Independent

Which kind of poison?

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rebeccab@sfbg.com

GREEN CITY The push from city leaders to shut down Mirant’s aging Potrero power plant advanced another step June 2 when the San Francisco supervisors approved an ordinance sponsored by Sophie Maxwell and Michela Alioto-Pier that urges closing the entire facility by the end of 2010 and directs the San Francisco Public Utilities Commission to update a plan charting the city’s energy future.

But the current city proposal for closing the Mirant plant appears to rely entirely on replacing that power with the output of other private fossil fuel plants — in someone else’s backyard.

The city is following the same script as Pacific Gas and Electric Co., which wants to upgrade and expand the lines bringing its own private power into the city — instead of San Francisco generating power of its own.

In fact, Mayor Gavin Newsom has introduced legislation to sell four city-owned combustion turbines that are currently collecting dust in storage in Houston. Obtained as part of a 2003 lawsuit settlement, the turbines were almost employed last year to build four small city-owned power plants to fully replace the Mirant facility — but that plan was ultimately shot down.

The California Independent System Operator (Cal-ISO), a federally regulated body that oversees grid reliability, currently requires Mirant’s dirty San Francisco facility to stay in service to provide in-city generation capacity in case of catastrophic power grid failure. But city officials now say a new underwater power cable from the East Bay could replace Mirant Unit 3, which spews fumes into the Bayview-Hunters Point neighborhood.

Last month, Newsom, Board of Supervisors President David Chiu, City Attorney Dennis Herrera, SF Public Utilities Commission General Manager Ed Harrington and Sups. Sophie Maxwell and Michela Alioto-Pier sent a letter to Cal-ISO making the case that with the installation of the TransBay Cable — which would link the city with generating facilities in Pittsburg — and other planned system upgrades, the entire Mirant facility could be retired by next year.

Maxwell’s ordinance references that letter, and urges PG&E to "develop expeditiously" its transmission-upgrade projects to pave the way for the plant’s closure. Cal-ISO spokesman Gregg Fishman says that so far, it hasn’t reviewed PG&E’s plans.

Joe Boss, a longtime member of the city’s power plant task force, says he has little confidence that Mirant can be shut down without being replaced with new in-city electricity generation. He told us he believes it’s a bad move to sell off the publicly owned combustion turbines.

The TransBay Cable is essentially a 10-inch thick extension cord that would connect a PG&E substation in Pittsburg with another PG&E substation in Potrero Hill. It’s being bankrolled by the Australian investment firm Babcock & Brown, which ran into serious financial trouble during the economic downturn, and its San Francisco branch was bought out last month. Currently under construction, the cable project is being built in tandem with the Pittsburg power company, a municipal utility that would retain ownership of the cable and converter stations. PG&E customers will ultimately pay for power transmitted over the line.

The way the theory goes, once the cable goes live next March, Potrero’s Unit 3 — a natural-gas fired generator that runs about 20 hours a day — could finally be shut down. "But the question is, is it just going to bring dirty power to SF?" asks Sierra Club Energy Board chair Aaron Israel.

Near the Pittsburg end of the cable, there are two gas-fired Mirant-owned power plants, operating since 1972 and 1964.

There are proposals for two new Mirant natural-gas fired power plants in that area as well, plus a 530 MW plant called Gateway owned by PG&E that became operational this year.

So the future looks like this: San Francisco gets rid of a pollution source, and shifts the problem to a poor community 40 miles away. And PG&E and Mirant retain their hegemony over the city’s electricity supplies.

"’Which poison would you like?’ is kind of where the debate is," says Greenaction for Environmental Health & Justice Executive Director Bradley Angel. "We’ve got to keep advocating for a dramatic increase in renewable energy, here and elsewhere," Angel says. But that’s not going to happen with PG&E and Mirant calling the shots.

Editor’s Notes

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Tredmond@sfbg.com

The long, long battle to get civilian oversight for the BART police is coming to a head, and the BART Board could be voting soon on a proposal. To nobody’s surprise, the battle lines pit the community activists, the progressives on the BART Board, and police-review experts against the BART police and general manager.

In essence, the cops and the GM want to be sure that the police chief or the general manager (who hires and fires the chief) have the final say over any police discipline. The community wants either the BART Board or an independent citizen commission to have the final say.

It’s a crucial issue, as we’ve seen over and over again in San Francisco. Police chiefs don’t tend to be terribly good about taking disciplinary action against the troops; they all started in the rank and file themselves, and they’re close with the others on the "Thin Blue Line," and when one of their own is criticized, they circle the wagons. Most chiefs don’t want any sort of civilian review that undermines their authority.

BART is leaning toward creating an independent police auditor, which could work — but only if the auditor (who would report to the BART Board) has the authority to go over the chief’s head. If the auditor finds evidence of misconduct and the chief won’t file charges, or the chief finds misconduct and imposes discipline so mild it’s pointless, the auditor has to be able to appeal. And the best forum for that appeal is a citizen commission.

At the June 8 meeting of BART’s police policy subcommittee, the two representatives of the police union flat out refused to go along with that idea. So did General Manager Dorothy Dugger, who has never been very supportive of police reform. But a 5-4 majority of the committee, including board members Tom Radulovich and Lynette Sweet, seems in favor of model that at least has the outlines of positive reform.

And if the BART Board — which is not the most progressive institution on the planet (and not the hardest-working or most effective, either) decides to go with the cops on this one, Assembly Member Tom Ammiano will have all the evidence he needs to pass a bill in Sacramento forcing BART to do this right. *

Village Voice Media sues East Bay Express owners

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By Tim Redmond

The newspaper chain that owns SF Weekly is suing the independent owners of the East Bay Express for $500,000 in a case that, ironically, shows how the big media outfit is trying to duck its own debts.

The lawsuit comes out of the 2007 deal under which Steve Buel, Hal Brody and a few other investors bought the Express from Village Voice Media, the national alternative press chain that owns the Weekly and 14 other papers.

As part of the deal, the local owners put up an undisclosed amount in cash and agreed to pay VVM $500,000 two years later. Buel, the longtime editor of the Express, and Brody, who formerly owned a weekly in Kansas City, had to guarantee the half-million-dollar note with their personal assets.

The sales agreement was a bit complicated. VVM owned both the SF Weekly and the Express, and the two papers had been selling joint ad buys to clients. So divorcing that partnership, and allowing the newly independed Express to compete effectively in the market, required some unusual terms. Among other things, VVM agreed not to use its position as the former owner of the Express, with full access to account records and sales contacts to poach Express clients.

However, Brody told us, the big chain started to violate that agreement almost immediately. “We have massive claims against them for violating those terms,” he said.

“The SF Weekly is not supposed to solicit our advertisers in Alameda and Contra Costa, and they’ve been doing it, over and over.”

PE credit for JROTC up tonight

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Editors note: The San Francisco School Board will vote tonight on a convoluted plan to allow physical education credit for JROTC. Since the military-recruitment program doesn’t meet state standards for PE, the board is trying a runaround — students would get “independent study” gym credit if they sign up for JROTC.

Marc Norton, who has been in the forefront of the opposition to JROTC, sent us this commentary:

by Marc Norton

Right-wing Chronicle columnist Debra Saunders jumped into the JROTC end-game with an opinion piece on Sunday. In April, Saunders, who endorsed John McCain for President, opined that “In Obamaland… the left chants, ‘torture doesn’t work…’ But common sense tells you that techniques like sleep deprivation [and] waterboarding… work, at least some times.”

In her latest rant, Saunders recounts the pro-JROTC mythology at length, but her real play is to torture the truth with the claim that the California Board of Education has “said local school districts have the authority to offer PE [physical education] credits for JROTC.”

What the California Board of Education actually did was revise its Physical Education Framework to say that JROTC classes “may not” meet PE standards, instead of “do not” meet PE standards. But, “if a district desires to award physical education credit for courses such as JROTC, marching band, cheerleading, and drill, it is the responsibility of the district to determine how each particular course, as conducted in its district, supports a course of study for grades nine through twelve… and substantially meets the objectives and criteria” for state PE curriculum and credentialing requirements.

Those who have followed the JROTC story know that bipartisan efforts in the state Legislature have tightened up PE standards in recent years because of the crisis of physical fitness among our youth, particularly low-income youth and youth of color. That is why PE credit has been withdrawn from JROTC programs all over the state, including San Francisco.

In fact, a recent report from San Diego compared physical fitness records of students who took PE and those who did not. Fitnessgram results for JROTC students actually declined during the same period that results for students in PE increased. The Fitnessgram is the test students generally take in the 9th or 10th grade to show their progress in physical education.

