International

Think tanks: Left gains in media expert citations

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New FAIR Study

Right Ebbs, Left Gains as Media ‘Experts’
Think tank balance still skews right

9/3/09

FAIR’s just-released annual think tank study shows think tank citations declining for the fourth year in a row in 2008, as newspaper column space devoted to national and international news continued to shrink. The decline was particularly notable for conservative think tanks’ citations, while progressive think tanks increased in number.

The study, a special online-only feature of FAIR’s Extra! magazine, is available at http://www.fair.org/index.php?page=3857.

Among the study’s findings:

-The overall decline in citations primarily hit conservative or right-leaning think tanks, whose share fell from 36 percent to 31 percent in 2008, while progressive or left-leaning think tanks increased from 17 percent to 21 percent.

-Centrist tanks still dominated with 48 percent, and the centrist Brookings Institution, the top-cited think tank, had more than twice as many citations as its nearest competitor, the conservative American Enterprise Institute.

-Progressives were cited 30 percent less than conservatives, and half as often as centrists.

-Progressive and left-leaning think tanks took a record five spots in the top 15 most-cited list, and had by far the greatest percentage increase of citations in this annual survey. The most notable increase was in progressive think tanks with an economic focus, such as the Economic Policy Institute, the Center for Economic and Policy Research and the Center on Budget and Policy Priorities.

Michael Dolny, author of the study, noted, “Both the economic crisis and the poor showing of conservative candidates in the 2008 elections appear to have raised questions about the role of conservative think tanks.” However, pointing out that despite these gains, progressive think tanks are still underrepresented compared to their centrist and conservative counterparts, he also observed that “we are still a long way from true diversity of news sources.”

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

Boylion, Shovelman, James Michael and the Lower Case Letters Hotel Utah. 8pm, $7.

Bye Bye Blackbirds, Rhubarb Whiskey, Billy Boys El Rio. 8pm, $5.

Davila 666, Mannequin Men, No Bunny, Bridez Thee Parkside. 8pm, $10.

Mike Donovan, Douglas Armour, Banaya Papaya Hemlock Tavern. 9pm, $6.

*Enforcer, Slough Feg, Cauldron, Holy Grail Annie’s Social Club. 8pm, $10.

*Al Green, Orgone Warfield. 8pm, $56-85.

Derick Hughes Biscuits and Blues. 8pm, $15.

Eric Lindell Coda. 9pm, $20.

Mitchel Musso, KSM, Jimmy Robbins Slim’s. 7pm, $20.

Nels Cline Singers, Ava Mendoza Café du Nord. 9:30pm, $14.

Papa Grows Funk Boom Boom Room. 10pm, $15.

Shakewell, Paula O’Rourke and the Scarlett Bellows, SugarButtTiger Red Devil Lounge. 8pm, $8.

Skeelo, Paulie Rhyme, Bonus Traxx Elbo Room. 9pm, $20.

BAY AREA

Def Leppard, Poison, Cheap Trick Shoreline Amphitheater, One Amphitheater Pkwy, Mtn View; www.livenation.com. 7pm, $55.50-131.

JAZZ/NEW MUSIC

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

8 Legged Monster Yoshi’s San Francisco. 8pm, $14.

Lisa Mezzacappa’s Bait and Switch, John Shiurba’s 5×5 Climate Theater, 285 Ninth St, SF; (415) 704-3260. 8pm, $7-15.

Shotgun Wedding Yoshi’s San Francisco. 10pm, $14.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Bluegrass Country Jam Plough and Stars. 9pm, free.

Freddie Clarke Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8 and 9:30pm; $12.

Los Diablos de Amor Rasselas Jazz. 8pm, free.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night! Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Lonestar Sound, Young Fyah, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 3

ROCK/BLUES/HIP-HOP

Answer, Sticks and Stones Red Devil Lounge. 8pm, $10.

Black Quarterback Coda. 9pm, $7.

Blue Rabbit, Kirk Hamilton Group, Conspiracy of Venus Rickshaw Stop. 8pm, $10.

Brave Combo, Pine Box Boys Slim’s. 8:30pm, $15.

Heather Combs, Austin Willacy, Walty, Welcome Matt Hotel Utah. 7:30pm, $8.

Greyhounds, Anthony Ferrell Boom Boom Room. 10pm, $8.

Jonesin’, Sandwitches, Hanni el Khatib Hemlock Tavern. 9pm, $6.

*Jucifer, Grayceon, Flood Annie’s Social Club. 8pm, $10.

Mos Def, Erykah Badu, Jay Electronica Davies Symphony Hall, 201 Van Ness, SF; www.livenation.com. 7:30pm.

Nels Cline Singers, Ava Mendoza Café du Nord. 8pm, $14.

Scene of Action, Fighting the Villain, Robots of Fury Bottom of the Hill. 9pm, $8.

This is My Fist!, Airfix Kits, Robocop 3, Gunner Thee Parkside. 9pm, $5.

Unauthorized Rolling Stones Biscuits and Blues. 8pm, $15.

BAY AREA

Deadbolt, Chop Tops, Thee Merry Widows, Switchblade Riot, DJ Wednzdai Uptown. 8pm, $12.

JAZZ/NEW MUSIC

Eric Benet Yoshi’s San Francisco. 8 and 10pm, $35.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

"Full Moon Concert Series: Harvest Moon" Luggage Store Gallery, 1007 Market, SF; www.luggagestoregallery.org. 8pm, $6-10. With RTD3 and Gino Robair.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Dark Hollow Band Atlas Café. 8pm, free.

Flamenco Thursday Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8 and 9:30pm, $12. With Carola Zertuche and Company.

Shannon Céilí Band Plough and Stars. 9pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro. Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

Toppa Top Thursdays Club Six. 9pm, $5. Jah Warrior, Jah Yzer, I-Vier, and Irie Dole spin the reggae jams for your maximum irie-ness.

FRIDAY 4

ROCK/BLUES/HIP-HOP

Café R&B Biscuits and Blues. 8 and 10pm, $22.

Division Day, Bad Veins, LoveLikeFire Café du Nord. 9:30pm, $12.

*Drunk Horse, Green and Wood, Sea of Air Knockout. 5-8:30pm, $7.

Foxtail Somersault, Color Turning, Tomihira, Tracing Figures Red Devil Lounge. 8pm, $10.

Hatchet, Havoc, Brocus Helm, Laceration, DJ Rob Metal Thee Parkside. 9pm, $10.

DJ Lebowitz Madrone. 6-9pm, free.

Mew, Funeral Party Independent. 9pm, $18.

Neville Brothers, Dr. John Regency Ballroom. 9pm, $50.

Outrageous Cherry, Devon Williams, Thee Makeout Party Hemlock Tavern. 9pm, $8.

Punchface, Triple Cobra, Chop Bottom of the Hill. 9pm, $10.

SMP, Stiff Valentine, Slave Unit Annie’s Social Club. 9pm, $10.

Alexander Spit, Overview, Trackademicks, J-Billie, MC Hopie Spitshard, DJ Ant-1 Slim’s. 9pm, $14.

Tinted Windows, Magic Christian Great American Music Hall. 9pm, $26.

White Buffalo Hotel Utah. 9pm, $12.

Gary Wilson and the Blind Dates, James Pants, Odd Nosdom Elbo Room. 10pm, $12.

BAY AREA

Mos Def, Erykah Badu, Jay Electronica Paramount Theatre. 7:30pm, $39.50-79.50.

Wallpaper, Battlehooch, Somehow at Sea, Suicidal Barfly Uptown. 9pm, free.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Benet Yoshi’s San Francisco. 8 and 10pm, $35.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Miss Faye Carol and Her Trio Red Poppy Art House. 8pm, $20.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; 771-6800. 8pm, free.

Strong Move Quartet Coda. 10pm, $10.

FOLK/WORLD/COUNTRY

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm, $15. With Fito Reinoso, and Eddie and Gabriel Navia, and Latin dancing Buena Vista style.

Jeremy Serwer and Courtney Robbins Plough and Stars. 9pm, $6.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Matthew Dear, Alland Byallo Mighty. 10pm, $12. Spinning electronic pop, minimal house, acid techno, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Laila Ruby Skye. 9pm, $20. An international sound experience.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Oldies Night Knockout. 9pm-2am, $2-4. Doo-wop, one-hit wonders, soul, and more with DJs Primo, Daniel, and Lost Cat.

Popscene vs. Loaded Presents Rickshaw Stop. 10pm, $10. With Twelves, Tenderloins, and more DJs Omar, Aaron, and Sleazemore.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Strangelove Cat Club. 9pm, $6. Sisters of Mercy tribute with DJs Tomas Diablo, Fact50, Justin, and Prince Charming spinning dark electro, new wave, industrial, and goth.

Upper Playground and Sonic Living Happy Hour Laszlo. 6-9pm, free. Resident DJs Amplive and Tourist with special guests. Drink specials and giveaways.

SATURDAY 5

ROCK/BLUES/HIP-HOP

B-Cups, Sweet Revenge, Smokejumper, Air Show Disaster Red Devil Lounge. 8pm, $10.

Detonize, Vivid Sekt, Corpus Knockout. 4-7pm, $5.

Rick Estrin and the Night Cats Biscuits and Blues. 8 and 10pm, $20.

Fast Times Maggie McGarry’s, 1353 Grant, SF; (415) 399-9020. 9pm, free.

Hightower, Emeralds, Bogus Tokus, Space Vacation Annie’s Social Club. 9pm, $7.

Magic Bullets Café du Nord. 9pm, $10.

New Radiant Storm King, Faking Your Own Death, Vir Hemlock Tavern. 9:30pm, $7.

Nico Vega, Dirty Sweet, Gringo Star Bottom of the Hill. 10pm, $10.

Stockholm Syndrome, Bret Mosely Independent. 9pm, $25.

Tubes, Cat McLean Great American Music Hall. 9pm, $25.

Wire Train, Translator, Debora Iyall, Benjamin Bossi, DJ Choice Slim’s. 9pm, $26.

BAY AREA

*Jucifer, Ferocious Few Uptown. 9pm, free.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Four Freshmen Yoshi’s San Francisco. 8pm, $24.

Ricardo Scales Top of the Mark. 9pm, $10.

Steppin’ featuring Oscar Myers Coda. 10pm, $10.

FOLK/WORLD/COUNTRY

Thorny Brocky Red Poppy Art House. 8pm, $15.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15.

Kit and the Branded Men with Emith Plough and Stars. 9pm, $6.

DANCE CLUBS

Debaser Knockout. 11pm, $5. Wear your flannel and get in free before 11pm to this party, where DJ Jamie Jams and Emdee play alternative hits from the 1990s.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

Moped Amnesia. 10pm.

Rebel Girl Rickshaw Stop. 10pm, $5-7. A sexylicious dance party of girrrs, bois, and their friends with DJ China G.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul on 45s with DJs Lucky, Phengren Oswald, and Paul Paul.

So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Summer Saturdays Bar On Church. 9pm, free. With DJ Mark Andrus spinning top 40, mashups, hip hop, and electro.

SUNDAY 6

ROCK/BLUES/HIP-HOP

Guitar Shorty Biscuits and Blues. 8pm, $20.

In n’ Out Boom Boom Room. 9:30pm, $5.

Davy Knowles and Back Door Slam, Rob Drabkin Slim’s. 8pm, $16.

Adam Marsland, Adrian Bourgeois Union Room (at Biscuits and Blues). 8pm, $10.

Midnight Stranglers, Tough Luxury, Cons Hemlock Tavern. 9pm, $6.

*Old Grandad, Floating Goat, Pins of Light, Aerial Ruin Annie’s Social Club. 7pm, $8.

Maia Sharp Café du Nord. 8pm, $15.

Stockholm Syndrome, Stone Foxes Independent. 9pm, $25.

Wavvs, Ganglians Rickshaw Stop. 7:30pm, $12.

BAY AREA

John Legend, India.Arie, Vaughn Anthony Greek Theater, UC Berkeley, Berk; www.ticketmaster.com. 7:30pm, $39.50-89.50.

JAZZ/NEW MUSIC

Four Freshmen Yoshi’s San Francisco. 2 and 7pm, $5-24.

Lucid Lovers Harris’ Restaurant, 2100 Van Ness, SF; (415) 673-1888. 6:30pm.

Rob Modica Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

FOLK/WORLD/COUNTRY

George Lammam Ensemble Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 9pm; $10.

Mucho Axe Coda. 8pm, $7.

Quin and friends Plough and Stars. 9pm, free.

"Songwriter Sundays" Yoshi’s San Francisco. 8pm, $3. With Francesca Lee, Jennifer Faust, and Weather Pending.

Tippy Canoe Velo Rouge, 798 Arguello, SF; (415) 752-7799. 2pm, free.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission 13th Anniversary Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep, Yossi Fine, and Twilight Circus Dub Sound System with Ryan Moore.

45Club’s Soulful Labor Day Funk Fest Knockout. 9pm, $2. With Dirty Dishes, English Steve, and dX the Funky Granpaw.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

SupaStar Sunday Blue Macaw, 2565 Mission, SF; www.myspace.com/citypage. 10:30pm. Hosted by SupaStar City with DJ Rick Lee.

MONDAY 7

ROCK/BLUES/HIP-HOP

Cold Cave, Crocodiles, Best Coast Knockout. 10pm, $5.

Little Cow Café du Nord. 8pm, $10.

JAZZ/NEW MUSIC

Belleville Outfit Yoshi’s San Francisco. 8pm, $10.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

FOLK/WORLD/COUNTRY

Israel Vibration, Giant Panda Guerilla Dub Squad Independent. 9pm, $25.

Songs of Sea Labor Ferryboat Eureka, Hyde Street Pier, SF; (415) 447-5000. Noon, $5. With Salty Walt and the Rattlin’ Ratlines and Holdstock and Macleod.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Knockout. 5-9pm, free. Belt it out with host Deadbeat.

Mainroom Mondays Annie’s Social Club. 9pm, free. Live the dream: karaoke on Annie’s stage and pretend you’re Jello Biafra.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 8

ROCK/BLUES/HIP-HOP

*Black Cobra, 16, Serpent Crown, DJ Rob Metal Knockout. 10pm, free.

Karl Blau, Neal Morgan, Casual Fog Hemlock Tavern. 9pm, $6.

Michael Burks Biscuits and Blues. 8pm, $20.

David Cook Fillmore. 8pm, $32.50.

Laura Cortese and Jefferson Hamer, Anne Heaton Elbo Room. 9pm, $7.

JL Stiles, Sean Garvey, Quinn Deveaux Café du Nord. 9:30pm, $10.

JAZZ/NEW MUSIC

Dave Parker Quintet Rasselas Jazz. 8pm.

Spencer Day Rrazz Room, Hotel Nikko, 222 Mason, SF; www.therrazzroom.com. 8pm, $30-37.50.

Eric McFadden Union Yoshi’s San Francisco. 10pm, $14.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With Spaceheater’s Blast Furnace.

Ralph Carney’s Serious Jass Project Yoshi’s San Francisco. 8pm, $14.

Ricardo Scales Top of the Mark. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Kitten on the Keys Climate Theater, 285 Ninth St, SF; (415) 704-3260. 8pm, $7-15.

Barry O’ Connell, Vinnie Cronin and friends Plough and Stars. 9pm, free.

DANCE CLUBS

Drunken Monkey Annie’s Social Club. 9pm, free. Weekly guest DJs and Hamm’s for a buck.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

The shakedown

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markeb@sfbg.com

If you think you can handle more massive autumn debauchery than Oct. 3’s gargantuan Lovevolution (www.sflovevolution.org) parade and festival, which showcases every electronic continent-shaker on the local scene, or the Treasure Island Music Festival (www.treasureislandfestival.com) Oct. 17-18 with its onslaught of dance music NAMES, then you may want to jet to the below. Child, I’ve seen your plate — and it’s never full.

HIP-HOP DEBASER


Launch your fall-forward blackout in old-school shelltoes, as the primo Debaser party veers from its grunge-revival template with classic rap chestnuts, St. Ides drink specials, and a sneaker contest (prizes: an eighth, a forty, a pager.) Sat/29, 9 p.m., $5. The Knockout, 3223 Mission, SF. www.myspace.com/debaser90s

MATTHEW DEAR


Oh dear, oh Dear, the techno DJ heartthrob is back in town from touring the world, this time without his live band. Expect a ravenous pop polish and the usual Ghostly International joys. Sept. 4, 10 p.m., $12 advance. Mighty, 119 Utah, SF. www.mighty119.com

BATTLE AT GROUND ZERO


The very grand finale of the SF Grand Vogue Ball, which has been energetically building up a roster of fantastic contestants during preliminaries every Friday night in August, will be an explosion of face, attitude, and flailing limbs. Sept. 11, 8 p.m., free. Yerba Buena Center for the Arts, 700 Howard, SF. www.sfgrandvogueball.tk

DAM FUNK


Laidback techno-boogie and electro-funk from the shades-bedecked master of jambox rock. West Coaster Dam of L.A.’s luscious Funkmosphere parties will be showing off rare vinyl cuts from his personal collection as well as some of his own, much lauded tracks. Sept. 11, $10. Poleng Lounge, 1751 Fulton, SF. www.polenglounge.com

BEARRACUDA MAGNUM


Supersize your Folsom Street Fair weekend — and prepare for your hairy winter hibernation in style — with hundreds of sweaty, burly men when furry-techno paradise Bearracuda takes over DNA Lounge. Heave, ho! Sept. 25, $10–$15. DNA Lounge, 375 11th St., www.bearracuda.com

DROP THE LIME


Sexy electro ragers — plus singing! — from the super-flirty posterboy of all-night bangin’. He’ll be rolling up with twisted adrenaline junkie Tim Exile and hometown Lights Down Low hero Sleazemore. Sept. 25, $12.50 advance. Mighty, 119 Utah, SF. www.mighty119.com

SLAVIC SOUL PARTY!


