International

Mirah and Spectratone International

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PREVIEW "O dear Venus, I meant no impiety!" Mirah Yom Tov Zeitlyn — better known simply as Mirah — is a woman of many talents, having put out oodles of solo releases as a stalwart in the Portland, Ore.-Olympia, Wash., DIY-rock nexus and collaborated with friends such as the Microphones’ Phil Elvrum. Her latest project, Spectratone International, makes its final run through California this week, staging multimedia performances of Share This Place: Stories and Observations (K), accompanied by a dozen stop-animation videos by Britta Johnson and buoyed by strings and percussion.

The project came to pass when the Portland Institute for Contemporary Art commissioned Black Cat Orchestra’s Kyle Hanson and Lori Goldston (who famously played cello with an Unplugged Nirvana) to make a bugged-out song cycle with Mirah. Inspired by 19th-century French naturalist J. Henri Fabre’s writings and Karel Capek’s Insect Play, among other sources, the final series is convulsively beautiful, compulsively listenable — and a genuinely unusual and dramatic way to think about those winged strangers we tend to swat away. Intimately recorded by Steve Fisk and Elvrum, Mirah croons ever-so-sweetly about the bright-bellied fireflies of "Luminescence" — "Now I have a belly full of bright light … observe how my lantern did kindle the prize," she breathes — or from the viewpoint of a brand new baby bug in "Emergence of the Primary Larva." This night light is a bright light.

MIRAH AND SPECTRATONE INTERNATIONAL With Matt Sheehy. Mon/8, 7:30 p.m., $15. Swedish American Music Hall, 2174 Market, SF. (415) 861-5016, www.cafedunord.com

Locking up the press

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› sarah@sfbg.com

On Aug. 20 the San Francisco Chronicle reported that video blogger Josh Wolf, who spent 226 days in federal prison in 2006 for refusing to testify before a grand jury and hand over his video of a protest turned violent, had begun working as a reporter with the Palo Alto Daily Post.

"Video blogger gets job as ‘real journalist,’<0x2009>" crowed the headline.

The article noted that some critics believe Wolf was a protest participant and not an impartial news gatherer, and accurately observed that his case fueled the debates over what defines a reporter and who deserves to be protected by the reporter’s privilege to protect confidential sources.

But it failed to mention that one of Wolf’s harshest critics was Chronicle columnist Debra Saunders, nor did it clarify that in recent years several federal courts have found that reporters — all reporters, even from major newspapers — can be forced to testify before grand juries.

California doesn’t allow its courts to compel journalists to reveal unpublished information, but the federal government has no such shield law. That’s why prosecutors could jail New York Times reporter Judith Miller, charge Chronicle reporters Lance Williams and Mark Fainaru-Wada with contempt, and slap USA Today‘s Toni Locy with hefty fines — all for refusing to disclose confidential sources and materials.

And as reporters continue to face contempt charges in federal court cases nationwide, Congress has been considering two very different versions of a federal shield bill.

These two versions take widely varying approaches toward who and what is protected. And thanks to Senate Republicans, who blocked all business not related to energy legislation before Congress’ August recess, a vote on the Senate bill did not occur at the end of July.

As a result, if the Senate doesn’t act by the end of September, both versions of the federal shield will likely die. And, depending on whom you talk to, that may or may not be a good thing.

The Free Flow of Information Act of 2007 (HR 2102), which the House of Representatives passed in October of that year, only protects journalists if their work is done for a substantial portion of the person’s livelihood or for substantial financial gain. In other words, no protection for Wolf, for most bloggers, or for many freelancers.

The good news is that the House bill extends protections to any documents or information obtained during the newsgathering process.

By comparison, the Senate bill (S 2035) only protects the identity of confidential sources, and any records, data, documents, or information obtained under a promise of confidentiality.

The Senate shield would cover any journalist who "engages in the regular gathering, preparing, collecting, photographing, recording, writing, editing, reporting, or publishing of news or information that concerns local, national, or international events or other matters of public interest for dissemination to the public."

But it no longer requires the government to prove by preponderance of evidence that the information it seeks is essential, or that it has exhausted all other methods. And it makes more difficult any challenge by the reporter, based on whether the information involved is "properly classified" or whether its disclosure would harm national security.

It also expands the list of exceptions for which protection would be precluded: if disclosure could prevent criminal activities, terrorism, kidnapping, or imminent death or bodily harm; identify a person who has released some categories of private business and medical information; and where reporters witness criminal or tortuous conduct.

"I can’t overstate how much better the House bill is," Lucy Dalglish, executive director of the Reporters Committee for Freedom of the Press, told the Guardian.

Although Dalglish is hopeful Senate Majority Leader Harry Reid (D-Nev.) will schedule the bill for a vote, she fears there won’t be enough time for a conference committee to iron out the differences between the two bills before the end of September, which means that only one version will have a chance of passing into law.

"My guess is that it will be the Senate bill, because the House will pass the Senate bill in a heartbeat, but the Senate will never pass the House bill," Dalglish observed.

Reached on break from his reporter gig, Wolf voiced his opposition to the Senate bill. "A shield law riddled with holes is no shield at all," Wolf said.

"It boggles my mind that any journalist could support the bill the way it is written," said Wolf, who would like to see a common law reporter privilege similar to the one for psychiatrists and therapists. "This is a shield law, in which, as best as I can tell, every single federal contempt case is carved out as an exception," Wolf opined.

While Dalglish acknowledges that the Senate shield only addresses subpoenas that seek to identify confidential sources (about 20 percent of subpoenas), she believes the Chronicle‘s Williams and Fainaru-Wada would have been protected, as would Locy.

"But Josh [Wolf] would not have been covered because he was not protecting confidential sources, and Judith Miller would have had a shot, though her case would have a more difficult time because of national security implications," Dalglish said. "And while by far the most subpoenas don’t have to do with confidential sources, they are the holy grail of journalism ethics, and you certainly have to, at a minimum, protect them — and the Senate bill is minimal."

Dalglish believes that both the Senate and House bills would allow the truthful, accurate, and independent gathering of information to go public, so the public could use this information at ballot boxes and in city halls, and ensure that people who have information to share could share it with reporters and the public.

"It’s not about protecting reporters," Dalglish added. "Reporters are not that special, in any shape or form. It’s about protecting the right of reporters to freely work on the public’s behalf, without being viewed as agents of the US Attorney."

Noting that the law in the Senate is not going to change what happened to Wolf in that instance because he was not protecting a confidential source, Dalglish’s message for reporters facing subpoenas, first and foremost, is: "Resist, tell them you don’t have it.

"Your obligation is to be independent, not an agent of the government," he continued. "So take your video, put it on a Web site, and make sure the public gets to see it at same time as the US Attorney."

Unaffordable nation

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› amanda@sfbg.com

GREEN CITY Bay Area author Michael Pollan opened the first event of Slow Food Nation by pointing out that food prices have risen more than 80 percent in the past three years. "Food has emerged as one of the most important issues," Pollan said from the stage of the Herbst Theatre, where he was discussing "The World Food Crisis" with Indian author and activist Vandana Shiva, Slow Food founder Carlo Petrini, and authors Raj Patel and Corby Kummer in front of a sold-out crowd.

"Prices are going up, but wages aren’t," Patel said to Pollan, and the real crisis is in that gap between what people make and what people spend on food — and that includes the people who grow our food.

"The World Food Crisis" was one of several panels held during the three-day Slow Food Nation, the first major event staged in the United States for what has become an international movement focused on the pleasures and politics of eating. San Francisco, a city with a food consciousness that chimes with many tenets of the slow-food movement — and one with a proximity to fertile regions that provide a wide range of local food — seems the perfect host. An oft-repeated phrase at Slow Food events throughout the weekend was that eating healthy is a right, not a privilege.

But how can that sentiment be translated into sustenance? Can the people who grow our food even make a decent living? And how does an event where tickets went for as much as $159 focus on the needs of people who struggle just to get adequate nutrition?

This much is sure: prices may be up, but small farmers aren’t getting rich. "It’s very difficult for many of our farmers," Aliza Wasserman of Community Alliance with Family Farmers told the Guardian.

Jeff Larkey runs Route One Farm in Santa Cruz. He’s been farming for 27 years and rents 65 acres for about $45,000 per year because it’s too expensive to buy the land. In the past he’s worked up to 150 acres, but now, he said, "Going forward is a big question in my mind because the costs of doing business have skyrocketed so much."

Larkey has many long-term workers making wages that vary based on experience, with the bottom rung starting at or slightly above minimum wage. "I’d love to pay them all $20 an hour because that’s what the work is really worth," he said.

A way to solve the problem might be for growers to raise their prices — but many already consider organic, sustainably-grown food as fuel fit only for the well-heeled.

"To eat organic, healthy, local food generally costs more," Pollan admitted in a later talk. "The whole system is canted to support fast food. That’s what we subsidize."

He pointed out that Americans spend only 9.5 percent of their income on food — an all-time and international low — and people need to become more comfortable with paying more so growers and processors can earn fair wages. "We all need to spend some amount more on food."

That’s tough for people who can barely afford food now.

Anya Fernald, director of Slow Food Nation, said the group constantly struggles with the financial issue. Fernald also said proceeds from ticket sales will be used to seed future events and the next course of action, which will be determined by the farmers, food artisans, and nonprofits that participated.

When asked how they intended to get their message out to people who might have been priced out of attending the event, she said the group chose the Civic Center as a way to reach a broad audience. She pointed out that 60 percent of the events were free.

Pollan also said that policy needs to change to make food more accessible, and that’s what the Declaration for Healthy Food and Agriculture seems to speak to. The document was unveiled in the rotunda of City Hall on the eve of Slow Food Nation and outlines 12 principles that "should frame food and agriculture policy." Included are statements that affordable, nutritious food should be accessible to everyone and it shouldn’t mean exploiting farmers, workers, or natural resources to get it. Roots of Change, which coordinated drafting the declaration, is hoping for 1 million signatures by fall 2009, when they take it to policymakers in Washington, DC.

McCain’s dangerous choice

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ByBruce B. Brugmann

Yes, McCain’s choice for vice-president is a dangerous one. Here’s the best summary I’ve seen demonstrating just how dangerous, from MoveOn.org. B3

Dear MoveOn member,
Yesterday was John McCain’s 72nd birthday. If elected, he’d be the oldest president ever inaugurated. And after months of slamming Barack Obama for “inexperience,” here’s who John McCain has chosen to be one heartbeat away from the presidency: a right-wing religious conservative with no foreign policy experience, who until recently was mayor of a town of 9,000 people.

Huh?

Who is Sarah Palin? Here’s some basic background:

She was elected Alaska’s governor a little over a year and a half ago. Her previous office was mayor of Wasilla, a small town outside Anchorage. She has no foreign policy experience.1

Palin is strongly anti-choice, opposing abortion even in the case of rape or incest.2

She supported right-wing extremist Pat Buchanan for president in 2000. 3

Palin thinks creationism should be taught in public schools.4

She’s doesn’t think humans are the cause of climate change.5

She’s solidly in line with John McCain’s “Big Oil first” energy policy. She’s pushed hard for more oil drilling and says renewables won’t be ready for years. She also sued the Bush administration for listing polar bears as an endangered species—she was worried it would interfere with more oil drilling in Alaska.6
How closely did John McCain vet this choice? He met Sarah Palin once at a meeting. They spoke a second time, last Sunday, when he called her about being vice-president. Then he offered her the position.7
This is information the American people need to see. Please take a moment to forward this email to your friends and family.

We also asked Alaska MoveOn members what the rest of us should know about their governor. The response was striking. Here’s a sample:

She is really just a mayor from a small town outside Anchorage who has been a governor for only 1.5 years, and has ZERO national and international experience. I shudder to think that she could be the person taking that 3AM call on the White House hotline, and the one who could potentially be charged with leading the US in the volatile international scene that exists today. —Rose M., Fairbanks, AK

She is VERY, VERY conservative, and far from perfect. She’s a hunter and fisherwoman, but votes against the environment again and again. She ran on ethics reform, but is currently under investigation for several charges involving hiring and firing of state officials. She has NO experience beyond Alaska. —Christine B., Denali Park, AK

As an Alaskan and a feminist, I am beyond words at this announcement. Palin is not a feminist, and she is not the reformer she claims to be. —Karen L., Anchorage, AK

Alaskans, collectively, are just as stunned as the rest of the nation. She is doing well running our State, but is totally inexperienced on the national level, and very much unequipped to run the nation, if it came to that. She is as far right as one can get, which has already been communicated on the news. In our office of thirty employees (dems, republicans, and nonpartisans), not one person feels she is ready for the V.P. position.—Sherry C., Anchorage, AK

She’s vehemently anti-choice and doesn’t care about protecting our natural resources, even though she has worked as a fisherman. McCain chose her to pick up the Hillary voters, but Palin is no Hillary. —Marina L., Juneau, AK

I think she’s far too inexperienced to be in this position. I’m all for a woman in the White House, but not one who hasn’t done anything to deserve it. There are far many other women who have worked their way up and have much more experience that would have been better choices. This is a patronizing decision on John McCain’s part- and insulting to females everywhere that he would assume he’ll get our vote by putting “A Woman” in that position.—Jennifer M., Anchorage, AK

So Governor Palin is a staunch anti-choice religious conservative. She’s a global warming denier who shares John McCain’s commitment to Big Oil. And she’s dramatically inexperienced.

In picking Sarah Palin, John McCain has made the religious right very happy. And he’s made a very dangerous decision for our country.

In the next few days, many Americans will be wondering what McCain’s vice-presidential choice means. Please pass this information along to your friends and family.

Thanks for all you do.

–Ilyse, Noah, Justin, Karin and the rest of the team

Sources:

1. “Sarah Palin,” Wikipedia, Accessed August 29, 2008
http://en.wikipedia.org/wiki/Sarah_Palin

2. “McCain Selects Anti-Choice Sarah Palin as Running Mate,” NARAL Pro-Choice America, August 29, 2008
http://www.moveon.org/r?r=17515&id=13661-3553856-mj902Fx&t=1

3. “Sarah Palin, Buchananite,” The Nation, August 29, 2008
http://www.moveon.org/r?r=17736&id=13661-3553856-mj902Fx&t=2

4. “‘Creation science’ enters the race,” Anchorage Daily News, October 27, 2006
http://www.moveon.org/r?r=17737&id=13661-3553856-mj902Fx&t=3

5. “Palin buys climate denial PR spin—ignores science,” Huffington Post, August 29, 2008
http://www.moveon.org/r?r=17517&id=13661-3553856-mj902Fx&t=4

6. “McCain VP Pick Completes Shift to Bush Energy Policy,” Sierra Club, August 29, 2008
http://www.moveon.org/r?r=17518&id=13661-3553856-mj902Fx&t=5

“Choice of Palin Promises Failed Energy Policies of the Past,” League of Conservation Voters, August 29, 2008
http://www.moveon.org/r?r=17519&id=13661-3553856-mj902Fx&t=6

“Protecting polar bears gets in way of drilling for oil, says governor,” The Times of London, May 23, 2008
http://www.moveon.org/r?r=17520&id=13661-3553856-mj902Fx&t=7

7 “McCain met Palin once before yesterday,” MSNBC, August 29, 2008
http://www.moveon.org/r?r=21119&id=13661-3553856-mj902Fx&t=8

Want to support our work? We’re entirely funded by our 3.2 million members—no corporate contributions, no big checks from CEOs. And our tiny staff ensures that small contributions go a long way. Chip in here.

