Event

Web Wares: Shopseen on the scene

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In her new weekly feature, writer Mayka Mei profiles Bay Area-based fashion Web sites.

Social network newcomer Shopseen only went live publicly this winter, but it already has big plans to revive physical traffic in local boutiques.

A product of Oakland-based Proletarian Design, the concept of Shopseen came to CEO/Founder Adeel Ahmad in late 2007. Although it doesn’t seem likely that a hardware engineer would dream up the idea of a site devoted to shopping, Ahmad’s passion for photography and fashion designer wife (fellow Canada native Sarah Zins) probably had something to do with his move into social media.

Even before he got his iPhone 3G, the upswing of cameraphones and geotagging technology appealed to Ahmad for what they could potentially do for the appreciation (if not accumulation) of materialistic goods.

“Why don’t we use our phones to be a kind of citizen fashion reporter?” he asked. The capability was there, Ahmad just had to build it.

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Customer crowdsourcing: Users vote on new product and event finds that they share amongst themselves.

Dueling rallies pit “public safety” against “safety net”

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By Rebecca Bowe

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Mayor Gavin Newsom joined the city’s police, fire and sheriff departments yesterday afternoon in protesting the Board of Supervisors’ move to slash funding to those departments in order to restore cuts to critical services that the mayor had included in his interim budget.

In essence, the mayor was sending a very divisive message, pitting one set of city employees against another. Because just a few yards away from Newsom’s rally, health and human service employees were holding an event of their own.

Standing upon a stage equipped with a very loud sound system and decorated with American flags, Newsom praised police and firefighters for being willing to step up and be part of the solution to the budget crisis. He was greeted warmly by cheering and drumming, and before they introduced him they blasted a song with the lyrics “A family affair.”

Across the street, public-health workers were joined by Sup. John Avalos in their own rally against the deep cuts to the department of public health. “All we’re asking is to give a little so that we can share the pain of this deficit,” Avalos said.

Is there hope?

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steve@sfbg.com

GREEN CITY They agree global warming is happening, that it’s caused by the overuse of carbon-based fuels, that its impact on the planet and its myriad life forms will be devastating, and that Congress is failing to properly address the crisis. But the environmentalist and the oil executive disagreed about the most important issue: whether there’s any hope of saving the planet from the worst impacts of climate change.

Chevron CEO David O’Reilly and Sierra Club executive director Carl Pope squared off June 10 at the Hotel Nikko ballroom in San Francisco for a truly historic Commonwealth Club event titled "Drilling for Common Ground." And they did find some, including agreeing publicly to jointly lobby Congress for an energy policy that more quickly phases out coal, the worst of the fossil fuels.

But the more telling exchanges between these two giants highlighted a fundamental disagreement: can we do something about this, or are we simply fucked? And by fucked, I mean doomed to simply accept official predictions of rising seas creating a billion refugees by 2050, the extinction of a million plant and animal species, severe water shortages in California and many other regions, and an unpredictably unstable new world ravaged by severe weather and exotic diseases.

To avoid much of that (but not all — it’s already too late for that), Pope said the scientific community consensus is that we need to stop all coal burning by 2030 (unless emissions can be sequestered, which isn’t technologically possible yet) and reduce our consumption of oil and other carbon-based fuels by 90 percent by the year 2050. "You can’t meet the targets any other way," Pope said.

And he thinks that meeting those targets is not only possible, but it would help the U.S. economy. "The rapid changes in the telecommunications field were good for the economy, and a similar change in the energy field would be good for the economy," Pope said. "We have lots of options if we start moving like it’s a crisis."

But O’Reilly doesn’t think that’s possible. "Even with the best of intentions, we’re only going to get part of the way there," O’Reilly said, quickly adding, "I think we’ll be lucky if we can get 20 to 25 percent by 2050."

At a press conference after the forum, I asked the two men about the implications of only reducing our fossil fuel consumption by 20 percent. Pope cited impacts ranging from "Florida will be a lot smaller" to severe water rationing in San Francisco. "It’s not an acceptable risk to take," he said. O’Reilly didn’t disagree, but he avoided specifics, saying, "I do fear that we have to plan for some adaptations."

It was a remarkable admission, one that most media coverage buried far beneath angles focusing on the common ground they found. But if the oil industry isn’t willing to diligently address the crisis — or worse, if it hinders political efforts to do so, as it has done for decades — does it really matter that it acknowledge the problem?

That core conflict created the sharpest exchange of the forum. "This is the 21st century. We can move much faster than we ever have before," Pope said.

"Well, if you can get the government to move faster, good luck," O’Reilly replied.

"It would help if you would get out of the way," Pope retorted.

Indeed, it is aggressive lobbying by Chevron and its industry trade group, the American Petroleum Institute, that created the energy situation that O’Reilly now finds so intractable. But Pope said he’s happy to work with O’Reilly on policies that support their areas of agreement, which even includes instituting a carbon tax.

Their clash didn’t just focus on global warming; it also focused on the oil industry’s wanton exploitation of people and ecosystems around the world, from propping up despotic regimes and sponsoring human rights abuses in oil-rich countries to leaving toxic messes in Ecuador and elsewhere.

Pope called for the oil industry to set aside 10 percent of its profits to create a global trust fund for dealing with its impacts and for international operating and cleanup standards that would prevent oil companies from exploiting weak or corrupt governments. "Chevron has to come to the table with the global community." Pope said.

O’Reilly never responded directly to the suggestion.

Wild Thing!

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This year’s Frameline — a.k.a. the San Francisco International LGBT Film Festival — is one of the strongest in the event’s 33-year history. The Frameline Award, annually handed over to someone “who has made a significant contribution to lesbian/gay/bi/transgender film,” is being bestowed on George and Mike Kuchar, who in addition to meeting the criteria noted above, have also made significant contributions to filmmaking in general, and San Francisco filmmaking in particular. The Kuchar kudos mesh well with Frameline’s focus on 60s and 70s-themed films, including Guardian cover boy Joe Dallesandro (profiled in the doc Little Joe). Our coverage also includes a look at a long-awaited local project, Cary Cronenwett’s Eisenstein-inspired, transgender-populated Maggots and Men; nostalgic edu-tainment kid pic Free to Be … You And Me; and short takes on festival films, including Centerpiece selections Patrik, Age 1.5 and Prodigal Sons. (Cheryl Eddy)

The 33rd San Francisco International LGBT Film Festival runs June 18–28 at the Castro, 429 Castro, SF; Roxie, 3117 16th St., SF; Victoria, 2961 16th St, SF; and Rialto Cinemas Elmwood, 2966 College, Berk. Tickets (most shows $8–$10) are available at www.frameline.org

