Independent

Corporations, people, money, and speech

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tredmond@sfbg.com

On July 24, the San Francisco Board of Supervisors weighed in on a policy debate that’s become a powerful cause on the American left. By a unanimous vote, the supervisors placed on the November ballot a measure calling for a Constitutional amendment to end corporate personhood.

“We’re living in a time of trickle down economics and tax breaks for the rich,” Avalos said, later adding, “Big corporations [are] able to spend vast amounts of money” and have “the greatest influence on the outcome of elections.

“We need to look at our Constitution and have it amended so we aren’t looking at corporations as living, breathing people,” Avalos said.

That’s an immensely popular sentiment in this country, and it’s been stirred up by the US Supreme Court’s 2010 decision in Citizens United v. Federal Election Commission, a ruling that has come to represent all of the evils of big-money politics rolled into one two-word phrase.

More than 80 percent of Americans say they want the decision overturned. Six states, including California, have passed resolutions calling for a Constitutional amendment. Occupy protesters have made it a big issue. Marge Baker, policy vice president for People for the American Way, wrote a Huffington Post piece calling the campaign “A Movement Moment.”

But while Citizens United is a great rallying point, the challenge here goes way beyond one court decision. Citizens United didn’t create corporate personhood. Repealing the decision won’t end the flow of money in politics — and a lot of First Amendment experts are exceptionally nervous about anything that seeks to mess with this central part of the Bill of Rights.

And for all the denunciation of Citizens United, the solution — drafting the actual language of a new Constitutional amendment — turns out to be more than a little tricky.

MICHAEL MOORE AND HILARY CLINTON

Citizens United v. FEC has a complicated history. In 2002, Congress passed the McCain-Feingold Act, which barred corporations and unions from funding “electioneering” activities in the period right before an election.

The right-wing group Citizens United complained that Michael Moore’s documentary Fahrenheit 911 was an attack on George W. Bush and intended to influence the 2004 election, and the courts dismissed that complaint, saying that there was no evidence the independent documentary was an illegal campaign contribution.

Citizens United then started making its own “documentaries,” including one in 2008 that many saw as a campaign commercial against Hillary Clinton. The FEC found that the video was, in fact, “electioneering,” and the case wound up at the Supreme Court.

The legal decision was complicated, but among other things, the court ruled that a ban on independent corporate spending on election campaigns was a violation of the First Amendment rights of those business entities.

That was amplified when Republican presidential candidate Mitt Romney uttered his famous line, “corporations are people.”

But in reality, Citizens United alone hasn’t caused the tsunami of big money that’s poured into elections, including the 2012 campaigns. Much of the cash contaminating the presidential coffers this year comes not from corporations effected by the ruling but from individuals and private trusts that have been free to throw money around for decades.

“The flood of money is disgusting and corrupting,” Peter Scheer, director of the California First Amendment Coalition, told us. “But it isn’t coming from public corporations. It’s mostly wealthy people and private trusts, and they didn’t need Citizens United to do this.”

In fact, the groundwork for modern sleaze was set a long time ago, in 1976, when the Supreme Court ruled in Buckley v. Valeo that, in effect, money was speech — and that any rich individual could spend all he or she wanted running for office.

What the Supreme Court has done, though, is set the modern political tone for campaign finance — among other things, invalidating a Montana law that barred corporate contributions to campaigns. And in the majority ruling and the assenting opinions, the court made clear that it doesn’t think government has any role in leveling the campaign playing field — that it’s not the business of government to decide that the money and speech of rich people and big business is drowning out the opinions and speech of the rest of the populace.

SO NOW WHAT?

So now that every decent-thinking human being in the United States agrees that there’s too much sleazy money in politics and that it’s not a good thing for government to be for sale to the highest bidder, the really interesting — and difficult — question comes up: What do we do about it?

There are a lot of competing answers to that question. And frankly, none of them are perfect.

That may be one reason why the ACLU is mostly on the sidelines. When I contacted the national office to ask if anyone wanted to talk about the efforts to overturn Citizens United, spokesperson Molly Kaplan sent me an email saying “we actually don’t have anyone available for this.”

But on its website, the organization — in a nuanced statement on campaign reform — notes: “Any rule that requires the government to determine what political speech is legitimate and how much political speech is appropriate is difficult to reconcile with the First Amendment.”

In an ACLU blog post, Laura Murphy, director of the group’s Legislative Office in Washington DC, argues that “a Constitutional amendment—specifically an amendment limiting the right to political speech—would fundamentally ‘break’ the Constitution and endanger civil rights and civil liberties for generations.”

But David Cobb, one of the organizers of Move To Amend, which is pushing a Constitutional amendment, told me that “the idea that spending money is sacred is part of the problem, the reason that we don’t have a functioning democracy.”

There are two central parts to the problem: The notion that corporations have the same rights to free speech as people, and the notion that money is speech. Eliminate the first — which is immensely popular — and you still allow the Meg Whitmans and Koch brothers of the world to pour their personal fortunes into seeking political office or promoting other candidates.

Eliminate the second and you open a huge can of worms.

“It would be a disaster, in my view,” Scheer said. “As a general principle, I’m frightened by the concept of tampering with the Constitution.”

Money may not equal free speech, but it’s hard to exercise the right to free speech in a political campaign without money. And there are broader impacts that might be hard to predict.

But Peter Schurman, one of the founders of MoveOn.org and a leader in Free Speech for the People, told me that “it’s a false premise that money equals speech. The point is to get a level playing field.”

THE PROPOSALS

Move to Amend and Free Speech for People are promoting similar approaches, Constitutional amendments that, in fairly simple terms, would radically and forever alter American politics. Several members of Congress have offered Constitutional amendments that include similar language.

The Move to Amend proposal is the broadest and cleanest. It states: “The rights protected by the Constitution of the United States are the rights of natural persons only. Artificial entities, such as corporations, limited liability companies, and other entities, established by the laws of any State, the United States, or any foreign state shall have no rights under this Constitution and are subject to regulation by the People, through Federal, State, or local law.”

It goes on to say: “Federal, State and local government shall regulate, limit, or prohibit contributions and expenditures, including a candidate’s own contributions and expenditures, for the purpose of influencing in any way the election of any candidate for public office or any ballot measure.”

It also includes this statement: “Nothing contained in this amendment shall be construed to abridge the freedom of the press.”

Free Speech for the People is simpler. It only addresses the corporate speech issue: “People, person, or persons as used in this Constitution does not include corporations, limited liability companies or other corporate entities established by the laws of any state, the United States, or any foreign state, and such corporate entities are subject to such regulations as the people, through their elected state and federal representatives, deem reasonable and are otherwise consistent with the powers of Congress and the States under this Constitution.”

Cobb notes that the Move to Amend measure doesn’t say how political speech should be regulated; it just opens the door to that kind of lawmaking. “The question of how to protect the integrity of the electoral process is a political question, not a Constitutional question,” he said. In the end, there’s a huge issue here. The framers of the Constitution, their political consciousness forged in a battle against big and repressive government, feared as much as anything the notion of rulers controlling the rights of the people to speak, write, assemble, publish (oh, and carry firearms) freely. Corporate interests (with the possible exception of the British East India Company, which monopolized the tea trade) weren’t a major concern.

And First Amendment purists still recoil at the idea that government, at any level, could make decisions limiting or regulating political speech. I sympathize. It’s scary. But in 2012, it’s easy to argue that the power of big money and big business has far eclipsed the power of government, that for all practical purposes, the rich and their corporate creations are the government of the United States — and that the people, assembled and exercising the power envisioned under the Constitution, need to make rules to, yes, level the playing field. Not rashly, not in crazy ways, with full cognizance of the risks — but also with the recognition that the current situation is fundamentally unacceptable, and that the potential dangers of messing with the First Amendment have to be balanced with the very real dangers of doing nothing.

Cell phone radiation documentary screens tomorrow

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The pre-screening wine bar won’t erase the sinister implications of tomorrow’s Artist’s Television Access showing of Reconnect. On Sat/28, filmmaker Kevin Kunze will show a rough cut of the film that will make you think twice about answering your next phone call.

When East Bay father Alan Marks pegged his brain tumor on cell phone usage a few years ago, the issue of cell phone radiation had its brief moment in the limelight. But the media focus eventually fizzled out. And with so many friends to talk to, deals to make, lunch dates to plan, and distant relatives to keep at bay, our reliance on phones wasn’t so easily put on hold. 

But some kept their eyes on the story. One of these believers was independent filmmaker and activist Kunze, who was deeply affected by meeting Alan Marks’ wife Ellie and later teamed up with Nobel Prize-winning author and scientist Devra Davis to make a documentary on the issue of cell phone radiation and its rather serious implications. The film picks up the story at the industry’s initial boom in 1993. 

Reconnect (formerly called Disconnect) interviews experts hailing from Yale, Stanford, UC Berkeley, and UCLA. Apple co-founder Steve Wozniak and California Senators Mark Leno and Leland Yee offer their thoughts on the matter, and Kunze digs up the stories of multiple brain tumor sufferers, whose stories went oddly uncovered by the media. Though the potential for brain cancer was a projected side-effect that’s been discussed since the promulgation of mobile phones, more and more studies are popping up that suggest the long-term usage of devices cause DNA damage, blood-brain barrier damage, breast cancer, sperm reduction, and infertility.

San Francisco’s own history with cell phone health has been an intense one. The Right to Know Act of 2010 required cell phone retailers post information about possible health risks associated with phone usage. The law came under fierce attack from the telecommunications industry, however. 

“Since the beginning,” says Kunze in explanation of the film on a fundraising website. “There was always talk of cell phone radiation and the possibility it could cause cancer.” Check out the screening at Artists’ Television Access this Saturday, have a drink, and take the post-film Q&A as an opportunity to ask Kunze about what life looks like post-iPhone.

Reconnect

Sat/28 7pm cocktail hour, 8pm screening, free

Artists’ Television Access

998 Valencia, SF 

www.atasite.org

Best of the Bay 2012: BEST REASON TO DOWNLOAD THE WHOLE ALBUM

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In the age of downloadable singles and quick-click clips, UnderCover Presents’ series of one-whole-album-with-one-live-show pairings values the full record experience. The quarterly event is an inspired mashup comprised almost entirely of Bay Area-based musicians, with each band performing just one reinterpreted song off a classic album. Thus far, there have been shows at Coda (now Brick and Mortar Music Hall), Public Works, the Rickshaw Stop, and the Independent; full nights spent luxuriating in every crevice and groove of the Velvet Underground’s Velvet Underground and Nico, the Pixie’s Doolittle, Nick Drake’s Pink Moon, and Black Sabbath’s Paranoid. To complete the sparkling tribute experience, a pre-recorded album of all the covers is doled out at each performance, to be played in its entirety beyond those singular shows.

www.undercoverpresents.com

Best of the Bay 2012: BEST NEIGHBORHOOD FIXTURES

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Hey, you with the dreams of a better bathroom! There’s no need to put up any longer with that cracked toilet bowl, that faulty faucet, that perma-grody bathtub, or that shower head that suddenly switches into “destroy” mode at the worst possible moment (i.e. right in the middle of herbal-rinsing your long, lustrous hair). Head down — or direct your responsible landlord down — to the cluster of independent home supply stores at the intersection of Bayshore Avenue and Industrial Street in Bayview-Hunter’s Point. There you’ll find K H Plumbing Supplies, a huge family-owned and operated bathroom and kitchen store with everything you need to fulfill your new fixture fantasies. The staff is extra-friendly and can gently guide you toward affordable options in better-known name brands. Even if you have only a vague idea as to which of the thousand bath spouts will reflect your unique personality, they’ll find something for you to gush over.

2272 Shafter, SF. (415) 970-9718

Best of the Bay 2012 Editors Picks: Shopping

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Best of the Bay 2011 Editors Picks: Shopping

BEST CHARGE AHEAD

Though electric bikes far outnumber cars in communities from Chinas crowded cities to mountainous towns in the Swiss Alps, they have yet to catch on here in the States. Regardless of the reason, and despite SF’s hilly terrain — quite possibly the perfect venue for the bikes’ charms — the owners of New Wheel make this list for sheer entrepreneurial derring-do. Karen and Brett Thurber went ahead and opened the city’s first e-bike-focused store, where they also do repair, hawk sleek Euro-designed accessories, and host the neighborhood’s first e-bike charging station. The station, designed as a gas pump from that not-so-distant era when we needed to drive cars to work (we are writing you from the future), also charges cell phones, digital cameras, and more — quite the charge for the Bernal Heights community.

420 Cortland, SF. (415) 524-7362, www.newwheel.net

 

BEST FRESH PREP

Guardian photo by Brittany M. Powell

Holy Vampire Weekend, Kanye — no need to waste your time drooling over the archives of Street Etiquette, the sharpest neo-preppy style blog of our time. Fulfill your up-to-the-minute Ivy League-ish yearnings (with a dash of street-level snazz) at Asmbly Hall, the Fillmore men’s and women’s clothing shop for the sophisticated prepster. The natty clothes aren’t priced too outrageously (button-down shirts are around $80), and familiar classics are tweaked with unique elements like scalloped collars and stripy inseams. Husband-wife owners Ron and Tricia Benitez have reworked an old mattress store into an absolutely lovely space with brick walls and blond wood floors. Here’s where you’ll score that funky two-tone cardigan, irreplaceable Macarthur shirt, or dreamy summer beach dress. You’ll have to supply your own air of undergrad gravitas.

1850 Fillmore, SF. (415) 567-5953, www.asmblyhall.com

 

BEST SHUTTERBUG SECRET

Hidden in a corner of the beloved Rooky Ricardo’s Records store is the domain of Glass Key Photo owner and photography enthusiast Matt Osborne. From a funky wedge of floor space, Osborne offers a top-notch, well-edited, and cheap selection of cameras, film, and darkroom gear. Much of his treasure is stored in an old-school refrigerator case, making for an appealingly bizarre shopping experience. Customers thirsty for hard-to-find photographic gear should check out Glass Key before the bigger-name stores — even if the refrigerator doesn’t hold the key to your photographic fantasies, Osborne is happy to special order what he doesn’t have. He also earns rave reviews for his camera repair skills, and sells root beer to thirsty shutterbugs.

448 Haight, SF. (415) 829-9946, www.glasskeyphoto.com


BEST VINTAGE MEGAVAULT

It is no secret that San Francisco has thrifting issues. Due to the admirable commitment to cheaply bought fashion (and high incidence of broke, under-employed drag queens), most of our used clothing stores are heavily picked over — or well-curated, with ghastly price tags to match. Those sick of fighting could do worse than steer their Zipcars north. In Sebastopol sits Aubergine, a high-ceilinged mega-vault stuffed with vintage slips, half-bustiers — clearly geared toward the Burning Man strumpet — menswear, and the occasional accessibly priced Insane Clown Posse T-shirt. Racks on racks on racks on racks — and if you need a break from bargain browsing, you’re in luck. The shop has its own cafe and full bar, where many nights you’ll find live music from gypsy dance to jazz drumming.

755 Petaluma, Sebastopol. (707) 827-3460, www.aubergineafterdark.com

 

BEST BLEMISH-VANISHING BOTANICS

The charming, chatty cashiers at the Benedetta Skin Care kiosk in the Ferry Building have clear, shiny skin, but it’s not due to the local produce from the farmers market outside. Based in the Petaluma, Benedetta offers organic, botanics-based, sustainably packaged products that actually work. Take a tip from your freshly scrubbed lotion sellers: rather than loofah-ing your skin to a pulp with packaged peroxides that — let’s face it — sound kind of scary when you actually read the fine print, refresh with the line’s perfectly moist Crème Cleanser that leaves skin smelling like a mixture of rosemary and geranium. From anti-aging creams to deodorants and moisturizing mist sprays, this small company offers treats for all skin types — perfect for popping in next to your small-producer cheese wheels and grass-fed charcuterie.

1 Ferry Building, SF. (415) 263-8910, www.benedetta.com

 

BEST TOME TRADE

Interested in perpetuating a bibliophilic mythos among your houseguests? Turned on by the image of sitting quietly by a roaring fireplace, sipping a brandy, and reading Kafka amid towers of dusty tomes? Well, the Bay Area Free Book Exchange has those tomes for you to own. Since its opening in 2009, the Exchange has given away more than 245,000 free books for the sole joy of making knowledge accessible in book form. The nonprofit is run by a collection of book-lovers in El Cerrito who sell some of the donated volumes on eBay in order to pay rent, electricity, and other expenses. The rest of the stories, however, make their way to the Exchange’s storefront, where every weekend customers are invited to take up to 200 titles at once. Stock your bathroom with freaky medical guides? Actually read the books you snap up? We’ll let you work out the ethics on your own.

10520 San Pablo, El Cerrito. (510) 705-1200, www.bayareafreebookexchange.com

 

BEST INDIE KITCHEN MENAGERIE

Guardian photo by Godofredo Vasquez/SF Newspaper Co.