Sushi sex: Japanese art porn comes to the Roxie

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By Juliette Tang

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No one does weird art porn like the Japanese, and this week, San Francisco gets to ride the bizarre train all the way to Tokyo. Inexplicably sexy and intentionally funny, Silence of the Sushi Rolls is coming to the Roxie Theater (3117 16th Street) on Friday. Hurray for porn being shown in real theaters! And as a part of the San Francisco Independent Film Festival’s Another Hole in the Head Fest, no less.

Why is it that when porn requires active subtitles, it magically becomes more high-brow? Because there’s nothing high-brow about this movie. It’s a guilty pleasure you won’t want to write home about. And, that said, you should totally go to see it anyway. Silence of the Sushi Rolls is the fourth film in an amazingly ludicrous series of “action comedy” softcore films known as the “Female Detective Molester Buster” series. The hilarity of porn titles, it appears, transcends culture. My favorite title is the Female Detective Molester Buster 2: Catch You With My Breasts. Who knew boobs made for such great law enforcement equipment?

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In true Japanese softcore fashion, Silence of the Sushi Rolls kicks off with a woman getting molested. Those sensitive to scenes depicting sexual assault should take note not to attend (and to avoid all Japanese pornography henceforth). But to be fair, the assault scenes are so obviously fake and the attacks are so staged, it reminds me way more of that scene in Lost in Translation when an escort barges into Bill Murray’s hotel room and starts rolling around on the floor screaming “Lip my stocking! Lip my stocking!” than anything else.

Return of the creatures

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Zombies, werewolves, slashers, ghosts, and just plain fucked-up individuals: yep, the usual suspects are on hand for the Another Hole in the Head film festival, an offshoot of the San Francisco Independent Film Festival that’s back for a sixth unleashing of cinematic ghastliness.

David Gargani’s Monsters from the Id, named for the invisible menace in 1956’s Forbidden Planet, takes an earnest, somewhat unfocused look at how scientists were depicted in 1950s sci-fi films. Movie clips and talking heads delve into the ways in which the era’s "futuristic" flicks (Spaceships! Giant ants! Pod people!) were informed by both the era’s sense of wonder and paranoia. Monsters also notes how much less money is spent on space in these post-Cold War days; one scientist wistfully notes that the only way physicists would become heroes again would be in some kind of preventing-an-asteroid-from-hitting-the-earth type of scenario (but, duh, Doc: according to 1998’s Armageddon, oil drillers would actually save the day in that case).

Entries with local ties include James Isaac’s Pig Hunt (which screened a few weeks back as part of the Clay Theater’s midnight series). After kicking off their road trip with a meal at the Pork Store Café, a group of SF friends set out on an ill-advised hunting jaunt (their quarry: a 3,000-lb "Hogzilla," a creature that turns out to be just one of many backwoods adversaries). Even more bloody and bizarre is Oakland filmmaker Jonathan Lewis’s Black Devil Doll, an awesomely campy, proudly low-budget, X-rated cross between Child’s Play (1988) and Dolemite (1975) — the entire cast is basically comprised of strippers and a raunchy puppet that says things like "Holy shit! These white bitches is crazy!"

Also of interest for all you discerning sickos: HoleHead unleashes two films by prolific Japanese cult auteur Takashi Miike, including opening night film Crows: Episode Zero (a manga adaptation) and Detective Story, about a detective and his neighbor on the trail of an organ-stealing murderer.

ANOTHER HOLE IN THE HEAD

June 5–19, see film listings for schedule, $10

Roxie, 3117 16th St, S.F.

(415) 820-3907, www.sfindie.com

Blocking the Port

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news@sfbg.com

GREEN CITY A lawsuit filed against the Los Angeles and Long Beach ports is impeding the Port of Oakland’s ability to regulate dirty trucks.

In April, a U.S. District Court sided with the American Trucking Association (ATA), placing a preliminary injunction on both ports’ clean truck programs and prompting ports across the nation to amend their clean truck programs to avoid similar lawsuits.

Meanwhile, the Oakland Port Commission was expected to vote on whether to approve a Comprehensive Truck Management Program for the Port of Oakland at its June 2 meeting, which would ban trucks that do not comply with new state air quality regulations and require trucking companies to register with the port.

The Coalition for Clean and Safe Ports (see "The polluting Port," 3/25/09), a mix of environmental, labor, interfaith, and community-based organizations, criticizes the Truck Management Program for falling short of a more comprehensive policy, but blames the shortcomings on the legal injunction secured by ATA. "The litigation has really tied their hands," says coalition director Doug Bloch, who helped organize a June 2 protest against what his group characterized as the trucking industry’s "obstructionist tactics."

Rather than targeting clean air regulations, ATA has focused its attack on a ban on low-salaried independent drivers from the port. Proponents of the ban argue that that an employee driver-based system would be more effective than the current system of independent drivers, because the cost burden of emissions upgrades would then fall onto trucking companies rather than independent contractors who often cannot afford emissions retrofits. "Truck drivers are scrambling" to afford retrofits required by stringent air quality regulations that become effective Jan. 1, Bloch notes. While the new rules will help alleviate West Oakland pollution, "they aren’t sustainable if the people responsible for meeting them can’t pay," he says.

The Port of Oakland commissioned an economic impact study by Beacon Economics, which favored an employee driver-based trucking system over independent drivers for similar reasons.

David Bensman, a labor studies and employment relations professor at Rutgers University in New Jersey, has studied port trucking extensively. "Deregulation created a hypercompetitive industry where truckers have no bargaining power," Bensman says. The result is a sort of race to the bottom. If the drivers refuse to accept a substandard rate, workers look at the long line of semis waiting, engines running, and see many others willing to work for that low rate. "The American Trucking Association is defending an industry model that is broken," Bensman asserts. "The system is not able to put trucks on the road that are clean and efficient."

ATA, however, believes that forcing truck companies to take on more employees will harm the entire industry’s competitive edge. Independent drivers have power and flexibility over their business practices, according to Clayton Boyce of ATA. "They are an independent business because they want to be an independent business. Anyone can give that up and become an employee if they wish," he says. "If they can’t run a business and buy the health insurance for themselves and maintain their trucks, then they shouldn’t be in that business."

At the Port of Oakland, however, 83 percent of truck drivers are independent, and only 17 percent work under truck companies. A report by the East Bay Alliance for a Sustainable Economy found that 62 percent of 1,500 truck drivers in the Port of Oakland do not have health insurance or the means to buy cleaner trucks. The proposed Comprehensive Truck Management Program does include a provision that would assist independent truckers with emissions retrofits, but the $5 million allotted doesn’t begin to cover the estimated $200 million price tag calculated by Beacon Economics, according to Bloch.

The Port of Oakland’s Maritime Committee passed a resolution supporting the findings of the Beacon Economics study and urging the adoption of an employee-driver system, but little can be done to move forward with it until after the Southern California injunction has been lifted. The Port Commission was also scheduled to vote on that resolution June 2.

The American Lung Association estimates that one in five children in West Oakland has asthma. According to a report by the Natural Resources Defense Council, diesel pollution is five times higher in West Oakland than in other parts of Alameda County.

Rebecca Bowe contributed to this report.

Glittering prize

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johnny@sfbg.com

One shorthand description of Ramona Gonzalez’s recording project Nite Jewel is that it’s disco on quaaludes. I don’t know if I like Nite Jewel quite as much as Glass Candy’s underrated B/E/A/T/B/O/X (Italians Do It Better, 2007) — c’mon, they’re funnier than they are given credit for, and they made "Computer Love" melancholic, what’s not to love? — or if I love it more.

Throughout Good Evening (Gloriette, 2008) and Nite Jewel (Human Ear, 2008) Gonzalez’s singing is both high-pitched and kinda dazed. On "Weak 4 Me," she reminds me of Mr. Bill, which can never be a bad thing. "What Did He Say" is the best Nite Jewel song so far. It sounds like a radio playing "I Can’t Wait" by Nu Shooz slowly sinking to the bottom of a pool. I recently caught up with Gonzalez on the phone.

SFBG I hadn’t realized you’re from the Bay Area. How was Berkeley High? What did you like about the Bay Area and not like about it?

Ramona Gonzalez Berkeley High when I went there was transitioning between being out of hand and horrible and pretty much a normal school. Now it’s nice. Back when I went, it was not like that. There were 23 arson attempts when I was a sophomore.

Certain teachers I had there were some of the best ones I’ve ever had. As for the school itself — fuck, it’s hard for a kid to get along in a 2300 person student body. Lots of aggro annoying kids, popularity contests and danger, everyday. But overall it was rewarding.