——————————————————————————–
PAID FOR BY MOVEON.ORG POLITICAL ACTION, http://pol.moveon.org/. Not authorized by any candidate or candidate’s committee. This email was sent to lani silver on August 30, 2008. To change your email address or update your contact info, click here. To remove yourself from this list, click here.

Olympic disc toss

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› a&eletters@sfbg.com

 

SEPT. 2

Theresa Andersson, Hummingbird, Go! (Basin Street) Could this be the latest hair — or rather, heir — to Dusty Springfield’s not-so-dusty blue-eyed soul diva throne, aided by Allen Toussaint, Ane Brun, and Sweden’s Tobias Froberg?

Apollo Sunshine, Shall Noise Upon (World’s Fair) Bad album titles happen to even imaginative psych-poppers.

Lila Downs, Shake Away (EMI/Manhattan) New York-Oaxaca singer-songwriter doffs the Frida drag and bares some Shakira-style midriff along with a lively pop sound.

Donnie Klang, Just a Rolling Stone (Bad Boy) Making the Band 4′s broom-topped answer to Jon B and Justin T paraphrases Bobby D for the TRL set.

New Kids on the Block, The Block (Interscope) Old manager Lou Pearlman is going to prison, Donnie is headed for divorce court, and there are even rumors that one member is — gasp — nonheterosexual.

Underoath, Lost in the Sound of Separation (Tooth & Nail/Solid State) Rock me, sexy screamo Jesus-freaks.

UNKLE, End Titles … Stories for Film (Surrender All) Say “UNKLE” like Black Mountain and Josh Homme want you to.

Brian Wilson, That Lucky Old Sun (Capitol) He reunites with Van Dyke Parks and takes a trip down memory’s drag strip, covering Louis Armstrong and paying homage to SoCal.

Young Jeezy, The Recession (Def Jam) True dat. Producers like Eminem and Jazze Pha and contributors such as Kanye West and T-Pain feel Jeezy’s, erm, pain.

 

SEPT. 9

Calexico, Carried to Dust (Touch and Go) Dusted but darn pretty. Whispery. Poppy.

Cornelius, Sensurround (Everloving) Keigo Oyamada, 3-D sound specialist, returns with a video-and-remix DVD/CD, aptly titled after a quake-imitating movie gimmick.

Kimya Dawson, Alphabutt (K) Everyone poops.

Michael Franti and Spearhead, All Rebel Rockers (Anti-/Epitaph) The SF activist stalwart spit-shines a spunky-fresh blend of dub and funk.

Fujiya and Miyagi, Lightbulbs (Deaf, Dumb & Blind) Fresh from car and Miller Lite commercials, the English kraut-rockers with the Japanese name(s).

Gym Class Heroes, The Quilt (Decaydance/Fueled by Ramen/Atlantic) I hate gym.

Hatchback, Colours of the Sun (Lo) Dfa- and Prins Thomas–approved Sorcerer-buddy Sam Grawe sets the controls beyond cosmic into hypnotic with epic instrumental jams such as “White Diamond” and “Horizon.”

Okkervil River, The Stand Ins (Jagjaguwar) The sweet sequel to last year’s novelistic The Stage Names.

Kardinal Offishall, Not 4 Sale (Geffen) The Clipse dispenses financial advice on “Set It Off.”

Jessica Simpson, Do You Know? (Columbia Nashville) Huh?

The Sound of Animals Fighting, The Ocean and the Sun (Epitaph) A dreamy Animal Collective meets a mathier-than-thou Dillinger Escape Plan?

Emiliana Torrini, Me and Armini (Rough Trade) In The Two Towers (2002), the Icelandic songbird serenaded the gruesome-cute ring-a-ding-dinger with “Gollum’s Song.”

Tricky, Knowle West Boy (Domino) The 40-year-old boy sings the body eclectic.

 

SEPT. 12

Metallica, Death Magnetic (Warner Bros.) When they weren’t pissing off neighbors, the music biz titans and longtime friends of Bugs Bunny were recording — with Rick Rubin — outside of SF for the first time in a dozen years.

 

SEPT. 16

George Clinton, George Clinton and Some Gangsters of Love (Shanachie) The gang — Carlos Santana, Sly Stone, the Red Hot Chili Peppers, and RZA — is all here, maggot brains.

Faith Hill, Joy to the World (Warner Bros.) The initial single off the C&W-pop vocalist’s first Xmas album: “A Baby Changes Everything.”

Ill Bill, The Hour of Reprisal (Uncle Howie/Fat Beats) Bad Brains and Raekwon the Chef cook up mischief with “La Coka Nostra.”

Musiq Soulchild, On My Radio (Atlantic) The spirit of Philadelphia, from behind soulful shades.

Nelly, Brass Knuckles (Derrty/Universal) Fergie, Ciara, and Lil Wayne get derrty right herre.

Ne-Yo, Year of the Gentleman (Def Jam) We’re waiting for “Year of the Ice Road Trucker.”

Raphael Saadiq, The Way I See It (Columbia) Oakland will come out for its boy.

Alexander Tucker, Portal (ATP Recordings) Acclaimed UK fingerpicking maestro of murk-folk returns with a dissonant, symphonic mix of vibes, cello, and electric mandolin on his third album.

The Veronicas, Hook Me Up (Sire) The Aussie twins hope to hook up the Jonas Brothers’ tweeny audience with their sassy pop.

 

SEPT. 23

Blitzen Trapper, Furr (Sub Pop) The wild-eyed Northwesterners focus on a janky old piano found outside their studio.

Cold War Kids, Loyalty to Loyalty (Downtown/Atlantic) Chilly times call for tunes with titles like “Golden Gate Jumpers.”

Common, Invincible Summer (Geffen) Last sighted orbiting will.i.am’s Obama ad and now rotating with the Neptunes.

Charlie Haden Family and Friends, Rambling Boy (Decca) The jazz genius gets back to his Iowa-bound country-music roots with help from offspring Petra and Josh, Elvis Costello, Rosanne Cash, and Pat Metheny.

Kings of Leon, Only By the Night (RCA) Brothers by day.

Jenny Lewis, Acid Tongue (Warner Bros.) Elvis Costello really does get around, guesting here alongside She and Him and Lewis manfriend Johnathan Rice.

Mogwai, The Hawk Is Howling (PIAS/Wall of Sound) The Scottish instrumentalists move on from making music for Zinedine Zidane. Song titles include “I’m Jim Morrison, I’m Dead,” and “I Love You, I’m Going to Blow Up Your School.”

Peter Bjorn and John, Seaside Rock (Almost Gold/Star Time International) The trio from Sweden veer away from lyrical pop to lyric-free — and whistle-free, one hopes — compositions inspired by childhood.

TV on the Radio, Dear Science (Interscope) Shining with radioactive adorableness.

 

SEPT. 29

Marianne Faithfull, Easy Come, Easy Go (Naive, UK) The queen of the nicotine rasp reunites with Hal Wilner to cover Dolly Parton, Neko Case, Judee Sill, Randy Newman, and Morrissey.

 

SEPT. 30

Miles Davis, Kind of Blue: 50th Anniv. (Columbia/Legacy) In marriage, the 50th anniversary is golden. In the music industry, the 50th anniversary is a two-CD plus DVD plus LP plus book plus poster.

Dungen, 4 (Sublimininal Sounds) The fourth studio album by Swedish foursome is divided into two sounds: raw guitar rock and jazz-inflected cinematic orchestration\

El Guincho, Alegranza! (Young Turks/XL) Born with the zestful zing! of an Esquivel sample, Pablo Diaz-Reixa’s irresistible 10-track burst of Barcelona beach boy 21st-century Tropicalia finally gets a US release — and, one hopes, a tour to go with it.

Jennifer Hudson, Jennifer Hudson (Arista) After an Oscar, various red carpet misfires, and the Sex and the City movie, her debut arrives, taking the s, the o, the l, and the o out of “solo via guest appearances or production by Diane Warren, Timbaland, Ne-Yo, T-Pain, Cee-lo, Pharrell, Ludacris, Akon, John Legend, and duet partner R. Kelly.

Mercury Rev, Snowflake Midnight (Yep Roc) Melting the heels of the band’s seventh studio album is Strange Attractor, a companion collection of 11 free downloadable tracks.

Barbara Morgenstern, BM (Monika Enterprise) The operator behind effervescent bursts of multilayered electronic pop presents her fifth album and — attention SF club promoters! — hopes to the tour the states.

Nina Simone, To Be Free (Sony Legacy) A three-CD, one-DVD retrospective that spans more than four decades, from Dr. Simone’s earliest recordings with Bethlehem to her final recordings for Elektra.

Taj Mahal, Maestro (Heads Up) Forty years after his recording debut and five years after his last US release, he covers Otis Redding and works with Ziggy Marley.

T.I., Paper Trail (Grand Hustle/Atlantic) His house arrest album, narrowed down from 50 songs, includes production by all the usual big names, and cameos by Rihanna, Justin Timberlake, John Legend, Usher, and the dreaded Fall Out Boy.

XX Teens, Welcome to Goon Island (Mute) I see Paris, I see Toulouse, I see someone’s green and blue boobs.

 

OCT. 7

Black Sabbath, Paranoid (Deluxe) (Universal) The band’s biggest-selling album gets a quadraphonic update, along with instrumental versions of six songs.

Deerhoof, Offend Maggie (Kill Rock Stars) A pencil drawing by Tomoo Gokita of a half-naked mystery man graces the cover, and the first single has been released in the form of sheet music.

Jolie Holland, The Living and the Dead (Anti-/Epitaph) Norman Mailer wouldn’t be able to attract guests like M. Ward and Marc Ribot.

Morgan Geist, Double Night Time (Environ) In the wake of contributing cellist Kelley Polar’s second album, one member of Metro Area presents his own new romantic bouquet of Detroit techno-tinged disco pop, with guest crooning by Jeremy Greenspan of Junior Boys.

Gregory and the Hawk, Moenie and Kitchi (FatCat) Sweetly twee indie-folk prepares its latest world-domination campaign.

Lambchop, OH (ohio) (Merge) Chop, chop — Nashville rocks.

MSTRKRFT, title to be announced (Dim Mak) Isis brings the “Bounce.”

Of Montreal, Skeletal Lamping (Polyvinyl) Do be a drag — with plenty of confetti.

Rise Against, Appeal to Reason (Geffen) Tried to reason with them about playing up the pirate metal.

Senses Fail, Life Is Not a Waiting Room (Vagrant) So why are we waiting for our hearing to fail?

Michele Williams, Unexpected (Columbia) The Destiny’s Child vocalist, not the actress, stops going gospel in favor of pop.

Women, Women (Jagjaguwar) Hope they get to hang out with Lesbians.

 

OCT. 14

The Alps, III (Type) Local music heads Scott Hewicker, Jefre-Cantu Ledesma, and Alexis Georgopoulos makes the leap from CD-R to “proper” album release, paying homage to the hallucinatory sides of Serge Gainsbourg, Ennio Morricone, and Terry Riley along the way.

I’m From Barcelona, Who Killed Harry Houdini (Mute) The Swedish — not Spanish — mega-band returns with 10 new songs, including at least one by the ill-fated famous illusionist.

Ray LaMontagne, Gossip in the Grain (RCA) And buzz in the barn.

Queen and Paul Rodgers, The Cosmos Rocks (Hollywood) We know guitarist and astrophysicist Brian May finally completed his doctorate, but that title will have Freddy Mercury’s ghost hitching it to the next galaxy.

T. Pain, Thr33 Ringz (Jive) After producing most of Ciara’s upcoming full-length, Faheem Najm recruits Chris Brown, Lil Wayne, and Kanye West for his own — if it doesn’t go putf8um, I’m gonna buy you a drank and fall in love with a stripper.

 

OCT. 21

Hank III, Damn Right, Rebel Proud (Curb/Bruc) The disc has been described as a “Jekyll and Hyde mix of disturbingly dark stuff and good ol’ country.”

Labelle, Back to Now (Verve) Their first full-length in 33 years brings Gamble and Huff, Lenny Kravitz, and Wyclef Jean out of the woodwork.

Lee Ann Womack, Call Me Crazy (MCA Nashville) She sang at the 2004 Republican National Convention, but redeemed herself as much as possible a year later with the “20 Years and Two Husbands Ago.” Now, unfortunately, she’s borrowing titles from Anne Heche.

 

OCT. 28

Cradle of Filth, Godspeed on the Devil’s Thunder (Roadrunner) The grimy tots say they were inspired by Joan of Arc’s aristocratic compatriot.

Cynic, Traced in Air (Season of Mist) The proggish metal outfit issues its first studio album since 1993.

Warren G, The G Files (Hawino) Quick, regulate before G notices.

It’s a Musical, The Music Makes Me Sick (Morr) Guitar-free Berlin duo craft harmonic pop in the key of Bacharach, with trumpets, vibraphones, and canonical choirs.

Grace Jones, Hurricane (Wall of Sound, UK) The most anticipated comeback of the season, since Glass Candy, the Chromatics and every other nu-disco act offering pale versions of her fabulous robot chick chic — includes contributions by Brian Eno and Sly and Robbie and a song called “Corporate Cannibal.”

John Legend, Evolver (G.O.O.D Music/Columbia) Kanye West, Andre 3000, and Estelle join the high-minded proceedings.

Pink, title TBA (LaFace/Zomba) She attempts to get the party started — yet again.

 

NOV. 4

Big Boi, Sir Luscious Leftfoot … Son of Chico Dusty (LaFace) Ouch, don’t hurt yourself on that title. The OutKast insider finds support in Andre 3000, Mary J. Blige, and Too $hort.

Dido, title TBA (Arista). “Thank You,” multi-instrumental wiz and producer Jon Brion for overseeing this long-time-coming album.

 

NOV. 11

Missy Elliott, Block Party (Atlantic) Was it really over a decade ago that the late Babygirl gave her a boost to fame? Keyshia Cole is a likely guest, and Timbaland is just one of many co-producers.

 

NOV. 18

Kelly Clarkson, title TBA (RCA) Everybody loves the Rachael Ray of American Idol pop! Don’t they?

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Cinemania

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› johnny@sfbg.com

Mock Up on Mu Craig Baldwin’s latest opus, on rocket science and Scientology in California, with the director in person.

Sept. 2. Pacific Film Archive

Obscene A new documentary about Evergreen Review and Grove Press publisher Barney Russet and his many battles on behalf of free speech and real art.

Sept. 5–11. Roxie Film Center

Lost Indulgence and In Love We Trust A pair of films by up-and-coming Chinese directors Zhang Yibai and Wang Xiaoshuai.

Sept. 6–20. San Francisco Museum of Modern Art, Wattis Theater, 151 Third St., SF. (415) 357-4000, www.sfmoma.org

"History Stutters: Found Footage Films" Bruce Conner’s John F. Kennedy–assassination film Report (1965) and Ken Jacobs’ Malcolm X. assassination response Perfect Film (1984) is on the same bill; program also includes a movie with Ed Henderson.

