International

Hot sex events this week: May 27-June 2

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Compiled by Molly Freedenberg

missindigoblue_0509.jpg
Take home some of your very own after attending Miss Indigo Blue’s class. (I mean pasties, you pervert.)

>> Book Signing and Discussion with Deborah Sundahl
The international sex educator specializing in the G-spot and female ejaculation meets and greets readers and discusses her favorite topics.

Wed/27, 6-7pm. Free.
Good Vibrations
603 Valencia, SF
(415) 522-5460
events.goodvibes.com

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>> Bellydance Moves for the Burlesque Stage
Join Fuchsia FoXXX for this sexy 1.5-hour dance class for all levels, where you’ll learn core movements, basic posture, articulation, and isolations perfect for use in a sultry strip-tease.

Sat/30, 1-2:30pm. $15 with pre-registration.
Click for info and registration

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>> Headdresses, Fascinators, and YOU
It’s more burlesque-themed fun in this class with Shanghai Pearl. You’ll learn to work with feathers, sequins, buckram, flowers, clips, and more. Bring your accoutrements and a glue gun.

Sat/30, 2:30-4pm. $20 with pre-registration.
Optional $20 materials fee to be paid in class.
Click for info and registration

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>> How to Make Pasties!
Miss Indigo Blue of TwirlyGirl Pasties teaches the basics of pastie construction and tassel twirling. You’ll leave class with a completed pair of your very own.

Sat/30, 4-5:30pm. $20 with pre-registration.
$20 materials fee to be paid in class.
Click for info and registration

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>> Opening the Deep Heart Through Tantra
Tantra: It’s not just for New Agers and hippies anymore. Let Evalena Rose guide you through learning to release your mind and enjoy being cherished, to experience the power and presence that this ancient art makes possible. Or, in short, to have even better sex.

Tues/2, 6-7pm. Free.
Good Vibrations
603 Valencia, SF
events.goodvibes.com

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>> Poly Living West Conference
In a polyamorous situation and wanting some support? Check out this three-day conference with seminars on topics such as creating intimacy, rebuilding broken trust, legal issues, jealousy, and creative flirting.

Fri/29-Sun/31. $220 (excluding hotel stay)
Double Tree Hotel SFO
835 Airport Blvd., Burlingame
www.polyliving.org

ChevWrong

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news@sfbg.com

When Chevron Corp. holds its annual shareholders meeting at its San Ramon headquarters May 27, its top executives are expected to give investors a glowing report on how this global enterprise came to rake in a profit of $23.9 billion last year — a staggering 28.1 percent increase over the past year.

As Chevron CEO Dave O’Reilly put it in the company’s annual report, 2008 was "a momentous year." Apparently O’Reilly will also claim that his company’s activities are improving people’s lot worldwide. "Energy," he writes, "is not a luxury — it’s the foundation for economic growth. By investing in the future, we’re creating value not only for our stakeholders, but we’re also building economic prosperity around the globe."

But O’Reilly’s high opinion of his company is not shared by a growing coalition of groups who believe that Chevron’s fifth consecutive year of record profits was earned, once again, at the cost of degrading the environment and its poorest communities, both here in Richmond and further afield, from the Amazon and Nigeria to Iraq and Kazakhastan.

Critics, who include what they describe as "a coalition of those directly affected by Chevron’s operations, political control, consumer abuse, and false promises," planned to hold a May 26 press conference to release The True Cost of Chevron, an alternative annual report that seeks to provide Chevron shareholders "with the most comprehensive exposé of Chevron’s operations — and the communities in struggle against them — ever compiled," according to the report’s authors.

The study includes reports from Alaska, California, Colorado, Florida, the Gulf Coast, Mississippi, New Jersey, New York, Utah, Washington, D.C, and Wyoming as well as Angola, Burma, Canada, Chad, Cameroon, Ecuador, Iraq, Kazakhstan, Nigeria, and the Philippines.

The next day, people carrying shareholder proxies intend to enter Chevron’s annual meeting to discuss the report with shareholders while a protest is held at Chevron’s front gates.

"Chevron’s 2008 annual report is a glossy celebration of the company’s most profitable year in its history, and one in which CEO David O’Reilly became the 15th highest paid U.S. chief executive, with nearly $50 million in total 2008 compensation," the authors state. "What Chevron’s annual report does not tell its shareholders is the true cost paid for those financial returns or the global movement gaining voice and strength against Chevron’s abuses."

The 44-page report details numerous lawsuits against the company, nationally and around the world — cases, the report’s authors claim, that have "potential liabilities in excess of Chevron’s total revenue from 2008, posing a material threat to shareholder value and the company’s bottom line."

As they wrote: "When a company operates in blatant disregard for the health, security, livelihood, safety, and environment of communities within which it operates, there can be real financial repercussions."

The report concludes with six specific obligations demanded of Chevron and leaves shareholders with the following message: "Chevron is right. The world will continue to use oil as it transitions to a sustainable green renewable energy economy. Whether Chevron will be in business as we make the transition depends upon what sort of company it chooses to be and whether the public is willing to support it."

The report also includes a series of large "ChevWrong Inhumane Energy ads" that spoof Chevron’s Human Energy ad campaign — images that popped up all across San Francisco last week after a group of renegade Chevron critics gathered at an secret location, mixed batches of wheat paste, and grabbed armfuls of the freely downloadable posters and set off into the night to bomb the city streets with the series of subvertisements.

Claiming that Chevron’s Human Energy campaign, which depicts smiling people alongside phrases like "I will try to leave the car at home more" is an attempt to greenwash the petro-giant’s activities, this group of mostly youthful critics pointed to the ongoing pollution, human rights abuses, and wars in regions where the oil company is stationed as they set off on bicycles, skateboards, and foot, armed with glue rollers and stacks of "ChevWrong" images. Some stashed their tools in Banana Republic shopping bags, which gave them an almost comical air of being disoriented tourists as they lurked and lingered on city street corners searching for suitable spots to paste their alternative ad campaign.

Soon newspaper racks on Market Street, pillars outside the Ferry Building, buildings in the Richmond District, and walls in North Beach bore the fruits of their work — along with the glass office door of public relations consultant Sam Singer, who represented Chevron in criticizing two renowned Ecuadorian environmental activists who were in town to receive the Goldman Prize.

"I will not complain about my asthma," states one such subversive ad, which depicts a beautiful but non-smiling young black man beside the claim that "Chevron’s refinery in Richmond, Calif. poisons the community." The ad is accompanied by a retooled logo that says "ChevWrong."

"I will try not to get cancer," states another that hot glue artists had affixed to Sandra Bullocks’ buttocks — or at least a life-sized depiction of the actress featured on a Market Street billboard promoting The Proposal.

"I will suffer in silence" states another, alongside the claim that Chevron props up Burma’s military dictatorship.

An ad reading "I will give my baby contaminated water" portrayed a smiling Nigerian woman alongside the claim that Chevron refuses to clean up its mess in Nigeria.

One activist told the Guardian she got involved "because Chevron is poisoning communities and cutting corners across the world, and is even shameless enough to do that here in Richmond."

Another said he was inspired to take this action because of a billion-dollar lawsuit Chevron is fighting in Ecuador, and because of its activities in Nigeria.

Others said they decided to drop the subvertisements all over the city after they heard that CBS Outdoor refused May 14 to sell the group space for the images on billboards citywide.

As they noted, the images are all freely downloadable from truecostofchevron.com, a site supported by Amazon Watch, Crude Accountability, Global Exchange, Justice in Nigeria Now, Rainforest Action Network, CorpWatch, Filipino-American Coalition for Environmental Solidarity, Environmental Rights Action/Friends of the Earth Nigeria, Trustees for Alaska, Communities for a Better Environment, Mpalabanda, Richmond Progressive Alliance, and EarthRights International.

Mitch Anderson, corporate accountability campaigner with Amazon Watch, confirmed that members of the truecostofchevron coalition approached CBS Outdoor but were told that CBS has a policy not to run negative or attack ads — a claim Anderson found laughable. "What about all the attack ads we see posted during election season?"

A CBS Outdoor spokesperson confirmed that CBS had refused to accept the proposed ad campaign, and that it is the company’s policy not to run negative or attack ads.

Calls to Rachel Sutton, Chevron PR person at its corporate headquarters in San Ramon, seeking comments about truecostofchevron’s charges remained unanswered as of press time.

But at Amazon Watch, Anderson said he thought it was "great that the Bay Area community took to the streets this week to tell Chevron that our hearts and minds are not for sale.

"Chevron is trying to paper-over its widespread human rights and environmental problems across the world by spending millions to propagate insulting lies," he continued. "From its disaster in Ecuador to its hiring of global warming deniers as lobbyists, this company has shown complete disregard for the environment, human rights, and yes, wisdom. Chevron is on the wrong side of history. Just as there can be no social justice on a dead planet, Chevron should know that you can’t profit off a dead planet either."