>>Hello sailor
Cary Cronenwett’s Maggots and Men (re)stages a revolution
By Matt Sussman

>>Kucharmania!
It Came from Kuchar is a splash of foam within a whirling cinematic cesspool
By Johnny Ray Huston


>>The man from camp
Movie maker Gary Gregerson likes guys with chaka hair
By Johnny Ray Huston

>>The man from camp
Little Joe reveals the real Joe Dallesandro — plus: a special appreciation
By Louis Peitzman and Johnny Ray Huston

>>When we grow up
’70s relic Free to Be … You and Me still resonates
By Dennis Harvey

>>Quickies
Our short, opinionated takes on several featured Frameline flicks

Planetary Dance

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PREVIEW By now the Planetary Dance, Marin County’s annual solstice celebration, has become a joyous, all-day event that starts at sunrise — for early trekkers — on top of Mount Tamalpais and ends, after the main event at Santos Meadow in Mount Tamalpais State Park, at a sunset fire at Muir Beach. The idea is to use communal dance as way of healing the earth, a concept and practice as old as humankind. Some hardy souls, event instigator Anna Halprin among them, have been participating since the beginning, 29 years ago. They are now bringing their children and grandchildren. Others drop in for a few years, then drift away. It’s worthwhile remembering that the event came out of a tragedy when, in the late ’70s, Mount Tam had to be closed because of ongoing murders of young women. Halprin and some friends wanted to take back the park and walked the very trails where the crimes had been committed. A few days later, the perp was caught. Coincidence — or did those simple meditative gestures result in healing the place? Either way, the event developed out of those tragedies by Halprin, its shaman, is inviting, simple, powerful, and beautiful. At the heart lies the three-part "Earth Run," which has been (accurately) described as a "moving mandala." No dance experience is required, and you can come and go as you like.

PLANETARY DANCE Sat/20, 11 a.m. $10–$20 donation (no one turned away for lack of funds).

Santos Meadow, Mount Tamalpais State Park, Mill Valley. www.planetarydance.org

Bicycle Music Festival

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GATHERING Is it any surprise that the city responsible for Critical Mass would also have birthed the country’s largest 100 percent pedal-powered musical festival? We didn’t think so. Since 2007, a group of volunteers have been hosting this multi-location celebration of bikes, music, and sustainable culture — and we expect this year’s to be bigger than ever, with musical participants like Cello Joe, Manicato, Sean Hayes, and many more. The day starts early at 935 York St. for a Critical Mass-style bike parade (complete with a 2,000-watt pedal-powered PA system, of course) to Golden Gate Park’s Marx Meadow, where bands will play on the bike-powered, bike-hauled stage. Another cruise takes revelers to Dolores Park for a series of live shows starting at 3 p.m. The event officially concludes with another set of concerts — including the fantastically entertaining Tornado Rider (think cello metal) — at 8:45 p.m. But we’re pretty sure that after all the riding and playing, the city’s bike aficionados aren’t going to call it a night — so drivers, beware! And bikers, game on!

BICYCLE MUSIC FESTIVAL Sat/20, 8 a.m. Free. 935 York, SF. (415) 572-9625. bicyclemusicfestival.com

The Monk’s Kettle: A “destination” beer tour for the refined yet unpretentious

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By Susan White

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If you’re looking for a classy way to get drunk in the middle of the week – sans the extravagant snobbery of the Marina – you might want to try partaking in one of the Monk’s Kettle’s beer-pairing dinners, now held the first Wednesday of every month.

The Monk’s Kettle is a craft-beer bar located near 16th and Valencia, smack in the middle of our city’s bustling Mission District. Unlike typical gastropubs, this one prides itself on its slightly upscale atmosphere and unique variety of brews (over 150 on its constantly rotating menu, not including the 24 they keep on tap at all times). Yet this tavern doesn’t harbor an exclusive or imposing attitude. According to co-founder Christian Albertson, who opened the establishment in 2007, the Monk’s Kettle merely seeks to “educate” its consumers on the extensive world of beer, providing a friendly and relaxed environment in which to do so. Each of its staff members are trained to recommend brews based on individuals’ tastes, and each course on the menu is listed with suggested beer pairings to go with it. Combining food and beer seems to be a tradition the founders have upheld from inception – only now have they decided to make it an official event.

On June 3, the Monk’s Kettle offered a five-course beer dinner featuring Deschutes Brewery of Oregon, whose representatives were there to host the event. Guests were required to pay a steep cover charge of 80 dollars per person and make reservations in advance (well in advance – according to Albertson, their beer-pairing dinners are now “booked until next April”).

Harmony Festival: Having your CAKE and eating it too

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By Molly Freedenberg

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Skaters dropped three stories before hitting this 18-foot vert ramp in the Rude Boyz Eco Cup Zone. Photo from the Harmony Festival blog.

Like most of us, I had a hippie phase. I wore Birkenstocks. I lived on a commune … ahem … in an intentional community. And I frequented festivals that featured jam bands and booths full of rasta-colored beanies. Then I graduated from college.

Some of my other interests and habits from high school remain with me: punk rock, cigarettes, skater boys. But my interest in festivals like last weekend’s Harmony went the way of baggy jeans, ankh necklaces, and smoking pot. That is, simply, it went away. Until now.

This year, the annual Santa Rosa event expanded its usual granola-and-glow-sticks offerings (no offense to those of you who went for Michael Franti or The Orb) to include punk bands and a skate park. Be still my 16-year-old heart … Dead Kennedys? Thirty-year-old men in low-slung shorts who dedicate their lives to a wooden stick with four wheels? I had to go. Plus, Cake – one of my all-time favorite bands – was headlining Friday night.

‘Won’t You Stay?’: A peek behind the curtain

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By Rebecca Bowe

One of the first-ever showings of Adam Chanzit’s Won’t You Stay?, a work in progress, was held at the Ashby Stage on June 8 before a full audience.

The play poses questions about the consequences of extreme idealism by chronicling the lives of three college students as they transition to adulthood in New York City. Jacob, the protagonist, initially comes off as a workaholic entrepreneur who likens his ambition to a Jaguar speeding through the fast lane. He undergoes a transformation after having a profound experience in Siberia that is never fully articulated, but evoked bit by bit through monologues and original music. As time goes on, Jacob becomes increasingly obsessed with aiding people in need — but his frantic quest to end suffering is accompanied by his own descent into mental illness. His precarious path on the edge is contrasted with that of his girlfriend, Alice, and his best friend, Noel, whose own lives follow a more familiar progression from free-spirited college kids to conventional urban professionals.

