Independent

Guardian poll: Do we still need the yellow pages?

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Sup. David Chiu is pushing legislation to restrict the delivery of yellow pages phone books in the city. His proposal: If you want the books, you should ask for them. Right now you get the stuff piled up on your door whether you like it or not — and that creates a fair amount of waste.


But some small business groups say that local independent businesses still use the yellow pages (and there are a lot of plumbers and locksmiths who clearly agree) — and consumer groups like The Utility Reform Network worry about seniors and people without internet access, many of whom might not understand that they have to opt in to keep getting the books.


Too much trash? Public service? You can vote after the jump.






Free polls from Go2poll.com

Dugan O’Neal talks about directing TV On The Radio’s “Will Do” video

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A few years back Dugan O’Neal was featured in the Guardian’s SCENE magazine to highlight Two Renegade Cops, the retro 70s pulp TV series he’d created with fellow Bay Area artist Leighton Kelly. O’Neal has since moved to LA to immerse himself in directing music videos and short films. 

It caught my eye that he’d recently directed the TV On The Radio video “Will Do.” The song is off their latest recording Nine Types of Light, an album that has a video attached to each song. The amalgam of those videos has been pieced together as a Nine Types of Light film that you can watch here

With the band poised to play two dates at the Independent next week it seemed high time to touch base with former SF local O’Neal to hear about his experience working with TVOTR and other projects he has on the burner. We caught up with him at his studio in Silverlake. 

San Francisco Bay Guardian: When did you leave SF for LA?

Dugan O’Neal: Two years ago, though it feels like more. I was coming down here a lot after Two Renegade Cops. Leighton and I had a lot of meetings with our management company and every time I came down it made more and more sense for me to be here. And then he went traveling for a year…

SFBG: Are you still doing anything related to Two Renegade Cops?

DO: No, that was just a limited thing. Fuel TV owns it. But Leighton and I have a whole book of ideas that we want to do. He’s still traveling and has this amazing blog where he creates a piece of art every day. So it just made sense for me and Brandon [Hirzel] to move to LA. We were working a lot with David Myrick who was already down here… he shot that SCENE cover for the Guardian a few years ago and he also shot the TV On The Radio “Will Do” video. 

SFBG: Tell me more about working on TVOTR’s video. I hear my NYC friend Ivan Bess was on the project…

DO: Yeah, working with Ivan was great. We shot a bunch of stuff in New York and fortunately he was able to help out with that. 

SFBG: Which parts were filmed in New York?

DO: Everything with the band. The shots that were narrative based with just lead singer Tunde [Adebimpe] and Joy [Bryant] were filmed here in Silverlake. Even the outdoors stuff was done in the neighborhood. 

SFBG: Who designed the goggles?

DO: These twin brothers named Nikolai and Simon Haas. It was crazy because I turned in the treatment to the band on Friday, got the job on Saturday, and was on a plane to New York on Tuesday. Tunde had seen my “Eskmo” video and it resonated with him. And I’d wanted to use the virtual reality idea to create a narrative. But when I got the job we basically had a day and a half to figure out and make the virtual goggles. My rep Danielle had to fly with these crazy contraptions…

SFBG: Wow, with the wires everywhere they must have looked like a bomb…

DO: Yeah they totally looked like a bomb! I couldn’t believe that they didn’t get checked… she just carried them on to the plane! That was kind of disturbing. I mean I got patted down like 40 times…

SFBG: Because of your beard…

DO: Yeah. But TVOTR killed. Most of the people who directed the other videos were friends of theirs. I was the only one who wasn’t already in their circle. But once I started working with them we realized that there were a lot of connections, especially through Kyp [Malone], to my Bay Area family… the Yard Dogs and the folks at Five and Diamond. 

SFBG: How does the “Will Do” video fit into the larger picture of the film?

DO: It’s not like there’s one consistent story or plotline, but all the videos are saying a similar thing in different ways. There’s a cohesive vibe. There are interview parts that tie it all together. The second half feels more like a story because there are about 3-4 videos that lead into one another. 

SFBG: Tell me about the other stuff you’re working on. 

DO: I directed a video for a new artist on Rhymesayer named “Grieves”.. it’s kind of atmosphere and underground hip-hop ish. It’s an awesome song and I got to work with Kyle Mooney of Good Neighbor Stuff. So I’ve been doing that and writing treatments. But any time there’s a lull I’ll make my own stuff. 

SFBG: I saw one of your videos… the one where you’re at the window…

DO: Oh the “Happy Birthday” one… that was fun. But that’s the worst part of this kind of work. You’re always pitching things but then you’re stuck waiting. You have to make sure you’re still producing because that’s how you attract more work. I was really inspired by Leighton’s blog… so I started to created a video every week, just forced myself to hit that deadline. For me it was cool to see the progression, and to see how many times I hit a wall in the middle of producing a video… but finally I just learned to trust the process. 

SFBG: And the move to LA has been good for you?

DO: Yeah. I love it down here. Living in San Francisco was super instrumental to finding out what I wanted to say as an artist and a filmmaker. There was such freedom there and less of a focus on commercial work. A lot of people there just want to create art and everyone’s down to participate. But I always knew I would come back to LA.

 

Power and shared wealth

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rebeccab@sfbg.com

In the 1930s, political cartoonists often portrayed California’s monolithic Pacific Gas & Electric Co. as a giant octopus, its tentacles extending into every sphere of civic life. If money buys influence, the cephalopod analogy may still be apt today when considering the company’s tally of corporate giving, part of a detailed filing with the California Public Utilities Commission.

PG&E’s largesse, measured in thousands of dollars in donations, spills into a broad array of nonprofit organizations, educational institutions, chambers of commerce, and volunteer-led efforts throughout the state. PG&E’s corporate giving is so broad that it even extends to several organizations affiliated with appointees to the Independent Review Panel convened by the California Public Utilities Commission (CPUC) to investigate PG&E’s deadly San Bruno pipeline explosion.

While the utility undoubtedly advances worthy causes with its myriad donations to youth groups, cultural centers, organizations fighting AIDS and cancer, arts councils, environmental groups, and other charitable entities, corporate contributions always reflect a calculated decision, notes Bob Stern of the Center for Governmental Studies.

“They’re a big company, and they’re trying to, shall we say, ingratiate themselves with a wide swath of community interests, including nonprofit groups,” Stern told us. “The cigarette companies did that all the time, and it was very effective … because nonprofits then laid off on ballot measures, for example, or they would oppose ballot measures that would increase cigarette taxes. My bottom line is, businesses don’t just spend money gratuitously. There is a business reason a business spends money — campaign contributions or donations. And they have to justify that to their shareholders.”

In mid-October 2010, CPUC president Michael Peevey announced his selection of five expert panelists for the newly created advisory body on the San Bruno explosion. In an official filing, Peevey ordered PG&E to fund the panel, which would be tasked with gathering facts and making recommendations to the CPUC “as to whether there is a need for the general improvement of the safety of PG&E’s natural gas transmission lines, and if so, how these improvements should be made.” A report on the panel’s initial findings is expected in the coming weeks. The effort is on a parallel track with the federal investigation now underway at the National Transportation Safety Board.

The appointees bring a wealth of knowledge and expertise to the table. Panelist Karl Pister, for example, chairs the board of the California Council on Science and Technology, served as chancellor at UC Santa Cruz, and has taught civil engineering. Jan Schori has an insider’s understanding of how an energy company is run thanks to her past experience as CEO of the Sacramento Municipal Utility District (SMUD).

Yet some of Peevey’s appointees to the Independent Review Panel have ties to PG&E. Panelist Paula Rosput Reynolds formerly held positions at the investor-owned utility, according to her bio, including serving as an executive of the PG&E’s interstate natural gas pipeline subsidiary. An understanding of the company’s inner workings could be considered an asset, but it also raises questions about her independence.

Panelist Patrick Lavin serves as an executive council member of the International Brotherhood of Electrical Workers, which represents PG&E employees. He’s also on the board of directors of the California Foundation on the Environment and the Economy (CFEE), a nonprofit that counts PG&E among its membership. CFEE sponsored a two-week trip to Spain last November for government officials, energy industry representatives, and others to study “renewable energy, infrastructure, public private partnerships, desalination, and rail,” according to its website, picking up the $8,880 tab for Peevey to join the trip. The nonprofit received donations from PG&E totaling $45,000 in 2009, $45,000 in 2008, and $40,000 in 2006 — the three most recent years available.

Schori, meanwhile, has clearly held roles in the past that have placed her in an adversarial relationship with the utility considering that SMUD — a public power utility — has engaged in territorial battles against PG&E. Yet Schori also serves on the board of the Climate Action Reserve, a nonprofit that also counts former PG&E vice president of operations Nancy McFadden — the architect behind PG&E’s ill-fated ballot initiative Proposition 16 — on its board of directors.

Climate Action Reserve received $45,000 from PG&E in 2009, according to a CPUC filing. Schori also previously served on the board of directors of a nonprofit called the Alliance to Save Energy, which was co-chaired by former PG&E CEO Peter Darbee, who was expected to step down April 30 with a retirement package totaling nearly $35 million. The Alliance to Save Energy received $45,000, $35,000, and $35,000 in PG&E donations in 2009, 2008, and 2006, respectively. Schori did not respond to a request for comment.

The chair of the San Bruno Independent Review Panel is Larry Vanderhoef, former chancellor of UC Davis and a highly respected academic. As an ex-officio trustee of the UC Davis Foundation, Vanderhoef is engaged in soliciting private-sector contributions for the university. UC Davis has received an average of around $200,000 in philanthropic contributions from PG&E each year since 2005. In an e-mail to the Guardian, spokesperson Claudia Morain noted that Vanderhoef “has never been involved in PG&E solicitations.”

PG&E’s contributions to the two nonprofits and the university represent very small portions of the total budgets of these three entities, particularly in the case of UC Davis. At the same time, they are relatively large sums compared to the contributions the company generally makes. The city of Berkeley, for example, received just $2,500 from PG&E in 2009. Most organizations receive less than $10,000, but certain groups are given much more. The UC Regents, for example, received a $406,400 donation from PG&E in 2009.

“The panel members are all eminently qualified to perform the important job that has been entrusted to them.” CPUC spokesperson Terrie Prosper told us. “It is not surprising, or inappropriate, that the panel members also are involved in philanthropic activities of various kinds in California. Nor is it surprising that PG&E, California’s largest public utility company, in its own donations to various public and nonprofit institutions and its other philanthropic activities, supports some of these same worthy causes. These philanthropic activities in no way impair the independence, good judgment, or valued public service the members of the Independent Review Panel are giving to California.”

Stern, of the Center for Governmental Studies, said PG&E contributions to organizations affiliated with members of the Independent Review Panel did not necessarily raise a red flag. “Sure it has some impact, but not in terms of disqualification. That’s off the table as far as I’m concerned,” he said. “I have 15 members on my board of directors. I would never say that because we got a grant worth $200,000 from PG&E that that would affect my board member ruling on a PG&E matter,” he added, speaking hypothetically.

As members of an advisory group rather than public officials, he noted, the panelists would not be in violation of any conflict-of-interest rules. “Certainly there’s always a question of bias and appearance of impropriety. And the question is, how extensive is it? It’s a whole bunch of different factors. It’s all gradations. There is no rule on this, obviously, but it’s an appearance question, and whether or not the appearance looks like they’re going to be biased.” At the end of the day, he added, the question would be settled by “looking at the final results and seeing what the final results say.”

Northwest passage: Kelly Reichardt on “Meek’s Cutoff”

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Over the past decade, Kelly Reichardt has consistently created an alternative cinema that is in opposition to modern Hollywood blockbusters. Her films, which emphasize minimalist and highly visual storytelling, transcend even the industry’s edgiest darlings (think Darren Aronofsky and Quentin Tarantino). Her films Ode (1999), Old Joy (2006), Wendy and Lucy (2008), and now Meek’s Cutoff (2010) cannot be categorized in the decade’s overhated mumblecore movement of Andrew Bujalski or the Duplass Brothers. Neither are they part of the world of extreme experimental artists, a la James Benning or Sharon Lockhart.

Somehow Reichardt has found a cinematic middle ground, balancing quiet and poetic allegories with accessible and emotional journeys — an achievement that present and future audiences will be hypnotized by for generations to come. After interviewing her for Wendy and Lucy, I spoke with her after Meek’s Cutoff played the 2011 Sundance Film Festival; it recently had its local debut at the San Francisco International Festival, and opens theatrically Fri/6.

San Francisco Bay Guardian: I recently saw your earliest films at the Pacific Film Archive retrospective and your adaptation of the Robby Benson-starring Ode to Billy Joe (1976), Ode (1999), was amazing! You shot the whole thing on Super 8, right? Do you like your earlier films?

Kelly Reichardt: Ode is very near and dear to my heart. It set me on my own way of making films. I don’t think I’m naturally a non-narrative person. And definitely not as much as I revere those kind of filmmakers like my colleagues: Peggy Ahwesh, Peter Hutton. I love seeing how their films unfold and really make the viewer be interactive in deciding what they’re about and what they mean to them. That’s what I’d like to do as a filmmaker. But I can see myself learning in all of my films, which is painful. A couple of students walked out of that screening of my earliest short films and I wanted to run out after them and say, “I totally understand!”

SFBG: You and [screenwriter] Jon Raymond seem to be consciously aware of just that! I know I have told you this before but I find your films so inspired. Your films are like the kind of classes I always wanted to have in college. You’re never telling me what to think, yet you are very precisely leading me towards something extremely imminent. And along the way, I get to experience my own journey with these characters and situations. Do you run into problems getting your films made and released because of this structure?

KR: That part of it, the endings, is [an element] coming from the world of non-narrative filmmaking. It doesn’t hand things over to the audience. It’s like a series of questions unfolding which is like a dream, which is something I want to bring into a more narrative form. It opens up the traditional genre a little which you already know how its’ suppose to go. Meek’s Cutoff and Wendy and Lucy were both released through Oscilloscope, while Old Joy was distributed by Kino. These are all small independent distributors and the things that they are looking for are not for everyone.

The hard part with filmmaking is getting the money to make the film. Everybody has a camera now. You can shoot a video. But if you’re not into naturalism and you’re trying to make things that are more extravagant, that vision is going to be much harder to just do on your own. If I were a student right now, my biggest fear would be how to rise up out of such a huge sea of voices. When I submitted my first feature, River of Grass, to Sundance in 1994, they had 600 entries that year which seemed overwhelming and huge. Six hundred and they were only gonna pick 16. And what was it this year? Didn’t they have something like 6,000 entries?

Getting your film out … worry about that later. Get your film made first. Plus there’s always the fear of even having something to say at the age of 20! Before you’ve lived on your own and been connected to the big black hole of employment, and public transportation and all those things. That could be good “big” fear to have as a young filmmaker.

SFBG: In your Q&A after the screening of Meek’s Cutoff at the Egyptian Theatre [in Park City, Utah], I was very excited about your bringing up forgotten and unavailable older films like Nicholas Ray’s The Lusty Men (1952).

KR: Me too! I was trying to make that point and I became so distracted by the woman sitting behind you filming. It’s just such a weird thing to look out and see 15 people videotaping you and you realize that no experience can ever just be with the people in the room again. Everything has to be some bigger purpose and I completely quit thinking about the film and the interaction. I think it’s a bizarre that people feel completely free about videotaping you and posting it on the Internet without asking me.

SFBG: Not only is it exciting that your films feel influenced by older cinema but you do it in a way that’s very much like Peter Bogdanovich, where it feels as if you truly understand the film’s themes and goals and you’re not just making a mixtape of your favorite scenes. Wendy and Lucy feels like a Vittorio De Sica neo-realist film, while Meek’s Cutoff feels like an existential William Wellman Western by way of Robert Flaherty’s Nanook of the North (1922). I mean, you even used the old Hollywood aspect ratio of 1.33:1 on Meek’s Cutoff! And it doesn’t come off kitschy; in fact, it feels even futuristic.

