Event

Rep Clock

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Schedules are for Wed/4–Tues/10 except where noted. Director and year are given when available. Double and quadruple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $4-6. “Other Cinema:” “The Essays and Arguments of James Hong,” Sat, 8:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. Regular programming $7.50-10. “San Francisco International Film Festival:” On Tour (Amalric, 2010), Thurs, 7. For tickets and info, visit www.sffs.org. “Cinematic Titanic:” Samson and the 7 Miracles of the World (Freda, 1961), Fri, 7; Rattlers (McCauley, 1976), Fri, 9:30. This event, $35 (double feature, $60); tickets at www.sfsketchfest.com. “Peaches Christ Presents the Ultimate Mommie Dearest: 30th Anniversary Birthday Celebration:” Mommie Dearest (Perry, 1981), Sat, 8. This event, $25-40; tickets at www.peacheschrist.com.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-15. Certified Copy (Kiarostami, 2010), call for dates and times. Poetry (Yun, 2010), call for dates and times. Potiche (Ozon, 2010), call for dates and times. The Princess of Montpensier (Tavernier, 2010), call for dates and times. The Magic Flute, Thurs, 7; Sun, 1. Performed on film by Teatro alla Scala. Queen to Play (Bottaro, 2009), May 6-12, call for times.

EXPLORATORIUM McBean Theater, 3601 Lyon, SF; www.asifa-sf.org. Free. “An Evening With Marv Newland,” Fri, 7:30.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: Elizabeth Taylor, Tribute to a Star:” A Place in the Sun (Stevens, 1951), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “San Francisco International Film Festival:” Ulysses (Godoy, 2011), Wed, 6:30; Detroit Wild City (Tillon, 2010), Wed, 8:40; Auroroa (Puiu, 2010), Thurs, 7. For tickets and info, visit www.sffs.org. “Film and Video Makers at Cal: Works from the Eisner Prize Competition,” Fri, 7.

RED VIC 1727 Haight, SF; (415) 668-3994; www.redvicmoviehouse.com. $6-10. William S. Burroughs: A Man Within (Leyser, 2010), Wed, 2, 7:15, 9:15. True Grit (Coen and Coen, 2010), Thurs-Sat, 7, 9:20 (also Sat, 2, 4:30). Hair (Forman, 1970), Sun-Mon, 7, 9:30 (also Sun, 2, 4:30). Bukowski: Born Into This (Dullaghan, 2003), May 10-11, 7, 9:20 (also May 11, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Stake Land (Mickle, 2010), Wed-Thurs, 7:15, 9:30. Taxi Driver (Scorsese, 1976), Sat-Mon, 7, 9:20 (also Sat-Sun, 2:30, 4:45).

VORTEX ROOM 1082 Howard, SF; www.myspace.com/thevortexroom. $5 donation. •Bucket of Blood (Corman, 1959), Thurs, 9, and Blind Beast (Masumura, 1969), Thurs, 11. YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. The Strange Case of Angelica (de Oliveira, 2010), Thurs and Sat, 7:30; Sun, 2.

On the Cheap Listings

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On the Cheap listings are compiled by Jackie Andrews. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 4

Asterisk zine party Public Works, 161 Erie, SF; www.publicsf.com. 8pm, free. Celebrate one year of Asterisk, the fabulous print and online magazine highlighting all things San Francisco, with a party catered by Charanga and drinks specials courtesy of Blue Angel Vodka. Plus, the amazing soul group Nick Waterhouse and the Tarots will be performing and Erik Otto art displayed for you to enjoy while DJs get you dancing. There’s so much going on tonight, it’s hard to believe the party is free, but be sure to donate a few bills to benefit Renaissance Entrepreneurship Center, the non-profit that does a lot of good things for small business here in the city.

Zyzzyva spring celebration The Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. This art and lit journal (named after the last word in the dictionary, a genus of weevil, but you already know that, right?) has gone through some changes recently. When founder Howard Junker announced he would be stepping down as editor after 25 years, Laura Cogan jumped at the opportunity and has been busy cleaning house in the form of sprucing up the website and adding a blog, among other things. Joining her at tonight’s celebration. Reading selections from their work, will be Robin Ekiss, Tom Barbash, and Vanessa Hua.

THURSDAY 5

Craft bar Museum of Craft and Folk Art, 51 Yerba Buena Lane, SF; www.mocfa.org. 6-8pm, $5, t-shirts and totes are an extra $5. Make Sister Corita-style posters, t-shirts, and tote bags in honor of her messages of love and peace during the social upheavals of the 1960s and ’70s. The museum will have silk screens set up with inks prepared in advance to match her period colors – think day-glo – as well as all of the supplies needed. Also, enjoy a special live performance from Coconuts and free-flowing Trumer Pils courtesy of the Berkeley brewery.

FRIDAY 6

Bikes and Beats Public Works, 161 Erie, SF; www.publicsf.com. 10pm-3am, $6-10. Check out this new collaborative that merges Bay Area bike and music scenes at a party that benefits Sunday Streets and the urban sustainability guerrillas known as the Wigg Party. They’ve got bike-themed crafts and screenprinting planned, as well as food vendors, art, fashion, raffle prizes, and more. And it wouldn’t be a party without music, so they went ahead and wisely reserved, not one, but two rooms for DJs, live performances, and video installations.

SATURDAY 7

Mother’s Day book Sale Adobe Books, 3166 16th St, SF; www.adobebooksbackroomgallery.blogspot.com. 11am-5pm, free. Get lost in the organized-by-color bookshelves today at Adobe. This little gem of a bookstore will be selling all of their stock at a discount in honor of mothers everywhere. Books outside are all one dollar while everything inside the store is marked 25 percent off. Plus, check out the current exhibition in the backroom gallery for artwork related to the publication of Berkeley-based Allone Co. Editions’ From the Golden West Notebook, a work inspired by the ACE Double books of the fifties.

El Cerrito city-wide garage sale Various locations, El Cerrito; www.el-cerrito.org. 9am-3pm, free. Holy moly, this event is every collector and spendthrift’s dream come true – 67 garage sales all happening at once, carrying everything from furniture to household items to records and vintage clothing. Plot your route in advance – download the map complete with listings and take it with you on your meticulously planned hunt for one-of-a-kind bargain treasures. Rent a Zip Car – no, rent a U-Haul if you have to – because you’re not gonna want to miss this.

SUNDAY 8

Mother’s Day rose show Hall of Flowers, Golden Gate Park, SF; www.sfrosesociety.com. Noon-12:30-4pm, free. Score some serious bonus points with Mom this year and treat her to a lovely afternoon among the roses. The San Francisco Rose Society continues its annual Mother’s Day tradition of filling Golden Gate Park’s Hall of Flowers with spectacular rose exhibits of all varieties. Stroll along the fragrant and breathtaking paths between noon and 4pm, after which the public is invited to take home free roses!

TUESDAY 10

Emperor Norton history lesson Cafe Royal, 800 Post, SF; (415) 641-6033. 8pm, free. Attend this informal history lesson from historian Peter Molan, and learn all about the once celebrated San Francisco character – the self-proclaimed “Emperor of these United States” and later, the “Protector of Mexico”. Though considered insane by his fellow San Franciscans, he was well-loved and his regal decrees often humored. The day after he collapsed and died on a street corner in 1880, 30,000 people packed the streets to mourn his death.

 

 

Homeowner defense groups to target Wells Fargo shareholders

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“Foreclosures are the new F-Word.” So said Regina Davis, executive director of the San Francisco Housing Development Corporation, at an April 29 seminar at SFHDC’s office on Third Street that explored ways to prevent more foreclosures in San Francisco, California and beyond.

Since the economic meltdown in 2008, there have been 2,000 foreclosures in San Francisco. And the majority have impacted low-income folks and communities of color, who were sold more predatory loans than other groups, Davis and a panel of foreclosure experts warned
And as the recession drags on, another 2,000 foreclosures could be in the works, further destabilizing communities and draining more resources from the city, in terms of lost property values and related tax revenues.

And while deep-pocketed lobbyists have been making it hard to pass laws that would offer at-risk homeowners more protections, homeowner defender groups have decided to target, and now protest against, the group they believe stand directly in the way of equitable reforms: the banks.
 “Wells-Fargo CEO John Stumpf took home $21 million in 2009 while his bank received $25 billion in TARP funds,” stated a flier that ACCE (formerly ACORN) and the Home Defenders League are distributing to urge folks to meet at Justin Herman Plaza at 11: 30 a.m., May 3 and march to the Wells Fargo shareholder meeting where protesters plan to personally deliver a list of their demands to WF CEO Stumpf.

