food

Appetite: Giant legs and Willy Wonka — adventures at the Manhattan Cocktail Classic

Jesse Hawthorne Ficks
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Appetite: Giant legs and Willy Wonka — adventures at the Manhattan Cocktail Classic

I was one of the lucky ones, spending eight days in NY, my old stomping grounds, for the first annual Manhattan Cocktail Classic, which highlights and celebrates the art of the cocktail and its greatest talents. Or so I thought… I won’t gripe too much, though I will say that despite the stunning transformation of the already gorgeous New York Public Library for the opening gala, a scene rife with cocktail luminaries like Dale DeGroff, Audrey Saunders and Dave Wondrich, along with some of the country’s best bartenders, the crowds were not quite the cocktailians I expected, while some events were far from what was advertised. For example: at the May 17 “contest” at Keen‘s, the competition and notable judges had completely wrapped up and left by the listed START time of the event, leaving only a few cocktails to sample and the incomparably cool, old school Keen’s space to stand around in. I could have spent the same money with more exciting results at any of NY’s great bars.

Let’s recap a few of the best and worst moments of the racous week that was the 1st annual Manhattan Cocktail Classic:

WORST

1. Starvation : At the opening gala, despite spotting Mario Batali, the guy who had supposedly cooked up something special for the night, I never once saw his food. Every other whiff of food was devoured by the time I got near it, mainly in the one air-conditioned room in all of the NYPL, where beloved Fatty ‘Cue served up giant legs of meat, an odd “cocktail party” choice, but hilarious to watch others gnaw on a leg with drink delicately in hand. Once I finally got to the last table with any food, the line was so long it wasn’t worth the wait, despite food-less hours endured with sips of multiple drinks (many of the fruity, vodka, soda, flavorless kind)… a bite never came until I hit a diner at 2am.

A wasteland of unfinished drink & chewed-up meat at Opening Gala. Photo by Virginia Miller.

2. Non-Cocktailian Crowds at the opening gala: I expected a slew of the country’s and NY’s most hardcore drink fans, the kind that mix Jerry Thomas recipes at home, await Mud Puddle book releases, and value craft and taste above a “scene”. Um, try drunken carousers breaking glasses and leaving trash lying around in the historical NYPL? What about having your photo taken with vodka models? Seriously: you, a bottle of vodka, and sexy models in a brightly lit, LA-style photo shoot. Or maybe I’m still just creeped out by the Oompa Loompas or the giant Queen Victoria towering over us in the Hendricks’ Gin area (at least there was Charlotte Voisey mixing cocktails below the Queen).

3. Events not as advertised: I’ve already mentioned the misleading representation of the cocktail competition at Keen’s and the drunken, packed-to-the-gills mayhem of the opening gala where check-in, getting a drink or even entering a room, meant yet another 15 minute wait. And where were the fine cocktails? Several came from our San Francisco crew who manned a number of tables (negronis!), or the playful Willy Wonka-themed candy counter, but there were few even tolerable out of four floors of cocktails.

BEST

1. Astor Center bar and bartenders from around the country: The Astor Center was ground zero for many of MCC’s daily events, panels and classes. The best part was having bartenders from all over New York and the country cover varying shifts. I met mixologists from St. Louis, LA, San Fran, and NY bars like Employees Only, Clover Club and Rye House. Not only did these guys whip up some of the better drinks of the entire event, but they were friendly, chatty, engaging, making the Astor Center feel like your favorite watering hole.

The respite of the Virgin Room. Photo by Virginia Miller.

2. The Virgin Room at the opening gala: What is normally NYPL’s staid, lovely Periodicals Room became the Virgin Room, a detox refuge in the midst of the body-to-body storm of revelers, ego-tripping bodyguards and completely frazzled staff. Coolers were stocked with energy drinks while the latest copies of Interview magazine lined the tables. Never mind that one couldn’t find a bit of water anywhere. At least I could read about Madonna staying sexy in her ’50’s via lamplight.

3. Gin Masters: Let’s call this third one a tie between the gracious English class and knowledge of master distillers, Desmond Payne (of Beefeater Gin) and Sean Harrison (of Plymouth Gin), at the English Gin Seminar on May 16.

4. The Stork Club: At the opening gala, one could catch a welcome respite from the oppressive heat of the rest of the building in the rarely seen NYPL basement, dubbed the Stork Club for the night. Thanks, Diageo, for turning the room into a relaxed but funky party with brassy Budos Band and proper cocktails, including a Bulleit Bourbon Mint Julep and a Mary Pickford made with Zacapa 23 year rum.

More Rara Tou Limen than tutu: Ethnic Dance Fest 2010

Andrew Lam
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“It’s a great thing for us to be in the festival this year,” says Portsha Jefferson, artistic director of Ethnic Dance Festival first timer, the Rara Tou Limen Haitian dance company. “There’s so many misconceptions about Haiti and voudou — this gives the world a better idea of what makes the Haitian people so strong.” Her company is not the only one that sees the festival as a unique way to shout out to the world. Now in its 32nd year, the Ethnic Dance Festival (begins Sat/5) is cited as one of the reasons that our international dance scene is considered to be among the strongest in the country.

Rara Tou Limen was born on the streets in the Mission, the sole Haitian dancers in the neighborhood’s ecstatic Carnaval festivities. Jefferson, herself a Haitian-American, was compelled to start a group that  worked against negative stereotypes of Haiti, and captured “the beauty of the culture, the people, the music, the food,” the long time dancer says. She was also motivated by an urge to share what her people have achieved. “Knowing [the Haitians’] history, and what they’ve done in terms of revolution and fighting for their rights; the fact that they’re so strong and resilient, that really speaks to me. I think all of those characteristics of the people come through their music, and through the dance. It’s hard not to get caught in it.”

The success of Haitian dance in the Bay echoes a larger trend of SF dancers finding connection with ancestral artistic forms, and even with cultures apart from their own. Rara Tou Limen’s musical director, master Haitian drummer Daniel Brevil, was happy to see the resonance his homeland traditions had created when he arrived in the Bay in 2008. It was far away from the island where he learned rhythms from his father beginning at the age of eight, but “when I got here and I saw how many people taught Haitian dance,” Brevil says “I was so happy and proud to be Haitian. The people that teach it here, [some of them] they’re not even Haitian.”

That kind of exposure to new art forms is exactly what inspires festival organizer Julie Mushet. The executive director of World Arts West, the group that coordinates the festival, Mushet “was completely astounded the first time I got to experience [the festival].”.

Each year, prospective companies undergo a lengthy audition process – beginning with tryouts that can themselves attract crowds of dance fans. 130 local groups auditioned this year for eight dance experts, who then assembled a list of their top 20, and sent them to the World Arts West staff for the final decision on who got to dance in the festival’s three performance weekends.

Mushet says their choices come down to a matrix of qualities; choreography, dynamics between dancers, quality of music, props and regalia — but in the end the festival is also looking for cultural diversity. World Arts West believes that in the connections between dance and other artistic traditions lie a certain key to cross cultural participation.

“Parents tend to take their kids to the ballet, “The Nutcracker,” but it’s harder to figure out how to introduce kids to the hundreds of other [dance] forms they could learn about,” says Mushet. “[The festival] is a great way to see what the child might be interested in – many of the current dancers first attended as audience members, and now twenty years later, they’re part of a group that’s on stage.”

A tutu… or the beautiful, sparkling outfits Rara Tou Limen wears in their Carnaval performance? Pirouettes or the more elemental joy of their rhythmic ducks and twirls to pounding rara drums? With 37 companies dancing the traditional and updated forms of movement from countries like Korea, the Congo, Uzbekistan, and Puerto Rico, the Ethnic Dance Festival has a form of beauty for everyone, be it their own cultural tradition or one they’ll discover the day of the show.

Ethnic Dance Festival
Through June 27
Sat.-Sun., 2 p.m. (also Sat., 8 p.m.), $22-44
Palace of Fine Arts
3301 Lyon, SF
(415) 474-3914
www.worldartswest.org

Viva La Peña

Jesse Hawthorne Ficks
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Viva La Peña

Here’s to you, Salvador Allende. Our governmental baddies-that-were may have helped assassinate you over the copper-nationalizing ways of your democratically elected Chilean presidential administration. But in your passing, you inspired the birth of an East Bay community center focused on the use of art for social awakening. Which we’re happy to tell you continues to be an integral part of our area’s radical cultural milieu to this day. I’m talkin’ about La Peña Cultural Center, which is celebrating its 35th anniversary Sat., June 5 — a day that will henceforth known as La Peña Day in Berkeley.

You should check it out, Mr. A. Oh wait — you’ve long since shuffled off this mortal coil. My bad. Pero no importa, mi amigo, I’ll tell you about it.

Back in 1975, things were much as they are today, with bullheaded “leaders” encroaching on the sovereignty of other countries. Rankled over the turmoil in Chile, Panama, and Nicaragua, a cadre of political activists took over the rent of a defunct French restaurant in Berkeley.

And just what were these hippies and reds up to? The budding La Peña’s aim was to disseminate information about the conflicts in a way that was not just educational but entertaining. “The core was to use art and music, because you can reach more people that way. It’s much more accessible than political speeches,” executive director Paul Chin tells me. Their model was the Chilean peñas where Allende began his political campaign — salons where art, politics, and community flowed comfortably.

I’m having this conversation with Chin in the center’s lobby. On the walls around us is the center’s 35th anniversary mural, painted by local artists collective Trust Your Struggle. It’s a contemporary take on La Peña’s frontal façade on Shattuck Avenue, an eye-popping 3-D work the center is known for. We’re light-years and several generations from the center’s first years, back before the Internet, before Bushes I and II (and Reagan!), before Shakira, even before Ricky Martin.

Back then, Chin tells me, art and music from the developing world was considered less sophisticated than their Western counterparts. So La Peña began bringing in acts from around the world, artists who could communicate the struggle in their own countries. For some, the fact that they were gracing an American stage was a political statement in and of itself. Over the years, a few got famous: Eddie Palmieri, Los Lobos, Julieta Venegas, and Isabel Allende have performed there — even folk legend Pete Seeger played a La Peña-sponsored show at Berkeley Community Theater.

The center has grown, offering art courses for youth and adults, gallery shows that include international and local artists, weekly jam sessions for immigrant communities. It has hosted cultural series in conjunction with numerous community groups, on Arab culture, on the black lesbian experience, on hip-hop. The center has multiple stages and one of the region’s few Chilean restaurants attached to the lobby so “we can provide food for the body as well as the spirit,” Chin said.

It’s a successful exercise in cross-cultural understanding through art. “I’m proud to say that our stage has been reflective of most of the oppressed communities in the U.S.,” Chin said. But it’s an ongoing process. He recounts an incident with a male-dominated weekly drum session that was reported to be excluding women from hitting the skins. The artists were told to let the ladies play or leave. (Happily, they decided the space for their music was more important than their machismo).

The kaleidoscopic lineup planned for La Peña’s 35th anniversary party, which also serves as the celebration for the newly designated La Peña Day, is a fitting tribute to the center’s accomplishments. A Friday night concert of infectious cumbia beats by Chilean musician-activists Chico Trujillo. A free Saturday street festival featuring dancers, classes, and singing. And, later that evening, a performance by Las Bomberas de la Bahia, local percussionists who play classic Puerto Rican bomba music. Las Bomberas, by the way, is an all female group.

¿Te gusta, Señor Allende?

LA PEÑA 35TH ANNIVERSARY CELEBRATION

Chico Trujillo: Fri/4, 8–10 p.m., $15–$18

La Peña Day Street Carnival and Fair: Sat/5, 12–6 p.m., free

Las Bomberas de la Bahia and Rebel Diaz: Sat/5, 9 p.m., $10–$12

La Peña Cultural Center

3105 Shattuck, Berk.

(510) 849-2568

www.lapena.org

 

Our Weekly Picks: June 2-8, 2010

Jesse Hawthorne Ficks
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WEDNESDAY 2

MUSIC

WHY?

Listening to Yoni Wolf’s lyrics can sometimes feel kind of icky — not so much because he explicitly recalls masturbating at an art exhibit or watching two men copulate on a basketball court in Berlin (though if that turns you off you can call it quits now). WHY? creates discomfort because Wolf uses his songs as an aural journal. His frank words are morbidly fascinating and brave, giving the impression that he has a personal stake in these songs beyond creating catchy jams that you can bump in your car. An amalgam of hip-hop and indie, WHY? thankfully keeps its distance from backpack rap acts, its collage-like formations rightfully earning the band’s place on Oakland’s avant-garde Anticon label. (Peter Galvin)

With Donkeys, Josiah Wolf

8 p.m., $16

New Parish

579 18th St., Oakl.

(510) 444-7474

www.thenewparish.com

THURSDAY 3

MUSIC

Ikonika

“I sing in synths,” U.K. dubstep sensation Ikonika told Pitchfork in March. If so, her voice is blippier than Twiki, wobblier than Jah, and as seductive as a dripping-wet siren. A Hyperdub labelmate of legends Kode9 and Burial, she gets a lot of creative mileage out of simple things: melting melodies, clanging percussion, and a few well-placed tempo changes. Latest album, Contact, Want, Love, Have belongs to a handful of releases that have helped change the dubstep game by focusing more on synth sounds (absorbing the lessons of the latest synth wave revival) while backing slightly off from the endless, deafening boom. That’s a great thing when it leads to slices like “The Idiot,” which sounds like a traditional English morris dance gone cosmically batty. “To me, that’s the whole point: Making these machines express their emotions, just like WALL-E ,” she continued. Beam us down, sister. (Marke B.)