Sept. 9. Pacific Film Archive

Leave Her to Heaven The 1947 Technicolor noir — and ultimate swimmer’s nightmare — returns with a demonstration of film restoration.

Sept. 12. Smith Rafael Film Center, 1118 Fourth St., San Rafael. (415) 454-1222, www.cafilm.org

"MilkBar International Live Film Festival" Three days of experimental cinema, including more than 20 local short works.

Sept. 12–14. Noodle Factory Performing Arts Center, 1255 26th St. #207, Oakl. (510) 289-5188, www.milkbar.org

"Unknown Pleasures: The Films of Jia Zhangke" At last, China’s vanguard contemporary filmmaker gets an extensive Bay Area retrospective.

Sept. 12–Oct. 17. Pacific Film Archive

"The People Behind the Screen" Local programmers contribute to "Bay Area Now": Jesse Hawthorne Ficks presents girl rock; Stephen Parr of Oddball Films shares a giddy taste of his mega-montage project Euphoria; and kino21 puts together performance cinema; Peaches Christ, Queer Women of Color Media Arts Project, and DocFest also have nights.

Sept. 13–Oct. 18. Yerba Buena Center for the Arts

Shatfest Thrillville’s tributes to the one and only William Shatner continue with his 1968 spaghetti western White Comanche.

Sept. 18. El Cerrito Speakeasy Theater, 10070 San Pablo, El Cerrito. (510) 814-2400, www.thrillville.net

"Taylor Mead: A Clown Underground" The legendary wit Mead visit for screenings that showcase his best starring roles (1960’s The Flower Thief and 1967–68’s Lonesome Cowboys).

Sept. 18–21. Yerba Buena Center for the Arts

Forbidden Lies The Roxie is distributing this look at con artist Norma Khouri, which gets a theatrical run after a successful trip through the festival circuit.

Sept. 19. Roxie Film Center

MadCat Women’s International Film Festival Ariella Ben-Dov’s fest turns 12 with eight archival greats (including one by Samara Halperin) and silent films with live rock scores.

Sept. 19 and 23. Various venues. (415) 436-9523, www.madcatfilmfestival.org

"Psychotic and Erotic: Rare Films by Tinto Brass" Ass-fixated erotica that includes talking animals and naked cannibals.

Sept. 24. Yerba Buena Center for the Arts

"How We Fight: Iraqi Short Films" Kino21 kicks off a series with Argentine director Mauro Andrizzi’s feature-length compilation of short videos shot by US or British soldiers, Iraqi militia members, and corporate workers.

Sept. 25. Artists’ Television Access

"James Dean Memorial Weekend" Come back to the five and dime, or failing that, the Castro, and be sure to wear your red windbreaker.

Sept. 26–28. Castro Theatre

Film in the Fog Gene Kelley is singing in the rain — and the Presidio fog.

Sept. 27. Main Post Theatre, 99 Moraga, SF. (415) 561-5500, www.sffs.org

The World’s Largest Shopping Mall The debut or preview of a film by Sam Green and Carrie Lozano is at the heart of a program devoted to psychogeography.

Sept. 27. Other Cinema

Deathbowl to Downtown Coan Nichols’ and Rick Charnoski’s look at the history of NYC street skateboard culture, narrated by Chloë Sevigny.

Sept. 29. Castro Theatre

"Bette Davis Centennial" She’ll tease you, she’ll unease you — all the better just to please you.

Sept.–Oct. Castro Theatre

Dead Channels You can never get enough weird horror and fantasy.

Oct. 2–5. Roxie Film Center

Mill Valley Film Festival The major fall Bay Area festival turns 31.

Oct. 2–12. Various venues. (415) 383-5256, www.mvff.org

Rosemary’s Baby and The Devils Double the demonic hysteria!

Oct. 3. Castro Theatre

"No Wave: The Cinema of Jean Eustache" The series includes 1965’s Santa Claus Has Blue Eyes, his 215-minute masterpiece The Mother and the Whore (1973), his hog-slaughtering documentary — shades of Georges Franju? — The Pig (1970), and a 1997 doc portrait of him.

Oct. 4–22. Pacific Film Archive

"Rediscovering the Fourth Generation" The post-Mao cinema that laid groundwork for directors such as Jia Zhangke gets a SF showcase.

Oct. 4–30. San Francisco Museum of Modern Art, Wattis Theater, 151 Third St., SF. (415) 357-4000, www.sfmoma.org

Vertigo The greatest San Francisco movie ever — maybe greatest movie ever — gets the outdoor screening treatment from Film Night in the Park.

Oct. 4. Union Square, SF. (415) 453-4333, www.filmnight.org

"Spirit of ’68" and "Know Your Enemy" A pair of programs compiled by Jack Stevenson

Oct. 5. Oddball Films, 275 Capp, SF. (415) 558-8117, www.oddballfilm.com

Manhattan and Muppets Take Manhattan Mariel Hemingway, meet Miss Piggy.

Oct. 7–9. Red Vic Movie House, 1727 Haight, SF. (415) 668-3994. www.redvicmoviehouse.com

"French Cinema Now" A new minifestival from the San Francisco Film Society.

Oct. 8–12. Various venues. (415) 561-5000, www.sffs.org

"Superstars Next Door: A Celebration of SF Amateur Sex Cinema from the ’60s" Stevenson looks at that time in SF when everyone would take off their clothes for a camera — with film in it.

Oct. 9–11. Yerba Buena Center for the Arts

"Midnites for Maniacs: Back to School … in the ’90s" Jesse Hawthorne Ficks serves up Buffy the Vampire Slayer (1991), Romeo and Juliet (1995), and Starship Troopers (1997).

Oct. 10. Castro Theatre

"Envisioning Russia: A Century of Filmmaking" The expansive 16-film program extends across eight decades.

Oct. 10–30. Pacific Film Archive

"Protest-sploitation" A lecture-demo by Christian Divine looking at six "youth" films made in 1970, along with a screening of that year’s The People Next Door.

Oct. 11. Other Cinema

RR James Benning’s train film finally reaches a Bay Area destination.

Oct. 14. Pacific Film Archive

Arab Film Festival The festival turns 12 this year.

Oct. 16–Nov. 4. Various venues. (415) 564-1100. www.aff.org

DocFest IndieFest’s doc extension turns seven this year with a slate of at least 60 films.

Oct. 17–Nov.6. Roxie Film Center and Shattuck Cinema, 2230 Shattuck, Berk. (415) 820-3907, www.sfindie.com

Leslie Thornton A three-program SF Cinematheque series devoted to the director behind Peggy and Fred in Hell (1985–present) and other experimental works, with Thornton in-person.

Oct. 19–26. Yerba Buena Center for the Arts

United Nations Association Film Festival Environmentalism is the focus of the festival’s 11th year.

Oct. 19–26. Various venues. (650) 724-5544, www.unaff.org

"I Love Beijing: The Films of Ning Ying" Ning and her acclaimed Beijing trilogy — which spans from the Peking Opera to dogs, cops, and taxi drivers — visit the Bay, capping things a screening of her 2005 "Chinese Sex and the City" feature Perpetual Motion.

Oct. 23–27. Pacific Film Archive

The Werewolf of Washington The president’s speechwriter is a lycanthrope in this Nixon-era flick.

Oct. 31. Pacific Film Archive

"The New Talkies: Bollywood Night" Kino21 presents six works of live narration to Bollywood film scenes.

Nov. 1. Artists’ Television Access

"Occult on Camera" Erik Davis charts out the Aleister Crowley–Kenneth Anger–Led Zeppelin triumvirate-of-evil — what does Jimmy Page’s appearance in the closing ceremony of the Olympics mean?

Nov. 1. Other Cinema

Louise Bourgeois: The Spider, the Mistress and the Tangerine The SF premiere of a new documentary devoted to the sculptor.

Nov. 2–3. Red Vic Movie House, 1727 Haight, SF. (415) 668-3994, www.redvicmoviehouse.com

Ghosts Nick Broomfield’s excellent first non-documentary feature, about the abuse of Chinese immigrants in the United Kingdom.

Nov. 7–13. Roxie Film Center

San Francisco International Animation Festival The burgeoning fest and showcase turns three with a program that includes the Cannes favorite Waltz with Bashir.

Nov. 13–16. Various venues. (415) 561-5000, www.sffs.org

Luther Price New works by one of the more scathing and harrowing filmmakers on the planet, presented by SF Cinematheque.

Mid-November. Yerba Buena Center for the Arts

New Italian Cinema Will it include Matteo Garrone’s Cannes critic’s fave Gomorra?

Nov. 16–23. Various venues. (415) 561-5000, www.sffs.org

"Films by Martha Colburn" A night of kinetic works by the collage creator, presented in conjunction with a show at Berkeley Art Museum.

Dec. 2. Pacific Film Archive

Robot vs. the Aztec Mummy Thrillville stuffs your stocking with a gem from 1957.

Dec. 11. El Cerrito Speakeasy Theater, 10070 San Pablo, El Cerrito. (510) 814-2400, www.thrillville.net

James Hong A sneak peek at the local director’s expose on Japan’s rewriting of history, Lessons in the Blood.

Dec. 13. Other Cinema

"At Sea" Peter Hutton’s At Sea (2004-7), about the life and death of a colossal container ship, is the centerpiece of an oceanic SF Cinematheque program.

Dec. 14. Yerba Buena Center for the Arts

ARTISTS’ TELEVISION ACCESS/OTHER CINEMA

992 Valencia, SF

(415) 824-3890

www.othercinema.com

CASTRO THEATRE

429 Castro, SF

(415) 621-6120

www.castrotheatre.com

PACIFIC FILM ARCHIVE

2575 Bancroft Way, Berk.

(510) 642-5249

www.bampfa.berkeley.edu

ROXIE FILM CENTER

3317 16th St., SF

(415) 863-1087

www.roxie.com

YERBA BUENA CENTER FOR THE ARTS

701 Mission, screening room, SF

(415) 978-2787

www.ybca.org

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Sino the times

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› a&eletters@sfbg.com

If the world-class flash of the Beijing Olympics isn’t enough of an example of China’s rising international cultural power, we’ll have continued reminders at Bay Area museums and galleries in the coming months. It’s perhaps a tipping point: Pace Beijing, a big outlet for a major western gallery, just opened, signaling a market vetting of art currently being made in China. In fact, a wide swath of Asia will the focus of the international art world this fall with a confluence of biennials — and a triennial — that rival the 2007 European "grand tour" of the "Venice Biennale," "Documenta," and "Münster Sculpture Project." This September sees the opening of biennials in Singapore; Taipei, Taiwan; Yokohama, Japan; Guangzhou and Shanghai in China; and Busan and Gwangju in Korea, the latter organized by Okwui Enwezor, dean of the San Francisco Art Institute.

So it does seem fitting, given our Pacific Rim position, that we at least reflect this activity. San Francisco Museum of Modern Art got a jump-start in the Sino-surveys, as "Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection," opened prior to the Olympics and continues through Oct. 5. It’s a lively crash course in its subject, though the museum did give us one in 1999 — the pivotal "Inside Out: New Chinese Art," which included most of the artists on view now. The current show has the opportunity to provide scope — with newer works augmenting some classics — and the mix seems particularly smooth, no doubt because we have become far more familiar with China in general and with at least some of the cultural conditions that fuel the work.

"Half Life" satisfies with 50 pieces of painting, sculpture, and installations, but it seems modest in comparison to "Mahjong: Contemporary Chinese Art from the Sigg Collection," a show that will fill almost the entire UC Berkeley Art Museum from Sept. 10–Jan. 4, 2009, with 141 works by 96 artists. Both exhibitions provide the opportunity to bring artists here and generate public dialogues, panel discussions, artist talks, and film screenings, which will play out in various venues around town. Berkeley’s show brings Ai Weiwei, a breakout international art star with intellectual buzz, out for a Bay Area residency.

One can’t help but notice that both these shows have "collection" in the title revealing a troubling sense of western ownership — a scenario suggesting that such works wouldn’t come to our attention without patronage. In this case, the collectors take on a passionate, fact-filled advocacy role: Swiss collector Uli Sigg has been supporting art in China for two decades, while Kent Logan, who has acquired works with his wife Vicki, writes extensively on his collection in the SFMOMA show’s catalog. Apparently it takes vision — and packaging — to float this work into a western context.

Other shows continue the focus on Asia, including Chinese sculptor Zhan Wang’s solo turn at Haines Gallery (Sept. 4-Oct. 4). His supershiny metal scholar’s rock is a highlight in the de Young’s sculpture garden, and that museum has organized a historical show with themes that may prove to be an interesting counterpoint: "Asian/American/Modern Art: Shifting Currents, 1900–1970" (Oct. 25-Jan. 18, 2009), which surveys work by Asian and Asian American artists who worked in the United States — albeit at a time when the art world was less heated and international than it is today. Yerba Buena Center for the Arts and Mills College Art Museum expand the geographic scope with, respectively, Manila-Bay Area exchange show "Galleon Trade: Bay Area Now 5 Edition" (Sept. 4–Oct. 19) and "The Offering Table: Women Activist Artists from Korea" (Sept. 6-Dec. 7). The Asian Art Museum opens another can of cultural worms — and dazzling artifacts — with the historical "Arts of the Islamic World from Turkey to Indonesia," Sept. 5–March 1, 2009. One hopes that such exhibits expand on what we ordinarily think of as Asian art, contextualizing the current fascination with the contemporary Chinese art scene.

GLEN HELFAND’S PICKS FOR FALL VISUAL ART

"Andrew Schoultz: In Gods We Trust," Sept. 4–Oct. 25. Reception Sept. 4. Marx and Zavattero, 77 Geary, SF. (415) 627-9111, www.marxzav.com

Renzo Piano’s California Academy of Sciences building opens Sept. 27. 55 Music Concourse, Golden Gate Park, SF. (415) 379-8000, www.calacademy.org

Teddy Cruz and Pedro Reyes, Oct. 17–Dec. 13. Reception Oct. 16. Walter and McBean Galleries, San Francisco Art Institute, 800 Chestnut, SF. (415) 749-4563, www.waltermcbean.com

"Lutz Bacher: ODO," Oct. 31–Dec. 13. Ratio 3, 1447 Stevenson, SF. (415) 821-3371, www.ratio3.org

"The Art of Participation: 1950 to Now," Nov. 8–Feb. 8, 2009. SFMOMA, 151 Third St., SF. (415) 357-4000, www.sfmoma.org

>>More Fall Arts Preview

Reclaiming San Francisco — from cars

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› news@sfbg.com

GREEN CITY On Sunday, Aug. 31, the Mayor’s Office and several community groups join forces to bring San Francisco into an international movement to increase physical activity, break down invisible borders, and make scenic space available to all during the city’s first ciclovia.

More than 4.5 miles of streets will be closed to cars that day from 9 a.m. to 1 p.m. for Sunday Streets, the first of two ciclovias scheduled this summer. The idea of the ciclovia — which is Spanish for "cycle way" or "bike path" — was conceived in Bogotá, Colombia, during the mid-1990s and has since spread throughout the world.

The concept is to take existing roads — the province of cars — and turn them into temporary paths for walking, jogging, cycling, and other physical activity.

