Event

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 23

ROCK/BLUES/HIP-HOP

Blue Rodeo, Justin Rutledge Independent. 8pm, $25.

“HomoEvolution” El Rio. 8pm. With Foxxjazell, Bry’Nt, Benni E, Drew Mason, and Sgt. Sass.

Porkchop Express, Hollyfields, Emily Zisman and Ryan Avery Hemlock Tavern. 9pm, $7.

Rockin Jake Biscuits and Blues. 8 and 10pm, $15.

Stymie and the Pimp Jones Luv Orchestra, Sistas in the Pit, Valerie Orth Band Bottom of the Hill. 9pm, $10.

Wisdom Tooth, Little Teeth, Pineapple Explode Hemlock Tavern. 9pm, $6.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Fresh Wednesdays Vessel, 85 Campton, SF; (415) 433-8585. 9:30pm, free. With DJs Slick D, Chris Clouse, Rich Era, Don Lynch, and more spinning top40, mashups, hip hop, and remixes.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 24

ROCK/BLUES/HIP-HOP

Blind Willies Bollyhood Café. 8:30pm, $7.

Brothers Comatose, Tiny Television, Allofasudden Bottom of the Hill. 9pm, $10.

Butch Whacks and the Glass Packs Bimbo’s 365 Club. 8pm, $45.

Alan Iglesias Biscuits and Blues. 8 and 10pm, $16.

Living With Lions, Spires, Young Generals, Second to Last Thee Parkside. 9pm, $8.

Luccabrazzi, MC Meathook and the Vital Organs Knockout. 9:30pm, $5.

Gretchen Phillips, Phranc El Rio. 9pm, $8-15.

Radar Brothers, Man/Miracle, Mist and Mast Rickshaw Stop. 8pm, $12.

Josh Ritter and the Royal City Band, Carolina Chocolate Drops Fillmore. 9pm, $25.

Tornado Rider, Audiodub, Conscious Souls, Oola Rocksteady Slim’s. 9pm, $14.

Waifs, Mike Gunther Independent. 8pm, $30.

Zodiac Death Valley, Drug Wars, Complaints Hemlock Tavern. 9pm, $7.

FOLK/WORLD/COUNTRY

Bluegrass and Old-time Jam Atlas Café. 8pm, free.

Ian McFeron, Alisa Milner Duboce Park Café, 2 Sanchez, SF; (415) 621-1108. 7:30pm, free.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz spin Afro-tropical, samba, and funk.

Bad Reputation Lexington Club. 9pm, free. Lose that good girl attitude at this Pride kickoff party with DJs Jenna Riot and Dee Dee Crocodile.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Gigantic Beauty Bar. 9pm, free. With DJs Eli Glad, Greg J, and White Mike spinning indie, rock, disco, and soul.

Gold Queers in the Night 111 Minna Gallery. 9pm, $7. Combining three dirty underground queer dance parties into one pride event with DJs Black, Bunnystyle, davO, Durt, Pink Lightning, and Rapid Fire.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Meat DNA Lounge. 9:30pm-3am, $2-5. Industrial with BaconMonkey, Netik, Stats, and Shadow Angel.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 25

ROCK/BLUES/HIP-HOP

Lou Barlow, Sarah Jaffe Café du Nord. 9pm, $14.

Butch Whacks and the Glass Packs Bimbo’s 365 Club. 8pm, $45.

Entrance Band, Growlers Hemlock Tavern. 9:30pm, $12.

Evolfo Doofeht, Vernon “Ice” Black, Cudnz, Candlespit Collective Slim’s. 9pm, $15.

Sharon Jones and the Dap Kings, Heavy, DJ Harry Duncan Warfield. 9pm, $27.

Judgement Day, Stomacher Dark Room, 2263 Mission, SF; http://snobtheater.tumblr.com. 10pm, $10. With comedians Red Scott, Melanie O’ Brien, Alex Koll, and DJ Real.

Little Black Bats, Prognosis Negative, Video Wine Party Walgreen’s Parking Lot, 4122 18th St, SF; gawksf@yahoo.com. 7pm, free.

Minipop, Trophy Fire, Chasing Kings Rickshaw Stop. 8:30pm, $10.

Pleasure Kills, Blank Stares, Glitter Wizard Thee Parkside. 9pm, $8.

Soul of John Black Biscuits and Blues. 8 and 10pm, $20.

Still Time, Lucas Ohio and the Shamblers, Dustbowl Revival Red Devil Lounge. 9pm, $12-14.

“Trans March After Party” Elbo Room. 9pm, $10. Original Plumbing hosts performances by Katastrophe, La Monistat, Glenn Maria, and more.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Ben Darwish Red Poppy Art House. 8pm, $10-15.

Marina Teich Group Savanna Jazz, 2937 Mission, SF; (415) 285-3369. 7:30pm, $8.

Meshell Ndegeocello Yoshi’s San Francisco. 8 and 10pm, $22-28. Playing Gil Scott-Heron covers.

Trumpetsupergroup Randall Museum Theater, 199 Museum, SF; www.trumpetsupergroup.com. 8pm, $5-10.

Will Bernard Trio with Robert Walter and Simon Lott Boom Boom Rom. 9:30pm, $15.

FOLK/WORLD/COUNTRY

Fishtank Ensemble Blue Macaw, 2565 Mission, SF; (415) 920-0577. 9pm, $10. With tribal fusion dancer Rachel Brice.

Marina LaValle Coda. 10pm, $10.

Wrenboys Plough and Stars. 9pm.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Art Attack Supperclub. 9pm, $20. With DJs Lady Kier and Pepperspray.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Chunkhouse DNA Lounge. 9pm, $15-20. House with Ted Eiel.

DJ Morse Code Vessel. 9:30pm, $20.

Episco Disco Grace Cathedral, 1100 California, SF; (415) 869-7817. 7pm, free. With DJs Broker/Dealer and Disco Shawn, a live performance by Chelsea Wolfe, and art by Oliver DiCicco.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

House of Voodoo Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $5. With DJs voodoo, Purgatory, and Ms. Samantha spinning goth, industrial, deathrock, eighties, and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Psychedelic Radio Club Six. 9pm, $7. With DJs Kial, Tom No Thing, Megalodon, and Zapruderpedro spinning dubstep, reggae, and electro.

Road to Ruin Lexington Club. 9pm, free. A Trans March after party with DJ Rapid Fire spinning hip hop, pop, rock, and top40.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Teenage Dance Craze Party Knockout. 10pm, $3. With DJ Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 26

ROCK/BLUES/HIP-HOP

Concrete Blonde, Flametal Regency Ballroom. 9pm, $35.

Steve Earle Great American Music Hall. 7pm, $36.

Finest Dearest, Sterling Says Epicenter Café, 764 Harrison, SF; www.epicentercafe.com. 7pm, free.

Hightower, Kingdom of Magic, Razorhoof Hemlock Tavern. 9:30pm, $7.

Robert Earle Keen, Elliot Randall and the Deadman Fillmore. 9pm, $25.

Bill Kirchen Amoeba, 1855 Haight, SF; (415) 831-1200. 2pm, free.

MC Trachiotomy Hemlock Tavern. 6pm, free.

Myonics, Mystery Lights, Wax Idols, Colbalt Cranes Amnesia. 9pm, $7.

Obsessor, Cwachemoe, Moss Thee Parkside. 3pm, free.

“Rock and Sox” Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 10pm. Fundraising benefit for the Dana-Farber Institute’s Jimmy Fund, with the Canver Sucks Band.

*Slim Cessna’s Auto Club, Four Year Bender, T and A Bottom of the Hill. 10pm, $12.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

C U Next Weekend, Lady Nerd, Kaptain Harris Club Six. 9pm, $5. Warped Tour after party.

JAZZ/NEW MUSIC

Lily Alunan Savanna Jazz. 7:30pm, $8.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Joan Crowe Trio Enrico’s Sidewalk Café, 504 Broadway, SF; (415) 982-6223. 8pm.

Meshell Ndegeocello Yoshi’s San Francisco. 8 and 10pm, $28. Playing Gil Scott-Heron covers.

Will Bernard Trio with Robert Walter and Simon Lott Boom Boom Rom. 9:30pm, $15.

FOLK/WORLD/COUNTRY

An Evening of Song Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 7:30pm, $17.

“Jai Ho” Oracle Arena, 7000 Coliseum, Oakl.; (510) 569-2121. 7:30pm, $50-$150. A.R. Rahman in concert.

Rattle Cans Plough and Stars. 9pm.

Thank You Julius, Brothers Amor, Maria “Songbird” Remos, DJ Chief Boima, Nothing Café du Nord. 9:30pm, $12.

DANCE CLUBS

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, and Javier, plus free 80s hair and make-up by professional stylists.

Blowoff Slim’s. 10pm, $15-20. With DJs Bob Mould and Rich Morel.

Bootie DNA Lounge. 9pm, $6-12. Lady Gaga vs. Madonna mash-ups with Adrian and Mysterious D.

Cockblock Rickshaw Stop. 9pm, $10. Dyke March after party.

Colombia y Panama Coda. 10pm, $5. Latin with DJs Beto, Vinnie Esparza, and Guillermo.

4OneFunktion Elbo Room. 10pm, $5-10. Hip-hop with FAME, Hawthorne Headhunters, DJ Spair, DJ Strategy, DJ B. Cause, Mista B, and Aron.

Go Bang! Deco SF, 510 Larkin, SF; (415) 346-2025. 9pm, $5. Recreating 70’s/80’s disco nightlife with DJs Tres Lingerie, Steve Fabus, Nicky B., and special guests Jason Kendig and Marcelino Andrade.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Kiss Me Deadly Lexington Club. 9pm, free. Dyke March after party with DJ Bunnystyle.

KO $3 Dance Party Knockout. 8pm, $3. Eclectic tunes with Paul Paul, dX the Funky Gran Paw, and DJ Deadbeat.

Love and Happiness Som. 10pm, $15. With DJs David Harness and Ruben Mancias.

Mini-Vacay Milk Bar. 10pm, $5-$10. Beach gear encouraged at this Risky Bizness DJ crew summer jam party featuring performances by PFunk and C-Plus.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Polo Mo’qz, Serg, and Jah Yzer spinning dancehall and reggae. Army attire themed.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 27

ROCK/BLUES/HIP-HOP

Backstreet Boys, Mindless Behavior Warfield. 8pm, $45-65.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

*Danzig, All Shall Perish, Toxic Holocaust Regency Ballroom. 8pm, $32.

Dustbowl Revival, Anna Ash, Bonnie Doom Hemlock Tavern. 9pm, $6.

Red Hot Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

*Saint Vitus, Hammers of Misfortune, Walken, Stone Axe DNA Lounge. 7:30pm, $17-20.

*Ty Segall, Grass Widow, Sonny and the Sunsets, Baths Bottom of the Hill. 8pm, $10.

*Zoroaster, Black Tusk, Dark Castle, Serpent Crown, DJ Rob Metal Thee Parkside. 9pm, $12.

JAZZ/NEW MUSIC

Kathleen Grace Red Poppy Art House. 8pm, $12-15.

Max Weinberg Big Band Yoshi’s San Francisco. 5 and 7pm, $5-25.

FOLK/WORLD/COUNTRY

Completely Unmarketable Amnesia. 7pm, free.

Golddiggers, Misisipi Rider, DJ Mr. Goodtimes Thee Parkside. 4pm, free.

Hapa and the Academy of Hawaiian Arts Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Pokey LaFarge and the South City Three, Frank Fairfield Amnesia. 9pm, $10.

Autumn Rhodes, Jeff Pearson, Glen Farr Plough and Stars. 9pm.

DANCE CLUBS

Body Rock Temple Bar, 600 Polk, SF; (415) 931-5196. 11am-6pm, free. A showcase of queer talent and DJ sets.

Continental Breakfast Lexington Club. 2pm, free. Soul music and breakfast goodies with DJ Katie Duck.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with Vinnie Esparza and Irie Dole.

45 Club Knockout. 10pm. Funky soul with dX the Funky Gran Paw, Dirty Dishes, and English Steve.

Fresh Ruby Skye. 6pm, $25. With DJ Wayne G.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

LTJ Bukem and MC Conrad, Kuze and MC Child Independent. 9pm, $23.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

Too Fast For Love Lexington Club. 9pm, free. With DJ Campbell spinning dirty jams, top40, and more.

MONDAY 28

ROCK/BLUES/HIP-HOP

Backstreet Boys, Mindless Behavior Warfield. 8pm, $45-65.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

Eagle Winged Palace, Paula Frazer, Killbossa, These Hills of Gold Knockout. 9pm, $7.

Every Avenue, Sing It Loud, Secret Handshake, There For Tomorrow Slim’s. 7:30pm, $14-16.

Lemuria, Hard Girls, Beat the Oak Bottom of the Hill. 8:30pm, $8.

MOTO, Midnight Creeps, Sharp Objects, Spurts Elbo Room. 9:30pm, $6.

Sally Seltmann, Gemma Ray, Old-Fashioned Way Rickshaw Stop. 7pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 29

ROCK/BLUES/HIP-HOP

CocoRosie, Cibelle Regency Ballroom. 8pm, $24.

Greg Ashley, Yea Ming, Brian Glaze Hemlock Tavern. 9pm, $6.

“Blue Bear School of Music Showcase” Café du Nord. 7:30pm, $12-20.

Buxter Hoot’n, Mark Matos and Os Beaches Elbo Room. 9pm, $6.

Frozen in Amber, Disemballerina, Wild Hum Knockout. 6pm, $6.

*Harlem, Hunx and His Punx Independent. 8pm, $15.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. “Stump the Wizard” with DJs What’s His Fuck and the Wizard.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Alerts

David Talbot
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0

alert@sfbg.com

WEDNESDAY, JUNE 23

Remembering torture victims


Commemorate U.N.-enacted International Day in Support of Victims of Torture at this screening of The Response, a courtroom drama based on the transcripts of the Guantanamo Bay military tribunals. Featuring guest speakers from UCSF and SF State, members of Survivors International, Amnesty International, and Health Professionals Against Torture.

6 p.m., free

Amnesty International SF Office, Suite 210

350 Sansome, SF

(415) 546-2080

Water bond happy hour


Join the Food and Water Watch team in helping to get voters to reject the California water bond on the November ballot. Meet others who care about the issues and discuss a sustainable water future for California and how water issues effect us all. Raffles of stainless steel water bottles benefit Food and Water Watch, a local nonprofit corporate accountability organization.

6 p.m., free

Elixir Bar

3200 16th St., SF

www.foodandwaterwatch.org

THURSDAY, JUNE 24

Radically queer


Radical Women celebrates LGBTIQ month with a panel discussion titled "Queer Radicals: Strategies for Our Movement." Queer and transgender activists will discuss how to build a militant movement for LGBT liberation. Pre-discussion buffet with vegetarian options available at 6:15 p.m. for $7.50. Call for information about childcare.

7 p.m., free

New Valencia Hall

Suite 202

625 Larkin, SF

(415) 864-1278

SATURDAY, JUNE 26

Protest Big Oil


Join thousands for a beach lie-in to create a "slash oil" image that will be photographed from a helicopter. Arrive no later than 10:30 a.m. to participate. Attendees will receive an overhead postcard of the event. Then at noon, join Hands Across the Sand, an international statement on protecting coastlines from oil pollution. Carpooling, biking, or taking public transit to the events is highly encouraged.

10 a.m.; free, donations accepted

Ocean Beach

1000 Great Highway, SF

www.slashoil.blogspot.com

www.handsacrossthesand.org

SUNDAY, JUNE 27

Have a good cry


Attend this "cry-in" against the commercialization and corporate sponsorship of the Gay Pride festival. Wear your most morbidly gothic clothing, bring your favorite sad songs, and share your best morose attitude with other queer people and allies eulogizing the demise of the grassroots queer community.

2 p.m., free

San Francisco LGBT Center

1800 Market, SF

www.gayshamesf.org

MONDAY, JUNE 28

Honduras resistance


Watch three videos presented by the Bay Area Latin America Solidarity Coalition (BALASC) on the 2009 military coup in Honduras. Proceeds benefit the Popular Resistance in Honduras.

8 p.m., $6

Artists’ Television Access

992 Valencia, SF

www.balasc.org

A tale of animal liberation


Hear activist and former prisoner Andy Stepanian tell how he stood up to one of the world’s largest contract animal testing labs, was charged with terrorism, and served three years in federal prison.

7 p.m., free

Station 40

3030B 16th St., SF

www.sparrowmedia.net

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

In defense of Bay to Breakers

David Talbot
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In defense of Bay to Breakers

By Conor Johnston

OPINION An op-ed piece in the June 9 issue of Guardian (“When the rich can sit on the sidewalks“) was the latest in a rash of negative media stories about Bay to Breakers. I am not going to respond to that article specifically, except to thank the Guardian for giving us equal time.