KR: It’s funny that you mention the aspect ratio. If anything is kitschy, and when you read back about the period, widescreen was what was kitschy. It was a gimmick! It’s what 3D or IMAX is to us today. What did Fritz Lang say, “Widescreens are for funerals and snakes.”

It’s funny now that this memory of widescreen is so embraced but it’s such a diminished landscape in a way. That question is always being asked to me in some tone of like, “When you accidentally picked the wrong aspect ratio did you have to just keep going with it?” (laughs) Though I knew going into it that it would limit the amount of theatres we can play Meek’s at. Sadly, very few theaters have the capabilities. 

SFBG: I’ve been watching a lot of Westerns this year and your horizons in every single shot of Meek’s Cutoff are truly spectacular. Your multi-layered colors! Your floating cowboys! The lined-up pioneers! I could just go on. All of it is so particular. How did you design this film? Did you do it on the landscape or storyboard it first?

KR: I storyboard but I can’t draw. (laughs) I have many different notebooks. Color is an early thing. But everything comes first from relentless scouting.  Scouting, scouting, scouting, scouting. I get familiar with the light and the colors of the day. The places you’re gonna be shooting in at certain times of the day. These locations were really remote and very hard to get to. And we ended up spending such a huge amount of time in that desert.

SFBG: Did you have to sleep out on the plains?

KR: We stayed in this town, Burns, Oregon. It’s a good two-street town and we’d drive off-road for two hours into the desert each day. This is where the actual wagon train got lost. There was nothing out there. We were actually finding pieces of wagon from the 1840s! So it would eat up a huge amount of our shooting day, which is already short because when you’re shooting in the mountains, the sun is gonna go behind them. So that’s four hours already out of your day.

My shooting schedule was so restricted that other producers would have said “You are sinking your ship by shooting out on these locations.” Fortunately my producers backed me and off we went, for better or worse. So you have to be on top of it when you’re there, knowing that there will be unexpected things to occur especially when you are dealing with oxen and mules and donkeys. All of that is to be embraced.

I also have to have a plan because we move so quickly. My DP [Chris Blauvelt] and I are talking, talking, talking. I have some books that are references, that I’ll steal frames from. Some that are location photos, people standing in the locations, some from old films. And some are just really crappy drawings I’ve done because I cannot draw, which I consider a huge handicap as a filmmaker. People always ask “Are you improvising?” We don’t have time for improv! Of course because of the weather, and the terrain, and rattlesnakes and the animals there’s certainly a certain amount of adjustment because when I storyboarded this, it wasn’t snowing. But you can’t go out there without a plan. The camera for me is the storyteller.

SFBG: Now you edit your own movies. Is that because you are a tyrant and you have to have it your own way or have you tried working with others? And by “tyrant,” I mean it in the nicest way possible.

KR: (laughs) You go through different stages: I have my writing partner [Jon Raymond] and that’s one stage and then it becomes very public and you’re working with a bunch of people when filming. Then editing is where you get your film back and it’s when I get to find my film. It’s a great moment when I’m in the editing room an I can say, “Oh yeah, that’s what Jon was originally talking about!” or “I felt that in Jon’s short story!”

But when you’re in production, there’s just so much going on! And editing is where you learn where you fucked up and should have put the camera. It’s the big payoff for me and I don’t want to hand it over to anyone else. It’s the interesting part of filmmaking. It’s where you can manipulate space and completely change the dynamic of a conversation or situation just by adding or taking away time. It’s not fun to edit with me, so I stopped using editors (laughs).

http://www.youtube.com/watch?v=AEmL9at6JT0

Meek’s Cutoff opens Fri/6 in Bay Area theaters.

Jesse Hawthorne Ficks is the Film History Coordinator at the Academy of Art University and programs the film series Midnites for Maniacs.

Music Listings

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Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 4

ROCK/BLUES/HIP-HOP

Pryor Baird and the Deacons Biscuits and Blues. 8 and 10pm, $15.

Between the Buried and Me, Job for a Cowboy, Ocean, Cephalic Carnage Slim’s. 8pm, $19.

Gas Mask Colony, Fist Fam, DJ Okeefe Elbo Room. 10pm, $10. With comedians Chris Storin, Kaseem Bentley, and Joseph Anolin.

Janks, Shivers Café Du Nord. 9:30pm, $10.

J Mascis, Black Heart Procession Independent. 8pm, $20.

Shelley Short, Darren Hanlon Hemlock Tavern. 9pm, $7.

Frank Turner, City Bottom of the Hill. 9pm, $12.

Vivian Girls, No Joy, Lilac Rickshaw Stop. 8pm, $14.

JAZZ/NEW MUSIC

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Tom Jonesing Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

FOLK/WORLD/COUNTRY

Jesse Cook Yoshi’s San Francisco. 8 and 10pm, $16-22.

Wanda Jackson, Red Meat, DJ Britt Govea Great American Music Hall. 8pm, $21.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top 40, mash-ups, hip-hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash-ups.

THURSDAY 5

ROCK/BLUES/HIP-HOP

Beach Fossils, Craft Spells, Melted Toys Slim’s. 9pm, $15.

James Blunt, Christina Perri Warfield. 8pm, $40-50.

Dessa, Sims and DJ Lazerbeak, Sister Crayon Bottom of the Hill. 9pm, $10.

Dredg, Dear Hunter, Balance and Composure, Trophy Fire Great American Music Hall. 8pm, $20.

Glass Trains, Ugly Winner, Books on Tape Knockout. 9:30pm, $6.

Hundred in the Hands, Silver Swans, DJs Aaron Axelsen and Nako Rickshaw Stop. 9pm, $10.

Inferno of Joy, Jesse Morris and the Man Cougars Thee Parkside. 9pm, $6.

Cass Mccombs, Frank Fairfield Swedish American Hall (upstairs from Café Du Nord). 8pm, $15.

Pigeon John, Chicharones, Rocky Rivera Rock-it Room. 9pm, $12.

Ron Pope, Ari Herstand Café Du Nord. 8pm, $15.

Stop Motion Poetry Sub-Mission Art Space, 2183 Mission, SF; www.sf-submission.com. 8:30pm, $6.

Ty Curtis Band Biscuits and Blues. 8 and 10pm, $15.

JAZZ/NEW MUSIC

“From New Orleans to Now” Jewish Community Center of San Francisco, 3200 California, SF; www.sfjazz.org. 7:30pm, $5-15. With the SF Jazz High School All-Stars Jazz Orchestra.

Manhattan Transfer Yoshi’s San Francisco. 8 and 10pm, $35-45.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Country Casanovas Atlas Café. 8-10pm, free.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. Cinco de Mayo celebration with DJs Pleasuremaker and Señor Oz, plus guests El Kool Kyle and Roger Mas, spinning Afrobeat, Tropicália, electro, samba, and funk.

CakeMIX SF Wish, 1539 Folsom, SF; www.wishsf.com. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip-hop.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

FRIDAY 6

ROCK/BLUES/HIP-HOP

Avant Yoshi’s San Francisco. 8 and 10pm, $32.

Curren$y, Trademark, Young Roddy, Fiend, Corner Boy P Regency Ballroom. 9pm, $20.

Diddy Dirty Money featuring P. Diddy, Lloyd, Tyga Warfield. 9pm, $38-58.

Donkeys, Social Studies, Rademacher Bottom of the Hill. 10pm, $10.

Dredg, Dear Hunter, Balance and Composure, Trophy Fire Great American Music Hall. 8pm, $20.

Eddie and the Hot Rods, Prima Donna, Midnite Snaxx Thee Parkside. 9pm, $12.

Glitter Wizard, Hot Lunch, Gypsyhawk, El Topo Café Du Nord. 9:30pm, $8.

Groggs, True Foes, Shrouds Hemlock Tavern. 9:30pm, $6.

Mission Players Brick and Mortar, 1710 Mission, SF; (415) 371-1631. 9:30pm, $5.

RU36, Saint Vernon, Almost Dead, Kick Rocks Slim’s. 9pm, $14.

Telekinesis, Unknown Mortal Orchestra Fillmore. 9pm, $20.

Zola Jesus, Naked on the Vague, DJ Omar Rickshaw Stop. 9pm, $14.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

CéU Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $30-75.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

FOLK/WORLD/COUNTRY

Sierra Leone’s Refugee All Stars, Youssoupha Sidibe with the Mystic Rhythms Band Independent. 9pm, $15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bikes and Beats Public Works, 161 Erie, SF; www.brownpapertickets.com. 10pm, $10. With Polish Ambassador, Party Ben, Non Stop Bhangra, M.O.M., and more, plus DIY bike crafts, street food vendors, a bike fashion show, and other attractions.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Hot Pink Feathers: Ten Year Anniversary DNA Lounge. 9pm, $10-75. Burlesque performances and live music by Blue Bone Express and the Hot Pink Feathers All-Star Marching Band.

120 Minutes Elbo Room. 10pm, $5-10. Goth and witchhouse with Whitch, oOoOO, and Nako.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s doo-wop, rockabilly, jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and after-hours dancing.

Strangelove: Sacrilege Cat Club. 9:30pm, $6 (free before 10pm). Goth and industrial with DJs Tomas Diablo, Decay, Xander, and Ms. Samantha.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 7

ROCK/BLUES/HIP-HOP

Crystal Stilts, Mantles Rickshaw Stop. 9pm, $12.

English Beat Bimbo’s 365 Club. 9pm, $25.

Rick Estrin and the Nightcats Biscuits and Blues. 8 and 10pm, $20.

It Thing, Verms, Okie Rosette Café Du Nord. 9:30pm, $10.

Manic Hispanic, Old Man Markely, Hounds and Harlots Slim’s. 9pm, $18.

Rhett Miller, Robert Francis Swedish American Hall (upstairs from Café Du Nord). 8pm, $25.

Jonas Reinhardt, Cloudland Canyon, White Cloud Hemlock Tavern. 9:30pm, $8.

Corin Tucker, Billy and Dolly, Bruises Bottom of the Hill. 9:30pm, $14.

Wolfshirt, Paranoid Freakout Thee Parkside. 3pm, free.

Y&T, Kip Winger Fillmore. 9pm, $36.50.

JAZZ/NEW MUSIC

Manhattan Transfer Yoshi’s San Francisco. 8 and 10pm, $35-45.

Yanni Warfield. 8pm, $39-89.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF DNA Lounge. 9pm, $6-12. Mash-ups.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco. HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip-hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kontrol Endup. 10pm, $20. With resident DJs Alland Byallo, Craig Kuna, Sammy D, and Nikola Baytala spinning minimal techno and avant house.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock. Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Saturday Night Soul Party Elbo Room. 10pm, $10. DJs Lucky, Paul Paul, and Phengren Oswald spin butt-shakin’ ’60s soul on 45.

Souf Club Six. 9pm, $7. With DJs Jeanine Da Feen, Motive, and Bozak spinning southern crunk, bounce, hip hop, and reggaeton.

Soundscape Vortex Room, 1082 Howard, SF; www.myspace.com/thevortexroom. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 8

ROCK/BLUES/HIP-HOP

Cowboy and Indian, Gentleman Coup Hemlock Tavern. 9pm, $6.

Dirty Heads, New Politics, Pacific Dub Fillmore. 8pm, $18.50.

William Fitzsimmons, Slow Runner Independent. 8pm, $18.

Symphony X, Powerglove, Blackguard Regency Ballroom. 8pm, $30.

KT Tunstall, Charlie Mars, Miggs Great American Music Hall. 8pm, $24.

JAZZ/NEW MUSIC

New York Voices, Alan Paul Trio Yoshi’s San Francisco. 6 and 8:30pm, $25.

Swing-out Sundays Milk Bar. 9pm, $7-15. With beginner swing lessons.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Joe and the Sons of Emperor Norton Thee Parkside. 4pm, free.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death. Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 9

JAZZ/NEW MUSIC

Fred Frith, Beth Custer Yoshi’s San Francisco. 8pm, $12.

Mogwai, Errors Regency Ballroom. 8pm, $26.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 10

ROCK/BLUES/HIP-HOP

Fat Tuesday Band Biscuits and Blues. 8 and 10pm, $15.

Ghostland Observatory Regency Ballroom. 8pm, $30.

Kina Grannis featuring Misa and Emi Grannis, Imaginary Friend Swedish American Hall (upstairs from Café Du Nord). 8pm, $15.

David Liebe Hart, Cool Ghouls Hemlock Tavern. 9pm, $7.

My Jerusalem, Michael Kingcaid, Dead Ships Bottom of the Hill. 9pm, $10.

Raveonettes, Tamaryn Bimbo’s 365 Club. 9pm, $25.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

 

This place

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arts@sfbg.com

LIT Begun in part as a series of maps accompanying public lectures, Rebecca Solnit’s Infinite City: A San Francisco Atlas (University of California Press, 167 pages, $24.95) is a remarkable act of gathering, one that presents myriad versions and visions of San Francisco and its surrounding areas that can inform a reader’s experience.

Infinite City was recently selected by the Northern California Independent Booksellers as one of its 2011 winners. Duality is a fundamental aspect of the book’s breadth and depth and sense of sharply critical appreciation — structurally, Solnit pairs distinct maps with corresponding chapter-length essays. In keeping with that characteristic, and also with the book’s group spirit (though admittedly on a much smaller and less intensive scale), I asked different Guardian contributors to share appraisals of one, or in most cases two, of the 22 sections. The result provides just a hint of what can be found within Infinite City. (Johnny Ray Huston)

MAP 3. “Cinema City: Muybridge Inventing Movies, Hitchcock Making Vertigo

The map for this chapter tracks the San Francisco life of Eadweard (sic) Muybridge, alongside landmarks from Alfred Hitchcock’s Bay Area masterpiece Vertigo. In “The Eyes of the Gods,” Solnit, who won the National Book Critics Circle award for her 2003 Muybridge bio River of Shadows, writes of the 19th century artist’s breakthrough high-speed photography, “It was as though the ice of frozen photographic time had broken free into a river of images.”

Many such rivers flowed all over this fair city when Vertigo premiered at the Stage Door Theatre at 420 Mason St. on May 9, 1958. Alas, only 10 of the more than 60 single-screen venues extant that year, all demarcated on Shizue Seigel’s fine map, are still functioning. Solnit rightly describes the shift to watching films on various digital delivery mechanisms as leaving contemporary culture with a “curious imagistic poverty.” As she concisely describes watching Milk and Once Upon a Time in the West on the Castro Theatre’s giant screen, we’re reminded that there is no comparison between enjoying cinema in such a grand setting and staring at a laptop. The great 20th century memoirist and observer Quentin Crisp wrote, “We ought to visit a cinema as we would go to a church. Those of us who wait for films to be made available for television are as deeply suspicious as lost souls who claim to be religious but who boast that they never go to church.”

That applies to you too, Netflix subscribers! The Roxie, Castro, Red Vic, Clay, and a small number of other houses of worship are still in business, so what are you waiting for? (Ben Terrall)

MAP 4. “Right Wing of the Dove: The Bay Area as Conservative/Military Brain Trust”

In “The Sinews of War are Boundless Money and the Brains of War Are in the Bay Area,” Solnit argues that antiwar, green, and left Bay Area hotspots are well known and don’t need to be charted again — unlike military contractors and assorted other forces of reaction in the region.

Solnit notes that many military bases that used to operate in the Bay Area are closed, “but the research, development, and profiteering continue as a dense tangle of civilian and military work, technological innovation, economic muscle, and political maneuvering for both economic and ideological purposes.”

Among the hard-right compounds providing counterevidence for that demonstration chestnut “the people united will never be defeated”: Lawrence Livermore National Labs (birthplace of Star Wars — the Reagan era money pit, not the George Lucas movie); Lockheed Martin, world’s largest “defense” contractor; the Hoover Institution, Stanford’s reactionary think tank; and Northrop Grumman, missile component designer. It’s useful to have so many of them in one place, if queasy-making.