"I think it really helps us re-imagine our city streets as places of safe, non-auto physical activity," said Wade Crowfoot, Mayor Gavin Newsom’s director of global climate change. "From an environmental perspective, it’s time we re-imagine our space and our streets, and to make streets accessible to everyone."

The route extends from Bayview Opera House, up Illinois Street to the Embarcadero, along the waterfront, and across Washington Street into Chinatown. Five activity pods will feature dance classes, yoga, hopscotch, jump rope, and more, and participants are encouraged to explore as much of the route as they can. The Giants’ stadium will be open to pedestrians and bikers who want to run the bases, and event facilitators say they hope this 4.5-mile stretch will grow into something bigger.

"We hope this is just the beginning, and that it succeeds all over the city," said Andy Thornley, program director of the San Francisco Bicycle Coalition.

The man largely credited with starting the ciclovia is Gil Penalosa, who implemented the idea as Bogotá’s commissioner of parks and recreation in 1995. Penalosa now runs a nonprofit called Walk and Bike for Life that promotes the ciclovia and other forms of active living.

San Francisco’s event is modest: Bogotá closes off more than 80 miles of looping streets every Sunday and on holidays. More than 1.5 million people turn out each week, according to the Walk and Bike for Life Web site. Ottawa closes more than 30 miles of space on Sundays from May to September, and events have taken place all over Europe in addition to the American continents.

The ciclovia is also part of the car-free movement, an international effort to promote alternatives to car dependence and automobile-based planning.

Besides saving energy and promoting fitness, event planners at ciclovias in Bogotá noticed the events were causing a cultural shift. The Christian Science Monitor reported in an Aug. 18 article that residents from different neighborhoods began interacting as never before. Indian residents of poorer neighborhoods used to halt at the imaginary dividing lines of the more affluent European neighborhoods, and vice versa, but now people mingle freely.

San Francisco organizers hope to use Sunday Streets to create a similar effect here.

"We deliberately chose the route that connects the Bayview to Chinatown, two communities that are historically disconnected," said Susan King, the event’s organizer. "We want people to go to Hunters Point and Chinatown and see what’s out there, with the hope that people will see things they want to come back to."

King also noted that these two neighborhoods lack adequate open space. "We want people in those communities to experience what people who live adjacent to Golden Gate Park and the Presidio get to experience on a regular basis — an opportunity to exercise and not worry about getting hit by cars," King said.

Another international trend that Sunday Streets continues is the reclaiming of waterfront space. Tom Radulovich, executive director of Livable City, said he recently visited Vancouver and experienced its 28 miles of bicycle and pedestrian paths along the water. Paris also has a ciclovia every summer that closes a major expressway and creates a beachfront and promenade along the Seine.

"[The Embarcadero] — that big, dangerous roadway — cuts the city off from the waterfront," Radulovich said. "We want to think about the possibility of reclaiming the water space more successfully for San Franciscans."

One of the few voices of opposition to Sunday Streets came from a group of Pier 39 merchants who worried about the economic impact.

The Board of Supervisors voted Aug. 5 not to delay the event until an economic impact report had been released, but Crowfoot said traffic impact analyses will be done this weekend so that there will be better understanding of the impact of any future events. But many ciclovias have actually increased business because people are more prone to stop and look in stores when they walk by instead of just driving past them.

Hunters and collectors

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› a&eletters@sfbg.com

REVIEW It wasn’t so long ago that the term "curated" moved from dusty archive territory to popular lexicon. When did curated databases, boutique merchandise, and Netflix queues become commonplace? In the Bay Area, more than one school offers a master’s degree in "curatorial practice" — but who has a concise description of what that really means? The term has become elastic, perhaps because there’s too much material — of all sorts — to deal with in contemporary culture. Someone’s gotta figure out how to marshal and present it coherently.

Two current high-concept group exhibitions are equally about their curatorial premises and respective curators — Henry Urbach and Jens Hoffman — as the objects on display. Both have extended titles — "246 and Counting: Recent Architecture + Design Acquisitions" at the San Francisco Museum of Modern Art, and "Passengers" and "The Exhibition Formerly … ," at the Wattis Institute at California College of the Arts — and will evolve during their runs into 2009. Both are activated by transparent systems that generate their form.

"246 and Counting" includes every object Urbach, SFMOMA’s Helen Hilton Raiser curator of architecture and design, acquired during his first two years at the museum. In the wall label, he admits the show "aims to focus our attention on collection building." It’s not a stretch to say it has something to do with shopping: Urbach, who previously ran a commercial gallery in Chelsea, NYC, admits as much in the audio guide: "To shop well is half my job" (the other is to experiment with "curatorial practice"). And the presentation will grow to include each new piece he buys before "246" closes. The exhibition itself is a surprisingly refreshing take on the "collection show," the homely, hometown sibling to the bigger traveling exhibit.

Playing out on low platforms and arranged chronologically based on the date the works were purchased or given, "246"<0x2009>‘s structured format ironically allows for a degree of irreverence. Urbach leans framed photographs by Richard Barnes against the wall, stacks 1986 Beosystem stereo equipment, and splays silkscreen posters by the beloved activist nun, Sister Corita, on the floor under transparent Plexiglas boxes. It’s the same means used to showcase an iPhone, a donation from Apple, credited to Jonathan Ive. The fact that many of us have one makes for an automatic entry point.

The objects are identified on laminated cards, so the display initially resembles a high-end vintage store or the apartment of an aesthete/design guru — the format affords an approachable sense of personality. Urbach’s gesture is one of exposure — of the museum’s hierarchy and of his own sensibility. He uses this to assert a curatorial identity, and the narrowed focus makes for satisfying, authored viewing. If there’s an inclusion you question, you know who’s to blame.

The former director of exhibitions at London’s Institute of Contemporary Art, Hoffman — who just completed his first year of programming at Wattis — expresses a similar tastemaker sensibility. The contemporary art has a more experimental vibe because the gallery doesn’t collect. It feels as if Hoffman selected his picks from international art fairs. As noted on the Wattis Web site, "Passengers" is a "constantly transforming exhibition of emerging international contemporary artists, none of whom have ever had a solo presentation in an American public art institution." It’s structured around 12 artists: 11 with a few pieces, and one with a somewhat larger presentation, in a literal white cube space, before the latter artist leaves the show and another from the 11 remaining cycles into the bigger box.

The eclectic range of works — by artists familiar to Frieze readers but who will probably turn up in biennials down the line — tend to be funky and/or conceptual in bent and include Annette Kelm’s serial photos of a woven baseball cap; Valérie Mréjen’s short films about enacting various identities; and Federico Herrero’s painting project (though Aug. 30), which also involves a mural on a Potrero Hill home.

On Sept. 2 the show morphs into "The Exhibition Formerly Known as Passengers" — coincidentally with a showcase of works by San Francisco artist Tauba Auerbach, whose Alphabetized Bible (2006) is included, in editioned form, in "246" and "Passengers." The exhibition’s form will shift as well: after each solo presentation, the artist will leave the show, but none will be added. The final artist, Aurelien Froment, gets the entire space in August 2009. This may not be fair to the previous "Passengers," but it does make for a tidy denouement.

Like "246," the "Passengers" structure is perhaps more memorable than any of its works, making both meta-projects: shows about the act of making shows. It’s fitting, then, that Hoffman’s title salutes Prince, who has constantly reinvented himself, the structures of music distribution, and performance platforms. The musical artist has had his share of misfire projects, but you always know he’s going to come up with some convincing new challenge to cultural consumption. *

246 AND COUNTING: RECENT ARCHITECTURE + DESIGN ACQUISITIONS

Through Jan. 4, 2009

San Francisco Museum of Modern Art

151 Third St., SF

For hours and prices go to www.sfmoma.org

PASSENGERS: 1.12 FEDERICO HERRERO

Through Aug. 30

"The Exhibition Formerly Known as Passengers" runs Sept. 2–Aug. 29, 2009

CCA Wattis Institute for Contemporary Arts

1111 Eighth St., SF

For hours go to www.wattis.org

Money for nothing

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› gwschulz@sfbg.com

Speaker of the House Nancy Pelosi seems to be feeling pretty confident in her reelection prospects this November, despite an independent challenge by high-profile peace mom Cindy Sheehan.

But that hasn’t stopped the San Francisco Democrat from raising big bucks from scores of interest groups who are contributing to her campaign committee and to the political action committee she controls, known as PAC to the Future.

Most of the money she’s raising is going toward assuring her continued power in Washington by giving it to the campaigns of other Democratic members of Congress, particularly those facing tough election battles that could threaten the party’s House majority.

Pelosi’s reelection committee has raised $2.36 million over the past two years, hundreds of thousands more than the average House member, according to federal campaign disclosure records and data maintained by the Center for Responsive Politics.

Her PAC raised an additional $585,000 during the current election cycle and spent $769,000, much of which has also gone to other candidate committees in payments of $5,000 and $10,000.

Many newly elected Democrats in the House represent conservative constituencies, and with her blessing they sometimes vote with Republicans to distance themselves from the party’s perceived liberal leaders like Pelosi, according to a new book published this month, Money in the House: Campaign Funds and Congressional Party Politics (Perseus, 2008). Democratic leaders in the meantime have continued a phenomenal fundraising spree to help protect those House members.

"Speaker Pelosi’s extraordinary financial commitment to her party, and especially to her party’s vulnerable members, illustrates the overriding emphasis congressional parties and members place on money," writes author Marian Currinder, a senior fellow at Georgetown University’s Government Affairs Institute. "And her encouragement of selective ‘opposition votes’ demonstrates the complexity of governing in a highly partisan and highly competitive political environment."

Even the day-to-day reelection expenses of Washington’s unrivaled leading lady are outsize, as Pelosi’s spending records show. In June 2007, she celebrated her 20th year in Congress with a glitzy fundraiser held in the capital’s Union Station that cost at least $92,000 and featured a performance by soul singer Patti LaBelle.

The bill included $25,393 for a slick video production; $61,105 on catering, rentals, and securing the site; $2,000 for hairstyling and wardrobe assistance insisted on by LaBelle; $2,824 on flower arrangements; and $1,396 for chocolates from a Pennsylvania-based confection maker.

Pelosi spent at least $650 from her campaign on makeup for the steady string of appearances she made after being sworn in as House speaker in January 2007. An annual fundraiser held this year at the Westin St. Francis in San Francisco cost $23,454 for catering and other expenses.

As for the top contributors to Pelosi’s reelection committee, they include several members of the Gallo family, proprietors of the E&J Gallo Winery, who gave a total of $23,000 through maximum individual donations of $4,600. The Modesto-based company has long made contributions to both parties, particularly enriching candidates who show a willingness to scale back or even throw out the federal estate tax, which affects the inheritances of the wealthiest American families.

The Corrections Corporation of America gave $2,300 to Pelosi and $2,700 to her PAC. CCA is part of a storied group of for-profit privatization companies in Nashville, Tenn. that are closely tied to former Republican Senate majority leader Bill Frist and includes the Hospital Corporation of America and Ardent Health Services.

Just this year, the state of California hired CCA to house 8,000 inmates at six of the company’s facilities; a significant portion will go to a new $205 million CCA complex under construction in Arizona.

The nation’s largest private jail company suffered bad publicity during the 1990s due to a series of high-profile escapes and inmate killings inside its prisons. It teetered on the edge of bankruptcy after overbuilding jails without having enough inmates available to fill them, but the George W. Bush administration helped save the company with a new homeland security agenda that called for confining rather than releasing undocumented immigrants while they awaited deportation or asylum-request proceedings. The company’s revenue jumped nearly a half-billion dollars over the last five years and its lobbying activities in Washington, DC have increased similarly.

The entertainment industry has ponied up its share to Pelosi as well. The maximum $4,600 donation came from Aaron Sorkin, powerhouse writer behind the long-running TV series The West Wing and the 2007 film Charlie Wilson’s War. Christie Hefner, a regular donor to Democrats and heiress to Playboy Enterprises, contributed $1,000.

Steven Bing, a Hollywood producer who inherited a real estate fortune, and billionaire Las Vegas developer Kirk Kerkorian gave thousands to Pelosi over the last two years. Kerkorian has given to both parties, but he and Bing share a special relationship after having fought a nasty tabloid war.

Kerkorian allegedly hired private investigators to sift through Bing’s trash in search of DNA evidence that would link him to a child borne by Kerkorian’s ex-wife, whom he was divorcing, according to a lawsuit filed by Bing. Vanity Fair in July described Bing as part of a skirt-chasing entourage that ran with Bill Clinton and threatened to tarnish Hillary Clinton’s presidential bid with its freewheeling bachelor reputation.

The wealthy Herbert and Marion Sandler, major supporters of MoveOn.org and other social justice causes, gave Pelosi a combined $9,200. The couple presided over the meteoric rise of Oakland mortgage lender Golden West Financial, which sold to Wachovia for $24 billion in 2006. The housing crisis led Wachovia to post staggering multibillion-dollar losses this summer, and some business writers have attributed its declining fortunes to the Golden West purchase.

In June, George Zimmer of Fremont, founder of the Men’s Warehouse, gave $2,300. Notable husband and wife political team Clint and Janet Reilly, both active as candidates and donors, contributed a total of $19,200 to Pelosi’s campaign and PAC.

"Essentially, raising money for the party and its candidates is required of leaders," Money in the House author Currinder told the Guardian. "Pelosi wouldn’t have been elected speaker if she wasn’t a stellar fundraiser."

So where is Pelosi’s money going if not to television ads for her own campaign? She divided $250,000 among the campaigns of approximately 70 congressional candidates, and disbursed about $532,000 more to them through PAC to the Future. The beneficiaries included $14,000 to Democrat Chet Edwards of Texas, whose district includes President George W. Bush’s Crawford ranch. Pelosi has publicly recommended him to Barack Obama as a possible running mate.

In addition, about half of the money Pelosi has raised since the beginning of 2007, slightly more than $1 million, went to the Democratic Congressional Campaign Committee in Washington, DC. She also gave to the Democratic parties of key battleground states including Indiana, Mississippi, Louisiana, and Ohio. She singled out Democrat Travis Childers of Mississippi for extra cash totaling $21,000. In May, Childers stunned observers by defeating a Republican in a special election held when a representative vacated his House seat to take over for conservative icon Sen. Trent Lott.

"She has had prodigious success raising funds for individual Democratic candidates, for the DCCC, and for her own campaign and PAC," Thomas Mann, a congressional scholar at the Brookings Institute, told us. "Most party leaders represent safe seats but nonetheless try to set a high standard for raising money to advance their party’s broader objectives."

Pelosi’s Capitol Hill and San Francisco offices directed our questions to her fundraising operations at the DCCC. Her political director there, Brian Wolff, called the war chest "another vehicle for her to communicate with constituents in California." But he conceded that the pressure is on, "especially now that we have so many candidates and incumbents that need help. It definitely falls on her to be able to have a very aggressive fundraising campaign."

Wolff insists, too, that the Democrats revolutionized fundraising by seeking out smaller donations from large numbers of people instead of returning to the same short list of affluent contributors they had in the past.

In general, top donations to Pelosi still have come from lobbyists and lawyers, the real estate industry, insurance companies, banking and securities firms, and Amgen, a major biotech researcher based in Thousand Oaks. Officials from the labor movement’s biggest new power broker, the Service Employees International Union, also gave substantial sums, as did other major unions. But they fell far behind the contributions of large business interests.

