Event

Rep Clock

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Schedules are for Wed/9 Tues/15 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-10. “Video Games,” works by students in Conceptual Information Arts at San Francisco State University, Thurs, 7. “ATA 25: Quarter Century of Alternative Works,” screening celebrating ATA’s 25th anniversary, Fri, 7:30. “Underground, Experimental, Unstoppable: Celebrating 25 Years of Artists’ Television Access!”, with live music and more, Sun, 11am-11pm. “Other Cinema:” The Earth is Young (Gitlin), plus works by Ben Rivers and more, Sat, 8:30. La Americana, Tues, 7:30.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. “Independent Filmmakers Screening Nite,” Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $5-10. “Samuel Goldwyn Presents:” •Strike Me Pink (Taurog, 1936), Wed, 1:15, 5, 8:50, and Kid Millions (Del Ruth, 1934), Wed, 3:10, 7; •Wuthering Heights (Wyler, 1939), Thurs, 2:45, 7, and The Bishop’s Wife (Koster, 1947), Thurs, 4:50, 9:05. “Midnites for Maniacs: Ladies of the Eighties Triple Feature:” •Jumpin’ Jack Flash (Marshall, 1986), Fri, 7:15; Desperately Seeking Susan (Seidelman, 1985), Fri, 9:15; Liquid Sky (Tsuckerman, 1982), Fri, 11:30. “San Francisco Silent Film Festival Winter Event:” Chang: A Drama of the Wilderness (Cooper and Schoedsack, 1927), Sat, 11:30am; J’accuse (Gance, 1919), Sat, 2; Sherlock Jr. (Keaton, 1924) with “The Goat” (Keaton and St. Clair, 1921), Sat, 7; West of Zanzibar (Browning, 1929), Sat, 9:15. Tickets for this event, $14-17; visit www.silentfilm.org. The Wizard of Oz (Fleming, 1939), Sun, 1, 3:30, 4:45, 8. Theater closed Mon-Tues.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. Bad Lieutenant: Port of Call New Orleans (Herzog, 2009), call for dates and times. La Danse: The Paris Opera Ballet (Wiseman, 2009), call for dates and times. The Messenger (Moverman, 2009), call for dates and times. Red Cliff (Woo, 2008), call for dates and times. “Twisted Shorts Holiday Film Festival,” Thurs, 7. The Private Lives of Pippa Lee (Miller, 2009), Dec 11-17, call for times. “Short Films from the 2009 Sundance Film Festival,” Dec 11-17, call for times. Sniff, The Dog Movie (Stone, 2009), Sat, 4:15. “The Films of My Life: Terry Zwigoff:” It’s a Gift (McLeod, 1934), Sat, 7:30.

CONTEMPORARY JEWISH MUSEUM 736 Mission, SF; (415) 655-7881, www.thecjm.org. $15. “8by8: Hanukkah Festival Shorts at the Super 8 Hanukkah Festival,” Sat, 7.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Blue Planet: Ocean World, Wed, 7:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Otto Preminger: Anatomy of a Movie:” Advise and Consent (1962), Wed, 7; The Moon is Blue (1953), Fri, 8:20; Saint Joan (1957), Sat, 6:30; The Man with the Golden Arm (1955), Sat, 8:40; Exodus (1960), Sun, 3. “In Time: The Films of Alain Resnais:” “Short Films by Alain Resnais (1950-58),” Thurs, 7; La guerre est finie (1966), Tues, 7. “Four by Hungarian Master Miklós Janksó:” Red Psalm (1972), Fri, 6:30.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Xanadu (Greenwald, 1980), Wed, 2, 7:15, 9:15. Dear and Yonder (Campbell and Lessler, 2009), Thurs, 7:15, 9:15. Inglourious Basterds (Tarantino, 2009), Fri-Sat, 5, 8 (also Sat, 2). Bright Star (Campion, 2009), Sun-Mon, 7, 9:30 (also Sun, 2, 4:20). Mad Max (Miller, 1979), Tues, 7:15, 9:15.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Capitalism: A Love Story (Moore, 2009), Thurs, 8:45. Collision (Doane, 2009), Wed, 7, 9. Everything Strange and New (Bradshaw, 2008), Wed-Thurs, 7, 8:45. William Kunstler: Disturbing the Universe (Kunstler and Kunstler, 2009), Thurs, 7. Uncertainty (McGehee and Siegel, 2008), Dec 11-17, call for times.

SAN FRANCISCO CINEMATHEQUE San Francisco Museum of Modern Arts, 151 Third St, SF; www.sfcinema.org. $10. “Recent Restorations: Rare Films of George and Mike Kuchar,” Thurs, 7.

SAN FRANCISCO PUBLIC LIBRARY Koret Auditorium, 100 Larkin, SF; www.sfpl.org. Free. “Back in the GDR: The Berlin Wall and the Former East Germany on Film:” The Spy Who Came in From the Cold (Ritt, 1965), Thurs, noon. Large-screen video presentation.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “The Joy of Life:” It’s a Gift (McLeod, 1934), Thurs, 7:30; “That’s Entertainment III” (1994), Sat, 7:30; Hoppity Goes to Town (aka Mr. Bug Goes to Town) (Fleischer, 1941), Sun, 2.

Ready, set, Whirling Dervish

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By Caitlin Donohue

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Get lost in the whirl of the Mevlevi, better known as the Order of the Whirling Dervish

Recents events involving an unlit bicycle, an unsignaled left turn onto Geary and an unexpected phone call from the emergency room have impressed upon me the true cyclical nature of this crazy world we live in. Viewed from a properly meditative perspective (difficult when one is contemplating ambulance bills san health insurance), it can be a calming thought; that the ups and downs and round abouts we experience are merely a reflection of a turning universe.

The Order of the Whirling Dervish, or the Mevlevi, are a Sufi Islam sect that holds that to revolve is life’s original nature. Electrons, protons and neutrons revolve, the human being’s life cycle revolves from the earth to life and back again. The prophet Rumi developed their traditional “whirling” dance, the sema, 700 years ago to reflect this fact and to bring one closer to the “Perfect,” or the god force.

At one point banned from their religious practice in Turkey by a political regime for being excessively mystic, the Mevlevis are allowed to continue their sema in their home country for purposes of tourism- but not to vocalize their prayers to Allah. In 1986 the head of the Mevlevi sect sent his son to America to spread their beliefs. Since then, the Order has had several successful US sema tours- and apparently has accrued some American faithful as well. The US Mevlevi website posts an announcement of an “obligatory practice and tuning for all semazen (as the participants in the ritual dance are called) turning in SF and Sacramento” to proceed the public event at the Palace of Fine Arts on Friday.

In practice, the semazen are hypnotically tranquil in their dance. Traditional Sufi music accompanies the dancers, an atmospheric affair of sitars that provide fertile foundation for whatever meditation you bring to the performance. The men and women are dressed in white robes to signify “ego’s shroud” and tall camel hair fez-like hats portraying “ego’s tombstone.” They whirl about the floor on their right feet, weaving through one another in one long motion of prayer with one arm extending to Allah and one cradled in front of them, delivering a message to their fellow human beings on earth. Altogether, they look like maple tree seed pods, helicoptering down from their branches. Its calming, almost enough to make one appreciate that in life’s twists and turns lie an equilibrium of sorts.

In the meantime… anyone know a good bike lawyer?

Fri/11 8 p.m., $25- $45
The Palace of Fine Arts
3301 Lyon, SF
www.ciis.edu

The battle for the DCCC is on

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By Tim Redmond

The battle over the future of the Democratic Party in San Francisco is underway in earnest. The Building Owners and Managers Association (BOMA), which represents downtown property interests, is holding a forum Dec. 11 to talk about the Democratic County Central Committee — and, perhaps, kick off organizing for a downtown-backed DCCC slate.

The forum is in the board room of the Chamber of Commerce, which is also sponsoring the event.

Mayor Gavin Newsom and the downtown business community have been decidedly unhappy with the state of the panel that controls policy for the local party since a progressive slate led by Aaron Peskin took control in 2008. The DCCC often seems like a political footnote, but it has considerable influence: the committee decides on local party endorsements, putting the stamp of the Democratic Party behind candidates for local office. And the San Francisco Democratic Party slate card has been largely in the progressive camp the past two years.

The BOMA forum will feature two DCCC incumbents, Mary Jung and Scott Wiener, who are both in the moderate-centrist camp. Wiener told me he sees this just as an informational event, “to let people know what the committee does.” He said he knew of no political agenda behind the discussion. (Although, interestingly, Peskin — the chair of the local party — wasn’t invited to speak.)

Ken Cleaveland, BOMA’s director of governmental affairs, also said he was only out to educate his constituents. “Most of the business community doesn’t know what the DCCC does and doesn’t know why it’s important,” he told me. “We need to be aware of the influence it has.”

But he’s certainly not against using the meeting as an organizing platform: “I would love to see a pro-business slate happen,” he said. “The business community hasn’t been as organized as the progressives have in fielding slates.”

We all knew this was coming — but it’s a sign that the progressives will have to mount an even-more-serious campaign to hold onto control of the DCCC against what could be a well-funded assault in June.

Project Censored 2010

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By Rebecca Bowe

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Tomorrow evening, Project Censored will celebrate its release of Censored 2010, a yearbook compilation of the Top 25 Censored Stories of 2008-2009, published through the nationally renowned program at Sonoma State University. The Guardian’s coverage of Project Censored’s Top 10 Stories can be found here.

The event, which will be held in Santa Rosa, will feature music, food and drink, Project Censored awards, and a list of leading progressive speakers including author Michael Parenti, Flashpoints Radio’s Dennis Bernstein, Miguel Molina, and Nora Barrows-Friedman, and Guardian publisher Bruce Brugmann.

Every year since 1976, Project Censored has spotlighted the 25 most significant news stories that were largely ignored or misrepresented by the mainstream press. Now the group is expanding its mission — to promote alternative news sources. But it continues to report the biggest national and international stories that the major media ignored.

The project staff begins by sifting through hundreds of stories nominated by individuals at Sonoma State, where the project is based, as well as 30 affiliated universities all over the country.

Articles are verified, fact-checked, and selected by a team of students, faculty, and evaluators from the wider community, then sent to a panel of national judges to be ranked. The end product is a book, co-edited this year by Phillips and associate director Mickey Huff, that summarizes the top stories, provides in-depth media analysis, and includes resources for readers who are hungry for more substantive reporting.

Admission for tomorrow’s event is $35 including food, one drink ticket and an autographed Censored 2010 yearbook; $20.00 general; and $10.00 for students and low-income individuals. Proceeds will benefit Project Censored. (Click here for details.)

Newsom talks about taxes, bikes, and SF’s future

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By Steven T. Jones
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Mayor Gavin Newsom, with Bike Coalition director Leah Shahum and Department of Public Works head Ed Reiskin, helped create new space for bikes yesterday.

As he helped paint San Francisco’s first green “bike box” and celebrate the creation of the first new bicycle lanes in more than three years, Mayor Gavin Newsom yesterday finally seemed to really reengage with the press and public for the first time since his failed gubernatorial campaign and the testy period that followed.

The occasion was right in Newsom’s sweet spot — urban greening and livability initiatives — and the San Francisco Bicycle Coalition actually delayed this scheduled press conference for two days so the mayor could attend after returning from a trip to India. Also in attendance were Sups. Ross Mirkarimi (the only elected official who biked to the event), Bevan Dufty, and Sophie Maxwell, SFMTA director Nat Ford and SFMTA board president Tom Nolan, DPW head Ed Reiskin, and a variety of activists.

I’ll have more on the press conference and San Francisco’s quick pace for making bike improvements in next week’s Guardian, but for now I want to focus on Newsom’s extended conversation with journalists after the main event, which went almost 30 minutes and covered a variety of issues.

Newsom was still combative and petulant at times, and he continues to take a dismissive approach to those who say he must take a more active role in finding new revenue sources. But he took all questions and stayed engaged in the conversation until most of the journalists had peeled away.

And for those who remained, Newsom and Ford ended up announcing some significant news: Clear Channel Communication has failed to exercise its contractual right to create a bike-sharing program for San Francisco – a 50-bike proposal that the Guardian and activists had criticized as more symbolic than significant – and the city is now seeking a new vendor for a bike-sharing program that would include about 2,700 bikes.

Guarded secrets

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By Rebecca Bowe

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How much did the mayor’s security detail cost when he campaigned outside SF? SFPD isn’t telling.

When San Francisco Police Department Assistant Chief Jim Lynch spoke before the Rules Committee this morning, he mentioned that the Police Chief George Gascon was unable to attend because he was at the swearing-in ceremony of Los Angeles’ new police chief.

“Out of curiousity,” Sup. Michela Alioto-Pier asked Lynch, “How many officers went to L.A. with Chief Gascon?” She was referring to his security detail for an event that was clearly unrelated to San Francisco city business.

Lynch replied that he could not say. When pressed whether security had in fact been provided for him by SFPD, he gave the same response. Sorry. Can’t tell you.

