food

“No new taxes,” but fees and restrictions may apply

The agenda for the June 29 Board of Supervisors meeting reads like the fine print of a credit card statement, with fees piled upon more fees.  Mayor Gavin Newsom is proposing a slew of increases to sums that must be forked over for a wide array of city services or permits as a way to bridge a gaping budget gap. With major cuts to critical services in the face of a dramatic revenue shortfall, it’s not surprising that the city is tightening its squeeze to make up for some of the damage.

Some of the proposals make a certain amount of sense. There are higher fees proposed for an underground parking lot at Golden Gate Park, which could potentially help dissuade motorists and promote more environmentally friendly transportation options. There are higher fees for tow truck operators, which most anyone who’s ever involuntarily had their car towed could get behind. And the fee for discharging a cannon may go up from $400 to $636. While we’re pretty sure that last one is more likely to irk people who attend military ceremonies, we nonetheless take delight in imagining a rambunctious crew of pirates spilling into the board chambers to oppose it.

But this roster of Newsom’s new hidden fees begs an important question: Why is a mayor so adamantly against raising taxes bent on vacuuming more money out of the pockets of small business owners with higher fees? After all, many of these proposed increases will squeeze struggling, Mom-and-Pop businesses just a little tighter. City permits for auto wreckers, billiard parlors, junk dealers, and massage establishments may go up significantly. The fee for taking an EMT course may get higher. Permits for selling food on the street, driving a pedicab, dealing in second-hand auto parts, or operating a shooting gallery could also increase. Even the annual permit fee for street artists (several of whom we wrote about in our Streets Issue) is getting more expensive.
 
The list of fee hikes is on the agenda for Tuesday’s meeting, and was referred to the full board by the Budget & Finance Subcommittee. Supervisors recently proposed a number of new revenue generating measures including a nickel-per-drink tax on alcoholic beverages, an increase to the hotel tax, and a restructuring of the business payroll tax.

“There are no new taxes in this budget,” Newsom declared during a June 1 announcement in which he unveiled his 2010-2011 budget. “I know some folks just prefer tax increases. I don’t.”

But why reject taxes outright and then quietly propose a bunch of fees that will place a higher burden on the individuals they impact?

“No new taxes” may sound like music to the ears of a public awash in financial woes, but Newsom’s hidden fees are not unlike taxes. Under this philosophy, it’s not desirable to ask everyone to pitch in an extra nickel the next time they buy a cocktail, but there’s no problem with asking the bar to fork over hundreds more annually for a health inspection. That doesn’t seem to be as simple as a campaign-ready “no new taxes” slogan, but then again, there’s a reason credit card companies bury their hidden fees in the fine print.

Appetite: Intriguing June openings

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It’s been an exhausting, thrilling whirl of new openings in SF this month. And it’s not quite over yet… as usual, I hit most new SF openings right away, then continue to revisit as they settle in (if they are worth revisiting, which is often the case). Here’s a quick, initial take on openings of the past week or two, with more to come next week (for more details, check out my upcoming July 1st issue of The Perfect Spot):

SAISON — Walk through the side gate of Stable Cafe, with unique 1800’s carriage house setting, and enter Saison’s newly remodeled garden, evocative of an Italian or Mediterranean villa patio: white lights strung across the courtyard, lemon tree emitting a soft citrus scent, rocking chair and vintage ashtray stand inviting you to linger with a glass of wine, and wood-burning hearth (which will also be a bread baking oven with mention of whole animal cooking to come)? Entirely transporting.

Chef and owner Joshua Skenes has taken his acclaimed weekly “pop-up” and launched a full, Tuesday through Saturday restaurant, opened June 22.  Cooking on the only Molteni stove in the Bay Area, the 30-seat interior is minimalist, but warm and glowing, with open flow between dining room and kitchen. Prices are hefty for this unusual dining experience, from a one nightly seating, $98 per person/8-course tasting menu, to a four-seat chef’s counter at $200 per person, or a two-seat chef’s table with 20 customized courses at $200 to $500 per person (!) They were very smart to add the casual, enchanting patio to the mix with a la carte options for those not partaking in multi-courses. Something for everyone.

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Saison’s garden entrance

At a pre-opening dinner, I sampled possible menu offerings, while Sommelier Mark Bright kept us satiated with wine pairings like affordable 2005 Chateau de Montpezat Coteaux du Languedoc and 2004 Neal Ellis Shiraz. Dishes were delicate, tiny, artistic, and, of course, farm fresh, from hand-picked, local ingredients. Highlights include crispy sweetbreads roasted with caramelized honey and intriguing slant of berbere spicing, as well as a perfect rendition of one of my favorites: rhubarb as a sorbet on milk granite with tart strips of rhubarb decorating the sorbet.
2124 Folsom, SF.
(415)828-7990
www.saisonsf.com

 


PROSPECT — Nancy Oakes, Kathy King and Pamela Mazzola of Boulevard opened the long-anticipated Prospect restaurant with a stellar crew: Ravi Kapur as chef, Brooke Arthur (long a favorite for her cocktail menu at Range), and Amy Currens as Wine Director (formerly of Luce). You couldn’t ask for a better line-up, with all the elegance of Boulevard but more of an experimental, hip approach.

The space is huge, almost corporate-looking, but warmed by brown tones and centered bar. Granted, I haven’t dined fully here yet but at the pre-opening party, I sampled a wide range of the food (at least ten dishes), pretty much all of it stellar, as well as three fine cocktails. The kitchen is impressive, allowing a finely tuned team to crank out Dayboat scallops ($16) with summer truffles and shaved squash, better-than-Thanksgiving turkey sandwiches, and whole wheat crepes ($19) stuffed with ricotta, nettles and roasted mushrooms. I love black cod ($14) in red curry with snap peas, shiitakes, and lightly-fried shiso shrimp fritters. Desserts were equally intriguing from a blissfully dark, creamy chocolate mousse/cake topped with berries, to the truly unique presentation and taste of cherries atop a thyme pavlova ($8) with vanilla, black pepper and frozen yogurt.

Cocktails ($10-11) were all high quality from a tart, bracing Mr. White (Pueblo Viejo blanco tequila, St. Germain elderflower, strawberry mint shrub, lime) to a balanced Prospector (Wild Turkey Rye 101, Zirbenz Stone Pine Liqueur, Drambuie, pineapple gum, lemon). I suspect Prospect is going to become a key SF dining and drinking destination.
300 Spear, SF.
(415) 247-7770
www.prospectsf.com


HOOKER’S SWEET TREATS — The name continually prompts the obvious jokes, but all that aside, Hooker’s Sea Salt Dark Chocolate-covered Caramels are as addictive and bitchin’ as everyone says.

Hooker’s caramel and a capuccino

Visiting opening day, I found it’s not merely a storefront for the caramels (expensive at $2 each, $7 for 3, or $20 for 10), but also for wonderful coffee and capuccinos from Sightglass, serving the first of their own roasted beans here (returning the favor since Sightglass first sold Hooker’s caramels). They bake bread pudding daily (always wins points with me), a nod to the owner’s Louisiana roots (another point!) The space is cozy, with one communal table that gazes lazily out a window framed by a leafy tree, and turn-of-the-century country kitchen decor of dark blue and wood. Along with microscopic Farm:Table, there’s two linger-worthy, coffee mecca cafes in this neck of the ‘Loin.

442 Hyde, SF.
www.hookerssweettreats.com

SUV rampage victim speaks about the night he was hit

A line of television news cameras swiveled toward Rolando Casajeros, known to his friends and coworkers as “Allan,” and followed him as he moved gingerly into the conference room at a downtown San Francisco law office. The press conference was held on June 24 at the office of Choulos, Choulos & Wyle, the law firm tapped to represent him in a civil suit against the driver of the blue Nissan Rogue SUV that rammed into him June 2.

Casajeros was the first of four victims to be intentionally hit by the SUV driver on a rampage, only a few doors down from his home, near the intersection of 24th and Harrison streets in San Francisco’s Mission district. Since surviving the hit-and-run, his life has been turned upside down.

As he took a seat before three microphones, it became obvious that he had sustained very serious injuries. A scar zigzagged across the top of his shaved head, and a second scar crossed vertically down his forehead, marks from intensive surgery he’d endured to alleviate bleeding in his brain. His front teeth were missing and his lips were swollen. While his attorney, Claude Wyle, explained that he had sustained 12 facial fractures, jaw fractures that left him with a wired jaw, and mouth injuries in addition to the complications that necessitated brain surgery, Casajeros kept his eyes closed. “He’s very brave to come here today,” Wyle said gently.

When asked what he remembered from that night, Casajeros opened his eyes and looked up. Speaking in a low tone, he replied that he’d gone out to buy something from Safeway, and had a few grocery items with him as he biked home. The next thing he remembers is blacking out. “Bam, that’s it,” he said. “I just remember I flew in the air. That’s it.” Two nights later, he woke up in the hospital.

Casajeros underwent 19 hours of intensive surgery. He said he “almost fainted” when the doctor conveyed to him the extent of the damage. Since being released from the hospital last week, he’s been staying with the family of his best friend, Ronnie Guinto, who is a care provider by trade. Casajeros, who is originally from the Philippines, is the godfather of Guinto’s children.

The children’s mother, Kellie Arechiga, also spoke at the press conference, saying she wanted to get the word out about this weekend’s fundraiser at the Old Clam House to help cover expenses while he recovers from the traumatic experience. Casajeros has worked as a waiter at the Old Clam House for 12 years. He does not have health insurance, but there is a chance that the city’s Healthy San Francisco program will step in to assist with medical payments. State funds earmarked to aid victims of violent crime may also be available to him, according to his attorney.

Earlier on the day he was struck by the SUV, Casajeros and Guinto had gone out for a long recreational bike ride. “I love bikes,” Casajeros told the reporters. “I love to go biking. I go running. I’m an active person. But after this, I don’t know.” Casajeros cannot imagine why he was targeted, or why the man accused of going on the rampage, 39-year-old David Mark Clark of Albany, would have plowed into him and three others seemingly out of nowhere.

“To all the bike enthusiasts – be careful,” Casajeros said.

Wyle said it sometimes takes an outrageous event to highlight a broader trend of motorists behaving aggressively toward bicyclists in traffic. “There are many, many instances … where motorists are intentionally or recklessly endangering the lives of bicyclists,” said Wyle, who has taken many cases involving bike accidents.

Casajeros — who lives paycheck to paycheck working as a server in San Francisco — is not expected to be able to return to work for at least three months, according to the most optimistic estimate. In the meantime, he is in need of assistance to cover monthly expenses like rent, car payments, and transportation to and from his physical therapy appointments. Information on how to make a donation to a charitable trust fund set up by his attorney can be found here. Meanwhile, his friends and coworkers are still in need of items or services for a raffle at Sunday’s fundraiser at the Old Clam House.

The fundraiser will be held on Sunday, June 27, from 3 p.m. to 10 p.m. at the Old Clam House, 299 Bayshore Blvd, near Oakdale Avenue. $20 gets you a plate of food, one free drink, and two raffle tickets. There will also be live music and a DJ. Anyone wishing to make a donation for the raffle should e-mail Kelliearechiga2000@gmail.com.

Benefits: June 23-June 29

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Ways to have fun while giving back this week


Wednesday, June 23

Water Bond Happy Hour
Join the Food and Water Watch team in helping to get people to vote NO on the California Water Bond, which will appear on the November ballot. Meet other people who care about the issues and discuss a sustainable water future for California and how water issues effect us all. Featuring stainless steel water bottle raffles to benefit Food and Water Watch, a local non-profit corporate accountability organization.
6 p.m., free
Elixer Bar
3200 16th St., SF
www.foodandwaterwatch.org

Thursday, June 24

Ecocity Builders Art Auction
Ecocity Builders is a non-profit dedicated to reshaping cities, towns, and villages for the long-term health of human and natural systems. Attend this slient art auction to help raise funds for Ecocity featuring hors d’oeuveres and an artist talk with Richard Register.
6 p.m.; $50 donation, fee goes towards bidding
SPUR Urban Center
654 Mission, SF
(510) 452-9522
www.ecocitybuilders.org

Saturday, June 26

Like Water for Chocolate
Inspired by chapter three of Laura Esquivel’s acclaimed novel, Like Water for Chocolate, this fundraiser will feature the spice of Mexico and the heat of love simmering in this fusion of food and performance. Proceeds to benefit Word for Word and Z Space. There is no parking at the performance site. Guests should park at the Mill Valley Middle School parking lot, where they will be shuttled to Hillside Gardens starting at 4:15 p.m. The event will be held outdoors, so dress warmly and comfortably.
5 p.m., $250
Hillside Gardens, Mill Valley
via Mill Valley Middle School
425 Sycamore, Mill Valley
(415) 626-0453


Walk in the Wild
Attend the Oakland Zoo’s annual fundraiser featuing vendors from over 90 restauants, caterers, bakeries, wineries, and breweries offering beverages and cuisine to be enjoyed while walking around the zoo and live music and dancing. Proceeds support the Oakland Zoo’s conservation, education, and animal enrichment programs. This event is 21 and over.
5 p.m., $150
Oakland Zoo
9777 Golf Links Road, Oakl.
www.oaklandzoo.org
(510) 632-9525

Sunday, June 27

Fundraiser for Alan
Alan, who has worked as a waiter at the historic Old Clamhouse in Bayview for 12 years, was one of the four cyclist who were purposely run down by a driver on June 2nd in the Mission and Potrero Hill neighborhoods. Alan has severe injuries to his head and face and has had to undergo 14 hours of surgery. Help raise money for his medical bills at this fundraiser where a door donation of $20 gets you a plate of food from the buffet, one free drink, and two raffle tickets. Featuring live music and a DJ.
3 p.m., $20 donation
The Old Clamhouse
299 Bayshore, SF
(415) 826-4880


Monday, June 28

Honduras Resiste
Watch three videos presented by the Bay Area Latin America Solidarity Coalition (BALASC) on the one year military coup that happened in Honduras in 2009,starting with The Coup and the Popular Resistance, followed by Exposing a Fraudulent Election, and ending with False Democracy in Honduras, and the U.S. Complicity.  Proceeds to benefit the Popular Resistance in Honduras.
8 p.m., $6
Artists’ Television Access
992 Valencia, SF
http://balasc.org

The San Francisco Bay Guardian Presents: The Best of the Bay Rock Party!

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Celebrating San Francisco values and the local heroes that represent them!

August 5th, 2010
Doors at 9PM – No Cover

Mezzanine
444 Jessie Street, San Francisco

Chuck Prophet – Headliner

Chuck Prophet shapes his restless career with inimitable subtle flair: a vivid parade of razor-edged one-liners camouflaged in a slack-jawed drawl, songs about heartbreak and everyman heroism, drenched in twisted lines of rude Telecaster.

Stephanie Finch and The Company Men
Stephanie Finch has recently released her new cd ‘Cry Tomorrow,’ a casually stunning love letter to classic song. An album whose sound recalls ‘Loaded’ era Velvet Underground tunes alongside The Modern Lovers and Brill Building pop. But ultimately all revolves around Stephanie Finch’s relaxed, cool, confident presence.  Produced by Chuck Prophet and backed by The Company Men: Prophet, Kelley Stoltz, and Rusty Miller. ‘Cry Tomorrow’ is an instant classic.

Stephanie’s already sung her roots out with Chuck Prophet.  And she has whispered softly with Red House Painters, on ‘Songs for a Blue Guitar’ with Mark Kozelek.  She also popped up as a cameo on the odd tribute for Joe South, and on the soundtrack to Sign Of God with Jonathon Richman. (If your cable’s paid up, you may have seen her playing Judy Collins in HBO’s Chicago 7 biopic).


The Bitter Honeys – Opening

The Bitter Honeys will be opening the show; performing their own original songs, inspired by the vocal harmony groups of the early and mid sixties.

MCing – The Freeze

The Freeze is a stage show like no other.  Six performers will take the crowd on a non-stop, hip-hop improv ride, spinning cues from the audience into instantaneous lyrics and fully realized musical numbers. An MC, a vocalist, and a live band make for an evening of live, kick-ass theater.  Founded by Freestyle Love Supreme’s Anthony Veneziale and the talents of Daveed Diggs (The Getback), Andrew Bancroft (aka Jelly Donut of Killing My Lobster), and Olive Mitra on bass, Mike “Agent” Smith on guitar, and Brian Rodvien on drums.  In simple terms, it’s the Wu Tang Clan meets Who’s Line is it Anyway in a live improvised rap concert. 

DJ set by DJ Ome

August marks the release of KFOG‘s Local Scene 7 CD, a collection of songs from talented musicians living and working in the San Francisco Bay Area that need to be heard.  (Best of the Bay Party headliner, Chuck Prophet, has been prominently featured on past discs, contributing tracks to volumes 1 and 2.)  Proceeds from CD sales benefit Music in Schools Today, a local non-profit that supports, develops and promotes music education for youth in schools and in the community.  Buy your CD for just $5 at the Best of the Bay Rock Party!

Photography by Liza Gershman.  Photobooth by Polite in Public.

In 1974 the Guardian blazed a trail by being the first paper to present “best of” awards. Every year since then we’ve given Best of the Bay recognition to the people, places, and things that make the Bay Area great.

Our 2010 Best of the Bay winners will be revealed in the Guardian’s July 28th issue and will include our annual Readers Poll which categories include: Food and Drink, Arts and Nightlife, Shopping, City Living, and a special reader’s own “Best of the Best.”