Art Torres, chair of the California Democratic Party, told us that health care reform failed in 1990s at least partly because of political spending by drug companies. But he said that Democrats winning the White House and expanding their majorities in Congress would create a greater mandate to overhaul the health care system.

"It’s always been about issues" rather than fundraising, Torres said. "When I’ve talked to her, it’s always been about ‘How can we get this or that legislation through?’<0x2009>"

It’s worth pointing out, however, that the nation’s largest drug wholesaler, McKesson Corp., is based in San Francisco, and donors from pharmaceutical companies gave Pelosi more than $85,000 this cycle. Drug companies have given freely to Democrats in the past, but Democratic officeholders "still voted against their interests every time," Torres said.

Pelosi’s campaign spending on everything but her own reelection shows she doesn’t regard Sheehan as much of a threat. But the antiwar candidate did make it onto the ballot Aug. 8 and the Sheehan campaign has raised approximately $350,000 since December in small contributions after refusing to accept money from PACs and corporations.

"We didn’t have the party infrastructure going into this," said Sheehan campaign manager Tiffany Burns, adding that Pelosi’s campaign expenditures are "just another example of how Pelosi believes she is entitled to this seat."

JROTC is not a choice

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OPINION To hear proponents of the Junior Reserve Officer Training Corps (JROTC) talk, it’s a matter of personal choice for 14- and 15-year-olds to sign up for the Pentagon’s military recruitment program, which is being phased out of San Francisco’s public schools June 2009. The San Francisco Board of Education also recently voted to remove physical education credit from the program this school year. It had to: the retired military officers who teach the course don’t meet the educational standards of state law, and the course doesn’t meet state physical education standards.

Supporters of JROTC are taking the issue to the November ballot. Their initiative, albeit non-binding, would put San Franciscans on record as in support of the military program.

As Democratic clubs and other political organizations begin their endorsement process, progressives need to understand the importance of defeating this initiative. It’s not a harmless measure. If it passes, the new school board can use it to reinstate JROTC. If it loses, it’s less likely the board will change its course. Thankfully, last week the San Francisco Democratic County Central Committee (DCCC) voted overwhelmingly not to endorse the measure.

JROTC is not summer camp or a harmless after-school activity. It is one more way the military finds bodies for its illegal wars in Iraq and Afghanistan.

Denisha Williams can tell you that. The African American high school senior in Philadelphia told the City Paper that she left JROTC and opted out of the military having her contact info. It hasn’t made any difference: “I have received phone calls, e-mail, three letters and a 15-minute videotape. I even received a phone call from a female recruiter asking if I was still interested in the Navy. I told her I wasn’t and hung up. A week later I received another letter and the tape.”

Capt. Daniel R. Gager, commander of the US Army recruiting station in south Philadelphia, said he and other recruiters were ordered by the US Recruiting Command to put more time and energy into recruiting high school upperclassmen such as Williams.

In San Francisco, at least 15 percent of the cadets have been placed in the program without their consent. It seems the military will do whatever it takes to get in front of our youngsters in our public schools.

Pressuring kids to join the military is wrong. International law says kids under 18 should not be recruited at all, and the ACLU agrees (see www.aclu.org/intlhumanrights/gen). Recruiters in every high school and at every mall in this country break that law every day.

Nationally about 40 percent of JROTC kids end up in the military. In San Francisco, proponents claim only 2 percent go on to military careers. They are wrong. According to the school district, no tracking of JROTC students is done.

Please work to defeat Proposition V, the pro-JROTC initiative.

Mark Sanchez and Tommi Avicolli Mecca

Mark Sanchez is President of the San Francisco Board of Education and an eighth grade science teacher. Tommi Avicolli Mecca is a radical queer activist and writer whose regular columns appear at beyondchron.org.

Clubs: Frisco Disco ends, Transfer over?

1

Alas, the rumors — most of them anyway — are seeming to be substantiated. Word kept hitting my hotline last week that owner and fairy impressario Greg Bronstein was effecting a management and direction change at the fantastic gay/hipster/hipster-gay ground zero, The Transfer. Many of the Transfer’s beloved party institutions appear to be fleeing. (Update: even more are fleeing.)

That includes, incredibly unfortunately, the wonderful six-year-old Frisco Disco, which has grown world famous as an international hotspot for scenemakers who don’t mind a little party puke on their stilettos. Alas! This Saturday is the final Frisco Disco at the Transfer.

friscodiscofinal1.jpg

This party’s been homeless before — it journeyed to the Transfer after a successful — perhaps too successful — run at Arrow Bar, now Matador, on Sixth Street. It may be back, too, after a short hiatus — but definitely not at the Transfer. The Frisco-ites claim that Bronstein said they were too rowdy for him, although they still adore the Transfer staff etc. I’m trying to get a hold of Bronstein now for comment. Also announcing Transfer departure: Lustre, the goth new-wave night. San Francisco may be on the verge of losing one of its most interesting alternative party venues … more to come!

FINAL FRISCO DISCO
w/ DJs Jeffrey Paradise and Richie Panic
Sat/23, 10pm
The Transfer
198 Church at Market

Georgia: Media forces conflict into Cold War frame

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By Bruce B. Brugmann

FAIR made a key point in its analysis of the conflict between Russia and Georgia over South Ossetia (8/14/08).

The Fairness & Accuracy in Reporting media advocacy group wrote about the big corporate media coverage:

“A striking feature of the coverage was the ability of pundits who have enthusiastically advocated for U.S. invasions of sovereign countries, dismissing concerns that these would violate international law, to demand that Russia be punished for breaking the same law by violating Georgia sovereignty.

“These commentators seemed blissfully unaware of the contradiction, as when New York Times columnist William Kristol wrote (8/11/08) that ‘in Iraq, we and our Iraqui allies are on the verge of a strategic victory over the jihadists,’ citing this as evidence that 2008 was ‘an auspicious year for freedom and democracy,’ while two paragraphs later condemning the fact that ‘Russia has sent troops and tanks across an international border.’ Kristol even cited Georgia’s eager participation in the violation of Iraq’s sovereignty as a primary reason that ‘we owe Georgia a serious effort to defend its sovereignty.'”

FAIR noted that “alternatives to the official media narrative were difficult to find outside of independent and foreign media.” I particularly liked the linked Guardian piece (8/14/08) by Seumes Milne: “This is a tale of U.S. expansion, not Russian aggression. War in the Caucacus is as much the product of an American imperial drive as local conflict. It’s likely to be a taste of things to come.” B3

Click here to read FAIR (Fairness and Accuracy in Reporting) media advisory titled, Georgia/Russia Conflict Forced Into Cold War Frame.

International Youth Music Festival

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PREVIEW How brilliant my high school music career was: I got to travel around the world to impress international audiences with my mad piano skills, take master classes with professional musicians, and play and network with European wünderkinder whose gifts were equivalent to mine.

Oh wait, my high school music career actually consisted of taking weekly piano lessons from a 65-year-old German woman in a church basement, figuring out ways to make her believe I had actually practiced that week. But I guess more focused and, er, gifted students actually do get to join the jet set and showcase their talent in front of classical music lovers on different continents.

Youth Music International was formed in 2003 to facilitate a US-UK exchange program for talented youngsters specializing in chamber music, hoping to provide the adolescent musicians with superior technical instruction and a unique opportunity for cultural exchange amongst peers.

The group returns to San Francisco this year for a four-day stint after holding last summer’s concerts in Oxford, England. Wednesday’s performance is the festival’s finale, with orchestral masterworks as the concert’s theme. So if you can put your jealousy aside, come check these kids out at Grace Cathedral, an intimate and historic setting, before they’re touring with Yo-Yo Ma and you can’t afford the tickets.

INTERNATIONAL YOUTH MUSIC FESTIVAL Wed/13, 7:30 p.m., $10–$16. Grace Cathedral, 1100 California, SF. (415) 749-6300, www.gracecathedral.org, www.youthmusicinternational.com

‘I’m just doing my job, ma’am’

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› culture@sfbg.com

Almost every San Francisco car owner has had this experience at least once: you parked at a metered or timed spot, and now you’re running late. You rush back to your vehicle only to find a uniformed official already filling out your parking ticket. Now you’re pissed — at yourself, your car, the city’s rules, and the person holding the notepad. On some level you know the parking official is simply doing her job — it’s nothing personal. But on a more visceral level, you’re seething with resentment, and it’s directed squarely at her. Glancing at the ticket that’ll cost you more than this week’s groceries, you want to ask, "How can you sleep at night?"

I recently went through this experience twice in one week. And once I got past the automatic hatred of all uniforms, three-wheeled vehicles, and notepads with carbon copies, I began to wonder what it would be like to have a job most people don’t want you to do.

I got to thinking: not everyone can be an urban hero — those professionals who, because of the nature of their jobs, are considered benevolent and necessary. They put out our fires, save our lives, and teach our children how to read. No, some people are urban antagonists. They call during dinner time. They interrupt your picnic at the park. They write parking tickets.

I wanted to talk to some of these people, to find out not only just how badly they’re treated, but also why they continue to show up for work, day after day. It turned out it can be so hard to have these kinds of jobs that most parking control officers wouldn’t even talk to me. And none I interviewed would give me a real name.

But they did give me some insight.

‘SORRY, I ALREADY STARTED WRITING.’


With their uniforms, handheld ticket-gadgets, and ubiquitous three-wheeled vehicles, there are few professionals more recognizable on San Francisco streets than the Parking Control officers. And with 44 recorded incidents involving angry motorists threatening or assaulting officers in the course of performing their duties over the past two years, few professionals are subject to such acute on-the-job stress.

"It’s tough sometimes," acknowledged B., a PCO writing tickets near the intersection of Valencia and César Chávez streets, "because you’re doing your job and a lot of the time people see you as the opposition — like an enemy, not as someone who is doing a service to the city." People forget that by writing tickets, PCOs crack down on double-parkers who block traffic, space-hoggers who stay in one spot all day, and sidewalk-parkers who obstruct walkways for pedestrians such as mothers with strollers, B. said.

But not all PCOs take comfort in that rationalization. K., another anonymous PCO, said, "You just need to find your niche. I respond to complaints — blocked driveways, construction zones, fire hydrant obstructions — I’m happy. It’s cool."

"It’s not for everybody, but I would say it’s a fine job," he continued. "It pays well. It’s secure. I’ve been doing this for 10 years and I’ve never had a problem. If you’re cool about it, if you’ve got the right demeanor, then the saying is true: you get what you give."

Judson True, a spokesman for the San Francisco Municipal Transportation Agency, added that PCOs conduct traffic during special events and congested hours, help motorists around accident sites, and even conduct undercover stings to prevent the abuse of disabled parking placards. Most of all, though, PCOs — like others with less-than-lovable jobs — are still people.

"No one likes to get parking tickets. That’s an obvious reality," True said. "But people need to remember that the parking control officers are their neighbors, their friends, their family — people who are doing an important job for the whole city."

‘CAN YOU SPARE A MOMENT FOR THE ENVIRONMENT?’


Yes, those clipboard jockeys scanning for eye-contact outside Whole Foods or approaching you at Dolores Park have a name. They’re called canvassers, and their job is to solicit votes, subscriptions, opinions, or something similar — and often they’re paid by the signature. These days canvassers are talking about everything from orphans to Obama, gun control to global warming. But most people aren’t interested in what they’re called or what issue they’re representing.

"I’ve been called pariah, douchebag, whore, woman of the night," said Valerie, who recently canvassed at Market and Powell streets for an international charity. "I’ve had coffee poured on me. I’ve had people scream ‘Get the fuck out of my face!’ and yell ‘It’s a scam! It’s a scam!’ while I talk with other people."

Dave, a canvasser for Progressive Political Solutions who worked further down Market, agreed the job can be challenging — but worth it.

"There are going to be days that people are totally against everything you do," Dave said. "But then there’s someone — one person — who makes the day worthwhile, someone who I would have never been able to talk to in an office."

Dave was enthusiastic about the skills he has developed working the streets. He not only credited canvassing for PPS with enhancing his verbal and interpersonal skills, but also with learning industry-specific skills like how to do press calls and conferences, and understanding the political process. Within months of taking the job, he said, he had risen to staff supervisor, helping to advise and manage new hires.

"I like this job in the sense of the big picture," Dave said, before heading into a crowded UN Plaza, clipboard in hand.

Valerie confirmed that for canvassers, the big picture is what it’s all about. Valerie, no less positive for being verbally assaulted and doused with coffee, added, "At the end of the day — no matter how many times someone calls me a douchebag or a bitch — I am making someone’s life better. That’s what really matters to me."

‘SORRY TO CALL YOU AT DINNERTIME, BUT … ‘


Kurt Stenzel, vice president of sales at Tactical TeleSolutions, was one of the few people I interviewed who gave me a full name. Then again, he swears his salespeople aren’t the same ones interrupting your primetime TV hour — and he credits telemarketing for his meteoric rise to success.

"I took the Greyhound bus from New York City with $200, got a telemarketing job, and one thing led to another and now I’m selling to big tech guys [Apple, IBM, Sprint] every day," said Stenzel, who runs the call station downtown.

Though TTS mainly does business-to-business work, Stenzel explained, most telemarketers do make cold calls to homes at some point. His was in New York, where he worked in a windowless room calling people who didn’t want to hear from him.

Their attitude, he says, was, "You’re trying to rip me off — now prove otherwise."

"It’s a tough go," he admitted. "People will curse you out or be crazy."

So what’s good about this job? According to Stenzel, it’s how egalitarian the hiring process is. Call stations aren’t interested in padded resumes and flashy degrees. They want people who know how to talk, plain and simple.

"If they’re articulate, it doesn’t matter so much if they’ve got the right degree," he said. "In that sense, call center work is one of those genuine equal opportunity situations. If people have dropped out of school or come on a tough time, people can come here, build up some skills, and really build their way up."

Though these interviews were enlightening, I can’t say I want to do any of these jobs any more than I did before. And I can’t promise to be less annoyed the next time a canvasser butts into my private conversation or a PCO ruins my morning. But I do hope I’m at least a little more compassionate.

Of course, compassion would be so much easier, officer, if you just let me go. Just this once.

Russia v. Georgia: Some perspectives

6

Once you get started on this stuff, it’s hard to let go.

As usual, some of the best material on what’s really going on in Georgia has appeared in the British press, not in the NY Times. I’ve put together a few links that give some perspective here.

From the London Independent: Saakashvili sucked up to the West and gambled that NATO would back him when he got in a firefight with Russia

Also from the Independent, check out the comments here on how Saakashvili may have started the whole thing

From the UK Guardian, some good background on what Russia is demanding

And I’m posting below an intelligent piece by J. Victor Marshall of the Independent Institute over in Oakland. Marshall has a bit of the Peter Dale Scott in him, but this is well worth reading.

Georgia on My Mind

By J. Victor Marshall

Whenever a crisis somewhere in the world involves Russia, members of Americas political establishment appear gripped by a collective psychosis.

The latest revival of Cold War rhetoric comes on the heels of Russias incursion into neighboring Georgia to counter its recent attack on the ethnically distinct enclave of South Ossetia.