“He and his cronies fought tooth and nail to kill consumer protection bills in California and around the country and are currently trying to gut a 50-state Attorneys General settlement with homeowners that have been defrauded,” the flier concluded.
It noted that ACCE and the Home Defenders League sponsored this event, in partnership with the California State Labor Federation, the California Nurses Association, Contra Costa Interfaith Supporting Community Organizing, Causa Justa: Just Cause, ENLACE, Jobs for Justice, National Education Association, Oakland Education Association PICO California, PICO National Network, SEIU United Service Workers West and Local 1021 and Tenants Together.

“We are also part of The New Bottom Line, a national campaign focused on creating an economy that works for the many, and not the few,” the flier stated.

5 Things: April 28, 2011

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>>POP-UP-TASTIC Oh pop-up phenomenon…why are you so enticing? Is it because our hype-heavy culture is so ADHD that the newest and coolest bar, gallery, restaurant, or what have you is “out” even before it’s torn down and replaced by the next “it” concept? The once failing Corner restaurant on 18th and Mission is now bustling thanks to the eatery’s new format of hosting a different recession-plagued talent with a menu to die for every night of the week. So, too, are venues supporting a great idea, but not necessarily one with enough gas to keep it going long-term, like the coffee shop-record store-music venue-rehearsal space-anarcho bookbindery of our adolescent dreams. Enter the People’s Gallery, host to the Big Things pop-up shop this Sat/30, which will feature everything from a bookbinding workshop to sidewalk sale-type treasures, handmade goodies, photo exhibitions, and food. Get there early, for it might poof into the ether before you even get a chance to check out the buzz.

>>ANOTHER WEDDING OF THE CENTURY! As the media breaks out its best British accents, the complete mayhem engulfing the royal wedding reaches its fevered pitch tomorrow with the event itself. For the truly die-hard, there is but one place to take in the beauty of clan-building: the British consulate, where the official viewing party kicks off at 9 a.m. with remarks by UK Counsel General Julian Evans. Call Renee at (415) 407-7424 to RSVP.

>>BEATS AMBASSADOR When the publicity ploy involves bad-ass Ghanian American hip-hop, count us as happily-enlisted marketing allies. Blitz the Ambassador plays La Peña Cultural Center tonight, and is offering up a free stream of his new album Native Sun so that you can learn the words before you shake ass. The album is a powerful barrage of traditional percussion, guitar licks, and fly verses – worth banging in your headphones even if you can’t make Berkeley tonight.

Blitz the Ambassador, Native Sun:

>>TRUCKING COMPANY Do you dream of owning a food truck but aren’t quite sure how to fund it? Stop squirreling away your Tooth Fairy money and learn how to apply for a loan — and get approved — from a panel of finance experts, fellow foodies, and food truck owners. Tonight, our friends at Renaissance Entrepeneurship Center are sponsoring this workshop for only 10 bucks, but the free publicity that comes with Chicken John threatening to vomit all over your new local economy-boosting venture is absolutely priceless.

>>BACK TO THE BEACH The last eighteen months have brought a bunch of repeat-listen recordings from bands that invoke the oceanside, including Beach House, Dirty Beaches, and Beach Fossils, who return to San Francisco a week from today, taking the stage at Slim’s to play songs from their 2010 debut album and the more recent EP What a Pleasure.

 

Hot sexy events: April 27-May 3

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Hey there sexy, how’s life on the other side of the Intertubes? I wanna get real with some real questions in this week’s sexy events column. Don’t worry, it’s about you. Namely, we here at the SF of BG would like to know just what you feel is missing from sex coverage in this age of Aquarius (ha!) in which we live. Are you feeling like you have pressing sex ed questions that need answering? Are you wishing that there was more event coverage of the parties and perv-a-thons in our fair Sodom By the Bay?

See, we’re going through an evolution with our sex coverage, and though we’ve got some pretty hot and wild ideas up in our noggins, youse the readers are just that, and maybe you’re thinking something we missed. So how bout it – new voices, dildo reviews, heavy breathing monolouges? The Guardian’s mission is to be a voice for the community of San Francisco, so have at us. Um, our safe word is spelt. 

 

Erotic Reading Circle

Share your thoughts, air out those tired old insecurities – get real pervy with, whatever. The monthly Erotic Reading Circle at the Center for Sex and Culture provides a safe space for writers to share their bedroom-related materials. Carol Queen and Jen Cross of Writing Ourselves Whole facilitate the gathering, pretty much a must-do for any aspiring sex scribe. 

Weds/27 7:30 p.m., $5 suggested donation

Center for Sex and Culture 

1349 Mission, SF

www.sexandculture.org


Hot Draw

Unleash your wild, artistic side at these live drawing sessions – one need only peep the galleries on Mark I. Chester’s website to see that he doesn’t play when it comes to drawing dirty players. Kinky leathermen strut about for a crowd of strictly sketchy, strictly gay male artist scribblers.

Thurs/28 6:30-9:30 p.m., free

Mark I. Chester Studio

1229 Folsom, SF

(415) 621-6294

www.markichester.com


Art of Restraint

How would you like to be situated right in the center of a high-art, surround sound bondage performance? It’s all within your grasp, baby – this week’s Femina Potens event at Mission Control will string up local lovelies Fivestar and Madison Young, while adult film performers and submissives offering up chocolate-covered strawberries romp about. Does it sound too good to be true? Believe, child, believe. 

Sat/30 8 p.m.-3 a.m., $50-75

Mission Control 

www.missioncontrolsf.org


How Weird Street Faire

While not sexy per se, this fair sure is freaky: How Weird takes over a good portion of SoMa for stage upon stage of electronic ass-shaking, and community bonding. What community, you say? Bonding how, you ask? Well maybe just maybe that’s up to you, sailor. Head over in whatever state of disarray you like and get funky. 

Sun/1 noon- 8 p.m., $10 suggested donation

Howard and Second St., SF

www.howweird.org 


Kentucky Fried Woman’s Guilty Pleasures

You need this bucket of crispy, greasy, lip-smackin’ queers stripping down to their burlesque bundles like you need to watch your cholesterol intake. For reals, put down the trans fat. Instead, pop on over to Oakland’s Bench and Bar bar, and feast your eyes on the talents of Alotta Boutté, Scotty the Blue Bunny, and oh! So much more. Heart-stopping, in a good way. 

Sun/1 7:30-10:30 p.m., $10

Bench and Bar

510 17th St., Oakl.

(415) 374-1924

Facebook: Kentucky Fried Woman’s Guilty Pleasures 


“Finding and Maintaining a Happily Ever After: A Relationship Workshop for Lesbian Couples”

How do you make relationships last past the original courting period? Davina and Molly have married each other countless times in protest of unequal civil rights, and so they’re uniquely qualified (maybe) to talk about how to make matrimony mutually awesome (in and out of the bedroom).

Tues/3 6:30-8:30 p.m. $20-25 for singles $35-45 for pairs

Center for Sex and Culture 

1349 Mission, SF

www.sexandculture.org

 

 

Earth Day in City Hall … on Wells Fargo’s dime

Who was lucky enough to get treated to Mayor Ed Lee’s Earth Day Breakfast in City Hall, with the city’s top politicos and a smattering of high-profile San Franciscans? After noticing that the Board of Supervisors had approved a grant of $12,000 from Wells Fargo a few weeks ago to sponsor the event, the Guardian contacted the Mayor’s Office to ask for the guest list. The response came from the city’s Department of the Environment, which accepted the donation and organized the affair.

The 472-person invite list (we don’t know how many actually attended) included prominent figures such as Sens. Barbara Boxer and Dianne Feinstein, Rep. Nancy Pelosi, billionaire investor Warren Hellman, and former San Francisco Mayor Willie Brown. All 11 members of the Board of Supervisors were invited, too, as were mayoral hopefuls City Attorney Dennis Herrera, Assessor-Recorder Phil Ting, and state Sen. Leland Yee.
 
Invitations were extended to some truly green organizations, too, such as Green for All, Save the Bay, Rainforest Action Network, the Ella Baker Center for Human Rights, the Sierra Club, the Apollo Alliance, Greenaction, and others.

And many seats were reserved for the corporate sector. A total of nine representatives of Pacific Gas & Electric Co. were on the list. There were seven from Cisco, several from consulting and design firm CH2MHill, and a couple representatives from Skidmore, Owings & Merrill — the firm that’s doing the Parkmerced overhaul and which was tapped to envision waterfront venues for the America’s Cup. 

Seven representatives — including the CEO — were invited from Recology, which is in the midst of a debate over its high-stakes, $275 million no-bid garbage contract with the city.

According to Mark Westlund of the Department of the Environment, only half of the Wells Fargo grant went toward the mayor’s Earth Day Breakfast, “the remainder to a series of community events held in the Department’s EcoCenter lobby.” The other sponsors included Blue Shield of California ($2,000); CH2MHill; Skidmore, Owings & Merrill; United Airlines; Environmental Science Associates ($4,000); Levi Strauss & Co.; Cisco ($6,000) and Starbucks — which provided BPA-free travel mugs (double green points!).

