threatening to start a recall campaign if the mayor didn’t solve the city’s homicide problem — that Newsom might sign his own recall petition if he didn’t succeed in reducing violent crime.

But Newsom didn’t reduce violence — indeed, it spiked during his tenure — nor did he hold himself or anyone else accountable. Guardian interviews and research show that the city doesn’t have a clear and consistent public safety strategy. Instead, politics and personal loyalty to Newsom are driving what little official debate there is about issues ranging from the high murder rate to protecting immigrants.

The dynamic has played out repeatedly in recent years, on issues that include police foot patrols, crime cameras, the Community Justice Court, policies toward cannabis clubs, gang injunctions, immigration policy, municipal identification cards, police-community relations, reform of San Francisco Police Department policies on the use of force, and the question of whether SFPD long ago needed new leadership.

Newsom’s supporters insist he is committed to criminal justice. But detractors say that Newsom’s political ambition, management style, and personal hang-ups are the key to understanding why, over and over again, he fires strong but politically threatening leaders and stands by mediocre but loyal managers. And it explains how and why a vacuum opened at the top of the city’s criminal justice system, a black hole that was promptly exploited by San Francisco-based U.S. Attorney Joseph Russoniello, who successfully pressured Newsom to weaken city policies that protected undocumented immigrants accused of crimes.

Since appointing Heather Fong as chief of the San Francisco Police Department in 2004, Newsom has heard plenty of praise for this hardworking, morally upright administrator. But her lack of leadership skills contributed to declining morale in the ranks. So when he hired the conservative and controversial Kevin Ryan as director of the Mayor’s Office of Criminal Justice — the only U.S. Attorney fired for incompetence during the Bush administration’s politicized 2006 purge of the Department of Justice, despite Ryan’s statements of political loyalty to Bush — most folks assumed it was because Newsom had gubernatorial ambitions and wanted to look tough on crime.

Now, with Fong set to retire and a new presidential administration signaling that Russoniello’s days may be numbered, some change may be in the offing. But with immigrant communities angrily urging reform, and Newsom and Ryan resisting it, there are key battles ahead before San Francisco can move toward a coherent and compassionate public safety strategy.

SHIFTING POLICIES


The combination of Ryan, Fong, and Newsom created a schizophrenic approach to public policy, particularly when it came to immigrants. Fong supported the sanctuary city policies that barred SFPD from notifying federal authorities about interactions with undocumented immigrants, but Ryan and many cops opposed them. That led to media leaks of juvenile crime records that embarrassed Newsom and allowed Russoniello and other conservatives to force key changes to this cherished ordinance.

Russoniello had opposed the city’s sanctuary legislation from the moment it was introduced by then Mayor Dianne Feinstein in the 1980s, when he serving his first term as the U.S. Attorney for Northern California. But it wasn’t until two decades later that Russoniello succeeded in forcing Newsom to adopt a new policy direction, a move that means local police and probation officials must notify federal authorities at the time of booking adults and juveniles whom they suspect of committing felonies

Newsom’s turnabout left the immigrant community wondering if political ambition had blinded the mayor to their constitutional right to due process since his decision came on the heels of his announcement that he was running for governor. Juvenile and immigrant advocates argue that all youth have the right to defend themselves, yet they say innocent kids can now be deported without due process to countries where they don’t speak the native language and no longer have family members, making them likely to undertake potentially fatal border crossings in an effort to return to San Francisco.

Abigail Trillin of Legal Services for Children, cites the case of a 14-year-old who is in deportation proceedings after being arrested for bringing a BB gun to school. "He says he was going to play with it in the park afterwards, cops and robbers," Trillin says. "His deportation proceedings were triggered not because he was found guilty of a felony, but because he was charged with one when he was booked. He spent Christmas in a federal detention facility in Washington state. Now he’s back in San Francisco, but only temporarily. This boy’s family has other kids, they are part of our community. His father is a big, strong man, but every time he comes into our office to talk, he is in tears."

Another client almost got referred to U.S. Immigration and Custom Enforcement (ICE) even though he was a victim of child abuse. And a recent referral involved a kid who has been here since he was nine months old. "If the mayor genuinely wants to reach out to the immigrant community, he needs to understand how this community has perceived what has happened," Trillin said. "Namely, having a policy that allows innocent youth to be turned over to ICE."

Social workers point out that deporting juveniles for selling crack, rather than diverting them into rehabilitation programs, does nothing to guarantee that they won’t return to sell drugs on the streets. And making the immigrant community afraid to speak to law enforcement and social workers allows gangs and bullies to act with impunity.

"This is bad policy," Trillin stated. "Forget about the rights issues. You are creating a sub class. These youths are getting deported, but they are coming back. And when they do, they don’t live with their families or ask for services. They are going far underground. They can’t show up at their family’s home, their schools or services, or in hospitals. So the gang becomes their family, and they probably owe the gang money."

Noting that someone who is deported may have children or siblings or parents who depend on them for support, Sup. John Avalos said, "There need to be standards. The city has the capability and knows how to work this out. I think the new policy direction was a choice that was made to try and minimize impacts to the mayor’s career."

But Matt Dorsey, spokesperson for the City Attorney’s Office, told the Guardian that the Sanctuary City ordinance never did assure anyone due process. "The language actually said that protection did not apply if an individual was arrested for felony crimes," Dorsey said. "People have lost sight of the fact that the policy was adopted because of a law enforcement rationale, namely so victims of crime and those who knew what was going on at the street level wouldn’t be afraid to talk to police."

Angela Chan of the Asian Law Caucus, along with the San Francisco Immigrant Rights Defense Committee, a coalition of more than 30 community groups, has sought — so far in vain — to get the city to revisit the amended policy. "The city could have reformulated its ordinance to say that we’ll notify ICE if kids are found guilty, do not qualify for immigration relief, and are repeat or violent offenders," Chan said. "That’s what we are pushing. We are not saying never refer youth. We are saying respect due process."

Asked if Newsom will attend a Feb. 25 town hall meeting that immigrant rights advocates have invited him to, so as to reopen the dialogue about this policy shift, mayoral spokesperson Nathan Ballard told the Guardian, "I can’t confirm that at this time."

Sitting in Newsom’s craw is the grand jury investigation that Russoniello convened last fall to investigate whether the Juvenile Probation Department violated federal law. "Ever since the City found out that the grand jury is looking into it, they brought in outside counsel and everything is in deep freeze," an insider said. "The attitude around here is, let the whole thing play out. The city is taking it seriously. But I hope it’s a lot of saber rattling [by Russoniello’s office]."

Dorsey told the Guardian that "the only reason the city knew that a grand jury had been convened was when they sent us a subpoena for our 1994 opinion on the Sanctuary City policy, a document that was actually posted online at our website. Talk about firing a shot over the bow!"

Others joke that one reason why the city hired well-connected attorney Cristina Arguedas to defend the city in the grand jury investigation was the city’s way of saying, ‘Fuck You, Russoniello!" "She is Carole Migden’s partner and was on O.J. Simpson’s dream team," an insider said. "She and Russoniello tangled over the Barry Bonds stuff. They hate each other."

Shannon Wilber, executive director of Legal Services for Children, says Russoniello’s theory seems to be that by providing any services to these people, public or private, you are somehow vioutf8g federal statutes related to harboring fugitives. "But if you were successful in making that argument, that would make child protection a crime," Wilber says, adding that her organization is happy to work with young people, but it has decided that it is not going to accept any more referrals from the Juvenile Probation Department.

"We no longer have the same agenda," Wilber said. "Our purpose in screening these kids is to see if they qualify for any relief, not to deport people or cut them off from services."

Wilber’s group now communicates with the Public Defender’s Office instead. "Between 80 and 100 kids, maybe more, have been funneled to ICE since this new policy was adopted," Wilber said. "This is creating an under class of teens, who are marginalized, in hiding and not accessing educational and health services for fear of being stopped and arrested for no good reason, other than that their skin is brown and they look Latino".

Wilber understands that the new policy direction came from the Mayor’s Office, in consultation with JPD, plus representatives from the US Attorney’s office and ICE. "They bargained with them," Wilber said. "They basically said, what are you guys going to be satisfied with, and the answer was that the city should contact them about anyone who has been charged and booked with a felony, and who is suspected of being undocumented."

She hopes "something shifts" with the new administration of President Barack Obama, and that there will be "enough pressure in the community to persuade the Mayor’s Office to at least amend, if not eliminate, the new policy," Wilber said "The cost of what the city is doing, compared to what it did, is the flashing light that everyone should be looking at."

"It costs so much more to incarcerate kids and deport them, compared to flying them home," she explained. "And we have cast a pall over the entire immigrant community. It will be difficult to undo that. Once people have been subjected to these tactics, it’s not easy to return to a situation of trust. We are sowing the seeds of revolution."

WEAKEST LINK


When Newsom tapped Republican attorney Kevin Ryan to head the Mayor’s Office of Criminal Justice a year ago, the idea was that this high-profile guy might bring a coherent approach to setting public safety policy, rather than lurch from issue to issue as Newsom had.

Even City Attorney Dennis Herrera, who isn’t considered close to Newsom, praised the decision in a press release: "In Kevin Ryan, Mayor Newsom has landed a stellar pick to lead the Mayor’s Office of Criminal Justice. Kevin has been a distinguished jurist, an accomplished prosecutor, and a valued partner to my office in helping us develop protocols for civil gang injunctions. San Franciscans will be extremely well served by the talent and dedication he will bring to addressing some of the most important and difficult problems facing our city."

But the choice left most folks speechless, particularly given Ryan’s history of prosecuting local journalists and supporting federal drug raids. Why on earth had the Democratic mayor of one of the most liberal cities in the nation hired the one and only Bush loyalist who had managed to get himself fired for being incompetent instead of being disloyal like the other fired U.S. Attorneys?

The answer, from those in the know, was that Newsom was seriously flirting with the idea of running for governor and hired Ryan to beef up his criminal justice chops. "If you are going to run for governor, you’ve got to get to a bunch of law and order people," one insider told us.