Chanzit, whose plays have been produced in New York, Los Angeles, New Haven and Denver in addition to the Bay Area, says he felt it was important to solicit feedback not just from people involved with theater, but college and graduate students, people working in the mental-health sector and others. While many staged readings are closed to all but a few select colleagues, invitations to this event were targeted to reflect a much wider community.

After the 90-minute performance, Chanzit, director Mina Morita and producer Shane Boris opened up a dialogue with audience members, and an in-depth conversation ensued that touched on everything from interventions for people suffering from mental illness, to nostalgia for the idealism that was exhibited in the 1960s, to reflections on transformational experiences while traveling. “Having a larger and more diverse audience gives you more input into how the performance is working,” Chanzit says. And for the audience, events such as this offer a rare peek behind the curtain: “There’s something exciting about watching a play in development.”

Appetite: Hot pastrami, Little Feat, Omnivore books, Mizuna salad, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Nice pastrami! Katz comes to the Great American Food Fest

EVENTS

6/13 – Great American Food & Music Fest at Shoreline (Bobby Flay, Guy Fieri, Little Feat and food from around the country)
I’m already saving room in my stomach for a rare chance to roam the country in one day of eating! Sure, it’s down at Shoreline Amphitheatre, but this is a fun one, y’all: The Great American Food and Music Fest is a gorge and feed feast featuring sentimental, all-American food favorites, with performances from the likes of Little Feat, Big Bad Voodoo Daddy and Marshall Crenshaw.

Yes, on the food front, we have some of our best in the mix:
Incanto’s (one of my top restaurants anywhere) chef and offal master, Chris Consentino, prepares homemade hot dogs
– Chuck Siegel, founder of Charles Chocolates, creates chocolate truffles
– June Taylor, of June Taylor Jams, makes her signature strawberry jam
Boulevard’s Nancy Oakes gives us crab cakes
– Bruce Aidells, of Aidells’ Sausages, brings on the pork
A16’s Nate Appleman cooks up a surprise
– Burger Meister and Bouchon Bakery serve their treats
– A “Best of Bay Area” showcase features local cheeses, meats, breads, chocolates, cherries, peaches, tomatoes
– West Coast wine tastings are curated by Best Cellars’ Josh Wesson and Gary Vaynerchuck, host of Wine Library TV

Take a deep breath. That’s just the Bay Area contingency.

None other than Bobby Flay is the event host, preparing his take on American staples: burgers, fries, milkshakes and, hooray, some Mesa Grill specialties, too. He’s judging a Burger Contest (starts at 4:45pm, with judging at 5:30), with SF’s Best Burger competitors being Mo’s, Burger Bistro, BurgerMeister and Pearl’s (like ’em all, but have to admit, I’m rooting for Pearl’s!) Other Food Network stars/guests are Guy Fieri (Diners, Drive-ins and Dives), Anne Burrell (Secrets of a Restaurant Chef; Mario Batali’s former chief lieutenant on Iron Chef), and Aida Mollenkamp (Ask Aida).

And, finally, the part I’m probably most excited about is eating from some our nation’s best all-American food joints, especially the ones I’m homesick for from NY (Junior’s cheesecake, here I come!): Katz’s Deli (NY), Pink’s Hot Dogs (LA), Barney Greengrass (NYC), Graeter’s Ice Cream (Cincinnati), Southside Market & Barbecue (Texas), Anchor Bar (Buffalo, NY; inventor of Buffalo wings), Junior’s (cheesecake; Brooklyn), Zingerman’s Deli (Michigan), and Tony Luke’s (cheesesteaks; Philadelphia).

Bring the pepto… it’ll be worth it.
June 13, noon-10pm
$35 (including first plate of food); kids under 6 free
For ticket info, visit: www.greatamericanfoodandmusicfest.com

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Onmivore Books

6/11 – Nate Appleman, Chris Cosentino, and Traci des Jardins descend on Omnivore Books
I adore Noe Valley’s Omnivore Books – not only is it in my ‘hood and a bright, charming bookstore worthy of lingering, but the selection of new and used books on all things food and drink, from M.F.K. Fisher first editions (!) to Prohibition era cocktail recipe books, make it a rare and exciting place. They keep the calendar full with weekly visits from a "who’s who" in the food world, writers, chefs, sommeliers, brewers and the like. Check out Thursday’s line-up: Nate Appleman (A16; this year’s James Beard Rising Star Chef winner), Chris Cosentino (Incanto, Iron Chef America), and Traci des Jardins (Jardiniere), who’ll discuss the state of restaurants and cooking in our current climate. If you haven’t signed up for Omnivore’s email newsletter, what are you waiting for? You know you want to cram into a cozy bookstore with Alice Waters, Joyce Goldstein, and the aforementioned threesome!
6-7pm, free
3885A Ceasar Chavez Street
415-282-4712
www.omnivorebooks.com

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NEW MARIN OPENING

Lark Creek Inn re-opens as Tavern at Lark Creek
Larkspur’s shining jewel is Lark Creek Inn, a gorgeous yellow and white 1880’s Victorian where the classic restaurant resided for 20 years. In keeping with the economy, the inn closed some months ago to make way for a more affordable, casual Tavern at Lark Creek, which debuted June 4th. Open nightly, with brunch on Sundays, the new menu has nothing over $15, a kindly move, especially when you’re getting the likes of Devil’s Gulch Ranch rabbit terrine, Mizuna salad with Medjool dates, Pt. Reyes Blue Cheese, almonds and rhubarb, or a veggie or beef Tavern burger (for only $7.95, plus add-ons, like Hobbs’ bacon). Bar bites (like Ratatouille stuffed egg) are a mere $2.25-$5.95. As is common these days, beer and wine aren’t the only drinks on the menu. Classic cocktails feature prominently, as do new creations like Tavern Cobbler: Maker’s Mark bourbon, maraschino, simple syrup, strawberries, orange. In a Victorian under giant, soothing trees, it sounds like an idyllic gastropub experience.
234 Magnolia Avenue, Larkspur
415-924-7766
www.tavernatlarkcreek.com

Pink Saturday is on

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By Megan Rawlins
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Photo of Pink Saturday by Kevin Goebel

After weeks of debates about its fate, Pink Saturday is on for Saturday, June 27. Late last week, an agreement was reached between the Sisters of Perpetual Indulgence, who host the event, and city officials.