On the lower left of the map sits Sandow Birk’s beautifully warped code of arms, which features the Cicero quote (Nervi belli pecunia infinita) that Solnit cites in her chapter title, under a half eagle/half dove, a rifle-toting soldier, and a scythe-clutching skeleton. It should be on the door of every U.S. military recruiting center. (Terrall)

MAP 6. “Monarchs and Queens: Butterfly Habits and Queer Public Spaces”

“How thoroughly the lexical landscape of gay history is invested with [a] paradigm of emergence,” notes poet Aaron Shurin in “Full Spectrum,” the chapter accompanying Infinite City‘s sixth map. Like one of the dazzlingly-named butterfly species rendered by Mona Caron on the map, Shurin flits gracefully between memoir and historiography as he tracks San Francisco’s ongoing evolution as a locus for queer emergence.

From North Beach to Polk Gulch, from Folsom to Castro, LGBT folk — be they American painted ladies, Satyr angel wings, or Mission blues — have continually migrated to and within the city to shed their cocoons and show their true colors. Local faux-queen Fauxnique traced this metamorphosis at the 2003 Miss Trannyshack Pageant when she climatically emerged as a regal butterfly to Elton John’s “Someone Saved My Life Tonight” (apropos to Shurin’s royalty motif, she won the crown). So too did the late Age of Aquarius painter Chuck Arnett, who often nestled butterfly imagery into his portraits of SoMa’s leather demimonde, and whose murals once adorned some of the many now-extinct bars also denoted by Ben Pease’s cartography. Only more than half a dozen of these “wildlife sanctuaries,” in Shurin’s parlance, have survived, with the Eagle Tavern’s announced closure marking another loss of habitat. Queers, though, are if anything adaptive, and my hope is that the future fluttering tribes of San Francisco will keep alighting on new ground to unfurl their wings. (Matt Sussman)

MAP 7. “Poison/Palate: The Bay Area in Your Body”

“Food is part of the Bay Area you hear about nowadays, exquisite upscale food at famous restaurants and gourmet markets. But it’s so boring we couldn’t stay focused on it in this map.” These refreshing, if rarely uttered words come two-thirds of the way through the chapter that accompanies the “Poison/Palate” map, Rebecca Solnit’s “What Doesn’t Kill You Makes You Gourmet.”

The phony Tuscany of Napa and the once-orchard-filled, now-EPA-Superfund-site-speckled Silicon Valley are wisely singled out for derision, a convenient duality in both geography and culture and the perfect framework on which to hang a critique of the local culinary community’s smug, myopic self-indulgence, by raising the not-so-elite-specters in Bay Area food history (the It’s It, the Popsicle, the Hangtown Fry, the Rice-a-Roni), and reintroducing the politics of food into the conversation, in the form of the chemical tonnage used to produce wine grapes, food giveaways at community gardens, Diet for a Small Planet, and Black Panther breakfast programs for school-kids. The sprawling topic is almost given too short a shrift, threatening to leap its mutant-mermaid-bedecked map.

Better is the 18th chapter, “How to Get From Ethiopia to Ocean Beach.” Solnit begins by loosely charting the ingredients that go into your cuppa joe: the water from Hetch Hetchy, the milk from West Marin, the coffee that courses through the port of Oakland, and, impishly, the leavings that flow toward the Southeast Water Pollution Control Plant. All that’s missing from the equation is the sugar that I need to make the darkest, brandy-and-cherry-tinged brew palatable. SF’s cafe culture is also deservedly lionized — though some might want to hurl china due to the exclusions on the accompanying map: why, for instance, call out Blue Danube Coffee House and not the grungier, more Chinese-populated Java Source? (Kimberly Chun)

MAP 8. “Shipyards and Sounds: The Black Bay Area since World War II”

Though author Joshua Jelly-Schapiro opens this chapter, subtitled “High Tide, Low Ebb,” with an eloquent invocation of Otis Redding’s “(Sittin’ on) The Dock of the Bay” — penned in Sausalito, by the way — it was the slight mention of Lowell Fulson’s “San Francisco Blues” that most resonated with me. “Ohh, San Francisco,” the lyric goes, “Please make room for me.” The facts presented in “Shipyards and Sounds” record The City’s answer as a genteel and progressive “No nigger.”

Beginning at the start of WWII, when Southern blacks migrated to the Bay Area to build ships in Hunters Point, Jelly-Schapiro points out that the main areas of wartime shipbuilding (Richmond, Hunters Point, Marin City) are “places that today remain centers of black population and of black poverty.” Indicating, to me, that little has changed since the 1940s in some significant ways. Don’t get mad at me, I didn’t say it. Jelly-Schapiro did.

Jelly-Schapiro also shows how terms like “redevelopment” displaced black Fillmore District residents to housing projects they’d been banned from during the war and land-grab euphemisms like “urban renewal” decimated black neighborhoods such as West Oakland. Electoral laws mandating that the SF Board of Supervisors be elected by citywide contests and not by district allowed a city that desegregated its schools and transit system in the 1860s to remain progressive and very, very white.

Jelly-Schapiro’s conclusion contains a critique of Bay Area celebrations when “Negro president” Barack Obama was elected in 2008. What he won’t say is covered in Shizue Seigel’s map. A sidebar shows the dwindling soul of a city, while the headers cover the founding of the Black Panthers and Sylvester’s solo debut at Bimbo’s. (D. Scot Miller)

MAP 9. “Fillmore: Promenading the Boulevard of Gone”

After the damned disheartening facts presented in the previous chapter, it’s both merciful and hopeful that “Little Pieces of Many Wars” — though just as rage-inducing — establishes some kind of equilibrium.

Gent Sturgeon’s incredible Rorschach-inspired artwork opens a thoroughly-researched piece on Fillmore Street and its many incarnations. Mary Ellen Pleasant’s abolitionist work and her eucalyptus trees — which still stand on the corners of Bush and Octavia streets — are a starting point for a leisurely stroll with Solnit, who runs the voodoo down, “The war between the states left its traces here,” she says, “as did the Second World War, and the war on poverty, the war on drugs, the stale and ancient war of racism, and the various forms of freelance violence.”

She remembers San Francisco as an abolitionist headquarters, and Fillmore Street as the first place Allen Ginsberg read “Howl.” Recalling the Fillmore’s rich heritage of jazz, poetry, and art, Solnit takes it even further, adding, “The wealthy sometimes claim to bring civilization to rough neighborhoods, but the Upper Fillmore neighborhood that was so culturally rich when it was the property of poor people in the 1950s is smoothed over in significance now.”

The tragedy of Japanese internment, and the cross-cultural exchange that was demolished by it and redevelopment loom like white sheets over the city to this day. But Solnit closes with an optimistic sense of resurgence, even though Nickie’s has gone Irish.

Ben Pease’s cartography shows the cross-currents of culture of yesterday’s Fillmore Street, but not much else. That’s not a complaint, really. (Miller)

 MAP 13. “The Mission: North of Home, South of Safe”

Two 2009 shootings on 24th Street pop out, in blood red, on the map accompanying Adriana Camarena’s “The Geography of the Unseen,” in much the same way that the spate of shooting deaths the previous year marked my brief time spent living in the Mission. In ’08, I lived in a Victorian flat at Treat and 23rd, distinguished by the fact that it was a favorite hang for the teenaged homies — its steps were slightly tucked back off the street, ideal when it came to hiding out, smoking dope, and snacking out — until my landlords installed a fence, ostensibly to keep the steps free of spit.

We were on the same block as an appliance-loaded junkyard; the last stop of an ancient Mission industrial railroad; and the Parque Niños Unidos, with its swampy, grassy corner, so often cordoned off to keep the tots from wading in the mud, its circling ice cream carts and its de facto refreshment stand, El Gallo Giro taco truck; and the community garden, where the feral kittens tumbled and hid and fresh produce was given away free every Sunday afternoon.

The Parque likely was the last thing 18-year-old poet Jorge Hurtado saw when he was shot and killed on our corner at 1 a.m. that year. I remember waking up that night to what sounded like a cannon boom, only the first of a slew that sweltering, ominous summer — Mark Guardado, president of the SF chapter of the Hells Angels, was killed a little over a week later, down Treat, in front of Dirty Thieves. The tension was thick and gooey in the air — who was next? The beauty of Shizue Seigel’s Mission map lies in how intimate it is, how it’s threaded around the shaggy-dog snatches of yarns Camarena catches among the day laborers waiting at Cesar Chavez and Bayshore, from the long litany of splintered families, time spent in the refuge of gangs at 24th and Shotwell, and then, in Frank Pena’s case, lives cut sadly short farther up 24th at Potrero. The included stories, rarely straying beyond the tellers’ voices and the facts they choose to reveal, stay with you — even if her sources’ internal lives remain, as the chapter’s subtitle goes, “the Geography of the Unseen.” (Chun)


NORTHERN CALIFORNIA INDEPENDENT BOOKSELLERS 2011 BOOK OF THE YEAR AWARDS

 

FICTION

 

Gold Boy, Emerald Girl, stories, Yiyun Li (Random House, 240 pages, $25)

Nonfiction

Packing for Mars: The Curious Science of Life in the Void, Mary Roach (W.W. Norton and Company, 336 pages, $15.95)

Honorable Mention: Autobiography of Mark Twain, Vol. 1, (University of California, 760 pages, $34.95)

 

POETRY

Come On All You Ghosts, Matthew Zapruder (Copper Canyon, 96 pages, $16)

Food Writing

My Calabria: Rustic Family Cooking from Italy’s Undiscovered South, Rosetta Costantino, Janet Fletcher, and Shelley Lindgren (W.W. Norton and Company, 416 pages, $35)

Children’s Picture Book

The Quiet Book, Deborah Underwood and Renata Liwska (Houghton Mifflin Books for Children, 32 pages, $12.95)

Honorable mention: Zero, Kathryn Otoshi (KO Kids, 32 pages, $17.95)

 

TEEN LIT

The Sky is Everywhere, Jandy Nelson (Dial, 288 pages, $17.99)

Honorable mention: The Mockingbirds, Daisy Whitney (Little, Brown Books for Young Readers, 352 pages, $16.99)

 

REGIONAL TITLE

Infinite City: A San Francisco Atlas, Rebecca Solnit (University of California, 167 pages, $24.95)

Honorable mention: A State of Change: Forgotten Landscapes of California, Laura Cunningham (Heyday, 352 pages, $50)

 

Music Listings

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Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 27

ROCK/BLUES/HIP-HOP

Chen Santa Maria, This Invitation, Pink Canoes Hemlock Tavern. 9pm, $6.

Dominant Legs, Superhumanoids, Dirty Ghosts Rickshaw Stop. 8pm, $12.

Head and the Heart, Devil Whale, Laura Jansen Bottom of the Hill. 9pm, $14.

Brandon Lee Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Brian McPherson, Jason White, James Leste Hotel Utah. 8pm, $7.

Paul Simon Fillmore. 8pm, $52.50.

Mindy Smith, Sunny War Independent. 8pm, $18.

“Steve Ignorant presents Crass songs 1977-82, Last Supper” Slim’s. 9pm, $21. With Goldblade.

Undertaker and His Pals, Orgres, Angel and Robot Knockout. 10pm, $6.

Whiskerman, Dum Spiro Spero, American Nomad El Rio. 8pm, $5-10.

JAZZ/NEW MUSIC

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Tom Shaw Trio Martuni’s, 4 Valencia, SF; www.dragatmartunis.com. 7pm, $5.

FOLK/WORLD/COUNTRY

Beauty Operators 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 28

ROCK/BLUES/HIP-HOP

Accept, Sabaton Regency Ballroom. 8pm, $32-65.

City Tribe, Maheetah, Subtle Trace, Reggie Ginn Kimo’s. 8pm, $6.

Devil Makes Three, Brown Bird Slim’s. 9pm, $18.

Felice Brothers, You Are Plural Great American Music Hall. 9pm, $21.

Fox and Women, Sioux City Kid and the Revolutionary Ramblers Amnesia. 9pm, $7.

Donald Glover + Childish Gambino Fillmore. 9pm, $20.

Lunarchy, Animal Prufrock, DJ Durt El Rio. 8pm, $5-10.

Oxbow, Hellenes, Liar Script Eagle Tavern. 9pm.

Phosphorescent, Little Wings, Family Band, DJ Britt Govea Independent. 8pm, $15.

Red Light Mind 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Sekta Core, La Plebe, DJ Chaos Bottom of the Hill. 9pm, $15.

Sean Smith, Singleman Affair Hemlock Tavern. 9pm, $5.

Thee Oh Sees, Charlie Tweddle, George Cloud, Miles Rizotti Café Du Nord. 9pm, $12.

JAZZ/NEW MUSIC

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Swing With Stan Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Pato Banton and the Now Generation Band Rock-it Room. 9:30pm, $20.

Bluegrass and old-time jam Atlas Café. 8-10pm, free.

Creatures Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Mischka Hard Rock Café, Pier 39, SF; www.hardrock.com. 9:30pm.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Four-Year Anniversary Elbo Room. 9:30pm, $10. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk with guests DJ Smash, Nappy G, and more.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Culture Corner Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Roots reggae, dub, rocksteady, and classic dancehall with DJ Tomas, Yusuke, Vinnie Esparza, and Basshaka and ILWF.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests. This week is “Monsters of Rock Nite.”

Gigantic Beauty Bar. 9pm, free. With DJs Eli Glad, Greg J, and White Mike spinning indie, rock, disco, and soul.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

FRIDAY 29

ROCK/BLUES/HIP-HOP

A B and the Sea, Soft White Sixties, She’s Rickshaw Stop. 8:30pm, $10.

Beehavers, FpodBpod Amnesia. 9pm, $7.

Blame Sally, Ellis Great American Music Hall. 8:30pm, $36.

Boxer Rebellion, We Are Augustines, Polaris at Noon Slim’s. 9pm, $16.

Jenny Hoyston, Lovers, Kaia Wilson El Rio. 9pm, $6.

Kowloon Walled City, Fight Amp, Tigon Thee Parkside. 9pm, $7.

“M.O.M.’s Two-Year Anniversary: A Motown Revue” Café Du Nord. 9pm, $15. With Martin Luther, Sarah Jane, Bleached Palms, M.O.M. DJs, and more.

Pikachu-Makoto, Mugu Guymen, Tone Volt Hemlock Tavern. 9:30pm, $10.

Mike Watt, Electric Chair Repair Co., Liquid Indian Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

“Cartoon Jazz Swing Dance” Wellness Center Performance Space, City College of San Francisco, Ocean Campus, 50 Phelan, SF; (415) 239-3580. 7pm, free.

Patrick Cress, Tbird Tallflame Luv Kaleidoscope, 3109 24th St, SF; www.kaleidoscopefreespeechzone.com. 9pm, $7.

Doug Martin Avatar Ensemble Red Poppy Art House. 8pm, $12-15.

John Scofield Grace Cathedral, 1100 California, SF; www.sfjazz.org. 8pm, $30-50.

Soraya Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Swing Goth 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

FOLK/WORLD/COUNTRY

Radio Istanbul Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Afrolicious Four-Year Anniversary Elbo Room. 9:30pm, $10. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk with guests DJ Smash, Nappy G, Jeremy Sole, and more.

DJ Chaos, DJ Dion Riptide Tavern. 9pm, free. Punk rock on vinyl.

DJ Duserock Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, free.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

It’s Not Easy Being Green Mighty. 8:30pm, $15. Dubstep, hio-hop, house, and more with DJ Swamp, Shotgun Radio, Forest Green, and Syd Gris.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Trannyshack: Ladies of the 80s DNA Lounge. 9:30pm, $20. With Heklina, Rusty Hips, Syphillis Diller, and more.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 30

ROCK/BLUES/HIP-HOP

Blame Sally Great American Music Hall. 8:30pm, $36.

Cavalera Conspiracy Fillmore. 9pm, $25.

Discontinued Models, Lighter Thieves Thee Parkside. 3pm, free.

Jean Marie, Magic Leaves, Kapowski Amnesia. 9pm, $7.

Jessica Lea Mayfield, Nathaniel Rateliff, Echo Twin Bottom of the Hill. 9:30pm, $12.

Meat Sluts, Thee Headliners, Bugs Hemlock Tavern. 9:30pm, $7.