It can be hard to beat the sheer variety offered by your Ikeas and Bed Bath & Beyonds when it comes to fresh new flatware or an upgrade on your trusty college-era rice cooker. Lucky for local business fans (which we assume you are if you’re this deep into our Best of the Bay issue), there’s a little-guy alternative: Clement Street’s Kamei Restaurant Supply. Kamei has dishes for every occasion: light blue earthenware plates with fetching designs of cherry blossom trees, coffee mugs shaped like barn owls and kitty cats, tea sets, sake sets, and every cooking utensil a chef could desire — plus paper umbrellas with koi fish prints and flip-flops. Maybe ‘cuz with all the savings you’ll spot in Kamei, you’ll be able to afford more beach trips.

525 Clement, SF. (415) 666-3699

 

BEST CUMMUNITY CENTER

Guardian photo by Amber Schadewald

Nenna Joiner’s done a number on us. In a Bay Area full of superlative sex shops, her Feelmore510 — which opened a year and a half ago — has run away with our sex-positive souls. What makes her business stand out? It could be her rainbow of pornos (Joiner herself makes skin flicks that have an emphasis on racial, sexual, and body-type diversity) or, it could be the pretty store design, with erotic art displayed in the shop’s plate-glass windows. You’ll often find Joiner at her store as late as 1:30am: besides outfitting her customers with stimulating gear, she hosts in-store sex ed lectures and movie screenings. “Sex is a basic need for survival,” she told the Guardian in an interview earlier this year. We agree, and that’s why Feelmore510’s a new East Bay necessity.

1703 Telegraph, Oakl. (510) 891-0199, www.feelmore510.com


BEST AU NATUREL FOR OENOPHILES

Much of the wine we drink is stuffed full of chemical preservatives. Purists like wine critic Alice Feiring have raised a hue and cry over the industry’s reluctance to force producers to label these ingredients. We have to give it up to a little shop off of Polk Street for supporting the so-called “natural wine” movement which encourages additive-free imbibement. Biondivino is charming enough in its own right: library-style shelves full of luscious Italian pours, among which proprietor Ceri Smith has made sure to include many natural wines. And because these bottles tend to be produced by small scale vineyards, Biodivino helps support the little guys, too. Sure, sometimes all you can spring for is a bottle of three-buck Chuck (natural wines can be pricey) — but props to Smith for giving consumers the choice.

1415 Green, SF. (415) 673-2320, www.biondivino.com

 

BEST DIY PANDA BAIT

“If just owning a bamboo bike was the end goal, we’d just build them for you,” said Justin Aguinaldo in a Guardian interview back in February. “For us, it’s about empowering more people and providing them with the value of creating your own thing.” Aguinaldo’s Tenderloin DIY cycling hub Bamboo Bike Studio doesn’t just produce two-wheeled steeds whose frames are made of easily-regenerated natural materials — it teaches you useful bike-making skills so that you can be the master of your own self-powered transportation destiny. Buy your bike parts (kits start at $459), and then get yourself to tinkering. After a weekend-long session with Bamboo Bike Studio’s expert bike makers, you’ll have a ride that’s ready for the hurly-burly city streets.

982 Post, SF. www.bamboobikestudio.com

 

BEST LITERARY VALHALLA

For lovers of esoteric literature, 2141 Mission is a dream come true. The unassuming storefront (the building’s ground floor is occupied by the standard hodgepodge of Mission District discount stores) belies a cluster of alternative bookstores on its upper levels. Valhalla Books is flush with titles in their debut printing; Libros Latinos holds exactly that; lovers of law history will find their joy in the aisles of Meyer Boswell; and the building’s largest shop, Bolerium Books, holds records of radical history — volumes and magazines that together form a fascinating look at the gay rights, civil rights, labor, and feminist movements (and more!). Most visitors make the pilgrimage with something specific in mind, but walk-ins are welcome as long as they have a love of the printed page.

Bolerium Books, No. 300. (415) 863-6353, www.bolerium.com; Libros Latinos, No. 301. (415) 793-8423, www.libroslatinos.com; Meyer Boswell, No. 302. (415) 255-6400, www.meyerbos.com; Valhalla Books, No. 202. (415) 863-9250

 

BEST EXQUISITE ADZES

Some chefs drool over the copper pots at posh cooking stores. Artists lovingly caress the sable brushes in painting shops. But what aspirational retail options exist for the you, the craftsman? Home Despot? Perish the thought! Luckily, your days of retail resentment are over. At the Japan Woodworker, you can fondle high-end power tools to deplete your paycheck, plus tools hand-made in traditional Japanese style — like pull saws, chisels, and adzes — which are not only beautiful, but quite affordable. If you’re the type of person who savors doing things the slow way, the tools found here will do much to imbue your projects with love and care. And if you’re not, perhaps it’s time you paid a little more attention to detail — a very Japanese value, indeed.

1731 Clement, Alameda. (510) 521-1810, www.japanwoodworker.com

 

BEST BUSHELS OF BUDS

Ever rolled your eyes at the endless articles on flower arranging found in home magazines — as if you had the money or the time? Then you might be due for a visit to the San Francisco Flower Mart. The SoMa gem sells cut flowers of every description at wholesale prices, making it the perfect playground for those looking to get plenty of practice, per-penny, poking stems into vases. And if your Martha Stewart moment doesn’t seem imminent, there are plenty of other fixin’s — giant glass balls, decorative podiums, fish tanks, driftwood, grosgrain ribbons, flamingo-themed party supplies — to rifle through. It’s the perfect place to while away your lunch break: it smells great, and it even has a perky little cafe to caffeinate your midday visit.

640 Brannan, SF. (415) 392-7944, www.sfflmart.com

 

BEST NEIGHBORHOOD FIXTURES

Photo by Godofredo Vasquez/SF Newspaper Co.

Hey, you with the dreams of a better bathroom! There’s no need to put up any longer with that cracked toilet bowl, that faulty faucet, that perma-grody bathtub, or that shower head that suddenly switches into “destroy” mode at the worst possible moment (i.e. right in the middle of herbal-rinsing your long, lustrous hair). Head down — or direct your responsible landlord down — to the cluster of independent home supply stores at the intersection of Bayshore Avenue and Industrial Street in Bayview-Hunter’s Point. There you’ll find K H Plumbing Supplies, a huge family-owned and operated bathroom and kitchen store with everything you need to fulfill your new fixture fantasies. The staff is extra-friendly and can gently guide you toward affordable options in better-known name brands. Even if you have only a vague idea as to which of the thousand bath spouts will reflect your unique personality, they’ll find something for you to gush over.

2272 Shafter, SF. (415) 970-9718

 

BEST GET LIT

Back in college, you probably had that friend who dressed up as a Christmas tree on Halloween and had to dance near a wall outlet all night so he could stay plugged in. Or … maybe you didn’t. Either way, costumes that light up are no longer just for burner freaks and shortsighted frat bays. With a little help from Cool Neon, anyone can get lit in an affordable el-wire wrapped masterpiece of their own creation. Wanna cover your car with LEDs? This place can do it. Creative signage for your business? No problem for these neon gods. And even if you’re just missing the sparkly, lit-up streets of the holiday season, Cool Neon can oblige: its Mandela Parkway façade is a light show in itself.

1433 Mandela, Oakl. (510) 547-5878, www.coolneon.com


BEST ART SQUAWK

Sure, on any given Sunday the Rare Bird is flush with vintage duds for guys and gals, antique cameras, birdhouses, jewelry, and trinkets. But for all you birds looking to truly find your flock, fly in to this fresh store on third Thursdays during the Piedmont Avenue Art Walk. Rare Bird proprietress Erica Skone-Reese hatched the event a year ago, and has chaired the art walk committee ever since, giving all those art-walk lovers who Murmur, Stroll, and Hop (all names of Bay Area art walks, for the uninitiated) a place to home in between first Fridays. Can’t make it when the Ave.’s abuzz? No worries. Rare Bird curates an always-changing list of featured artisans — like Featherluxe, who’ll fulfill your vegan feather-extension needs should you have them — and recently began offering classes in all art forms trendy and hipster, from terrarium making to silhouette portraiture.

3883 Piedmont, Oakl. (510) 653-2473, www.therarebird.com

 

BEST PLACE TO STASH YOUR NERDS

Got nerdy friends you just can’t understand? Feel bad asking them to explain, for the tenth time, the difference between RPG, GMT, MMP, and D&D? WOW them with a trip to Endgame. Not only will they find others who speak their language, but — because they can spend hours browsing board games, card games, toys, and trinkets — you’ll have them out of your hair … at least until you can look up what the heck they’re talking about on Urban Dictionary. Add an always-open game room, plus swapmeets, mini-cons, and an online forum, to equal more nerd-free hours than you can shake a pack of Magic Cards at. Just be careful you don’t find yourself lonely, having lost your dweeby mates to Endgame’s undeniable charms. Or worse: venture in to drag them out and risk being won over, yourself.

921 Washington, Oakl. (510) 465-3637, www.endgameoakland.com

 

BEST KNOBS OF GLAMOUR

In addition to being part of a string of friendly neighborhood hardware stores, Belmont Hardware‘s Potrero Hill showroom brims unexpectedly with rooms of fancy doorknobs, created by the companies who design modern-day fittings for the likes of the White House and the Smithsonian. A gold-plated door handle with an engraving of the Sun King? A faucet set featuring two crystal birds with out-stretched wings, vigilantly regulating your hot and cold streams of water? It’s all at Belmont Hardware. With a broad range of prices (you can still go to them for $10 quick-fix drawer knobs and locks, don’t worry) and an even broader scope of products, Belmont represents a world where hardware can inspire — check out the local chain’s four other locations for more ways to bring the glory home.

Various Bay Area locations. www.belmonthardware.com

 

BEST ONE-UP ON INSTAGRAM

The square aspect ratio and grainy filters of everyone’s favorite $1 billion photography app turn perfectly good shots crappy-cool with the swipe of a finger, allowing smart phone users everywhere to take photos way back. But to take photos way, way back, you have to be in the Mission for a tintype portrait at Photobooth. These old-timey sheet-steel images were once popular at carnivals and fairs; even after wet plate photography became obsolete, tintypes were deemed charmingly nostalgic — a sort of prescient irony that pre-dated hipsterism yet neatly anticipated it. Perhaps that same appreciative irony applied to the tintype’s tendency — due to long exposure time — to make subjects look vaguely, yet somehow quaintly, sociopathic. Or, as the Photobooth website delicately puts it, “Traditionally, tintypes recorded the intensity of the individual personality.”

1193 Valencia, SF. (415) 824-1248, www.photoboothsf.com

 

BEST REALITY TV-STYLE SCORES

Gold Rush Alaska? Deadliest Roads? Swamp Life? Though you love ’em, it’s hard to apply what you’ve learned during those late-night trashy-television-and-junk-food binges. But fans of Storage Wars and American Pickers, rejoice! At the Santa Cruz Flea Market, you’ll meet folks who locker for a living and travel hours to sell their scores — everything from fur coats to antique fuel tanks. Pick through yourself to see what invaluable treasures turn up: belt-driven two-seater motorcycle? Check. Handmade blown glass, Civil War memorabilia, bootlegger’s copper still? Check, check, check. Come for the farm-fresh produce, aisles of leather boots, plastic whosee-whatsits and electronics of dubious provenance, or, if Man Versus Food is more your style, challenge a massive stuffed baked potato or shrimp ceviche tostada.

Fridays, 7am; Saturdays, 6am; Sundays, 5:30am; $1-$2.50. 2260 Soquel, Santa Cruz. (831) 462-4442, www.scgoodwill.org

 

BEST HOGWARTS GREENHOUSE FOR MUGGLES

They may not scream when you uproot them or ensnare you with insidious vineage, but the exceptional succulents, epiphytes, and bromeliads at Crimson Horticultural Rarities will certainly tickle your fancy — in a perfectly harmless way. Find everything necessary to cook up an enchanted garden or adorn your dorm room (four-poster bed not included) in singular style. Proprietresses Leigh Oakies and Allison Futeral indulge your desires with oddities ranging from the elegant to the spectacular to the slightly creepy, and will even apply their botanical wherewithal to help you create a whimsical wedding. Or, if your potions kit needs restocking, Crimson can supply sufficient dried butterflies and taxidermied bird wings to oblige you. (Collected, cruelty-free, from California Academy of Sciences.)

470 49th St., Oakl. (510) 992-3519, www.crimsonhort.com


BEST POLKA PURVEYOR

Though Skylar Fell fell in love with the squeezebox via a happy exposure to the punks of the East Bay’s Accordion Plague back in the 1990s, she knows to pay homage to the masters. Fell apprenticed with master repairman Vincent J. Cirelli at his workshop in Brisbane (in business since 1946!) and at Berkeley’s now-defunct Boaz Accordions before opening Accordion Apocalypse in SoMa. The shop, which both sells and repairs, also stocks new and antique instruments in well-known brands (to accordionists, that is) Scandalli, Horner, Roland, and Gabanelli. Fell will fix you up if you bust a button on your beloved accordion, and she has made her store into a hub for lovers of the bellows — check out the website for accordion events coming up in or out of the city.

255 10th St., SF. (415) 596-5952, www.accordianapocalypse.com

 

BEST ILLUMINATI

Situation: You’ve just moved into a new place, only to look up and discover that the previous owner somehow Frankensteined three different desk lamps from the more aesthetically challenged end of the 1990s into a living room light fixture. It must die. Worse: Your aunt just gifted you the most generic Walmart wall sconces ever for your housewarming present, and she is coming to stay next month. Perhaps worst of all: You’ve just discovered a gorgeous 1930s pendant lamp in the basement, but it’s banged up terribly and who the heck knows if it works? Solution to everything: the wizards at Dogfork Lamp Arts, headed by owner Michael Donnelly. Services include restoring and rewiring antique lamps and light fixtures, and even reinventing ugly ones — making glowing swans of your awkward mass-market ducklings. (We discovered Dogfork’s magic at the new Local’s Corner restaurant in the Mission, where a pair of Pottery Barn lamps were transformed into wonderfully intriguing, post-steampunk sconces.) Rip out that gross track lighting and put up something unique.

199 Potrero, SF. (415) 431-6727, www.dogfork.com

 

BEST STYLE FOR APOCALYPSE SURVIVAL

Triple Aught Designs fills a post-North Face niche almost too-perfectly: the outdoor apparel company is locally based (it’s headquartered in the Dogpatch) and personable (the recently opened outlet in Hayes Valley offers a friendly, intimate shopping experience). It is also light-years ahead in terms of tech and design: hyper-strong micro-thin jackets and hoodies in futuristic battleground colors so styley we’d seriously consider sporting them on the dance floor, plus elbow armor and space pens that zip right past wilderness campouts and into Prometheus territory. We’re particularly enamored of the Triple Aught backpacks — these strappy beauts could have been nabbed from a boutique on Tatooine, a perfect look for riding out the coming apocalypse.

660 22nd St.; 551 Hayes, SF (415) 318-8252, www.tripleaughtdesign.com

 

BEST SPLASH OF GREEN

Guardian photo by Godofredo Vasquez/SF Newspaper Co. 

Need a bit of gentle encouragement before you open your home to an exquisite orchid? Will it take a little nudge before carnivorous pitcher plants share space with your beloved ironic porcelain figurines? Maybe a delicate hand is called for when it comes to developing a chic terrarium habit. Michelle Reed, the owner of indoor plant paradise Roots, has no problem with all that — her gorgeous little boutique is there to help green up your apartment and let the sunshine in. Besides delectable, mood-brightening plants for your inner sanctum, the store also stocks a healthy selection of local art to elevate your interior design aesthetic, as well as a neat array of planters and supplies (we’re in love with the heart-shaped wall planters that look like little light sconces). Let your tight, high-rent space breathe a little easier with help from Roots’ little friends.

425 S. Van Ness, SF. (415) 817-1592

BEST OF THE BAY 2012

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FLYING HIGH

By Marke B.

marke@sfbg.com

Welcome to the Guardian’s Best of the Bay 2012!

This is our 38th annual celebration of the people, places, and things that make living here such a great experience. Inside, you’ll find a feast of winners in categories like Best Burrito, Best Band, Best Strip Club, Best Shoe Store, Best Place to Watch the Sunset, Best Drag Queen, and beyond.

More than 15,000 of our readers voted in our Best of the Bay Readers Poll for their local, independent favorites in more than 200 of these categories, including several new ones we added this year, like Best Yoga Teacher, Best Comedy Show, Best Food Festival, and Best Lunch.

You’ll find the results inside — as well as 150 Best of the Bay Editors Picks that highlight some Guardian favorites, old and new, that we think deserve some special recognition for lighting up our lives this year.