In the end, as always, it comes down to money. The city argued it couldn’t afford to foot the bill for the police officers needed to patrol the event. Unlike many other events in the city that are required to pay for all costs associated with policing them, Sgt. Mark Solomon of San Francisco Police Department’s field operations unit said the city will again “absorb” the cost of the officers. Pink Saturday is one of just a handful of longtime events that were grandfathered in before “full cost recovery” became the official city policy.

The new agreement reduced the number of beer stations from eight to five, easing some of the demand – and thus cost – on the PD. Beer stations are new to Pink Saturday and are an attempt by the Sisters to raise more money from the event. Much of the money raised is given to non-profit organizations that support the LGBT community.

It was the initial addition of beer stations that got the permitting process all snarled up. “When you shift from non-alcohol to alcohol event, the whole equation changes,” Solomon said. But the final answer remains the same: We’ll see you in the Castro on the 27th.

Best Sunday Streets ever

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By Steven T. Jones
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The streets of the Mission District came alive for a few hours yesterday, transformed into vibrant public spaces filled with bicyclists, children, skaters, dancers, walkers, yoginis, and neighborhood residents and merchants – pretty much everything except the motorists that usually dominate the roadways.

The occasion was Sunday Streets, the car-free events created by a partnership of progressive groups and the Mayor’s Office. And this was by far the best of the five Sunday Streets events that San Francisco has staged, mostly because it was in a dense, lively neighborhood rather than along the sterile Embarcadero where previous events have been.

Mission dwellers used the occasion to haul out barbecues or sound systems, to set up garage sales or lemonade stands, or simply to sit on their porches or driveways and enjoy the street life. “Aren’t you my neighbor? Hello, good to see you again,” a friendly young hipster on a bike said to an older Latina at one point, a warm exchange that seemed emblematic of the event’s community-building potential.

Underground fire shuts down Bowie Ball at Great American Music Hall

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By Kimberly Chun

This in from the folks at Great American Music Hall – so put those “Jean Genie” moves in the hopper till August. (And boy, I’m curious about how often these underground electrical vault fires happen! The answer: The last one was in 2005, according to the local CBS affiliate.)

“Unfortunately, tonight’s BOWIE BALL at GAMH has been CANCELLED due to an underground electrical vault fire on Polk & O’Farrell St. We sincerely apologize for the inconvenience – bummer!!!

“HOWEVER, we are glad to report that the date is rescheduled for Friday, August 14 – original tickets will be honored (or refunds are available at place of purchase until 2pm on Aug. 14).

“This event will be super fun, so please come down on Aug. 14 and show your support! This is our chance to celebrate EVERYTHING Bowie. All in one night. (Tix at www.gamhtickets.com or in person at Slim’s or GAMH M-F 10:30-6.)”

Gold Club: Anniversary party shiny but not new

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By Molly Freedenberg

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Gold Club’s Website cover girl knows what you want (what you really, really want).

It all started with this:

Are you into booze???

What about food??

How do you feel about boobies, then??

Gold Club’s giving ’em all away next Thursday evening…

That was the email from a friend whose expertise – besides playing Magic, drawing octopi, and arguing with me about why Macs aren’t better than PCs – is finding free shit to do. This time? It was free nudity. And there was no way I was missing out.

Thing is, after several years of going to Burning Man – hell, even just of living in San Francisco – seeing naked people isn’t really a big deal. And after spending six years in sexually-progressive Portland, where going to the strip club was as normal as going to the local pub, the idea of seeing nudity in a bar isn’t a big deal either.

But I’ve never been to a strip club in San Francisco. Would it be weird, seedy, and full of mainstream guys ogling surgically-enhanced women, a la Southern California? Would San Francisco culture have seeped inside its walls, meaning tattooed dancers with plug piercings and pink hair? I had no clue what to expect.

Apparently, I wasn’t alone in my curiosity. When we got to the 5th Anniversary party at Gold Club, the line to get in snaked around the block. As per the invite’s instructions, most people had “dressed to impress,” most men in some version of business casual and most women in dresses and heels. There were more men than women, by far, but the ratio was considerably closer for this event than I suspected it normally would be.

Inside, the club felt like Vegas. Carpeted floors, special areas separated by artificial glass walls, their insides rippling with neon bubbles. An ice sculpture of a naked pole dancer slowly melted in front of a glassed-off smoking room (which, itself, was much like a slightly swanky airport smoking area). The one stage was surrounded by heavy-duted scaffolding, which held arena-worthy lights. And on the stage, from the event’s start at 7pm until its finish at 9pm, was a steady rotation of topless dancers.

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Though heavier on neon and glass than I’d prefer, the decor of Gold Club is still classy enough for me to consider it a “gentleman’s club,” rather than a mere strip joint.

Covet adorns the Richmond

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By Mayka Mei

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Freshly lettered windows welcome Covet to the Richmond.

It was just another day in late April when Adrienne Lee Wiley was wandering through the Richmond. En route to picking up her husband from the airport, she saw a “For Lease” sign in a storefront on Arguello. It stuck in her mind. By her husband’s urgings, she contacted the owner. All it took was one more phone call to colleague Liza Anongchanya, and the two became co-founders of the new jewelry store, Covet.

If ever there were a reality show challenging its competitors to flip a store in two months, Wiley and Anongchanya would surely come out on top. It was never even a dream of Anongchanya’s, she says, to run a boutique, but now her Ofina line of jewelry is displayed prominently alongside Wiley’s Frolick label inside the pair’s very own shop.

It was all “very, very fast,” says Wiley.

“I hadn’t even showered yet!” Anongchanya, says of the moment when Wiley first phoned her. It seems Wiley convinced her partner just enough with the promise that the new store would also include studio space.

The two jewelry designers met about two years ago at the San Francisco event formerly known as Capsule (which re-emerged as Union Design Festival last weekend). Months later, they unexpectedly ran into each other at America’s Mart in Atlanta. Eventually, the two made their individual ways to San Francisco – Wiley via Atlanta, Anongchanya via Los Angeles – where they were both drawn to the area’s appreciation for the arts.

“The people and the vibe is so much better here,” Anongchanya says, comparing San Francisco to the Los Angeles jewelry-making scene. “They don’t try to haggle you down.”

Suck some heads at the SF Crawfish Boil & Ho-down

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By Victoria Nguyen

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Flickr photo by Janice Myint

In a little more than 72 hours, San Francisco’s Crissy Field will be the site of a mass massacre when 45,000 live crawfish meet their death in heavily spiced pots of boiling water.

It’s going to be chaotic. It’s going to be messy. It’s going to be absolutely friggin’ delicious.

