History

Stars (at Shindig) 69

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By Molly Freedenberg

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Sure, we’ve mentioned Shindig 69 once before, but we think a party honoring the go-go-inspired sexiness of the ’60s is worth mentioning again. (After all, without the history of go-go dancers, how would we all know what to do with those raised platforms in dance clubs? You know, the ones you need seven shots of tequila to even get near …)

The highlight of this event, which serves as both pre-V-Day celebration and a fundraiser for the Keep a Breast Foundation, is surely the Devil-Ettes. For nearly a decade, this gaggle of dancing girls has been delighting audiences with their synchronized moves, short skirts, long boots, and cheeky cuteness. This time ’round, they’re joined by ubiquitous MC, singer, and burlesque performer Kitten on the Keys, as well as Kiki Bomb, Kellita, The Riff Ditties Orchestra, and The Cement Gardens – plus DJs from Bardot a Go Go, Teenage Dance Craze, and Tiki Oasis.

Put on your Pucci mini, or polish your mod mane, and head on over for some good dancin’ and an even better cause.

Shindig 69
Feb. 12, 8:30pm, $10
Rickshaw Stop
155 Fell, SF.
www.devilettes.com

Also check out more Valentine’s Day events at www.sfbg.com.

Does Coachella or Bonnaroo have the better lineup?

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By Danica Li

It’s about time that the lineups for the two biggest of the bigwig music festivals on the continent, Coachella and Bonnaroo, leaked online, precipitated by a now traditional annual flurry of bizarre Internet rumors, faux photo-manipped posters, and jittery, cross-fingered posts on Stereogum. Naturally there’s plenty of cross-pollination between the two, and no stunners, except that Phish hasn’t played Bonnaroo ever before, where most of the bands on both lineups are religious frequenters of music festivals as well-established as South by Southwest in Austin, Texas, and as far-flung as the Roskilde Festival in Denmark and Punkkelpop in Belgium.

The big names aren’t so dimunitive, but then Coachella has a long and storied history of luring in bomb marquee reunions that it’s struggled to live up to since the legendary Pixies jammed together onstage in 2004. Paul McCartney headlines on Friday, the Killers on Saturday, and the Cure on Sunday. My Bloody Valentine’s playing on Sunday, too, while Leonard Cohen, Superchunk, Okkervil River, Morrissey, MSTRKRFT, Franz Ferdinand, Girl Talk, Crystal Castles, TV on the Radio, Yeah Yeah Yeahs, Throbbing Gristle, and Lykke Li are all scheduled to play during the fest’s three days of music, California sunshine, and wacky art installations.

Parents and youth advocates up in arms over budget cuts

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By Rebecca Bowe

Representatives from a host of youth-services organizations gathered on the steps of San Francisco city hall Thursday afternoon to sound off on proposed budget cuts to the Department of Children, Youth and their Families. DCYF faces a proposed $11 million in cuts for the 2009-10 fiscal year, according to NTanya Lee, executive director of Coleman Advocates for Children and Youth. Add to that cuts to juvenile probation and Human Services Agency programs, and the total annual reductions to youth-related causes could be some $15 million, Lee estimates.

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“This is the worst we’ve seen it in our entire organization’s history,” said Lee, whose nonprofit organization has been speaking up for kids on budget issues for 30 years. DCYF is hardly the only city department facing funding reductions: To address a staggering $576 million budget deficit for the 2009-10 fiscal year, the mayor has asked all city departments to find ways to dramatically reduce spending. But in the case of DCYF, the announcement of funding reductions came as a second blow. Mayor Gavin Newsom’s firing of former DCYF Director Margaret Brodkin, who was widely respected for expanding the department’s services to reach more kids and especially disadvantaged children, recently drew the ire of youth advocates.

Aphrodesiacs: Edible sex organs

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Ann Sims continues her list of sensual edibles to get you in the mood, with this little flower menu.

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“Flowers are the plants’ sex organs,” writes Diane Ackerman in The Natural History of Love, “and they evoke the sex-drenched, bud-breaking free-for-all of spring and summer.” Bring the garden into your kitchen (and then into your bedroom) with a variety of edible flowers, including nasturtiums, chamomile, orange blossoms, dandelions, fuchsia, hibiscus, and honeysuckle.

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For a delectable nectar, try this easy hibiscus cooler:

½ cup dried hibiscus or other edible flowers
2 drops essential oil of orange
¼ cup sugar or honey
orange slices for garnish

Ode to Joy

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REVIEW Sean Dorsey’s new Lou is a gem. Deeply felt, splendidly shaped, Dorsey’s most ambitious project yet tells a tale of vulnerability, passion, joy, and transcendence. It’s the story of one human being: transgendered writer, lover, and poet Lou Sullivan, who died in 1991. Dorsey, who was born a woman and lives as a man, used Sullivan’s extensive archives to create a portrait of a man who had the bravery and persistence to do what he thought was right, not only for him but others. Isn’t that what the mythic heroes used to do — slay the dragons within and without? Yet an important story does not necessarily translate into good dance or theater. Lou, however, is very good.

Dorsey framed the story within the larger current debate on history. The scholar, politician, or family record keeper who gets to tell the story, or as Dorsey put it, build the "house" that contains the records, is the one who shapes our present and future perceptions of what happened. In this instance the multitalented Bay Area writer, actor, dancer, and thinker has pulled an involving, theatrically viable piece from the thousands of possibilities his research must have suggested. He selected judiciously, opting for about dozen episodes at the center of which is a rollicking paean to love, sexuality, and ecstasy. Words, movement, music, and narration blend into a beautifully modulated dance-theater piece. The family portrait is hilarious; the delicate moment when Dorsey strips off his shirt feels as pure as freshly fallen snow; the lack of recognition of himself in the mirror is poignant; and the "Perfect Day" duet aches with beauty and grief. Working with the excellent Brian Fisher, Juan de la Rosa, and Nol Simonse, Dorsey chose an unadorned, intense contact movement style with the hug as a central motive that works. A small quibble. Lou has about three endings — that needs to be rethought.

Our kind of guy in the A.G.’s office

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By Tim Redmond

The United States Justice Department has a long history of trying to turn porn into a crime. I still have my personal copy of the Meese Commission report, which includes perhaps my favorite line in the history of governmental bureaucratise:

“We will now address the problem of mere nudity.” (A lot of that going around.)

So I have to say, I was pleased to see that the Obama administration is close to giving the Number Two job at Justice to a guy Goodvibes describes as “pro-porn, pro-choice.”

David Ogden would probably use other words to describe himself; he’s a widely respected lawyer who served in a number of jobs in the Clinton Administration. But, oh, he has the right-wing up in arms.

Imagine: He actually represented the American Library Association. And he represented the National Association of Social Workers in arguing that gay people still face discrimination in America.

Oh, and yes: He has represented Playboy. He once argued that it was okay for the Library of Congress to use federal money to print Playboy articles in Braille. (Interesting concept, there; I wonder what they did with the pictures.)

So he’s hardly a crazy radical, but he’s our kind of guy. And that would be a very nice change in Washington.