Ryan proceeded to upset civil libertarians with calls to actively monitor police surveillance cameras (which can only be reviewed now if a crime is reported), medical marijuana activists with recommendations to collect detailed patient information, and immigrant communities by delaying the rollout of the municipal identity card program.

"In the long run, hopefully, dissatisfaction with Ryan will grow," Assembly Member Tom Ammiano told us last year when he was a supervisor. "He could become a liability for [Newsom], and only then will Newsom fire him, because that’s how he operates."

Others felt that Ryan’s impact was overstated and that the city continued to have a leadership vacuum on public safety issues. "What has happened to MOCJ since Ryan took over?" one insider said. "He doesn’t have much of a staff anymore. No one knows what he is doing. He does not return calls. He has no connections. He’s not performing. Everyone basically describes him with the same words – paranoid, retaliatory, and explosive – as they did during the investigation of the U.S. attorneys firing scandal."

"I’ve only met him three times since he took the job," Delagnes said. "I guess he takes his direction from the mayor. He’s supposed to be liaison between Mayor’s Office and the SFPD. When he accepted the job, I was, OK, what does that mean? He has never done anything to help or hinder us."

But it was when the sanctuary city controversy hit last fall that Ryan began to take a more active role. Sheriff’s Department spokesperson Eileen Hirst recalls that "MOCJ was essentially leaderless for five years, and Ryan was brought in to create order and revitalize the office. And the first thing that really happened was the controversy over handling undocumented immigrant detainees."

One prime example of Ryan’s incompetence was how it enabled Russoniello to wage his successful assault on the city’s cherished sanctuary ordinance last year. Internal communications obtained by the Guardian through the Sunshine Ordinance show efforts by the Newsom administration to contain the political damage from reports of undocumented immigrants who escaped from city custody.

Newsom solidly supported the Sanctuary City Ordinance during his first term, as evidenced by an April 2007 e-mail that aide Wade Crowfoot sent to probation leaders asking for written Sanctuary City protocols. But these demands may have drawn unwelcome attention.

"This is what caused the firestorm regarding undocumented persons," JPD Assistant Chief Allen Nance wrote in August 2008 as he forwarded an e-mail thread that begins with Crowfoot’s request.

"Agreed," replied probation chief William Siffermann. "The deniability on the part of one is not plausible."

Shortly after Ryan started his MOCJ gig, the Juvenile Probation Department reached out to him about a conflict with ICE. They asked if they could set up something with the U.S. Attorney’s Office but the meeting got canceled and Ryan never rescheduled it.

Six weeks passed before the city was hit with the bombshell that another San Francisco probation officer had been intercepted at Houston Airport by ICE special agents as he escorted two minors to connecting flights to Honduras. They threatened him with arrest.

"Special Agent Mark Fluitt indicated that federal law requires that we report all undocumenteds, and San Francisco Juvenile Court is vioutf8g federal law," JPD’s Carlos Gonzalez reported. "Although I was not arrested, the threat was looming throughout the interrogation."

Asked to name the biggest factors that influenced Newsom’s decision to shift policy, mayoral spokesperson Nathan Ballard cites a May 19 meeting in which Siffermann briefed the mayor about JPD’s handling of undocumented felons on matters related to transportation to other countries and notification of ICE.

"That morning Mayor Newsom directed Siffermann to stop the flights immediately," Ballard told the Guardian. "That same morning the mayor directed Judge Kevin Ryan to gather the facts about whether JPD’s notification practices were appropriate and legal. By noon, Judge Ryan had requested a meeting with ICE, the U.S. Attorney, and Chief Siffermann to discuss the issue. On May 21, that meeting occurred at 10:30 a.m. in Room 305 of City Hall."

Ballard claims Ryan advised the mayor that some of JPD’s court-sanctioned practices might be inconsistent with federal law and initiated the process of reviewing and changing the city’s policies in collaboration with JPD, ICE, the U.S. Attorney, and the City Attorney.

Asked how much Ryan has influenced the city’s public safety policy, Ballard replied, "He is the mayor’s key public safety adviser."

Records show Ryan advising Ballard and Ginsburg to "gird your loins in the face of an August 2008 San Francisco Chronicle article that further attacked the city’s policy. "Russoniello is quoted as saying, "This is the closest thing I have ever seen to harboring,’" Ryan warned. And that set the scene for Newsom to change his position on Sanctuary City.

PUSHED OR JUMPED?


When Fong, the city’s first female chief and one of the first Asian American women to lead a major metropolitan police force nationwide, announced her retirement in December, Police Commission President Theresa Sparks noted that she had brought "a sense of integrity to the department." Fellow commissioner David Onek described her as "a model public servant" and residents praised her outreach to the local Asian community.

Fong was appointed in 2004 in the aftermath of Fajitagate, a legal and political scandal that began in 2002 with a street fight involving three off-duty SFPD cops and two local residents, and ended several years later with one chief taking a leave of absense, another resigning, and Fong struggling to lead the department. "It’s bad news to have poor managerial skills leading any department. But when everyone in that department is waiting for you to fail, then you are in real trouble," an SFPD source said.

Gary Delagnes, executive director of the San Francisco Police Officers Association, hasn’t been afraid to criticize Fong publicly, or Newsom for standing by her as morale suffered. "Chief Fong has her own style, a very introverted, quiet, docile method of leadership. And it simply hasn’t worked for the members of the department. A high percentage [of officers] believe change should have been made a long time ago."

But Newsom refused to consider replacing Fong, even as the stand began to sour his relationship with the SFPOA, which has enthusiastically supported Newsom and the mayor’s candidates for other city offices.

"The day the music died," as Delagnes explains it, was in the wake of the SFPD’s December 2005 Videogate scandal. Fong drew heavy fire when she supported the mayor in his conflict with officer Andrew Cohen and 21 other officers who made a videotape for a police Christmas party. Newsom angrily deemed the tape racist, sexist, and homophobic at a press conference where Fong called the incident SFPD’s "darkest day."

"Heather let the mayor make her look like a fool. Who is running this department? And aren’t the department’s darkest days when cops die?" Delagnes said, sitting in SFPOA’s Sixth Street office, where photographs and plaques commemorate officers who have died in service.

Delagnes supports the proposal to give the new chief a five-year contract, which was part of a package of police reforms recommended by a recent report that Newsom commissioned but hasn’t acted on. "You don’t want to feel you are working at the whim of every politician and police commission," Delagnes said. But he doubts a charter amendment is doable this time around, given that the Newsom doesn’t support the idea and Fong has said she wants to retire at the end of April.

"I’d like to see a transition to a new chief on May 1," Delagnes said. "And so far, there’s been no shortage of applications. Whoever that person is, whether from inside or outside [of SFPD], must be able to lead us out of the abysmally low state of morale the department is in."

Delagnes claims that police chiefs have little to do with homicide rates, and that San Francisco is way below the average compared to other cities. "But when that rate goes from 80 to 100, everyone goes crazy and blames it on the cops. None of us want to see people killed, but homicides are a reality of any big city. So what can you do to reduce them? Stop them from happening."

But critics of SFPD note that few homicide cases result in arrests, and there is a perception that officers are lazy. That view was bolstered by the case of Hugues de la Plaza, a French national who was living in San Francisco when he was stabbed to death in 2007. SFPD investigators suggested it was a suicide because the door was locked from the inside and did little to thoroughly investigate, although an investigation by the French government recently concluded that it was clearly a homicide.

Delagnes defended his colleagues, saying two of SFPD’s most experienced homicide detectives handled the case and that "our guys are standing behind it."

A NEW DIRECTION?


Sparks said she didn’t know Fong was planning to retire in April until 45 minutes before Chief Fong made the announcement on Newsom’s December 20 Saturday morning radio show. "I think she decided it was time," Sparks told the Guardian. "But she’s not leaving tomorrow. She’s waiting so there can be an orderly transition."

By announcing she will be leaving in four months, Fong made it less likely that voters would have a chance to weigh in on the D.C.-based Police Executives Reform Forum’s recommendation that the next SFPD chief be given a five-year contract.

"The mayor believes that the chief executive of a city needs to have the power to hire and fire his department heads in order to ensure accountability," Newsom’s communications director Nathan Ballard told the Guardian.

According to the city charter, the Police Commission reviews all applications for police chief before sending three recommendations to the mayor. Newsom then either makes the final pick, or the process repeats. This is same process used to select Fong in 2004, with one crucial difference: the commission then was made up of five mayoral appointees. Today it consists of seven members, four appointed by the mayor, three by the Board of Supervisors.

Last month the commission hired Roseville-based headhunter Bob Murray and Associates to conduct the search in a joint venture with the Washington-based Police Executive Research Forum, which recently completed an organizational assessment of the SFPD. Intended to guide the SFPD over the next decade, the study recommends expanding community policies, enhancing information services, and employing Tasers to minimize the number of deadly shootings by officers.

"The mayor tends to favor the idea [of Tasers] but is concerned about what he is hearing about the BART case and wants closer scrutiny of the issue," Ballard told us last week.

Potential candidates with San Francisco experience include former SFPD deputy chief Greg Suhr, Taraval Station Captain Paul Chignell, and San Mateo’s first female police chief, Susan Manheimer, who began her career with the SFPD, where her last assignment was as captain of the Tenderloin Task Force.

"It would be wildly premature to comment on the mayor’s preference for police chief at this time," Ballard told the Guardian.

Among the rank and file, SFPD insider Greg Suhr is said to be the leading contender. "He’s very politically connected, and he is Sup. Bevan Dufty’s favorite," said a knowledgeable source. "The mayor would be afraid to not get someone from the SFPD rank and file."

Even if Newsom is able to find compromise with the immigrant communities and soften his tough new stance on the Sanctuary City policy, sources say he and the new chief would need to be able to stand up to SFPD hardliners who push back with arguments that deporting those arrested for felonies is how we need to get rid of criminals, reduce homicides, and stem the narcotics trade.