South Ossetia, which was once part of the Soviet republic of Georgia, has increasingly asserted its independence since 1991, when several thousand Georgian troops invaded, unleashing barbaric violence on both sides.

Its no surprise that armchair warriors like Vice President Cheney, uninterested in the regions complex history, now bluster that Russian aggression must not go unanswered.

But Democratic hawks like Richard Holbrooke are no less quick to raise the specter of the Cold War and declare ominously, Moscow’s behavior poses a direct challenge to European and international order.

Not the smartest protester

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I completely agree with the cause, and I applaud the boldness of the woman who was staged a mock hanging at the Chinese consulate. Great TV, drew attention to Tibet, everything a good demonstration should do, and I’m sorry she got hurt and there ought to be an investigation and all that ….

But I must say: Climbing on the roof of the Chinese consulate was not the brightest move.

Under international law, that’s sovereign Chinese territory. And the U.S. and China are not exactly on perfect friendly terms these days. I bet there’s all kinds of fancy spy equipment and electronics on that roof, and there may be a way into the consulate from up there, and no nation likes people sneaking into or climbing around on their embassies and consulates.

Can you imagine what the Marine guards would do if a Chinese protester climbed onto the roof of the U.S. embassy in Beijing?

Nyendak Wangden is lucky she didn’t get shot.

SFPUC shuffle

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› sarah@sfbg.com

The San Francisco Public Utilities Commission is arguably the city’s most important commission. It provides water to 1.6 million customers in three Bay Area counties and handles sewage treatment and municipal power for San Francisco. But right now, it lacks a governing body.

Until recently there were no minimum job requirements for its five commissioners, who are all appointees. The only way the Board of Supervisors could block the mayor’s picks for these all-important posts was through a two-thirds vote (that requires eight supervisors) made within 30 days of the selection.

That changed June 3 when voters approved Proposition E. The board placed this legislation on the ballot in response to Mayor Gavin Newsom’s "without cause" firing of SFPUC former General Manager Susan Leal last year, and his reappointment this spring of Commissioner Dick Sklar, a former SFPUC general manager whose anti–public power tirades and rudeness to SFPUC staff was at odds with the goals and values of the board’s majority.

Prop. E’s passage required that the current SFPUC be disbanded by Aug. 1, set minimum qualifications for future nominees, and stipulated that new commissioners cannot take office until at least six supervisors confirm the mayor’s picks.

Newsom responded by renominating Sklar, along with two other incumbents—former PUC President Ann Moller Caen, and F.X. Crowley, who works for the International Alliance of Theatrical Stage Employees.

Newsom also nominated two newcomers — Nora Vargas, executive director of the Latino Affairs Forum, a statewide nonprofit advocacy group, and Jell-O heiress Francesca Vietor, director of the city’s Department of the Environment from 1999 to 2001.

Kicked to the curb in this preliminary shuffle was David Hochschild, a solar advocate who steered the SFPUC away from building peaker plants and toward retrofitting the aging Mirant power plant. Also ousted was E. Dennis Normandy, whom Mayor Frank Jordan appointed in 1994.

On July 29, the board unanimously approved Caen and Crowley, and seemed inclined to favor Vietor, though she has yet to appear before them to answer questions.

But they rejected Vargas after Sups. Tom Ammiano, Chris Daly, and Bevan Dufty expressed misgivings about her lack of experience with local politics and the SFPUC, not to mention concerns about the $150,000 worth of community grants PG&E gave to Vargas’ Latino Issues Forum between 2004 and 2006.

And Sklar withdrew his nomination before the board could vote on it, apparently aware that the seven votes against his nomination last time meant he was destined to fall short of the new requirement.

These initial changes have led Leal to believe that Prop. E is already having the desired effect. "The rules before meant that the supervisors had 30 days to come up with eight votes, and that’s a very tough thing to do," Leal told the Guardian. "The fact that Dick Sklar had to get six votes, when he barely got four votes in February, is why he withdrew his name. And if you look at the way the supervisors handled the process last time around, this time they seem more vested in it."

Newsom has not yet forwarded any more picks to the Board, so the makeup of the body that will govern the SFPUC until August 2012 is still undecided. But it’s likely that the first matter of business for the new SFPUC will be responding to board recommendations that are sure to flow from an August hearing into CH2M Hill’s study on the feasibility of retrofitting Mirant’s Potrero units 4, 5, and 6.

Leal believes the retrofit plan is "sketchy at best."

"I think that trying to retrofit a 1973 plant is like one former PUC commissioner thinking you can repair the 50-year-old digesters out at the southeast wastewater treatment plant," Leal told the Guardian, referring to Sklar’s equally unpopular attempt to block a costly but necessary rebuild of the SFPUC’s sewage digesters.

"To me, this is Mirant and PG&E still deciding whether there will be something polluting in the air," Leal added.

On July 22, at its last meeting before being disbanded, the Sklar-led SFPUC voted to rescind its former plan to build a new peaker power plant in the city’s southeast sector, and to instead pursue the Mirant retrofit.

Sup. Bevan Dufty notes that a retrofit of this kind "hasn’t been done anywhere else in the world." Board President Aaron Peskin observes that, "unlike the peaker plan, which was subjected to thousands of pages of analysis, the retrofit plan was cooked up behind closed doors with no public hearings."

Noting that Mirant only needs a building permit to keep operating at the site, Peskin says that is why he joined Sups. Sophie Maxwell, Jake McGoldrick, and Dufty in introducing legislation to require conditional use permits of future power plants.

"ATM machines, bakeries, and restaurants need conditional uses, so why not power plants?" Peskin said.

Sup. Ross Mirkarimi believes the peakers and retrofit are competing as the lesser of two evils, which is one reason why he and Ammiano wrote the fall ballot measure called the Clean Energy Act, which would create ambitious goals for renewable power. Mirkarimi told us, "There needs to be a robust campaign for a third plan that combines a transmission-only mandate and a strong renewable energy mechanism that compensates for the Mirant shutdown."

Lennar’s lawsuits

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› sarah@sfbg.com

Two years after Lennar Corp. reported that asbestos dust had neither been monitored nor controlled during major grading and earthmoving operations on its Parcel A construction site on Hunters Point Shipyard last year (see "The corporation that ate San Francisco," 3/14/08), the fallout from these failures continues.

On June 19 a dozen Bayview–Hunters Point residents and workers sued Lennar, as well as international environmental consultant CH2M Hill and Sacramento-based engineering consultant Gordon N. Ball, in Superior Court on behalf of their preschool and school-age children. The parents allege that their children suffered headaches, skin rashes, and respiratory ailments during Parcel A excavations, which occurred next to a predominantly African American and Latino community.

The plaintiffs charge Lennar, CH2M Hill, and Ball with public nuisance, negligence, environmental racism, intentional infliction of emotional distress, and battery. They are asking for monetary damages, a jury trial, and court costs.

But Lennar is apparently seeking to deflect the blame for these problems at the site entirely onto CH2M Hill through a new federal lawsuit, despite revelations in the Guardian (see "Question of intent," 11/28/07) that Lennar reprimanded its own staffer, Gary McIntyre, when he tried to bring Ball to heel for the company’s failure to properly control the toxic asbestos dust.

On June 23, Lennar BVHP LLC sued subcontractor CH2M Hill for negligence, negligent misrepresentation, breach of contract, express indemnity, and unfair business practices in connection with its work on Parcel A.

"Lennar seeks to recover for the significant economic harm it has suffered in addressing the ramifications of CH2’s gross and reckless misconduct in failing to provide competent asbestos air monitoring services for Lennar’s redevelopment of a portion of Hunters Point Shipyard in San Francisco," states the suit, which seeks damages, restitution and indemnity, attorney fees, court costs, and a jury trial.

"Lennar’s economic harm vastly exceeds $75,000," the suit notes. "CH2 has provided no compensation to Lennar and no other relief for its failures. Indeed, CH2 has never publicly acknowledged its clear responsibility for these failures."

CH2’s Oakland-based vice president, Udai Singh, who signed a $392,600 contract with Lennar in January 2006 for asbestos dust monitoring services, told the Guardian, "Unfortunately I’m not working on that, so I have no clue what you are talking about.

"I thought I might have seen something about that, but since I have been working mostly on EPA stuff, I haven’t been involved in this one," continued Singh, who has been project manager for remedial projects on Superfund sites for the federal EPA’s Region IX, which includes Arizona, California, Hawaii, and Nevada.

Singh referred us to CH2’s Denver-based counsel Kirby Wright, who referred us to CH2’s public relations director, John Corsi, who did not return the Guardian‘s calls as of press time.

But while Lennar BVHP continues to contract with Gordon N. Ball at the shipyard, local resident Christopher Carpenter has sued the Sacramento-based contractor in Superior Court for whistleblower retaliation, wrongful termination, racial discrimination, and intentional infliction of emotional distress.

As the Guardian reported, ("Green City: Signs of asbestos," 8/29/07), Carpenter was fired shortly after he complained about dust that was kicked up by a Ball backhoe excavating the Parcel A hillside on Oct. 2, 2006.

"Carpenter became surrounded by a cloud of dust that was caused by Gordon Ball’s failure to water the ground prior to commencing grading," the suit alleges, noting that Carpenter complained about Ball’s unsafe and unhealthy working conditions, some of which violated Bay Area Air Quality Management District regulations and the city’s Health Code, before he was fired.

At City Hall, Sup. Sophie Maxwell is seeking to amend the city’s Building Code to require more-stringent dust control measures for demolition and construction projects. (The Building Inspection Commission opposed Maxwell’s proposal in December 2007, in a 4–3 vote).

On July 22, the Board of Supervisors voted unanimously to support Maxwell’s dust legislation.

Meanwhile, the Rev. Christopher Muhammad, who represents the Muhammad University of Islam adjacent to Parcel A, asked the San Francisco Health Commission to investigate why it took until July 14 for the local community to learn of an asbestos-level violation that occurred at Lennar’s Parcel A site just four days before the June 3 election.

Muhammad suspects the infraction was hushed up because Lennar was engaged in the most expensive initiative battle in San Francisco’s history, plunking down a total of $5 million to support the ultimately successful Proposition G, which gives the developer control of Candlestick Point and the shipyard.

Amy Brownell of the Department of Public Health told the Guardian that the violation, which registered at 138,800 structures per cubic meter of air (the city’s work shutdown level is set at 16,000 structures) did not trigger a work suspension because there was no work planned at Lennar’s site May 31 or June 1, which was a weekend.

Jet boy, jet girl

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>>Also in this issue: A quick guide to the new queer Argentine cinema

› a&eletters@sfbg.com

A father sits at the bedside of his child and, when asked what he is doing, softly answers, "I’m looking after you." Words and tone and eyes convey anxiety, fatigue, and overwhelming tenderness, and this complicated admixture quietly telegraphs, to the viewer and the child on-screen, in the aftermath of trauma and terrifying distress, a heart-calming constant: that, as he tells another character, from the moment of her birth, he has always seen her as perfect.

This flawless child, Alex (Inés Efron), the emotional focal point of Lucía Puenzo’s XXY, is also a moody, unpredictable 15-year-old, and her own complicated admixture is spiked by impetuousness, caprice, casual cruelty, and a tendency to press at the boundaries of those in her orbit. She’s also captivating, forcefully intelligent, and unreservedly herself, even while holding the world at bay to protect a secret, even in the process of feeling her way, via impulse and reflection, toward an understanding of what, exactly, that self is.

Decisions made before Alex’s birth have, in a sense, led to this sweet and sorrowful exchange between father and daughter. She was born intersex, with both male and female sexual characteristics, and raised female (perhaps based on test results and the best guesses of doctors, though this is never stated outright). Her parents, Kraken (Ricardo Darín), a marine biologist, and Suli (Valeria Bertuccelli), decided to forgo a so-called normalizing surgery for Alex: in essence, a dubious attempt to impose a firm gender identity at birth. Without ever fully conquering their own unease and fears for a beloved child, they have left her in possession of the facts and the right to make her own choices — an emotional, improvised, and at times visceral process.

The task, grown more difficult with adolescence, takes on a painful new weight when Erika (Carolina Peleritti), an old friend of Suli’s from Buenos Aires; her husband, Ramiro (Germán Palacios); and their teenage son, Alvaro (Martín Piroyansky), come to visit the family’s home on the southern coast of Uruguay, where they moved shortly after Alex’s birth. This other family of three, with its own fraught relationship between father and child, carry with them the social dictates and preconceptions Alex’s parents have sought to shield her from by living in an isolated place. They can’t, of course, shield her, and Alex is changing already, with or without the interference of strangers, but their arrival invests her process of discoveries with a sense of urgency, of necessity. In part this is because Ramiro, a renowned plastic surgeon, has come intending to recommend and advise them on "corrective" surgery. But the attraction that forms between his son and Alex exerts its own force on both of them, and for Alex such a connection inevitably involves the desire to reveal herself (literally and otherwise) and the risk of betrayal that attends such exposure.

Puenzo’s first full-length film, XXY is beautifully shot by cinematographer Natasha Braier and, save for a few false notes, well scripted — its silences and ambiguities and transfixing images engaging our imagination and sympathy. However, much of the credit for its successes (it has won numerous international awards, including several at Cannes in 2007 and Frameline 2008’s audience award for best feature) falls to Efron’s portrayal of Alex, whom we come to view with that same potent compound of emotions that she raises in those who watch over her in the film.

XXY

Opens Fri/1 at Bay Area theaters

www.filmmovement.com

Going green requires cooperation

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EDITORIAL There are some clear and compelling things San Francisco needs to be doing to protect the environment and reduce its carbon footprint, such as converting to renewable electricity sources and promoting alternatives to the automobile. But as the past couple of weeks at City Hall have demonstrated, city officials are letting petty politics interfere with working together to do the right thing.

Obviously, the most important step toward combating climate change is to convert the power portfolio of city residents to renewable energy sources. Nobel laureate Al Gore challenged the entire country to move toward 100 percent renewable power sources within 10 years during a landmark speech July 17.

But days later, when Gore appeared at the Netroots Nation convention in Austin, Texas, to repeat the challenge to the assembled bloggers, fellow guest speaker Mayor Gavin Newsom came out against the San Francisco Clean Energy Act, which would set even more modest goals for conversion to green power sources.

Newsom’s reason, as Sarah Phelan and Janna Brancolini explain in this week’s Green City column, is fear of provisions in the legislation that call for studying — just studying — public power options for achieving these goals. Considering Newsom has repeatedly told the Guardian that he supports public power, it’s disgraceful that he’s so beholden to Pacific Gas and Electric and so mindlessly adversarial toward the Board of Supervisors that he would oppose setting high green power standards.

But Newsom isn’t the only one playing this game. Board president Aaron Peskin is trying to scuttle Sunday Streets, which would temporarily close six miles of roadway to cars as part of an international trend to promote carfree spaces, simply because it was Newsom who proposed it (see "Pedal power," 7/23/08).

True, Newsom is a newcomer to the carfree movement — having spent years blocking proposed street closures in Golden Gate Park — but his conversion was warmly embraced by progressive groups such as Livable City and the San Francisco Bicycle Coalition and should have been supported by Peskin and other supervisors.