SFBG How were your experiences in the Oakland Interfaith Youth Choir and the Berkeley Jazz School Music Ensemble?

RG Oakland Interfaith Youth Choir was pretty awesome. My friend Emily introduced me to it, because her dad was singing in the adult choir. The songs are incredible and really difficult — the girls in that choir were unbelievably talented. I wasn’t as good as them. Singing soprano in a chest voice — that’s crazy.

I did that for 2 years and then joined the Berkeley Jazz school, just taking piano. I ran into one of the girls from the Youth Choir there.

SFBG You’ve said Kevin Shields would be a dream artists to work with.

RG I got into my shoegaze period in college and started listening to Lilys whenever possible. Me and my friend Shane tried to start a fan club.

One of my favorite bands is Woo. Their It’s Cozy Inside (Independent Record Publishing, 1989) and Whichever Way You’re Going, You’re Going Wrong (no info available) might be the two albums I’ve listened to the most in my entire life. They’re these two brothers who are Hare Krishna who live in the UK. I recently found out where they are, and they wrote me back and we’re totally going to hang out when I go to England.

SFBG We have to talk Bruce Haack. What do you love about him?

RG Bruce Haack to me is psychedelic electronic music. It also has a playfulness, because he’s making music for kids. His music has this relaxing quality and aggressive quality at the same time. There’s a simplicity I like. I like his fervor and bitterness towards the music industry, especially on Haackula (Omni Recording, 2008). But the one I listen to most is Electric Luficer (Omni Recording, 2007). His music doesn’t have a direct correlation with Nite Jewel in terms of textures and sounds, but more in terms of what it means to be a punk electronic musician.

NITE JEWEL

With Telepathe, Hawnay Troof

June 12, 10 p.m., $10

Bottom of the Hill

133 17th St, SF

(415) 621-4455

www.bottomofthehill.com

Sonic Reducer Overage: St. Vincent, Thermals, Tiga, Sun Kil Moon, Jens Lekman, and more

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The sun is out – and so are you, capering and carousing at these musical shindigs, all so worthy yet unable to make it to print.

St. Vincent
Out of work? G’wan. Annie Clark is playing with ya on her hotly anticipated, Tin Pan Alley-inspired Actor (4AD). With Pattern Is Movement. Wed/27, 8 p.m., $16. Bimbo’s 365 Club, 1025 Columbus, SF. (415) 474-0365.

Tiga
“Beep Beep Beep” – make way for Montreal’s Ciao baby, With Jaimie Fanatic and DJ Omar. Thurs/28, 9 p.m., $18. Independent, 628 Divisadero, SF. (415) 771-1422.

Ain’t I a werewolf?

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AFRO-SURREAL Stylistic rigor and as full an embrace of progressive technologies as budgets allow have made Underworld Trilogy (Sony Pictures DVD, $93.95) a pleasurable extension of epics from fang-face past. Yet perhaps the most significant aspect of Len Wiseman’s cycle about immortals warring for supremacy is an updated recognition of the post-1960s liberation strides of blacks and women in our society. It is reflected in the power and intellect of the first film’s heroine Selene (Kate Beckinsale) and her fellow vampiric rebels (like Robbie Gee’s tech-wizard Kahn) and lycan foes ("Razahir/Raze," played by Underworld concept engineer Kevin Grievoux). The last and best installment, Underworld: Rise of the Lycans, is a virtual remix of my generation’s seminal televisual event, Roots. If that ain’t Afro-Surreal, then what is?

It was 30 years ago — not long after the historic airing of the adaptation of Alex Haley’s Roots fundamentally changed public perceptions of America’s "peculiar institution" — that I moved to the Sahel and immediately became obsessed with Dogon lore about the Sirius star system and a family of deities including the trickster Pale Fox. Blood debates about antiquity and provenance continue to rage between disdainful classicists, denizens of the moribund field of Egyptology, and independent scholars of varying stripes devoted to Martin Bernal’s Black Athena (1987). My view supports linkages between the overlapping subcultures of the Dogon, Amazigh, "Egyptians," Zulu, and others, resulting in a kozmic fusion wherein the primordial werewolf (some would prefer jackal or werehyena) is a key deity from the dawn of civilization in the Motherland.

Underworld: Rise of the Lycans finds the great Irish actor Michael Sheen’s "lycan" leader character Lucian subbing for Kunta Kinte. In the stark, nightmarish Eastern European fiefdom of vampire lord Viktor (Bill Nighy), the decadent, pale vampires are pampered aristocrats guarded and served by their dark, subhuman lycan slaves (hybrids of humans and wolves). Lucian changes from pet house nigger fettered by shackles of the flesh and mind — condescendingly deemed "a credit to his race" by Viktor — into an enlightened, empowered rebel leader who brings deliverance to lycan-kind by forging an alliance with despised animal spawn of William Corvinus in the wooded wilds.

Yet all is not Molotovs and roses — there are sadistic spectacles of whipping at the hands of cruel overseer Kosta, Nubian ally Razahir is forced to submit to lycanthropy, and Lucian suffers the ultimate price for miscegenation with Viktor’s daughter Sonja (the underrated Rhona Mitra). Rise of the Lycans may not be Blacula, but it is often a winking mash-up of Roots and the even more hardcore, honest Mandingo (1975). In a time when America has just elected its first (official) black president but open dialogues on slavery — and reparations for same — remain muted at best, it’s heartening to witness product straight out of Hollyweird somehow serving as an optic Trojan horse for the oft-forgotten and misrepresented radicalism of antebellum culture heroes like Nat Turner, Cinque, and the O.G. Black Moses herself, Harriet Tubman.

Rise of the Lycans has been roundly panned by fanboys and critics alike, which is hardly shocking considering America’s unwillingness to face the major episodes of its bloody past — the enslavement of Africans via the Triangular Trade, and the genocide of the First Nations. Yet to these eyes and ears, the film’s a first sign in the Age of Obama that a willingness to finally address the West’s hateful legacies can emanate from "low" culture, despite the will to bliss out in the opiated mass of post-racial utopia.

Editor’s Notes

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Tredmond@sfbg.com

It was not what you’d call a banner day in the big leagues. On May 12, the progressives — who celebrated sweeping victories in last fall’s election — lost three significant battles, leaving me more than a little nervous about the upcoming epic fight over Mayor Newsom’s 2009-10 budget.

In separate votes, with different members going the wrong way each time, the Board of Supervisors sided with Newsom on a private deal to build a solar-power project in the Sunset District, then approved his Muni service cuts and fare hikes.

And while the final Muni vote was going on at City Hall, the School Board was meeting nearby and voting to restore a military recruiting program to the public high schools.

This is not what any of us had in mind during last fall’s campaigns.

The vote to approve the Recurrent Energy project came early in the day and left me shaking my head. The idea was fine — build solar panels on the Sunset Reservoir — but the contract the mayor’s Public Utilities Commission put forth was full of serious problems. For starters, nobody was ever able to explain why the city never looked seriously at a way to build the project itself instead of giving the land to a private, for-profit company that will charge very high rates for the power. It was the kind of deal you’d expect the fiscal conservatives to wince at, but no: Sean Elsbernd was all in favor.

That left Ross Mirkarimi and David Campos to raise the questions about this use of public resources and public money. The problems should have been hammered out in committee, and the deal amended before it ever came to the board. But to my surprise, John Avalos voted with Carmen Chu to pass it out of Budget and Finance.

Then, again to my surprise, Eric Mar broke with the progressive bloc and sided with the Newsom camp to approve the thing.

I wasn’t thrilled with the outcome, but you can’t win ’em all — and I figured that at least the Muni fare hikes were going down. After all, Board President David Chiu had done an outstanding job of challenging Muni on its assumptions and its spending on plans, and was leading the charge to reject the budget. Six other supervisors signed on to his move.

Then the backroom talks started — right in the middle of the board meeting. The Mayor’s Office offered a few tidbits, but insisted that the fare hikes and service cuts had to be passed or the entire city budget would be out of whack. And to my surprise, in the end, Chiu blinked. He voted to table his own resolution, effectively approving the Muni plan.

What was missing in all of this, I think, was visible progressive leadership. Chiu has done some good things, but he’s still very new — and in this case, he didn’t stand up to the mayor. I think that’s partially experience, learning how Newsom plays the game and realizing that you can’t let him threaten you or push you around, that compromise is fine and open communications are great, but that in the end, the supervisors have to call their own shots.

And there’s nobody else on this board stepping into that role right now.