In the hoot-and-whirl tradition of Gogol Bordello and Balkan Beat Box, this massive brass band brings Eastern European sounds to the dancing masses, on the order of our own beloved Kafana Balkan crew. New album Taketron (barbes) is a shining example of the new Romany hybridity. Sept. 25, 8:30 p.m. and 11:30 p.m., $15/$25. Elbo Room, 647 Valencia, SF. www.elbo.com

PART TIME PUNKS


L.A.’s rabble-rousing promoters, Part Time Punks, join the Honey Soundsystem and Donuts crews for a thoughtful onslaught from the past, with live performances from the Raincoats and Section 25, plus a DJ set from Gang of Four. Oct. 9, $25 advance. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

BOYS NOIZE


Pushing electro through the crystalline prism of your ass, the esteemed (you can be esteemed in electro?) DJ and beat-mongrel keeps squeezing dirty, dirty beats from the banger stone. He’ll be pumping lightning jags from his new disc Power! (BNR). Nov. 4, 9 p.m., $17.50 advance. Mighty, 119 Utah, SF. www.mighty119.com

Itches

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markeb@sfbg.com

SUPEREGO "It’s not the heat, it’s the humidity." Actually, having just touched down from the East Coast, lemme tell ya it’s both. No matter how much I may wish I was getting down to Afro-acid in New York’s P.S. 1 courtyard, I know I’d be rabidly itching to claw off my custom polyester Isabel Toledo bunny suit if I had to deal with the Big Apple heatwave. I much prefer to get sweaty on purpose, after dark, in our own climate of nuttiness, thank you very much.

(A note: This column is dedicated to the memory of Daithí Donnelly, a mastermind behind Anu, Swig, Bourbon and Branch, and more who passed away earlier this month. We’ll sorely miss his tireless dedication to SF nightlife.)

DISCO VS. DUBSTEP

"Why the hell not?," I ask you. I’m anxious to hear the result of this new weekly 18+ club experiment at Poleng, as local and international DJs from both sides of the seemingly incongruous musical divide square off or blend their various strains. Firsts up: Kid Kameleon and Lexxus in the dubstep room, and Salva and B. Bravo in the disco room. Stand in the middle.

Wednesdays starting Wed/26, $5 for under 21/ over 21 free. Poleng, 1751 Fulton, SF. www.hacksawent.com

STAY GOLD

There’s so much going on right now on SF’s dark side that occasionally regular parties that I enjoy immensely slip through my liquor-lubricated crack. Thus, I’ve finally gotta give many snaps to the queerlightful monthly Stay Gold party, which features "hella gay dance jamz" from DJs Rapid Fire and Pink Lightning and a beauteous crowd of lezzies, fags, and in-betweens.

Wed/26 and last Wednesdays, 10:30 p.m., $3. Make-Out Room, 3225 22nd St., SF. www.makeoutroom.com

HOLY FUCK

Electronic music, without those annoying synthesizers. Perfect! The Toronto-based experimental rock quartet subs in live drums and bass — plus toy keyboards, effects pedals, and other delicious analog goodies — to reinterpret edgy dance sounds. It really works, and gives rise to some surprisingly heady combinations.

Thu/27, 8:30 p.m., $15. The Independent, 628 Divisadero, SF. www.independentsf.com

KEYS N KRATES

More live electro-emuutf8g shenanigans from Toronto, this time courtesy of the multi-member outfit dubbed "kings of the live remix." Discover in wonder their guitars-and-turntable versions of Justice and other dance floor juggernauts. It’s no joke karaoke, the boys mean business.

Sat/29, 10 p.m., $10. Club Six, 66 Sixth St., SF. www.clubsix1.com

BIG TOP

Once upon a time there was an amazing bar called the Transfer where really fun nightlife things happened. One of those fun things was Big Top, promoter Joshua J’s outrageous circus-themed drag hoo-haw. It was like Cirque du Soleil, but with less French and much more basket. Well, it’s back, now at Club Eight, with three rings of disco-tinged scandal.

Sat/29 and last Saturdays, 10 p.m., $5. Club Eight, 1151 Folsom, SF. www.eightsf.com

MISS HONEY

I went to the premiere of this monthly party earlier this summer, and it was too, too much. Packed with young art stars, energized scenesters, and vogueing — there was indeed a runway — it brought together many of the city’s oft-dispersed up-and-coming movers and shakers. With surprisingly little irony! Ms. Terry and Mani host, with DJs Chelsea Starr, Frankie Sharp, and more.

Sat/29, 10 p.m., $5. Triple Crown, 1772 market, SF. www.triplecrownsf.com

1999: RETURN OF THE RAVE

I’m so scared of this! Were you still raving in 1999? If you were, and you haven’t died of sugar-shock from all those candy necklaces, then you may want to wayback with ages 16+ to those Hot Topic-tinged days of yore.

Sat/29, 9 p.m.–4 a.m., $40. regency Ballroom, 1300 Van Ness, SF. www.skillsdj.com

Chronic debate

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sarah@sfbg.com

For decades, proponents of marijuana reform have argued that cannabis is less dangerous than alcohol or cigarettes, has legitimate medical uses, and should be decriminalized on the grounds that prohibition doesn’t work.

In 1996, these arguments helped convince California voters to approve Proposition 215, which allows the use of marijuana for medical purposes. And in March, U.S. Attorney General Eric Holder signaled a major change in federal drug policy when he said that the Justice Department does not plan to prosecute medical marijuana dispensaries that operate legally under California law.

But the federal government still classifies marijuana as a Schedule 1 controlled substance that has no medical value and a high abuse potential. As a result, cultivation, distribution, and sales of pot primarily occur on the black market, a shadowy mix of small-timers and powerful cartels.

Data from the National Survey on Drug Use and Health (NSDUH) suggests that U.S. growers produced 22 million pounds of marijuana in 2006, worth $35.8 billion, and that California accounted for almost 39 percent of U.S. pot production.

Now, with California’s economy in the crapper, the state budget a mess, and federal judges ordering substantial reductions in California’s prison population, reform advocates are making an intriguing argument: if state or local governments legalize and tax even a fraction of marijuana sales in California, the state could see billions of dollars in new annual revenue and reduced enforcement costs.

Assembly Member Tom Ammiano recalls some laughter in February when he introduced Assembly Bill 390, state legislation to regulate marijuana much like alcohol. "But the budget fiasco has made some people who were dismissive take a harder look," Ammiano said.

A recent California Board of Equalization analysis of Ammiano’s bill estimates that if the state charged $50 per ounce, California would generate $1.4 billion in marijuana taxes annually.

Voters in Oakland also advanced the marijuana policy discussion last month when they approved a special tax on the city’s medical cannabis dispensaries. And in August, a three-judge federal court ruled that California must develop a plan to reduce its prison population by 44,000 over two years.

The public also seems to support making a change. In April, a Field Poll confirmed that for the first time a majority (56 percent) of California voters support legalizing pot.

Depite these advances, Ammiano says he wants to be strategic with his bill, gradually building support. "That’s why we made it a two-year bill," Ammiano said. His bill is scheduled for its first hearing at the Public Safety Committee, which Ammiano now chairs, by year’s end.

But some Bay Area activists aren’t waiting on Ammiano. Last month, Richard Lee, who operates four medical marijuana dispensaries in Oakland, filed initiative paperwork with the state and hopes to gather enough signatures to qualify a Tax Cannabis initiative in 2010.

Ammiano’s bill and Lee’s initiative allow recreational use of marijuana, penalize driving under the influence, and charge a $50 fee per ounce. But they differ around regulation and how to deal with the overarching problem of federal law. Ammiano’s legislation assumes a statewide system that mirrors the federal Department of Alcohol Beverage Control. Lee’s initiative leaves regulation to each county, similar to the patchwork approach to alcohol in other states.

Lee believes his initiative gives people more options. "We can’t order people to break federal law — that would be thrown out," Lee said. "Forty jurisdictions already permit medical marijuana cooperatives in California. So we already have that system, and we’ll follow that reality."

Sup. Ross Mirkarimi, who authored San Francisco’s medical cannabis dispensary regulations, believes it’s important to lay the groundwork at the local level. He points to the relative lack of growth in new municipalities that allow medical dispensaries since voters approved Prop. 215, calling it evidence of pot-related NIMBYism.

"Everyone says they support it, but they don’t want it in their own backyards," said Mirkarimi, who wants San Francisco to become the first U.S. city to add marijuana to the list of medicines it dispenses. "But the city Attorney’s Office is shy about pushing this envelope."

Mirkarimi wants to follow Oakland’s example and add a gross receipts tax to medical marijuana dispensaries in San Francisco.

But the legalization push has its fervent critics. At a recent Commonwealth Club debate on the economics of marijuana, El Cerrito Police Chief Scott Kirkland, who led the charge to ban medical dispensaries in his city, tried to discredit arguments that legalization will save money.

"I’m very disappointed with the state," Kirkland said, claiming that the BOE’s analysis drew almost exclusively on the work of Jon Gettman, a former director of National Organization for the Reform of Marijuana Laws.

"We have to have statistics we can rely on," said Kirkland, who then cited the same BOE report — it estimates that pot prices will drop 50 percent and consumption will increase 40 percent — to support his contention that legalization will lead to increased substance abuse.

Kirkland also challenged the notion that Mexican drug cartels will leave once the pot business is legitimized and regulated. "They understand that the money involved is astronomical," he said. "It’s wishful thinking that if you legalize marijuana, all of a sudden the cartels go away."

He also disputed claims that legalization would help empty state prisons. "It’s very common for advocates to associate legalization with reducing the costs of incarceration, but it’s a fallacy," Kirkland said. "It’s very rarely that a person goes to prison for their original offense."

Kirkland topped off his attack by citing the state’s June 19 decision to add marijuana smoke to its Proposition 65 list of substances known to contain carcinogens.

But BOE spokesperson Anita Gore refuted claims that their analysis relied entirely on reform advocates’ research. "Being as this is an underground activity, the resources are limited," Gore said. "But our researchers and economists used econometric models that are generally accepted and looked at all the available resources, which included academic and law enforcement studies."

Gettmann told the Guardian he uses data from NSDUH, the U.S. Drug Enforcement Agency, the Office of National Drug Control, and the Bureau of International Narcotics — sources the prohibitionists also draw on. He admits that it’s hard to quantify a black market.

"But it’s easy for anyone to understand basic regulatory economic theory," Getmann said. "Marijuana use produces costs for society, but is largely untaxed. So users and sellers reap benefits, while taxpayers bear the costs."

He believes many advantages of legalization are qualitative. "It’s a better regulatory system for financial and fiscal reasons and for restricting access on the part of teenagers," Gettman said.

Stephen Gutwillig, state director of the Drug Policy Alliance, points to research by the Center for Juvenile and Criminal Justice in San Francisco, which found that arrest rates for everything in California have declined since 1990 — with the exception of low-level marijuana crimes. CJCJ’s research shows that rates for this group increased 127 percent since 1990, and 25 percent in the last two years.

"It’s a system run amok," Gutwillig said. He notes that of the 74,000 people arrested for marijuana-related offenses, 20,000 are youth. "The marijuana problem is increasingly becoming a mechanism for social control of young black and brown men in California."

"We feel that money is definitely a fine consideration," he continued. "But even if reguutf8g marijuana didn’t produce a dime, these punitive, wasteful laws must end."

Gutwillig’s group has estimated that legalization would save California’s state and local governments $259.7 million annually in court and incarceration costs alone, a figure DPA researcher Betty Lo Dolce said is very conservative.

"I don’t know if folks have a secondary offenses, so I don’t know if marijuana was legalized, if they wouldn’t be in state prison," Lo Dolce said. "Or conversely, if they may not have been arrested for drug-related crimes, but then those charges got dropped and they ended up inside because of secondary drug-related offense."

Bruce Mirken, communications director for the Marijuana Policy Project, believes that advocates of California’s Campaign Against Marijuana Planting (CAMP) should have to justify that the program does some good.

"The idea that enforcing prohibition and seizing 5.5 million plants last year would be less costly than legalizing is crazy," he said.

But what about the public health costs?

UCLA pulmonologist Dr. Donald Tashkin said that the state added marijuana smoke to its Prop. 65 list, based on finding carcinogens in that smoke. "But you cannot translate chemistry into chemical risk because you have to take into account potential opposing effects," Tashkin said.

His research has found no association between heavy marijuana use and increased risk of lung cancer and pulmonary disease. Conversely, he and Dr. Donald Abrams, a cancer researcher at UCSF, have found that THC, marijuana’s main psychoactive ingredient, has an anti-tumor effect.

"The bottom line is that you cannot use pulmonary risk as a justification for not legalizing it," Tashkin said.

Dr. Igor Grant, director of medical cannabis research at UC San Diego, said the question around marijuana smoke is quantity. "It’s not like cigarettes," he said. "Most people don’t smoke 20 joints a day for 20 years. But even if it was declared safe for patients, you wouldn’t want parents filling the room with smoke."

James Gray, an Orange County judge and a member of Law Enforcement Against Prohibition, believes marijuana is here to stay. "Instead of moralizing and punishing people for failing on moral chastity grounds, let’s manage its use," Gray said. "If people are using it, they should be able to know what’s in it."

The most harmful thing about marijuana, Gray contends, is jail. "The remedy is far more dangerous than the disease itself," he said. "There are thousands of people in prison because they did nothing but smoke pot, and a dirty drug test was a violation of their parole…. But I understand that some people in law enforcement stand to lose a great deal, and that the Mexican cartels are going to invest a lot of money in Madison Avenue advertising."

Lee, too, acknowledges the opposition, but remains hopeful. "People are coming out of the closet," he said. "That’s what caused the gay rights movement to take off. It’s starting to happen around marijuana use."

Hines spy?

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By Rebecca Bowe

men in black.jpg

Here’s the latest twist in the fight over 113 Steuart Street, a shuttered two-story building on the city’s northern waterfront that high-profile developer Hines Interests wants to raze and replace with a tall, shiny green building called 110 The Embarcadero. A committee that’s pushing to landmark 113 Steuart is claiming that Hines has used “industrial espionage” to try and thwart their efforts.

On Aug. 4, a group called the 113 Steuart Street Landmark Committee — comprised of preservationists, historians and labor union members — held a meeting at the International Longshore and Warehouse Union (ILWU) Local 34 Hall to chart their strategy for landmarking 113 Steuart, which would preclude demolition. The site is historically significant, committee members argue, because it served as the labor hall where International Longshoremen’s Association (ILA) leader Harry Bridges and the Maritime Strike Committee organized the Waterfront Maritime Strike of 1934. (The ILA was the predecessor to the ILWU.)

The meeting attracted a newcomer. Committee members Ralph Schoenman and Bradley Wiedmaier told the Guardian that Daniel McGill introduced himself to the rest of the group as a “student of urban planning interested in the field” who professed a “deep interest” in the effort to preserve the building. Throughout the planning meeting, Wiedmaier said, McGill was “feverishly taking notes on everything anyone said.”

If McGill really was there as a Hines spy, we doubt he’d last a day as an FBI informant. As any good spy should know, giving your real name makes it much easier for your foes to denounce you as an infiltrator. Suspicions raised, Weidmaier consulted Google the next day and found McGill listed as an Assistant Project Manager at Hines Interests – the very development firm that aims to tear down 113 Steuart.

Moving backward

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rebeccab@sfbg.com

San Francisco’s city budget was signed into law Aug. 4, but a group of city workers is pushing the Board of Supervisors to reverse a cut that they say reflects a giant step backward for progressive San Francisco values.

Service Employees International Union Local 1021, about 18,000 strong in San Francisco, has launched a campaign to restore pay cuts to certified nursing assistants (CNAs) and unit clerks who staff the city’s medical facilities, arguing that the demotions reverse a decades-old commitment pay equity between men and women.

Proposition H, approved by voters in November 1986, enshrined the principle of comparable worth in San Francisco. It required the city to ensure that municipal jobs dominated primarily by women provided wages on par with male-dominated jobs that have similar qualifications.

Jobs held by mostly female employees also tend be staffed by people of color, so the move to create equity in pay was meant to address systemic sexism and racial discrimination. Unit clerks and CNAs seem to fit the bill, and their salaries were gradually increased after 1986.

As part of the midyear budget cuts, 88 CNAs who work at SF General Hospital were laid off and simultaneously rehired as patient care assistants, a job with similar responsibilities but only 79 percent of the salary (from an average annual salary of $56,589 down to $45,032). Another group of CNAs is scheduled for similar demotions in November. Cuts to clerical workers’ wages are also pending and most will be reclassified with 15 percent less pay (from $52,845 to $45,266).

"It wipes out the advantage that they had," says Local 1021 health care industry chair Ed Kinchley. "Group by group, they’re wiping out the pay differential."

"This is the first wave of an overall effort to undermine comparable worth," union organizer Robert Haaland charged in a letter to the Board of Supervisors. "We ask you to join with progressives to defend the principle of equal pay for women and minorities."

SEIU held an Aug. 7 forum to discuss the cuts at SF General, with Sups. John Avalos, David Campos, Eric Mar, and Ross Mirkarimi in attendance. CNAs and unit clerks packed the audience — a crowd that was indeed made up of many women of color.

One was Theresa Rutherford, a CNA at Laguna Honda Hospital and Rehabilitation Center. "We’re the first ones to note when a patient is not doing well," Rutherford explained to the supervisors. "It’s a job that requires a lot of commitment." She described the long hours and the bonds that develop with patients, saying CNAs are counted on by "the person who has no family members left — so you become the family member."

"Best-quality care costs," Rutherford added. "It’s not cheap."

Avalos, who chairs the Budget and Finance Committee, said he was infuriated by the pay cuts. He spoke about a possible supplemental appropriation to address the issue. "We have to find the revenue for that to happen," he said. "Push as hard as you can on City Hall, and I’ll fight as well."

Tom Jackson, there representing Sup. Chris Daly, also urged the workers to apply pressure. "As far as labor practices go, this is a test," he said. "You’ve been fighting for decades [for pay equity] … and they’re ready to wipe it away because we have a bad economy."

Department of Public Health Chief Financial Officer Gregg Sass responded to SEIU’s charges by telling the Guardian: "We disagree with the SEIU comparable worth argument. Further, SEIU was not able to get member approval of a tentative agreement that might have prevented layoffs and position conversions during last fiscal year."

Supervisors added $500,000 back into the final budget to stave off some conversions. SEIU members contend that the add-back was supposed to retroactively restore cuts to the 88 CNAs, but Sass told us, "I am not aware of any action at the [Board of Supervisors] to that effect."

A memo that DPH Director Mitch Katz sent to Board President David Chiu noted that "difficult decisions had to be made to reach the financial target," and said the CNA conversions were made "following discussions with the city’s Department of Human Resources and SEIU."