For 99 years, Bay to Breakers has been lifting the city’s spirits, bringing fun, tax revenue, millions of tourism dollars, and nationwide attention to San Francisco. If ever we needed those things, it’s now, when we have record deficits, 47,000 people out of work, and may lose the football team that is named after us.

So let’s set the record straight.

Bay to Breakers does not cost taxpayers a dime. The event pays for all costs, including cleanup. And the permit fees and tourism generate tax revenue. ING probably dropped its sponsorship for reasons unrelated to B2B. Sponsors come and go. B2B will find another. Bay to Breakers is a financial boon for San Francisco. The event attracts thousands of people to the city; 49 of 50 states were represented by participants in 2008. The average tourist spends $505 in the local economy. Bay to Breakers is and always has been peaceful. There were fewer than five arrests reported this year. I have never seen a fight at B2B, not once, in seven years. Bay to Breakers remains enormously popular. There are about 100,000 participants and spectators, including many world-class runners.

This said, there are problems at B2B, namely public urination and the overall impact on the neighborhoods. We absolutely acknowledge that. But unlike the critics, we still believe in this city’s ability to solve problems.

How do we do it? Not with prohibitions — they are a retreat, not a policy. Sound policy takes effort, collaboration, and commitment. Let’s get the stakeholders together — neighborhood groups, race organizers, race supporters, SFPD, and city officials — and create a plan to protect the neighborhoods while preserving the race’s spirit.

Our group, Citizens for the Preservation of Bay2Breakers, is committing to raise money for 100 additional multiperson urinals and to leading the cultural campaign for more responsibility among participants. And we have other ideas:

• Ticket people who urinate on or disturb private property.

• Rent more toilets.

• Implement multiperson urinals, which are six times more efficient and are one-third of the cost per user.

• Improve the barricades to keep participants on course.

• Increase revenue with a tiered registration for non-runners.

• Host an event in the park that attracts participants out of the neighborhoods sooner.

I see in Bay to Breakers a celebration of what it means to be San Francisco, to be capable, to be unafraid of free expression and unapologetic of diversity.

I see world-class runners lined up next to 30-somethings in Elvis costumes. I see convalescent patients lining the sidewalk, smiling and taking pictures with Rambo and Cinderella. I see mothers pushing costumed babies. I see 100,000 happy faces. But most of all, I see a century-old civic institution that is worth fighting for. *

Conor Johnston is co-chair of Citizens for the Preservation of Bay2Breakers and a resident of District 5.

Hands Across the Sand says “No to offshore drilling, yes to clean energy”

Mary Magee
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Hands Across the Sand says “No to offshore drilling, yes to clean energy”

I got an email today from Moveon.org advising me, “There’s a huge event happening this weekend at a beach near you.”
“In the wake of the giant BP oil spill in the Gulf, tens of thousands of people are getting together on beaches around the world for a massive event called “Hands Across The Sand,” the moveon.org folks said.
And so far, I’ve seen press advisories saying a Hands Across the Sand event is happening at Ocean Beach and China Beach In San Francisco, and at Crown Memorial Beach on Alameda Island, with folks gathering around 11 a.m. in preparation for non-violent hand-holding at 12 noon, on Saturday, June 26.
And the really cool and catchy part of this idea is that anyone on any beach anywhere in the world can join in, simply by grabbing the nearest person’s hand.

Dave Rauschkolb, who founded the first Hands Across the Sand event earlier this year, is a surfer and owner of three restaurants on the beach in Seaside, Florida, on the northern Gulf Coast between Pensacola and Panama City.
Rauschkolb spoke to me by phone today, shortly after US District Court Judge Martin Feldman ruled against  Obama’s deepwater drilling moratorium, claiming the Obama Admin “overreached”. and just the tar balls were starting to come up on the beach near Rauschkolb’s restaurants in Florida.

These incoming tar balls are an especially heartbreaking sight for Rauschkolb, given that he helped successfully organize the first Hands Across the Sand event on Feb. 13, 2010, when over 10,000 people joined hands on nearly 100 beaches along the coastline to stop the expansion of offshore oil drilling. But hopefully, terrible sights like this will be the impetus that finally gets U.S. citizens to break their addiction to oil.

“We gathered to stop the expansion of oil drilling in our coastal waters,” Rauschkolb said, referring to how folks protested efforts by the Florida Legislature and the U.S. Congress to lift the ban on offshore oil drilling.

“Now, just a few months later our entire Gulf of Mexico marine environment and
coastal economy is at risk from the very thing we tried to stop: offshore oil drilling off
our coast,” he continued. “The Deepwater Horizon disaster is a wake up call. Even as the Gulf disaster grows, British Petroleum and other oil companies continue to push for new offshore drilling anywhere oil might be found regardless of the risks they pose. The offshore drilling industry is a dirty, dangerous business and no one industry should be able to place entire coastal economies and marine environments at risk. Why is this allowed to happen?”

Rauschkolb said he blames BP to the extent that we should hold them accountable for what happened with the Deepwater Horizon disaster,
“However, I also hold the entire offshore oil industry accountable as well, because any company could have had this happen, “ he told me, pointing to a blow out off the Australian coast that took three months before a relief well could be drilled.

Concerned that the U.S. government and the oil industry will seek to make BP the scapegoat, in an effort to avoid imposing stricter regulations, Rauschkolb said such a response wouldn’t be a good outcome.

“America could be, should be one of the world’s leaders in expanding cleaner energy sources yet, our political process is paralyzed by oil money and influence. It is time for our leaders in all countries to take bold, courageous steps and open the door to clean energy and renewables and finally extend a hand to free our countries from our addiction to oil.”

“This is a critical turning point in finally changing our prehistoric energy policy towards the light of clean energy,” Rauschkolb concludes. “ Let us work together and share our passion and energies to protect our coastal economies, our oceans, our beaches, our waterfowl and our marine life. On behalf of those who have been and continue to be affected by this disaster of epic proportions in our Gulf of Mexico we extend our deepest appreciation to all of you for Joining Hands across America and the world on June 26.”

Rauschkolb invites folks to visit the Hands Across the Sand website and sign up to organize a beach or city.
Sounds like a great way to spend a Saturday. And if you do, you’ll be joining a movement that’s exciting interest around the world. According to Rauschkolb, as of today, 627 events are scheduled to take place on June 26 in 451 U.S. cities, with another 45 events scheduled outside the U.S. in 20 separate countries.

Think Global. Go clean energy.

Sunday Streets contrasts with SF’s bike injunction

Sasha Cuttler
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A day after bicyclists and pedestrians took over the streets of the Mission for the popular, incident-free Sunday Streets, and a day before the court hearing on whether to end the four-year-old injunction against bike-related projects in San Francisco, Judge Peter Busch today (6/21) issued a noncommital tentative ruling in the case, indicating he needs a hearing on myriad technical details to reach a decision.

Most members of the city’s bicycling community see the injunction as surreal and are simply unable to understand how the California Environmental Quality Act could be used to hinder a transportation option that is clearly a boon for the environment. The answer, say critics, lawyers, and Judge Busch, is that the city should have done an expensive EIR first to probe the finest of details of exactly how more bike lanes would disrupt traffic.

Or as Busch put it in his temporary ruling, he wants to explore questions such as: “1) WHAT OTHER ALTERNATIVES OR MITIGATION MEASURES DOES PLAINTIFF CONTEND RESPONDENT SHOULD HAVE ANALYZED OR CONSIDERED? 2) WAS RESPONDENT REQUIRED TO INCLUDE DATA UNDERLYING TRAFFIC LOS AND, IF SO, DID IT SATISFY THE REQUIREMENT? 3) DID RESPONDENT ABUSE ITS DISCRETION BY USING A SIX-MINUTE THRESHOLD TO ANALYZE TRANSIT IMPACTS?”

It’s a level of detail that only lawyers and traffic engineers can appreciate, and to the casual observer, it’s a level of detail that could maddeningly extend this entirely unreasonable injunction. And Sunday Streets was a great example of why it’s so unreasonable. Here’s an event that disrupted far more cars and buses than the Bike Plan would over a month, and it was done with no EIR and with no major problems.

Why? Because CEQA has an exception for temporary events, which is certainly a good thing. But if CEQA is used to extend this injunction for another month, or a year, then it’s time to revisit this unreasonable law and whether this was ever a reasonable ruling.  Because the harm he’s doing by dragging this case out for a year after the city completed the EIR – to bicyclist safety and to the environment when people are afraid to bike and choose to drive — certainly outweighs any harm this plan will do.

Street Threads: Look of the Day

Jesse Hawthorne Ficks
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Street Threads: Look of the Day

Today’s Look: Cortland and Andover

Tell us about your look: “I’m more put together that I usually am because I have an event tonight.”

Eux Autres on World Cup fever and Midnight Special love

John Elberling
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Eux Autres on World Cup fever and Midnight Special love

World Cup fever is here, and in honor of anthems past, local pop merchants Eux Autres have created an unofficial song and video for the event. The band’s singer-guitarist Nicholas Larimer is following the action, which requires him to wake up early in the morning, but the midnight hour is another time that he knows a thing or two about. He has a keen appreciation of Burt Sugarman’s Midnight Special, a TV gem that, under the watchful eye of Mary Hart’s current husband (then married to Carol Wayne), presented live performances by chart-topping acts from 1972 until 1981. I asked him to choose five favorite moments from the show and sound off about them.  

Eddie Money, “Baby Hold On”
SFBG What do you think of Eddie’s somewhat Jaggeresque but East Coast tuff – complete with tie over bare chest – look here? The band on this clip is pretty tight and he sounds great.
Nicholas Larimer I always liked this song, but I never expected this performance to blow me away. He absolutely nails it. An epic performance. And then the camera pans over and you see he’s doing it all in front of an audience of silent people sitting there with their hands in their laps.

AC/DC, “Sin City”
SFBG That’s quite an intro AC/DC gets here – double your rock star pleasure. How long do you think it took Bon to get into and out of the jeans he’s wearing? If Eux Autres could build their own Sin City, what would it include?
NL The first time I saw this, I thought they couldn’t possibly top that tag team Nugent/Tyler intro, but I was wrong. The thing about Bon’s pants is not only are they unbelievably tight, the waist is oddly high. I always like to imagine this song is about Kurriemuir, Scotland, where Bon Scott was born, and where my ancestors hail from. After visiting, I have a feeling this isn’t true.

Fleetwood Mac, “Over My Head”
SFBG It’s always good to cast a vote for Ms. McVie. I like the effect of her face projected within the moon.

NL I always like to stick up for Ms. McVie. I feel like her songs don’t get enough credit from some people. The backdrop is my favorite part of this performance, edging out Lindsay Buckingham’s kimono. 

The Bee Gees, “Nights On Broadway”

SFBG This is sort of a bridge between the Saturday Night Fever-era Bee Gees and the folkier, rockier Bee Gees. They possess an impressive array of keyboards. Robin has this sort of permanently tear-y look. This song has an excellent interlude. Doesn’t it seem like musicianship of this caliber was common back then, and rare today? 

NL This does seem like the bridge between early and late Bee Gees. I think that’s why I like it so much. They were in the process of harnessing the power of the falsetto, but not yet abusing it. This is one of my favorite songs ever, by any band. Robin’s near nude outfit is crazy, and then he does those weird dance moves. The level of musicianship on all of these clips is higher than today. I guess it was just required that if you were in a band, you were insanely tight live. So many of the Midnight Special performances sound better than the actual records.

Heart, “Crazy On You”
SFBG Terrific extended guitar intro by Nancy Wilson here. Is this your favorite Heart song?
NL Yes. The vocals have always seemed so difficult to me. This is flawless.

 

Happy birthday to the Marsh!

Sue Vaughan
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Happy birthday to the Marsh!

The Marsh hits the big two-oh this weekend. The one-of-a-kind theater founded by Stephanie Weisman in 1989 has contributed much more than its fair share to performance arts in the Bay Area and beyond. To mark the event, the Marsh is planning a one-of-a-kind celebration this Saturday, June 19: 12 continuous hours of performance, memories, and festive behavior featuring a remarkable assortment of talent under one roof. Seriously, if these were heads of state it’d be like the G20 times two, and the security hassles would suck hard for blocks around. As is, you can just go and watch and talk to these people, who are way cooler anyway.
 
For more of the lowdown on the birthday plans and insider thoughts on the Marsh at 20, I had thought of talking to a dozen or so of the leading lights slated to be there. But not having a lot of energy this morning, I decided instead to just call Mary Samson — currently crafting her own Marsh solo show and one of Saturday’s Marathon MCs — at her daytime desk at the Guardian.

[ringing]

Mary: Hello, this Mary Samson.

Me: Hi Mary, it’s Rob.

Mary: I already had lunch.

Me: No, I wasn’t going to ask about lunch.

Mary: I’ve got dinner plans too, and a reeeally long yoga class on either side of that.

Me: No, Mary, I just wanted to ask about the Marsh.

Mary: Oh, the Marsh! Shoot.

Me: I understand you’ll be MC’ing a portion of this Saturday’s mammoth 20th-anniversary marathon and wondered if … wait a minute. You already had lunch? But it’s only 10:00.

Mary: So call it brunch. What’s your point?

Me: Well, this is a really big deal, isn’t it?

Mary: That’s right, Ron.

Me: Rob.

Mary: The Marsh has been a hotbed of solo performance for two decades. It’s helped launch the careers of some of the best talent to emerge from the Bay Area since Boss Ruef. And about 40 of them will be there between 12 noon and 12 midnight this Saturday — including Marga Gomez, Charlie Varon, Josh Kornbluth, Francesca Fanti, Brian Freeman, Jeff Greenwald, Joan Mankin, Bob Ernst, Dan Hoyle, Merle Kessler, Don Reed, Ann Randolph, Ron Jones AND my personal favorites Liz White Salk and Mark McGoldrick!

The Marsh’s 20th Anniversary and Performance Marathon

Sat/19, noon-midnight, $20-60

Marsh, 1062 Valencia, SF

www.themarsh.org/performance_marathon.html                                                                                                                                                                                               

Summer in bloom

Sue Vaughan
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Summer in bloom

By Sam Stander

It’s that time of year again! You know, the time when Ulysses happens. That’s right, it’s Bloomsday, the holiday commemorating James Joyce’s epic modernist tome, ranked by the Modern Library as the greatest novel of the 20th century. The novel’s events span a single day — June 16, 1904, the date of Joyce’s first date with his future wife, Nora Barnacle.

Though the epicenter of all things Bloom-related is, for obvious reasons, Dublin, San Francisco hardly skips out on the fun. The Mechanics’ Institute Library is hosting ”The Voices of James Joyce: Readings from Ulysses and Beyond #2,” their ninth annual Bloomsday event. It will feature readings and musical performances, as well as a “special Bloom’s Menu” at the Mechanics’ Saloon.

http://www.youtube.com/watch?v=YbMOhRL6wsA

The Voices of James Joyce: Readings from Ulysses and Beyond #2
7 p.m., $10-$12
Mechanics’ Institute Library
57 Post, SF
(415) 393-0114
www.milibrary.org

Our Weekly Picks: June 16-22, 2010

Jesse Hawthorne Ficks
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WEDNESDAY 16

THEATER/DANCE

The Tosca Project

American Conservatory Theater artistic director Carey Perloff and San Francisco Ballet choreographer Val Caniparoli have teamed up with an all-star cast of ACT actors and San Francisco Ballet principal dancers (Lorena Feijoo, Pascal Molat, and Sabina Allemann) to bring theater and dance to one stage. Tracing the history of SF’s famous Tosca Café, The Tosca Project at ACT journeys through the love, loss, and popular dances of the past century to a soundtrack (featuring everything from Stravinsky to Hendrix) as diverse as the café’s ever-changing clientele. (Katie Gaydos)

Through June 27

Tues.–Sat., 8 p.m. (also Wed. and Sat., 2 p.m.); Sun, 2 p.m., $15–$85

American Conservatory Theater

415 Geary, SF

(415) 749-2228

www.act-sf.org/0910/tosca/index

THURSDAY 17

PERFORMANCE

Fresh Meat Festival

It’s that time again when Sean Dorsey brings tranny and queer performers for a love feast of dance, humor, music theater, and just about any other form of performance you could want. Most remarkable perhaps is how the Fresh Meat Festival — a tiny, local event only a few years ago — has grown into a national forum for often very polished performers who stick their necks out in every direction. Part of the festival’s fun is people-watching; some audience members’ get-ups nearly rival what’s seen on stage. Highlights from the lineup include world premieres of Dorsey’s take on Craigslist’s Missed Connections, Annie Danger’s media-style life coaching session, and SoliRose’s music-theater reflections about life in the Middle East. (Rita Felciano)