Save the Rainy Day Fund

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The scope of the economic challenges facing the country is overwhelming. We all hope that the new stimulus package proposed by the Obama administration, coupled with the $700 billion bailout of the financial sector, will revive our economy. In California, the state is confronting an unprecedented $42 billion deficit; State Controller John Chiang has made clear that this could mean suspending tax refunds, welfare checks, student grants, and other payments owed to Californians unless a solution is found.
In San Francisco, with an estimated $560 million deficit for the upcoming fiscal year, the city is facing what may be the worst financial crisis in its history.

While the federal government can authorize deficit spending, essentially by printing more money, to address the crisis, the California Constitution and the San Francisco Charter both require the adoption of balanced budgets. Deficit spending is not an option to solve our local budget and economic problems.

Fortunately, in 2003, San Francisco voters adopted Proposition G establishing the Rainy Day Reserve Fund. After the lessons learned from the dot-com bust, Prop. G established an economic stabilization fund for San Francisco. The Rainy Day Fund employs a simple formula to save money for when it’s most needed: in any year when the city collects more than 5 percent more in tax revenue than it collected in the previous year, the city reserves half the extraordinary revenue growth for a "rainy day." The city can withdraw up to 50 percent of the funds from the Rainy Day Fund when an economic downturn yields less tax revenue to the city than the preceding year. The fund currently has $98 million in savings.

Last year, for example, the mayor and Board of Supervisors allocated $19 million from the Rainy Day Fund to the San Francisco Unified School District, which helped avoid 535 teacher layoffs in the face of Gov. Schwarzenegger’s education cuts. This year, it is likely that the mayor and the board will be able to withdraw some $45 million to offset the serious deficit.

These budget policies have helped preserve the city’s excellent credit rating, paving the way for low-cost debt issuance for critical projects like the rebuild of San Francisco General Hospital. However, it is important to understand that the city’s fiscal woes are a combination of cyclical and structural problems.

San Francisco’s structural imbalance between revenues collected and the cost of vital health, public safety, recreation, and social services needs to be addressed through revenue enhancements and comprehensive tax reform, not by spending the entire Rainy Day Fund as a quick fix. According to most forecasts, the recession is likely to continue through at least early next year, and San Francisco is likely to continue to experience fiscal problems.

Currently, there are discussions in City Hall about going back to the voters to revise the Rainy Day Fund to allow the fund to be fully depleted in a single year. I believe that would be a mistake. The Rainy Day Fund is an essential piece of the city’s overall financial strategy, and I strongly urge my former colleagues on the Board of Supervisors and the mayor to preserve the integrity of the fund. If used as originally intended, the fund will help maintain vital programs and help alleviate the impact of budgets cuts to our most vulnerable populations over the long-term as we work to right the ship in the face of this perfect economic storm. *

Assemblymember Tom Ammiano was a member of the San Francisco Board of Supervisors for 14 years and was the author of Proposition G, which created the city’s Rainy Day Fund.

Love potion

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› culture@sfbg.com

According to Greek mythology, Aphrodite emerged from the foaming sea bearing foods, drinks, and herbs that stimulated sexual desire. While at first this tale led to the belief in ocean-derived aphrodisiacs such as oysters, by now the net has been flung much wider, and it seems that anything remotely suggestive is touted as a love potion. Just in time for Valentine’s Day, we consulted Bay Area sexologist Joy Nordenstrom, who specializes in aphrodisiac-based dinner parties, to help us sort through all of the chemical compounds thought to rev our engines. Here’s our guide to 10 love drugs that’ll put you in the mood.

ASPARAGUS


The law of likeness, or "sympathetic magic" as it’s sometimes called, goes something like this: if it looks like a sex organ, it’ll make you horny. Clearly phallic in shape, this sexy stalk is not only a psychological aphrodisiac, but also a chemical one. Asparagus — which you can get in season at Zuckerman’s Farm at Ferry Plaza Farmer’s Market (1 Ferry Building, SF. 415-291-3276, www.ferryplazafarmersmarket.com), contains substantial amounts of aspartic acid, an amino acid that neutralizes excess amounts of ammonia, which makes us tired and sexually disinterested. This nutritious vegetable also contains asparagine, a diuretic that excites the urinary passages. For a truly erotic side dish, try serving creamed asparagus alongside an Italian sausage and a pair of Yukon Gold potatoes.

CAVIAR


Rare. Expensive. Mouth-watering. One of the essential food groups of czars and czarinas, "harlot’s eggs" contain a high level of phosphorous, a chemical that’s essential for the healthy production of love juice. Set the mood by serving this pickled delicacy in a silver caviar presentoir with chilled vodka or champagne. Better still, skip the presentoir and invite your paramour to Tsar Nicoulai Caviar Café (1 Ferry Building #12, SF. 415-288-8630, www.tsarnicoulai.com), the company that pioneered sustainable domestic sturgeon farming back in 1979.

CHILI PEPPERS


No doubt about it, a chili pepper will fire up your sex drive. Capsaicin, the chemical responsible for hotness, gets the heart pumping, the blood flowing, and the adrenaline coursing through your veins. For the very best of these sexy stimulants, head over to the Farmer’s Market at the Ferry Building on Saturdays, where you’ll find a dazzling array of fresh peppers at the Tierra Vegetables stand (1 Ferry Building, SF. 707-837-8366; www.tierravegetables.com). For a highly concentrated dose, try their sizzling hot C. Chinese chili jam. Yow!

CHOCOLATE


Legend has it that Montezuma, the Aztec ruler, drank 50 cups of chocolate each day to better serve his harem of 600. Soon after Montezuma offered Cortés a cup, chocolate arrived in Spain, where it was sweetened with cane sugar, vanilla, and cinnamon — and promptly denounced by the Spanish clergy. Besides serving up a jolt of caffeine and a taste that everyone loves, chocolate also contains phenylethylamine (PEA), the molecule that makes you feel like you’re in love. For "obsessively good" chocolate with a social conscience, head over to TCHO (17 Pier 45, SF. 415-981-0189, www.tcho.com), where you can pair fruity, nutty, and earthy chocolates with a piping cup of Blue Bottle coffee.

GINSENG


If you’ve ever ventured into a Chinese medicine shop, you’ve probably passed a barrel or two of a fleshy, tan-colored, striated root called ginseng. This root, according to Chinese herbalists, aids the kidney and the liver, which are the organs responsible for fertility and sexual arousal. "The kidney is the body’s reservoir of energy," explained herbalist Efrem Korngold, Lac (Chinese Medicine Works , 1201 Noe, SF. 415-285-0931, www.chinese-medicine-works.com). "Under a great deal of stress, you have to dip into these reserves often, and the body goes into survival mode. When living to just survive, there’s not a lot of juice left over for sex or procreation." Brew a pot of ginseng and replenish your juices.

HORNY GOAT WEED


Horny Goat Weed — or Chinese Viagra, as it’s often called — is a time-tested aphrodisiac. According to legend, a Chinese goat herder first discovered it when he noticed his flock getting randy after grazing on the herb. The active ingredient, epicedium, increases the essential energy (ching) needed for sexual vitality. Although you can easily buy a box of Horny Goat Weed tea over the counter at places like Great China Herb Co. (857 Washington, SF; 415-982-2195), don’t take it without first consulting an herbalist like Tim Khang, Lac. (Tim J. Khang Acupuncture and Herbs, 4002 California, SF; 415-680-8620). Since the brew tastes rather bitter on its own, try mixing it with honey or agave nectar.