At the forum, Halaand pointed to a report from the Controller’s Office revealing a 20 percent growth in management positions under Mayor Gavin Newsom’s administration. "There’s a lot of padding of their wallets at the top. At the bottom, they’re devaluing," he told the workers. "There seems to be money out there, but it’s just not for us."

Campos told us he plans to request a hearing to examine managerial promotions as well as the ethnic and gender makeup of the city’s highest-ranking positions. As for whether some of these cuts might be restored, he told us, "I think that’s a real possibility. I am hopeful it will happen."

A study released this year by San Francisco’s Department on the Status of Women compares women’s median salaries to average men’s earnings. According to the report, the median annual wage for Latina women is 52 percent of men’s earnings; African American women earn 58 percent; Asian women 63 percent; and white women 88 percent.

Another round of pink slips go out Sept. 16, so SEIU is planning a rally at City Hall that day to demand that the city uphold comparable worth.

Sailing into the plastic vortex

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rebeccab@sfbg.com

GREEN CITY If a plastic soft drink bottle got tossed into the San Francisco Bay and swept out under the Golden Gate, it might end up in the massive junkyard-at-sea that swirls through a current known as the North Pacific Subtropical Gyre.

Nicknamed the Plastic Vortex, this massive collection of marine debris circulating in a remote area northeast of Hawaii is a sort of watery graveyard for all manner of human refuse. The ocean churns the waste, disintegrating the debris into bits and turning it into something more like plastic soup than a buoyant mass. Ocean experts say it’s a very big problem — the gyre is about twice the size of Texas and taking in more garbage all the time — and is only getting bigger.

This gigantic manmade mess — which exists in international waters not regulated by any particular governmental body — presents a slew of difficult questions. What long-term effects is it having on the marine ecosystem? Is there any way to clean it up? Are minuscule plastic particles and their hitchhiker toxins circulating back to people’s dinner plates via bioaccumulation?

These are just a few of the mysteries that a crew of researchers hope to unravel during an ocean voyage called Project Kaisei. The Kaisei (Japanese for “ocean planet”) is a 151-foot brigantine that sailed out of the San Francisco Bay Aug. 4 for a month-long venture into the plastic vortex.

The tall ship, the second of two research vessels commissioned for Project Kaisei, is operated by the Ocean Voyages Institute, a Sausalito-based nonprofit. Its counterpart, the New Horizon, is operated by the Scripps Institute for Oceanography and departed several days earlier from Southern California.

Project Kaisei spokesperson Ryan Yerkey describes the mission as a multipronged effort. Scientists’ first goal is to get a “snapshot” of the effects the garbage is having on the marine ecosystem. “These materials, they never really dissolve,” Yerkey explains. “They don’t just become part of the ocean. They break down at different degrees. Things like a plastic bag — it breaks down in the heat, and the sun and the water. And a lot of this stuff is so minute that it’s getting ingested by fish.”

Project Kaisei researchers will also test various technologies that might help them chart a course for cleanup. One idea — using reprocessing technology that has never been tested at sea — is to convert the marine debris from trash to fuel. “We’re testing the various reclamation and harvesting technologies,” Yerkey explains. “We’d love to be able to get that technology onboard our future vessels out there so they would be able to fuel future missions with the very trash they’re collecting.” The third goal will be to educate the public about preventive actions like recycling, since an estimated 80 percent of marine debris originates on land.

Algalita, a Long Beach-based marine research foundation, has conducted eight voyages in a 50-foot catamaran to study the Pacific Gyre. “Last year, in February, we were doing a night trawl — that’s when a lot of the marine life come up to feed,” explains Marieta Francis, executive director of Algalita. “We caught hundreds of these small, six-inch fish, so we thought this was the perfect opportunity to study them. And one of those little fish had 84 pieces of plastic in its stomach.”

Over the course of a decade, Algalita has taken hundreds of water samples from the gyre — and not a single one was plastic-free. There are believed to be two giant garbage patches in the Pacific, but the scope of the problem is only beginning to be understood, Francis says. “Now we feel, along with other researchers and even [the National Oceanic and Atmospheric Administration] that there are not two distinct patches, and that in between the two areas where it seems to be accumulating, there is sort of a superhighway that’s also collecting the debris.”

The Project Kaisei team appears to be embracing what its Web site calls “the biggest clean up Earth has ever witnessed.”

G’day sleaze!

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a&eletters@sfbg.com

In the late 1970s Australia suddenly looked like the new mecca for cinematic art, as movies like My Brilliant Career (1979), The Chant of Jimmie Blacksmith (1978), Picnic at Hanging Rock (1975) and Breaker Morant (1980)achieved unprecedented international critical and commercial success.

Those award-bait films are pointedly mentioned just in passing, for contrast, in Not Quite Hollywood, which is about all the other movies from Down Under during that period — those the tourist boards and arts councils preferred you didn’t know about. Subtitled The Wild, Untold Story of OZploitation!, Mark Hartley’s documentary is one of the best appreciations ever made of some of the worst films ever made.

Actually, they’re not all bad, by a long shot, though it’s measure of Not Quite Hollywood‘s infectious spirit that it induces a potent desire to see a number of films that in fact turn out to be pretty excruciating when seen in anything more than five-second increments. Their likes include 1978’s Stunt Rock — the predictably lame high-concept combination of stunt performers, magic tricks, and a justifiably forgotten band called Sorcery — not to mention extended dirty jokes like 1974’s Australia After Dark, 1981’s Pacific Banana, 1975’s The Love Epidemic, and 1975’s The True Story of Eskimo Nell. (The latter, however, features the following philosophically defining line: "There’s a day comin’ when I’m gonna stick me dick in the heart of the Earth and the bang’ll be heard in Alaska!")

Indeed, it was the belated relaxation of draconian censorship standards that opened the initially very smutty floodgates for Aussie exploitation cinema. While American audiences were enjoying the brief cultural moment known as "porn chic," folks on the other side of the planet were vicariously experiencing the sexual revolution in the softcore form of local snickerfests like 1973’s Alvin Purple ("The Bloke Who Has Everything But Inhibitions!") and 1972’s The Adventures of Barry McKenzie ("Cripes! The Things These Porn Sheilas Will Do On Camera!"). As several older, wiser actors note, any thoughts at the time that showing skin was about "liberation" proved delusional.

Much of Not Quite Hollywood is in a similar mood of bemused recall, reflecting that most endearing national Australian characteristic, an allergy to pretension. Confessed Ozploitation fanatic Quentin Tarantino does most of the on-camera cheerleading here, while folks who actually worked on the films in question typically recount how daft, crass, and/or sometimes plain dangerous to work on these enterprises were.

Unlike the Peter Weir and Bruce Bereford movies that presented Australia’s high-cultural face to the world, Aussie genre films of the ’70s and ’80s were often deliberately origin-blurred, the better to appeal to a North American drive-in audience. (When the most famous of them all, 1979’s Mad Max, first got released here its dialogue was actually redubbed by American actors.)

Washed-up or third-tier international "stars" like Jenny Agutter, Steve Railsback, or Broderick Crawford were flown in for marquee value, often greeted with open hostility by local actors whose jobs they’d "stolen." If war stories recounted here are indicative, many got revenge by behaving very badly: Dennis Hopper, for instance, was so berserk on Philippe Mora’s Mad Dog Morgan (1976) that police finally escorted him to the airport, practically banning him from an entire continent.

Not everything here is craptastic. Gems ripe for rediscovery include the 1978 Long Weekend in which a horribly combative urban yuppie couple going camping attract ambiguous vengeance from a horribly pissed-off Mother Nature. Another deeply buried treasure is 1982’s Turkey Shoot, a Most Dangerous Game spin that Brian Trenchard-Smith turned into a "high camp splatter movie" when the unfortunate last-minute disappearance of half the planned budget x’d out the script’s more expensive ideas. Its zesty offensiveness still riles critic Philip Adams, a plummy-voiced snob who decries "these vulgar films" that "admitted to the wider world we were yahoos."

But what yahoos. Australian exploitation cinema has had a particular penchant for putting protagonists at the mercy of crazy-car-driving, sheila-ogling, unkempt and un-sane rural inbreds. Sometimes they’re the main peril, sometimes just an unfriendly preliminary to the central menace of giant killer hogs (Razorback, 1984), giant killer crocs (Dark Age, 1987), giant punk prisoner camps (Dead End Drive-In, 1986) or psychotic stalkers driving Mr. Whippy ice cream vans (Snapshot, 1979).

There’s a whatever-works (even when it doesn’t) spirit to these films personified by the career of Trenchard-Smith, whose boldly indiscriminate resume has thus far stretched from several Aussie kung fu movies to 1983’s BMX Bandits (with Nicole Kidman!) to 1997’s Leprechaun 4: In Space. It’s a little annoying when Tarantino brags about dedicating Kill Bill‘s Australian premiere to this prestige-resistant director just to piss off the local "snobs." But it’s gold when the man himself cheerfully admits "I am a guilty pleasure footnote." *
NOT QUITE HOLLYWOOD: THE WILD, UNTOLD STORY OF OZPLOITATION! opens Fri/14 in San Francisco.

Split decisions

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Sexo y Violencia. It’s a fitting tag for the L.A.-born spectacle known as Lucha VaVoom. Combining the traditional Mexican art form of lucha libre with a titilutf8g burlesque show, this unique blend of entertainment has definitely found its niche audience.

The marriage of sex and violence (in varying degrees) has always found its way into the squared-circle’s storyline, whether it be Hulk Hogan’s alleged lusting after Miss Elizabeth in the 1980s, or the more suggestive eye candy that the WWF/E (World Wrestling Federation and World Wrestling Entertainment) began parading around when the "Divas Campaign" kicked off in the 1990s.

Pro wrestling has always found a way to reflect mainstream and pop culture, even if its fans are considered to be on the fringe of society. The sport’s two major peaks in late 20th century popularity are defined and clear-cut. In the 1980s, rock ‘n roll, notions of good vs. evil, and the onslaught of mass consumerism ushered in the era of Hulkamania. In the 1990s, as the lines that defined heroes became more blurry and edginess and exaggerated sexuality took hold, cable television’s Monday Night Wars and Austin 3:16 catered to the era of the intelligent fan.

Jan. 20, 1984: during the height of the Cold War, President Ronald Reagan’s Secretary of State Charles Shultz designates Iran as a sponsor of international terrorism. Three days later, Hulk Hogan beats the Iron Sheik in Madison Square Garden to claim his first WWF world title. This was no coincidence. In fact it was destiny.

Vince McMahon, arguably wrestling’s most savvy promoter, had been aggressively buying out smaller independent and regional promotions, building the monster that would become the WWF/E. With his tanned Venice Beach body-builder’s physique and peroxide blond locks (and presumably with steroids coursing through his veins), Hogan was touted as the all-American hero. It totally made sense to play up current events by having the Sheik, with his curl-toed boots (somehow implying that he’s Arab or evil) drop the title to Hogan, a symbol of our patriotic righteousness.

By no means was this a new formula. But never before had pro wrestling marketed it so successfully. The battle lines were drawn, and much like in neoconservative propaganda, any Russian or Arab in wrestling was clearly the bad guy.

In the 1980s, wrestling had a facade of innocence — the fans knew whom to root for, despite darker dealings behind the scenes with the steroid scandal about to explode. But fast-forward to wrestling’s peak years in the 1990s, and things didn’t exactly read as "family entertainment" anymore.

Midway into the ’90s, the Monday Night Wars were in full swing. WCW (World Championship Wrestling), a rival promotion, had begun to give Vince McMahon a run for his money. WWE’s Raw and WCW’s Nitro were consistently cable’s two top-rated shows, and they played off each other competitively, giving way to a more adult product. Wrestling had become cool again. Storylines became intricate and good guys played bad.

During the Clinton era, Hogan’s real American image wasn’t cutting it anymore. Wrestlers jumped ship between promotions in dramatic fashion, depending on where the better deal was or simply because they’d burned a bridge. "Stone Cold" Steve Austin’s beer-drinking common man persona as the quintessential badass provided an opportunity for universal identification with someone who rails against authority, gives his boss the middle finger, and basically lives the dream by kicking ass and taking names.

Wrestling’s popularity comes in waves, and like politics, it vacillates between conservatism and unbridled, graphic mayhem. At the moment, McMahon’s WWE is experiencing a "family entertainment" renaissance — he’s trying to steer away from blood and sexual innuendo, keeping things PG. It might not have the same type of exposure as the big leagues, but Lucha VaVoom keeps wrestling’s sex and violence solidly intact. No heroes necessary.

See here now

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This is the third year of the Guardian’s photography issue, and fittingly, three themes or commonalities are at the forefront.

First, there is an emphasis on urban landscape or place — while we’ve always only showcased work by Bay Area artists, this year a number of photographs overtly consider specific settings in SF and surrounding areas as part of their subject matter. Or, in the case of John Chiara and Aaron Rosenstreich, their chief subject.

Second, this issue often — though not always — looks like trans or queer spirit. Molly Decoudreaux, Jack Fulton, Katy Grannan and Josh Kirschenbaum all capture moments in the neverending gender play that is San Francisco life. The vast breadth and wildly different shadings of their collective vision is itself quite different from the East Coast trans visions of Diane Arbus and, later, the "Boston School" (David Armstrong, Nan Goldin, and the under-known Mark Morrisroe).

Third, there is a tension between now and then, thanks to a 1968 photo by Fulton, a contribution from archivist Robert Flynn Johnson, and the issue’s more contemporary looks at local faces and places.

To borrow a phrase from SF Camerawork curator Chuck Mobley — who remodeled it from documentary filmmaker Thom Andersen, who in turn took it from porn director Fred Halsted — in the images that follow, San Francisco plays itself. It’s a great performance. (Johnny Ray Huston)

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JAMES CHIANG

TITLE Untitled

BACKGROUND This image is from a recent collaboration with the kind folks of the San Francisco Food Bank.

SHOUT OUTS Josh Kirschenbaum’s work has always been my primary source of photographic inspiration. Special thanks to the Academy of Art Photo Department, and the wonderfully talented students there for allowing the exigency of my work to expand beyond just the printed medium.

WEB www.jameschiang.com

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JOHN CHIARA

TITLE Bowdoin at Harkness, 2008

BACKGROUND I photograph cityscapes in a process that is part photography, part event, and part sculpture — an undertaking in apparatus and patience. Many times this process involves composing pictures from the inside of a large hand-built camera that is mounted on a flatbed trailer and produces large scale, one-of-a-kind, positive exposures.

SHOUT OUTS Artists I have worked with and those who have been inspirational are Jean Graf, P.K. Steffen, Michael Ninnan Hermann, Sue Ciriclio, Linda Flemming, Jim Goldberg, Stephen Goldstein, Larry Sultan, Richard Misrach, Marco Breuer, and Muriel Maffre .

SHOW "An Autobiography of the Bay Area, Parts 1 and 2," Sept. 1 through Oct. 31. SF Camerawork, 657 Mission, second floor, SF. (415) 512-2020. www.sfcamerawork.org.

WEB www.lightdark.com

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MOLLY DECOUDREAUX

TITLE Go-Go Outfit, Lamp, and Heels (Mica Phelan), 2008

BACKGROUND This is from "The Creatives: Daytime Portraits From a Queer Nightlife," a series of portraits of San Francisco’s DJs and drag queens in their personal spaces. Mica Phelan, a.k.a. "VivvyAnne ForeverMore," is the creator of Tiara Sensation and Beast clubs and the designer behind House of Horseface, as well as a method go-go dance master.

SHOWS "The Creatives," Sept. 15 through Oct. 15. The Seventh Heart, 1592 Market, SF. (415) 431-1755, www.myspace.com/theseventhheart. Also: Nov. 10-Dec. 18 at the Lexington Club, 3464 19th St., SF. (415) 863-2052, www.lexingtonclub.com

WEB www.mollydecoudreaux.com

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SERGIO DE LA TORRE

TITLE Waiting for Olafur Eliasson (from "Drivers"), 2009

BACKGROUND The idea is to photograph a series of limousine service drivers at different international airports. In front of the camera, a driver patiently waits with a sign in hand for an artist that will never arrive. The artists include Gabriel Orozco, Olafur Eliasson, and Francis Alÿs, among others. The artists’ names are selected based on their international presence within contemporary art spaces including museums, galleries, publications, and art events over the last nine years.

The process involves hiring a limousine driver to go to the airport and pick up a given artist. Drivers are expected to arrive five minutes before the arrival and wait for 10 minutes. These photos are not staged. The driver is real and he believes the artist he is waiting for will likely arrive, like in Waiting for Godot where two tramps wait by a sickly-looking tree for the arrival of M. Godot. The tramps quarrel, make up, contemplate suicide, try to sleep, eat a carrot, and gnaw on some chicken bones. Between the first and second day, the tree has sprouted a few leaves.

SHOW "An Autobiography of the Bay Area, Parts 1 and 2," Sept. 1 through Oct. 31. SF Camerawork, 657 Mission, second floor, SF. (415) 512-2020. www.sfcamerawork.org.

WEB www.maquilopolis.com

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JACK FULTON

TITLE Three on a Cadillac (from the portfolio "Nellie’s (K)night: Black and White Photographs From Halloween 1968, the Tenderloin, San Francisco, CA")

BACKGROUND The prelude to this is Martin Luther King’s death in April, and Mario Savio’s defiance at University of California Berkeley in 1964. It is ALL about freedom of being who you are and being appreciated for that. In 1968, when these photographers were made, the only night a man could "legally" dress as a woman in public places was on Halloween. In the then-Tenderloin, the baths were open and fun was everywhere with the police supporting the whole thing.

SHOUT OUTS Thank you to Brennan and Don Guynes

SHOW "New Works by Togonon Gallery Photographers," Nov. 5 through Dec. 5. Togonon Gallery, 77 Geary, second floor, SF. (415) 398-5572.

WEB www.jackfulton.net; www.togononongallery.com

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ROBERT FLYNN JOHNSON

TITLE "Buddha Pests"

BACKGROUND In this anonymous photograph, Bohemian Club members somewhat irreverently sit in the hands of a 70-foot plaster replica of the Daibutsu of Kamakura, Japan that was made for the "Buddha Jinx" of 1892 in Muir Woods. The next year, the Bohemian Grove was permanently relocated north to Monte Rio.

MONOGRAPHS Anonymous: Enigmatic Images From Unknown Photographers (Thames and Hudson) and The Face in the Lens (University of California, 208 pages, $45).