"The police will say, you have very dangerous and violent potential felons preying on other immigrants in the Mission and beyond," one source told us. "They would say [that] these are the people who are dying. So if you are going to try and take away our tools — including referring youth to ICE on booking — then we will fight and keep on doing it."

While that attitude is understandable from the strictly law and order perspective, is this the public safety policy San Francisco residents really want? And is it a decision based on sound policy and principles, or merely political expediency?

Sup. David Campos, who arrived in this country at age 14 as an undocumented immigrant from Guatemala, says he is trying to get his arms around the city’s public safety strategy. "For me, the most immediate issue is the traffic stops in some of the neighborhoods, especially in the Mission and the Tenderloin," said Campos, a member of the Public Safety Committee whose next priority is revisiting the Sanctuary City Ordinance. "I’m hopeful the Mayor’s Office will reconsider its position. But if not, I’m looking at what avenues the board can pursue.

"I understand there was a horrible and tragic incident," Campos added, referring to the June 22, 2008 slaying of three members of the Bologna family, for which Edwin Ramos, who had cycled in and out of the city’s juvenile justice system and is an alleged member of the notoriously violent MS-13 gang, charged with murder for shooting with an AK-47 assault weapon. "But I think it is bad to make public policy based on one incident like that. To me, the focus should be, how do we get violent crime down and how do we deal with homicides?"

Campos believes Ryan has sidetracked the administration with conservative hot-button issues like giving municipal ID cards to undocumented residents, installing more crime cameras, and cracking down on the cannabis clubs. "I’m trying to understand the role of the Mayor’s Office of Criminal Justice," Campos said, raising the possibility that it might be eliminated as part of current efforts to close a large budget deficit. "In tough times, can we afford to have them?"

The change in Washington could also counter San Francisco’s move to the right. Federal authorities, swamped by claims of economic fraud and Ponzi schemes, might lose interest in punishing San Francisco for its Sanctuary City-related activities now that President Barack Obama has vowed to address immigration reform, saying he wants to help "12 million people step out of the shadows."

"It’s hard to believe that there isn’t going to be some kind of change," another criminal justice community source told us. "A lot of this is Joe Russoniello’s thing. Sanctuary City ordinances and policies have been a target of his for years."

Rumors swirled last week that Russoniello might have already received his marching orders when Sen. Barbara Boxer announced her judicial nomination committees, which make recommendations to Obama for U.S. District Court judges, attorneys, and marshals.
Boxer will likely be responsible for any vacancies in the northern and southern districts, while Feinstein, who is socially friendly with the Russoniello family, will take charge of the central and eastern districts. Criminal justice noted that Arguedas, who San Francisco hired to defend itself against Russoniello’s grand jury investigation, is on Boxer’s Northern District nomination committee.
Boxer spokesperson Natalie Ravitz told the Guardian she was not going to comment on the protocol or process for handling a possible vacancy. "What I can tell you is that Sen. Boxer is accepting applications for the position of U.S. Attorney for the Southern District (San Diego), a position that is considered vacant," Ravitz told us. "Sen. Feinstein is handling the vacancy for the U.S. Attorney for the Eastern District. Beyond that I am not going to comment. If you have further questions, I suggest you call the Department of Justice press office."
DOJ referred us to the White House, where a spokesperson did not reply before press time. Meanwhile Russoniello has been publicly making the case for why he should stay, telling The Recorder legal newspaper in SF that morale in the U.S. Attorney’s San Francisco office is much improved, with fewer lawyers choosing to leave since he took over from Ryan.
That’s small consolation, given widespread press reports that Ryan had destroyed morale in the office with leadership that was incompetent, paranoid, and fueled by conservative ideological crusades. Now the question is whether a city whose criminal justice approach has been dictated by Ryan, Fong, and Newsom — none of whom would speak directly to the Guardian for this story — can also be reformed.

Ma’s JROTC bill needs to die

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EDITORIAL With California in a cataclysmic budget crisis and a long list of problems on the agenda of the state Legislature, Assemblymember Fiona Ma has announced a bill that would force the San Francisco school district to bring back a military recruitment program. It’s an unusual tactic, and one with questionable legal grounds. It’s also inappropriate and bad public policy.

The school board has been debating the Junior Reserve Officers Training Program for years. Supporters promote the program, which costs the district $1 million a year, as a leadership training opportunity; for a lot of district kids, it was an alternative way to meet a physical education requirement. In reality, though, JROTC is, and always has been, part of the Pentagon’s effort to convince young people to join the military.

High school students, the target of the program, have always been vulnerable to recruiters. That’s why the military brass love anything that gets them into high schools. JROTC cadets are besieged with recruitment calls, and those efforts continue even after the kids have left the program.

The local queer community has been pushing hard to end JROTC in San Francisco, in part because of the Pentagon’s ridiculous don’t-ask, don’t-tell policy on gay service members. But even after that policy ends (and under President Barack Obama, it’s likely gay people will be serving openly in the military soon), JROTC is a terrible program for the San Francisco schools. If the best leadership training this progressive city can offer is through a model based on the values of the Army, something is very wrong.

And that’s what the school board ultimately decided. The board has voted to discontinue JROTC, as of this summer, and is moving to adopt an alternative leadership program.

But a few JROTC supporters, with the assistance of the local Republican Party, placed an advisory measure on the November 2008 ballot calling for the program’s continuation. With most activist energy going to support the Obama campaign and the efforts to elect progressive supervisors, the measure passed. But it contained no legal mandate, and the school board members, even those who support JROTC, have generally agreed that it would be a bad idea to revisit the issue. A clear majority of the board is prepared to let JROTC die and replace it with something better.

We can’t figure out why Ma has suddenly decided to make this a state issue. She told us that "the voters of San Francisco have spoken, and all I am doing is upholding the will of the voters." But the voters also elected school board members who think it’s best to eliminate JROTC.

More important, this simply isn’t Sacramento’s business. The Ma bill needs a two-thirds vote to pass, which means it depends on Republican support — and as Assemblymember Tom Ammiano says, "Do we really want the Republicans in the state Legislature to tell San Francisco what to do?" Even School Board member Hydra Mendoza, who supports JROTC, is opposing the bill: "It’s not appropriate," she told us, "for the state Legislature to overturn a decision of the San Francisco school board."

This would set a horrible precedent: every time the city schools took a progressive stand on some program, someone in Sacramento could come along and try to undo it.

Mayor Gavin Newsom should speak out against this bill, and Ma should withdraw it. If she doesn’t, the Legislature should reject it. *

Boycott Kelloggs!

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By Tim Redmond

I don’t eat that shit anyway, but my kids do,and I’m not going to buy it any more. I’m supporting the Kellogg’s boycott. Drunk driving’s okay but a bong hit isn’t?

Besides, everyone knows it’s better to eat at Subway.

Parents and youth advocates up in arms over budget cuts

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By Rebecca Bowe

Representatives from a host of youth-services organizations gathered on the steps of San Francisco city hall Thursday afternoon to sound off on proposed budget cuts to the Department of Children, Youth and their Families. DCYF faces a proposed $11 million in cuts for the 2009-10 fiscal year, according to NTanya Lee, executive director of Coleman Advocates for Children and Youth. Add to that cuts to juvenile probation and Human Services Agency programs, and the total annual reductions to youth-related causes could be some $15 million, Lee estimates.

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“This is the worst we’ve seen it in our entire organization’s history,” said Lee, whose nonprofit organization has been speaking up for kids on budget issues for 30 years. DCYF is hardly the only city department facing funding reductions: To address a staggering $576 million budget deficit for the 2009-10 fiscal year, the mayor has asked all city departments to find ways to dramatically reduce spending. But in the case of DCYF, the announcement of funding reductions came as a second blow. Mayor Gavin Newsom’s firing of former DCYF Director Margaret Brodkin, who was widely respected for expanding the department’s services to reach more kids and especially disadvantaged children, recently drew the ire of youth advocates.

Blog Love: Hot dads online now!

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Juliette Tang shouts out to local bloggers. Read her last installment here.

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There is a particular breed of San Franciscan male who is sensitive, nurturing, and never gets tired of communicating. I know what you’re thinking. What’s his phone number and why haven’t you met him yet? You haven’t met him because he’s at home, sitting in front of the computer, and taking care of the kids. He is the elusive San Franciscan stay-at-home dad blogger. And one thing’s for sure: Stay-at-home dads update their blogs frequently!

SFDad says his “main reason for existence is to provide you with news and information about the most important (at least to us) baby in the world, SFBaby.” Before you balk, jaded Guardian readers, first check out his blog. You’ll realize that his gushing dad syndrome is actually really heartwarming, even for us. I totally got hooked on the three-part-series of SFDad and SFBaby going to visit SFGrandparents without SFMom. And this story about how SFDad bought mittens for SFBaby at an import store in the Mission because he was on a budget and didn’t want to get them at Baby Gap.

Doodaddy is the kind of father who wants “dump a gallon of pond slime on a 7-year old girl” because she wouldn’t let your daughter play with her (ostensibly because the 7-year old was raised by “sociopathic coyotes in a cave somewhere”). He chronicles the lives of Blueberry, his 9-month old, and Boo, his 3-year old, and states “part of my very existence orbits around ways to pawn my children off on other people”. Now this is the kind of parenting blog we can all relate to! Though he claims he’s “just not much of a parent,” his blog reveals that he cares deeply about his children (I mean, his life literally revolves around them, attempted pawning notwithstanding), and he is dealing with it the way any young San Franciscan urbanite would: with a lot of befuddlement, some apprehensions, and a whole lot of love and patience.

