Green

Reinventing San Francisco

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By Christopher D. Cook, Karl Beitel, and Calvin Welch. 

OPINION It’s hard to trust hope these days — to imagine that our world, or even our city — could be different. But for the next 10 or 15 minutes, as you read this, we invite you to suspend the cynicism and disbelief that hang over contemporary life, and allow your mind to imagine that, yes, a different San Francisco is possible. Just for 15 minutes, although we hope this helps kick-start a much longer-term revival of hope and urban reimagining.

It’s time to create something new in San Francisco — a visionary movement for constructive change that’s bold and unapologetic. Imagine, for instance, if San Francisco became a national model for how cities can reinvest local profits (public and private) and assets to expand economic opportunity and social equity. Imagine if, instead of promoting a dispiriting and volatile blend of corporate development and Darwinian “free-market” anarchy, San Francisco transformed how American cities define success by creating concrete alternatives to the chaos of capitalism.

Now imagine that San Francisco had its own public bank — a fiscally solvent, interest-generating financial force (potentially a half-billion dollars strong) dedicated to public financing and economic stimulus, that functioned as a vigorous incubator for homegrown industries and sustainable, true-green job creation.

We are proposing no less than a reinvention of San Francisco — a dramatic shift in priorities, resources, politics, and culture that marries the very best in both creative innovation and urgently needed reforms to make our city socially equitable and sustainable, both ecologically and economically.

Toward this end, the Community Congress, Aug. 14-15 on the University of San Francisco campus, will stimulate ideas, discussion, and planning to reinvigorate civic engagement and inspiration and create a concrete, locally actionable agenda for reshaping the city. You’re invited. (Visit www.sfcommunitycongress.wordpress.com for more information.) The congress is a conversation starter and idea incubator — an opportunity to begin reimagining San Francisco as a socially equitable, racially inclusive, ecologically sustainable city that grows its own food, supplies its own energy, and is an affordable haven for working-class people, immigrants, artists, and creative folk of all stripes.

We humbly propose a city that embraces cosmopolitanism and international exchange while empowering its residents to achieve a decent and livable quality of urban life. We are not trying to turn back the clock; we are trying to create new forms of social and economic value that give people meaning and sustenance, and hope.

 

WHY A COMMUNITY CONGRESS—WHY NOW?

Couldn’t we save such sweeping aspirations for a rainy day? The sky isn’t falling yet, is it? Not quite, but the present constellation of crises San Francisco is ensnarled in — massive and rising structural deficits, a boom/bust economy that’s profoundly unstable and inequitable, deepening economic and social divides that destabilize communities, to name a few — is simply unsustainable.

San Francisco’s economic and fiscal crisis is not a passing moment. Rather, it signals long-term structural flaws in the city’s economic policies and planning. San Francisco has lost roughly 45,000 jobs since 2000, and each “recovery” is marked by steadily higher unemployment rates (currently resting at 9.2 percent). More critically, as jobs and wages have grown more precarious and housing prices have steadily risen (over the long term), thousands of San Franciscans have been displaced.

Any serious vision for change must incorporate race and class dynamics. Consider the economic evisceration of much of the city’s African American population, which has plummeted from 13.4 percent of the population in 1970 to just 6.5 percent today (more than 22,000 African Americans left the city between 1990 and 2008). The gutting of communities of color is intrinsically intertwined with issues of job and wage loss and soaring housing costs. This is particularly acute in the geographic and political dislocation of African Americans in San Francisco. Add to this picture intense overcrowding and poverty in Chinatown and in Latino and immigrant communities, and you get a set of inequities that are morally unacceptable and socially untenable.

Like other major American cities, San Francisco faces a crucial historical moment. Global warming and fast-dwindling oil supplies require a transformative shift in how we conceive (and implement) economic development far beyond the city’s current piecemeal approach to “green procurement.” The Peak Oil Preparedness Task Force, appointed by the Board of Supervisors in 2007, concluded that a full 86 percent of San Francisco’s energy use comes from fossil fuels, primarily petroleum and natural gas, and a small amount of coal. Given the world’s fading oil supplies and mounting climate chaos, this is simply unsustainable.

The specter of a looming energy and environmental crisis, combined with economic instability marked by persistently high unemployment, rising income inequality, systemically entrenched homelessness, consumer debt, and the deepening crisis of cutbacks to critically needed human services and affordable housing call for a radical shift in how society — and San Francisco’s economy — are run.

Transforming San Francisco into a truly sustainable city will mean dramatic shifts in what (and how) we produce and consume, and aggressive city policies that promote local renewable energy. Our economy — how our food, housing, transportation and other essential goods are made — will have to be rebuilt for a world without oil.

These and other limits mean we must redefine growth and profit—fast. Work and sustainability must become fully intertwined, and we must think creatively about how jobs can produce social and community value, instead of profits concentrated at the top.

Creating truly sustainable and equitable cities for the 21st century will also mean dramatic shifts in how we produce and consume. There is no better place to begin than here in San Francisco, long an incubator in progressive thinking and genuine grassroots action and innovation. In an earlier Community Congress in 1975, residents and groups from across San Francisco united in a movement of ideas and organizing that led to district supervisorial elections and successful campaigns to stem the tide of downtown corporate development, helping to democratize politics and economics in San Francisco.

The 2010 Community Congress is aimed at reinvigorating local movements for lasting change, both on the policy level and in the relationship between people and their government. We hope to inspire a spirited and creative shift in the city’s culture and politics — with concrete, politically actionable policies to democratize planning and development and a more sweeping transformation of our expectations — toward a far richer and deeper engagement of people and communities in their own governance.

 

A NEW FRAMEWORK FOR URBAN DEVELOPMENT

What would this City of Hope look like, and how would it work? Consider what we could accomplish with a municipal bank. The City and County of San Francisco currently has almost $2.6 billion in highly liquid reserves, about $500 million of which could be used to fund a Municipal Bank of San Francisco. Once established (and federally insured), the Municipal Bank could take additional deposits and use this to issue more loans. The bank could promote economically viable worker-run cooperatives that produce goods and services addressing community needs — be it day care, urban gardening, or ecologically sustainable light industry that creates meaningful employment for local residents. The bank could provide competitive small-interest loans to help stimulate small-business development — the key economic engine of the city. Currently, access to credit is one of the primary impediments to small business growth in San Francisco.

The city could also start a Municipal Development Corporation to produce goods and services that meet essential needs, boost local employment, and generate surpluses that would be available for local reinvestment. San Francisco could launch itself on the path to local energy self-reliance with funds from the Municipal Bank, together with revenue bonds—raising large pools of capital to finance large-scale alternative energy investments such as solar panels to generate energy for sale to local businesses and households.

The proceeds could help subsidize community-based development such as urban farming projects that could grow food for our public schools. The Municipal Development Corporation could explore other initiatives like large-scale medical marijuana cultivation and development of a commercial fiberoptic network. Other ideas can be developed; we need to engage our collective imagination to envision what can exist if there’s enough people power and political will.

By expanding access to credit, municipalizing a chunk of the city’s assets, establishing an economically viable municipal development enterprise, and democratizing city planning and development, San Francisco can enable long-disenfranchised communities to create sustainable and diversified development — instead of fighting over “jobs versus the environment” and other false choices and getting nowhere for decades.

It’s time for proactive, community-led economic development that addresses urgent needs, from local hiring and training, to creating a diverse base of neighborhood-serving businesses, to ecologically sustainable and healthful development and planning that is driven by communities and residents.

San Francisco’s job creation policies can be transformed to prioritize community needs over corporate profits by linking major development contracts to strict local hiring and training, community benefits agreements that invest in social goods like childcare and in-home health services, and ensuring dramatic increases in the city’s stock of affordable housing.

We need to build new forms of public participation in local government in ways that address people’s everyday needs. For instance, the congress will propose a new partnership between residents and Muni to make Muni work better, involving current riders and drivers in a new, more powerful role in how Muni lines function.

We need to find better ways to sustain a diverse population of working-class, people of color, artists, writers, musicians, and others. We need to make sure development isn’t just code for finding new ways to gentrify neighborhoods and displace existing residents.

Specific proposals will address how the city and community-based nonprofits deliver critical health and human services to our neediest residents. We propose making this an integrated part of the budget process, not a last-minute afterthought. Toward this end, the Community Congress will present actionable proposals to create innovative “resident/government” partnerships to improve local government responsiveness and efficiency.

 

RAISING—AND SPENDING—THE BENJAMINS

One of the keys to unlocking the city’s stagnating economy is progressive revenue generation and more democratic participation in budgeting. We must enlarge the public pie while reapportioning it in a way that stimulates job creation and shifts the tax burden onto the large businesses that reap vast private benefits from public goods and services. The city’s budget process must be dramatically reshaped and democratized. Communities need a seat at the fiscal table when the budget is being crafted — instead of lobbying tooth and nail at the end of the process just to retain funding that barely keeps programs afloat.

How can we build a participatory budgeting movement that brings residents and communities into the process? For instance, community budget councils composed of elected and appointed residents from every supervisorial district could assess neighborhood needs and incorporate them into drafting the budget. Whatever form this takes, the goal is to put the needs of residents at the forefront of how the city spends its resources.

The Community Congress can also help redefine fiscal responsibility. Taxing and spending must be accountable and transparent and respect the fact that this is the public’s money. Let’s be honest: much of what passes for government excess is due to management and executive bloat at the top, not salaries of frontline workers like bus drivers, social service providers, and hospital workers. True fiscal responsibility also means investing in prevention: education, healthcare, and services that help people build their lives.

 

RECLAIMING HOPE

It’s time to reclaim the public sector as the sphere of our shared interest. Rather than thinking in terms of the old paradigm that counterpoises “government” and “the market,” let us envision a new citizen movement to create a more participatory, democratic, and accountable system of self-government.

The San Francisco Community Congress is about bringing people together — community activists, those working in the trenches of our increasingly strained social services, our environmental visionaries, our artists, the urban gardeners and permaculturists, poets, bicycle enthusiasts, inventors … in short, assembling our pool of collective knowledge and wisdom, and yes, our differences — in a forum to discuss, debate, share concerns and viewpoints, and ultimately produce a working template that is both visionary and can be implemented.

The Community Congress will create a space for all of us to participate in defining our own vision of San Francisco. It is a first step toward reasserting popular control over economic development. It is an invitation to be visionary, rethinking in fundamental ways what it means to live in the 21st century city, and a forum for creating real, practical platforms and proposals that can be implemented using the powers of local government.

We want to propose a new vision of urban governance. Not more bureaucracy, more commissions, more departments, but the creation of new institutions that are democratically accountable and place new kinds of economic and political resources in the hands of ordinary citizens.

We don’t have any illusions. There are limits to what local government can do. Ultimately, deep change will require actions by higher levels of government. More profoundly, it will require a deeper change in citizen awareness, a rejection of life dominated by the pursuit of narrow self-interest, in favor of a more ecologically sustainable, socially just, and more democratic way of life.

But we can begin at the local level, here and now, to envision and implement the kind of changes that will need to take place if we want to insure that our city, our country, and our planet will be the kind of place we want our children to live. Please come. Bring your hopes, passions, and ideas. This is our collective project, our shared wisdom, our joint vision of the kind of city and society in which we want to live.

Christopher D. Cook is an author, journalist, and former Bay Guardian city editor (www.christopherdcook.com). Karl Beitel is a writer, scholar, and activist. Calvin Welch is the director of the San Francisco Information Clearinghouse and a long-time affordable housing advocate. This story was funded in part by www.spot.us

 

Alerts

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alert@sfbg.com

THURSDAY, AUG. 5

Power on


Gather with the public power supporters and advocates who brought us the No on 16 campaign, which blocked PG&E’s attempt to solidify its monopoly. Attend a workshop that will analyze the campaign and election victory, discuss current challenges to public power, and find common ground for the future push for true power to the people. The workshop is followed by a festive buffet, awards ceremony, music, and more.

1 p.m. workshop, 5:30 p.m. party; free

The Merchants Exchange Building

465 California, SF

www.celebrateno16.org

Zero waste lunches


Learn about the impact that your daily lunches have on the environment and become more informed about the amount of waste created by takeout food and prepackaged lunches. Find out how you can change your habits, including what to buy at farmers markets and how to pack your food to create zero- waste lunches.

Noon, free

Green Zebra Environmental Action Center

Suite 9, 50 Post, SF

www.thegreenzebra.org

FRIDAY, AUG. 6

Worker Cooperative Conference


The public is invited to attend this national conference on the increasingly celebrated concept of worker cooperatives (think Cheeseboard and Arizmendi). Workshops and speakers will look at worker cooperatives as a remedy for larger social and economic problems such as job loss and environmental damage and will present innovative approaches to common challenges cooperative businesses face in accountability and management, financing, governance, vision, and growth.

Fri. 9 a.m.–midnight, Sat. 9 a.m.–11 p.m.;

Sun. 9 a.m.–5 p.m.; $90–$300

Clark Kerr Conference Center

UC Berkeley

2601 Warring, Berk.

www.usworker.coop

SATURDAY, AUG. 7

"Choking on Oil"


Get together with others who are frustrated by the BP oil spill catastrophe and learn about the surrounding issues at this networking performance featuring poets, artists, special guest speakers, and a silent auction to help raise funds for charities. Hosted by Out of Our poetry magazine.

7 p.m., free

Viracocha

998 Valencia, SF

www.outofour.com

Lantern ceremony


Commemorate the 65th anniversary of the atomic bombing of Hiroshima at this Japanese-style peace event. Participants are invited to decorate candlelight peace lanterns that will be floated at sunset during a ceremony that includes reading a message sent by the mayor of Hiroshima and Japanese bamboo flute music. Materials provided.

6:30 p.m., free

Berkeley Aquatic Park

Addison at Bolivar, Berk.

(510) 595-4626

TUESDAY, AUG. 10

Chew on this

Examine the journey our food takes before it reaches our plates, in what ways the supply chains are broken, and what we can do to fix it. Hear about food justice best practices from local professionals, experts, and activists using a labor perspective. Presented by Pursue: Action for a Just World.

6:30 p.m., $10

Local Mission Eatery

3111 24th St., SF

www.fruitsofourlabor.eventbrite.com

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Celebrate popped 16

Pacific Gas & Electric Co. invested some $45 million into a June ballot initiative known as Proposition 16, a change to the state constitution that would have impeded the creation of green municipal electricity programs by requiring a two-thirds majority vote at the ballot. Widely viewed as a bid to secure its lucrative monopoly by snuffing out competitors before they could get on their feet, the utility’s bubble went pop when voters — especially those from PG&E service territory — rejected it.
 
Despite the utility’s deep pockets, a small cadre of public-power advocates and consumer watchdogs across the state worked tirelessly to defeat Prop. 16, employing creativity and volunteer efforts to counter PG&E’s slick, well-funded marketing campaign.

On Thursday, Aug. 5, the No on 16 Campaign Committee and a host of other individuals and organizations who helped defeat PG&E’s ballot initiative will hold a victory workshop and celebration at The Merchants Exchange Building in San Francisco.

The event is two-fold: From 1 p.m. to 5 p.m., a workshop will be held to examine California’s grassroots response to Prop. 16, and to discuss strategies for building a renewable, clean-energy infrastructure throughout the state. At 5:30 p.m., a celebration will get under way with food, music, and a campaign awards ceremony. For more information and to RSVP, attendees should visit www.celebrateno16.org

Sup. Ross Mirkarimi, Marin County Sup. Charles McGlashan, former California Energy Commissioner John Geesman, and others will lead a panel discussion during the workshop. In San Francisco, Mirkarimi was a key opponent of Prop. 16, bringing the Board of Supervisors on board in opposing the initiative, and traveling to Sacramento to speak out against it. He chairs a local commission working to implement CleanPower SF, an ambitious citywide clean-energy program.

No on 16 Victory Workshop and Celebration (free)
Thursday, August 5, 2010; Workshop 1:00-5:00 p.m., Celebration 5:30 p.m. 
The Merchants Exchange Building, Julia Morgan Ballroom, 465 California St, San Francisco

Board had to ask for Lennar’s approval…

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Images by Luke Thomas

The Board of Supervisors found itself in the humiliating position July 27 of having to ask for the approval of Lennar and the city’s Redevelopment Agency before it could amend Lennar’s massive redevelopment plan for Candlestick Point-Hunters Point Shipyard.

If that’s not an argument for reforming how this city approaches redevelopment, I don’t know what is. Especially since the Board’s meeting illustrated only too well how thoroughly Lennar’s local executives, who used to work for the city under Mayor Willie Brown,  understand this game and how to outfoxed any resistance to their ongoing effort to eat San Francisco whole.

“This is a rare opportunity,” Sup. Sophie Maxwell said ahead of the Board’s 10-1 vote (Sup. Chris Daly was the lone dissenting voice) to approve Lennar’s entire plan. “It focuses public and private investment into an area that has lacked it in the past,”continued Maxwell, who represents the district that encompasses the shipyard and Candlestick Point. ” It’s unmatched by any development project in San Francisco. This project is large and complicated, no doubt. But let us not be fearful of this project because of its scale, because how else can we transform a neglected landscape?”

But who wouldn’t be afraid of a deal that found Maxwell, Board President Chiu and Sups. Michela Alioto-Pier, Carmen Chu, Bevan Dufty and Sean Elsbernd joining forces to vote against Sup. Ross Mirkarimi’s proposal that Lennar be required to include a non-bridge alternative?

And who wouldn’t be doubly afraid, given that these six supervisors took that vote after Michael Cohen, Mayor Gavin Newsom’s top economic advisor, was unable to point to a single document to support his claims that Lennar’s $100 million bridge over an environmentally sensitive slough is actually needed?

Talk about scary.

To his credit, Mirkarimi did a good job of illustrating what’s wrong with a process that allows a private developer like Lennar to pitch plans and get mayoral appointees to approve them, but doesn’t allow San Francisco’s elected officials to make any amendments unless the developer and Redevelopment agree.

At the root of this travesty is the fact that redevelopment law trumps municipal law, a power imbalance that creates a shadow government in those few municipalities in California where the city council or board of supervisors is not the same entity as the Redevelopment Commission.

San Francisco is one such municipality, and, as Mirkarimi explained, this is not the first time that Redevelopment’s plans have trumped the concerns of local residents.

“I’m the supervisor for the Fillmore, the first urban renewal laboratory took place in my district, and I vowed to never let it happen again, ”Mirkarimi said, referring to the massive displacement of African Americans and Japanese Americans that took place when Redevelopment decided to makeover the Fillmore in the 1960s.

“I’ve been told, “Don’t worry, Ross, this is not going to happen. We’re not going to use eminent domain,’” Mirkarimi continued. “Well, Jeez, that’s a consolation! Because even when we’ve exercised our legislative influence and given our blessing, [Redevelopment] unilaterally changed the plan after it left the Board. That suggests a condescending role in which the developer is able to go to the Redevelopment Commission and have a unilateral change.”

Mirkarimi was referring to how proposed rental units on Parcel A, the first parcel of shipyard land released for redevelopment, became for-sale condos at Lennar’s request, without the Board having any recourse, even though the area surrounding the redevelopment is ground zero for the city’s last remaining African American community and home to other low-income communities of color.

Deputy City Attorney Charles Sullivan explained that the s supervisors would require the approval of the developer and Redevelopment to amend Lennar’s latest plan, under Redevelopment law. Failing that, their only recourse would be to reject Lennar’s plan in its entirety–a nuclear option that only Daly seemed prepared to carry through.

Sup. David Campos noted that the city’s legal advice had been “somewhat of a moving target.” His comment suggested the Board had  been misled in the critical weeks before this final vote, including ahead of the Board’s July 14 vote to accept certification of the project’s final environmental impact report.

“When a number of us raised questions about the EIR, we were told we couldn’t, but that we would probably be able to make changes to the substantive plan,” Campos recalled. “But now we are getting a more complicated answer.”

Deputy City Attorney Sullivan said the situation was complicated, because some of the proposed amendments “don’t involve a simple stroke of the pen.”

But Campos pointed to the fact that Board President Chiu had introduced an amendment that only allows for a 41 ft. bridge across Yosemite Slough, thereby halving the width of the 82 ft. bridge that Lennar is proposing to build.

That amendment, which Chiu introduced July 12,  leaves the door open for the 82 ft. version of the bridge, if the 49ers indicate interest in a new stadium on Hunters Point Shipyard, a possibility the city claims is still alive, even though Santa Clara voters approved a new stadium for the 49ers this June.

“So, why can you amend the plan to include a scaled-down version of the bridge but not eliminate it altogether?” Campos asked.

“You can make that motion by voting not to approve the project,” Sullivan said.

“So, the change has to point to something already embedded in the project?” Campos asked.

“Or not be a rejection of everything that’s already been brought forward,” Sullivan replied.

After Mirkarimi proposed his no-bridge alternative, along with a slew of other amendments that Daly, Campos, and Sups. Eric Mar and John Avalos had been working on to strengthen the proposed development, Cohen, Mayor Gavin Newsom’s top economic advisor, huddled somewhere in City Hall along with Kofi Bonner,  Lennar’s top local executive and Fred Blackwell, the head of SF’s Redevelopment Agency to decide which of the Board’s amendments they would accept.

Cohen returned with the amendments organized into three categories: acceptable as written, modified, and completely unacceptable.

And predictably enough (to anyone  tracking Lennar’s insistence on a bridge) Mirkarimi’s no-bridge amendment had been tossed into the “unacceptable” pile.

“With regards to your insistence on the economic reasons for the bridge, please point to which document says that,” Mirkarimi said, leafing through the project materials that were piled on his desk.

Cohen mentioned a number of factors, including an alleged “lessening of attractiveness,” “a lower density product” and a reduction of property tax revenue that would be available through tax increment financing to pay for Lennar’s proposed bridge.

“Yes, but I’m still trying to look for the information, and all I’m hearing is this pitch,” Mirkarimi replied. “The economic study is absent. There are no supporting documents here. This is why I feel it’s justified for use to have a review of this.”

Cohen talked some more about “rigorous public discussion over a number of years.”

“But there is no economic study,” Mirkarimi repeated. At which point a deafening silence pervaded the Board’s venerable chambers, much as if the emperor had shown up without his proverbial clothes.

Deputy City Attorney Sullivan broke the silence by indicating that the only way for the Board to move a no-bridge alternative forward would be to stop all project approvals and send the plan back to Redevelopment.

And Mirkarimi reminded the supervisors that at the Board’s July 13 hearing, Cohen had said that there was no conclusive evidence around the need for the bridge.

But then the Board voted 6-5 against Mirkarimi’s proposal, a move insiders said was more about not pissing off Labor, which hopes to create jobs for iron workers, and not pissing off Lennar, whose control runs deep and wide, and less about being convinced of the actual need to build over the last unbridged waterway in the city’s southeast sector.

And a couple of amendments later, the Board gave its blessing and it was all kisses and hugs and applause in the Board Chambers, even though the folks from Dwayne Jones Communities of Opportunities (COO) program, who usually show up to support the plan, strangely weren’t in attendance, rumoredly because their program has been cut off at the knees in the last few weeks, following Jones resignation as COO’s director.

“I wish we had been able to eliminate the bridge,” Campos told me after the Board’s final vote. “I think part of the challenge we have is to reexamine how Redevelopment works and explore the potential for taking it over.”

Mirkarimi was satisfied that he had dissected the arguments against the no-bridge alternative, but feared that institutional memory is lacking on the Board, and that without fundamental Redevelopment reform, the city is in danger of seeing this kind of travesty repeated, over and over.