The progressive majority on the board is fractious, but that’s always going to be the case. The reason there’s no left-wing "machine" in San Francisco, and never will be, is that people on the left are always too independent and too unwilling to be herded. There’s still room, though — and now, a desperate need — for leadership, for someone who can be the majority whip and make sure the six votes are there when we need them.

If the progressives can’t stick together on Newsom’s budget, it’s going to be a long, and painful, year.

I wish Mark Sanchez had decided to stay on the School Board instead of running for supervisor. He would have been re-elected, and either Jill Wynns or Rachel Norton would have lost, and this whole JROTC fiasco would never have happened.

There are plenty of problems in the schools, plenty of issues for the board to work on, and with the deep budget problems, it’s going to be important for the members to work together. The decision by Wynns and Norton to dredge up a done issue and drag it back before the board was needless and wrong.

I’m way against JROTC in the schools, but even some of the people who ended up supporting it — like board member Norman Yee — never wanted to see it back before the board again. Now we’re going to be fighting over this for months to come. There may be litigation, and it didn’t need to happen.

Now any hope of finding an alternative leadership program that doesn’t involve the military is gone for at least the next two years, and we’re stuck with the Army as part of our high school curriculum.

Not a banner day, folks. Not a banner day. *

Crash landings

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news@sfbg.com

As the U.S. military wrestles with President Barack Obama’s plan to expand the war in Afghanistan while reducing its presence in Iraq, there’s a mounting cost on the home front for the 1.9 million soldiers who have been deployed to those conflicts and are now beginning the often difficult transition back to civilian life.

Inadequate stateside mental health and other veterans’ services has been serious problem for years (see "Soldier’s heart, 12/22/04). A report in January 2008 by the RAND Corp. titled "Invisible Wounds of War" found that nearly 20 percent of Iraq and Afghanistan veterans report symptoms of posttraumatic stress disorder (PTSD) or major depression, and that an additional 19 percent experienced a possible traumatic brain injury while deployed. But only slightly more than half of these returning veterans seek treatment that RAND called "minimally adequate."

The report estimated that PTSD and depression will cost the nation $6.2 billion in the two years following deployment, but also estimated that investing in more high-quality treatment — and thus lowering the rates of suicide and lost productivity among veterans — could reduce those costs by $2 billion within two years. Modern life-saving and protective technologies and repeated deployments appear to be making the problem worse now than in previous wars.

"Early evidence suggests the psychological toll of the deployments may be disproportionately high compared with physical injuries," the report stated, concluding that a national effort is needed to expand and improve the capacity of the health care system and to encourage veterans to seek this care.

That national picture is reflected in San Francisco. Judi Cheary of San Francisco’s Department of Veteran Affairs medical clinic said that 25 percent of the service members they see returning from Afghanistan and Iraq receive a mental health diagnosis.

Keith Armstrong, the clinic’s PTSD counselor and a professor of psychiatry at University of California-San Francisco, noted that veterans often have a diagnosis that includes depression and PTSD, or substance abuse and PTSD. "So they may be struggling with many problems," said Armstrong, who wrote Courage After Fire: Coping Strategies for Troops Returning from Iraq and Afghanistan and Their Families (Ulysses Press, 2005). "Others simply have adjustment challenges from being in combat."

For instance, traffic can be difficult for returning service members who drove in combat conditions, where explosives were a constant concern. "They are scanning the environment because that’s what kept them safe in combat, or pushing the steering wheel when a friend is driving, trying to move from one lane to another," he explained.

According to V.A. data, California has the third-highest number of veterans in the nation. In Northern California, most live in the Central Valley, leaving some San Francisco vets feeling isolated. "There’s a lot of talk about supporting the troops, which is nice, but it’s intellectual," Armstrong said. "Here people may not disclose that a family member is in war, not because they’re afraid people will spit on him, but because they are afraid that people will say dumb things."

His clinic has seen an increase in these veterans in the past year. Armstrong typically sees three clusters of PTSD symptoms: intrusive symptoms (vets can’t get particular images and experiences out of their head); avoidance symptoms (vets believe they don’t have a great future ahead; they feel numb, it’s hard to get close to them); and arousal symptoms (vets are often irritable and angry).

Anger often causes the most problems. "We see more self-destructive and reckless behavior in younger folks," he added. "They have anger, revenge-based fantasies. They know what it’s like to blow someone’s head off or to see it being blown off, so when they get angry, that crosses their mind." But he said that couples and families often talk more about "the numbing" and "the inability to connect."

Armstrong also pointed out that many vets worry about the effect on their career of getting help, and how it looks to others if they do. "That’s due to both their training and age group," he said, noting that 50 percent of soldiers are 17-to-24-year-olds, and 89 percent are male.

"So it’s not just about war, but about the developmental stage of the troops," he said. "It’s an appropriate age to be independent and not get any help. But that, combined with the stigma of asking for help — and if they have PTSD avoidance symptoms — can keep them from going in."

As a result of recent studies showing that PTSD can develop up to five years after discharge, the V.A. extended what was previously a two-year limit in which veterans could get help to a five-year window. They also now have a suicide prevention hotline number for vets: 1-800-273-8255.

"The V.A. overall has made some mistakes, but it has really taken suicide prevention seriously," Armstrong said.

There are nonprofit options as well. Founded in 1974, Swords to Plowshares provides counseling and case management, employment, training, housing, and legal assistance to homeless and low-income veterans.

Equally important, it’s staffed by veterans like Walter Williams, who served in Iraq and Afghanistan and has combat-related PTSD, and Tia Christopher, a survivor of military sexual trauma. "The experience of being in a war zone as well, or being sexually assaulted by some one in your own unit, that’s profound," Armstrong said.

As Christopher explained, she and Williams have similar symptoms and attend weekly V.A. appointments to deal with their own mental health issues, between providing services to other veterans at the group’s Howard Street office.

"Pretty much everyone coming back has combat stress and everyone I know has been buying rifles," Christopher said, noting that cleaning guns can be a meditative therapeutic activity for veterans. "Combat stress becomes clinical PTSD when those symptoms don’t go away."

Christopher said women who were in combat and survived military sexual trauma face "a double whammy." Out of the military for more than seven years, Christopher observed that "things get better, but the memories don’t go away."

In 2007 there were more than 2,000 reported military sexual assaults, but only 181 were court-martialed, she said. "So basically survivors are dealing with injustice of nothing happening.

"I used to wish that PTSD gave you purple spots," she added. "That way people would know you had it. Instead, you are left dealing with getting panic attacks all of a sudden and being on edge."

"I call it a flare-up," Williams said. "It’s different each time. Sometimes, when I have to focus and get my mind around something, I’m blank. I feel like I want to cry, but I can’t."

Unlike past generations who openly identified as vets, "this new wave of vets is "more intent on blending in," Williams said. "They’re trying to suppress their symptoms. They don’t want to be seen as weirdos."

Deployed to Iraq and then Afghanistan as a communications specialist in 2004, Williams recalled having to give up his weapon twice and being put on suicide watch. "For a week, they watched me, then they gave me my weapon back."

He’s convinced that the best solutions to the challenges facing this latest wave of PTSD-afflicted vets lie in "listening to stories from the mouths of people with it," he said.

Bobbi Rosenthal, regional coordinator for V.A.’s homeless program, said that an estimated 20 percent of the 6,514 people recorded in San Francisco’s 2009 homeless count are veterans.

Anita Yoskowitz, administrative site manager for the V.A.’s homeless services center on Third Street, said 90 percent of the vets who use the clinic’ showers, laundry facilities, and computer lab have PTSD.

And while many of the center’s clients are still from the Vietnam and Desert Storm era, the average age is starting to come down, she said, as veterans from Iraq and Afghanistan begin to trickle in.

Veterans can come to the clinic every day, but those who are not clean and sober are limited to three times a week. When folks come for medical care, Yoskowitz said, "the clinic is on the look out for mental health problems."

Jacob Hoff, who volunteers at the center’s computer lab, said that from conversations he overhears, it’s clear that coming back is hard. "There’s a lot of survivor’s guilt. I can really tell the young kids who are coming in and learning how to be homeless. The older guys tell them where to go for food."

Donald Fontenot, who enlisted in 1980, was on the computer looking for housing when he shared his story. He enlisted when he was 18 and then messed up his knees jumping out of a C-141 jet, so he understands the stress of no longer being able to perform.

"You are young and strong and then all of a sudden, you can’t do these things," said Fontenot, who was living in his car behind the clinic until it got towed by the police. "So I wound up more homeless."