A tough choice for C.W. Nevius

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It’s no surprise the C.W. Nevius thinks the city has too many public services and that “some have to go.” Nonprofits that get city funds are an easy target. Some of them aren’t too good at paperwork, and have a hard time providing tangible evidence of results. (If you run a violence-prevention program for kids, and some of them still get in trouble, can you”prove” that the others didn’t because of your help? Of course not.) And there’s no doubt some waste and duplication of services in the system.

Some perspective: When I was on the Board of Trustees of Wesleyan University (as an elected member from the Wesleyan Progressive Alumni Network), I constantly complained about waste in the budget. I wanted to know why we spent so much money on dinners for the trustees (most of whom could well afford their own food and wine) when we were cutting ethnic studies programs and tightening up on financial aid. Colin Campbell, the president, gave me a very good answer:

In any $60 million budget, for any public or nonprofit organization, there’s going to be some waste. It’s unavoidale. And, he said, there are also going to be things that ought to be in the budget but aren’t.

(By my second year on the board, they did cut back on wine at lunch, which may have been due to my complaints but was more likely a result of too many of the older board members getting a little looped and falling asleep during the afternoon meetings.)

So yeah, there are things that could be eliminated in the current nonprofit system. There are also a lot of services that ought to be in the city budget, but aren’t.

C.W.:

There’s just one flaw in our civic personality.

Tough choices.

We’d rather not make them.

That’s correct, and it’s true for everyone in California, probably everyone in the United States. We want good schools, clean streets, nice parks, plenty of cops and firefighters .. and we don’t want to pay for it.

Taxes in this state, and in this country, are the lowest they’ve been in decades. State spending is back to early 1990s levels. State cuts have forced cities to take on more and more burdens.

So the tough choice isn’t whether we can afford to provide public services. It’s whether we have the courage to demand that the people who have seen their tax rates plummet while social problems skyrocket pay their fair share. How about that one, Chuck?

Fundraiser this weekend for cyclist injured in SUV rampage

A fundraiser is planned for this weekend at The Old Clamhouse to help Alan Casajeros, one of four cyclists injured on June 2 when a motorist intentionally plowed into them with a sport utility vehicle.

Casajeros, 39, endured 19 hours of intensive surgery at San Francisco General Hospital after becoming a victim of the six-minute hit-and-run rampage, which occurred in San Francisco’s Mission and Potrero Hill neighborhoods. He was the most critically injured of the four victims. The impact left him with serious head injuries, including bleeding in the brain, damage to his face, and the loss of his front teeth. He was released from the hospital on June 14, according to SFGH spokesperson Rachael Kagan.

Casajeros has worked as a waiter at The Old Clamhouse on Bayshore Boulevard for 12 years, according to coworker Maria Anderson, who said he was “an excellent employee.” Anderson said she received a call from SF General Hospital after the accident occurred. While hospital staffers were unable to get much information to find out who they should notify, he mentioned in his delirium that he had to call in sick at the Clamhouse, Anderson said, so they phoned the restaurant.

“It was horrendous,” Anderson said. “He literally was going from his home to pick up milk.” According to a friend of Casajero’s, Kellie Arechiga, he was biking home when the blue Nissan Rogue SUV struck him.

Arechiga said Casajeros is the best friend of her children’s father, and like a member of the family. She said he loves going for bike rides with the kids, and he often cycles to and from work. Since his release from the hospital, he’s been staying with Arechiga and her family in Redwood City, she said. “He’s just recovering. He knows us, and remembers everything,” she added.

Meanwhile, his friends and coworkers organized the fundraiser to help out with his monthly expenses, and visited him in the hospital. Many cyclists and supporters have come forward to donate money and lend helping hands. “The outpouring of support has been really kind, and really sweet,” Anderson said.

David Mark Clark, 39, is facing trial for the June 2 road rampage, and is being held without bail in the San Francisco County psychiatric lockup. Clark pleaded not guilty to four counts of attempted murder, four counts of assault with a deadly weapon (to wit: a car) and three counts of battery causing serious bodily injury. His next court date is July 27, to set a date for a preliminary hearing.

The fundraiser will be held on Sunday, June 27, from 3 p.m. to 10 p.m. at The Old Clamhouse, 299 Bayshore Blvd, near Oakdale Avenue. $20 gets you a plate of food, one free drink, and two raffle tickets. There will also be live music and a DJ.

***UPDATE: Casajeros’  attorney, Claude Wyle, has set up a special account at Wells Fargo for donations to Alan, whose legal name is Rolando Casajeros. Donations should be made directly to account No. 7734751691, with checks payable to Rolando Casajeros and attorney Claude Wyle.***

**Note: This file has been updated from an original version.

Fat Freddy’s Drop turns on, tunes in

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Considering the tripped-out journeys of its songs, it comes as no surprise that Fat Freddy’s Drop was born of psychedelic experimentations. A top seller in its native New Zealand, FFD focuses on maintaining a stellar groove — you’d be hard-pressed to find a Fat Freddy track clocking in at less than six minutes. The seven-member band dropped into town last fall to play to a ravenous, sold-out Independent crowd. While its devoted kiwi fanbase is regularly treated to FFD’s funkafied, reggae-infused performances, the Independent show was the first U.S. appearance since a one-off back in 2004. With more SF shows this time around, it seems like the septet is really gaining traction on this side of the Pacific. Saxophonist Chopper Reeds gave us the lowdown on the Drop.

SFBG What’s the name Fat Freddy’s Drop about?
CHOPPER REEDS We’re probably stepping all over Bay Area counterculture royalty here but, as you probably know, Fat Freddy was one of the Fabulous Furry Freak Brothers. And he had a cat — a feline of somewhat loose morals. The cat had a cult following here in Wellington among a party-loving crowd. So we bastardized his name and embraced his vibe.

SFBG What are you looking forward to on this tour?
CR Some proper Mexican food. And looking for records. Oh, and playing for our U.S. friends. The reaction to our first West Coast gigs was fantastic. The band is in great form, so I think we’ll have something fresh for people to see.

SFBG How have influences from the western hemisphere — dub, soul, funk — filtered into your music? And how did singer Joe Dukie develop his unique vocal style?
CR Filter is the right word. We can only really access that music through records or if we get a chance to see someone live when we’re traveling. We’re not purists — we’re seven rabid fan boys all diggin’ on some Al Green, Delroy Wilson, Prince, or Fela Kuti and trying to work out how we can cop that vibe rather than copy the notes. As for Dukie, well I can’t answer for him. All I can say is, he is a deep pool. By that I mean he draws out his lyrics in a very considered and powerful way.

SFBG What about the mix of New Zealand-Pacific Islander backgrounds in the group and how that plays out in the music?
CR We’ve got one Samoan, three Maori, and three European New Zealanders. But our outlook is pretty internationalist, so we’re prepared to steal musical influences from anywhere.

SFBG To me the music of Fat Freddy’s Drop drips of summer. Is that just the general vibe of New Zealand, or is it particular to the group?
CR I like to think that the music can transport you. New Zealand can be a pretty grim place in winter, and the country’s thoughts are very much on sunshine and warmth. Themes of family, love, and renewal are in all music. That sounds like a good summer to me.

FAT FREDDY’S DROP
Fri/25 and Sat/26, 9 p.m., $20
The Independent
628 Divisadero, SF
www.independentsf.com

Endangered Species Act protection sought for Franklin’s bumble bee

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I’ve been obsessed with bees in general, and bumble bees in particular for some time now. I’m fascinated by the bumble bee’s thick tundra- adapted pelt that allows it to forage for nectar in way colder temperatures than your average sun-loving Italian honey bee.
And then there’s the bumble bee’s relatively hardcore social structure, in which only the young bumble bee queens over winter, emerging alone in the spring to start colonies afresh.

I’ve even read that the first generation of a bumble bee queen’s colony can be stunted because the young queen had to do everything herself—gathering pollen and nectar, building the nest, tending to her developing brood—unlike the honey bee queen, which forms a permanent colony and has multiple female workers to help raise the young, clean the hive and gather necessary provisions each day.

But above all, I’m fascinated by the fact that something as small as a bumble bee plays such an important role when it comes to pollinating plants. Experts say that native bumble bee pollinators are important to the reproduction of many native flowering plants and food crops. And in Britain and the Netherlands, researchers have actually noticed a decline in the abundance of certain plants where multiple bee species have also declined. Then there’s the fact that for many crops, such as greenhouse tomatoes, blueberries and cranberries, the buzzier bumble bees are better pollinators than honey bees, and some species are produced commercially for their use in pollination.

So, I’ve been troubled by reports that some native bumble bee species are in decline, and that commercially reared bumble bees, reared on the East Coast and then imported to the West to buzz pollinate hothouse tomatoes, could be the cause.

And now the Xerces Society for Invertebrate Conservation and bumble bee scientist Dr. Robbin Thorp have petitioned the U.S. Fish and Wildlife Service requesting Endangered Species Act protection for Franklin’s bumble bee.

”This mostly black bumble bee was readily found throughout its range in southern Oregon and northern California in the early 1990s,” stated the Xerces Society in a press release. “Twelve years of surveys conducted by Dr. Robbin Thorp clearly show that this species has declined steadily.  The decline has been so severe that only a single Franklin’s bumble bee was observed in 2006 and none since.”

“Over the last 12 years I have watched the populations of this bumble bee decline precipitously,” said Thorp, who is Professor Emeritus at UC Davis “My hope is this species can recover before it is too late.”
The Xerces press release notes that the cause of the catastrophic decline of Franklin’s bumble bee is hypothesized to be an escaped exotic disease that may have spread from commercial bumble bee colonies to wild bumble bee populations.

“Research in Dr. Sydney Cameron’s lab at the University of Illinois is underway to test this hypothesis,” the press release notes. “Other threats that may be harming Franklin’s bumble bee populations include habitat loss and degradation, climate change, pesticide use, and invasive plant species.
Recognizing the decline of Franklin’s bumble bee and numerous other North American bumble bees, the Xerces Society, Thorp, Defenders of Wildlife and the Natural Resources Defense Council recently petitioned the USDA’s Animal and Plant Health Inspection Service to protect wild bumble bees from the threat of disease by regulating commercial bumble bees.

Specifically, the petition asked the USDA-APHIS to create rules prohibiting the shipment of commercial bumble bees outside of their native ranges and to regulate the interstate transport of commercial bumble bees within their native ranges by requiring permits that show that bumble bees are certified as disease-free prior to movement.

“It is vital that the U.S. Fish and Wildlife Service Act quickly to protect this bumble bee,” said Sarina Jepsen, Endangered Species program director at Xerces. “We hope that an Endangered Species Act listing will encourage the USDA-APHIS to protect wild bumble bees from future threats posed by nonnative, commercial bumble bees.” 

“The decline in Franklin’s bumble bee should serve as an alarm that we are starting to lose important pollinators,” said Scott Hoffman Black, Executive Director of The Xerces Society.  “We hope that Franklin’s bumble bee will remind us to prevent pollinators across the U.S. from sliding toward extinction.”

Your big queer week

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ONGOING

Boys in their Bedrooms Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. Mon-Thu 5 p.m.–2 a.m., Sat–Sun 2 p.m.–2 a.m. Through June 30. Photographer Amos Mac of Original Plumbing zine gets up close and personal, chronicling the trans male lifestyle.

Chronotopia SOMArts, 934 Brannan, SF; (415) 552-1770, www.somarts.org. Explore “the past, present, and future of queer histories” with this eye-popping photography exhibit that celebrates the spectrum of queer images.

Faetopia Festival Old Tower Records space at Market and Noe streets, SF; Various times and prices. Through June 26. www.playajoy.org/faetopia. The lovely, radical faeries of Comfort and Joy take over this huge space for a “remix of the past and present for future utopias,” including eco-homo installations, “cuddle cinema” events, and a gossamer wing-load of ideas and performances.

Frameline Film Festival Various locations; see website for dates and times, www.frameline.org. The humongous citywide queer flick fest is still going strong, with dozens of screen gems.

Golden Girls Mama Calizo’s Voice Factory, 1519 Mission, SF; (415) 690-9410, www.voicefactorysf.org. Thu/24 and Fri/25, 7p.m. and 9 p.m.. $20–$25. Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar are joined by Mike Finn and Laurie Busman for live-action versions of two all-new episodes of the beloved TV show.

National Queer Arts Festival Various locations; see website for details, www.queerculturalcenter.org. Experience scandalously good spoken word, cabaret, art installations, and so much more as this powerhouse monthlong celebration of queer revelations continues.

 

WEDNESDAY 23

Allstars 4 The Garage, 975 Howard, SF; (415) 518-1517, www.975howard.com. 8 p.m., $10-$20. An array of one-person shows and monologues that focus on the diversity and struggle of queer daily life.

Booty Call Q Bar, 456 Castro, SF; (415) 626-7220, www.qbarsf.com. 9p.m., $3. Juanita More, Joshua J, and photographers whip up dirty tunes and photobooth eye-candy, with DJ W, Jeremy of House of Stank.

HomoEvolution El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8p.m., free. LGBT hip-hop showcase in full effect, with Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Mary Go Round LookOut, 3600 16th St, SF; (415) 431-3111, www.lookoutsf.com. 10 p.m., $5. House of Glitterati invades the weekly drag show, anchored by Suppositori Spelling, Cookie Dough, and Pollo Del Mar.

OH! Powerhouse, 1347 Folsom, SF; (415) 552-8689, www.powerhouse-sf.com. The Bright Young Gentlemen’s Adventuring Society cordially invites you to get it on. With DJs Taco Tuesday and PDX hottie Stormy.

Pullin’ Pork for Pride Pilsner Inn, 225 Church, SF; (415) 621-7058. 6 p.m.–9 p.m. free. Hot pork in hot buns (free sandwiches from the Funk N Chunk crew, we mean). It’s the Guardian’s annual free-for-all shindig with DJ Stanley Frank of Vienetta Discotheque, games, surprises, more.

Radar: Old School 3 San Francisco Public Library, Koret Auditorium, 100 Larkin, SF; (415) 557-4400, www.radarproductions.org. SF’s top writers reimagine the lives and legacies of queers gone by. With Justin Chin, Len Plass, Cyd Nova, and more.

 

THURSDAY 24

A Spot of Tea African American Arts and Culture Complex, 762 Fulton, SF; www.queerculturalcenter.org. 8 p.m., $12–$20. Original Plumbing brings on an all-transmale cabaret extravaganza with Chris Vargas, Berlin Reed, Ketch Wehr, Glenn Marla, and more.

Bad Reputation Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. The sexy Lex’s infamous Pride kick-off, with DJs Jenna Riot and Dee Dee Crocodile, go-gos, drink specials. Oh, and smokin’ hot grrrls.

Bedtime Stories A Different Light, 498 Castro, SF; (415) 431-0891, www.adlbooks.com. 7:30 p.m., free. Fabio, oh, Fabio? Erotic gay romance author G.A. Hauser steams up the windows of A Different Light.

Carletta Sue Kay, Brent James, Pepperspray The Eagle, 398 12th St., SF. (415) 626-0880, www.sfeagle.com. 10 p.m., $5. Faggotty rock time. A screwed-up Appalachian-ish crooner, a naughty country high-flyer, and four heavy metal drag queens take over the Eagle. What’s not to love?

Gold Queers in the Night 111 Minna, SF; (415) 974-1719, www.111minnagallery.com. 9 p.m., $7. The Stay Gold and Hella Gay crews team up with Blood, Sweat, and Queers for an epic night of youthful, sweaty jams in the indie dance vein.

Gretchen Phillips and Phranc El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $8–$15. Texan Phillips and “all–American, Jewish, lesbian folksinger” Phranc bring the Sapphic sounds.

Marga Gomez is Proud and Bothered New Conservatory Theater, 25 Van Ness, SF; (415) 861-4914, www.nctcsf.org. 8 p.m., $28 advance. Also Sat/26. The hilarious lesbian Latina queen of comedy takes a sharp-shootin’ walk of shame through her not-so-Prideful past.

Nightlife California Academy of Sciences, 55 Music Concourse, SF; (415) 379-5128, www.calacademy.org. 6 p.m.-10 p.m., $8–$10. Get thee to the awesome museum for tunes by Juanita More!, LadyHouse, and Stanley Frank, plus Sex Talk with Jane Tollini, and, of course, live penguins.

Queer Radicals New Valencia Hall, 625 Larkin, SF; (415) 864-1278. 7p.m., free (summer buffet for $7.50). A panel of queer and transgender activists discusses how to build a militant movement for LGBT liberation.

The Sound of Fabulous Mission High School, 3750 18th St., SF: www.sfprideconcert.org. 8 p.m., $15–$40. Also Fri/25. The Lesbian/Gay Chorus of San Francisco celebrates 30 years of, yes, fabulous, joining forces with the Gay Men’s Chorus, and the Freedom Marching Band for some “out loud and proud.”

Sybaritic Cougars with Ecosexual Tendencies Good Vibrations Polk, 1620 Polk, SF; (415) 345-0400, www.goodvibes.com. 6 p.m.–8 p.m., free. Sex-positive activists Annie Sprinkle and partner Beth Stephens host a retrospective of their Love Art Lab series.

The Tubesteak Connection Aunt Charlie’s, 133 Turk, SF; (415) 441-2922, www.auntcharlieslounge.com. 10 p.m., $4. A sticky, finger-lickin’, Hi-NRG hijinks tribute to bathhouse disco and funk rarities, swarthy clones, and outfits Grace Jones would die for. With DJ Bus Station John.