Thurs/17-Sat/19, 8 p.m.; Sun/20, 7 p.m., $17–$20

Z Space @ Theater Artaud

450 Florida, SF

www.brownpapertickets.com

MUSIC

U.S. Bombs

Boasting one of the most unpredictable, energetic, and enthralling bandleader of any punk band ever to set foot in front of an audience, U.S. Bombs has cultivated an incendiary reputation thanks to singer, legendary skateboarder, and all-around “master of disaster,” Duane Peters. Combining sounds culled from old school influences like the Clash and mixing them with the raw, adrenaline-pumping attitude needed while attacking a half-pipe, the band’s lineup has gone through several variations. But no matter which members of punk rock royalty he has behind him, Peters is guaranteed to steal the spotlight and make for a show you won’t likely soon forget. (Sean McCourt)

With the Forgotten, Druglords of the Avenues, and Cunt Sparrer

8 p.m., $14

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

EVENT

Decomposition reading

It’s sometimes said that, like pop songs, all good poems are ultimately about either love or death. Instinctively, I think most of us know this to be incorrect. Sometimes, though, we need a little reminder, which is where events like this one come in handy. Decomposition is an anthology of fungi-themed poetry from throughout the ages — apparently, many of America’s most seminal wordsmiths, including Sylvia Plath and Emily Dickinson, drew tremendous inspiration from the lowly mushroom (and no, not like that). Leading this tour of verse’s dark, dewy reaches will be editor Kelly Chadwick and poet Charlotte Innes. (Zach Ritter)

7–9 p.m., free

Ecology Center Store

2530 San Pablo, Berk.

(510) 548-3402

www.ecologycenter.org

FRIDAY 18

DANCE

Great Integration: A Chamber Hip-Hop Opera

By calling Great Integration — an allegory about the end of times — a hip-hop opera, choreographer Raissa Simpson and composer-pianist JooWan Kim may be on to something. Hip-hop is music, it’s dance, it’s poetry, and above all it’s a way of being. It means living on the edge, on unstable ground and embracing the subversive. Longtime East Bay activist and Integration contributor MC Kirby Dominant can attest to that. As far as the opera part is concerned, the Chinese and the Italians discovered centuries ago that opera is a messy, all-encompassing form of theater splendidly suited for big topics. Sounds just about right for all aspects of Integration. On opening night, jazz vocalist Christopher Nicholas joins Kim’s Ensemble Mik Nawooj and Simpson’s Push Dance Company. (Felciano)

Fri/18–Sat/19, 8 p.m., $15–$25

ODC Commons

351 Shotwell, SF

(415) 863-9834

www.brownpapertickets.com/event/104653

MUSIC

QM

Do you like hip-hop? Do you like cheap booze? Get your ass down to Hotel Utah for a stiff double dose of both and party like your parents are outta town. Local rapper QM of the Rec-League, self-described as “your favorite rapper’s favorite rapper to drink with,” is finally releasing his latest album, Happy Hour, and is throwing his own happy hour to celebrate. QM’s clever punch lines and West Coast sound may not change your political views, but they just might leave you hung over. Throw in $1 PBRs and Happy Hour grab bags filled with the album, a beer koozie, and other surprises, and Hotel Utah’s guaranteed to get wild. Be prepared for a drunken good time, and keep some aspirin and water ready for the morning after. (Ben Hopfer)

With Rec-League, Adverse, and Parable Paul

9 p.m., $10

Hotel Utah

500 Fourth St., SF

(415) 546-6300

www.routinefly.com

EVENT

“Cultural Encounters: Friday Nights at the de Young”

If you’re one of those people for whom a croissant is a “kwah-sahn,” then this week’s Friday Soirée at the de Young Museum, presented in partnership with the Alliance Française, should cater to your Francophiliac tastes. Though not French himself, Rich Kuhns accompanies the “Birth of Impressionism” exhibit as a strolling accordionist. The Bay Area monsieur of musette hearkens back to traditional French sounds — he plays Jacques Brel and Edith Piaf, of course — while also adding some contemporary flair to the fête. Following his performance, Dr. Alexandra Amati-Camperi lectures on the Fête de la Musique, French singer-songwriter Eric John Kaiser performs, and you can make your own found object instrument with Kim Erickson, described as an “art diva” by the de Young website. It’s no coincidence that the word “cliché” is French,” but zut alors, clichés never sounded so good. (Ryan Lattanzio)

5–8:45 p.m., free

de Young Museum

50 Hagiwara Tea Garden Drive, SF

(415) 750-3600

www.deyoung.famsf.org

FILM

Top of the Food Chain

Bluntly retitled Invasion! for its American release, Canadian filmmaker John Paizs’ homage to 1950s sci-fi films, Top of the Food Chain (1999), is the second of his films to screen at Artists’ Television Access in as many months. Previously, the auteur worked on beloved Canadian comedy series Kids in the Hall, but his films have a miniscule presence on the Internet — a few blog reviews here and there, and only two relevant YouTube clips. However, both of those clips are of hilariously non sequitur musical numbers, so that’s a promising sign. Indeed, Paizs’ fetishization of a seemingly outdated genre should be right at home alongside ATA’s usual assemblage of experimental video art. (Sam Stander)

8 p.m., $6

Artists’ Television Access

992 Valencia, SF

(415) 824-3890

www.atasite.org

PERFORMANCE

Miriam’s Well

This cultural and artistic mashup tells the stories of Mary, Maryam, and Miriam from the Christian, Muslim, and Jewish traditions connecting across time and distance at an ancient water well, the source of life and strife in a world that has yet to come to terms with how we can come together around our most basic shared needs. The performance involves dance, live music, poetry, and readings of sacred texts by a variety of acclaimed artists, from creator and dancer Miriam Peretz to musicians the Qadim Ensemble and master percussionist Pezhham Ackavass to spoken word artist Lana Nasser. It’s a story of visionary women leading all us past our historical and still-growing divisions and toward the realization that “without peace the well will soon run dry.” (Steven T. Jones)

8 p.m., $20

Grace Cathedral

1100 California, SF

(415) 749-6355

www.brownpapertickets.com/event/97354

SATURDAY 19

EVENT/PERFORMANCE

Birthfest and The Dynamite Show

FouFouHa!, San Francisco’s uniquely zany clown dance troupe, wants to take you on a strange journey all the way from a woman’s womb to a glitzy reality show set in Hollywood. That may seem like a long road to travel, but with troupe founder and performance director/choreographer Maya Culbertson-Lane, a.k.a. MamaFou, behind the wheel, it’s sure to be a fun ride. The play, which runs at Brava June 17-26, follows the Fous as they audition to be humiliated on television, exploring the role of the fool in society. But this show is preceded by a film festival on midwifery, with proceeds benefiting the Foundation for the Advancement of Midwifery, which recently helped MamaFou deliver her second child. What’s the connection? As she explains, it’s about power, “the power to not give into social fears created by a system run by money — in this case Hollywood and insurance companies.” With live music by the Gomorrans Social Aide and Pleasure Club and a photo exhibit by Eric Gillet. (Jones)

Birthfest, noon-6 p.m.; The Dynamite Show, 8 p.m., $20–$40

Brava Theater

2781 24th St., SF

www.foufouha.com

www.birthfest.com

EVENT

StreetSmARTS Community Extravaganza

It’s afternoon in the Tenderloin, and muralist Jet Martinez has been sponsored by the SF Arts Commission to paint traditional Oaxacan embroidery flowers in Cedar Alley. His audience: a man who has been yelling “I’m gonna kill you!” to no one in particular all day. The guy starts to approach him, and when he gets close enough says this to Jet in a low, articulate voice: “We really appreciate what you’re doing for the community.” Don’t ever let them tell you art doesn’t matter. Celebrate the beautiful walls created through StreetSmARTS with b-boys, DJs, and a midnight unveiling of “The Elements of Hip Hop,” a indoor gallery of works by the muralists themselves. (Caitlin Donohue)

Sat/19, 6 p.m., free

African American Art and Culture Complex

762 Fulton, SF

(415) 252-2598

www.sfartscommission.org

MONDAY 21

MUSIC

Brian Jonestown Massacre

Who Killed Sgt. Pepper? the Brian Jonestown Massacre asks in the title of its latest album. It’s possible bandleader Anton Newcombe did, if you recall how insane he was in Ondi Timoner’s documentary Dig! (2004). The San Francisco-bred band returns to the Fillmore in conjunction with its new release — a rather disquieting listen with plenty of dissonant space noise and expletives to make for a psychedelic headbanger’s wet dream. Newcombe, steeped in notoriety since Dig! and its frenetic portrait of the artist as a disturbed man, has been honing his sound since 1990. If you can separate art and artist (or don’t even bother — it makes things more interesting), BJM is one of today’s only bands that should be allowed to remain as prolific as it is. (Lattanzio)

9 p.m., $22.50

Fillmore

1805 Geary, SF

(415) 346-6000

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Voters are pissed

Jesse Hawthorne Ficks
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Voters are pissed

By Guardian News Staff

news@sfbg.com

After spending more than $70 million, two big corporations failed to convince Californians to vote their way. After spending nearly $70 million, the former head of a big corporation easily convinced Californians to vote her way. And that outcome is not as schizophrenic as it sounds.

On one level, the outcome of the June 8 election was a sign of the anti-corporate anger seething through the California electorate. “BP, Goldman Sachs, PG&E — anything that seems connected to a big corporation is in serious trouble right now,” one political insider, who asked not to be named, told us.

Yet two candidates who were very much corporate icons — Meg Whitman and Carly Fiorina — won handily in the Republican primaries and now have a real chance to become the state’s next governor and junior senator. What’s happening? It’s fascinating. The voters in the nation’s most populous state are pissed off — at big business, at government, at the oil spill, at 10 percent unemployment, at Washington, at Sacramento, at Wall Street. It’s an unsettled electorate, uncertain about its future and looking for something new, and definitely despising power.

There’s a populist fervor out there, and it’s going to define this fall’s expensive, dirty, and high-stakes battle for California’s future.

 

THE MAYOR GOES STATEWIDE

Addressing a crowd of supporters gathered at Yoshi’s San Francisco on election night, San Francisco Mayor Gavin Newsom — who easily beat opponent Janice Hahn to claim the Democratic nomination for lieutenant governor — said he was excited to be part of a crucial political year for the Golden State.

“We’re very proud to be in a position to be the Democratic nominee and to work with the other Democratic nominees,” Newsom told supporters. He lavished praise on the Democratic nominee for governor, Jerry Brown — the man who just last year he was trying to beat in a primary — telling stories about his father’s long relationship with the former governor and expressing his admiration. “I couldn’t be more proud to quasi- be on a ticket with Jerry Brown,” he said.

The race for lieutenant governor may prove one of the most interesting this election season — and not just because a victory for Newsom would transform San Francisco politics. Newsom’s opponent is Abel Maldonado, a moderate Republican who enjoys popularity among the growing, influential Latino community, and who Newsom’s team said will be a formidable challenge.

The campaign could revolve around an intriguing question. At a time when the Republican Party has been taken over by virulent anti-immigrant politicians — Whitman and Fiorina have both made harsh statements about illegal immigrants and vowed never to support “amnesty” (that is, immigration reform) — will Latino voters go for a white Democrat over a Latino Republican?

“You talk to them about all the same issues you talk to all voters about: jobs, education, and health care,” Newsom political strategist Dan Newman said when asked whether Newsom could win over Latino voters. “Latinos, like all voters, will appreciate someone with a proven record of success.”

Pollster Ben Tulchin also downplayed the trouble Newsom could encounter in winning the Latino vote. “With what’s going on in Arizona, they are very wary of Republicans,” Tulchin said, but then added: “We don’t want to underestimate the challenge we have. There’s never been a moderate Latino on the statewide ballot.”

Newsom sounded another alarm. If Whitman decides to help Maldonado, the race will get even tougher. “We’re running against Meg Whitman’s checkbook,” the mayor said.

“Expect to see Meg and Abel together a whole lot in the next few months,” one consultant predicted.

If Newsom wins, San Francisco will get a new mayor a year early — and the district-elected Board of Supervisors will choose the person to fill out the last year of Newsom’s term. Technically, the current board will still be in office then, but the task may well fall to the next board — which makes the local November elections even more important.

“Everyone is gaming this out and trying to figure out what happens,” political consultant Alex Clemens said during a post-election wrap-up at the San Francisco Planning and Urban Research Association office. “There will be a lot of dominoes to fall and deals to be cut.”

Meanwhile, Newsom’s nomination for lieutenant governor places many San Franciscans in an uncomfortable position, one that was illustrated well by Newsom’s victory speech, in which he proudly rejected taxes. Although most San Francisco progressives are disenchanted with their fiscally conservative mayor, few would rather vote for Maldonado.

Tim Paulson, the SF Labor Council president, was at the Newsom event gritting his teeth as he talked about the opportunity progressives now have to work with “a mayor of San Francisco we have issues with.” Now, he noted, “There is going to be a real campaign around this man. It could establish a narrative for what California is about.”

 

POWERFUL WOMEN

At Delancey Street on election night, San Francisco District Attorney Kamala Harris talked about getting “tough and smart on crime,” addressing gang-related criminal activity but also focusing on corporate criminals. She talked about cracking down on predatory lenders, supporting health care reform, and protecting California’s environment. And she made a point of dragging in BP.

“It must be the work of the next attorney general to ensure that the disaster and tragedy that happened in the Gulf of Mexico never happens in California,” she said, warning of attacks on AB 32, which set California’s 2020 greenhouse gas emissions reduction goal into law in 2006.

Of course, Harris now has to take on her southern counterpart, Los Angeles DA Steve Cooley, who is a moderate but comes in with much stronger law enforcement support. If Harris wins, it will go a long way to prove that opposition to the death penalty isn’t fatal in California politics, and that voters are finally ready for a women of color as the top law enforcement official — a first in state history.

But she and Newsom will both have to overcome likely attacks for the San Francisco’s crime lab scandal, one of many hits to be magnified by the size of Whitman’s war chest.

Whitman, who trounced opponent Steve Poizner in the primary, is riding the crest of a new wave of Republican-style “feminism,” starring her, Fiorina, and Fox news pundit Sarah Palin as female champions of the right-wing agenda. A few short months ago, it looked as if Brown was in serious trouble. But that was before Whitman and Insurance Commissioner Steve Poizner got into an $85 million bloodbath that left the winner of the GOP primary badly wounded. Whitman wants to play off the populist uprising by portraying herself as an outsider running against a career politician; Poizner gave her a huge scare by hammering her ties to Goldman Sachs.

That Wall Street narrative is one Democrats will push against Whitman and Fiorina. “I think it is stunningly politically tone deaf to nominate two Wall Street CEOs to the top of the ticket,” Newman said. Voters will decide whether they are fresh voices with new ideas or corporate hacks who laid off Californians and made fortunes with dubious stock market deals.

Brown leads in the polls — narrowly — but he’s vulnerable. He’s taken so many stands over so many years and Whitman’s fortune will hammer any openings they see. Brown is only slowly getting into campaign mode, but it’s no secret what he has to do. If the campaign is about Jerry Brown, unconventional politician, against Meg Whitman, Wall Street darling, then he wins.

But to take advantage of that, Brown has to offer some concrete solutions to the state’s problems — and he has to start acting like the progressive he once was. “If I were him, I’d run hard to the left,” a consultant who isn’t involved in any of the gubernatorial campaigns said.

The conventional wisdom had Barbara Boxer in trouble, too — but she’s a savvy campaigner who has beaten the odds before. And while the senator appears ripe for attack — almost 30 years in Washington, a voting record perhaps a bit more liberal than the state as a whole — her opponent, Fiorina, has baggage too.

For starters, Fiorina’s entire pitch is that she — like Whitman — would bring business-world savvy to politics. But as CEO of HP, “she was about perks and pink slips,” Newman said. “She laid off Californians and shipped those jobs overseas while enriching herself.”

Her own primary pushed her far to the right (at one point, in an embarrassing sop to the National Rifle Association, she actually argued that suspected terrorists on the federal no-fly list should be able to buy handguns). And speaking of feminist values, her anti-abortion positions won’t help her in a decidedly pro-choice state.

 

PROP. 16 GOES DOWN

The defeat of Proposition 16 will go down in history as one of the most remarkable campaigns ever. It was, Sup. Ross Mirkarimi noted, “a righteous win:” The No on 16 campaign spent less than $100,000 and still captured 52 percent of the vote. Another narrow corporate-interest measure, Mercury Insurance’s Prop. 17, faced a similar fate.

One reason: PG&E’s $50 million campaign backfired, making voters suspicious of the company’s propaganda. Another: it lost overwhelmingly in its own service area, the company rejected by those who know it best.

Now PG&E CEO Peter Darbee, who pushed to mount the expensive campaign, must return to his shareholders empty-handed — and that’s going to cause problems. “I assume the leadership of PG&E will be called to task,” Clemens said. “They truly rolled the dice.”

The day after the election, PG&E shares dropped 2.2 percent, a possible sign of shaken investor confidence. Mindy Spatt of the Utility Reform Network (TURN), a nonprofit that worked on the No on 16 effort, described the situation succinctly. “Peter Darbee’s got egg on his face,” she said. “Big-time.”