It’s nice that San Francisco taxpayers didn’t have to shell out the $18,000 for all these people to celebrate Earth Day together. But at an event such as this, with so many millions of dollars in city contracts and major development projects flying around (not to mention the half a dozen or so people in need of campaign contributions), you can bet they weren’t all talking to one another about saving the planet.

Our Weekly Picks: April 4-10, 2011

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WEDNESDAY

APRIL 27


EVENT

The Right to Be Lazy

You know you want to fight zombies. But how? Perhaps answers are still alive in the reissued book, The Right to Be Lazy, by Paul LaFargue, the Cuban-born son-in-law of Karl Marx. Featuring its editor, Bernard Marszalek, and others, this Shaping San Francisco panel will discuss this book that, according to Marszalek, has been reproduced and distributed more widely than any other Marxist text save LaFargue’s papa-in-law’s commie manifesto. The author is sarcastic, sardonic, and satirical, a necessary combo when considering post-capitalistic visions of abundance and cooperation trumping standard issue toil and sacrifice. Because as anyone who’s walked through the Financial District will tell you, zombies are freakin’ hard to kill. (Kat Renz)

7:30 p.m., free

CounterPULSE

1310 Mission, SF

(415) 626-2060

www.counterpulse.org

 

MUSIC

“Steve Ignorant presents CRASS songs 1977-82, Last Supper”

Is this really Crass? Well, Penny Rimbaud isn’t involved, and originally opposed cofounder Steve Ignorant performing the band’s music. But when you’re talking about anarcho-punks, everyone is their own leader and does what they want. So this is the final Crass run for Ignorant, backed by Gizz Butt, Bob Butler, Spike T. Smith, and reportedly a female vocalist (to handle feminist material from classic album Penis Envy.) Despite being influential, politically-minded figures in 1970s English punk rock, Crass never really toured in the U.S., which means this may be the best opportunity that fans have had to hear the material live, as well as the last. (Ryan Prendiville) With Goldblade

9 p.m., $21

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com


THURSDAY

APRIL 28

 

MUSIC

Accept

For those of us who learned to throw horns in the early 1990s with the help of Headbangers Ball, we got a healthy dose of contemporary clips along with the classics of the metal genre. This was how I first came across Accept’s “Fast As A Shark” and “Balls To The Wall,” two awesomely shredding tunes — indeed, “Balls” was the German band’s signature song, and its accompanying video was also a favorite on Beavis and Butthead. Get ready for some serious head-banging and sing-along anthems tonight as the band returns to the states supporting its new release, Blood Of The Nations. (Sean McCourt)

With Sabaton

8 p.m., $30

Regency Ballroom

1300 Van Ness, SF

(415) 673-5716

www.theregencyballroom.com


EVENT

“Beatles and Beetles”

Would you bet more people can name the fab four members of the Beatles — or four kinds of beetles, those six-legged insects making up a quarter of the earth’s animal species? But really, why the burden of mutual exclusivity when both are celebrated at this week’s NightLife at California Academy of Sciences? It’s a fortunate homonymity, pairing the museum’s beetle expert David Kavanaugh with live music from Beatles experts in the form of tribute band the Sun Kings. Plus, it’s the U.S. debut of “The Beatles Hidden Gallery,” photos documenting the boys mere months before Beatlemania invaded the land like a blight of beetles. (Renz)

With DJs Aaron Axelsen and Omar

6 p.m., $12

California Academy of Sciences

55 Music Concourse, Golden Gate Park, SF

(415) 379-8000

www.calacademy.org


MUSIC

Sean Smith

Since 2005, virtuoso Sean Smith has recorded numerous albums of solo guitar and collaborations. Taking after the iconic John Fahey, the finger-style guitarist wows audiences with immense technical skill and songwriting — crafting a new American Primitive. Having toured the U.S. extensively, Smith has shared the bill with Will Oldham (Bonnie “Prince” Billy), Six Organs of Admittance, and Bob Lind, among others. In March 2008, he joined the ranks of Citay as one of the two lead guitarists. Smith leads his electric power trio featuring Spencer Owen and Marc Dantona in selections from his upcoming full length, Huge Fluid Freedom(Jen Verzosa)

With the Singleman Affair and Mitchell and Manley

9 p.m., $6

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com


FRIDAY

APRIL 29


MUSIC

Mudhoney

Although it never quite attained the levels of fame and fortune of some of their hometown contemporaries, Mudhoney was one of the first (and best) bands to come out of Seattle during the late 1980s and early 1990s alternative rock explosion. With fuzzed-out guitars, heavy riffs, and songs like “Touch Me I’m Sick,” “Sweet Young Thing Ain’t Sweet No More,” and “Suck You Dry,” the band was the embodiment of what became the “grunge” movement — and it’s one of the only original groups around today, still kicking out the jams to loyal fans on new album The Lucky Ones. (Sean McCourt)

9:30 p.m., $20

New Parish

579 18th St., Oakl.

www.thenewparish.com


DANCE

Sean Dorsey Dance

Sean Dorsey Dance has been working on The Secret History of Love (Part 1) for the last two years, and the project itself looks back much further, exploring the ways in which transgender and queer people have forged bonds through the decades. Drawing from extensive research at the GLBT Historical Society and interviews with community members, Dorsey continues to place direct elements of storytelling at the forefront of modern dance. With this show, he focuses on courageous acts of love and protest dating back to Stonewall. (Johnny Ray Huston)

Fri/29–Sun/1, 8 p.m.; $15-$20

Z Space at Theater Artaud

450 Florida, SF

(800) 838-3006

www.freshmeatproductions.org


DANCE

Kate Weare Company

Ukuleles, banjos, and fiddles, oh my. Performed to live, onstage music by bluegrass band the Crooked Jades, the Kate Weare Company’s Bright Land addresses American ideals, weaving threads of music, stories, and history represented by transatlantic folk music. With the Crooked Jades’ musical arrangements of traditional Celtic, English, and American songs, Weare’s ferocious artists and passionate choreography reinvent old-world music for the modern age in a layered collaborative form. Performer and composer Jeff Kazor blurs genres with haunting ballads and upbeat dance tunes and Weare’s dancers reveal powerful relationships enacting capsules of history and narrative. The Bay Area is a second home for the dance company — catch them while they visit this coast. (Julie Potter)

Fri/29–Sat/30, 8 p.m.;

Sun/1, 7 p.m., $15–$18

ODC Theater

3153 17th St., SF

(415) 863-9834

www.odctheater.org


SATURDAY

APRIL 30


MUSIC

Debbie Neigher

Art program counselor, member of the San Francisco indie-rock outfit Phantom Kicks, singer-songwriter, and pianist: Debbie Neigher can do it all. While she was DIY-ing her upcoming self-titled full length album, pop-folk icon and owner of Tiny Telephone recording studio John Vanderslice came out of retirement from producing records “in the luckiest freak accident” to work with her. In Neigher’s upcoming album, her silky soprano showcases her versatility in the effervescent “Frames” and the painfully courageous “Pink Chalk.” Neigher was the winner of West Coast Songwriters Best Song competition for the track “What Say You Now”; she was also nominated for SF Deli Magazine’s Emerging Artist Award of 2010. (Verzosa)

With tidelands

7:30 p.m., $7

Make-Out Room

3225 22nd St., SF

(415) 647-2888

www.makeoutroom.com


FILM

Jaws

When I was a little kid, just thinking of the two-note intro to John Williams’ theme from Jaws was enough to make me want to jump out of the bathtub, let alone the murky waves of the Pacific I frolicked in down at the beach in Santa Cruz. Modern teenage movie-goers may flock to the latest Saw rip-off in search of some cinematic terror, but as the rest of us know, it’s what you don’t see that really scares the shit out of you — and Steven Spielberg made the most of that with his 1975 masterpiece. Just in time for when you would wish all those damn spring breakers would be eaten alive, tonight’s screening (presented as a double-feature with Spielberg’s 1977 Close Encounters of the Third Kind) will undoubtedly make someone new afraid to go into the water. (McCourt)

2 and 7 p.m., $7.50–$10

Castro Theatre

429 Castro, SF

(415) 621-6120

www.castrotheatre.com


EVENT

Red Vic fundraiser

Listen up, San Francisco, cause this shit’s serious. The rep house movie theater is on the verge of extinction, and perhaps none are as precariously situated as the Red Vic (also the only collectively-owned movie theater in California). We owe it to our artistic sprits to not let these beloved institutions die out, but that takes more than just a fond thought. It takes patronage. Lucky for us, the Red Vic is making it easy to go and spend a whole day and drop a reasonable wad on “donations” — from a movie poster auction from 1-6 p.m., followed by a triple-header curated by Mr. “Midnites for Maniacs” Jesse Hawthorne Ficks from 7 p.m. on, and concluding with a midnight screening of San Francisco’s favorite cult film The Room (2003), all for way less than you’d spend on some crap IMAX travesty at the Metreon. (Nicole Gluckstern)

