Government

Wolf freed!

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After spending more than seven months in prison for refusing to give a federal grand jury video outtakes of a 2005 anarchist protest, freelance journalist and blogger Josh Wolf’s is today being released. According to one of Wolf’s lawyers, David Greene of the Oakland-based First Amendment Project, Wolf won’t have to testify to the grand jury or identify protesters shown in his video, which has now been posted at his Web site, www.joshwolf.net/blog.

The deal was announced the day after a second three-hour mediation session before a federal magistrate in San Francisco. The 24-year-old Wolf has been held in contempt of court by a federal judge since August 2006 and has been imprisoned longer than any other journalist in U.S. history for withholding information. He is reportedly being picked up from the federal correctional facility in Dublin this afternoon and will appear on the steps of San Francisco City Hall at 5 p.m.

Greene said that the April 3 breakthrough occurred when federal prosecutors dropped their insistence that Wolf testify to the grand jury about people he interviewed for his video. Greene said Wolf was prepared to turn over the outtakes last November if he’d been excused from testifying but prosecutors refused.

In an April 3 press release, Greene wrote, “For the last several months, this (dispute) has been principally about the testimony and not about the video. The only reason he decided to publish (the video) now was their assurances that they would not require his testimony.”

Greene said prosecutors required only that Wolf answer two questions under oath, in writing: whether he ever saw anyone throw or shoot any object at a police car or learned about anyone who did so, and whether he knew who Officer Peter Shields was trying to arrest when he was hit from behind and suffered a fractured skull. Wolf answered no to both questions in a court filing today.

In a separate filing, Assistant U.S. Attorney Jeffery Finigan said Wolf has complied with the grand jury subpoena and should be released from prison. Finigan also noted the government has reserved the right to issue a new subpoena to Wolf in the future.

“I think his sacrifice of his personal liberty for 226 days for the sake of a principle that was for something much larger than him personally was really commendable,” Greene said.

Rick Knee of the National Writers Union say his group believes that, “Josh’s persecution at the hands of the San Francisco Police Department, the Joint Terrorism Task Force, the U.S. Attorney’s office in San Francisco, federal prosecutor Jeffrey Finigan, the federal grand jury and U.S. District Judge William Alsup was morally and ethically reprehensible, and an egregious misuse of taxpayer dollars.”

While McCain Walks in McNamara’s Footsteps

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The media spectacle that John McCain made of himself in Baghdad on April 1 was yet another reprise of a ghastly ritual. Senator McCain expressed “very cautious optimism” and told reporters that the latest version of the U.S. war effort in Iraq is “making progress.”

Three years ago, in early April 2004, when an insurrection exploded in numerous Iraqi cities, U.S. occupation spokesman Dan Senor informed journalists: “We have isolated pockets where we are encountering problems.” Nine days later, President Bush declared: “It’s not a popular uprising. Most of Iraq is relatively stable.”

For government officials committed to a war based on lies, such claims are in the wiring.

When Defense Secretary Robert McNamara visited Vietnam for the first time, in May 1962, he came back saying that he’d seen “nothing but progress and hopeful indications of further progress in the future.”

In October 1966, when McNamara held a press conference at Andrews Air Force Base after returning from a trip to Vietnam, he spoke of the progress he’d seen there. Daniel Ellsberg recalls that McNamara made that presentation “minutes after telling me that everything was much worse than the year before.”

Despite the recent “surge” in the kind of media hype that McCain was trying to boost in Baghdad, this spring has begun with most news coverage still indicating that the war is going badly for American forces in Iraq. Some pundits say that U.S. military fortunes there during the next few months will determine the war’s political future in Washington. And opponents of the war often focus their arguments on evidence that an American victory is not possible.

But shifts in the U.S. military role on the ground in Iraq, coupled with the Pentagon’s air war escautf8g largely out of media sight, could enable the war’s promoters to claim a notable reduction of “violence.” And the American death toll could fall due to reconfiguration or reduction of U.S. troop levels inside Iraq.

Such a combination of developments would appeal to the fervent nationalism of U.S. news media. But the antiwar movement shouldn’t pander to jingo-narcissism. If we argue that the war is bad mainly because of what it is doing to Americans, then what happens when the Pentagon finds ways to cut American losses — while continuing to
inflict massive destruction on Iraqi people?

American news outlets will be inclined to depict the Iraq war as winding down when fewer Americans are dying in it. That happened during the last several years of the Vietnam War, while massive U.S. bombing — and Vietnamese deaths — continued unabated.

The vast bulk of the U.S. media is in the habit of defining events around the world largely in terms of what’s good for the U.S. government — through the eyes of top officials in Washington. Routinely, the real lives of people are noted only as shorthand for American agendas. The political spin of the moment keeps obscuring the human moment.

Awakening from a 40-year nap, an observer might wonder how much has changed since the last war that the United States stumbled over because it could not win. The Congressional Record is filled with insistence that the lessons of Vietnam must not be forgotten. But they cannot be truly remembered if they were never learned in the
first place.

______________________________________

Norman Solomon’s book War Made Easy: How Presidents and Pundits Keep
Spinning Us to Death
is out in paperback. For information, go to:
www.normansolomon.com

Join the Josh Wolf vigil during mediation starting at 8 a.m. Monday at the federal building in San Francico

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By Bruce B. Brugmann

Josh’s mother asks that people turn out this morning (Monday, April 2) from 8 to 9 a.m. when Josh Wolf will be brought from his federal prison cell in Dublin to another round of mediation between Josh’s attorneys and the federal prosecutors from the U.S. attorney’s office.

Liz Wolf-Spada writes to her growing email list of Josh supporters, “It would be a great show of support for Josh if we could turn out a big crowd tomorrow morning outside the federal building. At the last mediation, as Josh was being driven into the basement car entrance, he spotted a supporter holding a sign out front and it meant a great deal to him.

“A large presence of supporters would also show the feds and the press that Josh’s support is broad and that we are determined to see him released immediately. As Josh’s lawyers are under orders not to speak about the mediation process, we know very little about what will take place tomorrow, but it is certainly an opportune moment to visibly demonstrate our support for Josh and demand once again that the federal government release him from his unjust imprisonment.”

She also reports that Josh’s father has begun an ongoing vigil that will continue until Josh is released. The vigil will start each morning between 8 and 9 a.m., outside the Philip Burton federal building in San Francisco, and will be held each week day until about 6 p.m.

I plan to drop by the vigil as often as I can and I hope you do too. My wife Jean and I have just returned from the mid-year meeting of the Inter American Press Association (IAPA) in Cartagena, Colombia, where we were successful in getting this influential and highly respected free press organization to condemn Josh’s imprisonment and demand his release from jail. (See my previous blog item).

South of the border, the journalists are up against regimes that tolerate the murder and imprisonment of journalists on a regular basis. To deal with this situation, IAPA issues strong resolutions, sends in missions to investigate and protest and seek to get the prisoners released from jail. In the case of murdered journalists, it has a successful impunity program where it sends in missions to investigate, turn the evidence over to government prosecutors, and then beat on the government until the murderers are successfully prosecuted.

I told IAPA delegates, who have fought Peron in Argentina, Pinochet in Chile, Castro in Cuba, Chavez in Venezuela, and narco forces in Columbia, that I never thought I would see a journalist imprisoned for so long in the U.S. for such a ridiculously unjust crime: Josh’s refusal on journalistic principle to refuse to release videotapes he took at a 2005 demonstration in San Francisco.

Josh’s alleged “crime” was a local issue, involving a play by the local cops and Police Officers Association, to circumvent the state shield law and take the phony case to the Bush Attorney General in Washington. To the Bushies, the case was red meat: they could send a “don’t mess with us or else” message to San Francisco, center of anti-war dissent and protest, and to journalists throughout the land. The Bush/Rove/Gonzales firing of the eight U.S. attorneys general for political reasons only makes the point in 96 point Tempo Bold that Josh is a victim of the Bush law of intended political consequences. For more on IAPA, go to its website at IAPA.com.

I think we need an IPI-type mission to free Josh Wolf. Meanwhile, join the vigil and join the Liz email tree: liz_wolf_spada@yahoo.com. B3

WHAT: Vigil for Josh during mediation

WHERE: Phillip Burton Federal Building , 450 Golden Gate Avenue, in the San Francisco Civic Center

WHEN: Vigil starts around 8 a.m. and will continue through the day.

WHAT: Daily vigil for Josh

WHERE: Phillip Burton Federal Building, 450 Golden
Gate Avenue

WHEN: Begins around 9 a.m. each weekday until Josh is released

The weakly sunblock

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By Tim Redmond

Yeah, so the SF Weekly is taking a swipe at Kimo Crossman (and, naturally, at us) this week. Will Harper’s item isn’t terribly insightful or funny, and just plays into the Phoenix-based paper’s general distaste for unconventional activists.

But Harper (and a lof ot the others who think it’s fun and easy to whack away at the likes of Crossman and his over-the-top battles for open government) forget where all of this came from. Kimo Crossman got obsessed with government secrecy because he had such a bad experience trying to get public records. He wanted to find out about the Newsom wi-fi deal (which, true to form, the Weekly also loves). And he kept running into brick walls.

I understand. I find the same thing at City Hall, all the time. Under City Attorney Dennis Herrera (and his excellent and principled press aide, Matt Dorsey), it’s gotten a lot better, but overall, most city departments still make it far too difficult for the average citizen to get basic information about what’s going on.

If anyone is to blame for Crossman’s somewhat unwieldy campaign, it’s Mayor Newsom, who insisted that Google and Earthlink had the right to keep their wi-fi proposals mostly secret.

There has always been an easy solution to people like Crossman: Just give them the damn records. Nothing bad will happen. Really.

PS: Someday soon, when metadata is regularly released as part of public-records requests, Will Harper or someone else at the Weekly will use that info to write a really good story about City Hall. You suppose they’ll thank that crazy Kimo Crossman?

“Good German,” bad German

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› a&eletters@sfbg.com

The title of David Wiltse’s 2003 play, The Good German, points in two directions at once: there’s the image of the individual who stands up to the injustice being perpetrated by his or her government, and there’s the image of the individual who follows the flag, however reluctantly, wherever it may lead. Of the play’s four characters, only one looks even remotely like a saint, and she’s killed early on. The other three, all of them men, have to negotiate a more twisted path between these two poles.

Wiltse’s supple and engrossing drama, now making a stellar West Coast debut at the Marin Theatre Company (and which, incidentally, has no relation to the recent Steven Soderbergh film), takes place entirely in the middle-class home of a middle-aged couple. The flawed but sympathetic Dr. Karl Vogel (Warren David Keith) is a professor of chemistry, and his wife, Gretel (Anne Darragh), is a nurse. Gretel has brought home Herr Braun (Brian Herndon), a German Jew who recently lost his wife and his child when his home was deliberately set ablaze with the intention of sequestering him. Karl is reluctant, being timid and aloof by nature and harboring an all too typical strain of anti-Semitism, which makes him "philosophically" antagonistic to the desperate man at his doorstep.

Karl nonetheless can refuse his beloved wife nothing and allows Braun to stay as a servant even after learning about his Jewish identity. Karl’s good friend Siemi (Darren Bridgett), meanwhile, initially appears only too willing to help a stranger in distress. As a member of the Nazi bureaucracy, though, he slowly gives himself over to the organized mass cultivation of hatred sweeping through the country at large. In the end, the bourgeois domesticity all three men cling to — even more so after Gretel’s death — is no guard against the spiraling madness of the outside world: sooner or later they have to face a life-and-death decision about who they are and what they stand for. Or rather, what they will and won’t stand for.

That choice — their dilemma — is very clearly our own. Wiltse’s play deliberately sets itself in Adolf Hitler’s Germany in order to address George W. Bush’s America. Although this is not the first time the Nazis have served onstage as a mirror to America’s totalitarian tendencies (John O’Keefe’s brilliant 2002 drama, Times Like These, and Tony Kushner’s A Bright Room Called Day are just two examples), The Good German proves exceptionally vital. Confidently helmed by director Kent Nicholson and featuring riveting performances, it’s a provocative mediation on questions confronting average — that is to say, flawed — individuals in extraordinary times.

WOYZECK


There is no escape into domesticity for Franz Woyzeck either. Georg Büchner’s classic antihero, a lowly 30-year-old soldier beset by the complementary machinery of the military and medical science, finds only mockery and infidelity in the home and hearth he shares with his mistress, Marie, a former prostitute, and their illegitimate child. In his fevered brain a rebellion of sorts, prompted by a blood-red moon, is on slow boil. It’s a tragedy of minor and quintessentially modern proportions that is so apt, so portentous, that it has inspired countless productions and adaptations since its unearthing in the late 19th century (including Alban Berg’s opera and at least a couple brilliant films) and still amazes one to think it was penned (and left unfinished) in 1836 by a brilliant young chemist and revolutionary carried off by typhus at age 23.

But despite its popularity, Woyzeck is not an easy play to get right. Cutting Ball’s current stab impressively conveys the work’s jagged protoexpressionist spirit. Artistic director Rob Melrose’s able new translation also serves the play’s coruscating imagery. And yet director Adriana Baer has not managed to find a compelling way into the play. Casting accounts for part of the trouble. Moreover, there’s something staid in a scene like the opening tableau, in which all the characters peek from behind the set’s back wall of shelving to whisper maddening things into the ear of a progressively agitated Woyzeck. In the end, we never quite hear what all the fuss was about. *

THE GOOD GERMAN

Through April 15

See Stage listings for show info $29–$47

Marin Theatre Company

297 Miller, Mill Valley

(415) 388-5208

www.marintheatre.org

WOYZECK

Through April 7

Thurs.–Sat., 8 p.m., $25

Exit Stage Left

156 Eddy, SF

1-800-838-3006

www.cuttingball.com

>

Reilly’s right to sue

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EDITORIAL One of the more effective ways the courts have kept activists out in the legal cold over the years is to deny them what’s known as "standing" — the right to sue. You want to fight the government in court over the destruction of a wilderness area? First you have to prove that you’ll be damaged by the logging or mining or development — and until relatively recently, unless you personally owned land or a business in the immediate vicinity, you were out of luck. You want to sue to force San Francisco to abide by federal law and create a public power system? No can do: individual citizens have no standing to sue over violations of the Raker Act. Only the secretary of the interior or the city attorney can do that — and neither one has been willing to do so in half a century.

Some of the most important advances in public-interest law have been expansions of the right of standing — the right of individuals to sue over major political issues when the government agencies that are supposed to be watchdogs have failed to do their jobs. But now the two big newspaper chains that dominate the Bay Area want to deny that right to real estate investor Clint Reilly.

In filings March 16, the Hearst Corp. and MediaNews Group sought to get Reilly’s suit against the monopolization of the local newspaper market thrown out of court. The grounds? Reilly is, well, just a citizen. Just a reader of the papers and someone who buys ads in them. Just someone who will suffer the untold damage of losing diversity in media voices in the community. Someone who, the monopolist lawyers say, has no standing to sue.

The problem, of course, is that the government agencies that clearly have standing to try to block two publishing barons from conspiring to end newspaper competition in the Bay Area — the attorneys general of the United States and California — have refused to do anything except smile and look the other way while Hearst and MediaNews go about their diabolical business. So if an individual like Reilly has no right to go to court, then there will be no legal obstacle to the barons’ plans.

The obvious legal answer, of course, is that the judge in the case, Susan Illston, must toss out this specious argument, allow the suit to continue, and get to the serious legal issues at stake.

The case is obvious: the people who will be injured most by the elimination of newspaper competition are the readers, the citizens, the political activists … the public. And if a member of the public can’t sue to stop it, there’s not a lot of hope for justice.