“A lot of my colleagues have not been involved in the debacle,” Mirkarimo said, referring to how Redevelopment’s infamous role dates back five decades, and how Lennar has been working the local political scene for longer than most of the Board’s current members.

But Maxwell was all smiles.
“I did my homework a long time ago, that’s why they couldn’t touch the core of the project,” she said. “They just added to and augmented it.”

With Maxwell’s days on the Board drawing to a close, I asked what she’s contemplating doing next.

“Sophie is looking into water policies and conservation,” Maxwell said. “Without blue there is no green.

It was about then that Mayor Gavin Newsom released a press statement that blabbed on in vaguely frothing terms about what would happen next.

“Now we can truly begin the work of transforming an environmental blight into a new center of thousands of permanent and construction jobs, green technology investment, affordable housing and parks for our City,” Newsom said

His words came shortly before Bonner said that Lennar would now start looking for investors, and shortly after Cohen admitted that it could be years before anything in Lennar’s plan actually gets built. But none of them mentioned that the Sierra Club and other environmental groups are planning to sue the City over the bridge, an outcome that could have been averted, Sierra Club officials warned, if the No-bridge alternative had been  included in the final redevelopment plan.

Stay tuned….

 

Best of the Bay 2010 Readers Poll: Shopping

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2010 READERS POLL WINNERS:

SHOPPING

 

BEST INDEPENDENT BOOKSTORE

Green Apple

506 Clement, SF. (415) 387-2272, www.greenapplebooks.com

 

BEST USED BOOKSTORE

Green Apple

506 Clement, SF. (415) 387-2272, www.greenapplebooks.com

 

BEST SPECIALTY BOOKSTORE

Green Arcade

1680 Market, SF. (415) 431-6800, www.thegreenarcade.com

 

BEST COMIC BOOK STORE

Isotope

326 Fell, SF. (415) 621-6543, www.isotopecomics.com

 

BEST MAGAZINE SELECTION

Fog City News

455 Market, SF. (415) 543-7400, www.fogcitynews.com

 

BEST PLACE TO BUY VINYL

Amoeba

1855 Haight, SF. (415) 831-1200; 2455 Telegraph, Berk. (510) 549-1125, www.amoeba.com

 

BEST PLACE TO BUY CDS

Amoeba

1855 Haight, SF. (415) 831-1200; 2455 Telegraph, Berk. (510) 549-1125, www.amoeba.com

 

BEST PLACE TO RENT MOVIES

Lost Weekend

1034 Valencia, SF. (415) 643-3373, www.lostweekendvideo.com

 

BEST GROCERY STORE

Rainbow

1745 Folsom, SF. (415) 863-0620, www.rainbowgrocery.org

 

BEST CLOTHING STORE (WOMEN)

Ambiance

Various locations, SF. www.ambiancesf.com

 

BEST CLOTHING STORE (MEN)

Sui Generis

2265 Market, SF. (415) 437-2265, www.suigenerisconsignment.com

 

BEST CLOTHING STORE (KIDS)

Chloe’s Closet

451 Cortland, SF. (415) 642-3300, www.chloescloset.com

 

BEST LOCAL DESIGNER

Colleen Mauer

(415) 637-7762, www.colleenmauerdesigns.com

 

BEST VINTAGE CLOTHING STORE

Crossroads

Various Bay Area locations. www.crossroadstrading.com

 

BEST THRIFT STORE

Thrift Town

2101 Mission, SF. (415) 861-1132, www.thrifttown.com

 

BEST SHOE STORE

Shoe Biz

Various locations, SF. www.shoebizsf.com

 

BEST FURNITURE STORE

Therapy

Various Bay Area locations. www.shopattherapy.com

 

BEST FLEA MARKET

Alameda Point Antiques and Collectibles Fair

Main and Navy, Alameda. (510) 522-7500, www.antiquesbybay.com

 

BEST HARDWARE STORE

Cole Hardware

Various locations, SF. www.colehardware.com

 

BEST TOY STORE

The Ark

Various Bay Area locations. www.thearktoys.com

 

BEST SHOP FOR PARENTS-TO-BE

Peek-A-Bootique

1306 Castro, SF. (415) 641-6192, www.peekabootiquesf.com

 

BEST BIKE SHOP

Valencia Cyclery

1065 and 1077 Valencia, SF. (415) 550-6601, www.valenciacyclery.com

 

BEST PET SHOP

Cheengoo

2250 Union No. 1A, SF. (415) 337-8481, www.cheengoo.com

 

BEST PLACE TO BUY EYEWEAR

Eye Gotcha Optometric

586 Castro, SF. (415) 431-2988, www.eyegotchasf.com

 

BEST CANNABIS CLUB

Harborside

1840 Embarcadero, Oakl. (510) 533-0146, www.harborsidehealthcenter.com

 

BEST STORE STAFF

Community Thrift

623 Valencia, SF. (415) 861-4910, www.communitythriftsf.org

 

BEST QUIRKY SPECIALTY STORE

Paxton Gate

824 Valencia, SF. (415) 824-1872, www.paxtongate.com

 

BEST ECO-FRIENDLY RETAILER

Green Arcade

1680 Market, SF. (415) 431-6800, www.thegreenarcade.com

 

BEST SPORTING GOODS STORE

Sports Basement

Various Bay Area locations. www.sportsbasement.com

 

BEST PLACE TO BUY CAMPING GEAR

REI

Various Bay Area locations. www.rei.com

 

BEST FLOWER SHOP

Church Street Flowers

212 Church, SF. (415) 553-7762, www.churchstreetflowers.com

 

BEST PLACE TO BUY LINGERIE

Agent Provocateur

54 Geary, SF. (415) 421-0229, www.agentprovocateur.com

 

BEST PLACE TO BUY SEX TOYS

Good Vibrations

Various Bay Area locations. www.goodvibes.com

 

BEST PLACE TO BUY FETISH GEAR

Madame S

385 Eighth St., SF. (415) 863-9447, www.madame-s.com

 

BEST ADULT VIDEO STORE

Folsom Gulch

947 Folsom, SF. (415) 495-6402

 

Best of the Bay 2010 Editors Picks: Food and Drink

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Best of the Bay 2010 Editors Picks: Food and Drink


BEST PERKS FOR PROUD PERVERTS

A Web search for every cafe, a cafe for every Web search? All well and good, but what if your search is for the best goldarn double-sided dildo there is — and you’re sick of that uptight suit over there eyeing your Googles? Proudly pervy surf-and-sippers, you officially have a kick-it spot. Kink café and boutique Wicked Grounds not only brews steamy cups of Ritual coffee, but hosts regular meet-and-munches where you can warm up to your next dom, sub, or whatever you’re into these days. The welcoming staff can be easily convinced to serve coffee from a dog bowl for the right slave. (Caution: contents may be hot!) They might also be able to help out with that just-right vibe hunt: shelves by the front counter stock all the finest gear in Super Sexy Toyland.

289 Eighth St., SF. (415) 503-0405, www.wickedgrounds.com

 

BEST EFA DOSE ON TOAST

When it comes to sardines, you have to think outside the earthquake shelter. On the flavor-ometer, the tinned food of last resort (served on tarps in the shelter with Saltines and stale water) bears no resemblance to its freshly grilled or roasted self. Not only are the little silver herrings tasty, they pack a megadose of essential fatty acids, the stuff nutritionists keep nagging us to eat more of. But no one needs to tell this to the Italian-inspired chefs who created the sardine sandwich at Barbacco Eno Trattoria, the more casual relation of Perbacco in the Financial District. Unlike restaurants that play it safe with sardines by smothering them in mayonnaise and lemon juice, Barbacco tops its sardines with seared calamari. Not most people’s first choice, perhaps, but the two get along swimmingly, especially when served on an Acme torpedo roll and slathered with arugula and “roasted tomatoe condimento.”

220 California, SF. (415) 955-1919, www.barbaccosf.com

 

BEST HOLE IN ONE

When people start trash-talking donuts, it’s hard not to imagine a life in which the person was weaned on Hostess or Entenmann’s and maybe stepped up to Dunkin’ or Krispy Kreme on special occasions. In other words, we’re talking a lifetime of mass production, where the only donuts these people have encountered spent their nasty, brutish, and short lives being callously blended in giant vats and stuffed into huge ovens, untouched — nay, unkneaded! — by human hands. Not so at Dynamo Donuts & Coffee, the small, open-air stand in the Mission that is diligently working to give donuts a good name. Each day the artisanal bakery makes seven to 10 types of donuts, all by hand. Standouts include the maple-glazed bacon apple, spiced chocolate, and lemon Sichuan filled with lemon curd and Dynamo’s incomparable “dredge.”

2670 24th St., SF. (415) 920-1978, www.dynamodonut.com

 

BEST FOWL TO TABLE

Which came first: the chickens or the eggs? At Stable Cafe, what probably came first was a commitment to fresh, local, sustainable food, which led to its farm in Santa Rosa, which led to its chickens, which led to its eggs, which led to its egg and cheese breakfast sandwich, which is a savory, molten marvel of scrambled egg and cheddar on thick, toasted Acme bread. But this light, airy Mission District cafe, beautifully renovated by architect Malcolm Davis in one of SF’s original carriage houses, brings that kind of integrity to everything it does. Its credo seems to be, do a small number of things well (know thy chickens; bake thy own muffins) — and adhere it does. And if you want to pay homage to the laying lovelies who created your eggs, Stable has their photos on the wall.

2128 Folsom, SF. (415) 552-1199, www.stablecafe.com

 

BEST CZECHVARS WITH A TWIST OF BOHEMIA

For a city with such a strong bohemian reputation, San Francisco has surprisingly few spaces that capture some of the flavor of the actual place. Yes, Virginia, there really is a Bohemia — and its capital is Prague. (One prefers the emphatic German spelling: PRAG. No lazy French vowels trailing behind, doing nothing!) And, speaking of nothing, nothing says Prague quite like a mug of the beer known to the Czechs as Budvar but to us, we of the North American market — perhaps because of a potential conflict with Budweiser — as Czechvar. A splendid place to enjoy said beer, whatever its name, is at the aptly named Café Prague. The feel inside is wonderfully Mitteleuropean, while the calorie-rich food emphasizes such basics as starch, meat, and fat. You probably won’t leave hungry, or sober.

2140 Mission, SF. (415) 986-0269

 

BEST CULINARY MULTIPLE PERSONALITY

Photo by Ben Hopfer

Don’t be deceived; Red Crawfish isn’t some kind of Red Lobster knockoff. The name is (we guess) a sly joke, and the restaurant does offer crawfish. But neither the jokey name nor the serving of crawfish is what makes the restaurant special. No, the reason you’ll remember Red Crawfish is because of its split personality. And although in human beings, split personalities are generally problem personalities, it’s different — and better — with restaurants (in this case, all Jeckyll and no Hyde). By day, Red Crawfish is an ordinary-looking Tenderloin restaurant that lays out an agreeable east Asian menu. But when the sun goes down, the place morphs smoothly into a Cajun spot whose gumbo is superb. Good gumbo doesn’t exactly grow on trees in these parts, so for this dish alone, let us all give thanks to Red Crawfish, whichever one it may be.

611 Larkin, SF. (415) 771-1388

 

BEST MEXICAN LESSON

If Mexican cooking is underrated in this country, part of the reason must be that we’ve been exposed to fast-food chain tacos and, even in our very own Mission District, overexposed to the burrito — which isn’t even authentically Mexican. God save the burrito anyway; it gives a lot of bang for the buck, and that’s important in these shriveled times for starving students and plenty of others. But there’s a real education to be had as well in the foods of Mexico, and a good place to audit the class is Nopalito, an offshoot of the highly regarded Nopa. The care taken about ingredients matches that of the nearby mothership, and the menu ranges nimbly across regional specialties, many of which are unfamiliar. The carnitas are recognizable, but they are also spectacular. It will be as if you’ve never had them before.

306 Broderick, SF. (415) 437-0303, www.nopalitosf.com

 

BEST PUPUSAS AND GOOOAAAALLL!!!S

Football and food take on more global connotations at Balompié, and that’s just bueno. The restaurant is well-hung with huge flat-screen televisions showing soccer matches from around the world, and the food is splendidly Salvadorian at a modest cost. This means lots of pupusas and pasteles, along with exotica like pacaya (pickled date palm blossoms), and — to rinse down all this bounty — the Salvadorian beer Regia, which comes in bottles that resemble howitzer munitions. But the best thing about Balompié is that at its heart it’s a sports bar. Men like to watch sports on big TVs while drinking beer, and it doesn’t matter whether they’re speaking Spanish, drinking Regia, or pulling for Costa Rica, pupusas in hand.

3349 18th St. (also at 525 Seventh St. and 3801 Mission), SF. (415) 648-9199 (558-9668, 647-4000)

 

BEST CREPE ME UP BEFORE YOU GO-GO

What do we miss most about Paris in the spring? The hip-hop boys with their gold chains and exposed biceps, the gamine girls in strappy heels, the constant elusive threat of rain, the crowds at Paris-Plages, laden with beer bottles, acoustic guitars, and joie de vivre. But above all, we can’t help reminiscing about those street crepes, fresh off the griddle, just the ticket for staving off those inopportune late-night hunger pangs, and great for soaking up any excess vin ordinaire in the bargain. Hooray! The 11th Street corridor’s Crepes A Go Go serves up the best street crepes this far side of the Maginot line. Starting at just $2.50, each crepe is made to order, and filled to oozing point with a decidedly Californian array of savory or sweet options. Open until 4 a.m. on weekends, with complimentary French hip-hop and comfy street-side sofa seating in the bargain. Take that, bacon-wrapped hotdog cart.

350 11th St. and other locations, SF. (415) 503-1294

 

BEST SCONES WITH A SIDE OF ASIMOV

Do you remember when the venerable coffee shop was a place people gathered to hang out instead of network? Where gamers would shuffle their Magic decks, writers would swap paragraphs, readers would sit quietly for hours with a good book and a pot of tea, and caffeine-fueled college kids would cram like the dickens? Welcome to Borderlands Café, the newest darling of the Valencia Street corridor. An offshoot of the classic Borderlands Books sci-fi bookstore, it’s already attracted quite a cross-section of trend-spotting caffiends and café nostalgists who just want to converse without being shushed by perfectly-coiffed app-oholics. And with a huge selection of magazines, comfy chairs, and scrumptious cheddar cheese and onion scones, Borderlands has a lot to offer even the solo café dweller. Except for Wi-Fi, which is actually our favorite perk of the place.

Borderlands Café, 870 Valencia, SF. (415) 970-6998, www.borderlands-cafe.com

 

BEST MOUTHWATERING MAYAN

It’s not situated in a chic location, unless you’re looking for snazzy new rims or a car wash. But Poc Chuc is well worth a trip down a less-bustling stretch of 16th Street for its unique Spanish-Mayan fusion cuisine. Open for lunch and dinner five days a week, the small, unadorned restaurant offers an array of dishes that inject an ancient, mouthwatering twist into standard Latin American fare. (Think plenty of smoked turkey, grilled tomatoes, pickled onions, and, of course, maize in several iterations.) A platillo Maya appetizer platter combines some of its tastiest, bite-sized creations, with plenty to share among a group — but no fighting over the pork empanadas or turkey salbutes! Main dishes include the signature Poc Chuc — grilled citrus-marinated pork topped with grilled tomatoes — and a reliable daily specials menu. Go for the mole!

2886 16th St, SF. (415) 558-1853, www.pocchuc.com

 

BEST GOOEY MAGIC (NO ELVES REQUIRED)

If you don’t like cookies, feel free to skip ahead. But if you were born with taste buds and an appreciation for delicious gooeyness, you’d do well to hit up Anthony’s Cookies. There is indeed an Anthony — likely you’ll see the man himself when you stumble into his Valencia Street shop, lured by the prospect of fresh, hot, calories-be-damned treats. And if Anthony looks like the happiest guy on planet Earth, he probably is — he bakes cookies for a living, after all — using only natural ingredients. Who’s magical now, Keebler Elves? Flavors include the usual suspects, plus variations on chocolate chip (semisweet, with walnut, using white chocolate … ) done to soft-meets-crisp perfection, plus inspired creations like cookies and cream and whole wheat oatmeal.

1417 Valencia, SF. (415) 655-9834, www.anthonyscookies.com

 

BEST XXX

Sink happily into the dark brown booths at Baker and Banker for a memorable Cal cuisine dinner — sweet corn bisque with a plump lobster hush puppy, maybe, or sausage-stuffed quail in a coffee-molasses glaze. Husband and wife chef duo Jeff Banker and Lori Baker get it right with each dish. But you could visit for dessert alone with Lori’s ever-changing wonderland of a dessert menu. In fall, dessert might be pumpkin cobbler, steaming hot with a crunchy top and cooled with candied pumpkin seed ice cream. In summer, a cherry tarte tatin accented by salted caramel and amaretti rules. Awesomely, the Baker and Banker’s XXX triple-dark chocolate layer cake is a constant. This orgiastic slice stands tall with a bottom layer of dark, dense flourless chocolate. Not to be outdone, the middle is a tangy chocolate cheesecake, while the top finally gives you a density break with traditional chocolate cake. One of the more satisfying threesomes in town.

1701 Octavia, SF. (415) 351-2500, www.bakerandbanker.com

 

BEST FRESH KASHI PAN

Sandbox Bakery is a pocket-sized cafe in Bernal Heights serving Ritual Roasters and De La Paz coffee with classic pastries like Valhrona chocolate croissants or orange currant scones. But it doesn’t end there. Owner and pastry chef Mutsumi Takehara’s background ranges from Slanted Door to La Farine, and her creations span a world of taste. Sandbox’s Japanese sweet bread, or kashi pan, is a lightly sweet brioche filled with the likes of melon or yuzu marmalade with sage. Or, in its savory form, it comes challah-like with negi-miso, curry or red bean paste filling. Daily special sandwiches often express a fusion of cuisines: Thai chicken croque-monsieur; an apple, smoked gouda, and rosemary spread over fresh baguette, or a teriyaki chicken rice burger with sticky rice as bun. A Zen-like experience with Parisian spirit.

833 Cortland, SF. (415) 642-8580 , www.sandboxbakerysf.com

 

BEST HOT HAKKA

Not familiar with Hakka cuisine, the regional cooking style of Southeast China that’s got food bloggers in a hot lather? It’s time you became acquainted. Head to the Outer Richmond and get schooled at Hakka Restaurant. Hakka looks like any other nearby Chinese joint, but there’s a legitimate pride in the service and an uncommon freshness to the food. Dishes include salt-baked chicken, fried strips of pumpkin coated in salted egg, crisp Chinese broccoli sautéed in rice wine, and ngiong tew foo, or stuffed tofu cubes. Kiu nyuk, a beloved Hakka dish, has two known versions, the more common served here: fatty pork belly layered over preserved mustard greens and mushrooms in a dark and complexly herbal sugar-soy sauce. Slice through layers of skin and fat to the tender anise-scented meat and you’ll be hooked on Hakka.

4401-A Cabrillo, SF. (415) 876-6898 BEST FRIENDLY YEMENI

This spring, on the western edge of the Tenderloin, a humble little restaurant opened quietly: Yemeni’s. Owner Ali Abu Baker and his staff convey a warmth almost equal to that of the piping Yemeni bread coming from the oven (useful for sopping up hummus with strip steak). Shawerma, baba ganoush, tabbouleh, and other Middle Eastern favorites are available. But the real draws are traditional Yemeni dishes like salteh, the country’s national dish: a meat stew topped with hilbeh — a tomato-based, chutney-like dip spiced with fenugreek, garlic, and cardamom — and zhug/sahaweq, a hot pepper sauce. Sip Yemeni coffee accented with a spice mix called hawayij. Baker shares his passion for his native country’s food at prices that encourage feasting for mere dollars. Stop into neighboring Queen of Sheba market for Middle Eastern groceries to complete your culinary journey.

1098 Sutter, SF. (415) 441-8832, www.yemenirestaurant.com

 

BEST SLAMMIN’ KOREAN STEAK SANDWICH

Rhea’s Deli is an unassuming, even demure, counter hidden inside a Mission District convenience store. But then the bad-ass $8 Korean steak sandwiches come out and the gloves come off. You’ll be fighting for — or at least gladly waiting up to 30 minutes in line for — a chance to sink your teeth into one of these babies. (Smart steakers call ahead and preorder). Once you’ve scored, it’s tempting to wolf down this mountain of tender, spicy Korean beef, shredded cabbage, red onions, and cheddar cheese on a crunchy baguette. Avoid this animal urge and take it slow, allowing the pleasure to last. Rhea’s offers an array of other savory lunchables as well, from a katsu sandwich with pork loin fried in Japanese breadcrumbs to a 19 Street sandwich with roast beef, Vermont cheddar, pepper jack, avocado, and pickled jalapenos. But, you know, steak.

800 Valencia, SF. (415) 282-5255

 

BEST BEELZEBUB BREW

The appropriately named Coffee Bar offers a double whammy of appeal: it occupies an impeccably cool industrial-looking space for laptop workaholics and serves some truly eye-opening coffee. Mr. Espresso coffee beans provide the kick in bracing espressos and cappuccinos; an ultra-expensive, ultra-shiny Clover machine dispenses perfect single cups. Unlike chain-like offerings of watered-down, cloyingly sweet mochas and “specialty” coffees, the additional drink menu items here are crafted with punch. Vietnamese or Havana coffees (conveniently hot or iced for those variable summer days) are sure things. But our taste buds go up in flames for Coffee Bar’s El Diablo. A devilishly smooth mix of espresso, chipotle-infused milk, and Guittard chocolate, the robust brew marries a hint of cocoa sweetness to subtle heat. Yes, we’re probably going to hell for worshipping El Diablo. But at least we’ll be awake for it.

1890 Bryant, SF. (415) 551-8100, www.coffeebar-usa.com

 

BEST OCCASIONAL KANGABURGER

Trek to a mellow stretch of Clement Street and enter the “five-star dive” environs of Tee Off Bar & Grill. You might assume it’s all right for a beer and little else — but you’d be wrong. The place is comfortably worn, sure. But regulars and staff soon feel like old friends, often sharing one of their spare Bronx Bombers (fiery BBQ chicken wings) or beer-battered mushrooms. The next surprise comes when you exit the dim interior to a sunny back patio with picnic tables and random paraphernalia from popular pirate parties (ask your bartender). A chalkboard reveals weekend specials. Wait! Is that a $20 kangaroo burger? After you’ve balked at the price, you can’t pass up this adventurous challenge, especially when the burger is plumped up with fried onions and kiwi relish. Make sure you call ahead, since Tee Off only serves it on occasional weekends and until supplies run out. If the roo’s already hopped, other worthy eats like ostrich burgers or Paul’s Crafty mac ‘n’ cheese, a four-cheese blend with pancetta blessed by Guy Fieri himself, will satisfy.

3129 Clement, SF. (415) 752-5439, www.teeoffbarandgrill.com

 

BEST DEVILED DELIGHT

When the rustic-chic Marlowe first opened, it offered a seemingly straightforward menu of bistro staples like steak frites and cheesy cauliflower gratin that seemed anticlimactic. But chef Jennifer Puccio’s faith in the classics and elegant marshaling of simple ingredients soon paid off: raves began to roll in — especially for the jaw-widening burger loaded with caramelized onions, horseradish aioli, and bacon. But the burger isn’t the only star on the lunch menu. Diving into Marlowe’s deviled egg sandwich is not settling for second best. Simple in presentation, it’s one of the finest egg sandwiches out there, an open-faced beauty with a layer of crisp, meaty bacon, aged provolone, pickled chilis, and horseradish aioli on the side (perfect for accompanying fries). Order addictive brussels sprout chips and let the office know you won’t be back for a while. The only proper way to wrap up such a heartwarming lunch is to take a nap.