SHOW "Hunters and Gatherers: Photographs from the Private Collection of Robert Flynn Johnson," through Aug. 29. Modernism Gallery, 685 Market, SF. (415) 541-0425,

www.modernisminc.com

WEB flynnjohnson@gmail.com

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ROCKY MCCORKLE

TITLE Wishing Well (from "You and Me On A Sunny Day," 2007)

BACKGROUND For the past few years, I have been constructing a silent film narrating the internal discourse of an elderly woman in today’s pervasively influential world. Through a sequence of stills, "You and Me On A Sunny Day" explores the impact that film and fictional media has on her way of life.

SHOUT OUTS Special thanks to Gilda Todar for her extraordinary acting and dedication. We’ve taken photographs for this project nearly every Sunday since 2007.

AWARD McCorkle is one of the winners of Flash Forward, the Magenta Foundation’s annual international competition for emerging photographers. A book launch will be held at Lenox Contemporary in Toronto, Canada, in October.

WEB www.rockymccorkle.com

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AARON ROSENSTREICH

TITLE Illinois Street, San Francisco (from Ocular Landscape), 2007

BACKGROUND This is an image taken from my studio window near the Mirant power plant. In that particular moment the sky was extraordinarily apocalyptic. This image is part of a series of constructed landscapes in the San Francisco Bay Area.

SHOUT OUTS Eugene Atget, William Christenberry, vernacular landscape photographs, neighborhood histories, urban planning

SHOW "PastForward: The 25th Anniversary Exhibition," through Aug. 29. The LAB, 2948 16th St., SF. (415) 864-8855, www.thelab.org www.thelab.org

WEB www.aaronrosenstreich.com

Bootie Six-Year Anniversary Weekender

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EVENT A good mashup is musical proof that sometimes the whole is greater than the sum of its parts. ("ABC"? "Paradise City"? Both good songs. "ABC City?" Even better.) And when it comes to the art of mixing parts of two or more songs to make one revelatory new one, Bootie SF’s Adrian and Mysterious D are expert mathematicians. The duo has been solving mashup equations for the masses for six years, and this weekend they’re celebrating their international success with two nights of madness. Friday’s theme is School Night, featuring classic mashups, Blow Up DJs upstairs, special performances by Renttecca and Suppositori Spelling, and plenty of naughty school-girl and -boy go-gos. Saturday’s Pirate Night features last year’s best mashups, DJs Jells Mayhem and Earworm, and performances by Anna Conda and Cookie Dough. And both nights will see A + D on the decks, mashup band Smash-Up Derby on live instruments, and gold-clad Bootie L.A. dance crew Random Acts of Irreverent Dance (R.A.I.D.) on stage. What do you get when you take SF’s favorite dance party and double it? A damn good time.

BOOTIE SIX-YEAR ANNIVERSARY WEEKENDER Fri/7–Sat/8, 9pm. $10–$15. DNA Lounge, 375 11th St., SF. www.bootiesf.com>.

Best of the Bay 2009: Sex and Romance

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>>BEST OF THE BAY HOME

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Editors Picks: Sex and Romance

BEST FAIR THAT’S UP YOURS

While the Folsom Street Fair has grown into an international destination for kinksters and the tourists who ogle them, the Up Your Alley Fair has become increasingly important as a more intimate oasis for local leatherheads who remember the scene’s old days. The fair — better known as Dore Alley Fair, though the event was named when it started in 1985 on a different street — has brought much-needed attention to the oft-overlooked SoMa neighborhood. We love the organization’s dedication to supporting groups and charities like the Episcopal Community Services, AIDS Emergency Fund, and Transgender Law Center. What we don’t love is that this event may be the next target on the Police Department’s Death of Fun Crusade. Show your support this year so that Up Your Alley doesn’t go the way of Castro Halloween.

Last Sunday in July, Dore Alley, between Folsom and Howard. www.folsomstreetevents.org/alley

BEST SEX AND SERVICE

Having sex doesn’t take much: a partner (or not), a place, a modicum of desire. But feeling sexy isn’t always so easy — especially if you’re in a relationship that has reached the sweatpants, TV–dinner, oral-sex-what? stage. Enter Intima Girl, the Marina’s boudoir of a boutique. The small, upscale shop stocks a variety of items meant to up the ante in the bedroom, from sex toys to lotions to lingerie, most geared toward girls (and their partners) who want a little class in their kink. Think sleek vibrators, high-end candles, silk bondage ropes, and sex books that could sit on your coffee table. But Intima Girl doesn’t skimp on the fun. Adventurous types can head home with an edible candy bra, assless panties, and metallic condom compacts for stylish safe-sex on the go. Best of all, the owner and staff are as knowledgeable, friendly, and helpful as you always wished your big sister would be.

3047 Fillmore, SF. (415) 563-1202, www.intima-online.com

BEST SMOKE GETS IN YOUR EYES

Dim, crimson lighting. The Stones on the sound system. Attractive youngsomethings lounging languidly on plush couches. And there, across the room, a tall, lean brunette, sipping a PBR, staring through the haze. Will Amber, the worker-owned watering hole with stiff drinks and legal cigarette smoking (thanks to labor law loopholes), be the setting of your "How We Met" story? Are those the tears of love at first sight? If you’re not a smoker, your eyes might just be irritated or you might be frustrated knowing tonight’s bar clothes will smell when you wear them to work tomorrow. But for those brave (stupid? nah) few who still toke the tobacco stick, this Duboce Triangle destination is a sexy, sultry, smoky oasis in a world that’s become increasingly cold (literally) to the dwindling minority. Just for this moment, in this beautiful bar out of time, nothing exists but you and your beloved. Not work. Not cancer. Maybe not even a future for your relationship. But what does it matter? Since the first release of studies on the dangers of smoking, people who continue to puff have lived in the here and now. And at Amber, there’s no better place to be now than here.

718 14th St., SF. (415) 626-7827

BEST WEDDING SINGERS WHO AREN’T ADAM SANDLER

You’re getting married to the love of your life, and every member of your extended families will be in attendance, including your Aunt Jolene, who lives in an RV in the Nevada desert and talks to inanimate objects, and your future spouse’s Harvard-educated litter, all flying in from Martha’s Vineyard. How are you going to pick a wedding band that will get everyone — from your lumpy litigator father-in-law-to-be to your own Crazy Uncle Cletus — on their feet dancing? Tainted Love, the best ’80s tribute band since The Wedding Singer, is the answer. This talented seven-piece act regularly draws sold-out crowds to venues like Bimbo’s and Red Devil Lounge, while also happily playing private parties, corporate events, and, yes, weddings. Now that ’80s music is almost the golden oldies, you can count on the fact that Love’s renditions of "Purple Rain," "Sweet Child o’ Mine," and, of course, "White Wedding" will appeal to all the guests on your list — no matter how far they traveled (or how much they put in for the ceremony).

(510) 655-7926, www.taintedlove.com

BEST COCK RING FOR THE CREATIVE CLASS

What’s wrong with loving a product for its design? That’s really why Apple fanatics love all things "i." And that’s why we lust after sex toys from Jimmyjane, the Potrero Hill pleasure purveyors whose vibes, games, and accessories would look as natural in a museum gift shop as they would in your minimalist, modern bedroom. The Form 6 vibrator looks like a cross between a stylized pen and a high-end electric toothbrush, while the Little Chromas model has the sleek grace of a bullet, or a small cigar (we refuse to make that joke). And Jimmyjane’s Usual Suspects line is nothing short of inspired — celebrating both form and function by interpreting classic toys, in flawless white. Yes, the company does seem to cater to Audi drivers and iPhone users — collaborating on expensive special editions with well-known designers and bragging about appearances on cable TV shows. But we can’t argue with the nontoxic materials and the unprecedented one-year warranty. And the fact that they just look so cool.

www.jimmyjane.com. Available at Good Vibrations, various locations. www.goodvibrations.com

BEST QUEER PORN

The problem with mainstream porn is that most of it is made in the San Fernando Valley by brainless douche bags and lazy ex-cheerleaders looking for a quick buck. But this is San Francisco. This is the art capital of the world, the home of the free thinker, the land of the awesome. Can’t we get some porn made for us? Yes, we can! Yes, we can! If you’re as sick of Barbie Doll smut as we are, then you should know about local filmmaker-producer-writer-artist Courtney Trouble. Trouble is the founder of a queer porn site called Nofauxxx.com ("queer" as in not just homo, but alternative as well). She’s the final word when it comes to smut with attitude, character, and soul. Not only is No Fauxxx the oldest running queer porn site on the Internet, it’s also the only spot that mixes alt, gay, lesbian, straight, trans, kink, and BBW content. It’s sexy, artsy, entertaining, all-inclusive, and totally DIY. In a word: ours.

www.nofauxxx.com

BEST CONTEST FOR WANKERS

The Masturbate-a-thon is an annual pledge drive for the Center for Sex and Culture during which people gang up in a hot and sweaty room to watch each other jerk off for an entire day. Sounds like fun, right? But what if you’re not an exhibitionist? No worries. The whole show (held in May, which is Masturbation Month) is broadcast live on the Internet so that shy people can join in too. Categories include "Most Money Raised," "Most Orgasms," and "Longest Squirt," and the winners in each division receive sexy prizes from Good Vibrations (and perhaps a lifetime of wishing Google and YouTube were never invented). Score! Exhibitionists, porn addicts, and the rest of us are encouraged to ogle, vote, and even participate alongside certified wank-masters such as Dr. Carol Queen, Fellatio Brown, and Masanobu Sato, a Japanese toymaker who holds the world record for "Longest Time Spent Masturbating" (to be fair, it should be noted that his company, Tenga, makes masturbation cups for men). The time to beat next year is nine hours and 58 minutes, so fire up Fleshbot.com now and start practicing. You can be sure that’s what Masanobu is doing.

www.masturbate-a-thon.com

BEST PLACE TO PARK WITH YOUR PARAMOUR

The place where Broadway meets Lyon and dead-ends into the edge of the Presidio is almost always empty. Here, the steep angle of the land affords swoon-inducing vistas of the Marina, the Palace of Fine Arts, and the bay, and tranquility hovers amid the perfectly manicured gardens and the improbably large and ornate houses to which they are attached. The drawback? If you’re not in the mood for a workout on the Lyon steps, there’s not really anything to do here except park, which, if you’ve brought an attractive friend along for the ride, is no drawback at all. If there’s an ounce of chemistry, the solitude and stunning view will have you two making out in the backseat of your car. In fact, come here with someone for whom you have feelings that run deeper than lust, and you may just be inspired to make things official. There are few better spectacular, proposal-inducing viewpoints in our spectacular, proposal-inducing city that haven’t been completely co-opted by tourists. Relationship-phobes and impulsive romantics, consider yourself forewarned.

Broadway at Lyon

BEST TASSELS WITH TALENT

Burlesque is bawdy. It’s lowbrow. It’s often political, and always boundary- pushing. But sexy? Not necessarily. As the new burlesque movement merges with circus and performance arts, it sometimes sacrifices the delight of the tease in favor of mere shock and awe. But Rose Pistola knows how to balance her solo performances so they get your panties wet and in a bunch. The classic beauty has graced stages in an octopus skirt, an Elvis costume, a mullet, a Victorian mime outfit, and a full tulle gown (that she rolled out of) — always mastering a blend of humor and class. But it’s not just her performances at places like Hubba Hubba Revue and Bohemian Carnival that rev our engines — Pistola also designs costumes, including tiny hats, vinyl corsets, and almost all of her fabulous stage get-ups. What could be sexier than a woman with pasties and a pincushion? How about one who plays with fire? Oh yeah, Pistola does that too.

www.myspace.com/rosepistola

BEST MEETING GROUND FOR SWINGERS

Not big on commitment? At Lindy in the Park, the weekly swing dance party that’s been uniting partners with fancy footwork since 1996, change companions as often as you change your mind. With free lessons starting at 11 a.m. and open to the public, it’s the perfect place to flirt with fellow Lindy Hop fans and then flee. But this outdoor event near the de Young Museum isn’t just for eternally happy singles. Couples know the best thing about the swingout is the swing-back-in. And once you’ve seen your honey doing the sugar push, you might just find that your hip-to-hip leads to lip to lip.

JFK Dr. (between 8th and 10th avenues), Golden Gate Park, SF. www.lindyinthepark.com

BEST PLACE TO PICK UP CHICKS (WHO LIKE CHICKS)

Whatever your definition of cockblocking — whether it’s using a friend to pose as a lover to deter unwanted advances, or stopping a fellow suitor from stealing your paramour with their charm and free drinks — the idea is clear: there’s a third-party penis, and its plans must be thwarted. What better name, then, for a dance night geared toward girl-on-girl love? But it’s not just clever nomenclature that fuels our love for Cockblock, the monthly lesbian dance party at the Rickshaw Stop. It’s the fact that these get-togethers feature infectious music, cheap drinks, good vibes, and that rare chance for girls-who-like-girls to get together without sweaty heteros trying to get in the way (or cast them in their personal porn fantasies). Plus, queer ladies should have at least one surefire place other than the Lex to scope out a hottie.

Second Saturdays, Rickshaw Stop,155 Fell, SF. www.cockblocksf.com

BEST CIRCLE TO JOIN AND JERK

Masturbation need not be a covert mission reserved for solo artists behind bedroom doors or within shower stalls. If you’re the type who is more of a team player, you might like SF Jacks, a group of like-minded men who appreciate a good circle jerk. The group has been perfecting its "loose and goofy environment" for 26 years, regularly drawing as many as 70 Jacks and Joes who want to lose their clothes — and their inhibitions — together. Meetings are held every second and fourth Monday at the Center for Sex and Culture, where lube and refreshments are provided. Just show up with your $7 donation (though no one’s turned away for lack of funds), ready to do the hand jive. But just remember to follow the rules. You can touch your dick, but don’t be one.

Second and fourth Mondays, 7:30-<\d>8:30 p.m. $7. Center for Sex and Culture, 1519 Mission, SF. (415) 267-6999, www.sfjacks.com

BEST WAY TO GET YOUR DATE SWEATY

Dinner and a movie, a night at the bar, a drive down the coast — all these date options have their merits. But when you’re trying to plan a partner activity that’s off the beaten path, consider renting bikes from Golden Gate Park Bike and Skate and exploring less charted territory (especially on Sundays, when Golden Gate is closed to car traffic). For just $5 an hour, you can check out hidden trails, watch the legendary bison do whatever it is bison do, and take a breather by the ocean. Not only will you get beautiful views (of park and partner), but the chemicals you release while exercising will bring you and your paramour closer together. This is an especially good thing if you’re looking to take your relationship to the next level, because producing endorphins together might just lead to … uh … producing endorphins together.

3038 Fulton, SF. (415) 668-1117, www.goldengateparkbikeandskate.com

BEST PLACE TO PARTY LIKE A PORN STAR

Unbeknownst to pretty much everyone, Dogpatch Studios, the nondescript warehouse on Tennessee Street marked by a benign and vaguely cutesy flag featuring a black Labrador, is where the Mitchell Brothers filmed Behind the Green Door, the first feature-length hardcore porn film to be widely released in the United States. Today, with enough green of your own, you can host a private event inside this historic sex landmark. While the venue still welcomes movie shoots, your options are unlimited. Dogpatch Studios will provide you with flexible floor plans, kitchen facilities, wireless internet, lighting services, staffing, and just about anything else you require, whether it’s for a sedate corporate retreat, a no-holds-barred bacchanal, or even a wedding. Because nothing says everlasting love quite like tying the knot where Marilyn Chambers (R.I.P.) filmed money shots.

991 Tennessee, SF. (415) 641-3017, www.dogpatchstudios.com

BEST XXX XX IN THE CASTRO

Remember when the Castro was just a big boys’ club? That’s changed somewhat, thanks in no small part to Femina Potens, the nonprofit art gallery dedicated to women, transgendered folk, kink, and the sex worker community that anchors the corner of Market and Sanchez. Cofounded by renaissance porn star and queer BDSM queen Madison Young, the cozy spot has been hosting exhibits, workshops, spoken word performances, film screenings, and readings by queer literary and artistic legends like Michelle Tea, Annie Sprinkle, and Inga Muscio since 2001 — and recently has added health and wellness programming into the mix. With showcases tackling topics from body image to safer sex, suicide prevention, and breast cancer awareness, there’s no question that what Femina Potens does is important. But we think art shows about bondage and performances about breasts are also just damn sexy. Plus, it’s about time the Castro got a little more double-X (chromosome) action.

2199 Market, SF. (415) 864-1558, www.feminapotens.org

BEST KINKY DINNER

Dark Tasting is the most unintentionally kinky thing to happen to dining since the invention of the hot dog. The very concept sounds like something out of a Marquis de Sade novel. The San Francisco group believes that sight deprivation heightens the sensory experience of having a meal, from the taste, smell, and feel of your food, to the sound of your company’s voices. Before the meal is served, diners are blindfolded and rendered submissive. (Doesn’t that alone sound like something out of a deliciously depraved Japanese bondage flick involving nyotaimori?) Sponsored by TasteTV and held at a different venue once every two months, Dark Tasting events offer gourmet multicourse meals with wine parings, with the caveat that you have to pay $95 per person and can’t see what you’re eating. Events are described as a "sensual dining experience," and given that no one can see what a pervert you are, you can freely grope your partner under the table without eliciting "Get a room!" remarks from fellow diners. If you’re into BDSM, we highly recommend Dark Tasting as a romantic prelude to being hog-tied in a cage (where the real fun begins).

www.darktasting.com

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BEST OF THE BAY 2009:
>>BEST OF THE BAY HOME
>>READERS POLL WINNERS
>>EDITORS PICKS: CLASSICS
>>EDITORS PICKS: CITY LIVING
>>EDITORS PICKS: FOOD AND DRINK
>>EDITORS PICKS: ARTS AND NIGHTLIFE
>>EDITORS PICKS: SHOPPING
>>EDITORS PICKS: SEX AND ROMANCE
>>EDITORS PICKS: OUTDOORS AND SPORTS
>>LOCAL HEROES

Best of the Bay 2009: Shopping

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>>CLICK HERE TO SEE THIS LIST ON ONE PAGE
>>BEST OF THE BAY HOME

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Shopping

BEST NEW NECESSITIES

Sure, you can buy anything you want on the Internet, but there’s still a certain charm in entering a store whose items have been carefully chosen to delight the eye in three dimensions. That’s the idea behind Perch, Zoel Fages’s homage to all things charming and cheeky, from gifts to home décor. Do you need a set of bird feet salt-and-pepper shakers? A rhinoceros-head shot glass? A ceramic skull-shaped candleholder that grows "hair" as the wax drips? Of course not. But do you want them? The minute you enter the sunny, sweet Glen Park shop, the obvious answer will be yes. And for those gifty items you do need — scented candles and soaps, letterpress greeting cards, handprinted wrapping paper — Perch is perfect too. We’d recommend you stop by just to window-shop, but who are we kidding? You can’t visit here without taking something home.