OUZO


For an impromptu lesson on love, head over to Greek Imports Inc (6524 Mission, Daly City. 650-994-3321, www.greekimportsinc.com), where charming shop owner Elias Tsiknis will tell you how to set the mood, Greek style. "In order to climb the ladder and go to the very top," he’ll explain, punctuating each word with a backhanded wave of his fingers, "you have to climb the steps one by one." The most important of these steps is taking a shot of ouzo, an anise-flavored liquor, which is the national drink of Greece and, according to Tsiknis, the world’s most potent love brew. But this is not just national pride speaking — it’s science, pure and simple: the anise flavor contains anethole, also known as a chemical precursor for paramethoxyamphetamine (PMA), a.k.a. ecstasy. While you’re there, take a moment to admire Tsiknis’ extensive collection of Aphrodite sculptures.

OYSTERS


Perhaps the most potent of all aphrodisiacs, oysters were the infallible recipe of Casanova, who famously seduced two women at once with this sensuous shellfish. Oysters are the world’s most concentrated natural source of zinc, the key ingredient to a healthy prostate and the production of sperm. Oysters come in various tastes and textures: if you like a clean, smooth flavor with a briny finish, try Evening Cove oysters; for a buttery texture with a sweet, slightly fruity flavor sample a Kumamoto; and for a sweet, fruity taste with a touch of watermelon and cantaloupe, try the mollusks from Point Reyes, our local oyster farm. Yabbies Coastal Kitchen (2237 Polk, SF. 415-474-4088, www.yabbiesrestaurant.com) serves these varieties, and many more.

SPANISH FLY


Remember "Brass Monkey," that Beastie Boys hit from Licensed to Ill: "Girl walked by, she gave me the eye / I reached in the locker, grabbed the Spanish Fly / I put it with the Monkey, mixed it in the cup / Went over to the girl, "Yo baby, what’s up?" What the Brooklyn boys’ lyrics refer to is a potentially deadly (and, in the U.S., illegal) aphrodisiac made from the ground-up bodies of tiny iridescent blister beetles. Although Spanish fly has a 5,000-year-old history as an aphrodisiac, both for humans and farm animals, it can cause permanent damage to the kidneys and genitals if taken in excess. Let the buyer beware!

ZZZS


Though it may seem counterintuitive, sleeping is one of the best aphrodisiacs around. Nordenstrom says if you’re not getting seven or eight hours of sleep nightly, it’s time to put aside the chocolate and oysters, and rekindle your passion for old Mr. Sandman.

More herbs and food to get you in the mood from Ann Sims on our SEX SF blog

>>More G-Spot: The Guardian Guide to love and lust

Teatro de Ciertos Habitantes

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PREVIEW What lengths will you go to for your art? If you’re a castrato it’s probably a sore point. For Mexico’s internationally renowned experimental theater company, Teatro de Ciertos Habitantes (Certain Inhabitants Theatre), it’s the beginning of a lush and lively investigation into the complexities and contradictions of cultural power and refinement. Drawing from a variety of theatrical styles and incorporating multidisciplinary performers, director Claudio Valdés Kuri and writer Jorge Kuri have crafted a time-tripping escapade across three centuries of culture and cruelty.

Siamese twins — a surgeon and opera columnist in a single ungainly suit and two Louis XIV wigs — lead a journey that begins in the decadent 18th century court society of the Old World, in the throes of a circle that fed ravenously on the castrated children of the poor and elevated them to superstardom by the preservation and cultivation of their fine prepubescent sopranos. With Monsters and Prodigies: A History of the Castrati, Teatro de Ciertos Habitantes the company makes its long-overdue Bay Area premiere, courtesy of Yerba Buena Center for the Arts, in what promises to be a resonant, dramatic outing whose operatic airs — in Spanish and Italian with English supertitles — hit an unfaltering high C for cutting, carnivalesque satire.

TEATRO DE CIERTOS HABITANTES Thurs/5–Sat/7, 8 p.m., $25–$30. Novellus Theater, Yerba Buena Center for the Arts, 700 Howard, SF. (415) 978-2787, www.ybca.org

The G-Spot

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San Francisco is a great place to get laid. Beginning with the brothels of the frontier era and moving right through history to the gay-rights and free-love movements, we’re a city particularly adept at providing, supporting, and celebrating sexual exploration. Is it a coincidence that our seven-by-seven mile utopia-by-the-sea also happens to be brimming with attractive, talented, and adventurous folks who always seem only a step away from jumping into each other’s beds?

Not that this isn’t also a great place to be in love. With some of the world’s finest restaurants, sexiest art and music, best-jukeboxed dive bars, and easy-to-access outdoor locales, it’s hard to imagine a better date city. And thanks to our open-minded culture, that means all kinds of dates: homo, hetero, poly, furry, you name it.

In this year’s installment of G-Spot, we attempt to straddle (pun intended) love and lust. We’ve also compiled a list of our favorite parties, events, and classes for singles and couples.

But wait! That’s not all! We’re also excited to launch our brand-spanking new (and yes, we’ll probably talk about spanking) SEX SF blog, featuring all that’s sexy, steamy, and salacious about the Bay, including our guide to hosting your very own orgy. Call it the Guardian‘s valentine to you (and yes, we expect you to put out).

Molly Freedenberg, G-Spot editor



>>Love potion
10 aphrodisiacs that’ll jump-start your sex life
Ann Sims



>>Letter your love
Select sentimental stationery instead of pricey presents
Laura Peach



>>Isn’t it ironic?
Hipsters and the emergence of altporn
Juliette Tang



>>Valentine’s Day events
Sexy, sweet, and snarky ideas for singles and couples
Molly Freedenberg

Lani Silver, 1948 to 2009, activist to the last

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By Bruce B. Brugmann

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And so Lani Silver, the passionate activist who organized scores of events for more than four decades for her friends and causes ranging from the Holocaust Oral History Project to the 10th anniversary of the death of hate crime victim James Byrd, put on her last and best event Sunday afternoon at Congregation Beth Israel Judea in San Francisco.

The event was her own funeral service.

SEIU vs. UHW, a ringside seat

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Guardian intern Joe Sciarrillo was at Friday’s takeover of the UHW by SEIU and has these words and images:
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Friday afternoon at the United Healthcare Workers headquarters, eight Oakland Police officers mediated a dispute between UHW members resisting the takeover by Service Employees International Union and SEIU representatives who showed up to take custody of the building. Both sides sought to convince the police to let their respective groups stay in the building.

Lover Joyce, a former UHW Executive Board member and medical assistant at Kaiser Walnut Creek, explained to reporters what the SEIU representatives had done around 11am. “They broke into the building, pushed our members” after using bolt-cutters to open the doors. Joyce and several other members had been sleeping at the office for a little over a week, so when SEIU leaders arrived, they called the Oakland Police Department. “We have the deed to the property!” he continued to assure the police and reporters. “It belongs to the Unity Healthcare Workers Corporation, not UHW or SEIU.”