Married with band

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› kimberly@sfbg.com

SONIC REDUCER They play together yet dislike each other — that’s Fucked Up. Literally. The Toronto legends of hardcore — add as many "post-"s as you like to that descriptor — and their grew-up-together-but-grew-apart relationship may sound like the tale of so many other long-running rock bands, sticking it out for the big checks, groupies, coke binges, and Courvoisier. Instead the Fucked Up folks appear to be more interested in putting together albums that will stand up against the punk singles on Kill by Death and Dangerhouse that made major indents in their consciousness.

"We were obsessed with those records and wanted to put ourselves in that continuum," says vocalist Pink Eyes, a.k.a., Damian Abraham, 29, sometime TV writer, onetime-reality TV star ("There were some choice moments of me going record shopping juxtaposed with my wife eating a cheap hotdog on the street, me going to an expensive dinner and her going home and doing laundry," he says of Newly Wed Nearly Dead), and frothing, rabid record collector. Eventually, he adds, "we realized that as much as we don’t get along and hate being on the road together, this is the most exciting, most creative thing that any of us will ever do. So we’ll see how it goes."

For their trouble, the group managed to make one of the best rock, punk, or what-have-you releases of ’08 with its second full-length, The Chemistry of Common Life (Matador).

But all that’s natural, normal, and Fucked Up. "We’ve been a band a long time," confesses Abraham. He’s known guitarist Mike Haliechuk, a.k.a., 10,000 Marbles, for about 14 years — since they were 16 — and grew up in the same neighborhood, played in bands, or shared radio shows with the rest. So does familiarity breed hatred? "A lot of us don’t have any shared interests anymore," the vocalist says by phone on the way to a New Orleans show. "But we’re still held together by this thing that is Fucked Up."

After all, "I’m diagnosed with mental problems," Abraham continues with the barest hint of mirth. "But I think there are several people who have undiagnosed mental problems. So we have a bunch of people who are undermedicated and one guy who is overmedicated. People who have crippling record-buying addictions and people who have crippling tastes in techno.

"We do all like sushi."

That search for commonality had to happen after the combo’s first album, Hidden World (Jade Tree, 2006), which made Fucked Up "transition into a quote-unquote real band," explains Abraham. "Prior to that we did a band that was mainly putting out 7-inches and playing the odd show, but then we put out Hidden World and we had the responsibilities of touring and actually playing full-length shows! It wasn’t just kids paying to see a show — it was kids paying to see us, which we weren’t really used to before that."

With Chemistry the members all retreated to their corners to work on lyrics and music separately. "No one person’s voice silenced any one else’s," Abraham says. "I think it was a survival method." The result was a kind of call and response between extremely different makers, a strategy that resolved into a shockingly rich recording that draws from the clean, epic qualities of classic rock as well as the bodyslamming force of hardcore.

"From my perspective [Hidden World] was about identifying social ills," offers Abraham, "and this record was more about trying to understand those social ills, trying to accept and work with the world around us, the forces of nature, government, and religion especially."

And in some ways, among the resonant instrumentals and pummeling rock-outs — music that scrambles the "conventions of punk," as Abraham puts it, much like the sound of Mind Eraser, Cold World, and No Age — Chemistry is about the search for that hard-won community among hardheaded, hardcore individuals. Call these anthems of a kind of togetherness for lone wolves who might wear "Jesus Should Have Been Aborted" T-shirts. "Hands up if you think you’re the only one," the frontman hollers during "Twice Born." The response: "We all got our fucking hands up!"

Still, the fights over the van radio must be monumental. "Mike is the techno fan," Abraham says. "It’s unfortunate because he’s very persuasive and he’s convinced several other members of the band to like it too. I’m resistant, as well as Jonah [Falco, a.k.a., drummer Guinea Beat]. All I can say is thank god for the invention of personal music players."

FUCKED UP

Sun/8, 8 p.m., $13

Independent

628 Divisadero, SF

www.theindependentsf.com

—————-

LOVE TO HATE YOU, BABY

FICTION FAMILY


Switchfoot’s Jon Foreman plus Nickel Creek’s Sean Watkins equals dreamy pop. Thurs/5, 8 p.m., $20. Independent, 628 Divisadero, SF. www.theindependentsf.com

FORTUNE RECORDS SHOW


The local label gets down with new CDs by Trevor Childs and the Beholders, Hey! Brontosaurus, and Cyndi Harvell. Fri/6, 9 p.m., $10. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

RZA


Wu-Tang’s five-year-planner breaks out his latest digi-snack, the Afro Samurai Resurrection OST soundtrack (Wu Music/Koch). Sun/8, 8 p.m. doors, $20–<\d>$26. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

P.O.S.


The Minneapolis rapper takes his blend of rock and hip-hop up a notch to Never Better (Rhymesayers). Mon/9, 9 p.m., $10. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

“Coraline”

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REVIEW Coraline is a great film to take your kids to, provided you’re willing to let them sleep in your bed for a night. Like the Neil Gaiman novel it’s based on, this is a fairy tale with a dark side, an Alice in Wonderland–style fable that doesn’t dumb things down for its target audience. But then, neither did Alice. Dakota Fanning voices Coraline, a lonely, blue-haired little girl in search of adventure. She finds it, and them some, when she travels into bizarro world by way of a tiny door in her house. There she finds her Other Mother (Teri Hatcher), who seems nice enough — except that she wants to sew buttons into Coraline’s eyes. Soon the precocious girl has embarked on a mission to save her kidnapped parents, some old school ghosts, and, of course, herself. The animation style is an updated version of that found in The Nightmare Before Christmas (1993), also from director Henry Selick. There’s a richness and depth to Coraline‘s world, which is only emphasized by the nifty 3-D effects. Inevitably, this Coraline is softer than Gaiman’s source material, but it’s spooky enough to please both fans and newcomers. Despite the lack of big scares, it leaves you with a lingering unease. And possibly a fear of buttons.

CORALINE opens Fri/6 in Bay Area theaters.

“The Bird and the Bee”

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PREVIEW For a band that has leased tracks to Grey’s Anatomy, Sex and the City: the Movie (2008), and Forgetting Sarah Marshall (2008), the Bird and the Bee curiously still bear the burden of being just one buzz band among the ravenous, clamoring multitudes. Nonetheless, the duo’s brand of frothy pop has gained traction among various species of photosphere hipsters.

According to their nonchalant MySpace bio, Inara George and Greg Kurstin met, hit it off over jazz standards, played a few, and then never looked back. An established producer, Kurstin has collaborated with artists running the gamut from Beck to Britney Spears. The Bird and the Bee’s self-titled, 2007 Blue Note debut garnered attention for the pair, thanks to songs like "I Hate Camera," a capering, catchy track with glinting synths offset by playful electronic noodlings, The music, which the band itself has described as sounding like a futuristic 1960s American film set in Brazil, fuses Kurstin’s retro inclinations and suave jazz accents with George’s sweet sing-song to darling, almost uniformly excellent results. With George’s bold Cleopatra chop and the twosome’s taste for playfully kitschy promo pics, you can’t say the kids lack style, either.

With the musical intelligentsia stroking their graying beards over the pass/fail results of the second album’s litmus test, the consensus is that new record, Ray Guns Are Not Just the Future (Blue Note), delivers its bubbly pop goods with minimal deviation from what’s already working. It’ll all be up for examination at the Independent.

THE BIRD AND THE BEE With Obi Best. Mon/2, 8 p.m., $15. Independent, 628 Divisadero, SF. (415) 771-1422, www.theindependentsf.com

Cruising Craigslist: This week’s best personals

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Each week, Justin Juul combs the SF Craigslist Personals and Missed Connections for true gems that prove there’s enough love for everyone.

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Doesn’t it suck when you see a little or morbidly obese person at the mall and, before you even have a second to feel extra confident at their expense, you get blindsided by a wave of guilt? I mean, you may be a little chubby or short, but at least you can get laid sometimes, right? At least you have friends! These folks must live in a private and sexless hell with nothing but their love-smothered pets to keep them from pulling the plug. And the worst part is, there’s nothing they can do about it. What a cruel, cruel world! Well, you can stop with the mind fuck. If anything, you should be jealous.

After all, you and I have to go to ridiculous lengths just to get noticed. Buying cool clothes, getting tattoos, and pretending to like Animal Collective are only the beginning. Sometimes we even have to become artists or writers or musicians … anything just to stand out a little. [Ed Note: good luck with that.] But not fabulous human anomalies. All they have to do is turn on a computer and start scrolling through ads, because for every midget with a pee fetish, and for every fat lady with a mustache, there are at least 50 people in San Francisco who are down for showering them with love.

And they’re all on Craigslist.

————-

Midget Fetish – m4w – 21 (Your Place)
Reply to: [redacted]
Date: 2009-01-23, 2:13AM PST

Ok, plain out and simple: I wanna fuck a midget. I gotta know what it’s like. If you’re a lil’ person, or if you know a lil’ person who wants to hook up, let me know ASAP.

—————-

Only Anorexic Chicks Need Apply – 27 (Ingleside / SFSU / CCSF)
Reply to: [redacted]
Date: 2009-01-31, 12:02PM PST

This is what I want: an anorexic chick. Hell, I won’t discriminate, bulimic chicks are pretty hot too. If you want to split hairs, sure, chicks on diets or just with creative eating habits, you’re cool people to me too. If you have an A cup, legs almost as thin as your arms and wear a size 0, you’re my kind of girl. If Lindsay Lohan is fat compared to you, that’s a plus. If you wear kids clothes because adult clothes don’t fit you, even better. As far as I’m concerned, the skinnier, the better. And this isn’t a snub against meatier girls either. I just don’t find you attractive. Please don’t take it personal and/or send me hate emails about how my request is inherently sexist or perpetuating some sort of hegemonic power structure against women. Seriously, I don’t care. I like what I like. Simple as that.

Parking meters in GG Park?

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By Tim Redmond

Actually, I’m not against the idea of charging for parking in the parks. Parks are free open space, for use by all, but cars have a clear and negative impact on the park (and I say this as someone who drives my kids there to ride bikes, since they’re not old enough yet to ride on the city streets). Paying a modest fee to put your dangerous, polluting vehicle in the middle of public green space shouldn’t be such a horrible burden.