This Saturday, a little bit of the Bayou Country comes to the Bay Area at the 6th Annual San Francisco Crawfish Boil & Ho-Down. According to event coordinators, this year’s turnout promises to be their largest to date, with expected attendance doubling from last year’s. The Crawfish Boil, which runs from 11am-7 p.m. at the western end of Crissy Field, will feature a live jazz band with approximately 3,000 pounds of spicy Louisiana crawfish and all you can drink beer.

The event began modestly in 2003, when two guys from Mobile, Alabama hosted a crawfish boil for a group of 25 in Golden Gate Park. Five years later, that group became 500. This year, they’re capping off the event at 1,000 folks.

“The great thing is we never started this with the intention of what it has turned into,” said Jonathan Wiggins, one of the co-founders of the event. “I think this crawfish boil event has the potential to be another big festival here in San Francisco.”

Shrinking government

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steve@sfbg.com

Mayor Gavin Newsom released his proposed 2009-10 city budget June 1, proclaiming it far better than doomsayers predicted and emphasizing how he minimized cuts to health and human services that he once said could be as deep as 25 percent in order to bridge a $438 million budget deficit.

"It doesn’t come close to balancing on the backs of our health and human services agencies, as some had feared," Newsom told the department heads, elected supervisors, and journalists who were tightly packed into his office for the announcement event.

But there’s still plenty of pain in a city budget where the General Fund — the portion of the budget local officials can control — would be reduced by more than 11 percent, its only reduction in recent memory. And at a time when every reasonable Democrat in Sacramento has been nearly begging for tax hikes to prevent budget blood, San Francisco’s Democratic mayor proudly proclaimed that there are no new taxes in the budget.

"We didn’t raise taxes, and we didn’t borrow," he said. You can almost hear that line being repeated in the ads he’ll be running as he campaigns for governor.

Newsom proposes slashing the city’s public health budget by $128.4 million, or 8 percent (a total of 400 employees), while the human services budget would take a $15.9 million hit, or 2 percent. "That’s a lot, but by no means is it devastating," Newsom said, noting that he restored some of the deepest cuts that were the subject of alarming public hearings. "I listened to the public comments at the Board of Supervisors… Things got a lot better than the headlines and the hearings."

The proposed budget includes 1,603 full-time-equivalent layoffs, or a 5.8 reduction in the city’s workforce, trimming more than $75.5 million from the general fund budget. In addition, the Department of Health and Human Services is cutting back its workweek to 37.5 hours to further trim costs.

"The smoke hasn’t cleared yet and there’s a lot of devastation in this budget that isn’t being talked about," Sup. John Avalos, who chairs the Board of Supervisors Budget Committee, said at the event. Newsom’s budget will be analyzed and then face its first committee hearing June 17, with approval by the full board required by July 31.

"The mayor told us a lot about what’s in the budget, but not a lot about what’s not in the budget, so we’ll spend a few days figuring that out," board President David Chiu told the Guardian.

The budget was aided greatly by more than $80 million in federal stimulus funds and other one-time revenue sources (such as $10 million from the sale of city-owned energy turbines) that were used to plug this year’s gap and offset cuts by the state and depressed tax revenue.

Although Newsom doesn’t want to raise taxes, licenses and fees would go up 41 percent, increasing revenue by $64 million to $220 million. Some of those proposed fee hikes range from the cost of parking in city-owned garages to admission fees for city-owned facilities such as the Strybing Arboretum. Muni riders will also see fares hiked to $2.

There will also be deep cuts to some key city functions. The Department of Emergency Management would take a 24 percent cut under the mayor’s plan, while the Department of Building Inspection faces a 20 percent cut to expenditures and a 29 percent reduction in staff.

The Planning Department would also take a hit of about 7 percent, with most of that focused on the department’s long-range planning functions, which were slashed by 19 percent to $4.7 million.

But it’s not an entirely austere budget. The police and fire departments have status quo budgets with no layoffs. Travel expenses would increase 13.5 percent to $2.9 million and the cost of food purchased by the city would rise 127 percent to $7 million.

The Mayor’s Office of Economic and Workforce Development — which often uses public funds to subsidize private sector projects — would get a 32 percent increase, to $24.7 million.

It’s unclear how much the Mayor’s Office has shared the budget pain. During the presentation, Newsom said his office’s budget has been cut by 28 percent, but he later clarified that was spread over the five years he has been mayor. Yet even that is tough to account for given that some functions have been shuffled to other departments.

The document shows a proposed 60 percent increase in the Mayor’s Office budget, although the lion’s share of that comes from the Mayor’s Office of Housing’s one-time financial support for some long-awaited projects, including rebuilding the Hunters View housing and support services project for low-income people connected to the Central YMCA, and an apartment project on 29th Avenue for people with disabilities.

Avalos has said he will look to find money by cutting some of the highly paid policy czars and communications specialists added to the Mayor’s Office in recent years, as well as Newsom’s cherished 311 call center and the Community Justice Court he created. Supervisors are also expected to resist Newsom’s penchant for privatization. Newsom proposed to privatize seven city functions, from jail health services and security guards and city-owned facilities, and to consolidate another 14 functions between various city departments.

Newsom pledged to work with supervisors who want to change the budget, continuing the rhetoric of cooperation that he opened the budget season with in January, which supervisors say hasn’t been matched by his actions or the secretive nature of this budget. "This budget is by no means done," Newsom said. "It’s an ongoing process."

In fact, Newsom warned that the budget news could be even worse than his budget outlines. Gov. Arnold Schwarzenegger is talking about new cuts that could total $175 million or more for San Francisco only, although Newsom only included $25 million of that in his budget because it went to the printer on May 22 and the total hit is still unclear. "So," Newsom said, "we’re by no means out of the woods."

“Otl Aicher: Munchen 1972” and “Veronica De Jesus: Do the Waive”

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REVIEW The 1972 Munich Olympics is mostly associated with terrorism, with Marc Spitz running a distant second. But Otl Aicher’s graphic design for the event exemplifies the better possibilities of the fusion of humanism and capitalism that characterizes each incarnation of the international event. A member of the White Rose movement and friend of Hans and Sophie Scholl, who were arrested and executed by the Nazis, Aicher later made his name through graphic design concepts that possess a rare fusion of experience and imagination. Three years after his successful branding work for Lufthansa Airlines, Aicher created a friendly yet intricate pictorial language — or pictogram — system for the individual programs, posters, and even tickets of the Munich Games. While many exhibitions fail at presenting graphic design as a form with much soul or personality, "Otl Aicher: München 1972" has no shortage of either — or of refreshingly-deployed color, for that matter. A blue and green oasis within the SFMOMA behemoth, its pleasures spiral outward from the Op Art-like symbol Aicher used for the event’s main icon, into a number of engagingly basic and extremely influential renderings of the body in motion. Or in other words, iconic images of human striving.