Meanwhile, the city is doing little to fight the ongoing court injunction against bicycle projects even as required environmental work on the Bicycle Plan falls behind schedule. In connection with a July 21 hearing on that delay, both Planning Director John Rahaim and City Attorney Dennis Herrera have called for reform to the California Environmental Quality Act (CEQA) and for changes in how the city interprets traffic impacts under the act.

"It’s truly ironic that an activity that is inherently environmentally friendly is being challenged under an environmental law," Rahaim said of bicycling as he testified before the Land Use Committee. He’s right. City officials should aggressively move forward with the local reforms under consideration and push the bureaucracy to keep the Bike Plan on the fast track.

Meanwhile, our state legislators should work to amend CEQA to exempt pedestrian and bicycle improvements from costly and time-consuming environmental impact reports and our federal representatives should start laying the groundwork now to ensure next year’s big transportation bill reauthorization promotes alternatives to the automobile.

As a gesture of cooperation and goodwill, Newsom should come out and support Sup. Chris Daly’s latest proposal to close Market Street to automobiles, which would greatly speed up public transit, improve pedestrian safety, and create an attractive bicycle boulevard in the heart of the city.

The idea was first pitched by former mayor Willie Brown and has already been studied and vetted by the city bureaucracy. This could be the first big cooperative project between the board and the Mayor’s Office, a team effort against the forces of the status quo. And if it is successful, just imagine what they could take on after that.

Realism about Russia

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Here is the first column in a series we will be running from Project Syndicate. Project Syndicate is an international association of newspapers devoted to bringing distinguished voices from across the world to local audiences everywhere, strengthening the independence of printed media in transition and developing countries and upgrading their journalistic, editorial, and business capacities. To learn more about Project Syndicate visit: www.project-syndicate.org/

Realism about Russia

By Joschka Fischer

BERLIN – Russia’s strategy to revise the post-Soviet order in what it calls its “near abroad” will be pursued with even more perseverance following its victory over Georgia. Europe should have no illusions about this and should begin to prepare itself. But, as the European Union ponders what to do, cold realism, not hysterical overreaction, is in order.

Unfortunately, equating the current situation in the Caucasus with the Soviet Union’s invasion of Czechoslovakia in 1968 does not attest to this kind of realism. Neither the West nor NATO constitutes the decisive strategic threat facing Russia, which comes from the Islamic South and from the Far East, in particular the emerging superpower, China. Moreover, Russia’s strength is in no way comparable to that of the former Soviet Union.

Indeed, demographically, Russia is undergoing a dramatic decline. Apart from commodity exports, it has little to offer to the global economy.

Notwithstanding booming oil and gas revenues, its infrastructure remains underdeveloped, and successful economic modernization is a long way off. Likewise, its political and legal system is authoritarian, and its numerous minority problems remain unsolved. As a result, Russia’s current challenging of the territorial integrity of Georgia might prove to be a grave error in the not-so-distant future.

Given this structural weakness, the idea of a new Cold War is misleading. The Cold War was an endurance race between two similarly strong rivals, the weaker of which eventually had to give up. Russia does not have the capacity to wage another struggle of that type. Nevertheless, as a restored great power, the new Russia will for the time being attempt to ride in the slipstream of other great powers for as long as doing so coincides with its possibilities and interests; it will concentrate on its own sphere of influence and on its role as a global energy power; and it will otherwise make use of its opportunities on a global scale to limit America’s power. But it will not be able to seriously challenge the United States – or looking towards the future, China – in ways that the Soviet Union once did.

It is now clear that in the future, Russia will once again pursue its vital interests with military force – particularly in its “near abroad.” But Europe must never accept a renewal of Russian great power politics, which operates according to the idea that might makes right. Indeed, it is here that Russia’s renewed confrontation with the West begins, because the new Europe is based on the principle of the inviolability of boundaries, peaceful conflict resolution, and the rule of law, so to forgo this principle for the benefit of imperial zones of influence would amount to self-abandonment. Further eastward expansion of NATO, however, will be possible only against fierce Russian resistance. Nor will this kind of policy in any way create more security, because it entails making promises that won’t be kept in an emergency – as we now see in Georgia.

For too long, the West has ignored Russia’s recovery of strength and was not prepared to accept the consequences. But not only Russia has changed; so has the entire world. America’s neo-conservatives have wasted a large part of their country’s power and moral authority in an unnecessary war in Iraq, willfully weakening the only global Western power. China, India, Brazil, Russia, and the Persian Gulf today are the world economy’s new growth centers and will soon be centers of power to be reckoned with. In view of these realities, the threat of exclusion from the G8 doesn’t really feel earth shattering to Russia. Europe’s disunity and impotence underline this image of a West that has partially lost touch with geo-political realities.

The response to the return of Russia’s imperial great power politics has nothing to do with punishing Russia, and a lot to do with establishing innately Western – especially European – positions of power. This requires several measures:

• a new political dynamism vis-à-vis Turkey to link this country, one crucial for European security, permanently to Europe;

• putting a stop to Moscow’s divide-and-conquer politics by adopting a common EU energy policy;

• a serious initiative for strengthening Europe’s defense capabilities;

• a greater EU commitment to Ukraine to safeguard its independence;

• a greater freedom of travel for all the EU’s Eastern neighbors.

All of this, and much more, is needed to send a clear signal to Russia that Europe is unwilling to stand idly by as it returns to great power politics.

Presumably, none of this will happen, and it is precisely such inaction that is, in large part, the cause of Russia’s strength and Europe’s weakness. At the same time, however, one shouldn’t lose sight of the joint interests linking Russia and the West. Cooperative relations should be maintained as far as possible.

It is blatantly obvious that for Russia’s elites, weakness and cooperation are mutually exclusive. Therefore, whoever wants cooperation with Russia – which is in Europe’s interest – must be strong. That is the lesson from the violence in the Caucasus that Europe must urgently take to heart.

Joschka Fischer, Germany’s Foreign Minister and Vice Chancellor from 1998 to 2005, led Germany’s Green Party for nearly 20 years.

Copyright: Project Syndicate/Institute for Human Sciences, 2008.
www.project-syndicate.org

Dictators and disarmament: This week’s cover

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Here at the hyper-local Bay Guardian, we don’t get to write about international organized crime all too often, but it’s something we truly enjoy studying when we’re off the clock. Thankfully, we were able to hoodwink our editors into allowing us to examine the subject during precious work time for this week’s cover story. Suckers.

For those of you who appreciated our profile of human rights investigator Kathi Austin, we’ve got a wealth of additional material below for you to check out, some of it great stuff we hated having to pull from the story due to space constraints and some of it links to other highly informative stories and academic studies on small-arms proliferation in the developing world.

As for Victor Bout’s arrest earlier this year in Thailand, the Russian government has reportedly worked behind the scenes to have him delivered back to Moscow. But Washington’s relatively new attorney general, Michael Mukasey, emerged from meetings during a recent trip to Bangkok declaring that the case for his extradition was “very strong,” according to press accounts. Bout has an extradition hearing in Thailand on July 28.

He fled to Moscow several years ago, probably in 2002, evading an Interpol arrest warrant in the process. Russia doesn’t have an extradition treaty with the United States, but leaving his safe confines in Moscow and heading to Thailand made him vulnerable to the arrest that occurred in February.

A photo of the arms tycoon from Agence France-Presse – one of the few seen publicly – quickly circled the globe after his capture and showed Bout dressed in a polo shirt and moustache with trim, nut-brown hair. Two massive arms are stuffed into a pair of handcuffs as he glowers at the camera and his considerable size dwarfs the Thai policemen walking next to him.

We first learned about Austin’s pursuit of Bout after reading the definitive book on him published last year by two American journalists, Merchant of Death: Money, Guns, Planes, and the Man Who Makes War Possible. The co-authors are Douglas Farah, a former West African bureau chief for the Washington Post, and Stephen Braun, a national correspondent for the Los Angeles Times. The duo thanks Austin for opening up her files during their research for the book, and Merchant of Death is a must-read for anyone interested in human rights and disarmament.

More after the jump.


Lord of War, 2005

Hunting the lord of war

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› gwschulz@sfbg.com

Accused illegal arms dealer Victor Bout’s long-awaited arrest by Thai police officers March 5 was an important victory against unchecked human rights abuses around the world, and a personal vindication for the San Francisco woman who helped bring Bout to international attention.

Bout arrived at the luxurious Sofitel Hotel in Bangkok believing he was to meet with two senior leaders of the Marxist guerrilla army known as the Revolutionary Armed Forces of Colombia, or FARC. The men, it turned out, were paid informants operating on behalf of US drug enforcement officials.

Through an associate, the 41-year-old Bout allegedly promised to sell the duo large quantities of weapons to continue FARC’s decades-old insurgency against the Colombian government. According to an April federal grand jury indictment filed in New York, the arms included surface-to-air missiles, AK-47s, C-4 explosives, land mines, and even people to help train FARC soldiers in using the weapons.

Among those most relieved — and surprised — at the arrest was a relentlessly determined human rights investigator who lives in San Francisco. Kathi Lynn Austin, 48, has been pursuing the notorious trafficker and war profiteer for more than a decade.

Bout, a former USSR Air Force officer, is widely reputed to be one of the world’s most active criminal arms dealers, perhaps best known for his spectral presence on the African continent. There, he cultivated professional relationships with its litany of brutal dictators and helped fuel some of the most appalling human rights tragedies of the last century.

Austin and other investigators, as well as journalists and law enforcement officials in several countries, say that Bout expertly structured a business empire of shell companies, dubiously licensed cargo planes, and endless arms accumulations from former Soviet stockpiles — all of which were intended to minimize evidence linking his name to illegal weapons dealing.

But the work Austin did to penetrate that shell and expose Bout was so notable and dramatic that Paramount Pictures announced in December 2007 that superstar Angelina Jolie would play her in a drama inspired by Bout’s infamous career.

It’s a stunning achievement for someone who 15 years ago struggled to convince even her colleagues in the human rights community that the end of the Cold War and the globalization of organized crime made nonstate actors like Bout as much of a threat to peace as the tyrannical governments they’d been naming and shaming for years.

"A human rights violation is considered a violation that is carried out by a state actor," Austin told the Guardian. "We were trying to change the whole field of human rights to philosophically say we should be going after these private perpetrators as well."

Austin has helped document Bout’s convoluted network since about 1994, first as a consultant for Human Rights Watch and later as arms and conflict director for the Washington, DC–based Fund for Peace, for which she maintained a San Francisco office, before eventually working for the United Nations.

After returning to San Francisco in June from an 18-month UN mission in East Timor, Austin agreed to talk about her investigations of Bout over several hours of interviews near the North Beach apartment where she’s been holed up writing material for the Paramount script.

Seeing Austin in a crowded coffee shop with clear features and wide, earnest eyes, it’s not easy to imagine her charging through the world’s hellholes: Rwanda, Sierra Leone, Liberia, the Democratic Republic of the Congo, Angola, and other African conflict zones where the UN has imposed longstanding but ineffective arms embargos.

The work of Austin and others repeatedly helped show that death and destruction could continue indefinitely for the right price paid to savvy arms brokers like Bout, while the United States failed to regard the plight of civilian populations across Africa as vital to its interests.

As the world would learn in 2004, even the US military relied on Bout’s planes to conveniently bring its partially privatized war machine down on Iraq, making this story about more than just Bout and his pursuers.

Following Bout’s arrest in Thailand, federal prosecutors here charged him with conspiring to kill US nationals and attempting to illegally acquire anti-aircraft missiles.

In 1997 the United States designated FARC a terrorist group for kidnapping and murdering American citizens in Colombia. US officials also consider Colombia the globe’s largest supplier of cocaine, a trade that’s kept the leftist rebels afloat.

Bout allegedly told DEA informants that an ongoing, violent campaign by the FARC to counter America’s cocaine fumigation efforts in Colombia was his fight, too, and that he could supply the guerrillas with everything they needed.

Days after this story goes to press, however, he’s due for a court hearing in Bangkok, where a judge will decide whether to extradite him to the United States. That means Bout could face a criminal trial on American soil. To Austin, that’s long overdue. She had lost hope that her country would subdue a top-tier enabler of gross human rights violations. A secret sting operation led by American narcotics agents was the last thing Austin believed would lead to Bout’s capture — and for good reason.

She first became aware of his name in 1994, shortly after witnessing one of the brightest moments in contemporary African history. On April 24 of that year, Austin stood near the polling station as Nelson Mandela, a political prisoner of 27 years, marked his ballot in South Africa’s first fully democratic election. She’d been invited to attend after working as a researcher in the Natal province documenting political violence and the apartheid government’s desperate attempts to preserve decades of white control through upheaval and destabilization. No one was sure Mandela would reach the ballot box.

"We got up at three, four in the morning to load a bus," Austin recalls. "Nobody told us exactly where it was. We had to go under cover of darkness. When we got there, he voted just after the sun came up."

The inauguration party weeks later spilled out everywhere in Johannesburg. Austin mingled with foreign journalists and drank champagne. But one of the greatest parties of the century turned glum as vague reports mounted describing trouble in a nearby country, one smaller than Maryland and at the time unknown to most Americans: Rwanda.

"Nothing was really clear. It was all very ambiguous," Austin remembers. "We just kept hearing these reports that 10 Belgian peacekeepers had been killed and the UN was pulling out and people were dying on a massive scale."

The Rwandan genocide would become one of the greatest human atrocities since the Holocaust as extremists from the ethnic Hutu majority massacred at least 800,000 minority Tutsis and Hutu moderates with gruesome efficiency while the world stood by.

As details emerged, Austin raised money in the United States and worked to get to the beleaguered African nation as soon as possible. Meanwhile, a Tutsi-led military offensive defeated the Hutu Power government in the capital city of Kigali by July 1994 and supposedly ended the genocide. But as Austin and others would learn, the violence was far from over.

Hundreds of thousands of refugees streamed toward the eastern border of neighboring Zaire, among them the perpetrators of the genocide. Hidden inside refugee camps, Hutu militias renewed their strength and began amassing weapon caches with the quiet support of Zairian dictator Mobutu Sese Seko.

Austin fearlessly penetrated the militia encampments, persuading exiled Hutu military leaders to disclose how they had obtained antitank grenades and high-caliber ammunition. The list included Col. Théoneste Bagosora, considered to be a chief architect of the genocide. Her trick? Austin told them she was a researcher for the neutral-sounding Institute of Policy Studies — which was technically true — and simply needed to hear their side of the story.

"It was a really treacherous place to be," Austin said. "At the time I appeared young, nonthreatening. I didn’t often say I was with Human Rights Watch…. In any kind of organization, people are motivated by many different things. You find those sources that for some reason or another want to help out or are so ego-driven they don’t think that any information they give to you is going to be used somehow against them."

She also interviewed members of flight crews who gave her information on cargo companies hired by the Mobutu government to secretly supply its Hutu allies with weapons by falsifying official flight plans and end-user certificates, key legal requisites designed to curtail transnational arms shipments.

According to her later Human Rights Watch report, "The militias in these camps have taken control of food distribution, engage in theft, prevent the repatriation of refugees through attacks and intimidation, carry out vigilante killings and mutilations of persons suspected of crimes or of disloyalty … and actively launch cross-border raids."

What didn’t make sense was how the suspected ringleaders of the genocide could obtain weapons despite the return of peacekeepers to the area and an arms embargo on Rwanda imposed by the UN.

