International

Steps that impressed

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Looking back over the past year always entails a look forward, and perhaps the best part of 2008 is that in 2009 there is at least the possibility of the arts becoming part of the national dialogue. Two reasons warrant such optimism: during the Great Depression, people still wrote books, went to the theater and movies, and created canvasses. Modern dance went through its most crucial development in that time.

Furthermore, President-elect Barack Obama actually has an arts agenda — the first president to have one in a long while. That alone is encouraging. As for 2008, out of dozens of experiences, some inevitably have imprinted themselves more than others.

**If I had to choose the single most important event of the year, it would have to be the Merce Cunningham Dance Company’s two-week residency at Cal Performances, culminating with Craneway Event at a former Ford auto plant in Richmond. It was a quiet, luminous, and utterly unforgettable Sunday afternoon of being in the presence of genius.

**San Francisco Ballet’s commissioning of 10 works by 10 choreographers in honor of its 75th anniversary could have been more adventuresome. Still, it signaled a commitment to the future. Margaret Jenkins’ and Julia Adam’s pieces were not critically acclaimed, but both choreographers dared to go outside the conventionally balletic.

**Ballet San Jose impressed with first-rate programming. Just Balanchine, Swan Lake, The Firebird, and The Toreador highlighted just how fine a group of dancers they are — with an excellent repertoire the South Bay can call its own.

**Shelley Senter set Trisha Brown’s 1979 hauntingly beautiful Glacial Decoy before the professionals and graduate students of Mills College dance department, titling it Glacial Decoy Redux. Adapted for a smaller stage, the 30-year-old piece looked as pristine and daring as ever.

**Joe Goode Performance Group made Wonderboy after a sabbatical spent recharging batteries with travel. With its touching tenderness and poignant exploration of loneliness and community, Wonderboy was vintage Goode, though in its use of the material — dance in particular, but also text, music, and puppetry — it was as fresh and imaginative as anything he has created.

**Former Joe Goode dancer, Miguel Gutierrez and the Powerful People’s edgy and audience-challenging Retrospective Exhibitionist asked the year’s most intellectually trenchant questions about the nature of performance, perception, and theatrical manipulation.

**Hip-hop artist Marc Bamuthi Joseph’s the break/s: a mixtape for stage proved to be another of his meditations on what it means to be an African American, a man, a father, and a human being. Using a travel diary approach, he integrated language, music, and movement into a self-effacing monologue that was as freewheeling yet formally cogent.

**Certainly the most intriguing, but least promising, collaboration happened between Janice Garrett and Dancers and the Del Sol String Quartet. The idea was to have dancers and musicians physically interact with each other. The result was the sparkling StringWreck, a spirited entertainment with musical as well as choreographic substance.

**Jess Curtis/Gravity’s imagistic Symmetry Study #7 for Curtis and Maria Francesca Scaroni paired the two nude dancers in a structured contact improvisation in which their interlocking bodies became a piece of sculpture trying to find its form. They used the body at its most basic: weight, mass, and skeletal structure.

**The San Francisco International Arts Festival brought the year’s best surprise: Berkeley’s Art Street Theater’s US premiere of Yes, Yes to Moscow, a wistful and beautifully imaginative dance theater work that picked up where Chekhov’s Three Sisters left off. If you have ever wondered what would have happened if Olga, Masha, and Irina had made it Moscow, go and see Yes — if it ever returns.

Don’t look back

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Twelve months ago, as I sat down to write a year-end appraisal of 2007, I was still in awe of "© Murakami," the Takashi Murakami show at the Museum of Contemporary Art in Los Angeles. It brilliantly captured the crass apex of global capitalism, mostly through celebrity-studded receptions and the appropriated — call it sculptural — form of a Louis Vuitton boutique. What a difference a year makes. At the close of 2008, the whole art world is watching as the highly regarded MOCA teeters precariously on a financial abyss, while Vuitton maven Marc Jacobs recently canceled his extravagantly performance-arty holiday party in the name of "recessionista" austerity.

Suddenly, commentaries on luxury goods seem so ’07, as evidenced by the critical response to a Chanel-sponsored, Zaha Hadid-designed quilted handbag exhibition that landed in Central Park this fall. "If devoting so much intellectual effort to such a dubious undertaking might have seemed indulgent a year ago, today it looks delusional," architecture critic Nicolai Ouroussoff opined in The New York Times. At this particular moment, it’s as difficult to summon up the flush feeling of the recent past as it is to contemplate a belt-tightening future.

To look forward is to confront anxious uncertainty. Optimists, however, anticipate a period in which art is tempered by a sense of hopefulness and focus rather than being driven by auction reports. Contemporary art will become more thoughtful, they predict. A good percentage of San Francisco art dealers jetted off to Miami for the recent spate of fairs, fingers crossed, expectations lowered. Word on the street said the outcome wasn’t as bad as expected, though sales were slow. Collectors actually had time to look and think about the art they were interested in, in contrast to automatically joining the grab-and-go sellers’ market of years past. Like everything else in our culture, the art world appears poised to embrace a more manageable scale. I wonder if this also means that art activities will become more homegrown.

This fall, the Bay Area saw a whole lot of contemporary art from China, with big shows at the Berkeley Art Museum ("Mahjong: Contemporary Chinese Art From the Sigg Collection") and the San Francisco Museum of Modern Art ("Half Life of a Dream: Contemporary Chinese Art") providing a welcome crash course in Far East art production. It seems unlikely, though, that either will have a lasting impact on community consciousness. Interest in Chinese art mirrors an American preoccupation with economic miracles. Numerous Western galleries opened Beijing outposts this year, positioning for anticipated new markets, but fantasies of financial success have been exposed as illusion — much like the sounds and images from Zhang Yimou’s over-the-top opening of Beijing Olympics.

The Bay Area museum scene was robust in the summer. Unsurprisingly, "Frida" gave SFMOMA a summer blockbuster, albeit one outsold by "Chihuly at the de Young." The latter presented a problematic expression of the tensions between art, craft, and design — Kenneth Baker’s slam review in the San Francisco Chronicle incited a welcome, if contentious, flurry of public online dialogue. The Contemporary Jewish Museum opened its new building in June with solid shows and events, making that institution a more prominent cultural resource (albeit one that still needs to prove itself through upcoming programming). There were lower budget alternative visions to be found. A plethora of apartment and hallway galleries popped up around town. "Kiki: The Proof is in the Pudding," Ratio 3’s summer show honoring a now-legendary mid-1990s gallery in the Mission, , generated a surprisingly broad buzz, thanks to its range of notable artists with SF roots.

And then there was "Bay Area Now 5," a show that people, unfortunately, weren’t really talking about. Ambitious in intent, this edition of the regional survey hoped to offer a spin on international biennials. It included artists who recently moved to the area from distant countries, some guest-curated shows-within-the-show, and off-site events. But the result felt unfocused. Its off-kilter array of bizarre inclusions — such as Edmundo de Marchena’s jaw-dropper of a sculpture, a jiggling prosthetic genital homage to SF’s history of sexual compulsion — failed to please artists (both in and out of the show), appease local galleries whose artists were not represented, or register with a public looking for the current pulse of San Francisco art. Challenges to the market-based art world and programs that avoid the usual suspects are welcome strategies. But in this case, the quality of individual projects was subsumed by the muddled institutional vision of Yerba Buena Center for the Arts. What is the point of "Bay Area Now" again?

Perhaps the misfired attempt would be forgivable if it hadn’t been bracketed by equally undercooked exhibitions ("The Way That We Rhyme," "The Gatherers: Greening Our Urban Spheres," and the cryptic "transPop: Korea Vietnam Remix" — a show in dire need of contextualizing wall labels). YBCA has a new visual arts director, former San Diego Museum of Art curator Betti-Sue Hertz, who will take the helm in early 2009. She has her work cut out for her.

As resources become more precious, frugal ingenuity is likely to take precedence in local art offerings. To cut costs, museums will be having fewer exhibitions with longer runs (some extending beyond six months). These time frames offer opportunities for deeper scrutiny — or heavier bouts of boredom. Something like SFMOMA’s current "The Art of Participation: 1950 to Now," even if it doesn’t live up to its promised scope, reflects an interest in collaborative involvement and the appeal of low-rent materials — rubber bands, anyone? Audiences are enjoying themselves, maybe even making repeat visits.

Perhaps homespun critical fantasy is the order of the day. The Wattis Institute’s "The Wizard of Oz," for example, fused a ragtag collection of contemporary art and historical artifacts into an amber-hued vision of the crumbling American dream. I wish I’d been able to see the Jeff Koons sculpture installed in the Château de Versailles, a more extravagant example of a visually and conceptually pointed spectacle — Koons’ mash-up of European and American relics forms another kind of dreamy Oz. Click your heels three times and repeat after me: there’s no place like home.

GLEN HELFAND’S 2008 TOP 10

1. "Oranges and Sardines," Hammer Museum

Returning SFMOMA curator Gary Garrels’ current "conversations on abstract painting" exhibition in Los Angeles is one of the most satisfying, artist-friendly shows ever.

2. Philippe Vergne, lecture at San Francisco Art Institute

The recently-appointed director of the Dia Art Foundation offered incisive, inspirational, and witty takes on the melancholic state of the arts.

3. Speed Racer: The IMAX Experience (Andy and Larry Wachowski, USA, 2008)

This color-drenched amusement park ride of a movie lacks coherence and features the world’s most irritating child actor, but two-plus hours of nonstop electric rainbow CGI at IMAX scale turns eye-tickling into an endurance sport.

4. Seven Days in the Art World, by Sarah Thornton (Norton, 256 pages, $24.95)

As economies tank everywhere, there is no better time to get Thornton’s insider view of art fairs, auctions, art schools, and the like — it already seems like glam art history. Plus it’s great fodder for art opening chitchat.

5. Brendan Lott, at SF Art Commission Gallery and San Jose Institute of Contemporary Art

Lott’s paintings — farmed out to painting towns in China and based on appropriated culturally revealing Flickr images of American teens — provided a remarkably concise picture of globalization.

6. Fritz Haeg, lecture at SFMOMA

Though the notion of garden-as-participatory-eco-artwork is beginning to seem rote, Haeg, a key figure in this movement, convinced skeptics with his self-aware and pleasurable take on social sculpture.

7. You Don’t Mess with the Zohan (Dennis Dugan, USA, 2008)

Adam Sandler’s crude, sure, but in this under-appreciated lark he joyfully takes on Arab-Palestinian conflict, the joys of intergenerational sex, the mall-ization of Manhattan, and vintage Paul Mitchell unisex cuts.

8. Park Life and Electric Works

These two relatively new gallery-bookstore entities, Park Life in the Richmond District and Electric Works in SoMa, have made good art seem accessible — in the collector sense — to everyone. If you can’t afford the originals or prints (Electric Works makes ’em), then you can buy into the highly selective inventory of art books at either place.

9. Love Songs (Christophe Honoré, France 2007)

This down-tempo spin on Jean-Luc Godard’s 1961’s A Woman Is a Woman and Jacques Demy’s 1964 The Umbrellas of Cherbourg restored my faith in French cinema, not to mention musical melancholy.

10. "Josephine Taylor: Bomb Landscape," Catherine Clark Gallery

Taylor first made a splash with delicately rendered, almost wispy epics of extreme family dysfunction and abuse. Her latest show is startling in its visual darkness and more dreamlike but still frightening surrealistic imagery.

Picks, pans, and a top 10

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CHUCK MOBLEY, CURATOR AT SF CAMERAWORK


Pan: SF Art Institute’s furlough

A humble proposal to those laid off for a month: exchange your individual voice for a collective one and begin intervening by employing the crafty tools of activism as an artful device of communication in order to effect positive change for your institution. As culture workers you are bound to succeed.
Pick: The Size Queens, Magic Dollar Shoppe (Bitter Stag)

A lineup of Bay Area all-stars have produced a multi-layered disc of anti-globalization, anti-pop culture anthems filled with pathos and wit. By turns literary, cheeky, melancholic, and celebratory, this music is the perfect accompaniment to a protest or a Naomi Klein lecture.

XYLOR JANE, ARTIST


Pick: P&H 2 (Behemoth), 2007, oil on canvas, 84" x 92", from "Amy Sillman: Third Person Singular,"

at Tang Museum, Saratoga, NY

This painting stares you down and sizes you up. I lock a gaze. I’m a little scared. I can hear and smell every single thing near me. IT makes you bristle, puff, straighten and square the challenge, feet planted for a tussle. The hot center smokes and glows blood fire, breathes through clamped jaws, "What the fuck are you?". Turns a thick neck and swings an armored tail. THWACK. Hit, jolted, burnt? Part of me melts away, Oh, just my outers, clothes and skin. Hair.

LAWRENCE RINDER, DIRECTOR OF BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE


1. Odetta at Hardly Strictly Bluegrass Festival
2. Donal Mosher and Michael Palmieri’s documentary film October Country
3. Conspiracy of Venus at Adobe Books
4. "Ajit Chahuan: Milky Way of Breeding Stallions That Roll, Ejacuutf8g By Themselves," at Adobe Books Backroom Gallery
5. "Paul Schiek: the thing about you is that you will end up like me," at Stephen Wirtz Gallery
6. Leah Marks’ senior show at California College of the Arts
7. Jennifer Blowdryer
8. Andy Goldsworthy’s The Spire in the Presidio
9. Brontez at Dog Eared Books
10. Frederic Rzewsky, solo piano at Mills College

WILLIAM E. JONES, FILMMAKER


Pick: Odires Mlászho

At São Paulo’s Galeria Vermelho this fall, I saw the sexy and cerebral, disciplined and dissipated work of Mlászho for the first time. He juxtaposes ordinary mortal faces and Roman portrait sculptures with geometric rigor in his collage series "A Fossil Dig Full of Hooks." He cunningly cements pages of reference books together in his sculpture Enciclopédia Britânica. His most powerful works (from a series called "Butchers and Master Apprentices") involve elaborate collage rearrangements of male nudes that manage to look at once disemboweled and bloodless. Diaphanous yet strong, a body becomes a deconstruction of a flesh-colored Herman Miller lamp.

AVA JANCAR, CO-OWNER OF JANCAR JONES GALLERY


Pick: The current Berkeley Art Museum

A few months ago I found a pamphlet-like publication at an antique shop in Alameda, its cover austere, reading simply University Arts Center. Detailed within were the elevation plans of the elegantly modern yet utilitarian Mario Ciampi design for the Berkeley Art Museum’s current site. Opened in 1970 and constructed in a brutalist manner, with fanning interior cantilevers around an airy core, the concrete building is to be replaced soon with a design by international architect Toyo Ito. My past year of visits to the museum has been colored by this knowledge, and I’ve begun to mourn its impending loss. In spite of the current structure’s seismic instability, it remains baffling to me that a community is so quick to dispose of this local icon, not yet 50 years old. "The richness of this building will arise from the sculptural beauty of its rugged major forms," an awards jury wrote in 1966 regarding Ciampi’s plan. "We believe [it] can become one of the outstanding contributions to museum design in our time."

HENRY URBACH, CURATOR OF ARCHITECTURE AND DESIGN AT SAN FRANCISCO MUSEUM OF MODERN ART


Pick: "Lautrec in Leather: Chuck Arnett and the Birth of the San Francisco Scene," at the GLBT Historical Society

If you missed the show, you can still see Arnett’s rendition of Michelangelo’s David in full leather gear (on view in the Historical Society’s exhibition on 18th and Castro), or you can make an appointment to visit the organization’s extensive queer archive.

Pick: The Federal Office Building by Morphosis, Renzo Piano’s Academy of Sciences Building, and Toyo Ito’s design for the Berkeley Art Museum

These buildings point the way to a new civic architecture.

Pick: The Hunky Jesus contest in Dolores Park on Easter Sunday

Street theater at its finest.

Pick: Nice Collective’s "Voix de Ville" Collection

How fortunate we are to have these brilliant designers among us.

Pan: Proposition 8

MATT FURIE, ARTIST


Pick: "One-Thousand Twenty-Six Eyes," at Hamburger Eyes Photo Epicenter

One thousand twenty-six eyes is a lot of eyes and it’s also the name of an awesome group show I saw this year at Hamburger Eyes. I like eyes. The show featured a ton of cool photos from the kids at Space 1026 in Philly. The best thing there was a large glowing geodesic dome with tie-dyed pillows all around it. I sat on a pillow and discovered a little peephole with a tiny photo inside. Turned out this structure was lined with tons of little viewfinders and each hole had a different pic! They also had a great merch booth in the back with a bunch of handmade prints, zines, t-shirts and stuff. I bought an awesome hamburger-with-eyes t-shirt there by artist Chris Kline. He rules.

DARIN KLEIN, PROGRAMS COORDINATOR AT THE HAMMER MUSEUM AND CURATOR


Pick: Fag School #3

Naked men (Jewish Jason, Bob the Handyman, and My Best Friend’s Weiner), hilarious cruising reviews, mortifying blackout reviews, advice columns by Telfar and Allison Wolfe, interviews with New Bloods and Billy Cheer. All of this and more, created with scissors, markers, glue, and a manual typewriter. Nothing fancy, experimental or tricky about this project. Just rants, raves, and snapshots, served up hottt by San Francisco’s very own Brontez in glorious black and white photocopy. The price is right at just $3.50. Warning: Playing the weird Lovewarz DVD that comes with this zine could ruin a preppy gay birthday party!

Sentenced to rape

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It’s been 60 years since the United Nations General Assembly issued the Universal Declaration of Human Rights, affirming the inherent dignity and inalienable rights of all people. Yet prisoners are often denied the most basic protections of the law. Rape is still a brutal reality in prison, a problem that disproportionately affects LGBT inmates.