And I’m all for making commuters who use city parks as parking lots pay.

But I’m not really sure how this would work. Parking meters are the only logical option, but since most people who drive to the park spend a fair amount of time there, the meters have to allow, say, four hours worth of time without requiring users to carry $20 in quarters.

And I wonder: If thieves can dig under the ground and rip up miles of copper wire, what will become of all those nice juicy meters filled with cash, deep in the park late at night?

Super Ego: Hearts for queer Arab dancers

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By Marke B.

I just got word about another installment of the fantastic BiBi party, happening this Saturday night at Club Six. BiBi’s the number one top happening for queer folks of SWANA (Southwest Asian–Northern African) descent — ladies, the ladies who go are fucking gorgeous — and their admirers. DJs Emancipacion, Josh Cheon of Honey Soundsystem, and Massood wil bring their exhilarating blend of traditional and contemporary Arab, Persian, Indian, and Latin hits, because basically if it’s brown, they’re down. Palestinian hip-hop duo NaR will be performing, as will fave-rave dancer Cherry Gallette. Part of the proceeds will benefit Middle-East Children’s alliance.

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Lucky for club kids like me (who also happens to be a big queer Arab!) the party will take place at the same time as dread bass monthly Surya Dub’s huge 2-year anniversary bash that I wrote about in my last Super Ego clubs column, also at Club Six in the basement and main room for a separate fee. All-night belly dancing, Palestinian hip-hop, and bowel-shaking dubstep beats? I’m all over it.

BiBi
Sat/7, 9pm-afterhours, $10/$15
Club Six
60 Sixth St., SF.
www.clubsix1.com
www.myspace.com/bibisf

Read more SFBG Noise blog clubs coverage here and more Super Ego clubs columns here.

Nu Garage Rock: Catching Nodzzz and Sic Alps

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USA and Bay byways: Sic Alps’ “Semi-streets.”

Where to find our current garage-rock faves? Cover kids Nodzzz – see this week’s story in the Guardian – will be playing a show with Lake and Little Wings March 11 at Hemlock Tavern, 1131 Polk, SF; (415) 923-0923. It starts at 9 p.m. and is $7.

Nodzzz will also be performing with Blank Dogs, Naked on the Vague, and Brilliant Colors March 29 at the Knockout, 3223 Mission, SF; (415) 550-6994. Call for the time and price.

Also worth a looky-loo, as pointed to here: Sic Alps, who play a warehouse show with Thee Oh Sees and Pins of Light. Artwork by Skott Cowgill will also be on display. It goes down Feb. 13 at OCD Warehouse, 758 Natoma, SF. Art and food happen at 8 p.m., bands begin at 9pm, and it costs all of $5.

How Margaret Brodkin was fired

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By Tim Redmond

Interesting how the mayor tries to spin away his dismissal of Margaret Brodkin, the feisty and highly respected director of the Department of Children, Youth and their Families. Here’s the mayor’s press release:

Margaret Brodkin to take new position as Director of New Day for Learning

SAN FRANCISCO, CA – Today Mayor Gavin Newsom announced that he has asked
Maria Su, current Deputy Director of the Department of Children, Youth and
their Families (DCYF), to become the Acting Director of DCYF.

“During Maria’s tenure, DCYF has become one of San Francisco’s most
respected and influential organizations, making children one of the city’s
highest public policy priorities,” said Mayor Newsom. “She has overseen the
department’s core service areas, including early care and education, family
support, health and nutrition, out-of-school programs, violent response and
youth workforce development, as well as the Wellness Centers, Beacons and
Transitional Age Youth initiatives.”

After over four years of service as Director of DCYF, Margaret Brodkin is
leaving her position in order to become Director of the New Day for
Learning Initiative. The Initiative is a collaboration among city, school
and community partners, and is being funded, in part, by the Mott
Foundation.

“New Day for Learning is an important initiative, and one that will put San
Francisco in the national spotlight of education reform and city and school
partnerships,” said Mayor Newsom. “As the Director of New Day for Learning,
Margaret will continue her pioneering work in local child advocacy, and on
improving the lives of every child and youth in San Francisco.”

Sounds like Brodkin just decided it was time to take another job.

But wait: Here’s what Brodkin told her supporters today:

Dearest Colleagues,

Although he has praised my service and called me a “superstar,” Mayor Newsom has asked me to leave DCYF. Today will be my last day as Director. I am disappointed to be unable to complete the work that I have begun, but I leave behind a talented and dedicated DCYF staff, a broad network of wonderful partners, and many exciting projects in the works. I hope DCYF will continue to thrive

In other words, Newsom fired her. Why? Well, I haven’t been able to reach Brodkin to see if she wants to tell her side of the story. But let me speculate for a moment.

I think it’s fair to say the Mayor Newsom will be taking aim in the next few months at all of the set-asides in the city budget. I think he is looking toward a November ballot measure that will include “budget reform” — which means no more special earmarked programs.

One of the major earmarks he’ll try to eliminate: The Children’s Fund. That was Brodkin’s pet project and she was instrumental in getting it passed. I suspect the mayor, who hates dissent in the ranks, didn’t want to go forward seeking a “reform” in funding for kids programs that his own DCYF chief would loudly and visibly opppose.

Just my suspicion.

I have had a few minor clashes with Brodkin since she went to City Hall, but I have to say that she has been one of the single most tireless and dedicated champions of children and families in San Francisco, has devoted her life to the cause and was one of the few members of the Newsom administration who cared more about the cause than about political ambition. I suspect this new gig is just temporary, and she’ll soon be back raising hell on the streets, where we need her.

“Wendy and Lucy” and Kelly

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By Jesse Hawthorne Ficks

Ficks interviews Kelly Reichardt, director of Wendy and Lucy, which opens in the Bay Area Fri/30. (For Guardian reviewer Lynn Rapoport’s take on the film, go here.)

San Francisco Bay Guardian: Why are all the hipsters moving to Portland? They heard there were no jobs.  

Kelly Reichardt: That’s a good one. It’s actually not even a joke. Did you know 66,000 people moved to Portland last year? We (filmmakers) Todd Haynes, Gus (Van Sant), myself, we’re all ruining it for Portland by making films there.

SFBG: Both of your last films were shot in Portland. Why did you start making films there?

KR: Todd Haynes is a close friend and moved there about nine years ago. He kept calling me and saying, “These people are so great!” And I was like “Yeah, yeah, yeah, shut up.” So I started visiting him out there and started making some short films. Then Todd introduced me to Jon Raymond who ended up writing Old Joy (2006) and Wendy and Lucy and now we’re working on a new film together. Jon also wrote a novel that I really fell for, The Half Life. If you don’t want to take my word for it, it’s one of Thurston Moore’s favorites. In any case, Jon’s writing is so region specific (born and raised in Portland) and his writing ties people into their surroundings in a way that is really appealing to me. There’s also a lot of space in his writing, which makes it easy as a reader to bring your own self to the table. I’m making films again because I found a writer that really fits with my filmmaking style. And the films are so much the better for it.  

SFBG: While watching Wendy and Lucy I kept thinking this film is the perfect antithesis to Sean Penn’s Into the Wild (2007).  

KR: It’s funny, when I saw the trailer for Into the Wild I was like, “oh no, that’s our movie!” But his film is more like, Nature on Speed.

SFBG: Michelle Williams was so wonderful in Wendy and Lucy, especially her scenes with the older man who played the security guard.

KR: The security guard is an interesting guy in real life too! His name is Walter Dalton — Wally. I can’t even remember what the character’s name was suppose to be in the script but it just became Wally because he so embodied it. His other life before Wendy and Lucy was that he was a writer for TV like [for] the Smothers Brothers, Laverne and Shirley and Barney Miller. I love the Smothers Brothers. Plus he’s a total lefty, awesome guy. And he just came down from Seattle to read for us one day. He’s such a good guy, that when he would leave the set, we would all go, “Oh Wally.”

SFBG: Wendy and Lucy, like Old Joy, feels like the answer to what’s dragging down the recent indie cinema scene. Do you make a conscious effort to take that step when making your films?

KR: That’s so nice of you. Come to my class and tell my students that. My students are all like “You’re gonna show us this again?”

Wendy and Lucy trailer:

 

SFBG: I really do think your films are that next step. A neo-indie scene, which is less marketed to them and can deliver something that they didn’t know they wanted.

KR: Well, I teach visual storytelling up at Bard College. It’s a very groovy place. I get to work with a bunch of filmmakers that I really admire like Peter Hutton, Jacqueline Goss, Peggy Ahwesh, Les LeVeque. It’s this hardcore, mostly avant-garde group who are all so badass. And that’s the funny thing with me there; I’m like the sell-out narrative person of the group! (Laughs)

SFBG: What a great role to play!

KR: I’m what they can handle as far as narrative goes. So I teach visual storytelling, and the gist of my class is kinda old school in the way of telling a story through camera placement and movement. I do sort of feel that this is going by the wayside, how to tell a story visually, just by the nature of video cameras and the whole mumblecore movement which is the opposite to what I’m trying to teach. Though I can’t say that my students have embraced mumblecore as much as I feared they would.

SFBG: Are you attracted to working with other filmmakers, or working in a community like the mumblecore directors?

KR: (Laughs) I’m in a community. I swear I am! Ira Sachs (Forty Shades of Blue, 2005), Larry Fessenden (The Last Winter, 2006), and I all used to share an office back in the day so we all like showing each other our latest films. It’s true we don’t act in one another films or anything. I have Todd Haynes watch cuts of my films and give me notes as well as Phil Morrison who directed Junebug (2005). Actually Todd Haynes did make an appearance in one of my films once when he stopped by the Wendy and Lucy set, by walking into a really long take, wearing an Old Joy t-shirt! I was like, “Who’s that asshole? Oh Todd, thanks for stopping by.” I also keep up with So-Yong Kim (In Between Days, 2006). So yeah, I’m in a community.