10 p.m., $5–$7

Paradise Lounge

1501 Folsom, SF

www.paradisesf.com

EVENT

“Matcha: The Shanghai Dress Fashion Show”

Some people consider fashion to be the vile heart of a multibillion dollar industry fueled by the single goal of growing consumerism. And you know what? They might be right. But fashion, at its core, is about expressing a certain artistic individuality with the clothing you wear. Shanghai mega-designer Jane Zhu has spent most of her career mastering the art of the qipao pattern-making, an endeavor that has landed her in Vogue, Newsweek, Elle China, and more. Tonight Zhu shares her work and discusses the historical craftsmanship that inspired her pieces. (Elise-Marie Brown)

5 p.m., $10

Asian Art Museum

200 Larkin, SF

(415) 581-3500

www.asianart.org

STAGE

Golden Girls

Truly, one hasn’t lived until one has experienced a drag episode of Golden Girls — live and in person. Heklina and her gang of merry players (Cookie Dough, Pollo Del Mar, and Matthew Martin) have returned just in time for Pride month to regale us with their geriatric-themed barbs and snipes. The tight set-up onstage at Mama Calizio’s is perfect for the fixed-view sitcom look, and recordings of ads from the era play during the breaks for costume changes. One gets the sense that for this cast of kooky queens, the Girls deserve all the acting prowess worthy of say, Pinter, or Tennessee Williams. Their love for the form is contagious. Get your tickets before they go. (Caitlin Donohue)

Through June 25

Thurs.–Sat., 7 and 9 p.m., $20

Mama Calizo’s Voice Factory

1519 Mission, SF

(415) 504-2432

www.helkina.com

VISUAL ART

“Hipster Apocalypse”

Hipsters are an interesting and continuously morphing breed. The goal is simple: discover the newest forms of fashion, listen to as many talentless bands as possible, and remain ironic while doing so. Although many hipsters feel they are unique — with their tastes for Pabst Blue Ribbon, mustaches, and flannel — in the end, they all look the same. In the 1950s, we had the beatniks with their poetry and theories on society. Today we have Web-obsessed, fixed-gear bike-riding foodies prolonging the path to their inevitable corporate jobs and suburban tract homes. This group art installation, pointedly titled “Hipster Apocalypse,” chronicles the rise of hipsterdom and the beast it has become. (Brown)

Through June 27

8 p.m. (reception), free

Cafe Royale

800 Post, SF

(415) 441-4099

www.caferoyale-sf.com

FRIDAY 4

VISUAL ART

“If Only”

“If Only,” a solo installation by Norway-born artist Rune Olsen, is tragicomedy at its simplest and finest. Involving tethered sculptures of zombie children connected criss-cross throughout the gallery space, “If Only” begs a few important — if ridiculous — questions. Are children actually pets? Can they be trusted? And, should we train them like we do dogs and horses? Also of particular import to San Francisco (where pets outnumber children), a reverse phenomenon occurs where pets are treated like children: doggies get designer haircuts and custom Air Jordans, and cats get fine food and strollers. If only our pets could graduate college and help us retire. (Spencer Young)

Through July 17

5–8 p.m. (reception), free

Johansson Projects

2300 Telegraph, Oakl.

(510) 444-9140

www.johanssonprojects.net

SATURDAY 5

STAGE

San Francisco Ethnic Dance Festival

One wonders what would happen were we to kick out Obama, Cameron, Jintao, and Ahmadinejad tomorrow and install in their places the most accomplished dancer in each country. Would their swirls, toe points, and hip thrusts communicate with more eloquence than current G20 summits and United Nation convergences do today? One can only dream. At this festival, though, we can see the cultures of the world uniting for a month-long celebration of that physical language spoken by most cultures from the onset of culture itself. Featured this year (the fest’s 32nd) are Bay Area groups presenting dances from Uzbekistan to the Congo and back again. Shake a leg to the performances for some truly stunning art as well as some cross-cultural contrasts and compliments. (Caitlin Donohue)

Through June 27

Sat.–Sun., 2 p.m. (also Sat, 8 p.m.), $22–$44

Palace of Fine Arts

3301 Lyon, SF

(415) 474-3914

www.worldartswest.org

MUSIC

Matt and Kim

A guy on keys and a girl on drums, singing catchy pop songs, Matt and Kim are poster-children for keepin’ it simple. Famously putting on shows that resemble chummy block parties more than performances, the Brooklyn duo of Matt Johnson and Kim Schifino may have slowed down their aggressively DIY pop-punk a notch for their second LP, Grand, but the change in tempo hasn’t slowed the band’s knack for irresistible sing-alongs. Why brave the Sunday crowds at Shoreline Amphitheater (see Hole pick, below) when you can get that intimate experience from Live 105’s BFD pre-party right here in the city? Also acceptable: going to both. (Galvin)

With Golden Filer, Soft Pack

9 p.m., $20

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

EVENT

The Glorious World Cup party

Forget the fuckin’ Super Bowl — the only sporting event involving football and a true world champion is the World Cup. The 2010 installment gets underway June 11 in host country South Africa; Team USA plays its first match (vs. Team England — it’s gonna be revolutionary!) the following day. Get yourself even more pumped for a solid month of footy fiending (and those 4:30 a.m. games, thanks to the time difference between Calif. and S.A.) at the extremely timely book launch for Alan Black and David Henry Sterry’s The Glorious World Cup, subtitled A Fanatic’s Guide. Events include a contest to see who can scream “GOOOOOAAAALLLL!” with the most roof-rattling excitement. Consider it a warm-up for many exciting GOOOOOAAAALLLLs to come. (Cheryl Eddy)

8 p.m., free

Edinburgh Castle Pub

950 Geary, SF

(415) 885-4074

www.castlenews.com

SUNDAY 6

MUSIC

Hole

For nearly 20 years, Courtney Love has been a polarizing figure in alternative rock, first with her band Hole, then through her well-documented relationship with Kurt Cobain, on through to her various transgressions in the media. Tabloid headlines aside, Love is someone you can’t take your eyes off of. Whether you compare her voyages to watching a train wreck or consider her a talented yet troubled performer, she remains a fascinating study. But the 45-year-old seems to have put her notorious habits to bed, at least for now, as evidenced in her calm and collected visits on several talk shows lately, even putting in an appearance on The View, where she recounted living in San Francisco in the 1980s. But don’t assume the coherent and sober Love has abandoned all of her ferocity. With the freshly resurrected Hole and a new album Nobody’s Daughter, her searing vocals can cut through distorted guitars as sharply as they did circa 1994. (Sean McCourt)

Live 105’s BFD

Noon, $32.50

Shoreline Amphitheater

One Amphitheatre Pkwy, Mtn. View

www.live105.radio.com

MUSIC

Jaguar Love

I guess it was silly to think that the break-up of hardcore band the Blood Brothers in 2007 would mean the end of Johnny Whitney. While his less-screamy former partner, Jordan Blilie, was last seen singing within the lines as Past Lives, Whitney has consistently taken a more bombastic approach, first infusing his side-project Neon Blonde with electro-clash and now packing his full-time band Jaguar Love with dance cues. Jaguar Love continues to spotlight Whitney’s infamous vocals but follows more traditional song structures that make the hooks a co-headliner. The actual co-headliner of the “Coin-Toss Tour” is Japanther, and the two bands will share gear and flip a coin before each show to see who plays first. (Galvin)

With Japanther

9:00 p.m., $14

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com

MONDAY 7

MUSIC

Bone Thugs-n-Harmony

It’s been a long time since “Tha Crossroads” hit the airwaves back in the ’90’s. Only a group as smooth and poetic as Bone Thugs-n-Harmony could write a rap song about the afterlife and make it a No. 1 hit. The Grammy-winning hip-hop group from Glenville, Ohio, has worked with the (now-deceased) likes of Eazy-E, Notorious B.I.G., and Tupac Shakur, and has still managed to stay in the game. Come out and raise a glass, or a 40, as they introduce some songs from their upcoming album, Uni-5: The World’s Enemy. (Brown)

7:30 p.m., $30

Independent

628 Divisadero, SF

(415) 771-1421

www.independentsf.com

TUESDAY 8

EVENT

Henry Rollins

Having made a name for himself in the early hardcore punk scene with his muscular delivery as singer for Black Flag from 1981-86, and later with his own eponymous band, Henry Rollins has again turned his attention to spoken word performances. He approaches the medium as intensely as he does a musical performance, energetically sharing his political and social viewpoints, stories from his life, and tales from his experiences on the road. On this stop of his “Frequent Flyer” tour, expect a barrage of entertaining and enlightening anecdotes presented as only Rollins can do. It will be three hours of nonstop talking, but it will be over before you know it, with the feeling that you just experienced a concert, comedy show, current affairs lecture, and cathartic confessional all rolled into one exhilarating time. (McCourt)

8 p.m., $25

Herbst Theatre

401 Van Ness, SF

www.apeconcerts.com

* The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Golden Era

Jesse Hawthorne Ficks
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Golden Era

paulr@sfbg.com

DINE When you step into Golden Era, you pass through a narrow door and descend a few steps, as if into a subterranean world of disrepute. But you land on a landing, instead of at a bar crowded with sooty Mafia dons, as you might have expected, and from the landing you descend another brief staircase to the dining room, which opens out expansively around you. The experience is a little like the one long offered at Postrio, Wolfgang Puck’s (now closed) restaurant near Union Square.

One difference is that while Postrio was very much about au courant glamour, Golden Era shimmers with a sense of lost glamour. The large dining room, with its high ceilings and wooden arches, is a little dowdy, but its bones are impressive. It’s like a beaten-up pair of good shoes. Local lore teaches that the building was once a residence hotel run by Swedes and the spacious dining room a space for the serving of a Swedish menu. And I can’t imagine a Swedish menu without meatballs.

You won’t find meatballs on the menu at Golden Era — in fact, you won’t find any meat at all, or dairy, since the restaurant is vegan. (Another huge difference from Postrio.) And you won’t find anything Swedish. But you will find wonderful Southeast Asian cuisine, including many dishes that traditionally include meat, with vegan artifice substituting for flesh. As a rule I don’t quite like this kind of vegetarian cooking — a "steak" concocted from a portobello mushroom or some such, often fails to convince. Menu cards that make liberal use of quote marks, as Golden Era’s does, also raise a flag or two.

Despite the quote marks, the food is splendid. It compares favorably to that of Millennium, the fancier and pricier (and worthy) spot in the Hotel California. While a vegetarian or vegan kitchen might seem limited at first blush, with so many fundamental ingredients off-limits, the best such kitchens respond with verve and innovation. Because they can’t rely on the innate impressiveness of a beautifully cooked steak or a fish roasted whole, they must redouble their attention to other details, like composition, color, and texture. This the Golden Era kitchen consistently does.

It would be hard to put together a dish that better demonstrates these attentions than crispy chow mein ($7.95), a bird’s nest of crunchy noodles filled like a savory pie with a wealth of vegetables, including broccoli, carrot, bok choy, and mushrooms, all steamed to a slight tenderness while retaining their resiliency. The miracle flavoring was (we thought) mushroom soy sauce, slightly thickened and glossy, almost as if butter had been added — but butter is a vegan no-no, so how was the transformation accomplished? If by corn starch, then the hands in the kitchen are skilled indeed.

The Vietnamese crepe ($7.50), a huge yellow mezzaluna, arrived with a bouquet of fresh herbs, cilantro, mint, and basil. We were given instructions on how to combine the two, but either we didn’t understand or just forgot, and we ended up just slicing the mezzaluna into strips (like a quesadilla) and scattering bits of the herb bouquet over the top. The crepe’s filling seemed to consist largely of underseasoned rice noodles, so the flavor boost from the herbs was important.

No flavor boost was needed for the potstickers ($5.50), which were filled with a ground substance very like pork (tofu?) along with plenty of ginger. Just to make sure, and for that last kiss of verisimilitude, the potstickers were served with a shallow dish of nuoc nam laced with carrot threads. We also found no flavor shortage in the seaweed salad ($7), a tangle of green filaments, like spinach vermicelli after a bad night of tossing and turning, dressed with crushed sesame seeds and plenty of sesame oil.

For sheer wallop — and proof that lively spicing goes a long way toward compensating for lack of flesh or dairy — there’s the spicy noodle soup ($7). The fat noodles and chunks of tofu offer attractive ballast, but the charge lies in the complex, incendiary vegetable broth. To alert the unwary, red sheets of chili oil shimmer on the surface, like rays of a summer sunset glinting from a pond.

"Vegan dessert" sounds like what the late Herb Caen used to call a "self-canceling phrase." But Golden Era’s desserts could pass at just about any restaurant in town. Both the blueberry cheesecake ($4.75), creamy and lemony with a liberal dribbling of blueberry coulis, and the mocha chocolate cake ($3.50), as velvety and rich as a cashmere greatcoat, were accomplishments any Swedish pastry chef would have been proud of.

GOLDEN ERA

Wed.–Mon., 11 a.m.–9 p.m.

572 O’Farrell, SF

(415) 673-3136

www.goldeneravegetarian.com

No alcohol

MC/V

Muted noise

Difficult wheelchair access

Quick Lit: June 2-June 8

David Talbot
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Quick Lit: June 2-June 8

Literary readings, book tours, and talks this week

Maude Barlow, the female farming revolution, Babylon Salon, Mahnaz Afkhami, The Art of Baseball, Nerd Nite, and more.

Wednesday, June 2

Mahnaz Afkhami
Afkhami, exiled from Iran under threat of death during the Iranian Revolution, has worked as a leading advocate for women’s rights internationally for more than three decades. Hear her discuss some of the most pressing issues for women in the Middle East today.
6 p.m., $25
Omni Hotel
500 California, SF
RSVP at 415-543-4669 ext. 27, or email events@imow.org

Talk Softly
Author Cynthia O’Neal reads from her inspiring memoir.
7:30 p.m., free
Books Inc. Castro
2275 Market, SF
(415) 864-6777

Thursday, June 3

The Art of Baseball
Author and journalist Jeff Gillenkirk will read from his novel, Home, Away, about the evolving relationship of a father and his formerly estranged son, that develops at odds with the father’s multi-million dollar contract to pitch for the Colorado Rockies.
6 p.m., free
George Krevsky Gallery
77 Geary, SF
(415) 397-9748

Maude Barlow
Barlow is the Senior Advisor on Water to the President of the UN. Hear talk about how California’s misuse of water may actually be changing the hydrological cycle and contributing to global warming.
8 p.m., $20
Herbst Theater
401 Van Ness, SF
www.cityboxoffice.com

Nancy’s Theory of Style
Author Grace Coopersmith discusses her book that shows that happiness and love, like fashion, aren’t about playing it safe.
7 p.m., free
Books Inc. Berkeley
1760 4th St., SF
(510) 525-7777

Nerd Nite
Gather with other nerds to discuss nerdery of all sorts at this meet-up featuring talks “I Was  a Teenage Ichthyologist” with Bart Bernhardt, “It’s Not Its Size, But How You Work It” with Brady Burgess, and “Is It Fake Money If You Can Buy Real Hookers With It?” with Jennifer Russel.
8 p.m., $10
Rickshaw Stop
155 Fell, SF
www.nerdnite.com

79th Annual California Book Awards
Watch as gold medals are presented to D.A. Powell (Chronic) for poetry, Rebecca Solnit (A Paradise Built in Hell) for nonfiction, Lori Ostlund (The Bigness of the World) for first fiction, Yiyun Li (The Vagrants) for fiction,  Susan Patron (Lucky Breaks) for juvenile, Sherri Smith (Flygirl) for young adult Daniel C. Matt (Translation and Commentary, The Zohar Pritzker Edition, Volume Five ) for contribution to publishing, and Elaine Elinson and Stan Yogi (Wherever There’s a Fight) for Californiana. Silver medal awards will also be given out.
6 p.m., $20
Commonwealth Club
2nd floor
595 Market, SF
(415) 597-6700

Friday, June 4 

Farmer Jane: Women changing the way we eat
Featuring stories about over 30 women farmers, chefs, policy wonks, and educators, author Temra Costa celebrates women’s role in changing how we eat and farm for the better. Hear local food stories, taste delicious foods, and meet the author.
7 p.m., free
Green Arcade
1680 Market, SF
(415) 431-6800

Long Time Passing
Author Susan Galleymore began interviewing mothers across The U.S. and the Middle East about war and its consequences after her son was deployed to Afghanistan in 2003. Hear her read and discuss her book, Long Time Passing: Mothers speak out about war and terror.
7:30 p.m., free
St. Joseph the Worker Church Chapel
1640 Addison, Berk.
(510) 499-0537

Saturday, June 5

Babylon Salon
This installment of the reading and performance series presents poet Rusty Morrison, the true keeps calm biding its story and Whethering, and novelist Tom Barbash, The Last Good Chance and On Top of the World: Candor Fitzgerald, Howard Lutnick, and 9/11, along with writers Deborah P. Bloch, N.A. Jong, and more.
7:30 p.m., free
Cantina SF
580 Sutter, SF
www.babylonsalon.com

The Glorious World Cup
Alan Black presents this guide to the World Cup, filled with tales of the teams, fans, goals, saves, divas, divers, myths, and madness.
3 p.m., free
Borders
400 Post, SF
(415) 399-1633

Jim Nisbet
Hayes Valley resident, sailor, and author Nisbet celebrates his new book, Windward Passage, and the re-issue of his cult classic novel, Lethal Injection.
7 p.m., free
Green Arcade
1680 Market, SF
(415) 431-6800

Monday, June 7

A Soft Place to Land
Susan Rebecca White discusses her new book about sisters whose relationship becomes complicated by resentment, anger, and jealousy.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

Peter Allen
Hear the Green Party candidate for California Attorney General discuss energy policy as it relates to the tragic oil spill happening in the Gulf of Mexico, and what the spill can teach us when discussing nuclear energy.
7 p.m., free
Green Arcade
1680 Market, SF
(415) 431-6800

Second Nature: The inner lives of animals
Author Jonathan Balcombe, joined by the Berkeley Humane Society, presents his book that shakes human supremacy and opens the door to the inner lives of animals.
7 p.m., free
Books Inc. Berkeley
1760 4th St., SF
(510) 525-7777