In 2003, Congress unanimously passed the Prison Rape Elimination Act (PREA), creating federal mandates to fight sexual assault in prisons. But its implementation has been slow. This year, the Bureau of Justice Statistics conducted the first national survey of violence in the corrections system. It found sexual orientation to be the single greatest determinant for sexual abuse in prisons — 18.5 percent of homosexual inmates reported sexual assault, compared to 2.7 percent of heterosexual prisoners. Though PREA aims to reduce these figures, prisoners and their advocates have been waiting on its official guidelines, which are set for release in 2009.

In an attempt to address California’s challenges in protecting LGBT inmates, California Sen. Gloria Romero held an informational meeting Dec. 11 in San Francisco, bringing together former LGBT prisoners, advocates, experts, and representatives from the California Department of Corrections and Rehabilitation (CDCR).

"Nobody has it easy in prisons, and LGBT persons in particular experience unique kinds of harassment, discrimination, and violence when incarcerated," said Masen Davis, executive director of the Transgender Law Center.

Inherent flaws in our social institutions result in a disproportionate number of LGBT prisoners. Discrimination in employment, housing, and healthcare often force members of the LGBT community, particularly transgender individuals, to turn to the street economy to support themselves. A survey by the Transgender Law Center found that fewer than half of transgender adults held a full-time job, and one in five have experienced homelessness since becoming transgender (see "Transjobless," 3/15/06). These factors greatly increase the instance of criminal activity in the LGBT community. The Center for Health Justice reports that more than two-thirds of male-to-female transgender San Franciscans have been incarcerated; in six other major urban areas, one in four gay men had been incarcerated.

Once LGBT individuals enter the California prison system, says Linda McFarlane, deputy executive director of Just Detention International, they are 15 times more likely to experience sexual assault than the general population. In addition, she said, prison staff more often fail to protect these inmates than others, and are more likely to believe that assaults are consensual.

"There seems to be a belief among some corrections officers that rape is unavoidable in prison," McFarlane said. "It’s been asked more than once in training sessions that if transgender inmates are at such risk, why are they still allowed to be transgender within the prison environment?"

Alex Lee, a co-director of the Transgender, Gender Variant, and Intersex Justice Project, read a statement from Bella Christina Borrell, a 56-year-old transgender inmate: "Female transgender prisoners are the ultimate target for sexual assault and rape. In this hyper-masculine world, inmates who project feminine characteristics attract unwanted attention and exploitation by others seeking to build up their masculinity by dominating and controlling women."

Of course, there are policies in place that should protect inmates from each other. PREA stipulates that sexual assault during incarceration can constitute a violation of the Eighth Amendment to the US Constitution, and mandates that facilities employ a zero-tolerance policy toward abuse. However, like many things in life, the theory and practice have little in common.

"We’ve heard multiple times about officers openly expressing a belief that gay and transgender inmates cannot be raped, that they deserve to be raped due to their mere presence in the environment, or that if they are raped it’s simply not a concern," McFarlane said.

Joe Sullivan of the California Department of Corrections and Rehabilitation said policy dictates that gay or transgender status alone does not warrant specific housing arrangements. He said the department prefers to integrate inmates in a setting that most closely resembles what they will be returning to after being paroled. When they arrive in prison, inmates are evaluated using a system called Compass, which is a set of guidelines to determine each person’s specific needs. During this time, inmates are able to state whether they feel they need special arrangements.

"It’s a framework that is followed by the staff at institutions," Sullivan said. "Some of the things I heard today suggest that how the framework is interpreted is one of the issues we’ll have to go look into and do some further training on."

It has been suggested that the previously used designations Category B and SOR (sexual orientation), which include guidelines for "effeminately homosexual" men, might aid CDCR in their classification process. However, as Sullivan stated, the prison system’s evaluation procedure largely ignores these special circumstances.

"The classification process is gender-neutral," Sullivan said. "We try to address the individual’s specific needs, as opposed to having a policy for a group or a class of people. We really don’t distinguish between transgender and non-transgender inmates."

While this policy is certainly egalitarian, it ignores the extreme vulnerability of LGBT inmates, something many prisoners don’t realize until after they’ve been victimized. Then, all too often, they are placed in isolation cells usually reserved as punitive measures.

"If they have been a victim of a sexual assault, they can be and will be single-celled, at least for the period of time that we go through investigating the allegations," Sullivan said. "We try to do it in an expedient manner, so that the victim is not the one sitting in administrative segregation."

The panelists all agreed that eliminating sexual violence against the LGBT community requires some of our most precious resources: time, energy, and money. In the past, the general rule has been to increase spending for prisons while simultaneously reducing funds for social programs like housing, employment, and health care, which all have a lot do to with the amount of crime in the first place.

Advocates recommend that an effective classification system must be implemented. First, corrections officials have to acknowledge that factors like an inmate’s sexual orientation or transgender status put them at an exceptionally high risk for violence. Second, steps must be taken to reduce the instances of harassment, abuse, and sexual assault suffered by inmates. Female transgender inmates must be issued sports bras and should be allowed to shower separately from the general population to curb humiliation and predation. If an assault occurs, victims should not be placed in punitive custody, the complaint must remain confidential, and assailants cannot be allowed the opportunity to retaliate. Finally, corrections officers should have to participate in an extensive training program to help them deal with these factors.

Bambi Salcedo, a transgender ex-convict who now works with transgender youth at Children’s Hospital Los Angeles put it simply: "We have to realize that homosexual and transgender inmates must be treated with dignity in the correctional system."

Up against ICE

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› sarah@sfbg.com

The San Francisco Immigrant Rights Defense Committee, a newly formed coalition of more than 30 community groups, is asking Mayor Gavin Newsom and the Board of Supervisors to sign a pledge supporting San Francisco’s immigrant community.

By signing the pledge, city officials would agree to uphold the city’s sanctuary ordinance, ensure that San Francisco police officers don’t act like immigration agents, and denounce racial profiling. They would also agree to denounce Immigration and Customs Enforcement (ICE) raids and ensure that immigrant youth get due process, that funding for immigrant communities continues, and that the city announce a specific date for implementing San Francisco’s municipal identification program.

The move could put Newsom in an awkward situation — the mayor doesn’t want to appear to be snubbing immigrant-rights leaders, but he also has moved in the past few months to distance himself from the city’s liberal sanctuary law.

So far the coalition has not heard back from Newsom, but some supervisors-elect and returning supervisors have already signed it, and the Mayor’s Office has signaled that the municipal identification program will kick in Jan. 15.

The move to get elected officials to sign a pledge comes at the end of a difficult year for the immigrant community. In May, the federal government challenged San Francisco’s sanctuary ordinance after immigration agents stopped a city juvenile probation officer in Houston.

The officer, who was repatriating a group of Honduran youths who had been busted for selling crack, believed he was acting in accordance with city’s policy. The federal agents, who took the young people into custody, eventually released the officer.

And it wasn’t long before US Attorney Joseph Russoniello, a staunch opponent of the sanctuary ordinance, convened a grand jury to see whether the city used the sanctuary policy to harbor immigrant felons from federal prosecution.

The city countered this attack by hiring high-powered criminal defense lawyer Cris Arguedas. But by then the damage to the city’s sanctuary policy had already been done: in June, someone leaked the details of confidential juvenile court cases to the San Francisco Chronicle. One day after the story hit the newsstands, Newsom — who until then was a staunch sanctuary ordinance supporter — did an about-face, announcing that he would require city officials to refer youth suspected of being undocumented and of having committed a felony to Immigration and Customs Enforcement (ICE) even before they have a hearing.

Immigrant rights groups decried Newsom’s new direction, calling it an overly broad policy that had the potential to lead to deporting innocent people who may not have family or relatives in their county of origin.

As Angela Chan of the Asian Law Caucus pointed out, based on Juvenile Probation Department data, in 2006 there were 288 petitions filed against Latin American juveniles, but only 211 were sustained. Had Newsom’s policy been in place, 77 juveniles who weren’t actually found to have committed a felony in San Francisco could have been reported to ICE when they were booked and might have been wrongly deported.

While Newsom’s gubernatorial ambitions were blamed for his sudden change of heart, critics also pointed the finger at his criminal justice director, Kevin Ryan. A Republican loyalist, Ryan was the only US Attorney to be fired for cause during US Attorney General Alberto Gonzales’ infamous purge of the Justice Department in December 2006.

His December 2007 hiring by Newsom was seen as a calculated move to make the mayor-who-would-be-governor look tough on crime and immigrants — cards that play well among voters in more conservative parts of the state.

It didn’t help that Ryan’s hiring coincided with Russoniello’s second term as US Attorney for the Northern District of California.

Public records obtained by the Guardian show that as the Chronicle series unfolded, Ryan and Newsom’s communications director, Nathan Ballard, began to question whether the city should even fund programs or organizations that serve undocumented youth.

With ICE raids intensifying — May 2 at El Balazo Taqueria, Sept. 11 at a private residence — and the community accusing the police of racial profiling, the San Francisco Immigrant Rights Defense Committee chose Dec. 18, International Migrants Day, to publicize its pledge.

As of press time, Newsom has refused to meet with the committee, and Chan from the Asian Law Caucus, told us that members are "feeling snubbed."

But Chan reports that SFPD Chief Heather Fong, who announced Dec. 20 that she will be retiring in April, 2009, did meet and listen to the coalition’s concerns. "She reiterated her position that the SFPD only collaborates when ICE is seeking a specific list of people," Chan said.

With Fong under attack from within her own department for her refusal to let officers collaborate with ICE, the community is now abuzz with rumors that a hardliner could now be handed the chief’s reins.

Meanwhile, Supervisor-elect John Avalos and Sups. David Campos and Chris Daly have signed the pledge, while Supervisor-elect Eric Mar and Sup. Bevan Dufty have signed modified versions. And at the Dec. 18 Migrants Day protest, Sups. Jake McGoldrick and Ross Mirkarimi and Supervisor-elect David Chiu (who noted that Sup. Carmen Chu, while absent from the rally, is an immigrant rights supporter) joined gay rights and labor and religious leaders in announcing support for the coalition’s platform, which seeks to make dignity, equality, and due process a reality for all San Franciscans, including immigrants.

As Eric Quezada, Dolores Street Community Services executive director, told the crowd, "We’re here to defend the fundamental human rights of all immigrants." *


P.S. The San Francisco Immigrant Rights Defense Committee is a growing alliance encompassing immigrant rights advocates, labor groups, faith leaders, and LGBT activists. The committee includes the ALDI, Arab Resource and Organizing Center, Asian Law Caucus, Asian Youth Advocacy Network, Bay Area Immigrant Rights Coalition, Central American Resource Center, Chinese for Affirmative Action, Communities United Against Violence, EBASE, Global Exchange, H.O.M.E.Y., Filipino Community Center, Instituto Familiar de la Raza, La Raza Centro Legal, La Voz Latina, Legal Services for Children, Mission Neighborhood Resource Centers, Movement for Unconditional Amnesty, Mujeres Unidas y Activas, PODER, POWER, Pride at Work, SF Immigrant Legal & Education Network, SF Labor Council, SF Organizing Project, St. Peter’s Housing, Tenderloin Housing Clinic, and Young Workers United.

Please keep Isobel Campbell and Mark Lanegan in mind, sweetheart

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campbell lanegan sunday sml.jpg

ISOBEL CAMPBELL AND MARK LANEGAN
Sunday at Devil Dirt
(Fontana International)


By Todd Lavoie

In this week’s new pop canon spread, I got a chance to hail hosannas upon the late great Lee Hazlewood, whose presence has been quite deeply felt in some of the finest music of 2008. Perhaps the stamp of influence was most deeply inked, however, with Sunday at Devil Dirt, the second collaboration between wispy-piped ingénue Isobel Campbell and croak-baritoned brooder Mark Lanegan.

Here, sad-eyed orchestral pop meets dusty country blues, frequently with dreamlike results – much like Hazlewood’s signature showdowns with duet-partner Nancy Sinatra. Pitching Lanegan’s growls and grumbles against Campbell’s decidedly sweeter murmurs makes for a fascinating update of the Lee ‘n’ Nancy blueprint, but there’s a twist.

Whereas Hazlewood played the Svengali to Sinatra – writing the songs and arrangements and often taking the second seat, vocally speaking, to his partner – here the roles are switched, with Campbell at the helm musically but sticking largely to the second mic in deference to Lanegan’s bellowing lead. Having written almost the entirety of the disc, as well as handling all arrangement and production duties, Campbell has worked some spine-tingling trickery from her place in the shadows: Lanegan gets the bigger boom in the mix, yes, but behind the whisper-thin sighs and coos, it is Campbell who is in control.

Will Durst: If the shoe fits, hurl it

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By Will Durst

The President of the United States looked into the sole of another foreigner- twice- as a pair of shoes was flung at him during a Baghdad press conference on a surprise visit to Iraq. And though a lame duck, he proved to be one hell of a ducker. Some might say “the mother of all duckers.” The biggest shock may be how well he went to his left. And thank god it WAS a surprise visit or the assailant might have had time to assemble an arsenal more potent than his size 10s. Any half way decent computerized re-enactment would surely show size 13 Timberlands clipping their intended target.

An international outcry has arisen over the actions of Muntadhar al Zaidi the irate Iraqi TV reporter slash shoe- flinger. Not because of his “if the shoe flies, hurl it” philosophy, but because his aim was so ducking bad. And he stopped after two shoes. That’s right. For the first time in what may be recorded history, a person is the recipient of worldwide scorn for not being a centipede. A female centipede. Because then chances increase tenfold he would have had a matching handbag or fifteen to lob as well.

Tops in 2008

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TOMAS PALERMO’S TOP DANCEHALL AND REGGAE ARTISTS 2008


This year saw American pop (Rhianna, Kardinal Offishall, and Sean Kingston) broadly embracing Jamaican music. Likewise, Jamaican artists emulated, covered, and incorporated American pop and R&B motifs more than ever. The trend in JA was toward hot singles over hot albums, while dozens of new artists broke out. Women in particular had a massive resurgence in reggae (Queen Ifrica, Etana, Cherine Anderson) and dancehall (Tifa, Timberly, D’Angel, Tami Chynn). Money — having it, making it, spending it — was the most prevalent song topic. Here are six categories of reggae artists who made as big an impact on music as Jamaican athletes did on the track in Beijing.

TOP DAWGS Dancehall chart-toppers included Mavado, Vybz Kartel, Beenie Man, Elephant Man, and Busy Signal.

ROOTS REFRESHERS Taj Weekes, Dwayne Stephenson, Morgan Heritage, Pressure, and Tarrus Riley enlivened one-drop traditional reggae.

LADIES IN CHARGE Women charged the charts, including Spice, Tifa, Natalie Storm, Timberlee, Pompatay, D’Angel, Etana, and Queen Ifrica.

CATCHING FIRE Newcomers galore emerged, like Bugle, Serani, Demarco, Erup, Black Ryno, and Konshens.

SOLID AS A ROCK Veterans who didn’t let us down included Beres Hammond, Tony Rebel, Jah Cure, Mr. Vegas, and Junior Reid, as well as Damien and Steven Marley.

POP GOES REGGAE These reggae/pop/R&B combinations and remixes made us smile: Estelle/Sean Paul, Jazmine Sullivan, John Legend/Buju Banton, plus French roots-boots remixes of Mary J. Blige, Lil Wayne, Nas, and Motown.

WOODEN SHJIPS’ TOP 10 (IN ALPHABETICAL ORDER)


Art Lessing, Sleeping Ghost (An Electric Eggplant)

Der TPK (Teenage Panzerkorps), Games for Slaves (Siltbreeze)

Endless Boogie, Focus Level (No Quarter)

Expo 70 and Rahdunes’s split-LP (Kill Shaman)

Fabulous Diamonds, Fabulous Diamonds (Siltbreeze)

Los Llamarada, Take the Sky (S-S)

Nothing People, Anonymous (S-S)

Sic Alps, US EZ (Siltbreeze)

Suicide, Live 1977–1978 (Blast First)

Times New Viking, Rip It Off (Matador)

GEORGE CHEN’S DISORDERLY 10


Grouper, Dragging a Dead Deer Up a Hill (Type)

Krallice, Krallice (Profound Lore)

Mount Eerie, Lost Wisdom and Black Wooden Ceiling Opening (P.W. Elverum & Sun)

Ecstatic Sunshine live

Prurient live

Bulbs, Light Ships (Freedom to Spend)

Mincemeat or Tenspeed in a cave

Thee Silver Mt Zion Memorial Orchestra and Tra-La-La Band, 13 Blues for Thirteen Moons (Constellation)

Pukers cassette

BEN RICHARDSON’S "BEVY OF HEAVY" TOP 10 METAL ALBUMS


Testament, The Formation of Damnation (Nuclear Blast)

Gama Bomb, Citizen Brain (Earache)

Bloodbath, The Fathomless Mastery (Peaceville)

Cannabis Corpse, Tube of the Resinated (Forcefield/Robotic Empire)

Hail of Bullets, …of Frost and War (Metal Blade)

Bison B.C., Quiet Earth (Metal Blade)

Grand Magus, Iron Will (Rise Above/Candlelight)

Jucifer, L’Autrichienne (Relapse)

Gojira, The Way of All Flesh (Prosthetic)

Enslaved, Vertebrae (Indie)

DJ AMPLIVE’S TOP 10


1. MGMT, Oracular Spectacular (Sony)

2. Zion-I, "Juicy Juice" (Gold Dust)

3. Grouch, Show You the World (Legendary Music)

4. Weezer, "Pork and Beans" (Geffen)

5. Santogold, Santogold (Downtown/Atlantic)

6. The Foals, Antidotes (Sub Pop)

7. T-Pain, "Chopped ‘N Skrewed" (Jive)

8. Tapes ‘N Tapes "The Dirty Dirty (Recession Remixes)"

9. Jamie Lidell, Jim (Warp)

10. Hottub, "Man Bitch" (LeHeat)

THEO SCHELL-LAMBERT’S TOP 10 OF ’08


10. The Kills, Midnight Boom (Domino)

Hince and Mosshart’s latest was forceful and impressively consistent, which, yes, meant it was professional, and which, no, didn’t mean it was soulless. The pair spotted the rhythmic snap and hypnotism in ’60s playground sing-alongs. Working with these features instead of nostalgia or camp, they had the basis for a percussion-driven ’00s rock.