Tara Gorewitz, a contract specialist for UHW at Walnut Creek Kaiser, later explained the history of why the building was legally given to the Unity Healthcare Workers Corporation and not to UHW or SEIU. She noted that Shirley Ware, the late Secretary-Treasurer of SEIU UHW- West Local 250, set up the deed in this manner so that the members, rather than the union, could retain rights to use the building in the case of a split.

Dick Meister: Bolsheviks? In Seattle?

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Dick Meister is a distinguished labor reporter who has spent more than 50 years covering labor and issues of workers on their jobs. There are very few real labor reporters in the mainstream press these days, so I asked Meister to put his regular Guardian column in context. B3

Dick Meister explains his labor coverage:

There’s a vibrant labor movement in this country, a source of important information that is ­ or should be ­ of great interest to most people. Most people, after all, spend at least half their lives working and, in fact, define themselves by their jobs. Yet the labor movement that has so much to do with their working lives, be they union members or not, is largely ignored by the mainstream media.

I’ve spent most of my professional life covering the labor movement as a reporter and commentator, for the Chronicle, KQED-TV and other mainstream outlets as well as a wide variety of non-mainstream outlets, including the Bay Guardian. I’ve recently begun a series of columns for the Guardian that deal with labor issues that have received but slight attention, if any, in the mainstream media.

Among other matters, they covered the extraordinary qualifications of Hilda Solis, President Obama’s nominee for secretary of labor, the extraordinary anti-labor acts of Bush’s secretary, Elaine Chao, and the legendary career of Franklin Roosevelt’s secretary, Frances Perkins.

The columns also concerned labor’s forceful anti-war demonstrations last May Day, labor’s major role in Obama’s election and its eight-year struggle with Bush, the most virulently anti-labor president in history. As another column noted, Bush was particularly harsh on the long-suffering air traffic controllers who Obama promised to help.

Other columns detailed the blatant job discrimination suffered by gay workers in Harvey Milk’s time ­ and now, the significant but ignored 40th anniversary of the faculty strike that was waged at San Francisco State at the same time as the widely celebrated student strike, and the 84-hour workweeks and 30-hour workdays that hospitals impose on young doctors-in-training.

My current column deals with a subject most mainstream outlets probably will also ignore, or at best treat very lightly. The column deals with one of the most important events in U.S. labor history, the Seattle general strike that began 90 years ago this month.

BOLSHEVIKS IN SEATTLE?

A bit of labor history the mainstream media will likely ignore: the general strike in Seattle 90 years ago this month

By Dick Meister

It’s the 90th anniversary this month of the general strike that brought the city of Seattle to a virtual standstill — one of the very few general strikes in U.S. history and certainly one of the most dramatic and disruptive.

Seattle Mayor Ole Hanson described it this way: “Street car gongs ceased their clamor. Newsboys cast their unsold papers into the streets. From the doors of mill and factory, store and workshop, streamed 65,000 working men. School children with fear in their hearts hurried homeward. The life stream of a great city stopped.”

Jewish vinyl: co-author Josh Kun’s book inspires new exhibit at Contemporary Jewish Museum

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By Michelle Broder Van Dyke

The records highlighted in Roger Bennett and former Guardian music columnist Josh Kun’s 2008 book, And You Shall Know Us by the Trail of Our Vinyl (Crown, 240 pages), are delectable nuggets and kernels of history that, chronologically compiled together, tell the story of five generations of Jews in America. And You Shall Know Us by the Trail of Our Vinyl – the inspiration for a new exhibition at the Contemporary Jewish Museum in San Francisco – anecdotally informs the reader of a massive and swift movement from tradition to modernity, city to suburb, and poverty to affluence, through the music and album art of 12-inches rediscovered in the basement bins of thrift stores in Boca – as Bennett puts it, “the place Jewish vinyl goes to die” – and other parts of the U.S.A.

The text reflects what one might expect from a coffee-table book yet contains a wealth of information dealing with important shifts in Jewish American history, complemented by the ridiculous to awe-inspiring images that adorn more than 400 LP covers: cantorial images of beards and flowing robes of yore morph into visions of Israeli disco fever and mambo interludes at Bar Mitzvahs. Pointing to the permeability of communities and the fluidity of identity, the authors look to, for instance, a Jewish Latin craze with such gems as Bagels and Bongos (Decca, 1959) and Mazel Tov, Mis Amigos (Riverside, 1961).

mills college music

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Because the Bay Guardian is the go-to source for Bay Area audiences, I thought your readers would be interested to know about the latest happenings at Mills College with the opening of its new concert hall and exciting all-star contemporary music festival.

From February 21-April 5 Mills will celebrate their rich music legacy with a six-concert festival, Giving Free Play to the Imagination. An elite group of musicians who have helped shape contemporary music around the world, Pauline Oliveros, Terry Riley, Roscoe Mitchell, Joan Jeanrenaud, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among others, will perform pieces of their own design, including several world-premiere pieces, and of Mills composers past and present. At this time Mills will also celebrate the reopening of the Mills Concert Hall, a venue that has inspired audiences for more than 80 years. Oliveros will play the first sounds in the Hall on February 21.

Mills College is the international leader in contemporary music, which is why musicians from around the world come to Mills, and how Mills has become an incubator for the evolution of contemporary music, with the likes of Dave Brubeck, John Cage, Pauline Oliveros, Burt Bacharach, Darius Milhaud and Phil Lesh among students and faculty. As the Bay Guardian has covered Mills’ music in the past, I think your readers would be interested to know about this exciting festival, the Bay Area’s latest greatest concert venue, and what’s new in the world of Mills as its musicians inspire communities in the Bay Area and around the world.

Please let me know if we can arrange an interview with Mills music leadership or the performers to help you build your story. A summary of the Festival program is below, with further details available at www.mills.edu/musicfestival.

Best regards,

Victoria Terheyden

Victoria Terheyden

MacKenzie Communications, Inc.

600 California Street, Suite 1590

San Francisco, CA 94108

Tel: 415.403.0800 ext. 30
Fax: 415.403.0801

www.mackenziesf.com

Media Contacts:

Quynh Tran, Mills College

Media Relations Manager

510.430.2300

qtran@mills.edu

Victoria Terheyden

MacKenzie Communications, Inc.

415.867.2516

vterheyden@mackenziesf.com

Mills College Celebrates 80 Years of Musical Innovation with

Giving Free Play to the Imagination Music Festival

OAKLAND, CA—Feb. 3, 2009. Mills College celebrates 80 years of musical innovation as it reopens the historic Mills Concert Hall after an extensive 18-month renovation with a music festival featuring some of the world’s leading contemporary musicians. The six-concert series, Giving Free Play to the Imagination, runs from February 21 through April 5, 2009.

Musical innovators such as Pauline Oliveros, Terry Riley, Joan Jeanrenaud, Roscoe Mitchell, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among many others, will celebrate Mills College’s leadership in defining contemporary music.