1 p.m., $10–$20 suggested donation

Red Vic Movie House

1727 Haight, SF

(415) 668-3994

www.redvicmoviehouse.com

 

MUSIC

Blondes

One video has Blondes playing in a laser-filled garage that could be anywhere. Another account has it DJing at the top of the Standard in New York. One listener describes the music as ecstatic, but it’s also been branded “snoozetronica.” Blondes is not another emerging duo in full electro-attack mode. Not “the next” Daft Punk or even the Twelves. It’s two Oberlin-educated guys who see themselves entering a musical landscape where everything may have been done. If the beats they build piece-by-piece seem inclusive — heavy but melodic, driving but not to the point of driving your body down — it’s because they’re looking for leftover limits. (Prendiville)

With Wav Dwgs and DJ Pickpocket

9:30 p.m., $5–$10

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com


DANCE

“Dancing in the Park”

The Bay Area celebrates National Dance Week (through Sunday, May 1) in myriad ways, but few are as inviting and comprehensive as the Mark Foehringer Dance Project/SF’s “Dancing in the Park.” The extravaganza takes over the venerable Bandshell in Golden Gate Park for the fifth year in a row. The fun starts with a one-hour young choreographers’ showcase. Sample classes in modern, salsa, improv, and hip-hop will then share the space with more than two dozen professional (including Axis Dance Company, Robert Moses’ Kin, and Amy Seiwert/im’i-jre) and community groups (like Zoha, Sambamora, and SoulForce). At 2:30 p.m., Foehringer’s own dancers offer excerpts from their repertoire celebrating having survived and thrived for 15 years. (Rita Felciano)

11 a.m.–4:30 p.m., free

Music Concourse Bandshell

55 Hagiwara Tea Garden, Golden Gate Park, SF

www.mfdpsf.org 


The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Rep Clock

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Schedules are for Wed/27–Tues/3 except where noted. Director and year are given when available. Double and quadruple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $4-6. “Free Form Film Festival: Elementals of Media Uncaged,” Thurs, 8. “À La Node: An Evening of Electronic Performance,” Fri, 8. Presented by SFAI’s “Signal to Noise” class. “Other Cinema:” Waste Land (Walker, 2010), Sat, 8:30.

BALBOA 3620 Balboa, SF; www.balboamovies.com. $10. Bruce Springsteen: The Promise — The Making of “Darkness on the Edge of Town” (Zimny), Thurs, 7:30. Benefit for Bread and Roses.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. Regular programming $7.50-10. The King’s Speech (Hooper, 2010), Wed, 3, 5:30, 8. Black Swan (Aronofsky, 2010), Thurs, 2, 4:30, 7, 9:05. “San Francisco International Film Festival: Peter J. Owens Acting Award,” Fri, 7:30; La Dolce Vita (Fellini, 1960), Sun, 12:30; “Mel Novikoff Award: Serge Bromberg and Retour de Flamme: Rare and Restored Films in 3D,” Sun, 5; 13 Assassins (Miike, 2010), Sun, 8:30; “Tindersticks: Claire Denis Film Scores, 1996-2009,” Mon, 8:30. For tickets and info, visit www.sffs.org. •Jaws (Spielberg, 1975), Sat, 2, 7, and Close Encounters of the Third Kind (Spielberg, 1977), Sat, 4:20, 9:20.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-15. Certified Copy (Kiarostami, 2010), call for dates and times. Poetry (Yun, 2010), call for dates and times. Potiche (Ozon, 2010), call for dates and times. American Graffiti (Lucas, 1973), Thurs, 7:30. This event, $15-50; benefits Marin Charitable. The Princess of Montpensier (Tavernier, 2010), April 29-Mau 5, call for times. “New Documentaries on Ingmar Bergman:” …But Film Is My Mistress (Björkman, 2010) with “Images From the Playground” (Björkman, 2009), Sun, 7.

EMBARCADERO One Embarcadero Center, Promenade Level, SF; www.scion.com/filmscreening. Free. New Garage Explosion: In Love With These Times (Brown and Patel, 2010), Wed, 7.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: French Twist:” Time Out (Cantet, 2001), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Film 50: History of Cinema: Fantasy Films and Realms of Enchantment:” Splice (Natali, 2009), Wed, 3:10. “San Francisco International Film Festival,” April 22-May 5. For schedule, see film listings; for tickets and additional info, visit www.sffs.org.

RED VIC 1727 Haight, SF; (415) 668-3994; www.redvicmoviehouse.com. $6-10. Valley Girl (Coolidge, 1983), Wed, 2, 7:15, 9:25. Manhattan (Allen, 1979), Thurs-Fri, 7:15, 9:20. The Room (Wiseau, 2003), Fri-Sat, midnight. “Red Vic Benefit:” “Poster Sale,” 1-6; “Midnites for Maniacs: Calling All Maniacs, Come Save the Red Vic:” “Ficks’ Picks: My 35 Favorite 35mm Trailers,” Sat, 7:30; “My Movie Memorabilia Auction,” Sat, 9; “Secret 35mm Screening of a Brilliant and Obscure 1970s Film Not Available on VHS or DVD,” Sat, 9:45. Suggested donation $10-20 to benefit the Red Vic. Moulin Rouge (Luhrmann, 2001), Sun-Mon, 7, 9:25 (also Sun, 2, 4:30). William S. Burroughs: A Man Within (Leyser, 2010), May 3-4, 7:15, 9:15 (also May 4, 2). ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Red, White and Blue (Rumley, 2010), Wed-Thurs, 7:15, 9:15. Stake Land (Mickle, 2010), April 29-May 5, 7:15, 9:30 (also Sat-Sun, 2:55, 5).

5 Things: April 25, 2011

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>>TAKE BACK THE STREETS In Chiapas, small Zapatista towns will build DIY speed bumps on the freeways cutting through their community. Here in SF, we make our own bike lanes. Nicely done, Kingston and Guerrero, nicely done.

Look and listen

>>TRIANGULA The Alps’ next album after last year’s acclaimed Le Voyage includes striking design work by Tauba Auerbach — namely, a sleeve that can be folded out to form a sky-sided pyramid atop a landscape. Released by Mexican Summer, Easy Action finds core trio Jefre Cantu-Ledesma, Alexis Georgopolous, and Scott Hewicker collaborating in different ways from song to song, using collage techniques to reframe sounds from past recordings, including Le Voyage. The overall textures are more dissonant, with fuzzy-needle effects and distortion present on more than one track. 

>>MOMMY, HE’S SCARING US San Francisco’s latest YouTube sensation isn’t one of our outrageous performance artists or curbside curiosities. It’s Dr. Robert Lustig, a UCSF pediatric endocrinologist who wants to take away our candy. The opening salvo in Lustig’s journey to viral status was “Sugar: The Bitter Truth,” a dense, learned, 90-minute lecture dissecting the harmful effects of sugar on everything from our triceratops to our hermaphrodites — or was it our trigyclerides and hematocrits? The YouTube lecture was followed by a New York Times Magazine cover story by Gary Taubes on April 17 and an appearance on Forum with Michael Krasney on April 21. As of April 22, more than 1 million people have viewed the lecture, presumably after they polished off the cookies in their secret office drawer.

>>G.A.W.K. AND RAWK The Gay Artists and Writers Kollective is celebrating its 25th anniversary this Saturday at Magnet in the Castro. G.A.W.K. still rocks thanks to the efforts of Jon Sugar, who in addition to music and drag endeavors has helped assemble and emcee the gathering for queer rock performers, songwriters, actors, writers, and more. The bill for Saturday’s free anniversary celebration includes Bambi Lake, Jerry the Faerie, Xavier, Khalil Sullivan, the band Era Escape, and violinist Kippy Marks.

>>GUTS ‘N’ GLORY Having emerged on the other side of its first decade, the BYOBW (Bring Your Own Big Wheel) races yesterday on Sunday, April 17 seemed to be gathering speed, and swinging a can of Miller High Life about as they one-handedly swerved down the backside of Potrero Hill. The capacity crowd on Vermont street was well-pleased with their careening crusaders – even spectators inconvenienced by an airborne Michael Jackson on turn number two gave a lusty cheer when the King of Pop spun about nimbly and re-boarded. The Internet has nothing else on it today but video footage of the event, but here’s our fave shots from the day.