9. Steinski, What Does It All Mean? 1983–2006 Retrospective (Illegal Art)

Steve Stein’s influential ’80s tracks were extreme hip-hop: not only any song, but any sound that society had made could be sampled and woven into his boom-box fabrics. Of course, this made for legal nightmares. In 2008, we got the gift of a straightforward packaging.

8. Benga, Diary of an Afro Warrior (Tempa)

The Croydon dubstep man shoved the movement forward with Warrior, but he played it as a nudge. An eclectic, graceful, and terrifically undogmatic outing, it seemed to stroll along the Thames, picking up a new rhythm in each neighborhood. Through that, it remained fierce.

7. Bon Iver, For Emma, Forever Ago (Jagjaguwar)

When you head off to the cabin in the woods to record your masterpiece, it doesn’t tend to work out well. You realize the woods are cold and boring, and that you are missing some helpful equipment. Justin Vernon’s excursion into the Wisconsin snow should inspire a new crop of such failures, because it polishes the myth. In its austerity and bone-cooling effect, Emma recalls a more focused Bonnie "Prince" Billy.

6. The Magnetic Fields, Distortion (Nonesuch)

In 2008, soaking an indie album in Jesus and Mary Chain noise was about as original as what Bon Iver did (see above). Yet it too worked. Critically, Stephin Merritt never let his latest become a disc about texture: he knew that the key to noise pop is the pop. And Distortion delights in the girl-group drums and pert melodies while dramatically cringing at the feedback it pretends is just part of every record. "Drive on, Driver" is more indebted to Fleetwood Mac than anyone else.

5. Lucinda Williams, Little Honey (Lost Highway)

We extend the same sort of charity to Lucinda Williams as we do Chan Marshall — we just really want those gals to be in a happy place. For the first time in a while, Lucinda cut a studio set with optimistic poetry, and Honey not only warmed anyone who got close to Essence or West (both Lost Highway; 2001, 2007), it even matched the elegance of those discs — and with a way juicier palette.

4. Vampire Weekend, Vampire Weekend (XL)

The culture-jamming ("Cape Cod Kwassa Kwassa") wasn’t as deeply meaningful as some held, but the light touch with which it arrived made the record a bit of a marvel. It was sweet, it was for parties, and it had nothing to do with Paul Simon. And the lyrics cribbed from freshman classes at Columbia were remarkably workable and unsophomoric.

3. Lil Wayne, Tha Carter III (Cash Money)

Wayne has a monopoly on ink. What doesn’t make it onto his neck goes into his paeans. Both outlets — the tats, the praise — can seem excessive, but the latter just keeps on being reasonable. Wayne is the rapper as post-rapper, deliciously self-aware. Rapping is a funny thing to do, and rap albums are increasingly funny things to make. He’s getting inside it: looking with awe at that thing he just said, then riffing off it, then riffing off that, wheezing and grunting until his syllables morph, and enjoying himself.

2. Beach House, Devotion (Carpark)

The Baltimore pair found a sound on their debut. On their second record, they improved it and grew into it. Victoria Legrand and Alex Scally seemed to be operating in some last outpost of melody, where tart country-pop hooks could be heard in a final, furry form before they collapsed. That made Devotion both comforting and lonely.

1. Drive-By Truckers, Brighter Than Creation’s Dark (New West)

For starters, DBT are shaping up as their generation’s premier bards of booze. When not singing mid-bender, they’re suffering through the aftermath or plotting the next go-round. What that really means is that their songs teeter powerfully between the concomitant bitterness and shame. The 19-song Creation was built to have room for all the less proud emotions.

Honorable mentions: Lykke Li, Youth Novels (LL); White Hinterland, Phylactery Factory (Dead Oceans); Kathleen Edwards, Asking for Flowers (Rounder); James Pants, Welcome (Stones Throw); Fleet Foxes, Fleet Foxes (Sub Pop)

THE FUCKING CHAMPS’ TIM SOETE’S TOP 10 2008 RELEASES


1. Various artists, Obsession (Bully)

2. Kurt Vile, Constant Hitmaker (Gulcher)

3. Jonas Reinhardt, Jonas Reinhardt (Kranky)

4. Ariel Pink, Oddities Sodomies Vol. 1 (Vinyl International)

5. Lindstrom, Where You Go, I Go Too (Smalltown Supersound)

6. Bum Kon, Drunken Sex Sucks (Smooch/Maximum Rocknroll)

7. La Dusseldorf, Viva (Water)

8. John Maus, Love Is Real (Upset the Rhythm)

9. RTX, JJ Got Live RaTX (Drag City)

10. Sic Alps, US EZ (Siltbreeze)

CHRIS SABBATH’S TOP 10


1. Godwaffle Noise Pancakes

A cluster of floor-crouching noiseniks + a heaping helping of syrupy waffles hot off the griddle = a great way to kill two hours on a Saturday afternoon.

2. Beth from Times New Viking tells me outside the Great American Music Hall that she likes my cat sweatshirt: And according to her, she only gives out one sweatshirt compliment per year — oh, snap!

3. Spire Live, Fundamentalis (Autofact/Touch)

Dynamite double LP compilation of live recordings dubbed in various European cathedrals from the likes of Philip Jeck, Christian Fennesz, BJNilsen, and more.

4. Eat Skull, Sick to Death (Siltbreeze)

Hurrah to the Philadelphia noise imprint for releasing this gem of a debut.

5. Kevin Drumm, Imperial Distortion (Hospital)

The Chicago native once again falls head over heels for the drone.

6. Wavves, Wavves (Woodsist)

I love this kid! Bedroom-spun beach punk in the vain of Beat Happening and the Embarrassment.

7. Common Eider, King Eider, Figs, Wasps, and Monotremes (Root Strata)

If I could fork a Goldie over to Rob Fisk for every time this album made its way through my stereo speakers, he would have a lot of Goldies.

8. Excepter, Debt Dept (Paw Tracks)

The Brooklyn electronic performance troupe sings about burgers, sunrises, and killing people on its new disc.

9. Blank Dogs, On Two Sides (Troubleman Unlimited)

New-wave synths soiled in grime, decayed vocals, and tape hiss galore from this prolific newbie.

10. John Wiese at the Lipo Lounge

Sounded like chunks of metal swelling to the size of balloons and then bursting into my chest for 10 awesome minutes.

PETER NICHOLSON’S TOP 10 TUNES TO DANCE AWAY THE HEARTACHE


1. Yellowtail featuring Alison Crockett, "You Feel Me" (Bagpak)

2. Dave Aju, "Crazy Place" (Circus Company)

3. Jazzanova featuring Randolph, "Let Me Show Ya (Henrik Schwarz Remix)" (Sonar Kollektiv)

4. Grace Jones, "La Vie en Rose (Casinoboy Version)" (Trackybottoms)

5. Mike Monday, "The 11 11" (Om)

6. Recloose, "Catch a Leaf" (Loop Sounds)

7. La Vida Buena, "Humanidad" (Amalgama)

8. Sebo K, "Too Hot" (Mobilee)

9. Art Bleek, "Modern Spaces" (Connaisseur)

10. Jimpster, "Dangly Panther" (Freerange)

IRWIN SWIRNOFF’S FAVORITE RECORDS AND MUSICAL MOMENTS OF 2008


John Maus, Love Is Real (Upset the Rhythm)

Hercules and Love Affair (DFA) and at Mezzanine

Erykah Badu, New Amerykah, Pt.1: 4th World War (Motown)

Magnetic Fields, Distortion (Nonesuch)

Stereolab, Chemical Chords (4AD)

White Magic, New Egypt (Latitudes)

Cluster at Aquarius Records and the Boredoms at the Fillmore

My Bloody Valentine at the Concourse

Flying Lotus, Los Angeles (Warp)

Grouper, Dragging a Dead Deer Up a Hill (Type)

I can’t not mention: Sparks, Exotic Creatures of the Deep (Lil Beethoven); Beach House, Devotion (Carpark); Cut Copy, In Ghost Colors (Modular Interscope); Nagisa Ni Te, Yosuga (Jagjaguwar); the Alps, III (Type); Paavoharju, Laulu Laakson Kukista (Fonal); Antony and the Johnsons, Another World (Secretly Canadian).

ERIK MORSE’S TOP RECORDS OF 2008


Gas, Nah und Fern (Kompakt)

Fennesz, Black Sea (Touch)

Mavis Staple, Live: Hope at the Hideout (Anti-)

Various artists, Thank You Friends: The Ardent Records’ Story (Big Beat)

Abdel Hadi Halo and the El Gusto Orchestra of Algiers, Abdel Hadi Halo and the El Gusto Orchestra of Algiers (Honest Jon’s)

Skyphone, Avellaneda (Rune Grammofon)

Autechre, Quaristice (Warp)

Susanna, Flowers of Evil (Rune Grammofon)

Raymond Scott Quintette, Ectoplasm (Basta)

The Last Shadow Puppets, The Age of the Understatement (Domino)

Tape, Luminarium (Hapna)

Al Green, Lay It Down (Blue Note)

Beach House, Devotion (Carpark)

TWO GALLANTS’ TOP 10 OF 2008


Fleet Foxes, Fleet Foxes (Sub Pop)

Various artists, Victrola Favorites: Artifacts from Bygone Days (Dust to Digital)

Moondog: The Viking of 6th Avenue: The Authorized Biography by Robert Scotto (Process, 2007)

Barack Obama

Blitzen Trapper, Furr (Sub Pop)

What It Is: What It Is by Paul G. Maziar and Matt Maust (Write Bloody)

Various artists, Eccentric Soul: Trager and Note Labels (Numero)

Immortal Technique, The 3rd World (Viper)

Grayceon, The Grand Show (Vendlus)

Two Gallants perform Dec. 26, 8 p.m., at the Fillmore. www.twogallants.com

DEERHOOF’S ED RODRIGUEZ’S TOP 10 THINGS OF A MUSICAL NATURE 2008


I Got the Feelin’, James Brown in the ’60s DVD (Shout! Factory)

It will remind you why you decided to play music in the first place. If you don’t play music then it will make you want to start.

Silentist, Silentist (Celestial Gang)

Mark Burden always keeps me interested. Nancarrow or Reich with blast beats.

Over the course of more than two months of touring I saw and got to know several bands that were new to me. Coconut, Experimental Dental School, Parenthetical Girls, Flying, and so many more. I can’t remember ever getting to see so much inspiring music made by so many creative, energetic, and completely fun people.

Weasel Walter, solo, duos, trios, and on and on

No matter what the setting, he pushes the situation further with his drive, talent, and humor (all of which are refreshing and needed in the improvised music scene).

Bronze

Nominated for the best act of commitment that didn’t involve self-mutilation. All in unison, shaving their heads onstage and then revealing perfect Marine dress uniforms under their smocks. They looked so good it inadvertently might have been the best recruiting campaign since Kid Rock and NASCAR teamed up to con kids across the US.

Death Sentence: Panda! and …

Burmese

I went to every show of both these bands over the year whenever I was in town. Without fail I would be deaf, destroyed, and smiling, or dancing, laughing, and smiling. Check them out to match those descriptions to the correct band!

Earth, Wind and Fire: In Concert DVD (Geneon, 2000)

I work at Lost Weekend Video, so I watch more new music DVDs more often than I get new CDs. But maybe you’ll do the same after watching this bass player do high kicks for an hour and not miss a note.

Touring with old friends KIT and Hawnay Troof. Watching Vice Cooler get a bunch of crossed-armed kids dancing, cause bartenders to leave their posts to run to the stage and move, and VC almost break his neck jumping off monitors all in single-digit minutes. With KIT, add in the insane attack of Steve, the bouncing energy of Kristy, and the apologetic guitar soloing of George Chen, and try not to beam.

Joining Deerhoof! Getting to spend so much time of 2008 with John, Greg, and Satomi has made this year feel like no other.

>>MORE YEAR IN MUSIC 2008

Hungry for Lee Hazlewood

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Imposing baritones, orchestral sweeps, and curious couplings of drama and whimsy — honestly, could we ask for better components to soundtrack a year of such 11th-hour intensity, a year of struggle and strife and the unspeakably surreal, mercifully offset by glimmers of giddiness at the prospect of something altogether new? The gift of hope delivered to us on Nov. 4 was a lovely early Christmas treat, but let’s face it: all of that waiting made 2008 a year of epic proportions. How fitting, then, that I ticked off the months with a steady stereo stream of theatrics, and that guiding most of them was the spirit of an Oklahoma Dust Bowl refugee who subverted pop music by embracing the machine while still trying to tear it down and start anew. The godfather of cowboy psychedelia, the architect of the saccharine underground, the original pop iconoclast himself: Lee Hazlewood.

Hazlewood’s greatest gift — both as a solo artist and as the cranky-baritoned foil to the sugary Nancy Sinatra — was his ability to take the supposedly disparate genres of pop, country, and lounge music and rub them against one another to riveting, highly cinematic effect. Heaped in heavy echo and bolstered by gushing string arrangements, delivered with the skill of a raconteur and bristling with unexpected juxtapositions, his music remains as head-swimmingly oddball as ever.

This year saw the return of three leading carriers of Hazlewood’s quixotic torch. Lambchop’s OH (Ohio) (Merge) offers more cryptic, disheveled elegance from the Nashville band, while the twisted lounge and heavy-ballad wooziness of Tindersticks’ The Hungry Saw (Constellation) gives a worthy update to Hazlewood’s signature tearjerker "My Autumn’s Done Come" — vibraphone and all. Not to be outdone, Nick Cave temporarily tables his more-recent chest thumping for big-screen melodrama on a few moments of Dig, Lazarus, Dig!!! (Anti-): on "Jesus of the Moon," in particular, he and his Bad Seeds serve up Hazlewood-worthy western-skied balladry.

Cue the strings! With its sumptuously reverb-steeped production, punchy brass, and colossal orchestrations, the Last Shadow Puppets’ The Age of the Understatement (Domino) proves to be just as indebted to Hazlewood’s studio wizardry as it is to its obvious Swinging London signifiers. Local chanteuse Kira Lynn Cain floats out haunted refrains of the legend’s twang-cabaret on her billowing beauty The Ideal Hunter (Evangeline), while the desert panoramas of Calexico’s Carried to Dust (Quarterstick) provide a testimonial to the power of Hazlewood’s beloved mariachi horns. Seekers of the heir apparent to the vocalist’s wry, croaking country wordsmithery should look no further than the parallel honky-tonk universe of the Silver Jews’ Lookout Mountain, Lookout Sea (Drag City). Lastly, Isobel Campbell and Mark Lanegan pick up the familiar Nancy and Lee story line and flip the script: on their Sunday at Devil Dirt (Fontana International), Campbell assumes the male, Svengali role of Hazlewood, writing all of the words and arrangements, and Lanegan becomes the gravel-diva counterpart to Sinatra. The result is ravishingly weepy orchestral pop and off-kilter country-blues rambles. Would Hazlewood approve? Total-Lee. (Todd Lavoie)

TODD LAVOIE’S TOP 10


Spiritualized, Songs in A & E (Fontana International)

Goldfrapp, Seventh Tree (Mute)

M83, Saturdays = Youth (Mute)

Frightened Rabbit, The Midnight Organ Fight (Fat Cat)

DeVotchKa, A Mad and Faithful Telling (Anti-)

Sigur Rós, Med Sud I Eyrum Vid Spilum Endalaust (XL)

Elbow, The Seldom Seen Kid (Fiction/Polydor UK/Geffen)

Nick Cave and the Bad Seeds, Dig, Lazarus, Dig!!! (Anti-)

The Last Shadow Puppets, The Age of the Understatement (Domino)

Hot Chip, Made in the Dark (DFA/Astralwerks)


>>MORE YEAR IN MUSIC 2008

Changing climate

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› news@sfbg.com

GREEN CITY In its final full month in power, the George W. Bush administration has managed to screw up one last chance to take action on the increasingly desperate climate crisis, the latest in a string of diplomatic failures being inherited by the incoming Barack Obama administration.

The UN Climate Change Conferences in Poznan, Poland concluded Dec. 12 after nearly two weeks of negotiations, presentations, and demonstrations. Greenpeace pushed hard for strong action at the conference, even using San Francisco as a staging ground for its message.

Yet what Greenpeace officials initially viewed as a great chance to show a new face of American leadership on global warming instead turned out to be what group spokesperson Daniel Kessler called "a profound disappointment."

Kessler and other representatives from Greenpeace told the Guardian that members of the American delegation refused to agree to any international agreements because they didn’t want to constrain the incoming administration. The indecisive US stance then spread to other industrialized nations and no substantial agreement was reached.

"In Poznan, it seemed like everyone was in a holding pattern waiting for the Obama administration. But it’s just another excuse when what we really need is action," Kessler said.

For Ben Smith, Greenpeace’s global warming national organizer, this is just the most recent strategic move that the administration has made over the past eight years to obstruct any meaningful progress on the environment.

"The reality is, of course, that they’re catering to industry and don’t want to come to an agreement," Smith said. "They’re continuing their efforts to stall any progress."