It’s the same response that Sup. Ross Mirkarimi received for months when he tried in vain to get the dollar amount for Mayor Gavin Newsom’s security detail for campaign-related events outside city and state borders. According to the SFPD, divulging that information could compromise security tactics.

The discussion at this morning’s Rules Committee focused on legislation authored by Mirkarimi, co-sponsored by Sups. John Avalos, David Campos, and Chris Daly, which would require elected officials to reimburse the city for the cost of “dignitary security” (think bodyguards) when that protection is provided on the campaign trail outside San Francisco.

“It’s not about one elected official,” Mirkarimi noted, while acknowledging that Newsom’s frequent travel had sparked interest in the issue. “It’s about reviewing standard operating procedure,” he said, and creating a system for cost recovery when taxpayer dollars are used to send SFPD forces off to campaign-related events. With the General Fund already in rough shape, Mirkarimi added, “fiscal vigilance is demanded.”

Sight + Sound fundraiser: For a more beautiful, harmonic green

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By Caitlin Donohue

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Myrmyr (inset) and Odessa Chen raise their voice for arts and the environment

“How does sound affect the environment and how does the environment affect sound? How can sound help the environment? How do we green sound? What compositions and performance can influence environmental change? How can the environment innovate the sound experience? How can environmental concepts engage, inspire, and challenge audiences and performers with a new, exciting, bold and intense aural experience?”

I totally know how important these questions are- dog, I went to a solar powered Dead Prez show this summer at Yerba Buena Center, I’m on it. If you’d like to be as environmentally on the ball as I- who doesn’t, really?- trot yourself over here to buy tickets for Green Sight + Sound, tomorrow’s benefit fundraiser for the forces of good in the eco-friendly art world.

The event will accrue funding for two very up-on-it causes; ME’DI.ATE’s fourth Soundwave Festival and Ecoartspace. Here’s their deal:

ME’DI.ATE’s Soundwave Festival seeks to provide exceptional auditory experiences for its attendees, actually paying its artists (revolutionary!) so that they are able to treat the performance not as a gig, but a project. Next year’s festival, “Green Sound” (whose formative questions I swiped to begin this post) will include music in the Batteries up in the Marin Headlands, a performance that promises to rival this year’s “musical bus rides” in concert-going uniqueness. You’ll be delighted to know that they have arranged for a few wonderful musicians to partake in Friday’s benefit, including electro-acoutical duo Myrmyr and wintry songstress Odessa Chen.

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Snap them up at Green Sight + Sound’s silent auction (its for a good cause/s!): Christy Rupp’s Kitchen Towel, woven by a co-op in Guatemala “to combat that queasy feeling at home” and Linda MacDonald’s print, Map of California

Ecoartspace was one of the first national organizations to bring together and support all types of creative forces looking to make positive moves on environmental issues. They will be coordinating a silent auction of environmentally themed piece, priced from $5-$5,000 up for bidding. Their selection most definitely meets my critieron for ripe holiday shopping, as well- one more reason (as if you needed another) to make Sight + Sound your destination tomorrow night.

Green Sight + Sound
Fri/4 6 p.m.-4 p.m., $25-$35
Mina Dresden Gallery
312 Valencia, SF
www.me-di-ate.net/green-sight-sound
www.projectsoundwave.com
www.ecoartspace.org

Catholic Church challenges tax ruling

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By Ryan Thomas Riddle
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The Catholic Church, which is exempt from paying property taxes, is feeling persecuted for having to pay property transfer taxes.

Not surprisingly, the Catholic Archdiocese of San Francisco is contesting the Dec. 4 ruling that holds it responsible for paying an estimated $14.4 million dollars in transfer taxes to the city, vowing to challenge the ruling in court.

In April 2008, the diocese had shuffled 232 properties from one church-held corporation to another. Archbishop George H. Niederauer argued that the property transfers were exempt from transfer taxes in a December 2007 statement. The Transfer Tax Review Board disagreed. The 3-0 ruling was a major victory for Assessor-Recorder Phil Ting whose office is calling this the “the second largest transfer tax event in our city’s history.”

Appetite: Holiday Farmers Market Cocktail Night

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Check out more of Virginia’s food news at www.theperfectspotsf.com

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12/2 – Holiday Farmers Market Cocktail Night
Quarterly comes the arrival of CUESA’s Farmers Market Cocktail night, reflecting the best of the season’s produce in cocktail recipes created by our city’s great mixologists. I’ve been to a few, including last winter’s, and despite being outdoors at the Ferry Building, it’s a bustling gathering where warmth comes in the form of two full-sized cocktails (this time around featuring Jim Beam bourbon) and an unlimited sampling of eight other holiday-inspired imbibements highlighting a whole range of spirits. Our local chapter of the United States Bartenders Guild co-hosts the event so bartenders are top notch, including Brian MacGregor of Jardiniere, Scott Baird and Aaron Gregory Smith of 15 Romolo, Lou Bustamante, Erick Castro of Rickhouse, Darren Crawford of Bourbon & Branch, Enrique Sanchez of La Mar, Sierra Zimei of Seasons Bar. There’s prizes and exquisite bites from local restaurants in a holiday tasting party that’s all about the spirit/s of the season.
12/2, 5:30-7:30pm, $30
1 Ferry Building

www.cuesa.org
Tickets: www.brownpapertickets.com

A rockin’ Balkan good time

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By Megan Gordon

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Brass Menazeri play this weekend’s Kafana Balkan.

Kafana Balkan is part sweaty dance party, part traditional Serbian cultural event, part circus show, and part night at the bar – all benefitting a worthy cause. Though the event — held next at Blue Macaw on Saturday, December 5 — may be hard define, it’s probably even harder not to have a good time when attending.

There’s always dancing, there’s always a variety of folks coming together to celebrate the vibrance of the Yugoslavian culture, and organizers try to have the traditional Rakiya liquor on hand. The ever-talented Brass Menazeri is the resident house band. (Specializing in gypsy powerhouse music, their Web site states, “the energy is infectious—toes tap, bodies slam, sweat flies as vital energy radiates from the dance floor.”) How could you go wrong?

The event was the brainchild of Zelijko Petkovic and Boban Djurkozic, both Serbs who conceived of the gathering as a way for local Yugoslavians could come together and celebrate. Then Joe Mama of the Humanitarian Circus got involved, helping with promotions and marketing and eventually stepping into the driver’s seat.

Gift fairs galore

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By Caitlin Donohue

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Rep it up: Support your crafty community this holiday season

Yes, I know, holiday shopping is painful and spendy and at the moment I’m way more into figuring out if I can pay rent for the month of December than what my unconsciously greedy loved ones will unwrap by the menorah/tree/kinara (I am nothing if not inclusive). But this week’s gift fairs have anticipated the Scrooge-like crab apple that has flourished down where my heart should be and have rendered me helpless in their path. They met my three qualifiers for appropriate gift suppliers, these being:

1. Cheap gifts
2. Non corporate/recycled/handmade/blablablayou’reaware gifts
3. Booze while you shop (exceptions noted)

Lemme guess, those are your criteria too? Smashing! I’ve even included a “Lazy man (or woman) gift suggestion” for each bazaar for those who just can’t be bothered. Here’s your three day plan, plus one to keep you busy next weekend:

Handmade Ho Down Urban Craft Fair
Thur/3 6 p.m- 12 a.m., free
1015 Folsom, SF

Brought to you by the 200 odd Bay Area artists that make up SF www.etsy.com/ Etsy (a website that has destroyed my life, in a good way, many times over), this event makes good on its club location with swingin’ DJs and cold beverages. This is where you head to score www.laserkitten.com/ Laserkitten’s “send me the link” bling-blangin’ lasercut necklace (so urban!) and other such high quality crafts. Get there with the quickness and score one of the swag bags they’re handing out to the first 200 shoppers.
Lazy man (or woman) gift suggestion: Eristotle‘s pillow embossed with a moose design. I dare you to find an emotive human being who doesn’t want this on their couch. And don’t forget the gift wrapping table, cuz I know you’re not doing that yourself you lazy wo/man, you.

Appetite: Holiday Farmers Market Cocktail Night

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By Virginia Miller. Check out more of Virginia’s food news at www.theperfectspotsf.com

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12/2 – Holiday Farmers Market Cocktail Night
Quarterly comes the arrival of CUESA’s Farmers Market Cocktail night, reflecting the best of the season’s produce in cocktail recipes created by our city’s great mixologists. I’ve been to a few, including last winter’s, and despite being outdoors at the Ferry Building, it’s a bustling gathering where warmth comes in the form of two full-sized cocktails (this time around featuring Jim Beam bourbon) and an unlimited sampling of eight other holiday-inspired imbibements highlighting a whole range of spirits. Our local chapter of the United States Bartenders Guild co-hosts the event so bartenders are top notch, including Brian MacGregor of Jardiniere, Scott Baird and Aaron Gregory Smith of 15 Romolo, Lou Bustamante, Erick Castro of Rickhouse, Darren Crawford of Bourbon & Branch, Enrique Sanchez of La Mar, Sierra Zimei of Seasons Bar. There’s prizes and exquisite bites from local restaurants in a holiday tasting party that’s all about the spirit/s of the season.
12/2, 5:30-7:30pm, $30
1 Ferry Building

www.cuesa.org
Tickets: www.brownpapertickets.com

Our Weekly Picks

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WEDNESDAY 2

MUSIC
Baroness
Baroness became one of the most promising bands in heavy music with the release of 2007’s The Red Album (Relapse), generating high expectations for its new monochromatic opus, The Blue Album (Relapse), released this fall. Driven by the squalling vocals and versatile technique of guitarist John Baizley (who also has made a name for himself as a visual artist) the band has exceeded the high hopes of their fans with an offering that combines muscular riffing, allusive Southern flair, and affecting dynamics. Those gathered at Bottom of the Hill will rock out to standouts like “Ogeechee Hymnal” and “The Sweetest Curse.” (Ben Richardson)
With Earthless, Iron Age
9 p.m., $14
Bottom of the Hill
1233 17th, SF
(415) 626-4455
www.bottomofthehill.com

THURSDAY 3

EVENT
Handmade Ho-Down
Over 55 crafty bitches will participate in the Handmade Ho-Down, SoMa’s first craftstravaganza urban street fair. This means you will have 55 very good reasons to blow some cash. From pillows to wall prints, there will be something precious for everyone. Forget the stench of mothballs, this ain’t your grandmother’s fluorescent-lit craft show. And what’s a street fair in San Francisco without booze and music? There will be a full holiday bar along with a DJ so you can drink, dance, and shop to your heart’s content. Bring unused art supplies to benefit Drawbridge, a nonprofit art program for homeless and at-risk youth, and get there early for a free SWAG bag. (Lorian Long)
6 p.m., free
1015 Folsom
1015 Folsom, SF
www.handmadehodown.com

FILM
Black Christmas
Some call 1974’s Black Christmas the first-ever slasher film — it predates Halloween by four years, and its sorority-sister victims are picked off one by one as the movie progresses. (It also beat 1979’s When a Stranger Calls to the creepy prank-caller punch.) With an incredible cast (Olivia Hussey! Margot Kidder! John Saxon! Keir Dullea!) and atmospheric direction by the late, great Bob Clark (who also helmed that other holiday classic, 1983’s A Christmas Story), Black Christmas remains legitimately spooky, as well as one of the greatest holiday-horror flicks ever made. Traveling moviemeister Will the Thrill presents the film tonight with live music by Project Pimento; check the Thrillville Web site for deets on the Dec. 10 show in San Jose. (Cheryl Eddy)
8 p.m., $10
Four Star
2200 Clement, SF
(415) 666-3488
www.thrillville.net

FILM/MUSIC
Joshua Churchill and Paul Clipson
In conjunction with NOMA Gallery’s current “Until the Bright Logic is Won/Unwishpering as a Mirror is Believed” exhibit by artists Peggy Cyphers and Joshua Churchill, Churchill and Paul Clipson are presenting a this one-off sound and film performance. I’m imagining two hours filled with Brian Eno-y abstractions and spiritual glosses of nature’s lovely things. If that isn’t unclear enough, maybe the curious misspelling in the show’s title, lifted from Hart Crane’s poem “Legend,” might help. I’m referring to switcheroo of the h in “Unwishpering” (the original being “Unwhispering”). Assuming it was intentional, we now have a new word that undoes the whispering of a wish. Come witness this etymological birthing as Churchill and Clipson unwishper in your eyes and ears. (Spencer Young)
7-9 p.m., free
NOMA Gallery
80 Maiden Lane, 3rd floor, SF
(415) 391 0200
www.nomagallerysf.com

THEATER
Golden Girls: The Christmas Episodes
Dreading December’s inevitable mall trip? Consider Golden Girls’ Dorothy your inspiration: “You know Robbie wants a Batman hat. I went to six different stores, they were all sold out … Ugh, I cannot believe a person would push a perfect stranger out of the way, step on her hand, and give her an elbow to the forehead just for a Batman hat. But I did it anyway.” Ah Bea Arthur, what ever will we do without you? But although our favorite sassy grandmas may no longer be churning out the pithy one-liners they once were, their torch has happily been plucked and held aloft by San Francisco drag queens. The ladies will be performing two of the original series’ very special Christmas episodes line-for-line — rumor has it the fearsome foursome takes on a soup kitchen in one. Get some silver-haired sass for your holiday soul. (Caitlin Donohue)
7 and 9 p.m. (also Fri.-Sat., through Dec. 26), $20–$25
Mama Calizo’s Voice Factory
1519 Mission, SF
www.trannyshack.com
www.cookievision.com
www.ticketweb.com