The glory:

And the fall (sorry buddy):

PG&E, AT&T, Recology and Malia Cohen

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I got a flyer the other day announcing a District 10 merchants meeting featuring Sup. Malia Cohen — no big deal, district supervisors do this stuff all the time, and they should. The invite (PDF) reads:


The Office of Supervisor Malia Cohen, the San Francisco Chamber of Commerce and local business and merchant associations are pleased to present the District 10 Neighborhood Business Summit. The event will bring merchants together with their Supervisor and other city officials to discuss local business concerns.


Okay, fine. But down at the bottom are the logos of the sponsors: AT&T, Recology and PG&E.


AT&T is trying to get city permission to build hundreds of cable boxes on city sidewalks and is contesting a ban on the delivery of phones books. Recology is in the middle of a huge, high-stakes fight over its $275 million no-bid garbage contract. PG&E is fighting the city over community choice aggregation.


In other words, all three companies have major deals, involving millions of dollars, coming up at the Board of Supervisors. Cohen will be voting in the next few weeks — that is, pretty much right now — on the garbage and cable boxes and phone books. Isn’t it a little unseemly to have these three corporations sponsoring her event?


I called to ask her and she agreed the timing was “unfortunate.” But since it’s a Chamber of Commerce event, she said, it’s not clear what she could do about it.


Um, supervisor: You’re the boss here. Meeting doesn’t happen without you. The Chamber folks should have told you that three companies that need your vote would be sponsoring the event, and if they didn’t, you ought to have a word with them. Either way, those sponsors have to go.


 

Our very own Eco-Opolis: Earth Day at Civic Center Plaza

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“Have you been to Eco-Opolis?” a woman asked me as I leaned in to look at a miniature green city complete with recycled soap bottle skyscrapers and strawberry basket fences. The set-up was part of a phalanx of carnival booths with very green themes — just one part of this year’s Earth Day Festival in Civic Center Plaza.

The amount of recycled art that peppered the grounds in front of San Francisco’s city hall was quite impressive, from ornate altars made of orange peels and bottle caps to adorable burlap fish friends. Beyond the art, there were booths galore with demos on solar power water heating, hip recycled glassware by Bottle Hood and to die for raw vegan chocolates by Sacred Chocolate.

And for those looking for something a little more experiential there was the sound therapy booth, where one could sit within a circle of gongs and feel the vibrations, or get one could get dirty and learn how to build using straw bales. I’ve got to give a shout-out to the two gals running the Teens Turning Green booth, who were working to educate their cohort on the dangers of toxins in so many products that teens love to use.

There was definitely a encouraging mood throughout the whole event, which made me feel positive that one day, we’ll all be able to live in Eco-Opolis.

 

The Urban Eating League’s food activists with flair

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Last Sunday I wore a slip, faked pregnancy, drenched myself in beer, and ate five brunches in four hours. Sure, behavior that doesn’t raise an eyebrow on those of us who have seen the dark side of a bottomless mimosa, but this time my bedlam brunch behavior was part of a carefully devised social eating event focused on community building and celebrating local food. Improbable, no? May I present to you: The Urban Eating League.

The league was born one night when Morgan Fitzgibbons and Rose Johnson, two of the neighborhood’s most inventive and resourceful characters, were sitting around a Panhandle table, tossing ideas back and forth. Johnson runs a one-woman bicycle delivery service named Apothocurious, through which she peddles hummus, salad, salsa, pesto, and the like around the city to hungry, green-minded customers. Fitzgibbons helped to found The Wigg Party, a neighborhood group dedicated to advocating for sustainability through local currency, strengthening strong businesses, and partying among neighbors. The two shared their mutual desire to eat more locally-sourced meals communally. Fitzgibbons knew they were on to something.

“At first our idea was just to have a progressive dinner where we could involve big groups of people, but then I started thinking that I wanted to have some element of fun competition to it,” he says, remarking that after the two hit on the idea for a league, he embarked upon outlining the basic structure and rules that would soon become the signature tenets of The Urban Eating League.

A UEL eater prove style and substance can go hand in hand. Photo by Hannah Tepper

Speaking of basic structure, here’s what they came up with: teams of three go from host house to host house, eating food that each group of cooks prepares for the event. The cooks are given a set amount from eaters’ $15 to $20 entry fees, and must make sure that their ingredients are 90 percent local.

The hosts at each house are competing against each other in three categories: “flavor slam,” creativity, and hospitality, titles determined by votes cast by each team of eaters. At day’s end, all participants regroup – often for a dessert potluck, or games in the park – and the winning hosts get prizes and informal awards.

The competition is further animated by the fact that every team of eaters and hosts must have a team name and theme, e.g. Team Snow Pants or No Pants (a popular moniker from a recent UEL). A general sense of wackiness works to make the event read more like a big, food-related costume party than stone-cold competition.

The first event took place in February, a dinner competition that involved three host sites and 18 eaters. Since then Johnson, Fitzgibbons, and a crew of dedicated friends have expanded the event and come up with new ideas to refine it. Last Sunday’s brunch event was the league’s third. It was composed of five hosts cooking for 30 eaters who were split into ten teams.

I showed up with my team, Shotgun Wedding, dressed in a slapshod manner as two brides and a priest, hauling a 30-rack of beer with which we planned to honor the spirit of the shotgun. We congregated with the other eating teams at a Fulton street Victorian affectionately dubbed the Sunshine Castle by Fitzgibbons and the others that call the place home. After some brief warm-ups and ice-breakers, our team took off, armed with a map showing us our meal plans.

At our first house we dined on edible flower-filled spring rolls in a sidewalk picnic. Next up, a home where hosts would speak only in French and Spanish and fed us delicious French toast in a meditative ceremony. Then, the hippie-neon-inspired meal: biscuits and “wavy gravy” made from vegetables grown in their garden. Our hippie hosts presented us with (unplugged) electric Kool-Aid and the 1970 UC Berkeley yearbook to peruse.

The fourth stop was a breezy, well-furnished Scott street apartment where we dined on mini-quiche and Meyer lemon-infused water, refreshments that gave us strength for our final brunch: another French toast plate, this time with a tomato salad and sweet potatoes. Our hosts, dressed from head to toe in orange, told us a Russian Easter parable (in Russian) as we ate.

It was exhausting – but well worth the shotgunning. I found that the Urban Eating League to be a creative way to bring sustainable eating and socializing under one auspice. And despite the silliness, these folks are passionate about sharing local foods. 

“I’ve participated in the event as an eater and chef,” said Rachel Caine, an ex-organic farmer and one of the hippies. “I love doing both actually. Being an eater is full of surprises – it’s really great to see people’s homes and meet new neighbors. But it’s been eye-opening to be able to feed 30 people with such a low budget.”

While the league has been limited to the Panhandle thus far, Johnson and Fitzgibbons say they are working towards expanding the event to other neighborhoods, and a wider group of participants. They are currently working with potential facilitators to stage Urban Eating League events in the Mission and Sunset.

The next Urban Eating League will take place on May 14. Sign ups take place on May 8 at the Divisadero farmer’s market, starting at 10 a.m. Visit www.wiggparty.org for more information

Our Weekly Picks: April 20-26

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WEDNESDAY 20

DANCE

“MOVE(MEN)T4”

The “MOVE(MEN)T” concerts plug into a men-only choreography tradition from the 1980s (although women do perform in them. Joe Landini revived the idea four years ago because the guys so clearly enjoyed the camaraderie that comes from working together. The artists for the second week’s program include Tim Rubel, who creates text-heavy pieces notable for their humor, and Honey McMoney and Kowal in what Landini calls “very queer” work. Jesse Bie has been dancing with and choreographing for Steamroller for more than 10 years while Michael Velez, a stunningly beautiful dancer, is a still-young choreographer. Todd McQuade is creating an installation in the basement; he will later perform it with Sasha Waltz and Guests in Berlin. (Rita Feliciano)

Wed/20-Thurs/21 8 p.m., $10-20

Garage

957 Howard, SF

(415) 518-1517

www.brownpapertickets.com

 

MUSIC

Dengue Fever

In trying to deal with the challenge Dengue Fever poses — singer Chhom Nimol belting out 1960s-style Cambodian pop played by L.A.-based musicians — critics have appealed to a unifying element: funk. Whether you’re Sharon Jones and the Dap-Kings, Antibalas Afrobeat Orchestra, or Dengue Fever, anachronism doesn’t matter, if you make the beat move. On its newest album, Cannibal Courtship, Dengue Fever twists the cultural novelty out of their lyrics, turning songs unexpectedly strange. (In the first track, Nimol shakes up the bored, hand-clapping back-up singers, transitioning from “you wouldn’t understand” to “be my sacrificial lamb.”) Funk is universal, and makes for a hell of a party. Just like LSD. (Ryan Prendiville)