Tuesday, June 8

The Accordionist’s Son
Stanford scholar and author Bernardo Atxaga will give a literary reading and discussion. Atxaga is a Basque novelist known for writing in Euskera, a language forbidden in Spain by the Franco regime. He will discuss his early experiences writing in a suppressed language and his identity as both a Spanish and Basque writer.
12:30 p.m., free
111 Minna Gallery
111 Minna, SF
(415) 974-1719‎

“Giacomo Puccini’s The Girl of the Golden West”
Join the San Francisco Opera and the California Historical Society for this presentation on Puccini’s opera about the California Gold Rush.
6 p.m., free
California Historical Society Museum
678 Mission, SF
RSVP at (415) 357-1848, ext. 229, or email kjacobson@calhist.org

The Golden Game: Writers on Soccer
Alon Raab will read and discuss his co-edited book of soccer stories. Share your own soccer stories and legends in celebration of the 2010 World Cup.
6 p.m., free
Unversity Press Books
2430 Bancroft, Berk.
(510) 548-0585

“How to Ride Anywhere and Fix a Flat”
Attend this cycling skills and basic maintenance class that will provide helpful instructions for people who bike in the city and want to learn more about urban cycling.
6:30 p.m., free
REI
840 Brannan, SF
www.sfbike.org

Missing Mentor
Mary Stutts wil discuss her book, Missing Mentor: Women advising women on power, progress, and priorities.
7:30 p.m., free
Books Inc. Alameda
1344 Park, Alameda
(510) 522-2226

The More I Owe You
Hear author Michael Sledge discuss his new book about the beloved poet Elizabeth Bishop, including her life in Brazil and her relationship with her lover Lota de Macedo Soares.
7 p.m., free
Books Inc. Laurel Village
3515 California, SF
(415) 221-3666

Peepshow
Author Joshua Braff will read and discuss his book about a 17 year old boy who chooses to help his father run a porn theater in New York’s Times Square instead of embracing his mother’s Hasidic Jewish sect.
7:30 p.m., free
Booksmith
1644 Haight, SF
www.booksmith.com

Writing on My Forehead
Nafisa Haji presents his bestselling book that meditates on the meaning of family, tradition, and the ties that bind.
7 p.m., free
Books Inc. Opera Plaza
601 Van Ness, SF
(415) 776-1111

On the Cheap listings

David Talbot
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0

On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

THURSDAY 3

Craft Bar Museum of Craft and Folk Art, 51 Yerba Buena Lane, SF; (415) 227-4888. 6pm; $5 includes gallery admission and craft supplies. Explore your crafty creative process at this outdoor craft garden featuring crochet fabric appliquéd jewelry, Asian pop culture emporium Giant Robot launching their new pop-up store, a free-form stitch and bitch area, live music, and refreshments from Trumer Pilsner.

Divisadero Art Walk Divisadero between Geary and Haight, SF; divisaderoartwalk.blogspot.com. 5pm-midnight, free. Spend the night enjoying the best of the Divisadero corridor with art openings, food and drink specials, extended hours for galleries and retails stores, and more.

“Hipster Apocalypse” Café Royale, 800 Post, SF; (415) 441-4099. 8pm, free. Artists Megan Wolfe, Teppei Ando, Kevin Buckley, Mario Delgado, Albert Nguyen, Tamar Solomon, Marcus Thiele, and David Young V imagine a world where alternative culture is pop culture and are showcasing paintings and drawings that focus on the rise of hipster culture in the mainstream and challenge it’s very survival as a culture based on opposing the mainstream. Oh, the irony.

SpaceCRAFT CELLspace, 2050 Bryant, SF; www.cellspace.org. 7pm, free. Check out new works by CELLspace resident artists at this monthly reception featuring performance artists, music, dance, food, and drinks.

FRIDAY 4

SF Underground Market SomArts, 934 Brannan, SF; www.foragesf.com. 11am-Midnight, $2. Taste and purchase food that is being produced in backyards and home kitchens in the Bay Area at this market with live music, food and drinks. The market helps producers without the cash for a commercial kitchen tap into a “homemade community” to get some exposure.

BAY AREA

Oakland Under $100 Temescal Art Center, 511 48th St., Oakl.; (510) 923-1074. 7pm, free. Shop for affordable local art at this community event happening in conjunction with the monthly Oakland Art Murmur featuring local musicians and work by artists Mark Peterson, Allyson O’ Brien, Terrence Dowd, Hollyce Jones, Rachel Hubbard, Alice Worland, and more.

SATURDAY 5

Mujeres Unidas y Activas Family Festival Dolores Park, above the tennis courts, Dolores at 18th St., SF; (415) 621-8140, ext. 310. 1pm, free. Cheer for the participants in the Latino Food Contest, enjoy delicious food, and take part in fun activities for the whole family at this Taste of MUA Family Festival.

National Parks Free Days Participating National Parks in California, for a full list of participating parks, visit www.nps.gov/findapark/feefreeparks. Sat.-Sun, regular park hours. All weekend, the National Park Service is waiving entrance fees, tour fees, and transportation entrance fees on select parks across the United States. Participating California parks include Muir Woods National Monument, San Francisco Maritime National Historic Park, Yosemite National Park, Joshua Tree National Park, Sequoia National Park, and many more.

Nature Fan Fest SF Botanical Garden Recreation Room, Golden Gate Park, SF; RSVP at heydayooks.com. 2pm, free. Celebrate Bay Area nature and the work of John “Jack” Muir Laws at this informational session and party featuring presentations on how to get involved with local organizations like Tree Frog Treks, Bay Nature, and Golden Gate Raptor Observatory, Teacake Bake Shop cupcakes, buttons, books, and more.

Union Street Fair Union between Gough and Steiner, SF; 1-800-310-6563. 10am-6pm, free. Enjoy arts and crafts booths, gourmet food vendors, live music, bistro style cafes, and more at this year’s eco-urban themed Union Street Fair featuring two blocks of green exhibitors, educational displays, and sustainable art.

BAY AREA

Chocolate and Chalk Art Festival Sidewalks along North Shattuck, Berk.; www.anotherbullwinkleshow.com. 10am, free. Sign up for free to be assigned an area of sidewalk to create your best chalk drawing and to be entered to win prizes or purchase a packet of tickets ($10) to sample chocolate treats from participating businesses in the area.

East Bay Open Studios Artist Studios across the East Bay. For more info and to get a map, visit www.proartsgallery.org/ebos. Sat-Sun, various times; free. Gain access to over 400 artists’ studios around the East Bay and peek into the creative process of local artists, socialize with other art lovers, and get a chance to buy works directly.

La Peña Day Prince and Shattuck, Berk.; (510) 849-2568. Noon-6pm, free. Enjoy this street fair and carnival to celebrate La Peña’s 35th anniversary as an open space for community action through the arts featuring cultural dance and music performances that showcase the talents of it’s diverse community, food, art, vendors, and more.

SUNDAY 6

Indie Mart Design & DIY Street Fair Thee Parkside, Wisconsin between 16th and 17th St., SF; www.indie_mart.com. Noon-6pm, $3 suggested donation. Indie Mart is back and bigger than ever with over 100 vendors bringing you locally made and designed, unique goodies, art, and baked treats, live music with Music for Animals, Jonesin’, Magic Magic Roses, and Red, White, and Drunken, stiff drinks, cheap beers & fresh BBQ from Thee Parkside, a demo station brought to you by Workshop, San Franpsycho live printing, Heavy Metal Aerobics, DJs, and more.

BAY AREA

Oral History Project: Our Elders’ Stories Berkeley Fellowship of Unitarian Universalists, 1924 Cedar, Berk.; (510) 841-4824. 2pm, free. Join member of your community for good food and to hear some of recorded stories from the Oral History Project and enjoy the accompanying photo exhibit of participating elders paired with quotes from the project. The recordings will be transferred into the UC Bancroft Library.

 

Music listings

David Talbot
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0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

Enrique Bunbury Fillmore. 8pm, $45.

Tinsley Ellis Biscuits and Blues. 8 and 10pm, $18.

First Aid Kit, Samantha Crain, Grand Lake Bottom of the Hill. 9pm, $15.

Local Natives, Suckers Rickshaw Stop. 8pm, $12.

Mumford and Sons, Middle East Slim’s. 9pm, $16.

Telltale Heartbreakers, Distance from Shelter, Culo a Boca Elbo Room. 9pm, $7.

DANCE CLUBS

Afreaka! Attic, 3336 24th St, SF; (415) 643-3376. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with DJs MAKossa and Om.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 3

ROCK/BLUES/HIP-HOP

Ashdautas, Volahn, Axeman, Arizmenda Kimo’s. 9pm, $8.

Citay, Barn Owl, Sarees Café du Nord. 9pm, $10.

DBC, Bronze, DJ Yule B Sorry, DJ Deadbeat Knockout. 10pm, $6.

50 Cent Warfield. 8pm, $49.75-69.75.

Heavy Hills, Mystery Lights, Mrcy Hot Spngs Hemlock Tavern. 9pm, $6.

LCD Soundsystem Fillmore. 9pm, $35.

Laurie Morvan Band Biscuits and Blues. 8 and 10pm, $15.

Monks of Doom, Jack Curtis Dubrowsky Endemble Eagle Tavern. 9pm, $6.

Rayband Coda. 9:30pm, $7.

Screaming Females, Songs for Moms, Street Eaters Thee Parkside. 9pm, $7.

Thrice, Kevin Devine, We Barbarians Regency Ballroom. 7:30pm, $24.

FOLK/WORLD/COUNTRY

High Country Atlas Café. 8pm, free.

Mister and Sweetie Show Mercury Café, 201 Octavia, SF; (415) 252-7855.

*Tag Team Trio Shift Luggage Store Gallery, 1007 Market, SF; (415) 255-5971?. 8pm, $6-$100 sliding scale. Over 20 musicians will participate in this tag team trio performance in memory of Matthew Sperry.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

Base Turns 5 Vessel, 85 Campton, SF; (415) 433-8585?. With DJ Joris Voorn spinning underground house.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $2. With DJs subOctave and Blondie K spinning indie music videos.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Nullsleep, 8 Bit Weapon, ComputeHer, Crashfaster DNA Lounge. 9pm, $12. Chip music.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 4

ROCK/BLUES/HIP-HOP

Born Ruffians, Young Rival, Tempo No Tempo Rickshaw Stop. 8:30pm, $12.

Crown City Rockers, J-Boogie’s Dubtronic Science, DJ Zeph, Skins and Needles Independent. 9pm, $18.

Cute is What We Aim For, Friday Night Boys, Bigger Lights, Down With Webster Slim’s. 7:30pm, $15.

Sage Francis, Free Mortal Agents, B. Dolan Fillmore. 9pm, $22.50.

Isis, Tombs, Jacob Great American Music Hall. 9pm, $17.

Junior Panthers, B and not B, Kill Moi Milk. 8pm, $7.

*Midnite Snaxxx, Chemicals, Bill Collectors Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Coco Montoya Biscuits and Blues. 8 and 10pm, $22.

*Morne, Flood, Vastum Elbo Room. 10pm, $7.

Screaming Females, Winter Ox Hemlock Tavern. 9:30pm, $7.

X (Australia), A Frames, Mantles Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Dr. John and the Lower 911 Yoshi’s San Francisco. 8 and 10pm, $28-36.

Jazz Mafia Big Band Coda. 10pm, $10.

Pascal Boker Group with Donald Bailey Savanna Jazz. 7:30pm, $5.

Paul Dresher Ensemble Double Duo Old First Church, 1751 Sacramento, SF; www.oldfirstconcerts.org. 8pm, $17.

Renee Rosnes with Bill Charlap, Toshiko Akiyoshi with Lew Tabackin Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-50.

“San Francisco Guitar Summit” Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $18.

FOLK/WORLD/COUNTRY

Devine’s Jug Band Red Poppy Art House. 9pm, $10-$20.

White Buffalo Hotel Utah. 9pm, $12.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Big Tune DNA Lounge. 8pm, $5. Hip-hop with DJ Toomp and Rick Rock.

Braza! Som., 2925 16th St., SF; (415) 558-8521.10pm, $10.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Oldies Night Knockout. 9pm, $2-4. Doo-wop and one-hit wonders with DJs Primo, Daniel, and Lost Cat.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strange Love Cat Club, 1190 Folsom, SF; (415) 703-8965. 9:30pm, $6. A “Battle of the Sexes” with DJs Tomas Diablo, Justin, Mz. Samantha, and Starr spinning goth and industrial.

SATURDAY 5

ROCK/BLUES/HIP-HOP

Captured! By Robots, Don’ts, Bobby Joe Ebola and the Children MacNuggits Bottom of the Hill. 9:30pm, $12.

Bart Davenport, Winfred E. Eye, We Is Shore Dedicated Hemlock Tavern. 9:30pm, $8.

Dodos Independent. 8pm, $20-40.

Insane Clown Posse, Kottonmouth Kings, Coolio, Kittie Warfield. 7pm, $35.

Hans Keller, Spiral Bombs, Spyrals, Joe Salvatore Li Po Lounge. 8:30pm, $5.

Loquat, Hot Toddies, Frail, Lindy Lafontaine, DJ Miss Watkins Rickshaw Stop. 8pm, $15.

Matt and Kim, Golden Filter, Soft Pack Mezzanine. 9pm, $20.

Eric McFadden and Friends of the Faraway Family Coda. 10pm, $10.

Nothington, Classics of Love, Spanish Gamble, Fire Whiskey Thee Parkside. 9:30pm, $8.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

Primal Fear, Havok Slim’s. 9pm, $21.

Red Light Circuit, Jeepster, Little Black Bats Epicenter Café, 764 Harrison, SF; (415) 543-5436. 7pm, free.

“School of Rock presents R&B Royalty” Thee Parkside. 2pm, $10.

Shakin’ Michael J, John Predny, Icekat and the Mengs Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Stormy California, Mote Elbo Room. 5:30pm, $7.

Super Adventure Club, DownDownDown, Giani Velcreaux Hotel Utah. 9pm, $8.

“US Air Guitar Championships: San Francisco Regional” Fillmore. 9pm, $20.

Veil Veil Vanish, Bleassure Grave, Deathday Party, Sleeping Desires Milk. 9pm, $7.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Big B and His Snakeoil Survivors Verdi Club, 2424 Mariposa, SF; www.snakeoilswing.com. 8:30pm, $10.

Dr. John and the Lower 911 Yoshi’s San Francisco. 8 and 10pm, $36.

Donny McCaslin Trio with Hans Glawischnig and Jonathan Blake Swedish American Hall (upstairs from Café du Nord). 8pm, $25.

Susanna Smith Group Savanna Jazz. 7:30pm, $8.

FOLK/WORLD/COUNTRY

Old Man Markley Plough and Stars. 9pm, $6-$10.

Rachid Taha, Cheb I Sabbah Great American Music Hall. 9pm, $25.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Debaser Knockout. 9pm, $5. Nineties alternative with DJs Jamie Jams and Emdee.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Foundation Som., 2925 16th St., SF; (415) 558-8521. 10pm.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kontrol Endup. 10pm, $20. With resident DJs Alland Byallo, Craig Kuna, Sammy D, and Nikola Baytala spinning minimal techno and avant house.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

Mini Non-Stop Bhangra Rickshaw Stop. Noon-3pm, $5-10. Family-friendly event.

New Wave City DNA Lounge. 9pm, $7-12. Smiths tribute with Skip and Shindog.

Rebel Girl Rickshaw Stop. 10pm, $5. “Electroindierockhiphop” and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.

Saturday Night Soul Party Elbo Room. 10pm, $10. With DJs Lucky, Phengren Oswald, and Paul Paul spinning 60s soul.