FRIDAY 4
EVENT/VISUAL ART
The 13th Small Format Art Sale
My grandma did beautiful paintings of Texas hill country, but nowadays I’ve only got one ’cause the durn things are too large to qualify as carry-on luggage. Would that Grandma had lived in the age of the The Lab’s small-work-and-postcard art show. The space’s 13th annual celebration of all things tiny and beautiful is perfect for that nomadic creative type on your shopping list. And as a nomadic creative, I’m fully ready to celebrate some innovative, postal service-friendly designs, accumulated during an egalitarian open submissions call. If while there you are shoulder-tapped by a man or woman who wants to show you what’s in their pocket, be not alarmed. They’re a representative of the Museum of Pocket Art, a group that piggybacks larger gallery events to show wallet-sized works. Or they’re a total perv. Only one way to find out … (Caitlin Donohue)
6–-9 p.m. reception (continues through Sun/6), free
The Lab
2948 16th St., SF
(415) 864-8855
www.thelab.org
www.mopaonline.com

MUSIC
The Dead Hensons Finale Extravaganza
While cuddly Muppets and innovative creature designs are probably the first things that pop into most people’s minds when they hear the name Jim Henson, the late creative genius also incorporated wildly catchy music into his productions, using songs that still have the power to transport listeners back to their youth when hearing just a few bars of tunes such as “Pinball Number Count.” Capturing that unbridled sense of joy and innocence, The Dead Hensons perform selections from the early days of The Muppet Show and Sesame Street, and are known to cause spontaneous bouts of dancing and sing-alongs with their rockin’ interpretations. Tonight the eight-piece band will joined by several special guests, including members of Rogue Wave, No Doubt, and more. (Sean McCourt)
9:30 p.m., $12
Bottom of the Hill
1233 17th St., SF.
(415) 621-4455
www.bottomofthehill.com

EVENT/VISUAL ART
Lower Haight Art Walk
Whether you like it or not, the holidays are here. Avoid the bloated shopping malls and the schizophrenia of Union Square, and hit up the Lower Haight for its “Holiday Edition” Art Walk instead. The event takes place between the 400 and 700 blocks, and nearly 30 merchants will participate with live music, art shows, live painting, and waistband-threatening holiday munchies. There will be window and tree display contests, which means you might see Baby Jesus robotripping with a pacifier in his mouth, or Santa and Rudolph getting bestial under the mistletoe. This is the Lower Haight, after all, and one should expect something subversive and oddly charming from such a crazy yet cozy spot in the city. Fuck Macy’s and fuck carolers, the Xmas spirit thrives with the freaks and geeks of Haight Street. (Long)
7–10 p.m., free
Haight (between Pierce and Webster), SF
www.lowerhaight.org/events

SATURDAY 5

MUSIC
The Cranberries
Before emo came along and turned 13-year-olds into crybabies, there was the Cranberries. Dolores O’Riordan was the mouthpiece for many angst-ridden adolescent girls in the mid-1990s. Say what you will about the band, there’s no denying the sense of dreamy giddiness one feels whenever “Linger” or “Dreams” plays on the radio. Memories of flannel dresses, cassette tapes in your backpack, and the anticipation of another glorious episode of My So-Called Life can overwhelm you with sugary-sweet nostalgia. Following in the footsteps of such holy-shit! reunions like Pavement, Jesus Lizard, and Sunny Day Real Estate, the Cranberries — performing with the original lineup — could name their tour “Everyone Else Is Reuniting, So Why Can’t We?” It’s been seven years since the band last toured, so let’s hope “Zombie” still has sharp teeth. (Long)
8 p.m., $36
Regency Ballroom
1290 Sutter, SF
(415) 673-5716
www.theregencyballroom.com

EVENT/LIT/VISUAL ART
“Exercises in Seeing”
Wish you could give up the heavy-lidded responsibility of having eyeballs day in day out? Hate having to constantly gaze, blink, scan, squint, divert, and cry? And tired of going to art shows where all you do is look at things? Or maybe you just hate art altogether? Well, tonight’s your lucky night. You can wear two eye-patches if you want, because those pesky wet balls will be useless at this exhibit. For one night only, poet David Buuck will audibly walk you through artwork in the dark by 30 local and international artists — artwork even he hasn’t seen! All you have to do is listen or sleep or walk around and relive your first sexual experiences by “accidentally” groping people. (Young)
9 p.m.–6 a.m.
Queen’s Nails Projects
3191 Mission, SF
(415) 314-6785
www.queensnailsprojects.com

SUNDAY 6

FILM
Om Shanti Om
Om my gawd, y’all — Om Shanti Om is playing the Yerba Buena Center for the Arts! Set within the world of Bollywood, this 2007 monster hit from director-choreographer Farah Khan (she choreographed 2001’s Monsoon Wedding) works cameos galore into the tale of good-hearted, 1970s-era bit player Om (Shah Rukh Khan), who falls for movie star Shanti (Deepika Padukone), not realizing she’s already entangled with sinister producer Mukesh (Arjun Rampal). Stuff — betrayals, tragedy, reincarnation, revenge plots, haunting — happens, but you know you wanna see Om Shanti Om primarily for the glorious musical numbers, and for the mighty SRK, gloriously corny here (as always). (Eddy)
2 p.m., $6–$8
Yerba Buena Center for the Arts
701 Mission, SF
(415) 978-2787
www.ybca.org

MUSIC
Marduk
Formed in Sweden in 1990, legendary black metal group Marduk was designed, in the words of founding member Morgan Hakansson, to be “the most blasphemous metal act ever.” Although it draws from similar lyrical themes as other groups in its genre, such as the requisite references to Satanism and gore, Marduk adds several other diabolical layers, notably imagery and historical content from World War II. Marduk had to cancel its opening slot appearance for Mayhem earlier this year due to visa issues — this is the first chance in years for Bay Area metal fans to see one of the most brutal acts in our neck of the woods. (McCourt)
With Nachtmystium, Mantic Ritual, Black Anvil, Merrimack and DJ Rob Metal
8 p.m., $20
DNA Lounge
375 11th St., SF
(415) 626-1409
www.dnalounge.com

MONDAY 7
MUSIC
A Multimedia Event with Califone
The lonesome crowded West has an apt soundtrack in the music of Califone, whose very name evokes rustic Americana. Some groups never let a good song get in the way of atmosphere, while others are guilty of just the opposite. In contrast, Califone frequently manages to combine strong songcraft with an attention to scene-setting detail. And that it should — its new album All My Friends are Funeral Singers (Dead Oceans) shares the same title as the feature film directorial debut of the group’s Tim Rutili. In fact, tonight the band supplies a live score to Rutili’s movie, which stars Angela Bettis, the petite-but-tough-as-nails presence at the core of low-budget horrors such as May (2002) and Tobe Hopper’s not-bad 2003 remake of Toolbox Murders. A throwback to a time when actual actresses rather than Hollywood fembots had lead roles in U.S. movies, Bettis plays a fortune-teller who lives in an old house at the edge of the woods. Califone plays the music. (Johnny Ray Huston)
8 p.m., $16
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.gamh.com
The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. We cannot guarantee the return of photos, but enclosing an SASE helps. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Out of reach

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news@sfbg.com

On a sunny afternoon in Civic Center Plaza, a remarkable bounty covered a buffet table: coconut quinoa, organic mushroom tabouli, homemade vegan desserts, and an assortment of other yummy treats. The food and event were meant to raise awareness about public school lunches, although it was hard to imagine these dishes, brought by well-heeled food advocates, sitting under the fluorescent lights of a San Francisco public school cafeteria.

The spread was for the Slow Food USA Labor Day “eat-in,” a public potluck meant to publicize the proposed reauthorization of the Child Nutrition Act, national legislation that regulates the food in public schools. The crowd was in a festive, light-hearted mood. There was a full program of speeches by sustainability experts and a plant-your-own-vegetable-seeds table set up in one corner of the plaza.

A bedraggled couple who appeared homeless made their way through the jovial crowd and started scooping up the food in a way that suggested it had been a long time since their last roasted local lamb shish kebob. Their presence shouldn’t have been a surprise; most events involving free trips down a food table are geared toward a different demographic in this park, which borders the Tenderloin.

In a flash, an event volunteer was on the case, nervous in an endearingly liberal manner. “Sir,” she began. “This food is for the Child Nutrition Act.” And then she paused, searching for what to say next. I imagined her thinking: “Sir, this food is to raise awareness about the availability of sustainable food to the lower classes, not to be eaten by them,” or, “Sir, this good, healthy, local food is not for you.”

But there was no good way to say what she meant to convey. She knew it, and delivered her final line hurriedly before walking away. “If you could just, well, just don’t take like 25 things, okay?” Indifferent to the volunteer’s unspoken reprimand, the couple continued to eat, ignoring the whispers and stares of the social crusaders around them, who all seemed to take issue with their participation in this carefully planned political action.

It was a telling scene from a movement that has yet to really confront its class issues. Though organic grocery stores and farmers markets have sprung up on San Francisco’s street corners, it remains to be seen whether our current mania for sustainable, local food will positively affect the lower classes, be they farm workers or poor families.

Even iconic food writer Michael Pollan acknowledges the challenge the sustainability movement faces in widening its relevance for the poor, citing the high cost of local and organic food as just one of the issues that Slow Foodies and their allies must tackle before they can count the “good food” movement a success.

LOCAL ORGANIC LABOR

For the average heirloom tomato eater, the words “organic farm” often conjure up an idyllic agrarian picture: happy communes of earnest farmers growing veggies straight from the goodness of their hearts. In reality, a lot of the people who plant, tend, and harvest produce are poorly paid Latino immigrants. And it might come as a surprise that those who work on small or organic farms often face the same exploitative working conditions as those in conventional agriculture.

To learn how organic farm workers should be treated, consider Swanton Berry Farm, whose fields stretch out along the coastal highway just north of Santa Cruz. Swanton was the first organic farm in California to sign a contract with the United Farm Workers, a move that highlights the owners’ conviction that farm workers be viewed as skilled professionals. Employees are offered ownership shares in the farm and are provided health insurance, retirement plans, comfortable housing, and unlimited time off to attend to pressing family matters.

“Organic is a lot cleaner. Working with pesticides, you have to worry about wearing gloves and covering your skin. Here, you can pick that strawberry right off the plant and eat it,” Adelfo Antonio told the Guardian. He has worked these fields for 20 years, the last five as a supervisor. His high regard for his job and employers is apparent. As we talked, he kept at least one eye fixed on his coworkers, who stretched plastic sheets across the dirt of the field to protect their rows of seed from the coming autumn winds.

Antonio said he appreciates the culture of mutual respect on this farm. “People like how they are treated here. When conflicts come up, our management is open to working through them,” he said. A few minutes later, a break was called, illustrating his point. There had been some disruptive behavior in the company housing and a discussion ensued between the crew and one of the farm’s owners about house rules. The group formulated a plan to avoid trouble in the future.

But Swanton’s egalitarian fields are the exception among American organic farms. The average salary of the estimated 900,000 farm workers in California — the birthplace of the organic and farm labor movements in the U.S. — is around $8,500, more than $2,000 below the federal poverty line.

In 2006, the California Institute for Rural Studies put out a rare study of working conditions on the state’s 2,176 organic farms that suggested that in some respects, workers are better off on conventional farms. Although the average wage was higher on organic fields — $8.20 for entry-level work, compared with $7.91 on conventional farms — traditional agriculture outstripped organic on certain employee benefits. A mere 36 percent of organic businesses were found to provide health insurance to their employees, as opposed to 46 percent on conventional farms.

Unable to rely on chemicals for pest control, organic farms often face higher labor costs in the fields. “Wages and benefits should always be viewed in the wider context of sustainability, and that includes a farm’s ability to stay in business from one year to the next, i.e. its profitability,” said Jane Baker, a spokesperson for California Certified Organic Farmers, the state’s major organic certification agency.

The inequity faced by farm workers belies the fact that the organic movement began as an alternative to the industrialized food system. “Back then, we never would have imagined that you’d be buying an organic product that was built on the backs of workers. For us, social justice was every bit as important as the environmental part,” said Marty Mesh, an organic farmer since 1973 and executive director of Florida Certified Organic Growers & Consumers.

Mesh was involved in the debates over the U.S. Department of Agriculture’s first codification of the National Organic Program. He said that although many farmers advocated for regulations surrounding working conditions, the federal government found it hard to stomach labor stipulations. Many involved felt their inclusion would hurt the growth of the organic industry. So the social movement aspect of organic farming was left on the cutting room floor.