We’ve also included many enthusiastic quotes from our readers who responded to the question, “Best of the Best: What’s your favorite thing about living here?” We got tons of great answers! We wish we could run all of them. But rest assured, there’s a whole lot to love in the Bay.

This year, there was no question that the state of the economy had a profound effect. The Occupy movement continues to resonate here, even while many of the world’s biggest tech companies draw well-to-do people from all over the world. As the population of the Bay Area shifts and grows, debates about authenticity and integration have raged, and sometimes it seems like everyone’s at sixes and sevens.

And yet. The sheer gorgeousness, thriving alternative culture, and promise of freedom and acceptance that are unique to our shores continue to attract amazing characters, visionary dreamers, and explorers of both inner-cosmic and rugged outdoor terrain. We at the Guardian like to think of the Best of the Bay issue as a special document — a map charted through our crazy little corner of the universe, drawn up by people coming together to talk about the things we love.

In 1974, Esquire magazine asked us for ideas for its Best of the USA issue, which led us to publish the original Best of the Bay. Made by the people of the Bay Area for the people of the Bay Area, it’s our opportunity to celebrate the people and places that make this city great. We were the first weekly paper to publish a regular “best of” issue. Thirty-eight years later — and 45 years after we opened our doors — we’re still going strong.

Editing this year’s issue with Caitlin Donohue was a hoot. I shower grateful smooches on all our fabulous collaborators, especially creative aces Brooke Robertson and Mirissa Neff, diligent copy editor Emily Appelbaum, the Guardian staff, and the ever-supportive Hunky Beau, my own personal Best of the Bay.

But most of all we thank you, dear reader, for your generous participation, for making the Bay Area such an astounding place to live, and for turning us on to great new things this year. Peace.

 

ABOUT THE ILLUSTRATOR

Chloe Fleury is a French illustrator who fell in love with international travel on a trip to California when she was 10 years old. She now lives in the inspirational Mission District, where she likes to transform flat sheets of paper into three-dimensional objects, sometimes even bringing them to life through stop-motion animation. Unfortunately, we were unable to animate Best of the Bay this year, but if you like the illustrations in this issue you can check out work that Fleury has done for the likes of Cosmopolitan, Warner Bros Records, Condé Nast Traveler, Chronicle Books, Target, and Anthology Magazine at www.chloefleury.com

 

BEST OF THE BAY STAFF

BEST OF THE BAY EDITORS

Caitlin Donohue, Marke B.

CREATIVE DIRECTORS

Brooke Robertson, Mirissa Neff

ASSISTANT

Graham Misenheimer

ILLUSTRATOR

Chloé Fleury

CONTRIBUTING WRITERS

Emily Appelbaum, Robert Avila, Soojin Chang, Yael Chanoff, Kimberly Chun, Cheryl Eddy, Nicole Gluckstern, Emily Hunt, Sean Hurd, Steven T. Jones, Ali Lane, Kelly Lovemonster, Phil McGrew, Virginia Miller, Tim Redmond, Cat Renz, Emily Savage, April M. Short, Ariel Soto-Suver, Ruth Tam

BEST OF THE BAY PHOTOGRAPHY

Rafi Aji, Gabriel Hurley, Gene X. Hwang, Virginia Miller, Brittany M. Powell, Anastacia Powers, Amber Schadewald, Ariel Soto-Suver, Trevor Traynor, Godofredo Vasquez

COPY EDITOR

Emily Appelbaum

Music Listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 25

ROCK/BLUES/HIP-HOP

Alberta Cross, Everest, Aaron Lee Tasjan Independent. 8pm, $15.

"Bay Got Soul" Boom Boom Room. 8pm, $5. With Melismatics, Miss Hicks & the Superhicks.

Carletta Sue Kay, Detective Agency, Bugs in Costumes Hemlock Tavern. 9pm, $7.

Keith Crossan with Daniel Castro Biscuits and Blues. 8 and 10pm, $15.

Crystal Stilts, Mantles Great American Music Hall. 8pm, $15.

Magic Leaves, Lawlands, Grand Lodge Cafe Du Nord. 8pm, $10.

Jason Marion vs Lee Huff Johnny Foley’s Dueling Pianos. 9:30pm.

mewithoutyou, Kevin Devine, Buried Beds Slim’s. 8pm, $16.

Passenger & Pilot, Annie Girl & the Flight, Nora Toomey Rickshaw Stop. 8pm, $10.

Terry Savastano Johnny Foley’s. 9pm, free.

Spoek Mathambo, Duckwrth, Armani Cooper Brick and Mortar Music Hall. 9pm, $10-$13.

Teenage Bottlerocket, Dopamines, Elway Bottom of the Hill. 9pm, $12.

Tiger Honey Pot, Heavy Voodoo, Elegy, Crimson Scarlet Knockout. 9pm, $7.


JAZZ/NEW MUSIC

Jill Burton, Scott Walton, Tim Perkis Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8pm, $8-$10.

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Justin Ancheta Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 8pm, free.

Maria De Barros Yoshi’s SF. 8pm, $20.

Toast Inspectors Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Obey the Kitty: Ean Golden, Justin Milla Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.

Shutter Elbo Room. 10pm, $5. With DJs Nako, Omar, and Justin.

THURSDAY 26

ROCK/BLUES/HIP-HOP

Ettes, Nectarine Pie, Warm Pie Thee Parkside. 9pm, $10.

Farewell Drifters , Shants Hotel Utah. 9pm, $10.

Gunshy Johnny Foley’s. 9pm, free.

Harry & the Potters, Potter Puppet Pals Slim’s. 7:30pm, $15.

Lee Huff vs Jason Marion Johnny Foley’s Dueling Pianos. 9:30pm.

"iStandard Producer Showcase: Bay Area Edition" Rockit Room. 9:30pm, $15.

King Tuff, Jaill, Coathangers Bottom of the Hill. 9pm, $12.

Hamilton Loomis Biscuits and Blues. 8 and 10pm, $15.

Pacific Dub, Katastro Cafe Du Nord. 8pm, $10.

Sioux City Kid, Ferocious Few, Mahgeetah Independent. 8pm, $15.

St. Lucia, Do, popscene DJs Rickshaw Stop. 9:30pm, $14-$15.

Sweet Chariot, Cuates, Josh Harmony Hemlock Tavern. 9pm, $7.

Tumbleweed Wanderers, Rin Tin Tiger, Ghost and the City Great American Music Hall. 8pm, $15.

JAZZ/NEW MUSIC

John Pizzarelli Quartet Yoshi’s SF. 8pm, $24; 10pm, $20.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Ned Boyton Trio Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.

Eddy Ramirez Savanna Jazz. 7:30pm, $5.

Slippery Slope, Allison Lovejoy, Mindi Hadan Amnesia. 8pm, $7-$10.

FOLK/WORLD/COUNTRY

Bluegrass and old-time jam Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm, free.

Set Dancing Plough and Stars. 9pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. Live acts Luminaries and Afrolicious, and DJ-host Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.

Base: Chaim Vessel, 85 Campton, SF; www.vesselsf.com. 10m, $10.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 27

ROCK/BLUES/HIP-HOP

Anthem Johnny Foley’s. 9pm, free.

Big K.R.I.T, Casey Veggies, Big Sant, Tito Lopez Slim’s. 9pm, $21.

Bone Awl, Cirrhus, Verglas Elbo Room. 9:30pm, $8.

Bruises, Dirty Ghosts, Sporting Life Bottom of the Hill. 9:30pm, $10.

Future Twin SPARC Dispensary, 1256 Mission, SF; RSVP www.sparcsf.org/gkr. 7-10pm, free.

Lee Huff, Rome Balestrieri, Jason Marion Johnny Foley’s Dueling Pianos. 9pm.

Intelligence, Personal & the Pizzas, Ggreen Hemlock Tavern. 9:30pm, $10

"iStandard Producer Showcase: Bay Area Edition" Rockit Room. 9:30pm, $15.

Malone Brothers, Huckle Great American Music Hall. 9pm, $21-$25.

Memorials, Seshen, Mission Bells Brick and Mortar Music Hall. 9pm, $10-$15.

Sam Chase, Bikini Complex, Debbie Neigher Independent. 9pm, $12.

EC Scott Biscuits and Blues. 8 and 10pm, $20.

Social Studies, Battlehooch, Siddhartha Rickshaw Stop. 9pm, $10.

Tambo Rays, Meat Market, Cogito, Evil Eyes Thee Parkside. 9pm, $6.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Carol Luckenbach Savanna Jazz. 7:30pm, $8.

Terry Disely Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Meta Bionic Lab. 8pm, $12-$25. Multimedia performances by M+V, Guillermo Galindo, NASSA.

Supplicants Red Poppy Art House. 9pm, $12-$20.

FOLK/WORLD/COUNTRY

Baxtolo Drom Amnesia. 9pm, $7-$10.

Wil Campa y su Gran Union Yoshi’s SF. 8pm, $20; 10:30pm, $20.

Coelho & Ridnell, Antonio Guedes and Chillaquiles Cafe Du Nord. 9:30pm, $12.

Lady Crooners Plough and Stars. 9pm.

Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.

Trio Garufa de Young Museum, 50 Hagiwara Tea Garden, SF; deyoung.famsf.org. 6pm.

Vindya Red Poppy Art House. 8pm, $15.

DANCE CLUBS

Crystal Method (DJ set), Opulent Temple resident DJs Public Works. 10pm, $20-$25.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Project Mayhem DNA Lounge. 9pm, $10-$15. Dubstep with Bassex, Rudebrat, DJ Mykill, Liam Shy, Atom One, and more.

Toolroom Knights: Filthy Rich Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.

SATURDAY 28

ROCK/BLUES/HIP-HOP

Rome Balestrieri, Jason Marion, Lee Huff, Johnny Foley’s Dueling Pianos. 9pm.

Big Eagle Riptide. 9:30pm, free.

DRMS, Shotgun Wedding Quintet, St. Tropez Rickshaw Stop. 8:30pm, $12.

4OneFunktion, Jeremy Ellis Elbo Room. 10pm, $10.

Hamsa Lily, Fanna-Fi-Allah Sufi Qawwali Party Great American Music Hall. 9pm, $20-$25.

Kaskade, Dirtyphonics, Fareoh Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconcerts.com. 8pm, $59.50.

Loquat, Young Digerati, Foxtail Somersault, Tzigane Society Slim’s. 8:30pm, $14.

Joyce Manor, Wild Moth, Summer Vacation, Yulia Bottom of the Hill. 9pm, $10.

MC Meathook & the Vital Organs, Butt Problems, Go Time!, Tender El Rio. 9pm, $7.

John Pieplow Red Devil Lounge. 8pm, $10.

Planet Booty, Jaysonik Brick and Mortar Music Hall. 9pm, $7-$10.

Rasio Revolt, Year of the Fist Thee Parkside. 3pm, free.

Sister Sparrow & the Dirty Birds Boom Boom Room. 8pm, $15.

Steel Pulse Independent. 9pm, $35.

Earl Thomas & the Ambassadors Biscuits and Blues. 7 and 9pm, $22.

Top Secret Band Johnny Foley’s. 9pm, free.

Truth & Salvage Co., Oak Creek Band Cafe Du Nord. 9pm, $10-$12.

Urban Blight, Creem, Permanent Ruin, Hunting Party Hemlock Tavern. 9Pm, $7.

Yanni Nob Hill Masonic Center, 1111 California, SF; www.masonicauditorium.com. 8pm, $49.50-$125.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Wil Campa y su Gran Union Yoshi’s SF. 8pm and 10:30pm, $35.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

Reedsman Jim Butler Savanna Jazz. 7:30pm.

FOLK/WORLD/COUNTRY

Wil Campa y su Gran Union Yoshi’s. 8 and 10:30pm, $25.

N. Rumba Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm, free.

Sons of Bitches Plough and Stars. 9pm.

DANCE CLUBS

Bootie: Mysterious D’s Birthday DNA Lounge. 9pm, $10-$15. With DJ Mysterious D, Smash-Up Derby, Adrian, John! John!, Dada.

Icee Hot with Jam City Public Works Loft. 10:30pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Scooter and Lavella Vessel, 85 Campton, SF; www.vesselsf.com. 10Pm, $10-$20.

SUNDAY 29

ROCK/BLUES/HIP-HOP

Bordertown Saints, Get Dead, City Bottom of the Hill. 1pm, $8.

Caustic, Everything Goes Cold, Crashfaster, Whormongr DNA Lounge. 8:30pm, $11.

Dangerous Summer, New Empire, From Indian Lakes Cafe Du Nord. 8:30pm, $10.

Extra Classic, Low Flying Owls, Pony VIllage Hemlock Tavern. 9pm, $7.

Iron Maidens Broadway Studios, 435 Broadway, SF; www,broadwaystudios.com. 8pm, $15.

Aaron Leese and the Panhandlers Boom Boom Room. 8pm, $5.

Psychic Paramount, Phil Manley Life Coach, Barn Owl Brick and Mortar Music Hall. 8pm, $9-$12.

Terry Savastano Johnny Foley’s. 9pm, free.

Two Man Gentleman Band Amnesia. 8pm, $10.

Watsky, Dumbfounded & the Breezy Love Joy Band Slim’s. 9pm, $14-$16.

JAZZ/NEW MUSIC

Adrian Areas Latin Jazz Ensemble Savanna Jazz. 7pm, $7.

Anna Maria Flechero Bliss Bar, 4026 24 St, SF; www.blissbarssf.com. 4:30-7:30pm, $10.

Andrea Marcovicci Rrazz Room. 5pm, $35-$45.

Resonance Jazz Old First Concerts, 1751 Sacramento, SF; www.oldfirstconcerts.org. 4pm.

FOLK/WORLD/COUNTRY

Forro Brozuca Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm, free.

John Sherry, Kyle Thayer Plough and Stars. 9pm.

Twang Sunday Thee Parkside. 4pm, free. With Golddiggers, Whiskey Pills Fiasco.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, and dancehall with DJ Sep, and Matt Haze.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

Domingos Latinos Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 30

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

Local Strangers Osteria, 3277 Sacramento, SF; www.osteriasf.com. 7pm, free.

This Century, Austin Gibbs, Panic is Perfect Bottom of the Hill. 7:30pm, $10.

Z-man, Lroneous, Bpos, DJ True Justice Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, NeoSoul, Reggae, Dancehall, Reggaeton, Salsa and more with DJ Jerry Ross. Happy hour all night.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 31

ROCK/BLUES/HIP-HOP

Electric Shepherd, Billions and Billions Hemlock Tavern. 9pm, $6.

Family Folk Explosion Amnesia. 9:15pm, $5.

Gaucho Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm.

Kissing Party, Bam! Bam!, Party Owl Brick and Mortar Music Hall. 9pm, $5-$7.

La Montagne, Sit Kitty Sit, Fever Charm Bottom of the Hill. 9pm, $10.

Razor Skyline, Drop Black Sky, DJ Kit Elbo Room. 9pm, $7.

Solid Attitude, CCR Headcleaner, Raw Nite, Molestations Thee Parkside. 8pm, $5.

Soulfly, Incite, Lody Kong Slim’s. 8pm, $26.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Crown Syncopators Pier 23, Embarcadero at Filbert, SF; (415) 362-5125. 5-8pm.

Luisa Maita Yoshi’s SF. 8pm, $18.

DANCE CLUBS
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Get FREE tickets to a Castro screening of the Jewish Film Festival!

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This year’s San Francisco Jewish Film Festival presents a record-breaking program of over 60 films from 17 countries. Celebrating the very best in independent Jewish cinema and featuring an a-z spectrum of films, this year’s SFJFF includes stimulating in-depth discussions, new special events and additional screenings. Look forward to special guests Y-Love, Judy Blume, Elliot Gould and others, exclusive live Skype interviews with filmmakers, live performances by Bay Area artists Vetiver and La Peche Quintet, and parties that celebrate a 2012 Music Spotlight. The Festival runs July 19-August 6 with venues in San Francisco, Berkeley, Oakland, Palo Alto and San Rafael. The Castro screening is up first with the following show times!

Music Man Murray: Tuesday July 24 at 4:10
Ben Lee: Catch my Disease: Tuesday, July 24th at 9:05
The Other Son: Tuesday, July July 24th at 6:15
Ameer Got His Gun- Wednesday, July 25th at 1:35
My Neighborhood: Wednesday, July 25 at 1:35
Just 45 Minutes from Broadway: Wednesday, July 25th at 8:50pm
Roman Polanski: A Film Memoir: Wednesday, July 25th at 3:45pm
A.K.A Doc Pomus: Thursday, July 26th at 8:15pm with live concert featuring Vetiver, The Fruit Bats, and Sonny and the Sunsets
Harbour of Hope: Thursday, July 26th at 11:10 am

For screening times for all shows, in all locations please click here.

To get a pair of FREE tickets to one of the CASTRO screenings, email sfbgpromos@sfbg.com with the title as “Jewish Film Festival” and include your name in the message along with what movie you would like to attend. This promo is good while supplies lasts.