In a final swipe at Chevron’s Human Energy campaign, critics are distributing posters that ask "Will you join us?" and show a woman smiling alongside the promise "I will protest Chevron."

Newsom’s tax proposals

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EDITORIAL Mayor Gavin Newsom and a negotiating team from the Service Employees International Union Local 1021 have hammered out yet another deal, this one slightly better for the workers than the proposal that the 11,000 union members voted down last week. As part of the deal, SEIU members will take 10 legal holidays without pay over the next 14 months, and gain five floating paid holidays. It’s way better, for both the city and the union, than the prospect of 1,000 more layoffs — and the deep service cuts that so many job cuts would entail.

As a part of the negotiation, Newsom agreed to suspend any further layoffs — and, more important, promised to work with labor and the business community on possible revenue measures for November. That’s an encouraging sign, but Newsom needs to do much more. He needs to be out front, now, meeting openly with the various interest groups and constituencies and working with the supervisors to craft progressive new tax proposals that will work as more than a one-year stopgap.

Rahm Emmanuel, President Obama’s chief of staff, is famous for saying that no politician should let a crisis go to waste, and San Francisco’s current fiscal crisis ought to be a chance to fix the unfair and broken business tax system that both hampers job creation and allows the biggest players to get off far too easy.

And to make the point that he’s serious about raising new revenue, Newsom should include in the budget that he presents to the board a projection that the city will have another $100 million or so to spend in the next fiscal year because of revenue plans that he expects will pass, with his help and strong support, in November.

That would do two things: it would demonstrate to the supervisors that the mayor is serious about looking for ways to bring in more money, and it would stave off the most debilitating, immediate cuts for the beginning of Fiscal 2010.

Newsom is still a popular mayor and has a sophisticated political operation behind him. Right now he’s using his good will, fundraising ability, and seasoned political advisors to help him get elected governor. If he is willing to bring that level of effort back home — and use it to pass some significant tax reforms in his own city — it would do a lot more to show his leadership ability than all the campaign trips in the world. *

Editorial: Where are Newsom’s new tax proposals?

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Newsom is running for governor with a sophisticated political operation behind him. If he would use it back home for major tax reforms, he would show more leadership ability than all the campaign trips in the world.

EDITORIAL Mayor Gavin Newsom and a negotiating team from the Service Employees International Union Local 1021 have hammered out yet another deal, this one slightly better for the workers than the proposal that the 11,000 union members voted down last week. As part of the deal, SEIU members will take 10 legal holidays without pay over the next 14 months, and gain five floating paid holidays. It’s way better, for both the city and the union, than the prospect of 1,000 more layoffs — and the deep service cuts that so many job cuts would entail.

SFIAF’s dance events

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PREVIEW Perhaps the best part of this year’s San Francisco International Arts Festival is that it’s happening at all. After the dispiriting news of the demise of the Oakland Ballet, one is grateful for anybody who is surviving. SFIAF’s dance offerings are not as many as most of us would like, but they are excellent and splendidly varied. The hottest ticket in town, of course, is Sasha Waltz and Guests. The Goethe Institute also includes her work in its concurrent film series. Scott Wells and Dancers are bringing two weekends of sometimes unruly but ever-so-cheeky testosterone-laden work to CounterPULSE, while Jess Curtis/Gravity is leaving its home at CounterPULSE to take a version of its Symmetry Project to Union Square. Curtis and Maria F. Scaroni, in the company of local dancers, will perform their new Transmission. Gravity will appear as part of the free "Jewels in the Square" series, daily noontime performances by local and international dancers throughout the festival. Last, but by no means least, Gamelan Sekar Jaya celebrates its 30th anniversary during the fest. May they have many more and may we have many more SF International Arts Festivals.

SAN FRANCISCO INTERNATIONAL ARTS FESTIVAL May 20-31, various venues. www.sfiaf.org

Uptown Thursday night

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AFRO-SURREAL PREVIEW Fuck all that. Camp Lo’s Uptown Saturday Night (Profile, 1997) is one of the most slept-on albums in the history of hip-hop. Period. Innovative well beyond its years, Uptown Saturday Night introduces the Camp Lo aesthetic — a combination of exquisite wordplay, foppish elegance, and Bronx-style bravado mixed in with a fearsome frivolity. They redefined "gangsta," using the oft-quoted Posdnous lyric "Fuck being hard /Posdnous is complicated" as a motto. Because Uptown Saturday Night IS complicated, which makes it hard. It’s also pornographic and violent to an extreme and probably bears the uncomfortable distinction of being the first, if not only, hip-hop album to portray coprophilia in nearly positive light.

The album is a complete immersion into a certain brand of street slang that bears a lineage with Iceberg Slim, De La Soul, Digable Planets, Raekwon and Ghostface Killah. Definitely otnay orfay ofeys, the Lo’s first outing is the most utterly inaccessible and damn-near indescribable crossover album of the era.

Camp Lo created such a lyrical Gordian knot that even the most versed connoisseur of microphone wizardry could be left looking baffled with a handful of either jewels or cubic zirconia — only an accurate hip-to-square conversion chart could tell which. "In another millenia /Blow the dust off these jewels," says Geechi Suede, and to this day, Googling the lyrics of their one and only "hit," "Luchini," brings page after page of misquoted and half-heard snippets exposing Herbs. An example: "Keep your ears out for our years"? How about keep your ears out for Roy Ayers? He’s a jazz musician. "Levitating in da’ shiggys"? How about dashikis? They’re a kind of shirt, from Africa.

All Afro-Surreal elements are present: a layered rococo style steeped in international travel; a dandy’s obsession with "vines" from Paris and Milan; a literary approach with references ranging from Donald Goines to Fragonard; and a frivolous manner that belies a serious intent. After Uptown Saturday Night, hip-hop changed, and not necessarily for the better. Go see Camp Lo. Give these men their due.

CAMP LO With DJ Apollo and Sake 1. Thurs/21, 10 p.m., $10. Mighty, 119 Utah, SF. (415) 762-0151. www.mighty119.com

Downtown’s missing history

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EDITORIAL To hear the proponents of a new downtown condo complex talk, you’d think they were giving the city a wonderful deal. In exchange for an exemption from height limits that would allow a tower twice the allowable size just a few yards from the Transamerica Building, the developer would give the city a little patch of parkland that’s now privately owned. Even the city planning director, John Rahaim, seems to think the special treatment is acceptable, since none of the other buildings in the area are nearly as tall as the Pyramid, and, he told the Chronicle, "usually you cluster tall buildings together."

Of course, the usual crew of downtown boosters love the architecture (a sort of spiral design), love that it would create housing in an area that’s generally empty at night, and figure that something only about half as tall as the high-rise it’s next to can’t be all that bad.

But there’s a stunning lack of historical perspective in all this discussion.

The Transamerica Building seems like an icon today, but when it was first proposed in 1969, it met with strong opposition — not so much because of its unique design (although some prominent architecture critics thought it was hideous) but because it was way too big, too tall, and jammed into a human-scale neighborhood where all the other buildings were low-rise. It was a flash point for the anti-Manhattanization movement and rallied preservationists, environmentalists, and neighborhood advocates.

One of the central issues: in order to accommodate the new tower, the city would have to give up a block-long section of Merchant Street, an alley filled with small businesses. The controversy over the sale of that public street occupied center stage in the Transamerica battle, and in order to convince the supervisors to hand over the public property, Transamerica agreed to build a little park on the edge of the property. That’s how Redwood Park came into being — as a concession from a developer who had been given public land.

And now another developer, Andrew Segal, is offering to give the park back — again, as mitigation for a project that’s too big for the site. So the city, in exchange for approving a bad project, winds up with land it would have had anyway if it hadn’t accepted a different bad project four decades ago.

And there’s been very little attention paid to the historic reasons why this project would need special exemptions from two city laws to move forward. In the mid-1980s, with Dianne Feinstein in the mayor’s office, the city was getting choked with tall, bulky — and frankly, nasty-looking — high-rises that were turning downtown and South of Market into dark, windy, dismal canyons. After long debate, many public hearings, and extensive discussion, the voters approved two measures aimed at limiting the impact of overdevelopment. One of them, Proposition K, barred new buildings from casting shadows on public parks. The other, Proposition M, limited high-rise office development and mandated the preservation of neighborhood character. At the same time, the height limits in that area — on the edge of Jackson Square and North Beach — were reduced, again after many hearings and much debate. The idea was that downtown’s skyscrapers shouldn’t be intruding northward.