Souf Club Six. 9pm, $7. With DJs Jeanine Da Feen, Motive, and Bozak spinning southern crunk, bounce, hip hop, and reggaeton.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Soundscape Vortex Room, 1082 Howard, SF; www.myspace.com/thevortexroom. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 6

ROCK/BLUES/HIP-HOP

“Indie-Mart” Thee Parkside. 12:30pm, free. With Music for Animals, Jonesin’, Pleasure Kills.

Japanther, Jaguar Love Great American Music Hall. 9pm, $14.

MC Chris, MC Lars feat. YTCracker, Math the Band Slim’s. 8pm, $15.

“School of Rock” Make-Out Room. 2pm, $10.

Sunday Services with Lord Nasty, TSG Hemlock Tavern. 9pm, $6.

*”20th Anniversary Party for the List” Thee Parkside. 8:30pm, $10. With Filth, Needles, Pigs, and Fix My Head.

Luther Wright and the Wrongs, Jack Grace Band Café du Nord. 8pm, $12.

FOLK/WORLD/COUNTRY

Hot Frittatas Red Poppy Art House. 8pm, $15-$20.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.

Call In Sick Skylark. 9pm, free. DJs Animal and I Will spin danceable hip-hop.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $8-11. Dub, roots, and classic dancehall with DJs Vinnie Esparza and Maneesh the Twister.Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Shuckin’ and Jivin’ Knockout. 10pm, free. Boppers, rock, and more, at 78 RPM with DJs Dr. Scott and Oran.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 7

ROCK/BLUES/HIP-HOP

*Bone Thugs-N-Harmony Independent. 8pm, $30.

Crash Test Dummies Café du Nord. 9pm, $16-18.

Fever Dream, Rival Parties, Mallard El Rio. 7pm.

Good Old War, Yukon Blonde, Audra Mae Bottom of the Hill. 8pm, $10.

Yogoman Burning Band, Revival Soundsystem Elbo Room. 9pm, $7.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 8

ROCK/BLUES/HIP-HOP

Zachary Blizzard, Lookbook, Winebirds Elbo Room. 9pm, $7.

Cheap Girls, Menzingers, Good Knives, Singularity Thee Parkside. 8pm, $7.

Chief Hotel Utah. 8pm, $6.

Corner Laughers, Farewell Typewriter, Clarences Bottom of the Hill. 9pm, $8.

Karen Elson Café du Nord. 9:30pm, $15. Holy Fuck, Nice Nice Independent. 9pm, $15.

*Pestilence, Warbringer, Vital Remains, Enfold Darkness, Sacrificial Slaughter DNA Lounge. 6:30pm, $20.

Henry Rollins Herbst Theatre, 401 Van Ness, SF; www.ticketmaster.com. 8pm, $25.

Rufio, Higher, Goodnight Caulfield, Loomis and the Lust Slim’s. 8pm, $15. DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck and DJ Chaos.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Mixology Aunt Charlie’s Lounge, 133 Turk, SF; (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Rep Clock

David Talbot
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0

Schedules are for Wed/2–Tues/8 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $4-10. “CCSF Production Class,” short films, Thurs, 8. “Mike Kuchar: An Evening of Collected Consciousness,” Sat, 8.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. “Independent Filmmakers Screening Nite,” Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. Sex and the City 2 (King, 2010), Wed-Thurs, call for times.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Looking for Eric (Loach, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times. Micmacs (Jeunet, 2010), June 4-10, call for times.

DECO LOUNGE 510 Larkin, SF; (415) 346-2025, www.decosf.com. Free. “Queer Cinema 101,” Mon, 10. Holly DeVille hosts this weekly show highlighting films that have had an impact on queer culture.

FILM NIGHT IN THE PARK This week: San Geronimo Community Center, 6350 Sir Francis Drake, San Geronimo; (415) 272-2756, www.filmnight.org. Donations accepted. Napoleon Dynamite (Hess, 2004), Fri, 8.

GAIA ARTS CENTER 2120 Allston, Berk; www.culturedisabilitytalent.org. $5-20. “Culture/Disability/Talent presents: Superfest 2010 International Disability Film Festival,” Fri, 11-5; Sat, noon-5.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Fast Food Nation (Linklater, 2006), Wed, 7:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Brought to Light: Recent Acquisitions to the PFA Collection:” Adventurera (Gout, 1949), Thurs, 7; Lola Montez (Ophuls, 1955), Sat, 8; La Pointe Courte (Varda, 1954), Sun, 5. “Akira Kurosawa Centennial:” Rashomon (1950), Fri, 7; Drunken Angel (1948), Fri, 8:50; Throne of Blood (1957), Sun, 6:50. “Strange Tales of the Whistler:” •The Power of the Whistler (Landers, 1945), and Voice of the Whistler (Castle, 1945), and Mysterious Intruder (Castle, 1946), Wed, 7; •The Secret of the Whistler (Sherman, 1946), and The Thirteenth Hour (Clemens, 1947), Sat, 5:30.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Hot Tub Time Machine (Pink, 2010), Wed-Thurs, 7:15, 9:25 (also Wed, 2). Green Zone (Greengrass, 2010), Fri-Sat, 7:15, 9:30 (also Sat, 2). The Secret of Kells (More and Twomey, 2009), Sun-Tues, 7:15, 9:15 (also Sun, 2, 4).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. BAVC presents: Life 2.0, plus shorts, Wed, 7:30. Big River Man (Maringouin, 2009), Wed-Thurs, 9:30. La Mission (Bratt, 2009), Wed-Thurs, 7:15. American Radical: The Trials of Norman Finkelstein (Ridgen and Rossier, 2009), Thurs, 7, 9:15.

VICTORIA 2961 16th Street, SF; (415) 863-7576. $10. Pelada (Boughen, Fergusson, Oxenham, and White, 2010), Thurs, 8. VIZ CINEMA New People, 1746 Post, SF; www.thirdi.org. $10-16. “3rd I Films Presents: 3rd I’s Queer Eye:” “Queer South Asian Shorts,” Sun, 5; Freddy Mercury: The Untold Story (Director’s Cut 2010) (Dolezal, 2010), Sun, 7.

VORTEX ROOM 1082 Howard, SF; www.thrillville.net. $10. “Thrillville’s Beatnik Bash!:” •A Bucket of Blood (Corman, 1989), and The Beat Generation (Haas, 1959), Thurs, 8.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. Trash Humpers (Korine, 2009), Thurs-Sat, 7:30; Sun, 2, 4.

Editor’s Notes

David Talbot
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Editor’s Notes

Tredmond@sfbg.com

When I first heard that Arne Duncan, who hails from the charter-schools-are-great side of the educational spectrum, was going to be President Obama’s secretary of education, I figured: that’s too bad. But after all these years of Republicans, how bad can it be?

Well, pretty bad.

Duncan has discovered that he has a powerful tool to use to force some really terrible "reforms" onto school districts and states that really don’t want them. And he’s using it in a way that’s almost cruel.

See, every public school district in urban America is hurting right now. Everyone needs money; everyone’s desperate. Teachers are getting pink slips, schools are closing, class sizes are growing, programs are getting cut … and school boards and superintendents are reduced to begging for spare change to buy chalk and pencils.

And along comes Secretary Duncan with billions of dollars in grants, scraps of food for starving people — and all you have to do to get some of it is adopt an agenda that blames the problems of the education system on the teachers.

Get rid of teacher seniority. Get rid of tenure. Link teacher pay to student performance, as measured by standardized tests. Approve more charter schools (which suck money out of the public school system). Just do those things and you can compete in the beauty contest called "Race to the Top" — and maybe you’ll get some cash.

The New York Times Magazine had a fascinating story on this May 21. The writer, Steven Brill, marveled at how successful Duncan had been leveraging a fairly small amount of money into the most profound changes in educational policy this country has seen in 30 years. That’s because these days, school districts will do almost anything to keep the doors open.

But the problem is that the federal grants will run out, and some day the economy will recover, and maybe we’ll come to our senses and realize that government at every level should properly fund education — and the damage of the Duncan reforms will be done.

I can’t blame the SFUSD, which just agreed to apply for Race to the Top money, for seeking cash everywhere. And the SFUSD application doesn’t promise anywhere near what Duncan wants, so we won’t win anyway. But at some point, somebody’s got to say: this is a bad way to run the public schools.

Tasty bytes at the Guerilla Dining Collective

Andrew Lam
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3

“You’re experiencing a dish crawl in a single room,” chirped the beguiling CEO of Battledish, Tracy Lee. Lee’s Interweb gig entails cataloguing SF dish-by-dish for the pleasure of adventurous food obsessed individuals, a Sisyphean task she says has her organizing the city’s restaurants’ specialties down to taste. To highlight this spirit of culinary safari, Battledish was taking part in and helping to organizing a dinner assembled by graffEats of some of the finest underground food purveyors in the Bay last night to create eight courses of delicately prepared plates, each paired with glasses of Phelps Creek, Oregon wines hitherto unreleased on the Californian market.

In attendance was Canvas Underground, Radio Africa Kitchen, guys and gals into the “anti-restaurant,” community noshes with friends you never met yet. Most of the chefs are used to preparing meals for 25 meant to be consumed sitting on the ground of a stranger’s living room. But tonight the whole, safari embarking lot of us are sitting at three long tables in the middle of a drafty Dogpatch warehouse.

A kitchen space smaller than what I have in my apartment (that’s small!) somehow accommodates the marinating and tossing of the three culinary enterprises, who are pumping out more food than you woulda thunk possible, really. I guess they’re used to less than ideal cooking facilities; Canvas Underground has even been known to whip up spreads for their doting fans in a grassy field.

Lee addresses what is clearly a source of consternation in her office. “You know, salty, sweet, crunchy, bitter. There’s really not that many bitter dishes out there.” I am not surprised by this. I nod energetically to keep her talking through her vast knowledge of restaurants, both known and new. Besides her sits a smart phone, an equally intelligent looking video camera, and an SLR, which she rotates through in a steady bid to capture the moment for tomorrow’s web surfers.

Flips are brandished right and left to catch the crowd’s reaction to the lavender cumin roasted duck, and Tracy’s occasional flash bulb generates a gentle frisson of technology that belies the gluttony we are gracefully acquiesing to.

Ever since Paper magazine came out with its social networking issue, I’ve been feeling vastly, isolatingly, computer illiterate. (And don’t trip, I realize the irony of writing this on the blog I regularly contribute to.) But really, last night amidst the foodies, techies, and foodie-techies, I needed the reassurance that at the advanced age of 25 I could still be integrated into this brave new world of point-click, point-click, eat.

Should I be tweeting this? What taste category does the green melon gazpacho poured over ceviche of prawn, fennel, and vanilla fall into? Can I perhaps slip mention of the saffron almond cake with the roasted loquat and cinnamon crème fraiche into a html coded round up of the city’s best pop-up pastries?

There’s also a resplendent honey and cheese plate, and an Alaskan halibut kitfo – a word they must have used on the menu because it is more elegant than the one I’d have opted for; halibut poke loaf. We need more loafs these days.

But as the folksy tunes of The Shants swept through the high celinged warehouse-cum-drunk tank (four glasses of good wine go far, even when you’re eating your wieght to accompany it), I relaxed and let go of my Luddite, anti-tech mental ramblings. Sites like Battledish are just making more ways to connect for people that want it like that.

Amiably gripping their wine glasses in the pleasant fog between dessert courses, Tracy and my free spirited dinner companion debate the merits of Internet dating versus leaving love to that ever elusive “fate” thing. “It’s all about maximizing serendipity,” Tracy sagely intones before once again she is gone in a whirl of gastronomic experimentation. A fine philosophy for the information age, indeed.

 

The Daily Blurgh: Nasty surf, follicle fetishism

Jesse Hawthorne Ficks
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The Daily Blurgh: Nasty surf, follicle fetishism

Curiosities, quirks, oddites, and items from around the Bay and beyond

Could it have been the public urination? ING pulls out as Bay to Breakers sponsor.
*****
Better wear a wetsuit (and then some). Santa Cruz’s Cowell Beach voted second worst California beach in terms of water quality.


*****
No more DJs at the Attic?
*****
“The Olive Centipede was created by Dr. Heiner, a disturbed German bartender formerly famous for his flair garnishing techniques. The evil Dr. Heiner decided to create a garnish centipede, made from sewing three olives together along the olives’ digestive tracts, pit-to-pimento.”
*****
A blogger dares to ask, “Why is Chinese food in San Francisco so disappointing?” (thanks Eye on Blogs)
*****
Maybe this creepy fetishist dude could donate his collection of tufts to the efforts to sop up the BP oil using matted hair. Or not.

*****

Comet dives into the Sun. Cue the Soundgarden:

http://www.youtube.com/watch?v=qiSkyEyBczU

Infectious

Jesse Hawthorne Ficks
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0
Infectious

arts@sfbg.com

VIDEO What brings down a presidential campaign, makes Stephen Colbert break out his lightsabers, and inspires protest in Oakland and Tehran? The alpha and omega of online video: YouTube and my camera phone equal a jillion eyeballs and our itchy mouse finger clicking “Play” and passing it on. All those moments, all those sticky little memes, are now forever linked and embedded in the cultural fabric, touchstones certain to become engrained in our collective unconscious as the grainy image of the Beatles playing Ed Sullivan or the Challenger exploding on camera.

At all of five years old, YouTube can claim more than 2 billion views a day. Twenty-four hours of video are uploaded to the site every minute and admittedly few of those snippets find traction in the stream of life. Yet the evolution of online video is just beginning. So say knowledgeable observers like Jennie Bourne, author of Web Video: Making It Great, Getting It Noticed.

“Viral has become a dirty word in Web video because people’s concerns in going viral tend to be linked to trying to monetize a web video, and very often a video that’s getting a lot of views is not making a lot of money,” Bourne explains. And while the rise of citizen broadcast journalists and DIY documentarians is laudable, she adds, “I have to say the flip side of that — people walking around with cameras on their foreheads all the time video blogging — can get a little boring without a structure and style. I think there will be a shakeout at one point, and Web video will mature. It’s not there yet — it’s effective as a distribution medium and effective as a social medium but still developing as a commercial medium.”

For now, what do some of the last five or even (gasp) 10 years’ most widely distributed viral videos say about this generation’s particular sickness?

With the advent of camera phones, the revolution will be webcast Is it any surprise that moving images activate us more than words? The outrage over the BART station shooting of Oscar Grant was fueled by the sights captured by viewers with camera phones. Six months after Grant’s death, the killing of Neda Agha-Soltan during the Iranian election protests was captured by multiple observers, causing it to become a flashpoint for reformists and activists. The videos depicting what one Time writer described as “probably the most widely witnessed death in human history” ended up winning last year’s George Polk Award for Videography.

Pre-online video, the mainstream news media likely would have shielded the public from these images in the interest of so-called public decency. But the availability of these videos online — and the reaction they generated — triggered a rethink. The shadowy online presence of the beheading videos made by Islamist terrorists following 9/11 might have prepared some for the horrors of the very real faces of death, but obviously the intent behind more recent spontaneous acts of DIY documentation has been radically different. Consider this the nonviolent, amateur response to Homeland Security-approved surveillance — a quickly-posted flipside to the filter of traditional journalism.

We appreciate raw talent There’s the professional article, like the demo tape of Jeremy Davies’ lengthy Charles Manson improvisation. But viewers often prefer to feed on more unvarnished talent-show-esque efforts: the stoic, high-geek style of Tay Zonday’s “Chocolate Rain,” or Eli Porter of “Iron Mic” infamy. As one aficionado said of the latter, Porter is an “enigma, for no one knows where the FUCK Eli is! His battle was done in 2003, and he sort of vanished, leaving legions of fans wanting more.” The invisible — both the private ritual and the would-be performer striving for a public — is made visible. This is why recent clips such as a little girl dunking through her legs or the “Dick Slang” video of circle-jerking hip-hoppers shaking their penii like hula hoops are so wickedly sticky.