Currently staying with a friend, Fontenot recalled meeting a Vietnam vet who likes to walk around Golden Gate Park at night with a pistol. "It gives him the feeling of walking around in the jungle," said Fontenot, who is searching for suitable Section 8 housing — another unique challenge for PTSD-afflicted veterans in San Francisco.

For some, the road to recovery leads them from the streets of San Francisco back into the arms of their family. One such local family shared their story with the Guardian and we decided to shield their identities for privacy. Mike recalled the dramatic change he saw in his brother, Joe, who joined the Marines directly after 9/11, after he tore up his shoulder in Iraq.

"His whole mentality, even if he didn’t support the war in Iraq, was of a to-die-for-it Marine," said Mike, recalling the hurt and disappointment in Joe’s voice after he had two surgeries, and couldn’t return with his unit to combat.

Mike said his brother’s state of mind worsen after he had been out of active duty for three years, and that the first signs that his brother might have PTSD were night sweats and an inability to pay attention.

"But how can you expect soldiers to pay attention to isolated thoughts, words, and action, when they are or have been immersed in culture that teaches you to ‘walk, talk, shoot, shit’?" Mike asked.

Joe was homeless in San Francisco for stints in 2007, but never longer than a week. Mike recalled how things came to a head when the two brothers got into a fight one night after Mike closed the bar where he worked.

"Here we are, I’m 30 and he is 28, in a fist fight, and I told [Joe], ‘I think you’re losing your mind.’ And he said, ‘then save me,’ lying on my kitchen floor at four in the morning. But then that was it, no more conversation."

Joe soon checked himself into a couple of private facilities where he berated psychiatrists for not knowing about military combat zones and could always check himself out. "Then he went over to the East Bay, went into a 24-hour Fitness Center to use the shower, got into it with a security guard for trespassing and disorderly conduct, got arrested, and was brought to the V.A.’s PTSD center in Palo Alto," Mike said.

It was at this state-of-the art facility that Joe began to get help, and this year he returned to Chicago, where he is living with family until he returns to school to pursue his master’s degree. Joe’s mother, Betty, said dealing with all this has been minor compared to the prospect of losing her middle son permanently. But she resisted labeling behavior she believes was connected to his imploding marriage and financial problems when he moved to California, as well as to fallout from his injuries in Iraq.

She recalls getting an e-mail from their now former daughter-in law saying, "Joe has been living in the park, camping." Betty said the first year after Joe came back was pretty tough. "We knew the marriage was over. And a couple of times I called two of his real close friends who are Marines, to tough-talk to him. For a period of time, he was acting out, a different person. You could tell something wasn’t right, and yeah, some blamed it on the service."

Asked what she thought of giving vets with PTSD a Purple Heart, an idea the military floated earlier this year, Betty said, "I don’t know. They all have to go through it in some respects. My feelings about why he ended up totally collapsing is that he was trying to do too much on too little. They are over there, building cities and lives for people. Then they get back and find they can’t support their families or themselves. But at least it’s not like when folks came back from Vietnam and were labeled as bums."

Guardian staff writer Sarah Phelan’s son deployed to Iraq in 2007 and returned in April 2008.

Madcap laughs

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a&eletters@sfbg.com

SONIC REDUCER "I told you so" are the sweetest, shortest words in the lexicon of raving visionaries and maligned prophets, but Sir Richard Bishop is far too gentlemanly to resort to such snack-sized snarkery. Still, I’m thinking the world’s attentions and the brothers Bishop and their many projects might finally be harmonically, magically converging as I park myself on a thrift-store coach beside the charming Bishop in the airy, uncannily tidy West Oakland flat he shares with Mark Gergis (Porest, Neung Phak, Mono Pause).

After the 2007 death of Sun City Girl Charles Gocher, attentive underground music fans — who’ve revered the band for its determinedly DIY, cassette-culture cussedness — collectively blinked, rubbed their eyes, and wondered why they hadn’t paid closer attention to the endlessly productive Girls (even now issuing rarities via the new Napoleon and Josephine: Singles Volume 2 [Abduction]). Attention from figures like Bonnie "Prince" Billy (who told me that the Bishop Brothers’ Brothers Unconnected show at Slim’s was the best he saw last year) and labels such as Sub Pop, which talked to the Bishops about doing a best-of, soon followed.

Likewise Sublime Frequencies — the label Richard and Alan Bishop toiled on for years amid accusations that they were ripping off artists, failing to follow academic protocol, and simply not applying enough polish to their rough aesthetic — began to get its due as a groundbreaking disseminator of obscure sonic gems from such far-flung, seldom documented sites as Burma, Laos, and Western Sahara. Richard, who is less involved with the imprint these days, says they’ve become adept at tracking down and paying the performers. Today, the label gets the kind of praise it richly deserves, including a hefty feature by onetime naysayer Clive Bell in Wire. Sublime Frequencies is also producing the first European, non-Mideast tour by breathtaking Syrian folk-pop legend Omar Souleyman, whose Highway to Hassake (Sublime Frequencies, 2006) positively shreds with phase-shifted Arabic keyboard lines and frenetic beats.

Meanwhile Sir Richard is concentrating on his new Oakland life, bathed in the soft light and BART train roar streaming in from the ‘hood. "It seems like it’s alive here — whereas in Seattle it’s kind of dying and not just musically," he says happily. "This is not the best neighborhood, but when I go out the door, I’m alive, and I’m totally aware of what’s going on, and there’s just some cool creative energy to grasp onto."

Guitars and instruments are neatly clustered in an alcove across from a massive TV rigged to catch Mideast channels — perfectly tuned into Bishop’s current obsession with and studies into the music the half-Lebanese musician first heard his grandfather play on old cassettes. Here in Oakland — aided and abetted by the half-Iraqi Gergis and his collection of Middle Eastern MP3s, cassettes, VCDs, and vinyl — he’s been digging deeply into the music of Lebanon, Syria, and Egypt, a homecoming of sorts since Bishop started out studying Egyptology around the time of Sun City Girls’ early ’80s inception.

When Bishop started tracking his fine, even sublime new The Freak of Araby (Drag City) in Seattle, the switch from making a poppy electric-guitar album to one centered on Middle Eastern-related originals and covers was a natural one — a tribute to his latest fave, Egyptian guitarist Omar Khorshid. Bishop scrambled to learn new songs in six days, but he’s pleased with the result, which he’ll fill out live with tour mate Oaxacan as his backing combo. The disc "was very rushed, and I didn’t have time to hash out a lot of the ideas," he says. "There are people who are not going to like it, but that’s okay, it never bothered me before!" And with that, the jolly Sir Richard laughs. *

SIR RICHARD BISHOP AND HIS FREAK OF ARABY ENSEMBLE

Fri/22, 9:30 p.m., $10

Stork Club

2330 Telegraph, Oakl.

www.storkcluboakland.com

FITS AND WIGGLES

OBITS


Drive Like Jehu and Hot Snakes are in the Brooklyn post-punkers’ past, now gathering steam with Sub Pop singles and SXSW blather lather. Wed/20, 9 p.m., $10–$12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com.

BLK JKS


Don’t fear the guitar solo, all ye Johannesburg black-rockers. Fri/22, 9 p.m., $12. Independent, 628 Divisadero, SF. www.theindependentsf.com

NOMO


Out now with Invisible Cities (Ubiquity), the polyrhythmic Midwestern mind-blowers destroyed all reservations at their last BOH show. Fri/22, 10 p.m., $10–$12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com.

LADY SOVEREIGN


The pint-sized electro-grime poobabe finds a Cure with "So Human." Sun/24, 9 p.m., $18. Rickshaw Stop, 155 Fell, SF. rickshawstop.com

Board restores some Muni service, but Newsom gets his fare hike

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By Steven T. Jones

After hours of negotiations between the Mayor’s Office (mostly via its representative, Sup. Carmen Chu) and progressive members of the Board of Supervisors, President David Chiu reconvened his colleagues this evening to announce that he had cut a deal on his challenge to Muni’s budget: “I’m happy to say we’ve made good headway.”

Chiu asked MTA chief Nat Ford to announce the terms: the agency would trim $10.3 million from the budget (a $2.8 million reduction in the $66 million it is giving to other city departments, $6.5 million in salary and operations savings and other nips and tucks, and $1 million in increased parking revenue after a 90-day study of extending meter hours) and restore $8.6 million in proposed Muni service cuts, immediately complete MOU negotiations with the SFPD to finally explain why the MTA is giving them millions of dollars every year, and delay by six months increases in what seniors, youth and the disabled will pay for Fast Passes.