San Francisco/Castro: July 19-26
Jewish Community Center, San Francisco: July 28-29
Palo Alto: July 28-August 2
Berkeley: July 28-August 4
San Rafael: August 4-6
Oakland: August 3 & 6

Our Weekly Picks: July 18-24

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WEDNESDAY 18

Waters

Former Port O’Brien band leader Van Pierzalowski founded Waters on the shores of Norway, New York, California, and Alaska. He’s now touring with his new Norwegian bandmates, for their album Out in the Light, and will open for Nada Surf in cities across US this summer, with a final stop in Oslo, Norway. Port O’Brien’s ragged edges and nautically inspired lyrics can still be found in this new project, but its debut album is receiving critical acclaim for its grungier sound, and for Pierzalowski’s decision to stretch out his vocals, reaching new heights. Check out standout track “Take Us Out to the Coast” and get ready to rock. (Shauna C. Keddy)

With Tijuana Panthers, Chasms, Churches

7:30pm, $12

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

The Bouncing Souls

These New Jersey punks have been inciting fist pumping and circle pits for over 20 years, and they celebrated this milestone by self-releasing their ninth studio album Comet this week. The Bouncing Souls have been important players in the punk scene for years, pioneering the lighter side of the genre and hitting the road for seven Warped Tours. Their relentless touring has earned the Souls a dedicated, cross-generational following, from ’90s diehards to the teens who discovered them last summer. There’s nothing complex, nuanced, or hip about a Bouncing Souls song, but that’s what makes these party-punk anthems so accessible. Leave your thinking caps at home and get ready to rage. (Haley Zaremba)

With the Menzingers, Luther

8pm, $21

Slim’s

333 11th St, SF

(415) 255-0333

www.slimspresents.com

 

THURSDAY 19

Roy Davies

As founder, key songwriter, singer and guitarist for legendary British Invasion innovators the Kinks, Ray Davies penned classics such as “You Really Got Me,” “All Day and All of The Night,” “Lola,” and many more. His latest release, last year’s See My Friends featured a who’s who of legendary musical guests including Metallica, Bruce Springsteen, Lucinda Williams, Alex Chilton, and Billy Corgan, all performing with the icon on re-interpretations of his most famous tunes. Fans won’t want to miss the Rock and Roll Hall of Famer when he plays a relatively intimate show at the equally historic Fillmore here in San Francisco. (Sean McCourt)

With The 88

8pm, $50

Fillmore

1805 Geary, SF

(415) 371-5500

www.thefillmore.com

 

Beachwood Sparks

Many may recognize the warm and fuzzy sounds of Beachwood Sparks’ cover of Sade’s “By Your Side” from the indie-hit film Scott Pilgrim Vs. the World. Fans who have checked out their music beyond the popular cover will know that country and indie-rock sounds more so define this band. Its new album, The Tarnished Gold, finds the group over a decade into its career delivering just the kind of LA-influenced summer jams that have made it such a beloved California act. The album achieves a sound of great ease, and is receiving praise from the likes of NPR, which applauded the band for its ability to create a seemingly effortless sound that transports listeners. Beachwood Sparks’ Americana and ’70 pop sounds may induce listeners into making daisy chains in grassy fields. (Keddy)

With Allah-Las, Sweet Chariot, DJ Britt Govea

7:30pm, $18

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

Fountains of Wayne

After a 16-year career, Fountains of Wayne is still tragically unknown. Even the Grammy it nabbed in 2003 was a nod to its obscurity — the band, which had been together for seven years at that point, was given the award for Best New Artist. After the band’s five minutes of fame with the Grammy moment and its cheesetastic international chart-topping single “Stacey’s Mom,” it faded again into the background. Years later, these guys can still write some wickedly funny pop songs and they’ll leave you wondering why they never fully broke through. (Zaremba)

With Mike Viola

8pm, $26

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com


FRIDAY 20

Friday Nights at the de Young: African Diaspora

This week’s installment of Friday Nights at the de Young treats us to traditional African Manding music in both song and dance, along with an art demonstration by artist-in-residence alum Ramekon O’Arwisters. Attendees can bring their own pieces of fabric to the event and should be ready to share a life story: the goal of O’Arwisters’ demonstration is to examine weaving through storytelling and crocheting, giving a taste of the African-American folk art and textile tradition. The packed Friday night lineup also includes “Love Letters,” a lecture by C. Derrick Jones, nephew of Harlem Renaissance pioneer Aaron Douglas. Jones’ aerial dance group Catch Me Bird is currently putting together a project called Off the Walls, based on the work of his uncle. (Keddy)

6pm, free

De Young Museum

15 Hagiwara Tea Garden, SF

(415) 750-3600

deyoung.famsf.org

 

“Steve Prefontaine Film Festival”

Local distance runners who’re about to start tapering for the San Francisco Marathon (July 29!) — and have already planned their Olympics viewing parties (go Shalane!) — will not want to miss Film Night in the Park’s “Steve Prefontaine Film Festival,” highlighting the awesome achievements of the Oregon legend. The record-breaking athlete, who helped popularize running in the 1970s (the fact that he was a babe, mustache and all, didn’t hurt), died at age 24 in a single-car accident — giving rise to the nickname “the James Dean of running” — but remains an inspiration for his intense dedication to the sport. The Pre double-feature includes Robert Towne’s 1998 Without Limits, starring Billy Crudup (not to be confused with 1997’s competing biopic Prefontaine, starring Jared Leto), and the 1995 documentary Fire on the Track: The Steve Prefontaine Story. (Cheryl Eddy)

8pm, donations accepted

Creek Park

451 Sir Francis Drake Blvd., San Anselmo

www.filmnight.org

 

“PERSIAN LOOKING”

Maryam Rostami’s theatrical exploration of her Persian heritage has extended from deeply moving solo theater (last summer’s play-in-progress preview “Persepolis, Texas”) to hilariously relevant drag — not many performers can bring down the house with a number performed in a deconstructed burqa, using only eyebrows to “lip-sync.” Her latest ensemble piece, “PERSIAN LOOKING” is “specifically about the way that Middle Eastern women living in the West process the news that we hear about our sisters living in warzones back ‘home.” It’s paired with another cool-sounding examination of women in the contemporary world: Cara Rose DeFabio’s “She Was a Computer,” which uses language from obsolete computer manuals and the audience’s own cell phones, among other things, to look at how gadgetry and its social currency are passed down through female generations. (Marke B.)

8pm, $20

Also Sat/21, 8pm; Sun/22, 2pm and 8pm

CounterPulse

1310 Mission, SF

(415) 626-2060

www.counterpulse.org

 

Sam Bush

Multi-instrumentalist Sam Bush has been highly influential in the bluegrass and “newgrass” genres of Americana music, performing with artists such as Lyle Lovett, Bela Fleck, Emmylou Harris, and more, all while inspiring a world of fans with his excellent mandolin, fiddle, banjo, and guitar playing skills. Recently honored with the Americana Music Association Lifetime Achievement Award — quite a feat considering he only just turned 60 — Bush released his latest album Circles Around Me in 2009, and continues to thrive on stage, where he switches off instruments and energetically blends a host of sounds all into a joyous mix. (McCourt)

9pm, $26

Great American Music Hall

859 O’Farrell St., SF

(415) 885-0750

www.slimspresents.com


SATURDAY 21

Phono Del Sol Music and Food Festival

Out of the darkened beer-soaked clubs and into the dewy green park with you. The Phono Del Sol Music and Food Festival returns this weekend, and the price is still right. It’s just $7 to $10 max (unless you go VIP) for the pleasure of chilling in the grass with pals while rollicking locals Fresh & Onlys, sincere globe-trotters Unknown Mortal Orchestra, and Santa Barbara synth-and-flute freaks Gardens & Villa fill the park with sweet music. Produced by the Bay Bridged blog, this year’s curated lineup also includes Vivian Girl Katy Goodman’s shimmery solo effort La Sera, along with Northern California bred acts such as Dominant Legs, Sea of Bees, and Mwahaha. Its bears mention that the food lineup also rocks, and nearly a dozen local food trucks will come roaring over the hill: munch on the spicy fusion of Kung Fu Tacos, Doc’s of the Bay, Kasa Indian, Voodoo Van, Frozen Kuhsterd, and more. (Emily Savage)

Noon-6pm. $7–$10.

Potrero Del Sol Park

25th Street at Utah, SF

www.phonodelsol.com

 

My Best Fiend

One of a handful of of rock bands on the esteemed Warp Records’ largely electronic roster, My Best Fiend cranks out pastoral ballads of human frailty that mutate slyly into psychedelic, space-bound epics. The Brooklyn outfit’s debut full-length, In Ghostlike Fading, emanates a distinctly ’70s vibe, recalling the heady propulsion of Pink Floyd’s looser, slower jams; the stoned disillusionment of David Crosby’s If I Could Only Remember My Name; the sun-drenched melancholy of Neil Young’s Harvest. Not to be mistaken for a group of twentysomethings halfassedly replicating their parents’ record collections, My Best Fiend sets its tunnel vision on a specific time and place in rock music, channeling it poignantly, respectfully, ecstatically. (Taylor Kaplan)

With White Cloud

9pm, $10

Brick & Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

Sonny and the Sunsets

San Francisco native Sonny Smith likes to keep himself busy. This summer saw the release of his band’s third album in as many years. Before that he was was occupied with his “100 Albums” project, in which Smith collaborated with visual artists to invent 100 different album covers by 100 fake bands as well as a single off each of the faux records, which he wrote and recorded with the help of other Bay Area artists such as Ty Segall and Thee Oh Sees’ John Dwyer. Longtime Companion, his latest (real) effort, is not as grandiose or harebrained as some of Smith’s other creations, but its simple Americana charm is just as stunning. (Zaremba)

With Wet Illustrated, Pink Films, Cool Ghouls

9pm, $15

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com


TUESDAY 24

Ava Luna

Reminiscent of TV On the Radio in its thorny, postmodernist treatment of soul, punk, and R&B, and the Dirty Projectors, with their anything-goes vocal dynamics, Ava Luna’s sound is in a constant state of flux, too busy searching and experimenting to settle into a comfortable groove. Remarkably dense, brimming with tension, and jumping wildly between musical languages, the Brooklyn band’s newly released debut LP, Ice Level, bears the audacity of a group with a much longer resume. In an age of too many laptop shows, and rock bands resorting to predictable schtick, this dynamic seven-piece ought to deliver a richly stimulating, thrillingly unstable performance. (Kaplan)

With That Ghost, Youngman Grand

9pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Music Listings

0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 18

ROCK/BLUES/HIP-HOP

Brian Bergeron Johnny Foley’s. 9pm, free.

Bouncing Souls, Menzingers, Luther Slim’s. 8pm, $19-$21.

Charles vs. Rags Tuttle Johnny Foley’s Dueling Pianos. 9:30pm.

Chatham County Line, Easy Leaves Cafe Du Nord. 8pm, $15.

Eddie Money Yoshi’s. 8pm, $35.

Johnny Rawls Biscuits and Blues. 8 and 10pm, $15.

SO, Glass Gavel, Shake Me! Bottom of the Hill. 9pm, $10.

Soul Train Revival Boom Boom Room. 8pm, $5.

Upstairs Downstairs, Origami Ghosts, Myonics Hemlock Tavern. 9pm, $6.

Valient Sailors Hotel Utah. 9pm.

Waters, Chasms, Churches Brick and Mortar Music Hall. 9pm, $10-$12.

Scott Weiland Independent. 8pm, $49.50.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Sonic Poetry Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit.

FOLK/WORLD/COUNTRY

Cumbia Tokeson, Radio La Chusma, DJ Rabeat Elbo Room. 9pm, $8-$10.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3. With Therinds, Dick Wolf, Holy Blowout.

Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.

Megatallica Fiddler’s Green, 1333 Columbus, SF; www.megatallica.com. 7pm, free. Heavy metal hangout.

Obey the Kitty: Richie Panic, Justin Milla Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.

THURSDAY 19

ROCK/BLUES/HIP-HOP

Beachwood Sparks, Allah-Las, Sweet Chariots Independent. 8pm, $18.

Boneless Children Foundation, Bonnie & the BANG BANG, Taxes Brick and Mortar Music Hall. 7:30pm, $5-$8.

Fountains of Wayne, Mike Viola Great American Music Hall. 8pm, $26.

Guido vs. Charles Johnny Foley’s Dueling Pianos. 9:30pm.

Handshake, Fierce Creatures, Conveyor, Coast Jumper Bottom of the Hill. 9pm, $10.

“In a Cloud 2” SF compilation release Amnesia.

Jay Trainer Band, Segue & Jeff Zittrain Band Red Devil Lounge. 8pm, $8.

John Lawton Trio Johnny Foley’s. 9pm, free.

Eddie Money Yoshi’s. 8pm, $35; 10pm, $30.

Oliver, popscene DJs Rickshaw Stop. 10pm, $13-15.

Spencey Dude and Doodles record release variety show Hemlock Tavern. 9pm, $5.

Walter Trout Biscuits and Blues. 8pm, $30-$35.

Why I Hate, Shell Corporation, Mighty Fine, Hooray for Everything Thee Parkside. 9pm, $7.

JAZZ/NEW MUSIC

Composers Muse Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit with Christina Stanley’s Skadi Quartet, and more.

Jazz Jam with Eddie Ramirez Savanna Jazz. 7:30pm, $5.

FOLK/WORLD/COUNTRY

JimBo Trout and the Fishpeople Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJ Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk, plus Sola Rosa.

Arcade Lookout. 9pm, free. Indie dance party.

Base: Chris Liebing Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10.

Get Low Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. Jerry Nice and Ant-1 spin Hip-Hop, ’80s and Soul with weekly guests.

Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 20

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 9pm, free.

Rome Balestrieri, Charles, Guido Johnny Foley’s Dueling Pianos. 9pm.

Frank Bey Biscuits and Blues. 8 and 10pm, $20.

Sam Bush, Allison Harris & the Barn Owls Great American Music Hall.9pm, $26.

Fast Times Maggie McGarry’s, 1353 Grant, SF; www.maggiemcgarrys.com. 9pm, free.

Glimpse Trio, Points North, S.K.O.P.E Bottom of the Hill. 10pm, $12.

Grass Widow, American Splits, Wax Idols, Worlds Longest Guitar Solo With Breaks Rickshaw Stop. 9pm, $10-$12.

Collin Ludlow-Mattson & Folks, Blank Tapes, Ash Reiter, Pat Hull Amnesia. 9pm, $8-$10.

Melvins Lite Slim’s. 9pm, $21.

Moonbell, Some Embers, Chasms, DJs Kevin Johnson and Nako Thee Parkside. 9pm, $5.

Pow!, Permanent Collection, Future Twin, Al Lover & the Haters Brick and Mortar Music Hall. 9pm, $5-$8.

Strangled Darlings, Ian Fays, Blonde Stranger Hemlock Tavern. 9:30pm, $7.

Tainted Love Bimbo’s. 9pm, $23.

Tosh Meets Marley Elbo Room. 10pm, $15. With Nnuklee Dube, DJ Irie Dole and King of Hearts.

“Vagabond Lovers Club” Cafe Du Nord. 9pm, $12-$15. With Slim Jenkins, Frantic Rockers, Golden West Trio, burlesque, DJs, and more.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Benn Bacot Savanna Jazz. 7:30pm, $8.

Midnight Sun Jazz Quartet Bubble Lounge, 714 Montgomery, SF; www.bubblelounge.com. 6-9pm, free.

Thwack. Bome. Chime Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit.

Markus Wettstein, Betsey Biggs, Dylan Bolles, Edward Schocker Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8-10pm.

FOLK/WORLD/COUNTRY

Bluegrass Bonanza Plough and Stars. 9:30pm, $8-$10. With Travers Chandler, Avery County, Woody Hill.

Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern, 3639 Taraval, SF; (415) 681-8433. 9pm, free. Spinning old school punk and other gems.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Night of the Living Deadwardians Cat Club, 1190 Folsom SF; www.dancingghosts.com. 9:30pm. Miz Margo and Sage spin darkwave, synthpop, post-punk, and Xander and Fact.50 spin old world cabaret and steampunk.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Pledge: Fraternal Lookout. 9pm, $3-$13. Benefiting LGBT and nonprofit organizations. Bottomless kegger cups and paddling booth with DJ Christopher B and DJ Brian Maier.

Raindance Presents: Reflections with Dubtribe Sound System, Heyoka, and more Public Works. 9pm, $20.

Ron Reeser Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.

SATURDAY 21

ROCK/BLUES/HIP-HOP

Charles, Rome Balestrieri, Guido Johnny Foley’s Dueling Pianos. 9pm.

City Deluxe, Limes, Sir Lord Von Raven Thee Parkside. 9pm, $5.