The reveal can’t be concealed You can’t hide your anger management issues, whether you’re a Chinese woman punching and kicking on Muni or Bill O’Reilly flipping out about getting played out with a Sting song (“We’ll do it live! Fuck it!”). Nor can you forget that pesky Katie Couric clip if you’re Sarah Palin: the notorious snippet of the wannabe vice president attempting to explain her nonexistent foreign policy experience lives on in a YouTube feature box. If you decide to get more than 1,000 prisoners in the Philippines to replicate the “Thriller” video, rope a slew of tarted-up tots to do the “Single Ladies” routine, or organize a flash mob of dancers for your (500) Days of Summer-cheesy proposal in New York City’s Washington Square Park, you can bet it won’t stay a secret. Especially when a good portion of the bystanders blocking your shot are hoisting up cameras and phones of their own.

We like to play with our food and gobble pet vids The dancing fountains of “Diet Coke and Mentos” and the elegiac meltdowns of so many innocent, candy-colored sundaes and ‘sicles in “The Death & Life of Ice Cream” rock our pop, though they’re no match for sneezing baby pandas, dramatic chipmunks, very vocal cats, and dogs either verbalizing, skateboarding, or balloon-munching.

Passion counts Especially when it comes to Chris Crocker’s “Leave Britney Alone” protestations, Obama Girl’s undulations, the kakapo parrot shagging a hapless nature photographer’s skull, and Zach Galifianakis’ hilariously bad “Between Two Ferns” interviews. Even Soulja Boy’s vlogs, in which the pop tell-’em-all cranks the virtues of the Xbox, seem obsessed — with getting the viewer’s attention. That also goes for the “Numa Numa” xloserkidx singing along to O Zone’s “Dragostea Din Tei” and the twirling, ducking, and capering Canadian high-schooler in the “Star Wars Kid” video, which marketing company the Viral Factory estimates has been viewed more than 900 million times.

Just gird yourself for the edit “Star Wars Kid” is one primo example: it inspired Stephen Colbert to kick off a viral loop of his own, challenging viewers to edit and enhance the green-screen video tribute of his own lightsaber routine. No one is exempt from a little creative tinkering, an inspired tweak or 2,000, be it “Longcat”; Ted Levine in Silence of the Lambs; or pre-YouTube animated vid “All Your Base Are Belong To Us,” the classic mother of all video hacks, where images ranging from beer ads to motel signs are Photoshopped with the Zero Wing Engrish subtitle. And you thought the remix was dead.

Our Weekly Picks

Jesse Hawthorne Ficks
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0

WEDNESDAY 26

MUSIC

Ramona Falls

They say taking time off can be good for the soul, but when Brent Knopf faced down-time from recording as one-third of Portland, Ore., band Menomena, he couldn’t unplug. Though it’s hard to call it a solo record when Intuit boasts more than 35 collaborators, Ramona Falls follows the tradition of Knopf’s day band, forming dense electronic atmospheres from piano and pairing them with energetic drum work. Here, Knopf’s vocals shine as the truest instrument. His voice sounds like a whisper even at its most expressive. It’s a life raft to cling to while more of the nebulous Intuit opens with each new listen. (Peter Galvin)

With The National

8:00 p.m. (also Thurs/27), $30

Fox Theatre

1807 Telegraph, Oakl.

1 (800) 745-3000

www.thefoxoakland.com

 

THURSDAY 27

COMEDY

Craig Robinson

Name a humorous TV show from the past five years, and chances are Craig Robinson made an appearance. Bit parts on Curb Your Enthusiasm, Friends, and The Bernie Mac Show led to his star-making role on The Office as Darryl, the warehouse manager who is constantly embattled by Steve Carell’s harangues and half-baked schemes. Something about Robinson’s dry wit and level gaze tempts us to throw in our lot with him in every comedic circumstance. And now? Big screen, baby — Knocked Up, Hot Tub Time Machine, Shrek 4. Come see him get down with his original gig — stand up. (Caitlin Donohue)

8 p.m. (through Sun/30; also Fri.–Sat., 10:15 p.m.), $23.50–$25.50

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

MUSIC

San Francisco Popfest 2010: Eux Autres

Popfest is back, and it’s time to celebrate with of SF’s best pop bands, Eux Autres, who are wise enough to worship Françoise Hardy. As they succinctly put it: “Most of [our] songs are about (a) military history (b) being ‘done wrong’ or (c) sports.” For this week’s video issue, in the Noise blog I talk with guitarist-vocalist Nicholas Larimer about five of his fave YouTube clips from the ’70s TV pop music motherlode Midnight Special. (Johnny Ray Huston)

With tUnE-yArDs, Social Studies, Knight School

8 p.m., $10–$12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

PERFORMANCE/VISUAL ART

“Making Visible”

At a dance recital, the audience can only see so much. Beholding the coiffed hair, makeup, and costumes, it’s hard to imagine what goes on behind the scenes. But inside a dance studio, the creative process comes alive. Within countless hours of rehearsals, despite the blisters and sore joints, something alluring gradually begins to form. The Marina Abramovic Institute West offers a unique chance to witness how a recital comes together. Their series of performances are live rehearsals in which dancers learn the choreography onstage. (Elise-Marie Brown)

4:30 p.m. (through June 13), free

Marina Abramovic Institute West

575 Sutter, SF

www.marinaabramovicinstitute.org

SATURDAY 29

CLUBS/MUSIC

Surya Dub Three-Year Anniversary

It’s been a while since they blew our woofers on the regular, but our ambassadors of dread bass have been busy spreading the gospel of global dubstep to farther shores. Lucky for our feet, the Surya Dub crew are roaring back to Club Six to celebrate their third year with excellent special guest urban-electro blaster from Montreal, Ghislain Poirier (now just “Poirier”). Maneesh the Twister, Kush Arora, Kid Kameleon, Ripley, DJ Amar, J.Rogers, and Jimmy Love gird the boom with subcontinental vibes, stirring bhangra, ragga, and other worldly sounds into the low, low, low. Expect eclecticism, receive rad riddims. (Marke B.)

10 p.m.–3 a.m., $10

Club Six

66 Sixth St., SF

www.suryadub.com

MUSIC

El Radio Fantastique, Shovelman

Let us tip our hats to the newest venue along the Valencia corridor, Viracocha. It’s a wood-paneled treasure trove of for-sale antiquity. At night, the place is transformed into an atmospheric community space, a venue for word, thought, and lovely live music — like that of El Radio Fantastique, whose peculiar blend of musical theater seems straight from someone’s front porch in the Louisiana bayou. Which, come to think of it, matches the vibe at Viracocha nicely. Shovelman, a.k.a. Isaac Frankle, takes over the upstairs stage for the night. Expect to hear folksy stomp music. (Donohue)

7:45 p.m.–11 p.m., donations accepted

Viracocha

998 Valencia, SF

(415) 374-7048

www.viracochasf.blogspot.com

MUSIC

Frog Eyes

He can’t get no respect! Though the epic compositions of Frog Eyes rival those of contemporary pals Spencer Krug and Dan Bejar, as reflected by the trio’s work together in Swan Lake, Carey Mercer’s full-time band is consistently shunted to the background. Mercer can howl and he has an antiquated cadence to his voice that makes Paul’s Tomb: A Triumph sound like it belongs in another century. He’s never been in a Wolf Parade or joined the New Pornographers, but those of you who turned up Sunset Rubdown might be surprised by how much you like Frog Eyes. (Galvin)

With Mt. St. Helens Vietnam Band and Dominique Leone

9:30 p.m., $10

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

DANCE

Scott Wells & Dancers: Ballistic

Did you fall in love last year with Scott Wells’ two jugglers? Apparently Wells’ dancers did as well. For Ballistic, all seven engage in elegant athleticism. Not that athleticism is new in Wells’ repertoire. Wild chaos and meticulous order — with and without projectiles — always share the game. It all looks like child’s play, but isn’t, except for an uncanny ability to be totally present in the moment. Contact improvisation — the movement genre Wells has fundamentally influenced — is often more fun to do than to watch. Not with Wells. He is a consummate man of the theater. Jin-Wen Yu Dance shares the program on the first two weekends. (Rita Felciano)

8 p.m. (through June 19)

CounterPULSE

1310 Mission, SF

brownpapertickets.com

www.scottwellsdance.com

MUSIC

Simian Mobile Disco DJ Set

With school out and summer swinging into high gear, lazy days that consist of sleeping in and drinking in the park are here. If you have a day job like me and need to pay the bills, you can free your soul at night with an epic dance party. Simian Mobile Disco has heard my call. Dress to dance and get ready to sweat. (Brown)

With Tenderlions, Ryan Poulsen

9 p.m., $15

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

MUSIC

Ab Soto

Queer hip-hop — are we done with it yet? Nope, but this time we’re laying off the “Isn’t this groundbreaking?” tiredness and having fun. The recent crop of homo-hoppers like Cazwell and local hottie Kid Akimbo are doing it cute and naturally. Enter Hollywood’s Ab Soto, whose neon-bright hotness, scruffy hipster looks, and fierce-ruling SpongeBob muumuus are more about giving you banjee boy wet dreams than making political statements. He’ll be throwing down live at the circus-crazy Big Top party. Please keep him away from my boyfriend. (Marke B.)

9 p.m.–3 a.m., $10.

Club Eight

1551 Folsom, SF.

www.eightsf.com

SUNDAY 30

EVENT

San Francisco Carnaval: “Colors Of Sound, Splashes Of Culture”

Carnaval isn’t just a festival where people drink and eat to their heart’s content. In San Francisco, we focus on Latin American and Caribbean cultures through dance and music. Of course, food is on the menu. The all-day event includes salsa and samba lessons, games, breakdancing, ecofriendly exhibits, and even a health screening center. This time, Sunday is the right day for indulgence. (Brown)

9:30 a.m., free

Bryant and 24th St., SF

(415) 642-1748

www.sfcarnaval.com

MUSIC

Kurt Elling with the Count Basie Orchestra

Kurt Elling has won Down Beat and JazzTimes critics’ polls three years in a row for best male singer. Most recently, he won his first Grammy for best jazz vocal album. Tonight he’s backed by the Count Basie Orchestra, the most prominent big band of the past 60 years. The band has accompanied Ella Fitzgerald, Ray Charles, and Frank Sinatra, and continues to support the great jazz singers of our time. As part of the SF Jazz Spring Series, Elling and the Basie Orchestra perform some of the original Basie/Sinatra charts arranged by the legendary Quincy Jones. The Basie Orchestra opens the night with classic repertoire. (Lilan Kane)

7 p.m., $25

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.sfjazz.org

MUSIC

KBLX Stone Soul Concert

Wrap up your Memorial Day weekend with some soul and sunshine. A longtime Bay Area source for the soul music, KBLX has booked a solid lineup of some of smooth voices. This year’s artists include Charlie Wilson; New Edition members Bobby Brown, Johnny Gill, and Ralph Tresvant; Minnesota’s Mint Condition, and none other than Mr. Biggs himself, Ronald Isley. This concert serves up favorite jams spanning from the 1970s to the present. (Kane)

Noon, $45

Sleep Train Pavilion

2000 Kirker Pass, Concord

(925) 676-8742

www.kblx.com

www.livenation.com

MONDAY 31

MUSIC

Dark Tranquillity

It’s easy to lump them in with the rest of the ’90s Gothenburg death metal scene, but that sort of careless taxonomy is unfair to a band like Dark Tranquillity. The Swedish sextet have carved out a niche of their own on the strength of their anthemic, atmospheric melodicism, having weathered the storms that afflicted fellow travelers In Flames and Soilwork with dignity and grace. Though the music features the kind of keyboard and electronic textures that tend to alienate bread-and-butter death metal fans, these flourishes fit seamlessly into the band’s dystopian, space-age aesthetic, reinforcing the punishing grooves and soaring melodies. (Ben Richardson)

With Threat Signal, Mutiny Within

8 p.m., $18

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

MUSIC

The Very Best

A collaboration between Malawian vocalist Esau Mwamwaya and London production duo Radioclit, the Very Best offers vocals in Chichewa over dance beats that translate to fun in any language. Fun is the chief goal of the duo, who rose to blog fame in 2008 with Malawian remixes of Vampire Weekend and M.I.A. If you need proof that smiles are contagious, singer Esau Mwamwaya has a grin that is promptly reflected on the frowniest of show-goers. Trust me, it’s undeniable. (Galvin)

With Disco Shawn

8:00 p.m., $18 (21 and over)

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

TUESDAY 1

COMEDY/PERFORMANCE

Cloris Leachman

At 84, actress Cloris Leachman shows no sign of slowing down. From her first major film role in the noir classic Kiss Me Deadly, to her portrayal of Ruth Popper in The Last Picture Show (which won her an Oscar for best supporting actress), to her hilarious turn as Frau Blucher in Young Frankenstein, Leachman has memorably seized the big screen. The nine-time Emmy Award winner made her mark on The Mary Tyler Moore Show and Phyllis and keeps on keeping on with recent stints on Malcolm In The Middle and Dancing With The Stars. This six-night run of her one-woman stage show takes audiences on a trip through moments from her extraordinary life. (McCourt)

8 p.m. (through June 6), $40–$45

Rrazz Room

222 Mason, SF

www.therrazzroom.com

MUSIC

Gates of Slumber

The Indianapolis warriors in Gates of Slumber play an arresting offshoot of doom metal, a NWOBHM-inflected rumble that sounds like Cirith Ungol fighting St. Vitus to the death. Singer Karl Simon is built like a barbarian but sings like a dying druid, all reverb and haunting, ethereal resonance, and his band is well-built to underscore his epic tales of war and bloodshed. If there were a way to resurrect Frank Frazetta with the power of down-tuned guitars and thunderous drumming, these guys would have figured it out by now. Unfortunately, all we can do is mourn and bang our heads. (Richardson)

With Black Cobra, Slough Feg, Salvador

8 p.m., $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

On the Cheap Listings

Jesse Hawthorne Ficks
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On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 26

“Meet the Change” Yerba Buena Center for the Arts, 701 Mission, SF; (415) 978-ARTS. 6pm, $5-15 sliding scale. Meet David Evan Harris, founder of the Global Lives Project which is currently on exhibition at the YBCA. Hear some lessons from his work, insights about our globalized world, and go on a guided tour of the exhibit, featuring 24 hours in the lives of people from around the world.

“SEX sells” 111 Minna Gallery, 111 Minna, SF; (415) 974-1719. 5pm, free. Attend this opening and cocktail party for the new exhibit, “SEX sells,” featuring photographic work by Michelle Tholen, Timothy D. Williamson, Lindsay Garvey, and George Mead that portrays suggestively sexual imagery in advertising.

THURSDAY 27

Coalition on Homelessness Karaoke Party Mint Karaoke Lounge, 1942 Market, SF; (415) 346-3740. 5:30pm; $5-$20 suggested donation, no one turned away. Sing songs in solidarity with the Coalition on Homelessness at this karaoke party and fundraiser for the campaign to fight against the proposed sit/lie ordinance in San Francisco. Featuring a raffle to win a mystery prize at 7:30pm.

Full Moon Celebration McLaren Park, Visitation and Mansell, SF; www.phases.org. 8pm, free. Celebrate the passing of the moon phases with dancing, drumming, singing, the passing on of traditions, readings, performances, community, and friends. Participation from all ages is welcome.

Remaking Citizenship Modern Times Bookstore, 888 Valencia, SF; www.mtbs.com. 7pm, free. Attend this book launch party for Kathleen Coll’s new book, Remaking Citizenship: Latina Immigrants and New American Politics, which looks at the impact that anti-immigration legislation has had on the lives of Mexican and Central American women and the grassroots political organizing that followed. Ten percent of book sales will be donated to Mujeres Unidas y Activas, in celebration of their 20th anniversary.