In fact, as Joe Alioto, the attorney for Reilly, points out, the Sherman and Clayton antitrust laws were specifically written to allow individuals to sue over monopolistic practices, "because the authors of those laws didn’t trust the government to control monopolies."

But the real message here is that the new California AG, Jerry Brown, can’t simply follow in his predecessor’s lead and ignore the clear antitrust implications of the MediaNews and Hearst deals. Is Reilly the only one who will stand up against the publishing barons? Where are you, Jerry? *


PS Where is the US attorney’s office, which was so quick to put Josh Wolf in jail, when the real lawbreakers in the publishing business are making millions by eliminating competition?

PPS The San Francisco Chronicle‘s story on the filing, by Bob Egelko, didn’t quote Reilly or Alioto in response. And Reilly’s legal response is under court seal — thanks to Hearst and MediaNews, which have demanded that all documents remain secret. If the media barons don’t justify that secrecy to the court by March 28, the records will be opened. If not, we will continue our so-far-successful court battle to open the records.

Video shows why caging Wolf sucks

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By Sarah Phelan
Josh Wolf wasn’t the only person to film the July 8, 2005 G-8 protest. Nor was he the only person to be interviewed by the FBI. But he is the only person to be incarcerated for refusing to give up his video outtakes of the protest. This latter reality lends weight to Wolf’s suspicion that the reason the federal government jumped on the case is connected to the Bush administration’s obsession with anarchists. The truth is that there is no footage of the attack om the police officer on Wolf’s tapes, but there is footage of Black Bloc anarchists talking into his camera.

Transgender videographer Dina Boyer, who works for AccesSF Channel 29 and is not an anarchist told the Guardian that about three weeks after she filmed the July 8, 2005 protest—and posted outtakes of it online under an assumed alias—FBI officials showed up at her home.

The Inter American Press Association calls for the immediate release of Josh Wolf from prison

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By Bruce B. Brugmann

Cartagena, Colombia March l9–The Inter American Press Association has condemned the U.S. government for jailing Josh Wolf and called for his immediate release from federal prison.

IAPA, at its annual mid-year meeting in Cartagena, noted that Wolf “remains in jail for refusing to turn over his videos and has now been in jail for refusing to comply with a subpoena for longer than any journalist in U.S. history.”

IAPA said that “numerous journalists in the United States have been subpoenaed by prosecutors and required to testify in state and federal court, including the requirement that they name their confidential sources.”
It noted that San Francisco Chronicle reporters Mark Fainaru-Wada and Lance Williams faced l8 months in prison until their confidential source recently came forward.”

IAPA relied on principle 4 of the Declaration of Chapultepec, the organization’s version of the First Amendment,
that states, “Freedom of expression and of the press are severely limited by murder, terrorism, kidnapping, intimidation, the unjust imprisonment of journalists, the destruction of facilities, violence of any kind and impunity for perpetrators. Such acts must be investigated promptly and punished harshly.”

IAPA is a non-profit organization dedicated to defending freedom of expression and of the press throughout the Americas. It has a membership of more than l,300 representing newspapers and magazines, with a combined circulation of 43,353,762, from Patagonia to Alaska.

In other action, IAPA found that six journalists were killed and one disappeared in the last six months in Mexico, and another was killed in Haiti. “The assassinated journalists were all victims of drug and gang wars, reflecting how throughout the region organized crime was a bigger physical threat to journalists than old-fashioned political differences,” IAPA said. “There were nearly two dozen more cases of reported death threats, in Guatemala, Honduras, Ecuador, Paraguay, Dominican Republic, Uruguay, Peru,Venezuela, and Brazil, some related to the reporting of corruption.”

IAPA said that Cuba and Venezuela were the worst countries in terms of government pressure on the press.
President Hugo Chavez threatens to shut down the country’s leading television network, Radio CaracasTelevision, by not renewing its license. And in Cuba, after Fidel Castro replaced himself with his brother Raul as the president, repression has escalated against independent journalists and foreign correspondents.

IAPA reported 47 acts of harassment of journalists (police threats, interrogations, ‘acts of repudiation’ organized by the government, public beatings, temporary arrests, fines for disobedience, raids of people’s homes, evictions, seizures of money and personal items, firings, and restrictions on travel within Cuba). Three foreign correspondents were expelled from Cuba on the grounds that “their approach to the situation in Cuba is not in the best interests of the Cuban government.” In an attack on news sources, four people are being prosecuted for manufacturing or repairing satellite television equipment and may go to prison for three years. Meanwhile, IAPA said, 28 journalists remain behind bars, serving sentences of up to 27 years.

Cuba is now extending its repression to internet users. No Cuban may access the internet freely. Ramiro Valdes, the minister of computers and communications, ahs announced the government’s intention to tame the “wild horse” of new technologies, which it describes as “one of the most horrible means of global extermination ever invented.”

Argentina, Uruguay, Ecuador, and Bolivia had “lesser but still worrying” tensions between their governments and the media. In Argentina, the government continued to “arbitrarily classify journalists and media outlets as friends and enemies, and use the placing of official advertising to support the one and punish the other. B3

http://www.sipiapa.com/pulications/informe_usa2007ca.cfm

Exploitation

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› annalee@techsploitation.com

TECHSPLOITATION Among hackers, exploitation is a social good. Exploiting a piece of software means discovering a little chink in its armor, a vulnerability that could allow a crook to slip through and do unwanted things to innocent people’s computers. Researchers write an exploit — a little program that takes advantage of the vulnerability — and then show it to everybody involved so that the vulnerability can be patched up.

But things are not always so tidy, and a case in point is an exploit recently released by a researcher named HD Moore. He publicized a vulnerability in a system called Tor, which facilitates anonymous Web surfing and online publishing. Used by political dissidents, journalists, and people who just want additional privacy, Tor routes Internet traffic through a special network of protected servers run by thousands of volunteers.

To run his exploit, dubbed Torment, Moore set up a series of fake Tor nodes that did the opposite of what a real Tor node would do: they looked at every bit of traffic passing through and did some tricks to tag that traffic and follow it back to its source so that the people using Tor could be identified. Like many exploits, Torment only works on people who have misconfigured Tor. So anyone who has faithfully followed the instructions on how to use Tor is still safe — but of course, even the most anal-retentive of us make mistakes sometimes when installing and configuring software.

Moore has said that he decided to launch this attack on Tor because he suspects that child pornographers are using the anonymous network to hand out kiddie porn. But it’s also more than that. Via e-mail, he told me, "If anything, I want my demonstration site to serve as a warning for anyone who believes their Web traffic is actually anonymous."

There are two problems here. First, there’s a technical problem. Moore’s exploit isn’t new research that will help improve Tor’s security — it’s simply a rehash of exploits that work on anyone who has misconfigured their browser software. As Tor developer Nick Mathewson pointed out in an online chat with me, "I don’t think that polishing exploit code for existing attacks that depend on users being improperly configured really helps the research field much. When you’re demonstrating new attacks, that looks like research to me."

Contrast Moore’s work with that of UK researcher Steven Murdoch, who last year published an unusual new exploit that could reveal the identities of Tor users who have all the proper configurations. In other words, Murdoch found a vulnerability in Tor; Moore found a vulnerability in software users — they misconfigure stuff — that would apply no matter what program they used.

And this leads to the second problem that Moore’s exploit raises. Given that he found a general problem that goes far beyond Tor, why call it a vulnerability in Tor? It would almost be more accurate to say he’s noticed that it’s hard to surf the Internet anonymously while using a browser because most browsers hand out your IP address to anyone who asks for it. Although I can’t speculate about Moore’s motivations, his disclosure winds up coming across as a potshot at the Tor community. The way Torment works only shores up this interpretation. He’s asked people who use Torment to watch the traffic going through their fake Tor nodes. He wants them to read and track people’s private data — not only in violation of those people’s wishes, but also potentially in violation of the law.

It would be easy to claim that Moore’s motivation is political in nature. He says he built Torment to help law enforcement. Perhaps he believes only criminals want anonymity and innocent people shouldn’t be worried about publishing articles that can be traced back to their computers’ IP addresses. Those of us who want to protect the identities of dissident journalists, privacy lovers, queer activists, and human rights workers in Central America obviously feel otherwise.

Of course, this debate highlights the problem with releasing exploits in general. When hackers find vulnerabilities in Windows, they’re accused of wanting to destroy Microsoft rather than make the world a safer place. Same goes for hackers who exploit government computer networks. But unlike real-world exploitation, nearly all computer exploitation can be turned to good in the end. Even Torment has had good side-effects. "We’re working on clarifying the instructions for configuring Firefox and Tor," Mathewson said. "Moore has helped us to realize we should do that." *

Annalee Newitz is a surly media nerd who isn’t anonymous but is glad that she could be.

Don’t fight the new media

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OPINION When I first found myself incarcerated, there were six other journalists in the United States under the threat of imprisonment for practicing their profession. They have since all been spared the unfortunate fate of incarceration, but at the time it seemed that the press was under a full-scale attack, and it was necessary to develop a united front to defend against the growing tide of corporate and government repression.

As a result, Free the Media was born. In its function as an online and meet-space organization, Free the Media is intended to help organize and agitate whenever and wherever the free-press guarantees under the Constitution are threatened. The forum is also focused on exploring the complex issues and controversies that continue to develop within this changing media landscape. Finally, it is my hope that Free the Media can serve as an open platform to bring people together in order to work on the development of new media solutions that will help ensure a healthy and resilient independent press for years to come.

The face of the media is in flux right now, and it’s still unclear where this current is headed. While some professionals in the field are resistant, I’m inclined to welcome the expanding landscape. Though there has never been a shortage of reporters, market influences have resulted in countless stories being neglected in favor of more popular fodder. With the recent surge of self-published and independent online journalism, the stories that are not economically viable finally have the opportunity to see the light of day.

These new, developing voices are more diverse than perhaps ever before, and the stories they tell are often more intimate and compelling than anything a professional outsider can deliver. At last those voices that are often silent, the disenfranchised, can be heard without the aid of a brave, insightful editor of a major newspaper.

Twenty years ago Peter Sussman of the San Francisco Chronicle began publishing accounts from inside the Lompoc federal penitentiary by Dannie Martin. These firsthand reports allowed the newspaper’s readership an opportunity to vicariously experience life in prison. Today through prisonblogs.net, 10,000 Dannie Martins could conceivably contribute to the discussion with their own unique perspective on incarceration.

The media is changing. This we know for sure. But what remains to be seen is the role professional journalists will take in developing this new landscape. Will the battle lines be drawn with two classes of warring voices, or will we work together in solidarity to develop a massive chorus as diverse and eclectic as our society itself? As journalists, is our commitment to an economic system, or is it to the pursuit of the free flow of information? The power is in your hands. Choose wisely. *

Josh Wolf

Josh Wolf, a freelance videographer, has been in federal prison for more than 200 days, making him the longest-imprisoned journalist in US history. Last week the Freedom of Information Committee of the Society of Professional Journalists honored him with a special citation; Wolf, for obvious reasons, was unable to accept the award in person, but he sent along this piece.

A half-century of lies

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View pictures of Leola King’s legendary Blue Mirror club here.

Leola King has lived your life, the lives of three friends and then some.

She’s traveled to Africa with the legendary entertainer, Josephine Baker. She’s featured jazz great Louis Armstrong at a popular Fillmore nightclub she helmed in the 1950s called the Blue Mirror, where she also once convinced a roomful of patrons to drink sweet champagne from the heel of her shoe.

She’s played host to the crusading television journalist Edward R. Murrow.

She’s even had a fling with championship boxer Joe Louis. From the ring at Madison Square Garden, he glanced toward her front-row seat, which she’d secured by chance during her first trip to New York, and had his lackeys retrieve her for a date afterward. Their rendezvous appeared as a gossip item in an Ohio paper and remains in its archives today.

Most of all, Leola King has come as close as anyone possibly can to experiencing bureaucratic hell on earth. For half a century, she’s been fighting with the San Francisco Redevelopment Agency, which has taken four pieces of her property, wiped out a restaurant and two nightclubs she owned, and left her with a string of broken promises.

Her story is evidence that the ugly local chapter of Western Addition redevelopment history still isn’t over – and it’s a demonstration of why so many African Americans in this town will never trust the Redevelopment Agency.

————————-

Beginning in the 1940s, King successfully operated a series of restaurants and nightclubs in the city, remarkable enough in an era that imposed a double-paned glass ceiling on black, female entrepreneurs.

“Back when I first moved onto Fillmore, it was very popular,” King told the Guardian. “Market Street didn’t have shit. They didn’t have traffic. They didn’t have nothing on Market Street.”

During the height of King’s accomplishments, the Redevelopment Agency infamously launched an ambitious project to clear out “blight” in the neighborhood. It was part of a nationwide urban-renewal trend, and while the project here still won’t be finished until 2009, it’s widely regarded as one of America’s worst urban-planning disasters.

In theory, Western Addition residents who were forced to give up their homes or businesses were given a “certificate of preference,” a promise that when the sometimes decaying buildings were turned to kindling and new ones built, the former occupants could return.

In practice, it didn’t work out that way. An estimated 5,500 certificates were issued to families and business owners shortly before the second phase of Western Addition redevelopment began in 1964. Some 5,000 families were dislodged and many of them fled to other sectors of the city (including Bayview-Hunter’s Point, which is today slated for its own redevelopment), or outside of the Bay Area completely.

Only a fraction of the certificates have benefited anyone. The agency has lost contact information for more than half of the holders, and redevelopment commissioners now openly admit the program is a joke.

“If we’re going to boast about being this diverse community in San Francisco, and we’re going to allow our African American population to become extinct, then how can we show our faces in government if we’re not really doing anything about it?” asked London Breed, a redevelopment commissioner appointed by Gavin Newsom in 2005. “And not just putting black people in low-income housing. There [are] a lot of middle-class African Americans all across America, specifically in the East Bay and in other places. Why do they choose to live in the East Bay over San Francisco?”

A renewed interest in the certificates by City Hall led to hearings this month, and District 5 Sup. Ross Mirkarimi has planned another for April.

King obtained two certificates, and attempts to later redeem them both devolved into costly legal wrangling with the agency that lasted more than two decades. She has never regained what she lost.

Leola King’s story is about more than certificates of preference. It’s a story about the troubling legacy of urban renewal.

King welcomes guests into her home on Eddy Street near Fillmore with ease. The living room in what is little more than a two-bedroom converted garage apartment swells unimaginably with antiques – three stuffed chairs with vinyl slips, crystal chandeliers, an ornate dining-room table, lamps, a fur throw.

She insists that she’s just 39 years old, but public records put her closer to 84.

When the Guardian first visited with her in person, she was dressed in black cotton leisure attire. Two chestnut braids cascaded from a gray Kangol-style cap, which she smoothed with her hands as they hugged a pair of light-skinned cherub cheeks.

King made her way west after spending her earliest years behind the barbed wire of a Cherokee reservation in Haskell, Ok. Her mother died when King was young, and her restless father had meandered off to Los Angeles. Her grandparents oversaw her adolescence before she trailed after her father to California, where he was establishing a chain of barbecue restaurants. She married a man at just 14, and a year later, she was a mother. Tony Tyler, her son, is a San Francisco tour guide today and remains a close confidant and business partner.

It was 1946 when she first landed in San Francisco and eventually started her own barbecue pit at 1601 Geary St., near Buchanan, historic building inspection records show. She called it Oklahoma King’s, and hungry San Franciscans were lured to the smell of exotic buffalo, deer and quail meats.