Midnight Bombers, Dirty Power, Texas Thieves, Sassy Thee Parkside. 9:30pm, $7.

Andre Nickatina, Ali AKA Smoove-E, Roach Gigz, Mumbls Slim’s. 9pm, $29.

Solwave, Resurrection Men, Goodness Gracious Me El Rio. 9pm, $5.

Weapons of the Future, MedievalKnieval, Johnny Manal and the Depressives Café Du Nord. 9:30pm, $12.

Viddy V and the Aquababes 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

JAZZ/NEW MUSIC

Philip Glass Yerba Buena Center for the Arts, 701 Mission, SF; www.sfperformances.org. 3pm, $30-50.

Nick McFarling Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Mills Brothers Rrazz Room. 3pm, $40.

FOLK/WORLD/COUNTRY

Fito Reinoso Quartet Red Poppy Art House. 8pm, $10-15.

Robbie Fitzsimmons, Annie Lynch, Katherine Day Hotel Utah. 8pm, $8.

Toshio Hirano Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

“Lavay Smith’s Patsy Cline Tribute” Yerba Buena Center for the Arts, 701 Mission, SF; www.sfjazz.org. 8pm, $20-35.

Chico Mann, Toy Selectah, DJ Shawn Reynaldo Rickshaw Stop. 9pm, $12.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Blondes, Wav Dwgs, Ghosts on Tape Public Works, 161 Erie, SF; www.publicsf.com. 9:30pm, $5-10.

DJ Chris Nguyen Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, free.

Family Vibes Elbo Room. 10pm, $10. DJs from Non Stop Bhangra, J Boogie’s Dubtronic Science, and DJ Wisdom.

Full House Gravity, 3505 Scott, SF; (415) 776-1928. 9pm, $10. With DJs Roost Uno and Pony P spinning dirty hip hop.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip-hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

LoveTech Il Pirata, 2007 16th St, SF; www.lovetechsf.com. 9pm, $8. With Evolution Control Committee, Janaka Selekta, Edison, and more.

Pearson Sound, Maddslinky Public Works, 161 Erie, SF; www.publicsf.com. 10pm, $12.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 1

ROCK/BLUES/HIP-HOP

Builders and the Butchers, Damion Suomi and the Minor Prophets, T.V. Mike and the Scarecrowes Bottom of the Hill. 9pm, $10.

Lloyd Gregory Biscuits and Blues. 8 and 10pm, $15.

Hollywood Undead, 10 Years, Drive A, New Medicine Fillmore. 7pm, $25.

Jugtown Pirates, Sioux City Kid, Mark Matos Café Du Nord. 8:30pm, $10.

Necrite, Aseethe, Sutekh Hexen Hemlock Tavern. 9pm, $6.

JAZZ/NEW MUSIC

Kally Price Old Blues and Jazz Band, Emperor Norton’s Jazz Band Amnesia. 9pm, $5.

Mills Brothers Rrazz Room. 3 and 7pm, $40.

Gabriela Montero Florence Gould Theatre, Legion of Honor, 100 Legion of Honor Dr., SF; www.sfjazz.org. 2pm, $25-40.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Coburns, Judea Eden Band Thee Parkside. 4pm, free.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Maneesh the Twister.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 2

ROCK/BLUES/HIP-HOP

Here We Go Magic, AroarA Rickshaw Stop. 8pm, $12-14.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 3

ROCK/BLUES/HIP-HOP

Battles Bottom of the Hill. 9pm, $15.

Chris Brokaw, Mark McGuire, Allen Karpinski, Matthew Mullane, Joshua Blatchely Hemlock Tavern. 8pm, $7.

Cannons and Clouds, Silian Rail, Lambs Café Du Nord. 9pm, $10.

Chris Cornell, William Elliott Whitmore Fillmore. 8pm, $39.50.

Johnny Clegg Band Great American Music Hall. 8pm, $25.

Pipettes, Agent Ribbons, Bitter Honeys Rickshaw Stop. 8pm, $12.

Joe Purdy, Milk Carton Kids Independent. 8pm, $15.

Psychedelic Furs Slim’s. 8pm, $31.

Xavier Rudd, Honey Honey Regency Ballroom. 8pm, $25.

FOLK/WORLD/COUNTRY

Mucho Axe, Palavra Elbo Room. 9pm, $7.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

 

Get off on green

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Your outdoor environment is looking a little cleaner after Friday’s Earth Day efforts, so now it’s time for some dirty bedroom rewards. Don’t worry– it’s possible to carry your eco-ethics into the other room. Let your passion for saving the environment slide between the sheets for love making in all shades of green.

Being a good little environmentalist all year deserves a (nice) spank, but sometimes the products we use and things we do to feel good make the Earth feel bad. Phthalate-infected vibrators, cuffs from overseas, lube made in nasty factories, and mounds of landfill-bound packaging are definite turn-offs.Tree-humpers should take note from the hoards of San Francisco foodies eating out every night: treat your bed like you would a table and go for conscious, local, and sustainable. From foreplay to fornication, here are a couple of stimulating Bay Area resources for keeping things hot between you and Mother Nature. 

 

wbuffalo

Setting the mood:

Skip the machine-made colognes and perfumes and keep it simple — you can pick some herbal aphrodisiacs made from your own backyard garden. If you forgot to plant said garden, check out White Buffalo Naturals collection of stimulating smells. All products are made locally in small batches by Nicole Spencer, a traditional herbalist who is all about the Big O (a.k.a. organic) and growing or wild-harvesting the plants she uses for the White Buffalo line herself. 

 

pact

Sexy underthings:

Stripping down to your factory-made granny panties or tighty-whities could be a huge boner-dissapointer if you’re about to get down with an earth lover. Pull on a pair of PACT undies, a Berkeley company that sources super-soft, organic Turkish cotton and in the process, allows you to participate what they call, a social movement — your purchase supports farmers, responsible labor practices, and a chain of non-profits dedicated to change. Wow– instant orgasm.


condom

Protection:

Condoms aren’t very sweet on the environment but nothing says green like curbing the population of our crowded city. Unfortunately rubbers can’t be composted or recycled, so you’ll just have to make up for it in other areas. Rubber offsets? Buy in bulk and save on wasteful packaging. 

 

transaction

Supportive supplies:

Leather can really help tie ’em down and strap ‘er on, but it’s important to know your hide source isn’t hiding any secrets. Project TransAction is an Oakland-based independent leatherworking company who promises to keep things ethical and earth-friendly. Their super-attractive harnesses, cuffs, and collars will keep anyone in line with a smirk, especially when they hear these babies were made with water-based inks, biodegradable cleaners and non-toxic dyes.

 

moon

 

Setting:

Screw PG&E and conserve utilities. Turn down the heat and let your bodies control the temperature. Turn off the lights and replace with flickering soy candles. Go outside and let the moon cast some flattering shadows. Do it in the garden (backyard not community) and then save water by showering off the dirt together.

 

jimmyjane

Stimulating Extras:

As guilty or proud as it made you feel, that rabbit vibe you picked up at the adult superstore didn’t suffer a short life due to overuse. Cheaply made sex toys are a dime a dozen, but their small sticker price makes for a big pile at the landfill. Quality is important, ladies and gents, and a good toy should hum for more than a year. Jimmyjane‘s vibrators are totally down for extended use, inviting you to play and please with a three-year warranty. The San Francisco company’s design-centric products buzz pretty and smart: responsibly manufactured, energy efficient, replaceable parts, and rechargeable batteries. 

 

 

Live Shots: Bomba Estéreo at the Independent, 4/19/11

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Do you ever go to a concert and realize that the lead singer is your new style icon? From the peacock feather in her hair to the flamingo tee-shirt and chipped red nails, Liliana from Bomba Estéreo has got definite style chops. But the sold out audience at the Independent last night, April 19, wasn’t there just to see what hip threads Liliana might throw on. They were there to hear the band’s utterly unique music, a mix of electronica and traditional Colombian beats.

I grew up with a Puerto Rican dad, which meant that on Saturdays we’d be blasting classic salsa from the KPOO radio station. Those classic Latin rhythms just become a part of any Latino kid’s body, so I love that Bomba Estéreo has kept so much of their roots present in their music while at the same time venturing into the future by mixing in technology.

At one point in the show, someone yelled out “Psychedelic trip!” as a plethora of colors and images danced on the stage and the beat became almost trance-like and hypnotic. There was definitely some major heat and energy coming off the stage — luckily it didn’t become a full out fuego.

Laughing and screaming

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arts@sfbg.com

DANCE Is it desirable to invest time and money in an elaborate dance theater piece about a noncontroversial subject? Are we supposed to walk away from an artistic experience having learned something about ourselves that we didn’t know before? Is it worthwhile to make a work about a common or familiar topic? Those are some of the questions that percolated through my mind watching Amara Tabor-Smith’s rich Our Daily Bread, which runs at CounterPULSE through April 24.

The answers, of course, are yes, yes, and yes. Tabor-Smith and her exceptional collaborators, primarily her fellow dancers Stephanie Bastos, Adriel Eddo, Eyle Moore, Aimee Suzara, and Alicia Walters, took on the complex yet basic topic of food — how we choose, prepare, and consume what we put into our mouths — and kneaded it into shapes that proved both muscular and smooth. Laura Diamondstone’s lobby installation and Lauren Elder’s set transformed CounterPULSE into something akin to a home, even including a small arbor with hanging pots of herbs. Ajayi Lumumba Jackson and Guy de Chalus contributed the music.

With the audience being prepped by the smell of cooking wafting through the theater and performers interacting with people as they entered, the experience felt more like visiting somebody’s house instead of a theater. And sure enough, we were offered palate-cleansing ginger, pieces of cake that we fed to a partner, and tiny portions of collard and black-eyed peas. If these gestures proved nothing else, they showed that the way to the heart goes through the stomach. Bread became a love feast.

But Tabor-Smith is too much of an artist to be satisfied with all of us walking out newly determined to become more responsible in our relationship to food. That would have been easy. She did more than that. Bread is a theatrically cogent, emotionally rich piece of dance theater that made us laugh at ourselves and want to scream at the end. The lens she offered is that of African American women as a feisty, independent, cantankerous, and embracing group of human beings. Seeing her dancers teasing and competing in the kitchen — wearing kerchiefs and stirring the pots — and the next moment as fierce warriors with masked faces and shaking fists, raining terror on anybody standing in their way, was transformational. At one point, the women stood huddled in fear back-to-back, reduced to a tiny space, but not giving an inch.

In addition to the dancers, two ancillary figures observed and participated in the work’s trajectory. Elizabeth Summers, an older woman, was the storyteller, the Griot who wandered in and out of the action. A white-clad Pippa Fleming, silently watching from her rocking chair or with her face pressed against the “kitchen” window, acted as an Orisha of death, but perhaps, when sanctifying the dancers at the end, also of hope.

Bread‘s central metaphor of the gumbo — that wondrous stew that would taste so much better without that vile spice called filé — was turned inside out. Women on stage and on video quarreled about the ingredients and you saw it being made. We got to peek into CounterPULSE’s tiny kitchen. But the traditional dish also became a way of honoring the women who made it over the years, and what it represents within individual families. And perhaps even more poignantly, it stood for the tension and love between generations, for a time when eating together created a bond between people like no other. Too bad they couldn’t serve some of it. Without filé please.

In the second half Bread became much darker as it focused more tightly on the exploitative farming practices that prevent communities with little economic power from accessing wholesome food and allow middle-class Americans to spend less of their food budget. An old news clip described “hard-working” braceros working in the fields. The reporter was so condescending in the way he described the “efficiency” of these farming practices, you wanted to scream. The choreographic response paid tribute to the workers’ physical gestures.

In the beginning, Bread meandered. Its ending — a memorial service honoring a Latino teenager who died of heat exhaustion because of no access to water — came at you with the force of a divine revenge. Imagine a wake in which weeping turns into screaming whose fury quite possibly might awaken the dead.

OUR DAILY BREAD

Thurs/21–Sun/24, 8 p.m.; $15–$22

CounterPULSE

1310 Mission, SF

(415) 626-2060

www.counterpulse.org

 

Guardian named California’s best weekly newspaper

1

The California Newspaper Publishers Association gave the Guardian its coveted General Excellence Award April 16, in effect naming the Guardian the best large weekly newspaper in the state.

The blue-ribbon panel of judges considered entries from across the state, from alternative weeklies, community weeklies, and weeklies published by big daily outfits.

The contest required entrants to submit three consecutive issues from March 2010. In awarding first-place to the Guardian, the judges noted: “The San Francisco Guardian knows itself, knows what it does and does it very well. In-depth reporting, with an attitude yet fully fair, is a real contribution to a democratic society. The FOI awards are a shining diamond in the rough. The arts and culture coverage sparkles in words and design. The listings are endless.”

In his remarks accepting the award at the CNPA convention in Los Angeles, Bruce Brugmann, editor and publisher, noted that the award was timely because “it helps us celebrate 45 years of printing the news and raising hell by an independent, family-owned paper in San Francisco.” He added that the Guardian had an advantage because of the unending scandals in San Francisco: “We have Willie Brown, we have Gavin Newsom, and we have PG&E.”

 

Music Listings

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Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 20

ROCK/BLUES/HIP-HOP

Bridge, Big Light, Real Nasty Slim’s. 8pm, $13.

Cypress Hill Warfield. 8pm, $45.

Dengue Fever, Maus Haus, DJ Felina Fillmore. 8pm, $22.50.

Fucking Buckaroos, Clepto, Mano Cherga Band El Rio. 9pm, $5.

Grand Lodge 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Gregory Alan Isakov, Fairchildren Café Du Nord. 8:30pm, $14.

Janet Jackson Bill Graham Civic Auditorium, 99 Grove, SF; www.tickemaster.com. 8pm, $49.50-149.50.

Limousines, K.Flay, Young Digerati, Shitty DJ Independent. 8pm, $15.

Angie Mattson, Beth Waters Hotel Utah. 8pm, $8.

Movits!, Planet Booty, Coppe with Deghouls Bottom of the Hill. 9pm, $12.

Radiators Great American Music Hall. 9pm, $30.

Thralls, Night Surgeon, Bad Bibles Hemlock Tavern. 9pm, $6.

FOLK/WORLD/COUNTRY

Artofficial, Hot Pocket, Seneca, DJ A-Train Elbo Room. 9pm, $8.

“Jah Summit Live” Blue Macaw, 2565 Mission, SF; www.jahsummit.eventbrite.com. 9pm, $7.

JAZZ/NEW MUSIC

Lynda Carter Rrazz Room. 8pm, $45-55.

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Larry Jazz Band Showroom, 1000 Van Ness, SF; www.theshowroomsf.com. 7pm, $10.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Michael Parsons Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Third Wednesdays Underground SF. 10pm-2am, $3. With Ms. Jackson, DJ Loryn, and Becky Knox spinning electro, tech, house, and breaks.

THURSDAY 21

ROCK/BLUES/HIP-HOP

Nicholas Burke, Infantree, Hugo, Damato Hotel Utah. 8pm, $8.

Crackerjack Highway 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Harderships, Mammatus Knockout. 9:30pm.

Marchfourth Marching Band Independent. 8pm, $18.

Mimosa, Paper Diamond Dillmore. 8pm, $22.50.

Off!, Culture Kids, Ecoli Eagle Tavern. 9pm.

Valerie Orth, Stringer Belle, Audiafauna Café Du Nord. 9pm, $10.

Ty Segall, Royal Baths, TRMRS, Nick Waterhouse and the Tarots Bottom of the Hill. 8:30pm, $8.

Sparrows Gate, SentiMentals, Toshio Hirano Amnesia. 9pm, $7.

Subhumans, M.D.C., Vacuum Thee Parkside. 8:30pm, $12.

System and Station, Gold Medalists, Sprains Hemlock Tavern. 9pm, $7.

Young the Giant, Man in Space, Strange Birds Slim’s. 9pm, $14.

Zeds Dead Regency Ballroom. 8pm, $20.

JAZZ/NEW MUSIC

Lynda Carter Rrazz Room. 8pm, $45-55.