Mirkarimi has witnessed other battles with PG&E, and said this probably wouldn’t be the last. “PG&E, every time we want to have a seat at the table, tries to take us out, like assassins,” he said. “If they were smart, they would take us up on what we asked many years ago, and that is to abide by peaceful coexistence.”

On the statewide level, the bold and expensive deceptions pushed by PG&E and Mercury Insurance were countered by only a handful of super-committed activists and a broad cross-section of newspaper editorials, a reminder that newspapers — battered by the economy and technological changes — are neither dead nor irrelevant.

One of the wild cards of the election was Prop. 14, which will eliminate party primaries for state offices — and potentially shake up the state’s entire political structure. “This is a big deal even if we don’t know how it’s going to play out,” consultant David Latterman said at the SPUR event.

Interestingly, the only two counties that voted No on 14 were the most progressive — San Francisco — and the most conservative, Orange.

Progressives did well in San Francisco, expanding their majority on the Democratic County Central Committee. “In an environment where it was about hundreds of millions of dollars from PG&E and Meg Whitman and Chris Kelly outspending us, we showed that San Francisco is San Francisco and we support San Francisco values,” DCCC chair Aaron Peskin told us.

Money used to define the debates in San Francisco, but the dominant narratives are now being written by the coalition of tenants, environmentalists, workers, social justice advocates, and others who backed a progressive slate of DCCC candidates, which took 18 of the 24 seats on a body that makes policy and funding decisions for the local Democratic Party.

“This time it was the coalition that really made the difference,” DCCC winner Michael Bornstein said on election night. “Frankly, our people worked harder.”

Board of Supervisors President David Chiu agreed, telling us, “For the Central Committee, the message is people power wins.”

The lesson from this election is that people are starting to get wise to corporate deceptions. And they’re realizing that with hard work and smart coalition-building, the people can still prevail.

Steven T. Jones, Rebecca Bowe, Sarah Phelan, and Tim Redmond contributed to this report.

 

Festival front lines: Harmony 2010

Andrew Lam
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5

Aerial photo by DJ Guacamole

Santa Rosa got a little more groovy this weekend for the estimated 30,000 to 35,000 that attended the 32nd annual Harmony Festival, three days that were so epic my ability to narrate them cohesively has been called into question. Assembled here are some bits and pieces from the scene.

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Best year ever?

The longest running West Coast music and lifestyle festival seems to have resolved many of the problems it’s had with turning a profit in years past. “We tightened our ship, we did less with more, and we sold more tickets,” says festival CEO, Bo Sapper. Sapper cited the Eco Rally skate contest as a particular success – Harmony teamed up with eight local skate shops, and a passel of pros to put on an amateur mini ramp competition. They had 1,000 skaters sign up to ride, mainly from the local area. The festival also sold out it’s Saturday night shows, a rare occurrence for past years of Harmony.

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Vendor madness

Call me monetarily minded (you’d be the first), but I said it before, and I’ll say it again; the stuff that’s selling can encapsulate the event itself. So what kind of hawkers of wares greeted you upon arrival a the front gates? Amongst the psychics and Mayan chocolate was a woman selling personal sized, portable saunas (she said she was having trouble getting people to experiment with it, temperatures topping out in the nineties and all), some berries from Ghana whose claim to fame were that they could effectively mess your sense of taste up (suggested to buyers as possible cocktail garnishes), and my favorite; Asturias, the sonic didgeridoo man who charms lions and tigers (and for $200/two hours, you too!) with his big, hollow, vibrating stick. 

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Swami sanity

Don’t mourn last night’s loss of those fairy wings! “Everything is set, but the people are upset,” said Swami Chidanandji from his comfy pillow at the Wisdom Speakers Stage. Take it from a man who spent ages nine to 17 practicing solitude and yoga in the Himalaya; no matter how much festival flair you’ve stuffed into your backpack, happiness lies within. 

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Seeding the future

The basket of striped fava beans were what brought me to the West County Community Seed Bank‘s booth, but hearing about their mission to provide Sonoma County with GMO-free seeds for sproutin’ kept me fingering favas for awhile. At the moment, they’re meeting at St. Stephen’s Episcopal Church in Sebastopol every last Saturday of the month, and the seeds are stored in their founder’s basement. Harmony Fest gave them their vendor booth for free; the same price they charge their seed buyers.

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Yoga for the party kids

“Well, I got two hours of sleep last night. I’m not sure how, but we’ll make it through this,” said Yogaworks instructor Eric Monkhouse. Monkhouse took us through a few moderately paced asanas at the Eco-Wellness Sanctuary at 10:15 a.m. on Saturday morning — part of a full slate of yoga classes I thought I’d make it to, but obviously didn’t.

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Goddess Grove

One of the festival’s most rockingest scenes was this shady little side stage, where crowd pleasers Delhi to Dublin and Diego’s Umbrella rolled about gleefully onstage and off (Diego’s guitarist at one point plunged into the crowd to squirm about in the grass). At night, laser lights tickled the tree leaves above the concerts, setting an entirely different stage for the late night lovin’ that any good festie inspires.

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Festival babies: cooler than I am

Where do these little rascals come from? Big ups to the munchkin who was walking around performing courtesy sprays with his bubble gun, but my favorites were the pretty little girl and her buddies perched on the back of a truck that was making its slow way past the Goddess Stage. Next to her were two boys on skateboards, holding onto the fender for dear life. I attempted to make contact with the little thing,  but she shushed me through her ice cream cone, and pointed urgently, soundlessly to the truck’s cab. Festivating stowaways. Love it.

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Crime! 

Of course, it wasn’t all ice cream cones and good vibrations. There’s the matter of the Saturday night theft of a borrowed moped, which Sapper cited as the weekend’s sole unpleasant incident (if you don’t count beer prices).

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Lauryn Hill: ragingly good

So what if she spent a large portion of her first US concert in three years harassing the sound guys – the woman’s a legend, and if she wants to get a little surly, she’s entitled. “We’re all big fans of Lauryn Hill,” Sapper says. “We were aware she was quite reclusive, but she’s ready to come out of that now. Her agency was looking for a safe place for her [to restart her US performing career], and they thought Harmony Festival would be that place –and they were right.” Sapper recalls waiting with his wife and daughter backstage for Ms. Hill to emerge as one of the festival’s more magical moments.

Hill’s heavily remixed versions of such classics as “Turn Your Lights Down Low,” and “Ready or Not” struck a fine balance between crowd pleasing and innovative — and her red, white, and blue jumpsuit she wore struck an equally fine balance between Southern belle and Soul Train. Well worthy of a headliner. Thanks for coming out to play, Miss Hill. Now that she’s played a California hippie fest, can we finally quit with those stupid racism rumors?

 

Activists angry about BP spill target Arco stations

Sasha Cuttler
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2
Activists angry about BP spill target Arco stations

People have felt powerless to counter BP’s devastating and unstoppable oil leak, but Bay Area activists have finally settled on a target for their outrage: BP-owned Arco gas stations, which sell some of the cheapest gas around. On Friday, protesting activists blocked an entrance to the Arco on Fell Street, and tomorrow (6/16), the Sierra Club will hold an 11 a.m. protest outside the Arco at 3400 San Pablo Avenue in Oakland.

“There’s a reason why it’s so cheap, because they skimp on safety,” Josh Hart, one of the main organizers of Friday’s event, told the Guardian. That event targeted an Arco station that had already earned the ire of the bicycling community because motorists there regularly block the bike lane as they wait in line to fill their tanks.

Yet Hart said the protest is about more than just BP, but about Americans’ unquenchable reliance on cheap fossil fuels and an automobile-dependent lifestyle. “It’s not about boycotting BP,” Hart said. “It’s about boycotting oil.”

Tomorrow’s event in Oakland will feature a “mock oil spill” comprised of a black tarp surround by caution tape, a protest designed to send the message, “President Obama move us Beyond Oil.” Meanwhile, at 5 p.m. today, Obama plans to address the country about his adminstration’s so-far-futile efforts to address the spill.

On the Cheap listings

David Talbot
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0

On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

THURSDAY 17

Another Science Fiction Get Lost Travel Books, 1885 Market, SF; (415) 437-0529. 7pm, free. San Francisco author and archivist Megan Prelinger will discuss and show images from her new book, Another Science Fiction: Advertising the space race 1957-1962, where she presents 100s of advertisement images from a time that marked the beginning of space research as well as the golden age of science fiction writing.

FRIDAY 18

FINKTOONS Element Lounge, 1028 Geary, SF; (415) 440-0111. 10pm, free if you say "FINKTOONS" at the door. What do you get when you cross sketch comedy, horror movies, cartoons, and bizarre short films? FINKTOONS, of course. Enjoy a night of never before seen sketches and cartoons, including a live performance by the project’s co-creators Brandon Fink and Tyler Moazed.

Giants County Fair McCovey Cove, Giants Lot A, behind AT&T Park, SF; www.sfgiants.com/fair. Fri./11-Sun/20, free. This old-fashioned county fair with a San Francisco spin features games, fair food, music, a CUESA urban farming tent dedicated to cooking and gardening, and over 20 carnival rides, including a Ferris wheel, bumper cars, super-swings, and more. $5 per ride or $20 for unlimited rides. The fair will overlap with six Giants games, including the Bay Bridge Series against the A’s.

SATURDAY 19

Breaking Ground San Francisco County Fair Building, 9th Ave. at Lincoln, Golden Gate Park, SF; (415) 750-5110. 9am-1pm, free. This urban gardening youth conference is open to all Bay Area high school students featuring youth led, hands on workshops, information about jobs and paid internship opportunities, food and entertainment, tours of some of San Francisco’s coolest gardens, and more.

Mission Community Market 22nd St. between Mission and Bartlett, SF; http://missioncommunitymarket.blogspot.com. 4pm-8pm, free. Attend the kick off to this weekly summer outdoor market that celebrates the Mission by promoting healthy eating, locally owned businesses, community programs, public space, and live music in the street. Proceeds from all food bought at Lolo’s, Café Revolution, and Escape from New York Pizza will be donated to the MCM Fund. All market profits will be reinvested into public space improvements. Featuring live music by Seth Augustus, Diana Gameros, Santos Perdidos, and King City and live performances from Abada Capoeira, Danza Azteca, and Sirron Norris.

"Obviously You’re Not a Golfer" Kokoro Studio, 682 Geary, SF; (415) 400-4110. 7pm, free.

The Flat Earth Collective presents this literary event featuring readings by Tom Andes, David Holler, Erica Lewis, and Sara Mumolo and dramatic performances of new work by Sarah Ciston and Tavia Stewart-Streit.

StreetSmARTS African American Art and Culture Complex, 762 Fulton, SF; www.sfartscommission.org/streetsmarts. 6pm, free. Celebrate StreetSmARTS pilot-program murals, a program that connects established muralists with San Francisco private property owners to create vibrant art based on visual concepts reflecting the fabric of the neighborhood and make property less likely to be vandalized. Festivities to feature live muraling, film screenings, speakers, DJs, and a break-dance contest. A StreetSmARTS art exhibition will be unveiled at midnight.

Tetris Tournament II The Lab, 2948 16th St., SF; (415) 864-8855. 8pm, $5-$15 sliding scale. Test your skills with the world’s most popular puzzle game at this karaoke-style arcade competition. Musician, media artist, and performer Bryan Von Reuter rigged it so the highest scoring players will reap all the glory on a jumbo-tron projected screen and score board with DJ Middle D spinning records all night.

SUNDAY 20

Cardboard Tube Fighting League Hayes Valley Farm, 450 Laguna, SF; www.tubeduel.com. 3pm, free. Come in your best cardboard armor attire, bring food to participate in the picnic potluck, and vie for a chance to win a legendary cardboard sword. Prizes also awarded for best cardboard costume. If you need a costume go to the free Cardboard Amor Building Workshop Sat/19 3pm at Hayes Valley Farm. Bring scissors, glue, twine, and anything you think you might need to build righteous armor.

Rock the Bike Valencia and 24th St., SF; www.projectsoundwave.com. The ongoing green sound festival, Project Soundwave, teamed up with Rock the Bike to bring you this unique free environmental music event at the Mission District Sunday Streets program featuring the acoustic punk sounds of Kemo Sabe brought to you by pedal powered mics, amps, and instruments.

MONDAY 21

BAY AREA

Summer Solstice Celebration Muir Beach, Golden Gate National Recreation Area, Route 1, Marin; (415) 388-2596. 6pm, free. Celebrate the longest day of the year at this bonfire solstice party featuring storytelling and songs. Dress warmly and bring a mug for hot drinks. No reservations required.

Ubiquity Anniversary Exhibit Guerilla Art Café, 1620 Shattuck, Berk.; (510) 845-CAFÉ. 6pm, free. Attend the opening of this art exhibit celebrating the 20th anniversary of Bay Area funk and soul from Ubiquity Records with paints of, and inspired by, Darondo, Eugene Blacknell, Sugarpie Desanto, and Twilight. The opening will feature Guerilla Café art collective and Ubiquity artists live painting and creating a video montage. Throughout the show, Guerilla will host guest appearances by the musicians and DJ sets playing their music.

For Lit, Talks, and Benefits listings, visit the Pixel Vision blog at

Bread and Circuses: Mexico and the World Cup

Zelda Bronstein
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Bread and Circuses: Mexico and the World Cup

MEXICO CITY (June 11th) — The Caliente Sports Book down the street is buzzing with betters studying dog and horse races, Major League Baseball, even golf, on the multiple screens. Of particular interest are those channels running wrap-ups of the afternoon match between Mexico and 2006 World Cup champion Italy, from which the national team emerged victorious in a final prelim before this year’s edition of the Copa del Mundo gets underway later this week.


Italy, it may be remembered, won the much-coveted cup four years ago on penalty kicks after France was reduced to playing with ten men on the field when super-star Zenedine Zidane was disqualified for ferociously head-butting a rival who purportedly called his mother and sister “whores.” Beating Italy was a decided plus for Mexico’s downtrodden spirits as the Mundiales approach.


One group of aficionados was not much interested in Mexico’s fortunes in the upcoming fandango in South Africa. Instead, they gathered around a big screen in one corner of the betting parlor cheering on the Los Angeles Lakers in a National Basketball Association Finals match-up with the Boston Celtics. “Forget about football,” sneered “El Guerro” Gonzalez, a regular, “this is where the real money gets made.” Because pro basketball games routinely rack up hundred-point scores, betters have multiple opportunities to wager on winners and losers, over and under point spreads, total points in a quarter, and whether Kobe Bryant will hit the next three-pointer.


But the basketball euphoria will dissipate post haste as the World Cup takes center stage. Although the NBA’s despotic commissioner David Stern promotes his product as the world game, basketball hardly holds a candle to what the U.S. provincially terms “soccer” and the rest of the Planet Earth calls football.


Indeed, the “Copa del Mundo” (“Cup of the World”) will soon sweep every other sporting event from the screens — let alone political scandal, of which there is plenty in this distant neighbor nation, including the upcoming Super Sunday gubernatorial elections July 4th, and even droughts, floods, and other natural disasters. The interminable drug war that has taken 23,000 lives in the past three years will move to the backburner. Ditto an economy that is tailspinning out of control — a million workers lost their jobs in the first three months of this year alone despite President Felipe Calderon’s rosy claims of “recovery.”


Speculation about the disappearance of one of the nation’s most powerful politicians will fade from the primetime news, and the first year anniversary of the incineration of 49 babies in a government-run day care center owned in part by the first lady’s cousin will not even be noticed. The military takeover of the great Cananea copper mine and the dissolution of the miners union, is not news. New revolutions — this is, after all, the hundredth year anniversary of our landmark revolution — could rock the land, but for the next month, Mexico will live and die on what happens to the national team in South Africa.
“In football, we find our revenge against the adversaries of our lives,” philosophizes sociologist Jose Maria Candia in a recent Contralinea magazine interview, “if it goes badly at work, in the economy, politics, the project of the nation, when 11 boys put on the green jersey and do well in an international tournament, we feel vindicated by life.”
With 32 national teams from all five continents in the competition for the World Cup, the fate of the “seleccion” will have palpable impact on domestic tranquility. The political outfall of the Mundiales is unpredictable. Pumped up on toxic nationalism and xenophobia, football is a blood sport in southern climes. Honduras and El Salvador once fought a full-fledged war over soccer.


If the national team wins or acquits itself well, success will strengthen the government in charge no matter how poorly it has served the country. Likewise, a shoddy performance can topple rulers. In Mexico, increasingly unpopular president Felipe Calderon, who won high office in fraud-marred elections three years ago, is banking on the national selection’s triumphs in the opening round to invigorate his deteriorating image. Calderon’s bet is hardly a sure thing.