With Maus Haus and DJ Felina

8 p.m., $22.50

Fillmore 

1850 Geary, SF

(415) 346-6000

www.livenation.com


THURSDAY 21

EVENT

“Salmon in the Trees”

What are fish doing up in the leafy branches of trees? The punch line (spoiler alert!) requires thinking web-of-life style. Salmon swim upstream from the ocean to spawn and then die, having successfully laid the next generation. In the process, some are hunted by hungry bears — among 50 other salmon-eating animals, including us — who consequently spread carcasses and salmon-fortified poop far and wide on the forest floor. Nutrients are absorbed, reaching the tops of even the oldest-growth trees. Learn about this phenomenon and more with award-winning conservation photographer and author Amy Gulick, who talks about her adventures documenting this wild interconnectivity in Alaska’s Tongass National Forest, one of the rarest ecosystems on the planet. (Kat Renz)

5:30 p.m., $20

Commonwealth Club

595 Market, SF

(415) 597-6700

www.commonwealthclub.org


PERFORMANCE

The Lily’s Revenge

What happens when a flower goes on a quest to become a man in order to wed his beloved bride? Or rather, what doesn’t happen, during this five-hour theater extravaganza in which playwright and burlesque performer Taylor Mac — along with dozens of local Bay Area artists — tackles love, marriage, and Prop. 8 using vaudeville, haiku, drag queens, ukuleles, feminist theories, dream ballets, and public dressing rooms, culminating in an interactive town hall. You heard right. Five hours. The first of three intermissions serves as a communal dinner, and wine and snacks are available for the long journey. Get ready for a spectacular adventure. (Julie Potter)

Through May 22

Tues-Sat 7 p.m.; Sun 2:30 p.m., $20-150

Magic Theatre

Fort Mason Center, SF

(415) 441-8822

www.magictheatre.org


FRIDAY 22

FILM

“John Waters’ Birthday Weekend”

John Samuel Waters was born April 22, 1946, which means he’s 65 today — but let’s hope one of America’s most daringly creative, bitingly hilarious, boundary-pushing filmmakers (not to mention authors, visual artists, and stand-up performers) has no intention of retiring anytime soon. The Castro pays tribute to “the Pope of Trash” with a quartet of essential early films (1972’s Pink Flamingos, 1974’s Female Trouble, 1981’s Polyester, and 1977’s Desperate Living), plus the (slightly) more mainstream 1994 Serial Mom and the movie that spawned the musical that spawned the movie musical, 1988’s Hairspray. True fiends will want to rush home post-weekend to watch all the movies not contained here, plus the DVD edition of 1981’s Mommie Dearest that contains Waters’ brilliant commentary, “Filth is my life!” (Cheryl Eddy)

Fri/22-Sun/24 $7.50-$10 

Castro Theatre

429 Castro, SF

(415) 621-6120

www.castrotheatre.com


MUSIC

Amon Amarth

Though they’ve been a band since 1992, the five burly Vikings in Sweden’s Amon Amarth didn’t really hit their stride for a decade. While headlining a U.S. tour in 2002, the quintet introduced stateside death metal maniacs to its untrammeled beards, overflowing, belt-mounted drinking horns, and soaring, harmonized riffs. With Oden on Our Side (2006) cemented the band’s status as standard bearers for the now-burgeoning Viking metal subgenre, partially on the strength of two hair-whipping music videos. New release Surtur Rising marks a historic chapter in the band’s career — one without headliners. This year’s “An Evening with Amon Amarth” tour features the band playing the new platter in its entirety, before launching into another set’s worth of old favorites. (Ben Richardson)

9 p.m., $22.50

Regency Ballroom

1300 Van Ness, SF

(415) 673-5716

www.theregencyballroom.com


DANCE

Bay Area National Dance Week

Free. Dance. Everywhere. Kicking off with the participatory “One Dance” in Union Square Plaza at noon today, Bay Area National Dance Week, presented by Dancers’ Group, encourages everyone to bust a move with classes, workshops, performances, and events across the region. Head to ODC Dance Commons for free classes from bhangra and ballet to the Rhythm and Motion dance workout. Impress your friends with new fire dancing skills learned at Temple of Poi. Or get close to your favorite performers during an open rehearsal. Whatever your style, be sure to enjoy some of the more than 400 events taking place as part of this dance celebration. (Potter)

Through May 1, free

Various Bay Area locations

(415) 920-9181

www.bayareandw.org

 

MUSIC

Questlove

From busking on the streets of Philadelphia in the late 1980s to a nightly gig on Late Night With Jimmy Fallon (with more than 12 albums in between), the Roots have never slowed down. It’s no blind guess that Ahmir Thompson, a.k.a. Questlove (a.k.a. ?uestlove), is a driving force behind its success (particularly if you’ve ever seen the look on his face when someone dropped the beat). A talented drummer with few peers, Questlove is the major reason the band is credited with not using recorded samples; he keeps them in his head and plays them with his hands. His deep knowledge of music, hip-hop, and beyond will be on display in an extensive four-hour DJ set. (Prendiville)

9 p.m., $20

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com


SATURDAY 23

EVENT

“Cycles of History: Ecological Tour”

Feel the shape of San Francisco imprinted on your ass during a four-hour bike tour pedaling through the ecological past and present of the city’s northern neighborhoods. Sponsored by Shaping San Francisco, a living archive of lost local history, the two-wheeled trip explores the nature currently occupied by the towers of downtown, the landfilled waterfront, and the Presidio’s culturally-constructed forest, among other buried treasures. The tour is one of several offered throughout the year on everything from dissent to cemeteries, organized and led by the excessively knowledgeable and accessible Chris Carlsson, one of San Francisco’s premier activists and visionaries. An afternoon that’s good for the brain and the butt. (Renz)

Noon, $15-$50 sliding scale

Meet at CounterPULSE

1310 Mission, SF

(415) 608-9035

www.shapingsf.org


TUESDAY 26

MUSIC

tUnE-YarDs

It should be clear by now, given that name, its punctuation, the previous album (BiRd-BrAiNs) and the new one (w h o k i l l), plus the cover art, that Merrill Garbus has a thing for collage. Without hearing the music, you see it’s going to be a strange assembly. Sure as hell isn’t going to fit set styles in any easy way. But. Oh, she put that there? Kind of works. And those clippings on top of that image? It’s actually a little inspired (the glitter in particular.) Is she one of these crazy bedroom producers? Would explain the uncanny intimacy. The live show should explain how she puts it all together. (Prendiville)

With Buke and Gass, Man/Miracle

8 p.m., $15

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com

 

FILM

Valley Girl

OK, so Nicolas Cage’s career of late has taken a strange turn. Bad Lieutenant: Port of Call New Orleans (2009) showed that under the right conditions, he can still contain his spiraling zaniness, but films like Season of the Witch, The Sorcerer’s Apprentice (2010), Knowing (2009), and Next (2007) — not to mention 2006’s remake of The Wicker Man — show that often he’d simply prefer not to. With Drive Angry 3-D and, Lord help us, an upcoming Ghost Rider (2007) sequel hinting that won’t be changing soon, take the time to revisit 1983’s Valley Girl, featuring a teenage Cage as a Hollywood demi-punk wooing adorable, mall-fixated Valley gal Deborah Foreman. The “I Melt With You” sequence is the gold standard for teen-dream falling-in-love montages; the dialogue, as always, remains totally tripendicular. (Eddy)

Tues/26-Weds/27 7:15 p.m., 9:25 p.m. (also April 27, 2 p.m.), $6-$10

Red Vic Movie House

1727 Haight, SF

(415) 668-3994

www.redvicmoviehouse.com


The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Beyond 420

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steve@sfbg.com

GREEN CITY When the clock or the calendar hits 420 — and particularly at that magical moment of 4:20 p.m. on April 20 — the air of Northern California fills with the fragrant smell of green buds being set ablaze. But this year, some longtime cannabis advocates are trying to focus the public’s attention on images other than stoners getting high.

“I hope the house of hemp will replace the six-foot-long burning joint as the symbol of 420,” says Steve DeAngelo, executive director of Harborside Health Center, an Oakland cannabis collective, and one of the organizers of an April 23 festival in Richmond dubbed Deep Green that offers an expanded view of cannabis culture.

In addition to big musical acts, guest speakers, and vendors covering just about every aspect of the cannabis industry, the event will feature a house made almost entirely of industrial hemp. That exhibit and many others will highlight the myriad environmental and economic benefits of legalizing hemp, as California Sen. Mark Leno has been trying to do for years, with his latest effort, SB676, The California Industrial Hemp Farming Act, clearing the Senate Agriculture Committee on a 5–1 vote April 5.