 

FRIDAY 25

Art Attack Pride Supperclub, 657 Harrison, SF; (415) 348-0900, www.supperclub.com. 9 p.m., $20. Video artist III paints the club fuchsia for DJ Lady Kier of Deee-Lite, the return of drag-rock amazers Pepperspray, and LA mesh-wonder Fade-Dra.

Bearracuda Pride DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. 9 p.m.-late. $20. Two floors of beard rubs, belly bumps, fur fun, and hairy hijinks as the city’s wild bear club goes big. DJ Ted Eiel heads up.

Bibi Gay Middle Eastern Mega Pride Party Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 9 p.m., $15. One of the most-anticipated parties of the season, with DJs Nile, Nadar, and Cheon delving into global sounds for a hip-shaking, ululating crowd of all stripes. Hookahs! Hotties! Bellydancers!

Folsom Friday Various SoMa venues, www.folsomfriday.com. 10 p.m.–2 a.m., free. Shuttles run down Folsom Street all night for a sleazy-fun bar crawl in SF’s other mecca for queer venues, including Truck, Chaps, Powerhouse, Blow Buddies, Lone Star, Mr. S, and Off Ramp Leathers.

MR. Mighty, 119 Utah, SF; (415) 626-7001, www.mighty119.com. 8 p.m.–4 a.m. $15. Break out your giant fake mustaches: NYC’s Larry Tee and our own house hero David Harness rock all night at this annual campy hoot. Yes, there’ll be a hot ‘stache (and ‘stache-riding?) contest.

San Francisco Trans March Dolores Park, Dolores and 18th St.; (415) 447-2774, www.transmarch.org. 3 p.m. stage, 7 p.m. march; free. Join the transgender community of San Francisco and beyond for a day of live performances, speeches, and not-so-military marching.

Some Thing Biggest Bestest Gayest Funnest Drag Show Sensation! Ever The Stud, 399 Ninth St., SF; (415) 863-6623, www.studsf.com. 9 p.m.–4 a.m., $10. Er, the name kind of says it all? The packed weekly club goes nuclear. VivvyAnne ForeverMore, Glamamore, Juanita More, Down-E, Diamond Daggers, Anna Conda &ldots; who’ll walk away with the mushroom cloud?

Original Plumbing presents Unofficial! Elbo Room, 647 Valencia, SF; (415) 552-7788, www.elbo.com. 9 p.m., $10. A party in honor of trans pride and visibility — plus, it’ll be a blast. Rocco Katastrophe and Jenna Riot host, DJs Chelsea Starr and 100 spokes spin, furry photo booth, trans slideshow, performances by Glenn Marla and Ice Cream Socialites.

Trans March 2010 Dolores Park, 17 Street and Dolores, SF. Rally at 3:30, march at 7 p.m.. www.transmarch.org. “United by Pride, United by Power” is the theme of this year’s inspiring event, with performances by the Transcendence Gospel Choir, Nori Herras, and a ton more.

.

SATURDAY 26

Big Top vs. Trannyshack Club Eight, 1151 Folsom, SF; (415) 431-1151, www.eightsf.com. 9 p.m., $10 adv. Surely, it will be a circus when these two balls-out parties collide. Big Top brings the half-naked cockring-masters, Trannyshack brings the barkers. With DJ W. Jeremy. Midnight dragocalypse with Heklina, Ambrosia Salad, Miss Rahni, and more.

Bootie: Lady Gaga vs. Madonna DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. Could it get any stereotypically gayer? Don’t worry, punkers, the Bootie mashup crew are here to subvert it into happy chaos. Huge drag show at midnight.

Chaser: The Imminent Return EndUp, 401 Sixth St., SF; (415) 896-1075, www.theendup.com. 5 p.m.–10 p.m., $10. Monistat lives! Her ass-whoopin’, drink-spillin’ drag club resurrects itself, with a full-on show of every insanely entertaining alternaqueen in the phonebook, apparently. Plus DJ Guy Ruben.

Cockblock Mega-Pride Rickshaw Stop, 155 Fell, SF; (415) 861-2011, www.rickshawstop.com. 9 p.m., $20-$25. Wild, wet, and more wild at this ecstatic, high-hoofin’ joint for lezzies, queers, and lovers. With DJs Nuxx and Motive and hot chicks galore.

Excuses for Skipping and Lauren DeRose Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 3 p.m., free. Warm up for the Dyke March with these two live rockin’ acts.

Go Bang! Pride Edition Deco Lounge, 510 Larkin, SF; (415) 346-2025, www.decosf.com. 9 p.m.-after hours, $5. One of our cutest disco and house parties goes pink with DJs Jason Kendig, Marcelino Andrade, Sergio, and more. Expect to be turned out, put upside-down, and spun around.

Lights Down Low Pride Edition Triple Crown, 1760 Market, SF; (415) 863-3516, www.triplecrownsf.com. 8 p.m.–4 a.m., $15. The gonzo electro party delivers a worthy Pride blackout with DJs Larry Tee, Kim Ann Foxman, Saratonin from Brownies for my Bitches, Sleazemore, Derek Bobus, and more. Hosted by the Miss Honey kids and Davi.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McAllister, SF; (415) 864-3733, www.sfpride.org. Noon–6 p.m., free. Celebrate LGBT pride at this free outdoor event featuring DJs, speakers, and live music. This is the first half of the weekend-long celebration sponsored by SF Pride, featuring hip-hop, a battle of the bands, and more.

LGBTQ History Bike Tour Meet at Cupid’s Arrow on the Embarcadero near the Ferry Building, SF; 2 p.m.–5 p.m., $5 donation. Get smart (and fit) for Pride on this eight-mile tour of queer history hotspots, ending up at the Dyke March.

Love and Happiness SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 10 p.m.–4 a.m., $15. It’s a glorious old-school house reunion for the rainbow children, with David Harness and Ruben Mancias on decks, Robnoxious at the door, and Joseph Solis hosting.

Kiss Me Deadly Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. After the Dyke March, cool off (most likely get hotter) with DJ Bunnystyle of Blood, Sweat, and Queers.

Mango After Dyke March Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $10/$15. Food, drink, dancing, and girls, girls, girls at this juicy ladies night.

Pink Pleasure Party Good Vibrations Valencia, 603 Valencia, SF; (415) 522-5460, www.goodvibes.com. 8–10p.m., free. Drop in, dyke out, gear up for a sensual Pride at this Good Vibes mix n’ mingle.

Pink Saturday Castro District, SF; www.thesisters.org. 6p.m.–midnight, donation requested, all ages. The Sisters of Perpetual Indulgence host their cuckoo annual outdoor event, featuring entertainment, beer, cocktails, food, and, duh, cruising galore.

Pink Triangle Installation Twin Peaks Vista, Twin Peaks Blvd parking area, SF; (415) 247-1100, ext 142, www.thepinktriangle.com. 7:30–10:30 a.m., free. Bring a hammer and your hunky work boots and help install the humongous pink triangle atop Twin Peaks for everyone to see. Volunteers needed! Do it!

San Francisco Dyke March Dolores Park, Dolores and 18th St., SF; www.dykemarch.org. Rally at 3 p.m.. March at 7 p.m.. Free. The one “do not miss” event of Pride, with tons of entertainment and speakers, impossibly sexy crowd, and a “Dyke Planet, Green Planet” theme.

Sundance Saloon Pride Dance Hotel Whitcomb, 1231 Market, SF; (415) 626-8000, www.sundancesaloon.org. 8 p.m., $10. Also Sun/27. Shine up your spurs for a country line-dance party that’ll put you in a hootin’ mood.

 

SUNDAY 27

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11 a.m.–6 p.m., 18+ free. Delightfully tawdry Miss Monistat queens it over this all-day dragstravaganza, featuring the Sisters of Perpetual Indulgence, Mutha Chucka, Cher-A-Little, and others. With crazy beats from Electronic Music Bears, High Fantasy, and more.

Gay Shame Goth Cry-In Outside LGBT Center, 1800 Market, SF; www.gayshamesf.org. 2 p.m.–3:30 p.m., free. Protest and grieve the commercialization of Pride and the community – throw on your blackest black and let the tears roll.

Juanita MORE!’s Pride Party 2010 Kelly’s Mission Rock, 817 Terry Francois Blvd, SF; (415) 626-5355, www.juanitamore.com. 2 p.m.–2 a.m., $35. Pretty much the charitable Pride party of the year, flooded with cool kids, admirers, and the sounds of the mind-blowing Cougar Cadet Corps Drumline. DJs James Glass, Chelsea Starr, Kim Ann Foxman, and many more. Benefiting Bay Positives. Shuttles available from the Pride Celebration.

Les Beaux SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 3 p.m.–9 p.m., $10. Don’t catch your breath after Pride, girls. Get beautiful with Cockblock’s DJ Nuxx and decks guests Sarah Delush and Rapid Fire.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McCallister, SF; (415) 864-3733, www.sfpride.org. Noon–7 p.m., free. The celebration hits full stride, with a buttload of musical and dance performances and, truly, something for everyone. Don’t forget your sunscreen or little umbrella.

LGBT Pride Parade Market at Davis to Market and Eighth Sts, SF; (415) 864-3733, www.sfpride.org. 10:30 a.m.–noon, free. This 40th annual parade, with an expected draw of 500,000, is the highlight of the Pride Weekend in the city that defines queer culture.

Honey Pride Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 6 p.m.–2:30 a.m., $3. Legendary (actually) disco DJ Steve Fabus goes classic house on us, joining the regular Honey Soundsystem discaires for stylish specialness all around. $8 beer bust 6 p.m.-9 p.m..  

Queerly Beloved Pink Sunday Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 3 p.m.–8 p.m., $5. Courtney Trouble and Tina Horn host this benefit for queerporn.tv. DJs Campbell and Venus in Furs, performers Alotta Boutte and Dexter James, kissing and kink booths, and dirty, sexy queers.

Too Fast for Love Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. “Shake it, fake it, take it” as DJ Campbell spins the dirty at this Pride after-affair.

Your big queer week

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ONGOING

Boys in their Bedrooms Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. Mon-Thu 5 p.m.–2 a.m., Sat–Sun 2 p.m.–2 a.m. Through June 30. Photographer Amos Mac of Original Plumbing zine gets up close and personal, chronicling the trans male lifestyle on the sexy Lex’s walls.

Chronotopia SOMArts, 934 Brannan, SF; (415) 552-1770, www.somarts.org. Explore “the past, present, and future of queer histories” with this eye-popping photography exhibit that celebrates the spectrum of queer images.

Faetopia Festival Old Tower Records space at Market and Noe streets, SF; Various times and prices. Through June 26. www.playajoy.org/faetopia. The lovely, radical faeries of Comfort and Joy take over this huge space for a “remix of the past and present for future utopias,” including eco-homo installations, “cuddle cinema” events, and a gossamer wing-load of ideas and performances.

Frameline Film Festival Various locations; see website for dates and times, www.frameline.org. The humongous citywide queer flick fest is still going strong, with dozens of screen gems.

Golden Girls Mama Calizo’s Voice Factory, 1519 Mission, SF; (415) 690-9410, www.voicefactorysf.org. Thu/24 and Fri/25, 7p.m. and 9 p.m.. $20–$25. Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar are joined by Mike Finn and Laurie Busman for live-action versions of two all-new episodes of the beloved TV show.

National Queer Arts Festival Various locations; see website for details, www.queerculturalcenter.org. Experience scandalously good spoken word, cabaret, art installations, and so much more as this powerhouse monthlong celebration of queer revelations continues.

 


 

WEDNESDAY 23

Allstars 4 The Garage, 975 Howard, SF; (415) 518-1517, www.975howard.com. 8 p.m., $10-$20. An array of one-person shows and monologues that focus on the diversity and struggle of queer daily life.

Booty Call Q Bar, 456 Castro, SF; (415) 626-7220, www.qbarsf.com. 9p.m., $3. Juanita More, Joshua J, and photographers whip up dirty tunes and photobooth eye-candy, with DJ W, Jeremy of House of Stank.

HomoEvolution El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8p.m., free. LGBT hip-hop showcase in full effect, with Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Mary Go Round LookOut, 3600 16th St, SF; (415) 431-3111, www.lookoutsf.com. 10 p.m., $5. House of Glitterati invades the weekly drag show, anchored by Suppositori Spelling, Cookie Dough, and Pollo Del Mar.

OH! Powerhouse, 1347 Folsom, SF; (415) 552-8689, www.powerhouse-sf.com. The Bright Young Gentlemen’s Adventuring Society cordially invites you to get it on. With DJs Taco Tuesday and PDX hottie Stormy.

Pullin’ Pork for Pride Pilsner Inn, 225 Church, SF; (415) 621-7058. 6 p.m.–9 p.m. free. Hot pork in hot buns (free sandwiches from the Funk N Chunk crew, we mean). It’s the Guardian’s annual free-for-all shindig with DJ Stanley Frank of Vienetta Discotheque, games, surprises, more.

Radar: Old School 3 San Francisco Public Library, Koret Auditorium, 100 Larkin, SF; (415) 557-4400, www.radarproductions.org. SF’s top writers reimagine the lives and legacies of queers gone by. With Justin Chin, Len Plass, Cyd Nova, and more.

 


THURSDAY 24

A Spot of T African American Arts and Culture Complex, 762 Fulton, SF; www.queerculturalcenter.org. 8 p.m., $12–$20. Original Plumbing brings on an all-transmale cabaret extravaganza with Chris Vargas, Berlin Reed, Ketch Wehr, Glenn Marla, and more.

Bad Reputation Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. The sexy Lex’s infamous Pride kick-off, with DJs Jenna Riot and Dee Dee Crocodile, go-gos, drink specials. Oh, and smokin’ hot grrrls.

Bedtime Stories A Different Light, 498 Castro, SF; (415) 431-0891, www.adlbooks.com. 7:30 p.m., free. Fabio, oh, Fabio? Erotic gay romance author G.A. Hauser steams up the windows of A Different Light.

Carletta Sue Kay, Brent James, Pepperspray The Eagle, 398 12th St., SF. (415) 626-0880, www.sfeagle.com. 10 p.m., $5. Faggotty rock time. A screwed-up Appalachian-ish crooner, a naughty country high-flyer, and four heavy metal drag queens take over the Eagle. What’s not to love?

Gold Queers in the Night 111 Minna, SF; (415) 974-1719, www.111minnagallery.com. 9 p.m., $7. The Stay Gold and Hella Gay crews team up with Blood, Sweat, and Queers for an epic night of youthful, sweaty jams in the indie dance vein.

Gretchen Phillips and Phranc El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $8–$15. Texan Phillips and “all–American, Jewish, lesbian folksinger” Phranc bring the Sapphic sounds.

Marga Gomez is Proud and Bothered New Conservatory Theater, 25 Van Ness, SF; (415) 861-4914, www.nctcsf.org. 8 p.m., $28 advance. Also Sat/26. The hilarious lesbian Latina queen of comedy takes a sharp-shootin’ walk of shame through her not-so-Prideful past.

Nightlife California Academy of Sciences, 55 Music Concourse, SF; (415) 379-5128, www.calacademy.org. 6 p.m.-10 p.m., $8–$10. Get thee to the awesome museum for tunes by Juanita More!, LadyHouse, and Stanley Frank, plus Sex Talk with Jane Tollini, and, of course, live penguins.

Queer Radicals New Valencia Hall, 625 Larkin, SF; (415) 864-1278. 7p.m., free (summer buffet for $7.50). A panel of queer and transgender activists discusses how to build a militant movement for LGBT liberation.

The Sound of Fabulous Mission High School, 3750 18th St., SF: www.sfprideconcert.org. 8 p.m., $15–$40. Also Fri/25. The Lesbian/Gay Chorus of San Francisco celebrates 30 years of, yes, fabulous, joining forces with the Gay Men’s Chorus, and the Freedom Marching Band for some “out loud and proud.”

Sybaritic Cougars with Ecosexual Tendencies Good Vibrations Polk, 1620 Polk, SF; (415) 345-0400, www.goodvibes.com. 6 p.m.–8 p.m., free. Sex-positive activists Annie Sprinkle and partner Beth Stephens host a retrospective of their Love Art Lab series.

The Tubesteak Connection Aunt Charlie’s, 133 Turk, SF; (415) 441-2922, www.auntcharlieslounge.com. 10 p.m., $4. A sticky, finger-lickin’, Hi-NRG hijinks tribute to bathhouse disco and funk rarities, swarthy clones, and outfits Grace Jones would die for. With DJ Bus Station John.

 


FRIDAY 25

Art Attack Pride Supperclub, 657 Harrison, SF; (415) 348-0900, www.supperclub.com. 9 p.m., $20. Video artist III paints the club fuchsia for DJ Lady Kier of Deee-Lite, the return of drag-rock amazers Pepperspray, and LA mesh-wonder Fade-Dra.

Bearracuda Pride DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. 9 p.m.-late. $20. Two floors of beard rubs, belly bumps, fur fun, and hairy hijinks as the city’s wild bear club goes big. DJ Ted Eiel heads up.

Bibi Gay Middle Eastern Mega Pride Party Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 9 p.m., $15. One of the most-anticipated parties of the season, with DJs Nile, Nadar, and Cheon delving into global sounds for a hip-shaking, ululating crowd of all stripes. Hookahs! Hotties! Bellydancers!