Mexico, Number 17 on the Federation of World Football Federation’s rankings (now the Coca Cola FIFA rankings), plays host South Africa in the inaugural match of the tournament, and “His Excellency” Felipe Calderon (dixit South African president Jacob Zuma) will be a guest of honor. The “Bafana Bafana” (“Boys Boys”) as the locals are worshipped, have won their last four prelim matches and in the 2009 Confederation Cup took Spain, which some football gurus fix as the best team in the world, into overtime. Their fanatics’ incessantly droning “vuvazelas” or plastic trumpets are said to drive opponents mad.


On the other hand, should Mexico beat sentimental favorite South Africa, it will make Calderon few friends on the African continent — five other African teams are in the draw, with war-torn Cote d’Ivoire the cream of the crop.


Aside from the Bafana Bafana, France and Uruguay are the real class of Mexico’s four-team group — while the French have appeared lackadaisical of late, whipping the South Americans is improbable. Anything less than reaching the quarterfinals will not rehabilitate Calderon’s popularity.


Mexico has a young team that fluctuates between indifference and playing out of control. It is anchored by seven Mexican players from the European and Turkish leagues, and the wily but slow-footed veteran Cuauhtemoc Blanco. Burned repeatedly by the national team’s poor performances in the Mundiales, many fans such as Manuel Garcia, a waiter at the old quarter Mexico City eatery Café La Blanca, consider that only divine intervention can save Mexico — and Calderon — from ignominious elimination.


When and if Mexico wins its matches though, wild celebrations are guaranteed to erupt around the gilded Angel of Independence on the bustling Paseo de Reforma — drunkenness, fisticuffs, and hooliganism are de rigor. Flag-draped caravans of honking cars will jam the boulevards of this conflictive megalopolis. On game days, half the population of Mexico, led by its president, will don green jerseys and play hooky from work and school. Saloons will fill to the brim with fans spilling out into the streets, jostling for a peek at the plasma screens. Masses to insure that God is on Mexico’s side will be pronounced from the altars and saints dressed up in the national colors.


Although football is tantamount to religion in this country where 70% of the population lives in and around the poverty line, only the super rich will have the wherewithal to jet off to Africa. Instead, the underclass will monitor the Mundiales at the “FIFA Fan Fest” on giant screens erected in the great Zocalo plaza from which nearly a hundred hunger-striking members of the Mexican Electricity Workers Union (SME), near death after a month of voluntary starvation, will no doubt be evicted so as not to dampen the fiesta.


Televisa and TV Azteca, Mexico’s two-headed television monopoly, which will transmit the games (the premium package includes 3-D) will have the nation eating out of its hands (and guzzling Corona beer.)  The TV monoliths have leased rights to broadcast the Mundiales from the Swiss-based FIFA, the absolute dictator of the sport for the past 106 years that counts 204 out of 208 football federations worldwide on its roster. FIFA TV revenues are expected to top $167,000,000 for the 2010 World Cup.


This year’s Copa del Mundo is awash with drama. Will the Argentine selection, a perennial favorite, graced by the world’s best player, Leonel “the Flea” Messi, blow up under their sometimes psychotic coach Diego Maradona, himself a Mundiales’ immortal? Will the first round match between England and the U.S. (14th on the FIFA listings with a world-class star, Landon Donovan, to prove it) invoke the star-crossed Yanqui upset of the Brits 60 years ago in 1950 in Brazil, the only time these two teams have ever met in the World Cup?


If the U.S. gets by England, a match between Mexico and its hated gringo rival would up the drama quotient here considerably. A face-off between South Korea and North Korea, both of which are in the draw albeit in separate groups, could lead to nuclear confrontation.


How will tiny, bruised Honduras, which played through a coup d’etat to qualify, fare against the big guns? What kind of karmic reward is in store for France, which slimed its way into the World Cup with mega-star Thierry Henry’s illegal hand-slap goal against the Irish? Will Germany be dispirited by the suicide of its troubled veteran goalie (is this a Wim Wenders’ film)? Will five-time champ Brazil, which is hosting both the 2014 World Cup and the 2016 Olympics, be so overloaded with hubris that the selection will forget to play football?


But unquestionably the drama of dramas is focused on host South Africa, the land of blood and gold, Nelson Mandela, Steve Biko, Joe Slovo, and the last great struggle for liberation from colonialism.


South Africa, an unlikely site for the World Cup, was promised the games by Swiss football impresario Joseph Batter during his 1998 campaign to become the czar of the FIFA. Blatter, who was said to have been backed by Middle East oil money, needed African votes to put him over the top. Although Nigeria and Morocco were also proposed to host the 2010 Cup, South Africa, the continent’s fastest-growing economy, was chosen both as a tribute to African football and to Nelson Mandela. Blatter even flew the frail, aging apostle of African liberation, to London to ballyhoo the designation.
Whether the beloved Mandiba will be well enough to attend the inauguration is the drama within the drama.


In his youth, Nelson Mandela was a keen amateur boxer and enthusiasm for sports has colored his life. Football is indeed the national sport of black South Africans, 75% of the population. During Mandela’s 28 years of imprisonment on Robbin Island for the crime of defying apartheid, his fellow prisoners and comrades in the African National Congress (ANC), played football incessantly, taping up rags into balls, and booting them up and down the narrow prison corridors. But Madiba was held in isolation and could never participate.


Nelson Mandela’s vision for the new South Africa encompassed sports as a path to racial reconciliation. If football was a black sport in South Africa, rugby is an Afrikaner obsession — the Springboks were the maximum icon of the apartheid regime. As president, Mandela brought the 1995 World Rugby Cup to Johannesburg, a story fictionalized in the film “Invictus,” and won the hearts and minds of his former persecutors. Now the World Cup 2010 is slated to project South Africa before the world as a dynamic, multi-racial powerhouse.


The truth is always more diffuse. Jacob Zuma, the country’s very corruptible third president, and his predecessors have sunk between $3.7 and $6 billion USD in infrastructure to burnish their images in a nation where 43% of South Africa’s 45.000.000 peoples live on $2 or less a day. The gleaming $300,000,000 Soccer City Stadium where the July 11th finals will be staged, abuts Soweto, the festering high-crime enclave of 3,000,000 mostly threadbare citizens, 30% of whom suffer from AIDS, according to the World Health Organization. Gangs of orphaned children rule the street.


Similarly, the stadium at Port Elizabeth on Nelson Mandela Bay, which came in at $287,000,000, was built over a slum from which hundreds were evicted. A school complex was demolished to make way for the Neusprot venue (only $140,000,000) — 13 such stadiums have risen from the dust amidst a storm of charges of kickbacks, bribery, and favoritism.
If recent history is any hint, the new stadiums will quickly become certifiable white elephants. Even Beijing’s much-praised “Birds’ Nest” coliseum designed for the 2008 Olympics is reportedly tenantless, and the Greek economy just collapsed in part thanks to  the burden of debt incurred for infrastructure for its Olympic Games. 


With a population scuffling just to feed itself, filling all this dazzling stadia with paying customers is problematic. Even the $18 cheap seats — a week’s wages in the cities and a month’s income in some rural areas — are mostly out of reach in a country where 50% of the work force is out of work. To deflect a grave social crisis in the making, the FIFA is offering 120,000 free admissions, about 2,200 seats for each of the World Cup’s 62 contests. Riots have already occurred at “friendly” preliminary games.


Ever since the bad old days of ancient Rome, bread and circuses have been a powerful formula for social control. In South Africa, as in Mexico, the World Cup is designed to make the discontented forget their discontent. For the next month, the violence, corruption, and class and race hatreds that dominate daily life in Mexico, South Africa, and the rest of what used to be called the third world will disappear beneath the social surface.


Although conflict is my bread and butter, I’m not going to miss the 2010 Mundiales for the world. 


John Ross is at home in the maw of the Monstruo watching the World Cup. You can complain to him at johnross@igc.org


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Felonious gets back into it (and lays it all out) with the smashing “Live City”

Jesse Hawthorne Ficks
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Felonious gets back into it (and lays it all out) with the smashing “Live City”

By Lilan Kane

A capella, beatbox, theater, vaudeville, live band, and everything in between — that’s Felonious (playing tonite, Thu/10, at the Independent). Originally an a cappella hip-hop duo, Felonious has morphed into a hip-hop theater production receiving rave reviews in The Source magazine, Chronicle and Examiner, and have produced sold-out shows in SF, New York, Germany and Oakland. They have shared the stage with The Roots, De La Soul, Big Daddy Kane, DJ Premier, Black Eyed Peas, Zion I, Living Legends, Radioactive, and Crown City Rockers. Their shows capture different elements of entertainment creating something old school in principal but very innovative and contemporary.

Sharing the stage with notable SF musicians from the Jazz Mafia, Felonious has established themselves not only in the theater arts industry but also as respected musicians in the live circuit. They talked to us a bit about the whats and wherefores as they prepared to celebrate Live City‘s release.

Thu/10, 8:30pm, $15
The Independent
628 Divisadero, SF
415.771.1421
www.theindependentsf.com
www.feloniouslive.com

SFBG: What’s the story behind the title of your new album Live City?

MC/Beatboxer Carlos Aguirre aka Infinite: I think the name Live City represents the history of the city and how we are the next generation of artists to try and replicate that kind of energy that has made San Francisco a staple in live music for several decades..Plus we know all kinds of dope artists in the city and the bay in general that we got a real Live thing happening over here and if we try to consider ourselves more of a musical family then everyone would reap the benefits..we’re pushin for that vision…it’s not just a name…we believe in our city and the talent here is world class so we’re trying to push a movement…

MC Dan Wolf aka d.wolf: On the surface, we’re talking about San Francisco, the Bay Area, a geographic place that has a history of shaping underground culture (hip hop, rock music, street visual arts, culinary arts, circus arts, etc).  On another level I look at it as very idealized place where live performance is cherished, where the city is a living breathing representation of all the creative energy pouring from the artists and culture makers who live there and shape the landscape.  We are a live hip hop band who come from theater, you cant get any more live than that.  We wanna take you to a place where taking risks is normal.  

MC/Beatboxer/Drummer Tommy Shepherd aka Soulati: Well, the album was originally called Str8 No P@per, which is a word play of Thelonious Monks album Straight, No Chaser and the truth, we’re broke like everybody else.  However not many of the songs supported that theme.  This album is recorded all live so there’s part of the title right there.  Felonious, at the beginning of the year, hosted and co-presented a weekly at Coda lounge in SF Called “Live City Revue” which was a night of showcase/cabaret talent.  Basically, any Bay Area act that was working on anything and wanted to test it out with a crowd, or you just want to come through and build on a piece of text or music.  We discussed the name of the show and how it was a statement that the Bay Area is STILL alive and always has been.  So, if the event was the revue, this album is the soundtrack.

MC/Keyboardist Keith Pinto aka KP: We were gonna call it $tr8.n0.p@per after the thelonious monk album straight no chaser… and also living in an ever increasing digital world. plus having limited funds to produce a project. but then we started doing Live City Revue @coda lounge and it just seemed like a natural fit for the title of the new record. Live City is way more optimistic.

http://vimeo.com/12166935

SFBG: What was the recording process for the new album?

Bassist Dylan Mills aka Illin Ills: To record the band in the best rooms possible (Coast, Record Plant, Different Fur…), getting the drums sounding huge.  We worked with producer Ben Yonas to capture the highest quality recordings possible and mixer Hernan Santiago to make the tracks shine.   The group was adamant about making sure everything on the record really belonged there before letting it go out.

Infinite: Amazing…We haven’t truly represented what we do live in shows on an album since The List which was a few albums back so to be able to work in some of the premiere studios in the bay area that carry a lot of history and with an amazing mix team to round out the process, it was a dream come true.

d.wolf: Musically this was the best process we have been a part of.  Recording live hip-hop is very challenging to do well. You have to retain the voice and power of the instruments while creating a sonic world that has booming drums and melodies that feel chopped and sampled yet fully fleshed out.  We never have been able to capture the raw energy of Felonious on record until this one.  Lyrically it allowed us to focus on our own personal styles and continue to try to mesh them together in the studio.  Our last album (2007’s Up To Something) was totally lyrically driven.  We recorded it in Hamburg, Germany over some of the hottest beats produced by Hamburg’s dopest producers.  We lived together in the studio for three weeks and recorded 18 tracks in 22 days.  The process for Live City was spread out over a few years with no real idea what the songs would become.  First we built the beats and freestyled over them as we recorded the tracks and then spent the time writing and crafting the songs.  It taught us how to craft songs based on the strongest verses in the best order.

Guitarist Jon Monahan: Live City was recorded over a span of about a year and a half at 5 Bay Area studios, including The Plant in Sausalito and Coast in SF.  It would have been finished much sooner but so much else was going on in our lives- three members of the band became fathers, our producer got married, one of the people we were working with very closely developed some serious health problems.  It forced us to take our time and allowed us to truly experiment with sounds and ideas that weren’t there when we started.

Soulati: The recording process was a lot of work, one, because it wasn’t recorded in four different studios, and two, because of budget.  The treasure of the experience was we got record in the same room as many music legends such as Stevie wonder and Metallica.  All in all it was a great experience and a very long process but when you’re birthing perfection, you take your time.

http://vimeo.com/12160357

SFBG: Tell me about your new play “Stateless.”

d.wolf: Stateless is a hip hop vaudeville that takes what Felonious is doing in the present and mashes it with what my ancestors were doing 100 years ago in Hamburg Germany.  The Wolf Brothers, my great grand father and his brother, were vaudevillians and singers who took popular melodies and changed the lyrics to reflect social and political issues of their time but in a very comical way.  They wrote over 600 songs that were so popular that in 1938 the Nazis said the songs were ‘too German for Jews to sing”.  Stateless is remixed folk songs written by the Brothers Wolf, re-imagined by Felonious and Brooklyn’s One Ring Zero and placed in a loose narrative that touches on brotherhood, performance and performers, history and lineage.  It’s also an excuse for us to just get on stage and act stupid.  Since they were known as the Hamburg Marx Brothers it gives us permission to be the Bay Area Marx Bros.

KP: On a basic level it’s a mash up of genres… hip hop and vaudeville. seemingly different… but the similarities are actually quite strong. most hip hop albums have a patched together mix tape quality to them… just like a variety show… which is vaudeville. hip hop artists often have funny (sometimes random) little skits on their albums… this is also like the comedic skits of vaudeville. plus visually hip hop/r’n’b videos are known to have b-boys/girls and line dances… which is just like the acrobats and dancers (usually tap) that you would have found at a vaudeville performance. not to mention the evolution of hip hop dance itself. as it incorporates many styles, including remnants of tap and swing dancing. look at the “kid n play” also known as the “funky charleston” (yes, the kid n play may be old but 90’s dances are coming back). as the choreographer of Stateless… those similarities give me more to work with than i could ever fit into one show.

Soulati: Stateless is live music, dance, beatbox, singin’, rappin’ with a twist of vaudeville.  It takes you through a journey of past present and future, leaving you with a mind to want to go out and search your own history, if you’re not aware of it already.  Super energetic and moving to boot, Stateless is the play to be looking out for cause it’s coming to you!!!

SFBG: How do you feel Felonious as a group, and the album Live City represent San Francisco?

Illin Ills: We’ve been making this music in the bay for over a decade now and we’ve seen the upturns an downturns and we put our experiences into our songs.  The album Live City is fitting because throughout all that time there has always been a vibrant music and art scene in the city.  Venues move and change, styles come and go, but people always appreciate live music so we try to keep putting on better shows and building up the scene here.

d.wolf: We’ve been working in San Francisco since 1998 so at this point we’re pretty much the OG’s on the scene.  Everything has changed so much since we started.  I am blown away when I think that during our 2000 – 2003 weekly New Roots to Hip Hop series at the Last Day Saloon we created this whole scene before MySpace was even around.  Now there are so many tools to utilize and build a community.  San Francisco needs to reclaim its place among the great cities of the world.  I mean we have so much great food and great arts here but we’re there is such a lack of industry that even the artists have a hard time thinking strategically about how to have a sustainable career.  Live City is our call to action to reclaim the power that was here in the 60s, 70s and 80s.  We think that with all our angles – music, theater and arts ed – Felonious is ready to lead the charge.  

Jon Monahan: “The album itself features Bay Area luminaries like Jazz Mafia horn players and DJs, and singers like Kimiko Joy and Cait La Dee,  They’ve been a part of the SF scene as long as we have, a decade or more.  And our band feels right at home in the counterculture tradition of San Francisco bands- from Sly to Dead Kennedys to Mike Patton… We’re not necessarily heirs to that throne, but if you came out to Live City Revue, the weekly we ran from Jan – April 2010, you saw some guests and collaborations that could only take place in San Francisco… live hip-hop with West African kora and balafon players, a 20 piece men’s choir singing the Leonard Cohen songbook, book readings from local MCs, some seriously bizarre shit.”