The latest show by the contemporary Bay Area artist Veronica De Jesus presents an entirely different take on corporate branding and athleticism — one that nonetheless possesses a friendliness quite akin to Aicher’s work. Viewed alongside "München 1972," De Jesus’s "Do the Waive" comes off even more sharply as a satirical, at times hilarious, but also troubling take on the tyranny of symbols and supposed meanings wielded by the contemporary sports entertainment complex. Simply put, the logos for CNN and Shell don’t have the ingenuity of Aicher’s iconography. When De Jesus renders them — or the trademark colors of McDonald’s — via child-like scrawlings, the taken-for-granted commercialism woven into daily life to influence kids’ aspirant dreams seems questionable and dubious and absurd at its very core. Like Jenny Holzer with a far less dry sense of humor, De Jesus also has a talent for twisting received ideas or language, whether via creative misspelling or isolated bits of media chatter. (Three of her titles: Fry Anyone, Closed for the recession, and my favorite, People are going after the french fries.) "Do the Waive" is packed with treats. I enjoyed the life-size portraits and the connection between homo-affection and homo-aggression drawn — literally — by It’s a Battle and All Hugs. But the best works are smaller ones that layer media babble and athletic imagery into visions that are confusing, exhausting, and attractive all at once, like a day’s journey through an empire of signs.

OTL AICHER: MÜNCHEN 1972 Through July 7, free–$15. San Francisco Museum of Modern Art, 151 Third St., SF. (415) 357-4000. www.sfmoma.org

VERONICA DE JESUS: DO THE WAIVE Through June 16. Michael Rosenthal, 365 Valencia, SF. (415) 522-1010, www.rosenthalgallery.com

MORE AT SFBG.COM

This week’s museum and gallery listings.

Appetite: Beer-battered rings, French on the fly, and a chef bacchanal

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

sfchef0509a.jpg
Oh yes, there shall be chef: SF Chef. Food. Wine. period.

———-

EVENTS

August 6-9: SF Chefs.Food.Wine (calling food, wine and spirits lovers)
Start saving pennies, mark your calendar and buy your tickets now for an unparalleled event coming up in August I’m quite excited about, the first of its kind in our fair city. SF Chefs.Food.Wine is going to be a Pebble Beach/Aspen Food and Wine Classic- reminiscent event but right in an urban city center at a fraction of the price (though you’ll still shell out $150 for a one-day pass). Union Square will be turned into a sea of tents housing not only Bay Area food, wine, beer, and spirits vendors offering day-long tastings (beer garden, cocktail samplings, wine tasting, food), but each day offers over 20 sessions/panels/classes appealing to food, wine and spirits cognoscenti and uninitiated appreciators alike.

An example of just a few sessions over three days:
FOOD – "Haute vs. Bistro" cooking demo from Hubert Keller (Fleur de Lys) and Roland Passot (La Folie); "Heirloom Tomatoes" with Gary Danko and Joanne Weir; interviews with cooking luminaries and authors like Martin Yan, Joyce Goldstein, Georgeanne Brennan; a cooking competition between Jamie Lauren (Top Chef/Absinthe) and Chris Cosentino (Incanto/Iron Chef America).
SPIRITS/COCKTAILS – "Green Cocktails" with Scott Beattie (author of Artisanal Cocktails), H. Joseph Ehrmann (Elixir) and Thad Vogler (Bar Agricole); "Agave Academy" with Rebecca Chapa (Tannin Management) and Julio Bermejo (Tommy’s).
WINE – "Raid the Cellar" with Rajat Parr (Michael Mina restaurants) and Larry Stone MS (Rubicon Estate); "Sparkling Personality" with sparkling wine masters from Schramsberg Vineyards, Domaine Carneros and Roederer Estate.

These are just a few examples… there are sessions on chocolate, sushi, oysters, cheese, eggs, making the perfect coffee, beer brewing, trends in wine and spirits, marketing, design and service, food reviewing and everything of interest to those who love food and drink.

Evenings are equally enticing: the Opening Reception highlights Rising Star Chefs and Bar Stars from the SF Chronicle’s last five years of winners, as well as an advance screening of Julie and Julia, the highly anticipated Meryl Streep film. Galas run nightly, like a Pacific Rim feast from Charles Phan, Martin Yan and Arnold Eric Wong; an LBGT culinary gala at Orson with Elizabeth Falkner, Emily Wines, Harry Denton; American Culinary Pioneers Awards given to Joyce Goldstein, Judy Rodgers, Patricia Unterman, Emily Luchetti, Patrick O’Connell; a dinner honoring Master Sommelier, Larry Stone; a bluesy rock party from chefs with musical ties.

Convinced yet? The hard part now is choosing which events, days and sessions to splurge on. This surely creates a problem when your choices are this good and plentiful. Go online and take a look at the line-up and whether you’re a cocktail hound, wine imbiber, beer brewer or food fanatic, you’ll want to be a part of this momentous event.

$40-250 (discounts for Visa Signature card holders)
August 6-9
www.sfchefsfoodwine.com

———-

NEW OPENINGS

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Spencer on the Go!
Maybe the food cart mania is getting to you, or, like the rest of us, you’re ever thrilled to find gourmet food on-the-cheap popping up around town. Well, here’s one we haven’t seen before. Laurent Katgely, Chez Spencer’s talented chef, launched Spencer on the Go! last Thursday night outside of Terroir wine bar, offering fine French fare from a shiny, converted taco truck with Spencer’s chic logo on the side. It was a long wait for food debut night, and Frog Legs and Curry were sadly sold out by the time I got there, but I hear waits have already improved, the crowd was friendly and festive, and I dig the Grilled Sweetbreads and amazingly addictive Escargot Puffs (escargot, breaded and on a stick)! With a menu all under $9, pair French snacks with Perrier and cookies or take it across the street to Terroir and order a glass of wine. Watch for the truck to soon be at Tuesday and (upcoming food cart-centric) Thursday farmers markets at the Ferry Building. It’s the bon vivant’s ideal "fast food".
6pm-12am
Thursday-Saturday

415-864-2191
http://spenceronthego.com

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Urban Burger
It’s time for a new burger joint on Valencia near 16th, Urban Burger opened last week in the tiny, former Yum Yum House space, now brightly painted sporting white leather stools, orange walls, and playful signs with phrases like "Nice Buns". Besides build-your-own burger options, there’s a list of ten hefty special burgers like a Breakfast Burger loaded with cheese, bacon, fried egg and fries (yep, all together), Mission Heat, with chilies, pepper jack and chipotle, or a Cubano with grilled ham and swiss. Opening day, I enjoyed the Buffalo version with blue cheese and hot sauce. Want it a bit lighter? Choose turkey, gardenburger, or Portabella mushroom instead of beef. But if you’re downing a hearty burger, why not pair it with a Mitchell’s milkshake and beer-battered onion rings?
581 Valencia Street
415-551-2483
http://urbanburgersf.com

Appetite: Beer-battered rings, French on the fly, and a chef bacchanal

1

Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

sfchef0509a.jpg
Oh yes, there shall be chef: SF Chef. Food. Wine. period.