654 Chenery, SF. (415) 586-9000, www.perchsf.com

BEST PENNYSAVERS FOR EARTHSAVERS

How many environmentalists does it take to change a light bulb? None: LED light bulbs last longer than environmentalists. If you think that joke’s funny — or at least get why it’s supposed to be — you might just be the target market for Green Zebra. Based on the idea that environmentally aware consumers like to save money as much as their Costco-loving neighbors, this book melds the concept of a coupon book with the creed of environmental responsibility. It’s a virtual directory of deals at local businesses trying to work outside the world of pesticidal veggies and gas-guzzling SUVs. Anne Vollen and Sheryl Cohen’s vision now comes in two volumes — one for San Francisco, and one for the Peninsula and Silicon Valley — featuring more than 275 exclusive offers from indie bookstores, art museums, coffee houses, organic restaurants, pet food stores, and just about anywhere else you probably already spend your money (and wouldn’t mind spending less).

(415) 346-2361, www.thegreenzebra.org

BEST ONE-STOP SHOP

So you need a salad spinner, some kitty litter, a birthday card for your sister, and a skein of yarn, but you don’t feel like going to four different stores to check everything off the list? Face it, you’re lazy. But, you’re also in luck. This year marks the 70th anniversary of the Standard 5 and 10, a one-stop wonderland in Laurel Village that caters to just about every imaginable whim, need, and desire of serious shoppers and procrastinators alike. Don’t be fooled by the large red Ace sign on the storefront — this is not merely a hardware store (although it can fulfill your hardware needs, of course). It’s an everything store. Walking the aisles here is a journey through consumerism at its most diverse. Greeting cards and tabletop tchotchkes fade into rice cookers then shower curtains, iron-on patches, Webkinz, motor oil…. It’s a dizzying array of stuff you need and stuff you simply want.

3545 California, SF. (415) 751-5767, www.standard5n10.com

BEST PLACE TO SINK A BATTLESHIP

Maybe we don’t have flying cars yet, but with video chatting, iPhones, and automated vacuum cleaners, we’re pretty close to living in the imaginary future The Jetsons made magical. Is it any wonder that, while loving our new technologies (hello, Kindle), we’ve also developed a culturewide nostalgia for simpler times? A perfect example is the emergence of steampunk — perhaps familiar to the mainstream as jewelry made of watch parts and cars crafted to look like locomotives. There also seems to be a less expensive, less industrial trend for the pastimes of yore: Croquet. Talk radio. And board games. The last of which is the basis of Just Awesome, the Diamond Heights shop opened by Portland escapee Erik Macsh as a temple to old-fashioned charms. Here you can pick up a myriad of boxes full of dice, cards, and plastic pieces. Head home with Clue, one of the Monopoly iterations (was Chocolate-opoly really necessary?), or a new game that came out while you were distracted by Nintendo Wii. You can even open the box and try a round or two in the shop. How’s that for old-world service?

816 Diamond, SF. (415) 970-1484, www.justawesomegames.com

BEST BORROWED CLOTHES

The nice thing about having a sister, a roommate, or a tolerable neighbor who’s exactly your size is that there’s always someone else’s closet to raid when your own is looking dismal. But what to do when you live alone, your neighbor’s not answering your calls, and you desperately need an attention-getting outfit right now? Make a new best friend: Shaye McKenney of La Library. The friendly fashionista will let you borrow a pair of leather hot pants for a Beauty Bar boogie or a German knit couture gown for that gold-digging date to the opera, all for a small pay-by-the-day price. You can even bring your makeup and get ready for the evening in front of the antique mirrors in her socialist street shop. It’s all the fun of sharing, without having to lend out any of your stuff.

380 Guerrero, SF. (415) 558-9481, www.la-library.com

BEST ROCKSTAR STYLES

Need clothes a rockstar would wear but a starving musician can afford? Look no further than Shotwell, whose blend of designer duds and vintage finds are worthy of the limelight and (relatively) easy on your budget. Think jeans with pockets the size of guitar picks, sculptural black dresses, handpicked grandpa sweaters, and reconstructed ’80s rompers that can be paired with lizard skin belts or dollar sign boots, all for less than the cutting-edge designer labels would suggest they should cost. And it’s not just for the ladies. Michael and Holly Weaver stock their adorable boutique with clothing and accessories for all chromosomal combinations. The concept’s become such a success that Shotwell’s moving from its old locale to a bigger, better space. All we can say is, rock on.
320 Grant, SF. (415) 399-9898, www.shotwellsf.com

BEST LOOKIN’

The best stores are like mini-museums, displaying interesting wares in such a way that they’re almost as fun to peruse as they are to take home. Park Life takes this concept one step further by being a store (wares in the front are for sale) and a gallery (featuring a rotating selection of local contemporary artists’ work). No need to feel guilty for window-shopping: you’re simply checking out the Rubik’s Cube alarm clock, USB flash drive shaped like a fist, and set of "heroin" and "cocaine" salt-and-pepper shakers on your way to appreciating the paintings in the back, right? And if you happen to leave with an arty coffee-table book, an ironic silk-screen T-shirt, or a Gangsta Rap Coloring Book, that’s just a bonus.

220 Clement, SF. (415) 386-7275, www.parklifestore.com

BEST LITTLE COOKING STORE THAT COULD

In a world replete with crates, barrels, Williams, and Sonomas, it’s easy to forget there’s such a thing as an independent cooking store. But Cooks Boulevard is just that: an adorable, one-stop shop for reasonably priced cooking paraphernalia, from a pastry scale or Le Creuset to a candy mold or stash of wooden spoons. And if the shop doesn’t have what you need, the friendly staff will order it for you. In fact, this Noe Valley gem has everything the big stores have, including online ordering, nationwide shipping, and a well-kept blog of missives about the foodie universe. It even offers cooking classes, on-site knife sharpening, community events such as food drives and book clubs, and CSA boxes of local organic produce delivered to neighborhood clientele. With knowledgeable service and well-stocked shelves, the Boulevard makes it easy for home cooks and professional chefs to shop local.

1309 Castro, SF. (415) 647-2665, www.cooksboulevard.com

BEST BROOKLYN ALTERNATIVE

No sleep ’til Brooklyn? Fine. But no style ’til you reach the Big Apple? We just can’t give you license for that kind of ill, especially since the Brooklyn Circus came to town last July. With its East Coast–style awning, living room vibe, and indie hip-hop style, this boutique might just be the thing to keep those homesick for NYC from buying that JetBlue ticket for one … more … week. Want to save your cash just in case? You’re welcome to chill out on the leather sofas and listen to Mos Def mixtapes. At the store you can soak in the charm of the Fillmore’s colorful energy and history, while checking out the trends that blend Frank Sinatra and Kanye West almost seamlessly. Sure, you could visit the Chicago outpost before going to the original in the store’s namesake city, but why bother? Next year’s selection will include an expanded line of locally produced goodies — all available without having to brave a sweltering Big City summer.

1525 Fillmore, SF. (415) 359-1999, www.thebkcircus.com

BEST YEAR-ROUND HOLIDAY GIFT BASKET

I know. It’s July. The last thing you want to do is think about that stupid holiday shopping season that’ll dominate the entire universe in about three months. But the gift baskets at La Cocina are worth talking about year-round, not only because purchasing one supports a fantastic organization (dedicated to helping low-income entrepreneurs develop, grow, and establish their businesses) but because the delightful packages really are great gifts for any occasion. Whether it’s your boss’s birthday, your friend’s dinner party, or simply time to remind your grandmother in the nursing home that you’re thinking of her, these baskets full of San Francisco goodness are a thoughtful alternative to flower bouquets and fruit collections ordered through corporations. Orders might include dark chocolate-<\d>covered graham crackers from Kika’s Treats, spicy yucca sticks, toffee cookies from Sinful Sweets, roasted pumpkin seeds, or shortbread from Clairesquare, starting at $23. Everything will come with a handwritten note and a whole lot of love.

www.lacocinasf.org

BEST UNDERWATERSCAPING

Aqua Forest Aquarium has reinvented the concept of fish in a bowl. The only store in the nation dedicated to a style of decorating aquariums like natural environments, Aqua Forest boasts an amazing display of live aquatic landscapes that seem directly transplanted from more idyllic waters. With good prices, knowledgeable staff, a focus on freshwater life, and a unique selection of tropical fish, the shop is not only proof that aquarium stores need not be weird and dingy, but that your home fish tank can be a thriving ecosystem rather than a plastic environment with a bubbling castle (OK, a thriving ecosystem with a bubbling castle). Part pet store, part live art gallery, Aqua Forest is worth a visit even if you’re not in the market for a sailfin leopard pleco.

1718 Fillmore, SF. (415) 929-8883, www.adana-usa.com

BEST FRIDGE FILLERS ON A BUDGET

Remember when we all joked that Whole Foods should be called Whole Paycheck? Little did we realize the joke would be on us when the only paper in our purses would be a Whole Pink Slip. In the new economy, some of us can’t afford the luxury of deciding between organic bananas or regular ones — we’re trying to figure out which flavor of ramen keeps us full the longest. Luckily, Duc Loi Supermarket opened in the Mission just in time. This neighborhood shop is big, bright, clean, well stocked, cheap, and diverse, with a focus on Asian and Latino foods. Here you can get your pork chops and pig snouts, salmon and daikon, tofu and tortilla chips — and still have bus fare for the ride home. In fact, young coconut milk is only 99 cents a can, a whole dollar less than at Whole Foods.

2200 Mission, SF. (415) 551-1772

BEST PLACE TO DISS THE TUBE

Some people go their entire lives buying replacement 20-packs of tube socks from Costco, socks whose suspicious blend of elastic, petroleum products, and God-knows-what signals to wearers and viewers alike: Warm, shwarm! Fit, shmit! Style, shmyle! Other people, even if they keep their socks encased in boots or shoes, want to know that their foot coverings are just one more indicator of their fashion — and common — sense. Those people go to Rabat in Noe Valley, where the sock racks look like a conjuring of the chorus of "Hair": "curly, fuzzy, snaggy, shaggy, ratty, matty, oily, greasy, fleecy, shining, gleaming, streaming, flaxen, waxen, knotted, polka-dotted, twisted, beaded, braided, powdered, flowered, and confettied; bangled, tangled, spangled, and spaghettied." Furthermore, the socks are mostly made from recognizable materials like wool, cotton, or fleece. As for you sensible-shoe and wingtip types, not to worry. Rabat also stocks black and white anklets and nude-colored peds.

4001 24th St., SF (415) 282-7861. www.rabatshoes.com

BEST BOOKS FOR KIDS YOU DON’T KNOW

Don’t let the small storefront at Alexander Book Company deter you — this three-story, independent bookstore is packed with stuff that you won’t find at Wal-Mart or the book malls. We’re particularly impressed with the children’s collection — and with the friendly, knowledgeable staff. If you’re looking for a birthday present for your kid’s classmate, or one for an out-of-town niece or nephew — or you just generally want to know what 10-year-old boys who like science fiction are reading these days — ask for Bonnie. She’s the children’s books buyer, and not only does she have an uncanny knack for figuring out what makes an appropriate gift, chances are whatever the book is, she’s already read it.

50 Second St., SF. (415) 495-2992, www.alexanderbook.com

BEST PLACE TO SELL THE CLOTHES OFF YOUR BACK

If you think Buffalo Exchange and Crossroads are the only places to trade your Diors for dollars, you’re missing out. Urbanity, Angela Cadogan’s North Berkeley boutique, is hands down the best place to consign in the Bay. The spot is classy but not uppity, your commission is 30 percent of what your item pulls in, and, best of all, you’d actually want to shop there. Cadogan has a careful eye for fashion, choosing pieces that deserve a spot in your closet for prices that won’t burn a hole in your wallet. Want an even better deal on those Miu Miu pumps or that YSL dress? Return every 30 days, when items that haven’t sold yet are reduced by 40 percent. But good luck playing the waiting game against Urbanity’s savvy regulars — they’ve been eyeing those Pradas longer than you have.

1887 Solano, Berk. (510) 524-7467, www.shopurbanity.com

BEST TIME MACHINE

Ever wish you could be a character in a period piece, writing love letters on a typewriter to your distant paramour while perched upon a baroque upholstered chair? We can’t get you a role in a movie, but we can send you to the Perish Trust, where you’ll find everything you need to create a funky antique film set of your very own. Proprietor-curator team Rod Hipskind and Kelly Ishikawa have dedicated themselves to making their wares as fun to browse through as to buy, carefully selecting original artwork, vintage folding rulers, taxidermied fowl, out-of-print books, and myriad other antique odds-and-ends from across the nation. As if that weren’t enough, this Divisadero shop also carries Hooker’s Sweet Treats old world-<\d>style gourmet chocolate caramels — and that’s definitely something to write home about.

728 Divisadero, SF. www.theperishtrust.com

BEST MISSION MAKEOVER

If Hayes Valley’s indie-retailer RAG (Residents Apparel Gallery) bedded the Lower Haight’s design co-op Trunk, their love child might look (and act) a lot like Mission Statement. With a focus on local designers and a philosophy of getting artists involved with the store, the 18th Street shop has all the eclectic style of RAG and all the collaborative spirit of Trunk — all with a distinctly Mission District vibe. Much like its namesake neighborhood, this shop has a little of everything: mineral makeup, fedoras adorned with spray-painted designs, multiwrap dresses, graphic tees, and more. Between the wares of the eight designers who work and play at the co-op, you might find everything you need for a head-to-toe makeover — including accessorizing advice, custom designing, and tailoring by co-owner Estrella Tadeo. You may never need to leave the Valencia corridor again.

3458-A 18th St., SF. (415) 255-7457, www.missionstatementsf.com

BEST WALL OF BEER

Beer-shopping at Healthy Spirits might ruin you. Never again will you be able to stroll into a regular suds shop, eye the refrigerated walk-in, and feign glee: "Oh, wow, they have Wolaver’s and Fat Tire." The selection at Healthy Spirits makes the inventory at almost all other beer shops in San Francisco — nay, the fermented universe — look pedestrian. First-time customers sometimes experience sticker shock, but most quickly understand that while hops and yeast and grain are cheap, hops and yeast and grain and genius are not. Should you require assistance in navigating the intriguing and eclectic wall of beer, owner Rami Barqawi and his staff will guide you and your palate to the perfect brew. Once you’ve got the right tipple, you can choose from the standard corner-store sundries, including coffee, wine, ice cream, and snacks. Chief among them is the housemade hummus (strong on the lemon juice, just the way we like it). Being ruined never tasted so good.

2299 15th St., SF. (415) 255-0610, healthy-spirits.blogspot.com

BEST PLACE TO CHANNEL YOUR INNER BOB VILLA

When is a junkyard not just a junkyard? When you wander through its labyrinth of plywood, bicycle tires, and window panes only to stumble upon an intricately carved and perfectly preserved fireplace mantle which, according to a handwritten note taped to it, is "circa 1900." This is the kind of thing that happens at Building Resources, an open air, DIY-er’s dream on the outskirts of Dogpatch, which just happens to be the city’s only source for recycled building and landscape materials. Maybe you’ll come here looking for something simple: a light fixture, a doorknob, a few pieces of tile. You’ll find all that. You’ll also find things you never knew you coveted, like a beautiful (and dirt cheap) claw-foot bathtub that makes you long to redo your own bathroom, even though you don’t own tools and know nothing about plumbing. No worries. That’s what HGTV is for.

701 Amador, SF. (415) 285-7814, www.buildingresources.org

BEST WAY TO SHOP LOCAL

It’s impossible not to be impressed with the selection at Collage, the tiny jewel-box of a shop perched atop Potrero Hill. The home décor store and gallery specializes in typography and signage, refurbished clocks and cameras, clothing, unique furniture, and all kinds of objects reinvented and repurposed to fit in a hip, happy home. But what we like best is owner Delisa Sage’s commitment to supporting the local community and economy. Not only does she host workshops on the art of fine-art collage, she carries a gorgeous selection of jewelry made exclusively by local woman artists. Whether you’re looking for knit necklaces, Scrabble pieces, typewriter keys, or an antiqued kitchen island, you’ll find ’em here. And every dollar you spend supports San Francisco, going toward a sandwich at Hazel’s, or a cup of joe at Farley’s, or an artist’s SoMa warehouse rent. Maybe capitalism can work.

1345 18th St., SF. (415) 282-4401, www.collage-gallery.com

BEST BRAND-NEW VINTAGE STYLE

There’s something grandmothers seem to understand that the Forever 21, H&M, Gap generation (not to mention the hippies in between) often miss: the value of elegant, tailored, designer classics that last a lifetime. Plus, thanks to living through the Great Depression, they know a good bargain. Luckily, White Rose got grandma’s memo. This tiny, jam-packed West Portal shop is dedicated to classy, timeless, well-made style, from boiled wool-<\d>embroidered black coats to Dolce handbags. Though the shelves (stacked with sweaters) and racks (overhung with black pants) may resemble those in a consignment or thrift store, White Rose is stocked full of new fashions collected from international travels, catalog sales, or American fabricators. In fact, it’s all part of the plan of the owner — who is reputed to have been a fashion model in the ’50s — to bring elegant chemises, tailored blouses, and dresses for all sizes and ages to the masses. The real price? You must have the patience to sort through the remarkable inventory.