At the heart of the aesthetic and educational mission of music at Mills is a tradition of experimentalism. Breaking free from preconceived notions about music, Mills composers and performers embrace new sounds and musical forms while pursuing creative, exploratory, and individual approaches to music. It is this unique approach that has made Mills College the destination for sonic pioneers. And it is why some of the top names in contemporary music—Darius Milhaud, Dave Brubeck, Joëlle Léandre, Phil Lesh, John Cage, Anthony Braxton, and Pauline Oliveros, to name just a few—have been part of the faculty and student population at Mills.

“Because of our long history of support for an experimentalist tradition across barriers of genre, cultural identity, or perceived hierarchy, Mills is uniquely placed to cultivate, appreciate, and celebrate musical pioneers,” said Fred Frith, head of the Music Department and internationally known composer, multi-instrumentalist, and improviser.

Mills music faculty, students, and visiting artists from varied musical traditions come from as far away as Argentina, China, France, and Turkey to study musical forms from electronic music to classical performance to jazz improvisation.

“Ever since renowned French classical composer and Mills’ professor Darius Milhaud encouraged soon-to-be-renowned jazz pianist composer and Mills’ student Dave Brubeck to ‘be himself,’ our students have been discovering how to ‘be themselves’ with single-handed determination,” said Frith. “As a Music Department that encourages experimentation while respecting tradition, we are second to none.”

“We are continually inspired by the influence and impact of our music graduates in their artistic pursuits,” said Janet L. Holmgren, president of Mills College. “Whether they are composers, performers, professors, or music producers or whether they are working in the film, video game, or music industries, or in leading technology and digital media companies, our graduates reflect the College’s mission to encourage creativity and experimentation, all within a global context.”

Giving Free Play to the Imagination also marks the completion of the $11 million renovation of the Mills College Concert Hall, to be renamed for well-known Bay Area philanthropist and Mills alumna Jeannik Méquet Littlefield, MA ‘42. Designed by noted California architect Walter Ratcliff Jr., the Mills Music Building has received widespread acclaim since its opening in 1928.

Improvements to the Concert Hall include new acoustic panels for enhanced sound quality, an expanded stage area for larger performances, installation of a dedicated mixing station, soundproofing for performance and recording quality, new seating and improved layout for a better audience experience. The multicolored frescoes and murals created by California painter Raymond Boynton were restored by two teams of art conservators to return them to their original vibrant colors.

The festival’s name, in fact, derives from Boynton’s vision for his murals, “to produce a scheme of decoration that would give free play to the imagination.”

Mills Music Festival Honorary Committee:

Charles Amirkhanian* – composer, percussionist, sound poet, radio producer

Laurie Anderson* – performance and visual artist, composer, vocalist, musician

Dave Brubeck*+ – jazz and classical musician, pianist, composer

Robert Cole – director of Cal Performances

Merce Cunningham – choreographer and founder of Merce Cunningham Dance Company

Evelyn Glennie – percussionist, composer, motivational speaker

David Harrington – violinist and founding member of the Kronos Quartet

Phil Lesh* – musician and founding member of the Grateful Dead

George Lewis – improviser-trombonist, composer, computer/installation artist

Jeannik Méquet Littlefield* – philanthropist and patroness of the arts

Annea Lockwood – composer, professor emeritus at Vassar College

Rebeca Mauleón* – Latin and world music pianist, composer, educator

Meredith Monk – composer, singer, director/choreographer

Michael Morgan – music director of the Oakland East Bay Symphony, pianist, educator

Pauline Oliveros+ – composer, performer, first director of the Center for Contemporary Music (formerly the Tape Music Center)

Lauren Speeth* – CEO of the Elfenworks Foundation, member of the Mills Board of Trustees, violinist, recording artist

Roselyne Swig+ – philanthropist, activist, and patroness of the arts

Michael Tilson Thomas – music director of the San Francisco Symphony, composer, recording artist

* Mills alumnae/i

+ Mills honorary degree recipient

Program

Saturday, February 21, 2009 8:00 pm

OPENING NIGHT: Pauline Oliveros with Tony Martin; Terry Riley; Joseph Kubera performs Roscoe Mitchell; Joan Jeanrenaud

Solo performances of works by pioneers in the experimentalist tradition. Oliveros will play the first musical sounds in the renovated Concert Hall. A champagne reception follows.

Sunday, February 22, 2009 3:00 pm

A CELEBRATION OF THE CENTER FOR CONTEMPORARY MUSIC

More than 40 years of electronic innovation featuring Pauline Oliveros, Tony Martin, Maggi Payne, Chris Brown, William Winant, Joan Jeanrenaud, James Fei, and John Bischoff. Pre-concert talk with performers at 2:00 pm.

Friday, February 27, 2009 8:00 pm

LEGENDARY COMPOSER AND IMPROVISER MUHAL RICHARD ABRAMS with special guest Roscoe Mitchell

Saturday, February 28, 2009 8:00 pm

DARIUS MILHAUD’S BRAZILIAN CONNECTION

Dazzling orchestral works conducted by Nicole Paiement. A celebration of the renaming of the Concert Hall in honor of Mills alumna Jeannik Méquet Littlefield follows.

Sunday, March 8, 2009 3:00 pm

ARDITTI QUARTET

The world-renowned string quartet plays works by Mills composers past and present

Sunday, April 5, 2009 3:00 pm

THE MUSIC OF FRED FRITH

A rocking birthday concert of new music with Fred Frith and Cosa Brava (Carla Kihlstedt, Matthias Bossi, Zeena Parkins, The Norman Conquest), Liz Albee, Minna Choi, Beth Custer, Joan Jeanrenaud, Myra Melford, Roscoe Mitchell, Ikue Mori, Larry Ochs, Bob Ostertag, and William Winant.

TICKETS / PUBLIC INFO:

General admission: $20/concert; $100/series

Seniors: $12/concert; $60/series

For more information or to purchase tickets, please visit http://www.mills.edu/musicfestival

Nestled in the foothills of Oakland, California, Mills College is a nationally renowned, independent liberal arts college offering a dynamic progressive education that fosters leadership, social responsibility, and creativity to approximately 950 undergraduate women and 500 graduate women and men. Since 2000, applications to Mills College have more than doubled. The College is named one of the top colleges in the West by U.S. News & World Report, one of the Best 368 Colleges by the Princeton Review, and ranks 75th among America’s best colleges by Forbes.com. Visit us at www.mills.edu.

Look! SF Newspapers have discovered the Internet!

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By Tim Redmond

This is a wonderful little moment in history. I particularly like the fact that the Examiner editor says “we’re not going to make any money off this.”