Folsom Friday Various SoMa venues, www.folsomfriday.com. 10 p.m.–2 a.m., free. Shuttles run down Folsom Street all night for a sleazy-fun bar crawl in SF’s other mecca for queer venues, including Truck, Chaps, Powerhouse, Blow Buddies, Lone Star, Mr. S, and Off Ramp Leathers.

MR. Mighty, 119 Utah, SF; (415) 626-7001, www.mighty119.com. 8 p.m.–4 a.m. $15. Break out your giant fake mustaches: NYC’s Larry Tee and our own house hero David Harness rock all night at this annual campy hoot. Yes, there’ll be a hot ‘stache (and ‘stache-riding?) contest.

San Francisco Trans March Dolores Park, Dolores and 18th St.; (415) 447-2774, www.transmarch.org. 3 p.m. stage, 7 p.m. march; free. Join the transgender community of San Francisco and beyond for a day of live performances, speeches, and not-so-military marching.

Some Thing Biggest Bestest Gayest Funnest Drag Show Sensation! Ever The Stud, 399 Ninth St., SF; (415) 863-6623, www.studsf.com. 9 p.m.–4 a.m., $10. Er, the name kind of says it all? The packed weekly club goes nuclear. VivvyAnne ForeverMore, Glamamore, Juanita More, Down-E, Diamond Daggers, Anna Conda &ldots; who’ll walk away with the mushroom cloud?

Original Plumbing presents Unofficial! Elbo Room, 647 Valencia, SF; (415) 552-7788, www.elbo.com. 9 p.m., $10. A party in honor of trans pride and visibility — plus, it’ll be a blast. Rocco Katastrophe and Jenna Riot host, DJs Chelsea Starr and 100 spokes spin, furry photo booth, trans slideshow, performances by Glenn Marla and Ice Cream Socialites.

Trans March 2010 Dolores Park, 17 Street and Dolores, SF. Rally at 3:30, march at 7 p.m.. www.transmarch.org. “United by Pride, United by Power” is the theme of this year’s inspiring event, with performances by the Transcendence Gospel Choir, Nori Herras, and a ton more..


 

SATURDAY 26

Big Top vs. Trannyshack Club Eight, 1151 Folsom, SF; (415) 431-1151, www.eightsf.com. 9 p.m., $10 adv. Surely, it will be a circus when these two balls-out parties collide. Big Top brings the half-naked cockring-masters, Trannyshack brings the barkers. With DJ W. Jeremy. Midnight dragocalypse with Heklina, Ambrosia Salad, Miss Rahni, and more.

Blow Off Slim’s 333 11th St., SF. (415) 255-0333, www.slims-sf.com. 10pm, $15-$20. DJs Bob Mould (of Sugar) and Rich Morel spin the rock remixes for a packed crowd of large hairies, scruffy fairies, and their admirers. Get into it. 

Bootie: Lady Gaga vs. Madonna DNA Lounge, 375 11th St., SF; (415) 626-2532, www.dnalounge.com. Could it get any stereotypically gayer? Don’t worry, punkers, the Bootie mashup crew are here to subvert it into happy chaos. Huge drag show at midnight.

Chaser: The Imminent Return EndUp, 401 Sixth St., SF; (415) 896-1075, www.theendup.com. 5 p.m.–10 p.m., $10. Monistat lives! Her ass-whoopin’, drink-spillin’ drag club resurrects itself, with a full-on show of every insanely entertaining alternaqueen in the phonebook, apparently. Plus DJ Guy Ruben.

Cockblock Mega-Pride Rickshaw Stop, 155 Fell, SF; (415) 861-2011, www.rickshawstop.com. 9 p.m., $20-$25. Wild, wet, and more wild at this ecstatic, high-hoofin’ joint for lezzies, queers, and lovers. With DJs Nuxx and Motive and hot chicks galore.

Excuses for Skipping and Lauren DeRose Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 3 p.m., free. Warm up for the Dyke March with these two live rockin’ acts.

Go Bang! Pride Edition Deco Lounge, 510 Larkin, SF; (415) 346-2025, www.decosf.com. 9 p.m.-after hours, $5. One of our cutest disco and house parties goes pink with DJs Jason Kendig, Marcelino Andrade, Sergio, and more. Expect to be turned out, put upside-down, and spun around.

Lights Down Low Pride Edition Triple Crown, 1760 Market, SF; (415) 863-3516, www.triplecrownsf.com. 8 p.m.–4 a.m., $15. The gonzo electro party delivers a worthy Pride blackout with DJs Larry Tee, Kim Ann Foxman, Saratonin from Brownies for my Bitches, Sleazemore, Derek Bobus, and more. Hosted by the Miss Honey kids and Davi.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McAllister, SF; (415) 864-3733, www.sfpride.org. Noon–6 p.m., free. Celebrate LGBT pride at this free outdoor event featuring DJs, speakers, and live music. This is the first half of the weekend-long celebration sponsored by SF Pride, featuring hip-hop, a battle of the bands, and more.

LGBTQ History Bike Tour Meet at Cupid’s Arrow on the Embarcadero near the Ferry Building, SF; 2 p.m.–5 p.m., $5 donation. Get smart (and fit) for Pride on this eight-mile tour of queer history hotspots, ending up at the Dyke March.

Love and Happiness SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 10 p.m.–4 a.m., $15. It’s a glorious old-school house reunion for the rainbow children, with David Harness and Ruben Mancias on decks, Robnoxious at the door, and Joseph Solis hosting.

Kiss Me Deadly Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. After the Dyke March, cool off (most likely get hotter) with DJ Bunnystyle of Blood, Sweat, and Queers.

Mango After Dyke March Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 8 p.m., $10/$15. Food, drink, dancing, and girls, girls, girls at this juicy ladies night.

Pink Pleasure Party Good Vibrations Valencia, 603 Valencia, SF; (415) 522-5460, www.goodvibes.com. 8–10p.m., free. Drop in, dyke out, gear up for a sensual Pride at this Good Vibes mix n’ mingle.

Pink Saturday Castro District, SF; www.thesisters.org. 6p.m.–midnight, donation requested, all ages. The Sisters of Perpetual Indulgence host their cuckoo annual outdoor event, featuring entertainment, beer, cocktails, food, and, duh, cruising galore.

Pink Triangle Installation Twin Peaks Vista, Twin Peaks Blvd parking area, SF; (415) 247-1100, ext 142, www.thepinktriangle.com. 7:30–10:30 a.m., free. Bring a hammer and your hunky work boots and help install the humongous pink triangle atop Twin Peaks for everyone to see. Volunteers needed! Do it!

San Francisco Dyke March Dolores Park, Dolores and 18th St., SF; www.dykemarch.org. Rally at 3 p.m.. March at 7 p.m.. Free. The one “do not miss” event of Pride, with tons of entertainment and speakers, impossibly sexy crowd, and a “Dyke Planet, Green Planet” theme.

Sundance Saloon Pride Dance Hotel Whitcomb, 1231 Market, SF; (415) 626-8000, www.sundancesaloon.org. 8 p.m., $10. Also Sun/27. Shine up your spurs for a country line-dance party that’ll put you in a hootin’ mood.

 


SUNDAY 27

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11 a.m.–6 p.m., 18+ free. Delightfully tawdry Miss Monistat queens it over this all-day dragstravaganza, featuring the Sisters of Perpetual Indulgence, Mutha Chucka, Cher-A-Little, and others. With crazy beats from Electronic Music Bears, High Fantasy, and more.

Gay Shame Goth Cry-In Outside LGBT Center, 1800 Market, SF; www.gayshamesf.org. 2 p.m.–3:30 p.m., free. Protest and grieve the commercialization of Pride and the community – throw on your blackest black and let the tears roll.

Juanita MORE!’s Pride Party 2010 Kelly’s Mission Rock, 817 Terry Francois Blvd, SF; (415) 626-5355, www.juanitamore.com. 2 p.m.–2 a.m., $35. Pretty much the charitable Pride party of the year, flooded with cool kids, admirers, and the sounds of the mind-blowing Cougar Cadet Corps Drumline. DJs James Glass, Chelsea Starr, Kim Ann Foxman, and many more. Benefiting Bay Positives. Shuttles available from the Pride Celebration.

Les Beaux SOM, 2925 16th St., SF; (415) 558-8521, www.som-bar.com. 3 p.m.–9 p.m., $10. Don’t catch your breath after Pride, girls. Get beautiful with Cockblock’s DJ Nuxx and decks guests Sarah Delush and Rapid Fire.

LGBT Pride Celebration Civic Center, Carlton B. Goodlett Place and McCallister, SF; (415) 864-3733, www.sfpride.org. Noon–7 p.m., free. The celebration hits full stride, with a buttload of musical and dance performances and, truly, something for everyone. Don’t forget your sunscreen or little umbrella.

LGBT Pride Parade Market at Davis to Market and Eighth Sts, SF; (415) 864-3733, www.sfpride.org. 10:30 a.m.–noon, free. This 40th annual parade, with an expected draw of 500,000, is the highlight of the Pride Weekend in the city that defines queer culture.

Honey Pride Paradise, 1501 Folsom, SF; (415) 252-5018, www.paradisesf.com. 6 p.m.–2:30 a.m., $3. Legendary (actually) disco DJ Steve Fabus goes classic house on us, joining the regular Honey Soundsystem discaires for stylish specialness all around. $8 beer bust 6 p.m.-9 p.m..  

Queerly Beloved Pink Sunday Party El Rio, 3158 Mission, SF; (415) 282-3325, www.elriosf.com. 3 p.m.–8 p.m., $5. Courtney Trouble and Tina Horn host this benefit for queerporn.tv. DJs Campbell and Venus in Furs, performers Alotta Boutte and Dexter James, kissing and kink booths, and dirty, sexy queers.  

Too Fast for Love Lexington Club, 3464 19th St., SF; (415) 863-2052, www.lexingtonclub.com. 9 p.m., free. “Shake it, fake it, take it” as DJ Campbell spins the dirty at this Pride after-affair.

Film listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Erik Morse, Louis Peitzman, Lynn Rapoport, Ben Richardson, and Matt Sussman. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide at www.sfbg.com.

FRAMELINE34

The 34th San Francisco International LGBT Film Festival runs through Sun/27 at the Castro, 429 Castro, SF; Roxie, 3117 16th St, SF; Victoria, 2961 16th St, SF; and Rialto Cinemas Elmwood, 2966 College, Berk. Tickets (most shows $8-15) can be purchased at www.frameline.org. All times pm unless otherwise noted.

WED/23

Castro Thy Will Be Done: A Transsexual Woman’s Journey Through Family and Faith 11am. Mädchen in Uniform 1:30. The Golden Pin 4. Beautiful Darling 7. Children of God 9:30.

Roxie The Stranger in Us 6:45. Tough Girls 9:30.

Victoria Bloomington 7. The Adults in the Room 9:30.

Elmwood We Have to Stop Now 7. Going South 9:30.

THURS/24

Castro "Deep Red" (shorts program) 11am. "Says Who? Gender Variant Representation in Media" (free panel discussion) 2. All Boys 4:30. The Sea Purple 6:45. Spring Fever 9:30.

Roxie Stonewall Uprising 7. The Motionless 9:30.

Victoria Plan B 6:30. "Transtastic!" (shorts program) 9:30.

Elmwood The Last Summer of La Boyita 7. The Man Who Loved Yngve 9:30.

FRI/25

Castro TBA 1 11am. Gay Days 1:30. "Worldly Affairs" (shorts program) 4. Elena Undone 6:45. Hideaway 9:30.

Roxie Out in the Silence 7. The Fish Child 9:30.

Victoria The String 7. We Have to Stop Now 9:30.

SAT/26

Castro Out of Annapolis 11am. FIT 1. "Dyke Delights" (shorts program) 3:45. From Beginning to End 6. BearCity 8:30.

Roxie Holding Hands 11am. The Sons of Tennessee Williams 1:30. Uncle Bob 4. Mother Earth 7. "The Experimentals" (shorts program) 9:30.

Victoria Heretics 11am. Other Nature 1:30. The Chorus/HIV Story Project 4:15. Lost in the Crowd 7. TBA 2 9:30.

SUN/27

Castro "Fun in Girls’ Shorts" (shorts program) 11:30. "Fun in Boys’ Shorts" 2. Going South 4:30. Howl 7:30.

OPENING

*Air Doll See "Inflated Meaning." (1:56) Lumiere.

Cyrus See "Sonny Dearest." (1:32)

Grown Ups Another man-child comedy? Is there a time-traveling hot tub in this one? (1:42) Marina, Shattuck.

Have You Heard from Johannesburg? The best word to describe Connie Field’s Have You Heard From Johannesburg? is "impressive." At eight-and-a-half hours, the seven-part documentary series spans nearly five decades of the South African anti-apartheid movement. The individual films are well-researched and thought-provoking. The stories are compelling — that is, until you put them all together. The complete series is just too long for those without a strong, vested interest in South African history. It’s simply not approachable for the mainstream, and the approximately three-hour chunks it’s meant to be consumed in are daunting. These films are better suited to a televised series, where viewers could appreciate hearing about anti-apartheid pioneers like Oliver Tambo and Desmond Tutu in smaller, digestible bites. As it stands, Field’s documentary is not likely to find a wide audience — a real pity, given the 10 years of effort she put into it, and the importance of sharing the South African struggle for equality with the rest of the world. (8:30) Roxie, Smith Rafael. (Peitzman)

*The Killer Inside Me See "Pulp Vicious." (1:48) Sundance Kabuki.

*I Am Love I Am Love opens in a chilly, Christmastime Milan and deliberately warms in tandem with its characters. Members of the blue-blood Recchi family are content hosting lavish parties and gossiping about one another, none more than the matriarch Emma (Tilda Swinton). But when prodigal son Edoardo befriends a local chef, Emma finds herself taken by both the chef’s food and his everyman personality, and is reminded of her poor Soviet upbringing. The courtship that follows is familiar on paper, but director Luca Guadagnino lenses with a strong style and small scenes acquire a distinct energy through careful editing and John Adams’ unpredictable score. Swinton portrays Emma’s unraveling with the same gritty gusto she brought to Julia (2008), and her commitment to the role recognizes few boundaries. You’ve probably seen this story before, but it has rarely been this powerful. (2:00) Albany, Embarcadero. (Peter Galvin)

*Knight and Day A Bourne-again Vanilla Sky (2001)? Considerably better than that embarrassingly silly stateside remake, though not quite as fulfilling as director James Mangold’s 3:10 to Yuma (2007) rework, this action caper played for yuks still isn’t the most original article in the cineplex. But coasting on the dazzling Cheshire grins of its stars, Tom Cruise and Cameron Diaz, reunited for the first time since Sky, you can just make out the birth of a beautiful new franchise. Everygirl June Havens (Diaz) is on her way to her sister’s wedding when she collides-cute at the airport with Roy Miller (Cruise). After killing the passengers and pilots on their plane, he literally sweeps her off her feet — thanks to some potent drugs. Picture a would-be Bond girl dragged against a spy-vs.-spy thriller semi-against-her-will — grappling with the subtextual anxiety rushing beneath all brief romantic encounters as well as some very justifiable survival fears. Can June overcome her trust issues? Is Roy the man of her dreams — or nightmares? Mangold and company miss a few opportunities to have more fun with those barely teased out ideas, and the polished, adult-yet-far-from-knowing charisma of the leads doesn’t quite live up to sophisticated interplay of Cary Grant and Grace Kelly, or even the down-home fun of Burt Reynolds and Sally Field, but it’s substantial enough for Knight and Day to coast on, for about 90 minutes tops. (2:10) Four Star, Presidio. (Chun)

The Message This period melodrama-meets-spy thriller is set in 1942 Nanjing. (1:57) Four Star.

ONGOING

The A-Team (1:57) 1000 Van Ness, Presidio, SF Center.

*Babies (1:19) Shattuck, Smith Rafael, Sundance Kabuki.

*City Island (1:40) Shattuck.

*Coco Chanel and Igor Stravinsky (1:55) Shattuck, Sundance Kabuki.

*Exit Through the Gift Shop (1:27) Lumiere, Shattuck, Sundance Kabuki.

Get Him to the Greek (1:49) Empire, Four Star, 1000 Van Ness, Presidio, SF Center, Shattuck, Sundance Kabuki.

*The Girl With the Dragon Tattoo (2:32) Clay, Piedmont, Red Vic, Shattuck, Smith Rafael.

*Iron Man 2 (2:05) 1000 Van Ness, Sundance Kabuki.

*Joan Rivers: A Piece of Work (1:24) Bridge, Embarcadero, Piedmont, Shattuck, Smith Rafael.

Jonah Hex Based on DC’s dark western comics, Jonah Hex is a jumbled mess of mishandled superhero tropes and obligatory attempts at badass-ery. The title character, a grizzled gunfighter with a distinctive facial scar, could be an engaging outsider antihero, but as portrayed by Josh Brolin, he feels neither as cool nor as tortured as we’re clearly expected to believe. The film has a decidedly ’90s feel to it — think overbudgeted, underthought masterpieces like Wild Wild West (1999) — with its farcically fantastical take on post-Civil War supervillainy. Its ridiculous cast of character actors is almost completely squandered, including archvillain John Malkovich, Aidan Quinn as Ulysses S. Grant, and Will Arnett in an inexplicably serious role. Megan Fox is trying the hardest out of the whole cast, but in a rather sleazy move, her character always seems to appear in soft focus. Oh, and there are a few explosions. (1:81) 1000 Van Ness. (Sam Stander)

The Karate Kid (2:20) 1000 Van Ness, SF Center, Sundance Kabuki.