242 W. Portal, SF. (415) 681-5411

BEST BOUTIQUE FOR BUNHEADS

It seems you can get yoga pants or Lycra leotards just about anywhere these days (hello, American Apparel). But elastic waists and spaghetti straps alone do not make for good sportswear. SF Dancewear knows that having clothes and footwear designed specifically for your craft — whether ballroom dance, gymnastics, theater, contact improv, or one of the good old standards like tap, jazz, or ballet — makes all the difference. This is why they’ve been selling everything from Capezio tap shoes to performance bras since 1975. The shop is lovely. There are clear boxes of pointe shoes nestled together like clean, shiny baby pigs; glittering displays of ballroom dance pumps; racks of colorful tulle, ruched nylon, patterned Lycra; and a rope draped with the cutest, tiniest tutus you ever did see. The store is staffed by professional dancers who’re not only trained to find the perfect fit but have tested most products on a major stage. And though your salesclerk may dance with Alonzo King’s Lines Ballet or have a regular gig at the S.F. Opera, they won’t scoff at middle-aged novice salsa dancers or plus-size burlesqueteers looking for fishnets and character shoes. Unlike the competitive world of dance studios, this retail shop is friendly and open to anyone who likes to move.

659 Mission, SF. (415) 882-7087; 5900 College, Oakl. (510) 655-3608,

www.sfdancewear.com

BEST GIFTS FOR YESTERYEAR’S KIDS

We weren’t sure it could get any better — or weirder — than Paxton Gate, that Mission District palace of science, nature, and dead things. But then the owner, whose first trade was landscape architecture, opened up Paxton Gate Curiosities for Kids down the street, and lo and behold, ever more awesomeness was achieved. Keeping the original store’s naturalist vibe but leaving behind some of its adults-only potential creepiness, this shop focuses on educational toys, vintage games, art supplies, and an eclectic selection of books sure to delight the twisted child in all of us. From handblown marbles to wooden puzzles, agate keychains to stop-motion booklets, and Lucite insects to Charlie Chaplin paper doll kits, everything here seems to be made for shorties from another time — an arguably better one, when kids rooted around in the dirt and made up rules for imaginary games and didn’t wear G-string underwear.

766 Valencia, SF. (415) 252-9990, www.paxtongate.com

BEST DAILY TRUNK SHOW

San Francisco sure does love its trunk shows: all those funky people hawking their one-of-a-kind wares at one-of-a-kind prices. The only problem? Shows happen intermittently (though with increasing frequency in the pre-<\d>Burning Man frenzy). Lucky for us, Miranda Caroligne — the goddess who makes magic with fabric scraps and a surger — co-founded Trunk, an eclectic indie designer showcase with a permanent address. The Lower Haight shop not only features creative dresses, hoodies, jewelry, and menswear by a number of artists, but also functions as an official California Cooperative Corporation, managed and run by all its 23 members. That means when you purchase your Kayo Anime one-piece, Ghetto Goldilocks vest, or Lucid Dawn corset, you’re supporting an independent business and the independent local artists who call it home.

544 Haight, SF. (415) 861-5310, www.trunksf.com

BEST PLACE TO GET IRIE WITH YOUR OLLIE

Skate culture has come a long way since its early surfer punk days. Now what used to be its own subculture encompasses a whole spectrum of subs, including dreadheaded, jah-lovin’, reggae pumpin’ riders. And Culture Skate is just the store for those who lean more toward Bob Marley than Jello Biafra. The Rasta-colored Mission shop features bamboo skate boards, hemp clothing, glass pipes, a whole slew of products by companies such as Creation and Satori, and vinyl records spanning genres like ska, reggaeton, dub, and, of course, good old reggae. Stop by to catch a glimpse of local pros — such as Ron Allen, Matt Pailes, and Karl Watson. But don’t think you have to be a skater to shop here: plenty of people stop by simply for the environmentally-friendly duds made with irie style.

214 Valencia, SF. (415) 437-4758, www.cultureskate.com

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Best of the Bay 2009: Classics

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Editors Picks: Classics

BEST LEFTOVER HEROES

Hey, are you gonna eat that? If the answer is "no," and you have a commercial kitchen of any kind, call Food Runners, the nonprofit associated with Tante Marie’s Cooking School and its matriarch at the helm, Mary Risley. The volunteer-powered organization picks up leftovers from caterers, delis, festival vendors, hotels, farmers markets, cafeterias, restaurants, and elsewhere, and delivers still-fresh edibles to about 300 soup kitchens and homeless shelters. For more than 30 years, everything from fresh and frozen foods such as produce, meat, and dairy, to uneaten boxed lunches and trays of salads and hot food, to pantry staples ordered overzealously and nearing expiration has been saved from the compost heap and delivered to those who could use a free meal or some gratis groceries. The result has yielded untold thousands of meals and a complete cycle that reduces food waste, feeds the hungry, and preserves resources all around.

(415) 929-1866, www.foodrunners.org

BEST DARKEST KISS

Remember those freaky goth kids your church leaders warned you against in high school? The ones who wore black lipstick, shaved off all their eyebrows, and worshipped Darkness? Well, they grew up, moved to San Francisco, and got really effin’ hot. If you don’t believe it, head to the comfortingly named Death Guild party at DNA Lounge. Every Monday night, San Francisco’s sexiest goths (and baby goths — this party is 18+) climb out of their coffins and don their snazziest black vinyl bondage pants for this beastly bacchanal, which has decorated our nightlife with leather corsets and studded belts since 1992. And even if you dress more like Humbert Humbert than Gothic Lolita, the Guild’s resident DJs will have you industrial-grinding to Sisters of Mercy, Front 242, Bauhaus, Throbbing Gristle, and Ministry. Death Guild’s Web site advises: "Bring a dead stiff squirrel and get in free." Free for you, maybe, but not for the squirrel.

Mondays, 9:30 p.m., $5. DNA Lounge, 375 11th St., SF. (415) 626-1409. www.deathguild.com

BEST BLACKBOARD THESPIANS

A completely adorable acting troupe made up of schoolteachers and schoolteacher look-alikes, the Children’s Theatre Association of San Francisco — a cooperative project of the Junior League of San Francisco, the San Francisco Board of Education, and the San Francisco Opera and Ballet companies — has been stomping the boards for 75 years. What the players may lack in Broadway-caliber showmanship, they widely make up for with enthusiasm, handcrafted costumes and sets, and heart. For decades, the troupe has entertained thousands of public school students during its seasonal run every January and February at the Florence Gould Theater in the Palace of Legion of Honor. This year’s production was a zany take on "Snow White and the Seven Dwarfs," which included a wisecracking mirror and rousing original songs. We applaud the CTASF’s bravery for taking on some of the toughest critics in the business — those who will squirm and squawk if the show can’t hold their eye.

www.ctasf.org

BEST AUTO REPAIR QUOTES

We’re not sure if you can get a lube job at Kahn and Keville Tire and Auto Service, located on the moderately sketchy corner of Turk and Larkin. And if you can, we can’t vouch for the overall quality, or relative price point of the procedure. But the main reason we can’t say is also why we love the place so much. Instead of sensibly using the giant Kahn and Keville marquee to advertise its sales and services, the 97-year-old business has been using it since 1959 to educate the community with an array of quotations culled from authors as varied as Ralph Waldo Emerson and Gore Vidal — plus occasional shout-outs to groups it admires, such as the Quakers during their peace vigils a block away. Originally collected by founder Hugh Keville, the quotes range in tone from the political to the inspirational and tongue-in-cheek, and the eye-catching marquee was once described by Herb Caen as the city’s "biggest fortune cookie."

500 Turk, SF. (415) 673-0200, www.kk1912.com

BEST EVERYTHING ALL AT ONCE

The cozy Molinari Delicatessen in North Beach has been in business since 1896, just enough time to figure out that the secret to a really kick-ass sandwich is keeping it simple — but not too simple. The little piece of heaven known as the Molinari Special starts with tasty scraps, all the odds and ends of salamis, hams, and mortadella left over from the less adventurous sandwiches ordered by the customers who came before you. The cheese of your choice comes next, topped generously with lettuce, tomatoes, pickles, onions, roasted red peppers, and even pepperoncini, if you ask nicely. As for bread: we’re partial to Dutch crunch, but rosemary, soft white, and seeded rolls are available. Ecco panino: you get a sandwich approximately as big as a baby’s head — for only $6.25. It’s never quite the same item twice, but always sublime.

Molinari Delicatessan, 373 Columbus, SF. (415) 421-2337

BEST PASSED-ON JEANS

Most clothes turn to garbage over time — but there are a few notable exceptions, timeless garments that actually gain value after being used up, tossed aside, and then rediscovered. Leather jackets are like that, so are cowgirl dresses and butt rock T-shirts. But none of that stuff maintains its integrity, or becomes more appealing when salvaged, like a great pair of jeans. And there’s no place more in tune with this concept than the Bay Area. Why? Well, it’s easy to say that we lead the thrifting pack simply because denim apparel was born here, but the truth is that we wouldn’t be anywhere without Berkeley’s denim guru, Carla Bell, who’s been reselling Levi’s and other denim products for 30 years. What began as a side project in Bell’s garage has grown into a palace of fine thrifting: Slash Denim the first and last stop when it comes to pre-worn pants and other new and used articles of awesome.

2840 College, Berk. (510) 841-7803, www.slashdenim.com

BEST BALLER’S PARADISE

When you think about baseball and food, hot dogs inevitably come to mind, but that’s just because marketers have been pumping them at stadiums for decades. Real baseball fans can see through the bull. Sure, they might shove a wiener in their mouth every now and again out of respect for tradition. But when a true fan gets hungry, she or he wants real food, not mystery meat. Baseball-themed restaurant and bar Double Play — which sits across from the former site of Seals Stadium and is celebrating its 100th birthday this year — makes a point of thinking outside the bun. D.P.’s menu features everything from pancakes and burritos to seafood fettuccine and steak, with nary a dog in sight. Otherwise, the place is as hardcore balling as it gets. Ancient memorabilia decks the walls, television sets hang from the ceiling, and the backroom contains a huge mural depicting a Seals versus Oakland Oaks game — you can eat lunch on home plate.

2401 16th St., SF. (415) 621-9859

BEST TSUNAMI OF SWEETS

Most small businesses fail within the first year of operation, so you know if a spot’s been around a while it must be doing something right. For Schubert’s Bakery that something is cakes and they’ve been doing them for almost 100 years. To say they’re the best, then, is a bit of an understatement. When you purchase a cake from the sweet staff at Schubert’s, what you’re really getting is 98 years’ worth of cake-making wisdom brought to life with eggs, sugar, flour, and some good old S.F. magic. Schubert’s doesn’t stop with cakes — no way. There are cherry and apple tarts, pies, coffee cakes, Danish pastries, croissants, puff pastries, scones, muffins, and more. If it’s sinfully delicious, Schubert’s has your back. Just be careful not to peruse their menu in the aftermath of a breakup or following the loss of a job. Schubert’s may seem nice and sugary on the outside, but it gets a sick thrill out of sticking you where it hurts: your gut.

521 Clement, SF. (415) 752-1580, www.schuberts-bakery.com

BEST ARCHITECTURAL XANADU

If you compete in a category where you’re the only contestant, does it still matter if you win? In the case of the Xanadu Gallery building, yes, it does. The building that houses the gallery is Frank Lloyd Wright’s only work in San Francisco and provides a fascinating glimpse of him evolving into a legendary architect. The structure’s most prominent feature is the spiral ramp connecting its two floors, a surprisingly organic structure that reminds viewers of the cochlear rotunda of a seashell and presages Wright’s famous design for New York’s Guggenheim Museum. Visitors are delighted and surprised upon entering the Maiden Lane building, as a rather small and cramped walkway into the gallery expands into an airy, sun-filled dome: the effect is like walking out from a dark tunnel into a puff of light. The Xanadu Gallery itself features an extensive collection of international antiquities, which perfectly complements this ambitious yet classic gem.

140 Maiden Lane, SF. (415) 392-9999, www.xanadugallery.us

BEST FIRST CUP OF COFFEE

As the poor departed King of Pop would say, "Just beat it" — to ultimate Beat hangout Caffe Trieste in North beach, that is. And while Pepsi was the caffeinated beverage that set Michael Jackson aflame, we’re hot for Trieste’s lovingly created coffee drinks. Founded in 1956 by Giovanni "Papa Gianni" Giotta, who had recently moved here from Italy, Trieste was the first place in our then low-energy burg to offer espresso, fueling many a late night poetry session, snaps and bongos included. Still a favored haunt of artists and writers, Trieste — which claims to be the oldest coffeehouse in San Francisco — augments the strident personal dramas of its Beat ghosts with generous helpings of live opera, jazz, and Italian folk music. You may even catch a member of the lively Giotta family crooning at the mic, or pumping a flashy accordion as part of Trieste’s long-running Thursday night or Saturday afternoon concert series. Trieste just opened a satellite café in the mid-Market Street area, which could use a tasty artistic renaissance of its own.

601 Vallejo, SF. (415) 392-6739; 1667 Market, SF. (415) 551-1000, www.caffetrieste.com

BEST ON POINT EN POINTE

We’re fans of the entire range of incredible dance offerings in the Bay, from new and struggling companies to the older, more established ones (which are also perpetually struggling.) But we’ve got to give tutu thumbs up to the San Francisco Ballet for making it for 76 years and still inspiring the city to get up on its toes and applaud. Those who think the SF Ballet is hopelessly encrusted in fustiness have overlooked its contemporary choreography programs as well as its outreach to the young and queer via its Nite Out! events. For those who complain about the price of tickets, check out the ballet’s free performance at Stern Grove Aug. 16. This year the company brought down the house when it performed Balanchine’s "Jewels" (a repertory mainstay) in New York. We also have to give it up for one of the most important (yet taken for granted) element of the ballet’s productions: the San Francisco Ballet Orchestra, which provides the entrancing accompaniment to the oldest ballet company in America.

www.sfballet.org

BEST INTENTIONAL MISNOMER

If the Spinsters of San Francisco have anything to say about it, spinsterhood isn’t the realm of old women who cultivate cat tribes and emit billows of dust when they sneeze. Instead it’s all about stylish young girls who throw sparkling galas, plan happy hours, organize potlucks, and do everything in their power to have a grand ol’ time in the name of charitable good. Founded alongside the Bachelors of San Francisco, the Spinsters first meeting was held in 1929. In the eight decades that followed, the Spinsters evolved into a philanthropic nonprofit that supports aid organizations and channels funds back to the community. Specifications for prospective spinsters are quite rigorous: applicants must be college-educated, unmarried, and somewhere in the prized age bracket of 21 to 35. At the end of the year, members decide by ballot vote to heap their wealth and plenty into the coffers of a single chosen charity. Past recipients include City of Dreams, the Multiple Sclerosis Foundation, and the Center for the Education of the Infant Deaf.

www.sfspinsters.com

BEST GHOSTS IN THE WOODWORK

Situated on the shore of Lake Merritt in Oakland, the Scottish Rite Center boasts hand-carved ceilings, grand staircases, and opulent furnishings — hardly the typical ambiance of your average convention center. But if the ornate woodwork isn’t enough to distract you from whatever you came to the center to learn about, its history should: following San Francisco’s 1906 earthquake, the East Bay saw a population explosion that quickly outgrew Oakland’s first Masonic temple and led to cornerstone laying ceremonies at this shoreline site in 1927. Today the center’s ballroom, catering facilities, and full-service kitchens — along with an upstairs main auditorium and one of the deepest stages in the East Bay — make it a favorite setting for weddings and seminars. It’s also the perfect place to wonder how many ghosts crawl out of the woodwork at night, and trace the carved wooden petals that decorate the hallways with the tip of a chilly finger.

1547 Lakeside Dr., Oakl. (510) 451-1903, www.scottish-rite.org

BEST GEM OF A FAMILY

For more than seven decades, the name Manis has meant that a jewel of a jewelry store was in the neighborhood. Lou Manis opened Manis Jewelers in l937 at l856 Mission St. Three months after the Kennedy assassination in l963, he moved the store to 258 West Portal Ave. Manis Jewelers is still at this location, still a classic family-owned store with an excellent line of watches and jewelry, and still offers expert watch and clock repair, custom design, and reliable service. Best of all, that service is always provided by a Manis. Lou, now 89, retired six years ago, but his son Steve operates the store and provides service so friendly that people drop by regularly just to chat. Steve’s daughter, Nicole, works in the store on Saturdays, changing batteries in watches and waiting on customers. She was preceded in the store by her two older sisters, Anna and Kathleen, and Steve’s niece and nephew.

258 West Portal Ave., SF. (415) 681-6434

BEST NEVER FORGET
Since 1984, the Holocaust Memorial at the Palace of the Legion of Honor has been a contemplative and sad reminder of one of the biggest genocides in human history. The grouping of sculptures — heart-wrenching painted bronze figures trapped and collapsed behind a barbed-wire fence — sits alongside one of the city’s most breathtaking views and greatest example of European-style architecture. Yet it has never, in our opinion, fully received its due as an important art piece and historical marker. The memorial was designed by George Segal, a highly decorated artist awarded numerous honorary degrees and a National Medal of Honor in 1999. Chances are that many Legion of Honor patrons — plus the myriad brides posed in front of the palace’s pillars for their photo shoot — overlook this stark homage to the six million people exterminated by the Nazis during World War II. But it’s always there as a reminder that as we look to the future, we must remember the past.
100 34th Ave., SF. www.famsf.org/legion

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Mexico report: The guerilla option

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By John Ross

MEXICO CITY (July 26th) — One day long ago, in August 1974, the 25th to be precise, in the heat of the Mexican military’s “dirty war” to root out subversion in the Pacific coast state of Guerrero, security forces under the command of General Mario Arturo Acosta Chaparo dragged the popular musician and former mayor of Atoyac, Rosendo Radilla, off a bus along the Costa Grande highway just north of Acapulco. His son, also named Rosendo and then 11, remembers that when the musician asked the “guachos” (local vernacular for federal troops) why he was being detained he was told that it was for “writing corridos (ballads) about Lucio Cabanas,” a rebel Atoyac schoolteacher whose Party of the Poor was then roaming the sierras that soar above the Costa Grande. Rosendo Radilla never saw his father again.

This past July 7th, 35 years after the elder Radilla vanished off the face of the earth, Rosendo and his sister Tita sat in a San Jose, Costa Rica courtroom as the Inter-American Human Rights Court (CIDH) opened hearings into their father’s long-ago forced disappearance. The hearing was the first time an international court has agreed to put Mexico’s “dirty war” (1974-78) on trial.

To be sure, the corridista was not the only local to have been disappeared during the military’s long reign of terror. Families in Atoyac count more than 600 campesinos taken by security forces and never seen again. Acosta Chaparo was later convicted of dumping the bodies of 143 prisoners from Mexican air force Israeli Arava 201s into the Pacific Ocean near Acapulco. The names of 121 other victims were attached to the Radilla case before the CIDH.