SFBG: Why did you start teaching?

KR: They say, “Those who can’t do, teach” but they never talk about the actual teaching part. When teaching is good, it’s really, really good. Being at Bard College is a place I have wanted to be at for a long time. There’s eight students to a class and they don’t let you just major in film. When my students are coming into my class saying things like, “I just built a theremin in music class!” it really charges me. One of my classes is Intro to Moving Image and all these kids who are growing up with computers are suddenly getting to go into the Cascades with a Bolex in their hands for the first time and it’s awesome. Plus, I love to talk about film. As I said, I’m working on a new film, a Western with Jon (Raymond) and so I’ve been slipping Westerns into my teaching, which keeps me thinking about my own things in a new way. These kids who are studying avant-garde filmmaking more than narrative, will hear me say something I take perfectly for granted like “objective shot” and they’ll bring in a shot of a beetle and ask if it’s objective. And I’ll get to go, “I don’t know, let’s sit here and think about it!”

SFBG: How do you continue to make these little masterpieces?

KR: I haven’t put the burden of having to make my living on filmmaking. I mean it just didn’t work for me. I think these films, the way we’re making them really works because that burden isn’t there. You go off and no one’s paying attention to you and you have privacy and have six months to edit and then you can still go back and shoot and redo some things. There aren’t too many hands in the pie. It’s all just very small stuff. And since no one’s getting paid on these movies, we can take that burden off the filmmaking process and I’m able to be put in the realm that’s more feasible for me.

SFBG: Please just keep making more of these kinds of movies.

KR: Thanks, man.

Budget woes show new political calculus

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By Rebecca Bowe

About 150 labor representatives and health-service providers turned out at last night’s Board of Supervisors meeting to sound off on drastic budget cuts that many said would weaken an already-strained safety net for populations who are most in need. For more than four hours, representatives from homeless-advocacy groups; clinics serving the uninsured, sex workers or other disenfranchised populations; youth organizations that strive to keep kids off the street; labor-union representatives; stressed-out hospital staffers and many others gave the board an earful. The overwhelming majority urged the Board of Supervisors to approve a special election for June 2, which would give voters an opportunity to decide whether to establish new taxes as a way of generating revenue, rather than relying solely on deep cuts to solve the city’s budget woes.

The city is facing a budgetary crisis of unprecedented scale, with a daunting $576 million deficit. When Mayor Gavin Newsom appeared before the supervisors last December to ask for their cooperation in tackling the budget shortfall, he described it as arguably the most daunting crisis the city has seen since the Great Depression. (Newsom was attending the World Economic Forum in Davos, Switzerland yesterday.)

While the members of the board put off the decision as to whether or not to actually hold a special election, they did pass a measure allowing for the option to stay open. With Supervisors Alioto-Pier, Chu and Elsbernd voting no, the board approved an emergency measure to waive regular election procedures that would have prevented the tax measure from being placed on a June 2 ballot.

Nor did the board vote on an amended budget package, which was introduced by Supervisor Chris Daly to counter Mayor Gavin Newsom’s mid-year budget cuts. Daly’s list of alternative cuts targeted management-level positions, mayoral communications staff and funding for the opera, ballet and symphony in an effort to free up funds that could then be diverted to sectors such as public health.

Instead of adopting Daly’s amended list of cuts, supervisors voted 6-5 on a motion — called by Supervisor Sean Elsbernd — to send the whole thing back to the Budget & Finance Committee for a closer look. “All of this needs to be analyzed,” Elsbernd said after questioning a few management-level cuts included in the list. “To push this forward today without total understanding of the impact of each and every one of these — and these are just the ones I’ve caught while sitting here! — God knows what else is in there. I’m just saying, let’s have this fully vetted.” Supervisors Alioto-Pier, Chiu, Chu, Dufty, Elsburnd and Maxwell supported the motion.

That left an interesting and somewhat mixed message about the politics of the new board. Supervisors Dufty and Maxwell, who will be the swing votes on anything that requires a supermajority (to override a mayoral veto) stayed with the progressives on the vote for a June election. But Chiu – elected board president entirely with progressive support – sided with the mayor’s allies and the moderates on the budget re-allocation vote.

We’ll have to see how this new calculus plays out in the next few weeks.

‘Dance party

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PARK CITY REPORT A degree of relative tranquility settled on Sundance this year, as budget cutbacks among media outlets and distributors meant the customary frenzy was dialed down a notch or three. Of course most screenings were packed, but fewer people than usual got turned away; lodgings remained available during the festival, whereas normally they’d be booked months in advance. Still, what was onscreen remained as usual — a more or less even mix of good, bad, and indifferent. (Most likely in 2010 we’ll start to see a shrunken economy affect indie film production.)

The Bay Area was strangely underrepresented this year, particularly in the documentary realm where it often has a major presence. Instead, there were two dramatic features, each highly specific in local setting. Bratt Pack family project La Mission, directed by Peter Bratt, stars Benjamin Bratt as Che, an ex-con Muni driver and middle-aged lowrider whose macho veneer doesn’t get in the way of his love for a college-bound son (Jeremy Ray Valdez). When he discovers junior is gay, dad freaks out; the Castro District may be just a few blocks from their Mission District walkup, but it’s a world away from Che’s comprehension. This cable-ready exercise’s plot turns and social-issue pleadings can be predicted after 10 minutes. Yet it’s also got genuine warmth, easygoing humor, Benjamin B.’s charisma, and a fond grasp of the ‘hood.

Frazer Bradshaw’s starker Everything Strange and New focuses on young North Oakland couple Wayne (Jerry McDaniel) and Renee (sometime Guardian contributor Beth Lisick), neither of whom quite understand how they got to be saddled with a mortgage, two kids, her frazzled nerves, and his deadened ones. Meanwhile, Wayne’s work and drinking buddies (Luis Saguar, Rico Chacon Jr.) have domestic problems of their own. This is the kind of movie people walk out on at Sundance — too slow, uncommercial, etc. — but it’s a quietly original vision with nary a false emotional note.

Elsewhere, local luminary Robin Williams finally found an indie that suited his more restrained seriocomic abilities in The World’s Greatest Dad, an imperfect but clever black comedy about literary fraud and morbid personality cults from (no kidding) Bobcat Goldthwait.

I also particularly liked doc Prom Night in Mississippi, about a burg that finally held its first integrated high school prom last year; Israeli dysfunctional-slum-family drama Zion and His Brothers; amazingly detail-perfect recreation/spoof of 1970s blaxploitation flicks Black Lightning; and (at nearby Slamdance) Smile ‘Til It Hurts: The Up With People Story, about the Me Decade’s most alarmingly perky touring act. Imagine those song numbers in the satirical Brady Bunch movies performed by a couple hundred squeaky-clean young adults, sans irony. It’s enough to make a smiley face go postal.

No joy

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› a&eletters@sfbg.com

>>READ SFBG’S INTERVIEW WITH DIRECTOR KELLY REICHART HERE

If a road movie has car trouble and gets stuck in an unnamed town — say, somewhere deep in the Pacific Northwest — what we are mostly trained by our moviegoing résumé to see is a setup: for a lesson about small-town life, for a tangle with zombies, for an episode of boy meets girl. In Kelly Reichardt’s sparsely plotted film Wendy and Lucy — from a screenplay cowritten by Reichardt and Jon Raymond and adapted from a short story by Raymond — a stranger comes to town, but with no fanfare to speak of. And the events that follow are so quiet in tone and pace and, in a sense, so familiar that they’re almost unrecognizable as dramatic turns. After a while, something sinks in, and we adapt to the drifting rhythm of the film, in which the stranger, a transient young woman named Wendy (Michelle Williams), goes through hard times while barely anyone pays much attention.

Girl meets train hoppers. Girl meets Walgreens security guard. Girl meets bad luck and self-righteousness and various town-employed individuals, and the fact that these passing acquaintances exert meaningful influence over Wendy’s life and circumstances is mostly a reflection of how fragilely constructed that life is. Traveling north in a janky old car with her dog, Lucy (actually Reichardt’s dog, Lucy), in search of gainful employment in Alaska, Wendy gets stuck in a small Oregon city, and the film is a painstaking record of her attempts to stay on course, to keep it together for herself and her companion. The camera reflects these pains, patiently waiting with her while she exhausts her limited options.

Reichardt’s previous film, 2006’s Old Joy, also adapted from a story by Raymond, and a road movie minus the engine trouble, takes a similarly measured, muted, intimate approach, moving within delicately drawn boundaries describing a small narrative territory. Keeping company with a pair of young men during a two-day drive through rural Oregon, it depicts their reunion and a friendship that has thinned and shifted over the years, then takes them back home to their separate lives again.

The stories Reichardt and Raymond seem most interested in telling are these hushed, submerged ones that unfold unnoticed, barely recognized as stories. Signaling this in Wendy and Lucy are the high school boys who pass by Wendy’s car late one night idly talking some trash, one pausing mid-narrative to note, "Dude, fuck, there’s a lady in there." The dumb malice of the high school bruiser is a familiar enough cinematic element, and we brace ourselves for trouble as they approach, but these kids don’t even care enough to break stride, much less bring more problems into Wendy’s life. And that’s how it goes over the handful of days during which the film tracks her worsening circumstances, quietly asking us to notice her and remain attentive while the world proves largely incurious as to her fate.

But where Old Joy examined the intimacies and discomforts of a frayed relationship, the mood of Wendy and Lucy, two-name title aside, is set by Wendy’s solitude and lack of connection to those in her vicinity. She comes across as relatively incurious herself; fear or disinclination and, one imagines, some unreferenced web of relationships in her back story make her unwilling to engage here, and the few conversations she enters into are like financial transactions.

It’s absorbing to watch Williams vanish into this unapproachable character, but her near-wholesale disconnection makes it hard to be deeply moved by Wendy, even as we remain transfixed by a document of her quiet travails and maneuverings. The result is a sketchiness and a slightness, an impression that will fade. We witness and experience the film’s losses, disruptions, and sorrows, but from a rigorously maintained distance, in the life of someone who was, after all, just passing through.