———-

EVENTS

August 6-9: SF Chefs.Food.Wine (calling food, wine and spirits lovers)
Start saving pennies, mark your calendar and buy your tickets now for an unparalleled event coming up in August I’m quite excited about, the first of its kind in our fair city. SF Chefs.Food.Wine is going to be a Pebble Beach/Aspen Food and Wine Classic- reminiscent event but right in an urban city center at a fraction of the price (though you’ll still shell out $150 for a one-day pass). Union Square will be turned into a sea of tents housing not only Bay Area food, wine, beer, and spirits vendors offering day-long tastings (beer garden, cocktail samplings, wine tasting, food), but each day offers over 20 sessions/panels/classes appealing to food, wine and spirits cognoscenti and uninitiated appreciators alike.

An example of just a few sessions over three days:
FOOD – "Haute vs. Bistro" cooking demo from Hubert Keller (Fleur de Lys) and Roland Passot (La Folie); "Heirloom Tomatoes" with Gary Danko and Joanne Weir; interviews with cooking luminaries and authors like Martin Yan, Joyce Goldstein, Georgeanne Brennan; a cooking competition between Jamie Lauren (Top Chef/Absinthe) and Chris Cosentino (Incanto/Iron Chef America).
SPIRITS/COCKTAILS – "Green Cocktails" with Scott Beattie (author of Artisanal Cocktails), H. Joseph Ehrmann (Elixir) and Thad Vogler (Bar Agricole); "Agave Academy" with Rebecca Chapa (Tannin Management) and Julio Bermejo (Tommy’s).
WINE – "Raid the Cellar" with Rajat Parr (Michael Mina restaurants) and Larry Stone MS (Rubicon Estate); "Sparkling Personality" with sparkling wine masters from Schramsberg Vineyards, Domaine Carneros and Roederer Estate.

These are just a few examples… there are sessions on chocolate, sushi, oysters, cheese, eggs, making the perfect coffee, beer brewing, trends in wine and spirits, marketing, design and service, food reviewing and everything of interest to those who love food and drink.

Shake your Bootie, burners, and buy the book

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By Steven T. Jones
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The fabulous DJ Adrian Roberts — of Bootie SF and Piss Clear fame — will be headlining a pair of equally fabulous events tonight and tomorrow night, the latter in support of his new book: Burning Man Live: 13 year of Piss Clear, Black Rock City’s alternative newspaper.

It’s a great book, and I’m not just saying that because I contributed a few essays to it (which, like almost everything in the book, were reprinted from issues of Piss Clear). If you attend Burning Man or are curious about the event, it offers a great overview from decidedly hedonistic point-of-view. And supporting the book release party tomorrow night at Mighty will be a bevy of burner all-stars, as if they just stepped off the pages, as well as a showing of the Burning Man film Dust & Illusions.

And tonight’s gig is the Guardian’s Explore SF party at Temple party, where Adrian’s Bootie SF will be squaring off against their Popscene nemesi. See you there.

Ain’t I a werewolf?

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AFRO-SURREAL Stylistic rigor and as full an embrace of progressive technologies as budgets allow have made Underworld Trilogy (Sony Pictures DVD, $93.95) a pleasurable extension of epics from fang-face past. Yet perhaps the most significant aspect of Len Wiseman’s cycle about immortals warring for supremacy is an updated recognition of the post-1960s liberation strides of blacks and women in our society. It is reflected in the power and intellect of the first film’s heroine Selene (Kate Beckinsale) and her fellow vampiric rebels (like Robbie Gee’s tech-wizard Kahn) and lycan foes ("Razahir/Raze," played by Underworld concept engineer Kevin Grievoux). The last and best installment, Underworld: Rise of the Lycans, is a virtual remix of my generation’s seminal televisual event, Roots. If that ain’t Afro-Surreal, then what is?

It was 30 years ago — not long after the historic airing of the adaptation of Alex Haley’s Roots fundamentally changed public perceptions of America’s "peculiar institution" — that I moved to the Sahel and immediately became obsessed with Dogon lore about the Sirius star system and a family of deities including the trickster Pale Fox. Blood debates about antiquity and provenance continue to rage between disdainful classicists, denizens of the moribund field of Egyptology, and independent scholars of varying stripes devoted to Martin Bernal’s Black Athena (1987). My view supports linkages between the overlapping subcultures of the Dogon, Amazigh, "Egyptians," Zulu, and others, resulting in a kozmic fusion wherein the primordial werewolf (some would prefer jackal or werehyena) is a key deity from the dawn of civilization in the Motherland.

Underworld: Rise of the Lycans finds the great Irish actor Michael Sheen’s "lycan" leader character Lucian subbing for Kunta Kinte. In the stark, nightmarish Eastern European fiefdom of vampire lord Viktor (Bill Nighy), the decadent, pale vampires are pampered aristocrats guarded and served by their dark, subhuman lycan slaves (hybrids of humans and wolves). Lucian changes from pet house nigger fettered by shackles of the flesh and mind — condescendingly deemed "a credit to his race" by Viktor — into an enlightened, empowered rebel leader who brings deliverance to lycan-kind by forging an alliance with despised animal spawn of William Corvinus in the wooded wilds.

Yet all is not Molotovs and roses — there are sadistic spectacles of whipping at the hands of cruel overseer Kosta, Nubian ally Razahir is forced to submit to lycanthropy, and Lucian suffers the ultimate price for miscegenation with Viktor’s daughter Sonja (the underrated Rhona Mitra). Rise of the Lycans may not be Blacula, but it is often a winking mash-up of Roots and the even more hardcore, honest Mandingo (1975). In a time when America has just elected its first (official) black president but open dialogues on slavery — and reparations for same — remain muted at best, it’s heartening to witness product straight out of Hollyweird somehow serving as an optic Trojan horse for the oft-forgotten and misrepresented radicalism of antebellum culture heroes like Nat Turner, Cinque, and the O.G. Black Moses herself, Harriet Tubman.