Let’s remember: this won’t be affordable housing. The new condos will be priced at the top of the market (clearly the developer thinks the housing market is coming back in San Francisco). And while environmentalists like the idea of building housing near jobs, very few of the new condos that have gone up downtown have provided housing for San Franciscans. Most are owned either by empty-nesters returning from the suburbs, Silicon Valley commuters, or international jet-setters seeking a SF pied-à-terre.

So there are very good reasons for planners and the supervisors to reject this project — and for the city not to forget that the rules that make this deal unappealing were neither random nor a mistake. There’s history here, and once you understand it, the project makes very little sense. * *

Rally this Sunday against torture and killings of gays in Iraq

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By Rebecca Bowe

Gays Without Borders S.F., the Rainbow World Fund, Sisters of Perpetual Indulgence and others will host a rally and fundraiser Sunday to speak out against torture and slayings of gays in Iraq.

Reports in the New York Times, The Los Angeles Times and elsewhere have described atrocities against gay men that occurred in Iraq’s Sadr City, where victims were fatally shot and found with the word “pervert” on notes attached to their bodies.

“This news has been under the radar for the past few years due to the overall confusion and killing in Iraq,” a press statement released by the rally organizers points out. “But the heinous torture and murder of gays in Iraq has escalated.”

The groups hope to attract international media attention to the abuses, and they plan to urge the U.S. State Department to investigate, denounce the killings, and support asylum. The goal of the fundraiser is to send $10,000 to organizations aiding Iraqi gays who are fleeing the most dangerous areas.

The rally and fundraiser — featuring speeches from S.F. Police Commission President Theresa Sparks, State Senator Mark Leno, Supervisors Bevan Dufty and Ross Mirkarimi, and others — will be held Sunday, May 17 from noon to 4 p.m. at Harvey Milk Plaza, near the intersection of Castro and Market streets. Speakers are scheduled for 12:30 to 1:30 p.m.

Donations may be made through the Rainbow World Fund. Those interested in volunteering at the rally should email MrSFL96@aol.com.

Uphill climb

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steve@sfbg.com

Bicyclists generally try to avoid hills, so one of the most popular bike routes in town is a series of turns called the Wiggle, which snakes along a valley through the Lower Haight. The route — a sort of bridge between east and west — is traveled by a growing number of bicyclists, from hipster kids on colorful fixies to grizzled seniors on comfortable touring bikes.

I ride the Wiggle every day. Coming from the Panhandle, the most harrowing approach is the three blocks I have to travel on busy Oak Street, competing for space with impatient motorists who often seem to forget that they’re wielding deadly weapons. Many times I’ve had cars zip by me within inches, honk (a very startling sound when you’re not wrapped in metal and glass), zoom up right behind me, or flip me off.

But then I turn right onto Scott Street — and the world suddenly changes. My heart rate drops and I breathe deeply. Rain or shine, there are almost as many bikes there as cars. The cyclists smile and nod at one another and even the motorists seem more respectful, sometimes waving us through the stop signs even when it’s their turn. It feels like an informally functional community. It’s how traveling around this city ought to be.

Even though the citywide percentage of vehicle trips taken by bicycle in San Francisco is still in single digits (compared to more than 20 percent in many European cities), and even though a court injunction that’s expected to be lifted this summer has banned any new bike projects in the city for the past three years, bicycling is booming in San Francisco, increasing by almost 50 percent since 2006. I’m never alone these days on my solo commute.

My decision to ride a bike and sell my car wasn’t about joining a movement. I just like to ride my bike, a simple joy that I really began to rediscover about 10 years ago. It’s fun, cheap, and an easy way to get exercise. And it connects me with my surroundings — the people, buildings, and streetscapes of this beautiful city — in a way I didn’t even realize I was missing when I drove.

But as pressing political and planetary realities have welled up around my personal transportation choice, I’ve come to see that I am part of a movement, one that encapsulates just about every major issue progressive San Franciscans care about: public health, environmentalism, energy policy, economics, urban planning, social justice, public safety, sustainability, personal responsibility, and the belief that we can make our communities better places, that we’re not captive to past societal choices.

As a bicyclist and a journalist, I’ve been actively engaged in these struggles for many years. I understand that bicyclists are criticized in many quarters as a vocal minority with a self-righteous sense of superiority and entitlement, and that I’m personally accused of bias for writing empathetically about bicyclists in dozens of bike-related stories.

Well, guess what? I don’t apologize. We are better than motorists, by every important measure. We use less space and fewer resources and create less waste and pollution. Bikes are available to almost every segment of society, and we don’t need to fight wars to power them. They improve the community’s health and happiness. And when we get into accidents, we don’t kill or maim the people we hit.

And you know what else? This really is going to be the Year of the Bicycle, as it’s been dubbed by the San Francisco Bicycle Coalition, the city’s largest grassroots civic organization, with more than 10,000 dues-paying members. There are more of us than ever, politicians now listen to us, and San Francisco is on the verge of the most rapid expansion of its bike network that any American city has ever seen.

This is the moment we’ve been moving toward for many years, a turning point that the Guardian has meticulously chronicled and proudly promoted. The bicycle has become a metaphor for progress that is long overdue. So mount up on May 14, Bike to Work Day, if you’d like to be a part of the solution to what’s ailing our city and planet.

I love my bike, and so do most people who see it. San Franciscans appreciate the little things, like someone who rides a silly-looking bike.

It started as a basic used mountain bike, but I styled it out for Burning Man a few years ago, covering it with heavy red acrylic paint that looks like stucco, a big basket covered in fake fur and ringed with electro-luminescent wire, and custom-welded high handlebars topped by a lizard horn.

Maybe you’ve seen me around town — and if so, maybe you’ve seen me blow through stop signs or red lights. Yes, I’m that guy, and I only apologize if I’m stealing a motorist’s right-of-way, which I try to avoid. Rob Anderson, who successfully sued San Francisco to force detailed studies of its Bike Plan (and blogs at district5diary.blogspot.com), regularly calls me and my ilk the "bike fanatics."

I’ve interviewed Anderson by phone a few times and tangled with him online many times. He’s actually a pretty well-informed and well-reasoned guy, except for his near pathological disdain for bicycling, which he considers an inherently dangerous activity that government has no business promoting and is not a serious transportation option.

But San Francisco would be a gridlocked nightmare without bikes. Transportation officials say this is already one of the most traffic-choked cities in the country (second after Houston), a big factor in Muni never reaching its voter-mandated 85 percent on-time performance. During peak hours, most Muni lines reach their holding capacity. Imagine 37,500 additional people (the estimated number of San Franciscans who primarily travel by bike) driving or taking Muni every day.

Conversely, imagine the transportation system if bicycling rates doubled and some of those bulky cars and buses became zippy bikes. Quality of life would improve; the air would be cleaner; we would emit far less greenhouse gases (transportation accounts for about half of the Bay Area’s carbon emissions); housing would get cheaper (building parking increases costs and decreases the number of housing units); pressure would decrease to drill for oil offshore and prop up despotic regimes in oil-rich countries; pedestrians would be safer (about a dozen are killed by cars here every year); and public health would improve (by reducing obesity and respiratory ailments associated with air pollution).

Increase bicycling rates even more, to the levels of Berlin, Copenhagen, or Amsterdam, and San Francisco would be utterly transformed, with many streets converted to car-free boulevards as the demand shifts from facilitating speeding cars to creating space for more bicyclists and pedestrians.

Sure, as Anderson points out, many people will never ride a bike. The elderly, those with disabilities, some families with kids, and a few other groups can credibly argue that the bicycle isn’t a realistic daily transportation option. But that’s a small percentage of the population.

For the rest of you: what’s your excuse? Why would you continue to rely on such wasteful and expensive transportation options — a label that applies to both cars and buses — when you could use the most efficient vehicle ever invented?

At the SFBC’s annual Golden Wheels Awards banquet on May 5, SFBC director Leah Shahum described a bike movement at the peak of its power, reach, and influence. "In the last two years, we’ve seen an unprecedented political embrace of bicycling," she said, praising Mayor Gavin Newsom for his championing of the Sunday Streets car-free space and calling the progressive-dominated Board of Supervisors "the most bike-friendly board we’ve ever seen."

In just a few years, the SFBC went from fighting pitched battles with Newsom over closing some Golden Gate Park roads to cars on Saturdays — a two-year fight that ended in a compromise after some serious ill-will on both sides — to Newsom’s championing an even larger Sunday Streets road closure on six days this spring and summer, even fighting through business community opposition to do so.

As with many Newsom initiatives, it’s difficult to discern his motivation, which seems to be a mixture of political posturing and a desire to keep San Francisco on the cutting edge of the green movement. Whatever the case, the will to take street space from automobiles — which will be the crux of the struggles to come — is probably greater now than it has ever been.