330 Townsend, SF. (415) 974-5599, www.marlowesf.com

 

BEST SOUS-VIDE SOUS-BUDGET

One expects to shell out a pretty penny to partake of gourmet cooking techniques like sous-vide, or vacuum-packed slow cooking. But Berkeley’s eVe defies such expectations with a palate-tickling, surprisingly filling two-course prix fixe menu for $25 that includes several sous-vide items. The set menu offerings change often (additional items are steadfastly priced at $11 each), but husband-and-wife chef team Christopher and Veronica Laramie always keep it lively, highlighting the tastes of Veronica’s native Peru. Grilled squid ink risotto gets a tart kick from candied kumquats and yuzu. Diver scallops are brightened by lime leaf, edamame, mint, and delicate salmon roe. A sizable piece of fatty-licious pork belly pairs with a warm watermelon radish, chive flower, and a paper-thin slice of candied Buddha’s hand. Dessert might be goat brie sweetened with apricot, red wine, and a welcome contrast of shallots and flax seeds. In other words, world-class gastronomie d’avant-garde priced to appeal to ramen-weary students.

1960 University, Berk. (510) 868-0735, www.eve-berkeley.com

 

BEST BAR BRUNCH WITH BUNNY CHAO

It is with humor and reverence that one dines at Three Papayas, a pop-up Sunday brunch from 12 p.m.-4 p.m. at Doc’s Clock bar. Mismatched Michael Jackson placemats abound, and Bibles and porn-laced comic books act as menu-holders. Creative chef Ta-Wei Lin emphasizes fresh and funky Vietnamese and Thai flavors. His menu of four or five changing items per week (everything is $8) might include pan-fried rabbit, Filipino sisig, chicken or vegan Vietnamese crepes, or viet banh canh with clams and coconut sauce. If it’s available, hop on the unusual Bunny Chao, a hollowed-out loaf of bread — filling piled neatly on the side — overflowing with green lentils, veggies, and cardamom pods. Chef Lin garnishes with seasonal fruits like figs, passion fruit, and, of course, papayas, making his plates fun to behold, but even better to eat. In the lovably grungy Doc’s setting, pair your food with a peppery bloody mary, and join your fellow dive-tastic brunchers in a round of hallelujahs.

2575 Mission, SF. (415) 824-3627, www.docsclock.com

 

BEST BIG EASY OVER EASY

Morning at Brenda’s French Soul Food: where to start? Grillades and grits or crawfish beignets? Fried shrimp po’boy or sloppy Josephine? Eggs and andouille? Oui, Oui! This wee spot on Polk Street — open for breakfast, brunch, and lunch — is a showcase of the strikingly huge flavors of New Orleans-style French and Creole cuisines. The portions are big, the atmosphere strikes a note between quaint and cosmopolitan, and wonderfully named Filipino-Creole chef (and New Orleans native) Brenda Buenviaje keeps the flavor flowing. The only drawback, besides having to brave the tiny curbside riots to get in, is having to choose among the many dreamy menu items on offer. Make sure, however, to wash down Brenda’s must-try gumbo with a glass of sweet watermelon iced tea before proceeding to the next steaming dish.

652 Polk, SF. (415) 345-8100, www.frenchsoulfood.com

 

BEST SLICE OF SPICE

From slammin’ New Mexican resto Green Chile Kitchen comes Chile Pies, a low-key dessert café offering a spicy paradise of crave-inducing organic sweets. Seriously, if you thought Southwestern desserts were frozen in a sticky Bimbo-landia of saturated fats, this joint will blow your buds. Blue corn waffle cones, Straus Family soft-serve, Café Gratitude raw vegan ice cream, and fantastic floats (ginger ale with cardamom ice cream, anyone?) are just a few of the tasty treats at the Panhandle hot spot. The main draw is the rotating cast of daily pie specials, from the simple, like banana cream, to the sophisticated, like a tangy green chile apple with walnuts and red chile honey drizzle. Can’t decide between a scoop of Three Twins Ice Cream or a slice of chocolate peanut butter pie? No problem, have both in the form of a frosty pie shake. And then there’s Chile’s piece de resistance: a classic Frito Pie, with organic Niman Ranch beef and Mexican red chile. You can have pie for dinner and dessert.

601 Baker, SF. (415) 614-9411, www.greenchilekitchen.com/chilepies

 

BEST GIANT FEAST FOR GIANTS FANS

Do thoughts of those wallet-demolishing $9 beers at AT&T Park leave you with a sinking feeling in your stomach? There’s no need to get shut out of lunch or dinner plans around game time — hightail it to nearby Hard Knox Café for a true meal steal. Heaping soul food plates of smothered pork chops, Cajun meatloaf, barbecued spare ribs, and chicken and waffles, available at super-affordable prices, will last you all 54 outs and then some. Hard Knox’s no-nonsense shrimp po’boys and hot link sandwiches to go will keep you doing the wave through extra innings at a fraction of ballpark prices. Better yet, order a perfectly battered pile of fried chicken, settle into one of the comfy booths, and watch the entire game on the flat screen. You can order round after round from Hard Knox’s stellar selection of microbrews without missing a minute of the action.

2526 Third St., SF. (415) 648-3770, www.hardknoxcafe.com

 

BEST VIRGIN KICK

Don’t know about you, but we periodically have these Jack Nicholson Five Easy Pieces chicken salad sandwich moments at oyster bars, where we want to say, “We’ll have an order of oysters with lemon, cocktail sauce, and horseradish. Now hold the oysters — and bring me the lemon, cocktail sauce, and horseradish.” That’s why whenever we order a virgin Mary at Rose Pistola in North Beach, we get the spooky feeling that the bartenders have read our mind. The secret of their piquant housemade mix is, according to several staff members, secret (although one staffer did divulge that the bartenders add horseradish to the traditional tomato juice-Tabasco-Worcestershire combo). On top of this, Rose Pistola adds a green olive, pickled onion, and slice of lemon. You won’t even miss the vodka — or the oysters.

532 Columbus, SF. (415) 399-0499, www.rosepistolasf.com

 

BEST MIX MASTER, WITH MARMALADE

Photo by Ben Hopfer

A tucked away, speakeasy-like space on the second floor of the Crescent Hotel, minus the masses and snobbery: that’s where you’ll find the Burritt Room and its founder, master mixologist Kevin Diedrich. In the brick-walled space accented with sparkly chandeliers, black and red couches, and white piano, Diedrich shakes and stirs from a reasonably-sized menu of 18 rotating cocktails. He doesn’t just craft the classics, though there are plenty of those. Diedrich also creates inventive new drinks — often featuring marmalade — like the sparkling Hitachino Sour with bourbon, orange marmalade, lemon, sugar, and orange bitters, topped with Hitachino White beer. His experience lies in some of the country’s greatest bars from East to West. Diedrich sets a welcoming, unpretentious tone, has assembled a tight team of bartenders, and will take you on tasteful journeys nostalgic and new.

417 Stockton, SF. (415) 400-0500, www.crescentsf.com

 

BEST VEGAN CHARCUTERIE

Oh, if all our utopias were this dreamily delish. Ideally situated on green perch of reclaimed woodland on the edge of the UC Berkeley campus, halcyon eatery Gather offers seasonally minded, meticulously sourced food (complete with a sizable, possibly TMI volume, available to diners, detailing all providers and particulars). Vegetarians and vegans will be pleased to know that former Millennium sous chef Sean Baker has given much thought to its selections: the menu is 50 percent vegetarian, the star of which is undoubtedly the artisanal vegan “charcuterie” platter, which might include the most delicate tofu-skin tower or an Tuscan Rose eggplant with cashew “ricotta” and fennel-top pesto. Expect biodynamic and organic California wines, as well as piquant cocktails like the Secret Breakfast, composed of smoked peach scotch, bacon cello, spicy honey, and egg whites.

2200 Oxford, Berk. (510) 809-0400, www.gatherrestaurant.com

 

BEST BOW TO THE ANCIENT BACON GODS OF CATALUNYA

With or without you, we’re set to indulge our love of refined yet pleasure-minded Catalan cooking — and the pitch-perfect Contigo, which translates as “with you,” has us murmuring “Bon profit!” like a native of the land of Gaudi and Dali. The crowds have made this industrial-moderne Noe Valley restaurant the most popular spot in the hood for its wonderfully authentic Catalan tapas, artisanal Spanish and stateside hams, and fresh Catalan flatbreads — studded with wild nettles and porcinis (add a farm egg, anchovies, or Fatted Calf bacon). Aficionados of whole-critter eating won’t shy away from the tripe and chorizo and chickpeas or the oxtail-stuffed piquillo peppers, all sourced from local organic providers. And everyone, including the finicky ankle-biters, will want the albondigas, or pork and ham meatballs. For here the pig reigns supreme, even on the cookie plate, which includes a piglet-shaped peanut butter and bacon number.

1320 Castro, SF. (415) 285-0250, www.contigosf.com

 

BEST ITTY BITTY TREATS FOR TWI-HARDS

Moist and addictive, this blood-red baby is so tiny it’s totally OK to sink your fangs into a foursome and not break the Eternal Oath of Your Diet. Sure, his type wasn’t born yesterday, but damn, the way he stares at you, his skinny jeans, that whipped topping that glistens in the sun … the Rich Red Velvet cupcake at Cups and Cakes Bakery, named for its deep, vampire-luring color and smooth, timeless flavor is enough to blow our Team Edward minds. (Jacobites can tear into other flavors on offer, like Pretty Pretty Princess and Rainbow Bright. Just sayin’.) Did we mention the rich swirl of cream cheese and the crimson sprinkles? Que bella! Step into Jennifer Emerson’s beckoning SoMa bakery and drool over the perfectly constructed cuppies therein. And don’t worry, these beauties won’t make you wait three sequels for your first bite.

451 Ninth St., SF. (415) 437-2877, www.cupsandcakesbakery.com

 

BEST AL FRESCO FEEL-GOOD

Nestled amid boxy-lofty tech startups and the frenetic energy of AT&T Park lies the small green courtyard wonderland of Crossroads Cafe. The sprightly enterprise is a component of the Delancey Street Foundation, one of the country’s most innovative self-help organizations for the homeless, which has filled up this quiet little SoMa block with 370,000 square feet of housing, vocational schools, and the well-regarded Delancey Street Restaurant. But at Crossroads, all that is readily apparent of this commendable social enterprise is the distinct impression that the staff — composed mostly of Delancey residents learning workforce skills — wants to create the best darn cafe ever. Proceeds from the large menu go toward resident education and support. Pass through the small bookstore and grab Michael Chabon’s new bestseller, order a housemade waffle or scoop of coconut ice cream, and settle into a seat on the garden patio for a little soul sunshine.

699 Delancey, SF. (415) 512-5111, www.delanceystreetfoundation.org

 

BEST MICROBREW MUTINEERS

You’re always down for a 40 on the corner, a Bud on the stoop, or a PBR from your purse on Corona Heights. But sometimes you want an actual beer. You know, the kind that doesn’t taste like you wrung out a hipster’s legwarmers in your mouth. You’ve considered venturing into the labyrinth of microbrews, but microbrew culture turns you off — kind of snobby, kind of midlife-crisis-y, definitely confusing. Relax and revolt: Beer Revolution, downtown Oakland’s new grade-A beer store, will guide you into superlative suds with deep knowledge and just the right amount of edge. Staff connoisseurs offer tastes of recommended nectars, and a generous deck studded with picnic tables encourages kicking up your Doc Martens and glugging with abandon. Besides bottled bounty, there’s a spirited band of ever-rotating, ever-satisfying selections on tap, like Meantime Scotch Ale, Caracole Nostradamus, and Alagash Black. Slip on a balaclava and pop a few caps at bland brewskis.

464 3rd St., Oakl. (510) 452-2337, www.beer-revolution.com

 

BEST SWEET BEWILDERMENT

You know those foodies (maybe you’re one) — so up on the blogs and culinary porn rags they think they’ve tasted everything under the sun. Well, unless these epicurean explorers have logged some serious hours at 100% Sweet Dessert Café in the Outer Richmond, they’ve surely left some sugary stones unturned. You simply will not find a menu that covers more enticing and bewildering acreage — at least 10 massive pages illustrated with a complex grid system that showcases a dazzling plethora of Asian desserts. Two you might want to sample: crystal rolls (clear rice paper sachets of sweet sugary goo and fresh mangos and strawberries) or a selection from the extensive jelly drink section of the menu. Sure, the many of the sample photos look like fairy tale versions of your saltwater aquarium’s decorative fauna, but your fish seem to lead delicious lives, right?

2512 Clement, SF. (415) 221-1628

 

BEST TOTALLY WORTH-IT TOOTHACHE

Photo by Ben Hopfer

When Jamie Kasselman hands you a box on your birthday, you better be stoked. Presentation is key. Before opening her candy store in the Marina, she was famous for her impeccable flair for arranging sweets on designer dishes — a clear inspiration for the achingly sweet décor at Sweetdish. Kasselman has it well stocked with classic candies, designer chocolates hailing from mouth-wateringly diverse locales ranging from Colombia to Ghana, and even some treats made closer to home. (Kasselman makes her own line of fantastic homemade flavored marshmallows. Want-want-want!) It can be difficult to decide between all the fanciful bulk candy options — we’re naturally drawn to all the strawberry and lemon goodies — but the pretty salesgirls will feed you samples of from bags of irregulars behind the counter if you ask … sweetly.

2144 Chestnut, SF. (415) 563-2144, www.thesweetdish.com

 

BEST VIRTUAL VEGGIE GURU

Vegetarian goddess Heidi Swanson started her essential 101 Cookbooks blog way back in the ancient year of 2003. It was a way to start putting her massive cookbook collection to use, combining her love of cooking with her interest in photography. The result is a comprehensive vegetarian go-to guide for making simple, delicious recipes infused with her own San Francisco flair. Swanson focuses on natural, whole foods and ingredients, frequenting SF’s many farmers markets and organic foods stores. Then she tells readers how to whip up gems like chile blackberry syrup, Tuscan ribollita, and Rajasthani buttermilk curry. Each post walks you through her experiences with colorful photos and descriptions, substitution suggestions, and cooking tips. She’s since published two meat-free meatspace cookbooks of her own — mere amuses bouches to her blog, which contains reams of virtual veggie lore. If you ever wondered what the name of that funny squash is or what to do with halloumi cheese, give her a click.

www.101cookbooks.com

 

BEST PICKLED PLEASURE REVIVAL

Oh, pickled egg! Like your glass-jarred, vinegar-soaked, bar-top cousins the pig’s foot and the giant gherkin, you have for years endured the tipsy sneers and simulated gagging of drinkers who never gave you a chance. Once the prince of any bar worth its salt, an easy snack for barflies and hofbrauistas alike, you slipped into ovoid obscurity. Now one bar has resurrected your sweet purple form by giving it a gourmet spin. Who’d pass up a go at pickled quail eggs at the Alembic in this age of adventurous eating? It just goes to show that if you repackage something, provide the proper ambience, and price something at $2, you can get someone to eat just about anything. Perfect with Alembic’s saucy cocktails, you’re a hit with highbrow tipplers. Now please put in a good word for your forgotten cousins.

1725 Haight, SF. (415) 666-0822, www.alembicbar.com

 

BEST CUTE CUBANO

Any eatery can slap some pulled pork and pickles on a panini and call it a Cuban sandwich. But true Cuban food connoisseurs venture to Market Street’s upper climes to dig in at the tiny Chan Chan Café Cubano, a cute café by day that at night becomes a paradise of traditional dishes prepared with a gourmet touch. Entrees like ropa vieja and pollo en hoya are spectacular, but you may just pack them up to go after feasting your way through the well-priced tapas menu, which includes scrumptious croquetas, hongos, and camarones criollos. Plus, hello, a couple pitchers of sangria. With true Cuban flair — when the electricity goes out, as it sometimes does, a rewarding fever of culinary improvisation descends — and a laidback, handsome staff (yes, you may have to wait a bit for your order to come out of the one-stove kitchen, but you’ll have plenty to look at), Chan Chan is indeed one of those “hidden gems.”

4690 18th St., SF. (415) 864-4199

 

BEST DAMN CIOPPINO

Photo by Ben Hopfer

Best cioppino? Them’s fightin’ words in San Francisco, where the thick, rich seafood stew originated. But we’re serious. As certified fish freaks always eager for a fix of this blues-obliviating local delicacy, we’ve tried our fair share. And we can safely say that the home-style cioppino at Sotto Mare is the best. The key — besides the incredible tang of the smoky tomato broth and flawlessly fresh crab and fish chunks, scallops, mussels, and shrimp loaded within — is the atmosphere. Run by beloved, no-nonsense North Beach legend Gigi Fiorucci (don’t squeeze that lemon wedge over your superbly grilled sand dabs or he’ll reprimand you), Sotto Mare has a true family feel, a bustling business of diverse diners, and a haphazard décor that recalls San Francisco’s ramshackle maritime past. When that steaming cioppino tureen, more than enough for two, is placed on the table by the gregarious waitstaff, you feel a delicious connection to SF history.

552 Green, SF. (415) 398-3181, www.sottomaresf.com

 

BEST WIENERAMA

Never mind the ubiquitous fancy food carts or “third wave” coffee shops springing up in back alley garages — wieners were everywhere this past year. The explosion of gourmet and not-so-gourmet hot dog stands, joints, and full-on restaurants worked to balance all the epicurean exotica with some down-home comfort for those who were raised in a broke-down Chevy on televised baseball and McDonald’s apple pies. All were worthy, but one in particular consistently heated our buns: Showdogs. This “emporium of sausages” keeps it classy with a spotless, tin-tiled interior and organic ingredients like wild boar and merguez, while still appealing to the everyday eater with a sporty sense of humor — we’re suckers for the 49er, an all-beef Schwartz dog with housemade mustard, arugula, and, gasp, real sauerkraut. Add some barbecue fries and a Trumer Pils, and this hearty barker wins best in show.

1020 Market, SF. (415) 558-9560, www.showdogssf.com

 

BEST PLACE TO HORK DOWN HALF A BIRD

“I just ate half a chicken.” That declaration is written on a Post-it stuck to a cubicle at the Guardian offices. The sticky piece of pastel paper has since been signed by other people besides the original chicken lover. What can you say? Unless you’re the staunchest vegetarian, sometimes you just get the urge to eat half a chicken. Thai BarBQ in Potrero Hill was ideal for such moments, but it’s flown the coop. Luckily, Baby Blues BBQ is here to satisfy those extra-intense and voracious aviary cravings. The restaurant’s Marion County slow-smoked yard bird is served with a tangy barbeque sauce, but be sure to ask for the special Sassy Molassy molasses sauce. Add in corn bread and a choice of two fixins (sautéed okra, mac ‘n’ cheese and corn on the cob are some of the best options) and at a grand total of $15, you’ve got a deal only a fool would cluck-cluck at.

3149 Mission, SF. (415) 896-4250, www.babybluessf.com

 

BEST RAMEN PHENOMENON

We all know about chicken soup for the soul, how about delicious soup for the skin? Because its pork bone broth contains collagen and calcium, tonkotsu ramen has a rep as the genuinely edible version of a spa facial. There are some delicious tonkotsu ramens in Vancouver and San Francisco, but they’re all matched and even superceded by the subtle one at Asuka Ramen, which manages to be rich and light within a single spoon-size sip. Ramen establishments have popped up all over the city in the last year or two, but Asuka steers clear of trendy trappings and delivers the low-priced goods. Tantanmen is Asuka’s go-to dish, but if you don’t confuse greasy strong flavor with deliciousness, its pork-and-egg laden tonkotsu is the type for you.

883 Bush, SF. (415) 567-3153

 

BEST BEEF LULU

If life was little more than vodka and pastries (with no hangovers), we’d be in heaven, and the best place to shop would be Royal Market & Bakery. Even here on this mortal playground, Royal Market and Bakery is in the running for greatest shop. Why? Tasty marinated quail, excellent caviar, homemade hummus, fresh fruit, savory eggplant rolls with cheese, dark Russian chocolates, Turkish coffee, a tremendous selection of chilled vodkas and other liquor, an overflowing nook of flaky pastries, and last but not least, Beef Lulu. A special seasoned dish of ground meat, Beef Lulu is as enjoyable as its name is funny. At a time when the city is being overrun by generic chain supermarkets, Royal makes the case for individuality devoted to regional cuisine. And the prices are better, too.

5335 Geary, SF. (415) 221-5550

 

BEST BASKET OF UBE

On a busy street south of San Francisco lies a little land of leavened love where all your Filipino baked goods needs are met with a sweet smile and an even sweeter pandecoco. We won’t require 20 questions to tell you where: the place is Bread Basket, a starkly outfitted bakery famed for its thrillas from Manila. The neighborhood favorite is BB’s pandesal, swiped fresh out of the ovens while the packs of the bun-like lovelies are still aromatically steamy. Need to bring home a little something for dessert? The joint has cornered the market on delights made from the meat of the ube, or purple yam, which Bread Basket magically transforms into the bun fillings and feathery, marzipan-like candies that sit alongside its more familiar cookies and breads.

7099 Mission, Daly City. (650) 994-7741, www.breadbasketca.com

 

BEST QUE SYRAH, HURRAH

Tucked in a sliver of a space in the West Portal commercial strip is the tantalizing Que Syrah wine bar, founded and presided over with skill and affection by the team of Stephanie and Keith McCardell. Que Syrah is the perfect place to savor a glass of wine in a friendly neighborhood setting: quiet, unpretentious, and specializing in unusual wines from small production wineries from all over the world. Stephanie and Keith serve by the glass or in intriguing flights and provide expert notes about the wine, the winemakers, and the regions involved. Every Thursday night, an array of delectable tapas enliven the tastings — chef Val Desuyo takes inspiration from his regular trips to the restaurants of Barcelona. Plus: quarterly paella parties! Seafood paella and a glass from Penedès? Sì, sì!

230 West Portal Ave., SF. (415) 731-7000, www.quesyrahsf.com

 

BEST LOBSTER ROLLIN’

Whatever queasy misgivings you may harbor about the phrase “mobile seafood shack” will instantly be dispelled once you’ve palmed (or tried to palm) a hefty Maine lobster roll from Sam’s Chowdermobile. We were turned on to this tender, brimming-over prize when one of our East Coast-native amigos texted “lobster roll = real deal” from Golden Gate Park, where you can find the edible aquarium on wheels most weekends. So we tried one for ourselves, and yep. Great lobster rolls at a reasonable price are surprisingly hard to come by ’round these Left Coast parts — we’re crabby that way. Luckily Sam’s, the mobile unit of Half Moon Bay resto Sam’s Chowder House delivers the goods. (The roll proper is enough to feed two — order a single-serving “shortie” if you want one all to yourself.) Prep yourself for crustacean heaven with a bowl of Sam’s New England chowder and a side of Old Bay fries for a true Eastern experience.

www.samschowdermobile.com

 

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 28

ROCK/BLUES/HIP-HOP

Black Seeds, Holdup, Pacific Dub Slim’s. 9pm, $15.

Brian Blade and Jim Wilson Hotel Utah. 9pm, $10.

Goodnight Loving, Wrong Words Knockout. 9pm, $6.

Jack Curtis Dubowsky Ensemble, Hurd Ensemble, Electrosonic Chamber Café du Nord. 8pm, $10.

Morcheeba Fillmore. 8pm, $35.

Pepper Rabbit, Candy Claws, That Ghost Hemlock Tavern. 9pm, $7.

Phosphorescent, Little Wings, J. Tillman Bottom of the Hill. 9pm, $12.