And of course, also the comment

This crazy machine could revolutionize the way in which millions of men beat off

Sun/Slam dance-off

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By Jesse Hawthorne Ficks

Midnites for Maniacs programmer and Academy of Art University film history teacher Ficks tallies up his favorites from Sundance and Slamdance 2009.

push_filmstill42-445x297.jpg

(1) Push: Based on the Novel by Sapphire – directed by Lee Daniels
Not to be confused with the upcoming Dakota Fanning film of the same name, this gut-wrenching adaptation of the struggles of Precious, an overweight, illiterate 16-year-old, (performed with utter grace by new-comer Gabourey “Gabby” Sidibe) has the power to take the country by storm if and when it’s released (the film has yet to be picked up by a distributor even though it won Sundance’s Grand Jury and Audience Award prizes). Mo’Nique as Precious’ abusive mother delivers one of the most authentic performances of our time (she won a Special Jury Prize for Acting), while Mariah Carey is brilliantly understated as a caring social counselor. But what’s so special about this Dancer in the Dark-esque film are Damien Paul’s screenplay and director Lee Daniels’ choices to always take the more difficult road with the characters. This is powerhouse filmmaking at its finest.

(2) Humpday – directed by Lynn Shelton
So straight they’re gay! If you took the two straight-male archetypes from Kelly Reichardt’s Old Joy (2006) — the adventurous, wandering beardo and the settling-down, sensitive progressive — got them drunk at a party, and had them challenge one another to have sex with each other, you have the setup for hands-down the funniest bromance mumblecore film of the year. As the two friends (Joshua Leonard and Mark Duplass of 2005’s The Puffy Chair) try and prove who’s living life to the fullest and man-liest, director Lynn Shelton showcases the “awkward moment” and thoroughly explores straight men’s confused sexuality. (If the premise sounds uncomfortable, think of how baffled the Utah audiences were of the concept of two straight guys fucking one another. Magnolia picked the film up so keep your eyes open for the limited release.) This is classic indie cinema of the golden 1990s type.

(3) We Live in Public – directed by Ondi Timoner
Following-up Timoner’s 2004 Documentary Grand Jury Prize-winning Dig!, this jaw-dropping doc follows the bipolar exploits of Josh Harris, a man who predicted every single step of the internet. The hypnotic footage has the power to warp the viewer into Harris’ Orwellian vision of the future. It’s as fascinatingly addictive as it is horrifyingly revealing of where our current society is headed.

Meister: Labor to Bush: Good Riddance!

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Dick Meister, a San Francisco-based journalist, has covered labor and political issues for a half-century. Contact him through his website, www.dickmeister.com.

Labor to Bush: Good Riddance!

By Dick Meister

With the departure of George Bush from the White House, working people and their unions have finally ended one of their toughest fights ever ­ an eight-year struggle with the most virulently anti-labor president in American history.

Of all those bidding Bush good riddance, none have more reason than organized labor and the workers it champions. The record of Bush’s antipathy to them is truly staggering.

Consider, for starters, Bush’s appointment of a notoriously anti-union secretary of labor , Elaine Chao, and an anti-union majority to control the National Labor Relations Board.

The Bush appointees have played a major role in stripping union and civil service rights from more than a million federal employees, cutting back raises that had been due them and most others on the government payroll, and shifting thousands of unionized federal jobs to private non-union contractors.

They’ve increased the staff and budgets for investigating and auditing unions, while decreasing those for enforcing employer violations of labor standards, including those covering child labor and pay discrimination and violence against women.

AG Brown’s flip flop will help pro-Prop 8 forces

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AG Jerry Brown’s decision to oppose Prop 8 in the Supreme Court will,
ironically, only help the pro-Prop 8 forces

By Peter Scheer

(Peter Scheer is executive director of the California First Amendment Coalition, a non profit advocacy group.)

The California Supreme Court, in one of its most important cases, is
weighing a challenge to Prop 8, the constitutional amendment banning
gay marriage. If the Court upholds Prop 8, one of the people you can
blame is Attorney General Jerry Brown.

But wait a minute. Didn’t Brown make headlines recently by filing a
brief in the Supreme Court arguing that Prop 8 should be overturned?
Yes, he did. And that’s the problem.

In cases before the Supreme Court, it is the Attorney General’s job
to defend California’s laws unless they are so plainly invalid that
no plausible defense can be offered. However objectionable on moral
grounds, Prop 8 is not legally indefensible. Brown knows that. By
switching sides in the Supreme Court, the Attorney General ripped up
his job description–a political gambit that no doubt pleases his
supporters but, ironically, only makes it harder for the Court to
overturn Prop 8.

The California Supreme Court is in a tough spot in the Prop 8 case.
It went out on a limb a year ago to strike down a state statute
forbidding same sex marriage, ruling that the law violated
California’s constitution. Prop 8, which voters enacted by a margin
of 52% to 48%, responds directly to that controversial decision by
amending the state constitution, thereby removing–or attempting to
remove– the basis for the Court’s prior ruling.

The current Prop 8 case poses a test of the Court’s legitimacy, its
most valuable asset, at a crucial moment in its history. The Court is
the only institution of California government that is seen as able to
take on hard issues, to decide them in the public interest, and to
act decisively. Although its authority has never been greater, that
authority derives from the public perception that the Court is above
the political fray.

Should the Court strike down Prop 8–overriding an electoral majority
for the second time on the issue of same sex marriage–it must do so
for reasons that are seen as legitimate and legally convincing, even
though most Californians may disagree with the outcome. The Court
must avoid the appearance that it is asserting a political preference
disguised in legal principles. That is a tall order.

In this context the last thing supporters of gay marriage need
is a grandstanding attorney general who, by abandoning his assigned
institutional role, creates doubts about the fairness of the Supreme
Court proceeding and provides an opening for Prop 8 supporters to
argue that the case has been transformed from a legal to a political
contest in which victory goes to the most powerful interest groups.

Can the Court still overturn Prop 8 in a way that will not compromise
its legitimacy? I think so, although the best course at this stage
may be a ruling grounded in the US Constitution instead of the
California Constitution. Under a federal approach, Prop 8’s
problematic status as a state constitutional amendment loses
relevance: vis a vis the US Constitution’s equal protection
guarantee, Prop 8 is no different than any state statute or city
ordinance.

Deciding the case on the basis of the federal constitution also would
legitimize the Court’s ruling because application and interpretation
of federal law is part of its essential function in the original
federal judicial scheme. Legitimacy also comes from the fact that the
Court’s decision, if based on the federal Constitution, would not be
the last word, but would be subject to review by the US Supreme Court.

Of course, the availability of federal Supreme Court review is also
the main disadvantage of this strategy. Still, the US Supreme Court
might decline to review the case, leaving in place a ruling blocking
Prop 8. Or it could review it and surprise everyone with a decision
overturning Prop 8. (Don’t underestimate the influence of the Supreme
Court’s mostly liberal clerks on the gay marriage issue.)

Let’s just hope Jerry Brown keeps his distance from any further judicial
proceedings. With friends like Brown, Prop 8’s opponents don’t need
adversaries.
——
Peter Scheer is executive director of the California First Amendment
Coalition, a nonprofit advocacy group. www.cfac.org

Epic union struggle enters its endgame

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9-25 andy_stern.jpgrosselli.jpg
SEIU’s Andy Stern (left) is clashing with UHW’s Sal Rosselli (Guardian photo of Rosselli by Charles Russo)
By Steven T. Jones

A high-stakes feud between United Healthcare Workers and its parent union, Service Employees International Union, reached a critical point today when SEIU’s International Executive Board approved a set of findings essentially accusing UHW of insubordination and financial irregularities and threatening to take over UHW if it doesn’t atone for its perceived sins within five days.