Killers (1:40) 1000 Van Ness.

Letters to Juliet (1:46) SF Center.

Lovers of Hate (1:33) Roxie.

Micmacs (1:44) Embarcadero, Shattuck, Smith Rafael.

La Mission (1:57) Opera Plaza, Red Vic.

*Ondine (1:43) California, Opera Plaza.

*Please Give (1:30) Opera Plaza.

Prince of Persia: The Sands of Time (2:10) California, 1000 Van Ness.

The Secret in Their Eyes (2:07) Albany, Lumiere.

Sex and the City 2 (2:24) 1000 Van Ness, SF Center, Sundance Kabuki.

Solitary Man (1:30) Empire, Opera Plaza, Piedmont, Shattuck, Sundance Kabuki.

*Splice (1:45) 1000 Van Ness.

The Sun Behind the Clouds A delicate political subject that penetrates to the roots of a nation’s cultural identity, the Tibetan "issue" most recently re-entered the Western consciousness in 2008, preceding China’s hosting of the Olympics. Ritu Sarin and Tenzing Sonam’s informative documentary addresses the issue from many perspectives, including those of protest marchers, Tibetans dwelling around the world, Chinese anti-Tibetan-independence campaigners, cultural commentators, and the Dalai Lama himself. Thoughtful narration by Sonam elaborates on the difficult ramifications of the Dalai Lama’s pursuit over the past few decades of the "Middle Way Approach," which does not incorporate Tibetan independence from Chinese rule. The film is tinged with great sadness, which gives the proceedings a decidedly biased feel but also a sincere glow. The Chinese state’s continuing suspicion of the Dalai Lama’s intentions led to a breakdown in talks, but the documentary’s very title alludes to a protest song which predicts the inevitability of Tibetan freedom. (1:19) Opera Plaza. (Stander)

Touching Home (1:48) Smith Rafael.

*Toy Story 3 You’ve got a friend in Pixar. We all do. The animation studio just can’t seem to make a bad movie — even at its relative worst, a Pixar film is still worlds better than most of what Hollywood churns out. Luckily, Toy Story 3 is far from the worst: it’s actually one of Pixar’s most enjoyable and poignant films yet. Waiting 11 years after the release of Toy Story 2 was, in fact, a stroke of genius, in that it amplifies the nostalgia that runs through so many of the studio’s releases. The kids who were raised on Toy Story and its first sequel have now grown up, gone to college, and, presumably, abandoned their toys. For these twentysomethings, myself included, Toy Story 3 is a uniquely satisfying and heartbreaking experience. While the film itself may not be the instant classic that WALL-E (2008) was, it’s near flawless regardless of a viewer’s age. Warm, funny, and emotionally devastating—it’s Pixar as it should be. (1:49) Empire, Marina, 1000 Van Ness, Sundance Kabuki. (Peitzman)

*Winter’s Bone Winter’s Bone has already won awards at the Berlin International Film Festival and the Sundance Film Festival, but it’s the kind of downbeat, low-key, quiet film that may elude larger audiences (and, as these things go, Oscar voters). Like Andrea Arnold’s recent Fish Tank, it tells the story of a teenage girl who draws on unlikely reserves of toughness to navigate an unstable family life amid less-than-ideal economic circumstances. And it’s also directed by a woman: Debra Granik, whose previous feature, 2004’s Down to the Bone, starred Vera Farmiga (2009’s Up in the Air) as a checkout clerk trying to balance two kids and a secret coke habit.

Drugs also figure into the plot of the harrowing Winter’s Bone, though its protagonist, Ree Dolly (Jennifer Lawrence), is faced with a different set of circumstances: her meth head father has jumped bail, leaving the family’s humble mountain home as collateral; the two kids at stake are her younger siblings. With no resources other than her own tenacity, Ree strikes out into her rural Missouri community, seeking information from relatives who clearly know where her father is — but ain’t sayin’ a word. It’s a journey fraught with menace, shot with an eye for near-documentary realism and an appreciation for slow-burn suspense; Lawrence anchors a solid cast with her own powerful performance. Who says American independent film is dead? (1:40) California, Embarcadero. (Eddy)

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 23

ROCK/BLUES/HIP-HOP

Blue Rodeo, Justin Rutledge Independent. 8pm, $25.

“HomoEvolution” El Rio. 8pm. With Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Porkchop Express, Hollyfields, Emily Zisman and Ryan Avery Hemlock Tavern. 9pm, $7.

Rockin Jake Biscuits and Blues. 8 and 10pm, $15.

Stymie and the Pimp Jones Luv Orchestra, Sistas in the Pit, Valerie Orth Band Bottom of the Hill. 9pm, $10.

Wisdom Tooth, Little Teeth, Pineapple Explode Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 24

ROCK/BLUES/HIP-HOP

Blind Willies Bollyhood Café. 8:30pm, $7.

Brothers Comatose, Tiny Television, Allofasudden Bottom of the Hill. 9pm, $10.

Butch Whacks and the Glass Packs Bimbo’s 365 Club. 8pm, $45.

Alan Iglesias Biscuits and Blues. 8 and 10pm, $16.

Living With Lions, Spires, Young Generals, Second to Last Thee Parkside. 9pm, $8.

Luccabrazzi, MC Meathook and the Vital Organs Knockout. 9:30pm, $5.

Gretchen Phillips, Phranc El Rio. 9pm, $8-15.

Radar Brothers, Man/Miracle, Mist and Mast Rickshaw Stop. 8pm, $12.

Josh Ritter and the Royal City Band, Carolina Chocolate Drops Fillmore. 9pm, $25.

Tornado Rider, Audiodub, Conscious Souls, Oola Rocksteady Slim’s. 9pm, $14.

Waifs, Mike Gunther Independent. 8pm, $30.

Zodiac Death Valley, Drug Wars, Complaints Hemlock Tavern. 9pm, $7.

FOLK/WORLD/COUNTRY

Bluegrass and Old-time Jam Atlas Café. 8pm, free.

Ian McFeron, Alisa Milner Duboce Park Café, 2 Sanchez, SF; (415) 621-1108. 7:30pm, free.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

Bad Reputation Lexington Club. 9pm, free. Lose that good girl attitude at this Pride kickoff party with DJs Jenna Riot and Dee Dee Crocodile.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Gigantic Beauty Bar. 9pm, free. With DJs Eli Glad, Greg J, and White Mike spinning indie, rock, disco, and soul.

Gold Queers in the Night 111 Minna Gallery. 9pm, $7. Combining three dirty underground queer dance parties into one pride event with DJs Black, Bunnystyle, davO, Durt, Pink Lightning, and Rapid Fire.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm-3am, $2-5. Industrial with BaconMonkey, Netik, Stats, and Shadow Angel.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 25

ROCK/BLUES/HIP-HOP

Lou Barlow, Sarah Jaffe Café du Nord. 9pm, $14.

Butch Whacks and the Glass Packs Bimbo’s 365 Club. 8pm, $45.

Entrance Band, Growlers Hemlock Tavern. 9:30pm, $12.

Evolfo Doofeht, Vernon “Ice” Black, Cudnz, Candlespit Collective Slim’s. 9pm, $15.

Sharon Jones and the Dap Kings, Heavy, DJ Harry Duncan Warfield. 9pm, $27.

Judgement Day, Stomacher Dark Room, 2263 Mission, SF; http://snobtheater.tumblr.com. 10pm, $10. With comedians Red Scott, Melanie O’ Brien, Alex Koll, and DJ Real.

Little Black Bats, Prognosis Negative, Video Wine Party Walgreen’s Parking Lot, 4122 18th St, SF; gawksf@yahoo.com. 7pm, free.

Minipop, Trophy Fire, Chasing Kings Rickshaw Stop. 8:30pm, $10.

Pleasure Kills, Blank Stares, Glitter Wizard Thee Parkside. 9pm, $8.

Soul of John Black Biscuits and Blues. 8 and 10pm, $20.

Still Time, Lucas Ohio and the Shamblers, Dustbowl Revival Red Devil Lounge. 9pm, $12-14.

“Trans March After Party” Elbo Room. 9pm, $10. Original Plumbing hosts performances by Katastrophe, La Monistat, Glenn Maria, and more.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Ben Darwish Red Poppy Art House. 8pm, $10-15.

Marina Teich Group Savanna Jazz, 2937 Mission, SF; (415) 285-3369. 7:30pm, $8.

Meshell Ndegeocello Yoshi’s San Francisco. 8 and 10pm, $22-28. Playing Gil Scott-Heron covers.

Trumpetsupergroup Randall Museum Theater, 199 Museum, SF; www.trumpetsupergroup.com. 8pm, $5-10.

Will Bernard Trio with Robert Walter and Simon Lott Boom Boom Rom. 9:30pm, $15.

FOLK/WORLD/COUNTRY

Fishtank Ensemble Blue Macaw, 2565 Mission, SF; (415) 920-0577. 9pm, $10. With tribal fusion dancer Rachel Brice.

Marina LaValle Coda. 10pm, $10.

Wrenboys Plough and Stars. 9pm.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Art Attack Supperclub. 9pm, $20. With DJs Lady Kier and Pepperspray.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Chunkhouse DNA Lounge. 9pm, $15-20. House with Ted Eiel.

DJ Morse Code Vessel. 9:30pm, $20.

Episco Disco Grace Cathedral, 1100 California, SF; (415) 869-7817. 7pm, free. With DJs Broker/Dealer and Disco Shawn, a live performance by Chelsea Wolfe, and art by Oliver DiCicco.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

House of Voodoo Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $5. With DJs voodoo, Purgatory, and Ms. Samantha spinning goth, industrial, deathrock, eighties, and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kial, Tom No Thing, Megalodon, and Zapruderpedro spinning dubstep, reggae, and electro.

Road to Ruin Lexington Club. 9pm, free. A Trans March after party with DJ Rapid Fire spinning hip hop, pop, rock, and top40.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Teenage Dance Craze Party Knockout. 10pm, $3. With DJ Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 26

ROCK/BLUES/HIP-HOP

Concrete Blonde, Flametal Regency Ballroom. 9pm, $35.

Steve Earle Great American Music Hall. 7pm, $36.

Finest Dearest, Sterling Says Epicenter Café, 764 Harrison, SF; www.epicentercafe.com. 7pm, free.

Hightower, Kingdom of Magic, Razorhoof Hemlock Tavern. 9:30pm, $7.

Robert Earle Keen, Elliot Randall and the Deadman Fillmore. 9pm, $25.

Bill Kirchen Amoeba, 1855 Haight, SF; (415) 831-1200. 2pm, free.

MC Trachiotomy Hemlock Tavern. 6pm, free.

Myonics, Mystery Lights, Wax Idols, Colbalt Cranes Amnesia. 9pm, $7.

Obsessor, Cwachemoe, Moss Thee Parkside. 3pm, free.

“Rock and Sox” Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 10pm. Fundraising benefit for the Dana-Farber Institute’s Jimmy Fund, with the Canver Sucks Band.

*Slim Cessna’s Auto Club, Four Year Bender, T and A Bottom of the Hill. 10pm, $12.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

C U Next Weekend, Lady Nerd, Kaptain Harris Club Six. 9pm, $5. Warped Tour after party.

JAZZ/NEW MUSIC

Lily Alunan Savanna Jazz. 7:30pm, $8.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Joan Crowe Trio Enrico’s Sidewalk Café, 504 Broadway, SF; (415) 982-6223. 8pm.

Meshell Ndegeocello Yoshi’s San Francisco. 8 and 10pm, $28. Playing Gil Scott-Heron covers.

Will Bernard Trio with Robert Walter and Simon Lott Boom Boom Rom. 9:30pm, $15.

FOLK/WORLD/COUNTRY

An Evening of Song Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 7:30pm, $17.

“Jai Ho” Oracle Arena, 7000 Coliseum, Oakl.; (510) 569-2121. 7:30pm, $50-$150. A.R. Rahman in concert.

Rattle Cans Plough and Stars. 9pm.

Thank You Julius, Brothers Amor, Maria “Songbird” Remos, DJ Chief Boima, Nothing Café du Nord. 9:30pm, $12.

DANCE CLUBS

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, and Javier, plus free 80s hair and make-up by professional stylists.

Blowoff Slim’s. 10pm, $15-20. With DJs Bob Mould and Rich Morel.

Bootie DNA Lounge. 9pm, $6-12. Lady Gaga vs. Madonna mash-ups with Adrian and Mysterious D.

Cockblock Rickshaw Stop. 9pm, $10. Dyke March after party.

Colombia y Panama Coda. 10pm, $5. Latin with DJs Beto, Vinnie Esparza, and Guillermo.

4OneFunktion Elbo Room. 10pm, $5-10. Hip-hop with FAME, Hawthorne Headhunters, DJ Spair, DJ Strategy, DJ B. Cause, Mista B, and Aron.

Go Bang! Deco SF, 510 Larkin, SF; (415) 346-2025. 9pm, $5. Recreating 70’s/80’s disco nightlife with DJs Tres Lingerie, Steve Fabus, Nicky B., and special guests Jason Kendig and Marcelino Andrade.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kiss Me Deadly Lexington Club. 9pm, free. Dyke March after party with DJ Bunnystyle.

KO $3 Dance Party Knockout. 8pm, $3. Eclectic tunes with Paul Paul, dX the Funky Gran Paw, and DJ Deadbeat.

Love and Happiness Som. 10pm, $15. With DJs David Harness and Ruben Mancias.

Mini-Vacay Milk Bar. 10pm, $5-$10. Beach gear encouraged at this Risky Bizness DJ crew summer jam party featuring performances by PFunk and C-Plus.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, Serg, and Jah Yzer spinning dancehall and reggae. Army attire themed.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 27

ROCK/BLUES/HIP-HOP

Backstreet Boys, Mindless Behavior Warfield. 8pm, $45-65.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

*Danzig, All Shall Perish, Toxic Holocaust Regency Ballroom. 8pm, $32.

Dustbowl Revival, Anna Ash, Bonnie Doom Hemlock Tavern. 9pm, $6.

Red Hot Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

*Saint Vitus, Hammers of Misfortune, Walken, Stone Axe DNA Lounge. 7:30pm, $17-20.

*Ty Segall, Grass Widow, Sonny and the Sunsets, Baths Bottom of the Hill. 8pm, $10.

*Zoroaster, Black Tusk, Dark Castle, Serpent Crown, DJ Rob Metal Thee Parkside. 9pm, $12.

JAZZ/NEW MUSIC

Kathleen Grace Red Poppy Art House. 8pm, $12-15.

Max Weinberg Big Band Yoshi’s San Francisco. 5 and 7pm, $5-25.

FOLK/WORLD/COUNTRY

Completely Unmarketable Amnesia. 7pm, free.

Golddiggers, Misisipi Rider, DJ Mr. Goodtimes Thee Parkside. 4pm, free.

Hapa and the Academy of Hawaiian Arts Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Pokey LaFarge and the South City Three, Frank Fairfield Amnesia. 9pm, $10.

Autumn Rhodes, Jeff Pearson, Glen Farr Plough and Stars. 9pm.

DANCE CLUBS

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11am-6pm, free. A showcase of queer talent and DJ sets.

Continental Breakfast Lexington Club. 2pm, free. Soul music and breakfast goodies with DJ Katie Duck.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with Vinnie Esparza and Irie Dole.

45 Club Knockout. 10pm. Funky soul with dX the Funky Gran Paw, Dirty Dishes, and English Steve.

Fresh Ruby Skye. 6pm, $25. With DJ Wayne G.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

LTJ Bukem and MC Conrad, Kuze and MC Child Independent. 9pm, $23.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

Too Fast For Love Lexington Club. 9pm, free. With DJ Campbell spinning dirty jams, top40, and more.

MONDAY 28

ROCK/BLUES/HIP-HOP

Backstreet Boys, Mindless Behavior Warfield. 8pm, $45-65.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

Eagle Winged Palace, Paula Frazer, Killbossa, These Hills of Gold Knockout. 9pm, $7.

Every Avenue, Sing It Loud, Secret Handshake, There For Tomorrow Slim’s. 7:30pm, $14-16.

Lemuria, Hard Girls, Beat the Oak Bottom of the Hill. 8:30pm, $8.

MOTO, Midnight Creeps, Sharp Objects, Spurts Elbo Room. 9:30pm, $6.

Sally Seltmann, Gemma Ray, Old-Fashioned Way Rickshaw Stop. 7pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 29

ROCK/BLUES/HIP-HOP

CocoRosie, Cibelle Regency Ballroom. 8pm, $24.

Greg Ashley, Yea Ming, Brian Glaze Hemlock Tavern. 9pm, $6.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

Buxter Hoot’n, Mark Matos and Os Beaches Elbo Room. 9pm, $6.

Frozen in Amber, Disemballerina, Wild Hum Knockout. 6pm, $6.

*Harlem, Hunx and His Punx Independent. 8pm, $15.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. “Stump the Wizard” with DJs What’s His Fuck and the Wizard.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Rep Clock

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Schedules are for Wed/23–Tues/29 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

AMNESTY INTERNATIONAL 350 Sansome, SF; www.theresponsemovie.com. Free. The Response (2009) Wed, 6.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. The Female Face of AIDS: Crisis in Malawi (Boyce and Karr, 2008), Sun, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8-13. San Francisco International LGBT Film Festival, through Sun/27. See film listings. The Castro (1997) Tues, 6:30. Free screening presented by KQED in honor of Pride.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Micmacs (Jeunet, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times. Have You Heard from Johannesburg? (Field, 2006), June 25-July 1, call for times. Joan Rivers: A Piece of Work (Stern and Sundberg, 2010), June 25-July 1, call for times.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Food, Inc. (Kenner, 2008), Wed, 7:30.