Because at the end of the day, Anderson is right: bicyclists do have a radical agenda. We want to take space from cars, both lanes and parking spaces, all over this city. That’s what has to happen to create a safe, complete bicycle system, which is a prerequisite to encouraging more people to cycle. We need to realize that designing the city around automobiles is an increasingly costly and unsustainable model.

"The streets do not have to be solely — or even primarily — for cars anymore," Shahum told an audience that included City Attorney Dennis Herrera, top mayoral aide Mike Farrah, and several members of the Board of Supervisors (including President David Chiu, a regular cyclist and occasional bike commuter), drawing warm applause.

Shahum was certainly correct when she called the politically engaged community of bicyclists "one of the strongest and most successful movements in this city," one she believes is capable of moving an ambitious agenda. "During the next six weeks, we have the opportunity to win a literal doubling of the city’s bike network."

She’s referring to the imminent completion of environmental studies that support the city’s Bike Plan, which will allow the courts to lift the nearly three-year-old injunction against new bike projects in the city. The SFBC has been aggressively organizing and advocating for the immediate approval of all 56 near-term bikeway improvements outlined in the plan, which have been studied and are ready to go, most with grant funding already in the bank.

"I think San Francisco is hungry for a higher use of public space," she said. "Imagine streets moving so calmly and slowly that you’d let your six-year-old ride on them."

That’s the standard advocated by the international car-free movement, which I interacted with last year when I covered the International Carfree Conference in Portland, Ore. These influential advocates believe bikeways should be so safe and insulated from fast-moving traffic that both the young and old feel comfortable riding them.

"Streets belong to us — they are the public spaces of the city — but they don’t feel like they belong to us," said Tom Radulovich, executive director of Livable City, a sponsor of Sunday Streets, which was honored at the Golden Wheel Awards. The streets, he told the crowd, "don’t need to be the objects of fear."

Later, as we spoke, Radulovich said it’s not enough to create narrow bikes lanes on busy streets. One of the great joys of riding a bike with a friend is to be able to talk as you ride, something he said transportation advocates around the world refer to as the "conversational standard."

Politically, there’s a long way to go before San Francisco embraces the conversational standard, the creation of permanent car-free bike boulevards, or traffic law changes that promote bicycling. Anderson and his ilk reacted with outrage last year when the Guardian and the Metropolitan Transportation Commission began discussing adopting Idaho’s bike laws here, in which bicyclists treat stop signs as yield signs and stop lights as stop signs (see "Don’t stop: Bike lessons from Idaho," 5/14/08).

Yet until bicycling is taken more seriously as a real transportation option, all this talk about sustainability and green-everything is going to continue falling woefully short of its objectives.

The powerhouse environmental group Natural Resources Defense Council held a gala awards dinner May 9 at the California Academy of Sciences for its first Growing Green Awards, an effort to honor innovators in the growing sustainable food movement.

The award selection panel was chaired by journalist Michael Pollan, whose The Omnivore’s Dilemma (Penguin Press, 2006) and other works have made him a leading voice calling for recognition and reform of a corporate food system that is unsustainable, unhealthy, and harmful to the environment.

That movement has garnered some high-profile support and attention, but has so far failed to effectively counter the influence of agribusiness interests, he told me. "We need an organization like the NRDC in the food area, or we need to get NRDC to embrace our issues."

The awards banquet showed that Pollan and his allies have made progress with the NRDC, which should be a natural ally of advocates for better food and transportation systems, two realms that have the biggest impact on this country’s natural resources.

But when I left the ceremony as hundreds of guests were being seated for dinner, I rode away — on the only bicycle there.

The world stage

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a&eletters@sfbg.com

Recently I was lucky enough to land at an international theater festival in Wroclaw, Poland, jostling elbows with a transnational mix of theater folk on the occasion of the 13th annual European Theatre Prize, this year awarded to the great Polish director Krystian Lupa. It was an eye-opening glimpse at some awesome theatrical muscle rarely if ever seen in the Bay Area, or even the United States. Globally-renowned powerhouses like Italy’s Pippo Delbono and Belgium’s Guy Cassiers were there with some extraordinary work, not to mention that of Lupa, whose utterly brilliant and plotless eight-hour fantasia on Andy Warhol’s Factory, Factory 2, proved an absolute highlight of my theatergoing career thus far.

While dreaming of the day Factory 2 takes its local bow, I can only appreciate all the more what places like UC Berkeley’s Zellerbach Hall or San Francisco’s Yerba Buena Center for the Arts do in bringing us news of the theatrical world — or news of the world, theatrically. Another local presenter of exceptional international work has been the San Francisco International Arts Festival, whose sixth season begins this week. SFIAF and executive director Andrew Wood have increasingly made world theater a vital part of the fest’s eclectic performance mix. This year is no exception, with three must-sees in the lineup.

First, South Korea’s Cho-In Theatre makes its U.S. debut with The Angel and the Woodcutter, an original physical theater piece reutf8g the Korean folk tale in a wordless, poetical drama as uncompromising as it is unexpected. Then, Russia’s famed, immensely creative performance ensemble, the Akhe Group — proponents of what they call "Russian Engineering Theatre" and favorites at SFIAF in 2005, where they presented White Cabin — return with the U.S. premiere of Gobo.Digital Glossary, a wild and captivating conglomeration of video projections, animation, ambient music, lasers, clowning, and trompe l’oeil.

Also receiving its Bay Area premiere is Beyond the Mirror, an unprecedented collaboration between New York’s Bond Street Theatre and Afghanistan’s Exile Theatre. The description of this first American-Afghani theatrical outing might ring a bell: Mirror had been slated to open Brava’s theatrical season in fall 2008, when the U.S. government’s inexplicable delays in processing visas for the Afghan performers forced its last-minute cancellation. That disappointment will happily be rectified by SFIAF when Mirror opens at Cowell Theater. (A second San Francisco appearance follows as part of foolsFURY’s Fury Factory festival in June.)

The two companies began crafting the play after meeting by chance in 2002 among the refugee camps outside Peshawar in northern Pakistan, where the activist, physical-theater–based Bond Street went after 9/11 to develop links to the Afghan people and work with a German NGO building schools in the devastated country. Exile, meanwhile, had formed as a group of refugee playwrights, actors, and other performance professionals committed to keeping Afghan arts alive and reflecting the concerns of the Afghani population living as second-class citizens in Pakistan.

Never more timely, the play ranges over the last three decades of Afghanistan’s history, using an expressive mélange of theatrical forms and techniques — including oral history, mythology, live music, traditional dance, drama, acrobatics, puppetry, and film — to tell a story of war and hope at the cusp of yet another turbulent chapter in the country’s unfolding story. Notably, the eight-member half-American, half-Afghani cast includes Afghanistan’s most famous actress, Anisa Wahab, who grew up in happier times on camera as a child star and has continued to act despite its still dangerous implications for women.

Communicating partly with some mutual English, and largely in terms of both distinct and shared physical vocabularies, the artists developed what became Mirror in a nonlinear, highly abstract way, according to Bond Street artistic director Joanna Sherman, who codirected it with Exile’s Mahmoud Shah Salimi. That in no way diminishes its rootedness or poignancy.

"We went around the countryside and interviewed different people, and videotaped them as they would allow," Sherman explained by phone from New York. "Our challenge was to portray these terrible stories in a way that was not gruesome or impossible to watch. We used our physical techniques in a way that it would be watchable and compelling but not exactly ‘realistic.’"

Since Mirror‘s premiere at the second Kabul Theatre Festival in 2005, much has happened in the U.S. and Afghanistan, prompting a small but significant revision, a new final scene, according to Sherman. "We do leave on a thought of hope," she stressed. "But [we’re] doing some interviewing again and getting some additional video. We’ll see what happens."

SAN FRANCISCO INTERNATIONAL ARTS FESTIVAL

May 20-31, various venues

www.sfiaf.org

“The Beast Stalker”

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REVIEW Missed The Beast Stalker at the just-completed 2009 San Francisco International Film Festival? Make sure you catch its theatrical run at the Four Star, a longtime hotspot for new Hong Kong genre films. (Owner Frank Lee was dishing ’em out long before 2006’s The Departed, a H.K. cops ‘n’ gangstas remake, raked in box office megabucks and Oscar gold.) Where else would I have seen 1998’s Beast Cops, starring the inimitable Anthony Wong and the irritating Michael Wong (no relation)? The Beast Stalker boasts neither Wong, but it does have Cops codirector Dante Lam, who directs solo here and cowrote the script. Prior to a car chase gone horribly awry, Tong (Nicholas Tse) was the kind of police captain his fellow officers hated to serve, thanks to anger issues, petty politics, and other charming attributes. After Tong accidentally causes the death of a child — coincidentally the daughter of an attorney, Ann (Zhang Jingchu), who’s prosecuting a mob boss — he takes some time off to become, uh, less of an asshole. It’s only when Ann’s other young daughter is kidnapped (what are the chances?) that Tong can attempt to redeem himself, though scar-faced baby snatcher Hung (Nick Cheung) proves an adversary as muddy-gray in the morality department as Tong is. Amid the gun battles and tense cell-phone negotiations (wouldn’t be a H.K. action flick without plenty of both), there’s not much beauty to be found in either of these two beasts. The movie, though, is plenty thrilling.