Rise of the Lycans has been roundly panned by fanboys and critics alike, which is hardly shocking considering America’s unwillingness to face the major episodes of its bloody past — the enslavement of Africans via the Triangular Trade, and the genocide of the First Nations. Yet to these eyes and ears, the film’s a first sign in the Age of Obama that a willingness to finally address the West’s hateful legacies can emanate from "low" culture, despite the will to bliss out in the opiated mass of post-racial utopia.

Merger on the march

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Originally published August 24, 2005

THE NATION’S TWO largest alternative newspaper publishers have been in intense negotiations over a merger that would create an 18-paper chain controlled to a significant extent by venture capitalists, new documents obtained by the Bay Guardian show.

The documents, which appear to be valid, include a May 27, 2005, draft of a merger agreement between Village Voice Media and New Times. They were provided by a source close to the VVM side of the negotiations.

The draft calls for the creation of a new company controlled by a nine-member board. Five of the members would come from Phoenix-based New Times and its primary venture-capital firm, the Boston-based Alta Communications.

New Times, which owns 11 newspapers including the SF Weekly, would have 62 percent of the equity in the new venture, and VVM, which owns the Village Voice and six other papers, would have 38 percent.

The documents mention a Nov. 30, 2005, date for closing the deal, but suggest that the date may have to be pushed back, in part because of federal regulatory issues.

Rumors of a possible VVM-New Times merger have been swirling for months (see “Chain Gang,” 5/25/05). Neither of the principals has denied the reports, although employees of some VVM papers have attempted to dismiss them.

But the new documents are the first concrete confirmation that talks are indeed going on, and that the two parties are close enough to agreement that they’ve circulated draft bylaws of a new limited liability corporation that would own all of the VVM and New Times papers.

As of late May there were clearly still some issues to be resolved: The documents include a memo from VVM CEO David Schneiderman complaining that New Times wants to “renegotiate the terms of our deal” and arguing that some New Times papers, including the SF Weekly and the East Bay Express, are losing a lot of money.

“In the 2004 Calendar year, SF Weekly, East Bay Express and the Cleveland Scene racked up losses of $4 million,” the memo states. SF Weekly, it says, “is locked in a brutal struggle in SF with no sign of success and the same is true in Cleveland.”

The memo concludes: “In short, they have some real losers and we don’t…. given these facts, I don’t believe a renegotiation is warranted.”

But overall, the shape of the deal appears to be fairly clear. A new Delaware-based LLC would be created, with a nine-member board. Mike Lacey and Jim Larkin, the executive editor and CEO of New Times, would each have a seat on the nine-member board, as would an Alta representative. Lacey, Larkin, and the Alta rep would then choose two more members – one of whom would be New Times chief financial officer Jed Brunst – giving New Times and its banker a 5-4 majority.

Schneiderman (who is slated, the documents show, to receive a $500,000 bonus for his work on the merger) would have a seat on the board, and the final three seats would go to Goldman, Sachs & Co., Trimaran Capital Partners, and Weiss Peck & Greer, all of whom are VVM investors.

So in the end, at least four of the board members – and possibly five – will be venture capitalists

The documents state that all but two of the board members (also called “managers”) can be removed from the board for “cause” – but “the Lacey Manager or the Larkin Manager may not be removed as Managers with or without Cause, it being understood that the sole basis on which either such Manager may be removed as a Manager shall be such Manager’s conviction of a felony.”

The documents suggest that the new company has been set up with the idea of an eventual sale: They state that, for the first three years, the company can only be sold with the consent of six of the nine board members. But over the next two years, five board members could approve a sale, and after five years, three directors could make that decision.

“In the event the Board of Managers approves a Sale of the Company … all Members shall be required and hereby agree to cooperate with and participate in such sale,” they state.

The documents also address the prospect that the SF Weekly, the East Bay Express, and the Cleveland Scene could be sold off or closed if they continue to hemorrhage cash. “[I]f at any time up to and including the Third Anniversary date, the cumulative losses for any of the [East Bay, Cleveland or San Francisco units] (brackets in original document) exceed the cumulative projected losses for such unit … the Company, with the consent of five managers, shall be permitted to dispose of such non-performing unit by merger, consolidation, sale of assets or otherwise,” they state.

The new company would be required to honor the union contracts at the Village Voice – the only paper in either chain that’s fully unionized (the L.A. Weekly has some union workers). But other employees may not fare so well. The new company “may, in its reasonable discretion, transition all employees … to new compensation, benefit plans, programs or arrangements.”

One source in New York said that “as I understand it, Larkin will be the CEO and Schneiderman will run the Internet operations. I believe the rest of the VVM corporate staff (essentially finance people) will be let go.”

A separate document, dated June 1, 2005, is titled “NT/VV Proposed Business Consolidation Agreement Issues List Reutf8g to NT Draft of Contribution and LLC Agreement.” It lists some concerns – apparently from VVM executives – about the deal.

It cites a “drop date of Nov. 30, 2005,” but notes that “[t]his is too short, obtaining HSR approval may take a long time.” That’s a reference to the Hart-Scott-Rodino Act, which requires federal approval of any merger that may have an impact on business competition.

That might not be routine: New Times and VVM have run afoul of federal antitrust laws in the past. The two chains were charged a year and a half ago with conspiring to end alt-weekly competition in Los Angeles and Cleveland (see “New Times Nailed,” 1/29/03). Under a consent decree, the companies are required for five years to give the Justice Department notice before pursuing any merger.

We’ve spoken to several sources close to the negotiations who say it’s likely that process is already under way. But the Justice Department has consistently maintained that any such notice would be confidential.

The two parties are also keeping a tight hold on the information. Staffers at VVM and New Times papers seem unaware of the details of the talks, and top management has refused to answer their questions about the situation. The agreement includes a clause stating, “No press releases or public disclosure, either written or oral, of the transactions contemplated by this agreement, shall be made by a party to the agreement without written consent of VV Media LLC and NT holdings.”

The merger would signal the biggest step so far in the consolidation of ownership in the alternative press. The merged company (which thus far is identified only by the dummy name “Newco”) would represent 14.2 percent of the membership of the Association of Alternative Newsweeklies and would give one chain operation control of some of the biggest media markets in the country, including New York, Los Angeles, Miami, Denver, Seattle, Phoenix, and Houston (see “SOS: No secret New Times-Village Voice Media deal, sfbg.com).

Schneiderman, Lacey, and Larkin all declined to return messages seeking comment.

The Bay Guardian is suing New Times, charging predatory pricing by the SF Weekly.