Much of Greenpeace’s work at the conference has been to work around the US delegation, attempting to show the international community that the Bush administration is in its death throes and out of touch with the country when it comes to dealing with global warming.

On Dec. 6, Greenpeace organized "A Global Day of Action" to send the message that the American people are ready to help save the planet. It staged demonstrations in 25 cities around the country and dozens more around the world. In San Francisco, the organization brought more than 300 volunteers, activists, and community members to Crissy Field to hold a 30-by-50-foot green postcard reading: "Dear World Leaders, We are ready to save the climate — San Francisco. P.S. Yes We Can!"

A helicopter buzzed overhead to capture the image with the Golden Gate Bridge towering in the background. The images and others like it were sent to the Greenpeace delegates in Poland.

During the San Francisco event, Lauren Thorpe, a field organizer with Greenpeace, stood on the back of the flatbed truck that served as the stage and summed up the day’s message. "We really want strong action on global warming and we’re ready for America to take a leadership role on that again," she said.

The atmosphere at the event was hopeful and enthusiastic. Sup. Ross Mirkarimi even stopped by midway through his morning jog, apparently unaware he was scheduled to speak until 20 minutes before. He stood above the crowd in gray sweats and, after catching his breath, delivered a stirring impromptu speech encouraging the audience to hold officials at all levels of government accountable.

"Our federal government is moving at a very glacial pace in order to address the global warming crisis," he said. "And I’m not seeing any evidence that that’s going to turn around soon enough so that we can relax here from a local or municipal perspective."

Though the negotiations in Poland may have fizzled, the outpouring of support from San Francisco and elsewhere has encouraged Greenpeace during this important transition period. Kessler says that Greenpeace will continue to pursue its direct action strategy while working with the Obama administration’s new team.

"There is a lot of hope that he’s going to do the right thing," Smith said.

Lucy Pearce, a campaign leader from the British organization Stop Climate Chaos, urged the Crissy Field crowd to push for bold action on the climate change in the coming year: "We have to keep the pressure on and make sure that we don’t just rest on hope. We’ve actually got to deliver on climate change."

Tap dreams

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› amanda@sfbg.com

On Dec. 2 two water conferences were held in San Francisco, attended by very different groups of people.

Downtown, in a room deep within the Hyatt Regency hotel, executives from PepsiCo, Dean Foods, GE, ConAgra, and other major companies gathered for the Corporate Water Footprinting Conference. The agenda that the conference made public included a presentation by Nestlé on assessing water-related risks in communities, Coca-Cola’s aggressive environmental water-neutrality goal, and MillerCoors plan to use less water to make more beer.

But what these giant corporations, which are seeking to control more and more of the world’s water, really discussed the public will never know. Only four media representatives were permitted to attend — all from obscure trade journals not trafficked by the typical reader — and both the Guardian and the San Francisco Chronicle were denied media passes.

The event was sponsored by IBM, and tickets were $1,500 — out of reach for many citizens and environmentalists who might have liked to attend.

And why might people take such a keen interest in the kind of corporate conference that probably occurs routinely in cities throughout the world?

Because there’s almost universal agreement that the world is in a water crisis — and that big businesses see a huge opportunity in the privatization of water.

Only one half of 1 percent of all the water in the world is freshwater. Of that, about half is already polluted. Although water is a $425 billion industry worldwide — ranking just behind electricity and oil — one in six people still don’t have access to a clean, safe glass of it. If the pace of use and abuse remains, the 1.2 billion people living in water-stressed areas will balloon to more than 3 billion by 2030.

That includes California. On June 4, Gov. Arnold Schwarzenegger declared a statewide drought after two lackluster seasons of Sierra snowfall. Scientists are predicting the same this winter. You can see how the state is mishandling the issue by looking at some recent legislation. Schwarzenegger and Sen. Dianne Feinstein have proposed a $9.3 billion bond to build more dams, canals, and infrastructure. At the same time, the governor vetoed a bill that would have required bottled water companies to report how much water they’re actually drawing out of the ground.

In that context, while the big privatizers were hobnobbing at the Hyatt, activists were attending a very different event, the "Anti-Corporate Water Conference," held at the Mission Cultural Center. It was free and open to the public and the media. More than 100 people gathered to hear a cadre of international organizations share information on how to keep this basic human right — water — in the hands of people.

Speakers included Wenonah Hauter, director of Washington, DC-based Food and Water Watch; Amit Srivastava of Global Resistance, a group that works to expose international injustices by Coca-Cola; Mark Franco, head of the Winnemem Wintu Tribe, which lives among water bottling plants near Mount Shasta; and Mateo Nube, a native of La Paz, Bolivia, and the director of Movement Generation Justice and Ecology Project.

Nube spoke about water as a commons, requiring stewardship, justice, and democracy. "We’re literally running out of water. Unless we change the way we manage, distribute, and consume water, we’re going to have a real crisis on our hands," he said. Nube’s remarks tied together the tensions of control and revolt, democracy and privatization, ecological balance and human need — all enormous issues, all related to water and water scarcity, which the Worldwatch Institute has called "the most under-appreciated global environmental challenge of our time."

BASIC NEED, INFINITE MARKET


Water is a basic human need, perhaps even more important than clean air, food, and shelter. People will never strike against water and stop drinking.

And that means, from a capitalistic point of view, it’s a perfect, nearly infinite market. "As water analysts note, water is hot not only because of the growing need for clean water but because demand is never affected by inflation, recession, interest rates or changing tastes," wrote Maude Barlow in her 2007 book Blue Covenant.

If scarcity drives price, anyone with a stake in the water industry stands to gain from an increasingly water-stressed world. As Barlow also reported, "In 1990, about 51 million people got their water from private companies, according to water analysts. That figure is now more than 300 million." By controlling the resource and choosing when and if they engage with the public it allows some of the biggest water abusers to set the terms of a critical ongoing debate.

The fact that humans need water raises important questions: should water be classified as a basic human right available to everyone? Is water part of the commons? If so, should corporations be allowed to control the taps or bottle it, mark up the price, and sell it for profit?

Not much polling has been done on people’s opinions of water, but during 35 informal on-the-street interviews conducted by the Guardian, 31 people said it is a basic human right. The other four said it was subject to the laws of supply and demand.

This week marks the 60th anniversary of the United Nations Universal Declaration on Human Rights, and Barlow, who has been appointed special advisor on water to the UN, will be addressing the General Assembly on the fact that water is still missing from the original 30 Articles.

"The reason that water was not included in the original 30 Articles in the Universal Declaration of Human Rights is that no one at that time could conceive there would be a problem with water," Barlow told the Guardian. "It’s only in the last 10 years that the concept of water as a human right has come to the fore."

The problem has its roots in the inherent conflict between conservation and profit. Saving water is relatively cheap, but there’s no money to be made by eliminating waste. Developing expensive new water sources, though, is a potential private gold mine.

As Barlow points out in her book, technology is becoming an integrated part of the solution to the water crisis. Desalination plants, water recycling facilities, and nanotechnology are all being thrown at the problem — in some cases before a full assessment of use and abuse has occurred.

While technological solutions may be warranted in some places, Barlow worries that relying on them bypasses any true attempts at efficiency and conservation. "I’m not going to say there’s no place for water cleanup," she told the Guardian. "What I’m concerned about is we’re going to put all the eggs in the cleanup basket and not nearly enough in the conservation and source protection basket. What I’m concerned about is the idea that technology will fix it. Meanwhile, don’t stop polluting, don’t stop the over-extraction, allow the commercial abuse of water, allow the agricultural abuse of water because what the heck, there’s tons of money to be made cleaning it up. I think that’s the wrong way of coming at it."

The technological fix is one way the state’s water crisis may slowly seep into private sector control, and a couple of examples show what can happen when private companies don’t play nice with the public, how citizens constantly battle with state agencies to enforce regulations, and how the public process could and should be honored.

GET THE SALT OUT


In theory, California has plenty of water — its 700 miles of coastline border the giant reservoir known as the Pacific Ocean. But humans can’t drink salt water — and some companies see a nice industrial niche in that dilemma. Build a plant that takes out the salt, and suddenly there’s plenty for all.

Several small desalination facilities already exist throughout the state, mostly cleaning water reservoirs brined by agriculture. But another 30 desalination plants have been proposed for the coast as a way to deal with future water shortages.

One is in Carlsbad, near San Diego, where Poseidon Resources is constructing the only large-scale desalination plant that the state has permitted to date. It’s a 10-year-old project that, so far, doesn’t even have a pipe in the ground.

Despite Poseidon’s ability to grease the wheels with local officials, the facility is controversial. It sits next to a fossil-fuel burning peaker power plant, and will be desalinating the power plant’s discharge water, thus shielding its negative environmental impacts by claiming its the power plant that’s sucking up seawater and damaging marine life — the desalination plant is just making use of the wasted water.

That argument doesn’t sit well with Joe Geever of the Surfrider Foundation, who pointed out that part of the power plant is scheduled for a retrofit to air-cooling, and talk is of a potential state ban on using water for this type of cooling system. There are other more environmentally benign seawater extractions, he said, like drilling and capturing subsurface sources, that the desalination plant could have used.

Mostly, he contends, the plant subverts conservation. "Per capita consumption of water in San Diego is much higher than other places," he said. "In southern California we waste an enormous amount of water on growing grass. There’s a lot to be saved."

Poseidon, a private company, is footing the bill for the plant’s construction, but the financing scheme is predicated on a future increase in the cost of water. As Poseidon’s Scott Maloni explained to the Guardian, the contract with the San Diego Water Authority states that the cost of desalinated water can never be more than the cost of imported water. It can, however, walk in lock-step with it — and by all accounts the price to pipe water to sunny southern California is going to increase. Maloni said his company was taking an initial loss but would start paying itself back as imported water costs increase. Eventually rates will be set halfway between the real cost of desalinated water and the higher cost of imported water.

What kinds of guarantees are there that this will happen? Nobody knows. "They’ll say anything, but when it comes to showing you a contract, we’ve never seen anything," said Adam Scow of Food and Water Watch. "There’s a lack of regulation with a private company controlling the water."

The plant now has no less than three lawsuits hanging over it, all filed with state agencies in charge of permitting and oversight — the Coastal Commission, the State Lands Commission, and the San Diego Regional Water Quality Control Board. All basically contend that the state didn’t do enough to require Poseidon to implement the most environmentally sound technology that’s least harmful to marine organisms, as required by state law.

Geever stresses that desalination is an energy-intensive way to get water. "Every gallon of water you conserve is energy conserved," he said. "Not only could San Diego do more conservation, but they don’t recycle any wastewater to potable water standards. That’s much less energy intensive."

Poseidon counters by saying that it invested $60 million in energy efficiency measures for the plant and will be installing solar panels on the roof. Perhaps most telling is that the company sees itself as vending reliability. "It’s not the current cost of water the San Diego Water Authority is concerned about, but the future cost for an acre-foot," Maloni said. "There’s a dollar figure you can put on reliability. Public agencies are willing to pay us a little more for that."

Which gets back to a comment Barlow made about capitalizing on crisis. "We are frightened half to death and everyone who looks at it, right-wing or left-wing, sees that. … They use the crisis to say we have no alternative except to go into massive desalination plants."

And, as Peter Gleick, president of the Pacific Institute pointed out, San Diego wasn’t calling for proposals to bring it more water. "Poseidon wanted to build a desalination plant and it came to San Diego. That’s one way to do it. The other way is for a municipality to say we want a desalination plant, we’re opening it up to bids, let’s have a competition. That didn’t happen, and instead we have one contractor."

Geever added, "Poseidon has been really successful at lobbying politicians and convincing regulators to give them permits."

Which points to one of the chronic ills of managing water systems, particularly in California where water has always been political. "In the 20th century decisions about water were made by white males in back rooms," said Gleick. "It solved a lot of problems, but it led to a lot of environmental problems. The days when water decisions made in back rooms should be over. And they aren’t over, and that’s part of the problem."

DELTA BLUES


Nowhere is that more obvious than the delta, where the state’s two most prominent rivers — the Sacramento and the San Joaquin — meet the Pacific Ocean just north of San Francisco. It’s ground zero for one of the most charged political fights in the state.

Two-thirds of California’s water comes from the delta. About 80 percent of it goes to cropland, watering about half of the state’s $35 billion agricultural industry, much of it through historic water rights that have been granted to a small lobby of powerful growers who sell their surplus rights for profit. Another 18 percent goes to urban water needs, and — in spite of the fact that this is the largest estuary on the west coast of North and South America — only 2 percent of the water remains for natural environmental flows.

Delta issues are legion and begin at the headwaters of the Sacramento River, near Mount Shasta, a land Mark Franco describes as an Eden. "The deer, salmon, and acorns that we eat — everything that we need is there," Franco told the Guardian. "It’s such a beautiful place. Now they’re drying it, that Eden."

Franco is head of the Winnemem Wintu, or "little water people" tribe, and is fighting the first phase of water diversions from the Sacramento River, 200 miles north of the capitol where companies like Coca-Cola, Crystal Geyser, and now, potentially, Nestlé, pump millions of gallons a year into small plastic bottles and ship it around the country to sell in groceries and convenience stores.

"Here in the US, people have become soft. They’ve become so used to just having things directly handed to them that they no longer understand where their water comes from," he said at the anti-corporate water conference. "Realize this: those springs on Mount Shasta are not an infinite supply of water."

After the Sacramento feeds the bottled-water companies, what remains wends its way south, with more diverted directly to farmers and into the State Water Project, which pipes it to drier southern regions. What’s left empties into the delta.

A lack of fresh water, flagging environmental preservation, increasing agricultural needs, and leveed island communities that are seismically unsafe and sinking, all mean the delta is failing as an ecosystem, and has been for some time. Chinook salmon and delta smelt populations are collapsing to such an extent that court orders have halted a percentage of water diversions and salmon fisherman were forced to dock their boats this year. Levees are crumbling, causing islands to flood and raising ire among landowners. Farmers with historic water rights are fiercely protective of them, while environmentalists are lobbying them to use more conservation and efficiency.

Nearly all stakeholders agree that the status quo won’t hold.

The challenge is finding a solution. Ending exports seems impossible, limiting them means massive investments in other resources. No one agrees on what will really save the endangered salmon and smelt or improve conditions for the 700 other native plants and animals.

In 2006, the governor convened a seven-member Delta Vision Blue Ribbon Task Force, which released a strategic plan in October calling for balancing co-equal goals of ecological restoration and water reliability.

The plan also specifically recommended a dual conveyance system similar to what was proposed in a study by the Public Policy Institute of California. It combines some through-delta pumping with a peripheral canal around the delta. PPIC crunched the numbers and determined that the canal was economically better than any of the four options they had weighed.

The peripheral canal idea isn’t new, but it’s been controversial since it was first proposed almost three decades ago. The plan was ushered by then-Gov. Jerry Brown, but defeated by voters in 1982 after a major organizing effort by environmentalists. (Whether voters will cast ballots on it this time remains to be seen, though the Attorney General’s Office, now headed by Brown, has counseled the Department of Water Resources, which is charged with implementing whatever plan is decided upon, that a vote of the people isn’t required.)

Shortly after its release in July, the PPIC report was criticized by five elected Congressional Democrats — Reps. George Miller, Ellen Tauscher, Doris Matsui, Mike Thompson, and Jerry McNerney. "The PPIC report should not be used to ignore the many things that can be done today to restore Delta health, including providing necessary fish flows, undertaking critical ecosystem restoration projects, and making major investments in water recycling and improved conservation measures," Miller said.

Numbers used by the PPIC report have also been criticized by Jeffrey Michael, a business professor at the University of the Pacific in Stockton. In an analysis of PPIC’s work, Michael said the group had used inflated population figures, as well as high costs for desalinated and recycled water, therefore resulting in a report that made it look like it was too expensive to end delta exports altogether and replace them with other water sources.

The PPIC said the state’s population would be 65 million by 2050, that desalinated water costs $2,072 per acre-foot, and recycled water goes for $1,480 per acre-foot — numbers that were scaled to 2008 dollars from 1995 figures. Michael contends that if the numbers were adjusted to reflect actual costs, the peripheral canal wouldn’t look like such a sweet deal.

Maloni, of Poseidon Resources, said the desalinated water cost would be $950 per acre-foot for San Diego, including a $250 subsidy. A similar plant the company is hoping to construct in Huntington Beach will be about $50 more per acre foot.

When asked if $2,100 per acre-foot was a reasonable figure for desalinated water in California, Maloni said, "That’s nuts."

What does all this illustrate? That even among a small cast of purported experts there’s little consensus on several fundamental issues.

Adding more fuel to the fires of public skepticism is that a third of the funding for the PPIC report came from Stephen D. Bechtel Jr. — heir to the Bechtel Corp., which has come under tremendous criticism for its moves to privatize water around the world.

"That is very upsetting to us. They would stand to gain a lot with a contract to build a peripheral canal," said Barbara Barrigan-Parrilla of Restore the Delta.

PPIC’s Ellen Hanak said the funding didn’t affect their findings. "It’s really much more linked to the fact that the foundation is really interested in the environment and water is a part of that."

Linda Strean, the PPIC’s public affairs officer, told the Guardian that it was Bechtel himself who wrote the check, not the foundation. It’s the first time Bechtel has given to PPIC.

But considering Bechtel’s past performance managing water, it doesn’t inspire much confidence.

BECHTEL’S BIG ADVENTURES


In April, Cesar Cardenas Ramirez and César Augusto Parada, traveled from Guayaquil, Ecuador, to San Francisco. The two men were on a fact-finding mission: they wanted to know more about the company that owns Interagua, the company that is supposed to deliver the drinking water that only occasionally comes out of the taps in their homes.