Collective Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Dime Store Dandy Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Country Casanovas Atlas Café. 8-10pm, free.

Jessica Fichot Red Poppy Art House. 7pm, $12-15.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

Base Vessel. 10pm, $10. With Three and Greg Eversoul.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Culture Corner Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Roots reggae, dub, rocksteady, and classic dancehall with DJ Tomas, Yusuke, Vinnie Esparza, and Basshaka and ILWF.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests. This week, celebrate Robert Smith’s birthday with a Cure-themed night.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Monsoon Season El Rio. 9pm, free. World beats with DJ ExEss.

Nightvision Harlot, 46 Minna, SF; (415) 777-1077. 9:30pm, $10. DJs Danny Daze, Franky Boissy, and more spinning house, electro, hip hop, funk, and more.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

FRIDAY 22

ROCK/BLUES/HIP-HOP

Amon Amarth Regency Ballroom. 9pm, $25.

Lynda Carter Rrazz Room. 8pm, $45-55.

Diego’s Umbrella, Vagabond Opera, Mark Growden Independent. 9pm, $15.

Disastroid, Here, Fondue El Rio. 9pm, $8.

Endoxi, Bob Hill Band Union Room (above Biscuits and Blues). 8:30pm, $10.

Glen Fajardo and Eddie Cohn 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Lost in the Trees, Sean Rowe Hemlock Tavern. 9:30pm, $10.

Mustache Harbor Café Du Nord. 9:30pm, $15.

Randy Newman Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 8pm, $25-45.

Radio Moscow, Hot Lunch Thee Parkside. 9pm, $10.

“Sugar Rush: A Fundraiser Concert for the American Diabetes Association” Rasselas Jazz. 9pm, $10-20. With Jay Trainer Band, Ziva, Peggle Theory, For the Broken, and more.

Kurt Vile and the Violators, RTX, Carletta Sue Kay Bottom of the Hill. 10pm, $14.

“Yard Concert Fundraiser 2011” Dolores Park Café, 501 Dolores, SF; www.doloresparkcafe.com. 7pm, $20. With Audrey Howard, Laura Zucker, True Margit, Shelley Doty, Groovy Judy, and Sistas in the Pit.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Les Carnegie and the Jazz Vanguards Condor, 300 Columbus, SF; www.condorsf.com. 3pm.

Ensemble Mik Nawooj Red Poppy Art House. 8pm, $10-15.

Wobbly, Ensemble Economonique, Thomas Carnacki Lab, 2948 16th St, SF; www.thelab.org. 8pm.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-10.

Harvey Diller Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Lagos Roots AfroBeat Ensemble, DJ Jeremiah Elbo Room. 10pm, $13.

Yonder Mountain String Band Fillmore. 9pm, $25.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

DJ Mei Lwun Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, free.

Duniya Dancehall Blue Macaw, 2565 Mission, SF; (415) 920-0577. 10pm, $10. With live performances by Duniya Drum and Dance Co. and DJs dub Snakr and Juan Data spinning bhangra, bollywood, dancehall, African, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Hubba Hubba Revue: The San Francisco Show DNA Lounge. 9pm, $10-15. Barbary Coast-themed burlesque.

PANTyRAID, LowRIZERz 103 Harriet, 1015 Folsom, SF; www.1015.com. 10pm, $25.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kial, Tom No Thing, Megalodon, and Zapruderpedro spinning dubstep, reggae, and electro.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Soul Rebel Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Reggae, punk, 2tone, oi, and more with Dougie, Tim, and Tomas.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 23

ROCK/BLUES/HIP-HOP

Jello Biafra and the Guantanamo School of Medicine, Restarts, Dreadful Children, Bum City Saints Thee Parkside. 2:30pm, $10-12.

Eddie Cohn, Joyce Todd McBride and friends, Mindi Hadan, Con Brio Amnesia. 8pm, $7-10.

Foreverland, Sex With No Hands Bimbo’s 365 Club. 9pm, $22.

Daryl Hance Brick and Mortar Music Hall, 1710 Mission, SF; www.brickandmortarmusic.com.

“Lyrics Born presents Continuum” Yoshi’s San Francisco. 10:30pm, $26. With full live band and special guests.

Silly Pink Bunnies! Thee Parkside. 7pm, free.

Spectrum, Spyrals Hemlock Tavern. 9:30pm, $15.

Two Gallants Bottom of the Hill. 10pm, $15.

“UK Reunion Tour” Regency Ballroom. 8pm, $65-99. Featuring Eddie Jobson and John Wetton.

Yoni Wolf, Moore Brothers, Becky Wolf and Amy Miller Swedish American Hall (upstairs from Café Du Nord). 8pm, $15.

JAZZ/NEW MUSIC

Erin Brazill 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Garage a Trois, Amendola vs. Blades Independent. 9pm, $20.

Buddy Guy, John Németh Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 8pm, $20-65.

Nucleus Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

FOLK/WORLD/COUNTRY

Back49 Riptide Tavern. 9:45pm, free.

Lady A and the Heel Draggers, Misisipi Mike and the Midnight Gamblers, West Nile Ramblers, Bootcuts, DJ Blaze Orange Café Du Nord. 8:30pm, $13.

Quijeremá Red Poppy Art House. 8pm, $12-15.

“Sounds and Rhythms of Afghanistan” Herbst Theatre, 401 Van Ness, SF; (415) 621-6600. 8pm, $25-75.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

Yonder Mountain String Band Fillmore. 9pm, $25.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Barracuda 111 Minna. 9pm, $10. Eclectic 80s music with DJs Damon and Phillie Ocean plus 80s cult video projections, a laser light show, prom balloons, and 80s inspired fashion.

Bootie SF: DJ Tripp’s Birthday DNA Lounge. 9pm, $8-15. Mash-ups with DJ Tripp, David X, Mykill, and more.

Debaser Knockout. 9pm, $5. DJ Jamie Jams, EmDee, and Stab Master Arson spin 90s hip-hop jams.

DJ Clee Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, free.

Fog and Laser Rickshaw Stop. 9pm, $7. DJs EmDee and RamblinWorker host this anything-goes, genre-free dance party.

4OneFunktion Elbo Room. 10pm, $5-10. Starship 27 Vol. 2 release party with guest performers Diabase, J-1, the 4OneFunktion All-Stars, and more.

Go Bang! Deco Lounge, 501 Larkin, SF; www.decosf.com. 9pm, $5. Atomic dancefloor disco action with Nicky B, Derrick Love, and more.

Mango El Rio. 3-8:30pm, $8-10. Sweet, sexy fun for women with DJs Edaj, Marcella, Olga, and La Coqui.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, Tesfa, Serg, and Fuze spinning dancehall and reggae.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 24

ROCK/BLUES/HIP-HOP

“Aftermath: A Citizen to Citizen Tsunami Rescue and Relief Benefit” Thee Parkside. 8pm, $7-10. With Ass Baboons of Venus, Thunders, Tiger Honey Pot, and DJs Nako, Korri, and Lil Joe.

Alter Bridge, Black Stone Cherry, Like A Storm Regency Ballroom. 8pm, $28.

Eastern Conference Champs, Red Cortez, Apopka Darkroom Hemlock Tavern. 9pm, $8.

“It Gets Indie: A Benefit for It Gets Better and the Trevor Project” Great American Music Hall. 7:30pm, $25. With Rabbit! and Handshakes.

“JAMband Family Festival” Park Chalet, 1000 Great Hwy, SF; www.jamjamjam.com. 11am, free. With Charity Kahn.

Tower of Dudes, Graves Brothers Deluxe, Tunnel Make-Out Room. 8pm, $7.

Two Gallants Bottom of the Hill. 9pm, $15.

JAZZ/NEW MUSIC

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Family Folk Explosion Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Louis Romero and Mazacote El Rio. 5-8pm, $8.

Tater Famine Thee Parkside. 4pm, free.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Branded James Rickshaw Stop. 8pm, $5. Benefit for Back to Business career workshops.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Ludachris, and guest Janaka Selekta.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 25

ROCK/BLUES/HIP-HOP

Travis Barker and Mix Master Mike Independent. 9pm, $30-50.

Mad Rad, Mash Hall, Toast Elbo Room. 9pm, $10.

Paul Simon Davies Symphony Hall, 201 Van Ness, SF; www.ticketmaster.com. 8pm, $65-125.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 26

ROCK/BLUES/HIP-HOP

Civil War Rust, Cut Downs, Sheens Bottom of the Hill. 9pm, $8.

Jamaica, Chain Gang of 1974 Independent. 8pm, $15.

Outlaws and Preachers, Ghost Town Refugees John Colins, 138 Minna, SF; www.johncolins.com. 9pm, $5.

Ash Reiter, Radiation City, Phantom Kicks Hemlock Tavern. 9pm, $6.

Sugarspun, Silver Threads El Rio. 7pm, free.

tUnE-yArDs, Buke and Gass, Man/Miracle

Whiskey Avengers, Franco Nero, DJ Ras Fank Elbo Room. 9pm, $5.

FOLK/WORLD/COUNTRY

Quiet Echos Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

 

Rep Clock

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Schedules are for Wed/20–Tues/26 except where noted. Director and year are given when available. Double and quadruple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $5-6. “George Chen’s Show,” talk show, comedy, music, and more, Wed, 8. “OpenScreening,” Thurs, 8. For participation info, contact ataopenscreening@atasite.org. “Other Cinema:” “Bill Daniel’s Tumbleweed Crossroads,” Sat, 8:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. Elmer Gantry (Brooks, 1960), Wed, 7:30. With TCM host Ben Mankiewicz and star Shirley Jones in person; visit www.tcm.com/roadtohollywood for free tickets. “San Francisco International Film Festival:” Beginners (Mills, 2010), Thurs, 7. For tickets and info visit www.sffs.org. “John Waters’ Birthday Weekend:” •Pink Flamingos (1972), Fri, 7:30, and Female Trouble (1974), Fri, 9:35; •Polyester (1981), Sat, 2, 5:30, 9, and Desperate Living (1977), Sat, 3:45, 7:15; •Serial Mom (1994), Sun, 1:25, 5:05, 8:45, and Hairspray (1988), Sun, 3:20, 7.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-15. Certified Copy (Kiarostami, 2010), call for dates and times. Poetry (Yun, 2010), call for dates and times. Potiche (Ozon, 2010), call for dates and times. Paul Jacobs and the Nuclear Gang (Landau, 1980), Mon, 7:15. With filmmaker Saul Landau and journalist Norman Solomon in person.

CITY COLLEGE OF SAN FRANCISCO Ocean Campus, 50 Phelan, SF; (415) 239-3580. Free. A Fierce Green Fire (Kitchell, 2011), Wed, 7.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: French Twist:” Man on the Train (Leconte, 2002), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Film 50: History of Cinema: Fantasy Films and Realms of Enchantment:” Wings of Desire (Wenders, 1988), Wed, 3:10. “Alternative Visions:” The Saddest Music in the World (Maddin, 2003), Wed, 7:30. “San Francisco International Film Festival,” April 22-May 5. For schedule, see film listings; for tickets and additional info, visit www.sffs.org.

RED VIC 1727 Haight, SF; (415) 668-3994; www.redvicmoviehouse.com. $6-10. The Big Lebowski (Coen, 1998), Wed-Thurs, 7, 9:30 (also Thurs, 2, 4:20). Reservoir Dogs (Tarantino, 1992), Fri-Sat, 7:15, 9:25 (also Sat, 2, 4:15). Baraka (Fricke, 1992), Sun-Mon, 7:15, 9:20 (also Sun, 2, 4:15). Valley Girl (Coolidge, 1983), April 26-27, 7:15, 9:25 (also April 27, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Carancho (Trapero, 2010), Wed-Thurs, 9. Even the Rain (Bollaín, 2010), Wed-Thurs, 7. Some Days Are Better Than Others (McCormick, 2010), Wed-Thurs, 7 and 9. Red, White and Blue (Rumley, 2010), April 22-28, 7:15, 9:15 (also Sat-Sun, 2:55, 5).

WOMEN’S BUILDING 3543 18th St, SF; www.coathangerproject.com. Free. The Coat Hanger Project (Young), Wed, 7. With director Angie Young in person for a post-screening discussion about reproductive rights in America. YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Fearless: Chinese Independent Documentaries:” Disorder (Huang, 2009), Thurs, 7:30. 

Bar Crawler

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The Guardian Guide to local drinking presents bar crawls through some of San Francisco’s beloved neighborhoods and nightlife hot spots, as well as an overview of the Bay’s vibrant independent bar scene.

Issue Date: Wednesday, June 8, 2011
Advertising Deadline: Friday, June 3, 2011

Contact your account executive at (415) 487-4600 or admanagers@sfbg.com

The tale of two trials

1

news@sfbg.com

Since March 21, reporters representing the cream of American journalism have been camped out in the Bay Area covering two high-profile trials.

In an Oakland courtroom, two men are accused of being involved in three murders, including that of Chauncey Bailey, a journalist who was writing a story about Your Black Muslim Bakery. In San Francisco, baseball home run king Barry Bonds is accused of telling a federal grand jury that he never knowingly took steroids.

Apart from the fact that both trials are taking place simultaneously and all the defendants are African American, there is a disparity in how these cases are being treated by the media, both local and national.

The Bailey trial is being covered by fewer than a dozen reporters from mostly local media: the Oakland Tribune, the San Francisco Chronicle, KTVU, American Urban Radio Networks, CBS Radio, NPR, the Guardian, the Associated Press, ABC 7 News, several websites, and bloggers. Some are there every day, others are not. To be fair, there was more media coverage for the first few days of the trial.

According to KCBS reporter Doug Sovern, who is covering the Bonds trial, the press list includes “KCBS, KGO Radio (some of the time), KQED (occasionally), Westwood One, Channels 2 (KTVU), 4, 5, 7, 11, Comcast Sports Net, ESPN, CNN, Bloomberg, the Associated Press, Agency France Presse, the Chronicle (a reporter and a columnist every day; sometimes two columnists,) the New York Times, the Wall Street Journal, the Bay Area News Group (including the San Jose Mercury News), Reuters, the Los Angeles Times, Sports Illustrated, a few other bloggers, stringers, and people I don’t recognize,” writes Sovern in an e-mail. “I would say that adds up to about 30, plus still photographers. Probably close to 40 in all, plus THREE sketch artists!”

Media experts say the Bailey trial is far more significant when you look at how both cases affect society.

“Obviously Barry Bonds is one of the greatest baseball players of all time,” said Louis Freedberg, senior reporter for California Watch, one of the units at the Center for Investigative Reporting in Berkeley. “You add to that the celebrity factor in a society that is completely obsessed with celebrities, regardless if they do good or bad, I can see how it’s easy to define this (Bailey) as a local story and shunt it aside.”

But the problem is that society depends on journalists to provide truth and information and to hold those in power accountable. There are many countries where journalists are arrested and/or killed for writing stories that someone doesn’t like.

An independent press was a top priority for America’s founding fathers, right behind establishing the military.

“Establishing a free press was viewed as fundamental,” said Freedberg. “I don’t think they talked about baseball players at that time, so when you have a journalist being assassinated, that strikes at the core of what this society stands for — or should stand for.”

That belief was so strong after Bailey was killed that journalists, including the author, came together to form the Chauncey Bailey Project to finish Bailey’s work and make sure that everyone who was involved in the assassination was brought to justice.

“Some media are covering this deeply — the ones that covered it here — so I don’t want to make a blanket condemnation. But, yeah, I think the Bailey trial has much broader symbolism and importance to the United States than the trial of Barry Bonds,” said Robert Rosenthal, executive director of the Center for Investigative Reporting and executive editor of the Chauncey Bailey Project.

Another issue that has caused concern in the African American community is how boys and men of color are portrayed in the news media. “Usually when you see this demographic in the press, they are accused of crime, victims of crime, or playing sports,” said Dori Maynard, president of the Maynard Institute for Journalism Education.

In the Bonds case, the media are hitting two out of three — a great average for baseball, but a Bonds conviction will have virtually no impact on American democracy.