Cockasterphy, Edge Play Thee Parkside. 3pm, free.

Dig, Happy Body Slow Brain, Time Spent Driving Bottom of the Hill. 10pm, $10.

Fast Times Top of the Mark, One Nob Hill, SF; (415) 392-3434. 8pm, free.

Low Rollers Riptide Tavern, 3639 Taraval, SF; (415) 681-8433. 9:30pm, free.

My Best Fiend, White Cloud Brick and Mortar Music Hall. 9pm, $7-$10.

Owl City, Jayme Dee Slim’s. 8pm, $21-$25.

“Patiopalooza” El Rio. 4-8pm, $8 (includes barbecue). With Chris James & the Showdowns, Mission:Blackout, Finding Stella, Burn River Burn.

“Phono Del Sol Music and Food Festival” Potrero Del Sol Park, San Bruno Avenue and 25th Street, SF; www.phonodelsol.com. 11:30am-6pm. $7-$10. With Fresh & Onlys, Unknown Mortal Orchestra, La Sera, Gardens & Villa, and more.

San Francisco Music Club Biscuits and Blues. 8 and 10pm, $20.

Sonny & the Sunsets, Wet Illustrated, Pink Films, Cool Ghouls Independent. 9pm, $15.

Sole Johnny Foley’s. 9pm, free.

Sydney Ducks, Ruleta Rusa, Between Your Teeth El Rio. 10pm, $7.

Tainted Love Bimbo’s. 9pm, $23.

Thunderbleed AKA Blind Vengeance, Nate’s Denver Neck, DJ Real Hemlock Tavern. 9:30pm, $7.

Too $hort Yoshi’s Lounge. 10:30pm, $30.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Fire & Energy Community Music Center, 544 Capp, SF; www.outsound.org. 7:30pm. $10-$12; $45 festival pass. Outsound New Music Summit with Jack Wright, Dave Bryant Trio, Vinny Golia Sextet, and more.

Future Bionic Lab, 2948 16 St, SF; www.projectsoundwave.com. 8pm, $12-$25. Soundwave 5 multimedia and interactive performances by Jay Kreimer, Diana Burgoyne, and Cellar Ensemble.

Harmolodics Workshop Community Music Center, 544 Capp, SF; www.outsound.org. 2-4pm, free. Outsound New Music Summit.

Gina Harris & Torbie Philips Savanna Jazz. 7:30pm, $10.

Tiempo Libre with San Francisco Symphony Davies Symphony Hall, 201 Van Ness, SF; www.sfsymphony.org. 7:30pm.

FOLK/WORLD/COUNTRY

Andy y Su Orquesta Callao Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm.

Alfonso Maya Mission Cultural Center, 2868 Mission, SF; www.missionculturalcenter.org. 7:30pm, $15.

Joy Mills, Miss Lonely Hearts Plough and Stars. 9pm.

Will Magid’s World Wide Dance Party: Balkan Extravaganza Cafe Du Nord. 9:30pm, $15.

DANCE CLUBS

Bootie SF: Triple Tribute DNA Lounge. 9pm, $10-$15. Bootie pays tribute to MCA of the Beastie Boys, Donna Summer, and Robin Gibb of the Bee Gees.

DJ Scotty Boy Vessel, 85 Campton, SF; www.vesselsf.com. 10pm, $10-$20.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Forward with Nitin, Tomas Barfod, Adnan Sharif, Galen Public Works. 9pm, $15-$20.

OK Hole Amnesia. 9pm, $7.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Reunited Rickshaw Stop. 10pm, $10-15. Presented by Jeffrey Paradise and Ava Berlin.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. DJs Lucky, Paul Paul, and Phengren Oswald spin ’60s soul 45s.

Ana Sia Mighty. 10pm.

Smiths Night SF Rock-It Room. 9pm, free. Revel in 80s music from the Smiths, Joy Division, New Order, and more.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 22

ROCK/BLUES/HIP-HOP

Bekah Barnett Martuni’s, Four Valencia, SF; www.urbanminstrel.com. 7pm.

City of Ships, Young Lions, Abstracer Hemlock Tavern. 6pm, $7.

John Lawton Trio Johnny Foley’s. 9pm, free.

Los Boleros Ramp, 855 Terry Francois, SF; www.theramprestaurant.com. 5-8pm.

Rome DNA Lounge. 8pm, $15.

JAZZ/NEW MUSIC

Next Generation of Jazz Orchestra Yoshi’s. 8pm, $10.

Noertker’s Moxie Quartet Cafe Royale, 800 Post, SF; www.caferoyale-sf.com. 7pm, free.

Savanna Jazz Jam Savanna Jazz. 7pm, $5.

Faith Winthrop Bliss Bar, 4026 24 St, SF; www.blissbarsf.com. 4:30-7:30pm, $10.

FOLK/WORLD/COUNTRY

E Family Sigmund Stern Grove, 19th Avenue and Sloat Boulevard, SF; www.sterngrove.org. 2pm, free. Featuring Pete, Sheila E, Juan and Peter Michael Escovedo.

Jack Gilder, Darcy Noonan, Richard Mandel Plough and Stars. 9pm.

Heel Draggers, Merchants of Moonshine Amnesia. 8pm, $7-$10.

Twang Sunday Thee Parkside. 4pm, free. With Devil’s Own, Grief Counselors.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, roots, and dancehall with DJ Sep, Ludichris, and guest Dub Snakkr.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 23

ROCK/BLUES/HIP-HOP

Adventure Playground, Froadz El Rio. 8pm, $5.

Before You Fall, Five Characters In Search of an Exit, Sun Sets Here Brick and Mortar Music Hall. 8pm, $5-$8.

Damir Johnny Foley’s. 9pm, free.

Earl Brothers Amnesia. 6pm.

Reel Big Fish, Big D and the Kids Table, Suburban Legends, Maxies Regency Ballroom. 7pm, $22.

Religious Girls, Young Lions, Hides Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 24

ROCK/BLUES/HIP-HOP

Ava Luna, That Ghost, Youngman Grand Bottom of the Hill. 9pm, $10.

Boca Do Rio Elbo Room. 9pm, $7.

Donna Jean Godchaux Band Brick and Mortar Music Hall. 9pm, $10-$13.

Family Folk Explosion Amnesia. 9:15pm, $5.

Hollow Earth, Heavy Action, Winter Teeth Knockout. 9:30pm, $6.

Seisiun Plough and Stars. 9pm.

Stan Erhart Band Johnny Foley’s. 9pm, free.

System and Station, Brain on Fire, Control-R Hemlock Tavern. 9pm, $7.

“Summer of Love Tour” Slim’s. 8pm, $16. With Allstar Weekend, Honor Society, Namesake.

Two-Tone Steiny & the Cadillacs Biscuits and Blues. 8 and 10pm, $15.

“Wake Up Madagascar” Yoshi’s. 8pm, $20. With Jaojoby, Razia Said, Saramba and Charles Kely.

JAZZ/NEW MUSIC

Marty Eggers Pier 23 Cafe, Embarcadero, SF; (415) 362-5125. 5-8pm.

Andrea Marcovicci Rrazz Room. 7:30pm, $35-$45.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Post-Dubstep Tuesdays Som., 2925 16th St, SF; (415) 558-8521.10pm, free. DJs Dnae Beats, Epcot, Footwerks spin UK Funky, Bass Music.

Study Hall John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Shutting down Sunshine

8

EDITORIAL The unwillingness of the San Francisco Board of Supervisors to follow the City Charter’s rules on open government has reached a new level of absurdity: The Sunshine Ordinance Task Force voted July 11 to stop meeting, because the supervisors wouldn’t appoint the legally mandated members.

Technically, the fuss is over a provision in the law creating the Task Force that mandates one member must be a physically disabled person with a demonstrated interest in open-government issues. That was written into the law in part because access to meetings for people with disabilities is an ongoing area of concern.

But the supervisors refused to reappoint Bruce Wolfe, a longtime task force member who met that criterion — and who had the respect of independent and progressive leaders all over town. And none of the six people the board did appoint qualify as physically disabled.

So the City Attorney’s Office advised the task force that it would be violating the charter if it met and took any action — and although the chance that the courts would invalidate task force decisions might be slim, the members could face fines. So the panel did the prudent thing and quit meeting.

Now, for all practical purposes, there is no Sunshine Ordinance Task Force, and it will be in legal and political limbo until the supervisors appoint a disabled member.

That follows on the heels of the board refusing — for the first time since the creation of the task force in 1999 — to seat the nominees of the Society of Professional Journalists, New American Media, and the League of Women Voters. Those organizations were given the right to submit names for three seats as a way to ensure that some of the task force members were from outside City Hall and represented media and good-government groups.

So the agency that it supposed to protect the public’s right to access records and meetings has been stacked with City Hall-friendly appointees and now is unable even to hear complaints.

There’s no question that some supervisors are annoyed with the task force, in part because it’s issued some rulings that board members disagreed with. But the task force is supposed to come down on the side of public access whenever possible, and if the agency is doing its job, it’s going to piss off politicians. The response shouldn’t be to seek retribution by denying its ability to function.

The supervisors are demanding that SPJ, NAM and the League submit new lists of nominees, with multiple names, which is unprecedented and difficult: These grassroots groups are supposed to line up a group of volunteers for a difficult, time-consuming, unpaid job — then tell them that all but one of them will be rejected by the supervisors? Who’s going to want to be in that position?

The three organizations should hold their ground, resubmit their nominees and ask the supervisors to follow the City Charter. And the City Attorney’s Office needs to offer some clarity here: Can the supervisors, in a fit of pique, shut down a Charter mandated watchdog agency? Really?

 

City College fights back

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news@sfbg.com

When your options are bad, terrible, and unthinkable, how do you choose which way to go? And should that decision be graded on a curve that takes into account the dire fiscal circumstances facing most public colleges in California these days?

City College of San Francisco (CCSF), which serves more than 90,000 students a year, last year did what some consider unthinkable: laying off administrators and leaving a reserve fund at dangerously low levels in order to save classes and stave off faculty layoffs. The current $187 million operating budget has a reserve of only $2.2 million, or just over 1 percent compared to the state-recommended 5 percent.

Such decisions may cost the college its accreditation and threaten its very existence, but they also represent legitimate differences over what role educational institutions should play in their communities.

In June, the college came under fire for administrative and financial mismanagement by the Accrediting Commission for Community and Junior Colleges, a private organization that evaluates K-12 schools and higher education institutions every six years.

Although the commission applauded the school for its commitment to students, it placed the school under its most severe sanction before accreditation is terminated: “show cause.”

It identified eight problem areas that the college has failed to address since 2006, which include measuring student learning outcomes, attaining financial solvency, and revising the college’s mission statement to reflect current fiscal realities.

“The team finds that the current, ongoing funding for San Francisco City College appears insufficient to fully fund the mission of the college as it is currently conceived,” the commission wrote in its June report. “The team advises the college to assure the mission of the college is obtainable based on accurate short-term and long-term funding assumptions.”

Essentially, the commission is recommending a refocusing of the school’s mission to prioritize college transfer classes. The report went on to say that too many people making decisions through a highly decentralized governance system slowed down or halted altogether the college’s ability to make cuts where it needed to — or where the state and commission thought cuts should be made.

These competing visions of how community colleges should continue to exist have driven a wedge between local college officials and state-level decision makers — a clash made clear through City College’s accreditation woes.

“It’s not that City College isn’t doing a good job, it’s that these are emerging trends we have,” former Student Trustee Jeffrey Fang said. “In the long run, it might actually improve City College. The bad part is that it came at a time when we are so strapped and mired neck deep in political games.”

Those games have starved funding for public education statewide, in the process redefining the role of community colleges.

“City College has a very ambitious mission. Part of that mission is that it’s a true community college,” CCSF spokesperson Larry Kamer said. “Now, decisions are being made de facto by the budget and we need to re-evaluate that mission.”

 

PUTTING THE “COMMUNITY” IN COLLEGE

Adult education used to be integrated into K-12 districts. But over the years, two-year “junior” colleges took over that responsibility, transforming them into today’s “community” colleges.

The newly minted community colleges began serving thousands of immigrants learning English, job seekers needing new skills, and elderly citizens looking to continue their education. But when California’s budget crisis hit a critical point, that all began to change.

Three years ago, the California Legislature said when the community colleges cut courses, they shouldn’t cut courses involving transfer, career technical education, and basic skills, State Community College Chancellor Jack Scott said in a phone interview.

Scott is responsible for overseeing all 112 community colleges in California, a quarter of all community colleges in the country. He’s on the cusp of retirement, and the end of his tenure has been marked with the changing mission of the colleges he oversees.

“I want it clearly understood that I personally want to see the community colleges offer all the classes it wants to,” he said. “But with scarcity, you have to prioritize. If you offer the same classes you did before, you’ll go bankrupt. Something has to give.”

The state agreed and asked community colleges to prioritize enrollment, with a focus on recent high school graduates who plan to transfer to a university in two years and anyone else seeking a degree or certificate.

If community colleges can’t afford to offer classes sought by their broader communities, and K-12 schools are ill-equipped to plug back into that task, does the notion of continuing adult education just fade away?

David Plank, executive director of policy analysis for California Education, a Stanford University-based research center, says it just may: “I don’t think that responsibility will be reimposed on K-12 districts because it was always seen as a sort of add-on supplementary responsibility.”

 

BUDGET WOES TRICKLE DOWN

California’s Master Plan for Higher Education — which mandates that community colleges provide classes for everyone — only worked as long as there was money to fund it. But Plank says that money has been steadily shrinking since 1978 when voters passed Proposition 13, which capped property tax increases and raised the voting threshold for the Legislature to increase other taxes.

As funding from Sacramento has been slashed by more than $500 million in the past year alone, California’s 112 community colleges have turned away more than 300,000 students trying to enter the system. If Governor Jerry Brown’s tax proposal wins in November, community college funding will stay at about the same level, but if it fails, the system will see further cuts of more than $340 million.

“The system now is breaking down,” Plank said. “We’ve finally reached a point where the state’s share is too small to hold things together. We see tuition going up at very rapid rates and a substantial deterioration both in access and affordability.”

In flush times, community colleges could serve everyone — rich and poor, those seeking new skills and others working toward a new degree. Now, the community college system faces two choices if it’s unable to find new sources of revenue: continue on the path of deep cuts, or change its priorities altogether.

City College Board member Steve Ngo cites new statistics that show enrollment in English as Second Language (ESL) classes are trending down, a sign that those classes should be cut first. “The community should lead. If the demand is down, you’re not serving your community,” he said.

Yet others say community colleges should strive to serve everyone who needs them.

“Some [classes] are really valued by our Pacific Islander population, but their enrollment may not be as high. Should those classes go away? I don’t think so. It’s something I feel like the whole college community needs to come to grips with” CCSF math instructor Hal Hunstman said.

City College ESL instructor Susan Lopez said her classes have been cut about 29 percent over a decade, which she considers drastic.

“Despite that large and somewhat intentional reduction, we still serve 20,000 annually throughout the city. By comparison with our very large ESL Department, the English Department serves only 7,000,” Lopez said. “How could we abandon those who are most educationally needy and often desperately poor in favor of those who are less needy?

“We need to step up adult education across the board,” she said. “The problem is all the pressure to do less and to fund less of this type of education.”

 

SMOTHERED ON ALL SIDES

The accreditation commission is an independent body, but it’s been pressured too.

“In the current climate of increased accountability, our regional accrediting associations find that tight spot to be more like a vice,” a commission newsletter said in 2006. “On one side are forces at the national level ready to throw out regional accreditation in favor of a federal approach; while at the local level, they are faced with institutions resistant to rapid change and increased scrutiny.”

In the past year, private entities ponied up thousands of dollars to help usher in a new numbers-based approach to education. In 2011, a 20-member body comprised of public and private representatives was charged with evaluating the community college system.

Called the California Community College Student Success Task Force, its creation was mandated by the state, but to many people it reeked of privatization.

Several private organizations funded the task force’s work, including the Lumina Foundation, an educational research and grant-making institution with ties to the American Legislative Exchange Council (ALEC), a controversial lobbying group for private interests that authored the Stand Your Ground gun law.

By fall 2011, students, faculty, and administrators across the state began to question the task force’s methods and recommendations, which initially included proposals to cut many non-credit and enrichment courses, restrict financial aid, prioritize transfer students, and cap the number of units one person could take.

Under the veil of increasing so-called “student success,” the task force was asking schools to prioritize limited funds and change their missions to once again become “junior” colleges — a fate that City College has refused to accept.

City College’s Board of Trustees passed a resolution in November 2011 opposing the task force, nearly unanimously, with Ngo the sole dissenting vote. Then-Chancellor Don Griffin warned that the task force’s agenda was a transparent attack on open access that would disproportionately affect poor people and people of color, imploring the board to reject its recommendations.