Even Mexico’s Interior Secretary Fernando Gomez Mont, who oversees internal security, concedes that the military was probably complicit in Rosendo’s disappearance, but argues that the CIDH has no jurisdiction in the case — the court did not exist in 1974 and Mexico only recognized its competence in human rights matters in 1998.

At any rate, Gomez Mont insisted before the court, Mexico has made great advances in human rights since 1974. “That was another Mexico,” he said. “Mexico is different now.”

Or is it?

How healthy is Healthy SF?

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news@sfbg.com

San Francisco is getting national attention for its attempt at universal health care. President Obama even applauded the city’s efforts in a speech: "Instead of just talking about health care, [San Francisco has been] ensuring that those in need receive it."

But Healthy San Francisco — a pioneering effort to do at the municipal level what the federal and state governments won’t — is running into some troubling problems, made worse by Mayor Gavin Newsom’s budget cuts.

The program was initiated by Tom Ammiano, now a state assemblymember, with backing from organized labor. Ammiano’s goal was to provide easy access to affordable health care for all of S.F.’s 60,000 uninsured. A local version of a single-payer program, he argued, could provide accessible primary and preventative care, alleviating the need for indigent patients to use the overcrowded and expensive San Francisco General Hospital emergency room as their primary medical provider.

Healthy San Francisco was launched on July 2, 2007, at two Chinatown clinics. It has grown dramatically, and now provides services to more than 34,000 residents at 27 clinics.

Although Newsom sat on the sidelines while Ammiano pushed the legislation, the mayor has now unashamedly claimed the program as his own to promote his gubernatorial campaign. On his Web site he boldly declares that "he’s created the only universal health care program in the country" — with no mention of Ammiano.

The $200 million-<\d>a-<\d>year program is partially funded by an employer-mandate requiring businesses with more than 20 employees either to provide health insurance or pay a fee to the city. The fees are broken down according to the size of the business; as of January 2009, employers pay between $1.23–<\d>$1.85 for every hour an employee works.

Like any traditional health insurance program, Healthy SF has annual fees and point-of-service charges paid by participants. The remainder of the program is funded through state grants.

Opposition to HSF surfaced immediately. The Golden Gate Restaurant Association sued the city even before the program started, alleging that the employer-spending mandate is a violation of federal law.

Kevin Westlye, the association’s executive director, claims his beef is not with the health care system, just with the employer mandate. He suggested that the city raise its sales tax to pay for the program — or that the financial burden should fall on the backs of the billionaires that run privatized health care and pharmaceutical companies.

But the city has only a limited ability to raise taxes, and any tax hike would require voter approval. The employer mandates and fees were much more politically feasible.

Deputy City Attorney Vince Chhabria, who is representing the city on the case, argues, "It is difficult to imagine, in these budget times, that San Francisco could provide universal coverage without employer health care spending requirements."

Federal courts sided with the GGRA initially, but the Ninth Circuit Court of Appeals agreed that the employer-spending mandate was legal. The GGRA appealed to the United States Supreme Court; the court will announce Oct. 5 whether it will hear the case.

That’s not the only litigation facing HSF. A group of low-income residents are suing the city, saying that the system’s annual fees and co-pays are too high. The program’s fees are scaled to the federal poverty level, which is currently set at an annual income of $10,830. A single person making between 101 percent and 200 percent of the federal poverty level — that is, between about $11,000 and $20,000 a year — pays $180 a year for HSF membership. People earning between $40,000 and $50,000 pay $1,350 a year.

There are also co-pays of $10 for medical visits and $5 to $25 for prescriptions — again, typical of health insurance plans.

Bay Area Legal Aid and the Western Center on Law and Poverty are representing three San Francisco residents who say those fees violate federal and state mandates, which stipulate that the city must provide free health care to those who can’t afford to pay. Healthy San Francisco is only one element of the lawsuit; it also claims that San Francisco General Hospital charges low-income people too much and that the city’s medical bills and collection practices aren’t fair.

One of the plaintiffs is Robyn Paige, a San Francisco resident with spine, foot, and hip injuries. Paige contends that she can’t afford the co-payments on her multiple medications each month and must either go without pain medication or borrow money. Lisa Qare, 21-year-old resident with MS, had to wait three weeks for medication for an eye condition that developed as a result of her condition.

A $10 co-pay may not seem like much, but when a patient needs several doctor visits a month and must pay $5 to $25 each for multiple prescriptions, it adds up. "As a result," Michael Keys, a Bay Area Legal Aid lawyer, told us, "those who can’t afford the charges are falling into medical debt or skipping services or medication."

And, not surprisingly, the cash-strapped city is having trouble finding enough staff and facilities to meet all the needs. Nancy Keiler, a Mission District resident and HSF participant, complains that clinic visits are too short, and that "the doctor is too hurried and has too many patients." (That’s a common complaint about private health plans, as well.) After waiting three hours, another HSF participant had to leave without her prescription to get back to work on time.

The long lines and waits will only get worse in the face of budget cuts. Pink slips were already handed out to several hundred San Francisco health care workers and 1,000 more may be laid off this fall.

Robert Haaland, who works with the Service Employees International Union Local 1021, told us the staffing cuts will make the situation much worse. Martha Hawthorne, a public-health nurse, said she thinks that there won’t be enough providers to provide good care — and that many health care workers losing their jobs will have to enroll in HSF themselves, putting even more strain on the system.

Ammiano, the author of the plan, is concerned too. "I’m very worried about it," he said. "It seems to me now that if there’s this budget pain, there will be impacts to San Francisco."

Nathan Ballard, the mayor’s press secretary, tersely denied that HSF will feel any budget pain. Asked about critics’ allegations, he said, "They’re wrong. We are going to expand Healthy SF this year."

Earlier this month, insurance giant Kaiser Permanente joined HSF — meaning that the health care giant will now participate as a provider in the program. Haaland voiced concern about that move, calling it "privatizing through the back door."

Mitch Katz, the city’s public health director, agrees there are flaws to the system, but defends its success. "It is by no means a perfect program," he said, "but we’ve made a big impact." With national health care costs rising three times faster than wages (some believe that health care costs are rising five times faster than wages) the nation is starting to seriously talk about overhauling the entire system. San Francisco is being considered as a model for national health care reform.

Labor leaders have lauded the basic formula of HSF and pushed for the federal reforms to use it as a model. As San Francisco Labor Council executive director Tim Paulson said in a prepared statement, "In San Francisco we demonstrated that legislation providing public health access and corporate participation creates a real path to universal health care coverage."

Research assistance by Gabrielle Poccia

In the Loop

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REVIEW A typically fumbling remark by U.K. Minister of International Development Simon Foster (Tom Hollander) ignites a media firestorm, since it seems to suggest war is imminent even though Brit and U.S. governments are downplaying the likelihood of the Iraq invasion they’re simultaneously preparing for. Suddenly cast as an important arbiter of global affairs — a role he’s perhaps less suited for than playing the Easter Bunny — Simon becomes one chess piece in a cutthroat game whose participants on both sides of the Atlantic include his own subordinates, the prime minister’s rageaholic communications chief, major Pentagon and State Department honchos, crazy constituents, and more. Writer-director Armando Iannucci’s frenetic comedy of behind-the-scenes backstabbing and its direct influence on the highest-level diplomatic and military policies is scabrously funny in the best tradition of English television, which is (naturally) just where its creators hail from.

IN THE LOOP opens Fri/24 in San Francisco.

SF International Poetry Festival

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PREVIEW San Francisco is known internationally for many things, but top among them are parties, politics, and poetry. We’ve got plenty of events dedicated to the first two, but it’s surprising that we didn’t have a full-blown poetry festival until two years ago. Thankfully, the city, the public libraries, and the Friends of the library are back this year with four days of events dedicated to the medium that made Allen Ginsberg, Robert Duncan, and Lawrence Ferlinghetti famous — with an intention of continuing the tradition as a biennial gathering. This round features main stage readings by local heroes and international stars like Maram al-Massri, Daisy Zamora, SF Poet Laureate Diane di Prima, and Ferlinghetti himself. Other highlights include an exhibition of artwork and broadsides from participating poets, screening of a documentary about Jack Hirschman, a conversation about the art of translation, an event for youth moderated by California state Poet Laureate Carol-Muske-Dukes, workshops, parties, and a North Beach Poetry crawl that includes stopping in at Ferlinghetti’s City Lights bookstore and other famous haunts of the Beats. Best of all? Like creating poetry itself, all events are free and open to the public.

SAN FRANCISCO INTERNATIONAL POETRY FESTIVAL Thurs/23–Sun/26, Various times and locations. Free. www.sfipf.org

Art Listings

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Art listings are compiled by Johnny Ray Huston. Submit items for the listings at listings@sfbg.com.

MUSEUMS

Asian Art Museum 200 Larkin; 581-3500, www.asianart.org. Tues-Wed, Fri-Sun, 10am-5pm; Thurs, 10am-9pm. $10 ($5 Thurs after 5pm), $7 seniors, $6 for ages 12 to 17, free for 11 and under. "In a New Light: The Asian Art Museum Collection." Ongoing.

California Palace of the Legion of Honor Lincoln Park (near 34th Ave and Clement); 750-3600. Tues-Sun, 9:30am-5pm. $8, $6 seniors, $5 for ages 12 to 17, free for 10 and under (free Tues). "Surrealism: Selections from the Reva and David Logan Collection of Illustrated Books." Work by surrealist poets and artists. Ongoing.

Cartoon Art Museum 655 Mission; CAR-TOON. Tues-Sun, 11am-5pm. $6, $4 students and seniors, $2 for ages 6 to 12, free for five and under and members. "The Brinkley Girls." Retrospective devoted to early 20th century illustrator Nell Brinkley. Through August 23.

Contemporary Jewish Museum 736 Mission; www.thecjm.org. Mon-Tues, Fri-Sun, 11am-5:30pm; Thurs, 1-8pm. $10, $8 seniors and students, free for 12 and under and members. "Chagall and the Artists of the Russian Jewish Theater." An exhibition of 200 works of art and ephemera. Through Sept 7. "Being Jewish: A Bay Area Portrait." Ongoing.

De Young Museum Golden Gate Park, 50 Hagiwara Tea Garden Drive (near Fulton and 10th Ave); 750-3600. Tues-Sun, 9:30am-5:15pm (Fri, 9:30am-8:45pm). $10 ($27.50 for "Tutankhamun"), $7 seniors, $6 for ages 13 to 17 and college students with ID (free first Tues). "Art and Power in the Central African Savannah." Survey show. Through Oct 11, 2009. "Towards Abstraction: Photographs and Photograms." Survey show. Through Nov 15. "Tutankhamun and the Golden Age of the Pharoahs." The return of the boy king. Through March 28, 2010. "The Fauna and Flora of the Pacific." Mural by Miguel Covarrubias. Ongoing.

Legion of Honor Lincoln Park, 34th Ave and Clement; 750-3600. Tues-Sun, 9:30am-5:15pm. $20 adults, $7 seniors, $6 youths and students, free 12 and under. "Waking Dreams: Max Klinger and the Symbolist Print." Survey show. Through Sept 6. "John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and His Family Foundation." Retrospective exhibition. Through Nov 8.

San Francisco Museum of Modern Art 151 Third St; 357-4000. Mon-Tues, Fri-Sun, 11am-5:45pm; Thurs, 10am-8:45pm. $12.50, $8 seniors, $7 students, free for members and 12 and under (free first Tues; half price Thurs, 6-8:45pm). "Looking In: Robert Frank’s ‘The Americans’." Exhibition devoted to the photographic classic. Through August 23. "Georgia O’Keefe and Ansel Adams: Natural Affinities." Show dedicated to the two popular American artists. Through Sept 7. "Matisse and Beyond: The Painting and Sculpture Collection." Museum survey. Through Nov 8. "Paul Klee: Social Creatures." Early line drawings by the artist. Through Nov 8. "Richard Avedon: Photographs 1946-2004." Show dedicated to the iconic photographer. Through Nov 29. "Between Art and Life: The Contemporary Painting and Sculpure Collection." Museum survey. Through Jan 3, 2010. "Art in the Atrium: Kerry James Marshall." Monumental murals. Ongoing.

San Francisco Museum of Performance and Design War Memorial Veterans Bldg, 401 Van Ness, fourth floor; 255-4800, www.sfpalm.org. Tues-Fri, 11am-5pm; Sat, 1-5pm. Free. "Star Quality: The World of Noel Coward." Exhibition dedicated to the icon. Through August 29. "Maestro: Photographic Portraits of Tom Zimberoff." Portraits of national and international conductors. Ongoing. "150 Years of Dance in California." Ongoing. "San Francisco in Song." Ongoing. "San Francisco 1900: On Stage." Ongoing.

Yerba Buena Center for the Arts 701 Mission; 978-ARTS. Tues-Wed, Fri-Sun, noon-5pm; Thurs, noon-8pm. $6, $3 seniors, students, and youths, free for members (free first Tues). "Wallworks." Exhibition of local, regional, and international artists, curated by Betti-Sue Hertz. Through Oct. 25.


BAY AREA

Cantor Arts Center Lomita and Museum, Stanford University, Stanford; (650) 723-4177. Wed, Fri-Sun, 11am-5pm; Thurs, 11am-8pm. "Appellations to Antiquity." 19th and 20th century works from the museum collection. Through July 26. "Pop to Present." Survey from the 1960s to the present. Through August 16. "Contemporary Glass." Modern glass works. Ongoing. "Rodin! The Complete Stanford Collection." Ongoing.

Judah L. Magnes Museum 2911 Russell, Berk; (510) 549-6950. Mon-Wed, Sun, 11am-4pm. $4, $3 students and seniors. "Memory Lab." Interactive installation allowing visitors to make family albums from their documents, photographs, and memories. Ongoing. "Projections." Multimedia works from the museums archival, documentary, and experimental films. Ongoing.

Oakland Museum of California 1000 Oak, Oakl; (510) 238-2200. Wed-Sat, 10am-5pm (first Fri, 10am-9pm); Sun, noon-5pm. $8, $5 seniors and students (free second Sun). "Future of Sequoias: Sustaining Parklands in the 21st Century." Panoramic photos with commentary. Through August 23. "Squeak Carnwath: Painting is No Ordinary Object." A solo exhibition dedicated to the Oakland artist. Through August 23. "The Art and History of Early California." The story of California from the first inhabitants through the Gold Rush. Ongoing.

Phoebe A. Hearst Museum of Anthropology UC Berkeley, 103 Kroeber Hall, room 3712, Bancroft and Bowditch, Berk; (510) 643-1193. Wed-Sat, 10am-4:30pm; Sun, noon-4pm. $4, $3 seniors, $1 students, free for 12 and under. "From the Maker’s Hand: Selections from the Permanent Collection." An exploration of human ingenuity found in living and historic cultures around the world. Ongoing.

UC Berkeley Art Museum 2626 Bancroft Way, Berk; (510) 642-0808. Wed-Sun, 11am-5pm. $8 adults, $5 seniors and young adults, free for members and 12 and under. "Galaxy: A Hundred or So Stars Visible to the Naked Eye." Museum survey curated by Lawrence Rinder. Through August 30. "Human Nature: Artists Respond to a Changing Planet." Collaborative exhibition. Through Sept. 27. *

The SF budget battle continues

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By Tim Redmond

The full Board of Supervisors votes on the San Francisco budget tomorrow (Tuesday), and there are still some serious issues on the table. Among other things, the budget doesn’t include adequate money for public financing of the upcoming supervisorial and mayoral elections, and that’s big deal: Public financing is a crown jewel in San Francisco’s political reform efforts. The Public Defender’s Office is way underfunded (which is silly since criminal defendants are guaranteed legal representation, and hiring outside counsel is more expensive than funding the PD). Key social services are still taking a huge hit. There are still plans for 1,500 layoffs of city employees this fall — and that means a lot of what people depend on San Francisco for won’t get done. (Among the most painful: The loss of recreation directors, who are mentors for hundreds of kids.)

Sup. Ross Mirkarimi wants to find another $4 million to $6 million to fund public financing and some other services — and he’s looking to take that from a few areas that haven’t exactly been sharing the pain. For example, thanks to a push from Budget Committee Chair John Avalos, the Fire Department actually took some cuts. But the Police Department didn’t. While the Service Employees International Union Local 1021 gave back $40 million and is facing 1,500 layoffs, the Police Officers Association gave back nothing.

The problem with that, of course — besides the fact that it isn’t fair — is that the next time the city faces a budget crisis, which is probably going to be next year, the firefighters won’t want to give up a penny. Hey, they took the hit last time, and there was no parity from other public-safety areas. And if you think Local 1021 is going to be coming to the table with more cuts, you’re crazy.

So Mirkarimi told me he thinks that between the police, the Hotel Tax funding for the Convention and Visitors Bureau and the big arts organizations (the opera and symphony, whose patrons by and large can afford to buy tickets without as much city subsidy) there’s enough to fill some critical gaps in the budget.

It’s going to be tricky — Avalos and Board President David Chiu negotiated the budget deal with the mayor, and it will be hard for them to push at this late date for more changes. But Avalos told me he’s “open to” Mirkarimi’s proposals and will give them all due consideration. So, by the way, did Sup. Bevan Dufty: “I’m open to it,” he told me. “I have some concerns about the budget and will listen to any ideas.”

So the budget battle still isn’t over — and tomorrow’s meeting will be fascinating.

Corporations co-opt “local”

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news@sfbg.com

HSBC, one of the biggest banks on the planet, has taken to calling itself "the world’s local bank." Winn-Dixie, a 500-outlet supermarket chain, recently launched a new ad campaign under the tagline "Local flavor since 1956." The International Council of Shopping Centers, a global consortium of mall owners and developers, is pouring millions of dollars into television ads urging people to "Shop Local" — at their nearest mall. Even Wal-Mart is getting in on the act, hanging bright green banners over its produce aisles that simply say "Local."

Hoping to capitalize on growing public enthusiasm for all things local, some of the world’s biggest corporations are brashly laying claim to the evocative word.

This new variation on corporate greenwashing — local-washing — is, like the buy-local movement itself, most advanced in the context of food. Hellmann’s, the mayonnaise brand owned by the processed-food giant Unilever, is test-driving a new "Eat Real, Eat Local" initiative in Canada. The ad campaign seems aimed partly at enhancing the brand by simply associating Hellmann’s with local food. But it also makes the claim that Hellmann’s is local, because most of its ingredients come from North America.