Soulati: Felonious as a group came to the Bay at a pinnacle moment of the music scene.  Of course there were your track acts but live Jazz/Hip Hop was thriving.  Alphabet soup was runnin thangs along with Brown Fellinis and other crews that were holding it down.Us, Crown City, Psycho Kinnetics, Most chill Slack mob among others were new to the scene and fit right into the mix.  All these mentioned groups are still hittin to this day and representing SF like ganbusters.  We keep pushing the scene to feel it push back.  The album naturally speaks directly of the San Francisco scene.  It IZZ live.

KP: Felonious has been a part of the SF music scene for over 10 years… sf has a rich history of musicians and hip hop artists working together from the acid jazz days to now. Felonious is a continuation of that. we are multicultural and multidisciplinary.   in this time of ipod dj’s (and i mean… instead of a dj… just an ipod) we feel it’s important to keep the city’s music scene all the way live! 

SFBG: What would you consider the group’s most notable accomplishments have been since Felonious started?

Infinite: Winning best of the bay two years in a row was super dope and opening for The Roots two nights in a row at The Justice League (now The Independent) and working with all the amazing artists we’ve been bless to collaborate with over the years.

Illin Ills: Playing the Fillmore, Maritime Hall, Berlin, Hamburg.  Opening for the Roots, De La, LL, BEP.  Taking Beatbox: A Raparetta to NYC.

Soulati: Since Felonious started we have become a household name in San Francisco/Bay Area.  Among winning Bammy’s and Wammy’s and critics choice shwoompties, we are also published playwrights and educators.  Staying relevant is, I think, our most notable accomplishment.

d.wolf: Survival is our most notable accomplishment.  Along the way we’ve been blessed to travel together, play with some the hottest hip hop acts, produce and publish plays, and build some real deep, lasting personal and professional relationships.

SFBG: How important is it for you personally to put on a captivating live show?

Infinite: It’s absolutely fundamental to both the group and the art form of hip hop..and musical performance in general..i mean there are no rules really but there’s a code and decor and history behind being an emcee and you gotta respect that legacy by paying homage to the meaning behind the emcee..to be master of ceremonies..to control the crowd…to lead the crowd and to ultimately pass on an experience…that’s what playing live is all about for me…”so you remember the name, when you walk out the door.

d.wolf: Coming from the world of theater the live show is actually more important to me than the studio.  That being said we’ve been killing live shows for years and have had a real hard time capturing that energy on our albums.  Hip-hop is a studio art form but you have to kill on stage especially if there isn’t a capacity crowd chanting every word.   You gotta give people a reason to remember you in this oversaturated world.

Soulati: Personally, Why come out to see someone stand there and sing songs? That, you can do at home.  A live show should be just that, LIVE.  And because more than half of Felonious are trained actors, theatrics is our tactic and we better come with a theatrical extravaganza you know?  Cats gotta be their “super human” selves on the stage.  Them times 10.  That’s what makes me as an audience member want to pay 13 in advance or 15 at the door, right?

SFBG: What can people expect to see at your CD Release show at the Independent June 10th?

Infinite: Felonious playing banging beats with live string and horn orchestration ,courtesy of The Jazz Mafia, through out the set…we’re gonna play a whole range of material but alot off the new album ..most of the new album in fact..plus special guest singers Caitladee and Kamiko Joy..and really expect to see ONE OF THE BEST LIVE SHOWS OF 2010… guaranteed!

Illin Ills: The whole shebang.  There will be horns, strings, singers, and more rocking with the Felonious Crew, playing songs from the new record, beatboxing, and generally carrying on.  Shotgun Wedding is another great group from the bay who will be rocking the middle spot.  The amazing Rondo Brothers will be there celebrating the release of their latest record.

Jon Monahan: We’ll premiere at least one brand new song, and play most of the new album reworked and fleshed out with a string section and horn section.  Some top-shelf beatboxing as always.  We’re putting together an all-star freestyle session as part of the set, plus I hear talk of some comedy/ dance routine by some friends of ours that sounds epic and possibly really creepy.  AND sets by Shotgun Wedding Quintet and the Rondo Brothers!

Soulati: A full live band, a string trio, a horn duo, beatboxing, freestyling and some special guests coming to spit vocals.  You’ll get a night of great music and fresh collaboration.  There will be B-boyz and B-girlz, hot ladies if you be boyz and kept gentlemen if you be girlz.  The night, from top to bottom, is gonna smash!!!!

Live Shots: Air Guitar Championships, Fillmore, 06/05/2010

Jesse Hawthorne Ficks
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I’ve been to plenty of concerts in my life, and I’ve seen some pretty wild shows in various states of consciousness. That being said, nothing could have prepared me for this year’s Air Guitar Regional Championships at the Fillmore.

For those who don’t know, the Air Guitar championships are where bunch of costumed Air virtuosos compete for this title of the Best Air Guitarist and a chance to compete in the National finals in New York, and a chance to represent the good ol’ US of A in the world championship in Finland. With official rules and judging criteria, serious air performers have to do more than just wave their arms around to their favorite guitar based rock.

Serious competitors require some (if not all) the following: A guitar driven song that will resonate with the crowd/judges, a name that exudes rock, a ridiculous outfit, a collection of props, costumed assistants, dance moves, and the ability to rock the crowd. That’s not to say having all of the above will lead to success, as this years judges were especially tough (and tougher the more drinks they had). A high concept presentation may make the crowd excited, but a bring a weak performance and be ready to dodge a beer bottles.

http://www.youtube.com/watch?v=iyyng2ictZE

This year’s crop of competitors ranged from last years regional champion simply named “Awesome” to more surreal characters such as Singar the Goat Demon (with goat legs and horns), Crusher (a mashup of everything KISS), Captain Nowhere (a 70’s glam rock throwback complete with cape), and Snake Riffskin (complete with eyepatch and arrow in his leg) among others.

While the performances varied from rocktackular to downright painful, the overall showcase was a pretty wild experience complete with an abundance of surprises. Stage dives were performed (both intentional and not), drinks were thrown with abandon, clothes were torn off, bouncy balls rained down from the sky, and the crowd yelled louder than most “real” concerts. And after the dust settled we were given a new regional champion in Cold Steel Renegade.

That’s what I think makes this event so much fun. We’ve all been to the concert where the band doesn’t seem like they want to be there and perform accordingly. The Air Guitar Championships are the complete opposite, All the performers WANT to be on that stage. They WANT to rock you (if only for their 60 seconds). However the best part of the night was the close out song, in which all the performers and anyone who wanted to jump on stage got to perform together in an explosion of air guitar greatness. Try doing that at the next concert you attend.

Newsom’s fiscal conservatism undermines his agenda

Sasha Cuttler
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Newsom’s fiscal conservatism undermines his agenda

Gavin Newsom’s nomination for lieutenant governor places many San Franciscans in an uncomfortable position, one that was illustrated well by the victory speech that he gave last night just as our story our on his latest budget – in which he proudly rejected taxes in favor of deep spending cuts and future budget deficits — was coming off the presses.

Even though most San Francisco progressives don’t like our fiscally conservative mayor, few of us would rather vote for his Republican challenger, Abel Maldonado, despite the fact that this moderate Latino is actually fairly close to Newsom ideologically. “We don’t want to underestimate the challenge we have. There’s never been a moderate Latino on the statewide ballot,” Newsom pollster Ben Tulchin told me last night.

SF Labor Council President Tim Paulson was at the Newsom event gritting his teeth as he talked about the opportunity progressives now have to work with “a mayor of San Francisco we have issues with,” noting that, “What I find interesting in the easy win for Newsom is how there is going to be a real campaign around this man. It could establish a narrative for what California is about.”

And he’s right, but the danger is if Newsom sticks with his inflexible and longstanding “no new taxes” stance then the narrative could be that neither major political party’s top nominees are willing to tap millionaires, oil companies, and other entities that can afford it in order to fund education, health care, and the development of a green economy, which Newsom said are his top priorities. That and “jobs,” by which he means only private sector jobs, based on his past statements and actions and current failure to support new tax measures.

But Newsom doesn’t seem to see the glaring contradiction in his political philosophy, which he illustrated as he told a story about the potential to achieve strong economic growth while aggressively pursuing solutions to global warming and other environmental challenges, which he and progressives both seem to believe are not just possible, but “the opportunity of a lifetime.”

Newsom noted that the only four wealthy countries that signed the Kyoto Protocols and met their greenhouse gas reduction goals – Sweden, Denmark, United Kingdom, and Germany – have similar economic strategies. “All four of these countries had three things in common vis-a-vis the United States: Lower unemployment, higher growth, and lower income disparities,” he said.

Yet Newsom left out another key commonality that was even more central to their success, and big reason for two of Newsom’s three items: All have far higher tax rates than the U.S. and a more vibrant, respected, and well-funded public sector that was able to guide that economic transformation and ensure a smart, equitable distribution of the country’s wealth – something Newsom has been overtly hostile to as mayor and while campaigning for statewide office.

Nonetheless, he continued, “What’s interesting about these four countries is they dramatically shifted their framework in terms of economic growth and economic development towards a cleaner and greener energy future and they were rewarded with higher growth and lower unemployment. I think that’s suggestive, in the context of this debate.”

So do I, suggestive of the need for Newsom (and Jerry Brown) to finally realize it’s going to take money and a rejuvenated public sector to meet his stated goals for education, health care, and the environment. In San Francisco, his reluctance to challenge the Chamber of Commerce fallacy that taxes kill growth has left a legacy of dangerously diminished social services and increasing budget deficits running indefinitely into the future.

But the four countries that Newsom claims to admire don’t think that way. They don’t boast of cutting social services while proposing even more business tax cuts, and they don’t say things like, “It’ll take an entrepreneurial look at solving problems in this state.” He’s sounds like Meg Whitman and the Republicans.

What we need is the other Gavin Newsom, the one who last night also said, “Now is the time for serious problem solving in California….It is a time for California to fundamentally change.”

But first, Mr. Mayor, you’re going to need to embrace a few fundamental changes of your own.

 

 

 

Appetite: Persian Pub Grub paired beer and wine with Iranian bar food

Jesse Hawthorne Ficks
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Appetite: Persian Pub Grub paired beer and wine with Iranian bar food

It’s joy when our city’s food and drink greats team up to form something unique. Such was Zaré at Flytrap‘s three nights of Persian Pub Grub, as envisioned by Zare’s chef/owner, Hoss Zaré, and Monk’s Kettle‘s Sayre Piotrkowski and Ryan Corbett.

The exuberant, hospitable Hoss created a menu lovingly melding traditional elements of his home country of Iran with creative expressions. Though Hoss admits that “Pub Grub doesn’t really exist in Iran” (nor would the alcohol pairings), he dreams up a Persian dinner as it might look in a modern, hypothetical Iranian Gastropub. Each course was happily far from typical, and most were downright heartwarming. My two favorites ended up being Caspian Seafood Stew, a smoky, saffron-heavy broth (enhanced by black garlic aioli and sour, pickled grapes) loaded with plump calamari, octopus, mussels and smoked sturgeon with a dollop of caviar. The other? A brilliant take on traditional Ghormeh Sabzi, an Iranian herb stew and national dish, one Hoss says would win your sweetheart’s affection if you perfect in Iran. This Persian Chili was redolent of herbs, paprika, harissa, and a spicy, crumbled lamb sausage mixed with organic kidney beans. I could not get enough.

Certified Cicerone, Piotrkowski, and his equally passionate-about-beer co-worker, Corbett, paired a stellar list of beers with Hoss’ food, facing off directly with wine pairings from Zare’s Wine Director, Mario Nocifera. At two convivial communal tables, we debated which paired best with any given course. I can honestly say there were no afterthoughts on either side. The final score? In my book, it’s two for two.

Beer, wine, and chicken wings with pomegranate sauce. Photo by Virginia Miller

My two favorite wines were the impressively elegant, layered acidity of Niepoort Codega‘s 2006 “Tiara” white from Branco, Portugal, and an earthy, dark berry/pepper, mineral, but balanced, 2008 Borsao Garnacha, “Tres Picos”, from Campo de Borja, Spain (quite a value at $14.99 a bottle at K&L).

On the beer front, though I was delighted to see Hitachino’s “XH” and Midas Touch for dessert, I was blown away by grapefruit brightness in Stone Brewing Co.’s dark, bitter Sublimely Self-Righteous, and the Belgian-style, caramel-y but bone dry Goose Island “Pere Jacques.”

Hoss has hosted other special Persian dinners and I hope will throw plenty more. Check their website’s event page for future dinners. Or go for dinner or lunch to sample Hoss’ heartwarming cooking paired with Reza Esmali‘s Middle Eastern-influenced cocktail menu (there’s a classic cocktail list, too) or Nocifera’s wine list. Monk’s Kettle is thankfully always ready to pour one of these fine or other equally exciting, and often, rare, beers.

Here was the Persian Pub Grub menu ($75 per person, including all pairings):

Sumac Couscous Salad with Dungeness Crab
Victory, “Prima” Pilsner, US| Yarden, Brut Traditional, Galilee Israel 
Caspian Seafood Stew with Mussels, Cod, Sturgeon and Black Garlic aioli
Hitachino “XH” Ibaraki Japan | Niepoort Codega “Tiara”, Blanco, Portugal
Chicken Wings “Fessenjoon” with Pomegranate Walnut Sauce
Stone, “Sublimely self-righteous” Ale, US | Coroa Godello, Valdeorras, Spain     
Persian Chili “Ghormeh Sabzi” with Spicy Lamb Sausage
Goose Island, “Pere Jacques” Belgian Style Ale, US | Borsao Garnacha “Tres Picos”, Campo de Borja, Spain
“Faloodeh” Lime Sorbet with Rice Noodles and Pistachios
Dog Fish Head, “Midas Touch” Ancient Ale, Milton US

www.zareflytrap.com

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 9

ROCK/BLUES/HIP-HOP

*Amber Asylum, Bloody Panda, Trees, Barn Owl Elbo Room. 9pm, $7.

Basia Bimbo’s 365 Club. 8pm, $32.

Crusaders of Love Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Dashing Sons, Tokyo Raid, Meta Hemlock Tavern. 9pm, $7.

Delta Spirit, Ezra Furman and the Harpoons, Romany Rye Independent. 8pm, $15.

Ferocious Few, Eugene and the 1914, Generals Bottom of the Hill. 9pm, $8.

“Got Kidney? and Hip-Hop(e) for Healing Tour” Mighty. 9pm. Organ donor-awarness event with Rasco of the Cali Agents, Big Pooh of Little Brother, Kam Moye aka Supastition, Otayo Dubb, and 7 Daize.

Health, Indian Jewelry, Gold Panda Slim’s. 8pm, $15.

Jesse Malin and the St. Marks School Café du Nord. 9:30pm, $15.

Harvey Mandel and Snake Crew Biscuits and Blues. 8 and 10pm, $18.

Sadies, Loons, East Bay Grease Great American Music Hall. 8pm, $15.

Steppin’ featuring Oscar Myer Coda. 7pm, $5.

Yellow Dress, Birds Fled From Me, Quite Polite Rickshaw Stop. 8pm, $10.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

4OneFunk Coda. 10pm, free. Turntablism DJs.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Machine Sloane, 1525 Mission, SF; (415) 621-7007. 10pm, free. Warm beats for happy feet with DJs Sergio, Conor, and André Lucero.

Mary-Go-Round Lookout, 3600 16th St, SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

Nacht Musik Knockout. 10:30pm, $5. Dark, minimal, and electronic with DJs Omar, Josh, and Justin.

Open Mic Night 330 Ritch. 9pm, $7.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St, SF; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 10

ROCK/BLUES/HIP-HOP

Pryor Baird and the Deacons Biscuits and Blues. 8 and 10pm, $15.

Curtis Bumpy Coda. 9pm, $10.

*Felonious, Shotgun Wedding Quintet, Rondo Brothers Independent. 9pm, $15.

Good Life, Parson Red Heads, Contrall Bottom of the Hill. 9pm, $12.

Hundred Days, Scissors for Lefty, Voxhaul Broadcast Rickshaw Stop. 8pm, $10.

Greg Laswell, Jimmy Gnecco, Brian Wright Café du Nord. 9pm, $15.

Mewithoutyou, David Bazan, Rubik Regency Ballroom. 8pm, $17.

*Radio Moscow, Hollow Mirrors, Red Light Mind, Smokestacks Thee Parkside. 9pm, $10.

Brittany Shane, Revolver Hard Rock Café, Pier 39, SF; www.hardrock.com. 9pm, donations. Benefit for Breast Cancer Action.

Sleepy Sun, Fresh and Onlys, Moon Duo Great American Music Hall. 9pm, $16.

Slippery People, Baby Seal Club, Exit Wonderland El Rio. 8pm, $5.

*Stiff Little Fingers, Culann’s Hounds Slim’s. 9pm, $20.

Ugly Winners, Glass Train, Ian Fays Knockout. 10pm, $5.

FOLK/WORLD/COUNTRY

Æ Red Poppy Art House. 8pm, $12-$15. Interpretations of world vocal traditions.