THE BEAST STALKER opens Fri/15 at the Four Star.

When dinos go wild: Dengue Fever scores ‘Lost World’ at the Castro

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By Kimberly Chun

Surprise: no theremins in earshot at the Castro Theatre on May 5 when Dengue Fever unleashed its new score for the 1925 silent adventure film, The Lost World, as part of the San Francisco International Film Festival.

Instead the seemingly sold-out audience got plenty of laughs, the compelling Wallace Beery as the seemingly mad Professor Challenger, herky-jerky yet still marvelous stop-motion dinosaurs, shameful black-face in the form of Sambo sidekick (Jules Cowles), and the fab scene of an astonishingly resilient Brontosaurus crashing through London city streets before plummeting from the famed bridge. The latter moment clearly evoked King Kong – and no wonder: the special effects were produced by Willis O’Brien, who also coaxed Kong to life.

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Bike Coalition honors Sunday Streets

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By Steven T. Jones
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Proponents of Sunday Streets accepting their award. Photo by Orange Photography courtesy of the SFBC.

The San Francisco Bicycle Coalition honored the proponents of Sunday Streets – the temporary closure of San Francisco roads to cars that was created by a partnership of groups ranging from Livable City to the Mayor’s Office – at its annual Golden Wheels awards event, held last night in the War Memorial Building across from City Hall.

Sunday Streets, part of an international trend toward adopting the ciclovias popularized in Columbia as a means of expanding public space and promoting fitness and recreation, started last year in San Francisco with two events and there are six planned for this year, with the second coming this Sunday from 10 a.m. to 2 p.m. from AT&T Park to the Bayview Opera House.

“The streets belong to us, they are the public spaces of the city, but they don’t feel like they belong to us,” said Livable City director Tom Radulovich, who praised the unlikely coalition that brought these events together. “I don’t get a chance to thank the mayor for very many things…But the mayor was committed to this.”

Hot sex events this week: May 6-12

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Compiled by Molly Freedenberg

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Femina Potens curator, international award winning Bondage Model and Feminist Porn Star Madison Young hosts this month’s “Sizzle.”

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>> Sizzle
Femina Potens celebrates Masturbation Month with an auto-erotica reading and open mic extravaganza, featuring writer and sexologist Carol Queen, porn performer and BDSM professionalDusty Horn, queer porn producer and bondage model Madison Young, and Xicana burlesque mistress Chica Boom. (Also check out the benefit for Femina Potens at The Lex on Saturday.)

Fri/8, 8pm. $10-15.
Femina Potens
2199 Market, SF
www.feminapotens.org

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>> School of Shimmy
Learn to shake it on the stage or in the bedroom with Dottie Lux and guest teachers in this two-hour workshop. Includes history of burlesque, how to create a character, and basic choreography. All ages, genders, and experience levels welcome.

Thurs/7, 7:30pm. $30.
Center for Sex and Culture
1519 Mission, SF
www.sexandculture.org

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>> Sex Work on Wheels Tour
The Bike Coalition combines two of our favorite things – bikes and sex – with this two-wheeled tour of San Francisco’s sexy side, including stops by streets named for Gold Rush-era madams, sites of 19th century parlor houses, and discussion of labor struggles in the sex industry..

Sat/9, 11am-2pm, free.
Main Library at Fulton Street steps, SF
www.sfbike.org

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>> Girl Girl Tricks for Men, Part 2
Ever suspect lesbians have secrets about sex with women that would make you a better lover? Dig deeper into the world of lesbian sex with this sexy and intellectual romp through lesbian bedsheets with bisexual dyke and sex educator Kristy Lin Billuni. Men only.

Tues/12, 8pm. $25-30.
Good Vibrations
1620 Polk, SF
www.goodvibes.com

Our 2009 Small Business Awards

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>>More on SFBG.com
Why can’t City Hall shop local?

EMPLOYEE-OWNED BUSINESS AWARD

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Photo by Pat Mazzera

CHURCH STREET FLOWERS

"It was really all about trust," says Stephanie Foster of Church Street Flowers, when asked about the benefits and perils of transferring ownership of the delightful bouquet boutique — and perennial Guardian Best of the Bay winner — near the Castro to the employees. Foster, along with Rachel Shinfeld and Brianna Foehr, took over in December 2008 from previous owners Michael Ritz and Thomas Teel, who’d run the shop for a decade. "The three of us had worked here for a while and we knew our stuff, so Michael and Tom knew they could rely on us to preserve the legacy. And the outpouring of support from our neighbors and regular customers has been overwhelming."

The ownership change of the cozy shop, bursting with vibrant blooms and friendly energy, went off without a hitch. "We were part of the lucky few who received a small business loan before the economic collapse," Shinfeld says. "But our business plan was smart, and the bank saw that we knew what we were doing." And, even in the current climate, business is thriving. "Our arrangements aren’t your standard cookie-cutter stuff," Foster says. "People nowadays want personalized, reasonably priced, green-minded, and locally sourced. We fit into all that — most of our flowers are from the downtown flower market and we keep an eye out for organic. Plus we strive to create a real connection with our customers, so we can give them exactly what they want."

"Sure, there have been some adjustments," Shinfeld adds. "There’s a lot of paperwork — and the first thing we needed to tackle was a Web site redesign. But our experience working here helped us through, and I think we’re just beginning to blossom in our new roles." (Marke B.)

CHURCH STREET FLOWERS

212 Church, SF

(415) 553-7762

www.churchstreetflowers.com

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GOLDEN SURVIVOR AWARD

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Photo by Charles Russo

GREEN APPLE BOOKS

What is the special ingredient that transforms a business from just another store into a place that makes people feel inspired and connected? After 42 years as a San Francisco independent bookseller, Green Apple Books and Music seems to have found it. Located on Clement Street in a building that predates the 1906 quake, it’s a "big, sprawling, dusty and funky new and used bookstore," as co-owner Pete Mulvihill describes it, creating an atmosphere for interactions that might seem impossible in a big-box store. Several weeks ago, for instance, a customer approached the store clerks, presented a CD, and requested that they play it. He also asked them to clear out the philosophy room. "I want it to myself for just a minute," he explained. The staff complied, the music started, and the man whisked his girlfriend into the philosophy room and proposed to her.

"To me, that’s an honor that somebody loves the place so much that they would propose to their girlfriend here," says Mulvihill, one of three owners and an employee for more than 15 years. A founding member of the San Francisco Locally Owned Merchants Alliance, he has been at the forefront of a push to identify and promote the city’s small, independent businesses. "Locally-owned businesses recirculate more money in the local economy than national chains," the SFLOMA Web site points out.

"Frankly, we’re invested in the community," Mulvihill explains. "[We] love San Francisco, and we don’t want to go anywhere." (Rebecca Bowe)

GREEN APPLE BOOKS

506 Clement, SF

(415) 387-2272

www.greenapplebooks.com

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CHAIN ALTERNATIVE AWARD

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Photo by Charles Russo

HUT LANDON

Hut Landon is responsible the past few years for helping direct millions of dollars into small business in San Francisco and beyond, and millions more into the local economy.

He does it through his energetic and creative leadership of two key organizations that promote the interests of locally-owned small business. Landon has been the executive director of the Northern California Independent Booksellers Association (NCIBA), which promotes the interests of 200 independent bookstores in the region. He is also executive director of the San Francisco Locally Owned Merchants Alliance (SFLOMA).

Under Landon’s stewardship, the two groups commissioned a pioneering 2007 study that quantified the value of locally-owned businesses in the city. Their stunning finding: if consumers redirected l0 percent of their retail purchases from chains to locally-owned merchants, the result would generate about $200 million for the economy, l,295 jobs, and $72 million new income for workers.

Landon’s timing could not have been better. As the economy tanked, local merchants and neighborhood business organizations used the l0 percent consumer shift as a mantra. The study also pointed out that the local economy could get another big boost if the city would shop locally with the tens of millions it now spends outside the city for goods and services.