“That end of Fillmore was very popular all the way down until you got almost to Pacific [Avenue],” she said. “Heavily populated. There was at one time in that area of Fillmore over 100 bars alone. Lots of hamburger places. That’s where I had the barbecue pit.”

By 1949, however, Congress had made urban renewal federal law with the goal of leveling slums and deleting general “blight,” still the most popular and awkwardly defined threshold for determining where the government can clear homes and businesses using eminent domain.

The first redevelopment zone in the Western Addition, known as A-1, included Oklahoma King’s. She was paid approximately $25,000 for the property, but offered no relocation assistance or other compensation for the revenue she lost as a result of ceasing her day-to-day business.

Forging ahead, she opened in 1953 what became a hub of jazz and blues entertainment in the Fillmore, the Blue Mirror, at 935 Fillmore Street. The place was decorated with brass Greek figurines on the walls, a circular bar and velvet festoons. King spent a year hopping onto buses full of tourists and begging the driver to drop them by her nightclub for a drink. Before long, her brassy personality had attracted world-class performers, each of them adding electricity to the club’s reputation.

“She was the type of woman who knew how to handle people,” a Blue Mirror regular later said in the 2006 collection of Fillmore jazz-era photography, Harlem of the West. “She could talk to the pimps and hustlers. She didn’t play around, and they knew how to conduct themselves in her club.”

A musician who formerly worked there told the Guardian the Blue Mirror was one of the few places on Fillmore that actually provided live entertainment at that time. Bobbie Webb backed up B.B. King, Little Willie John, T-Bone Walker and others as a young saxophonist at the Blue Mirror with his band the Rhythm Rockers. He said the other establishments nearby on Fillmore were mostly bars except for headlining auditoriums where mainstream acts like James Brown and the Temptations performed. Smaller venues abounded up the street on Divisadero, he said, save mostly for King’s Blue Mirror and the Booker T. Washington Hotel.

“[King] didn’t only have a personality” said Webb, who now airs a show Tuesdays on 89.5 KPOO, “she was a beautiful lady. Personality just spoke for itself. All she had to do was stand there.”

But like virtually everyone in the neighborhood at that time, King rented the place where the Blue Mirror operated. Redevelopment again reached her business in the early 1960s. State booze enforcers, she says, claimed to have witnessed a bartender serving alcohol to a minor and her liquor license was taken away. When the Redevelopment Agency showed up shortly thereafter to sweep the block away, she was ejected without compensation because she wasn’t at that time technically in business.

Two more commercial and residential properties she owned on Post and Webster streets respectively were also eventually taken under redevelopment.

She pressed on, encouraged by Jewish business owners in the area she’d befriended, including liquor wholesaler Max Sobel and Fairmont Hotel operator Benjamin Swig.

“Whenever I’d lose something, they’d say, ‘Keep on moving. Don’t stop, because you’ll lose your customers. When you open back up, they won’t know who you are.’ They’re the ones who told me, ‘Go get another spot.'”

—————————-

By the time King began work on her third business in the Fillmore, urban renewal projects had wreaked havoc on minority communities across the nation, including neighborhoods in west-side Boston, downtown Atlanta, the celebrated 18th & Vine District of Kansas City and elsewhere.

King opened the Bird Cage Tavern at 1505 Fillmore St. in 1964 near O’Farrell complete with a jukebox, 30-foot mahogany bar, a piano and a gilded birdcage. Then-police chief Thomas J. Cahill tried to block her liquor-license renewal by complaining to the state about “winos” and “prostitutes” in the neighborhood, records show, but regulators dismissed the claims.

“We had viable businesses all around us,” King said. “I had one fellow I worked with a lot named Willie Jones. He was a blues singer. The interesting thing was, I had music in the daytime at the Bird Cage. I specialized in afternoon jazz.”

Despite a triumphant resettlement, nonetheless, the redevelopment agency arrived yet again and bought her building during the expansion of it’s A-2 redevelopment phase and served as landlord for the Bird Cage, a barber shop and a liquor store as it waited for another two years deciding what to do with the building.

On the agency’s watch, a fire broke out next door to the Bird Cage that led to water damage in her space. Federal Housing and Urban Development records show that no insurance claim was ever filed by the Redevelopment Agency. King says the agency removed some of the bar’s contents, mostly kitchen supplies, and made only stopgap repairs to the building anticipating that she would later be ousted anyway. The items they took, she says, were never returned.

The agency then evicted all of the building’s tenants in 1974. This time, King stood fast and had to be forced out by the sheriff. The agency promised relocation assistance, but those empty assurances became her biggest headache yet. In fact, she would spend the next 25 years quarreling with the agency over relocation terms.

King and the agency searched fruitlessly until 1977 for a suitable replacement building before King purchased her own out of desperation at 1081 Post St. She was then forced to begin another endurance test of working to actually extract money from the agency owed to her for properly outfitting the new building.

Meanwhile, the Bird Cage’s leftover furnishings – from oil paintings, rugs and curtains to an ice maker, wood shelving and an antique porcelain lamp – were destroyed when the agency amazingly chose to store them on an outdoor lot off Third Street during her move, a fact later confirmed by an agency employee in an affidavit.

“They moved it all out,” King said, “all these antiques and stuff, into this field where the weather ate it up.”

The agency’s initial response was to determine how it could best avoid legal liability. Redevelopment officials finally offered her about $100,000, which she needed desperately to keep things moving with the Bird Cage’s new location, but King insists today the materials were worth closer to $1 million.

As she was fighting to reopen her bar business, she attempted to redeem an earlier certificate of preference given to her when she’d lost a residential property on Webster Street to redevelopment. In 1983, she bought a condemned, 12-unit apartment building on Eddy Street hoping to rehabilitate it using a federally backed loan.

The deal only led to more trouble. The agency paid for its own roving security to patrol Western Addition properties it had purchased, and before 1431 Eddy St. was ever officially conveyed to King (as well as two other neighboring developers), thieves gutted the building of windows, doors, plumbing, light fixtures and other hardware. (Two buildings belonging to neighboring developers were also hit, and the agency addressed their losses the same way.)

Almost immediately, the agency told her she’d purchased the building “as is” and that they weren’t responsible for the break-in. But according to an internal 1983 memo marked “confidential,” later unearthed when friends of King submitted a records request to the agency, staffers clearly were concerned about the legal implications of offering one building for sale “as is” and actually providing another one on the date of delivery that had been thoroughly burglarized.

The memo shows that the possibility of a lawsuit was of greater concern to the agency than any obligation to compensate King for the lost hardware, regardless of whether proper security was the agency’s responsibility. Records show they did discuss a settlement of little more than $2,000, but King considered the stolen goods to be worth thousands of dollars more.

She managed to eventually finish the rehabilitation of her Eddy Street property after several years of work, and while she lives there today, time and angst took their toll. Each step of the transition to what she hoped would someday become her new bar, Goldie’s on Post Street, involved a seemingly endless round of yet more negotiations, letters, legal threats and bureaucratic backbiting before the agency would lift a finger and allocate money for contractors, necessary seismic upgrades, architects and equipment.

In 1997, then-Rep. Ron Dellums (now Oakland mayor) wrote a letter to top local HUD official Art Agnos (later a San Francisco mayor) on King’s behalf.

“On August 26, Ms. King met with a member of my staff and detailed issues surrounding a 25-year dispute she has attempted to resolve with HUD and the San Francisco Redevelopment Agency,” Dellums wrote. “Your expeditious attention to this matter is [a] request, as Ms. King is elderly and experiencing health problems. The resolution to this issue would allow her to live the remainder of her life with some piece of mind.”

It was too late. The federally backed loans she’d received from HUD to rehab her Eddy Street property, from which the Redevelopment Agency strictly enforced repayment, fell into default. Loans leveraged against her other remaining properties began to slip, too, all while she fought with the forces of redevelopment to recreate what she had once proudly possessed.

King’s story may seem like an unfathomable streak of bad luck, but there’s a paper trail for all of it. And her battle, laid out in hundreds of pages of documents saved by King over several decades and reviewed by the Guardian, was ultimately unsuccessful..

By 1997, King was submerged in bankruptcy proceedings and would lose pretty much everything that she owned, including an Edwardian landmark home on Scott Street near Alamo Square where she’d lived for years (partially burned in a 1986 fire, believe it or not) and a residential building on Sutter Street.

Goldie’s was to be her final resting place, a roost from which she hoped to feature cabaret dancing, fresh crab at happy hour, a refined art deco aesthetic and live music performances. She lost that, too. Today, it’s Diva’s just off Polk Street.

Urban renewal won.

———————-

Hopeful press accounts lately foretell a jazz revival in the Fillmore District fueled by enterprising developers deft at financing lucrative redevelopment projects through tax incentives and low-interest loans half a century after the promise of “renewal,” now described euphemistically as “historic preservation.”

But with such a sordid history behind them, it’s no wonder residents of Bayview-Hunter’s Point, many of whom escaped Western Addition “renewal” in the first place, are leery of a pending years-long plan to redevelop nearly 1,500 acres in the southeast neighborhoods.

Bayview newspaper publisher Willie Ratcliff led a petition drive last year in an effort to put the plan before voters. Over 20,000 petition signatures were certified by elections officials, but City Attorney Dennis Herrera ruled the petitions were technically invalid because circulators hadn’t presented the full text of the redevelopment plan to signers. Redevelopment foes have since sued to have Herrera’s decision tossed.

“The misuse by these people is just unbelievable,” King said. “They were fighting me every inch.”

Thanks to Susan Bryan for joining the Guardian in reviewing hundreds of pages of public and personal records preserved in Leola King’s estate. Bryan is currently working with Monkey Paw Productions on a documentary about King’s life

Emergency exits

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› marke@sfbg.com

I’ve got one copy of Leo Tolstoy’s War and Peace strapped under my right foot, one strapped under my left. The new 1,400-page Penguin Classics translation by Anthony Briggs makes for a great pair of platforms. My fantasy party posse’s at my side: Felicia Fellatio rocking a hot red bandito bandanna, a full white tutu, and a number 5 Tim Hardaway jersey; Baby Char Char in an oversize pajama-print homeboy hoodie and a pair of random, paint-spattered Levi’s; Nova all angles on her retro-future ’80s Nagel dangling neon banana earrings, turquoise ruffled skirt, and shoulder-padded acid-washed cropped jacket trip; and Hunky Beau in Juicy Couture pipe pants and war paint.

Somebody else is in the corner, wearing pink panties on his head and a giant chain, but no one knows his name.

I feel great. I just finished six weeks of Third Street Gym boxing boot camp, and you could bounce a full congressional subpoena off my abs, darling. (OK, that’s a lie — but I think about going to the gym every time I light up a smoke. That should count for something, no?) We’re out the door to my drag idol Juanita More’s weekly Saturday all-nighter, Playboy, at the Stud (www.juanitamore.com), when suddenly it hits me: today is Saturday, right? I better check the Internet.

I put down my flask of Cuervo and log on, and this little box of "gay news" pops up. (How does the Internet know? Oh, that’s right: all my online porn accounts.) "UN Confirms Anti-Gay Death Squads in Iraq" the top headline reads. Kidnappings, mutilation, charred bodies found by the road. Hmm. A few clicks later: "Iraqi Leaders OK Gay Pogroms." According to activists, Shiite militias are engaging in one of the "most organized and systematic sexual cleansings in history" with the government’s two-cheeked kiss of approval, and the US is refusing asylum to gay Iraqis.

Oh dear. Suddenly the thought of whooping it up while my gay Iraqi rainbow family burns seems kind of, you know, gross.

I’m so fucking sick of feeling powerless against this stupid war. Of always tucking the grief of it somewhere in the back of my mind as I down another shot and hit the dance floor. Not only is it a major buzzkill among other omnipresent buzzkills — global warming, fundamentalist terror, constant surveillance, government-sanctioned queer discrimination, bad hair days — but, as a citizen of the allegedly participatory democracy that started the whole thing, I feel somehow responsible, no matter whom I voted for however many times. And just admitting that, I feel like a spoiled American. It sucks.

On top of that, I have to watch myself and many of those around me struggle to keep the flame of resistance sparkling. It seems exhaustion has seeped into our consciousness and may actually be taking root. I fondly recall the first exhilarating flush of protest — of taking back the streets until my pumps wore through on the first night of "shock and awe," of lying down and blocking traffic in an orange jumpsuit (on purpose for once) as the bombs continued to rain down on civilians half a world away, of wildly dancing with Code Pink and cute Puerto Rican socialists in the NYC streets during the 2004 Republican Convention, hoping the nets the cops threw over us wouldn’t snag my weave. Sure, I still bang my pan with a stick at the occasional ANSWER weekend protest, despite my massive hangover. But after four years of war, it often seems I’m banging fruitlessly. If a club freak chants in a vacuum, will the killing please stop now?

Thank goddess I’ve got the beautiful souls I’ve met at the clubs around me. The kind of nightlife I love is inherently subversive: when one kind of music, location, or style becomes dominant, a host of alternatives immediately springs up. That energy refuels my rebellious spirit and keeps my fight up during the day. Yes, yes, partying is an escape from reality — but it’s also a play space, a way to work out the anxieties of the world by fooling with your identity, a place to push the boundaries of society into a personal utopia.

To me, underground nightlife can also be a fascinatingly warped mirror of the problems facing the world, its trends the raw expression of deep-seated angst. As W. consolidated his political power in the early ’00s, nightlife fashions and music (and drugs) returned to the tastes of the Reagan and Thatcher ’80s, when angular pop and cold synths were a loud rebuke to false sincerity and hubris. The recent explosion of pre-AIDS-era disco and imagery in many gay clubs may be an unconscious wish to transport ourselves to the time before the Republicans’ disastrous "morning in America." And the vibrant local hyphy scene is based on auto sideshows: literally wasting gas (use it while you got it!). Now, well into W.’s second term, we’re reliving the rococo styles of Bush the Elder without irony. Dance floors are looking like a punk rock Cosby Show, and I’m into it.

But that’s all theoretical musing. The most important thing about nightlife is community, whether you’re a full-time club kid or just going out for a drink after work with your friends. You want to be around other people, to not feel so alone in this crazy world, to make a connection. You walk into a bar, and suddenly you’re in a minisociety, one you hope you can handle better than society at large.

Can this community make a difference? Sure. The nightlife community, gay and straight, was instrumental in the fight against AIDS (and still is). It banded together to defeat the antirave legislation of the early ’00s. Tons of parties raise money for good causes. Currently, party-oriented groups such as the League of Pissed Off Voters (sf.indyvoter.org), which reaches out to young people through DJ events, and the SF Party Party (www.sfpartyparty.com), which influences local politics by combining education with clubbing, are doing their best to change the world.

"People on the left these days seem to think that denying themselves pleasure is the only way to take back the government. The early energy of protest against Bush has turned into a kind of self-punishment. That’s so dry and boring — and ultimately useless," says Dr. Stephen Duncombe, editor of the Cultural Resistance Reader and author of the new book Dream: Re-imagining Progressive Politics in an Age of Fantasy. I called him because I wanted to talk about the guilt some of us feel about partying when the world’s going to shit. He’s been a prime mover in theatrical resistance groups such as Reclaim the Streets, the Lower East Side Collective, and the utterly fabulous Billionaires for Bush. (He’s also kind of cute in a young-professor-at-NYU way.)

"We should be using the positive energy of nightlife to show people that politics can be both entertaining and transformational," he continues. "Politics should be a fun, interactive spectacle, like the kind nightlife provides. No one wants to get involved with something if it seems like more work."