One of the first things they discovered is that 50 Beale St. doesn’t necessarily advertise itself as the home of Bechtel — one of the world’s largest private corporations, with global construction and infrastructure contracts amounting to billions of dollars annually.

In Guayaquil, water service has been problematic for decades. During the 1990s the country received a loan from the Inter-American Development Bank to improve basic infrastructure. The money was given directly to the government, but like many World Bank and International Monetary Fund loans granted throughout Latin America at the time, it was predicated on an eventual privatization of the water service contract.

The money helped — water conditions improved, and the city seemed to be on track to bring service to outlying areas. But in 2000, the city, abiding by the loan conditions, requested bids to run the water and sewage systems. No bids were received. Leaders scaled back provisions that kept some control in the hands of the government, and they got one response. In 2001, Interagua, a company owned by Bechtel, took over water service.

"Since the contract, nobody has been able to drink the tap water," Cardenas, who represents the Citizen’s Observatory for Public Services, a watchdog group formed in Guayaquil to monitor the water contract between the government and Interagua, told the Guardian. "Prior to the contract you could drink the tap water, although there were some sections of the city where the plumbing was old and inadequate."

Even though Interagua is managing a public service, because it’s a private company, information about its exact responsibilities have been elusive. The Observatory does know that Interagua pays nothing for the water it draws from the local river, is guaranteed a 17 percent rate of return, and that it has a minimum mandate to expand service. What’s also known is its citizens’ experience — during the first six months of the contract, some rates were increased 180 percent.

Bechtel’s SF office refused to meet with the two men or answer their phone calls, e-mails, and letters, which highlights the inherent problem with corporate control of water — a lack of accountability. Bechtel didn’t answer any of the Guardian‘s detailed questions regarding the Interagua contract, and only provided a three-page letter originally drafted to the World Bank in December 2007, that paints a rosy scene of productivity and accomplishment in Guayaquil.

"At present, over 2.1 million residents of Guayaquil (84 percent of the population) are connected to the municipal potable water system, and more than 90 percent of the customers have 24-hour per day, uninterrupted service." The letter goes on to state that coverage is expanding with new connections, water quality meets public health standards, prices have decreased, and procedures are in place to help customers who have higher than average bills.

"There are things that have improved, yes," said Emily Joiner, who spent last summer in Ecuador and is author of the book Murky Waters, a history of water issues in Guayaquil published by the Observatory in 2007. But the bottom line is that citizens pay for the service, but they can’t drink the water.

"You still don’t drink the water anywhere in the city at any time," said Joiner. People buy bottled water or boil it. "Bottled water is expensive, as a percentage of income," she said.

Whereas water service was previously priced more like a progressive income tax, with the lowest consumers paying the lowest rates, Interagua has flattened out the rate structure and now big water consuming businesses are paying the same as residents. "It’s pricing some families out of the market," Joiner said. "It’s great for business. It’s not great for people who don’t have enough water to bathe or wash their clothes."

The Observatory would like the water system turned back over to the government. The local authority, which once ran the water service and is now charged with overseeing Interagua, fined the company $1.5 million for not meeting goals for expanding service. According to Joiner, there’s been no follow-up on whether the company is meeting those goals now.

The Observatory also filed complaints with the World Bank, which attempted a settlement, but, according to Joiner, representatives from Interagua refused to sit down at the same table as Cardenas. "The process stalled," Joiner said. "Interagua said the issue had become too politicized. César [Cardenas] has a reputation for rabble-rousing, and at the time he was lobbying for constitutional amendments outlawing privatization. Interagua considered it negotiating with a hostile party."

A new constitution was passed in September that does, in fact, outlaw privatization, but still allows existing contracts to be honored if they pass a government audit.

In the meantime, the local rumor is that Bechtel is arranging to sell Interagua to another company. Bechtel wouldn’t confirm this, and no one could say more beyond what was reported in speculative articles in Guayaquil’s local newspapers.

It wouldn’t be the first time Bechtel bailed on an international water contract. In what was part of a massive privatization of a variety of Bolivia’s national services, in 1996 the World Bank granted the city of Cochabamba a $14 million loan to improve water service for its 600,000 citizens. Like Ecuador, there were strings attached: a future privatization of the city’s water service. It was sold to Aguas del Tunari, the sole bidder — also a subsidiary of Bechtel. Almost immediately rates increased by nearly 200 percent for some families. In January 2000, people stopped paying, started rallying, and the water war began.

Led by La Coordinadora for the Defense of Water and Life, organizers shut down the city, physically blockading roads and demanding the regional governor review the contract. The battle went on into February, resulting in injuries to 175 people and the death of one. Originally the government announced a rate rollback for six months, but the Bechtel contract remained. "The [Bechtel] contract was very hard to get a hold of," Omar Fernandez of the Coordinadora told Jim Schulz of the Democracy Center. "It was like a state secret." Once they did examine a copy of it, Bechtel’s sweetheart deal for a guaranteed 16 percent profit was exposed and people demanded a full repeal.

Eventually, the residents got it, and though decent water service in Cochabamba is still elusive, the water war has become the poster child for successful grassroots activism.

"One of the most inspiring struggles around community control of water happened in Cochabamba, Bolivia, in the year 2000, when international corporation Bechtel — based here in San Francisco — privatized the municipal water system and hiked the water rates for citizens by 30 to 40 percent. Thankfully, there was a popular upsurge. It was a very bitter struggle and people succeeded in turning control back to public hands.

"This success changed the public debate in Bolivia," said Mateo Nube, a native of La Paz, Bolivia, who spoke at the anti-corporate water conference. "People said ‘enough’ to privatization, enough to corporate control. We need to seize control of our government."

You don’t have to go to Bolivia to find water-privatization battles. In 2002, catching wind that the city of Stockton was on the brink of privatizing its water services, the Concerned Citizens Coalition rallied signatures for a ballot measure against the idea. Weeks before the vote, the Stockton City Council narrowly approved one of the west’s largest water privatization deals — a 20-year, $600 million contract with OMI-Thames. The ballot measure still received 60 percent approval, and activists took the issue to court arguing there hadn’t been a proper CEQA process. In January 2004, according to the Concerned Citizens Coalition Web site, "San Joaquin County Superior Court Judge Bob McNatt ruled in our favor — we won on all points. The judge ruled that privatizing, in and of itself, needed environmental review." The city appealed, but eventually dropped the suit and OMI walked away in March 2008.

PUBLIC AGENCY, PUBLIC PROCESS


Bechtel also failed to hold on to a more local contract, a $45 million deal with the SFPUC to manage the first phase of its multibillion dollar Water System Improvement Project. After a 2001 story by the Guardian exposed Bechtel’s exorbitant billing for services that resulted in few gains (see "Bechtel’s $45 million screw job," 9/12/01), the contract was revoked by the Board of Supervisors and granted to Parsons, which runs it now.

Years later, in 2007, when the SFPUC released a draft of the Environmental Impact Report for the $4.4 billion project, massive public outcry arose against it. The plan outlined major seismic upgrades for miles of aging water infrastructure between San Francisco and Yosemite National Park, where the headwaters of the Tuolumne River are captured by a giant dam in Hetch Hetchy Valley and gravity-fed to the city. While the EIR projected little additional water use for San Franciscans, it called for diverting an additional 25 million gallons of water per day from the Tuolumne to meet the needs of 23 wholesale customers in San Mateo, Santa Clara, and Alameda counties.

The Pacific Institute and Tuolumne River Trust collaborated on a study showing that 100 percent of the anticipated water increases were for those wholesale customers — most of it for outdoor water use. The SFPUC hadn’t factored in any increased conservation, efficiency, or recycling measures, nor had it independently questioned the growth numbers.

The EIR received upwards of 1,000 public comments, more than any other document ever generated by the SFPUC. Environmental groups rallied, writing editorials, flooding public meetings, and asserting a different vision of the Bay Area’s water future and stewardship of its primary, pristine water resource.

And it worked. "We got about 95 percent of everything we wanted out of the WSIP process," said Jessie Raeder of the Tuolumne River Trust. "We do consider the WSIP a huge win for the environmental community … because we were able to organize and get a seat at the table and discuss this with the PUC." She said the Bay Area Water Stewards, a coalition of environmental groups, met with the PUC nearly every month and slowly the initial additional river diversions were pared down to a possible 2 million gallons. Also, a cap has been placed on any diversions until 2018, which gives agencies time to implement conservation and efficiency measures.

The SFPUC feels positive about it, too. "We are really thrilled that the program EIR was approved by the Planning Commission, approved by the PUC, and not appealed," said spokesperson Tony Winnicker. He said there were really controversial elements and the trick was balancing the competing interests of wholesale customers and environmental groups. "It took a really hard-nosed look at our demand projections and what we could really do for conservation." He concedes there are still controversies, in particular over the Calaveras Dam, which the Alameda Creek Alliance opposes. "It would be hubris for us to say it’s been a complete success."

"This is a process that would only occur through a public agency," Winnicker added.

"What we saw with the WSIP was a solution where everything was fully transparent," Raider added. "It was all a public process, and there was plenty of opportunity for public input."

Which is really what a public water utility should be doing. "When you’re talking about public water, it isn’t them, it’s us," said Wenonah Hauter, director of Food and Water Watch. "A public water system is only as good as the people involved with it."

DRINK LOCALLY


"This conference isn’t a public event," organizer Andrew Slavin told the Guardian when we tried to gain admittance to the Corporate Water Footprinting Conference. While water activists rallied outside deriding the corporations inside for greenwashing their images, Slavin said that the fact that the conference wasn’t open to the public proved that the corporations weren’t trying to do environmental PR. "If they’re trying to do greenwashing this isn’t the place to do it. The aim is to try to share information."

Slavin pointed to representatives speaking from the Environmental Protection Agency, the SFPUC, and NGOs like the World Wildlife Fund. From an environmental perspective, if these companies are going to be using water, isn’t it worth working with them to reduce their impacts?

"There are companies I call water hunters," explained Maude Barlow. "They destroy water to make their products and profit. Unfortunately, some of the companies that are leading this conference are bottled water companies. I don’t know how you can become ‘water neutral’ if your life’s work is draining aquifers."

Many water activists consider bottled water the low-hanging fruit as far as getting people to change behaviors. San Francisco banned the use of tax dollars to buy it, and the SFPUC has been promoting its pristine Hetch Hetchy tap water, gravity-fed from Yosemite National Park. "Bottled water companies are basically engaged in a multiyear campaign. Their marketing approach is you can’t trust the tap, your public water isn’t safe," Winnicker said.

Slavin said he thought it was weird to protest the conference, because the corporations are genuinely trying to avoid conflicts. He pointed to a company called Future 500 that has created a business out of mediating between corporations and communities. "It’s hard for companies to speak to people so they use other companies to do it," Slavin said.

In fact, representatives from Future 500 appeared to be the only conference attendees who stepped outside to watch the protest.

"I think it’s great," Erik Wohlgemuth of Future 500, said of the protest. "I think press should have been there. I think more of these voices should have been there. My personal view is they need to come up with some sort of reduced rate to allow these nonprofits to attend these kinds of conferences."

Jeremy Shute, a representative from global infrastructure company AECOM who was standing with Wohlgemuth, said, "There’s a tremendous amount of research and thought going into these questions and it would be great if that knowledge could be shared."

But is that going to happen when private companies cite "proprietary interest" as a reason for not sharing more information about their businesses? Or when they don’t have to abide by public records laws, leaving their contracts shielded from public scrutiny? Or when they refuse to answer calls from their constituencies and the media? In which case, should those advocates be in the same room as some of the biggest water users in the world? When pressed with the question, Slavin seemed stumped. "Why didn’t we invite them?" he asked. Then, after a long, thoughtful pause, he said, "I don’t know."

————————

WATER, BY THE NUMBERS

One-half of 1 percent of the world’s water is fresh. [1]

Of that .5 percent, about 50 percent is polluted. [2]

One in 6 people don’t have access to clean, safe water. [3]

Five food and beverage giants — Nestlé, Unilever, Coca-Cola, Anheuser Busch, and Groupe Danone — consume almost 575 billion liters of water per year, enough to satisfy the daily water needs of every person on the planet. [4]

The average human needs about 13 gallons of water each day for drinking, cooking, and sanitation. [5]

An average North American uses about 150 gallons of water each day. [6]

An average African: 1.5 gallons. [7]

An average San Franciscan: 72 gallons. [8]

The average Los Angeles resident: 122 gallons. [9]

About half the water used by a typical home goes for lawns, gardens, and pools. [10]

50 percent of US water comes from non-renewable groundwater. [11]

86 percent of Americans get their water from public water systems. [12]

80 percent of California’s homes get water from public systems. [13]

The 20 percent of CA households receiving water from privately-owned systems pay an average of 20 percent more for it. [14]

Of the 4.5 billion people with access to clean drinking water worldwide, 15 percent are buying it from private water companies. [15]

It takes 3 liters of water to produce 1 liter of bottled water. [16]

Tests of 1,000 bottles of water spanning 103 brands revealed that about one-third contained some level of contamination. [17]

The bottled water industry is worth $60 billion a year. [18]

Water is the third biggest industry in the world, worth $425 billion, ranking just behind electricity and oil. [19]

About 70 percent of CA’s water lies north of Sacramento, but 80 percent of the demand is from the southern two-thirds of the state. [20]

[1] www.gwb.com.au/gwb/news/mai/water12.htm

[2] Maude Barlow, interview with SFBG

[3] foodandwaterwatch.org/world/utf8-america/water-privatization/ecuador/bechtel-in-guayaquil-ecuador

[4] The Economist magazine

[5] www.ens-newswire.com/ens/mar2002/2002-03-22-01.asp

[6] www.canadians.org/water/publications/water%20commons/section4.html; environment.about.com/od/greenlivinginyourhome/a/laundry_soaps.htm

[7] montessori-amman-imman-project.blogspot.com/2008/01/in-news-interview-with-ariane-kirtley.html; answers.yahoo.com/question/index?qid=20080304195801AAnrv4Y

[8] sfwater.org/mto_main.cfm/MC_ID/13/MSC_ID/168/MTO_ID/355

[9] www.nwf.org/nationalwildlife/article.cfm?articleId=928&issueId=68

[10] American Water Works Association

[11] www.canadians.org/integratethis/water/2008/May-28.html

[12] www.foodandwaterwatch.org/water/private-vs-public

[13] California Public Utilities Commission

[14] Black and Veatch’s 2006 California Water Rate Survey

[15] www.canadians.org/water/publications/water%20commons/section2.html

[16] www.pacinst.org/topics/water_and_sustainability/bottled_water/bottled_water_and_energy.html

[17] Natural Resources Defense Council study, "Pure water or pure hype?" (1999)

[18] www.bottlemania.net/excerpt.html

[19] www.timesonline.co.uk/tol/money/article4086457.ece; thegreenblog.leedphilly.com

[20] www.energy.ca.gov/2005publications/CEC-700-2005-011/CEC-700-2005-011-SF.PDF

Ricky Angel and Katie Baker assisted with research.

Newsom’s shocking Board appearance

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WTF?! Mayor Gavin Newsom shocks everyone by making a surprise “Bad News” visit to the Board.

Photos by Luke Thomas
Text by Sarah Phelan

For years, voters have been asking Mayor Gavin Newsom appear before the Board of Supervisors for monthly policy discussions. And for years, MGN has refused, claiming that such invites were “political theater.”

So, eyeballs understandably popped and jaws dropped when Newsom showed up at today’s Board meeting.
What could have possibly got the Mayor to come and talk to the Board?

A $576 million budget deficit, as it turns out. That’s almost half the City’s $1.2 billion in discretionary funds.

“That arguably makes it the most daunting crisis since the Great Depression,” Newsom observed.

But while the Mayor claimed he had come to the Board to “share the challenge”, he did not share copies of his proposed solution, until hours later at a press conference he did not attend. In other words, no one could ask the Mayor hard questions about his proposed plan in real time. And that was a tad frustrating.

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The media try to make sense of the Mayor’s proposal as Dr. Mitch Katz talks about what it means for the City’s Public Health Department.

Instead, Newsom did what he seems to do best: he stood there, hair and nails immaculate, spouting numbers, percentages, and statistics about his package which he dubbed, ” $118 million in proposed mid-year solutions.”

Somehow,he didn’t get to the part about the 399 pink slips that will be sent to City workers on Friday, or the 313 vacant positions that will also be eliminated.

Those details were left to Controller Ben Rosenfield and Budget Director Nani Coloretti to share with the press, as we stood in the International Room, surrounded by glass cases filled with signed memorabilia from the likes of “Their Royal Highnesses” Prince Charles and his wife Camilla.

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The Mayor’s “dream team” address media questions in the International Room,

It also fell lto the Mayor’s financial team to spell out that this mid-year proposal only addresses $100 million of the problem, meaning 2009-2010 will likely look four times worse.

Meanwhile, some supervisors were left wondering of there will there be any meaningful collaboration between Newsom and the Board, or whether it will take the form of the usual feral faction versus manicured tribe?
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Sup. Chris Daly wonders aloud about “real collaboration.”

“We have the capacity, the ingenuity and the spirit to solve this,” Newsom told the Board, looking painfully alone as he stood in their chambers this afternoon.”It’s going to take all of us working together. It’s in that spirit that I am here..The mid-year solution–difficult and painful as it is–its he easy part. The difficult part comes in the next four months.”
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His appearance was a good first step, but will he follow it up with regular monthly visits, so that the Board can engage him in policy discussions, as per their voters’ requests?

It looks as if the Board isn’t banking on it: Peskin and his fellow supervisors have put together their own package of solutions–an ordinance deappropriating $8.5 million in alternative cuts from the General Fund.