That has not been the case overseas. The International Federation of Organic Agriculture Movements, whose organic label is recognized worldwide, adopted explicit social justice language in its basic standards in 2003, stating in their “Principles of Organic Agriculture” document that “organic agriculture should provide everyone involved with a good quality of life and contribute to … reduction of poverty.”

CCOF now offers a dual track certification process wherein California farms can forgo specific IFOAM requirements. The lack of guidelines of worker treatment has led to some problems. “We’ve seen many of the same issues on organic farms that we do in conventional agriculture, on small and big farms alike,” Michael Marsh, directing attorney of California Rural Legal Assistance, told us. CRLA is an organization that regularly provides low cost legal assistance to agricultural workers, whom Marsh has seen bring charges against organic farmers for cases of sexual harassment, underpayment, and job safety concerns.

Sometimes the organic label is even used to justify vioutf8g workers rights. In 2003, the California Legislature considered a bill that would ban “stoop labor,” activities like hand-weeding which require working in bent positions that can cause musculoskeletal degeneration. Organic farmers’ associations lobbied against the bill, claiming that pesticide-free agriculture would suffer under such restrictions. Also, although chemical pest-killers are banned from organic farming, some popular natural pesticides like copper and sulfur have been known to cause irritation of the throat, eyes, and respiratory system.

“This is one of the hardest nuts to crack in the sustainable food world,” said Michael Dimock, executive director of Roots of Change, a San Francisco-based foundation that has developed campaign strategies for improving agricultural working conditions. Three years ago, Dimock left his post as chairman at Slow Food USA, at a time when farm labor conditions “were generally not at the top of the list. Slow Food as an organization is just beginning to figure out what it can do in a meaningful way on this issue.”

Roots of Change has found some success in identifying farm labor challenges and possible solutions through a series of worker-grower forums. It has pinpointed immigration reform as one key to progress. Anywhere from 50 to 90 percent of farm workers in California are undocumented, which puts even fair bosses at risk of being prosecuted for employing illegal immigrants.

Many farm owners turn to labor contractors — essentially agricultural temp agencies — to supply field hands. Use of these middle men largely shields the owner from legal responsibility for illegal hiring, but “the bad farm labor contractors cheat workers, take their pay, and risk their health and safety,” Dimock said.

Some Californian farm labor contractors have become notorious for their disregard of minimum wage and other labor standards, taking advantage of workers who are discouraged to seek help for fear of deportation. The role played by irresponsible contractors is one of many issues that can remain unseen by the buyers of food from farms that rely on the inadequate public information available on agricultural working conditions.

WHEN BUSINESS AND LABOR COLLABORATE

Food management company Bon Appetit in Palo Alto has built a good reputation as a sustainable company, buying its produce and other foodstuffs as locally and organically as possible. “I’ve learned a lot working here,” said Jon Hall, head chef of Bon Appetit’s University of San Francisco cafeteria. “In other kitchens, if you can get something for five cents a pound cheaper, that’s what you buy. If I did that here, people would notice. [My bosses at Bon Appetit] would say, ‘Why’d you buy that?’ ”

But when Bon Appetit executives decided to take on the issue of worker treatment on the farms that supplied their food, they found it difficult to find reliable information on the subject. “We always felt like there was something there that needed to be done and change that needed to take place,” said vice president Maisie Greenwalt. “But we didn’t know who to talk to.”

Her cue to act came from the Coalition of Immokalee Workers, a group from Immokalee County, Fla. The farm workers’ organization brought nationwide publicity to the slavery-like conditions in the area’s tomato fields. Greenwalt accompanied the group on an information-gathering trip to Immokalee and saw firsthand the places where recent immigrants were held to work against their will, living in squalor and being paid little as $20 a week.

Greenwalt saw the travesty as a wake-up call. Collaborating with the Immokalee activists, Bon Appetit developed a workers’ rights contract that all their tomato suppliers must now sign. “After Bon Appetit sent me the contract, I sort of at first didn’t see the point. But then I spoke with the [Coalition of Immokalee Workers] and it made sense. Worker abuse has been around for centuries,” said Tom Wilson of Alderman Farms, one of the company’s tomato growers.
Greenwalt says Bon Appetit cafeterias were prepared to eliminate tomatoes from their menus. “Every chef and manager I talked to said they would rather not serve tomatoes than serve the tomatoes that were coming from these conditions.” But every one of their suppliers signed, agreeing to conditions such as a mandatory worker-controlled safety committee and a “minimum fair wage.”

The success convinced Bon Appetit that this style of food buyer participation is crucial to making positive progress on farm worker treatment. The company is now conducting a nationwide survey of working conditions on organic farms. “Labor’s not a new issue,” said Carolina Fojo, one of the company’s researchers. “But for some reason, people are just now talking about it. We’ve found it can be a sensitive topic for a lot of farmers.”

Visually, Hall’s USF food court is similar to traditional college eateries. But plate-side, Bon Appetit’s commitment to sustainability is clear; specials vary seasonally and food is sourced locally whenever possible. The price for a semester’s meal plan is $3,810, more than twice that of San Francisco State University. Hall’s customers, college students who may eat three meals a day here, often approach him with questions about their food. Queries range from where to how the food was grown, but in no instances that Hall has been aware of, about the workers who grew it.

Labor issues are not the popular cause these days, at least in the sustainable food movement. Unlike the “eat local” and organic food movements, equitable treatment of farm workers has yet to spawn trendy slogans for tote bags or a book on the best-seller list.

One UC Santa Cruz study found that, when asked to rank their concern about food system related topics, Central Coast grocery shoppers assigned higher concern levels to animal treatment on farms than that of humans. But Hall is confident this will change as Bon Appetit and others continue to bring attention to the economically disadvantaged on the front lines of our local and organic food systems.

“This is the next frontier,” he said. “I can see it brewing.”

SERVING THE CHILDREN

In school cafeterias across the city, a different low-income group has its own challenges fitting into the sustainable food movement. San Francisco Unified School District manages one of the city’s most important food sources.

Every school day, Student Nutrition Services dishes out 31,000 cafeteria meals; of those, 84 percent go to students who qualify for free lunch or for the reduced price of $2 for elementary school students. It is not a stretch to say that for many of these kids, this is their one chance at healthy food for the day — certainly their only chance to learn about local and organic food. But the school district faces one of the major issues the sustainability movement has yet to resolve. Local and organic food costs a lot to produce, which makes it more expensive. If pricing was more socially equitable and accounted for living wages for farm workers, costs might rise even more. This is a problem. Federal funds supply about $2.49 for each free student lunch in San Francisco and less for the meals of students who do not qualify for reduced prices. After logistical costs like labor and transportation are accounted for, 90 cents per meal is left over for the food itself.

This is not enough to fund a menu like Hall’s. Given the numbers, it should come as no surprise that examining an average SFUSD school lunch — as San Francisco Chronicle food critic Michael Bauer did in his Oct. 29 “Between Meals” online column — turns up a lot of recently thawed, bland food matter. But this is not to say that cafeteria meals have not seen progress. Student Nutrition Services eliminated junk food in 2003, signaling a new attention to nutrition on a menu previously dominated by pizza and french fries.

Unlike working conditions for farm workers, school lunches have the benefit of visibility to middle class consumers and activists. Demonstrable efforts are being made to send some of that 90-cent budget toward local food. But with such a limited budget, institutions like SFUSD can only address a small slice of what is important about sustainable food. Yes, efforts are being put toward buying kids local, pesticide-free food that doesn’t further jeopardize their future by using excessive fossil fuel on transportation. But these limited efforts do nothing to affect the social aspect of sustainability — those who produce the food are again left invisible.

The school salad bar program, started in 2007, uses organic and local vegetables in its buffet line as much as possible. The majority of the bars are strategically located in schools where more than half the student body qualifies for free and reduced-price lunches, a response to a Community Healthy Kids survey that put the number of ninth-graders who had eaten a single vegetable in the last week at 29 percent. Student reaction to the bars has been encouraging. Many poor families credit them with increasing the amount of produce in their kids’ diets.

“This program is an anomaly,” said Paula Jones, director of San Francisco Food Systems. “Other schools around the country just don’t see things like this.”

But a generation’s worth of antitax sentiment has limited the variety of the salad bars and other attempts at getting fresh food onto kids’ lunch trays. Due to high labor costs, the school district buys pre-chopped vegetables, severely limiting sourcing options. In the meantime, another generation of low-income kids is growing up on processed, packaged foods. Jones said making sustainable food available to all children is an issue the community must help take on. “The bottom line is, it’s going to take a lot of people talking about this to realize this is not just the school district’s problem.”

Jones’ organization works on getting healthy food to the city’s underserved populations. Nutritionally, this is the salient mission of our age. Despite its current vogue, only 10 percent of Americans buy organic, and shoppers who consistently choose healthy foods usually find themselves spending 20 percent more. Several California studies have indicated that socioeconomically depressed neighborhoods have disturbingly high rates of food insecurity and obesity.

Despite the enormity of the challenge, Jones remains positive. “We lead in this issue. San Francisco is ready, and we have the will.” She counts among the city’s biggest successes in this area the fact that all farmers markets, typically more expensive than average supermarkets, now accept food stamps.

THE FRESHEST FOR THE POOREST

On a bright autumn Wednesday, market assistant manager John Fernandez stands outside his “office,” a white van with the Heart of the City logo. The Heart of the City Farmers Market takes place in a plaza just between City Hall and the Tenderloin twice a week, year-round. Fernandez said it has the highest food stamp sales — second only to that of the Hollywood market — in California and has played a role in allowing low income families and individuals in the area to fit local and organic food into their budget.

Fernandez has worked here for 13 years, and said that the use of food stamps has doubled since last summer. Most of his food stamp customers are families and individuals coming back week after week. They pass by the van to have Fernandez swipe their food stamp cards through a machine and hand them the yellow plastic coins used to buy everything from persimmons to what is far and away the market’s most popular item: the live chickens that squawk from cages at one end of the line of stalls.

Efreh Ghanen was one of the shoppers we talked to who felt that being able to use her food stamps at the farmers market had improved the health of her family. Ghanen, who shops with her mother and sister, likened Heart of the City to the Yemeni markets where they bought their food growing up. “The honey, fruit, and vegetables here are fresher,” she said. “They just taste better.”

“I definitely wouldn’t be able to shop here if it weren’t for the food stamp program,” echoed Shana Lancaster. She teaches at Paul Revere Elementary School in Bernal Heights, a position funded through AmeriCorps whose low pay automatically qualifies her for the food stamp program. She selects an armful of organic Gala apples while noting the value of shopping local for working people like herself. “I like supporting the farmers. Everyone here at the market has a story. These days, everyone is struggling.”

But both Lancaster and Ghanen tell us that when they can’t afford to shop at the farmers markets, they head straight for corporate retailers like Safeway and Walgreens, buying whatever they need to get by.

Programs like these are essential if the sustainability movement is to remain relevant and widen its reach. Just as the environment will degrade if industrial agriculture continues unabated, so too will local and organic food sources falter if the majority of our society cannot afford to buy their wares.

In the end, the obstacles are about class. Low-income groups, be they the people who grow the organic food or the schoolchildren who benefit from eating it, need to become more of a focus of the “good food” movement. What Slow Foodies and other activists must keep in mind is that over-accessorizing a cause (as with esoteric artisan products and exclusive dining experiences) makes it less a vehicle for change and more like reshuffling of the same old injustices. Social change, by definition, has to be for everyone. Because elitism tastes as bad as it always has.

For more information, check out “Fair Food: Field to Table,” a multimedia project recently released by the California Institute for Rural Studies. CIRS is one of the leading researchers of working standards on Californian farms and its data is found throughout this article. Watch the Fair Food documentary for free at www.fairfoodproject.org.

Stage Listings

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Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For the complete listings, go to www.sfbg.com.
THEATER

OPENING

Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Opens Thurs/3. Runs Thurs-Sat, 8pm. Through Dec 19. No Nude Men Productions presents the end-of-the-world premiere of sketchy comedy veteran Wylie Herman’s first full length play.
A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Previews Thurs/3-Sun/6. Opens Tues/8. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.
Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Previews Fri/4-Dec 11. Opens Dec 12. Runs Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.
I <Heart> SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Opens Thurs/3. Runs Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.
Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Opens Wed/2. Runs Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Bay Area
Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Previews Fri/4, Sat/5, Sun/6, and Tues/8. Opens Dec 9. Runs Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. Berkeley Rep presents Victoria Thierree Chaplin’s dazzling display of stage illusion.
The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Previews Thurs/3-Fri/4. Opens Sat/5. Runs Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.