“They’re talking about taking over the vehicle of community colleges and turning it into something else,” Griffin said. “We have to take a hard stand because everybody around the state is watching City College of San Francisco.”

Students and faculty at City College joined the fight. They spoke out at Board of Governors meetings in Sacramento. They wrote letters, emails, and scathing editorials. The school’s student-run school newspaper, The Guardsman, led a statewide campaign opposing the task force.

Despite the public’s concerns, the California Community Colleges Board of Governors adopted the task force’s final report in January.

“As wonderful as open admissions is, if it’s a false promise to an objective, it fails,” Peter MacDougall, Board of Governors member and task force chair, said at the January meeting.

“Our objective is to have that promise realized, that’s what the recommendations are intended to achieve.”

Ultimately, the initiative succeeded, shifting priority enrollment to students who are freshly in the college system. The Task Force report is now Senate Bill 1456, sponsored by Sen. Alan Lowenthal and commonly known as the Student Success Act of 2012.

 

AHEAD OF THE PACK

As everyone waits with crossed fingers hoping for a favorable outcome at the ballot in November, City College officials are fighting keep the school open.

“Do we alter our mission slightly, or fundamentally? It’s not clear yet what we’re going to do,” Ngo said.

The trustees have until October to present the commission with a plan and then until March to prove they can achieve it. In the meantime, the commission requires that preparations be made for potential closure, which Interim Chancellor Pamila Fisher and other CCSF officials say won’t happen.

Only two other community colleges received a “show cause” order this year: College of the Redwoods and Cuesta College. Yet as of January, 25 percent of California’s community colleges are under sanctions, according to the accreditation commission documents.

Federal funding hinges on the certification and other educational institutions, such as the University of California and the California State University systems, only accept transfer credits from other accredited institutions.

Everyone seems to agree that City College is too big to fail — with more than 90,000 students, it’s the largest community college in the nation — but how it will look and operate in the future remains unknown.

City College already cut dozens of classes this year — including many with students already enrolled after the spring semester began. But City College isn’t alone in its plight.

Santa Monica Community College caused an uproar earlier this year when it proposed charging more for popular classes. As of July 1, classes cost $46 per unit but under Santa Monica’s proposal students would pay $180 per unit for courses in high demand.

When students protested this two-tiered payment system in April, police pepper-sprayed them, just five months after UC Davis students received the same brutal treatment for holding a non-violent Occupy-style action against their own tuition hikes.

“What we see is a move towards privatization, in the sense that we are now expecting students to pay a larger share of the cost,” Plank said. “Over certainly the last 40 years, California has been steadily disinvesting in post secondary education.” Whether tuition increases at the CSUs and UCs in the near future depends on whether voters approve Brown’s tax proposal this November. City College’s financial future hinges not only on the governor’s tax proposal, but a local parcel tax initiative as well. City College needs both to pass in November just to break even. “A lot of San Francisco’s workforce is educated at City College,” City College board member Chris Jackson said, adding that for poor and working class people, it’s the only affordable option. In addition, as veterans return from foreign conflicts, ex-offenders are released from prison and enrollment capped at the state universities, Jackson said, “We need local investment in City College.”

Live Shots: US Air Guitar SF Regional

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The US Air Guitar Championships held their SF Regionals at the Independent Saturday night. As such, a sold-out crowd of air-thusiests and the competitors’ family members gathered to see who would be crowned the SF champ and be given the opportunity to participate at Nationals in Denver.

As it was the final regional stop and only a matter of time before a 2012 Air Guitar World Champion would be crowned at the end-all event in scenic Oulu, Finland, “master of airemonies” Bjorn Turoque opened the night with a performance of “The Finland Countdown” (including the timely addition of a bit of “Zou Bisou Bisou”), accompanied by 2008’s World Champion, Hot Lixx Hulahan.

Hulahan would also judge the night’s competition – along with comedian Caitlin Gill and the Mr.T Experience’s “Dr. Frank” Portman – on the basis of technical merit, stage presence, and, of course, airness.

And the competition – full of requisite punny names, terribly great outfits, and ridiculous faces – was fierce, particularly the local rivalry between former SF regional champs Alex “Awesome” Koll and Matthew “Cold Steel Renegade” Feldstein.

As the event went on, it felt as though the faux-guitarists were going to attempt almost anything to up the take their performance to 11, particularly when Texan (and Jack Black/Norman Reedus love child) Taylor “Brock McRock” Fullbright precariously wobbled on a stage speaker only inches above my head.

Overcoming out-of-town disadvantage, NYC’s Justin “Seth Leibowitz” Hypes won the night, making a strong start with a heavy metal rendition of “Call Me Maybe” before seemingly levitating over the crowd in the final round. It was an impressive night, particularly if you followed Turoque’s advice at the start: “Don’t be sober, otherwise it’s just going to look kind of stupid.”

Guest opinion: RCV is good for progressives

52

Since San Francisco began using ranked choice voting in 2004 and public financing of campaigns in 2002, the city has been a leader in the types of political reform badly needed at state and national levels. People of color today have an unprecedented degree of representation and progressives are a dominant presence in city government. Elections are being decided in November, when turnout usually is highest, and the combination of public financing and deciding races in one election minimizes the impact of independent expenditures and Super PACs .

Yet progressive stalwart Calvin Welch, whose work we have long admired, recently authored a Bay Guardian oped against RCV. His charges against RCV are as wrong today as they were when he first made them 10 years ago when he opposed RCV on the ballot. And given the horrible Supreme Court ruling known as Citizens United, which has opened the floodgates on corporate campaign spending and did not exist when San Francisco last used separate runoff elections, returning to two elections is a direct threat to the future of San Francisco progressivism. 

The most serious of his claims is that RCV favors “moderate to conservative candidates” because “left-liberals do very well in run-off elections” since “in low-turnout elections, left-liberals vote more heavily than do conservatives.” He cites the 2000 supervisorial races and 2001 city attorney race, in which “the more liberal candidate for City Attorney, Dennis Herrera” bested “Chamber of Commerce functionary Jim Lazarus.” He asserts “that’s a verifiable San Francisco political fact.”

But San Francisco State University professor Richard DeLeon, author of the acclaimed book of Left Coast City about San Francisco politics, debunked that claim with real election data in his 2002 paper, “Do December runoffs help or hurt progressives?”

He found that in the November 2001 city attorney election, for every 100 voters who turned out in progressive precincts, 107 turned out in conservative precincts. But in the December 2001 runoff, for every 100 voters who turned out in the progressive precincts, 126 turned out in the conservative precincts, an 18 percent increase. Wrote DeLeon, “This dramatic increase in the ratio of conservative to progressive voters occurred despite (or perhaps because of) the 44 percent drop in voter turnout citywide between November and December.”

He continued: “If San Francisco had used [ranked choice voting] in November, Herrera most likely would have won by an even greater margin. In November, the liberal/progressive candidates for city attorney won a combined 60 percent of the vote…In the December runoff, however, Herrera won with only 52 percent of the vote. Thus, due to the proportionally greater decline in progressive voter turnout, Herrera probably lost approximately 8 percent of his potential vote, making the election close.”

DeLeon also rebutted Welch’s citation of the supervisorial races in 2000 as ones that demonstrated a progressive advantage in low-turnout runoffs, writing:

 “Progressive success that year was NOT due solely to a one-time surge in turnout among progressive voters…Many powerful forces converged in that election, not least the anti-Willie Brown backlash, the cresting of the dot-com invasion, and the return to district elections, which forced despised incumbents to stand trial before angry neighborhood electorates.”

DeLeon concluded:  “Based on the evidence presented, I conclude that December runoffs have hurt progressive voters, candidates and causes in the past and (absent same-day runoffs) will continue to do so in the future, even under district elections.”The Bay Guardian cited Professor DeLeon’s study in March 2002 (see  and scroll down to “A is OK”), and Mr. Welch is ignoring these results today just as he did then.

Certainly progressives haven’t won 100% of RCV elections — should any political perspective? — but they have done well nonetheless, electing  Bay Guardian-endorsed candidates like John Avalos, David Campos, Eric Mar, David Chiu and Ross Mirkarimi, despite those candidates not being incumbents. Other progressive incumbents first elected before RCV elections, like Aaron Peskin, Chris Daly, and others, were re-elected under RCV. And Mirkarimi was elected citywide in the sheriff’s race. On  the flip side, progressive Eileen Hansen most certainly would have beaten moderate Bevan Dufty in a November RCV contest for D8 supervisor; instead she lost in December after finishing first in November.

What’s actually at stake here is how we define progressivism. Since we began using RCV in 2004, 8 of the eleven members of the Board of Supervisors come from communities of color, a DOUBLING from pre-RCV days. At the citywide level, all seven officials elected by RCV come from communities of color. So out of the 18 elected officials in San Francisco, a whopping 15 out of 18 come from communities of color, the highest percentage for a major city in the United States.

The proposed repeal amendment would launch low-turnout September elections in San Francisco. In fact, the December 2001 city attorney race in which Welch cites as exemplary had a turnout of 15 percent of registered voters, the lowest in San Francisco’s history. New York City’s last September mayoral primary had a turnout of 11.4 percent. In Charlotte NC (population 750,000, similar to San Francisco) its last mayoral primary had a turnout of only 4.3 percent. Cincinnati had a September turnout of 15 percent, and Boston and Baltimore had September mayoral primaries with turnout in the low 20s. Many cities in Minnesota have September primaries with extremely low turnout; the two largest cities, Minneapolis and St. Paul, have switched to RCV largely to eliminate September primaries.

Research has demonstrated that voters in low turnout elections are disproportionately more conservative, whiter, older, and more affluent; those who don’t participate are people of color, young people, poor people — and progressives. So having a mayoral race in a low turnout September election has real consequences not only on voter turnout but on the demographics of the electorate.

While we share the priorities of Welch’s progressive economics, we believe progressivism must be more inclusive, especially if it wants to enjoy the support of these burgeoning demographics. While disappointed by the lack of progressive achievements of President Barack Obama, we still view the election of the first African American as president as a major progressive achievement.

Finally, we would assert that the ranked ballots used in RCV have been important for San Francisco democracy. Just look at the recent “top two” primary on June 5, and you can see the defects of the methods proposed to replace RCV. In many races across the state – including in the Marin County congressional race where progressive Democrat Norman Solomon lost by 0.2 percent — too many spoiler candidates split the field and candidates got into the top two with extremely low vote percentages, some as low as 15 percent of the vote. In one race where there was a Latino majority and a solid Democratic district, the Democrats ran so many candidates that the Democratic vote split and two white Republicans made the runoff with low vote percentages.

San Francisco risks such elections if we get rid of RCV. Think of the last mayoral election, and the choice for Asian voters if we used single-shot plurality voting instead of RCV. Which Asian candidate would they vote for with their single-shot vote — Lee, Chiu, Yee, Ting, Adachi? What kind of vote split might have occurred? And to avoid that, what kind of backroom dealing would have occurred BEFORE the election to keep that many candidates out of the race to prevent that vote-splitting?  We saw such vote splitting in the 2003 mayoral election as well, with various progressive candidates running and splitting the progressive vote. Going back to plurality elections would be damaging for constituencies that often run multiple candidates, such as the Asian and progressive communities.

RCV has been good for San Francisco, and we should keep it. For those who would like to see a runoff in mayoral races, Board president David Chiu has proposed a compromise that, while increasing the costs of running for mayor, is far better than the repeal measure for September elections. Chiu’s proposal would keep RCV to elect the mayor, but with a December runoff if no mayoral candidate won a majority of first rankings in November. The 2011 mayoral election would have gone to a runoff, with John Avalos as Ed Lee’s opponent.

San Francisco progressives should embrace a view of progressivism that is inclusive, promotes higher turnout and is based on a politics that is looking forward instead of backward to some golden age that never existed. Ranked choice voting and public financing are two parts of the puzzle for ensuring a vibrant progressivism.

Steven Hill led the campaign for ranked choice voting in San Francisco, and Matt Gonzalez was President of the Board of Supervisors and legislative author of the RCV charter amendment. See www.SFBetterElections.org for more information

 

 

Back to the land

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arts@sfbg.com

DANCE What a stellar idea to premiere a work called No Hero the weekend after Independence Day. There are no brass bands, flag waving-exercises, or fireworks in Foundry artistic director-choreographer Alex Ketley’s delightful and at times funny stage and video creation, which returns to Z Space August 1. Yet Hero is piece of pure Americana, a tender and amusing tribute to ordinary people and the role that dance may or may not play in their lives.

Tired of thinking of dance as something larger than life, Ketley set out on a month-long trek, camera in hand and lovely dancer Aline Wachsmuth in tow. They traipsed through dusty Western towns and hamlets from Death Valley to Oregon, talking with folks in RV parks and community halls, inside their homes, and outside some shacks. They met Shirley, who remembered the social dances of her youth; motorcyclist Ava and his dog Spirit, who are on the road trying to forget the death of Ava’s son; Dwight and Dale, who chuckled over the names of the dances they used to know; and widows who get together every afternoon to teach each other steps they learn from YouTube. Ketley and Wachsmuth also encountered the legendary Marta Beckett, who just recently stopped performing six days a week — at the age of 88 — in an old opera house whether anybody was there to watch or not.

And for all of them Wachsmuth danced. Often she looked shadowy on the video but always organic, stretching her limbs like tendrils, scooping space, and opening herself to forces surging from within. It was fascinating to see the reactions (or rather, lack thereof) of each audience: you couldn’t tell whether they were flabbergasted, indifferent, or bemused by this willowy creature in front of them. Ketley kept us guessing.

Back in the decidedly non-rural Bay Area, the two artists took the material and expanded on it for the stage, where Wachsmuth was joined by Sarah Dione Woods. What had been spatially tight but also intimate became expansive and multi-dimensional without losing its rich impulse-driven energy. The choreography often looked as if it had grown out of the screen. A demure waltz exploded into somersaults and exuberant leaps. Mirroring each other, the two women spread out but also intertwined as if trying to morph together. With her back to us, dancing alongside a sunset, Wachsmuth repeated the choreography facing us. But when onscreen a fierce storm kept her off balance, the stage couldn’t compete with that drama.

The video images (post-production by Austin Forbord) had been edited to create both a contextualization for the stage action but also developed an independent rhythm. Ballad and pop singers — ranging from Ben Howard to Patti Page — added their own voices to this poetic evocation of dance as part of the everyday.

THE FOUNDRY AND BOBBY JENE SMITH

August 1, 8pm, $15

Z Space

450 Florida, SF

www.alexketley.com

 

Rep Clock

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Schedules are for Wed/11-Tue/17 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $10. “Orbit (film): A Program of Short Films About Our Solar System,” Sat, 8. “Collaborations: An Evening of Music and Image,” Tue, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •Thief (Mann, 1981), Wed, 7, and Straight Time (Grosbard, 1978), Wed, 9:15. San Francisco Silent Film Festival: Wings (Wellman, 1927), Thu, 7; “Amazing Tales from the Archives: Into the Digital Frontier,” Fri, 10:30am; Little Toys (Sun, 1933), Fri, 1; The Loves of Pharaoh (Lubitsch, 1922), Fri, 4; Mantrap (Fleming, 1926), Fri, 7; The Wonderful Lie of Nina Petrovna (Schwarz, 1929), Fri, 9:15; “The Irrepressible Felix the Cat!”, Sat, 10am; The Spanish Dancer (Brenon, 1923), Sat, noon; The Canadian (Beaudine, 1926), Sat, 2:30; South (Hurley, 1919), Sat, 5; Pandora’s Box (Pabst, 1926), Sat, 7; The Overcoat (Kozintsev and Trauberg, 1926), Sat, 10; The Mark of Zorro (Niblo, 1920), Sun, 10am; The Docks of New York (von Sternberg, 1928), Sun, noon; Erotikon (Stiller, 1920), Sun, 2; Stella Dallas (King, 1925), Sun, 4:30; The Cameraman (Sedgwick and Keaton, 1928), Sun, 7:30. More info and advance tickets (free-$42) at www.silentfilm.org. Inforum Presents: “Chuck Palahniuk: The Monsters Within,” Mon, 7 (this event, $20-40); “Meghan McCain and Michael Ian Black: Two Slices of American Pie,” Tue, 7 (this event, $25-45).

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Bel Ami (Donnellan and Ormerod, 2012), call for dates and times. Bernie (Linklater, 2012), call for dates and times. Peace, Love and Misunderstanding (Beresford, 2011), call for dates and times. Pink Ribbons, Inc. (Pool, 2011), call for dates and times. Take This Waltz (Polley, 2011), call for dates and times. Beasts of the Southern Wild (Zeitlin, 2012), July 13-19, call for times.

“FILM NIGHT IN THE PARK” This week: Creek Park, 451 Sir Francis Drake Blvd, San Anselmo; www.filmnight.org. Donations accepted. Across the Universe (Taymor, 2007), Fri, 8. Union Square, Geary at Powell, SF. The Artist (Hazanavicius, 2011), Sat, 8.