As one aide told me, “It’s important for the Board to set the stage now for the budget discussions in the Spring.”

But it would be great if there was a silver lining to the global crisis-in which the SF Board and Mayor started acting as equal partners in their efforts to save what they can from the economic wreckage.
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Hank Plante busts the mayor!

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Why did Mayor Newsom buy a $51,000 Chevy car in Colma when the only Chevy dealership in San Francisco is going out of business? Scroll down for the KPIX video showing how Hank Plante busts the mayor.

By Bruce B. Brugmann

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Photo by Paula Connelly

Newsom’s driver and new Chevy Hybrid Tahoe SUV vehicle, parked in front of the Ark toy store on 24th Street, during a press conference launching the Shop Local–Get More campaign. The city bought the car from a dealership in Colma for $51,000.

It was marvelous. Simply marvelous. Hank Plante busts the mayor.

Let me set the scene: The reporters and small business leaders on Wednesday (Dec. 5) were packed in the Ark, a toyshop on 24th Street, for a press conference to launch formally the “Shop Local–Get More” campaign aimed at getting San Franciscans and everyone else to shop local in San Francisco this holiday season.

Steve Falk, president of the San Francisco Chamber of Commerce, laid out the chamber’s extensive program for its members to give substantial discounts to customers. Gerald Johnson, owner of the Ark, explained how his store would give 10 per cent off your next purchase with a purchase of more than $100. Mayor Newsom, who rolled in late in his city car, gave a zippy little talk about the values of shopping local and helping out the merchants and business community during tough times.

Newsom is at his best at these informal occasions, a little pep talk here, a genial smile and gesture there, lots of jutting jaw, no tough questions please. Then came time for questions and Newsom visibly relaxed for what he hoped would be some Noe Valley soft balls.

Hank Plante, the savvy political editor of KPIX Television (Channel 5), was positioned in the front of the crowd with his television cameraman and his camera was whirring away. He led off with a timely question.

“Mr. Mayor, you want people to shop in San Francisco. You know the car dealerships are in trouble. Can you tell us why you didn’t buy your new official city car here in the city?”

Newsom replied testily, “Uh, I have no idea. Thanks for the Gotcha question and I don’t have a clue. I didn’t have anything to do with the purchase of that car.” He said he would find out what happened and get back with the answer.

Plante reported the exchange in the KPIX newscast that night. He said, “We’re losing our last Chevy dealership” in San Francisco. He said that the new car was a Chevy Tahoe Hybrid SUV that cost $51,000 at a dealership in Colma. He pointed out that the Chevy was one of the “most visible purchases the mayor made this year.” Marie Brooks, from Ellis Brooks Chevy dealership on Van Ness Avenue, told Plante, “I think it’s wrong for one of our city officials to buy anything outside the city.” Ellis Brooks is a family-owned car dealership and one of the oldest and most famous local names in selling cars in Northern California.

Plante reported that Newsom kept ducking the question and later refused to allow the press corps to take a picture of him leaving the press conference in his gleaming black hybrid car parked in front of the toy store (see pic above.) KPIX showed video footage of Newsom not getting into the car and walking down 24th street.

Plante had nailed a point that has been agitating the small (and big) business community for years. Scott Hauge, a prominent small business leader and founder and president of Small Business California, was at the press conference and picked up on the point immediately. In his followup email to small business people in the city, Hauge noted he had attended the press conference “where the mayor was promoting a shop SF campaign.

“I applaud the mayor and others like the SF Chamber, Bay Guardian, Small Business Commission and Hotel Council for their efforts. What I didn’t hear was anything the city will do to require SF City agencies to buy from SF companies located in SF.”

Then Hauge zeroed in. “SF government does not have a very good track record in this area. In fact the mayor was asked why he did not purchase his hybrid vehicle in SF and he said he didn’t know why. Now is the time to push this issue. SF businesses have a higher cost of doing business because of mandates imposed on us. It seems to me that the least the city can do is buy from SF businesses.” I think he’s spot on.

And so Plante, Hauge, the Guardian, and small (and big) business in San Francisco are waiting anxiously for Newsom’s explanation why he bought a $51,000 city Chevy vehicle in Colma and not in San Francisco where our last Chevy dealership is on hard times and going out of business. And we are all waiting even more anxiously to hear what the mayor plans to do to correct this Shop- outside -San Francisco-syndrome and get the city working to spend its tens of millions of dollars of city tax dollars on businesses and services in San Francisco.

P.S. Full disclosure: the Guardian is a sponsor of the Shop Local campaign. And we sent a delegation to the press conference: Sales and Marketing Director Jennifer Lachman, Vice President of Operations Daniel B. Brugmann, Online and Print Advertising Coordinator Rebecca Frank, Assistant to the Publisher Paula Connelly who took the press conference photos, and myself. We are happy to pitch in on this critical and timely endeavor to put as much instant cash as possible into our local businesses and our community.

Our contribution, as a locally owned, independent newsweekly, is our own Shop Local campaign featuring a key marketing line derived from an analysis provided by the Business Alliance of Local Living Economies (BALLE), using a formula created by the consulting firm Civic Economics. This data is dramatic. It shows that if our 600,000 or so Guardian readers would spend $l00 with locally owned, independent businesses in San Francisco during the holiday season, that would inject $99 million into the San Francisco economy. Immediately.

That’s nearly $15 million more dollars than the city would see if that money were spent on chain stores that send their revenues back to headquarters. That’s because money spent at local businesses tends to stay and circulate in the community and create more local jobs and economic activity and of course more tax dollars for the city. The Guardian is also leading a national Shop Local campaign among alternative papers that would put several billion dollars in total into local economies all over the country. As Guardian Executive editor Tim Redmond puts it, “A sustainable community needs a sustainable economy, and that starts with locally owned, independent businesses.”

Unsolicited advice for the mayor and anybody else at City Hall who keeps sending our money outside of town: check the policy of the San Francisco International Airport that mandates locally owned small businesses get most of the juicy airport franchises. That policy works and works well. When I go through the airport, I always stop to get something to eat at Klein’s Deli. Klein’s was named after Deborah Klein, a Guardian circulation manager in the mid- 1970s who became a restaurant entrepreneur in San Francisco. For many years, she ran Klein’s Deli on 20th Street atop Potrero Hill. B3

Click here to watch yesterday’s KPIX newscast.

Click here to see Guardian photo coverage of the press conference.

Streetlight serenade

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› kimberly@sfbg.com

SONIC REDUCER ‘Tis the season to max out with shopping merriment, and San Francisco still being a record-picking spot of worldwide renown, it’s bittersweet to flip through this year’s handsome UK gifty-paperback, Old Rare New: The Independent Record Shop (Black Dog), and spy the "hi-de-ho"-ing Cab Calloway logo of the late, lamented Village Music in Mill Valley. Such an overflowing vinyl goldmine till it shuttered last year — another victim of high rents and a wildly fluctuating music marketplace. The book is far from perfect: was Amoeba Music ever called Amoeba Records, and why isn’t Grooves listed in the US store directory?

But Old Rare New has its heart in the right place in its offhand celebration of brick ‘n’ mortar music trolling, filled out with short Q&As with collector-head artists like Chan Marshall, Quiet Village’s Joel Martin, and Cherrystones’ Gareth Goddard. It’s refreshing to get an eyeball of Byron Coley’s contrarian ‘tude: if independent music stores are going bye-bye, he writes, "Don’t blame me or my record scum buddies. We’re still as idiotically interested in fetishizing vinyl product as we ever were, but we’re all getting goddamned old, and we’re not being replaced in a fast and timely manner."

Nonetheless, it’s sad to see Open Mind Music in the US store directory, still listed at 342 Divisadero even though owner Henry Wimmer closed that locale long ago, reopened at 2150 Market, and then — argh! — closed that storefront at the end of October to concentrate on online sales (a small Open Mind record enclave, however, remains within the collective-run Other Shop II at 327 Divisadero). Also not listed — and why not with such reissue jewels as Brigitte Fontaine and Areski Belkacem’s L’Incendie (Byg, 1974) and Humble Pie’s Town and Country (Immediate, 1969)? — is Streetlight Records in Noe Valley, set to close on Jan. 31.

Codgers in the know will recall the days when Aquarius sat a few doors down from Streetlight, making the spot a twofer destination for serious LP trawling. Streetlight took up the indie and avant slack in the area when Aquarius moved to Valencia Street: amid its substantial vinyl selection, you can dig up Les Georges Leningrad’s Deux Hot Dogs Moutarde Chou (Les Records Coco Cognac, 2002) on red vinyl and TITS’ and Leopard Leg’s estrogen-athon split-LP Throughout the Ages (Upset the Rhythm, 2006). Deals can be had with the 10 percent-off-everything sale that kicked off on Black Friday.

The ever-increasing gentrification of the street — the mob in front of Starbucks was nutty on a recent Sunday morn — has definitely had an impact on the shop, according to manager Sunlight Weismehl, who has worked at the 32-year-old flagship store for more than two decades. "I believe over the years the area has become a destination for high-end houses," he says, "and the artists and working class have been pushed aside as they have in many neighborhoods. Because of that we don’t get as many people coming in during the day." The San Jose and Santa Cruz Streetlights are doing fine, and the Streetlight at Market and Castro reaps the benefit of better foot traffic.

One twist concerning the 24th Street store’s demise: Streetlight isn’t getting kicked out by greedy out-of-town landlords — they’re closing themselves down. Streetlight owner Robert Fallon owns the Noe Valley shop’s building. "I believe he feels that the rent in the neighborhood is higher than what we’re paying," explains Weismehl.

In an effort to stay afloat and pay its way, the manager says the store tried to "touch on everything. We certainly tried to have strong international, jazz, and roots sections and to try to serve the neighborhood as much as possible. Half crazy obscure things and half whatever the neighborhood is looking for."

And Noe Valley music mavens have reacted in kind. "We’ve been getting a lot of responses ranging from writing letters to the owner to just saying they’ll be sad when we’re gone. Some say it’s the last thing they came down to the street for," Weismehl says, adding that with Real Foods gone and the neighboring video store closed, "it’s a question of how much [the remaining] shops serve the neighborhood." Not to mention the fact that there’s one less accommodating spot that will keep on a touring musician: Weismehl recalls such staffers as Rova’s Bruce Ackley, Comets on Fire’s Noel Harmonson, Sebadoh’s and Everest’s Russ Pollard, and Unwritten Law’s Pat Kim. And after Jan. 31? I’m going to have borrow a baby stroller to feel even remotely at home in the hood.

LET THE GAMES BEGIN

NO AGE AND TITUS ANDRONICUS


ShockHound music site parties up its launch with a free show by the LA noise duo and the Glen Rock, N.J., rock five-piece, now signed to XL. Thurs/4, 7 p.m., free with RSVP at www.shockhound.com. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

A FOGGY HOLIDAY 2008


SF indies give it up for this Talking House CD of carols. With the Trophy Fire, the Heavenly States, and more. Fri/5, 8:30 p.m., $10. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

MURS


Expect a jammed club for the prescient Murs for President MC. Fri/5, 10 p.m., $15–<\d>$20. Shattuck Down Low, 2284 Shattuck, Berk. www.shattuckdownlow.com

SOULFUL HOLIDAY PARTY


The now-NorCal-dwelling soul-OG Darondo is spreading the deep magic. With Wallpaper and Nino Moschella. Fri/5, 9 p.m., $16–<\d>$21. Slim’s, 333 11th St., SF. www.slims-sf.com

ENERGY ANNIVERSARY BLAST


Energy 92.7’s takes off for the fourth year with Cyndi Lauper, Michelle Williams, Lady GaGa, Morgan Page, and others. Sat/6, 8 p.m., $36–<\d>$46. Grand Ballroom at Regency Center, 1300 Van Ness, SF. www.ticketmaster.com

HANK IV AND MAYYORS


The SF garage-punk scrappers return from their luminary-littered East Coast tour and join the souped-up Sacto rock unit. With Traditional Fools. Sat/6, 9 p.m., $7. El Rio, 3158 Mission, SF. www.elriosf.com

RAILCARS


Xiu Xiu’s Jamie Stewart produced the SF band’s Cities vs. Submarines EP (Gold Robot) in his kitchen. With Religious Girls and Halcyonaire. Tues/9, 9 p.m., $8. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

Change rejection

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AC/DC stormed onto the international stage with a song called "It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll). The song was an incendiary introduction to the Australian band’s brand of overdriven razor-boogie, and vocalist Bon Scott’s nasally shriek cataloged a life of hedonistic melancholy that ended with his death from alcohol poisoning in 1980.

It is rare for a group to write a song so prophetic of the challenges that lay ahead of them, even rarer for an outfit to suffer the loss of a charismatic frontperson and continue to exist. Less than six months after Scott’s tragic death, AC/DC got to the top. Recruiting singer Brian Johnson, the combo released Back in Black (Atlantic, 1980), a smash-hit record that went on to become the second-best-selling album of all time.

Towering pinnacles of success often have unintended consequences. Musicians accustomed to the travails of the industry suddenly find themselves with a seemingly inexhaustible reservoir of fan support, and enjoy the unquestioning indulgence of every creative whim. The desire to reinvent — to cast off cloying expectations of past success and established image — can be irresistible. This tendency has given us Kiss’ disco era, a Chris Cornell R&B album, and more iterations of Madonna than anyone cares to remember. Garth Brooks became Chris Gaines. The best-selling album of all time, the only one to beat out Back in Black, is Michael Jackson’s Thriller (Epic, 1982). I think you can see where I’m going with that one.

AC/DC, by contrast, has stayed so doggedly true to its original concept that it’s hard to imagine the band members even entertaining the idea of change if only to reject it. Their new album, Black Ice (Columbia), is the first in eight years, packed chock-full with the Young brothers’ stuttering, bluesy guitar riffs and Phil Rudd’s studiously unadorned drumming. The big surprise this time around, if you can call it that, is the inclusion of slide guitar on the track "Stormy May Day." The band’s been around for more than three decades, and a largely technical change in instrumentation on a single song qualifies as news. That’s sticking to your guns.

They’re still writing tunes with "rock ‘n’ roll" in the title, and Black Ice clocks in with four — quite an accomplishment in the field of writing rock songs about rock, which AC/DC more or less perfected. The quality of the tracks is neither here nor there, and it was fun reading the world’s Important Rock Critics write circles around themselves trying to think of something clever to say about the latest disc. In fact, if AC/DC has a talent besides writing infectiously simple rock mega-hits, it is confounding music writers.

They may not conjure the same arena-shaking adrenaline of the glory years, but no one’s really expecting that. The songs all sound the same, but that’s always been true. Their craft is so finely honed that they avoid any blunders or clunkers, and their stubborn enmity toward innovation makes them immune to any ill-advised tinkering with songwriting or sound.

They won’t even sell their stuff on iTunes, an anomaly that makes them a veritable dinosaur in the age of experimental "pay what you want" download ploys, when even the Napster-suing nofunskis in Metallica have been brought into the electronic fold. A lot of noise is made about AC/DC being an "album band," a commendable if quixotic adherence — the mind reels at the amount of money they could make off frat boys looking to round out the keg party playlist with a little "You Shook Me All Night Long." Then again, when you’ve already sold 200 million-odd albums, what’s left to buy? A plane for your plane? Maybe AC/DC could bailout the Big Three.

It’s not every band that proclaims a long road to the top, and then proceeds to walk it. AD/DC lamented that it "Ain’t No Fun (Waiting Round to Be a Millionaire)," but they waited and ended up millionaires. They argued that "Rock and Roll Ain’t Noise Pollution," and 42 million in sales proved them right. They saluted those who were about to rock, and got saluted right back. Their new album went No. 1 in 17 countries. If there’s one last self-referential song left to sing, it’s a cover of the Beatles’ "Don’t Ever Change."

Immortal Technique

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PREVIEW Peruvian-born, Harlem-raised rapper Immortal Technique, né Felipe Coronel, long ago broke with the TRL mold of spitting about bitches and ho’s, instead looking to the roots of hip-hop with his politically minded tracks.

On his third full-length, The 3rd World (Viper), he covers such topics as the gentrification of his Harlem hood and corruption in the music industry. The opener establishes him as a renegade in the rap world where it’s common to have an intro — be it the sound of bullets blasting or a slutty skit. Instead, the "Death March" is a forceful, beat-driven anthem that introduces its characters (Immortal Technique and DJ Green Lantern), dedicates the album (to the people of Latin American nations that have been tampered with by this country), and sets the stage for what is to come next (urban/guerrilla warfare and an album about it).

"Open Your Eyes" looks at the life of immigrants who are promised a better life in the states but come to realize that "privatization and electricity" do not equate to happiness, and explores the abuse of natural resources and indigenous peoples overseas. "Lick Shots," while not the strongest track on 3rd World with its annoying repeated refrain, goes for laughs with couplets like, "Marry a Muslim girl and fuck her five times a day / Every time right before we shower and pray." "Crimes of the Heart" gets slightly personal with an honest love story of a lonely two-timer "breaking hearts on the way to enlightenment," which Immortal Technique uses as a simile for an isolated republic. A little less narrative-bound but still hard-hitting and with a more polished production than Immortal Technique’s previous recordings, 3rd World offers hope for listeners who yearn for a return to music with a message. As the old adage goes, actions speak louder than words, and Immortal Technique remains true to his tunes with this concert for Afghanistan’s Children of War in partnership with Omeid International.