Landon likes to use the example of two brothers who live together. One works on Potrero Hill and eats lunch at one of the many locally-owned restaurants. The other works at Stonestown shopping center and eats at a chain restaurant because that’s all there is out there. The Potrero Hill money, he points out, stays in the community. The chain store money is sent back to headquarters. (Bruce Brugmann)

HUT LANDON

Northern California Independent Booksellers Association

1007 General Kennedy, SF

(415) 561-7686

www.nciba.com

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SMALL BUSINESS ADVOCATE

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Photo by Abi Kelly

REGINA DICK-ENDRIZZI

Small business owners often feel as if they don’t have many advocates at City Hall. But they do have Regina Dick-Endrizzi.

Dick-Endrizzi, acting director of the Small Business Commission, has been moving rapidly on ways to help small businesses feel more comfortable dealing with the city — and to help them thrive in a tough economic environment. She helped establish the Small Business Assistance Center, which guides local merchants and prospective entrepreneurs through the thicket of city regulations. "It’s a tremendous asset," she told us. "When people walk through the door, we can take the time to help them develop a roadmap to doing business here." And she’s a driving force behind the Shop Local campaign, which will launch this month with bus shelter and bus-side ads designed to encourage San Franciscans to keep their money in town (co-sponsored by the Guardian).

Known in political circles as a former aide to Sup. Ross Mirkarimi, Dick-Endrizzi has a solid background in business. She moved to San Francisco in 1986 to open the Haight Street Buffalo Exchange store, and worked with that company for 13 years. "We bought our inventory from local people, and I had to have a close relationship with local small businesses," she said. "I have an intimate understanding of what it takes to run a business."

After several years in Mirkarimi’s office, she learned of the opening at the Small Business Commission, and plans to stay there for a while. "I truly believe in what this department offers to small business," she said. "There’s such a tremendous need." (Tim Redmond)

REGINA DICK-ENDRIZZI OFFICE OF SMALL BUSINESS

1 Dr. Carlton B. Goodlett, SF

(415) 554-6134

www.sfgov.org

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GOOD NEIGHBOR AWARD

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URBAN SOLUTIONS

Urban Solutions has its roots in the South of Market Foundation, an economic development corporation formed in 1992 in response to what SoMa merchants, residents, and community-based organizations felt was a lack of accountability in their neighborhood’s development.

A decade later, the organization changed its name and Urban Solutions was born. Two years after that, the burgeoning nonprofit opened a second office, this time in the Western Addition, becoming an important source of service in both neighborhoods.

Urban Solution’s executive director Jenny McNulty says she is currently excited about her organization’s Green Business initiative, which helps educate small business on how to conserve resources and reduce their carbon footprints — and save money in the process.

McNulty is also amped about Urban Solution’s effort — undertaken with the San Francisco Redevelopment Agency — to revitalize Sixth Street’s commercial corridor.

"We’re expanding our Green Business Initiative program, which offers free consulting to help small businesses go green by implementing cost-saving practices to increase the sustainability of their business operations," McNulty said.

Urban Solutions’ Sixth Street revitalization effort includes beautifying the area and helping businesses, in conjunction with Redevelopment Agency grants, by improving their facades, installing new awnings, repainting buildings, and replacing windows, storefronts, and entrance ways.

"Our focus is low-income businesses," McNulty said. (Sarah Phelan)

URBAN SOLUTIONS

1083 Mission, SF

(415) 553-4433

www.urbansolutionssf.org

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GOOD NEIGHBOR AWARD

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Photo by Abi Kelly

JENS-PETER JUNGCLAUSSEN

Jens-Peter Jungclaussen had a dream: Buy a gutted, camouflage-painted school bus on eBay, convert it to biodiesel, and put it to use as a mobile classroom by day and a party on wheels by night, a rollicking omnibus of education, culture, and sustainability. With a few flicks of his wrist, Jungclaussen, a former German windsurfing pro and biology and PE teacher, transforms the bus to suit the need at hand — pulling down a movie screen from the roof; unpacking a buffet table, wet bar, or set of turntables from beneath the seats; or simply switching on the "party lights." Dubbed das Frachtgut ("the good freight"), the bus has hosted dinner parties on Twin Peaks, ecology classes in Muir Woods, sunrise raves on undisclosed beaches, and screenings of The Big Lebowski (complete with bowling and White Russians). It also serves as a mobile billboard for its various local, eco-friendly sponsors and can be rented for field trips and corporate events.

The ever-enthusiastic and tireless Jungclaussen recently turned his attentions to youth education, this year offering for the first time a "mobile summer camp." Teaming up with fellow teachers Michael Murnane, Gretchen Nelson, Justin Ancheta, and Leah Greenberg, he’ll present three, 11-day sessions on wheels that will introduce young people to a variety of Bay Area natural, artistic, and historical treasures. But don’t worry, the parties will still keep rolling. As Jungclaussen promises of the bus, "What you want it to be, it will become." (Marke B.)

JENS-PETER JUNGCLAUSSEN

(415) 424-1058

www.teacherbus.com

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ARTHUR JACKSON DIVERSITY IN SMALL BUSINESS AWARD

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IRENE HERNANDEZ-FEIKS

It’s easy to assume that the purpose of Chillin’, the brainchild of Mexico City native Irene Hernandez-Feiks, is simply to have a good time. But the multimedia parties Hernandez-Feiks has been throwing for 11 years are much more than entertainment. Their actual purpose is to stimulate the economy and support one of the most difficult small businesses to sustain: the business of art.

A former designer herself, Hernandez-Feiks started out organizing weekly happy hours at 111 Minna where she would feature up to five independent Bay Area designers. Her philosophy? Charge the designers nothing for the opportunity and take no commission. The formula worked so well that Chillin’ eventually grew from weeknight happy hours to Saturday night events, complete with DJs. Now Chillin’ is a full-fledged happening — indeed, the June 13 anniversary show at Mezzanine features 180 photographers and artists, 40 filmmakers, 80 fashion designers, and 12 DJs.

But watching Chillin’ grow — and seeing participating artists transform themselves from local to international names — isn’t enough for Hernandez-Feiks. She also devotes much of her time to charity work, including involvement with Gen Art, the Mexican Consulate Cultural Affairs division, the United Nations and Natural World Museum, and the Art Seed Apprenticeship Program benefiting Bayview- Hunters Point youth.

"Because of Chillin’, I have relationships with so many artists," she says. "I want to use those connections to help everybody out." (Molly Freedenberg)

IRENE HERNANDEZ-FEIKS

Chillin Productions

(415) 285-1998

www.chillinproductions.com

Beyond May Day

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Text and photos by Joe Sciarrillo
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Thousands marched in Bay Area cities on May 1 to honor International Workers’ Day, or May Day, offering a preview of the big struggles to come on the national political front.

Mission District activists chanted on Dolores Street, “¡Qué viva las familias! ¡Qué viva el barrio! Viva!” energizing participants to join together to support their families and neighborhoods. Yet the daily struggles of immigrants and laborers, families living hand-to-mouth, and loved ones separated by borders has eluded most media outlets and commentators.

The nationwide marches focused on calls for comprehensive immigration reform and improving workers’ conditions, including passing the Employee Free Choice Act. This was just days after the first question at President Barack Obama’s April 29 news conference asked if he would close the U.S./Mexico border due to the swine flu outbreak. He, of course, responded by declaring that he would not do so.

Beyond Beat: The late artist Michael Bowen

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Michael Bowen, who died March 7 in Sweden at the age of 71, was a seminal Beat figure who inspired the famous “Turn On, Tune in and Drop Out” dictum of the “Human Be-In” in San Francisco in 1967. Click here for a photo essay of his life and art.


By Marlena Donohue

(Marlena Donohue is Associate Professor of Art History and Critical Theory at the Otis College of Art and Design in Los Angeles, and Managing Editor of ArtScene in Los Angeles.)

Michael Bowen recently passed away in Sweden after five decades of exhibiting art in major international art museums and private collections. He passes away before his career or work could be adequately evaluated in the context of history, particularly those epoch-altering years marked by the 1960s-1970s he is most closely associated with.

Born in Beverly Hills to a famous dentist into a legacy of great wealth, Bowen was the quintessential drop out from consumer culture long before the term was made popular in SF cafes. On the road, so to speak, from his teens, Bowen traveled the globe, engaging life and making art alongside some of the art world’s major luminaries.

Primarily self taught, Bowen coined an art style and remained committed to it for over forty years of changing art world styles and alternatively hip and conservative social mores. He is associated with a distinct visionary surreal art whose nearly hallucinatory intensity came to be identified with the Beats and with the drug and underground culture.

The trial of the San Francisco 8

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By Ben Terrall

On Monday, June 8, the seven former Black Panthers known as the San Francisco 8 will face a preliminary hearing in Superior Court. The defendants are charged in the 1971 death of a local police officer; the charges were initially brought back in 1975, and dismissed when a judge ruled that the central evidence in the case was obtained through torture.