Yet still I worry. What would life be like if the war were here? What if I were a gay Iraqi? I trolled the Internet gay hookup sites to find a gay Iraqi to talk to about it. All I could find at first were half-naked American soldiers stationed in the Middle East (we are everywhere!). I eventually came upon a Western-educated gay Iraqi refugee living in Jordan who identified himself as Arje. He said I was being foolish. "Go out and have fun," he replied when I wrote that I didn’t feel like partying off the weight of the world. "Have a dance for me."

People’s choice

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› a&eletters@sfbg.com

"We ram dancehall and cork party / Papa Jammy in your area."

Johnny Osbourne

The 1980s was a turbulent decade in Jamaica. Government control had shifted from Michael Manley’s socialist-leaning People’s National Party to Edward Seaga’s free market–oriented Jamaican Labour Party. As Prime Minister Seaga tilted the country’s foreign policy to the right, American political and economic meddling in the region, combined with the nascent drug trade from Colombia to Miami via Jamaica, threw the island into flux.

Against this backdrop, in the Kingston ghetto enclave of Waterhouse, record producer and engineer Lloyd "King Jammy" James embraced the emerging digital reggae era and became its king. E-mailing from his office in London, reggae historian and author David Katz asserts that it was James who revolutionized Jamaican music overnight in 1985 with the release of Wayne Smith’s "Under Mi Sleng Teng," precipitating the shift from analog to digital. None of the precious few digital rhythms that came before "Sleng Teng" had its tremendous impact; Katz notes, "Jammy was the one who embraced the use of technology in its totality, in such a way as to be far in front of his rivals."

James honed his talents in the 1970s, working alongside another major production figure, Osbourne Ruddock, otherwise known as King Tubby. While assisting Tubby, James moonlighted and recorded albums for Black Uhuru and Johnny Osbourne. By the mid-’80s, James was ready to strike out on his own, and he recruited several impressive vocalists and toasters from his neighborhood.

Indeed, James is revered as much for his ability to discover raw talent as for his innate mixing skills. You’ll find visual evidence of the latter in several recently posted YouTube videos that show James executing dub versions of songs by Smith, Johnny Clarke, and others. Seeing James use all 10 fingers on the faders certainly authenticates his mastery. Now VP Records has released another document that reveals James’s genius.

The New York label has amassed a four-double-disc collection of King Jammy 12-inch single releases, circa 1985 to 1988. Selector’s Choice organizes each batch of recordings by "riddim," or common backing instrumental, which enables club and radio DJs to easily play several different artists with the same musical arrangement consecutively. For instance, disc one features the Tempo riddim with individual songs by Nitty Gritty, Pad Anthony, and Tonto Irie, and also the Stalag riddim with work by Smith, Osbourne, and Dean Frasier. The collection is a DJ’s nirvana.

Other chapters in Selector’s Choice show the evolution of Jammy’s roster from a primarily vocalist-focused endeavor — composed of reggae legends Nitty Gritty, Little John, and Tenor Saw — to a toaster-oriented team with key artists such as Ninjaman, Admiral Bailey, Major Worries, and Shabba Ranks. On the phone from his still-Kingston-based studio, James explains that back in the day, aspiring artists lined up down the block, drawn to his yard by the amount of good riddims the studio produced. "We never kept anybody out," he says. "We invited everybody to come in."

Katz notes that the toasters James attracted added value to his stable. "[Toasters such as] Josie Wales were very influential," Katz says of the Wild West–inspired micsmith. "Josie had style, verve, wit, and longevity, and he spoke of reality but was also humorous." Wales inspired fellow toaster Admiral Bailey, who became tremendously popular in dancehall with his rapid rhymes, producing hits for Jammy such as "Big Belly Man," "Jump Up," and "No Way Better Than Yard," all included on Selector’s Choice. Bailey in turn shaped James’s biggest find, Shabba Ranks, who later went on to greater popularity and a Grammy award on the Digital B label, with Jammy’s apprentice Bobby "Digital" Dixon at the helm.

But as Selector’s Choice deftly proves, James was the dominant hitmaker between 1985 and 1989, a reign born partially out of a love for his profession. James describes producing music during the mid-’80s as a joyful experience, one that saw him craft hits almost daily. "It was a very good [studio] environment," James says. "All the artists, producers, everybody used to live close, like a family. We used to cook and eat [together], go in the studio, and work hard."

A hard workday typically entailed building two or three new riddims with musicians Wycliffe "Steelie" Johnson and Cleveland "Clevie" Brownie or with Smith, and then voicing artists into the night. James kept his personal living quarters in the same building as his studio, so at the end of the session he could just walk a few meters to the bedroom and catch some z’s. Music journalist Rob Kenner relays personal details such as these — and the backstory of each song — in Selector’s Choice‘s liner notes. Kenner’s revelations about the dual meanings of tracks such as Nitty Gritty’s "Hog in a Minty" and Major Worries’ "Babylon Boops" add another layer to the greatness of James’s productions.

Many label compendiums try to account for every session, take, and rough draft a producer laid hands on. Selector’s Choice instead packs its eight 20-song discs with true dancehall smashes, records that bear the unmistakable stamp and production ethic James uses to this day. He summed up his creative philosophy this way: "I’d rather do original music than covers, because I learned that you own that stuff and it lasts longer." *

www.vprecords.com

Guardian, ACLU seek ICE records

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The Bay Guardian, the ACLU of Northern California and the Lawyers Committee for Civil Rights have filed a Freedom of Information Act request seeking documents related the recent immigration raids in California.

The detailed request asks for a long list of documents explaining “Operation Return to Sender,” an Immigration Customs and Enforcement crackdown that had led to 13,000 arrests nationwide.

“Some of the abusive practices reported extensively in the press include: illegal entries and searches by ICE agents, misidentification of ICE agents as member of local police forces, inappropriate tactics related to children including conducting round-ups near schools and leaving minor children unattended upon their parents’ arrest, ethnic profiling, violations of due process and abusive treatment,” an ACLU press release notes.

“When the Mayor of Richmond describes the ICE raids as imposing a ‘state of terror’ and parents are afraid to send their children to school, civil rights organizations must investigate possible civil rights violations,” said Julia Harumi Mass, staff attorney of the ACLU-NC. “The first step is to see all the records regarding the planning and implementation of Operation Return to Sender in northern California.”

The Guardian has worked with the ACLU in the past on federal FOIA requests, most recently seeking information about clandestine Pentagon spying on local peace groups.

Below is the press release:

ACLU Seeks Records on Immigration Enforcement Actions
in Northern California

Groups Investigate Possible Civil Rights Violations

SAN FRANCISCO – The ACLU of Northern California, the San Francisco Bay Guardian, and Lawyers’ Committee for Civil Rights of the San Francisco Bay Area filed a Freedom of Information Act (FOIA) request today seeking records reutf8g to recent enforcement actions conducted by U.S. Immigration Customs and Enforcement (ICE). The ACLU-NC has requested expedited processing because of the urgency of this issue to members of several northern California communities.

The ACLU-NC is seeking documents regarding the recent ICE actions undertaken as part of “Operation Return to Sender” in Contra Costa, San Mateo, Santa Cruz, San Benito, San Francisco, and Fresno counties to name a few. Operation Return to Sender was launched in May 2006 and has led to the arrest of at least 13,000 people nationwide.

Some of the abusive practices reported extensively in the press include: illegal entries and searches by ICE agents, misidentification of ICE agents as member of local police forces, inappropriate tactics related to children including conducting round-ups near schools and leaving minor children unattended upon their parents’ arrest, ethnic profiling, violations of due process and abusive treatment.

“When the Mayor of Richmond describes the ICE raids as imposing a ‘state of terror’ and parents are afraid to send their children to school, civil rights organizations must investigate possible civil rights violations,” said Julia Harumi Mass, staff attorney of the ACLU-NC. “The first step is to see all the records regarding the planning and implementation of Operation Return to Sender in northern California.”

The ACLU has reviewed a number of complaints concerning ICE conduct that raise serious concerns about racial profiling and other constitutional violations. Finding out the truth about the raids—which are reportedly resulting in the arrest and deportation not only of “fugitives” with criminal histories, but many residents whose only unlawful actions relate to being in the country without authorization—is particularly important as Congress takes on the question of how to address the vast numbers of undocumented immigrants who currently live and work in the United States.

“If the federal government is going to spend taxpayers dollars on a very questionable enforcement action, the public has the right to know the details of how it was implemented — and particularly how local law enforcement agencies in cities like San Francisco, which has a policy of not co-operating with ICE, were involved,” said Tim Redmond of the San Francisco Bay Guardian.

Mass added: “We are seeking expedited processing because of the urgency of this issue. ICE enforcement actions have been widely reported in the press and have raised serious concerns about federal misconduct. The reports have caused widespread anxiety in communities throughout northern California.” If expedited processing is granted, the ACLU FOIA request would be processed “as soon as practicable,” and prior to the agency’s large backlog of less urgent requests.

The Lawyers’ Committee for Civil Rights is accepting calls from members of the public who believe they were victims of abusive and unlawful ICE enforcement tactics. The ACLU-NC will be working with the Lawyers’ Committee for Civil Rights to evaluate information from the public as part of their investigation into the raids.

For a copy of the FOIA visit www.aclunc.org.

The “ire” in “satire”

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TELEVISION Nowhere is it written that conservatives can’t be funny. Conservatives can, in fact, be absolutely rip-roaringly funny. Take South Park, which is conservative in its own smug libertarian way, or anything ever done by Christopher Buckley or Mike Judge (whose last film, Idiocracy, is as conservative as it is bitingly hilarious). So when Fox News trotted out The Half Hour News Hour, its version of Comedy Central’s liberal vanguard The Daily Show, there was no guarantee that it was going to be terrible. But it was. So terrible that there has been speculation among right-wing bloggers that the show is an evil Democratic plot to prove Republicans can’t do comedy. They may have a point. This show has a Metacritic.com score of 14, the lowest score a show has received in the site’s history. It has less than half the score of Pepper Dennis. Yes, it’s that bad.

Produced by Joel Surnow and Manny Coto — who also created 24, America’s favorite source of torture porn — The Half Hour News Hour debuted Feb. 18. The opening skit, set in January 2009, featured newly elected President Rush Limbaugh and Vice President Ann Coulter. Limbaugh gloated that "the grown-ups are finally back in charge" and that he was glad "Howard Dean has finally gotten the medical attention he so clearly needed." This statement was odd, considering Limbaugh’s recent prescription drug problems; it could have been funny if it contained even a single iota of self-awareness. The scene only made sense in the show’s context of the Republicans being out of power for years — meaning that their simply being in a position of authority is a joke in itself. Since two branches of government are firmly in Republican control and the other only changed hands a couple months ago, this reveals more about the forever embittered, always-the-underdog Republican psyche than it does anything reutf8g to humor.

The rest of the show involved jokes that were both stupidly obvious and hardly topical, such as making fun of Ed Begley Jr.’s electric car (1987 called — it wants its joke back) and the ACLU defending hate groups (1957 called — ditto). Even worse, The Half Hour News Hour never mentioned George W. Bush. It’s understandable that Fox doesn’t want to go after its own, but for a show that’s supposed to be topical, that’s unforgivable. Maybe Fox should stop trying to be funny and go back to being unintentionally hilarious, like it is with the rest of its programming. (Aaron Sankin)

www.foxnews.com/specials

Blood money

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› a&eletters@sfbg.com

Most Americans are fairly sure they are being screwed where it hurts most: in the wallet. But if they think they know why, it’s usually a red herring, while the actual primary causes of shrinking financial stability remain obscured by propaganda, media inattention, and institutional stonewalling. By timely coincidence, three worthwhile documentaries opening this week shine some light on the matter. One profiles a longtime champion of consumer protection, while the others examine two realms in which lack of regulation is letting our dollars dance off a cliff of corporate profiteering and dubious ethics.

An Unreasonable Man is Henriette Mantel and Stephen Skrovan’s admiring yet critical portrait of Ralph Nader. The previous century’s most famous consumer advocate racked up a roster of triumphs that protected citizens against corporations — that is, until Ronald Reagan commenced ongoing deregulation trends. Famously starting with auto design safety in the early ’60s, then encompassing pollution, food and drug guidelines, nuclear power, the insurance industry, and workplace risk-protection, Nader did enough public good during his career — with worldwide legislative ripple effects — to merit secular sainthood. Then he decided to run for president, in 2000, as a Green. He won just enough votes for many Democrats to blame him for the catastrophic ascent of George W. Bush. Needless to say, the latter is no friend of Nader’s consumerist lobbying, which suffered a defection of support from nearly all quarters.

Lengthy but engrossing, An Unreasonable Man wants to reclaim Nader’s legacy, even as it admits that his black-or-white morality can be both admirable and mulishly exasperating. After all, in the end he didn’t rob Al Gore of the Oval Office: with familial help from the Sunshine State, Bush stole it.

If the current climate had allowed Nader’s Raiders as much clout as they had under the Jimmy Carter administration, could Americans possibly have been led into the shithole examined by Maxed Out? James Scurlock’s survey of the out-of-control credit and debt industry begins by informing viewers that this year "more Americans will go bankrupt than will divorce, graduate college, or get cancer."

Of course, thanks to our current president, they won’t be able to declare bankruptcy anymore — the lazy sods! Instead they can enjoy a lifetime of astronomical interest rates, threats, and continued solicitations to sign up for yet more loans and plastic.

Maxed Out includes personal stories of housewives driven to suicide, longtime homeowners tricked into foreclosure, and even underpaid soldiers targeted for exploitation by creditors after Iraq tours. The movie’s institutional focus spotlights the deliberate holding of customer checks until late fees can be charged (an executive from one company guilty of such tactics was Bush’s pick for financial-industries czar), spinelessness on the part of government investigative committees, and flat-out collusion by many politicos. Meanwhile, the national debt goes up and up, in good part owing to Iraq, making it unlikely that Social Security or basic social services will be around in the future.

Speaking of Iraq and bottomless money pits, for the first time in any major conflict, a great share of US military expenditure now goes to private security contractors. In less linguistically evasive times we called them mercenaries, or soldiers of fortune. Who are these people, and who are they accountable to? Nick Bicanic and Jason Bourque’s Shadow Company is a well-crafted grasp at answers, though that latter question is a hard one. Some of the people interviewed in the movie sound conscientious enough, and as some grisly footage attests, the risks they run are no joke. More private contractees have been killed in Iraq than all non-US military personnel put together. But the booming $1 billion-a-year industry of private military companies (PMCs) doesn’t operate under any strict guidelines.

We’ve already outsourced the running of many prisons and schools to private concerns. When war itself is a for-hire endeavor — and a hot job market, since PMC employees’ salaries dwarf those of actual soldiers — is there any doubt left that we’re fighting for venture capitalism, not democracy? *

AN UNREASONABLE MAN

www.anunreasonableman.com

MAXED OUT

www.maxedoutmovie.com

SHADOW COMPANY

www.shadowcompanythemovie.com

All three films open Fri/9 at Bay Area theaters

100 years of secrets

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› gwschulz@sfbg.com

They’re back.

First Amendment foes are again attempting to criminalize news reporting that exposes questionable if not illegal conduct by the White House, Pentagon, and intelligence agencies, from dispatching terrorism suspects to secret torture chambers abroad to listening in on private phone conversations.

An attempt by Sen. Kit Bond (R-Mo.) in 2005 to pass legislation similar to Britain’s Official Secrets Act failed, but Sen. Jon Kyl (R-Ariz.) quietly tried to attach an amendment to an unrelated bill scheduled for committee review last month that would have expanded the Espionage Act of 1917.

The amendment’s broad scope was narrowed March 2 before being shifted to another Senate bill amid an outcry by First Amendment advocates. The proposal’s almost laughably vague original legislative language aimed to punish anyone who published or communicated classified information "concerning efforts by the United States to identify, investigate or prevent terrorist activity."