IMMORTAL TECHNIQUE with Hasan Salaam, Da Circle, Ras Ceylon, and DJ GiJoe. Thurs/20, 9:30 p.m., $19–$22. DNA Lounge, 375 11th St., SF. (415) 626-1409, www.dnalounge.com

Holiday Guide 2008: The game room

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› culture@sfbg.com

The holidays have always been a time for toys. Back in the day, it was board games, baby dolls, and Rubik’s cubes. Then came Nintendo, Dance Dance Revolution, and The Sims. And now? The world of gaming is exploding, with something for everyone — from sci-fi-loving kids to sports-fanatic adults. Here are a few of our favorite new releases, which are sure to please everyone on your list (except maybe Grandpa):

Spore

Maxis (EA Sports); PC/Mac

"Playing God" just took on a whole new meaning. From Maxis, the people who brought you The Sims, comes the genre-defying Spore, a game designed for people who are tired of creating boring ol’ humans. In its captivating metaverse, gamers create a unicellular organism which must evolve into a social, cognizant creature. Explore the game’s expansive, interstellar landscape while developing a whole new species that can live and thrive in a brave new world. If that isn’t enough, it features ambient soundscapes by avant-garde composer and producer Brian Eno.

Pro Evolution Soccer 2009

Konami; PS3, Xbox 360, PSP, PS2, Wii, PC

The Pro Evolution Soccer series, also known as Winning Eleven, has long been the "Beautiful Games" best-kept gaming secret. While enjoying rampant global popularity, stateside it has long been the Don Swayze to Electronic Arts’ FIFA series’ Patrick Swayze. Its underwhelming sales in the United States are due to EA’s publicity machine and its name recognition. But PES 2009‘s staggering fluidity, graphics, and realism leaves FIFA‘s in the dust. While it features the international and club matches we expect, this year’s version exclusively features UEFA Champion’s League mode, which allows you to navigate through soccer’s preeminent club competition that decides the best team in Europe. A majestic sport demands a majestic game, and Pro Evolution Soccer ’09 best captures the nuances and gravity of the world’s most beloved sport.

World of Warcraft: Wrath of the Lich King

Blizzard Entertainment; PC/ Mac OS X

If you can control an insatiable appetite for the destruction of your social life during the 42 days between its release and St. Nick’s World Tour, No. 1 on your shopping list should be the latest installment of the soul-sucking, hypnotic genius of Blizzard Entertainment’s World of Warcraft. While its global fans’ limitless dedication risks the ire of parents, teachers, and psychologists (read: party poopers), who confuse persistence and attention to detail with addictive behaviors, Blizzard has simply achieved every video game maker’s wet dream. It’s crafted a game intriguing and enjoyable enough that both hardcore and weekend warriors want to get in on the action.

Shaun White Snowboarding

Ubisoft; PS3, Xbox 360, Wii, Nintendo DS, PSP, PS2, PC

Not since Tony Hawk has an athlete been able to seamlessly transition from extreme sports star to bona fide sports hero and A-list celebrity like Shaun "the Flying Tomato" White has. He’s appeared on countless magazines and talk shows, and is now pulling his own "Tony Hawk" by fronting a big-budget, mainstream video game franchise. While time will tell if Shaun White Snowboarding will be as successful as the Tony Hawk’s Pro Skater series, but early returns have been overwhelmingly positive. The game features four mountain settings — Alaska, the Alps, Japan, and Park City, Utah — with seemingly endless runs and backcountry trails to get lost on. The game flows well, and there are countless opportunities to do hair-raising tricks and twists. White wanted the game to capture the freedom that made him fall in love with snowboarding, and Ubisoft has captured that perfectly, constantly pushing the user to discover the road less traveled without the possibility of death by hypothermia.

Rock Band 2

Harmonix/ Pi Studios; PS3, Xbox 360 (PS2/Wii releasing December 2008)

I’ll be honest with you. There is nothing, but nothing, that can kill a night out quite like Rock Band. Speaking from experience, it usually strikes around 11 p.m., when you and your friends are, theoretically, having your last drinks and preparing to brave the San Francisco nightlife. You may have high hopes for the evening. Maybe you’ll find a cool new bar, meet some new people, or even engage in a hazy dalliance that hopefully leaves you disease- and child-free in the morning. Then, disaster strikes. Someone asks, "Hey, who wants to play a little Rock Band before we go out?" Three hours later, you are wasted, singing "Wanted Dead or Alive" at the top of your lungs, and surrounded by the same four mates you started the night with. Good-bye cool bar, new friends, and Ms. or Mr. Right (Now). The latest version promises even more lost evenings and new opportunities to show off that falsetto, with almost 100 songs from nearly every genre, including classic rock standards (Fleetwood Mac, the Who), a double helping of ’90s grunge (Pearl Jam, Alice in Chains), and ’80s metal jams (Ratt, Bon Jovi).

Mirror’s Edge

Electronic Arts; PS3, Xbox 360

First-person adventure games are the Auto-Tune (T-Pain Effect) of video games, with seemingly every major video game manufacturer using this über-realistic, up-close perspective. That said, Mirror’s Edge looks likely to revolutionize first-person shooters with its unparalleled gameplay. Players control Faith, the game’s tragic hero, on her quest to save her sister from a web of deceit woven by a corrupt communist government. The game’s gorgeous, illuminated metropolitan setting demonstrates its elite graphics, but the real attraction lies in Faith’s ambitious journey. While fighting is involved, the user must navigate the expansive urban labyrinth and find ways to infiltrate the totalitarian regime. Though it boasts more action (read: combat) than most RPG’s, Mirror’s Edge is not a game for the unreceptive, lazy gamer who simply wants to blow shit up. But if you like using your brain as well as your bullets, you will rejoice in its complex storyline, nuance, and overall gameplay.

NBA Live ’09

Electronic Arts; Xbox 360, Wii, PS3, PS2, PSP

Without the mighty Baron Davis, how are the hapless Warriors going to make the playoffs? Easy. Pick up a copy of EA’s new installment of the NBA Live juggernaut, make a few shrewd trades such as swapping Al Harrington and C.J. Watson for Carlos Boozer and Deron Williams (that’s fair, right?), start up your season, and voilà! The Warriors go 73-9, break the Bulls all-time record, cruise into the playoffs, and crush the overmatched Boston Celtics to bring the Bay Area their first title since 1975. Meanwhile, the villainous Utah Jazz are sent tumbling to an abysmal 5-77 mark (guess who’s still bitter about the ’07 playoffs?). Along the way, enjoy graphics clear enough to make out Kenyon Martin’s impressive array of neck tats, high-flying dunks more exciting than a moped ride with Monta Ellis, and gameplay so realistic that while playing as the Knicks, you’ll be too lazy to get back on defense. *

More Holiday Guide 2008.

Cindy: Revolution will not be reported!

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From Cindy Sheehan

The Revolution Will not be Reported!

Or Funded by Corporate Interests!

Dear Friend/Supporter,

It has been 10 days since the election and Cindy for Congress is still going strong.

I am going to start a radio show on Green 960 AM beginning November 29th at 11:30am. The brilliant part of my show is that I will be on right after Corporate Democrat, Gavin Newsom (mayor of SF). My new show is called: Cindy Sheehan’s Soap Box and we will have an amazing guest to interview each week and I will sound off on different topics: war/peace; politics; human rights; international relations; foreign policy; etc. My show will have a global/local scope to it and will also be a call to action. Also, on every show, I will answer a couple of the hundreds of emails we get every week. We will pod cast the show from our website.

The reason we are undertaking this new show, is that the corporate media (locally and nationally) wrote me off and put a blockade on coverage even before we began our campaign. When there was coverage, the writer would opine that either: a) wouldn’t get on the ballot as an independent; b) not even beat the Republican; c) not even get 10 percent. Well, friend, I a) got on the ballot (which took 10,198 signatures); b) beat the Republican by a lot and c) got almost 17% of the vote. We did far better than anyone who has ever run against Pelosi in the past and that was with very, very little media coverage. Some election night coverage only reported the stats from Nancy Pelosi and the Republican, leaving me out entirely!

So far, (still counting) we have over 45,000 votes! With your help, we were able to mount a very serious campaign that was fueled by our very progressive platform and the support of thousands of people all over the country. Thank you so much for believing in peace, accountability and true progressive values!

We are already organizing for 2010 and have kept a skeletal staff and our office to do this and we are starting a PAC (political action committee) to be able to sustain our campaign until we come out even stronger than before in 2010. We also have some campaign debt to pay off.

I truly believe with the foundation that we have built and the growing disasters that our confronting our country, (facilitated by the “leadership” of Nancy Pelosi), we have an excellent chance of taking her seat in 2010 and finally giving San Francisco a true progressive Congressional Rep. Finally, we will also be working with progressive political activists around the nation to mount challenges to every Congressperson that does not effectively represent the interests of “We the People,” and not the corporate pirates.

Love & Peace

Cindy Sheehan

“Jesus was a homo!”

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By Marke B.

jesussatan2a.jpg

OK, now that I’ve got your attention by yelling the above, like the group Bash Back did in a sleepy Lansing, MI church last weekend — minus the giant upside-down pink cross — please join me at this amazingly huge international thingie below.

Join the Impact!
Protest Prop 8 at SF City Hall
(and at City Halls around the country and world)
10:30am – 1:30pm
Saturday, November 15, 2008
http://protest8sf.wordpress.com/
http://jointheimpact.com/

(Note to Bash Back — although I love my colorfully radical gay sisterhood, I’m not sure that screaming about Jesus penis in a Midwestern church is going to help us queers gain something as conservative as marriage in California or adoption in Arkansas. I could be wrong. Plus the whole us vs. religion-in-general thing is kind of unfashionable, sigh. )

noon8protestpostera.jpg

I just want to say here that currently the LGBTIQQLMNOP world is in delicious turmoil — as any community as diverse as ours should be. As of yesterday, we have legalized, available same sex marriage in Connecticut — and a new porn movie called Farts. We have silly conservative gays once again telling us that we’d be more acceptable to mainstream America if only we’d expunge those weird drag queens and writhing leathermen from our Pride parades — and a horrifyingly unrepentant new interview from underage-page-baiting conservative jerk Mark Foley (It’s ironic because he says he was abused by a Catholic priest! Prop 8 connections!).

There is an almost-unfabulous radical black dyke telling gay marriage supporters to go stuff it up their white asses in the Chronicle, and an almost-fabulous (yet disturbingly quasi-gynophobic) cheeky new ad campaign from the Gay Times in London intended to make straight men gay.

And just to add more heavens-to-betsy to everything, the “Join the Impact” No on Prop 8 protest listed above was organized by a furtive little e-mail in Seattle from one brave, beautiful soul. An e-mail is our international organizer!

Queers — always so viral.

Two reviews from 3rd I

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By Kevin Langson

The sixth annual 3rd I: San Francisco International South Asian Film Festival runs through Sun/16. Visit the fest’s web site for additional information.

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With The Glow of White Women, Yunus Valley forcefully and riotously reverses the colonial gaze to comedically consider the erotic imagery of — and actual — white women who have comprised his masturbatory fantasies and his libidinous relationships. Valley, a mixed-race Indian and black artist from South Africa, is an incendiary, unabashed director-subject who races through a confrontation of the sexual racism that made for tense relations and torrid desire during apartheid. With a devious grin and a subversive sense of humor encapsulated in his assertion that apartheid really wasn’t so oppressive because it meant that the black boys could sit at the back of the movie houses and masturbate to the images of white women on the screen, he plays at untangling his voracious appetite and contempt for Caucasian women — as a personal and a cultural phenomenon. Don’t expect conclusions or for every element of this film to be well-realized or logically arranged, but do expect an unusually entertaining social critique. This film exudes the personality of its maker, which is to say it is hyper and playful, with a tinge of artist arrogance. Just as he is perfectly comfortable espousing that women are frivolous and not worth living with/committing to, he seems self-satisfied in the structuring of the film, feeling no need to contextualize or conclude as convention would dictate. And why not, if at the end one has the sense that he is a competent commentator, agitator, and entertainer? In two regards he brings to mind Michael Moore. He is a strong, confrontational personality that will likely earn avid detractors and avid supporters among his audience, and he conjures Roger and Me (1989) with his laughable but rather pointless ambush of a beauty queen. On the flipside, it is a beauty queen (the Miss South Africa pageant is a recurring theme) who provides the most chilling moment of the film, as well. When interviewed about her family’s relationship to the African workers who constitute the labor force of the family business, Miss South Africa is a shocking embodiment of the sort of paternalistic racism that is utterly ignorant of itself.

Oh Boyle

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The title Slumdog Millionaire may sound strange, but it speaks to the style and tone of Danny Boyle’s latest production. The film gracefully slides between fairy tale romance and gritty drama, portraying a dichotomy that Boyle (1996’s Trainspotting and 2002’s 28 Days Later) considers essential to a representation of India, where the movie is set.

"It’s just India," he explained on a recent visit to San Francisco. "Their movies are fantastical, kind of like ridiculous things, and the life on the street is brutal in one sense, and yet the two sit together."
"Fantastical" and "brutal" characterize the plot of Slumdog Millionaire, which follows former Mumbai street kid Jamal Malik (Dev Patel) as he struggles to beat the odds and win it all on the Indian version of Who Wants to Be a Millionaire? Also at stake: the beautiful Latika (Freida Pinto), love of Jamal’s life. It sounds far-fetched — and indeed it is — but the story’s universal appeal keeps it grounded.

"It’s a classic international story," Boyle said. "It’s an underdog who has a dream, and he’ll get to that dream. And it’s fortunately got this device, the Millionaire device, the show device, which is universal now."

By featuring the game show so prominently, Slumdog Millionaire runs the risk of feeling gimmicky. To its credit, the central device remains just that — an outlet for Jamal to revisit his past rather than a flashy distraction. As Boyle put it, "It’s just a tool to help you get to the people, and that’s all."

At the same time, Who Wants to Be a Millionaire? works on a symbolic level. According to Boyle, the show stands for a certain ideal. As Jamal’s winnings expand, India itself develops — as seen by new high-rise buildings that spring up in Mumbai over the course of the film.

"[Who Wants to Be a Millionaire? has] an idea in it about the way the West is exported that now India is chasing," Boyle said. "That show is an expansive show — you make more and more money, and it grows and grows and grows."

Yet nothing about Slumdog Millionaire is heavy-handed or out of place. It’s a credit to the filmmakers that every moment, from the harsh street scenes to a Bollywood-style song-and-dance number, is integral to the story. In the end, that juxtaposition is what helps the film capture a sense of the "real" India, however tenuous the concept.

"You either stand back and look at it sort pictorially, [or you] dive right in there," Boyle noted. "You get a bit of the flavor of what Mumbai is like as this electric city. So that was the idea, that was the approach."

SLUMDOG MILLIONAIRE opens Wed/12 in Bay Area theaters.

The people’s election

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By midnight Nov. 4, the drama was long over: John McCain had conceded, Barack Obama had delivered his moving victory speech — declaring that “change has come to America” — and the long national nightmare of the Bush years was officially headed for the history books.

But in San Francisco, the party was just getting started.

Outside of Kilowatt, on 16th Street near Guerrero, the crowd of celebrants was dancing to the sounds of a street drummer. In the Castro District, a huge crowd was cheering and chanting Obama’s name. And on Valencia and 19th streets, a spontaneous outpouring of energy filled the intersection. Two police officers stood by watching, and when a reporter asked one if he was planning to try to shut down the celebration and clear the streets, he smiled. “Not now,” he said. “Not now.”

Then, out of nowhere, the crowd began to sing: O say can you see /By the dawn’s early light …

It was a stunning moment, as dramatic as anything we’ve seen in this city in years. In perhaps the most liberal, counterculture section of the nation’s most liberal, counterculture city, young people by the hundreds were proudly singing The Star Spangled Banner. “For the first time in my life,” one crooner announced, “I feel proud to be an American.”

Take that, Fox News. Take that Sean Hannity and Rush Limbaugh and Sarah Palin and the rest of the right-wing bigots who have tried to claim this country for themselves. On Nov. 4, 2008, progressives showed the world that we’re real Americans, too, proud of a country that has learned from its mistakes and corrected its course.

President Obama will let us down soon enough; he almost has to. The task at hand is so daunting, and our collective hopes are so high, that it’s hard to see how anyone could succeed without a few mistakes. In fact, Obama already admitted he won’t be “a perfect president.” And when you get past the rhetoric and the rock star excitement, he’s taken some pretty conservative positions on many of the big issues, from promoting “clean coal” and nuclear power to escautf8g the war in Afghanistan.

But make no mistake about it: electing Barack Obama was a progressive victory. Although he never followed the entire progressive line in his policy positions, he was, and is, the creature of a strong progressive movement that can rightly claim him as its standard-bearer. He was the candidate backed from the beginning by progressives like Supervisors Chris Daly and Ross Mirkarimi (a Green). And only after his improbable nomination did moderates like Mayor Gavin Newsom and Sen. Dianne Feinstein jump on the bandwagon.

From the start, the young, activist, left wing of the Democratic Party was the driving force behind the Obama revolution. And while he has always talked to the Washington bigwigs — and will populate his administration with many of them — he would never have won without the rest of us. And that’s a fact of political life it will be hard for him to ignore, particularly if we don’t let him forget it.

For a few generations of Americans — everyone who turned 18 after 1964 — this was the first presidential election we’ve been able to get truly excited about. It was also the first presidential election that was won, to a significant extent, on the Internet, where progressive sites like dailykos.com raised millions of dollars, generated a small army of ground troops, and drove turnout in both the primaries and the general election. The movement that was built behind Obama can become a profound and powerful force in American politics.

So this was, by any reasonable measure, the People’s Election. And now it’s the job of the people to keep that hope — and that movement — alive, even when its standard-bearer doesn’t always live up to our dreams.

The evidence that this was the People’s Election wasn’t just at the national level. It showed up in the results of the San Francisco elections as well.