WENDY AND LUCY opens Fri/30 in Bay Area theaters.

Immigrant activists seek Newsom meeting

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› news@sfbg.com

As cops pushed their way through City Hall’s crowded hallways the day after the presidential inauguration, telling immigrant-rights demonstrators to make a clear pathway, a woman pulled her friend closer to the wall.

"Be careful," she said in Spanish. "You don’t want to be detained."

The mostly Latino protesters placed a candle and an invitation to an immigrant rights meeting in front of each supervisor’s door. The event was meant to bid good riddance to George W. Bush and demand policy change from both President Barack Obama and Mayor Gavin Newsom in light of the escautf8g nationwide crackdowns on undocumented immigrants.

Angered by what they see as a lack of local political leadership in the face of federal assaults on San Francisco’s sanctuary city ordinance, the protesters, numbering in the hundreds, sang social justice songs and chanted "Si se puede" before stopping in front of the Mayor’s Office to shout, "Let us in!"

Organized by the San Francisco Immigrant Rights Defense Committee, a coalition of 30 organizations that has been working on an immigrants’ rights platform since last July, the action was intended to place additional pressure on Newsom to meet directly with activists.

Newsom has refused to hold a public meeting with immigrant-rights groups since announcing last summer that the city would contact federal authorities whenever youth suspected of being undocumented are arrested on felony charges. That means even innocent kids, arrested by mistake, could be deported.

Newsom’s abrupt policy shift came on the heels of a series of racially charged San Francisco Chronicle articles that hit newsstands just as he was announcing his intention to run for California governor.

Since then, SFIRDC has organized protests and met individually with nine supervisors to persuade them to uphold the city’s sanctuary ordinance and municipal ID program, and to work to stop Immigration and Customs Enforcement (ICE) raids, police checkpoints, and budget cuts to immigrant community programs.

To date, the four newly elected supervisors — John Avalos, David Campos, David Chiu, and Eric Mar, all direct descendants of immigrant families — along with two returning board members, Sups. Chris Daly and Bevan Dufty, have signed SFIRDC’s pledge.

But while Sup. Sophie Maxwell is said to be open to the idea and Ross Mirkarimi is likely to sign it, Sups. Michela Alioto-Pier, Sean Elsbernd, and Carmen Chu, Newsom’s closest allies on the board, have not.

SFIRDC co-organizer and Asian Law Caucus staff attorney Angela Chan said the coalition hopes Newsom will be receptive to the idea of a Feb. 25 town hall meeting, and that Obama will heed calls to stop raids and suspend detentions and deportations — moves that have increased in frequency locally since Joseph Russoniello was appointed U.S. Attorney for Northern California in December 2007.

"Russoniello’s priorities don’t seem to be in line with the Obama administration," Chan told the Guardian, further noting that the success of SFIRDC’s February 25th meeting, which will be held at the office of St. Peter’s Housing Committee, hinges on the presence of the mayor: If he doesn’t show, the discussion cannot move forward.

San Francisco’s 1989 Sanctuary Ordinance prohibits the use of city funds to enforce federal immigration law, but a 1993 amendment requires the city to report immigrants suspected of felonies to the federal government.

But San Francisco law-enforcement officials chose not to apply that rule to young people — until last summer’s policy shift. Since then, the Juvenile Probation Department has referred an estimated 100 San Francisco youth (who were arrested on suspicion of a crime, but not yet convicted) to ICE. The feds can detain undocumented youth in county jails with adult criminals or transfer them to other facilities, often in other states, without notifying an attorney or a family member.

"We want to narrow the 1993 felony exception to be applied only if a youth has gotten due process and been found to have committed a felony," Chan said.

The city’s crackdown is part of a larger national picture. The amped-up federal campaign against undocumented immigrants, a product of post-9/11 programs, began when ICE was created to replace the Immigration and Naturalization Service in 2003.

"There are victims of domestic violence who will not call the police because they are afraid of their families getting deported," Guillermina Castellano, a domestic worker and activist with Mujeres Unidas and La Raza Central, said at the protest."The main difference between now and before is the scale," said Francisco Ugarte, a lawyer with the Immigrant Legal Education Network. "It’s hard to describe the kind of fear that exists now."

Round and round

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› johnny@sfbg.com

David King and I are staring at a baseball, some screws, and some bolts. More specifically, King and I are looking at Satellite #2, a nine-inch pointy yet round sculpture he constructed from those ingredients for an upcoming show. "To me, this is one of the more successful pieces," King says, as we look around the warehouse art studio at SF Recycling and Disposal Inc. To our left, Christine Lee — who, like King, is an artist-in-residence at the Dump — is working with James Sellier on a wood-based project. To our right, there are many spheres, some suspended, others on pedestals.

A few of the spheres are made of green floral tubes, cassette tapes, lanyards, and balls. A couple brightly colored ones incorporate hair curler ends and board game pieces. "This piece made from curtain rod brackets is one of the first," King says, pointing to an 11-inch silver mass. "I thought I’d try to glue them to a ball, but then I began using string and fishing lines. It looks like a death star." He picks up a huge circular mass of Cliffords, teddy bears, and other stuffed animals that is akin to the work of Mike Kelley (or locally, Matt Furie). A Tickle Me Elmo laughs. "A guy drove up and dropped off two huge bags of stuffed animals. It’s so random. You wonder, ‘Did your daughter no longer want these? Or did someone die?’"

The sense of mortality and waste in those questions is present in King’s new work, particularly through titles that refer to allergens, viruses, and bacteria. But his latest pieces also possess a strong current of playfulness. It manifests via comic shapes and bright cartoon or sleekly attractive colors. King’s sculptures are a departure from his 2-D collages in a series such as last year’s "Beneath All We Know," but they’re also linked to such past projects through a recurrent use of circular shapes that have scientific or metaphysical connotations. With the cellular structures of "Beneath All We Know," King began to foreground floating energy masses that had previously taken the form of jeweled grapevines or crochet patterns. Now those patterns seem to have leapt off the paper of his collages into the three-dimensional world.

In fact, though, they’ve been gleaned from the Dump. "I wanted the challenge of doing something new, of finding a new way of being creative," King says, when asked what motivated him to seek out a residency at the site. "On a personal level, I wanted to put myself out there more and step outside my own studio. The first couple of weeks, it was pretty daunting to witness the sheer volume. I thought, ‘Oh, what have I gotten myself into?’ But over time, I realized you shouldn’t look for a particular thing. Whatever ideas you come in with, you have to let go of — the whole thing is about responding to the waste stream. It was very intuitive. I like to find a lot of one thing: plastic lemons or icicles, bits from chandeliers. When I saw a lot of one thing, I grabbed it."

The sheer volume of material at SF Recycling and Disposal is indeed daunting, if you’re looking for one very specific object. Micah Gibson from the site — who might have been referencing the trash compactor aesthetic of TV Carnage when he titled his 2008 Art at the Dump show "Casual Fridays" — leads me on a quick tour through a small portion of its 40 acres. We walk by enormous seagulls, around a hill covered with carousel horses and capped by a giant ice cream cone, through transfer and sorting stations, and past a pit as a big as football field and 15 feet deep, until we reach a sculpture garden designed by Susan Steinman.

We pause by Bench Curl, a recent piece made by Scott Oliver during his residency. The scent of trees is strong, yet Gibson says it isn’t from the surroundings, but rather a large number of trees in the IMRF (Integrated Materials Recovery Facility). Earlier in the day, when I first showed up, a different mega-pungent smell had been dominant. "It happens whenever food from cruise ships is boiled down," Gibson says, noting that kids on school trips enjoy coming up with descriptions for the occasional olfactory assault.

When Gibson and I return to SF Recycling & Disposal’s main building, I spot a sculpture by Henri Marie-Rose, who has exhibited at the de Young Museum, and who has a long-term artistic relationship with the site. Back at King’s show-in-progress, there are tetrahedrons- and icosahedrons-in-progress, made of cardboard, and a wreath comprised of Chinese food containers is mounted on a wall.

King has discovered a certain joy in multiplicity — he’s capable of cutting 1,000 diamonds out from a waist-high stack of Sotheby’s auction catalogs. Through dedication to repetition, he has used collage to transform the 1980s men’s exercise magazine pinup Scott Madsen into a Shiva figure. With its wide-open skies and mammoth hills — whether green or trash-strewn — his latest creative stomping ground makes for an interesting contrast from the gardens he tends when isn’t making art. It resembles a parody of the Arcadian vistas in his earliest collages. "Sometimes I feel like I want to be narrative, and sometimes I want to be looser," he says, discussing elders and contemporaries he admires, such as John O’Reilly and Fred Tomaselli. "I like the effect of a shift in perspective from a microscope to a telescope, between the tiny and the super large."

DAVID KING: ATOMS, SATELLITES AND OTHER ORBS

With "Christine Lee: Linear Elements"

Fri/23, 5-9 p.m.; and Sat/24, 1-5 p.m., free

SF Recycling & Disposal Art Studio

503 Tunnel, SF

(415) 330-1400

www.sfrecycling.com/AIR

Inauguration parties you can believe in

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>>>All parties take place tonight, January 20

ActivelyOUT.com Obama Ball

ActivelyOUT.com hosts an Obama Ball at Bruno’s Night Club, featuring plasma screens with highlights from Inauguration Day, a dance party with DJ Duarte and a free glass of champagne for the first 150 people. A donation from the evening’s proceeds will go to And Marriage for All, a collaborative partnership of African-American community leaders spearheading dialogue and public education about same-sex couples’ freedom to marry. “Gay fabulous, str8 friendly, no H8-ers!”