FRIDAY 28

Blue Stars Blue Apples The Spare Room Project, 270 Anderson, SF; http://thespareroomproject.net. 7pm, free. Attend this one night only convergence of the arts curated by Vanessa Norton and featuring a poetry reading by Eliza Rotterman, fiction readings by Jeremy Simmons and Vanessa Norton, and an exhibition of prints by Neal Pitak.

“Making Visible” Marina Abramovic Institute West, 575 Sutter, SF; http://marinaabramovicinstitute.org. Fri. and Sat. 4:30pm-8:30pm, Sun.-Mon. 12:30pm-4:30pm; free. Be a part of this unique installation and performance, where SF Ballet dancers Damian Smith and Muriel Maffre, choreographer Folawole, and composer Paul Dooley will make their creative process visible to the public. Audiences will be invited to observe, make recordings ask questions, and contribute to the overall project.

SATURDAY 29

Burger Queen Social Modern Times Bookstore, 888 Valencia, SF; www.mtbs.com. 5:30pm, free. Connect with wildly queer, deviously radical queers at this fun social event, perfect for insighting political witchery and great discussion.

Carnaval Festival Harrison between 16th and 22nd St., SF; www.sfcarnaval.com. Sat.-Sun. 10am-6pm, free. Celebrate the spirit of Latin American and Caribbean culture at this two-day Carnaval festival featuring food, live music, dance performances, salsa dance lessons, art, crafts, activities, and much more, including a “Niñolandia” section for kids.

San Francisco Really Really Free Market Dolores Park, 18th St. at Dolores, SF; www.reallyreallyfree.org. Noon, free. Bring usable items, food, skills, and talents for the sake of giving and because if we share, there really is enough for everyone. No one should have to go without food, shelter, entertainment, and community.

Walk the Wiggle Meet at Oasis Café, 901 Divisadero, SF; RSVP to thinkwalks@earthlink.net or call (415) 505-8255. 1pm; free, donations encouraged. Before San Francisco was a hub for cyclists, “the Wiggle” was a foot trail used to avoid the same hills. Change the way you look at the landscape on this guided walking tour where you will learn about art, bike politics, floods, lakes, and native societies.

BAY AREA

Himalayan Fair Live Oak Park, 1301 Shattuck, Berk.; www.himalayanfair.net. Sat. 10am-7pm, Sun. 10am-5:30pm; free. Enjoy Himalayan cuisine, including special momo’s made every year specifically for this event by the Tibetan Association of Northern California and the Nepalese Association of Northern California, check out vendors selling art, jewelry, clothing, antiques and collectables from Nepal, India, Tibet, Pakistan and Afghanistan, enjoy Himalayan entertainment, and more. Free bicycle parking available.

SUNDAY 30

Carnaval Parade Begins at Bryant and 24th St. and proceeds down Mission to 17th St., SF; www.sfcarnaval.com. 9:30a.m., free. Enjoy this multi-cultural parade in the tradition of cultures from around the world, filled with spectacular floats, music, costumes, dance, other performances, and more.

TUESDAY 1

Out and Off the Margins SF Public Library Main Branch, Koret Auditorium, 100 Larkin, SF; (415) 557-4400. 6pm, free. Kick-off San Francisco Pride season at this panel discussion featuring Cleis Press authors Ann Bannon, Jon Ginoli, Rob Rosen, Rachel Pepper, Carol Queen, and Felice Newman weighing in on how LGBT writing has changed as the margins of sexual identity have widened and shifted.

Stage Listings

Jesse Hawthorne Ficks
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0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

THEATER

OPENING

“Something C.O.O.L.: The Summer Cabaret Festival” Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Opens Mon/31, 7:30pm. Runs Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

BAY AREA

“Fireworks Festival” Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. June 1-July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes “Scoop” Nisker.

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Previews Fri/28-Sat/29, 8pm. Opens Mon/31, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm (no show June 6). Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Previews Thurs/27-Sat/29, 8pm; Sun/30, 2 and 7pm. Opens June 1, 8pm. Runs Tues, Thurs-Sat, 8pm (also June 10, 1pm; June 5 and 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

ONGOING

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to “enter” Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through June 12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Opens Thurs/27, 8pm (gala opening Fri/28, 8pm). Runs Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; June 6, 23, and 20, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

The Breath of Life NohSpace, 2840 Mariposa; www.brownpapertickets.com. $25. Thurs-Sat, 8pm; Sun, 5pm. Through June 6. Spare Stage Productions performs David Hare’s drama about a wife and mistress dumped by the same man.

Company Fat Exit Stage Left, 156 Eddy; www.brownpapertickets.com. $20-25. Thurs/27-Sat/29, 8pm. Exit Theatre and Pumpjam Productions perform Bill Levesque’s darkly comic play, set in the Depression-era South.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed/26, 8pm. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Echo’s Reach Brava Theater Center, 2781 24th St; 665-2275, www.citycircus.org. $14-35. Fri/28-Sat/29, 8pm (also Sat/29, 4pm); Sun/30, 4pm. City Circus premieres an urban fairytale by Tim Barsky.

*Fishing Shotwell Studios, 3252 19th St; www.fishingtheplay.com. $25. Fri/28-Sat/29, 8pm. David J. Duman’s piquant and entirely palatable satire of San Francisco foodie culture gets a knowing, deceptively casual staging from savvy newcomers OpenTab Productions in association with Footloose. The story, divided scene-wise into a series of short comic morsels, unfolds in a rising seafood restaurant with a recently branded three-star rating, run by an unusually talented but haplessly oafish chef (Matt Ingle) and his bright but bored manager (Laurie Burke) with her eye on getting the hell out of the restaurant world. (Good luck.) They soon begin a semi-torrid affair — much to the suspicion of their prurient young wait staff, comprised of a bright, gay know-it-all waiter (Ben Euphant) and a coarse, cutie bartender sans scruple (Carla Pauli). Other regular occupants include a fussy, sexually frustrated couple (Molly Gazay and Alex Plant) cocky-proud of their entirely sublimated, half-assed knowledge of food and wine. Director Mark Drumm keeps the pace swimming and the performances are uniformly crisp and captivating in this truth-filled night of “dinner” theater served up on a bed of filthy innuendo and rampant promiscuity. (Avila)

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Fantasy author Peter S. Beagle (The Last Unicorn) penned the source material for Stuart Bousel’s world-premiere play.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard “Scrumbly” Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-6988, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $18-50. Wed/26-Fri/28, 8pm; Sat/29, 5pm; Sun/30, 3pm. Starting July 8, runs Thurs-Fri, 8pm; Sat, 5pm; Sun, 3pm, through Aug 8. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Rhino Boxcar Playhouse, 505 Natoma; 776-1747, www.boxcartheatre.org. $14-25. Wed/26-Sat/29, 8pm. A stark spotlight, a vibrant cellist, masked players, and a chairless theatre space greet audience members attending Boxcar Theatre’s Ionesco adaptation, Rhino. Though encouraged to move about freely, most audience members (the night I attended) settled for turning their otherwise static bodies to follow the action occurring in every corner of the small room. Though a courageous choice in staging, it didn’t quite provide the feeling of the familiar under siege that it could have with more overt interaction with the not-quite-captive-enough public. And while certain of the short snipped scenes were tense and evocative, less subtle imaginings such as the intermittent lockstep marches fell flat. (Gluckstern)

“San Francisco International Arts Festival” Various venues; 1-800-838-3006, www.sfiaf.org. Most shows $25. Through May 31. In its seventh incarnation, the fest hosts dance, theater, and other artists from ten countries.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway “Beatlemania” comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sun/30, June 6, 20, 7pm; June 4, 11, 18, 9pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Shotgun Players perform Jenny Schwartz’s drama about grief; Erica Chong Shuch directs.

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Sat/29, June 3, 12, or 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her “alternative” family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with “blind spots,” much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darned easy. To set a crass comedy about class, obsession, and mistaken identity at “Illyria Studios” in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

Dan Carbone Dark Room, 2263 Mission; 401-7987. Fri, 10pm, $10. The absurdist writer-performer presents an encore performance of his new works.

Circus Finelli Revue Stage Werx Theatre, 533 Sutter; www.brownpapertickets.com. Wed, 8pm. $10-15. This variety show features music, circus arts, and comedy.

Dionysian Festival Mary Sano School of Duncan Dancing, 245 Fifth St, Studio 314; 357-1817, www.duncandance.org. Sat, 8pm; Sun-Mon, 6pm. $18. The Mary Sano School of Duncan Dancing presents its annual celebration of Isadora Duncan’s birth.

“Formerly Known As: Male Sex Worker Performance” LGBT Center, 1800 Market; www.brownpapertickets.com. Tues, 7pm. $10-20. Kirk Read curates this evening of performance, with Suppositori Spelling, Inbred Hybrid Collective, Adela Vazquez, and more. Scott Wells and Dancers CounterPULSE, 1310 Mission; www.counterpulse.org. Fri-Sun, 8pm (June 19 show, 9:30pm). Through June 19. $22. The high-flying company performs BALL-IST-IC.

Music Listings

Jesse Hawthorne Ficks
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0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 26

ROCK/BLUES/HIP-HOP

Arcadio Great American Music Hall. 7:30pm, $50.

Blind Willies Bollyhood Café, 3372 19th St, SF; (415) 970-0362. 8:30pm, free.

Rozzi Crane, Luke Walton Band, Sarah Ames, Down to Funk Slim’s. 7:30pm, $15.

Hanzel und Gretyl, Everything Goes Cold, After the Apex DNA Lounge. 8pm, $15.

Insomniacs Biscuits and Blues. 8pm, $15.

Massive Attack, Martina Topley-Bird, MNDR Warfield. 8pm, $47.50-52.50.

Minus the Bear, Everest, Young the Giant Regency Ballroom. 8pm, $24.

OK Go, Early Greyhound, Grand Lake Fillmore. 8pm, $22.50.

*Vetiver, Mumlers Bottom of the Hill. 9pm, $15.

Patrick Watson Café du Nord. 8:30pm, $14.

White Barons, Space Vacation Hemlock Tavern. 9pm, $7.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

Mod vs. Rockers Madrone Art Bar. 8pm, free. With DJs Jetset James and Major Sean spinning 60s R&B, ska, britpop, and more.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

60s-70s Night Knockout. 9pm, $7. With DJs Sergio Iglesias and Neil Martinson, plus a live performance by Xoel Lopez.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 27

ROCK/BLUES/HIP-HOP

“Chasing the Moon” Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 7pm. Music video podcast screening with live music by Indianna Hale, Dina Maccabee, Jesse Olsen, and Helene Renaut.

Dance Gavin Dance, A Night in Hollywood, The Story So Far Bottom of the Hill. 8pm, $12.

Enablers, Carlton Melton, Ruby Howl Hemlock Tavern. 9pm, $6.

Eric McFadden Trio and guests, JL Stiles, Jenny Kerr Café du Nord. 9pm, $12.

Nada Surf, Telekenisis Great American Music Hall. 9pm, $21.

Shane Dwight Band Biscuits and Blues. 8 and 10pm, $15.

*Edward Sharpe and the Magnetic Zeros Fillmore. 9pm, $25.

Tune-Yards, Eux Autres, Social Studies, Knight School Rickshaw Stop. 8pm, $12. Part of San Francisco Popfest 2010.

Tribal Seeds Rock-It Room. 8pm, $10.

Union Pulse, Gravy Trainwreck Grant and Green. 8pm, free.

Yacht, Bobby Birdman, Little Wings Independent. 9pm, $17.

FOLK/WORLD/COUNTRY

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Carmen Milagro Band Harry Denton Starlight Room, 450 Powell, SF; (415) 395-8595?. 9pm, $10.

Rose’s Pawn Shop Amnesia. 10:30pm, free.

SanFolk Disco Café Du Nord. 9pm, $12. With the Eric McFadden Trio, JL Stiles, Jenny Kerr, and more.

Silian Rail, By Sunlight, Ash Reiter, Devotionals Milk. 8pm, $5.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Dirty Dishes LookOut, 3600 16th St., SF; (415) 431-0306. 9pm, $2. DJs B-Haul, Gordon Gartrell, and guests.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Get Physical Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm. With DJ Philipp of M.A.N.D.Y.

Gigantic Beauty Bar. 8pm, free. With DJs White Mike and guests.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with BaconMonkey and Netik.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

Sublife Triple Crown. 9:30pm, $7. With DJ Rene, Mal, Sharp, Lukelino, and more spinning drum and bass.

FRIDAY 28

ROCK/BLUES/HIP-HOP

Birds and Batteries, Judgement Day, Sister Crayon Rickshaw Stop. 10pm, $12.

Casiotone for the Painfully Alone, Nodzzz, Antarctica Takes It!, English Singles Bottom of the Hill. 9pm, $12. Part of San Francisco Popfest 2010.

Chris Cain Biscuits and Blues. 8 and 10pm, $20.

Cobra Starship, 3OH!3, Travis McCoy and the Lazarus Project, I Fight Dragons Warfield. 7pm, $27.

Complaints, Love Collector, Bad Tickers Great American Music Hall. 9:30pm, $6.

David Hidalgo and Louie Pérez Yoshi’s San Francisco. 8 and 10pm, $35.

Lee Vilenski Trio Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 6pm, free.

*Little Brother Independent. 9pm, $20.

Luce, Astra Kelly, Last of the Steam Powered Trains, Lael Neale Red Devil Lounge. 8pm, $7.

Malconent, Kid With Katana, 21st Century, OOH!, Distorted Harmony, Kristin Lagasse Great American Music Hall. 7:30pm, $15.

Mr. Otis Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Sonic Avenues, Myonics, Shari La Las, Poonteens Pissed-Off Pete’s, 4528 Mission, SF; (415) 584-5122, www.pissedoffpetes.com. 9pm.

Tainted Love, Love Fool Bimbo’s 365 Club. 8pm, $23.

Tigon, Hanalei, New Trust, Abominable Iron Sloth Thee Parkside. 9:45pm, $8.

Zepparella, Dolorata, Ol’ Cheeky Bastards Slim’s. 9pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Doug Martin Avatar Ensemble Red Poppy Art House. 8pm, $10-15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Bryan Girard Cliff House, 1090 Point Lobos, SF; (415) 386-3330. 7pm, free.

Regina Carter Quintet, Mads Tolling Quartet Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-50.

SF State Afro Cuban Ensemble Coda. 10pm, $5.

FOLK/WORLD/COUNTRY

“The Carnaval Party” Elbo Room. 10pm. With Samba Da and friends.

Dunes El Rio. 8pm, $5.

Toshio Hirano Mercury Café, 201 Octavia, SF; (415) 252-7855. 7:30pm, free.

Mission Three Plough and Stars. 9pm.

Montana Slim String Band, Kate Gaffney Café du Nord. 9:30pm, $12.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Sharon Hazel Township Dolores Park Café. 7pm; free, donations accepted.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

BASSment Milk. 8pm, $7. With Feelosophy.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

DJ What’s His Fuck Riptide Tavern. 9pm, free. Old-school punk rock and other gems.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Laila Ruby Skye. 9pm, $20. With DJs Aykut, Nader, and Dr T.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kromstar, Dread Foxx, Hellefire Machina, Sam Supa, Lukeino, and more spinning dubstep.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strength in Flavor DNA Lounge. 9pm, $15. Hip-hop and soul with Naka B-Boy Edition, Flo-Ology, All the Way Live, and more.

Teenage Dance Craze Party Knockout. 10pm, $3. Teen beat and twisters with DJ Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 29

ROCK/BLUES/HIP-HOP

All Girl Summer Fun Band, Still Flyin’, Cars Can Be Blue, Art Museums, BOAT Rickshaw Stop. 8pm, $14. Part of San Francisco Popfest 2010.

Mose Allison Yoshi’s San Francisco. 8 and 10pm, $22.

Quinn Deveaux Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Far, Dead Country, Death Valley High Slim’s. 9pm, $16.

Frog Eyes, Mt. St. Helens Vietnam Band, Dominique Leone Hemlock Tavern. 9:30pm, $10.

Good Luck Thee Parkside. 9pm, $8.