OPERA PLAZA 601 Van Ness, SF; (415) 267-4893, www.anightmaretoremember.com. $8-10. “A Nightmare to Remember International Film Festival,” short horror films, Sat, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Brought to Light: Recent Acquisitions to the PFA Collection:” Forest of Bliss (Gardner, 1985), Wed, 7. “El Futuro Está Aqui: Sci-Fi Classics from Mexico:” The Ship of Monsters (González, 1959), Thurs, 7:30; The Stronger Sex (Muriel, 1945), Fri, 7:30; The Aztec Mummy vs. The Human Robot (Portillo, 1957), Sat, 7; Santo vs. the Martian Invasion (Crevenna, 1966), Sat, 8:35; Planet of the Female Invaders (Crevenna, 1965), Sun, 7:10. “Tales from the Golden Age: Recent Romanian Cinema:” The Death of Mr. Lazarescu (Puiu, 2005), Fri, 7:30; Videograms of a Revolution (Farocki and Ujica, 1992), Sun, 5.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. No One Knows About Persian Cats (Ghobadi, 2009), Wed, 2, 7:15, 9:25. La Mission (Bratt, 2010), Thurs-Fri, 7, 9:25. “Fundraiser for Bay Area Young Positives,” Sat, 2-4. For more info, visit www.baypositives.org. The Bigtop (Reed, 2010), Sat, 7, 9:15. The Girl With the Dragon Tattoo (Oplev, 2009), Sun, 2, 5:15, 8:30; Mon, 7:30. Casino Jack and the United States of Money (Gibney, 2010), June 29-July 1, 7, 9:30 (also June 30, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. Free-$10.75. Lovers of Hate (Poyser, 2010), Wed-Thurs, 7:15, 9:15. San Francisco International LGBT Film Festival, Wed-Sun. See film listings. Have You Heard from Johannesburg? (Field, 2006), June 27-July 1, call for times.

“TEMESCAL STREET CINEMA” 49th St at Telegraph, Oakl; www.temescalstreetcinema.com. Free. Etienne! (Mizushima), Thurs, 8. With free popcorn and live music.

VIZ CINEMA New People, 1746 Post, SF; www.thirdi.org. $10-16. “Mizoguchi on Desperate Women:” Street of Shame (1965), Wed, 5; Utamaro and His Five Women (1946), Wed-Thurs, 7; Sisters of the Gion (1936), Thurs, 5.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. Eccentricites of a Blond Hair Girl (de Oliveira, 2009), Thurs and Sat, 7:30; Sun, 2.<\!s>

Alerts

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alert@sfbg.com

WEDNESDAY, JUNE 23

Remembering torture victims


Commemorate U.N.-enacted International Day in Support of Victims of Torture at this screening of The Response, a courtroom drama based on the transcripts of the Guantanamo Bay military tribunals. Featuring guest speakers from UCSF and SF State, members of Survivors International, Amnesty International, and Health Professionals Against Torture.

6 p.m., free

Amnesty International SF Office, Suite 210

350 Sansome, SF

(415) 546-2080

Water bond happy hour


Join the Food and Water Watch team in helping to get voters to reject the California water bond on the November ballot. Meet others who care about the issues and discuss a sustainable water future for California and how water issues effect us all. Raffles of stainless steel water bottles benefit Food and Water Watch, a local nonprofit corporate accountability organization.

6 p.m., free

Elixir Bar

3200 16th St., SF

www.foodandwaterwatch.org

THURSDAY, JUNE 24

Radically queer


Radical Women celebrates LGBTIQ month with a panel discussion titled "Queer Radicals: Strategies for Our Movement." Queer and transgender activists will discuss how to build a militant movement for LGBT liberation. Pre-discussion buffet with vegetarian options available at 6:15 p.m. for $7.50. Call for information about childcare.

7 p.m., free

New Valencia Hall

Suite 202

625 Larkin, SF

(415) 864-1278

SATURDAY, JUNE 26

Protest Big Oil


Join thousands for a beach lie-in to create a "slash oil" image that will be photographed from a helicopter. Arrive no later than 10:30 a.m. to participate. Attendees will receive an overhead postcard of the event. Then at noon, join Hands Across the Sand, an international statement on protecting coastlines from oil pollution. Carpooling, biking, or taking public transit to the events is highly encouraged.

10 a.m.; free, donations accepted

Ocean Beach

1000 Great Highway, SF

www.slashoil.blogspot.com

www.handsacrossthesand.org

SUNDAY, JUNE 27

Have a good cry


Attend this "cry-in" against the commercialization and corporate sponsorship of the Gay Pride festival. Wear your most morbidly gothic clothing, bring your favorite sad songs, and share your best morose attitude with other queer people and allies eulogizing the demise of the grassroots queer community.

2 p.m., free

San Francisco LGBT Center

1800 Market, SF

www.gayshamesf.org

MONDAY, JUNE 28

Honduras resistance


Watch three videos presented by the Bay Area Latin America Solidarity Coalition (BALASC) on the 2009 military coup in Honduras. Proceeds benefit the Popular Resistance in Honduras.

8 p.m., $6

Artists’ Television Access

992 Valencia, SF

www.balasc.org

A tale of animal liberation


Hear activist and former prisoner Andy Stepanian tell how he stood up to one of the world’s largest contract animal testing labs, was charged with terrorism, and served three years in federal prison.

7 p.m., free

Station 40

3030B 16th St., SF

www.sparrowmedia.net

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

SCOBY SCOBY do’s and don’ts: Notes on the Kombucha craze

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By Katie Gaydos

For me, the words “kombucha on tap” evoke images of endless streams of free-flowing fizzy ambrosia. Unfortunately, while many San Francisco health food markets and juice bars now carry kombucha on tap, kegstands are not an option. Alas, a mere 12 oz. cup of the stuff sets you back anywhere from $3 to $6. Kombucha may be on tap, but as long as it remains on its designer drink pedestal, it’ll cost you. But wait a second, kombucha is virtually cost-free to make. It’s only tea, sugar, water and a SCOBY (Symbiotic Culture/Colony of Bacteria and Yeast). So what’s the deal? How did kombucha become a trend to the degree that people are willing to empty out their wallets?

With health benefits that supposedly include aiding digestion, increasing metabolism, detoxifying the liver, and promoting an overall sense of well-being, it’s no wonder that kombucha has long been considered a valuable elixir. But in the past ten years, ever since G.T. Dave started packaging his Synergy brew in signature bottles, the drink has initiated a consumer craze. More and more health food stores, restaurants, and even liquor stores boast a quickly growing selection.

This is certainly the case in health-conscious, trend-setting San Francisco. In search of all the kombucha this city has to offer, I embarked on an epic hunt and found a wide range of choices (both on tap and bottled) and prices.

Want a fresh ginger elixir? Or perhaps an apple-lemon-ginger kombucha? You got it! Sidewalk Juice (3287 21st St, 415.341,8070) has Lev’s Original Kombucha on tap. The small walk-up bar serves up half-kombucha, half-fresh juice concoctions. Prices range from $4.25 for a 12 oz. serving of coconut kombucha (a.k.a. “The Hangover”) to $7 for a 16 oz. cup of green tea kombucha.

Heading to the Ferry Building? The market Farm Fresh To You (1 Ferry Building #9, 415.834.9981) offers Lev’s original kombucha on tap. For $5 you get a 16 oz. cup with fresh-squeezed apple or orange juice. Farm Fresh also carries 16 oz. bottles of Lev’s (with flavors like mango, fresh mint, and hibiscus) for $4.49. Beware, though: bottled kombucha at Farm Fresh is priced significantly higher than at other SF health food stores — Synergy runs $4.19, and House Kombucha is $5.89 a bottle.

Where can you find the cheapest bottled kombucha? Rainbow Grocery (1745 Folsom, 415.863.0620) offers the widest selection of bottled kombucha at some of the lowest prices I’ve seen: High Country is on sale at $2.59 a bottle; Synergy and Vibranz are $2.99 a bottle; Healing Springs is $3.18 a bottle; Lev’s and Kombucha Botanica are $3.69 a bottle; Rejuvenation Company is $3.79 a bottle; and House Kombucha is $4.69 a bottle.

Where can you find the cheapest kombucha on tap? The Whole Foods Market branches in Potrero Hill and Noe Valley sold Kombucha Botanica at $2.40 for 16 oz., and $3.60 for 24 oz. (Note: Kombucha Botanica on tap is significantly less strong and less carbonated than Lev’s.) But on June 17, the Associated Press reported that Whole Foods temporarily stopped selling kombucha on tap and bottled kombucha for fear that it may contain elevated levels of alcohol.

Will other health food stores follow suit? We’ll have to wait and see. Perhaps the time is right to start brewing your own kombucha — it’s easy to do, and significantly cheaper than store-bought kombucha. You can order a starter kit online for $25 at Bay Area Kombucha Kollective

The Daily Blurgh: Ethnic Frensing, a bear suns in Oakland

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Fake trend alert! “Ethnic Frensing.” Quick! Get it into circulation before Tyra Banks tries to copyright it.

*****

WTF Headline of the day: “Ghoulish cargo of 60 severed heads found at airport.

*****

Couldn’t the Chronicle‘s editors have worked a “crypt keeper” pun into this profile of UC Santa Cruz’s resident Grateful Dead scholar?

*****

Fantasy casting the inevitable BP oil spill movie. (But no Kevin Costner???).

*****

Welcome Oakland’s newest ursine resident, Pagi.

*****

Is demonstrating part of “The Berkeley Experience?”

*****

Anthony Bourdain on Alice Waters: “I respect her, but … well, that’s comedy gold, let’s put it that way …” Amen.

*****

Mission Street Food to try its hand at “Americanized Oriental Food.” Bring on the free range Egg foo young!

*****

Stay cool this weekend:

Appetite: NYC food cheat sheet, part one

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During my latest visit to my beloved New York for the Manhattan Cocktail Classic, I spent eight days gleefully eating my way around the city, as I have done on countless trips past. I am continually asked for NY recommends as many of us in the Bay Area are either East Coast transplants, do business in both cities, or are savvy frequent travelers to the Big Apple. Check out my Perfect Spot newsletter archives for much more NY food and drink, but this week, I give you a mini-list of recommends in varying categories:

PIZZA THAT FEELS LIKE HOME Roberta’s, in the Bushwick area, has the spirit of both Brooklyn and classic Neopolitan-style pizza, the likes of which we see almost to the point of overkill here in SF. At Roberta’s, every aspect of the place dares you not to be crazy about it: a sketchy, off-the-beaten path location in Brooklyn reveals a warm dining room with wood-fired pizza oven and rustic, eclectic decor. Eat at picnic tables indoors or head out back to the tiki bar (alas, no cocktails, but wine and quality beers on draft, like NY’s Ommegang), where there are more picnic tables, thatched roofs, smoking area off to one side, expansive garden and nursery growing herbs you’ll find in your meal. The menu offers charcuterie, cheeses, sweetbreads, cuttle fish, tripe and killer, blistered pizzas, like Millennium Falco, with tomato, Parmigiano, pork sausage, garlic, onions, bread crumbs and basil. You’ll feel like you never left SF.
www.robertaspizza.com

OLD SCHOOL NY BAGEL EXPERIENCE Russ & Daughters, a fourth generation, family-owned, Lower East Side deli has been around for over a century… and is quintessential New York. With amicably crusty staff, this pristine shop is efficiently doles out Bagel & Lox, the salmon cut fresh before you. Put it on an “everything” bagel with horseradish cream cheese and you have perfection. There’s a wide array of joys here, such as pickled herring, caviar, and a lovely whitefish salad.
www.russanddaughters.com

CHEAP, DELICIOUS AREPAS Caracas Arepa Bar is a cheap, utterly satisfying NY meal: Venezuelan homemade arepas stuffed with all kinds of goodness. The tiny, charming East Village spot became so popular, there’s a to-go side and now a Brooklyn location. Everything is under $7.50 and waits are long unless you arrive early, but you can order Camburada (banana cinnamon milkshake) and Guasacaca & Chips (Venezuelan-style guacamole with plaintain and sweet potato chips) while you wait outside. I love the La de Pernil Arepa stuffed with tender pork shoulder, tomato and spicy mango sauce.
www.caracasarepabar.com

Quick Lit: June 16-June 22

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Literary readings, book tours, and talks this week

Voices of James Joyce, Fungi-Inspired Poems, The Queer Art of Failure, well read women, and more.

Wednesday, June 16

“The Voices of James Joyce”
It’s the 9th annual Bloomsday Celebration, an evening of readings of old and new favorites from Joyce’s Ulysses and Dubliners with traditional song and music. Performances by actors Robert Ayres, Bruce Bierman, Renee Gibbons, Oonagh Kavanagh, Laura Sheppard, and Maurice Wren.
7 p.m., $12
Mechanics’ Institute
57 Post, SF
(415) 393-0100
www.milibrary.org

Thursday, June 17

Decomposition

Celebrate mushrooms in poetry at this reading from the new anthology, Decomposition: Fungi-Inspired Poems, a collection of classic and comtemporary mushroom poems.
7 p.m., free
Ecology Center Store
2530 San Pablo, Berk.
(510) 548-3402

InsideStorytime Legends
Enjoy readings from Christina Sunley, author of The Tricking of Freya, Anne Finger, author of Call Me Ahab, Nicholas Nicastro, author of Antigone’s Wake, and others.
6:30 p.m., $3-$5 sliding scale
Café Royale
800 Post, SF
(415) 505-0869
www.insidestorytime.com


Lee Kravitz

The former editor of Parade presents this memoir about his mid-life journey to tie up loose ends titled, Unfinished Business: One Man’s Extraordinary Year of Trying to Do the Right Things.
7:30 p.m., free
Books Inc. Alameda
1344 Park, Alameda
(510) 522-2226

Eric Poole
Poole will read from his new memoir about his childhood in the Midwest in the 1970s, Where’s My Wand.
7:30 p.m., free
Books Inc.
2275 Market, SF
(415) 864-6777

“The Value of Stuff”
Attend this unique conversation with Anne Leonard, author of the book and popular movie The Story of Stuff, and Raj Patel, author of The Value of Nothing.
7 p.m., $10-$20 suggested donation
The David Browner Center
2150 Allston, Berk.
http://earthisland.org/events/stuff

Friday, June 18

The Madonnas of Echo Park
Author Brando Skyhorse gives voice to the Mexican-American community of Echo Park, CA.
7 p.m., free
Books Inc. SF Opera Plaza
601 Van Ness, SF
(415) 776-1111

The Velvet Rage
Popular psychologist and author Alan Downs reads from his ground breaking new book.
7:30 p.m., free
Books Inc. Castro
2275 Market, SF
(415) 864-6777

Saturday, June 19

Backseat Saints
Joshilyn Jackson presents this novel full of sly wit and off-kilter characters.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777


The Daddy Shift

Celebrate Father’s Day early at this discussion and reading with author Jeremy Adam Smith of his new book, The Daddy Shift: How Stay-at-Home Dads, Breadwinning Moms, and Shared Parenting Are Transforming the American Family. Smith with also be joined by authors Jeff Gillenkirk and Mike Adamick.
5 p.m., free
The Green Arcade
1680 Market, SF
(415) 431-6800

Watermark
Meet author Vanitha Sankaran at this reading and signing of her new book about the mute daughter of a papermaker in a small French village in 1320.
2 p.m., free
Borders
200 King, SF
(415) 357-9931

Monday, June 21

Burning Wire
Jeffery Deaver presents his newest Lincoln Rhyme novel, about the brilliant criminologist and his partner.
7:30 p.m., free
Books Inc. Alameda
1344 Park, Alameda
(510) 522-2226

Visit from the Goon Squad
Jennifer Egan brings us a book about time, survival, and the sparks ignited by colliding destinies.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

Well-Read Lives
Author Barbara Sicherman will read and discuss her new book Well-Read Lives: How books inspired a generation of American Women.
5:30 p.m., free
University Press Books
2430 Bancroft, Berk.
(510) 548-0585

Women, Food, and God
Geneen Roth talks about overeating and the underlying reasons for using food as an emotional buffer.
7:30 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777

Tuesday, June 22

Face to Face: Children of the AIDS crisis in Africa
View a slideshow about the AIDS crisis in Africa with authors Ruthann Richter and Karen Ande. Co-sponsored by the Orphan Support League and in conjunction with a local gallery.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777

“Sizzle!”
Enjoy this month’s enstallment of  Femina Potens’ literary series
“The Queer Art of Failure.” Featuring Jack Halberstam, author of Female Masculinity, providing his unique perspective on Genderqueer life.
8 p.m., $10
Femina Potens Art Gallery
2199 Market, SF
http://feminapotens.org

Our Weekly Picks: June 16-22, 2010

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WEDNESDAY 16

THEATER/DANCE

The Tosca Project

American Conservatory Theater artistic director Carey Perloff and San Francisco Ballet choreographer Val Caniparoli have teamed up with an all-star cast of ACT actors and San Francisco Ballet principal dancers (Lorena Feijoo, Pascal Molat, and Sabina Allemann) to bring theater and dance to one stage. Tracing the history of SF’s famous Tosca Café, The Tosca Project at ACT journeys through the love, loss, and popular dances of the past century to a soundtrack (featuring everything from Stravinsky to Hendrix) as diverse as the café’s ever-changing clientele. (Katie Gaydos)