In fact, the FBI COINTELPRO-era case has a chilling resemblance to stories of torture at Guantanamo Bay: the statements were obtained after several of the suspects were subject to sleep deprivation, wet blankets used for asphyxiation, and beatings.

Now, although the San Francisco district attorney refused to file charges, Attorney General Jerry Brown has brought the case back. In 2007, he charged eight men – all of them now in their 60s, 70s and 80s – with murder. One defendant has been dropped from the case.

The remaining defendants are Herman Bell, Ray Boudreaux, Richard Brown, Henry (Hank)Jones, Jalil Muntaqim (Anthony Bottom), Harold Taylor and Francisco Torres.

The case has attracted international attention, and Nobel Prize winners including Desmond Tutu have called on Brown to drop the charges.

Locally, it’s led to a fascinating battle within the San Francisco Labor Council.

Alive and kickin’: Tango No. 9 revels in wild exploration

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By Dina Maccabee

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Entertain whatever stereotypes you will about tango as a relic of an openly macho era: tango in San Francisco is alive. Okay, and kicking.

You might envision a wacky, tacky ballroom competition — but not so rapido says Tango No. 9’s founder and violinist Catharine Clune, whose explorations over the last decade have unearthed what she calls "the many faces of tango." With trombonist Greg Stephens, pianist Joshua Raoul Brody, accordionist Isabel Douglass, and newest member Zoltan Lundy singing the Argentine blues, Tango No. 9 revels in tango’s many approaches to music, to dancing, and to life. And it’s not alone. "There’s an underground squadron of tango dancers, ranging from their 20s to their 60s," Clune says. "You can dance tango every night in the Bay Area. It’s in these crazy little back rooms you didn’t know existed, and that’s where we’ve practiced our chops." As social dancing, which she notes hasn’t been a mainstream American cultural movement since the ’50s, tango is "something people seem to want."

Professional dancers will be on hand at Noe Valley Ministry to perform the sultry moves, but if you only ogle los bailarines, you’ll miss half the fun, or half the pain. "If you can lose anything, from a horse race to a heart, they talk about it," Clune says of the moving and theatrical side of tango’s songs — for listening, not just getting down at the local milonga. In a set that traverses the genre, from its roots to the obscure late works of Astor Piazzola, the group performs the first "sentimental" tango, Carlos Gardel’s inspirational rendition of Pascual Contursi and Samuel Castriota’s "Mi Noche Triste," which set fire to an international phenomenon mourning lost love and tragedy. Like, Lundy says, "being left by a woman who was also your prostitute."

TANGO NO. 9 Sat/2, 8:15 p.m., $16-$18. Noe Valley Ministry, 1021 Sanchez, SF. (415) 282-2317. www.tangonumber9.com

Herrera lobbies for Healthy San Francisco

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By Steven T. Jones
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When I arrived back at San Francisco International Airport last night, weary after a long trip from Prague, I was surprised to bump into City Attorney Dennis Herrera. We chatted a moment and he told me that he was taking a red eye flight to DC to lobby the US Labor Department into supporting our Healthy San Francisco program.

As you may remember, the Golden Gate Restaurant Association has been mounting an aggressive (but so far unsuccessful) legal challenge of the city’s universal healthcare program, which is partially funded by employer contributions. GGRA is now trying to get the US Supreme Court to overturn the 9th Circuit’s ruling in the city’s favor.

Bush’s Labor Department filed an amicus brief supporting GGRA’s contention that the program violates the federal Employee Retirement Income Security Act, a stance Herrera hopes the new administration will reverse. “We have higher hopes for the Obama Labor Department, so this is a preliminary discussion that Dennis is having with them,” Herrera spokesperson Matt Dorsey told me today.

Mayor Gavin Newsom, a former restaurateur who belonged to GGRA, claims credit on the gubernatorial campaign trail for Healthy San Francisco (which was actually created by then-Sup. Tom Ammiano), but did little to either get it passed or to defend it against attack from his allies. As with same-sex marriage, the other big feather Newsom tries to wear in his candidate’s cap, it is Herrera who’s doing the heavy lifting while Newsom pretends to Californians that he’s leading San Francisco.

Kuchar alert! Zombies of Zanzibar

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‘Tis the season — San Francisco is alive with movie brilliance. To what do I refer? George Kuchar’s latest class production at San Francisco Art Institute. If you don’t have a job right now, or if you don’t have to work on International Worker’s Day, go to SFAI to see Zombies of Zanzibar.

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Spring cinema in the Bay Area hits a peak with a free screening of a movie made by Kuchar and his film production class. Billing them as the Studio 8 Players, the characteristically alliterative Zombies promises a zany array of “ACTION!…ROMANCE…TERROR…AND SPECTACLE.” Did I say it was free?

ZOMBIES OF ZANZIBAR
Fri/1, noon, free
San Francisco Art Institute Lecture Hall
800 Chestnut, SF
(415) 771-7020
www.sfai.edu/

To get you in the mood, some Kuchar on YouTube after the jump:

Reel Talk

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At last year’s San Francisco International Film Festival, in his State of Cinema address, Wired cofounder Kevin Kelly spoke of a media landscape inundated with screens, in which you’re as likely to watch a movie on your PDA, or even a grocery checkout screen, as you are in a theater. The message was clear: the way in which we create and consume films is changing. To some extent, we have been living in this brave new world for some time, so SFIFF’s choice of photographer Mary Ellen Mark to deliver this year’s State of Cinema address carries with it an implicit nostalgia for cinema’s old world. Mark, who has frequently turned her camera on marginal subjects — Indian prostitutes, homeless American teens, circus performers — has also periodically worked as an on-set photographer over her four decade career, capturing moments of behind the scene candor on the sets of directors such as François Truffaut, Federico Fellini, Milos Forman, Tim Burton, and Francis Ford Coppola. The images, collected last year in Seen Behind the Scene: Forty Years of Photographing on Set (Phaidon), present Mark as an anti-Annie Liebovitz. She manages to catch her subjects unaware — as with the hilarious image of Dustin Hoffman making faces behind a quite serious Sir Laurence Olivier between takes on 1976’s Marathon Man. Others — among them Marlon Brando caught with a bug resting on his bald pate on the set of 1979’s Apocalypse Now — seem to square off with the camera. Incidentally, two of this year’s major SFIFF honors are going to Coppola and fellow child of the ’60s Robert Redford, so there’s a bit of a love fest for the era going on at this year’s fest. Undoubtedly Mark has as many fascinating stories as she does compelling images, but hopefully her talk won’t just be a stroll down memory lane.

"STATE OF CINEMA ADDRESS BY MARY ELLEN MARK"

Sun/3, 1 p.m., $12.50

Sundance Kabuki, 1881 Post, SF

www.sffs.org

The body count

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› le_chicken_farmer@yahoo.com

I pushed a peanut shell through a hole in the tabletop. We were outside, upstairs, on a wraparound deck and the left side of me was getting burnt. The right side of him. Hot day …

There were boats. Water. There was a view of the Oakland skyline.

"I had my first lesbian lover," I said, to get his attention. I was tired of talking about snowboarding and soccer, sports, his and hers. I was ready for some he-said-she-said, the good stuff.

"Really?" he said, with the big smile with the perfect teeth.

Our beers were half-empty, the peanut basket half-full. I told my story, watching his face, pushing peanut shells through the many holes in the iron tabletop. I thought they were scattering on the floor below, on the deck, but in fact they were piling up on my skirt.

He dates a lesbian. His name is Ratatat and he has black hair and thick, black, old-fashionable glasses, an Asian Woody Allen or Elvis Costello, only a lot younger than both of them, put together.

He also dates me. Although … as our dates get funner, they get farther apart. And we talk more about who else we’re seeing … Which is fine. Really.

No. Really, I have a bad attitude about polyamorousness. Polyamorless, I call it. Luckily, my bad attitude is in this case trumped by a really very good attitude about the nature of reality. The nature of reality is that it is real. It’s what’s for dinner. No. It’s what we are left with after dinner, the bones, dirty dishes, and in some cases, indigestion.

I have started a kind of a museum of Things Guys Left At My Place Because They Leave In Such A Hurry. See? I’m a realist. In lieu of the return visit, let alone flowers, let alone love, I smoke the rest of their cigarettes and wear their big stinky shirts like a nightie in the morning, with my coffee. It’s a cool twist on cross-dressing, and I love it. I love the smell. I love the way guy-grade cotton feels against my bare skin. One man left a pair of sunglasses and I wore them and loved the way the world was.