The media should cover the Bonds trial, but it should not forget about the Bailey trial, which will still be going when the Bonds trial ends.

If those who are on trial for killing Bailey are indeed guilty but are allowed to go free, it will send a message that journalists — the people who keep society informed and hold those in power accountable — are fair game. (Bob Butler)

This story first appeared at www.maynardije.org, the website of the Maynard Institute, a member of the Chauncey Bailey Project, of which the Guardian is also a member.

LATEST TRIAL NEWS: JUDGE DENIES DEFENSE MOTION AFTER REPORTER RECEIVES DEATH THREAT

On April 11, a defense attorney in the Chauncey Bailey murder trial asked the judge to ban jurors from reading newspapers or using the Internet for the duration of the trial after the Bay Area News Group and the Chauncey Bailey Project reported that a journalist had received a death threat while reporting a story related to the now defunct Your Black Muslim Bakery.

Gary Sirbu, who is representing codefendant Antoine Mackey, made the request as the trial resumed Monday, April 11. Articles about the threat were published Saturday, April 9 on the front page of Bay Area News Group publications, including the Oakland Tribune.

Judge Thomas Reardon asked jurors if they had read any news stories over the weekend about the telephone threat made to reporter Josh Richman. By a show of hands, jurors indicated they had not read the articles.

Reardon denied Sirbu’s request, saying he did not want to make such an order. But the judge again cautioned jurors to avoid any news coverage about the case or anything related to Your Black Muslim Bakery. (Thomas Peele)

 

Music Listings

0

Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 13

ROCK/BLUES/HIP-HOP

Broken Social Scene, Gord Downie Warfield. 8pm, $27.

Francis and the Lights, Oh Land, Sunday Ghost Café Du Nord. 9:30pm, $15.

Girls in Trouble, Jascha vs. Jascha Viracocha, 998 Valencia, SF; www.viracochasf.com. 8pm, $5-10.

Hammerlock, Scheisse Minnelli, Seven Crowns, Lecherous Gaze Thee Parkside. 8pm, $6.

Black Joe Lewis and the Honeybears, Those Darlins Independent. 8pm, $18.

Lightning Bolt, Tits, High Castle Rickshaw Stop. 8pm, $12.

Majesty, Sweet Chariot, Tarantula Tango Knockout. 9pm, $6.

Curtis Peoples, Keaton Simons, Whitney Nichols Hotel Utah. 8pm, $10.

Porch, Bone Dweller Hemlock Tavern. 9pm, $6.

Rural Alberta Advantage, Lord Huron, Birdmonster Bottom of the Hill. 9pm, $14.

Chelsea TK and the Tzigane Society, Parlour Suite, Starfish in the Clouds, Uni and Her Ukelele, DJ Neil Martinson Elbo Room. 9pm, $7.

Yacht, Bobby Birdman Bimbo’s 365 Club. 8pm, $20.

JAZZ/NEW MUSIC

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Jazz All-Stars Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

New Rite Spot All-Stars Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Rudy Simone 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St., SF; (415) 643-3558. 10pm, $3. Soul, funk, swing, and rare grooves with residents Dr. Musco and DJB.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

Mod vs. Rocker Make-Out Room. 10pm, free. DJs all night spinning 60s pop; come at 7:30 p.m. (cover $7) for a live concert with Bond Girl and 10 ft. 5.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Obey the Kitty Vessel. 10pm, $10. With a Ladytron DJ set.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Strutter El Rio. 9pm, $3. DeeJay Andre spins electro, booty bass, hip-hop, and more for lesbians and friends.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

“When I Was a Youth: Big Up Magazine Issue Release” Mezzanine. 9pm, $10. With Breakage, Goth Trad, and a screening of the documentary Bassweight.

THURSDAY 14

ROCK/BLUES/HIP-HOP

Cults, Magic Kids, White Arrows Independent. 8pm, $13.

Cute Lepers, Re-Volts, Complaints, Lydia and the Projects Thee Parkside. 9pm, $10.

Delorean, Water Borders Slim’s. 9pm, $21.

“Eddie Dane Memorial” DNA Lounge. 9pm, $5 suggested donation. With Hi-Rhythm Hustlers and burlesque performances.

Ellie Goulding, Knocks Rickshaw Stop. 9pm, $13.

Joy Formidable, Lonely Forest Bottom of the Hill. 8:30pm, $12.

Lake, AgesandAges, Michael Beach Hemlock Tavern. 9pm, $8.

Little Mercury, Exit Wonderland, Curly El Rio. 8pm, $5.

Vonda Shephard Yoshi’s San Francisco. 8pm, $25.

Tomihara, My Second Surprise, Haberdasher Red Devil Lounge. 8pm, $6.

Two Door Cinema Club, Globes, Work Drugs Fillmore. 8pm, $20.

Matt Wertz, Ben Rector Swedish American Hall (upstairs from Café Du Nord). 8pm, $15.

JAZZ/NEW MUSIC

Zach Hash Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Ken Sealy Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

SF Jazz Hotplate Series Amnesia. 9pm.

Scott Sier Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Meredith Axelrod 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Bay Island Ramblers Atlas Café. 8-10pm, free.

Amy Obienski Mama Art Café, 4754 Mission, SF; www.mamasf.com. 8pm, free.

Yeye Suárez Red Poppy Art House. 7pm, $12-15.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

CakeMIX SF Wish, 1539 Folsom, SF; www.wishsf.com. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Culture Corner Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Roots reggae, dub, rocksteady, and classic dancehall with DJ Tomas, Yusuke, Vinnie Esparza, and Basshaka and ILWF.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout, 2600 16th St, SF; www.fringesf.com. 9pm, $2. Indie music video dance party with subOctave and Blondie K.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests. This week’s theme is Duran Duran; come dressed as a member of the band and get in free before 11pm.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Kissing Booth Make-Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Motion Sickness Vertigo, 1160 Polk, SF; (415) 674-1278. 10pm, free. Genre-bending dance party with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

FRIDAY 15

ROCK/BLUES/HIP-HOP

Blank Tapes, Little Wings, Kacey Johansing, Rad Cloud Great American Music Hall. 8:30pm, $13.

Burmese, CCR Headcleaner, Crib Death Hemlock Tavern. 9:30pm, $7.

“Cheerleader Graduation Party” Rickshaw Stop. 8pm, $10. With Cock-Ts, Devil-Ettes, Boner Jams, and Six Million Dollar Band.

Entrance Band, Rachel Fannan, Nick Waterhouse, Allah Las, DJ Selections by KC Bull Slim’s. 9pm, $13.

Gr’ups, Swann Danger, Street Eaters, Hounds and Harlots Thee Parkside. 9pm, $8.

Katdelic, DJ K-Os Boom Boom Room. 9:30pm, $15.

Naked Fiction Amnesia. 7pm.

Night Call, Purple Rhinestone Eagle, Bad Dream El Rio. 9pm, $5.

Nodzzz, Art Museums, Gun Outfit Bottom of the Hill. 10pm, $10.

Residents Bimbo’s 365 Club. 9pm, $30.

Raphael Saadiq, Quadron Regency Ballroom. 9pm, $39.50-49.50.

Scissor Sisters, Oh Land Warfield. 9pm, $37.

Upsets 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

JAZZ/NEW MUSIC

Emily Anne Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

“B3 Bash” Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-60. With Dr. Lonnie Smith and Barbara Dennerlein Trio.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Chelle! and friends Red Poppy Art House. 8pm, $12-15.

Melees, Ken Sealy Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Maceo Parker Yoshi’s San Francisco. 8 and 10pm, $20-30.

FOLK/WORLD/COUNTRY

Deke Dickerson, B-Stars, Golddigger Elbo Room. 9pm, $13.

Amjad Ali Khan Palace of Fine Arts, 3301 Lyon, SF; www.ciis.edu/publicprograms. 8pm, $25-100.

Amy Obienski Velo Rouge Café, 798 Arguello, SF; www.velorougecafe.com. 7pm, free.

Pine Box Boys, Hubba Hubba Revue, Possum and Lester Café Du Nord. 9:30pm, $14.

Shakulintang Rancho Parnassus, 505 Minna, SF; www.ranchoparnassus.com. 8pm, $10-15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Chase and Status, 2cents, Lukeino, Kuze DNA Lounge. 10pm, $20.

DJ Momentum Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, $10.

DJ What’s His Fuck Riptide. 9pm, free. Old-school punk and other gems.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Mary Anne Hobbs 1015 Folsom. 10pm, $15. With Joy Orbison, Kode9, Lorn, Gonja Sufi, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Radioactivity 222 Hyde, SF; (415) 440-0222. 6pm. Synth sounds of the cold war era.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 16

ROCK/BLUES/HIP-HOP

All Time Low, Yellowcard, Hey Monday, Summer Set Warfield. 7pm, $27.

Arrival, Luvplanet, Relay Company Showroom, 1000 Van Ness, SF; (415) 346-5597. 8:30pm, $12-15.

Crazy Alligators Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Forrest Day, Bayonics, Ghost and the City Great American Music Hall. 9pm, $14.

Druglords of the Avenues, Fracas, Street Justice Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 9:30pm, $5.

Duran Duran Fillmore. 9pm, $57.50.

Full on Flyhead, Lavish Green, Ben Benkert Band, Scholar and the Melting Pot Slim’s. 9pm, $14.

Heavy Liquid, Tempermentals Thee Parkside. 3pm, free.

Maserati, Kenseth Thibideau, Glaciers Hemlock Tavern. 9:30pm, $10.

OONA, Super Adventure Club, Dogcatcher Bottom of the Hill. 10pm, $10.

Orgone, Quinn Deveaux and the Blue Beat Review Independent. 9pm, $16.

Residents Bimbo’s 365 Club. 9pm, $30.

Stymie and the Pimp Jones Love Orchestra Café Du Nord. 9pm, $15-25.

JAZZ/NEW MUSIC

Billy White Quintet West Red Poppy Art House. 8pm, $12-20.

JP and the Rhythm Chasers, Petunia and the Vipers Verdi Club, 2424 Mariposa, SF; www.oldtimey.net. 8pm, $15.

Maceo Parker Yoshi’s San Francisco. 8 and 10pm, $30.

Proverb Trio with Dafnis Prieto, Kokyai, and Jason Lindner Swedish American Hall (upstairs from Café Du Nord). 8pm, $30.

FOLK/WORLD/COUNTRY

Culann’s Hounds, Lucia Comnes St. Cyprian’s Church, 2097 Turk, SF; www.noevalleymusicseries.com. 8pm, $20.

Octomutt, Lily Taylor Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Cock Fight Underground SF. 9pm, $7. Gay locker room antics galore with electro-spinning DJ Earworm, MyKill, and Dcnstrct.

Bootie SF: Bootiechella DNA Lounge. 9pm, $8-15. Coachella artists get mashed up by Adrian and Mysterious D, and more.

DJ Nik Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, $10.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave bringing the best of Coachella to SF.

Full House Gravity, 3505 Scott, SF; (415) 776-1928. 9pm, $10. With DJs Roost Uno and Pony P spinning dirty hip hop.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip-hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Prince vs. Michael Madrone Art Bar. 8pm, $5. With DJs Dave Paul and Jeff Harris battling it out on the turntables with album cuts, remixes, rare tracks, and classics.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 17

ROCK/BLUES/HIP-HOP

“Bands for the Rising Sun: Benefit for Japan Tsumani Quake Relief” Maggie McGarry’s, 1353 Grant, SF; bandsfortherisingsun@gmail.com. 2-9pm, donations accepted. With Dyno Cats, Deepest Purple, Project Gojira, and more.

“Battle of the Bands” DNA Lounge. 5:30pm, $12. With Glorious Birds, Style Like Revelators, and more.

Black Wizard Hemlock Tavern. 9pm, $6.

Foxtails Brigade, Rachel Fannan Swedish American Hall (upstairs from Café Du Nord). 8pm, $15.

Hauschka, Magik*Magik Orchestra Great American Music Hall. 8pm, $18.

Goh Nakamura, Come Gather Round Us, Yea-Ming Café Du Nord. 8pm, $10.

Vostok-Zapad Rickshaw Stop. 7pm, $25.

Wire Slim’s. 9pm, $21.

JAZZ/NEW MUSIC

“Bruno’s/Wayne Niethold Tribute” Public Works, 161 Erie, SF; www.publicsf.com. 4-10pm, $15-50. With DJ Chase Gowdy, Todd Sickafoose Group, Graham Connah’s Sour Note Seven, Scott Amendola Quartet, and more.

Jennifer Bryce and Josh Workman Bliss Bar, 4026 24th St., SF; www.blissbarsf.com. 4:30pm, $10.

Jazz jam 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Ellis Marsalis Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 7pm, $25-65.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Andy y Callao El Rio. 4-8pm, $8.

Family Folk Explosion Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Silver Threads, Kitchen Fire Thee Parkside. 4pm, free.

Venezuelan Music Project Yoshi’s San Francisco. 7pm, $16.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

Chocolate Sundays Beauty Bar. 9pm. With DJs 4AM and Automatic Transmission, plus a drunken spelling bee.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest DJ Ripley.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 18

ROCK/BLUES/HIP-HOP

!!! Independent. 9pm, $20.

New Pornographers, Menomena Regency Ballroom. 8pm, $32.

One Way Station, Califia, Songs for Snakes Elbo Room. 9pm.

Spiral Bombs, Narooma, Hazel’s Wart El Rio. 7pm, $5.

Tame Impala, Yuck Fillmore. 8pm, $20.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 19

ROCK/BLUES/HIP-HOP

Marcia Ball Yoshi’s San Francisco. 8pm, $20.

“Beyond the Music Label Series” Boom Boom Room. 6-9pm, free. With Blind Willies.

Grooming the Crow, Scott Gagner El Rio. 7pm, free.

Janet Jackson Bill Graham Civic Auditorium, 99 Grove, SF; www.ticketmaster.com. 8pm, $49.50-149.50.

Pains of Being Pure at Heart Amoeba, 1855 Haight, SF; www.amoeba.com. 6pm, free.

Pains of Being Pure at Heart, Twin Shadow, Catwalk Great American Music Hall. 8pm, $17.

Rubber O Cement, Dental Work, Shortwave Surfers, Terror Apart Hemlock Tavern. 9pm, $6.

FOLK/WORLD/COUNTRY

Bomba Estéreo, Bayonics Independent. 8pm, $18.

Lumanation, Dubtown Dread John Colins, 138 Minna, SF; www.johncolins.com. 9pm, $5.

Sue Quigley Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

DANCE CLUBS

Boomtown Little Baobab, 3388 19th St, SF; www.bissapbaobab.com. 9pm, free. DJ Mundi spins roots, ragga, dancehall, and more.

Brazilian Wax Elbo Room. 9pm, $7. Forro and samba with Razteria, DJ Carioca, and DJ P-Shot.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

 

Rep Clock

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Schedules are for Wed/13–Tues/19 except where noted. Director and year are given when available. Double and quadruple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Radical Light: That Little Red Dot,” curated and presented by Dale Hoyt, Thurs, 7:30. “Other Cinema:” “Jesse and Glenda Drew,” country music doc-in-progress and other clips, Sat, 8:30.

BRAVA 2781 24th St, SF; www.brava.org. $15. Will The Real Terrorist Please Stand Up? (Landau, 2011), Sat, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. True Grit (Coen and Coen, 2010), Wed, 3, 5:30, 8. •Picnic at Hanging Rock (Weir, 1975), Thurs, 2:30, 7, and The Passenger (Antonioni, 1975), Thurs, 4:35, 9:05. •Bullitt (Yates, 1968), Fri, 7, and Freebie and the Bean (Rush, 1974), Fri, 9:15. “Midnites for Maniacs: Heavy Metal Monster Mash:” •Heavy Metal (Potterton, 1981), Sat, 2:30; The Monster Squad (Dekker, 1987), Sat, 4:45; This Is Spinal Tap (Reiner, 1984), Sat, 7:30; Trick or Treat (Smith, 1986), Sat, 9:45; Monster Dog (Fragasso, 1984), Sat, 11:45. The Ten Commandments (DeMille, 1956), Sun, 2, 7. All five films, $13.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-15. Certified Copy (Kiarostami, 2010), call for dates and times. Poetry (Yun, 2010), call for dates and times. Potiche (Ozon, 2010), call for dates and times. Winter in Wartime (Koolhoven, 2009), call for dates and times.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Coal Country (Evans and Geller, 2011) Wed, 7.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: French Twist:” Purple Noon (Clement, 1960), Fri, 6.