Pocahaunted, Mi Ami, Late Young, Peking Lights Rickshaw Stop. 8pm, $10.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10p, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 29

ROCK/BLUES/HIP-HOP

Big Head Todd and the Monsters Fillmore. 8pm, $31.50.

Chatham County Line, Emily Bonn and the Vivants, Walking in Sunlight Hotel Utah. 9pm, $7.

*Cormorant, Stonehaven, Mary Shelley, Deafhaven, DJ Rob Metal Thee Parkside. 9pm, $8.

A Decent Animal, Twilight Sleep Café du Nord. 9pm, $10.

Generalissimo, Ovipositor, Cartographer Hemlock Tavern. 9pm, $6.

Eric Lindell Coda. 9pm, $15.

*”Kelley Stoltz’ Jukebox” Amnesia. 10pm, $5. With Drunk Horse and Hot Lunch.

Mantles, Fungi Girls, Baths Knockout. 9:30pm, $6.

Negative Trend, Hashashins, Monarchs Bottom of the Hill. 9pm, $8.

Lucky Peterson Biscuits and Blues. 8 and 10pm, $20.

Tortilla Curtains Revolution Café, 3248 22nd St., SF; (415) 642-0474. 8:30pm, free.

Villagers, Bart Davenport, Greg Ashley Rickshaw Stop. 8pm, $12.

FOLK/WORLD/COUNTRY

Baraka Moon UCSF Milberry Conference Center, 500 Parnassus, SF; www.barakamoon.com. 7:30pm, $20.

Bluegrass Old Time Jam Atlas Café. 8pm, free.

Kunkel and Harris Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 30

ROCK/BLUES/HIP-HOP

Addison, Junior Panthers, Soft Bombs Thee Parkside. 9:30pm, $7.

Bare Wires, Ty Segall, Sandwitches, DJ Fur Amnesia. 9pm, $5.

Dragons, Throwback Suburbia, Impediments, Adam Bones Thee Parkside. 9pm, $8.

Il Duetto San Francisco Italian Athletic Club, 1630 Stockton, SF; (415) 781-0165. 7pm, free.

Kinky Friedman, Carletta Sue Kay Great American Music Hall. 9pm, $30.

Griddle, Boy in the Bubble, Grand Lodge Red Devil Lounge. 9pm, $8.

Interstellar Grains, Sean Tabor Band Café du Nord. 9:30pm, $10.

Kacey Johansing Art Tap, Yerba Buena Center for the Arts, 701 Mission, SF; (415) 978-2787, www.ybca.org. 6pm, free.

Level 42, World Famous Rick and Russ Show Regency Ballroom. 9pm, $27-44.

Connie Lim, Blackstone Heist, Narwhal Brigade Hotel Utah. 9pm, $8.

Mad Caddies, B Foundation, Kung Pow Bottom of the Hill. 9:30pm, $15.

Mission Players Grant and Green. 9pm, free.

Lucky Peterson Biscuits and Blues. 8 and 10pm, $20.

*Soilwork, Death Angel, Augury, Mutiny Within Slim’s. 8pm, $23.

Yung Mars Project with 40 Love Coda. 10pm, $10.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Larry Carlton Trio Yoshi’s San Francisco. 8 and 10pm, $22-32.

FOLK/WORLD/COUNTRY

Jessica Fichot Red Poppy Art House. 9pm, $15.

Other Room Revolution Café, 3248 22nd St., SF; (415) 642-0474. 8:45pm, free.

Ultra World X-tet Old First Church, 1751 Sacramento, SF; (415) 474-1608. 8pm, $14-$17.

DANCE CLUBS

Down to Earth Rickshaw Stop. 10pm, $15. With J Boogie, Polish Ambassador, and Alxndr.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Club Dragon Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. A gay Asian paradise. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Jam On It Elbo Room. 10pm, $5. Hip-hop with DJ Soul Sister, DJ Quest, DJ Centipede, La Femme Deadly Venoms, and more.

Meat vs. Death Guild DNA Lounge. 9:30pm, $4-8. Industrial, gothic, electro, and more with Decay, BaconMonkey, Joe Radio, Melting Girl, and Netik.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Some Thing The Stud. 10pm, $7. VivvyAnne Forevermore, Glamamore, and DJ Down-E give you fierce drag shows and afterhours dancing.

Teenage Craze Dance Party Knockout. 10pm, $3. Twist, surf, and garage with DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

Twelves, Marc Romboy, John Tejada Mezzanine. 9pm, $20.

SATURDAY 31

ROCK/BLUES/HIP-HOP

As I Lay Dying, Between the Buried and Me, Underoath Warfield. 4:30pm, $32. Also with Bless the Fall, Acacia Strain, Architects, Cancer Bats, and War of Ages.

Dave Rude Band, FlexXBronco, Monte Casino Bottom of the Hill. 9:30pm, $12.

Delgado Brothers Biscuits and Blues. 8 and 10pm, $20.

Destruments Coda. 10pm, $10.

Quinn Deveaux Revolution Café, 3248 22nd St., SF; (415) 642-0474. 8:45pm, free.

Diego’s Umbrella, Real Nasty, Loyd Family Players Elbo Room. 10pm, $10.

*400 Blows, Turks, Swann Danger Knockout. 10pm, $8.

Go Van Gogh, Lee Vilensky Trio Blue Macaw, 2565 Mission, SF; (415) 920-0577. 9pm.

Hooks, Mongoloid, Minks El Rio. 9pm, $8.

Hudson Criminal, Death Valley High, King Loses Crown, Weapons of the Future Submission, 2183 Mission, SF; www.sf-submission.com. 8pm, $7.

Mad Maggies Blackthorn Tavern, 834 Irving, SF; (415) 564-6627. 10pm.

*Nathaniel Rateliff, Pearly Gate Music, Kira Lynn Cain Café du Nord. 9:30pm, $12.

Rantouls, Saucy Jacks, Dirty Cupcakes Hemlock Tavern. 9:30pm, $6.

Swingin’ Utters, Cute Lepers, Stagger and Fall Slim’s. 9pm, $16.

Tempermentals, Rock Fight, Psychology of Genocide, Hukaholix Thee Parkside. 3pm, free.

Kenseth Thibideau, Danny Paul Grody, Radius Hemlock Tavern. 5pm, $5.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Giovenco Project Coda. 7pm, $7.

Larry Carlton Trio Yoshi’s San Francisco. 8 and 10pm, $25-32.

FOLK/WORLD/COUNTRY

Malo, Lava, Blanca Great American Music Hall. 8pm, $25.

Angus Martin and Gabriel Ekedal, Lua Cheia Amnesia. 6pm, $8-10.

Doug Martin Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Orquesta en Bumba The Ramp, 855 Terry Francois, SF; (415) 6221-2378. 5pm, $10.

Pete Devine Jug Band, Quinn Deveaux Amnesia. 9:30pm, $8-10.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Nuxx.

Ceremony DNA Lounge. 10pm. House music.

DeeCee’s Soul Shakedown Club Six. 9pm, $15. With DJs J Davey, Honor Roll, Irie Dole, I-Vier, Dans One, Sake One, Pam the Funktress, Ant One, Zita, and many more spinning hip hop, funk, electro, dancehall, reggae, and more.

Go Bang! Paradise Lounge. Recreating the diversity and freedom of the 70’s/ 80’s disco nightlife with DJs Said, Carnitas, Brown Amy, Steve Fabus, Sergio, and more.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Three Kinds of Stupid Dance Party Rickshaw Stop. 9pm, $12. With live sets by Memoryhouse and Baths, plus resident DJs Brother Grimm, Chris Baty, and BAS.

SUNDAY 1

ROCK/BLUES/HIP-HOP

“Cabaret Showcase Showdown” Café du Nord. 8pm, $15. With Tom Shaw Trio and the Whoa Nellies.

Dark Dark Dark, Indianna Hale, Fight or Flight Amnesia. 9pm, $7-10.

Il Gato, Bill Baird, Jesse Woods Hemlock Tavern. 9pm, $6.

Rickie Lee Jones, Meklit Hadero Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Squeeze, English Beat Fillmore. 8pm, $42.50.

T-Model Ford and Gravel Road, Horror-X Thee Parkside. 8pm, $12.

Tarfufi, Silian Rail, Honeycomb Rickshaw Stop. 8pm, $10.

FOLK/WORLD/COUNTY

Los Compas The Ramp, 855 Terry Francois, SF; (415) 6221-2378. 5pm, $6.

VW Brothers Coda. 8pm, $10.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep, Maneesh the Twister, and guest Roommate.

For the Future Café Cocomo, 650 Indiana, SF; (415) 824-6910. 1pm, $15. With DJs Halo, David Harness, Moniker, Adnan, Cali, and more. A benefit for NextAid.

Fresh Ruby Skye. 6pm, $25. With DJs Jamie J. Sanchez and Lee Decker. Benefitting Healing Waters.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 2

ROCK/BLUES/HIP-HOP

Bomb the Music Industry!, Shinobu, Dan Potthast Bottom of the Hill. 9pm, $8.

We Landed On the Moon Elbo Room. 9pm.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 3

ROCK/BLUES/HIP-HOP

Aunt Dracula Hemlock Tavern. 9pm, $6.

Melissa Culross Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

Dopecharge, Bog People, Autistic Youth, Verraterisch Knockout. 9pm, $5.

Lindy LaFontaine Grant and Green. 9pm, free.

Matisyahu, Dub Trio Regency Ballroom. 8pm, $32.

Quitzow, Battlehooch, Setting Sun Rickshaw Stop. 8pm, $10.

Watson Twins, Ferraby Lionheart Café du Nord. 8pm, $12.

FOLK/WORLD/COUNTRY

Mucho Axe, Fogo Na Roupa Elbo Room. 9pm, $7.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs Johnny Repo and Taypoleon.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Alerts

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alert@sfbg.com

WEDNESDAY, JULY 28

Congestion pricing revealed


The San Francisco Municipal Transportation Authority will present findings from its federally-funded "Mobility, Access, and Pricing Study" of how best to deal with traffic congestion and create a sustainable transportation infrastructure. The study includes details on using congestion pricing fees to deter driving downtown at peak times and fund alternative ways of getting around.

5:30 p.m., free

SFCTA Hearing Room, 26th Floor

100 Van Ness, SF

www.sfmobility.org

Vision California


Vision California representatives will discuss a new effort to explore the critical role of land use and transportation investments in meeting the environmental and fiscal challenges facing California in coming decades.

5:30 p.m., $21

AIA East Bay Chapter

1405 Clay, Oakl.

(510) 464-3600

FRIDAY, JULY 30

Hotel Voices


This theater project is written and performed by single room occupancy (SRO) hotel residents. POOR Magazine writers Tony Robles and Tiny collaborated with hotel residents on a 20-week writing, performance, and script-development workshop that led to Hotel Voices.

7 p.m., $10

The Redstone Building

2940 16th St., SF

(415) 863-6306

www.poormagazine.org

SATURDAY, JULY 31

Relay for Life


Celebrate the lives and struggles of former and current cancer patients, as well as their caretakers, those who have lost loved ones, and the families, businesses, and civic organizations affected by their illnesses.. Fight back by volunteering, joining a relay team, or donating to this 24-hour fundraiser and awareness building event. Featuring live music and food.

10 a.m.–10 a.m., July 31–Aug. 1, donations encouraged

Little Marina Green

Marina at Baker, SF

www.relayforlife.org/sanfranciscoembarcaderoca

Release the activists


Help raise awareness for Bay Area activists Sarah Shourd, Shane Bauer, and Josh Fatta, who are being unjustly detained in Iran after accidentally crossing the border from Iraq while hiking. Bring your instruments, bands, dancing shoes, and poetry for a rally and open mic in Dolores Park following a march from 16th and Mission streets.

Noon, free

Meet at 16th St. and Mission, SF

www.freethehikers.org

Sidewalks Are For People


Celebrate San Francisco’s public spaces by taking part in an all-day sidewalk dedicated to reclaiming SF’s unique culture and history of tolerance and compassion. Throw your own event or participate in one of the many sidewalk parties happening all over the city. All events culminate in an end-of-the-day party, location TBA.

All day, free

Everywhere in San Francisco

www.sidewalksareforpeople.org

TUESDAY, AUG. 3

Green Generations

Network at this fundraiser for SF Nature Education, Pie Ranch Youth Advocacy, and Exploring New Horizons Outdoor School, three nonprofits that provide environmental education to underserved children. The event features DJs, appetizers, drink tastings, and other surprises.

5:30 p.m., $15

111 Minna Gallery

111 Minna, SF

www.greendrinks.org 2

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Street Threads: Look of the Day

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Today’s Look: Aurora, Green and Grant

Tell us about your look: “Brighter is always better!”

The bridge isn’t the only problem with Lennar’s plan

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I’m glad to see the New York Times circle back to the Candlestick-Shipyard development with an article that was a tad more critical than their previous piece.

But while I enjoyed NYT’s joke about how the proposed bridge over the Yosemite Slough “has become a 950-foot-long chicken bone that keeps getting stuck in San Francisco politicians’ throats,”  I’m afraid the Board is in greater danger of choking on the bones of red herrings that they have been fed about this project,  along with last week’s bombshell that the Board won’t be able to amend Lennar’s plan, after all, when it votes July 27 on this massive proposal..

D. 10 candidate Tony Kelly says if that bombshell turns out to be true, it’ll be another example of what he calls, “The bait and switch and switch,” on the deal.

“I’m worried that the Board is getting advice that is less about a case of not being able to vote, and more a case of, if you vote, you could open up the city to liability,” Kelly said.

“Back in 2008, folks were told, just vote for Prop. G because it’s just a concept and we’ll have a robust conversation about the plan itself, but they’ve been running away from that promise ever since,” Kelly explained. “And during the EIR hearings, we were told that folks were simply approving the environmental impact report, not the plan itself.”

Kelly’s critiques of Lennar’s plan and the process by which it has been winning final approvals helped him win former Board President Matt Gonzalez’s endorsement last week in the pivotal race to replace termed-out D. 10 Sup. Sophie Maxwell.

But Kelly worries about the fallout that the next D. 10 supervisor will be left to mop up, if the Board goes ahead and approves Lennar’s plan, as is.
 
“What I’d dread to see happen is that this plan get bullied through on an up and down vote, and then a fifth, or even a tenth of people’s concerns prove to be true, and the next D. 10 supervisor spends the next 4-8 years apologizing to the people of the Bayview, because they won’t be able to do anything else for the area, and this plan keeps lumbering along and doesn’t even work,” Kelly explained.

He says he wants to know who can amend the plan, if it’s not the Board and when.

“ My concern is that after the July 27 vote, the city and Lennar will never have to come before the Board again,” Kelly said, pointing to the uncritical endorsement of the project EIR that the Planning and Redevelopment Commissions, the lead agencies on the plan, made June 3, and who would likely be tasked with any additional studies and findings.

Sup. Ross Mirkarimi confirmed today that the Board has been told that it has limited reach because of Redevelopment law, which supercedes municipal law.”
“But, nonetheless, I’m going to try to make some amendments,” Mirkarimi said.

He noted that the five amendments that Board President David Chiu introduced July 12 during a Land Use Committee hearing were “very benign.”

‘They mostly restated what was already in the project agreement or project EIR,” Mirkarimi said. “So, they don’t amend much, because they are statements of what has already been evaluated or pre-agreed to by Lennar and the city. And they are very benign because they do not require any changes to the plan.”

Mirkarimi observes that the current process by which the city is trying to push this deal through is designed to lock the Board out.

“There are larger questions in play here about our relationship with the Redevelopment Agency and redevelopment law,” Mirkarimi continued. He notes that San Francisco is one of only a few counties in California where the Board is not the same entity as the Redevelopment Agency.

“It’s long overdue that we return to the idea of having the Board have authority over the Redevelopment Agency, it’s been a problem for 40 years,” Mirkarimi said,  referring to Redevelopment’s disastrous handling of the Fillmore, which resulted in the massive and mostly permanent displacement of the Western Addition’s African American community—a negative consequence that many fear will be repeated by the plan for Candlestick-Hunters Point.

“There is a real capitalization on a starving population which is desirous of and at times desperate for positive changes and for jobs and housing, which is understandable,” Mirkarimi continued. “But absent of any alternative, it’s logical that this plan would move forward.”

In an effort to improve the plan, Mirkarimi says he will try to introduce a range of amendments at the Board’s July 27 meeting.

‘These include an attempt to make sure that whatever changes the Board makes are indeed enforceable,” he said. “And I am not satisfied with the discussion on the bridge, and how the gate has been left open on a bridge of any kind.”

Mirkarimi notes that there has been a lot of fanfare surrounding a community benefits agreement that various community-based organizations, labor and the project proponents entered into, in spring 2008.

“But I think they can do better, especially in reaching out to a community that has a high ex-offender population, and connecting to other disadvantaged communities throughout the city,” Mirkarimi said.

He also wants to ensure that if public power is not implemented, or fails, then Community Choice Aggregation program would automaticcally take over.

Mirkarimi is further concerned that there is nothing in the current plan that defines the percentages of housing units offered for rental and for home ownership.

“We are proposing to build 10,500 units but we have no idea what percentage is rental,” he said, noting that he also has concerns about air quality, air monitoring and parcels of land that have not yet been cleaned up to residential standards.

“Parcel E-2 is the most famous, but it’s not the only one,” he said. “The bridge and Parcel  E-2 have become major distractions in that they have sucked the oxygen out of other areas of these gargantuan project.”

So, is it true that elected officials on the Board can’t amend a plan sent to them by the Redevelopment Agency, whose commissioners are all political appointees of the mayor?

“It’s a yes or no vote, if you will,” a deputy City Attorney told the Guardian, on background, noting that the Board could tell Redevelopment that it doesn’t like the plan and wants the Agency to make some changes and bring it some amendments.

“Ultimately, the Board has the final say, but it has to have gone through the Redevelopment process and its PAC (project area committee) and have seen a plan that has been referred to it by the Planning Commission,” the deputy city attorney continued.“So, they could communicate their dissatisfaction and the agency would have to take their view into account. It’s not that the Board has no authority, but it can’t decide unilaterally.”

The City Attorney’s Office also confirmed that under Redevelopment Law, local jurisdictions can decide how to implement redevelopment plans.

“In a number of jurisdictions, the city council has made itself a Redevelopment entity, just as our Board is also the Transportation Authority in San Francisco,” the deputy said.“And if the same body proposes the plan, it probably will be satisfied.”

The City Attorney’s office noted that if agencies that regulate permits to fill the Bay, as is  required to build a bridge over Yosemite Slough, deny the city those permits, then the city would require amendments to its planning documents, but no further environmental impact review would be required, if the bridge was gone.

With the Board’s July 27 vote around the corner, D. 10 candidate Tony Kelly says he has a bunch of concerns that include, but are not limited to the bridge, starting with the projects financing mechanisms.

Kelly points to the fact that city staff recommended and the Board approved July 13 that “significant blight in the project area cannot be eliminated without the increase in the amount of bonded indebtedness from $221 million to $900 million and the increase in the limitation on the number of dollars to be allocated to the Agency from $881 million to $4.2 billion.”
 

Kelly wants the city to explain to the Board how much tax increment financing money will be left for the Bayview, now that the area’s debt ceiling has been tripled.

“Does this mean that all BVHP property tax revenues for the next 30 years will go towards paying down this debt and nothing else?” Kelly asked. “And what will that mean for the rest of BVHP in terms of service and programs it won’t be able to afford?

Kelly would also like to see the Board request an audit of Lennar’s record on Parcel A. As Kelly points out, the Navy conveyed Parcel to the city in 2004, and the city gave Lennar the green light to develop 1,600 mostly luxury condos on that parcel, in 2006.

“But no one has ever done an audit of Parcel A,” Kelly said. “Given the scrutiny that the Board usually brings to five figure numbers, the supervisors should be demanding this information, since we are dealing with a ten-figure number ($4,220,000,000) in future.”

It would be helpful if the City would also brief the Board as to who it believes will be investing in the project,  including the investment companies’ names,  their board of directors, and whether these companies are based in the US. Rumors are swirling that some project proponents have entered into side-deals that involve limited liability companies that are selling Lennar’s proposed condos to folks in China, and that a $1 million investment in a condo could translate into a work permit for the condo owner or occupant.

Kelly worries that the city and Lennar’s joint redevelopment plan is being allowed to squeak past the Board’s financial review simply on the basis of vague estimates.
“They rely once again on promises that won’t show up,” Kelly said, pointing to a recent report that emerged from the Controller’s Office.

Arc Ecology’s Saul Bloom notes that the Controller used averaged figures in that report, an approach that neatly obscures the fact that many of the project’s alleged and benefits– will not be created or felt for years. Bloom for his part is hoping the Board can introduce a maritime uses amendment. This would allow relatively unskilled jobs to be created at the shipyard in short order, compared to vague promises of  building a green tech office park there, some day.

Last week, Mayor Gavin Newsom’s top economic advisor Michael Cohen suggested that plan amendments would delay project construction.

But Cohen was quick to add that, “702 acres of waterfront land in San Francisco is an irreplaceable asset. It’s not a question of if—but when—it gets developed.”

Others are less sure that Cohen’s much promoted vision will ever translate into reality.

So, here’s hoping the Board will grill Cohen and city staff over the financial details, including the internal rate of return (IRR) that Lennar is demanding, and what will happen to promised community benefits, if the IRR doesn’t pencil out. D. 10 candidates DeWitt Lacy, Chris Jackson and Tony Kelly have suggested that some form of liquidated damages  are needed, but if the City believes these are unnecessary, it should explain why.

And then there are questions about the impact on air quality of the traffic related to an additional 24,500 residents and 10,000 workers into the city’s southeast.

Personally, I was fascinated by an April 2010 report from the Redevelopment Agency in which the agency discussed the challenges of driving piles through contaminated soil, which is what could happen if a bridge is built over the Yosemite Slough. In the past, the city made the argument that the NFL and the 49ers were requiring this bridge.

But last week, in the wake of Santa Clara’s vote in favor of a new stadium for the 49ers near Great America, the city began arguing that the bridge would make the project more attractive to financers, because employers want to get their employees quickly in and out.

This was the first time I ever heard city staff make that particular argument and they made it when it’s still not clear who these employers even are.

 So, let’s flesh out the list of potential employers, so the Board can determine if design decisions are being made in the interest of the local community or out-of-state businesses.

And then there’s the fact that it appears that this proposed $100 million bridge would only save commuters a few minutes, while permanently filling the San Francisco Bay.

Today, the Sierra Club, the Golden Gate Audobon Society, the California Native Plant Society and San Francisco Tomorrow released a report that asserts that the Candlestick Point-Hunters Point Shipyard EIR “misrepresents the need for a bridge.”

“A statistical review demonstrates that a route around Yosemite Slough could be as efficient as a bridge route while being better for the environment,” stated a letter that the Sierra Club-led environmental coalition released today. “It’s time for the Board of Supervisors to reject the bridge alternative and insist that the feasible upland route around Yosemite Slough be seriously considered.”

The letter argues that a regression model result found in the Transportation Study Appendix F of the Candlestick Point-Hunters Point Phase 11 EIR provides “no statistically significant evidence to support the claim that a 5 minute increase in transit travel time would lead to a 15 percent decrease in transit ridership, or, indeed, to any decrease in ridership.”

“Therefore, routing the BRT around Yosemite Slough is as consistent with a transit-first redevelopment goal as a bridge alternative, but without the environmental damage wrought by the bridge,” the Sierra Club-led report states in summary. “The results of the regression analysis used in the EIR and relied upon to support the bridge alternative have been misinterpreted in such a way that even if they were statistically significant they are off by a factor of ten: the decrease in transit ridership associated with 5 extra minutes of transit time would be predicted to be approximately 1.5 percent, not 15 percent,” it concludes.