6 -10 p.m., $8 cover, $5 for activelyOUT.com members

Bruno’s Night Club

2389 Mission St., S.F.

www.activelyout.com

————

Rock Barack

Glide into a new era with budget-friendly drink specials at the Paradise Lounge. Rock Barack: The Obama Inauguration Party will featuring 99-cent drafts and 99-cent well drinks from 6 to 9 p.m. the event will benefit not just your budget but the Glide Foundation, a San Francisco nonprofit working to end poverty.

6-9 p.m., $10 donation

Paradise Lounge

1501 Folsom St., S.F.

www.paradisesf.com/calendar.html

————————–

League of Young Voters
LYV says: “No need for upscale dress attire for our BALL! We’ll have drinks, ginger bread cookies and a good crew celebrating Obama’s Inauguration! We need YOU to get the party really started!”

8pm -11pm; $5-25 sliding scale.

El Rio

3158 Mission, SF

www.theleague.com/sf

———–

Obama mambo

Boogie down to support Amnesty International during its fundraising event, "Dance for Change." Music from hip-hop to house to rock will be spinning all night long, so prepare to shake it for Barack to the wee hours.

9:00 p.m.–2:00 a.m., $10

Le Colonial
20 Cosmo Place, SF

www.amnestyusa.org

———-

Inaugural Ball

Electric Works gallery is hosting an Inaugural Ball featuring a rebroadcast of the inauguration followed by dancing. Formal dress is suggested but not required (changing rooms and borrowed finery will be available for those coming directly from work). Drinks and light hors d’oeuvres will be provided and proceeds benefit the San Francisco Food Bank.

6–10 p.m., $10 donation requested

130 Eighth St., SF

www.sfelectricworks.com

———-

Women, Democrats, and democratic women

The San Francisco Democratic Party and local women’s political groups — including Emerge California, Good Ol’ Girls, and the San Francisco Women’s Political Caucus — are throwing an Inauguration Night party in the swanky Green Room of the War Memorial Opera House, featuring hors d’oeuvres, drinks, and entertainment.

5:30–8:30 p.m., $25

301 Van Ness, SF

www.actblue.com/page/inaugurationsf

(415) 626-1161

info@sfdemocrats.org

———

Inauguration Skaters’ Ball

The California Outdoor Rollersports Association hosts a political roller disco featuring Sarah Palins and Barack Obamas on wheels. There’s even a chance that a live feed from the party will be broadcast at the Presidential Gala in Washington. Dress up as your favorite politician and resist the urge to knock out your rivals.

7–11 p.m., $10 adults, kids free. $5 for skates

Funkytown SF

1720 19th St., SF

www.cora.org/ObamaParty.htm

Obama’s hat trick — The Bad Boy? The Shark Life?

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Well, yeah, it’s that inauguration thingy coming up, and the world is awash in the fabulous commercialization of it. Obama’s lavish coronation has already saved the print industry, caused quite a t-shirt kerfuffle with MLK’s kids, and inspired a host of commemorative coins — just don’t ask where the precious metal’s coming from.

oscama.jpg
Really, lady?

Hell, you can even send someone an “inaugural toast.” No, not an actual piece of toast, but an real drink from a local bar. (OK, that one’s kind of cool.)

But we’ll happily buy into any inaugural gimmick that’s sharp — and also comes from our favorite SF millinery institution, Goorin Bros in North Beach, which has been around for, like, 300 years or something. The spin? Vote for the snazzy hat that Obama should wear!

obamahattricka.jpg

Plus, you can get a 10% discount on Goorin mop-toppers if you enter promo code: Inauguration 2009 on the Goorin Bros. Web site. Truly, the audacity of hat.

(We’re not sure what will happen once the winning cap is chosen, but something awesome, we’re sure.)

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Diversify, DIY, or die

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› culture@sfbg.com

You never thought your innate talent for margarita mixing or jewelry design would get you very far, so you went to business school, or got into publishing. Soon, you were working your way up in a dependable industry, the sort guaranteed to provide you with a secure income.

Then the financial crisis hit.

This November alone, in the biggest one-month drop in US payrolls since 1974, employers cut 533,000 jobs. Seemingly invincible corporations like AT&T and Citigroup have laid off thousands of employees, and many jobs once coveted for the security they provided are now as unpredictable as Bay Bridge traffic.

It’s time to look up your secret margarita mix recipe. In order to survive the recession, Bay Area residents are rediscovering their old talents and secret passions. Got an eye for detail? Help people perfect their résumés. Speak three languages? Tutor someone preparing to study abroad. Whether you’re recently laid off or simply nervous about the prospect, this type of diversification can provide relief in a time when reliable jobs are scarce.

If you’re unsure how to market your skills, take some advice from Allan Brown, who may be the poster boy for career diversification.

Brown, a "senior level marketing guy by trade," is currently the director of marketing for a publishing services company. In addition, he runs a résumé and cover-letter business out of his home, as well as a private bartending service.

After being let go from a publishing company a few years ago, Brown searched for a way to make some extra income while looking for a new job. He remembered how his father used to help the neighborhood kids write résumés, and thought he might have a knack for it, so he posted some ads online. "I thought, maybe I’ll make a few bucks," Brown told the Guardian. "Instead, I made a lifestyle change without even realizing it."

His customers were so impressed by this work that they referred him to their friends, and it wasn’t long until his endeavor developed into a rather lucrative enterprise, one he doesn’t even feel comfortable calling a "side business" since it brings in so much income. Once his résumé-writing business took off, he started a private bartending service, which he does "for a little extra money" as well as for fun.

"All you have to do is think outside the box," Brown told the Guardian. "In hard times like these, people don’t want to — or can’t — work in an office. So what if the industry is dried up? Think of what else you have to offer."

Brown believes that by taking in internal revenue that has nothing to do with the corporate office, people can develop their own kind of job security, even in times like these.

He’s one of the few people who are currently optimistic about their own financial state. "I feel I’m diversified enough to withstand the tide," he says. He admits holding three jobs is "a juggling act, to say the least" — still, in this economy, it’s better to have too many jobs than none at all.

The crucial tip for diversification, Brown says, is Craigslist.org, the online listings community to which he says he is "forever indebted."

"Twenty years ago, people with my type of skills found it very hard to make a living because it was hard to let people know about them. The only thing we had were classified ads. Now, we have Craigslist, and it’s a wonderful tool."

Peruse Craigslist.org and it’s clear that many others are following in Brown’s footsteps. "Need a Latin quote or love poem deciphered? Possum te adjuvare [I can help]," writes John Sullivan. "I got my BA in English literature by writing papers on books and plays I’d never read while paying my rent on papers that I was writing on subjects about which I knew little to nothing," boasts John Dillion.

"No matter if you want to sell stained glass sculptures or quilts, there’s someone out there on Craigslist who’s interested," Brown adds. "If you know how to market and make a good product, it will sell."

Lysa Aurora knows what Brown says is true from firsthand experience.

Aurora also juggles jobs: she works part-time for a nonprofit and as a marine biologist lab manager. While she enjoys her work at both places, her true passion lies in hat design.

"There’s a buyer for everything — even for my hats!" Aurora says.

Aurora, who calls herself "a Renaissance woman … the kind who only needs a glass of water and a broom to work my way to the top," decided to try her hand at hat design because she wasn’t working full time and wanted some extra money. Now, she’s the founder of De La Lucha Designs and sells her hats at stores around the Bay Area. Her side business helps her make rent, but it’s also her dream — and something she may not have pursued if she had a more stable job: "These are hard times and [my hat company] directly translates from the struggle. Through the ugliest of situations, we find ourselves."

It’s not only current members of the work force who are diversifying. Soon-to-be college graduates, like Connie Wang, are frightened by the state of the economy and taking precautions to make sure they’ll be able to get by until the market gets better. Wang has always longed to be a fashion journalist, but admits that in times like these, "knowing about the latest runway trends and what the editor-in-chief of Vogue is doing is kind of nonessential. I’m still trying to build up my résumé with internships before I graduate in May, but print clips don’t exactly pay the bills."

In order to make money while still doing what she loves, Connie started her own fashion blog, www.prettylegit.blogspot.com, where she posts about trends and writes product reviews. As her site gained more popularity, companies began sending her free products in exchange for write-ups.

"Unfortunately, what interests me more than honest-to-blog fashion reporting is not starving, so there have been a couple times where I’ve found myself reviewing products that didn’t exactly fit in with my readers for a little extra cash," she says. For example, she was just sent a new Google phone — trendy, but not exactly wearable. Wang does have limits — once, she was sent a set of "fancy douches," which she chose to disregard. "If I get sent something that is completely irrelevant and/or offensive, I won’t write about it. I’m not evil, I’m just poor."

Wang says she feels more confident graduating this spring with a steady, albeit small, stream of income — as well as an online portfolio and an abundance of free goods.

If you can’t find your inner blogger or designer, you could always try growing out your hair. "The economic situation has resulted in a substantial increase of users on our site," says Jacalyn Elise, the executive partner of www.hairtrader.com, which is essentially a hair-specific version of eBay.com. "Predominately, the people who visit our site seem to be those who were going to donate their hair to groups like Locks of Love, but now they’re in a financial bind, lost their job, need money to help pay the rent … selling hair helps."

Elise started the Web site a few years ago to help a friend who needed some extra money and had 12 inches of hair to spare. Soon, more and more people were contacting her to ask if they could participate. The site allows people to sell straight to buyers rather than going through a salon. Interested parties — whether wig makers or, yes, hair fetishists — browse through ads with frequently laughable sexual connotations, such as "20+ inches virgin uncut Asian hair: asking for at least $1,000." Jaclyn says site traffic has increased 40 percent since the Dow first plummeted in September 2008.

An Oakland resident and www.hairtrader.com user who prefers to remain anonymous says she is slightly embarrassed that she sold her hair instead of donating it. "But, I have to pay my bills — and I got over $500 for the hair I’ve had on my head for years."

It’s hard to keep a positive financial outlook these days. But sometimes — as these Bay Area residents discovered — it takes a layoff or a similar struggle to get out of one’s comfort zone and take a chance on change.