The amendment would have extended jail time for whistleblowers to 20 years. Senate Bill 2, where the amendment now rests, was originally intended to enact the remaining recommendations of the 9/11 Commission. The new amendment would still punish employees working on Capitol Hill or other unauthorized personnel who knowingly disclose classified information contained in congressional reports.

Coalition of Journalists for Open Government coordinator Pete Weitzel told the Guardian that the earlier language seemed to include newspaper publishers as well as government employees in its scope.

Conservative members of Congress called for reporters to be punished under the Espionage Act after the New York Times, the Washington Post, and other media reported details of the George W. Bush White House’s domestic wiretapping and extraordinary rendition programs. In particular, Post reporter Dana Priest and Times reporter James Risen were condemned and accused of treason by Fox News pundits and jingoistic bloggers for harming national security, today’s ever-present excuse for government secrecy.

"Current laws are sufficient to prosecute anyone who leaks classified information and has an intent to harm the United States," Weitzel told us from Washington. "There’s no impediment to going ahead and prosecuting under existing law. So I don’t see a need for this additional legislation."

Sunshine activists worried the original amendment could plausibly include journalists covering emergency response planning, security failures, public health threats, and federal homeland security spending. In addition, its broadness is simply unconstitutional, according to the Virginia-based Sunshine in Government Initiative.

"The amendment would work to constrain critical reporting on homeland security — even information as basic as homeland security grants — as well as national security and foreign policy matters," the group, which includes the Association of Alternative Newsweeklies (of which the Guardian is a member), wrote in a public statement Feb. 27.

The Espionage Act was passed under President Woodrow Wilson and led to a 10-year prison term for one-time Socialist Party leader and presidential candidate Eugene V. Debs, who was eventually pardoned by President Warren G. Harding after serving three years. Debs had criticized World War I and conscription during a speech in Ohio.

"Do not worry over the charge of treason to your masters," he said during the speech, "but be concerned about the treason that involves yourselves. Be true to yourself, and you cannot be a traitor to any good cause on earth." *

James Madison Freedom of Information Award Winners

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The Society of Professional Journalists’ Northern California Chapter has been handing awards for 22 years to journalists, educators, public officials, and citizens who best exemplify the importance of open and accountable government and a free and diligent press. And every year the Guardian recognizes the winners and helps highlight the important issues that they raise for the Bay Area and beyond. Here are this year’s winners:

Norwin S. Yoffie Career Achievement Award

ROWLAND "REB" REBELE


Three few years ago the Oakland Unified School District announced that, due to budget constraints, it was shutting down all the student-run newspapers in the district. Rowland "Reb" Rebele lives in Aptos, but he read about the shutdown in a San Francisco Chronicle column.

He picked up the phone, made some calls, and found out the situation was desperate and how much money was needed. He then wrote a check sufficient to resurrect the student newspapers for a year. Then he kept on writing checks to keep the papers going last year and again this year. This was typical of Rebele. No one asked him for help. He received virtually no acknowledgment for his gift. But his timely action turned the lights back on for fledgling newspapers that were out of money and, it seemed, out of luck.

Rebele is a First Amendment mensch (a description that James Madison, had he any familiarity with Yiddish, would have approved of). In his half century of publishing community newspapers that he owned and operated in Coalinga, Chula Vista, and Paradise in California and across the country, he was energetic, inspiring, and devoted to his readers and his communities, and a demon in pushing for open government and accountability. He pursued the same policies as a stalwart for half a century in the California Newspaper Publishers Association and as an activist president who brought key reforms and exceptional leaders to the organization.

Rebele has been a director of the California First Amendment Coalition for a decade. He quickly became the one truly indispensable member of the organization, pushing it, pulling it, holding it together, and cajoling it to broaden its activities because he felt the organization and its mission were vital.

He has also launched an innovative internship program at Stanford University. Rather than just give money to the school, he and his wife, Pat, created a program that has enabled dozens of students to get hands-on experience writing for real newspapers in California. Quietly and selflessly, Rebele has spent his newspaper career fighting the good fight for First Amendment and public interest principles. (Bruce B. Brugmann)

Beverly Kees Educator Award

ROBERT OVETZ


Art Institute of San Francisco instructor Robert Ovetz was fired after he criticized the administration for confiscating a magazine his students produced for his class last December.

Ovetz, who had taught at the institute for three years, told his students to create a "culturally critical" magazine as their final project for a cultural studies class he taught last fall. They produced a 36-page zine called Mute/Off.

Less than 24 hours after he and students distributed 500 copies of the magazine, which Ovetz printed with the institute’s copy machine, most were gone. Ovetz initially attributed their disappearance to popularity, but he soon learned from students that the administration of the school, which was purchased by Goldman Sachs and General Electric last year, had removed them from its campuses and even literally pulled them out of students’ hands.

"This is an example of how a corporation is not held accountable for upholding basic constitutional rights [to] free speech. This is a private company that’s operating as an institution of higher learning," Ovetz told the Guardian. "Its only interest is its bottom line, and its bottom line is profit."

Ovetz complained to the administration about vioutf8g the students’ freedom of speech and received his pink slip Dec. 20, 2006. Dean of Academic Affairs Caren Meghreblian told Ovetz the magazine possibly violated copyright law by reproducing corporate logos without permission and had grammatical errors. She also said a story in the magazine called "Homicide," about three white kids playing a video game as black gangsters, might be racist.

After Ovetz and students complained and the media reported the story, the administration allowed students to redistribute the magazines, but it still refuses to give Ovetz his job back. (Chris Albon)

To size up the magazine yourself, visit www.brandedmonkey.com/muteOffLowRes.pdf.

Citizen

RYAN MCKEE


The object of the California Public Records Act is to ensure the people’s right to know how their state and local governments are functioning. Newspapers are often the entities that test the limits and loopholes of the law. But in January 2006 an 18-year-old college student, Ryan McKee, undertook an audit of each of the 31 California state agencies that was the first of its kind. McKee tested how these agencies, which he personally visited, responded to simple requests to view and get copies of readily available public documents. The results revealed a disturbing pattern. Several agencies performed miserably, including the Department of Justice, which counsels and represents many other state agencies on the Public Records Act, and all of the agencies violated at least one aspect of the law. Common problems included asking for identification, making illegal charges, and taking longer than allowed to release information. McKee undertook the audit while volunteering for Californians Aware, a nonprofit where his father, Richard McKee, is president. A copy of the audit, including its results and grades, was sent to each agency to help it better understand and adjust to its responsibilities. (Sarah Phelan)

Journalists

MICHELE MARCUCCI AND REBECCA VESELY, ANG NEWSPAPERS


ANG Newspapers regional reporters Rebecca Vesely and Michele Marcucci are being honored for the series "Broken Homes" and their unflinching pursuit of public records that exposed negligent care administered to people with autism and other forms developmental disabilities. The series highlighted problems ranging from a lack of proper supervision to unlicensed officials working at health care facilities. Some of these offenses were then linked to patient deaths.

The award recognizes the daunting and tedious task that befell the journalists: 15 months of scouring thousands of hard-copy papers from dozens of sources that included licensing agencies, multiple law enforcement bureaus, and coroner’s offices. The results were entered into a database and cross-checked against other sources of information.

"It’s not like we work at the New York Times, where you can lock yourself in a room for a year. This is one-stop shopping here," Marcucci told the Guardian, noting that both reporters continued their daily beats while working on the project. The series was well received and helped prompt state officials to reinstate inspections of licensed facilities that had been eliminated due to budget cuts. (Christopher Jasmin)

ANDREW MCINTOSH AND JOHN HILL, SACRAMENTO BEE


Two reporters from the Sacramento Bee, Andrew McIntosh and John Hill, get Freedom of Information props for exposing the cronyism and the corruption of the California Highway Patrol.

The two wrote a series of articles detailing how the CHP violated state and department regulations in awarding contracts for items ranging from pistols to helicopters.

"The CHP spends hundreds of millions of dollars each year on equipment and goods," McIntosh told the Guardian. "That’s taxpayer money."

McIntosh said he and Hill took a systematic look at the department’s bidding process and found it was not competitive. The investigation led to the suspension of one officer, Gregory Williams, who the reporters found had awarded $600,000 worth of contracts to his daughter’s company for license plate scanning devices, $500,000 of which was canceled after the reporters exposed the scandal.

The reporters also found the CHP, which controls signature gathering at the Department of Motor Vehicles and other state buildings, denied more than 100 applications for permission to register voters or solicit signatures. Other stories pushed Senate majority leader Gloria Romero and Assemblymember Bonnie Garcia to call for a state audit of the CHP.

McIntosh told us the investigation showed "the CHP is not above public scrutiny or the law when it comes to business dealings." (Albon)

MEERA PAL, CONTRA COSTA TIMES


A good mayoral race isn’t really fun unless a bit of scandal emerges, like it did in Pleasanton two weeks before the November 2006 election.

Meera Pal decided to research the roots of a story that was handed to her by city council member Steve Brozosky, who was challenging incumbent mayor Jennifer Hosterman. Brozosky gave Pal e-mails his campaign treasurer obtained through open-records laws that showed Hosterman may have used her city e-mail account to solicit campaign donations and endorsements, a violation of state law.

But Pal went beyond Brozosky’s story and submitted her own public records requests for the city e-mail account of the mayor, as well as a year’s worth of e-mail from Brozosky and the three other council members.

Pal’s public records request revealed that Brozosky’s inbox was completely void of any e-mail, something neither he nor the city’s IT manager could explain. Brozosky is a computer expert who runs a company that vends city Web site software, so his technical expertise made the situation even more suspicious.

Investigations revealed it was just a setting on his computer that was inadvertently scrubbing the e-mail from the city’s server. Though both violations aren’t necessarily serious crimes, the race was close enough that dirt on either side could have had a profound impact on the outcome, and the results show 68,000 voters who were truly torn during the last two weeks before election day while Pal was reporting these stories. Hosterman eventually won by just 188 votes. (Amanda Witherell)

SUSAN SWARD, BILL WALLACE, ELIZABETH FERNANDEZ, AND SETH ROSENFELD, SAN FRANCISCO CHRONICLE


In the wake of 2003’s so-called Fajitagate police scandal — in which San Francisco officer Alex Fagan Jr. and others were accused of assaulting and then covering up their alleged vicious beating of innocent citizens — the San Francisco Chronicle uncovered records showing that Fagan’s short history on the force was marked by regular incidents of abusive behavior, the kind of records that should have served as a warning for the problems to come.

"We decided to take a look to see how common it was. And we spent a lot of time doing that," Steve Cook, the Chronicle editor of what became last year’s five-part "Use of Force" series, told the Guardian. The team used the Sunshine Ordinance to gather boxloads of records on use-of-force incidents, which it organized into a database that was then supplemented and cross-referenced with a wide variety of other public records, along with old-fashioned shoe leather reporting, all the while fighting through bureaucratic denials and delays.

Despite an embarrassing mislabeled photo on the first day of the series that served as fodder for attacks by the Police Department and Mayor’s Office, the series made clear that rogue cops were abusing their authority, totally unchecked by their supervisors. "We were proud of what we were able to show," Cook said. "We showed a department in need of some basic reforms."

The series helped spur the early intervention system that was recently approved by the Police Commission. It’s a good first step, but one criticized by the Chron and the Guardian for failing to include some key indicators used in other cities (see our editorial "Fix Early Warning for Cops," 2/28/07), something that Cook said requires ongoing vigilance by the press, to bring about needed reforms: "Only the news media is really going to accomplish this, if they stay with the story." (Steven T. Jones)

Legal counsel

DAVID GREENE


The First Amendment was never about money. Free speech is supposed to be free. But these days threats to the First Amendment are growing, more and more people who lack the resources of a major media outlet are in need of help — and there aren’t many places dedicated to offering that assistance, free.

That’s where David Greene and the First Amendment Project come in.

Since 1999, as a staff attorney and executive director, Greene has helped dozens of freelance journalists, students, nonprofit organizations, and independent media outlets protect and expand their free speech and open government rights.

The operation he runs is totally independent. That’s a key point in an era of massive media consolidation: when the Guardian sought earlier this year to find legal representation to force open the key records in a lawsuit over Dean Singleton’s local newspaper merger, we found that just about every local media law firm represented at least one of the parties to the case and thus was conflicted. The FAP was not.

Greene and the FAP have represented blogger Josh Wolf and freelancer Sarah Olson in landmark subpoena cases. Greene, with the American Civil Liberties Union of Northern California, wrote the amicus brief on behalf of noted literary artists in the California Supreme Court case In re George T., in which the court, relying heavily on the FAP brief, overturned the conviction of a juvenile who made threats to other students with a poem. And the struggle just goes on. The FAP is funded largely by private donations and always needs additional support.

"Unfortunately," Greene told us, "we have to turn away a lot more cases than we can take." (Tim Redmond)

News media

SAN JOSE MERCURY NEWS


After years of last-minute backroom deals at San Jose’s City Hall, things came to a head when the City Council rubber-stamped proposals to give a $4 million subsidy to the San Jose Grand Prix, $80 million for a stadium to keep the Earthquake soccer team from leaving town, and $45 million for new City Hall furniture.

Clearly, something had to give. But it was left to San Jose Mercury News editorial writers to push for transparent and accessible government and better enforcement of the state’s open government laws.

First they shamed the city, pointing out that "San Francisco, Oakland, even Milpitas have better public-access laws." Next they hammered then-mayor Ron Gonzales for saying that calls for more open government were "a bunch of nonsense." Then they printed guiding principles for a proposed sunshine ordinance that they’d developed in conjunction with the League of Women Voters and Mercury News attorney James Chadwick.

When city council member Chuck Reed was elected mayor on a platform of open government reforms, the paper still didn’t give up. Instead, it’s continuing to champion the need to bring more sunshine to San Jose and working with a community task force on breaking new ground, such as taping closed sessions so they can one day be made available when there’s no further need for secrecy.

Somehow the Merc also managed to pull off another amazing feat: the paper built public understanding of and support for sunshine along the way. (Phelan)

SAN MATEO COUNTY TIMES


When outbreaks of the highly contagious norovirus sprang up in a number of California counties, San Mateo County was among those hit. Public health officials, however, would not release the names of the facilities where numerous individuals became infected, citing concerns about privacy and not wanting to discourage facility managers from contacting health officials.

Nonetheless, the San Mateo County Times ran a series of reports on the outbreaks in the named and unnamed facilities. After publishing reports on unnamed facilities, the news staff began to receive phone calls from residents who wanted to know the names of the facilities. Times reporter Rebekah Gordon told us it became clear that the public wanted to know this information, and the paper fought the county’s secrecy.

Gordon learned that facilities are required by law to report outbreaks, regardless of the potential for media exposure. Times attorney Duffy Carolan sought out and won the disclosure of the names of four facilities.

"The county’s initial nondisclosure decision evoked public policy and public safety concerns at a very broad level, and nondisclosure would have had a very profound effect on the public’s ability to obtain information that affects their own health and safety. By persisting in the face of secrecy, the Times was able to establish a precedent and practice that will well serve to inform their readers in the future," Carolan told us.

The paper learned the outbreak was far more widespread than the county had admitted, finding 146 cases in six facilities. Gordon said, "The numbers were so much higher than we were ever led to believe." (Julie Park)

Online free speech

JOSH WOLF


Even as he sits inside the Federal Correctional Institute in Dublin, where he’s been denied on-camera and in-person interviews, jailed freelance journalist Josh Wolf manages to get out the message. Last month Wolf, who is imprisoned for refusing to give up video outtakes of a July 2005 anarchist protest in the Mission that turned violent, earned a place in the Guinness World Records for being the journalist to have served the longest jail term in US history for resisting a subpoena.