“When the analysis [presented in the Sierra Club’s letter] is combined with previous analyses by LSA Associates (which estimate the increase in travel time would be approximately 2 minutes, rather than the 5 minutes in the final EIR) and other available information, one must reach the conclusion that the FEIR misrepresents the effect on travel time and ridership that would result from a route around Yosemite Slough. Overall, it poses further questions about the need for a bridge over San Francisco’s largest wetland restoration project.”

The Sierra Club-led report lands two weeks after Board President David Chiu introduced his July 12 package of amendments which seeks to narrow the bridge, not eliminate it, and require the Board to hold hearings before the Navy transfers Parcel E-2 to the city.

It’s a good idea for the Board to require hearings before E-2 is transferred to the city. But does this mean the Board will be able to direct the Navy, when it’s time to decide whether to cap or excavate the contamination in that parcel? The answer appears to be no. All the Board can do is to reject the Navy’s proposed solution.

But how would this work? What would happen then? And Parcel E-2 isn’t the only parcel on the shipyard where seriously nasty stuff has been found and is still be cleaned up.

The good news is that at this point, the project still doesn’t belong to the Board.

The bad news is that, as of tomorrow, it could belong to them, if the supervisors opt to approve Lennar’s plan with a simple up-down vote. And given the rush and the political pressure that the process has been subjected to since 2006, it’s almost certain that some scandal will engulf the project, some time in the future. And this Board of Supervisors’ names will be on it. Even if nothing ever gets built at the shipyard.

“How can the city say nothing will be built for years, because we have promised so much, when they say out of the other side of their mouth, that the only way that we can make these promises to the community, is if the community supports the plan?” Kelly asks. “On what planet do we think this makes sense? I think we are moving out of the solar system with every passing week.”

There’s no crime in members of the Board admitting tomorrow that they have not read the entire plan and don’t understand all the details. As the folks in Alameda humbly admitted last week, when they kicked out developer SunCal, it took them years to understand what was being proposed—including the fact that the project might leave their city in the hole, financially.

But it would be a crime for the San Francisco Board of Supervisors to vote yes on this massive proposal without first having done that homework. Yes, I’ve heard supervisors say in the past they are deferring to Sup. Maxwell, since the project lies in her district. But Maxwell is termed out, and the project will impact all of the city, especially in terms of its ethnic and economic diversity, in future. So, as we’ve said, buyer beware!

 

“Mission’s first farmers market” checks off its grocery list

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I watch as Theresa Alvarez painstakingly turns four year old Rolando Steinway-Raybon into a tiger with the palette of face-paints sitting in front of the Mission Beacon neighborhood organizer. Next to them, speakers bumped a hip hop song. Down the block of Bartlett Street where they sat, community members were buying and selling bags of salad greens and edible flowers, white peaches, homemade soaps, and pupusas that came with salad and salsa for the princely sum of $2. A lot going on at the first Mission Community Market, which Alvarez takes as a good sign.

“We’re not only giving out produce, but services people might need,” she told me between happily decorated children. Alvarez’s face-painting operation had set up shop behind a table full of literature about Mission Beacon, the local organization she works for whose mission is to empower youth by exposing them to new places and skills – a bike club and a gardening class are two of the programs that the group offers out of Everett Middle School.  

The presence of neighborhood nonprofits – Dolores Community Youth Alliance and volunteers from the Mission YMCA had joined Alvarez in organizing the kids play space and were also distributing information about their programs in the hopes of attracting new volunteers – was one sign that this is a market that’s trying hard to address the needs of local residents. 

Rolando Steinway-Raybon and sister Naijella show off their new facial flair, courtesy of the kid’s space at the first Mission Community Market

The concept was first dreamed up in November of 2009 at public planning meetings for the Mission Streetscape Plan, which is re-envisioning street usage in the neighborhood. One of the market’s head organizers, Jeremy Shaw, told me its implementation followed a three point plan; “one, the farmers market, which promotes healthy eating. Number two, supporting emerging businesses, people that don’t have the capital for a storefront. Number three, community programs. We’re saying, we’re going to provide this public space and you can do what you want with it. We can use this street for more than just cars.”

True that said the crowd yesterday evening; we can use it for veggies! And for playing four square! And the strumming tunes of a mini-orchestral group! As I strolled through in the early evening hours, the block was slowly filling up with shoppers and those who had paused on their way home to see what all the commotion was about. At 5:30 p.m., volunteers at both entrances told me that they’d already counted around 330 attendees, and expected the numbers to rise as more people got off work. The market raised money for this week’s opening at a fundraiser on Bartlett Street in June, and aims to close the block between 21st and 22nd Street every week at the same time, Thursdays from 4-8 p.m.

Entrepreneurs from the Women’s Initiative hawked wares alongside the produce farmers, including Rubber Ducky Soap Co. owner Kelly Smith. Smith, who stood cheerfully behind her table stacked with naturally made bath products in a green skirt and retro cateye glasses, joined the Women’s Initiative in 2000 to gather the “networking, support groups, and knowledge” she needed to make her enterprise profitable. She recently used her business acumen to help create a new farmers market herself, in a largely abandoned strip mall parking lot in her town of Marinwood. So how were Sharp, the Streetscape Plan, and the Mission District doing on their first market day? “I have to congratulate them,” Smith told me, smiling. “They’re already so tapped into the community, that’s the basic. Its a nice honor to be a part of opening day.”

That connection gives Alvarez hope that the Mission Community Market will meet the needs of its neighborhood beyond just its shopping lists. “It’s hard when people do this without community organizations and families. In the last several years, the neighborhood’s been transforming. I think us being a partner [in the market] will help preserve what’s special about this area.”

Update: 1500 attendees came to the market’s first week!

Mission Community Market

every Thursday, 4-8 p.m., free

22nd St. and Bartlett, SF

www.missioncommunitymarket.org

 

Our Weekly Picks: July 21-27, 2010

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WEDNESDAY 21

MUSIC

Nobunny

There’s no telling where Justin Champlin, clad in tighty-whiteys and a bunny mask, got his rabbit obsession, though Bunnicula comes to mind. Known for his stage antics, the Nobunny leader — and sole member, really, if you exclude the backing musicians shuffling in and out — is something of a rock ‘n’ roll animal classified in the punk rock phylum (or garage rock class). Love Visions (2008), with homages like “Chuck Berry Holiday,” produced catchy tracks faster than a rabbit could procreate. Champlin’s histrionics, and even messier sound, recall the Ramones or more recently, Hunx and His Punx. (Ryan Lattanzio)

With Spits, Scumby, and Carolyn the DJ

9 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

 

THURSDAY 22

FILM

Five Easy Pieces

A few years after creating wannabe-pop group the Monkees, Bob Rafelson wrote — along with Carole Eastman — and directed 1970’s Five Easy Pieces. Like Easy Rider (1969), it’s a man-is-a-lonely-island-unto-himself picture starring Jack Nicholson and the squalid splendor of the American landscape. Bobby leaves his affluent family for the life of an oil rigger, but what he finds are consequences both understated and overwhelming. Nominated for four Oscars, Pieces is not an easy film. Like the literature of Cormac McCarthy or Hemingway, it’s biblical, masculine stuff. Yet for all its ruggedness, it has a bittersweet side worth noting for Laszlo Kovacs’ muted cinematography, as well as the weepy country tunes of Tammy Wynette. (Lattanzio)

7 p.m., $5.50–$9.50

Pacific Film Archive

2575 Bancroft, Berk.

(510) 642-5249

www.bampfa.berkeley.edu

 

VISUAL ART

“Wondrous Strange: A Twenty-First Century Cabinet of Curiosities”

The medieval notion of a cabinet of curiosities or Wunderkammern holds great fascination to this day, even though a room filled with animal bones, coins, and unmarked pottery shards would seem a fairly undisciplined display format for scientific artifacts at this point. But if the Wunderkammern is academically anachronistic, the folks at SFMOMA Artists Gallery still find it a useful vehicle for conveying art and culture. The opening of “Wondrous Strange” will feature a time traveler costume contest, burlesque performance by the Burley Sisters, and music from the Grannies. The opening ceremonies will also extend to the nearby Long Now Foundation (also in Fort Mason’s Building A), where interested parties can check out their prototypes for the 10,000 Year Clock. (Sam Stander)

Through Aug 28

5:30 p.m., free

SFMOMA Artists Gallery

Bldg. A, Fort Mason Center

Marina at Laguna, SF

(415) 441-4777

www.sfmoma.org

 

FILM

Behind the Burly Q

While relatively tame by today’s standards, burlesque was once perceived as a scandalous art form. Featuring comedians, strippers, and satire, burlesque threatened conservative views about sex and sought to undermine accepted social norms. Even though vaudeville-inspired acts have recently made a nostalgic comeback, their roots remain widely misunderstood. Director Leslie Zemeckis’ documentary Behind the Burly Q goes straight to the source to uncover more than just pasties. By interviewing many of the women and men who starred and worked in the industry, Zemeckis traces the often overlooked history of American burlesque and honors all those who managed to use a g-string as a political weapon. (Katie Gaydos)

Thurs/22-Sat/24, 7:30 p.m.;

Sun/25, 4 and 6 p.m., $6–$8

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

 

FRIDAY 23

MUSIC

Cynic

Along with most of the rest of his band, Cynic guitarist Paul Masvidal avoided an awkward ’90s-metal swan song by disappearing into the jazz scene. Suddenly, in 2006, Masvidal and his main collaborator, drummer Sean Reinert, resurfaced with a renewed sense of purpose, and the release of 2008’s Traced in Air ushered in an era of relentless touring that saw the prog-metallers quickly reestablish their towering reputation. This summer’s Decibel-sponsored headlining tour features the band playing its 1993 classic Focus in its entirety, so prepare for Mixolydian assault. (Ben Richardson)

With Intronaut, Dysrhythmia

8 p.m., $17

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

 

DANCE

Carmina Burana: Revisited

For a few years, choreographer Enrico Labayen disappeared from the local radar screen. He now has reemerged with an ambitious full-evening work based on two rituals from opposing sides of the planet. Turns out that Labayen, an early member of Alonzo King’s LINES Dance Company who also has 15 years’ experience as an independent choreographer, spent the intervening years in his native Philippines to study the matriarchal aspects of its culture that have long fascinated him. His new Carmina Burana: Revisited delves into Carl Orff’s raucous reimagining of Medieval European Christianity for a work that explores the choreographer’s own memory of Tadtarin, a Philippine ritual that celebrates femininity. (Rita Felciano)

Fri/23-Sat/24, 8 p.m.; Sun/25, 7 p.m., $30

Dance Mission Theater

3316 24th St., SF

(415) 273-4633

www.brownpapertickets.com

 

MUSIC

Grouper

Portland, Ore.’s Liz Harris, who records and performs ambient drone music as Grouper, has composed a new piece specifically for the Berkeley Art Museum, which incorporates video as well as tape music and live instrumentation. This continues the “L@TE: Friday Nights @ BAM/PFA” series’ dedication to avant-garde performance. Previously, L@TE has brought in such luminaries as Terry Reilly and the Residents; later this summer the series features sometime Grouper collaborator Jamie Stewart of Xiu Xiu. Grouper’s premiere of “SLEEP” will be preceded by music from Eugene Petrushansky, who plays early music on a harpsichord of his own construction, an interesting juxtaposition and perhaps fitting complement to Harris’ intense soundscapes. (Stander)

7:30 p.m., $5

Berkeley Art Museum, Gallery B

2625 Bancroft, SF

(510) 642-0808

www.bampfa.berkeley.edu

 

SATURDAY 24

EVENT

Tori Spelling

The Oxygen Network — the equivalent of an unclaimed baggage room for celebrities past their prime — still airs Tori and Dean: Home Sweet Hollywood, where Tori Spelling can be seen redecorating her house or renewing her vows (eep!) But unlike most stars in the dreary constellation of reality TV, Spelling actually isn’t that dumb. With a resume longer than the New York Times best seller list she topped in 2008, she’s the ultimate media mogul. In her new book, uncharted terriTORI, she returns to the Narcissus pool of sTORI Telling with some fresh anecdotes like her bout with H1N1 and her life as a Twit. Err … I mean, a Tweeter. (Lattanzio)

7 p.m., free

Books, Inc.

2251 Chestnut, SF

(415) 931-3633

www.booksinc.net

 

DANCE/MUSIC

“Salsa on the Fillmore”

Why watch Dancing With the Stars when you can dance under the stars? All right, the summer fog might not stay away long enough for us to actually see any stars, but thanks to dance festival “Salsa on the Fillmore,” we can safely say, for once, a night in SF will be hot and sweaty. Forget bar hopping in the Mission. With open dance floors and live music at Yoshi’s, Rasselas Jazz Club, Sheba Piano Lounge, and 1300 on Fillmore, it’s time to go rumba hopping! Start off the night at Fillmore Center Plaza with free salsa lessons by Bay Area Latin dance instructors Juan Gil and Rebecca Miller, and live music by Los Bolores. (Gaydos)

7 p.m.–2 a.m., free–$25

Fillmore between Eddy and Geary, SF

(808) 352-4315

www.salsaonfillmore.com

 

MUSIC

Bay Area Rockin’ Solidarity Labor Chorus

If you have any affinity at all for the American labor movement, these are depressing times. All that populist energy generated in the wake of 2008’s financial meltdown seems to have been wasted on fruitless antigovernment paranoia, while essential state services are being eliminated nationwide, taking thousands of union jobs with them. Those sympathetic to the cause of social justice can be forgiven for not feeling much like singing. On the other hand, nothing rabble-rouses like a good anthem, and no movement ever got far on despair. The Bay Area Rockin’ Solidarity Labor Chorus realizes this, and is presenting, as part of the Bay’s yearly LaborFest, a program of union songs old and new, celebrating victories won and anticipating those still to come. (Zach Ritter)

7 p.m., $5

ILWU 34 Hall

801 Second St., SF

(415) 648-3457

www.laborfest.net

 

SUNDAY 25

MUSIC

Queensryche

Queensryche and burlesque. On the one hand, it’s a completely arbitrary juxtaposition, akin to, say, “submarines and kumquats.” On the other, it makes perfect sense. The veteran Seattle prog-metal act have always had a flair for the theatrical, the lushly orchestrated, the ever-so-slightly over the top. And during a break in the recording of its new album, the band decided to really go for broke, setting out on the road with the “world’s only adults-only rock show,” featuring contortionists, trapeze artists, jugglers, and other delights. If you’ve been waiting your entire life to combine scantily clad women and immaculately composed concept albums, wait no longer. (Richardson)

8 p.m., $40

Regency Ballroom

1290 Sutter, SF

(415) 673-5716

www.theregencyballroom.com

 

MUSIC

Bomba Estéreo

While our government issues frantic safety advisories to Colombia-minded travelers, Locumbia ticks out a merry beat toward a perch atop South America’s creative culture heap. Medellín, Bogotá, Chico Trujillo, the via-L.A. party tunes of Very Be Careful — this a land where you festivate like you mean it, even if a decades-long battle between the guerrillas and army rages in the hinterlands. Lucky for media-boozled us: the international tour. Bomba Estéreo mixes hawt psychedelic cumbia beats with Caribbean folkloric sound and enough echo to qualify as a dance group. Speaking of dance group — start one under the Stern Grove green at the group’s free show. (Caitlin Donohue)

  With Jovanotti

2 p.m., free

Sigmund Stern Grove

Sloat and 19th Ave., SF

(415) 252-6252

www.sterngrove.org

 

TUESDAY 27

MUSIC

Obits

The album cover for Obits’ I Blame You claims it is “Xtra Compressed for Maximum Listener Fatigue,” and, while 41 minutes doesn’t seem like such a short album these days, the music itself has a tight, claustrophobic intensity that really good garage rock delivers so well. Lead guitarist Rick Froberg, formerly of Hot Snakes and Drive Like Jehu, journeys through all manner of rock in those 41 minutes, skewing the familiar sounds of surfer twang and post-punk into a nonstop groove that leaves the listener just as breathless as the cover promises. Obits knows you don’t have to break any musical barriers to crack a few eardrums. (Peter Galvin)

With Night Marchers and Moonhearts

9 p.m., $14

Bottom of the Hill

1233 17th St, SF

(415) 621-4455

www.bottomofthehill.com

 

EVENT

“Visions of the Gameocalypse”

In a world where gaming is “no longer just for kids!” or nerds, and where major members of the artistic establishment (cough-Ebert-cough) take up arms against the perceived aesthetic immaturity of videogames for no good reason, it would do us all a little good to get a firmer grasp on how computerized gaming has developed. Jesse Schell, CEO of Schell Games and author of The Art of Game Design: a book of lenses, will be presenting his thoughts on the “social, cognitive, and technological trends” in gaming. We can only hope the event’s gloomy title, “Visions of the Gamepocalypse,” is tongue-in-cheek, though it definitely implies a refreshingly futurist approach to games. (Stander)

7:30 p.m., $10

Novellus Theater

Yerba Buena Center for the Arts

700 Howard, SF

(415) 978-2787

www.ybca.org 


The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Benefits: July 21-July 27

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Ways to have fun while giving back this week


Thursday, July 22

“Battles Yet to be Won”
This benefit for political prisoner Marie Mason, who was sentenced to 22 years in 2009 on charges of property destruction related to her involvement in animal rights and environmental activism, will feature speakers Jeff Luers, Linda Evans, and Karen Pickett and tunes by KUSF DJ Carolyn Keddy. The speakers will contextualize Mason’s severe sentence with the U.S. governments past attempts at supressing the Black Panthers, the American Indian movement, Chicano rights, Puerto Rican Independentistas, and other political movements.
7:30 p.m., $5-$20 sliding scale
Submission Gallery
2183 Mission, SF
www.supportmariemason.org

Beer, Bites, and Bikes
Eat organic and locally made sausages and drink fine brews at this fundraiser for the San Francisco Bicycle Coalition’s Green Streets Project to improve Market street for cyclists.
6 p.m., $20
Show Dogs
1020 Market, SF
www.sfgreatstreets.org

Saturday, July 24

Pet-a-palooza
Help raise funds for the Alameda Animal Shelter, the Northern California German Shorthaired Pointer Rescue, and Friends of the Alameda Animal Shelter at this annual benefit party featuring an afternoon street fair from 1pm-6pm with a photobooth, a doggie fashion show, vendors, and more and an evening silent auction with entertainment.
1 p.m.-9 p.m., $20
Autobody Fine Art
1517 Park, Alameda
(510) 865-2608

Tuesday, July 27

Vote Health
Attend this 25th anniversary party for Vote Health, an Alameda based public health care advocacy group that supports a universal, single payer health care system for both the state and national levels. Featuring guest speaker Dr. Steffie Woolhandler, a founding member of Physicians for a National Health Program (PNHP) and renowned advocate for a  national single payer health system.
7 p.m., $15 suggested donation
California Nurses Association
2000 Franklin, Oakl.
(510) 658-1147

Street Threads: Look of the Day

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Today’s Look: Nicole, Green and Grant

Tell us about your look: “Wear something alive that has a nature item in it. I also have a fashion blog called Fashion Forestry.”

Undertaker in reverse

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A window in Sean Smith’s apartment looks across the street at the park. To the left of this window, inside the room, there’s an old sign that says Undertaker.

Smith is the kind of devoted undertaker who finishes what he starts. He’s a reverse undertaker: the kind that brings things to life, instead of escorting them through death. In recent years, he’s released solo albums of instrumental guitar music, and he’s also put together a pair of compilations devoted to guitarists of the Bay Area. Smith’s dedication to the instrument and its myriad possibilities isn’t selfish. Through 2006’s Berkeley Guitar and this year’s Beyond Berkeley Guitar (Tompkins Square), he’s helping to shine a light on fellow talents like Ava Mendoza, whose new album Shadow Stories (Resipiscent) can turn from Sonny Sharrock-caliber noise to skipping melody at the drop of a dime.

Smith’s own musical ability is vast and alive. He recently finished recording an impressive pair of albums with Tim Green. At a time when designer reissue labels like Numero Group are spotlighting guitar instrumentals, there should be room on a label of note for Smith’s commanding new albums, which stretch from solo interiors to epic band sounds while maintaining the same purity and high intensity. This week, at the Mission Creek Music Festival, Smith will emphasize his quieter, solo side. I recently talked with him about music.

SFBG   Sacred Crag Dancer, Corpse Whisperer (Iota, 2006) veers toward improvisation, while Eternal (Strange Attractors, 2007) has more of an ensemble quality. How was putting them together different?

SEAN SMITH I had a lot of energy towards improvisation at the of Sacred Crag Dancer. My dad bought me a guitar. He’d been wanting to contribute for a while. I found one I wanted and he bought it for me and as soon as I got it I went home and would hit ‘Record” and play. I recorded 3 hours of music and pared it down to 34 minutes.

SFBG What was the process of paring it down like?

SS It was easy. We were quick to hear what worked and what didn’t work in the improv. It’s more like spontaneous composition. I’d try to repeat things or make compositions, cohesive journeys from A to B, rather than fuck around.

There were three levels of editing: first, there’s immediate editing while you’re playing, when you just stop and say “This sucks”; second, there’s determining what works and what doesn’t; and third, determining what works to make a cohesive album that reflects the span of the work.

SFBG In terms of coming up with titles, you’re different from some instrumental artists, who will keep things stark. Some people will pour all their heart into a work and then leave it untitled. Your titles are striking, not throwaway.

SS Well, I hope none of my work is throwaway.

There’s a lot of variation and possibility in titling. You might have your own idea that you start with before the music comes to you.

With Sacred Crag Dancer, the music came first, it was sprouting forth from nothing, and titles had to be created to fit it.

“Extrance” is an exit and entrance — you’re leaving your world and entering a world where the character (of the album) dictates your experience.

SFBG There is a lot of deathly imagery in that album’s titles.

SS “Sacred Crag Dancer, Corpse Whisperer” comes from something I thought I heard Daniel Higgs say one time when I saw him play. The energy of the album was definitely inspired in part by him. I was moving in that [improvisational] direction and then I saw him play for the first time and everything just shifted.

It seems like each of my albums has a character creating the environment. The Sacred Crag Dancer Corpse Whisperer is a conjurer of a weird spiritual realm.

The title “Some Men Are Born Posthumously” is a line from Nietzsche. He was talking about how no one would understand his work during his lifetime.

SFBG I like “Jeweled Escapement.”

SS I’m sure as a journalist you have typed on a typewriter — my typewriter’s escapement key has a jewel on it. All the titles of the album are typed on that typewriter.

FBG Making the kind of music you’re making, which isn’t tied to a particular trend, I figure you probably get responses from all kinds of people —

SS Or nobody.

SFBG Yes. In a sense doing the Berkeley Guitar and Beyond Berkeley Guitar compilations is work on your part to counter that lack of a profile, and perhaps hint at a movement. It’s almost like journalism in a way.

SS It’s been a general problem in the world of solo guitar that most of the people in that world squander their talents in obscurity.

Some people who end up on these collections won’t necessarily do anything else. Adam Snyder (from Berkeley Guitar) is a brilliant musician. He’s written hours and hours and hours and hours of music. He’s obsessed. When we lived together he couldn’t hold a job because all he wanted to was be at home playing. Yet he hasn’t made a record. I don’t know if he ever will, but I’m sure he’s still obsessively playing music.

I’m more into documenting music.

SFBG Do you like Harry Smith?