 

ONGOING

Bare Nuckle Brava Theater, 2781 24th St; 647-2822, www.brava.org. $15. Thurs/3, 8pm. Brava Theater presents a solo theater performance written and performed by Anthem Salgado and directed by Evren Odcikin.
Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.
Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.
*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland. (Avila)
I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs and Sat, 8pm. Through Dec 12. Jennifer Jajeh’s play is decidedly not a history lesson on the colonial project known as “the Israeli-Palestinian conflict” or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)
Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through Dec 13. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.
Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.
The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.
*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs, 8pm; Sat, 5pm. Through Dec 12. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. (Avila)
“The Me, Myself and I Series” Brava Theater, 2781 24th St; 647-2822, www.brava.org. Days, times, and ticket prices vary. Runs through Thurs/3. Four different tales from theatre/performance artists like D’Lo, Jeanne Haynes, Rachel Parker, and Anthem Salgado will surprise and awaken your imagination.
Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. Cirque du Soleil presents its latest big top touring production.
Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.
Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat, 10:30pm; Sun, 4pm. Through Dec 13. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.
“ReOrient 2009” Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs-Sat, 8pm; Sun, 5pm. Through Dec 13. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.
She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.
“Stateless” Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-$18. Thurs/3-Sat/5, 8pm; Sun/6, 7pm. Zeek presents poetry, hosted by Dan Wolf and Joanna Steinhardt.
Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Dec 19. Before throwing around terms like “dysfunctional, bi-polar, codependent,” to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, “slim-hipped” wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)
Bay Area
*Boom Marin Theatre Company, 397 Miller Ave, Mill Valley; 388-5208, www.marinthetre.org. $31-$51. Thurs/3-Sat/5, 8pm; Wed/2, 7:30pm; Sun/6, 7pm. Marin Theatre Company presents the Bay Area premiere of Peter Sinn Nachtrieb’s explosive comedy about the end of the world.
*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 13. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty. (Avila)
*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through Dec 12. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. (Avila)

PERFORMANCE

“An Old Fashioned Christmas” Old First Church, 1751 Sacramento; 474-1608, www.oldfirstchurch.org. Sat, 4pm. $12-$15. The internationally acclaimed Ragazzi Boys Chorus performs haunting and mysterious classics alongside sing-along carols.
Anonymous 4 Herbst Theatre, 401 Van Ness; 398-6449, www.performances.org. Thurs, 8pm. $32-$42. The a cappella group performs medieval English carols and American Christmas songs.
“Body Music Festival” Various SF and East Bay venues. www.crosspulse.com. Through Sun, various times and prices. Keith Terry and Crosspulse present the second annual six-day global event featuring concerts, workshops, teacher trainings, and open mics.
“A Brass and Organ Christmas” Grace Cathedral, 1100 California; 749-6364, gracecathedral.org. Mon, 7pm. $15-$50. The best of Bay Area brass brings down the house in this annual holiday fest.
Golden Gate Boys Choir and Bellringers Cristo Rey Monastery, 721 Parker; www.ggbc.org. Sun, 2pm.  Free. The Golden Gate Boys Choir and Bellringers perform a special Christmas concert.
“KML’s Holidays with Class” Intersection for the Arts, 446 Valencia; killingmylobster.com. Fri-Sun, 8pm. $15. Killing My Lobster presents a staged reading of holiday-themed comedic sketches written by alums of KML’s writing classes.
“Joy to the World!” MCC, 150 Eureka; www.brownpapertickets.com/event/85853. Fri, 8pm. $20. Gay Asian Pacific Alliance presents GAPA Men’s Chorus in a global, multilingual holiday concert featuring Likha Pilipino Folk Ensemble and the Likha Rondalla string ensemble.
“Left Coast Leaning Festival” Yerba Buena Center for the Arts Forum, 701 Mission; 978-2787, www.ybca.org. Thurs-Sat, 8pm. $10-$35. Youth Speaks’ Living Word Project and YBCA present a three-day festival celebrating West Coast dance, theater, and music.
Magnificat St. Mark’s Lutheran Church, 1111 O’Farrell; www.magnificatbaroque.com. Sun, 4pm. $12-$35. Magnificat invites you to explore the new music of the Early Baroque.
“Return of the Sun” San Francisco Jewish Community Center, 3200 California; 292-1233, www.jccsf.org. Sat, 11 and 2pm. $15-$22. Brenda Wong Aoki, Mark Izu, and World Arts West present a masterful blend of dynamic storytelling, music, and dance.
“Rockin’ the Gay 50s” Victoria Theatre, 2961 16th St; www.gracelandgirls.com. Sat, 8pm. Sun, 2pm. $8-$20. The Graceland Girls present this funny satire on gay adolescence in the 50s, the way many wish it had been.

Events Listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2
Healthy Holiday Drinking Ferry Building, One Ferry Building, SF; (415) 291-3276 x103. 5:30pm, $30. Enjoy a holiday happy hour featuring Jim Beam cocktails made with early winter produce, samples of eight exotic liquor cocktails, and hors d’oeuvres from local restaurants. Vote for your favorite drink and be entered to win farmers market prizes.
The Moment of Psycho BookShop, 80 West Portal, SF; (415) 564-8080. 7pm, free. Hear film critic and historian David Thomson discuss his latest book The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder about the ways Hitchcock challenged Hollywood and altered our expectations for film.

THURSDAY 3
Handmade Ho Down 1015 Folsom, 1015 Folsom, SF; www.handmadehodown.com. 6pm, free. Bay Area artists selling their handmade goods on Etsy.com team up to present a night of shopping, holiday cocktails, and DJ music. Some proceeds to benefit DrawBridge.
High-Tech and the Written Word Mechanics’ Institute, 57 Post, SF; (415) 393-0100. Bay Area literary, publishing, and tech/media authorities come together to discuss the future of the book and printed word in the world of the internet and merging technologies. Featuring Daniel Handler, Brenda Knight, John McMurtrie, Annalee Newitz, Scott Rosenberg, and Oscar Villalon, moderated by Alan Kaufman.

FRIDAY 4
Green Sight and Sound Mina Dresden Gallery, 312 Valencia, SF; www.me-di-ate.net. 6pm, $35. Enjoy some ecoculture at this event featuring an art exhibition and silent auction of small works by environmental artists, wine, appetizers, and sweets from Bay Area purveyors, and live music performances.
Bay Area
Light Up the Holidays Jack London Square, Broadway at Embarcadero, Oak.; (510) 645-9292 x221. 5:30pm, free. Usher in the holiday season at this community event featuring an interactive palm tree light show, live dance and theater performances, live music, and more.

SATURDAY 5
Artist Bazaar Precita Eyes Mural Arts and Visitors Center, 2981 24th St., SF; (415)-285-2287. 7pm, free. Shop for some affordable original artwork by local artists while enjoying music by DJ Special K, a book signing by Precita Eyes Muralists, and affordable refreshments.
City Dance Cowell Theater, Fort Mason Center, SF; (415) 297-1172. 8pm, $15-23. Check out top-quality Bay Area dance performances with the Zhukov Dance Theater, Soul Sector, Loose Change, Funkanometry SF, and DS Players.
Deco the Halls Concourse Exhibition Center, 635 8th St., SF; (650) 599-DECO. Sat. 10am-6pm, Sun. 11am-5pm; $10. Attend the largest Art Deco and Modernism sale in the country featuring furniture, accessories, pottery, glass, art, books, jewelry, clothing, and more.
SF Camerawork Auction SF Camerawork, 2nd floor, 657 Mission, SF; (415) 512-2020. 1pm, $30. Bid on photographic art that fits a variety of budgets and interests from artists Robert Mapplethorpe, Todd Hido, Catherine Opie, and more. Proceeds help support SF Camerawork’s’ exhibition space, mentoring program for at-risk youth, and journal.
Slow Crab and Oyster Festival Potrero Hill Neighborhood House, 953 De Haro, SF; (415) 957-1313 x2. 6pm, $65. Celebrate the start of Dungeness Crab season at this dinner cooked by student chefs from the California Culinary Academy (CCA) featuring speakers, live blues music, and local beer.
Third Street Warehouse Sale 665 22nd St., SF; (415) 561-9703. 8:30am-4:30pm, free. Dozens of Bay Area designers and manufacturers are offering discounts on samples, overruns, and inventory of all kind of products from home décor and pet, to clothing and jewelry. Down the street at the same time, Rickshaw Bagworks (904 22nd St., SF; (415) 904-8368) is hosting a Flapjack Festival shopping and pancake event.
BAY AREA
Farmers’ Market Fair Civic Center Park, Center at Martin Luther King Jr. Way, Berk.; (510)548-3333. 10am-4pm, free. Shop for local crafts while stocking up on organic produce at this farmers’ market featuring live music throughout the day.
Fungus Fair Lawrence Hall of Science, Centennial Drive, Berk.; (510) 642-5132. Sat-Sun 10am-5pm, $6-12. Get up close to hundreds of wild mushrooms, eat edible mushrooms, learn cultivation techniques, watch culinary demonstrations, and become your own Mycologost (mushroom scientist) at this fair celebrating it’s 40th year.
Project Censored Book Release Odd Fellows Hall, 535 Pacific, Santa Rosa; (707) 874-2695. 6pm, $20. Celebrate the release of the 34th annual Project Censored, a list compiled by students and faculty at Sonoma State University of the most important news stories of the year censored by the mainstream media. To read this year’s stories, visit www.projectcensored.org.

SUNDAY 6
Passive Aggressive Artists Television Access (ATA), 992 Valencia, SF; (415) 863-2141. 5pm, $5-10 sliding scale. Attend SoEx’s 8th annual film and video screening juried by Andrea Grover featuring work from film and video artists Brian Andrews, Marlene Angeja, Miguel Arzabe, Clark Buckner, and more.
Winterfest 2009 SOMArts Gallery, 934 Brannan, SF; (415) 431-BIKE. 6pm; $15 for SFBC members, $40 for general public, includes a one year SF Bike Coalition membership. Enjoy a festive evening with fellow bike enthusiasts featuring New Belgium beer, DJs, food vendors, and deals on bikes, gear, art, and local bike crafts.
MONDAY 7
Double-Consciousness San Francisco Center for Psychoanalysis, 4th floor, 2340 Jackson, SF; (415) 563-5815. 7:30pm, free. Hear E. Victor Wolfenstein, Ph.d., psychoanalyst, author, and professor of political science at UCLA, explore double-consciousness and the subversion of love in Toni Morrison’s Tar Baby.
Save the Ant, Save the World Atlas Café, 3049 20th St., SF; (415) 648-1047. 7pm, free. Find out more about the huge role that ants play in our ecosystem at this talk where Dr. Brian Fisher will describe the unique behaviors and adaptations of these charismatic creatures.

Anti-war activists return to the streets

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By Steven T. Jones
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Photo by Bill Hackwell from our award-winning story “Resistance is futile — or is it?

As President Obama announces an escalation of the war in Afghanistan this evening, anti-war activists are planning to take to the streets in protest. The questions now are whether the movement can gather the numbers and energy that it had back in 2003, after years of being ignored and demoralized, and whether this new president will listen.

Code Pink will host on event today at Tommy’s Joynt (1101 Geary) starting at 4 p.m. for those who want to watch Obama’s speech together, and they’ll march on the Federal Building afterward. There will also be a march this evening in the East Bay, starting at 7 p.m. at the clock tower at 4063 Piedmont Avenue in Oakland.

Then, tomorrow (Dec. 2) at 5 p.m., a half-dozen anti-war groups will join forces for the main local march against the war, gathering on Market Street at Powell. And the American Friends Service Committee will simultaneously protest outside the new Federal Building (90 7th Street).

P.S. If you’re still on the fence about whether escalating the war in Afghanistan is “necessary” or a dangerous clusterfuck, check out this piece in The Nation about how US contractors are funding the Taliban or this piece on Bill Moyers Journal about how this escalation is likely to do more harm than good.

Ting wins big case against the Catholic Church

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By Ryan Thomas Riddle

Assessor-Recorder Phil Ting is the victor in the high-stakes battle against the Catholic Archdiocese of San Francisco. The church has been ordered to pay an estimated $14.4 million in transfer taxes to the city. But the victory comes on the heels of the California State Board of Equalization’s decision to slightly lower property taxes statewide.

On Tuesday, Dec. 4, the Transfer Tax Review Board voted 3-0 in favor of the Assessor’s Office, resulting in what the office is calling “the second largest transfer tax event in our city’s history.” The board decided that the Archdiocese’s extensive 2008 property transfers were taxable under the Real Property Transfer Tax Ordinance.

Ting said via phone conference that board’s decision shows that his office has been “aggressive and fairly enforcing the law.” He added that while the Assessor’s Office may have turned a blind eye in the past, the board’s verdict shows that every taxpayer gets treated the same under his watch. “We have worked hard to ensure every taxpayer is being assessed transfer taxes in a fair and consistent manner.”

SF cops shouldn’t seize DJs’ laptops

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By Steven T. Jones
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Going into another weekend, I find myself thinking about our story on San Francisco Police officers seizing DJs’ laptops as they raid house parties. The SF Weekly got on the story about the same time we did, but their music columnist got it into the paper a week before us. We furthered her reporting by naming the main cop culprit and showing the Chief’s Office knows about it, but it’s frustrating that the policy isn’t being addressed more directly, given the level of concern. Our story is getting a few comments and I’d love to hear others weigh in here on a tactic that seems punitive and perhaps unconstitutional.