MISSION CULTURAL CENTER FOR LATINO ARTS 2868 Mission, SF; www.writerscorps.org. Free. “Poetry Projection Project: A WritersCorps Film Event,” short films based on youth writing, Sat, 2. Program repeats Tues/19, 11am and 1pm, San Francisco Public Library, 100 Larkin, SF.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Film 50: History of Cinema: Fantasy Films and Realms of Enchantment:” Alien (Scott, 1979), Wed, 3:10. “Alternative Visions:” A Walk Into the Sea: Danny Williams and the Warhol Factory (Robinson, 2007), Wed, 7:30. “First Person Rural: The New Nonfiction:” Tropic of Cancer (Polgovsky, 2004), Thurs, 7; Sweetgrass (Taylor and Barbash, 2010), Sun, 5:30. “Under the Skin: The Films of Claire Denis:” Friday Night (2002), Fri, 7; Vers Mathilde (2005), Fri, 8:50; 35 Shots of Rum (2008), Sat, 8:40. “Patricio Guzmán:” The Pinochet Case (2001), Sat, 6:30; •Chile, Obstinate Memory (1997) and A Village Fading Away (1995), Sun, 3.

RED VIC 1727 Haight, SF; (415) 668-3994; www.redvicmoviehouse.com. $6-10. Blue Valentine (Cianfrance, 2010), Wed, 2, 7, 9:20. The King’s Speech (Hooper, 2010), Thurs-Sat, 7, 9:30 (also Sat, 2, 4:30). Another Year (Leigh, 2010), Sun-Mon, 8 (also Sun, 2, 5). The Big Lebowski (Coen, 1998), Tues, 7, 9:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. “It’s the Paul Meinberg! Show:” Ladies Love Danger (Humberstone, 1935), Wed, 7, 9:30; Girl in 313 (Cortez, 1940), Wed, 9. “Charles Phoenix Retro Slide Show,” Thurs, 8. This event, $25. Some Days Are Better Than Others (McCormick, 2010), April 15-21, 7 and 9 (also Sat-Sun, 2:30, 4:45). “Playback: ATA Film and Video Festival 2006-2010,” Tues, 7:30. This event, $10.

VICTORIA THEATRE 2961 24th St, SF; www.peacheschrist.com. $15-20. “2011 San Francisco Underground Short Film Festival,” Fri, 7:30 (shorts); Devious, Inc. (xuxE, 2011), Fri, 10:30. YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Fearless: Chinese Independent Documentaries:” 1428 (Du, 2009), Thurs, 7:30; Fortune Teller (Xu, 2010), Sun, 2.

WonderCon: Local legends

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All photos by Luis Allen

Sure, the glitz and glamour of the big labels, with their video game consoles and upcoming movie tie-ins, were enticing at WonderCon (check out yesterday’s post for more costume awesomeness and our sociology nerd analysis of the convention). But of course, this being San Francisco and this being the Guardian, we found the “small press” aisles of the convention a little more enticing. Below, three of our favorite independent comic projects from around California.

Age Scott

When he was but a young thing in the East Bay, Age Scott’s teacher assigned him his final in comic book form, trying his best to get Scott interested in schoolwork. “I asked him what it had to be about, and he said ‘whatever you want.’” He wound up making a seven page book about a hip-hop mouse, his classmates started asking him for copies, and Scott realized that this whole comic book thing could work for him. 

Fast forward twenty years, Scott is still making it work. A self-dubbed “raptoonist,” at WonderCon he was hawking a series of titles about his characters Won and Phil, “hip-hop heroes.” I checked out Won and Phil: Dedicated to the Rap Generation, which turned out to be a choose your own adventure story, wherein the reader gets to decide the duo’s journey throughout the game. Sign with Death Row, Wu Tang, or Rocafella? Follow Old Dirty Bastard when the cops bust into the studio or hang back? Have beef with other emcees, wind up in the mental hospital, side with Jay-Z or Damon Dash? It’s all in there. 

Emily C. Martin

She had me at “fish people,” the hoodie-wearing gang of squat fish-men that show up halfway through Emily C. Martin’s SF-based graphic novel adventure, Otherkinds. “They’re in an antagonist role in this story,” Martin tells us. “But eventually I want them to be protagonists.” The fish men steal a nautilus from Steinhart Aquarium, and “imply a connection with a huge under-Atlantis beast,” says the Sonoma County comic artist, who includes an illustrated guide at the back of the book that talks about each of the fishmen’s real-life aquatic counterparts. I love the fishmen so much that their good-evil status doesn’t concern me, and briefly consider buying one of the buttons with the characters that Martin was displaying on her table. 

Chula Vista High Tech High Graphic Novel Project

Tucked away in the Moscone Center’s labyrinth network of halls and conference rooms, we stumbled across a panel of young men and women who were using comics to connect with their community. Students from a charter school in the San Diego area had started making comics and holding classes in the art for younger kids. The group produces full-length graphic novels with names like La Sombra de America and Wings of Freedom that benefit youth programs and organizations that help build community across the border. The Chula Vista kids were all wearing black buttondowns, they had the funniest PowerPoint presentation of the conference (as far as I’m concerned) and most importantly, these wonderkids are using their powers for good.

 

Tome time

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arts@sfbg.com

LIT This week brings the 30th installment of the National California Book Awards. Some of the books up for awards have been written about in the Guardian during the past year, including Rebecca Solnit’s Infinite City: A San Francisco Atlas, Richard O. Moore’s Writing the Silences, and Destiny Disrupted: A History of the World Through Islamic Eyes, by the 2011 Fred Cody Award for Lifetime Achievement winner Tamim Ansary. Local authors, editors, and translators among this year’s nominees include Solnit, Moore, Aife Murray, Brian Teare, Damion Searls, Michael Alenyikov, John Sakkis (who has contributed to the Guardian), Kate Moses, Matthew Zapruder, Lewis Buzbee, Neelanjana Bannerjee, and Pireeni Sundaralingam.

The 2011 edition of NCBA arrives at a time when the value and resolve of independent booksellers is clear. For many years, Borders and other chain stores seemed poised to kill small businesses devoted to selling books, and in fact, chain marketing undoubtedly has had a negative impact on individual shops. But Borders recently filed for bankruptcy, while a number of unique booksellers in the Bay Area and beyond continue to survive and thrive. Thanks to the Berkeley-based Small Press Distribution and San Francisco shops such as Needles & Pens, small publishing is also alive and within real-life reach. Here is the list of this year’s NCBA nominees, for the next time you venture into the neighborhood bookshop or library.

 

FICTION

 Ivan and Misha, stories, Michael Alenyikov (TriQuarterly Books, 212 pages, $18.95)

 Heidegger’s Glasses, Thaisa Frank (Counterpoint, 320 pages, $25)

 Gold Boy, Emerald Girl, stories, Yiyun Li (Random House, 240 pages, $25)

 Death is Not an Option, stories, Suzanne Rivecca (W.W. Norton, 22 pages, $23.95)

 The More I Owe You, Michael Sledge (Counterpoint, 320 pages, $15.95)

GENERAL NONFICTION

 Winner-Take-All Politics: How Washington Made the Rich Richer—And Turned Its Back on the Middle Class, Jacob S. Hacker and Paul Pierson (Simon & Schuster, 368 pages, $27)

 The Big Short: Inside the Doomsday Machine, Michael Lewis (W. W. Norton, 320 pages, $15.95)

Maid as Muse: How Servants Changed Emily Dickinson’s Life and Language, Aífe Murray (University Press of New England, 324 pages, $35)

 Aftershock: The Next Economy and America’s Future, Robert B. Reich (Alfred A. Knopf, 273 pages, $27.95)

 The Twilight of the Bombs: Recent Challenges, New Dangers, and the Prospects for a World Without Nuclear Weapons, Richard Rhodes (Alfred A. Knopf, 400 pages, $29.95)

 

CREATIVE NONFICTION

 Not by Chance Alone: My Life as a Social Psychologist, Elliot Aronson (Basic Books, 304 pages, $27.50)

• A State of Change: Forgotten Landscapes of California, Laura Cunningham (Heyday, 352 pages, $50)

• Cakewalk, a memoir, Kate Moses (The Dial Press, 368 pages, $26)

 Infinite City: A San Francisco Atlas, Rebecca Solnit (University of California Press, 167 pages, $24.95)

 Deep Blue Home: An Intimate Ecology of Our Wild Ocean, Julia Whitty (Houghton Mifflin Harcourt, 256 pages, $24)

 

POETRY

 Suck on the Marrow, Camille T. Dungy (Red Hen Press, 88 pages, $18.95)

Trance Archive: New and Selected Poems, Andrew Joron (City Lights Publishers, 120 pages, $14.95)

 Writing the Silences, Richard O. Moore (University of California Press, 136 pages, $19.95)

• Rough Honey, Melissa Stein (The American Poetry Review, 96 pages, $14)

 Pleasure, Brian Teare (Ahsahta Press, 88 pages, $17.95)

 Come on All You Ghosts, Matthew Zapruder (Copper Canyon Press, 96 pages, $16.95)

 

TRANSLATION, FICTION

 Translation by Anne Milano Appel, Blindly, by Claudio Magris, from Italian (Penguin Group Canada)

Translation by David Frick, A Thousand Peaceful Cities, by Jerzy Pilch, from Polish (Open Letter Books, 143 pages, $14.95)

 Translation by Damion Searls, Comedy in a Minor Key, by Hans Keilson, from German (Farrar, Straus and Giroux, 144 pages, $22)

 

POETRY

• Translation by Kurt Beals, engulf—enkindle, by Anja Utler, from German (Burning Deck, 96 pages, $14)

• Translation by Joshua Edwards, Ficticia, by María Baranda, from Spanish (Shearsman Books)

• Translation by John Sakkis and Angelos Sakkis, Maribor, by Demosthenes Agrafiotis, from Greek (Post-Apollo Press, 86 pages, $15)

 

CHILDREN’S LITERATURE

• Arroz con leche/Rice Pudding: Un poema para cocinar/A Cooking Poem, Jorge Argueta, illustrator Fernando Vilela (Groundwood Books/Libros Tigrillo, 32 pages, $18.95)

• The Haunting of Charles Dickens, Lewis Buzbee (Feiwel and Friends, 368 pages, $17.95)

• The Vinyl Princess, Yvonne Prinz (HarperTeen/HarperCollins Publishers, 320 pages, $16.99)

• Other Goose: Re-Nurseried!! and Re-Rhymed!! Children’s Classics, J. Otto Seibold (Chronicle Books, 80 pages, $19.99)

• Shooting Kabul, N.H. Senzai (Simon & Schuster Books for Young Readers/Paula Wiseman Books, 272 pages, $16.99)

 

SPECIAL RECOGNITION AWARD

Indivisible: An Anthology of Contemporary South Asian American Poetry, edited by Neelanjana Banerjee, Summi Kaipa, and Pireeni Sundaralingam (University of Arkansas Press, 220 pages, $24.95)

 

FRED CODY AWARD FOR LIFETIME ACHIEVEMENT

Tamim Ansary 

NORTHERN CALIFORNIA BOOK AWARDS

Sun/10, 1 p.m.–2:30 p.m.

Koret Auditorium

San Francisco Main Library

100 Larkin, SF

(510) 525-5476

www.poetryflash.org

 

Drawing a line in the toxic triangle

5

rebeccab@sfbg.com

GREEN ISSUE California is often viewed as being among the brightest shades of green. The Golden State’s landmark climate-change legislation has proven magnetic for green-tech startups, while Northern California is defined in part by its longstanding love affair with natural foods and solar power. San Francisco boasts a well-used network of bike routes, a ban on plastic bags, mandated composting of kitchen scraps, and a host of urban agriculture projects.

While much of the Bay Area’s environmental reputation is well-deserved, things look different from poor neighborhoods where homes are clustered beside hulking industrial facilities and public health suffers. For years, grassroots organizations working in Richmond, Oakland, and Bayview-Hunters Point have sought to improve air quality and promote environmental justice in neighborhoods plagued by higher-than-average rates of respiratory disease, cancer, and other preventable illnesses.

The Rev. Daniel Buford of Oakland’s Allen Temple Baptist Church told the Guardian that he began talking about the polluted areas of Richmond, Oakland, and San Francisco as a “toxic triangle” two decades ago. It was an analogy, he explained, that plays off the mysterious deaths that the Bermuda Triangle is famous for. Yet the label also served a purpose — to unite three communities of color that were fighting separate yet similar battles against health hazards associated with their surroundings.

“There were a lot of things that weren’t in place with public consciousness that are in place now,” Buford said.

Today, he isn’t the only one uttering the catch phrase. A host of community organizations banded together as the Toxic Triangle Coalition last year to organize three forums on environmental justice in the three cities. Advocates cast the neighborhood-specific problems as three parts of a regionwide phenomenon, highlighting how pollution from shipping, crude oil processing, freeway transportation, abandoned manufacturing sites, hazardous waste handlers, and other industrial facilities disproportionately affect communities of color, where poverty and unemployment rates are already high.

Buford views the Toxic Triangle Coalition as a strategy to mount pressure for stronger enforcement of environmental laws in disproportionately affected areas. “We live in the whole Bay Area — we don’t live in one little part of the Bay Area,” he noted. “Our coalition strongly urges our state representatives in each of the counties to call for a hearing at the state level.”

 

OIL WARS

In Richmond, California’s top greenhouse-gas emitter looms as an expansive backdrop of the city, a tangled network of smokestacks and machinery near a hillside cluster of large, cylindrical oil storage containers. Chevron Corporation’s Richmond Refinery was built more than a century ago. A few years ago, the oil company began making noise about how it was in need of an upgrade.

Weaving through a blue-collar residential area of Richmond in her sedan, Jessica Guadalupe Tovar recounted how Communities for a Better Environment (CBE), the nonprofit she works for, revealed that Chevron hadn’t told the whole story when it was petitioning for a permit to expand the refinery. The oil company’s long-term goals, CBE learned from a financial report, included gaining capability to process thicker crude that tends to be sourced from places like Canada’s Alberta tar sands.

“We call it dirty crude,” she said. “But it’s really dirtier crude.”

Converting thicker crude to fuel requires higher temperatures and pressures — and that translates to higher greenhouse-gas emissions and a heightened risk of flaring and fires.

The refinery expansion could have meant an air-quality situation going from bad to worse. Public health problems such as asthma and cancer have spurred campaigns led by the West County Toxics Coalition, CBE, and other environmental justice groups. Tovar explained how CBE orchestrated an air-monitoring program in 2006, collecting samples from 40 homes in Richmond and 10 in Bolinas as a point of comparison.

While trace amounts of chemicals from household cleaners were present in both, samples from the Richmond residences also contained the same toxic compounds that spew from Chevron’s refinery. “We found pollution known to come from the oil refinery settling inside people’s homes,” Tovar explained. “Once it’s trapped in your home, it starts to accumulate.”

Chevron won its expansion permit by a slim margin in 2008 with a city council dominated by officials who had reputations for being friendly to the oil giant. Yet environmental organizations filed suit, saying the environmental impact report (EIR) approval was based on was illegal because it failed to analyze the company’s likely plans for heavier crude processing. A Contra Costa County judge ruled in favor of the environmentalists, halting the expansion project in 2009. Chevron appealed, but the decision was upheld in 2010.

Stopping the expansion was a substantial victory, but environmental justice advocates remain wary of Chevron — particularly after the company attempted to blame job losses on the green coalition that filed suit. “Chevron pit workers against us,” Tovar noted. “And also started saying, ‘This is why environmental laws are bad for the economy.'”