SS Yes. My mentality stems from that, from thinking, “Wow, thanks to this guy, we have all of this music,” a document of a time, of people, and of culture. If it wasn’t for him, those songs would have remained on back porches. He was able to capture something so the rest of the world could hear.

SFBG It’s a generative thing.

SS And the music becomes more generous to the listeners in the process. It becomes potentially influential.

SFBG What has it been like to work with Tim Green?

SS Great. He doesn’t say a damn thing unless it’s really important, so when he does, it means something.

I’m bummed that the (Fucking) Champs disbanded — that music is like from my dreams or something, instrumental music that powerful. With music like that, no one ever says, “When are you going to start singing?” I haven’t gotten there yet — people still ask me.

This newer music I recorded with Tim is being met with a lot of confusion. Eternal was, too. People are like, “Wait, it’s not solo guitar, but it’s instrumental, and there’s solo guitar and crazy electric guitar on it.” It doesn’t fit neatly into that finger picking American primitive thing.

SFBG Will you always be shifting in relation to that sort of traditionalism?

SS Absolutely. There’s no one way for me. There never has been.

The finger picking or instrumental thing has just been a means of expression.

When I was in 4th grade, I wanted to play saxophone, really badly. They wouldn’t let me, they wanted me to play clarinet. I tried it out for a couple of weeks and didn’t like the tone of it. But I always say that if they’d have let me play the saxophone, I’d probably be a saxophone player right now.

When I found the guitar, I realized I could express myself with it. If I didn’t have a guitar I would find a way to express myself. I’m not just in some pop band. I’m never going to break up with myself. I’m always going to be making music because I’m compelled to.

I particularly don’t want to write lyrics. I’m not interested in singing, because that’s not my instrument. The guitar is my instrument and I struggle enough with that, trying to progress and expand and play authentically.

That’s a huge part of music, too — playing authentically, playing genuinely.

SFBG Figuring that out when making music is difficult. There are different challenges that sort of have to converge. There’s the struggle to make music that to you — to your hearing and intuition — sounds good so that you like it. And at the same time, you have to do that without killing it by trying to make it too good. You have to allow it to be alive.

SS A lot of that is lost simply due to the ways in which things are recorded today.

Everything is AutoTuned. Now, in pop music if it isn’t AutoTuned, people are thrown off by it.

Even more intensely, when it comes to playing honestly, my song on Beyond Berkeley Guitar is called “Ourselves When We Are Real.” That comes from Mingus’ solo piano album [Mingus Plays Piano, 1963] — the first song on it is called “Myself When I Am Real.” When I heard it, it was so disturbing, because it’s so honest. It sounds like all these little thoughts in your head, your inner monologue mixing with the outside world, the way you look at yourself in the mirror and the way your voice sounds.

I wanted to shift that title, and I wanted to call [the composition] that because it was the most authentic piece of music that I had ever written.

SFBG Is that what you were striving for with Tim Green?

SS It’s your own process. He’s not interested in telling you what to do. His question is, “What are we doing today?”

He has tons of old funky gear to work with. He prefers to record to tape, and so do I. He sleeps until around 1 in the afternoon. You never start before 2 or 3 p.m. He likes to go late, and he’s the most patient person in the world.

For the most part, if I don’t get something by the second take I move on, because I don’t want to do it to death. But there was one time when I was playing a guitar line, and I realized I’d been playing it for two hours trying to get it right, and it was making me crazy. Tim was sitting there reading a magazine and never getting frustrated. He’d say, “That one sounded alright — do it again.” He was hearing things.

There’s a drawing in the studio that someone did of Tim sitting at the board. He’s always got a leg kicked out with his black Samba Adidas, and he’s drawn so that he has these huge elephant ears.

SFBG Have you listened to (the Numero Group compilation) Guitar Soli?

SS I haven’t heard it yet. I looked at the track listing and was vaguely familiar with most of the people on it. Even though it’s super obscure I’ve spent the last ten years of my life digging around for solo guitar records. I play a George Cromarty tune, “Topinambour.” Eternal starts with it.

SFBG There are a fair amount of reissues connected to solo guitar as of late — people like Sandy Bull are getting a new surge of attention.

SS This is the age of reissues and revisiting.

I’m in a Black Sabbath cover band with three members of Citay. I find it’s probably the most rewarding band I’ve ever played in. A friend was saying that a cover band now isn’t like this 1986 cruise ship playing Top 40 hits now, it’s a legitimate type of music.

SFBG This might be overstating, but maybe it’s like a spiritual pursuit. If you decide you’re going to cover Sabbath, you know you’re going to go deep into Sabbath.

SS For me, I want to play in a relevant way, so I want to bring the experience of seeing Black Sabbath at their prime to the audience.

SFBG What’s the band called?

SS It’s called Bob Saget.

 

SEAN SMITH

as part of the Mission Creek Music Festival

with Howlin Rain, 3 Leafs, DJ Neil Martinson

Sat/17, 9 p.m., $8

El Rio

3158 Mission, SF

(415) 282-3325

www.mcmf.org

Newsom’s one bright spot (and even it’s a bit dingy)

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Covering Mayor Gavin Newsom’s devious exploits for this story last week, watching as the ever-ambitious Newsom sacrificed the city’s fiscal future on the altar of political expediency and his increasingly rigid anti-tax ideology, it seemed as if there was nothing remotely redeeming about this callow, self-serving man. But then he does this, appointing Cheryl Brinkman – a strong and respected advocate for promoting alternatives to the automobile – to the Municipal Transportation Agency Board of Directors.

I’m not saying this one act redeems Newsom, not even close. In fact, some have speculated that he’s trying to coopt a qualified progressive or burnish his green credentials, an echo of the responses to when he appointed San Francisco Bicycle Coalition director Leah Shahum to the MTA board a couple years ago, a tenure Newsom ended prematurely after they clashed over creating more car-free spaces. Or maybe he’s trying to head off support for a ballot measure being considered by the Board of Supervisors to split appointments to the MTA. Who knows with this guy?

Yet it’s also true that being open to democratizing the streets of San Francisco has been a bright spot in Newsom’s otherwise dismal record as mayor. And I think that’s because the cost of admission to this movement is so low. He’s embraced temporary car-free spaces, supported more bicycling, and moved forward other green initiatives – all of which have little to no cost involved and no real political downside. So it’s been easy for Newsom to strike green poses when he chooses, just as it was easy for him to make the supposedly “courageous” decision to legalize same-sex marriage, which involved no heavy lifting and greatly improved Newsom’s political prospects.

But we’re reaching a moment of truth for San Francisco, a point at which the easy answers are evaporating and the bill is coming due – just as Newsom prepares to leave San Francisco for Sacramento. After doubling Muni fares since he became mayor and reaching a level where they really can’t go up anymore without diminishing returns and serious political consequences, Newsom and his appointees have run out of easy options for maintaining Muni in an era of declining state and federal support.

Now, the choices aren’t as easy: charge motorists more for parking, permits, or driving in the most congested times or places; cut Muni service or raise rates more; find ever more ways to nickle-and-dime everyone with various fee increases; or find more general tax revenue, which Newsom has been steadfastly unwilling to do, even though the big banks and financial services companies that caused the Great Recession are exempt from city business taxes.

Brinkman, who tells us that the Mayor’s Office placed no conditions on the appointment, now has a tough job, as do all of this city’s elected and appointed officials. But this is the moment when they must have the courage to make the tough choices about what’s best for San Francisco, choices that Newsom has been unwilling to make.

Board accepts EIR, but vows to amend Candlestick-Shipyard plan

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Text by Sarah Phelan, images by Luke Thomas


At the end of a ten-hour hearing to appeal the final environmental impact report  for the city and Lennar’s massive Candlestick-Shipyard redevelopment project, the Board voted 8-3 to accept the FEIR, with only Sups. John Avalos, Chris Daly and Eric Mar voting to reverse certification of what they said was a flawed document.


But the vote does not mean the Board has voted to accept the city and the developer’s final redevelopment plan. That plan will come before the Board on July 27, and the supervisors are expected to introduce a slew of amendments, in addition to  five amendments that Board President David Chiu introduced earlier this week.


These amendments are intended to address longstanding concerns about toxins at the shipyard, limited liability on the part of the developer, the questionable need for a bridge over Yosemite Slough, the reality that Bayview residents may be cut out of any upcoming jobs, and the desire to nail down efforts to use public power at the site


“We can’t do the amendments here, we are frozen out, all we can do is an up and down vote on the EIR for now,” Sup. Ross Mirkarimi told the Guardian last night. 
Mirkarimi anticipates that the Board will seek additional mitigations, such as requiring liquidated damages to shore up a community benefits agreement that Labor entered into with Lennar in May 2008.


Mirkarimi said the Board would also seek to increase workforce development benefits.
“Thirty percent of the target workforce population are ex-offenders, so while they might get training, currently they won’t get jobs other than construction,” Mirkarimi observed.


Mirkarimi was proud of the Public Power amendment that Chiu has already lintroduced, pointing to an ordinance that he and then Sup. Gerardo Sandoval introduced and Mayor Gavin Newsom signed into law, in March 2006. This public power ordinance established that “where feasible, the City shall be the electricity provider for new City developments, including military bases and development projects.”


“PG& E was ripped when we pushed that through,” Mirkarimi said.


During yesterday’s marathon hearing, the supervisors grilled city staff on issues that have proved to be key sticking points, as the city seeks to win final project approvals, even though they cannot address these issues with amendments until the July 27 meeting.


The Board questioned the wisdom of moving forward with development on the Shipyard, as the Navy continues to clean up radiological contamination and other toxins at the site, including Parcel E-2, which contains some of the nastiest pollution at the yard.


“Why not just wait until the CERCLA process is completed?” Sup. Campos asked, referring to the fact that the Navy is responsible for shipyard clean up, under CERCLA, which is also known as the Superfund Act.


Campos question came after acclaimed environmental scientist Wilma Subra and national environmental human rights lawyer Monique Harden, challenged the sanity of having the Navy digging out toxins while a developer simultaneously installs infrastructure at the same site.


Subra, who works in Superfund sites throughout the U.S, warned the Board that it’s very common to find contamination at these sites after they have been declared clean.


“So, the number of samples isn’t the magic answer,” Subra said, referring to the city’s constant refrain that the Navy has taken thousands of samples at the site. Subra also warned that it is not uncommon for a contractor to dig into an area that has been capped, thereby potentially exposing workers and the community to contamination and resulting in legal stand-offs, as various parties argue as to who has responsibility to fix the resulting mess.


Harden, who is based in New Orleans but also has an office in D.C., expressed concern over the plan to begin construction on some shipyard parcels, even as the Navy continues to remove radiologically contaminated sewers and other deep infrastructure at the site.
“That’s like a person jumping up and down on a bed that another person is trying to make up,” Harden said


But Michael Cohen, Mayor Gavin Newsom’s chief economic advisor countered that there was no scientific evidence to support Subra or Harden’s concerns.


“It’s a very common situation, especially on brownfields,” Cohen said, (though the Shipyard is a Superfund site that’s been contaminated with radiological waste that was sandblasted off ships returning from a Bikini Atoll atomic testing experiment gone awry.)


“It’s the basis for shipyard artists and the police being on the site for many years,” Cohen continued. “It’s safe based on an extraordinary amount of data.”


But Cohen did agree that language in Chiu’s Parcel E-2 amendment should be changed from “should” to “shall” to indicate that city oversight is a requirement, not a request, when it comes to final decisions over the transfer of this particular parcel.


Mark Ripperda of U.S. EPA assured the Board that his agency is not going to permit transfer of parcels for development until cleanup is completed.
“We are not going to allow any transfer until we are convinced it’s safe,” Ripperda said.


Sup. Eric Mar chastised the EIR for its apparent failure to adequately discuss the impacts of the proposed development on schools in the surrounding area.


“There is less discussion of the impacts on schools than there is of the A-Bomb, which was held at the Shipyard for 1 to 2 days,” Mar said. “The analysis seems very weak.”


And Daly expressed frustration that the Board was being asked to take a decision when it lacked sufficient information about and understanding of the project.


“How do we know it’s safe? ” Daly asked, noting that, “Money talks, bullshit walks.”
(His point resonated as City staff scrambled to find key information within the 7,000 pages of comments and responses in the massive FEIR documents, and Amy Brownell of the city’s Public Health Department rattled off a series of measurements and schedules that few on the Board seemed to understand.)


“The risks are acceptable,” Brownell said. “And the only people allowed on the property [during the development] will be the ones doing the work.”


The Board also challenged the need for a bridge over the environmentally sensitive Yosemite Slough, especially in the wake of the June 2010 election in which Santa Clara voters approved building a new stadium for the 49ers near Great America.


“One reason I’ve been given for [the need for the bridge] is the financial viability of this project,” Campos said.


Cohen replied that if the city does not to build the bridge, “it elevates the financial risk.”


“Parcel C [on the shipyard] has been zoned for green tech, and for major employers, having that direct connectedness to BART and the T-Third is very important.”


Cohen also indicated that, thanks to the project’s huge reliance on tax increment financing, the loss of the bridge would translate into lost property tax revenues.


“Some of the repayment comes from generation of tax increment financing, so the failure to have a bridge here, degrades the potential of property tax revenues, and so you get much less tax increment,” Cohen stated.


The Board also expressed concerned that under the current terms of the deal they are now set to consider July 27, the developer has limited liability—an arrangement that has got supervisors worried that the city, and Bayview residents whose increased property taxes will help pay for the development, could end up on the wrong end of the financial hook.


Campos pointed to the disposition and development agreement (DDA) that the city drew up with Lennar.
“I’m specifically worried about a provision that on the face of it limits the developer’s liability,” Campos said, pointing to language that seems to say that “monetary damages are inappropriate”—conditions that Campos deemed, “Very unusual.


Cohen responded that the deal reflects the reality that, “the Navy, not Lennar is responsible for the cleanup.”
He added that the city retains the legal ability to sue, various remedies and, ultimately, “the right of reverter” (which folks call the “nuclear option” since it involves kicking out the developer, but losing everything in the process.)


“This is an incredibly frontloaded project,  in which we have the ability to terminate the developer at the cost of millions of dollars,” Cohen said.


But while the city and the developer ultimately affirm EIR certification, the decision left the Bayview community deeply divided, with many concerned that the FEIR failed to address their concerns, while others rejoiced, believing that they will benefit from jobs that will be created during the development’s 10-15 year build out and beyond. Only time will tell how it all plays out, but stay tuned as the Board prepares to try and make the plan the best it can in face of all these competing concerns.


 

Pera

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paulr@sfbg.com

DINE If books and movies can have subtitles, then why not restaurants? A subtitle is like a bit of extra seasoning, a way of emphasizing certain meanings, and this is particularly important at a time when restaurant names can seem increasingly whimsical or obscure.

Pera’s subtitle (printed at the top of the bill and on its website) is “a Mediterranean affair,” which makes it sound like a cheesy movie about poor, doomed Princess Grace of Monaco. “Turkish cuisine” would be a bit more exact, but “Mediterranean affair” certainly sounds a romantic note, and Pera does have its low-key atmospherics, especially on summer evenings when elongated twilight stretches over the north face of Potrero Hill and glints through Pera’s windows.

Pera opened last November, under the auspices of Irfan Yalcin and his wife, in a space held by the Chinese restaurant Eliza’s since the early 1990s. (Eliza’s still exists at its longtime California Street location.) Turkish cuisine seems to be enjoying something of a boomlet around here in recent years, and why this is so is nearly as great a mystery to me as why we have so few Greek restaurants.

As it happens, and despite the long-term tensions between Greece and Turkey, Greek and Turkish cuisines are plainly related. Pera, whose menu tilts toward foods from Turkey’s Aegean coast, even offers versions of pastitsio, the baked pasta dish that is Greece’s answer to lasagne, and moussaka, the pastitsio-like dish of layered eggplant. But chef Muhammet Culha also turns out items I haven’t seen before on Turkish (or Greek!) menus around town.

Conspicuous among these is the talas boregi ($16), whose closest relation in the American food lexicon is probably chicken pot pie. The dish arrived as a triangle of phyllo wading in a shallow pool of coconut curry sauce (I had never before come across coconut milk in Turkish cooking). Within the pastry envelope was a piece of smoked, boneless chicken breast, while elsewhere on the plate lay a garnish of green apple, sliced thin, and some currants. In a sense, this dish was the philosophical opposite of that other great Mediterranean cuisine, Italy’s. The Italian kitchen emphasizes simplicity, directness, and the primacy of a particular ingredient or seasoning. By contrast, Pera’s talas boregi orchestrated a diverse cast of characters into a bewitching harmony, a sum greater than its parts.

But Turkish cooking can be just as direct and simple as Italian. Sometimes, in fact, it can seem Italian, as with spanaki ($6.50), spinach sautéed with garlic and pine nuts just as it is in Sicily. (“Spanaki,” we should note, is the Greek word for spinach — the Turkish word is “ispanak” — and Sicily was settled by Greeks in pre-Roman times.) The condiment consisting of yogurt, cucumbers, dill, garlic, and olive oil, whether called tzatziki or cacik ($2.50) is also about as basic as it gets and shares a deep and obvious root with the Indian yogurt sauce raita.

You can get the tzatziki, along with a host of treats to dunk in it, as part of the meze platter ($14), which is a sampler and therefore irresistible. The ensemble includes dolmades (stuffed grape leaves), saksuka (roasted eggplant with bell pepper, potato, and caramelized onion in a garlic tomato sauce — a lot like caponata), and zucchini cakes, along with olives, feta cheese, and triangles of warm pita.

Since the Aegean is a sea, we might expect to find seafood on the menu, and we do, including wonderful fish patties, or balik kofte ($10), a pair of hamburger-flat disks presented with concasse tomatoes and mango dice. (Do the Turks grow mangoes?) Also quite nice was a filet of grilled salmon ($18), topped with a Meunière-like sauce of white wine, lemons, garlic, and capers and plated with vegetables and what the menu card called (in Greek) patates tiganites, or fried potatoes — sautéed cubes, really.

For dessert you can have baklava, if you like your phyllo drenched with honey, but the more compelling choice is yogurt with honey ($6), which must be counted as a dessert that is actually, definitely good for you. (Both yogurt and honey are fermented foods, rich in probiotics.) Yogurt from the eastern Mediterranean is especially creamy and rich, as here — almost like tangy-sour cake frosting. One small surprise: no cherries on the menu, for dessert or otherwise, though the cherry is profoundly — or we might even say majorly — associated with Asia Minor.

PERA

Dinner: nightly, 5–10 p.m.

Lunch: daily, 11:30 a.m.–2:30 p.m.

1457 18th St., SF

(415) 796-3812

www.perasf.com

Beer and wine

AE/DS/MC/V

Manageable noise

Wheelchair accessible

 

Whitman criticized for opposing high-speed rail

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By Brittany Baguio

Although Republican gubernatorial Meg Whitman claims job creation is one of her top priorities, she recently stated that she opposes the plan to build a high-speed rail system in California – a project that is being eagerly anticipated in San Francisco, its northern terminus.

Whitman says the state does not have enough money to fund the project because of the state’s current budget deficit, but labor, environmental, and other groups say it will be a boon to the state’s economy and environment. Voters approved Proposition 1A in November 2008, supporting the construction of a high-speed rail system with an initial investment of $9.95 billion in bond money.

Proponents say the project will alleviate freeway and airport congestion and provide a green transportation option that has both short- and long-term economic benefits. According to the California High-Speed Authority website, the project would create 160,000 constructed-related jobs as well as 450,000 more jobs by 2035. The construction of the rail system would also improve the movement of people, goods, and services throughout California and ultimately raise more than $1 billion in surplus revenue a year.

“We are eager to thoroughly brief whoever the next governor is on this project and work with him or her to make California’s high-speed rail system a reality,” California High-Speed Rail Authority representative Rachel Wall told the Guardian.

Supporters of the bullet train disagree with Whitman’s analysis and contend that the construction of a bullet train would create revenue and jobs. In a press release, California Labor Federation Executive Secretary-Treasurer Art Pulaski said, “In her glossy TV ads, Whitman says she understands the daily hardships facing our state’s unemployed, but it’s clear that’s just more campaign rhetoric. In opposing high-speed rail, she’s shown her true colors on jobs. It’s shocking that a candidate for Governor could be so detached from the economic hardships facing our state’s families. With one in eight Californians out of work, how can we afford not to invest in the creation of hundreds of thousands of permanent, good new jobs?”

Communications director of the California Labor Federation, Steve Smith, believed that Whitman’s opposition exhibited her political inexperience and uninformed decisions. “She’s out there talking a big game about job creation, but no specifics about how she would create jobs,” Smith told us. “Her proposals would be devastating to California and would lead to higher unemployment in California. She says that California can’t afford the project, but what we can’t afford is not to take advantage of improving our economy and environment.”

Whitman isn’t the only one opposing the project. Bay Area cities of Menlo Park, Palo Alto, Burlingame, Belmont, and Atherton have all voiced concerns about the project and the impact of trains move rapidly through those communities, filing a lawsuit seeking to halt the project.

The bullet train project was awarded $2.25 billion from the American Recovery and Reinvestment Act last January and is currently undergoing supplemental environmental reviews. Construction is scheduled to begin in 2012, with improvements such as rail electrification expected to improve rail service on the San Francisco peninsula even before the high-speed trains start running around 2020.

Assuming the public-private project isn’t derailed politically and can raise the estimated $40 billion total cost, the trains will travel at speeds of up to 220 mph and take passengers from the LA Union Station to San Francisco’s Transbay Terminal in less than 2 hours and 40 minutes.

Film listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Erik Morse, Louis Peitzman, Lynn Rapoport, Ben Richardson, and Matt Sussman. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

ANOTHER HOLE IN THE HEAD

The seventh Another Hole in the Head Film Festival runs July 8-29 at the Roxie, 3117 16th St, SF; and Viz Cinema, New People, 1746 Post, SF. For tickets (most shows $11) and schedule, visit www.sfindie.com.

OPENING

Inception Christopher Nolan takes a break from the Bat-Director’s Chair to helm this Leonardo DiCaprio thriller about futuristic mind crimes. (2:30) Marina, Presidio.

*Let It Rain Well-known feminist author Agathe Villanova (writer-director Agnès Jaoui) is taking a rare break from her busy Paris life, visiting her hometown to see family, vacation with boyfriend Antoine (Frédéric Pierrot), and do a little stumping for her nascent political career. But despite the ever-picturesque French countryside as background, all is not harmonious. Antoine complains Agathe’s workaholism (among other things) is killing their relationship, particularly once she agrees to be time-consumingly interviewed for film about "successful women" by shambling documentarian Michel (coscenarist Jean-Pierre Bacri) and local Karim (Jamel Debbouze). Her married-with-children sister Florence (Pascale Arbillot) is having a secret affair with Michel, but seems more focused on old resentments springing from Agathe being their late mother’s favorite. Karim — son of the family’s longtime housekeeper (Mimouna Hadji) — bears his own grudge against the clan and brusque, officious Agathe in particular. Being happily wed, he’s further bothered at his hotel day job by his attraction to co-worker Aurélie (Florence Loiret-Caille). These various conflicts simmer, then boil over as the documentary shooting goes from bumbling to disastrous. In 2004, Jaoui delivered a pretty near perfect Gallic ensemble seriocomedy in Look at Me. This isn’t quite that good. Still, her seemingly effortless skill at managing complex character dynamics, eliciting expert performances (including her own), and weaving it all together with insouciant panache makes this a real pleasure. The problem with Agnès Jaoui: she’s so good it chafes that (acting-only gigs aside) she’s made just three films in ten years. Pick it up, girl! (1:39) Opera Plaza. (Harvey)

*[Rec] 2 See "666-ZOMB." (1:24) Lumiere.