Impalers, Boss 501, Franco Nero Knockout. 9:30pm, $6.

Jibbers, Vultures Await, Rebel Set Pissed-Off Pete’s, 4528 Mission, SF; (415) 584-5122, www.pissedoffpetes.com. 9pm.

Jubilee Players Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Orange Peels, Dream Diary, Leaving Mornington Crescent, Corner Laughers Hotel Utah. 2:30pm, $6. Part of San Francisco Popfest 2010.

Pack of Wolves, Actors, American Studies El Rio. 9pm, $7.

Pitbull Warfield. 8pm, $37.50-45.

Lavay Smith and Her Red Hot Skillet Lickers Café du Nord. 9pm, $15.

Tainted Love Bimbo’s 365 Club. 8pm, $23.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

Trainwreck, Mavalour, Struts, Blag Dahlia Bottom of the Hill. 10pm, $12.

Voxtrot, International Waters Great American Music Hall. 9pm, $18.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Lou Donaldson Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-50.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

“Jazz Mafia Presents Remix: Live” Coda. 10pm, $10.

FOLK/WORLD/COUNTRY

“The Carnaval Party” Elbo Room. 10pm. With Samba Da and friends.

Jordan Carp Java Beach Café, 2650 Sloat, SF; (415) 731-2965. 8pm, free.

Forró Brazuca Red Poppy Art House. 8pm, $16-$25.

Kamp Camille, Fat Opie, Sameer Tolani a.Muse Gallery, 614 Alabama, SF; (415) 279-6281. 7pm, $8-$10. Presented by the Songbird Festival.

Hanni El Khatib, Very Be Careful, Grisha Goryachev, Lonious Mink Amnesia. 9pm, $7.

Toshio Hirano Rite Spot, 2099 Folsom, SF; www.myspace.com/ritespot. 6pm, free.

Patrick Maley, Brian Huggins Plough and Stars. 9pm.

Rovar 17 Amnesia. 7pm, free.

DANCE CLUBS

Alter Ego Mighty. 10pm, $20.

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Ceremony DNA Lounge. 10pm, $25. House with Tony Moran and Jamie J. Sanchez.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

King Brit Vessel, 85 Campton, SF; (415) 433-8585. 8pm, $10-$20.

POP 2010: The Dream Cow Palace, 2600 Geneva, SF; www.ticketmaster.com. 4pm, $85. With Infected Mushroom, Boys Noize, and more.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Surya Dub Club Six. 9pm, $15. With DJs Poirier, Maneesh the Twister, Kid Kameleon, Ripley, Kush Arora, and more spinning dubstep, ragga, dread bass, reggae, dancehall, and more.

We All We Got Club Six. 9pm, $10. With live hip hop performances by Napo Entertainment, Audio Assasins, New Aira, Selassie, and more.

SUNDAY 30

ROCK/BLUES/HIP-HOP

Mose Allison Yoshi’s San Francisco. 7 and 9pm, $22.

Joseph Arthur, Patrick Park Café du Nord. 8pm, $15.

Cats on Fire, Tyde, Math and Physics Club, My Teenage Stride, Devon Williams Rickshaw Stop. 8pm, $14. Part of San Francisco Popfest 2010.

Evacuee, Monarchs, Slow Trucks, Pentacles, Hobo Nephews of Uncle Frank, Thralls, Stirling Says, MC Aspect, DJ Z Murder Thee Parkside. 8pm, $7.

Math and Physics Club, Watercolor Paintings, Team AWESOME!, Hairs, Normandie Wilson, Girl Band Dolores Park, Dolores between 19th and 20th Sts, SF; http://sfpopfest.moonfruit.com. 2pm, free. Part of San Francisco Popfest 2010.

Mister Loveless, Magic Bullets, Transfer Bottom of the Hill. 9pm, $10.

Loudon Wainwright III, Lucy Wainwright Roche Great American Music Halll. 7:30pm, $25.

Mitch Woods Biscuits and Blues. 8 and 10pm, $20.

*Young Prisms, Weekend, Swanifant, Grave Babies Hemlock Tavern. 9pm, $8.

JAZZ/NEW MUSIC

Brian Andres and the Afro-Cuban Jazz Cartel Coda. 8pm, $10.

Donald Arquilla Martuni’s, Four Valencia, SF; (415) 241-0205. 7pm, $5.

Kurt Elling with the Count Basie Orchestra Davies Symphony Hall, 201 Van Ness, SF; www.sfjazz.org. 7pm, $25-80.

FOLK/WORLD/COUNTRY

Andy y Callao El Rio. 4pm, $8.

Driftwood Singers Amensia. 7pm, free.

Gayle Lynn and Her Hired Hands Thee Parkside. 4pm, free.

Jack Gilder, Kevin Bemhagen, Richard Mandel and friends Plough and Stars. 9pm.

Kally Price Band, George Cole Quintet Amnesia. 9pm, $7-$10.

Music from Around the World St. Mary’s Cathedral, 1111 Gough, SF; (510) 548-3326. 3:30pm, $10. An evening of harp music with the Triskela Celtic Harp Trio and the Bay Area Youth Harp Emsemble.

DANCE CLUBS

Club Gossip Cat Club, 1190 Folsom, SF; (415) 703-8965. 9:30pm, $8. With VJs SubOctave, Blondie K, and more spinning rock and 80’s.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $8-11. Dub, roots, and classic dancehall with DJ Sep and guests Nickodemus and the Spy from Cairo.

45 Club Annual Memorial Day Sunday Big Bash Knockout. 10pm, $2. Funky soul with dX the Funky Gran Paw, Dirty Dishes, and English Steve.

Fresh Ruby Skye. 5pm, $20. With Candis Cayne and DJ Manny Lehman.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

Summer Love Beauty Bar. 8pm, free. With DJs Dials and White Mike.

Trannyshack DNA Lounge. 10pm, $12. Madonna tribute.

MONDAY 31

ROCK/BLUES/HIP-HOP

*Black Cobra, Slough Feg, Gates of Slumber, Salvador Thee Parkside. 8pm, $10.

“Blues Broads: Angela Strehli, Annie Sampson, Dorothy Morrison, Tracy Nelson” Biscuits and Blues. 8 and 10pm, $24.

Dark Tranquillity, Threat Signal, Mutiny Within Slim’s. 8pm, $18.

“Fifteenth Annual El Rio Shit Kickin’ Memorial Day” El Rio. 4pm, $10. With Red Meat, 77 el Deora, East Bay Grease, Gypsy Moonlight Band, and Scott Young.

“Live 105’s BFD Local Band Showcase” Bottom of the Hill. 1pm, $5.

Very Best Independent. 8pm, $18.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

DJ Marty Hard Pissed-Off Pete’s, 4528 Mission, SF; (415) 584-5122, www.pissedoffpetes.com. 9pm.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

Very Best Independent. 8pm, $20.

TUESDAY 1

ROCK/BLUES/HIP-HOP

DBC, Bronze Knockout. 9:30pm, $6.

Fat Tuesday Band with Edna Love Biscuits and Blues. 8 and 10pm, $15.

Friendo, Cannons and Clouds, Wise Wives Bottom of the Hill. 9pm, $10. Monks of Doom, Jonathan Segel Hemlock Tavern. 9pm, $10. Roman Numerals, Open Hand Elbo Room. 9pm, $6. 16 Volt, Chemlab, Left Spine Down, Slave Unit DNA Lounge. 9pm, $15. DANCE CLUBS Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck and Taypoleon. Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro. La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton. Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz. Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house. Sunset Analog Happy Hour Som., 2925 16th St., SF; (415) 558-8521. 6pm, free. With DJs MAKossa and Sean Julian spinning lo-fi, psych, obscure, hip hop, funk, and more. Womanizer Bar on Church. 9pm. With DJ Nuxx.

Chile Lindo

Jesse Hawthorne Ficks
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1
Chile Lindo

paulr@sfbg.com

DINE “Errata” is one of those delightful words with an undelightful meaning. It means, basically, “oops” — assuming we are in polite company. In less polite company, you would probably hear a number of variations on a plain Anglo-Saxon word beginning with f.

For a writer, there is scarcely a more mortifying experience than to realize — too late! as Othello says to Desdemona before snuffing her — that some hideous mistake or error has leaked into print. When I was in college, we used to type up our essays on erasable-bond paper, so if you messed up you just rubbed out the offending words and phrases and typed in the right ones. But newsprint does not offer this luxury, although the cheaper sorts of ink do sometimes smear your fingers.

In years past, I wrote a side column on this page in which, from time to time, I noted various blunders of my own. In part, these acknowledgements helped salve my own conscience (yes, I was wrong or wrote something stupid, but I admit it); but in larger part, they amounted to a small public service. Although an error printed in a newspaper is not erasable, at least it can be mooted by more accurate information.

Foul-ups are, along with death and taxes, an inevitable part of life. One’s fondest hope in this regard is not to reach the epic heights of Gerald Ford, who in a 1976 presidential debate claimed that Poland was not subject to Soviet domination, to audible groans from the audience. This writer is content to bungle much more modestly than that, as in (as once happened) getting the title of a book under review wrong. Or, more recently, in asserting that La Trappe (discussed in these pages on April 21), “could be” the only Belgian restaurant in town. Leaving aside the spongy equivocation, the claim overlooked the years-long (and spreading) presence of Frjtz, which the errant writer (i.e. me) had once reviewed. I would only add that, because in error as in myth there is often an element of truth, La Trappe is a full-service (i.e. full table service) restaurant, whereas Frjtz wasn’t, at least when I last went. (You ordered at a counter and carried a little number to your table so the food-bearers could find you later.)

Of more import was the granting (on May 5) of “wheelchair accessible” status to the Little Chihuahua on Divisadero Street when in fact (according to an irate reader) there is a blockading step at the entryway. Of less import was the misuse of the Japanese term “izakaya” (March 24), not a descriptor for a particular style of cooking but a noun for a place where that particular style of cooking is offered. I can’t imagine anyone was misled or otherwise inconvenienced by this (what in the law would be called “harmless error”), or by the misspelling (March 10) of “matcha,” the green-tea powder that has an unfortunate way of ending up as a flavoring for ice cream.

These are the recent boo-boos I know of. If there others (and how could there not be?), I would be glad to hear about them. Well, maybe not glad. Maybe grateful. Also mortified.

“Empanada,” the second of today’s E-words, means, basically, “embreaded” in Spanish. We in California tend to associate these calzone-like stuffed envelopes with various Latin American cuisines, but they were brought to the New World by the Spanish, and to Spain by the Moors, whose Muslim roots reached deep into the Middle East. So the heritage of empanadas is entangled with that of pita and lavash.

At Chile Lindo, a tiny empanada emporium on 16th Street near Theater Rhinoceros, the menu consists of three kinds of empanada, each $5. The traditional ground-beef stuffing is known, in Chile, at least (the owner is Chilean) as pino (made here with Niman Ranch beef), and there is also a vegan version made with soy. Each strikes a distinctive balance between savory and sweet. One is aware of the presence of both black olives and raisins — a signature combination of the eastern Mediterranean — and also of cumin and paprika. If you were served either of these in Turkey or Israel, you wouldn’t think twice about it. Only the cheese empanada, stuffed with melted jack and cheddar and lengths of japaleño pepper, strikes a note we might think of as Latin American.

Chile Lindo does offer limited seating on a line of barstools on the sidewalk under the window, but plenty of the traffic appears to be takeout. There is also a giant, gleaming espresso machine for morning people. Chocolate empanadas would be a nice touch in this regard — patience, my pretties! *

CHILE LINDO

Mon.–Fri., 8 a.m.–10 p.m.; Sat., 10 a.m.–6 p.m.

2944 16th St., SF

(415) 621-6108

www.chilelindoempanadas.com

No alcohol

Cash only

Street noise

Problematic wheelchair access

The chicken ‘n diet

Jesse Hawthorne Ficks
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0
The chicken ‘n diet

le.chicken.farmer@gmail.com

CHEAP EATS We went down there, the Mountain and me, way down South of Market, and we found the little alley, placed our little order at the window, and sat on the loading dock, our feet dangling in the street. We sipped sweet tea and ate our breakfast out of boxes, with our hands. All my other friends, even Earl Butter, are fasting, doing cleanses, or otherwise flirting with vegetarianism by way of getting healthy — in response to which I have been eating nothing but chicken and waffles.

There’s good news out there. I’ll tell you what it is, and then I’m going on strike. But I wonder if I can trust the Guardian to print a blank page with just the words "Cheap Eats is on strike" in the middle of it. So maybe I’ll hold the spot with dada and gobbledygook … but wait, but that would be pretty much business-as-usual.

Hmm. It has also occurred to me of course to write restaurant reviews until my demands are met — to review the most boring restaurant(s) I can find, in the most boringly straightforward language I can mustard.

Think: completely unbuttered sentences without any grill marks whatsoever, stacked one on top of the other until you feel bricked in by important information, yet entirely unentertained.

Scary, innit?

Well, certainly flavorless, but I can do this, I think. The problem is it would be way more work than I am accustomed to, and I’m not sure that when you go on strike you’re supposed to work harder. Help me, labor organizers. It’s a topsy-turvy world, my world, and I am essentially (don’t forget) a chicken farmer. I don’t know anything about getting anything — except maybe eggs.

So …

Waffles. Chicken. Here’s what I know.

Farmerbrown’s Little Skillet is a good place to get greased, goo’d, and sweetened. And I mean all over your clothes, too, because there aren’t any tables to eat at. That’s OK, we’re human. This is why we have Laundromats. Not to mention napkins, but I don’t always remember about those.

You place your order at the window, then you eat across the alley on a loading dock or little wooden bench. And if you think that sounds just wonderful, wait’ll you crunch your teeth into that juicy fried chicken. It was the best I’d had since Auntie April’s, which was the best I’d had since Gravy’s. And suddenly we’re saying something.

Suddenly, chicken and waffles are alive and well — maybe even trendy — and not in Oakland this time, or even L.A., but right here in the city known as "The City." Where I live.

Auntie April’s Chicken ‘n’ Waffles is on Third Street in Bayview, and it’s an actual sit-down restaurant. Their Belgian-style waffles are about as satisfying as Gussie’s, but the chicken (fried to order, of course) is way, way better. And the combo is cheaper.

Even Farmerbrown’s Little Skillet, which is associated with Farmerbrown’s fancy-pants Tenderloin soul food restaurant, is cheaper than Gussie’s. Two pieces and a waffle for $8. Pick your pieces.

Not bad, considering one piece and a waffle at Gussie’s is $7.79, $9-something if you want a breast. (You don’t.)

Farmerbrown’s waffles, also Belgian style, were perfect: crispy outside with a soft middle. And their sweet tea was spectacularly sweet. Probably goes better with the pulled pork sandwich — which I think was the only other thing on the menu.

So I don’t know what to say. Slight edge to Auntie April for the fried. But Farmerbrown’s got her beat on the iron. Guess I’ve got two new favorite restaurants. Maybe more. There’s Frisco Fried, also in the Bayview, and Sockywonk says Hard Knox is doing chicken and waffles now too.

It’s an exciting time to be a restaurant reviewer. On a chicken-and-waffle fast. Send money. Someone. *

AUNTIE APRIL’S CHICKEN ‘N’ WAFFLES

Daily: 8 a.m.–3 p.m.

4618 Third St., S.F.

(415) 643-4983

Cash only

No alcohol

FARMERBROWN’S LITTLE SKILLET

Mon.-Sat. 9 a.m.–2:30 p.m.