 

GLOBAL TRADE, LOCAL FUMES

Each day, the Port of Oakland fills with trucks waiting to load up on goods shipped in from around the globe on massive cargo vessels. It’s a local symbol of a globalized economy. But for the West Oakland neighborhoods surrounding the port, the daily gathering of diesel rigs means an unhealthy infusion of particulate matter into the air.

A report issued by the East Bay Alliance for a Sustainable Economy (EBASE), the Pacific Institute, and the Coalition for Clean and Safe Ports found that West Oakland residents are exposed to particulate matter concentrations nearly three times higher than the regional average. Health studies have shown that asthma rates in West Oakland are five times higher than that of people living in the Oakland hills, and cancer risks are threefold compared to other Bay Area cities. For the truck drivers, the risk of cancer is significantly higher than average.

A state air-quality law that went into effect in early 2010 banned pre-1994, heavily polluting diesel trucks from the port, thanks in part to years of environmental campaigning that has publicized public-health impacts associated with the diesel pollution. Yet the new regulation brought an unintended consequence: for truck drivers who must purchase their own gas and pay for their own upgrades, the new rule was ruinous. A survey by the Public Welfare Foundation found that since the new environmental regulation went into effect, 25 percent of Oakland truck drivers had declared bankruptcy, been evicted, or faced foreclosure.

Retrofitting the trucks with new air filters is a five-figure prospect, while the cost of a new truck can clear $100,000. “At the end of the day … a lot of them will only take home about $25,000 a year,” explained EBASE spokesperson Nikki Bas. “It’s an immigrant workforce who are living in poverty.”

So the Coalition for Clean and Safe Ports, which pushed for tougher air-quality regulations, is now pressuring for a reform of the trucking industry to place the cost of clean upgrades onto powerful trucking companies instead of low-wage drivers. The coalition’s campaign has sought to link the needs of the drivers and the surrounding community, organizing rallies with blue-green signs bearing the motto “Good Jobs & Clean Air” to call for a change to the truckers’ employment classification from independent contractors to employees, which would shift the cost of compliance onto employers instead of drivers.

West Oakland isn’t the only East Bay area inflicted by excessive levels of diesel particulate matter from trucks entering the Port of Oakland. The fumes also affect East Oakland neighborhoods bisected by the big rigs’ primary thoroughfares. In addition to truck traffic and freeways, East Oakland is also the site of numerous hazardous-waste handlers and abandoned industrial sites.

Nehanda Imara, an organizer with CBE who also helped put together the Toxic Triangle Coalition forums, described how her organization recruited volunteers to count the number of trucks passing through a heavily traveled East Oakland strip as a way to quantify the source of particulate matter pollution. They reached a tally of around 11,700 over the course of 10 days.

Some progress has been made to limit the exposure of diesel pollution for East Oakland residents. The city is working on a comprehensive plan to assess trucking routes, and a campaign to limit truck idling is helping to limit unnecessary tailpipe emissions.

Yet youth hospitalizations for asthma in East Oakland are 150 percent to 200 percent higher than Alameda County taken as a whole, and an air-monitoring project in that area revealed high levels of particulate matter exceeding state and federal standards.

“That’s also an environmental injustice,” Imara said. “When the laws are there, but not being enforced.”

 

TOXIC SOUP

In San Francisco’s Bayview-Hunters Point neighborhood, environmental justice groups have spotlighted the toxic stew associated with the naval shipyard and other pollution sources for years. A 2004 report produced jointly by Greenaction for Health and Environmental Justice, the Bayview-Hunters Point Mothers Environmental Justice Committee, and the Huntersview Tenants Association outlined a “toxic inventory” of the area. The inventory depicts a more complicated web of toxic sources than the asbestos dust and naval shipyard cleanup that have been focal points of news coverage surrounding Lennar Corp.’s massive redevelopment plans for that neighborhood.

“Over half of the land in San Francisco that is zoned for industrial use is in Bayview-Hunters Point,” this report noted. “The neighborhood is home to one federal Superfund site, the Hunters Point Naval Shipyard … a sewage treatment plant that handles 80 percent of the city’s solid wastes, 100 brownfield sites [a brownfield is an abandoned, idled, or underused commercial facility where expansion or redevelopment is limited because of environmental contamination], 187 leaking underground fuel tanks, and more than 124 hazardous waste handlers regulated by the U.S. Environmental Protection Agency.”

The shipyard, meanwhile, has been the central focus of controversy surrounding plans to clean up and redevelop the area. People Organized to Win Employment Rights (POWER) and Greenaction are currently challenging the EIR for Lennar’s massive redevelopment plan for the neighborhood, charging that the study is inadequate because a cleanup effort on the part of the U.S. Navy has yet to determine the level of toxicity that will need to be addressed, so the assessment is based on incomplete information. Asthma is commonplace in the Bayview, and health surveys have shown that the rates of cervical and breast cancer are twice as high as other places in the Bay Area.

“Our environmental issues are massive still, and it’s not just Bayview- Hunters Point,” notes Marie Harrison, a long-time organizer for Greenaction and a Bayview resident.

Harrison recalled the many times she’d gotten out of bed in the middle of the night to drive a friend’s or neighbor’s asthmatic child to the hospital. “That story has repeated itself tenfold in Richmond and in Oakland,” she added. Nor is the problem simply limited to those Bay Area cities, she said, noting that communities of color throughout the Environmental Protection Agency’s Region 9 face similar issues.

As awareness about the scope of the problem has increased over the years, she said, “We start to say, my God, this triangle has to become a circle.”

 

Music Listings

0

Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 6

ROCK/BLUES/HIP-HOP

Ani DiFranco Fillmore. 8pm, $33.50.

Fences, Rin Tin Tiger, Passenger and Pilot Rickshaw Stop. 8pm, $10.

Emma Jean Foster and Glide Gospel 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Aaron Glass and friends, Mowgli’s, Sufis Elbo Room. 9pm, $8.

A Rocket to the Moon, Valencia, Anarbor, Runner Runner Bottom of the Hill. 7pm, $15.

Spider Heart Submission, 2183 Mission, SF; www.sf-submission.com. 10pm, $5.

JAZZ/NEW MUSIC

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Michael Parsons Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Denise Perrier Rrazz Room. 8pm, $30.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St., SF; (415) 643-3558. 10pm, $3. Soul, funk, swing, and rare grooves with residents Dr. Musco and DJB.

Cannonball Beauty Bar. 10pm, free. Rock, indie, and nu-disco with DJ White Mike.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 7

ROCK/BLUES/HIP-HOP

Dark Star Orchestra Great American Music Hall. 9pm, $35.

Dodos, Reading Rainbow Fillmore. 8pm, $18.50.

Futur Skullz, Blown to Bits, Trouble Kidz, Born Uglies Eagle Tavern. 9:30pm, $7.

Heavy Metal Kings, Danny Diablo Slim’s. 8:30pm, $18.

Hydrophonic, Burn River Burn, Electric Shepherd Bottom of the Hill. 9pm, $8.

Loto Ball, Moira Scar, Tunnel Hemlock Tavern. 9pm, $7.

Peelander-Z, Anamanaguchi, Glowing Stars DNA Lounge. 8pm, $16.

Ron Sexsmith, Caitlin Rose Café Du Nord. 9pm, $16.

“Shock and Roll Therapy” Stud. 8pm, free. With Havarti Party, Poor Sons, Narooma, and Cool Ghouls.

Society 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Sounds, K.Flay, DJ Aaron Axelsen, Miles the DJ Rickshaw Stop. 9pm, $14.

Tycho, Inu, Soma FM DJs Independent. 8pm, $20. SOMA FM 11th anniversary party.

JAZZ/NEW MUSIC

“Activating the Medium XIV: Radio: Chapter One” San Francisco Museum of Modern Art, 151 Third St, SF; www.sfmoma.org. 7pm, $10. With Richard Garet and Jim Haynes and Allison Holt.

Raul Midion Yoshi’s San Francisco. 8pm, $28.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Bill Monroe Tribute Band Atlas Café. 8-10pm, free.

Chris Milam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Rafael and Ingrid Red Poppy Art House. 7pm, $12.

“Twang! Honky Tonk” Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Culture Corner Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Roots reggae, dub, rocksteady, and classic dancehall with DJ Tomas’ Bunny Wailer and Big Youth Birthday Celebration.

Diapers, Binkies, and Friends Knockout. 9:30pm, free. Dad-to-be Jamie Jams spins baby-themed jams with DJs Stab Master Arson and DJ Eli Glad.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout, 2600 16th St, SF; www.fringesf.com. 9pm, $2. Indie music video dance party with subOctave and Blondie K, plus guest DJ Candy.

80s Night Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Wolfgang Gartner Ruby Skye. 9pm, $25.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party has a new venue, featuring video DJs Mark Andrus, Don Lynch, and celebrity guests.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

FRIDAY 8

ROCK/BLUES/HIP-HOP

Bryan Adams Warfield. 9pm, $25-85.

Akron/Family, Delicate Steve, Honeymoon, DJ Britt Govea Independent. 9pm, $15.

Buxter Hoot’n, Devotionals, Nick Jaina Café Du Nord. 9:30pm, $10.

Danielson, Battlehooch, Half-handed Cloud Bottom of the Hill. 10pm, $13.

Dark Star Orchestra Great American Music Hall. 9pm, $35.

Fiver Brown and the Good Sinners 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Larry Graham and Graham Central Station Yoshi’s San Francisco. 8 and 10pm, $30-38.

Hillside Fire, Narwhal Brigade, Ayurveda, Sandy Greenfield Band Kimo’s. 9pm.

Hot Lunch, Blank Stares, Pre-Legendary and the Dreamers Hemlock Tavern. 9:30pm, $7.

Mantles, Wrong Words, Lenz, Wet Illustrated Knockout. 9pm, $7.

Or the Whale, Chamberlin, Steve Taylor Rickshaw Stop. 8:30pm, $12.

Protest the Hero, Maylene and the Sons of Disaster, TesseracT Slim’s. 8:30pm, $17.

Volbeat, Damned Things Fillmore. 7pm, $22.50.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Empty Space Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Madeleine Peyroux Palace of Fine Arts, 3301 Lyon, SF; www.sfjazz.org. 8pm, $30-75.

Redshift, Rootstock Community Music Center, 544 Capp, SF; www.sfcmc.org. 8pm, $10.

FOLK/WORLD/COUNTRY

“Cowpokes, Gunslingers, and Outlaw Country” Red Devil Lounge. 9pm, $12. With Good Luck Thrift Store Outfit, Whisky Richards, Tiny Television, and Preservation.

Tito y Su Son De Cuba Quinteto Red Poppy Art House. 8pm, $12-15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bass Time Continuum Session 4 Club Six. 9pm, $5. With Lotus Drops, Energy Alchemist, Bitch Plz, Benito, and Mr. Rise.

Blow Up DNA Lounge. 10pm, $10-15. “Miss Blow Up USA Pageant” with Jeffrey Paradise.

Cartagena! CD release party   Elbo Room. 10pm, $5. Cumbia with DJs Beto, Vinnie Esparza, and B. Cause.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fo’ Sho! Fridays Madrone Art Bar. 10pm, $5. DJs Kung Fu Chris and Makossa spin rare grooves, soul, funk, and hip-hop classics.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 9

ROCK/BLUES/HIP-HOP

Jeff Beck, Imelda May Fillmore. 8pm, $75.

Danger Babes 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Dark Star Orchestra Great American Music Hall. 9pm, $35.

Deskonocidos, Criaturas, Needles, Ruleta Rusa Knockout. 10pm, $7.

Funk Bros Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Larry Graham and Graham Central Station Yoshi’s San Francisco. 8 and 10pm, $38.

Jesse Morris and the Man Cougars Riptide Bar. 9pm, free.

Papercuts, Banjo or Freakout Café Du Nord. 9:30pm, $14.

Pollux, Bonnie Dune, Lite Brite Bottom of the Hill. 10pm, $12.

Rise Against, Bad Religion, Four Year Strong Bill Graham Civic Auditorium, 99 Grove, SF; www.ticketmaster.com. 7:30pm, $32.50.

Shearing Pinx, Continues, Victory and Associates Hemlock Tavern. 9:30pm, $7.

Submarines, Nik Freitas Slim’s. 9pm, $16.

FOLK/WORLD/COUNTRY

Hypnotist Collectors, Shareef Ali and the Radical Folksonomy, Fancy Dan Band, Slow Motion Cowboys Hotel Utah. 8pm, $8.

Mamacoatl Red Poppy Art House. 8pm, $15.

Craig Ventresco and Meredith Axelrod Atlas Café. 4pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF: Halloween in April DNA Lounge. 9pm, $6-12. Who says Halloween only comes once a year? Mash it up with DJs Adrian and Mysterious D, guest Faroff, and more.

Club Gossip Cat Club. 9pm, $5-8. Pay tribute to Janet Jackson and other 80s ladies at this party guest-hosted by the Bay Area Flash Mob.

New Wave City New Order Tribute Mezzanine. 9pm, $7-12. Celebrate “Blue Monday” on a Saturday with DJ Shindog, guest Andy T, and more.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spotlight Siberia, 314 11th St, SF; (415) 552-2100. 10pm. With DJs Slowpoke, Double Impact, and Moe1.

Tormenta Tropical Elbo Room. 10pm. Electro cumbia with Chancha Via Circuito, El G, and DJs Shawn Reynaldo and Oro 11.

SUNDAY 10

ROCK/BLUES/HIP-HOP

Band of Heathens Slim’s. 7:30pm, $15.

Let the Night Roar, Pigs Hemlock Tavern. 9pm, $6.

G. Love and Special Sauce, Belle Brigade Fillmore. 8pm, $25.

Mark Growden and His Tucson String Band, Conspiracy of Venus Amnesia. 9pm, $10.

John Mellencamp Warfield. 7pm, $49.50-130.

Sleepytime Gorilla Museum, Now You, Listo Independent. 8pm, $18.

Whiskerman, 7 Orange ABC, Magic Leaves Bottom of the Hill. 9pm, $8.

David Wilcox Yoshi’s San Francisco. 7pm, $25.

JAZZ/NEW MUSIC

Assad Brothers Palace of Fine Arts, 3301 Lyon, SF; www.sfjazz.org. 7pm, $25-60.

John Santos Bliss Bar, 4026 24th St., SF; www.blissbarsf.com. 4:30pm, $10.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Family Folk Explosion Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Jenny Lynn and Her Gone Daddies Thee Parkside. 4pm, free.

“San Francisco Festival of the Mandolins” Croatian American Cultural Center, 60 Onondaga, SF; www.croatianamericanweb.org. 10am-5pm, $15.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death. Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Adam Twelve.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 11

ROCK/BLUES/HIP-HOP

Elephant and Castle, Pixel Memory, Butterfly Bones Elbo Room. 9pm, $5.

Moon Duo, Royal Baths, Lilac Bottom of the Hill. 9pm, $10.

Scala and Kolacny Brothers Independent. 8pm, $25.

JAZZ/NEW MUSIC

Broun Fellinis Yoshi’s San Francisco. 8pm, $25.

Lavay Smith Orbit Room, 1900 Market, SF; (415) 252-9525. 7-10pm, free.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 12

ROCK/BLUES/HIP-HOP

Olof Arnalds Café Du Nord. 9:30pm, $15.

Amee Chapman, Jenny Kerr, Sugarplums Club Waziema, 543 Divisadero, SF; (415) 356-6641. 8pm, free.

Ms. Lauryn Hill Warfield. 8pm, $59.50-90.

Omar Rodriguez Lopez Group, Zachs Marquise Great American Music Hall. 8pm, $21.

Haroula Rose, TD Lind Hotel Utah. 8pm, $8.

Rural Alberta Advantage, Lord Huron, Vandella Bottom of the Hill. 9pm, $14.

Scala and Kolacny Brothers Independent. 8pm, $25.

Sydney Ducks, Something Fierce Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Boomtown Little Baobab, 3388 19th St, SF; www.bissapbaobab.com. 9pm, free. DJ Mundi spins roots, ragga, dancehall, and more.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.