Alhambra Valley Band Atlas Café. 8pm, free.

Chris Ayer, Skyler Stonestreet, Matt Simons, Morgan Holland Hotel Utah. 8pm, $10.

Shannon Céilí Band Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-7. DJs Pleasuremaker and Señor Oz and special guest Kento Tanaka spin Afro-tropical, samba, and funk.

CakeMIX SF Wish, 1539 Folsom, SF; www.wishsf.com. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.

Caribbean Connection Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Good Foot Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. With DJs spinning R&B, Hip hop, classics, and soul.

Gymnasium Matador, 10 Sixth St, SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Jivin’ Dirty Disco Butter, 354 11th St., SF; (415) 863-5964. 8pm, free. With DJs spinning disco, funk, and classics.

Kissing Booth Make-Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.

Koko Puffs Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Steve Lawler Vessel, 85 Campton, SF; (415) 515-4091. 9:30pm, $20. Spinning electronic.

Mestiza Bollywood Café, 3376 19th St, SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Motion Sickness Vertigo, 1160 Polk, SF; (415) 674-1278. 10pm, free. Genre-bending dance party with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Solid Thursdays Club Six. 9pm, free. With DJs Daddy Rolo and Tesfa spinning roots, reggae, dancehall, soca, and mashups.

FRIDAY 11

ROCK/BLUES/HIP-HOP

*Angry Samoans, Bum City Saints, Fabulous Disaster, Headslide Bottom of the Hill. 9pm, $10.

Holy Shit, Brian Glaze and the Nightshift, Facts on File, Soft Bombs Knockout. 9pm, $7.

John Lee Hooker Jr. Biscuits and Blues. 8 and 10pm, $22.

Howdy! Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 9pm, $5.

Or, the Whale, AB and the Sea, Get Back Loretta Rickshaw Stop. 8:30pm, $10.

Personal and the Pizzas, Wrong Words, Part Time, Spurts Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Radiators, DJ Harry Duncan Independent. 9pm, $25.

Robert Randolph and the Family Band Fillmore. 9pm, $25.

Mariee Sioux, Foxtails Brigade, Judgement Day acoustic with friends Swedish American Hall (upstairs from Café du Nord). 8pm, $12.

Sonny and the Sunsets, Wounded Lion, John Wesley Coleman Hemlock Tavern. 9:30pm, $8.

*Tortoise, Das Boton Great American Music Hall. 9pm, $21.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Broun Fellinis Coda. 10pm, $10.

Chris Braun Group Savanna Jazz. 7:30pm, $5.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Jack Curtis Dubrowsky Ensemble African American Arts and Culture Complex, 762 Fulton, SF; (415) 762-2071. 7:30pm, $12-20.

Lowrider Band Yoshi’s San Francisco. 8 and 10pm, $16-24.

Marcus Miller feat. Christian Scott Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $25-75.

FOLK/WORLD/COUNTRY

Forro Brazuca, DJ Fausto Sousa Café du Nord. 9pm, $15.

Freebadge Serenaders, Blair St. Mugwumps Plough and Stars. 9pm.

White Buffalo, Sarah Nicole Wallace Hemlock Tavern. 9pm, $12.

*Woods, Kurt Vile, Art Museums, Mantles Slim’s. 8pm, $16.

DANCE CLUBS

Activate! Lookout, 3600 16th St, SF; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Blow Up Rickshaw Stop. 10pm, $10. With rotating DJs.

Death Rock Sock Hop DNA Lounge. 7:30pm, $20. Swing Goth’s third anniversary, with performances by Lee Press-On and the Nails, Fromagique, Barry Syska and the Fantasy Orchestra, and DJS Shatter and Skip.

Exhale, Fridays Project One Gallery, 251 Rhode Island, SF; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fo’ Sho! Fridays Madrone Art Bar. 10pm, $5. DJs Kung Fu Chris and Makossa spin rare grooves, soul, funk, and hip-hop classics. With special guests DJ Sureshot and E Da Boss.

Fubar Fridays Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5. With DJs spinning retro mashup remixes.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Rockabilly Fridays Jay N Bee Club, 2736 20th St, SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa “Samoa Boy” spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strictly Video 111 Minna. 9pm, $10. With VDJs Shortkut, Swift Rock, GoldenChyld, and Satva spinning rap, 80s, R&B, and Dancehall.

Treat Em Right Elbo Room. 10pm, $5. Hip-hop, funk, reggae, and more with DJs Vinnie Esparza, B. Cause, and guest DJ Day.

SATURDAY 12

ROCK/BLUES/HIP-HOP

Alabama Mike and Third Degree Biscuits and Blues. 8 and 10pm, $20.

Blue Dream Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

Forrest Day, Battlehooch, 7 Orange, ABC Great American Music Hall. 9pm, $14.

*Exodus, Heathen, Anvil Chorus, Passive Aggressive Slim’s. 8pm, $21.

Glitch Mob Fillmore. 9pm, $25.

Tony Lindsey Coda. 10pm.

Nightbringer, Nazxul, Ravnajuv, Beyond Thee Parkside. 9pm, $12.

Prids, Soft Tags, Burrows Hemlock Tavern. 9:30pm, $7.

Radiators, DJ Harry Duncan Independent. 9pm, $25.

*Subhumans, A-Heads, Cross Stitched Eyes, Sin Orden Bottom of the Hill. 8pm, $12.

Super Adventure Club, As a People, Monsters Are Not Myths Hemlock Tavern. 9pm, $8.

*Austin Willacy, Kate Isenberg, Annie Bacon, Society Rocks Red Devil Lounge. 8:30pm, $10.

“Witches Brew” Thee Parkside. 2pm, $5. With WC Von Der Berk’s Gothic Cabaret, Slow Poisoner, Ol’ Cheeky Bastards, and more.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Dave Rocha Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 8pm.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Salif Keita Bimbo’s 365 Club. 8 and 10:30pm, $35.

Lowrider Band Yoshi’s San Francisco. 8 and 10pm, $24.

Carol Luckenbach Savanna Jazz. 7:30pm, $8.

Rova Saxophone Quartet ODC Dance Commons, 351 Shotwell, SF; www.odcdance.org. 8pm.

FOLK/WORLD/COUNTRY

Brass Menazeri, Janam Café du Nord. 9:30pm, $15.

Gayle Lynn and the Hired Hands, Misisipi Rider Plough and Stars. 9pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups.

Cockblock Rickshaw Stop. 10pm, $7. Queer dance party for homos and friends with DJs Nuxx and Jax.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

Electricity Knockout. 10pm, $4. A decade of 80s with Omar, Deadbeat, and Yule Be Sorry.

Frolic Stud. 9pm, $3-7. DJs Dragn’Fly, NeonBunny, and Ikkuma spin at this celebration of anthropomorphic costume and dance. Animal outfits encouraged.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Rock City Butter, 354 11th St., SF; (415) 863-5964. 6pm, $5 after 10pm. With DJs spinning party rock.

Same Sex Salsa and Swing Magnet, 4122 18th St, SF; (415) 305-8242. 7pm, free.

Social Club Lookout, 3600 16th St, SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Soul Slam SF V: Prince and Michael Mezzanine. 9pm, $25. With DJs Spinna, Marky, Hakobo, and King Most spinning non-stop soul from two of music’s biggest icons.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Spotlight Siberia, 314 11th St, SF; (415) 552-2100. 10pm. With DJs Slowpoke, Double Impact, and Moe1.

Tormenta Tropical DNA Lounge. 10pm, $5-10. Cumbia-electro DJs.

White Party Ruby Skye. 10pm, $60. Featuring Hernan Cattaneo and DJs Helicopter and Bali.

SUNDAY 13

ROCK/BLUES/HIP-HOP

“Battle of the Bands” DNA Lounge. 5:30pm, $12. With Pistols for Jesus, Gates of Light, Jordan and the Hashemites, and more.

Bob Log III, Devil’s Own, Bordertown Saints Bottom of the Hill. 9pm, $12.

Charity and the Jamband Park Chalet, 1000 Great Hwy, SF; www.beachchalet.com. 3pm, free.

Justin Curry, Jaymes Reunion Café du Nord. 8pm, $22.

Janiva Magness Biscuits and Blues. 8 and 10pm, $18.

Rademacher, Fake Your Own Death, My Education Hemlock Tavern. 8pm, $7.

Real Estate, All Saints Day, Young Prisms Independent. 8pm, $14.

Theresa Perez Band El Rio. 8pm, $15.

Sam Vicari Pissed-Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 9pm.

“Wavy Gravy’s All-Star Jam” Great American Music Hall. 8pm, $40. Benefit for Seva Foundation.

*Western Family Orchestra, Jeffrey Luck Lucas Make-Out Room. 8pm, $7.

Wonder Girls Fillmore. 3pm, $50.

FOLK/WORLD/COUNTRY

Marla Fibish, Erin Shrader, Richard Mandel and friends Plough and Stars. 9pm.

Huun Huur Tu Swedish American Hall (upstairs from Café du Nord). 8pm, $25.

Rumbache El Rio. 4pm, $8.

Sophis and Kalbass Kreyol Coda. 7pm, $10.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $8-11. Dub, roots, and classic dancehall with J Boogie and Vinnie Esparza.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?

Jock! Lookout, 3600 16th St, SF; (415) 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lonely Teardrops Rock N’ Roll Night Knockout. 9pm, $4. With Hi Rhythm Hustlers, Glass Key, and DJs dX the Funky Granpaw and Sergio Iglesias.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 14

ROCK/BLUES/HIP-HOP

Gregory Alan Isakov Café du Nord. 8pm, $10-12.

Local H, Left Brain Heart Independent. 8pm, $15.

Piles, Death Sentence: Panda!, Awesomes, Telepathic Liberation Army Knockout. 9pm, $6.

Rooftop Vigilantes, Murkins, Dirty Cupcakes Elbo Room. 9pm, $5.

Spectre Folk, Blissed Out, Run DMT Hemlock Tavern. 6pm, $5.

2AM Club, Cambo and the Life, Young Murph Rickshaw Stop. 7pm, $12.

Jenny Owen Youngs, April Smith and the Great Picture Show, William Tell Bottom of the Hill. 9pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St, SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Krazy Mondays Beauty Bar. 10pm, free. With DJs Ant-1, $ir-Tipp, Ruby Red I, Lo, and Gelo spinning hip hop.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Musik for Your Teeth Revolution Café, 3248 22nd St., SF; (415) 642-0474. 5pm, free. Soul cookin’ happy hour tunes with DJ Antonino Musco.

Network Mondays Azul Lounge, One Tillman Pl, SF; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Represent Makeout Room. 9pm, free. With DJs Xraydusa and Noey G spinning soul, funk, and beats.

Skylarking Skylark. 10pm, free. With resident DJs I & I Vibration, Beatnok, and Mr. Lucky and weekly guest DJs.

TUESDAY 15

ROCK/BLUES/HIP-HOP

Denouement, Ms. Mister, TrainFace El Rio. 7pm, free.

Foreign Cinema, Past and Future, Sunbeam Rd Hemlock Tavern. 9pm, $6.

Freight Train, Gemini Six, Concrete Marshmallow Bottom of the Hill. 9pm, $8.

Matt Pond PA, Wintersleep, Lonely Forest Independent. 8pm, $14.

Miyavi Fillmore. 9pm, $35.

Paranoids, Pagan Blonde, Heavy Hills Knockout. 9pm, $5.

Matt Schofield Biscuits and Blues. 8:30 and 10:30pm, $16.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck and Johnny Repo.

Brazilian Wax Elbo Room. 9pm, $7. Samba.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Swing Goth El Rio. 7pm, $10. With Pink Noise.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

When the rich can sit on the sidewalks

David Talbot
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77
When the rich can sit on the sidewalks

By Tiny


OPINION Steel gates, steeds with silver spurs, lush red carpet lining the streets, uniformed officers guarding velvet-roped grand entrances to fancy costume balls while commoners are arrested if they so much as stop to rest on a nearby sidewalk. Sounds like the days of feudal England, or Marie Antoinette’s Paris. Guess again — its San Francisco, circa 2010.

In the wake of the proposed sit-lie law, which would make it illegal for poor people to sit or lie on any public sidewalk or street, the San Francisco is increasingly giving public streets and sidewalks away to large corporate festivals where rich, mostly white people stumble around with open containers, drunk and disorderly.

Since last month’s expanding Bay to Breakers "race," at which drunk, oddly dressed white people sat on curbs, stumbled into doorways, toppled onto the streets, and partied with entitled impunity as only people with race and class privilege can in this country, I have felt uneasy. This so-called run, supported by large corporations, has increased its land grab of several blocks of city streets, causing increased traffic, pollution, and blocked arteries for pedestrians, cyclists, and cars — all so that white people can party in undisturbed inebriation all across the city.

And if you think it was just a benign day of public drunkenness, think again. Several of my friends of color who made the mistake of being outside on race day were subjected to an onslaught of hate speech from some very threatening gang members (from the INGCHARLESSCHWABSTANFORD Gang. "You think this is Arizona?" "Are you here to be a valet?" "Go Back to Mexico."

I was riding my bicycle a week later only to be stopped on my route up Van Ness Street because of the two-day preparation, and then almost 24-hour exclusive usage of McAllister and Van Ness streets for the Black and White Ball. Again: a state-sanctioned, corporate-and-private-philanthro-pimped event for rich white people to get drunk and party on city streets.

Why is it that white people in a corporate-sanctioned party are seen as more safe or civilized than the rest of us — and how do houseless people, poor people, and people of color get criminalized in our own communities for the sole act of convening, standing, talking, or being?

It’s important to note that the rhetoric and propaganda in support of sit-lie has gone so far as to cite the struggle of disabled people to get by sidewalks "cluttered" with houseless people or businesses having their customers scared away by houseless folks convening. Yet the plethora of drunk people lying on sidewalks after Bay to Breakers are not seen as an obstacle to safety.

Tiny, a.k.a Lisa Gray-Garcia, is editor of POOR Magazine.

Get your kicks

Jesse Hawthorne Ficks
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1
Get your kicks

culture@sfbg.com

SPORTS The Olympics may get the most props for bringing sports fans of all nationalities together in (mostly) friendly competition. But as futbol fans know, a simple “gooooaaaallll!” translates thrillingly into any language. Like millions of World Cup soccer enthusiasts around the globe, I’ll be parking my particulars in front of the biggest screens in town for this year’s spectacle (June 11-July 11). And fortunately, no matter where you are in the city, you should be able to do the same. Here’s a short list of some of the best places to go and check out a match or 10. Too numerous to list are the many sports bars and Irish/English pubs that will undoubtedly be open (Bus Stop, Kezar Pub, the Phoenix, Mad Dog in the Fog, Balompie Café — here’s looking at you!), but you’ll find them easily enough on your own. Just follow the sounds of “ole, ole, ole, ole” wafting in the breeze, grab a stripy scarf, and plunge into the fray.

Civic Center: If you can’t force your soccer-loving employees to come to work during the big matches, at least you can cut down on their commute by installing a giant 13-by-18-foot screen in front of City Hall and inviting the neighbors ’round. Jens-Peter Jungclaussen, the “teacher-with-the-bus” who almost single-handedly wrangled 10,000 people to a screening of the 2006 final at Dolores Park, is helping spearhead the city’s ambitious 2010 operation, with 10 days of screenings including all quarterfinal, semifinal, and final matches, and a corresponding youth soccer tournament organized by America SCORES.

1 Dr. Carlton B. Goodlett Place, SF. www.worldcupsf.com, www.teacherbus.com

AT&T Park: “Take me out to the ballgame” gets a brand new meaning at AT&T Park where they’ll be screening the big USA-England match on June 12 for free. Open from 10 a.m. to 3 p.m., the ballpark expects 5,000 fans to show up. If you ever wanted to give soccer hooliganism a try, this might well be the place. Just try not to get all Bill Buford about it.

24 Willie Mays Plaza, SF. (415) 972-2000

Goethe Institute: Even though the games aren’t being played in the vaterland this year, native German-speakers and we amis who love them will be gathering at the institute to watch the Germany-Australia game on June 13, and the Germany-Ghana match on June 23. Kickoff time for both games is 11:30 a.m., more screenings will be announced presuming Germany progresses to the next levels.

530 Bush, SF. (415) 263-8760, www.goethe.de/sanfrancisco

Mercury Lounge: Who would have thought that a relatively innocuous den of SoMa-style iniquity would decide to open its doors to the rough-and-tumble world of footie fandom? If you can get through the somewhat self-indulgent event webpage, you’ll come away pretty excited about the prospect of seeing matches every day from 6 a.m., with drink specials, breakfast menu, and (ick) bar-staff “eye candy”. Don’t get me started on that, but do expect to see me put in an appearance or two for half-volleys and hash browns.