360 Ritch, S.F.

(415) 777-2777

Cash only

No alcohol

Gay outta Hunters Point

Jesse Hawthorne Ficks
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Gay outta Hunters Point

Maybe now that Apichatpong “Joe” Weerasethakul has won the Palme d’Or at Cannes, the art film world can be forgiven, but many of my favorite movies of the past few years have been made for Vimeo or YouTube more than for DVD rental, let alone the big screen. I’m thinking of Damon Packard’s SpaceDisco One, and most of all, I’m talking about music videos shot right here in San Francisco: Skye Thorstenson’s fantasia for Myles Cooper’s “Gonna Find Boyfriends Today,” and Justin Kelly’s numerous videos for Hunx and His Punx. Where else are you going to find a world of arcane rituals, giant boomboxes, bigger phones, and mustard-and-syrup food orgies, populated by a cast of personalities that might make John Waters pine for his youth and Andy Warhol rise from the grave?

On a sunny Saturday, Kelly picks me up in his 1980 Mercedes and — amid talk of rabid crowds stripping Hunx naked at show in Paris — drives me to his shared warehouse at the very point of Hunters Point. His look is a less corn fed All the Right Moves-era Tom Cruise. When we reach the place where the magic happens, there’s a basketball net in the main room, along with an assortment of six-foot fluorescent pointy plastic plant life. Kelly’s friend and longtime collaborator Brande Baugh mixes up some Campari and orange juice, enthusing about Campari ads in Europe featuring “slutty full-on animals with big tits wearing bikinis.” It’s time to talk movies.

Kelly and Baugh have been friends since they were 14. They could have walked right off the pages off Francesca Lia Block’s great SoCal young adult novel Weetzie Bat. “We were geniuses in our own mind,” says Baugh. “I’d dress like a drag queen every day at school. I had no eyebrows — I’d draw them on. Our history started because we both had these crazy urges. We’d go to the mall and take pictures of each other being dead on the floor.”

“Brande would go to punk shows,” says Kelly, “and I was just looking for any event where I could dress up and be expressive, from Rocky Horror to raves. She took me to my first gay pride [parade].” Moving away from home at 18, Kelly checked out the fringes of movieland, playing a nerd with acne in Ghost World (2001) and working as a set PA on Almost Famous (2000). He lived on Hollywood Boulevard, then he and Baugh each got their own studios at a place called Sunshine City Apartments. “On Hollywood Boulevard, we’d have these weird Elvis impersonators around us,” Baugh remembers. “It was fun to poke fun of that and rehearse our camp.”

But San Francisco is where Kelly and Baugh have made their creative home. Back in 2005, when I profiled Kelly’s early music video efforts, he’d made less than a handful of clips, but already had a very precisely honed vision, formed from close scrutiny of — and enthusiasm for — ’80s-era MTV in particular. In the past few years, this vision, combined with the music of talented friends such as Alexis Penney and Seth Bogart of Hunx and His Punx, has flowered into something uniquely energetic, hot, and vividly colorful. Kelly’s videos are stylish yet lively. The clip for Hunx and His Punx’ “Cruising,” for example, is an almost DePalma- or Hitchcock- or Ophuls-type feat of tracking shot trickery, a faux-one shot 360-degree dance through a variety of horny and sweaty tableaux that revives William Friedkin’s Cruising (1980) in a celebratory rather than bloodthirsty way.

Lensed by frequent director of photography David Kavanaugh, Kelly’s recent video for Harlem’s “Gay Human Bones” is another step forward, with a superb central performance by Baugh, who stares down the camera with silent movie star hypnotism, and a memorable bespectacled cameo by Scout Festa, one of the stars of Cary Cronenwett’s sailor epic Maggots and Men (2009). (“We call her ‘One Take Festa,'” Baugh says.) Here, the attention to detail that Kelly brings to movement and editing (an area where Baugh often chimes in) takes on a ritualistic aura. Both “Gay Human Bones” and “Cruising” possess choreographic grace.

This doesn’t mean Kelly is veering away from direct imagery. His clip for Nick Weiss’s RIP NRG remix of Hunx and His Punx’ “Dontcha Want Me Back” discovers new vivid hues while reveling in the tastiness and grodiness of food. An upcoming clip for Alexis’ home run of a debut single “Lonely Sea” (produced by Weiss) captures the formidable Penney in full-on Janet Jackson or Madonna-level diva mode, storming into the ocean. Except in this case the setting was a freezing Ocean Beach, where Penney had to yell to himself that he was “Alexis, Queen of Sex!” in between freezing-cold and even hail-ridden shots. “He was shaking so hard,” Kelly says. “I freaked out and thought, ‘Oh my god, he’s going to die and I’m going to jail!'”

While music video is where Kelly has been thriving, the feature film world is where he’s been learning, from his early Hollywood and Indiewood experiences on through to a gig as editorial assistant on Gus Van Sant’s Milk (2008). This summer, he’s traveling to Oregon to work on a feature by director M. Blash that stars Chloë Sevigny and Jena Malone. He’s also continuing to work on his feature film debut as director, after shorts such as Front (2007), a cryptic slice of queer youth which starred Daeg Faerch before Rob Zombie cast him as the young Michael Meyers in his 2007 remake of Halloween. As for that project, mum’s the word right now, but know one thing: a lot of people in this town will be talking about it.

www.denofhearts.com

Cross-post Monday: I do SFist. Hard.

Jesse Hawthorne Ficks
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Cross-post Monday: I do SFist. Hard.

It was a true honor — nay, a true honor and a privilege — to participate in SFist’s great “will blog for food” guest-writer program, Day Around the Bay, this evening. Check it out, and inundate SFist editor Brock with requests that he guest-write my Super Ego nightlife column. (He will mention drinks with chic lesbians at Orson.)

The feminization of Mexican agriculture

Zelda Bronstein
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The feminization of Mexican agriculture

SANTA CRUZ TANACO (May 20th) – When I first settled into this tiny Purepecha Indian village high in the Meseta Tarasca of west-central Michoacan state 50 years ago, few women tilled the land. Tending the “milpa” (corn patch) was strictly a man’s work. The men ploughed the fields and planted in the spring and the wives and daughters would help to weed (“barbechar”) and glean in the harvest — but it was the men who strapped on the “tchundi” basket as they moved up and down the rows, snapping off the big ears of maiz to be sold in the markets of neighboring cities.

While the men lorded it over the corn patch, women had dominion over the home and the children. They cared for the kids and the chickens and prepared the meals. At mid-day, they wrapped up fresh, warm tortillas in colorful “servietas” and carried them out to the fields to feed their husbands.    

Only two women in Tanaco actually worked their own “parcelas” (plots.)  Dona Teresa Garcia had a handful of fields scattered up and down the valley she had inherited from her murdered husband and many sons to work them, and although she was known to get her hands dirty, she was more an overseer and administrator.


 


Slight and sprightly, Tere delighted in a full storehouse and was proudest of her purple and red and blue pinto corn she grew from her cache of grandfather seeds.  

Nana Eloisa, on the other hand, was a mountain of a woman who ploughed the rocky valley soil at the foot of volcanic mountains and lush pine forests — when she didn’t have an ox or the wherewithal to rent one, Eloisa was known to harness up the plough and pull it herself. Nana Eloisa had no husband although men sometimes hid in her long serge skirts. Unlike Dona Teresa, who preferred to negotiate off stage with the men who ruled the community, Eloisa, who was equipped with a stentorian voice, often spoke up at assemblies of the “comuneros” (indigenous landholders.) The neighbors talked about her in awed whispers.

Times have changed up in the Meseta — and changed again. In the 1980s, as the first of five neo-liberal regimes took hold far away in Mexico City, the Purepechas — who never strayed far from the Meseta, unlike their mestizo neighbors in Tangancicuaro and Gomez Farias who first began trekking north a hundred years ago — plunged into the immigration stream with a vengeance. Fathers and sons went off to find their fortunes in El Norte and many never came back.

The women were left in charge of the house and the milpa both, a double workday (“doble jornada.”) Their husbands would send home the “remisas” (money orders) with instructions on where and how much corn to plant. Any cash left over was destined to pay off loans for the “coyotes” who charged thousands of pesos to get the men across the border.  

Often the women would hire “peones” and “jornaleros” to do the fieldwork, but others worked the milpas on their own. Gradually the women began to make their own decisions about their husbands’ land.  Many stepped out of the traditional long Purepecha skirts and literally and figuratively put on the “pantalones.”

There are more women than men in Mexico 53,000,000 to 50,000,000, according to the 2005 half census. Although many are still tied to the home, women now comprise 40% of the workforce.


In the rural sector where 28% of the population continues to subsist, the stats are even more skewed. One estimate is that 18 million women are now the primary workers on the land — but only 4.5 million actually have title to it. Title allows them membership and voice and vote in the ejido (villages that are designated rural production units) and community, access to agricultural credits, and full agrarian rights. But women landholders are often relegated to servant stature in the ejido assemblies where only 2.5% serve as officials of the 28,000 communal farms so designated by the Secretary of Agriculture.

Although many women farmers or “campesinas” join mixed gender farmers organizations like the PRI party-run National Confederation of Campesinos (CNC) or the more left UNORCA and El Barzan, the dismaying disparity in their recognition as producers have motivated the women to form their own groupings such as the Ecological Campesinas of the Sierra of Petatlan Guerrero and the CONOC (National Council of Women Farmers’ Organizations.)  

But whether within the male-dominated farmers centrals or those of their own making, equal recognition has been slow in coming for the campesinas. Although agricultural budgets put together by the Secretary of Agriculture (SAGARPA) and the Secretary of Social Development (SEDESO) appear to allocate 42% of their resources to women, the numbers are deceiving – most of the money designated for women farmers is assistencial aid drawn down from the “Oportunidades” poverty program.  

Other monies are assigned to crafts collectives such as the ceramicists of Ocumicho just over the mountain from Tanaco, where the women throw the much-in-demand pots and the men bring the wood to keep the ovens fired up. Funds for micro-projects such as keeping chickens are available to women farmers but as Blanca Rubio writes in the left daily La Jornada, the campesinas would rather be recognized as producers of maiz than for their ancillary talents.          

In addition to the gender of farming, the gender of out-migration from feeder states like Michoacan, Jalisco, Guanajuato, Zacatecas, and more indigenous Chiapas and Oaxaca, has changed radically. Once upon a time only men headed for El Norte and the potentially mortal consequences of this dangerous migration but womens’ numbers in the flow north have tripled in the last decade as neo-liberal agrarian policies imposed from Mexico City have devastated the “campo” and the bottom has fallen out of Mexican agriculture.

Under presidents Carlos Salinas and Ernesto Zedillo (1988-2000), the Constitution was mutilated to allow the privatization of communally-held land, grain distribution was handed over to transnationals like the Cargill Corporation, guaranteed prices were scrapped, and credit for poor farmers dried up. Vicente Fox and Felipe Calderon (2000-2010), presidents chosen from the right-wing PAN party, have hastened the demise of the agricultural sector.

The coffin nail was the 1994 North American Free Trade Agreement.  Every year since, millions of tons of cheap U.S. and Canadian corn swamp Mexico forcing small-hold campesinos and campesinas out of business. A Carnegie Endowment investigation into the impacts of NAFTA on poor Mexican farmers published on the tenth anniversary of the trade treaty calculated that 1.8 million farmers had abandoned their milpas in NAFTA’s first decade – since each farm family represents five Mexicans, the real number of expulsees comes in close to 10,000,000, at least half of them women.

One consequence is that women now swim in the migration stream in dramatically increased numbers. Sisters follow their brothers north and wives their husbands, leaving the children at home with the grandmothers. A third of the households in Tanaco and just down the valley in Cucucho have no mother or father at home.  

For those women who stay behind, lifestyles have changed.  Families have abandoned or sold off their milpas and the remisas from El Norte (which decreased 20% in recession-ridden 2009) are now invested in building up the house, laying cement floors and hooking up electricity lines. Women open “changaros,” storefronts where they sell knicknacks and snacks to their neighbors.

Women farmers who still till their parcelas now have to work a triple workday (“triple Jornada”) just to make ends meet, finding jobs outside of the community as domestics or factory workers, taking care of the house and the kids and the chickens, and tending to the milpa. When the husbands do come home, the once rigidly defined roles of men and women in the Mexican countryside have been irreversibly altered. Men are not the sole breadwinners now and decisions must be taken together. Left to their own devices to survive, the campesinas have become empowered.  They have feminized agriculture.

The feminization of the Mexican campo is a bright light in a dismal prospectus, thinks the much-respected agrarian analyst Armando Bartra. Gender articulates how farmers approach the land, Bartra writes. Men wrest the crops from the soil. They plant to achieve bigger and better harvests and resort to chemical fertilizers and pesticides and genetically modified seed to speed up the bounty. They pin their hopes on the market, Bartra underscores, “and the market has no future” for small farmers.

By way of contrast, women are more in sync with the land. They don’t till the soil for profit as much as to keep their families well nourished. They are commited to auto-sufficiency first and do not poison the land upon which they grow their family’s food with chemicals. The feminization of farming, Bartra concludes, is “the only salvation for Mexican agriculture.”

John Ross has returned to El Monstruo (Mexico City), the title of his most recent volume “El Monstruo – Dread & Redemption in Mexico City” and the most contaminated, crime-ridden, corrupt, and conflictive megalopolis in the Americas.      


 

The coffee shop-dollar store king of Divco

Andrew Lam
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One questions the need for another coffeehouse on Divisadero – seems like every time I turn around there’s another corner store churning out lattes and biscotti. But clearly I lack the vision of Haile Taddesse, owner of the 99¢ Divis Variety Discount at Divisadero and McAllister. “I am a coffee addicted person,” the Eritrean business owner tells me. “I grew up in a coffee country.” And no offense to the other establishments on his street, but he thought their coffee was mediocre. So, sick of trekking “ten blocks, or a mile even,” to find Philz or Blue Bottle, he decided to expand his business empire with a cafe next door to his dollar store.

Which makes for an interesting blend of customers. The DivCo (Division Corridor) neighborhood demographics are changing rapidly these days. Older restaurants and barbershops are ceding their storefronts to trendy new restaurants and coffee shops. Hell, some people (we won’t go into who those people are, we don’t particularly jibe with them) have even made up a name, NoPa, for the stretch, eschewing the working class implications of Western Addition.

So it’s nice to see a long time business owner successfully adapting to the winds of change. This morning when I visited, business was rolling at the five year old 99¢ Divis. A group of immigrant men chatted with Taddesse about politics (“I like Reagan and Clinton. Reagan was respected abroad. Americans, they don’t care about that.”). On the other side of the door that leads to Oasis Cafe, a cheerful barista made sandwiches and coffee for young people, and a few individuals working on their laptops.

And true to his word, Tadesse’s got some damn good coffee. Ten different kinds of beans sit behind the counter, and drinks are made on a cup by cup basis. “Most coffees around here are deceptive,” he told me. “You don’t see them make it. I am trying to make everything fresh for the neighborhood.” I tried the Divisadero blend, which I was told was the darkest of the blends that day. It gave me a rich jolt that I must admit is hard to come by at other spots down DivCo.

Seating is ample and comfortable; banquettes and deep, overstuffed leather armchairs. There’s a large mural of an oasis on the back wall, painted free of charge by a fellow cafe owner who just wanted to contribute something to Tadesse, who turns in 16 plus hours a day at his mini commercial empire. Already, an extensive menu of milkshakes, fresh juices, omelettes, and sandwiches are available — but the owner sees all this as merely the beginning for the cafe. He has plans for an Ethiopian food menu, soups, outside seating for his customers.

Business at the cafe, located on less frequented stretch of Divisadero blocks from both the Mt. Zion Hospital lunch crowds and the hot Lower Haight blocks, has already exceeded Tadesse’s expectations. Which flies in the face of the advice from the friends who wieghed in when he first concieved of Oasis.

“They said not to waste my money, that it was a bad location,” he tells me as another customer unloads an armful of cheap toiletries at the dollar store counter. “But it’s not up to the competition. It’s up to you, and your product. I said ‘don’t worry, I’ll show you.’ ”

 

99¢ Divis Variety Discount & Oasis Cafe All in One

901 Divisadero, SF

(415) 474-4900

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