As the Guardian has reported, the conflict revolves around a power struggle between SEIU head Andy Stern, who has been seeking to consolidate power within the international, and UHW head Sal Rosselli (based out of the union’s Oakland office), who is seeking to preserve the autonomy of SEIU locals and affiliates, particularly his own.

UHW spokesperson Sadie Crabtree says the union’s executive board will be meeting soon to discuss how to respond to SEIU, which is threatening to take over UHW with a trusteeship within five days unless UHW agrees in writing to abide by an SEIU decision merging UHW’s long-term care workers into other SEIU locals, publicizes this decision to its members, purges its database of names allegedly pilfered from SEIU, and agrees to a fiscal audit by SEIU and to follow SEIU orders.

“The decision reaffirms that in SEIU, ‘justice’ means injustice for all those who disagree with Stern and his cronies,” UHW said in a press release, while SEIU put out a statement that, “SEIU leaders believe this is a moment of history to change this country, and we believe this decision offers an opportunity to join together everyone in SEIU to change America.”

You can read the relevant documents on the case here. Stay tuned to this blog for the latest developments in this unfolding story and grab next week’s Guardian for a more detailed analysis of the conflict.

Wale watch

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› a&eletters@sfbg.com

If you went to the 2008 Rock the Bells festival at Shoreline Amphitheatre in Mountain View, then you probably missed Wale Folarin. Barely an hour into the 12-hour-plus event, he was on the main stage, rocking back and forth in a half-crouch, spitting rhymes from his viral hit "W.A.L.E.D.A.N.C.E." to an arena that was one-quarter full.

Wale may be a padwan among hip-hop’s big dogs, but many of the genre’s tastemakers and fans call him a rising star. Though he has yet to release an official album, Wale has already graced the covers of several magazines. His most recent mixtape, The Mixtape About Nothing, landed on major 2008 year-end lists, including Pitchfork’s. Earlier in the year, the Roots, who have a history of recruiting hot prospects, gave him a guest spot on Rising Down (Def Jam, 2008).

Before dropping out to pursue a musical career in 2004, the DMV (District of Columbia, Maryland, and Virginia) native bounced through three colleges on football scholarships. He has subsequently attacked the rap game like an offensive coordinator, eschewing offers from majors like Epic to sign a production contract with Mark Ronson’s Allido Records. In turn, Ronson negotiated a joint deal with Interscope to distribute Wale’s debut, tentatively scheduled for this year.

Everyone loves raw, unformed talent, and hip-hop fans are no exception. They love MCs who can freestyle for days, never mind that their stanzas flow with rhyme but with neither reason nor hooks. They venerate rappers who compile mixtapes chock full of half-ideas. Great American Songbook traditions like harmonic structure and verse-chorus forms are nonexistent or merely subtext to the rapper’s unyielding voice.

Wale’s Mixtape About Nothing is nominally built around samples from Seinfeld, punctuated by Jerry Seinfeld’s standup bits and Jason Alexander’s antics. But Wale, with his twangy Southeast accent, takes center stage. He mostly wanders around, offering flickers of insight amid heaps of undistinguishable lines. Then he "goes in," to use a hip-hop phrase that describes a moment of clarity.

On "The Kramer," he opens with a snippet from Michael Richards’ infamous 2006 standup routine at the Laugh Factory, when Richards’ shouted to a heckler in the audience, "He’s a nigger!" Wale uses it to launch a sprawling discourse on race. He begins by confessing, "And P said that I should stop saying nigga / But what’s the difference / I’d still be a nigga." But at the end, he declares, "Make sure everything you say / Can’t be held against you in any kind of way / And any connotation is viewed many ways / ‘Cause under ev’ry nigga there’s a little bit of Kramer / Self-hatred / I hate you / And myself."

Two years ago, Lil Wayne rocketed to superstardom on the basis of these kinds of rambling tone poems. Hundreds of his tracks fueled a cottage industry of Weezy mixtapes. As a result, everyone is flooding the Internet with rangy bedroom studio cuts, proclaiming their status as "the truth" to anyone who’ll listen. In 2008, Brooklyn MC Sha Stimuli issued 12 mixtapes in 12 months, basing one around the 2007 Jennifer Aniston comedy The Break Up. Charles Hamilton dropped eight mixtapes in two months. In most cases, all this sound and fury signifies nothing; worse, it makes it difficult for a talented artist such as Wale to stand out.

"Everybody’s doing blogs. Everybody’s doing freestyles. Everybody’s doing, like, way too much stuff on the Internet," Wale complains by phone. "It’s like, c’mon, we get it. It’s way overdone now." It’s the most provocative statement the 24-year-old makes during a brief interview. Otherwise, Wale keeps his answers amiable but bland. When I ask him about the dreaded "hipster rapper" tag, he claims not to know what I’m talking about. Even when I point out that XXL magazine asked him the same question for a cover story, he responds: "I’m not familiar with that term. Nobody’s said that about me."

Yet Wale is keenly aware of his atypical tastes. "I think it goes over a lot of people’s heads," he says. "By no means am I comparing myself with Leonardo da Vinci or nothing, but by no means do I understand the significance of the Mona Lisa. But there are millions of people who do, and appreciate that piece of work. So eventually you have to do stuff for the people who appreciate what you do." For the moment, his esoteric creative decisions seem to work, including his widely mimicked freestyles over rock hits like Lily Allen’s "Smile." As he says on his 100 Miles and Running mixtape, "Y’all believe me when I do it. Don’t sass me for doing it."

WALE

Jan. 31, 9 p.m., $15

Mezzanine

444 Jessie, SF

www.mezzaninesf.com

Ending war

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› sarah@sfbg.com

As Commander-in-Chief Barack Obama takes the reins of power, the peace movement is watching to see if he will follow through on foreign policy campaign promises — and preparing to apply pressure if he doesn’t.

CodePink has compiled a list, "President Obama’s Promises to Keep," taken from his campaign statements on which activists intend to hold him accountable. These promises include a pledge to end the war on Iraq, close the Guantánamo Bay detention facility, reject the Military Commissions Act (which critics say violates the civil rights of people deemed enemy combatants), adhere to the Geneva Convention, work to eliminate nuclear weapons, support direct diplomacy with Iran without preconditions, and abide by international treaties.

But as CodePink’s Media Benjamin noted in an article that was published in the Huffing ton Post last summer, the peace movement helped Obama beat Sen. Hillary Clinton, who supported the invasion of Iraq, in the primaries — only to see Obama begin talking tough on Afghanistan and pledging to essentially escalate the war there.

"This has come back to hit us in the face during Barack Obama’s Middle East trip, where he called for sending 10,000 more troops to Afghanistan," Benjamin observed, noting the high death tolls of both US soldiers and innocent Afghans almost eight years after the US invasion.

"The Taliban has gained new strength, opium production has soared, and Osama bin Laden has not been found," Benjamin wrote. "And amid it all, Afghan people continue to be among the poorest in the world, its women continue to be oppressed and the US has not succeeded in rebuilding Afghanistan."