That’s what I called it when SFPD spokesperson Lyn Tomioka wrote an e-mail to me defending the practice (I was the editor for our story, which was written by freelancer Joshua Emerson Smith). She wrote: “Our primary focus is always public safety. In the past we have seen over crowed [sic] events that the Fire Department would not have been able to rescue all of the people, in the event a fire broke out. Under age drinking is another concern and the serious issues that have been associated with that. There are other public safety issues that concern us.”

To which I responded: “I understand your concerns about fire and underaged drinking, but I’m still not clear what those things have to do with laptop computers or how their seizure proves anything. Playing music is not a crime, nor is having it on your computer. Frankly, the policy seems punitive and perhaps unconstitutional. We hope the SFPD will review this tactic, allow the public to weigh in on it, and consider modifying or rescinding it.”

What do you think?

Thread Fashion Show

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Photo and text by Ariel Soto

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Fashionistas flocked to Fort Mason in search of the perfect outfit during a weekend long fashion event called Thread, held November 21 and 22. There were not only innovative designs and luscious accessories but also four runway shows to ogle over. At one of the runway extravaganzas, designers Arka Clothing, Nicacelly, and WHERE were featured on the catwalk. A live singer accompanied each set of models, which sounds cool, but honestly was rather distracting and made it difficult to enjoy the clothes being showcased. Beyond the clothing, there was also live painting and printmaking and yummy homemade food, creating an event that had a little bit of something for just about everybody.

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Our weekly picks

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WEDNESDAY 25th

MUSIC

Sex Worker


In the current folds of neo-psychedelia, kids don’t require drugs to lose their shit. They need only close their eyes and wait for the neon to swirl, the monologues to multiply. Sex Worker, the solo effort of Daniel Martin-McCormick of Mi Ami, is one such manifestation of this hide-and-seek schizo entanglement, where fits of stretched, ethereal sound get densely layered with Martin-McCormick’s fractured vocal tantrums. Actually, I have no idea what I’m talking about. I’m basing this on two MySpace songs. The truth is, you’re still in town. And you didn’t go home to Utah (or some other whoopee cushion state) because you thought staying in SF during the holiday would be more entertaining than having that same conversation with that same uncle over the same plate of Jell-O and mashed potatoes. And you’re right. This is guaranteed to be more exciting. (Spencer Young)

With Psychic Reality, Jealousy

9:30 p.m., $6

Hemlock Tavern

1131 Polk, SF

www.hemlocktavern.com

VISUAL ART

Ara Peterson: "Turn Into Stone"


Not every artist who has representation has it from a gallery that’s a near-ideal showcase for her or his work. But such is the case for Ara Peterson, whose large-scale experiments with form and color are given the right amount of white space by Ratio 3. "Turn Into Stone" is composed of two bodies of work. The first is a series of backgammon tables designed and created by Peterson and his father, Jack. In terms of influence, these pieces extend patrilineal influence yet further, drawing from the youngest Peterson’s memories of his great-grandfather’s ceramic paintings. The 21-century Albers extended lines of color — or, to use the artist’s phrase "long impervious vibes" — in the other body of work make for a good wood-and-acrylic-paint contrast with Marcus Linnebrink’s current epoxy resin and pigment pieces at Patricia Sweetow Gallery. And that’s not even getting into the show’s giant intestinal orange tubes. (Johnny Ray Huston)

11 a.m.-6 p.m. (continues through Dec. 19), free

Ratio 3

1447 Stevenson, SF

(415) 821-3371

www.ratio3.org

EVENT

San Francisco Gourmet Chocolate Tour


If you’re in the mood for a culinary adventure, you’ll likely love-love-lovey Gourmet Walks’ three-hour tour devoted to treats by local artisan chocolatiers. You might be looking for petit fours of bitter chocolate rust. Or perhaps you’re the type to appreciate crepe de chine encrusted with whole goji berries from your local farmers market, or you’re one of the growing number of dog owners looking for some white chocolate-covered canine biscuits. Maybe you just like chocolate. If any of the above apply, you’ll a chance to encounter a newsstand with 200-plus candy bars and a Swiss place beloved by the mighty Oprah on this jaunt. Oh, and you’ll definitely get a free cup of piping hot cocoa. (Jana Hsu)

10:30 a.m. (also Fri., 10:30 a.m.; Sat., 2 p.m.), $49

Union Square to waterfront, SF

(800) 838-3006

www.brownpapertickets.com

www.gourmetwalks.com

MUSIC

Del Tha Funkee Homosapien


Who is the cousin of Cube, the secret Native Tongue, the psychedelic seer, the time-traveler who had been to 3030 and back before he even met Gorillaz? Dude, it’s Del tha Funkee Homosapien. In addition to a footwear project with Osiris Shoes, Del’s been putting out recordings at a furious pace of late: the latest — after this year’s self-released Funkman and Automatic Statik — might be Parallel Uni-verses (Gold Dust) a collabo with Tame One of Artifacts. The man who prices his music in response to the economy brings his stimulus package to the stage tonight. (Huston)

With Bukue One, Serendipity Project, Hopie Spitshard

9 p.m., $19–$22

Great American Music Hall

859 O’Farrell, SF

(888) 233-0449

www.gamh.com

FRIDAY 27th

DANCE

The Velveteen Rabbit


In a time when babies are practically born with electronic hamsters to pet and Transformers to hug, one wonders whether there still is place in a child’s life for a velveteen rabbit that loses its whiskers and a practically tail-less toy horse. The success of ODC/Dance’s now 23-year-old The Velveteen Rabbit proves that there are plenty of kids, parents, and grandparents who see the fun and heartache in this lovely story about love, loss, and growing up. Of course, it helps that ODC went for quality when they first scratched the money together for a production of this evergreen: KT Nelson for choreography, Benjamin Britten for music, Brian Wildsmith for costumes and sets, and our own Geoff Hoyle for narration. Margery Williams’ story may be a classic, but so is ODC’s translation to the stage. (Rita Felciano)

2 p.m.(through Dec. 13), $10–$45

Novellus Theater

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

MUSIC

Peaches


The first time I saw Peaches was by accident. She somehow snuck herself onto a tour with …And You Will Know Us by the Trail of Dead, a solid yet serious emo rock band. Peaches, too, was solid — or ripe, rather — but only semiserious, and she was neither emo nor rock (despite the suggestion of her most successful song to date, "Fuck the Pain Away"). She was more electroshock than electroclash, dancing provocatively to simple but catchy prerecorded tracks and flaunting giant rubber dildos while Germanic pubic hair spilled out her kid-sized leotard. Since then I’ve learned that it’s imperative to abandon your dull, serious self at a Peaches show. Otherwise she’ll find you in the crowd and call you out by slapping your face with God knows what. (Young)

With Amanda Blank, Wallpaper

9 p.m., $25

Regency Ballroom

1290 Sutter, SF

www.theregencyballroom.com

EVENT

The Great Dickens Christmas Fair


The Great Dickens Christmas Fair aims to take attendees back to the era of the author’s novels, not to mention the holiday season of one of his more popular tales. But it also is a Bay Area tradition that carries its own history, dating back to 1970. The fair has more than its fair share of devoted attendees — among them Father Christmas, Ebeneezer Scrooge, the Cratchit Family (including Tiny Tim), Oliver Twist, Mr. Pickwick, and perhaps even Charles Dickens. They know the truth: nothing’s better for the body than a hot toddy. (Hsu)

11 a.m.–7 p.m. (through Dec. 20)

$10–$22 ($25–$55 for season passes)

Cow Palace Exhibition Halls

2600 Geneva, SF

(800) 510-1558

www.dickensfair.com

FILM

"Otto Preminger: Anatomy of a Movie"


He came from Vienna, and he conquered Hollywood. Well, it took a hot minute — occasional thespian Otto Preminger was also cast as a Nazi in multiple films. But directing was his true talent, and he proved a master in multiple genres: 1944 noir Laura; 1947 Joan Crawford melodrama Daisy Kenyon; 1959 courtroom drama Anatomy of a Murder; 1962 political thriller Advise and Consent; 1957 historical biopic Saint Joan, starring a then-unknown Jean Seberg (who later played the enfant terrible in 1958’s Bonjour Tristesse); 1955 Frank Sinatra junkie drama The Man with the Golden Arm; and 1955’s Carmen Jones, with Dorothy Dandridge leading an all-African American cast. This Pacific Film Archive series, loaded with restored and rare prints of all of the above and more, also tosses in a couple of unclassifiable gems: 1965’s Bunny Lake is Missing (whodunnit?) and 1968’s Skidoo (LSD dunnit!) (Cheryl Eddy)

7 p.m. (Laura) and 8:50 p.m. (Fallen Angel), continues through Dec. 20; $5.50–$9.50

Pacific Film Archive

2575 Bancroft, Berk.

(510) 642-5249

www.bampfa.berkeley.edu

SATURDAY 28th
FILM

Secrets of the Shadow World


Season’s greetings from George Kuchar! San Francisco’s busy underground laureate is featured in a recent documentary portrait, an upcoming SF Cinematheque program of vintage 8mm restorations, and Yerba Buena’s "Tropical Vultures" exhibit. Visit Yerba Buena this Saturday and your gallery admission is good for a special screening of Secrets of the Shadow World (1989-1999). A prime slab of the Kucharesque, this Rockefeller Foundation-funded (!) paranormal video dive incorporates reconnaissance with John Keel, the recently deceased author of 1975’s Mothman Prophecies, along with essayistic inquiries into the ontology of digital imagery and Sasquatch droppings. (Max Goldberg)

2 p.m., Free with Gallery Admission

Yerba Buena Center for the Arts

701 Mission, SF

415-978-2787

www.ybca.org

LIT/MUSIC/VISUAL ART

"You Are Her: Riot Grrrl and Underground Female Zines of the 1990s"


Matt Wobensmith’s zine shop Goteblüd was the toast of the town at this October’s New York Art Book Fair, with Holland Cotter of The New York Times singling it out in a report on the event. Wobensmith has already shared a lion’s-size library of queer zines with curious local paper tigers via Goteblüd’s first local show — now, it’s the paper tigresses’ turn for a treat, thanks to "You Are Her," a pretty much astonishingly expansive — though not if you know Wobensmith’s dedication to the cause — collection of riot grrrl and other female-centric 1990s zines available for viewing and reading. Behold copies of Bikini Kill, Double Bill, Girl Germs, Hey Soundguy (by Corin Tucker), I Heart Amy Carter and Jigsaw (by Donna Dresch), my first love Teenage Gang Debs, and Way Down Low. Behold Sassy in its glossy glory. Be glad you live in SF, where you can see this stuff for real — for realz. (Huston)

Noon–5 p.m. (show continues through Jan. 2010), free

Goteblüd

766 Valencia, SF

www.goteblud.livejournal.com

MONDAY 30th

VISUAL ART


"What About Me?!: New Faces in Contemporary Self Portraiture"


First off, kudos to the Peanut Gallery for its name. Second, the young space’s latest show has a strong sense of variety. At a glance, what I really like are the vast differences between Dean Dempsey’s colorful backlit image of himself times five post-racketball in a locker room; Richard Bluecloud Cataneda’s black-and-white vision of himself times nine in street, ceremonial, and clown guises; and Susan Wu’s 10 card-size drawings that render her face, disembodied, as masks of a sort. These contrasts demonstrate the breadth and potential of contemporary self-portraiture rather than its narcissistic pitfalls. (Huston)

Noon–6 p.m., free

The Peanut Gallery

855 Folsom, #108, SF

(415) 341-0074

www.thepeanutgallerysf.blogspot.com

TUESDAY 1st

MUSIC

Conspiracy of Beards


Few beards exist in the 30-man a capella choir Conspiracy of Beards. This is not surprising, considering they sing the songs of Leonard Cohen, who seems to prefer the scrape of a razor to any soft cushion. If you were rich (or desperate) enough to pay the $90 ticket fee to see Mr. Cohen back in April at the Paramount in Oakland, then you know it was for the words. A poet dressed in a musician’s clothing, Cohen is most potent when his lyrics do all the songs’ work, which they usually do. The a capella setup of Conspiracy of Beards proves to be genius when you hear 30 men singing "Giving me head on the unmade bed." Cohen’s signature synthpop sound is delivered courtesy of the bass vocals on songs like "First We Take Manhattan" and "Tower of Song." And "Famous Blue Raincoat" is more ominous than sad. Don’t be surprised if the Cafe Du Nord suddenly becomes a cathedral. (Lorian Long)

With StitchCraft, King City

8:30 p.m., $10

Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com
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The 448’s war

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news@sfbg.com

The Green Room of the San Francisco Veterans Building has been taken over for the night by the Sisters of Perpetual Indulgence, a charity organization that mashes Catholic imagery and drag, perhaps San Francisco’s most iconic gay group. But among the drag queens and leather daddies are military veterans in garrison caps and vests decorated with medals.

This is the Sister’s bingo night, an event to raise money for the various nonprofit organizations the order supports. Above the stage hangs the banner of the Sisters’ partner in the event: American Legion Post 448, also known as the Alexander Hamilton post.