His thoughts on the agenda behind his incarceration were read at press conferences that day, reminding everyone of the importance of a free press. Meanwhile, Wolf has managed to continue operating his blog, www.joshwolf.net, by sending letters to family, friends, and fellow journalists, including those at the Guardian.

Wolf has also managed to create two other Web sites: www.mediafreedoms.net, which supports journalists’ resistance to government pressure, and www.prisonblogs.net, which allows prisoners to air thoughts and grievances. If Wolf can do all this from behind bars, imagine what he’ll do when he finally gets out. As Wolf would say, if we could only speak to him without reserving a phone interview 48 hours in advance: "Free press? Then free Josh Wolf!" (Phelan)

Public official

JOHN SARSFIELD


As district attorney for San Benito County, John Sarsfield upset the political applecart when he tried to prosecute the County Board of Supervisors for ignoring the Brown Act’s prohibitions on private communication and consensus building among board members on matters that involved employment decisions, personnel appeals, contracting, and land use–growth control issues.

His decision didn’t sit well in a county where battles over the future of the land have spawned Los Valientes, a secret society that has targeted slow-growth advocates and anyone who gets in its way — including believers in open government. So the board retaliated by defunding Sarsfield’s office, forcing the DA to file for a temporary restraining order against the board, the county administrative officer, and the county auditor, a countermove that kept his office operating and the investigation alive — until he lost his reelection bid to the board’s chosen candidate in January 2006.

One of Los Valientes’s targets, Mandy Rose, a Sierra Club member and slow-growth advocate, recalled how people on the outside warned Sarsfield what he was up against, "but he insisted on working within the system. It was what he believed in. Someone even said he was a Boy Scout."

For his efforts, Sarsfield’s life was turned into a living hell that cost him his dogs, his marriage, and eventually his job. But now, with this award, he gets some small recognition for fighting the good fight. And he has also been appointed special assistant inspector general within the Office of the Inspector General by Gov. Arnold Schwarzenegger. (Phelan)

Special citations

LANCE WILLIAMS AND MARK FAINARU-WADA, SAN FRANCISCO CHRONICLE


Investigative reporter Lance Williams and sportswriter Mark Fainaru-Wada joined forces in 2003 to take on what became one of the biggest — and most controversial — local news stories of the past five years.

The investigation of the Burlingame-based Bay Area Laboratory Co-operative, better known as BALCO, and the larger scandal of widespread steroid use among baseball players was, the San Francisco Chronicle editors decided, too big for one reporter.

In fact, it turned out to be big enough for a series of stories, a book, and a legal battle that almost sent the two writers to federal prison. The duo admits today it was mostly the fear of getting scooped that drove them through the story’s dramatic rise.

"I’m a baseball fan in recovery," Williams told the Guardian. "I used to think I knew the sport. I didn’t have a clue about this stuff. I’m not kidding you. I had no idea how much a part of baseball steroids had become … that whole sort of seamy underside of the drug culture and the game. I just didn’t know it was like that, and I think most fans don’t either."

Although prosecutors seemed to be focusing on BALCO executives, everyone following the story wanted to know what witnesses — in this case top sports stars — told a federal grand jury investigating the company. The outfit had allegedly distributed undetectable steroids and other designer drugs to some of the world’s greatest athletes, including Giants slugger Barry Bonds, who is on his way to making history with a new home run record.

In 2003 the Chronicle published lurid details of the grand jury’s investigation based on notes Williams and Fainaru-Wada had obtained from court transcripts leaked by an anonymous source. Bonds denied knowingly taking any steroids, but prosecutors waved in the air documents allegedly confirming his regular use of substances banned by Major League Baseball.

Furious prosecutors launched an investigation into the leak of secret grand jury transcripts. The reporters were called on to testify but refused — and so joined two other reporters last year threatened with jail time for resisting subpoenas. A lawyer stepped forward last month and admitted leaking the documents, but Williams and Fainaru-Wada came dangerously close to landing in the same East Bay lockup where blogger Josh Wolf is held for refusing to cooperate with a federal grand jury.

The rash of recent attacks on reporters by federal prosecutors has First Amendment advocates up in arms. After all, no one’s going to leak crucial information if the courts can simply bulldoze the anonymity that journalists grant whistleblowers. Fainaru-Wada and Williams have since inspired a bipartisan proposal in Congress to protect journalists at the federal level (dozens of states already have variations of a shield law in place).

"People roll their eyes when you start talking about the First Amendment," Fainaru-Wada said. "But the First Amendment is not about the press, it’s about the public."

In addition to the James Madison Freedom of Information Award, Williams and Fainaru-Wada’s coverage of the BALCO stories earned them the prestigious George Polk Award. But the story took a dark, unexpected turn last month.

Defense attorney Troy Hellerman, who represented one of the BALCO executives, pleaded guilty Feb. 15 to contempt of court and obstruction of justice charges and could serve up to two years in prison for admitting he twice allowed Fainaru-Wada to take notes from the grand jury’s sealed transcripts.

Just as he was spilling details in 2004, Hellerman demanded that a judge dismiss charges against his client, complaining that the leaks prevented a fair trial. He even blamed the leaks on prosecutors. A deputy attorney general called the moves "an especially cynical abuse of our system of justice."

Media critics lashed out at Williams and Fainaru-Wada for exploiting the leaks before and after Hellerman moved for a dismissal. Among those attacking the Chron reporters were Slate editor Jack Shafer and Tim Rutten at the LA Times, who described the conduct as "sleazy and contemptible."

Williams and Fainaru-Wada today still won’t discuss specifics about their sources, but Williams said without the leaks, names of the athletes involved would have otherwise been kept secret by the government even though the grand jury’s original BALCO investigation was complete.

"The witnesses didn’t have any expectation of privacy or secrecy of any kind," he said. "They were going to be trial witnesses. It was in that context that our reporting got under way. I am sensitive to the need of an investigative grand jury to remain secret. And I’m respectful in general of the government’s secrecy concerns. But it’s not the reporter’s job to enforce that stuff." (G.W. Schulz)

SARAH OLSON


When Oakland freelance writer and radio journalist Sarah Olson stood up to the Army by resisting a subpoena to testify in the case of Iraq war resister First Lt. Ehren Watada, she faced felony charges as well as jail time. But Olson understood that testifying against a source would turn her into an investigative tool of the federal government and chill dissent nationwide. "When the government uses a journalist as its eyes and ears, no one is going to talk to that journalist anymore," Olson told the Guardian.

She also objected to journalists being asked to participate in the prosecution of free speech. "The problem I have with verifying the accuracy of my reporting is that in this case the Army has made speech a crime," Olson said. Watada, whom Olson interviewed, has been charged with missing a troop movement and conduct unbecoming an officer, because he publicly criticized President George W. Bush and his illegal Iraq War.

In the end, Army prosecutors dropped the subpoena once Watada agreed to stipulate that Olson’s reporting was accurate. Olson, for her part, attributes the dropping of the subpoena to the support she received from media groups, including the Society for Professional Journalists. (Phelan)

Student journalist

STAFF OF THE LOWELL


The 2006 school year got off to a rough start for Lowell High School, one of the top-ranked public high schools in the country and certainly San Francisco’s finest. The school’s award-winning student newspaper the Lowell was covering it all.

After the October issue went to press, the school’s two journalism classes, which are solely responsible for writing and editing content for the monthly paper, received a visit from the school’s interim principal, Amy Hansen. Though Hansen says there was no attempt to censor the paper and the classes agree that no prior review was requested when it appeared that the students would be covering some controversial stories, the principal questioned their motivations as journalists and asked them to consider a number of complicated scenarios designed to make them second-guess their roles as reporters. The principal told the student journalists they had a moral responsibility, not to turn out the news, but to turn in their sources and information.

In separate meetings with each journalism class, Hansen questioned them about when it was appropriate to lay aside the pen and paper in the name of the law. The students maintained that as journalists they are in the position to report what happens and not pass moral judgment. Additionally, their privileged position as information gatherers would be compromised if they revealed their sources.

The lectures from Hansen did not deter the journalism classes from their basic mission to cover school news as objectively and thoroughly as possible. Even when police were called in to question Megan Dickey, who was withholding the name of a source she’d used in a story about a tire slashing, she still refused to say what she knew. (Witherell)

Whistleblower

MARK KLEIN


Mark Klein knew there was something fishy going on when his boss at AT&T told him that a representative of the National Security Agency would be coming by to talk to one of the senior technicians. Klein was a union communications tech, one of the people who keep the phone company’s vast network going every day. The NSA visitor stopped by, and before long Klein learned that AT&T’s building on Folsom Street would have a private room that none of the union techs would be allowed to enter.

Klein kept his eyes open and learned enough from company memos to conclude that the government was using AT&T’s equipment to monitor the private communications of unsuspecting and mostly undeserving citizens. When he retired in May 2004, he took a stack of material with him — and when he read in the New York Times a year and half later that the NSA had indeed been spying on people, he decided to go public.

The 62-year-old East Bay resident had never been a whistleblower. "I didn’t even know where to begin," he told us. So he surfed the Web looking for civil liberties groups and wound up contacting the Electronic Frontier Foundation.

It was a perfect match: the EFF was about to file a landmark class-action lawsuit against AT&T charging the company with collaborating with the government to spy on ordinary citizens — and Klein’s evidence was a bombshell.

"Mark Klein is a true American hero," EFF lawyer Kurt Opsahl told us. "He has bravely come forward with information critical for proving AT&T’s involvement with the government’s invasive surveillance program."

Federal Judge Vaughn Walker has kept Klein’s written testimony under seal, but the EFF is trying to get it released to the public. The suit is moving forward. (Redmond)

SPJ-NorCal’s James Madison Awards dinner is March 13 at 5:30 p.m. at Biscuits and Blues, 401 Mason, SF. Tickets are $50 for members and $70 for the general public. For more information or to see if tickets are still available, contact Matthew Hirsch at (415) 749-5451 or mhirsch@alm.com.

James Madison Freedom of Information Award Winners

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The Society of Professional Journalists’ Northern California Chapter has been handing awards for 22 years to journalists, educators, public officials, and citizens who best exemplify the importance of open and accountable government and a free and diligent press. And every year the Guardian recognizes the winners and helps highlight the important issues that they raise for the Bay Area and beyond. Here are this year’s winners:

Norwin S. Yoffie Career Achievement Award

ROWLAND "REB" REBELE


Three few years ago the Oakland Unified School District announced that, due to budget constraints, it was shutting down all the student-run newspapers in the district. Rowland "Reb" Rebele lives in Aptos, but he read about the shutdown in a San Francisco Chronicle column.

He picked up the phone, made some calls, and found out the situation was desperate and how much money was needed. He then wrote a check sufficient to resurrect the student newspapers for a year. Then he kept on writing checks to keep the papers going last year and again this year. This was typical of Rebele. No one asked him for help. He received virtually no acknowledgment for his gift. But his timely action turned the lights back on for fledgling newspapers that were out of money and, it seemed, out of luck.

Rebele is a First Amendment mensch (a description that James Madison, had he any familiarity with Yiddish, would have approved of). In his half century of publishing community newspapers that he owned and operated in Coalinga, Chula Vista, and Paradise in California and across the country, he was energetic, inspiring, and devoted to his readers and his communities, and a demon in pushing for open government and accountability. He pursued the same policies as a stalwart for half a century in the California Newspaper Publishers Association and as an activist president who brought key reforms and exceptional leaders to the organization.

Rebele has been a director of the California First Amendment Coalition for a decade. He quickly became the one truly indispensable member of the organization, pushing it, pulling it, holding it together, and cajoling it to broaden its activities because he felt the organization and its mission were vital.

He has also launched an innovative internship program at Stanford University. Rather than just give money to the school, he and his wife, Pat, created a program that has enabled dozens of students to get hands-on experience writing for real newspapers in California. Quietly and selflessly, Rebele has spent his newspaper career fighting the good fight for First Amendment and public interest principles. (Bruce B. Brugmann)

Beverly Kees Educator Award

ROBERT OVETZ


Art Institute of San Francisco instructor Robert Ovetz was fired after he criticized the administration for confiscating a magazine his students produced for his class last December.

Ovetz, who had taught at the institute for three years, told his students to create a "culturally critical" magazine as their final project for a cultural studies class he taught last fall. They produced a 36-page zine called Mute/Off.

Less than 24 hours after he and students distributed 500 copies of the magazine, which Ovetz printed with the institute’s copy machine, most were gone. Ovetz initially attributed their disappearance to popularity, but he soon learned from students that the administration of the school, which was purchased by Goldman Sachs and General Electric last year, had removed them from its campuses and even literally pulled them out of students’ hands.

"This is an example of how a corporation is not held accountable for upholding basic constitutional rights [to] free speech. This is a private company that’s operating as an institution of higher learning," Ovetz told the Guardian. "Its only interest is its bottom line, and its bottom line is profit."

Ovetz complained to the administration about vioutf8g the students’ freedom of speech and received his pink slip Dec. 20, 2006. Dean of Academic Affairs Caren Meghreblian told Ovetz the magazine possibly violated copyright law by reproducing corporate logos without permission and had grammatical errors. She also said a story in the magazine called "Homicide," about three white kids playing a video game as black gangsters, might be racist.

After Ovetz and students complained and the media reported the story, the administration allowed students to redistribute the magazines, but it still refuses to give Ovetz his job back. (Chris Albon)

To size up the magazine yourself, visit www.brandedmonkey.com/muteOffLowRes.pdf.

Citizen

RYAN MCKEE


The object of the California Public Records Act is to ensure the people’s right to know how their state and local governments are functioning. Newspapers are often the entities that test the limits and loopholes of the law. But in January 2006 an 18-year-old college student, Ryan McKee, undertook an audit of each of the 31 California state agencies that was the first of its kind. McKee tested how these agencies, which he personally visited, responded to simple requests to view and get copies of readily available public documents. The results revealed a disturbing pattern. Several agencies performed miserably, including the Department of Justice, which counsels and represents many other state agencies on the Public Records Act, and all of the agencies violated at least one aspect of the law. Common problems included asking for identification, making illegal charges, and taking longer than allowed to release information. McKee undertook the audit while volunteering for Californians Aware, a nonprofit where his father, Richard McKee, is president. A copy of the audit, including its results and grades, was sent to each agency to help it better understand and adjust to its responsibilities. (Sarah Phelan)

Journalists

MICHELE MARCUCCI AND REBECCA VESELY, ANG NEWSPAPERS


ANG Newspapers regional reporters Rebecca Vesely and Michele Marcucci are being honored for the series "Broken Homes" and their unflinching pursuit of public records that exposed negligent care administered to people with autism and other forms developmental disabilities. The series highlighted problems ranging from a lack of proper supervision to unlicensed officials working at health care facilities. Some of these offenses were then linked to patient deaths.

The award recognizes the daunting and tedious task that befell the journalists: 15 months of scouring thousands of hard-copy papers from dozens of sources that included licensing agencies, multiple law enforcement bureaus, and coroner’s offices. The results were entered into a database and cross-checked against other sources of information.

"It’s not like we work at the New York Times, where you can lock yourself in a room for a year. This is one-stop shopping here," Marcucci told the Guardian, noting that both reporters continued their daily beats while working on the project. The series was well received and helped prompt state officials to reinstate inspections of licensed facilities that had been eliminated due to budget cuts. (Christopher Jasmin)

ANDREW MCINTOSH AND JOHN HILL, SACRAMENTO BEE


Two reporters from the Sacramento Bee, Andrew McIntosh and John Hill, get Freedom of Information props for exposing the cronyism and the corruption of the California Highway Patrol.