But Benjamin acknowledged that it’s not enough to simply say "troops out now."

"We, the peace movement, need to come together and develop a strategy before our troops are sent from the ‘bad war’ in Iraq to the ‘good war’ in Afghanistan," Benjamin warned.

Given Obama’s naming of Clinton as his Secretary of State and his pledge to send 30,000 more troops to Afghanistan, Benjamin reiterated her belief that increasing troop levels is not going to help subdue a country that has resisted invasions from the likes of Genghis Khan and the Soviet Union.

"Yes, it’s a complex region, but what has history taught us about it?" Benjamin told the Guardian last week. "That foreigners get defeated. Yes, maybe by increasing troops they’ll get to stay for a few more years, but in the end, they leave with their tail between their legs, having suffered more deaths and without imposing their will."

"Theirs is a very tribal culture, so it’s not easy to get a centralized government," added Benjamin, who first visited Afghanistan shortly after 9/11, at the height of the US-led invasion. "And the oppression of women, unfortunately, preceded the Taliban."

Observing that Afghan President Hamid Karzai has admitted to engaging in low-level talks with the Taliban, which the Saudis helped broker, Benjamin claimed that "plenty of US military reps know that a negotiated settlement is the way forward."

"Our concern is that women will be at the table when that happens and that women’s issues and rights are at the front," Benjamin stressed. "So, we want a negotiated settlement with a more moderate faction of the Taliban. And troops going into Pakistan isn’t the solution, either."

Benjamin, who attended Clinton’s Jan. 13 Secretary of State confirmation hearings, says she got the sense that Obama’s administration wants a policy overhaul.

"So, yes, we are sending 30,000 more troops, but we are not pretending it is a surge, à la Iraq. It’s more of a holding pattern," Benjamin said. "We are hoping this is going to be an administration that disengages. Maybe the focus in the US on the economy will help."

A press release sent out on the eve of Obama’s inauguration by Courage to Resist and Direct Action to Stop the War, a San Francisco–based organization that coordinated nonviolent opposition to the 2003 invasion of Iraq, stated that both groups are urging the new President not to escalate the war in Afghanistan, to stop attacks inside Pakistan, and to cut military aid to governments that violate human rights or international law, "such as Israel, in what Amnesty International calls an ‘unlawful attack’ on Gaza."

The release came just days after Clinton said, during her confirmation hearing, that she and Obama "understand and are deeply sympathetic to Israel’s desire to defend itself under the current conditions, and to be free of shelling by Hamas rockets. However, we have also been reminded of the tragic humanitarian costs of conflict in the Middle East, and pained by the suffering of Palestinian and Israeli civilians."

"This must only increase our determination to seek a just and lasting peace agreement that brings real security to Israel; normal and positive relations with its neighbors; and independence, economic progress, and security to the Palestinians in their own state," Clinton elaborated, adding that Obama is committed to "responsibly ending the war in Iraq and employing a broad strategy in Afghanistan that reduces threats to our safety and enhances the prospect of stability and peace."

In the November 2008 issue of Foreign Affairs, Barnett Rubin, director of Studies at the Center on International Cooperation at New York University and Ahmed Rashid, a Pakistani journalist and a fellow at the Pacific Council on International Policy, outlined the steps that they believe are critical for those serious about ending the ongoing chaos in Afghanistan, Pakistan, and beyond.

Stating that sending more troops to Afghanistan "would be insufficient to reverse the collapse of security there," the authors opined that "A major diplomatic initiative involving all the regional stakeholders in problem-solving talks and setting out road maps for local stabilization efforts is more important."

Arguing that such an initiative would reaffirm that the West as a whole is committed to the long-term rehabilitation of Afghanistan and the region, they recommended that the West — with support from if not led by the US — back that commitment with measures to address economic development, job creation, the drug trade, and border disputes.

"The goal of the next US president must be to put aside the past, Washington’s keenness for "victory" as the solution to all problems, and the United States’ reluctance to involve competitors, opponents, or enemies in diplomacy," Rubin and Rashid wrote. "

But the A.N.S.W.E.R. (Act Now to Stop War and End Racism) Coalition is reemphasizing the importance of building an independent people’s movement and ending imperialist occupations, wherever and whenever they occur. "We are for immediate withdrawal of troops from Iraq and Afghanistan," San Francisco–based A.N.S.W.E.R. organizer Saul Kanowitz told us. "There are those in the Obama administration who say that Iraq is the wrong war, in the wrong place, but we are against all US imperial conquests abroad."

Noting that he doesn’t believe there is a fundamental difference between Bush’s and Obama’s policies on Afghanistan, Kanowitz says, "It’s just a tactical difference … withdrawing US troops from direct engagement with Iraq, because they don’t believe US can’t win there, and redeploying them to Afghanistan, where they believe they can — it’s the same strategy. It’s about maintaining dominance.

A speech worth reading again

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By Steven T. Jones

obamainaug09.jpg

The mood was buoyant at this morning’s Brunch You Can Believe In, one of countless house parties around San Francisco celebrating U.S. regime change. Host Kid Beyond, who traveled with me to the Democratic National Convention last summer, had a packed house watching an Internet feed of the Presidential Inauguration projected on a large screen.

As could be expected on a day when all of America seems tuned in to this historic occasion, the feed would delay for a few seconds every minute or so, leaving a mimosa-sipping crowd to try to fill in the gaps with jokes or predictions of what came next. But almost every time, what the new president said was better than what we came up with, leaving us time and again saying, “Ohh, he’s gooood.”

This wasn’t just a great speech at a pivotal moment in history. This was poetry, a capturing of the American Zeitgeist, an inspiring call to our better angels. So take a few minutes to read it again because this is our future if we choose to embrace it.

Live from DC: E Pluribus Unum

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The Guardian’s Paula Connelly and Becca Frank report from the inauguration. View our list of tonight’s inauguration parties here.

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WASHINGTON DC — This inauguration is about being a witness. We’re here with millions of people, from average citizens to movie stars and politicians, a fraction of which have limited access to all the restricted seating.

It’s easy to feel unimportant. Much like the disenchanted voter who feels that his or her singular vote is worthless in relation to the masses, so too does standing in a sea of millions of onlookers. After all, we’re just two tourists from San Francisco here to witness history.

But when Anderson Cooper walked past us in a crowd and only a few people noticed and cheered, we got the feeling that we’re all equally unimportant and therefore we all can claim a certain amount of celebrity.
Earlier that afternoon, two middle-aged women from Houston stopped us to pose for a picture with them. We’re all special because we’re here to witness something much larger than ourselves.

All the locals who have friends in town are planning to attend the inaugural events. They admit it with a level of aloof interest, as though they need an excuse to find the gravity of it all enticing. There are also the locals who had long ago decided that the inaugural festivities were only for tourists and die-hards; complete with overwhelming crowds and extremely cold weather.

But the mood is infectious as momentum fills the streets. Everywhere you look there are giant scaffolding, fences and bleachers being erected. We can’t walk five feet without seeing police officers and Obama swag vendors and the roofs near the mall are all lined with snipers.

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