This was the election that would demonstrate, for the first time since the return of district elections, whether a concerted, well-funded downtown campaign could trump a progressive grassroots organizing effort. Sure, in 2000, downtown and then-Mayor Willie Brown had their candidates, and the progressives beat them in nearly every race. But that was a time when the mayor’s popularity was in the tank, and San Franciscans of all political stripes were furious at the corruption in City Hall.

“In 2000, I think a third of the votes that the left got came from Republicans,” GOP consultant Chris Bowman, who was only partially joking, told us on election night.

This time around, with the class of 2000 termed out, a popular mayor in office and poll numbers and conventional wisdom both arguing that San Franciscans weren’t happy with the current Board of Supervisors (particularly with some of its members, most notably Chris Daly), many observers believed that a powerful big-money campaign backing some likable supervisorial candidates (with little political baggage) could dislodge the progressive majority.

As late as the week before the election, polls showed that the three swings districts — 1, 3, and 11 — were too close to call, and that in District 1, Chamber of Commerce executive Sue Lee could be heading for a victory over progressive school board member Eric Mar.

And boy, did downtown try. The big business leaders, through groups including the Committee on Jobs, the Chamber, the Association of Realtors, Plan C, the newly-formed Coalition for Responsible Growth, and the Building Owners and Managers Association, poured more than $630,000 into independent expenditures smearing progressive candidates and promoting the downtown choices. Newsom campaigned with Joe Alioto, Jr. in District 3 and Ahsha Safai in District 11. Television ads sought to link Mar, John Avalos, and David Chiu with Daly.

Although the supervisors have no role in running the schools, the Republicans and downtown pushed hard to use a measure aimed at restoring JROTC to the city’s high schools as a wedge against the progressives in the three swing districts. They also went to great lengths — even misstating the candidates’ positions — to tar Mar, Chiu, and Avalos with supporting the legalization of prostitution.

And it didn’t work.

When the votes were counted election night, it became clear that two of the three progressives — Avalos and Chiu — were headed for decisive victories. And Mar was far enough ahead that it appeared he would emerge on top.

How did that happen? Old-fashioned shoe leather. The three campaigns worked the streets hard, knocking on doors, distributing literature, and phone banking.

“I’ve been feeling pretty confident for a week,” Avalos told us election night, noting his campaign’s strong field operation. As he knocked on doors, Avalos came to understand that downtown’s attacks were ineffective: “No one bought their horseshit.”

A few weeks earlier, he hadn’t been so confident. Avalos said that Safai ran a strong, well-funded campaign and personally knocked on lots of doors in the district. But ultimately, Avalos was the candidate with the deepest roots in the district and the longest history of progressive political activism.

“This is really about our neighborhood,” Avalos told us at his election night party at Club Bottom’s Up in the Excelsior District. “It was the people in this room that really turned it around.”

The San Francisco Labor Council and the tenants’ movement also put dozens of organizers on the ground, stepping up particularly strongly as the seemingly coordinated downtown attacks persisted. “It was, quite literally, money against people, and the people won,” Labor Council director Tim Paulson told us.

Robert Haaland, a staffer with the Service Employees International Union and one of the architects of the campaign, put it more colorfully: “We ran the fucking table,” he told us election night. “It’s amazing — we were up against the biggest downtown blitz since district elections.”

The evidence suggests that this election was no anomaly: the progressive movement has taken firm hold in San Francisco, despite the tendency of the old power-brokers — from Newsom to downtown to both of the city’s corporate-owned daily newspapers — to try to marginalize it.

Political analyst David Latterman of Fall Line Analytics began the Nov. 5 presentation at the San Francisco Planning and Urban Research Association election wrap-up by displaying an ideologically-coded map of San Francisco, drawing off of data from the Progressive Voter Index that he developed with San Francisco State University political science professor Rich de Leon. The PVI is based on how San Francisco residents in different parts of the city vote on bellwether candidates and ballot measures.

“Several of the districts in San Francisco discernibly moved to the left over the last four to eight years,” Latterman told the large crowd, which was made up of many of San Francisco’s top political professionals.

The two supervisorial districts that have moved most strongly toward the progressive column in recent years were Districts 1 (the Richmond) and 11 (the Excelsior), which just happened to be two of the three swing districts (the other being District 3–North Beach and Chinatown) that were to decide the balance of power on the Board of Supervisors this election.

Latterman said Districts “1, 3, and 11 went straight progressive, and that’s just the way it is.”

In fact, in many ways, he said this was a status-quo election, with San Francisco validating the progressive-leaning board. “A lot of people in the city didn’t see it as a chance for a drastic change citywide.”

In other words, keeping progressives in City Hall has become a mainstream choice. Whatever downtown’s propaganda tried to say, most San Franciscans are happy with a district-elected board that has brought the city a living-wage law and moved it a step toward universal health insurance.

The fate of the local ballot measures was another indication that Newsom, popular as he might be, has little ability to convince the voters to accept his policy agenda.

Voters rejected efforts by Newsom to consolidate his power, rejecting his supervisorial candidates, his Community Justice Center (as presented in Measure L), and his proposed takeover of the Transportation Authority (soundly defeating Proposition P) while approving measures he opposed, including Propositions M (protecting tenants from harassment) and T (Daly’s guarantee of substance abuse treatment on demand).

Asked about it at a post-election press conference, Newsom tried to put a positive spin on the night. “Prop. A won, and I spent three years of my life on it,” he said. “Prop B. was defeated. Prop. O, I put on the ballot. I think it’s pretty small when you look at the totality of the ballot.” He pointed out that his two appointees — Carmen Chu in District 4 and Sean Elsbernd in District 7 — won handily but made no mention of his support for losing candidates Lee, Alicia Wang, Alioto, Claudine Cheng, and Safai.

“You’ve chosen two as opposed to the totality,” Newsom said of Props. L and P. “Prop. K needed to be defeated. Prop. B needed to be defeated.”

Yet Newsom personally did as little to defeat those measures as he did to support the measures he tried to claim credit for: Measures A (the General Hospital rebuild bond, which everyone supported) and revenue-producing Measures N, O, and Q. In fact, many labor and progressives leaders privately grumbled about Newsom’s absence during the campaign.

Prop. K, which would have decriminalized prostitution, was placed on the ballot by a libertarian-led signature gathering effort, not by the progressive movement. And Prop. B, the affordable housing set-aside measure sponsored by Daly, was only narrowly defeated — after a last-minute attack funded by the landlords.

All three revenue-producing measures won by wide margins. Prop. Q, the payroll tax measure, passed by one of the widest margins — 67-33.

Latterman and Alex Clemens, owner of Barbary Coast Consulting and the SF Usual Suspects Web site, were asked whether downtown might seek to repeal district elections, and both said it didn’t really matter because people seem to support the system. “I can’t imagine, short of a tragedy, district elections going anywhere,” Latterman said.

Clemens said that while downtown’s polling showed that people largely disapprove of the Board of Supervisors — just as they do most legislative bodies — people generally like their district supervisor (a reality supported by the fact that all the incumbents were reelected by sizable margins).

“It ain’t a Board of Supervisors, it is 11 supervisors,” Clemens said, noting how informed and sophisticated the San Francisco electorate is compared to many other cities. “When you try to do a broad-based attack, you frequently end up on the wrong end (of the election outcome).”

We had a bittersweet feeling watching the scene in the Castro on election night. While thousands swarmed into the streets to celebrate Obama’s election, there was no avoiding the fact that the civil-rights movement that has such deep roots in that neighborhood was facing a serious setback.

The Castro was where the late Sup. Harvey Milk started his ground-breaking campaign to stop the anti-gay Briggs Initiative in 1978. Defying the advice of the leaders of the Democratic Party, Milk took on Briggs directly, debating him all over the state and arguing against the measure that would have barred gay and lesbian people from teaching in California’s public schools.

The defeat of the Briggs Initiative was a turning point for the queer movement — and the defeat of Prop. 8, which seeks to outlaw same-sex marriage, should have been another. Just as California was the most epic battle in a nationwide campaign by right-wing bigots 30 years ago, anti-gay marriage measures have been on the ballot all over America. And if California could have rejected that tide, it might have taken the wind out of the effort.

But that wasn’t to be. Although pre-election polls showed Prop. 8 narrowly losing, it was clear by the end of election night that it was headed for victory.

Part of the reason: two religious groups, the Catholics and the Mormons, raised and spent some $25 million to pass the measure. Church-based groups mobilized a reported 100,000 grassroots volunteers to knock on doors throughout California. Yes on 8 volunteers were as visible in cities throughout California as the No on 8 volunteers were on the streets of San Francisco, presenting a popular front that the No on 8 campaign’s $35 million in spending just couldn’t counter — particularly with so many progressive activists, who otherwise would have been walking precincts to defeat Prop. 8, fanned out across the country campaigning for Obama.

“While we knew the odds for success were not with us, we believed Californians could be the first in the nation to defeat the injustice of discriminatory measures like Proposition 8,” a statement on the No on Prop. 8 Web site said. “And while victory is not ours this day, we know that because of the work done here, freedom, fairness, and equality will be ours someday. Just look at how far we have come in a few decades.”

San Francisco City Attorney Dennis Herrera, joined by Los Angeles City Attorney Rocky Delgadillo and Santa Clara County Counsel Ann C. Raven, filed a legal challenge to Prop. 8, arguing that a ballot initiative can’t be used to take away fundamental constitutional rights.

“Such a sweeping redefinition of equal protection would require a constitutional revision rather than a mere amendment,” the petition argued.

“The issue before the court today is of far greater consequence than marriage equality alone,” Herrera said. “Equal protection of the laws is not merely the cornerstone of the California Constitution, it is what separates constitutional democracy from mob rule tyranny. If allowed to stand, Prop. 8 so devastates the principle of equal protection that it endangers the fundamental rights of any potential electoral minority — even for protected classes based on race, religion, national origin, and gender.”

That may succeed. In fact, the state Supreme Court made quite clear in its analysis legalizing same-sex marriage that this was a matter of fundamental rights: “Although defendants maintain that this court has an obligation to defer to the statutory definition of marriage contained in [state law] because that statute — having been adopted through the initiative process — represents the expression of the ‘people’s will,’ this argument fails to take into account the very basic point that the provisions of the California Constitution itself constitute the ultimate expression of the people’s will, and that the fundamental rights embodied within that Constitution for the protection of all persons represent restraints that the people themselves have imposed upon the statutory enactments that may be adopted either by their elected representatives or by the voters through the initiative process.

As the United States Supreme Court explained in West Virginia State Board of Education vs. Barnette (1943) 319 U.S. 624, 638: ‘The very purpose of a Bill of Rights was to withdraw certain subjects from the vicissitudes of political controversy, to place them beyond the reach of majorities and officials and to establish them as legal principles to be applied by the courts. One’s right to life, liberty, and property, to free speech, a free press, freedom of worship and assembly, and other fundamental rights may not be submitted to vote; they depend on the outcome of no elections.'”

As Board of Supervisors President Aaron Peskin told the Guardian later that week: “Luckily, we have an independent judiciary, because the voters of California have mistakenly taken away a class of civil rights.”

But if that legal case fails, this will probably wind up on the state ballot again. And the next campaign will have to be different.

There already have been many discussions about what the No on 8 campaign did wrong and right, but it’s clear that the queer movement needs to reach out to African Americans, particularly black churches. African Americans voted heavily in favor of Prop. 8, and ministers in many congregations preached in favor of the measure.

But there are plenty of black religious leaders who took the other side. In San Francisco the Rev. Amos Brown, who leads the Third Baptist Church, one of the city’s largest African American congregations, spoke powerfully from the pulpit about the connections between the civil rights struggles of the 1960s and the fight for same-sex marriage.

The next time this is on the ballot, progressive and queer leaders will need to build a more broad-based movement. That is not only possible, but almost inevitable.

The good news — and it’s very good news — is that (as Newsom famously proclaimed) same-sex marriage is coming, whether opponents like it or not. That’s because the demographics can’t be denied: the vast majority of voters under 30 support same-sex marriage. This train is going in only one direction, and the last remaining issue is how, and when, to make the next political move.

The progressives didn’t win everything in San Francisco. Proposition H, the Clean Energy Act, was taken down by one of the most high-priced and misleading campaigns in the city’s history. Pacific Gas and Electric Co. spent more than $10 million telling lies about Prop. H, and with the daily newspapers virtually ignoring the measure and never challenging the utility’s claims, the measure went down.

“This was a big, big, big money race,” Latterman said. “In San Francisco, you spend $10 million and you’re going to beat just about anything.”

But activists aren’t giving up on pushing the city in the direction of more renewable energy (see Editorial).

Latterman said the narrow passage of Prop. V, which asked the school board to consider reinstating JROTC, wasn’t really a victory. “I would not call this a mandate. I worked with the campaign, and they weren’t looking for 53 percent. They were looking for 60-plus percent,” Latterman said. “I think you’ll see this issue just go away.”

Neither Latterman nor Clemens would speculate on who the next president of the Board of Supervisors will be, noting that there are just too many variables and options, including the possibility that a newly elected supervisor could seek that position.

At this point the obvious front-runner is Ross Mirkarimi, who not only won re-election but received more votes than any other candidate in any district. Based on results at press time, more than 23,000 people voted for Mirkarimi; Sean Elsbernd, who also had two opponents, received only about 19,000.

Mirkarimi worked hard to get Avalos, Chiu, and Mar elected, sending his own volunteers off to those districts. And with four new progressives elected to the board, joining Mirkarimi and veteran progressive Chris Daly, the progressives ought to retain the top job.

Daly tells us he won’t be a candidate — but he and Mirkarimi are not exactly close, and Daly will probably back someone else — possibly one of the newly elected supervisors.

“It’s going to be the most fascinating election that none of us will participate in,” Clemens said.

The danger, of course, is that the progressives will be unable to agree on a candidate — and a more moderate supervisor will wind up controlling committee appointments and the board agenda.

One of the most important elements of this election — and one that isn’t being discussed much — is the passage of three revenue-generating measures. Voters easily approved a higher real-estate transfer tax and a measure that closed a loophole allowing law firms and other partnerships to avoid the payroll tax. Progressives have tried to raise the transfer tax several times in the past, and have lost hard-fought campaigns.

That may mean that the anti-tax sentiment in the city has been eclipsed by the reality of the city’s devastating budget problems. And while Newsom didn’t do much to push the new tax measures, they will make his life much easier: the cuts the city will face won’t be as deep thanks to the additional $50 million or so in revenue.

It will still be a tough year for the new board. The mayor will push for cuts that the unions who supported the newly elected progressives will resist. A pivotal battle over the city’s future — the eastern neighborhoods rezoning plan — will come before the new board in the spring, when the recent arrivals will barely have had time to move into their offices.

Obama, of course, will face an even tougher spring. But progressives can at least face the future knowing that not only could it have been a lot worse; for once things might be about to get much better.

Amanda Witherell and Sarah Phelan contributed to this report.

Doomed balloon

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REVIEW Quantum of Solace begins with the taut energy of an over-inflated balloon, picking up where Casino Royale (2006) left off with an arrestingly shot car chase on a crowded Italian highway. At first, the air leaks out as a trickle; a fistfight on a collapsing scaffold intercut with a bareback horse race establishes Daniel Craig’s Bond as the jockey astride a steed of international chaos, and the expected litany of double-cross and intrigue unfolds with practiced but forgettable verve.

Soon wayward bullets and even more wayward dialogue punch holes in the balloon, and the hiss is almost audible as all the excitement and fun begins to leak out of the movie. Overhyped screenwriter Paul Haggis plods away with execrable emotional grand narratives of revenge, love, and betrayal that have no place in a Bond film. French actor Mathieu Amalric does his best as a tousled sociopath masquerading as an environmental crusader, but by the time his eeeevil plan is revealed, it’s hard to care. Newcomer Olga Kurylenko is serviceably sultry as the requisite arm-candy, but one wonders why the producers went all the way to Moscow to cast a Russian model to play a Bolivian secret agent. As for the title, it still doesn’t make sense.

QUANTUM OF SOLACE opens Fri/14 in Bay Area theaters.

SFIAF: Zap your peepers with animated wonders

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Trailer for Sita Sings the Blues, which opens the San Francisco International Animation Festival on Thu/13

At last the third annual San Francisco International Animation Festival is upon us — and this year seems to be the best yet, what with the recent explosion of seriously entertaining animated feature films. Gone, mostly, are the slightly entertaining but also slightly masturbatory jaunts through the latest software capabilities. Gone, mostly, too are low-fi mumblecore-like doodles that half-heartedly combine anti-narrative blahs with dime-store angst. (Although one short, “Fantaisie in Bubblewrap” — with the voice of Scarlett Johanson of all people — could be said to be the epitome of such: individual pop-bubbles casually yet disturbingly bemoan their fate as one by one they’re eviscerated by a shapened pencil.) That little piece of ennui/terror is included in the “Control Freaks” program of shorts, and is nicely balanced out by Australian Dennis Tupicoff’s “Chainsaw” — a 24-minute violently sexual hoot that rotoscopes a poetic descent into love and madness in the bush. Frank Sinatra and Ava Gardner are implicated.

Huge on the hipster list will be Friday night’s “Play it by Eye” program, which showcases a delightful menu of indie rock and dance videos that utilize animation. Tunes by Chemical Brothers, Gnarls Barkley, Chromeo, and Hot Chip all make appearances, as well as this little gem

Grizzly Bear, “Knife”

In this squinty YouTube world of ours, it’s a rare chance to see these melodic whoppers fill the big screen. The above vid was directed/conceived by former Bay Area-based geniuses Encyclopedia Pictura, who get an entire documentary on Saturday afternoon. Here the EP studio is making their breakout vid for Bjork’s “Wanderlust”:

But a couple of the features are really what turned me on.