Everyone thanked Chiu for taking the lead on challenging the MTA budget and negotiating a settlement to this conflict with Mayor Gavin Newsom, then all the progressive supervisors criticized the package as a bad deal that unduly punishes Muni riders and lets Newsom get away with raiding what is supposed to be an independent agency. “I have to say I’m utterly disappointed with where we are right now,” said Sup. David Campos, the first to react to the freshly inked deal.

The board voted 6-5 to drop its challenge of MTA’s budget, allowing fares to increase to $2 and services to be reduced, with Sups. Campos, Ross Mirkarimi, Chris Daly, John Avalos, and Eric Mar in dissent.

Seeming stung by the criticism of his colleagues, Chiu seemed to lay blame where it belonged when he said, “On Friday, the mayor and I had a conversation about this budget and it was made clear to me that there wouldn’t be any movement….We needed to work this out so we could move forward on the myriad issues before us.”

Newsom pushes hard for Muni budget cuts

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By Steven T. Jones
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Newsom only rides Muni for photos ops, so he won’t feel the pinch of paying $2 fares for decreased service.

As the Board of Supervisors prepares to vote this afternoon on a Muni budget that would raise fares and cut service in order to subsidize other city departments and protect drivers from increased parking fees, pressure from Mayor Gavin Newsom has reportedly flipped Sup. Bevan Dufty and weakened the resolve of the final swing vote, Sup. Sophie Maxwell.

Streetsblog has an excellent report (including audio from Newsom yesterday) about how Dufty – after voting against the Muni budget in committee just last week — has relented to accusations by the Mayor’s Office that a vote against the MTA budget is a vote to widen the city’s budget deficit.

Yet the reality is that the city charter makes the MTA an independent agency, not a piggybank for the Police Department, Newsom’s cherished 311 call center, or the other city agencies that will siphon off $66 million in Muni funds through work orders for functions that they perform anyway. Work orders have increased by way more than the $26 million per year that Newsom encouraged voters to give Muni by approving Prop. A in 2007.

Newsom tried dismissed arguments that the budget would create a downward spiral for Muni, which is already reeling from state budget cuts, saying of the issue “this is nothing.” He also said, “You have to be responsible for the things you advocate because there’s tradeoffs.” That’s true, and apparently Newsom is willing to trade the MTA’s independence and the quality of public transit in San Francisco for appeasing the cops, subsidizing 311, and justifying his budgetary unilateralism and opposition to new revenue measures.

Marin paper chokes on Mirkarimi appointment

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By Tim Redmond

The Marin Independent Journal is going nuts about the fact that San Francisco Sup. Ross Mirkarimi got a slot on the state Coastal Commission. The IJ wanted a Marinite, Sup. Steve Kinsey, and is blasting Sen. Mark Leno for recommending Mirkarimi (which for all practical purposes guaranteed that the San Francisco environmental leader would get the post).

According to the IJ:

Leno said it was a difficult choice and that he respects Kinsey’s experience. He said Mirkarimi offers strong environmental credentials and stressed that a San Franciscan has not held the North Coast seat for 32 years. He pointed to Mirkarimi’s leadership in winning passage of San Francisco’s ban on plastic bags. Leno said he also heard from some environmentalists who asked him not to pick Kinsey. Apparently Kinsey works harder than they would like to balance historic private property rights and local agriculture with protection of California’s coast.

You get the point — Kinsey thinks that the Coastal Commission should “balance” property rights and coastal protection. Actually, that’s not the panel’s job. The commission was set up to prevent development along the coast; it’s supposed to be really, really hard to get a permit to do anything that would limit public access or damange a pristine coastal area.

A former Sierra Club president makes the point nicely here.

But wait — the IJ isn’t done. In an oped column May 5th, Brad Breithaupt insists that Leno was snubbing the northern part of his district:

For the first time in 30 years, a Marin resident isn’t serving on the commission, even as an alternate.

Guess what? It’s been more than 30 years since San Francisco had a seat on the commission.

But that’s not the issue. The issue is that coastal protection is more important than whether someone lives in San Francisco or Marin — and on an increasingly conservative and pro-development commission, the representative from the SF/Marin/Sonoma area needs to be a hard-core enviro, someone who isn’t looking to compromise with property owners or developers.

“And I think Ross Mirkarimi has already proven he’s doing an excellent job,” Leno said. So lighten up, Marin.

Why does the Potrero power plant operate with an expired water permit?

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By Rebecca Bowe

choking fish.gif

On Dec. 31, 2008, Mirant’s wastewater-discharge permit expired — but the gas and diesel-fired power plant still runs an average of nearly 20 hours a day, according to figures released by the California Independent System Operator (Cal-ISO).

One unit at the facility uses a system called once-through cooling, which means it takes in huge quantities of water from the bay to cool the machinery, then dumps it all back at temperatures high enough to impact surrounding ecosystems. This process is regulated by a permit issued by the San Francisco Bay Regional Water Quality Control Board. A spreadsheet on the agency’s Web site shows that more than five months into 2009, a hearing to outline the terms of a new wastewater-discharge permit still hasn’t been scheduled. The water board is waiting on a state policy decision regarding once-through cooling before it acts, a note explains.

Sing those blues, Sita

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By Dennis Harvey

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Sita Sings the Blues

A few years ago, independent animator and comic strip artist Nina Paley left San Francisco for India, where her boyfriend had found employment. A while later, during a visit home, she received a surprise, brusque communication from the bf informing her she need not return — the relationship was over. Just what the bf ultimately got out of this episode is unknown. But Paley got posterity: her first feature film, inspired by both the breakup and the ancient Sanskrit epic the Ramayana, is artistic therapy that also happens to be just about the most delightful movie in eons, cartoon or otherwise. Utilizing very different animation techniques, she cuts between a blatantly autobiographical tale of romantic woe and the mythological travails of Sita, beloved of the noble Rama. He rescues her from an amorous, abducting rival, but his chivalry dies when false accusations about her "purity" threaten to tarnish his image. Then, as now, men are pigs. Sita wriggles through her fate like a Bollywood Betty Boop, frequently crooning vintage 78 tracks by Jazz Age blues chanteuse Annette Hanshaw, and the visual wit on display is akin to Max Fleischer’s antics plus intellectual gamesmanship, grotesque streaks, and eye-popping color. Paley breaks the fourth wall in umpteen ingenious ways. Sita Sings the Blues is so full of fun and invention you may start looking forward to seeing it again after it’s barely started.

Sita Sings the Blues trailer

SITA SINGS THE BLUES runs Fri/8–Tues/12 at the Red Vic..

Mirant’s last gasp?

0

rebeccab@sfbg.com

GREEN CITY A new multipronged effort to shut down San Francisco’s Mirant Potrero Power Plant is raising hopes that the end could be in sight for the controversial fossil-fuel-fired facility.

An ordinance proposed by Sup. Sophie Maxwell suggests that the entire facility — including the primary unit 3 and the smaller, diesel-fired units 4, 5, and 6 — could be shut off without having to create any new fossil fuel generation within city limits. The legislation would direct the San Francisco Public Utilities Commission to figure out how to bridge the in-city electric generation gap using energy efficiency, renewable power, and other alternatives.

Meanwhile, a lawsuit filed against Mirant by City Attorney Dennis Herrera targets Mirant’s failure to perform seismic upgrades. The effort wouldn’t close the plant directly, but could make it more burdensome for Mirant to do business here. Mirant did not return calls for comment.

"Mirant has been given a free pass for a while, and the city doesn’t want to give it to them any more," Deputy City Attorney Theresa Mueller told the Guardian. "Part of the reason they’ve gotten away with not doing it is because it was expected to close."

City efforts to replace the Mirant plant’s power with combustion turbines that San Francisco already owns were derailed last year after Mayor Gavin Newsom withdrew his support for the plan, instead backing an alternative pushed by Pacific Gas & Electric Co. that would have retrofitted the Mirant plant, a proposal that consultants said didn’t pencil out and that failed to win Board of Supervisors’ approval (see "Power possibilities," 11/5/08).

Despite various city efforts to shutter the plant going back nearly a decade, Mirant Potrero still runs an average of 20 hours per day, according to figures released by the California Independent System Operator (Cal-ISO). In 2007, the plant released 235 tons of harmful pollutants into the air, and 336,300 tons of carbon dioxide.

For now, Cal-ISO requires Mirant to continue running to guarantee that the lights would stay on in the city even if major transmission lines fail. But with the installation of the Trans Bay Cable — a high-voltage power cord that will send 400 MW of electricity under the bay from Pittsburgh in 2010 — Mirant’s largest unit will be unnecessary.