It’s not the only industrial food company muscling in on local. Frito-Lay’s new television commercials use farmers to pitch the company’s potato chips as local food, while Foster Farms, one of the largest producers of poultry products in the country, is labeling packages of chicken and turkey "locally grown."

Corporate local-washing is now spreading well beyond food. Barnes & Noble, the world’s top seller of books, has launched a video blog under the banner "All bookselling is local." The site, which features "local book news" and recommendations from employees of stores in such evocative-sounding locales as Surprise, Ariz., and Wauwatosa, Wis., seems designed to disguise what Barnes & Noble is — a highly centralized corporation in which decisions about what books to stock and feature are made by a handful of buyers — and to present the chain instead as a collection of independent-minded booksellers.

Across the country, scores of shopping malls, chambers of commerce, and economic development agencies are also appropriating the phrase "buy local" to urge consumers to patronize nearby malls and big-box stores. In March, leaders of a buy-local campaign in Fresno assembled in front of the Fashion Fair Mall for a kickoff press conference. Flanked by storefronts bearing brand names such as Anthropologie and the Cheesecake Factory, officials from the Economic Development Corporation of Fresno County explained that choosing to buy local helps the region’s economy. For anyone confused by this display, the campaign and its media partners, including Comcast and the McClatchy-owned Fresno Bee, followed the press conference with more than $250,000 worth of radio, TV, and print ads that spelled it out: "Just so you know, buying local means any store in your community: mom-and-pop stores, national chains, big-box stores — you name it."


THE REAL BUY-LOCAL MOVEMENT


In one way, all of this corporate local-washing is good news for local economy advocates: it represents the best empirical evidence yet that the grassroots movement for locally produced goods and independently owned businesses now sweeping the country is having a measurable impact on the choices people make.

"Think of the millions of dollars these big companies spend on research and focus groups. They wouldn’t be doing this on a hunch," observed Dan Cullen of the American Booksellers Association, a trade group which represents about 1,700 independent bookstores and last year launched IndieBound, an initiative that helps locally owned businesses communicate their independence and community roots.

Signs that consumer preferences are trending local abound. Locally grown food has soared in popularity. The United States is now home to 4,385 active farmers markets, a third of which were started since 2000. Food co-ops and neighborhood greengrocers are on the rise. Driving is down, while data from several metropolitan regions show that houses located within walking distance of small neighborhood stores have held value better than those isolated in the suburbs where the nearest gallon of milk is a five-mile drive to Target.

In city after city, independent businesses are organizing and creating the beginnings of what could become a powerful counterweight to the big business lobbies that have long dominated public policy. Local business alliances — such as San Francisco Locally Owned Merchants Alliance, Stay Local! New Orleans, and Phoenix’s Local First Arizona — have now formed in more than 130 cities and collectively count about 30,000 businesses as members.

In San Francisco, the buy-local movement is strong. Voters and elected officials have erected bureaucratic barriers to new chain stores, and citizens have used those tools to fend off even respectable chains such as American Apparel, which earlier this year tried unsuccessfully to open a store on über-local Valencia Street. The San Francisco Small Business Commission runs a buy-local campaign that was created in December by such unlikely partners as the Guardian, Mayor Gavin Newsom, and the San Francisco Chamber of Commerce (see "Shop local, City Hall," 5/6/09).

Through grassroots buy-local and local-first campaigns, these alliances are calling on people to choose independent businesses and local products more often. They also are making the case that doing so is critical to rebuilding middle-class prosperity, averting environmental collapse, keeping more money in the local economy, and ensuring that our daily lives are not smothered by corporate uniformity.

Surveys and anecdotal reports from business owners suggest that these initiatives are changing spending patterns. While the federal Department of Commerce reported that overall retail sales plunged almost 10 percent over the holidays, a survey in January by the Institute for Local Self-Reliance (where I work) found that independent retailers in cities with buy-local campaigns saw sales drop an average of just 3 percent from the previous year. Many respondents attributed this relative good fortune to the fact that more people are deliberately seeking out locally owned businesses.

CORPORATIONS TAKE NOTE


None of this has slipped the notice of corporate executives and the consumer research firms that advise them. Several of these firms have begun to track the localization trend. In its annual consumer survey, the New York–based branding firm BBMG found that the number of people reporting that it was "very important" to them whether a product was grown or produced locally jumped from 26 to 32 percent in the last year alone. "It’s not just a small cadre of consumers anymore," said founding partner Mitch Baranowski.

Corporate-oriented buy-local campaigns that define "local" as the nearest Lowe’s or Gap store are now being rolled out in cities nationwide. Some represent desperate bids by shopping malls to survive the recession and fend off online competition. Others are the work of chambers of commerce trying to remain relevant. Still others are the half-baked plans of municipal officials casting about for some way to stop the steep drop in sales tax revenue.

Many of these Astroturf campaigns are modeled directly on grassroots initiatives. "They copy our language and tactics," said Michelle Long, board president of the San Francisco–based Business Alliance for Local Living Economies and executive director of Sustainable Connections, a seven-year-old coalition of 600 independent businesses in northwest Washington state that runs a very visible and — according to market research — very successful local-first program. "I get calls from chambers and other groups who say, ‘We want to do what you are doing.’ It took me a while to realize that what they had in mind was not what we do. Once I realized, I started asking them, ‘What do you mean by local?’ "

Examples abound. In Northern California, the Arcata Chamber of Commerce is producing "Shop Local" ads that look similar to the Humboldt County Independent Business Alliance’s "Go Local" ads, except they feature both independents and chains. Spokane’s "Buy Local" program, started by the chamber, is open to any business in town, including big-box stores. Log on to the "Buy Local" Web site created by the chamber in Chapel Hill, N.C., and you will find Wal-Mart among the listings.

But there’s a huge difference — even on strictly economic grounds — between shopping at a local chain store and a locally owned store. Studies have shown that $45 of every $100 spent at locally owned stores stays in the community, helping other local businesses and supporting government services, whereas only about $13 of every $100 spent in chain stores remains local.

When the city of Santa Fe, N.M., decided to launch a campaign to encourage people to shop locally, the Santa Fe Alliance, a coalition of more than 500 locally owned businesses that has been running a buy-local initiative for several years, signed on. At the kickoff in March, the alliance’s director, Vicki Pozzebon, emphasized the economic impact of shopping at a locally owned business versus a chain.

"After that, the city asked me not to push the $45 versus $13, but just say ‘local.’ " Pozzebon said.

The city’s message, according to Kate Noble, a city staffer who runs the program, is that shopping at Wal-Mart is fine, as long as it’s not Walmart.com. But Pozzebon said, "It has only diluted our message and confused people."

These sales tax–driven campaigns may well be doing more harm to local economies than good, according to Jeff Milchen, co-founder of the American Independent Business Alliance. "If you encourage people to shop at a big-box store that takes sales away from an independent business, you’re just funneling more dollars out of town."

The irony of trying to solve declining city revenue by trying to get people to shop at the local mall is that the mall itself may be the problem. While many California cities are facing budget cuts and even bankruptcy, Berkeley has managed to post a small increase in revenue. Part of the reason, according to city officials, is that Berkeley has more or less said no to chains and is instead a city of locally owned businesses that primarily serve local residents. That creates a much more stable revenue base. Berkeley hasn’t benefited from the temporary boom that a new regional mall might create, but neither has it gone bust.
Stacy Mitchell is a senior researcher with the New Rules Project (www.newrules.org) and author of Big-Box Swindle: The True Cost of Mega-Retailers and the Fight for America’s Independent Businesses (Beacon, 2006). This story was commissioned by the Association of Alternative Newsweeklies (AAN), of which the Guardian is a member, and is also running in other AAN papers this month.

Making great streets

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steve@sfbg.com

GREEN CITY There’s a growing movement to transform San Francisco’s streets into safe, vibrant public spaces, part of an international trend that has drawn together disparate partners around the belief that roadways shouldn’t simply be conduits for moving automobiles.

Recent advances include the San Francisco Municipal Transportation Agency’s approval of a package of 45 bicycle projects and the success of the Sunday Streets program, a series of temporary road closures to cars (the next one is this Sunday, July 12, in the Mission District).

And there are new players on the scene, from Streetsblog SF (see "Street fighters," 1/14/09) to the San Francisco Great Streets Project (www.sfgreatstreets.wordpress.com), a newly formed organization sponsored by the San Francisco Bicycle Coalition, San Francisco Planning and Urban Research Association (SPUR), the Livable Streets Initiative, and the Project for Public Spaces.

The Great Streets Project focuses on facilitating temporary conversions of streets into plazas (such as the new 17th Street Plaza at Castro and Market streets), parties, and other carfree spaces and with creating a civic conversation about the role of roads by bringing in renowned urban thinkers such as Enrique Peñalosa, the former mayor of Bogotá, Colombia, who spoke at the main library July 6 and sat down for an interview with the Guardian the next day.

"The heart and soul of a city is its public pedestrian space," said Peñalosa, who banned parking on sidewalks and expanded Bogotá’s protected bikeways, ciclovias (temporary road closures that were the model for Sunday Streets), and bus rapid transit system, creating an urban renaissance that he has since promoted in cities around the world.

"It became clear that the way we build cities could make people so much happier," Peñalosa said, noting how such urban design concepts dovetailed with his advocacy for the poor. "In a poor city, the inequality is felt most during leisure time … My main concerns are equity and happiness and the way cities can contribute to those things."

Peñalosa noted that "the 20th century was a terrible century for human habitat. Cars took over for people. Later we realized that was a big mistake." Such growth patterns, Peñalosa said, are simply unsustainable in the 21st century, particularly as Asia and Africa modernize.

Many European cities have taken aggressive steps to correct that mistake, but in the U.S. — whose dominant economic position during those years created the most car-dependent infrastructure on the planet — change has come slowly.

"Change is difficult, but change is already happening," he said, noting the strong carfree movements in San Francisco, New York City, and other U.S. cities.

Peñalosa transformed Bogotá at a time when the country was besieged by a violent civil war, timing he said was more propitious than unlikely. As with the current global warming imperatives and the traffic congestion that is choking many big cities, times of crisis can be moments of opportunity.

"When the crisis is so big, people are willing to risk different things and make experiments," Peñalosa said.

While most San Franciscans have yet to truly embrace the transition from car culture, Great Streets Project proponents are using temporary projects to push the envelope and gradually introduce new ideas into the public realm.

"It’s important for everyone to come into this with a spirit of experiment," said SFBC program director Andy Thornley. "Presenting these things as trials helps people get comfortable with the ideas."

SPUR director Gabriel Metcalf said temporary projects often bypass the need for cumbersome and expensive environmental studies and outreach efforts, placing innovative urban design concepts on public display as ongoing experiments.

"They allow you to make adjustments. It’s an option that exists with public spaces that you don’t have with buildings," Metcalf said. "It de-escalates the fear people have over change."

Plus, as the project’s director Kit Hodge notes, temporary placements let transportation planners and advocates try out new ideas instead of just endlessly studying them. As she put it, "San Francisco has a tradition of creating great plans that don’t get implemented."

The prime example is Market Street, an inefficient street for automobiles and a dangerous one for bicycles and pedestrians, and one that has been subject to countless studies about how to make it more livable. Yet little changes. "You need to achieve as much consensus as possible," Peñalosa said, "but in the end, you have to take risks."

Or as Metcalf put it, "It’s time to start enjoying some of the fruits of urbanity that we’ve been denying ourselves."

Art Listings

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Art listings are compiled by Johnny Ray Huston. See Picks for information on how to submit items to the listings. For more art listings go to sfbg.com.

MUSEUMS

Asian Art Museum 200 Larkin; 581-3500, www.asianart.org. Tues-Wed, Fri-Sun, 10am-5pm; Thurs, 10am-9pm. $10 ($5 Thurs after 5pm), $7 seniors, $6 for ages 12 to 17, free for 11 and under. "In a New Light: The Asian Art Museum Collection." Ongoing.

California Palace of the Legion of Honor Lincoln Park (near 34th Ave and Clement); 750-3600. Tues-Sun, 9:30am-5pm. $8, $6 seniors, $5 for ages 12 to 17, free for 10 and under (free Tues). "Surrealism: Selections from the Reva and David Logan Collection of Illustrated Books." Work by surrealist poets and artists. Ongoing.

Cartoon Art Museum 655 Mission; CAR-TOON. Tues-Sun, 11am-5pm. $6, $4 students and seniors, $2 for ages 6 to 12, free for five and under and members. "Watchmen." Illustrations, sketches, and comic book pages by Dave Gibbons. Through Sun/19. "The Brinkley Girls." Retrospective devoted to early 20th century illustrator Nell Brinkley. Through August 23.

Contemporary Jewish Museum 736 Mission; www.thecjm.org. Mon-Tues, Fri-Sun, 11am-5:30pm; Thurs, 1-8pm. $10, $8 seniors and students, free for 12 and under and members. "Chagall and the Artists of the Russian Jewish Theater." An exhibition of 200 works of art and ephemera. Through Sept 7. "Being Jewish: A Bay Area Portrait." Ongoing.

De Young Museum Golden Gate Park, 50 Hagiwara Tea Garden Drive (near Fulton and 10th Ave); 750-3600. Tues-Sun, 9:30am-5:15pm (Fri, 9:30am-8:45pm). $10 ($27.50 for "Tutankhamun"), $7 seniors, $6 for ages 13 to 17 and college students with ID (free first Tues). "Art and Power in the Central African Savannah." Survey show. Through Oct 11, 2009. "Towards Abstraction: Photographs and Photograms." Survey show. Through Nov 15. "Tutankhamun and the Golden Age of the Pharoahs." The return of the boy king. Through March 28, 2010. "The Fauna and Flora of the Pacific." Mural by Miguel Covarrubias. Ongoing.

Legion of Honor Lincoln Park, 34th Ave and Clement; 750-3600. Tues-Sun, 9:30am-5:15pm. $20 adults, $7 seniors, $6 youths and students, free 12 and under. "Waking Dreams: Max Klinger and the Symbolist Print." Survey show. Through Sept 6. "John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and His Family Foundation." Retrospective exhibition. Through Nov 8.

San Francisco Museum of Modern Art 151 Third St; 357-4000. Mon-Tues, Fri-Sun, 11am-5:45pm; Thurs, 10am-8:45pm. $12.50, $8 seniors, $7 students, free for members and 12 and under (free first Tues; half price Thurs, 6-8:45pm). "Looking In: Robert Frank’s ‘The Americans’." Exhibition devoted to the photographic classic. Through August 23. "Georgia O’Keefe and Ansel Adams: Natural Affinities." Show dedicated to the two popular American artists. Through Sept 7. "Matisse and Beyond: The Painting and Sculpture Collection." Museum survey. Through Nov 8. "Paul Klee: Social Creatures." Early line drawings by the artist. Through Nov 8. "Richard Avedon: Photographs 1946-2004." Show dedicated to the iconic photographer. Through Nov 29. "Between Art and Life: The Contemporary Painting and Sculpure Collection." Museum survey. Through Jan 3, 2010. "Art in the Atrium: Kerry James Marshall." Monumental murals. Ongoing.

San Francisco Museum of Performance and Design War Memorial Veterans Bldg, 401 Van Ness, fourth floor; 255-4800, www.sfpalm.org. Tues-Fri, 11am-5pm; Sat, 1-5pm. Free. "Star Quality: The World of Noel Coward." Exhibition dedicated to the icon. Through August 29. "Maestro: Photographic Portraits of Tom Zimberoff." Portraits of national and international conductors. Ongoing. "150 Years of Dance in California." Ongoing. "San Francisco in Song." Ongoing. "San Francisco 1900: On Stage." Ongoing.

Yerba Buena Center for the Arts 701 Mission; 978-ARTS. Tues-Wed, Fri-Sun, noon-5pm; Thurs, noon-8pm. $6, $3 seniors, students, and youths, free for members (free first Tues). "Wallworks." Exhibition of local, regional, and international artists, curated by Betti-Sue Hertz. Sat/18 through Oct. 25.


BAY AREA

Cantor Arts Center Lomita and Museum, Stanford University, Stanford; (650) 723-4177. Wed, Fri-Sun, 11am-5pm; Thurs, 11am-8pm. "Appellations to Antiquity." 19th and 20th century works from the museum collection. Through July 26. "Pop to Present." Survey from the 1960s to the present. Through August 16. "Contemporary Glass." Modern glass works. Ongoing. "Rodin! The Complete Stanford Collection." Ongoing.

Judah L. Magnes Museum 2911 Russell, Berk; (510) 549-6950. Mon-Wed, Sun, 11am-4pm. $4, $3 students and seniors. "Memory Lab." Interactive installation allowing visitors to make family albums from their documents, photographs, and memories. Ongoing. "Projections." Multimedia works from the museums archival, documentary, and experimental films. Ongoing.

Oakland Museum of California 1000 Oak, Oakl; (510) 238-2200. Wed-Sat, 10am-5pm (first Fri, 10am-9pm); Sun, noon-5pm. $8, $5 seniors and students (free second Sun). "Future of Sequoias: Sustaining Parklands in the 21st Century." Panoramic photos with commentary. Through August 23. "Squeak Carnwath: Painting is No Ordinary Object." A solo exhibition dedicated to the Oakland artist. Through August 23. "The Art and History of Early California." The story of California from the first inhabitants through the Gold Rush. Ongoing.

Phoebe A. Hearst Museum of Anthropology UC Berkeley, 103 Kroeber Hall, room 3712, Bancroft and Bowditch, Berk; (510) 643-1193. Wed-Sat, 10am-4:30pm; Sun, noon-4pm. $4, $3 seniors, $1 students, free for 12 and under. "From the Maker’s Hand: Selections from the Permanent Collection." An exploration of human ingenuity found in living and historic cultures around the world. Ongoing.

UC Berkeley Art Museum 2626 Bancroft Way, Berk; (510) 642-0808. Wed-Sun, 11am-5pm. $8 adults, $5 seniors and young adults, free for members and 12 and under. "Galaxy: A Hundred or So Stars Visible to the Naked Eye." Museum survey curated by Lawrence Rinder. Through August 30. "Human Nature: Artists Respond to a Changing Planet." Collaborative exhibition. Through Sept. 27. *