CIA investigators later discovered that planes belonging to Bout were involved in supplying the outlaw Hutus, according to Douglas Farah and Stephen Braun’s definitive book on Bout, Merchant of Death: Money, Guns, Planes, and the Man Who Makes War Possible (Wiley, 2007).

Austin also came to that conclusion by the end of an eight-month fact-finding trip to the region carried out in 1994 and 1995. Her findings for Human Rights Watch helped propel her to international notoriety as more NGOs focused on illegal arms flows coming from private brokers.

"The Rwandan genocide was really the watershed, for me and for Bout," Austin said. "In the early years, he’s building his empire and I’m beginning to narrow what I want to investigate. I was becoming more and more convinced that in all the wars I was looking at, it was logistics. It was all about who could bring in the guns, the fuel — keep the war going."

Back then, Bout was still a bit player among many weapons suppliers working on the continent, according to Austin. But he soon did something that would significantly boost his career and help make him what another Bout pursuer once described as "the McDonald’s of arms trafficking." He switched sides and helped the new post-genocide Rwandan leadership topple the neighboring Zairian presidency of Mobutu, Bout’s own longtime client.

Zaire is known today as the Democratic Republic of the Congo. Bout would make yet more money years later aiding another warlord who attempted a violent coup inside the country, Jean-Pierre Bemba. The International Criminal Court last month charged Bemba with mass brutality and rape committed against civilians between 2002 and 2003.

"He [Bout] has no loyalty," a Bout associate told Merchant of Death authors in 2006. "His loyalty is to his balls, his sweet ass, and maybe his wallet."

Probably Bout’s most cynical move occurred in Afghanistan. At the start of his career, in the early 1990s, he allegedly maintained an intimate business relationship with commanders of the Northern Alliance, the tribal army that fought Taliban extremists for years until gaining power in Afghanistan with US help following the Sept. 11 terrorist attacks.

US officials began openly acknowledging in 2005 that Bout earned as much as $50 million also furnishing the Taliban with military equipment during its reign over the country.

Austin’s upbringing is the antithesis of what one might expect from an international human rights investigator. The oldest of five kids, she played guitar in a country-and-western band with the rest of her siblings, embarking on tours throughout the South from their home in Richmond, Va.

"We would play for people who had no money," she said. "We’d camp out for three days just to give them some music."

In the ’60s , the family of Baptists played at small African American churches during the climax of Southern segregation and against the backdrop of racist terror. They defied the neighbors and invited black friends over for dinner or socialized with them publicly. The Austins were largely apolitical, but Kathi says her parents insisted on human decency and encouraged a basic sense of justice and rebellion.

Her exposure to the destitution of many formerly enslaved black families in the South translated seamlessly in her own mind to Africa, a continent that fascinated her. But her understanding of the continent was limited.

"I just wanted to go save Africa one day. It was what I said I wanted to do with my life when I was really young…. I had this kind of missionary zeal, this very naïve, humane impulse."

Few people in her family considered going to college, but Austin hungered for academic achievement, securing a scholarship to the University of Virginia in the late ’70s.

Civil rights turmoil at the school politicized her and transformed her deeply. A model Organization for African Unity held for college students each year at Howard University in Washington, DC had the greatest impact. She attended it devotedly for several years. After competitive debates, politicians, professors, and other experts would speak to the students about Africa’s colonialist history and the anti-Apartheid movement.

"I really began to understand a lot of the underpinnings of what was going on with the African liberation movement in South Africa," she said. "I became engrossed in it and learned a lot intellectually and got a good sense of what I thought."

Austin began to zero in on the Ronald Reagan administration’s agenda of undermining Soviet communist influence in the region. The United States covertly backed the UNITA rebels in Angola against a communist-led liberation movement there, and continued to support the white-dominated and separatist apartheid regime of South Africa.

She wanted to investigate the unsavory relationships Reagan’s White House had developed on the African continent in its crusade to defeat communism during the Cold War. But Austin was aware of only two think tanks in the capital that examined such issues and had a reputation for attracting left-leaning luminaries. One was the nonprofit National Security Archive, a repository of declassified intelligence and foreign policy documents obtained largely through Freedom of Information Act requests.

Headquartered at George Washington University, lawmakers concerned about US covert activities abroad and some of the nation’s best-known journalists, including New Yorker writer Seymour Hersh, palled around at the independent, nongovernmental research library after it was founded in 1985 by a group of muckracking reporters and scholars.

Austin’s internship there in 1988 created a new realm of possibility — solo investigations — and sparked an interest in following the intricate paper trails that accompanied her growing knowledge of Africa’s geopolitical landscape, frequent outbreaks of low-intensity conflicts, and evasive weapons procurers.

But she still had never been to Africa. "That was my big ambition," she said. "If there’s anything about me it’s that I’ve got to see for myself."

As her ties to Washington expanded, she joined a World Bank urban rehabilitation team, writing political and economic background reports on Angola in 1989, believing she could make a difference inside the ill-reputed lender to developing countries.

She didn’t, but it was enough to give her first contact. After that trip to Angola, Austin used her savings to stay behind, joining a UN mission overseeing the withdrawal of Cuban troops above the 19th parallel, who were there as a result of Angola’s years-long civil war. She later went to Mozambique on a MacArthur Foundation grant and interviewed private mercenaries operating there for a report called "Invisible Crimes" that included a simple investigative formula she would employ for years to come: What’s wrong? And who’s doing it?

"Through the years, you realize just what kind of danger she’s in," her sister, Cindi Adkins, said from Virginia. "We would go days, weeks, months without hearing from her. My mom would say, ‘We have to call the Red Cross and see if we can find out that she’s okay.’<0x2009>"

Wanting to escape Washington culture, she moved to North Beach in 1997 after becoming entranced by San Francisco’s slower pace. Between missions, she’d spend full days at Caffe Sapore on Lombard Street writing a book about arms trafficking she’s still working on today.

Stanford University’s Center for African Studies invited her to become a visiting scholar for a year, researching arms proliferation and lecturing students, while the Goldman School of Public Policy at the University of California, Berkeley, did the same thing shortly afterward.

But the San Francisco–based Ploughshares Fund became one of Austin’s biggest supporters, helping her finance the creation of a local arms and conflict office for the Fund for Peace, an antiwar think tank in Washington.

"At that time, one of the areas we did a lot of funding in was the control of small arms and light weapons," said Deborah Bain, Ploughshares’ communications director. "Kathi was someone who did a lot of very courageous work tracking arms flows around the world. We were very impressed with the work she was doing and the kinds of results she was getting."

By then the UN had grown to understand the need for knowledgeable people on the ground who could travel across various war-torn African countries and gather evidence on who was vioutf8g arms embargos and how they were doing it. In the coming years, Austin served as a consultant and official expert on panels that investigated sanctions violations in Liberia, the Congo, Uganda, Burundi, Sudan, and Sierra Leone with teams of other human rights investigators who’d long followed Bout’s operations.

Her ex-boyfriend, Todd Ewing, a foreign economic development specialist and Bay Area native who began dating her in East Africa during the ’90s, described Austin as intense and ambitious. While his own blonde hair and six-foot frame made him conspicuous in the region, he said Austin’s "big brown eyes" and polite manner enabled her to slyly convince gritty characters to talk.

"Her MO at that time would be to just disappear for months [on fact-finding trips]," Ewing said. "I always liked to describe her as a sort of spy for the good guys."

Observers say that history handed the equally ambitious Victor Bout a perfect storm in 1991 at just 24 — an age when many Americans are looking for their first post-collegiate job.

The Soviet empire dissolved that year, ending the Cold War between Russia and the United States. Economic globalization expanded and gave every creative entrepreneur with good connections, criminal or legit, a chance to make a fortune. Aging Cold Warriors in the Beltway during the Bill Clinton era and later in George W. Bush’s cabinet maintained a stark binary ideological view of the world and failed to take seriously the growing threat posed by transnational criminals who had exchanged ideology for profit.

After the Berlin wall fell, corrupt Russian oligarchs infamously plundered the country’s assets as they were privatized following years of state control. Some robbed Russia’s rich oil reserves. Bout sought its military installations and airfields containing rows of cheaply available and unused commercial planes, all essentially abandoned by the central government.

Profiles of Bout put him in Angola — and possibly Mozambique — working as a translator for Russian peacekeepers when the Soviet Union broke up. US officials say Victor Anatolijevitch Bout was born in Dushanbe, Tajikistan, a deeply impoverished former Soviet state, and speaks several languages.

Bout told the New York Times in a rare 2003 interview that he purchased three Antonov aircraft for next to nothing in 1992 and used them to exploit a gap in the transit market, at first ferrying innocuous cargo like flowers from South Africa to the Middle East.

But the mogul quickly fostered connections to old Eastern bloc manufacturing and storage facilities in places like the Ukraine and Bulgaria, which were filled with AK-47s — ubiquitous in the developing world — ammunition, tanks, helicopters, and other military equipment.

Over time, investigators say he erected a complex web of cargo and airline companies designed to throw off suspicion. If one firm faced too much attention from aviation authorities, another was created to hold the assets. Otherwise, bribery, fraud, and forged documents were used, according to a report on Bout created by the US Treasury Department. In many African countries, aviation regulations are weak and international law is rarely enforced.

"Unless confronted with documentary evidence to the contrary, Bout’s associates consistently deny any involvement with Bout himself or playing any role in arms trafficking," the treasury report from 2005 reads.

US officials believed by then that he controlled the largest private fleet of Soviet-era aircraft in the world and employed hundreds of people, overseen partly from a nerve center in the United Arab Emirates, at the time a fast-growing and highly unregulated intercontinental transportation hub east of Saudi Arabia.

The Treasury report and other investigations say Bout became a confidante of the Liberian dictator Charles Taylor, supplying him with gunships and missile launchers. Taylor is currently on trial in the Hague for directing horrifying atrocities in neighboring Sierra Leone, ranging from widespread and extreme sexual violence to drugging and forcing children into combat.

When treasury officials here finally moved to seize Bout’s assets and bar Americans from doing business with him in 2004, they concluded that he had received diamonds extracted from Sierra Leone in exchange for supplying arms to Taylor.

That year saw one of Austin’s boldest attempts to confront the trafficking of illicit goods, on an airport tarmac in the Democratic Republic of the Congo, at that time under its own arms embargo. A UN team Austin worked with uncovered piles of questionable registration records during a surprise inspection of two dozen planes, some of which fit Bout’s profile, as their Russian crews stood by, annoyed.

"I only told one or two high-ranking UN officials to get their permission, so we could be sure it didn’t get leaked out," Austin said. "None of the people involved in the actual inspection knew about it until that morning…. I’m still surprised it was so effective. I’m not sure it would work again."

International aviation rules require pilots to maintain several different types of documents, but the group found that 21 planes had invalid registration papers, two had false airworthiness certificates, and three had no insurance to speak of — telltale signs of smuggling. The group determined that weapons in the area were being exchanged for illegally mined columbite-tantalite, or coltan, a valuable mineral contained in some modern electronic devices such as cell phones.

The revelation led the UN Security Council to place Douglas Mpamo, a prominent alleged Bout manager in the region, on the DRC sanctions list, along with a pair of well-known Bout subsidiaries. With Austin’s help, another reputed top Bout lieutenant named Dimitri Popov made a similar security watch list in the United States.

Meanwhile lower-level bureaucrats in the US State and Treasury departments collected evidence on Bout for years, assisted by Austin, who occasionally met with them to relay information she had gathered on fact-finding missions. She testified to Congress about the proliferation of small arms, too, but after Sept. 11, the White House drifted away from a growing campaign to stop Bout.

"I don’t think the Bush administration should get any credit for the fact that Victor Bout was arrested," Austin said. "I think it has to do with the DEA being insulated from the policy influences of the administration. They kept the case so secret they were able to succeed. In the past, once it became an interagency issue or problem, bureaucratic inertia and turf wars entered in and always raised some obstacle to the actual pursuit of Bout."

Eventually, that bureaucratic inertia began to look like something far more shameful.

On April 26, 2005, several state and federal law enforcement agencies including the FBI, IRS, and Dallas Police Department, raided two homes and an office in Richardson, Texas, looking for evidence that Bout’s tentacles had reached the United States.

The properties belonged to a Syrian-born American citizen named Richard Chichakli, who had served in an aviation regiment of the US Army during the first Gulf War. After being discharged in 1993, Chichakli helped create a free trade zone in the United Arab Emirates.

That’s where Chichakli likely first met Bout. Chichakli later returned to the US and became licensed as an accountant and an expert in military contracting. Officials found records showing that the 49-year-old Chichakli had created American companies connected to Bout.

Also discovered during the raid were wire transfer statements showing hundreds of thousands of dollars at a time moving from Bout-connected companies in the UAE to Chichakli in Texas, and credit card invoices managed by Chichakli listing Bout’s lavish purchases at businesses serving the nouveau riche of Moscow.

The raids were the result of a July 2004 executive order signed by President Bush — who, facing pressure from the UN, authorized the raids and prohibited Americans from doing business with Bout due to his connections to Taylor in Liberia.

The White House’s action came years after Austin and other investigators compiled their own research on Bout’s role in arming African warlords. Thirty companies and four individuals were added to a blocking order as a result. Federal court records from the case include extensive references to UN reports on Bout, including some Austin worked on, like one citing witnesses who saw a Bout-connected plane transporting large volumes of arms and ammunition through a Congolese airport between February and May 2004. Something was finally being done, or so it seemed.

But Austin and her colleagues were furious to learn that the US Defense Department hired Bout’s vast air armada with taxpayer money nearly 200 times in 2004 alone to ferry supplies and construction materials into Baghdad after the start of the Iraq war.

Merchant of Death co-author Braun, a Los Angeles Times national correspondent, reported for the paper in December 2004 that two well-established Bout companies, Air Bas and Irbis, had contracted with the US Air Force and Army as well as private companies like FedEx and Kellogg Brown & Root, the much-maligned former Halliburton subsidiary. The State Department had circulated a list of Bout companies warning its officials not to use them, Braun wrote, but the Pentagon made no similar effort.

A fuel purchase agreement included in Chichakli’s court file shows that the Defense Department used Air Bas "for official government purposes" just nine days after Wisconsin Democratic Sen. Russ Feingold questioned top defense officials, including then–Deputy Secretary of Defense Paul Wolfowitz, about such contracts. But Wolfowitz didn’t acknowledge what he eventually characterized as the "inadvertent" use of Bout’s planes for Feingold until months later.

When Austin delved into the issue in 2005 with fellow Merchant of Death author Farah, a former West African bureau chief for the Washington Post, the pair obtained new information for an article in the New Republic showing that the US military also used Bout-controlled companies during a four-month period in 2005, long after the "inadvertent" contracting had first been publicized.

The discoveries were a major letdown for Austin. She’s discussing with some NGOs the possibility of suing the federal government for vioutf8g its own presidential executive order. But Austin knows that even if Bout lands in a US prison for life, there will be someone else to take his place. It’s already happening, she says. As dark as it sounds, Austin will never have to go without a job.

"I’ve seen so much of the same thing go on year after year," Austin said. "You just have to take it in stride and keep coming back punching and hitting. That’s just the nature of the beast, the nature of the work that I do. You just have to keep going."