"We assume that the Trans Bay Cable will be in service sometime in mid 2010. We can then drop Potrero [unit 3]" from the reliability contract, says Cal-ISO spokesman Gregg Fishman. The dirtier, diesel-powered units 4, 5, and 6 would still be required, he says.

Not everyone accepts this as the final word on the matter. Maxwell’s legislation calls for the SFPUC "to take all feasible steps to close the entire Potrero power plant as soon as possible." That ordinance, expected to go before the Land Use Committee on May 11, would direct the SFPUC to update a plan for the city’s energy mix, called the Electricity Resource Plan, to reflect a goal of zero reliance on in-city fossil-fuel generation.

The original plan, issued in 2002, was also designed to eliminate the Potrero plant. This time around, key assumptions have changed. Last year, as Newsom and some members of the Board of Supervisors battled over the Mirant-related projects, PG&E sponsored a study indicating that the city might not need new local power generation.

Maxwell’s new proposal, citing information from the PG&E assessment, now suggests that after the installation of the Trans Bay Cable and other transmission upgrades, the electricity gap for in-city generation will be much smaller than previously assumed. This gap, which Joshua Arce from the Brightline Defense Project likes to refer to as the "magic number," has apparently shrunk to 33 MW in 2012, as opposed to 150 MW. But Arce said, "We want the magic number to be zero."

Barbara Hale, assistant manager for power at the SFPUC, confirmed that the city agency was preparing to update the plan and noted that it would likely contract with a Colorado-based firm, Rocky Mountain Institute, to do it. "We are hoping we can meet San Francisco’s electricity needs in a way that does not involve fossil fuel generation in San Francisco," Hale told the Guardian.

Encouraged by the recent activity, environmental justice groups are organizing for what they hope will be the last push to shut down the Potrero plant. Tony Kelly, president of the Potrero Boosters and an activist on power plant issues, is optimistic. "There really is an end in sight to that power plant," he says.

Some eyebrows have been raised over the implications of the Trans Bay Cable, which by most accounts will be plugged into a fossil fuel-powered facility in Pittsburgh. "We really are going to be highlighting that San Francisco needs to take responsibility … so that we don’t have clean air on the backs of poor people and people of color in the East Bay," says Bradley Angel, executive director of Greenaction for Health and Environmental Justice.

Nor is everyone feeling optimistic that the closure of the plant is near. Joe Boss, a member of the city’s Power Plant Task Force for about nine years, says he still doesn’t expect Cal-ISO to budge, and believes the city will have to live with the Potrero plant for years to come.

Fishman, from Cal-ISO, said that as things stand, units 4,5, and 6 will "almost certainly" still be required. Almost. "Between now and when the Trans Bay Cable is in service, we can conduct … studies on transmission projects that are officially presented to us," he added. "Based on the hard data that comes from those studies, we may reevaluate the need for local generation."

TICed off

0

news@sfbg.com

San Francisco tenants who are supposed to be protected by city and state laws are now facing eviction as a result of real estate speculators working hand-in-hand with banks in a scheme that has been implicitly endorsed by federal regulators and the courts.

Kaushik Dattani, whose company owns multiple properties throughout San Francisco, won a summary judgment to use the Ellis Act to evict four families from their rent-controlled apartment. Judge Charlotte Woolard’s April 21 ruling, denying the low-income Mission District families a jury trial, could leave the 12 longtime residents — seniors, disabled, single mothers, and children — homeless within a couple of weeks.

In August 2007, court records show Dattani secured an 18-month, interest-only $1.3 million loan from Circle Bank of Marin to buy the Victorian building at 19th and Lexington streets. The loan included an agreement that he would pull the units from the rental market using the Ellis Act, renovate the building, and sell the five Victorian units as tenants-in-common (TICs).

Traditionally banks haven’t offered loans to individual TIC owners, but Circle Bank of Marin was one of the first banks to start offering such "fractional" loans in 2005, a practice that created a strong market for TICs, loan officer Mark Skolnick (who says he’s an independent contractor and not a bank employee) told the Guardian.

In making the loan to Dattani, court documents show Skolnick predicted a 42 percent profit, which would require all five TIC units to be sold for $3.3 million. But according to Tenderloin Housing Clinic attorney Steve Collier, Dattani has not yet paid off the balloon payment — due April 1 — putting the building at risk of getting handed over to the bank, emptied of residents.

Kevin Stein, associate director of the California Reinvestment Coalition, said the lending scheme is contrary to the federal Community Reinvestment Act, which encourages banks to meet the credit needs of the low-income communities. "It’s within the Federal Deposit Insurance Corp.’s power to say these kinds of loans that result in the displacement of low and moderate income tenants are not helping to meet the community’s credit needs," he said, noting that the FDIC has refused to get involved.

Others argue the importance of creating home ownership opportunities in a city where about two-thirds of residents rent.

"Here we have what looks like a condo, feels like a condo, but it’s a TIC. It’s a way of creating affordable housing," Skolnick said. "Some people lose their home, some people gain a home. The TIC platform is proving to be a very affordable option for this different subset of people."

But for the subset of people being displaced using the Ellis Act — a state law intended to allow existing landlords to get out of the rental business, not to encourage real estate speculation — the affect can be devastating in a city where little new rental or affordable housing is being built.

"They just come in out of nowhere and they see this place, buy it and kick everyone out. There’s no soul there," said Luise Vorsatz, who lived in the house for 30 years before being evicted.

This is not Dattani’s first Ellis Act eviction (when the Guardian contacted Dattani for comment, he hung up on us). In 2000, he hired infamous antitenant lawyers Wiegel & Fried to evict senior Alma Augueles from her flower shop in the Mission. In 2007, he evicted a group of tenants living above Revolution Café on 22nd and Bartlett streets. That building has sat empty for over a year, something that could also happen with his new property given the slumping real estate market.

Under the Ellis Act, if the unit go back on the rental market within five years, the evicted tenants have first priority at their old rent level, but that’s up to the tenants to enforce. "It’s possible the landlord won’t be able to sell and will end up renting it at higher rents," Ted Gullicksen, executive director of the San Francisco Tenants Union, told us.

"They don’t look at the fact that we have pride of tenancy—that we have lived here all these years," said 23-year resident Ronny Ruddrich, who raised her children here and walks to her job as a Noe Valley shoe store manager for the past 22 years. "He drives up in his Mercedes and shows no respect whatsoever."

Our 2009 Small Business Awards

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>>More on SFBG.com
Why can’t City Hall shop local?

EMPLOYEE-OWNED BUSINESS AWARD

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Photo by Pat Mazzera

CHURCH STREET FLOWERS

"It was really all about trust," says Stephanie Foster of Church Street Flowers, when asked about the benefits and perils of transferring ownership of the delightful bouquet boutique — and perennial Guardian Best of the Bay winner — near the Castro to the employees. Foster, along with Rachel Shinfeld and Brianna Foehr, took over in December 2008 from previous owners Michael Ritz and Thomas Teel, who’d run the shop for a decade. "The three of us had worked here for a while and we knew our stuff, so Michael and Tom knew they could rely on us to preserve the legacy. And the outpouring of support from our neighbors and regular customers has been overwhelming."

The ownership change of the cozy shop, bursting with vibrant blooms and friendly energy, went off without a hitch. "We were part of the lucky few who received a small business loan before the economic collapse," Shinfeld says. "But our business plan was smart, and the bank saw that we knew what we were doing." And, even in the current climate, business is thriving. "Our arrangements aren’t your standard cookie-cutter stuff," Foster says. "People nowadays want personalized, reasonably priced, green-minded, and locally sourced. We fit into all that — most of our flowers are from the downtown flower market and we keep an eye out for organic. Plus we strive to create a real connection with our customers, so we can give them exactly what they want."

"Sure, there have been some adjustments," Shinfeld adds. "There’s a lot of paperwork — and the first thing we needed to tackle was a Web site redesign. But our experience working here helped us through, and I think we’re just beginning to blossom in our new roles." (Marke B.)

CHURCH STREET FLOWERS

212 Church, SF

(415) 553-7762

www.churchstreetflowers.com

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GOLDEN SURVIVOR AWARD

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Photo by Charles Russo

GREEN APPLE BOOKS

What is the special ingredient that transforms a business from just another store into a place that makes people feel inspired and connected? After 42 years as a San Francisco independent bookseller, Green Apple Books and Music seems to have found it. Located on Clement Street in a building that predates the 1906 quake, it’s a "big, sprawling, dusty and funky new and used bookstore," as co-owner Pete Mulvihill describes it, creating an atmosphere for interactions that might seem impossible in a big-box store. Several weeks ago, for instance, a customer approached the store clerks, presented a CD, and requested that they play it. He also asked them to clear out the philosophy room. "I want it to myself for just a minute," he explained. The staff complied, the music started, and the man whisked his girlfriend into the philosophy room and proposed to her.