The two wrote a series of articles detailing how the CHP violated state and department regulations in awarding contracts for items ranging from pistols to helicopters.

"The CHP spends hundreds of millions of dollars each year on equipment and goods," McIntosh told the Guardian. "That’s taxpayer money."

McIntosh said he and Hill took a systematic look at the department’s bidding process and found it was not competitive. The investigation led to the suspension of one officer, Gregory Williams, who the reporters found had awarded $600,000 worth of contracts to his daughter’s company for license plate scanning devices, $500,000 of which was canceled after the reporters exposed the scandal.

The reporters also found the CHP, which controls signature gathering at the Department of Motor Vehicles and other state buildings, denied more than 100 applications for permission to register voters or solicit signatures. Other stories pushed Senate majority leader Gloria Romero and Assemblymember Bonnie Garcia to call for a state audit of the CHP.

McIntosh told us the investigation showed "the CHP is not above public scrutiny or the law when it comes to business dealings." (Albon)

MEERA PAL, CONTRA COSTA TIMES


A good mayoral race isn’t really fun unless a bit of scandal emerges, like it did in Pleasanton two weeks before the November 2006 election.

Meera Pal decided to research the roots of a story that was handed to her by city council member Steve Brozosky, who was challenging incumbent mayor Jennifer Hosterman. Brozosky gave Pal e-mails his campaign treasurer obtained through open-records laws that showed Hosterman may have used her city e-mail account to solicit campaign donations and endorsements, a violation of state law.

But Pal went beyond Brozosky’s story and submitted her own public records requests for the city e-mail account of the mayor, as well as a year’s worth of e-mail from Brozosky and the three other council members.

Pal’s public records request revealed that Brozosky’s inbox was completely void of any e-mail, something neither he nor the city’s IT manager could explain. Brozosky is a computer expert who runs a company that vends city Web site software, so his technical expertise made the situation even more suspicious.

Investigations revealed it was just a setting on his computer that was inadvertently scrubbing the e-mail from the city’s server. Though both violations aren’t necessarily serious crimes, the race was close enough that dirt on either side could have had a profound impact on the outcome, and the results show 68,000 voters who were truly torn during the last two weeks before election day while Pal was reporting these stories. Hosterman eventually won by just 188 votes. (Amanda Witherell)

SUSAN SWARD, BILL WALLACE, ELIZABETH FERNANDEZ, AND SETH ROSENFELD, SAN FRANCISCO CHRONICLE


In the wake of 2003’s so-called Fajitagate police scandal — in which San Francisco officer Alex Fagan Jr. and others were accused of assaulting and then covering up their alleged vicious beating of innocent citizens — the San Francisco Chronicle uncovered records showing that Fagan’s short history on the force was marked by regular incidents of abusive behavior, the kind of records that should have served as a warning for the problems to come.

"We decided to take a look to see how common it was. And we spent a lot of time doing that," Steve Cook, the Chronicle editor of what became last year’s five-part "Use of Force" series, told the Guardian. The team used the Sunshine Ordinance to gather boxloads of records on use-of-force incidents, which it organized into a database that was then supplemented and cross-referenced with a wide variety of other public records, along with old-fashioned shoe leather reporting, all the while fighting through bureaucratic denials and delays.

Despite an embarrassing mislabeled photo on the first day of the series that served as fodder for attacks by the Police Department and Mayor’s Office, the series made clear that rogue cops were abusing their authority, totally unchecked by their supervisors. "We were proud of what we were able to show," Cook said. "We showed a department in need of some basic reforms."

The series helped spur the early intervention system that was recently approved by the Police Commission. It’s a good first step, but one criticized by the Chron and the Guardian for failing to include some key indicators used in other cities (see our editorial "Fix Early Warning for Cops," 2/28/07), something that Cook said requires ongoing vigilance by the press, to bring about needed reforms: "Only the news media is really going to accomplish this, if they stay with the story." (Steven T. Jones)

Legal counsel

DAVID GREENE


The First Amendment was never about money. Free speech is supposed to be free. But these days threats to the First Amendment are growing, more and more people who lack the resources of a major media outlet are in need of help — and there aren’t many places dedicated to offering that assistance, free.

That’s where David Greene and the First Amendment Project come in.

Since 1999, as a staff attorney and executive director, Greene has helped dozens of freelance journalists, students, nonprofit organizations, and independent media outlets protect and expand their free speech and open government rights.

The operation he runs is totally independent. That’s a key point in an era of massive media consolidation: when the Guardian sought earlier this year to find legal representation to force open the key records in a lawsuit over Dean Singleton’s local newspaper merger, we found that just about every local media law firm represented at least one of the parties to the case and thus was conflicted. The FAP was not.

Greene and the FAP have represented blogger Josh Wolf and freelancer Sarah Olson in landmark subpoena cases. Greene, with the American Civil Liberties Union of Northern California, wrote the amicus brief on behalf of noted literary artists in the California Supreme Court case In re George T., in which the court, relying heavily on the FAP brief, overturned the conviction of a juvenile who made threats to other students with a poem. And the struggle just goes on. The FAP is funded largely by private donations and always needs additional support.

"Unfortunately," Greene told us, "we have to turn away a lot more cases than we can take." (Tim Redmond)

News media

SAN JOSE MERCURY NEWS


After years of last-minute backroom deals at San Jose’s City Hall, things came to a head when the City Council rubber-stamped proposals to give a $4 million subsidy to the San Jose Grand Prix, $80 million for a stadium to keep the Earthquake soccer team from leaving town, and $45 million for new City Hall furniture.

Clearly, something had to give. But it was left to San Jose Mercury News editorial writers to push for transparent and accessible government and better enforcement of the state’s open government laws.

First they shamed the city, pointing out that "San Francisco, Oakland, even Milpitas have better public-access laws." Next they hammered then-mayor Ron Gonzales for saying that calls for more open government were "a bunch of nonsense." Then they printed guiding principles for a proposed sunshine ordinance that they’d developed in conjunction with the League of Women Voters and Mercury News attorney James Chadwick.

When city council member Chuck Reed was elected mayor on a platform of open government reforms, the paper still didn’t give up. Instead, it’s continuing to champion the need to bring more sunshine to San Jose and working with a community task force on breaking new ground, such as taping closed sessions so they can one day be made available when there’s no further need for secrecy.

Somehow the Merc also managed to pull off another amazing feat: the paper built public understanding of and support for sunshine along the way. (Phelan)

SAN MATEO COUNTY TIMES


When outbreaks of the highly contagious norovirus sprang up in a number of California counties, San Mateo County was among those hit. Public health officials, however, would not release the names of the facilities where numerous individuals became infected, citing concerns about privacy and not wanting to discourage facility managers from contacting health officials.

Nonetheless, the San Mateo County Times ran a series of reports on the outbreaks in the named and unnamed facilities. After publishing reports on unnamed facilities, the news staff began to receive phone calls from residents who wanted to know the names of the facilities. Times reporter Rebekah Gordon told us it became clear that the public wanted to know this information, and the paper fought the county’s secrecy.

Gordon learned that facilities are required by law to report outbreaks, regardless of the potential for media exposure. Times attorney Duffy Carolan sought out and won the disclosure of the names of four facilities.

"The county’s initial nondisclosure decision evoked public policy and public safety concerns at a very broad level, and nondisclosure would have had a very profound effect on the public’s ability to obtain information that affects their own health and safety. By persisting in the face of secrecy, the Times was able to establish a precedent and practice that will well serve to inform their readers in the future," Carolan told us.

The paper learned the outbreak was far more widespread than the county had admitted, finding 146 cases in six facilities. Gordon said, "The numbers were so much higher than we were ever led to believe." (Julie Park)

Online free speech

JOSH WOLF


Even as he sits inside the Federal Correctional Institute in Dublin, where he’s been denied on-camera and in-person interviews, jailed freelance journalist Josh Wolf manages to get out the message. Last month Wolf, who is imprisoned for refusing to give up video outtakes of a July 2005 anarchist protest in the Mission that turned violent, earned a place in the Guinness World Records for being the journalist to have served the longest jail term in US history for resisting a subpoena.

His thoughts on the agenda behind his incarceration were read at press conferences that day, reminding everyone of the importance of a free press. Meanwhile, Wolf has managed to continue operating his blog, www.joshwolf.net, by sending letters to family, friends, and fellow journalists, including those at the Guardian.

Wolf has also managed to create two other Web sites: www.mediafreedoms.net, which supports journalists’ resistance to government pressure, and www.prisonblogs.net, which allows prisoners to air thoughts and grievances. If Wolf can do all this from behind bars, imagine what he’ll do when he finally gets out. As Wolf would say, if we could only speak to him without reserving a phone interview 48 hours in advance: "Free press? Then free Josh Wolf!" (Phelan)

Public official

JOHN SARSFIELD


As district attorney for San Benito County, John Sarsfield upset the political applecart when he tried to prosecute the County Board of Supervisors for ignoring the Brown Act’s prohibitions on private communication and consensus building among board members on matters that involved employment decisions, personnel appeals, contracting, and land use–growth control issues.

His decision didn’t sit well in a county where battles over the future of the land have spawned Los Valientes, a secret society that has targeted slow-growth advocates and anyone who gets in its way — including believers in open government. So the board retaliated by defunding Sarsfield’s office, forcing the DA to file for a temporary restraining order against the board, the county administrative officer, and the county auditor, a countermove that kept his office operating and the investigation alive — until he lost his reelection bid to the board’s chosen candidate in January 2006.

One of Los Valientes’s targets, Mandy Rose, a Sierra Club member and slow-growth advocate, recalled how people on the outside warned Sarsfield what he was up against, "but he insisted on working within the system. It was what he believed in. Someone even said he was a Boy Scout."

For his efforts, Sarsfield’s life was turned into a living hell that cost him his dogs, his marriage, and eventually his job. But now, with this award, he gets some small recognition for fighting the good fight. And he has also been appointed special assistant inspector general within the Office of the Inspector General by Gov. Arnold Schwarzenegger. (Phelan)

Special citations

LANCE WILLIAMS AND MARK FAINARU-WADA, SAN FRANCISCO CHRONICLE


Investigative reporter Lance Williams and sportswriter Mark Fainaru-Wada joined forces in 2003 to take on what became one of the biggest — and most controversial — local news stories of the past five years.

The investigation of the Burlingame-based Bay Area Laboratory Co-operative, better known as BALCO, and the larger scandal of widespread steroid use among baseball players was, the San Francisco Chronicle editors decided, too big for one reporter.

In fact, it turned out to be big enough for a series of stories, a book, and a legal battle that almost sent the two writers to federal prison. The duo admits today it was mostly the fear of getting scooped that drove them through the story’s dramatic rise.

"I’m a baseball fan in recovery," Williams told the Guardian. "I used to think I knew the sport. I didn’t have a clue about this stuff. I’m not kidding you. I had no idea how much a part of baseball steroids had become … that whole sort of seamy underside of the drug culture and the game. I just didn’t know it was like that, and I think most fans don’t either."

Although prosecutors seemed to be focusing on BALCO executives, everyone following the story wanted to know what witnesses — in this case top sports stars — told a federal grand jury investigating the company. The outfit had allegedly distributed undetectable steroids and other designer drugs to some of the world’s greatest athletes, including Giants slugger Barry Bonds, who is on his way to making history with a new home run record.

In 2003 the Chronicle published lurid details of the grand jury’s investigation based on notes Williams and Fainaru-Wada had obtained from court transcripts leaked by an anonymous source. Bonds denied knowingly taking any steroids, but prosecutors waved in the air documents allegedly confirming his regular use of substances banned by Major League Baseball.

Furious prosecutors launched an investigation into the leak of secret grand jury transcripts. The reporters were called on to testify but refused — and so joined two other reporters last year threatened with jail time for resisting subpoenas. A lawyer stepped forward last month and admitted leaking the documents, but Williams and Fainaru-Wada came dangerously close to landing in the same East Bay lockup where blogger Josh Wolf is held for refusing to cooperate with a federal grand jury.

The rash of recent attacks on reporters by federal prosecutors has First Amendment advocates up in arms. After all, no one’s going to leak crucial information if the courts can simply bulldoze the anonymity that journalists grant whistleblowers. Fainaru-Wada and Williams have since inspired a bipartisan proposal in Congress to protect journalists at the federal level (dozens of states already have variations of a shield law in place).

"People roll their eyes when you start talking about the First Amendment," Fainaru-Wada said. "But the First Amendment is not about the press, it’s about the public."

In addition to the James Madison Freedom of Information Award, Williams and Fainaru-Wada’s coverage of the BALCO stories earned them the prestigious George Polk Award. But the story took a dark, unexpected turn last month.

Defense attorney Troy Hellerman, who represented one of the BALCO executives, pleaded guilty Feb. 15 to contempt of court and obstruction of justice charges and could serve up to two years in prison for admitting he twice allowed Fainaru-Wada to take notes from the grand jury’s sealed transcripts.

Just as he was spilling details in 2004, Hellerman demanded that a judge dismiss charges against his client, complaining that the leaks prevented a fair trial. He even blamed the leaks on prosecutors. A deputy attorney general called the moves "an especially cynical abuse of our system of justice."

Media critics lashed out at Williams and Fainaru-Wada for exploiting the leaks before and after Hellerman moved for a dismissal. Among those attacking the Chron reporters were Slate editor Jack Shafer and Tim Rutten at the LA Times, who described the conduct as "sleazy and contemptible."

Williams and Fainaru-Wada today still won’t discuss specifics about their sources, but Williams said without the leaks, names of the athletes involved would have otherwise been kept secret by the government even though the grand jury’s original BALCO investigation was complete.

"The witnesses didn’t have any expectation of privacy or secrecy of any kind," he said. "They were going to be trial witnesses. It was in that context that our reporting got under way. I am sensitive to the need of an investigative grand jury to remain secret. And I’m respectful in general of the government’s secrecy concerns. But it’s not the reporter’s job to enforce that stuff." (G.W. Schulz)

SARAH OLSON


When Oakland freelance writer and radio journalist Sarah Olson stood up to the Army by resisting a subpoena to testify in the case of Iraq war resister First Lt. Ehren Watada, she faced felony charges as well as jail time. But Olson understood that testifying against a source would turn her into an investigative tool of the federal government and chill dissent nationwide. "When the government uses a journalist as its eyes and ears, no one is going to talk to that journalist anymore," Olson told the Guardian.

She also objected to journalists being asked to participate in the prosecution of free speech. "The problem I have with verifying the accuracy of my reporting is that in this case the Army has made speech a crime," Olson said. Watada, whom Olson interviewed, has been charged with missing a troop movement and conduct unbecoming an officer, because he publicly criticized President George W. Bush and his illegal Iraq War.

In the end, Army prosecutors dropped the subpoena once Watada agreed to stipulate that Olson’s reporting was accurate. Olson, for her part, attributes the dropping of the subpoena to the support she received from media groups, including the Society for Professional Journalists. (Phelan)

Student journalist

STAFF OF THE LOWELL


The 2006 school year got off to a rough start for Lowell High School, one of the top-ranked public high schools in the country and certainly San Francisco’s finest. The school’s award-winning student newspaper the Lowell was covering it all.

After the October issue went to press, the school’s two journalism classes, which are solely responsible for writing and editing content for the monthly paper, received a visit from the school’s interim principal, Amy Hansen. Though Hansen says there was no attempt to censor the paper and the classes agree that no prior review was requested when it appeared that the students would be covering some controversial stories, the principal questioned their motivations as journalists and asked them to consider a number of complicated scenarios designed to make them second-guess their roles as reporters. The principal told the student journalists they had a moral responsibility, not to turn out the news, but to turn in their sources and information.