It may seem like a strange partnership — drag nuns joining forces with the American Legion, the country’s largest veterans’ organization with 14,000 posts worldwide. The goals of the Legion are traditionally conservative: uphold the constitution, make national security the top priority, demand loyalty to the union, and "foster and perpetuate a 100 percent Americanism," according to its preamble. It even maintains a pseudo-military rank structure among its members.

But the partnership isn’t so strange. The 448 is the only Legion post in the nation for gays and lesbians who once served in the military. Its relationship with the Sisters is a "good partnership," as Assistant Sergeant-at-Arms Morningstar Vancil puts it, and a "win-win situation." The post runs the outside bar since city bingo rules don’t allow liquor during the game and the Sisters get the room at the vets’ reduced rental rate.

The bingo proceeds go to the Sisters’ charities while the proceeds from the bar go to Post’s causes, particularly its ongoing push to repeal the military’s long-standing ban preventing homosexuals from serving openly. Today, that cause seems more hopeful than ever considering that the current presidential administration has promised to bring the ban to an end.

"We should not be punishing patriotic Americans who have stepped forward to serve this country. We should be celebrating their willingness to show such courage and selflessness on behalf of their fellow citizens, especially when we’re fighting two wars," President Barack Obama said in his speech to the San Francisco Human Rights Commission on Oct. 10.

However, some of the post members are only cautiously optimistic about Obama’s promise after the long, tough climb just to establish a gay post in San Francisco.

EARLY DAYS


Noted gay rights activist and veteran Dr. Paul D. Hardman formed the post in 1984, naming it after Alexander Hamilton, who wrote affectionate letters to Continental Army Capt. John Laurens. A quote from one letter appears on the post’s Web site: "I wish, my dear Laurens, that it might be in my power, by action, rather than words, to convince you that I love you." Hardman and some historians have speculated on a homosexual relationship between the two.

Hardman needed at least 15 gay veterans to form the post and he got 18, including the late Marcus Hernandez, former leather columnist for the LGBT newspaper Bay Area Reporter. But acceptance was hard to get in the early days.

According to Arch Wilson, World War II vet and the oldest living founding member at 85, the post had a difficult time getting approved. During the approval process, the Legion stalled, losing applications and paperwork, which Wilson attributes to old-guard homophobia.

"They absolutely had no tolerance for homosexuals in their midst," Wilson said

At first, the 448 wasn’t even allowed in the Veterans Building. But they had a powerful weapon: the city’s nondiscrimination ordinances. Since the building was city property, the American Legion had to abide by the ordinances. The threat of a lawsuit was leverage enough to allow the Alexander Hamilton Post an office and its charter, but not a seat on the War Memorial Commission that ran the building. The 448 got a seat on the commission after taking the Legion to court in 1987.

According to Commander John Forrett, one of his predecessors had once been asked at a national Legion convention, "Oh, you’re from San Francisco. You’ve got that queer post, don’t cha?" And when a gay slur was uttered at a delegate meeting, the post again took the Legion to court. "Following that they haven’t dared mouth off any kind of venom about queers," Wilson said.

And while acceptance is more readily found today, there is still some resentment. "It shows through sometimes," Wilson said. "If you were a black man, you’d know when you were getting a subtle brush-off by a white who didn’t like you and wouldn’t dare say so."

Forrett agrees. "The clash still exists but it’s the old guard — the older veterans as well as older active duty members."

When called for comment, the national American Legion office said it didn’t even know a gay post existed. However, the American Legion’s Department of California — the state headquarters, which is located in San Francisco — told us that the 448’s sexual orientation just isn’t even an issue nowadays.

DON’T ASK, DON’T TELL


When Congress approved 10 United States Code, Section 654, commonly known as "Don’t Ask, Don’t Tell" (DADT) — the Alexander Hamilton Post had a new fight. Signed in 1993 by President Bill Clinton, DADT is the policy that allows homosexuals to serve as long as they stay in the closet. Since its inception, the 448 has fought aggressively to get it overturned.

The history of DADT is "kind of the history of the post," according to Forrett, who was a reserve Army officer living in the closet during the first Gulf War. Fortunately, his sexuality never came into question, but he eventually resigned his commission because of the unfortunate changes he saw in the military as a result of DADT.

"DADT, with the best of intentions, didn’t go far enough to protect and left a huge window of opportunity for predators and harassers," Forrett said.

Forrett has met two of the most prominent casualties of DADT: Lt. Dan Choi, who has since become a post member, and former sailor Joseph Rocha, who wrote an Oct. 11 Washington Post op-ed piece outlining the brutal harassment he received because of his sexuality. He wrote that his chief forced him to simulate oral sex with another sailor, and was once tied up in a dog kennel.

Since the mid-1990s, the 448 has sought to build support for repealing DADT. Hardman and others testified in Congress in 1996 on the damaging impact of the policy. He also pushed for the belated release of what he called the "long-suppressed" 1993 Rand Corporation study on gays in the military. The study’s conclusion was that sexual orientation wasn’t germane when deciding who can and cannot effectively serve in the military

The report spearheaded the post’s partnership with the Servicemembers Legal Defense Network (SLDN), a nonprofit organization helping those harassed under DADT. "The Alexander Hamilton Legion has been a longtime committed partner," Aubrey Sarvis, SLDN Executive Director wrote in an e-mail to the Guardian.

Post members attend SLDN’s Lobby Day, where supporters gather on Capitol Hill asking politicians to take action. And they continue to work with SLDN on getting the Military Readiness Enhancement Act — a bill that would repeal DADT — pushed through Congress.

But other post members are getting impatient. "Get on with it," Service Officer Robert C. Potter told us. "As my mother would say, ‘Either shit or get off the pot.’"

"Before Obama gets out of office, I want this changed," Sergeant-at-Arms Jimmy McConnell said. "And it’s not just for me. I want it for every person who feels that they are gay, bi, transgender, whatever."

However, Forrett is confident the president will make good on his promise. He feels that the president is going about it the right way by waiting for the next Congress. "Come on, man, 2010 isn’t that far," he said. "We’ve been suffering this long."

A NEW MISSION


When DADT is repealed, the post will work toward building a LGBT veterans’ memorial honoring those brave gay soldiers who gave their lives protecting their country. "For those who were before us, for those who are with us, and those who will come," Forrett said. "That’s kind of the concept. We want it to be an ongoing tribute."

In the meantime, the post continues to fight for veterans’ rights as well as LGBT rights, even bringing care packages to the wounded soldiers at the Fort Miley V.A. Hospital. "When we go to the V.A. hospital we don’t focus on LGBT, we focus on veterans," Forrett said.

And they’ll continue working with the Sisters of Perpetual Indulgence and marching in the Pride Parade because Forrett believes that everything the post does comes back to DADT. "It keeps us out in front of everybody and that’s what’s important."

Police seize DJs’ laptops

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news@sfbg.com

San Francisco Police Department officers have added a controversial tactic to their aggressive raids on house parties (see "Fun under siege," 4/22/09): they’re seizing laptop computers from DJs at the events.

While SFPD officials deny the laptop seizures is a new policy, they admit it has been condoned by Police Chief George Gascón, who took over in August and last month told the Guardian‘s editorial board he wants to make the SFPD more transparent and accountable to the public (see "New coach, new approach," 10/14/09).

"The police chief is aware that officers are being proactive in gathering evidence," Sgt. Lyn Tomioka told the Guardian when asked about a string of laptop seizures by undercover cops over the last 10 months, most of them in cases in which the DJs weren’t even charged with a crime.

Many of the raids have occurred in SoMa, and were spearheaded by undercover officers who penetrated the parties and were followed by uniformed officers. San Francisco Entertainment Commission member Terrance Alan called the crackdown a "disappointing and dangerous trend."

Tomioka said it’s a judgment call for officers to seize laptops as evidence of an illegal party, but Alan said the tactic is a punitive measure that proves nothing: "Taking laptops [is] not necessary to prove the underlying crime, and in many cases damages people’s ability to earn a living."

One of the most recent raids happened on Halloween. It was about 2:30 a.m. and music was pumping out of a warehouse party on Sixth Street. The people throwing the party had hired a doorman, and attendee Eric Dunn was standing in line waiting to get in.

"We were right at the front of the line," Dunn told the Guardian, when, he said, two plainclothes officers drove up on the sidewalk, jumped out of an unmarked car, and rushed up to the doorman. "[The officers] pretty much started demanding entry right away. The doorman was really polite. He basically told them that you have to know somebody to get into the party."

Dunn said the officers waited until an exiting guest opened the door from the inside and then made their move. "One guy barged in, and the other guy followed. They never asked permission or received permission to enter the building," Dunn said.

Inside, the two undercover officers immediately shut down the event. Justin Miller, a DJ at the event, said she remembers it very clearly. "The cops at that point were telling everybody to leave the party, telling me to turn the music off. I turned the music off. Everyone was quietly leaving."

But Miller said it didn’t stop there. One of the undercover officers approached her and asked if she had a laptop. She said she did. "I was a little confused at this point because I didn’t know what my laptop had to do with anything. I was playing CDs." She said she pulled her computer out from underneath a table and unzipped it from a case. The officer then "grabbed it from me."

The undercover police officer — later identified by witnesses and the evidence receipt as Larry Bertrand — instructed Miller to follow him down to the street to get a property receipt for her laptop.

At this point there were uniformed officers on the scene as well. Miller started to cry. "I begged him. I said, ‘This is my livelihood. You’re talking my laptop. This is my livelihood. I hope you realize that.’ He said, ‘This is how you’re going to learn then, I guess.’"

Miller said Bertrand (who did not return Guardian calls for comment) then told her he was "going to take it upon himself to shut down every illegal party in San Francisco."

She said he then opened the trunk of his car, revealing several other laptops. A person at the party pointed out that one of the laptops belonged to a friend of his, and asked if he could get the property receipt for the laptop. Miller said Bertrand turned to the inquiring person and said, "You will never see this laptop again."

She continued: "He then looked at me and said, ‘I’m going to make sure your paperwork gets so tied up that maybe you won’t see this laptop until December, January, February, who knows when.’ I felt so violated."

Miller has been working as a DJ in the Bay Area, under the name DJ Justincredible, for more than 10 years. She says she’s never had any of her equipment confiscated by the police before. But at that party, three DJs had their laptops confiscated, even though none were charged with a crime.

Shortly after the Halloween incident, Miller and the two other DJs who were at the party contacted the Electronic Frontier Foundation, a nonprofit advocacy group specializing in technology and privacy issues. Jennifer Granick, a civil liberties lawyer with EFF, said most people haven’t heard about this because few of these DJs, if any, ever get convicted of a crime.

"DJs and the police department know that sound equipment and laptops are being unlawfully seized. But the public and the courts haven’t heard much about it because every time a DJ asks for a hearing, the cops just give them their property back rather than show up and defend the practice in open court before a judge," she said.

Sean Evans has been working as a DJ in San Francisco, under the name DJ 7, for more than 10 years. He said that over the summer he had his laptop seized by police during an after-hours party in SoMa. He was given no property receipt, and his case was dismissed. But it took him three months to get his computer back.

"To lose our sole means of income, it’s a huge setback. It puts us out of work. In this recession, we’re struggling, and we need our laptops to get by," he said. Evans grew up in the Bay Area and he said has never had anything like this happen to him before.

Granick argued it is illegal for police to seize property without issuing citations or arrests. She also said there are serious privacy issues at stake. "If we were to find out that the police were doing something else with the laptops, like searching through them or copying the data, we would definitely go to court," she said.

SFPD Sgt. Wilfred Williams said he could not say what was currently being done with the laptops. In general, he said, private events that emit "extraordinary amounts of sound" need permits. And if they don’t have the proper permits, he said, property can be seized as evidence, "be it the speakers, be it the laptops, be it a mixer."

Both Tomioka and Williams say the seizures aren’t a new policy. "If you look back in time, laptops haven’t been used for music," Williams said. "There used to be old types of equipment that was taken in the past. But now laptops are being used. So yes, today, laptops [are] being seized."

Entertainment advocates have called on Mayor Gavin Newsom and Gascón to come forward with an explicit policy concerning these raids and seizures. The Mayor’s Office did not respond to Guardian inquiries. Critics of the policy say it’s having a chilling effect on nightlife in San Francisco.

Stage listings

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Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Opens Wed/25, 7pm. Runs Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.

The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Opens Fri/27, 8pm. Runs Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.

Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Opens Fri/27, 4 and 8pm. Runs Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. Cirque du Soleil presents its latest big top touring production.


ONGOING

Bare Nuckle Brava Theater, 2781 24th St; 647-2822, www.brava.org. $15. Nov 29, 3pm; Dec 1, 7pm; and Dec 3, 8pm. Brava Theater presents a solo theater performance written and performed by Anthem Salgado and directed by Evren Odcikin.

Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.

Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.