Public opinion polls show overwhelming support for ending the war on drugs, particularly as it pertains to socially benign substances like industrial hemp, a strain of cannabis that doesn’t share the psychoactive qualities of its intoxicating sister plants. Yet DeAngelo said that after 40 years of advocating for legalization, he’s learned to be patient because “unfortunately, our politicians are lagging behind public opinion.”

In San Francisco and many other cities, marijuana dispensaries have become a legitimate and important part of the business community (see “Marijuana goes mainstream,” 1/27/10), spawning offshoots like the edibles industry that provide more safe and effective ways of ingesting marijuana (see “Haute pot,” 1/25/11).

But the proof that the medical marijuana is about more than just getting people high also continues to grow, from the endless touching tales of cancer, AIDS, and other patients who have been saved from suffering by this wonder weed to the lengths that the industry is going to cultivate cannabidiol (CBD), a compound found in marijuana that doesn’t get people high but offers many other benefits, including acting as an antidepressant and antiinflammatory medicine.

CBD and tetrahydrocannabinol (THC), the main psychoactive compound in marijuana, generally have an inverse relationship in cannabis plants, so the efforts by generations’ worth of pot cultivators to breed strains with higher THC content have almost completely bred the CBD out of the plants. “In the underground markets, it didn’t have any value,” DeAngelo said.

When Harborside Health Center first started laboratory-testing marijuana many years ago, DeAngelo said that of 2,000 strains tested, only nine had “appreciable quantities of CBD.” In addition to efforts by Harborside and the San Francisco Patient and Resource Center (SPARC) to work with growers on bringing back CBD-heavy strains, modern scientific techniques are allowing CBD to be extracted from the strains that do exist.

“It’s not psychoactive, but let me tell you, it is mood-altering,” says Albert Coles, founder of CBD Sciences in Stinson Beach. “A lot of people, when they smoke pot go inward, but that often isn’t good for social interactions.”

His company makes laboratory-tested cannabis tinctures called Alta California that have been increasingly popular in San Francisco, offering three different varieties: high THC/low CBD, low THC/high CBD, and a 50-50 mix. “It’s good for creative thinking because it just clears out all the noise,” Coles said of CBD.

But even when talking about THC, many in the industry dispute the criticism that most marijuana use is merely recreational drug use. Vapor Room founder Martin Olive has said most pot use isn’t strictly medical or recreational, but a third category he calls “therapeutic,” people who smoke pot to help cope with the stress of modern life.

DeAngelo agrees, although he puts it slightly differently: “The vast majority of cannabis users use it for the purpose of wellness.” 

DEEP GREEN FESTIVAL Saturday, April 23. Performances by The Coup, Heavyweight Dub Champion, and more; speakers include pot cultivation columnist Ed Rosenthal, Steve DeAngelo, and business owner David Bronner. $20 advance/$30 door ($20 for bicyclists and carpoolers, $100 VIP).

Craneway Pavilion, 1414 Harbour Way South, Richmond. www.deepgreenfest.com

 

Why the Eagle is home

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Some people don’t fit in. Anybody who has walked in the margins for any period of time gets this. And anybody who gets this, honestly, understands that within the margins of the outsider, there are narrower margins to inhabit. If you came to San Francisco, or the Bay Area, as an outsider’s outsider, you may have found a home of sorts at the Eagle Tavern.

I came to San Francisco a long time ago. I came out, I did my time in the Castro. I migrated out of there as I migrated out of my 20s and wound up hanging in the SoMa bars, where I felt more comfortable and had more in common with the men who frequented them. The scene down there was edgier for sure, maybe outright crazy at times, but at least it seemed a little more down to earth. The people were interesting and fun. Artists, musicians, addicts, hustlers, drag queens. Home.

Beyond my identity as a queer man, I’ve also worked as a musician for the last three or so decades. I’ve had a reasonable amount of mainstream success. But I also do a lot of smaller projects, which don’t always make me money but are in many ways what I live and breathe for.

About 10 years ago, one of my musical brothers in arms, Doug Hilsinger, who is the talent booker at the Eagle, asked my to play with the Cinnamon Girls, his Neil Young tribute … The catch, well you gotta wear a dress. In fact, well, you get to have a couple of drinks and rock out LOUD (really loud) and play Neil songs … and we do, and if you’ve heard us, you know we do it right, and we do it well. It’s shambolic, drunken, and artful. Awesome fun, the art of the bar band, a stage to play on and an audience to listen.

Do a little cultural deconstruction here: a band of straight and gay musicians get together and play Neil Young songs at a leather bar in San Francisco, simply for fun, to a mixed audience (the Eagle is notoriously mixed straight and gay on music nights). I believe you call this cultural cross-pollination, when groups of people who might not anticipate socializing do so by accident and create some unanticipated unity. It’s not at a scripted event, but it is part of the day-to-day workings of the Eagle Tavern in San Francisco. Could you please tell me, if you happen to know, if there is any other place on the planet (seriously) where something like this happens? People throw around phrases like “unique San Francisco institution” a little to easily sometimes. THIS is the real deal.

And this is, by the way, one of about 100 plus events that may happen at the Eagle in any given year. What else may happen? AIDS fundraisers, political rallies (I’ve seen no fewer than five city supervisors and two state senators plying the crowd at the Sunday beer bust). Hilsinger’s regular Thursday night indie music night has seen a host of great and notable artists for a decade, offering a venue to people who might otherwise have a hard time finding a stage. I’ve been to memorials and wakes there. My partner Troy and I had our reception for our illegal San Francisco gay marriage at the Eagle back in 2004.

The Eagle isn’t really as much a bar as it is an oddball equivalent of the old school public house, the bar that also has become a community center. Add to all of this a history of more than 30 years, far enough back to when leather was really the outsider community within the community, old enough to have lost a lot of clientele and fought hard to stay in business during the AIDS crisis. Old enough to have weathered the shifting demographic of SoMa during the dot-com and Web 2.0 economic tidal shifts. That’s called institutional endurance, and its rare. You can ask any bar owner or restaurant owner about this.

The Eagle Tavern, for all of these reasons and many more, is culturally significant in this town. Should it close so that an owner (who doesn’t live in town and who has shown callously that he doesn’t give a damn about the community) can “clean it up” and make, presumably, a straight bar that caters to the bridge-and-tunnel scene (or even a new, trendy gay bar focused on younger clientele), we as a city are going to lose something that simply cannot be replaced.

Victor Krummenacher is a musician and designer.

 

Gascon’s futility

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news@sfbg.com

If the April 12, 2011 breakfast meet-and-greet featuring appointed District Attorney George Gascón at a West Portal Avenue eatery constitutes a barometer of the campaign for that important public office, San Franciscans are in for a tepid exercise in municipal futility.

Sponsored by a prolific campaign contributor and restaurant owner, a Board of Permit Appeals appointee of former Mayor Gavin Newsom, and the owner of a new public relations/lobbying firm just awarded the $100,000 dollar public relations contract for Muni, the event attracted some 20 people, including Gascón’s campaign manager and fundraiser, and consisted of a stereotypical candidate presentation and a meager number of audience questions.

Revealing he’s “intrigued” by a chief of police becoming the District Attorney, Gascón described a Saturday afternoon meeting in early January with Newsom supposedly about the transition in local law enforcement arising from relinquishment of the DA’s office by the prior officeholder. According to Gascón, he was “really surprised” when Newsom declared he wanted to appoint him to the office — but Gascón had to accept the offer by 5 p.m. (Not a word did he provide his breakfast audience about Willie Brown-Rose Pak’s participation in promulgating the Newsom offer).

After claiming he “got some very good results” in his first year as police chief, Gascón recited the need for “separation” between his role as former chief and execution of prosecutorial duties. But he failed to specify, even by example, cases in which he has or will recuse himself from prosecuting in favor of the state’s attorney general — at added taxpayer cost, to be sure! (The Attorney General’s Office institutionally lacks trained criminal trial lawyers; the office responsibility pertains to defending the people in appeals from criminal trial court convictions.)

Asserting that the D.A.’s office is “understaffed and underfunded,” the political appointee then tried to describe the three sections of responsibility within the office, concentrating on so-called community courts for “low-level offenses” and “diversion courts.”

He referred to a section for “justice integrity” without defining its nature or scope. He proclaimed as novelty ” a pre-preliminary hearing” proceeding to resolve charges by “offers” for defendants pleading no contest or guilty to lesser crimes, an existing standard practice in Superior Court.

Audience questions involved the mentally ill, capital offenses, the Mental Health Court, domestic violence, and prosecution problems caused by a flawed drug laboratory, search and seizure police errors, and the like. Gascón conveyed his personal “misgivings about the death penalty,” asserted that 60 percent of Death Row prisoners are “minorities,” reminded listeners the death penalty is California law and must be followed and concluded: “I can’t say categorically I’d never seek the death penalty.” (There are currently seven cases in the District Attorney’s Office that qualify for capital punishment.)