Through June 27

Tues.–Sat., 8 p.m. (also Wed. and Sat., 2 p.m.); Sun, 2 p.m., $15–$85

American Conservatory Theater

415 Geary, SF

(415) 749-2228

www.act-sf.org/0910/tosca/index

THURSDAY 17

PERFORMANCE

Fresh Meat Festival

It’s that time again when Sean Dorsey brings tranny and queer performers for a love feast of dance, humor, music theater, and just about any other form of performance you could want. Most remarkable perhaps is how the Fresh Meat Festival — a tiny, local event only a few years ago — has grown into a national forum for often very polished performers who stick their necks out in every direction. Part of the festival’s fun is people-watching; some audience members’ get-ups nearly rival what’s seen on stage. Highlights from the lineup include world premieres of Dorsey’s take on Craigslist’s Missed Connections, Annie Danger’s media-style life coaching session, and SoliRose’s music-theater reflections about life in the Middle East. (Rita Felciano)

Thurs/17-Sat/19, 8 p.m.; Sun/20, 7 p.m., $17–$20

Z Space @ Theater Artaud

450 Florida, SF

www.brownpapertickets.com

MUSIC

U.S. Bombs

Boasting one of the most unpredictable, energetic, and enthralling bandleader of any punk band ever to set foot in front of an audience, U.S. Bombs has cultivated an incendiary reputation thanks to singer, legendary skateboarder, and all-around “master of disaster,” Duane Peters. Combining sounds culled from old school influences like the Clash and mixing them with the raw, adrenaline-pumping attitude needed while attacking a half-pipe, the band’s lineup has gone through several variations. But no matter which members of punk rock royalty he has behind him, Peters is guaranteed to steal the spotlight and make for a show you won’t likely soon forget. (Sean McCourt)

With the Forgotten, Druglords of the Avenues, and Cunt Sparrer

8 p.m., $14

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

EVENT

Decomposition reading

It’s sometimes said that, like pop songs, all good poems are ultimately about either love or death. Instinctively, I think most of us know this to be incorrect. Sometimes, though, we need a little reminder, which is where events like this one come in handy. Decomposition is an anthology of fungi-themed poetry from throughout the ages — apparently, many of America’s most seminal wordsmiths, including Sylvia Plath and Emily Dickinson, drew tremendous inspiration from the lowly mushroom (and no, not like that). Leading this tour of verse’s dark, dewy reaches will be editor Kelly Chadwick and poet Charlotte Innes. (Zach Ritter)

7–9 p.m., free

Ecology Center Store

2530 San Pablo, Berk.

(510) 548-3402

www.ecologycenter.org

FRIDAY 18

DANCE

Great Integration: A Chamber Hip-Hop Opera

By calling Great Integration — an allegory about the end of times — a hip-hop opera, choreographer Raissa Simpson and composer-pianist JooWan Kim may be on to something. Hip-hop is music, it’s dance, it’s poetry, and above all it’s a way of being. It means living on the edge, on unstable ground and embracing the subversive. Longtime East Bay activist and Integration contributor MC Kirby Dominant can attest to that. As far as the opera part is concerned, the Chinese and the Italians discovered centuries ago that opera is a messy, all-encompassing form of theater splendidly suited for big topics. Sounds just about right for all aspects of Integration. On opening night, jazz vocalist Christopher Nicholas joins Kim’s Ensemble Mik Nawooj and Simpson’s Push Dance Company. (Felciano)

Fri/18–Sat/19, 8 p.m., $15–$25

ODC Commons

351 Shotwell, SF

(415) 863-9834

www.brownpapertickets.com/event/104653

MUSIC

QM

Do you like hip-hop? Do you like cheap booze? Get your ass down to Hotel Utah for a stiff double dose of both and party like your parents are outta town. Local rapper QM of the Rec-League, self-described as “your favorite rapper’s favorite rapper to drink with,” is finally releasing his latest album, Happy Hour, and is throwing his own happy hour to celebrate. QM’s clever punch lines and West Coast sound may not change your political views, but they just might leave you hung over. Throw in $1 PBRs and Happy Hour grab bags filled with the album, a beer koozie, and other surprises, and Hotel Utah’s guaranteed to get wild. Be prepared for a drunken good time, and keep some aspirin and water ready for the morning after. (Ben Hopfer)

With Rec-League, Adverse, and Parable Paul

9 p.m., $10

Hotel Utah

500 Fourth St., SF

(415) 546-6300

www.routinefly.com

EVENT

“Cultural Encounters: Friday Nights at the de Young”

If you’re one of those people for whom a croissant is a “kwah-sahn,” then this week’s Friday Soirée at the de Young Museum, presented in partnership with the Alliance Française, should cater to your Francophiliac tastes. Though not French himself, Rich Kuhns accompanies the “Birth of Impressionism” exhibit as a strolling accordionist. The Bay Area monsieur of musette hearkens back to traditional French sounds — he plays Jacques Brel and Edith Piaf, of course — while also adding some contemporary flair to the fête. Following his performance, Dr. Alexandra Amati-Camperi lectures on the Fête de la Musique, French singer-songwriter Eric John Kaiser performs, and you can make your own found object instrument with Kim Erickson, described as an “art diva” by the de Young website. It’s no coincidence that the word “cliché” is French,” but zut alors, clichés never sounded so good. (Ryan Lattanzio)

5–8:45 p.m., free

de Young Museum

50 Hagiwara Tea Garden Drive, SF

(415) 750-3600

www.deyoung.famsf.org

FILM

Top of the Food Chain

Bluntly retitled Invasion! for its American release, Canadian filmmaker John Paizs’ homage to 1950s sci-fi films, Top of the Food Chain (1999), is the second of his films to screen at Artists’ Television Access in as many months. Previously, the auteur worked on beloved Canadian comedy series Kids in the Hall, but his films have a miniscule presence on the Internet — a few blog reviews here and there, and only two relevant YouTube clips. However, both of those clips are of hilariously non sequitur musical numbers, so that’s a promising sign. Indeed, Paizs’ fetishization of a seemingly outdated genre should be right at home alongside ATA’s usual assemblage of experimental video art. (Sam Stander)

8 p.m., $6

Artists’ Television Access

992 Valencia, SF

(415) 824-3890

www.atasite.org

PERFORMANCE

Miriam’s Well

This cultural and artistic mashup tells the stories of Mary, Maryam, and Miriam from the Christian, Muslim, and Jewish traditions connecting across time and distance at an ancient water well, the source of life and strife in a world that has yet to come to terms with how we can come together around our most basic shared needs. The performance involves dance, live music, poetry, and readings of sacred texts by a variety of acclaimed artists, from creator and dancer Miriam Peretz to musicians the Qadim Ensemble and master percussionist Pezhham Ackavass to spoken word artist Lana Nasser. It’s a story of visionary women leading all us past our historical and still-growing divisions and toward the realization that “without peace the well will soon run dry.” (Steven T. Jones)

8 p.m., $20

Grace Cathedral

1100 California, SF

(415) 749-6355

www.brownpapertickets.com/event/97354

SATURDAY 19

EVENT/PERFORMANCE

Birthfest and The Dynamite Show

FouFouHa!, San Francisco’s uniquely zany clown dance troupe, wants to take you on a strange journey all the way from a woman’s womb to a glitzy reality show set in Hollywood. That may seem like a long road to travel, but with troupe founder and performance director/choreographer Maya Culbertson-Lane, a.k.a. MamaFou, behind the wheel, it’s sure to be a fun ride. The play, which runs at Brava June 17-26, follows the Fous as they audition to be humiliated on television, exploring the role of the fool in society. But this show is preceded by a film festival on midwifery, with proceeds benefiting the Foundation for the Advancement of Midwifery, which recently helped MamaFou deliver her second child. What’s the connection? As she explains, it’s about power, “the power to not give into social fears created by a system run by money — in this case Hollywood and insurance companies.” With live music by the Gomorrans Social Aide and Pleasure Club and a photo exhibit by Eric Gillet. (Jones)

Birthfest, noon-6 p.m.; The Dynamite Show, 8 p.m., $20–$40

Brava Theater

2781 24th St., SF

www.foufouha.com

www.birthfest.com

EVENT

StreetSmARTS Community Extravaganza

It’s afternoon in the Tenderloin, and muralist Jet Martinez has been sponsored by the SF Arts Commission to paint traditional Oaxacan embroidery flowers in Cedar Alley. His audience: a man who has been yelling “I’m gonna kill you!” to no one in particular all day. The guy starts to approach him, and when he gets close enough says this to Jet in a low, articulate voice: “We really appreciate what you’re doing for the community.” Don’t ever let them tell you art doesn’t matter. Celebrate the beautiful walls created through StreetSmARTS with b-boys, DJs, and a midnight unveiling of “The Elements of Hip Hop,” a indoor gallery of works by the muralists themselves. (Caitlin Donohue)

Sat/19, 6 p.m., free

African American Art and Culture Complex

762 Fulton, SF

(415) 252-2598

www.sfartscommission.org

MONDAY 21

MUSIC

Brian Jonestown Massacre

Who Killed Sgt. Pepper? the Brian Jonestown Massacre asks in the title of its latest album. It’s possible bandleader Anton Newcombe did, if you recall how insane he was in Ondi Timoner’s documentary Dig! (2004). The San Francisco-bred band returns to the Fillmore in conjunction with its new release — a rather disquieting listen with plenty of dissonant space noise and expletives to make for a psychedelic headbanger’s wet dream. Newcombe, steeped in notoriety since Dig! and its frenetic portrait of the artist as a disturbed man, has been honing his sound since 1990. If you can separate art and artist (or don’t even bother — it makes things more interesting), BJM is one of today’s only bands that should be allowed to remain as prolific as it is. (Lattanzio)

9 p.m., $22.50

Fillmore

1805 Geary, SF

(415) 346-6000

www.livenation.com The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Super stories

0

arts@sfbg.com

FILM It’s film festival season, which means one thing: stories. Lots of them. And not just the ones that happen on film, but all the ones that happen before, during, and after the tapes get mastered and the crowds go home. While this is certainly true of all films, it’s especially true for the Queer Women of Color Film Festival, held annually at Brava Theater Center in the Mission.

Each year the festival premieres 25 short films made by and for women of color, who travel from across the Bay Area, and sometimes the state, to a small workshop in the Sunset District and learn the ins and outs of video production. The end results are nuanced, gripping, and often hilarious stories of how amazing, awkward, and complex love can be. So even though the festival’s yearly themes may be heavy — last year’s focused on immigration, this year’s celebrates queer indigenous communities — crowds pack the theatre, enjoy free food, and see that there’s more than enough to smile about.

This year’s festival brought a variety of movies. In Ferment Me My Heart, one Korean Canadian woman used animation to explore her love-hate relationship with kimchi and what it tastes like to be an outsider. Home is Where My Mother Is showed that all ain’t pretty in the world of queer families, as one woman confronted her lesbian mother over a traumatic interracial relationship. Bulldagger Women and Sissy Men paid homage to the Harlem Renaissance’s queer characters. A mother and daughter bonded over basketball in Hoops, and Passing Through Like Water followed three generations of Iranian women as they navigated how to deal with change and one another.

The festival also included a sacred ceremony for indigenous queer communities, and related films that unearthed the lessons of Cherokee elders and explored what Proposition 8 means to native women. If you missed out, you still have a chance to see some highlights when “F**king Traditional Values: Queer Women of Color Shorts” screens at Frameline.

F**KING TRADITIONAL VALUES: QUEER WOMEN OF COLOR SHORTS

Sun/20, 4:15 p.m., $8

Victoria Theatre

2961 16th St.

(415) 863-7576

www.frameline.org

www.qwocmap.org 

 

Ironside

1

paulr@sfbg.com

DINE When the Giants opened their new baseball stadium on China Basin 10 years ago, an improvement in ballpark food was immediately noted. You could have ahi tuna while watching Barry Bonds, and this was — at least for some, at least for a time — an ethereal combination. The ballpark even had a fancy restaurant attached, Acme Chophouse, but the shift in food culture rippled beyond the stadium proper into the surrounding blocks, which were rapidly becoming residential.

Because baseball is the core of all-Americana, it isn’t surprising that baseball-influenced food has a definite American flavor. Yes, in many ways San Francisco is the least American of American cities, and we love our ahi tuna, but we like mac ‘n’ cheese too. And no place I’ve been to lately in the environs of the baseball park more nicely captures in food this complex sense of city and country than Ironside.

The restaurant opened last autumn on Second Street, just a half-block or so from the ballpark. And if you sit at a window table on a mild evening, watching the crowd either assembling or dispersing, you have the pleasant sense of peeking in on a Fellini film: faces, body shapes, clothes, shoes, conversations, emotional fields, all drifting past like fish in a huge aquarium.

Not that the inside is hard on the eyes. It’s a handsome confection of wood, brick, glass, and stainless steel, the blending of rustic-industrial and über-urban that at its best, as here, is simultaneously minimal and warm. The look is a cozier version of nearby Zuppa’s. The food, though, is another story — a lovable hodgepodge executed with verve and presented with exuberance.

In the American grain we have the mac ‘n’ cheese ($9), made with Gruyère and (for aromatic effect) smoked cheddar cheese — just enough style to be distinctive but not so much as to become an overwrought mess. Also: meatballs ($8), in a spicy tomato sauce and presented with elegant but semi-useless points of toasted baguette. Incidentally, are meatballs American, Italian-American, Italian, or Swedish?

Salads (for me) seldom command much interest, but Ironside’s arugula salad ($10) is a modest masterpiece: a green carpet of baby leaves dotted with chunks of crispy prosciutto, ribbons of shaved fennel, spicy pecans, and sections of blood orange. The binding agent is nominally a white balsamic vinaigrette, but really it’s the lovely balance of salty, tart, sharp, and crunchy. To get the full reaction you have to be sure to get a bit of each constituent in every bite, which can be tricky.

Flammenkuchen ($10) is the German word for the Alsatian flatbread known in French as tarte flambée. I haven’t seen one of these on a local menu since the demise of mc2 in the dot-com crash of nine years ago. Ironside’s toppings — of bacon, beer-braised scallions, and crème fraïche — are pretty much the traditional ones. We liked the light, crispy crust but found that the pie as a whole needed a bit of salt, maybe because crème fraïche isn’t as salty as cheese.

Bigger plates are at greater risk for becoming dull than are their smaller siblings, probably because a main dish in our culture is usually a big chunk of flesh that tends to overwhelm everything around it. A seared filet of bluenose sea bass ($19) the size of a bar of soap is a sizable piece of protein, but at Ironside it isn’t permitted to take over the dish. In fact, it could almost be seen as an accompaniment or condiment to the large, colorful heap of shelling beans on one side of the plate and the berm of crispy kasha on the other, with a cordon of luminous carrot beurre blanc — a wonderful, simple idea — to sew things up.

Such a final saucing flourish would have helped at least one of the desserts, the brownie and banana sundae ($7), which was really more of a big — and chewy and moist — brownie flanked by banana halves and topped with a scoop of vanilla ice cream and some whipped cream, than a sundae, which, strictly speaking, would be ice-cream-centric. The drizzling of chocolate sauce seemed unequal to the task of holding all this together.

Our handsome young server could have been an extra from Milk. I hadn’t seen such evocative facial hair since those long-ago days when actual clones roamed the earth. He thanked us profusely for everything. As Joan Crawford might have put it, just whom is thanking whom here?

IRONSIDE

Lunch: Mon.–Fri., 11 a.m.–2:30 p.m.

Dinner: Tues.–Sat., 5:30–10 p.m.

680A Second St., SF

(415) 896-1127

www.ironsidesf.com

Beer and wine

Mc/V

Noisy

Wheelchair accessible

Tale of two landfills

2

Sarah@sfbg.com

Everyone should make a pilgrimage to the landfill where their city’s garbage is buried. For San Francisco residents to really understand the current trash situation — and its related issues of transportation, environmental justice, greenhouse gas reduction, corporate contracting, and pursuing a zero waste goal — that means taking two trips.

The first is a relatively short trek to Waste Management’s Altamont landfill in the arid hills near Livermore, which is where San Francisco’s trash has been taken for three decades. The next is a far longer journey to the Ostrom Road landfill near Wheatland in Yuba County, a facility owned by Recology (formerly NorCal Waste Systems, San Francisco’s longtime trash collector) on the fertile eastern edge of the Sacramento Valley, where officials want to dispose of the city’s trash starting in 2015.

Both these facilities looked well managed, despite their different geographical settings, proving that engineers can place a landfill just about anywhere. But landfills are sobering reminders of the unintended consequences of our discarded stuff. Plastic bags are carried off by the wind before anyone can catch them. Gulls and crows circle above the massive piles of trash, searching for food scraps. And the air reeks of methane, a potent greenhouse gas that is second only to carbon dioxide as a manmade cause of global warming.

It’s also a reminder of a fact most San Franciscans don’t think much about: The city exports mountains of garage into somebody else’s backyard. While residents have gone a long way to reduce the waste stream as city officials pursue an ambitious strategy of zero waste by 2020, we’re still trucking 1,800 tons of garbage out of San Francisco every day. And now we’re preparing to triple the distance that trash travels, a prospect some Yuba County residents find troubling.