But how can I explain all this to Ratatat, who treats me truly like a friend? Who leaves nothing and does come back, who picked me a flower one time …

I can’t! So I gave him the fantasy, the body count, instead: one woman, one man, since last we met. And he gave me his. The ongoing lesbian. A cute girl upstairs. Somebody else …

Besides peanuts, which are on and all over the house, we split an appetizer with our beers: Quinn’s signature, a halved tomato dressed with pesto and piled with shrimp. Perfect for the hot day, a midafternoon snack, and the bayside setting. Place used to be an actual lighthouse! Now it’s a split level, split-themed restaurant, yacht club style downstairs, peanut-littered pub up.

And there really was a pirate sitting near the door when we left, after only one beer apiece. Anyway, he was a salty old-timer with a parrot on his shoulder.

After we walked past him I turned to Ratatat and said, "That guy works for me."

Because he did. I’m a fiction writer.

I gave Ratatat and his flat-tired bicycle a ride home and a hug, then went to be with the children. Then went to be with the chicken. Cakey, who I had successfully cured of broodiness by bringing her to the woods and basically traumatizing her. As I write this, she is kicking leaves and looking for bugs right next to me, a healthy, happy, and functional member of society.

Well, what’s good for the chicken …

I will get on an airplane, which is the scariest thought I can think of. My passport application is all filled out. I forget how long it takes but I got a packet of alphabet pasta in the mail yesterday. While I’m waiting I will nitpick these A’s, B’s and C’s into top-secret international love letters, then eat the evidence.

QUINN’S LIGHTHOUSE

Daily 11:30 a.m.-9 p.m.

1951 Embarcadero East, Oakl.

(510) 536-2050

Full bar

AE/D/MC/V

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

Historic proportions

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news@sfbg.com

GREEN CITY "110 The Embarcadero" is the stately address of a building that doesn’t exist yet. But the battle that continues to be waged over this proposed development, along with skirmishes that are brewing over other proposed buildings nearby, speaks volumes about a complicated tug-of-war that is emerging over a prominent slice of the city’s northern waterfront.

Preservationists are concerned about saving a union hall on Steuart Street that housed the International Longshoremen’s Association during the strike of 1934, which would be razed to build 110 The Embarcadero. That’s one of a number of historic properties critics say could face the wrecking ball as new building plans are drafted. Other proposals, among them 8 Washington and 555 Washington, have neighborhood activists anxious about long skyscraper shadows that could be cast on public parks, the development pressure that would result from allowing skyscrapers to exceed height limits, and views of the bay that would be enhanced from inside luxury high rises but blocked to others.

On the other side of the coin, building-trades union members increasingly desperate for work are fervently advocating for new construction projects that would open the spigot on jobs. And the Port of San Francisco hopes development money will help cover its huge infrastructure backlog.

Meanwhile a report released in early April by the Bay Conservation and Development Commission noted that the waterfront stretch from Pier 35 to the Bay Bridge is one of the most vulnerable to sea-level rise. As plans for this part of the Embarcadero are hashed out in public hearings and architects’ sketches, a new reality must be factored into the mix: some of that land could soon be underwater.

MISSING HISTORY


110 The Embarcadero initially won praise for its goal of attaining the highest certification level for nationwide green-building standards. Sponsored by Hines Interests, it was a shining example of ecodesign that even featured living vines climbing the sides. Even though it would shoot 40 percent above the allowable height limit of 84 feet, the San Francisco Planning Commission gave it a green light.

Enthusiasm waned, however, when historic preservationists pointed out that the building slated for demolition — 113 Steuart St. — was an ILA labor hall during the famous maritime strike of 1934, which erupted into violence after two union members were gunned down by police and led to a four-day general strike that paralyzed the city. "Harry Bridges rose to fame in this building," says architectural historian Bradley Weidmeier, referring to the famous labor leader. "Labor historians from around the country are going to be blocking this."

Hines hired a leading historic architecture firm, Page & Turnbull, to conduct a historic assessment of that building as part of the planning process. Yet the initial report neglected to mention anything about the building being at the center of a profound moment in San Francisco’s labor history.

Former Board of Supervisors president Aaron Peskin, an opponent of the project, says the gaps in information weren’t hard to miss. "The fact that it was ground zero for bloody Thursday, that it was ground zero for the general strike … that people were shot in front of there, that their bodies lay inside. You want to know how we found that out? We got it online," Peskin said.

Page & Turnbull later submitted an addendum, including historic photos depicting people crowding into the two-story building to pay respects to the slain union members. The firm acknowledged its historic significance this time, but asserted that the now-empty building had undergone too many retrofits to comply with historic landmark requirements.

This, too, was challenged by project opponents. "You can look at pictures of dead people laying there on the sidewalk with that building in the background, and look at it today, and godammit, it’s pretty much the same building," Peskin says.

The Board of Supervisors in mid-March approved an appeal of the project and instructed city planners to prepare an environmental impact report. Ralph Schoenman, a preservation advocate who says he met with board members about the project, told us that "members of the board were plainly shocked by finding out that the historic report was so flawed and untrue."

That feeling may have lingered for some at the April 21 bard meeting when Supervisors voted 7-4 to reject Mayor Gavin Newsom’s nomination of Ruth Todd, a Page & Turnbull principal, to the city’s Historic Preservation Commission.

WHOSE WATERFRONT?


Though the project has been stalled, the issues it stirred are gaining momentum. The picture of what this stretch of the Embarcadero could look like is shaping up to be quite different from developers’ gauzy artistic renderings. Sue Hestor, a land-use lawyer, is a driving force behind a community-led meeting scheduled for June 24 at the headquarters of International Longshore and Warehouse Union Local 34 (the successor to ILA) to initiate a new approach to development along the western edge of the Embarcadero.

"Threatened demolition of the 1934 Waterfront Strike headquarters at 113 Steuart has pulled us together," Hestor wrote in a widely disseminated e-mail. "The community will proactively start defining changes we want. No more waiting for a developer proposal, then meekly responding. The community gets to define how the city should look … along the northeast waterfront. When you start at the Embarcadero it is possible to weave in so many areas, so many neighborhoods, so much of our political and immigrant and labor history."

ILWU members are joining with preservationists in the effort to preserve 113 Steuart. "We are at a historic moment when working people are under unprecedented attack," a team of six Local 34 leaders wrote in a recent statement opposing the demolition. "That living history is a prologue to our struggles of the future."

Not all labor unions agree. At a picket staged by San Francisco’s Building and Construction Trades Council outside a Democratic Party luncheon April 21, protesters carried a few flew signs reading "How can we feed our kids with history?" The signs referenced the city’s Historic Preservation Commission, but the same question might be asked of 110 The Embarcadero, which was favored by building-trade workers.

Neighborhood groups are also worried because the construction of the two proposed 84-foot condominium towers at 8 Washington could cause the adjacent Golden Gateway Tennis and Swim Club to lose half its facility. "Six hundred to 700 kids come every summer to learn to swim and to play tennis," Club director Lee Radner says. "To us, it’s just a matter of the developer not considering the moral issues of the neighborhood club that has given so much to the community." Friends of Golden Gateway (FOGG), which formed to preserve the club in the face of development, has hired Hestor as its attorney.

Because the development would be partially built on a surface parking lot controlled by the Port Commission, a parcel held to be in the public trust under state law, developers proposed a land-swap to get around provisions prohibiting residential uses in those parcels. Renee Dunn, a spokesperson for the Port Commission, noted that the Port’s annual revenues total $65 million, while the amount that would be needed for repairs and maintenance of its century-old infrastructure is almost $2 billion. In general, "Public-private developments provide the dollars needed to make improvements," she told us.

In the wake of concerns about 8 Washington, Board of Supervisors President David Chiu sent a letter to the Port Commission requesting an update to the waterfront plan for that area. "Concerns are currently being raised regarding the proposed development … and the future development of seawall lots along the northern waterfront, and I share many of these concerns," Chiu wrote. In response, the Port agreed to conduct a six-to-eight month focus study for those seawall lots.

Meanwhile, a quietly growing problem may mean that plans for this stretch of the Embarcadero will get more complicated. A report released in early April by the Bay Conservation and Development Commission predicts a 16-inch rise in the level of the San Francisco Bay by 2050, and a 55-inch rise by 2100, based on data from the Intergovernmental Panel on Climate Change. Along San Francisco’s waterfront, the most vulnerable area will be from Pier 35 to the Bay Bridge, the report found. "Sea-level rise has been linear, and it’s continuing, and we expect that based on what we know about climate change, it will accelerate," notes Joe LaClair of BCDC. In the event of storm surges, he adds, "we will have to find a way to protect the financial district from inundation."

As local governments begin to get up to speed on mitigating the effects of climate change, new questions — beyond developers’ plans vs. neighborhood input — will have to come into play. One that BCDC plans to tackle in coming months, LaClair notes, is: "What does resilient shoreline development look like?" It’s a good one to start asking now.