1582 Folsom, SF. (415) 551-1582, www.sfworldcup2010.com

Horatius: The proprietor of this Potrero Hill café, Horacio Gomes, has thrown down the “best place to watch the World Cup” gauntlet by promising to be open for every single match — including those that start at 4:30 a.m. — and screening simultaneous games when they occur. Plus, the venue boasts a 15-by-15-foot projection screen that you won’t find at your run-of-the-mill sports bar and a capacity for up to 300 people. Free coffee will be served during the early morning matches, and light breakfast at 6 a.m.

350 Kansas, SF. (415) 252-3500, www.horatius.com

Steps of Rome Caffe: This North Beach stronghold is also planning to be open for every game — including those 4:30 matches that only the most diehard fans would consider attending (New Zealand vs. Slovakia anyone?). If you’re not yet a diehard fan, this might be the place that turns you into one, what with all that Italian coffee, pizza, and overseas-bred enthusiasm for the world’s greatest game flowing like a robust house red.

348 Columbus, SF. (415) 397-0435, www.stepsofromecaffe.com

Our Weekly Picks: June 9-15, 2010

Jesse Hawthorne Ficks
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0

WEDNESDAY 9

EVENT

Jim Woodring

Seattle-based cartoonist Jim Woodring just released the latest in his two-decade run of comics featuring Frank, a character somewhat resembling a 1930s animation-style cat. But Frank is probably the most realistic entity on display in Weathercraft, a wordless graphic novel that features a constant barrage of mytho-psychedelic abominations ranging from what Woodring calls a “two-mouthed fear cow” to an amorphous giant ear-creature taking notes with its paw. His drawing style is stunningly detailed, and he’ll be “showing” his work at two Bay Area bookstores — a fitting approach since he can hardly present a reading of his complex but text-less explorations. (Sam Stander)

7:30 p.m., free

Pegasus Books Downtown

2349 Shattuck, Berk.

(510) 649-1320

www.pegasusbookstore.com

Also Thurs/10, 7:30 p.m., free

Booksmith

1644 Haight, SF

(415) 863-8688

www.booksmith.com

MUSIC

Ferocious Few

The Ferocious Few is one of the most exciting rock bands in the Bay Area, and still relatively obscure. Locally renowned for its ability to command a street corner as if it’s Wembley Stadium, the Few traffics in the kind of hard-edged, twangy blues-rock that never goes out of style. Having just returned from a West Coast tour in support of its debut LP Juices, the band is poised to explode into national prominence (at least within the indie circuit) any second now. This show could be the last chance you’ll ever get to say “I saw them before they got huge.” (Zach Ritter)

With the Generals and Eugene and the 1914

9 p.m., $8

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

THURSDAY 10

STAGE

Gutenberg! The Musical!

In the grand tradition of theater about theater, Beards Beards Beards: A Theatre Company is producing Scott Brown and Anthony King’s Gutenberg! The Musical! But don’t expect a reliable primer on Johann Gutenberg and his fabulous printing press. Instead, Gutenberg! traces two Broadway hopefuls, Doug Simon and Bud Davenport, who are pitching their rather absurd musical concept to any producers who might be listening. If their YouTube trailer is to be believed, the production will feature deliberately groan-worthy choreography and several hats. And possibly Dragonball-inspired posing. Beards Beards Beards was cofounded by SF State grad Amanda Dolan, who is directing, and Joey Price, who costars as Bud. (Stander)

8 p.m., $20

Exit Stage Left

156 Eddy, SF

(949) 742-2365

www.beardsbeardsbeards.com

MUSIC

Stiff Little Fingers

Northern Irish punk outfit Stiff Little Fingers was never as critically acclaimed or commercially successful as its late-1970s contemporaries The Clash and the Sex Pistols, but it damn well should’ve been. In a just world, the opening riff from “Alternative Ulster” alone would be enough to secure an eternal spot in the proto-punk pantheon. The Fingers made its bones amid the political disquiet of post-troubles Belfast, wielding barbed lyrics and razor-sharp guitars against the grim partisans on both sides of Ireland’s ethnic conflict. The band broke up in 1982, but five years later it returned, like Arthur out of Avalon, to resume battle against the world’s injustices. Slim’s, with its cramped-basement aesthetic and battered barstools, is the perfect venue for these guys — bring a fist to pump, a foot to stomp, and all the righteous outrage you can muster. (Ritter)

With Culann’s Hounds

9 p.m., $20

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com

STAGE

Die Walküre

Following its production of Das Rheingold in 2008, San Francisco Opera is offering Die Walkre, the second installment in Richard Wagner’s notorious operatic tetralogy. Baritone Mark Delavan continues from Das Rheingold as Wotan, head of the Norse pantheon of gods (a role he will reprise in SF Opera’s production of the entire Der Ring des Nibelungen cycle next summer). Whether you’re an Apocalypse Now fan in for “Ride of the Valkyries,” an epic fantasy lover seeking squabbling gods, or just someone who likes a bit of weird incest with your German musical theater, SF Opera’s take on this classic work of Romantic intensity promises to be … intense. Francesca Zambello directs and Donald Runnicles conducts. (Stander)

Also Sun/13, June 19, 22, 25, and 30

7 p.m., $20–$325

War Memorial Opera House

301 Van Ness, SF

(415) 864-3330

www.sfopera.com

FRIDAY 11

FILM

“Midnites for Maniacs: She-Roes”

Smack-dab in the middle of the Castro’s inexplicably long Sex and the City 2 booking comes “Midnites for Maniacs: She-Roes,” a trio of films that celebrate women in less shrill, less shoe-obsessed ways. First up is Penny Marshall’s 1992 ode to World War II-era women’s baseball, A League of Their Own, featuring one of Madonna’s least cringe-worthy acting turns. Several film stars will be in attendance — most notably Lori “Tank Girl” Petty. Then, polarizing feminist/femi-not horror film Jennifer’s Body (2009) begs you to give it a second chance, with the added bonus of Oscar-winning, slang-slinging screenwriter Diablo Cody in person. Finally, invincible Midnites for Maniacs fave The Legend of Billie Jean (1985) returns. Holding out for a She-Ro? Look no further. (Cheryl Eddy)

A League of Their Own, 6:30 p.m., $13 (for one or all three films)

Jennifer’s Body, 9:30 p.m.

The Legend of Billie Jean, 11:59 p.m.

Castro Theatre

429 Castro, SF

(415) 621-6120

www.castrotheatre.com

VISUAL ART

“Pony Up, Bot”

Do you like ponies? Robots? Trippy whimsy? If you answered “yes” to any of the above questions, then I suggest you check out “Pony up, Bot,” an exhibition of new work by artists Adrianna Bamber and Eric Nichols. (If you answered no to all of them, then yours must be a gray existence indeed.) Bamber’s mind-warping-yet-adorable watercolors are what you get when you spill Ralph Steadman all over your Dr. Seuss. And Nichols? According to the Design Guild, his pieces “showcas(e) a postapocalyptic existence where PartyBot interacts with endless nights while remaining the sole resistance to annoying evil scum.” Now you can be forgiven for not being able to wrap your head around all that since it is, admittedly, insane. But admit it — “PartyBot”? Whoever he is, you know he’s up to something brain-meltingly awesome. This show is your opportunity to feel like a kid again — if you were the kind of kid who did tons of mescaline. (Ritter)

Through July 1

7 p.m. (opening), free

Design Guild San Francisco

427 Bryant, SF

(415) 462-6303

www.designguildsf.com

DANCE

San Francisco Moving Men

In the professional dance world, the male dancer is a rare and coveted entity. Thus a contemporary dance company consisting solely of men, like Joe Landini’s San Francisco Moving Men, should be treated with awe and appreciation. If graceful, athletic boys aren’t enough to win your admiration, Landini’s provocative choreography certainly will. In Dancing @ The Garage, part of the National Queer Arts Festival, the Men run up walls, bounce off artificial turf, duck flying tennis balls, and disco on a three-by-five shag rug. The show also features Christine Cali’s dance company Cali & Co. (Katie Gaydos)

Through June 26

Fri.–Sat., 8 p.m.; Sun., 2 p.m., $20

Garage

975 Howard, SF

(415) 518-1517

www.sfmovingmen.org

EVENT

thread | bare

Why shop at the boring ol’ mall when you can support local designers — and see the clothes in a runway show populated by local performers, including the fabulous Fauxnique? Plus, not for nothing is “thread | bare” dubbed “a striptease fashion auction,” since you can bid on, and get your mitts on, outfits as soon as they come down the catwalk. If you can’t make tonight’s festivities, which also feature a performance by all-male burlesque troupe SF Boylesque, stop by the Lab to peruse the goods during the weekend-long trunk show. Designs include the “neo-couture” of Miss Velvet Cream, graphic tees by Turk and Taylor, dresses by Invisible Hero Clothing, and more, plus several artists who work with repurposed materials, including Kittinhawk, Mittenmaker, and Ghetto Goldilocks. Recycling is fierce! (Eddy)

7–10 p.m., $10–$20

Trunk show Sat/12-Sun/13, noon-6 p.m., free

The Lab

2948 16th St., SF

(415) 864-8855, www.thelab.org

SATURDAY 12

FILM

Burning Man Film Festival

Want to visit the playa without all the dust? Whether you’re a seasoned burner or a wide-eyed newbie, the Burning Man Film Festival is sure to offer a thought-provoking perspective on Black Rock City. In honor of Burning Man’s 25th anniversary, the film festival traces the past and present of BM and examines how various aspects of the event have changed over time. Saturday’s four shows center around BM footage shot from 1991 to 2003, while Sunday’s three shows feature films shot from 2002-10. (Gaydos)

Sat-Sun, 2 p.m., $10

Red Vic Movie House

1727 Haight, SF

www.burningman-filmfest.com

SUNDAY 13

MUSIC

Real Estate

Though the real estate market’s down, you can go see the band Real Estate for a measly cost. Martin Courtney and his cohorts offer plenty in the way of sun-soaked pop hooks and dreamy lyricism to match our cold SF summer. With a self-titled debut that garnered critical raves in 2009, Real Estate is sort of like the Beach Boys on downers. Opening for the band is the SF-based Young Prisms, your standard roughly hewn, unpolished indie band. But like the night’s other act, All Saints Day, it’s harmless, catchy fun. Real Estate, on the other hand, is fun with brains. No escrow required. (Ryan Lattanzio)

8 p.m., $14

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

MONDAY 14

MUSIC

Jenny Owen Youngs

Female adult alternative is a frequently snubbed genre, probably due to its proximity to the Lilith Fair. But these two shouldn’t necessarily be yoked, especially for East Coast darling Jenny Owen Youngs. She wears humility on the sleeves of her boyish duds, revealing she’s neither starlet nor simpleton. Like Youngs herself, the songs are blunt and oddly sexy. And she’s far more than just a girl and her guitar, especially since she spiked the placid drawl of her first EP with a cover of Nelly’s “Hot in Herre.” That song was probably written for a dive as small as Bottom of the Hill, so it feels right that Youngs is playing here again. (Lattanzio)

With April Smith and the Great Picture Show, William Tell

8 p.m., $12

Bottom of the Hill

1233 17th St. SF

(415) 621-4455

www.bottomofthehill.com

TUESDAY 15

EVENT

Bret Easton Ellis

American literary psycho Bret Easton Ellis reprises his nihilist vision of L.A. and the wilting of once sprightly youths, along with their brain-dulling drug use, in Imperial Bedrooms. The sequel to 1985’s cult classic Less Than Zero, a novel you should read in that first winter break of freshman year, this new book revisits the same milieu of users and losers. But now they’re all middle-aged and having much less sex. A notorious asshole among the contemporary literati, Ellis continues to probe the surface of social mores — with a hot, poison-dipped poker. It’s smart of his press to host this event (a conversation with book critic Tom Barbash) on the book’s release date. If you read it before, you might not be inclined to show up. (Lattanzio)

6 p.m., $20

Commonwealth Club

595 Market, SF

(415) 597-6700

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Bucharest calling

Jesse Hawthorne Ficks
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0
Bucharest calling

arts@sfbg.com

FILM In the five years since Cristi Puiu’s improbable epic, The Death of Mr. Lazarescu (2005), a small group of philosophically-inclined filmmakers who were still young during the last days of Ceausescu have been disproportionately responsible for the minor masterpieces of world cinema. None of the Romanian films at Cannes (including Puiu’s follow-up, Aurora) nabbed a prize this year. But the three features in the Pacific Film Archive’s “Tales from the Golden Age: Recent Romanian Cinema” series — Lazarescu, 4 Months, 3 Weeks and 2 Days (2007), and Police, Adjective (2009) — were all heavily garlanded. They gain power when seen in series, where their common syntax comes into focus.

All three films unfold as underground odysseys. A character is tested in a series of trials flowing, directly or indirectly, from the state. In Lazarescu, the eponymous figure is sent upon a Styx-like course of hospitals, accompanied first by reproachful neighbors and then a willful medic. By the time the doctors correctly diagnose his original complaint of the stomach and head, his neurological condition has deteriorated to the point that he can no longer form the words himself. In 4 Months, we trace a young woman’s movements through the city as she ensures a safe course for her friend’s illegal abortion (the film is set two years before Ceausescu’s fall). As more and more is asked of her promise, the film’s handheld style comes to seem charged by irreversibility. In Police, Adjective, we watch a quiet young detective trail a dead-end case: he’s been assigned to gather evidence for a uselessly punitive drug bust of a few teenaged hash-smokers. When he finally refuses to order a raid, he gets an unexpected linguistics lesson from his chief (played with appalling charisma by Vlad Ivanov, the abortionist in 4 Months; in both films he seems the very embodiment of the banality of evil) who dismantles the detective’s logic word by word.

With narratives like case histories, peeling back a social situation until its very marrow is exposed, these films take no shortcuts to empathy. Morality is specifically broached, and each centers on protracted, tangled negotiations carried off by wonderful acting. The apparent detachment of the long-take style is deceptive. In fact, the films’ scenarios are rigorously worked out to express moral quandaries with concern for those on the receiving end. The ostensible real time of the long take is easily distended by exigent circumstances; the decision not to cut gives a taste of the agony, powerlessness, and tension that meet the characters. Indeed, the observational camera is an insinuation, drawing us into the complex ethical mechanics at the level of action and plot. They induce the presence of mind required to dislodge a nasty splinter. It’s difficult to imagine an American documentary taking on health care with an unblinking intransigence on par with Lazarescu, and this, more than the formal style, accounts for critics using the language of ethics and truth to describe the film.

By positioning individual characters at the margins of a centralized bureaucracy, the Romanian films certainly do illuminate untruths. Several of the broad shorts in the new omnibus film, Tales from the Golden Age, threaten to turn the gnomic quality of the Romanian films into shtick, but in the context of the PFA series, these “urban legends from the Ceausescu era” put a gentle historical spin on some of the leitmotifs of the earlier features. The best by far is The Legend of the Air Sellers, a tender 4 Months-meets-John Hughes film in which a teenage girl joins up with a scruffy older guy for a decidedly low-tech scam: they take bottles from local residents under the premises of collecting water and air samples for the state and then redeem the glass for change. The con is revealing of a central paradox of the period: that citizens could be frustrated by the state of things while at the same time credulous that the state would fix them. The girl is a natural capitalist, farming out bottle collecting to unwitting landlords; the boy, for his part, only really wants to watch VHS tapes on a prized video player.

Harun Farocki and Andrei Ujica’s found footage essay-film, Videograms of a Revolution (1992), is the outlier of the series both in terms of age and form, but in its methodical analysis of the Romanian Revolution of 1989 as a paradigmatic modern event, the film draws very close to the social relevance of the recent Romanian films — much closer than the nostalgia-tinged episodes of Tales from the Golden Age. Two sequences in Videograms loom large for the Romanian films in the PFA series. In the first, Ujica’s voice-over identifies an initial spark for the revolution in a moment of intercessional static, when an official camera trained upon Ceausescu’s scripted reality pans to observe a disturbance in the crowd, “more out of curiosity than resolve.” Then there are those bundled shots depicting newly victorious revolutionaries dug in at the political headquarters and TV station (an important location for Police, Adjective director Corneliu Poumboiu’s 2006 film, 12:08 East of Bucharest). Attempting to forge their initial reforms, they flail at the deeply ingrained restraints of institutional language.

Toward the end of Videograms, we watch dramatic embedded footage of ragtag revolutionaries and other civilians taking cover from sniper fire coming from one of the oppressive high-rise buildings that play such a prominent part in the Romanian cinematic imagination. Ujica’s voice-over takes analytical measure of the scene: that the belief in an enemy is a binding legacy, a “recollected habit,” and that the unspoken fear so long deployed by Ceausescu’s regime as “internal tactic of deterrence” will not simply vanish. The new Romanian cinema was surely born in the shadows of this phantom fighting.

TALES FROM THE GOLDEN AGE: RECENT ROMANIAN CINEMA

June 11–June 27, $5.50–$9.50

Pacific Film Archive

2757 Bancroft, Berk.

(510) 642-5249

www.bampfa.berkeley.edu

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