JACK LONDON SQUARE First Street at Broadway, Oakl; www.jacklondonsquare.com. Free. We Bought a Zoo (Crowe, 2011), Thu, sundown.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: Music and Nostalgia:” Amélie (Jeunet, 2001), Fri, 6.

MENLO-ATHERTON PERFORMING ARTS CENTER 555 Middlefield, Atherton; www.windriderbayarea.org. $5-15. Windrider Bay Area Third Annual Independent Film Forum, with films from Africa, Australia, and North America, and stars and filmmakers in person, Thu-Sat.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Bellissima: Leading Ladies of the Italian Screen:” Nights of Cabiria (Fellini, 1956), Wed, 7; The Leopard (Visconti, 1963), Fri, 7; Juliet of the Spirits (Fellini, 1965), Sat, 6. “Cool World:” The Hustler (Rossen, 1961), Thu, 7; Ed Wood (Burton, 1994), Sat, 8:50. “A Theater Near You:” El velador (Almada, 2011), Sun, 5:30. “Always for Pleasure: The Films of Les Blank:” In Heaven There Is No Beer? (Blank and Gosling, 1984). Sun, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-10. “Au Revoir Béla Tarr:” The Man From London (Tarr and Hranitzky, 2007), Wed, 6:30; The Turin Horse (Tarr and Hranitzky, 2011), Wed, 9:15. “Songs Along a Stony Road: Music Movies by Local Luminaries:” Songs Along a Stony Road (Csicsery and Teerink, 2011) with “Sprout Wings and Fly” (Blank, 1983), Thu, 7 and 9. Filmmakers George Csicsery and Les Blank in person. San Francisco Frozen Film Festival, animation, shorts, and documentaries, Fri-Sat. All-day festival pass, $20; more info at www.frozenfilmfestival.com. Crazy Wisdom (Demetrakas, 2011), July 13-19, 7, 8:45 (also Sat-Sun, 3:15, 5).

SF FILM SOCIETY CINEMA 1746 Post, SF. $10-11. The Story of Film: An Odyssey, Part Seven: New Boundaries: World Cinema in Africa, Asia, and Latin America and New American Independents and the Digital Revolution (Cousins, 2011), Sat, noon. British TV series; new episodes weekly through July 21. Ballplayer: Pelotero (Finkel, Martin, and Paley, 2011), Fri-Sat and Tue, 3, 7; Sun-Mon, and July 18, 5, 9; July 19, 1. Bonsái (Jiménez, 2011), Fri-Sat and Tue, 5, 9; Sun-Mon and July 18, 3, 7; July 19, 3. “Family Screening: The Storytellers Show,” Sat, 10am. Marina Abramovic: The Artist is Present (Akers, 2011), Wed-Thu, 2:45, 5, 7:15, 9:30.

VICTORIA 2961 16th St, SF; www.911expertsspeakout.org. $10. 9/11 Explosive Evidence: Experts Speak Out (Gage, 2012), Wed, 7. Filmmaker Richard Gage in person.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Documentaries By Ai Weiwei:” Disturbing the Peace (2009), Sun, 2. *

 

The malling of San Francisco

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steve@sfbg.com

Shopping malls filled with national chain stores and restaurants are in many respects the antithesis of San Francisco. They’re the bane of any metropolis that strives to be unique and authentic. And those just happen to be qualities that make tourism this city’s number one industry.

The logic of modern capitalism, and its relentless growth into new markets, has already placed a Target or a Walmart, and a Nordstrom, Macy’s, Ross, or a JCPenney — along with a bevy of Starbucks, Applebee’s, Jamba Juice, and McDonald’s and myriad other formulaic corporate eateries — in just about every town in the country.

Do people really need them here, too? And in a city renowned worldwide for its scenic beauty and temperate (albeit sometimes foggy) climate, do people want to shop in the enclosed, climate-controlled malls popularized in the small or suburban towns that many residents came here to escape?

For me, the answer is no. Frankly, malls have an aura of artificiality that gives me the creeps — but I freely acknowledge that not everyone feels that way. Some San Franciscans may like malls and chain stores while others don’t.

But it doesn’t really matter what any of us think. Left unchecked, it’s the market that matters — and the logic of the market gives chain stores a huge competitive advantage over the mom-and-pops. Their labor and supply costs are lower, their financial resources are more extensive and appealing to commercial landlords, and their business models are based on constantly opening new stores.

All cities have to do is just say yes. And San Francisco has been increasingly saying yes to malls and chain stores.

The economic desperation that set in since the financial crash of 2008 has overcome the trend of resistance to so-called “formula retail establishments” that had been building in San Francisco during the years before the recession.

So now, rather than dying from neglect, the Metreon mall has been brought back to life by a huge Target store set to open this fall, the second Target (the other one at Masonic and Geary) going into a city that had once eschewed such national mega-retailers.

Just down the street, in the heart of the city’s transit-rich commercial center, the CityPlace mall that had been abandoned by its previous owners after winning city approval two years ago is now being built by new owners and set to open next spring with “value-based” national chain stores like JCPenney.

Projects funded with public money aren’t immune either. The new Transbay Terminal transit center now under construction will have its own mini-mall, with 225,000 square feet of retail, much of it expected to house national chains. Even more retail will be built on the ground floor of the dozen other nearby residential and office buildings connected to the project.

And it isn’t just these new malls going in a stone’s throw from the Westerfield Mall, Crocker Galleria, San Francisco Center, and other central city malls. All over town, national chains like the Whole Foods and Fresh & Easy grocery stores are replacing Cala Foods and other homegrown markets, or going into other commercial shells like the S&C Ford building on Market near the Castro.

Just a few years ago, the approval of Home Depot on Bayshore Boulevard (since then sold and opened as Lowe’s, another national chain) was a hugely controversial project approved by the Board of Supervisors on a closely watched 6-5 vote. Now, Lennar is building an entire suburban-style complex of big box stores on Candlestick Point, hundreds of thousands of square feet — without much controversy at all.

Even Walmart — the dreaded poster child for huge corporations that use their market power to drive down wages or force local stores out of business — is reported to be actively looking to open “a couple” of stores in San Francisco (see “Walmart sets sights on San Francisco,” June 24, San Francisco Chronicle).

To Livable City Executive Director Tom Radulovich and others who have long encouraged San Francisco to embrace the kind of urbanism advocated by famed author and activist Jane Jacobs — which emphasizes unique, neighborhood-based development that enhances public spaces and street life — accepting the malls feels like giving up on more dynamic urban models.

“It’s sort of an admission of failure,” Radulovich said. “It’s the failure of urbanism in San Francisco.”

 

 

MID-MARKET SYMBOLISM

Mid-Market Street is a bellwether for the type of city San Francisco may become. Every mayor since at least Dianne Feinstein in the late 1970s has called for the redevelopment of Mid-Market into a more active and inviting commercial and social corridor, and few have done so more fervently than Mayor Ed Lee.

Several city studies have explored a wide variety of ways to accomplish that goal, from eliminating automobiles and transforming Market Street into a lively pedestrian promenade to using redevelopment money, tax breaks, and/or flashy lighted signs to encourage distinctive development projects unique to San Francisco.

“But the city failed, so the market filled the void,” Radulovich said.

It isn’t that all shopping malls or enclosed commercial areas are necessarily bad, Radulovich said, citing the influential work by writer Walter Benjamin on the roles the enclosed “arcades” of Paris played in public life. “They work when they are an extension of public spaces,” Radulovich said.

Yet that isn’t what he sees being built in San Francisco, where what gets approved and who occupies those spaces is largely being dictated by private developers who are more interested in their bottom lines than with the creation of a vibrant urban environment where people are valued as more than mere consumers or workers.

San Francisco isn’t alone in allowing national chains to increasingly dominate commercial spaces. In fact, Stacy Mitchell, a researcher with the Institute for Local Self-Reliance, said that until recently San Francisco was one of the best big US cities in controlling the proliferation of chain stores.

But the city has lost ground since its anti-chain high water mark in 2007, when voters approved Proposition G, which expanded the controls on formula retail outlets — generally requiring them to get a conditional use permit and go through public hearings — that the Board of Supervisors had approved in 2004.

Those controls are only as good as the political will to reject a permit application, and that doesn’t happen very often. A memo prepared last July for the Planning Commission — entitled “Informational Presentation on the Status of Formula Retail Controls” — found that of the 31 formula retails applications the city received since 2007, just three were rejected by the commission, six were withdrawn, and 22 were approved.

It’s gotten even worse since then, as the two Targets and other chains have been courted and embraced by Mayor’s Lee’s administration, whose key representatives didn’t respond to Guardian interview requests by press time.

Mitchell said it’s not nearly as bad in San Francisco as it is in Chicago, New York City, New Orleans, and other iconic US cities whose commercial spaces have been flooded with chains since the recession began.

“It’s nothing compared to the no-holds-barred stuff going on in New York City right now,” Mitchell said. “Walking down Broadway now is like a repeating loop of the stores you just saw further up the street.”

It isn’t that these cities are actively courting the national chains in most cases. It’s just that in the absence of strong local controls, developers and large commercial landlords just prefer to deal with chains, for a variety of reasons.

“If you’re just going with the flow of what developers are doing,” she said, “you always end up with national chains.”

And that’s what San Francisco has started to do.

 

 

MALLS LIKE CHAINS

Stephen Cornell, the owner of Brownie’s Hardware and a board member of the nonprofit advocacy group Small Business California, said chains have a huge competitive advantage over local businesses even before either one opens their doors.

“In general, landlords tend to like chains more,” said Cornell, whose business has struggled against Lowe’s and other corporate competitors. “The landlord always worries: is this guy going to make it and do they have the funds to back it up?”

Big corporate chains have lawyers and accountants on staff, and professional systems established for everything from buying goods to opening new stores, whereas most local entrepreneurs are essentially figuring things out as they go along.

“They’re very good at selling themselves,” Cornell said. “They’re going to manipulate the system perfectly, whether it’s the city and its codes or dealing with neighborhood merchants.”

And for large malls, Cornell said the problem is even worse. Brokers that fill malls have standing relationships with the national chains — most of which are publicly traded corporations seeking to constantly expand and gain market share — and no incentive to seek out or take a chance on local entrepreneurs.

“Chains have a lot of advantages,” Cornell said.

Mitchell said there are two main ways in which malls favor national chains over local businesses. In addition to the relationship between mall brokers and national chains, malls are often built with financing from financial institutions that require certain repayment guarantees.

“What they want to see are credit-worthy clients signed onto those places, and that means national chains with a credit rating from Standard & Poors,” Mitchell said, noting how that “automatically locks out” most local businesses.

Cornell also noted that national chains have already figured out how to maximize their efficiency, which keeps their costs down even though that often comes in the form of fewer employees with lower pay — and less reliance on local suppliers, accountants, attorneys, and other professionals — which ends up hurting the local economy. In fact, big chains suck money out of the city and back to corporate headquarters.

“All those people are making money and spending money here, so you have to look at the full circle,” Cornell said.

Mitchell said there are often simple solutions to the problem. For example, she said that city officials in Austin, Texas recently required the developer of a large shopping mall to set aside a certain percentage of the units for locally owned businesses.

So rather than hiring a national broker to find tenants, the developer hired a local broker to contact successful independent businesses in the area who might be interested in expanding, and the project ended up greatly exceeding the city’s minimum requirements.

Mechanisms like that, or like the formula retail controls pioneered in San Francisco, give her some hope. But she said, “Whether the counter-trends will be enough to counter the dominant trend, I don’t know.”

 

 

PUBLIC SUBSIDIES

The increased malling of San Francisco isn’t simply the result of official neglect. Often, the city’s policies and resources are actively encouraging the influx of chain stores. A prime example is the massive redevelopment project on Hunters Point and Candlestick Point that city voters approved in 2008 after mega-developer Lennar and most San Francisco political officials pushed the project with a well-funded political campaign.

“If you’re selling the land to Lennar for a dollar, and then building all the automobile infrastructure for people to get there, then that’s a massive public subsidy,” Radulovich said of the big-box mall being built on what was city-owned land on Candlestick Point.

That public subsidy creates a cycle that makes San Francisco less intimate and livable. Creating commercial spaces on the city’s edge encourages more people to drive on congested regional roadways. These spaces are filled with national chain stores that have a direct negative impact on small, locally owned stores in neighborhood commercial districts all over the city, causing some of these businesses to fail, meaning local residents will need to travel further for the goods they once bought down the street.

“Those neighborhoods are going to be less walkable as a result,” Radulovich said, noting how the trend contradicts the lip service that just about every local politician gives to supporting local businesses in neighborhood corridors. “There’s a certain schizophrenia to San Francisco’s economic development strategy.”

Sup. Eric Mar has been working with Jobs with Justice San Francisco and other groups to tweak city policies that have allowed the chains to proliferate. Last year, Mar held high-profile hearings in City Hall on how national chains impact local businesses, which pointed to the need for additional protections (see “Battling big box,” Jan. 3).

This year, he’s working on rolling out a series of legislative initiatives designed to level the playing field between local interests and those of Wall Street and the national chains it champions.

Last month, the Board of Supervisors approved Mar’s legislation to add banks to the city’s formula retail controls, a reaction to Chase Bank and other national banks snapping up vacant stores in neighborhood commercial corridors such as Divisadero Street.

Now he’s working on legislation that would mandate minimum labor and community benefit standards for chain stores — including grocery outlets such as Fresh & Easy — and study how chains affect San Francisco’s overall economy.

“There should be good neighbor policies when they come into a neighborhood,” Mar said. “Some neighborhoods are so distressed they may want a big box grocery story coming in, but we need to try to mitigate its negative impacts.”

One of his partners in that effort is his brother, Gordon Mar of Jobs with Justice, who argues the city needs to have a clearer picture of how national chains impact local communities.

“We’ve definitely seen an increase in corporate chain stores coming into San Francisco in the last year, and nobody has really been tracking it,” he said.

While the Planning Department’s quarterly pipeline report shows that applications for retail outlets has held steady at about 3 million square feet on the way in recent years, it doesn’t break out how much of that is national chains — let alone how that impacts the city’s economy and small business sector.

The city’s Legislative Analyst is now studying the matter and scheduled to release a report later this summer, which Gordon Mar said will be helpful in countering the narrow “jobs” rhetoric that now dominates City Hall.

“They are exploiting the economic recession by saying they’re bringing much needed jobs into the city and serving low-income residents,” he said. “But when you bring out the facts about the impact of these low-road retail stores on neighborhoods and small businesses, there is a net loss of jobs and a lowering of labor standards.”

 

 

VALUING MALLS

Yet the fate of those controls is uncertain at best, particularly in a tough economic environment in which the city needs revenue, people are desperate for jobs, and many residents have seen their buying power stagnate, making the cheap goods offered by Target and Walmart more attractive.

“It’s complicated stuff,” Michael O’Connor, a local entrepreneur and former member of the Small Business Commission who favors formula retail controls, told us. “Stores like Target do appeal to lower income families…The progressive agenda needs to understand that working-class families need somewhere to shop.”

O’Connor acknowledges how small businesses like those he owns, including a clothing store, often can’t compete with national chains who buy cheap goods in bulk. So he said he favors protections in some neighborhoods while allowing chains in others, telling us, “I don’t have a problem with the Target going into the Metreon.”

That argument also held sway with city officials when they considered approving the CityPlace project two years ago, which was presented as a mall filled with “value-based” stores that would be affordable to median income San Franciscans.

“At the time, the decision was around whether a value-based retail operation made sense in that location, and the answer was an emphatic ‘yes,'” Barbary Coast Consulting founder Alex Clemens, who represented the project, told us.

On a national or global level, there are good arguments against reliance on national chains selling cheap imported goods, which has created a huge trade deficit between the US and countries such as China that costs American jobs — ironically, the very things that some use as arguments for approving chain stores.

“The recession has created a climate of desperation where cities are more easily swayed by the jobs argument,” Mitchell said, noting the falsity of those arguments by pointing to studies showing that the arrival of chain stores in cities usually creates a net loss in employment. Finally, supporters of chain stores say the cash-strapped city needs the property and sales tax revenue “Because they say they’ll produce a lot sales tax revenue, they’re going to get away with all kinds of shit,” Cornell said, arguing that shouldn’t justify city policies that favor big corporations, such as tax breaks and publicly financed infrastructure. “I certainly don’t think [city officials] should be giving them any advantages.” There are few simple solutions to the complex and interconnected problems that result from the malling of San Francisco and other cities. It’s really a question of balance — and the answer of whether San Francisco can regain its balance has yet to be answered. “Given the mayor’s approach to economic development, it’s inevitable that we’ll have more coming into the city,” Sup. Mar said. “But the ’50s car culture, and the model of malls that came in the ’60s, don’t build communities or strong neighborhoods.”