In separate meetings with each journalism class, Hansen questioned them about when it was appropriate to lay aside the pen and paper in the name of the law. The students maintained that as journalists they are in the position to report what happens and not pass moral judgment. Additionally, their privileged position as information gatherers would be compromised if they revealed their sources.

The lectures from Hansen did not deter the journalism classes from their basic mission to cover school news as objectively and thoroughly as possible. Even when police were called in to question Megan Dickey, who was withholding the name of a source she’d used in a story about a tire slashing, she still refused to say what she knew. (Witherell)

Whistleblower

MARK KLEIN


Mark Klein knew there was something fishy going on when his boss at AT&T told him that a representative of the National Security Agency would be coming by to talk to one of the senior technicians. Klein was a union communications tech, one of the people who keep the phone company’s vast network going every day. The NSA visitor stopped by, and before long Klein learned that AT&T’s building on Folsom Street would have a private room that none of the union techs would be allowed to enter.

Klein kept his eyes open and learned enough from company memos to conclude that the government was using AT&T’s equipment to monitor the private communications of unsuspecting and mostly undeserving citizens. When he retired in May 2004, he took a stack of material with him — and when he read in the New York Times a year and half later that the NSA had indeed been spying on people, he decided to go public.

The 62-year-old East Bay resident had never been a whistleblower. "I didn’t even know where to begin," he told us. So he surfed the Web looking for civil liberties groups and wound up contacting the Electronic Frontier Foundation.

It was a perfect match: the EFF was about to file a landmark class-action lawsuit against AT&T charging the company with collaborating with the government to spy on ordinary citizens — and Klein’s evidence was a bombshell.

"Mark Klein is a true American hero," EFF lawyer Kurt Opsahl told us. "He has bravely come forward with information critical for proving AT&T’s involvement with the government’s invasive surveillance program."

Federal Judge Vaughn Walker has kept Klein’s written testimony under seal, but the EFF is trying to get it released to the public. The suit is moving forward. (Redmond)

SPJ-NorCal’s James Madison Awards dinner is March 13 at 5:30 p.m. at Biscuits and Blues, 401 Mason, SF. Tickets are $50 for members and $70 for the general public. For more information or to see if tickets are still available, contact Matthew Hirsch at (415) 749-5451 or mhirsch@alm.com.

The ethics of flacks

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› steve@sfbg.com

They go by many names: public relations professionals, spokespeople, public information officers, press secretaries, liaisons, public affairs practitioners, press agents, or — the widely used slang — flacks. They are the gatekeepers of records and access to their powerful bosses, either a conduit or barrier for those seeking information.

A spotlight was shined on the role of flacks in San Francisco last month when Peter Ragone, then the influential press secretary for Mayor Gavin Newsom, was caught posting comments under fake names on some local blogs and then lying about it to journalists.

The incident prompted Board of Supervisors president Aaron Peskin to call for Ragone’s ouster (which Newsom resisted, before last week transferring Ragone to his reelection campaign team, where he’s not dealing directly with the press or public) and to craft legislation creating standards of conduct for the city’s public information officers.

"There are bright ethical lines that cannot be crossed," Peskin told the Guardian. "Passing this is a wake-up call to people so busy playing politics that they’ve forgotten their moral responsibility."

The code calls for the city’s public information officers to be honest and accessible and to "advance the free flow of accurate and truthful information to the public and the press."

The legislation, which will soon be heard in the Rules Committee before going to the full board, notes that "it is critically important that Public Information [Officers] are viewed by citizens and the media as honest and trustworthy brokers of information" and "deception and disinformation severely damages the public trust and limits the City’s ability to serve the public."

Many activists and journalists say that’s a serious problem right now, particularly in the Mayor’s Office of Communications, which has become known for aggressively pushing deceptive political spin and repeatedly blocking the release of public documents, according to rulings by the Sunshine Ordinance Task Force. In addition to Ragone, deputy press secretary Jennifer Petrucione is widely seen by those she deals with as a less than forthright and forthcoming broker of information.

But new press secretary Nathan Ballard, whose first day was March 5, said he supports the Peskin legislation and promises to maintain high ethical standards. "My overall philosophy is I’d like an accessible press office. You should be able to get the information you need with dispatch," he told us. "The public has a right to receive information from us that is true, accurate, and fair."

He made a distinction between private-sector public relations people and public-sector information officers, noting that the latter should be held to a higher standard of conduct because they work for taxpayers, not corporations or just politicians. It was a point echoed by City Attorney’s Office spokesperson Matt Dorsey, one of the most widely respected flacks in San Francisco.

"I have a duty to taxpayers and citizens to provide information, whether it’s good for my client or not," Dorsey told us. "Even when you’re working for an elected official, it’s the taxpayers who pay you."

Dorsey accepts that it’s the nature of the job and a free democratic society that sometimes his boss will take lumps in the press, but he said, "I will never hold it against a journalist for portraying the city attorney as a bad guy when we do look like the bad guy."

Eileen Shields, spokesperson for the Department of Public Health, agreed: "I don’t think of my client as the Department of Public Health of Mitch Katz. I think of it as the people of San Francisco."

But other flacks, such as the Metropolitan Transportation Commission’s Maggie Lynch, have a more adversarial relationship with the press and have been known to chew out journalists who write unflattering stories, although she agrees that flacks should maintain high ethical standards.

"It’s my job to point out what’s good about what the agency does," Lynch told us. "I pride myself on my directness and my honesty…. I think the standards should be the same for reporters and public information officers, that you need to be honest."

As the tenor of her comments indicates, there can be a dynamic tension between flacks and journalists that sometimes gets testy. And that can be exacerbated when the flack works for an agency under strong public scrutiny, such as Muni or the Mayor’s Office.

That’s why Peskin said his code is important. "Transparency in an electoral democracy is what keeps the system honest," said Peskin, who agreed that the issues associated with the Mayor’s Office of Communications go beyond the lie Ragone told about his blogging. "There is no question the Mayor’s Office has repeatedly failed to adhere to the Sunshine Ordinance."

Without commenting on the past, Ballard pledged to cooperate in the future. "We will comply with the spirit and the letter of the Sunshine Ordinance."

In addition to Peskin’s legislation, City Attorney Dennis Herrera has announced a new program that offers expanded training for the city’s flacks, covering Sunshine Ordinance compliance, legal guidance, and ethical guidelines. "It would be up to policy makers whether they want to make it mandatory," Dorsey said.

Ironically, the Guardian attempted to interview someone from the Public Relations Society of America (whose code of conduct Peskin incorporated into his legislation) for this story, but we were unsuccessful despite days of trying. Judy Voss, the contact person listed in its code of ethics, referred me to Janet Troy, the vice president of public relations, who spent 10 minutes asking me questions about the questions I had and said she would have someone get back to me. Despite several days of my calling and e-mailing her, neither she nor anyone from the PRSA got back to me by press time.

Luckily, there are alternatives to the PRSA. The National Association of Government Communicators has an even stricter code of conduct for public-sector flacks. It includes this central tenet: "We believe that truth is inviolable and sacred; that providing public information is an essential civil service; and that the public-at-large and each citizen therein has a right to equal, full, understandable, and timely facts about their government." *

Sunshine battles on three fronts

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EDITORIAL It’s been, to put it mildly, a terrible year for open government. The climate of secrecy in Washington, DC, has only increased: from clandestine spying on antiwar protesters to secretive immigration raids to a huge growth in document classification, the nation’s capital has shifted squarely into the dark ages. As G.W. Schulz reports ("100 Years of Secrets," page 22), there’s even an attempt in Congress to create a new official secrets act, with stiff criminal penalties for people who disclose information the government doesn’t want the public to know.

In California the governor has vetoed a public-records bill backed by all 120 legislators, and the State Supreme Court issued one of the worst rulings in its history, ensuring that virtually all police disciplinary records will forever be hidden from public view.

San Francisco has its problems too. The Sunshine Ordinance still has some significant loopholes — and as Amanda Witherell reports ("The Sunshine Posse," page 20), a cadre of sunshine activists is working overtime to try to force the city to comply with its own rules and to demand that electronic documents get the same treatment as paper records.

So there’s a lot of work to do. But the good news is that there are legislative and grassroots efforts on many fronts to turn the tide back. Some of the key points:

In Washington: The Coalition of Journalists for Open Government, along with other sunshine advocates, is pushing a bill by Sen. Patrick Leahy (D-Vt.) and Rep. John Cornyn (R-Texas) that would greatly strengthen the federal Freedom of Information Act. The bill would require federal agencies to expedite FOIA requests and allow requesters to seek attorney’s fees if the government forces them to go to court. The GOP-led Congress blocked it last year, and the Bush administration has always opposed it, but with the Democrats in control, it’s likely to get through both houses this spring.

Meanwhile, Sen. John Kyl (R-Ariz.) tried last month to push a bill that would impose criminal penalties for unauthorized leaking of government information. He’s backed off somewhat, but that threat remains. It’s crucial that San Franciscans contact Sen. Dianne Feinstein (who sits on the Judiciary Committee) and Speaker Nancy Pelosi to demand that the FOIA bill pass and that Kyl’s proposal die.

In Sacramento: Assemblymember Mark Leno has introduced a bill that would override the devastating Supreme Court decision on police records. The measure, AB 1648, would once again allow public access to information about the extent of police officer discipline and would permit agencies such as the San Francisco Police Commission to hold some disciplinary hearings in public. It’s a crucial bill; cloaking all discussion of problematic cops in a veil of secrecy undermines public trust in law enforcement, perpetuates poor management, and protects abusive officers. The legislature needs to pass it quickly. Leno has also reintroduced his Public Records Act reform bill, AB 1393, with a few amendments to address technical problems that the Governor’s Office claimed to have with last year’s bill. This time Gov. Arnold Schwarzenegger has no excuse not to sign it.

In San Francisco: It’s still far too hard for members of the public to get basic information from city departments. The Sunshine Ordinance Task Force needs to have the authority to mandate that agencies follow its decisions; an attempt to make that happen three years ago failed when the supervisors balked at empowering the sunshine panel. The task force lacks the full-time staffer mandated in the ordinance.

The task force should bring its proposals back to the board, and one of the supervisors needs to step up as an open-government advocate and bring that proposal back. If the task force had any teeth or if the Ethics Commission or district attorney would enforce the existing law, these battles wouldn’t be necessary. *

Culture war at the Village Voice

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By Tim Redmond

Good article in the Boston Phoenix on the fallout from the New Times-Village Voice merger. The basic point that writer Adam Reilly makes:

The core of the old New Times chain was Southwestern and Southern. And those regions of the country have a different political culture — more socially conservative, more reflexively anti-government — than coastal markets like Los Angeles and New York, or progressive Midwestern enclaves like the Twin Cities. “Phoenix, Denver, Miami — there’s something about the culture of those cities that’s similar,” says Robson. “There’s a frontier mentality that New Times’ libertarian nihilism matches up with.”

None of the old VVM papers fits this description, but New York fits it the least.

Considering that New Times (Now Village Voice Media) owns the SF Weekly and East Bay Express, the article is well worth a read.

Ouroboros rising

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› a&eletters@sfbg.com

Never mind the ides of March, here comes year four of the Iraq War. Believe it or not, this whole illegal invasion-and-occupation business brought to you by the generally scary US government — that consortium of oil companies, political marionettes, neoconquerors, military wonks, and other capitalist heavies operating behind the flimflam of democracy and terror — is about to celebrate another birthday. (In various offstage boardrooms, we hear the muffled sound of champagne corks not so discreetly popping.)

It’s unclear how many people are still fooled by the flapdoodle spewing from the faces fronting for this enterprise. For most of us in the big Green Zone back home, questions about the Iraq War have moved decidedly into the cultural realm, where the conflict lingers and ferments like others before it in the atmosphere generated between the TV and the dinner table — or, more insidiously, in the mute wasteland of adolescent malaise, surrounded on all sides by a dysfunctional society in lofty denial of its serious penchant for destruction.

Although written in the aftermath of the Gulf War, that media-sanitized prequel to contemporary carnage, playwright Mickey Birnbaum’s Big Death and Little Death squarely occupies the latter territory. But suburban death metal–laced teenage angst is more than the terrain of Birnbaum’s sly and ferocious black comedy — now enjoying a feisty West Coast premiere by Crowded Fire — it’s a beachhead from which the play gleefully lays waste to the universe as a whole.

Birnbaum’s fully fledged two-act (originally intended as an opener for death metal bands) posits some distorted family values, amplified by the sublimated horrors of a world on fire. Its main characters are a brother and sister, Gary (Carter Chastain) and Kristi (Mandy Goldstone), two sympathetically screwed-up teenagers whose modest nuclear household (an evocative panorama of linoleum, Formica, and faded wallpaper in Chloe Short’s deceptively spare set design) is vaguely overseen by their father, a troubled Desert Storm vet (Lawrence Radecker). Since returning from the Gulf, Dad likes to take pictures of road accidents (your quiet, volatile type, in other words, wonderfully fashioned by Radecker as an opaque yet sympathetic psychopath in desert fatigues). Completing the picture for a time is Mom, or Dad’s unfaithful wife (Michele Levy), whose history of sexual indiscretion while her husband was off sauntering through hell comes tumbling out of her in a series of Tourette’s-like confessions.

In the role of a highly inadequate support circle are Gary’s friend Harley (Ben Freeman), an awkward adolescent with an ambivalent thing for his friend’s sister; Gary’s twisted guidance counselor, Miss Endor (Tonya Glanz), who invites him to a death metal concert before diving into a crank-fueled nihilist rant; and Gary’s inappropriate Uncle Jerry (Michael Barr), a Navy sailor who becomes even more inappropriate as the oxygen leaves the stranded sub from which he makes a farewell call.

When a litter of pups is carted off by a classic suburban tweaker (Barr) in exchange for a gun and a bag of drugs, one of the pups (Mick Mize, in a dog suit) is left behind somewhere to haunt the house and mind of the posttraumatic paterfamilias. This subplot is interspersed with scenes from a family car trip from hell and Kristi’s anorexic adolescent anguish as Gary ponders whether to go to city college or "destroy the universe." In the end, as the characters make love, war, art, and friends in no particular order, the second option looks increasingly enticing to our hero, if only to clear the way for something new.

Smartly staged by Sean Daniels (moonlighting from his position as associate artistic director at the California Shakespeare Theater), Big Death and Little Death speaks to this imploding universe loudly and affirmatively, forefingers and pinkies extended. In Birnbaum’s optimistic apocalypse, there’s a difference between the annihilation of the system and the creative destruction that envisions a new beginning on the horizon.

The umbilical link between big and little deaths brings to mind the Vietnam-era "little murders" in Jules Feiffer’s even more prescient black comedy of an American culture of self-destruction. One’s tempted to call Birnbaum’s play the Little Murders of our day.

But neither can really compete with the culture they so sharply critique nor prove as strange or fitting as the news of the dean of West Point ganging up with human rights activists, the FBI, and military in-terror-gators to chastise the creators of 24 for feeding US soldiers too many tantalizing torture techniques. Seems almost a chicken-and-egg problem at times, this relationship between big death in Iraq (and Afghanistan and beyond) and little death on the tube. It’s quite a food chain too, bringing to mind that serpent devouring its own tail. Come to think of it, Ouroboros would make an excellent name for a death metal band. *

BIG DEATH AND LITTLE DEATH

Through March 4

Wed.–Sat., 8 p.m.; Sun., 2 p.m.

Traveling Jewish Theatre

470 Florida, SF

(415) 439-2456

www.crowdedfire.org

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