The Sorcerer’s Apprentice Socially awkward science nerd Dave (Jay Baruchel) toils away on his suspiciously elaborate NYU physics project, unaware that he’s about to have a Harry Potter-style moment of awakening. Enter Balthazar (Nicolas Cage), a centuries-old, steampunky sorcerer who believes Dave to be "the Prime Merlinian" — i.e., the greatest conjurer since Merlin himself. (Literally) rising from ashes to provide conflict are fellow sorcerers Horvath (Alfred Molina) and Morgana (Alice Krige); signing on for romantic-interest purposes are Monica Bellucci and newcomer Teresa Palmer. The Sorcerer’s Apprentice spins off Disney classic Fantasia (1940) in only the loosest sense, though there is a scene of dancing brooms. The bland Baruchel’s rise to fame continues to mystify, but at least Cage and Molina seem to be having a blast exchanging insults and zapping each other around. (1:43) (Eddy)

South of the Border After a prolific career of dramatic films steeped in political commentary, Oliver Stone drops the pretext. South of the Border is his Michael Moore moment, a chance for the filmmaker to make a direct and focused documentary in which his bias is readily apparent. Stone travels to South American nations and meets with their political leaders, men and women — including Hugo Chávez, Evo Morales, and Rafael Correa — who have long been considered enemies of the United States. His goal is to show that they are not ruthless dictators but rather democratically elected representatives of their country, cast in a negative light by a mainstream media with ulterior motives. Stone’s rapport with these politicians is intimate: at one point, he plays soccer with Morales. Even if you’re skeptical of his assertions, you can at least appreciate the unique perspective South of the Border offers. As a film, it’s somewhat slipshod, not nearly as glossy as a Moore production. But provided you’re willing to fill in the blanks, it’s a captivating and well-intentioned endeavor. (1:18) (Peitzman)

Spring Fever Shot surreptitiously and chock full of gay sex, Chinese director Lou Ye’s latest film isn’t likely to earn him any additional slack from Chinese government censors (his 2006 film, Summer Palace, got him banned from filmmaking for five years after he failed to preview it before it screened at Cannes). Using hand-held cameras, public settings, and natural lighting, Lou follows Wang Ping (Wu Wei), who’s been having a passionate, messy affair with travel agent Jiang Cheng (Qin Hao). Things get more complicated when the snoop Wang’s wife hires to follow her closeted husband winds up pursuing the two men in ways he never imagined. What Spring Fever lacks in continuity and psychological depth, it makes up for with sexual candor and a genuine frisson of risk, given the secretive conditions under which it was made. That thrill doesn’t quite last through the film’s duration, but as a document of defiance Spring Fever is commendable. (1:56) Four Star. (Sussman)

Standing Ovation Atlantic City teens form a song-and-dance troupe in this High School Musical-style family film. (1:48)

ONGOING

Beetle Queen Conquers Tokyo Opening with the humid buzz of crickets and the probings of bug aficionados in the thick of a forest, first-time documentarian Jessica Oreck puts Japan’s fascination with insects under the microscope. Preferring to let the images and interview subjects speak for themselves, she turns a lens to young children who clamor to buy sleek, shiny, obsidian beetles, as well as the giant big city gatherings of insect collectors — events that likely are less than familiar to western audiences. Oreck’s intent is to get at the ineffable attraction behind such astonishing sales as that of a single beetle for $90,000 not so long ago, and to that end, she weaves in looks at insect literature and art, visits to Buddhist temples, and historical factoids about, for instance, the first cricket-selling business in the early 1800s. (1:30) Sundance Kabuki. (Chun)

*City Island The Rizzo family of City Island, N.Y. — a tiny atoll associated historically with fishing and jurisdictionally with the Bronx — have reached a state where their primary interactions consist of sniping, yelling, and storming out of rooms. These storm clouds operate as cover for the secrets they’re all busy keeping from one another. Correctional officer Vince (Andy Garcia) pretends he’s got frequent poker nights so he can skulk off to his true shameful indulgence: a Manhattan acting class. Perpetually fuming spouse Joyce (Julianna Margulies) assumes he’s having an affair. Daughter Vivian (Dominik García-Lorido) has dropped out of school to work at a strip joint, while the world class-sarcasms of teenager Vinnie (Ezra Miller) deflect attention from his own hidden life as an aspiring chubby chaser. All this (plus everyone’s sneaky cigarette habit) is nothing, however, compared to Vince’s really big secret: he conceived and abandoned a "love child" before marrying, and said guilty issue has just turned up as a 24-year-old car thief on his cell block. Writer-director Raymond De Felitta made a couple other features in the last 15 years, none widely seen; if this latest is typical, we need more of him, more often. Perfectly cast, City Island is farcical without being cartoonish, howl-inducing without lowering your brain-cell count. It’s arguably a better, less self-conscious slice of dysfunctional family absurdism than Little Miss Sunshine (2006) — complete with an Alan Arkin more inspired in his one big scene here than in all of that film’s Oscar-winning performance. (1:40) Four Star. (Harvey)

Cyrus It’s tempting to label Mark and Jay Duplass’ Cyrus as "mumblecore goes mainstream." Yes, the mumblecore elements are all there: plentiful moments of awkward humiliation, characters fumbling verbally and sometimes physically in desperate attempts to establish emotional connections, and a meandering, character-driven plot, in the sense that the characters themselves possess precious little drive. The addition of bona fide indie movie stars John C. Reilly, Catherine Keener, and Marisa Tomei — not to mention Hollywood’s chubby-funny guy du jour, Jonah Hill — could lead some to believe that the DIY-loving Duplass brothers (2005’s The Puffy Chair, 2008’s Baghead) have gone from slacker disciples of John Cassavetes (informally known as "Slackavetes") to worshippers at the slickly profane (with a heart) altar of Judd Apatow. But despite the presence of Apatow protégé Hill (2007’s Superbad) in the title role, Cyrus steers clear of crowd-pleasing bombast, instead favoring small, relatively naturalistic moments. That is to say, not much actually happens. Mumblecore? More or less. Mainstream? Not exactly. Despite playing a character with some serious psychological issues, Hill comes off as likeable. Unfortunately the movie is neither as broadly comic nor as emotionally poignant as it needs to be — the two opposing forces seem to cancel each other out like acids and bases. (1:32) Empire, Sundance Kabuki. (Devereaux)

Despicable Me Judging from the adorable, booty-shaking, highly merchandisable charm of its sunny-yellow Percocet-like minions, Despicable Me‘s makers have more than a few fond memories of the California Raisins. That gives you an idea of the 30-second attention-span level at work here. Thanks to Pixar and company, our expectations for animated features are high, but despite the single lob at Lehman Brothers aimed toward the grown-ups, the humor here is pitched straight at the eight and younger crowd: from the mugging, child-like minions to the all-in-good-fun, slightly quease-inducing 3-D roller-coaster ride. Gru (Steve Carell) is Despicable‘s also-ran supervillain — a bit too old and too unoriginal for a game that’s been rigged in the favor of the youthful, annoyingly perky Vector (Jason Segel), who’s managed to swipe the Giza Pyramids and become the world’s number one bad dude. When Vector steals away the crucial shrink ray needed for Gru’s plot to thieve the moon, the latter pulls out the big guns: three adorable orphans who have managed to penetrate Vector’s defenses with their fund-raising cookie sales. It turns out kids have their own insidiously heart-warming way of wrecking havoc on one’s well-laid plans. Filmmakers Pierre Coffin and Chris Renaud do their best to exploit the 3-D medium, but Avatar (2009) this is not. Nor will many adults be able to withstand the onslaught of cute undertaken by all those raisins, I mean, minions. (1:35) 1000 Van Ness, Presidio, SF Center. (Chun)

*Exit Through the Gift Shop Exit Through the Gift Shop is not a film about the elusive graffiti-cum-conceptual artist and merry prankster known as Banksy, even though he takes up a good chunk of this sly and by-no-means impartial documentary and is listed as its director. Rather, as he informs us — voice electronically altered, face hidden in shadow — in the film’s opening minutes, the film’s real subject is one Thierry Guetta, a French expat living in LA whose hangdog eyes, squat stature, and propensity for mutton chops and polyester could pass him off as Ron Jeremy’s long lost twin. Unlike Jeremy, Guetta is not blessed with any prodigious natural talent to propel him to stardom, save for a compulsion to videotape every waking minute of his life (roughly 80 percent of the footage in Exit is Guetta’s) and a knack for being in the right place at the right time. When Guetta is introduced by his tagger cousin to a pre-Obamatized Shepard Fairey in 2007, he realizes his true calling: to make a documentary about the street art scene that was then only starting to get mainstream attention. Enter Banksy, who, at first, is Guetta’s ultimate quarry. Eventually, the two become chummy, with Guetta acting as lookout and documenter for the artist just as the art market starts clambering for its piece of, "the Scarlet Pimpernel of street art," as one headline dubs him. When, at about three quarters of the way in, Guetta, following Banksy’s casual suggestion, drops his camcorder and tries his hand at making street art, Exit becomes a very different beast. Guetta’s flashy debut as Mr. Brainwash is as obscenely successful as his "art" is terribly unimaginative — much to the chagrin of his former documentary subjects. But Guetta is no Eve Harrington and Banksy, who has the last laugh here, gives him plenty of rope with which to truss himself. Is Mr. Brainwash really the ridiculous and inevitable terminus of street art’s runaway mainstream success (which, it must be said, Banksy has handsomely profited from)? That question begs another: with friends like Banksy, who needs enemies? (1:27) Lumiere. (Sussman)

Get Him to the Greek At this point movie execs can throw producer Judd Apatow’s name on the marquee of a film and it’s a guaranteed blockbuster. It’s hard to say whether this Forgetting Sarah Marshall (2008) spin-off benefits from the Apatow sign of approval or if it would be better off standing on its own, but it definitely doesn’t benefit from comparisons to its predecessor. Russell Brand returns as the British rock star Aldous Snow, and Jonah Hill, playing a different character this time, is given the task of chaperoning the uncooperative Snow from London to LA in 48 hours. Despite a great cast, including a surprisingly animated P. Diddy, the story is pretty bland and can’t match the blend of drama and comedy that Marshall achieved. Of course, none of that matters because the movie execs are right: if you like Apatow’s brand of humor, you’re going to have a good time anyway. (1:49) Four Star, 1000 Van Ness, Presidio. (Peter Galvin)

*The Girl Who Played With Fire Lisbeth Salander is cooler than you are. The heroine of Stieg Larsson’s bestselling book series is fierce, mysterious, and utterly captivating: in the movie adaptations, she’s perfectly realized by Noomi Rapace, who has the power to transform Lisbeth from literary hero to film icon. Rapace first impressed audiences in The Girl With the Dragon Tattoo (2009), a faithful adaptation of Larsson’s premiere novel, and she returns as Lisbeth in The Girl Who Played With Fire. The sequel, as is often the case, isn’t quite on par with the original, but it’s still a page-to-screen success. And while the first film spent equal time on journalist Mikael Blomkvist (Michael Nyqvist), The Girl Who Played With Fire is almost entirely Lisbeth’s story. Sure, there’s more to the movie than the hacker-turned-sleuth — and the actor who plays her — but she carries the film. Rapace is Lisbeth; Lisbeth is Rapace. I’d watch both in anything. (2:09) Embarcadero, Smith Rafael. (Peitzman)

*The Girl With the Dragon Tattoo By the time the first of Stieg Larsson’s so-called "Millennium" books had been published anywhere, the series already had an unhappy ending: he died (in 2004). The following year, The Girl With the Dragon Tattoo became a Swedish, then eventually international sensation, its sequels following suit. The books are addicting, to say the least; despite their essential crime-mystery-thriller nature, they don’t require putting your ear for writing of some literary value on sleep mode. Now the first of three adaptive features shot back-to-back has reached U.S. screens. (Sorry to say, yes, a Hollywood remake is already in the works — but let’s hope that’s years away.) Even at two-and-a-half hours, this Girl With the Dragon Tattoo by necessity must do some major truncating to pack in the essentials of a very long, very plotty novel. Still, all but the nitpickingest fans will be fairly satisfied, while virgins will have the benefit of not knowing what’s going to happen and getting scared accordingly. Soon facing jail after losing a libel suit brought against him by a shady corporate tycoon, leftie journalist Mikael Blomkvist (Michael Nyqvist) gets a curious private offer to probe the disappearance 40 years earlier of a teenage girl. This entangles him with an eccentric wealthy family and their many closet skeletons (including Nazi sympathies) — as well as dragon-tattooed Lisbeth Salander (Noomi Rapace), androgynous loner, 24-year-old court ward, investigative researcher, and skillful hacker. Director Niels Arden Oplev and his scenarists do a workmanlike job — one more organizational than interpretive, a faithful transcription without much style or personality all its own. Nonetheless, Larsson’s narrative engine kicks in early and hauls you right along to the depot. (2:32) Four Star, Lumiere, Smith Rafael. (Harvey)

Grown Ups In order of star power, Grown Ups casts Adam Sandler, Kevin James, Chris Rock, Rob Schneider, and David Spade as five fortysomething friends who reunite to attend the funeral of their high school basketball coach, and play catch-up over a long weekend together at a cabin by the lake. If you’re expecting five of America’s biggest comedy stars to form like Voltron and make the most hilarious movie of the year, you’ve got a sad day coming. Grown Ups is never the sum of its parts, it’s about on par with Sandler’s other producing/starring affairs, and probably features a lot of the same jokes. People fall in poop and little kids say cute things designed to make audiences awww, but history has shown that’s exactly what a popcorn viewer is looking for. By these standards, Grown Ups is a perfectly summer-y movie. (1:42) 1000 Van Ness. (Galvin)

*I Am Love I Am Love opens in a chilly, Christmastime Milan and deliberately warms in tandem with its characters. Members of the blue-blood Recchi family are content hosting lavish parties and gossiping about one another, none more than the matriarch Emma (Tilda Swinton). But when prodigal son Edoardo befriends a local chef, Emma finds herself taken by both the chef’s food and his everyman personality, and is reminded of her poor Soviet upbringing. The courtship that follows is familiar on paper, but director Luca Guadagnino lenses with a strong style and small scenes acquire a distinct energy through careful editing and John Adams’ unpredictable score. Swinton portrays Emma’s unraveling with the same gritty gusto she brought to Julia (2008), and her commitment to the role recognizes few boundaries. You’ve probably seen this story before, but it has rarely been this powerful. (2:00) Embarcadero, Sundance Kabuki. (Galvin)

*Joan Rivers: A Piece of Work Whether you’re a fan of its subject or not, Ricki Stern and Annie Sundberg’s documentary is an absorbing look at the business of entertainment, a demanding treadmill that fame doesn’t really make any easier. At 75, comedian Rivers has four decades in the spotlight behind her. Yet despite a high Q rating she finds it difficult to get the top-ranked gigs, no matter that as a workaholic who’ll take anything she could scarcely be more available. Funny onstage (and a lot ruder than on TV), she’s very, very focused off-, dismissive of being called a "trailblazer" when she’s still actively competing with those whose women comics trail she blazed for today’s hot TV guest spot or whatever. Anyone seeking a thorough career overview will have to look elsewhere; this vérité year-in-the-life portrait is, like the lady herself, entertainingly and quite fiercely focused on the here-and-now. (1:24) Embarcadero. (Harvey)

John Rabe John Rabe (Ulrich Tukur) was the Oskar Schindler of Nanking: A man who, under discreetly opportunist pretenses, attempted to keep the Chinese in a safety zone from the Japanese in the late 30s. Steve Buscemi plays Robert Wilson, a surly American doctor. He’s to Tukur as Ben Kingsley was to Liam Neeson in 1993’s Schindler’s List, but without the nuance or iconic chemistry. Tukur is understated, bordering on uninteresting, and Buscemi is just over-the-top. Unlike Spielberg’s film, John Rabe grants us little access to the stories of civilians. The film is so preoccupied with people of power and those like Rabe, couched in a world of privilege, that the film lacks an emotional, human center. It’s impossible to feel much of anything because we’re never asked to feel, nor are we ever asked to endure any especially difficult scenes. Even the occasional rain of hellfire isn’t as wallop-packing as it ought to be. (2:14) Four Star, Presidio. (Ryan Lattanzio)

The Karate Kid The most baffling thing about The Karate Kid is its title: little Dre Parker (Jaden Smith) never actually learns karate. He practices kung-fu, an entirely different form of martial arts — you know, from a different country. There’s something obnoxious and absurd about the misnomer: the film seems to suggest that if you’ve seen one Asian culture, you’ve seen them all. That aside, it’s not a bad movie. Smith is mostly pretty likeable, and there’s a definite satisfaction to seeing him grow from bullied weakling to kung-fu star. And Jackie Chan gets to exercise his dramatic chops — he even gets a crying scene! But Karate Kid is a "reboot," the preferred term for the endless stream of unnecessary remakes Hollywood keeps churning out. You can’t help but think about the superior 1984 version. Jaden Smith is no Ralph Macchio, Jackie Chan is no Pat Morita, and kung-fu is no karate. Don’t even get me started on the "jacket on, jacket off" crap. Which, if you say it quickly, sounds a little adult for a PG movie. (2:20) 1000 Van Ness, SF Center. (Peitzman)

*The Kids Are All Right In many ways, The Kids Are All Right is a straightforward family dramedy: it’s about parents trying to do what’s best for their children and struggling to keep their relationship together. But it’s also a film in which Jules (Julianne Moore) goes down on Nic (Annette Bening) while they’re watching gay porn. Director Lisa Cholodenko (1998’s High Art) co-wrote the script (with Stuart Blumberg), and the film’s blend between mainstream and queer is part of what makes Kids such an important — not to mention enjoyable — film. Despite presenting issues that might be contentious to large portions of the country, the movie maintains an approachability that’s often lacking in queer cinema. Of course, being in the gay mecca of the Bay Area skews things significantly — most locals wouldn’t bat an eye at Kids, which has Nic and Jules’ children inviting their biological father ("the sperm donor," played by Mark Ruffalo) into their lives. But for those outside the liberal bubble, the idea of a nontraditional family might be more eye-opening. It’s not a message movie, but Kids may still change minds. And even if it doesn’t, the film is a success that works chiefly because it isn’t heavy-handed. It refuses to take itself too seriously. At its best, Kids is laugh-out-loud funny, handling the heaviest of issues with grace and humor. (1:47) Bridge, SF Center. (Peitzman)

*Knight and Day A Bourne-again Vanilla Sky (2001)? Considerably better than that embarrassingly silly stateside remake, though not quite as fulfilling as director James Mangold’s 3:10 to Yuma (2007) rework, this action caper played for yuks still isn’t the most original article in the cineplex. But coasting on the dazzling Cheshire grins of its stars, Tom Cruise and Cameron Diaz, reunited for the first time since Sky, you can just make out the birth of a beautiful new franchise. Everygirl June Havens (Diaz) is on her way to her sister’s wedding when she collides-cute at the airport with Roy Miller (Cruise). After killing the passengers and pilots on their plane, he literally sweeps her off her feet — thanks to some potent drugs. Picture a would-be Bond girl dragged against a spy-vs.-spy thriller semi-against-her-will — grappling with the subtextual anxiety rushing beneath all brief romantic encounters as well as some very justifiable survival fears. Can June overcome her trust issues? Is Roy the man of her dreams — or nightmares? Mangold and company miss a few opportunities to have more fun with those barely teased out ideas, and the polished, adult-yet-far-from-knowing charisma of the leads doesn’t quite live up to sophisticated interplay of Cary Grant and Grace Kelly, or even the down-home fun of Burt Reynolds and Sally Field, but it’s substantial enough for Knight and Day to coast on, for about 90 minutes tops. (2:10) 1000 Van Ness. (Chun)

The Last Airbender There must be some M. Night Shyamalan fans out there. How else does one explain the fact that he keeps making movies? And yet, most of his post-Sixth Sense (1999) work has ranged from forgettable to downright reviled. His latest disaster is sure to fall into the latter category: in The Last Airbender, he takes a much-loved Nickelodeon cartoon and transforms it into an awkwardly paced, poorly acted mess. Woefully miscast Noah Ringer stars as Aang, the avatar with the power to end the Fire Nation’s dominion. Along with his friends, siblings Sokka (Jackson Rathbone) and Katara (Nicola Peltz), Aang must — oh, just watch the damn show. For newcomers, the film is as confusing as Shyamalan’s equally self-indulgent Lady in the Water (2006). For fans of the TV show, The Last Airbender is nearly unbearable, condensing the entire first season into one film by removing the humor, the heart, and the complexity of the characters. There’s no twist here — we expect Shyamalan to disappoint, and he does. (1:34) 1000 Van Ness, SF Center, Sundance Kabuki. (Peitzman)

Micmacs An urge to baby-talk at the screen underlines what is wrong with Jean-Pierre Jeunet’s new film: it is like a precocious child all too aware how to work a room, reprising adorable past behaviors with pushy determination and no remaining spontaneity whatsoever. There will be cooing. There will be clucking. But there will also a few viewers rolling their eyes, thinking "This kid rides my last nerve." It’s easy to understand why Jeunet’s movies (including 2001’s Amélie) are so beloved, doubtless by many previously allergic to subtitles. (Of course, few filmmakers need dialogue less.) They are eye-candy, and brain-candy too: fantastical, hyper, exotic, appealing to the child within but with dark streaks, byzantine of plot yet requiring no close narrative attention at all. The artistry and craftsmanship are unmissable, no ingenious design or whimsical detail left unemphasized. In Micmacs, hero Bazil (Dany Boon) is a lovable misfit who lost his father to an Algerian landmine, then loses his own job and home when he’s brain-injured by a stray bullet. He falls in with a crazy coterie of lovable misfits who live underground, make wacky contraptions from junk, and each have their own special, not-quite-super "power." They help him wreak elaborate, fanciful revenge on the greedy arms manufacturers (André Dussollier, Nicolas Marié) behind his misfortunes, as well as various human rights-y global ones. So there’s a message here, couched in fun. But the effect is rather like a birthday clown begging funds for Darfur — or Robert Benigni’s dreaded Life is Beautiful (1997), good intentions coming off a bit hubristic, even distasteful. (1:44) Opera Plaza. (Harvey)

Predators Anyone who claims to be disappointed by Predators has clearly never seen parts one and two in the series; all three are straight B-movie affairs (though 1990’s Predator 2 takes everything oh-so-slightly over the top. Gary Busey’ll do that). And if you’ve seen either of the recent Predator-versus-Alien flicks, Predators should feel like a masterpiece. Nimród Antal directs under the banner of Robert Rodriguez’s production company, which explains the presence of Danny "Machete" Trejo in the cast. Adrien Brody stashes his Oscar in a safe place to star as Royce, a well-armed mercenary who awakes to find himself in free fall, plummeting into a strange jungle along with other elite-forces types (including Brazilian Alice Braga, playing an Israeli soldier). It doesn’t take long before Royce realizes that "this is a game preserve, and we’re the game." I wish Predators had allowed itself to have a little more fun with its uniquely skilled characters (the yakuza guy does have a nice, if culturally-stereotyped, swordplay scene); there’s also an underdeveloped "plot twist" involving the presence of the decidedly un-badass Topher Grace among the human prey. But all is forgiven when Laurence Fishburne turns up as Crazy Old Dude Who’s Been Hiding Out With Predators a Little Too Long. Fishburne’s presence also adds to the heart-of-darkness vibe the movie seems vaguely interested in conveying. (1:51) 1000 Van Ness. (Eddy)

*Restrepo Starting mid-’07, journalists-filmmakers Tim Hetherington and Sebastian Junger spent some 15 months off and on embedded with a U.S. Army platoon in Afghanistan’s Korengal Valley, a Taliban stronghold with steep, mountainous terrain that could hardly be more advantageous for snipers. Particularly once a second, even more isolated outpost is built, the soldiers’ days are fraught with tension, whether they’re ordered out into the open on a mission or staying put under frequent fire. Strictly vérité, with no political commentary overt or otherwise, the documentary could be (and has been) faulted for not having enough of a "narrative arc" — as if life often does, particularly under such extreme circumstances. But it’s harrowingly immediate (the filmmakers themselves often have to dive for cover) and revelatory as a glimpse not just of active warfare, but of the near-impossible challenges particular to foreign armed forces trying to make any kind of "progress" in Afghanistan. (1:33) Clay. (Harvey)

The Secret in Their Eyes (2:07) Opera Plaza, Red Vic.