Gascón finally stated he “is not a fan of” so-called consent searches and that he has established a 24-hour search warrant office capability for police — and he spoke of an unexplained relationship with Public Defender Jeff Adachi, who has criticized several warrantless Police Department searches.

Strikingly absent from the Gascón dissertation was any reference to attacking public corruption of the genre disclosed by the Guardian and many other sources. One also wonders whether punishment represents an object of this prosecutor’s office or whether social outcomes represent the dominant goal.

Never mentioned was the Special Prosecution Unit of the office (which once handled corruption cases), whether it still exists or, if so, what its current mission is. Never mentioned was the method of selecting judges for his proposed Community Courts.

And, as John Shanley, one-time spokesman for ex-District Attorney Terence Hallinan and a former deputy city attorney observes: “Anybody who thinks public corruption ended in San Francisco with the disgraced Ed Jew needs to reduce their dosage of medicinal marijuana.”

Lacking any questions or information on the candidate’s trial experience, prosecutorial successes, or experience as a lawyer, we still don’t know much about political appointee D.A. Gascón after one West Portal meet and greet.

Retired Superior Court Judge Quentin Kopp — a former San Francisco supervisor and state senator — has been engaged as a special correspondent for the Guardian covering selected political events and issues.

 

Leathered looks: Fashion takes at International Ms. Leather

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The four-day celebration of leatherwomen has come to a shiny, exhausted, possibly bruised, and blushing close. The 2011 International Ms Leather title was awarded to New York’s Sara Vibes Saturday night and she proudly accepted her glorious hide-sash with a naughty grin. Vibe and fellow contestants looked stunning in an array of leather accessories throughout the pageant, but intermission exposed an entire audience of notable leather-bound fashion from hat to boot.

Super-tight leather pants, bare-asses ‘n’ chaps, vests, and corsets are obvious go-tos for any leather event, but this crowd ventured into capes, hats, full dresses, flowing skirts, multiple belts, and bracelets. Leather dominated the fabric scene, replacing the usual cotton-poly blends and turning a t-shirt shape into an erotic instigator. I didn’t see any leather stockings — practicality is still valid, especially when the after party is taking place in a designated ‘play room.’ 

This slideshow is only a minor glimpse, mostly some notable lady leathers. Check out Leatherati’s photos of the event and shots of the actual contest. 

 

Anti nuclear movement gears up

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  The ongoing battle to stop Pacific Gas and Electric Co. from renewing its license to operate the Diablo Canyon nuclear plant continued April 14th as part of a nationwide antinuclear campaign. In the wake of the disaster at Japan’s Fukushima nuclear facility, activists around the country are calling on the California Public Utilities Commission and the U.S. Nuclear Regulatory Commission to cease issuing license renewals.

A demonstration of about four dozen lively activists on the steps of the CPUC office across from City Hall followed a public hearing at which more than 30 speakers expressed concern about the presence of nukes in California.   “This is basically an introduction event,” Jason Ahmadi, an Oakland resident and member of the April Action Committee, the group that organized the protest, told the Guardian. “We came out today to make the statement to shut down nuclear facilities.”  

“The PUC acts as an interface between the industry and residents,” Jan Lundberg, oil analyst and founder of the nonprofit Culture Change, said. “The system is out of control. We are trying to keep the truth about nuclear power out there.”   The truth, Lundberg, who spoke in front of the CPUC, includes the irresponsibility of plants creating radioactive waste that will be toxic for thousands of years — and the risk factors associated with generating nuclear power and maintaining nuclear facilities.  

“I do not approve of nuclear power,” he said. “It’s my planet too. There is a vast overabundance of energy in California. We need to conserve. We need to share.”  

Activists also presented arguments in favor of phasing out nuclear power in California at the Senate Energy Committee in Sacramento today.  

On another anti-nuclear front, close to 45 organizations filed a petition challenging the way the NRC conducts business. NRC officials are required to respond to the petition, according to Jane Swanson, spokesperson for the San Luis Obispo-based Mothers For Peace spokesperson. The petition calls for the suspension of six existing reactor license renewal decisions, including Diablo Canyon as well as permit decisions for 21 proposed nuclear reactor projects in 15 states, according to a Physicians for Social Responsibility news release.  

Swanson told us she thinks it’s possible that the NRC will suspend nuclear licenses. “I don’t think this many groups would be working so hard these last few days without a strong possibility of it happening,” Swanson said   

“There is precedent. Lessons have been learned,” she said. The historical precedent Swanson mentioned was a review of all U.S. nuclear facilities after the Three Mile Island accident in 1979, a review that triggered the NRC to suspend all licensing decisions of nukes at that time.  

Currently, Mothers for Peace is suing the NRC and PG&E to require seismic studies of earthquake faults around the plant that have only been recently discovered before PG&E’s license is renewed.   PG&E requested in a letter to the NRC on April 10 that the commission delay the final processing of the application to renew its license, which would keep DCPP operating until 2045, until 3-D seismic studies— studies the CPUC approved funding for in August of last year— were completed.   In response to the company’s attempt to assuage the public’s concern over Diablo Canyon’s long-term safety Swanson said, “PG&E is not really interested in working with anyone, they only care about profits.”  

Mothers for Peace will hold a rally in opposition of license renewal on April 16, in Avila Beach adjacent to the DCPP in San Luis Obispo.

Hot sexy events: April 13-19

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Where better to talk dirty than on the techno-verse? Nowhere, that’s where. Our fave SF sex blogger – c’mon, besides ourselves — Fleur De Lis SF makes an appearance at this used-to-be (before it expanded it occasional East Bay nights) monthly storytelling event, as does Reid Mihalko, a sexpert who has made appearances on Tyra Banks’ TV show, in addition to other seemingly unlikely places for a perv like him. Hot tip: Fleur De Lis just wrote about how Mihalko ahem, enjoyed meeting her the other day at Monika Thomas’ Sex Geek Potluck – knowing these two, could a round two be far behind? 

Bawdy Storytelling: Taking Dirty and Technology

It’s shocking how often people use the Internet these days for things that don’t involve sex. Well, not these folks. This month’s Bawdy has assembled a top shelf lineup of pervs, including Allison Moon, creator of Burning Man’s home for queer women, Camp Beaverton, and as-of-recently author of a new lesbian werewolf novel. Everyone will be talking about how they’ve used technology to get super viral. Sexting during the event encouraged.  

Weds/13 8 p.m., $10

The Blue Macaw

2565 Mission, SF

www.bawdystorytelling.com


“Advanced CBT: Ready for the Ride?”

EMS/TENS-type electrical stimulation, cock and ball bondage, how to torture and tease your partner – who is ready for a walk on the wild side? Surely, that would be the attendees of this workshop, led by Gabriele Hoff, who has interviewed over 1200 couples and individuals for her research into the topic. 

Weds/13 6-8 p.m., $20-25

Good Vibrations

1620 Polk, SF

(415) 345-0500

www.goodvibes.com 


Eddie Dane memorial

Good night, sweet clown. Eddie Dane was a lot of things to a lot of people in the burlesque community, but a bummer to mourn – never! Help the tassel-twirlers say goodbye to one of the country’s great Burly Q troupe leaders at this free memorial burlesque revue, why don’t you?

Thurs/14 8 p.m., free

DNA Lounge

375 11th St., SF

(415) 626-1409

www.hubbahubbarevue.com


International Ms. Leather 25th Anniversary weekend

So very much for leatherwomen going on this weekend! The International Ms. Leather celebration hits town on Thursday, and if speed tricking, uniform parties, and of course, the yearly competitions for Ms. Leather and Ms. Bootblack are up your alley, you’d be best served by getting down that of this weekend-long celebration of women in hides. 

Thurs/14-Sun/17, $25-155

www.imsl.org


Kinky Salon: Prohibition

You know what wasn’t outlawed during Prohibition? That’s right, ukuleles. So dance I say, to the organic pluckings of Five Cent Coffee, just one of the live music and performances acts that will be going on at Kinky Salon – while a building full of new friends have sex all around you. Kazoo orgy? 

Sat/16 10 p.m.-late, $25-35 members only

Mission Control 

www.missioncontrolsf.org


“Let’s Talk About Sex”

Lee Harrington thinks you – yes you! – deserve to live the sex life of your dreams. To that end, he’s holding this frank discussion about what turns us all on when no one is looking. It’s all about airing your dirty laundry, and feeling good about it. Are you in?

Tues/19 7:30 p.m., $15-25 sliding scale

Center for Sex and Culture

1349 Mission, SF

(415) 552-7399

www.sexandculture.org