“The mayor of San Francisco is encouraging us to be a green city by growing veggies, raising wonderful urban gardens, composting green waste and food and restaurant scraps,” Irene Creps, a San Franciscan who owns a ranch in Wheatland, told us. “So why is he trying to dump San Francisco’s trash in a beautiful rural area?”

Behind that question is a complicated battle with two of the country’s largest private waste management companies bidding for a lucrative contract to pile San Francisco’s trash into big mountains of landfill far from where it was created. This is big and dirty business, one San Francisco has long chosen to contract out entirely, unlike most cities that at least collect their own trash.

So the impending fight over who gets to profit from San Francisco’s waste, a conflict that is already starting to get messy, could illuminate the darker side of our throwaway culture and how it is still falling short of our most wishful rhetoric.

 

TALKING TRASH

The recent recommendation by a city committee to leave the Altamont landfill and turn almost all the city’s waste functions — collection, sorting, recycling, and disposal — over to Recology (see “Trash talk,” 3/30) angered Waste Management as well as some environmentalists and Yuba County residents.

WM claimed the contract selection process had been marred by fraud and favoritism, and members of YUGAG( Yuba Group Against Garbage) charged that sending our trash on a train through seven counties will affect regional air quality and greenhouse gas emissions and target a poor rural community. Observers also want details such as whether San Francisco taxpayers will have to pay for a new rail spur and a processing facility for organic matter.

Mark Westlund of the Department of Environment told the Guardian that negotiations between the city and Recology are continuing and the contract bids remain under seal. “Hopefully they’ll be concluded in the near future,” Westlund said. “I can’t pinpoint an exact date because the deal is still being fleshed out, but some time this summer.”

Under the tentative plan, Recology’s trucks would haul San Francisco’s trash across the Bay Bridge to Oakland, where the garbage would be loaded onto trains three times a week and hauled to Wheatland. Recology claims its proposal is better for the environment and the economy because it takes trucks off the road and removes organic matter from the waste before it reaches the landfill and turns into methane gas.

But WM officials reject the claim, noting that both facilities will convert methane to electricity, energy now used to fuel the trucks going to Altamont. The landfill produces 8.5 MW of electricity annually, some of which is converted into 4.7 million gallons of liquid natural gas used by 300 trucks. The Ostrom Road facility would produce far less methane, using it to create 1.5 MW of electricity annually.

Recology officials say removing organic matter to produce less methane is an environmental plus because much of the methane from Altamont escapes into the atmosphere and adds to global warming, although WM claims to capture 90 percent of it. Yet David Assman, deputy director of the San Francisco Department of the Environment, doesn’t believe WM figures, telling us that they are “not realistic or feasible.”

State and federal environmental officials say about a quarter of the methane gas produced in landfills ends up in the atmosphere. “But they acknowledge that this is an average. Some landfills can be worse, others much better if they have a good design. And there is no company that has done as much work on this as Waste Management,” company spokesperson Chuck White told us, citing WM-sponsored studies indicating a methane capture rate as high as 92 percent. “The idea of 90 percent capture of methane is very credible if you are running a good operation.”

Ken Lewis, director of WM’s landfills, said the facility’s use of methane to cleanly power its trucks has been glossed over in the debate over this contract. “We’re just tapping into the natural carbon cycle,” Lewis told us.

But Recology spokesperson Adam Alberti (who works for Singer & Associates, San Francisco’s premier crisis communications firm) counters that it’s better to avoid producing methane in the first place because some of it escapes and adds to global warming, which Recology claims it will do by sorting the waste, in the process creating green jobs in the organics recycling and reducing the danger of the gases leaking or even exploding.

“But what has Recology done to show us that the capture rate at their Ostrom landfill is on the high side?” Lewis asks. “Folks in San Francisco say it’s not possible, but we’ve got published reports.”

Assman admits that San Francisco won’t be able to ensure that other municipalities that use Ostrom Road will be focusing on organics recycling. While questions remain about how that facility will ultimately handle a massive influx of garbage, Altamont has been housing the Bay Area’s trash for decades. And even though San Francisco’s current contract will expire by 2015, this sprawling facility nestled in remote hillsides can still handle more trash for decades to come.

 

ZERO SUM

Perhaps the most striking aspect of the Altamont landfill is the 30-foot-tall fence that sits on a ridge on the perimeter of the facility. It’s covered with plastic bags that have escaped the landfill and rolled like demonic tumbleweeds along what looks like a desolate moonscape.

Wind keeps the blades turning on the giant Florida Power-owned windmills that line the Altamont hills, but it also puffs plastic bags up like little balloons that take off before the bulldozers can compress them into the fill. Lewis said he bought a special machine to suck up the bags, and employs a team of workers to collect them from the buffer zone surroundinge site.

Although difficult to control or destroy, plastic bags are not a huge part of the waste volume. San Francisco has already banned most stores from using them, and the California Legislature is contemplating expanding the ban statewide in a effort to limit a waste product now adding to a giant trash heap in the middle of the Pacific Ocean.

“Plastic bags are a visual shocker,” said Marc Roberts, community development director for the city of Livermore. “In that sense, they are similar to Styrofoam. It’s pretty nasty stuff, can get loose, and doesn’t break down. But they’re not a major part of the volume.”

Yet Roberts said that these emotional triggers give us a peek into the massive operations that process the neverending stream of waste that humans produce and don’t really think about that often.

“Our world is so mechanized,” Roberts observed. “Stuff disappears in middle of night, and we don’t see where it goes.”

San Francisco officials confirm that the trend of disappearing stuff in the night will continue, no matter which landfill waste disposal option the city selects.

“No matter what option, it’s going to involve some transportation to wherever,” Assman said. Currently, Recology and WM share control over San Francisco’s waste stream. But that could change if the waste disposal contract goes to Recology.

A privately-held San Francisco firm, Recology has the monopoly over San Francisco’s waste stream from curbside collection to the point when it heads to the landfill. Waste Management, a publicly-traded company that is the nation’s largest waste management operation, owns 159 of the biggest landfills in the nation, including Altamont, the seventh-largest capacity landfill in the nation.

San Francisco started sending its trash to Altamont in 1987, when it entered into a contract with Waste Management for 65 years or 15 million tons of capacity, a level expected to be hit by 2015, triggering the current debate over whether it would be better to send San Francisco’s waste on a northbound train.

 

TRAIN TO WHEATLAND

Creps, 76, a retired school teacher, warns folks to watch out for rattlesnakes as she shows them around this flood-prone agricultural community.

“This is an ancient sea terrace, and now it’s fertile grazing ground between creeks,” Creps said as we walked around the ranchland that Creps’ grandfather settled when he came to California in 1850. Today he lies buried here in a pioneer cemetery, along with Creps’ adopted daughter, Sophie, who was killed at age 27 after she witnessed a friend’s murder in Oakland in 2006.

Creps’ cousin, Bill Middleton, who grows walnuts on a ranch adjacent to hers, worries about the landfill’s potential impact on the groundwater. “The water table is really high here, so you’ve go a whole pond of water sitting under this thing,” Middleton said.

Wheatland’s retired postmaster, Jim Rice, recalled that when the landfill opened on Ostrom Road in the 1980s, individual cities had veto power over any expansion plans. “But Chris Chandler, who was then the Assembly member for Sutter County and is now a judge, carried a bill in legislature to do away with veto power,” Rice said.

“So we lost out and ended up with a dump,” Middleton said.

Creps believes the landfill should be for the use of local residents only. “There’s a lot of development going on around here and the population is going to grow,” she said. “But at this rate, this landfill will be used up before Yuba and the surrounding counties can use it. And that’s not fair. They think they can get a foothold in places off the beaten path.”

Yet not everyone in Yuba County hates San Francisco’s Ostrom Road plan. On June 7, the Yuba-Sutter Economic Development Corporation backed Recology’s plan to build a rail spur to cover the 100 yards from the Union Pacific line to the landfill site.

EDC’s Brynda Stranix said the garbage deal is still subject to approval by San Francisco officials, but will bring needed money to the county. “The landfill is already permitted to take up to 3,000 tons of garbage a day and it’s taking in about 800 tons a day now,” Stranix said.

If the deal goes through, it would triple the current volume at the landfill, entitling Yuba County to $22 million in host fees over 10 years.

Recology’s Phil Graham clarified that Ostrom Road is considered a regional landfill, one that has already grown to 100 feet above sea level and is permitted to rise another 165 feet into the air. “So even with the waste stream from San Francisco,” he said, “we’ll still be operating well under the tonnage limits.”

“The world has changed. Federal regulations come in, and landfill operations change,” Recology’s Alberti said as we toured the site. “And there really are no longer any local landfills. This one is already operating, accepting regional waste.”

He claimed that Livermore residents had similar concerns to those now expressed in Yuba County when San Francisco’s waste started going to Altamont. Livermore and Sierra Club brought a lawsuit around plans to expand the dump, a suit that forced WM to create an $10 million open space fund.

Alberti said he understands that people like Creps are concerned. “But we are not seeking an expansion. The only thing we are asking for is a rail track.

“From our point of view it’s simple,” he continued. “We have the facility; Ostrom Road is close to rail; and it’s not open to the public. So it’s a tightly contained working area.”

Graham, the facility’s manager, also dismissed concerns that the landfill might harm the groundwater or the health of the local environment. “A lot of people don’t know how highly regulated we are,” he said. “That’s why we are having public meetings. Our compass is out in the community. These are people we work and live with.”

Alberti said YUGAG and other opponents of the landfill aren’t numerous. “If we draw the circle wider to the two-county area, how many people even know a landfill is operating here?”

Graham takes that as a testament to how well the facility is operated. “I consider that a compliment. Obviously, we weren’t causing any problems.”

 

TRASH MONOPOLY

Those who run both landfills say they recognize that their industry’s heyday is over, and that the future will bring a more complicated system that sends steadily less trash to the landfills.

“Eventually we will be all out of business,” Alberti predicted. “One reason we changed our name was knowing that landfills are not sustainable. And that’s a significant difference. Waste Management is the largest landfill owner in the world. Recology is a recycling company that owns a few landfills and, for that reason, does innovative things like the food scraps program.”

But the company with the new green name has traditionally been a powerhouse in San Francisco’s trash industry, becoming a well-entrenched monopoly after buying out two local competitors — Sunset Scavenger and Golden Gate Disposal and Recycling — a triad that has long held exclusive rights over the city’s waste.

The 1932 Refuse Collection and Disposal Ordinance gave the company now calling itself Recology a rare and enviably monopoly on curbside collection, one that had no expiration date and would be difficult to change. “So legally, it’s not an option,” Assman said.

Retired Judge Quentin Kopp, a former member of the Board of Supervisors and California Legislature, got involved in an unsuccessful effort to break Recology’s curbside monopoly in the 1990s when the company then known as NorCal Waste asked for another rate increase. But he found the contractual structure to be almost impossible to break.

“The DPW director examines all the allowable elements and makes recommendations to the Rate Board,” Kopp said. “And the Rate Board consists of three people: the chief administrative officer, the controller, and the general manager of the San Francisco Public Utilities Commission.”

SFPUC General Manager Ed Harrington says Recology’s curbside monopoly is unusual compared to other places, but it also makes the company a strong contender to the landfill contract. “It comes down to economies of scale. If you don’t have a contract with a facility that does recycling or waste disposal, you can collect the garbage, but where are you going to take it?”

Harrington said the situation was better before Recology purchased Sunset Scavenger, which mostly handled residential garbage, and Golden Gate, which mostly handled commercial garbage. Today, he said, the city has little control over commercial garbage rates or Recology’s overall finances. “That made it more difficult, and we only set the rate of residential garbage collection,” Harrington observed. “They have never come before the rate appeal board over commercial rates. I have asked who subsidizes whom, the commercial or the residential, and they say they think the commercial. But we have no ability to govern or manage those rates.”

WM’s Skolnick said a positive outcome of the current contract negotiations would be to break Recology’s monopoly on curbside collection. “We have to work to keep our business. That’s the competitive process. But we have a competitor that can encroach into our area even though we can’t encroach on San Francisco. And they claim to have one of the most competitive rates in the country — but try getting those numbers,” he said.

WM’s David Tucker added: “We’d like if San Francisco jumped into the 21st century and had a competitive bid process.”

 

DIRTY BUSINESS

The battle between WM’s local landfill option and Recology’s plan for a longer haul but with more diversion of organic materials is complicated, so much so that the local Sierra Club chapter has yet to take a position.

Glen Kirby of the Sierra Club’s Alameda County chapter told the Guardian that the Sierra Club’s East Bay, San Francisco, and Yuba chapters are taking a “wait and see what becomes public next” stance for now. But insiders say the club’s national position is against landfill gas conversion projects like that at Altamont, possibly favoring Recology’s bid.

Recology proponents claim the Sierra Club didn’t initially oppose landfill gas conversions because its members in the East Bay benefit from an open space fund that WM pays into as mitigation for a 1980 expansion at the Altamont. And Alberti claimed that WM’s analysis of greenhouse gas emissions from the competing waste transportation plans was flawed.

“Their calculation is a shell game. And it relies on Recology using diesel when we are using green biodiesel trains. This is not your grandfather’s train any more. One train equals 200 trucks,” Alberti said.

But WM’s Lewis defends the company’s analysis, which showed Recology’s bid to be worse for greenhouse gas emissions than WM’s.

“Landfill gas is a byproduct of an existing system,” Lewis said, noting that 43 percent of the trash buried at Altamont comes from San Francisco. The implication is that a large part of the methane in the landfill comes from — and benefits — San Francisco.

“We are delivering waste products that contain organics,” he said. “We realized that we could flare methane [to burn it up] or produce electricity. California has very aggressive landfill gas requirements, and the collection rates are relatively good at most sites. But once you’ve collected it, what to do? Historically, they flared the gas. Twenty years ago, there was not a lot of technology to allow anything else.”

Lewis says WM began producing electricity from the gas in 1987. “What we do in the future is decoupled from what was giving us the methane in the past,” he said. “Today we are managing what was brought here 15-20 years ago. It’s your hamburger, cardboard, and paper that has been sitting up there since 1998. We’re doing something good with something that we used to flare.”

“If Altamont was closed today, the gas yield coming off it would be enough to produce 10,000 gallons a day for the next 25 years,” WM’s Bay Area president Barry Skolnick interjected.

And Lewis observed that if you take organics out of the waste stream, as Recology proposes, that matter has value, whether in a digester to produce energy or a composting operation. That complicates the comparison of the two bids.

“We agree that if you can get that waste out in a clean form, that’s a good thing,” Lewis said. “But composting is a very highly polluting approach. In the process of degrading, it gives off a lot of volatiles and carbon dioxide. So air districts have not traditionally been very positive on sitting aerobic composting facilities.”

 

WHAT’S NEXT?

The contract that San Francisco has tentatively awarded to Recology is for 5 million tons or 10 years, whichever comes sooner. As such, it’s a much smaller contract than the city’s 1987 contract with WM, mostly because the future is uncertain.

But trucks will remain a part of the equation. Recology is proposing to continue driving 92 truckloads of garbage over the Bay Bridge per day, possibly to keep the Teamsters happy, frustrating transportation advocates who believe direct rail haul or barges across the bay would be greener options.

In December 2009, Mayor Gavin Newsom and Bob Morales, director of the Teamsters Union Waste Division, cowrote an op-ed in the Sunday Sacramento Bee, in which they argued the case for increased recycling and composting as a “zero waste” strategy for California and as a way to generate green jobs and reduce global warming.

“Equally important for the future of our green economy is that recycling and composting mean jobs,” Newsom and Morales wrote. “The Institute for Local Self-Reliance reports that every additional 10,000 tons recycled translates into 10 new frontline jobs and 25 new jobs in recycling-based manufacturing.”

Newsom and Morales clarified that they do not support waste-to-energy or landfilling as part of their zero waste vision.

“It makes no sense to burn materials or put them in a hole in the ground when these same materials can be turned into the products and jobs of the future,” they stated.

Yet WM’s Skolnick sees a certain hypocrisy in San Francisco turning its back on the methane gas that its garbage helped create at Altamont over the past three decades. “Here’s a very progressive city, and we want to take their waste from the last 30 years and use gas from it to fuel their trucks,” he said. “But they want to haul waste three times as far to Wheatland. What does that say about San Francisco’s mission to become the greenest city?”

David Pilpel, a political activist who has followed the contract, agreed that San Francisco officials can’t simply walk away from Altamont and call it a green move, but he would like to see the city use rail rather than trucks. “Instead of putting stuff on long-haul trucks, put it on a rail gondola and haul it around the peninsula to Livermore,” he said. “The Altamont expansion was for San Francisco’s purposes. So to say now, ‘We’ll go elsewhere,’ is lame.”

Sally Brown, a research associate professor at the University of Washington, acknowledges that landfills have done a great job of giving us places to dump our stuff and can be skillfully engineered to release less methane and capture more productive biogases.

“However, we are entering a new era where resources are limited and carbon is king,” Brown wrote in the May 2010 edition of Biocycle magazine. “In this new era, dumping stuff may cease to be an option because that stuff has value. and that value can be efficiently extracted for costs that are comparable to or lower than the costs — both environmental and monetary — associated with dumping.”

The San Francisco Board of Supervisors will vote on the contract later this year, deciding whether to validate the Department of the Environment’s choice of Recology or go with WM. Either way, lawsuits are likely to follow.