Win a pair of tickets to the US Air Guitar Championships

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The official 2012 US Air Guitar Championship is coming back to The Bay!  On this very special evening, the best local Air Guitarists will compete for the opportunity to represent San Francisco in the National Finals.  Contestants are judged on a combination of Technical Merit, Stage Presence, and “Airness.” Bjorn Turoque, star of the movie Air Guitar Nation, will return in 2012 to host the US Air Guitar Championships.   And 2008 SF, US & World Air Guitar Champion, Hot Lixx Hulahan, will return as a judge. This is an evening you will never forget! For more information about the event, click here.

Check out a past video to see what you’ll be getting yourself into:

Enter for your chance to win a pair of tickets by emailing sfbgpromos@sfbg.com with the title as ‘US Air Guitar Championships’ and include your name in the message. Three lucky winners will receive a pair of tickets to the event.  Winners will be announced this Friday the 13th.

Saturday, July 14, doors open at 8:30, event starts at 9 @ The Independent, 628 Divisadero, SF | $20

 

Film Listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Max Goldberg, Dennis Harvey, and Lynn Rapoport. For rep house showtimes, see Rep Clock. For complete film listings, see www.sfbg.com.

OPENING

Beasts of the Southern Wild See "Delta Delight." (1:31) Embarcadero.

Katy Perry: Part of Me The candy-colored pop star makes the logical leap to big-screen 3D. (1:57) Metreon.

Marina Abramovic: The Artist is Present Matthew Akers’ sleek and telling doc explores the career and motivations of the legendary Serbian-born, New York-based performance artist on the occasion of 2010’s major retrospective and new work at the New York Museum of Modern Art. Abramovic, self-styled the "grandmother of performance art" at an eye-catching 63, steels herself with rare energy — and a determination to gain equal status for performance in the world of fine art — for an incredibly demanding new piece, The Artist Is Present, a quasi-mystical encounter between herself and individual museum patrons that takes the form of a three-month marathon of silent one-on-one gazing. Meanwhile, 30 young artists re-perform pieces from her influential career. Akers gains intimate access throughout, including Abramovic’s touching reunion with longtime love and artistic collaborator Ulay, while providing a steady pulse of suspense as the half-grueling, half-ecstatic performance gets underway. A natural charmer, Abramovic’s charismatic presence at MoMA is no act but rather a focused state in which audiences are drawn into — and in turn shape — powerful rhythms of consciousness and desire. (1:45) SF Film Society Cinema. (Robert Avila)

Nobody Else But You The Marilyn Monroe pop-culture resurgence continues with director and co-writer Gérald Hustache-Mathieu’s appealingly low-key mystery, which pays homage to the iconic blonde while borrowing liberally from a pair of noir Lauras: Vera Caspary’s back-from-the-dead heroine, and Twin Peaks‘ unfortunate Ms. Palmer. Fortunately, Nobody Else But You is original enough to remain both suspenseful and highly entertaining. David (Jean-Paul Rouve), a detective novelist with writer’s block, travels from Paris to a small village where a Monroe-esque local beauty named Candice (Sophie Quinton) has just been found dead in a snowdrift. The official word is suicide, but David suspects something more sinister. With the help of a local cop (Guillaume Gouix), the newly inspired author investigates, urged onward by Candice’s evocative diary entries. Though it tries a little hard at times (drinking game: keep track of how many times the number five appears onscreen), Nobody Else But You is well worth seeking out; it layers European flair (translation: lots of casual nudity) over a plot that wouldn’t be out of place in an American indie — but relocated, memorably, to "the coldest town in France." (1:42) Lumiere, Shattuck. (Eddy)

Savages Weed dudes (Aaron Johnson and Taylor Kitsch) break bad, bro, by taking on a Mexican cartel in Oliver Stone’s latest. (1:57) Four Star, Marina.

Take this Waltz See "Sad Romance." (1:56) Embarcadero, Shattuck, Smith Rafael.

ONGOING

The Amazing Spider-Man A mere five years after Sam Raimi and Tobey Maguire’s Spider-Man 3 — forgettable on its own, sure, but 2002’s Spider-Man and especially 2004’s Spider-Man 2 still hold up — Marvel’s angsty web-slinger returns to the big screen, hoping to make its box-office mark before The Dark Knight Rises opens in a few weeks. Director Marc Webb (2009’s 500 Days of Summer) and likable stars Andrew Garfield (as the skateboard-toting hero) and Emma Stone (as his high-school squeeze) offer a competent reboot, but there’s no shaking the feeling that we’ve seen this movie before, with its familiar origin story and with-great-power themes. A little creativity, and I don’t mean in the special effects department, might’ve gone a long way to make moviegoers forget this Spidey do-over is, essentially, little more than a soulless cash grab. Not helping matters: the villain (Rhys Ifans as the Lizard) is a snooze. (2:18) Metreon, 1000 Van Ness, Presidio. (Eddy)

The Connection The first re-release in a project to restore all of quintessential 1960s American independent director Shirley Clarke’s features, this 1961 vérité-style drama was adapted from a controversial off-Broadway play by Jack Gelber. Set exclusively in a dingy Greenwich Village crash pad, it captures a little time in the lives of several junkies there — many off-duty jazz musicians — listlessly waiting for the return of their dealer, Cowboy. To mimic the stage version’s breaking of the fourth wall between actors and spectators, Clarke added the device of two fictive filmmakers who are trying to record this "shocking" junkie scene, yet grow frustrated at their subjects’ levels of cooperation and resistance. With actors often speaking directly to the camera, and all polished stage language and acting preserved, The Connection offers a curious, artificial realm that is nonetheless finally quite effective and striking. A prize-winner at Cannes, it nonetheless had a very hard time getting around the censors and into theaters back home. Hard-won achievement followed by frustration would be a frequent occurrence for the late Clarke, who would only complete one more feature (a documentary about Ornette Coleman) after 1964’s Cool World and 1967’s Portrait of Jason, before her 1997 demise. She was a pioneering female indie director — and her difficulty finding projects unfortunately
also set a mold for many talented women to come. (1:50) Roxie. (Harvey)

Magic Mike Director Steven Soderbergh pays homage to the 1970s with the opening shot of his male stripper opus: the boxy old Warner Bros. logo, which evokes the gritty, sexualized days of Burt Reynolds and Joe Namath posing in pantyhose. Was that really the last time women, en masse, were welcome to ogle to their heart’s content? That might be the case considering the outburst of applause when a nude Channing Tatum rises after a hard night in a threesome in Magic Mike‘s first five minutes. Ever the savvy film historian, Soderbergh toys with the conventions of the era, from the grimy quasi-redneck realism of vintage Reynolds movies to the hidebound framework of the period’s gay porn, almost for his own amusement, though the viewer might be initially confused about exactly what year they’re in. Veteran star stripper Mike (Tatum) is working construction, stripping to the approval of many raucous ladies and their stuffable dollar bills. He decides to take college-dropout blank-slate hottie Adam (Alex Pettyfer) under his wing and ropes him into the strip club, owned by Dallas (Matthew McConaughey, whose formidable abs look waxily preserved) and show him the ropes of stripping and having a good time, much to the disapproval of Adam’s more straight-laced sister Brooke (Cody Horn). Really, though, all Mike wants to do is become a furniture designer. Boasting Foreigner’s "Feels like the First Time" as its theme of sorts and spot-on, hot choreography by Alison Faulk (who’s worked with Madonna and Britney Spears), Magic Mike takes off and can’t help but please the crowd when it turns to the stage. Unfortunately the chemistry-free budding romance between Mike and Brooke sucks the air out of the proceedings every time it comes into view, which is way too often. (1:50) 1000 Van Ness, Presidio, SF Center. (Chun)

Ted Ah, boys and their toys — and the imaginary friends that mirror back a forever-after land of perpetual Peter Pans. That’s the crux of the surprisingly smart, hilarious Ted, aimed at an audience comprising a wide range of classes, races, and cultures with its mix of South Park go-there yuks and rom-commie coming-of-age sentiment. Look at Ted as a pop-culture-obsessed nerd tweak on dream critter-spirit animal buddy efforts from Harvey (1950) to Donnie Darko (2001) to TV’s Wilfred. Of course, we all know that the really untamable creature here wobbles around on two legs, laden with big-time baggage about growing up and moving on from childhood loves. Young John doesn’t have many friends but he is fortunate enough to have his Christmas wish come true: his beloved new teddy bear, Ted (voice by director-writer Seth MacFarlane), begins to talk back and comes to life. With that miracle, too, comes Ted’s marginal existence as a D-list celebrity curiosity — still, he’s the loyal "Thunder Buddy" that’s always there for the now-grown John (Mark Wahlberg), ready with a bong and a broheim-y breed of empathy that involves too much TV, an obsession with bad B-movies, and mock fisticuffs, just the thing when storms move in and mundane reality rolls through. With his tendency to spew whatever profanity-laced thought comes into his head and his talents are a ladies’ bear, Ted is the id of a best friend that enables all of John’s most memorable, un-PC, Hangover-style shenanigans. Alas, John’s cool girlfriend Lori (Mila Kunis) threatens that tidy fantasy setup with her perfectly reasonable relationship demands. Juggling scary emotions and material that seems so specific that it can’t help but charm — you’ve got to love a shot-by-shot re-creation of a key Flash Gordon scene — MacFarlane sails over any resistance you, Lori, or your superego might harbor about this scenario with the ease of a man fully in touch with his inner Ted. (1:46) California, Four Star, Marina, Metreon, 1000 Van Ness, Sundance Kabuki. (Chun)

To Rome with Love Woody Allen’s film legacy is not like anybody else’s. At present, however, he suffers from a sense that he’s been too prolific for too long. It’s been nearly two decades since a new Woody Allen was any kind of "event," and the 19 features since Bullets Over Broadway (1994) have been hit and-miss. Still, there’s the hope that Allen is still capable of really surprising us — or that his audience might, as they did by somewhat inexplicably going nuts for 2011’s Midnight in Paris. It was Allen’s most popular film in eons, if not ever, probably helped by the fact that he wasn’t in it. Unfortunately, he’s up there again in the new To Rome With Love, familiar mannerisms not hiding the fact that Woody Allen the Nebbish has become just another Grumpy Old Man. There’s a doddering quality that isn’t intended, and is no longer within his control. But then To Rome With Love is a doddering picture — a postcard-pretty set of pictures with little more than "Have a nice day" scribbled on the back in script terms. Viewers expecting more of the travelogue pleasantness of Midnight in Paris may be forgiving, especially since it looks like a vacation, with Darius Khondji’s photography laying on the golden Italian light and making all the other colors confectionary as well. But if Paris at least had the kernel of a good idea, Rome has only several inexplicably bad ones; it’s a quartet of interwoven stories that have no substance, point, credibility, or even endearing wackiness. The shiny package can only distract so much from the fact that there’s absolutely nothing inside. (1:52) Albany, Balboa, Embarcadero, Sundance Kabuki. (Harvey)

Heads Up: 8 must-see concerts this week

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You’ve got a midweek day off? You’re stoked. Go see some live music with that hard-earned free time. Oh, and happy independence, America. That’s what we’re celebrating, correct?

Eat a barbecued tofu dog slathered in relish and drink some park beers in celebration of such things as country pride and days without responsibility. Then fill those Bay Area music venues, checking in on America’s favorite proto-punk troubadour, Mali’s favorite virtuoso progeny, the Big Time Freedom Fest, woozy dream poppers, a punk rock museum benefit, and more.

Here are your must-see Bay Area concerts this week/end:

Jonathan Richman
Last time the Modern Lover cult hero Jonathan Richman did a slew of shows at the Make-Out Room, he brought drummer Tommy Larkins to the outings, performed for hours on end, sang in multiple languages, chatted awkwardly, mixed up his pacing and flipped his set list so time floated by without a lull. He also danced samba-like solo – twisting his thin frame as a contortionist. Who’s to say this round should be any different? We know Larkins is back at least.
Mon/2-Tue/3, 7:30pm, $15
Make-Out Room
3225 22nd St., SF
(415) 647-2888
www.themakeoutroom.com
http://www.youtube.com/watch?v=XjFU98mEem4

Vieux Farka Toure
The son of Ali Farka Toure, Malian singer-guitarist is legend in his own right. Oft referenced as a “guitar virtuoso” or more specifically  “The Hendrix of the Sahara,” Vieux’s graceful, quick-fingered guitar skills rival those of the rock’n’roller regime, yet he blends in traditional West African influences. Fresh off the Touré-Raichel Collective (his collaborative album and tour with Israeli musician Idan Raichel), Vieux this time swings into town solo, his strumming again center stage.
Mon/2, 8pm, $22
Yoshi’s SF
1330 Fillmore, SF
(415) 655-5600
www.yoshis.com
http://www.youtube.com/watch?v=IecSMEH9ZVg

“Big Time Freedom Fest”
What’s more deliciously new America than the string-lit back patio at El Rio? That’s where dreams are made and shattered. People fall in momentary beat-fueled lust, cheap beers with lime wedges are sipped en masse, and fried food is gobbled up without a second thought. It’s tradition, years in the making. This seventh annual Big Time Freedom Fest features some awesome local heavy-hitters: Religious Girls, Tartufi, Finn Riggins, Battlehooch, and Night Call, all for $8, in the outdoor heavy-hung fog.
Wed/4, 3:30pm, $8
El Rio
3158 Mission, SF
(415) 282-3325
www.elriosf.com
http://www.youtube.com/watch?v=7mMUsyZY4kA

Giraffage, James & Evander
“Glitchy” seems to be the key word for San Francisco’s electronically-constructed solo project, Giraffage. I’m on board. Those little glitchy effects break up otherwise endless ambient affairs, spinning the act from dream-pop to hip-hop in a cotton candy pillow. Tonight’s a co-headlining set with fellow Bay Area suspected Ambien-poppers, James & Evander. That “synth/stoner pop” Oakland act released magical debut LP Bummer Pop last month. How many more pops can we squeeze in this show description? Pop.
With Astronautica, Young Pharaohs
Thu/5, 9pm, $6
Milk Bar
1840 Haight, SF
(415) 387-6455
www.milksf.com
http://www.youtube.com/watch?v=MrrL0sYLgA0

Liars
“This year’s WIXIW (say wish-you) finds Liars reinventing the wheel again, to produce their most synthified affair yet; picture the rocktronic fusion of Kid A-era Radiohead, approached with the finely calibrated ambience of Bjork’s Vespertine, Trent Reznor’s swagger, and Tom Waits’ lumbering dynamics.” – Taylor Kaplan 
With Cadence Weapon
Thu/5, 8pm, $22.50
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.slimspresents.com
http://www.youtube.com/watch?v=ggR6RuBh8I0

Shana Falana
Formerly of San Francisco, the now New York-based psychedelic dream popper Shana Falana returns to her beloved Bay in support of new In the Light EP, bringing along a new multimedia show. Falana’s lilting church choir-like vocals matched to looping guitar and percussion gives the impression of a surreal religious experience deep in the X-Files woods. I want to believe.
With Kelley Stoltz, the She’s, B and Not B
Fri/6, 9pm, $15
Cafe Du Nord
2170 Market, SF
(415) 861-5016
www.cafedunord.com
http://www.youtube.com/watch?v=MUqgXal-knk

Punk Rock Museum Benefit
Given punk’s lasting impact on so many musical branches, and influence on the raw sounds of countless beloved acts, a Punk Rock Museum seems absolutely necessary. Why didn’t we think of this? The new museum – spearheaded by Taquila Mockingbird and based in LA – has been established to “further preserve the punk rock genre.” For this show, parts of the museum travel to San Francisco. There will be a mix pieces (photographs, old fliers, art by the likes of Winston Smith, etc.) from the permanent museum collection, and of course, live music to carry on the legend: Debora Iyall (of Romeo Void), Metal Circus (A tribute to Husker Du), and Meri St. Mary and the Housecoats. Also, DJ Big Nate will be spinning classic punk cuts.
Sat/7, 9pm, $15
Thee Parkside
1600 17th St., SF
(415) 252-1330
www.theeparkside.com
http://www.youtube.com/watch?v=ePIImGMjn_8

Cool Ghouls
Local psych-rockers Cool Ghouls seem to be everywhere lately, opening up Noise Pop retrospective shows, making appearances at lots of local venues, playing Save KUSF benefits; a.k.a traveling around town with beer-fueled, good-time rock’n’roll in tow. They’ve got a bright and free EP currently up for grabs on their Tumblr, an upcoming slot at the Independent before Sonny and the Sunsets, and a full-length LP coming in the fall; this Hemlock show is a good chance to check out the five-piece in smallish setting.
With LA Witch, the Sister Ruby Band
Sun/8, 9pm
Hemlock Tavern
1131 Polk Street, SF
(415) 923-0923
www.hemlocktavern.com