*Stonewall Uprising On the night of June 28, 1969, police embarked on what they thought would be a routine raid on a gay bar in New York’s Greenwich Village, the sleazy, Mafia-run Stonewall Inn. The ensuing three days of rioting — during which mostly young men and drag queens accustomed to being marginalized and hauled off to jail stood their ground and fought back — became what historian Lillian Faderman has called "the shot heard round the world" for LGBT activism: a spontaneous expression of street-level outrage that fueled the birth of a movement. Kate Davis and David Heilbroner’s solid documentary Stonewall Uprising takes a "just the facts, ma’am" approach to this historic flashpoint that makes for an information-packed, if at times dry, 80 minutes. Working around the paucity of photographic documentation of the actual riots (itself a testament to the marginalization of homosexuality in the late 1960s), Davis and Heilbroner make extensive use of period news footage and photography, reenactments, and most important, the first-person testimonies of who those who witnessed and participated in what one interviewee terms "our Rosa Parks moment." The filmmakers’ contextual groundwork is as impressive for its archival research as it is repetitive in its message: pre-Stonewall life was hell. The documentary becomes more nuanced as it zeros in on reconstructing the first night of rioting via eyewitness accounts. (1:22) Lumiere. (Sussman)

Touching Home Hometown boys (Logan and Noah Miller) make good in this based-on-a-true-story tale of identical twins who must divide their time at home between training for major league baseball and looking after their alcoholic father. The brothers, who also wrote and directed the film, aim for David Gordon Green by way of Marin, but fall short of mastering that director’s knack for natural dialogue. Ed Harris is, unsurprisingly, compelling as the alcoholic father, but the actors in the film who are not named Ed Harris tend to contribute to the script’s distracting histrionics. Touching Home has some amazing NorCal cinematography, and I could see how family audiences might enjoy its "feel bad, then feel good" style of melodrama. But while it’s awkward to say that someone’s real-life experiences come off as trite, there are moments here that feel as clichéd as a Lifetime movie. (1:48) Smith Rafael. (Galvin)

*Toy Story 3 You’ve got a friend in Pixar. We all do. The animation studio just can’t seem to make a bad movie — even at its relative worst, a Pixar film is still worlds better than most of what Hollywood churns out. Luckily, Toy Story 3 is far from the worst: it’s actually one of Pixar’s most enjoyable and poignant films yet. Waiting 11 years after the release of Toy Story 2 was, in fact, a stroke of genius, in that it amplifies the nostalgia that runs through so many of the studio’s releases. The kids who were raised on Toy Story and its first sequel have now grown up, gone to college, and, presumably, abandoned their toys. For these twentysomethings, myself included, Toy Story 3 is a uniquely satisfying and heartbreaking experience. While the film itself may not be the instant classic that WALL-E (2008) was, it’s near flawless regardless of a viewer’s age. Warm, funny, and emotionally devastating—it’s Pixar as it should be. (1:49) Empire, Marina, 1000 Van Ness, Sundance Kabuki. (Peitzman)

The Twilight Saga: Eclipse The only person more bored by the Twilight franchise than I am is Kristen Stewart. In Eclipse, the third installment of the film series, she mopes her way through further adventures with creepily obsessive vampire Edward (Robert Pattinson). Look, you’re either sold on this star-crossed love story or you’re not, and it’s clear which camp I fall into. Besides, Eclipse is at least better than New Moon, the dreadful Twilight film that preceded it last year. But the story is still ponderous and predictable — Eclipse sets up a conflict and then quickly resolves it, just so it can spend more time on the Bella-Edward-Jacob love triangle. (As if we don’t know how that ends.) Then there’s the unfortunate anti-sex subtext: carnal relations are cast as dirty, wrong, and soul-destroying. I’m not saying we should be encouraging all teenagers to have sex, but that doesn’t mean we should make them feel ashamed of their desires. And what parent would approve of Eclipse‘s conclusion? Marrying your first boyfriend at 18 — not always the best move. (2:04) Empire, 1000 Van Ness, Sundance Kabuki. (Peitzman)

*Wild Grass The premise of Wild Grass, Alain Resnais’ loopy new film, could have come straight from Nancy Meyers: an older married man finds a single, middle-aged woman’s wallet. He returns it but can’t stop thinking about her. She, in turn, is intrigued by his attentions. Both are surprised by the connection they feel growing between them, one which they nevertheless have difficulty articulating. When they finally meet, sparks fly. That purloined wallet, along with the romcom set-up, aren’t the only MacGuffins in Resnais’ Wild ride, which uses Christian Gailly’s novel L’ Incindent as a rough guide for its careening tour of the irrational courses that desire can lead us down. The man and woman in question are Georges, an embittered writer with a possibly dark past, and flame-haired Marguerite, a dentist and part-time aviatrix, both played to neurotic perfection by longtime Resnais regulars André Dussollier and Sabine Azéma. Resnais’ attempt to translate what he has called the "musicality" of Gailly’s prose has resulted in a frenetic everything-but-the-kitchen-sink approach that tries to visually approximate Georges and Marguerites’ every internal monologue, fantasy, and increasingly risky instance of impulsive behavior, throwing in some knowing winks to classic Hollywood cinema for good measure. It’s a mess, to be sure (there are even two endings!). But like Mr. Magoo, the 87-year-old Resnais, as if by some unseen hand, steers clear of complete disaster. There hasn’t been a Gallic car crash this delightful to watch since Godard’s famous pile-up in 1967’s Week End. (1:44) Opera Plaza, Shattuck. (Sussman)

*Winter’s Bone Winter’s Bone has already won awards at the Berlin International Film Festival and the Sundance Film Festival, but it’s the kind of downbeat, low-key, quiet film that may elude larger audiences (and, as these things go, Oscar voters). Like Andrea Arnold’s recent Fish Tank, it tells the story of a teenage girl who draws on unlikely reserves of toughness to navigate an unstable family life amid less-than-ideal economic circumstances. And it’s also directed by a woman: Debra Granik, whose previous feature, 2004’s Down to the Bone, starred Vera Farmiga (2009’s Up in the Air) as a checkout clerk trying to balance two kids and a secret coke habit.

Drugs also figure into the plot of the harrowing Winter’s Bone, though its protagonist, Ree Dolly (Jennifer Lawrence), is faced with a different set of circumstances: her meth head father has jumped bail, leaving the family’s humble mountain home as collateral; the two kids at stake are her younger siblings. With no resources other than her own tenacity, Ree strikes out into her rural Missouri community, seeking information from relatives who clearly know where her father is — but ain’t sayin’ a word. It’s a journey fraught with menace, shot with an eye for near-documentary realism and an appreciation for slow-burn suspense; Lawrence anchors a solid cast with her own powerful performance. Who says American independent film is dead? (1:40) Embarcadero. (Eddy)

REP PICKS

*Beyond the Doors and Bigfoot This double bill in the middle of the Vortex Room’s conspiracy-focused schedule of Thursday screenings offers musings on some favorite 1970s subjects for paranoid speculation. "Our assignment: neutralize the three Pied Pipers of rock n’ roll music," recalls a government operative near the beginning of Larry Buchanan’s Beyond the Doors. Upset at Vietnam protests and drug culture, President Nixon hits on the logical solution: Jimi, Janis and Jim (Morrison) must die. Made in 1984, this late effort by Southern cheesebagger Buchanan followed three decades of such titles as Naughty Dallas (1964), Zontar: The Thing from Venus (1966), Mars Needs Women (1967), and The Loch Ness Horror (1981). Having achieved modest box-office success with his tabloid-tenored 1976 take on Marilyn Monroe, Goodbye Norma Jean, Buchanan applied the same delicate brushstrokes to this dramatized imagining of what really happened to acid rock’s martyred holy trinity. Actor "discoveries" Gregory Allen Chatman (Hendrix), Riba Meryl (Joplin), and Bryan Wolf (Morrison) were, not entirely surprisingly heard from again, though the various approximations of those musicians’ sounds could be worse. In the second half of the Vortex Room bill, John Carradine helps helps various bikers, rednecks, and cops investigate the abduction of underdressed white-meat babes which Bigfoot (or rather, several Bigfoots … or is that Bigfeet?) kidnaps to chain up in a cave so that they might squirm and scream in their bikini briefs. (The original ad line was "Breeds with anything.") Leading victim is 1950s starlet Joi Lansing, a Mormon-raised Monroe wannabe whose prior career highlights were a brief run on The Beverly Hillbillies, bits in studio features and leads in Z-grade films like the glorified ’67 country-music concert compendium Hillbillies in a Haunted House. This being a 1970 drive-in feature (by Robert F. Slatzer, who’d made the rather stupendously bad 1967 Hellcats), naturally a biker club rides to the eventual rescue, pitting one group of hairy primitives against another. Add Faster, Pussycat! Kill! Kill! (1965) star Haji, Elvis bodyguard Del "Sonny" West, some hoary Hollywood veterans, and lesser Mitchum family members, and you’ve got one weird time capsule. Thurs/15, 8 p.m., $5, Vortex Room, 1082 Howard, SF; www.myspace.com/thevortexroom. (Harvey)

Board votes on Candlestick-Shipyard project EIR appeal today

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All images by Luke Thomas

The Chronicle’s suggestion that the city’s massive Candlestick-shipyard project may be facing smoother sailing seems like wishful thinking to those who attended a July 12 noontime rally that was organized by POWER (People Organized to Win Employment Rights) and featured two Louisiana-based advocates who protested the project’s EIR and shared many of the longstanding concerns about project cleanup, infrastructure and financing.

The Chronicle was of course referring to five amendments to the city’s massive redevelopment proposal that Board President David Chiu introduced during yesterday’s July 12 meeting of the Board’s Land Use committee. The Chron interpreted these amendments as a sign that Chiu plans to approve the project’s environmental impact report, which comes before the Board today, after several groups appealed the final EIR that the Planning Commission approved last month.

But while city officials fear the developer will walk, if the Board does not approve the final EIR, some environmental advocates hope a better plan could be reached.

At POWER’s July 12 rally, nationally acclaimed environmental scientist Wilma Subra called on the District Attorney’s environmental justice department to “step up.” Subra claimed that the project’s final EIR “failed to evaluate and assess the cumulative impacts of exposure to children, adults and the environment as a result of exposure to all of the chemicals at the site.”

Monique Harden, co-director and attorney for Advocates for Environmental Health Rights (AEHR) of New Orleans, Louisiana, pointed to “deep flaws in the environmental regulation system,” as a reason why low-income communities of color should be concerned about the proposed plan.
“Why in the middle of an environmental crisis caused by BP in the Gulf am I coming to San Francisco?” Harden asked. “Because San Francisco is providing unequal environmental protection to its residents. As a resident of New Orleans, I’m concerned that San Francisco is careening towards making a decision that can crush the future of Bayview Hunters Point,”

But as local Bayview resident Jose Luis Pavon began talking about seeing gentrification occur in his lifetime within San Francisco, he and others got shouted down by a group of yellow and green-shirted project supporters, who were led by a guy calling himself Bradley Bradley and Alice Griffith public housing resident Stormy Henry.
“This is the devil’s trick in the last hour,” Henry said of the POWER rally.

Henry shared her heartfelt belief that if the Board approves the project’s final EIR, she and other Alice Griffith residents will get desperately needed new housing units. even if it takes some years to build them. Others in her group were unable to answer media questions: they had difficulty speaking in English, but were clutching neatly written statements in support of the project that they later read aloud at the Board’s Land Use Committee hearing.

As these project supporters prepared to move inside to attend the Land Use Committee meeting and lobby supervisors for their suppor, D. 10 candidate Tony Kelly shared his concerns that the Navy has a demonstrated history of finding nasty things at the shipyard years after they say everything’s clean, and that this pattern could jeopardize the plan.

“This happened at Parcel A,” Kelly said, referring to the first and only parcel of land that the Navy transferred to the city for development in 2004. “Since then, Parcel A has gotten smaller and as they found stuff on sites they then renamed as new parcels, like UC-3, which has radiological contamination in a sewer line that goes into the Bayview. So, that means the contamination is now in the Bayview.”

Kelly is concerned that the city is trying push through EIR certification before the Navy completes an environmental impact statement (EIS) related to shipyard cleanup activities. “The EIS is supposed to go before the EIR, as far as I know,” Kelly said

At the Land Use Committee meeting, Sup. Sophie Maxwell, whose district includes Candlestick and the Shipyard,said, the project was about “revitalization and opportunity.”

She noted that the certification of the project’s final EIR has been appealed to full Board’s July 13 meeting. She further noted that she intends to introduce legislation next week to address concerns that Ohlone groups have expressed.

The next two hours were full of testimony from a bevy of city officials, beginning with Michael Cohen, Mayor Gavin Newsom’s top economic advisor in the Office of Workforce and Economic Development.

“Every single element [of this project] has been discussed and debated at countless meetings,” Cohen claimed, as he sought to quell fears that the community had not been properly consulted with over the plan. “As we get closer to a vote, all of a sudden pieces of paper start circulating, criticizing project and suggesting that community involvement just began,” he continued. ” That’s factually untrue.”

He also sought to reassure the supervisors that the Board will have a say-so as to whether the city accepts early transfer of shipyard parcels from the Navy.
“Neither the city nor the developer have any specific authority over the cleanup,” Cohen said, noting that the cleanup is governed by specific rules set out in CERCLA [Comprehensice Environmental Response, Compensation and Liability Act, aka Superfund].

“Regardless of what we do, CERCLA will continue to be the regulatory tool,” Cohen said. ” I urge you not to be confused by CEQA and CERCLA.”

So, how can the city implement Prop. P, which voters overwhelmingly supported in 2000, urging the Navy to clean up the shipyard to highest attainable standards.
“Prior to any transfer, US EPA and DTSR have to concur in writing that the shipyard is safe,” Cohen explained, noting that, thanks to Speaker of the House Nancy Pelosi, the Navy has already spent over $700 million on shipyard cleanup efforts.

“We have 250 artists at the shipyard….but not a shred of scientific evidence to say that the shipyard is not safe,” Cohen claimed. “It’s safe to develop the shipyard in precisely the manner we are proposing.”

When Sup. Eric Mar raised the question of radiological contamination on Parcel UC-3, Cohen downplayed Mar’s concerns.
“The exposure levels are lower than watching TV,” Cohen claimed. “The primary source is very low level radiation from glow-in-the-dark dials.”
Indicating a map that showed a network of old sewers (in blue) and old fuel lines (in red) under the entire development area, Cohen said, “The radiological contamination that has and will be addressed at the shipyard is quite low level. You have radiation, you get nervous. We asked EPA to come out and do a scan to deal with the issue.”

IBI Group’s David Thom, the lead architect and planner for the project said the plan is designed “to connect new development back into the Bayview.”
“And this plan connects the Bayview through to the water.”

Tiffany Bohee, Cohen’s deputy in the Mayor’s Office of Economic and Workforce Development, insisted that project’s proposed bridge is better than Arc Ecology’s proposed alternative route, which would not involve constructing a bridge over an environmentally sensitive slough.
“The non-bridge route increases the number of intersections,” Bohee said, seeking to turn an environmental question (the impact of bridge on wildlife and nature experience) into a public safety issue.”
She claimed the BRT route over bridge was 5-10 minutes faster than Arc’s proposed alternative, “because there are fewer turns, it can go at higher speeds.” But Arc’s studies suggest the BRT route over the bridge is only a minute faster, and would cost over $100 million.

Bohee noted that $50 million from the sale of 23 acres of parkland for condos at the Candlestick Point State Recreation Area (CPSRA) will be “set aside for the state, and won’t be able to be raided by the city,” with $40 million going to improvements, and $10 million to ongoing operation and maintenance costs.

She also cited additional benefits that the project would bring to the community, including thousands of construction job opportunities.

“We are working with City Build to make sure they are for local residents,” Bohee said.“And there is absolutely no displacement for the rebuild,” Bohee continued referring to proposal to place current Alice Griffith public housing iresidents n new units, on a 1-1 basis

Eric Mar said he was impressed by many elements of the plan, but continued to express reservations.
“I’m still concerned that is seems to serve newcomers as proposed to existing residents,” he said. “And I’m still not convinced that the bridge is the best for existing residents.”

Rhonda Simmons, who works in Cohen’s Office of Economic and Workforce Development,  tried to flesh out details of the project’s job creation promises.
“The most immediate workforce is related to the construction site, and as you know, this project goes over a 15-20 year span,” Simmons said, pointing to green tech and retail as job opportunities that will exist once the project is built.

Mar expressed concern that the jobs may not be at the level of D.10 residents
“How is this gonna bring their skill level up?” he asked.
“The idea is that training gives first level entry at a variety of building trades,” Simmons said, pointing to the project’s large solar component.

“What about women?” Sup. Maxwell asked
Simmons pointed to retail opportunities,
“The idea of the training is to give folks job readiness skills, like getting there and showing up on time,” she said

Mar wanted to know who would have oversight of monitoring and compliance.
“In the city we have a tapestry of folks who do contract compliance,” she said. “The oversight will come from a variety of places.”

After Kurt Fuchs of the Controller’s Office listed the estimated economic benefits of the project, Board President David Chiu observed that the city is “at a crossroads.”

“I do not plan to prejudge,” Chiu continued, as he introduced his five amendments to regulate the Parcel E-2 cleanup, the size of a proposed bridge over the Yosemite Slough, expand healthcare access in the Bayview, create a workforce development fund and lay the groundwork for bringing public power to the project.

During public comment, Bayview resident Fred Naranjo pleaded for project support.  

“Please don’t let the train leave the station,” Naranjo said. “If Lennar leaves, the Bayview will never be developed.”

And Tim Paulson, executive director of the San Francisco Labor Council expressed hope that an agreement was getting closer.
“There really is a path to getting this done,” Paulson said. “This really is a model project in many ways for the rest of the United States.”
But D. 10 resident Linda Shaffer with the Yerba Buena chapter of the California Native Plant society indicated the huge pressure exerted on folks to support the project
“I do not want to be classified as an opponent, but we have concerns,” Shaffer said, noting that her group has filed an appeal of the project’s final EIR.

And while the Sierra Club’s Arthur Feinstein thanked Chiu for proposing to reduce the size of the bridge, he pointed out that Chiu’s amendment wasn’t really a compromise.
“That’s because it’s still a bridge,” Feinstein said, as he explained how noisy the area surrounding the slough will become as traffic whizzes by.

Connie Ford of the Labor Council accused some project critics of being “disrespectful.”
Ford took particular issue with claims that the project will gentrify the area
“The neighborhood is changing,” she said. “Since 1990, African American families have been leaving the Bayview in huge numbers. I encourage you to see this project as a good plan.”

Gabe Metcalfe of SPUR expressed his unconditional support for the plan,
“This plan is being asked to fix a huge number of problems,” he said.
Noting that the bridge continues to be a sticking point, Metcalfe said he sees opposition to every transportation project these days.
“We seem to be in a moment when you can’t build anything without it being opposed.”

But other speakers from the Sierra Club reiterated their stance that there are better and viable options to the bridge, noting that it is too costly, and that the surrounding community and wildlife would be better off without it.”

All these competing viewpoints suggest that whatever decision the Board makes today, it will take some time and create plenty of uproar. So, here’s hoping the Board votes in a way that will truly benefit the D. 10 community, not career politicians, city officials and out-of-state developers. It’s about time.

Jumping jack flash

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le.chicken.farmer@gmail.com

CHEAP EATS Rode my bike to my second favorite neighborhood, the Tenderloin. I was hoping to find the place where me and Sal the Porkchop ate crawfish and garlic noodles one night after watching dance, or something somewhat cultural, at any rate. I remember I was dressed a little dressier than usual and worried about squirting crawfish juice on my skirt.

After that my memory was erased — there’s a slight chance by space aliens. But it’s also possible that the crawfish were that spicy. That’s why I wanted to find the place. And will, another time.

This time I got distracted. Three lanes of oncoming traffic when you’re riding a bicycle the wrong way down a one-way street, such as Gough Street, will do that to you. I wish that didn’t seem like a metaphor for my life, but it does.

Because I do, ultimately, want to continue living it, I zipped over to the sidewalk and there was a bike rack. I started to lock up without even looking around first. I was on the other side of Market Street. Nothing else mattered.

Then, yes, I looked around.

With every intention of still going in search of crawfish afterward, I ducked into a place called Go Getters Deli, only the "o" was a green olive with a pimento in it. Plain block letters on the window advertised burgers and burritos, but that wasn’t why I chose the place.

I chose it because all six or seven of the people inside were sitting on the same side of their tables, facing the same direction, and looking upward. So I took that to mean there was a TV, with a soccer game on it.

And there was and there was, and so crawfish would have to wait.

But I couldn’t decide which idea I liked better: eating a burrito in a burger joint, or a burger in a taqueria. Since it was already almost half-time, I wouldn’t be able to do both. So, being predictable, I went with Plan C. Which, in this case, was a chicken sandwich with "flaming sauce," red onions, and tomatoes.

Flaming sauce = chipotle, and the sandwich was damn good. The bread tasted homemade, which seemed strange, unless they are in cahoots with Go Getters Pizza across the street and down a block. And, come to think of it, why wouldn’t they be? With a name like Go Getters Deli.

Well, the chipotle sauce wasn’t exactly "flaming." But that’s why I keep a bottle of hot sauce in my purse. With which … yum, yes, hot hot hot. And a lime Jarritos.

And an exciting half of World Cup soccer, and I forgot all about the crawfish place I had already forgotten about.

While the players were still hugging each other or else lying in the grass crying, taking off their shirts, and so on, I polished off my Jarritos, put on my sunglasses, smiled at my fellow sports fans, thanked the owners and kitchen and counter people (who had all come out to watch the end of the game), and walked into the doorjamb because I had my sunglasses on.

It was one of those days: on the edge between foggy and sunny. I buttoned up my jacket halfway, saddled my Schwinn, and huffed back to the Mission. Where some guy was doing jumping jacks on the sidewalk.

Normally I would have stopped and talked to such a someone, but he didn’t look quite crazy enough for me. He looked like a really fucking normal person, in fact, dressed in a regular way. Just happened to be doing jumping jacks on the sidewalk is all. Valencia Street. Facing a telephone pole.

And who am I to argue with that? I had a big scratch on my face. It looked like I’d been in a fight with a cat, or a catfight, but in fact (and as usual) the story was much less interesting. It starred a two-year-old, with a cracker. These things happen. Crackers are sharper than you think.

I mean, it was an accident.

I mean, physical fitness is important. *

GO GETTERS DELI

Mon.–Sat. 9 a.m.–8 p.m.; Sun. 9 a.m.–6 p.m.

100 Gough., S.F.

(415) 863-4149

D/MC/V

No alcohol