"To me, that’s an honor that somebody loves the place so much that they would propose to their girlfriend here," says Mulvihill, one of three owners and an employee for more than 15 years. A founding member of the San Francisco Locally Owned Merchants Alliance, he has been at the forefront of a push to identify and promote the city’s small, independent businesses. "Locally-owned businesses recirculate more money in the local economy than national chains," the SFLOMA Web site points out.

"Frankly, we’re invested in the community," Mulvihill explains. "[We] love San Francisco, and we don’t want to go anywhere." (Rebecca Bowe)

GREEN APPLE BOOKS

506 Clement, SF

(415) 387-2272

www.greenapplebooks.com

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CHAIN ALTERNATIVE AWARD

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Photo by Charles Russo

HUT LANDON

Hut Landon is responsible the past few years for helping direct millions of dollars into small business in San Francisco and beyond, and millions more into the local economy.

He does it through his energetic and creative leadership of two key organizations that promote the interests of locally-owned small business. Landon has been the executive director of the Northern California Independent Booksellers Association (NCIBA), which promotes the interests of 200 independent bookstores in the region. He is also executive director of the San Francisco Locally Owned Merchants Alliance (SFLOMA).

Under Landon’s stewardship, the two groups commissioned a pioneering 2007 study that quantified the value of locally-owned businesses in the city. Their stunning finding: if consumers redirected l0 percent of their retail purchases from chains to locally-owned merchants, the result would generate about $200 million for the economy, l,295 jobs, and $72 million new income for workers.

Landon’s timing could not have been better. As the economy tanked, local merchants and neighborhood business organizations used the l0 percent consumer shift as a mantra. The study also pointed out that the local economy could get another big boost if the city would shop locally with the tens of millions it now spends outside the city for goods and services.

Landon likes to use the example of two brothers who live together. One works on Potrero Hill and eats lunch at one of the many locally-owned restaurants. The other works at Stonestown shopping center and eats at a chain restaurant because that’s all there is out there. The Potrero Hill money, he points out, stays in the community. The chain store money is sent back to headquarters. (Bruce Brugmann)

HUT LANDON

Northern California Independent Booksellers Association

1007 General Kennedy, SF

(415) 561-7686

www.nciba.com

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SMALL BUSINESS ADVOCATE

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Photo by Abi Kelly

REGINA DICK-ENDRIZZI

Small business owners often feel as if they don’t have many advocates at City Hall. But they do have Regina Dick-Endrizzi.

Dick-Endrizzi, acting director of the Small Business Commission, has been moving rapidly on ways to help small businesses feel more comfortable dealing with the city — and to help them thrive in a tough economic environment. She helped establish the Small Business Assistance Center, which guides local merchants and prospective entrepreneurs through the thicket of city regulations. "It’s a tremendous asset," she told us. "When people walk through the door, we can take the time to help them develop a roadmap to doing business here." And she’s a driving force behind the Shop Local campaign, which will launch this month with bus shelter and bus-side ads designed to encourage San Franciscans to keep their money in town (co-sponsored by the Guardian).

Known in political circles as a former aide to Sup. Ross Mirkarimi, Dick-Endrizzi has a solid background in business. She moved to San Francisco in 1986 to open the Haight Street Buffalo Exchange store, and worked with that company for 13 years. "We bought our inventory from local people, and I had to have a close relationship with local small businesses," she said. "I have an intimate understanding of what it takes to run a business."

After several years in Mirkarimi’s office, she learned of the opening at the Small Business Commission, and plans to stay there for a while. "I truly believe in what this department offers to small business," she said. "There’s such a tremendous need." (Tim Redmond)

REGINA DICK-ENDRIZZI OFFICE OF SMALL BUSINESS

1 Dr. Carlton B. Goodlett, SF

(415) 554-6134

www.sfgov.org

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GOOD NEIGHBOR AWARD

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URBAN SOLUTIONS

Urban Solutions has its roots in the South of Market Foundation, an economic development corporation formed in 1992 in response to what SoMa merchants, residents, and community-based organizations felt was a lack of accountability in their neighborhood’s development.

A decade later, the organization changed its name and Urban Solutions was born. Two years after that, the burgeoning nonprofit opened a second office, this time in the Western Addition, becoming an important source of service in both neighborhoods.

Urban Solution’s executive director Jenny McNulty says she is currently excited about her organization’s Green Business initiative, which helps educate small business on how to conserve resources and reduce their carbon footprints — and save money in the process.

McNulty is also amped about Urban Solution’s effort — undertaken with the San Francisco Redevelopment Agency — to revitalize Sixth Street’s commercial corridor.

"We’re expanding our Green Business Initiative program, which offers free consulting to help small businesses go green by implementing cost-saving practices to increase the sustainability of their business operations," McNulty said.

Urban Solutions’ Sixth Street revitalization effort includes beautifying the area and helping businesses, in conjunction with Redevelopment Agency grants, by improving their facades, installing new awnings, repainting buildings, and replacing windows, storefronts, and entrance ways.

"Our focus is low-income businesses," McNulty said. (Sarah Phelan)

URBAN SOLUTIONS

1083 Mission, SF

(415) 553-4433

www.urbansolutionssf.org

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GOOD NEIGHBOR AWARD

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Photo by Abi Kelly

JENS-PETER JUNGCLAUSSEN

Jens-Peter Jungclaussen had a dream: Buy a gutted, camouflage-painted school bus on eBay, convert it to biodiesel, and put it to use as a mobile classroom by day and a party on wheels by night, a rollicking omnibus of education, culture, and sustainability. With a few flicks of his wrist, Jungclaussen, a former German windsurfing pro and biology and PE teacher, transforms the bus to suit the need at hand — pulling down a movie screen from the roof; unpacking a buffet table, wet bar, or set of turntables from beneath the seats; or simply switching on the "party lights." Dubbed das Frachtgut ("the good freight"), the bus has hosted dinner parties on Twin Peaks, ecology classes in Muir Woods, sunrise raves on undisclosed beaches, and screenings of The Big Lebowski (complete with bowling and White Russians). It also serves as a mobile billboard for its various local, eco-friendly sponsors and can be rented for field trips and corporate events.

The ever-enthusiastic and tireless Jungclaussen recently turned his attentions to youth education, this year offering for the first time a "mobile summer camp." Teaming up with fellow teachers Michael Murnane, Gretchen Nelson, Justin Ancheta, and Leah Greenberg, he’ll present three, 11-day sessions on wheels that will introduce young people to a variety of Bay Area natural, artistic, and historical treasures. But don’t worry, the parties will still keep rolling. As Jungclaussen promises of the bus, "What you want it to be, it will become." (Marke B.)

JENS-PETER JUNGCLAUSSEN

(415) 424-1058

www.teacherbus.com

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ARTHUR JACKSON DIVERSITY IN SMALL BUSINESS AWARD

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IRENE HERNANDEZ-FEIKS

It’s easy to assume that the purpose of Chillin’, the brainchild of Mexico City native Irene Hernandez-Feiks, is simply to have a good time. But the multimedia parties Hernandez-Feiks has been throwing for 11 years are much more than entertainment. Their actual purpose is to stimulate the economy and support one of the most difficult small businesses to sustain: the business of art.

A former designer herself, Hernandez-Feiks started out organizing weekly happy hours at 111 Minna where she would feature up to five independent Bay Area designers. Her philosophy? Charge the designers nothing for the opportunity and take no commission. The formula worked so well that Chillin’ eventually grew from weeknight happy hours to Saturday night events, complete with DJs. Now Chillin’ is a full-fledged happening — indeed, the June 13 anniversary show at Mezzanine features 180 photographers and artists, 40 filmmakers, 80 fashion designers, and 12 DJs.

But watching Chillin’ grow — and seeing participating artists transform themselves from local to international names — isn’t enough for Hernandez-Feiks. She also devotes much of her time to charity work, including involvement with Gen Art, the Mexican Consulate Cultural Affairs division, the United Nations and Natural World Museum, and the Art Seed Apprenticeship Program benefiting Bayview- Hunters Point youth.

"Because of Chillin’, I have relationships with so many artists," she says. "I want to use those connections to help everybody out." (Molly Freedenberg)

IRENE HERNANDEZ-FEIKS

Chillin Productions

(415) 285-1998

www.chillinproductions.com