*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play, making its local premiere at the Marsh after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is "be yourself"—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: "I just thought he was really into hats." But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future "somebody." (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

*First Day of School SF Playhouse, 533 Sutter; sfplayhouse.org. Check Website for dates and prices. Through November. Good sex comedy should surprise you with how long it can keep its premise up and satisfying. By that measure, Billy Aronson’s new farce, First Day of School, is a humdinger. But it gets A’s in other departments too, like playing well with others, and having something interesting to say when the panting stops. SF Playhouse’s world premiere packs a very solid, comically lithesome bunch of actors on its intimate middle-class, middle age, middle school sofa, where unexpectedly open-minded married couple Susan (Zehra Berkman) and David (Bill English) have forthrightly invited some fellow parents home for some "other people" action on the first day of school—the only calendar day not completely scheduled, managed, harried and over-determined in anyone’s modern suburban calendar. Susan has asked Peter (Jackson Davis), instantly reducing him to a quivering bowl of horny and guilt-laden jello, while good-natured hubby David has coaxed an equally neurotic lawyer-mom, Alice (Stacy Ross), over to his son’s room down the hall. David is temporarily flummoxed, however, by the social challenge of having his first choice, the vivaciously self-righteous Kim (Marcia Pizzo), change her mind and show up after all. Parents today&ldots; It’s all winningly helmed by Chris Smith, whose last effort with SF Playhouse, Abraham Lincoln’s Big Gay Dance Party, was another world premiere with inspiration extending well beyond the title. (Avila)

I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs and Sat, 8pm. Through Dec 12. An American woman of Palestinian descent, San Francisco actor Jennifer Jajeh grew up with a kind of double consciousness familiar to many minorities. But hers—conflated and charged with the history and politics of the Middle East—arguably carried a particular burden. Addressing her largely non–Middle Eastern audience in a good-natured tone of knowing tolerance, the first half of her autobiographical comedy-drama, set in the U.S., evokes an American teen badgered by unwelcome difference but canny about coping with it. The second, set in her ancestral home of Ramallah, is a journey of self-discovery and a political awakening at once. The fairly familiar dramatic arc comes peppered with some unexpected asides—and director W. Kamau Bell nicely exploits the show’s potential for enlightening irreverence (one of the cleverer conceits involves a "telepathic Q&A" with the audience, premised on the predictable questions lobbed at anyone identifying with "the other"). The play is decidedly not a history lesson on the colonial project known as "the Israeli-Palestinian conflict" or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)

Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs, 8pm; Sat, 5pm. Through Dec 12. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

"The Me, Myself and I Series" Brava Theater, 2781 24th St; 647-2822, www.brava.org. Days, times, and ticket prices vary. Runs through Dec. 3. Four different tales from theatre/performance artists like D’Lo, Jeanne Haynes, Rachel Parker, and Anthem Salgado will surprise and awaken your imagination.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan. 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat, 10:30pm; Sun, 4pm. Through Dec 13. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.

Rabbi Sam The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $25-$50. Sat, 8pm; Sun, 7pm. Through Dec 12. Charlie Varons’ runaway hit show returns to the Marsh.

"ReOrient 2009" Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs-Sat, 8pm; Sun, 5pm. Through Dec 13. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.

Shanghai San Francisco One Telegraph Hill; 1-877-384-7843, www.shanghaisanfrancisco.com. $40. Sat, 1pm. Ongoing. To be Shanghaied: "to be kidnapped for compulsory service aboard a ship&ldots;to be induced or compelled to do something, especially by fraud or force". Once the scene of many an "involuntary" job interview, San Francisco’s Barbary Coast is now the staging ground for Shanghai San Francisco, a performance piece slash improv slash scavenger hunt through the still-beating hearts of North Beach and Chinatown, to the edge of the Tendernob. Beginning at the base of Coit Tower, participants meet the first of several characters who set up the action and dispense clues, before sending the audience off on a self-paced jaunt through the aforementioned neighborhoods, induced and compelled (though not by force) to search for a kidnapped member of the revived San Francisco Committee of Vigilance. It’s a fine notion and a fun stroll on a sunny afternoon, but ultimately succeeds far better as a walking tour than as theatre. Because the actors are spread rather thinly on the ground, they’re unable to take better advantage of their superior vantage by stalking groups a little more closely, staging distractions along the way, and generally engaging the audience as such a little more frequently. But since Shanghai San Francisco is a constantly evolving project, maybe next time they’ll do just that. (Gluckstern)

She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.

Tings Dey Happen Marines Memorial Theater, 609 Sutter; 771-6900, www.marinesmemorialtheatre.com. $35-45. Check website for schedule. Through Sun/29. Dan Hoyle’s solo show about his year studying the West African oil frontier returns for a limited run.

Under the Gypsy Moon Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through Jan 1. Teatro ZinZanni presents a bewitching evening of European cabaret, cirque, theatrical spectacle, and original live music, blended with a five-course gourmet dinner.

Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Dec 6, 2pm. Through Dec 19. Actors Theatre of SF presents Edward Albee’s classic.

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)


BAY AREA

*Boom Marin Theatre Company, 397 Miller Ave, Mill Valley; 388-5208, www.marinthetre.org. $31-$51. Tues, Thurs-Sat, 8pm; Wed, 7:30pm; Sun, 7pm. Through Dec 6. Marin Theatre Company presents the Bay Area premiere of Peter Sinn Nachtrieb’s explosive comedy about the end of the world.

*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 13. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty: the terrible difficulty of being good when it means going decidedly against the values and opinions of your peers. Aurora Theatre’s current production makes the point with satirical flair and insight, animated by a faultless ensemble directed with snap and fire by Barbara Damashek. A conventionally handsome businessman named Tom (a brilliantly canny, vulnerable and sympathetic Jud Williford) falls for a bright, beautiful woman of more than average size named Helen (Liliane Klein, radiantly reprising the role after a production for Boston’s Speakeasy Stage). It’s the most important relationship either has had. Alone together they’re very happy. At work, however, Tom contends with relentless pressure from his coworkers, Carter (a penetrating Peter Ruocco, savoring the sadism of the locker room) and onetime dating partner Jeannie (Alexandra Creighton, devastatingly sharp at being semi-hinged). As ambivalent as Tom is about both, he feebly attempts to hide his new love from them. The separation of public and private selves leads to conflict, and the plot will turn on how Tom resolves it. Needless to say, the title’s inherent viciousness points not at Helen—by far the most advanced personality on stage—but at those who would intone the phrase as well as those, like Tom, who tacitly let it work its dark magic. (Avila)

*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm (no show Nov 26). Through Dec 12. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. The 75-minute comedy mingles three separate subplots among a group of friends, all refracted through a mysterious lingerie shop run by an affable, somewhat impish tailor (Jai Sahai) offering new skins for exploring inner selves. There’s the spoiled rich-girl (Marissa Keltie) horrified to discover her perfect fiancé’s (Timothy Redmond) secret penchant for donning feminine undergarments; a pair of best friends (Cindy Im and Elissa Dunn) who fall out over the sexy no-English matador-type (Roy Landaverde) one brings home from a Spanish holiday; and there’s an African American woman (Leontyne Mbele-Mbong) who goes on an African safari as the logical extension of her obsession with guns. Briskly but shrewdly directed by Melissa Hillman, the agreeable cast knows what to do with Yockey’s well-honed, true-to-life repartee. The play has a touch of the magical dimension familiar to audiences who saw Skin or Octopus (both produced by Encore Theatre) but it operates here in a less self-conscious, more lighthearted way, while still nicely augmenting the subtly related themes of animal-lust, competition, self-image and possession cleverly at work under the frilly, scanty surface. (Avila)

"Shakes ‘Super’ Intensive + Bronte Series" Berkeley Unitarian Fellowship, 1924 Cedar, Berk; (510) 275-3871. $8. Mon, 7:30pm, through Dec. 14. Subterranean Shakespeare presents weekly staged readings of classic Shakespeare plays, followed by a staged reading of Jon O’Keefe’s complete play about the Bronte sisters.

Tiny Kushner Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, berkeleyrep.org. $27-$71. Fri/27, 8pm; Wed/25, 7pm; Thurs/26 and Sat/28, 2 and 8pm; Sun/29, 2 and 7pm. Berkeley Rep presents the West Coast premiere of Tony Kushner’s series of short scripts.

The Wizard of Oz Julia Morgan Center for the Arts, 2640 College Ave, Berk; (510) 845-8542, www.berkeleyplayhouse.org. $19-$28. Berkeley Playhouse presents this adaptation of the classic musical theater piece.


DANCE

"Heart of the Mission Dance" Abada Capoeira Center, 3221 22nd St; www.missiondance.net. Sun, 9:30am. Ongoing. $13. Join a new 5-rhythm ecstatic dance company for a revitalizing world-music-inspired Sunday morning dance journey every week.

"The Velveteen Rabbit" Novellus Theater, Yerba Buena Center for the Arts, 700 Howard; 978-2787, www.ybca.org. Through Dec 13. $10-$45. This year’s installment of a favorite Bay Area holiday tradition features dancing by ODC/Dance, recorded narration by Geoff Hoyle, design by Brian Wildsmith, and a musical score by Benjamin Britten.


PERFORMANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-$28. This three-round improv competition pits two teams squaring off each night and performing improvised games, songs, or scenes.

"Bijou" Martuni’s, Four Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. An eclectic weekly cabaret.

"Body Music Festival" Various SF and East Bay venues. www.crosspulse.com. Dec 1-6, various times and prices. Keith Terry and Crosspulse present the second annual six-day global event featuring concerts, workshops, teacher trainings, and open mics.

On Broadway Dinner Theater 435 Broadway; 291-0333, www.broadwaystudios.com. Thurs-Sat, 7pm. Ongoing. SF’s most talented singers, artists, and performers combine interactive shows with dining and dessert.

"Concerto Italiano" Herbst Theater, 401 Van Ness; 864-3330, www.sfopera.com. Sat, 7pm. $30-$55. The San Francisco Opera Orchestra will perform a concert in honor of the 30th anniversary of Museo ItaloAmericano.

Full Spectrum Improvisation The Marsh, 1062 Valencia; 564-4115, www.themarsh.org. Tues, 7:30pm. $10-$15. Lucky Dog Theatre performs in its ongoing series of spontaneous theatre shows.

Golden Gate Boys Choir and Bellringers Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. Mon, 7:30pm, free. Aurora Theatre Company presents the second meeting of the season with a reading of Tennesse Williams’ Cat on a Hot Tin Roof and a discussion of Neil LaBute’s Fat Pig.

"The Greatest Bubble Show on Earth" The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$10. Nov 27-29 and Dec 6, 1pm. The Marsh Presents Louis Pearl, the Amazing Bubble Man, in this fun show suitable for all ages.

"Kickin’ Off the Holidays Dance Party" Zeum, 221 Fourth St; www.zeum.org. Sun, 1 and 3pm, $18. Candy and the Sweet Tooths celebrate their CD release with two concerts of their popular repertoire plus two new holiday songs.

"Otello" San Francisco Opera War Memorial House, 301 Van Ness; 864-3330, sfopera.com. Wed, 7:30pm; Sun, 2pm. Through Dec 2. SF Opera presents Giuseppe Verdi’s classic, directed by Nicola Luisotti.


BAY AREA

"Aurora Script Club" Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. Mon, 7:30pm, free. Aurora Theatre Company presents the second meeting of the season with a reading of Tennesse Williams’ Cat on a Hot Tin Roof and a discussion of Neil LaBute’s Fat Pig.

"Hubba Hubba Revue" Uptown, 1928 Telegraph, Oakl; www.hubbahubbarevue.com. Mon, 10pm. Ongoing. $5. Scantily clad ladies shake their stuff at this weekly burlesque showcase.


COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

"Big City Improv" Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of "Whose Line Is It Anyway?"

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing. Note: Clubhouse will host no classes or shows Nov. 24-26.

Cobbs 915 Columbus; 928-4320. Featuring Henry Cho Fri-Sat, 8pm and 10:15pm.

"Comedy Master Series" Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

"Comedy on the Square" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm, through Dec. Tony Sparks and Frisco Fred host this weekly stand-up comedy showcase.

Danny Dechi & Friends Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Ongoing. Free.

"Improv Society" Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

"The Howard Stone Comedy Variety Talk Show" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm. $10. Comedy on the Square presents this twisted talk show featuring Kurt Weitzmann and unique one-man band the Danny Dechi Orchestra.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Check Website for times and prices. Featuring W. Kamau Bell Fri-Sat.

Purple Onion 140 Columbus; 1-800-838-3006, www.purpleonionlive.com. Call for days and times.

"Raw Stand-up Project" SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. $12-15. SFCC presents its premier stand-up comedy troupe in a series of weekly showcases.


BAY AREA
"Comedy Off Broadway Oakland" Washington Inn, 495 10th St, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week.
"Heretic’s Potentially Offensive Comedy" Live Oak Theatre, 1301 Shattuck, Berk; www.hereticnow.com. Sat, 8pm. $15. The work of Benjamin Garcia, Erin Phillips, and Clay Rosenthal is featured in this night of bizarre and hilarious comedy.

SPOKEN WORD
"Japanese Fairy Tales: Powerful Unattainable Women" Hillside Club, 2286 Cedar Street, Berk; (510) 644-2967, www.hillsideclub.org/blog. Mon, 7:30pm. $5. Marie Mutsuki Mockett presents her new novel Picking Bones From Ash, inspired by a Japanese fairy tale.